In a Pinot Noir province of mind

Niagara

Save for the Oregonian version, Ontario has become the place to produce Pinot Noir out of soils not called Côte de Nuits or Côte de Beaune
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No other grape causes more of a stir, is responsible for more hair to fall and breaks more hearts. It doesn’t play well with others. It refuses to share, to be blended, to give anything less than 100 per cent. For many, there is no other variety. How often does a conversation begin with “what is your favourite wine” and end invidiously with “Burgundy?” End of argument. Nothing more to discuss. While Burgundy certainly persists as the historic locale possessive of the title “when it’s great, it’s the best,” Pinot Noir has flown the coop. The expatriate extraordinaire has migrated about the globe and is no longer always a wannabe facsimile where it’s now grown and bottled.

A bold statement to be sure is coming, now. Save for the Oregonian version, Ontario has become the place to produce Pinot Noir out of soils not called Côte de Nuits or Côte de Beaune. The argument finds root in the climate (cool) and the terroir (ideally suited). The anomaly that is this season’s Polar Vortex notwithstanding, Ontario’s weather is Pinot weather. The thin-skinned variety thrives in Ontario’s typical autumn conditions, maturing evenly and with a phenolic ripeness necessary to fulfill complex tendencies. Soil could not compose itself any better. The huge rock beneath the surface in Prince Edward County screams Pinot Noir, if by way of Burgundy. The Niagara Escarpment and its foothills beg to support Pinot vines. No, really. Go stand in the Lowrey Vineyard on the peninsula. The land beneath your feet will whisper sweet Pinot nothings into your ear.

Arguing the meritorious benefits of grapes and specific sites is an exhausting though compulsory one. I have been a staunch supporter of the need for planting Riesling and Gamay everywhere. Ontario can and will do no wrong with these varieties, whether it be PEC, LENS or any Niagara Peninsula terroir. Chardonnay too, though it produces the greatest wines in the appellations of the Beamsville Bench, Twenty Mile Bench and Vinemount Ridge. The benches likewise work wonders for Cabernet Franc, though many producers make terrific renditions down by the lake.

Pinot Noir requires more site-specific consternation. The learning curve inhabited by our top Pinot producing stars has pinpointed certain neighborhoods that support their clairvoyance and expensive habits. Norman Hardie knows the Pinot innuendo of both Prince Edward County and the Niagara Peninsula. Hardie’s Unfiltered 2012 ”brings to mind indelible Burgundy, enveloped in PEC’s warm ’12 blanket.” Thomas Bachelder makes Pinot in Burgundy, Oregon and Niagara, but it is his Lowrey Vineyard 2011 that blows my mind. “The somewhereness of this St. David’s vineyard can’t be denied, and in the hands of Thomas Bachelder the extraordinary happens.” The micro-terroir studies of Ed Madronich and Jay Johnston is the stuff of quantum eonology. The Summit Block 2011 does “impossible Burgundy,” between a Flat Rock and an escarpment.

So where is the best site for making Pinot Noir in Ontario? Prince Edward County? Twenty Mile Bench? Beamsville Bench? Vinemount Ridge? St. David’s? Has the industry matured to such a level that a Cru system should now be defined? The answer may not be forthcoming today but it’s just around the corner. Pinot needs to be cultivated and fostered so that plots can continue to be identified and qualified. The future of the industry depends on it.

I have recently tasted more than 30 Ontario Pinot Noir. Many are worthy of a second look and more than a dozen a place in my cellar. Here are notes on five more, all deserving of their place in the Pinot sun.

From left: CAVE SPRING PINOT NOIR DOLOMITE 2011, INNISKILLIN MONTAGUE VINEYARD PINOT NOIR 2011, TAWSE GROWER'S BLEND PINOT NOIR 2010, HIDDEN BENCH ESTATE PINOT NOIR 2010, and 13TH STREET ESSENCE PINOT NOIR 2010

From left: CAVE SPRING PINOT NOIR DOLOMITE 2011, INNISKILLIN MONTAGUE VINEYARD PINOT NOIR 2011, TAWSE GROWER’S BLEND PINOT NOIR 2010, HIDDEN BENCH ESTATE PINOT NOIR 2010, and 13TH STREET ESSENCE PINOT NOIR 2010

CAVE SPRING PINOT NOIR DOLOMITE 2011, VQA Niagara Escarpment, Ontario (26351, $21.95, WineAlign)

Part Beamsville Bench (70 per cent) and part Twenty Mile Bench (30), this best of both worlds Pinot is full of calcium magnesium carbonate, Jurassic bark. Playful as opposed to angry, this is not so much Snoop Dogg’s Dolomite but more like an animated Futurama. Seduces with a sweet red berry entry and bound by a really fine acid/tannin/fruit balance. Admittedly not overly complex but for the price it shows good structure. As far as Pinot goes, this one is a made for beef or rack of veal.  89  Tasted October 2013  @CaveSpring

INNISKILLIN MONTAGUE VINEYARD PINOT NOIR 2011, VQA Four Mile Creek, Niagara Peninsula, Ontario (997353, $24.95, WineAlign)

Montague is a single-vineyard child of rain and heat. The flux of the growing season translates to a troubled and disjointed youth; musty, earthy and unforgiving. Still this Inniskillin is thick, unctuous, sharp, chewy and while currently situated on the darker side of Pinot, all this will change. Not yet showing what he is, the ’11 will “keep on keepin’ on, like a bird that flew,” and eventually be tangled up in blue.  89  Tasted October 2013  @InniskillinWine

TAWSE GROWER’S BLEND PINOT NOIR 2010, VQA Niagara Peninsula, Ontario (130989, $26.95, WineAlign)

The univocal Pender perfume permeates the Tawse stable of Pinot Noir and seems only magnified in the multiple site Grower‘s Blend. Vintage related warmth and inferable incrassation of fruit. Delves into a deep connection to disparate lands possessive of a common goal.  As if making wine is “your taste combined with all the years of wasting time.” Graceful Pinot Noir with moments touched by hot rocks, toasted red rice, a gentle smoulder and delicate grains of sand.  90  Tasted October 2013  @Tawse_Winery

HIDDEN BENCH ESTATE PINOT NOIR 2010, VQA Beamsville Bench, Niagara Peninsula, Ontario (winery, $40, WineAlign)

Clean, pure and crisp. As if raspberries covered in Beamsville dirt with an underlying lurk of grain and tannin. Crackling Pinot studded by caper berry and a sheer Mediterranean point of view. From an earlier note: “Takes my previous impressions to a higher plane. Standing correct by calling it a “a vintage relative release” but it’s so much more than “a quaffable, generous fruit sui generis.” Beets turn into plums. Opaque hue reminds of graceful Nebbiolo with a dancer’s legs in aperture. Wins in judicious use of French wood. Tannins persist in the rear-view mirror. Big ’10 that speaks of another level in Beamsville Pinot Noir. “Think about it, there must be higher love.” 91  @HiddenBench  @BenchVigneron 

13TH STREET ESSENCE PINOT NOIR 2010, VQA Niagara Peninsula, Ontario (237222, $44.95, WineAlign)

Only the second coming of The Essence. Lucid, willing and able Pinot Noir from an assemblage of fruit sourced across the region. Atypical in that sense, speaking to a broader range of terroir and to a wider audience. Breadth and depth much like a Côte de Beaune, earthy of serious dirt layered over top a cherry core. Attention now and for five plus years is needed because though to taste it’s currently confounding, time will see more complexity, development and emerging emotion. It will then solicit a cry of  ”baby, sweet baby, you’re my drug. Come on and let me taste your stuff.”  91  Tasted October 2013  @13thStreetWines

Good to go!

Gripping wines from Spain and Italy

Europe

How can winemaking trump terroir?
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Winemakers in the most famous regions of Spain and Italy have gone pro in the practicum of wine that speaks loud and clear. If there is a downside it is the blurring of lines and overlapping of circles, where regions set far apart show similar, if near identical characteristics in their wines. How does this happen? How can winemaking trump terroir?

The simple answer is wood. Barrel usage is a global affair, with wineries scouring oak forests the world over to age their wine. French oak is most used and whether you make wine in central Italy or northern Spain, the oak you employ may result in more than just the commonality of wood. If your processes are tied by similar or even identical ties, your wines may taste eerily like one another, if not outright like kissing cousins.

Despite the oligopoly of technique and the lack of winemaking individuality gone viral in this generation, there are three things that continue to work in favour of regional character. The first is obvious. Soil. Or, more importantly, the components, the rocks and minerals that fleck the earth. Secondly, attitude. Call it conceit if you like but when a winemaker has the guts to make wines we like to call grippy, you can’t help but stand up and take notice. Third and so important to the consumer, is price. Spending $15-30 on wines from the most historic locales such as Burgundy and Bordeaux is almost always nonsensical and a waste. No where else in the world offers grip, pomp and pride like Spain and Italy and in that go to mid-price range.

A pentavalent and benevolent group fits this requiem for commercial gain. Rioja, Ribera del Duero and Priorat from Spain. Chianti and Abruzzo in Italy. A Venn diagram of commonality can be agglomerated from their proclivities. It is in these fab five Old World wine regions where a twain of ancient and state of the art collide. Here are seven gripping wines from Spain and Italy.

From left: CEPA 21 HITO 2010, ÉBANO CRIANZA 2008, and RESALTE DE PEÑAFIEL PEÑA ROBLE RESERVA 2004

From left: CEPA 21 HITO 2010, ÉBANO CRIANZA 2008, and RESALTE DE PEÑAFIEL PEÑA ROBLE RESERVA 2004

Ribera Del Duero

The history: Located in north-central Spain, on a plateau, 90 minutes from Madrid. Ribera, or “river bank,” extends from both sides of the Duero. The Denominación de Origen (D.O.) of Ribera del Duero dates back to 1982.

The lowdown: Highest average elevation in Europe for growing red wine grapes. Summers are hot, winters are cold, rainfall is minimal. Lower vineyards are alluvial with sand and reddish clay. Higher ones built of limestone, marl and chalk. Tempranillo in the main grape. Finest recent vintages include 2004, 2009 and 2012.

CEPA 21 HITO 2010, Ribera Del Duero, Spain (360503, $17.95, WineAlign)

Oh the shaken, modern humanity. Nothing shocking here, this 100 per cent Tempranillo parfait of silky chocolate, mixed berries, vanilla and wood chips. Finds parity in biting red cherry flavour. Though it may as well be any ambiguous, heterogeneous or hermaphroditic $30 IGT, its price puts it at the front of the line. Fun to drink, high-toned, textured and structured, though its origins are not at once obvious. Will evolve felicitously for five to seven years.  89  Tasted December 2013  @DrinkRibera

ÉBANO CRIANZA 2008, Ribera Del Duero, Spain (355099, $21.95, WineAlign)

Amid a sea of Spanish reds, this Ribera stands alone as the most modern on the table. Dusty, trenchant dark chocolate, mocha crema, thick, syrupy, rehydrated plum fruit. Accented by both white and black pepper, anise and a late lash of astringent tannin. Abrasive as a pleading Waits croon, this Crianza is “better than a cup of gold. See only a chocolate Jesus can satisfy my soul.” Another Ribera with qualities akin to present day, Sangiovese dominated Chianti Classico. Immaculate confection.  89  Tasted December 2013  @EuroVinatage

RESALTE DE PEÑAFIEL PEÑA ROBLE RESERVA 2004, Ribera Del Duero, Spain  (355107, $31.95, WineAlign)

Typically modern version with just the right amount of age. Interesting to see nearly 10 year-old Ribera, with so much obvious oak and modernity retain its fruit lushness and presence after such a chunk of time could have stripped away its freshness. Candied violets and pansy, peppery nasturtium and marble slab, rocky road ice cream. Oak nearly integrated but persistent in chalky texture. Confounding bareback ride on a wild 100 per cent Tempranillo horse that bucks as if Bordeaux or Rhône varieties would seem to bolster the whole.  90  Tasted December 2013

From left: CIRELLI MONTEPULCIANO D'ABRUZZO 2012, CASTELLO DI QUERCETO CHIANTI CLASSICO 2011, PLANETS DE PRIOR PONS 2009, and ONTAÑÓN RESERVA 2004

From left: CIRELLI MONTEPULCIANO D’ABRUZZO 2012, CASTELLO DI QUERCETO CHIANTI CLASSICO 2011, PLANETS DE PRIOR PONS 2009, and ONTAÑÓN RESERVA 2004

Abruzzo

The history: Central Italy, stretching from the heart of the Apennines to the Adriatic Sea.

The lowdown: Mostly mountainous and wild terrain. The four DOC produced in Abruzzo are the Contro Guerra, Trebbiano d’Abruzzo, Montepulciano d’Abruzzo and Montepulciano d’Abruzzo Colline Teramane. Montepulciano is the most planted red variety. Finest recent vintages include 2006, 2009 and 2010.

CIRELLI MONTEPULCIANO D’ABRUZZO 2012, Abruzzo, Italy (663939, $17.95, WineAlign)

Winemaker superstar to be Francesco Cirelli does what more should do. Age organic grapes of purity and pristine quality in clay Amphore. The natural empathy and wisdom of crop rotation (for more than just grapevines) drives the logic and proportion of Cirelli’s wines. This Md’A smirks and balks at thoughts of it as entry-level, though it concedes to the moniker ’poster child’. From 15 year-old vines set in sandy clay soils near Atri in the Colline Teramane zone. The fruit is like raspberry felt, lifted, spritely, gregarious and inviting. The wine never plunges into bitterness, nor does it depend on any crutch to remain upright and weightless.  90  Tasted September 2013 and January 2014  @TheLivingVine

Chianti

The history: In central Tuscany. The two Chianti zones, Denominazione di origine controllata (DOC) and Denominazione di Origine Controllata e Garantita (DOCG), produce the largest volume of DOC/G wines in Italy.

The lowdown: Chainti Classico must have a minimum 80 per cent Sangiovese, the main variety of the region. Other indigenous grapes include Canaiolo and Colorino, bur Cabernet Sauvignon and Merlot are also used. Soils vary from marl of layered sandstone, to chalk and clay, blue-grey sandstone and clay-limestone. Finest recent vintages include 2006, 2007 and 2011.

CASTELLO DI QUERCETO CHIANTI CLASSICO 2011, Tuscany, Italy  (680496, $22.95, WineAlign)

Heather meadow Sangiovese, emotive of old school Chianti Classico aromas, notably tea, new leather and sour cherry. Texturally succulent and lush, like mini-modern Sangiovese Grosso. Nearly syrupy and 90′s-styled by a heavy-handed, wood-soaked guilty conscience. The kind of CC to “waste away the weekend with perfect regard for how cavalier we used to be.”  89  Tasted December 2013  @ChiantiClassico  @ProfileWineGrp

Priorat

The history: In Catalunya, northeast Spain. The most recent regulations of the DOQ were defined in 2006.

The lowdown: Dominated by hillside vineyards with poor soils, the dark slate called Licorella and low-fielding old vines. Garnacha and Carinena are the most planted, but also international varieties such as Cabernet Sauvignon, Merlot and Syrah. Finest recent vintages include 2004, 2009 and 2012.

PLANETS DE PRIOR PONS 2009, Priorat, Spain, (314559, $24.95, WineAlign)

Clearly contemporary, voluptuous Garnacha blend, in symmetry with foil Carinena, In support are small amounts of Cabernet Sauvignon (10 per cent), Merlot (five) and Syrah (five). Chalk, grain and chocolate intensity, scents of dusty mulberry, menthol tobacco, eucalyptus and licorice. Works its international styling to great effect, if a bit heavy, woody and hollow up the middle. Lags just behind the stellar 2008 and yet this ’09 will have many a follower. Just a bit more structure would make it a prize.  89  Tasted December 2013

Rioja

The history: In northern Spain, on both sides of the River Ebro. The oldest Designation of Origin in Spain (DOCA), established in 1926.

The lowdown: Confluence of Atlantic and Mediterranean climates, with soils ranging from chalky-clay, to ferrous-clay and alluvial. Tempranillo is the most planted (red) grape. Finest recent vintages include 2005, 2005, 2010 and 2011.

ONTAÑÓN RESERVA 2004, Rioja, Spain (725895, $25.95, WineAlign)

The animal that is an ’04 Rioja Reserva is a VINTAGES darling. Here is yet another example in a long line-up spread out over several months of releases. 2004 palate fatigue should certainly have set in but for this youthful yet learned Ontañón. The dichotomy is not lost with much wood to be nosed though it’s neither abstruse nor resinous. More like a smoking cedar plank beneath the rendering weight of a slow-roasting porcine slab. Tangy cherry, sour plum and really stretched length. Mineral finish. Brillo Tempranillo with a touch of Graciano.  91  Tasted December 2013  @TandemSelection

Good to go!

Feeling under the weather? Drink wine

Wine is your friend.

Wine is your friend.
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A year ago today the lead to my January 15th, 2013 column spoke succinctly to the mantra. “A glass or two of wine might just be the thing to help ward off the common cold and the flu.” In that rant some substantiating evidence was laid out in support of drinking wine (in moderation) to help fight off the nasty bugs of winter. A year on my conviction does not waver. Wine can help cure what ails. A wine prescription for cold and flu has been a curiosity read for many over the past 365 days. Ridiculousness? Perhaps. Personal hermeneutic? Yup. Something to consider? Definitely. Words to live by? You be the judge.

In that article I talked about wine’s antioxidant properties (called flavonoids) and compounds that attack bacteria, like resveratrol and polyphenols. All in the name of trying to immunize the body against hundreds of common viruses. What I failed to discuss was the positive mental health of a lifestyle that includes wine. Wine drinkers, at least the ones I spend time with here in Ontario, are happy people. Friendly folk, community-driven, supportive, neighbourly. Wine brings everyone together. It’s really something to see and be a part of.

In Argentina, Bodega Norton has forged and maintained some of the longest contracts with growers in comparison to anywhere in the vinous world. Vines, mountains, rivers, roots and the hands of workers are all treated with respect, professionalism, honesty and commitment. Norton’s wines are accessible and affordable, including the flagship Privada, described by winemaker Jorge Riccitelli with the fanciful comment “you can feel the grapes inside your mouth.” I sat down with Mr. Riccitelli on Monday, November 11th, 2013 at The Ritz-Carlton Hotel in Toronto. The hour with Mr. Riccitelli sent me away with one profound thought. When you take care of your people, your team and the tonic you produce, health and happiness are not far behind. The tasting with Jorge was the stuff of pure joy. A visit to Norton must surely follow.

Michael Godel and Jorge Riccitelli

Michael Godel and Jorge Riccitelli

A recent mini spat slash argument in Toronto Life on the subject of 0rganic and biodynamic wines helps to push the point. In response to an inflammatory comment noting the ”pseudo-scientific claptrap of biodynamic agriculture” the cosmogonal-minded Bench Vigneron Harald Thiel retorted, “the primary difference between organic and biodynamic production practices is the “cosmic and stellar” forces that biodynamic producers believe differentiate their wines.” To each his own says Thiel. I’m quite certain that Harald would concur that drinking wine can help bolster the immune system but going the natural route, in theory, will boost defences multi-fold.

Some take it to the extreme like Alain and Philippe Viret, winemakers who go beyond being organic and even biodynamic. They practice cosmoculture. Their vineyard is studded with menhirs and ‘planetary beacons’ in order to connect with celestial and earthly energies. It embraces Maya and Inca agricultural and spiritual concepts.

Alexandra Marnier Lapostolle is a flying ambassador who believes in the credo. At an October Trialto Group lunch at Luma Restauarant, the eerie connection between the restaurant group’s acronym and the act of natural winemaking was not lost on me.  The devastation of Chile’s black frosts were being discussed and the magnificent Ms. Lapostolle-Marnier pushed the sapient necessity of O & B practices to a group of diners/tasters. “Being organic and biodynamic, the vines are heartier, able to handle the frost’s potential damage, budding time and produce healthy vines.” Casa Lapostolle also has scientific data to prove that organic and biodynamic vines mature 10 days ahead of the others.

Trialto Lunch at O & B's Luma Restaurant

PHOTO: Michael Godel
Trialto Lunch at O & B’s Luma Restaurant

No one works harder or believes in the O & B philosophy to achieve wine nirvana more than Paul Pender of Tawse Winery. Everything Mr. Pender makes comes from fully certified and sustainable vineyards. I tasted through 25 barrels with Paul last Friday. His 2013 Chardonnays will be amongst the best we have ever seen on the Niagara Peninsula. The group of 2012 Cabernet Franc, Merlot and Cabernet Sauvignon are all showing lush, deeply resonant aromatics, all pies of one fruit or another and with minimal oak intrusion. More pudding proof will come from the most recent tightly planted Pinot Noir, in the Tintern Road Vineyard from the Vinemount Ridge appellation. At only three years of age, the juice from those healthy vines already emit an aura of verve, wisdom and viability.

Not all of the wines reviewed here come from O & B vineyards but each and every one can contribute to your mental and physical health. Wine is your friend. When approached, integrated and embraced in the right way it can help to promote a healthy lifestyle. The defence rests.

From left: NORTON RESERVA MALBEC 2010, CENTUNO NERO D'AVOLA 2010, LA CARTUJA TINTO 2012, LAPOSTOLLE CUVÉE ALEXANDRE APALTA VINEYARD CABERNET SAUVIGNON 2011, and TAWSE GROWER'S BLEND CABERNET FRANC 2011

From left: NORTON RESERVA MALBEC 2010, CENTUNO NERO D’AVOLA 2010, LA CARTUJA TINTO 2012, LAPOSTOLLE CUVÉE ALEXANDRE APALTA VINEYARD CABERNET SAUVIGNON 2011, and TAWSE GROWER’S BLEND CABERNET FRANC 2011

NORTON RESERVA MALBEC 2010, Mendoza, Argentina (17061, $17.95, WineAlign)

As Malbecs come and go, group themselves into dime a dozen pigeon holes and fall from serious wine grace, this stalwart stays the course. Norton’s Reserva bottling has a proven track record for consistency. My most recent ’02′s spoke of strength, longevity and balance. In 2010, true to form, violets lead the arrangement of multi-floral scents and a kinder, gentler, sweeter set of tannins promote connectivity. Restrained and calm, this Norton forgoes the jams and jellies of other moderately-priced Malbecs and carries with it a smooth, long finish.  90  Tasted November 2013  @BodegaNorton

CENTUNO NERO D’AVOLA 2010, Sicily, Italy (357103, $17.95, WineAlign)

Though not exactly a chick magnet or my Sicilian dream, this Nero D’Avola is chock full of animal magnetism. It reeks of four-legged musk, circus mammal and deep-sea predator. Despite the oppressive mob of animale there is also lush berry to attract more than just the curious imbiber. A dense fruit roll up, unfurling, spewing earth, prune and coal. Will petition the non-sectarian toper.  88  Tasted December 2013  @Eurovintage

LA CARTUJA TINTO 2012, Priorat, Spain  (358861, $18.95, WineAlign)

This symbiotic blend of 70 per cent Garnacha and 30 Carinena rolls out the red carpet straight from the heart, not unlike Terrabianca’s 70/30 Sangiovese/Cabernet Sauvignon Tuscan Campaccio. Only here the value is palpable, especially for Priorat. Fueled by blazing red cherry and plum. Vivacity with bright fruit seeped in acidity but also a coated note, though not of over-oak, that paints the tongue red. A rumbling layer of licorella slate lies atop eruptive rock and beneath a rolling thunder of boulders. This is high-octane Spanish winemaking, a red velvet car that doesn’t “even touch the break.”  89  Tasted December 2013

LAPOSTOLLE CUVÉE ALEXANDRE APALTA VINEYARD CABERNET SAUVIGNON 2011, Colchagua Valley, Chile (947929, $24.95, WineAlign)

“We don’t want too ripe, jammy or confiture,” pleads Alexandra Marnier Lapostolle. While this Super-Chilean is certainly full-bodied, it remains a finessed red and silky in every way. Leans IGT, as opposed to Bordeaux or warmer climate (California). Stupidly easy to drink, built for resto luxuriousness and really is a terrific value. A choir of dark fruit aromatics, sung like songs by the birds of the vineyard and a late sensation of charcoal and char are expressed in this Cabernet of fashion and caste.  90  Tasted twice in August and October 2013  @LapostolleWine

TAWSE GROWER’S BLEND CABERNET FRANC 2011, VQA Niagara Peninsula (284570, $26.95, WineAlign)

From selected prime Cabernet Franc vineyard sites across the headland, the Grower’s Blend reaches near maximum potential in 2011. An immediate sense that “leaves are falling all around” in a composted layering of earth, cedar, savoury produce and sweet herbiage. A tart tincture spikes and sauces the fruit, straight from the “darkest depths of Mordor.” Winemaker Paul Pender’s perfume permeates the mess, lifting the CF to great Niagara heights. Ramble on Grower’s Blend.  90  @Tawse_Winery  @Paul_Pender  Tasted October 2013

Good to go!