Irresistible South Africa

Fynbos, Vergelegen Estate

Irresistible South Africa of exceptional quality at every price level, LCBO limited time offers and lingering memories of another unforgettable Cape Wine

as seen on WineAlign

This feature was commissioned by Wines from South Africa

Eight months have passed since my last great journey to the wine lands of South Africa’s Western Cape and memories nor great heart have faded even just one bit. The Cape’s beauty is everywhere, breathtaking beauty, at every turn, in vineyards, across estates and especially in people that give their all to craft some of the world’s most special wines. That is why the coming weeks present an opportunity by way of an increased presence and access because Wines of South Africa and the LCBO teem up once again. Prepare to be smitten by an offer of a set of Cape wines that collectively speak to both quality and value. Undervalued already, these limited time offers (LTOs) deliver a diverse set of varietal wines and appellative blends at prices 50 percent below what these wines are worth. To pass them by and not take advantage would be crazy. These are your summer wines, laid out like a shilling dinner and only a fool would scuffle past without purchase.

The LCBO’s Destination Collection includes the “Discover the Wines of South Africa” promotion headline that reads “with a 350-year winemaking tradition, South Africa blends high-quality production with eco-friendly practices, making it one of the most exciting and earth-friendly wine regions around.” Truth spoken. The LCBO’s Limited Time Offer (LTO) Program provides suppliers and stores with an opportunity to build excitement and awareness while offering a discount on selected products. Rates to the supplier or agent are charged based on the full reduction in retail for the number of units sold at the LTO price. Mandatory Pre-printed LTO (flat rate) signage costs are $1,500.00 per product, per Promotional Turn. To qualify for the program, a minimum discount of five percent or $1.00 per package (whichever is less) must be offered at retail. The maximum discount allowed is 20 percent off the regular retail price. Limited Time Offers start on the first Monday and end on the last Sunday of each Promotional Turn. The Wines of South Africa P4 offer is an opportunity for customers to spend a total of $30 on any South African wines to receive 40 APP (Aeroplan Points) and runs from Monday, June 19th through to Sunday, July 16th. See below for a WineAlign crü Buyers’ Guide to current LCBO and VINTAGES Essentials LTOs for South African wines.

Godello and Szabo in Hermanus

John Szabo MS and I were in the Cape together back in October of 2022 and over at WineAlign he has penned a piece he calls “Investment grade South African wines for the cellar.” It will be worth your time to open up a separate tab to read up on John’s outlook. As he explains here, “which, ounce for ounce, consistently overdeliver on sheer quality and pleasure for the price. Add in longevity and the capacity to develop and improve over many years, and you have the recipe for investment grade wine, especially if you consider it an investment in future pleasure and care less about re-selling the wines down the road for profit.”

Ernie Els Estate, Stellenbosch

Reminiscences are part of everyday life but anyone who has traveled through South Africa will find those particular recollections as strong and vivid as any. Back in February I penned my post-Cape Wine 2022 article Seeing Western Cape stars: A guide to Cape Wine 2022 with a recounting of regenerative and creative farming, old vines, new frontiers, 80 recommended current releases and the deliciously addictive South African snack known as braai brekkies. Despite that post’s lack of brevity there was simply no way to fully package 11 days of tasting, eating, conversing and trekking in the Western Cape. Not to mention how much time it truly takes to fully assimilate and gain a deep understanding of what was seen, heard and felt on that trip. I am no stranger to extensive travel but there is no wine producing country that gets under your skin and keeps you perpetually energized like South Africa. Fatigue and jet lag are non issues but being anxious about missing something or skipping moments where the incredible are guaranteed to happen – now these are real issues. So allow me some latitude to recall and expand on some quintessential Cape moments. After two unforgettable visits in 2015 and 2018, the third Cape Wine expedition is now cementing into the stuff of legend.

Celebrating Rosa Kruger in Cape Town

The certification system for of Old Vines

It begins, as it must, with South Africa’s cast of characters, the beloved Old Vines Project’s André Morgenthal, original concierge of Wines of South Africa and Rosa Kruger, progenitor of the OVP. As I previously noted, “Over the past 20 years viticulturist (Kruger) has focused on discovering, classifying, cataloguing and certifying heritage vineyards. It was a great pleasure to chat with Kruger at a Wines of South Africa ceremony and tasting at Cape Wine 2022, which celebrated her 2022 Decanter Hall of Fame Award. And also with the legend (Morgenthal), orchestrator of the tasting of old vines wines. It is remarkable to see how many estates and producers have come on board — to celebrate and show off the wines they are making from 35-year-old (and older) dry-farmed bush vines. Many vines are even pushing or exceeding the century mark.” With thanks to André and Rosa there was an evening’s opportunity to taste dozens of certified old vines examples, many of which were covered in my last report. Here are but a dozen more worth knowing.

Chenin Blanc Data

Signatory authority Chenin Blanc

As for chenin blanc, if you are a grower, producer or winemaker in the Western Cape, signing a contract for yourself with chenin blanc, well then you’re good to go. Sign away. Planting, resurrecting, reviving, perpetuating and extenuating chenin blanc vine circumstances  to make varietal wines is like finding and selling gold. Since 2011, local chenin blanc sales have doubled, including an 11 percent increase between 2021 to 2022, while total exports (packaged and bulk) have nearly tripled in that 11-year span, also with an 8.5 percent gain from ’21 to ’22. These increases have occurred because the chameleon can play in any sandbox and become anything a consumer wishes it to be – this despite total planted hectarage having decreased 10 percent since 2011. Name a grape tied to a place’s success anywhere near equal to the symbiotic relationship between chenin and the Western Cape? Please don’t say malbec and Mendoza. The future will always be chenin blanc, worldwide and especially here in Canada. Canadians have embraced and fallen sick in love. If you are already one of them, or even if you are yet to have sipped the Kool-Aid, there is always a next level chenin blanc waiting for you.

Old Vines Chenin Blanc, Ken Forrester Vineyard

Zeroing in on sites in reds and whites

Soon enough it will be ten years since I first referred to growing anything and everything in the Western Cape as being akin to a viticultural “wild west.” The ancient geology split between decomposed granites, Malmesbury, Bokkeveld or Witteberg shales and Table Mountain sandstone make for the most diverse and paradoxically hospitable grounds where the varietal spectrum is encouraged. The morphology of my personal understanding grew to look at land and vine as something more focused and the map of varietal matched to place began to take shape. Writing here in 2023 brings white and red varietal wines, plus the coalescence into appellative blends into pinpointed accuracy where winemakers make their mark based on experiential decisions. Heritage vineyards are nearly always key, magical conversion rates create situations unparalleled, but the very presence of rampant sustainable and regenerative agriculture is what truly separates and indeed defines the wine production of South Africa. The Western Cape faces never-ending challenges because of isolation, climate extremes and internal political struggle but I have written this before. “The (wines) are too good to miss, not just a handful but hundreds of outstanding examples. Quality has risen exponentially, virtually across all places of origin, including new frontiers. The stars are out, and they are aligned.” I give you 30 further examples; varietal whites and reds, white and red blends, plus one dirty little secret.

With Adi Badenhorst

Varietal Whites

A.A. Badenhorst Chenin Blanc The Golden Slopes 2021, WO Swartland

Bottled mid January and released in May. Single vineyard, quick ferments, high fructose content avoided, no sulphur needed until just before bottling. From plantings going back to 1968 and through the 1970s, the Golden Slopes had usually been aged in foudres but now so much more in concrete “to preserve that raciness as long as possible.” A true cracker scintillant of chenin to be sure yet with all the ripeness in phenols plus stone fruit texture possible. A capture of the 2021 Swartland chenin blanc vintage without repose. “This is really all about vineyard,” insists Adi Badenhorst “and the way we like to farm.” There is a dream, to sit on the Golden Slopes beneath the stars while sipping a glass of 2021. Preferably in 2025. Drink 2023-2029.  Tasted October 2022

Alheit Vineyards Chenin Blanc Nautical Dawn 2021, WO Stellenbosch

Nautical Dawn as a single vineyard chenin blanc is drawn from a Paardeberg Mountain site with a view to the seaside and breathes out a defining wind that consistently blows through. Gusts of sodium run through this wine like no other member of the chenin blanc/old vines/Alheit temple. This is clearly a well established portent as elemental pierce, rehearsed without pause and arbitrarily close to the true value of the established parameter, in vintage after vintage. Lends this wine its distinct and cracker personality in a manner that is tight, bracing and complexly wound. Nautical Dawn carries itself with attitude and is a chenin blanc more than sometimes expressed as a great notion. From 2021 the values of place, experience and process concur to express inclination and ultimately belief. In Chris and Suzaan Alhet’s words, but even more so by their actions. Drink 2024-2030.  Tasted October 2022

Craven Wines Pinot Gris 2022, WO Stellenbosch

Jeanine and Mick Craven’s Stellenbosch pinot gris continues to thrive and evolve by way of its base soil, that being the Koffieclip complex which is more and more proving to be where this grape thrives. A bit of skin contact, maybe six or seven days, unchanged for several vintages now but this is anything but a white wine made like a red. This and aging in concrete are two of the great things about the method, but not the necessity of creating crazy fresh and crushable pinot gris. This is that but also something other, with sneaky structure and underlying mischief to make sure the years ahead will bring about new fascinations. This is a wine that has come a long way. Truly, as memory knows this to be true. Drink 2023-2027.  Tasted October 2022

Crystallum Chardonnay The Agnes 2021, WO Western Cape

Five vineyards are contributors including three from the Hemel-en-Aarde-Ridge and older barrels nurture profound fruit for this the 15th vintage of a wine that first appeared in 2007. Perfectly staged, striped and reductive chardonnay, cracker piqued, peppery without any discernible overt pepper or capsicum. Wow, this hits the spot. Terrific “entry” chardonnay from Peter Allan and Andrew Finlayson. Drink 2022-2025.  Tasted October 2022

David And Nadia Sadie Wines Plat’bos Chenin Blanc 2021, WO Swartland

At a tasting where everything is Old Vines Project certified there must be something extraordinary about a wine to stand out from a crowd of greats. David and Nadia Sadie are in fact turning heritage vines chenin blanc (amongst other varietal explorations) into content born of context harboured though never paraded. They are rhythmic and scientific with just enough fantasy and romanticism, but never too much. Plat’Bos stands above Skaliekop and Hoë Steen because 2021 asks it to do so, not because it is better or more important, but it is surely chenin blanc profound. The 1981 Swartland planting is in the steady zone, shed of the mercurial and in ’21 so very linear yet salty of the earth in its sombre-sepulchral tone. There is reduction here because the poor soil nutrients demand that this chenin begins this way. The levels of tension and intensity are most elevated, sufficing to say as high as any from the Western Cape. Attention is paid unwavering to detail, sequencing is in order, purity incarnate, grape and place together pristinely kept. In Plat’Bos 2021 the palate is taken down to the whipping post by a wine built to endure. Given time there will be calm, healing and reward in the end. Drink 2024-2036.  Tasted October 2022

Megan Mullis and Sharon Parnell, Domaine des Dieux

Domaine Des Dieux Sauvignon Blanc Reserve 2018, WO Hemel-en-Aarde Ridge

From the start farming is opposite to chardonnay, exercised as Guyot pruning for a desire to increase yields as per what the variety will give and quality abides. Considered in unequivocal terms, this may just be the most, if perhaps the only Hemel-en-Aarde Ridge and in fact the whole of the Western Cape’s sauvignon blanc that truly intimates Pouilly-Fumé. The mix of macerated fruit cup juiciness and subtle if gentle smoulder delivers the mimicry, a wet rock struck kiss and kindest nurturing, finishing at lit paraffin. The winemaking lends reason to grow, raise and perpetuate sauvignon blanc right here on this ridge, in perpetuity. So long as the handling is as careful as it is here, to create varietal beauty incarnate. Drink 2022-2026.  Tasted October 2022

John Szabo MS, Anthony and Olive Hamilton-Russell and Godello

Hamilton Russell Vineyard Chardonnay 2021, WO Hemel-en-Aarde Valley

The uncanny taste of indelible memory stamped South African chardonnay defines this wine though there is a candied aromatic feel in this iteration. Chewy texture, elastic and stretched, creamed centre, fluid and generous. All lemon and lime up front and then recoiling, returning and finishing the same way.  Last tasted October 2022

A new return to a manageable vintage of warmth and generosity in which the beauty of Hemel-en-Aarde chardonnay comes across with sweeping charm, just as a vista will take in the scroll of hills, mountains and eventually fall, 100 kilometres away into the sea. The taut nature, tight control and expertly wound fruit behaviour follows a line of HR acidity like never before. The magnificence of the balance occupied by parts so known like home is what emanates from this chardonnay and the gracious people who make it. Can’t think of much better in South Africa. Drink 2023-2028.  Tasted July 2022

Huis Van Chevallerie Palomino Old Vines Spookberg 2021, WO Piekenierskloof

At harvest Christa von La Chevallerie is asked by the farmer “would you like three tonnes of palomino?” Who could say no to Spookberg, story of two wine lovers scouting the Swartland looking for the perfect old vines to tell stories the past? Know this about Christa von La Chevallerie. She is a Geisenheim-trained winemaker who checks her acid and pH numbers by sleeping in the vineyard, when others are on holiday. Christa knows the climate is changing and ever-menacing droughts are never the same twice. “Look at the sky and cry,” she says but fear not, for there is a way. The Spookberg recalls a castle and yes, ghosts as well and the parcel sits atop decomposed granite, direction Cederberg. Bloody great varietal wine because the fruit comes from this place, off of old vines and their destiny to Christa was all. The fino character is conditioned by both pH and acid in balanced conversion both mighty and releasing as sapid seriousness. No skin contact to mess things up, half de-stemmed, fermented in 400kg open bins. Wrapped, cooled and those whole bunches float on. They wait while the maker makes self-instructive demands. “Just have your hands on it and don’t be distracted by what you’re busy with. Keep the quality control.” These handsome old vines gift the best of both worlds; substantial South African fruit told as truth but also a quirk of idiosyncrasy because well, palomino. No interference, only a clear night’s signal and a varietal wine treated with respect.”They don’t like lava lamps.” Drink 2023-2028.  Tasted October 2022

Le Bonheur Chardonnay 2022, WO Stellenbosch

Winemaker William Wilkinson is responsible for amassing a healthy quantity of this Stellenbosch chardonnay which makes the quality all that more impressive. Much of the fruit gains cooling benefit from the shadow of the Klapmutskop (Klapmuts Hill) which serves to extend the ripening season. Hard to get more lemon curd, zest and freshness than this with an undercurrent of fynbos that will never be denied. Clarity is one thing, length on a $16 chardonnay another. Will arrive in VINTAGES December 16th. Buy it up. Drink 2023-2025.  Tasted June 2023

Leeu Passant Chardonnay 2020, WO Stellenbosch

Chris and Andrea Mullineux started the project in 2013 with the help of viticulturist Rosa Kruger. “New” vineyards were unearthed and rehabilitated through four solid years of re-pruning, re-training and re-working of the soils. Then the wines could begin being made. A deconstruction and reconstruction, now seven years in and entering the opening gambit of true maturity stage for what is one of South Africa’s most unique heritage collections. Leeu means lions, a reference to a meandering walkabout, personified in these wines. They are made in the Franschhoek winery, certified organic, coming of age in their foray into regenerative agriculture, which says Andrea Mullineux, “in the southern hemisphere also means cultural and worker sustainability practices.” The 2020 is as fine a reductive but mainly lightning acidity charged chardonnay as a vineyard can determine. Located in the upper mid-slopes of the Helderberg facing the Strand with a clear view of False Bay. That said or perhaps out of necessity this is made in an oxidative way, which makes sure to keep the flinty and salty faith alive. The ’20 is possessive of fibres, threads, strings and wires braided to make a layered whole. Finesse and sophistication co-exist in a vacuum where waves crash upon one another in great open space, with no shore for to finish. If you would like to experience chardonnay in a way you’ve not likely done before than swim all the way out, well offshore, all in, all the way to this place. Turn around and off into the deep distance, gaze upon the strand. Drink 2022-2028.  Tasted October 2022

Momento Wines Grenache Gris 2021, WO Voor Paardeberg

Voor Paardeberg and its decomposed granite make for a wonderland from which to pull grenache in blanc and also gris. The vineyard is but nine years old and sits peerless in South Africa but to no surprise it is Marlise Niemann who finds it and makes it her own. Seven days on skins to accentuate the already grey-pink hue but even more so the pull of red citrus and other fruit aromatics; strawberry, rhubarb, sumac, pomegranate, pink lady apple skin and then the savoury greens of nightshades, in mildly spicy capsicum and wandering inveterate tomato. Old wood for 10 months is the obvious and right choice to maintain, prolong and extend these scents and create the taciturn of Momento gestures so befitting Marlise’s wines. Salty, taut and fresh but likely only a few more months away from blooming. Still there is enough grip with intensity to hold its flush for two or three years. Oh my does this country need more grenache gris and though it is very slow to propagate in the nursery Marlise will plant more on her farm when it becomes ready. Drink 2023-2027.  Tasted October 2022

Rall Wines Cinsault Blanc 2021, WO Swartland

Fifth vintage, from a single 0.2 hectare vineyard and the first from a time when Donovan Rall just got the grapes for the first time. Here now 1,300 bottles, a “huge” quantity, all raised in amphora from Hout Bay, “a crazy potter,” tells Rall. Not as porous and a tighter, reductive environment. Delivers the benefit of true concrete but through the texture of clay. This wine is about heritage, manifested in texture and salinity. And of course the Swartland. “I’ve never worked with conversion rates this low,” says Donovan and this cinsault is a testament to the excellence and magic of the vintage. With no compromise to flavour, tannin, acidity and length.” The low alcohol at 11.8 is brilliant as no push to ripeness was needed to achieve these heights. Drink 2023-2027.  Tasted October 2022

Jeanine Bruwer, Springfield Estate

Springfield Estate Albariño 2020, WO Robertson

Huge surprise to happen upon albariño but here it is, planted in 2010 “because we had to,” explains Jeanette Bruwer, “after a trip to Uruguay where we tasted the coldest bottle of wine anywhere.” Allow me to translate that as refreshing and I believe only Springfield Estate and Newton-Johnson are raising the Minho variety. These Robertson vines are from Hemel-en-Aarde cuttings, now comprising 16 hectares. Clay and granite are the impetus to imagine this salty and quenching albariño that sees a cold maceration, free run, pulled away at day 14 and left at negative four degrees. Only tank for four months and reminiscent of making moscato d’Asti in that suspended gelid animation way – save for finishing much dried and at higher alcohol. Cleanest juice determines the refreshment and this may be the Cape understatement of the year. Amazing case study! Drink 2022-2024.  Tasted October 2022

Varietal Reds

Hamilton Russell Ashbourne Pinotage 2020, WO Hemel-en-Aarde Valley

“There is a pinotage renaissance happening here and elsewhere,” are the words of Anthony Hamilton-Russell. He and winemaker Emul Ross make this example that is a one of a kind signature wine that’s just about as readily recognizable as any in South Africa. Wood is in the background, plum fruit and acid up front, structure present from start to finish. Comes in at just under 13 per cent alcohol out of a vintage where the yeast conversion rates were down across the Western Cape. Yields are 7.19 hL/L, ugly economics to be sure but this is the nature of quality pinotage to speak with great heart about the varietal matter. It’s the back end of this wine where the magic happens, but first a slow incline, then the plateauing before a subtle pause commits towards a long future ahead. Drink 2023-2029.  Tasted October 2022

Kleine Zalze Grenache Vineyard Selection 2021, WO Stellenbosch

Quite ripe and heady grenache, chewy, clean and well extracted. Torque, as they say, a full 360 degree swing with balanced follow through. Hard not to note the Rhône influence and mimicry though in the end that Western Cape inimitability. Full grenache for your wishes and use of hard-earned cash. Meet the truth and real honour in this dedicated varietal wine. Drink 2023-2027.  Tasted October 2022

Porseleinberg Syrah 2018, WO Swartland

The large vineyard is situated in the SE corner of the Swartland, above the Berg River. The Porseleinberg is a bit older so there is some sandstone with the granite or schist below. It’s sedimentary metamorphic with weathered, worn away soils, and hard, harsh, poor growing conditions. There is this feeling that 2018 has begun evolving just a slight amount out of a vintage that is all about red, red fruit with a plethora of tannins and extract off the charts. This vintage was set up to be a beast of one, a perfect storm of climate interacting with the moonscape. Hard not to be in accord with Callie Louw – it will last 50 years. There’s no doubt. Small berries with the most intensity in the skins. Picked at 14.3, warm vintage but so implosive, from drought condition, rain in late October and November, totalling 221mm. The tannins are of the longest and most exquisite chain imaginable. A pulpy syrah with a magnesium mineral-salty finish. Drink 2024-2045.  Tasted October 2022

Craig Wessels, Restless River

Restless River Pinot Noir Le Luc 2021, WO Hemel-en-Aarde

Supremely, super-satisfyingly and aromatically saturated with all red fruits imaginable, of berries, stone and citrus. Blessed of high and layered tones, reaching a whole new level in terms of both composition and production. Layers pinot noir tracks upon tracks of perfume and flavour to create a richly symphonic sound. A wine of heightened awareness and a sensory grab to elicit awe by way of stunning melodies and lyrical themes. Sensory and musical, the Hemel-en-Aarde vinous equivalent of Pet Sounds, only instrumental, not wholly unexpected but surely fascinating and emotional. Something special indeed and likely RR’s best to date. A glass is such sweet happiness. Drink 2022-2028.  Tasted October 2022

Reyneke Syrah Biodynamic 2020, WO Stellenbosch

Biodynamic and therefore 100 per cent estate fruit, a child of a fully submerged cap, sans pumpovers to create soft extraction, minimalist breakdown of the must and in the end a most gentle elevation in hue, aromatic perfume and poignancy. The glycerin texture and utter silk texture recalls wines like (Piemonte’s) Vajra and (Chianti Classico’s) Val delle Corti. There’s just something in this syrah-nebbiolo-sangiovese triumvirate vein that healthy grapes and adherence to maceration by way of capello sommerso winemaking will shed. Thinking on this as meaty is too basic as there are feelings of roasted nightshades, black olive tapenade and garrigue brush that consider syrah’s motherland and more so this sector of Stellenbosch. Complex and sink one’s teeth into. Drink 2024-2027.  Tasted October 2022

Saurwein Pinot Noir NOM 2021, WO Elandskloof

Jessica Saurwein’s profound (OM and NOM) pinot noir program is driven and focused, from two locations, the other being the Hemel-en-Aarde Ridge of Hermanus at Walker Bay. Here the site is the Kaaimansgat Vineyard in the Elandskloof Valley located at Villiersdorp. NOM, as in the ability to change from animal to plant, something the world cries for, needs and will have, eventually, out of necessity. But Saurwein is clearly both hopeful and nostalgic, “like an Adam and an Eve, waterfalls, the Garden of Eden.” Her talking pinot noir could very well be drawn from the heads of Sonoma Coast heights, from a place of warm days, fog and cold nights. Elandskloof is such a place, where phenolics are written in naked terms, like pictographs in ancient caves. The ripeness tells a detailed story of two and half hectares of fruit in recall of a varietal story, of plants given to a winemaker who knows and treats them well. What else could they ask for? Purity and beauty are everything and if Kaaimansgat is not quite the same ethereality as that from the valley they call heaven and earth, so be it. The mouthwatering acidity, fleeting and transparent condition of this pinot noir is perfect.”We used to microwave. Now we just eat nuts and berries. You got it, you got it.” Drink 2023-2026.  Tasted October 2022

Storm Wines Pinot Noir 2020, WO Hemel-en-Aarde Valley

It was a happy accident that pinot noir was planted here upon the Hemel-en-Aarde Valley’s Bokkeveld Shale in a zone which shares great affinity with Bourgogne’s Côtes de Nuits. In addition to Storm the decision benefitted Hamilton Russell and Bouchard Finlayson, amongst others. The soil composition and specialized geography makes for a different style of pinot noir, from fine grains of soil layered with clay and decomposed granite. Just seems to liquify in varietal form replete with a ying-yang of natural sweet and savoury complements, but also inner silk threading and an outer layer of botanical sweat. Unique, fundamentally different, with ample tension and an impressive amount of potential. Drink 2023-2027.  Tasted October 2022

White Blends

Avondale Cyclus 2019, WO Paarl

White blend, driven by roussanne (30 per cent), with chardonnay, chenin blanc, viognier and sémillon. Round about 75 per cent whole bunch pressing, pressed off to old (500L) French barrels. Ages on the lees for 12 months. It’s about oxygen, texture and mouthfeel, with an orange wine out of clay amphora Georgian Qveri involvement, three months on skins and stalks, basket pressed and back into the clay. About 25 per cent. Adds another layer of texture, weight and minus all the the adjectives, connotations and negatives. Length without tonic, elasticity and spice without bitters. So well managed and executed. Drink 2023-2028.  Tasted October 2022

Mullineux Old Vines White 2021, WO Swartland

A style of South African white wine essentially started by Eben Sadie with Palladius back at the turn of the century. “Right away in 2001 when I first tasted it,” says Chris Mullineux, “it just made so much sense for the Swartland.” Adding some verdelho now, has only been the Swartland for 10 years but it’s really creeping in all over the Cape. It adds up to 14 percent alcohol, 9 TA and grippy phenolics to add force with some softer and generous white wines in the blend. This is vintage number 14 so if you like to think about things in lucky 7s then do the math and see this on the heels of what just must have been a most terrific 2014. The Granite and Schist ’14 Syrahs are pieces of Swartland heaven.  Last tasted April 2023

The chenin blanc involved is from vines up to 70 years old, two times into heritage status, refined in nature. here not a matter of more density but yes increased extract. Also contains viognier, clairette blanche, grenache blanc sémillon gris and verdelho. Crunchy as old whites come, especially this one, with just that righteous and ripping amount of alighted flintiness, lightning strike and claps of granite thunder. About two thirds are grown on the fine sandy, decomposed granite while schist, iron and quartz add grip, flesh and roundness. Full and layered composition of greatness. Drink 2023-2028.  Tasted October 2022

Sadie Family Palladius Liberatus In Castro Bonae Spei 2020, WO Swartland

Palladius, like Mev. Kirsten is a matter of the highest level of fruit concentration, extract and tannin but what separates is the flesh and the beauty noted so early on. Of chenin blanc, grenache blanc, viognier, roussanne and marsanne with palomino, sémillon gris, sémillon blanc, verdelho, clairette and colombard form 17 vineyards. Always the same 17 and it will become more once the experimental vines and blocks come to fruition. There are four co-plantations within and the wine is a mixed appellative and multifarious varietal bonanza of diversity and complexity. What a puzzle, maze and layering of so many different parts. How this works only Eben Sadie (and perhaps also his viticulturist, agriculturalist, winemaker, boys, electrician and plumber know). But does it matter? It finds you, grabs your palate, senses and shoulders, shakes your foundation and never relents. Drink 2024-2036.  Tasted October 2022

Red Blends

Beaumont Wines New Baby 2019, WO Bot Rivier

New Baby was released in June of this year and 2015 was the first vintage of a truly Cape conceptual wine. It was launched as a way to combine the idiosyncrasies and potentially complimentary personalities of different white grape varieties on the farm. In 2019 the lead is chenin blanc at 40 per cent with (30) sauvignon blanc plus smaller amounts of chardonnay, sémillon and colombard. They were all planted by Sebastian Beaumont’s father from 1974 onwards. The style and notion follow the line established by Hope Marguerite. “My mother said every vintage was like giving birth to a new child,” explains Beaumont. “Once you do something it’s hard to shake.” Yet another brilliant white appellative blend to define the Cape’s idiomatic meets wild west psyche and only in South Africa do the interpretations emerge like this. All in barrel and the vapour trail is palpable, especially in the flint and smoulder that come from the Bordeaux grapes. New Baby pops, piques, kindles and snaps, raises the senses and is just a perfect conceptual creation. Hard not to love this bloody wine. Drink 2023-2030.  Tasted October 2022

Blackwater Wines Sophie MMXX 2020, WO Western Cape

A new sku for Francois Haasbroek, inspired by old red Cape blends, not just a trend these days but a resurrection of style that is in fact new and improved fashion. Sophie is named after Francois’ daughter born in 2020, joining the Bot Rivier grenache named for her older brother Daniel. She is half and half Stellenbosch cabernet sauvignon plus Darling cinsault, affectionately reminiscent for a time when wines like these could be made and aged forever. “A classical blend,” tells Haasbroek though I’m not privy to any made in a 50-50 ratio with these two varieties. Nevertheless this maiden Blackwater voyage comes from three barrels of 30 per cent new wood. “Because it doesn’t get distracted by seeping up oak,” insists Francois and he is likely correct though we need to see where this travels. Long into the night it is suggested with fruit purity, strong facial features, good bone structure and an eye towards the future. Drink 2024-2029.  Tasted October 2022

La Motte Hanneli R 2015, WO Western Cape

The name of Hanneli Rupert, owner of La Motte. A blend of 58 percent syrah, (32) grenache and (10) petite sirah, full, more rounded than the Pierneef syrah and showing more barrel as well. The syrah comes from Elim and Franschhoek, the grenache from Walker Bay and the petitye sirah also from Franschhoek. Though truthfully speaking there is fineness, grace and elegance in the context of a big and fruit-centric wine. Acids are sharp, with iodine and this kind of concentrated pomegranate flavours. In the end there are waves of chocolate, not entirely bittersweet, succulent notions and clearly next level. Drink 2024-2028.  Tasted October 2022

Radford Dale Black Rock 2014, WO Swartland

Will admit to having a love-hate relationship with this wine which at times shows incredible beauty and at others goes straight over the top. The 2014 eight years forward is divine. A southern Rhône styled blend, composed of up to six varieties but does not have to every time out. Syrah often leads though not in this vintage because grenache showed the most promise for what needs to happen in this blend. Not the hottest of seasons and so in the context of South Africa there is red juiciness and a level of ethereal unlike itself, especially looking ahead to examples like ’17 and ’19. The carignan really surprises, but then again the vines are pushing 50 so their contribution is experientially significant. The ’14 has morphed, likely gone through dumb, swarthy and awkward stages but is now gentle and subtle in its testing meanderings. The fine and incrementally structured elements are clearly manyfold but now really coming together. A rager and a ranger, with some legs on it, still youthful and I will follow it anywhere. Drink 2023-2028.  Tasted October 2022

Savage Wines Are We There Yet 2021, WO Malgas

Duncan Savage continues his relationship with these blocks of touriga nacional and syrah planted by David Trafford back in the early 2000s on sites where Sijnn Wines produce the most fantastic red blends. Driving to Malgas from Stellenbosch or Cape Town often elicits an “are we there yet” cry because there are stretches on dusty back roads that feel like a journey to the ends of the earth. The southern most point in Africa more like it and Savage makes use of a few percent here and there with regards to blending grapes that change a wine’s perspective from year to year. He concedes that 2021 was a big sun, big canopy one, yet also following the droughts to create something beautiful and beneficial. Control is exercised and the mix carefully contorted for a red of nimble elasticity and then a Tetris effect occurs. Time and attention paid to tasting and thinking about Are We There Yet begins to pattern our thoughts, mental images and dreams. We are hooked and will be on this line for quite some time. Drink 2024-2029.  Tasted October 2022

Sijnn Red 2016, WO Malgas

Second vintage for Charla Bosman’s tenure at Sijnn and here her confidence shows in both the stunning aromatic profile and broad shouldered structure. The nurturing and comfort speak to a winemaker in the early subconscious stages of becoming a mother and a force of winemaking nature. Perfectly swarthy here and it’s really all about tannin management, controlling fermentation temperatures, whole bunch additions, punchdowns and easing extractions. “Channelling freshness but still staying true to the intensity that we have,” confirms Bosman. The quality of this red fruit with a touch of blue, acids of a natural nature and the suppleness of tannins makes this a wonder to behold. So many years of life still lay ahead. Drink 2022-2032.  Tasted October 2022

Something Other

Ken Forrester Dirty Little Secret Vin Blanc #3, WO Piekenierskloof

Seeds were sown for an auspicious beginning in 2015 when the inquisitive winemaker Shawn Mathyse was looking, asking questions about and in serious consideration of natural wines. His skeleton in the vat is an assemblage of chenin blanc out of a single vineyard Piekenierskloof site planted in 1939. There is some clairette blanche mixed in though according to the regulations it qualifies as chenin blanc. Four or five vintages are amalgamated from this sandiest of sandy soil, non-irrigated bush vine site. This is the third iteration which includes the vintages of (2017 through 2020). Scents and tastes of old chenin, clover honeyed, waxy and flint struck. The definition of natural wine the Ken Forrester way. Drink 2022-2025.  Tasted October 2022

Beauty in Hermanus

Buyers’ Guide to current LCBO and VINTAGES Essentials LTOs for South African wines

Whites

K W V The Vinecrafter Chenin Blanc 2022, WO Western Cape
Boschendal The Pavillion Chenin Blanc 2022, WO Western Cape
Spier Bay View Chardonnay 2022, WO Western Cape
Nederburg Sauvignon Blanc The Winemaster’s Reserve 2022, WO Western Cape
The Wolftrap White Blend 2022, WO Western Cape
With Love From The Cape Chenin Blanc 2022, WO Western Cape
Boschendal 1685 Chardonnay 2021, WO Coastal Region
Ken Forrester Old Vine Reserve Chenin Blanc 2021, WO Stellenbosch

Stellenbosch

Reds

Boschendal The Pavillion Shiraz Cabernet Sauvignon 2019, Pays d’Oc, Languedoc, France
Fairview Goats Do Roam Red 2021, WO Western Cape
The Wolftrap Syrah Mourvedre Viognier 2021, WO Western Cape
Porcupine Ridge Syrah 2022, WO Swartland

Good to go!

godello

Fynbos, Vergelegen Estate

Twitter: @mgodello

Instagram: mgodello

WineAlign

16 Canadian wines that rocked in 2016

he-always-distracted-me-so-that-i-thought-of-nothing-else-while-listening-to-the-words-and-the-sound-of-his-voice

He has always distracted me so that I thought of nothing else while listening to the words. And the sound of his voice.

Compiling a best of wine list is never easy. Not when the subject matter is the most fleeting of consumables, a drink ever-changing, almost never tasting the same twice and destined for eventual failure. We know by instinct that wines cast the shadow of their own destruction before them and are designed from the first with an eye to their later existence as ruins. Wine critics can only regard what is in the glass by what sensory enjoyment or displeasure is activated at that exact time. In most cases there are no second chances.

I do my best to taste wines twice before passing judgement. Too often I can’t fulfill this prophecy, especially when plodding through 100-plus on a VINTAGES release. In 2016 I made a great effort to visit these 16 wines three times before penning a review. It was not always possible but I tried. When it comes to Canadian wines and even more so with wines from Ontario, there are often second and third chances. And so I feel very confident in sharing this definitive list with you.

Hallelujah

It must be said that 2016 was a most difficult year. Too many special people were taken from us far too early. I lost two friends this fall as I’m sure some of you did as well. Many of us dwell on favourite celebrity deaths and especially the loss of musicians, some of us more than others. If you are one who takes to social media to mock the romantic who shares grief with others at the loss of a musical icon, well just skip past this and go straight to the wines. Or please refrain from comment and respectfully remain quiet.

David Bowie. Prince. Leonard Cohen. Sir George Martin. Glenn Frey. Paul Kantner. Leon Russell. Keith Emerson. Greg Lake. Alan Vega. Mose Allison. Bernie Worrell. Muhammad Ali. Gene Wilder. Arnold Palmer. Craig Sager. David Huddleston. Ken Howard. George Kennedy. Abe Vigoda. Ron Glass. Florence Henderson. Fuck 2016. And this tree fell on my house.

hows-your-sunday-going-so-far

How’s your Sunday going so far?

On a much brighter note 2016 was a banner year for tasting Canadian wines. It also provided a vintage of quantity meets quality and one that was desperately needed, especially here in Ontario. My tasting regimen saw no quit or slow down in 2016. I’m not sure how many Canadian wines I tasted but if it was less than a thousand I’d be shocked. I tasted more at home, assessed a greater number in the LCBO’s sensory lab, delved deeper at the WineAlign office and spread the web wider at events in Ontario. I judged with Tony Aspler at the Ontario Wine Awards, in Penticton at the WineAlign National Wine Awards of Canada and with David Lawrason at Gold Medal Plates.

Related – 15 Canadian wines that rocked in 2015

In 2015 I counted 15 on the filtered list. In 2014 the highlights numbered 14, just as in 2013 the number chosen to cant, recant and decant excellence in Canadian wine was 13. And so forth will lead to 17 in 2017.

welcome-muller_brent-to-team-red-with-nazlanmak-captain-treve_ring-nwac16-winealign

Welcome @muller_brent to team RED! with nazlanmak captain @treve_ring #nwac16 @winealign

Related – 14 Canadian wines that rocked in 2014

And again, I quote. “Picking a top anything list is both a chore and a labour of loyalty. The opportunities to learn more about Canadian-made wine, especially the processes and the efforts, were numerous in 2014. Canadian winemakers opened their doors and when people came, they taught. They walked the vineyards, showed off their prized barrels and walked through the processes of making wine. Tasting and barrel rooms make for the greatest classrooms. Get out there in 2015. The experience is priceless.” In 2017, trust in Canadian wine.

Related – 13 Canadian wines that rocked in 2013

return-syrah-engagement-creeksidewine-pouring-on-tap-barquebbq-and-barquebutchers-freshtap-wineontap

Return Syrah engagement @CreeksideWine pouring on tap @barquebbq and @barquebutchers #freshtap #wineontap

My wine on tap program at Barque Smokehouse and Barque Butcher Bar added some new wines in 2016 to follow those poured from Tawse, Lailey, Norm Hardie, Creekside, Between the Lines, Kew Vineyards, Redstone, Stratus and Leaning Post. Between the Lines, Coyote’s Run, Vineland Estates and new offerings from Creekside continue to fill your glasses.

The year began with great excitement at Niagara’s Icewine Festival in January. In February I returned for Cuvée Weekend. In June we convened the WineAlign Canadian Wine Awards in the Okanagan Valley and a confession I need to make is that I wanted to publish with the title “Why you don’t know shit about B.C. wine” but chickened out at the last second and instead came out with Why you don’t know jack about B.C. wine. Before judging we paid a visit with The Wines of British Columbia for the Judgement of B.C. The second annual cage match was hosted by the B.C. Wine Institute and took place on Tuesday, June 21, pitting 12 B.C. Wines against 12 acknowledged global benchmarks. Riesling and Pinot Noir squared off, curated by DJ Kearney and judged by a who’s who of Canadian wine writers, critics and educators, along with international WineAlign Awards judges Dr. Jamie Goode and Elaine Chukan Brown.

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How lucky we all were to have her back in the captain’s chair. Happy Canada Day @djwines #nwac16

As the week progressed, the WineAlign judges paid visits to Okanagan Crush Pad Winery in Summerland, Culmina Family Estate Winery in Oliver, Tantalus Vineyards in Kelowna, Rustic Roots Winery with the Similkameen Wineries Association and Deep Roots Winery on the Naramata Bench. I tasted more than 100 wines over the course of the five days from the appellations of Okanagan Valley, Okanagan Falls, Oliver-Osoyoos, Golden Mile, Similkameen Valley and Naramata Bench. At the awards I tasted more than 500 Canadian wines.

Of greatest importance was my return to the International Chardonnay Cool Climate conference that took place between July 22nd and July 24th in Niagara. Before attending for a fourth straight year I penned The democracy of Cool Chardonnay. It was there I wrote that “plus has joined the i4c, an ideogram of addendum, a character of diversity for the fluently persuasive and forceful congress. This gathering will open its arms for colour and to allow its constituents to regale with what they do best. For an event-driven pure as single-varietal snow and formerly known exclusively as chardonnay, is this really a shocker? This is the reality of democracy.”

#cool

People bitched and moaned. How can a chardonnay conference include other grape varieties? Sacrilege and foul play they (secretly and not so secretly) complained. In the end the inclusion of red varietals confused nothing and no one. Chardonnay remained the focus and the star. No chardonnay were harmed.

We broke cool climate bread and spread chardonnay gospel with Ian D’Agata (Decanter, Vinous.com), John Szabo M.S. (Volcanic Wines: Salt, Grit and Power), Jean-François Bordet and Françoise Roure from Wines of Chablis. We tasted with sixty winemakers at the School of Cool, “Flights of Chardonnay” at Niagara District Airport and the Cool Chardonnay World Tour Tasting & Dinner at Ridley College in St. Catharines, Ontario. Red wines were poured after dinner!

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Only American presidential candidates carry babies at #i4c @coolchardonnay

We welcomed writer Kurtis Kolt from Vancouver, sommeliers Carl Villeneuve-Lepage and Elyse Lambert from Quebec. Four Seasons Hotels and Resorts and Tex-Somm Director James Tidwell made the long trip north and a second Canadian courting immersion in as many months was performed by visionary wine raconteur Elaine Brown.

So what did Godello learn from Cool Chardonnay in 2016? Well, he found out that we have to look at organoleptics and ask a very important question. Is your expectation of a Chablis going to be the same as chardonnay made from anywhere else? More important, who are we putting this wine in front of? Ian D’agata’s take struck a Canadian chord.  He talked of “a welcome astringency characterized by piercing flavours. These are cool-climate wines.  Cool climate chardonnay is not about a long litany of fruit descriptors. If you have a cool-climate viticultural area it behooves you to give the people what they are looking for.”

potential-is-the-past-somewhereness

Potential is the past @Somewhereness

After i4c16 I took part in an Impromptu tasting at Ravine. Four months later the intrepid sophist Scott Zebarth and I tasted with winemaker Marty Werner for a second time. That same day we visited with J-L Groux at Stratus and with Paul Pender at Tawse. Our focus was cabernet franc. That report is coming soon and I can promise this. The 17 in 2017 and 18 in 2018 will be graced by cabernet franc. Fall events were led by the constitutive Somewhereness, as fundamental and essential as any agminate Ontario tasting can and will ever be. Then there was the Great Canadian Oysters and Wine Experience at Rodney’s Oyster House. The event was hosted by Wine Country Ontario and paired a curated who’s who of Ontario VQA wines with the local iconic fare. Exceptional all around.

%22ill-do-what-i-can-so-you-can-be-what-you-do-%22-rodneystoronto-coasttocoast-oysters-winecountryontario-dukes-peioysters-bcoysters-elliotsmith-greatcanadianoystersandwineexperience

“I’ll do what I can so you can be what you do.” @rodneystoronto #coasttocoast #oysters #winecountryontario #dukes #peioysters #bcoysters #elliotsmith #greatcanadianoystersandwineexperience

Where are we now?

Despite all the talk of rules, regulations and governing boards that restrict movement, labelling and profits, the Canadian landscape is evolving in a beneficent direction. Though the move to loosen monopoly control and increase competition has backfired in the short term, corrections to British Columbia’s wine trade will happen, sort itself out and right the ship. Decades of bureaucracy don’t dismantle and do right by the consumer overnight. Things always get worse before they get better. The move to supermarkets in Ontario is indeed one of smoke and mirrors but it opens the door to gaining advantage through loopholes and creative minds kickstarting new business ventures. The wave to privatization can no longer be averted or snuffed out. Momentum will gain traction and open the flood gates to wine trade nirvana.

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The man, the chardonnay @normhardie #princeedwardcounty ’14 #vqa #winecountryontario “As sure as fire will burn There’s one thing you will learn Is things you have cherished Are things that you have earned.” #tomwaits #littleman

Canadian wines run more or less of their own accord, not so much thanks to the winemakers or the condition of the current culture, as in spite of them. And certainly not by virtue of any particular ethos through customs and traditions going back over many generations of wines. No, success and cumulative proficiency exists by dint of these wines without any forced supervision. They are governed by themselves and indeed across the entire industry. Done are the blanketing days of spare and often powerful Canadian wines that were often too spare, so that the ribs of tannin showed through in painful obviousness. The embracing of cool climate idiosyncrasy and unique-somewhereness make Canada the envy of the developing wine world.

Controversy

Now this. VQA is expected to pass regulatory approval and introduce a new category of wines called “skin contact whites.” While Orange wines are the most notable example of skin contact whites, who’s to say the ambiguity of the designation could not impel the inclusion of other cabalistic and achromatic specimens? Let’s look at Riesling as a perfect example.

skin-contact-riesling-from-mackbrisbois-trailestatewine-invisibly-stitched-and-tart-pan-curl-burgunder-less-than-50-cases-hughes-lakeview-foxcroft

Skin contact #Riesling from @MackBrisbois @TrailEstateWine Invisibly stitched and tart-pan curl. #burgunder less than 50 cases #hughes #lakeview #foxcroft

Leaning Post’s The Geek, Trail Estate’s Skin Contact Foxcroft and Pearl Morissette’s Blackball are all atypical, mad scientist outtakes. Will the new category allow these wines to pass easily through the borders of VQA? Will the wall regarding place of origin on labelling be the next to crumble? Let’s hope reason in the name of progress born out of trust for altruistic and dedicated producers will carry through to a new frontier. Right Bruno and Jens?

New Kid in Town

You might notice that all 16 wines I have chosen are from very established producers. The next wave of young winemakers and wineries is taking shape in Ontario, British Columbia, Quebec and especially in Nova Scotia. I would expect new kids on the list in the coming years. I want you all to know that I traveled through great pains, algorithmic calculations and much unavoidable emotion to arrive at this rocking list. For every wine that made the grade there were three more that narrowly missed. They are all important but these 16 combine lyricism with melody. They write the songs.

Flat Rock Vineyard, Twenty Mile Bench, Niagara PeninsulaPhoto: Brian Barton - Guelph, Ontario

Flat Rock Vineyard, Twenty Mile Bench, Niagara Peninsula
Photo: Brian Barton – Guelph, Ontario

Flat Rock The Rusty Shed Chardonnay 2013, VQA Twenty Mile Bench, Niagara Peninsula, Ontario (1552, $24.95, WineAlign)

It’s as if this label had bided all this time to be the benefactor of 2013 fruit. This Rusty Shed, this 20 miler with the track record to age, a wine that sheds baby fat over a 10 year mineral through echelon stratum, in ways few other peninsula to bench chardonnay can do. This Jay Johnston handled surfer of a wine, buoyant and balanced, centred and able to withstand turbulence, oscillation and tidal sway. Here with sumptuous and spiralled fruit gaged in lode intervals and a tartness held in lope and line by a membrane of extract and tannin. Best ever. Showing well, repeatedly and to forecasted repute. Impressing critics and consumers alike. Bravo. Drink 2016-2025.  Tasted June 2016  @Winemakersboots  @UnfilteredEd  @brightlighter1

sometimes-there-comes-a-wine-of-the-impossible-at-the-frontier-this-by-synchromeshwine-riesling-stormhavenvineyard-okanaganfalls-8-9

Sometimes there comes a wine, of the impossible, at the frontier. This by @SynchromeshWine #riesling #stormhavenvineyard #okanaganfalls #8.9%

Synchromesh Riesling Storm Haven Vineyard 2015, BC VQA Okanagan Valley, British Columbia (Winery, $31.90, WineAlign)

If this riesling is sweet I couldn’t say. That is the first thought that comes to mind. From Alan Dickinson’s home property, this is his baby, an Okanagan Falls derived riesling that lives an entirely holistic existence. No spraying, none, nada, niente. Not ever. The wine could not get any cleaner. Purity is its cognomen. The vineyard is subject to the highest diurnal temperature swing than just about anywhere in the valley. That might explain the risk-reward probability factor. The technical specs are a triumvirate of implausibility; 46 g/L RS, 11.5 g/L TA and pH below three. What? This is the most impossible wine made in B.C. In its concentrated velocity it wheezes like something ancient. We could almost be drinking Greek debina or 20 year-old Alsatian auxerrois. Dickinson makes three passes over each of the two blocks so even if the hands are off, the meticulous picking breeds asepsis. Citrus such as found in the Storm Haven fruit does not happen very often, if rarely. It’s like citrus soma. Citrus unknowable out of determination unthinkable. Direct misunderstanding by indirect whimsy. And so the vintage offers good fun but not greatness. Imagine the possibilities. Drink 2018-2027.  Tasted June 2015  @SynchromeshWine

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Ah, geek out, le geek, c’est chic @LeaningPostWine #pinotnoir & #riesling lees experiments #pushingboundaries

Leaning Post Riesling “The Geek” 2014, VQA Niagara Peninsula, Ontario (Winery, $32.00, WineAlign)

Senchuk and swot-out cohort Ryan de Witte pulled 350 litres of riesling aside, accoutred with all readily available lees and shacked the whole gross mess in tank together, Vinification was completed at nine grams (RS) nearly-dry, in what can only be described as a reductive, cloudy, super-geeky riesling. Acquires an increased resonance from its designation stowed at a way station on what really is a longer, personal journey. The 2015 will be bone dry and like this ’14 will sit for 18 months in encouragement of a truly experimental, waiting for something to happen riesling. Time will act to fill in the gaps and increase its already developed texture. If you have ever had the pleasure you will see this as Jean-Pierre Frick-ish to be sure. When asked the question, he ‘The Geek’ will repeatedly reply, “I am not ready.” Drink 2018-2022.   Tasted March 2016  @LeaningPostWine  @Witte_Wine

if-the-establishment-wants-what-you-got-give-it-to-them-blackball-14-riesling-by-pearlmorissette

If the establishment wants what you got give it to them. Blackball ’14 #riesling by @PearlMorissette

Pearl Morissette Cuvée Black Ball Riesling 2014, Twenty Mile Bench, Ontario (416073, $32.20, WineAlign)

One whiff and you are hep to what can only be Pearl Morissette, but with a neoteric twist. Riesling that flaunts full-frontal, of furthered acidity, vitality and multi-tined nuance. Farther too of age advanced but without any quirky or funky naturalist intrusion. Already chill, relaxed and with thanks to the vintage, almost round. The precise weave is tapestry fine and deceptively simple, what François Morissette likes to call a “crystallized cream of texture.” The oversized 2012 still digests itself, ’13 is organoleptically structured, long and cool. But ’14? A ‘no foudres’ vintage, from 100 per cent concrete fermentation, wild through malolactic and with zero grams of residual sugar. Bone dry. Concrete was chosen for must intricacy, palate texture, flavour and necessary balance. Riesling borne of crunchy, concrete desire, bright, with preserved lemon across the palate, gentle, feminine and beautiful. This is the focused consistency in loyalty to ’12 and ’13. Try and stereotype this Black Ball to Vin Nature funk. I dare you. Pour it in an expansive Ontario riesling flight and it will stand out like a solar flare in a fulmination of fireworks. There will be no mid-life, black hole of disappearance crisis. It will always be fine and pristine, drink well, like an impossibly dry version of a Coulée de Serrant. Only 186 cases were made so yes, the Blackball is a wine of very small production. Establishes yet another reference point and just wait for ’15. That vintage will deliver the greatest of bones. The new age will really launch then. Drink 2016-2022.  Tasted November 2016  @PearlMorissette  @lassvet

sincerity-culminawinery-from-elaine-don-triggs-and-a-superfluity-of-winebcdotcom-pours-ohwhatanight-hospitality-nwac16

Sincerity @CulminaWinery from Elaine & Don Triggs and a superfluity of @WineBCdotcom pours #ohwhatanight #hospitality #nwac16

Maverick Syrah 2013, BC VQA Okanagan Valley, British Columbia (Winery, $35.00, WineAlign)

Winemaker Bertus Albertyn bottled a meagre 200 cases of this Golden Mile Bench sourced syrah after 18 months in three to four year-old French Oak. If you are a fan of fresh, well-spoken, confident and blessedly transparent syrah then look for the next vintage of this sold out beauty. So gauzy gossamer textured, peppery but of scant bite and driven by a northern, smoky beat. The cure and depth in its make-up nearly adds up to beefy but its form of athleticism is built upon the quiet politesse of its maker’s execution. The comparison must be made to septentrional Rhône and the lack of new oak is so appreciated. This is a wine to watch for. Drink 2016-2020.  Tasted June 2016  @MaverickWinery

Charles Baker Rieslings

Charles Baker Rieslings

Charles Baker Picone Vineyard Riesling 2013, VQA Vinemount Ridge, Niagara Peninsula, Ontario (241182, $35.20, WineAlign)

There was this intuitive moment with Picone 2013 as if it was waiting on me. Not doting or soliciting, but waiting. I will admit to have been wondering, reeling and speculating. To peer or peek into what Mark Picone’s Vinemount Ridge vineyard would adjudge and then bestow Charles Baker’s riesling in 2013? Would it be a case of weight, hyperbole, a hang in the balance out of misjudged necessity? Nah. Picone is no longer a mature 20 year-old vineyard but now a wise old thirty year-old one. Picone 2013 is in fact a fun park mirrored image of itself, with haughty, aerified aromas and variegated, leaning to tropical fruit flavours, taut like a flock in line with the vintage. The riesling berries just seem to have imploded and the results that have followed are nothing if not intense. Imagine a Yogyakarta market and a two-wheeled, glass-cased push cart stacked with a pyramid of tart mangoes. The fruit had been picked just as the sugars had begun to run like sap and bleed sticky on the cracking skin. A mango is sliced and doused with the intensity of Java lime juice and then sprinkled with Laut Jawa salt. The flavours are searing, sweetly saline and quenching. Only this tart is this, where tart and acidity meet, intertwine and connect on an emotional level. Picone 2013. The first non-inoculated riesling at first and then touched up near the end. “The best vintage you could ask for in riesling,” notes Baker, “cloud-covered, a meeting of the minds, vibrant.” The arid, cranky one will live without fret for 15 years. Drink 2018-2028.  First tasted in March of 2015, then twice, October 2016  @cbriesling  @StratusWines

Cave Spring Cellars

Cave Spring Cellars

Cave Spring Csv Blanc De Blancs Brut 2008, Beamsville Bench, Ontario (Winery, $39.95, WineAlign)

As expected the Cave Spring 2008 Chardonnay Sparkling solicits thoughts and ideas centred around age. It elicits a complexity response and one taste means a succumbing to the contagion of its vitality. With its autolytic character shining bright, Cave Spring’s BdeB acts out a fantasy up on a silver screen. Another seven year itch is realized in guaranteed Ontario age ability. Has acted way past simple citrus and yet remains a little closed, just now entering the window of showmanship. Another year or two and this will vie for an Oscar. The bubble program production is unparalleled at Cave Spring, perhaps more than any studio in Ontario.  Tasted February 2016  @CaveSpring  @TheVine_RobGroh

French cask in the Hidden Bench cellar

French cask in the Hidden Bench cellar

Hidden Bench Nuit Blanche Rosomel Vineyard 2014, VQA Beamsville Bench, Ontario (Winery, $40.00, WineAlign)

Nuit Blanche is one of Canada’s most unique commodities, a White Meritage (of sauvignon blanc and sémillon) blended from exceptional and aromatically delicate Rosomel Vineyard fruit. As part of Hidden Bench’s “Terroir Series” it righteously expresses white Bordeaux varietal purity from the southern blocks of the Beamsville Bench vineyard. Expectation runs high because 2014 seems a perfect Fumé Blanc vintage if ever there will be one for (40 year-old) vineyards tucked snugly in abutment to the Niagara Escarpment. A struck flint nosing entry is followed by taut strung acidity and palate tension eased by a fictionalized adult cotton candy, wisps of smoke, honey and lanolin. The grace of it all is hidden beneath a filigree of molecular green apple caviar gastronomy. In 2014 Nuit Blanche reflects propriety, elegance and genteel balance, caressed from the hands of winemaker Marlize Beyers. It is as if Beyers let this ferment slip away as a parent would encourage a child who is ready to leave the home. After tasting it at Gold Medal Plates in Toronto I spent a sleepless night, not from restlessness or over-indulgent behaviour but because I wished to pull an all-nighter with the best ever sauvignon blanc bled and led Ontario white. I would suggest leaving this be for two years for the subtle though generous barrel to melt into fruit but time will gather for up to two decades before the sun sets on the 2014 Nuit Blanche. Drink 2018-2029.  Tasted November 2016  @HiddenBench  @BenchVigneron  @ImportWineMAFWM  @MarkAnthonyWine

Mini #lonnasblock @RavineVineyard Cabernet Franc vertical. Loaded with the S-word...structure @marty_werner #i4c16

Mini #lonnasblock @RavineVineyard Cabernet Franc vertical. Loaded with the S-word…structure @marty_werner #i4c16

Ravine Vineyard Cabernet Franc Lonna’s Block 2014, VQA St. David’s Bench, Ontario (Winery, $40.00, WineAlign)

Lonna’a Block alights straight out from the retail shop to the west side of the driveway (and is named for Ravine owner Norma Jean Harber’s sister). The site was planted in 2004 and here, 10 years on, its warm St. Davids’ Bench fruit is simply welling, hermetically sealed and antithetically intense. The block has come to this, in production of cabernet franc with side-splitting, tongue tripping acidity to work lightning crack geometry into the wood-derived chocolate and the ferric-tannic tension. The fissures are filled but there is the right kind of cabernet franc fragmentation. The liquid metal mineral and deep blackberry ooze is smooth and polished. The fruit was “picked early,” or if you will, in Grouxian, Gambleized and risk, Werner reward exercised terms, mid-November. Drink 2017-2024.  Tasted July 2016  @RavineVineyard  @marty_werner

The wines of Creekside Estates at Barque Smokehouse, March 2015

The wines of Creekside Estates at Barque Smokehouse, March 2015

Creekside Broken Press Syrah Queenston Road Vineyard 2012, VQA St. David’s Bench, Niagara Peninsula, Ontario (Winery, $42.95, WineAlign)

Creekside’s website waxes about the vintage, noting “the 2012 growing season felt like it had been imported up from California.” This is a type of pragmatic truth (as opposed to correspondent or coherent) because it is useful in applying winemaker Rob Powers’ gathering of phenolic ripeness in lieu of extraneous matter to make this Broken Press. When perfect provisos give you perfect fruit you listen to the winds of the vintage and just go with it. Viognier conditions the mess of richness with more pragmatism in 2012, lifting the aromatics and hooking the rug, up and away from drought conditioning. This BP dips into the earth of the northern Rhône to recover its fearless tactility. And so you feel the autumn’s moderate, crucial rainfall in this wine, its warm days and cool nights. The harvest on October 2nd from the St. David’s Bench Queenston Road Vineyard amounted to nine barrels, eight older French and one new Hungarian, leading to 210 cases. This is the best Syrah from QRV made to date. It will live long because of that aforementioned pragmatic truth. Drink 2016-2024.  Tasted March 2016  @CreeksideWine  @AMH_hobbsandco  @hobbsandco

J.L. Groux, Winemaker, Stratus Vineyards Photo: Michael Godel

J.L. Groux, Winemaker, Stratus Vineyards
Photo: Michael Godel

Stratus Red 2012, VQA Niagara On The Lake, Ontario (131037, $44.20, WineAlign)

The Stratus Red 2012 resides both in a virtuoso’s hollow and in a pantheon inhabited by some of Niagara’s great reds. The fact that such ripe phenology can anticipate and foretell to balance and freedom in the byplace of the blending process is nothing short of amazing. Sinuous and exact, of berries so indefatigable, layering raspberry over blackberry atop strawberry. Cedar and red citrus compound, without jamming the fluidity, but certainly accentuating the Fragaria vesca. Confident and fluid in movement, the ’12 neither shakes nor stirs and its acidity is flat out terrific. At this early point in its evolution it is showing as well as could be expected, or hoped for. Its core of fraises du bois will always be there. Time will be kind, gentle and patient. Drink 2015-2024.   Tasted April and June 2015  @StratusWines

bachelder

Bachelder Pinot Noir Wismer Parke Vineyard 2014, VQA Twenty Mile Bench, Ontario (Agent, $39.95, WineAlign)

Thomas Bachelder has never had a problem with timing. His first pinot noir from the specific Wismer Parke Vineyard (labeled as such) comes from a veritable cracking jackpot of a great varietal vintage. If you need some geographical placement here, The Parke is contiguous to the Foxcroft and Wingfield sections of Wismer in the eight farm-strong holdings on and around the Twenty Mile Bench. It is here that Bachelder concentrates the microscope on a sectional-cordoned off Wismer micro-terroir and its precision-apportioned mineralogy mined for sidetracked and step out of the box focus. What The Parke delivers in 2014 is a sweeter extract than Wismer proper and one that is stationary, static and accessible. The overall grasp is a mouthful easy on the spice or rather subtle in attack after it has climbed in and out of its barrels. Most polls would place Lowrey at the pinnacle of Ontario’s pinot noir vineyards but Thomas Bachelder’s 2014 work with Wismer Parke establishes a new player on the shortlist. This is an exciting entry point and the future will be bright. Drink 2018-2024.  Tasted October 2016  @Bachelder_wines  @LiffordON

Humility only exceeded by impossibility @normhardie #pec #countyinthecity Pinot Noir 2014

Humility only exceeded by impossibility @normhardie #pec #countyinthecity Pinot Noir 2014

Norman Hardie Pinot Noir 2014, VQA Prince Edward County, Ontario (125310, $45.20, WineAlign)

A second taste four months later confirms the impossibility from Hardie in 2014, a vintage that just begs for Norm’s magic handling, from exemplary, slow-developed fruit off of a vintage’s hyperbole of low-yielding vines. The low alcohol continuum persists, the freshness and richness of County berries magnifies and the development of flavour is beyond and above. The tart is a membrane and the sweetness a virtue, feigned and delicate. Tremendous work made easy by Norm and a pinot noir that will live longer than any he has produced before. Drink 2017-2027.  Last tasted August 2016

In Prince Edward County and for pinot noir there is no substitute and no comparison. Quixotically sweet pinot noir fruit, from the lowest of the low yields, scrupulously heeded and handled with care and yet also, somehow without a care to the world. As self-effacingly pretty and impossible as ever though in 2014 the tensity is lower, the anxiety bereft and not so crucially or dearly developed. There is almost no crisis from out of this first of the near-crisis vintages. This is an early to love Norm pinot noir, brought to life and with red citrus that only a Hardie low alcohol pinot can bring. Humility only exceeded by impossibility. Ready to enjoy younger than most.  Tasted April 2016  @normhardie

a-back-pages-cabernetfranc-moment-with-paul-pender-tawse_winery-wismervineyards-everythingfranc-2007-vanbers

A back pages #cabernetfranc moment with Paul Pender @Tawse_Winery @wismervineyards #everythingfranc #2007 #vanbers

Tawse Cabernet Franc Van Bers Vineyard 2007, VQA Creek Shores, Niagara Peninsula, Ontario (Winery, $49.95, WineAlign)

The state of freshness is static, a sameness that is mostly impossible but the perfume is settled and obvious, of violets and blackberries, closer to ’12 than ’10. Hot and dry but still, balanced. Tasted blind there would be no way of knowing where or from when this was. Sure Bordeaux could be imagined but Niagara, Beamsville Bench, Lincoln Lakeshore, Creek Shoes, or the confluence of the three? How could you know. Two years ago this opening began and now the invitation reads with utter clarity, the door widely agape. There seemingly is not a single moment of aromatic evolution and the acidity rages with great vibrancy. The longevity factor is in my friends. Paul Pender knew then what he knows now, at least with respect to cabernet franc. It’s like this. Just like this. Drink 2016-2019.  Tasted October 2016  @Tawse_Winery  @DanielatTawse  @Paul_Pender

Benjamin Bridge Wines from left to right:

Benjamin Bridge Wines

Benjamin Bridge Brut 2011, Gaspereau Valley, Nova Scotia (381533, $49.00, WineAlign)

First sips were blind at #i4c16 with ripeness and yeasty lees so apparent early and smouldering, flinty and then turned to citrus, freshness and acidity. Burgundian-Champagne dichotomous directional pull, certainly, though with eyes shut tight imagination travels and falls on a far east Canadian clime, though likely from an early ripening site. As in October. The reveal presents the first Blanc de Blancs in Benjamin Bridge Brut form, taking the cue from an exemplary vintage for chardonnay to go it alone, leaving seyval blanc and l’acadie behind as Nova Scotian relics of a bygone era. Winemaker Jean-Benoit Deslauriers cants with insightful eloquence. “It’s in our collective consciousness to say that white wines will rely on acidity while reds are determined by phenolics. (The science of) pH will help to locate electrons between reduction and oxidation. It’s a very eccentric proposition, being on the edge of the Bay of Fundy in Nova Scotia. Lodi harvested pinot noir yesterday. We are harvesting in November. The beauty of moderation is that it’s a step away from the model of extremes. Our ability to ripen fruit and preserve the Titratable Acidity at unspoiled levels is going to translate into tension and ageability.” This Brut 2011 is far too young, extremely bright and blessed with so much citrus. The level of lemon is extraordinary. Just as recent past tastes of the Brut Reserve 2004 spoke of its remarkable youth, this ’11 is full of orchard fruit but it’s hard to fathom the extreme level of tightly wound strength that yet persists. Drink 2016-2020.  Tasted July 2016  @Benjamin_Bridge  @jbdeslauriers

CedarCreek

CedarCreek Amphora Wine Project Desert Ridge Meritage 2014, Okanagan Valley, British Columbia (Winery, $60.00, WineAlign)

Winemaker Alexis Moore inherited the (Chianti sourced) clay amphora from former winemaker Daryl Brooker and this (second vintage) meritage is her first kick at the urn. The co-fermented, all natural, don’t even think about peeking and sneaking a taste blend is cabernet sauvignon (54 per cent), cabernet franc (35) and malbec (11). The hallmark desert notes of rich, caky and dusty are necessarily present but it is the preservation of red earth savour that gives this formidable flagon of magic juice its inimitable personality. Mature rows of fruit are to blame and thank for the just desert reward. Transferred to amphora the fruit is preserved in such a way no B.C. reds have ever really seen and the new territory is not so simple for making quick, on the spot judgements. I have thought about this wine for quite some time and the conclusion is positive for two important reasons. Spice and tannin. Together they combine for an infinite finish. Here is the crux of the vessel’s power, to preserve fruit and slowly release its charms within the structure provided. Drink 2018-2024.  Tasted June 2016  @CedarCreekWine

Good to go!

Twitter: @mgodello

Instagram: mgodello

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Earth and sky

apostolos-thymiopoulosvin-johnszabo-post-tastes-with-jaschabaraness-barquebutchers-xinomavro-naoussa-earthandsky-youngvines

Barque Butcher Bar, October 2015

earth-and-sky

Thymiopoulos Vineyards Yn Kai Oupavós Xinomavro 2013, Unfiltered, Naoussa, Greece (Agent, $31.00, WineAlign)

From a place with a mere 18 registered wineries and only five produce more than 50,000 bottles on any commercial scale. Most of the fruit is bought by the cooperative and many vines were ripped out in favour of cash crop plums and peaches. There are only 400 hectares under vine. Along comes Apostolos Thymiopoulos with his 2003 oenology degree and family xinomavro vines aged seven to 15 years on red granite slopes and only heavy soils in the valley below. His farming is organic and biodynamic with plans to be the first to achieve the Demeter certification. All his wines are estate except for the production of Xinomavro for Marks and Spencer – from 40 growers he has convinced to farm organically. The estate vineyards are located in two villages, Trilofos and Fytia. The blend of the two is Yn Kai Oupavós. The Earth and Sky separates itself, does relay new and “other” layers than the young vines. Whereas from quick stainless and painless you would say “who needs oxygen when you have young vines,” you now wish for a slow, micro-oxegynated development. The natural fermentation comes across to express xinomavro in its most natural way, in its natural habitat. Like looking a grape in the eye and it talks directly to you, revealing itself in ways that only it can, in this bottle. Still the tannins take over after a few minutes and convey a sense of future-documented purpose. Spent 18 months in 90 per cent French and 10 per cent Austrian barrels, 20 per cent new every year, used until the 5th fill. These are fully ripe tannins but from 30 days maceration they are elongated, stretched and oh so cherry chewy. In 2014 it was a difficult vintage so there will be a “declassified” generic Naoussa but in 2015 they will again produce single-vineyard wines. The crystal ball also shows some concrete eggs and large foudres. Apostolos has only just begun his long vinous journey into the heart of Naoussa. Drink 2017-2024. Tasted October 2015  @thymiopoulosvin  @VictoryWine  @NaoussaWine  @DrinkGreekWine

Related – Getting into Greece

Also available in VINTAGES November 12th, 2016

Thymiopoulos Vineyards Young Vines Xinomavro 2013, Naoussa, Greece (466474, $17.95, WineAlign)

The Young Vines is an orange to the Earth and Sky’s apple, of a change of fruit and a pace that is hot off the press. Yet it is not without some ancient wisdom. In some new world sites vines up to 15 years of age would be considered old growth adults. In a Greek vineyard like that of a Naoussan like Thymiopoulos, they are babies of the sun. The Xinomavro here is fresh, momentarily acts strikingly brazen, bracing and ultimately, blatantly beatific. With a glass of the young vines in hand to it I say, “it’s not the pale moon that excites me, that thrills and delights me. Oh no, it’s just the nearness of you.” Like Norah Jones in a glass, sultry, contemporary, lightly smoky, of a jazz aesthetic and a pop sensibility. And wild berries. So fresh, so good. Drink 2015-2019. Tasted May 2015

Good to go!

Twitter: @mgodello

Instagram: mgodello

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Dews and redos with Pearl Morissette

dews-and-redos-with-lassvet-from-pearlmorissette

dews and redos with @lassvet from @PearlMorissette

This much is clear to me and at least two friends of mine. Just because you think you’ve been there, done that and have tasted everything there is to taste you may need to pause and recalibrate the idea of assessment. Though your convictions are strong and your beliefs unwavering, you may not know all there is to know. If you feel one taste is enough to etch a life in stone then maybe its time to open up and allow a wine to blow your mind.

Related – The pearls of Morissette’s wisdom

I sat down at Barque Smokehouse last month with Pearl Morissette’s Svetlana Atcheva, John Szabo M.S. and Gerardo Diaz to taste some things new and to re-visit some of Francois Morissette’s most iconic if controversial wines. We travelled from the Blackball Society through evo-revo-chardonnay-volution to atypical, outside the box skin ferments. Such a journey is not suggested for the faint of heart or the stubborn of mind. And as much as tasting with the winemaker himself is the shit, with or without necessary shotgun enlightenment from man Friday Brent (anomyces) Rowland, who would not avail to taste these wines alone with Svet?

Related – Why it matters to taste wines again

In the house of Pearl Morissette there is no dogma and there are no demagogues. There is nature, DNA, terroir, “no premeditated outcome,” and the “obstinate pursuit of truth.” The deferential and antithetical ways of Pearl Morissette’s wines are well-known and documented. Even more reason to taste them again, and again. That they change is not what separates them from other wines, but how they change. Structure dictates that wine will both evolve and deteriorate with time in bottle. Francois Morissette’s wines don’t so much develop secondary and tertiary character this way but rather read like the lines on an EKG. The tenets of rhyme and reason do not apply. You can’t know them or think you have them figured out. Don’t even try, just go along for the ride. Seven wines were tasted with Svet that day. Here are the notes.

Pearl Morissette Cuvée Black Ball Riesling 2013, VQA Twenty Mile Bench, Ontario (416073, $32.20, WineAlign)

The only vintage to pass VQA (the subsequent 2014 failed), 100 per cent fermentation in foudres, full malo and not a moment of residual sugar, nada, niente, zero. It’s not oxidative nor does it offer up an electric shock as it may once have done. This milks texture, short of creamy and without oil. Has gained fruit if that is possible or moreso the fruit has now risen to the surface. The texture the catalyst has facilitated the rising. I really get Alsace, but the extended aging on the lees, without batonnage has caused an Alsace timing, post dumb, now rich, phenolic and out of hibernation. There has been no reabsorption of diffcicult properties and so the lushness of the vintage’s organoleptic fruit is all that remains. Well, not all but certainly the strongest aspect. Wonderful evolution. Drink 2016-2021. Tasted October 2016.

Let’s get something immediately out of the way. The wines of François Morissette are not meant to please curmudgeons, skeptics, contrarians or members of the wine media. This Riesling has no desire to kiss ass. This will not appeal to late harvest lovers, from Kabinett to Auslese. Is it ripe? Not quite. Is it different? Absolutely. This compares to almost nothing. Like a Champagne ginger, lime and bronze filings cocktail, the Blackball ’13 is so very developed and despite the colour, is a hyperbole in primary existentialism. That it has essentially no residual sugar and an achieved 11.5 per cent alcohol is a complication only the clinical doyenne has the answers to. Riesling in between dreams, “never knowing shocking but we’re nothing.” The Blackball has struck, is not yet stricken and will offer remote pleasure for another six months. Then it will deconstruct, dissolve and devolve into darkness and funk. Five years later it may emerge like a phoenix, jack up like a Rangen Riesling, into the ethereal. Will it happen. I couldn’t possibly tell you. We may never know. But I can say that then, and only then, will it truly tell its story. Tasted March 2015

Pearl Morissette Cuvée Metis Chardonnay 2013, Niagara Peninsula, Ontario (Winery, $32.20, WineAlign)

A blend of 50 per cent chardonnay from the high density home vineyard and 50 per cent from the Lincoln Lakeshore Redfoot (Kocsis) Vineyard aged in demi-muids neutral oak. And yet I’m surprised, even stupefied by the guts and glory of wood on the nose, followed by the blanched nut, creamy palate. No new oak. None. From a Pearl Morissette category of wines not 100 per cent blue-blood pure and for wines that are purposed and destined to texture. This is more recognizeable as chardonnay than the Dix-Neuvième in that it is approached with less risk, hyperbole and umami. The aromas and flavours are supermarket fruit diagnostic, specific and open to put a finger on. I could actually sniff out grapefruit, apple and banana. I can sense a drop or two of honey. I can taste almonds and cashews. It all ends up in a recipe, albeit of the Francois Morissette variety. Think of this as the school of Pearl Morissette. Antithetical and impossible. Consumer-friendly. Really friendly. Welcome to the invitation of the diversification of Pearl Morissette. Drink 2016-2019.  Tasted October 2016

Pearl Morissette Cuvée Dix Neuvieme Chardonnay 2013, VQA Twenty Mile Bench, Niagara Peninsula, Ontario (303602, $38.20, WineAlign)

The unidentified one, stoic, umami-laden, dangerous, in and out of reachable zones. Right now it’s hiding, slumbering, developing another gear and level of complexity. That will be a wine in the future without the aid of new oak (there was only 10 per cent in this stellar vintage) but will come about as a result of idealistic organoleptics.  Last tasted October 2016

The greatest surprise is a skeptic’s dream, that is, no surprise. The vintage was a gift for chardonnay as we all know and so Francois Morissette does what a wise winemaker does. He lets the fruit from such conditioning speak on its own behalf. The less is more approach allows his fruit to do more than most, to condense into pure elixir of terroir, to inflate with airy, philosophical heir and to exhale a perfume so very, very Cuvée Dix-Neuvieme. Like marzipan but more umami and like stone fruit but crossed with the orchard. The palate and the texture speak of resolution after the revolution and the level of calm post chaos is quietly dramatic. Hypnotizing clarity is what it is. Drink 2017-2027.  Tasted June 2016

Pearl Morissette Cuvée Dix Neuvieme Chardonnay 2012, VQA Twenty Mile Bench, Niagara Peninsula, Ontario (303602, $38.20, WineAlign)

Has this ’12 come around, come back to the land of high living, where the Jura meets the edge of life, polarizing, unidentified, and here me out, deal with it. Great compressed citrus, hard to opine curd and gelling ministrations. A machine of churning creamery and tense orchard fruit. A bit of buzzing, pulsing movement now, into the next honey territory. Wild sauvage. Amazing. Score increased as a result.  Last tasted October 2016

The style has changed for this Chardonnay though it is now more in line with other Pearl Morissette varietal wines. The oxidative, natural bent has increased with anti-furor, succour and sublimity of a sordid sort. It remains to be seen what will happen because 10 years will be needed to fully denote the PM evolution, but what remains from the larder is true blue lemon that will turn, curdle and hold honey tight in five to six years time. Could be earlier considering the vintage. The flint and natural yeast are big on the nose while the palate is softer than most years. More like ’10, nothing like ’09 and yet full bodied to the maximum density it can be. So much flavour and yet at present the acidity plays anything but a vibrant tune. Story to unfold. Drink 2017-2022.  Tasted June 2015

Pearl Morissette Cuvée Blu 2014, Niagara Peninsula, Ontario (Winery, $25.00, WineAlign)

The Cuvée Blu is not about colour, it’s about working with the skins, from fully de-stemmed 50 per cent viognier and 50 riesling. A five week introduction for those partaking mate skins, pressed and racked straight away and aged in qvevri. Here as a Pearl Morissette engagement, highly phenolic, floral and terpenic. The aromatics are pretty and muddy, the texture fleshing as the star, acidity fully intact in surround of tang, compression and tactility. Very long linger of lemon curd, wax above the honey pot and a chew of the fermenting vessel itself, as if concrete wed adobe. An earthiness hard to define. Quite a bit of chalk, lime and thyme. Wild thyme and honey. Volatile acidity? No way. Simple wine expression in the amber-orange-natural compendium? Yes. No need for labels or sterotypes. Outside the box, round and sound, the fun found on the palate. 1100 bottles made. Drink 2017-2021.  Tasted October 2016

Pearl Morissette Gamay Cuvée Mon Unique 2014, Lincoln Lakeshore, Ontario (Winery, $35.00, WineAlign)

Still reductive from a whole cluster fermentation in concrete followed by neutral demi-muid barrels. Pulsing and vibrating, firm and vibrant, with unreal ripe cherries, a consistency recognized and lauded, the wine having developed a second cru gear. The climb to another phenolic level is a pretty result of less funky fermentation and reduction lingering without air, on the nose, not the palate. The next go to gamay outpost. Must see gamay TV. There will be no ’15 but will return in ’16.  Tasted October 2016

From my previous note:

In December of 2014 I counted the ’13 CMU Gamay as one of my mind-blowing wines of the year. Once again we are witness to the authentic, raw and natural impossibility of the wine, from 100 per cent whole clusters sent to cement fermenters. The hue is just impossible, the wine sulphur-free. That ’13 Gamay did not last. I tasted again this winter and it failed me. It may return. This ’14 will never leave. It is natural to the 14th degree and yet its rich, smokey chocolate centre and structure of pure physical stature will not let it slide, into a dumb phase or oblivion. This Gamay will strut. It already does. Drink 2015-2020.  Tasted June 2015

Pearl Morissette Cuvée Madeline Cabernet Franc 2013, VQA Twenty Mile Bench, Niagara Peninsula, Ontario (Winery, $38.00, WineAlign)

In a word, striking, not for subtlety but out of sheer natural complexion. A concerted effort is needed to define the antithetical, whole cluster fermentation juxtaposed with Twenty Mile Bench varietal ripeness. Such an intense cabernet franc with a palpable sense of the earth from out of a 60 per cent (up 20 points from 2012) natural fermentation (in concrete open top fermenters plus 10 per cent new wood aging). The ripeness of fruit in cohorts is simply all in. No holes, ommissions or emissions. Very big right now at 12.2 per cent alcohol, of impossibilities and ambiguities, understatements and over necessitous demands. Specific and reeling. Cooler than most peers, spiced and linear. Taut and bracing, grippy, fine-grained, with tributary branches and brambles. Amazing. Needs three years. Drink 2019-2027.  Tasted October 2016

Good to go!

Twitter: @mgodello

Instagram: mgodello

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Greeks and other fish in VINTAGES August 6th

#nofilter

#nofilter

What sort of wine are you looking for? What do you want to find in that bottle you pluck from the VINTAGES shelf in your local LCBO? Do you wish for aromas unknown or unknowable? A reliquary filled with immiscible liquid? Flavours to incite a curious rictus? Would you hope for incredulity cut with familiarity? Enigmatic morsels or koans? None of the above?

No, none of the above. What you want in the here and now is to be satiated by simple pleasures. Whilst we find ourselves suspended in the throes of a scorching Ontario summer there can never be such a thing as too many thirst quenching wines, especially whites, like the Moschofilero I recommend below. Greece is the word and in terms of go to Greek whites Moschofilero may play second violi to Assyrtiko but Mantinia is a special place for the aromatic Peloponnese variety. Assyrtiko by the sea? Sure. Moschofilero by the lake or the pool? Bring it on. And 11 more great buys from today’s VINTAGES August 6th release.

Kir Yianni Akakies Rosé 2015, Ac Amyndeon, Macedonia, Greece (71050, $12.95, WineAlign)

Savouy rusty and varietally distinguished xinomavro with equal parts aridity and salinity to welcome the sapidity. Slightly bled for posterity and predisposed to Greekdom but from Amyndeon and with xino this finds relish and relishes brightness then finishes from the same straight from which it came. Drink 2016-2019.  Tasted July 2016  @kiryianni  @KolonakiGroup  @DrinkGreekWine

Deus

Cavino Deus Mavrodaphne Of Patras, Ao Greece (452060, $13.95, WineAlign)

This is a rare sighting in Ontario for the Patras curated sweet mavrodaphne, a wine of history and tradition that price does nothing to indicate. The style is Tawny Port like, of dried fruits (figs and apricots) with a spicy edge from old wood and a long finish. This is a true divergence from just about any sweet wine you will have ever tasted because the red variety brings a tannic firmness and singular personality to the diversion. It’s balanced and worth checking out. Drink 2016-2025. Tasted July 2016    @DrinkGreekWine

Tsantali Reserve 2011, Pdo Naoussa, Greece (209627, $16.95, WineAlign)

Tart and taut, with bright to bursting red fruit and tones off the proverbial Naoussa charts. Quite wildly composed, with berries from the woods, smoky underbrush and a forest floor undertone. Resin, leather and respect. Drink 2016-2019. Tasted July 2016  @TSANTALI_wines  @KolonakiGroup  @winesofnaoussa  @DrinkGreekWine

Troupis Mantinia Moschofilero 2015, Pdo Mantinia, Greece (463422, $16.95, WineAlign)

Mantinia is a special place for Moschofilero and this ripping example from Troupis should not be missed. The straightforward citrus in the Fiteri version is lifted to hyperbole in the Mantinia with more salinity, mineral and top notch acidity. At this price ($17) the value quotient is simply crazy good bordering on ridiculous. The stony texture and piquant nature is revitalizing. There is also more weight and alcohol but never at a deterrent or a compromise to freshness. Whole grilled Branzino or Porgies with lemon and olive oil would make for a perfect foil. This Moschofilero also has the stuffing to age and develop some honey. Drink 2016-2021. Tasted July 2016  @TroupisWinery  @VictoryWine  @DrinkGreekWine

Thorn Clarke Eden Trail Riesling 2015, Eden Valley, South Australia, Australia (457242, $16.95, WineAlign)

A beautiful label gives way to a ripe and gregarious riesling from the most excellent of locales in the Eden Valley. The green mango and lime sherbet is a dry treat, stand alone and facing the crowd. Represents arid riesling from Eden for all the right reasons and succeeds without compromise. Will find peace in a land of milk and honey after seven years or so. Tremendous entry-level value to feign and accompany the single-vineyard and special selection courtesan kind from the Eden. Drink 2016-2022. Tasted July 2016  @thorn_clarke  @LiffordON

La Griffe Bernard Chéreau Muscadet Sèvre & Maine 2014, Sur Lie, Ap Loire, France (948182, $16.95, WineAlign)

A rich and multi-crustaceous/mollusc edgy melon de bourgogne, briny, fleshy and beginning to develop. A most excellent example for a big chill and a mess of creatures edging out of their shells. Drink 2016-2019.  Tasted July 2016 @HHDImports_Wine  @LoireValleyWine

Kloof

Mullineux Wines Kloof Street Red 2014, Western Cape, South Africa (460964, $19.95, WineAlign)

A six varietal blend with essential, yeoman’s work put in by shiraz (86 per cent) with bits of grenache, mourvedre, tinto barocca and cinsault. The schist and the simple combine to tell the world in entry-level vernacular of the Swartland revolution that’s happening right now. The purity found here is in an unidentified, free, indirect South African style of modernistic, red blend narrative. Chris and Andrea Mullineux are here represented at ground level with pure, unadulterated red wine joy. Everyone must spend $20 over and over to enjoy what this will offer. Drink 2016-2020.  Tasted July 2016  @MullineuxWines  @MullineuxChris  @Nicholaspearce_@WOSACanada  @WOSA_ZA

La Cadierenne Cuvée Grande Tradition Bandol Rosé 2015, Ac Provence, France (119453, $20.95, WineAlign)

Boozy (listed at 14 per cent) and beautifully balanced Bandol for the alternatively authentic and alliterative mouthful win. A citric acid, guava and himalayan rock salt spice rub for your mouth that with the level of saliva inducement turns to a slow developed variegation of flavour. Terrific mouthfeel and elongation. Tonic for and to your health. Drink 2016-2019. Tasted July 2016    @winesofprovence  @oenophilia1

Turtle

Alpha Estate Turtles Vineyard Syrah 2011, Greece (115295, $21.95, WineAlign)

Turtles is a southern block of infertile soil facing northwest (Greek for most excellent exposure) facing Petron Lake at Alpha Estate. The area was an ancient nesting place for the local species of Chelonii on the Amyndeon plateau in northwestern Greek Macedonia. A whiff of this rich and thoroughly modern red seems to shake the foundations of syrah and brings Amyndeon into the front page discussion. Some syrah in parts of Australia smell just like this; smoky, meaty, peppery and just plain strong. Built of big bones is the order of syrah call and here the gait and the structure is followed. This is quite emblematic of what can be accessed and accomplished from a special cool site that faces adroitly in the face of heat. The power and the corporeal design are nothing short of impressive. Drink 2018-2022.  Tasted July 2016  @EstateAlpha  @FlorinaAmyndeon  @DrinkGreekWine

Buena Vista

Buena Vista Chardonnay 2014, Sonoma County, California (396440, $24.95, WineAlign)

With thanks to the vintage and a smartly scaled ripeness versus barrel relationship, the Buena Vista Sonoma County chardonnay works out on the cool climate treadmill of style. The wood is proportioned with restraint in such a way as to allow fruit and acidity to spot one another. It’s still a commercial wine but it’s pretty, balanced and long. In 2014 the Buena Vista winemaker has smartly handed off this chardonnay to an implied community in village chorus, but the tune is new and improved. Drink 2016-2019.  Tasted July 2016  @BuenaVistaWines  @sonomavintners  @UNIVINS

Eger

J. & J. Eger Kékfrankos 2011, Eged Hegy Vineyard, Hungary (446591, $24.95, WineAlign)

Though I have tasted this on no fewer than six occasions over the past 18 months, this is the first time I am penning a note on its behalf. It persists as ripe and succulent kefrankos with more than enough juice to stand up, be heard and defend itself. Here a wine of firm handshake and slight microbial aromas, tart and dripping humidity. There is still plenty of life as seen in how it cools itself, balancing the metabolic processes with savour and sapidity. Very charming red from Hungary. Drink 2016-2019. Tasted July 2016  @brixandmortar  @johnszabo  

Fiano

Colli Di Lapio Fiano Di Avellino 2014, Docg Campania, Italy (455253, $30.95, WineAlign)

Pitch near-perfect seafood companion from Campania, briny, stony, rock crag-crunchy and oyster shell myopic. Searing of sea breeze intensity with a calm demeanour so that it lingers without returning with storm-lashing discomfort. Fiano that gets to the crux of its own austerity is a beautiful thing as witnessed in the pure open vitality of this Colli di Lapio. Drink 2016-2021. Tasted July 2016      @Reg_Campania

Good to go!

Twitter: @mgodello

Instagram: mgodello

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Impromptu tasting at Ravine

In the cellar at Ravine Vineyard

In the cellar at Ravine Vineyard

The winemaking at Ravine Vineyard is not so much deferential as much as it is a stylistic best described as post modern proletariat. Marty Werner’s modern enrichment often acts like subtraction, as opposed to traditional winemaking which effects the obvious, just and because less is more. His work reflects what once was (in turn of the century Niagara Peninsula) and upon what function emerged out of form, but also what could have been, from successes squeezed out of warm (2005, 2007, 2010) and from mistakes in challenging (2006, 2008, 2009) vintages. The current releases of 2014 and 2015 are wines of augmentation in the form of intensification in the structure rather than for weight or texture. Werner’s plebeian, blue-collar post-modernism is setting a new standard in Niagara. If his work (along with assistant winemaker Ben Minaker) can be viewed as sycophantic than all the better for the copycats and the apostles to hang on and around.

After a wild and multi-faceted chardonnay (plus) weekend down on the farms of Niagara’s flats, shores and across its escarpment benches, it is always the pleasure of pleasures to convene at Ravine Vineyard for a few oysters, a plate of great grub and more chardonnay. It is a time to breath and say another goodbye to the greatest collective consciousness of wine folk on the planet. Then Peter Gamble approaches. “We’re having a little impromptu tasting down in the cellar.” Marty and Ben lead a small group through these wines. We are captivated and motivated by their new work and their mini-vertical presentation. Ian D’Agata, John Szabo M.S., Michael Vaughan, Tony Aspler, Stephen Campbell, Magdalena Kaiser and I. Here are my notes.

John Szabo M.S., Stephen Campbell (Lifford), Ian D'Agata and Peter Gamble

John Szabo M.S., Stephen Campbell (Lifford), Ian D’Agata and Peter Gamble

Ravine Vineyard Sauvignon Blanc 2015, VQA Niagara Peninsula, Ontario (Winery, $32.00, WineAlign)

NWAC_Silver2016_web

In 2015 winemaker Marty Werner offers up 100 per cent barrel fermented sauvignon blanc aged in 10 per cent new (or just one barrel). The fruit comes from Concession Road 2 between lines 8 and 9, on heavy clay and only four year-old vines. The recovering vineyard is a microcosm for the overall Niagara recovery and the vintage allotted 250 cases when it normally produces upwards of 350. The 2015 ripeness stylistic is up front fruit from young vines. “A pick when you want to, not when you have to vintage” notes assistant winemaker Ben Minaker. Metallic peach and fennel pollen emit and you must appreciate a wine of such tartness on the back end, as opposed to sour patch up front. Stylish is the yeast (one third wild) understatement of the day. Says Werner, “we leave the fruit a bit dirtier coming out of the press,” so it gains some funky complexity, but no malo though. The acidity counteracts in the mid to high sevens. Lush antiquarianism is the end result. Drink 2016-2019. Tasted July 2016.

Some cheesy pungency notes the entry. Some edge of ripeness too. Tropical notes, full, fleshy, enervating and dangerously, precariously close to seed, oxidative even. But it teases and walks a blade’s edge. Lacks grassy middle ground (and again, that is a strength) but varietally speaking it may just be the most sauvignon blanc of any in the flight. Drink 2016-2019.  Tasted blind at #NWAC16, June 2016

Marty and Ben establish a new verity for #PinotGris @RavineVineyard ... There will be followers. #i4c16 #niagaralakeshore

Marty and Ben establish a new verity for #PinotGris @RavineVineyard … There will be followers. #i4c16 #niagaralakeshore

Ravine Vineyard Pinot Gris 2015, VQA Niagara Peninsula, Ontario (Winery, $35.00, WineAlign)

From a vintage of purportless rainfall, this is expressly (24 hour) skin-soaked pinot gris in candid desire of flavour more than and in second thought to hue. Subsequently sent to barrel for a wild ferment. Picked ripe (so 13.5 per cent alcohol), perhaps a result of, if not necessary from a vintage where mid-october pinot gris fruit was the exception and a last minute decision to bring in this fruit led to an earned foray for such a wine. Seven year-old fruit from (Marty’s parents farm on White Road) really floats a divergent varietal boat with six months of barrel time (25 per cent new). Frankly speaking, it carries such an air of benevolence so you would never know how alternative it really is. If there is a precursor or a reference point I stand at attention to be enlightened. Marty (winemaker Werner) and Ben (assistant winemaker Minaker) establish a new verity for pinot gris. There will be followers. This 2015 needed air, splashing and sloshing and it responded in kind. Drink 2017-2022.  Tasted July 2016

Ravine Vineyard Cabernet Rosé 2015, VQA St. David’s Bench, Ontario (Winery, $35.00, WineAlign)

Ravine’s Rosé spent the most minimal time on skins, from a posterior fruit position left out in the elements long and aided by leaf removal to break down the pyrazine. These were the second last grapes to pick (because the acidity is high in slightly overcropped fruit), on Slingerland Farm between lines five and six halfway up from Ravine to Highway 55. Though seemingly dry, the 6.0 g/L of RS is used “to bring it into balance for the consumer,” notes Marty Werner. This has some strawberry funk, as if it were macerated in a clay-calcaire bath, like balm as if steeped, cooled and poured over ice. It may be imagined as a saline, faintly honeyed berry granita with just the right amount of gelid texture alongside cool and savoury charcuterie. Simply put, what cabernet franc must be in warm niagara country. Drink 2016-2019. Ravine’s Rosé spent the most minimal time on skins, from a posterior fruit position left out in the elements long and aided by leaf removal to break down the pyrazine. These were the second last grapes to pick (because the acidity is high in slightly overcropped fruit), on Slingerland Farm between lines five and six halfway up from Ravine to Highway 55. Though seemingly dry, the 6.0 g/L of RS is used “to bring it into balance for the consumer,” notes Marty Werner. This has some strawberry funk, as if it were macerated in a clay-calcaire bath, like balm as if steeped, cooled and poured over ice. It may be imagined as a saline, faintly honeyed berry granita with just the right amount of gelid texture alongside cool and savoury charcuterie. Simply put, what cabernet franc must be in warm niagara country. Drink 2016-2019.  Tasted July 2016

Mini #lonnasblock @RavineVineyard Cabernet Franc vertical. Loaded with the S-word...structure @marty_werner #i4c16

Mini #lonnasblock @RavineVineyard Cabernet Franc vertical. Loaded with the S-word…structure @marty_werner #i4c16

Ravine Vineyard Cabernet Franc Lonna’s Block 2014, VQA St. David’s Bench, Ontario (Winery, $40.00, WineAlign)

Lonna’a Block alights straight out from the retail shop to the west side of the driveway (and is named for Ravine owner Norma Jean Harber’s sister). The site was planted in 2004 and here, 10 years on, its warm St. Davids’ Bench fruit is simply welling, hermetically sealed and antithetically intense. The block has come to this, in production of cabernet franc with side-splitting, tongue tripping acidity to work lightning crack geometry into the wood-derived chocolate and the ferric-tannic tension. The fissures are filled but there is the right kind of cabernet franc fragmentation. The liquid metal mineral and deep blackberry ooze is smooth and polished. The fruit was “picked early,” or if you will, in Grouxian, Gambleized and risk, Werner reward exercised terms, mid-November. Drink 2017-2024.  Tasted July 2016

Ravine Vineyard Cabernet Franc Lonna’s Block 2013, VQA St. David’s Bench, Ontario (Winery, $40.00, WineAlign)

From the same (2004 planted) rows and stylistic as 2014 here cabernet franc desired the requiem of an extra year in bottle to solicit understanding, with a 2013 dried fruit component here and now. The resolve already inherent is indicative from a challenging growing season, in a year from which Peter Gamble chided “I guess you guys (Marty and Ben) really earned your stripes.” Some of these grapes were left on the vine until December 15th. That is not a stretch. This will live into the next decade and though it will surely walk into the barn with the balsamic, the soy and the nibs, it will carry its acidity and its 180-day, growing season development. A cabernet franc of most excellent desiccation, with thanks to thick skins and then variety’s variegated character. Drink 2016-2021.  Tasted July 2016

Ravine Vineyard Cabernet Franc Lonna’s Block 2012, VQA St. David’s Bench, Ontario (Winery, $40.00, WineAlign)

From the block dedicated to Ravine owner Norma Jean Harber’s sister, planted in 2004. Though hailing from a recent, post-2010 reach for the sugar stars vintage, there is freshness and vitality mixed with a Napa cabernet from elevation sensibility (think Laurel Glen and Korbin Kameron). This has presence. Real stage presence, gracing the battleground encompassing an intensification of the things that people normally associate with the varietal – fruit, acidity and extract. A cabernet franc granted and given early promise that has crossed a certain varietally correct threshold to travel weightlessly into its current accomplished state. It knows who it is and where it’s going. It will live long. Five to seven, perhaps even 10 more years easy. Drink 2016-2022.  Tasted July 2016

Good to go!

Twitter: @mgodello

Instagram: mgodello

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The dawning of the age of Austrian wine

At a loess for words. Exceptional multi-vintage #grunerveltliner tasting with thanks to @austrianwine

At a loess for words. Exceptional multi-vintage #grunerveltliner tasting with thanks to @austrianwine

On Tuesday, October 27th, 2015 Grüner Veltliner supervened in Toronto. It was long past due for the community of Sommeliers, Media and Austrian advocates to convene for the purpose of a vertical tasting followed by an Austrian wine bar of product currently available in Ontario. An ausbreitung of the highest Grüner order. I was fortunate to be a part of the Spoke Club fest and thought it high time I said something about it.

The Austrian Wine Fair comes to Toronto’s St. James Cathedral, Library & Snell Hall on April 14th, 2016. The Austrian Wine Marketing Board and 30 Austrian vintners will be showcasing 165 wines, to media, trade and in partnership with WineAlign, to an evening reception for consumers.

The Schedule

Tutored Tasting for Sommeliers and Media, 11 AM – 12:30 PM.

Trade Walk-Around Tasting for trade professionals only, 12:00 PM – 4:30 PM.

Austrian Wines – A Taste of Culture, consumer tasting 4:30 PM – 6:30 PM. Only $55 for WineAlign members (regular cost is $60). Reserve your tickets here.

WineAlign’s John Szabo, MS has this to say. Austria has a terrific culture of wine, producing and drinking. Beyond the world’s best Grüner Veltliner, you’ll also find astonishing Riesling, as well as more exotic white grapes with singular flavours. But it’s the Austrian reds – Blaufränkisch, St. Laurent & co. – that may shock you most, in tune with the zeitgeist of the modern drinker. I look forward to reconnecting with the folks who make them.”

For more information contact Birgitta Samarvarchian, toronto@advantageaustria.org, 416 967 3348. The closing date for registration is April 13, 2016.

Traditionally known for its white wines, few realize that one third of Austria’s vineyards are planted to red. At the Austrian tasting an educational seminar will feature flights of the three red aces, the indigenous grape varieties Zweigelt, Blaufränkisch and St. Laurent, plus a rare flight of Austrian Pinot Noir. Two years ago I concurred:

“The whites, mainly centered around the signature variety Grüner Veltliner, showed the mineral and salinity so necessary to the grape’s success. Reds made from Zweigelt and Blaufränkisch are Austria’s trump card, ready and willing to take on the world’s reds imbued of elegance and finesse.”

Related – A ramp to Austrian wine

Back to that October tasting. Outside of making the trip to Vienna and forging an itinerary that includes no less than a dozen high profile producers who generously agree to crack open some older vintages, what other setting could present Grüner Veltliner in such light? The age ability recognition factor knocked another one off the bucket list and opened new doors to perception. If for no other reason, and there are many, he Austrian tasting coming to Toronto should not be missed.

On the road w: @zoltanszabo & @tonyaspler we concur. Expert overture @austrianwine #grunerveltliner via @johnszabo

On the road w: @zoltanszabo & @tonyaspler we concur. Expert overture @austrianwine #grunerveltliner via @johnszabo

Flight #1

Stift Göttweig Grüner Veltliner Göttweiger Berg 2014, Kremstal, Austria

Freshness, with a minimal amount of Co2, herbal certainly, with pears and stones. The fruit finale is up, up and away. Very flavourful, almost tropical Grüner.

Fritsch Grüner Veltliner Ried Steinberg Ruppersthal 2014, Wagram, Austria

Has a candied meets medicinal nose and more than its share of mineral to taste. Lingers with a sweetness that is not sugar. It’s a tang derived from grape tannin.

Weixelbaum Grüner Veltliner Reserve Ried Wechselberg 2013, Kamptal, Austria

Very ripe, so tropical to nose and smells like candy floss, like enticing spun sugar. Mouthfeel is more like unoaked Chardonnay. Global entry strategy for Grüner to take the market by fresh storm turns exit strategy without reason.

Edlmoser Grüner Veltliner Ried Himmel 2013, Wien, Austria

The mineral expression of the young Grüner. Elemental and metallic. Good range of motion, right side of the mineral tracks. Really fine tracking and length.

Liegenfeld Grüner Veltliner Ried Himmelriech 2013, Burgenland, Austria

Full-ish and bullish, especially in flight comparison. Quite the fruit monster here, with a sugarless sour candy sensation and savoury linger. An eastern European cough candy with enough subtlety to keep it from crossing any uncomfortable lines. The outlier.

Flight #2

Holzapfel Grüner Veltliner Smaragd Ried Achleiten 2012, Wachau, Austria

A tiny bit of botrytis giving off a mushroom and truffle note, perfect at this stage for a ’12 though it will likely increase going forward, possibly at the compromise of the stellar fruit and even deeper mineral passion play. This is an intense wine with acidity that may be waning but the wine cuts a deep and serious bowie wound. The lees really rules and reigns in the rest. Turns to cider after 10-15 minutes. Changes. “Oh, yeah, Mmm. Still don’t know what I was waitin’ for. And my time was runnin’ wild.”

Domäne Wachau Grüner Veltliner Smaragd Ried Kellerberg 2012, Wachau, Austria

Quite stoic, clear, clean, steely, like unoaked Chablis. Wondering where the lees are in this, how much and for how long because it has that distinct mineral tang that lees will give to a wine made like this. Exemplary but simple. Though the acidity is low so it finishes fat. Still, proper and simple.

FJ Gritsch Mauritiushof Grüner Veltliner Smaragd Ried Singerriedel 2012, Wachau, Austria

This has the candied nose, the tropical fruit and the lactic feel. Quite a mouthful of same flavours in repeat on top of the aromatics and an overall layered tang. Like those white blends again.

Leth Grüner Veltliner Ried Scheiben “1ÖTW” 2012, Wagram, Austria

Powerful loess in concentration, smells like scraped wet soft tuff-like rocks, almost powdery and not a fruit-driven Grüner. Better acidity than some and finishing bitters. The first to do so.

Allram Grüner Veltliner Reserve Ried Gaisberg “1ÖTW” 2011, Kamptal DAC, Austria

Age is creeping in, with a petrol and tannic note that take this into steep slope, white stoicism. The slate is really in, the acacia barrel giving a near-nutty note and certainly white flower distillate. Like eau de vivre. Got a spark.

Salomon Undhof Grüner Veltliner Reserve “Von Stein” 2010, Kremstal DAC, Austria

Gas and stone again, with more verve and life. The first to give soil funk without sweetness or botrytis. A slight Co2 note, a spark, very mineral character. Old vines give concentration, rocks do tannin and acidity lingers nicely. Got stein. Old Riesling reduction and energy equals implosive energy. Flight #2 really speaks to the loess and here is it definitely on high.

Flight #3

Rudi Pichler Grüner Veltliner Smaragd Ried Wösendorfer Hochrain 2008, Wachau, Austria

A fine slow decline in grace, elegance, bald, striking. Here the reason not to fear and for any and all decisions to protract age from Grüner. There has been no discernible deterioration and without a doubt the cleanest fruit in its original state. No flaws. So in that sense an ageless wonder. Strikes as so much younger; colour, aroma, flavour, tannin and linger. Ageless.

Brundlmayer Grüner Veltliner Reserve Ried Lamm 2007, Kamptal DAC, Austria

Certainly showing age here, through all its components and has a sugary gaseous feel. Says Trocken so I wonder what the RS really is. Mineral and acidity are in great interplay. Good length. Really smart and necessary look into aged Grüner. Reductive torque from a top vineyard. The French paradox in analogy is Sémillon.

Hiedler Grüner Veltliner “Familienreserve” 2006, Kamptal, Austria

There was some dirty fruit here, past its prime, late harvest certainly, smelling of tropical fruit past ferment and into decay. But, there is acidity so there is life. Lots of bitters. Some volatility. In a way, The Frick of Austria. Heavy lees, acacia barrels. No fining, no filtration, some biodynamic principals applied to grape growing.

Malat Grüner Veltliner “Das Beste vom Veltliner” 1999, Kremstal, Austria

I find this so much fun at 16 years of age with burnt orange, caramel, white pepper, spices, and an elemental, aerified glory that is some kind of serious inhalant and intoxicant. Late harvest again, clementine segments of flavour, with citrus acidity and great mental acuity. Great bitters. This is on par with some aged Alsace, somewhere between Riesling and Gewürztraminer. Weighs in and integrates its 19 g/L of RS with distinction.

Flight #4

Herbert Zillinger Grüner Veltliner Reserve “Radikal” 2013, Weinviertel DAC, Austria

Oxidative, spontaneous ferment, leading to tang upon tang. The methodology has led to tannin in layers, some orange segment and bitters. Acidity is not striking and its aridity means drink this early.

Geyerhof Grüner Veltliner “wildlux” 2013, Kremstal DAC, Austria

I get terpenes, like cool-climate Chardonnay, well, more cool than Chardonnay and then it gains in salinity, sea salts, brine, groove but not necessarily mineral. Has real verve, life and yet again, not for age. Known for their natural winemaking.

Zillinger Johannes Grüner Veltliner “Numen” 2013, Osterreich, Austria

Amphorae wine, old vines, certainly oxidative, thick texture from lees, but there is acidity. Orange again and edgy, with a piercing limestone tang that runs directly through. Numen “natural spirit inhabiting a place or just natural genius (of spirit).” No external intervention.

Sepp Moser Grüner Veltliner Ried Schnabel “Minimal” 2013, Weinland, Austria

Here is the Alsatian Grüner, natural and with the addition of slow micro-oxidation of old barrels. Eighteen months seems almost on the lee side of time, as we find so much preserved lemon and a lack of Grüner impression. Certified biodynamic. “Will not meet the expectations of wine consumers today.” Dill pickle meets a tomato of volatility.

Wimmer-Czerny Grüner Veltliner “Pur” 2012, Wagram, Austria

Hard to believe this is only 2 g/L of RS. Real Muscat character in aromatics and again terpenes but with a naturally oxidative bent.

One in the April 2nd, VINTAGES release

Loimer Grüner Veltliner 2014, Dac Kamptal, Austria (142240, $21.95, WineAlign)

Flat out delicious Grüner Veltliner with a nice split between fruit and mineral, mas o menos, neither really leading the other. Citrus and a bit of an airy, gravel feel. Drink 2016-2019.  Tasted March 2016  @LeSommelierWine  @FredLoimer

Good to go!

Twitter: @mgodello

Instagram: mgodello

WineAlign: Michael Godel

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The natural wines of Emidio Pepe

Chiara and wines

Chiara De Lulis Pepe and the wines of Emidio Pepe at Barque Smokehouse, March 10, 2015

Emidio Pepe‘s granddaughter Chiara De Lulis Pepe says that in 5o years of winemaking nothing has changed. Nothing, save for a conglomerate-like expansion from 1.5 to 15 hectares of farming vines in Abruzzo. No seriously, do the math. Emidio Pepe remains and likely always will be a tiny, boutique, garagiste, artisan producer.

To say Emidio Pepe is unique and singular for Abruzzo and outwards into the natural winemaking diaspora is as gross an understatement as can be made. Consider the approach. Natural, healthy viticulture. No chemicals ever. Ever. Organic, biodynamic, only indigenous yeasts (more on that later), no fining or filtration. Red berries de-stemmed by hand. White grapes trod by foot. Fermentation in concrete. Bottling in early March and laid to rest. Then the bottles are decanted by hand, re-corked and released. The entire premise begins and ends with amazingly clean and pure fruit.

Pundits and critics will sit across a table and discuss. Point. “This is the essence of natural wine. No manipulation and zero handling.” Counterpoint. “There is no such thing. All wine is handled. All winemakers influence the outcome of their wines.” Point. “It’s all about the yeasts. They and their grapes are the heart and soul of natural wine.” Counterpoint. “To sell the wines, those yeasts and their grapes, once inside the bottle, must travel on planes, trains and automobiles. What is natural about that?”

The fact is Emidio Pepe‘s wines do not have to travel. They do not produce enough for that necessity but by heading out on tour they spread the gospel and bring a natural crush to the people. They are spokes-wines of history, health and possibility. They defy the naysayer’s argument because they are the godparents of natural wine.

If there is one single winemaker who defines natural, who lives, breathes and embodies the much maligned phrase “minimal intervention winemaking,” Emidio Pepe is the one. Not because of the techniques, practices and religious adherence to undomesticated viticulture, unadulterated and soulful viniculture. The reason Emidio Pepe is the benchmark and the region d’essere for natural wines to matter is because the wines are impossibly fantastic.

Chiara De Lulis Pepe and Emidio Pepe

Chiara De Lulis Pepe and Emidio Pepe © https://www.facebook.com/emidiopepewines?fref=ts

The vineyards are located 10 km from the Adriatic and 45 minutes from the Gran Sasso D’Italia mountains. The unique saddle and its clay-limestone soil encourage roots to burrow five to six metres downward, to a subterranean comfort zone, where the temperature is always constant.  Hand de-stemming is a tradition “but we believe it makes a superior product,” says Chiara. Concrete fermentation is done “to keep the integrity of the wine.”

For Emidio Pepe it begins and ends with the yeasts. Complexity and richness comes from “the family of yeasts that started the fermentation.” Chiara truly believes that yeasts will determine the flavours of the wine. “Selective yeasts make for simple wines,” she insists. “If you use them in different countries, 50-60 percent of the taste of those wines will be the same.” With indigenous yeasts, “the years will put a stamp on the personality of the wine.”

I sat down with Mark Cuff and Zinta Steprans of The Living Vine, John Szabo M.S., Will Predhomme and Peter Boyd to taste with Chiara De Lulis Pepe at Barque Smokehouse in March. Chiara brought some special wines to the table. Here are the notes.

The line-up from Emidio Pepe

The line-up from Emidio Pepe

Emidio Pepe Trebbiano d’Abruzzo 2007, DOC BIO Abruzzo, Italy (Agent, $154.95, WineAlign)

Skip straight past the naming and intimating of aromas and flavours. Here it is not the point. Trebbiano that is a product of having finished fermentation in bottle, with natural CO2, now virtually dissipated but persisting in echoes, to act as a natural preservative. The moniker natural does this little justice. The sweet sapidity and etching of acidity are so very grown-up, classically-styled, mature, precise. Trebbiano in which texture, above all else, stands out and firm. There is a dichotomous relationship, between viscosity and delicatezza. Natural respect, of a grace on a face, in twinkling wrinkles and gossamer flowers tucked impossibly into an aigrette of golden hair. In every facet to acting natural with a stupidly frank elegance to defy age, showing no signs of movement after eight years. The Robin Wright of white wine, expressive of tenderness but certainly not shy. Drink 2015-2025.  Tasted March 2015

Emidio Pepe Montepulciano d’Abruzzo 2003, DOC BIO Abruzzo, Italy (Agent, $94.95, WineAlign)

At the teenage (in wine years) number 12 this is showing less evolution than expected, especially in consideration of the European year that was 2003. Another divaricating Abruzzo, with a dried fruit component that pullulates in a very hydrated way. From a scorching season where anxiety was felt by both the vines and their keepers. Possessive of a bricking that gives of the cracked earth, of dusty, ambivalent rocks and warm, pulpy air. Through the humid tones and with thanks to pergola trellising, balance prevails with close encounters in acidity of the rampant kind. Tannins rage as well, strong and bullish above the earthy notes and peppery berry bites. The old vines and sleight of winemaking hand are ensconced to this vision, void of faults and yet advancing from the frame. Needs just a few more years to find the median point on the chonometer. Drink 2018-2023.  Tasted March 2015

Emidio Pepe Montepulciano d’Abruzzo 2001, DOC BIO Abruzzo, Italy (Agent, $169.95, WineAlign)

If the ’03 acts a bit like a hormonal, impulsive, testy, cavilling or petulant teenager, this 2001 is the adolescent. Full of boundless energy, willingly and excitably adventurous and ready to participate in the game. This from a terrific vintage with great aging potential, here Montepulciano manifests with gravity defying weight, like careful Nebbiolo or graceful Burgundy. Where this separates itself from other Grand Cru varietal infinity is in its yeast directive. Singular, remarkable, devoid in spice as if by wood. The structure is innate, indigenously calculated, developing in bottle, verbalizing flavour. Like a bone from the skin of the clay, piaculum by limestone, passed through and brought to light by the leavening catalyst. Drink 2020-2036.  Tasted March 2015

Emidio Pepe Montepulciano d’Abruzzo Riserva 1983, DOC BIO Abruzzo, Italy (Agent, $279.95, WineAlign)

Give Emidio Pepe’s reds thirty odd years to develop and the impossible happens. To postulate in a moment’s assessment without remembering the pious tradition with which this was made would be a crime against Pepe, Abruzzo, the natural world and the wonders of the universe. With this much passage the spice cupboard that emits is wow times a thousand. Clove, cinnamon, cardamon, orange peel, galangal and like golden raisins that pass through quarries to become rubies. This wine is perfect. It has not broken down an iota. It requires no decanting. It defies logic, perception and time. There is no sediment, only energy. Speaks from the glass as if it were a child of destiny and mythology. The 1983 Emidio Pepe Montepulciano d’Abruzzo Riserva arrives from along the same road taken but its transmogrification proves that the result, with thanks again to the endemic froth, is different every time. Drink 2015-2029.  Tasted March 2015

Good to go!

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WineAlign guide to VINTAGES April 4th and Easter recipes

Lamb Ribs by Barque Smokehouse

Lamb Ribs by Barque Smokehouse

On January 18, 2013 I began adding wine reviews to WineAlign. Review ground zero was Mallory & Benjamin Talmard Mâcon Uchizy 2010, an inauspicious little Burgundy described in “the coat of white.” A Genesis of great #ffffff value.” Beginnings, Genesis, ground zero. The Godello thing.

Two plus years and 2,023 reviews later much has changed. The wisest of wine scribes David Lawrason and WineAlign head wineaux Bryan McCaw asked if I would like to become a part of the April 4th, VINTAGES release newsletter and buyer’s guide. With renaissance banzai and Master Sommelier John Szabo leading the charge, along with most generous guidance and help from cake baker and palate extraordinaire Sara d’Amato, I have joined the fray.

Buyers’ Guide to VINTAGES April 4th – Part One

This week’s guide leads WineAlign subscribers to Easter Lamb and red wine, plus pre-dinner whites and a glass for dessert. The three recipes cover everything  you could possibly want at your table on the resurrection weekend. The recipes are for Traditional Easter lamb by John, Moroccan lamb loin chops by Chef Michael Pataran and Barque‘s smoked lamb ribs.

Here is what John wrote in his introduction of me. “If at first you don’t understand Michael’s reviews, just drop a couple of hits of acid, smoke a joint or put on some classic 70s tunes and they’ll all make more sense. Maybe.” The irony is that amongst the seven wines I contributed to the newsletter I made only one musical reference. Oh, and one to the Grand Budapest. So, maybe you will understand them. Maybe.

From left to right: Cdv Brazão Colheita Seleccionada Arinto 2013, Stéphane Aviron Domaine de la Madrière Vieilles Vignes Fleurie 2011, Mayschoss 140 Jahre Jubiläumswein Trocken Pinot Noir 2013, Dog Point Sauvignon Blanc 2014, Fielding Estate Viognier 2013, Château Haut Selve Réserve 2010 and Mendel Malbec 2011

From left to right: Cdv Brazão Colheita Seleccionada Arinto 2013, Stéphane Aviron Domaine de la Madrière Vieilles Vignes Fleurie 2011, Mayschoss 140 Jahre Jubiläumswein Trocken Pinot Noir 2013, Dog Point Sauvignon Blanc 2014, Fielding Estate Viognier 2013, Château Haut Selve Réserve 2010 and Mendel Malbec 2011

Cdv Brazão Colheita Seleccionada Arinto 2013, DOC Vinho Verde, Portugal (405217, $16.95, WineAlign)

A highly unique Vinho Verde that works as a sipper and as a solid, pair me with just about anything table wine. Savoury and blessed with a Bica de Queijo cheese aroma, you’ll be glad you gave it a swirl and a whiff. There is nothing shinking or violaceous about this. It’s medicinal like Moscato, toasty like Pouilly-Fumé and gangly like Garganega. Citrus juice and flesh add body and beautify its inherent male pattern baldness. Perhaps a bit of a river fish of a Vinho Verde but very fresh and a great catch. This Arinto will tie appetizers together and buy time until the bird, hock or shank is on the table with the feast’s big reds. Drink from 2015-2017.  Tasted March 2015  @vinhosverdes  @exCellarsWines

Stéphane Aviron Domaine de la Madrière Vieilles Vignes Fleurie 2011, AC Beaujolais, Burgundy, France (405779, $21.95, WineAlign)

Old vines and Fleurie scream holiday dinner wine in my books. Here struts out where it’s at Gamay from a terrific Cru, of maturity, chutzpah and depth. Bang on 13 per cent alcohol, most mature and munificent, so very forward and yet of a depth, richness and layering in fruit meeting acids. Black cherry with an accent of mint, sour citrus drop and blueberry. A minor chalky grain, just enough to evoke oak tenderness, but not enough to be cut by splinters. Very Burgundian, where it’s at and even better length. Talk about a red wine that could equally double down for the Easter and Passover table. Gamay that swings both ways, AC/DC, “it’s got two turntables and a microphone.” Drink 2015-2022.  Tasted March 2015  @DiscoverBojo  @warren_walden

Mayschoss 140 Jahre Jubiläumswein Trocken Pinot Noir 2013, Ahr, Germany (409649, $21.95, WineAlign)

Ahr Pinot Noir (as opposed to those from Germany’s Baden region) are just that much more accessible and wider table friendly. That’s because of volcanic soil and older vines like you find in this Qualitätswein. The fruit is richer, the cure more refined, the flavours full and the wine structurally sound. Give this some air and the roast swine will make an entry, with intoxicating aromas, balanced by earthy notes, ripe plums and berries. Structurally sound, the ripeness continues into a fleshy cure of wurst with good bite. The citrus tang is round and barkless. No matter the colour of your braise or roast, this Pinot Noir will compliment the hue. Drink 2015-2021.  Tasted March 2015  @LeSommelierWine  @WinesofGermany

Dog Point Sauvignon Blanc 2014, Marlborough, South Island, New Zealand (677450, $24.95, WineAlign)

So orderly and aligned, from ripe picked fruit with fervent acidity and all proportions in perfect working order. Four months in bottle has settled only worked to reinforce positive opinions. Grassless and flinty but no discernible elemental vagary, certainly no sulphur. This Sauvignon Blanc may just be the most consistent in every vintage, not only stylistically but also for the hedging of probability bets for guaranteed Marlborough quality. This is a superb vintage for the pied-à-terre phraseology. Like school in fall, winter and spring, the Dog Point is all class. Drink from 2015-2024.

From my earlier note of November 2014:

The prototypical Marlborough Sauvignon Blanc hitting all the classic numbers is right here in the Dog Point 2014. Low pH, high acidity, minuscule residual sugar and elevated aromatics. It’s ripe but ripped by citrus juice and zest. Like cubes of honeydew, bitter winter melon and dried lemongrass soaking in and flavouring a dish of briny scallop carpaccio with coarse sea salt and capers. The sapidity is palpable, the excesses vivid. I would avoid too much variegated gastronomy when sipping this wine. Opt for simpler fare because its talents would otherwise be mimicked and suppressed.

Last tasted March 2015  @DogPointWines  @TrialtoON  @nzwine

Barque Smokehouse Lamb Ribs - Spring 2014

Barque Smokehouse Lamb Ribs – Spring 2014

Fielding Estate Viognier 2013, VQA Niagara Peninsula, Ontario (142323, $25.95, WineAlign)

Winemaker Richie Roberts has worked tirelessly with Viognier to find out where it fits into the lexicon and ambience of Niagara Peninsula white grape varieties. The 2013 vintage marks a turning point in his and by extension, all of our understanding. The tropical fruit is now reigned in and the tension on the back bite a perfect foil to that well-judged, rich fruit. Trumps the layered ’12 with a new, aerified floraility that gives it more prototypal Viognier style. Short of leaving fruit to hang into late harvest (not recommended for the variety) this is like being wrapped in banana leaf along side young bamboo. Sip it joyously on its own or bring on the Easter Rijsttafel and a strolling procession down the cuisine of Kho San Road.  Drink 2015-2020.  Tasted March 2015  @FieldingWinery  @RichieWine  @Heidi_Fielding

Château Haut Selve Réserve 2010, Ac Graves, Bordeaux, France (235424, $27.95, WineAlign)

Who wouldn’t want to find a well-priced and expertly made Bordeaux to accompany an Easter feast? The abstraction is not as easy as it may have once been but once in a Paschal full moon a wine comes along and affords the opportunity. Stately structured, mid-range Graves that is so very much a combination of Cabernets. It reeks of currants, cool mint, Cassis, caramel and chocolatey oak. Kept shy in alcohol (13 per cent) and heat, the tannins are mildly grainy and though just a touch oxidative, it is a a most serviceable, generous and honest Bordeaux. From a workingman’s vintage of the century. This Graves will seal the Easter deal with its cool savour and chocolate hops. Drink 2015-2019.  Tasted March 2015  @BordeauxWines  @ProfileWineGrp

Mendel Malbec 2011, Mendoza, Argentina (108225, $27.95, WineAlign)

On the rare occasion when a Mendoza Malbec exhibits restraint, balance and all around congenial behaviour, it is imperative to sit up and take notice. This is finely fashioned juice, albeit rich, smokey red fruit swathed in good quality chocolate and a late kick of spice. Suppose there’s nothing really wrong with that. The Mendel will seduce, hypnotize and cause general swooning. Like a Grand Budapest Hotel box of treats, it will sooth even the savage beast. Ripe tannins will make this drinkable now to 2020. Tasted March 2015  @MendelWines  @TrialtoON  @winesofarg

Good to go!

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Sonoma peaks from out of the fog

Sonoma Coast Photo (c): http://www.sonomawine.com/

Sonoma Coast
Photo (c): http://www.sonomawine.com/

Sonoma County is so massive a wine region it’s really quite futile to take account of a singular, defining personality. Diversity of wine styles and viticultural approaches are what elucidate Sounty County and its 16 AVA’s (American Viticultural Areas). That much is true but the sheer geographical scope of California’s coastline, inward valleys and mountain vineyards make it all but impossible to distill the entire region into one simplified and understood junction of compounding synchronisms.

Imagine Sonoma in terms of soils and geology the way the Clare Valley and Barossa are making plans to split their vineyards into new sub-regions. “Rather than create a hierarchical system, proponents say the plans are part of a cultural shift in Australia’s wine industry that seeks to make technology in the cellar subservient to geological understanding and vineyard management.” Though erroneously, people talk about Sonoma wines as being the same, as sharing a commonality that allows for overused generalizations.

Sonoman varietals need to be characterized by an interpretation of sundry realities. Pinot Noir loses focus when simply labeled “Sonoma County.” Its actuality is much more specific than that. Dutton Goldfield’s Pinot Noir is a prime example; not exactly Russian River Valley nor Sonoma Coast. If its vineyard and those of countless hundreds of others were pinned down into a more micro-specific locale of soil and geology, justice might be served. Yet through all the talk of fining sub-appellations there is one constant in Sonoma. There is one manifest vital spark that runs through all of its fiords and chords, spuming with an irrepressible puissance. Fog.

Growing grapes in Sonoma is all about the fog cycle prone zone, warm by day, cool by night. Grapes above the fog line on the mountain ranges and upper reaches have the highest chance of ripening. Wind screams in between the mountains and through the valleys to dry out the vines and protect them from disease. The region lies at the western edge of a hyperbolic, tectonic geology, causing not only earthquakes but also dramatically different soil structures. From out of this super active geology, this volcanic action and this movement of tectonic plates, is a cool climate viticulture along 100 km’s of Pacific Coast frontage.

The cool nights and days that rarely get oppressively hot (above 26-28 degrees celsius) contribute to layers of oceanic fog that creep into Sonoma’s interior valleys through numerous spots like the Petaluma Gap. The Russian River, meandering through a lush valley of vineyards, provides a conduit pulling fog through Healdsburg and into the Alexander Valley, as well as forming its own appellation.

Sonoma native Elizabeth Linhart Veneman, author of Moon Travel Guides, sums up Sonoma’s fog in one fell swoop statement: “Perhaps no aspect of the weather here is more important.” Then there is the most amazing time lapse video shot by Nicole Tostevin of Tostevin Design. Tostevin (not to be and to be confused with Tastevin, which means a taste of a wine and a small, shallow cup or saucer with a reflective surface, traditionally used by winemakers and sommeliers when judging the maturity of wine) was born in San Francisco. She is a 5th Generation Californian living in West Marin; she’s an independent freelance artist, interactive art director and motion graphics animator. The video titled, “Sonoma Morning Fog Dance” was shot using time lapse footage of The Anvil Ranch in the Annapolis Valley in Sonoma County, California.

This time last year, in November 2013, San Francisco Chronicle wine editor Jon Bonné wrote, “today, the state of the art for Pinot Noir – along with Chardonnay and, to some extent, Syrah and even Cabernet – has shifted into the coastal fog lands.” Green Valley is defined by fog. Fog discourse and computerized, animated maps are front and centre on the AVA’s website. “Green Valley is the first place where the fog comes in and the last place where it burns off, making it the coolest, foggiest part of the Russian River Valley.”

Walmart's Sonoma Fog Area Rug

Walmart’s Sonoma Fog Area Rug

Sonoma fog can even be defined as a colour, like Siena brick red, or at the very least as a style. At Walmart you can buy a “Sonoma Fog Area Rug.” The mist of California’s coast has even had a couple of cocktails conceived in its name. The Sonoma Fog and Sonoma Fog Vinotini are sweet and sour variations on the Kamikaze or the Cosmopolitan, using Grapefruit and Icewine.

Sonoma’s fog is a stern exertion of soda and salt and when its atomic dipoles get together to dance with ripe grapes and the puffy gaieties of yeast, the syntagmatic rearrangement in the region’s wines are all the merrier and made most remarkably interesting. Fog complicates and makes complex the ferments from Sonoma’s hills and valleys. The second fiddle status to Napa Valley’s hugeness is both ridiculous and absurd. Sonoma Chardonnay and Pinot Noir is already known for its kinetic inquisitiveness but other varieties are also gaining major traction. Cabernet Sauvignon, when ripened upwards of that fog and yet inextricably linked to the miasma, gains a level of synergistically precipitated elaboration that blows Napa out of the water.

WineAlign's John Szabo MS says Sonoma County "is this big."

WineAlign’s John Szabo MS says Sonoma County “is this big.”

Sonoma Vintners came to Toronto’s ROM for a trade tasting on October 9, 2014. With the ever resourceful moderator John Szabo MS of WineAlign at the microphone and nine winery representatives on hand to speak of their land, Sonoma was defended, savoured and celebrated. Here are notes on the 10 wines presented.

Sonoma County at the ROM

Sonoma County at the ROM

Gloria Ferrer Royal Cuvée 2006, Carneros (Agent, $37.00 – winery)

The brand was developed for the 1987 visit of King Juan Carlos I and Queen Sofia of Spain. Seventeen base wines were blended to create the final (66 per cent Pinot Noir and 34 Chardonnay) cuvée. The Chardonnay is planted on lower sloped with deeper soil and the Pinot nicked from locales higher up where it’s rocky and volcanic. “Oh they’re ready for a tussle.” The immediate query is how can it act so fresh? Aged 7 years, the incongruous to electric power is mind altering, though the reaction in the seminar room is muted and should instead be filled with oohs and ahhs…am I wrong? Intense wine, highly lactic and dancing on tongues. Citrus, ginger, pear and Pinot length from the rockpile. And so it goes.   @GloriaFerrer

Quivira Sauvignon Blanc 2013, Dry Creek Valley, Sonoma County (Agent, $15 – winery)

Quivira’s expressive Sauvignon Blanc sells for a song what with its high level of minerality from gravelly soils, typical of Dry Creek Valley. Low acidity, and a quietude of heterocyclic aromatic organic compounds comes aided by a musky, Musqué SB clone. The terroir and the grapes speak for themselves, mostly out of stainless steel, with a bit of neutral oak, plus Acacia barrels, for texture. All in all, there is an elevated pattern of harmony. Biodynamic since 2006, Marketing Director Andrew Figelman notes, “going through biodynamic is like going through an IRS audit.” And worth it in the end.   @quivirawinery  @KylixWines

La Crema Chardonnay Saralee’s Vineyard 2012, Russian River Valley, Sonoma (Agent, $39 if it were available – winery)

So notable from the get go is this SV Chardonnay’s possessiveness of a muscular rhythm, where oak meets butter. High quality fruit comes from Saralee’s Block 89, a gravelly loam, with less vigorous vines and of course, much fog. Nine months in one third new French oak and a generous, if in check, 13.9 per cent alcohol.  A mere 500 cases are produced of this new and titillating brand. Much orchard fruit on the nose, mineral on the palate and a wrapping of lemon curd. Has chalk and grain. La Crema’s (Ontario-born) winemaker Elizabeth Grant-Douglas has teased us. “You can taste it but you can’t buy it,” Just don’t call it creamy.  @LaCremaWines  @bwwines

Patz & Hall Dutton Ranch Russian River Valley Chardonnay 2012, Sonoma County  (Agent, $56, WineAlign)

The Dutton’s have owned the farm for more than a hundred years and have been serious about viticulture for the last 40 or so. The fluffy, porous soils are composed of Goldridge loams, in which moisture runs right through. There is very little if any precipitation making this a sort of “dust bowl” Chardonnay, from five different sites. Distinctive, exotic, old vines give a Muscat-like character, plus mineral and structure. It reminds of a mildly spiced Gingerbread cookie on a dry, cold winter day. The Dutton receives the same elevage treatment as their other 13 Chardonnays; it’s the land that’s different. “We’re allowing these wines to be different by virtue of the terroir,” notes Donald Patz. This is mildly restrained in many ways. A very balanced wine, full of class.  @PatzHall  @TrialtoON

Dutton Goldfield Pinot Noir 2012, Russian River Valley (Winery, $72)

From the Estate’s 1996 planted Freestone Hill Vineyard, from the middle reach (far southwest corner) of the Russian River Valley, a full-on sunshine of fruit spent 17 recondite months in 55 per cent new oak. The resulting door affronting 13.8 per cent alcohol is a so very, if anoetic welcome mat. The Dutton family were the local pioneers. Says Warren Dutton, “if I can ripen apples, surely I can ripen Chardonnay or Pinot Noir,” Ripe red apples and a savoury candy shell have turned to grapes with aid in influence from the Petaluma Wind Gap, in an accruing of elegance and finesse from high acids and low sugars. If the common feeling is that it’s difficult to ripen fruit in this region, the bar must have been set to beanstalk heights. The Freestone Vineyard (which is almost in the Sonoma Coast appellation) is colder even than Green Valley, with an elevation just above the fog, for even ripening margins. The Duttons thought the vineyard not too cold for Pinot Noir, a thought even more astute than the idea of ripening coconuts in Fiji. This really is unadulterated Pinot, from a process that included (20 per cent) whole berry fermentation. The simple elevage turned into a simple yet complex result, with high toned fruit character, tangy black cherry, really fine grain tannin and acidity. Length is ascending and enveloping, from the hill.  @DuttonGoldfield

Buena Vista Pinot Noir 2011, Carneros (304105, $24.95, WineAlign)

Buena Vista was California’s first commercial winery, dating back to 1857. Winemaker and Sonoma native Brian Maloney, formerly of De Loach Vineyards crafted this tight and bracing Pinot Noir from the cooler vintage. The vintage may have been a result of global chaos but the wine is an unmitigated success.  From my earlier, August 2014 note: “This is really quite impressive Pinot Noir. Fastidiously judged if bullish fruit having way too much fun, causing varietal envy amongst other price category peers. Clearly fashioned from stocks of quality fruit, providing an environment for the coming together of many red berries and the earth of contiguous vines. All roads lead to a grand palate marked by exotic, spicy and righteous fleet of wood tones. I wonder if I’m in over my head and tell it “your mood is like a circus wheel, you’re changing all the time.” Quite something this MacPinot specimen and though I wonder if it’s a bit too much, it always seems to have an answer and it sure feels fine.” Tasted blind at World Wine Awards of Canada.  Last tasted October 2014  @BuenaVistaWines  @TandemSelection

Seghesio Zinfandel Rockpile 2011, Sonoma County (Winery, $38)

From three ridgetop vineyards 1,200 feet above Dry Creek Valley; Westphall Ranch, Porcini Hill and Mauritson. Rockpile comes from the late 1880’s, founded by the local Sherrif Tennessee Bishop. Prisoners broke up rocks to make roads and they called it the rock pile. Near extreme elevation matters deeply in this wine, as do three clones, all in the name of layers of flavour. There is a massive waft of florality in Rockpile and a Zinessence that can only be Seghesio. A large yet somehow fog-tempered cool wine, the result of a unique marriage between an altitudinous though indispensable Sonoma climate. Fresh ground spices join the flowers at the hands of winemaker Ted Seghesio. To the palate and texture the wine turns a boisterous phrase, with natural acidity and that structure is defined by tannin and personality. There is heat, a bit of a heavy grain and lifted alcohol though it carries it well. “Veraison thinning is key,” notes Pete Seghesio. Narrowing the harvest window by removing berries from the double sorting table is practiced, along with halting the brix from rising at the hands of hydrating raisins releasing sugars during fermentation. The must is weighed down a touch, even if the practice in fear is just one of splitting hairs, as obviously this has everything Zin needs to be fresh and elastic. “If you miss Zinfandel by five days you have Port,” admits Seghesio. The 2011 got it right.  @seghesio

Kunde Family Estate Zinfandel 2012, Sonoma Valley (965921, $24.95, WineAlign)

Rich and utilitarian to a fundamental degree. Nothing but plum delicious, instilled with structure, tannin and early acidity. More spice and less florals by way of red volcanic rock soil, interspersed with a bit of sand and clay. Winemaker Zach Long is very specific about “that harvest moment” so Kunde’s Zinfandel can never be accused of hanging too long or cheating on the wrong side of ripeness. Cold soaks for five days with a low and slow, geek’s native yeast add layers of complexity to the ferment. With a peppering of Petit Sirah in the mix this has more tar, char and less brightness. It actually leans to black cherry, in Pinot-like dulcet tones which, in that particular direction, is a good thing. The only deterrent in the SV ’12 is a waning of finishing acidity at the end.  @KundeEstate  @imbibersreport

Silver Oak Cabernet Sauvignon 2010, Alexander Valley, Sonoma County (943472, $89.95, WineAlign)

International Sales Manager Vivien Gay introduces the Silver Oak by talking about the Alexander Valley as being the most fully planted AVA in Sonoma. This ’10 is warm and intense, hot to nose, potentially volatile, like a bouquet of hacksaws. Dusty, full-on mulberry fruit is indicative of Merlot but there is none – it’s 100 per cent Cabernet Sauvignon. That teasing and varietal perplexity is an indication of complexity and also American oak, the usage of which began in 1972. Vanilla, coconut, then spiced, round and soft tannins come by way of 50 per cent new and 50 per cent one-year Missouri white barrels. The fruit quivers, like blackberry bushes in sweltering conditions, trying to shake themselves of the heat. Two years in oak plus one in bottle is a loyal and sentient journey, nearly devout and religious. A highly polarizing wine.  @SilverOak  @HalpernWine

Rodney Strong Vineyard Cabernet Sauvignon Brothers Ridge 2010, Alexander Valley, Sonoma County (Winery, $75)

This is the flagship Cabernet bottling from the winery that bears the ballet dancer’s name. Has layers of sweet Cassis, black cherry and blackberry fruit. Serrated with heat from a warm vineyard, picked at a generous (27.3 brix) and vinified (15.5 per cent alcohol) in a very big style. The Brothers Ridge fruit spent 21 months in 100 per cent French (43 per cent new) oak. The heat transmits through all the layers. So much java is espressed in this big boned Cabernet. Looking, sniffing and tasting the Brothers Ridge gives the impression of “a great big tall fella, about six foot tall. I shivered and I shook, couldn’t do any more.” Despite it’s heavy kinks, the BR is flat out delicious, hedonistic and as decidedly rich as any Cabernet from the Alexander Valley. Perhaps it is a lover, not a fighter.  @rsvineyards  @ImportWineMAFWM

Good to go!