Release the summer wine

A white wine for all seasons, Pinot Gris, by Maison Trimbach<br />

A white wine for all seasons, Pinot Gris, by Maison Trimbach
PHOTO: http://www.trimbach.fr/

These are the wines of summer. Dry, saline Rosé made from classic varieties; Grenache, Syrah and Cinsault. Crisp, flinty Riesling, turned to stone. All things Pinot. B.C. Cured Pinot Blanc struck by both juicy fruit and mouth-watering acidity. Pinot Gris from Alsace, impossibly dry. The same grape but from across the Rhine and under another name: Grauburgunder. Pinot Noir from Prince Edward County. Nothing else in the world smells like it. Smells like, teen spirit.

White wine that feigns bubbles and brings the wonder of Nova Scotia to the world. Chardonnay by a young winemaker in Ontario just coming into his own, ready to become a star. Classic varieties for summer grilling; Cabernet Sauvignon for a green day, Sangiovese to make your day, Merlot, Cabernet Franc and that melting pot of red wines, Châteauneuf Du Pape. All VINTAGES Ontario releases for July 19th. These are some of my summer wines. All 13 of them.

From left to right: Gassier Sables D’azur Rosé 2013, Rockway Small Lot Block 12 150 Riesling 2012, San Pedro 1865 Single Vineyard Cabernet Sauvignon 2011, Gray Monk Pinot Blanc 2012, Hedesheimer Hof Weingut Beck Grauer Burgunder Kabinett Trocken 2012, Trimbach Réserve Pinot Gris 2011, Keint He Portage Pinot Noir 2012

Gassier Sables D’azur Rosé 2013, Ac Côtes De Provence, France (33621, $14.95, WineAlign)

Always dry, dusty and salt lick oriented. A mineral bath of verdigris and rusty rainwater. Light but all about minerals, salinity, beach and sun. What more should be requested and ascertained from value given Côtes De Provence Rosé? Tasted June 2014 @MichelGassier

Rockway Small Lot Block 12 150 Riesling 2012, VQA Twenty Mile Bench, Niagara Peninsula, Ontario, Canada (372441, $18.95, WineAlign)

Noticeably dry but also earthy/funky. Struck match and plowed earth. As it settles into its skin and your consciousness it develops body, depth and acidity. Grows and expands, reaches heights you thought it would not. The vintage works wonders for the Twenty Mile Bench and this block has expansive stuffing to take it long, not to mention the earthy complexity to see it change and evolve. It may go through a disturbing, unusual phase but be patient and set one aside for 15 years from now. You will be amazed what honey and deep geology it discovers and uncovers. Tasted June 2014 @RockwayVineyard

San Pedro 1865 Single Vineyard Cabernet Sauvignon 2011, Maipo Valley, Chile (37911, $19.95, WineAlign)

When it comes to Cabernet Sauvignon, “well, I heard it all before.” This Maipo beauty begs to be different. Here is a $20 Cab with a $50 reductive funk. A heady, heavy red that needs more than just a swirl. The average Joe may smell a green day and not get it straight away. My advice would be to hang in there because with 10 minutes aeration the fresh currant, mint and rain-soaked flower aromatics will come around. And come around they do. Mocha and semi-chocolate driven, tannic like crazy and banging out a beat of crazy acidity. A ton of wine for $20. Tasted June 2014 @Dandurandwines

Gray Monk Pinot Blanc 2012, BC VQA Okanagan Valley, British Columbia (321612, $19.95, WineAlign)

Ah, terrific cool climate Pinot Blanc, with juicy acidity from a bite into a nectarine just falling from the tree. On a night like this “it goes deep, it goes deeper still,” in neo-tropical fruit (from seemingly slightly elevated alcohol). A most cured white wine, with a tannic quality that gives it texture and structure. Strike another Lloyd Braun mark on the British Columbia-Pinot Blanc free competition continuum to develop this variety with prejudice. Seamless, with excellent length. Tasted June 2014 @GrayMonkWinery

Hedesheimer Hof Weingut Beck Grauer Burgunder Kabinett Trocken 2012, Prädikatswein, Germany (378349, $20.95, WineAlign)

This rare Pinot Gris VINTAGES sighting is a jet-gassy funky, disparate complex mess of penciled, earthy, grassy and off-dry stone fruit aromas. It’s also viscous, distracting, and propelled by thriving acidity. While the Grauburgunder hails from the other side of the Rhine, it shares a tannic, saline and mineral affinity with the Vosges PG’s of Alsace. Lives up to its Trocken designation through a rocky impart yet seems just slightly sweet in a very Kabinett way. Herbal and long. Contemporary Prädikatswein worth a look and a more than temporary place in the cellar. Tasted June 2014 @TandemSelection

Trimbach Réserve Pinot Gris 2011, Ac Alsace, France (971762, $23.95, WineAlign)

For Trimbach this is a top quality vintage to make an example for one of the domain’s signature value wines. This firm and straight shooting Pinot Gris comes from limestone-dominant parcels not so different from the PG taken out of the winery’s Osterberg Grand Cru, just above Ribeauvillé. That a Pinot Gris can bring a nearly (8 g/L) elevated level of residual sugar to the table and come across bone dry, like a walkabout in the outback, remains one of life’s great mysteries. Picked prudently early, or as Alsatians like to say, “right on time,” this Trimbach is eloquent, reeks of wet, cold stone and lies over an ocean tasting of salty minerals. Pour it with the freshest, uncooked fish and a light vegetable pickle. Tasted June 2014 @trimbach

Keint He Portage Pinot Noir 2012, Prince Edward County, Ontario (373415, $25.00, WineAlign)

The most juicy, fruit forward and gregarious of the estate’s Pinots. Only Keint He Pinot smells like this, in Ontario, or elsewhere for that matter. Smells like teen spirit. It really is that unique but at the same time, undeniably Pinot. Just picked and torn cherry blossom petals and bitter chocolate dust strewn overtop fresh macerated cherries. Further coated with iron fillings. “And I forget just why I taste, oh yeah, I guess it makes me smile.” Prince Edward County Pinot Noir on the road to nirvana. Tasted June 2014 @KeintheWinery

Benjamin Bridge Nova 7 2013, Gaspereau Valley, Nova Scotia (256289, $25.95, WineAlign)

From a bumper crop, there came to market 11,000 cases of this Nova Scotian feel good, faux-sparkling story. Winemaker Jean-Benoit Deslauriers’ Nova 7 dissimulation in bubbles is a true trick of the trade and though this white wine strikes as if it were a child of a warm vintage, there is a classic lightness of Rosé fizz being in its ever so slight effervescence. A singular wine in many hybrid incarnations, in Muscat ways, of pink Perle de Csaba, segmented and pressed for a sweet burst of grapefruit. It’s low (7 per cent) in alcohol, excellent in acidity, sweet and sour, citrus zesty, juicy and dry at the same time. Batch delineated and loyal to continence, though if the quantity creeps much higher that may come in to question. Grown up pink lemonade and so easy to consume. Tasted June and July 2014 @Benjamin_Bridge @jbdeslauriers

From left to right: Benjamin Bridge Nova 7 2013, Dei Vino Nobile Di Montepulciano 2010, Cave Spring Riesling Csv 2011, Le Clos Jordanne Village Reserve Chardonnay 2011, Château Les Gravières 2010, Paul Autard Châteauneuf Du Pape 2010

Dei Vino Nobile Di Montepulciano 2010, Docg, Tuscany, Italy (285510, $27.95, WineAlign)

The entry of Dei’s balanced Vino Nobile was very juicy but at the same time serious and brooding. At first rhythmic, tight and anxious, you couldn’t but help but feel the strong mocker of this Sangiovese. Iron, hard rocks, knocks and a day in medieval life. If it should be opened any time in the next five years it will require a rare fleshy partner and plenty of air time. Though there was nothing faint about it, with time it found a path to a crescendo and then changed chords. It sang like a bird for a verse or two, softened enough to open a window to its future and when it spoke “I went into a dream.” Finished with a piano bass note that droned on for nearly a minute. Tasted June 2014 @LeSommelierWine

Cave Spring Riesling Csv 2011, VQA Beamsville Bench, Ontario (566026, $29.95, WineAlign)

The 2011 issue is the driest, slate-driven, flinty Cave Spring Csv as it can ever be. Don’t be looking at its heart for richness and body but there is a wall of texture forged in stone. The Csv speaks “of everything that is alive in my blue world.” One taste and all goes electric, lights up and the orchestra begins to play. Turn the stone of this statuesque Riesling to drink in the long and true loyalty to ever fibre and fissure of its rocky being. Excellent. What more could you expect, or want? Tasted June 2014 @CaveSpring

Le Clos Jordanne Village Reserve Chardonnay 2011, VQA Niagara Peninsula, Ontario (33936, $30.00, WineAlign)

Winemaker Sébastien Jacquey’s “entry-level” Chardonnay currently resides in a bitten and certainly not shy mode. The 2011 is a Villages Reserve that is in a bit of a purgatorial place at the moment, closed down since its grand opening last summer. The rocks are speaking, as is the hubris of wood, but the fruit is up there, wafting in the proverbial wind. Let it blow and gather atmosphere, to return two or three years on, to reintegrate with the earthly elements and reform a convivial bond. Tasted June 2014 @LeClosJordanne

Château Les Gravières 2010, Ac Saint-Émilion, Right Bank, Bordeau, France (257733, $36.85, WineAlign)

Highly concentrated, big berry crushed Saint-Émilion. Floral too and the fruits are exquisitely ripe and red. There is great tension and acidity. Crazy tannins. Exceptional wine but will need 15 years time to settle, integrate and play nice. Qualifies as the finest 14 per cent Bordeaux I’ve tasted in quite some time. A wild sense of mineral and animale climb on top. Highly ferric. Really fine. Tasted June 2014

Paul Autard Châteauneuf Du Pape 2010, Ac, Rhône, France (380667, $49.95, WineAlign)

A refreshingly lithe and graceful 14.5 percent Châteauneuf Du Pape with every bit of richness necessary to fulfill its contract to typicity. Just a hint of both earth and animal musk, demanding tannin and more than its share of rocks and mineral give. A real winner for the vintage and in fresh air contrast to the gaining ridiculousness of extract and over-bearing alcohol-driven Rhônes. This might just be the bottle to reaffirm my waning faith in the region. Tasted June 2014

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Got two Chardonnays, June, Ivan and Picone

Jul15

Mixed Grill

Niagara’s Cool Chardonnay Conference is but three days away so in anticipation I’ve drawn up more tasting notes for three that will be on hand at the great #i4C14 event. The wines made by Thomas Bachelder, 13th Street and Sumaridge are all extremely different, stalked from disparate soils and assembled in ways to render them disconnected by their very specific varietal vicissitudes. This is what you get when you seek Chardonnay.

Charles Baker does not make Chardonnay, but no other winemaker in Niagara does Riesling in such a focused, micro-specific way. Baker’s Ivan and Picone Vineyards are to Riesling as Wismer, Saunders, Quarry, Robyn, Mottiar and LCJ are to Chardonnay. Like Johnson in Oregon. Like the granite and quartzite ridges of South Africa’s Hemel En Aarde Valley. I’ve tasted Baker’s Rieslings going back to 2006 over the past year or so. Their evolution shows conceit extracted from limestone and a tempering from hot to cool. Riesling too is très cool.

Here we actually have three Chardonnays with one hailing from the exceptional June’s Vineyard. Yet another example of nuanced Niagara, a plot of land in the 13th Street empire that will one day be recognized for its soil and receive Cru status. The grand breakdown needs to happen, not yet, but in another 10 years time when the obvious can no longer be denied nor held down. A time when VQA, winemakers and their terroir decide to come together to celebrate individuality and progress.

Charles Baker Rieslings

13th Street June’s Vineyard Chardonnay 2012, VQA Creek Shores, Niagara Peninsula, Ontario (236745, $21.95, WineAlign)

Chardonnay should always be a product of the vineyard and this ’12 June is just that. Everything it is and more comes amplified by the vintage; the sweetness of the fruit, the peat earthy, camphoraceous terpene aroma from clay and sand loam, and the leesy, chalky texture out of yellow limestone. Depending on preference, this June may be construed as over the top or layered with all the goodness of the great 15 year-old, Fifth Avenue vineyard. Though she may exaggerate her terroir, in a toothsome, tart citrus and earthy tone,” and I know that June is true. She can be yorn too if you open up to her ways. Tasted May 2014 @13thstreetwines

Charles Baker Riesling Ivan Vineyard 2013, Niagara Escarpment, Ontario (winery, $27.00, WineAlign)

Welcome to the cult of Charles Baker Riesling. Baker’s vehement search for new Riesling territory materialized in the (Bob) Misek vineyard, a plot of rich limestone and sandstone that sits below clay, named after the grower’s dad. The 1.1 acres of Riesling within a 12-acre mixed planting just south and up the ledge from Highway 8 is just north of Tawse and just down the hill on the eastern side of Cherry Avenue. For this 2013 vintage the vines were 16 years of age, now into that sweet spot of adolescent maturity. Baker is hell-bent on delivering solid blue material from important fruit. “This is the driest Riesling I’ve ever made,” he points out with shy conceit. At 10 percent alcohol by volume you might want to imagine practical, nearing off-dry Germany but the comparison can’t be made. This is oyster wine, from a wonky weather, under cloud cover, great Riesling vintage. When it comes to the noble variety, “seasons don’t fear the reaper, nor do the wind, the sun or the rain.” Picked on average aggregate, in early October and with so much fruit in contrast to stone-grooved Picone, this Ivan is a friend to farmers, Romeo and Juliet. A Riesling that lives above ground. There are 198 cases made. Tasted May 2014 @cbriesling

Sumaridge Chardonnay 2011, Wo Upper Hemel En Aarde Valley, South Africa (agent, $29.50, WineAlign)

Though it would be naïve to think every Chardonnay produced out of the Hemel En Aarde Valley is the stuff of grand cru, recent examples have done nothing but impress. Sumaridge joins Hamilton Russell and Creation on the Walker Bay dream team. Ocean breeze-cooled slopes and deprived soils of decomposed granite loam with quartzite manage rich fruit with cool ease. In this 2011 a most excellent trifecta of dryness (1.7 g/L), acidity (6.9 g/L) and PH (3.45) brings together texture and tannin. Though seemingly sweet it is anything but a cloying example. Buttery but mild in toast, quite piercing yet tempered by an herbal quality, not warm or balmy, but inexorably herbal. Schematically waxy, splashed by lemon and piqued by zest. Tasted May 2014 @Sumaridge

Charles Baker Picone Vineyard Riesling 2012, VQA Vinemount Ridge, Niagara Peninsula, Ontario (241182, $35.00, WineAlign)

A vintage that begged to be protected in the vineyard, meaning no leaf plucking and no thinning. A most excellent goal of (0.691895068 kg / m2), or 2.8 tons an acre was realized, as opposed to one in 2010. Heavy vigor slowed down the ripening (leaving that kind of tonnage on the vine), to an elongated balance. Comes from terroir Baker nods to as “a barren tundra,” which you don’t get down the hill. In 2012 there was no waste, no rot, no problems. Its residual climbs to 15 g/L but you’d never know it. There is a confit of citrus, a mellifluous sensation of preserved lemon. Total count is 600 cases. From my earlier, March 2014 note: “Baker’s iconic child yet breathes in unsettled, spumous emission from out of a warm vintage. So primary and such a hard act to follow. Vanguard Vinemount Ridge, arid as the desert and citrus, carbonic tight. Treated with cool, cooler and colder methods to seek result and strike balance in an opulent, lees-appertained, tangy finish. A Picone that says I don’t live today, so it is told and canvassed, “uh, get experienced, are you experienced?” Last tasted June 2014

Charles Baker Picone Vineyard Riesling 2007, VQA Vinemount Ridge, Niagara Peninsula, Ontario (241182, $35.00, WineAlign)

If Charles Baker got lucky, babe, or in my estimation, experienced with the outcome of his striking 2006, this follow-up suffers a sophomoric stenosis, if only because it was the hardest Niagara (hot) vintage to deal with and understand. The vintage tricked with a false front, teasing winemakers to push envelopes and many over did their wines. Had his fruit only spoken up and said “you better watch what you do to me, don’t get carried away,” the wine would show better seven years later. Yet Baker was savvy enough to manage the residual sugar by keeping it dry with tannin by way of acidity and PH. I agree this is one of the finer takes on Niagara Riesling in 2007. When stacked against other Bakers it pales because it’s evolving rapidly and it can’t be helped. The petrol quotient is sky-high, like a rumbling volcano, like bicarbonate. True to the Baker oeuvre it cuts with laser focus and linear drive. Tasted May 2014

Bachelder Chardonnay Johnson Vineyard 2012, Willamette Valley, Oregon, USA (agent, $44.95)

More specifically a product of its ocean meets sous terre soil than Bachelder’s basic (term used loosely) Chardonnay, the Johnson nicks more richesse, around and around fullness. Not to mention the cerebral wisdom of two Scots and a Charlemagne. Johnson’s progressive and forward thinking maker works with inconspicuous wood and the science of introducing oxygen into wine in a controlled manner. He might say “for it is wisdom that we have for sale.” Like a white-winged dove, the 2012 will trod lightly towards a long walk to a very long life. It can be imagined aging to the edge of seventeen. The earthy feel, the salinity, not from tannin but from soil, “the music there, well, it was hauntingly familiar.” This is iridescent Oregon in a Bachelder voice. No doubt. @Bachelder_wines

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Chardonnay is cool

Jul9

i4c2014
PHOTO: http://www.coolchardonnay.org/

If you know Godello it never comes as a shock to read of his praises on Chardonnay. His particularistic ABC definiendum is “Abide By Chardonnay,” at all costs. It is true that Godello enjoys referring to himself in the third person. What self-respecting Chardonnay supporter doesn’t?

Chardonnay doesn’t suck and if you have doubts, a reluctant spirit to join in or just plain need to insist that you hate the stuff, consider this. Chardonnay is cool. It’s true, the good folks at i4C showed me, more than once. Ontario winemakers have proved it to me. The South Africans really get it, as do the fine makers from New Zealand, Chile, Argentina and the not necessarily ready for prime time cool climate players from Australia and California too. Don’t even get me started on that Burgundy stuff.

Godello and Paul Pender of Tawse
PHOTO: Steven Elphick & Associates

Chardonnay is a grape of dreams. In recent weeks I’ve referred to Norman Hardie’s 2012 County Unfiltered as “climatically epochal, yet restlessly cool County Chardonnay.” About Hidden Bench’s Estate 2012 I said “when you look in the window at Harald (proprietor Thiel) and Marlize’s (winemaker Beyers) Chardonnay, ‘you’ve got to pick up every stitch.” On the textural clarity of Thomas Bachelder’s Saunders 2011 I recently added to an already verbose note, “in cool waiting and in display of the most elegance I’ve encountered from any Bachelder Chard, at anytime, anywhere.” You see, Chardonnay IS cool. The coolest winemakers have told me so.

The recent ups and downs of Shiraz are well documented but has any grape variety been both so venerated and maligned as Chardonnay. Is it the most cerebral of the vinifera? Maybe not, but at least it deserves an honorary degree. Other varieties have their own day but it too demands the global respect by way of celebration. Oak and Chardonnay have at times a love-hate relationship and walk admittedly close to the edge. But let me repeat, “is there a comparable white grape that speaks of its origins in more varied tones?” Who would not wish to travel around the world in eight Chardonnays? At this time last year I was preparing to make the pilgrimage down to Niagara for the Cool Chardonnay Conference. A year on and further enamoured by the great white hope, I am ready to do it again.

That link will help you look back and to understand what the Cool Chardonnay experience is all about. If you are looking to experience the wonders of Chardonnay, from a global perspective, surrounded by experts in a setting designed for relaxation and genuflection, please read about the 2013 show. Godello, he’s prepping for #i4C14.

The Grape Growers of Ontario and Brock University’s Cool Climate Oenology and Viticulture Institute will host the “School of Cool,” an intensive one-day Chardonnay workshop. The weekend’s glass to follow will be filled with Chardonnay at every turn. Keynote speaker Tim Atkin MW and 58 winemakers will be on hand to pour, discuss and break down everything there is to know about Chardonnay, from Friday, July 18 to Sunday July 20, 2014. With i4C’s Dorian Anderson and Wine Country Ontario’s Magdalena KaiserSmit leading the charge, Chardonnay in Niagara will once again be the stuff of dreams.

The 2014 slogans mark a path to Chardonnay clarity. Begin with “earth’s coolest grape reveals hundreds of secrets.” Continue on “grown in cool places, shared in warm company.” Conclude by ensuring that “three summer days that will alter your Chardonnay belief system.”

In May we gathered at Allen’s on the Danforth to raise a glass to the international marketing day known as Chardonnay Day. I tasted through 20 or so and wrote some notes. Here are a few in advance anticipation of #i4C14 happening eight days and 20 hours from now.

From left to right: Cave Spring Estate Chardonnay 2011, Cave Spring CSV Estate Bottled Chardonnay 2011, Bachelder Niagara Chardonnay 2012, Creation Wines Chardonnay 2011, Malivoire Moira Chardonnay 2010, From left to right: Cave Spring Estate Chardonnay 2011, Cave Spring CSV Estate Bottled Chardonnay 2011, Bachelder Niagara Chardonnay 2012, Creation Wines Chardonnay 2011, Malivoire Moira Chardonnay 2010, Bachelder Saunders Vineyard Chardonnay 2012, Bachelder Saunders Vineyard Chardonnay 2012

Cave Spring Estate Chardonnay 2011, Cave Spring Vineyard, VQA Beamsville Bench, Niagara Peninsula, Ontario (256552, $18.95, WineAlign)

Terrific balance to the warm and inviting fruit, certainly orchard driven and kissed by the Spring’s obvious mineral slate. Clean, open-knit, ready, willing and able. Tasted May 2014 @CaveSpring

Cave Spring CSV Estate Bottled Chardonnay 2011, VQA Beamsville Bench, Niagara Peninsula, Ontario (529941, $29.95, WineAlign)

Here is a vibrant and wild at heart expression of Bench Grand Cru terroir, the Cave Spring Vineyard. While the first impression may be a warm one it seems (for the vintage) that is because it’s big, boisterous and a bit clumsy in wood right now. The acidity seems buried at times and at others on top. It is also a touch reductive so this will need more years to settle and to play nice. The aromas indicate green apple meets metal pipe, the flavours orchard and salinity by way of limestone minerality. The length is more than admiral and admirable. Tasted May 2014

Bachelder Niagara Chardonnay 2012, VQA Niagara Peninsula, Ontario (302083, $29.95, WineAlign)

Bottled just one month ago, contrary to the monk’s assertion, there is nothing shocky about her. Her fruit is downy soft, round without being fat because as Bachelder maintains, real as always, you “can’t have the minerality of that perfect 2011, I’m not going to bullshit you.” The 2012 is a wine unconscious in its own obviousness, ready for anything. Gregarious, golden, fresh fruit that was ready to roll out of its barrel and into the waiting glass long before its maker was prepared to open the valve. And of course there is a mineral finish. It can’t help but be. Tasted May 2014 @Bachelder_wines

Creation Wines Chardonnay 2011, Walker Bay, Hemel-en-Aarde Ridge, Hermanus, South Africa

From fruit grown on the same ridge as the Sumaridge but at greater altitude. Cooler in attitude, really crisp, with increased zest and tightly wound around an aromatic spindle. Really pushing the granitic mineral envelope in tension, cat-like reactions and electric company. The total acidity (6.8 g/L) and PH (3.48) derived from the slope’s marginal fertility in sedimentary ironstone means for a salinity that is misty as the prevailing oceanic breezes. A dry (2.1 g/L residual sugar) Carolyn Martin expression of cool climate Chardonnay, as striking as it is a pleasure to drink. Tasted May 2014 @creationwines

Malivoire Moira Chardonnay 2010, VQA Niagara Peninsula, Beamsville Bench, Ontario (243113, $39.95, WineAlign)

Moira’s barrel speaks in a level of volume best suited under the ambient comfort of headphones, listening to the White Album while lying on shag carpet in the dark. Maybe just a bit too specific but that sort of solitude and concentration is needed to gain privy of every nuance and notion travelling in stereo from side to side. Pay respectful attention and note that the butter on the toast integrates while in the glass, indicating this Moira is so effortlessly structured, thinks the most positive thoughts and will give generously early and often. Has the feel of barrel but in George -esque grace and texture, not flavour. Give it a year or three and drink for 8-10 more. In the end you will say, “it took a long long long time. Now I’m so happy I found you.” Tasted May 2014 @MalivoireWine

Norman Hardie Unfiltered Chardonnay 2012, VQA Niagara Peninsula (winery, $39.00, WineAlign)

Norm’s Niagara is such a different animal to the County 2012. The warm summer and dry fall means more humidity and even more reduction. Currently cothurnal so less like Burgundy but only because there elevates the high-tones and percipience from Niagara. Texture is key but this Hardie needs time. It’s not angular but it is steroidal, injected, like a wild thing, as if the yeast were still in control, munching away even though there is no more sugar to be had. Undomesticated ’12, at heart, in spirit, out of mind. Hard to imagine there could be this much anxiety from the even-tempered vintage, but when you pick real early and keep the oak to a bare minimum, Hardie happens. Norm picked ripe fruit between September 7 and 10, six weeks ahead as compared to some years. He said the fruit had a “golden tan, ready to go.” The use of smallish 500L barrels works wonders for texture and though 40 per cent was new wood, you would never know it. Malolactic fermentation didn’t happen until late August, nearly a full year on so no sulphuring was required until that time. This is Hardie’s freshest Niagara fruit ever, from Duarte Oliveira’s farm between Victoria and Ontario Street, the same spot as Hillebrand’s Chardonnay Reserve. Terrific Beamsville Bench Chardonnay. Tasted May 2014 @normhardie

Bachelder Saunders Vineyard Chardonnay 2012, VQA Beamsville Bench, Niagara Peninsula, Ontario (324103, $44.95, WineAlign)

Though presently showing a bit inferential, no amount of Bachelder reduction can keep good fruit down nor can it dismantle the mastery of mineral impart. An arras of texture conceals the portal to both vineyard and barrel with streaks of salinity, charcoal and chalk. The 2012 rendition is a canvas laden with pure golden paint, concealing “hidden forms and shifting states.” Thomas has found a rhythm in Saunders through thick brush strokes, full and advancing. This warm vintage is not a receding one, its flavours and its texture do the opposite. They jump out at you in waves. For Thomas, the sublime is now. Tasted May 2014

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The froth on Crémant d’Alsace

Jul7

Colmar Canal
PHOTO: Cassidy Havens, http://teuwen.com/

The production of fizz by way of secondary fermentation in bottle is nothing to be ignored in Alsace. More than one in every five wines forged from the region’s vines is filled with bubbles. Most recently (in the past 18 to 24 months), certain things have come to light. A salient spike has been witnessed, with Sparkling wine increasing from 15 to more than 20 per cent of the region’s annual wine production. This means that Alsace now ranks second in France with a yearly production of more than 30 million bottles.

Six grape varieties are permitted for the production of Crémant d’Alsace; Auxerrois, Chardonnay, Pinot Blanc, Pinot Gris, Pinot Noir and Riesling. Chardonnay can only be used for Crémant and only Pinot Noir may be fermented to bottle a Rosé. More rules must be followed like grapes having to come from vines into its’ 3rd growing season and wines must rest a minimum nine months on the lees before bottling. Most lay longer, which helps to define this genre of Crémant’s creamy texture, matched in contrast by its stony, flinty and mineral style.

The effervescence of Crémant d’Alsace is known as prise de mousse. Basic wine is bottled with liqueur de tirage for second fermentation. Bottles are left to rest sur latte. Autolysis occurs and the dead yeast is removed by way of remuage. After aging on the fine lees, bottles are turned, deposits form in the collar, brought to the freezing point, evacuated by carbonic gas and replaced in volume by liqueur de dosage or liqueur d’expedition which yields a Crémant d’Alsace of three styles; Brut, Sec, or Demi-Sec. A balanced vintage for sparkling in 2012 yielded 270,000 hl of Crémant d’Alsace.

During my week in Alsace and with thanks to the Conseil Interprofessionnel des Vins d’Alsace (CIVA) I was able to taste more than 30 producer’s Crémant. Here are my notes on 14.

Crémant d’Alasace at Domaine Steuntz-Buecher

Jean-Marie Haag Crémant d’Alsace, tasted at Domaine Stentz-Buecher with Les diVINes d’Alsace

Exemplary bubbles from Soultzmatt in la Vallée Noble, 20 km south of Colmar, from out of clay-limestone soils. Grapes here are Pinot Blanc, Pinot Auxerrois, Riesling, Pinot Gris and Pinot Noir. A close-knit aridity and platinum tang are pronounced in an idiomatic lees-inflected language with a lightly oxidized lilt. A retaining wall of freshness and a slice of bitter honey-almond tart round out the complexity, intended or not, with elevated levels of Pinot vibrations making themselves known. Calls for a must return to see if it’s a one-off or a truly significant house style. Drink alongside a salty buffet.

Valentin Zusslin Crémant D’Alsace Sans Souffre Brut Zero, tasted at Domaine Stentz-Buecher with Les diVINes d’Alsace

The old vines blend from Clos Liebenberg is predominantly Pinot Auxerrois (95 per cent) with minor amounts of Chardonnay and Pinot Gris. It’s important to note the non-sulphur designation in that the not insignificant practice takes the wine to another level of Crémant sophistication. There is a savoury nut character to the Auxerrois but never in a fat, round or blanched way. The caryopsis are not like an almond but more like a roasted pistachio upon the mid-palate. Moving forward it’s like the smell of a nut-based, warm cereal. It’s quite intoxicating and lingers well into the finish.

Louis Hauller Crémant D’Alsace, tasted at Domaine Stentz-Buecher with Les diVINes d’Alsace

From 100 per cent Chardonnay, this is a fine, subtle, stylish, finessed and elegant interpretation that is a different sort of Alsace discrimination. Spent 11 months on the lees and sports more citrus than most others. Subtle bubbles here, with less froth and more Chardonnay character. Very good length.

Sipp Mack Crémant D’Alsace Rosé, tasted at Domaine Stentz-Buecher with Les diVINes d’Alsace

The smell of strawberry cream and the crème fraiche sapidity by way of sudoric lees. Fun and characterful if a bit of an ancestral taste.

Restaurant Le Théâtre, Colmar

Albert Mann Crémant D’Alsace Brut 2011, tasted at Restaurant Le Théâtre, Colmar with Albert Mann’s Marie-Thérèse Barthelme

A four-squared Pinot affair, in Blanc (66 per cent), Auxerrois (16), Noir (12) and Gris (6). This from a bottle that had just been disgorged one week prior to tasting. Out of clay-limestone and sand soils in vineyards from Kientzheim and Wettolsheim. Like album art, the Mann label is a crucial, sixth sense aspect of the wine experience. The 2011 Crémant is the artwork of François Bruetschy, “like a turnstile of fireworks while projecting fine sparks.” The 2011 Mann is very fine, misty, delicate, wistful and waiting in longing for an amuse bouche of mackerel with choucroute in a can. The wine makes me long for a walk in the vines. @albertmannwines

Mackerel and Choucroute, Restaurant Le Théâtre Colmar

Gustave Lorentz Crémant D’Alsace, tasted at Restaurant Le Théâtre, Colmar with George Lorentz

Though the label denotes this as non-vintage, the blend of Chardonnay, Pinot Noir and Pinot Blanc is essentially from the 2011 vintage. This is what Lorentz describes as 2nd-tier house sparkling, with more ripeness in this bottle. That fruit maturity is all apple, with a minor note of oxidation and the full effect of 16 months on lees felt through texture. Once again the inclusion of Chardonnay takes the Crémant schematic condition to another level. Bring on the top-tier.

Louis Sipp Crémant D’Alsace Rosé, tasted at Restaurant Le Théâtre, Colmar with Etienne Sipp

The Sipp Crémant comes from various parcels in Ribeauvillé, from Weinbaum, Sulz and Rengelsbrunn. Etienne tells us it is made from Pinot Noir and Pinot Noir, playfully mocking the AOC’s rule that only that variety can be used for sparkling Rosé. Sipp’s Pinot is grown in mainly heavy and deep clay soils. Picked at optimum ripeness, this is fizz that has spent 18 months aging in bottle after not having gone the way of malolactic fermentation. The result is a dry, dense, savoury and layered Pinot Noir Rosé. This third Crémant in a group with Mann and Lorentz proves that though tonight is not a competition, we see that all three have won.

Hummus, La Table de Gourmet, Riquewihr<br />

Hummus, La Table de Gourmet, Riquewihr
PHOTO: Cassidy Havens, http://teuwen.com/

Paul Zinck Crémant D’Alsace, tasted at La Table du Gourmet, Riquewihr with Phillippe Zinck

An efficient, sparkling requiem for success in a blend of three vintages and varieties; Pinot Noir (60 per cent), Chardonnay (30) and Pinot Blanc (10). A soft receptive, inviting and proper amalgamation in which mousse apropos peach and soft French cream delight without needing to be tough or street savvy in any way. Crémant giving like une crème de luxe, to sip with Hummus, La Table de Gourmet style and with nary a difficult moment.

Domaine Bott-Geyl Crémant D’Alsace Cuvée Paul-Edouard Brut Millésime 2007, tasted at La Table du Gourmet, Riquewihr with Jean-Christophe Bott @JLBrendel

Jean-Christophe Bott’s may be the most complex and intriguing bottle of Crémant you would have a chance to taste in the course of a week in Alsace. Bott gathers top quality Pinot Blanc, Chardonnay and Pinot Noir from growers then lays the fruit low for four years on their lees. The rich and sunny vintage is vinified in what is really an Extra Brut style without any dosage whatsoever. This is small production Alsatian bubbles (2500+ bottles) disgorged in 2011 and in very early stages of development. The acidity stands in upright attention while the fruit submits to wait. The rocks and salinity raise upwards to march in extreme lengths. A sublime match to an Amuse Bouche of Cured Watermelon, pistachio, basil and mustard flower.

Foie Gras at Restaurant L’Épicurien, , Colmar

Charles Baur Crémant d’Alsace, tasted at Restaurant L’Épicurien, Colmar with Arnaud Baur

After its second ferment this blend of Pinot Blanc (40 per cent), Auxerrois (40) and Chardonnay (20) spent a compages-inducing 24 months on the lees. This is Baur’s main cuvée for Crémant, always made from two vintages, in this case 2009 and 2010. Most definitive and classic for the appellation. Falls within the aromatic white fruit/white flower spectrum with flavours that tease ripe Mirabelle, apricot and peach. Soft, elegant, feminine, demurred and clean. Baur’s take is a Catherine wheel of Alsatian bubbles with “all the things you dream while spinning ’round.”

Audrey et Christian Binner Crémant d’Alsace KB, tasted at Restaurant L’Épicurien, Colmar with Christian Binner

Binner’s exotic-scented sparkling is from Kayserberg, “the emperor’s mountain,” next to the Schlossberg Grand Cru site. Old vines out of colder parcels more appropriate for making Crémant consist of Auxerrois, Pinot Blanc and Pinot Gris. The terroir here is granitic and poor in soil, if that is what it can be called. The house style is quite oxidative and distinctively earthy, as if the rocks were breaking down into a fine, funky soil remineralization. The most terpenes yet from bubbles tasted in Alsace, with a bruised apple hematoma, a pickle of some colonialist kind and a spice cupboard to fill a curry recipe. In the end this is unusual, yet vivid and jazzy fizz.

Schoenheitz Picnic
PHOTO: Cassidy Havens, http://teuwen.com/

Vins Schoenheitz Crémant d’Alsace Millesimé 2007, tasted on the steep slopes of the valley of Munster with Dominique, Henri and Adrien Schoenheitz

Primarily focused upon Pinot Auxerrois and righteously so, with just a 10 per cent buoyancy from Pinot Blanc. The combination of striking Auxerrois fruit grown on the estate’s (400-500m) high altitude steep slopes and a memorable Alsace vintage is just deadly. The varietal choice in low acidity out of a vintage with character and temper here translates to aridity (1 g/L residual sugar) and long on lees texture. Like a Ron Sexsmith ballad, a listen, one look at its bronze patina, one taste and you will “see the forest for the trees,” because there’s gold in them hills. Perfect timing to break out an all-natural, no dosage ’07, marked by gratuitous acidity and mountain verve. An auspicious start to a picnic in the hills. @VinsSchoenheitz

Pierre Frick Crémant d’Alsace 2013, tasted at Domain Pierre Frick with Jean-Pierre Frick

Jean-Pierre Frick poured two just bottled yet raw examples meant to set a perspective table for the 2013 finished wine that followed. The 50/50 Pinot Blanc et Noir (NV and 2013) were both picked ripe (nearly overripe), pressed direct and treated with nothing, nada, niente, zilch, rien. No sulphites, yeast or sugar. With zero dosage and opening too soon in evolution, these bottles were marked by arrested fermentation. The absence of the second fermentation meant for a flat, oxidative result. The experiment may have meant no Crémant but it helped to organize, define and ultimately assess the ’13. Same minimalist method but with a secondary ferment, this bottle (though warm) offered high citrus and biting, forceful, sharp acidity. When returned to an hour later and from a cold bottle, the wine was much brighter and atomically fresh. Frick’s method and style mean his sparkling must spend a minimum one year in bottle before it can be sold.

Casks at Jean-Pierre Frick

Pierre Frick Crémant d’Alsace 2012, tasted at Domaine Pierre Frick with Jean-Pierre Frick

One of JP’s “funny wines.” Once again, no sulphur but this time with natural yeasts. Notated by a slight coppery, salmon tinge and minimally oxidative, though in no way over the top. “My idea was a dry Crémant but he’s not dry. C’est la vie.” To Frick this is a wine for young and really old people. Toasted brioche, buttered toast and almond extract are joined by a late arriving, very interesting, savoury sweetness. The finish smoulders, with that ever-bearing herbiage adding another layer. This Pinot Noir and Pinot Blanc split comes in at 12.5 – 13.5 per cent alcohol. Frick doesn’t really know. “I write 13 per cent because I just have to put something on the bottle.”

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What ya drinkin’?

Jul4

Grilled Flank Steak

There’s no time for preamble. VINTAGES rolls out another long list of wines for the weekend. All your summer bases are covered. The Pinot Noir from New Zealand are really, really good. There are whites from Greece, Niagara and South Africa to not only try but embrace. Two Ontario reds will satiate the grill. Here is a list of eight wines to look for right now.

From the left and clockwise: Argyros Atlantis White 2012, Tawse Sketches Of Niagara Riesling 2013, Featherstone Gewürztraminer 2013, Featherstone Gewürztraminer 2013, Redstone Vineyard Reserve Cabernet Franc 2010, Hamilton Russell Chardonnay 2012, Staete Landt Paladin Pinot Noir 2010, Hidden Bench Terroir Caché Meritage 2010

Tawse Sketches Of Niagara Riesling 2013, VQA Niagara Peninsula, Ontario (89029, $17.95, WineAlign)

The gateway of the Tawse Riesling portfolio and first to be released is an omnipresent beacon for what is to come from the single-vineyard sistren. Built fruit forward from an orange zest, stone rose and lemon glade guide, this is the Sketches most juicy sensation yet. Incredible vacuum of citrus acidity waterfalling into a great white hole. Though surrounded by so many a Riesling with site specific personality, “she’ll carry on through it all.” Intensity in dry Riesling. Tasted June 2014 @Tawse_Winery

Argyros Atlantis White 2012, Greece (371658, $17.95, WineAlign)

Assyrtiko is the rock but the composition is altered by smaller parts of Aidani and Athiri. Softer, warmer and much more approachable than the Santorini, not quite so stony but with more intense juice. A modern take on the ancient game. The palate lays out the uneven, tannic and rocky road to the amphitheatre. A long walk on carefully arranged boulders. A salt bath in warm springs. The wines of Argyros do so much to bring Greece to the world. Citrus finish and more salty mineral. Tasted June 2014 @KolonakiGroup

Featherstone Gewürztraminer 2013, VQA Twenty Mile Bench, Niagara Peninsula, Ontario (64592, $19.95, WineAlign)

Such a pretty and elegant take on Gewürztraminer, of flowers white and in bloom, nuts blanching away. A structural, searing tightness to the mineral laced fruit will develop yet unrealized tannin and tension. There may be nothing gangly or highly viscous about it and its style is nearly, completely dry. Notes of orange zest and lychee pit. Very clean. Elan, ecrue, pearl. Tasted June 2013 @featherstonewne

Clos Henri Bel Echo Terroir Greywacke Pinot Noir 2012, Marlborough, South Island, New Zealand (159137, $22.95, WineAlign)

“It is a special joy for the Bourgeois family to make Pinot Noir in New Zealand.” That statement is one you just gotta love. The Henri Bourgeois clan clearly have a whole lotta love for the climate, soils, people and the possibilities the terroir presents for his dedication towards restrained, elegant Pinot Noir. Though this teases with highly modern and juicy elements, almost, dare I say, Sonoman, there remains a rooted, savoury sense of the earth. Takes a page out of Burgundy’s book and plants it in Marlborough. Plums, cherries, smoke, spice, some tannin and for the price, nearly impossible structure. Angles and bitters persist but beneath a wealth of fruit. “Keep a coolin’, baby.” The price is impossible. Great value. Tasted June 2014 @ClosHenri

Redstone Vineyard Reserve Cabernet Franc 2010, VQA Lincoln Lakeshore, Ontario (381244, $29.95, WineAlign)

Would I not be remiss to ignore the Tawse Laundry Vineyard by way of comparison? With the Redstone, the sister winery puts forth the same amicable fruit with charred meat accents yet minus the hyper-specific Pender perfume and wisdom. Here is an ocean in between the waves. I came in to taste Redstone with an open mind, even “bet against the company again. They tried to redefine everything that I know and love. Gotta know you’re mine.” Winemaker Rene Van Ede has fashioned a delicious Cabernet Franc that speaks in a clear 2010 voice. A war on drugs. Though it bears no teeth of conceit there is a very positive funk and sanguine notes make a play, but ultimately submit to an overall red currant, sweet bell pepper and tobacco realm. The pyrazine ring compound binds many types of pepper, cracked, swelling and swollen. A long and rich elixir without the oak needing to be heard. It does not shout but whispers. Unmistakable Pender mentored Rock ‘N Roll Cabernet Franc. Really well made. Tasted twice, March and June 2014 @RedstoneWines

Hamilton Russell Chardonnay 2012, Wo Hemel En Aarde Valley, South Africa (931006, $34.95, WineAlign)

From what is rapidly developing as a (if not already engraved in stone) Grand Cru site in the Hemel En Aarde Valley, 2012 is a vintage that comes to greater strength from strength. Every aroma, every nuance is characterized by elegance and elasticity. Romantic Chardonnay, so representative of real love, of mineral, of most excellent barrels, ripe fruit and deft touches. Hamilton Russell takes South African Chardonnay to an entirely higher level. “Thought I’d been in love before, but in my heart, I wanted more. Seems like all I really was doing was waiting for you.” Tasted June 2014 @TrialtoON

Staete Landt Paladin Pinot Noir 2010, Marlborough, South Island, New Zealand (376731, $36.95, WineAlign)

Though the Paladin is four years in it still retains its barrel baby fat. The rich red fruit tower reels behind a slightly reductive must and a compromise of toast and splinters from18 months spent in a mixture of 25 per cent new and 75 older French oak barrels. There is a whole surrealist street gang of fruit lurking in shadows of a de Chirico drama. I can sense the ripe plums and the cherries ready and willing to bake in the proverbial pie, and though blisteringly dry (less than 1 g/L residual sugar), it will always see potential by way of total acidity (6.1g/L). Will realize a seamless transition to mid-life anxiety while the fruit simmers away in a cauldron of that fine acidity. Ruud Maasdam’s Pinot Noir is of the scuola metafisica kind. Tasted June 2014 @StaeteLandtWine @liffordretail

Giorgio de Chirico, The Red Tower
http://www.guggenheim.org/new-york/collections/collection-online/artwork/853

Hidden Bench Terroir Caché Meritage 2010, VQA Beamsville Bench, Niagara Peninsula, Ontario (505610, $38.20, WineAlign)

The richest Terroir Caché to date, making use of its barrel in judicious but never obnoxious ways. Huge Bench wine, needs 10 years for sure. From my earlier, April 2014 note: “No other Niagara red and for sure no alternative Peninsula Bordeaux blend exists in such a vacuum of dichotomous behaviour. Act one is an out-and-out boastful, opulent show of Rococo. Act two a gnawing and gnashing by beasts. The pitch and pull of the Terroir Caché 2010 optates and culls the extraordinary through the practice of extended délestage, what Hidden Bench notes as “a traditional method of gently draining the wine and returning it to tank with its skins during fermentation.” The ’10 is about as huge as it gets, highly ferric and tannic. Still chemically reactive, you can almost imagine its once small molecules fitfully growing into long chains. Berries of the darkest night and he who should not be named black fruit are confounded by minerals forcing the juice into a cold sweat. Will require a minimum of 10 years to soften its all-powerful grip.” From my earlier March 2013 note: “has rich, voluptuous Napa Valley written all over it. Sister Merlot dominant, Beamsville Bench sledge monster. Plumbago, mineral, blackberry and coffee in a wine that will be the ringer in a blind tasting 10 years on. Harald may be saying “this is our family jewel.” Mr. Thiel, you make good wine” Last tasted June 2014 @HiddenBench @BenchVigneron

Good to go!

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Godello

a wine processor

Monthly Archives: July 2014

Release the summer wine

Got two Chardonnays, June, Ivan and Picone

Chardonnay is cool

The froth on Crémant d’Alsace

What ya drinkin’?