The death of wine scores?

 

Is the rating simply a tool understood within the context of marketing? Photo: Maria Vazquez/Fotolia.com

Is the rating simply a tool understood within the context of marketing?
Photo: Maria Vazquez/Fotolia.com

as seen on canada.com

Not so fast.

As time goes by, I am hearing less comments like, “well that one got a 95,” and “that one is better value because it got a 90.” Wine ratings may increasingly becoming maligned and less frequently employed but that does not mean they don’t have their place. Scores continue to be necessary as a way to evaluate wines that lack a certain level of honesty. Wines on the edge of being dodgily made, encumbered by heavy-handed, industry-fed, mass marketing machines. Scores separate and differentiate the wheat from the chaff when dealing with over the top residual sugar, hyper-acidification, bloated alcohol and (lack of fruit) masking. Embrocating one Malbec an 85 over another’s 84 makes a comment on the relative validities of those two sweetened confections.

Attaching a rating to a tasting note is not a question of right versus wrong. Ratings measure a bottle of wine against its peers. That is the simple answer. The problem is that the tasting experience is a subjective one and each reviewer has personal preferences, so in order to align with one (or more), the consumer must self-calibrate alongside a critic whose palate they’ve figured out. Very difficult to do, so relying on scores has always been the easiest road to travel.

Part of the problem is that tasting notes, on their own, are often fleeting and impossible to grasp. Guilty as charged. Fred Swan put this is the most eloquent terms. “Tasting notes are like photographs, portraying a subject at one brief moment in time and without a back story.” If tasting notes are just snapshots, is that not compelling testimony as to the need for an accompanying score? Or is the rating simply a tool understood within the context of marketing?

Jamie Goode’s take. “I find myself in a tricky position: I use points even though I don’t like to because readers find them useful. And I have to calibrate my scale with the major critics. This pushes me into a corner.”

Still the debate is growing and for good reason. The wine community is tiring of seeing scores, especially those tabulated using the Robert Parker Jr. anointed 100-point scale, attached to a critic’s wine tasting note. The question has always been this. Why would you need scores to sell wine?

Mr. Parker feels so strongly about the entrenched longevity of his system that he’s announced the launch of a new lifestyle magazine called “100 Points by Robert Parker.” Does this sound like a last gasp fling from a captain going down with his ship? Bill Zacharkiw seems to intimate the idea, but the Montreal Gazette wine critic is smarter than to lash out and drag anyone through the mud. Taking a high road, Zacharkiw writes, “from grapes to wine styles, there is truly a wine for everyone. I have my taste, you have yours, and Parker has his.” No, nor scores neither. Nor scores neither.

The fervor and sometimes rage in the argument reminds me of the (second) most famous of Hamlet soliloquys. “Why it appeareth nothing to me but a foul and pestilent congregation of vapours. What a piece of work is a man!” Most of the voices chiming in on this hot topic only see the ratings world in black and white. There are more shades of grey than many would freely admit. Scores have their place.

Meanwhile, Decanter is reporting that Château Pontet-Canet made a bold decision to test (more than 20 years) of uncharted waters by setting their en Primeur pricing in advance of the taste and ratings levies by the major critics. Since the nineties the likes of Parker, Decanter and Wine Spectator have all but determined Bordeaux Futures pricing. Pontet-Canet’s move is being seen as another nail in the 100-point coffin. One Bordeaux négociant commented, “If other chateaux follow this same pricing model, we might as well go home now.”

The real issue is the bottle itself. In the new world of wine, who has not thrown new stock and a vested interest into wines made naturally, in sustainable, biodynamic or organic ways? Who has not made a resolution to drink more honest wine? Producing good wine still trumps the natural theatre of viticulture and viniculture but honesty is the new order. Honest wines should go forth and be free of wine ratings.

Wine scores can be ignored if we concentrate on what matters. Like apiculate yeast, fermentative vigor, microflora, clonal selection and soil. We also need to talk more about and mention flaws, like chlorinated compounds, hydrogen sulphide and volatile acidity. These are things that are too often brushed under the rug.

I will continue to post ratings of the wines I review on WineAlign because as a community of critics we offer a round table of opinions that allow the wine buyer to make gathered, educated and informed decisions. In consideration that this forum is a singular expression of opinions, this column will no longer attach scores to tasting notes. It’s quite obvious, plain and simple. I only write about honest wines for canada.com. The prose speaks for itself.

With spring beginning this Friday, no joke, here are the last of the great big winter reds. Five wines recently tasted that thrilled by way of their fairness, their honor and their virtue. Wines that need no score.

From left: Mi Terruño Reserve Cabernet Sauvignon 2010, Pearl Morissette Cabernet Franc Cuvée Madeline 2010, Ruffino Ducale Oro Riserva Chianti Classico 2008, The Hess Collection Cabernet Sauvignon 1990, and Château Calon Ségur 2010, Ac Saint Estèphe

From left: Mi Terruño Reserve Cabernet Sauvignon 2010, Pearl Morissette Cabernet Franc Cuvée Madeline 2010, Ruffino Ducale Oro Riserva Chianti Classico 2008, The Hess Collection Cabernet Sauvignon 1990, and Château Calon Ségur 2010, Ac Saint Estèphe

Mi Terruño Reserve Cabernet Sauvignon 2010, Mendoza, Argentina (364133, $15.95, WineAlign) From the VINTAGES March 29, 2014 Release

Stands out for its honest fruit, this Mendozan from San Roque district in Maipú county. Qualified by an admirable level of restraint, low in residual sugar and alcohol, straightforward, unencumbered. Winemakers María Eugenia Baigorria and Sergio Giménez have let the fruit speak in clean, level tones, in red berries, licorice red and black, a dusting of spice, red cherry and even strawberry. This is textbook hands off winemaking with nearly exceptional length and simply solid from start to finish. Mi sueno, mi terruño.  Tasted March 2014

Pearl Morissette Cabernet Franc Cuvée Madeline 2010, VQA Twenty Mile Bench, Niagara Peninsula (winery, $38, WineAlign)

Francois Morissette’s 2010 is a pioneering example towards defining Bench appellation Cabernet Franc isomeric reactions. Relationships between grapes of a growing area and their ultimate destination in bottle. An affair of veraison, leaf drop, frost, hand harvesting, whole cluster sorting and berry oak fermenting.  Indigenous yeast, punch downs and overs for phenolic skin extraction and polymerization. Neutral oak and sulfur dioxide to provide antimicrobial and antioxidant protection. An eighteen month somniac’s rest, fine lees and no filtration. The structural arrangement in cohabitation of radicals and ions leads to such a Cabernet Franc. Fully expressive of an endemic, very ripe, vegetal varietal vicissitude that is both inbred and necessary. Currants and peppered berries of power and grit. Dry (2 g/L residual sugar), plump (13.7 per cent alcohol) and scarce (618 cases made). Reflective of the warm 2010 vintage and will always act in stark contrast to the elegant 2011.  Tasted July 2013 and March 2014  @PearlMorissette  On the card at Barque Smokehouse

Ruffino Ducale Oro Riserva Chianti Classico 2008, Tuscany, Italy (353201, $43.95, WineAlign) From the VINTAGES March 29, 2014 Release

A re-release showing an exuberance of advanced character. Now acting out the strikingly rich and golden vintage, in Lamé and gilded iron. Speaking a most Tuscan, elite vernacular, already recognizable and evolving into its own skin, with a notion towards herbaceous, dried fruit. A classic pasta and roasted meats red wine. Nonna’s Trattoria kitchen in a glass. Drying just a touch, so drink up. Earlier note: “Slight earthy funk, imparted by the vineyard floor and in part from the wood. Sappy, resinous, distinctively warm-blooded, plummy fruit. Tuscan tang though light on pucker.”  Tasted October 2013 and March 2014

The Hess Collection Cabernet Sauvignon 1990, Mount Veeder, Napa Valley, California, USA (662015, $59.00, WineAlign)

A seminal bottling from a game-changing year, for two all important reasons. One, it was a great vintage for Napa reds and two, the Mount Veeder sub-appellation was established. While only 24 years ago, a mere five wineries existed there at the time, including Mayacamas, Mt. Veeder and Hess. No hyperbole to say this is tasting a piece of history. Despite my “shouting all about love,” this splendidly aged Cabernet is not so much about resilience as it is persistence and infinite wisdom. All those years ago there were Napa reds made at a mere 12.5 per cent alcohol, with finesse and a sense of George-like calm. With little aeration there is fig, prune and toffee gently weeping but with air the aged fruit is swept away by a wave of gob stopping Cassis before its time. Preconceived notions of banausic, early days Cabernet are smothered by the magic dust of this Hess religion, a Dharma of licorice, ash and enlightenment. A wine to make you forget where you are. Depth, length and up to a half decade yet of reserved life lay ahead.  Tasted March 2014  @HessCollection 

Château Calon Ségur 2010, Ac Saint Estèphe, Bordeaux, France (259010, $149.85, WineAlign) An In-Store Discovery from the VINTAGES March 29, 2014 Release

A blend that in 2010 is extremely high in Cabernet Sauvignon (86 per cent), with support from Merlot (12) and Petit Verdot (2). Immaculate hue in blue jasmine meets red ochre, echoed by blue and red fruit aromas. A purity of freshness and an exotic perfume distracts from the absurdity of the price, if just long enough to become intoxicated by its qualifications. It really does have it all. Red velvet layer cake made of the finest chocolate, the world’s least refined and highest quality sugar, spices only found in places reached and hand-picked by agile, primate-like humans. So approachable and marked by sweet tannins that will carry this Saint Estèphe for three decades.  Tasted March 2014

Good to go!

On a wine and a prayer

White wine

An assembly of really good white wine seems as good a plan as any to beg for spring weather
Photo: pagnacco/Fotolia.com

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I’ve been too long without summer,
In this winter home.

We’re going to begin the last week of March with a quartet of white wines as a prayer for the hopes of warmer weather. A bottle full of fresh and sprite grapes to be brought into the temple as a gift to lay down at the altar, sacrificial ferments meant to appease the harbinger gods of Spring. A prayer on the back of a wine angel to usher us out of the cold, to drink in long time missing, rarefied air.

Is this plea just a bit too Exodus 40:6 for you? “And thou shalt set the altar of the burnt offering before the door of the tabernacle of the tent of the congregation.” Maybe too much like an American World War Two patriotic song? “And our trust in the Lord, we’re comin’ in on a wing and a prayer.” Do you read this and think, “See the rich man lost and lonely, watch him as he dines, sitting there just testing all the wines…” Does this make you roll your eyes due to a kitsch allergy? “Our wine, which art in heaven, hallowed by thy legs…For thine is the Chardonnay, the Merlot and the Cabernet. Forever and ever. Amen.”

An assembly of really good white wine seems as good a plan as any to beg for Spring weather, prosaic waxing or not. Let’s just make a plan. Open a bottle of white wine a day for four days, or open one and wait four days. Then look out the window. If I were a betting man I’d say Spring will have sprung.

From left: Casal Di Serra Verdicchio Dei Castelli Di Jesi Classico Superiore 2011, Coopers Creek Select Vineyards Dillons Point Sauvignon Blanc 2012, Estate Argyros Assyrtiko 2011, and Tawse Robyn’s Block Chardonnay 2010

From left: Casal Di Serra Verdicchio Dei Castelli Di Jesi Classico Superiore 2011, Coopers Creek Select Vineyards Dillons Point Sauvignon Blanc 2012, Estate Argyros Assyrtiko 2011, and Tawse Robyn’s Block Chardonnay 2010

Casal Di Serra Verdicchio Dei Castelli Di Jesi Classico Superiore 2011, Doc Marche, Italy (268169, $17.95, WineAlign) From the VINTAGES March 29, 2014 Release

What once was, though no longer is a single (Montecarotto) vineyard designated Verdicchio, the exceptional quality of the grapes remains obvious, front and centre. A five months lees meets yeast cold soak and a distant, though influencing stone’s throw from a (somewhat) far away coast combine for complex effect. A brilliant platinum hue and loaded stony, mineral relish is piqued by a pinch of salinity. The overall elaboration is urged along by lime citrus in zest, aromatic bitters and evolving fruit entering a nut stage. Very, very Verdicchio.  89  Tasted March 2014  @UmaniRonchiVino  @Noble_Estates

Coopers Creek Select Vineyards Dillons Point Sauvignon Blanc 2012, Marlborough, New Zealand (66092, $19.95, WineAlign) From the VINTAGES March 29, 2014 Release

There is just something about Sauvignon Blanc from vineyards on or near the shore of Cloudy Bay. Alan and Petrina Shutkowski’s plot in Morgans Road joins ranks the likes of the original and iconic Cloudy Bay and te Pā as purveyors of distinct and inadmissible fruit. Rises to a next level concentration and exceptional length. Larger scale producer does upscale SB at a large-scale price with distinction. A thing that sings long and in the right green grass key. Avoids the sickly, herbal sweetness of overbearing aspara-gooseberry and bell pepper. Incredible acids and just the right kind of salivating, mouth-watering verve and tang. Just a pinch of grapefruit pith joins in to magnify the bitters in all the right ways.  Tasted March 2014.  91  @CoopersCreekNZ

Estate Argyros Assyrtiko 2011, Santorini, Greece (366450, $22.95, SAQ 11901091, $24.50, WineAlign) From the VINTAGES March 29, 2014 Release

A 100 per cent Assyrtiko from a 150 year-old, Cycladic Phylloxera sanctuary vineyard. Separates itself from other Santorini adelphoi by ageing 20 per cent of the inoxydable, ancient-minded grapes in French barrels. An Assyrtiko that can’t help be anything but stony, atomic driven goodness. Volcano flow and spew, with more texture than most, its elevated price a necessary reflection of a tertiary expertise. Elevated aromatics, locked in tight by the barrel and matched by extreme flavours, so primary, raw, powerful, relentless and grippy. A remarkable white wine that impresses with a sensation of mouth rope burn full of complex, seafaring knots, this Assytiko will age for 15 years in the cellar and develop into something ethereal. Will melt away in dreamy waves when it settles together. Myth will beget legend, legend will beget truth.  93  Tasted March 2014  @KolonakiGroup

Tawse Robyn’s Block Chardonnay 2010, VQA Twenty Mile Bench, Niagara Peninsula,Ontario (662841, $45.95, SAQ 11031443, $48.00, WineAlign) From the VINTAGES March 29, 2014 Release

This current visit to the ever-ambrosial Robyn’s Block 2010 is unlike any that have come before. Seemingly lignified at present, a stranger in town, in an unexpected, dumb phase stalled as if by agostamento. Twenty Miles of limestone lurk and a green gem’s goddess figure hides behind the looking-glass. This regnant Robyn pleads “take away my inhibitions, take away my solitude.” While not the most flattering of her evolutionary positions, a retinue of resurgent fruit will lead to Robyn’s exodus. A few years patience and this cool climate Chardonnay will regain her warm, tropical smile, to shine again.  92  Tasted March 2014  @Tawse_Winery

Good to go!

March grape madness

Andrew Wiggins, #22 of the Kansas Jayhawks

Andrew Wiggins, #22 of the Kansas Jayhawks, drives upcourt as Marcus Smart, #33 of the Oklahoma State Cowboys, defends during the Big 12 Basketball Tournament quarterfinal game at Sprint Center on March 13, 2014 in Kansas City, Missouri.Photo: Jamie Squire/Getty Images

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Choosing wines from a wall of brace and girder filled options presents as much a degree of difficulty as picking winners from an NCAA March Madness bracket. When it comes to teenage basketball, do you stay the favourite course and go with all number one seeds? Should you think underdog, like Coastal Carolina Chanticleers or the Albany Great Danes? Who will be this year’s 2013 Florida Gulf Coast Eagles? Or the other 2013 final-four sleepers from Wichita State? Or Virginia Commonwealth in 2011? Butler, Davidson, George Mason, Kent State, Indiana, Loyola Marymount, Villanova, this list goes on. Who can forget the Jimmy V. coached 1983 North Carolina State Wolfpack?

Related – Five Canadians to watch for during 2014 March Madness tournament

When you consider what wines to open alongside the march to the Final Four, or what to drink in March, are you thinking Cinderella story or go to, can’t miss favourites? Being partial to the underdog, the lesser known, smaller lot, less marketing backed bottle is not only smart but worth the risk. Winning the pool because you chose the right lower seed and picking out a wine gem from a sea of same-old, same-old is a winning combination. Here are six unsung heroes, dark horse wines to seek out this March. Get a little madness in your life.

Clockwise from top left: Casa Do Valle Grande Escolha 2012, Maison Adrien Vacher Les Adrets Altesse Roussette De Savoie 2012, Rockway Vineyards Small Lot Reserve Red Assemblage 2011, Niagara Peninsula, Tawse Gamay Noir 2012, Prà Soave 2012, and Le Clos Jordanne Le Clos Jordanne Vineyard Pinot Noir 2011

Clockwise from top left: Casa Do Valle Grande Escolha 2012, Maison Adrien Vacher Les Adrets Altesse Roussette De Savoie 2012, Rockway Vineyards Small Lot Reserve Red Assemblage 2011, Niagara Peninsula, Tawse Gamay Noir 2012, Prà Soave 2012, and Le Clos Jordanne Le Clos Jordanne Vineyard Pinot Noir 2011

Casa Do Valle Grande Escolha 2012, Vinho Verde, Portugal (276220, $15.95, WineAlign) From the VINTAGES March 1, 2014 Release

Up a buck but for its nerve, ball fake, back-door cut and caution thrown to the wind, deserves to be so. Fast breaking mineral Vinho Verde without the hot spring, travertine effervescence. Rocks upon rocks, torched by the sun and set beneath a ripe apple orchard. A good bitterness, blanched nuts and lime in full-toasted flavour. Not your avô’s VV and that’s a good thing. Progress matters.   89  Tasted February 2014  @winesportugalCA

Maison Adrien Vacher Les Adrets Altesse Roussette De Savoie 2012, Savoie, France (365163, $16.95, WineAlign) From the VINTAGES March 1, 2014 Release

Expectations run high for this montane white to be light, ethereal and delicately floral. To the contrary, the Savoie Altesse/Roussette (sort of like saying Bourgogne Blanc/Chardonnay) is at first an offensive foul, a bit stinky, sweaty and humid, like the efflux of a runny, unwashed rind cheese. Auto emissions too, acquired aromas for sure, with more mineral to taste, along with funky apples on steroids. Thoroughly invigorating. Can you get on board?  89  Tasted February 2014  @ProfileWineGrp

Rockway Vineyards Small Lot Reserve Red Assemblage 2011, Niagara Peninsula (321893, $16.95, WineAlign) From the VINTAGES March 29, 2014 Release

Backs up the 2010 with another vintage that offers talented local ”Meritage balance for under $20.” The blend of Cabernet Franc, Cabernet Sauvignon and Merlot is a Nik Stauskas-like pure shooter, a thing of BEEF: Balance, eyes, elbow, follow through. Solid extract winged by top-notch acidity and nicely packaged with waves of fruit. The extraction may not allow this modestly priced red to age without some deconstructing so enjoy the fresh and vibrant fruit now and for two or three more years. Will really work with game nights.  88  Tasted February 2014  @Rockway Vineyard

Tawse Gamay Noir 2012, VQA Niagara Peninsula, Ontario (322545, $18.95, WineAlign) From the VINTAGES March 29, 2014 Release

The Tawse 2012 Gamay is a roaming shark with a Hammerhead-butt of (the serious side of) varietal aromas; tar, char and cherry pie. Capable of scoring points in the paint, a double-double even, like the twin tower Brampton brothers at New Mexico State. A very humid ’12, as per the vintage, with full-on flavour and in avoidance of the floor’s splinters. Forsakes the shaken and reductive instability of some young Tawse (big reds in barrel) for easy buckets kissed off the glass. For now and with every meal, including breakfast. Tang, inhibition, ball-stripping, #GoGamayGo.  89  Tasted February 2014  @Tawse_Winery

Prà Soave 2012, Veneto, Italy  (74534, $19.95, WineAlign) From the VINTAGES March 1, 2014 Release

Enter screw cap, exit the designation Classico. Pra Soave the man repossesses its self-respect and re-brands itself under the name “Otto.” This Garganega ventures into rangy, rambunctious, starburst territory. The tang pitches in many tones, there is texture to chew and it travels to lengths not typical for entry-level Soave. Bold Venetian. Madness even. “And I remember how we’d play simply waste the day away,” something the Otto will gladly encourage. The only Soave you might consider eating on a plate but Otto insists “couldn’t enjoy it any more, Mom. Mm, mm, mmm.” And one!  89  Tasted February 2014  @TheVine_RobGroh

Le Clos Jordanne Le Clos Jordanne Vineyard Pinot Noir 2011, VQA Niagara Peninsula, Twenty Mile Bench (33902, $45.00, WineAlign) From the VINTAGES March 29, 2014 Release

Extremely good showing for this stalwart in what is becoming a classic Twenty Mile Bench vintage. Cran/Raspberry earthy-straw scents layered in a cake of overlapping, alternating flavours in raspberry (again) and quality chocolate. More intensity than the other ’11 LCJ’s at this early stage, simultaneously concentrated and light, like a ball-distributing point guard with 20-20 vision. Increased oak in dribble drive motion really ties the spiced flavours together, without sacrificing freshness. This will improve for five years, if not more. Winemaker Sébastien Jacquey must have called on his muse for this LCJ because “some kind of madness has started to evolve,” and from here on in this Pinot will solicit a “need to love.”  92  Tasted February 2014  @LeClosJordanne

Good to go!

Bottles, barrels, tanks and a vertical

Flat Rock Vineyard, Twenty Mile Bench, Niagara Peninsula

Flat Rock Vineyard, Twenty Mile Bench, Niagara Peninsula
Photo: Brian Barton

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Listening to Flat Rock Cellars’ winemaker Jay Johnston rattle off the numbers and particulars of his 2013 Pinot Noir harvest you can’t help but survey the odds of something preternatural. Vintage speculation for 2013 in Niagara has met with tempered interpretation, a play down on the effects of weather and generalizations that it was just another normal meets classic year. Nothing to see here. You sure about that?

This according to VQA Ontario. “2013 was an interesting year with some significant weather variations through the growing season…weather conditions during the 2013 season were quite variable…with some isolated late frosts in Niagara…temperatures through September and October were slightly higher than normal but October was wet putting pressure on harvest schedules and many wineries worked long hours to optimize harvest strategies around the weather.” Sound the alarm?

Flat Rock’s vineyard is a wondrous bit of topography. Peer out from the conclave tasting room and witness a rolling set of undulating and breaking waves, ascending, descending and demarcating the landscape. Let Ed Madronich point out individual plots and blocks. Imagine each sub-section of the vineyard as its own little hermetic world, with its own soil biology and guided by its own little set of rules. Now taste Pinot Noir tank samples from 19 disparate parcels. Internalize, disseminate, deconstruct and reconstruct. As if you were the master of single varietal assemblage. Mind blowing actually. Nerdy, but mind-blowing.

House and Home Food Editor Eric Vellend and I sat down with Johnston and Madronich at the winery for a comprehensive look at those ’13 Pinots, fresh out of their infancy and just beginning to offer a glimpse of what they will be. A total of 185 tonnes were harvested at a more than modest 24 to 24.5 brix, a sugar quotient effectuated by timing as much as sunshine. Nineteen chapters delineate the story, in 160 barrels and in the end there will be two wines. The 2011 Block Series experiment will once again go unrepeated, though Jay notes a return could be considered for 2014.

2013 Vintage Flat Rock Pinot Noir Samples

PHOTO: Eric Vellend
Flat Rock Cellars Pinot Noir samples from the 2013 vintage

The tank room was very cold on this last day of February 2014 (you don’t say) so Johnston brought up the samples in what can only be described as a highly classified, secret society of winemakers, high-tech way; in plastic water bottles and Erlenmeyer Flasks. The goal was to offer a representation of the fingerprint of the vineyards and the fermentation management through full composite blends of each batch. We tasted through eight of the 19. The first three are from batches that end up in the Flat Rock Estate Pinot Noir. Clonal selections are noted in brackets.

Flat Rock Cellars 2013 Tank Samples

PHOTO: Michael Godel
Flat Rock Cellars 2013 Tank Samples

 

South (115)

Tang at the forefront, a mineral streak, red berries and a lingering whisper of citrus squeeze from recent (X-mas) sulphuring.

Horseshoe (777)

Dusty and also juicier, from an icy, polar beginning to come back around, calm down and seek a softer, common (to South) end.

Road (777)

Beastly, meanest sucker of the three, speaking with the most rock. The only one (of the first set of three) with some funk.

Monster (A blend of clones)

Funkadelic funky but also the fresh maker. Cherries and high-toned perfume, a feral hint in a leafy, good compost way.

Pond (667/777)

Most like cousin Monster, with increased ferrous activity and striking as the most recognizable to be Flat Rock Pinot Noir, even at only four months of age.

Mountain (667)

The darkest hue yet, with more smoke, heavy rock and a fuller structure.

Bruce/Summit

Bottom and top of the (west) vineyard collide with a mineral tie connecting the two. Grit and toughness here, depths of Mordor and Prunus Serotina, cherries gone black. The combo effect confuses the fruit, rendering the B/S the least subtle and distinctive.

Bruce West

Back to dust but also tang and bigger tannins. Vines with less vigor and smaller berries to thank.

These eight samples all begin in antipodal and far away places but come together to seek common ground. As a window to the outlook for 2013 I can say with unequivocal doubt that if these wines were in bottle they could all be enjoyed right here and now. Pinot Nouveau. They are possessive of a computation in complexity to each tell an individual story. It would be hard to figure Jay and Ed waiting a full 12 months to see them into bottle, especially from the showy blocks. Look for Flat Rock to knock some off to racking in late spring to preserve their amazing level of freshness. The 2013 vintage looks to offer immediate gratification. Its longevity remains to be seen.

Vineyard view, Flat Rock Cellars

PHOTO: Michael Godel
Vineyard view, Flat Rock Cellars. Note the warmest rows.

 

Notes on (not yet released) 2012′s and 2013′s

Pinot Noir 2012, VQA Niagara Peninsula (1545, $18.95, WineAlign) VINTAGES Essential

Nearly 4000 cases will be available of this nearly-unfiltered, very established and always well-thought out Pinot Noir. A consideration of the plots and barrels micro-management that determine the crasis of this Estate wine demands an extrapolation in full-on assessment. The medium-coarse Chinois filtering lends to a tannic chain of texture thick in grain and chalk. A heavier Estate because when the weather gives you heat you make a climate appropriate wine. This monkey is not a product of arctic air and it “got too deep, but how deep is too deep?” Thermal vintage melt, ritzy ripe cherry stuff in 2012. From the Ritz to the Rubble, if you like, or the Flat Rock.  88

The Rusty Shed Chardonnay 2012, VQA Twenty Mile Bench, Niagara Peninsula (1552, $24.95, WineAlign)

There will be 660 cases of this barrel cherry-picked, now iconic Bench Chardonnay. The warm vintage called for a combo-malo approach, part batch all in, part arrested development. Gravity influenced top down blending also work to seek a svelte elegance and this ’12 really straddles the humid line. Thinks to be ribald but remains chaste, only allowing a kiss from the barrel and a caress from the rocks beneath the soil. Accept immediate but know that deferred gratification is the hallmark of this bottling.  89

Nadja’s Vineyard Riesling 2013, VQA Twenty Mile Bench, Niagara Peninsula  (578625, $19.95, WineAlign)

From a sample just pulled from the tank. Jay Johnston’s concept for Nadja is to create many fermentations together, using 2000L tanks and some barrels. The ferments are arrested when they achieve balance and then blended. Nadja still has her young fizz on and she’s exaggerated in Metallica meets a wondrous kind of sour. Already showing an unfurling of (mostly citrus) fruit but also spice and hurried depth. Frantic Riesling, will she “stop to warm at karmas burning, or look ahead, but keep on turning?”  89-90 

Pinot Noir Rosé 2013, VQA Twenty Mile Bench, Niagara Peninsula (39974, $16.95, WineAlign)

Tasted from a tank sample. The 2013 Rosé marks a change in direction and approach. No longer a one-dimensional, typical method blush made by saignée, bled off cold soaks, the ’13 goes at it half and half through skin fermenting. As soon as the skins dry out they are removed. The result (though not really apparent four months in) will be aridity with the sweet balance arriving by way of a six to seven percent sulphured dose of Gewürztraminer. The sample swims both upstream and down, through waves of salinity and dulcitude. Will lay claim to being one of the more interesting Rosés from the vintage.  87-88

Red Twisted 2012, VQA Twenty Mile Bench, Niagara Peninsula (86918, $19.95, WineAlign)

Tasted from a barrel sample, this singular Bench brew of Syrah, Merlot and Pinot Noir. After 14 months in barrel, all separated at birth, the varieties were blended in mid-January and will be bottled this March. Yet unsettled, there is a level of unctuousness and cake layering. A big red for the believers, for those who lust for big reds. Currently showing its wood, freshness, acids and potential for balance.  87-88

Sparkling Brut 2006, VQA Twenty Mile Bench, Niagara Peninsula (0238311, $35.00, WineAlign)

Tasted with proprietor Ed Madronich at the winery. This was Flat Rock’s first ever Sparkling wine made in a challenging vintage. The base wine was fermented dry and sent to neutral barrels. Sugar and yeast were added after eight months and it then entered the bottle. Newer vintages may see time stretched to 20 months. At this stage it is very much alive, showing the whole orchard and nothing but the orchard, albeit with some fallen fruit. Some sugar lingers but not enough to pull it from dry. With time the orchard gives to grapefruit. In the end it’s big and biscuitous. Says Madronich, “Our wines can go 15 years, no problem.” We’ll see about that.  89 

Unoaked Chardonnay 2007, VQA Twenty Mile Bench, Niagara Peninsula (68015, $16.95, WineAlign)

Tasted with proprietor Ed Madronich at the winery. Six and a half years have done this unoaked Chardonnay six and a half years of wonder. Green herbs and apple jam spread on a whole wheat cracker. To believe there is not a day of oak on this wine is to bury one’s head in the sand and begin again. It’s that stubborn Bench limestone doing the fooling. “We have great soil,” grins Ed. A few minutes and a few more swirls in it begins talking in the vernacular of Chablis, in a matchstick tone. It’s also fleshing as it goes. Six plus years and $17? “It’s crazy.”  90

Flat Rock Cellars Rusty Shed Vertical

PHOTO: Eric Vellend
Flat Rock Cellars Rusty Shed Vertical

 

Rusty Shed Chardonnay Vertical 2011-2006,  VQA Twenty Mile Bench, Niagara Peninsula (1552, $24.95)

Barrel fermented, barrel aged, gravity fed. No other Niagara winery can offer up a vertical like this, in this price range. If there is another, let me know and I’m there.

2011 (WineAlign) Conspicuous by its texture from a mild to middling vintage “when you picked before or after the rain.” Though combined, the antechamber of acidity and good cheer trumps the mudroom of funk and doldrums. A Guns ‘n Roses vintage, a pull in two directions, with a potential for breakdown. “Ev’rything was roses when we held on to the guns.” A soft, buttery note tempers the tang and yet that tang lifts the fruit. The tension is what sets the ’11 up for a classic run.  91

2010 (WineAlign) Increased sugar from a hot year with early ripening. Picking decisions played a crucial role, the prudent winery avoiding the heat of the day. This was key to preserving freshness and acidity. Though the aromas are soft and muted, the palate is lush and plush with a mid-section of adolescent body fat.  89

2009 (WineAlign) A slow and even ripening season culminated with a warm and dry harvest. Ideal harvest conditions. This ethereal ’09 has that late harvest come of age feel but is unwavering from a dry sense of humour. Acting as fresh as the day it was bottled, ole’ blue eyes is in ownership of the best of all the surrounding vintages. It was a very good year for the old Rusty Shed, like “life as vintage wine from fine old kegs, from the brim to the dregs and it poured sweet and clear.” A classic crooner, with wood now neutral and supportive, that will last alongside fruit, to the autumn of its years.  91

2008 (WineAlign) From a cooler, wetter, “Burgundian” vintage. Noticeable terpenes and delineated streaks in the aroma, palate continuum. Like mild cider in a diluted but not watered down way. A matter of elegance and refinement. The oak integration may be the most calming yet and the wine has maintained its freshness. A vintage to measure with clonal ancestors and distant cousins if not Flat Rock siblings.   90

2007 (WineAlign) From a very warm and dry vintage with low yields. Dichotomous, with clean fruit working with and against some barrel and earthy notes. Was a tough year to “manage acidity and freshness,” a fight that was paramount to success. Flint and matchstick also work this ’07, as much like Riesling as Chablis so in that sense this is reminiscent of the Unplugged. In another way, the earth says this is as much of a Brett-influenced vintage as any.  89

2006 (WineAlign) Like the 2007, this has that golden hue so it appears that seven to eight years is the marker for the apogee of consumption. A vintage tough on reds, good on whites. Though not high on opulence, the ingot sheen is like fool’s gold and the trickery works to great effect. A fortune is won in patience because this elegant ’06 eventually sheds its rust, gives up fresh apple and palate cleansing acidity. A show of age and propriety.  90

One more for the road.

Pinot Noir 2003, VQA Niagara Peninsula (WineAlign)

Less than a case is left of this first Pinot Noir made by Ed Madronich. At the time Flat Rock made just 500 cases, including two Rieslings (Estate and Nadja) plus two barrels (43 cases) of Chardonnay. From a cool vintage, 11 years on this Pinot is reddening to maroon, with sour cherry flavours submitted to earth. A hint of soy and toffee. Herbaceous, young vine minted, accented by dill and mushroom. Holding on and showing that older vintages had (not known at the time) depth and structure. Creamy texture if not the cleanest Pinot ever made. First world problem.  88

Good to go!

Godello’s excellent Cuvée adventure

Frozen Niagara Falls

As frozen Niagara Falls, so frozen Niagara Falls
Photo: yobab/Fotolia.com

as seen on canada.com

Doesn’t every local wine writer’s pilgrimage begin this way? There’s 130 kilometres to Niagara Falls, we’ve got a full tank of gas, half a pack of cigarettes (not really – the only thing we smoke is BBQ), it’s blinding winter morning light out and we’re wearing sunglasses. Well, one of us is.

Related – When expert’s break wine together

With Jake riding shotgun to Elwood we hit the QEW, pause for bench land visits to Flat Rock, Zooma Zooma and Creekside Estates, then make the frozen Falls by dusk. Two slackers we are, Bill and Ted, ponces submissive to wine, travelling through Niagara assembling a library of tasting notes to condign for memory in lieu of history missed and as practice for futures to come.

Canadian Food and Wine Institute at Niagara College Salmon and Scallops

PHOTO: Michael Godel
Canadian Food and Wine Institute at Niagara College Salmon and Scallops

Niagara’s annual Cuvée rolls out the red carpet for a black-tie gala at Fallsview Casino’s Grand Ballroom. Touted as a celebration of excellence in Ontario winemaking, the event gathers more than 50 wineries and asks that they pour their winemakers’ favourite wines alongside a room full of esculent Niagara eats. Local chefs set lavish food stations and guests are treated to comestible ruminations composed by students from the Canadian Food and Wine Institute at Niagara College. The Sun Media Après Cuvée party features Icewine, sparkling wine and craft beer bars, not to mention a repeat performance by the impolitic, patent, I want you to be moved sound of Jonesy.

Zagat and Spotlight Toronto's Suresh Doss and Wine Country Ontario's Magdalena KaiserSmit

PHOTO: Michael Godel
Zagat and Spotlight Toronto’s Suresh Doss and Wine Country Ontario’s Magdalena KaiserSmit

Proceeds from the Cuvée Weekend go to the Niagara Community Foundation. Created in 2000, the Niagara Community Foundation has raised more than $23 million in endowment funds and has granted in excess of $5.5 million to charities working in the arts, heritage, environment, social services, health, education and community development. In 2015, the event will leave the very capable hands of the NCF and fall into the most capable hands of Brock University.

The word cuvée can mean many things in the world of wine. The Champagne tradition carries the most recognizable weight, the practice dictating that the best grapes be used and gently pressed to ultimately produce a sparkling wine of superior quality. In the end any cuvée is a blend no matter how you slice, interpret or break it down. It really comes down to the question of quality. Did Cuvée 2014 put its best foot forward? Were the ace grapes on display?

Pulling candy from sugar, Canadian Food and Wine Institute at Niagara College

PHOTO: Michael Godel
Pulling candy from sugar, Canadian Food and Wine Institute at Niagara College

The Cuvée gala, at one time an awards showcase ceremony, has welled to the point of a brimming kitchen sink, perhaps in danger of overflowing. Those who know and have been there agree the change in structure has been for the better. Growing pains are natural, inevitable side effects of growth. It’s more party than oenophile wine think tank, a cultural mosaic and for some, a melting pot. Speeches, awards, thank yous and acknowledgements are barely audible above the revelling din.

VQA Promoter Award At Large winner Shawn McCormick and Michael Godel

PHOTO: Dan Trcka/grapeselections.com
VQA Promoter Award At Large winner Shawn McCormick and Michael Godel

In 2013, to a wine, the pours were best of the best. My take was put into these words. Top juice flows at Cuvée 25th anniversary. In 2014 many vintners poured either their best (Domaine Queylus, Five Rows, Coyote’s Run, Rennie Estate, Stratus, Thirty Bench) or their most unique (Peninsula Ridge, Trius, Southbrook, Riverview, 13th Street, Malivoire). The event and the following morning’s Expert’s Tasting would not be diluted by a few more shots of Prince Edward County and Lake Erie North Shore in the arm.

The real adventure lies in the attempt to taste everything in the room. Time and excessive schmoozing gets in the way so getting to more than half is a win, win. Here are notes on 10 wines tasted at Cuvée 2014 and the reasons for singling them out as separating themselves from their peers.

Riverview Gewurztraminer Angelina’s Reserve 2012, VQA Niagara River (368092, $18.95, WineAlign)

A creamy, corpulent expression with a stinging enzymatic yogurt texture. Would swear there was extended lees contact. Furthest thing from the truth says winemaker Angela Kasimos. That striking salve gives way to a vacuous aridity without conceding to nuts and residual sugar. Well-made and without interference. Thanks to Riverview, Gewürztraminer has found a home in the pliable, silty loam of Niagara River.  88  Tasted February 2014  @RiverviewWinery

Peninsula Ridge Sauvignon Blanc Wismer 2013

PHOTO: Michael Godel
Peninsula Ridge Sauvignon Blanc Wismer 2013

Peninsula Ridge Wismer Vineyard Sauvignon Blanc 2013, VQA Twenty Mile Bench, Niagara Peninsula (Winery, $19.95, WineAlign)

Winemaker Jamie Evans and Sauvignon Blanc share a kinesis. When kissed by the wise and wistful fruit that Wismer cedes, compounded by the vintage, this Peninsula Sauvignon Blanc inclines to aeaeae. All parts contribute to a stretched length, from fresh beginning to mouth-watering end. In between there is lees-stirred spice, dry and toasty points but the grass is never overgrown and the berries are golden. A kickstarter sour note propels the wine forward for an even longer taxi onward. What a vineyard, what a wine.  90  Tasted February 2014  @PeninsulaRidge

Westcott Vineyards Chardonnay Reserve 2012, VQA Vinemount Ridge, Niagara Peninsula, Ontario (winery, $29, WineAlign)

From vineyards planted in 2005, this new kid on the Jordan block spent 12 months in oak, half of it new. To a taster, you would never know it. In clone cousin to Le Clos Jordanne’s Chardonnay, this special project is the nephew of a set aside, four-barrel selection. Winemaker Arthur Harder (Calamus) has fashioned a head-turning clean, pure and most mineral-driven Chardonnay from impossibly young Vinemount Ridge vines. A quartz chord runs through it and with just two or three more years of vine age the fruit and adjoining texture will catch up to the rock. That integrated, subtle oak impart is of a Granny Smith apple kind, crisp and taut. Such a memorable inauguration with so much promise that lays ahead.  90  Tasted February 2014

Trius Sauvignon Blanc Wild Ferment 2012, VQA Niagara On The Lake (Winery, $32.00, WineAlign)

Less than 300 cases were produced of this, you guessed it, natural grape skin, wild yeast fermented unique Sauvignon Blanc. Cold bunch pressed and 11 months on the lees lend a fruit/wood spice and gregarious character that is impossible to miss. Winemaker Craig MacDonald shows a savvy Savvy love in his carefully considered treatment of this wine. This ’12 WF steals the show at Cuvée in the category of most compelling and thought-provoking.  91  Tasted February 2014  @TriusWines

Hidden Bench Estate Pinot Noir 2011, VQA Beamsville Bench, Niagara Peninsula (274753, $32.95, WineAlign)

Five months more in bottle has come to this, a Bench perfumed state of mind. On a red raspberry road to absolution. The international coat has now begun to surrender to the maturity and wisdom of the local vine’s intellect, its maker and overseer acting as artificers in planned execution. Earlier note: Deeper, earthier, decreased propriety and more pelage than the previous two vintages. I sense longer hang time, more redress and slower slumber. In Hidden Bench I thought I knew and would always associate with a specific Pinot Noir feel but this ’11 confounds. In a way, that is a large compliment. Fruit reminiscent of a top Central Otago in that it grips my Pinot interest if not my Ontario heart.  91  Tasted October 2013 and February 2014  @HiddenBench

Southbrook Vineyards Whimsy! Winemaker's White 2011

PHOTO: Michael Godel
Southbrook Vineyards Whimsy! Winemaker’s White 2011

Southbrook Vineyards Whimsy! Winemaker’s White 2011, VQA Niagara Peninsula (Winery, $34.95, WineAlign)

While the triple W represents neither traditional alchemy nor screaming value it begs to be considered for sheer shock and awe. A co-fermented, low brix, who varietal blend of 58 per cent Chardonnay, 27 Semillon and 15 Muscat, winemaker Ann Sperling’s capricious fancy white and nerdy captures the vintage to alight and delight effect. Spice, texture, florality and acidity really work the room. Though the varieties seem to sing ”we don’t move in any ‘ticular direction and we don’t make no collections,” they somehow join together.  White wine of whimsy, not shallow, like a Wes Anderson film.  88  Tasted February 2014  @SouthbrookWine

Bachelder Chardonnay Wismer Vineyard 2011, VQA Twenty Mile Bench, Niagara Peninsula, Ontario (345819, $44.95, SAQ 12089591, $44.95, WineAlign)

Got game tonight, in auxiliary moxie, magisterial atmosphere and long strides up and down the ice. Earlier notes: “Increased richesse and oomph and though I continue to hesitate to admit it, Saunders is the (Jackson Browne) elegant bottling in ’11. Wismer the (Warren Zevon) gregarious, mineral character werewolf of Niagara, what with its a touch of anxiety, fuller texture and “bite down…draw blood!” From my earlier November 2013 note: “From the Wingfield Block within the 20 Mile Bench grand cru vineyard, ’11 Wismer is greener, in apple and sapid behaviour. The tension is palpable, quarryful, querulous, more calciferous. Fruit here is picked at an altitude as high as the lowest part of Flat Rock’s vineyard. Can a spot be pinpointed, anywhere on the peninsula that produces more piercing Chardonnay in 2011 as this Wismer micro-block?”  91  Tasted November 2013 and twice February 2014  @Bachelder_wines

Five Rows Craft Wine Pinot Noir 2010, VQA St. David’s Bench, Niagara Peninsula, Ontario (winery, $50, WineAlign)

Gimme soft and sage treatment of a vineyard’s wondrous, pure fruit transcends most previous notions of Niagara Pinot Noir. That Lowrey vineyard in the hands of its first family drives spice into red fruit direct from soil and vine. Winemaker Wes Lowrey handles his family vineyard fruit like it were a baby and from this comes a promiscuous perfume. The ’10 is so youthful but coming into the springtime of his voodoo, having now been in bottle for a year. Though thoughts were that “he was going to show me spring,” the wine should clearly be left to flesh for a few more seasons.  92  Tasted February 2014

Thirty Bench Small Lot Benchmark Red 2010, VQA Beamsville Bench, Niagara Peninsula (winery, $60)

Indoctrinated Right Bank agglomerate built on 62 per cent Merlot, supported by equal parts Cabernet Franc and Sauvignon. Impressively warm and dusty, large, bursting berry dominated with a peppering dredge all around. So much flavour abounds, blanketed by a shaker full of vanilla spice, like “an endless ocean landing on an endless desert.” Still the Benchmark is modest, oaked (18 months) but not overly soaked, pure and in balance. The berry concentration renders it as a resident of the dark centre of the Niagara red blend universe.  92  Tasted February 2014  @ThirtyBench

Queylus Pinot Noir Reserve Du Domaine 2011

PHOTO: Michael Godel
Queylus Pinot Noir Reserve Du Domaine 2011

Domaine Queylus Pinot Noir ‘Le Grande Reserve’ 2011, VQA Niagara Peninsula (winery, $65, WineAlign)

The Thomas Bachelder mentored, two-vineyard assemblage Grande Reserve Pinot Noir grinds more cracked pepper than any predecessor. Every barrel from the Twenty Mile Bench (formerly Le Clos Jordanne’s, Neudorf Family La Petite Colline Vineyard) and Mountainview vineyard were scrutinized to determine the final blend.Bachelder sees black fruit in the early life yet despite the ebullient seasoning, the LGR’s genes are intrinsically feminine. Red cherry, tellus fertility and a mother’s strength hold the family of barrel children together. This is an ambitious and hard to read Pinot Noir. Judgement reserved for five years before the word classic will be used.  92  Tasted March 2014  @QueylusVin

Good to go!

Winter white out wine, beer and food conditions

White wine in the snow

The weather will step aside in April. Until then, satiate yourself.
Photo: Sergio Di Giovanni/Fotolia.com

as seen on canada.com

The winter that never ends. White out conditions, snow squalls, wind advisory and chill warnings. Everything just feels heavy. The OPP’s request? Just stay home, Ontario. Prepare for the worst, hunker down and warm the belly with full-bodied wines, strong mocker, beer and hearty winter meals. The weather will step aside in April. Until then, satiate yourself.

Here are six strength fortifying libations to ride the final wave of winter’s brutal conditions.

Clockwise from left: Innis & Gunn Irish Whiskey Finish, 13th Street White Palette 2011, Ara Single Estate Pinot Noir 2011, Planeta Chardonnay 2010, Bachelder La Petite Charmotte Nuits Saint Georges 2011, and Antinori Pian Delle Vigne Brunello Di Montalcino 2008

Clockwise from left: Innis & Gunn Irish Whiskey Finish, 13th Street White Palette 2011, Ara Single Estate Pinot Noir 2011, Planeta Chardonnay 2010, Bachelder La Petite Charmotte Nuits Saint Georges 2011, and Antinori Pian Delle Vigne Brunello Di Montalcino 2008

Innis & Gunn Irish Whiskey Finish, Scotland, United Kingdom (279349, $3.25)

Stout matured over American Oak Heartwood and infused with Irish Whiskey. A Cimmerian entry in hue and hunger peels back to a curious lightness of being. The wood tends to an Arabian mocha aroma, the whiskey to molasses and gingerbread baking spice. The 7.4 per cent alcohol is integrated though an incendiary smoky magic weighs in to toast biscuits and braise a beefy pot au feu. “The Smoky Life is practiced everywhere,” in the I & G. A beer of good charm, smooth, silky, singing in melodic grace and with confidence.  90  Tasted March 2014  @InnisandGun

The grapes: Riesling, Sauvignon Blanc, Gewürztraminer and Chardonnay Musqué

The history: Niagara winery founded in 1998. Chablis native Jean-Pierre Colas joined 13th Street as winemaker in 2009. Co-owners of the winery, the Whitty family has been farming fruit in Niagara for well over 100 years

The lowdown: Much of the fruit comes from the estate’s Creek Shores appellation vineyards, sedimentary, well-drained lighter soils on a landscape highly dissected by its many streams.

The food match: Fish Tacos

13th Street White Palette 2011, VQA Niagara Peninsula (207340, $15.95, WineAlign) From the VINTAGES March 15, 2014 release

JP’s who’s who bottle of white grapes, a mad scientist’s blend, the flask filled with Riesling, Sauvignon Blanc, Gewurztraminer and Chardonnay Musque. A re-release and much improved with a year’s extra weight, its “got your body right now.” Fortified by a carapace of grape spirits and purposeful in a white meritage sense of community, plus citrus, pith and a far-reaching, right correct absinthian length. You better you bet.  88  Tasted October 2013  @13thStreetWines

Fish Tacos Photo: Michael Godel

Fish Tacos
Photo: Michael Godel

The grape: Pinot Noir

The history: From Marlborough on the western side of the Waihopai Valley. The name is both the indigenous Maori word for “pathway” and Latin for “altar”

The lowdown: “With rugged mountains on either side and two icy rivers cutting through, it’s a pretty extreme place. The very definition of raw, cool climate conditions.”

The food match: Potato Frittata with Feta and Green Onions

Ara Single Estate Pinot Noir 2011, Marlborough, New Zealand (361279, $23.95, WineAlign) From the VINTAGES March 15, 2014 release

Immediate impressions are of a user-friendly Pinot Noir in conceit of black cherry, chocolate and blueberry spice. These are surface notes quickly displaced by an adventurous senses of living on the edge. The wine dips into a brine and lithic earth saturated by glacial melt. This is a different sort of Marlborough Pinot that speaks a modern english, if too young to be understood. “I’ve seen some changes but it’s getting better all the time.” Will try the Ara again in a year or two and likely say I melt with you.  89  Tasted February 2014  @AraWine_UK

The grape: Chardonnay

The history: Planeta first made this wine 20 years ago in 1994. It has become “the image illustrating the changes taking place in Sicilian wines.”

The lowdown: From Ulmo (calcareous with sections of deep vegetable matter) and Maroccoli (medium clay soil rich in limestone) vineyards in the area of Sambuca di Sicilia. Powerful Chardonnay.

The food match: Taco Night

Planeta Chardonnay 2010, Sicily, Italy (109652, $38.95, SAQ 00855114, $39.15, WineAlign) From the VINTAGES March 29, 2014 release

Wantonly lavish, heavy and tropically delicious. If ever there were a red wine substitute this is the one for the wishful thinker. Tasting this Sicilian is like liquid breathing sweet and salty, drawn butter. It’s a glass of dessert Chardonnay, dichotomous and oxymoronic in congealed warmth like cold-stabilized, oxygen-rich, perfluorocarbon. The tropical warmth is a combination of honey and lemon-glade, like Savennières with an unexpected aged Jura, oxidized, herbal angle. There can be no arguing the complexity of this Sicilian dream. Extreme humidity, with a bitter middle streak and ground nut flavours.  90  Tasted March 2014  @Noble_Estates  @PlanetaWinery 

Taco Night Photo: Michael Godel

Taco Night
Photo: Michael Godel

The grape: Pinot Noir

The history: Thomas Bachelder, flying winemaker, architect of the Bachelder Project, of trois terroirs, in Niagara, Oregon and Burgundy

The lowdown: “Burgundy is my favourite place to make wine,” admits Thomas Bachelder. “The large négociant control all (44) 1er cru vineyards so there are not a lot of small growers working with Beaune fruit.” Enter terroirman.

The food match: Roast Chicken, Potatoes, Swiss Chard

Bachelder La Petite Charmotte Nuits Saint Georges 2011, Burgundy, France (357228, $49.95, WineAlign) From the VINTAGES March 15, 2014 release

Is so floral, mineral, intense and hypnotic it might be dubbed the Serpent Charmer. Iron and wine indeed, the iron of Nuits, the perfume of Beaune. This provocative bottling represents the third year of production, is conspicuous in Anis de Flavigny and an underlying gate. If montagnes is the harming one, this is the charming one. These are all from the same barrels, so what really affects the wines the most? Land and hand.  93  Tasted November 2013  @Bachelder_wines

Roast Chicken, Potatoes, Swiss Chard Photo: Michael Godel

Roast Chicken, Potatoes, Swiss Chard
Photo: Michael Godel

The grape: Sangiovese Grosso

The history: The family has been in the wine business since Giovanni di Piero Antinori joined the Florentine Guild of Vintners in 1385. The Antinori estate is responsible for some of Tuscany’s most famous wines; Solaia, Tignanello and Guado al Tasso.

The lowdown: As stalwart a Brunello as any, Pian Delle Vigne is not immune to critical conjecture. Applying kudos to any big house in this polarizing vintage will raise an eyebrow or two. Why not Antinori?

The food match: Herb Crusted Pork Tenderloin

Antinori Pian Delle Vigne Brunello Di Montalcino 2008, Docg, Tuscany, Italy (651141, $59.95, Nova Scotia 1006431, $64.80, WineAlign) From the VINTAGES March 15, 2014 release

Goes at it older, bolder, tried and truer than had recently been the case, especially in 2007. Leather, cherries, seeping tea and peppery, earthy, funky dates. Purity of fruit, obviousness in Sangiovese Grosso aromatics and it is only when you taste that you are dealt with the full effect of its power and girth. Quite viscous on the palate, tough, gritty chain of tannin and qualified, felicitous bitters on a very long finish.  Best Pian delle Vigne in some time, at least back to 2001.  93  Tasted November 2013  @AntinoriFamily

Good to go!

Telmo’s Spanish dream

An afternoon with winemaker Telmo Rodríguez and Lifford Wines

\'Pasero\' detail, Competa, Malaga, September 2007

“Pasero” detail, Competa, Malaga, September 2007; “In Canada you have been drinking the worst Riojas, the undrinkable Riojas.”
Photo: Telmo Rodríguez

as seen on canada.com

Telmo Rodríguez the company is a small wine producer fashioning meager quantities from more DOs (and DOCAs) than can fit into a 620 x 400 jpeg. Telmo Rodríguez the man finds himself at the 20th anniversary year crossroads in celebrating the outgrowth of his dream. This critical juncture requires travel, evangelism and conceit, qualities the laser-focused, frank and facund winemaker possesses in spades.

Telmo Rodríguez tasting at Archive Wine Bar

PHOTO: Michael Godel
Telmo Rodríguez tasting at Archive Wine Bar

“We created a (not mass market) Spanish category of wines available at a good price,” says Rodríguez, “a human type of category.” Spain, according to the flying oenologist, is a passionate country with gastronomic clubs, where people cook and eat, to foster a crazy love of local ingredients. Within a 100 km radius around Basque country, “you have the best available products anywhere in Europe,” he boasts. But, he complains, wine has gone in the other direction. He laments the overuse of international grapes, monosyllabic styling and a disappearance of regional character. Wine as fast food.

Telmo Rodríguez sites

PHOTO: telmorodriguez.com
Telmo Rodríguez sites

Rodríguez did not want to make wine from international varieties or from recipes. He wanted to make wine from places and their landscapes. After studying in France (Bordeaux and the Rhône Valley) he returned, not wanting to make wine in France, not wanting to emulate France. So began the terroir journey, from Rioja to Galicia, from Ribera to Rueda.

“In Canada you have been drinking the worst Riojas, the undrinkable Riojas.” So he makes wines without the suffocating slings and arrows of outrageous, appellative fortune; no Crianza, no Reserva, no Gran Reserva. “No designations to help the bad producer,” he quips. Tell us how you really feel Telmo.

All the Rodríguez vineyards are organic, but this is something matter of fact, not a literature littered calling card. “We prefer to be known as a good producer. We don’t give too much importance on the winemaker, but more on the place, with respect and with respect for the land. We don’t move grapes from one place to the other.” This is the import of the most parochial of winemakers. Here are tasting notes on a selection of eight wines chosen from across the vast Spanish Telmo Rodríguez portfolio.

From left: Basa Blanco 2012, Gaba Do Xil Godello 2012, and Gaba Do Xil Mencia 2011

From left: Basa Blanco 2012, Gaba Do Xil Godello 2012, and Gaba Do Xil Mencia 2011

Basa Blanco 2012, Rueda, Spain (SAQ, 10264018, $15.95, B.C. 586016, $18.99, WineAlign)

Verdejo so often reached by walking the flat earth is here circumnavigating a more complex world. Smells a bit like Sauvignon Blanc and Telmo Rodríguez admits “it’s the only mistake I made in my life.” Commercial confessional though it leads the way around a round earth. Cool and full of tang with a heavy emphasis on herbiage and metallurgy. Enticing example full of instant gratification.  88  Tasted February 2014

Gaba Do Xil Godello 2012, Do Valdeorras, Spain (SAQ, 11896113, $17.85, WineAlign)

From Valdeorras, “gold country,” here Godello exhales its perfume in waves of gaseous fumes, rushes, meadow wildflowers, lemon thyme and balm. Viscous and nearly chewy, with a slight oxidative note breathing over dry patina hard candy. Stainless steel imagining itself as green oak and Mediterranean salinity combine to give an aura of Galician warmth. Sea, sun, wood and mineral.  88  Tasted February 2014

Mountain Blanco 2012, Málaga, Spain ($25.95)

“I didn’t want to produce this wine because Malaga was all about sweet, related to the past, to the ancestors, to something very deep. It took 10 years to decide to make this wine.” Sun-baked, trenchant, scorched Muscat. Liquid adobe cake from the brown slate soils, between 600 and 900 metres. Antique of a dry white, tinny, sharp, caramelizing, like the crust on a pork loin. Lengthy mountain jam makes you want to eat a peach. Reminiscent of Auxerrois, though certainly more southerly, Moorish even. Pure sec, 100 per cent Muscatel.  87  Tasted February 2014

Gaba Do Xil Mencia 2011, Do Valdeorras, Spain (SAQ, 11861771, $18.00, WineAlign)

The most Atlantic-influenced wine of the tasting, this fluid, medium-rare red. Rodriguez’ base and necessary expression for the “the freshness of Galicia.” Shares an aromatic commonality with Cabernet Franc though its gait is more Northern Rhône Syrah. Anti-serious, easy wine, existing as “a link to the past.” Like going back in time to Valdeorras’ past, into a beautiful home with all its contents having sat untouched and unharmed for 100 years. Fermented in tank so though it may be unprocessed it has that underlay of mineral and grit. Nothing oxy, flashy or large-scale about it. To have wide but not mass appeal. Beneficial length. Increases in approachability as it lays in glass. A taste of chewing crushed granite and plump plum. Honest and humble Mencía.  89  Tasted February 2014

From left: M2 Matallana 2010, Lanzaga 2008, and Altos de Lanzaga 2004

From left: M2 Matallana 2010, Lanzaga 2008, and Altos de Lanzaga 2004

M2 Matallana 2010, Ribera del Duero, Spain ($42.95, WineAlign)

M2 is 100 per cent Tinto Fino 14 months, aged half in new, half in second use barrels. A Tempranillo of dialect specific to place, just as Pinot would be in Chambertin, Vosne-Romanée or Volnay. Telmo not necessarily making Tempranillo, but rather Rodriguez making Ribera, or more specifically, a Tinto Fino gathering from Los Guijarros, Los Hundidos, Carrahoyales, Los Apriscales and La Pirileja. Blatant are the chalk and mineral intertwines, in marbled goodness. Makes quicker work than the Riojas, sheds its skin, peels away its oak and lets the fruit, soil and rock come forth.  92  Tasted February 2014

Lanzaga 2008, Rioja, Spain (SAQ, 11157151, $28.50, WineAlign)

Tempranillo with Graciano and Garnacha. From Rioja Alavesa, vines water-stressed to survive on shallow soil, digging in to Miocene sandstone strata. Begs for protein and development from an unforgiving, stony, calcareous and silty textured land. Fermented in large cement casks, allowing the fruit, which is nearly unparalleled for Rioja, to shine in all its ripe glory. A wind of perfume, a mistral espléndido. Finishes with chalk and ropy grain. Immense length.  92  Tasted February 2014

Altos de Lanzaga 2010, Rioja, Spain ($103.95, WineAlign)

Composed of Tempranillo, Graciano and Garnacha, 3,000 bottles are made of this ‘Grand Cru’ of Lanzaga. Rodríguez here wants to “try to go as far as possible in the quality of the wine,” a notion that begins and ends with place. “There has to be a rare, exceptional vineyard or it does not make sense to produce a wine like this.” Fermented and aged in the old cellar, in large Foudres, for two years, “to bring back what once was, a long time ago,” with indigenous (wild) yeasts found in that cellar. Here Telmo reinventing the past, the old Rioja, hinting at something exceptional. There is an elevated sweetness that fades into flowers. Rodríguez feels that Rioja must have been a wine made with many different varieties, like Châteauneuf-du-Pape. Thus the use of the three grapes. Layer upon layer, thin transparent sheets that become one.  93  Tasted February 2014

Altos de Lanzaga 2004, Rioja, Spain ($103.95, WineAlign)

From 65-80 year old vines, 10 years on showing barely discernible age. This wine was an early step in developing the “field blend” dream, of combining several Riojan varieties, “to present the taste, idea and feel of what Rioja used to be.” This wine chases down Telmo’s dream of being a present day, sophisticated winemaker set in an 18th century vintners mind. Altos sets the bar high, in trying to make an exceptional wine, which they would not have been doing then. First and foremost, does this prove or disprove his theory that wine should never be masked by oak?  94  Tasted February 2014

Good to go!

Wine experts Brock and roll, Brock on

Wine tasting

The Expert’s Tasting is more than just a study on Niagara wine.
Photo: JEAN-PIERRE MULLER/AFP/Getty Images

as seen on canada.com

Part two: 25th anniversary of the Cuvée 2014 Expert’s Tasting at Brock University

Flights three, four and five: Pinot Noir, Red Blends and Wine Options.

Related – When experts break wine together

The Expert’s Tasting is more than just a study on Niagara wine. It eulogizes what came before, reflects back on what is lost and ultimately asks the questions, “Where do we go from here? Which is the way that’s clear?” Grow grapes, make wine. Rock on.

The Brock University Cool Climate Oenology and Viticulture Institute now lays claim to being the central hub of information and guidance for Niagara’s wine industry. In partnership and in sharing expertise with Wine Country Ontario, the Grape Growers of Ontario, the Vineland Research and Innovation Centre, VQA Ontario and Niagara Culinary College, Brock’s CCOVI is the go to rock, central to Niagara’s world-class wine growing soil.

In 2015, the annual Cuvée gala weekend, one of the most prestigious celebrations of Ontario wine and food, will now be organized by Brock University’s Cool Climate Oenology and Viticulture Institute (CCOVI). The theme will be a look forward to Ontario’s significant wine styles and emerging varieties. Props to that.

The #CCOVI event continued the task of celebrating the annual VQA Promoters awards, handed out to the individuals who supported and promoted the industry through media, the LCBO, at large and over the course of a lifetime.  The 2014 awards were handed out to William Mancini, Lloyd Schmidt, Erik Peacock, Shawn McCormick, David Lawrason and posthumously, care of his wife Rose Lamas-Churchill, to David Churchill.

#CCOVI Expert's Tasting Pinot Noir Flight

PHOTO: Michael Godel
#CCOVI Expert’s Tasting Pinot Noir Flight

At the Expert’s Tasting wines were poured blind. The third and fourth flights (Pinot Noir and Red blends respectively) showcased just how far Niagara has travelled in fashioning quality reds. The Pinot Flight was all about balance and elegance. Bench Pinot stands out like a beacon on the Escarpment’s shelves. Blends centred around Merlot, Cabernet Sauvignon and Cabernet Franc are excelling with each passing vintage, in kind to the ever-increasing wine acumen of the growers and winemakers. That and the macro-intense studies of Niagara’s micro-terroirs.

This final flight of five wines (in order, Chardonnay, Pinot Noir, Syrah, Riesling and Cabernet Sauvignon-based blend) made for a less confounding competitive round, which was not the case in 2013. I clearly found vicarious fortune through the mates at my table. It’s not just who you know, but who’s palate you draft behind.

Here are my notes on the final 19 wines poured at the Expert’s Tasting 2014.

FLIGHT #3 – YOU’VE BEEN PINOT’D!!

From left: Devil’s Corner Pinot Noir 2012, Flat Rock Gravity Pinot Noir 2012, Inniskillin Pinot Noir Reserve 2011, 13th Street Essence Pinot Noir 2010, and Fielding Estate Pinot Noir Jackrabbit Flats Vineyard 2010

From left: Devil’s Corner Pinot Noir 2012, Flat Rock Gravity Pinot Noir 2012, Inniskillin Pinot Noir Reserve 2011, 13th Street Essence Pinot Noir 2010, and Fielding Estate Pinot Noir Jackrabbit Flats Vineyard 2010

Presented by Dr. Belinda Kemp, CCOVI Scientist, Oenology. “There is nothing funny about Pinot Noir,” she complains in deadpan humour, “it’s the unfunny grape. Fascinating, but nothing to laugh at. It’s not funny at all.”

Devil’s Corner Pinot Noir 2012, Tamar Ridge, Tasmania, Australia (317966, $23.95, WineAlign) From the VINTAGES March 1, 2014 Release

A good fresh start to the flight. At first earthless, weightless, cran-raspberry scented. Feminine, warm, inviting and then turning temperamental, difficult, evolving. Ultimately maternal, clay-influenced, brought down to mother earth. Vanilla ringer.  87  Tasted March 2014  @BrownBrothers

Un bon nouveau départ à la (troisième de l’expert de dégustation) vol. Au début Earthless, en apesanteur, cran-framboise parfumée. Féminine, chaleureuse, accueillante et puis, se tournant capricieux, difficile, en constante évolution. En fin de compte maternelle, argile influencé, ramené à la terre mère. Vanille sonnerie.  Dégusté Mars 2014

Flat Rock Gravity Pinot Noir 2012, VQA Twenty Mile Bench, Niagara Peninsula (1560, $29.95, WineAlign)

In a vintage potentially muddled by warmth and a humidor of radio frequency, duplicating berry phenolics, Flat Rock’s Gravity remains a definitive, signature house Pinot Noir. In 2011, the head of the FR class from its most expressive barrels shared the limelight (and top juice) with the Pond, Bruce and Summit one-offs. In ’12, Gravity’s sandbox was its own. The style is surely dark, extracted, black cherry bent, as per the vintage. Yet only the Rock’s soil does earth in this variegate, borne and elevated by the barrel’s grain. There are no fake plastic trees in a Flat Rock Pinot. “Gravity always wins.”  90  Tasted March 2014  @Brighlighter1

Dans un millésime potentiellement confus par la chaleur et une cave de la fréquence de la radio, la duplication des composés phénoliques des baies, la gravité de Flat Rock reste un définitif, maison de signature Pinot Noir. En 2011, la tête de la classe FR de ses barils les plus expressifs partage la vedette (et le jus dessus) avec les mesures ponctuelles Pond, Bruce et Summit. En ’12, bac à sable de gravité était son propre. Le style est certainement foncé, extrait, pliée de cerise noire, selon le millésime. Pourtant, seulement le sol de la roche ne terre dans ce variegata, porté et élevé par le grain du baril. Il n’y a pas d’arbres en plastique faux dans un Flat Rock Pinot. “Gravity gagne toujours.”  Dégusté Mars 2014

Inniskillin Pinot Noir Reserve 2011, VQA Niagara Peninsula (winery, $24.95, WineAlign)

A by-product of a rain-heat-rain, cold soak-warm ferment-16 month French barrel childhood. The ’11 Reserve Pinot is impressively floral while simultaneously brooding and serious. The middle palate binds citrus and savoury, gilded, dulcet rose, Langhe-like. Breakdown happens late, in syrupy alcohol and charred pulp. “In that case I’ll have a rum and coca-cola.” Complex Pinot for the common people88  Tasted March 2014  @InniskillinWine

Un sous-produit d’une pluie-chaleur-pluie, le froid tremper-chaud ferment-16 mois baril français enfance. Le ’11 Réserve Pinot est alors impressionnante floral simultanément couvaison et grave. Le milieu de bouche se lie d’agrumes et salé, doré, rose suave, Langhe-comme. Répartition arrive en retard, dans l’alcool sirupeux et pâte carbonisée. “Dans ce cas, je vais avoir un rhum et de coca-cola.” Pinot complexe pour les gens ordinaires.  Dégusté Mars 2014

Domaine Queylus Pinot Noir ‘Le Grande Reserve’ 2011, VQA Niagara Peninsula (winery, $65, WineAlign)

The Thomas Bachelder mentored, two-vineyard assemblage Grande Reserve Pinot Noir grinds more cracked pepper than any predecessor. Every barrel from the Twenty Mile Bench (formerly Le Clos Jordanne’s, Neudorf Family La Petite Colline Vineyard) and Mountainview vineyard were scrutinized to determine the final blend. Bachelder sees black fruit in the early life yet despite the ebullient seasoning, the LGR’s genes are intrinsically feminine. Red cherry, tellus fertility and a mother’s strength hold the family of barrel children together. This is an ambitious and hard to read Pinot Noir. Judgement reserved for five years before the word classic will be used.  92  Tasted March 2014  @QueylusVin

Le Thomas Bachelder mentor, l’assemblage de deux vignoble Grande Réserve Pinot Noir broie poivre craqué plus que ses prédécesseurs. Chaque baril de Lincoln Lakeshore (anciennement Le Clos Jordanne de, Neudorf famille La Petite Colline Vineyard) et le Twenty Mile Bench (Mountainview) appellations ont été examinées attentivement afin de déterminer l’assemblage final. Bachelder voit fruits noirs dans le début de la vie et pourtant, malgré l’assaisonnement bouillante, les gènes de la LGR sont intrinsèquement féminin. Rouge cerise, tellus la fertilité et la force de la mère détiennent la famille des enfants de baril ensemble. Il s’agit d’un Pinot Noir ambitieux et difficile à lire. Jugement réservé pendant cinq ans avant le mot classique sera utilisé.  Dégusté Mars 2014

13th Street Essence Pinot Noir 2010, VQA Niagara Peninsula, Ontario (237222, $44.95, WineAlign)

Five months have aged the Essence with more bronzing minerality and core strength. Imagine the old-world chemistry it will enumerate after five more years. Previous note: “Only the second coming of The Essence. Lucid, willing and able Pinot Noir from an assemblage of fruit sourced across the region. Atypical in that sense, speaking to a broader range of terroir and to a wider audience. Breadth and depth much like a Côte de Beaune, earthy of serious dirt layered over top a cherry core. Attention now and for five plus years is needed because though to taste it’s currently confounding, time will see more complexity, development and emerging emotion. It will then solicit a cry of  ”baby, sweet baby, you’re my drug. Come on and let me taste your stuff.”  91  Tasted October 2013 and March 2014  @13thStreetWines

Cinq mois ont vieilli l’essence avec plus de minéralité de bronzage et la force de base. Imaginez la chimie du vieux monde, il va énumérer après cinq années de plus. Note précédente:… “Seule la seconde venue de l’Essence Lucid, désireux et capables Pinot Noir à partir d’un assemblage de fruits provenant de toute la région atypique en ce sens, parler à un plus large éventail de terroir et à un public plus large étendue et la profondeur un peu comme un Côte de Beaune, terreuse de terre grave posés sur le dessus une cerise noyau. attention maintenant et pour cinq ans et est nécessaire parce que le goûter est actuellement confondre, le temps voir plus de complexité, le développement et l’émotion émergents. Elle sera ensuite solliciter un cri de “bébé, bébé doux, tu es ma drogue. Venez et laissez-moi goûter vos trucs.”  Testé Octobre 2013 et Mars 2014

Fielding Estate Pinot Noir Jackrabbit Flats Vineyard 2010, VQA Lincoln Lakeshore (winery, $24.95, WineAlign)

Though a recent phenomenon, a Bench area winemaker’s keen interest in the Lincoln Lakeshore as a unicorn Pinot growing locale has come out of the forest’s shadows. From dual-vineyard plots and specific barrel choosing, the JRF expressly microwaves its agminate gathering, that is, 14 months on lees in barrel, a warm vintage and virtually unfiltered ferment. Completely free of its closet, there is coffee, toffee and strong tea overtop rufescent fruit close to its earthly roots. An austere, tough and gritty Pinot Noir, from the Burgundy side of the pond, echoing the presenter’s choice of words. “It’s fascinating but nothing to laugh about.”  89  Tasted March 2014  @RichieWine

Bien que d’un phénomène récent, le vif intérêt d’un vigneron de la zone du Banc de la Lincoln Lakeshore comme un Pinot locale croissante licorne est sorti de l’ombre de la forêt. Des parcelles à double vignoble et choix de canon spécifique, la JRF tout micro-ondes expressément sa collecte de agminate, soit 14 mois sur lies en barriques, un millésime chaud et ferment pratiquement non filtré. Complètement libre de son placard, il ya du café, caramel et thé fort overtop Rufescent fruit proche de ses racines terrestres. Un austère, dur et graveleux Pinot Noir, du côté de l’étang de Bourgogne, en écho le choix du présentateur de mots. «C’est fascinant, mais pas de quoi rire.”  Dégusté Mars 2014

The Foreign Affair Pinot Noir 2009, VQA Niagara Peninsula (winery, $43.95, WineAlign)

An ambitious and in retrospect streetwise project now in the golden age of its life. From fruit grown both on the estate’s Crispino Vineyard and at the Vineland Research Centre. Then winemaker Ilya Senchuk dried 40% of the grapes which subsequently spent 15 months in French and Hungarian oak. The modest 13.1 per cent alcohol has realized a resolved, gentle and effortless balance of figgy/raisin-driven fruit and clear spirit. The beaver is not so different from a Tawny meets Reserve Port, Pinot-style. Appassimento, you’ve been Pinot’d.  ‘Ciao’ for hello and goodbye because now is the time to drink.  88  Tasted March 2014  @wineaffair

Un projet ambitieux et débrouillard, rétrospectivement, maintenant dans l’âge d’or de sa vie. De fruits cultivés à la fois sur Crispino Vignoble de la succession et au Centre de recherche de Vineland. Puis vigneron Ilya Senchuk séché 40% des raisins qui a ensuite passé 15 mois en fûts de chêne français et hongrois. Le modeste alcool 13.1 pour cent a réalisé une résolu, équilibre doux et sans effort de figgy / fruités raisins secs et l’esprit clair. Le castor n’est pas si différent d’un Tawny Port répond Réserve Pinot style. Appassimento, vous avez été Pinot’d. «Ciao» pour bonjour et au revoir parce que c’est maintenant le temps de boire.  Dégusté Mars 2014

FLIGHT #4 – RED ROAD TEST – ARE WE ON THE RIGHT TRACK?

From left: Konzelmann Estate Winery Heritage Reserve 2012, Hillebrand Trius Red 2011, Fielding Estate Winery Cabernet Merlot 2010, Trius Grand Red 2010, Stratus Red 2007, Creekside Estates Reserve Meritage 2004, and Henry Of Pelham Estate Cabernet/Merlot 2002

From left: Konzelmann Estate Winery Heritage Reserve 2012, Hillebrand Trius Red 2011, Fielding Estate Winery Cabernet Merlot 2010, Trius Grand Red 2010, Stratus Red 2007, Creekside Estates Reserve Meritage 2004, and Henry Of Pelham Estate Cabernet/Merlot 2002

Presented by Trius Winery at Hillebrand winemaker Craig McDonald. McDonald makes one of Niagara’s now flagship red blends, the Trius Grand Red. He brings red blend experience to the table in spades and hearts, particularly from his work at Penfolds in the Barossa Valley, but McDonald is an ardent voice for the relationship between varietal and land. He wants you to decide for yourself, are red wines working and excelling in Niagara? In this flight, Craig’s advice is “I want you to think about the dominant varietal.” Not as easy as you might think.

Konzelmann Estate Winery Heritage Reserve 2012, VQA Niagara Peninsula (149179, $30, WineAlign)

A Merlot-based blend with support from Cabernet Sauvignon and Cabernet Franc. The dominant varietal is the blend’s soft presence, lifting up an otherwise ground espresso, black pepper, currant and verdigris paste in its 14 per cent frame. Yet so young and unsettled, with Franz drive, chalky extract and hard bite. In this Heritage’s “edges and lines your engine’s alive,” so as a first red road-test, it sets a solid course.  88  Tasted March 2014  @KonzelmannWines

Un mélange à base de Merlot avec le soutien de Cabernet Sauvignon et Cabernet Franc. Le cépage dominant est la présence douce du mélange, soulevant un espresso moulu contraire, de poivre noir, de cassis et vert de gris coller dans son cadre de 14 pour cent. Pourtant, si jeune et instable, avec Franz entraînement, extrait calcaire et morsure dur. Dans ce patrimoine “des bords et des lignes en vie, de votre moteur” de manière un premier rouge route-test, il établit un plan solide.  Dégusté Mars 2014

Hillebrand Trius Red 2011, VQA Niagara Peninsula  (303800, $22.95, WineAlign) VINTAGES ESSENTIAL

Most of the 47 per cent Merlot, 40 Cabernet Franc and 13 Cabernet Sauvignon fruit was sourced from the Clark and Carlton Vineyards in Four Mile Creek. From the outset age is the focus point. Is this already showing wear and tear or is the sinewy, cassis, toffee, sweet balsamic and emulous acidity congregation preparing a long road ahead for this Niagara exhibit? Crisis? What crisis? It’s just a normal day and this Meritage will say, “maybe I’ll find my way.”  87  Tasted March 2014  @TriusWines

La plupart des 47 pour cent Merlot, Cabernet Franc 40 et 13 Cabernet Sauvignon fruits provenait de les Clark et Carlton Vignobles à Four Mile Creek. Dès l’âge de départ est le point de mise au point. Est-ce montre déjà l’usure ou est le nerveux, de cassis, de caramel, balsamique doux et jaloux acidité congrégation prépare un long chemin à parcourir pour cette exposition Niagara? Crise? Quelle crise? C’est juste une journée normale et ce Meritage dira, «peut-être que je vais trouver mon chemin.”  Dégusté Mars 2014

Fielding Estate Winery Cabernet Merlot 2010, VQA Niagara Peninsula (winery, $35.20, WineAlign)

Does anybody really know what wine this is? Does anybody really care? The experts do, as do I. Chosen for back-to-back Expert’s Tastings by a panel of Niagara’s finest palates? AYFKM? What does that say? Today Richie Robert’s CF (42), Merlot (33) and CS (25) master stroke from Lincoln Lakeshore (warm), Beamsville Bench (warmer) and St. David’s (Lowrey Vineyard – warmest) is singing. Charred cherries, animale game and soft funk like top IGT. Raises its own bar. Previous note: “Alights in lithe tendrils before adding coffee, meritage mid-weight. Currants, nasturtium and red fruit compote buoy this cooler Niagara blend that combines fruit from the Lincoln Lakeshore, St. David’s and Beamsville Benches. A good dancer with “the kind of body that would shame Adonis.” Expertly balanced with the spine to age.”  90  Tasted March 2013 and 2014  @FieldingWinery

Quelqu’un sait-il vraiment ce vin ce que c’est? Est-ce que quelqu’un se soucie vraiment? Les experts font, comme moi Chosen pour Dégustations Expertises dos-à-dos par un panel des meilleurs palais du Niagara? AYFKM? Qu’est-ce que cela veut dire? Aujourd’hui Richie FC Robert (42), Merlot (33) et CS (25) coup de maître de Lincoln Lakeshore (chaud), Beamsville (plus chaud) et Saint-David (Lowrey Vineyard – le plus chaud) chante. Cerises carbonisés, jeu animale et funk doux comme haut IGT. Déclenche son propre bar. Note précédente: “. Descend en vrilles agiles avant d’ajouter le café, meritage mi-poids Groseilles, capucine et compote de fruits rouges bouée ce refroidisseur mélange Niagara qui combine les fruits de la Lincoln Lakeshore, Saint-David et Beamsville Bancs Un bon danseur.” L’ type de corps qui honte Adonis. “experte en balance avec la colonne vertébrale de l’âge.”  Dégusté Mars 2013 et 2014

Trius Grand Red 2010, VQA Niagara Peninsula (winery, $55.00, WineAlign)

Roll out the best barrels from the same Four Mile Creek Clark and Carlton Vineyards. Gravity drip freshly-pressed juice directly into barrel, wait 18 months and voilà, the flagship red from winemaker Craig McDonald. The 45/33/22 Merlot/Cabernet Franc/Cabernet Sauvignon blend radiates of everything under the sun. It’s rich and lush, marked by huge extract and yet it’s also graced by sweet, limber tannins. The middle ground gives faint notes of soy and dill though it can be imagined they will be smothered as the chain lengthens and the flesh becomes more pliable. I’ve one put aside for a visit in 2018.  89  Tasted March 2014

Etaler les meilleurs fûts de les mêmes Four Mile Creek Clark et Carlton Vineyards. goutte à goutte par gravité jus de fruits fraîchement pressés directement dans le cylindre, attendre 18 mois et voilà, le rouge phare de vigneron Craig McDonald. Le 45/33/22 Merlot / Cabernet Franc / Cabernet Sauvignon mélange rayonne de tout sous le soleil. Il est riche et luxuriante, marqué par d’énormes extrait et encore il est également honoré par des tanins doux et souple. Le terrain d’entente donne des notes faibles de soja et aneth si on peut imaginer qu’ils seront étouffées comme la chaîne s’allonge et la chair devient plus souple. J’ai un mets de côté pour une visite en 2018.  Dégusté Mars 2014

Stratus Red 2007, VQA Niagara On The Lake, Niagara Peninsula (winery, $44.20, WineAlign)

On a day like today, the 2007 Stratus Red’s long, long sleep (644 days in mostly new French Oak) seems particularly magnified. Today the moody tincture is a cocktail shaker filled with peat, clay, iodine, strawberry compote, sangria and divaricated tannin. No other red blend today is as complex, shows more road rage or tries to speed off the track. Previous note: “Puts a twinkle in Groux’s eye. “Still very enjoyable, agreeable and ageable,” he smiles and I note it’s not candied like it may have once been perceived.  A healthy and high 88 per cent dose of new oak but it’s not the encumbrance you might expect. Still quite tight, eking strawberry and plum, and indubitably a unique amalgamation. Will offer up five more years of pleasure.”  91  Tasted September 2013 and March 2014  @Stratuswines

En un jour comme aujourd’hui, long, long sommeil de 2007 Stratus Rouge (644 jours dans la plupart neufs de chêne français) semble particulièrement agrandie. Aujourd’hui, la teinture de mauvaise humeur est un shaker rempli de tourbe, de l’argile, de l’iode, compote de fraises, sangria et les tannins divaricated. Aucune autre mélange de rouge aujourd’hui est aussi complexe, montre plus de rage au volant ou tente d’accélérer la piste. Note précédente: “. Met une étincelle dans l’oeil de Groux” Toujours très agréable, agréable et gérable “, il sourit et je constate que ce n’est pas confits comme il peut avoir été une fois perçu une saine et haute 88 par dose cent de chêne neuf, mais il est. pas la charge que vous pourriez vous attendre. toujours très serré, eking fraise et de prune, et sans aucun doute une fusion unique. offrira jusqu’à cinq années de plaisir “.  Dégusté Septembre 2013 et Mars 2014

Creekside Estates Reserve Meritage 2004, VQA Niagara Peninsula (sold out, $45, WineAlign)

A straight up self-starter, 55/45 Cabernet Sauvignon/Merlot, Left Bank galvanized blend. Craig McDonald noted that he and Rob Power “had no idea what we were doing.” What they had was a four year-old vineyard on the Queenston Road, St. David’s Bench in Four Mile Creek. They made this Bordeaux in a challenging vintage when there might not have been a sound mind around (who was paying them any attention) for guidance or encouragement. Though it has crossed the threshold into resinous mannerisms and elements of an armamentarium, the two mad scientists found a way to take 12 per cent alcohol and real fruit on a 10-year journey to the museum. Shows what potential there has always been and where the distinction of the 2014 Niagara reds will be in 2024.  89  Tasted March 2014  @CreeksideWine

A vous auto-démarreur droite, 55/45 Cabernet Sauvignon / Merlot, Rive Gauche galvanisé mélange. Craig McDonald admis que lui et Rob Power “n’avait aucune idée de ce que nous faisions.” Ce qu’ils ont trouvé un vignoble de quatre ans sur la route de Queenston, la Cour du Banc de Saint-David à Four Mile Creek. Ils ont fait ce Bordeaux dans un millésime difficile quand il pourrait ne pas avoir été un esprit sain autour (qui les paie aucune attention) pour obtenir des conseils ou des encouragements. Bien qu’il a franchi le seuil de tics et éléments d’un arsenal résineux, les deux savants fous ont trouvé un moyen de prendre 12 pour cent d’alcool et de vrais fruits sur un voyage de 10 ans pour le musée. Montre ce potentiel, il a toujours été et où la distinction de 2014 rouges Niagara sera en 2024.  Dégusté Mars 2014

Henry Of Pelham Estate Cabernet/Merlot 2002, VQA Short Hills Bench, Niagara Peninsula (winery, $34.95)

A Cabernet Sauvignon and Merlot split with 12 per cent support from Cabernet Franc. Right up there with other classic H of P blends, in ’98, ’05 and ’07. All three levels, the basic Cab/Merlot, this Reserve and the Speck Family Reserve have stood the test of time, perhaps better than any other Bordeaux blends from the region. You can tell this was an enormous wine at one time. Has gently and slowly evolved into its comfortable skin yet the tannin and grit are still in working order. He’s a crooner this CM2, with a soulful Roy Orbison voice. There aren’t many like him. “That’s why I sigh and sip my lonely wine.” If anything has been learned and if anyone had been paying attention to Ron Giesbrecht while he made his wines, there should be many more to come.  91  Tasted March 2014  @HenryofPelham

FLIGHT #5 – WINE OPTIONS

From left: Stratus Chardonnay 2009, Rosewood Estates Pinot Noir 2011, North Shore Project Syrah 2012, and The Foreign Affair ‘The Conspiracy’ 2012

From left: Stratus Chardonnay 2009, Rosewood Estates Pinot Noir 2011, North Shore Project Syrah 2012, and The Foreign Affair ‘The Conspiracy’ 2012

Presented by Peter Bodnar Rod Sommelier and member of the Brock WSET Team. After four serious and wind-sapping flights, the ice was again broken by the jocose Bodnar Rod when he made comment to the hand coverings of a wine pourer. “Maybe Jamie and I can go out tonight with black latex gloves?” Not a word in response from Mr. Drummond but if I were a betting man I’d say he just might join in that fun.

Stratus Chardonnay 2009, VQA Niagara Peninsula (winery, $55)

Comes off like a white blend, aka Stratus White but this is the outright, unchaste vintage talking. Winemaker J-L Groux crafted three wines with viticulturist Paul Hobbs. Here they split the project 50/50 with Hobbs including wild yeast fermentation and whole bunch pressing and J-L adding short skin contact, controlled yeasts and no whole bunch pressing. From extreme low yields, this one puts on a show after only 10 months in barrel. High on aroma, brazen in texture, ambient in flavour bites. Very Niagara if inexactly Chardonnay.  Tasted March 2014  91  Tasted March 2014

Se détache comme un mélange blanc, aka Stratus Blanc mais c’est la pure et simple, parler cru impudique. Oenologue JL Groux conçu trois vins viticulteur avec Paul Hobbs. Ici, ils partagent le projet 50/50 avec Hobbs y compris sauvage fermentation de la levure et le groupe entier urgent et JL ajoutant un bref contact de la peau, des levures contrôlées et pas toute la bande de pressage. De rendements extrêmement faibles, celui-ci met sur un spectacle après seulement 10 mois en barrique. Haute sur l’arôme, la texture d’airain, ambiant dans les piqûres de saveur. Très Niagara si inexacte Chardonnay.  Dégusté Mars 2014

Rosewood Estates Pinot Noir 2011, VQA Beamsville Bench (112177, $21.95)

What an arid specimen, tasted blind so distinctly Bench Pinot though the earthy, cranberry and cherry dust had me leaning Short Hills. The Rosewood reveal reminds of “little lonely eyes open and radiant,” berries from acidity victorious Wismer blocks on the Twenty Mile Bench. Previous note: “…and her libidinous solid core of red fruit habituated by a fencing of skin-tight acidity will see prolonging returns. Will run on like a Dave Matthews jam, in wine years scads longer than the temperate Rosewood ’10. An Escarpment’s native flint rocky note whispers “hey little dreamer’s eyes open and staring up at me…wait until I come I’ll take your soul.” Halloween wine indeed.”  89  Tasted September 2013 and March 2014  @RosewoodWine

Quel spécimen aride, dégustés à l’aveugle Banc si distinctement Pinot bien terrestre, la canneberge et de cerise poussière m’avait appuyé Short Hills. Le Rosewood révéler rappelle “petits yeux solitaires ouverts et rayonnants,” baies de l’acidité victorieux blocs Wismer sur le banc Twenty Mile. Note précédente: “… et son noyau solide libidineux de fruits rouges habitués par une clôture de l’acidité de la peau étanche verront rendements prolongeant sera exécuté sur une confiture comme Dave Matthews, dans les années à vin scads plus long que le tempéré Rosewood ’10.. silex natif notes rocheux chuchotements d’un escarpement “hey les yeux du petit rêveur ouverte et les yeux fixés sur moi … attendre jusqu’à ce que je viens je vais prendre votre âme.” vin de Halloween en effet. ”  Dégusté Septembre 2013 et Mars 2014

North Shore Project Syrah 2012, VQA Lake Erie North Shore (sold out, $22)

A project part Will Predhomme (off the charts Sommelier), Hinterland Wine Company (head of the class Sparkling Wine producer) and Colio Estates (top of the heap Lake Erie North Shore red wine maker). More than impressive first outing with a burst of pretty flowers, varietal perspicuity and articulation. As Predomme notes, this is “pure, naked Syrah.” Farmed at Colio, crushed in LENS and fermented at Hinterland. There is a hint (what can best be described as) carbonic maceration in banana sweetness but it does not linger and the lightness of being meets intensity shows adventure and promise.  87  Tasted March 2014  @northshoreproj

Cave Spring Cellars Riesling ‘CSV’ Estate Bottled 2010, VQA Beamsville Bench, Niagara Peninsula (566026, $29.95, WineAlign)

Was not so easy to return to Riesling 25 wines and three hours later but thanks goodness it was this old (35 years give or take) vines CSV. From the east Bench where limestone rules and rocks, there are apples upon apples in this vintage in waves of luxurious fruit. While Bench Riesling can be so tragically austere, racy and piercing, often in a state of hip “melancholy wine-soaked tenderness,” this CSV ’10 is bathed in luxury and pure pleasure. It’s so much more Germanic in an off-dry way and never forgets its limestone roots. Not necessarily classic Beamsville but not to be missed.  90  Tasted March 2014  @CaveSpring

N’était pas si facile de revenir à 25 Riesling vins et trois heures plus tard, mais Dieu merci, c’était ce vieux (35 ans donner ou prendre) vignes CSV. De la magistrature est, où les règles et les roches calcaires, il ya des pommes sur les pommes dans ce millésime dans les vagues de fruits de luxe. Bien Banc Riesling peut être si tragiquement austère, racé et perçant, souvent dans un état de hanche “mélancolique tendresse de vin trempé,” ce CSV ’10 est baigné dans le luxe et le plaisir pur. C’est tellement plus germanique de manière demi-sec et n’oublie jamais ses racines de calcaire. Pas nécessairement classique Beamsville mais à ne pas manquer.  Dégusté Mars 2014

The Foreign Affair ‘The Conspiracy’ 2012, VQA Niagara Peninsula (149237, $19.95, WineAlign) From the VINTAGES Feb. 15, 2014 Release

Young, huge, rich and oozing in oak soaked spice. Currants, pepper, whole grain, berries and chalk. All in for $20. Previous Note: Quickly reminiscent of its 2011 predecessor but also different, in a basking, vintage-related warmth and reductive currency. This could not have been an easy wine to temper in 2012 considering the ripasso methodology. Just softened plum is painted all over its sheen with the poaching aromas steaming away. Grilled, melting licorice, caramelizing and disapparating before your eyes. Not to mention a French vanilla creamy garagiste waft, like nuts and bolts ice cream. But I will admit the tang, acidity and tenacity increases with each sip and swirl. Such a unique bottling to Ontario. Is there anything else like it not from Lake Erie North Shore?  89  @wineaffair  Tasted February and March 2014

Jeune, grand, riche et suintant en chêne imbibé d’épices. Groseilles, poivre, grains entiers, fruits et craie. All-in pour 20 $. Note précédente:. “Vite rappelle de son prédécesseur 2011, mais également différente, dans un pèlerin, de la chaleur vintage liés et monnaie réductrice Cela n’aurait pas été un vin facile à tempérament en 2012 compte tenu de la méthodologie de ripasso prune juste ramolli est peint partout. son lustre avec les arômes de braconnage vapeur loin. grillé, fondant réglisse, caraméliser et disapparating devant vos yeux. Sans oublier une vanille française crémeuse garagiste bouffée, comme les écrous et boulons de la crème glacée. Mais je vais admettre la saveur, l’acidité et la ténacité augmente avec chaque gorgée et remous. telle une bouteille unique à l’Ontario. Y at-il quelque chose de semblable pas du lac Érié Côte-Nord? ”  Dégusté Février et Mars 2014

Good to go!

When experts break wine together

Wine tasting

The experts broke down 33 wines in five flights, progressing through Riesling, Chardonnay, Pinot Noir, Red Blends and culminating in a friendly blind tasting competition round, each table of seven for themselves.
Photo: Jeanne Provost/Fotolia.com

as seen on canada.com

With frozen Pond Inlet at Brock University as the backdrop to the 25th anniversary of the Cuvée 2014 Expert’s Tasting, 160 industry professionals gathered to break wine together. The original congress in 1989 might have heard the whisper, “si tu id aeficas, ei venient.” Fast forward to 2014 and Dr. Linda Bramble references Phil Alden Robinson’s declaration in Field of Dreams, “if you build it they will come.” Come they have, for 25 years running.

Dr. David Bergen spoke about the history of Niagara wines meeting the world and the movement towards what would eventually become VQA. He complemented Niagara’s true sense of community as an industry. Dr. Bergen was himself a vinous pioneer, having been a part of a group of other wine geeks back in the 1980’s tagged the PDU or, the Port Dalhousie Underground.

On the après, après, après Cuvée foggy (not the weather) morning of Saturday, March 1st there was ’89esque Steel Wheels Tour electricity in the air, waiting for the band to come on stage. The feeling was palpable, on a Bodhi guide to parochial wine enlightenment, through an aggregate of palate harmony and a caucus of local knowledge. Glass (a VQA Promoters Award decanter to be specific) was even broken, as if a Semitic bride and groom had spoken their vows to signal the reception’s begin. They had come from Niagara near, they had travelled from Ontario, Quebec, New York and beyond far. All for the purpose of tasting a covey of blindly, though anything but randomly chosen flights that have helped to define and will see to advance the future of Niagara’s viticulture industry.

CCOVI Brock U Expert's Tasting 2014

PHOTO: Michael Godel
CCOVI Brock U Expert’s Tasting 2014

There were Brock University Cool Climate Oenology and Viticulture Institute luminaries, including Dr. Bramble, Dr. Janet Dorozynski , Dr. Belinda Kemp, Barbara Tatarnic and Brock’s Brian Hutchings, Vice-President, Finance and Administration. Wine Country Ontario’s Magdalena KaiserSmit, Quebec’s Véronique Rivest, winemakers and winery leaders filled the room. WineAlign was well represented by David Lawrason, Sara d’Amato and Steve Thurlow. I spoke at length with Bryan Calandrelli, winemaker at Freedom Run Winery on Friday night about the Cuvée weekend. His thoughts returned again and again to Niagara’s sense of community. That and a depth of quality are what separate the region from its American brethren in Niagara, the Finger Lakes and Long Island.

The 2014 edition of the Experts Tasting was different. The room was packed. I’m not sure there was a single empty chair. This year a larger group of Toronto Sommeliers made the trip, including Will Predhomme, Christopher Sealy, Bruce Wallner, Lori O’Sullivan, Joel Wilcox, Michelle Paris, Craig MacLean, Marissa Kelly, Joshua Corea, Rebecca Meir Liebman and Emily Bibona. City chefs joined in, including Ortolan’s Daniel Usher and the Cheese Boutique’s Afrim Pristine. Forging a tasting relationship with a core of Toronto’s most passionate wine dealers is both brilliant and necessary, for all parties involved.

Riesling Flight CCOVI Brock U Expert's Tasting 2014

PHOTO: Michael Godel
Riesling Flight CCOVI Brock U Expert’s Tasting 2014

The experts broke down 33 wines in five flights, progressing through Riesling, Chardonnay, Pinot Noir, Red Blends and culminating in a friendly blind tasting competition round, each table of seven for themselves.

Studying wine in a setting and with a structure like the Expert’s Tasting presents a constructible universe in infinitary logics. In the bubble of a cozy room like the Pond Inlet “every set will arise in the construction process…. In infinitary logic, there are far more than only countably many formulas, and one can cook up a formula to define a specific set, by using the formulas that define its elements.” There are limitless boundaries and infinite possibilities allowed when attempting to identify, describe and define the wines at such a blind tasting. The latitude afforded, the manifest humility and the cooperation leading to revelation combines for an exhale of the most relaxed kind.

The #CCOVI event also celebrates the year’s VQA Promoters and lives that were lived. The 2014 awards were handed out to William Mancini, Lloyd Schmidt, Erik Peacock, Shawn McCormick, David Lawrason and posthumously, care of his wife Rose Lamas-Churchill, to David Churchill. Charles Baker of Stratus Vineyards had the difficult task of reminding the Niagara community of friends lost in 2013, Gerry Ginsberg & Barbara Ritchie. Baker then spoke about Churchill, the long time VINTAGES writer and LCBO lab tasting room director. It was David who granted me entrance into the lab in 2012. I will always be grateful.

Here are notes on the first two flights at the Expert’s Tasting.

FLIGHT #1 – ARE YOU EXPERIENCED

Clockwise from left: Charles Baker Riesling Picone Vineyard 2012, Rosewood Estates Riesling 2011, Ravines Wine Cellars Riesling Argetsinger Vineyard 2011, The Foreign Affair Riesling 2010, Charles Baker Riesling Picone Vineyard 2009, Charles Baker Riesling Picone Vineyard 2006, and Cave Spring Cellars Riesling CSV 2003
Clockwise from left: Charles Baker Riesling Picone Vineyard 2012, Rosewood Estates Riesling 2011, Ravines Wine Cellars Riesling Argetsinger Vineyard 2011, The Foreign Affair Riesling 2010, Charles Baker Riesling Picone Vineyard 2009, Charles Baker Riesling Picone Vineyard 2006, and Cave Spring Cellars Riesling CSV 2003

Presented by writer Rick VanSickle, winesinniagara.com with an ode to Jimi Hendrix and also, curiously to Taylor Swift. The absurdity of the duet mirrored the .429 (three for seven) batting average of Charles Baker Picones being passed into the flight by the CCOVI panel. That and a comedic pathos to soften the cumulative, piercing acidity of the Riesling gathering. An auspicious beginning. Not to be ignored were Rick’s improbable choice of kitsch props. Ice broken. Rick’s apocalyptic take? “I love the smell of Riesling in the morning. Riesling is the bomb.”

Charles Baker Riesling Picone Vineyard 2012, VQA Vinemount Ridge, Niagara Peninsula (241182, $35, WineAlign)

Baker’s iconic child yet breathes in unsettled, spumous emission from out of a warm vintage. So primary and such a hard act to follow. Vanguard Vinemount Ridge, arid as the desert and citrus, carbonic tight. Treated with cool, cooler and colder methods to seek result and strike balance in an opulent, lees-appertained, tangy finish. A Picone that says I don’t live today, so it is told and canvassed, “uh, get experienced, are you experienced?”  91  Tasted March 2014 @cbriesling

Enfant emblématique de Baker respire encore en suspens, l’émission spumeux de l’extérieur d’un millésime chaud. Alors primaire et un acte difficile à suivre. Vanguard Vinemount Ridge, aride comme le désert et les agrumes, serré carbonique. Traités à l’aide des méthodes les plus froids et les plus froids frais de rechercher résultat et bilan de la grève dans un, lies-appartenu, finition piquante opulent. Un Picone qui dit que je ne vis pas aujourd’hui, il est dit, et avait prospecté, “euh, se connu, Are You Experienced?”  Dégusté Mars 2014

Rosewood Estates Riesling 2011, VQA Beamsville Bench (Winery, $16, WineAlign)

Single (21 Street) Vineyard, clone-focused, superior Twenty Mile Bench fruit steals its way into the flight. Seltzer dry, austere and asking, can you see me? Pumps up its volume with an off-dry request, in pineapple, white flowers and a bite of yellow plum. Tied together by a thumping, Noel Redding bass line. Definitive, affordable stuff. For the Bench, “you can see in the future of a thousand years.”  88  Tasted March 2014  @Rosewoodwine

Simple (21 rue) Vignoble, clone axé, supérieure Twenty Mile Bench fruit vole sa place dans le vol. Seltzer sec, austère et demander, pouvez-vous me voir? Pompes son volume avec une demande de demi-sec, de l’ananas, de fleurs blanches et un morceau de prune jaune. Attachés ensemble par un bruit sourd, Noel Redding ligne de basse. Définitive, trucs abordable. Pour la Chambre, “vous pouvez voir dans le futur de mille ans.”  Dégusté Mars 2014

Ravines Wine Cellars Riesling Argetsinger Vineyard 2011, Finger Lakes, New York (winery, $24.95)

The Ravines ringer that dwells high above the shore of Seneca Lake is conspicuous for being of the oldest Riesling vineyards in New York’s Finger Lakes. The limestone soils on one hand apply swift, lean minerality and prickling flower aromas, on the other a drix sense of verboten. Did Argetsinger come to add love or confusion? “Would I be truthful, yeah, in, uh, in choosin’ you as the one for me?” The winemaker would ask to wait 10 years to reel in this Riesling’s wonders. In its current stark, dry as a bone (three g/L residual) state, it’s all lime and minerals. Though they tell each other “we are never getting back together again,” perhaps time will tell if the Jimi and the Taylor in this Riesling can coexist.  89  Tasted March 2014  @ravineswine

The Foreign Affair Riesling 2010, VQA Niagara Peninsula (127290, $24.95, WineAlign)

Older, bolder, warmer, darker. In 2010 this retrofits 10% NP dried grapes in the Venetian appassimento method. The rubric sees to an early showing of secondary notes, pushed along by 20 g/L of residual sugar. Wholly unique Riesling with “strange beautiful grass of green, with your majestic silver seas.” The most hydrated in the flight (ironic, no?) and this in spite of a third stone from the sun vintage. Up on the Vinemount Ridge.  87  Tasted March 2014  @wineaffair

Plus ancien, plus audacieux, plus chaud, plus sombre. En 2010, ce rétrofit 10% de raisins secs NP dans la méthode de appassimento vénitien. La rubrique voit un indice précoce de notes secondaires, poussés le long de 20 g / L de sucre résiduel. Riesling tout à fait unique avec des “étrange belle herbe de vert, avec vos majestueux mers argent.” Le plus hydratée dans le vol (ironique, non?) Et ce en dépit d’une troisième pierre à partir du millésime de soleil. Sur la Vinemount Ridge.  Dégusté Mars 2014

Charles Baker Riesling Picone Vineyard 2009, VQA Vinemount Ridge, Niagara Peninsula (241182, $35, WineAlign)

In a struck match state of mind, crazy enough to set a guitar on fire, onstage. The burning smell is infectious and dangerous but the palate heads to higher notes, in honey and at the 22nd fret of top E, string bent. Notable that this tough, economically not-viable vintage was stopped at a natural residual sugar of 21 g/L, 50 per cent higher than in 2012. In that sense this is old-school Baker, closer to mother Germany and not yet the current incarnation of the winemaker’s Vinemount Ridge oeuvre. Alright, in 2009 “I have only one burning desire” Picone, “let me stand next to your fire.”  90  Tasted March 2014

Dans un état de concordance frappé d’esprit, assez fou pour mettre une guitare sur le feu, sur scène. L’odeur de brûlé est contagieux et dangereux, mais les têtes de palais à des notes plus élevées, dans le miel et à la case 22 de haut E, chaîne pliée. À noter que ce millésime difficile, économiquement pas viable a été arrêté à un sucre résiduel naturel de 21 g / L, 50 pour cent de plus qu’en 2012. Dans ce sens, c’est la vieille école Baker, plus proche de la mère et de l’Allemagne n’est pas encore l’incarnation actuelle de Vinemount Ridge l’œuvre du vigneron. Bon, en 2009: «Je n’ai qu’un seul désir brûlant” Picone, “laissez-moi me tiens à côté de votre feu.”  Dégusté Mars 2014

Charles Baker Riesling Picone Vineyard 2006, VQA Vinemount Ridge, Niagara Peninsula (241182, $35, WineAlign)

Only Charles can follow Charles, as only Jimi could follow Jimi. Just ask Peter Townshend. The combined forces of vintage, off-dry level of residual sugar (23.9 g/L) and age have ushered this Picone into a realm of adipose, butyraceous, chewy texture. The ’06 is emblematic of its time, stunning, psychedelic, experienced. It speaks clearly and with conceit. Tasting it eight years on you can hear Baker’s 2006 voice saying “if you can just get your mind together uh-then come on across to me.” We have and continue to follow Charles, and we are paying close attention to every vintage along the ride.  93  Tasted March 2014

Seulement Charles peut suivre Charles, comme Jimi ne pourrait suivre Jimi. Il suffit de demander Peter Townshend. Les forces combinées de cru, le niveau de sucre résiduel (23,9 g / L) et l’âge-sec ont inauguré ce Picone dans un royaume de tissu adipeux, butyraceous, texture moelleuse. Le ’06 est emblématique de son temps, à l’étourdissement, psychédélique, connu. Il parle clairement et avec orgueil. Goûter huit ans, vous pouvez entendre la voix de 2006 Baker disant «si vous ne pouvez obtenir votre esprit ainsi uh-alors venir sur vers moi.” Nous avons et continuons de suivre Charles, et nous prêtons attention à chaque millésime le long de la promenade.  Dégusté Mars 2014

Cave Spring Cellars Riesling CSV 2003, VQA Beamsville Bench  (winery, $50, WineAlign)

Mind bending to taste a piece of recent history, a Riesling rooted in the rocks, blues and pop of the limestone, sandstone and shale Bench, but a wine also futuristic, distorted and soulful. From 25 plus year-old vines, this foxy lady has entered into true, secondary territory. She’s softened and her perfume is cast in vanilla butterscotch so much so she might mess with tasters’ minds in a flight of oaked Chardonnay. She’s “a cute little heartbreaker.”  92  Tasted March 2014  @CaveSpring

Esprit de flexion de déguster un morceau de l’histoire récente, un Riesling enracinée dans les roches, de blues et pop de la pierre calcaire, grès et schiste Banc, mais un vin aussi futuriste, déformée et soulful. De 25 plus ans vignes, cette dame rusée a conclu vrai, territoire secondaire. Elle s’adoucit et son parfum est coulé dans la vanille caramel tellement qu’elle pourrait salir avec les esprits de dégustateurs dans un vol de Chardonnay boisé. Elle est «un peu crève-coeur mignon.”  Dégusté Mars 2014

FLIGHT #2 – THE NEW ABC – APPEALING BALANCED CHARDONNAY

Clockwise from left: Flat Rock Cellars Chardonnay 2012, Fielding Estate Chardonnay Estate 2012, G. Marquis Chardonnay The Silver Line 2011, Kittling Ridge Chardonnay Barrel Fermented 2012, Cave Spring CSV Estate Bottled Chardonnay 2010, Rosewood Estates Chardonnay Reserve 2009, and Stratus Chardonnay 2010
Clockwise from left: Flat Rock Cellars Chardonnay 2012, Fielding Estate Chardonnay Estate 2012, G. Marquis Chardonnay The Silver Line 2011, Kittling Ridge Chardonnay Barrel Fermented 2012, Cave Spring CSV Estate Bottled Chardonnay 2010, Rosewood Estates Chardonnay Reserve 2009, and Stratus Chardonnay 2010

Presented by James Treadwell, Sommelier, Treadwell Farm-To-Table Cuisine. Treadwell so astutely refers to Chardonnay as the “polarizing varietal,” the one so many love to love, and love to hate. What turned out to be so striking was the newer to older, first to last ascendency of glycerin and extract. In just a few short years, Niagara Chardonnay has undergone a rapid change and increasingly speaks in a cool climate vernacular.

Flat Rock Cellars Chardonnay 2012, VQA Twenty Mile Bench, Niagara Peninsula (681247, $16.95, WineAlign)

Has spent some quality time and knows its way around a barrel but its attitude is young, fresh and alive. From 12 and 13 year-old estate vines and kissed by only 15 per cent new oak. “But here’s a funky fact that I know is real.” Flat Rock’s Chardonnays are red-hot and this fresh-faced ’12 has “baby appeal.” Blatant, colorable value on the Twenty.  89  Tasted March 2014  @Winemakersboots

A passé du temps de qualité et connaît son chemin autour d’un baril, mais son attitude est jeune, fraîche et vivante. De 12 et 13 ans vignes du domaine et embrassé par seulement 15 pour cent de chêne neuf. “Mais voici un fait génial que je sais, c’est vrai.” Les chardonnays de Flat Rock sont d’un rouge ardent et cette ’12 frais face a “appel de bébé.” Flagrante, valeur colorable sur la vingt.  Dégusté Mars 2014

Fielding Estate Chardonnay Estate 2012, VQA Beamsville Bench (355842, $21.95, WineAlign)

Heavy lees and a charitable, warm temperature barrel ferment have imparted greenhouse humidity into this soft, lush Chardonnay, outgoing in personality. Effortless and easy to love if not perceptibly cerebral, though a mineral streak channels equality and “a delicate balance.” To some this may just feel like spinning plates but take the time to get to know Richie Robert’s wine and music on the radio your head will find.  89  Tasted March 2014  @FieldingWinery

Lies lourdes et un organisme de bienfaisance, chaude température baril ferment ont conféré humidité de la serre en cela, Chardonnay luxuriant doux, sortant de la personnalité. Sans effort et facile d’aimer si pas sensiblement cérébrale, mais une égalité de chaînes minérale à balayage et “un équilibre délicat.” Pour certains, cela peut tout simplement envie de tourner les plaques, mais prendre le temps d’apprendre à connaître le vin et la musique de Richie Robert sur la radio de votre tête trouverez.  Dégusté Mars 2014

G. Marquis Chardonnay The Silver Line 2011, Single Vineyard Niagara Stone Road, VQA Niagara On The Lake (258681, $17.95, WineAlign)

Big, big wine in bold expression. Enveloped by well-judged oak. Might lack just a bit of cohesion, layering and synchronicity. Otherwise really fine effort from the Magnotta world. From earlier notes: “Some extra credit is awarded for a wine that knows its place, in this case the watershed of the Niagara Stone Road. Though faint, the impart of minute shells and rock fragments from an ancient sea-washed down from the escarpment has found its way into the Silver Line. The reality is that the dominant aroma is that of popcorn butter drizzled over top Niagara River stones. Opulent and tropical while at the same time like chewing on pomaded pop rocks. Works the wet and acidified vintage well with a healthy dose of the barrel.” From my previous note: “Streaks across and plays a lick on atomic 16 rails at breakneck speed, all the while jonesing for of a slice of custard pie. “It’s sweet and nice” with lead, nuts and spice. The G. might stand for grateful or great, as in value.”  88  Tasted October 2012, February and March 2014  @GMarquisWines

Grand, grand vin dans l’expression audacieuse. Enveloppé par un boisé bien jugé. Pourrait manquer un peu de cohésion, la superposition et la synchronicité. Sinon effort vraiment beau du monde Magnotta. De précédentes notes: “Certaines cartes de crédit supplémentaire est accordé pour un vin qui sait sa place, dans ce cas, le bassin versant de la Stone Road Niagara Bien que faible, l’confèrent des coquilles minute et de fragments de roche à partir d’une ancienne mer arrosés de l’escarpement a. trouvé sa place dans la ligne d’argent. La réalité est que l’arôme dominant est celui de pop-corn au beurre arrosé sur les pierres supérieures de la rivière Niagara. tout Opulent et tropical dans le même temps comme mâcher sur les rochers de la pop pommadés. Travaux du millésime humide et acidifié bien avec une bonne dose de canon “. De ma note précédente: “. Séries partout et joue un coup sur atomiques 16 rails à une vitesse vertigineuse, tout en jonesing pour d’une part de tarte à la crème” Il est doux et gentil “avec plomb, de noix et d’épices Le G. pourrait se tenir. pour reconnaissant ou grande, comme la valeur “.  Dégusté Octobre 2012, Février et Mars 2014

Kittling Ridge Chardonnay Barrel Fermented 2012, VQA Niagara Peninsula (367862, $16.95, WineAlign)

From many miles away within a single vineyard along the Merrit Road, this KRC is akin to a mini-Lenko, in high-tone toast and micro-Pender like by way of a comparison to his treatment of Daniel’s fruit in 2011. Wild, piercing ray of unbroken Beamsville laser vision hits a wall of lees within the barrel to settle quietly upon the can’s floor. Buttered niblets are the warm and comfortable conclusion.  87  Tasted March 2014

De nombreux miles de distance dans un seul vignoble le long de la route de Merrit, ce KRC s’apparente à un mini-Lenko, en haut ton pain et micro-Pender comme par le biais d’une comparaison à son traitement de fruits de Daniel en 2011. Sauvage, rayons perçant ininterrompue vision laser Beamsville frappe un mur de lies dans le canon de régler tranquillement sur le plancher de la boîte. Niblets beurre sont la conclusion chaleureux et confortable.  Dégusté Mars 2014

Cave Spring CSV Estate Bottled Chardonnay 2010, VQA Beamsville Bench, Niagara Peninsula (529941, $29.95, WineAlign)

Citrus meet butter. From oldest (36-40 year-old), lowest-yielding vines on Cave Spring’s stony, limestone, rich clay, overlying shale and sandstone soils, this CSV sashays out in depeche mode. The oak, lees, malolactic, batonage and assemblage is nothing short of mad science meets high fashion. “Don’t take this way, don’t take that way. Straight down the middle until next Thursday. Push to the left, back to the right, twist and turn ’til you’ve got it right.” Builds up slowly, scales back in restraint and with only 60-65 per cent barrel ferment in 2010, it set out to get the balance right and succeeded. The definitive CSVC study.  91  Tasted March 2014

Citrus répondent beurre. Du plus ancien (36-40 ans), les vignes sur la pierre de Cave Spring, le calcaire, l’argile riche, recouvrant schiste et de grès sols plus bas rendement, ce CSV flâne dans depeche mode. Le chêne, lies, fermentation malolactique, bâtonnage et assemblage n’est rien de la science folle rencontre la haute couture. “Ne prenez pas de cette façon, ne prenez pas de cette façon. Droite au milieu jusqu’à jeudi prochain. Poussez vers la gauche, vers la droite, tourner et tourner jusqu’à ce que tu as raison.” S’accumule lentement, échelles de retour en retenue et avec seulement 60-65 pour cent baril ferment en 2010, il a entrepris de trouver le bon équilibre et réussi. L’étude CSVC définitif.  Dégusté Mars 2014

Rosewood Estates Chardonnay Reserve 2009, VQA Beamsville Bench (winery, $28, WineAlign)

One of then winemaker Natalie Spytkowsky’s under the radar and unsung oeuvres out of the estate’s Renaceau Vineyard. A wild ferment, full-out malolactic and French oak barrel thang, beginning to show some age, like a well-made, dirty martini for a hard living brat pack. Sappy, herbal resin leads this ’09 into anointed autumn ripeness. It was and is a 14 per cent, 4.2 g/L, small lot (125 cases) piece of Beamsville history.  88  Tasted March 2014

Un de puis vigneron Natalie Spytkowsky de sous le radar et d’œuvre méconnus de Renaceau Vignoble de la succession. Un ferment sauvage, pleine à malolactique et français fût de chêne thang, commence à montrer des signes d’usure, comme un bien-fait, dirty martini pour un paquet de gosse dur vivant. Séveux, résine à base de plantes conduit ce ’09 en oint maturité en automne. Il a été et est un 14 pour cent, 4,2 g / L, petit terrain (125 cas) morceau de l’histoire Beamsville.  Dégusté Mars 2014

Stratus Chardonnay 2010, VQA Niagara On The Lake  (Winery, $55.00, WineAlign)

Can’t help but think about buttered popcorn; the best that money can buy in heritage kernels. A magnanimous effort, in a state of equatorial weave with cajoling, candied aromatics. Previous note: “From natural yeast, full batch (bunch) pressing and heeded by Paul’s (Hobbs) call to full malolactic fermentation, this fruit was picked on November 15th, a day “you had to go run and pick fast.” Groux is not trying to make California or Burgundy but make the best in Niagara. Clarity and sun drenched hue, tropical fruit dominance, sweetness, malo-butterscotch obviousness. Some tart orchard fruit late but certainly warm vintage wine. Not the most arid Chardonnay but blessed with great length.”  91  Tasted March 2013 and 2014  @Stratuswines

Vous ne pouvez pas m’empêcher de penser à maïs soufflé au beurre, le meilleur que l’argent peut acheter dans les noyaux du patrimoine. Un effort magnanime, dans un état de équatoriale tisser avec cajoler, aromatiques confits. Note précédente:. “De la levure naturelle, pleine lot (groupe) en appuyant et en tiennent compte (Hobbs) l’appel de Paul à la fermentation malolactique complète, ce fruit a été sélectionné le 15 Novembre, un jour” il fallait aller courir et prendre rapidement “Groux est ne cherche pas à faire de la Californie ou de Bourgogne, mais faire le meilleur à Niagara. Clarté et baignée de soleil teinte, la dominance de fruits tropicaux, de la douceur, malo-caramel évidence. Certains tarte de fruits du verger en retard, mais millésime certainement chaud. Pas le Chardonnay plus aride mais béni avec grande longueur. ”  Dégusté Mars 2013 et Mars 2014

Good to go!