A Canadian summer for South African wines

Stellenbosch, Western Cape

Great heart and value from the Western Cape, alcohol bans, limited time offers and 15 reasons why you should support the wineries of South Africa 

by Michael Godel

 

as seen on WineAlign

There is an undeniable truth that South Africa is responsible for producing some of the finest wines in the world, at all price points and for every imaginable palate. A local perspective shows how fortunate Canadians are to have access to so many of the Cape’s essentials. Wines so very helpful as chaperones whilst Canada finds itself in the throes of a steamy and canicular July, still weeks ahead of the dog days when the star Sirius will first appear in the night sky. Essentials, as in chenin blanc, sauvignon blanc, chardonnay, Cap Classique, Rosé, syrah and cabernet sauvignon. The Capelands are the proviso and if there were ever a time to spend Canadian dollars on South African wine, that time is now.

Winegrowing areas of South Africa

As Canadian vaccination rates rise to a global lead and the economy continues to trend in an open and forward direction, here at home many wine consumers finally find themselves in a charmed position. Yet the story is not the same around the world. In Ontario visits to local wineries can now increase in earnest while looking ahead in anticipation for six further weeks of summer filled with touring, tasting and relaxing. South Africa’s situation is less fortunate and it’s wine industry remains in static, suppressed and uncertain limbo. The government continues to enforce a total alcohol ban while ignoring sound proposals from its very own constituents, to dire consequences. There just seems to be no consideration for South Africans who face job losses and poverty as their employers struggle to meet even the base and necessary tenets of the bottom line.

South African wine producers will tell you that the current moratorium on selling locally is the stuff of crazy town. The collective contention will express the view that the government’s decision making is rash, ill-considered and reactionary in the most peculiar ways. The President’s claim states that the ban on selling or drinking alcohol “is to ease the pressure on hospitals which are under strain,” yet anyone worth their salt in common sense and trusting medical professionals will acknowledge that keeping booze away from alcohol dependants will only add to hospital visits. The shut downs (and other restrictive government decrees) are now leading to protests, violence and bootlegging tactics. Canadians have little power to effect political will abroad but consumers can make the choice to support their friends and colleagues in the wine industry.

New development: Following the publication of this article on WineAlign the government of South Africa has since lifted the alcohol ban.

Production areas of South Africa

Related – Searching for great heart in South Africa

The LCBO is now doing their part. To make things easier and wholly accessible to an Ontario consumer, a joint “Flexspace” program between Wines of South Africa Canada and the LCBO launches July 19 and runs through August 15 with eight General List products. These LTOs (limited time offers) offer four weeks of discounted prices as incentive during down time summer holidays for people to try South Africa, if indeed they haven’t before. The LTOs coincide with the VINTAGES July 24th release inclusive of a thematic promoting the idea of young Cape winemakers.

Cape Wine 2018

Cape Wine 2021(2)

In a pandemic-free world Cape Town’s Cape Wine would be taking place just two months from now but the difficult and necessary decision by Wines of South Africa has moved the trade show from September 2021 to October 2022. Intensive planning for one of the great triennial wine fairs on the planet begins 18 months out and so with vaccine promise and good hope the industry has shifted preparations for a Spring 2022 “Capelands” revival. Soon enough the hurdles, obstacles, impediments and hoops of pandemic lockdowns, sponsorship landing and export bans will be added to the growing list of “what has been overcome.”

Nature, farmers and winemakers continue their work. Grapes are still growing and wines are still being made. Cape Wine is one of the greats, a collection and gathering by an industry of more varied character and industriousness than you will ever find. Let’s hope a global correction and stabilization brings everyone back together. In the meantime we focus are attention here in Ontario to General List, VINTAGES Essentials and VINTAGES release wines to do our part in support of a heavily challenged, beleaguered and surely resilient community of WOSA estates, farms, winemakers, distributors, retailers, marketers and supporters.

Andrea Mullineux

The Cape’s Young Winemakers

In two visits to the Western Cape (in 2015 and 2018) I had the pleasure of meeting and tasting with some of the most impressive, erudite and promising young winemakers anywhere on the planet. The list is long and winding, the resumés noteworthy and the wines crafted nothing short of inspiring. They are the present and the future of South Africa’s wine scene; Andrea Mullineux, Duncan Rall, Nomonde Kubheka, Chris Alheit, Emul Ross, Duncan Savage, Marlise Niemann, Carmen Stevens, Sebastian Beaumont, David and Nadia Sadie, Ryan Mostert, Jacques de Klerk, Sheree Nothangel, Ntsiki Biyela, Christa Von La Chevallerie, Alex Milner, Callie Louw, Patrick Ngamane, Francois Haasbroek, Eben Sadie, Tariro Masayiti, Lukas van Loggerenberg, Mick and Jeanine Craven, Samatha O’Keefe, Ernst and Nina-Mari Bruwer. This is but a small sampling and my sincerest Canadian apologies to those I fail to mention and also to those I have not yet had the pleasure to meet.

In South African winemaking terms and schemes, as the boomers and now the next generation have grown older their collective winemaking continues to mature and become exceedingly wiser. There will and should not be any abandoning for the call to uprising, subversion and experimentation, but there is a contiguous and concerted effort to create wines that are simply pleasurable to drink. Isn’t that the point? By the time I looked at Cape wines in 2018 assessment it seems that everyone had it all figured out. Tasting through 2019, 2020 and half of 2021, albeit here in Canada causes a persistent thought pattern wherein South African wines are cleaner by ‘n landmyl, with as much precision, purity, transparency and honesty than ever before. Their recent decades long developing epiphany is now ours as together we synchronically enter this new world of next level, reinvented and deeper understanding.

Eben Sadie and Rosa Kruger

Heritage Vines

According to founder and viticulturist Rosa Kruger, “aged vines bring an intensity, a perceived freshness, a texture, and a sense of place. They show less fresh fruit and varietal character, and more terroir and soil.” No discussion of the South African landscape can be introduced without a nod to the biodiversity and heritage work associated with the Old Vine Project. With great kudos first and foremost to long time champion of the Cape’s oldest plantings and pioneer Rosa Kruger, but also winemakers Johan Reyneke, Eben Sadie and OVP Manager André Morgenthal. Kruger, along with a select few viticulturists, started scouting for South African old vines in and around 2002. Then, just beyond 2006 Sadie released his first wine under the Old Vineyard Series, a Stellenbosch wine made from the oldest chenin blanc in South Africa.

Today winemakers all over the Western Cape are seeking out these old sites of dry-farmed, (un)trained bush vine plots of gold. “Stories sell wine,” says winemaker Johan Kruger, “and what better story the tell than the old vine one.” The Old Vine Project is all about preserving vineyards 35 years and older, through trade initiatives and sustainable projects to protect South African heritage. Only South Africa offers the possibility for wine labels to ensure certification by the regulatory authority. “Members of the Old Vine Project (OVP) can put a Certified Heritage Vineyards seal on bottles of wine made from vineyards of 35 years or older, together with the planting date. This is a guarantee to the consumer of authentic wines grown according to the OVP viticultural and winemaking guidelines.”

Chenin Blanc

Chenin Blanc

While grenache, cinsault, syrah, pinotage, sémillon and many others take great promise from their old vine sources there can be little argument against chenin blanc being the greatest beneficiary of age, fortitude, focus and acumen as provided by the old vine experience. The list of Western Cape chenin sites from Stellenbosch, Swartland, Citrusdal Mountains, Darling, Hemel & Aarde Ridge, Breedekloof, Bot Rivier, Walker Bay, Cederberg, Paarl and Robertson, reads like a biblical scroll; Bottelary Hills, Granite Hill, Helderberg, Kapteinskloof, Kasteelberg, Paardeberg, Perdeberg, Riebeek-Kasteel and Skurfberg. Just last month a chenin blanc day Zoom session with four Cape winemakers yielded this Polkadraai gem from Bruwer Raats.

Raats Family Wines Chenin Blanc Eden 2018

Raats Family Wines Chenin Blanc Eden 2018, WO Stellenbosch, South Africa ($80.00, Lifford Wine & Spirits)

A single vineyard chenin blanc and the first vintage to the Ontario market for a unique project celebrating the family farm called Eden. From their Stellenbosch ward of Polkadraai and high density plantings on dolomitic, granitic soils. Of a richness, an intensity of parts and a presence only a handful of South African blanc ever reach. A wine that achieves a level of status by its work underground (through root competition) and a clone called Montpellier that produces small berries and even smaller yields, not to mention the plot is just 0.6 hectares in size. Eden is the mothership and matriarch of this clone and for that variety in South Africa. All parts contribute to a wine of outrageous acidity that is never sharp, vivid or dominant. Fruit, mineral, focus, elements and precision. Wet stone is pure Polkadraai, vaporous, omnipresent, all over the wine. “The most successful winemakers (and wine projects) are ones that specialize,” says Bruwer Raats. This Eden follows the credo to a “T” and with a capital “E.” Really cerebral and also age-worthy chenin, in the upper echelon of the finest in the pantheon. If ever a chenin signified “Bringing it all Back Home,” the Raats Eden is it. “Discuss what’s real and what is not. It doesn’t matter inside the Gates of Eden.” Drink 2022-2030.  Tasted June 2021

Braai

The grape variety has been in the country for more the 350 years, can withstand warm and dry conditions and perform really well. The signature grape variety is South Africa’s golden ticket to global recognition and success. No other varietal message speaks with as much clarity and consistency than that of chenin blanc. And is there a finer example that also happens to be stupidly affordable than this.

Ken Forrester Old Vine Reserve Chenin Blanc 2019

Ken Forrester Old Vine Reserve Chenin Blanc 2019, WO Stellenbosch, South Africa (23128, $17.95, Noble Estates Wines & Spirits Inc.)

Gets me every time. Not just one of the finest meets best value chenin blancs available out of South Africa but an example to hang all your hats on no matter where white wine comes from in this world. Still the knowing nod and incredulous head shake that $18 CDN can buy you fruit from six blocks that are mainly 38 years of age but could possibly include 1974 Helderberg planted vines in Stellenbosch. “Core of the business” and arrow through a chenin heart. Great ferment, like a (catherine) wheel. Layers of design, creamy with thanks to secondary lees aging but somehow still texturally chewy. Barrel notes make a point in a vanilla brûlée way and yet each sip is like taking a bite from a piece of firm, ripe fruit. “I need more texture. You need to give me more texture, texture, texture. You need to give me more texture.” Old Vine Reserve obliges every time. Drink 2020-2026.  Tasted June 2020

Bruce Jack Chenin Blanc 2020

Sometimes you just need some fun, spirit and energy in a well-priced chenin blanc that speaks to everyone. This by Bruce Jack and former Hidden Bench winemaker Marlize Beyers is just the ticket.

Bruce Jack Chenin Blanc 2020, WO Western Cape ($13.95, LCBO 13356, VINTAGES May 29th, Lifford Wine & Spirits)

There’s a whack of chenin blanc personality in the 2020 by Bruce Jack, proprietor of The Drift, literary philosopher. The vineyards are located in the Breedekloof, in the west of the Breede River Valley, an arid rift of alluvial soils with a river running through. Here from the Western Cape’s newer wine route area chenin blanc is exulted as a most important varietal component. Older barrels, the alluvial soils and a warm location are involved, which are duly noted in the platinum hue, tropical fruit and developed ripeness. Sunshine chenin blanc Superman, especially considering the price. Sharp and in flight. Drink 2021-2022.  Tasted June 2021

The Heldeberg from Stellenbosch

Buyers’ guide to South African wines from current LTOs and the July 24th VINTAGES release

Back in late June (and we will do so again next week) the WineAlign cru sits down to taste through the LCBO LTOs and July 24th VINTAGES South African releases. When asked for his four top picks my colleague and mentor David Lawrason exclaimed, “Here you go Michael!  Kinda tough to narrow down these good values.” That’s exactly what you will find from these collective picks. Great value, as well as great heart from South Africa.

Haute Cabrière Pierre Jourdan Belle Rose Brut Sparkling

Haute Cabrière Pierre Jourdan Belle Rose Brut Sparkling, Traditional Method, WO Western Cape ($19.95, LCBO 18569, VINTAGES July 24th, LUSOCAPE)

This sparkling wine is part pinot noir, part Franschhoek and part traditional method in Cap Classique form. Haute Cabrière is the work of the von Arnim family in bubbles comfortably under a Brut number by residual sugar in attack mode made wholesome and free with a great pulse of acidity. Gingery and frothy, of red apple skins and a hint of blood orange. Also tannic, like rooibos tisane while ultimately sharp dressed, soda cracker crunchy and so properly defined. Good wine. Drink 2021-2025. Tasted June 2021

Rustenberg Petit Verdot Rosé 2020

Rustenberg Petit Verdot Rosé 2020, WO Stellenbosch ($14.95, LCBO 451773, VINTAGES July 24th, Woodman Wines & Spirits)

Here is what you get when you combine Rosé (first made in the 1980s) and petit verdot (first planted in the early 2000s). The grape is no longer employed solely for the John X Merriman Bordeaux blend but it is the same varietal stuff grown on Stellenbosch decomposed granite. Not exactly dry and salty with the specs tilting more to sugar over acidity but it is certainly balanced and quenching. Tons of fruit and flavour at $15 with a lovely side-step into adult lemonade. And it tastes like petit verdot, for what it’s worth. Drink 2021-2023.  Tasted June 2021

Robertson Winery Chenin Blanc 2020

Robertson Winery Chenin Blanc 2020, WO Robertson Valley ($10.00, LCBO 495507, Univins)

Made by winemaker Rianco van Rooyen as part of the “cultivar” range, of moderate acidity and a slightly higher content of residual sugar. Soft and cuddly, fuzzy peach, pear and apple slices. Simple and effective, Expect lots of floral perfume and plan to make use of this tropical chenin at brunch. Drink 2021.  Tasted June 2021

Fleur Du Cap Essence Du Cap Chardonnay 2018

Fleur Du Cap Essence Du Cap Chardonnay 2018, WO Western Cape ($12.95, LCBO 358960, PMA Canada)

The grapes were sourced from Stellenbosch, Somerset West, Elgin and Robertson. The oldest vineyard located in Stellenbosch was planted in 1990 while the rest of the vineyards were planted between 2000 and 2006. For 20 per cent of the wine, fermentation started in tank and was completed in French (90) and American (10) oak barrels. The remaining 80 per cent fermented in tanks on French (55) and American (45) oak staves. Quite heady, spiced and developed chardonnay for the cost with a flinty smoulder and notable reduction. Lots of wood feels but well integrated and pretty well in balance. Crafted with specific intention and there is lots of wine here for $13. Drink 2021-2023.  Tasted June 2021

Spier Seaward Sauvignon Blanc 2020

Spier Seaward Sauvignon Blanc 2020, Vegan, WO Cape Town ($15.95, VINTAGES July 24th, Sylvestre Wines & Spirits)

A coastal sauvignon blanc by winemaker Jacques Erasmus with plenty of marine influence. Healthy of alcohol and weight, with some sugar but even more so acidity to blow an ocean breeze through the wine. Notably pungent and exotically perfumed, all passion and grape fruit. More texture than many, crunchy, tin cup sweet and roasted cashew salty. Lots going on in here. Drink 2021-2023.  Tasted June 2021

Boschendal 1685 Chardonnay 2019

Boschendal 1685 Chardonnay 2019, WO Coastal Region ($14.95, LTO, Select Wine Merchants)

Always worth noting Boschedal’s connection to the natural world with the estate situated in the Cape Floral Kingdom, the smallest yet richest such plant biosphere on earth, with an astounding diversity of plant and animal life. Their lands are still in inhabited by indigenous creatures such as duiker, klipspringer, porcupine, mongoose, caracal and even leopard. Michael Langenhoven is Boschendal’s white winemaker, here with sources threefold; Stellenbosch, Elgin Valley and Boschendal Farm. Just lovely and amenable coastal-influenced chardonnay, easy, somewhat soft and no obstructions in the way. Neither reduction nor barrel do anything to distract and the wine’s touch of sweetness is well managed by herbs, elastic acidity and sapidity. Very well made. Drink 2021-2023.  Tasted June 2021

Lomond Sauvignon Blanc 2021

Lomond Sauvignon Blanc 2021, WO Cape Agulhas ($19.95, United Stars Corporation Group)

This 100 per cent Cape Agulhas sauvignon blanc is crafted and delivers specs eerily similar to the SSV, from the same sites on the farm’s upper reaches perched over the sea. Same soils and as a varietal wine the elements from various blocks are employed “to ensure that the result is greater than the sum of the parts.” Perhaps on a lower tier of complexity but surely expressive and satisfying. Drink 2021-2023.  Tasted June 2021

Lomond Ssv 2021

Lomond SSV 2021, WO Cape Agulhas ($19.95, United Stars Corporation Group)

Mainly sauvignon blanc (80 per cent) with sémillon (15) and viognier (5) from the Cape Agulhas growing area. High ranking acidity and near to bone dry attitude make for a wine that shares it’s true sense of place, in this case south facing blocks on the higher reaches of the farm, as well as within views of the sea. The soils are sandy, gravelly and highly weathered with a clay substructure. If you have yet to discover these saline, sapid and spirited whites of the Cape Agulhas then it’s high time and tide you did. Drink 2021-2024.  Tasted June 2021

Big Bill Shiraz 2018

Big Bill Shiraz 2018, WO Western Cape ($13.95, LCBO 10418, Philippe Dandurand Wines Ltd.)

William “Big Bill” Millar was a boxing champ, decorated war hero and most celebrated for so many South Africans as their Springbok rugby captain. Also the first General Manager of KWV. Like the larger than life man it is the largest of barrels that houses this shiraz, a 22,000L oak stuk vat. Pretty much classic (Western) Cape shiraz of heavy set red fruit, bone density and rippling musculature. A commercially viable drop of work ethic and muscle memory exuding attitude and confidence. The Michael Jordan of South Africa. Be like Bill. Drink 2021-2023.  Tasted June 2021

The Wolftrap Syrah Mourvedre Viognier 2019

The Wolftrap Syrah Mourvèdre-Viognier 2019, WO Western Cape ($14.00, LCBO 292557, Univins)

Generally speaking the Wolftrap by Boekenhoutskloof is two-thirds syrah and one-third mourvèdre with a few points splash of viognier. Malmesbury in the Swartland is the source where the dominant soil type is the aptly named Malmesbury shale. The 2019 brings out the sweetest and most proficiently perfumed Wolftrap yet, with less grip, spice and bite. There is a warmth that is especially noted on the back end, like a hematic seep of plasmatic liquid but felt quite subtly so. Fine if not exceptional acids keep the pulse and truth be told the mourvèdre really stands out. Drink 2021-2023.  Tasted June 2021

Glenelly Glass Collection Cabernet Sauvignon 2018

Glenelly The Glass Collection Cabernet Sauvignon 2018, WO Stellenbosch ($17.95, LCBO 132992, VINTAGES July 24th, H.H.D. Imports)

Fruit is Simonsberg-Stellenbosch from a most arid vintage with all aspects of the growing season having occurred with haste. Less than normal winter rains, early bud break and harvest in the third week of February. This is 100 per cent cabernet sauvignon with thriving acidity and a minor pinch of sweetness, fully versed from Cassis to Kirsch for a truly gelid, glycol and glycerin cabernet sauvignon. While seemingly soft and fruity at first it gains speed, traction and vitality because of the well captured acidity. Still seems just a tad sweet but overall the balance is quite good. Drink 2021-2024.  Tasted June 2021

Rustenberg Buzzard Kloof Syrah 2018

Rustenberg Buzzard Kloof Syrah 2018, WO Simonsberg-Stellenbosch ($24.95, LCBO 414151, VINTAGES July 24th, Woodman Wines & Spirits)

The artist formerly known as “Rustenberg Stellenbosch Syrah” is now the “Buzzard Kloof Syrah,” aptly named for the Jackal and Steppe Buzzards that circle the thermal currents rising above the kloof. The syrah vineyard sits in the Afrikaans ravine, a cool, sun-deprived location ideal for growing meaty, savoury and sapid syrah. This is in great Stelly hyperbole, like a grilled and sliced loin of lean, sweetly gamy and iron-rich Springbok. Optimum ripeness, cool acidity and finesse take this buzzard on swift currents through breezy skies. Bloody delicious. Drink 2022-2026.  Tasted June 2021

Kuier

Good to go!

godello

Stellenbosch, Western Cape

Twitter: @mgodello

Instagram: mgodello

WineAlign

Quality virtual time spent tasting with Querciabella

A few years back I made my first visit to Querciabella, in September 2017, to be exact. Their position in Ruffoli east of the Greve hamlet and the eponymous river is one of the most distinct and perhaps least travelled of Greve’s frazioni. With stunning views towards the Val di Greve, the Colle di Panzano and the amphitheatre of Lamole, Ruffoli carries its very own perspective, one that is unlike any other perch where the Classico are made in Chianti. Several weeks ago I caught up with Querciabella’s n groot winemaker Manfred Ing for a virtual session, replete with a ten-deep taste through of his (and their) lekker wines.

Ruffoli, Greve in Chiani

Related – A river runs through Greve

The Ruffoli hill may not qualify for Chianti Classico’s newly minted UGA (Ùnita Geografiche Aggiuntive), but make no mistake. Ruffoli is the definition of a communal sub-zone in requiem of introspective investigation for its distinct soils, elevation, singularities and peculiarities. It is, as I have said before, “the Chianti Classico poster child for seeing the vineyards through the trees.” Along with Jurji Fiore’s Poggio Scalette and Il Tagliato by Marco e Elena Kupfer there forms a special bond for Ruffoli’s combination of elevation, thick forests and conglomerate soils that have been excavated from beneath those heavy woods. If Querciabella’s decisive resource and secret weapon are vineyard holdings in two other Classico communes, those being Radda and Gaiole, Ruffoli remains the epicentre and the wines can be imagined as residing at the rooftop and pinnacle of Chianti Classico.

Querciabella was founded in 1974 by Giuseppe (Pepito) Castiglioni. His son Sebastiano Cossia Castiglioni, investor and entrepreneur, converted the estate to organic viticulture in 1988, making Querciabella one of the first wineries in Italy to employ this practice. In 2000 Sebastiano introduced a 100 per cent plant‑based approach to biodynamics that forbids the use of animal products in both the vineyards and in the cellars. The Chianti Classico estate that means “beautiful oak” has always been one that lives for today while always imagining and thinking about tomorrow. The wines arguably act as the most Bourguignons of any in the territory whilst always and unequivocally speaking for the land that gives them life.

In April of this year I asked Ing to assess the damage caused by uncharacteristic mid-Spring frosts. His response: “Unfortunately the cold weather that swiped through Tuscany on the April 6th and 7th caused us some frost damage, having hit especially those vineyards which were ahead in their development. Our team lead by Dales is still assessing the damage and it’s early to say how the affected vineyards will recuperate. We will know better in the coming weeks as the vines develop. In Chianti Classico, where our vineyard holdings are spread in different locations and altitude, isolated pockets of lower lying vineyards were affected, especially those around and below our cellar in Ruffoli. At a first glance, it appears that the frost bite hit some of the early budding Chardonnay and the young Sangiovese vines that were first out the blocks. Most of the higher altitude vineyards buds haven’t fully burst yet, so we are fortunate and remain hopeful. In Maremma, temperatures dipped to record lows in some areas, especially in the early hours of April 8th. The Sangiovese vines had an early start this year so were particularly exposed. Vines are an extraordinary plants which are known for bouncing back. At this stage we can only wait and see. It’s already clear, though, that we are among many other producers concerned about losing some crop to frost damage.”

It remains to be seen how pandemic and travel will play out over these next several weeks but I have every intention of climbing the Ruffoli hill this coming September (or anytime such an endeavour is possible) to see Manfred and team for a walk in the vineyards and a sit-down to taste more from their most excellent portfolio; Vineyard Operations Manager & Master Beekeeper Catiuscia Minori, Agronomist Chiara Capecci, Agronomist & Technical Director Dales D’Alessandro, Direct Sales & Visits Coordinator Daniela Krystyna Cappuccio, Head of Marketing and Communications Emilia Marinig, Global Sales Director Giorgio Fragiacomo, Winemaker Guido De Santi, Winemaking Director Luca Currado, Agronomist & Operations Manager Marco Torriti, CEO & Domestic Sales Director Roberto Lasorte, Marketing Assistant Manager Valentina Bertoli and of course Owner and Honorary Chairman Sebastiano Cossia Castiglioni. In the meantime here are the 10 wines we tasted and discussed back on May 31, 2021.

Felt quite real to be talking Ruffoli, Greve, Maremma, Gaiole and Radda with Tuscany’s groot South African winemaker @bottleofgrapes ~ A virtual session with @querciabella maintains the ties that bind with @chianticlassico

Querciabella Mongrana 2019, Marermma Toscana DOC (13653, $23.95)

From 31 hectares south of Grosseto, divided into two re-planted parcels purchased in 1998-1999 near to Alberese, a village and frazione of the commune. Wines are crushed and fermented in Maremma and then transferred to Greve just before or just after malo takes place. The style comes from cement and stainless steel, of fruit purity kept intact and a coastal influence developing some muscle. Picked ahead of Chianti Classico with harvest always beginning two to two and a half weeks ahead of Greve. So much Tuscan coastal bushy and dusty herbology, of fennel and rosemary primarily. Managed by Agronomist & Operations Manager Marco Torriti and team who are responsible for this 50-25-25, sangiovese led blend with cabernet sauvignon and merlot. Drink this by the glass everywhere you go, matching the pasta shape on the bottle, if you are so inclined, wherever possible. Mongrana goes as does L, Maquis shrubland ingrained into an easy drinking, fun, juicy and exuberant blend. Will never mess with any course, nor wine that comes before or after. Has been labelled DOC Maremma since 2017. Drink 2021-2024.  Tasted May 2021

Querciabella Chianti Classico DOCG 2018 (728816, $45.95)

Remains 100 per cent sangiovese, as it has been since 2012, as a three-commune collection; Ruffoli in Greve (40 per cent), on the Volpaia side and across the valley to Radda (20) and San Polo in Rosso from Gaiole (20), across the ravine from Ama. The totality of the Gaiole fruit is raised on Alberese, the Radda in schisty Galestro and Ruffoli, well Ruffoli is really about elevation. A no extremities vintage following a very cold winter and no climate spikes save for the early August heat. The Querciabella richness is foiled but also optimized by a three-part mineral harmony that does not so much cut but adds three district notes to the wine. The epiphany may or not begin with this 2018 but the textural perception has undergone a transformational alteration, now in defence against the drying effect of sangiovese’s tannin. The winemaking team has moved forward from the experimental stage into a full-on working contract with Piedmontese cappello sommerso, keeping the cap submerged for extended periods (up to 45 days). The high elevation fruit is particularly promising, forging true connectivity with the process. You get it completely, intuit the polish and this Annata just melts straight into inherit structure, again with thanks for a portion that has settled early. The wheel is constantly turning for Querciabella’s wines. Stupendo. Drink 2022-2032.  Tasted May 2021

Querciabella Chianti Classico Riserva DOCG 2017 ($79.95)

Riserva, like most Riservas in Chianti Classico is usually more serious, often blended with cabernet sauvignon and/or merlot, subjected to more wood. Since 2011 Querciabella’s has been 100 per cent sangiovese but still a three commune (Greve, Radda and Gaiole) cuvée, a vibrant varietal wine, lush as it needs to be and what stands apart is its simple purity. The picking decisions are made throughout the season, not just at harvest and certain blocks are given the attention of dramatic foreshadowing. Riserva by Querciabella is a wine of evolution, including monthly tastings along the way (with 20 per cent new wood involved). Riserva is a factor of a trajectory, of sangiovese that is always rising, gaining character, fortitude and fruit in vessel that winemaker Manfred Ing knows in his heart is meant for Riserva. The tannins tell the story, croccante is how he describes or the flavour and texture he looks for, in my mind like crunchy and caramelized almonds and dried wild strawberries of a concentrated yet developing sweetness. A wine to age, surely, though not quite like ’16, but do sleep on this because the efficacy, youthful binding and wound intensity show the promise of great ability. Drink 2023-2030.  Tasted May 2021

Querciabella Turpino 2017, IGT Toscana ($59.95)

First commercial vintage was 2010 when at the time it was 50-50 Maremma and Greve. Since 2015 it identifies as 100 per cent Tuscan coast with more barrel exercise and power than Mongrana, now a cuvée of approximately 12,000 bottles. “Turpino,” as in a character from Sebastiano Cossia Castiglioni’s favourite poem, like his son Orlando (and also for the names Mongrana and Palafreno). Frost was a major problem in 2017, followed by heat, no rain and vines that just went crazy. Small pickings were done in the first week of September and then the rain came. The vines dropped in alcohol potential by a degree but the vines were tired and so the fruit could not hang in there like it could (better so) in Ruffoli. A blend of 40 per cent each cabernet franc and syrah with (20) merlot. Spiciness but not in a traditionally Tuscan syrah (Cortona) way and so the franc is to thank for the pique, sharpness and pointed directive of this ripe wine agitative of pricks and sway. In the end this is truly Tuscan coast, carrying the dried and bushy herbs but with an extended olive branch, muscular arm and structured savour. Only 10,000 bottles were made of this succulent, strange bedfellows (for Tuscany) red wine. House wine, Querciabella style. Drink 2023-2028.  Tasted May 2021

Querciabella Camartina 2016, IGT Toscana

The first vintage for Camartina was 1981, originally mostly sangiovese, then in and around 2001-2003 turning towards becoming mostly cabernet sauvignon. Now at 70 per cent with (30) sangiovese since that 2003. With the most spectacular vintage in pocket the possibility and even more so the probability from 2016 is endless. A Vino da Tavola concept that has evolved to make for the most mature, wise and complex IGT from Ruffoli hillsides, but this vintage shows a special energy, liveliness and vim from acidity that gives the wine, regardless of grape varieties, so much youth and life. Another one of nature’s and Greve’s mysterious constants. So Querciabella, of pinpointed DNA. vibrancy and length. Drink 2023-2033.  Tasted May 2021

Querciabella Palafreno 2016, IGT Toscana ($214.95)

Since 2004 has always been 100 per cent merlot, before that being a 50-50 sangiovese and merlot joint. Has to be an ideal vintage for Sebastiano and Manfred to bottle this idealistic wine because it has to, must smell like Tuscany and Ruffoli. Places home to poetic settings which suggest inner meaning and invisible connections. With that essence of 2016, of high priority acidity, sapidity and vibrancy in mind, this drinks so well and truth is shows how merlot has been domesticated upon the Ruffoli hill. The vines average 20 years of age, with some vines nearly at 30, planted in 1995 and/or 1996. Sweet, verdant and grippy tannins with a little bit of grit are surely involved. This will show off some swarthy secondary character and essenza di tartufo in 10 years time. Only 3,000 bottles are made. Drink 2021-2031.  Tasted May 2021

Querciabella Chianti Classico DOCG 1998 (728816, Price at release: $31.95)

Twenty plus years later and not by any means over the hill. Drinking with captured and preserved youth from a vintage that was passed over for being one to not give any sort of great attention or consideration. Fermented in 225L (some new wood) barrels, some big tanks, picked later than most Chianti Classico of the time and would not have been pure sangiovese. You can feel the botrytis induced blood orange and saffron from a vintage with pioggia, pioggio, pioggia, a.k.a. so much rain. Also liquorice, bokser pod and a smell of wet tar. Really textural Classico, holding firm and strong, with a few years of interest and more complexity developing potential left to seek out. Charm begets pleasure which leads to unadulterated enjoyment. Drink 2021-2024.  Tasted May 2021

Querciabella Chianti Classico Riserva DOCG 1999

The 1999 was the last (original) Riserva produced until it was again resurrected in 2011 and what’s so cool about this vintage is how it was held to some early esteem, though paling in comparison to that “vintage of the century” that was 1997. Underestimated over the last 20 years, drinking so beautifully now, with frutta di bosca, tertiary tartufo and fungi. Just doesn’t strike as a fully mature adult reminiscing about the way things used to be but more like a wine with an outlook for more promise, good times and adventures still ahead. If you are still holding onto ‘99s from this part of Toscana you will be very pleased. Drink 2021-2026.  Tasted May 2021

Querciabella Batàr 2018, Toscana IGT ($149.95)

A joint between pinot blanc and chardonnay, whole bunch pressed, with furthered finer attention to detail, picked early in the morning and a decreased amount of new oak over the last 10 years. Now at about 20 per cent and less bâtonnage as well, keeping the strings tight and the backbone straight in the wine. “We don’t need to worry about getting richness in our wines,” tells Manfred Ing, and yes, the creaminess is automatic. There’s more bite to Batàr now, along with focus and precision, with an intention to allow for five (minimum) years ahead for energy to develop, flesh to increase and textural richness to become something naturally orchestrated over time. Batàr is a wine that defies flamboyance, deflates extroversion and muffles the most exultant cry. It knows what it is and what’s up. Terrific vintage for this singular, dual-focused and one goal achieved Querciabella bianco. Drink 2024-2029.  Tasted May 2021

Querciabella Batàr 2017, Toscana IGT ($149.95)

The effect of 2017 on white grapes meant a 40 per cent reduction in quantity and chardonnay surely suffered. Certainly true at 350m (south-facing) but also at 600m (on sandstone soils) where it thrives. The pinot bianco faces north so it did well in the season. The flinty reduction comes from the high elevation vineyard and you really notice it more in 2017, but also a fruit sweetness, like biting into a perfectly ripe apple, and also a peach. You still need to exercise patience with this wine because what it really shows you is how this particular cuvée will morph, oscillate and change, for sure and at least in its first five years. Definitely buttery, rich and creamy but let’s not sit on those laurels for too long because herbs, sapidity and a new kind of vim and vigour are just around the corner. A concentrated effort and one with many tricks up its Ruffoli sleeve. Drink 2022-2027.  Tasted May 2021

Good to go!

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