Montefioralle (more than a feeling)

Montefioralle #sleeper frazione

They are growing in sangiovese divinity, or should it be said, divino. L’Associazione Viticoltori di Montefioralle, producers with more than a feeling, who share common ground but also something bigger, stronger, more profound. Montefioralle Divino is a September festival that unites this tiny Greve in Chianti frazione and with a purpose all its own. Theirs is a small section of Chianti Classico and one to call their own. This band is so good they named a medieval village after it.

Castello di Verrazzano’s Luigi Cappellini and the Granfondo del Chianti Classico squadra Canadesi

Related – Two sides of the River Greve

Let’s orient you on Montefioralle’s location. Montefioralle is situated on the west bank of the Greve River and close to Castello di Montefioralle, essentially, ostensibly and mostly southwest of Greve and south of Greti. The hamlet has 79 residents and sits at an elevation of 352 meters. As for their famous harvest festival, “Montefioralle Divino è una manifestazione organizzata e promossa dall’Associazione Viticoltori di Montefioralle che saranno presenti alla manifestazione e offriranno i propri vini in degustazione sui banchi di assaggio per due giorni.”

Montefioralle, Greve in Chianti

Two days of wine tasting in Piazza Santo Stefano in the historic centre of medieval Montefioralle, presented by a group in flux, from time to time. In 2019 they were Azienda Agricola Altiero, Brogioni Maurizio, Castello di Verrazzano, Montefioralle, Podere Bucine, Podere Campriano, San Cresci, Grassi Roberto, Terre di Baccio, Terre di Melazzano, Terreno, Villa Calcinaia and Fattoria Viticcio. From year to year membership rises, wanes and changes. And so there are others who bottle within this micro-terroir of i cru di enogea; Belvedere, Le Palei, Luciano Meli, Poggio Riccioli, Schietto and Tenuta Monteficali.

Dinner at Terreno

Related – Feeling Panzano’s pull

The zonazione’s terroir is mostly calcareous clay, with sand and in some cases, outcrops of “compresso indifferenziato argille scagliose,” part schisty calcaire with less instances of Galestro or Alberese and more Macigno. Once again yet another micro-territory in Chianti Classico for Masnaghetti and the geologists to consider in the cartological advancement with an eventual conclusion in menzione geographiche aggiuntive.

Related – Chianti Classico’s big Raddese

Tasting at Calcinaia

Related – Looking out for San Donato in Poggio

The following wines were tasted with Conte Sebastiano Capponi at Villa Calcinaia, followed by a tasting with the producers of Montefioralle in the same location. The members are producers with estates and/or vineyards holdings around the Montefioralle hill. Two years earlier my group had met with eight such producers at Calcinaia. These 21 tasting notes cover the September 2019 speed dating sit-down with nine estate principals, followed by dinner at Terreno.

Wines of Montefioralle

Altiero Chianti Classico DOCG 2016

Always 100 per cent sangiovese, from winemaker Paolo Baldini, from the southeast exposure off the the younger vineyard. This is the perfume of Montefioralle, inexplicable in a way, a very specific combination of flowers and herbs but there is a calm and when made this way, a purity, a clarity. A tradition from before that is forever. Slightly more unctuous and full on the palate with some wood addendum. Proper Annata. Drink 2019-2025.  Tasted September 2019

Altiero Chianti Classico Riserva DOCG 2016

Like the Annata always 100 per cent sangiovese, this time from the older vineyard facing southwest, away on an angle from Montefioralle and looking towards Panzano, the Conca d’Oro and Le Fonti. The red fruit liqueur is quite silky, savoury in a sweet and almost amaro way, so in a word, stunning. Full and polished with some tradition fully stashed away in pocket. From Galestro and Alberese. And it shows. Drink 2019-2025.  Tasted September 2019

Castello Di Verrazzano Chianti Classico DOCG 2016 ($30.45)

Essential balance in Chianti Classico Annata, obviously with thanks to the ’16 vintage but even more of a many splendored thing. Concentration and intensity intertwined but truth be spoken this really climbs the hills and then descends, with grace, power and ease. A brilliant Annata from Luigi Cappellini. Drink 2020-2026.  Tasted September 2019

Castello Di Verrazzano Chianti Classico Riserva DOCG 2015 ($49.60)

A sangiovese raised organic and a textural matter really defined by the quality and the length of time in contact with its skins. While not too long the extension was embraced and the certainty of a spot on result is certainly admired. Excellent skins, earthy, rich in tannin and also used to great structural advantage. This Riserva will travel long and go deep. Bank on it. Most rewarding work from il cicliste Cappellini. Drink 2021-2029.  Tasted September 2019

Castello Di Verrazzano Chianti Classico Gran Selezione DOCG Sassello 2015

This is the wine at Verrazzano first made in 1982 as a Vino de Tavola, then as Riserva and finally as Gran Selezione, first in 2013. The Sassello is the small bird that seeks out the best grapes, in this case at 450m from the highest vineyard on the estate. This just intuits and explains vintage, place and appellation, together in harmony. It’s a cool sangiovese of smooth savour, with great length and slow developing parts. Needs more time. Just does. Drink 2021-2029.  Tasted September 2019

Lorenzi Sieni, Montefioralle

Montefioralle Chianti Classico DOCG 2017

Dry vintage, full fruit, deep red, almost out of cherry and into plum, better acidity than some of its ilk and says Lorenzo, “not greens tannins.” Agreed. Quite silky, almost glycerin and long. Well done Sieni, well done. Drink 2020-2025.  Tasted September 2019

Montefioralle Chianti Classico Riserva DOCG 2016

Riserva is quite lush and full from 2016, no shocker to be sure and of a perfume that moves from Annata and into what grows low to the ground. Really proper appellative effort for the estate and for the frazione, richly embrued in liquified glowing embers and wet spice for days. Needs time to settle in. Very structured Riserva in which to imbibe after some time. Drink 2021-2027.  Tasted September 2019

Podere Campriano Chianti Classico DOCG 2016

A perfectly consistent follow-up to a ’15 that stole that vintage’s show, here with equal aromatic excellence in 2016. Now showing as a great floral expression (remarkably early it should be noted) in a full bouquet bursting from the glass. There is a level of roundness and fine acid tang with circulative layers as good as it gets. Succinct as sangiovese, Greve and hanging around the finest of Montefioralle. A true Galestro idea presented clear as a clear blue frazione day. Drink 2020-2026.  Tasted September 2019

Two sides of the Greve River

Podere Campriano Chianti Classico Riserva DOCG Le Balze di Montefiorealle 2015

Perhaps not as balanced a vintage as the follow-up 2016 will bring to this Montefioralle Riserva but ’15 can stand on its feet, no problem at all. No sway but plenty of torque indeed. Love the fruit of 2015, as much as one needs to love fruit. The fruit goes in and then back out of your mouth in equal and opposing fashion. In balance, with acids and tannins in tow. Drink 2020-2026.  Last tasted September 2019

Exactly Campriano, distinct and luxurious in its own perfect way. it’s so very Riserva, unctuous with red fruit that seems almost completely absent of wood. It’s because of the land, a vineyard set in the forest “and still so very present.” That also means it’s in the wine. recognizable every year. Always. The vineyard is west facing above the Greve River, on old terraces, with old stones. You can drink this now even if it’s so young.  Tasted February 2019

Just put to market, the vintage will surely have so much to say and in fact already does, with a combination of perfume and spice. Still dusty, with fennel and endemic herbs, teas and brushy plants. There’s a raspberry to dried currant fruitiness that ’14 doesn’t have, also more mid-palate flesh and overall juiciness. A different sort of structure, still with long capabilities but will likely go into a drier fruit profile after the seven year mark. Elena Lapini is a very busy agriturismo and viticoltore proprietor these days and if these most recent 100 per cent sangiovese from two sides of the Greve river tracks are any indication, she’ll be busier than ever before. Drink 2019-2025.  Tasted September 2018

Terreno Chianti Classico Riserva DOCG San Pietro di Sillani 2017

A cru at the highest altitude at 480m of sangiovese and merlot (five per cent) with some time spent in new wood. Altitude meant no frost and also less heat from the arid vintage. Eighteen months in big oak casks, this time in new and while the high up frazione perfume is indeed fully emitting its rays there too is a silky smooth note that recalls the new wood. Looks really good and seems very fine though the wood is very involved. Should be very, very interesting. It’s quite refined. Way too young to call. Drink 2021-2028.  Tasted September 2019

Tenuta Monteficali Chianti Classico DOCG Vigna Mezzuola 2015

The vigna-designate Annata is likewise a modern take on Chianti Classico label appearances notwithstanding but the smooth texture detail and lush glycerin flavours pale in comparison with the new barrique-aged Riserva. Here second and third passage tonneaux allow the marl and limestone of Montefioralle vineyards to speak a bit clearer and to breath a breath of 500m fresh air into this (85 per cent) sangiovese. The merlot (10) and cabernet sauvignon (5) smooth out all the wrinkles for a lush take on Annata. Drink 2019-2021.  Tasted September 2019

Tenuta Monteficali Chianti Classico Riserva DOCG Guardingo Di Passignano 2015

Do not be fooled by the whimsical classicism of the label into thinking this Greve Chianti Classico from the heart of Montefioralle will be old-schooled, rustic and ancient-styled sangiovese. It is in fact a facsimile of such a notion and in point of fact the opposite is true. The salt and pepper seasoning of 10 per cent merlot and five cabernet sauvignon are more like spice and sauce to prove the first point. The small barriques aging for 18 months is the second, acceding into a textural Riserva at once silky smooth and then oozing with vanilla, balsamic and resiny syrup. A mouthful to be sure and in the style so well made. A fun fact to know is about the Guardingo Di Passignano, a medieval road and the only passage that connected the three main valleys of the Florentine countryside; Val d’Elsa, Val di Pesa and Val di Greve, Drink 2020-2025.  Tasted September 2019

Terre Di Melazzano Chianti Classico Riserva DOCG Cantinato 2015

“Born in the cellar,” of sangiovese with 10 per cent merlot and five cabernet sauvignon. A true glycerin Chianti Classico for Montefioralle, with unction and spice. Sings like a blackbird. Truly Cantinato, truly. Drink 2019-2021. Tasted September 2019

Calcinaia

Villa Calcinaia Mauvais Chapon Rosato Metodo Classico 2014

A tirage of VinSanto in 2015, 37 months on lees and disgorged April 2018. In reference to a siege of Florence by the French in 494, an offer was made, not accepted and the trumpets were sounded. Piero Capponi responded with a call to arms at the gates. A matter of familial propaganda and a wine that reminds of France. Linear, sharp, citric, toasty and so very fine. Really crisp, of utter clarity and streamlined like a sail on a fast vessel. Impressive to say the least. Drink 2019-2024.  Tasted September 2019

Sebastiano Capponi

Villa Calcinaia Mammolo 2017, IGT Toscana

Varietal mammolo, fully, completely, capably in control of the wet wool character that only Sebastiano Capponi and (Monte Bernardi’s) Michael Schmelzer can effect, establish and conquer in unique red wine made in the Chianti Classico territory. This is good, righteous and proper volatility surrounding red fruit formed in a cake. Thick and unctuous from 2017 with endless character. Had been looking forward to tasting this finished wine since a first encounter out of concrete tank. Lives up to the billing and the hype. Drink 2019-2022.  Tasted September 2019

This limestone, that Alberese

Conti Capponi/Villa Calcinaia Chianti Classico Gran Selezione DOCG La Fornace 2016 ($74.95)

A warm and unctuous La Fornace in fine form, consistent to its loam-sand origins, planted in 1975, at 250m of elevation. Faces due south and sees oak casks, 10 hL, approximately six years old. Showing secure and prevalent texture admitting everything about itself, a single-vineyard sangiovese sight that draws the sun and uses every iota of its energy. Good showing from the furnace, Surely not a shocker from ’16.  Last tasted September 2019

Vigna Fornace, “The Furnace” is indeed the warmest of the Capponi Gran Selezione, full of gathered 2016 sunshine, ready to melt in the mouth acidity, tannins and in this case, chocolate. The acidity is very different to Bastigano, here cured, developed and dare it be said in such a young wine, assimilated. Drink this younger while ye wait for the bigger structure and high tonal Bastigano.  Drink 2019-2024. Tasted February 2019

Conti Capponi/Villa Calcinaia Chianti Classico Gran Selezione DOCG Vigna Contessa Luisa 2016 ($67.95)

The magical Gran Selezione from the old lady of a vineyard, dating back to 1959. A plot marked by Colombino rock, not quite limestone and not quite sandy Alberese. There is a character in Luisa that no other Gran Selezione displays, neither from Calcinaia or elsewhere. Done up in oak cask, 10 hL, approximately six years old and showing the ease meets power of 2016. Bravissima.  Last tasted September 2019

Now for something completely different. The Contessa’s vineyard is a lifelong dream and confounding sangiovese from which to grab attention. She’s immediately elegant and charming and then so closed. She is predicated on darkening red cherry fruit but her acidity is formidable and so the connection is severe to establish. She lingers with you for so long that you don’t know what to do because she was never really accessible to begin with. Teasing Gran Selezione, an incubus for now, but eventually you will realized the dream. FYI, the oldest estate 1959 planted Contessa Luisa vineyard was dedicated to matriarch Luisa Vonwiller. Drink 2023-2033.  Tasted February 2019

Conte Capponi/Villa Calcinaia Chianti Classico Gran Selezione DOCG Vigna Bastignano 2016 ($74.95)

A component of cement egg on top of the 10 hL, approximately six years-old oak casks brings new layers and light to Bastignano and separates it from the other two sangiovese. It also clay darkens and broods, hides in shadows and remains softer, fleshier, but also sneaky in structure. There’s less pinpointed Calcinaia character and more outside in the diaspora personality. If that splits hairs so be it though it needs saying that Bastignano is a man of means.  Last tasted September 2019

Capponi’s Bastignano is a Gran Selezione consistent and repetitively persistent to speak its singular truth. It is truly hematic, a sumptuous, oozing full-fruit sangiovese with above the left bank of the river Greve coursing through its blood. Very smooth, seamless, finely tannic and beautifully high in ripe acida. If all GS carried such acid then the category would float even higher. Drink 2021-2029.  Tasted February 2019

Villa Calcinaia Casarsa 2014, IGT Colli Toscana Centrale ($54.95)

Capponi’s varietal merlot is from the 1967 planted vineyard not realized as merlot until many years later. Fermented in cement vats and then 24 months are spent in barriques. A beast really, young at five years in ways most sangiovese are not. So much verdancy, spice, grip, grit, power and need for space, not to mention time. Drink 2023-2030.  Tasted September 2019

Viticcio Chianti Classico DOCG Vendemmia 51 2016 ($23.95)

Only two points of merlot with the sangiovese from two picks, the first of which goes here, for increased acidity. Dark floral and fruit scents for sure and some spice. Really like the mouthfeel and the acid-fruit structure. Tannins are quite easy. Drink 2019-2022.  Tasted September 2019

Viticcio Chianti Classico Riserva DOCG 2015 ($31.95)

With small amounts of merlot and syrah, it’s quite sappy and resinous. Plenty of smooth chocolate ganache, blackberry and backbone with thanks to a Galestro and Alberese soil mix filled with stone. Big Riserva. Really big. Drink 2019-2023.  Tasted September 2019

Good to go!

godello

Montefioralle #sleeper frazione

Twitter: @mgodello

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WineAlign

Feeling Panzano’s pull

During the final days of September 2019 we Canadians made our way to Toscana for a week of Consorzio Vino Chianti Classico business. While a group of road hardy cicliste e ciclisti were racing their team bikes up, down and around the Granfondo del Chianti Classico winding roads of the territory and others were taking in the sights of Firenze, I was strolling through the Sunday market, visiting with friends and pre-tasting some sangiovese di Panzano. Every time I go I find myself feeling Panzano’s pull.

Godello, Cecchini, Manetti

Panzano’s central Chianti Classico location is crucial in so many ways. Its two most famous inhabitants and native sons are the Consorzio’s incumbent President and proprietor of arguably the territory’s most well-known and respected family-run, not too large, not too small sized estate. That would be Fontodi’s Giovanni Manetti. The second is the village’s figlio nativo and world famous butcher, Antica Macelleria Cecchini’s Dario Cecchini. Panzano is also home to the Conca d’Oro and few vineyard enclaves are as prolific, scenic and fertile as this wide swath of sangiovese heaven. The frazione within Greve commune is also invisibly set upon the Greve River flood plane, positioned with stead grace and soil exceptionality.

Within Greve it occupies a centrality bordered by commune neighbours Castellina, Barberino Tavarnelle and Radda. You might actually imagine Panzano as the exact middle inside a circle drawn clockwise from Greve in Chianti (12 o’clock), to Volpaia (three o’clock), through Castellina in Chianti (six o’clock), past San Donato (nine o’clock) and back to Greve. Heart of the matter.

Panzano above the Conca d’Oro

Related – The ins and outs of Panzano in Chianti

Two years ago I wrote about Panzano and its pioneering association of producers, the Unione Viticoltori Panzano. Please click on the link above to get the full story on Panzano and its raison d’être. The original Panzano Winemakers Association was founded in 1995 to celebrate common ground and for like-minded producers to articulate the necessity and pursuit of shared interests. With the famous Conca d’Oro at its epicentre, Panzano encompasses a set of hills aboard and encircling a plateau rich in Galestro and a rather significant altitude where vineyards are planted to between 350 and 500 meters above sea level.

Breathing in the glory of the Conca d’Oro

Related – Chianti Classico’s big Raddese

Consider Panzano as a wild unknown country where nothing could go wrong, as a dividing line running through the centre of town, as a ridge slicing on a diagonal axis from Volpaia in Radda to Mercatale in San Casciano, direction Casanuove. All part of the same hill. The ridge’s particular geological composition is consistent and these atmosphera sottosuolo soils that run through Panzano are the epicentral factor in determining the type of physiology common to the sangiovese. Somewhere, somehow, that means something, to someone. It’s a savoury-sapid-saltiness equipped with acidity that makes Panzano’s a freshness not really like any other. This is especially true in Riserva and even in Gran Selezione examples. 

Panzano rocks are all in

These words about Panzano are part of a contiguous acceleration to investigate inward, to focus on the visceral isolations within Chianti Classico. This third such essay published since that September trip means there may be five or more to come in advance of the coming Anteprima and Chianti Classico Collection 2020 taking place in Firenze two weeks from today. Panzano’s story writes itself because the thread of sangiovese consistency has few if any cleaved rivals in the greater territory. Panzano’s wines stand apart with their attention to textured detail, in their ability to shine even in their youth and finally, their acumen to intuit a very straightforward and knowable set of structural values. These are sangiovese of great upbringing, etiquette and most importantly possessive of a great respect for their origins. Panzano is spoken for with great clarity by these producers and their wines.

The Cecchini experience ~ Grazie Dario, Panzano and Chianti Classico #chianticlassico #chianticlassicobootcamp

Related – Looking out for San Donato in Poggio

The following are 34 Panzano sangiovese tasted at Le Fonti, Il Molino di Grace, Fontodi and then followed by dinner at Cecchini. Many are wines I had previously tasted and some of the notes have been updated to reflect new observations. If you ever find yourself in Chianti Classico, I would imagine you’ll not be immune to feeling Panzano’s pull.

Ca’ Di Pesa Chianti Classico DOCG 2016

Ca’ di Pesa is 95 per cent sangiovese, raised in second passage barriques (80 per cent) and 20 per cent grandi botti, on average. Dark and rich, black cherry ambitious and really, really modern. A high quality vintage and goes for it, no holds barred. Lots of wood. Drink 2020-2026.  Tasted September 2019

Ca’ Di Pesa Chianti Classico Riserva Barrone DOCG 2016

Riserva is 100 per cent fermented in amphora and then moved into barriques, much of it new. Again the ambition is clear. Vanilla, graphite and everything spice. Drink 2021-2025.  Tasted September 2019

Tenuta Carobbio Chianti Classico DOCG 2015 ($37.00)

Dario Faccin’s is 100 per cent sangiovese as it will always be going forward and with an amazing acidity of 6.4 (tA). Wow is this still so youthful, even just a touch reductive, from an alcoholic fermentation at a very low temperature. Very low. Oxygen is only introduced at that very low temperature, to preserve not only colour but also aromatics. So be patient because time is its and your friend. The palate is so broad and generous but this is not a barrel tasting. This is real life. Such structure should be illegal. Drink 2021-2029.  Tasted September 2019

Because he’s Dario F-in Faccin, that’s why g-dammit! #carobbio #sangiovese #chianticlassico #panzano #galestro

Tenuta Carobbio Chianti Classico DOCG 2014 ($62.00)

From a vintage that was made for the intensity and manic work of Dario Faccin. You need to investigate so very deep to desalinate and to feel the layers peel away before getting to the crux of Carrobio’s Panzano Galestro and Alberese. Magnificent and large, balanced and massive ’14 oh my. Drink 2023-2032.  Tasted September 2019

Casaloste Chianti Classico Riserva DOCG 2016

The amalgamation of ripest, richly purposed fruit and high toned meatiness brings the great divide together between levels of the appellative period. This is what you want from a well-developed and purposed Riserva, in structure, out of passion and back into reality. Most excellent and rigorous work from Gionanni Battista d’Orsi out of Panzano. Drink 2021-2028.  Tasted September 2019

I Canadesi and I Produttori di Panzano at Cecchini

Casaloste Chianti Classico Gran Selezione DOCG Don Vincenzo 2016

An equal representation of selections from vineyards east and west, harvested and fermented separately and then brought together. Once again there is ambition and heft but balance is brought on by ripe acidities and everything resisting going to the breaches of edges. Such a fine liqueur for Gran Selezione and one to age for decades. A captured snapshot of 2015 with great structure as a frame to the picture. Drink 2021-2032.  Tasted September 2019

Tenuta Casenuove Chianti Classico DOCG 2015

The first vintage, 80 sangiovese with 15 merlot and 5 cabernet sauvignon. The sangiovese was raised in 25hL botti and the inernational grapes in tonneaux. Darker and deeper than the ’16 to come. Good acidity keeps it moving through the waves of vanilla and graphite. Drink 2019-2020.  Tasted September 2019

Consorzio Vino Chianti Classico President Giovanni Manetti, Fontodi

Castello Dei Rampolla Chianti Classico DOCG 2016 ($44.95)

Rampola’s vineyards grace the top of the northern hillsides of Panzano’s Conca d’Oro valley beneath the village. These are some of the most storied slopes in all of Chianti Classico and the castle that bears the name is one of its most famous landmarks. The richest, most glycerin liqueur that sangiovese is capable of reaching is found in this 2016 but not without accompanying acidity and fine-grained structure. Here from one of the territory’s classic rebel child houses is a formidable Annata from a glorious vintage and the kind of bouquet meets boneset that dreams are made of to last decades. It’s really quite something. Drink 2022-2033.  Tasted March 2019

Fattoria La Quercia Il Chellino Chianti Classico DOCG 2017

From a more northerly vineyard with later ripening and the cool savour is readily apparent. Very expressive, chalky tannic and not yet resolved. Will turn and fire into a terrific expression of Panzano albeit in a highly singular, off the noted grid sort of way. Drink 2020-2026.  Tasted September 2019

Fontodi Chianti Classico Gran Selezione DOCG Vigna Del Sorbo 2016 ($97.95)

Vigna del Sorbo sits in the Conca d’Oro at the southeastern end of the vineyards in clay soils dominated by Galestro and away from the Alberese of the Flaccianello sites. It’s always a refreshing meeting meaty wine but then along comes 2016. The satiating and pleasing factor is there from the start, not wanting for wondering if indeed the possibilities are there. They are in waves with bigger bones, more flesh hanging on though teasing to fall off at the slightest touch of the hand. They will not because structure keeps the meat secure even though it is so bloody tender. With acidity nearing eight on the tA scale there is every reason to believe 2016 Vigna del Sorbo will go 25 years easy, with or without the shedding on tears. Drink 2021-2039. Tasted September 2019

Fontodi Chianti Classico Riserva DOCG Vigna Del Sorbo 2010

Tasted from magnum at Cecchini with fruit wholly, ostensibly intact from a warm and grip-inciting vintage when these Vigna del Sorbo vines would have been in the 35-40 year-old range. Also from a transitional period in the climate change pantheon so therefore a time when climate was more unusual and not yet the new norm. A fruit bomb this sangiovese, juicy and bursting from a blue to black fruit year. Almost Cassis in orientation, cool truth spoken and acidity in the premium value category that lifts the wine with ease. Sip it with grilled beef and the picture is complete. Drink 2019-2029.  Tasted September 2019

Standing on the shoulders of giants #flaccianello #fontodi #sangiovese

Fontodi Flaccianello Della Pieve 2016, IGT Toscana Centrale ($147.95)

“For me this is a Chianti Classico. I’m waiting for others to cross the river together,” says Giovanni Manetti. It tastes of Chianti Classico, albeit with an ulterior profile to Vigna del Sorbo. There is a variegation of Galestro in the soil, along with Alberese, Calcium Carbonate and Pietraforte. The vineyards come down from Panzano and face an opposite direction. Flaccianello is strong and structured, meaty, floral, a compound composition of elements, minerals and the flesh of animale. It’s a big boned boy with acids and structure as a full throttle experience. Drink 2022-2037.  Tasted September 2019

Il Molino Di Grace Chianti Classico Solosangiovese DOCG 2017 ($24.95)

Drawn from Botti now at 18 months and the new plan is to extend that even further so 30 months after harvest will become 33-36 when the bulk of the wine goes to bottle. If anything is going to teach the world about the aging needs and worthiness of Panzano sangiovese and Chianti Classico, well the gentle suggestion and confident persuasion starts right here. Dusty and conversely soft, then grippy and elegant too. Drink 2021-2027.  Last tasted September 2019

Il Molino Di Grace Chianti Classico Solosangiovese DOCG 2016 ($24.95)

Very little has changed in fact ’16 has moved almost nowhere in the best possible way. Sneaky structure is there, in movements of Bach tones and the usual sangiovese brilliance, especially from these multifarious soils. Galestro, Alberese, Pietraforte, calcium carbonate. All in. Last tasted September 2019

”I think it’s a very good vintage,” announces Iacopo Morganti and that is all you really need to know, though take the time to glide along and feel the in synch moving parts. This is essential and partisan to gain an understanding ingrained of deepest knowing. There is something about this house style, this estate gathering and this layering of no-proviso, 100 per cent sangiovese. It walks you down all the way to Rimocine, down to the bottom of the Grace vinyards, looking up at San Francesco and the vines all around. This transports you to a place. Isn’t that what you want? That and great fruit, acids and fine tannin. Southeast Panzano sangiovese incarnate. Drink 2021-2028.  Tasted February 2019

Tasting through @ilmolinodigrace ~ The dramatic ’16s and super surprising ’17s. One breath of Gratius and see how it has separated from the pack. These are Panzano of sneaky grip and structure.

Il Molino Di Grace Chianti Classico Riserva DOCG 2017 ($29.95)

Wow ’17 Riserva could handle waiting until 2021 to be released. So grippy, such acidity, so much concentration and while quality is exceptional still the vintage quantities are so low. A number in and around 40 per cent of normal. Wooly tannins, so in control and very fine. Remember there was also a frost in May that decimated the vines, followed by three months of intense heat. Vineyard management and the most pragmatic, accepting and realistic team in place made sure to do everything right. “Corretta” to the nth degree. As is this organic and biodynamic Riserva. Drink 2021-2029.  Tasted September 2019

Il Molino Di Grace Chianti Classico Riserva DOCG 2016 ($29.95)

Incredible depth and richness in Riserva out of ’16, with layers of variegated red fruit not seen in these parts or this appellative wine in quite some time. The linger and the effect is all encompassing and timeless. There will be very little movement in the next three years and perhaps longer. This came to know the who, what and why from the genesis.  Last tasted September 2019

Welcome to the new world Il Molino di Grace order. Here along, after and in addition to the Annata that changes everything is a crunchy and chewy Riserva of pure, laser focus. An extension of Annata with deeper fruit and confidently brighter than most Riserva. The selection is not merely impressive, it’s necessary. The opening farewell is just the beginning of the end. The fruit sits way up on high, on a hill where acidity and tannin live intertwined, transparent and monumental. Sangiovese on its own in Riserva might need help, a little bit of support to elevate and celebrate a little bit of everything. Not this IMG. Solo suffices with ease. It’s already got a little bit of everything. Marks the first of more steps to come for an estate ready to climb into a highest Chianti Classico echelon where it wants, needs and deserves to be. Drink 2021-2029.  Tasted February 2019

Il Molino Di Grace Chianti Classico Riserva DOCG 2006

Poured from magnum at Cecchini in Panzano. It had been nearly five years since last tasted and the large format has suspended time. Still a matter of all constituent parts lifted, elevated and residing where things are haughty and high. Nigh time to drink up certainly but there is a freshness and an accumulated presence of acidity that speaks of the southeast Panzano site. If land could talk it would utter these sangiovese words. If vineyards could sing these would be the notes.  Last tasted September 2019

An ’06 Chianti Classico Riserva you say, pre-aged, delivered to the Ontario market and presented here in 2014, all in for $24? You can’t fool us. We’ve been duped too many times before. This must fall into the “too good to be true” category. The answer depends on which style of Chianti Classico you prefer. This walks all the halls, plies the trades and hits the marks of the CCR ancients. Comes from a remarkable vintage, holding on but in true advanced, oxidizing and fruit diminishing character. Mushrooms and truffles abound, as does game in the early roasting stage. A note of Brett is here too, not over the top but its presence can’t be denied. Acidity speaks, as does bitter chocolate. This is not for all but all should have a go.  Tasted November 2014

Il Molino Di Grace Chianti Classico Gran Selezione DOCG Il Margone 2017

No change in ’17 “but of course we made less.” Only 15,000 will come of it and don’t expect to see this hit the market for at least two more years. Don’t expect to drink it for three to five beyond that. The concentration multiplied by the concentration multiplied by the barriques makes for an eight digit factor. Yes this is very different than the others and the acidity too but its a magnificent specimen. Massive tannic attack. Just massive. Wait for the elegance to emerge in 2030. Drink 2025-2038.  Tasted September 2019

Il Molino Di Grace Gratius 2017, IGT Toscana

Gratius expresses the vineyard in ways the Annata, Riserva and Gran Selezione appellative sangiovese do not. This 100 per cent sangiovese reeks of the vineyard; fennel. rosemary and gariga. From the part of the vineyard at the peak of the hill where San Francesco’s hulking sculpture towers and watches over the sangiovese. Grip, intensity, signs, wealth of fruit, knowledge and portents. So fine. Drink 2025-2038. Last tasted September 2019

Only sangiovese as is the plan for the entire estate. That Panzano perfume and glycerin though there is some more weight and bones than others. Reminds of the style that’s constant from Fontodi to be honest. These are some of Chianti Classico’s finest acids, sweet and refined, They compliment and support. Drink 2021-2027.  Tasted September 2019

Pomegranates of Panzano

Il Palagio Di Panzano Chianti Classico Riserva DOCG 2015

Le Bambole is the place, the first selection of one piece of land, to have a Chianti Classico that expresses Il Palagio within the territory but more so within Panzano. Richer than some but balanced and sumptuous, big again but you wouldn’t really know it. Definite connection to Annata 2016 even if the vintage is different. And it needs time. No shocker there. Drink 2020-2027.  Tasted September 2019

Il Palagio Di Panzano Chianti Classico Riserva DOCG 2013

Particular, personal, vintage related, so Panzano. So consistent with the wines to come.  Last tasted September 2019

This services one of the more interesting aromatic entries thus far, not quite exotic but certainly different. It’s partly reduction, genesis and youth but also a certain soil plus some new barrel. Perhaps the most tannic wine tasted all day, this is way, way too young to gain any sense early of. The structural steel and petrified wood components are massive and untouchable, immovable and indestructible. There is great fruit lurking there and that soil, “under the soil, the soil, the soil, yes, deep in the soil.” So wait at least three years before supper’s ready.  Drink 2021-2029. Tasted February 2017

Le Cinciole Chianti Classico DOCG 2016 (207795, $19.95)

A floral, bright as a clear blue sky day sangiovese, 100 per cent as such and meaningful. There can be no better compliment that a Chianti Classico can pay then this. It tells you it is happy to see the warmth in your smile and the contentment in your face. That’s because it has charmed you and helped you through. It’s really that simple. Wonderful vintage and the best in modern times for Le Cinciole. Drink 2019-2024.  Tasted September 2019

The Conca d’Oro below the village of Panzano

Le Cinciole Chianti Classico Riserva DOCG Aluigi 2014

A rich and luxurious ’14 from a vintage out of which austerity might be expected. Instead there is sapidity and structure, glycerin and silken textures. Really good work, surprising or not from Le Cinciole. Drink 2019-2022.  Tasted September 2019

Le Fonti Di Panzano Chianti Classico DOCG 2016 ($31.95)

Officially still a tank sample but it is a finished wine, just awaiting DOCG approval. Very firm and juicy, replete with the classic Le Fonti aromatic profile, of salumi, fennel, herbs and salty savour. Fruit, acidity, structure all there in fineness and Panzano culpability. Needs a year to come together, at least, for sure. Essentially 90 per cent sangiovese give or take a point or two with merlot and cabernet sauvignon. Drink 2020-2027.  Tasted February and September 2019

The vineyards of Le Fonti

Le Fonti Di Panzano Chianti Classico Riserva DOCG 2015 ($44.95)

Two years in the barrel (400 and 500L, one is Hungarian Kader), again approximately 90 per cent sangiovese and the new wood in ’15 was in the 20 per cent range. Here comes that Le Fonti aromatic profile again, as distinct as any sangiovese you will ever nose. Would like to think they could be picked out of a line-up anywhere. Savoury, salty, cured, elegant and pure pleasure available. The quietest 15 per cent alcohol anywhere and from the coolest part of Panzano, to the east. Drink 2021-2028. Tasted February and September 2019

The vineyard was hit hard by the frost and so only 24,000 bottles were produced, as opposed to the normal number at 55. There’s great freshness especially for ’17. That said the heat stress was not an issue because the right rootstock, the organics and the it factor gave away what was wanted and what was needed. Bright, effusive, even if 2017 offers just a bit less of the place than usual. It’s ultimately elegant and balanced. Drink 2019-2025.  Tasted September 2019

Renzo Marinai Chianti Classico DOCG 2016

Of 90 per cent sangiovese with 10 per cent cabernet sauvignon. From 8.2 hectares in the Conca d’Oro. 35,000 bottles produced, maximum to 40 in the next few years. Organic since the beginning, in the 90s. Same beauty on display as noted back in February 2019.  Last tasted September 2019

One step closer to a deep, deep understanding is where Marinai has arrived with this welling, oozing and fully rendered Greve sangiovese. There’s some true depth and fullness to this fruit and this constitution, not to mention architecture. Certainly filled with warmth and spice for the lovers here. Drink 2020-2024.  Tasted February 2019

Once again the same 90 sangiovese with 10 per cent cabernet sauvignon mix, an extra six months in bottle with some barriques. More of the same, an extension from the Annata and with great consistency. Two peas in a pod. In Riserva the notation is a big wine, of big oak and with big plans that will take quite some time to unfold. Drink 2021-2028.  Tasted September 2019

Tenuta Di Vignole Chianti Classico DOCG 2016 ($23.95)

Bought in 1970 and 11.5 hectares planted, jut over half of the estate. A warm, rich and heady sangioivese with 15 per cent merlot. Liquid chalky from French oak on the merlot and very textured. Drink 2019-2022.  Tasted September 2019

Cecchini

Tenuta Di Vignole Chianti Classico Riserva DOCG Campicaia 2015 ($44.95)

Sangiovese blended with cabernet sauvignon in a Cassis, resiny and sappy Riserva. Plenty of ripeness, richness and ambition. A modernity not always witnessed. Could be Napa cab and a good one at that. Drink 2019-2022.  Tasted September 2019

Vallone Di Cecione Chianti Classico DOCG 2017

Sangiovese with 10 per cent canaiolo, eight months élevage. A slight wet wool note though just slight and blended delightfully into the glycerin fruit and high reaching acidity. Just what Annata from Panzano needs to express, light, bright and naturally curated. Drink 2019-2021.  Tasted September 2019

A completely new floral approach to Annata, of flowers and herbs specific to the place though not necessarily a stretch to imagine the aromas like Balinese or Vietnamese exoticism.  Last tasted September 2019

Vecchie Terre Di Montefili Chianti Classico DOCG 2016

Talk about exotics. The aromatics are all perfume and spice; cinnamon, clove, liquorice, star anise and Szechuan pepper. It’s a veritable Pho broth in Greve in Chianti, sangiovese clothing. The barrel is an obvious influence but the fruit remains lightning quick and culpable for place. I find it a bit thin and lean for 2016 so it’s a bit of a disparate accumulation. Drink 2021-2025.  Tasted February 2019

Rock of Panzano

Vecchie Terre Di Montefili Chianti Classico Grand Selezione DOCG Vigna Vecchia 2015

A vineyard planted in 1982 and a matter of big barrel élevage. Lovely savoury and brushy perfume again, hyperbolized and extended to extenuating GS style. Lovely texture and mouthfeel. This is the way of connectivity to the land and the place. Drink 2019-2022.  Tasted September 2019

Good to go!

godello

 

Twitter: @mgodello

Instagram: mgodello

WineAlign

Nineteen mind-blowing wines of 2019

1964

Tout vient à son heure pour qui sait attendre, wrote Clément Marot, Renaissance poet. Everything comes at its appointed time. From Cahors to Turin. War, peace, hate, love, fruit, acid and tannin. Wine is all about the pauses and the balances. At its core the value is in that feeling of things being natural and equal. That’s the way it should be. When you drink you enjoy what you have, without competition. One sensation after another. You feel like you have more, even if you have less. Like consomée with just a chop of vegetables.

Welcome to Godello’s annual list of the most conspicuous, head-turning and psychotropic moments, better known as his 19 mind-blowing wines of 2019. Godello first initiated the concept for a year-end culminating evaluation in 2012 though did not actually coin the phrase until publishing his 14 mind-blowing wines of 2014. Call it the sixth or the eighth but who really cares because the wines are the crux and the heart of the matter.

Related – Eighteen mind-blowing wines of 2018

Related – Seventeen mind-blowing wines of 2017

Hard to know how many wines he actually tasted in 2019 but the best guesstimate would be 2,500 because that is how many reviews have been posted to WineAlign in this calendar year. A couple hundred were for wines tasted in 2018 but the editing and posting of at least that many for wines tasted in 2019 have yet to become permanent. So the number is pretty close, one way or another.

There were at least a few dozen stellar and jaw-dropping wines that should of, could of, would of made this list. For every one chosen another was left behind for no reason other than necessity and its relationship to the mother of invention. These images exhibited are but a few that had every reason to be one of 19’s 19.

Related – 16 mind-blowing wines of 2016

With thanks to everyone who poured a glass. The producers, winemakers, export managers, friends, colleagues and pirates, please be encouraged and read on. Godello’s 19 mind-blowing wines of 2019.

AB Wines Opçāo Avesso “A” Vinho Verde 2016, Portugal

From winemaker/oenologist António Sousa’s personal label (with partner Bernardo) and a vineyard planted in 2003, in Amarante. These are avesso grapes just a few years away from what António considers the optimum age, when they reach 18 years, 10 years older than the age from which they begin to deliver excellence. This A is in position A, from a perfect vantage point out of a very good vintage. This is the role model and exemplar for avesso, from a project that began in 2016, with all the adjunct components in line; lemon, lime, orange, ripe acidity, juicy nature and just a minor creamy, fleshy and boozy happiness. Great balance. Drink 2019-2025.  Tasted October 2019

Marco Felluga Russiz Superiore Tocai Friulano Collio DOC 1997, Friuli, Italy

So remarkable, from the old messaging in the riesling/tocai bottle, stricken from the consorzio record. This is now a wine bottled in Bordeaux style but this look back 20-plus years shows freshness, spirit and only the beginnings of secondary character. Gassy and lemon intense, a near-perfect example of what was and could be, of how aged whites of Collio can keep freshness and the saltiness of place. All thjis and without crazy acidity. That is the conundrum and the magic of Collio. The persistence is romanticism incarnate with fruit oozing out of pores in great remain. Drink 2019-2021.  Tasted May 2019

Goisot Gulhem Et Jean Hugues Gondonne 2017, Bourgogne Côtes D’auxerre AOC, Bourgogne, France

A soil of kimmeridgian and marl, of white and blue, with great layering of fruit and that is in fact what you feel from Gondonne. There is something rich and overtly expressive here and while it’s anything but simple it could be imagined that so many consumers would understand this chardonnay, love it and want to drink it with abandon. That said the structure, goût de terroir and joie de vivre are just exceptional. The wood and the land just melt right in. Drink 2020-2029.  Tasted November 2019

Ken Forrester Old Vine Reserve Chenin Blanc 2007, WO Stellenbosch, South Africa

These Helderberg vines would have been 33 years of age at the time and to think the wine would have cost $10 or so. Now 12 years later we’re graced with this hyperbole of toast, smoulder, lit paraffin and the edge of saffron honey. It’s hard to believe and this the from the tier-two, non-selected grapes at the back of the line behind a Forrester wine like the FMC. Nothing less than incredible. Drink 2019-2021. Tasted October 2019

Ornellaia Bianco 2016, IGT Toscana Bianco, Tuscany, Italy

The Bianco was first introduced in 2013, following fast forward to the original 1980s and 1990s work with Poggio alle Gazze dell’Ornellaia. That project had been abandoned because says Axel Heinz “stylistically it just wasn’t right.” That wine was mainly sauvignon blanc on one of Ornellaia’s great vineyard sites. What was wanted was something more than a varietal wine and a new age of finding vineyard sites that were more than merely good for white wine. That means making use of northern slopes and those blocks favourable to whites, including the use of (indigenous) vermentino and viognier. The practice had already been proven with success by colleagues. Bianco is the alter ego to the Rosso, priced as such “and reflects the spirit of Ornellaia, but it had to build itself up to that premium level. We intend to make one of the great white wines of the world,” explains Heinz. That may sound like bragging swagger but the reality is that experience, acumen and especially confidence breed the truth. I Bianci are aged for 12-15 months in (30 per cent new) barriques before bottling. I do dare you to find a wine that smells anything like this Bianco. They are flowers unnamed or perhaps not yet discovered. The flinty reductiveness is also truly and wholly unique. Though the way sauvignon is raised and the place are surely not the same, the Bordeaux styling and sensibility of affinities are more than uncanny and even served by purpose. The vintage brings great maturity, fruitiness and salinity. Fruit presence under the spell of fleur de sel. Nothing but a brilliant combination. Says Heinz without equivocation, “it’s a benchmark for us, ’16 that is.” Drink 2020-2031.  Tasted March 2019

Domaine Bouchard Père & Fils Chevalier Montrachet Grand Cru 2017, AOC Bourgogne, France

The couverture is all encompassing acting as a full sheathing tapestry in surround of a fruit core of sheer concentration and yet as a whole so understated. It’s hard to imagine more coaxing and less pronouncement. Relatively speaking there’s no estate equal to what has happened here. Great mineral crash into life and love, into fruit and impossible acidity. A magnificent chardonnay with 25 years of life ahead. Drink 2021-2039.  Tasted September 2019

Adelsheim Pinot Noir Boulder Bluff 2015, Chehalem Mountains AVA, Oregon

From a steep, southwest facing site and picked really early, especially in the warm 2015 vintage. Again the confluence of vineyard conflagration of more than one soil type leads to an estate stylistic but let’s face it one that is bent into shape by focus and precision. There is great generosity and freshness, again in spite of or despite the hot vintage. More floral from this bluff and bigger, albeit finer quality signature tannin from this neighbourhood, with more thanks to basaltic blocks. Long ageing surely ahead with fruit turning to bramble, at times. Drink 2021-2028.  Tasted April 2019

Tenute Bosco Etna Rosso DOC Vigna Vico Pre Phylloxera 2015, Sicily, Italy

The litheness of this nerello mascalese from Mount Etna off of 100-plus years of age pre-phylloxera vines cannot be over-stated or overstressed. The light, ethereal beauty of this wine may very well transport you to a place, to a vacuum within a bubble that is a hidden world inside a biodome. Few words are available when a wine speaks to you such as this Vico does to me at this time. This impossibility of such fruit concentration is also implausibly understated, as are the tannins and the acidity, yet all align and intertwine along a perfectly rendered line. You recognize the automatic brilliance, for the people and from the place. You just know it when you taste it. If you can find this wine, if you ever get the chance to purchase a bottle or two, you owe it to yourself to act, for you and for anyone you might happen to share it with. Drink 2019-2035.  Tasted May 2019

Donnafugata Mille E Una Notte 1996, DOC Contessa Entellina, Sicily, Italy

An arch classic from Sicilia sud Occidentale and more specifically Tenuta Contessa Entellina. Of the oldest wines this is one of the highest tonality, not unlike older and older schooled nebbiolo from Barbaresco, in a queen’s throne sort of way. There is siply no way to argue that this wine did not deserve to be aged this way and to be waited on for such a moment of appreciation. Age worthy and load management indeed, with every resolution hoped for and expected. Brilliance and a benchmark, with a half decade of life still ahead. Drink 2019-2026.  Tasted May 2019

Scarpa Barbera d’Asti DOC La Bogliona 1996, Piedmont, Italy

At 23 years you just have to launch yourself headfirst into the blood orange. That this piece of barbera wow factor happened before the year 2000 is the thing, especially because climate was very different. Rain fell often and slowly through the year, as opposed to the deluges of globally disaster-orchestrated today. Higher acidity simply speaking and this of the great lean, salty and direct-fitted pieces of barbera composure. Still fresh with dried fruits and low alcohol (at 13.0 per cent declared) but who knows which way the marketing directed labelling in those days? More than a lovely look back. Educational, instructional, cerebral and mind-bending from the lesser appreciated Piedmontese sector. Drink 2019-2024.  Tasted December 2019

Maison Roche De Bellene Charmes Chambertin Grand Cru 2012, AOC Bourgogne, France

Do not adjust your set. The vintage brought everything to the table and while the foreground presents a picture crystalline and transparent the entirety of the frame is frozen clear. As for the aromatics this teases a meaty cure like few other and teases as if by the ambience of a cave, restricted of access, hiding what lurks, hangs and excites. Crunchy to say the least, layered to say more and complex to speak the ultimate truth. Magnifique and still twenty years away from the beginning of the end. Drink 2022-2037.  Tasted September 2019

Domaine De La Pousse D’or Pommard Premier Cru Les Jarollières 1964, Appellation Pommard Controlée, Bourgogne, France

Calling this 55 year-old Bourgogne Premier Cru a piece of history is not enough to do justice because family, lineage and the passing of the generational torch beyond domaine lines are everything that matters. Nicolas Potel pulled this one out of thin air and not merely by a human ability to disappear and reappear. No, Nico chose the way of disapparating and then apparating (in the wizard sense of “apparition,” a magical form of teleportation). His father Gérard’s ’64 was in his hands and a great big, merde-eating grin was posted all across his face. Les Jarollières is a 1.44 ha plot of marl and calcaire and even today half of the plantings are those that were fitted in 1925 and 1962. It was Gérard Potel who resurrected Domaine de la Pousse d’Or to its glory and in 1964 he acquired the domaine through a marriage to the then owner’s niece. Along with Henri Boillot this cru has been famous being meaty, earthy and owning an ability for supernatural integration. This 1964 had taken all that, everything and more, left nothing in the vineyard and had now become the epitome of the ethereal. The fruit was fully intact, so bloody strawberry, still with lightning quick reflexes and able to pour fresh glasses of spirit and energy over the course of a full hour. The experience was a once in a lifetime type, a shared moment and the kind to create a banked memory that will always be generous when a good one is needed. Thank you Nico. Drink 2019-2024.  Tasted December 2019

 

I Fabbri Chianti Classico DOCG 2000, Tuscany, Italy

At the time it was labeled as an (Annata) Chianti Classico though it was really Riserva. Yes it has evolved but 18-plus years should have moved it much further along. Carries a spice like the exoticism in resemblance to 2006 but this is something other. Still some very fine, present and notable acidity. Amazing purity, honesty, luck, circumstance, place and gentile personality. The sapidity is there again and the age ability nothing short of remarkable. Drink 2019-2021.  Tasted February 2019

Volpaia Chianti Classico Gran Selezione DOCG Il Puro 2015, Tuscany, Italy ($150.00)

Il Puro takes her purity to another level in 2015 with fruit so silky fine and chalky tannins integrated into liquid even finer than that fine. The accumulation is just impressive and the charm meeting grace even more so than that. The Mascheroni-Stianti family has really found a stride in this GS to explain why it exists and how it can make many people happy. The structure here will take this through two or three decades of unfolding. There is a house record to prove it, ironically regardless and in spite of the bottle’s name. This is sangiovese. Drink 2023-2037.  Tasted February 2019

Le Chiuse Brunello Di Montalcino Riserva DOCG Diecianni 2010, Tuscany, Italy

“A muscle vintage, of huge character,” tells Lorenzo Magnelli. The name of the wine is Diecianni to tell us that Lorenzo’s Riserva is not released until the 10th year. Brings about all the complexities that come from such an extended elévage. Tobacco, savour, forest floor, frutta di bosco and frutto secco but don’t be succumbing to depths and sottosuolo because the freshness persists. A wine so wise beyond its years, like its maker. Sure you can release a Riserva one year after Annata but when it has been protected and taken care of for you then it presents as it was intended to. We are thankful for the triage and the investment on our behalf. The fruit persists with great natural sweetness out of 2010. Drink 2019-2035.  Tasted October 2019

Conti Costanti Brunello Di Montalcino DOCG Colle Al Matrichese 2015, Tuscany, Italy

Andrea Costanti is convinced this is a great vintage. “One of the best.” The weather was perfect following a beneficial cold winter. The harvest was early but not compromisingly so and it saw no hurdles, obstacles or intendments. The barrel use is bigger, older and wiser. This is the sort of concentrated Costanti that speaks to the 2019 philosophy, of acidity, ripeness and balance. Time on skins was about a month (including two weeks of fermentation and oxidation introducing délestage) and no protective sulphur. There is a control in this sangiovese, a powerful restraint but more than that, more so a calm, but not before storm. Finesse, grip and beauty, like a statue of a stag, in a courtyard, lit by moonlight. Tannins are all pervasive, fully stated, yet to feel a necessity for attack. They will and we will retreat, Then we will advance, with caution, further to find full pleasure for two decades. At the very minimum. Drink 2023-2039.  Tasted February 2019

Le Ragnaie Brunello Di Montalcino DOCG Vigna Vecchia 2015, Tuscany, Italy ($177.00)

Planted in 1968 and from a warm vintage all the way to the end, into October. Riccardo Campinoti is smiling wryly, knowingly and confidently after he pours and begins to speak of it. “The longer you waited the riper it became” and the healthy grapes allowed for hanging to mid-October. Deeper and of more sponge-soaked earth in the old vines with a higher tone juxtaposed against the depth drawn by long vine roots. The aromatic complexities run, jump and ride off the proverbial charts and you may find yourself drunk and mystified just from the smells. Once you gain palate entry you are hooked and then you climb in, headfirst, unencumbered, no strings attached. A tour de force beloved of sangiovese, Montalcino and old vines. Vigna Vecchia is the epitome of a true structured wine, one which does not grow old, despite the passage of time. Drink 2023-2039.  Tasted October 2019

Antiche Cantine Dei Marchesi Di Barolo 1990, Barolo Riserva, Piemonte, Italy

A grande dame or marchesa in the parlance of these woods, a nebbiolo of persistence, resilience and strength of character. Initiates contact with the past and a contract with tradition by way of the things that matter most. Family for one, roots dug into the earth second and the vineyard’s tongue, if it were able to speak. The overall gist in the parlance is heard and even understood although the dialect is hard to decipher if you are not of this place. This 1990 is found to be of high though level tempered energy and then with an ear, a nose and a soul so close to the earth. Smells like the soils amalgamated, preserved and demonstrated through the tempered liquor of a wise old 29 year-old nebbiolo. So much more than a piece of the past, this is an auguri gathering of storytelling, kin, culture and DNA. You must pay thanks for a chance to taste a thing such as this. Drink 2019-2033.  Tasted December 2019

Gaja Sorì Tildìn 2016, Barbaresco DOP, Piemonte, Italy ($810.00)

Angelo Gaja sees 2016 as a perfect vintage in Barbaresco and the one from which climate change is viewed with great irony in the wink-wink guise of parenthetical thanks. That means the cosmic and astronomical alignment makes for wines that are both pleasant in their youth and also impossibly structured to age. Named for the sunny position of the slope and Mr. Gaja’s grandmother Clotilde. Now the clay and the calcaire have conspired, along with the purchased land of which Clotilde was custodian and in how she pushed her husband to make great wine. The vines are now on average 50 years-old and the composition meeting aspect bring a depth of complexity as poignant as it gets in this tiny part of nebbiolo production. All the flowers, rocks and elements are contained within the interior walls of this gently forceful Langhe red. It mimics the matriarch by the strongest power of suggestion and will not take no for an answer. Perhaps never will. Drink 2025-2045.  Tasted December 2019

Good to go!

godello

1964

Twitter: @mgodello

Instagram: mgodello

WineAlign

Spotlight on South Africa in VINTAGES August 6th

South Africa’s South Coast

as seen on WineAlign

Rosé all day, an absence of whites, reds in Portuguese, French and Italian dress plus choosing South Africa like falling off a log

It has been nearly a year since I last visited South Africa and every time VINTAGES rolls out an easily managed thematic collection of wines from that great country the heart swells and memories flood back into the brain. The powers that be within the LCBO’s New World buyers’ department do their finest no sweat work and narrowing down when it comes to Western Cape collections, surely witnessed and proven by the duck soup choices made for both the July 20th and August 6th releases. But we can’t lay too much emphasis on their easily accomplished selections as being the be all, end all reason for the successes. Producers are fortunate to work with exceptional terroir that includes dozens or more old vine blocks in many Cape nooks and transversely the Ontario purchasing choices are so numerous it’s like shooting fish in a barrel. The winemakers adage of “just don’t mess it up” translates into kudos to the buyers for getting things right. The fact is South African wines are of such high quality across varietal, producer and regional lines they speak for themselves and do so with great heart.

What do you do with the Swartland Swingers? Lawn bowls in Malmesbury of course

Related – Heritage and diversity in South Africa

Which brings me to what struck so strong in September 2018, straight to the heart and without equivocation. Heritage and diversity are the country’s two greatest strengths. Sure as a circle will turn you around there is this third tangible and credible something that seems so unmissable about South Africa and South Africans. Resilience. Neither politics, nor conflicts between and in the oppression of peoples nor drought can deter the farmers, workers and producers of this nation. The human condition mimics its heritage vineyards planted to century-old varieties, to perpetuate and to persevere. This is the South African way. And it is the wines that are exceptional in ways that require great levels of explanation.

Over the last several centuries grape varieties were brought, expatriated and forced into the blending of exile. No peoples should ever be de-humanized nor taken for granted and neither should wines be quietly dismissed. With each passing varietal situation time has been sublimed and wines produced in South Africa teach us that they simply are not examples of minor beverages. It has taken place in the heart of agriculturalist and winemaking ability, to change small things and see greatness in ascension to that which is simple, authentic and refined. It’s a matter of having felt sensations introduced into the absurdity of our lives.

We begin with some wines tasted and assessed back in September 2018. These are a cross-section of what the country’s makers do best, some unknown, others better known and collectively they act as examples in performance at the highest level.

Fourteen South African producers and wines you need to know

A. A. Badenhorst Chenin Blanc The Golden Slopes 2017, WO Swartland (WineAlign)

The Golden Slopes is chenin blanc planted on granite hillsides, vines in the 80-ish years of age and this surely has much to do with the paradigm of success predicated by a focus on texture. Remarkable heritage vines on the Badenhorst for which Adi is able to seek, measure and play. Like the Secateurs it is indeed all about texture but here, this is something other. Conatus. The Golden Slopes are marked by intense and impressive warmth, lees and the effects of managing lost acidity. Adi finds a way for them to be kept by the moments gained in flesh and layers. Old vines do what the young and inexperienced do not. They achieve an innate inclination, in this case for chenin blanc to continue to exist and enhance itself. Drink 2019-2027.  Tasted September 2018

Craven Wines Syrah The Faure Vineyard 2017, WO Stellenbosch (WineAlign)

Like the sister Firs this Faure Vineyard site is also 21 years of age, east facing towards the Heldeberg, with rocks in the soils. The name is more than familiar to Jeanine Craven, who was a Faure before she merged with Mick. What really separates this place is the marine air, three kilometres from the sea, as far as the African Black Oystercatcher flies. Again the planning involves whole cluster pressing and on skins seven days, to make pure syrah. Separated by 15 kms the Faure is antithetical to the Firs, salted by the sea and of a furthered intensity in a different form. It’s near searing, linear, grippy and with acidity lifting everything. Really juicy, pushed by a wow factor, clean, no funk and so much spice. Drink 2019-2027.  Tasted September 2018

David And Nadia Wines Chenin Blanc Hoë Steen 2017, WO Swartland (WineAlign)

One of two single vineyard explorations from the Sadie’s work is this 1968 steen planted in deep soils to the west, towards Darling. This fourth vintage is a demure of chenin blanc’s deepest, richest and most glycerin textured possibilities. Time and a warming in the glass causes this floral emergence in a spiced space time continuum usually reserved for white wines like Condrieu. But this is entrenched in heritage steen genetics, not viognier and the acidity is all local, parochial and fine. The complexities are circular by nature, in rotation and encompassing all that we hold sacred for Cape wines. Takes hold of your mind and controls your breathing with its life affirming energy, like an invisible blanket wrapping you up in the desert, at night, under stars. Total production is 45,000 bottles. Get some. Drink 2019-2028.  Tasted September 2018

Hamilton Russell Vineyards Pinot Noir 1997, WO Hemel En Aarde Valley (WineAlign)

It was 1997, a point 10 years deep into the Hermanus pinot noir investigations and what Anthony Hamilton Russell called “the year the Dijon clones kicked in, or at least the use of them.” This is seemingly more evolved than that ’86 if only because the über ripe fruit may have baked a bit in the sun. Tastes so old school Beaune now with a cane sugar-cocoa-vanilla trilogy of development. Powerful pinot noir now in the throes of its soporific times. Drink 2018.  Tasted September 2018

Huis Van Chevallerie The Hummingbird Colibri Kap Klassique 2017 (WineAlign)

The Hummingbird is composed of 70 percent viura with chenin blanc from Christa von la Chevallerie’s Nuwedam Farm in the Paardeberg. The first viura as far as we can tell in South Africa, a Spanish grape variety not very high in acidity picked up and elevated by the chenin. This first vintage kick at the sparkling can in a Cava style is mostly 2017 fruit, in bottle 12 months so very much adhering to a Cap Classique model. Christa thinks both outside the box and the varietal groove with this textural beauty and so its moniker naturally importunes as Kap Klassique. As a bottle of bubbles it offers a forward rush of life, crystallized in a brilliant jewel of a moment. Drink 2018-2022.  Tasted September 2018

Ken Forrester Wines Chenin Blanc The FMC 2004, Stellenbosch (WineAlign)

FMC, as in Forrester (Ken), winemaker Martin Meinert and chenin blanc. Here looking back 14 years to a time when they and only a handful of others had the true understanding of foreshadowing as to what the signature grape variety could become for South Africa. That is why they set to making this highly specific and purposed example. From a single vineyard, then 34 years old (now pushing 50) and the eighth vintage, by 2004 fully commanded stylistically by its makers. Barrel fermented and bloody rich, still viscous, now so honeyed and lit like a candle in a cool cave. A true original, like the Ford Motor Company, a female main character kicking butt in an action film, FMC. Drink 2018-2021.  Tasted September 2018

Lismore Chardonnay Estate 2017, WO Greyton (WineAlign)

From the Cape’s south coast and Samantha O’Keefe’s Greyton Farm down a dusty road. The Estate sees 500L barrels, 35 per cent new and is a best fruit selection cuvée. It’s also about the ferment “to keep a limey tension,” tells O’Keefe, so it’s really about the combination of the two. Like the “normale” the orchard fruit persists but here there are stone fruits joining the apples and now the grip takes hold. If the other needs a year in bottle this “Reserve” could entertain three. In quite an awe-inspiring way it travels to and fro on a Meursault-Marsannay line, of high construct and palpable intensity. I’d wait the three for the grace and beauty of its future. Drink 2020-2027.  Tasted September 2018

Momento Wines Grenache Noir 2017, WO Western Cape (WineAlign)

There are some South African winemakers who just seem to intuit what grenache is capable of realizing comme il faut from a Cape raising. Marelise Niemann is one of a select few who have mastered the art and science of grenache pulmonary resuscitation. Hers is 90 per cent Paardeberg and (10) Voor Paardeberg, so not labeled as such. “The most important red grape in South Africa,” she says with varietal diffidence and I will not be one to argue. Not with Marelise. These are bush vines, all itching to succeed off of decomposed granite. These vines scratch and claw their way out of the aridity and the adversity to gift a purity of fruit and very special tannins. Pretty and with a level of tension seen in its face, after some time on skins and a natural ferment crawled out of whole bunch pressings. Spiced and spicy, demurred, matured in old oak 16 months, wise, mature and nurturing. Drink 2019-2024.  Tasted September 2018

Mullineux Cape Winemakers Guild ‘The Gris’ Sémillon 2013, WO Swartland (WineAlign)

This was the year Andrea Mullineux began working with this rare and certified by the Old Vines Project sémillon gris from a 1960 planted (just 2 kms away from the chenin blanc), heritage dry-farmed plot grown on the granite soils of the Paardeberg in the Swartland. Only a few blocks exist anywhere and in 2014 some of this fruit began to augment the Mullineux Old Vines White. It is what Andrea calls “a project of the jumping gene.” It’s like a varietal ride on a pogo stick, in colour from pale like colombard to dark as cinsault. A citrus attack like no other and subjugated to the lush manifestations of skin contact. Still so flinty-smoky, lean and yet of a texture like an emollient of florals keeping the wine moist, fleshy and flexible. Though not the saltiest of vintages this gris is in complete control of its phenolic emotions. It’s also blessed of this unreal incandescence. Wholly unique in every respect. Drink 2018-2026.  Tasted September 2018

Paul Cluver Pinot Noir Seven Flags 2015, WO Elgin (WineAlign)

The most floral vintage of the Seven Flags and the first with clones 115 and 667 brought into the blend. This to create new concepts and levels of complexity with vines old, new and next level involved. The intermixing leaves us with a sensation involving many layerings; fruit, acid and structural. The fruitiness and fresh flower gatherings presents an aperture of severe harmony and adds up to a bunch of aesthetic yeses. Give it a year or two to integrate. Drink 2020-2027.  Tasted September 2018

The Sadie Family Palladius 2016, WO Swartland (WineAlign)

Palladius is the quintessential spear brandishing South African appellative blend with more varietal diversity than an oenology department’s nursery. It holds chenin blanc, grenache blanc, marsanne, sémillon, sémillon gris, viognier, clairette blanche, roussanne, verdelho, colombard and palomino. No one does varietal interaction and trickery like Eben Sadie. No one. The ’16 is a wine of mixed tenses, the whole echelon and the black hole in the sun. Fruit comes from eleven different blocks all on granites, some from the Riebeek-Kasteel side. Ages in clay amphorae and concrete eggs, then racked into foudres, “to bring it all together.” Palladius holds a casual disregard for synchronizing fruit, acid and extract verb tenses in the way it uses a conditional interrogative without the proper structural order. It’s a wine of fine and unfair intensity, iconic, wise, learned and all for good reason. Imagine this to age well beyond its 15th birthday. Drink 2019-2032.  Tasted September 2018

Savage Wines Syrah Girl Next Door 2017, WO Coastal Region (WineAlign)

Though the négoce roaming transverses the entirety of the Western Cape, sometimes you just go home again. This as small as it gets Girl Next Door resides and is raised out of a 0.38 hectare Noordhoek vineyard, “the weekend hobby vineyard,” as Duncan Savage would put it. A block of great clichés, “the home garden,” or at least close to home and certainly “a work in progress.” The developing plot is a mystery wrapped inside an enigma within a narrative that currently fashions a wine to speak of a long term vision. In these first chapters it is already doling dark and mysterious, rich and silky, highly meaningful fruit. How this can’t turn into one of the great epic novels of Western Cape lore is beyond you and me. Home is where the heart soothes then savage beast. Winemaker and syrah. Drink 2020-2026.  Tasted September 2018

Silwervis Cinsault 2016, WO Swartland (WineAlign)

A single-vineyard is the source and a unique one at that for the Swartland because here is the spot where the decomposed granite of the Paardeberg begins to meet the northern slate. Paardeberg cinsault. If you are not yet familiar with this lovely beast it’s high time you got stoned on it. A varietal echelon rebirth eschews decades of French mistakes and enters into a revolution. As I noted from the ’14, it’s also a revival, a saving and a reformation. Having made itself a home in the Swartland now cinsault can create its own narrative, re-write the book and speak of the terroir. Transparency is truth and in a tightly wound, uniquely tannic way this curls tart and cured meaty filaments around a paradigmatic red fruit core. It’s bloody caesar delicious. Drink 2018-2022.  Tasted September 2018

Van Loggerenberg Wines Kamaraderie 2017, WO Paarl (WineAlign)

Just the second vintage of Lukas van Loggerenberg’s Kamaraderie is a chenin blanc from a 1960s planted, two hectare single-vineyard in Paarl. Lukas picks the bottom of the slope first and the top many days later so there is this natural layering of fruit. Reeks with reminiscence, of fennel and pistachio, of fronds and gelid cream. Only 800 bottles make this one of South Africa’s rarest chenins raised for 10 months in old barrels, unstirred, shaken or allowed to visit with the malolactic king. There’s a dissolve of delicious citrus seamlessly streaked through fleshy fruit in what is just such an organized and structured chenin. Finishes with the brine, oh the brine. Drink 2019-2024.  Tasted September 2018

Stellenbosch Braai

In VINTAGES

While the August 6th VINTAGES is chock full of stalwart South African wines it bears repeating that July 20th also gifted some worthy picks. The list below takes a page out of each book.

South Africa picks – August 6th Release

651711, Cederberg Chenin Blanc 2018, WO Cederberg ($18.95)

Michael Godel – Next level chenin blanc from the Cederburg appellative specialist, so very herbal, lime driven and smart like dry riesling in a Rheinhessen way. Terrific acids lift and elevate the lime and tonic flavours. Most excellent arid example with a dried herb finish.

652867, House Of Mandela Phumla Pinotage 2017, WO Western Cape ($21.95)

Michael Godel – A pinotage that bridges the twain between old school and necessary modernity, with plenty of wood induced chocolate and some mocha but also quality varietal acidity and tannin. Rich, unctuous and spirited to the thriving point of attack.

355438, De Wetshof Finesse Lesca Estate Chardonnay 2018, WO Robertson ($24.95)

Michael Godel – Lesca’s fruit is drawn from three vineyards in Robertson notable for their predominant soils of limestone and chalk. Great work from the De Wetshof bros who just allow this grape variety to shine on, be explicit and act of its very own accord.

651810, Spier 21 Gables Cabernet Sauvignon 2014, WO Stellenbosch ($39.95)

Michael Godel – From the extraordinary Annandale Estate in Stellenbosh Spier’s is very peppery cabernet sauvignon with a distinct local touch of glare and flare. Steely exterior, massive fruit and and such a bloody lekker South African. Long and juicy. Who says you can never go back to old school.

South Africa picks – July 20th Release

698274, Rustenberg Stellenbosch Chenin Blanc 2018, WO Stellenbosch ($14.95)

Michael Godel – Rustenberg continues to prove that it qualifies for top varietal value specialist out of Stellenbosch by pumping out pop hit after hit and this chenin blanc is no exception. Fruit riper than many, mild spice meeting wafts of vanilla and more than its share of lees-effected texture. All around right and proper.

698290, Bellingham Homestead Shiraz 2017, WO Paarl ($18.95)

Michael Godel – Deep, dark, handsome and peppery shiraz here from Stellenbosch with a syrupy confection and plenty of energy on the flip side. Really drinks like a bigger, more expensive and chic wine.

Best of the Rest for August 6th

498535, Malivoire Vivant Rosé 2018, VQA Beamsville Bench, Niagara Escarpment, Ontario ($19.95)

Michael Godel – Canada knows Rosé but Malivoire really knows Rosé. Vivant may be there between entry-level and cru but it’s done up so right, light but too much so, gently expressed but enough that fruit gets through and shines bright as if picked just there. Salinity strikes through without splitting up that fruit, like a main vein bringing oxygen and essential nutrients like blood to the mind. Last tasted July 2019.

668335, Argento Reserva Cabernet Franc 2015, Mendoza, Argentina ($15.95)

Michael Godel – Argento is from the owners of Uruguay’s Bodega Garzón, Chianti Classico’s Dievole and Montalcino’s Podere Brizio. A year past the freshest time in its life but cool, savoury and without too much barrel overtake (thanks to second and third passage wood). Well-worked and solid to be franc, true to place, now chewy and offering proper value.

667527, Château De Montguéret 2017, AP Saumur, Loire Valley, France ($17.95)

Michael Godel – Ostensibly the driest and purest form of chenin blanc from Saumur with the Loire’s post-modern take on the Western Cape, in a way though without pungency, pepperiness or glucose inflected texture. This is dry as the desert, tart, tangy and intense. Needs some richness in food to make all ends meet.

964221, Le Volte Dell’Ornellaia 2017, IGT Toscana, Italy ($29.95)

Michael Godel – Welcome into the Ornellaia range by way of the second wine that has never shown even a modicum of compromise. Hot vintage but acidity is strong and true while fruit stays cool, seasoned and reasoned, There’s a real meatiness to this ’17 and a lovely sense of salumi cure. Once again an educational tool for Bolgheri and Toscana.

260802, Brancaia Riserva Chianti Classico DOCG 2013, Tuscany, Italy ($38.95)

Michael Godel – Sangiovese needing the bottle is proven here. Now a year and a half later this swirls into a grosso sangiovese like liqueur with plums, cherries and spice. Really Riserva in style and now just 18 more months away from its guaranteed due elegance.

922054, Silvio Nardi Brunello Di Montalcino DOCG 2013, Tuscany, Italy ($50.95)

Michael Godel – Oenologist Emanuele Nardi draws his classic Brunello from the fluvial Cerralti parcel, a mix of jasper which is a type of opaque, granular quartz, along with shale and clay. Classic liqueur and modern texture give way to grippy acidity and more than necessary structure. This is one of those Brunello that speak with fruit early but with a knowing nod to longevity.

What goes best with chenin and cinsault? Tuna Burger at Sea Breeze in Cape Town

Thanks for reading up on South Africa once again.

Good to go!

godello

South Africa’s South Coast

Twitter: @mgodello

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WineAlign

Don’t you, forget about IGT

San Francesco, Il Molino di Grace

Multiple visits to Tuscany over the past 36 months and more specifically to Chianti Classico have meant that nearly a thousand sangiovese have been opened for tasting opportunities. The tours have also acted to allow for benefactor moments, to present table wines made in part or in whole that either do not or have been chosen to not qualify for DOCG appellative status. These cases are purely opportunistic, in the name of IGT Toscana (and other typical geographical notations) for the purpose of impressing the merits from well-maturing vines of cabernet sauvignon, merlot, blends with sangiovese and other solo sangiovese wines of Chianti Classico producers.

The Galestro of Isole e Olena, Barberino Val d’Elsa

The idea of the IGT practice goes back four-plus decades, to a time when Bordeaux grape varieties began to infiltrate and populate Chianti Classico soils. So much of what was planted through the 90s remains and because only 20 per cent of a Chianti Classico can be filled by grapes other than sangiovese, in many cases it is the “international” varieties that fill in and those grapes still need to go somewhere. It is also a consideration that Chianti Classico aged in new oak barrels is a scarcity these days and so those vessels need to be used for something so ecco, it is IGT, big, small, super or baby that gets the nod.

Fontodi vineyards in the Conco d’oro, Panzano

In the mid to late 1970s Tuscany there developed a quick ascent of the Super-Tuscan, wines that eventually came to be called “IGT” as a by-product of a perfect bureaucratic storm. The micro-nationalistic wave of Denominazione di Origine Controllata (e Garantita) served Italy’s elite producers both a blessing and a curse because on one hand it afforded wines the highest level of (Italian) classification while on the other it added unbending restrictions on how those wines could be made. The rule breaking table reds thus became symbols of resistance, wines that told governments and consortiums where to go and in effect led to an eventuality of response, of a sweeping, money-grabbing movement across that region’s wine-producing territories.

Paolo de Marchi and Cepparello 1995

It was nigh twenty years later that authorities got wise to the situation and so Goria’s 1992 Law 164 was created, thus giving birth to the IGT designation. New monies began to line the government’s pockets. So much for rebellion though twenty years was plenty of time to establish and set up a group of famous wines for life.

The main reason for moving away from the appellation was the restrictive law that said you couldn’t make wine labeled as Chianti Classico if it contained 100 per cent sangiovese grapes. Later examples included Monteraponi when Michele Braganti changed from DOCG to IGT in 2012 because at 12.5 per cent alcohol it did not qualify for Chianti Classico and so it had to be Toscana Rosso. The great first wave began as Chianti Classico producers began to dismiss appellative laws by de-classifying their 100 per cent sangiovese. Fontodi’s Flaccianello delle Pieve and Isole e Olena’s Cepparello are two of the more famous examples. Outside the Classico territory and in other Tuscan lands there were others many consider to be the most rogue and famous of them all. Tenuta San Guido’s 1968 Sassicaia, Antinori’s 1971 Tignanello, 1986 Masseto and Ornellaia, first produced in 1985. But in 2019 the push for Chianti Classico’s Gran Selezione category to become a 100 per cent sangiovese appellative wine has sparked not only new debate but also great speculation. Will those once rebellious producers return their top wines and in many cases, single-vineyard sangiovese back to the appellation? Along with Flaccianello delle Pieve and Cepparello, the list of possible returnees might also include the following:

  • Badia a Coltibuono – Sangioveto
  • Carobbio – Leone
  • Castello di Querceto – Le Corte
  • Castello di Rampola – Sangiovese di S. Lucia
  • Fattoria Montecchio – Priscus
  • Il Molino Di Grace Gratius
  • Monteraponi – Baron’Ugo
  • Montevertine – Le Pergola Torte
  • Podere Campriano – 80 (Ottonta)
  • Podere La Cappella – Corbezzolo
  • Principe Corsini Le Corti – ZAC
  • Valdellecorti – Extra
  • Vignavecchia – Raddese

San Marcellino Vineyard, Monti in Chianti

In February of 2019 I tasted 21 assorted IGT wines, from Rosato to Bianco to Rosso. I’ve also added three others tasted a year ago that had not yet made it to print. These are my notes on that 24 strong, eclectic and impressive lot.

Rocca Di Montegrossi Rosato 2018, Toscana IGT, Tuscany, Italy (WineAlign)

Rosato from sangiovese raised from Chianti Classico galestro soils found in Monti in Chianti and only 30 minutes time through press. A 100 per cent sangiovese stunner with absolutely no excess, no onion skin, no oxidation, from all estate vineyards, including San Marcellino’s grapes that once would have been green harvested. Texture, sapidity and character are written down and expressed as a scientific problem out of which complexity sets all to high. One of Tuscany’s great Rosatos, made with great purpose, structure and food friendly to say the least. So good. Drink 2019-2022.  Tasted twice, February and April 2019

Lunch at Le Fonti

Le Fonti Di Panzano La Lepre Delle Fonti 2017, Toscana IGT, Tuscany, Italy (WineAlign)

Antipasti wine, house wine, smells like good salumi. The Lepre tank is all the juice from the vineyard blocks where the ripening isn’t perfect and also some pressed juice not used in Chianti Classico. Theoretically from “de-classifed” grapes but in good vintages it could very well be Chianti Classico from a quality standpoint, though wouldn’t qualify because it’s made with 30 per cent merlot. A top notch vintage for Le Lepre, juicy, somewhat tannic and finishing with seed-noted beneficial bitters. Drink 2019-2022.  Tasted February 2019

Le Fonti Di Panzano La Lepre Delle Fonti 2014, Toscana IGT, Tuscany, Italy (WineAlign)

Three years forward and the (70 per cent) sangiovese aromatics are eerily similar to the fresher and very forward 2017. Perhaps more salumi and certainly finnochio pronounced. Holding well with tannins resolved and this from the challenging 2014 vintage though truth be told it was the right one, of structure to carry a “second wine” like this forward. Drink 2019-2020.  Tasted February 2019

Vicky Scmitt-Vitali and Guido Vitali, Le Fonti in Panzano

Le Fonti Di Panzano Merlot 2016, Toscana IGT, Tuscany, Italy (WineAlign)

From vineyards planted in 1998 and 2000, this is the second vintage of the varietal hugger, with Le Fonti aromatics stronger than grape. It’s one year in barrel so in the baby Super Tuscan mold, fruity, juicy, lower in acidity and pretty much crushable. Easy and very proper. Drink 2019-2021.  Tasted February 2019

Le Fonti Di Panzano Fontissimo 2015, Toscana IGT, Tuscany, Italy (WineAlign)

Certainly crafted from an easier, less stressful vintage and the blend is about 55-60 per cent cabernet sauvignon, 35 merlot and 10-15 sangiovese. Still those Le Fonti aromatics, of salumi and fennel, but here also pepper, graphite, Cassis and chocolate. Very Tuscan so makes sense in such a vintage for the reference to be Toscana as opposed to the frazione within frazioni called Alta Valle della Greve. Very grippy meeting the expected liqueur elixir and black cherry meeting black currant. Acidity is quite fine, purposed and integrated. Impressed by the length. Drink 2020-2023.  Tasted February 2019

Le Fonti Di Panzano Fontissimo 2014, IGT Alta Valle Della Greve, Tuscany, Italy (WineAlign)

Fontissimo is a blend of merlot, cabernet sauvignon and sangiovese. A wine made in Chianti Classico to break in new barrels and to express territory through the ulterior processes of grape blending and winemaking. Here is where Guido Vitali and Vicky-Schmitt Vitali can work on their chops and hone their craft. Hello 2014, vintage of stars and bars, vintage of ages and for those who are paying close attention. Also, welcome to the highly specific Alta Valle della Greve. There’s a commonality for sure that is found in this valley but there is also a simplicity and a sense of place within a place within a place. Easy drinking actually. Drink 2019-2021.  Tasted February 2019

Iacopo Morganti, Il Molino di Grace

Il Molino Di Grace Gratius 2015, Toscana IGT, Tuscany, Italy (WineAlign)

Gratius is the Molino di Grace 100 per cent sangiovese table wine that resides with a dozen other territorial greats in that existentialist realm outside of the appellation. If and when it will become Chianti Classico DOCG remains to be seen but this 2015 sits on the side of tangy, tart and so bloody structured side and yes, the dominant notes are distinctly blood orange. Elongated and elastic it’s offers up a free and equitable look in the varietal mirror, productive in perfectly perpetual inertia, firm, grippy and motivated. Will come together in a few years time and drift ever so slowly for seven more. Drink 2022-2029.  Tasted February 2019

Podere La Cappella Oriana 2015, Toscana IGT, Tuscany, Italy (WineAlign)

“In my opinion it is young to drink,” shrugs Natascia Rosini. In fact it’s oft considered unusual to hold back white wines to drink, not just here but in Italy as a whole. Then again, who else makes vermentino from estate grapes in Chianti Classico. Salinity and sapidity reign in a shockingly good vermentino. Pear and herbal notes with richness that just put this over the top. Picked late at full maturity and kept in the cellar for two weeks (at four degrees) before pressing. Never failing San Donato vermentino. Drink 2019-2023.  Tasted February 2019

Podere La Cappella Oriana 1997, Toscana IGT, Tuscany, Italy (WineAlign)

The last time I was able to taste such a comparison was 2014 versus 1998, two under-appreciated cool and wet vintages. Now we look at warm years, 2015 and 1997, the latter at the time considered the greatest. Many sangiovese have failed and fallen but this vermentino, well, even if the colour and the nose are far evolved, the palate has plenty of life. Salinity and sapidity still rock and stone their way, with that marine wind from the sea rushing through, into the air and the soil of San Donato in Poggio. Hard to decide between this and ’98 because there is more flesh here (bringing a honeyed apricot), but sometimes lean is so nice. Such a special moment. Drink 2019-2022.  Tasted February 2019

Podere La Cappella Corbezzolo 2013, Toscana IGT, Tuscany, Italy (WineAlign)

From sangiovese planted in 1981 and 1982, a vineyard not certified as Chianti Classico so this wine can’t be called Gran Selezione. To say this is young and perhaps even being unaware of what it can be would be an understatement. It’s calm and powerful, elegant and ready to strike with force. Such identifiable, formidable, indestructible and yet malleable tannins. A mimic of the singular Colombino rock found only here in the territory, calcareous white stone both strong to build houses (and cellars) and schisty to break apart between your hands. Imagine how this will drink when it allows itself to break down in just the right way and at just the right time.  Last tasted February 2019

The Corbezzolo from vine and into bottle is 100 per cent sangiovese and in name “the fruit tree that produces a very tart berry for making jam.” This comes straight from the heart of the Rossini matter, out of the oldest vineyard planted in 1990-1991. It would be hard not too think on Podere La Cappella’s sangiovese as untethered to family, to meals and the kitchen’s hearth. The demi-glacé in Corbezzolo is deeper, richer, slower developing, of graceful, elegant and ethereal aromatics, even a bit exotic verging on quixotic. There is this far eastern temperament because the fruit seems to simmer with cool, jasmine-floral savour in a galestro clay pot. The acumen is variegated in the singular Corbezzolo concentration but this is not a factor of extract or density. Depth is sangiovese light, dancing from 2013, a gorgeous vintage that everyone will want a piece of. Drink 2020-2035.  Tasted February 2017

Podere La Cappella Cantico 2012, Toscana IGT, Tuscany, Italy (WineAlign)

As always 100 per cent merlot with a grafting connection to chardonnay and American rootstock. The vintage is a savoury one for the thirty-plus year-old IGT. It’s a very Mediterranean sensation, of black olive and balsamico, hematic ooze and woodsy floor. It’s actually still quite closed or perhaps it’s entered a dumb or quiet phase but don’t be fooled; there is powerful restraint and it may pounce anytime. Drink 2021-2029.  Tasted February 2019

Podere La Cappella Cantico 1999, Toscana IGT, Tuscany, Italy (WineAlign)

A beautifully advanced merlot from vines that would have been 17 and 18 years-old at picking time. If you’ve got a truffle dog, take this wine and go truffling because this merlot is at the head of that aromatic game for the territory. Such a creamy merlot, with plenty of necessary acidity and the freshness of truffle. Merlot as tartufo incarnate. Truly. Delicious. Drink 2019-2025.  Tasted February 2019

John Matta and John Szabo Vicchiomaggio

Castello Vicchiomaggio Ripa Delle Mandorle 2016, Toscana IGT, Tuscany, Italy (WineAlign)

Sangiovese (80 per cent) with cabernet sauvignon, all fruit and nothing but the fruit, plummy and with a nutty smokiness, but also manageable with simplicity from and for fruit. What works and gives from the basic and forthright IGT ideal. Drink 2019-2020.  Tasted February 2019

Castello Vicchiomaggio Ripa Delle More 2016, Toscana IGT, Tuscany, Italy (WineAlign)

Sangiovese (50 per cent), cabernet sauvignon (30) and merlot (20), from “the hill of the blackberry.” A rich, purple flower aromatic, liquid chalky, deeply rendered red. Done up in a combination of new and pre-used barriques. There’s a salumi feel, a musky pancetta and a silky smooth mouthfeel. Nearing glycerin but staying its clay-mineral coarse. Drink 2020-2024.  Tasted February 2019

Castello Vicchiomaggio Villa Vallemaggiore Poggio Re 2016, Maremma Toscana DOC Rosso, Tuscany, Italy (WineAlign)

From cabernet sauvignon grown on sandy soils in the warmer maritime area near Grossetto. The grapes comes from “the hill of the king,” and the attributes are so bloody varietal obvious. Cassis, ribena, blackberry, savour and spice. Chocolate and rosemary, tarragon and cinnamon. Very expressive and with good elevated acidity. Quite the tannic beast. Drink 2020-2025.  Tasted February 2019

Castello Vicchiomaggio FSM 2015, Toscana IGT, Tuscany, Italy (WineAlign)

From a project that began in 1995, this is 100 per cent merlot of a small, 3,000 bottle lot. It’s hard to decide if it’s more varietal or more Toscana so let’s just say it straddles the two with perfect ease. Youthful, big and warm, very Mediterranean with gariga, black olive, rosemary and dusty notes. Silky smooth however and finishes in balsamic, viscous and reduced. High quality merlot to be sure, with fine tannic structure. Drink 2021-2026.  Tasted February 2019

Amphora, Fattoria Montecchio

Fattoria Montecchio Priscus 2015, Toscana Rosso IGT, Tuscany, Italy (WineAlign)

The IGT is 100 per cent sangiovese of 1,200 bottles aged in 100 per cent terracotta amphora formed, forged and cured on the Montecchio property. Same must/juice as the Gran Selezione so the side by side comparison is the show. Winemaker Riccardo Nuti is interested in this investigation for family tradition, commercial continuity and passion project affirmation. Quick time on skins, fermented in terracotta tanks and racked into “amphora,” in this case elongated egg-shaped clay vessels for the next two plus years. The texture and the spice are higher, as is the volatility but the threshold is not in any danger of being breached. The tannins are more present, demanding and vivid. And I prefer them because they are just that more interesting. This is in fact a remarkable look at the relationship between grape, vessel, material, approach and place. Drink 2024-2033.  Tasted February 2019

Fattoria Montecchio Pietracupa 2016, Toscana Rosso IGT, Tuscany, Italy (WineAlign)

An IGT blend of sangiovese (60 per cent) and cabernet sauvignon with a percentage coming from San Donato in Poggio vineyards close by. Much deeper, bigger, broader and brooding as a blend with smooth silky consistency and fine silky tannins. Very oaky, completely mature and filled with the flavours that lie on the balsamic-chocolate-blackberry spectrum. Though the sangiovese character is lost it’s a real high-end charmer. Drink 2020-2027.  Tasted February 2019

Fattoria Montecchio La Papesa 2015, Toscana IGT, Tuscany, Italy (WineAlign)

A varietal merlot of high level ripeness and while it’s a bit overripe and certainly extracted the acidity is supportive, balancing and results in something charming. The tannins are soft and comforting with zero astringency so yes, think of this as a great big San Donato hug. Figs in reduced balsamico are the prevailing flavours, with lots of dark but not bitter chocolate coming through with the finishing next level morbido feelings. As big as it may seem to some palates it’s actually quite easy to drink. Drink 2019-2024.  Tasted February 2019

Monte Bernardi Tzingarella 2017, IGT Toscana Centrale, Tuscany, Italy (WineAlign)

A Bordeaux blend from young vines in frost spots and high humidity places not really suitable for sangiovese. The blend is merlot, cabernet sauvignon, cabernet franc and canaiolo. So what is it? Well for one thing it’s the “daughter of the gypsy,” and then it’s a high acid, taste of place before anything else red blend. High tonality, ripe purple fruit and and a boatload of currants. No pyrazine, well perhaps just a bit. Low alcohol for such an animal, remarkably so and once again it’s a great matter of sapidity. Just a hit of chocolate late, as per the grapes which needed to have a say. Drink 2019-2023.  Tasted February 2019

Monte Bernardi Tzingana 2015, IGT Toscana Centrale, Tuscany, Italy (WineAlign)

The “Gypsy,” from the old Greek, or in Italian, gitano or tzigane. This gypsy is the old vine version, of 50 years, top grafted on a sangiovese/malvasia/canaiolo/trebbiano vineyard planted by the previous owner in the late 80s. It’s made from merlot, cabernet sauvignon, cabernet sauvignon and petit verdot (but no canaiolo) and also no sangiovese because tells Michael Schmelzer, there is no cannibalizing the Chianti Classico. This is deeper, richer, lower in acidity, still sapid but not as pronounced and higher in finishing chocolate. The wood needs a year more of integration. Drink 2020-2027.  Tasted February 2019

Luca Martini di Cigala, San Giustro a Rentennano

San Giusto A Rentennano Percarlo 2013, IGT Toscana, Tuscany, Italy (WineAlign)

Percarlo IGT Toscana 2013 is the current vintage of the 100 per cent sangiovese that began in the 1980s when it was forbidden to label such a beast as Chianti Classico. “Percarlo is his identity so he will not come back,” insists Luca Martini di Cigala. Made from the smallest bunches and a selection of the best fruit, yet still from the same vineyards albeit blessed of more from tufo soil. Percarlo carries the same San Giusto richness and acidity working in silky tandem and the tannins are the most plush, which they’d have to be to match the high level of glycerin. Formidable and exceptionally refined sangiovese. Drink 2019-2028.  Tasted February 2018

San Giusto A Rentennano Percarlo 2005, IGT Toscana, Tuscany, Italy (WineAlign)

Once again you would have no idea that any time may have passed, not just because the hue has yet to morph but because the aromatics and fresh gelée are one in the same, together as they have always been. The purity and exquisite texture also conspire for a sublime intertwine and then out of this comes the acidity, trailing like a comet. The tannins are still so strong and so the smoky spirit and intensity of variegated flavour persists, gets reprimanded and is held out for all to taste. Here the maximum coaxed from the grape is acceded above and exceeded beyond. Drink 2019-2035.  Tasted February 2018

Poggio Scalette Il Carbonaione 2015, IGT Alta Valle Della Greve, Tuscany, Italy (WineAlign)

Il Carbonaione is from the finest sangiovese on the Ruffoli property, a Chianti Classico vineyard declassified, with vines as old as 90 years but in reality, not exactly 100 per cent sangiovese. Some post-phylloxera ungrafted vines and many co-planted with no record of origin perhaps or likely place mammolo, colorino, canaiolo, malvasia, trebbiano and even occhiorosso in five to ten per cent amongst clones of sangiovese. The nose is like the Chianti Classico magnified, reduced, compressed and elevated. The florals rival the Lamole but they are more into potpourri and the acidity is super, super fine. The only comparison might be in acidity like Luca’s San Giusto a Rentennano, with the sandy soil base and the saltiness but the tannins here are set upon broader shoulders. With much less stone worked in the soil you lose the chalky grain streak but gain this broader complexity. With such beckoning and burgeoning acidity the vinatge is put on a great pedestal and the possibility seriously exists for two decades of aging. Ruffoli’s 400-600m elevation, with a long growing season (sometimes seeing pick times up the second week of October) means the full and complete phenolic ripeness is wholly realized. Not to put too much stock in here but 13.5 per cent alcohol. Just sayin’. Drink 2020-2034.  Tasted February 2018

Good to go!

godello

San Francesco, Il Molino di Grace

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Il costante sangiovese di Castell’In Villa

Castelnuovo Berardenga, February 2019

Simplicity. Just like today’s weather, blue and crisp. “Simplicity is the best thing in life,” tells Castell’In Villa’s kinben proprietor Principessa Coralia Pignatelli della Leonessa. “Simplicity is freedom.” The sangiovese grown, fermented and bottled on her Castelnuovo Berardenga farm are surely one of the purest, most transparent and site-specific in the entirety of Chianti Classico. Il costante sangiovese di Castell’In Villa. Constant, inalterable, steadfast and true.

The Castelnuovo Berardenga farm is littered with shells from an ancient ocean and it is the Principessa’s honesty that helps to explain the estate style and the results in not just her wines, but as a way to also look at those of other producers in the territory. “Here at Castell’In Villa there is every (Chianti Classico) soil type and rock imaginable and also what’s left behind from that ocean of many millennium. This is the part I enjoy the most. To make wines from the fields. Which really comes through in the mineral of the Annata. The wood of the Riserva covers it up just a touch, though when the wood goes down I feel the sense of the earth.”

Principessa Coralia Pignatelli della Leonessa

Just a shade more than 20 kilometres east from Siena and due south of San Felice is where you can find Castell’in Villa, a medieval hamlet dating back to the 1200’s at which time it was a borgo within the borders of Sienese control. The medieval stone tower is the home of the Principessa, who bought the estate with her Greek husband in 1968. The estate covers a particularly wooded area for Castelnuovo Berardenga of 298 hectares of which 54 are planted to vineyards and 32 for olive groves. Within the woodland the hunting ground teems with hare, pheasants and wild boar. The vineyards comprise eight highly distinct sites to which the diversity of the greater territorial countryside is reflected, both in soil types and microclimates.

The two essential wines produced are Chianti Classico DOCG and Chianti Classico Riserva DOCG. Two other reds are made, the IGTs Santacroce and Poggio delle Rose. A very small amount of traditional Vin Santo is also produced as well as a Grappa from the residue of the estates vendemmia. There are no trends or fashions followed here. As for the category of Gran Selezione, this is what the Principessa has to say, “It’s a good intentional and commercial decision. The Consorzio should have the courage to distinguish the producer on the bottle.”

Spaghettini al ragú di cervo

No visit to the estate is truly complete without experiencing Chef Massimo Di Fulvio’s attention to local detail, especially for the cervo and the cinghiale in exceptional and essential dishes that celebrate the hunt and the harvest. Castell’in Villa’s restaurant is not to be missed.

Tagliata alla Bistecca Fiorentina

I had the honour and il più grande piacere to visit with Principessa Coralia Pignatelli della Leonessa twice in three months, first in November 2018 and then again this past February. On both occasions the days were perfect, the wines showing with full fruit capability and the meals were inextricably woven into the fabric of these wines. These are what I tasted and how I have assessed them in the context of grape, maker and place.

Castell’in Villa Rosato Gazzara IGT Toscana 2018, Tuscany, Italy (Winery, WineAlign)

One hundred per cent sangiovese, sapid and salty, wound internally tart and so in command of its reasoning and seasoning. Good morning sangiovese sunshine, wake up and smell the cherries, le fragole and also the mineral salts in their assimilated liquid form. Mezzo perfecto. It’s Rosato after all. Drink 2019-2022.  Tasted February 2019

Castell’in Villa Chianti Classico DOCG 2014, Tuscany, Italy (Winery, WineAlign)

Immediate amore for the aromatics and the lack of supposition, for how this 100 per cent sangiovese is naturally careful, subtly handsome and respectfully direct. Lean but without angles or sharp, pointed edges, nor overtly weighted down in tang. Floral notes are stated in grace and like all of the Principessa’s wines from these Castelnuovo Berardenga vineyards, the singularity of restraint for power and and purity is duly recognized. Drink 2018-2024.  Tasted November 2018 and February 2019  castellinvilla  #castellinvilla  

Castell’in Villa Chianti Classico DOCG 2011, Tuscany, Italy (Winery, WineAlign)

The warmth is quite special in spite of a troubling vintage and is felt through the conduit of fruit eight years on having gained a dried leather cherry hyperbole. I am reminded immediately of the particular acidity in these wines. Set on a tonal scale upon the highest but always out of finesse and in control. Life has really just begun for this youthful sangiovese gathered around and about the 50 hectares of Castell’in Villa vineyards. Drink 2019-2024.  Tasted February 2019

Castell’in Villa Chianti Classico DOCG 2006, Tuscany, Italy (Winery, WineAlign)

Aromatic self-awareness always lends to self-control for the estate Annata, with fruit maintenance at the top of the vintage game. A very fine season was 2006, across Tuscany and certainly in Chianti Classico, ideal in Castelnuovo Berardenga. There is some black fruit here tipping towards and dipping into a pot of tartufo oil, some marinating black olives, porcini, carob, bokser and toasted almond. Or perhaps chestnut. Fruit so developed needs corresponding acidity and so it is always thankful to be a child the estate. The weight is fun and whimsical, with an earthiness that teases post-secondary to nearly ecumenical tertiary. Always a saltiness in amazing recall of an ancient ocean.  Love the temperature it’s served, to mimic who this sangiovese must have always been, cool as a mid-February day, expressive of both sunshine and savour, remembering a beautiful summer in a good vintage. This actually gains youth as it opens, starting out with that truffling gait and finishing cool, minty and fresh. Drink 2018-2023.  Tasted November 2018 and February 2019

Ravioli al tartufo

Castell’in Villa Chianti Classico Riserva DOCG 2013, Tuscany, Italy (Winery, WineAlign)

A blend of parcels ”though we know more or less the fields from where they come,” says Principessa Coralia Pignatelli della Leonessa. Here we are introduced to the clarity and functionality of what Castell’in Villa has always purported to be, traditional while always moving in a forward direction of evolutionary necessity. There is no guessing game being played and the aromas are expressive of the property, in everything that grows, plus all that sits beneath and slowly rises to the surface of the fields. Flowers and rocks, together with grapes. It’s that simple really. Finesse and reality. Drink 2019-2028.  Tasted February 2019

Castell’in Villa Chianti Classico Riserva DOCG 2011, Tuscany, Italy (Winery, WineAlign)

“Is this normal for you,” is the question with regards to older vintages sharing the stage with current releases. “I always come out late,” answers Principessa Coralia. “If sangiovese is good it needs time.” The 2011 perfume comes from a place of almost no frame of reference, save for these formidably ecological Castelnuovo Berardenga fields. It’s a wild cherry wrapped inside an enigma with a sense of humour. Sangiovese 100 per cent of its own edenic Findhorn. So in control and colourful, with exceptional length. Drink 2018-2026.  Tasted November 2018

Castell’in Villa Chianti Classico Riserva DOCG 2010, Tuscany, Italy (Winery, WineAlign)

The bright perfume is elevated out of 2010 and brought to present day prominent, scintillant life. A sangiovese out of which the Principessa “feels the sense of the earth.” You somehow still feel the sweet naïveté of maceration, from a very promising now realized vintage of both fruit wealth and structure. Just a moment’s porcini breath characterizes the present, coming through to speak of a turning point and the next aromatic phase. Just a baby really. Drink 2018-2024.  Tasted November 2018

Castell’in Villa Chianti Classico Riserva DOCG 2005, Tuscany, Italy (Winery, WineAlign)

The acidity is first in line, in charge and in control. This particular 2005 is THE food wine of the lot so far, begging for some fat and protein. There is some funghi umami on the nose and then some dried fruit, from a vintage providing all the necessary tools and also some formidable tannins. I expected a further evolved Riserva from 2005 and this turns presuppositions on their head. The nose is there but the palate and the structure have plans to wait it out. Drink 2020-2029.  Tasted February 2019

Castell’in Villa Chianti Classico Riserva DOCG 1995, Tuscany, Italy (Winery, WineAlign)

Every memory of the summer that was 1995 in Chianti Classico is important, not the least of which are 17 days spent there and the terrible weather that followed the communes all summer long. Perhaps that is why this 23-plus year-old sangiovese has lingered into the most finessed and pleasure gathered state of grace. It’s an older bird to be sure and even not the cleanest example there is or was but its tertiary place is still marked by fine acidity and grippy tannin. Classic Castelnuovo sangiovese with dried porcini scattered amongst the leaves of autumn. Drink 2019-2020. Tasted February 2019. (The slight TCA in this example really means the wine is not rated)

Castell’in Villa Chianti Classico DOCG Poggio delle Rose 2010, Tuscany, Italy (Winery, WineAlign)

From the hill parcel planted in 1990 to the old selezoine massale clones, from the original property, not the current “Chianti Classico” clones. “And there is a difference,” insists Principessa Coralia. Three or four years in grandi botti and older tonneaux so no, it’s not even close to ready. Yet the fcat that you don’t explicitly notice the tonneaux is its magic. A big and complex vintage with variability in temperature and precipitation but at the crucial moments it gave what was needed. There is a special presence about this sangiovese, because of the source but also how alive, bright-eyed and expressive it is. This pulses, vibrates and reverberates with ancient seabed salinity. No loss to finesse but more time will be required, to turn back time and back pages, for the true clarity and calm disposition to settle in. Extraordinary wine of restrained power and exceptional sangiovese. Has always been Riserva and “will never be Gran Selezione.” Drink 2021-2035.  Tasted November 2018 and February 2019

Castell’in Villa Santa Croce Di Castell’in Villa IGT Toscana 2008, Tuscany, Italy (Winery, WineAlign)

An 80-20 gathering between cabernet sauvignon and sangiovese, in ode to the early May local celebrations of the cross. Certainly a matter of Cassis and sweet savour but the place speaks louder than the grapes. More of a barrel-scented and texture-affected red for Castell’in Villa, naturally because of the cabernet but also because the barrels have to start somewhere. It’s quite floral, certainly dusty and pretty much in its right place, in time. Drink 2019-2026.  Tasted February 2019

Good to go!

godello

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Chianti Classico Fall 2018: September and November, 25 estates, 150 wines reviewed in 18,000 words

Sangiovese is the future – Montefioralle, Greve in Chianti

The Chianti Classico Collection preview takes place this coming Monday at Stazione Leopolda in Firenze. There will be upwards of 200 producers on hand pouring their new Annata, Riserva and Gran Selezione in reserve. That means it must be time for me to publish all the wines I tasted in Chianti Classico in advance of this coming Anteprima.

In September and November of 2018 I paid visits to 25 Chianti Classico estates, tasted, assessed and reviewed 150 wines. I’ve published five articles on some of those visits, for the most part and in particular with respect to properties I had not previously visited. I also dropped two posts, one on the Chianti Classico website so succinctly translated into Italian by the Consorzio del Vino Chianti Classico’s Silvia Fiorentini. This was no simple or easy exercise for Silvia as any of you who know the meandering style of my prose. The second was in English, as I had originally composed, set up on Godello.

Related – as seen in Chianti Classico Magazine, translated into Italian – Il sogno Canadese del Chianti Classico abbraccia il più nobile dei Sangiovese Italiani

Related – Chianti Classico’s Canadian dream

Castelnuovo Berardenga

Here are the 150 wines tasted and assessed in Chianti Classico September and November 2018, listed in alphabetical order.

Antinori

The many mind-bending architectural splendors of @marchesiantinori in @chianticlassico

Marchesi Antinori Villa Antinori 2017, IGT Toscana, Tuscany, Italy (SAQ, 12392574, $17.80, WineAlign)

All fruit and aromatics. Mostly trebbiano with malvasia. Simple, functional, direct and traditional. Emblematic of the family and the name Antinori. Drink 2018-2020.  Tasted November 2018  marchesiantinori  halpernwine  markanthonyqc  @AntinoriFamily  @HalpernWin e  @MarchesiAntinori  @halpernwine

Antinori Pèppoli Chianti Classico DOCG 2016, Tuscany, Italy (606541, $19.95, WineAlign)

Not unlike the Villa Antinori in concept and white it is the red Peppoli Annata from the 1985-1987 purchased eponymous estate, it similarly acts as spokesperson, or export manager if you will. Roses and dried flower floral, light, fresh, from a vintage gifting more fruit than many. It’s a Mercatale Val di Pesa specificity albeit on the largest possible stage and size while straddling both the communes of San Casciano and Greve in Chianti. Drink 2018-2021.  Tasted November 2018

Villa Antinori Chianti Classico Riserva DOCG 2015, Tuscany, Italy (512384, $29.95, WineAlign)

Not so much a vineyard/estate wine as an Antinori wine, based on selection. It’s sangiovese with a small percentage (10 per cent) of merlot. The majority of the grapes comes from the recently acquired Tenuta di Sansano estate. The Riserva is the artist simply known as “Villa” and is fruitier, juicier and less liqueur concentrated than many Riserva. It’s approachability is immediate with thanks to its freshness. Sweet and mild tannins are persistent. Drink 2018-2022.  Tasted November 2018

Marchese Antinori Chianti Classico Riserva DOCG 2015, Tuscany, Italy (512384, $42.95, WineAlign)

Produced only from grapes that come from the Tignanello Estate. Here sangiovese with 10 per cent cabernet sauvignon, From second and third used barrels that came from Solaia and Tignanello IGT. A much bigger, broader further structured Riserva as compared to “Villa,” now with some ferric intensity and grip. Drink 2018-2021.  Last tasted November 2018.

Antinori’s is a deep and satisfying Riserva with dark fruit taken from Mercatale Val di Pesa vineyards at the estate’s Tenuta Tignanello. It’s very juicy and forthright, readier than many though the acidity is quite strong. This is heavily influenced by wood spice and there is no turning away from its spikes and charms. Quite dark and intense, no doubt due to the vineyard location between the Greve and Pesa river valleys and between the two villages of Montefiridolfi and Santa Maria a Macerata. Drink 2019-2023.  Tasted February 2018

Badia A Passignano Chianti Classico Gran Selezione DOCG 2015, Tuscany, Italy (384552, $49.95, WineAlign)

Instantly recognizable archetype of the continuum in Chianti Classico excellence and one of the original seven Gran Selezione. Badia a Passignano comes to life in 2015 with the generosity of fruit that not all in the top of the pyramid category will exhibit as best in show. The classically styled tenets of structure, acidities and tannins are qualified fine as fine can be. Purposefully produced to be this way, to dot every I, T and traditional Italian restaurant wine list. Very fine. Drink 2019-2025.  Tasted November 2018

Barone Ricaosli, Gaiole in Chianti

Barone Ricasoli Torricella 2016, IGT Toscana, Tuscany, Italy (Winery, WineAlign)

Comprised of 80 per cent chardonnay with sauvignon blanc. In the past it was a blend that included malvasia, going back as far as 1927. Some oak aging, no malolactic, the sauvignon blanc enters just at the final stage of the final blend, after the chardonnay has rested for 10 months in tonneaux. Direct, lean, mineral, composed and in no way strict as a Gaiole chardonnay. And yet here it is. Reduction comes back to bring it full circle. Drink 2018-2024.  Tasted September 2018  ricasoli1141  francescoricasoli  churchillcellars  @ricasoli_1141  @imbibersreport  @ricasoli1141  @imbibersreport

Barone Ricasoli Chianti Classico DOCG 2016, Tuscany, Italy (3962, $23.95, WineAlign)

Barone Ricasoli Roncicone 2015, IGT Toscana, Tuscany, Italy (Winery, WineAlign)

This is the next single-vineyard focused sangiovese in the Brolio portfolio and part of the new era, project and study intensification. Years of analysis, of soils and diversity of vineyards prepares us to look at various interpretations so that we may try to follow along and understand. This site is the marine deposit soil type with more presence of clay, richness of the organic earth and a big oak tree. And yet it’s a leaner expression, earthier, tannic and savoury. Not quite Alberese but the structure is chalkier, yet not in a purely calcareous way. Sharp, lifted and nearly explosive. Really needs time. Drink 2022-2030.  Tasted September 201

Barone Ricasoli Chianti Classico Gran Selezione DOCG 2015, Tuscany, Italy (942607, $59.95, WineAlign)

This is the flagship Chianti Classico established in 1997, always the man, the most important and expensive wine of the estate. It’s also the first to shun the Super Tuscan commodities, eschewed to establish a Chianti Classico at the top of the game. Pioneer for a place that was once and can forever be great, now travelling retroactively back to the future of fame. In this context it surely makes sense that it then moved forward into the Gran Selezione category going back to 2007, always priced near the top. This generous and mostly easy vintage brings together classic Brolio cherries and acidity with powerful, linear and soliciting 2015 tannins. Draws you in, ties you up and keeps you around for the long run. Drink 2021-2029.  Tasted September 2018

Two soils of Bibbiano

Bibbiano Chianti Classico Gran Selezione Vigna Del Capannino 2013, DOCG Tuscany, Italy (Agent, $43.95, WineAlign)

Today Vigna Del Capannino 2013 is a powerful rider, a.k.a. the racer Gianni Bugno, 1990 overall winner ]and of nine stages at the Giro d’Italia plus four for the Tour de France. The interaction is forceful and the wine is deeply herbal, minty and with an amaro finish. Averna leads to tobacco with naturally curated and gifted elegance.  Last tasted September 2018  bibbianowines  lesommelierwine  @bibbianowines  @LeSommelierWine  Bibbiano Chianti Classico  Le Sommelier, Wine Agency

The Chianti Classico Gran Selezione Vigna Del Capannino 2013 is monstrous, from ’58 and ’62 sangiovese grosso vines put in by Giulio Gambelli, then grafts from that material for masale propagation in 1999 and the 2000s. The departure from Brunello is here, a huge, muscular, dare it be said Bibbianaccio of the sangiovese Bibbiano family, in GS form, thick, tannic, brooding, exceptionally structured, robust and 15 years away from announcing its true plans. This bottle is subdued however slightly from a spot of TCA but not enough to warrant skipping on past. Wow. Drink 2021-2032.  Tasted September 2017

Buondonno, Castellina in Chianti

 

Buondonno Rosato Podere Casavecchia Alla Piazza 2017, IGT Toscana, Tuscany, Italy (WineryWineAlign)

Early picked, high acidity and surprisingly good phenolic Rosato with the highest level of tang albeit within balance. Full of red citrus, lime and grapefruit. Crazy good to drink. Drink 2018-2020.  Tasted September 2018  #buondonno    #casavecchiaallapiazza

Buondonno Lèmme Lèmme, da Vecchie Viti Maritate 2016, Podere Casavecchia Alla Piazza, IGT Toscana, Tuscany, Italy (WineryWineAlign)

From an old bush vine vineyard planted in 1936 to many varieties; sangiovese, canaiolo, colorino, malvasia, trebbiano and many others forgotten, misplaced and unknown. Even the older folks are not entirely sure, if they ever were, and who today still refer to them asuva di rignano. Approximately 1000 bottles are made from this place in a wine that is tart, tight, tannic and high in ancient wisdom. A true blue field blend of acidity that wraps up exceptionally wise and naturally resonant black fruit and olive tapenade. It’s the Tuscan equivalent of old field blends, especially Californians like Ridge Vineyards but like an Etruscan version of such an idea. Goes into a ceramic tank, with porosity like oak but to preserve the fruit and not hinder it with spice. Just the grapes and nothing but the grapes. Piano, piano, lèmme, lèmme. Drink 2019-2025.  Tasted September 2018

Buondonno Chianti Classico DOCG 2016Podere Casavecchia Alla Piazza, Tuscany, Italy (WineryWineAlign)

Virtually sangiovese, perhaps a few points of canaiolo, maybe not. From what Gabriele considers a strange vintage because it’s 6.7 per cent acidity is something that hasn’t been seen in 25 years. But it’s also 15 per cent alcohol and so for this day and climate warming age, it emerges beautifully balanced. You’d never know it, the fruit standing firm upright and supremely confident. Sees time in a mix of botti, tonneaux and barriques, none of the vessels new. Brightest of cherries, linear direction, dry but sweet tannins. Purity of fruit is in the elite company of the territory, within the style. This will age for 20 years and become something calm, demurred and extraordinary. Drink 2020-2032.  Last tasted September 2018

Gabriele Buondonno and Valeria Sodano bought the Castellina in Chianti farm known as Casavecchia alla Piazza in 1988, a plot that clearly appeared on the maps of the “Capitani di Parte Guelfa” in 1549 and is marked as the “place of Lionardo Buonarroti,” nephew to Michelangelo. Their Chianti Classico is 90 per cent sangiovese, plus merlot and syrah from a place Michelangelo once wrote to his uncle “I would rather have two barrels of Trebbiano than eight shirts.” Clearly pulled of of a special terroir, Buondonno’s organic Annata is pretty and purposed, with fresh tart strawberry and an intensity of acidity. It’s very long, unrelenting, showing some focus above and beyond. Drink 2019-2023. Tasted  February 2018  #buondonno  #buondonno

cabernet franc comparative where you’d least expect it ~ Toscana vs Niagara ~ #buondonno vs #interloper ~ #castellina vs #niagaraonthelake ~ @ravinevineyard

Buondonno Cabernet Franc Casavecchia Alla Piazza 2016, IGT Toscana, Tuscany, Italy (WineryWineAlign)

Planted in 1999 in the Vigna di Sotto, the lower vineyard, from Guillaume, because merlot was ordered and they also sent 400 plants of cabernet franc. First vintage was 2015, here now in number two it’s beginning to express itself, however small the batch. It really is cabernet franc, a bit verdant, spicy, more spiced really, completely unlike sangiovese but clearly from this property, in Castellina but on the far western side of the Panzano Conca d’Oro. It’s chewy, chalky (in liquid form) and tannic. Needs a few years to come together. Drink 2018-2021.  Tasted September 2018

Buondonno Chianti Classico Riserva DOCG 2015Podere Casavecchia Alla Piazza, Tuscany, Italy (WineryWineAlign)

Sangiovese with a small amount of canaiolo, 25 days outdoors fermentation and then into a mix of botti, tonneaux and barriques, 10 per cent new. From the estate vineyards of Casavecchia, Sicelle and Sicellino. The latter planted in the 1970s with exposure to the North-East. This fruit from a cooler site will be essential to the assemblage going forward. Such an accomplished Riserva out of 2015, clearly designed to tell the Castellina-Panzano straddling story, with rich, structured fruit and a intention to travel far. Full, wise, stratified, variegated and weighty, in at 15.5 per cent. Drink 2020-2028.  Tasted September 2018

Buondonno Bianco Alla Marta Podere Casavecchia Alla Piazza 2016, IGT Toscana, Tuscany, Italy (WineryWineAlign)

Marta is Gabriele’s daughter and hers is essentially a skin-contact white, orange or amber wine if you prefer the nomenclature. The concept stems from Podere Casavecchia Alla Piazza’s goat cheese and the Buondonno goat cheese making master. Hers is clean as a whistle, with more trebbiano than malvasia, 10 days on the skins, qualifying as skin-contact so let’s keep it there and resist the temptation to call it orange. It’s beautifully and mildly tannic, full of acidity and dry as the desert. Light on the oxidation and volatile acidity. From vines planted in 1974, then 42 and now almost 45 years old. So proper and just right, really, truly, honestly, humbly and born of a person’s tremendous work ethic. Drink 2018-2024.  Tasted September 2018

Podere Campriano, Greve in Chianti

Podere Campriano Chianti Classico DOCG 2015, Tuscany, Italy (Winery, WineAlign)

From the sandy soils with great Galestro prevalence on the steep, east bank of the Greve River. Same soil profile as Montefioralle across on the west bank but the weather is so different; less humidity, more diurnal temperature fluctuations but also extreme conditions. Never easy to farm here and the wines are proficiently perfumed. Simple and never boring, of purity and nuance by land that can’t help but speak to all that it has to say. The texture is one of softness, caressing and really just pure speciality in delight. Finesse and delicasse. Drink 2018-2023.  Tasted September 2018   poderecampriano  @ElenaCampriano  Elena Podere Campriano Lapini(Podere Campriano )  Elena Lapini

Podere Campriano Chianti Classico Riserva DOC Le Balze Di Montefioralle 2014Tuscany, Italy (Winery, WineAlign)

Varietal is the populist notion once again, as only a solo act, out of a purity by one hundred per cent sangiovese. From land once covered in forest, of a magically, or eerily a same soil profile as the other Greve in Chianti bank, sandy and rich in Galestro. The Riserva profile gives this more depth and even a certain next level of extraction, but it’s more about fruit-earth-rock layering and variegation. What comes from this side of the tracks is spice interwoven through dusty and bushy aromatics and then, the liquid palate texture derived from the rendering of that spice. Drink 2019-2024.  Tasted September 2018

Podere Campriano Chianti Classico Riserva DOC Le Balze Di Montefioralle 2015, Tuscany, Italy (Winery, WineAlign)

Just put to market, the vintage will surely have so much to say and that it in fact already does, with a combination of perfume and spice. Still dusty, with fennel and endemic herbs, teas and brushy plants. There’s a raspberry to dried currant fruitiness that ’14 doesn’t have, also more mid-palate flesh and overall juiciness. A different sort of structure, still with long capabilities but will likely go into a drier fruit profile after the seven year mark. Elena Lapini is a very busy agriturismo and viticoltore proprietor these days and if these most recent 100 per cent sangiovese from two sides of the Greve river tracks are any indication, she’ll be busier than ever before. Drink 2019-2025.  Tasted September 2018

It is said let @chianticlassico be elegant and @poderecampriano obliged ~ #greveinchianti #montefioralle #altavalledellagreve #sangiovese #chianticlassicoriserva

Podere Campriano 80 (Ottonta) IGT Alta Valle delle Greve 2013, Tuscany, Italy (Winery, WineAlign)

From Elena Lapini’s grandfather’s 1980 planted vines, a “table wine” that is 100 per cent sangiovese from those 35 year-old vines. It’s on the fruity spectrum while coming from roots burrowed deep into the Galestro. A serious, intense, wise and composed sangiovese, with more mid-palate liqueur and viscosity. This could technically be classified as Gran Selezione, like Carobbio’s Leone (as an example), but that just might confuse. And so by 2015 it may be labeled Riserva, a second Riserva. Or perhaps further down the road with a dozen archetypal others and come back to the appellation with a mention of Alta Greve in tow. Who’s to say? Drink 2019-2025.  Tasted September 2018

Capannelle, Gaiole in Chianti

Capannelle Chardonnay Oro Bianco 2015, IGT Di Toscana, Tuscany, Italy (Winery, WineAlign)

Only made in stainless and only bottled in magnum format. Clean, stony, high acid and really classy from a house that has been making chardonnay since 1988 and this unoaked rendition since 1988. Extremely linear but what is most accomplished about it is texture and the lack of medicinal florality. I would never confuse this for Chablis but only because it’s so unlike anything else. Drink 2019-2026. Tasted September 2018  capannelle  @Capannellewines

Capannelle Chardonnay 2015, IGT Di Toscana, Tuscany, Italy (Winery, WineAlign)

The “traditional” chardonnay, aged for six months in 20 per cent new oak. Now thirty years into this white wine movement there is a concern and a professionalism so perfectly understood, that much is obvious. Someone back in the 1980s understood the rocks, the acidity and the potential for chardonnay in Gaiole. Not Bourgogne but Gaiole. Galestro raised chardonnay with a real elemental push, stretched phenols and acidities. Drink 2019-2026.  Tasted September 2018

Capannelle Chianti Classico Riserva DOCG 2014, Tuscany, Italy (Winery, WineAlign)

The aromatics on the ’14 Riserva are expressly Gaiole, of the Galestro, the dusty, stony vineyard, the altitude and the forest. It’s more than savoury but into frutta di bosco, wild herbs and evergreen. It really is a Gaiole scent, in the air, fresh and spirited. It will turn to balsamico and porcini, of that I am convinced. Texture is also zonazione specific, to these heavily wooded hills surrounding and protecting these vines. Texture is smooth, not silk but glycerin, light and nearly ethereal. Drink 2019-2026.  Tasted September 2018

Capannelle Chianti Classico Gran Selezione DOCG 2013, Tuscany, Italy (Winery, WineAlign)

This first edition of Gran Selezione for Capannelle is an amzing combination of authenticity and polish, with Gaiole’s infamous acidity and herbology combining to deliver a promise of today and for the future. The estate produces no Annata because winemaker Simone has always felt that the acidity here would be over the top in the freshest wines of the year. This Gran Selezione confirms the ideology but the near future may change the plan. Meanwhile kudos for waiting before making Gran Selezione and matched to Tagliatelle con Funghi Porcini. Drink 2020-2026.  Tasted September 2018

Capannelle Solare 2011, IGT Di Toscana, Tuscany, Italy (Winery, WineAlign)

Sangiovese (80 per cent) is blended with malvasia nera, bringing Gaiole’s altitude, acidity and dried herb scents along by the conduit of malvasia’s body and weight. Very Cappanelle, very Gaiole and very savoury in accent to really fine, evolved and ready to enjoy. A traditional blend of grapes that attempts to bridge the gap between regional Chianti Classico and Drink 2018-2022.   Tasted September 2018

Cappanelle Solare 50 & 50 2015, IGT Di Toscana, Tuscany, Italy (Winery, WineAlign)

The project goes back a few decades with Avignonesi in Montepulciano, blending their Cortona (La Selva) merlot (also used for Desiderio) with the sangiovese of Capennelle. It’s the softest wine of this estate, seemingly or at least perceptively set at 50 per cent acidity. It’s a joint venture between wineries that goes back 30 years and that’s not nothing. Drink 2018-2020. Tasted September 2018

Carpineta Fontalpino

Montaperti, Carpineta Fontalpino, Castelnuovo Berardenga

Fontalpino Chianti Classico DOCG 2015, Tuscany, Italy (275859, $24.95, WineAlign)

From Castelnuovo Berardenga in the hands of Filippo and Gioia Cresti. Their new direction is moving towards a cru project, truly and entirely. The Fontalpino Annata is sangiovese of the broadest expression and it’s a very fully rendered red fruit. So much promised, especially from 2015 and so much delivered. The wisdom and the understanding are wholly realized, recognized and welcomed. Sets us up for the cru 15s and 16s to come. Drink 2018-2020. Tasted November 2018  carpinetafontalpino  gioiacresti  filippocresti  grape_brands    @CarpinetaFontalpino  Gioia Cresti  Filippo Cresti  

Fontalpino Chianti Classico DOCG 2016, Tuscany, Italy (275859, $24.95, WineAlign)

This Fontalpino is the best of both worlds Chianti Classico for the estate and here it comes smiling along with the biggest vintage breath of sigh, calm and release. It’s a bigger wine than ’15, felt in part that way because of its youth. Still the generosity and the confidence but certainly the wisdom. This broad estate expression is meant to be consumed early and as far as looking for early drinking Annata pleasure is concerned, Gioia and Filippo Cresti’s 2016 is one to make as much use of as is humanly possible. Drink 2019-2021.  Tasted November 2018

Fontalpino Chianti Classico DOCG Montaperto 2015, Tuscany, Italy (AgentWineAlign)

The cru that is Montaperto is higher in elevation and marked by a fit of pure Galestro on the edgy limestone side of soil. And so it’s a lightning red fruit red, of a style that is both place and grace. There is a certain way of it being so effusive and in its own way elegant. The finessed one of the three cru in an obvious display of itself. Pure, pretty and delicate. Drink 2018-2021.  Tasted November 2018

Fontalpino Chianti Classico DOCG Montaperto 2016, Tuscany, Italy (AgentWineAlign)

In Montaperto the finessed one you will note with great immediacy that 2016 is a perfectly ripened vintage, both for sweet fruit and more so from specialized cru-heady phenolics. All might be for naught were it not accompanied by the finest up reach in acidity. Here sangiovese is preached with utmost structure and ability. The accomplishment attains a level of clarity and transparency despite or perhaps in spite of the tactile habituation and architectural conditioning in its bones. Conclusion? Just gorgeous sangiovese juice of pure limestone expression. Drink 2020-2029.  Tasted November 2018

Fontalpino Chianti Classico DOCG Dofana 2015, Tuscany, Italy (AgentWineAlign)

Comes from a combination of many soils; limestone, clay and tufo. There is a prevalence of all the Chianti Classico stones; Galestro and Alberese but it’s just the greatest confluence that makes for their grippiest sangiovese. And that said it’s magically delicate. The red berries darken but only because the framework of organized Castelnuovo design insists on taking the fruit deeper, into the fabric of the earth and it speaks to one word; cru. Such a structured sangiovese. Drink 2019-2026.  Tasted November 2018

Fontalpino Chianti Classico DOCG Dofana 2016, Tuscany, Italy (AgentWineAlign)

The variegation of soils; sand, clay, stone and tuff will have great effect on any sangiovese but see what delivers when you pull grapes from the Dofana cru and out of 2016. It’s a confluence of everything that matters, for tradition, land and the people who make the wine. The fruit is here right from the start and although the tannins are strong and sharp they are so refined and come equipped with fruit made available from the very beginning. Really direct sangiovese. Drink 2021-2028.  Tasted November 2018

Filippo e Gioia Cresti

Fattoria Carpineta Fontalpino Do Ut Des 2013, IGT Toscana, Tuscany, Italy (Agent, $39.95, WineAlign)

What “do they give” from this one-third each combination of sangiovese, cabernet sauvignon and merlot? As compared to the DOCG sangiovese there is more height, aerified nature and just plain attitude to the IGT. Sources are various vineyards around the estate which sit on the border between Chianti Classico and the Chianti Colli Senesi. In subsequent vintages the sangiovese will be dropped and replaced by petit verdot. Partly because it’s too important to take it away from the cru CCs but also because this IGT is and needs to be separated. It’s just different, darker, more of a liqueur, with less finesse and more ferric depth. The answer? “”I give and give.” Drink 2018-2020.  Tasted November 2018

Castellinuzza E Piuca Chianti Classico DOCG 2016, Tuscany, Italy (Winery, WineAlign)

From Greve in Chianti, the sangiovese di Lamole here is strong, youthful, firm and pure. Bright red fruit so typical of the frazione indicates limestone for cherries. Also a salumi of Mortadella and yes, that sort of connection is imaginable and possible. Very fresh with big acidity from the cool night air at 550m above sea level. The inclusion of 10 per cent canaiolo only accentuates the sapidity and the terraced sense of place. If it were a rider it would be Felice Gimondi, precocious and gregarious, a rookie who was a 1965 Tour de France winner in his first try. Drink 2018-2022.  Tasted September 2018  castellinuzza.chianti.classico    @poderecastellinuzza

Castello Di Monsanto, Barberino Val d’Elsa

Castello Di Monsanto Chardonnay Collezione Dai Vigneti Di Monsanto 2016, IGT Toscana, Tuscany, Italy (Winery, WineAlign)

Planted first in 1976, one third of the fruit sees tonneaux and is then blended after seven months with the stainless portion. Quite rich, vaporous and viscous, intensely mineral. Very lemon, vehemently tangy, gold liquid chalky. Subversively Tuscan chardonnay. Drink 2018-2020.  Tasted September 2018   castellomonsanto  @castelmonsanto  @castello.dimonsanto

Castello Di Monsanto Chianti Classico DOCG 2016, Tuscany, Italy (Winery, WineAlign)

Annata of 90 per cent sangiovese with both canaiolo and colorino, traditional, loyal and streaked by the Galestro qualified off this ridge extended out of San Donato in Poggio. Juicy, fresh and forward, expressive of the vintage, not so muscular. Sangiovese like going home and crawling into the bed you slept in as a child. Drink 2018-2021.  Tasted September 2018

Castello Di Monsanto Chianti Classico Riserva DOCG 2015, Tuscany, Italy (719864, $34.95, WineAlign)

The blend is the same as the Annata (sangiovese with 10 per cent canaiolo and colorino combined) but the execution different. It begins in January, where lots are tasted blind and the process begins to decide which barrels will be destined into Riserva. Barriques are also used though like the Annata’s tonneaux, none are new. What separates this is more than fruit, it’s the exceptional and specific acidity. In here Galestro talks with effluent and affluent ability. No matter the modern glow there is always a timeless beauty so you can still place this in the oldest of sangiovese worlds, with the finer tannic talents showing through. Drink 2019-2023.  Tasted September 2018

Castello Di Monsanto Chianti Classico Riserva DOCG Il Poggio 2013, Tuscany, Italy (719864, $85.00, WineAlign)

The cooler, cloudy vintage has been taking its time to emerge and 2018 is now live, in the present and in the flesh, ready for its time. This is confirmed by the grand artist known as Riserva from perhaps the most iconic hill in all of Chianti Classico. Still bright, effusive and not fully ready to let its tannin melt away. The sangiovese component is in the 90-95 per cent range, again with canaiolo and colorino coming around to complete the whole. The tension persists and the tannic structure in this “Selezione” is much tighter than the Annata or the first, non terroir specified Riserva. Still hard to believe how grippy this is. A soon to come epiphany with the 1968 helps to explain Il Poggio’s phenomenon. As a racer Monsanto’s Riserva 2013 is Marco Pantani, greatest climber of a generation, with so much grandiosity, potential and possibility, straight to the top of Il Poggio. Drink 2020-2030.  Tasted September 2018

Castello Di Monsanto Chianti Classico Riserva DOCG Il Poggio 2001, Tuscany, Italy (719864, $85.00, WineAlign)

Fascinating 17 year look back into where sangiovese from this Barberino Val d’Elsa Galestro began and to where it has travelled. The acidity still rages and the sweetness of this fruit continues to burst and pop, one berry at a time. What a structured wine this was and persists to be, with a mid-palate coating to speak of time and place. Age has brought even more grip, certainly variegation, in hue and temper. Though these next seven years will be the very best, there will be at least 10 more after that out of which curiosity, interest and pleasure are all a guarantee. Drink 2018-2025.  Tasted September 2018

50 years ago this #chianticlassico entered the world. Suffices to say 1968 was a pretty good year ~ @castellomonsanto

Castello Di Monsanto Chianti Classico Riserva DOCG Il Poggio 1968, Tuscany, Italy (719864, $85.00, WineAlign)

“A good, not an outstanding vintage, with some vines affected by botrytis,” explains Laura Bianchi, though truth be told she’s relating the information from stories and legends. You can taste it, in a sweetness that reminds of quince and apricot. Plums are dusted with white pepper, sherry drizzles over sugar plums and in the end, acidity continues to shine. It’s still a dramatic drop of sangiovese, with longevity preservation going back to the era (1962-1969) when the wines were aged in chestnut barrels. This at 50 years of age is so alive, time encapsulated, dew sweetened, ethereal. Drink 2018.  Tasted September 2018

Castello di Querceto, Greve in Chianti

Gallo Nero, Castello di Querceto, Greve in Chianti

Castello Di Querceto Chianti Classico DOCG 2016Tuscany, Italy (680496, $24.95, WineAlign)

Essentially sangiovese with a few percentage points of canaiolo and colorino. Aged in grandi botti, 1500L and 2000L. This is the epitome of the black raspberry-currant, dusty, high acid sangiovese. A traditional poster child for Chianti Classico Annata and for the generosity of the 2016 vintage. In the end it’s firm and grippy stuff.  Last tasted September 2018  castellodiquerceto  @CastQuerceto  Castello di Querceto

Castello di Querceto’s Greve in Chianti 2016 is perfumed by just a lovely fresh fruit nose, a mixed bowl of berries, juices yet running, plump, swelling, dusty and sanguine. Certainly on the riper end of the spectrum and with a finishing moment of bitters. Drink 2018-2021.  Tasted February 2018

Castello Di Querceto Chianti Classico Riserva DOCG 2015Tuscany, Italy (650754, $35.95, WineAlign)

Classically styled 2015, honest, pure and welling with extracted sangiovese depth. Acidity, grip and then tension all consistently woven from and beyond Annata, but it too is silky smooth,with a liquid liquorice ooze. Smooth bitter balsamic finish. Drink 2020-2024.  Tasted September 2018

Castello Di Querceto Chianti Classico Gran Selezione DOCG 2014Tuscany, Italy (938738, $47.95, WineAlign)

Il Pichio makes reference to the old name of the land housing the vineyard. It’s the same sourcing and winemaking for what was Riserva reinvented now as Gran Selezione. Big extraction, concentration and rendering, from low yields (700-900g per vine). Amazing consistency, old school, deeply hued, so very structured, conservative. The thread running through is as obvious as any, as sangiovese for Chianti Classico. Drink 2021-2027.  Tasted September 2018

Castello Di Querceto Le Corte IGT Colli Delle Toscana Centrale 2012Tuscany, Italy (Winery, WineAlign)

From the 120 year-old vineyard planted by Alessandro Francois’ grandfather, this too is 100 per cent sangiovese with Querceto’s ultimate level of silky smooth consistency and deep purity. It’s a very perfumed sangiovese with tannins matching the texture though they are not shy to assert their power and grip. “Because the soil on this side of the valley is special,” he notes, but tough on the wines when they are still young. The seven or eight year mark is really the place to start. Drink 2021-2029.  Tasted September 2018

Cecchi, Castellina in Chianti

Cecchi Chianti Classico DOCG Storia Di Famiglia 2015, Tuscany, Italy (540922, $17.95, WineAlign)

Fresh cherry and also dusty, plus savoury and accented with acidity. Variegated fruit, ripe, riper and approaching the maximum ripe, managed by adjustments necessary to find the balance. A developed tang unique to this accumulation. Keep the pasta pairing simple.  Last tasted September 2018  famigliacecchi  

It’s an amazing story in a glass this Storia di Famiglia. It’s a long family history with Chianti Classico roots as long as any and it shows. This ’15 is quite classico for the vintage with exceptional fruit and it takes every if full advantage of the year’s generosity. So much so the fruit is darkened to black, perhaps of raspberry but surely at optimum phenolics. There is a corresponding minor Bretty meets acetico notation but also the richness of reduced balsamic, tar and candied roses. It’s almost truffled and figgy, not quite, but it will go there in a year or two. Lots of interest and character for $18. Drink 2018-2020.  Tasted April 2018

Cecchi Chianti Classico Riserva DOCG Di Famiglia 2015, Tuscany, Italy (Winery, WineAlign)

Profile very consistent to the Annata if ostensibly fortified by the extra time in large barrel. The similarity of varied ripenesses makes for a layering, like red cherry trifle with alacrity and high acidity. Drink 2018-2021.  Tasted September 2018

Cecchi Chianti Classico Gran Selezione DOCG Valore Di Famiglia 2015, Tuscany, Italy (Winery, WineAlign)

The consistency continues for the Famiglia story, from Storia Annata through Riserva and into Valore Gran Selezione. The fruit for all three Castellina in Chianti 2015s shows many layers of ripe stylistics and it it this Gran Selezione that shows the most evolution, leaning into a world where balsamico, fig, raisin and lifted aromatics live. The classicism here is noted, the tradition occupied and the conservatism understood. Drink 2019-2023.  Tasted September 2018

Cecchi Villa Cerna Chianti Classico DOCG Primocolle 2015, Tuscany, Italy (573501, $19.95, WineAlign)

The aromatics dole out sweet sangiovese candy and also a rose petal potpourri with fruit not only bled from a uniform ripeness but also a soil-gifted freshness that can’t be denied. This is red fruit, marl lifted sangiovese, bright, lightning tart and extracted, though just rightly so. The palate brings an extra level of fresh, like biting into a peach or a red plum with ideal acidity. Lovely example of traditional Annata set in a modern world. Drink 2018-2021.  Tasted September 2018

Cecchi Villa Cerna Chianti Classico Riserva DOCG Primocolle 2015, Tuscany, Italy (Winery, WineAlign)

Riserva from Villa Cerna is wildly lifted and edgy sangiovese climbing skyward with unresolved volatility. This high level of freshness and pulse is the conduit for red, red fruit not yet ready to be first to speak. This follows the trail blazed by the Annata but with the highest of acidities. It’s not typical for Riserva (if there is such a thing) but it is an example of one that needs a few years to settle into its tight, tart and energetic skin. Long finish confirms the plan. Drink 2020-2025.  Tasted September 2018

Cecchi Villa Rosa Chianti Classico Gran Selezione DOCG 2015, Tuscany, Italy (Winery, WineAlign)

These are not the richest and most extracted Chianti Classico and they are truly driven by acidity, a Castellina acidity to be sure, edgy, expected or not. The red fruit is direct and linear lightning, not overly complex and certainly true to consistent form. It’s actually quite amazing to note this form of sangiovese structure as being very specific to commune, very close to the Valore Gran Selezione and recognizable for place as much as any in the entire territory. This will evolve slower than the Valore, in fact I can’t see it changing all that much in the next five years. Drink 2019-2026.  Tasted September 2018

Tenuta Cinciano, Poggibonsi

Tenuta Cinciano Chianti Classico DOCG 2016, Tuscany, Italy (Winery, WineAlign)

The Annata is 100 per cent sangiovese from 8-12 months in the largest of the estate’s Slavonian oak barrels. An estate who’s oenologist (Stefano Porcinai) who knows clonal selection as well as any in the territory having worked as lead on the Consorzio’s 2000 project. Not to mention training systems and rootstocks. Each vineyard is planted to the right clone matched to the soil and Cinciano has it all; sand, clay, marl, Galestro, marine fossil and sediment, Alberese. Rich red fruit so lifted, edged by blood orange, so red citrus, pomegranate and though wood is in play it’s really about florals and spice. So sharp and tight with plenty of fruit to match the introductory and important tannins.  Last tasted September and October 2018  fattoriacinciano  @fattoriadicinciano

Cinciano is 100 sangiovese from chalky Poggibonsi vineyards at 250-350m of elevation. Youthfully speaking this ’16 sits en retard, reductive and only seems to want to breathe as a deep inhalant of argilo sangiovese. This CC is an even bigger than the average, broader and scope encompassing expression to taste with an impressive ferric intensity. The potential is great. Drink 2019-2025.  Tasted February 2018

Tenuta Cinciano Chianti Classico Riserva DOCG 2015, Tuscany, Italy (Winery, WineAlign)

Riserva comes from the oldest vineyard, averaging 45 years old on soils of more Alberese stone than any other on the property, right in the middle belt, middle slope on a southern exposure. Structure and tannin support intense rich purple fruit but fruit with the great lightning streak and searing acidity of Alberese and what it means. It’s harvested later and with great confidence, made with completely different intention. This goes into smaller Slavonian barrels for longer but it is expressly a matter of expression on behalf of the vineyard. Drink 2021-2028.  Tasted September 2018

Tenuta Cinciano Chianti Classico Selezione DOCG 2014, Tuscany, Italy (Winery, WineAlign)

Only in 2014 the decision was made to use the oldest vineyard’s fruit to blend in with the best grapes to make this 100 per cent sangiovese Gran Selezione because there was not enough quantity to make the Riserva. Floral, mineral, a taste of grapes, sangiovese purity. It’s rich as Gran Selezione should be, with heavy fruit and fine tannin but the oak is merely a spice agent. The clonal selection meeting the later harvest brings a breadth, depth and broad shouldered set of tannin, aggressive but in control. Another unique wine with a connection to the sister and the brother. Same father and mother to be sure. Juicier, with morbido fruit and serious tannin. Drink 2022-2030.  Tasted September 2018

Absolutely lovely, lively and pure sangiovese from Stefano and Andrea @fattoriacinciano ~ coming home with these beautiful @chianticlassico for sure!

Tenuta Cinciano Pietraforte 2012 IGT Toscana, Tuscany, Italy (Winery, WineAlign)

A blend of 40 per cent each merlot and cabernet sauvignon with sangiovese. Aged in French oak barriques and tonneaux, all new. Massive fruit accumulation, ripe and generous, wood all around but very much part of the package, some earthy Brettiness and huge acidity. Enormous wine that may need as much as five more years to settle. Drink 2021-2029.  Tasted September 2018

Colle Bereto, Radda in Chianti

Colle Bereto Brut Rosé Vino Spumante di Qualita Metodo Classico, Tuscany, Italy (Winery, WineAlign)

First disgorgement was November 2008, now 10 years later, this particular bottle was disgorged just two months ago. Skin is maintained with juice for only one night, from 100 per cent pinot noir. Having spent three years on lees this is rich, toasty, biscuit-riveting, red citrus, currant and fine aridity sparkling wine. Beautifully dry, direct and purposed. Drink 2018-2022.  Tasted September 2018  colleberetowinery   @NokhrinWines  Azienda Agricola Colle Bereto  Azienda Agricola Colle Bereto

Colle Bereto Chianti Classico DOCG 2015, Tuscany, Italy (Agent, $31.95, WineAlign)

From the vintage for which the “Dream Machine” is first used, where stems are kept intact and the tramoja (corkscrew) is no longer employed and stems are not disrupted, broken, or led to bitterness. So polished, full, extracted, silky and classy.  Last tasted September 2018

From Radda in Chianti and one of Chianti Classico’s great young, forward thinking winemakers Bernardo Bianchi the wisdom is easily noted, deduced, accepted, considered and abided. Red fruit with an earth’s dusty, cracked crust allows for smells like fresh tiles and the just mixed mortar but that fruit is aching to burst forth. Very seamless for a young Chianti Classico, so this building will stand strong and last through the centuries, which in wine years equates to seven, maybe ten. Terrific sweet acidity, life-affriming sapidity and vitality. As good as young CC gets with the longest, pitch perfect tang in elongation, drift and persistence. Drink 2018-2025.  Tasted at Anteprime Chianti Classico Collection, February 2017

Colle Bereto Chianti Classico Riserva DOCG 2014, Tuscany, Italy (Agent, WineAlign)

The highest quality of polished tannin receives sangiovese’s and more specifically Radda’s raddese acidity, from this shared amphitheatre of a valley for a Riserva silky smooth, integrated and blessed of a Colle Bereto liqueur. Forget Brunello di Montalcino for a while and concentrate on this haut level of sangiovese. Textbook fashion, Vuitton level quality. Drink 2020-2028.  Tasted September 2018

Bernardo Bianchi @collebereto in #raddainchianti @chianticlassico

Colle Bereto Chianti Classico DOCG Gran Selezione 2014, Tuscany, Italy (Agent, $67.50, WineAlign)

The level of richness and further climb up the polished ladder eases onto a cloud with whispering tannin. The Dream Machine is the source of the tannin whisperer and we all listen with the greatest intent. Bernardo Bianchi is the messenger, interpreter and storyteller for this vineyard in the theatre’s warmest spot. The tannins stop here and take a rest. The most accomplished, polished and commercially, fashionable to accountable Chianti Classico. Drink 2020-2028.  Last tasted September 2018

Colle Bereto’s is a Radda in Chianti single-vineyard expression from La Vigna del Convento which lies at the foot of the former Il Convento di Radda, now Casa Chianti Classico. The Galestro soil is surely the catalyst for this 23 year-old block. There is no substitute for the acumen and the hard work that develops such a wise and mature Gran Selezione. Firm, no shortage of virility, fine acidity, finer tannin and exceptional length. Drink 2020-2030.  Tasted February 2018

Colle Bereto Pinot Noir Il Cénno 2015, Tuscany, Italy (Winery, WineAlign)

Interesting how pinot noir translates from these Radda soils, as much parochial and territorial as it may try to be varietal. There is a wild berry meets feral posit tug that confirms the equality and the symbiosis. Generous and delicate, more so than the sangiovese from this estate, which may or not be a sign. Il Cénno. Drink 2018-2022.  Tasted September 2018

Colle Bereto Merlot Il Tócco 2015IGT Toscana Rosso, Tuscany, Italy (Winery, WineAlign)

The first vintage was 2000, after making sangiovese from the vineyard, exclusively for Pinchiori in Firenze, then moving forward to celebrate a varietal other, a merlot. Now merlot is a different animal, softer, fruit sweeter and quite beautifully tender, finessed and lifted. Only the acidity of Radda separates it from itself, “such a mass of motion, do not know where it goes.” Here the most polished and effete merlot in the territory, perhaps or just because, cries Il Tócco, “I have the touch.” Drink 2018-2023.  Tasted September 2018

Dievole, Castelnuovo Berardenga 

Dievole Chianti Classico DOCG 2016, Tuscany, Italy (283101, $23.95, WineAlign)

This third vintage of fermenting in concrete egg tank presents fruit pulled off of vines nestled into a heavily forested property housing five singular sets of vineyards. Though officially part of the Castelnuovo Berardenga commune, Dievole has much in common with Radda because of the effect of those woods on the growing environment. Generosity is not in mimic of wide open space but due to atmospheric depth and breadth. This ’16 marks not just a return but a proclamation of prominence.  Last Tasted September 2018  @dievole  profilewinegroup  @Dievole  @ProfileWineGrp  dievole  Profile Wine Group

The Dievole Annata stands out for 2016 with the sweetest noted fruit, bright, ripe and pulsating. Wow and oh my has this got a bounce in its step. While certainly tart and intense it’s possessive of more pure joy than many, easily avoiding the trappings of over-extraction and over-pressing. Some may find this too electric but what reason could there be not to get excited by such an abundance of sangiovese energy? Drink 2019-2024.  Tasted February 2018

Dievole Chianti Classico Riserva DOCG Novocento 2015, Tuscany, Italy (213926, $37.95, WineAlign)

The generosity of sangiovese’s philanthropy is always inherent but not always respected. So, when a Riserva like this from Dievole is given its sun, all is good in Vagliagli, Castelnuovo Berardenga and Chianti Classico. This vintage and this wine celebrate time, timing, place and commune with style. It’s rich, almost opulently so and balanced, credibly so. It’s deep, elastically elongated so. Notice real fruit boasting of an ideologue’s honesty and traditional results in as much as you’d hope for and even expect. Exemplary is one thing but the steps towards new pioneering make Dievole an estate from which to use words like leader and benchmark. Hard not to see this as a top estate example for Annata. Drink 2020-2026.  Tasted September 2018

Dievole Chianti Classico Gran Selezione DOCG Vigna Disessina 2015, Tuscany, Italy (AgentWineAlign)

Dievole’s Castelnuovo Berardenga Gran Selezione takes the single-vineyard route to express the category. Disessina is the highest vineyard block where the soil turns to a Macigno (sandstone) base littered with soft rocks that lends the originality of a sensory perfume expressly written in a Dievole vernacular. Here the liquid rose petal aroma is rendered through the fine silty earth so that it’s both berry fruity and duff ethereal where delicious lives. The delicate world is an occupation somewhere between dream and reality. The most approachable meeting place is a Gran Selezione middle ground that more examples might want to explore so that greater understanding might exist on the market today. Drink 2020-2027.  Tasted September 2018

Fèlsina

Bella mattina @felsinawines

Fèlsina Vino Spumante Di Qualità Brut Metodo Classico, IGT Toscana, Tuscany, Italy (AgentWineAlign)

This was reviewed before here although from a bottle disgorged a year earlier and from fruit primarily sourced out of 2014.

The sparkling program is taking flight, here from 60 per cent sangiovese, (20) chardonnay and (20) pinot noir. There is really no commercial reason to make this wine (only 9,000-12,000 bottles are produced) so it’s done just for fun, experimentation and learning. It’s a gingery and toasty sparkling wine, remarkably rich with thanks to a 2015 vintage that provided some pretty solid early ripening. The first vintage was essentially 2009, or mainly fruit from that initial attempt. This is 28 months on lees, disgorged in May 2018 and no dosage. Lemon squeeze over baked apples and toasted hazelnuts. Lovely of a certain style. Drink 2018-2020.  Tasted November 2018  felsina_wines  liffordgram  @felsinawines  @LiffordON  @felsina  @liffordwineandspirits

Fèlsina Vino Spumante Di Qualità Brut Metodo Classico 2012, IGT Toscana, Tuscany, Italy (AgentWineAlign)

The vintage was a forceful one although as an early harvested sparkling wine (the chardonnay especially, but even the sangiovese) it carries some ripeness and certainly acidity. The gingered notes are met with plenty of far eastern spice and a mild citrus bitterness. Again the toastiness is a major factor to bring energy and vigour into an arid sparkling wine’s environment of impression and tastiness. Drink 2018-2022.  Tasted November 2018

Fèlsina Chardonnay I Sistri 2016, IGT Toscana, Italy (Agent, $41.99, WineAlign)

The first vintage was 1987, from chardonnay grafted onto Bolgheri trebbiano. “The sisters” refers to the ancient Egyptian instrument known as “sistro” which was agitated by a sound in echo of agriculture. There are 20,000 bottles produced, of and for sunshine, by history, with high level 2016 ripeness and a mellow acidity. Takes a step back from ’15 with more cellulose, unction and conjunctive character. Drink 2018-2020.  Tasted November 2018

 

Chiara Leonini, Fèlsina

Fèlsina Berardenga Chianti Classico DOCG 2016, Tuscany, Italy (730788, $39.99, WineAlign)

The ’16 continues to be a young and viscous sangiovese, rich in liquorice liqueur and 240,000 to 250,000 bottles are produced from all aspects of the estate. It’s a transparent remark on the Castelnuovo Berardenga varietal vernacular. Tasted November 2018

From the great wide Berardenga open Fèlsina’s is just the Annata to tell us how these snowflakes are all just a bit different from one another, each with a new vintage, redefined temper, starting from singular points of soil interest. The greatest purity and unbridled joy in Chianti Classico sangiovese is found in the young Annata and it is Fèlsina’s that tells a full story. The curative wisdom and variegated stratum as told by thick as thieves though stretched and elastic fruit is just amazing. Drink 2019-2026.  Tasted February 2018

Fèlsina Berardenga Chianti Classico Riserva DOCG 2016, Tuscany, Italy (230722, $38.95, WineAlign)

In 2016 the Riserva is a layered affair with plenty of salumi variegation, of fat and protein well integrated and as a meaty wine it truly expresses the musculature of the terroir. Sangiovese from Castelnuovo Beradenga is many things but it is never copied or emulated like this. Drink 2019-2025.  Tasted November 2018

Fèlsina Berardenga Chianti Classico Riserva DOCG 2015, Tuscany, Italy (230722, $38.95, WineAlign)

Once again I find Fèlsina’s 2015 sangiovese fresher than their ’16, or rather I should say that the ‘16s are possessive of so much structure that they will need more time in bottle than the transparent ‘15s. And yet here you will find the proof that 100 per cent sangiovese from Fèlsina’s Castelnuovo Berardenga soils need time and in fact solicit more patience than most. This combination of generous and gregarious fruit meeting formidable structure is a product of the commune, the micro-terroir and certainly the house style. The ’15 Riserva is recommended with the caveat to insist that a buyer be warned to exercise great restraint. Drink 2019-2027.  Tasted November 2018

Fèlsina Fontalloro 2016, IGT Toscana, Tuscany, Italy (Agent, $101.99, WineAlign)

Fontalloro is a two-headed Toscana red grape creature that comes from vineyards straddling the border between both the Chianti Classico and the Chianti Colli Senesi denominations. It combines sand, silty loam and river pebbles with the limestone and marl of Alberese and Galestro. Here 2016 is accessed with righteousness, purity and high tonality. The acidity is elevating and bright, making for red fruit that shines. Spicy tannins speak to its structure. Drink 2020-2029.  Tasted November 2018

Fèlsina Fontalloro 2015, IGT Toscana, Tuscany, Italy (Agent, $101.99, WineAlign)

The thematic is nearly complete, first for the argument that Fèlsina wines need more time in bottle than most in the territory but also how stylistically they are brighter in 2015. The red fruit from this Chianti Classico/Chianti Colli Senesi mash-up sings from and on behalf of the vintage. It’s a complete wine, from fruit and through acidity into its formidable structure. As for its place in the Super Tuscan-Gran Selezione discussion it’s really an apples to oranges subversion because of not being 100 per cent Classico fruit. Fontalloro stands firm, grippy, alone and should always be given its privacy and space. Drink 2019-2027.  Tasted November 2018

Fèlsina Chianti Classico Gran Selezione DOCG Colonia 2013, Tuscany, Italy (Agent, $208.99, WineAlign)

How Colonia can not be looked upon and discussed as a pioneer would be beyond comprehension. The artist formerly known as IGT or Super Tuscan changed gears and re-joined the band back in 2009. This is the most Riserva of vintages and therefore a perfect sidle up to the Gran Selezione stage. It sings and plays its no wasted notes with confidence, clarity and sangiovese noise. It’s a huge wine with swagger and confidence, not to mention huge amounts of spicy beats. Not an easy wine to appreciate this young. As a rider it equates to Fausto Coppi, Campionissimo, L’Airone (The Heron), patient, calm, tranquil and able to climb uphill. State of grace. Drink 2021-2032.  Tasted November 2018

Fattoria Di Fèlsina Chianti Classico DOCG Pagliarese 2016, Tuscany, Italy (AgentWineAlign)

Pagliarese is an older “brand,” from a time gone by, in an area close to Castel’inVilla. The land is 21 hectares (of Fèlsina’s 90) and was once under the consulting auspices of Giulio Gambelli. It was purchased by the Poggialli family in 1995 with the idea to bring the brand back to Chianti Classico prominence. This is the second vintage of the Chianti Classico, of 90 per cent sangiovese with canaiolo and mammolo. The soils are sandier so expect a simpler structure and fruit. It’s a beautiful example of straightforward CC with transparent red fruit. Approximately 20,000 bottles are made. Drink 2018-2021.  Tasted November 2018

Fattoria Di Fèlsina Chianti Classico Riserva DOCG Pagliarese 2016, Tuscany, Italy (AgentWineAlign)

Pagliarese is an older “brand,” from a time gone by, in an area close to Castel’inVilla. The land is 21 hecatares (of Fèlsina’s 90) and was once under the consulting auspices of Giulio Gambelli. It was purchased by the Poggialli family in 1995 with the idea to bring the brand back to Chianti Classico prominence. This is the first vintage of the new revival and in Riserva form takes the red fruit and magnifies its intensity. It’s classic 2015 from Fèlsina with brightness and intensity. Approximately 20,000 bottles are made. Drink 2019-2023.  Tasted November 2018

Fontodi, Panzano in Chianti

Consorzio Vino Chianti Classico President Giovanni Manetti, Fontodi, Panzano in Chianti

Related – Fontodi’s one hundred per cent sangiovese

Fontodi Meriggio 2017, Colli Toscana Centrale IGT, Italy (AgentWineAlign)

The last vintage from which amphora will play only a small role (20 per cent) because in 2018 the number will be 50. Some barrel aging delivers the texture but ultimately freshness and a respite from sun for a rest in the shade. This is the meaning of Merrigio, where the mind takes a break and rids itself of stress.“Everyone thinks sauvignon blanc should be a reductive wine,” says Giovanni Manetti, but it can be wine of complexity, from a vessel and a lees time that can give it richness, especially on the mid-palate. This grows at the bottom of the Conca d’Oro where warm days meet much cooler nights and that diurnal fluctuation delineates fresh developing abilities. From a hot and dry vintage and it’s fresh, popping, yellow fruit focused and with very mature, proper and dedicated acidity. I’ll take a bottle, in the shade. Drink 2018-2022.  Tasted September and November 2018   #Fontodi  rogersandcompanywines    @rogcowines  Az. Agr. Fontodi

Fontodi Chianti Classico DOCG 2015, Tuscany, Italy (933317, $36.95, WineAlign)

More acidity, structure and body comes from Panzano and also a clean and distinct purity. Still working through its liquid chalk, no more than a year away from entering the next phase of its life.  Last tasted September and November 2018

If balance were the ultimate end to all sangiovese means then one nose into this Annata 2015 tells us most of what we need to know. When Giovanni Manetti talks of 2015’s great acidity we may not have been able to inuit or ultimately know what he meant, at least as far as the peer into the collective lens of other wines. Through Manetti’s Panzano focus we now understand. The integration, inclusion and open-armed grande abbraccio of Fontodi’s 2015 talks of fineness, precision, elegance and soft-spoken power. There is the finest of sangiovese dust and the circling of tannic wagons enveloping optimized fruit and bringing the entire family in this wine together. It’s a great vintage for Fontodi.  Drink 2019-2025. Tasted February 2018

Fontodi Chianti Classico Filetta Di Lamole DOCG 2015, Tuscany, Italy (Agent, $35.95, WineAlign)

From Giovanni Manetti’s cousin who has documentation that the family has been in Lamole since 1049. The vintage takes this old vines project to another level, with an inherent understanding of the natural order of Panzano translated over for things specific to Lamole. The Annata from Fontodi’s Conca d’Oro vineyards is cleaner, more easily understood, less dramatic, natural. Lamole is a clean funk that is bred from mountainous terroir, feral and wild.  Last tasted September and November 2018

Lamole, though still wild west and yet underdeveloped is clearly the next important Chianti Classico sub-sub-zone terroir. With so much untapped potential it is Giovanni Manetti’s of Fontodi that speaks the earliest, clearest truth about such capabilities. Not that we want to see too quick an exploit of this unique micro-climate and geological wonder but the insatiable thirst of curiosity begs to know. What earth gets into, inside and beneath this sub-strata is dramatic and so bloody personal. It’s a thing of forest floor, rock interface, space and sky, all encompassing, with the filtered, dappled light of sangiovese all pervasive and ethereal. Great chalk and dust particles visible to the naked eye in those streaks of lightning acidity and fine tannin swirl to lightness of being. Though 2014 is a sangiovese of great brood, flavour and commercial appeal, now there is greater potential. This ’15 is perhaps the first Fontodi of Lamole that has crossed into the true reality of the territory. Drink 2019-2025.  Tasted February 2018

Fontodi Dino IGT Toscana Centrale 2015, Tuscany, Italy (AgentWineAlign)

Here the sangiovese taken from the higher elevation section of the vineyard in the Conca d’Oro just below the village of Panzano. Named after Giovanni Manetti’s father, Dino is aged for a minimum nine months on skins in amphora and not just any but in the “orci,” with Fontodi clay made by the Manetti family. Dino is a reflection on life and the lessons learned through the generations and for Manetti it’s about a modern look using ancient tools. The polymer chain development of tannins is completely different, here with an early and on repeat cycle occurrence of oxygenation, along with several layers of protection. Such unique tannins and structure aboard great richness and yet intrinsically in proviso of necessary freshness. It’s so chewy and almost crunchy but in an airy nougat or savoury meringue meets panetone kind of way. Dino stands singular, sturdy and go it alone. Drink 2020-2027.  Tasted November 2018

Fontodi Flaccianello della Pieve IGT Toscana Centrale 2015, Tuscany, Italy (Agent, $147.95, WineAlign)

A wine with its roots in 1981, amidst the birth of the Super Tuscans during strict regulatory times. First made as a breaking the rules reaction to be the finest wine from the estate. It could be a Chianti Classico, which is how it is made and de-classified the day before bottling. Born, raised and rebelling just before it goes out to the world. It will come back to the appellation, along with Percarlo, Tignanello, Cepparello, Fontalloro and many others, when the solution is agreed upon and the time is right. “I’m a dreamer,” says Giovanni Manetti. He’s not the only one but he is the one to imagine the possibilities and the changes. Flaccianello the 100 per cent sangiovese is the finessed, salty and sexy one although in 2015 there is no love lost between its vintage and its soul. The quality of the tannins are some of the best ever. Such a strong character for the pure IGT and although some 15s are overly generous, Fontodi’s are stronger, bolder, polymerized and in exhibition of greater intensity. Even Flaccianello needs much more time, however, beginning in 2013 the time in small barrels was reduced and here by 2015 it’s 18, no longer 24 months. Astringency be gone and fruit quality so high the result is a eureka one, with perfume in aromatics brought to the highest quality. Finally Giovanni, you are on to something. Drink 2021-2034.  Tasted September and November 2018

The boys at Fontodi

 

Fontodi Chianti Classico Gran Selezione DOCG Vigna Del Sorbo 2015, Tuscany, Italy (Agent, $85.95, WineAlign)

From the rocky parcel of 50 year-old vines, planted facing south by southwest. The fruit concentration is obvious, a rising tide of high quality consciousness that raises the bar for all. The tannins are exceptional in their tight-grained coiling, wound like fishing wire around a spool. Some of Fontodi’s darkest cherry fruit is here, along with real genuine leather and a chef’s purposely dehydrated fennel powder meant to foil and compliment a deeply rendered demi-glacé, slicking out from beneath the arrosto di cinghiale. The 2015 Vigna del Sorbo is a meaty wine, il corso principale del pasto. Drink 2021-2032.  Tasted November 2018

Fontodi Chianti Classico Gran Selezione DOCG Vigna Del Sorbo 2014, Tuscany, Italy (Agent, $85.95, WineAlign)

As a racer the ’14 Vigna del Sorbo might as well be Giuseppe (Beppe) Saronni, winner in 1978 of three stages in the Giro d’Italia, 24 overall and champion in 1979 and 1983. In 1982 he won the world cup with Paolo Rossi. Sorbo is a global sangiovese, the people’s “campione,” beloved sprinter, collaborator and legacy definer. Today the sangiovese from Fontodi’s Conca d’Oro vineyard smells like rabarbaro (rhubarb), black cherry and cut grass. Beautiful combination.  Last tasted September 2018

The older vines are between 52 and 54 years old, the first vintage being 1985 and until 2011, contained some cabernet sauvignon, vines that have since been pulled out. The now site-specific, 100 per cent sangiovese Vigna del Sorbo may have been muscular in 2012 but no such hyperbole exists in 2014. The vintage determined this and despite the deep black cherry chalkiness the true spirit and stripped down honesty of sangiovese is in display. Purity has returned, floral like an artistically-rendered natural, realist and perpetual field of flowers in bloom, in installation, of violet light and rose-scented glass. I can imagine drinking this for decades, with its albarese-galestro saltiness and effortless concentration. Sometimes sangiovese never relents and at the same time never tires. Meraviglioso. Drink 2020-2038.  Tasted September 2017

Fontodi Chianti Classico Riserva Vigna Del Sorbo 2004, Tuscany, Italy (AgentWineAlign)

Carries 10 per cent cabernet sauvignon with the old vines sangiovese and at this 14 year stage it’s now into the denouement of its secondary character, a period that still has three to four years remaining. Umami ushered with no rush or rapid heart rate on the pulse of acidity begins its full swing, with mushroom and truffle on the horizon. The destination is still a matter of parts unknown further on down the road. Quite a firm vintage by tannin still leaving its grip on the plum meets wild strawberry fruit. Drink 2018-2028.  Tasted September 2018

Fontodi Chianti Classico Riserva Vigna Del Sorbo 1993, Tuscany, Italy (AgentWineAlign)

The vines in 1993 would have been half the age they are now and this from a cooler, slightly wet but not too rainy a season. A slow-ripening vintage with high acidity. The wines were tight and rigid for many years and tannins mostly unrelenting. This from around the time that the vineyard was beginning to show how it would turn out something different every vintage and so a young Giovanni wanted it to be a single-vineyard wine. This is fresh with striking acidity during all stages of its enjoyment. It’s airiness shows at the very beginning and then returns full circle, upon and with linger at the finish. The earthiness runs through but also plays second to the liqueur and especially that acidity. The direct explanation comes from the maker himself. “The fresh finish (of the 1993 wine) should be the trademark of Chianti Classico wines.” Drink 2018-2024.  Tasted November 2018

Isole e Olena, Barberino Val d’Elsa

Isole e Olena Chianti Classico DOCG 2016, Tuscany, Italy (704346, $34.95, WineAlign)

Was finally bottled in July, to be released in February. “I like 2016, it’s a very different vintage.” As usual there is 15 per cent canaiolo mixed in. Why Canaiolo? “Because it’s from here. And it’s a late ripening variety like sangiovese, and also not heavy and jammy like merlot.” Canaiolo is like sangiovese in that it must be selected and used in very particular ways. Paolo’s is actually a darker depth of fruit from 2016 while the spice is so much more sophisticated. There is so much wisdom now, more than even before and a calm, settling depth about this wine.  Last tasted November 2018    #isoleeolena  @HalpernWine    halpernwine  Isole e Olena  @halpernwine

Chianti Classico 2016 is composed of 80 per cent sangiovese, (15) canaiolo and (5) syrah, which since the 1980s has always held a spot, in fact it may have been as much as 10 two plus decades ago. Paolo de Marchi explains.”Syrah in my opinion, was really about thinking, about blending in an earlier ripening variety.” It also added colour, not for quality necessarily, but for pleasure. “If I were a consultant I don’t think I would recommend to plant it anymore.” But Paolo loves it, its bright acidity and lower pH, and loves the warmth. You can feel the liquid peppery hug from the combination of canaiolo and syrah in the constitution of this CC and now a new texture evolved from a traditional one, clearly passed on through generations. It is spoken in the clarity of this 2016, but it has taken decades to arrive here. Finessed, soft tannins and an effulgent acidity wrap fruit chewy and yet very crisp. Singular again and alone but quicker to please, at least for now. Perhaps it too will shut down in 2019. Perhaps not. Drink 2019-2028.  Tasted February 2018

The Galestro of Isole e Olena, Barberino Val d’Elsa

Isole e Olena Chianti Classico DOCG 2016, Tuscany, Italy (704346, $34.95, WineAlign)

Confirms the spice that is so layered by Galestro and Alberese but also 15 per cent canaiolo. It’s sangiovese, place of origin, San Donato and the accumulation of grapes grown in this set of ridges in and around Olena. Certainly more of a sour-sapid note in this ’15, a higher tone and more effusion than ’16. At least in terms of Isole e Olena.  Last tasted November 2018

Paolo de Marchi’s Annata is not exactly the most typical ’15 because of its unabashed sapidity, still a bit reductive out of origins in freshness incarnate, with acids burgeoning and expanding in the mouth. Liquorice and carob flavours climb on top of the lingering smell of balsam wood. Full and expansive, intense and bigger than many though a right-proper texture it most certainly delivers. “This is only one-third of the potential of the vintage,” says De Marchi about how it is showing a year and a half in, now imploding and beginning to shut down. This seems to be the trend in Paolo’s wines, fresh and vibrant just when and after being bottled, then protective of themselves before turning into something beautiful once again. This will develop into a decades long lived Chianti Classico. Drink 2020-2033.  Tasted February 2018

Isole e Olena Cepparello 2015, IGT Toscana, Tuscany, Italy (25650, $108.95, WineAlign)

Many believe you can’t go home again and this 100 per cent sangiovese is one of the original locals, along with 11 (or more) Super Tuscans that in many ways are no longer, nor for arguments’ sake should be. As such Cepparello is one of the wines destined to lead a literary, intellectual or at least historical return that says you can go home again. Home to Chianti Classico and specifically here, Olena as part of San Donato. This is an exceptional Cepparello, seamless, blessed of pure, perfectly phenolic fruit, unblemished, stylish and with pitch perfect acidity. What else can be done here that is hoped for, wished for, dreamed of or wanted? Feels like home. Drink 2020-2032.  Tasted November 2018

Isole e Olena Chianti Classico Gran Selezione DOCG 2013, Tuscany, Italy (AgentWineAlign)

Gran Selezione as a matter of assemblage. “It can come from one of two ideas in your heart but why don’t we take the experience of the Super Tuscan and shift the quality of the blend. To fix the ups and down of sangiovese?” The words of Paolo de Marchi. “What is Chianti Classico? It is the beauty and the transparency of the acidity. I’m trying to solve the idea of Gran Selezione myself. I don’t have answers yet.” He continues. “I’m not at war with anybody anymore, as long as there is quality.” So 2013 is simply that, 2013, exaggerated with great hyperbole from Paolo de Marchi’s world. It’s identifiable as such, perfectly sour in seamless connectivity to itself and then place from where it came. Intense and architectural structure.  Last tasted November 2018

When the Gran Selezione 2013 was in the conception stage there was “the search to integrate the experience of Super-Tuscan into the research of sangiovese.” The acidity is even higher in this ’13 than the same vintage Cepparello, because of 90 per cent sangiovese. Something textural is ganache oozing, connected to an espresso-noted and tobacco waft, followed by such spice. This is a moist intense expression of GS, likely needing 10 years to settle in. Long and exciting, plugged in and pulsating. Drink 2022-2032.   Tasted February 2018

Isole e Olena Chianti Classico Gran Selezione DOCG 2010, Tuscany, Italy (AgentWineAlign)

According to Paolo de Marchi Gran Selezione “has to be a wine of Super Tuscan roots, set in a Chianti Classico setting.” Just a little bit more than 80 per cent sangiovese with cabernet sauvignon and syrah. The acidity and transparency is Chianti Classico while the gentler touch is in a way, not. This turns the entire Gran Selezione idea on its head. It’s the antithetical one, in opposition to what or where the category seems to be going but at the same time fully entrenched within the ideal and the rules. It’s a rich and complex liqueur, truly red cherry and new leather, truly high-toned and truly a matter made by a master of assemblage. Truly Gran Selezione. From and for a moving target, out of vineyards and through the cellar. At least in terms of today. The enigma, the past and the future. Puts the question before the answer.  Last tasted November 2018

Isole E Olena Gran Selezione 2010 graces a factor in which “the blend lifts up the quality,” a noble venture or undertaking that balances the angles and trips into light. The reductive one is, as per the firm and grippy vintage, tannic and taut, wound still in the present, with the carob and the savour. The minty one, in a way, and with graphite and creosote. Very sapid, tight and intense. The most brooding of the four (’15, ’13 this and ’06). Drink 2021-2030.  Tasted February 2018

Istine

Walking on Alberese with Angela Fronti in her @istine_raddainchianti and #cavarchione Gaiole in Chianti vineyards ~ #chianticlassico #vignaistine #vignacavarchione

Istine Chianti Classico Vigna Istine 2015, DOCG, Tuscany, Italy (WineryWineAlign)

That this Vigna Istine is so different than what comes later out of 2016 shows how this particular site will offer up the most diversity, complexity and multiplicity over a stretch of vintages. Here from 2015 the flowers are in full bloom and the acidity stretching upwards with lift and light. It’s a lovely insight into the beauty of edgy volatility when managed so right. Love how this walks an edge of danger to form a liaison between vineyard, through maker to glass.  Last tasted September 2018

Istine Chianti Classico is made by Angela Fronti out of vineyards set quite high between 480 and 550m, on the road that runs from Radda to Castellina in Chianti. From a great variegation of soils; Alberese, marly limestone, Galestro and some light presence of quartz. A rich red limestone ruby sangiovese is the result, collecting to a mild but notable unctuous liqueur, manageable acidity and tannin. This sharp and correct CC is lovely, well made, so proper. Drink 2017-2020.  Tasted September 2017  istine_raddainchianti  angela_fronti    @istineraddainchianti

Istine Chianti Classico DOCG Vigna Istine 2016, Tuscany, Italy (WineryWineAlign)

Eponymous winery vineyard facing northwest, surrounded by forest at 550m, rocky, steep, full of both Galestro and Alberese, bottled in May 2018 and will be sent to market in January 2019. The dusty, savoury and structured one, from the steep slope and if there is a vineyard that delivers more black olive tapenade and wild earthy complexity, please let me know. This needs time, loads of precious time to get into a charming place. It’s a matter of layers waiting to peel back, air and breath. It’s also a thing of powerful beauty, linear, direct and vines that breathe in the forest and bathe in the morning sun. Harvested third week of October, a month before 2017 and two weeks before what will be in 2018. Submits a new voice into the modern lexicon of Chianti Classico. Drink 2021-2028.  Tasted September 2018

Istine Chianti Classico DOCG Vigna Casanova Dell’Aia 2015, Tuscany, Italy (WineryWineAlign)

Casanova Dell’Aia is the vineyard closest to the village of Radda, thickened by much more clay, facing due south. The mineral being Alberese in limestone chunks and so there is this combination or richness and rocks but through a marked earthiness. The flowery aromatics are certainly there but again, bound up in the notes prepared, presented and presupposed by the soil. It’s rounder to be sure by the direction of vineyard, but also vintage driven. In the end it’s nothing if not handsome, fulsome and looking to achieve a relationship with a char outside and medium rare in, cut two inches thick. Drink 2018-2022.  Tasted September 2018

Istine Chianti Classico Docg Vigna Cavarchione 2016, Tuscany, Italy (WineryWineAlign)

A dramatic vineyard somewhat a distance from Istine (25 minutes return as far as the car drives). Really rocky, full of Galestro and Alberese, bottled in May 2018 and will be sent to market in January 2019. There is a richness to Cavarchione that comes sooner but it’s also a taut and herbal affair with a lower grumbling of acidity than Istine. Ripe and deeply rendered fruit abounds, in waves that build, as if they might accumulate into a tsunami of sangiovese aromatics. It’s also floral, of violets and roses. Sweet balsamic and fine tannin will take this deep. Drink 2020-2027.  Tasted September 2018

Istine Chianti Classico Docg Vigna Cavarchione 2015, Tuscany, Italy (WineryWineAlign)

Time has clearly helped to open up the aromatics of this more generous vintage gifting wine and yet despite this thought I have to say that the vintage variation in Angela Fronti’s wines are not afforded so simple an explanation. Thinking about the differences, comparisons and contrasts in her three single-vineyard sangiovese is truly a complicated matter. All that said this is beginning to drink with beautiful pulchritude and gentility. Also with Gaiole’s acidity, savoury and intense.  Last tasted September 2018

Angela Fronti produces three single-vineyard Chianti Classico, this being the one from Vertine in Gaiole. She began vinifying her three parcels separately in 2012 but also makes a general Annata and a Riserva that combines the three. The real passion comes through in these single expressions and Cavarchione might just be the the most impressive, at least in this vintage, even if it happens to be the outlier so far from the Istine estate. Precocious wisdom born of age-old dispensation is what drives this sangiovese, just as it does in the Vigna Istine (between Radda and Castellina) and the Vigna Casanova dell’Aia (near Radda). Cavarchione shows deep wisdom, perfect impression and with an eye looking forward for a terroir reveal. It’s an intensely calm sangiovese and while this is not as immediately drinkable as the Annata ‘normale’ it is not far from warming up and bringing the heat. Drink 2019-2024.  Tasted February 2018

Monte Bernardi Chianti Classico DOCG Retromarcia 2016, Tuscany, Italy (Winery, WineAlign)

Retromarcia is like the Swahili pole, pole, a reminder to us all to slow down, gear down, chill out, take it easy. This Annata has been a 100 per cent, Panzano in Chianti estate grown sangiovese since 2010. The fruit is some of the sweetest and purest sangiovese out there, with a scent of anise, a whiff of tobacco. It’s unequivocally molto frutto, with glycerin texture, especially for the frazione annd also nosing spiced floral notes. Fresh, light in the tannic department, light in weight and also in alcohol (13.5). Just a joy to drink. As a match to an Italian racer it’s a sprinter, Gino Bartali, Cavaliere di Gran Croce, Gino the Pious, 1950 winner in San Remo. Drink 2018-2021.  Tasted September 2018  michaelschmelzer  #montebernardi  @montebernardi  @Michael_MonteB  @montebernardi  Michael Schmelzer 

Azienda Agricola Montefioralle, Montefioralle-Greve in Chianti

Montefioralle, Greve in Chianti

Montefioralle Chianti Classico DOCG 2016, Tuscany, Italy (Winery, WineAlign)

Harvested at the end of September from the warmest and most gracious gifting vintage. Stock in colour may be unnecessary but oh so beautiful this one, deeply hued, rendered of a purple that’s really just perfect. Grace in acidity meets depth of fruit and such polish. There is nothing rustic about this and yet the perfumed meets spice profile is exacting and pure for this Montefioralle terroir, which incidentally is three hectares of planted vineyards. Silk in sangiovese, honest and pure. Drink 2019-2025.  Tasted September 2018  montefioralle  @MontefioralleWi  @montefioralle  Lorenzo Sieni

Montefioralle Chianti Classico DOCG 2015, Tuscany, Italy (Winery, WineAlign)

“The year, in my opinion, was too hot,” explains Lorenzo Sieni. “We don’t have perfect tannin in this vintage.” At least not for the Annata made from younger vines. More than one year in bottle now, still nervy but the levels of phenolic ripeness and juiciness are exceptional. More firmly structured than many ‘15s because of the place, the altitude and the solar exposure. Striking acidity brings about the balance. Drink 2019-2024.  Last tasted September 2018

Perhaps this vintage is necessary to gain an understanding of Montefioralle or perhaps it was always there and a connection just needed to be found. The inhalant of elemental abstraction is remarkable and singular so let us open the discussion about the interest and in fact the necessity for Montefioralle. Just gorgeous from a fruit perspective, dusty and rising in tone with breaches considered and levels touched but never crossed. The risks are many with the rewards justified, palpable and great potential comes as a result. Check out Montefioralle. This tells you why. Drink 2019-2025.  Tasted February 2018

Montefioralle Chianti Classico Riserva DOCG 2015, Tuscany, Italy (Winery, WineAlign)

So very young and powerful, just a few months in bottle. Primary and beautifully perfumed with the liquified deep fruit chalk of the frazioni and a hit of exotic spice. An intensity that ’14 just did not show and the polish we know to be the kind mastered out of Montefioralle by this passion project house. The liqueur is again one of textured silk, a viscosity to nearing the vanishing point of glück and in the end, total domination. Drink 2019-2024.  Tasted September 2018

Montefioralle Chianti Classico Riserva DOCG 2014, Tuscany, Italy (Winery, WineAlign)

“The only way to increase the quality was to decrease the quantity,” is Lorenzo Sieni’s explanation of the vintage. Plenty of cutting (40 per cent) led to 1,800 bottles produced, “but I’m very proud of the result.” True liqueur and it’s actually begun to show some secondary character, dried fruit and a hint of porcini and such, certainly not typical but that was this vintage. Intense perfume, high liqueur, incense, peppermint and smells of salons and apothecaries. A wild Riserva ride. Drink 2018-2022.  Last tasted September 2018

Montefioralle is a deeply felt sensation of sangiovese preservation bringing everything that is Montefioralle within Greve with power and grace. Such fruit wealth is remarkable for 2014, distinct from its geological birthing and powerful to the end. Oh how this celebrates a zone within a zone. Drink 2019-2025.  Tasted February 2018

Montefioralle VinSanto del Chianti Classico DOCG 2014, Tuscany, Italy (Winery, WineAlign)

From trebbiano and malvasia at a sugar content of 129 g/L, soft, lighter, in balance with its acidity. Nothing heavy or cloying, noting peaches and apricots, perfect for a bite of biscotti. Only three years of aging, the minimum, for a light and fresh VinSanto. Thanks to Carlo in his element inside the Vinsantaia. Drink 2018-2022.  Tasted September 2018

Monteraponi, Radda in Chianti

#monteraponi #raddainchianti

My first visit with Michele Braganti and Alessandra Deiana @monteraponi in Radda takes me back to the genesis of the Chianti Classico script. Though having often told many tales of others, I was perhaps not ready to assimilate this level of understanding until this time. Things do now in fact make more sense than they did before and many new tales will be told.

Monteraponi Chianti Classico DOCG 2016, Tuscany, Italy (Agent, $42.60, WineAlign)

Michele Braganti’s 2016 Annata is 95 per cent sangiovese with canaiolo, certified organic, off of the youngest (9-15) year-old vineyards. “Here is Radda,” he insists. Generally speaking at Monteraponi “the stone is highly rich in stone,” which sounds like a proverb and believably so, plus the altitude does not allow for Michele to make powerful wines. It’s cold here, even in September it can be five degrees at night. Acidity comes from structure and the fruit walks like un funambolo, a tightrope walker. It’s both linear and climbing uphill. This is red limestone lightning sangiovese of absolute purity, transparency, honesty and connectivity. To the land. Drink 2019-2029.  Tasted September 2018  monteraponi  deianaalessandra1  @Monteraponi  @Cavinona  @Monteraponi  @cavinona

Monteraponi Chianti Classico Riserva DOCG Campitello 2015, Tuscany, Italy (Agent, $109.27, WineAlign)

From the Campitello cru, an existing vineyard inherited by Michele Braganti’s father when he purchased Monteraponi in 1974. A sangiovese (90 per cent) existential storditore with canaiolo and colorino. From Alberese and Galestro soils, the combination of which is not lost on the veritable intuitions of multiplicity. It makes for the most structured of these wines. Multiply the purity and the direct connection to place and this is Campitello. The only Riserva anywhere in the territory to deliver this particular combination of transparent, luminescent lightning red fruit and structure. Drink 2020-2028.  Tasted September 2018

With Michele Briganti

Monteraponi Baron’Ugo 2015, IGT Toscana Rosso, Tuscany, Italy (Agent, WineAlign)

Michael Braganti changed from DOCG to IGT in 2012 Why? The simple fact of rule because at 12.5 it did not qualify for Chianti Classico and so it had to be Toscana Rosso. He was a very famous man this barone named Ugo, placed in heaven, not hell, by Dante Alghieri because of what he did for Florence. The Chianti farmhouse of Monteraponi once belonged to Earl Ugo, Marquis and Governor of Tuscany. The vineyard was planted by Michele’s father in 1974, copying the grapes of Campitello; sangiovese, canaiolo, colorino, trebbiano and malvasia. It’s just the vineyard that separates it, that and the Bourgogne bottle. Purity again, of place. Drink 2020-2028.  Tasted September 2018

Ormanni, Barberino Val d’Elsa and Poggibonsi

The answer to what is @chianticlassico could very well start with these pure sangiovese of #fattoriaormanni ~ #poggibonsi #barberinovaldelsa

Ormanni Chianti Classico DOCG 2015Tuscany, Italy (Winery, WineAlign)

The traditional meets the modern, forward and progressive at a crest, a poggio point from a one year aging in large cask meets used barrel. Precise and pinpointed best describes this savoury sangiovese of ripe fruit that is elongated by elastic phenolics and tannins. The altitude (400m), windswept vineyards and locale make for late ripening. And so a warm and generous vintage like 2015 is so in control, more consistent and wise from this estate. Drink 2019-2022.  Tasted September 2018

Ormanni Chianti Classico Riserva DOCG Borro del Diavolo 2015Tuscany, Italy (435149, $42.95, WineAlign)

Fruit from the Borro del Diavolo vineyard and from the nearby Montignano vineyard see only small barrels, new and 2nd fill are used to age the Riserva. Extremely useful and far from any open door at this mark so first thoughts say don’t even try to go there now. The vineyards are teeming with both Galestro and Alberese so the structure is both fortified and elastic. This is Riserva built on grape and terroir, purely, inextricably, truly Barberino Val d’Elsa on the edge of Poggibonsi. Transparent, savoury, grippy and serious. After 20 minutes the fruit seems to sweeten and allows this to open itself up for consumption. Two years will see to it blooming immediately upon opening. Drink 2020-2028.  Tasted September 2018  #fattoriaormanni  rogersandcompanywines    @rogcowines  @fattoriaormanni  @rogcowines

Ormanni Chianti Classico Gran Selezione DOCG Etichetta Storica 2012Tuscany, Italy (Winery, WineAlign)

A very wise, established, traditional, clean and advancing sangiovese in Gran Selezione clothing. There is a deep understanding and a subtlety in this wine, from a warm yet firm vintage, just now softening, integrating and getting ready to show its true abilities. This from a vintage for drinking and for waiting. So sweetly savoury, crisp, juicy, chewy and cerebral. Drink 2019-2027.  Tasted September 2018

Ormanni Canaiolo IGT Toscana Vino Biologico 2017Tuscany, Italy (Winery, WineAlign)

Fresh to a startling point, juicy, crisp and liquid chalky. Simple and effective acidity with negligible tannin. You can see how canaiolo would add juiciness and another level of savoury to sangiovese. Drink 2018-2020.  Tasted September 2018

Fattoria Pomona

Fattoria Pomona Piero Rosso IGT Toscana 2016, Tuscany, Italy (WineryWineAlign)

The work of Monica Raspi, veterinarian transformed into winemaker, her mother Inga, on a property housing an abandoned brick factory deserted after the owner lost money to horses. The founder was Bandini, great grandfather who purchased the estate after it sat empty between the 50s and 80s. The work is rounded out by Monica’s husband Enrico, Rheumatologist and cook, he of a palate extraordinaire. Here in Castellina in Chianti where fruit from the lowest part and youngest section of the vineyard offers its pure, raspy, bright red cherry sangiovese, richer than you might expect and of “hair combed just right.” It’s IGT that “came out with its soul untouched.” One day it will finish growin’ up and become Chianti Classico. Drink 2018-2020.  Tasted September 2018  fattoria_pomona    @fattoriapomona

Fattoria Pomona Chianti Classico DOCG 2016, Tuscany, Italy (WineryWineAlign)

Essentially 100 per cent sangiovese, from the better and higher part of the vineyards planted in 2004 and 1998. From hot days, cold nights and eight months in barrel. Beautiful. Fruit, fruit and more fruit. Calcareous marl and Alberese stone interchangeable for the make up the vineyard and the house, with pietraforte, quartz, everything all in, together in conglomerate. In the end, combined with organic farming and low pH, there is a salty vein running through the deeply rendered red fruit. Sapidity unique to this vineyard. Perfect with caponata, carpione and pecorino. This Annata needs to be drawn from every part of the estate because it’s terroir is one of the most variegated in all of the territory. Drink 2018-2022.  Tasted September 2018

Fattoria Pomona Chianti Classico Riserva Bandini DOCG 2015, Tuscany, Italy (WineryWineAlign)

From the last of the vineyard planted in 1987, now ripped out in 2018 mainly because of it having grown older and tired and having come into a time of lowest of the low production. ’Twas the Vignavecchia. This takes the conglomerate of soil and intensifies the sangiovese, by way of 15 months in grandi botti, then transferred to concrete for nine months before bottling. “Needs to be more elegant, not heavier,” insists Monica Raspi. That it is, in balance, far from dense and weighty, pretty, in pulchritude, with not a whisper noted by the wood. Wonderfully, respectively and gently rendered Riserva. In 2016 it becomes just Pomona. Drink 2019-2027.  Tasted September 2018

Principe Corsini – Le Corti

With @principecorsini at Le Corti and the many varied shades of his sangiovese. The genesis of San Casciano, right here, as always, right now.

Principe Corsini Le Corti Chianti Classico DOCG 2015, Tuscany, Italy (400861, $26.95, WineAlign)

“A gate vintage,” smiles Duccio Corsini, wryly I might add. Nice in quantity and quality. Aged in concrete vats, from 95 per cent sangiovese, with colorino. The rich, dark, handsome and polished blend. The level of spice is quite amazing when you consider there is no wood involved.  Last tasted September 2018  principecorsini  artisanal_wine_imports  @PrincipeCorsini  @ArtWineGuru  Principe Corsini  Artisanal Wine Imports

Duccio Corsini’s sangiovese is the amenable one in the name of Villa Le Corti 2015, rich and fully developed, chalky and chewy as only San Casciano can be, There is extraction with a purpose towards a rendering of the most modern expression leading to great appeal. The fine-grain in the structure will help to lead this down an even and timely developing path. Drink 2018-2022.  Tasted February 2018

Principe Corsini Le Corti Chianti Classico Riserva DOCG Cortevecchia 2015, Tuscany, Italy (429117, $47.95, WineAlign)

“The old court” Riserva from the modernist’s gateway vintage is another ’15 from Duccio Corsini up there in quantity and certainly quality. Aged in grandi botti the 95 per cent sangiovese is augmented by a traditional colorino, as per the usual law laid out by these courts. Similar spice to the Annata though expanded and sonorous, despite such a different élevage, here out of large barrels. The texture adds to the ideal, going wide and thickening into a consistency likely or at least imaginatively bled from a river stones terroir. Here the land augments well-extracted, full-on San Casciano hillsides fruit. Youthful remains the understatement, possibilities the attenuazione. Drink 2021-2028.  Tasted September 2018

Principe Corsini Le Corti Chianti Classico Gran Selezione DOCG 2015, Tuscany, Italy (429109, $69.95, WineAlign)

“A gate vintage,” informs Duccio Corsini, “nice in quantity and quality.” Aged in tonneaux, 80 per cent sangiovese and (20) merlot. Don Tommaso has been intense and brooding in the past but now here things have climbed to another level. The fruit extraction is optimum, dense and intense. The fine chocolate coated dark fruit swirls into concentrated acidity and welcomes silky, bejewelled tannin. There’s a smoothness unlike any other in San Casciano and rarely matched anywhere in the greater territory. Drink 2022-2030.  Tasted September 2018

Principe Corsini Le Corti ZAC IGT Toscana 2015, Tuscany, Italy (WineryWineAlign)

Zac is the most important wine in Le Corti’s portfolio, a 100 per cent sangiovese that will always serve to remember the light of family and San Casciano life. It could be speculated that the greatest attention is paid to this by Prinicipe Duccio Corsini, the most pragmatically cerebral of all Chianti Classico winemakers. “Think of Don Tommaso with no merlot and taste ZAC,” he asks. From Gugliaie Vineyard, a single cru, and brother, or in this case sister to Don Tomasso’s Gran Selezione, Zia-Anna-Corisini, sister to Duccio’s grandfather. Without merlot it is truly naked, edges not rounded, acidity making for a mouth watering rise, spray and fall, then into the cognizance of ultima purity unearthed. It’s a pure San Casciano expression within the context of a Gran Selezione culture, but in the end it is the fruit of a Cru to come as a child would and will always conjure the best of memories. Innocent, pure and sweet. Drink 2020-2029.  Tasted September 2018

Tenuta Marsiliana Birillo 2016, IGT Costa Toscana Rosso, Tuscany, Italy (WineryWineAlign)

This Maremma estate owned by Prinicipe Corsini – Le Corti (of Chianti Classico) is a hot and dry climate, mainly flat though with a wash down of metallic red iron soil through the fields. Aged one year in barrel the liqueur is lush, welling, oily and parochially incredible. The blend for anywhere is 60 per cent cabernet with (40 merlot). Fresh, high acidity, iron fisted but not in or of tannin. High value quotient. Drink 2018-2020.  Tasted September 2018

San Felice, Castelnouvo Berardenga

San Felice Chianti Classico DOCG 2016, Tuscany, Italy (282996, $19.95, WineAlign)

Sangiovese with colorino and pugnitello. The little fist bunches once included for added colour but that is no longer the need. It is now the quality of the tannin and ulterior complexities that keep it in the blend. The top quality vintage is a spice machine giver, tight, fruity, tart and intense.  Last tasted September 2018  borgosanfelice  chartonhobbs  #BorgoSanFelice  @ChartonHobbs  Borgo San Felice

Particularly standard and middle road taken sangiovese, expressive of ripe annata 2016 fruit, tart and pressed to weight. Filled in and ready for the earliest enjoyment is clearly the intent, from fruit taken full advantage and tannin kept to a minimum. Just a touch of verdant berry intertwine is noted. Drink 2018-2020.  Tasted February 2018

San Felice Chianti Classico Riserva DOCG Il Grigio 2014, Tuscany, Italy (716266, $28.95, WineAlign)

Here 100 per cent Sangiovese from Castelnuovo Berardenga comes across with vintage quality tannin, tight and locked shut, still and not ready to emerge, even at this four year mark.  Last tasted September 2018

Not an easy vintage to create the archetype Riserva Il Grigio but if you are partial to the savoury, slightly cedary, high-toned and charmingly low alcohol exception to the modern Chianti Classico rule then you’ve come to the right place. This sangiovese is as old-school as it gets for San Felice and props are afforded for listening to the vintage wind and coming forward as a messenger for the words whispered by those atypical breezes. This is balanced and correct, taking no prisoners and holding no conference. It’s an as is CCR with confidence and grace. Drink 2018-2022.  Tasted May 2018

San Felice Chianti Classico Gran Selezione DOCG Il Grigio 2014, Tuscany, Italy (403477, $48.95, WineAlign)

The Gran Selezione is minimum 80 per cent sangiovese plus indigenous varieties only, including pugnitello. Very firm, dusty, multi-variegated, tart red fruit and serious in structure. Il Grigio hyperbole in complete mimic of the Riserva with a half year’s extra aging. Might gift an extra three or fours years longevity. Drink 2019-2024.  Tasted September 2018

San Felice Chianti Classico DOCG Poggio Rosso 2007, Tuscany, Italy (SAQ 11213191, $46.25, WineAlign)

Poggio Rosso was the appellation sangiovese that turned into Gran Selezione in 2011, in the second year of the category and creating a second for the estate. The first year having been only one produced from a separate selection. Really developing at this point, with balsamico and mushroom notes coming from the warm vintage after spring frosts and the result being a small crop. Spice notes really exaggerate the cherries and the tannin is quite sweetly intense. Chalky chocolate finish. Drink 2018-2021.  Tasted September 2018

San Felice Vigorello IGT Toscana 2013, Tuscany, Italy (726463, $64.00, WineAlign)

Was a varietal sangiovese for 14 years and is now 35 per cent pugnitello, (30) cabernet sauvignon and merlot plus (5) petit verdot. It’s quite reductive, big, bouncy and settling into a hedonistic place. Very tannic, full of peppery chocolate, demanding and then there is this tobacco, mentholated and graphitic cool quality, complex and intense. Drink 2021-2029.  Tasted September 2018

Tenuta Perano

Welcome #lambertofrescobaldi @frescobaldivini to Chianti Classico. So many reasons to smile ~ incredible vineyards #alberese #galestro #steepslope #gaioleinchianti #tenutaperano #peranoestate #collinedigaiole

 

Tenuta Perano Chianti Classico DOCG 2015, Tuscany, Italy (Agent, WineAlign)

The second harvest (though the first to enter the market) for Frescobaldi’s Tenuta Perano in Gaiole is a fortuitous one and you have to see these steep vineyards for yourself to believe what possibilities there can be. The unusual situation of a simultaneous release alongside the same vintage Riserva is necessary and understood because the ’14 fruit was de-classified and sold off. Chianti Classico Annata is proper when this much freshness abounds, with high acidity and Gaiole savour. So very and bloody Gaiole and I say this with blood orange in mind. There is also a forested nod and a wink in affinity over the hills to Radda but this remains secure in its Gaiole clothing. The angles, slopes and aspects of Perano’s steepness are echoed in the way this sangiovese ambles across the palate, expanding and contracting as sangiovese likes to and will often do. Temperature fluctuations will also impart this sense of breaths taken in and out. Great intrigue here and with no surprise why Frescobaldi coveted this impressive property. Drink 2018-2022.  Tasted September 2018  frescobaldivini  philippedandurandwines  @FrescobaldiVini  @Dandurandwines  @FrescobaldiVini  @VinsPhilippeDandurand

Tenuta Perano Chianti Classico Riserva DOCG 2015, Tuscany, Italy (Agent, $35.00, WineAlign)

In Riserva the essence of this Gaiole location is continued to be captured, along with a strong Frescobaldi identity instituted for an early defined Perano style. It’s a severe set of vineyard landscapes here and appropriating the place is necessary to making quality sangiovese. The sanguinity and orange citrus aspects speak of the white limestone and chalkiness in the soils, here accompanied by a Riserva glaze, slightly caramelized and charred al forno. The fruit multiplied by earth richness is properly rendered and texturally you can imagine this to feel like elastic pizza dough. Acidity is everything, the key to success and the director of the project. As it should be with sangiovese, Chianti Classico and this place. The focus begins right away with vintage number one and so the future of Gaiole is ensured inclusive with the talents of Frescobaldi. Truly. Drink 2019-2023.  Tasted September 2018

Terrabianca, Radda in Chianti

 

Terrabianca Chianti Classico Riserva DOCG Croce 2014, Tuscany, Italy (Winery, WineAlign)

Croce is 100 per cent sangiovese 15 months in Slavonian oak and six months in bottle. The richest 2014 CCR in the region or at least the one dying for trying. Smooth and velvet chocolate ganache, with savoury edging accenting a full extractive complement. Big sangiovese. Drink 2018-2021.  Tasted September 2018   terrabianca_winery  profilewinegroup    @ProfileWineGrp  @ProfileWineGroup

Terrabianca Campaccio IGT Toscana 2013, Tuscany, Italy (Agent, $39.95, WineAlign)

Aromas are wild in this sangiovese, cabernet sauvignon and merlot from Radda in Chianti blend aged for a year in French and American oak. The potpourri of Chinese five-spice, clove, violet and mint is extraordinary, Rioja like. It’s a massive nose with an endless supply of scents. Incense and peppermint. Drink 2020-2026.  Tasted September 2018

Terrabianca Campaccio Selezione IGT Toscana 2011, Tuscany, Italy (Agent, $56.00, WineAlign)

The Super Tuscan formerly known as Campaccio Riserva rested for two years in small barrels (French and American) plus one year in bottle. The Radda in Chianti blend of sangiovese, cabernet sauvignon and merlot repeats the potpourri of wild and exotic aromas though with greater glaring hyperbole. The acidity too is exaggerated but funnily enough, not the tannin. The extra year in wood and the specificities of the vintage are to thank. Drink 2018-2025.  Tasted September 2018

Val Delle Corti, Radda in Chianti

A result of our manic research on the quintessential search for #sangiovese in Radda and @valdellecorti. Roberto Bianchi’s sangiovese, now with even more consciousness.

Val Delle Corti Lo Stranieri Rosso IGT Toscana 2015, Tuscany, Italy (WineryWineAlign)

This 60 per cent sangiovese and 40 per cent merlot is bottled to celebrate the estate’s merlot plantings with sangiovese as its host. Now in production for six years (planted in 2000 and then in 2008). “Non complicato,” and that it is, only for IGT, now developed well enough to produce good fruit, a passion play and for pane, salumi, with Radda acidity, “right between the eyes.” Drink 2018-2021.  Tasted September 2018

valdellecorti  @ValdelleCorti  @valdellecorti

Val Delle Corti Chianti Classico DOCG 2016, Tuscany, Italy (WineryWineAlign)

Just bottled and I mean just bottled, a sangiovese of bright red to purple fruit with a 30-40 per cent assistance by what Roberto Bianchi employs through fermentation called “piemontazino,” or macherazione carbonica a capello son merso.” Leaving 30-40 per cent of the fruit in stainless steel tank on skins for three to four months. Tames the Raddesse acidity for the Annata and makes it more than drinkable. In 2016 it’s crushable, back up the truck gulpable. Beauty in sangiovese “questa, è radda.” This, is Radda. Drink 2019-2023.  Tasted September 2018

Val Delle Corti Chianti Classico DOCG 2015, Tuscany, Italy (WineryWineAlign)

“I like the ’15 very much,” says Bianchi and it has been in bottle one year. Classico. Annata. Radda. Holds approximately three per cent canaiolo, as in every year. “We can be good and smart and cunning as we want but the factor of luck is absolutely important.” Climate change affords enormous advantage but the element of luck is key. Lots of luck here. Bright red fruit, so much energy, so much life. Drink 2018-2023.  Last tasted September 2018

Roberto Bianchi’s 2015 is a reserved and restrained aromatic Chianti Classico but there is a subliminal Galestro or Macigno message being delivered here and it would seem to be a grey to darker calcareous rock expression. The fruit is quiet but felt plummy and tart on the palate. This is a bit older schooled but surely carries great presence and length. A rich thorough finish concludes that ride through the mineral life.  Tasted September 2017

Val Delle Corti Chianti Classico Riserva DOCG 2015, Tuscany, Italy (WineryWineAlign)

The 45 year old vines are responsible for this single cru, 100 per cent sangiovese that while older is yet bolder than the barrel sample tasted of 2016. Here you feel the hottest weeks of the summer, less elasticity, fluidity and fluency than that 2016. And yet it is so intuitively elastic, fluid and fluent in mineral rich, marly limestone soil. Here from the Corti Valley on the east facing slope above the river below. Richness, weight and red fruit so specific to this place meets the Radda acidity head on but can’t help but be submissive and respectful. Pure expression of estate, valley and commune. Truly. Drink 2020-2029.  Tasted September 2018

Val Delle Corti Extra IGT Toscana 2014, Tuscany, Italy (WineryWineAlign)

Extra is “a result of our manic research on the quintessential search for sangiovese in Radda and Valdellecorti,” explains Roberto Bianchi. A Riserva of the Riserva, from Chianti Classico vineyards, first done in 2013, now with “even more consciousness.” The formula is a matter of selecting results of barrels that have really done something special. In the future it may come from a cru vineyard, up above the cantina, where the cypress trees grow with a history of producing great sangiovese. Planted in 2017 in the old terraced way to prevent erosion with heat resistant clones to mitigate stress in drought and better for water retention. Here from the challenge of 2014, it is certainly smoother, richer and expressive of more accomplished fruit, with an extra year in really old barrel. Still the acidity. Perhaps when the cru is ready this will become the estate’s Gran Selezione? The future is wide open. Drink 2021-2030.  Tasted September 2018

Vignavecchia, Radda in Chianti

Big love for the #fiasco of @vignavecchiafattoria and even bigger love for the passion, tradition and quality of the sangiovese. Grazie Orsola ~ #raddainchianti

Vignavecchia Chianti Classico DOCG 2016, Tuscany, Italy (WineryWineAlign)

Tasted with Orsola Beccari in Radda in Chianti, from a just about ready barrel sample. The dusty rose and violet perfume, pretty and savoury of a particular Vignavecchi localitá nose. This is the Macigno and the Alberese speaking, of elegance woven through structure. Lovely purity. Drink 2020-2027.  Tasted September 2018  #vignavecchia    @VignaVecchia

Vignavecchia Chianti Classico DOCG 2015, Tuscany, Italy (WineryWineAlign)

Almost no movement in a wine that reached an accord and a fruit-acidity-tannin agreement early in its tenure. It’s still there and not evolving yet. Amazing considering no oak was used. Drink 2019-2025.  Last tasted September 2018

Sometimes there comes along a sangiovese of seriousness and classic nature to explain some things, particularly about the commune and the ground underfoot. Vignavecchia’s is such a Radda in Chianti animal, rooted in mineral traced earth, fruit seeping in its own bled liqueur and the chains of acidity and tannin strung together with inexplicable seamlessness. The fine exquisite character of this sangiovese is a testament to honesty, purity and clarity. This house just travels from strength to strength, with no break in the accord. Drink 2019-2025.  Tasted February 2018

Vignavecchia Chianti Classico Riserva DOCG Odoardo Beccari 2014, Tuscany, Italy (478875, $33.95, WineAlign)

“It’s not a very complicated or complex Riserva,” tells Orsola Beccari. Right of passage is second, third and fourth use barrels, with a small percentage (10ish) of merlot. It’s tight and reductive, at the peak of Radda acidity, perhaps not with fully uniform ripeness and so it is the lack of density that delivers the charm to match the Radda perfume. Paints another Vignavecchia picture. Drink 2019-2025.  Tasted September 2018

Vignavecchia Chianti Classico Riserva DOCG Odoardo Beccari 2011, Tuscany, Italy (478875, $33.95, WineAlign)

There’s almost a Burgundian comparison, the perfume and power, like Volnay, not masculine, but athletic. Like the climbing Cashmere goat, always walking uphill, not up and down, until it will arrive at where it needs to graze and breathe. No oscillation, just a rising. Come on up. Very representative, of Orsola, Odoardo, Vignavecchia and vintage. More impressive than ever before.  Tasted September 2018

A consistent and terrific follow-up to 2010 from old vines in Radda in Chianti, this is warm and creeping north (or south depending on your explanatory orientation) from deep, religious aromatics. Fresh slices of fennel bulb and wet concrete are rich, wet, juicy and vaporous. Sweet acidity and tannin join spicy red fruit from what is ostensibly the most unctuous and deeply tangy sangiovese you are likely to ever taste. This is quite something else, both hedonistically indulgent and propitiously wild and engaging. You had better like it hot and bothered, fleshy, gregarious and sexy. This really has it all. Drink 2017-2024.  Tasted February 2017

Vignavecchia Chianti Classico Gran Selezione DOCG Odoardo Beccari 2014, Tuscany, Italy (AgentWineAlign)

With 10 per cent canaiolo, just from the first, many terraced, closest to home estate vineyard. This has changed since last February, however minor, softened even. Aged in Grandi Botti, 8,000 bottles produced. Will be one of the great 2014 Gran Selezione.  Last tasted September 2018

Vignavecchia’s Odoardo Beccari is the obstinate one showing the first major number of reduction or at least it acts this way relative to nine other examples. Perhaps an opinion is skewed by having been in awe of recent examples or maybe its just a hunch or a feeling but this is stylistically found to be closer to Riserva and further from Gran Selezione. That is said in the most positive way. Still the soil is everything and the fruit abides. Crazy tannin here overtop serious acidity. Remains six years away, at least, from opening to charm and enjoyment. The structure is founded in deep classicism. Just remarkable sangiovese. Drink 2022-2030.  Tasted February 2018

The author Godello in Radda in Chianti

Vignavecchia Raddese IGT Colli della Toscana Centrale 2014, Tuscany, Italy (AgentWineAlign)

In the past it was not possible to produce 100 per cent sangiovese as CC and so Raddese was born, like so many other IGT. It could in fact now be Gran Selezione, but it is simply Raddese, from Radda, a local, from this place. It’s a selection, 4,000 bottle lot, the best bunches of the year, champion sangiovese of the season. It’s like Leone, Flacianello, etc, a lieu-dit like name, as an administrative word to create an estate gathered representative of the people who make wine in this place. Raddese. Very pretty wine, softer than the Chianti Classicos and the finest Radda acidity. Drink 2018-2025.  Tasted September 2018

Vignavecchia VinSanto del Chianti Classico DOCG Casuario 2009, Tuscany, Italy (Agent, 375 mL,  WineAlign)

A beautiful and aggressive Vin Santo. Dried herbs; rosemary, thyme and marjoram. Figs and apricot, with great sweetness and several conjugating dense acidities. Still quite primary, caramelized with great savour and working through some awkward moments towards a connubial future. Drink 2020-2030.  Tasted September 2018

Villa di Geggiano

Villa Di Geggiano Bandinello 2017, IGT Toscana Rosso, Tuscany, Italy (Agent, $24.95, WineAlign)

A 60/20/20 sangiovese/syrah/ciliegiolo mix, two weeks in stainless and a few months in old wood. The concept of design is to create fruity and ask to be consumed when young. Beautiful acidity from a southern, warmer clime possessive of necessary ventilation and a micro-climate where frosts and hail seem to pass on by. A tiny micro conca d’oro climate within a larger area typified by a great variegation in the soil; Alberese, schisty Galestro, limestone and clay with some sand. An extra level of interest is piqued by a rhubarb and black cherry meeting. Only 15,000 bottles were produced in 2017. Drink 2018-2021.  Tasted September 2018  villadigeggiano  andreaboscu  barrelselect  @VilladiGeggiano  @BarrelSelect  @villadigeggianowinery  @barrelselect

Villa Di Geggiano Chianti Classico DOCG 2015, Tuscany, Italy (Agent, $35.95, WineAlign)

It is noted that Geggiano’s terroir delivers a dark hue and deep profile but not the weight and thick constitution that might be thought to accompany or expect. It’s 100 per cent sangiovese and it does clock in at 15 per cent, though not surprising considering the vintage and the southerly location. A bit of new French tonneaux but mostly older, for 12-14 months. High acidity and elasticity takes this into balance. Delicious sangiovese comes from place and respect and Geggiano’s carries forth with tonality and depth. First wholly varietal wine in this vintage.  Last tasted September 2018

Geggiano’s particular corner of Castelnuovo Berardenga delivers the gift of calm and collected, deeply fruity and sneaky, streaky, stony sangiovese. It gets neither more subtle nor more appreciable than these wines and in 2015 there is warmth indeed but also a cool sliver of mineral truth. This Chianti Classico does not guess at its ways and intentions, it commits to them with implicit and intuitive, life affirming strength. Great length, really great length. Drink 2019-2024.  Tasted February 2018

Villa Di Geggiano Chianti Classico Riserva DOCG 2012, Tuscany, Italy (WineryWineAlign)

The 2012 is the current release because they (Geggiano and sangiovese) need time in the bottle. They simply keep a firm grip on their youth for quite an extended period of time. Riserva for the Bianchi-Bandinelli brothers is a matter of the best vines and the better barrel samples. Creosote and graphite really come from this nose, with tapenade, blood orange and violets. It’s almost more red fruit than the Annata “but that’s alchemy,” says Alessandro BB. This is a great example of work done alongside sangiovese oenologist Paolo Vagaggini, to transfer the variegate of the vineyard, through the conduit of time, into the glass. Still so young with great chains of stretched tannins, to be better in three more years. Drink 2020-2031.  Tasted September 2018

Four words for you babe- Mi-cro Cli-mate ~ #castelnuovoberardenga ~ Riserva ’09 by @villadigeggiano ~ #initforthelonghall

Villa Di Geggiano Chianti Classico Riserva DOCG 2009, Tuscany, Italy (WineryWineAlign)

Tasted alongside the 2012 there is a marked humidity and warmth of vintage and now three years on the balsamico and chocolate are really beginning to emerge. Certainly more strength and depth, the chains of tannin and command are breaking down and the wine is entering its next stage of life. Warm, silky smooth and soothing. Drink 2020-2027.  Tasted September 2018

Volpaia, Radda in Chianti

Castello di Volpaia Chianti Classico DOCG 2016, Tuscany, Italy (953828, $30.95, WineAlign)

Sangiovese simply stated is the fresh maker from the vintage that speaks to a maximum loud and clear pronouncement. Here Volpaia takes ripeness and wraps it up in a shell of protection that can and will not be broken. You can absolutely smell the freshest of red fruits in this ’16 and it’s a feeling that never dissipates. Always a benchmark for Radda and the greater territory. Drink 2019-2025.  Tasted November 2018  castellodivolpaia  rogersandcompanywines  @volpaia  @rogcowines  @volpaia

Castello di Volpaia Chianti Classico Riserva DOCG 2014, Tuscany, Italy (705335, $41.95, WineAlign)

From the vintage out of which no single vineyard wines were made. All of them are here, in this Riserva. With high elevation comes later picking and so because the weather turned beautiful in late September and early October it allowed hang time and more developed phenolics. And so here there is length, elongated loveliness and very restricted, properly managed, pent up aggression. It’s real and will age with some wavering here and there, for a decade or more, before really going into a secondary state you may or may not be interested in drinking. I for one will always be.  Last tasted November 2018

Volpaia Chianti Classico Riserva 2014 is expressly reductive with layers of beautiful fruit laid comfortable and resting below. The glycerin texture and fine, fine tannins tell us the life of this CCR will be long, slow developed and over time will become more beautiful than imagined. Benvenuto to the blessed nature of Macigno terroir exorcized properly, in allowance of place to hold court and fruit to slowly dance upon its stage, rhythmically and harmoniously together. This takes every advantage of a vintage that will build structure if you let it. Wait for Volpaia’s ’14 because two plus years from now the florality will floor you. So pretty. Drink 2019-2026.  Tasted September 2017

Castello di Volpaia Chianti Classico Riserva DOCG 1991, Tuscany, Italy (WineryWineAlign)

From back in the days of the old Chianti Classico and the rules when white grapes were allowed in the mix and here they are very present. There persists a fresh fruit construct even while earthy, umami, forest floor secondary notes are very much in play. Opened for hours ahead but not decanted, there develops a wild strawberry note that reeks of at once maceration and then, leather. The acidity is there but on a linear plane so not necessarily upholding its end, but that matters not because the persistence is unwavering. Drink 2018-2020.  Tasted November 2018

Castello di Volpaia Chianti Classico Riserva DOCG 1988, Tuscany, Italy (WineryWineAlign)

This return to a time in Chianti Classico when rules were lax and white grapes were permitted to mingle and variegate with the reds. This ’88 is amazingly floral, older earthy of course but alive with flowers so blessedly perfumed. The acidity is striking for thirty years, vibrant, eyes to the world and showing little sign of walking away from the theatre. It’s a testament to everything Volpaia has worked for and all that it can be. This will drink so well for five to seen more years. Wait 20 minutes and boom, fennocchio! And toffee, even a bit of caffé. Drink 2018-2024.  Tasted November 2018

Castello di Volpaia Chianti Classico Gran Selezione DOCG Coltassala 2015, Tuscany, Italy (Winery, $60.00, WineAlign)

Perfumed and powerful but quite frankly I can’t see any development since February of 2017. The fruit is out, up and in full control of its destiny. A long life ahead confirmed.  Last tasted November 2018

Welcome to the new age for Chianti Classico Gran Selezione longevity, meaning this is one to go further, deeper, well into the Radda in Chianti night. In answer to the question of category content, Coltassala was a Riserva (labeled as IGT) until the ’14 vintage (and there is no ’14 GS), always with five per cent mammolo, from the plot co-planted at the end of the 1960s. Then the vineyard was grafted in the late 70s (before Coltassala was created) in the early 80s. “Coltassala is a question of what was in this vineyard” notes Giovannella Stianti Mascheroni. Most interesting is how this Chianti Classico carries 10 times the acidity of the Annata and the Riserva, in great tension and demand, dominating and to be honest, is quite distracting. It’s nearly an impossible proposition of structure but from a night when a 1987 Riserva showed zero signs of decline, anything is to be believed. Coltassala is truly a body of work to represent this 500m vineyard and Volpaia with the highest nobility. Drink 2022-2032.  Tasted February 2018

Castello di Volpaia Chianti Classico Gran Selezione DOCG Il Puro 2011, Tuscany, Italy (Winery, $150.00, WineAlign)

Il Puro is as you would imagined it would be, the pure one, a 100 per cent sangiovese made from 25 different and combined clones. It’s a project concerned with protecting and preserving the genetic diversity of 60 years involved with the local and endemic varietal relationship. It’s all happened in Volpaia’s single vineyard Casanova. Quite bright and high-toned, there are layers upon layers of sangiovese-ness in a quite seamless package. It’s round, warm, soothing and welling with liquorice. Velvety tannins and so a lithe, liquid structure for optimum early to mid-years consumption. Drink 2018-2024.  Tasted November 2018

Good to go!

godello

Sangiovese is the future – Montefioralle, Greve in Chianti

Twitter: @mgodello

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Ricasoli, Barone Ricasoli

“Get in the car” says Francesco Ricasoli. We oblige, quickly and without hesitation. Francesco slams it into gear and we’re off to see the vineyards. The wonderful vineyards of Ricasoli. Every corner of the grand Gaiole estate, 1,200 hectares of property that includes nearly 240 hectares of planted vines and 26 of olive groves. We take in all five major types of soils identified on the estate though truth be told there are at least 19 different combinations of terroir. Ricasoli is extremely proud of this highly variegated geography. As their custodian and the man in charge of perpetuating Chianti Classico’s longest standing legacy he treats his work and the honour with the greatest respect.

Francesco Ricasoli and Massimiliano Biagi

Ricasoli’s five soils

Marine deposit soils of the Ricasoli estate

“Delivering purity with deep respect to exceptional vineyards.” This is the manifesto at the centre of the Ricasoli universe. The wines made from 100 per cent sangiovese are the soil king agronomist Massimiliano Biagi’s favourites. The permutations are many but they are all rendered through tireless research conducted and perpetuated at the hands of Francesco Ricasoli’s 25 years of service. Twenty-five years of re-planting vineyards, investigating biotypes, isolating exceptional soils, plots and exposures.

When you take a drive with @francescoricasoli you stop to breathe in the air. Castle behind sold separately ~ #gaioleinchianti #baronericasoli

The last time I paid a visit to Ricasoli and the Brolio castle was in 2016. At that time I wrote “the history of Chianti Classico, Tuscany and for that matter, Italian wine can’t be discussed or put into perspective without mention of Barone Ricasoli. That name has been linked to wine since 1141, when Brolio Castle passed into the hands of the Ricasoli family. The first 700 years of Tuscany’s most famous castle and the family aside, it is the work of Barone Bettino Ricasoli, Prime Minister, researcher, innovator and first marketing expert for the regions’ wines. Bettino is credited with having invented the Chianti formula in 1872. When I visited the Ricasoli family crypt in May (of 2016) I was struck by the fact that the Iron Baron passed away on my wife’s birthday. Then shivers travelled down my spine when I noticed a second Bettino Ricasoli shared a birthday with me.”

Ancient Fluvial Terrace of the Ricasoli Estate

If Bettino Ricasoli was known as Il Barone di Ferro, “The Iron Baron,” how should we refer to Francesco? Show me a wine producer in Chianti Classico more attuned with the world today and I’ll be sure to have a word with the Barone about upping his game. Francesco Ricasoli is a modern-day Renaissance man and a magician as a social media wizard. The evidence is posted regularly and plain to see, in the quality and quantity of his content, the pulse with which he follows what matters, the clarity and focus of his photography and the timeliness of his actions. He’s an orator in solicitation of  riveting dissertation and delivers on one helluva tour around his family’s estate. Most important of all he uses two ears and two eyes. He is a watcher and a listener. Here are the seven wines we worked through with Il Barone Dotato, “The Gifted Baron.”

Barone Ricaosli, Gaiole in Chianti

Barone Ricasoli Torricella 2016, IGT Toscana, Tuscany, Italy (Winery, WineAlign)

Comprised of 80 per cent chardonnay with sauvignon blanc. In the past it was a blend that included malvasia, going back as far as 1927. Some oak aging, no malolactic, the sauvignon blanc enters just at the final stage of the final blend, after the chardonnay has rested for 10 months in tonneaux. Direct, lean, mineral, composed and in no way strict as a Gaiole chardonnay. And yet here it is. Reduction comes back to bring it full circle. Drink 2018-2024.  Tasted September 2018  ricasoli1141  francescoricasoli  churchillcellars  @ricasoli_1141  @imbibersreport  @ricasoli1141  @imbibersreport

Barone Ricasoli Chianti Classico DOCG 2016, Tuscany, Italy (3962, $23.95, WineAlign)

Barone Ricasoli Roncicone 2015, IGT Toscana, Tuscany, Italy (Winery, WineAlign)

This is the next single-vineyard focused sangiovese in the Brolio portfolio and part of the new era, project and study intensification. Years of analysis, of soils and diversity of vineyards prepares us to look at various interpretations so that we may try to follow along and understand. This site is the marine deposit soil type with more presence of clay, richness of the organic earth and a big oak tree. And yet it’s a leaner expression, earthier, tannic and savoury. Not quite Alberese but the structure is chalkier, yet not in a purely calcareous way. Sharp, lifted and nearly explosive. Really needs time. Drink 2022-2030.  Tasted September 2018

Barone Ricasoli Chianti Classico Gran Selezione DOCG 2015, Tuscany, Italy (942607, $59.95, WineAlign)

This is the flagship Chianti Classico established in 1997, always the man, the most important and expensive wine of the estate. It’s also the first to shun the Super Tuscan commodities, eschewed to establish a Chianti Classico at the top of the game. Pioneer for a place that was once and can forever be great, now travelling retroactively back to the future of fame. In this context it surely makes sense that it then moved forward into the Gran Selezione category going back to 2007, always priced near the top. This generous and mostly easy vintage brings together classic Brolio cherries and acidity with powerful, linear and soliciting 2015 tannins. Draws you in, ties you up and keeps you around for the long run. Drink 2021-2029.  Tasted September 2018

Good to go!

Godello

Twitter: @mgodello

Instagram: mgodello

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Two sides of the River Greve

Two sides of the Greve River

To really understand a river’s work you sometimes have to walk both of its banks. You need to experience an ambling along the right, then the left and only then can you get a sense of what it means to be a river. How it matters to split a stretch of geography and to render the two halves as adversaries but also partners. A morning visit to Podere Campriano followed by an afternoon hang at Azienda Agricola Montefioralle aptly demonstrates two apposite and contrasting styles of Chianti Classico sangiovese. All part of a day’s work in the meanderings around Greve in Chianti.

Montefioralle, Greve in Chianti

Related – Chianti Classico’s Canadian dream

This time last year I wrote about Chianti Classico’s famous flow, which along with i fiumi Arbia and Pesa are the liquid lifelines of the territory. In that piece I said “the Greve River (fiume Greve) is a 43 kilometre slide of twists, turns, switchbacks, rises, falls and settles into floodplains. It’s origins are upon Monte Querciabella in Radda, north of Volpaia, southwest of Badaccia a Monetmuro and southeast of Lamole. Heading swiftly northwest it then crests as a flat flood plain between Panzano and Greve, known as the Piano di Montagliari. Continuing north it slices the village of Greve in Chianti and along Strada 222 past Villa Calcinaia, Verrazzano and Vicchiomaggio. It eventually spills into the Arno River at Firenze.”

#montefioralle #circolinomontefioralle

Related – A river runs through Greve

That crested plain is a stretch that separates two essential Greve growing spits, Montefioralle on the west and the hill occupied by Podere Campriano on the right, also home to a sub-frazione known as Alta Valle della Greve. These contrasting micro-terroirs are worth an introspective look, if only to gain some perspective on how sangiovese can differ so much with only a few kilometres of separation, two banks of a river, the aspect and angles of hills and the composition of soils. Only and yet so diagnostic in the assessment of wines produced.

Podere Campriano

“The sangiovese is the best way to represent the territory.”

Campriano’s mostly west and southwest facing vineyards on some of Chianti Classico’s and certainly Greve’s steepest slopes gather a great accumulation of afternoon sun and yet the overall temperatures are lower than Montefioralle. From the sandy soils with great Galestro prevalence on the steep, east bank of the Greve River. Similar soil profile as Montefioralle (albeit with less true clay) across on the west bank but the weather is so different; less humidity, more diurnal temperature fluctuations but also extreme conditions.

Podere Campriano’s Elena Lapini

Their’s are Alta Valle della Greve sangiovese of unparalleled cumulative phenolics, richly aromatic and sturdy with the best of the ilk. The total annual production is 13,000-15,000 bottles with an emphasis on the signature CC grape variety. “The sangiovese is the best way to represent the territory,” states Elena Lapini with a shrug of authority. Her cuisine is meant to accentuate her family’s varietal love. Pici con Salsiccia e Funghi, Fennochina, Coppa con cannella, Prosciutto e Pancetta.

Pici, Podere Campriano

Montefioralle is close to Castello di Montefioralle, southwest of Greve and south of Greti. The hamlet has 79 residents and sits at an elevation of 352 meters. The zonazione is home to the Associazione Viticoltori Montefioralle of 14 producers. The terroir in Montefioralle is indeed mostly calcareous clay, with sand and in some cases, outcrops of “compresso indifferenziato argille scagliose,” part schisty calcaire with less instances of Galestro or Alberese and more Macigno. Once again yet another micro-territory in Chianti Classico to be considered for menzione geographiche aggiuntive.

Montefioralle’s Lorenzo Sieni

At Azienda Agricola Montefioralle Lorenzo Sieni pours his heart and soul into the tiniest of productions, at least by Chianti Classico standards, which as a whole is not exactly or overtly commercial on any grand scale. Lorenzo’s passion project is also a community’s but there is still much to figure out. He tells us “I know what to expect from my (and my father Fernando’s) Annata and my Riserva but it’s still unknown for Gran Selezione. Greve may get some fog but here it can be three or four degrees warmer, day after day. I started when I was born. But this is a side business for me.”

Podere Campriano, Greve in Chianti

Podere Campriano Chianti Classico DOCG 2015, Tuscany, Italy (Winery, WineAlign)

From the sandy soils with great Galestro prevalence on the steep, east bank of the Greve River. Same soil profile as Montefioralle across on the west bank but the weather is so different; less humidity, more diurnal temperature fluctuations but also extreme conditions. Never easy to farm here and the wines are proficiently perfumed. Simple and never boring, of purity and nuance by land that can’t help but speak to all that it has to say. The texture is one of softness, caressing and really just pure speciality in delight. Finesse and delicasse. Drink 2018-2023.  Tasted September 2018  poderecampriano  @ElenaCampriano  Elena Podere Campriano Lapini(Podere Campriano )  Elena Lapini

Podere Campriano Chianti Classico Riserva DOCG Le Balze Di Montefioralle 2014, Tuscany, Italy (Winery, WineAlign)

Varietal is the populist notion once again, as only a solo act, out of a purity by one hundred per cent sangiovese. From land once covered in forest, of a magically, or eerily a same soil profile as the other Greve in Chianti bank, sandy and rich in Galestro. The Riserva profile gives this more depth and even a certain next level of extraction, but it’s more about fruit-earth-rock layering and variegation. What comes from this side of the tracks is spice interwoven through dusty and bushy aromatics and then, the liquid palate texture derived from the rendering of that spice. Drink 2019-2024.  Tasted September 2018

It is said let @chianticlassico be elegant and @poderecampriano obliged ~ #greveinchianti #montefioralle #altavalledellagreve #sangiovese #chianticlassicoriserva

Podere Campriano Chianti Classico Riserva DOCG Le Balze Di Montefioralle 2015, Tuscany, Italy (Winery, WineAlign)

Just put to market, the vintage will surely have so much to say and that it in fact already does, with a combination of perfume and spice. Still dusty, with fennel and endemic herbs, teas and brushy plants. There’s a raspberry to dried currant fruitiness that ’14 doesn’t have, also more mid-palate flesh and overall juiciness. A different sort of structure, still with long capabilities but will likely go into a drier fruit profile after the seven year mark. Elena Lapini is a very busy agriturismo and viticoltore proprietor these days and if these most recent 100 per cent sangiovese from two sides of the Greve river tracks are any indication, she’ll be busier than ever before. Drink 2019-2025.  Tasted September 2018

Podere Campriano 80 (Ottonta) IGT Alta Valle della Greve 2013, Tuscany, Italy (Winery, WineAlign)

From Elena Lapini’s grandfather’s 1980 planted vines, a “table wine” that is 100 per cent sangiovese from those 35 year-old vines. It’s on the fruity spectrum while coming from roots burrowed deep into the Galestro. A serious, intense, wise and composed sangiovese, with more mid-palate liqueur and viscosity. This could technically be classified as Gran Selezione, like Carobbio’s Leone (as an example), but that just might confuse. And so by 2015 it may be labeled Riserva, a second Riserva. Or perhaps further down the road with a dozen archetypal others and come back to the appellation with a mention of Alta Greve in tow. Who’s to say? Drink 2019-2025.  Tasted September 2018

Celebrating 50 harvests at Montefioralle

Azienda Agricola Montefioralle, Montefioralle-Greve in Chianti

Montefioralle Chianti Classico DOCG 2016, Tuscany, Italy (Winery, WineAlign)

Harvested at the end of September from the warmest and most gracious gifting vintage. Stock in colour may be unnecessary but oh so beautiful this one, deeply hued, rendered of a purple that’s really just perfect. Grace in acidity meets depth of fruit and such polish. There is nothing rustic about this and yet the perfumed meets spice profile is exacting and pure for this Montefioralle terroir, which incidentally is three hectares of planted vineyards. Silk in sangiovese, honest and pure. Drink 2019-2025.  Tasted September 2018  montefioralle  @MontefioralleWi  @ViMontefioralle  @montefioralle  Lorenzo Sieni  @viticoltorimontefioralle

Montefioralle Chianti Classico DOCG 2015, Tuscany, Italy (Winery, WineAlign)

“The year, in my opinion, was too hot,” explains Lorenzo Sieni. “We don’t have perfect tannin in this vintage.” At least not for the Annata made from younger vines. More than one year in bottle now, still nervy but the levels of phenolic ripeness and juiciness are exceptional. More firmly structured than many ‘15s because of the place, the altitude and the solar exposure. Striking acidity brings about the balance. Drink 2019-2024.  Last tasted September 2018

Perhaps this vintage is necessary to gain an understanding of Montefioralle or perhaps it was always there and a connection just needed to be found. The inhalant of elemental abstraction is remarkable and singular so let us open the discussion about the interest and in fact the necessity for Montefioralle. Just gorgeous from a fruit perspective, dusty and rising in tone with breaches considered and levels touched but never crossed. The risks are many with the rewards justified, palpable and great potential comes as a result. Check out Montefioralle. This tells you why. Drink 2019-2025.  Tasted February 2018

Montefioralle Chianti Classico Riserva DOCG 2015, Tuscany, Italy (Winery, WineAlign)

So very young and powerful, just a few months in bottle. Primary and beautifully perfumed with the liquified deep fruit chalk of the frazioni and a hit of exotic spice. An intensity that ’14 just did not show and the polish we know to be the kind mastered out of Montefioralle by this passion project house. The liqueur is again one of textured silk, a viscosity to nearing the vanishing point of glück and in the end, total domination. Drink 2019-2024.  Tasted September 2018

Montefioralle Chianti Classico Riserva DOCG 2014, Tuscany, Italy (Winery, WineAlign)

“The only way to increase the quality was to decrease the quantity,” is Lorenzo Sieni’s explanation of the vintage. Plenty of cutting (40 per cent) led to 1,800 bottles produced, “but I’m very proud of the result.” True liqueur and it’s actually begun to show some secondary character, dried fruit and a hint of porcini and such, certainly not typical but that was this vintage. Intense perfume, high liqueur, incense, peppermint and smells of salons and apothecaries. A wild Riserva ride. Drink 2018-2022.  Last tasted September 2018

Montefioralle is a deeply felt sensation of sangiovese preservation bringing everything that is Montefioralle within Greve with power and grace. Such fruit wealth is remarkable for 2014, distinct from its geological birthing and powerful to the end. Oh how this celebrates a zone within a zone. Drink 2019-2025.  Tasted February 2018

#sleeper frazione

Montefioralle VinSanto del Chianti Classico DOCG 2014, Tuscany, Italy (Winery, WineAlign)

From trebbiano and malvasia at a sugar content of 129 g/L, soft, lighter, in balance with its acidity. Nothing heavy or cloying, noting peaches and apricots, perfect for a bite of biscotti. Only three years of aging, the minimum, for a light and fresh VinSanto. Thanks to Carlo in his element inside the Vinsantaia. Drink 2018-2022.  Tasted September 2018

Good to go!

Godello

Two sides of the Greve River

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Timeless Castello Di Monsanto

Eternal. Abiding. Perennial. Permanent. Without end. All are synonyms that might be used to make connections, descry viewpoints or ascribe to ideas of timeless representation. Kinship in the name of Castello di Monsanto. In September of 2018 I step from of a plane in Firenze and one hour later find myself walking the caves with a greggi of Chianti Classico ambasciatori, led by the estate’s charge and enduring voice in Laura Bianchi.

Related – Chianti Classico’s Canadian dream

Monsanto’s story begins with Aldo Bianchi, a native of San Gimignano who arrives at the estate in 1960 and quickly purchases the property. His son Fabrizio and daughter in law Giuliana plant new vineyards, convert the numerous farmhouses and then, in 1962, for the first time within the area of the Chianti Classico denomination, Fabrizio vinifies grapes from Il Poggio vineyard. The birth of the Chianti Classico Cru.

Laura Bianchi

In 1968, Fabrizio eliminates the white grapes trebbiano and malvasia from the Poggio blend, which at the time are a compulsory requirement for the specifications of the DOC and as a producer announces the message of putting sangiovese at the forefront. Then in 1974 the creation of the Fabrizio Bianchi Sangioveto, then labelled as Sangioveto Grosso – a table wine made exclusively from sangiovese grapes, from the 1968 Scanni vineyard. The same year 1974 the Valdigallo vineyard is planted, eventually leading to the Fabrizio Bianchi Chardonnay.

Castello di Monsanto, Barberino Val d’Elsa

In 1986 the construction of underground caves begins. Mario Secci, Giotto Cicionesi and Romolo Bartalesi hand-build 300 metres of tunnels for the storing of wooden barrels, using only the Galestro marl stone from the vineyards, with the medieval technique of arched wooden ribs to give shape to a long and lowered Etruscan arch. In 1992 the work is completed.

Off the plane and into the catacombs with the effably endearing Laura Bianchi @castellomonsanto ~ #chianticlassico #bootcamp

Which brings us to Laura Bianchi. It is in 1989 that Laura begins to take part in the Monsanto work and since 2001 that she and Fabrizio have collaborated to take the company to where it is today. The six September wines poured by Laura Bianchi are the sort that bring so much of what Chianti Classico is to light. The most obvious sensory response is to sangiovese’s uncanny ability and drive to age with slow developing character and grace. The less knowable concerns the tenets of terroir and how each micro-block, hill and subset of soil will always deliver wines unlike any sister, brother, cousin or neighbour. Monsanto defines singularity and in turn the multiplicity of Chianti Classico. Timeless Castello Di Monsanto.

Chianti Classico Quebec ambassador Kler-Yann Bouteiller, Laura Bianchi and Godello — photo (c) Chianti Classico USA

Castello Di Monsanto, Barberino Val d’Elsa

Castello Di Monsanto Chardonnay Collezione Dai Vigneti Di Monsanto 2016, IGT Toscana, Tuscany, Italy (Winery, WineAlign)

Planted first in 1976, one third of the fruit sees tonneaux and is then blended after seven months with the stainless portion. Quite rich, vaporous and viscous, intensely mineral. Very lemon, vehemently tangy, gold liquid chalky. Subversively Tuscan chardonnay. Drink 2018-2020.  Tasted September 2018  castellomonsanto  @lbmons  @castelmonsanto  @castello.dimonsanto  Laura Bianchi  Carpe Vinum

Castello Di Monsanto Chianti Classico DOCG 2016, Tuscany, Italy (Winery, WineAlign)

Annata of 90 per cent sangiovese with both canaiolo and colorino, traditional, loyal and streaked by the Galestro qualified off this ridge extended out of San Donato in Poggio. Juicy, fresh and forward, expressive of the vintage, not so muscular. Sangiovese like going home and crawling into the bed you slept in as a child. Drink 2018-2021.  Tasted September 2018

Castello Di Monsanto Chianti Classico Riserva DOCG 2015, Tuscany, Italy (719864, $34.95, WineAlign)

The blend is the same as the Annata (sangiovese with 10 per cent canaiolo and colorino combined) but the execution different. It begins in January, where lots are tasted blind and the process begins to decide which barrels will be destined into Riserva. Barriques are also used though like the Annata’s tonneaux, none are new. What separates this is more than fruit, it’s the exceptional and specific acidity. In here Galestro talks with effluent and affluent ability. No matter the modern glow there is always a timeless beauty so you can still place this in the oldest of sangiovese worlds, with the finer tannic talents showing through. Drink 2019-2023.  Tasted September 2018

Castello Di Monsanto Chianti Classico Riserva DOCG Il Poggio 2013, Tuscany, Italy (719864, $85.00, WineAlign)

The cooler, cloudy vintage has been taking its time to emerge and 2018 is now live, in the present and in the flesh, ready for its time. This is confirmed by the grand artist known as Riserva from perhaps the most iconic hill in all of Chianti Classico. Still bright, effusive and not fully ready to let its tannin melt away. The sangiovese component is in the 90-95 per cent range, again with canaiolo and colorino coming around to complete the whole. The tension persists and the tannic structure in this “Selezione” is much tighter than the Annata or the first, non terroir specified Riserva. Still hard to believe how grippy this is. A soon to come epiphany with the 1968 helps to explain Il Poggio’s phenomenon. As a racer Monsanto’s Riserva 2013 is Marco Pantani, greatest climber of a generation, with so much grandiosity, potential and possibility, straight to the top of Il Poggio. Drink 2020-2030.  Tasted September 2018

Castello Di Monsanto Chianti Classico Riserva DOCG Il Poggio 2001, Tuscany, Italy (719864, $85.00, WineAlign)

Fascinating 17 year look back into where sangiovese from this Barberino Val d’Elsa Galestro began and to where it has travelled. The acidity still rages and the sweetness of this fruit continues to burst and pop, one berry at a time. What a structured wine this was and persists to be, with a mid-palate coating to speak of time and place. Age has brought even more grip, certainly variegation, in hue and temper. Though these next seven years will be the very best, there will be at least 10 more after that out of which curiosity, interest and pleasure are all a guarantee. Drink 2018-2025.  Tasted September 2018

50 years ago this #chianticlassico entered the world. Suffices to say 1968 was a pretty good year ~ @castellomonsanto

Castello Di Monsanto Chianti Classico Riserva DOCG Il Poggio 1968, Tuscany, Italy (719864, $85.00, WineAlign)

“A good, not an outstanding vintage, with some vines affected by botrytis,” explains Laura Bianchi, though truth be told she’s relating the information from stories and legends. You can taste it, in a sweetness that reminds of quince and apricot. Plums are dusted with white pepper, sherry drizzles over sugar plums and in the end, acidity continues to shine. It’s still a dramatic drop of sangiovese, with longevity preservation going back to the era (1962-1969) when the wines were aged in chestnut barrels. This at 50 years of age is so alive, time encapsulated, dew sweetened, ethereal. Drink 2018.  Tasted September 2018

Good to go!

Godello

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