Monthly Archives: September 2013

Fall is the time for Tuscan wine

Ripe wine grapes
PHOTO: ANDY DEAN/FOTOLIA.COM

as seen on canada.com

Tuscany. Entrenched in place as one of the most storied, time-tested and traditional wine regions of the world. For right reason, thanks in great measure to the chimerical, paragons of Brunello, Vino Nobile, Bolgheri, Maremma and of course, Chianti Classico.

Tuscan wine laws, while more relaxed and inclusive than they recently were, continue to hold on to stubborn and hardheaded ways and remain transfixed on tradition and patriarchy. In the 1970′s some miscreant and rebellious winemakers began bottling with foreign varieties and gulp, in blends with the local, beloved Sangiovese. They broke as many rules as possible. Wine hippies. The movement paid no heed to the DOC (Denominazione di Origine Controllata) and DOCG (Denominazione di Origine Controllata e Garantita) laws and the wines came to be known as Super Tuscans. The new marketers labeled their bastardi as IGT (Indicazione Geografica Tipica). Antinori’s Tignanello, Tenuta San Guido’s Sassicaia, Tenuta Dell’Ornellaia’s Ornellaia and Masseto were the very expensive originals. So many followed and today a “Super Tuscan” can be had from $12 to $400. I turn to this concise and disseminated description on the genre from VinoinLove.

PHOTO: Daniela Scorza/Fotolia.com
Tuscan wines are to be found everywhere these days and tastings seem to teem with them in the fall.

All this in direct insult and dis to the salt of Tuscany’s wine earth, the sanguis Jovis, the “blood of Jove,” Sangiovese. Conventional and prescribed Chianti (Sangiovese), Brunello (Sangiovese Grosso) and Vino Nobile (Prugnolo Gentile) all contained, in majority proportions, a form or clone of the grape. Other autochthonous varieties were parochially permitted, like Canaiolo, Colorino, Malvasia and Mammolo. But Cabernet Sauvignon, Merlot and Syrah? No chance. Today, things have (somewhat) changed.

The Super Tuscan IGT holds court while Sangiovese-based wines fight for market share. Better yet, the IGT style paradigm is finally beginning to shift back to the future of Italian wine, in a focused, pure, fruit-driven style. Oak hindrance and high alcohol IGT, despite the reason for putting the genre on the map in the first place and while still so prevalent, will not survive the mode it has been mired in for the past 10-12 years.

Tuscan wines are to be found everywhere these days and tastings seem to teem with them in the fall. Tuscany was the themed centrepiece of the most recent VINTAGES September 28th, 2013 release. Wine importers have been showcasing their IGT’s at portfolio tastings and coming next month, Wines of Italy will offer more than a dozen among the 100+ wines on pour at that immense event. Here are five recently sampled Super-Tuscans and three rogue Sangiovese to seek out this fall.

Clockwise from left: Capezzana Barco Reale di Carmignano 2010, Fattoria Carpoli Sada Integolo 2010, San Felice Il Grigio Chianti Classico Riserva 2009, Carpineto Farnito Cabernet Sauvignon 2007, Pertimali AZ. Livio Sassetti Fili di Seta IGT 2009, Terrabianca Campaccio IGT 2009, and Anima Libera Morellino di Scanzano 2011

VINTAGES September 28th, 2013 release

Capezzana Barco Reale di Carmignano 2010 (508531, $16.95) lets Sangiovese play chaperone to Cabernet Sauvignon and Canaiolo in its most modern and alluring incarnation to date. That’s not to say it clenches without tension, in seething red berry and cherry. Highly floral entry and dusty finish. Solid value. Will work for many a pasta.  88

Fattoria Carpoli Sada Integolo 2010 (350132, $18.95) the unheralded, consumer obscure yet not so unusual IGT blend from Cabernet Sauvignon, Montepulciano and Alicante feigns modernity at a refreshingly low, low alcohol by volume of 12.5 percent. Though not widely known, the blend is not so uncommon for the Tuscan coast. Uncomplicated and pure, dark red camera obscura with pitch emitting a ray of bright fruit light. Spit char roasting aroma, sun-dried flavour and energy in solar happiness, as “the rocks melt wi‚ the sun.”   89

San Felice Il Grigio Chianti Classico Riserva 2009 (716266, $26.95, SAQ, 703363, $27) clocks in at 12.8 per cent abv. Are you following the theme here? This CCR is just so flippin’ foxy and gorgeous to nose. It’s also demanding in iron, dried sanguine char and tough like the label’s Titian-painted medieval knight. CCR stretched out on the rack, Italianate through and through and likely in need of 10 years lay down time. Funkless which, considering the lack of coat and obfuscation, is very, very interesting.  92

Carpineto Farnito Cabernet Sauvignon 2007 (996553, $29.95) invites Chianciano/Montepulciano to the party mix and the result in 2007 is lush, lusty and downright funky. Usually one only finds this kind of funk and circumstance in a Napa valley Cabernet. So muttonous and crustaceous I’m tempted to say merroir but as my colleague JS notes, “withterroir like this who needs grapes.” Another IGT that dials my number at 12.5 per cent abv. Honesty thy name is balance.  90

Profile Wine Group Portfolio Tasting

Liberty Grand, September 24, 2013

Pertimali AZ. Livio Sassetti Fili di Seta IGT 2009 (Profile Wine Group private order, $37.95, B.C., International Wine Cellars, 16147, $46) is a Sangiovese (60 per cent) and Cabernet Sauvignon (40 per cent) Montalcino blend. Rosso di Toscano, as opposed to Rosso di Montalcino, or baby Brunello. Lush, jet pitchy and earthy fruit that dances the Brett line but never crosses over into dangerously funky territory.  90

Terrabianca Campaccio IGT 2009 (Profile Wine Group consignment, $39.95) combines fruit from two Tuscan appellations, Chianti Classico and Maremma. The 70 per cent Sangiovese and 30 per cent Cabernet Sauvignon blend has never wavered or waffled, nor has the price. Same 40 bucks I paid for my ’97′s. If perhaps it were accused of being less complex and idiosyncratic and more accessible, so be it. Such a virtuous expression of Sangiovese where Cabernet supports. Harmonious, red fruit and rampart acidity in a wine capable of abstruse behaviour.  91

Connexion Oenophilia

August 1, 2013

Anima Libera Chianti 2011 (Connexion Oenophilia Private Order, $16.95) is the child of a “garagiste” project from flying consultant winemaker Emiliano Falsini. Composed of 95 percent Sangiovese and five Canaiolo, it’s juicy, lively, certainly a “made” wine but bursting with western Chianti earth, raspberry and strawberry. Ultimately approachable and sociable “from love I long to taste.” Libera me Chianti.  89

Anima Libera Morellino di Scansano 2011 (Connexion Oenophilia Private Order, $22.95) is a mix of Sangiovese (90 per cent), Alicante (five) and Malvasia Nera (five). More depth and robust, studied consternation than most Morellino. Corporeal, developed cherry fruit deliberated by grainy, chalky tannin. There’s an iodine and roasted chestnut note but the fruit remains fresh, neither rustic nor bruised and the wine is conclusively rooted sub-mediterraneanly beyond the Chianti’s reach.  91

Good to go!

Select tasting through years of the Stratus Red and White

Stratus Winery and Vineyard, Niagara on the Lake
PHOTO: STRATUS WINERY

as seen on canada.com

Imagine this scene. It’s the year 2000 and all of the Stratus single varietal wines have been bottled.  J-L (Jean-Laurent) Groux and partner in wine at the time Peter Gamble are discussing the vintage and the merits of the individual varieties. “Something’s missing,” is the thought. “We can do better.” They decide to pour them out and reconstruct by blending whites into riddles wrapped in mysteries inside enigmas. They did what? They poured out Chardonnay, Riesling and Gewürztraminer, to reform the varieties by fractional assemblage? Crazy but true. History was made.

J-L Groux
Photo: Stratus Winery

J-L Groux is the winemaker at Stratus Vineyards, steward and maître d‘ to Niagara assemblage, the “art of combining several varieties to create a single wine.” The Stratus Red and White wines define that noble practice for Ontario. Groux’s M.O. is to select the best grapes from a single growing season, age them in oak barrels and then combine the SV’s for the purpose of achieving exceptional aromatics, a long aftertaste, vintage consistency and ageability. If any doubt has been cast over the idea of or the success of Groux’s methodology, upon his insistence that “there is no recipe for assemblage, only a goal,” the back-vintage vertical tasting at Le Sélect Bistro answered the multi-variety bell.

Cabernet Franc, Stratus Vineyard
Photo: Stratus Winery

So what has changed in the past 13 years? Most notable is the wisdom, experience and maturity of the vines and the winemaker. The wines and their maker have developed a symbiotic relationship with their environments. The oak barrels are crucial to the refinement of the Stratus signature wines. Cooperage time, though perpetually in oscillation, has generally increased over the years but levels of new oak have decreased. Groux’s declaration that it takes time to get the pyrazine (green character) out of the red grapes (especially Cabernet Sauvignon) indicates that oak must support but never lead. The Stratus Red vintage eversion is testament to a barrel program that is just getting better and better.

Rigorous vineyard management, including adjustments in fruit-thinning and maintaining fundamental, biological order have been key. “The vineyard is way more balanced due to all the hard work we have done,” boasts Groux. In 2010 they discovered it was no longer necessary to over-thin, but to concentrate on maintaining the organic matter needed. “We used to thin by two-thirds. 2010 was the hitching point.” Grape quality has never been better. “All these varieties are now making concentrated wine,” concludes Groux.

Re-thinking specific variety usage has seen a constant progression. Reds that used to rely on a categorical Bordeaux model (the three main grapes, Cabernet Sauvignon, Cabernet Franc and Merlot) have seen additions of Gamay, Syrah and Tannat over the years. In 2010, the archetype is again Bordeaux, with Petit Verdot in the mix. Malbec can’t be too far behind. My personal preference would be to see the beacon Gamay in grounding support. The grape really ties the room together. Whites once lead by Chardonnay have also angled Bordeaux.  “We discovered in 2008 that Semillon can make great wine in Ontario.” This was a pivotal turning point in the Stratus white evolution.

Gewürztraminer was also eliminated around this time, to ‘thin’ away a level of terpenes and to adjust the flavour profile towards more balance. “People would begin to say I smell Gewürz. Dammit!”  J.L. would say, “that’s not what I want them to smell. I want them to notice complexity. We want when people put their nose in this they say, this is serious.” Going forward, more Chardonnay will join the assemblage, moving towards more complexity, a less dry style.

The Select-Stratus tasting and lunch was hosted by J-L Groux and team: Charles Baker, Ben Nicks, Suzanne Janke and Sarah Walker. Chef Ponzo’s stoic, elegant plates prove that simplicity leads to good design as they ratify the sine qua non of Bistro cuisine.

Stratus Select Line-Up
Photo: Michael Godel

Stratus Red and White Vertical

Tuesday September 24, 2013

Le Sélect Bistro, 432 Wellington Street West  (416) 596-6405

Chef Albert Ponzo, @AlbertPonzo

Stratus White

2010 sends me immediately towards Bordeaux, in neo-marmalade, but also buoyed in perfume and body by 25 percent Viognier. “This variety worked so well in the vineyard in 2010,” notes Groux. Niagara honey and near-botrytis via Semillon and Sauvignon Blanc void of grass, full of vigor. A sharp note, neither metallic nor mineral, but a combination of the two is present in this so very concentrated ’10. Of a warm vintage (self-explanatory) fully picked by October 23. Though loaded with early Spring maple sap, foie gras and appley terpines, its sharp and framed by “tannic” tang and protracted length.  92

2009 is a vintage you will notice a great similitude in that the Sauvignon Blanc and the Semillon number is consistent with ’10. This was a not preconceived plan insists J-L. Here the acidity level is so much higher, not as terpenic and veering citrus. Late picked UV’s on the berries are to thank but still the apples are there along with some pith. The Gewürztraminer glycerin, nutty aftertaste used to be there but now seems to have dissipated. This ’09 comes from a very small crop so the price “makes very little business sense, but you can’t win them all.” With time in the glass it dilates and modulates, becomes tropical, in pineapple and melon. This from 25 brix Sauvignon Blanc and to a lesser extent 23 brix Semillon. More stony and stark than the ’10.  89

2008 is formatively led by Chardonnay and certainly leans Chablis in a cool year. The highly aromatic grapes, at first mute, begin to emerge as the wine warms. This is the prettiest of the three thus far, with more citrus, fine balance and a wine that corroborates  J.L ‘s concept; consistency, long aftertaste and ageability. Achieves all three.  Keep swirling and the tropical notes make a play. Again consistency. This is effortless.  92

2007 has taken seven years to slow down the Gewürztraminer because the tiger army was so prominent back then, even at only 11 per cent of the mix. A “prisoner of the past and my heart’s dark desire,” with extreme efflorescent, ambrosial white flower and medicinal honey scents. The aromas are likely a residual effect of the Gewürztraminer, like jasmine or dried roses, or the floral aroma of some honey.  Even at six years old the Riesling is a distraction. This wine is very, very interesting, but also the hardest to assess. “Dried flowers pressed in pages of faded romance died.”  90

2006 was a “great recovery year,” after the winter damage of ’03, ’04 and ’05. A cool vintage, which required careful picking. The Sauvignon Blanc driven ’06 has the highest melon component, not to mention Boxwood. Yet that rose/floral/honey medicinal note is even stronger. Not over the hill at all and developing a graceful white wine character. Very French with late acidity and verve. Remarkable. Love this one. “This is a style of aged wine where I want to go,” says J-L. Nutty finish.  93

2005 was a deadly vintage (worst frost in Niagara on the Lake) and the only one with smacking aromas from the vineyard floor. “A zoo growing season,” notes Groux, “with grapes hanging high and low.” Chardonnay leads the troops in ’05, in elevated acidity and earthiness from grapes picked “in a different type of environment, near to the earth.” Highly textured and mature, leggy fruit. Though its best years are behind (because the fruit will no longer support the oak), the Groux seven-year ageing goal has easily been reached. The whiff of terroir does blow away and the honey liniment and rose emerges. So much consistency, so rapidly developed.  Amazing. Witness here the winemaking acumen out of an atypical vintage and confounding result.  90

Stratus Red

2010 is a study in restrained, gilt-edged use of only 15 per cent new oak during assemblage, especially with Cabernet Sauvignon in the lead and so prudent considering the extreme warmth of the vintage. Cabernet Franc imparts simple but intense spice.  Red talented, fresh finesse, the oak in support as a James Dean, cherry stained leather jacket. De facto fresh, with just enough trenchant acidity.  92

2009 is a very different and strange Cabernet animal, driven by Franc, its aromatics in spectacular form. Certainly ringing the bell pepper tocsin in a briny, cool climate and licorice carillon. Quite masculine for cool climate, cool vintage assemblage, assisted in kind that way by Tannat and Petit Verdot. “O Ominous Spiritus!” 88

2008 gives J-L reason to quip, “a cool year so therefore Cab Franc is king.” A smear of tarry black fruit is grounded by the dusty character that cool-climate reds so often display. Pepper, currant and more minerals meet metal aromatics. The ’08 Stratus SV’s collectively charm in special ways so there’s little reason not to be taken in by this assemblage. There’s just something about the vintage.  90

2007 puts a twinkle in Groux’s eye. “Still very enjoyable, agreeable and ageable,” he smiles and I note it’s not candied like it may have once been perceived.  A healthy and high 88 per cent dose of new oak but it’s not the encumbrance you might expect. Still quite tight, eking strawberry and plum, and indubitably a unique amalgamation. Will offer up five more years of pleasure.  91

2006 has reached a mellow stage in life, a middle age comfort zone, with no more edgy tannins. J-L is reserved and resolved to say it “has evolved to a nicely aged red wine.” Some sour funk continues to shine in bright acidity, seemingly fresh, though not as mature or concentrated as the others. Some grape leaf here, in a savoury way, like herb and starch stuffed tomato or ground meat in sweet peppers. Complex but not overly chichi.  89

2005 is a wine, according to J-L “you want to keep for a long run.” Laser focus, eagle-eyed cherry bears aloft by lingering acidity and rusticity. The warm vintage and oak aging has elongated the tannin chain. “Its passport for aging,” says Groux. “Can go the distance, we’ll find out in the long run.” That omnipresent dusty mulberry Merlot influence persists, along with black tea, carob, rhubarb and bokser. Herbal, savoury and highly complex.  93

Terrine de Tête et Queue, head to tail, ‘meaty’ pork terrine

Tartare de Saumon, with lemon pearls, caperberries & frisée lettuce

Stratus White 2002
Photo: Michael Godel

Stratus White 2002 performs a demi-sec act which is not such a stretch, considering the late harvest actualities of the Gewürztraminer and the Riesling within.  Could pass for dessert-like, cool-climate French (Jura) though after the chimerical declension it’s still nothing but a Chardonnay-galvanized meritage. Like warm honeycomb buttering steamed crustaceous matter. That Stratus White medicine, in rose potpourri and honey completes the classic scene within the portal.  93

Confit de Canard, duck leg confit with crispy skin, served with vegs from the garden, potatoes au gratin

Joue De Boeuf Bourguignonne, beef cheek braised in red wine, with pork lardons and button mushrooms and a green pea purée

Le Sélect Bistro Duck Confit
Photo: Michael Godel

Stratus Red 2001 from two Cabs, Merlot and Gamay is a juicy, funky and earthy glass of vinous compost. Purple verdigris, verging to black and after all these years. Broods on despite memories of a hot “lady-bug” vintage. The NOL equivalent and coalescence between the French garrigue and the Italian animale. There should be nothing declassified about this black beauty.  91

Mousse au Chocolat, made with French dark chocolate

Assiete de Fromage, a selection of Artisan cheeses from Québec; Riopelle, Le Douanier and Bleu Benedictin

Stratus Special Select Late Harvest Cabernet Franc 2012

Good to go!

Red earth, white wine and September sparkling fire

Photo: ASK-Fotografie/Fotolia.co

as seen on canada.com

The weekend brought us autumn. A certain type of exhaustion creeps in when summer turns over, especially after two weeks of early September, hectic activity. So I sipped my weekend wine, let the ghosts come, allowed them to crash my dreams. It was the least I could do. Then, with a sibilant call, I cast out the spirits rattling like a guttering candle, browsed through some tasting notes and found many a wine reason to usher in the fall.

I did so with perfunctory ease. A bottle of red terroir here, a couple of neo-classical Ontario whites and a revelatory British Columbian sparkler there. Don’t let the sun go down on your wine year just because the mercury is falling. A red Mercurey from Burgundy might be all you need to enjoy the fall. That and some Canadian juice.

Canadian wine pilgrims are living in what is arguably the most exciting time in wine’s history. A time when the greatest wines are fetching the highest prices, where revolutionary activities are taking place in almost every realm of vinous endeavour. During this renaissance new world winemakers have had to re-calibrate their wine linguistics, so Bordeaux became “Meritage,” (Red) Bourgogne became “Pinot Noir” and Champagne became “Sparkling Wine.” The world’s data banks for terms and parlance (wine dictionaries) of examples in context is dwarfed by the collection winemakers all carry around subconsciously in their heads. Thus we have “White Palette” (Jean-Pierre Colas), “Sketches” (Paul Pender) and “Methode Classique” (Jason James). Pilgrim extraordinaire Thomas Bachelder gives us Pinot Noir opposite the iconic Domaine Faiveley’s Bourgogne.

Here are five wines of the lexicographical order to look for this coming weekend and to welcome the fall.

Clockwise from left: 13th Street White Palette, Tawse Sketches of Niagara Riesling 2012, Domaine Faiveley Mercurey 2010, Bachelder Pinot Noir Oregon 2011, and Sumac Ridge Steller’s Jay Methode Classique Brut 2008.

13th Street White Palette 2011 (207340, $15.95) is JP’s who’s who bottle of white grapes, a mad scientist’s blend, the flask filled with Riesling, Sauvignon Blanc, Gewurztraminer and Chardonnay Musque. A re-release and much improved with a year’s extra weight, its “got your body right now.” Fortified by a carapace of grape spirits and purposeful in a white meritage sense of community, plus citrus, pith and a far-reaching, right correct absinthian length. You better you bet.  88  @13thStreetWines

Tawse Sketches of Niagara Riesling 2012 (89029, $17.95) s’got quite the tropical warmth for Bench Riesling. When considered in terms of the vintage, this is nearly a Riesling in the service of a Pinot Gris. Very juicy fruit, dry but bursting in fricative verve. Extreme quality, low-cost. Now on tap at Barque Smokehouse.  89  @Tawse_Winery

Domaine Faiveley Mercurey 2010 (341925, $22.95, B.C. 486217, $28.99) is really quite nice TYVM. Dug from the pungent autumnal earth, expressing ripe cherry, cranberry and strawberry. Pure, elegant and charming. When first tasted and without knowing the price I made this note: “If it’s under $25 it’s a very, very good buy – assuming it is.” Sold.  90

Bachelder Pinot Noir Oregon 2011 (333278, $34.95) bleeds Willamette terroir. Punctiliously phenolic from marine sediment and seemingly obvious early-ripening. Provocative in ruby, sugar-sour cranberry meets redolent raspberry. Chalky, tannic and serious. It’s tough on me right now. Come on Thomas, would ya please lighten up? I don’t want to have to wait to drink the first case.  90  @Bachelder_wines

Sumac Ridge Steller’s Jay Methode Classique Brut 2008 (264879, $25.95) makes use of B.C.’s future, the necessary signature white variety Pinot Blanc with assistance from Pinot Noir and Chardonnay. Very fine lees and yeast aromas are followed by a fantastic jumping and grooving party in the mouth. Tart apples, dry and crisp. Sprightly with 3-D sparkling fire texture. Tertiary maturity has nearly arrived.  91  @SumacRidgeWine

Good to go!

Ancient, state of the art Spanish wine

Barrels of wine are pictured in a cellar PHOTO: A.B.G./FOTOLIA.COM

as seen on canada.com

Argument suggests that the cradle of wine civilization, borne of Levant and of Mesopotamia should rightfully translate to talk of global influence and relevance as emanating from Greece and the Middle East. Not so much. The epicentre lies further west. A commonality shared by the modern romantic, European wine-producing nations is a mojo modus constructed of the most complex declensions. The language of the big three, France, Italy and Spain, inflects in case and number, the benchmark for fine and designed wine.

Spain’s vinous history stretches about as far back as that of its Western European neighbours and though it so often plays kissing cousin, Spanish winemakers do not pussyfoot in producing superannuated yet contemporary wine. My tastings over the previous two years of western (Latin) Europe’s 2009 and 2010 vintages have somewhat and hopefully only temporarily soured my palate for beloved southern Rhônes, especially from the village of Châteauneuf-du-Pape. Up until a year ago I would have put CdP up against any global comparatives for quality and value in the $30-50 range. So many current examples, especially those 2010′s, are hot, over-extracted and completely out of balance. That feeling is also coming out of Piedmont (in particular from a virus of cheap, under $35, traipsing and awkwardly ambling Barolo), but also newly endemic in a hyperbolic convoy of flamboyant and trashy-sexy Tuscan IGT and Brunello. This, sniff, from my first wine love.

PHOTO: Michael Godel Bodegas Beronia, Patria Restaurant, July 18, 2013

Winemakers in Spain (and zooming in more specifically) from Ribera del Duero, Rioja and Montsant are more careful not to fall into modish vinification traps like sugar and spice wood splintering (France) or terroir-void, vinous compost (Italy). They are masters of their wine technique domains, in control of reductive aromas and in deft touch with acidification. Don’t misunderstand me. France and Italy are blessed with brilliant wines and winemakers. Conversely, there are plenty of examples out there these days in high-octane, alcohol elevated, barrel age-leveraging in ultra-modern Spanish wine. There are also wine making superstars. Red and white wine heroes. Matias Calleja, Juan Carlos Vizcarra, Maria Barúa, Luisa Freire and Alvaro Palacios all achieve Iberian nirvana by striking a balance between old and new world, antediluvian and 21st century, all the while making large quantities of commercially successful wine.

Bodegas Beronia talks of their “commitment to quality wine that expresses the personality of theterroir.” Their goal? “A philosophy based on respect for the environment and an ability to adapt to new market trends, maintaining the essence of Rioja.” Matías Calleja defines it: ”We combine art technology with traditional methods of production.”

According to their Ontario agent, Woodman Wines and Spirits, “if anyone embodies the promise and spirit of “The New Spain”, it is Alvaro Palacios.” It has not been much more than 20 years since he took control of the esteemed empire built by his father, Jose Palacios Remondo, but Alvaro Palacios has already become one of Spain’s most famous and well-respected winemakers.

Here are 10 perfect Spanish wines to pour, ponder and debate the popularity vs. quality discussion and to open the door to ancient, state of the art Spanish wine.

From left: Alvaro Palacios Camins del Priorat 2011, Lan Gran Reserva 2005, Bodegas Vizcarra JC Vizcarra 2010, Beronia Crianza 2009, and Beronia Gran Reserva 2006

Alvaro Palacios Camins del Priorat 2011 (216291, $22.95) is composed from 50 per cent Samsó (Carinena), 40 per cent Garnacha and a 10 per cent split between Cabernet Sauvignon and Syrah. A child of young vines, ready to roll Spanish charmer with a mingling floral nose, in barberry and bursting blueberry. Outlined by notes of pencil and charcoal. Timely acidity helps ease the heavy alcohol with some essential balancing grace. Stealth, arid ride through calcareous rock, deciduous oak and viburnum. There is something historical here, crafted yet serious.  91

Lan Gran Reserva 2005 (928622, $27.95) and its makers may now just be a cog in the Sogrape empire but it continues to do its own thing. Has that evolution I look for in Rioja. The slightest oxidative note, heaps of herbs and the umami of salty clashes with smokey Jamon. Rioja expressive of one love and one heart. Caught bobbing, dancing and wailing right in its wheelhouse, giving everything it’s made of, no holds barred and no questions asked. “Is there a place for the hopeless sinner?” Yes, in a glass of a weathered, leathery and just flat out real as it gets red Rioja.  92  @BodegasLan

Bodegas Vizcarra JC Vizcarra 2010 (214650, $28.95) while 100 per cent Tempranillo could understandably be confused for Bordeaux or Châteauneuf-du-Pape. Wood driven to be sure, shrouded in tobacco, vanilla, coconut and the prevailing, hedonistic attributes of the Left Bank or the Rhône. Bounding in berries and liqueur with a hit of phite. JC works because it comes together by adhering to Tempranillo’s early ripening, Cabernet-like, savoury chain of command. Compliments all around to an under $30 powerful yet beauteous Ribera, all out contempo, flaunting and billowing gorgeous. Wow times ten for flavour, if a bit too much of a good thing.  91 @DrinkRibera

Bodegas Beronia, Patria Restaurant, July 18, 2013

presented by Woodman Wines and Spirits, (416) 767-5114, @WoodmanWines @BodegasBeronia

Beronia Viura 2012 (Coming to VINTAGES January 18th, 2014 – 190801, $14.95) exsufflates super ripe, fresh picked pear and emollient herbiage in pure, angled control. One hundred per cent, quick macerated and cold stabilized Viura of aromatics locked in tight. A pour that leads to a starburst of flavour. Complexity reaches the sea in an underlying tide of salinity.  89

Beronia Tempranillo 2010 (LCBO, 243055, $11.65) is a warm, tempered, six months in Sherry cask-driven “one-half Crianza” but not classified as such. Specifically crafted for the North American market, the oak is the protagonist, while the Tempranillo lies in macerated cherry state. At $12 it’s a no-brainer, crafted by a conscientious and forward-thinking vintner.  86

Beronia Crianza 2009 (Consignment, $16.95, Barque Smokehouse) offers more terroir and less barrel interference, in pursuit of a fruit/tension equilibrium. Redolent as if berries, cherries and plums were on the crush pad, with a touch of modernity as a result of both new and used barrels. Classic style (1970′s) Rioja, a five to seven-year wine.  89

Beronia Gran Reserva 1973 is both the dawn of a first vintage pathfinder and fountain of youth. Fast forward from the pre-disco vintage to ubiquitous 90′s soul-searching structure and know it was clearly there with untested confidence back in the beginning. Earth, Spanish bramble and aged expertly in barrel, you can ”tie a yellow ribbon ’round the ole oak tree” with this genesis of Rioja. Tempranillo, Graciano, Mazuelo and five per cent Viura. Twenty minutes in the glass and still so alive. Old school with the proviso to entertain.  93

Beronia Gran Reserva 1982 is highly evolved, gone milky, breaking down as by proteolytic enzyme. A study in caramel, fruit removed, out of tension, past. A second bottle not tasted was purportedly sound, though not corroborated.  NR

Beronia Gran Reserva 1994 spent 34 months in new and used barrels. The bridge from past to future, definitive for Rioja in every pertinent way. Fragrant in licorice, iron and bigarreau cherry. American oak to see a 2020 future in shag, snuff, tea and forest compost.  94

Beronia Gran Reserva 2006 (VINTAGES, Release date TBD – 940965, $34.95) is so youthful it actually gives me bubble gum and dark black cherry from just a swirl. American vanillin oak and terrible tannins in a frightfully tough to assess wine Calleja says “will maintain this intensity for four to six years.” Oh, and then “will continue to evolve for 20-25 more,” slowly modulating as a result of its natural acidity. Judgment currently reserved though the future looks extremely promising.  92

Good to go!

Ontario wines shine on

Shine {ON} Ontario Wine Map PHOTO: LCBO

as seen on canada.com

After spending the last two days tasting through 150 plus wines as a deputy judge for WineAlign’s World Wine Awards of Canada 2013, a reprieve is in order. Today I shift gears, shut off the global wine valve, return home and focus local.

Fresh on the heels of the National Wine Awards of Canada 2013 results, the #WWAC13 threw a gauntlet of grapes my way; international red blends under $15, up to $25 and up to $50. Same for an amphitheater of white blends. According to fellow panelist David Lawrason, “there was no white grape variety not on this page.” We also tasted, took notes, scored and passed judgement on Pinot Noir, Chardonnay, Agiorgitiko, Xinomavro, Shiraz/Syrah and Riesling.

A year ago less two weeks this supplicating statement, Ontario wine. Can you feel the love? was posed. This reflexive, rhetorical question was quickly responded to with an emphatic, yes. A year on, I continue to talk with myself, with increasing focus on the wines of Ontario’s three most prominent producing regions, The Niagara Peninsula, Prince Edward County and Lake Erie North Shore. Self, I preach, Ontario wines continue to shine on. The $64K question is why?

People. Passion. Community. Quality. Climate. Spend a little time in wine country and the first four points explain themselves. Then there is the weather. Mother nature has hurled everything at Ontario’s vines this growing season. Spring frosts, unseasonable cool and wet weather for most of Spring and Summer, tempests, wind damage, torrential rain and flooding. Then an early September spike of intense, humid heat. This will be followed by a twenty-five degree dip in temperature at the end of this week. Despite the mercurial, tsunami fluctuations, Ontario winemakers will make terrific whites and reds in 2013. This is because of the industry’s maturity. Global climate craziness no longer holds a candle to the ability, knowledge, innate understanding and confidence found in Ontario’s wine houses. Going forward, lesser and greater are the terms to consider. Bad vintages are a thing of the past.

For the next 30 days, Ontario’s grape growers and wineries will be receiving some tender, loving, marketing care. The LCBO has rolled out their Shine ON program, an eat and drink local, in-store promotion that runs from September 15 through October 12. A dozen food trucks, representing a wide range of food styles, will be visiting an LCBO location for a special outdoor wine and food sampling. The September 14th, 2013 VINTAGES release features 38 pages of print and photos in discussion with sommeliers, restaurateurs, chefs and international wine critics.

But wait, there’s more. Wine Country Ontario, always the most devout and righteous of Ontario’s wine promoters, is encouraging an experiential twitter colloquy:

Spotlight Toronto champions the campaign in a big way, by way of their extensive 30 Days of Ontario Wine coverage. Wine Country Ontario and VINTAGES will bring the fall celebration to a vinous crescendo when Taste Ontario comes to Ottawa and Toronto, October 7th and 10th. These events mark the largest assembly for sampling Ontario’s wines in one go around.

I have tasted more Ontario wines in the past year than I had combined in all my years previous. Here are six exemplary choices slated for release this coming weekend.

Clockwise from left: The Foreign Affair The Conspiracy 2011, Fielding Estate Pinot Gris 2012, Daniel Lenko Gewurztraminer 2009, Lighthall Vineyard Chardonnay 2010, Bachelder Niagara Chardonnay 2011, and Henry Of Pelham Cuvée Catharine Carte Blanche Blanc De Blanc 2007

The Foreign Affair The Conspiracy 2011 (149237, $19.95) from ‘It’s Only Rock ‘n Roll’, (but I like wine), “kissed, re-passed over and threatening to push boundaries as if it were singing “if I could stick a knife in my heart, suicide right on stage.” This Ilya Senchuk beauty may only be ripasso but I like it. Eases my pain and my brain. Excellent verve and honed of a rock star’s capacity to be loved, with tart, red and black fruit in waves, tar and charcoal. Svelte balance in fruit, alcohol, sweet and sour. This is THE vintage for this wine. Ten plus years lay ahead for a long affair and it will be rewarded with praise in future tastings.”  92  @wineaffair

Fielding Estate Pinot Gris 2012 (251108, $21.95) unlike, or as much as any Niagaran, intimates Alsace. Greasy, well, not greasy but jet propelled, viscous and rich in texture.  Seems to indicate a sweet/nut/salt/stone fruit pit conundrum but never crosses into that dangerous zone where any of these notes might cause interference. Really solid Gris and says a lot about the vintage for this grape. “Will shine on, for everyone.”  89  @FieldingWinery

Daniel Lenko Gewurztraminer 2009 (356832, $24.95) offers obvious, distinct and succinct lychee-induced pleasure. Off-dry with an embolden, mineral tang and good acidity. Early picked yet quite ripe and almost “tannic” for Gewurz. A diamond in the aromatic white wine rough, “blown on the steel breeze.” Sings a long, long song.  90  @daniel_lenko

Lighthall Vineyard Chardonnay 2010 (278226, $25) from A Wine Pentathlon, “has that crazed look in its eye, as does vintner Glenn Symons when he talks about it, knowing full well this Prince Edward County juice is a bursting and rising, rocket launching supernova. Steely like Chablis, sharp and shimmering in defiance to the heat of the vintage, the LVC is a dartle to the collective consciousness of the County. Startling revelation. It’s all about the rocks.”  91  @lighthallvyard

Bachelder Niagara Chardonnay 2011 (302083, $29.95) burrows towards, reaches and fleeces limestone with amplified ramifications. This weather whipped Chardonnay is both Bachelder’s kookiest and most severe. That is succeeds in agminate partying of power and pop is a tribute to savvy winemaking. Though the fruit does not currently ride the breakers, the wine’s length oscillates in waves. Will wait for this one and make an appeal. “Won’t you shine, shine on?”  90 @Bachelder_wines

Henry Of Pelham Cuvée Catharine Carte Blanche Blanc De Blanc 2007 (315200, $44.95) currently resides on the leesy side of the Blanc tracks. Rich, nervy, stoked by putty, pith and tankhouse grit. In toast mode and a full on attack of chalk and limestone. Not the faint-hearted bubbles of yesteryear. Must always take it’s rightful place in discussion of top sparkling wines from Ontario.  90  From my earlier notes: Lock, Stock and Sparkling Wines, “turns the brioche quotient up several notches and is consistent with last month’s note: “combines the exceptional ’07 growing season’s rich fruit with early harvested acidity and extreme patience to result in one serious Ontario sparkling wine. A frothing tonic of citrus zest, baking apples, soda bread, cut grass and creamy grume. Long and true.”  90  @HenryofPelham

Good to go!

Low alcohol wine for the High Holidays

Barque Smokehouse Smoked Chicken Thighs. Serve with Ca’Del Baio, Moscato D’Asti 2011
PHOTO: KEVIN HEWITT AND JILL CHEN/FREESTYLEFARM.CA

as seen on canada.com

A quick bit of Jewish 101. Tomorrow night is a Jew’s big night. There will be a great feast. Apples and honey will grace every table. The big meal will be followed by much sweet indulgence. Rosh Hashanah is marked on the Jewish calendar by the first day of Tishrei, meaning the “head of the year.” This new calendar year beginning is referred to as Yom Hadin, the Day of Judgment, a time to make sincere resolutions for the future. Jews will say, L’shanah tovah tikatev v’taihatem, “may you immediately be inscribed and sealed for a good year.” Rosh Hashanah is a time for renewal, where symbolic pleasantries are shared, exchanged and not surprisingly, Jews make use of food and drink to exercise the festivities.

When it comes to yayin (wine), Shekar, or “strong drink” is not necessarily the obvious, fermented choice. Last November I wrote a rant on the jumboism rampant in so many current wines on the market. “Biblical thought says there was a time when “wine” was simply the juice of pressed fruit, non-fermented, void of alcohol, the “pureblood of the grape.” The post-deluge patriarch (Noah) purportedly discovered that if you let natural yeasts run wild they would turn grape juice and sugar into mocker, “strong drink.” Researches say that ancient barm barely peaked at 12 per cent alcohol by volume.”

Like a pair of brothers in heated debate over ”integrity versus compromise,” choosing wine for the High Holidays is fraught and fought with philosophical and religious intensity. Kosher or conventional? Traditional or modern? Low alcohol or high-octane? Many Jewish tables will be set with Kosher (not Meshuval or, Kosher for Passover) wine. Many will not. For many modern Jews, on holidays not called Passover, Kosher is not a prerequisite when it come to choosing wine. Jews, in general, will daven to that 12 percent abv mark, give or take a percent. When talking wine, the Jew should never be labelled a Mundus Novian. Keep in mind that with all that food going down, heavy-handed winemaking has no place at the Rosh Hashanah banquet.

Related – More from the VINTAGES August 31st, 2013 Release

Then there is the etymology of the expression L’Chaim. At one point the condemned were given wine so that their execution would be less painful. The phrase “to life” was coined to express a sentiment to the contrary. Here are five excellent, low-alcohol wines to look for thisRosh Hashanah, to raise a glass to the new year, to exclaim L’Chaim!

Clockwise from left: Ca’Del Baio, Moscato D’Asti 2012, 13th Street June’s Vineyard Riesling 2011, Jean-Marc Brocard Sainte Claire Vieilles Vignes Chablis 2011, Château Hyot 2010, and Domaine De La Garodière Morgon 2011

Ca’Del Baio, Moscato D’Asti 2012 (Stem Wine Group, $18.99) is so low in alcohol (five per cent) you might think you are drinking cider but fermented apples could never achieve such complexity with such incredibly economical syntactic structure. Slightly sweet and also sparkling, this Moscato makes itself readily accessible to new wine drinkers. I may not be one but how can I not be tempted by its forbidden stone fruits. I’ll drink it with the sups at the RH table. Moscato 101 indeed. On the card at Barque.  90

The food match: Halibut, pan roasted, charred sweet pepper jam, steamed broccoli & heirloom carrots

13th Street June’s Vineyard Riesling 2011 (147512, $19.95) from Niagara’s Creek Shores and built of the classic Alsatian Clone 49 inordinately defines place and time in an agglomerated manner. Maximum floral intensity, zero petrol tolerance and an arid accumulation speak volumes about the appellation. To taste you will note it just barely believes it’s off-dry. Unique and unambiguous, plosive Riesling.  89

The food match: Quinoa Salad, summer corn, peas, cilantro, lime chili vinaigrette

Jean-Marc Brocard Sainte Claire Vieilles Vignes Chablis 2011 (329995, $24.95, SAQ, 2010,11589658, $24.95) marks a return to memories of old vines Brocard I’ve loved before. “The winds of change continue blowing,” so Chablis is sometimes not what it used to be.  This VV is not quite steely but is structured like a good old country ode, with all the correct components. Just a kiss of all things Chablis. Rock, flint, sapid ardor and a racy, new slang, tang thang. As good as it gets from something other than Grand or Premier Cru.  89

The food match: Salmon with tomato & preserved lemon salsa, sautéed baby kale, lemon zest, crushed almonds

Château Hyot 2010 (63537, $16.95) from 70 percent Merlot, 20 Cabernet Franc and 10 Cabernet Sauvignon goes properly and structurally sound into the Côtes de Castillon night. Forty year-old vines capitulate ripe red fruit, tangy accents, zest and just enough bite to keep it lengthy and fresh. A farmer’s Bordeaux, natural in feel, oxygenated low and slow, micro-managed. Solid if prosaic. Kudos to winemaker Amélie Aubert for reigning in the overripe and over extracted tendencies of consultant Michel Rolland.  88

The food match: Smoked Beef Brisket, bbq Jus, rice pilaf, wild and basmati rice, bok choy and ginger

Domaine De La Garodière Morgon 2011 (330126, $17.60, SAQ, 10368204, $18.60) is rich modern Beaujolais but also tight and bound by enough sour acidity to balance the ripe extraction. Hard to believe this clocks in at only 12.5 percent abv. Rock solid Gamay, ready for a fight. Vinous compost with some southern French style Medi-savoury, black olive garrigue. Complex and fortifying.  91

The food match: Duo of Beef: NY Striploin & Braised Beef Cheek, smoked kishka

Good to go!