Diversity in Brunello di Montalcino

Montalcino
(c) Consorzio Vino Brunello di Montalcino

Benvenuto Brunello is the highlight of many people’s calendar, for good reason, because there are few wines that can match its depth, class, character and structure. No one of sound mind passes up the opportunity to taste a pile of Brunello from Montalcino. And those who know understand the remarkable fact that it is indeed quite special to find such a level of consistency across a spectrum of very high end wines.

For a look at our reports published over at WineAlign where John Szabo and I offer opinions on the 2013 Brunello, please click on these links.

Coming Home With Brunello di Montalcino

Feature Report: Brunello di Montalcino 2013 Vintage and Buyer’s Guide

The travelling Brunello experience is taking place in the Consorzio’s 52nd year, now in the hands of Patrizio Cencioni, Chairman and President of The Consorzio Vino Brunello di Montalcino and Vice Presidents Tommaso Cortonesi, Andrea Machetti and Riccardo Talenti. On March 5th, 2018 the 27th road show came to the Carlu in Toronto and I had the ambassadorial pleasure of presenting the wines alongside Brunello Consorzio Director Giacomo Pondini. The session was just the third international presentation of the new vintage of Brunello, the first having taken place in New York and Chicago in late January and the second just over two weeks ago in the Chiostro Museo Montalcino. That the Consorzio continues to view Canada as such an important market and partner speaks volumes about our longstanding relationship with Italia, Toscana and Montalcino.

Benvenuto Brunello

Related – Benvenuto Brunello 2017 report: Rethinking Rosso and disciplined Brunello

We all remember our first love. We may hide the memory away and rarely speak of it but it’s always there. For me, Brunello di Montalcino was my first. In the spring and summer of 1987 I was a naive young McGill University student living in Siena. Bad hair, bad clothes, not a care in the world. My professor from the University of Toronto knew quite a lot about the wines of Toscana so when we made a class pilgrimage to Montalcino he asked if anyone would like to join him for wine tasting at the Enoteca di Fortezza during the afternoon break. All of my classmates opted for a siesta in the July shade and this at a time when there were no cell phones, computers or tablets to distract us from actually learning something. I was the only one who chose to accompany Professor Wollesen to the fortress.

In retrospect, what happened over those next few hours changed my life. It might have done the same for my classmates were they to taste, guided by a man of sangiovese experience, though 30 samples of Brunello di Montalcino 1982. If only I knew then even a fraction of what I have learned since, what value that would be for me now. No matter, for I have Professor Wollesen to thank for introducing me to the world of Brunello. And here we are.

A #benvenutobrunello2018 discussion with @marcora85 on all things #montalcino means there is lots of thinking to do ~ #benvenutobrunello #brunellodimontalcino

Last month I came to Montalcino for the second straight year to assess the presentation of the current Annata and along with tasting more than a hundred of those architectural 13s I went out into the field to visit important vineyards. Because two ears are better than one mouth I also spent time listening in with other journalists and with producers to get a consensus on the vintage. In 2018 there isn’t one and in my view, that is a very good thing.

The mixed messaging coming from talk about the 2013 Brunello may seem confounding but as Mark Twain wrote, “it were not best that we should all think alike; it is difference of opinion that makes horse races.” Thinking about a year like 2013 makes for a terrifically exasperating enigma because it presents a very particular kind of challenge. To some it was a case of extreme or at least unusual and unsettling weather patterns and the many shifts made harvest and winemaking decisions crucial, but also far from universally obvious. The vintage is to me a head scratcher because of how many opinions I’ve heard expressed as to its overall quality. I like to refer to the wines as ones of structural expressionism but however you choose to qualify them, the Annata wines are perhaps the most diverse that Montalcino has produced in a very long time.

The hill that is Montalcino. The look that is Godello. The argilo of the northern vineyards #tuttoèpossibile

The 2013 vintage began with a rainy and snowy winter. The spring was cold and the rain played havoc on bud break and development. Veraison was very slow. The harvest for many took place in late September through the first week of October. A common play for journalists or anyone trying to assess a vintage like 2013 is to lay blame on and conversely congratulations to producers who choose to pick their fruit at one junction or another. In this case, either before or after the September rains. If we have learned anything from Montalcino, where your estate vineyard or vineyard holdings are located will determine when, how and why you make your decisions. Every cru, block, plot and row carries a specific picking window and in 2013 even further under the microscope. It would be fruitless to try and generalize and to say that the greatest wines were made because they were picked before or after one pinpointed day during harvest.

So, are the 2013s much better than the 2012s?  Do they exhibit more character, structure and depth? I would say better is the wrong word, especially because we are discussing sangiovese, all of which, as I’ve said many times before, are snowflakes. As for character, structure and depth? Many wines speak of all three and many more will, in time, even if many of you are not yet convinced that this will happen. I am confident that history will be kind, even apologetic, to the 2013 Brunelli and in turn, the wines and their producers will look forward to reconciling with the early naysayers. Diplomacy, kindness and patience will reward us all.

#montalcino

Brunello di Montalcino is referred to as “a very modern and ingenious intuition,” a phrase that so aptly depicts how it has separated itself from other sangiovese producing neighbours, namely Chianti Classico and Vino Nobile di Montepulciano. Only the Brunelli are possessive of a very certain and special sort of sangiovese aromatic liqueur, an amalgamation of deep, dark cherry, fresh leather, earth and flowers that differs from the others. Brunello also carries its own unique type of acidity and a fineness of tannin that speaks to how the grapes develop on the slopes and in the valleys below.

What about the long-employed term sangiovese grosso? The word we know as Brunello translates loosely to “little dark one”, in reference to the local vernacular name for sangiovese grosso, “fat sangiovese,” the large-berried form of sangiovese which grows in the area. While Brunello di Montalcino and the clonal sangiovese grosso have been symbiotically synonymous for decades, with clonal selection so varied, in today’s modern Brunello lexicon it is simply sangiovese that speaks to the grape of the famous wines.

As with anywhere grapes are grown, your vineyard passes must act on phenolic ripeness and when it hits, the qualities that come along for the ride in that package are the ones you must work with. The best wines are the ones that speak this truth so if your site achieves optimum ripeness with dark fruit and generous alcohol, make that wine. If its ripe centre includes transparent, lithe and verdant fruit, make and own that elegant style of sangiovese. Be true to variety and location. In Montalcino this is the greatest compliment you can pay to your vines and your fruit.

#Repost @michaelawine・・・Because I just can_t get enough of Brunello di Montalcino – and @mgodello @brunellodimontalcino #brunello #benvenutobrunello #bbcanada2018 #tuscany #tosc

To gain a keen understanding of what separates one bottle of Brunello di Montalcino from another, especially when trying to compare and contrast from a specific Annata, I would suggest you concentrate on the location of the vineyards that produce the fruit. In some cases it’s a cru or a single estate set of blocks and in others a gathering of sangiovese from several locations. The advantage of the latter is the ability of multiple fruit sources to mitigate the deficiencies of one through support by the others. It also helps to create a house or estate style.

You have to know where you are relative to the hill of Montalcino; south, north, northeast, northwest, far south and even more specifically, from which block and micro-climate you farm within that zone. You have to consider the zones; running clockwise from the centre of the region, first on the hill of Montalcino (together with La Croce and Canalicchio), next to the north we have Montosoli, then to Torrenieri in the northeast, to the east – Pianelli, the southeast – Castelnuovo dell’Abate, extreme south-southwest – Sant’Angelo in Colle, southwest – Tavernelle and Camigliano, to the west Casanuovo and finally Bosco, to the northwest. While some zones are more widely recognized than others it is important to associate each with the style of wines they are prone to produce. Our goal here is not to dwell too much on sub-zones and it often requires great generalizations to try and do so, but it is still a very useful tool to align your palate and to gain an understanding of Montalcino’s diversity through multiple places of origin.

(c) Consorzio Vino Brunello di Montalcino

In the 1970s the number of Brunello di Montalcino producers increased to 25 vintners producing approximately 70,000 cases. According to the Consorzio del Vino Brunello di Montalcino, 120 producers made 300,000 cases of wine in 1995. Today, there are well over 200 producers in the Consorzio producing more than 500,000 cases of Brunello.

Before I get to the 83 Rosso and Brunello tasted and reviewed in Montalcino, at the Toronto seminar we poured, compared and contrasted 10 Brunello di Montalcino, eight from the current Annata, including one Cru, plus a 2011 Vigna and 2012 Riserva. Here are my tasting notes, replete with background information on those 10 wines.

Tasted through all 60, you know, for your safety #brunellodimontalcino

Altesino Brunello Di Montalcino DOCG Montosoli 2013, Tuscany, Italy (Agent, $129.00, WineAlign)

From the northern hillside vineyard of five hectares facing south next to Caparzo’s La Casa and one of the most historical vineyards in all of Montalcino. Montosoli is blessed of an ancient limestone soil and an exceptional 360 degree exposure. It combines 380m of elevation and great quality Galestro in clay, was first produced in 1975 and only in years deemed worthy of its abilities. It is traditionally aged for four years prior to release; at least two years in Slavonian oak barrels, three to four months in medium-toast Allier barriques, and four months in bottle. If the normale is rich and elegant this is fuller, bigger, uncanny of that omniscient blueberry fruit and unlike any other Brunello in all of Montalcino. Is it the clone, the rocks, the place? What is it? Is is a different grape? No, it’s the terroir. But how? The Montosoli clone, mixed with the land and farmed by the people. True-blue, more than just climat-esque in Montalcino? Yes. How else to explain it. Drink 2021-2035. Tasted February and March 2018  altesino_winery  rogersandcompanywines    @rogcowines  Altesino Srl  Rogers & Company

Cupano Brunello di Montalcino DOCG 2013, Tuscany, Italy (Winery, WineAlign)

In Montalcino you can find Cupano on 34 hectares of land in Tavernelle on the stony hill of a rolling plain above the Ombrone River. Their seven hectares of vines (three of which are new) grow at an average altitude of 200 metres on terroir with good drainage and high mineral content at the far edges of the territory. Their organic and biodynamic estate is a cultural marriage between Ornella Tondini, an Italian, and her husband Lionello Cousin, a Frenchman. They credit great mentors; Henri Jayer from Bourgogne who is a firm believer that wine is made in the vineyard, no chemical fertilizers or pesticides, low yields, native yeasts, malolactic on the lees and aging in French barriques over Botti. Carlo Ferrini selected the land for the vines and the vine-stocks, the growth system and the height of the vines. François Bouchet introduced the idea of biodynamics and finally, approval from the great sangiovese enologist Giulio Gambelli. From “a regular Tuscan summer which led to a good ripeness and structure,” Lionello Cousin feels “pretty confident of 2013’s potential.” If the early presence of even-tempered and richly endowed fruit showing its flesh through well-aligned teeth is any indication than longevity will be a real asset to this Brunello. Everything points forward and there is zero doubt as to the passion, attention and provenance paid to the method, the gurus and the teachers. This is sangiovese worked by the hands of agriculturalists and winemakers on the ball, present at all times. It does not speak of consulting oenology popping in and out of view. Very special and singular in kind. Drink 2020-2030.  Tasted March 2018  cupanomontalcino  @Cupano_Brunello  @CupanoMontalcino

Donatella Cinelli Colombini Brunello Di Montalcino DOCG 2013, Tuscany, Italy (113357, $64.95, WineAlign)

In 1998 when she went out on her own to create a new project and in reaction to the fact that wineries in Montalcino did not trust a female cellar master, Donatella created the first all-female run winery in Italy. It is now an estate run by a team of no fewer than eight passionate women. The restored Casato Prime Donne is on the northern side of Montalcino, with sandy clay soils and has been in Donatella Cinelli Colombini’s family since the end of the 16th century. Of the total surface of 40 hectares, 16.5 are planted to sangiovese and are cultivated organically. Aging for the first year was in (5-7 hL) tonneaux and then continued in (15-40 hL) Allier wood and Slavonian oak casks. The wine comes from six small vineyards in a 10 hectare area surrounding Casato Prime Donne. Donatella describes 2013 as “an old style vintage, a Brunello that is elegant, complex, deep and harmonious, that will last decades. The scarce vintages are nearly always the higher quality ones.” There have been exceptional wines from Donatella in the recent past but the most impressive thing she can do is make a great wine in a challenging vintage. This 2013 does what needs; it’s delicately passed fruit avoids the intensity and drying angst of others, keeping the bright faith, binding it to tannin through the coursing dialectical collection of acidities and then making a valid request for patience. All 2013 Brunello need time, some will never come into their marriages and others, like the ’13 from Casato Prime Donne are already there. It will go further than many. Drink 2020-2029.  Tasted February and March 2018    donatellacinellicolombini  lesommelierwine @news_donatella  @LeSommelierWine  Donatella Cinelli Colombini  @LeSommelierWine

Fanti Brunello di Montalcino DOCG 2013, Tuscany, Italy (112607, $72.00, WineAlign)

Fanti’s 10 hectares of 20-30 year old vines have been developed in the amphitheatre of the south facing hills of Castelnuovo dell’Abate, at 350-430m, a part of which are quite proximate to the Roman Basilica of Sant’Antimo. This seems to be the optimum age for vines in Montalcino and for the production of a classic, estate or house style. Also a matter of manual harvest and the use of the sorting tables. Their Brunello is a classic expression of a gathered terroir. Ageing is done in part French oak barriques and partly in medium capacity (3,000L) casks for a minimum of 24 months (usually 28). Before release the wine is bottle-aged for a minimum of four (but usually up to 12) further months. Fanti’s 2013 is a deeply swelling affair of cherry liqueur and fresh leather, rich, decisive and quite intense. The liquid gelée is fully and completely welling in fruit and earth with more tonic and fine bitters in linger than most. This is a very specific sangiovese with a composed and singular style, chalky, variegated and gregarious. It will have many fans on restaurant lists all over the greater diaspora for Brunello. Drink 2019-2024.  Tasted February and March 2018  tenuta_fanti  lesommelierwine  @tenutafanti  @LeSommelierWine  Elisa Fanti  @LeSommelierWine

Il Grappolo Brunello di Montalcino DOCG Sassocheto 2013, Tuscany, Italy (Agent, $58.00, WineAlign)

On 25 hectares with 16 planted south of Montalcino around Camigliano, in an area dense with Mediterranean scrub lying between the Tyrrhenian Sea and the Val d’Orcia. The vines look south towards Monte Amiata and west towards the valleys of the Maremma. Sassocheto is Il Grappolo’s iconic Brunello made from 20 year-old vines in the south-facing Piano Nero vineyard, planted at 300 metres of elevation in deep, pebble-rich schist soils with decomposed rocks of galestro, alberese, and sandstone.  The wine ferments in temperature-controlled open vats and is given a lengthy maceration; it then matures at least 24 months in French and Slavonian oak barrels and a further 6/12 months in the bottle. Without equivocation and to keep us comfortably seated in the plush authenticity of traditional Brunello it is Sassocheto that confirms our notion of a sangiovese-Montalcino world. Should Il Grappolo’s be considered as more traditional than most? Yes, but just as this 2013 tells us with utmost clarity, the vernacular is spoken through an ever evolving and forward thinking lens. No pretence and all in for the right reasons. Drink 2020-2029.  Tasted March 2018  #ilgrappolo  @GrappoloFortius  @IlGrappoloFortiusMontalcino

La Colombina Brunello Di Montalcino DOCG 2013, Tuscany, Italy (445650, $69.95, WineAlign)

La Colombina di Caselli Anna Maria is the full name, a small three hectare estate in Castelnuovo dell’Abate, bordering on both the Ciacci and Uccelliera estates. The vineyards have been in the Caselli family for generations. Though they had always chosen to sell the grapes rather than bottle their own wines it was in 1997 when they converted to specialist wine growing with the planting of the three hectares and released their first wines in 2001. The Brunello is aged in a combination of barriques and tonneaux plus Bottle aging for eight to 10 months. Castelnuovo dell’Abate is one of Montalcino’s hottest sub-zones, protected from cold easterly winds by the extinct Amiata volcano and open to briny hot Mediterranean winds on from the west. The speciality of this zone and micro-climate bring great structure to La Colombina’s sangiovese though in 2013 a concentrated effort to emit amenable and enjoyable fruit puts this in an earlier frame of mind. That said it will outlast the ’12, a wine of fine liqueur. This is surely a consistent follow-up to that wine. Drink 2019-2023.  Tasted March 2018  #lacolombina  wineonline_ca    @wineonline_ca  WineOnline.ca

Tenute Loacker Corte Pavone Brunello Di Montalcino DOCG 2013, Tuscany, Italy (237263, $59.00, WineAlign)

Since 1996 Corte Pavone has been owned by Rainer Loacker and his sons, Hayo and Franz. Hayo is the winemaker. It is located in the Casanuova area to the west of Montalcino with hillside clay soils upwards of 450-500m, certainly one of the higher elevations in the territory. Much of the 90 hectares of the estate is covered with meadows and forests. Only four hectares are dedicated to vineyards with vine age 30-35 years old and with a plan of converting another four also blessed with the best exposures. The organic wines are aged in Slavonian casks, French Barrique and Austrian oak barrels. Rainer Loacker is from the family that owns Biscotti Loacker and Remedia Loacker which produces and markets enzymes and other natural nutrients. He also owns Tenuta Schwarthof near Bolzano in Alto-Adige and Valdifalco in the Maremma. We often think about Brunello as coming from either northern or southern vineyards. In Casanuova and what separates it from other zones is the consideration of its western position and how the vineyards are affected by a closer proximity to the sea. More than this is the great altitude so that a cooler prevalence and diurnal temperature swing means Brunello of higher acidity. Though quite approachable for Montalcino sangiovese this ’13 is also reductive, fresh, energetic and its tones are set to high. Great food Brunello. Drink 2018-2026. Tasted March 2018  #cortepavone  

Villa Poggio Salvi Brunello Di Montalcino DOCG 2013, Tuscany, Italy (363028, $49.95, WineAlign)

Pierluigi Tagliabue purchased the “healthy hill” Villa Poggio Salvi in 1979, now 21 hectares of vineyards owing its name to its historical location on the south side of Montalcino, overlooking the Tyrrhenian Sea. The altitude is between 300 and 500 meters, with a rich weave of clay soils and a beneficial breeze. Pierluigi Tagliabue’s grandson Luca Belingardi is the winemaker. The Brunello spends 30 months in oak casks plus a minimum 6 months in bottle. The 2013 is an agriculturally clean, sound and precise wine meeting a viniculture on the same, extended plain for sangiovese of substance, passion and flare. This is quite tart and angular though only because the structure is meant for a launch forward, beyond the turn of the decade and forward to the next. Drink 2021-2028.  Tasted February and March 2018  #villapoggiosalvi  halpernwine      @HalpernWine  Winery/Vineyard  @halpernwine

Barbi Brunello Di Montalcino DOCG Vigna del Fiore 2011, Tuscany, Italy (Agent, $79.95, WineAlign)

Having tasted the follow-up 2012 a year earlier in Montalcino made for more than a curious moment to look at this 2011 one year later and in Toronto. Nothing against the rock solid ’12 but this vintage is simply glorious. Waiting 12 months was not just worth it but clearly essential. The walls have come down, the sea departed, volcano stepped aside and all that is right in a Castelnuovo dell’Abate Brunello world is also righteous and beautiful. Some of Montalcino’s most famous and iconic wines have come from Stefano Cinelli Colombini and Fattoria Barbi, the oldest of which date back to 1870. There are two centuries of history with thanks to Francesca Colombini. The Vigna del Fiore “vineyard of the flower” or maybe “flower garden vineyard” is unique to Castelnuovo dell’Abate, one of the oldest (and furthest south) in Montalcino. The block is just under six hectares from an area where vines have been cultivated since the XVI century. It sits on the top of a hill that descends toward the Asso and Orcia rivers and faces Mt. Amiata. The hill is a natural corridor between Montalcino and Mt. Amiata and it connects the Crete Senesi in the Val d’Orcia and the basin of the Ombrone valley as you head to the sea. The production varies a lot; in some years it is not produced and at a maximum it reaches the 13,000 bottles range. The first vintage was 1981, chosen to celebrate the 50th anniversary of Francesca Colombini Cinelli. Aged in small to medium size (that is 5-20 hL) oak barrels for the first months, it completes the aging in larger oak barrels for a total period of two years and then is bottled at least four months before it’s released. The oenologist is Paolo Salvi. This represents what matters in terms of Vigna-designate Brunello and what it means compared to broader expressions drawn from and combining several vineyards. So close to drinking perfectly but to tell you the truth, you don’t have to wait. Drink 2019-2033.  Tasted March 2018  fattoriadeibarbi  noble_estates  @FattoriaBarbi  @Noble_Estates  @FattoriadeiBarbi  @NobleEstates

Castiglion Del Bosco Brunello Di Montalcino DOCG Riserva 2012, Tuscany, Italy (Agent, $222.00, WineAlign)

Massimo Ferragamo purchased the 2,000 hectare estate in 2003. With close to 60 hectares planted at 350-450 metres to sangiovese, Castiglion del Bosco produces three wines: Brunello di Montalcino, the single-vineyard Campo del Drago and this Millicento Riserva. Located in the northwestern part of the zone, an isolated tract of wild forest surrounds the vineyards, all part of the Val d’Orcia Artistic, Natural and Cultural Park. The organically farmed vines were planted in 1998 and some new planting took place after the purchase in 2003. There are two distinct growing sections, the 20-hectare Gauggiole vineyard, just beneath the borgo and Capanna, with 40 hectares. As for soils, it was five million years ago that sea levels dropped leaving sand and clay deposits across the Val d’Orcia. The Radicofani and Amiata volcano eruptions also spread a dark magma known as trachite, resulting in a soil mixture perfect for growing sangiovese. Marl and Galestro predominate. Since the debut vintages, winemaker Cecilia Leoneschi has decreased both the predominance of barriques and the amount of new oak. Since the 2012 harvest the Millicento Riserva has only been aged in 33 hectoliter casks, but sees an additional year in bottle. This is just the third vintage of this bottling and the first to set the record straight because the vintage is a true barometer of what it is to benefit from an extra year of aging. The effect of altitude and a surround sound of forest solicits the gelid savour and cool, elemental, semimetal, crystalline coal streak that runs through the luxuriance of mahogany fruit. Brunello has the ability to layer density and weightlessness in a way that is impossible yet understood. Like here, in the Castiglion del Bosco Millicento 2012. Drink 2019-2030.  Tasted March 2018  castigliondelbosco     @LiffordON  liffordgram  @castigliondelbosco  @liffordwineandspirits

(c) Consorzio Vino Brunello di Montalcino

The future so sub-zone we’ve got to draw maps

“Montalcino is too small for micro-zones,” explains La Mannella’s Tommaso Cortonesi. “We have to communicate about winery crus or zones, this will be beneficial for the territory, but 95 per cent of consumers have no idea where Montalcino is, so why do we need to divide it up into micro-zones? Cru, but nut sub-zones.” It’s true, each producer knows the soil, the vines, the specifics of their cru and what needs to be done to make the best wine possible from that cru.”You have to exult the main characteristic of your single-vineyard. You can talk about freshness in the north, but not in the warmer parts of the south. And you have to work in the right way to exult the freshness or conversely the big body possibility of that area. Work woith what the zone gives you.” Generally speaking, the northern side has much more vigour, on more clay and more water, where green harvest at least once or twice must be performed. On the southern side the yields are lower.

My friend and colleague Monty Waldin wrote “there’s no better way to understand this intriguing wine than to seek out the single-vineyard expressions.” Identifiable single-vineyard Brunello will more than likely be completely different from one other, “proof, if it were needed, that differences between Brunello terroirs are something that can unite rather than divide the region.” But there is also the concept of single vineyards versus single terroirs. The latter is also a good way to divide and make sense of the region.

Many have raised the question “to zone or not to zone,” a debate hotly contested for years but still with no clear answer. Is Montalcino ready for sub-zones or is it still far too early, decades early even, to be expecting this shift? Does zoning runs the risk of giving imprecise and misleading evaluations? Are many more years of experience required to figure out where (as in Bourgogne) are the locations of the best soils and cru? Is it not generally agreed already which ones these are? Remember that sangiovese is the only grape allowed in Brunello, is notoriously site-sensitive and performs differently depending on its environment. Do the producers know with certainty where it consistently works the best?

Annata 2013 #benvenutobrunello2018 highlights from a confounding vintage with some inspired upside. Wait for it. #benvenutobrunello #brunellodimontalcino #poggiodisotto #salvioni #sanpol

One way to look at Montalcino is as an inverted cone with its peak just south of the town of Montalcino (think of dividing the square into four isosceles triangles as shown on the map, with the center forming the apex of the cone). From the center, the slopes generally descend out- ward across the region. It thus becomes apparent that one of the most influential variables in the character of these wines is altitude. This wine zone enjoys a Mediterranean climate as well as high altitudes that provide a cooling effect that is beneficial to the grapes and prevents disease. The differences in altitude and exposition throughout the zone play a substantial role in the vegetal cycle of the vines. Due to high altitudes, cooling conditions from winds and evening temperature drops sustain a slower cycle in vineyards. It is important to note that all variables are not constant and generalizations can oversimplify a complex subject. Individual site soil, exposure, viticulture and vinification technique, producer style, and vintage conditions can change these characteristics.

Here are the notes on the wines tasted in Montalcino; 62 Brunello and 21 Rosso.

Brunello di Montalcino

Altesino Brunello Di Montalcino DOCG 2013, Tuscany, Italy (994095, $63.00, WineAlign)

Lovely exotic spice on the nose of the Altesino Brunello ’13, something the ’12 did not at first and continues not to show, but this is not too dissimilar to some other 13s. This northern song of multi-vineyard, micro-climate and terroir fruit carries itself admirably, with admiration for its variegated origins and for what you do with such a complex and volatile subset of territory. The dark fruit meeting rich and warm texture quotient trips off the tongue like E Più Ti Penso in what is surely of the more beautiful classica annata 13s. “Non ha l’acqua per nuotare.” Drink 2020-2028.  Tasted February 2018  altesino_winery  rogersandcompanywines    @rogcowines  Altesino Srl  Rogers & Company

Altesino Brunello Di Montalcino DOCG Montosoli 2012, Tuscany, Italy (Agent, $126.00, WineAlign)

A year makes an incredible difference. No dissipation of the richness and deep liqueur though now the emergence of marked elegance and of course, the Montosoli blueberry. Still a calcareous pietraforte vein runs through in chalky liquidity but a year makes such a difference and now the breathing is calm, undisturbed, lovely. Last tasted February 2018.

In its present state Montosoli is a beast. There, I’ve said it. Shut tight, chains securely in place, reduction the retaining wall to keep predators out and so good luck on unearthing any early secrets. You know there is classic and earthy red fruit hiding but you can’t quite feel it. The palate is chewy, crunchy, propitiously and indubitibly enriched. This is a massive Brunello with underlying elegance and charm but ultimately all-powerful. Drink 2021-2037. Tasted February 2017  altesino_winery  rogersandcompanywines    @rogcowines  Altesino Srl  Rogers & Company

Emotional tasting through #altesino & @caparzowines with #elisabettagnudiangelini #brunellodimontalcino #montosoli #vignalacasa

Altesino Brunello Di Montalcino Riserva DOCG 2012, Tuscany, Italy (Agent, $126.95, WineAlign)

Let’s talk about what changes in a year, with the settling of tannin and acidity still working its magic, munching away on the wood and the fruit, combining and alone united front getting all together. Unlike Montosoli however, Altesino’s Riserva ’12 exhibits a high level of spice that is still biting, like a Riserva does. Though I prefer to drink the Vigna, usually, but especially with Motosoli, there is no doubting the layering and age forward ability of a Riserva like 2012. Drink 2021-2030.  Tasted February 2018  altesino_winery  rogersandcompanywines    @rogcowines  Altesino Srl  Rogers & Company

Antinori Pian Delle Vigne Brunello Di Montalcino DOCG 2013, Tuscany, Italy (65114, $64.95, WineAlign)

More wisdom is readily apparent from Pian Delle Vigne through the art of estate blending to amalgamate, mitigate and ultimately realize the best for the vintage. Deep cherry, smoky to smoldering fruit solder but with a sense of calm beneath the warm. A swarm of red fruit and then this marly mineral streak running deep into the drupe. Absolutely defining, no matter how few or many you will taste from 2013, this is how it happened and will continue to do so for a decade more. Drink 2020-2030.  Tasted February 2018  marchesiantinori  halpernwine  @AntinoriFamily  @HalpernWine  @MarchesiAntinori  @halpernwine

Argiano Brunello Di Montalcino DOCG 2013, Tuscany, Italy (154609, $55.00, WineAlign)

With five centuries in place and 130 years of Brunello making history on side Argiano is the model of Montalcino consistency. The estate vineyards benefit from a micro-climate situated between Poggio alla Mura and Sant Angelo in Colle on a plateau at 300m. In 2013 a stolen vintage warmth is readily apparent on the nose, with a fine elemental streak through thick air willing and able to carry this sangiovese through its formative years. The palate and texture are next to brilliant with the great feeling of plush, silken tapestry, woven for complexity and thinking about the future. Drink 2020-2029.  Tasted February 2018  @Argianowinery  @Noble_Estates  cantina_argiano  noble_estates  @argiano  @NobleEstates

Fattoria Dei Barbi Brunello Di Montalcino DOCG 2013, Tuscany, Italy (928028, $49.95, WineAlign)

If there is another estate in Montalcino with more ode in pocket to tradition and history while always moving and thinking forward then I’d like to meet it. Barbi’s ’13 takes an express leap ahead, away from where it came but with notes and stories that recall its past. This fruit is serious, wise, salumi-frutta di bosco meets fragola based, chewy, ropey and exact. The tannins are drying over round and bounding acidity while the age potential never wavers. It’s a baby, like so many, but in a Brunello as here, as always, there is no speculation, only certainty. Drink 2020-2027.  Tasted February 2018  @FattoriaBarbi  @Noble_Estates  fattoriadeibarbi  noble_estates  @FattoriadeiBarbi  @NobleEstates

Podere Brizio Brunello Di Montalcino DOCG 2013, Tuscany, Italy (WineryWineAlign)

Though not yet convinced that 2013 will be a the vintage of the century it is always a pleasure and indeed an honour to taste a house moving from strength to strength. You can feel the give and take of the grippy framework, certainly before all else but behind a textured weave of a curtain there is the fruit lying in patient wait. The whole package brings about a well-thought out design, from that calm and collected fruit through very fine acidity and into the masonry of supporting structure. Drink 2021-2031. Tasted February 2018  @PodereBrizio  poderebrizio  @poderebrizio

Camigliano Brunello Di Montalcino DOCG 2013, Tuscany, Italy (WineryWineAlign)

This is bright, cheery, wild cherry and fresh leather sangiovese with a medium body meets semi-plush texture, medium acidity and some drying, grippy tannins. It’s extremely correct for its take on 2013 and ostensibly tells the story of the vintage. You can use a Brunello like Camigliano’s to benchmark wines in either or all directions. It offers a vantage point at the centre of a four-corner intersection with traverses in right angles and on diagonals in all directions. Drink 2019-2025.  Tasted February 2018  commercialecamigliano    @camiglianomontalcino

Canneta Brunello Di Montalcino DOCG 2013, Tuscany, Italy (Agent, $59.95, WineAlign)

From a most challenging 2013 vintage, this can only be Brunello di Montalcino, with ripe, intense, dusty and edgy fruit wrapped up in grippy tannin. There is a verdant streak running through the tannin, not surprising considering the vintage and there too is the black cherry, leather and cypress savoury liqueur. The acidity is well-managed, the typicity bang on and in the end, a perfectly correct example of vintage and place. Drink 2018-2020.  Tasted February 2018  #canneta    Società Agricola Canneta Srl

Capanna Brunello Di Montalcino DOCG 2013, Tuscany, Italy (Agent, 378513, $47.00, WineAlign)

It is here where so much collision occurs, terroir, weather, climate and agriculture are all involved, without recourse, to machinate a sangiovese of deep warmth and wealth by fruit and earth. This is the deep liqueur of Brunello di Montalcino, extreme of vintage and skilled as only this place can be. The fruit ability is equally matched by ministrative acidity, maneuvering the moving parts and delivering them into the grippiest of tannin. What a formidable mouthful this is, at present lacking a bit of charm but hopefully, in time, will all balance out. Drink 2020-2027.  Tasted February 2018  #capanna    @capannamontalcino

Caparzo Brunello Di Montalcino DOCG 2013, Tuscany, Italy (579094, $49.95, WineAlign)

The Caparzo Brunello 2013 is the label with the signature of Elisabetta Gnudi, a celebratory anniversary wine that spent three years in botti grandi. Caparzo’s Classic sangiovese gathers fruit from several sources, including the northern vineyard where La Casa is borne. This deep inhalant and liqueur also delves into earthly sand, Galestro and clay microbes in which earth and fruit challenge the notion of complexity and to which direction it pulls the senses. The earthy funk sifted though black cherry rich and always fresh and elegant fruit assumptions tells us this is part of the vintage package. High acidity into slightly volatile air confirms and eventually carries the visa to conform. Drying tannins are not a huge surprise considering the pressing matters of this wine. The low alcohol, easy to access, fresh and fleshy sangiovese carries a feeling, final and calm. Lovely wine. Drink 2020-2026.  Tasted twice, February 2018  caparzo_winery  @CaparzoWines   @TheCaseForWine  Caparzo

La Casa, Montalcino

Caparzo Brunello Di Montalcino DOCG Vigna La Casa 2013, Tuscany, Italy (Agent, $114.95, WineAlign)

Tasting Caparzo’s home block Vigna La Casa 2013 this young may be even more difficult an assessment than looking at 2012 this time last year. But if noting what a year further in bottle did for that 2012 than some plenitude must be afforded the more confounding 2013. From the south-facing vineyard on the north quadrant of Montalcino, La Casa sits next to sister Montosoli (Altesino) and its pure fruit doles out high-level Montalcino elegance and in more ways than the normale Caparzo. It also behaves with more calm and collected demeanour. Though reduced with early bite and taut finings this is clearly a very refined Caparzo for the people. Drink 2019-2026.  Tasted February 2018  caparzo_winery  @CaparzoWines   @TheCaseForWine  Caparzo

Caparzo Brunello Di Montalcino DOCG Vigna La Casa 2012, Tuscany, Italy (Agent, $114.95, WineAlign)

From the south-facing vineyard on the north quadrant of Montalcino, quicker to amalgamate and settle than many in the region, the ’12 single-vineyard La Casa is a true ambasciatore of Caparzo terroir, rich and regaling but lithe and elegant. If you are trying to gain an understanding of the Caparzo way this is the place to start, in 2012, from a living, breathing Vigna, out of the storied vineyard. Perfume and finesse are special and this is how it’s done, without pretension and with class. So much to learn from an extra year in bottle. Drink 2019-2026.  Last tasted February 2018

Caparzo’s Vigna La Casa is quite rich and more approachable than many at such an early stage with the home vineyard ready to provide both the beauty and the stuffing almost before you realize you can sit down with a bottle to enjoy. It is refreshing to take a Vigna-designate bottle and be offered the immediacy of fruit though La Casa is more than capable with structure to take it through a five year primary stage. Some interest will develop after that but these early years will be the best. Drink 2017-2022.  Tasted February 2017  caparzo_winery  @CaparzoWines   @TheCaseForWine  Caparzo

Caparzo Brunello Di Montalcino Riserva DOCG 2012, Tuscany, Italy (Agent, $112.95, WineAlign)

Caparzo Brunello di Montalcino Riserva 2012 is from a producer with parcels all over Montalcino, even though the estate is located in the northern sector. This seems today like a very smart forward-thinking decision. The bringing together of multi-geographical and climatic fruit helps to mitigate variability and vintage variation and towards keeping away from the heat, jam and heavy concentration to raisining of the southern vineyards. This is particularly poignant in an age of climate change or more important, weather extremes, but it is Elizabetta Gnudi’s holdings all over Montalcino that put together the balanced blends that Caparzo can do. Case in point this noble Riserva from which the very idea of freshness and light wines are always the result. The ideal is furthered with a set of wines, even at Riserva level that relatively speaking are always affordable. Drink 2020-2028.  Tasted February 2018  caparzo_winery  @CaparzoWines   @TheCaseForWine  Caparzo

Castiglion Del Bosco Brunello Di Montalcino DOCG 2013, Tuscany, Italy (956391, $54.95, WineAlign)

Warmth to nose and a deep inhalant of sangiovese liqueur are a calling card of the northwest regional house in a Brunello of proper wealth and massive appeal. Yet another wine to define vintage it is the house style that truly takes centre stage, from grippy tradition through exfoliated structure and down the deep well of varietal elixir. Castiglion del Bosco carries baggage with purpose and extends an outstretched tannic hand forward as we and they are making plans for the future. Drink 2020-2028. Tasted February 2018  castigliondelbosco     @LiffordON  liffordgram  @castigliondelbosco  @liffordwineandspirits

Castiglion Del Bosco Brunello Di Montalcino DOCG Campo del Drago 2013, Tuscany, Italy (SAQ 10708424, $63.25, WineAlign)

Campo del Drago is Castiglion del Bosco’s cru from the finest vineyard in the Capanna area, a hectare and a half at 450m, marking the highest elevation. Structure, refinement and pure sangiovese expression are the intent through content and goal by execution. The dragon keeps it old-school, travelling loyal to tenets of experiences learned and known. A bigger oak presence is felt in the tannic architecture so that the wine is still in chains, but also in love. The clay-shale and gravel-pebble terroir decides what this Brunello can do. It speaks to you, “all these changes everywhere, just go ahead and take my hand…we can try to learn to make it through, cover the other side.” Density and high acidity determine the plan so looking ahead, the feeling and deeper understanding will come, in three years time. Drink 2020-2027.  Tasted March 2018  castigliondelbosco     @LiffordON  liffordgram  @castigliondelbosco  @liffordwineandspirits

 

Col D’orcia Brunello Di Montalcino DOCG 2013, Italy (306852, $49.95, WineAlign)

Classic is the operative for Col D’Orcia and in this vintage, a deeper understanding of Brunello di Montalcino and how feeling determines expectation, that no matter the pain we may or may not want to feel this early, the eventuality will be a positive affair. The structure in here is nothing short of pyramids strong and so know this. You will drink this is 15 years and have nothing but positive, wistful things to say. As for right now, perhaps not so much. So grippy. Wow. Drink 2021-2030.  Tasted February 2018  @Coldorcia  @DionysusWines  coldorcia  dionysuswines  @coldorcia.brunello  Dionysus Wines & Spirits Ltd

Collemattoni Brunello Di Montalcino DOCG 2013, Tuscany, Italy (Agent, $61.99, WineAlign)

Take a trip away from all you have noted, felt and perceived in the first 25 Brunello tasted from this 2013 vintage and begin anew. Imagine you know nothing of sangiovese nor how it translates from the Montalcino terroir. Take in this Collemattoni with open eyes, nose and mouth. It’s traditional, you would have to say and the most layered and variegated sangiovese imaginable. It transcends ubiquity and suggests a very personal affair. This is a religious, personal imposition from which there is no escape. The fruit is characteristic of vintage and specific to Sant Angelo in Colle but it comes replete first as a swell from the western sea and then a squall in the eastern wind. The fruit wave is massive, the stiff breeze of acidity equal to task and the tannins building, aboard ships whose masts flutter upon these seas. But it’s both a comfort and a charm, under a spell that you will not be able to avoid, not for a decade or more. Drink 2021-2033.  Tasted February 2018  @collemattoni  @StemWineGroup  collemattoni  stemwinegroup  Collemattoni Brunello  @stemwine

Cortonesi La Mannella Brunello Di Montalcino DOCG 2013, Tuscany, Italy (279083, $70.95, WineAlign)

The vintage posed more than one problem but success has been won by the Montalcino producer who after the heat waited out the rain, followed by a few weeks of settling and thus allowed their grapes to complete the phenolic journey. Case in point Tommaso Cortonesi’s 2013, a modern, many steps forward taken Brunello with little to no fear of a world hard to figure. It remains calm and focused in light of the challenging vintage. The fruit is intensely driven, the acidity equally so and the finale a continuance of linger in the face of great tension and demand. A northern location and an expertly farmed estate block (as opposed to single-vineyard) is the catalyst to this ’13’s success. The composure and details of minutiae acquiesced add up to a fine effort, not presently a matter of delicasse but certainly a result that is sure and exacting. This will be one of those fortunate Brunelli built to outlast a bigger group conjoined by jammy fruit, green tannin and astringency. Drink 2019-2027.  Tasted February 2018  @LaMannella  @Nicholaspearce_  marcora85  nicholaspearcewines  Tommaso Cortonesi  Nicholas Pearce

With @nicholaspearce_ the #brunellodimontalcino man himself @marcora85 poured his exceptional #sangiovese so we fed him the archetypal @barquebbq wings. And it was good #poggiarelli #lam

Cortonesi La Mannella Brunello Di Montalcino DOCG I Poggiarelli 2013, Tuscany, Italy (Agent, $95.95, WineAlign)

Tommaso Cortonesi’s 420m high, single-vineyard Brunello hails from the southeast section of Montalcino. Warmth is not the only advantage/alternative to growing conditions but also soil which is rocky and rich in marl, as opposed to the clay-sandstone earth of the northern vineyards. The expectation persists for richer, deeper and darker, at least in terms of fruit. There is in fact this aphasic maroon sensation felt at the heart of the Poggiarelli matter. The rocks are so important to the southern vines, notably Galestro because it streaks through the tenebrous dimension with a clarity of cool savour. Power is kept in tow so that notes in mind of things like svelte and grace are given due consideration. This southern slice shows Tommaso’s specific mentality, as will the other, but here it’s one of care and precision. Poggiarelli as a cru is not La Mannella, but they are inextricably tied together by their one maker. Drink 2020-2027.  Tasted March 2018  @LaMannella  @Nicholaspearce_  marcora85  nicholaspearcewines  Tommaso Cortonesi  Nicholas Pearce

#Repost @nicholaspearcewines (@get_repost) ・・・ Serious Brunello talk going down #therealmontalcino #cortonesimontalcino @mgodello @marcora85 @barquebbq @brunellodimontalcino

Cortonesi La Mannella Brunello Di Montalcino Riserva DOCG 2012, Tuscany, Italy (Agent, $202.95, WineAlign)

La Mannella Riserva ’12 is composed of grapes taken from the oldest vines though by a predetermined decision communicated to the consorzio one year before release, whether it turns out to be a vintage from which a Riserva is made or not. This is an essential rule that prohibits producers from not giving a wine an identity. Riserva is a completely different wine than the Annata, as always with more mature notes though here in salumi hyperbole, long aging oak spice and fruit elongation. Cortonesi’s spent four years in large Slavonian oak barrels and at this five point five year mark it turns to wild strawberry, chocolate and cocoa. It’s both elegant and taut while just now beginning to stretch its legs. Even if you can’t quite imagine or envision what will be, there has to be some level of blind-spotting or just plain denial to not see this is as pure magic. Drink 2022-2034.  Tasted March 2018  @LaMannella  @Nicholaspearce_  marcora85  nicholaspearcewines  Tommaso Cortonesi  Nicholas Pearce

Fanti Brunello di Montalcino DOCG Vallocchio 2013, Tuscany, Italy (Agent, $89.95, WineAlign)

Vallocchio is Fanti’s single (Vigna) expression from Castelnuovo dell’Abate fruit gained off of vines up to 35 years old from what the estate refers to as their mosaic of uniquely gifted plots; Vigna Bellavista, Vigna Sassone, Vigna Casabandi and Vigna Macchiarelle Nuova. The two hectares produce only 10,000 bottles (in many but not all vintages) in what can only be translated as “the valley of the eye,” or it is these highly perceptive vines that see the forest for the trees. Always a rather grand and impressive expression of Brunello with big bones, fruit and alcohol, Vallocchio is remarkable for how it smells and even more so tastes like limestone, with thanks to the presence of Galestro in sand. The focused and precise 2012 is aged mostly in large casks with just a few barriques, an elévage stylistic that will only continue to trend in the direction of older wood restraint as time goes by. Drink 2020-2031.  Tasted March 2018  tenuta_fanti  lesommelierwine  @tenutafanti  @LeSommelierWine  Elisa Fanti  @LeSommelierWine

Fanti Brunello di Montalcino Riserva DOCG Le Macchiarelle 2012, Tuscany, Italy (Agent, $139.95, WineAlign)

Two and half hectares of old vines (averaging 35 and some as old as 40 years) at 250m is Fanti’s cuore di sangiovese vineyard called Le Macchiarelle, or shall we say “the little thicket.” The soil is critical to this sangiovese, sandy with scattered Galestro rock in the marl. Like the Vallocchio the terroir is very much the same but the wine so very different. Structure rich, layered and extrapolated is the understatement but “raffinato” is exactly what this Riserva should be called. That it speaks to refinement or “sottile” is amazing considering how much its size, wildness and density attempt to obscure or blemish (macchia) the beauty of its red fruit. A broad expression it surely is but one that will stretch, extend and unwind over a decade or more of time. Drink 2021-2031.  Tasted March 2018  tenuta_fanti  lesommelierwine  @tenutafanti  @LeSommelierWine  Elisa Fanti  @LeSommelierWine

Fattoi Brunello Di Montalcino DOCG 2013, Tuscany, Italy (33498, $39.95, WineAlign)

It gets neither more modern nor accessible than this fruit-centric Fattoi, a sangiovese of primary charm and acidity to manage that precocious, boyish charm. Expect early returns from this succulent sangiovese but less structure for longevity. This needs to be expressed and turned into a positive because some Brunelli need to offer immediate gratification. Perhaps not too many but this is the one to take one for the team. Drink 2018-2021.  Tasted February 2018    @BrunelloImports  #fattoi  brunelloimports  Lucia Fattoi  Brunello Imports Inc.

Fuligni Brunello Di Montalcino DOCG 2013, Tuscany, Italy (245225, $92.00, WineAlign)

Fuligni’s is classic Brunello, as expected, because it really celebrates its acidity more than it presses for tannin to lead it into a long future. Though the tannins could not be accused of not drying a bit and the fruit may not live for two decades it is the fine acidity that will keep it very much alive. I for one will look forward to seeing how this particular Fuligni keeps the energy alive. Drink 2020-2027.  Tasted February 2018    @HalpernWine  Fuligni  halpernwine  @halpernwine

Gianni Brunelli Brunello Di Montalcino DOCG Le Chiuse Di Sotto 2013, Tuscany, Italy (Agent, $89.00, WineAlign)

The push-pull, ying-yang workability of density and elegance move to and frow in Gianni Brunelli’s 2013, a wine of substance and finesse. The Le Chiuse Di Sotto estate fruit from an area south of La Croce and north of Castelnuovo dell’Abate has a lovely freshness about it, fully expressed in chalky cherry liquidity and a side addendum of smoulder and wood spice. Good to very good structure will deliver a long run into the next decade and beyond. Drink 2019-2030.  Tasted February 2018  giannibrunelli  brixandmortarwineco  @brixandmortar  Laura Brunelli (Le Chiuse Di Sotto)  @brixandmortarwineco

Il Palazzone Brunello Di Montalcino DOCG 2013, Tuscany, Italy (Winery, WineAlign)

If you wish to be quick to point out a sangiovese as acting as a classic poster child for the vintage almost before it has even lived, this from Il Palazzone could very well be the one. It’s as fresh as a 2013 can be though also compresses deep down into the syrupy Brunello well. Once again it is a vintage related affair that speaks quite clearly through the opaque lens of 2013 eyes. Young by territorial standards with the first vintage having been produced in 1990, the estate’s (just southwest in direction) close proximity to the village of Montalcino links it to the centre of the regional psyche. I would not hesitate to make use of Il Palazzone as a yardstick from which to measure the 2013 Annata in every and all directions. Drink 2019-2027.  Tasted February 2018  ilpalazzone  @ilpalazzone  Il Palazzone

Il Poggione Brunello Di Montalcino DOCG 2013, Tuscany, Italy (Agent, $62.50, WineAlign)

This is found to be a dense, compressed and intense sangiovese and as a result the tannins are quite formidable at this youthful early stage of its evolution. Nothing says strutura like this angular and impressive Brunello but anything less than five years of patience will do little to offer an immediate or near-term reward. Plus the necessity for fruit longevity is part of the package of hope. Drink 2021-2029.  Tasted February 2018  @IlPoggioneWines  @LiffordON  ilpoggione  liffordgram  @villailpoggione  @liffordwineandspirits

Vini Lazzaretti Brunello Di Montalcino DOCG 2013, Tuscany, Italy (318352, $53.95, WineAlign)

The deeply hematic, ferric and brooding nature of Lazzretti’s 2013 demands attention and time though there is hardly that much available at this early stage. This is one of the grippiest and firm of the lot, a wine of intensity, full throttle activity and ambitious-driven functionality. Everything here is grand; fruit flesh, strong bones and heavy footprint. Drink 2020-2027.  Tasted February 2018  @ViniLazzeretti  @ViniLazzeretti

La Màgia Brunello Di Montalcino DOCG 2013, Tuscany, Italy (Agent, $59.95, WineAlign)

Modernity for 21st century Brunello is truly forged from sweetly ripe, perfectly phenolic fruit. Just as noted in the estate’s ’12 Cilegio I once again imagine the winemaker walking the vineyards at harvest, chewing on seeds, waiting for that optimum combination of tannin resolution and crunch. Sweet spot found once again. In 2013 there is also a new found spice, so much it bites but the precision, finesse and elegance remains. The fruit is of a deep red clarity, at times downy soft but then the pique moments strike, again and again. So much fun. Drink 2019-2031.  Tasted March 2018  lamagiamontalcino  @fattorialamagia  @lamagiamontalcino

La Màgia Brunello Di Montalcino DOCG 2012, Tuscany, Italy (Agent, $59.95, WineAlign)

Brunello di Montalcino La Màgia is aged for three years mainly in 500 litre French oak tonneaux with an eye towards grip and a construct to age, all the while staying true to the ripe and the elegant. This 2012 tasted side by side with 2013 is quite similar and the consistency is bred from great phenolics. It is admittedly firmer here in ’12 but the red berry fruit and spice are both hushed in quieter tones. Tangy tart edging mixes with grippy, chalky tannin. The two wines will age in similar fashion. Drink 2018-2029.   Tasted March 2018  lamagiamontalcino  @fattorialamagia  @lamagiamontalcino

La Màgia Brunello Di Montalcino Riserva DOCG 2012, Tuscany, Italy (AgentWineAlign)

La Màgia the name is likely from “magione” a Tuscan rendition of the French “maison.” The house produces exceptional south-central Montalcino Brunello and this Riserva from vineyards at an altitude of 400-450m is only produced in exceptional years, from the very best old vines (35-40 years) grapes. It’s aged in new (500 litre French oak) casks for a period of three and a half to four years. The profile from Annata through Riserva and into the estate’s Cilegio is consistently uncanny and with subtle variegation, also magical. The Riserva highlights and perhaps even hyperbolizes the liquid chalky and talcy feel of the others, along with an elevated tonality and acidity. It’s age proposition is boundless. Drink 2020-2033.  Tasted March 2018  lamagiamontalcino  @fattorialamagia  @lamagiamontalcino

La Palazzetta Brunello Di Montalcino DOCG 2013, Tuscany, Italy (Winery, WineAlign)

From Luca and Flavio Fanti’s 20 hectares of vineyards on the hill overlooking the Badia valley of Sant’Antimo, southeast from Montalcino in Castelnuovo dell’Abate. La Palazzetta’s is the rare and elusive Brunello at once full-throttle yet still elegant enough to remind that it can only be a factor of sangiovese. Even with a full-pressed compliment of fruit and acidity it’s actually quite pretty and certainly full of flesh and charm. The acidity is in fact quite striking, as are the grippy and hydration stripping tannins. Some time will be required to bring it all together. Drink 2020-2026.  Tasted February 2018  lapalazzetta  pillitteriwines    @Pillitteriwines  La Palazzetta  Pillitteri Estates Winery

Le Ragnaie Brunello Di Montalcino DOCG 2013, Tuscany, Italy (Agent, $114.00, WineAlign)

Le Ragnaie farms four vineyards in the central zone of Montalcino; Vigna del Lago, Vigna Fonte, Vigna Cappuccini, Vigna Vecchia but also plots in Castelnuovo dell’Abate and Petroso close to the village. It is the gathering of contrastive and complimentary fruit that deals in defining an estate stylistic for the Classica Brunello. Le Ragnaie’s emits the most exotic perfume of almost any of the oft-stingy ‘13s, in fact this brings a level of fragranza that’s almost impossible for the vintage. I will admit to having waited the entire morning to come across such a floral sangiovese from a vintage that seems reluctant to give such aromatics away. The palate follows along, with smoky smoulder and spice, then turning wonderfully savoury, sapid, salty and herbal. This is the complexity we’ve come to covet from Montalcino, along with a fineness of acidity and lightness of touch. Drink 2019-2027.  Tasted February 2018  #laragnaie  lesommelierwine    @LeSommelierWine  @leragnaie    @LeSommelierWine

Le Ragnaie Brunello Di Montalcino DOCG Fornace 2012, Tuscany, Italy (Agent, $171.95, WineAlign)

Tasted one year later the special selection, 2,000 bottle lot from the Castel Nuovo Vigna Loreto vineyard has come to teach us a thing or two about Montalcino patience. If only the Benvenuto could skip a year to allow vintages like 2012 to gather themselves in bottle then the unresolved angst of fruit heft, wood and structure might never be noted. Fornace is now a matter of layering, stratified by mille-feuille intersectionality of earth, acidity and dark fruit. The pieces fit snugly together and move as one, without the sort of tension that makes you hold your shoulders high. The relaxed state is such a better way to go. Imagine the weightlessness two years from now.  Last tasted March 2018

Le Ragnaie’s Fornace (the furnace) is riper than the old vines but lower in warmth, and I suspect, alcohol. Also prevalent on the nose is some reduction, along with more obvious wood than many. The intent here is clearly for size so more than a few years will be needed to settle the heavy door on its hinges and nearly immoveable parts. The reduction will dissipate in a few and the tannins should begin to relent in two more. Drink 2021-2028.  Tasted February 2017  #laragnaie  lesommelierwine    @LeSommelierWine  @leragnaie    @LeSommelierWine

Le Ragnaie Brunello Di Montalcino DOCG V.V. 2012, Tuscany, Italy (Agent, $171.95, WineAlign)

The 60-70-year-old vines (Vigne Vecchie) Brunello planted at 620m in Ragnaie’s Vigna Vecchia make it the highest altitude vineyard in Montalcino. The more you discuss with winemakers what makes for and separates great sangiovese from its peers, the more altitude comes up in such discussions. Winds from the Maremma, vineyard situation with respect to Monte Amiata, soil composition (with or without Galestro marl) are all matters of importance as well but it is the winds and temperature fluctuations at heights that producers are so keen to impress. Ragnaie’s trump card is this vineyard and that is exactly why this wine, especially from a vintage like 2012 (and 2013 won’t change this attitude all that much), why this wine needs time. I did not understand or see the clarity through the clouds when I tasted it last year. The skies have cleared, the polish and the beauty have emerged and the heat by day has turned over to a great sapidity and cool savour of the night. Traditional and old-school ideals are still the order of the day with the old vines digging deep into the dirt and keeping a compression of the faith. The window will not open for a while yet but when it does the air will be fresh, sweet, pure and honest. Last tasted March 2018

I sense an increase in alcohol from the old vines and perhaps this is completely necessary because of what they do in terms of compression and density. As a rule I am not finding high alcohol in 2012 even as I do find richness and ripeness that is not always easy to manage. These old vines are not a problem for the latter but the heat on the nose mutes the fruit and is ill prepared to set up the palate for acidity and tannin management. A bit rustic and old-school and certainly right for fans of the style. Drink 2019-2026. Tasted February 2017  #laragnaie  lesommelierwine    @LeSommelierWine  @leragnaie    @LeSommelierWine

Mastrojanni Brunello Di Montalcino DOCG 2013, Tuscany, Italy (Agent, $69.95, WineAlign)

This is thicker, deeper and well-pressed Brunello, now typically vintage-driven, with sharp acidity and drying tannin. The fruit is generous and up front so though some time will be needed to fully realize the potential, that fruit will fade and morph into an artful, earthy, truffled and leathery mix before it travels too long. Enjoy this in the mid-term. Drink 2020-2024.  Tasted February 2018  @MastrojanniWine  @MajesticWineInc  #mastrojanni  radalinke  majesticwinesinc  @MastrojanniWine  @majesticwinecellars

Mocali Brunello Di Montalcino DOCG 2013, Tuscany, Italy (64956, $44.95, WineAlign)

Mocali’s 2013 is a warm, rusty and dried fruit roll-up compressed sangiovese, with grippy tannins and a fleshed-up corporeal feel. Seems to be most typical of ’13, with some time needed to feel its way through to the amenable side. Drink 2020-2026.  Tasted February 2018  #mocaliwine  liffordgram    @LiffordON  Mocali Azienda Mocali  @liffordwineandspirits

Piccini Villa al Cortile Brunello Di Montalcino DOCG 2013, Docg Tuscany, Italy (434696, $37.00, WineAlign)

A fruit first, copacetic and highly floral sangiovese from the Villa al Cortile estate southwest from Montalcino in the Tavernelle zone. Winemaker Santo Gozzo accesses varietal purity through sincere concentration on place, altitude (350m), climate (breezes that blow in from the Maremma coast) and soil (limestone with schist and clay). Red fruit honesty and exquisite texture lubricated by wood build this Brunello home with solid intent. Villa al Cortile is a true, honest and lithe expression, using the vintage with exact and correct complication. Drink 2019-2023.  Tasted at the estate February 2018  picciniwines  picciniwine  wineloversca  @PicciniWinesUK  @WineLoversCA  PICCINI WINES  Piccini Wines UK  Wine Lovers Canada

Piccini Villa al Cortile Brunello Di Montalcino Riserva DOCG 2012, Docg Tuscany, Italy (Agent, 205724, WineAlign)

When you consider how firm and grippy the 2012 Riservas can be this Villa al Cortile is just beautiful. Winemaker Santo Gozzo comments “we don’t need café or vanilla. These things are not about the identity of the sangiovese or the place.” And so wood is not used to flavour but rather to slowly oxidize, develop flavours and exchange information with the outside world. The fruit swells forward accompanied by gentle and mild developing spice. Still just a baby and not yet morphed into its true character but the assurance for longevity is assumed by a taut structural quotient understood. It’s layered yet elastic and will be easily adjustable to and the ups and downs laid out by the adversities of time. Is it an example of a five-star Brunello vintage? “Stars are for meteorologists,” notes Santo, “not for rating vintages.” Then quips Mario Piccini “I have wine, women and music. Which one do I give up first? I give up music. Next? Depends on the vintage.” Drink 2020-2029.  Tasted at the estate February 2018  picciniwines  picciniwine  wineloversca  @PicciniWinesUK  @WineLoversCA  PICCINI WINES  Piccini Wines UK  Wine Lovers Canada

Podere Le Ripi Brunello Di Montalcino DOCG Cielo d’Ulisse 2013, Tuscany, Italy (Winery, WineAlign)

Impressive debut for a new Ripi Brunello, from schist and limestone just northeast of Castelnuovo dell’Abate. Quite a closed and reserved for 2013, built on promises and ideas, with a chalky vein, salty even, and a temptation for a sensuous future. Le Ripi is in no hurry to give anything away for free, choosing structure over all else though the complete absence of astringency says so much about the strength of the agriculture and the winemaking. This promises to be beautiful. Drink 2022-2033.  Tasted February 2018  podereleripi  @PodereLeRIpi   Podere Le Ripi

Poggio Antico Brunello Di Montalcino DOCG 2013, Tuscany, Italy (Agent, $70.00, WineAlign)

Really forward, beauty before beast ’13 Brunello that speaks to the fineness of sangiovese. This strikes as coming from an estate that chose to do less is more from the dangerously confounding and mistake tempting vintage, with a celebration of fine fruit balanced by equal and supportive acidity. Would have really climbed to a next level elegance by restraint away from the modernity of sweet oak, but still there is much to learn from this early enjoyment style and approach. Drink 2019-2025. Tasted February 2018  tenutadelpoggioantico  halpernwine  @poggioantico  @HalpernWine  @tenutadelpoggioantico  @halpernwine

Poggio Antico Brunello Di Montalcino DOCG Altero 2013, Tuscany, Italy (AgentWineAlign)

First made in 1983, the Vigna-designate Altero spent two years in French Oak, so at the time it couldn’t be labeled Brunello. Then in 1995 the regulations were brought down from three years to two, so it left IGT and became labeled as a second Brunello. Altero is the one of the two Annata gifted greater structure, deeper notes that think of the wood and how it spices the fruit and finally, what happens down the road. The smoulder and spice are much greater, the shoulders broader and the musculature ready for bigger fights. The composure is quite something, the confidence great and the results striking. Drink 2021-2029.  Tasted February 2018  tenutadelpoggioantico  halpernwine  @poggioantico  @HalpernWine  @tenutadelpoggioantico  @halpernwine

Poggio Antico Brunello Di Montalcino Riserva DOCG 2012, Tuscany, Italy (AgentWineAlign)

In terms of the structured and the formidable it is this Poggio Antico Riserva that sits in the upper reaches of such a stratified realm. If the Altero is broad shouldered (in either or both 2012 and 2013) than it is this ’12 Riserva that walks with fierce confidence. With an extra year to show for its troubles Poggio Antico’s Riserva 2012 has accumulated more body, what seems like greater acidity and certainly a wild side. Here the reminder that more is sometimes more comes out in Riserva level impression. The oak is massive and intense, fully in charge, in a how do you say, a Silver Oak Napa Valley way. This is a massive expression of top quality selected fruit and its youthfulness is only exceeded by its over the moon acidity. Just a massive construct that will take 10 more years to begin to break down. Why anyone would touch this before 2022 would fail to teach me anything. Drink 2022-2034.  Tasted twice, February 2018  tenutadelpoggioantico  halpernwine  @poggioantico  @HalpernWine  @tenutadelpoggioantico  @halpernwine

Poggio Antico Brunello Di Montalcino Riserva DOCG 2007, Tuscany, Italy (AgentWineAlign)

With six more years in the rear-view mirror the wood has integrated substantially and so the beauty and the charm is beginning to be revealed though the barrel will always be a part of the equation. There is this sense of savour and sapidity now that would not have been in the mix before. Even still the cask strength quality dominates and so the largesse and impressive concentration can not be denied, though the finish is all sweet digestif and demerera sugar. Big oaky Brunello, very international in style, in adherence to time and more specifically, vintage. Drink 2018-2025.  Tasted February 2018  tenutadelpoggioantico  halpernwine  @poggioantico  @HalpernWine  @tenutadelpoggioantico  @halpernwine

Poggio Di Sotto Brunello Di Montalcino DOCG 2013, Docg Tuscany, Italy (337774, $180.00, WineAlign)

A highly serious, concentrated, richly endowed and full-fruit acquiesced sangiovese with extremely fine tannins overtop just as fine acidity. The style is by now well-known and persistent though it would not be a stretch to note that it’s also something almost impossible to repeat with fruit from anywhere else. The confidence and quiet ego of this wine is owned by Poggio di Sotto and Poggio di Sotto alone. Drink 2019-2026.  Tasted February 2018  #poggiodisotto    Poggio di Sotto

Poggio Di Sotto Brunello Di Montalcino Riserva DOCG 2012, Docg Tuscany, Italy (WineryWineAlign)

There is no shortage of grandiosity in Poggio di Sotto’s Riserva though it does not reach for too much hedonism or flamboyance. Fruit is a wealthy player while acidity ranges from wild to extreme. There is a feeling of tonic embrace and plumped up stone fruit bitters though fleshy and spirited is really the operative. There is this juicy orange note on the back end of the acidity with a long, stretched and syrupy finish. Really big Riserva. Drink 2021-2033.  Tasted February 2018  #poggiodisotto    Poggio di Sotto

Salvioni Brunello Di Montalcino DOCG La Cerbaiolo 2013, Docg Tuscany, Italy (WineryWineAlign)

The utter freshness of sangiovese is the ideal and the rasion d’être in Giulio Salvioni’s most important work, with little to no encumbrance. This is a Brunello that eschews bright, clear and deeply honest work from out of the shadows cast by years of adulteration. Salvioni is the never wavering producer, continues to dream lightly and without panic, in the most calm and collected manner. The vineyards southeast of Montalcino at 420 meters are a collection of exceptionally rocky, friable marly soils and from 2013 they open the window into fruit, structure and longevity. It’s cool and soothing sangiovese for the beautiful in everything that is Montalcino. Drink 2021-2034.  Tasted February 2018

San Polino Brunello Di Montalcino DOCG 2013, Tuscany, Italy (Agent, $89.95, WineAlign)

Certainly one of the more aromatic sangiovese from 2013, with exotic scents, floral and spice, far from feral and dangerous. There is warmth to be sure but not out of a compressed or angry place. There is also a bit of brettanomyces, well beneath the threshold and serves to develop character within the fine-grained chalky network. This needs several years to integrate and ultimately come into balance. Drink 2021-2028.  Tasted February 2018  #sanpolino  thelivingvine  @SanPolinoVino  @TheLivingVine  #SanPolinoBrunello  The Living Vine inc.

San Polino Brunello Di Montalcino Riserva DOCG 2012, Tuscany, Italy (Agent, $169.95, WineAlign)

San Polino. This is just beautiful. Though the richness of juicy, fleshy and tangy fruit is so important to the core, it is this sweet earthy compost that really brings the character and the charm. The acidity is rounder than some though its integration is seamless. How this will evolve into a wise and curative secondary sangiovese will come about because of the turning to nuts and dried fruit stone. Finally it will fade into a truffle and tea sunset. Drink 2020-2038.  Tasted February 2018  #sanpolino  thelivingvine  @SanPolinoVino  @TheLivingVine  #SanPolinoBrunello  The Living Vine inc.

Scopetone Brunello Di Montalcino DOCG 2013, Tuscany, Italy (WineryWineAlign)

In certain Montalcino vintages a house will craft a sangiovese that pulls no punches nor pushes the river. Scopetone’s is really big, warm and clearing of the throat speaking sangiovese, with smoulder by tobacco and deep black cherry fruit, pressed to deliver quicker access and hopefully, success. So we can get down to the real tang and the real soul. Drink 2019-2024.  Tasted February 2018  #scopetone    Scopetone

Fattoria Scopone Brunello Di Montalcino DOCG 2013, Tuscany, Italy (WineryWineAlign)

Another deep and pressed 2013 with a very drying impression so there is no question about the tannic quality and age potential. The fruit too is a bit dried, with a currant-salumi-pomegranate mix that takes quick, sharp turns as if along angles of geometry. This needs time to gather its thoughts and to take fuller advantage of its greater cool abilities, of herbology and savour. Drink 2020-2026.  Tasted February 2018  

Sesti Brunello Di Montalcino DOCG 2013, Tuscany, Italy (Agent, $89.00, WineAlign)

From Giuseppe Sesti who planted his vines at Castello di Argiano in 1991, a 13th century property with Etruscan origins just west of Sant Angelo in Colle. Now in the hands of Elisa Sesti the élevage is territorially appropriate and necessary thirty-nine months in 30 hL botti. The result is quite a gregarious one this Sesti, with really bright acids circling the sangiovese wagons and tying the fruit up in ropes and casings. You can sense the alcohol though it’s not really a heavy, pulling or dragging feeling. It persists as airy and free in spite of the early heat spikes. Should float on, through the skies for a decade or more. Classic finish of deep red cherry liqueur. Drink 2020-2031. Tasted February 2018  #sesti  lesommelierwine    @LeSommelierWine  Le Sommelier, Wine Agency

Talenti Brunello Di Montalcino DOCG 2013, Tuscany, Italy (Agent, $76.00, WineAlign)

Talenti’s Annata comes from vineyards in the area of Castelnuovo dell’Abate and like the Rosso but 10 times more concentrated and focused this is sangiovese of a most intense aromatic, flavourful and textured liqueur. Cherries never came swelling and macerating so succinctly pure and fascinating as they do here, taking every advantage of vintage and how it works in conjunction with place. This is what happens when vines spend long hours in an arid yet humid place to develop grapes for the purpose of variegation and structure. The layers will take two years to peel away and expose the true character, followed by five more for a classic transparency of expression. Talent’s 2013 builds like a jet engine preparing the craft for take-off. The two years will pass and you’ll then feel the angle skywards while you press back in your seat. This is the effect created by truly tactile Brunello. Drink 2020-2028.  Tasted March 2018  talentiriccardo  brixandmortarwineco    @brixandmortar  Talenti Montalcino  @brixandmortarwineco

Talenti Brunello Di Montalcino Riserva DOCG Pian di Conte 2012, Tuscany, Italy (Agent, $120.00, WineAlign)

Two of the 20 estate hectares in Castelnuovo dell’Abate are dedicated to the the vineyard Paretaio, planted to a sangiovese clone selected by Pierluigi Talenti. Pian di Conte is only made in years deemed worthy of carefully selected grapes from 20-plus year-old vines out of this highly specific, 400m of altitude micro-climate block. It’s a wow Riserva from 2012, perfumed with classic extra time in barrel that Annata Brunello only seems to reach. Notes like dark berries, pipe smoulder and rich ganache, the 2012 is already showing some maturity signs of integration. It’s a fineness of tart dark citrus styled-sangiovese wrapped so tightly around the structure’s finger, indelibly inked, modern and with all parts fine-tuned in synchronicity. Riservas will often sting until they pass at least a ten-year mark but Talenti’s croons romantically with stand-up base note ease. For Montalcino it’s a hit of the vintage and to it I can safely say “I can see the destiny you sold turned into a shining band of gold.” Drink 2020-2030.  Tasted March 2018  talentiriccardo  brixandmortarwineco    @brixandmortar  Talenti Montalcino  @brixandmortarwineco

 

Tenuta Buon Tempo Brunello Di Montalcino DOCG 2013, Tuscany, Italy (WineryWineAlign)

This is a most beautiful, composed and seamlessly constructed southern Brunello di Montalcino 2013, with exceptional blending of vineyard fruit for balance and pure pleasure. What is so special here is the realized Castelnuovo dell’Abate area phenolic ripeness and the way in which great Galestro marl and sandstone terroir, exceptional micro-climate and hands free viniculture conspire for such elegance. Tenuta Buon Tempo delivers the vintage warmth with grace and the deeper understanding. It is precise and focused for what needs to be accomplished, in a modern world with so much temptation but ultimately it is restraint and doing things the right way that matters most. Drink 2020-2033.  Tasted February 2018  tenutabuontempo    @TenutaBuonTempo  Carpe Vinum

Tenuta Crocedimezzo Brunello Di Montalcino DOCG 2013, Tuscany, Italy (WineryWineAlign)

A lovely freshness in the wild berry fruit of Crocedimezzo’s ’13 brings fine definition, that and bright acids with chalky, grippy tannins. The purity and honesty in this focused sangiovese is a breath of fresh, not connected with before air. The relationship should continue for a decade, then on to subsequent anticipatory vintages. Drink 2020-2028.  Tasted February 2018  tenutacrocedimezzo  @crocedimezzo  Tenuta Crocedimezzo

Tenute Silvio Nardi Brunello Di Montalcino DOCG 2013, Docg Tuscany, Italy (922054, $44.95, WineAlign)

Extreme unction and sultry personality separate Nardi’s ’13, in definition and construct away from so many peers. Oenologist Emanuele Nardi draws his classic Brunello from the fluvial Cerralti parcel, a mix of jasper which is a type of opaque, granular quartz, along with shale and clay. There is no sense of drying fruit and tough tannin in this luxurious sangiovese, no, rather its bright, effulgent and outwardly sexy. Classic liqueur and modern texture give way to grippy acidity and more than necessary structure. This is one of those Brunello that speak with fruit early but with a knowing nod to longevity. Drink 2019-2028.  Tasted February 2018  tenutenardi  majesticwinesinc  @TenuteNardi  @MajesticWineInc  @tenutenardi  @majesticwinecellars

Tommasi Brunello Di Montalcino DOCG 2013, Tuscany, Italy (483800, $49.95, WineAlign)

The Casisano Estate is found eight kilometres south of the town in Sant’Angelo in Colle, incidentally of population 204, as noted by a 2011 census. At 500m the vineyards benefit from temperature swings and the necessity of prevailing cool winds from the sea to the west. The Brunello developed here (like Ragnaie) turns out classic red clay and stone derived deep cherry liqueur but of a constitution and flavour unlike any other sangiovese on earth. It’s almost brambly and even a bit scorched. It’s rich, proper and righteous. Best of all, the best years still lay ahead. Drink 2019-2024.  Tasted March 2018  tommasiwine  univinscanada  @Tommasiwine  @UNIVINS  @tommasiwines  Univins et Spiritueux / Univins & Spirits

Tommasi Brunello Di Montalcino DOCG 2012, Tuscany, Italy (483800, $49.95, WineAlign)

From Casisano in Sant’Angelo in Colle, to the south of the village. Tomassi’s Montalcino situation is another one of altitude and therefore a great choice of location from which to develop a strong and structured Brunello ideal. This ’12 is not unlike the ’13 but perhaps with a bit more hyperbole, at times of warmth and at others, elegance. It’s not completely sure of its position, but that is both a matter of vintage and still getting to know the lay of this land. The follow-up 2013 will continue to cement the altitude influence and the understanding of these exceptional vineyards. This ’12 is a great building block for the future of what will be one of the more storied cru in Brunello di Montalcino. Drink 2018-2022.  Tasted March 2018  tommasiwine  univinscanada  @Tommasiwine  @UNIVINS  @tommasiwines  Univins et Spiritueux / Univins & Spirits

Tommasi Brunello Di Montalcino DOCG Colombaiolo 2011, Tuscany, Italy (WineryWineAlign)

Tommasi’s Colombaiolo Brunello is the pinnacle of their tier from grapes sourced out of the 1991 planted, hectare and a half single vineyard on the Sant’Angelo in Colle Casisano estate. This 2011 is Tomassi’s first vintage though a wine has been made from Colombaiolo fruit since 1996. Fermented in wood vats and then aged ion Slavonian casks. No French wood is used, as per the direction of oenologist Emiliano Falsini. The ’11 dovetails as only Riserva can so “dream, if you can, a courtyard, an ocean of violets in bloom.” This is an ethereal prince of Brunello di Montalcino thieves, thick as black cherry liqueur, sumptuous, chalky, coming down like purple rain. It’s the juice of a revolution, now integrated, evolved but as music that stands the test of time. It’s also hard to get in its very structured way so you may find it too demanding or that you’re yelling at each other. More time and reconciliation will bring you and it together. “This is what it sounds like, when doves cry.” The finish is just on point, between balance and perfect. Drink 2019-2027.  Tasted March 2018  tommasiwine  univinscanada  @Tommasiwine  @UNIVINS  @tommasiwines  Univins et Spiritueux / Univins & Spirit

 

Ventolaio Brunello Di Montalcino DOCG 2013, Doc Tuscany, Italy (WineryWineAlign)

Ventolaio’s leads with a new age earth wealth of grippy charm and accentuated perfume right from the word smell though the rock layers are many and the well runs severely deep. This is an ambient sangiovese of seriously condensed and compressed liqueur, hematic and poignant, dense and yet somehow the eventuality of the ashra electrical meets the minimalist ethereal will be found. In the deep distance. Drink 2021-2030.  Tasted February 2018    #ventolaio  @Ventolaio

Rosso di Montalcino

Altesino Rosso Di Montalcino DOC 2015, Tuscany, Italy (Winery, WineAlign)

Certainly richer and deeper than cousin Caparzo but really just a different child for Elisabetta Gnudi and just as important in its own right. This Altesino Rosso exhibits the ’15 freshness but with a year further under wing it has settled and added some weight, albeit in liquidity, sweet, viscous liquidity. So much joy here. Drink 2018-2021.  Tasted February 2018  altesino_winery  rogersandcompanywines    @rogcowines  Altesino Srl  Rogers & Company

Antinori Pian Delle Vigne Rosso Di Montalcino DOC 2016, Tuscany, Italy (467787, $31.95, WineAlign)

Pian delle Vigne is quite a perfumed affair in 2016, raspberry to plum fruity and then a courtyard of exotic flowers in early bloom. The fruit is very primary, almost fresh from the tank and so early in its evolution. This will smell and taste so completely different in six months but looking past this should act and play out as an ideal indicator for the fleshiness and grippy nature of the vintage. Drink 2019-2025.  Tasted February 2018    marchesiantinori  halpernwine  @AntinoriFamily  @HalpernWine  @MarchesiAntinori  @halpernwine

Argiano Rosso Di Montalcino DOC 2016, Tuscany, Italy (Agent, $29.95, WineAlign)

With new winemaking ideals in place since 2013 Argiano is now coming into its new own, into a place and position of deep confidence and mature mastery. Though tighter and grippier than many this persists as a joyous bit of Rosso, albeit more in a young Brunello vein than many. Should live with its tart fruit and grippy acidity for five years minimum. Drink 2019-2024. Tasted February 2018  @Argianowinery  @Noble_Estates  cantina_argiano  noble_estates  @argiano  @NobleEstates

Podere Brizio Rosso Di Montalcino DOC 2016, Tuscany, Italy (WineryWineAlign)

Brizio’s is a strong candidate for one of the firmest 2016 Rosso that delivers a distinct and serious impression. It too seems so recently drawn from the barrel with piqued notes that bite and sting overtop not yet developed fruit. This is a serious Rosso, ambitious, woody and wise. Drink 2019-2025.  Tasted February 2018  poderebrizio  @PodereBrizio  @poderebrizio

Caparzo Rosso Di Montalcino DOC 2015, Tuscany, Italy (333575, $20.95, WineAlign)

Caparzo’s 2015 is a red fruit forward, ropey, rosy and wild citrus Rosso di Montalcino done up in botti grandi for one year. In replay of that aromatic intensity it follows with a vivid and bright red acidity and a flavour run in the pomegranate-currant-sweet basil vein, pretty and fresh and all in all, just a lovely rendering. Drink 2018-2019.  Tasted February 2018  caparzo_winery  @CaparzoWines   @TheCaseForWine  Caparzo

Caparzo Rosso Di Montalcino DOC La Caduta 2013, Tuscany, Italy (SAQ 857987, $34.95, WineAlign)

Caparzo Rosso di Montalcino 2013 is from fruit in La Caduta vineyard, the name the place used to have, on the west side of Montalcino, where vines take advantage of the winds from the sea. The Rosso is aged in tonneaux and then after in bottle. It’s quite a fresh and fragrant Rosso, not taking itself too seriously but certainly with more power and for certain intents and purposes, may as well be Brunello. A terrific expression that would just make grilled and roasted meets rock and sing. Drink 2019-2026.  Tasted February 2018  caparzo_winery  @CaparzoWines   @TheCaseForWine  Caparzo

Castello Romitorio Rosso Di Montalcino DOC 2016, Tuscany, Italy (Agent, $28.99, WineAlign)

The finest of fruit-acidity-tannin continuums comes through in Romitorio’s Rosso ’16, a wine of more structure than most. This is a Rosso from whose lens will really help to imagine where the Brunello will come from and to where they will go. Firm, strong, grippy and intense, not only for Rosso but Romitorio has crafted a sangiovese to stand as a beacon for the greater Montalcino good, whole and exemplary of the vintage. Drink 2020-2028.  Tasted February 2018    @WineLoversAgncy  castelloromitorio  wineloversagency   Castello Romitorio  @wineloversagency

Cortonesi La Mannella Rosso Di Montalcino DOC 2016, Tuscany, Italy (Agent, $31.78, WineAlign)

Lovely effulgent fruit in this Cortonesi family Rosso radiates to extrapolate for a 2016 Brunello future, in many ways. First it is this Rosso that benefits from the particular handling, showing in an immediately gratifying plus available sangiovese that drinks with fast-forward Rosso promise and does so on its own terms, for the right Montalcino reasons. Second, even though the producer’s approach to Brunello is another matter in which generally speaking it deals only with older vines, it is this youthful exuberance and wealth of amenability meeting attack that bodes well for the impending grandi vini. It is here that we see the present and the future of Rosso di Montalcino and the respect it is both given and deserved. Drink 2019-2025.  Tasted February 2018  @LaMannella  @Nicholaspearce_  marcora85  nicholaspearcewines  Tommaso Cortonesi  Nicholas Pearce

Donatella Cinelli Colombini Rosso Di Montalcino DOC 2016, Tuscany, Italy (Agent, $29.95, WineAlign)

Of the first couple of dozen Rosso tasted this is the one with some true, purposed reduction, if only as an early veil of protection, to lock in freshness and deliver this forward. Some pretty firm and fleshy fruit directs the body politic so that the first two years will seem hushed and suppressed. It will open like a flower and reveal some charm, soon after that. Another clear winner of purpose and focus from Donatella Cinelli Colombini. Drink 2020-2026.  Tasted February 2018  donatellacinellicolombini  lesommelierwine @news_donatella  @LeSommelierWine  Donatella Cinelli Colombini  @LeSommelierWine

Gianni Brunelli Rosso Di Montalcino DOC Le Chiuse Di Sotto 2016, Tuscany, Italy (Agent, $44.00, WineAlign)

Le Chiuse di Sotto ’16 is blessed of lots of firm flesh and full fruit extraction to mark a territory of style, a wine as much in common with Brunello as any Rosso from the vintage. This runs deep, into macerating cherry and a real feeling of wet argilo filling in as mortar in the crevices of brix. Not exactly formidable but this is certainly one of the bigger and more structured wines of the Annata. Drink 2019-2025.  Tasted February 2018  giannibrunelli  brixandmortarwineco  @brixandmortar  Laura Brunelli (Le Chiuse Di Sotto)  @brixandmortarwineco

Mocali Rosso Di Montalcino DOC 2016, Tuscany, Italy (286260, $19.95 WineAlign)

Quite fresh and reeling Rosso from Mocali in 2016 brings the energy of 2015 and adds another stratified layer to the appellative compendium. If this is any indication then it would suggest more structure, grippy and drying tannin will come from the 16s. Drink 2019-2022.  Tasted February 2018    #mocaliwine  liffordgram    @LiffordON  Mocali Azienda Mocali  @liffordwineandspirits

Piccini Villa al Cortile Rosso Di Montalcino DOC 2016, Docg Tuscany, Italy (460295, $20.00, WineAlign)

It is here that we see Rosso having been produced in the right way with honest intentions and correct handling. It just has to be fresh like this, rich but responsible, ripe and just a bit firm. This is exactly how a three to four year Rosso should and can act. Excellent work from Villa al Cortile with a deep respect for the vintage. Drink 2019-2022.  Tasted February 2018  picciniwines  picciniwine  wineloversca  @PicciniWinesUK  @WineLoversCA  PICCINI WINES  Piccini Wines UK  Wine Lovers Canada

Poggio Antico Rosso Di Montalcino DOC 2016, Tuscany, Italy (AgentWineAlign)

As with all wines, Poggio Antico’s Rosso, like everything is vinified separately, along with Annata, Riserva and Altero. A sharp and fleshy Rosso from a longer fermentation after a longer ripening period, with clearly more structure than 2015 and this cool, almost minty savoury streak. It’s darker and surely carries a deeper intensity and in the end, a nice Rosso is made. Drink 2019-2025.  Tasted February 2018  tenutadelpoggioantico  halpernwine  @poggioantico  @HalpernWine  @tenutadelpoggioantico  @halpernwine

San Polino Rosso Di Montalcino DOC 2016, Tuscany, Italy (Agent, $48.95, WineAlign)

San Polino’s is a beautifully earthy, funky and natural Rosso with a fleshy red fruit upside and fine, liquid chalky grains of acidity meeting tannin. There are some Rosso that really need to be considered and assessed as Brunello and it is only where such structured sangiovese fit relative to the estate’s other Brunello that need qualify it as Rosso. In today’s Montalcino one’s Rosso is another’s Brunello. It’s now more than ever a matter of location, soil and altitude. This San Polino is quite a tart affair that needs two years to soften and ultimately please. Drink 2020-2026.  Tasted February 2018  #sanpolino  thelivingvine  @SanPolinoVino  @TheLivingVine  #SanPolinoBrunello  The Living Vine inc.

Talenti Rosso Di Montalcino DOC 2016, Tuscany, Italy (Agent, $30.00, WineAlign)

Riccardo Talenti’s is Rosso for Rosso addicts, a pure, unaffected, grippy cherry liqueur welling sangiovese of ultra-precise focus and deliciousness. That it manages to acquiesce the holy trinity of Rosso di Montalcino ideals of flavour, texture and structure means that it can accomplish the two most important aspects of sangioveseness. Drink and enjoy now or wait five years for it to begin breathing anew. Drink 2019-2023.  Tasted March 2018  talentiriccardo  brixandmortarwineco    @brixandmortar  Talenti Montalcino  @brixandmortarwineco

Tenuta Buon Tempo Rosso Di Montalcino DOC 2016, Tuscany, Italy (WineryWineAlign)

Tenuta Buon Tempo offers up just a lovely aromatic profile in delivery of what 2016 should and could, with exotic florals, red citrus starlight and a sense of airy breaths. The best of 2016 acidity is brought out, alongside and of hands intertwined and interlaced with the fruit. The slightly firm finish indicates a few years of low and slow development. Drink 2020-2027.  Tasted February 2018   tenutabuontempo    @TenutaBuonTempo  Carpe Vinum

Tenuta Crocedimezzo Rosso Di Montalcino DOC 2016, Tuscany, Italy (WineryWineAlign)

There is a nice bright freshness in this 2016 Rosso by Crocedimezzo, a sangiovese of great presence radiating in its effulgent nature. You really have to appreciate the round acidity circulating to encompass the red fruit and then the earthy quell that helps to soften the firm composure. A really correct, clean and pure Rosso. Drink 2019-2025.  Tasted February 2018  tenutacrocedimezzo  @crocedimezzo  Tenuta Crocedimezzo

Tenute Silvio Nardi Rosso Di Montalcino DOC 2016, Docg Tuscany, Italy (AgentWineAlign)

Radiant, fresh and effulgent Rosso is a wonderful thing and although this has yet to shed its barrel fat it offers a great glimpse into its fruit-filled, long-lasting and expressive future. There is much to admire in how this puts the fruit at the forefront and then welcomes both fine acidity and some fineness that incorporates structure. Solid Rosso from a range of vineyards by winemaker Emanuele Nardi. Drink 2019-2026.  Tasted February 2018  tenutenardi  majesticwinesinc  @TenuteNardi  @MajesticWineInc  @tenutenardi  @majesticwinecellars

Tommasi Rosso Di Montalcino DOC 2014, Tuscany, Italy (WineryWineAlign)

Pierangelo Tommasi notes that they began making Brunello but decided mid-gear to declassify and only make a Rosso instead. With best available fruit in hand Tomassi went ahead with this firm, grippy, saucy, sassy and forest-scented verdant sangiovese. It’s oh so drinkable but with more structure than many of the fresh, spirited and tart red fruit specimens that populate the Rosso spectrum. The ’14 is like Brunello but with the vintage savour and who knows how long this can go. Just might fool us all. Drink 2018-2021.  Tasted March 2018  tommasiwine  univinscanada  @Tommasiwine  @UNIVINS  @tommasiwines  Univins et Spiritueux / Univins & Spirits

Val di Suga Rosso Di Montalcino DOC 2016, Docg Tuscany, Italy (455683, $24.95, WineAlign)

Val di Suga offers a lovely turn for the 2016 vintage and for the house, clearly making a statement of fruit first and all else second. There is an airy freshness about this Rosso and still the sensible firmness of backbone to carry it forward. A shot of juniper tonic marks the final stages of its youth. Should develop into next stage character with a lovely secondary impression. Drink 2019-2025.  Tasted February 2018  #valdisuga  churchillcellars    @imbibersreport  Val di Suga  Churchill Cellars Ltd.

Ventolaio Rosso Di Montalcino DOCG 2016, Doc Tuscany, Italy (WineryWineAlign)

Ventolaio tries neither too hard nor does it try to be exaggerate in the direction of either too lithe or too strong. It’s this candid and focused confidence that shows the strength of resistance to speak in a Brunello voice. The precision and clarity make this sangiovese certainly act Brunello-like but this always remains grounded in the Rosso culture. Just terrific as the previous vintage was, so consistency from Ventolaio persists in the guarantee. Drink 2019-2026.  Tasted February 2018    #ventolaio  @Ventolaio

Montalcino
(c) Consorzio Vino Brunello di Montalcino

Good to go!

Godello

Twitter: @mgodello

Instagram: mgodello

WineAlign

Tasting Ontario Part One: Riesling

Riesling at Vineland Estates, 161 days on skins

Riesling is again on the rise and the reasons why are as varied as the artistry it’s equipped to display. It has been 40 years since the Pennachetti family of Cave Spring Vineyard and German vintner Herman Weis planted riesling in St. Urban Vineyard on what is now Vineland Estates. My how things have changed. The trending line ascends as the general public comes around and warms to the versatile grape so popularity is not just in the hands of geeks, oenophiles and connoisseurs. Ask your favourite sommelier, product consultant or wine writer. Riesling’s neighbourhood is beginning to gentrify in a big way but it’s also expanding experimental and ancestral horizons. It will always be just riesling but today’s varietal vernacular goes beyond dry, off-dry, semi-sweet, Süssreserve, late harvest and Icewine to now include skin-contact, barrel fermented, unfiltered, wild ferment, Blackball and The Geek.

A few weeks back I attended my 7th Cuvée in Niagara Falls to celebrate the next chapter with and for our wine industry, fresh on the heels of the 2018 Tasted Untamed edition of Taste Ontario in Toronto. Just a month before I rambled through the Niagara Icewine Festival in Jordan and the Icewine Gala in Niagara Falls. It was at the Icewine Gala where we watched and listened in on a great tribute to Ontario’s iconic pioneer, Karl Kaiser. We owe so much to Mr. Kaiser with respect to everything Icewine but also to how far we have come in terms of riesling.

A lovely tribute to #karlkaiser tonight at #icewinefestival gala

Just two weeks ago in Toronto we tasted the current offering of Prince Edward County wines at Taste of the County. Today we will immerse ourselves into the culture of global food and local wine at the Terroir Symposium and on Tuesday the Wine Council of Ontario will hold its first annual Ontario Craft Wine Conference. It has been a very saturated and intensive start to 2018, something that must be attributed to the maturity, confidence, preparedness and excitement of and towards Ontario wine.

My personal opportunities to taste wines from the Niagara Peninsula, Prince Edward County, Lake Erie North Shore and Ontario’s South Coast have been many. Before too long there will be greater access to the wines of emerging regions like the Oak Ridges Moraine, Georgian Bay the Northumberland Hills. Prior to 2017 I used this wine processing platform of godello.ca as a vehicle to review and discuss Ontario wines with much greater frequency but circumstances have changed. My work with Italian and French wine regions, most notably Chianti Classico, Brunello di Montalcino and Bourgogne have occupied a great deal of my time. So has tasting and reviewing many potential submissions for the WineAlign exchange and acting as a consistent contributor to the WineAlign Buyers’ Guides to the VINTAGES releases.  I 2017 I ceased publishing my bi-weekly tasting notes because it’s important that readers check them out on WineAlign. All this as added up to less constant coverage of Ontario wines on the site.

And a few of my favourite wine writers. Thx for coming to #cuvee2018 #vqawinesofontario

That is why I’ve decided to post a series of articles over the next few weeks solely dedicated to Ontario wine and I’m going to split them up by grape varieties, beginning today with Ontario’s great white hope, riesling. I’ve written about the grape many times before and my belief in its varietal power, finesse and omniscient existentialism for a signature and singular Ontario purpose is perpetual and unwavering. This work is possible because of the organizations and the people behind them who make it all possible. The Wine Marketing Association of Ontario, The Wine Council of Ontario and VQA Ontario are a triple-edged force that keep our wines flowing. Thank you to Richard Linley, President of WCO, Magdalena Kaiser, Head of Marketing and Public Relations for WMAO, Brian Schmidt and Laurie Macdonald, President and Executive Director respectively of VQA. The Icewine Festival Gala and Cuvée are not possible without the work of Fallsview Casino, Scotiabank Convention Centre and of course Brock University. Gala and Experts’ Tasting coordination is possible because of The Cool Climate Oenology and Viticulture Institute’s Barb Tatarnic, Manager, Wine and Sprit Education Trust and Kaitlyn Little, Marketing and Communications Officer.

Inaugural Winemaker of Excellence Award winner and riesling maker extraordinaire, Angelo Pavan of Cave Spring Cellars, with Donald Ziraldo

At Cuvée, the inaugural Winemaker of Excellence Award winner was Angelo Pavanchosen in a unanimous decision for his major contributions to the industry, his commitment to excellence and his mentorship to winemakers across Canada. Pavan, Vice-President, Winemaker and Founding Partner at Cave Spring Cellars, is known for his encyclopedic understanding of viticulture in Niagara. He was among the first in the province to work with numerous grape varieties and was a pioneer in the quest to improve wine quality and sustainability in vinifera varieties.

“It is humbling to be the first recipient of this great award,” said Pavan. “It validates the passion, time, effort and commitment of over 30 years dedicated to this great wine growing region and having participated in its evolution to international recognition.”

Pavan is also a founding member and Chair of the Vintners Quality Alliance (VQA) Standards Development Committee and has played a key role in determining the most suitable winemaking practices applicable in Ontario. As the founding Chair of the International Riesling Experience, held in conjunction with CCOVI, Pavan has also been instrumental in solidifying Niagara’s place as one of the world’s pre-eminent Riesling producing regions.

Related – Three Rieslings to believe

One of my first bold statements about Ontario riesling was this. “There are many reasons to believe in riesling, that versatile and brutally honest grape. Riesling holds no punches, speaks its mind, tells it like it is. Grown worldwide and vinified in so many varying styles, riesling is not so much a chameleon but rather a mutant. It takes root in every vineyard, marking its terroir, expressing itself singularly and without apology. Over the past two-four months I have exonerated and upheld with the highest riesling belief that (Ontario) does the variety justice above and beyond the pale, in the vineyard and in the glass. More reviews have been written, designed and pushed down your throats on (local) riesling than on any other grape. What’s up with that? Quality, that’s what.”

Related – 100 kilometre wine for spring

And this. “Riesling. Can there be a more versatile white grape? From natural, mineral spring, bone-dry to concentrated, candied sweet, this grape runs the diversity gamut like no other. ‘The Bench’ is home to a mineral wealth of local riesling, singular in composition not only by way of a global comparison, but also from plot to plot, soil to soil and vineyard to vineyard.”

Riesling Vine

Related – Are you wine experienced?

We held a symposium at Brock University a few years back and the technical, chemical side was addressed by Cornell University Sensory Researcher Terry Acree. For riesling, Acree focuses on chemicals that correspond to the strongest identified smells, the most important and prevalent of which is TDN (Trimethyldihydronaphthalene). TDN the chemical or diesel/petrol the sensation as an “odour strength (Damascenone) as related to by human subjects.” In order for the wine taster to “experience” these sensations, two things have to be there. “Memories of different kinds of features and features themselves.” That said, Acree believes you can only smell three things at once, a notion he borrows from M.F.K. Fisher.

Acree sees odour as “an evolutionary human response to history.” If you have never come into contact with a banana, you will never smell banana in Chardonnay. TDN is the dominant aroma and where riesling grows, more sunlight means more fruit and more TDN. TDN is a precursor but its prevalence does not necessarily increase as a wine ages. A very common theme when nosing an aged Riesling is to comment on the secondary aromatic emergence of a gas or petrol note. Acree believes that identifying increased petrol notes in aged Riesling is a bit of a misnomer. It had to already be there. “I’m just inventing a new, confusing way to discuss minerality,” he concludes.

At that time Toronto wine writer Mike Di Caro and I talked about Ontario riesling and we agreed that sugar levels are both arbitrary and unpredictable so Niagara’s best is and should be of the dry variety. I don’t think that way anymore. My friend and colleague Bill Zacharkiw of the Montreal Gazette wrote this last year.”Rieslings, especially from cool climates like the Mosel in Germany and Niagara tend to have residual sugar. Don’t be scared. You know what? I love them. The sugar makes the aromatics go “boom,” while the acidity keeps the wine tasting dry.” Bill is correct and it is also those sugars that allow the wine to stay alive, age and develop those aforementioned petrol notes.

Related – I shall be Riesling

Here is how VQA chooses to define typical Ontario riesling. “Classically exhibits refreshing citrus, peach or floral aromas with a light “petrol” element and racy acidity on the palate. Made in a range of dry, off-dry and sweet styles, including Icewine. Typically not oaked but good examples will age well with the petrol nose evolving.” Many would agree but there is so much more to think about. You don’t know anything about riesling and aging until you begin tasting them at five years only know then can you begin to understand. Some examples will stay the course of pure lemon, so taut and tight, perhaps shouldn’t even be released until they are ready. The acidity might be the most unwound, with pent-up aggression, a fighter in search of balance. Not typical perhaps but very much a part of the Ontario mix.

The curious thing about Ontario riesling is how it has pushed me to wax with unlimited hyperbole, as in “to purchase in increments any less than a case may be considered a crime against Riesling” and “one of the finest rieslings ever made from Ontario grapes.” For Treve Ring’s take on the great grape, head over to WineAlign for what she had to say after the 2017 WineAlign National Wine Awards of Canada (The Nationals). Treve writes,  “as our palates progress, we often shy away from these simpler, fruity styles for more structured, savoury and minerally wines, which again, brings us full circle (close the ring) back to serious and ageworthy riesling.”

Related – Moved by Riesling

I have been moved by riesling many times. In Alsace it happens every day and it has happened in Ontario, most notably after having comes across (any one of four or five) Charles Baker Picones and Emma Garner Thirty Bench Small Lots. Or in particular, Jay Johnston’s Nadja’s from Flat Rock and most notably Brian Schmidt’s Vineland Estates St. Urban. With Cave Spring it happened after tastes of Cave Spring CSV. It has happened again and again. It will continue this way.

As I mentioned, this is merely the first part in a long series of articles to come, including exposées on sparkling wines, chardonnay, other white varieties and appellative blends, gamay, pinot noir, cabernet franc, plus other reds and red blends. To begin this Ontario varietal march through spring here are 26 recently tasted riesling, plus a handful visited in 2017 yet to make it to godello print, all to give a glimpse into the portal of how far Ontario has come and to where it may be heading.

Riesling at the Carriage House, Vineland Estates Winery – March 7, 2015

Redstone Riesling 2014, VQA Niagara Peninsula, Ontario (Winery, $14.95, WineAlign)

So much lime, in flesh and zest, all over the lime map. Really juicy riesling for the cost of a song. Cool climate stamp right here; glade, citrus, wax and air up above. The palate follows, albeit thin and tinny. Ideal for current consumption though not likely made with the stuffing to evolve. Regardless it’s good value. Drink 2017-2018.  Tasted blind at NWAC July 2017 and October 2017  redstonewinery  @RedstoneWines  Redstone Winery

Featherstone Riesling Black Sheep 2017, VQA Niagara Peninsula, Ontario (80234, $16.95, WineAlign)

The Black Sheep strikes again, same price, same typicity and balance. This is the riesling we’ve come to expect and relish, with elevated sugar and acidity levels walking hand in hand. Plenty of lime spirit is more Bench styled than ubiquitous Niagara Peninsula so you can guess what fruit lurks to lead such a suspicion. Always high quality and quick to market, sip, rinse and repeat. You’ll see this wine in release cycles four or five times over, available at all times. Drink 2018-2020.  Tasted April 2018  #featherstonewinery  @featherstonewne  Featherstone Estate Winery

Flat Rock Cellars Riesling 2016, VQA Twenty Mile Bench, Niagara Escarpment, Ontario (43281, $17.95, WineAlign)

There are two types of traditional riesling made up on the Escarpment’s benches, both equally accessible and correct but so very different. There is the other way; dry, stoic and intense. And there is the Flat Rock way, slightly further adrift off-dry, weightier and to be honest, less serious and happier. Not that one style is more important than the other but if I’m a consumer expecting sweet riesling but hoping to learn how the other half lives and breathes it would be this Flat Rock that would help educate and ultimately help me grow into the new riesling lover I’d want to be. The sugar (while nothing extraordinary here) is balanced by equal acidity and athletic chic. Drink 2018-2021.  Tasted February 2018  flatrockcellars  @Winemakersboots  @FlatRockCellars

2027 Cellars Riesling Wismer Vineyard Foxcroft Block 2016, Twenty Mile Bench, Ontario (225490, $18.75, WineAlign)

The wind is so tight and the expressive fruit bound up in a ball of fire and acidity but aching to break free. The pent up energy here is palpably felt, like a needle in the side, leaving you seized up, protective and tense. There is so much juicy citrus and fineness of acidity it’s hard not to see this riesling taking five years to unwind and five more towards developing characterful secondary personality. This is perhaps Kevin Panagapka’s best. Drink 2019-2026. Tasted July 2017 and March 2018  2027cellars  @2027cellars  2027 Cellars

Konzelmann Estate Winery Riesling Reserve Old Vines 2016, VQA Niagara Peninsula, Ontario (Winery, $18.95, WineAlign)

The by now classic house style of using late harvest fruit off of old vines on the estate’s lakefront property and barrel fermentation are the things that delve into the Konzelmann glück, density and complexity. Preserved lemon, grapefruit sorbet and mineral-mandarin cream define this riesling of zero trepidation, utmost confidence and old world charm. Who’s to say you aren’t sipping this in some Rhineland-Palatinate village instead of Niagara on the Lake. There will always be a place in hearts for riesling made this way. Drink 2018-2022.  Tasted March 2018  konzelmannwines  @Konzelmann  @konzelmannwines

Megalomaniac Riesling Narcissist 2017, VQA Niagara Peninsula, Ontario (67587, $18.95, WineAlign)

Narcissist takes a turn to the flint with great citrus intent in 2017, simulating great German riesling that have been coming for generations and eons before. There is a youthful funky reductive yeastiness that tests the aromatics but in looking for balance we find tart fruit, fine acidity and a leanness that strikes like a laser through the microbial fog. Wow is this interesting and in a show of great potential. Drink 2019-2023.  Tasted March 2018  megalomaniacjhc  sobmegalo  @MegalomaniacJHC  @seb_jacquey  Megalomaniac Wine

Fielding Estate Bottled Riesling 2016, VQA Beamsville Bench, Niagara Escarpment, Ontario (251439, $19.95, WineAlign)

Though neither single-vineyard nor block specific make no mistake. This estate riesling from Fielding is a carefully selected and curated one with not a single wasted note in the varietal tune it plays. The chords are pure citrus, the arpeggio rising from stone fruit skin meets flesh and the overall score ambient in its keyboard hold. It’s so bloody juicy, mouth watering and intense, riesling in which there’s a torrent that rises gently. There’s a wind, like a drug, in new material from a great year to make a new record. Worth listening to and drinking in, on repeat, with a deeper understanding. Should develop a layered feel, of honey and petrol, with time. Drink 2017-2022.  Tasted October 2017 and March 2018  fielding winery  richiewine  @FieldingWinery  @RichieWine  Fielding Estate Winery  

Vineland Estates Riesling Elevation St. Urban Vineyard 2016, VQA Niagara Escarpment, Ontario (38117, $19.95, WineAlign)

By now the St. Urban Vineyards vines are as old as 37 years, a fact in longevity and experience never lost on this archetypal Niagara Escarpment riesling. There is a certain kind of interest here, first from track record and then because of the deferential vintage for the flagship variety. The nose is quite waxy, lemon-scented and vaguely sweet-fruity. There is even a bit of Niagara Gold cheese mixed with fresh florals, of white roses and then persimmon. So now the mind travels to the tropics, for flavours imagined of mango, marquesa and mangosteen. Warm days and nights will do that to riesling and while this may not live into its twenties it will go complex and curiously fascinating into the petrol and honey with more early unction, like 2012 but even more, akin to 2010. Drink 2018-2028.  Tasted December 2017  vinelandestates  benchwineguy  @VinelandEstates  @benchwineguy  Vineland Estates Winery  Brian Schmidt

Hidden Bench Riesling Bistro 2016, VQA Beamsville Bench, Ontario (Winery, $20.00, WineAlign)

If Ontario riesling can be referred to as classic it would be something as traditional and acumen-factored as this ’16 by Hidden Bench. This is due to the middle road meets the fine, direct and essential line taken, where along the way balance is struck with notable fruit, just shy of off-dry styling and a fashion of natural acidity. Correct is, as correct does. Drink 2018-2021.  Tasted March 2018  hiddenbench  @HiddenBench  Hidden Bench Estate Winery  

Creekside Estates Riesling Marianne Hill 2016, VQA Beamsville Bench, Niagara Escarpment, Ontario (Winery, $21.95, WineAlign)

The next Marianne is a conundrum, low in alcohol and yet quite lean, avoiding both high strains of citrus and flesh. The nose is both inviting and very mineral but the palate is a bit staid, understated and seemingly dry. The skins of pears and peaches are touched but it’s just a bit too quiet right now. We’ll see what the future holds. Drink 2019-2022.  Tasted April 2018  creeksidewine  @CreeksideWine  Creekside Estate Winery

Southbrook Vineyards Riesling Triomphe 2016, VQA Niagara Peninsula, Ontario (Winery, $22.95, WineAlign)

With all of her other varietal talents I wouldn’t normally pontificate winemaker Ann Sperling as exemplifying the riesling whisperer (at least in Niagara) though a pass at this warm and inviting 2016 may change that and with haste. At the risk of sounding a bit too establishment this is classic and typical Niagara but it accedes into such a category with impeccable sugar, acid and texture balance. Treating the fruit with respect, avoiding any unhinged decisions and delivering the three-pronged effects of sweet, tart and bitter with seamless intertwine is the work of a total pro. Gotta have the lime and the essential possibility of honey. Triomphe 2016 does just that. It’s what you want and need. Drink 2018-2021. Tasted January and March 2018  southbrookvineyards  @SouthbrookWine  Southbrook Vineyards

Mulled riesling anyone? Hidden Bench at Icewine Fest

Hidden Bench Riesling Estate 2016, VQA Beamsville Bench, Ontario (183491, $23.95, WineAlign)

Just a lovely bit of spring sun and dew picks up the stimulus, pace and attitude right from go in the Hidden Bench ’16. This is not only definitive for riesling by house, for estate and to regional necessity but also to all varietal wines done up right in this pinpointed place. The orbiting acidity is twisted like ties around wires along a circle drawn to lock in freshness, by fruit more lemon and lime citrus than stone or up the stairs. It’s a near perfect vintage for the omniscient one and sets the table for Roman and Felseck Vineyard rieslings to come. Drink 2019-2023.  Tasted April 2018  hidden bench  markanthonyon  @HiddenBench @MarkAnthonyWine  Hidden Bench Estate Winery  Mark Anthony Wine & Spirits

Hidden Bench Riesling Felseck Vineyard 2014, VQA Beamsville Bench, Ontario (Agent, $23.95, WineAlign)

Felseck delivers a concentrated, compact and direct riesling, very focused along linear Locust Lane lines, truly Beamsville stony, precise and even a bit demanding. Few Ontario rieslings can distill lemon, lime, green apple and stone like this without jumping around. That Felseck can stand firm in one place with such stoic and unwavering calm is a testament to a winemaker’s attention to detail. It begins in the storied vineyard and finishes with the same fineness of finesse. Drink 2017-2023.  Tasted October 2017  hidden bench  markanthonyon  @HiddenBench @MarkAnthonyWine  Hidden Bench Estate Winery  Mark Anthony Wine & Spirits

Perfect match to riesling? Some might say

Cave Spring Riesling Adam’s Steps 2016, VQA Beamsville Bench, Ontario (901211, $24.95, WineAlign)

Adam’s Steps is Cave Spring’s riesling with a bit more of everything, more depth, body, sweetness and texture. It really is the outlier in their varietal bunching, closer to the Estate than the CSV in style and yet firmly positioned in its own category. There is a true sense of spirit and energy, especially on the lively palate, with a waxy, almost peach coulis and lemon-lime pastille note that lingers like sucking on a riesling candy. Clearly dolomite in origin but fleshy and full. Holds the age ability card for a five-plus year run. Drink 2017-2022.  Tasted October 2017 and March 2018  cavespringcellars  thevineagency  @CaveSpring  @TheVine_RobGroh  Cave Spring Cellars  The Vine

Lundy Manor Riesling 2016, VQA Niagara Peninsula, Ontario (Winery, $24.95, WineAlign)

The fruit source is Wismer Vineyard for winemaker and Niagara College graduate Adam Kern’s ’16 riesling. Kern also makes the wines with Chris Fornasier and Bench Trial Wines. His straightforward varietal wine for Lundy’s Manor speaks of peach and tart citrus with a surprisingly tannic thrush. The equanimity between fruit and acidity keeps it in the airy space above the pull by extracted weight and will serve it well for two or three years time. Drink 2018-2020.  Tasted March 2018  lundymanorwinecellars  @LundyManorWine  @lundymanorwinecellars

Stanners Vineyard Riesling 2015, VQA Lincoln Lakeshore, Ontario (Winery, $25.00, WineAlign)

The Stanners Riesling evolution is upon us, happening and ready to blow. In replay of 2014 this is Niagara meets PEC fruit, two days of skin contact, six months on the lees, dry is as dry does and yeasty funky. In my mind it’s pretty much a repeat of that just about leesy enough and pear textured 2014 without anything new added or realized. But, for Colin Stanners it must be the vintage that wakes him up to what he needs to do next so this ’15 is therefore the first next step towards and set up man for what’s to come in 2016. This is a must step to taste on that ladder of evolutionary understanding so make sure to take it. Drink 2018-2020.  Tasted April 2018  stannerswines  @StannersWines  Stanners Vineyard

Keint-He Riesling 2016, VQA Niagara Peninsula, Ontario (Winery, $25.00, WineAlign)

It’s quite amazing how the texture, sugars and acidities all rise up as one, together for the common good, layered and in-synch. Labeled Niagara Peninsula but really noses and tastes like Twenty Mile Bench riesling. Lime sherbet and mandarin orange gelée. Nothing but pleasure from winemaker Lee Baker’s first start to finish wine at Keint-He. Drink 2018-2021.  Tasted April 2018  keinthewinery  @KeintheWinery  Keint-he Winery & Vineyards

@mackbrisbois brought the past, the present and the future @trailestatewine to taste. Thanks Mack! Indeed, to my pleasure and my education. Delete Comment

Trail Estate Wild Ferment Riesling 2016, VQA Ontario (Winery, $28.00, WineAlign)

In 2016 the WFR is a blend of Foxcroft and BTL fruit, respectfully and respectively farmed by Craig Wismer and Greg Wertsch. This is tannic and textural, the sweetest of all the Trail rieslings, through some skin (or stem) whole cluster contact. The notes are not mind-blowing or expanding ones, of apple, pear and peach skin, again very textural and from a ferment stopped on taste. It’s loaded with 28 g/L of RS but good winemaking makes it seem drier than it is. “Everything else is dry so I guess when I go sweet, I go big” admits Mack Brisbois. So yes this is light, lean, not as fleshy and seemingly drier than it obviously is. Carries forward with a nice candied flower, citrus finish. It’s pretty middle of the road, perfectly correct and enjoyable, especially for a winemaker with an off the beaten track sensibility, antithetical modus vivendi and go beyond the pale ability. Drink 2018-2021.  Tasted April 2018  trailestatewine  mackbrisbois  @TrailEstateWine  @MackBrisbois  Trail Estate Winery  Mackenzie Brisbois

Stanners Vineyard Riesling 2016, VQA Ontario (Winery, $28.00, WineAlign)

I find it curious that this Stanners Riesling is 95 per cent Lincoln Lakeshore fruit but now labeled as VQA Ontario, whereas previous vintages called VQA LL had less Niagara and more PEC fruit. No matter really because again this is Niagara meeting PEC with two days of skin contact, but elevated by 12 months on the lees. That time spent can’t be discounted, nor can the dry as a bone, mad as a hatter summer, not tom mention another year of understanding for Colin Stanners. In the end the acidity out of a chart topping pH and fruit accumulation (not in quantity but in phenolic brilliance) leads this riesling to great heights. Malolactic fermentation was allowed to occur naturally, helping to bring the acidity (and everything else) into balance. Lime, toast, flint and energy, boundless and invigorating. What a riesling, what a story. Drink 2019-2024.  Tasted April 2018  stannerswines  @StannersWines  Stanners Vineyard

Cave Spring Riesling CSV 2016, Cave Spring Vineyard, VQA Beamsville Bench, Niagara Escarpment, Ontario (566026, $29.95, WineAlign)

The CSV from a warm 2016 really expresses the vintage on the nose with a heavy dose of wet stone and every part of a ripe peach. You have to get past the early sulphur but once you do you take a good bite into the flesh of this riesling and the juices will run with accents and angles fit by tonic, pith, tangy, nervy acidity and a hidden sweetness. The sugars are surely more elevated than realized or will ever be felt because the combination of acidity and pith are covers that will never peel back. Size matters and this CSV is built with great Escarpment architecture, stepping out of the paradigmatic 2015 shadow and into another age. This 2016 begins an epoch of structural expressionism and should easily carry its construct through to the next decade. That consequently, is when this CSV will really be ready to rock and roll for a full decade more. Drink 2020-2030.  Tasted March 2018  cavespringcellars  thevineagency  @CaveSpring  @TheVine_RobGroh  Cave Spring Cellars  The Vine

Trail Estate Skin Contact Riesling Hughes Vineyard 2016, Ontario (Winery, $30.00, WineAlign)

Times changes, as do winemakers, their hunches, hopes and dreams. Mackenzie Brisbois takes a sidestepping approach to this trailblazing riesling from the vineyard tended by Ed Hughes. It’s now all wild ferment elongated to 19 days on skins. Takes its time this little big one, moving no less than 25 per cent slower than ’15, in part because of the vintage but also because its wild pressed. More a dry matter of when over how or why, still in its aromatic infancy, suffocated by its nature. Also a case of a young wine caught in the 9 g/L total acidity crossfire of a sci-fi battle scene. Will most certainly take another 18 months to change. It does exhale this curious note of garrigue, like Peloponnese mountain tea and Alto Adige sweet fennel frond in broth, with apple and onion skin doused by shots of lime juice. There is even a chewy feel in the leafy texture, quite herbal with a mild pique in a green tea finish. Trust me, this will become something both fascinating and delicious at some point in 2020. There are approximately 76 cases made. Drink 2019-2023. Tasted April 2018  trailestatewine  mackbrisbois  @TrailEstateWine  @MackBrisbois  Trail Estate Winery  Mackenzie Brisbois

Leaning Post Riesling The Geek 2015, VQA Twenty Mile Bench, Ontario (Agent, $35.00, WineAlign)

The second instalment of the Geek takes Ontario riesling experimentation not just to another level but to a specific methodology that no one else has really attempted thus far. The geeking out goes further and edgier into territory both new and misunderstood. If it seems unconvincing it’s a case of both searcher and searched not yet on the same page but that’s what research and development are all about. All the 2015 lees from Leaning Post’s classic riesling and chardonnay were added to the Geek. As if that wasn’t enough solid, texture-variegating matter, the 2014 riesling lees were also employed. Two years later the Solera ideal was put to bottle. The complex equation comes out to the most autolytic riesling ever made in Ontario, distinctive in that it’s like drinking traditional-method sparkling wine, 36 months on the lees but without any fizz. It’s unusual and fascinating, full of baking apples, biscuits and citrus. It does not meet the expected and the normal, not just because it’s dry as the desert but because it’s enzymatic behaviour is self-cannabalistic. It writes a riesling idiom, having a meaning not deducible from the individual parts. It’s a neo-impressionist idiosyncrasy, a reaction to the empirical realism of “typical,” VQA-cornered and pigeon-holed riesling, accomplished by relying on scientific theory to achieve predetermined textural effects. While The Geek undergoes an oxidative process it’s not exactly Solera-styled because young wine does not replace a percentage of removed older wine. It’s a positive accumulation of solids and therefore a strict and formalized composition. The argot R & D will go on and winemaker Ilya Senchuk asks, “how much lees is too much lees? Only The Geek knows.” Drink 2018-2021. Tasted March 2018  leaningpostwine  nicholaspearcewines  @LeaningPostWine  @Nicholaspearce_  Leaning Post Wines  Nicholas Pearce

Trail Estate Skin Contact Riesling Hughes Vineyard 2015, Ontario (Winery, $35.00, WineAlign)

At the time of making this wine and then putting a label on a bottle there was no Ontario defined category and in fact this pioneering effort is one of the unheralded forerunners. From fruit sourced out of Ed Hughes’ vineyard it’s a shaggy yet ambitious riesling made mellifluent by 14 days skin contact, inoculated to keep the lees strain constant with with other 15s, meaning the Lakeview and Foxcroft brethren. Now smells just like riesling, unlike in its early “orange” wine days. No longer demanding and tannic, the high acidity too has mellowed and a petrol note has emerged, plus a pepper flake meets peach skin aromatic sedge. Still with the liquid salve texture, coming into its destined balance, dry and persistent in pulse by acidity but calm enough and settled. A great flesh of lime and raining complexity, with a final note of orange skin too. Drink 2018-2020.  Tasted April 2018  trailestatewine  mackbrisbois  @TrailEstateWine  @MackBrisbois  Trail Estate Winery  Mackenzie Brisbois

Trail Estate Barrel Ferment Riesling Foxcroft Vineyard 2016, VQA Twenty Mile Bench, Ontario (Winery, $35.00, WineAlign)

In 2016 the next wrinkle is a wild ferment (as opposed to the inoculated ’15), unfined and unfiltered, because as time progressed “I liked it more and more,” says winemaker Mackenzie Brisbois. No coarse filtration means some minor sediment will settle in the bottle. Smashed layers of tote-filled grapes are brought to the crushpad, in lieu of the crusher, to extract from the skins and stems, making use of the punchdown tool, while waiting before pressing. Recently bottled in December 2017 the BFR is something completely other and if 2015 was considered not, this follow-up is markedly fruity now, because it always was, all the way through during just more than a year in really old barrels. It’s a blonde riesling as per M. Gustave, if you will. “Why blonde? Because they all were.” This is the wisest of Mack Brisbois’ rieslings, calm, confident, collected and shining brightly from the word go. You don’t have to wait on this one, it’s riper, it’s unfiltered, made with a lot less sulphur than the skin contacts and those “dirty” 15s. “I like to see how little (sulphur) I can get away with,” notes Brisbois. The most accomplished riesling that she has made to date, the 16’s balance is spot on now and you will not have to wait for it to come into its cinematic stage. Drink it now and keep it longer. Drink 2018-2024.  Tasted April 2018  trailestatewine  mackbrisbois  @TrailEstateWine  @MackBrisbois  Trail Estate Winery  Mackenzie Brisbois

Charles Baker Riesling Picone Vineyard 2014, VQA Vinemount Ridge, Niagara Peninsula, Ontario (241182, $35.20, WineAlign)

Can it be helped if the first 30 seconds with Charles Baker’s 2014 riesling seem like the opening of a film noir classic. Hushed tones, chiaroscuro shadows, off-screen characters and dramatic foreshadowing all solicit the need or the necessity to make use of a wild imagination. There have been older Baker vintages that acted with similar, almost hard to crack quietude. Perhaps it’s with ’13 etched in persistent memory but as a vintage it was (moderately) cooler and in the end, quite average. This ’14 works the benefits and the notes here are quite omnisciently lemon; curd, preserve, citrus tablet and then smeared by a bees-waxy salve. It’s really quite atypical for Baker and for the windswept Vinemount Ridge but misunderstood youth is a bitch. I’d like to revisit in 2019 and beyond to unearth and relish in the hidden meanings. Drink 2019-2027.  Tasted November 2017 and March 2018  cbriesling  stratuswines  cruwinemerchants  @cbriesling  @StratusWines  @CRUOntario  Stratus Vineyards  

Pearl Morissette Riesling Cuvée Black Ball 2015, Ontario (416073, $36.20, WineAlign)

The new age 2015 was tasted as part of a retrospective that included 2014, 2013, 2012 and 2011. Anyone who is interested in gaining a deeper understanding of what might be construed as idiosyncratic or antithetical riesling should be so fortunate to be involved in such a demonstration. The Pearl Morissette riesling endeavour was pretty much bone dry from day one. The Mosel style really never spoke to François Morissette. “We have 220 hang time days so we started fermenting riesling chardonnay style, then in 2012 and 2013 in foudres, which tightened them too much. So in ’14 we moved into concrete egg for aromatics but it was too intense.” So here in ’15 the joint between foudres and cement marks the new beginning. The juice is then transferred to become clear while the lees are kept and recycled for future vintages. This had just been bottled days before with almost no free sulphur “because they can take it.” Such low pH (2.97ish) and the up front skin contact brings tannin and then this silk road texture is followed by more tannin on the back palate. It’s a vintage Blackball and a vintage-driven riesling. A phenolically ripe one. The exercise proves that we really don’t know a thing about riesling, Cuvée Blackball and aging until we begin tasting at five years on. In order, 2011 is “a confirmation that we are on the right road,” ’12 may never be ready, ’13 messes with the riesling paradigm and ’14 is more like riesling of expectation. So what does that make 2015? Nothing yet, really. Have you not been paying attention? Drink 2019-2024.  Tasted July 2017  pearlmorissette  @PearlMorissette  Pearl Morissette

Riesling at Vineland Estates, 161 days on skins

Good to Go!

Godello

Twitter: @mgodello

Instagram: mgodello

WineAlign

Castello di Ama’s state of the art

Two months ago yet another Toscana adventure came to a close. The tastes and sights indelibly stamped are etched forever in memory. Before moving on down the SR2 from Siena to Montalcino we paid the most profound and contemplative Chianti Classico visit of all, sulle colline di Gaiole. To a place where wine, art and landscape interact, variegate and intertwine. A place where the slow pace of play is grounded in grace and nature slowly renders an intoxication of faith. Where the exceptionality of place, experience and innovation can’t be underestimated, not at Castello di Ama.

La Cappella di Villa Pianigiani (18th century)

It was mid-August 1995 and my wife and I were on honeymoon, holed up in a little nook of Castelnuovo Berardenga near Ponte e Bozzone, just outside of Siena. We used this idyllic spot as our base camp from which to explore Chianti Classico for two full weeks that summer, which incidentally was cool, often rainy and now, none to my decades of studiously learning about sangiovese surprise later, proved to have resulted in turning out some elegant and structured wines.

One day we drove up into the Gaiole in Chianti hills, up a long drive past what I now know as Vigneto Bellavista and parked on a crest of gravel straddling the picturesque vineyard on one side and on the other, Vigneto San Lorenzo of Castello di Ama. Just as it was on February 15th of this year, the scene was one of stillness and tranquility, frozen in time, albeit memory delivers the picture in black and white. We wandered aimlessly, taking in the vines and the quietude when a small voice came rising from a dwelling in the tiny hamlet. An old woman motioned for us to come down the steps and into a small room. We tasted a few sangiovese, purchased a few bottles and were on our way.

La Cappella di Villa Ricucci (18th century)

The woman was likely Lorenza Sebasti’s grandmother and five years ago I recounted the story for her when Lorenza was pouring Ama’s wines at their Ontario agent Halpern’s annual grand tasting. Her name was Ermellina, Lorenza’s nana that she called Mami. She could perhaps have been the fattoressa, or agente fondinario, land agent to the hamlet of Ama which takes its name from a small borgo, or agricultural village, nestled in the Gaiole hills at an altitude of almost 500 metres. Five centuries ago, it was the hub of a florid farming and winemaking business overseen by a group of local families. “The road from Radda leads to Amma, three miles away on a hill and home to the Pianigiani, Ricucci and Montigiani – the most prominent families in Chianti,” wrote Grand Duke Peter Leopold of Habsburg-Lorraine in his 18th-century Report on the government of Tuscany.

The winery was founded in the 1970s by a group of Roman families; Tradico, Carini, Cavanna and Sebasti and in the 1980s Lorenza’s husband Marco Pallanti, a Tuscan, took over the winemaking duties. Pallanti is a former President of the Consorzio Vino Chianti Classico and the pioneer who undertook one of the most ambitious vineyard transformations in the region’s history during a five-year period in the 1980s when he chose to re-trellis 50,000 vines (planted to 2,800 vines per hectare) to an open lyre system. Much of the vineyards were also grafted to new sangiovese clones and other beneficial varieties (like merlot) to take advantage of Ama’s specific topography and singular geology.

Carlos Garaicoa, Yo no quiero ver mas a mis vecinos

Castello di Ama’s 80 hectares of vineyards surround the hamlet of Ama by an extended radius of three kilometres at altitudes ranging from 450 to 550 metres above sea level. The four valleys are marked by harvested Galestro rock at the top of each vineyard; Bellavista, San Lorenzo, Casuccia and Montebuoni. Bellavista stands apart because set atop that hill at an altitude of 490m is the block that is used to make L’Apparita, Tuscany’s first pure varietal merlot. In 1975 this portion was planted with canaiolo and malvasia bianca, then grafted over with merlot clone 342 between 1982 and 1985.

Kendell Geers, Revolution/Love

The village of Ama is made up of aggregate buildings of medieval origin, along the axis of a main street and essentially protected by two villas on either end; Ricucci and Pianigiani. There are three small chapels, one dedicated to the Blessed Virgin of Carmine, at the Villa Pianigiani. The second, along the main street, is dedicated to San Lorenzo and the third, dedicated to San Venazio, in the garden of Villa Riccucci.

Michelangelo Pistoletto, L’albero di Ama

Marco Pallanti is proud of the more than 35 years of work and adventure he has poured heart, mind and soul into the purity of these Gaiole hills. “It is important for wines to maintain a link to their place of origin” he writes. “The fundamental idea of tasting a wine and displaying the vines from which it comes. Wine has to spring from the rocks of the vineyard and reflect the sun, the season, the heavens of that hill, in that moment.” Pallanti’s notion of connecting the past, in viticulture, viniculture and architecture with the future is manifested through 15 art installations on or abutting vineyards, set into landscapes and occupying cellar spaces. “To give the illusion of being able to perfect perfection,” he expounds from grape and through the intangible gift, to “make seen what cannot be seen.”

Ilya & Emilia Kabakov, The Observer

The 15 site-specific installations are a collection of explicitly contemporary works still in progress, all created to marry place and idea. The artists commissioned and represented are Michelangelo Pistoletto, Daniel Buren, Giulio Paolini, Kendell Geers, Anish Kapoors, Chen Zhen, Carlos Garaicoa, Louise Bourgeois, Cristina Iglesias, Nedko Solakov, Ilya and Emilia Kabakov, Pascal-Martine Tayou, Hiroshi Sugimoto, Lee Ufan and Roni Horn.

Hiroshi Sugimoto, Confession of Zero

Once inside the tasting room at Castello di Ama Marco led John Szabo M.S. and I through the estate wines, focusing as we should on the four vineyards, Bellavista, San Lorenzo, Casuccia and Montebuoni. Here are my reviews on the six wines tasted.

Marco Pallanti, Godello and John Szabo M.S.

Castello di Ama Purple Rosé 2017, IGT Toscana, Italy (Agent, $20.85, WineAlign)

Bottled recently, going to market on March 1st, this is sangiovese with a minor amount of merlot, a new Rosato for Ama, really fruity, of an amazing colour, viscous, spicy, tart and so bloody delicious. Savoury and herbal moments but always that return to fruit. A touch of citrus pith and tonic mark the finish. Very fresh and spirited Rosé and I can’t imagine anyone not wanting to drink two glasses. Drink 2018-2019.  Tasted February 2018

Roni Horn, Untitled

Castello di Ama Chianti Classico DOCG 2015, Tuscany, Italy (Agent, $34.95, WineAlign)

The artist now known simply as “Ama” is a highly touted, self-reflective sangiovese with fruit to end all fruit, every iota of sensory and sensual fibre filled in and a deeply inward, charted impression. The first vintage was 2010, when Gran Selezione began its newly classified journey, so this is the sixth instalment in the Ama new age. The Chianti Classico equivalent of a Bordeaux Château’s estate wine, the one to explain the house style and philosophy. Needs three more years to develop all its charms and move to the next stage of its life. There are 90,000-100,000 bottles produced.  Last tasted February 2018.

“The road from Radda leads to Amma,” where some of Chianti Classico’s most fertile land treats sangiovese vines as if they were planted in a garden. Hard not to experience this Gaiole Chianti Classico as a sangiovese of extreme youth for a quick to bottle Ama, so floral and what just has to be so as a result of some whole cluster, feigning carbonic and hyperbole of managed freshness. Some exotic spice in perfume and real, certain, credible clarity. Not that this will entertain notions of Ama longevity but the purity clarifies the 2015 vintage position of consumer and critical mass quality. Drink 2018-2024.  Tasted February 2017  @CastellodiAma  @castellodiama  @HalpernWine  castellodiama  halpernwine  @halpernwine

Questa non è una finestra, @castellodiama an instrument through which something is represented. #danielburen #chianticlassico #landscapepainting … Daniel Buren, Sulle vine punti di vista

Castello di Ama Chianti Classico Gran Selezione DOCG San Lorenzo 2014, Tuscany, Italy (418897, $48.95, WineAlign)

San Lorenzo is not actually a single-vineyard wine though the fruit source depends highly on this side of the estate. It is in fact a blend of all the best places of the property and from a vintage out of which no La Casuccia or Bellavista were made all the best fruit (including some merlot) ended up in San Lorenzo. The quality of the acidity and the tannin separate this from Ama but that wine’s pedigree should not be in question for it remains the broadest, most appropriate brushstroke for Ama. San Lorenzo delivers a domino structure, stacked and yet imagined as fallen, a set of roads and walls to walk and climb along, to eventually arrive at a pre-destined destination. This is the white meets grey meets sandy brown limestone of the broad amalgamation of the mineral estate, salty and rich, with depth into a grotto.  Last tasted February 2018.

Even with the benevolent San Lorenzo as the sample size, going at 2014 Gran Selezione is like trying to crack a walnut shell with your teeth, the husk so tough you might break two or more trying. What is noted in the single-vineyard San Lorenzo is a hyperbole of 2014’s general characteristics; firm grip, savour, herbology and liqueur. There is extreme Gran Selezione personality humming in San Lorenzo and help me if two years are needed simply for assessment and five for the drinking window to open. The attention to soil and Ama’s prized Gaiole in Chianti Climat is duly noted, as is the careful selection from the vintage. I will say this. No amount of selection, barrel or time can allow Gran Selezione to escape from 2014. In the short term it will be a downfall, in the long, long, long run a blessing. Drink 2021-2031.  Tasted February 2017

Castello di Ama Chianti Classico Gran Selezione DOCG Vigneto Bellavista 2013, Tuscany, Italy (Agent, $242.59, WineAlign)

You just have to stand and gaze out over said vineyard to feel the awe and then to understand its connection, for Castello di Ama, to the Gran Selezione category. The rise up to and astride the estate is a collina rocciosa so singular to Gaiole in Chianti. If it is not correct to intuit, self-convince and deduce that Bellavista just tastes like the salty, calcareous and deeply stony white rocks of that blinding light vineyard then so be it. The wine is saturated beyond imagination and without any possibility of feeling chalky on the palate. If this isn’t Grand Cru Chambertin or Montrachet in red, Chianti Classico form, then no wine in Toscana can be considered as such. That it also carries in pocket the great ripeness of sangiovese fruit, streamlined acidity and mille-feuille tannin is a variegation of thought to consider at every smell, taste and turn. Just amazing for the vintage with non-aggressive though confident tenets of structure. A Gran Selezione generally in production of four to six thousand bottles. Drink 2021-2031.  Tasted February 2018

Giulio Paolini, Pardigma

Castello di Ama Chianti Classico Gran Selezione DOCG Vigneto La Casuccia 2013, Tuscany, Italy (Agent, $242.59, WineAlign)

Vigneto La Casuccia is a vineyard with different qualities in the stones of the soil and with malvasia nera accumulating another level of spice, even spicy when you taste. The sangiovese nose is deeper in fruit, bricks baked in and in emission of a graphite sensation, with more and differing effects brought on by limestone, though in apposite effect by the Galestro of Bellavista. The acidity is even more striking than what is derived from the adjacent block and the tannin stronger, broader, more obvious though never over-demanding. If apprised in the poetic terms of a haiku, this may deal in the facile of a read while mired in the inability to ascertain ultimate meaning. We’re only in the first incomplete five words at this stage and it will be five more years before we can say the next seven will even enter the discussion. So be patient. As with the Gran Selezione Bellavista the production is generally in the range of four to six thousand bottles. Drink 2022-2034.  Tasted February 2018

Anish Kapoor, aima

Castello di Ama L’Apparita 2013, IGT Toscana, Italy (Agent, $242.59, WineAlign)

Castello di Ama L’Apparita IGT Toscana is merlot from atop the Bellavista hill and you just might see an apparition if you wander the rows in the dead of night. In reality, on a clear day when happening upon the vineyard, this is the spot from which the towers of Siena will appear. The first L’Apparita was 1985 so it is this 27th from 2013, with only 2002 and 2012 having been avoided. Merlot ripens earlier than sangiovese so it can be made more often. You recognize it as merlot, not Pomerol, not St. Emilion, not Maremma, but purely from this territory. The quality of acidity is vineyard-terroir driven and the tannins are sweet, plush and broad, different from Casuccia but sill set upon wide-developed shoulders. There is that ubiquitous Ama spice and in L’Apparita, a sense that tar is a factor and roses a quotient down the road. Drink 2020-2030.  Tasted February 2018

Good to Go!

Godello

Twitter: @mgodello

Instagram: mgodello

WineAlign

Garda’s Chiaretto success

Lago di Garda, Torri del Benaco

In northern Italy travel east from Milan towards and beyond Brescia or west from Venice through Verona and you will reach the southern shore of Italy’s largest lake. Lago di Garda is famous for many things, including an open invitation to pass through its gates to reach the Dolomite mountains. On either side of the lake two grand edifices gaze at one another across the crystal clear water. At the southeast end Castello Scaligero di Sirmione and fortress guards the harbour below Monte Baldo and across to the western shore Villa Galnica rises above the lake in Puegnago del Garda. It is on the hills and plateaus behind these great structures where something pink is happening.

Two wine regions on these opposing shores are disparate bedfellows but together sluice the Rosé key to collective success. Bardolino Chiaretto and Chiaretto Valtènesi are the most recent and important Rosato designations in Italy and their hopes, plans and dreams rest on the shoulders of two leading grape varieties, corvina and groppello.

Simply put, Chiaretto (key-are-et-oh) is the Rosé version of Bardolino. It’s made from those same grapes (corvina, rondinella and molinara) and the colour varies from rosy pink to coral-red. “Chiaretto Pink” is the battle cry of the Italian dry Rosato, “a lighter shade of pale,” hence the name “Chiaretto”, which derives from the Italian “chiaro,” meaning light or pale. The grapes are vinified using white winemaking practices, wholly apposite and antithetical to its other usages, namely in Bardolino, Valpolicella, and Amarone.

@chiarettopink @ilbardolino e tutte cose #corvina @villacordevigo #vignetivillabella with Il Presidente Franco Cristoforetti and Tiziano Delibori

As with Garda-west neighbour Valtènesi, Chiaretto from Bardolino’s roots go back to 1896 when Pompeo Molmenti learned of the Rosé vinification technique in France. In 1968 Bardolino Chiaretto was among the first Italian wines to receive DOC (Denominazione di Origine Controllata) status. Since the 2014 harvest, Chiaretto’s winemakers have collectively pursued a “Rosé Revolution,” choosing a pale pink colour and more floral-aromatic notes. Consorzio di Tutela Vino Bardolino President Franco Cristoforetti invokes the Rosé revolution in his introduction of the Chiaretto, confirming the region’s commitment to a very specific style and the key to its success. “Together, the Chiaretto of Bardolino and the Valtènesi Chiaretto,”  explains Franco Cristoforetti, “produce 12 million bottles, placing Lake Garda in the role of absolute leader in the Italian production of Rosé designation of origin.” The region’s greatest ambassadorial asset is Angelo Peretti, an economist and writer who fully understands that by gaining a true sense of community and having a common goal the two regions can be highly successful in their pursuit of Rosé. Chiaretto for the win.

Extending from south to west between the towns of Desenzano and Salò, in the heart of the morainic amphitheater on the Brescia side of Garda, Valtènesi includes the territory of the following municipalities in the province of Brescia, characterized by the microclimate of Lake Garda: Salò, Roè Volciano, Villanuova sul Clisi, Gavardo, S.Felice del Benaco, Puegnago del Garda, Muscoline, Manerba del Garda, Polpenazze del Garda, Moniga del Garda, Soiano del Lago, Calvagese della Riviera, Padenghe sul Garda, Bedizzole. It also includes part of the territories of the municipalities of Lonato del Garda and Desenzano del Garda.

Angelo Peretti

In Valtènesi the first and most commonly employed method makes use of a white vinification with red grapes and a short maceration to obtain colour, by direct pressing of the destemmed and crushed grapes. The second makes it possible to obtain more hue and structure in Rosato by means of a short maceration of the must and grape seeds in order to increase the extraction of anthocyanin and tannin. The first process is specifically used to vinify Rosé wines only. The second, not so widespread method has the primary purpose of enriching and improving the remaining red wines, which remain in the tank, after the subtraction, for salasso. The regulatory board instructs that the release for consumption of Valtènesi Chiaretto may take place from the 14th of February following the harvest, while the release for consumption of Valtènesi can take place from the 1st of September after harvest. The Denomination of Controlled Origin (DOC) was recognized in 1967.

Alessandro Luzzago is the President of the Chiaretto Valtènesi consorzio and tells us that over the last four years the Valtènesi have been working with the association of Provençe, sending their wines over to see where they are in relation to the region that produces the type of Rosé they want to imitate. The communication is leading to making better wines. “A change of philosophy is taking place and perspective,” notes Luzzago, “you start the work in the vineyard, thinking of Rosé.”

Anton Potvin, Bill Zacharkiw, Pascal Arsenault and Paola Giagulli on the shore of Lago di Garda

Back in October of 2017 I joined a group of intrepid sommeliers for a week long investigation into the wines of Bardolino, Valtènesi and Custoza. A report of the red, whites and sparkling from these regions will follow but this is strictly a Chiaretto exposé. I tasted these wines with thanks to the producers, John Szabo M.S., Bill Zacharkiw, Anton Potvin, Nadia Fournier, Maja Baltus, Brad Royale, Al Drinkle, Véronique Dalle, Pascal Arsenault, kidnapped American turned adopted Canadian Nicolas “Nicky Ray Beaune” Capron-Manieux, our chaperones and educators, Angelo Peretti and Paola Giagulli. Here are 30 reviews of Bardolino Chiaretto and Chiaretto Valtènesi.

Welcome to the new @chiarettopink on the #Bardolino shores of #lagodigarda #rosato #discoverchiaretto #lefraghe #villacalicantus #leginestre #poggiodellegazie #albinopiona #gentili

Bardolino Chiaretto DOC

Bergamini Bardolino Chiaretto DOC 2016, Veneto, Italy (Winery, WineAlign)

Bergamini is located in Lasize with 13 hectares of vineyards farmed organically but not certified. The Bardolino Chiaretto is corvina of the minimum 70 per cent plus rondinella and molinara. Subjected to a 24 hours soak and it is the combination of location and the full maceration that drifts a bit darker than some, yet with plenty of salty sapidity. The molinara brings the salt. Drink 2017-2019.  Tasted October 2017  bergaminiaziendaagricola  Bergamini Azienda Agricola

#chiaretto @chiarettopink #rosato #bardolino #discoverchiaretto

Cantina Di Custoza Bardolino Chiaretto DOC Biologico Terre in Fiore 2016, Veneto, Italy (Winery, WineAlign)

A gathering of corvina, molinara and rondinella in the simplest Rosato, so similar in profile to the cantina’s whites. Metallic and balmy at the sam time, like citrus salve on a copper pipe. Drink 2017.  Tasted October 2017

Cantina Di Custoza Bardolino Chiaretto Classico DOC 2016, Veneto, Italy (Winery, WineAlign)

Customer’s Chiaretto Classico is the conventional one, also like the cantina’s whites but with more mid-palate weight and overall intensity. This carries some acidity, real, natural or otherwise. Drink 2017-2018. Tasted October 2017

From tbe #bardolino shores of #lagodigarda to Toronto, benvenuti @chiarettopink Rosati to @pizzalibretto … @winerypoggiodellegrazie @tenutalapresa #villabella #lefraghe #gentili #caveg

Cantina Di Negrar Bardolino Chiaretto DOC 2016, Veneto, Italy (Winery, WineAlign)

The cooperative’s Rosato is a full and fleshy one, with a healthy 7.8 g/L of residual sugar after two hours of skin-contact and a compressed version of gentle pressing. This is Rosé from an outfit that makes 1.2 million bottles of Amarone, one tenth of the total production in the area, out of a cooperative made up from 230 members. They produce 300,000 bottles annually (inclusive of the two different Chiaretto), this being the tart one, somewhat saline but more so tangy with the sugar so it’s ultimately sweet and sour Rosé. Would love to have had a bottle or two of this around with Cantonese food in 1975. Drink 2017-2018.  Tasted October 2017  cantina_valpolicella_negrar  @CantinaNegrar  @CantinaValpolicellaNegrar

Cantina Castelnuovo Del Garda Bardolino Chiaretto Classico DOC Ca’ Vegar 2016, Veneto, Italy (Winery, WineAlign)

From vines with some established street cred (10-25 years old) the Ca’ Vegar is Rosato raised on promises and morainic, calcareous-cay soils. It’s a traditional Lago di Garda blend of corvina veronese (80 per cent) with rondinella (15) and molinara. So similar in vein to the Spumante and the Custoza in that it’s faintly herbal, with mild acidity and a rustic, sweet coppery sensation. This is just one of those really inexpensive far from petty wines that taste just fine for the less discerning but who also won’t drink fake and dishonest wine. You could sell the farm to promote and get temporarily rich off of pushing this Chiaretto. She was, a Veneto girl. Drink 2017-2018.  Tasted October 2017  cantinacastelnuovo  @BoscodelGal  Cantina Castelnuovo del Garda

Casaretti Bardolino Chiaretto Classico DOC Rosa Dei Casaretti 2016, Veneto, Italy (Winery, WineAlign)

Classic Rosato from the eastern shore of Lake Garda, composed of corvina (70 per cent), rondinella (20) and molinara. Both colour and impression suggest a somewhat longer bleed though its maintains freshness, lightness and a reserve of attitude. It has some but also more fruit than many other examples, of red berries but not in any over the top way or tangy hyperbole. Pays ode to its reductive side of the Chiaretto tracks. Drink 2017-2018. Tasted October 2017  stefano_rossi  Azienda Agricola Casaretti

Le Fraghe Bardolino Chiaretto DOC Rodòn 2016, Veneto, Italy (Winery, WineAlign)

Chiaretto Rõdon is 80 per cent corvina and 20 rondinella picked at red wine phenolic ripeness and subjected to six hours skin contact, i.e. a quick (50 saignée) and 50 pressed (no maceration) soak. Rõdon means pink (or Rosé in Greek) and Le Fraghe the “wild strawberry” which this so closely resembles. This is a prime example of how screwcap helps to keep freshness because it’s an easy wine (and varietal) to oxidize. This is really sapid, dry, sharp but so beautifully finessed Rosato. If you need to know the present and immediate future of Chiaretto Pink, look no further than this perfectly pure and honest effort from Matilde Poggi. Drink 2017-2019.  Tasted twice, October 2017 and January 2018  #lefraghe  #matildepoggi      Le Fraghe  Matilde Poggi

Matilde Poggi and John Szabo

Le Fraghe Bardolino Chiaretto DOC Rodòn 2017, Veneto, Italy (Winery, WineAlign)

In a stroke of pure Rosé genius and unwavering consistency Le Fraghe’s Matilde Poggi writes the next Chiaretto Pink chapter with this piu salé 2017 Rōdon. It’s both charming in its rusty rusticity and yet also crisp, clean and perfectly tangy. The wild strawberry is faint this early on and still beneath the sweet aromatic compost but by the time late spring comes this will bring all that fragola pleasure and unbridled joy. Rōdon is as good as Rosato gets in all of northern Italy. Drink 2018-2020.  Tasted February 2018  #lefraghe  #matildepoggi      Le Fraghe  Matilde Poggi

Gentili Bardolino Chiaretto DOC 2016, Veneto, Italy (Winery, WineAlign)

Gentili sits above Costermano in the northern part of Lago di Garda, with high altitude vineyards, high sand soils with stone and light clay. The second generation winemaker follows in the footsteps of his father who started in the late 1970’s. “My dream was to select the best vines from the best vineyards.” Bardolino Chiaretto 2016 comes from the same vineyards as the red but not the same grapes. There is a selection here, from corvina, rondinella and molinara (60/30/10). This has the faux sugary, South African chenin blanc styled extract, tannin and personality. Apple and peach skin, somewhat tropical, fresh, vital and then a bite into red apple. A tart, somewhat sweet and crisp apple. Different than some Chiaretto but there is no residual sugar here. In its completely dry state there too is no flint, sulphite or struck notes. Very interesting. Drink 2017-2019. Tasted twice, October 2017 and January 2018  Azienda agricola Gentili

Le Ginestre Bardolino Chiaretto DOC 2016, Veneto, Italy (Winery, WineAlign)

From oenologist Marco Ruffato, here Chiaretto comes from a vintage of low sugars and quiet phenols, but high acidity so expect a specific style that is lean, direct and prompt. A 24-hour soak in tank with no enzymes and then sulphites after fermentation. Mainly (80 per cent) corvina with rondinella and corvinone, all together leaving this at a great pale Rosato. Also with thanks to the Pergola training. So direct, really quite beautiful, on the right side of acidity. Drink 2017-2020.  Tasted October 2017  leginestrewine    Marco Ruffato

The genesis of #tortellini perfect #loveknots so proud to have tasted the care of 58 years from Alceste and Nadia Pasquali #jewellcaskets #borsavallegio

Le Morette Bardolino Chiaretto Classico DOC 2016, Veneto, Italy (Winery, WineAlign)

A typical blend of corvina (55 per cent), rondinella (35) and molinara picked in the production area of Bardolino hence the label “Classico.” You really get the peach skin and ubiquity of strawberry, also with a fresh squeezed lemon, juiced and tart. So very tangy and a sour candy flavour takes to a dry finish. Truly a “made” Rosato in a compressed and reserved style, lean and near-searing. Drink 2017-2018.  Tasted October 2017  lemorettelugana  @Le_Morette  @lemorette.lugana

Il Pignetto Bardolino Chiaretto DOC 2016, Veneto, Italy (Winery, WineAlign)

From a southeastern location on the outer morainic range of Lake Garda, the Morando famiy’s Bardolino Chiaretto is composed of 60 percent corvina, (20) rondinella, (15) molinara and (five) sangiovese. A gentle 12-15 hour soak on the skins promises classic Chiaretto texture and flavour, broad in the mouth, with tons of lemon mixed into red fruit and a decided leesy texture, from some bâttonage. Really easy drinking with good acidity. Drink 2017-2018.  Tasted October 2017  ilpignetto  Cantina Il Pignetto

Silvio Piona

Albino Piona Bardolino Chiaretto DOC 2016, Veneto, Italy (Winery, WineAlign)

Silvio Piona’s Chiaretto is from Custoza, in the south of Lago di Garda, between the lake and the city of Verona, the furthest village south in Bardolino. Albino Piona goes back to 1899 and here 118 years later we find a fine and elegant Rosato, void of power because frankly it never needs it. Fruit and spice, but certainly light, a prodigy by glacial till, some argileux clay and alluvial deposit. A different soil than up where they make Chiaretto on the steps of Monte Baldo. The climate is still the same and heavily influenced by the lake. Piona’s may or not be 100 per cent corvina, which would technically be illegal, so if you read this don’t write about something Albino may or may not have got a way with, the quasi legal Chiaretto. Light and fruity, sapid and fresh, just openly aromatic enough, knock it back Rosato. Drink 2017-2019.  Tasted October 2017  Silvio Piona    Azienda Agricola Albino Piona  Monica Piona

Tenuta La Presa Bardolino Chiaretto DOC Baldovino 2016, Veneto, Italy (Winery, WineAlign)

Baldovino the brand is corvina (70 per cent) with rondinella (20) plus molinara and the Bardolino outlier, sangiovese. Sourced from a twofold terroir, the Caprino Veronese and Località La Presa. Baldovino’s is the palest of the coppery-hued Chiaretto, with more sugar than is perhaps warranted and as so suppresses the inherent saltiness of the parochial appellative spirit. That said the salinity insists on paying heed to some necessary balance and proper personality so in the end this technically sound Rosato points the compass’ arrow straight up the DOC ruler’s median line. Drink 2017-2018.  Tasted October 2017  tenutalapresa    Tenuta La Presa

Poggio Delle Grazie Bardolino Chiaretto DOC 2016, Veneto, Italy (Winery, WineAlign)

Out of Castelnuovo del Garda, Poggio delle Grazie’s is exactly what any doctor would and should order for a Chiaretto prescription. This a very fruity, ripe and balanced Rosato, from the predominant corvina (80 per cent) and rondinella. Raised only in stainless, 12 hours on skins, with the first vintage having been 2014. A very lithe and pretty strawberry blush, with rounder acidity than most, but light and perfectly pleasant. An 8,000 bottle export possibility steal at 4.0 euro ex-cellar. Drink 2017-2019.  Tasted October 2017  poggiodellegrazie  winerypoggiodellegrazie  Poggio delle Grazie – ufficial page  Elisabetta Panetto  Massimo Brutti

Vini Rizzi Bardolino Chiaretto DOC Marco Polo 2016, Veneto, Italy (Winery, WineAlign)

Highly typical Garda blend of corvina, rondinella and molinara from Cantina Seiterre, a group with holdings in Piemonte, Toscana, Valpolicella and here, in Bardolino. Big box Rosato yet full of weight and secondary thoughts. On the darker side of Chiaretto hue but in retention of the light and the salty, at least in terms of citrus and floral aromas, mild berry flavour and approved texture. Drink 2017-2018.  Tasted October 2017  cantina_seiterre    Cantina Seiterre Verona

Cantine Tinazzi Bardolino Chiaretto Doc 2016, Veneto, Italy (Winery, WineAlign)

Tinazzi makes wines in the Veneto and Puglia and the Chiaretto is drawn off of the Valleselle Estate in Bardolino. The blend is 70 per cent corvina, with molinara and rondinella for a straight-ahead fruity and vinous Rosato, tart, the red fruits felt coated by a lactic, yoghurt shell. There’s a semblance to something akin a later harvest Rosé, something that could only happen in the Veneto. Drink 2017-2018.  Tasted October 2017  cantine.tinazzi  @CantineTinazzi  Cantine Tinazzi

Valetti Bardolino Chiaretto Classico DOC 2016, Veneto, Italy (Winery, WineAlign)

Valetti’s Rosato is composed from 70 per cent corvina, 20 rondinella plus the outlier, 10 sangiovese. The faux sugary Rosé sniffed blind could very well be value Cape South African chenin albeit with a rhubarb savoury edge. Yet it has reached a phenolic ripeness which only the Bardolino area can achieve, unlike in Valpolicella where corvina can’t get there from here. It’s the Mediterranean climate and you feel it here. It gets neither more straightforward nor more small village, family tight commercial than this. Textbook Chiaretto. Drink 2017-2018.  Tasted October 2017  valetticantina  @CantinaValetti  Azienda vinicola Valetti Luigi srl

#vignetivillabella #villacordevigo #discoverchiaretto #bardolino #corvina

Villabella Villa Cordevigo Bardolino Chiaretto Classico DOC Biologico 2016, Veneto, Italy (Winery, WineAlign)

Organic Chiaretto from 75 per cent corvina and 25 rondinella, for what Franco Cristoforetti refers to as “the Rosé revolution that started in 2014.” A short maceration/time on skins does the right thing for hue and in extracting citrus and orange from the corvina skins. Here it’s very much more like a white wine produced from red grapes, the only imagination of colour being red fruits, and so the method and the style deliver as much palate replay as any Rosé on the planet. So very not vinous and so far from the oxidized style that was still so very prevalent in the recent past. The difficult 2014 vintage marked the turning point. Picking was accomplished between September 10 and 20. Drink 2017-2018.  Tasted October 2017  vignetivillabella  villacordevigo  @VillaCordevigo  @VignetiVillabella

Villabella Villa Cordevigo Bardolino Chiaretto Classico DOC Heaven Scent 2016, Veneto, Italy (Winery, WineAlign)

Heaven Scent in the words of Franco Cristoforetti offers “the feeling like here was to be in heaven,” speaking of his vineyards and this “place in the sun at Cordevigo. The style is similar to the Bio VillaBella but it thinks more in terms of an international customer, with less acidity and further roundness on the palate. More lemon but a preserved, compressed one and less orange. Still produced from the dominant corvina and the picking times are the same, albeit now in a less structured, milder acidity result. Drink 2017-2018.  Tasted October 2017

Villa Calicantus Bardolino Chiaretto Classico DOC 2015, Veneto, Italy (Agent, $31.95, WineAlign)

Villa Calicantus is the organic, biodynamic, terroir defending, smallest of Bardolino estates passion project of winemaker Daniele Delaini and his natural, vin de garde wines on the moranic hill above Bardolino and Lazise. Higher up than Cavaion, in Calmasino. Delaini also produces a bigger and deeper Rosato called Chiar’Otto but this Classico ’15, though very different than most still adheres to the paler, lighter and cleaner DOC example. Mostly. It’s certainly less of a geek out Rosé but again, like the Otto its methodology is essentially descried to that of a red wine. Young vines of corvina, rondinella, molinara and sangiovese of extremely low Chiaretto yields, native yeasts, five months of ageing in small still wood vats and zero clarification dole out a base, forward and natural blush. This just feels like trouble melting away and like a child comfortable in its alternative skin. A child encouraged and allowed mutual respect and friendship with its parents. For Daniele, sometimes you make the wine and sometimes the wine makes you. Drink 2017-2021.  Tasted October 2017  villacalicantus  thelivingvine    @TheLivingVine  @VillaCalicantus  The Living Vine inc.

Villa Calicantus Chiar’Otto Vino Rosato ADXVI 2016, Veneto, Italy (WineryWineAlign)

Chiar’Otto is Daniele Delaini’s Vino Rosato from a natural fermentation, the name meaning “Big Rosé” as opposed to the smaller, lighter and saline examples directed by the Bardolino Chiaretto DOC. The deferential and apposite qualities in Delaini’s are at the far end of the morainic Garda spectrum, far and away from any other winery in the entire region. It’s oxidative, the natural wine that isn’t, but it spills over in ubiquitary must while acting Garda-funk specific. This is a red wine spoken in a gamay cru way, almost Jura, like trousseau, but it really smells of oranges, red fruit and also the calcareous soil from which it comes. It’s certainly possessive and expressive of these affinities but also a matter of open barrel, overnight fermentation. Otto is the outlier and the pioneer for what the future holds in Rosato off of Bardolino lands. As a red wine of light composition and soil-loyal admonition it’s very good. As a Rosé it requires further understanding and evolution to elevate its game. Drink 2017-2020.  Tasted October 2017  villacalicantus  thelivingvine    @TheLivingVine  @VillaCalicantus  The Living Vine inc.

Daniele Domenico Delaini #villacalicantus welcoming I Canadesi to #levignedeibardolino at #fortedegenfeld

Zeni Bardolino Chiaretto Classico DOC 2016, Veneto, Italy (Winery, WineAlign)

Substantial vine vigour and generous yields of corvina 50 (per cent), rondinella (40) and molinara deliver substance in perfume. It begins with fennel and lemon thyme urged forward by a feeling of sulphur and Saccharomyces. Lean and tart on the palate, simple and easy in dimension. Drink 2017-2018.  Tasted October 2017  zeni1870  @Zeni1870  @zeni1870

Chiaretto Valtènesi

Valtènesi Chiaretto DOC

Cantina la Pergola Valtènesi Chiaretto Classico DOC Riviera Del Garda 2016, Italy (Winery, WineAlign)

The blend is groppello (60 per cent), marzemino (20), barbera (10) and sangiovese (10) in a well extracted and bled, highly flavourful Rosato expressly Chiaretto and decidedly Valtènesi. Even the name suggests something haute in class and couture, for relaxation time, on a shore, in the sun. Ever-bearing strawberry and cherry meet a clay richness smack in the middle where salt and air collide. Drink 2017-2019.  Tasted October 2017  @cantinelapergola

Costaripa Valtènesi Chiaretto DOC Rosamara 2016, Italy (SAQ 11415121 $20.90, WineAlign)

Costaripa’s Valtènesi Chiaretto is the perfect opener to gain a contrastive and apposite feeling from across the lake on this western side of Garda. It is here that Rosato takes on a decidedly Provençal feel. Nicole Vezzola explains. “I feel as much French as I do Lombardian.” Groppello is such a delicate grape and here the percentage is set around 60, with marzemino, plus 10-15 sangiovese and barbera. Costaripa is the only winery fermenting 30 per cent in old barrels before making the blend. “My father (Mattia Vezzola) believes that to make a good Rosé you have to make a blend, of varieties and parcels.” As a grape groppello carries more spice than let’s say, pinot noir, but this is a Rosé matter so the reference point need be cinsault, grenache and mourvèdre, but it’s just a matter of idea that starts and ends there. “The aim we have as Valtènesi is to shift the idea of colour to a structured wine.” It alights with lightness and freshness, then moves to salinity and finesse. Structure is more ideal than reality, or perhaps in Rosamara, just a different state of mind. Drink 2017-2019.  Tasted three times, October 2017  costaripa  nicolevezzola  lenotecadimorenodemarchi  @costaripa  Costaripa

Godello with Nicole Vezzola

Costaripa Valtènesi Chiaretto DOC Molmenti 2013, Italy (Winery, WineAlign)

The Molmenti Chiaretto spent two years in tonneaux and two years in bottle. This is something completely different for Rosé, treated with red wine poise and attention. Same blend as the Rosamara, with the intention to create more structure and ultimately, longevity. The saltiness persists and there is weight, even metallurgy but very little wood-addendum. The lightness of Rosé just doesn’t really attract too much barrel sheathing, perhaps in mild spice and texture, but not in bitters, tannin or any sort of salve. This too because even with two years of barrel time there is no achievement of malolactic, thanks to temperature control but also by virtue of being a low acidity, Mediterranean climate wine. Molmenti is likely a whereabouts that you have never been to before, in so many ways. There are a mere 4,000 bottles for a Rosato in command of 13 euros, cellar price. Drink 2017-2022.  Tasted October 2017  costaripa  nicolevezzola  lenotecadimorenodemarchi  @costaripa  Costaripa

La Guarda Chiaretto Valtènesi DOC 2016, Italy (Winery, WineAlign)

Here Chiaretto exemplifies its position as a most characteristic and typical wine of the west coast of Lake Garda. A few hours of pressing leads to the desired pale, salmon and peach skin colour, replayed in stone fruit aromas mixed with citrus and dried clay. Stainless steel is used to lock in freshness and preserve aromatics. Guarda makes use of the characteristic processing method called “levata di cappello,” litterally to “take of the hat” with their classic blend of groppello, marzemino, barbera and sangiovese from the morainic hills of the Valtènesi. This is one of the more sapid tasting Chiaretto though with a mild mannered acidity. Drink 2017-2019.  Tasted October 2017  @LaGuardadiNegri

Pasini San Giovanni Il Chiaretto Valtènesi DOC 2016, Italy (Winery, WineAlign)

From Raffa di Puegnano (a fraction of the Brescia municipality on Lago di Garda), in contest for a perfect introduction and overview of the area of Valtènesi. Pasini’s is a blend of all four grapes, including sangiovese at less than 10 per cent (but for strength), whereas the groppello is 65 per cent, with the barbera (for acidity) and mazemino (sugar) delivering the overall balance. This organic Rosato is what Paolo Pasini refers to as the “overnight wine,” a child of only a slight vinfication and brief contact with the grape skins at the midnight hour of the first night. Carries the western Garda personality in pocket but with more sulphite-struck rock and iodine saltiness, even a note of hematic plasma. The palate delivers some sugar (4-5 g/L), just up from the bone dry style, not obtrusive but acting with the metallurgy on the nose to tun out more compression and down weighting. Price is 6.65 euro, ex-cellar. Drink 2017-2019.  Tasted October 2017  pasinisangiovanni  @polpasen  @pasinisangiovanni

Pasini San Giovanni Chiaretto Valtènesi DOC Rosagreen 2016, Italy (Winery, WineAlign)

Unlike the classico Chiaretto, the skin-contact is elevated from eight to 24 hours in the Rosagreen. It’s also a switch to varietal, single-vineyard (Soiano) groppello. The groppello can handle the triple contact time without darkening and compressing, remaining in its necessary state, vital and energetic. Not so much the sapid style but plenty of verve plus the elegance and easily achieved balanced by the singular and solo groppello. Conversely dried too, with less than 2 g/L of RS. Just a touch more expensive at 7.10, ex-cellar. Drink 2017-2020.  Tasted October 2017  pasinisangiovanni  @polpasen  @pasinisangiovanni

Scolari Chiaretto Valtènesi DOC 2016, Italy (Winery, WineAlign)

Scolari’s is the thoughtful, intuitive and even philosophical Chiaretto, a matter so gentle, pale and in their words, to “know how to grasp the fleeting moment.” The first and most pristine clusters of groppello, marzemino, barbera and sangiovese are chosen for the production of Chiaretto, into contact brief and subtle then moving to separate the must from the skins. What is fundamental is the sensitivity of the maker, who “must apply technology as art.” Scolari’s begins with salinity and a silky texture, passes by wild berries and then ends with a bitter almond note. It’s textbook and yes, everything is accomplished with a whisper, all things mild, even acidity and then the moment is gone. Drink 2017-2019.  Tasted October 2017   #cantinescolari  Cantine Scolari

Lago di Garda, Torri del Benaco

Good to Go!

Godello

Twitter: @mgodello

Instagram: mgodello

WineAlign