Next level in tactile Chardonnay releases from @LeaningPostWine & @Witte_wine #niagarapeninsula #twentymilebench
It’s already been a very busy 2016 for Ilya and Nadia Senchuk. A whole lot of new has been accrued. New addition to the family, new machinery, new winemaking equipment, maturing (new-ish) vineyard fruit, new facade and interior additions to the 1850’s barn. Leaning Post Wines is no longer the new kid on the block.
Ilya and Nadia, along with the unconditional support of assistant winemaker Ryan de Witte may just be the poster children for the Ontario/Niagara dream. In twenty years they will look back, admire what they created and they will be very proud. We are already smiling. Last year I noted that hands-off winemaking and natural (sic) wines were not even on the Senchuk radar. It’s not that a flip-flop in technique has shaken the LP foundation but experimentation is part of the new process. Ilya and Ryan are geeking out. Big time.
I sat down with Butch and Sundance in early March to pass the time and try some new stuff. Here is what I found.
Crafted with appellative consistency from mostly Wismer Vineyards Foxcroft (70 per cent) plus (30) Featherstone Vineyard. Let’s call it proximity driven and of a ripeness pushing style, with some residual sugar in the 11-12 g/L range. Phenolic ripeness happens and matters, with similar ripe-ripping acidity, yet in ’14 there circles a rounder and weighty keen vibe. A particular Vineland oeuvre abides, of lemon condense chided by a benign vintage when it just had to be cool every day. “You shouldn’t worry about losing acidity,” says Senchuk, “just get to ripe. Wait, keep waiting, but don’t obsess.” And yet it maintains its acidity with obsession. You can’t do this with every Niagara locale and the crux requires taking a new route, a chance and a direction, as it always does. Fuller, richer Riesling with atomic bits of botrytis and VA, just a smidgen mind you, with purpose, for weight. 191 cases made. Drink 2016-2021. Tasted March 2016
Leaning Post Riesling “The Geek” 2014, VQA Niagara Peninsula, Ontario (Winery, $32.00, WineAlign)
Senchuk and swot-out cohort Ryan de Witte pulled 350 litres of riesling aside, accoutred with all readily available lees and shacked the whole gross mess in tank together, Vinification was completed at nine grams (RS) nearly-dry, in what can only be described as a reductive, cloudy, super-geeky riesling. Acquires an increased resonance from its designation stowed at a way station on what really is a longer, personal journey. The 2015 will be bone dry and like this ’14 will sit for 18 months in encouragement of a truly experimental, waiting for something to happen riesling. Time will act to fill in the gaps and increase its already developed texture. If you have ever had the pleasure you will see this as Jean-Pierre Frick-ish to be sure. When asked the question, he ‘The Geek’ will repeatedly reply, “I am not ready.” Drink 2018-2022. Tasted March 2016
Leaning Post Chardonnay “The Fifty” 2014, VQA Niagara Peninsula, Ontario (Winery, $25.00, WineAlign)
Barrel fermented but no malolactic and housed in stainless steel tanks for 11 months sur lie. The Chablis embodiment of the anti-oaked chardonnay despite seeing the inside of a barrel for a “few to several weeks” during ferment. Here in early life the aromatic lees of trickery and textural barrel magic construct an architectural chardonnay with more wood on the palate than there really is. All about and in for that texture with a late pique and tight acidity. Finishes with sushi rice seasoning after a close shave. Kind of, perhaps and perchance a visit with backwards winemaking, practically speaking. Drink 2016-2019. Tasted March 2016
Here chardonnay enters the lodge for a sit-in with fully assumed lees, neither shaken nor stirred and with no weird chemistry. Saw 12 months in barrel which is blessedly integrated and rich without ostentation. This Wismer is a wine travelled down a less worked word, speaking in subtleties and to great lengths. A wine that was allowed to do its thing. It’s not the fruit you think, it’s the fruit itself. The next goal will be to produce two single vineyard chardonnays, this and the home vineyard, along with the 50/50. 120 cases were made. Drink 2016-2021. Tasted March 2016
Time has constructed a completely different animal, meatier, grittier, younger version of the same style and so very vintage driven. More prick and spice. Cry baby cry, cru Gamay with hanks to more VA. A terrific, anterior way to go with Gamay, of substance and laser focus. “Make your mother sigh, she’s old enough to know better.” 360 cases made. Drink 2016-2018. Tasted March 2016.
From my earlier (tank sample) note of June 2015:
Increases the colline built of earth and endemic Gamay character. Keeps the funk grooving with a precise, focused beat. So very like pinot, with grains and tannin interwoven to length. Chewy, sanguine and gamy, a manducate of meaty sashimi or a mouthful of raw, marbled rib-eye, seconded on charcoal for a split second. On tap at Barque Butcher Bar.
The totality here is a paltry 220L or 25 cases, accomplished with the same McNally approach and concept, from a wild ferment and full malo (well, full as far as Ilya can tell). No sulphur is added in the first year and so he smells like Mcnally, weird, wonderful and clothed in musk. Tastes like Leaning Post pinot and as McNally, urged on by just pinot lees. This vineyard sheds more citrus and bitters with terrific elongated stretch. This 2013 is ready to go, never marginalized by its bitters nor its harmonic minor VA on the finish. Drink 2016-2020. Tasted March 2016
Ilya Senchuk’s 2012 merlot is not vineyard labeled, though 85 per cent hails from a single-vineyard specific (Demoura) Niagara-on-the-Lake terroir plus (15 per cent) from Beal vineyard in Beamsville. It was massaged by three barrels in total of French and American oak and corresponds from the oak cellar markedly aromatic in vanilla and by lavender. It also posts up continentally orated in a booming black olive and briny voice, by spice, beck, cull and call. So rare to see a Bench or Peninsula winemaker go here, in this way, with dialled and filled in middle grip. Pause with this merlot and notice it tempered by a chocolate linger with more earth than 2010 (which was McNally fruit). In the end the disclosure carries that Italianate animale meets right bank-ish thing that ’10 just did not have. Drink 2017-2022. Tasted March 2016
“The knowledge of yourself will preserve you from vanity.” (Miguel de Cervantes)
“Vanity is the healthiest thing in life.” (Karl Lagerfeld)
“How long shall your vain thoughts lodge within you?” (Jeremiah 4:14)
“When you have a lot of success you don’t need vanity any more.” (Amelie Nothomb)
The headline reads as a current VINTAGES vanity plate. Nothing shouts VANITY like the bi-weekly VINTAGES releases, that is unless you can read between the lines, seek out anti-narcissistic wines made with honesty, from and for success. The LCBO is full of itself, as it should be, because billions of dollars of revenue for the monopoly and the province is a favourite sin. The consumer can protect themselves by knowing themselves, their personal tastes and which wines will see to personal success.
The Judgement of Paris happened 40 years ago. VINTAGES celebrates seven players that not only participated but were granted instant celebrity. Now 40 years later, VINTAGES puts the legends back in the spotlight. I tasted all seven wines. Were I afforded sackfuls of cash I would gladly indulge in their collective vanity.
For full reviews on all the Judgement of Paris wines, please visit me at WineAlign
It is indeed healthy to be a winemaker, distributor, agent or retailer of self-assurance, to believe in a body of work or portfolio, to know that it represents quality and to flaunt it for the world to relish in its revelry. It is equally healthy to know humility, to create with impunity in knowing the confidence of fashion has resulted in the singularity of accomplishment. All the better when verecundity is found in a wine made by a big house.
Eight current releases speak to success, beyond vanity. My notes.
Casal De Ventozela Loureiro Vinho Verde 2014, Portugal (445098, $14.95, WineAlign)
Loureiro from Villa Verde, grippy and mineral as it should be, marked by citrus, herbs and the slightest spark of CO2. This must have been prime, perfect in fact, in the wheelhouse even…six months ago. Still refreshing and yet savoury, nearly, though one step away from complex for the grape and a sense of place, from point A to B. Drink 2016. Tasted May 2016 #casaldeventozela@LeSommelierWine@vinhosverdes@VinhoVerdeCA@wines_portugal@winesportugalCA
The Rafael is an honest, purposed product culled from what such endemic grapes together with wood will combine for perfectly typical effect. Here the package is respectfully lithe and speaks of what Valpolicella may once have righteously been, should still and can eminently be. Fresh, wound tart, amenable and easy to love. Yes, please. Drink 2016-2019. Tasted May 2016 @Tommasiwine@UNIVINS@C_Valpolicella
Benmarco Malbec 2013, Unfined And Unfiltered, Uco Valley, Argentina (657601, $17.95, WineAlign)
Clearly ripe and ripping like so many malbec brethren and sistren but at 3,000 feet of Vistaflores altitude the Benmarco delivers an extra level of ratcheted intensity, especially at $18. Extreme aromatics, of black, blue and boysenberry fruit are bigger than the oak, the soil and the malbec genre. This is the best Benmarco since the formidable 2002, a wine that still drinks well today. Drink 2016-2028. Tasted May 2016 @sbalbowines@ProfileWineGrp@winesofarg@ArgentinaWineCA
Most righteous Rioja, dusty and leathery but fresh, vibrant and alive. Terrifically rich palate, full of strawberry, liquorice and pastis. Acidity is all over the fruit, enveloping and then a short pause ensues, followed by the caressing tannins. There is more than a Crianza mouthful of wine in here. Wait one or two and then watch this turn over and over for the next 10 years. Drink 2017-2026. Tasted May 2016 #Tobia@_La_Rioja@RiojaWine_ES
A Chianti Classico with a foot in two worlds, the traditional (Greve) and the modern. The tart red berries are sour to nose and to taste but it’s the kind of sour that reels you in and gets you too beg for more. The level of clean, fresh lees is very 2013, something that Chianti Classico needs more of. Dry extract and tannin are spot on for the overall intent. Drink 2016-2020. Tasted May 2016 #Viticcio@chianticlassico@MajesticWineInc
Big mouth strikes again, with phenolic ripeness set against stinging nettle greens from out of the warmth in 2012 Niagara. “Sweetness, sweetness I was only joking.” Plums turning into prunes and back again, of fruit not sure if its coming in or heading out the door. Hanging in like Morrissey at a Smiths reunion concert. Drink 2016-2018. Tasted May 2016 @MegalomaniacJHC
Heitz Chardonnay 2014, Napa Valley, California (205500, $49.95, WineAlign)
When the Napa Valley name Heitz is mentioned it is Cabernet Sauvignon that comes to most minds, 99 per cent of the time. Chardonnay is a Heitz thing, dating back to 1961. The 2014 rendition is the iron fist-velvet glove version of classic Napa Valley (usually reserved for Cabernet Sauvignon allusion). This is quite a rich and variegated Chardonnay full of typically warm Napa sunshine but it’s also a study in barrel restraint and judgement. The flavours are loaded with citrus, compressed and taut. Wound tighter than a wire around a boat winch, this just needs some time to settle in. Drink 2018-2021. Tasted May 2016 #Heitz@NapaVintners@CalifWines_CA
Judgement of Paris Chardonnay
Ridge Vineyards Monte Bello 2013, Santa Cruz Mountains, California (405332, $191.95, WineAlign)
From a serious drought vintage, dry, warm and demanding, the 2013 Montebello’s Draper perfume is as heady as ever, to such effect that after one whiff this is where daydreaming takes over consciousness. Montebello gets inside the head, with allegory, radio frequency waves and platonic thought, as if inside a cave. An 80 per cent Cabernet Sauvignon, Petit Verdot (8), Cabernet Franc (7) and Merlot (5) classic, lithe and restrained blend of sheer, utter exceptionality. The balance in 2013 is impeccable but dont be fooled into thinking this is not a big wine. The acidity is dramatic, the tannins fine and demanding and the amount of pure extract whorled and revelling. All in dark red fruit and a coolness through the mid-palate that threads like silk through fine stainless steel fibre. “This goes beyond me, beyond you.” Drink 2018-2030. Tasted May 2016 @RidgeVineyards@rogcowines@CalifWines_CA
Back in the savour again @Wine_Australia #SavourAus #history #evolution #revolution
Back in early February a group of Aussies were pulled from pocket, heralded with perspicacious aptitude by Mark Davidson and poured at the Vintage Conservatory for Toronto’s want to know wine community. The murmurs could be heard speaking the unspoken profound. I took coadjutant note. In late February I surmised that “the seminar offered a welcoming respite from my monthly treadle of reviewing. The Langton’s wines collectively commit to the idea that wine is a blueprint with entrepreneurial elements, an elixir akin to the maker’s inventive secret machines. It is always refreshing to taste wines that are not exaggerated or sentimental. These Aussies are representative of all this and more.”
“Such a gathering of Australian wine delivers the preponderance of form, with the incantatory capacity of narrative to bring truth to light and fulness out of pleasure.”
On the heels of that twelve strong Langton’s Classification Toronto tasting came another stellar gathering, this time expatiated as Savour Australia. Just when you think the best of the best had come to town, the best got better.
Ooh, no, not @VintageMD but yes, @johnszabo for #SavourAus @Wine_Australia
Wine Australia and her woman about town Anne Popoff gathered 28 producers from 14 regions at George Restaurant on May 16, 2016. The HER (history-evolution-revolution) trade seminar was presented by Master Sommelier John Szabo. The wines were nothing short of exceptional. Once again Australia delivered, not only in terms of quality but also with deferential diversity. Imagine the possibilities when the new effects of restraint and change begin to trickle down to less expensive and more commercially produced wines. Australia will become a new global force to be reckoned with. Here are my notes on the 12 seminar wines plus a few new finds.
Gotta say good on ya @Wine_Australia & @lesavoirvivre59 for today’s neoteric rainbow of #SavourAus
History
Kilikanoon Mort’s Block Riesling 2005, Clare Valley, South Australia (233791, $50.00, WineAlign)
From 45 year-old vines planted by Kevin Mitchell and dedicated to his father Mort, the Reserve Watervale riesling has entered Clare Valley 10 years plus of age nirvana. From pristine free-run juice, this is premium, intensely sun-juicy Riesling, notable for its key-lime aroma and flavour. A key to your citrus pie heart, it took all this time to bring out the complimentary toast. Racy, revelling riesling as a bone outstretched from the stone of Clare Valley soil. Drink 2016-2020. Tasted May 2016 @kilikanoon@ChartonHobbs@ClareValleySA
D’arenberg The Derelict Vineyard Grenache 2012, McLaren Vale, South Australia (Agent, $35.00, WineAlign)
From a vineyard abandoned and left for dead, with bush vines as old as 100 years revived and restored. No new French wood houses d’Arenberg’s delicately dangerous grenache fruit for 12 months. The intro guitar chords from these plants of arms outstretched are George Harrison generous and give fruit more sweet than dandy. Grenache can seem so sketched, lithographed, Warhol copied and godless, but from old vines handled with care it takes a more godly direction. Here there is a slow-settled sense of cure and a liqueur distilled as if by red soil into liquid mineral. It is also fresher than other old vines grenache, say from Aragon or the southern Rhône. “But it takes so long, my Lord.” In McLaren Vale, 100 years. Thank goodness this 2012 has been prepped to please beginning in 2016. Drink 2016-2022. Tasted May 2016 @darenbergwine@TashStoodley@imbibersreport@mclaren_vale
Hollick Ravenswood Cabernet Sauvignon 2012, Coonawarra, South Australia (Agent, $75.00, WineAlign)
No Coonawarra cabernet sauvignon can be considered without the signature, what Hollick’s Rebecca Poynter points out as the “GI,” the Geographical Indication. Registered back in 2003, the ideal demarcates exact boundaries and the deeper we try and understand the terra rossa soil and what it means for cabernet sauvignon, the more it seems that Classico should be added to discern the local varietal specification. First made in 1988 and only produced in exceptional vintages, Ravenswood (Lane) is the link between Hollick’s Neilson Block and Wilgha Coonawarra Vineyards. A bonny doon uprising of cool temperatures from the ocean and the terra rossa create a combined mineral-savoury undertone and a long, cool growing elegance. Iconic attribution, the marriage of old vines and best plots, 18 months plus 18 in bottle. All this to see depth in red plus black fruit, such developed acidity and in the end, bramble on. Drink 2017-2027. Tasted May 2016 @hollickwines@LiffordON@CoonawarraWine
St. Hallett Old Block Shiraz 2013, Barossa Valley, South Australia (Agent, $80.00, WineAlign)
An Eden and Barossa Valley blend from vines that range between 60 and 100 years old, the Old Block 2013 is perhaps the most exotic, romantic and profusely perfumed Shiraz in South Australia. The evocative and ambrosial mix of wild rose bud tisane, unlit Indonesian kretek tobacco and Eucalyptus Leucoxylon Rosea is herbaceous, spicy and ambrosial. You might expect a hammer on an anvil but a bridge between the two valleys conjoins the fruit, layers with balance and forms a silky and seductive story that is a great read into texture, from prime extraction and the lavender-vanilla seduction of new and old French oak. Drink 2019-2027. Tasted May 2016 @StHallettWines@Select_Wines@BarossaDirt
Evolution
Leeuwin Estate Art Series Chardonnay 2013, Margaret River, Western Australia (Agent, $99.95, WineAlign)
Young is the operative understatement, whilst toast and butter in peak pomade are equally opposed yet lifted by the blossoms of white flowers. What erudite reduction brings and how it stops time. The best barrel selections from powerful Block 20 fruit cause the commotion in a zero shame Chardonnay, philosophically captured though perhaps one step back from unabashed. Ripeness was clearly not an issue. Freshness balances all else. At present the youth is seemingly everlasting. The effects of a moderate climate and corresponding alcohol, in at 13.5 per cent, are edifying to the western tongue. The length is exceptional. In this opinion, classification easily and unquestionably upheld. Drink 2017-2025. Tasted February 2016 @Leeuwin_Estate@TFBrands@MargaretRiverWi
I love the smell of blood orange in the morning @SoumahWines @Wine_Australia #SavourAus #pinotnoir #yarravalley #singlevineyard
Souma Single Vineyard Pinot Noir 2015, Yarra Valley, Victoria, South Australia (Agent, $34.95, WineAlign)
Old sandstones, silky loam and minor clay nourish vines planted in 1994, “to a fruit salad,” explains Steven Worley and which eventually evolved into pinot noir. The Soumah Single-Vineyard wines are named after train stations (i.e. Bluestone, Hexham) and they refer to an eastern French didactic. The aromatics abound from 2015, in plethora of orange musk; first blossom, then zest and finally a liqueur. Pinpointed further it’s blood orange, studded with clove, then squeezed into a Mimosa. Early fruit phenolic ripeness, high-picked acidity, wild yeasts and some whole bunch (10 per cent) fermentation leads with freshness, tension and precision. In this pinot noir you can’t help but note the new world cure and pastis flavours in what is very much a treatment in old world homage. An Amaro note slides along the terrific length. Very expressive wine. I love the smell of blood orange in the morning. Drink 2016-2022. Tasted May 2016 @SoumahWines@vonterrabev@yarra_valley
Alpha Box & Dice Xola Aglianico 2011, McLaren Vale, South Australia (Winery, $45.00, WineAlign)
This first vintage of the grippy aglianico from a variety of growers and blocks is certainly multi-environmental and drinking with five-tear resolved, prescient acceptability. Owners Justin and Dylan Fairweather practice self-proclaimed vinous bricolage, laying down the ferment for four years in oak (none new) to heap a nosing of liquorice root with the clay still caked and clinging. A humidity this side short of damp relents to florals and then, as expected, a forceful tannic structure. The Xola is the winery’s study in wine duality, as per William Blake’s opposites of existence, masculine aglianico swaddled and softened in feminine wood, exhorting the concept of “complementary dualism.” Or, if you like, in Jim Jarmusch vernacular, “Exaybachay. he who talks loud, saying nothing.” This southern Italian varietal speaks with emphasis, as it does with minerality, from its original existence, “close to the ocean.” As it does here, “perfect for Mclaren Vale.” Drink 2016-2023. Tasted May 2016 @AlphaBoxDice@mclaren_vale
Shadow puppets @chefcmcdonald and @johnszabo talkin’ @Wine_Australia #SavourAus
Fowles Ladies Who Shoot Their Lunch Shiraz 2012, Victoria, South Australia (243592, $35.95, WineAlign)
Quite savoury shiraz, reductive, soil funky and forceful. A plum tart, mince meat pie, layer cake of variegation. Acidity circulates and the finish is very much on the toasty, peppery side of the Victoria understanding. Drink 2016-2019. Tasted May 2016 @LadiesWhoShoot@vonterrabev
Revolution
BK Wines Skin & Bones White 2015, Adelaide Hills, South Australia (Winery, $50.00, WineAlign)
With a nudge-nudge, wink-wink nod to the Jura, here savagnin finds oxidative, skin contact hope in the Adelaide Hills. Lobethal savagnin (98 per cent) plus a smidgen of chardonnay develops with wild yeasts, sees nine months bâttonage and 12 months in 100 per cent neutral French oak. Smell the sweet grass, while away with the mellow acidity and suffer no slings, arrows or consequence with nary a bite or a pop. Here balance is ushered by dry extract and tannin in a white Rhône-ish way, with tonic-herbal flavours of white cola and less than minor minerality. The skin contact is a plus, as is the lime finish. Drink 2016-2019. Tasted May 2016 @bkwines
Jauma Like Raindrops Grenache 2015, McLaren Vale, South Australia (Winery, $60.00, WineAlign)
Grenache as determined by theories of natural selection, like raindrops, as put forth by Jauma’s James Erskine, is here, like stolen kisses. The basic intent, the accidentally intentional purport, the let it be, three vineyard blend. All this for the attitude from cause and to the effect of dropping inhibitions and to drink this grenache without pause. The vineyards are Ascension, in the alluvial basin of the northern slopes of McLaren Vale proper; Genovese, the white beach sands of McLaren Flat and Wood, the sandy ironstone ridge of Clarendon. Yes it’s earthy but also very fruity. One hundred per cent whole cluster achieves a South-African Stellenbosch like cousin performance, but also akin to a similarly-crown capped Jean-Pierre Frick-ish natural Pinot Noir tendency. Here there forges more acidity, but also a banana boat of carbonic whirlpool-ness. This is a thirst wine, a quencher. Drink 2016-2018. Tasted May 2016 @JaumaWines@mclaren_vale@TheLivingVine
Ochota Barrels I Am The Owl Syrah 2015, Adelaide Hills, South Australia (Winery, $60.00, WineAlign)
Syrah like you’ve never tasted before, to send you spinning, from Taras Ochota, a.k.a. the “European Flying Winemaker.” Syrah from cool climate and of whole bunch fermentation. Syrah reductive and soil funky, of an achievement uncomplicated, simple, truncated and with near-zero intervention. Fresh, atypical, chewy, chunky, altitude-affected, naturliga syrah. Syrah that sees the failings and mistakes of others and can’t help but allude to a Dead Kennedys’ song, “for clean livin’ folks like me.” I am the owl. We are the beneficiaries. Not to lay down. Drink 2016-2019. Tasted May 2016 #OchotaBarrels@TheLivingVine
Brash Higgins Nero D’avola Amphorae Project 2015, McLaren Vale, South Australia (Winery, $55.00, WineAlign)
The renegade triumvirate of coagulation denotes the shock and awe of this outlier; McLaren Vale, Nero d’Avola and Amphora. Winemaker Brad Hickey and his nickname have taken the troika and created a beautiful monster. A non-oxidative, crunchy, spicy, toasty, chewy and tannic NdA in versicolour, mottled and florid in flavour. There is black and white pepper, cinnamon, zesty orange spritz and a clay influence (plus amphora) to waft one for the ages. The palate flaunts a tapenade of painfully brilliant chalky black olive. The swirl is chocolate and vanilla, mediterranean and meganesian. There should be zero attention paid to the unusual in its concept. This is both a pleasure to taste now and will evolve into something wholly other given enough time. At least 10 years to be sure. Drink 2016-2025. Tasted May 2016 @BrashHiggins@mclaren_vale@TheLivingVine
New Finds
Cirillo 1850 Ancestor Sémillon 2011, Barossa Valley, South Australia (Agent, $36.00, WineAlign)
A sémillon revelation is found in this Barossa Valley ancient, a wine procured from vines dating back more than 150 years. To discount that prodigious bit of calculated fortuity would be wrong on so many levels. The Cirillo family are guardians of what may be the oldest continuously producing grenache and sémillon vineyards in Australia and by logical extension, the world. Here the combination of dry extract, mineral depth and straight-lined (unsalted) salinity is beyond special. While the Hunter Valley garners the most attention for aging immortal sémillon, this Barossan will likewise escape, somehow, to live another more complicated and mysterious life. I would wait three years for some extract meets tannic sweetness to begin its development and then take it slow for another six to 10. Incredible find here in Ontario from Marco Cirillo. Drink 2019-2029. Tasted May 2016 @Cirillo1850wine@bokkewines@BarossaDirt
Oldest vines #barossavalley textures in #semillon and #grenache @cirillo1850wine @Wine_Australia #southaustralia #marcocirillo
Cirillo 1850 The Vincent Grenache 2015, Barossa Valley, South Australia (Agent, $30.00, WineAlign)
It may feel like a wine framed fresh from uncharted grenache territory but this “entry-level” Cirillo has charted old vines dating back 80 years. The estate’s Old Vine 1850 is resolved from vines time-worn to 160, considered the oldest for the varietal anywhere in the world. Here beautiful and gorgeous come directly to mind, as does silky and deep beyond commonplace grenache depths. Fine, sweet tannins and balancing acidity are the endearment to unblemished, hardly handled red fruit. Marco Cirillo is the benefactor and the facilitator of this old vine bounty and his edifying handling makes for grenache both winsome and with age ability. It should be considered for one and then the other. Drink 2016-2025. Tasted May 2016
Cirillo 1850 Steingarten Shiraz 2014, Barossa Valley, South Australia (Agent, $35.00, WineAlign)
Steingarten is an iconic Eden Valley Vineyard in name and nature for riesling but in Cirillo’s case it’s a matter of high altitude shiraz vines at the crossroads of the Barossa and Eden Valley ranges. Marco Cirillo’s handling involves open top fermenters, natural yeasts, basket presses and French meets American oak for 12 months. A stony, schisty distinction can’t help but compare to a northern Rhône, St. Joseph styling, with dark, pepper-laced fruit slipped into a velvet glove. Fresh and spirited, the tannins creep deftly and dutifully in, asking for patience and time. Drink 2018-2024. Tasted May 2016
Stonier Chardonnay 2015, Mornington Peninsula, Victoria, Australia (25353, $35.00, WineAlign)
The fresh, minimalist approach entices and offers up such pure, unadulterated excitement, with thanks to the Mornington Peninsula and vines that first took root in 1978. The Stonier chardonnay has been off the radar and always beautifully made but this vintage will turn and attract new heads. Unshakable, racy, fleshy and spirited, this represents more than mere cool climate chardonnay, it vociferates the major importance of such an exhilarative maritime clime. Chardonnay and pinot noir heaven. Drink 2016-2020. Tasted May 2016 @StonierWines@Select_Wines
It reminds me of Richard Yates at his early career, Revolutionary Road best, in tense humour, as noted by James Woods, “a celebrated indictment of suburban surrender.” Here we are, in 21st century Ontario, preparing to head to our suburban respite sanctuaries with tools, sundries and supplies in hand, only lacking one essential piece. Good wine. We turn to the LCBO, to VINTAGES, to the ceaseless recurrence of release and we find limbo. Last week? Next week? Why not now?
We are willing to submit and surrender but the shelves are stocked with 2nd tier choices, the wines of first degree excitement already having disappeared with the previous week’s first wave. So if you need wine suggestions for the Victoria Day weekend I’ll have to send you on a retroactive search through the May 14th VINTAGES release. “It’s a beautifully typical story of these times and this place.”
Why am I looking forward and into the eyes of May 28th? Well, I’ll tell you why. The finest collection of Canadian wines in some time gathered together at one communal table will become available, sadly just days after the May 24 three-day escape. These wines would have sold well, in droves actually, had VINTAGES made use of their excellence in advance. So, as a messenger for the stars, it is my duty to tell you about their upcoming presence in diplomatic conformity of early 21st century Ontario realism, on the LCBO stage. These be the 10 of them.
Jackson Triggs Okanagan Reserve Series Viognier 2014, BC VQA Okanagan Valley, British Columbia (445700, $15.95, WineAlign)
This 2014 Okanagan take on Viognier is an all out rich, ripe and boozy affair. Sparks fired by a cold play take the lead, singing with spice, marked by galangal and ginger in control over the wishful act of balancing extract. “And I saw sparks, yeah I saw sparks,” enough so for such a Viognier to be on your way. Sharply struck, in smithereens and yet epic for the price. Drink 2016-2018. Tasted May 2016 @JacksonTriggsBC@CBrandsCareers@winebcdotcom
Good unction for the un-oaked Jay Johnston procured Chardonnay, more green apple and early honey than before. This is the purity machine in motion, direct, spoken in a Bench vernacular and zagging like the rows of the vineyard. Still at $17 and not to be bypassed for anything that might think to stand in its way. Can you say petite Chablis? Drink 2016-2020. Tasted February 2016 and May 2016 @Winemakersboots@brightlighter1@UnfilteredEd
The bottle tells you about grapes handed the pink slip during post harvest deliberations, something not lost within its own ironic twist. When you have pink lemons you made pink lemonade, done here to great simulated effect. Tart is the operative, like a perfect square of gelid red citrus on a plate to foil briny sea morsel and verdant greens. With the right herbs and lettuces this pink grapefruit Rosé will handle itself with pairing irony and relative ease. Welcome aboard Sébastien Jacquey. Megalomaniac’s winemaking approach to Rosé never had it so good. Drink 2016-2018. Tasted May 2016 @MegalomaniacJHC
13th Street June’s Vineyard Riesling 2013, VQA Creek Shores, Niagara Peninsula, Ontario (147512, $19.95, WineAlign)
Continues to throw its weight about and has now engaged a phase of typical J-P Colas redolence and pungency. Strict adherence to Creek Shores citrus minerality injects the June for future time-lapse release, an internal ooze that will take years to push its way upwards to the surface.
From my earlier note of December 2014: 2013 was a perfect follow-up for Niagara Riesling, after a vintage where so many exceptional wines were made. The ’12 June’s by Jean-Pierre Colas was his best and with this repeat performance in ’13, the consistency of June’s vineyard is further cemented. Once again, the citrus injection is a Creek Shores thing, a vehemence not matched by other sub appellations. Where ’13 differs is its weight. There is a textural density improved upon and at the same time dragging on the freshness of the fruit. The trade-off will mean less immediate gratification in lieu of more flesh and bone for a longer period of aging. Given at least five years rest, the 2013 June’s Riesling will discover a Ribeauvillé like future.
Such a ripe and extroverted Pinot Gris, in a style created and honed by winemaker Richie Roberts, here in 2014 near its apex. Singular without feeling the pressure to induce rapture or revelation. Fleshy ripe, of peaches, plums and nectarines. Typically and expectedly fresh, juicy, industrious, vehement and good, spicy length. Always well-made, hitting essential, doctrinal Pinot Gris notes and so very food versatile. May I suggest a whole grilled fish, lemon and fresh herbs. Drink 2015-2018. Tasted May 2015 and May 2016 @FieldingWinery@RichieWine
Joie Farm A Noble Blend 2014, BC VQA Okanagan Valley (454793, $23.95, WineAlign)
The dial is turned up in the noble blend, an amalgamation of five grape varieties and nine vineyards. The inspiration and the intent is Alsace, the result lying somewhere in between. It is an inspired blend and it does resemble Alsace but in the end it’s all Joie Farm. Distinct from structure and connectivity, not to mention drinkability, with a shot of spice. Drink 2016-2020. Tasted May 2016 @JoieFarm
At first the 2013 Red alights in high tones juxtaposed by a chew of sultana, an odd entry for the Thirty Bench, carrying on for the first few minutes in the glass. There are sulphide notes, of red onion and yet after a few minutes they begin to resolve, caramelizing to sweetness, mixed with tannin. The transformation continues, playing new notes, of red rooibos tea and seasoned seaweed. Grilled onions and charred poblanos come on the palate. Currants finish off the profile. The emotive cabernet franc really dominates this blend and though at first difficult to crack, the eventuality is an equation figured as a true positive. Drink 2017-2021. Tasted May 2016 @ThirtyBench
This is more than an interesting look back into the Tawse time machine to compare where the Grower’s Blend now sits as compared to what it was like in its youth. Now into liqueur, of cherry and earth, no longer just a hint of what they wish to be. This shows the excellence of the 2011 vintage for Pinot Noir and the master blending acumen of winemaker Paul Pender. Drink 2016-2018. Tasted May 2016 @Tawse_Winery@DanielatTawse@Paul_Pender
Cave Spring Csv Riesling 2013, Estate Bottled, Cave Spring Vineyard, VQA Beamsville Bench, Niagara Peninsula, Ontario (566026, $29.95, WineAlign)
That flesh, that Kabinett flesh, fills the CSV in every crevice. In 2013 the residual sugar number lies between 15 and 16 g/L, and though the crop was bigger, it was still picked later than in 2012. The result is formidable corporeal concentration, consistency of house style and perhaps the only ’13 Niagara Riesling to imitate, perpetuate and extrapolate on the vintage that came before. This Cave Spring concentrates fruit and Escarpment into a powerful Riesling, streaming like charged particles through changing expressions. A lingering ascension hovers as it rises, until it slowly fades into the welkin, like a balloon that languidly gets lost into the blinding blue of a midday sky. Drink 2017-2025. Tasted April 2015 and May 2016 @CaveSpring@TheVine_RobGroh
Bachelder Nuits St Georges La Petite Charmotte 2013, Burgundy, France (357228, $58.95, WineAlign)
From the Nuits St Georges parcel that Thomas reaps, built on the premise of soil, structure and depth. The lithe beauty of this La Petite Charmotte block is lifted and held in the highest esteem in 2013, perhaps with even greater sensibility of character than out of what was an exceptional 2011. The Nuits iron power surge may have descended down a half level but the redolent Beaune balance is spot on. So very perfumed. That Bachelder perfume, expressed in Neaune craving and breadth. Drink 2017-2024. Tasted May 2016 @Bachelder_wines
Current travels in Chianti Classico leave almost no time to scribble out more than paragraph let alone 10 but there is a VINTAGES release coming Saturday. The New Zealand Wine Fair rolls through Toronto today (which I will sadly miss) and I have some recommendations of excellence from that country. Canada (Ontario), France, Germany and Hungary round out my picks.
See you next week…Godello
Te Pā Sauvignon Blanc 2015, Marlborough, New Zealand (450668, $19.95, WineAlign)
After tasting the winery’s Pinot Gris and Sauvignon Blanc back in 2014 I wrote “If Te Pa can find a way to get their wines into VINTAGES stores, I will buy them by the case and hand them out on Halloween as adult treats.” The day has come with the release of this rocks off Sauvignon Blanc. The open G tuning is perfect for balance with the cumulative notes it plays, deep cuts of bluesy rock ’n roll from Marlborough soils. We’ve seen so many SB’s come through these parts but so few at this price deliver such a deft hook with exile on main street flavours. Singular, unctuous stuff and well worth finding a way to bring a deferent side of Marlborough and Sauvignon Blanc back into your heart. Drink 2016-2020. Tasted April 2016 @tePaWines@FWMCan@nzwine
Villa Maria Southern Clays Single Vineyard Sauvignon Blanc 2014, Marlborough, New Zealand (447474, $29.95, WineAlign)
The single-vineyard Villa Maria Sauvignon Blanc is a highly concentrated, aroma-centric, splendored thing with inherent vegetal notes both smoky and subtle. The flavours are all white berry dusted with white pepper. The bite, the lees and the tart accents layer like a savoury dessert. This is formidable Sauvignon Blanc with high aspirations. I for one would like to see it settle and develop a secondary level of show. Drink 2017-2021. Tasted April 2016 @villamaria_wine@Dandurandwines
Kim Crawford Small Parcels Rise & Shine Pinot Noir 2013, Central Otago, South Island, New Zealand (35337, $29.95, WineAlign)
This is a characterful, high-toned and slightly rustic Pinot Noir from Kim Crawford’s Small Parcels program in Central Otago. It’s all strawberry on the nose and black raspberry (with a lash of liquorice) on the palate. There is great grit and true breadth of texture, not to mention sweetness, forgiven with so much else going on. Love the tart finish and bitters linger. Tells me its best is just around the bend. Drink 2017-2021. Tasted April 2016 @kimcrawfordwine@CBrandsCareers
The Stopper White Blend 2014, VQA Ontario (452235, $14.95, WineAlign)
Fun blend of Riesling and Vidal, put to good use in a variation of theme on the Ontario white appellative blend. The Riesling dominates with that atomic push and arid, saline sensibility. The vidal adds a squeeze of citrus (white grapefruit) and skin contact au naturale feel. A bit of unoaked Chardonnay or even some Musqué might not be such a stretch to fill in with some cool-climate tempering and hole filling assistance. A follow-up bit of research finds five per cent, along with Gewürztraminer. Depending on the vintage, it would be nice to see the Chardonnay increased. Easy and tangy on the palate. Drink 2016-2018. Tasted April 2016 @AdamoEstateWine@JohnPaulAdamo@ProfileWineGrp
Tuzko Cabernet Franc 2012, Tolna, Hungary (438291, $14.95, WineAlign)
True cool climate cabernet franc from Hungary, savoury, full of leather, cedar and spice. A veritable forest of wild berries in a glass. Really unique find and very Lincoln Lakeshore for you that understand and prefer to compare within the context of an Ontario vernacular. Drink 2016-2022. Tasted May 2016 @ImportWineMAFWM@MarkAnthonyWine@WinesofHungary@WineofHungary
The Rosé category can be fascinating and also slightly repellant. Whether it be the choice of varieties or the uncontrolled bleed hot off the press, it’s really hard to say, some Rosé just rubs the wrong way. At first sniff and sip you just know this Fielding ’15 is not one of those. It’s coolness is graced with restraint and it is nothing but a pleasure to drink. There certainly is candy floss and cut strawberry in the air. There is sweetness on the edge and cream floating around the rim. Separately pressed and vinified Gamay and Cabernet Franc are the key fixings though a minor sense of white percentages (like Riesling, Viognier and Vidal) would not be out of the supporting question. Sugar meets acid in equal and opposing fashion. Balance and humility are cut from the same cloth as pride. Nothing dominates and all components work seamlessly together. In its fresh and spritely youth this is one of the most pleasurable Rosés from Ontario. Drink it young. Drink 2016-2017. Tasted March and May 2016 @FieldingWinery@RichieWine
Mas Des Bressades Cuvée Tradition Blanc 2015, Ap Costières De Nîmes, France (701094, $17.95, WineAlign)
Really floral white blend from the Costières de Nîmes in which tropical blossoming Viognier really tends to gardening at night scents to lift the mistral rhythms of Grenache Blanc, Marssanne and Roussanne. Unctuous and the most ethereal character this wine has ever shown. Really special vintage from Mr. Marès. Drink 2016-2020. Tasted May 2016 #masdesbressades@Vinexxperts#costieresdenimes
From the Thörle brothers Johannes and Christoph, a dry, vivid Riesling with a vitality of spirit and a presence that comes from the heart. Lime juice and zest mark the territory, skin contact leaves its trace in hue and a natural ferment keeps it more than real. A minor residual (Co2) spritz still tickles on the palate while grape tannin strikes a dagger into the finish. Exemplary modern take on Trocken Riesling in a style that should appeal to a wide ranging audience. Drink 2015-2019. Tasted three times, May and November 2015, April 2016 @thoerle@UNIVINS@germanwineca@gen_riesling
Bailly Lapierre Réserve Brut Crémant De Bourgogne, Méthode Traditionnelle, Ac Burgundy, France (991562, $19.95, WineAlign)
This 100 per cent Pinot Noir may initiate with simple and eager fruit, of lemon and pink grapefruit but its subtle ability and mineral wager is a condition of its commitment. It will not shock, dream in multi-dimensional preoccupation or revamp the traditional methodology but it is nothing if not lovely. It takes you on a holiday. Lemon repeats in many ways, acidity survives without kindle or foment and the flavours linger like a haunting refrain. “Like the bubbles in a glass of Champagne, you go to my head.” Drink 2015-2019. Tasted blind at WWAC15, August 2015 and April 2016 @bourgognespress@BourgogneWines@Vinexxperts
Steve Byfield’s crimson blend of Cabernet Franc (42 per cent), Merlot (33), Cabernet Sauvignon (20) and Syrah (5) is at once so very Niagara while acting out anomalously in the 2011 vintage. Ripe, extracted fruit appears warm-vintage drawn, with its coated layers of primer, brushstroke and plummy stone fruit. The warmth is tempered by savour, oranges, figs and psalms. Its ability to find cadence and cascade keeps it “cool in the shade.” The varietal combining is delineated in balance, “sliding mystify, on the wine of the tide.” This effort, with its new name, could become one of the king’s amongst Ontario blends. Tasted January 2015 @NyaraiCellars
Viewpointe Focal Pointe Cabernet Franc 2010, VQA Lake Erie North Shore, Ontario (450916, $24.95, WineAlign)
Wine Country Ontario’s Lake Erie North Shore appellation flashes onto the radar here with Viewpointe’s very youthful and soulful 2010 Cabernet Franc. It’s not spicy but there is a veritable pantry sprinkled into a simmering reduction sauce, breathing and exuding aromatics, of juniper, liquorice, Montreal smoked meat spices, cassia, star anise and chicory. It is utterly Cabernet Franc with righteously integrated barrel notes swirling in that demi-glace. The tannin and acidity persist strong and complimentary with nary a moment of raisin treason. So very well done. A huge accomplishment. Drink 2016-2019. Tasted April 2016 @viewpointewines@WineCountryOnt
Ernest Meurgey Perron Pouilly Fuissé 2012, Ac Burgundy, France (448852, $31.95, WineAlign)
Rich and buttery Chardonnay that is the membrane holding and supporting the coolest contents, in limbo and needing two years to flesh, burst and break through. The tart, tight and angled shfits are the drive and the direction for the short term development. In 2018 this will be a humdinger to pour alongside butter-seared and caramelized scallops. Drink 2018-2023. Tasted April 2016 @BourgogneWines@BourgogneWines
Humility only exceeded by impossibility @normhardie #pec #countyinthecity Pinot Noir 2014
To me, Prince Edward County is the most enigmatic wine region in the world. Why is that? The coterminous climate and geology comparison to Burgundy never wanes and the vintners who painstakingly cultivate and produce Chardonnay and Pinot Noir never quite abandon the methodology. The Burgundian model of viticulture is almost universally applied to the County microclimate. Think about it further and note that latitude and soil composition aside, PEC is not Burgundy, never will be and the parallels drawn ad nauseum should begin to cease and desist.
There are many reasons for saying this. The most obvious has to do with winter and the painful condition of a once or twice every 10-15 year pain in the arse deep freeze that necessitates the hilling up of vines. Farmers select canes chosen for the following growing season and tie them to a wire very close to the ground. Upwards of two feet of soil is plowed onto the tied-down canes. The labour required is extensive and the subsequent yields are lower than most grape growing places on the planet.
At the 2015 spring County in the City event I noted that WineAlignprimo scrittoreDavid Lawrason presented his PEC state of the union address via the company website. “David touched on some integral points for growers and winemakers in the County, including the rise of Riesling and a case for increasing plantings of varieties like Chenin Blanc.” At the time I hung on to Burgundy with no immediate plans to recognize an imminent diurnal varietal shift.
Last fall I wrote a mini-dissertation on the ridges of PEC. “It all adds up to minerality in the wines and nowhere does the geology matter more than on the ridges.” Which brings me to the third bit of logic and one that is varietal based. Pinot Noir and Chardonnay share the stage with a wide range of planted grape varieties and it is the emergence of Pinot Gris that shakes the foundations of PEC-Burgundy thought. If this year’s grand tasting of County wines at the Berkeley Church showed one thing it’s that Pinot Gris is a must. From Hillier clay-loam to omnipresent limestone, the group begs for Pinot Gris, a mineral-loving, dry extract extricating and tertiary tannin absorbing grape. The makers know it.
A fourth dialectic concerns rules and regulations. A wine growing community may talk a big game of homage and publicly declare with politically correct language their allegiance to, a following of and the emulation of a wine-producing deity that has proven its success with hundreds of years of tradition behind it. But the fact of the matter is Prince Edward County does not yet know exactly what it means to be a community of wine producers. The grand cru, premier cru and lieu-dit blocks are only beginning to be understood and working with the climate is still an unmitigated, trial and error disaster.
So in steps a governing body to determine what winemakers are supposed to and even allowed to produce and what exactly they can call it. Absolute authority is exercised against a brilliant vintner who owns land, lives and produces wines in the County, but can’t label it as such. Forget about the economics of an acronym that saves on taxes. They are not allowed to write Prince Edward County on their label.
I hear you. Regulatory boards are needed to make sure a region is putting its best foot forward out to the country and to the world. You can’t have a golfer wearing cut-off jeans, a fishnet tank and a mesh visor shanking nine-irons on the perfectly groomed country club 18. But what if one guy’s wines are off the charts, gorgeous representations of terroir? So what if her skin-contact whites are not what we are used to? Who cares what either of them are wearing. Who should complain that they make new tracks in their own special way? Exactly how is it they bring shame, detriment or housing market decline to the neighbourhood?
Rant aside, the last piece of the Prince Edward County puzzle stretches from the idea of freedom and into a polemical discussion in which no two County wines are the same. Dynamism has never known such hyperbole as it does in the County. Yet another Sparkling epiphany was had after tasting Lighthall Vineyard’s first (not yet labeled) traditional method fizz. It should be called “Au Courant” because it takes everything we have assimilated from Champenoise bubbles, filters it through Cherry Valley soil and rewrites the book. The collective needs to embrace the Sparkling example set by Jonas Newman, Bruno Francois and Glen Symons.
The endearment “The County” is a term meant to bestow a sense of down to earth affection on a place you have to detour through to pay it a visit. “The County” is in fact Ontario’s most diverse and magnetic wine region. To borrow from the American literary critic James Wood, PEC is “one of those rare occasions where the absence of evidence is evidence.” Everything is changing all the time and everything is new. No County for old wines.
I recently reviewed 20 County wines. Here they are.
First @lighthallvyard strike #methodetraditionelle #2011 #fortytwomonths
Casa Dea Dea’s Cuvee 2015, VQA Ontario (261263, $18.95, WineAlign)
Distinctly August cling stone peach, ripe, lightly crushed and fenocchio glacier. Really pollinated fizz, with a bright pink grapefruit granita personality and cool chardonnay exemption. Pretty, pretty stuff. Lingers precisely and there is nothing remotely precious about it. Well made. Drink 2016-2018. Tasted April 2016 @casadeawinery@PECWinemaker
Huff Estates Cuvee Janine 2013, VQA Prince Edward County, Ontario (Winery, $29.95, WineAlign)
Comes from a place and will return again to the junction where rusticity and elegant oxidative character live. Erstwhile fresh, alive, prescient and yet must have been a challenge to tame. Quite the gustatory, culinary, mis en place of torched vegetables and acidity de-glazed game seared off into caramelization. Intensely real, characterful and attention grabbing Janine but not funky. Slow braise ahead. Drink 2017-2021. Tasted April 2016 @HuffEstatesWine
Huff Estates South Bay Vineyards Chardonnay 2014, VQA Prince Edward County, Ontario (Winery, $29.95, WineAlign)
Reductive and reeling from the pushy barrel, young, tight, angular and closed. Green apple, tart white berries and barrel spice. Emerald gem Chardonnay leaving little to no wonder Niagara Bench winemaker Paul Pender is so interested in the fruit. South Bay is the Quarry Road of the County. Wait for the richness and the platinum peaches and cream to emerge commensurate to ostensibly consummate cool climate Chardonnay. Drink 2018-2022. Tasted April 2016
Karlo Estates Pinot Gris 2015, VQA Prince Edward County, Ontario (Winery, $29.95, WineAlign)
Welcome winemaker Derek Barnett to the County and to Pinot Gris with a Gorrilaz style, “the essence, the basics,” gone ripe beyond the pale, round and full. Sweet green apple and basil relish, veritable tang, baked tart shell filled with apple-citrus curd but so far from sour. Wish it hung around for longer. I suppose I have only myself to blame. “I ain’t happy, I’m feeling glad. I got sunshine in a bag.” Clint Eastwood and Pinot Gris in the County. “The future is coming on.” Drink 2016-2018. Tasted April 2016 @KarloEstates
Karlo Estates Lake On The Mountain Riesling 2015, Prince Edward County, Ontario (Winery, $29.00, WineAlign)
Very Mosel Germanic Riesling Kabinett in style, with some residual and low alcohol. Juicy, round acidity, ripe sapidity and almost tersely spoken from the edge of the late harvest forest. Good length and will live a half decade or more with severity tempered by herbal countenance. Drink 2016-2021. Tasted April 2016
Keint He Portage Chardonnay 2014, VQA Prince Edward County, Ontario (Winery, $25.00, WineAlign)
Tart and tight, rich and tangy, as expected and with some density. What needs from reduction lays low and melds into wood. The handling was necessary from out of a challenging and demanding 2014 vintage. The Portage is fully entrenched as a true County stalwart. This is what defines what Keint He is, has come from and to where it will go. Ground zero for the range, from what others will feed from. Sister Chardonnays Greer and Frost embark from this Portage starting point. Drink 2016-2019. Tasted April 2016 @KeintheWinery@Nicholaspearce_
Keint He Greer Road Chardonnay 2014, VQA Prince Edward County, Ontario (Winery, $30.00, WineAlign)
The specificity of the label conjures up territorial Hillier thoughts for Chardonnay made by Norm Hardie, Dan Sullivan and Paul Battilana. While the Greer thread runs through and keeps it in the family this is all in Keint-He issue. Possessive of a richness shown by few other PEC Chardonnay, there counteracts and stabilizes a cool climate snap, crackle and green apple pop. Tang folds into lovely tart, citrus bitter curd with a wisely executed tumult. And there is no relent. A Chardonnay ripper. Beware the power. Drink 2016-2020. Tasted April 2016
Lighthall Chardonnay 2014, VQA Prince Edward County, Ontario (Winery, $25.00, WineAlign)
Glenn Symons’ 2014 from the southern flank in the Cherry Valley is perhaps the most regionally intense, lights out Chardonnay in Prince Edward County. ‘Twas a good growing season in the Lighthall Road ward so say hello to phenolic ripeness and an old school, reductive and layered striker of flint and wood. The yields being as low as they are and exponentially were, there grunges much tonic reverb stirred into leesy, sweet extract in its rather ripped sonic youth. Such a mineral wine, sword-wielding, axe-grinding and tannin mining. Will find its unctuous way with time. ‘Cause it’s lights out right now. Drink 2017-2022. Tasted April 2016 @lighthallvyard
Lighthall Pinot Noir 2014, VQA Prince Edward County, Ontario (Winery, $30.00, WineAlign)
The paradigm shift that began with Lighthall’s 2013 Pinot Noir continues with this stay the course 2014 and then some. The vintage offered up a slower developed phenolic yawning so the stygian runs deeper than the vermillion. That is to say the cherry fruit turns to black even while such a pretty Pinot pours with tension beneath the rich and glorious surface. Tension yes, but also soil infiltration and cooling breezes to temper the Cherry Valley conflagration. Tautness de-armed by a necessary streak of humus conditioning pomace, for grounding. Voluminous palate notes are repeated in demonstrative refrain. Another step forward for Prince Edward County Pinot excellence. Drink 2016-2019. Tasted April 2016
Lighthall Pinot Gris 2014, VQA Prince Edward County, Ontario (Winery, $25.00, WineAlign)
Made in the Lighthall style mixed with location, location, location. Vines of healthy fruit in the Cherry Valley, making for wines that are stark, sturdy, demanding, self-fortified and of limited quantities. Like its siblings, this Pinot Gris is also exempt from weakness. Here PG reminds of lieu-dit Alsace, of attitude, with tannin, extract, salinity and and of course, mineral. Singular County Pinot Gris. Could age for a decade. Drink 2016-2022. Tasted April 2016
Norman Hardie Riesling 2015, VQA Ontario (131169, $21.00, WineAlign)
More reductive for a Norman Hardie Riesling than even it ordinarily shows and also pervasive of penetratingly concentrated stone fruit. While the acids may be received as hard and potentially malic that perception is calibrated by this wine’s typical aggregate. The walls need breaking down and the road is purposely graded high knowing full well it will eventually finish even with the shoulder. I like the sweet tannins and the difficult way in which it uses extract to a futuristic advantage. Wait a year and imagine the possibilities of balance. Drink 2017-2020. Tasted April 2016 @normhardie
Norman Hardie Pinot Noir 2014, VQA Prince Edward County, Ontario (Winery, $39.00, WineAlign)
In Prince Edward County and for Pinot Noir there is no substitute and no comparison. Quixotically sweet Pinot Noir fruit, from the lowest of the low yields, scrupulously heeded and handled with care and yet also, somehow without a care to the world. As self-effacingly pretty and impossible as ever though in 2014 the tensity is lower, the anxiety bereft and not so crucially or dearly developed. There is almost no crisis from out of this first of the near-crisis vintages. This is an early to love Norm Pinot Noir, brought to life and with red citrus that only a Hardie low alcohol Pinot can bring. Humility only exceeded by impossibility. Ready to enjoy younger than most. Drink 2016-2022. Tasted April 2016
Rosehall Run Pinot Noir J C R Rosehall Vineyard 2013, VQA Prince Edward County, Ontario (Winery, $39.00, WineAlign)
The vintage steps out of a particular shadow and into bright light, exposing the JCR Pinot Noir with a particularly beautiful level of freshness and vitality. What has come before is not forgotten; the County tartness, the limestone preparation and the earthy red ochre fruit. But here is something other, something new, exciting and structured. The balance begins and ends on a seamless circle with no obvious demarcation point. The most elegant Rosehall Run Pinot Noir comes out of this 2013 and its level of poise should see it enjoyed now and for 10 more years easy. Drink 2016-2025. Tasted April 2016 @Rosehall_Run@sullywine
Rosehall Run J C R Rosehall Vineyard Chardonnay 2013, VQA Prince Edward County, Ontario (Winery, $29.95, WineAlign)
A tenderly and beautifully rich, stone roses reductive and buttery Chardonnay, fully malo-activated, in adherence to the consistently classic Dan Sullivan righteous style. Makes me think of 1990’s Manchester post-punk, 60’s retro guitar pop, with a sweet softness as foil to an angst-riddled, contemporary acid house rhythmic sensibility. Sullivan’s JCR draws from influence, playing both time-tested Burgundy and new world Chablis pop hooks. “Where there’s life there’s gotta be hope and where there’s a will there’s a way.” Just sip along with the Rosehall Run JCR Chardonnay. It’s hard not to become enamoured after experiencing such great, coherent length. So young. Drink 2017-2021. Tasted April 2016
Stanners Vineyard Chardonnay 2014, VQA Prince Edward County, Ontario (Winery, $30.00, WineAlign)
Quite remarkable and reductive Chardonnay, from fermentation of a certain halting, the yeast not quite having finished munching and malo just short of finding fulfillment. Low in alcohol after posting pH similarly reserved. This has real gumption, a stalwart of phantasmagorical Chablis allegory in the guise of salty, mineral PEC with minor residual sugar and a dip into the funky well. Just lettin’ it all hang out. This is a very promising wine. Just wait until the weather holds out and the yields go up just enough for Colin Stanners to make a really proper Chardonnay. Drink 2016-2019. Tasted April 2016 @StannersWines@GroupeSoleilTO
It’s not what you think but it’s just what you imagine @Stannerswines @GroupeSoleilTO @therealbenhardy #PinotGris #cuivre #skincontact #pecwine #princeedwardcounty
Stanners Vineyard Pinot Gris Cuivré 2014, VQA Prince Edward County, Ontario (Agent, $25.00, WineAlign)
The coppery-hued Stanners Pinot Gris Cuivré 2014 is like a member of the cup of coffee club, its skin contact time limited but forever significant. The PEC conceptualization may seem as strange as surfing Wellington waters but this Pinot Gris is a boy who trapped the sun, having sealed in brightness and freshness beneath the surface, cauterized during fermentation. This is not an orange wine but rather a a Pinot Gris with poise and a balladeering sense of calm. The Cuivré comes from pure sourced County fruit, spent time in stainless steel, is more than a curiosity, is a little funky and offers a feeling of rosé as a gateway drug to orange wine. Saline, nicely savoury, with a tinge of wild sauvage, all within reason. Such a skin contact white in self-proclamation “when you go into your skin, I’ll be the hope joining the walls.” The missing piece is tension, dynamic tempo changes, rises, falls and a crescendo. Though it lacks such structure it is still a beautiful mistake by the lake. Copper down. Only 230 cases were produced and it was released in February, 2016. Drink 2016-2019. Tasted April 2016
One of three Skin Contact Rieslings from winemaker Mackenzie Brisbois, from Lincoln Lakeshore fruit out of Ed Hughes’ farm. For whatever reason this vineyard is far less reductive then the (Wismer) counterparts. It may be attributed to site, of decreased nitrogen (or not) and/or when sulphur is applied. “Ed Hughes is a very calculated grower,” notes Brisbois, which may account for what stylistic deference is syllogistically accrued. “They’re very dry and they will be very tart,” she warns, “and aromatic.” Pressed when fully dry and 14 days on the skins. Arid is the understatement, this shining and whispering Riesling, of tartness not on top slides beneath the surface of acidity. So much length. Youth is not on its side while it wiles away in withheld revelations though longevity is not necessarily its greatest ally. This is Riesling of stark realities, arid with no Niagara frame of reference and fruit so crisp it cracks into perfectly linear fissures. Laser focus without pierce or citrus. Spellbound skin contact stuff. Needs six months to seek a wave beyond the shock. Only 32 cases made. Drink 2016-2019. Tasted April 2016 @TrailEstateWine@MackBrisbois
Skin contact #Riesling from @MackBrisbois @TrailEstateWine Invisibly stitched and tart-pan curl. #burgunder less than 50 cases #hughes #lakeview #foxcroft
The second of three skin contact, Niagara borrowed Rieslings from winemaker Mackenzie Brisbois. This time from Craig Wismer’s Lakeview, a Twenty Mile Bench block with 18 years-ish old vines. Spent 21 days on the skins and comes through in or around 10 per cent alcohol (like the others). More herbology balms the nose and while it may not waft with equanimity or gregarious aromatics, it’s bleeding delicacy and savoury sapidity breathes freshness. If it just came with an added juicing of lime it would help to bring out structure and balance the anterior acids. As it is the acidity runs through the middle, streaks and halts the fruit from gaining on time. Adheres to acting typical of a 20 Mile Bench Alsatian Clone 49 example. Only 15 cases made. Drink 2016-2020. Tasted April 2016
The third and most effectually ingenious of Mackenzie Brisbois’ skin contact series Rieslings, with far more texture on the palate and overall Riesling acumen. Endowed with a gram less acidity than the Lakeview and burgeoning with veritable Twenty Mile Bench viscosity. Can it be such a coincidence that so many winemakers choose Foxcroft for their Riesling fruit? A real burgunder sensation is to be annexed out of the crafted brim of an invisibly stitched, tart-pan curl. This is irrefutably the most accomplished of the three (that includes Hughes and Lakeview), of length increased, laser focus and thirst quenching pleasure. Such a pity that only 12 cases were made. Drink 2016-2022. Tasted April 2016
The concept is in line with what winemaker Mackenzie Brisbois set out to do with Riesling but the result couldn’t be further from the truth or the ideal. Sauvignon Blanc is nothing like Riesling. It’s malleable, amenable and submissive. The process took de-stemmed fruit, saw it ferment on its own (dry, in nine days), needing no inoculation and then handled with hand-punched, TLC. In the end it was sterile filtered, leaving it to shine with latent lucidity, of brilliant clarity and with skin-deep grace. The whole is a snapshot of nothing less than supple integration. I would like to taste this side by side in 2020 with Jean-Benoit Deslauriers’ similarly struck Benjamin Bridge (sweeter and cloudier) 2014. The divergence should be fascinating and confounding. Only eight cases made. A drop in the skin contact bucket. Drink 2016-2020. Tasted April 2016
Godello 