Reds for a blood moon

Reds for a blood moon

From left to right: Concha Y Toro Marques De Casa Concha Carmenère 2008, Jim Barry The Cover Drive Cabernet Sauvignon 2010, L’ecole No. 41 Red Wine 2011, Blue Mountain Reserve Pinot Noir 2011, Michele Castellani Colle Cristi Collezione Ca’ Del Pipa Amarone Della Valpolicella Classico 2008, Domaine Des Martinelles Hermitage 2009, Painted Rock Red Icon 2011

That the ‘Blood Moon” tetrad of 2014-2015 fall on Passover and Sukkot should come as no surprise. That it’s snowing again on April 15th while the Moon meets the Earth’s shadow for a total lunar eclipse is a cosmic connection that requires red wine. Big reds.

Last weekend’s VINTAGES April 12th release had some beauties and a recent tasting at WineAlign of B.C. wines showed that power and finesse can co-exist on the Left Coast. Who knew they would come in handy with the mercury again dipping below zero and people everywhere howling at a moon they can’t see. Crazy times.

Thanks to Dave Dickinson, the lunar phenomenon is broken down into laymen’s terms, in shades of red. “Does the eclipsed Moon appear reddish to you? What you’re seeing is the sunlight of a thousand sunsets worldwide, streaming through the Earth’s atmosphere into the shadow. This color can vary considerably from eclipse to eclipse, causing it to appear anywhere from a dark tea-stained color to a bright cherry red. This variation is due to the amount of dust currently in the Earth’s atmosphere, and is measured on what is known as the Danjon scale.”

Here are seven immense red wines, from three continents, each with their own unique style, to match with a blood moon.

Concha Y Toro Marques De Casa Concha Carmenère 2008, Peumo Vineyard, Rapel Valley, Chile (169862, $19.95, WineAlign)

A trifecta of regard makes this worth looking at, the least of which, at first thought, is the effect of some age. The Concha y Toro Carmenère examination, in Carmín de Peumo, in Terrunyo and in Marques de Casa Concha is the Chilean reference point for the variety. The impart of deep, clay soils and the expectation of gentle tannins make for a curiosity call when considering an ’08 specimen. Tough and gritty, on one hand, on the other soapy, sandalwood and waxy. The third hand has smouldering wood, berries and tannins. Very much like its Cab and Merlot brethren, the fruit is just starting to be outrun. Try it now and see what Carmenère can bring.  Tasted March 2014  @conchaytoro

Jim Barry The Cover Drive Cabernet Sauvignon 2010, Coonawarra, South Australia (677476, $26.95, WineAlign)

Young-ish vines on the site of the old Coonawarra Penola cricket ground receive perpetual hydro-mineral support from porous limestone under rich terra rossa soil. That fruit is then blended with extract from estate vineyards in the Clare Valley. Smashes the cover off the grapes towards a full on gain of flavour. Charred peppers and lush black berries are smothered and splintered by a 50/50 split of French and American oak in no less than a crush of conceit. Tannin, grit, joy, flesh, full on deep fruit and mineral. Obviously over-swung and with too much club (switching sports), like using Driver used when a long iron would have sufficed. But you drive for show and this Barry can putt for dough.  Tasted March 2014  @Jimbarrywines

L’ecole No. 41 Red Wine 2011, Columbia Valley, Washington, USA (366237, $29.95, WineAlign)

A really good, high-octane red blend if blatantly massive. Like the smell of a shiny, varnished, fresh wood cabin glazed by highly aromatic and resinous epoxy extract. That’s the simple tasting note. The more complex version includes a perfume potpourri of Bougainvillea, violet, orange peel, cinnamon, dark chocolate and a lumber factory. The electric, fully plugged in blend is Syrah, Merlot, Cabernet Sauvignon, Malbec, Cabernet Franc and Grenache (38, 36, 15, 6, 4 and 1). The quotient seeks learned Nirvana and with a little luck, some power chords, a bit of screaming and historical, retro-cult exoneration, it may just get there. Right now it just feels like High School. Impulsive and uncomfortable. Wouldn’t you believe it, it’s just my luck. No recess.”  Tasted March 2014  @lecole41

Blue Mountain Reserve Pinot Noir 2011, Okanagan Valley, British Columbia, Canada (Winery, $36.00, WineAlign)

The Reserve Pinot is intoxicating to say the list. Some whole clusters in the fermentation process add mouth feel, cure and needed grit but how this can not be viewed overall in the shiniest west coast light would be confounding. The reserve ’11 is both “sky as I kite, sticky as lips” and “as licky as trips.” If there was ever an Okanagan Pinot Noir to get you high, this would be the one. What a boisterous effort out of a less than scorching vintage and considering the modest to riches price, no shame in visiting with flavourful fare, imbued with spice, any day of the week.  Tasted April 2014  @BlueMtnWinery

Michele Castellani Colle Cristi Collezione Ca’ Del Pipa Amarone Della Valpolicella Classico 2008, Veneto, Italy (222109, $45.95, WineAlign)

The magic of age is a friend to Amarone and funk trumps fruit. In a nutshell the axiom describes the old-school Colle Cristi. A brooding Amarone, cut by zest that’s citrus-like and savoury/earthy in pine needles, juniper and a Venetian forest in autumn. Inviatura and Chiaroscuro. Caravaggio meets Giorgione. The most complex Valpolicella in the April 12th VINTAGES line-up.  Tasted March 2014

Domaine Des Martinelles Hermitage 2009, Rhone, France (112268, $54.95, WineAlign)

Clearly modern and style-heavy though not out-of-place in the world of Hermitage. From steep slopes of stony brown sand, a high level of grit might be expected but this Syrah is refined, lush and smooth as silk. At 14.5 percent it’s no shrinking violet, honest and futuristically traditional. At $55 it’s a mandatory, appellative Northern Rhone steal. Matter-of-fact acidity, verve and mineral content are all in, with elegance and balance. Really fine Syrah with a five to ten-year fruit-tannin power struggle ahead.  Tasted March 2014  @LeSommelierWine

Painted Rock Red Icon 2011, VQA Okanagan Valley, British Columbia, Canada (Agent, $55.00, WineAlign)

Painted Rock’s red icon could be considered more black than red, as exemplified by the layering of grapes, their pitchy extracts and the fruit associated with their gathering. If the man should ask, “tell him what we said ’bout ‘Paint It Black.’ Rock ‘n Roll is here to stay.” Yes, the Icon will be a big star someday and perhaps this ’11, despite the cooler vintage, will be the first. Might have to wait 13 years or more to find out because the tannic structure is in beast mode and will remain so for likely that much time. The wine plays memorable chords and its song lingers on the brain.  Tasted April 2014  @liffordwine  @PaintedRockJohn

Good to go!

https://twitter.com/mgodello

 

Up on Creekside Estates

Creekside Estate Wines Photo: Eric Vellend

Creekside Estate Wines
 Photo: Eric Vellend

It was the weekend of Godello’s excellent Cuvée adventure, a Niagara winepalooza that included the Brock University Cool Climate Oenology and Viticulture Institute’s Expert’s Tasting. On the road to The Falls there happened an extensive tank, barrel and vertical go round at Flat Rock Cellars and then, with chef riding shotgun, the next essential stop came up on Creekside Estates, a seventeen year-old Jordan winery on 4th Avenue.

Creekside Estate Winery
2170 4 Ave. Jordan Station, ON L0R 1S0
1 (877) 262-9463 or (905) 562-0035

@CreeksideWine

Creekside was founded in 1997 by owner Laura McCain on a 15-acre vineyard at the 4th Ave. site. The early days of the winery saw an attitude towards varietal antidisestablishmentarianism, with Sauvignon Blanc and Shiraz at the forefront of production. Daring to be different from the start, Creekside has carved an antithetical, Niagara Peninsula religious wine belief, slightly devious, with a manifesto towards creating wickedly good wines.

Creekside Estate winemaker Rob Power Photo: http://www.creeksidewine.com/

Creekside Estate winemaker Rob Power
Photo: http://www.creeksidewine.com/

In the early days there was winemaker Rob Powers and mad scientist partner in crime Craig McDonald, now the chief of what happens in bottle at Trius. Powers graduated in the first oenology class out of CCOVI and began his vinous stirring with Creekside, a post he continues to develop, never-resting on earlier laurels. Back then the two cubs fermented and blended together, with caution swirling tohu vavohu in the wind. Some of those Meritage blends from the early 2000′s were brilliant strokes of luck, or as winemaker’s like to call it, hard work. Or destiny, or god’s favour. The Creekside credo has never wavered. Being overly serious is not an option. Having made decisions such as purchasing the unparalleled Queenston Road Vineyard on the St. David’s Bench on its side, Creekside thrives by an exhibition of capricious behaviour, adroit winemaking and the rope savvy marketing of veracious and affordable wines.

Assistant winemaker Yvonne “Cellar Monkey” Irvine and Director of Sales, Marketing and Necessary Evil Matt “Semi-Illustrious Career” Loney ushered a tasting of 12 Creekside wines. Here are the notes.

Creekside Estates Winery Photo: http://www.creeksidewine.com/

Creekside Estates Winery
Photo: http://www.creeksidewine.com/

Sauvignon Blanc 2012, VQA Niagara Peninsula, Ontario (620724, $13.95, WineAlign)

Leans and veers to the tropical side, no doubt as a result of a record-setting sugar vintage, but this ’12 manages to finish very dry. The arid descent follows a warm and fuzzy peach feeling, set about by some skin contact and buoyed by citrus and zest. Front yard value.

Backyard Sauvignon Blanc 2013 (Tank Sample), VQA Niagara Peninsula, Ontario (341792, $17.95, WineAlign)

A Creek Shores SB that bridges the gap between spring and summer fruit. From a year in which the choice was made to not blend off into the estate bottling. Recognizable Creekside aromatics stand out in a more than obvious mineral deposit and grapefruit zest way. Here the band plays across The Great Divide so “just grab your hat, and take that ride.” Will be a VINTAGES August 30 release.

Sauvignon Blanc Reserve 2012, VQA Niagara Peninsula, Ontario (142570, $26.95, WineAlign)

Seven barrels make up the Reserve, ferments new (four) and old (three), leading to a richer, fatter and spicier style. Dreamy really, as matchstick and flint join the fray in a Pouilly-Fumé way. That pierre à fusil is exaggerated by the warmth of 2012, with an elevated tang, rendering the flavours even more akin to Old World, Loire Sauvignon Blanc. Close your eyes and when you awake, “when you believe, you will relieve the only soul that you were born with, to grow old and never know.” The Creekside band created an old SB soul in ’12.

Laura’s White 2012, VQA Niagara Peninsula, Ontario (121764, $18.95, WineAlign)

Laura’s White combines Sauvignon Blanc, Pinot Gris, Chardonnay, Riesling and Gewürztraminer in a kitchen sink blend that sees a bit of oak. What’s notable about the ’12 is the omission of two highly aromatic components, the previously employed stalwarts Viognier and Chardonnay Musqué. The adage is justified in that you take what the vintage gives you. If it gives you lemons, (shift tangents) you let the busy aromatics of more flavourful grapes (like Chardonnay) do the floral work. Laura’s ’12 will be a standout for the concept, a revivalist blend to help bring back some religion to the region’s renditions. Coming to VINTAGES in June.

Viognier Estate Reserve 2011, VQA Niagara Peninsula, Ontario (22058, $29.95, WineAlign)

A 60-80 cases annual production from the Queenston Road Vineyard is not nothing because “ya take what ya need and ya leave the rest.” Aside from a miniscule addition out of stainless steel tank, this is all neutral barrel fermented fruit. Reigned in, less boozy and subordinate in oleaginous slide than in the sweaty years. Translation? A superlative vintage. The night they drove a whopping six rows of old ’11 Dixie Viognier fruit down for crushing the band began to play. This, knowing full well there would be no dirty peach martini, but rather a perfumed dropper distilling flowers, wildflower honey and wild tarragon. Rises and falls to verse like a Richard Manuel keyboard march with length to match the Queenston Road.

Rosé 2013 (Tank Sample), VQA Niagara Peninsula, Ontario (winery, $15.95)

A Cabernet Sauvignon (71 per cent) and Cabernet Franc (29) full-on saignée Rosé with colour balance given by way of the CF bleed. An arid entry creeps to sweet with a pause amongst the whispering pines, finishing tinny and with a breath of fresh herbs. Niagara Rosé can get lost sometimes, in extract, hue and a candied, sinking feeling. This is a scaled back vintage which is more than a good thing, so there’s no waiting, “until it all goes round…the lost are found.”

Syrah 2012, VQA Niagara Peninsula, Ontario (121764, $15.95, WineAlign)

A healthy 3,200 cases are managed and executed with ease from mostly estate fruit. Certainly warm in this vintage, dare I say, like McLaren Vale. If it must not be said, too bad, but it’s also a bowl of fresh berries with a rocky Rhône intent. Terrific tar and ash finish.

Cabernet Shiraz Estate 2011, VQA Niagara Peninsula, Ontario (305300, $16.95, WineAlign)

A traditional Oz combination of Cabernet Sauvignon (55 per cent) and Shiraz (45), clearly new world in style, as Yvonne Irvine says, like “trying to make a big, rich, unctuous Shiraz.” The question could be posed, “temptation stands just behind the door, so what you want to go and open it for?” This one goes right to the jawbone with serious backbone and streak of acidity. Not to mention chalk, grain and a Shiraz solo. The American oak accent is clear and the tannins say wait two to three years, please. The fruit may, or may not comply.

Laura’s Red 2010, Queenston Road Vineyard, VQA St. David’s Bench, Niagara Peninsula, Ontario (117906, $19.95, WineAlign)

It’s funny, more than any other wine tasted, this Laura has that Niagara varnish other Creekside reds seem not to possess. “Stock up in the big years” suggests Matt Loney, and “consolidate in the tougher ones.” It could be argued that you can make more interesting wines in the lean years but this blend of Cabernet Sauvignon, Merlot, Syrah, Malbec and Petit Verdot lays a claim to seriousness, if needing at least three years to settle down. There is much cassis, sweet oak, iodine and a milk/dark chocolate swirl. Complexity for sure if just a bit huge within its own skin.

Merlot Reserve 2008, VQA St. Davids Bench, Niagara Peninsula (winery, $34.95, WineAlign)

Here is a wine that is aging gracefully, works with and fits into the vintage, Merlot as objet d’art, grown in stature as if by wizened verdigris. Smells like Goulash or Côte de boeuf à la Bordelaise, even cured meat. Might also be considered in terms of funk, a note sometimes brought on by Hungarian oak. Tons of red fruit, pencil, anise and “the smell of the leaves, from the magnolia trees in the meadow. King Harvest has surely come.” Few Ontario reds succeeded in ’08 like this Queenston Road stunner and few will live as long. Another classic by the band.

Cabernet Sauvignon Reserve Queenston Road Vineyard 2010, VQA St. David’s Bench, Niagara Peninsula (winery, $34.95, WineAlign)

Impeccable correctness in terms of the variety from a year where the heat giveth and the heat taketh away. Works Cabernet properties properly, embracing and minimizing oak without pretending it’s not there. This red is expressly lush and oak driven, as it should be, it being Cabernet and all. Leaves its appendages out for a Mediterranean pedicure, a glaze of Cassis, black olive and black cherry dug in a chair entrenched in the warm confines of the St. David’s Bench.

Lost Barrel Red 2007, VQA Niagara Peninsula (46470, $65.00, WineAlign)

Just 60-80 cases are made from the tips of the best barrels through a process that takes 56 months to complete. The secret ingredient is Sangiovese and bless the band‘s soul if the ferric, iron and animal musk is not attributed to the addition. This is a different kind of wine, with lees in the bottle, not unlike some big, bad Spanish wines. It’s ’07 and still reductive which makes it seem peculiarly modern (note, Spanish) but it’s really not. Despite the monster tannins, it “just gave my heart a throb to the bottom of my feet and I swore as I took another pull,” the Lost Barrel can’t be beat. Up on Creekside Estates.

Good to go!

https://twitter.com/mgodello

Release the wines, catch an Ontario phrase

 

Pinot Noir from the Mountainview Road on the Beamsville Bench.  Photo: William Roman, http://www.rosewoodwine.com/

Pinot Noir from the Mountainview Road Vineyard on the Beamsville Bench.
Photo: William Roman, http://www.rosewoodwine.com/

In the past 10 days there have been opportunities to taste the Ontario wine industry’s state of the union. Tawse Winery rolled out the red carpet, the Key Keg and a must check ‘em out set of new wines in a sister brand known as Redstone Wines. County in the City presented a major introspective of Prince Edward County at the Berkeley Church and Somewhereness, the definitive Ontario goût de terroir on display April 9th at St. James Cathedral has the local wine community abuzz with new catch phrases.

Full reports on those three events will be coming out over the next couple of weeks. In the meantime, Ontario wines and winemakers are well represented in this week’s VINTAGES April 12th release. That and a mess of catch phrases, idioms, colloquialisms and overall word play.

A sundry type of tasting note composition can theoretically make cause to “burn one’s boats” though the phrase “crossing the Rubicon” holds more water and instills greater confidence. Before feeling the need to act on a Mr. Bursian attack and screaming “release the hounds,” it is highly recommended to read between the lines, click on the pop culture references but refrain from and “don’t look the gift-horse in the mouth.”

Ontario wines have come so far and in such a short period of time. Sure there are some outfits that might be considered a “flash in the pan” and specific examples weighted down by “feet of clay.” Who does not hope that as a group, wines from Niagara, Prince Edward County and Lake Erie North Shore avoid a “hoist with one’s own petard’ or go “sailing under false colours.” There should be no fear. Ontario wines are no longer merely improving. They are “throwing down the gauntlet.” There is no reason to reject the idea of spending $38 on an Ontario red or white. Quality is officially and incontestably in the bottle.

Here are six wines in stores now, five from Ontario, the other made by an Ontario winemaker, to have a go at this weekend.

From left to right:

From left to right: Pondview Riesling 2012, Fielding Estate Sauvignon Blanc 2013, 13th Street June’s Vineyard Riesling 2011, 13th Street June’s Vineyard Riesling 2012, Bachelder Oregon Chardonnay 2011, Rosewood Estates Reserve Pinot Noir 2010

Pondview Riesling 2012, VQA Four Mile Creek, Niagara Peninsula, Ontario (271148, $15.95, WineAlign)

While winemaker Fred di Profio’s ’12 remains true to the Pondview idea of mineral-driven Riesling, the vintage dictates the course and this one simply carries four miles of juicy fruit, accented by green herbs and a spread of lime jam. It’s dry, vinous and cidery with a slight sour aftertaste. A lamb Riesling, lambic, iambic and pedantic. Good value. Tasted March 2014  @Pondviewwinery

Fielding Estate Sauvignon Blanc 2013, VQA Beamsville Bench, Niagara Peninsula, Ontario (131235, $18.95, WineAlign)

Ever orchard fruit bearing, omnipresent juicy Sauvignon Blanc. Pliable and informal, typical in itself and for the local marl. Kept on its toes by a wailing, sharp green peppercorn cut by caper line that runs through, then gracefully descends towards a grassy, song of freedom refrain. Tang is the final act of its redemption. Well-structured and proper. Does a Fielding wine ever not abide and chant “we forward in this generation, triumphantly?” Tasted March 2014  @FieldingWinery

13th Street June’s Vineyard Riesling 2011, VQA Creek Shores, Niagara Peninsula, Ontario (147512, $19.95, WineAlign)

June’s vineyard, now in its (correct me if I’m wrong) 12th year is both nascent and senescent, increasingly producing a blatant expression of Creek Shores Riesling. Today’s fleeting study faces a direct, anti-diminutive aridity and more dried herbs. In 2011, the austere vineyard speaks but the Riesling realizes atonement through a corpulence of flesh and bone down by the sheltered shores. A much tougher assignment than the gilded platinum hand dealt to vineyards upon the upper reaches of the Escarpment.  Tasted September 2013  @13thStreetWines

From my September 2013 note: “from Niagara’s Creek Shores and built of the classic Alsatian Clone 49 inordinately defines place and time in an agglomerated manner. Maximum floral intensity, zero petrol tolerance and an arid accumulation speak volumes about the appellation. To taste you will note it just barely believes it’s off-dry. Unique and unambiguous, plosive Riesling.”  Tasted March 2014

Tawse Sketches Of Niagara Cabernet/Merlot 2011, VQA Niagara Peninsula, Ontario (130252, $20.95, WineAlign)

Call it whatever you like; house red, Bistro red, un verre de vin rouge maison. All phrases to describe a refreshing and wholly compatible glass of red wine. The Tawse is crafted for such purpose, combining Cabernet Sauvignon, Cabernet Franc and Merlot in a Médoc state of mind. Aromatically it spews tobacco, tea, currants and white pepper, all wrapped in a tight, food-friendly package and demanding to be paired this way. Solid red.  Tasted March 2014  @Tawse_Winery

Bachelder Oregon Chardonnay 2011, Willamette Valley, Oregon (273334, $29.95, WineAlign)

The citrus stands out today. If the base and necessary oak treatment is your kryptonite, by all means, walk away from the Oregon Bachelder Project. But that decision deprives that part of your brain that processes progress and reason. This is not the oak-driven Chardonnay of your 1985. This is the future. Embrace the angles, the quotients and the variables. Fruit as function, rock as relation and barrel as the algebraic cauldron that allows the wine to come to conclusion. Sure there’s oak but it drives the equation. Deal with it. Tasted April 2014  @Bachelder_wines

From my earlier February 2014 note: “Yet another three months later re-taste to show Bachelder’s Oregon terroir may be the most difficult to assess in its infancy. This short slumber has changed everything. Oregon distinction, smell it, commit it to memory and you’ll never forget it. “Picture yourself staring at a loved one in a restaurant,” says Thomas. “Would you be able to pick this out as Chardonnay?” Some ciderish activity, from sedimentary and volcanic soils that used to mingle with ocean waters, give this a sea salt and fossilized lava stillness. More buttery (dare I say, popcorn) goodness than the rest. And restrained tang. And length. Wow.

From my earlier November 2013 note: “While Burgundian in hopes and dreams, this is very much a $29 Oregon white. No mask, no hidden altruism, simply the right Chardonnay for the right price. Bone dry, orchard driven, high acid, void of harmful terpenes. There is a salinity and piquancy not influenced by PH, perhaps by the ocean, by sandstone, but regardless it’s unique to place, unlike Niagara, Prince Edward County, or for that matter Burgundy.”

Rosewood Estates Reserve Pinot Noir 2010, VQA Twenty Mile Bench, Niagara Peninsula, Ontario (318345, $39.95, WineAlign)

Prettier in 2010 the Rosewood is, the aromas a precise glowing arcade of earthy, warm, peppery fire. April redolent of a burgeoning, sweet cranberry marsh. Present, accounted for though not tough tannins. Glazed by an unobtrusive candy shell. A fine, inviting, sweet and soft Rosewood Pinot, true to vintage and neighborhood. “Then I’ll dig a tunnel, from my window to yours.”  Tasted March 2014  @Rosewoodwine

Good to Go!

https://twitter.com/mgodello

 

Passover that big glass of red

Barque Smokehouse Miami Ribs PHOTO: Kevin Hewitt and Jill Chen (http://www.freestylefarm.ca/)

Barque Smokehouse Miami Ribs
PHOTO: Kevin Hewitt and Jill Chen (http://www.freestylefarm.ca/)

The Torah says, “Guard the month of the spring, and make [then] the Passover offering.” Meaning, Jews need to ensure that Passover is celebrated in the spring. In Canada that proclamation was in danger. Had Passover fallen in March, 2014 may just have seen the coming of the apocalypse.

An understanding of the rules and laws that govern wine on Passover is on a need to know basis. There are really just three key variants of information essential to purchasing and consuming on Pesach. This applies to Jews and non-Jews alike.

Number one. Passover wine is specific to a Jew’s level of Kosher. From Reform, to Conservative, to Orthodox, all Jews have different variances of belief. A Reform Jew will likely drink any wine on Passover and then again, may not. But, he or she will almost certainly not require the bottle to be Meshuval. A Conservative may only drink Meshuval but in more cases than not, Kosher is good enough. An Orthodox Jew goes it only one way, or the highway. Strictly Meshuval KFP, do not pass go, do not collect Afikoman (the broken Matzah) money.

I covered the gory and bitter (herb) details in last year’s Passover wine column. “All wines labelled “Kosher for Passover” are kosher, but not all kosher wines are kosher for Passover.”

Related – New wave under $20 wines go kosher for Passover

In 2012 I spent some time on the limiting, frustrating and constipating food component of the ancient Jewish holiday. “Try cooking with and having to eat nothing but Matzo, eggs and oil for eight days.”

Related - KP Duty – Kosher For Passover Wines

Kosher wines migrate bigger and bigger with each passing Lunisolar calendar year and their not so arbitrary inclusion or not of an intercalary month (shanah meuberet – Adar I) added in the 3rd, 6th, 8th, 11th, 14th, 17th and 19th years of the 19 year lunar cycle. Israel continues to race towards big, lush, often high alcohol reds. This trend could be seen as a masking or a compensating/mitigating strategy to oppose the rigors and past failings of making Kosher wine. It can also be viewed as a stylistic choice, to mirror what has taken place in Bordeaux, in California and in Australia for the past 20 years.

In Canada, Kosher wine selections are extremely limited. There are smaller, garagiste producers in Israel, especially in the hills surrounding Jerusalem, that are making fresher, less oaked reds, but good luck seeing them on shelves on this side of the ponds. It was refreshing, however, to find the Kosher contingent on the VINTAGES March 1st release to be Israel-focused. In past years the group was dominated by Australia, Italy, France and California. Israel is making the best Kosher wines on the planet. Go figure.

Barque Events offers a full Passover catering menu. View the selections. Here are six big reds and a token white tasted and recommended for the Passover table.

Golan Cabernet Sauvignon 2007, Galilee

From left to right: Recanati Chardonnay 2012, Kosher For Passover, Non Mevushal, Upper Galilee, Golan Cabernet Sauvignon 2011, Galilee, Galil Mountain Alon 2010, Kosher For Passover, Upper Galilee, Teperberg Family Estate Meritage 2011, Kosher For Passover, Elah Valley, Tabor Earth Series Shiraz 2011, Kosher For Passover, Upper Galilee, Saslove Aviv Marriage 2011, Kosher For Passover, Upper Galilee, Galil Mountain Yiron Kp 2009, Upper Galilee

Recanati Chardonnay 2012, Kosher For Passover, Non Mevushal, Upper Galilee, Israel (128322, $19.95, WineAlign)

Rich, unctuous and viscous. Soft and discreet, more like a modern, New World sketch of a Grenache Rhône-blend than a warm climate Chardonnay. There is little or no affront to this clement and polite Israeli of scant tension or acidity.   Tasted February 2014

Golan Cabernet Sauvignon 2011, Kosher For Passover, Galilee, Israel (Vintage Wines – 611152, $26.95, WineAlign)

From winemaker Victor Schoenfeld, the stylish “G” will answer the pecuniary call for just about any Passover feast. Well-rounded, worldly, soft-spoken and generous of fruit. A 100 per cent Cabernet that knows its way around a blackberry, a ripe plum, a bouquet of violets and a chamber of faint tobacco smoke. Lush but not heavy, the only detractor is a slight caramel, oxidative note that indicates near-term consumption, which is basically a given anyway. The finish hints at a lava flow in the direction of the fourth cup, but because this G is so easy to drink, it should be enjoyed while still at the table.  Tasted April 2014

Galil Mountain Alon 2010, Kosher For Passover, Upper Galilee, Israel (354522, $20.95, WineAlign)

Alon makes use of Syrah to create its party mix, to work with 41 per cent Cabernet Sauvignon, 6 Petit Verdot and 6 Cabernet Franc. Another monster red blend, coming in hot and huge at 15.5 per cent alcohol. For the price, what more can you ask for? Passover may be a four glass exercise but two through four are top ups so it’s really a two glass night. This wine will not ruin your 2nd Seder morning wake-up after consuming a maximum two glasses at the 1st Seder. Rich, mocha berry driven shake, spicy and with non-invasive meaty aromas. Hot, sweet and bothered.  Tasted February 2014  @azureau 

Teperberg Family Estate Meritage 2011, Kosher For Passover, Elah Valley, Israel (157016, $23.95, WineAlign)

Proper Bordeaux aromatics, of tobacco, tea, black currant and grilled meat. Nothing gritty going on here, all four varieties playing a role and hanging together. With good tannins, sweet sinuous and slinky, this is a very versatile Passover red that will also benefit from a year or two in bottle. Better than average value.  Tasted February 2014

Tabor Earth Series Shiraz 2011, Kosher For Passover, Upper Galilee, Israel (356709, $23.95, WineAlign)

In an unusual turn of the earth, this smells like someone dropped a piece of Emmental to melt in the heat upon the must of this Shiraz. It does swirl away and a solid core of red berry remains, though for just a spell. Simple, semi-structured and proper, without hard edges or tannins, but falls quickly. Will work well with many Passover flavours but drink it up in 2014.  Tasted February 2014

Saslove Aviv Marriage 2011, Kosher For Passover, Upper Galilee, Israel (354514, $29.95, WineAlign)

This Aviv consolidates Bordeaux, Piedmont and the Rhône into one complex and perplexing blend within the confines of a single bottle. The Northern Rhône meatiness of the Shiraz stands out firm and at attention, essentially suppressing the Meritage marriage intent and thus renders the wine monochromatic. Still its lively and spicy, ready for the bigger and more pungent foods on the Passover table. The Shiraz might say, “this is a crisis I knew had to come, destroying the balance I’d kept.” The other varieties, meaning Merlot, Cabernet Sauvignon, Petit Verdot, Cabernet Franc and Nebbiolo are the silent partners in this polygamy of a wine marriage. They play their parts despite the joy division.  Tasted February 2014

Galil Mountain Yiron Kp 2009, Upper Galilee, Israel (95075, $34.95, WineAlign)

The Yiron is a beast but because I am so pleased to see the Kosher feature composed of all Israeli wines (as opposed to Australia, France, Italy, Argentina and Chile) I am focused and ready to work with anything on this table. Despite the 15.5 per cent alcohol and plethora of oak treatment, this blend shines in rich, meaty and anise-spiked flavours. The mix of Cabernet Sauvignon (60 per cent), Merlot (35) and Petit Verdot (5) may seem monstrous but it is not stupidly expensive now and in relation to what it cost in previous vintages ($50). Though certainly not a wine of elegance, grace and restraint, the Yiron pulls no punches and remains true to its warm climate conditions. It is what it is.  Tasted February 2014

Good to go!

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Mr. Pearson’s Opus

David Pearson has been the CEO of Opus One since February of 2004. His job is both simple at heart and complex of mind. Two legendary wine men, California’s Robert Mondavi and Bordeaux’s Baron Philippe de Rothschild combined (in 1978) to create one of Napa Valley’s most iconic wines. “At its core, Opus One is an idea,” relates Mr. Pearson. The wine is a blend of Mondavi and Mouton, a reflection of the character of two families.

Pearson is responsible for all production, marketing, sales and administrative activities at Opus One. He is the caretaker of a single bottle of wine. Can there be another brand, anywhere in the world (not called a First Growth) that carries such weight or specificity of concentration? The job requires serious moxie and intuition. The soft-spoken David Pearson is Opus One. That much is clear. Thirty-five years later “we’re just at the beginning of the process,” explains Pearson, “In evolution, of developing this great marriage.” For the uninitiated, Opus One is a Bordeaux table blend of the traditional five varieties, Cabernet Sauvignon, Cabernet Franc, Merlot, Petit Verdot and Malbec, made in a “California style.”

Opus One Vineyard Photo: http://en.opusonewinery.com/

Opus One Vineyard
Photo: http://en.opusonewinery.com/

It started as a pure concept, with no actual vineyard, in the Baron’s bedroom back in the 1970′s. “The wine is a child that resembles its parents,” notes Pearson. He sees its growth has now reached a maturity stage for individual vintages to be judged as either that child or as an adult. Pearson, Craig de Blois and Mark Coster of Noble Estates brought four vintages of Opus One to Luma Restaurant on March 27th. Pearson asked that the group of sommeliers and wine scribes decide which of these wines have left their parent’s home. The exercise seemed simple enough, especially with a level of clarity made readily available by the fact that all four vintages poured were fostered and nurtured by current winemaker Michael Silacci. Silacci joined Opus One in March 2001 as director of viticulture and enology and became winemaker in January of 2004. After tasting a stunning set from 2010, 2009, 2006 and 2001, the solicited clarity was revealed.

All natural acidity, an ever-earlier picking stratagem and less frequent racking define the Opus direction. The Opus team considers their winemaking “minimalist” and though in wine-speak that is certainly a relative term, as a group the wines do present with a meritorious level of fruit purity. That can’t be said for many Napa Valley brands that seek more hedonism than is often necessary. Saying that the price of a bottle is inflated by a historical elevage of personality and fashion branding neither does Opus One an injustice nor does it relegate the commenter as a castaway to a deserted island. Opus One is a brilliant and gorgeous red. It’s also very expensive.

Opus One Tasting at Luma Restaurant Photo: Eric Vellend

Opus One Tasting at Luma Restaurant
Photo: Eric Vellend

In September of 2012 I had the pleasure of tasting the Opus One 1989. My tasting note:

Opus One 1989 Unbelievable. A lesson in Napa iconoclasm. What every great 22-year old New World wine should strive to become. In harmony with every part of itself; fruit, tannin, acidity. Beauty within and without. Dark, sultry, full of all things berry and oak. The full gamut of red and black fruit, vanilla, mocha and chocolate. Like walking into your childhood and being handed the keys to Charlie’s factory. Another M gem.

Notes from the March 2014 tasting: Opus One, Napa Valley (26310, $399.95 – 2009 vintage)

2010 (WineAlign) The blend is Cabernet Sauvignon (84 per cent), Cabernet Franc (5.5), Merlot (5.5), Petit Verdot (4) and Malbec (1). Fiercely approachable, a rope of gemstones falling effortlessly into the palm of a velvet glove. Imminently modern, reeking of toothsome Napa and working without Old World parental support. Dense texture, high acidity and exceptional length. Layers upon layers of fruit powered by audacity and prowess. Even this formidable ’10 will struggle to find immunity from the weird vintage. It’s ripe, anything but green and manages an admirable level of elegance. Lives for today. Will it age like its older siblings? Yes, but not as long.

2009 (WineAlign) The blend is Cabernet Sauvignon (81 per cent), Cabernet Franc (9), Petit Verdot (6), Merlot (3) and Malbec (1). The immediate and obvious cerebration is all about its incredible sense of balance. A garden of perfume, the most Bordeaux-bent of the tasting and a mineral reverberation carried on through a seemingly never-ending finish. Blessed by a long and sweet chain of tannin. This ’09 has that Mediterranean brush stroke of garrigue and black olive smothered by a smear of sun-drenched California fruit. Another challenging vintage where picking time was so crucial. That September 21st to October 20th window must have been the right one.

Opus One Bottle

2006 (WineAlign) The blend is Cabernet Sauvignon (77 per cent), Merlot (12), Cabernet Franc (5), Petit Verdot (3) and Malbec (3). A kinaesthesia with age is sent forward by the tertiary complexity of its make-up. Dusty, still marked by acidity, along with a note of toffee and a raisining of the fruit. Savoury too, in gentle middle-age, it gives away strange sensations and aromas that suggest a potpourri of powders; rose, bacon, espresso and Filé. Full of grace and contentment. A cool year that saw no end-of-year heat spike, this is a most unique Opus one.

2001 (WineAlign) The blend is Cabernet Sauvignon (87 per cent), Merlot (6), Malbec (3), Cabernet Franc (2) and Petit Verdot (2). The ’01 conjures up instant funk and “the beat is really soothing.” The Bretty streak stretches, dissipates and is cleansed as the wine aerates, but the groove lingers on. An Opus that clearly states “I got my mind made up.” Of the vineyard and for the vineyard, with a note of wet forest. The Bar Mitzvah boy is acting as one would expect, as an agent to a coming of age law, like a leather satchel filled with dehydrating, concentrated fruit. Swirl some more and that jerky is then drizzled by a Mickey of berry liqueur and dusted by 13 year-old dirt. A vintage defined by 14 per cent alcohol, still vital, powerful and neo-gritty. Forty-five minutes in, the lingering funk is fading but the thought, the chalk and the grain sends this Opus One back across the Atlantic, to the world of Mouton.

Good to go!

https://twitter.com/mgodello

The death of wine scores?

 

Is the rating simply a tool understood within the context of marketing? Photo: Maria Vazquez/Fotolia.com

Is the rating simply a tool understood within the context of marketing?
Photo: Maria Vazquez/Fotolia.com

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Not so fast.

As time goes by, I am hearing less comments like, “well that one got a 95,” and “that one is better value because it got a 90.” Wine ratings may increasingly becoming maligned and less frequently employed but that does not mean they don’t have their place. Scores continue to be necessary as a way to evaluate wines that lack a certain level of honesty. Wines on the edge of being dodgily made, encumbered by heavy-handed, industry-fed, mass marketing machines. Scores separate and differentiate the wheat from the chaff when dealing with over the top residual sugar, hyper-acidification, bloated alcohol and (lack of fruit) masking. Embrocating one Malbec an 85 over another’s 84 makes a comment on the relative validities of those two sweetened confections.

Attaching a rating to a tasting note is not a question of right versus wrong. Ratings measure a bottle of wine against its peers. That is the simple answer. The problem is that the tasting experience is a subjective one and each reviewer has personal preferences, so in order to align with one (or more), the consumer must self-calibrate alongside a critic whose palate they’ve figured out. Very difficult to do, so relying on scores has always been the easiest road to travel.

Part of the problem is that tasting notes, on their own, are often fleeting and impossible to grasp. Guilty as charged. Fred Swan put this is the most eloquent terms. “Tasting notes are like photographs, portraying a subject at one brief moment in time and without a back story.” If tasting notes are just snapshots, is that not compelling testimony as to the need for an accompanying score? Or is the rating simply a tool understood within the context of marketing?

Jamie Goode’s take. “I find myself in a tricky position: I use points even though I don’t like to because readers find them useful. And I have to calibrate my scale with the major critics. This pushes me into a corner.”

Still the debate is growing and for good reason. The wine community is tiring of seeing scores, especially those tabulated using the Robert Parker Jr. anointed 100-point scale, attached to a critic’s wine tasting note. The question has always been this. Why would you need scores to sell wine?

Mr. Parker feels so strongly about the entrenched longevity of his system that he’s announced the launch of a new lifestyle magazine called “100 Points by Robert Parker.” Does this sound like a last gasp fling from a captain going down with his ship? Bill Zacharkiw seems to intimate the idea, but the Montreal Gazette wine critic is smarter than to lash out and drag anyone through the mud. Taking a high road, Zacharkiw writes, “from grapes to wine styles, there is truly a wine for everyone. I have my taste, you have yours, and Parker has his.” No, nor scores neither. Nor scores neither.

The fervor and sometimes rage in the argument reminds me of the (second) most famous of Hamlet soliloquys. “Why it appeareth nothing to me but a foul and pestilent congregation of vapours. What a piece of work is a man!” Most of the voices chiming in on this hot topic only see the ratings world in black and white. There are more shades of grey than many would freely admit. Scores have their place.

Meanwhile, Decanter is reporting that Château Pontet-Canet made a bold decision to test (more than 20 years) of uncharted waters by setting their en Primeur pricing in advance of the taste and ratings levies by the major critics. Since the nineties the likes of Parker, Decanter and Wine Spectator have all but determined Bordeaux Futures pricing. Pontet-Canet’s move is being seen as another nail in the 100-point coffin. One Bordeaux négociant commented, “If other chateaux follow this same pricing model, we might as well go home now.”

The real issue is the bottle itself. In the new world of wine, who has not thrown new stock and a vested interest into wines made naturally, in sustainable, biodynamic or organic ways? Who has not made a resolution to drink more honest wine? Producing good wine still trumps the natural theatre of viticulture and viniculture but honesty is the new order. Honest wines should go forth and be free of wine ratings.

Wine scores can be ignored if we concentrate on what matters. Like apiculate yeast, fermentative vigor, microflora, clonal selection and soil. We also need to talk more about and mention flaws, like chlorinated compounds, hydrogen sulphide and volatile acidity. These are things that are too often brushed under the rug.

I will continue to post ratings of the wine’s I review on WineAlign because as a community of critics we offer a round table of opinions that allow the wine buyer to make gathered, educated and informed decisions. In consideration that this forum is a singular expression of opinions, this column will no longer attach scores to tasting notes. It’s quite obvious, plain and simple. I only write about honest wines for canada.com. The prose speaks for itself.

With spring beginning this Friday, no joke, here are the last of the great big winter reds. Five wines recently tasted that thrilled by way of their fairness, their honor and their virtue. Wines that need no score.

From left: Mi Terruño Reserve Cabernet Sauvignon 2010, Pearl Morissette Cabernet Franc Cuvée Madeline 2010, Ruffino Ducale Oro Riserva Chianti Classico 2008, The Hess Collection Cabernet Sauvignon 1990, and Château Calon Ségur 2010, Ac Saint Estèphe

From left: Mi Terruño Reserve Cabernet Sauvignon 2010, Pearl Morissette Cabernet Franc Cuvée Madeline 2010, Ruffino Ducale Oro Riserva Chianti Classico 2008, The Hess Collection Cabernet Sauvignon 1990, and Château Calon Ségur 2010, Ac Saint Estèphe

Mi Terruño Reserve Cabernet Sauvignon 2010, Mendoza, Argentina (364133, $15.95, WineAlign) From the VINTAGES March 29, 2014 Release

Stands out for its honest fruit, this Mendozan from San Roque district in Maipú county. Qualified by an admirable level of restraint, low in residual sugar and alcohol, straightforward, unencumbered. Winemakers María Eugenia Baigorria and Sergio Giménez have let the fruit speak in clean, level tones, in red berries, licorice red and black, a dusting of spice, red cherry and even strawberry. This is textbook hands off winemaking with nearly exceptional length and simply solid from start to finish. Mi sueno, mi terruño.  Tasted March 2014

Pearl Morissette Cabernet Franc Cuvée Madeline 2010, VQA Twenty Mile Bench, Niagara Peninsula (winery, $38, WineAlign)

Francois Morissette’s 2010 is a pioneering example towards defining Bench appellation Cabernet Franc isomeric reactions. Relationships between grapes of a growing area and their ultimate destination in bottle. An affair of veraison, leaf drop, frost, hand harvesting, whole cluster sorting and berry oak fermenting.  Indigenous yeast, punch downs and overs for phenolic skin extraction and polymerization. Neutral oak and sulfur dioxide to provide antimicrobial and antioxidant protection. An eighteen month somniac’s rest, fine lees and no filtration. The structural arrangement in cohabitation of radicals and ions leads to such a Cabernet Franc. Fully expressive of an endemic, very ripe, vegetal varietal vicissitude that is both inbred and necessary. Currants and peppered berries of power and grit. Dry (2 g/L residual sugar), plump (13.7 per cent alcohol) and scarce (618 cases made). Reflective of the warm 2010 vintage and will always act in stark contrast to the elegant 2011.  Tasted July 2013 and March 2014  @PearlMorissette  On the card at Barque Smokehouse

Ruffino Ducale Oro Riserva Chianti Classico 2008, Tuscany, Italy (353201, $43.95, WineAlign) From the VINTAGES March 29, 2014 Release

A re-release showing an exuberance of advanced character. Now acting out the strikingly rich and golden vintage, in Lamé and gilded iron. Speaking a most Tuscan, elite vernacular, already recognizable and evolving into its own skin, with a notion towards herbaceous, dried fruit. A classic pasta and roasted meats red wine. Nonna’s Trattoria kitchen in a glass. Drying just a touch, so drink up. Earlier note: “Slight earthy funk, imparted by the vineyard floor and in part from the wood. Sappy, resinous, distinctively warm-blooded, plummy fruit. Tuscan tang though light on pucker.”  Tasted October 2013 and March 2014

The Hess Collection Cabernet Sauvignon 1990, Mount Veeder, Napa Valley, California, USA (662015, $59.00, WineAlign)

A seminal bottling from a game-changing year, for two all important reasons. One, it was a great vintage for Napa reds and two, the Mount Veeder sub-appellation was established. While only 24 years ago, a mere five wineries existed there at the time, including Mayacamas, Mt. Veeder and Hess. No hyperbole to say this is tasting a piece of history. Despite my “shouting all about love,” this splendidly aged Cabernet is not so much about resilience as it is persistence and infinite wisdom. All those years ago there were Napa reds made at a mere 12.5 per cent alcohol, with finesse and a sense of George-like calm. With little aeration there is fig, prune and toffee gently weeping but with air the aged fruit is swept away by a wave of gob stopping Cassis before its time. Preconceived notions of banausic, early days Cabernet are smothered by the magic dust of this Hess religion, a Dharma of licorice, ash and enlightenment. A wine to make you forget where you are. Depth, length and up to a half decade yet of reserved life lay ahead.  Tasted March 2014  @HessCollection 

Château Calon Ségur 2010, Ac Saint Estèphe, Bordeaux, France (259010, $149.85, WineAlign) An In-Store Discovery from the VINTAGES March 29, 2014 Release

A blend that in 2010 is extremely high in Cabernet Sauvignon (86 per cent), with support from Merlot (12) and Petit Verdot (2). Immaculate hue in blue jasmine meets red ochre, echoed by blue and red fruit aromas. A purity of freshness and an exotic perfume distracts from the absurdity of the price, if just long enough to become intoxicated by its qualifications. It really does have it all. Red velvet layer cake made of the finest chocolate, the world’s least refined and highest quality sugar, spices only found in places reached and hand-picked by agile, primate-like humans. So approachable and marked by sweet tannins that will carry this Saint Estèphe for three decades.  Tasted March 2014

Good to go!

March grape madness

Andrew Wiggins, #22 of the Kansas Jayhawks

Andrew Wiggins, #22 of the Kansas Jayhawks, drives upcourt as Marcus Smart, #33 of the Oklahoma State Cowboys, defends during the Big 12 Basketball Tournament quarterfinal game at Sprint Center on March 13, 2014 in Kansas City, Missouri.Photo: Jamie Squire/Getty Images

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Choosing wines from a wall of brace and girder filled options presents as much a degree of difficulty as picking winners from an NCAA March Madness bracket. When it comes to teenage basketball, do you stay the favourite course and go with all number one seeds? Should you think underdog, like Coastal Carolina Chanticleers or the Albany Great Danes? Who will be this year’s 2013 Florida Gulf Coast Eagles? Or the other 2013 final-four sleepers from Wichita State? Or Virginia Commonwealth in 2011? Butler, Davidson, George Mason, Kent State, Indiana, Loyola Marymount, Villanova, this list goes on. Who can forget the Jimmy V. coached 1983 North Carolina State Wolfpack?

Related – Five Canadians to watch for during 2014 March Madness tournament

When you consider what wines to open alongside the march to the Final Four, or what to drink in March, are you thinking Cinderella story or go to, can’t miss favourites? Being partial to the underdog, the lesser known, smaller lot, less marketing backed bottle is not only smart but worth the risk. Winning the pool because you chose the right lower seed and picking out a wine gem from a sea of same-old, same-old is a winning combination. Here are six unsung heroes, dark horse wines to seek out this March. Get a little madness in your life.

Clockwise from top left: Casa Do Valle Grande Escolha 2012, Maison Adrien Vacher Les Adrets Altesse Roussette De Savoie 2012, Rockway Vineyards Small Lot Reserve Red Assemblage 2011, Niagara Peninsula, Tawse Gamay Noir 2012, Prà Soave 2012, and Le Clos Jordanne Le Clos Jordanne Vineyard Pinot Noir 2011

Clockwise from top left: Casa Do Valle Grande Escolha 2012, Maison Adrien Vacher Les Adrets Altesse Roussette De Savoie 2012, Rockway Vineyards Small Lot Reserve Red Assemblage 2011, Niagara Peninsula, Tawse Gamay Noir 2012, Prà Soave 2012, and Le Clos Jordanne Le Clos Jordanne Vineyard Pinot Noir 2011

Casa Do Valle Grande Escolha 2012, Vinho Verde, Portugal (276220, $15.95, WineAlign) From the VINTAGES March 1, 2014 Release

Up a buck but for its nerve, ball fake, back-door cut and caution thrown to the wind, deserves to be so. Fast breaking mineral Vinho Verde without the hot spring, travertine effervescence. Rocks upon rocks, torched by the sun and set beneath a ripe apple orchard. A good bitterness, blanched nuts and lime in full-toasted flavour. Not your avô’s VV and that’s a good thing. Progress matters.   89  Tasted February 2014  @winesportugalCA

Maison Adrien Vacher Les Adrets Altesse Roussette De Savoie 2012, Savoie, France (365163, $16.95, WineAlign) From the VINTAGES March 1, 2014 Release

Expectations run high for this montane white to be light, ethereal and delicately floral. To the contrary, the Savoie Altesse/Roussette (sort of like saying Bourgogne Blanc/Chardonnay) is at first an offensive foul, a bit stinky, sweaty and humid, like the efflux of a runny, unwashed rind cheese. Auto emissions too, acquired aromas for sure, with more mineral to taste, along with funky apples on steroids. Thoroughly invigorating. Can you get on board?  89  Tasted February 2014  @ProfileWineGrp

Rockway Vineyards Small Lot Reserve Red Assemblage 2011, Niagara Peninsula (321893, $16.95, WineAlign) From the VINTAGES March 29, 2014 Release

Backs up the 2010 with another vintage that offers talented local ”Meritage balance for under $20.” The blend of Cabernet Franc, Cabernet Sauvignon and Merlot is a Nik Stauskas-like pure shooter, a thing of BEEF: Balance, eyes, elbow, follow through. Solid extract winged by top-notch acidity and nicely packaged with waves of fruit. The extraction may not allow this modestly priced red to age without some deconstructing so enjoy the fresh and vibrant fruit now and for two or three more years. Will really work with game nights.  88  Tasted February 2014  @Rockway Vineyard

Tawse Gamay Noir 2012, VQA Niagara Peninsula, Ontario (322545, $18.95, WineAlign) From the VINTAGES March 29, 2014 Release

The Tawse 2012 Gamay is a roaming shark with a Hammerhead-butt of (the serious side of) varietal aromas; tar, char and cherry pie. Capable of scoring points in the paint, a double-double even, like the twin tower Brampton brothers at New Mexico State. A very humid ’12, as per the vintage, with full-on flavour and in avoidance of the floor’s splinters. Forsakes the shaken and reductive instability of some young Tawse (big reds in barrel) for easy buckets kissed off the glass. For now and with every meal, including breakfast. Tang, inhibition, ball-stripping, #GoGamayGo.  89  Tasted February 2014  @Tawse_Winery

Prà Soave 2012, Veneto, Italy  (74534, $19.95, WineAlign) From the VINTAGES March 1, 2014 Release

Enter screw cap, exit the designation Classico. Pra Soave the man repossesses its self-respect and re-brands itself under the name “Otto.” This Garganega ventures into rangy, rambunctious, starburst territory. The tang pitches in many tones, there is texture to chew and it travels to lengths not typical for entry-level Soave. Bold Venetian. Madness even. “And I remember how we’d play simply waste the day away,” something the Otto will gladly encourage. The only Soave you might consider eating on a plate but Otto insists “couldn’t enjoy it any more, Mom. Mm, mm, mmm.” And one!  89  Tasted February 2014  @TheVine_RobGroh

Le Clos Jordanne Le Clos Jordanne Vineyard Pinot Noir 2011, VQA Niagara Peninsula, Twenty Mile Bench (33902, $45.00, WineAlign) From the VINTAGES March 29, 2014 Release

Extremely good showing for this stalwart in what is becoming a classic Twenty Mile Bench vintage. Cran/Raspberry earthy-straw scents layered in a cake of overlapping, alternating flavours in raspberry (again) and quality chocolate. More intensity than the other ’11 LCJ’s at this early stage, simultaneously concentrated and light, like a ball-distributing point guard with 20-20 vision. Increased oak in dribble drive motion really ties the spiced flavours together, without sacrificing freshness. This will improve for five years, if not more. Winemaker Sébastien Jacquey must have called on his muse for this LCJ because “some kind of madness has started to evolve,” and from here on in this Pinot will solicit a “need to love.”  92  Tasted February 2014  @LeClosJordanne

Good to go!

Godello’s excellent Cuvée adventure

Frozen Niagara Falls

As frozen Niagara Falls, so frozen Niagara Falls
Photo: yobab/Fotolia.com

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Doesn’t every local wine writer’s pilgrimage begin this way? There’s 130 kilometres to Niagara Falls, we’ve got a full tank of gas, half a pack of cigarettes (not really – the only thing we smoke is BBQ), it’s blinding winter morning light out and we’re wearing sunglasses. Well, one of us is.

Related – When expert’s break wine together

With Jake riding shotgun to Elwood we hit the QEW, pause for bench land visits to Flat Rock, Zooma Zooma and Creekside Estates, then make the frozen Falls by dusk. Two slackers we are, Bill and Ted, ponces submissive to wine, travelling through Niagara assembling a library of tasting notes to condign for memory in lieu of history missed and as practice for futures to come.

Canadian Food and Wine Institute at Niagara College Salmon and Scallops

PHOTO: Michael Godel
Canadian Food and Wine Institute at Niagara College Salmon and Scallops

Niagara’s annual Cuvée rolls out the red carpet for a black-tie gala at Fallsview Casino’s Grand Ballroom. Touted as a celebration of excellence in Ontario winemaking, the event gathers more than 50 wineries and asks that they pour their winemakers’ favourite wines alongside a room full of esculent Niagara eats. Local chefs set lavish food stations and guests are treated to comestible ruminations composed by students from the Canadian Food and Wine Institute at Niagara College. The Sun Media Après Cuvée party features Icewine, sparkling wine and craft beer bars, not to mention a repeat performance by the impolitic, patent, I want you to be moved sound of Jonesy.

Zagat and Spotlight Toronto's Suresh Doss and Wine Country Ontario's Magdalena KaiserSmit

PHOTO: Michael Godel
Zagat and Spotlight Toronto’s Suresh Doss and Wine Country Ontario’s Magdalena KaiserSmit

Proceeds from the Cuvée Weekend go to the Niagara Community Foundation. Created in 2000, the Niagara Community Foundation has raised more than $23 million in endowment funds and has granted in excess of $5.5 million to charities working in the arts, heritage, environment, social services, health, education and community development. In 2015, the event will leave the very capable hands of the NCF and fall into the most capable hands of Brock University.

The word cuvée can mean many things in the world of wine. The Champagne tradition carries the most recognizable weight, the practice dictating that the best grapes be used and gently pressed to ultimately produce a sparkling wine of superior quality. In the end any cuvée is a blend no matter how you slice, interpret or break it down. It really comes down to the question of quality. Did Cuvée 2014 put its best foot forward? Were the ace grapes on display?

Pulling candy from sugar, Canadian Food and Wine Institute at Niagara College

PHOTO: Michael Godel
Pulling candy from sugar, Canadian Food and Wine Institute at Niagara College

The Cuvée gala, at one time an awards showcase ceremony, has welled to the point of a brimming kitchen sink, perhaps in danger of overflowing. Those who know and have been there agree the change in structure has been for the better. Growing pains are natural, inevitable side effects of growth. It’s more party than oenophile wine think tank, a cultural mosaic and for some, a melting pot. Speeches, awards, thank yous and acknowledgements are barely audible above the revelling din.

VQA Promoter Award At Large winner Shawn McCormick and Michael Godel

PHOTO: Dan Trcka/grapeselections.com
VQA Promoter Award At Large winner Shawn McCormick and Michael Godel

In 2013, to a wine, the pours were best of the best. My take was put into these words. Top juice flows at Cuvée 25th anniversary. In 2014 many vintners poured either their best (Domaine Queylus, Five Rows, Coyote’s Run, Rennie Estate, Stratus, Thirty Bench) or their most unique (Peninsula Ridge, Trius, Southbrook, Riverview, 13th Street, Malivoire). The event and the following morning’s Expert’s Tasting would not be diluted by a few more shots of Prince Edward County and Lake Erie North Shore in the arm.

The real adventure lies in the attempt to taste everything in the room. Time and excessive schmoozing gets in the way so getting to more than half is a win, win. Here are notes on 10 wines tasted at Cuvée 2014 and the reasons for singling them out as separating themselves from their peers.

Riverview Gewurztraminer Angelina’s Reserve 2012, VQA Niagara River (368092, $18.95, WineAlign)

A creamy, corpulent expression with a stinging enzymatic yogurt texture. Would swear there was extended lees contact. Furthest thing from the truth says winemaker Angela Kasimos. That striking salve gives way to a vacuous aridity without conceding to nuts and residual sugar. Well-made and without interference. Thanks to Riverview, Gewürztraminer has found a home in the pliable, silty loam of Niagara River.  88  Tasted February 2014  @RiverviewWinery

Peninsula Ridge Sauvignon Blanc Wismer 2013

PHOTO: Michael Godel
Peninsula Ridge Sauvignon Blanc Wismer 2013

Peninsula Ridge Wismer Vineyard Sauvignon Blanc 2013, VQA Twenty Mile Bench, Niagara Peninsula (Winery, $19.95, WineAlign)

Winemaker Jamie Evans and Sauvignon Blanc share a kinesis. When kissed by the wise and wistful fruit that Wismer cedes, compounded by the vintage, this Peninsula Sauvignon Blanc inclines to aeaeae. All parts contribute to a stretched length, from fresh beginning to mouth-watering end. In between there is lees-stirred spice, dry and toasty points but the grass is never overgrown and the berries are golden. A kickstarter sour note propels the wine forward for an even longer taxi onward. What a vineyard, what a wine.  90  Tasted February 2014  @PeninsulaRidge

Westcott Vineyards Chardonnay Reserve 2012, VQA Vinemount Ridge, Niagara Peninsula, Ontario (winery, $29, WineAlign)

From vineyards planted in 2005, this new kid on the Jordan block spent 12 months in oak, half of it new. To a taster, you would never know it. In clone cousin to Le Clos Jordanne’s Chardonnay, this special project is the nephew of a set aside, four-barrel selection. Winemaker Arthur Harder (Calamus) has fashioned a head-turning clean, pure and most mineral-driven Chardonnay from impossibly young Vinemount Ridge vines. A quartz chord runs through it and with just two or three more years of vine age the fruit and adjoining texture will catch up to the rock. That integrated, subtle oak impart is of a Granny Smith apple kind, crisp and taut. Such a memorable inauguration with so much promise that lays ahead.  90  Tasted February 2014

Trius Sauvignon Blanc Wild Ferment 2012, VQA Niagara On The Lake (Winery, $32.00, WineAlign)

Less than 300 cases were produced of this, you guessed it, natural grape skin, wild yeast fermented unique Sauvignon Blanc. Cold bunch pressed and 11 months on the lees lend a fruit/wood spice and gregarious character that is impossible to miss. Winemaker Craig MacDonald shows a savvy Savvy love in his carefully considered treatment of this wine. This ’12 WF steals the show at Cuvée in the category of most compelling and thought-provoking.  91  Tasted February 2014  @TriusWines

Hidden Bench Estate Pinot Noir 2011, VQA Beamsville Bench, Niagara Peninsula (274753, $32.95, WineAlign)

Five months more in bottle has come to this, a Bench perfumed state of mind. On a red raspberry road to absolution. The international coat has now begun to surrender to the maturity and wisdom of the local vine’s intellect, its maker and overseer acting as artificers in planned execution. Earlier note: Deeper, earthier, decreased propriety and more pelage than the previous two vintages. I sense longer hang time, more redress and slower slumber. In Hidden Bench I thought I knew and would always associate with a specific Pinot Noir feel but this ’11 confounds. In a way, that is a large compliment. Fruit reminiscent of a top Central Otago in that it grips my Pinot interest if not my Ontario heart.  91  Tasted October 2013 and February 2014  @HiddenBench

Southbrook Vineyards Whimsy! Winemaker's White 2011

PHOTO: Michael Godel
Southbrook Vineyards Whimsy! Winemaker’s White 2011

Southbrook Vineyards Whimsy! Winemaker’s White 2011, VQA Niagara Peninsula (Winery, $34.95, WineAlign)

While the triple W represents neither traditional alchemy nor screaming value it begs to be considered for sheer shock and awe. A co-fermented, low brix, who varietal blend of 58 per cent Chardonnay, 27 Semillon and 15 Muscat, winemaker Ann Sperling’s capricious fancy white and nerdy captures the vintage to alight and delight effect. Spice, texture, florality and acidity really work the room. Though the varieties seem to sing ”we don’t move in any ‘ticular direction and we don’t make no collections,” they somehow join together.  White wine of whimsy, not shallow, like a Wes Anderson film.  88  Tasted February 2014  @SouthbrookWine

Bachelder Chardonnay Wismer Vineyard 2011, VQA Twenty Mile Bench, Niagara Peninsula, Ontario (345819, $44.95, SAQ 12089591, $44.95, WineAlign)

Got game tonight, in auxiliary moxie, magisterial atmosphere and long strides up and down the ice. Earlier notes: “Increased richesse and oomph and though I continue to hesitate to admit it, Saunders is the (Jackson Browne) elegant bottling in ’11. Wismer the (Warren Zevon) gregarious, mineral character werewolf of Niagara, what with its a touch of anxiety, fuller texture and “bite down…draw blood!” From my earlier November 2013 note: “From the Wingfield Block within the 20 Mile Bench grand cru vineyard, ’11 Wismer is greener, in apple and sapid behaviour. The tension is palpable, quarryful, querulous, more calciferous. Fruit here is picked at an altitude as high as the lowest part of Flat Rock’s vineyard. Can a spot be pinpointed, anywhere on the peninsula that produces more piercing Chardonnay in 2011 as this Wismer micro-block?”  91  Tasted November 2013 and twice February 2014  @Bachelder_wines

Five Rows Craft Wine Pinot Noir 2010, VQA St. David’s Bench, Niagara Peninsula, Ontario (winery, $50, WineAlign)

Gimme soft and sage treatment of a vineyard’s wondrous, pure fruit transcends most previous notions of Niagara Pinot Noir. That Lowrey vineyard in the hands of its first family drives spice into red fruit direct from soil and vine. Winemaker Wes Lowrey handles his family vineyard fruit like it were a baby and from this comes a promiscuous perfume. The ’10 is so youthful but coming into the springtime of his voodoo, having now been in bottle for a year. Though thoughts were that “he was going to show me spring,” the wine should clearly be left to flesh for a few more seasons.  92  Tasted February 2014

Thirty Bench Small Lot Benchmark Red 2010, VQA Beamsville Bench, Niagara Peninsula (winery, $60)

Indoctrinated Right Bank agglomerate built on 62 per cent Merlot, supported by equal parts Cabernet Franc and Sauvignon. Impressively warm and dusty, large, bursting berry dominated with a peppering dredge all around. So much flavour abounds, blanketed by a shaker full of vanilla spice, like “an endless ocean landing on an endless desert.” Still the Benchmark is modest, oaked (18 months) but not overly soaked, pure and in balance. The berry concentration renders it as a resident of the dark centre of the Niagara red blend universe.  92  Tasted February 2014  @ThirtyBench

Queylus Pinot Noir Reserve Du Domaine 2011

PHOTO: Michael Godel
Queylus Pinot Noir Reserve Du Domaine 2011

Domaine Queylus Pinot Noir ‘Le Grande Reserve’ 2011, VQA Niagara Peninsula (winery, $65, WineAlign)

The Thomas Bachelder mentored, two-vineyard assemblage Grande Reserve Pinot Noir grinds more cracked pepper than any predecessor. Every barrel from the Twenty Mile Bench (formerly Le Clos Jordanne’s, Neudorf Family La Petite Colline Vineyard) and Mountainview vineyard were scrutinized to determine the final blend.Bachelder sees black fruit in the early life yet despite the ebullient seasoning, the LGR’s genes are intrinsically feminine. Red cherry, tellus fertility and a mother’s strength hold the family of barrel children together. This is an ambitious and hard to read Pinot Noir. Judgement reserved for five years before the word classic will be used.  92  Tasted March 2014  @QueylusVin

Good to go!

Wine experts Brock and roll, Brock on

Wine tasting

The Expert’s Tasting is more than just a study on Niagara wine.
Photo: JEAN-PIERRE MULLER/AFP/Getty Images

as seen on canada.com

Part two: 25th anniversary of the Cuvée 2014 Expert’s Tasting at Brock University

Flights three, four and five: Pinot Noir, Red Blends and Wine Options.

Related – When experts break wine together

The Expert’s Tasting is more than just a study on Niagara wine. It eulogizes what came before, reflects back on what is lost and ultimately asks the questions, “Where do we go from here? Which is the way that’s clear?” Grow grapes, make wine. Rock on.

The Brock University Cool Climate Oenology and Viticulture Institute now lays claim to being the central hub of information and guidance for Niagara’s wine industry. In partnership and in sharing expertise with Wine Country Ontario, the Grape Growers of Ontario, the Vineland Research and Innovation Centre, VQA Ontario and Niagara Culinary College, Brock’s CCOVI is the go to rock, central to Niagara’s world-class wine growing soil.

In 2015, the annual Cuvée gala weekend, one of the most prestigious celebrations of Ontario wine and food, will now be organized by Brock University’s Cool Climate Oenology and Viticulture Institute (CCOVI). The theme will be a look forward to Ontario’s significant wine styles and emerging varieties. Props to that.

The #CCOVI event continued the task of celebrating the annual VQA Promoters awards, handed out to the individuals who supported and promoted the industry through media, the LCBO, at large and over the course of a lifetime.  The 2014 awards were handed out to William Mancini, Lloyd Schmidt, Erik Peacock, Shawn McCormick, David Lawrason and posthumously, care of his wife Rose Lamas-Churchill, to David Churchill.

#CCOVI Expert's Tasting Pinot Noir Flight

PHOTO: Michael Godel
#CCOVI Expert’s Tasting Pinot Noir Flight

At the Expert’s Tasting wines were poured blind. The third and fourth flights (Pinot Noir and Red blends respectively) showcased just how far Niagara has travelled in fashioning quality reds. The Pinot Flight was all about balance and elegance. Bench Pinot stands out like a beacon on the Escarpment’s shelves. Blends centred around Merlot, Cabernet Sauvignon and Cabernet Franc are excelling with each passing vintage, in kind to the ever-increasing wine acumen of the growers and winemakers. That and the macro-intense studies of Niagara’s micro-terroirs.

https://twitter.com/mgodello/status/439943293838041088

This final flight of five wines (in order, Chardonnay, Pinot Noir, Syrah, Riesling and Cabernet Sauvignon-based blend) made for a less confounding competitive round, which was not the case in 2013. I clearly found vicarious fortune through the mates at my table. It’s not just who you know, but who’s palate you draft behind.

https://twitter.com/mgodello/status/440258393475792896

Here are my notes on the final 19 wines poured at the Expert’s Tasting 2014.

FLIGHT #3 – YOU’VE BEEN PINOT’D!!

From left: Devil’s Corner Pinot Noir 2012, Flat Rock Gravity Pinot Noir 2012, Inniskillin Pinot Noir Reserve 2011, 13th Street Essence Pinot Noir 2010, and Fielding Estate Pinot Noir Jackrabbit Flats Vineyard 2010

From left: Devil’s Corner Pinot Noir 2012, Flat Rock Gravity Pinot Noir 2012, Inniskillin Pinot Noir Reserve 2011, 13th Street Essence Pinot Noir 2010, and Fielding Estate Pinot Noir Jackrabbit Flats Vineyard 2010

Presented by Dr. Belinda Kemp, CCOVI Scientist, Oenology. “There is nothing funny about Pinot Noir,” she complains in deadpan humour, “it’s the unfunny grape. Fascinating, but nothing to laugh at. It’s not funny at all.”

Devil’s Corner Pinot Noir 2012, Tamar Ridge, Tasmania, Australia (317966, $23.95, WineAlign) From the VINTAGES March 1, 2014 Release

A good fresh start to the flight. At first earthless, weightless, cran-raspberry scented. Feminine, warm, inviting and then turning temperamental, difficult, evolving. Ultimately maternal, clay-influenced, brought down to mother earth. Vanilla ringer.  87  Tasted March 2014  @BrownBrothers

Un bon nouveau départ à la (troisième de l’expert de dégustation) vol. Au début Earthless, en apesanteur, cran-framboise parfumée. Féminine, chaleureuse, accueillante et puis, se tournant capricieux, difficile, en constante évolution. En fin de compte maternelle, argile influencé, ramené à la terre mère. Vanille sonnerie.  Dégusté Mars 2014

Flat Rock Gravity Pinot Noir 2012, VQA Twenty Mile Bench, Niagara Peninsula (1560, $29.95, WineAlign)

In a vintage potentially muddled by warmth and a humidor of radio frequency, duplicating berry phenolics, Flat Rock’s Gravity remains a definitive, signature house Pinot Noir. In 2011, the head of the FR class from its most expressive barrels shared the limelight (and top juice) with the Pond, Bruce and Summit one-offs. In ’12, Gravity’s sandbox was its own. The style is surely dark, extracted, black cherry bent, as per the vintage. Yet only the Rock’s soil does earth in this variegate, borne and elevated by the barrel’s grain. There are no fake plastic trees in a Flat Rock Pinot. “Gravity always wins.”  90  Tasted March 2014  @Brighlighter1

Dans un millésime potentiellement confus par la chaleur et une cave de la fréquence de la radio, la duplication des composés phénoliques des baies, la gravité de Flat Rock reste un définitif, maison de signature Pinot Noir. En 2011, la tête de la classe FR de ses barils les plus expressifs partage la vedette (et le jus dessus) avec les mesures ponctuelles Pond, Bruce et Summit. En ’12, bac à sable de gravité était son propre. Le style est certainement foncé, extrait, pliée de cerise noire, selon le millésime. Pourtant, seulement le sol de la roche ne terre dans ce variegata, porté et élevé par le grain du baril. Il n’y a pas d’arbres en plastique faux dans un Flat Rock Pinot. “Gravity gagne toujours.”  Dégusté Mars 2014

Inniskillin Pinot Noir Reserve 2011, VQA Niagara Peninsula (winery, $24.95, WineAlign)

A by-product of a rain-heat-rain, cold soak-warm ferment-16 month French barrel childhood. The ’11 Reserve Pinot is impressively floral while simultaneously brooding and serious. The middle palate binds citrus and savoury, gilded, dulcet rose, Langhe-like. Breakdown happens late, in syrupy alcohol and charred pulp. “In that case I’ll have a rum and coca-cola.” Complex Pinot for the common people88  Tasted March 2014  @InniskillinWine

Un sous-produit d’une pluie-chaleur-pluie, le froid tremper-chaud ferment-16 mois baril français enfance. Le ’11 Réserve Pinot est alors impressionnante floral simultanément couvaison et grave. Le milieu de bouche se lie d’agrumes et salé, doré, rose suave, Langhe-comme. Répartition arrive en retard, dans l’alcool sirupeux et pâte carbonisée. “Dans ce cas, je vais avoir un rhum et de coca-cola.” Pinot complexe pour les gens ordinaires.  Dégusté Mars 2014

Domaine Queylus Pinot Noir ‘Le Grande Reserve’ 2011, VQA Niagara Peninsula (winery, $65, WineAlign)

The Thomas Bachelder mentored, two-vineyard assemblage Grande Reserve Pinot Noir grinds more cracked pepper than any predecessor. Every barrel from the Twenty Mile Bench (formerly Le Clos Jordanne’s, Neudorf Family La Petite Colline Vineyard) and Mountainview vineyard were scrutinized to determine the final blend. Bachelder sees black fruit in the early life yet despite the ebullient seasoning, the LGR’s genes are intrinsically feminine. Red cherry, tellus fertility and a mother’s strength hold the family of barrel children together. This is an ambitious and hard to read Pinot Noir. Judgement reserved for five years before the word classic will be used.  92  Tasted March 2014  @QueylusVin

Le Thomas Bachelder mentor, l’assemblage de deux vignoble Grande Réserve Pinot Noir broie poivre craqué plus que ses prédécesseurs. Chaque baril de Lincoln Lakeshore (anciennement Le Clos Jordanne de, Neudorf famille La Petite Colline Vineyard) et le Twenty Mile Bench (Mountainview) appellations ont été examinées attentivement afin de déterminer l’assemblage final. Bachelder voit fruits noirs dans le début de la vie et pourtant, malgré l’assaisonnement bouillante, les gènes de la LGR sont intrinsèquement féminin. Rouge cerise, tellus la fertilité et la force de la mère détiennent la famille des enfants de baril ensemble. Il s’agit d’un Pinot Noir ambitieux et difficile à lire. Jugement réservé pendant cinq ans avant le mot classique sera utilisé.  Dégusté Mars 2014

13th Street Essence Pinot Noir 2010, VQA Niagara Peninsula, Ontario (237222, $44.95, WineAlign)

Five months have aged the Essence with more bronzing minerality and core strength. Imagine the old-world chemistry it will enumerate after five more years. Previous note: “Only the second coming of The Essence. Lucid, willing and able Pinot Noir from an assemblage of fruit sourced across the region. Atypical in that sense, speaking to a broader range of terroir and to a wider audience. Breadth and depth much like a Côte de Beaune, earthy of serious dirt layered over top a cherry core. Attention now and for five plus years is needed because though to taste it’s currently confounding, time will see more complexity, development and emerging emotion. It will then solicit a cry of  ”baby, sweet baby, you’re my drug. Come on and let me taste your stuff.”  91  Tasted October 2013 and March 2014  @13thStreetWines

Cinq mois ont vieilli l’essence avec plus de minéralité de bronzage et la force de base. Imaginez la chimie du vieux monde, il va énumérer après cinq années de plus. Note précédente:… “Seule la seconde venue de l’Essence Lucid, désireux et capables Pinot Noir à partir d’un assemblage de fruits provenant de toute la région atypique en ce sens, parler à un plus large éventail de terroir et à un public plus large étendue et la profondeur un peu comme un Côte de Beaune, terreuse de terre grave posés sur le dessus une cerise noyau. attention maintenant et pour cinq ans et est nécessaire parce que le goûter est actuellement confondre, le temps voir plus de complexité, le développement et l’émotion émergents. Elle sera ensuite solliciter un cri de “bébé, bébé doux, tu es ma drogue. Venez et laissez-moi goûter vos trucs.”  Testé Octobre 2013 et Mars 2014

Fielding Estate Pinot Noir Jackrabbit Flats Vineyard 2010, VQA Lincoln Lakeshore (winery, $24.95, WineAlign)

Though a recent phenomenon, a Bench area winemaker’s keen interest in the Lincoln Lakeshore as a unicorn Pinot growing locale has come out of the forest’s shadows. From dual-vineyard plots and specific barrel choosing, the JRF expressly microwaves its agminate gathering, that is, 14 months on lees in barrel, a warm vintage and virtually unfiltered ferment. Completely free of its closet, there is coffee, toffee and strong tea overtop rufescent fruit close to its earthly roots. An austere, tough and gritty Pinot Noir, from the Burgundy side of the pond, echoing the presenter’s choice of words. “It’s fascinating but nothing to laugh about.”  89  Tasted March 2014  @RichieWine

Bien que d’un phénomène récent, le vif intérêt d’un vigneron de la zone du Banc de la Lincoln Lakeshore comme un Pinot locale croissante licorne est sorti de l’ombre de la forêt. Des parcelles à double vignoble et choix de canon spécifique, la JRF tout micro-ondes expressément sa collecte de agminate, soit 14 mois sur lies en barriques, un millésime chaud et ferment pratiquement non filtré. Complètement libre de son placard, il ya du café, caramel et thé fort overtop Rufescent fruit proche de ses racines terrestres. Un austère, dur et graveleux Pinot Noir, du côté de l’étang de Bourgogne, en écho le choix du présentateur de mots. «C’est fascinant, mais pas de quoi rire.”  Dégusté Mars 2014

The Foreign Affair Pinot Noir 2009, VQA Niagara Peninsula (winery, $43.95, WineAlign)

An ambitious and in retrospect streetwise project now in the golden age of its life. From fruit grown both on the estate’s Crispino Vineyard and at the Vineland Research Centre. Then winemaker Ilya Senchuk dried 40% of the grapes which subsequently spent 15 months in French and Hungarian oak. The modest 13.1 per cent alcohol has realized a resolved, gentle and effortless balance of figgy/raisin-driven fruit and clear spirit. The beaver is not so different from a Tawny meets Reserve Port, Pinot-style. Appassimento, you’ve been Pinot’d.  ‘Ciao’ for hello and goodbye because now is the time to drink.  88  Tasted March 2014  @wineaffair

Un projet ambitieux et débrouillard, rétrospectivement, maintenant dans l’âge d’or de sa vie. De fruits cultivés à la fois sur Crispino Vignoble de la succession et au Centre de recherche de Vineland. Puis vigneron Ilya Senchuk séché 40% des raisins qui a ensuite passé 15 mois en fûts de chêne français et hongrois. Le modeste alcool 13.1 pour cent a réalisé une résolu, équilibre doux et sans effort de figgy / fruités raisins secs et l’esprit clair. Le castor n’est pas si différent d’un Tawny Port répond Réserve Pinot style. Appassimento, vous avez été Pinot’d. «Ciao» pour bonjour et au revoir parce que c’est maintenant le temps de boire.  Dégusté Mars 2014

FLIGHT #4 – RED ROAD TEST – ARE WE ON THE RIGHT TRACK?

From left: Konzelmann Estate Winery Heritage Reserve 2012, Hillebrand Trius Red 2011, Fielding Estate Winery Cabernet Merlot 2010, Trius Grand Red 2010, Stratus Red 2007, Creekside Estates Reserve Meritage 2004, and Henry Of Pelham Estate Cabernet/Merlot 2002

From left: Konzelmann Estate Winery Heritage Reserve 2012, Hillebrand Trius Red 2011, Fielding Estate Winery Cabernet Merlot 2010, Trius Grand Red 2010, Stratus Red 2007, Creekside Estates Reserve Meritage 2004, and Henry Of Pelham Estate Cabernet/Merlot 2002

Presented by Trius Winery at Hillebrand winemaker Craig McDonald. McDonald makes one of Niagara’s now flagship red blends, the Trius Grand Red. He brings red blend experience to the table in spades and hearts, particularly from his work at Penfolds in the Barossa Valley, but McDonald is an ardent voice for the relationship between varietal and land. He wants you to decide for yourself, are red wines working and excelling in Niagara? In this flight, Craig’s advice is “I want you to think about the dominant varietal.” Not as easy as you might think.

Konzelmann Estate Winery Heritage Reserve 2012, VQA Niagara Peninsula (149179, $30, WineAlign)

A Merlot-based blend with support from Cabernet Sauvignon and Cabernet Franc. The dominant varietal is the blend’s soft presence, lifting up an otherwise ground espresso, black pepper, currant and verdigris paste in its 14 per cent frame. Yet so young and unsettled, with Franz drive, chalky extract and hard bite. In this Heritage’s “edges and lines your engine’s alive,” so as a first red road-test, it sets a solid course.  88  Tasted March 2014  @KonzelmannWines

Un mélange à base de Merlot avec le soutien de Cabernet Sauvignon et Cabernet Franc. Le cépage dominant est la présence douce du mélange, soulevant un espresso moulu contraire, de poivre noir, de cassis et vert de gris coller dans son cadre de 14 pour cent. Pourtant, si jeune et instable, avec Franz entraînement, extrait calcaire et morsure dur. Dans ce patrimoine “des bords et des lignes en vie, de votre moteur” de manière un premier rouge route-test, il établit un plan solide.  Dégusté Mars 2014

Hillebrand Trius Red 2011, VQA Niagara Peninsula  (303800, $22.95, WineAlign) VINTAGES ESSENTIAL

Most of the 47 per cent Merlot, 40 Cabernet Franc and 13 Cabernet Sauvignon fruit was sourced from the Clark and Carlton Vineyards in Four Mile Creek. From the outset age is the focus point. Is this already showing wear and tear or is the sinewy, cassis, toffee, sweet balsamic and emulous acidity congregation preparing a long road ahead for this Niagara exhibit? Crisis? What crisis? It’s just a normal day and this Meritage will say, “maybe I’ll find my way.”  87  Tasted March 2014  @TriusWines

La plupart des 47 pour cent Merlot, Cabernet Franc 40 et 13 Cabernet Sauvignon fruits provenait de les Clark et Carlton Vignobles à Four Mile Creek. Dès l’âge de départ est le point de mise au point. Est-ce montre déjà l’usure ou est le nerveux, de cassis, de caramel, balsamique doux et jaloux acidité congrégation prépare un long chemin à parcourir pour cette exposition Niagara? Crise? Quelle crise? C’est juste une journée normale et ce Meritage dira, «peut-être que je vais trouver mon chemin.”  Dégusté Mars 2014

Fielding Estate Winery Cabernet Merlot 2010, VQA Niagara Peninsula (winery, $35.20, WineAlign)

Does anybody really know what wine this is? Does anybody really care? The experts do, as do I. Chosen for back-to-back Expert’s Tastings by a panel of Niagara’s finest palates? AYFKM? What does that say? Today Richie Robert’s CF (42), Merlot (33) and CS (25) master stroke from Lincoln Lakeshore (warm), Beamsville Bench (warmer) and St. David’s (Lowrey Vineyard – warmest) is singing. Charred cherries, animale game and soft funk like top IGT. Raises its own bar. Previous note: “Alights in lithe tendrils before adding coffee, meritage mid-weight. Currants, nasturtium and red fruit compote buoy this cooler Niagara blend that combines fruit from the Lincoln Lakeshore, St. David’s and Beamsville Benches. A good dancer with “the kind of body that would shame Adonis.” Expertly balanced with the spine to age.”  90  Tasted March 2013 and 2014  @FieldingWinery

Quelqu’un sait-il vraiment ce vin ce que c’est? Est-ce que quelqu’un se soucie vraiment? Les experts font, comme moi Chosen pour Dégustations Expertises dos-à-dos par un panel des meilleurs palais du Niagara? AYFKM? Qu’est-ce que cela veut dire? Aujourd’hui Richie FC Robert (42), Merlot (33) et CS (25) coup de maître de Lincoln Lakeshore (chaud), Beamsville (plus chaud) et Saint-David (Lowrey Vineyard – le plus chaud) chante. Cerises carbonisés, jeu animale et funk doux comme haut IGT. Déclenche son propre bar. Note précédente: “. Descend en vrilles agiles avant d’ajouter le café, meritage mi-poids Groseilles, capucine et compote de fruits rouges bouée ce refroidisseur mélange Niagara qui combine les fruits de la Lincoln Lakeshore, Saint-David et Beamsville Bancs Un bon danseur.” L’ type de corps qui honte Adonis. “experte en balance avec la colonne vertébrale de l’âge.”  Dégusté Mars 2013 et 2014

Trius Grand Red 2010, VQA Niagara Peninsula (winery, $55.00, WineAlign)

Roll out the best barrels from the same Four Mile Creek Clark and Carlton Vineyards. Gravity drip freshly-pressed juice directly into barrel, wait 18 months and voilà, the flagship red from winemaker Craig McDonald. The 45/33/22 Merlot/Cabernet Franc/Cabernet Sauvignon blend radiates of everything under the sun. It’s rich and lush, marked by huge extract and yet it’s also graced by sweet, limber tannins. The middle ground gives faint notes of soy and dill though it can be imagined they will be smothered as the chain lengthens and the flesh becomes more pliable. I’ve one put aside for a visit in 2018.  89  Tasted March 2014

Etaler les meilleurs fûts de les mêmes Four Mile Creek Clark et Carlton Vineyards. goutte à goutte par gravité jus de fruits fraîchement pressés directement dans le cylindre, attendre 18 mois et voilà, le rouge phare de vigneron Craig McDonald. Le 45/33/22 Merlot / Cabernet Franc / Cabernet Sauvignon mélange rayonne de tout sous le soleil. Il est riche et luxuriante, marqué par d’énormes extrait et encore il est également honoré par des tanins doux et souple. Le terrain d’entente donne des notes faibles de soja et aneth si on peut imaginer qu’ils seront étouffées comme la chaîne s’allonge et la chair devient plus souple. J’ai un mets de côté pour une visite en 2018.  Dégusté Mars 2014

Stratus Red 2007, VQA Niagara On The Lake, Niagara Peninsula (winery, $44.20, WineAlign)

On a day like today, the 2007 Stratus Red’s long, long sleep (644 days in mostly new French Oak) seems particularly magnified. Today the moody tincture is a cocktail shaker filled with peat, clay, iodine, strawberry compote, sangria and divaricated tannin. No other red blend today is as complex, shows more road rage or tries to speed off the track. Previous note: “Puts a twinkle in Groux’s eye. “Still very enjoyable, agreeable and ageable,” he smiles and I note it’s not candied like it may have once been perceived.  A healthy and high 88 per cent dose of new oak but it’s not the encumbrance you might expect. Still quite tight, eking strawberry and plum, and indubitably a unique amalgamation. Will offer up five more years of pleasure.”  91  Tasted September 2013 and March 2014  @Stratuswines

En un jour comme aujourd’hui, long, long sommeil de 2007 Stratus Rouge (644 jours dans la plupart neufs de chêne français) semble particulièrement agrandie. Aujourd’hui, la teinture de mauvaise humeur est un shaker rempli de tourbe, de l’argile, de l’iode, compote de fraises, sangria et les tannins divaricated. Aucune autre mélange de rouge aujourd’hui est aussi complexe, montre plus de rage au volant ou tente d’accélérer la piste. Note précédente: “. Met une étincelle dans l’oeil de Groux” Toujours très agréable, agréable et gérable “, il sourit et je constate que ce n’est pas confits comme il peut avoir été une fois perçu une saine et haute 88 par dose cent de chêne neuf, mais il est. pas la charge que vous pourriez vous attendre. toujours très serré, eking fraise et de prune, et sans aucun doute une fusion unique. offrira jusqu’à cinq années de plaisir “.  Dégusté Septembre 2013 et Mars 2014

Creekside Estates Reserve Meritage 2004, VQA Niagara Peninsula (sold out, $45, WineAlign)

A straight up self-starter, 55/45 Cabernet Sauvignon/Merlot, Left Bank galvanized blend. Craig McDonald noted that he and Rob Power “had no idea what we were doing.” What they had was a four year-old vineyard on the Queenston Road, St. David’s Bench in Four Mile Creek. They made this Bordeaux in a challenging vintage when there might not have been a sound mind around (who was paying them any attention) for guidance or encouragement. Though it has crossed the threshold into resinous mannerisms and elements of an armamentarium, the two mad scientists found a way to take 12 per cent alcohol and real fruit on a 10-year journey to the museum. Shows what potential there has always been and where the distinction of the 2014 Niagara reds will be in 2024.  89  Tasted March 2014  @CreeksideWine

A vous auto-démarreur droite, 55/45 Cabernet Sauvignon / Merlot, Rive Gauche galvanisé mélange. Craig McDonald admis que lui et Rob Power “n’avait aucune idée de ce que nous faisions.” Ce qu’ils ont trouvé un vignoble de quatre ans sur la route de Queenston, la Cour du Banc de Saint-David à Four Mile Creek. Ils ont fait ce Bordeaux dans un millésime difficile quand il pourrait ne pas avoir été un esprit sain autour (qui les paie aucune attention) pour obtenir des conseils ou des encouragements. Bien qu’il a franchi le seuil de tics et éléments d’un arsenal résineux, les deux savants fous ont trouvé un moyen de prendre 12 pour cent d’alcool et de vrais fruits sur un voyage de 10 ans pour le musée. Montre ce potentiel, il a toujours été et où la distinction de 2014 rouges Niagara sera en 2024.  Dégusté Mars 2014

Henry Of Pelham Estate Cabernet/Merlot 2002, VQA Short Hills Bench, Niagara Peninsula (winery, $34.95)

A Cabernet Sauvignon and Merlot split with 12 per cent support from Cabernet Franc. Right up there with other classic H of P blends, in ’98, ’05 and ’07. All three levels, the basic Cab/Merlot, this Reserve and the Speck Family Reserve have stood the test of time, perhaps better than any other Bordeaux blends from the region. You can tell this was an enormous wine at one time. Has gently and slowly evolved into its comfortable skin yet the tannin and grit are still in working order. He’s a crooner this CM2, with a soulful Roy Orbison voice. There aren’t many like him. “That’s why I sigh and sip my lonely wine.” If anything has been learned and if anyone had been paying attention to Ron Giesbrecht while he made his wines, there should be many more to come.  91  Tasted March 2014  @HenryofPelham

FLIGHT #5 – WINE OPTIONS

From left: Stratus Chardonnay 2009, Rosewood Estates Pinot Noir 2011, North Shore Project Syrah 2012, and The Foreign Affair ‘The Conspiracy’ 2012

From left: Stratus Chardonnay 2009, Rosewood Estates Pinot Noir 2011, North Shore Project Syrah 2012, and The Foreign Affair ‘The Conspiracy’ 2012

Presented by Peter Bodnar Rod Sommelier and member of the Brock WSET Team. After four serious and wind-sapping flights, the ice was again broken by the jocose Bodnar Rod when he made comment to the hand coverings of a wine pourer. “Maybe Jamie and I can go out tonight with black latex gloves?” Not a word in response from Mr. Drummond but if I were a betting man I’d say he just might join in that fun.

Stratus Chardonnay 2009, VQA Niagara Peninsula (winery, $55)

Comes off like a white blend, aka Stratus White but this is the outright, unchaste vintage talking. Winemaker J-L Groux crafted three wines with viticulturist Paul Hobbs. Here they split the project 50/50 with Hobbs including wild yeast fermentation and whole bunch pressing and J-L adding short skin contact, controlled yeasts and no whole bunch pressing. From extreme low yields, this one puts on a show after only 10 months in barrel. High on aroma, brazen in texture, ambient in flavour bites. Very Niagara if inexactly Chardonnay.  Tasted March 2014  91  Tasted March 2014

Se détache comme un mélange blanc, aka Stratus Blanc mais c’est la pure et simple, parler cru impudique. Oenologue JL Groux conçu trois vins viticulteur avec Paul Hobbs. Ici, ils partagent le projet 50/50 avec Hobbs y compris sauvage fermentation de la levure et le groupe entier urgent et JL ajoutant un bref contact de la peau, des levures contrôlées et pas toute la bande de pressage. De rendements extrêmement faibles, celui-ci met sur un spectacle après seulement 10 mois en barrique. Haute sur l’arôme, la texture d’airain, ambiant dans les piqûres de saveur. Très Niagara si inexacte Chardonnay.  Dégusté Mars 2014

Rosewood Estates Pinot Noir 2011, VQA Beamsville Bench (112177, $21.95)

What an arid specimen, tasted blind so distinctly Bench Pinot though the earthy, cranberry and cherry dust had me leaning Short Hills. The Rosewood reveal reminds of “little lonely eyes open and radiant,” berries from acidity victorious Wismer blocks on the Twenty Mile Bench. Previous note: “…and her libidinous solid core of red fruit habituated by a fencing of skin-tight acidity will see prolonging returns. Will run on like a Dave Matthews jam, in wine years scads longer than the temperate Rosewood ’10. An Escarpment’s native flint rocky note whispers “hey little dreamer’s eyes open and staring up at me…wait until I come I’ll take your soul.” Halloween wine indeed.”  89  Tasted September 2013 and March 2014  @RosewoodWine

Quel spécimen aride, dégustés à l’aveugle Banc si distinctement Pinot bien terrestre, la canneberge et de cerise poussière m’avait appuyé Short Hills. Le Rosewood révéler rappelle “petits yeux solitaires ouverts et rayonnants,” baies de l’acidité victorieux blocs Wismer sur le banc Twenty Mile. Note précédente: “… et son noyau solide libidineux de fruits rouges habitués par une clôture de l’acidité de la peau étanche verront rendements prolongeant sera exécuté sur une confiture comme Dave Matthews, dans les années à vin scads plus long que le tempéré Rosewood ’10.. silex natif notes rocheux chuchotements d’un escarpement “hey les yeux du petit rêveur ouverte et les yeux fixés sur moi … attendre jusqu’à ce que je viens je vais prendre votre âme.” vin de Halloween en effet. ”  Dégusté Septembre 2013 et Mars 2014

North Shore Project Syrah 2012, VQA Lake Erie North Shore (sold out, $22)

A project part Will Predhomme (off the charts Sommelier), Hinterland Wine Company (head of the class Sparkling Wine producer) and Colio Estates (top of the heap Lake Erie North Shore red wine maker). More than impressive first outing with a burst of pretty flowers, varietal perspicuity and articulation. As Predomme notes, this is “pure, naked Syrah.” Farmed at Colio, crushed in LENS and fermented at Hinterland. There is a hint (what can best be described as) carbonic maceration in banana sweetness but it does not linger and the lightness of being meets intensity shows adventure and promise.  87  Tasted March 2014  @northshoreproj

Cave Spring Cellars Riesling ‘CSV’ Estate Bottled 2010, VQA Beamsville Bench, Niagara Peninsula (566026, $29.95, WineAlign)

Was not so easy to return to Riesling 25 wines and three hours later but thanks goodness it was this old (35 years give or take) vines CSV. From the east Bench where limestone rules and rocks, there are apples upon apples in this vintage in waves of luxurious fruit. While Bench Riesling can be so tragically austere, racy and piercing, often in a state of hip “melancholy wine-soaked tenderness,” this CSV ’10 is bathed in luxury and pure pleasure. It’s so much more Germanic in an off-dry way and never forgets its limestone roots. Not necessarily classic Beamsville but not to be missed.  90  Tasted March 2014  @CaveSpring

N’était pas si facile de revenir à 25 Riesling vins et trois heures plus tard, mais Dieu merci, c’était ce vieux (35 ans donner ou prendre) vignes CSV. De la magistrature est, où les règles et les roches calcaires, il ya des pommes sur les pommes dans ce millésime dans les vagues de fruits de luxe. Bien Banc Riesling peut être si tragiquement austère, racé et perçant, souvent dans un état de hanche “mélancolique tendresse de vin trempé,” ce CSV ’10 est baigné dans le luxe et le plaisir pur. C’est tellement plus germanique de manière demi-sec et n’oublie jamais ses racines de calcaire. Pas nécessairement classique Beamsville mais à ne pas manquer.  Dégusté Mars 2014

The Foreign Affair ‘The Conspiracy’ 2012, VQA Niagara Peninsula (149237, $19.95, WineAlign) From the VINTAGES Feb. 15, 2014 Release

Young, huge, rich and oozing in oak soaked spice. Currants, pepper, whole grain, berries and chalk. All in for $20. Previous Note: Quickly reminiscent of its 2011 predecessor but also different, in a basking, vintage-related warmth and reductive currency. This could not have been an easy wine to temper in 2012 considering the ripasso methodology. Just softened plum is painted all over its sheen with the poaching aromas steaming away. Grilled, melting licorice, caramelizing and disapparating before your eyes. Not to mention a French vanilla creamy garagiste waft, like nuts and bolts ice cream. But I will admit the tang, acidity and tenacity increases with each sip and swirl. Such a unique bottling to Ontario. Is there anything else like it not from Lake Erie North Shore?  89  @wineaffair  Tasted February and March 2014

Jeune, grand, riche et suintant en chêne imbibé d’épices. Groseilles, poivre, grains entiers, fruits et craie. All-in pour 20 $. Note précédente:. “Vite rappelle de son prédécesseur 2011, mais également différente, dans un pèlerin, de la chaleur vintage liés et monnaie réductrice Cela n’aurait pas été un vin facile à tempérament en 2012 compte tenu de la méthodologie de ripasso prune juste ramolli est peint partout. son lustre avec les arômes de braconnage vapeur loin. grillé, fondant réglisse, caraméliser et disapparating devant vos yeux. Sans oublier une vanille française crémeuse garagiste bouffée, comme les écrous et boulons de la crème glacée. Mais je vais admettre la saveur, l’acidité et la ténacité augmente avec chaque gorgée et remous. telle une bouteille unique à l’Ontario. Y at-il quelque chose de semblable pas du lac Érié Côte-Nord? ”  Dégusté Février et Mars 2014

Good to go!

Are you getting your daily serving of wine?

Wine tasting

Here are 10 current releases to help keep the wolves of virus and disease at bay.
Photo: chiyacat/Fotolia.com

as seen on canada.com

I know you are about to scream at your screen. Not another column about the health benefits of drinking wine. Delete. Wait, hear me out.

Related: A wine prescription for cold and flu and Feeling under the weather? Drink wine

In a recent joint study between the Health Sciences Department, Brock University and the Oncology Department, McMaster University, scientists set out to prove the Inhibition of human lung cancer cell proliferation and survival by wine. Published a month ago, here is the paper’s conclusion: “Red wine inhibits proliferation of lung cancer cells and blocks clonogenic survival at low concentrations.” Nice.

The study was prefaced through the idea that “compounds of plant origin and food components have attracted scientific attention for use as agents for cancer prevention and treatment. Wine contains polyphenols that were shown to have anti-cancer and other health benefits.” Put two and two together and voilà. The group investigated the “effect of wine on proliferation and survival of human non-small cell lung cancer (NSCLC) cells and its effects on signaling events.” The findings are nothing short of astonishing.

The operative observation here is that low doses (read: moderate consumption) of wine may have anti-cancer and chemo-preventive properties.” White wine’s cancer fighting properties exist (at two per cent concentration) though they are not in the same league as Red wine (five per cent). Or, you need to (very rough math) drink 250 per cent more white wine to reap similar benefits. Such a quagmire.

Evangelia Litsa Tsiani, associate professor of community health sciences at Brock University added “our next step is to use doses of wine that correspond to moderate wine consumption in humans – one to two glasses per day – and examine the effect on tumor growth in mice.”

We already know that the Brock University Cool Climate Oenology and Viticulture Institute’s lecture series (now in its seventh season) has had a major impact on the global grape industry. Dr. Belinda Kemp, CCOVI Scientist, Oenology noted that “they’re a great resource for the wine industry and wine researchers anywhere in the world.” I wonder if the department has plans for a wine and health benefits lecture during its eight season. Hint, hint.

The ancients, or late Bronze Age people’s such as the Egyptians, Arameans, Assyrians and Babylonians used the natural world to prevent sickness and disease. Archaeologists recently discovered wine in an Israeli wine cellar, dating back to 1700 BCE. Think the Greeks invented wine? This discovery is 1,262 years older than the Parthenon. That’s nearly as old as the Pyramids. Wine and health relations go back to a time when a woolly mammoth still walked the earth, a time when The Hammurabi code was written. The premise? A commitment to protection of the weak from being brutalized by the strong. Just like wine.

In an attempt to justify what may be construed as profligate connections, the fact of the matter remains. With each passing study conjured up and proven by internationally recognized educational institutions, the health benefits of wine continues to develop as a thing of undeniable valence. Take honest wine with food, take it regularly and live longer. Here are 10 current releases to help keep the wolves of virus and disease at bay.

From left: Dante Robino Bonarda 2011, Domaine Des Amadieu Cuvée Vieilles Vignes Cairanne Côtes Du Rhône Villages 2011, Bodegas Olarra Anares Reserva 2006, Fantinel Sant’helena Pinot Grigio 2012, and Mike Weir Limited Edition Riesling 2012

From left: Dante Robino Bonarda 2011, Domaine Des Amadieu Cuvée Vieilles Vignes Cairanne Côtes Du Rhône Villages 2011, Bodegas Olarra Anares Reserva 2006, Fantinel Sant’helena Pinot Grigio 2012, and Mike Weir Limited Edition Riesling 2012

Dante Robino Bonarda 2011, Mendoza, Argentina (277640, $14.95, WineAlign) From the VINTAGES March 1, 2014 Release

Sourced from the Santa Rosa sub region of Mendoza. From sandy soils and built upon a brooding, musty set of wood-influenced aromatics that put the lurking fruit to test. Painfully dry with pronounced flavours of red licorice, sour black cherry, spice and baked figs. Gains richness as it breathes and then the drying tannins take over. Quite an effort for $15. Worth a look for something different and in spite of the idiomatic value it speaks.  88  Tasted February 2014  @DanteRobino

Provenant de la sous-région de Santa Rosa de Mendoza. De sols sableux et construit sur un ensemble de moisi couvaison des composés aromatiques du bois d’influence qui mettent le fruit qui se cache à l’épreuve. Péniblement sec aux saveurs prononcées de réglisse rouge, griotte, d’épices et de figues cuites. Les gains richesse comme il respire, puis les tanins de séchage prendre le dessus. Tout un effort pour 15 $. Cela vaut le coup pour quelque chose de différent et en dépit de la valeur idiomatique elle parle.  88   Dégusté Février 2014

Domaine Des Amadieu Cuvée Vieilles Vignes Cairanne Côtes Du Rhône Villages 2011, Rhone, France (354233, $18.95, WineAlign) From the VINTAGES March 1, 2014 Release

Paying a bit of extra attention to lower-priced, high alcohol Rhônes can offer rewards. There is much metal and merit in this Cairanne. At the price it imitates the grandeur of more expensive villages, like Châteauneuf-du-Pape and to a more realistic extent, Vacqueyras. Hued in drupe, holly berry pitch, saturated in berries, spiked by berry liqueur and seeping along with spices and extracts. Outwardly generous in flavour, knowing well that “while we’re on the way to there, why not share.” All in all he ain’t heavy, he’s my brother89  Tasted February 2014  @Amadieu_G

Payer un peu d’attention supplémentaire à bas prix, Rhônes forte teneur en alcool peut offrir des récompenses. Il ya beaucoup de métal et de mérite dans cette Cairanne. Au prix il imite la grandeur de villages plus chers, comme Châteauneuf-du-Pape et dans une mesure plus réaliste, Vacqueyras. Hued en drupe, houx hauteur de baie, saturé dans les baies, dopés par baie liqueur et infiltration avec des épices et des extraits. Extérieurement généreux en saveurs, sachant bien que “pendant que nous sommes sur le chemin de là, pourquoi ne pas partager.” Dans l’ensemble, il n’est pas lourd, il ya mon frère.  89   Dégusté Février 2014

Bodegas Olarra Anares Reserva 2006, Rioja, Spain (244723, $19.95, WineAlign) From the VINTAGES March 1, 2014 Release

Perhaps it’s just as a comparison to the rest of this Spanish armada fiasco I am in the throes of tasting but this Tempranillo with minor support from two G’s, Garnacha and Graciano, really has got a hold on me. I grant that it’s a bit faded and heading to melted toffee but at $20 and with the idea to enjoy it now, the wild raspberries, gariga and spicy wood notes are a treat. Savoury, licorice, roast tomato and grilling baby veal flavours will help with a slow braise of the animal’s tougher cut.  90  Tasted February 2014

Peut-être c’est juste que la comparaison avec le reste de cette armada fiasco espagnol je suis dans les affres de la dégustation mais ce Tempranillo avec le soutien mineur de deux G, Garnacha et Graciano, vraiment a obtenu une prise sur moi. Je reconnais que c’est un peu défraîchi et la position de caramel fondu mais à 20 $ et avec l’idée de profiter de ce moment, les framboises sauvages, gariga et des notes de bois épicés sont un régal. Salés, réglisse, rôti de tomate et griller saveurs bébé de veau aideront avec un lent braise de coupe plus difficile de l’animal.  90   Dégusté Février 2014

Fantinel Sant’helena Pinot Grigio 2012, Collio, Friuli, Italy (310144, $19.95, WineAlign) From the VINTAGES March 1, 2014 Release

High quality Pinot Grigio from Friuli, with an Alps to Adriatic micro-climate ideally suited to both warm and cool the needs of the variety. You might ask, what difference does that make? Plenty. So much more distinct than reputation would hold and anything but just a Northern Italian white. Lit candle waxy and spiced in Sandalwood, with a lemon peel feel, cool climate salinity and gravelly, silt-inflected Spring run-off. The world’s fleet of Pinot Grigio “have been through hell and high tide,” but thanks to Friuli, the grape keeps its respect. Full flavoured, with smithy verve, punchy, more than practical.  90  Tasted February 2014  @ProfileWineGrp

Mike Weir Limited Edition Riesling 2012, VQA Beamsville Bench, Niagara Peninsula, Ontario (229286, $22.95, WineAlign) From the VINTAGES March 1, 2014 Release

The off-dry nose is an anomaly and I’m very curious to see where this goes. Persists very sweet to taste, without enough acidity, unfortunately, though the tropical flavours are boisterous and plentiful. This is a more than admirable attempt at a Kabinett style done right by a Mosel intimacy and attitude, though it’s lacking in body and structure. Still, it will age longer and develop more secondary characteristics than many a Niagara Peninsula Riesling, especially for the price. Worth tracking a case of 12 for five to 10 years.  89  Tasted February 2014  @WeirWine

Le nez de demi-sec est une anomalie et je suis très curieux de voir où cela va. Persiste très doux au goût, sans suffisamment d’acidité, malheureusement, bien que les saveurs tropicales sont bruyants et copieux. Il s’agit d’une tentative plus admirable à un style Kabinett bien fait par une intimité Moselle et de l’attitude, si elle fait défaut dans le corps et la structure. Pourtant, il va vieillir plus longtemps et développer des caractéristiques plus secondaires que beaucoup de Niagara Peninsula Riesling, surtout pour le prix. Suivi d’un cas de 12 pour cinq à 10 ans la peine.  89  Dégusté Février 2014

From left: Southbrook Triomphe Cabernet Sauvignon 2012, Trimbach Réserve Riesling 2010, Le Clos Jordanne Village Reserve Pinot Noir 2011, Marchand Tawse Meursault 2011, and Kistler Mccrea Vineyard Chardonnay 2011

From left: Southbrook Triomphe Cabernet Sauvignon 2012, Trimbach Réserve Riesling 2010, Le Clos Jordanne Village Reserve Pinot Noir 2011, Marchand Tawse Meursault 2011, and Kistler Mccrea Vineyard Chardonnay 2011

Southbrook Triomphe Cabernet Sauvignon 2012, VQA Niagara On The Lake, Ontario (193573, $22.95, WineAlign) From the VINTAGES March 1, 2014 Release

Southbrook’s seminal Cabernet has become that kind of go to, reliably delicious and affordable red, not unlike Sterling’s Napa bottling that emerged in the late 1990′s. That this can happen in any vintage out of the Niagara Peninsula is really quite amazing. Even more incredible is that here in 2012, it’s almost too much of a good thing, too hot, too sweet. Still, only Triomphe smells like this and on that note I must give it my thumbs up. The Peninsula’s earth, the purity of that warm, rich ’12 fruit, a touch of disco, that Sperling perfume. The palate is explicitly sweet, on that I’m sure most would agree but the wood is an afterthought. Alcohol is in check, berries are ripe, tannins are refined, ready to resolve slowly, efficiently and with pleasure. Direct, solid and righteous, despite the sugar high.  89  Tasted February 2014  @SouthbrookWine  @TrialtoON

Trimbach Réserve Riesling 2010, Alsace, France (995316, $27.95, WineAlign) From the VINTAGES March 1, 2014 Release

Such a dry and powerful Alsatian example. Tight, angular, typically piercing and even more citrus-driven than ever. Jacked up, better than your average Joe Riesling. As a textbook example from a place where the variety rules, it tells “me that this world is no place for the weak.” Still, I find the Reserve bottling a bit overpriced, not having as much personality such as the cost-equivalent Zind-Humbrecht Herrenweg de Turckheim. Another Trimbach that’s just “gotta have no illusions” and look sharp90  Tasted February 2014  @trimbach  @WoodmanWines

Un tel exemple alsacien sec et puissant. Tight, angulaire, généralement perçant et même plus agrumes axée que jamais. Mis sur cric, mieux que votre moyenne Joe Riesling. Comme un exemple classique d’un endroit où les règles de la variété, il dit “moi que ce monde n’est pas un endroit pour les faibles.” Pourtant, je trouve la Réserve embouteillage un peu trop cher, ne pas avoir autant de personnalité tels que le coût équivalent Zind Humbrecht Herrenweg de Turckheim. Un autre Trimbach qui est juste “Gotta Have pas d’illusions” et regardez pointu.  90   Dégusté Février 2014

Le Clos Jordanne Village Reserve Pinot Noir 2011, VQA Niagara Peninsula, Ontario (33894, $30.00, WineAlign) From the VINTAGES March 1, 2014 Release

Something’s missing, or rather something is happening here. The LCJ omnipresent warm Pinot coat of harm is conspicuous in its absence, or has it been reigned in? This 2011 is so much more friendly, more soft-spoken, expertly judged and picked ripe fruit richer than before. Plenty of tang and tannin but the pronouncement is in a savoury basil/chervil kind of way. Not just another high made by just another crazy guy. A most excellent, bright, Roxy Village Reserve, full of atmosphere and ambient music.  91  Tasted February 2014  @LeClosJordanne

Il manque quelque chose, ou plutôt quelque chose qui se passe ici. Le manteau chaud omniprésent LCJ de Pinot de préjudice brille par son absence, ou at-il été régné en? Ce 2011 est beaucoup plus convivial, plus à la voix douce, experte jugé et ramassé des fruits mûrs plus riche qu’avant. Beaucoup de saveur et de tanin mais la déclaration est dans un savoureux basilic / cerfeuil sorte de façon. Pas seulement un autre haut fait par juste un autre gars fou. Un excellent, clair, roxy Village Reserve, plein d’atmosphère et musique d’ambiance.  91  Dégusté Février 2014

Marchand Tawse Meursault 2011, Burgundy, France (285866, $66.95, WineAlign) From the VINTAGES March 1, 2014 Release

Winemaker Pascal Marchand possesses post-modern abilities to coax the most richesse from out of the basic of basic appellations in the Burgundian universe. This ’11 elevates an umbilical villages to exalted heights and it has really settled into its skin since I last tasted it in May of 2013.  The land is speaking and oozing in a primordial drenching. The tang and verve melts in the mouth, like foie gras cotton candy. What sets it apart is the end game mellow melding of pronounced flavours left to free fall effortlessly into a black hole of critical mass.  92  Tasted May 2013 and February 2014

Vigneron Pascal Marchand possède des capacités post-modernes pour amadouer le plus Richesse de l’extérieur de la base des appellations de base de l’univers bourguignon. Cette ’11 élève un villages ombilical à des hauteurs exaltées et il a vraiment installé dans sa peau depuis que j’ai goûté en mai 2013. La terre parle et suintant dans un trempage primordial. La soie et la verve fond dans la bouche, comme le foie gras de barbe à papa. Ce qui le distingue est la fin du jeu fusion douce de saveurs prononcées de gauche à la chute libre sans effort dans un trou noir de masse critique.  92  Dégusté mai 2013 et Février 2014

Kistler Mccrea Vineyard Chardonnay 2011, Sonoma Mountain, Sonoma County, California (353706, $92.95, WineAlign) From the VINTAGES March 1, 2014 Release

The vineyard speaks first, has the microphone, tells of its volcanic, limestone story going back to 1988. Talks in a Chablis whisper which may come across as narcissistic or somehow simple, but surely deserving to receive the benefit of the doubt. The kind of toast that has you reaching for the last jar of homemade berry jam. Lemon/lime reduction, as a gelée, consommé or demi-glace of fine Chardonnay whiffed by subtle smoke and non-discernible fat. The most subtle of all the Kistlers.  93  Tasted February 2014  @TheVine_RobGroh

Le vignoble parle d’abord, a le microphone, raconte sa volcanique, calcaire histoire remontant à 1988. Pourparlers dans un murmure Chablis qui peut apparaître comme narcissique ou en quelque sorte simple, mais sûrement digne de recevoir le bénéfice du doute. Le type de pain que vous a atteint pour la dernière pot de confiture de petits fruits maison. Citron / réduction de la chaux, comme une gelée, consommé ou demi-glace de fin Chardonnay whiffed par la fumée subtile et graisse indiscernable. Le plus subtil de tous les Kistlers.  93  Dégusté Février 2014

Good to go!