Chianti Classico’s Canadian dream

Gallo Nero, Castello di Querceto, Greve in Chianti

Il sogno Canadese del Chianti Classico: Embracing the most noble of Italy’s Sangiovese

Related – as seen in Chianti Classico Magazine, translated into Italian – Il sogno Canadese del Chianti Classico abbraccia il più nobile dei Sangiovese Italiani

The year 2018 has come to a close, a new one has begun and we naturally reflect on where we’ve been, what we have done and where we are going. This last vintage was a most significant and rewarding one for me and my relationship with Chianti Classico. For the great Tuscan territory it was marked by a meaningful and historical transition. In 2018 we witnessed the region’s fate and fortune transferred from long-time friend and President Sergio Zingarelli of Rocca delle Macie into the hands of Fontodi’s Giovanni Manetti. For Chianti Classico the future looks bright, sangiovese and now.

One of the best red wines from all over the world, deserving of space in place with the best – Giovanni Manetti, Fontodi, Panzano in Chianti

In just nine days the world will converge on Stazione Leopolda in Firenze for the two day Chianti Classico Collection 2019. The 2017 Annata will be poured by producers ready to show their newest sangiovese. During a September 2018 visit with the Consorzio’s recently elected President, the proprietor of Fontodi in Panzano referred to his territory as home to “one of the best red wines from all over the world, deserving of space in place with the best. I find great harmony in the wines,” said Manetti, “like I do in Renaissance paintings, vineyards and landscapes modelled by many generations. Harmony is what everyone and every winemaker should and will find. It’s something you feel.”

It is perhaps a recurring question that only happens in dreams but the clarity is quite real. Il Chianti Classico è il centro del mondo del vino italiano? Is Chianti Classico the centre of the Italian wine world? Without needing to offer up a response the query is still both curious and serious. When you pause to consider the 2018 buzz around Chianti Classico wines both at home and abroad, regardless of which is which to you, are you able to stop yourself from at least considering the question?

We are at the new era of the great potential – Paolo de Marchi, Isole e Olena, Barberino Val d’Elsa

It makes for compelling discourse to be sure. The rise of the Gallo Nero is a fascinating one, not merely because sales of Chianti Classico are rising with numbers never seen before. There is the exponential, across the board increase in quality, the ever-evolving multiplicity of the territory’s sangiovese and then there are these continuing controversies. Not exactly controversial issues as much as healthy debates, dialectics about sub-zones, boundaries, crus and designations of origin. We’ll get to that shortly.

Consorzio Vino Chianti Classico President Giovanni Manetti, Fontodi, Panzano in Chianti

In the past 31 months I have travelled to the land of the Gallo Nero on six occasions and have made a minimum 70 estate visits, 46 of them being unique. I’ve tasted and reviewed no less than 434 wines and written at least 12 articles about the region. In February 2019 I will arrive to report on a third consecutive Chianti Classico Collection. And I’ve just begun this lifelong journey into the highly complex world of sangiovese. In the middle of this odyssey of wanderlust there has already been a very special moment. Every wine region needs ambassadors to educate in the diaspora and in 2018 I was humbled to be chosen as one of Chianti Classico’s first five. This was indeed one of the great honours my life. I’m quite sure Jeffrey Porter, Michaela Morris, Massimo Castellani and Isao Miyajima felt the same.

The region and its nine communes share a commonality expressed in varietal and landscape but look to the maps, the ridges, hills and individual estates to note that there is more soil diversity than we can possibly wrap our brains around. When I arrive in Chianti Classico I am intrinsically aware that each trip will add a new dimension to the project, legend and story. More to the point I am hyper aware that the best is yet to come. Just two weeks ago I stood on the great Galestro ridge of Isole e Olena, Barberino Val d’Elsa to hear Paolo de Marchi say “we are at the new era of the great potential.”

Simplicity is the best thing in life. Simplicity is freedom – Principessa Coralia Pignatelli della Leonessa, Castell’inVilla, Castelnuovo Berardenga

Speaking of the number 31, in Dante’s 31st canto of the Inferno the Italian poet writes “on its circular parapets / Montereggione crowns itself with towers”. The poet’s fascination with the famous castle and turrets of Monterrigioni located just outside the Classico zone are used as a simile for his otherworldly journey that brought him to the horrible giants who, sunk into the infernal rock, guarding the ninth and last circle, where traitors are punished. For a moment, that frightening sight looked like high towers, like the ones of the ancient castle. This is not, however, a reference to proponents of 100 per cent sangiovese versus assemblage, nor is it one to the soils of Chianti Classico, but only a coincidental notation with respect to discussing what lays underground.

Sangiovese is the future – Montefioralle, Greve in Chianti

In Bourgogne there is one word used to describe the relationship between the weather, the land and the interaction with the people who raise vines on that land. Climat is expressed as a highly complex chain of topographical, elemental and ethnological conditions. There is no such word in Italian, at least none that sum up the notion in una sola parola. We could perhaps take the liberty and make use of two words, acclimazione and sottosuolo to delineate such a meaning. To “acclimatize the underground” is to infer that over time vines tended by humans get used to the subsoils beneath their climate. Just as the Burgundians discuss Climat not as something above in the sky but rather below their feet, so can the Chianti Classico cognoscenti do so with the notion of acclimazione sottosuolo. Last week at Castell’inVilla in Castelnuovo Berardenga Principessa Coralia Pignatelli della Leonessa told me “simplicity is the best thing in life. simplicity is freedom.” In September Principe Duccio Corsini used the term genius loci, from the Latin, meaning “terroir plus the action of man.” Combine this with the “acclimatization of the underground.” The notions takes a very difficult and complex set of circumstances and distill it down into something simple.

The ideas of acclimazione sottosuolo and genius loci are a matter of agriculturalists interacting with the stratified Chianti Classico layers beneath the vines. Three major types of mineral soils are present, prevalent and essential to how, why and where sangiovese acts and thrives in the territory. The rocks of alberese (calcareous limestone), galestro (schisty marl) and macigno (sandstone) are the three most important sub-soil types but they are not the only significant rocks that contribute to character. River stones and marine fossil shells are also found in various vineyards and bring more than their fair share of personality-gifting traits. Though we would so very much love to draw geological and geographical lines that explain what soils exist and where, it is simply impossible to do so. The complex weave of patterns and designs, not to mention the venn diagram circles of commonalities would make for the most intricate mapping anywhere in Italy. Yet is that not the foundation and the nature of Chianti Classico’s set of exemptions and eccentricities? No two soils are the same and the resulting sangiovese are all different. Yes, they are snowflakes.

The Galestro of Isole e Olena, Barberino Val d’Elsa

The official line tells us that geologically the land is a shield of clayey schists (marl), with layers of scaly clay, alberese and fine limestone sandstone. The dark brown soil tends not to be deep, with structures ranging from clayey-sand to stony with average clay content. Almost all the Chianti Classico production area, though, has soil rich in stony material, especially marl. Two-thirds of the whole area is covered with woods. Oak trees are present everywhere while chestnuts are found mainly in the eastern area, conifers in the higher altitudes and pine woods in the lower hills south of Florence.

The type of land varies considerably from one area to another, making it impossible to make a clear subdivision of the various soil types typical of Chianti. But it can also be said that marl-based soil is widespread in the San Casciano in Val di Pesa, while Greve in Chianti and all the lower altitude areas have typically clayey limestone soil; large sandstone rocks characterize the Monte dei Chianti ridge; alberese is the principal element of the central-southern area, and tuff stone rock is found in most of the Castelnuovo Berardenga area. The area with a marked sandstone presence are severe and steep while the limestone hills are softer and rounder, and the clayey hills are even gentler.

Not all stone in Chianti Classico is created equal – at Pomona, Castellina in Chianti

In 1716 the Grand Duke Cosimo III set the borders of the Gallo Nero production zone, defining it as extraordinary and suitable for the making of high quality wines in what today covers nine municipalities under the provinces of Florence and Siena. In 1984 the adjective “Classico” was added by ministerial decree to distinguish the original Chianti from the wine made outside the territory delimited in 1716. In 2002 the sangiovese number permitted by production regulations was raised from a minimum of 80 per cent with a maximum of 20 red indigenous  (i.e. colorino and canaiolo) or international grapes permitted by production regulations. Since 2005 the Black Rooster trademark has stood for the entire Chianti Classico appellation with a graphic re-styling to make it stand out even more on every bottle of Chianti Classico. Two locations have been permitted, on the neck or on the back label. The year 2010 was the beginning of Chianti Classico truly distancing itself from Chianti through a change to an Italian law banning the production of Chianti wine in Chianti Classico production zone. In 2013 the Gran Selezione was introduced to stand at the top of the quality pyramid. 

évero

We now live in a world where diversity leads to prosperity and though current global political and national climates are pushing back against that truth, success comes from celebrating and embracing differences. A territory that recognizes its individualities, multiplicities and idiosyncrasies is destined for greatness. This is Chianti Classico, a region where the wines have 300 years of recorded history to support its message but also a history that includes evolution and change. You’d better sit down for what’s coming.

In the early 1980s a group of rogue producers reacted to the idea of Chianti Classico not being allowed to be labeled as such if the contents were 100 per cent sangiovese. The IGT Toscana for the region was born out of varietal necessity. No fewer than 12 significant and iconic producers began labelling their best wine as IGT. With the recent advent of Gran Selezione as being the most important wine at the top of the pyramid could we possibly see a backlash 30 years after the last one? Might the 12 producers make a joint announcement that their collective IGT will now be bottled under the label of Gran Selezione or take it to the great extreme and simply label it Chianti Classico? Speculation is the thing but first there is the notion of having the Gran Selezione category as being restricted to 100 per cent sangiovese. Would this decree help to define the category or hinder its progress? Would it shed light and help to educate the consumer?

Pasta is the protagonist of the table – Principe Duccio Corsini, Le Corti – Principe Corsini, San Casciano

Then there is the all important discussion about cru and labelling. Menzioni geografiche are on the way in as a means to identify the communes, villages and cru within the greater territory. We are witnessing the rise of the associazioni, subsets of viticultural associations uniting producers of communes and also villages within the communes. These associations are formed so that the common good is furthered, both in terms of exchanging and promoting like-minded ideas but also to access a potential for commercial and economic gain. The question is who will benefit by way of these detailed additions to Chianti Classico labels. Producer or consumer? Perhaps both?

Fresh harvested truffles at Carpineta Fontalpino, Castelnuovo Berardenga

These are the debates of men and while their meaning and importance should never be discounted, there is another way to look at the territory’s peregrination of significance. Whether or not the wines are made from 100 per cent sangiovese, from an assemblage that includes other endemic as well as international varietals, or from expatriate grape varieties, there is one common kinship that binds them all. They are wines made from grapes grown on Chianti Classico soils. Many would argue to the bitter end that the place is always stronger than the grape. Most important and sometimes forgotten is how they work with the food. How can one be considered without the other? Sit down to dinner with Principe Duccio Corsini and you will learn about the Tuscan symbiosis. “Pasta is the protagonist of the table,” says Corsini. Truth.

Which brings us to some all important numbers. The top export markets in 2015 for Chianti Classico (in volumes) were the US (31 per cent), Italia (20), Germany (12) and Canada (10). In 2016 the numbers were US (32), Italia (22), Germany (13) and Canada (8). In 2017, US (33), Italia (23), Germany (12) and Canada (8). This year is just about complete and already it looks like the unofficial-official statistics are in. In 2018 for Chianti Classico we find the US at 34 per cent, Italia (23) and Canada (11). Export numbers to the US and Italy continue to rise slow but steady but it is Canada’s near 38 per cent increase from 2017 to 2018 that is most significant. Canada’s is a market loyal to repetitive purchasing from wine regions that produce consistent and recognizable wine so what changed to encourage consumers to drink outside the box and to seek out sangiovese? The most obvious answer lies in the work of Chianti Classico producers at the vineyard level but the true catalyst seems to be educational efforts that have awaken the sangiovese wolf of the Canadian consumer.

The author Godello in Radda in Chianti

The Consorzio has travelled tirelessly across Canada, staging events, masterclasses and grandi degustazioni in major Canadian cities. Ambassador competitions have reeled in some of this country’s finest sommelier minds to help spread the great secret of the Gallo Nero’s sangiovese. Michaela Morris and Jason Yamasaki (Vancouver), Steven Robinson (Ottawa) and Kler-Yann Bouteiller (Quebec) are all apart of the revolution. The next and essential step is to win over the hearts and minds of sommeliers and restaurant buyers, especially in urban centres like Vancouver, Toronto and Montreal. Such a program would surely push Chianti Classico up the precipice where numbers do not lie in a scenario where exports could very likely equal those nationally in the 20-25 per cent range.

Finding ways to increase imports to Canadians is the ultimate goal and in a country where monopolies and one-tier purchasing systems are the norm it is the rise of wine clubs that could very well be the most important next step. Gargoyle out of Alberta and the WineAlign Exchange out of Ontario are poised to become critical avenues for the importation of Chianti Classico wines into Canada. In fact, the WineAlign community wine exchange program will be facilitating upwards of 150 cases of Chianti Classico into Ontario in 2019. Consider that the Consorzio normally calculates export percentages on a total of 35/6 million of sold bottles, which means that in 2018 approximately 3,000 cases (of 12 bottles) were exported to Canada. Even with a highly generous expectation for that number to increase by 38 per cent again from 2018 to 2019, 150 of 4,140 cases would represent 3.6 per cent of the total imports for next year. That is surely a significant contribution to sales.

So what will 2019 bring? Will it usher in a new era of Chianti Classico bottles noted by villages and crus on the labels? Will sangiovese long designated IGT come back to the appellation? Will Gran Selezione gain further ground and find itself endeared by the hearts of more women and men? Will the category seek 100 per cent sangiovese status? One thing is certain and that is Canada’s connection and bond to the territory will only grow stronger. When we convene at this time in 2019 the sales figures will prove that the process is moving in the right direction.

See you at the 2019 Chianti Classico Collection.

Good to go!

Godello

Gallo Nero, Castello di Querceto, Greve in Chianti

Twitter: @mgodello

Instagram: mgodello

WineAlign

Is Pinotage South Africa’s most famous wine?

Pizza and Pinotage?
The Paul Roos (biltong, feta and mushrooms) at Volkskombuis, Stellenbosch

An excerpt of this pinotage assessment appeared in my larger and more comprehensive South African profile, “Heritage and diversity in South Africa.”

Related – Searching for great heart in South Africa

With Sebastian Beaumont at L’Avenir Wine Estate

What do we know about pinotage?

Here are some essential facts about the grape variety. The year was 1925 when Dr. Abraham Penold of Stellenbosch University exorcized a Shelleyan right to marry cinsault with pinot noir in a successful attempt at creating a new varietal for the ages. Pinotage was born at the hands of a grafter with exceptional foresight. We’re not so far away from the 100th birthday and if you ask any one of the producers profiled here I’d wager most would agree. Pinotage is South Africa’s heritage meets signature red grape.

We don’t get fooled again
Don’t get fooled again, no no

To be clear there is a great chasm and worlds apart difference between most important and most famous. Research be denied or not, the distinction we are trying to establish concerns the latter, at least for the time being. Pinotage is indeed famous for being bad, insidious and effluent. It’s much maligned reputation and status is a concern borne from bad farming practices, misappropriated oak make-up and hands-on winemaking gone out of control. The mistakes are no longer rampant and there is a new game being played in Western Cape towns, in many ways same as the old ones established well before a generation of fools and horses took over the scene. Today and going forward the next generation of Pinotage young guns (and some older ones) are simply saying “meet the new boss, same as the old boss.”

Pino Pistols – The next generation of Pinotage young guns

Heritage in South Africa is not just reserved for chenin blanc. “You know what old vines can give you,” says L’Avenir’s winemaker Dirk Coetzee. “We’re here to discuss a pinotage revolution. We’re here to discuss the next generation of pinotage.” Stellenbosch is host to the greatest concentration of Western Cape plantings and over the last ten years it has grown by 52 per cent. “Once we start making authentic product people will start thinking and the product will speak for itself.” In fact it has moved from being the sixth to the third most planted grape varieties. Beyerskloof winemaker Ani Truter adds, “what I tasted in the 80s was not pinotage, it was sabotage. It took 2,000 years for Burgundy to be successful. Don’t worry, it won’t take that long in South Africa.” Only a Châteauneuf-du-Pâpe winemaker could pay a compliment with such direct proposition.

Pinotage winemakers at L’Avenir

David Sadie continued the analysis with his take on soil and cellar as being the reasons for making good and bad pinotage. “If you look at a bad pinotage today you can look at the cellar and not at the cultivar.” This in explanation for how pinotage has improved and is moving on from rubbery, toasted and burnt flavour profiles. “It’s about site selection, planting in the right areas.” It’s also about pH levels. “Your attention to hygiene is really important, it’s pH driven.” And finally, Jacques de Klerk of Radford Dale.” They used to be made at high alcohol levels and the margin for error was very precarious. It comes down to over extraction and over use of oak.” The times they are a-changin’.

L’Avenir Wine Estate and Country Lodge

I tasted 23 examples of pinotage this past September and was impressed by the right, proper and forward thinking presence of them all. The future is already cemented in quality but more than that, in a culture that feels this direction of clarity and transparency is the right one to follow. The followers are coming, now quicker than ever, to get a glimpse and a taste of these dry-farmed, terroir-driven pinotage.

L’Avenir Glen Rosé 2017, WO Stellenbosch, South Africa (Winery, WineAlign)

This dry Rosé is made from pinotage and it carries an amber, skin-contact styled notable tannin and orange skin scrape. Also enough fruit to call it a julep on the aromatic front. Not a major proboscis mind you but one that is classically herbal, never pointed and sweetness is just a faint idea. It’s a bit dangerous in how there is great ease in the knock it back department. Drink 2018-2019.  Tasted September 2018 lavenir_wine_estate  selectwinemoments  @LAvenirWines  @SelectWinesTO  @LAvenirEstate  @SelectWinesCanada

L’Avenir Pinotage 2016, WO Stellenbosch, South Africa (Agent, $14.95, WineAlign)

When it comes to pinotage there are few producers capable of delivering the triumvirate of quality, honesty and ignoring of sickly trends. There is no mocha in L’Avenir’s take on the mistaken identity grape. In this case it’s like you’d expect pinotage to be but also completely unexpected because it takes classic relief, alters the perspective and turns the architectural rendering on its head. Pinotage needs to keep you on your toes, confuse with trompe l’oeuil drawn trickery and offer up great surprise. That’s what makes it special. Here richness is met head on by tannin, dusty fruit by bold acidity and spice mix at the gate of intensity. Just imagine the possibilities in the estate’s single block. Drink 2019-2022.  Tasted September 2018

L’Avenir Pinotage Single Block 2016, WO Stellenbosch, South Africa (AgentWineAlign)

Taken from dry-farmed vineyards and put to fourth/fifth passage barrels. Only 4,000L make up this single focused lot out of which both the depth and volume have been turned up. Extract talks in fruit density tannic decibel counts but even higher by acidity so all falls into place. Or will. Eventually. Drink 2019-2022.  Tasted September 2018

Beaumont Family Wines Pinotage 2009, WO Bot Rivier, South Africa (Agent, WineAlign)

The vines would have been just past their 30th birthday and Sebastian remembers the vintage with fond memory, as he would considering he chose to pour this nine years later at a large pinotage tasting. Wood as it was and still is now wholly integrated though both acidity and length are still thriving so structure is the constant and the given. The tang afforded the fruit is spot on with legs stretching, the whole outfit breathing and now with a salty note to ties it all together. Much time remains for pure pinotage pleasure. Drink 2018-2024.  Tasted September 2018  beaumontwines  @Beauwine  @Smallwinemakers  @beaumontfamilywine  @smallwinemakerscollection

Beaumont Family Wines Pinotage Sixty Barrels 2015, WO Bot Rivier, South Africa (Agent, WineAlign)

So interesting to taste this seminal pinotage by Sebastian Beaumont side by each with his 2009 “normale.” The same 1970s planted vineyard is employed, here from two blocks, one 44 years of age and the other being a spritely 21. The salty note on the aromatic top is faint, hidden beneath massive fruit ability, but it depends (of course it depends), on vintage. This one is full of wealthy possibilities and stealth opportunity, especially when the salt rises to the surface in thew clay. That clay effect is a fulsome one, really notable from 2015 to claim fruit, stash it away in reserve and wait for structure to build, crest and relent. Many years will pass as a result of this pinotage process. This is how you build varietal wealth and worth. One of South Africa’s finest. Drink 2019-2027.  Tasted September 2018

Kaapzicht Pinotage 2016, WO Stellenbosch, South Africa (AgentWineAlign)

Winemaker Danie Steytler says “we think pinotage is like grenache, or cinsault” and he would be correct in that if you allow it to speaks its own very specific language it will be readily identifiable. And enjoyable. As here, with perhaps the highest level of glycerin content found anywhere in Stellenbosch. Intensely viscous, not as syrup but certainly living the silky dream. From a warm vintage the alcohol is noted and the youth as well, from 19 year-old bush vines planted in weathered granite soil. It may be counter intuitive but the wood is also stronger than the Steytler, having seen 33 per cent new French oak barrels for 18 months. The vintage is even stronger and so the combination makes for a pretty powerful wine. Drink 2018-2021.  Tasted September 2018  kaapzichtwines  @KaapzichtWines  Kaapzicht Wine Estate

Kaapzicht Pinotage Steytler 2015, WO Stellenbosch, South Africa (AgentWineAlign)

This is a pure pinotage, a generational wine that carries the family name and the current varietal centrepiece for winemaker Danie Steytler. Low yielding vines are planted in weathered granite topsoil on a layer of gravel, above a crumbly clay sub-soil. The terroir plus a warm fermentation make for pinotage of high glycerin, ethereal texture, generous alcohol ann general warmth in abound all around. Plenty of fresh red fruit and a dry constitution in a structured pinotage pays great homage to George Steytler who farmed Kaapzicht for 33 years. Drink 2019-2022.  Tasted September 2018

Beyerskloof Pinotage Reserve 2016, WO Stellenbosch, South Africa (Winery, WineAlign)

Tasted with winemaker Anri Truter, the Reserve is aged in 20 per cent new barrels with the remainder second through fourth passage wood. Quite rich and full in terms of pinotage fruit without any mocha make-up though there is quite a level of smoulder. Both the acidity and the tannin are set quite high so overall this presents a structured gambit worthy of the designation. Long and lasting seals the deal. Drink 2018-2021.  Tasted September 2018  beyerskloof  churchillcellars  @Beyerskloof_  @imbibersreport  @Beyerskloof  @imbibersreport

Beyerskloof Pinotage Diesel 2015, WO Stellenbosch, South Africa (Winery, WineAlign)

The bush vines are in the 20 year range on gravelly Oakleaf and Klapmuts soil for this highly credible example of what is possible with pinotage, especially in Stellenbosch. This is nothing but a structured red, housed in 100 per cent new French oak barrels for 20 months. After maturation, only 20 barrels were selected out of a possible 300. The fruit is richer, the texture denser and the extraction at the top end of the ideal. There is more of everything here, including savour and it’s anything but reductive or ball bouncy. Big, roasting, boasting and blasting with an exceptional level of quality. Drink 2019-2023.  Tasted September 2018

B. Vintners Pinotage Liberté 2017, WO Stellenbosch, South Africa (Agent, $41.99, WineAlign)

Two oceans facing granitic soils at 250m are the impetus to raise this Cape dialectical, Atlantic meets Indian pinotage. It’s also a whole bunch matter, something that in increasingly important in the varietal lexicon. The plantings are east-west in orientation to avoid overbearing sun exposure, which is really a thing in pinotage and often the culprit for its unwanted “thickening.” Baking spice is all over the notes and fruit purity is duly counted. A very characterful red, spicy, smoky and just plain pleasurable, if on the confident side of all things being equal. Nice work between cousins Gavin Bruwer and Bruwer Raats. Drink 2019-2024.  Tasted September 2018  raatsfamilywines  liffordgram  @RaatsWines  @LiffordON  Raats Family Wines  @liffordwineandspirits

B. Vintners Pinotage Liberté 2016, WO Stellenbosch, South Africa (Agent, $41.99, WineAlign)

From the cousins Raats and an ode to Cape of Good Hope heritage for pinotage. There is some (20 per cent) modernizing whole bunch maceration giving more lift and chalky texture. Quite a variegation from ’16, with grit and grip, not exactly powerful but there is some tannic structure to be sure. Very floral and so it sure seems like the intention and the goal was centred around and expressly focused on lifted aromatics. Drink 2019-2022.  Tasted September 2018

Radford Dale Pinotage Frankenstein 2015, WO Stellenbosch, South Africa (AgentWineAlign)

It took a few decades for someone to give Shelleyan props to Dr. Abraham Penold of Stellenbosch University, 1925 grafter of cinsault and pinot noir to create pinotage. It’s a literary sidestep of a stretch to compare the science to Mary Shelley’s creature created by mismatched donors, but more than that it’s a cheeky shout out for a varietal often mistaken for a monster. Winemaker Jacques de Klerk grabs fruit from the white marl at the foot of the Helderberg Mountain for a pinotage troika of intention, ability and expectation. Three properties born of terroir, house and winemaker. All are on the same page written by an unspoken agreement to not abuse or confuse this grape. Frankenstein is smoky, curative, red raspberry ripe, right proper and built to last. Drink 2019-2026.  Tasted September 2018  radford_dale  reveriechenin  noble_estates  @Radforddale  @deklerkjacques  @Noble_Estates  @RadfordDaleWine  @NobleEstates

Kanonkop Pinotage Kadette 2015, WO Stellenbosch, South Africa (630756, $19.95, WineAlign)

Before penning this review of 2015 there was a taste of the next level ’16 four months later. The two way-street perspective is more than educational because when pinotage is made with this sort of clarity you can really see the glaring differences in vintages. In 2015 the replay of old-school, earthy and chalky is readily recognizable, unavoidable and properly exulted. This send label spends time in second and third fill barrels, for red fruit charm, mildly tannic structure and proper finality. Spice, spirit and warmth define the Kadette in salute to pinotage and Stellenbosch. Drink 2018-2020. Tasted September 2018  kanonkopwineestate  noble_estates  @KanonkopEstate  @Noble_Estates  @Kanonkop  @NobleEstates

Kanonkop Pinotage 2015, WO Simonsberg-Stellenbosch, South Africa (Agent, $44.95, WineAlign)

Vines are between 30 and 60 years of age for this prototypical ode to how things were and going forward can almost certainly be in the world of pinotage. Wrinkled, gnarled, grizzled old veteran vines, the Gordie Howe of the genre, Mr. pinotage if you will. Trees of a vinous sort, able to shake of draughts and new wave mochafied drafts, with a hat trick of checks, balances and grit. These vines are the past but more importantly are the future, typified and exemplified in this kind of pinotage, a modern classic made from a place by a maker who knows what’s what. Smoky red fruit with this uncanny variegation of hue, cloudy transparency and complexity of character. Drink 2019-2025.  Tasted September 2018

Diemersdal Pinotage 2017, WO Durbanville, South Africa (Winery, WineAlign)

Diemersdal is a sauvignon blanc specialist (don’t miss their eight rows) making pinotage. Sixth generation winemaker Thys Louw has coaxed as much site specific terroir into pinotage as any in the Western Cape. True their is one of exoticism in the aromatics, like the smell of Javanese Mubarak banana pancake drizzled with chocolate condensed milk but there is also the magical and unbelievable nose of spearmint. It’s the local fynbos and dry-farmed agriculture talking, inconceivably coherent and followed by so much far-eastern spice. This is fun stuff, wildly aromatic , with great pulse and intensity. Drink 2019-2024.  Tasted September 2018  diemersdalwines  @diemersdalwines  Diemersdal Wine Estate

David And Nadia Pinotage 2017, WO Swartland, South Africa (Winery, WineAlign)

David and Nadia Sadie’s pinotage is quite possibly and purposefully the lightest there is, clocking in at an impossibly low 12 per cent. It is both the next and other tier for the varietal reconnaissance with vanguard clarity and an honesty to speak of wine made under serious drought conditions. Bright red fruit and that low alcohol make it at once crushable but then sneaky structured. A maturity of vine, maker and grape conspire for such a dichotomy of bemusement though to be fair you could blindly be convinced that you were tasting lithe and ethereal northern Rhône syrah. The mixed magical condition certainly makes you take a step back and a seat to think. It’s a good conundrum and an excellent way to be drinking pinotage. Drink 2019-2027.  Tasted September 2018  davidandnadia  @DavidandNadia  @DavidandNadia

David And Nadia Pinotage 2015, WO Swartland, South Africa (Winery, WineAlign)

Siebritskloof is the origin for David and Nadia’s ’15 pinotage, a wine from the early stage of drought conditions taken off of dry land bush vines planted in the early 1990’s in the granite mountains of the Paardeberg on the Paardebosch farm. This is layered and symbolic pinotage as aged salumi or pâté en croûte. The spice variegate runs high while the acumen of working with fruit to craft something so regionally specific treads a gastronomic line so fine. You and I could try to make this wine and fail miserably while David and Nadia just have the touch. Their’s discusses the days and the times with great precision and persistence. The tannins are so accomplished and resurrecting, leading to believe that this will drink at peak 10 years from vintage. That speaks to all of the above. Drink 2019-2025.  Tasted September 2018

Stellenbosch Vineyards Credo Pinotage Reserve 2016, WO Stellenbosch, South Africa (Winery, WineAlign)

Vineyard source is 23-year-old bushvines in the Helderberg basin on decomposed granite, seven kms from and facing False Bay. From winemakers Bernard Claassen and Petri de Beer who deliver a pinotage that straddles the line between the old days and the new generation. From richness comes a meeting with salty oceanic influence towards a cleaner look at a brighter, not so tangy and tight future. The window is opening, the light is streaming in and the credo is on a correct path.  Drink 2018-2021.  Tasted September 2018  stellenboschvineyards  @StbVineyards  Stellenbosch Vineyards

Stellenbosch Vineyards Pinotage Bushvine 2015, WO Stellenbosch, South Africa (Winery, WineAlign)

The Bushvine is also a Heldeberg basin pinotage though it’s more forward, modern and also weightier, carrying 20 per cent new oak plus six to eight months further aging. It’s a Bordeaux sentiment in a pinotage bottle, still with an eye and a nod to the past and yet despite the wood it expresses a real purity of red fruit. Tobacco smoulder shrouds that fruit with the resulting complexity standing to be noticed. Drink 2019-2024.  Tasted September 2018

Elmie Pinotage Rosé 2018, WO Stellenbosch, South Africa (Winery, WineAlign)

This is really upscale, chic and perhaps even transformative Rosé, of a collaboration between ex-Delheim winemaker Reg Holder and viticulturalist Etienne Terblanche. The level of dry extract is exulted by fine tannin in a grape must meets pure strawberry distillate pinotage that feeds the imagination with place, varietal, execution and friendship. It’s a whole bunch, free-run, four month on lees exceptionality for Rosé, pinotage and Stellenbosch. So good straight out of a bottle just filled the week before. Drink 2018-2020.  Tasted September 2018  terblanche.etienne  Etienne Terblanche  

Pinotage Dorper 2017, WO Stellenbosch, South Africa (Winery, WineAlign)

The name refers to a black sheep in the family and a South African breed of domestic sheep developed by crossing Dorset Horn and the Blackhead Persian. The wink-wink connective tissue is because pinotage, as we all know is a crossing of pinot noir and cinsault and this Dorpman’s Afrikaans collaboration is between winemaker Reg Holder and viticulturalist Etienne Terblanche. This inaugural release from the virtual Stellenbosch winery is a truly satisfying pinotage, of red raspberry and other sundry red fruits. Blocks of 53 year-old and other 50-plus aged vines adds up to smoky and with just a bit of beneficial reduction. Important tracks put down and a solid future lays ahead. Drink 2018-2021.  Tasted September 2018

Southern Right Pinotage 2017, WO Hemel-en-Aarde Valley, South Africa (486167, $27.95, WineAlign)

As for pinotage, Anthony Hamilton Russell is dead serious about thinking about the varietal future and never furthermore to dwell on its past. So is winemaker Emul Ross who pours this ’17 like he means business. It should be remembered that in 1996, Anthony made a bet with Jancis Robinson saying, “one day South Africa’s most famous wine will be a pinotage or a pinotage-based wine.” It may be argued that in 2018 that prophecy came true and we have yet to see the highest potential from the grape and certainly not yet from the HR bookend properties that make Ashbourne and Southern Right. This comes from the western border of Hamilton Russell Vineyards behind Hermanus and it benefits from cold currents rising up from Antartica. The alcohol is handled with best yet ease and the fruit oozes from every pore. There is a tonic gelling with spice, faintly bitter cocoa and acidity to remind us of everything it is. In the end it opens up quickly with minimal tannin and wood in terms of overall structure. Drink 2019-2024.  Tasted September 2018  olive_hamilton_russell  noble_estates  @OliveHR  @Noble_Estates  Olive Hamilton Russell  @NobleEstates

Hamilton Russell Ashbourne Pinotage 2015, WO Hemel-en-Aarde Valley, South Africa (486167, $25.95, WineAlign)

It could be expected that this 2015 pinotage blend would already act somewhat to quite advanced when in fact the evolution is virtually non-existent. A side-by-side revisit with 2009 is all that is needed to drive the point. The ’15 is still quite demurred, tightly wound, not in a fresh to reductive way but more in terms of its finely-crafted pyramids of Giza architecture. The acidity and the spice are up there on the crests of the upper steps, very near to the pinnacle. Again it is the way the wine stays with you like a slowly rendered demi-glacé made from the lightest roast of bones that keeps the karst of stone sublime in your mind and mouth. Drink 2018-2028.  Tasted July and September 2018

Good to go!

godello

With Olive and Anthony Hamilton Russell at L’Avenir Wine Estate

Twitter: @mgodello

Instagram: mgodello

WineAlign

Searching for great heart in South Africa

A view of the Simosnberg from Amazink Live in Kalmandi Township

Heritage and diversity in South Africa

as seen on WineAlign

Takeaways from Cape Wine 2018: Bot Rivier, new generation pinotage, regional spotlight on Robertson, Méthode Cap Classique, heritage vines, post revolution Swartland, wot varietal? and kuier

The last time I travelled across the Atlantic and down to the southern tip of Africa was in the warm days of September when I took in the three days of Cape Wine 2015. Beyond the Cape Town commotion of the triennial wine fair there was the added bonus of an expansive, wayfaring wine-lands itinerary. A deep understanding of the Western Cape’s wine landscape came to light, though at the time it seemed like being caught up in some kind of cultural and constitutional revolution. A return engagement with South Africa this past September changes but also cements the notions considered and the lessons learned. South Africa’s scene has now found itself comfortably cast in a post-revolution, full on republic state of wine. Allow me to expand.

I’m searching for the spirit of the great heart
Under African sky

A deeper understanding

After my return three years ago I suggested that “what separates South African vignerons from the rest of the world is a playground mentality and their confident executions in consummation of those ideals. The soils and the weather are nothing short of perfect…the place is a veritable garden of viticulture eden…a certain kind of comparison presents South Africa as the wine equivalent of the wild west. In the Western Cape, anything goes. The landscape of South African wine is demarcated by ancient geology and by the geographical diversity of its regions, sub-regions and micro-plots. Varietal placement is the key to success. As I mentioned, South African winemakers can grow anything they want, to both their discretion and their whimsy. The choice of what grows best and where will determine the successes of the future.”

It’s satisfying to note that three years later the adages, analytics and perspectives remain constant with that initial intuition and yet the changes in mentality meeting execution are far greater than such a short passage of time could normally afford. Winemakers in South Africa are learning everything there is to know about making wine and from every corner of the world. Some are travelling to the sources for the knowledge while others are simply experimenting at home every day to get there. There is no style of wine that isn’t being attempted. I’ll say it again. “Natural fermentation, skin contact and carbonic maceration have infiltrated the winemaker’s psyche. Fresh, natural, orange, amber, caliginous and tenebrous have established Cape footholds with enzymatic force.”

The year 2018 will be remembered for many things but at the top of that list are resilience and tradition. After months and months on end of near catastrophic drought the country and in turn the wine producers have found a way to survive and to thrive. Thanks must be afforded the pioneers and those with the most experience, in other words, the people who have been through and seen it all. As a result it is the icons and archetypes of South African wine that stole much of this year’s spotlight. Though they are the antithesis of the young and free-spirited, the lines have begun to blur, or at least overlap in terms of who is who in the winemaking mise en scene. Three years ago these pirates with pirate eyes and pirate smiles made some good wines but a good deal of them were dirty, funky and flawed. Wine geeks gushed because of the cool, natural and revolutionary factor. It was a time of protest and free spirit. Once upon a time in the wild Western Cape. As the boomers have grown older their winemaking has matured and become wiser. There is no abandoning the call for uprising, subversion and experimentation but there is a concerted effort to fashion wines that are a pleasure to drink. Isn’t that the point? In 2018 it seems that everyone has it figured out. South African wines are cleaner by ‘n landmyl, with more purity, transparency and honesty than ever before. Their epiphany is now ours as together we synchronically enter this new world of deeper understanding.

No one does a media package like @wosa_za for @wosacanada peeps. thank you for getting me very ready to tackle @capewine2018

So much to think about

It began at the Spier Hotel in Stellenbosch, home to Spier Wine Farm and Vineyards. It was unseasonably cold with the kind of crisp night air that just makes you think about acidity. The vines were infants at this time in the southern hemisphere vineyards but I could not help but imagine the 2019 harvest possibilities as having forged their beginnings with these early spring conditions. Next stop was Bot Rivier, first with a farm to table experience at Wildekrans Wine Estate. A quick stop to hang with the baboons at Sir Lowry’s Pass and a move to Kalmandi Township.

Performers at Amazink Live

This was a truly South African experience of ‘Ubunti’ at Amazink Live‘s township braai with the local entertainment troupe and a big bottle format of Smiley, Silvervis and Terracura with Ryan Mostert and Samantha Suddons. The fifth season of performance took place in what is called “a place of unity,” a safe space for all guests and groups. Amazink’s manager Zinthle explained that this club offers “a change in the perception of townships, the name alone means “it’s a nice home.” Kunandi Umalaba indeed. “It’s nice to be here.”

On to Roberston for three quick visits with Graham Beck Wines, Springfield Estate and De Wetshof Estate Wines. Then a night under the African sky, a 24-hour out-of-body experience at Sanbona Game Reserve and over to L’Avenir Farm for Pino Pistols – the next generation of pinotage young guns. The next morning at the Cape Town International Convention Centre for the start of three jam-packed days of Cape Wine 2018. An evening that can never be forgotten covered the classics – a regional four-decade vertical tasting with eight iconic producers. The trip culminated with lawn bowls in Malmesbury with the Swartland Swingers, artists formerly known as The Swartland Revolution.

Sundowners, Sanbona Game Reserve

Three years after that 2015 Cape Wine experience it’s duly noted how both flow and focus mean that the game is changing. The notion of planting whatever you feel like wherever you feel it just because it will ripen is evolving. Specialization, especially with respect to varietals like chenin blanc, cinsault, grenache and pinotage is the wave of the future and with this furthered isolation of micro-plots and terroir for these very specific grape varieties. Narrowing the focus, figuring out what works best and why. It’s the Burgundian way and indeed the way all great wine regions make their mark. The heritage seekers and protectors know what’s what. Old vines, especially dry, bush-farmed vineyards are the backbone of South Africa’s diversity and possibility.

Were South Africa not so far away from the rest of the wine-consuming world I truly believe it would blow every other wine region out of the proverbial water of supply and demand. South Africa’s wines represent the finest quality to price ratios in the world and there is plenty of product to go around. Lying a continent (and an ocean) away from both Europe and North America is an obstacle that will always be too distant to overcome but the global economy’s ability to coalesce and encourage trading of goods from the furthest of poles is only going to increase. If this upwards and positive trend is to continue the current wave of nationalist political tendencies must be curtailed, if only so that we as consumers can continue to enjoy the wealth of extraordinary wines that need to be exported out of South Africa.

Chef Gregory Henderson, Wildekrans Wilde Forage, Bot Rivier

New age of diversity: Bot Rivier

Bot Rivier is south-east from Cape Town, sandwiched from south to north between Hermanus and Stellenbosch. “From the top of the Houw Hoek Pass, one gets the first glimpse of the vast, rolling hills and big sky of the Bot River area, where real people make real wine.” This is the credo of the family of wineries that farm and produce in the area. There are 12 members of the wine-growing association, all within a 10km radius of one another. At Wildekrans we participated in a ground foraging experience alongside Chef Gregory Henderson. Beaumont Wines, Gabriëlskloof, Paardenkloof, Villion and Luddite Wines led us through a blending process to make a wine from samples supplied by all six. Four groups attempted the exercise to mixed reviews. Said Luddite’s Niels Verburg. “We gave you six beautiful wines and you gave us four bad ones back.” Their wines were significantly better.

Beaumont Family Wines Hope Marguerite 2017, WO Bot Rivier-Walker Bay, South Africa (Agent, $35.00, WineAlign)

The vintage clarity speaks to an unbelievable old vines imperative and in this case a stage presence imperative to scrape, zest and juice all the lemons, tangerines and peaches in the world. The fruit quality and integrity conjures a continuum where distant memory fast forwards to present day reality. ‘Tis an extraordinary time to taste chenin blanc in its modern vernacular, of so many styles with Sebastian Beaumont’s so high on the pyramid. The The 2017 accomplishment includes further complex compliments, dried pineapple, lemon peel and an herbal wonder powder. This is the sauce. “This is the day, your life will surely change. This is the day, when things fall into place.” Soul mining for chenin blanc. Drink 2019-2026.  Tasted September 2018

Villion Family Wines Syrah 2017, WO Western Cape, South Africa (WineryWineAlign)

A moment’s pause to consider the aromatics is unavoidable because the mid-palate complex notions swirl dramatically out of glass, through the mouth and straight into the mind. This with thanks in kind to more than half of the juice having matured for eight months in (36 per cent new) 300 and 400L French barrels. The fruit was not lost in fact it’s uncanny how mandarin orange it is, plus this old vine (30 years and older) mineral-flint strike to round out the third and most expected aspect of the total oeuvre. Rich, unctuous and structured is a great way for chenin blanc to go through life. Drink 2018-2021.  Tasted September 2018  villionwines  @VillionWines  @VillionWines

Wildekrans Wine Estate Chenin Blanc Barrel Select Reserve 2017, WO Bot Rivier, South Africa (WineryWineAlign)

From winemaker Braam Gerricke his chenin blanc layers and variegates richness and spice. There is nothing simple about the designation or the result, very much in the vein of old vines and barrel licked chenin with great expectation. The ceiling climbs high for this type of execution and with some age for this, followed by some adjustments for the rest the future looks very bright. These are wines poised to climb into another Cape echelon. Drink 2018-2022.  Tasted September 2018  wildekrans  @WildekransWines  @Wildekrans

Gabriëlskloof Syrah The Landscape Series on Shale 2016, WO Bot Rivier, South Africa (WineryWineAlign)

On Shale is forged of a single-vineyard, Bokkeveld site on the Gabriëlskloof property that makes for a stand apart syrah without comparison. A wild ferment encourages idiosyncratic, ferric and hematic tendencies of what can happen on this section of Western Cape geology. The theoretical possibilities from such shale do for syrah what Cape granite and Malmesbury shale won’t, making abstract connections liquid chalk bled through mudstone in the form of herbal amaro syrup. You notice it in the consistency too, so pure, so sappy oozing and in its very intuitive way, extroverted fine. Drink 2018-2021.  Tasted September 2018  gabrielskloof_  @Gabrielskloof  @donniewine  @Gabrielskloof

Luddite Shiraz 2014, WO Bot Rivier, South Africa (WineryWineAlign)

Just a few years offers up so many more clues as to what is going on in Niels Verburg’s shiraz world. First of all the 24 months in barrel and the 24 months in bottle are structure building and basically tell us to stay away for an equally further amount of time. Not that you wouldn’t want to taste one or two along the way but time is the necessity. This is shiraz held back to “gain a balanced potential.” Meanwhile, no other Cape shiraz smells like this. Niels talks about the mattress of curry the khoi bushmen used to lie upon to raise them up above the ground and away from the insects. The plants known as “kerrie” have a very particular herbal-savoury scent, certainly present in Luddite’s shiraz and even more pronounced with a few years of time gone by. It’s exotic, an herbal-spice line trod with floral undertone and in part certainly a cause to that vineyard presence of the curry bush. Texture is fine spun silk, integrated and then comes exquisite acidity to complete the picture. Drink 2019-2027.  Tasted September 2018  luddite_wines  @LudditeWines  @ludditewines

Paardenkloof Estate Cabernet Sauvignon 2017, WO Bot Rivier, South Africa (WineryWineAlign)

Planted in 2002, it was 2006 that proprietor Mohseen Moosa first produced this cabernet sauvignon on the mountain that separates Bot Rivier from the Hemel-en-Aarde, three to four kms from the sea, as the crow flies. The cooling breezes help to coax, coddle and accentuate the varietal tendencies, “to promote the primary fruit of the vineyard,” tells Moosa. Beneficial balance and restrained intensity define this wine, from pockets of spice through ultra-violet floral rays. Pleasing fruit meets designate structure for the most solid of South African cabernets. Fine chalky tannins and all in all, really accomplished. Drink 2020-2027.  Tasted September 2018  paardenkloof  @PaardenKloof  @PaardenKloofEstate

Chardonnay vineyard in Robertson

Regional spotlight: Robertson

The Robertson Valley is a singular and vast South African landscape, a place of wide open spaces and skies. It’s the ideal location for many things, including growing chardonnay and pinot noir for Méthode Cap Classique sparkling wines. It’s also possessive of the finest limestone soils in the Capelands which means chardonnay thrives and the ceiling for pinot noir can only raise higher. Pockets of sand and clay are also ideal for Bordeaux varietals; cabernet sauvignon and sauvignon blanc. The history, meticulousness and confidence of Robertson’s winemakers is more than evident. Springfield’s Abrie Bruwer was quick to remind us all “we’ve revolutionized (winemaking) three times over already and nobody’s noticed.” Robertson remains under the radar but know this. Old world defines the collective oeuvre.

Springfield Estate Sauvignon Blanc Life From Stone 2018, WO Robertson, South Africa (Winery, WineAlign)

What a jolt in how there’s a quick flash of Sancerre and then bam, straight back into a Robertson reality from the rockiest of parcels. The juice is kept at negative three degrees celsius to preserve the sheer freshness of the fruit. It’s not so radical but it’s also not done. What is does is prevent the flavours from disappearing into the enzymatic wind. They’ve been at this process for 11-12 years, seven of them with the entire crop. It’s about keeping the entirety of the lees suspended to buoy and ready the fruit for fermentation, at 13-16 degrees. The fruit is so variegated, at first mostly stone and the towards tropical tendencies, on the back of acidity wise and mature.  Drink 2018-2023. Tasted September 2018  springfieldestate  @springfieldwine  @springfieldestate

De Wetshof Estate Unwooded Chardonnay Bon Vallon 2018, WO Robertson, South Africa (403675, $22.95, WineAlign)

The unwooded chardonnay from de Wetshof is a fascinating wine because it’s one of the very few in the style that needs some time to settle down and in. From the good valley at the lowest point between slopes there is more searing orchard and citrus fruit meeting pure, unaffected by wood nuttiness than a list that includes all of Robertson and perhaps the entire Western Cape. What is pulled from this limestone terroir and without any barrel time is almost impossible but wholly remarkable. It’s also consistently constructed vintage after vintage by the commitment to craft by the family de Wet. Drink 20189-2022.  Tasted September 2018  dewetshofwines  @DeWetshofWines  @dewetshofwines

Graham Beck Prestige Collection Cuvée Clive 2012, Méthode Cap Classique, Robertson, South Africa (Agent, WineAlign)

Clive is Graham Beck’s most prestigious and important cuvée, what méthode cap classique cellarmaster Pieter Ferreira calls “a respect to Champagne. While previous incarnations were wines of “best selection” the 2012 chardonnay and pinot noir are drawn from a single-vineyard for the first time. Stand in the tasting room and there it spreads out below, on soil riddled with limestone to equip this crisp and arid sparkling wine with all the necessary attributes. Bronze-parched apple and dried quince are noted. Sentiment and data from a 10 year study project of varietal, lees and aging are collected and come to this; a toast demure, a love divine, a wild control. Brilliant sparkling wine and undoubtedly a South African gem. Drink 20189-2027.  Tasted September 2018  grahambeckbubbly  vinexxperts  @GrahamBeckSA  @Vinexxpert  @grahambeckmcc  @Vinexx

L’Avenir Wine Estate and Country Lodge

Pino Pistols – The next generation of Pinotage young guns

Heritage in South Africa is not just reserved for chenin blanc. “You know what old vines can give you,” says L’Avenir’s winemaker Dirk Coetzee. “We’re here to discuss a pinotage revolution. We’re here to discuss the next generation of pinotage.” Stellenbosch is host to the greatest concentration of Western Cape plantings and over the last ten years it has grown by 52 per cent. “Once we start making authentic product people will start thinking and the product will speak for itself.” In fact it has moved from being the sixth to the third most planted grape varieties. Beyerskloof winemaker Ani Truter adds, “what I tasted in the 80s was not pinotage, it was sabotage. It took 2,000 years for Burgundy to be successful. Don’t worry, it won’t take that long in South Africa.” Only a Châteauneuf-du-Pâpe winemaker could pay a compliment with such direct proposition.

David Sadie continued the analysis with his take on soil and cellar as being the reasons for making good and bad pinotage. “If you look at a bad pinotage today you can look at the cellar and not at the cultivar.” This in explanation for how pinotage has improved and is moving on from rubbery, toasted and burnt flavour profiles. “It’s about site selection, planting in the right areas.” It’s also about pH levels. “Your attention to hygiene is really important, it’s pH driven.” And finally, Jacques de Klerk of Radford Dale.” They used to be made at high alcohol levels and the margin for error was very precarious. It comes down to over extraction and over use of oak.” The times they are a-changin’.

Beaumont Family Wines Pinotage Sixty Barrels 2015, WO Bot Rivier, South Africa (Agent, WineAlign)

So interesting to taste this seminal pinotage by Sebastian Beaumont side by each with his 2009 “normale.” The same 1970s planted vineyard is employed, here from two blocks, one 44 years of age and the other being a spritely 21. The salty note on the aromatic top is faint, hidden beneath massive fruit ability, but it depends (of course it depends), on vintage. This one is full of wealthy possibilities and stealth opportunity, especially when the salt rises to the surface in thew clay. That clay effect is a fulsome one, really notable from 2015 to claim fruit, stash it away in reserve and wait for structure to build, crest and relent. Many years will pass as a result of this pinotage process. This is how you build varietal wealth and worth. One of South Africa’s finest. Drink 2019-2027.  Tasted September 2018  beaumontwines  @Beauwine  @Smallwinemakers  @beaumontfamilywine  @smallwinemakerscollection

L’Avenir Pinotage 2016, WO Stellenbosch, South Africa (Agent, $14.95, WineAlign)

When it comes to pinotage there are few producers capable of delivering the triumvirate of quality, honesty and ignoring of sickly trends. There is no mocha in L’Avenir’s take on the mistaken identity grape. In this case it’s like you’d expect pinotage to be but also completely unexpected because it takes classic relief, alters the perspective and turns the architectural rendering on its head. Pinotage needs to keep you on your toes, confuse with trompe l’oeuil drawn trickery and offer up great surprise. That’s what makes it special. Here richness is met head on by tannin, dusty fruit by bold acidity and spice mix at the gate of intensity. Just imagine the possibilities in the estate’s single block. Drink 2019-2022.  Tasted September 2018  lavenir_wine_estate  selectwinemoments  @LAvenirWines  @SelectWinesTO  @LAvenirEstate  @SelectWinesCanada

Beyerskloof Pinotage Diesel 2015, WO Stellenbosch, South Africa (Winery, WineAlign)

The bush vines are in the 20 year range on gravelly Oakleaf and Klapmuts soil for this highly credible example of what is possible with pinotage, especially in Stellenbosch. This is nothing but a structured red, housed in 100 per cent new French oak barrels for 20 months. After maturation, only 20 barrels were selected out of a possible 300. The fruit is richer, the texture denser and the extraction at the top end of the ideal. There is more of everything here, including savour and it’s anything but reductive or ball bouncy. Big, roasting, boasting and blasting with an exceptional level of quality. Drink 2019-2023.  Tasted September 2018  beyerskloof  churchillcellars  @Beyerskloof_  @imbibersreport  @Beyerskloof  @imbibersreport

B. Vintners Pinotage Liberté 2017, WO Stellenbosch, South Africa (Agent, $41.99, WineAlign)

Two oceans facing granitic soils at 250m are the impetus to raise this Cape dialectical, Atlantic meets Indian pinotage. It’s also a whole bunch matter, something that in increasingly important in the varietal lexicon. The plantings are east-west in orientation to avoid overbearing sun exposure, which is really a thing in pinotage and often the culprit for its unwanted “thickening.” Baking spice is all over the notes and fruit purity is duly counted. A very characterful red, spicy, smoky and just plain pleasurable, if on the confident side of all things being equal. Nice work between cousins Gavin Bruwer and Bruwer Raats. Drink 2019-2024.  Tasted September 2018  raatsfamilywines  liffordgram  @RaatsWines  @LiffordON  Raats Family Wines  @liffordwineandspirits

Radford Dale Pinotage Frankenstein 2015, WO Stellenbosch, South Africa (AgentWineAlign)

It took a few decades for someone to give Shelleyan props to Dr. Abraham Penold of Stellenbosch University,1925 grafter of cinsault and pinot noir to create pinotage. It’s a literary sidestep of a stretch to compare the science to Mary Shelley’s creature created by mismatched donors, but more than that it’s a cheeky shout out for a varietal often mistaken for a monster. Winemaker Jacques de Klerk grabs fruit from the white marl at the foot of the Helderberg Mountain for a pinotage troika of intention, ability and expectation. Three properties born of terroir, house and winemaker. All are on the same page written by an unspoken agreement to not abuse or confuse this grape. Frankenstein is smoky, curative, red raspberry ripe, right proper and built to last. Drink 2019-2026.  Tasted September 2018  radford_dale  reveriechenin  noble_estates  @Radforddale  @deklerkjacques  @Noble_Estates  @RadfordDaleWine  @NobleEstates

Pinotage winemakers at L’Avenir

Kanonkop Pinotage 2015, WO Simonsberg-Stellenbosch, South Africa (Agent, $44.95, WineAlign)

Vines are between 30 and 60 years of age for this prototypical ode to how things were and going forward can almost certainly be in the world of pinotage. Wrinkled, gnarled, grizzled old veteran vines, the Gordie Howe of the genre, Mr. pinotage if you will. Trees of a vinous sort, able to shake of draughts and new wave mochafied drafts, with a hat trick of checks, balances and grit. These vines are the past but more importantly are the future, typified and exemplified in this kind of pinotage, a modern classic made from a place by a maker who knows what’s what. Smoky red fruit with this uncanny variegation of hue, cloudy transparency and complexity of character. Drink 2019-2025.  Tasted September 2018  kanonkopwineestate  noble_estates  @KanonkopEstate  @Noble_Estates  @Kanonkop  @NobleEstates

David And Nadia Pinotage 2017, WO Swartland, South Africa (Winery, WineAlign)

David and Nadia Sadie’s pinotage is quite possibly and purposefully the lightest there is, clocking in at an impossibly low 12 per cent. It is both the next and other tier for the varietal reconnaissance with vanguard clarity and an honesty to speak of wine made under serious drought conditions. Bright red fruit and that low alcohol make it at once crushable but then sneaky structured. A maturity of vine, maker and grape conspire for such a dichotomy of bemusement though to be fair you could blindly be convinced that you were tasting lithe and ethereal northern Rhône syrah. The mixed magical condition certainly makes you take a step back and a seat to think. It’s a good conundrum and an excellent way to be drinking pinotage. Drink 2019-2027.  Tasted September 2018  davidandnadia  @DavidandNadia  @DavidandNadia

Wildekrans Wine Estate

Wildekrans Wine Estate Pinotage 2017, WO Bot Rivier, South Africa (WineryWineAlign)

A cooler, herbal and uniquely floral pinotage from Braam Gerricke. Bush vines grow on a shady site of small acreage and at altitude for the valley. Pinotage of chalky liquidity from you which you feel the oak and a real sour-sorrel tang. Was in barrel for 15 months and it will need a year or two to fully integrate, than drink well for four or five more years after that. Terrific persistence and length.  Drink 2019-2023. Tasted September 2018  wildekrans  @WildekransWines  @Wildekrans

Graham Beck Winery, Robertson

Méthode Cap Classique

Plain and simple, Méthode Cap Classique (MCC) is a South African term indicating a sparkling wine made in the traditional method (the same way Champagne is made), by which a secondary fermentation takes place inside the bottle. That said, there is nothing simple about MCC and who would argue that as a category it produces some of the finest, most complex and diverse sparkling wines in the world. It’s also very much a wine about terroir. As it stands, MCC has to age on the lees for a minimum nine months to be labelled as such. “We’re making wines that develop too quickly,” insists Paul Gerber of Le Lude. Gerber believes the minimum should be raised to 15. “Sparkling wine is not a terroir wine? Please. This is completely untrue.” As for sugar dosage he’s like a cook in the kitchen. “Dosage is like seasoning. If you do it properly you don’t taste it.” It is Graham Beck’s Pieter Ferreira that has put in the time and the research over 20-plus years to really understand the category but more importantly the potential. “You are always looking to express terroir,” he says. “For Brut we have to extend (the less aging time) to 60 months. So there is no lipstick or eye shadow.”

Le Lude Vintage Cuvée Méthode Cap Classique 2012, WO Franschhoek, South Africa (Winery, WineAlign)

Le Lude’s winemaker Paul Gerber assembles two non-vintage Bruts, blended each vintage for a house style. The fruit is primarily Robertson with some addendum out of Franschhoek. The first vintage was indeed 2012 and this chardonnay (80 per cent) plus pinot noir comes sweet herbal straight out of the riddle with a sultry, piqued spiciness. Already showing a hint of secondary notation by way of a honeyed nougat melted into the soft and delicate mousse. Still plenty of intensity and drive with citrus in whole represent by lime, fresh and juicy. Less red fruit (much, much less) and more white flower with the idea of yellow and green fruit. Stylish, persevering and precise. At 2.6 g/L it’s perfectly albeit sparsely seasoned and mature with Champagne confidence. Drink 2019-2027.  Tasted September 2018  leludemcc  @LeLudeMCC  @LeLudeMCC

L’Avenir Brut Méthode Cap Classique 2017, WO Stellenbosch, South Africa (Winery, WineAlign)

L’Avenir Estate’s Méthode Cap Classique is mainly pinotage with some chardonnay and arrives in the glass as a light and nearly delicate bubble. It’s a succulent, sweet rusty, lively enzymatic sparkling wine with an opinion and a plan of action. Pleasurable to sip from a definite MCC teachable moment. Drink 2018-2020.  Tasted September 2018  lavenir_wine_estate  selectwinemoments  @LAvenirWines  @SelectWinesTO  @LAvenirEstate  @SelectWinesCanada 

Genevieve Brut Blanc De Blancs Méthode Cap Classique 2014, WO Bot Rivier, South Africa (WineryWineAlign)

Genevieve is Cap Classique made by Melissa Nelsen and was first made in 2008, released in 2010. Now with 2014 the lees aging time is 48 months with total output in the 12,00-13,000 bottle range, up from the 5,000 of that first vintage. The goal is 20,000 in the very near future. It’s essentially blanc de blancs, 100 per cent chardonnay as a wise, calm, mature and elegant traditional method sparkling. Just lovely. Drink 2018-2021.  Tasted September 2018  #melissagenevievenelsen  @Genevieve_mcc  

Graham Beck Brut Zero 2012, Méthode Cap Classique,Robertson, South Africa (435453, $23.95, WineAlign)

Slanghoek pinot noir (77 per cent) meets limestone-Robertson chardonnay for a driest of the dry sparkling wine that spent 60 months on the lees. Beck’s attack for the Brut Zero “is based on the philosophy of grower’s Champagne,” notes Pieter Ferreira and as such it surely ranks as one of the more mineral-toasty bubbles in the entire Cap Classique category. No sugar added during dosage allows the land to speak. There is a deeper intuition beyond flint-struck, something categorically chalky while delicate and flavour wise it’s simply limon-delicieux. The fineness is noted and the vintage too, from which the team saw enough to make use of the highest quality juice for a tête de cuvée wine. High ceiling for aging here. Drink 2018-2024.  Tasted September 2018

Wildehurst Méthode Cap Classique NV, WO Swartland, South Africa (Winery, WineAlign)

Sheree Nothangel’s sparkling Cap Classique is composed of chenin blanc and chardonnay (56/44), at 4 g/L dosage after 24 months on the lees. This is the third year of the program and the first stage speaks to a style that acts in delicasse incarnate. Just lovely and creamy in which lemon billows with elastic solids as curd and there is a real feel of fine lees. Though downy it too is lifted but not explosive by acidity. Drink 2018-2021.  Tasted September 2018  wildehurst  @WildehurstW  @wildehurst

Avondale Wines Armilla Blanc De Blanc 2011, Méthode Cap Classique, WO Paarl, South Africa (451930, $34.95, WineAlign)

The first vintage was 2003 for the Armilla blanc de blanc, now out of 2011 and having spent six years lees post whole bunch pressing. It’s a naturally fermented chardonnay of which two per cent saw some older barrel. After two years of coarse lees aging there began this formidable bringing of citrus and sharp apple bite. The following four on fine lees delivered the integration of acidity ahead of the gainful accumulation of toasted brioche. Richness at its best for this Méthode Cap Classique, of preserved lemon, fine aridity (under 5 g/L RS) and high acidulation (over 9 TA). Terrific MCC. Drink 2018-2024.  Tasted September 2018   avondalewinesa  @Avondalewine  @RareEarth_Wines  @AvondaleWines  Rare Earth Wines & Spirits

Godello with André “The Giant” Morgenthal, Old Vines Project and Scott Zebarth in Stellenbosch

Heritage vines

It may be argued that South Africa’s most important work is being done through the Old Vines Project. “Old vines make wines with a unique character. Wines that reflect the vastness of our South African landscape – our harsh climate, our old and sometimes fragile soils, and our complex culture. They reflect the decades of growing in one place, in the unyielding sun, the cold winter rain, the storms and winds, on a mountain, on a plain somewhere and then producing these delicate but powerful wines.

The Old Vine Project wants to preserve vines older than 35 years by creating an awareness of the heritage of old vines. Winemakers can certify their wines as ‘Old Vine’ and the public will knowingly buy wines that are made from the many ancient and sometimes forgotten patches of vineyards. Through membership the wine drinker will be able to follow the history of these wines and see where they come from – the exact slope or site, the winemaker, the soils and the stories of each.”

It begins with Rosa Kruger, viticulturalist and long time champion of the Cape’s oldest plantings. Using funding from businessman and winery proprietor Johann Rupert, Kruger founded the project in 2016, cementing formal something that had been in the works since 2002. In 2018, the OVP launched its plaques, held tastings and developed certification seals. Kruger has tirelessly promoted the qualities of the Cape’s 2618 hA of old vines. Today the larger than life André Morgenthal instructs, educates and directs on behalf of the Old Vines Project.

Chris Alheit makes an archetypal wine from the poster child vineyard for this intense old block by block pre-occupation, called La Colline in Franschhoek. So what do heritage vines mean to the makers of wines that carry this luggage? “For a clear South African identity you must use old vineyards to call it Cape heritage wine,” insists Alheit. He and more than 40 producers are making wines from a dozen regions housing further dozens of heritage blocks. These are the history and lifeline of South African varietals. It’s not just about keeping old things alive. The Western (and Northern) Cape is one of the few places in the world where old vines continue to produce extraordinary fruit to make beautiful wines. It’s not just about where you come from, it’s also about where you are going. These are just a few of these examples.

Alheit Vineyards Sémillon La Colline Vineyard 2017, Franschhoek, Western Cape, South Africa (WineryWineAlign)

“Qu’est-ce que c’est?” From a vineyard housing both light and dark-skinned sémillon and if there are others in this world I am not privy to the information. The resulting wine is 85-90 per cent blanc and 10-15 gris. La Colline was planted in 1936 on the southern slope of Dassenberg and is now farmed by grandson Anton Roux, a direct descendant of the Huguenot refugee Paul Roux who arrived in Franschhoek in 1688. The vines stretch up the hill from 310-350m and it is the fruit from the middle slope that is best to leave for picking long after the chenin blanc. This is the indispensable fruit used in Alheit’s Cartology. Thick skins elevate the natural talking tendencies, from a super healthy pH for drupe of apposite attack and confusing like great whites you would not or should not compare it to. Chris Alheit’s invades your head’s consciousness with this amazing depth for sémillon, with no definable context, pretence or precedent. The impossibility is totally unique in the world and yet utterly South African. It’s both tense and nervous but somehow I can still relax. Psycho Killer sémillon.  Drink 2020-2028. Tasted September 2018  chrisalheit  gsoleil123  @ChrisAlheit  @GroupeSoleilTO  Chris Alheit  Groupe Soleil Fine Wines

Chris and Suzaan Alheit

gentle humans, givers, terroiristes, magical wine purveyors ~ suzaan and @chrisalheit ~ thank you for the enlightenment ~ #capewine2018 #zoocrew

Alheit Vineyards Chenin Blanc Magnetic North 2017, WO Citrusdal Mountains, South Africa (WineryWineAlign)

Also from the Citrusdal Mountains SAVA, a.k.a the viticultural area also known as the Skurfberg, a 10 minute drive away at 550m, again red sand and clay. The vines are ungrafted chenin blanc on its own roots but the soil here is an even deeper red, more so than Huilkrans and so now that white hematic thing is happening. Like red blood cells carrying elements, nutrients, ferrous unction and a pulse of power as opposed to the calm in the white of Huilkrans. This is the tenor to the baritone, rich in its crazy depth of fruit and always seared, marked and injected with trace elements. Does it all on its own. There is no winemaking going on here, only a moving target, of intensity and mystery. The vineyard lies a few degrees off true north from the Alheit cellar, poetically licensed as their “Magnetic North.” Drink 2019-2028.  Tasted September 2018

 

Mullineux Old Vines White 2017, Unfiltered & Unfined, WO Swartland, South Africa (556597, $37.95, WineAlign)

Predominately chenin blanc with grenache blanc, sémillon gris, clairette and viognier, ushered by natural yeasts and encouraged through malolactic fermentation. The new age textured acidity is accessed without a stir and a highly textured affair it is. The composure rests in seamless mille-feuille layering while vested in slow-developed, all you could dream about in a cape effect white wine. Welcome to the cumulative in Andrea Mullineux’s Old Vines bottling. While Granite and Quartz make pinpointed investigations this is the one to educate us all on what Western Cape and more specifically Swartland chenin blanc blends are capable of discerning. The weight is powerful and weightless, the effort strong and effortless. Amazing really. Drink 2019-2025.  Tasted September 2018 and January 2019  mullineuxwines  nicholaspearcewines  @MullineuxWines  @Nicholaspearce_  @MullineuxWines  Andrea Mullineux  Chris Mullineux  Nicholas Pearce

Huis Van Chevallerie Filia Brut Nature Kap Klaissque NV, WO Swartland, South Africa (Winery, WineAlign)

Filia is the daughter of the Paardeberg, a self-described and cheeky Swartland Kap Klassique chenin blanc made by Christa Von La Chevallerie, dogter to Juergen and the Nuwedam Farm just off the R45 outside Malmesbury. Not just any sparkling wine mind you. Although the early stages of this old vines project from the (mainly) 2015 vintage only gives 18 months on the lees it also provides 1974 planted chenin blanc, for shits, giggles and shut the front door attitude. For Christa it’s a matter of “how far I can go with (the combination of) chenin and lees.” Clearly just the entry point here, with an announced mix of richness and tension, not yet knowing what can and will happen. The coast is clear, the chenin blanc is ready, willing, able and the winemaker will stop at nothing to make this bubble in her own image and way. Look out sparkling world. Drink 2018-2022. Tasted September 2018  christalachevallerie  @HuisChevallerie  @ChevallerieZA  Christa Von La Chevallerie

Natte Valleij Cinsault 2017, WO Darling, South Africa (Winery, WineAlign)

Malmesbury formation is the ground beneath the feet of these 1978ish planted bush vines. Milner calls them “the most isolated block in our collective…on a lonely hill surrounded by wheat fields and too many gates to remember.” The élevage is back into concrete egg here because the Darling fruit asks or even demands it. Alex is wanting the florality of violets to be celebrated and “put into a time capsule,” from one amazing environment to another. The egg is asked to capture that. It also brings texture and salve in the form of orange pastille, warmed and lingering. Of the four single investigative cinsault this is the most accomplished, with tannin and structure. Die koppie. Drink 2019-2022.  Tasted September 2018  nattevalleij  @nattevalleij  @nattevalleij

Savage Wines Red 2015, WO Western Cape, South Africa (Agent, $54.99, WineAlign)

The kitchen sink is nearly full with syrah, grenache, cinsault and touriga nacional in a back to the farthing future beginning that was the first and now reminds of the regional ideal. While all of Duncan Savage’s other wines will already have evolved, in ’17 this will become a 100 per cent varietal syrah, in the name of fine tuning and a furthering of regional identity. The Red is the most perfumed, also elegant and delicate with a sneaky beauty in its phantom power. Really clocks in and knocks you upside like powerful. Like modern nebbiolo though you’d never really know it unless you were unafraid to ask. Who are you? Drink 2019-2025.  Tasted September 2018  #savagewines    #savagewines

The Heldeberg from Stellenbosch

Post revolution Swartland

They are no longer the Swartland Revolution but now the Swartland Swingers, a free and easy collective of South African winemakers who have this winemaking thing figured out. There is a swagger about these women and men who make wine from dry-farmed bush vines set into some of this planet’s craziest antediluvian soils. Their wines collectively have a very purposed focus but what they have more than anything else is flow.

Badenhorst Secateurs Chenin Blanc 2018, WO Swartland, South Africa (Agent, $23.00, WineAlign)

While Adi Badenhorst also produces some über fascinating and ultra-expensive chenin blanc (Klip Klop, Golden Slopes and Piet Bok se) the Secateurs, also known as pruning shears or “snoeiskêr” is the glue and the rock in his entire portfolio. It’s one of the original upscale chenin blanc to crack the North American market and open the portal to the rest of South Africa’s bush vine world. Some great old vines help usher this into its echelon and while it strikes with leaner and more direct lines than (especially) the textured Golden Slopes, it still exhibits its own palate wealth. A little bit of this, a little bit of vat, skin-contact, stainless and concrete ushers along the variegation so that feeling balances the fresh spirit of this steen. Salty rock and sweet basil come through at the finish. Drink 2018-2022.  Tasted September 2018  aabadenhorst  hannekebotha  wynbefok  noble_estates  @AABadenhorst  @Noble_Estates  Adi Badenhorst  @aabadenhorst  @NobleEstates

David And Nadia Grenache 2017, WO Swartland, South Africa (Winery, WineAlign)

For grenache the focus David and Nadia exert is on the red-brown schistous soils of the Kasteelberg, masculine terroir if you like (or will) as a brother to the Paardeberg where they make chenin blanc the order. About half the ferment is whole bunch, plenty enough for grenache and also six amazing weeks on skins. I can only imagine what the room began to smell like with this triumvirate of soil, varietal and execution happening. No other grenache anywhere in the world shows this type of terroir purity, or at least with such unequivocal and parochial relevance. The raspberry notes are uncanny and the transparency of transference is both light and in total control. Who knew so much character and structure could be coaxed from something desperately delicate. It’s like a spider’s web with bonds unbroken, capable of snaring the physical and the emotional while always remaining inherently meta. Aragon nor Rhône this is not, ethereal it is. Drink 2018-2027.  Tasted September 2018  davidandnadia  @DavidandNadia  @DavidandNadia

Porseleinberg Syrah 2012, WO Swartland, South Africa (Winery, WineAlign)

If you would like to explore the pinnacle of richest restraint where South African syrah goes out to concrete then look to this off of Porcelain Mountain made by the phantom himself Callie Louw. A Riebeek Kasteel phenomenon was born out of a Boekenhoutskloof drive and it is the magical glycerin texture that behooves us to think, feel and linger with this top quality example. It’s also reticent, of great humility, needing no attention or introduction. It may be syrah of a certain aloof quality and yet the intensity unparalleled deserves all the accolades it may and will receive. Remembered, remarkable, stoic, unchanged and unchained. Drink 2019-2033.  Tasted September 2018  #porseleinberg #callielouw  #porseleinberg

Terracura Wines Red 2016, WO Swartland, South Africa (Winery, WineAlign)

Contributions are solicited, paid for and received from five different vineyards on three different terroirs in the Swartland; two on Riebeek schist, two on Paardeberg granite and one on Malmesbury ferrous clay. What does is all mean or add least add up to? It’s not Jamet dammit though it may be the most Cornas like because of the deep liqueur in this fruit. Also due in part to the Rhônish funk which gets into the mind of assessment in ahead of Western Cape terroir. It’s a combination of absolute perfection and downright absurdity. The olive brine and meaty cure are there, as is the tannin, like deep, dark sunken eyes. Ryan and Samantha don gothic costumes and zombie make-up, “with white lipstick and one thing on their minds.” Full moon syrah fever. Make a wine like this and you are no longer innocent winemakers. Nothing petty about that. Drink 2019-2023.  Tasted September 2018  terracura  ryanthewinegeek  vinevenom  @RyanTheWineGeek  @Sammelier  Samantha Suddons  Ryan Mostert  @terracurawines

Mullineux Syrah Granite 2016, WO Swartland, South Africa (Agent, $152.95, WineAlign)

Moving in a muy from the seven vineyard syrah and into a Swartland side site committed to granite this is one of three Mullineux syrah specificities, the other being Schist and Iron. Granite is drawn of a single parcel of 19 year-old dry land, bush vines grown in the decomposed granite of the Paardeberg. Andrea Mullineux makes use of a 100 per cent whole cluster ferment and moves into larger (500L) barrels, all aimed at freshness and aromatics. Granite provides a flavour profile that is juicier, fuller, spicier and more provocative than the others but oh to be smitten by tannins so exceptional. There is a taste of blackberry incarnate, a fluidity of seamless transitions and length for Paardeberg days. Brilliant vintage for one of South Africa’s most important red wines. Drink 2021-2033.  Tasted September 2018  mullineuxwines  nicholaspearcewines  wosa_ca  @MullineuxWines  @Nicholaspearce_  @MullineuxWines  @WOSACanada  Andrea Mullineux  Chris Mullineux  Nicholas Pearce  @WOSACA

Donovan Rall

Rall Wines AVA 2017, Swartland, South Africa (WineryWineAlign)

The red blend carrying his daughter’s name is Donovan Rall’s 2.5 hectares sourcing from the schistose section of 18 year-old planted vines. This is consistent with many of the vineyards he works with, from dry land conditions, cause he’s the Schist Man. It’s varietal syrah of 1000 bottles, a true cimmerian beast, from struggling vines, between 50-60 whole bunch (as opposed to 100 in the RED). Pure ferric initiative, real hematic following. The glycerin, candied flower and aged balsamico is almost IGT, of Cortona but really more so in a mind’s eye memory of Cornas. Freshness is preserved and structure is infinite. Great, great acidity. One of the Cape’s greatest achievements in syrah. Drink 2020-2032.  Tasted September 2018

Verticals

Anyone who chose not to attend Cape Wine’s eight wineries, four decades retrospective missed out on a tasting of a lifetime. Time was tight and so the ability to taste all eight and take proper notes in a walk-around format was challenging so here are five of the eight represented. Regrets to Vilafonté, Kanonkop and Warwick for the miss and here’s to hoping another opportunity will be afforded again someday.

How to have an epiphany. Taste 25-30 year-old #southafrican white wines. Case in point @kleinconstantia sauvignon blanc

Klein Constantia Blanc De Blanc 1987, Constantia, Western Cape, South Africa (Winery, WineAlign)

Poured by Managing Director Hans Astrom in Cape Town alongside 1994 and 2009. Planted in 1979, the inaugural vintage and the first South African sauvignon blanc was 1986. The 1987 was not labelled as sauvignon blanc but rather as B de B because of the botrytis-affected vintage. Honeyed but not in the way you might expect, not pushed by a petrol-fuelled sweetness but instead as the action of an old world inspired mash-up. Like Loire Jolivet Sancerre meeting Huet Demi-Sec chenin blanc head on. The collision explodes into a smoky smoulder with textural consequences. It’s a bees-waxy ethereal treading of chaotic spaces between worlds. The astral travel must have twisted through three decades of nether to arrive at this place, with the low pH vineyard soils to thank. And the magic, despite or perhaps in ode to the ’87 botrytis. In the end aridity wins and the wine drinks so proper, perfect and fine. Drink 2018-2020.  Tasted September 2018  kleinconstantia  halpernwine  wosa_za  @KleinConstantia  @HalpernWine  @hansverbier  @WOSA_ZA  @KleinConstantia  @halpernwine

Hamilton Russell Vineyard Pinot Noir 1986, WO Walker Bay, South Africa (999516, AgentWineAlign)

Anthony and Olive Hamilton Russell went above and beyond in their interpretation of what is means to pour at a varietal tasting by including not only this first HR vintage but also sharing one of only three remaining bottles left in this world. Were the 1997 and 2000 perhaps better structured wines? Likely and even probably yes, but there’s something magical about a first effort. The innocence, hopes and dreams are all in there, along with the honesty and the sincerity. Believe it or not the acidity is still in full flight even if the fruit has vacated the premises and turned to duff. If you’ve ever reached your hands into the Hermanus earth, inhaled in the sense of place and perhaps a lick of stone then you might imagine what this ’86 is like. A combination of plant oils, geosmin and petrichor preserved just long enough before it’s too late. Anthony and Olive timed the opening of the bottles produced to last just long enough. Drink 2018.  Tasted September 2018  olive_hamilton_russell  noble_estates  @OliveHR  @Noble_Estates  Olive Hamilton Russell  @NobleEstates

Paul Cluver Pinot Noir Seven Flags 2008, WO Elgin, South Africa (AgentWineAlign)

In a word meraviglioso, or as they say in Afrikaans, wonderlike. Paul Cluver’s 10 year-old Elgin whispering pinot noir is one to prove something very important. The get together of place, varietal and producer reaches a tri-point of agreement, all vintages being equal, at the 10 year mark. Here from this 2008 we intuit the apex, of tessellate beat and three points where two lines meet. We’ll allow for a give or take of one to two years, duly noted in this vertical that includes 2009, 2013 and 2015 but for 2008 the number 10 finds itself at a pinnacle of evolution. If you appreciate aged reds, developed pinot noir and wise South African wine than here you are. A glass of plum pudding elastic, textured and exemplary in entanglement; notable fruit, fine acidity and tannin of “streel.” An earthy intensity sprinkles over the finale. Drink 2018-2022. Tasted September 2018  paulcluver  paulcluverwines  @paulcluver  @paulcluverwines  Paul Cluver

Meerlust Rubicon 1991, WO Stellenbosch, South Africa (Agent, 64329, WineAlign)

Some vintage are surely more special than others and while Meerlust has blessed many of them with a speciality of Bordeaux inspired wine dissertation it is this 1991 that stands erect in a critical test of time. This was tasted during the second of two estate verticals afforded in one calendar year, the first having being drawn from 2010-2003, 1996 and 1984, with this second string consisting of 2015, 2009, 2001, 1991 and 1984. The fruit is both in original form and yet also dehydrated; rusty raspberry, bokser and orange peel. Still a tightness and a faint ramification of tannin but plenty of staying power. A top quality vintage no doubt. Drink 2018-2022.  Tasted September 2018  meerlustwine  liffordgram    @LiffordON  MEERLUST ESTATE  @liffordwineandspirits

Sadie Family Palladius 2011, WO Swartland, South Africa (SAQ 13098449, $88.00, WineAlign)

Though the upstart 2016 may well go on to become the best of the lot in a vertical that includes 2005, 2009 and 2014 there is no denying the way this 2011 draws you into its lair of fineness. “An incredible year,” says Eben Sadie and one during which the move was made to aging in foudres. Made for an instant alteration into the new texture and what Sadie notes as “starting to dial in.” This is by now one of the Western Cape’s most accomplished and paradigmatic appellative white blends and while certainly dogmatic it has earned the right to be so. A blend of 33 per cent chenin blanc, (16) roussanne, (11 each) grenache blanc and sémillon blanc plus sémillion gris and palomino, (6 each) viognier, clairette blanche and verdellho. What’s it all add up to? Layers and layers of stratified South African geology, history and potential. The ’05 and the ’09 show what was possible and this 2011 shows what is. Drink 2018-2027.  Tasted September 2018  sadiefamilywines  @SadieFamilyWine  The Sadie Family Wines

The 1980s called. They want their culture back.

Wot varietal?

“We’re no longer trying to make chenin taste like sauvignon blanc or chardonnay, or Huet for that matter,” noted Chris Mullineux. “The grape variety has been in the country for more the 350 years, since the 1650s and it can withstand warm and dry conditions and perform really well.” No discourse on new versus old in South Africa can be addressed without first looking at the modish dialectal of chenin blanc. The combination of bush and old vines, coupled with indigenous ferments and skin contact addresses has elevated the stalwart, signature grape to its current reality. That said the wines now being made in South Africa do not solely rely on the current chenin fashion and instead offers up a diverse lot of varietal, region and style.

Alheit Vineyards Cartology Bush Vines 2017, WO Western Cape, South Africa (Agent, $49.95, WineAlign)

Cartology exists in a vacuum without peers, in part because it charted and mapped a course ahead of the curve. The 2017 refuses to rest on laurels and pushes the destination even further away so that the journey still remains the thing. Chris and Suzaan Alheit employ 11 dryland bush (30-80) year-old parcels and the whole addition proposes an adage of place and not idea. This is Cartology, a snapshot of time and place. The smaller amount of eighty year-old sémillon is from La Colline in Franschhoek, while the 30+ year old chenin blanc is grown in Skurfberg, Perdeberg, Bottelary Hills and Kasteelberg. If Cartology was this rich before I cannot say and only Chris, Suzaan and the Cape can make this wine. Only them and in these places. Best to date. Drink 2019-2027.  Tasted September 2018  chrisalheit  gsoleil123  @ChrisAlheit  @GroupeSoleilTO  Chris Alheit  Groupe Soleil Fine Wines

Rall Wines Cinsault Blanc 2017, Wellington, Western Cape, South Africa (WineryWineAlign)

The fruit comes from a 32 year-old, tiny 0.2 hectares of certified vines and the only remaining vineyard planted to the varietal. Like red cinsault this thing drops acid as fast as anything else. What you will taste is only the grape, on the skins three days for phenolic pulling and then straight into the clay. Seven months only, not too far and so freshness is preserved. Not just spirit but mouthfeel with the lightest frame and 10.5 per cent alcohol, with nice dry tannins. It’s like a shout out louds very loud matter of “nothing is hard cause something always comes out.” Lemon like you’ve never experienced before, leaning lime, like clairette and grenache blanc, but then again no. It’s just this. Donovan Rall managed 1005 bottles. Drink 2018-2022.  Tasted September 2018  #Rallwines    @RallWines

Smiley Chenin Blanc NV, WO Swartland, South Africa (Winery, WineAlign)

Poured from magnum as one does with a non-vintage, Swartland chenin blanc inspired by the white Rioja of Tondonia and the idiosyncratic whites of the Jura. Although these originals are most obvious as Ryan Mostert’s first loves of oxidative sensitivity and specificity his Smiley stylistic has surely changed him so that the point in space is in constant flux. And so his is now the precedent because the revolutionary pioneering (along with several of his peers) has established South Africa, which includes Smiley at the forefront as the new reference point. We qualify this by saying that its own way Smiley is a fixed point that stays still and does not move. Drawing on four or five vintages the chenin blanc is blended on the flor, of skin-contact and it’s really all about layers of texture, not to mention “no holds barred.” It’s not nearly as far out there as you’d expect in fact it used to be and is now so much closer to centre. Some might argue against such a compromise but it’s not one at all. It’s made clean, with focus and determination to vinify something bloody great to drink. It’s a Champagne supernova cuvée. Drink 2018-2023.  Tasted September 2018  ryanthewinegeek  vinevenom  @Silwervis  @RyanTheWineGeek  @Sammelier  Samantha Suddons  Ryan Mostert

Blackwater Wines Palomino Pleasure Garden 2017, WO Swartland, South Africa (Winery, WineAlign)

Francois Haasbroek goes retro with his first try at varietal palomino, turning it out ambient and atmospheric, tasted here like listening to the Big Thing exactly thirty years on. The Duran Duran of chenin blanc for Swartland is also known as fransdruif or vaalblaar, meaning “White French.” Haasbroek sources his fruit by way of vines grown on shale with Table Mountain sandstone. Clocks in at a light radio’s just over 12 per cent alcohol and there was no fining. It’s a micro-terroir 0.85 hectare block and this 2016 as mentioned is the first kick at the can. Textured, natural, talc silky, with notes of orange zest, kelp, algae and sea spray. Gets creamy with lovely lemon preserve. Palomino is not chenin blanc but it can be coaxed into charm and “if there’s secrets, she has to be party, to every one of them.” We too are listening in. Drink 2018-2022.  Tasted September 2018  shot_of_time  @Blackwaterwine   @BlackwaterWine

Lowerland Colombard Vaalkameel 2017, WO Prieska Noord Kaap, South Africa (Winery, WineAlign)

Lowerland is the small northern exposure from Alette de Beer and Bertie Coetzee. Forget just about everything you think you know about wines from South Africa and settle in for something completely other. Drive 1000 kms north to a place 1000m above sea level, where the summers are hot and winters see temperatures of -10 celsius. Vaalkameel, the “pale camel” is not a reference to the wine’s hue but a note to mimic the local flora. Comes through in the most unique herbal way and so the thickets of horny bushes must have their garrigue say. Some natural grasses (no cover crops) line the rows of this arid and wild viticultural frontier where late summer rainfall and the Orange River supply all that is required. Lime citrus and moments of pith are coaxed into the cool, almost gelid but certainly textured fruit by whole bunch master winemaker Lukas van Loggerenberg. Only 1,000 bottles were made of this trés cool white. Drink 2018-2021.  Tasted September 2018  bioboertie  vanloggerenbergwines  alette.waterboer  lowerland_wines  @CoetzeeBertie  @AletteWaterboer  Bertie Coetzee  @LowerlandFarm  Alette De Beer

Avondale Wines Cyclus 2014, WO Paarl, South Africa (295220, $29.95, WineAlign)

The blend is one-third roussanne with smaller parts of chenin blanc, chardonnay, viognier and sémillon. Barrel fermented in bigger barrels plus 20 per cent in amphora with the whole bunch component. Toasty, first from the roussanne and then what the sémillon brings. Texture is quite silky and the acidity primps, prompts then lifts the richness of fruit. Such a smart mastering of the South African art of Cape assemblage. Drink 2019-2025.  Tasted September 2018  avondalewinesa  @Avondalewine  @RareEarth_Wines  @AvondaleWines  Rare Earth Wines & Spirits

De Wetshof Estate Pinot Noir Nature in Concert 2017, WO Robertson, South Africa (Winery, WineAlign)

For a chardonnay focused estate the question posed to Johannes de Wet is why pinot noir? “Because my father loves pinot,” is the straight answer. The brothers grow it on the rockiest soils up the slope seven kms from the winery above and beyond the limestone blocks where the whites thrive. It’s truly uncharted territory, away from the clay and into the hard Robertson granite. “Quite ideal for a variety that is so hard to get right,” muses de Wet. This is beautiful purity of fruit taken from vines that really only see the morning sun. A direct wind and afternoon shadows supply the acidity from what may be the coolest spot and also the steepest. “It’s one of the best/worst decisions we’ve ever made,” continues de Wet. “We don’t make any money but we love doing it.” Clean, linear, striking and in the end, just because. Drink 2018-2022.  Tasted September 2018  dewetshofwines  @DeWetshofWines  @dewetshofwines

Momento Wines Tinta Barocca 2017, WO Western Cape, South Africa (Winery, WineAlign)

In 2017 there are three equal sources for Momento’s tinto barocca; one-third each Swartland, Stellenbosch and Bot Rivier, all old, dry-farmed bush vineyards. The vintage saw 26 barrels made with 20 per cent whole bunch in the mix. “A tribute to old vines in South Africa explains Marelise Niemann.” Surely not the only one, but certainly the unique gatherer of the grape variety off of three distinct soils. Like making an estate Brunello or highest quality Bourgogne AOC, drawing from three apposite yet complimentary micro-terroirs to provide fruit, acidity and structure. The tannin accumulation submits to the possibilities of that structure and in turn, age ability. Brilliant. Drink 2020-2028.  Tasted September 2018  momento_wines  @momentowines  Marelise Niemann

Savage Wines Cinsault Follow The Line 2017, WO Western Cape, South Africa (Agent, $50.99, WineAlign)

Follow the Line investigates, celebrates and extrapolates the unbridled intensity of cinsualt defined, vital, incarnate. A small, seven points of Darling syrah is blended in for pure, spicy and red ropey fruit forward freedom. The full on fruit front is a pulsing current of currants and dried herbs but it’s also sneaky tannic. A creeping, seemingly idle ne’er-do-well this one but do not be fooled. Picked early and ready to explode. Wait for it, follow the line to the blood red shoes, “dancing with the lights on.” Wait for the fire like this cinsault of total excitement. Drink 2019-2026.  Tasted September 2018  #savagewines    #savagewines

Craven Wines Syrah The Faure Vineyard 2017, WO Stellenbosch, South Africa (Winery, WineAlign)

Like the sister Firs this Faure Vineyard site is also 21 years of age, east facing towards the Heldeberg, with rocks in the soils. The name is more than familiar to Jeanine Craven, who was a Faure before she merged with Mick. What really separates this place is the marine air, three kilometres from the sea, as far as the African Black Oystercatcher flies. Again the planning involves whole cluster pressing and on skins seven days, to make pure syrah. Separated by 15 kms the Faure is antithetical to the Firs, salted by the sea and of a furthered intensity in a different form. It’s near searing, linear, grippy and with acidity lifting everything. Really juicy, pushed by a wow factor, clean, no funk and so much spice. Drink 2019-2027.  Tasted September 2018   cravenwines  @cravenwines  Jeanine Craven  Mick Craven

Lismore Syrah Estate Reserve 2017, WO Greyton, South Africa (Winery, WineAlign)

Samatha O’Keefe’s excellent work with sauvignon blanc, chardonnay, viognier and pinot noir using Elgin, Walker Bay and 2003 planted estate fruit is one thing but this first go it alone syrah from the home vineyard takes a breath, blows a mind and melts a heart away. The Cape’s south coast at Greyton is the new frontier and as O’Keefe admits, “I drove down a dusty road and the rest is history.” While the ’16 syrah made use of half Elgin fruit it is this next wonder of cool-climate South Africa where you need to simply open your eyes and do the math. Steep slopes, prevalent shale and diurnal temperature fluctuations egress to varietal necessity and bring the proverbial Hermitage house down. A wine where together winemaker and taster share a moment of epiphany, for her one of many, for me my first. “All I did was learned to let the terroir speak for itself and to stop making South African shiraz.” Purity, transparency, honesty and paradigm shift all wrapped into one enigmatic yet emblematic syrah. Pay great attention to Greyton. This is South African syrah. Drink 2019-2029.  Tasted September 2018  lismorewine  greytontourism  @lismorewine  @LoveGreyton  @LismoreWine  Samantha O’Keefe  @GreytonTourism

Van Loggerenberg Wines Graft 2017, WO Stellenbosch, South Africa (Winery, WineAlign)

Lukas van Loggerenberg remembers his oupa with this tongue in cheek reference for a red blend of cinsault and syrah (55/45) sourced from granitic soils on in the Polkadraai Hills. Grafting, whether it be vines or winemakers is what keeps tradition, hard work ethic and biological diversity alive. Lukas is a larger than life pragmatist methinks and he’s all about putting things together, in place, with the best fit possible. Not so much a master of assemblage as much as one of oversized zen. The two varietal vineyards are 800m apart and separated by 200m of elevation. They are Lenny and George, two parcels joined at the whole bunch hip and for 11 months in French oak. They only add up to 660 bottles. The Mediterranean styling is evident, in black olive, garrigue (or fynbos), pepperoncino and cimmerian darkness. Richness is met by an earthbound ropiness though it’s ripeness is belied by pique, punch and peppery klip. A big and wow tannic finish, but it’s a sweet one. Drink 2019-2027. Tasted September 2018  vanloggerenbergwines  @LukasvLogg  Lukas van Loggerenberg  

Ken Forrester Grenache-Syrah 1999, WO Stellelenbosch, South Africa (Winery, WineAlign)

There ain’t a whole helluva lot of precedence from which to go on in deciding what’s going on here save for sitting next to Ken himself and taking in that devilish smile. What an honour to have him pour a spot of this 19 year-old tea into your glass. I suppose it could be considered the older sibling to the Gypsy and elder to Renegade but really it’s just a Rhône blend from another era and mother. Smoke, pepper, spice and mild meanderings remind us of innocent but also difficult times for making wine in the Western Cape. This just feels like sundown in Stellenbosch, of a demurred and soft glowing light, a breeze that picks up and falls away, a stillness in the air. No man made light, at night very bright. A good feeling this wine doth give. Drink 2018-2019.  Tasted September 2018  kenforrestervineyards  fmcwine noble_estates  @KFwines  @Noble_Estates  @KFwines  @NobleEstates

Kuier

Good to go!

godello

A view of the Simosnberg from Amazink in

Twitter: @mgodello

Instagram: mgodello

WineAlign

High altitude heliophiles in Argentina

Bodega DiamAndes, Uco Valley, Mendoza, Argentina

As seen on WineAlign – A masterclass across Argentina

For the malbec, cabernet sauvignon, syrah, cabernet franc, criolla, torrontés and chardonnay of Argentina the present day vernacular promoted by the party line tells us “altitude defines a singular type of wine.” Most of the country’s wine lands are located on soils perched at impressive heights, at least with respect to sea level. To the naked eye the vineyards of Mendoza are of a perfect design to act as a collective poster child for a flat earth society manifesto, but looks are deceiving. The gentle climb from that province’s eponymous city centre at 750 meters above sea level to the rain shadow wall of the Andes Mountains is a subtle gradation that transfers vineyard elevations up to and exceeding well over 1,000 further metres. Say what you will about Mendoza’s absence of switchback ridges tracking rolling or angled foothills. Solar radiation is very real here and the effect of elevation on grape growing is a highly critical component of viticultural matters.

Joaquin Superman @hidalgojoaquin offers #CndsInArg a dissertation on high altitude terroir @winesofarg ~ @aldosvinoteca

It was only weeks ago that I had the favourable and fortuitous opportunity to travel around with the team at Wines of Argentina. Ontario’s WOFA representative Liz Luzza introduced me to her Quebec counterpart Marilyne Demandre. Together we were joined by Mark Bradbury, Bar Manager at The Bicycle Thief, Halifax, Nova Scotia, Yann Janvier, Le Sommelier Moderne in Montreal, Michael Mizzi, Co-Owner and Alexander Raphael, Bar Manager AMA Always, Toronto and Paul Madden, Director of Purchasing, Crowfoot Wines & Spirits, Calgary, Alberta for a group traverse across the South American country. We were led with the guidance of WOFA’s exceptional on the ground team; Soledad Juncosa, Sofia Brazzolotto, Paula Valle, Analia Lucero and Romina Ruiz. We did not make Lionel Messi’s acquaintance but we did experience first hand in Caminito and at the Buenos Aires Aeroparque Jorge Newbery the first leg of the Copa Libertadores final. I can only begin to explain the cacophony of roars when goals were scored during the intense rivalry between Boca Juniors and River Plate. The November trip took in Buenos Aires (including Recoleta Cemetery), Mendoza City, Luján de Cuyo (Agrelo), the Uco Valley (Gualtallary and Tupungato) and Salta Province (Cafayate and Calchaqui Valley). The journey will always be considered as a masterclass across Argentina because that is precisely what it was.

Recoleta Cemetery, Buenos Aires

It began at a Buenos Aires institution, Aldos Restorán & Vinoteca for a dissertation on high altitude terroir through the savant Argentine eyes of Joaquin “Superman” Hidalgo. Joaquin did more than merely explain the effect of altitude and solar radiation, he also poured an extraordinary cross-section of the country’s malbec from Jujuy to Patagonia, Tucuman-Catamarca to Gualtallary-Tupungato, Uco Valley.  In the Palermo neighbourhood of Buenos Aires we convened at that city’s most coveted mecca for beef consumption, the exulted Don Julio Parilla, where we were schooled on the wines of Familia Schroeder and Patagonia. Later that night it was a wholly unexpected, antithetical and epiphanic tasting of white, pink and orange in Mendoza at Azafrán Resto with principals from Chakana Wines, Alpamanta and Ernesto Catena’s Domaine Alma Negra.

#tastingroom writing #tastingnotes @bodegadiamandes ~ #valledeuco #cdnsinarg @winesofarg

A visit to Finca Decero opened the window to the Agrelo advantage along with the wines tasted belonging to Alta Vista, Altos Los HormigasArgento, Susana Balbo and Trapiche. This was followed by a stop at Vicentin/Sottano. At Bodega Luigi Bosca it was head winemaker Pablo Cúneo who unlocked some secrets hidden inside the soils of Luján de Cuyo, with help from pours by Bodega CasarenaBodegas Navarro CorreasFinca Las MorasMascota Vineyards, Pascual Toso and Vina Cobos. Then we entered the Tupungato, Uco Valley portal at Domaine Bousquet along with the wines of Bodega Andeluna, Bodega Atamisque, Bodegas Bianchi, Familia Zuccardi and Finca Sophenia. The incomprehensible wall of beauty provided by the snow-covered Andes acted as the backdrop to the al fresco tasting room at Bodega Diam Andes. It was here that we gained a deeper understanding of the mountain connection to Clos de los Siete and Vista Flores-Valle de Uco wines. The wines of Bodega Piedra NegraCasa de Uco, Masi Tupungato and Bodega Salentein helped usher these sub-appellative Mendoza wines into the light.

Salads in Argentina are exceptional

Before heading north we were met at our Mendoza hotel by Viña Cobos winemkaer Andres Vignoni for a seminar and tasting of cabernet franc and cabernet sauvignon. As a general rule cabernet franc is planted in dry Argentine climates, in Winkler Zones 11 and 111. It has nicely adapted to high altitudes (900m+) and its prominence began spreading after 1990, especially in Luján de Cuyo where 34 per cent of the country’s vines are grown. The varietal boom has really swelled in the last 18 years. Studies show that its best maturity is at 1000-1200m, with hot spots being at Los Arboles, San Pablo, Gualtallary, Agrelo, La Consulta and Paraje Altamira. The country’s third most planted red grape variety is cabernet sauvignon, historically raised in a “Bordeaux meets Rioja school,” with long barrel aging and traditionally grown in Maipu and Luján de Cuyo. The varietal has migrated to cooler spots, where greater freshness is being chosen ahead of over maturation, not to mention less/smaller use of new barrels. Sub-zone favourites are Las Compuertas, Perdriel, Agrelo, Cruz de Piedra, Gualtallary, La Consulta, Paraje Altamira, Cafayate and Santa Maria.

Godello post masterclass on cabernet sauvignon and franc with Viña Cobos winemkaer Andres Vignoni

From Ciudad de Mendoza Airpark we shuffled off to Salta, destination Cafayate. The drive took us though the desert monuments of Quebrada de las Conchas. The next day there was a fast, furious and fascinating look at Cafayate and Valle Calchaqui high altitude terroirs through the Donald Hess Bodega Colome and Bodega Amalaya lens. At Bodega El Esteco was walked beneath the 70 year-old criolla and torrontés vines. In the afternoon heat of Cafayate’s 30-plus degree early Spring sun we walked the limestone rocky desert moonscape of Piattelli Vineyards with proprietor John Malinski. A visit to Cafayate and the Valles Calchaquies would have been incomplete without a Bad Brothers Wine Experience. My understanding of Argentina’s fringe, edgy and extreme high altitude wines was confused until I met Agustín Linús and his Sunal malbec. Terruños de extrema indeed.

Snowy Andes backdrop makes Godello happy ~ snap (c) @marylinedemandre

One of the highest vineyards in Argentina is in Salta Province, 1,200 kms north of Mendoza. It is called Altura Máxima and it sits perched at 3,100 meters above sea level. Whaaat? It is one of the most extreme vineyards in the country, but not the only one. There are 20 or more, carved out of desert sand and rock where terroir is made up of climate, soil and in these extreme locations, the machinations of man. Climate is highly variable so rainfall and heliophany (the energy of the sun reaching the soil) and temperature are the most important factors. So when we speak of climate in Argentina we have to attach the altitude to the problem. The equation is always modified by the effects of altitude. Not to mention atmospheric pressure. Altitude in relation to temperature. For every 155m of linear rise, in temperate zones the average temperature of a point on the map drops by one degree. This effect is called vertical thermal gradient and the cause is due to atmospheric pressure. And then, with every 1,000m of linear rise, solar radiation increases by 15 per cent. In order to be more resistant to light, the plants produce more polyphenols. There is a proven relationship between UVB and a higher concentration of polyphenols and abdisic acid. In the end it’s a matter of cool climates with a great intensity of sun. Stress conditions at 1,500m or higher results in lower yields, high polyphenols, higher acidity and ultimately a marked variance of character. Explains Joaquin Hidalgo, “mastering the terroir is a challenge that involves another way of managing the vineyard.”

New Piattelli Vineyards planting in the high altitude desert of the Calchaqui Valley

The production and consumption of wine in Argentina dates back to over four hundred years ago when the first specimens of Vitis Vinifera were brought to the Americas by the Spanish colonizers in the early 16th century. Early in the 1900’s, the vineyard area had reached 519,800 acres but between 1982 and 1992 extensive uprooting of vineyards was undertaken and 36 per cent of the existing vineyards were removed. In the early 1990s a new era began for the Argentine wine industry. The arrival of Neoliberalism in the national economy led to the implementation of a model of adjustment and the incorporation of Argentina into the global market. With a population of 42 million inhabitants and a territory that is four times larger than France, Argentina is one of the world’s nature reserves. Privileged with outstanding natural richness and extraordinarily diverse landscapes, Argentina boasts high mountains and plains, lush vegetation and extreme deserts, forests and steppes, glaciers and waterfalls.

Stunning #cafayate morning in the 60-70 year-old #criolla and #torrontes vines @bodegaelesteco in Salta

This wealth of natural ecosystems includes vast, highly productive grape growing regions stretching at the foot of the Andean strip, to the West of the country, from latitude 22° south to latitude 42° south. The cultivated area covers more than 538,071 acres. The vineyard area of Argentina covers 545.737,99 acres (2017). From the total area just 502.895,78 acres are able to vinify. The breakdown is 56 per cent red, 19 white and 25 Rosé. The leading red varieties are malbec (36), bonarda (16), cabernet sauvignon (13) and syrah (10). For whites it is torrontés (25), chardonnay (16), sauvignon blanc and chenin blanc each (5).

Canadians in Argentina at the Devil’s Throat in Salta Province ~ #quebradadelasconchas

Today, despite a skyrocketing national inflation rate, the wine industry continues to thrive. While certainly not immune to the economic crisis, exports are growing and the wines from Argentina are evolving to meet global demands. I tasted upwards of 150 wines in my week spent in Argentina. This report covers 37 wines from 37 producers. These are 37 that struck me as being exceptional, ahead of the curve or simply the perfect sort of examples to speak about climate, soil and of course, altitude.

Mendoza shuffle with some fine examples and cross section of terroirs to represent #winesofargentina ~

Malbec

Bodega Amanecer Andino Malbec Reserva Quebrada De Humahuaca 2017, Tumbaya, Jujuy, Argentina (Winery, WineAlign)

From a new location for growing grapes, at 2,200 metres of altitude, very close to Bolivia. Even if malbec is not necessarily the most interesting varietal to grow at this altitude, it is the most elastic variety and will always work. The pH (3.77), the acidity (6.6 g/L) and the alcohol are all set to high but it does not come across like any other malbec any of us have ever tasted. Full bodied and very fresh, really salty, a malbec so affected by altitude. So bloody interesting. Drink 2018-2022. Tasted November 2018  amanecer.andino  @BodegaAmanecer 

Agustín Lanús Wines Malbec Sunal Ilógico 2017, Tucuman Catamarca, Calchaqui Valley, Salta, Argentina (Winery, WineAlign)

The wine is drawn from vineyards in Pucará Salta, Lucaratao Salta, Amaicha del Valle Tucumán and Hualfin Catamarca. Real body and richness, savour and verdancy. The touch is delicately salty, with medium acidity and a constrained power. Really fine balance. The length is forever, a fact proven by an opened bottle showing exemplary freshness a full eight days later. Everything in Argentina might claim to be drawn away from high altitude but this from Agustín Lanús at 2,800m plus is the real deal. Drink 2018-2022.  Tasted twice, November and December 2018  agustinlanuswines  @agustin_lanus  Agustín Lanús  

Tinto Negro Vineyard 1955 Malbec 2013, La Consulta, San Carlos, Uco Valley, Mendoza, Argentina (Agent, B.C. $81.99, WineAlign)

The most important factor in Altamira is not the altitude but the soil. It’s at 1000m but from the cooler, southern part of the Uco Valley. Very high pH (3.8) and well-managing acidity. This wine has it all; great fruit, savour, sweet viscosity, freshness, acidity and structure. Not to mention fine tannins and polyphenolic textural beauty. A high altitude and a place that keeps its cold air. Forget about how much oak and what the alcohol may be. The clay and the cool factor keep it all real. Drink 2019-2025.  Tasted November 2018  bodegatintonegro  thewinesyndicate    @winesyndicate  @thewinesyndicate

Catena Zapata Malbec Adrianna Vineyard River Stones 2015, Gualtallary, Tupungato, Uco Valley, Mendoza, Argentina (132340, $95.59, WineAlign)

In a line up that includes malbec from all walks of Mendoza life as well as some extreme altitude northern examples this is the first wine with a somewhat reductive quality, locked in freshness and very high acidity. It’s a wine of exceptional qualities. There is a highly intellectual and sensory balance executed through perfectly ripe fruit, that fine acidity and even more fineness in tannins. A beautifully linear wine that can come full circle if need be. This is a malbec that creates moisture in your mouth, never drying or taking anything away. A wine that is changing the way we are dealing with the idea of different terroirs in Argentina. Drink 2020-2027.  Tasted November 2018  catenawines  lauracatenamd  noble_estates  @CatenaMalbec  @LauraCatena  @Noble_Estates  @bodegacatenazapata  @NobleEstates

Luigi Bosca Terroir Los Miradores Malbec 2016, Uco Valley, Mendoza, Argentina (132340, $32.95, WineAlign)

From 70 year-old vines in Valle de Uco with lowest of low yields so that one vine does not even function to produce a whole bottle. From the same genetic cutting materials, massal selection of the DOC malbec, but with obvious concentration and specificity. So much more floral, of a baking spice and a fruit intensity that truly is the bomb. An implosive wine with modesty, purity and a 40 per cent oak housing. Big and balanced with great structure and tannins that invoke seven senses. Put some aside and we’ll have some further discussions in 10 years. Drink 2021-2029.  Tasted November 2018  bodegaluigibosca  fwmcan  @LuigiBoscaBodeg  @FWMCan  @BodegaLuigiBosca  @FWMCan

Domaine Bousquet Malbec 2018, Tupungato Valley, Mendoza, Argentina (160952, $13.95, WineAlign)

Draws fruit from Paraje Altamira and Gualtallary, no oak, simply in stainless. Fresh and equally savoury, relative concentration and simple in effusive red fruit. Really negligible tannins and a sweet as opposed to astringent finish. Perhaps the best vintage ever for this entry-level malbec. Drink 2018-2020.  Tasted November 2018   domainebousquet  @domaineBousquet  @DomaineBousquetUSA

Trapiche Malbec Terroir Series Finca Orellana de Escobar Single Vineyard 2012, La Consulta, San Carlos, Mendoza, Argentina (178145, $39.95, WineAlign)

One of several malbecs in the Trapiche portfolio here the collaboration with the grower is exulted in this the 10th years of the Terroir Series. Every year the best three combinations of fruit and grower are chosen to represent the range. Sixty-one year old vineyards deliver minty herbal savour and a chalky liquidity in surround of spicy cherry fruit. Plummy too with ferric purity and big, big structure. Drink 2019-2025.  Tasted November 2018  trapichearg  trapichewines  philippedandurandwines  @TrapicheWines  @Dandurandwines   @TrapicheArgentinaInt  @VinsPhilippeDandurand

Rocio Campoy Morist with Alta Vista’s Alazarine

Alta Vista Malbec Single Vineyard Alizarine 2013, La Compuertas, Luján de Cuyo, Mendoza, Argentina (Winery, WineAlign)

Of three Alta Vista single-vineyard wines this is 100 per cent malbec and one of the richest, deeply textured and chocolate driven examples. From a warm vintage it’s not quite mature, even drying a bit though the fruit seems to just get more dense, intense and leathery. Justified elevation extrapolation makes for a classic malbec with some idiosyncratic Compuertas moments. Smooth, fully rendered and giving everything at this very stage. Drink 2018-2021.  Tasted November 2018  bodegaaltavista  hhdwines  @bodegaaltavista  @HHDImports_Wine  @BodegaAltaVista  @HHDImportsInc

Argento Malbec Single Vineyard 2016, Paraje Altamira, Mendoza, Argentina (Agent, $24.00, WineAlign)

Argento terroir exploration is from Finca Las Cerezas, “the cherries” and lo and behold, it’s really that fruit incarnate. A reductive malbec to be sure and so very fresh, from a soil rich in limestone which tells us something about the speciality of this nook in Paraje Altamira. The red fruit receives a lightning strike from the cool stone touch and there is a salty vein that lifts the cherry up and into a whole other realm. Really quite beautiful this charming little number. Drink 2019-2025.  Tasted November 2018  bodegaargento  profilewinegroup  @BodegaArgento  @ProfileWineGrp  @bodegaargento  @ProfileWineGroup

Altos Las Hormigas Malbec Terroir 2016, Uco Valley, Mendoza, Argentina (366005, $22.95, WineAlign)

Three quarters of the terroir malbec is aged in concrete with the fourth in 3000L French foudres. The total aging time is 24 months, the last six of which were in bottle before release. Here is the smooth malbec with balancing and defining sour acids on edge and uplifting. The fruit is nicely integrated into this structure with a fine set of tannins to grant some pretty good potential. Wait a year and let the magic happen. Drink 2019-2023.  Tasted November 2018  altoslashormigas  @ALHmalbec  @ALTOSLASHORMIGASWINERY

Casa De Uco Malbec Vineyard Selection 2015, Los Chacayes, Tunuyán, Uco Valley, Mendoza, Argentina (WineryWineAlign)

Considered their top expression from calcareous rocky soils this is the third incarnation of a malbec with some differences, turns and twists. Winemaking choices of 20-30 per cent whole bunch and partial carbonic macerations are extended to most of the chosen lots. You can feel the firm grip of the layered tannins on fresh, reductive and candy shell fruit. Concrete initiates the balance, there is no new oak to distract and enough acidity to keep it vibrant. There is a combination of energy and finesse on this malbec standing up to be noticed and counted. It’s both solid and expressive, real, emotive and truly curious. Drink 2018-2020.  Tasted November 2018  casadeuco  @CasadeUco  @CasadeUco

Extreme altitude malbec of Bodega Colomé

Bodega Colomé Malbec Lote Especial Colomé 2016, Calchaquí Valley, Salta, Argentina (Agent, $29.95, WineAlign)

Takes what is established by brother La Brava (and then El Arenal) and amplifies ideal. Now up to an altitude of 2,300m the dichotomous relationship between thermal amplitude and diurnal variegation is magnified, which can only mean more hyperbole. More concentration of fruit in equal extraction but with the extra 600 meters of altitude the tones are higher, the fruit more variegated and with a dried component out of the idea of some desiccation at harvest. It also seems saltier and the structure different, tighter and strung like a racket with ready to fray tension. One of the wildest malbec rides on the planet. Drink 2020-2028.  Tasted November 2018  bodegacolome  liffordgram  @BodegaColome  @LiffordON  @bodegacolome  @liffordwineandspirits

A flock of producers gather to educate on the multiplicity of munificent Mendoza ~

Syrah and Red Blends

Bodega Finca las Moras Gran Syrah 2015, San Juan, Argentina (Winery, WineAlign)

From the three main valleys of San Juan; Tulum, Zonda and Pedernal at altitudes of 650, 800 and 1300 meters above sea level. Ripeness from the lower valleys meets peppery spice and herbology of the highest, with freshness lying somewhere in between. The effects of diurnal temperature swings and thermal radiation pile one on top of another for a highly variegated yet mostly seamless syrah. The queen mother of San Juan syrahs with plenty of swagger. It shouts floral rose then switches into bohemian rhapsodies of musky, ferrous and hematic waves. Really meaty and intense with major chord, mood and tempo swings. “Is this the real life? Is this just fantasy?” Drink 2019-2022.  Tasted November 2018  fincalasmoras  @FincaLasMoras  @fincalasmoraswineryCA

Finca Decero The Owl & The Dust Devil Remolinos Vineyard 2015, Agrelo, Luján De Cuyo, Mendoza, Argentina (Agent, $36.95, WineAlign)

The multi-level, purposed and floral flight of fancy red blend. A mix of real facts and a story; near equal parts malbec and cabernet sauvignon, with petit verdot and tannat. Must contain at least 30 per cent of the last two outlier varietals and in the end this completes the estate style, of big, smooth, polished reds that are completed through micro-vinifications of many single-vineyard blocks. More tannin and grip here. Drink 2019-2023.  Tasted November 2018

DiamAndes Gran Reserve Malbec/Cabernet Sauvignon 2013, Uco Valley, Mendoza, Argentina (295063, $32.95, WineAlign)

The signature red of the estate this is three quarters malbec to one quarter cabernet sauvignon set for 18 months in 100 per cent French oak, 50 per cent new. To say this is lush and ambitious would be an understatement but there is no questioning the quality of the agriculture, the fruit and the use of deep pockets technology. There is also humility within this classic modernism though not yet a true indication of soul. The fineness and the precision are so apparent which leads to believe that the human element noted will mean the epiphanies are coming soon. So much potential to become one of Argentina’s great red blends. Drink 2019-2022.  Tasted November 2018  bodegadiamandes  maitredechai_ca    @maitredechai  @diamandes  Francis Dubé  

Salentein Numina Spirit Vineyard Gran Corte 2015, Uco Valley, Mendoza, Argentina (543405, $35.00, WineAlign)

The goal for Salentein’s Gran Corte “is to produce a wine with the grapes from the first vineyards planted in 1996” and so only these find there way into the Numina line. The blend in 2015 is malbec (68 per cent), cabernet sauvignon (12), cabernet franc (8), merlot (7) and petit verdot (5). It’s a true Bordelais five varietal ideal albeit with malbec at the fore. It see 16 months in total though 10 are go it alone and then six all housed all together. This quintuples down on the rich liqueur, all in spice and hyperbole of violet florals. Though currently liquid chalky and slightly gritty you can imagine the integration especially because the oak use is not new. A really nice wine on the road to becoming something fine. Drink 2019-2024.  Tasted November 2018  salenteinbodega  azureau  @BodegaSalentein  @azureau  @BodegasSalentein  @BodegasSalentein

Bodega Atamisque Assemblage 2015, Tupungato, Uco Valley, Mendoza, Argentina (483032, $45.95, WineAlign)

The blend of malbec, cabernet sauvignon, merlot and petit verdot is fruit drawn from sites between 1,100 ands 1,300m and sees 14 months in 100 per cent new French oak. This being a wine made by forcing square pegs into one round hole in what amounts to an all for nothing, all in one treatment. It’s really something to note that despite all this the fact remains that red fruit abounds, fresh and pure with an accent of spice but no real overdo of make-up. There is elongated grace and generosity, like a Rhône blend with charming warmth and a fine smoulder. Drink 2019-2025.  Tasted November 2018  bodegaatamisque  #MCOwines    Bodega Atamisque

Masi Tupungato Corbec 2015, Uco Valley, Mendoza, Argentina (AgentWineAlign)

A blend of 70 per cent corvina with malbec treated to upwards of 25 per cent appassimento for 20 days. Spends 18 months in French oak. All about the baking spices, the unbounded limits of glycerin texture and specifically cinnamon all over the back pages. So rich and a ringer like no other for the Veneto motherland. Drink 2019-2024.  Tasted November 2018  masitupungato  masicanada  @MrAmaroneMasi  @MasiWineExperience  

Clos De Los Siete 2015, Uco Valley, Mendoza, Argentina (622571, $23.95, WineAlign)

This was tasted side by side by each with the 2013 and the 2006 so quite fortuitous in terms of relativity and imagination. The blend in ’15 is high in malbec predominance (68 per cent), with merlot, cabernet sauvignon, syrah and petit verdot. Four wineries made contributions to this vintage (of a possible seven) and as per the dictum it’s a blend of blends created by Michel Rolland. It’s Rolland’s inceptive imagination that brought this special project into the Uco Valley landscape and though the assemblage can be up to seven-fold the possibility to age for a value-priced wine is quite impressive. This ’15 is richly endowed and structured, chalky and just plain excellent. Drink 2019-2024. Tasted November 2018  closdelossiete  philippedandurandwines  @closdelossiete  @Dandurandwines   @closdelossiete  @VinsPhilippeDandurand

Tasting through the Uco Valley

Cabernet Franc

Zuccardi Cabernet Franc Polígonos 2017, San Pablo, Uco Valley, Mendoza, Argentina (Agent, $29.95, WineAlign)

The Polígonos exploration is a many vineyard sided affair and the altitude is significant at 1,300m from San Pablo in Valle de Uco, Mendoza. A relatively early pick preserves nigh high acidity and the alcohol is beautifully restrained. Just a hint of dusty, pyrazine edgy fruitiness drives the machine and keeps this pulsing with terrific energy. Both food amenability and aging potential here are excellent. If it’s verdant that’s a compliment to local character. Drink 2019-2024.  Tasted November 2018  zuccardivalledeuco  szuccardi  dionysuswines  @ZuccardiWines  @FamiliaZuccardi  @SebaZuccardi  @ZuccardiValleDeUco  @DionysusWinesTO

Trivento Cabernet Franc Golden Reserve Black Edition 2017, Altamira, Uco Valley, Mendoza, Argentina (AgentWineAlign)

Made by winemaker Germán Di Césare there is a respect for land (alluvial, sand and some lime) but also for varietal. It’s well-endowed, juicy, plummy and full flavoured though it’s oaky tendencies are quietly respectful as well. The tone of the wine hums and resonates with ambience in complete control. It’s really quite fine and just about to enter its perfectly integrated, resolved and balanced window. High acidity example and wouldn’t hurt to settle for just a few more months. Drink 2019-2022.  Tasted November 2018  triventoarg  triventoarg  #escaladewines  @Trivento   @TriventoArg  @TriventoCanada

Bodega Andeluna Cabernet Franc Pasionado 2015, Gualtallary, Tupungato, Uco Valley, Mendoza, Argentina (Agent, $54.99, WineAlign)

Classic Uco terroir at high altitude (1,300m) that mixes alluvial soils with sand, limestone and here loam make for a pretty subtle rendition in terms of cabernet franc. That’s especially true when you consider the small vessels used (225L barrels) and much of it new. You feel the wood in vanilla and berry coulis, a bit of spice and liquified graphite. Quite a molten flow this cabernet franc and with demanding quality in its tannins. Drink 2018-2021.  Tasted November 2018  bodegaandeluna  stemwinegroup  @BodegaAndeluna  @StemWineGroup  @BodegaAndeluna  @stemwine

Zuccardi, Andeluna, Sophenia and Bianchi

Cabernet Sauvignon

Familia Schroeder Cabernet Sauvignon Saurus 2017, Patagonia, Argentina (Agent, $21.95, WineAlign)

Schroeder is a Paul Hobbs Patagonia outpost and across the board they are truly smooth, cool and polished wines. Tasted after the pinot noir and malbec we see by now the consistency of style and with great evidence. Big time ripe and dark varietal fruit, salumi accents, all in, no holds barred and a cool factor with texture times purity. It finds its way through the ooze to act linear and come out quite elegant. In the end it warms and brings much comfort, finishing with a rendering and lingering spice. Drink 2019-2023.  Tasted November 2018  schroederwines  @SchroederWines  @stemaren  @BodegaFamiliaSchroeder 

Tasting at Sottano

Sottano Reserva De Familia Cabernet Sauvignon 2016, Mendoza, Argentina (324707, $24.95, WineAlign)

Sottano’s cabernet sauvignon exhibits less of an oak influence or exaggeration, especially not a hinderance or a matter of make up. Smells like cabernet sauvignon with loads of ribena and black currant on top of each other and then the oak really takes over. Half of the grapes are estate and the other half Altamira in Uco Valley. Not so much a terroir investigation as it is a thing of Mendozan assemblage. It’s far from elegant but it is creamy smooth and velvety, if not the best wine thus far in the portfolio. Drink 2019-2024.  Tasted November 2018  bodegasottano  @bodegasottano  @bodega.sottano

Susana Balbo Cabernet Sauvignon Signature 2016, Uco Valley, Mendoza, Argentina (260919, $19.95, WineAlign)

From a wet year but locales with good exposure and drainage fared quite well. Regardless here is a rich, grippy and powerful cabernet sauvignon (with five per cent franc), of high natural acidity and cumulative depth. The parcels are Uco Valley and Los Arboles just below Gaultallary. Chocolate is cut by a rocky streak from fruit grown over a dry river bed with stones, quite the opposite from Agrelo. It’s a veritable expression of a unique set of alluvial and stony soils. Excellent work to bring out a sense of place. Drink 2019-2022.  Tasted November 2018  susanabalbowines  profilewinegroup  @sbalbowines  @ProfileWineGrp  @SusanaBalboWines  Susana Balbo  @ProfileWineGroup

Sophenia Cabernet Sauvignon Synthesis 2014, Gualtallary, Tupungato, Uco Valley, Mendoza, Argentina (AgentWineAlign)

A wine made by Julia Hulupczok and Matiás Michelini. From a wild vineyard upwards of 1,300m where ripening is a challenge and tannins can be formidable. There’s a greenness to be sure and yet also a subtle grace about it. A different structure, impossibly dichotic and surely one you would not have found in Argentina just 10 years ago. Drink 2018-2024.  Tasted November 2018  fincasophenia  @FincaSophenia  @Juliahilux  @FincaSopheniaWines  Julia Halupczok

Masterclasses on cabernet sauvignon and franc with Viña Cobos winemaker Andreas Vignoni

Viña Cobos Bramare Cabernet Sauvignon Marchiori Estate 2015Perdriel, Luján de Cuyo, Valle de Uco, Mendoza, Argentina (Agent, $119.00, WineAlign)

At 1,000m few other cabernet wines out of Valle de Uco will deliver such concentration and polish. It’s also huge in acidity, grippy tannin and overall structure. Almost two-thirds new oak is used and the fortunate thing is really the highest quality fruit able to withstand this woody onslaught. Deep soils work hard for vines less than 25 years old, the upper strata built of clay-loam to sandy-loam and the substrata of river-washed cobbles and round stones. It was an early ripening vintage with harvest temperatures above the historical record. Not surprising to receive such a massive, not so much brooding but more like a swagger of attitude in a cabernet that can go the distance. Drink 2020-2027.  Tasted November 2018  vina.cobos  awsmwest  @VinaCobos  @AuthenticWineON  @vinacobos  @awsmon

Bodega Casarena Cabernet Sauvignon Owen’s Vineyard 2015, Luján De Cuyo, Valle de Uco, Mendoza, Argentina (578062, $44.95, WineAlign)

Casarena’s Owen’s Vineyard is their special place, the key piece to this sector of the Luján De Cuyo puzzle. It’s importance is quite particular for the Napa Valley like repositioning of (Bourgogne) chardonnay and (Bordeaux) cabernet sauvignon. It’s a dry micro-climate with intense solar exposure and though not “mountain” fruit per se the wines draw upon matters of heliophany dictated by elevation. The Italian pergola-styled planted vines are old, some laid down as far back as 85 years in time. This approximately $30 US wine is a stunner, bloody beautiful in the darkest of Morello cherry red fruit that seems to macerate in its own liqueur. It is indeed reductive which only accentuates its freshness and there is a bountiful amount of acidity in support. Honest, apasionado, vehemente and intenso. Drink 2019-2023.  Tasted November 2018  bodegacasarena  noble_estates  @BodegaCasarena  @Noble_Estates  @BodegaCasarena  @NobleEstates

Filete at Luigi Bosca

Pascual Toso Cabernet Sauvignon Alta Barrancas Vineyards 2016, Mendoza, Argentina (441907, $32.95, WineAlign)

Alta is a huge cabernet sauvignon needing air, still very reductive in a hard protective shell sort of intense way. There can be no argument about these aggressive or rustic tannins needing time to integrate and settle. All the structural components are part of the note taking and note to self to add to the Mendoza cabernet sauvignon discussion. This example may not be the first but it does sit at the lead in terms of showing a real cool, minty herbal streak and a distinct amaro finish. Big, big wine with plenty of upside. Drink 2020-2027.  Tasted November 2018  pascualtoso  eurovintage  @PascualToso  @Eurovintage  @pascualtosowinesargentina  @Eurovintage

The next @winesofarg is naturally skin-contact orange, rosé and white. Pure, nervy, crystal examples of great interest from @chakanawines @alpamanta and @domainealmanegra

White, Orange and Rosé

Domaine Alma Negra Blanco Producción Limitada 2017, Vino Argentino, Bebida Nacional, Argentina (Winery, WineAlign)

From Ernesto Catena this is the second secret blend, a naranja vintage of the hide and seek, now you see a vino blanco, now an orange wine behind the mask. Maximum 500 cases are produced of this truly flexible white-ish orange, as it should be, as anyone’s guess and at the winemaker’s whimsy. “This comes from a place where you move away from knowing everything before you ever made a wine” explains Josefina Alessio on Ernesto’s behalf.  It’s meant to shake foundations and commit to things with blind and innocent intent. It’s a precocious orange, clean, pure, crisp and matter of fact. Smells like honey the drizzled over a tart slice of peach. The telling of varietal is kept hush but my money is on the likes of chardonnay, perhaps pinot gris and/or some torrontés. Nine months on skins, six in old barrels. Clarity and dumb luck precision with a pineapple dole of citrus, always in balance. Can’t believe it’s neither reductive nor oxidative and virtually tannin free. A 15 euro ex-cellar beauty. Drink 2018-2022.  Tasted November 2018  domainealmanegra  noble_estates    @Noble_Estates   @ernestocatenavineyards  @NobleEstates

Chakana Estate Selection Torrontés Naranja Edicion Limitada 2018, Gualtallary, Tupungato, Uco Valley, Mendoza, Argentina (Agent, WineAlign)

This literal orange torrontés from only free run juice spent seven months on skins in 500L barrels. No additions, including sulphur but “we’re not interested in saying this is a natural wine,” insists winemaker Gabriel Bloise. “Because we’re not interested in the natural movement, but it is our pleasure.” Floral spice is a factor of “maceratión prolongada” as is the green melon, pomello and caviar. Takes torrontés to an entirely new level, in so many positive ways, with a salve, plenty of tannin and notice me character. Kudos for the exploration, for a team that’s clearly on to something and a winemaker acting on techniques that clearly float his boat. Drink 2018-2021.  Tasted November 2018  chakanawines  oeno2  @chakanawines  @oenophilia1  @bodegachakana  

Alpamanta Rosé Syrah Breva 2018, Luján De Cuyo, Mendoza, Argentina (Agent, $42.95, WineAlign)

To call this a Rosé is to miss the point methinks. “In 2017 we decided to approach a new philosophy of wines,” explains Ukranian/Austrian/Dane/Argentine Managing Partner & CEO Andrej Razumovsky. It’s a perfectly lithe red wine made through the use of syrah picked real early direct to ferment in cement eggs for 11 months. The complete absence of second pressed grapes speaks not only to the method but also the teacher. “It goes well with intestines and seafood,” says Andrej. Now at a whopping 1,600 bottles made, which is in fact a great increase from the first vintage. Number two was a rainy one so six or seven months was not a sufficient amount of time to get this to its happy place. Pear, lemon and grapefruit are anti-red fruit notes but give it a good agitation to stave off reduction and then the wine just bursts with strawberry, fine bitters and endless aromatics imagined. It’s destined for danger and deliciousness because you really feel that you are drinking something that is alive. Not just from acidity, but like power breakfast juice that you would die for every morning. Killer stuff. Drink 2018-2020.  Tasted November 2018  alpamanta  rogersandcompanywines  @Alpamanta  @rogcowines   @alpamanta  @rogcowines

Navarro Correas Chardonnay Gran Reserva Alegoria 2015, Agrelo, Mendoza, Argentina (WineryWineAlign)

From Agrelo the Alegoria is chardonnay with true blue reduction and real apple bite. Spent six months in first and second use oak, now nicely aged with lemon-lime and orange zestiness. Toasty and quite wild from an ambient yeast ferment and shockingly crazy good. Drink 2018-2022.  Tasted November 2018  bodeganavarrocorreas  @BodegaNavarroCorreas

Bodega Piedra Negra Pinot Gris Reserve Vino Organico 2017, Los Chacayes, Uco Valley, Mendoza, Argentina (Winery, WineAlign)

New to the François Lurton portfolio and for the market is this pinot gris in classic older world mode. It’s really fine, spirited and with a creaminess that is suggestive of experimentation. There is some oak treatment but also some time spent in concrete egg. With no compromise to acidity there is a lieu-dit specificity and completeness so that it expresses fruit in a wholly different way than grigio and all other white wines in Argentina. Kudos to Lurton for going the distance and spending some cash on a product to separate itself from the pack. It’s a pinot gris we want to drink but also one to watch for not too distant sidesteps into something changed. Drink 2018-2021.  Tasted November 2018  bodegapiedranegra  @BgaPiedraNegra  @BPNvdu

Bodega El Esteco Torrontés Old Vines 1945 2018, Valle De Calchaquí, Salta, Argentina (Winery, WineAlign)

From the original plantings of torrontés, as far back as 1945 but mostly vines in the 60-70 year old range. As saline and diamond sandy as it is floral but just as expressive as any. Very direct, linear, again that salty component which you could call mineral but also full-fleshy like Rhône varietal wines in new world climes. Could pass for high acidity driven whites from California or Washington state. Drink 2018-2022.  Tasted November 2018  bodegaelesteco  #mondiaalliance  @ElEstecoWines  @Mondia_Alliance  @elestecowines  @mondiaalliance

Piattelli Vineyards Reserve Torrontés 2018, Cafayate Valley, Salta, Argentina (Agent, $14.95, WineAlign)

Trained at Piattelli in Pergola, the ancient Mediterranean varietal is protected from direct sunlight and thrives in this desert where herbs of every imaginable kind grow wild and the aridity meets elevation and solar radiation. Piattelli’s is quite high in dry extract and concentration, ripeness and a maintained necessary acidity. This is the icon wine of the estate and few equal its magic in this vintage. It’s fresh, crunchy, crisp and explodes with tropical fruit. Bodes well for the ’18 reds. Drink 2018-2022.  Tasted November 2018  piattellivineyardsarg  piattellivineyardsusa  @piattelliusa  @PiattelliVineyardsARG  @PiattelliVineyardsUSA

La Mascota Chardonnay Unánime 2017, Maipu, Mendoza, Argentina (Winery, WineAlign)

Grown at 1,300m “the pet” chardonnay is given a name meaning “unanimous” meaning it’s a wine from and for people who all feel the same way. The wine was raised 50/50 in concrete egg and large (500-1000m) oak foudres. It’s a very tannic chardonnay, with a salve texture, spice and lemon-vanilla molten creaminess. Plenty of texture and bite, not over the top but certainly ambitious to quite successful. Drink 2019-2022.  Tasted November 2018  mascotavineyards  univinscanada  @UNIVINS  @MascotaVineyards  @UnivinsCanada

Good to go!

godello

Bodega DiamAndes, Uco Valley, Mendoza, Argentina

Twitter: @mgodello

Instagram: mgodello

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