The most important red wine from Italy

Singolarità, qualità, diversità. Grazie di tutto @chianticlassico

Singolarità, qualità, diversità. Chianti Classico

As seen on WineAlign

For three weeks in May my professional life focused entirely on the brave new world of Chianti Classico Gran Selezione. It began with a four day gambol through the heart of Toscana between two of the world’s great cities, Siena and Florence. It culminated with a Masterclass on Gran Selezione I guided for the Consorzio of Chianti Classico at Toronto’s Four Season’s Hotel.

The time in Italy brought me to eight estates plus a tasting of Gran Selezione at the former Convento di Santa Maria al Prato located in Radda in Chianti. It is here that the Consorzio has set up its new education and events centre to promote the wines of Chianti Classico. In Radda I tasted 12 selections with Consorzio president Sergio Zingarelli. The Masterclass in Toronto was organized as part of the region’s 300th anniversary celebration and the producers walked a crowd of 75 guests through eight Gran Selezione.

mondays-presentation-of-chianticlassico-granselezione-fstoronto-c-su-su-han

Monday’s presentation of @chianticlassico #granselezione @FSToronto (c) su su han

Related – Three days, eight estates, Chianti Classico

Critics comment and often complain that all Chianti Classico, Riserva and now Gran Selezione adhere to one style. They will say that because of minimum aging requirements that all wines are produced in the same way and towards the same end. Nothing could be further from the truth.

Today #toronto went to masterclass school on @chianticlassico #granselezione No going back now #chianticlassico #300years #300anni #gallonero #blackrooster

Today #toronto went to masterclass school on @chianticlassico #granselezione No going back now #chianticlassico #300years #300anni #gallonero #blackrooster

What Makes it Gran(d)

Gran Selezione must be composed of 80 to 100 per cent sangiovese and may contain up to 20 per cent red grapes (indigenous or international). It is produced from a single-vineyard or from a selection of the estate’s best grapes. The minimum aging requirement is 30 months, including three months in bottle before release. The manifesto portents a wine of new typology “at the summit of a denomination’s quality pyramid.”

“The use of the name ‘Chianti Classico Gran Selezione’ depends on issue of a suitability certificate based on chemical-physical tests conducted by authorized laboratories and approval of the wine’s organoleptic characteristics by special tasting committees as per Italian Ministerial Decree 16/12/2010 concerning batches of wine destined for bottling.” Some applications were granted retroactively for the 2009 vintage.

So, what is Gran Selezione? In the simplest terms, which means everything and yet nothing at all,  it represents a Chianti Classico producer’s finest Riserva expression at the top of the quality pyramid. Yes, it is aged longer, for an additional six months beyond Chianti Classico Riserva. But Gran Selezione is not simply one thing; it comes as a matter of interpretation. Some producers, like Nicolò Pozzoli and Silvio Campatelli of Lornano see it as the same wine already made, from the same vintage, with a new label and of course, a new price. Yet others see it as an opportunity to make a Selezione as a vineyard-designate Riserva, or as cru or climat based. For some it means opportunity, freedom, revelation or, like Pietro and Valeria Losi of Querciavalle, the realization of a dream.

Some quotes from producers:

“It’s a matter of compromise between what is needed for the small producers and the need to express through crus for the larger ones.” – Stefano Capurso, Barone Ricasoli

“It is not a military position.” – Bernardo Bianchi, Colle Bereto

“It is the best block of the estate.”  – Federico Cerelli, Castello di Gabbiano

“It is made in the vineyard,  from the best vines and the best grapes.” – Massimiliano Biagi, Barone Ricasoli

“It is from a mico-territory within a territory, a micro climate and geology, a climat, combined by exposure and soil, together with the work of a man.” – Alessandro Palombo, Luiano

“It is the best selection of barrels. We taste the wine in the cellar and decide the wine that will be, to the end.”– Iacopo Morganti, Il Molino di Grace

“Gran Selezione begins in the vineyard, in the barrels is too late.” – Pietro Losi, Querciavalle

“I already make my top wine so I simply now call it Gran Selezione.” – Sergio Zingarelli, Rocca delle Macie

Perhaps you remain skeptical. You may be unclear as to the clarity of the category and perhaps you do not find whole or justifiable insight. I can say this. In Chianti Classico I asked all 10 producers I met with this question. “What is Gran Selezione.” All ten responded immediately, emphatically and with unequivocal determination. All 10 answers were intuitive and no two were exactly the same.

Chianti Classico is not a small wine region by any means. It is home to upwards of 70,000 hectares (177,500 acres), of which a mere 10 per cent are planted to vines. Remarkably, impossibly even, no matter where you are, you can always travel from one estate to another in what seems like 30 minutes or less, using one of multiple routes. On my last day the Consorzio’s Silvia Fiorentini and I left Il Molino di Grace in Panzano and drove southeast to Radda in Chianti. We then travelled from Radda northwest to the Consorzio’s offices in Tavernelle Val di Pesa. Then Christine Lechner drove me north to Castello di Gabbiano in Mercatale Val di Pesa but I swear we passed by Panzano and Greve on route. Chianti Classico has more exposures and angles than any wine region I have been to. It would take many years to understand where you are in relation to where you’ve been and where you are going. The wines share an identical set of diverse parameters. Singularite, diversite, qualite.

A Look to the Past

More time has been spent making dry red wine in Chianti Classico than in Piemonte’s Barolo or Barbaresco, where it was essentially Recioto until the mid 18th century. Thus, more time has been spent understanding the hills and differing terrains of the region than Piedmonte for this purpose. Antinori and Brolio are families that have lived and gained an understanding in the region for centuries. Brunello has figured it out. It can certainly be done in Chianti Classico.

She may be hiding behind the scenes but you all need to know who Christine Lechner is. Christine is events coordinator for the Consorzio and along with Silvia Fiorentini is responsible for bringing Chianti Classico to the world. Silvia’s work with the Consorzio is threaded everywhere throughout the world. It is Giuseppe Liberatore, director of the Chianti Classico Consorzio who directs the troops to showcase the excellence of the region’s wines.

Critics will say that Chianti Classico is living in the past. With three hundred years of beautiful and profound history, from Grand Duke Cosimo Tre de’ Medici to incumbent Consorzio President Sergio Zingarelli, you are damn right they are living in the past. Gran Selezione wines exists in a realm far beyond just a shared fleeting moment with 21 carefully selected Chianti Classico Riservas. If I could name a wine region anywhere in the world with a commensurate kinship of family, lineage, conoscenza, storia and the contiguous passing forward of tradizione I would. But I can’t.

A Look To the Future

Gran Selezione can be interpreted in a number of ways, depending on producer. I do not stand alone in my need to ask many questions. Where does one truly understand the region and not just the producer? What ways can the consortium pursue to cherish their name, by not sharing it with many different versions of similar products. Can one of the producers explain the decision to raise the alcohol level requirement of the Gran Selezione? Or is it just a matter of fact, something that happens as part of the winemaking process.

How important is 100 per cent sangiovese to the GS discussion and when other varieties are blended in, does it matter if endemic ones are used, like colorinio and canaiolo, or international ones, like merlot and cabernet sauvignon? What about the decision to grandfather in some approved applications for older vintages to be labeled as Gran Selezione? How has the category progressed from the first vintage to the present one. And has the approach or the style already changed?

Is there any consideration to add subzones to the Gran Selezione label? Either in its simplest form, Siena or Florence, or more parochially, Radda, Gaiole, Castellina, Castelnuovo Berardenga, Poggibonsi, Greve, Barbaerino or San Casciano.

Sleep walking not advised #panzano #ChiantiClassico

Sleep walking not advised #panzano #ChiantiClassico

The Unione Viticoltori di Panzano is a recent development in the Chianti Classico region. Like Chianti Classico, they have their own logo that can be printed on labels that indicate the origin of place. The producers under one village have one common idea. To produce organic and/or biodynamic wine in and around the village just south of Greve. All of the vineyards are from 300-500 meters above sea level and represent the microclimate within the area. Whatever you think about organic, the common goal is something to appreciate.

These are all valid and important discussions going forward but the truth and the fact of the matter is simple. Barolo received DOC status in 1966, and Brunello in 1980. Brunello in 1980. Gran Selezione is a very recent development and growing pains will be a necessary part of its development. Patience and perseverance will see to reward. I would be shocked if Gran Selezione is not the most sought after red wine to come out of Italy by the year 2025. You heard me. Not just sangiovese. The most important red wine from Italy.

I tasted 21 Gran Selezione in Chianti Classico between May 11 and May 15. Here are my notes.

Complex by name, nature and nurture @chianticlassico #granselezione @luiluiano #ottantuno #fattoriadiluiano #alessandropalombo #sangiovese #antoniopalombo #luiano

Complex by name, nature and nurture @chianticlassico #granselezione @luiluiano #ottantuno #fattoriadiluiano #alessandropalombo #sangiovese #antoniopalombo #luiano

Luiano Chianti Classico Gran Selezone Ottontuna 2012, Docg Tuscany, Italy (Agent, $72.50, WineAlign)

From Luiano’s premier cru vineyard on white stones from an ancient natural spring that tumbled into a lake. The 85 per cent sangiovese plus (15) merlot are kept separate form the rest of the production. Here berries fold into mineral with wood-delineated spice (truffle, tumeric, saffron, etc.). An amazingly silky wine with that cartology of spice all over its map. The cru is one hectare that executes into 3000-4000 bottles per year. The nomenclature here is not a serious one, the “A” and and the “P” in representation of a signature by Alessandro and his father Antonio that also looks like an “8” and a “1.” It was Alessandro’s grandfather who built Luiano in 1959 and Antonio began working with him 1981. When you dream to make wine, you remember 1981 and when Alessandro was three years old in 1981, he said to his grandfather at lunch, “Ottontuna!” This is an extraordinary Gran Selezione, from a micro-territory within a territory, of a micro-climate and geology, a climat within Luiano. A terroir that combines exposure and soil, together with the work of a man, Antonio, planted in 1999. The merlot was added in 2001. The wine needed to be open for quite some time, to envisage the mineral florals and gain consciousness under the auspices of the spices. Drink 2018-2026. Tasted May 2016

Lornano Chianti Classico Gran Selezione 2011, Docg, Tuscany, Italy (Agent, $42.95, WineAlign)

Gran Selezione for Chianti Classico is a matter of interpretation, in this case a selection of the finest few barriques of both sangiovese and merlot. Lornano’s spent 30 months in all new barrels, resulting in the smooth operator that is this Gran Selezione, seductive and inviting within the context of its truth behind a veil of terribilita. This infancy is merely a window into 15 years of what may be, only a split second screen shot of the grand picture. To believe in anything but time would be short-sighted and disrespectful to what this sangiovese is capable of developing towards. Truth from vineyards built on stratified sands, shales, stony alluvials and limestone. History dating back to 1904. Drink 2017-2025.  Tasted May 2016

Structured and getable @chianticlassico via @LornanoChiantiC Il piacere è stato mio #NicolòPozzoli #SilvioCampatelli #montereggioni

Structured and getable @chianticlassico via @LornanoChiantiC Il piacere è stato mio #NicolòPozzoli #SilvioCampatelli #montereggioni

Lornano Chianti Classico Gran Selezione 2012, Docg, Tuscany, Italy (Agent, $42.95, WineAlign)

Lornano’s interpretation of Gran Selezione for Chianti Classico is a selection of the finest few barriques of both sangiovese and merlot. Thirty months in new barrels takes sangiovese through a fluid and rippleless ride, from the same élevage of 2011, though here showing its tannic teeth with more than just one less year by age. The cherries and the leather are both more extreme but this is a fleeting moment of assessment, from a sangiovese of acute youth, but the tannins are sweet. It is this crux that shows there is genetic lineage to scroll back through Chianti Classico and CC Riserva. More perfume in 2012, of violets and roses, even in the presence of human aromatic intervention. Drink 2018-2028.  Tasted May 2016

È vero, a special vineyard #VillaTrasqua @chianticlassico #castellinainchianti #montereggioni #granselezione

È vero, a special vineyard #VillaTrasqua @chianticlassico #castellinainchianti #montereggioni #granselezione

Villa Trasqua Chianti Classico Gran Selezione Nerento 2010, Docg Tuscany, Italy (Agent, $39.95, WineAlign)

Single-varietal, single-vineyard, sangiovese-vigna nerento Gran Selezione. From the vantage point of Villa Trasqua’s terrace you can look out and see the demarcation of this special plot, a cru that seems to throw a special light even at dusk and this Gran Selezione offers a changing luminescence as it warms and evolves in the glass. Nerento is a success from the early category days and not all producers were able to find commitment and distinction this early. At six years of age post vintage it drinks as it should, idiomatically fresh and precise in the unequivocal Castellina in Chianti way. Here is post modern Chianti Classico’s preferred exit because Nerento is an example that puts full trust in the grand theory and the ideology of the Selezione. Keep this in the glass for hours and contemplate; the vineyard, the perfectly cooked filet of beef and the quiet Chianti Classico night. Drink 2016-2022.  Tasted May 2016

The #alberese of #querciavalle #pontiganello @valerialosi #agricolalosi #sangiovese #granselezione

The #alberese of #querciavalle #pontiganello @valerialosi #agricolalosi #sangiovese #granselezione

Losi Querciavalle Chianti Classico Gran Selezione Losi Millenium 2010, Docg Tuscany, Italy (Agent, $39.95, WineAlign)

Every great wine dissolves a genre or creates a new one and in the context of Gran Selezione, Pietro Losi and Giorgio Baldi’s Millenium 2010 concludes the latter. In a category where so much changes and yet nothing at all, the choice to pick individual plants, specific vines and particular bunches of grapes as destined for a vision of greatness defines the ideal that wine is indeed made in the vineyard. This Chianti Classico Riserva sees 36 months in 10hL barrels and it is a wine that has essentially been made since since 1997. It went to market again in 1999 and then it was 2000 that prescribed the Millenium, followed by 2001, 2003, 2005, 2007 and 2009. Subsequent top quality vintages are 2011, 2012 and 2015. The selected vines and particular bunches produce on average and approximately 4800 bottles. Take note of the most perfume and yet not the most savour, forest or truffle but there are hints, with some fennochio and the most grip to lead a sangiovese (with five per cent each canaiolo and malvasia nera) structure. The finest tannic grain runs through, lifted by tang meets sour over tart so round and specific to Gran Selezione. This wine is a highly accomplished specimen and a portal in ode to a great grandfather who started his day with wine and cheese, for energy. He imbibed for everyday consumption, just as water would nourish as it should be with this wine for food and contemplation. A wine with a finish minutes long. Drink 2018-2028.  Tasted May 2016

Barone Ricasoli Castello Di Brolio Chianti Classico Gran Selezione 2012, Docg Tuscany, Italy (942607, $59.95, WineAlign)

A Chianti Classcio first borne in 1997 with the plan to create a maximum quality blend as an expression of the estate’s diverse terroir. A meticulous selection is combed from the estate’s vineyards, spread over 230 hectares of land. Though early on the fruit may have emerged out of good but not yet exceptional vineyards, nearly 20 years later the sangiovese (90 per cent) with cabernet Sauvignon and merlot (or perhaps petit verdot) adheres to grand vin excellence. The wood regimen is 18 months in tonneau followed by 18 in bottle. Perhaps you will not find a more accomplished, perfectly judged, matter of factly expressed Gran Selezione. Sangiovese in equality of spicing with fruit, acidity and tannin, perfectly integrated toast, wood impact and textural drive. Stefano Capurso admits this about the transition from Chianti Classico to Gran Selezione.”It’s a matter of compromise between what is needed for the small producers and the need to express through crus for the large ones.” Drink 2018-2025.  Tasted May 2016

Delivering purity with deep respect to exceptional vineyards @barone_ricasoli @chianticlassico #sangiovese #granselezione #merlot

Delivering purity with deep respect to exceptional vineyards @barone_ricasoli @chianticlassico #sangiovese #granselezione #merlot

Barone Ricasoli Castello Di Brolio Chianti Classico Gran Selezione Colledilà 2013, Docg Tuscany, Italy (AgentWineAlign)

Colledilà is the Ricasoli Chianti Classico “other side of the hill” cru developed and realized from 15 years of estate terroir sangiovese research. This vintage was cropped at less than six tonnes per hectare so no need for green harvest, out of limestone vineyards with southeast and southwest aspects on seven blocks. Only 15,000 bottles were produced from only the best grapes selected (the rest go into the Brolio GS). This 100 per cent sangiovese is the soil king agronomist Massimiliano Biagi’s favourite and it sees 18-20 months in 2nd fill tonneaux. Biagi is the custodian of the fractured mineral, the white rock, catalyst to this off-roading sangiovese of built in natural, shock absorbing structure. Notes of balsamic, baking spice, vanilla and lavender are antithetical to the Brolio GS. The Colledilà’s first vintage was 2007 and the seventh breadth is here remarkable, the acumen inherent, the result timeless. You should never give up on sangiovese and when I tasted this again upon return after the Casalferro I then came to realize and respect its power. But it is never overpowering. It whiffs the most perfume, in the end, in reverse. Drink 2018-2025.  Tasted May 2016

Il Molino Di Grace Il Margone Chianti Classico Gran Selezione 2011, Docg Tuscany, Italy (435115, $39.95, WineAlign)

What is Il Margone? “This is the best selection. We taste the wine in the cellar and decide the wine that will be, to the end,” explains Iacopo Morganti, director of Il Molino di Grace. The name must also refer to the particular construction of the vineyard at Montefili, on Panzano’s west side, of its altitude, slope and the Galèstro within. Il Margone is a kind of wine for the (Molino) windmill, where the water goes over the stone and it is a wine that was always the Gran Selezione, before and after, on the vine and in the barrels. Now it can be called what is has been whereas before it was the second Riserva but the more important one, the best one. It now spends 18 months in barriques, 50 per cent new and 18,000 bottles are made. It runs deeper still, far through the Galèstro and into the pietra forte, for the cementing of strong sangiovese (not just religious buildings). From the hot vintage of 2011 and with the alcohol to prove it (14.5 per cent), there is an inherent sense of yeasty culture, a sheep’s milk pecorino that runs through the warmth. It functions as a cooling centre, then compression, layered spice and tannin. That late attack co-conspires with acidity to freeze the mouthfeel and seek years of patient desire. Really energetic Sangiovese, iron-fisted and demanding but with so much seeping cherry fruit. Wait four years minimum. Drink 2019-2025.  Tasted May 2016

At the intersection of @chianticlassico and #singlevineyard there is #granselezione #collebereto

At the intersection of @chianticlassico and #singlevineyard there is #granselezione #collebereto

Colle Bereto Chianti Classico Gran Selezione 2011, Docg Tuscany, Italy (Agent, $67.50, WineAlign)

A single-vineyard Gran Selezione, as per the house interpretation of the category, from “la vigna del Convento” situated on the slope beneath il convento di Radda in Chianti. So very concentrated, modern, plush but unshaken, of no compression. Noses all the flowers and herbs of Radda in this glass; lavender, rosemary and many varieties of sage. “This is not a military position,” notes Bernardo Bianchi. The block is always in the sun over fully-occupied Galestro soil, 490m above sea level. All together making for a new Riserva of restrained power and elegance. Wow. Such mouthfeel and structure many Gran Selezione would kill for. The single monastery vineyard is very special at 20 years-old and has just entered its prime. Finishes with more mineral in what seems like Amaro bitters, but it’s mineral, all mineral and nothing but mineral. And it’s just a baby, at this time in bottle five months.  This is a very, very grown up wine. It solicits the requiem to be stashed away for future re-connection. Drink 2020-2031.  Tasted May 2016

Ambassadors of @chianticlassico to the world. 2013 #castellodigabbiano #granselezione (not pictured) will blow your mind #treasurywineestates #sancascianovaldipesa #ilbellezza #chianticlassicoriserva

Ambassadors of @chianticlassico to the world. 2013 #castellodigabbiano #granselezione (not pictured) will blow your mind #treasurywineestates #sancascianovaldipesa #ilbellezza #chianticlassicoriserva

Castello Di Gabbiano Gran Selezione Bellezza Chianti Classico 2013, Docg Tuscany, Italy (652438, $39.95, WineAlign)

Tasted with winemaker Federico Cerelli alongside the new era ushering 2012, a wine with six months further resolve, which is really just a moment in life. Looking at this 2013 it clings to that ’12’s ideal, still firm and in need of down time, stirring still, wasting some time. Here a gear switch, alteration and adjustment. A reduction of new oak, an increase of the mineral cogitation specific to the Albarese soil, with tannins great like in 2012 but finer, more elegant. This is more classic in the sangiovese thought because what also is allowed is the level of dry extract, “over 30 for sure” notes Cerelli. This Bellezza is pure sangiovese, the best Bellezza in years, classic to remind of many years ago but a very modern wine. It is the Gabbiano predicament and the predilection to announce what Gran Selezione means so in a word, bravo. You could actually drink this now and then over 25 years. “What is Bellezza? This is the best block of the estate” is the answer as told by Federico. Great tannins, simply great tannins. Drink 2019-2032.  Tasted May 2016

Selection of #granselezione @chianticlassico at the Convento di Santa Maria al Prato #raddainchianti

Selection of #granselezione @chianticlassico at the Convento di Santa Maria al Prato #raddainchianti

Castelli Del Grevepesa Panzano Chianti Classico Gran Selezione 2011, Docg Tuscany, Italy (SAQ 12626764, $38.00, WineAlign)

Fom San Casciano in Val di Pesa, a cooperative-produced Gran Selezione from vineyards all around the area. Quite barrel-influenced adding extracted layers around steroidal cherries, with aromas recalling shoe leather and polish. A rich and broad mouthfeel of elasticity like a stick of chewing gum with alkalescent flavours of lavender and vanilla. A highly oaked, cakey, middle of the road GS. Dusty as if surely some merlot would be the filler in here but it’s 100 per cent sangiovese. Well made coop Chianti Classico. Drink 2016-2020.  Tasted May 2016  @Grevepesa  @SelectFrechette

Mangiacane Z District Chianti Classico Gran Selezione 2011, Docg Tuscany, Italy (Agent, $49.95, WineAlign)

The big, heavy bottle, echoed in the wine’s tones, from wood and with extract. Very Igt in temper, with international varieties in here for sure, seemingly designed with cabernet sauvignon but perhaps also merlot (it’s actually the opposite). The intent here is a full expression of fruit, wood, acidity and tannin. A beast that requires years to integrate and settle. There is liquorice and fennel pollen in the later stages. It’s very chewy and certainly all in. Drink 2018-2022.  Tasted May 2016  @VillaMangiacane  @loyalimportsltd

Fontodi Vigna Del Sorbo Chianti Classico Gran Selezione 2012, Docg Tuscany, Italy (Agent, $95.00, WineAlign)

The plot specific, 100 per cent sangiovese Vigna del Sorbo is from organic vineyards in Panzano, now in its third year for re-branding the single-vineyard Riserva. Remarkably aromatic and in hyper reality of its unique and very own red fruit, high-toned, full bodied and certainly elevated of alcohol. A sangiovese of massive tannins and acidity but the fruit is equal to the task. This leans more to the modern wave of extraction and sun-drenching than any other Gran Selezione I have tasted recently, like 100 per cent grenache of say Chateau Rayas. A Chianti Classico tall, big, muscular and strong, of ample tannins, proportionate acidity, body, structure, all in and all together. A bit more elegance than Châteauneuf-du-Pape but along very similar lines. Also a product of the 2012 vintage. Drink 2018-2036.  Tasted May 2016  @rogcowines  #fontodi

Casaloste Chianti Classico Gran Selezione Don Vincenzo 2010, Docg Tuscany, Italy

From Gionanni Battista D’orsi, also from Panzano so organic. The vintner hails from Naples (note the tiny Vesuvius on the label), this is the first to show real acetone but it’s beneath the threshold. There is also wood in droves, woods and thickets with dark blackberry fruit to extreme ripe red plum. This needs years to settle down and play nice. It’s a very formidable GS, not so surprising considering the vintage as it is imagined. A bit less grit, girth and astringency will travel though future vintages although with Casaloste it’s certainly a stylistic choice. Drink 2018-2028.  Tasted May 2016  @Casaloste

Castello D’Albola Chianti Classico Gran Selezione Il Solatio 2012, Docg Tuscany, Italy (Agent)

From Radda in Chianti and owned by Zonin, this is typically lighter in body for the area. Composed of 100 per cent sangiovese, very much in red fruit and old-school Brunello-ish liqueur. Cherries macerating and gaining acidity in its pool, flavour is a ringer for Japanese omeboshi plum, and then fruit leather/roll-up made with strawberry. Liquid chalky and lactic. Great intensity. Drink 2017-2024.  Tasted May 2016

Premiata Fattoria di Castelvecchi Chianti Classico Gran Selezione “Madonnino della Pieve” 2010, Docg Tuscany, Italy

From Radda in Chianti, rich red to darkening fruit and some acetic dealings,. There is more than just a simple breadth of likeability in the layering and variegation of the red fruits in here.  Plenty of herbiage and more tonality on the second half of the ride. Somewhat old school and very taut, tight, vigorous and vital. Classic, traditional, ripe and attentive sangiovese. This will live quite long,  somewhere in the vicinity of 15-20 years. Drink 2018-2028.  Tasted May 2016    @BarrelSelect

Rocca Delle Macìe Gran Selezione Chianti Classico Riserva Di Fizzano Single Vineyard 2012, Docg Tuscany, Italy (699454, $32.95, WineAlign)

From Castellina in Chianti, another singular, unique and specifically to itself Gran Selezione, with dark red fruit and tones set above though there is nothing remotely acetic about the play. Purity from the Fizzano vineyard is apparent with much mineral (seems to be albarese) throughout. The mid-palate here is full and this strikes as both elegant and traditional. Great length, longer than many or even most. A very accomplished yet classico Classico. Re-branded and worth every bit of that advantage. Perfect transfer from single-vineyard Sangiovese (95 per cent) plus (5) merlot, to SV-GS. Even if you notice the wood in the mid-palate and through the structure, you do not finish with it. There are 26,000 bottles made for a wine first produced in 1986. Drink 2018-2024.  Tasted May 2016  @roccadellemacie  @ProfileWineGrp

Mazzei Castello Di Fonterutoli Chianti Classico Gran Selezione 2012, Docg Tuscany, Italy (Agent, $75.00, WineAlign)

From Castellina in Chianti by the Mazzei family, fashioned from 92 per cent sangiovese. There is so much wisdom in here, out of grace and for elegance with wood rounding out all the angles. Very much a particular and painstakingly precise selective Gran Selezione, from wide and far. Though curious to note that within the pantheon of the genre the Fonterutoli is almost middle of the road in style. This comes as a result of where is lies in the range occupied by the multifarious interpretations. This 2012 is demonstratively integrated with a high level of acidity spurring and embracing generational connectivity. Drink 2018-2030.  Tasted May 2016  @MarchesiMazzei  @TrialtoON

Castello di Cacchiano Chianti Classico Gran Selezione Millenium 2009, Docg Tuscany, Italy

From Gaiole in Chianti and one of the first to jump headfirst into the new category. Showing a bit of age, from a very warm vintage, this has the humid funk (and is consistent with the 2007 tasted earlier in the week). Rich, a bit caky, chalky and yet the acidity winds its way around with room-tying, rug-hooking ability. Older in schooling and traditionally-styled to be sure. Drink 2016-2019  Tasted May 2016

Rocca Di Castagnoli Stielle Chianti Classico Gran Selezione 2011, Docg Tuscany, Italy (SAQ 12489114, $47.00, WineAlign)

From Gaiole, with 20 per cent cabernet sauvignon, this is modish-modern, high-toned, rich and spicy, very wood apparent Gran Selezione. A bit splintered and flinty this early in toddler years but the mineral and high altitude vineyard impart is and will become gainfully employed as a major plus. Long finish. Strikes like a very modern Brunello in style and increasingly international with time in the glass. In some respects it may as well be Igt. Drink 2018-2024.  Tasted May 2016  @Roccacastagnoli  @ProfileWineGrp

Rocca di Montegrossi Chianti Classico Gran Selezione Vigneto San Marcellino 2011, Docg Tuscany, Italy (Agent, $59.00, WineAlign)

Supported by nine per cent pugnitello to accentuate hue, aroma and structure, this is organic sangiovese from Gaiole. Produced using the finest grapes from the San Marcellino vineyard that surrounds the namesake Church in Monti in Chianti. Saw 27 months in medium-toast Allier forest French barriques and tonneaux plus an additional 18 months in bottle before release. Yet another rich and high-toned example (pushing 15 per cent alcohol), with lots of liquorice and corporeal feel on the nose. A child of modern and rich styling with good animale tension, as well as ferric and hematic accents to the dark fruit. Very Tuscan Igt mixed with Classico ideals to speak for Gran Selezione through the voice of traditional varieties. Only 7,400 (plus 300 magnum) bottles were produced. Drink 2018-2028.  Tasted May 2016  

Good to go!

Twitter: @mgodello

Instagram: mgodello

WineAlign

If I could buy only thirteen

Look at all that chicken

Look at all that chicken

Over at WineAlign we recently introduced a new feature in our already comprehensive coverage of the bi-weekly VINTAGES releases.  If I Could Buy Only One offers subscribers a first in line, get inside the minds of four Ontario critics. As part of the overall recap on each release David Lawrason, John Szabo M.S., Sara d’Amato and I are asked the question: “If you could buy only one wine from this release – which one would it be and why?”

When it comes to tasting, assessing and scoring VINTAGES wines there is simply no equal to what WineAlign covers in Ontario. As a group we four are sure to collectively provide at least one tasting note and score for 100 or more wines per release. In most cases there are two and sometimes three or even all four. Where else in print or online can you access such a synoptic scope of sweeping current information?

We are not alone but we are at the head of the game. Our colleague Michael Vaughan is the only critic who tastes every wine on every VINTAGES release. His nearly three decades of utter dedication and encyclopedic memory is nothing short of incredible. Tony Aspler covers the releases and contributes to Vaughan’s newsletter. Tony’s decades of experience are invaluable to both his and Michael’s readership. Beppi Crosariol offers a handful of concise and epigrammatic weekly recommendations in the Globe and Mail, Carolyn Hammond in a Toronto Star nutshell and Rod Phillips meaty and marrowy in the Ottawa Sun.

The LCBO media tasting lab is frequented by many Ontario writers. Most notable is Tim Appelt. Tim sounds off extensively on the releases. Eric Vellend publishes recos in his column “Bottle Shop” for Billy, the Toronto Island Airport’s magazine. André Proulx brings his own ignited take to his website, Andre Wine Review and Michael Pinkus publishes his broad brushstroke on his Wine Review. Erin Henderson does so on The Wine Sister’s website and Dean Tudor at Gothic Epicures World Wine Watch. If you follow what comes through VINTAGES and sequester help and ideas, who do you turn to? The answer is simply WineAlign.

When asked to single out just one I chose another Chablis from the current September 17th release. Look for the stellar Simonnet Febvre & Fils Côte De Lechet Chablis 1er Cru 2013 review in my upcoming report on Chablis in Ontario. Today I’ve got 13 other solid recommendations from a wide range of places.

first-6

Man Family Warrelwind Sauvignon Blanc 2015, Rocca Delle Macìe Chianti Classico 2014, Dominio Dos Tares Estay Prieto Picudo 2012, Les Darons 2014, Pazo Das Bruxas Albariño 2014, Talley Vineyards Bishop’s Peak Chardonnay 2014

Man Family Warrelwind Sauvignon Blanc 2015, Wo Western Cape, South Africa (461004, $13.95, WineAlign)

Man’s upper reaches sauvignon blanc whirls and winds around open-affable, semi-pungent fruit and churns like citrus juice through a windmill. This multi-purpose white speaks with great acidity and deep tart flavours. Just a touch of sweet peach with lime zest and a spritz keeps it spinning. Lots of bang for just a few bucks. Drink 2016-2019.  Tasted September 2016  @MANVintners  @vonterrabev  @WOSACanada  @WOSA_ZA

Rocca Delle Macìe Chianti Classico 2014, Docg Tuscany, Italy (741785, $10.95, 375ml, WineAlign)

Tasted from a half bottle, The Zingarelli Chianti Classico 2014 is as expected, classic. Hits all the appropriate and life-affirming sangiovese notes; cherries, fresh leather, dried figs, old wood walls, bright acidity and fine-grained tannin. When commercial, protective and attention to detail get together in Chianti Classico, this is what comes out. Expectations met and dinner accompanied. Ready to drink now and should be so because of the freshness afforded. Drink 2016-2019.  Tasted September 2016  @roccadellemacie  @chianticlassico  @ProfileWineGrp

Dominio Dos Tares Estay Prieto Picudo 2012, Vino De La Tierra De Castilla Y León, Spain (393140, $15.95, WineAlign)

Flat out juicy prieto picudo if you must know is 100 per cent employed out of Castilla Y Leon. Drinkable and gulpable don’t get much better than this, like spicy gamay but with more weight. You can put the truck in reverse and open the back doors wide for this and its sultry sway from French and American oak. The oak does not intrude mind you but it certainly adds texture and punch. Utterly delectable. Drink 2016-2018.  Tasted September 2016  @DominiodeTares  @oenophilia1

Les Darons 2014, Ap Languedoc, France, Languedoc-Roussillon, France (448464, $17.95, WineAlign)

Fresh and dramatic Languedoc with amazing floraility, namely violets but also rose bushes in a mid-summer swelter. Vitality is ensured by the top notch acidity and the tempering here has nothing to do with chocolate. Tart just right and back bite. While some from the warm region seem “toujours le cup entre demux chaises,” this Jeff Carrel red is right where it needs to be, comfortable in its own skin. No Ogres des Barback. Simply Les Darons. Drink 2016-2019.  Tasted September 2016  @LanguedocWines

Pazo Das Bruxas Albariño 2014, Do Rias Baixas, Spain (417667, $19.95, WineAlign)

This is a fine example of Albarino bringing miles of rich, ripe fruit into a brew of ripping acidity. Very mineral motive as as well, so with so much stewing in the pot you can expect a whole lot of vigor, revelry and magic. The citrus on the back side is nothing short of scintillant-spurred from lemon and lime. Miles from balmy, this is quite electric Galicia. Witches’ Brew, Bitches Brew in a Spanish Key. May not be a revolutionary bottle but it’s as close to jazz-rock fusion Albarino as you are likely to find. Drink 2016-2020.  Tasted September 2016     @RiasBaixasWines

Talley Vineyards Bishop’s Peak Chardonnay 2014, Edna Valley, Central Coast, California (318360, $27.95, WineAlign)

Another well-managed, keep it in the cool-climate family entry-level chardonnay from Brian Talley, keeping the faith and the successful streak alive for the idea behind Edna Valley as an important haven for chardonnay. It’s nearly unoaked, with just some neutral barrels to keep it leesy and creamy but acidity and umami are clear to lead the way. Excellent effort if on the lean and mean side. Good length. Drink 2016-2019.  Tasted September 2016  @TalleyVineyards  @TheVine_RobGroh

From left to right: Roger & Didier Raimbault Sancerre Rouge 2013, Schiopetto Sauvignon 2013, Thirty Bench Sparkling Riesling, Emile Beyer L'hostellerie Gewürztraminer 2012, La Crema Chardonnay 2014, Château La Nerthe Châteauneuf Du Pape Blanc 2014 and Pascal Marchand Gevrey Chambertin 2013

From left to right: Roger & Didier Raimbault Sancerre Rouge 2013, Schiopetto Sauvignon 2013, Thirty Bench Sparkling Riesling, Emile Beyer L’hostellerie Gewürztraminer 2012, La Crema Chardonnay 2014, Château La Nerthe Châteauneuf Du Pape Blanc 2014 and Pascal Marchand Gevrey Chambertin 2013

Roger & Didier Raimbault Sancerre Rouge 2013, Ac Loire, France (446401, $28.95, WineAlign)

Cured, natural, direct and experiential red Sancerre. A case of hands-off winemaking if there ever was, leaving exceptional fruit to walk the road and find its own way. Red berries, currants and just a hint of natural smoke. Savoury not even on its radar. Very fresh and alive. Freedom in red Sancerre. Drink 2016-2019.  Tasted September 2016  @LoireValleyWine

Schiopetto Sauvignon 2013, Doc Collio, Friuli, Italy (165027, $32.95, WineAlign)

Ripe, pungent and forthright Collio sauvignon blanc from the regional leader Schiopetto, culled from top level terroir and exercised with great intent. No Aqualung here, no “start away uneasy.” Dives into stony, flinty and mineral tangy waters then emerges to tell a tale of richness and mille-feuille layering. Top level sauvignon blanc for anywhere but from a very specific, agriculturist place. Finishes with a creamy lemon curd and a shot of adrenaline. If any sauvignon blanc could help solve the answer to the distinction between religion and God, Schiopetto’s could very well be the one. Drink 2016-2022. Tasted  September 2016  @schiopetto  @LeSommelierWine

Thirty Bench Sparkling Riesling, VQA Niagara Peninsula, Ontario (469478, $34.95, WineAlign)

I will stand to be corrected but this first such sparkler from Thirty Bench (it’s my first) and its dry riesling stoicism is a first in its singular way for Ontario. Using a small dosage from Steel Post Vineyard riesling fruit, the quality level in this non-vintage bubble (but I would think that the primary vintage fruit is 2014) is elevated with that world-class juice and yet aridity is not compromised. The subtle, rich, elongated and amalgamated orchard fruit aromatics are pure Beamsville, Thirty Bench and Emma Garner with well-rounded Niagara Peninsula Sparkling couverture. One, Garner wouldn’t waste a thimble-full of her riesling to make less than stellar sparkling wine and two, it’s really good. Drink 2016-2022. Tasted  September 2016  @ThirtyBench  @PellerVQA

Emile Beyer L’hostellerie Gewürztraminer 2012, Ac Alsace, France (462556, $39.95, WineAlign)

The tense and focused aromatics lead the way in this very generous gewürztraminer, classically styled to be off-dry but the sweetness is the furthest thing from your mind. Seeping rose petals and pure lychee syrup are graced with lemon zest, fennel frond and a curious note of rooibos tea. An exemplary vintage for an elixir that never cloys but just touches on something spicy and thinks about the bitterness of nuts though never really goes there. Subtle, refined and Eguisheim cultured from Emile Beyer. So impressive and a steal to drink in its first 10 years. Drink 2016-2022.  Tasted September 2016  @EmileBeyer  @AlsaceWines  @drinkAlsace  @VinsAlsace

La Crema Chardonnay 2014, Los Carneros, Sonoma County, California (184929, $39.95, WineAlign)

Experience, vintage and location will conspire to deliver profundity when the winemaker is attuned to available excellence and in tune with the vines. La Crema’s Elizabeth Grant-Douglas has a large, who’s who and what’s what portfolio to plate. She does so with broad, brushstroke ability and triads. In 2014 she has simply dialled into Los Carneros. The cool, temperature mitigated rolling hills, wind and aspect/exposure of this largest appellation straddling Napa and Sonoma does wonders for Chardonnay. Here in ’14 the third of the drought vintages is cradled with zest, vitality and pure energy. If you like nougat then have a chew of this one. If rich and unctuous Champagne with a bit of age is your thing you may just sit back and sigh. This wine was fatter previously, vegetal and just too easy. Here it sings “cause it fits in well with the chords” its playing. Right in tune. “Getting in tune with the straight and narrow.” The line that runs through Carneros with chardonnay the voice and La Crema the orchestra. Drink 2016-2020.  Tasted September 2016  @LaCremaWines  @bwwines  @sonomavintners  @thesirengroup

Château La Nerthe Châteauneuf Du Pape Blanc 2014, Ac Rhone, France (704429, $56.95, WineAlign)

This is quite closed for white Châteauneuf-du-Pape, remarkable that way and dramatically caught between the rocks and stones of its upbringing. There is nothing yet fleshy or flashy about it but considering how tightly wound it is you just have to know that revelry is up around the bend. So many stone fruits will reveal during the unravel. At this rigid dry extract and carpeted stage something microbial stands out but this too shall pass. The grip is firm and the focus leering. A structurally imposing La Nerthe with the will to live 15-20 years. Drink 2018-2029.  Tasted September 2016    @WoodmanWS  @VINSRHONE

Pascal Marchand Gevrey Chambertin 2013, Burgundy, France (286450, $59.95, WineAlign)

Sweet, expertly extracted and gently pressed fruit provides the bassinet for a subtle, charming and effluent pinot noir from Pascal Marchand. This falls on the lithe and graceful side of pinot noir with well-managed oak and an inherent structure that speaks as softly as the fruit but that does not mean its not capable of stretching this into a second decade. This is really pretty stuff. Would love to see its secondary stage and later fruition next decade. Drink 2019-2025.  Tasted September 2016  @pasmarchand  @Burgundy_Direct  @BourgogneWines  @vinsdebourgogne

Good to go!

Twitter: @mgodello

Instagram: mgodello

WineAlign

Three days, eight estates, Chianti Classico

alessandro-your-grandfather-was-a-very-good-winemaker-luiluiano-chianticlassico-fattoriadiluiano-chianticlassicoriserva-1979-sangiovese-alessandropalombo-antoniopalombo-luiano

Alessandro, your grandfather was a very good winemaker @luiluiano @chianticlassico #fattoriadiluiano #chianticlassicoriserva #1979 #sangiovese #alessandropalombo #antoniopalombo #luiano

By the time I landed in Florence and had settled into the Kraft Hotel it was pushing 3:00 pm and I needed to be ready just a few hours later to meet my Chianti Classico hosts for dinner. It had been 21 years since I last wandered aimlessly, holistically and believe me, blissfully through the streets of Cosimo I de’ Medici’s Florence. Greater men than me had walked these narrow strade. Pietro Cimabue, Giotto di Bondone, Dante Alighieri, Arnolfo di Cambio, Desiderio da Settignano, Donatello, Lorenzo “The Magnificent” de’ Medici, Michelangelo Buonarotti, Botticelli, Lorenzo “The Magnificent” de’ Medici, Giovanni Boccacio, Raphael Sanzio, Vincenzo Danti, Leonardo Da Vinci, Francesco Furini and Filippo Brunelleschi. Twenty-one years should distort and disorient one’s sense of direction but I found myself at home, mapless, confident in finding my way from landmark to landmark. Ponte Vecchio, Piazza della Signoria, Santa Croce, Santa Maria Novella, Palazzo Pitti, Palazzo Vecchio and Il Duomo. Hours later, wide-eyed and energized, the dinner bell sounded and then forward, for three extensive immersion days, it was all Chianti Classico.

godello-and-brunelleschi-together-at-last-firenze-piazzadelduomo

Godello and #brunelleschi together at last #firenze #piazzadelduomo

I spent some time in Chianti Classico at the beginning of May. I had been to Toscana before, in 1986, 1989 and in 1995. With twenty years having passed, so much had changed and in some ways, nothing at all. What I learned this time around can’t be found in a book, online or in scattered, random tastings here in Toronto. I found people, I found place and I found progression. The wines of Chianti Classico have embarked upon an ascension into their contemporary golden age.

On September the 24th, 1716 the Black Rooster was born. A notice was given by the Grand Duke Cosimo III de ‘Medici who decided to demarcate the territories dedicated to the production of high quality wines. To protect and to safeguard this special place, found in the hills and valleys between Siena and Florence. Chianti Classico. Three hundred years later the Gallo Nero, quintessential symbol synonymous with the Chianti Classico DOCG, is celebrating its birth.

the-sheer-breadth-of-ilduomo-is-just-amazing-firenze-piazzamichelangelo-brunelleschi-toscana

The sheer breadth of #ilduomo is just amazing #firenze #piazzamichelangelo #brunelleschi #toscana

All who serve to ride shotgun as sentinels to the profound history and quality of Chianti Classico are very sensitive and protective of the term, so the use of the full name “Chianti Classico” is essential. In Tweets, Instagram and Facebook posts, as well as press releases, articles and conversation, the omission of “Classico” is akin to liking it to that other lesser wine that shall not be named, and could result in being taken outside and subjected to some dark arts. The two names, as a matter of fact, represent two DOCG with distinct and separate production territories, histories and consortia.

#tranquillo #greveinchianti #ChiantiClassico

#tranquillo #greveinchianti #ChiantiClassico

Chi-anti Classi-co. Two very important words. Classic Chianti. Classical Chianti. Take away the demonstrative qualifier and what do you have. You have Chianti. With no disrespect to some very honest, simple and pleasurable Chianti produced outside of the boundaries that define Chianti Classico, the difference between the two is night and day. When you travel through the verdant, rolling hills, in and out of wine estates and villages of the region, you can’t help but feel the sense of tranquillo. Calm. You are also hyper aware of the singularity, diversity and quality of the produce. This is Chianti Classico. You do not get lazy and say I am in Chianti or I have travelled through Chianti. Per favore, Chianti Classico. In fact, the moment you leave Chianti Classico and pass through the terra-cotta villages just south of Firenze the landscape changes immediately. It’s just not the same.

dropped-in-on-some-old-friends-today-villadigeggiano-barrelselect-bianchibandinelli-castelnuovoberardegna

Dropped in on some old friends today @VilladiGeggiano @BarrelSelect #bianchibandinelli #castelnuovoberardegna

Image, perception and finalmente, reality, these are the truths all who feel the soul of Chianti Classico are in search of today. Today and moving forward, explaining to the world that Chianti Classico is not what you thought or think it to be. In my three full days of exploring the region I visited eight wine estates, and no two were the same. Each have vines growing on different soils, each vinify with varying techniques and all eight treat l’élevage of their wines with surprisingly divergent approaches.

Related  – Chianti Classico’s Gran Selezione plan

My visits to these eight estates (plus one 21-year later reunion with Andrea Bianchi Bandinelli at Villa di Geggiano) was made possible and with thanks to the Consorzio di Vino Chianti Classico. In particular President Sergio Zingarelli, Director Giuseppe Liberatore, Christine Lechner and Silvia Fiorentini.  Last week I published links to 21 tasting notes on Chianti Classico Gran Selezione over at WineAlign. The full notes will go live on Godello next week. This week you can read 28 tasting notes on the non-Gran Selezione wines I tasted In Chianti Classico back in May.

Luiano

Luiano as from the Latin, “janus,” where all begins from Jaunary, with an eye to the past and forward to the future. Located in San Casciano in Val di Pesa, through Impruneta due south of Firenze. Passed down from grandfather Alberto, now Alessandro and father Antonio Palombo’s vineyards fan out to an amphitheatre with four distinct (cru) climats. The use of merlot and cabernet sauvignon is employed to achieve roundness with the tannic and tougher sangiovese, to avoid the classic, firm and historically at times infirm and instead go for the amenable. Representation in Ontario is with Tre Amici Wines.

alessandro-luiluiano-palumbo-announces-chianticlassico-quality-luiano-even-before-you-have-ascended-his-drive

Alessandro @luiluiano Palombo announces @chianticlassico quality #luiano even before you have ascended his drive

Luiano Chianti Classico 2014, Docg Tuscany, Italy (Agent, $24.50, WineAlign)

From a challenging vintage and winemaker Alessandro Palombo admits readily to much fruit purposefully languished on the vine. Field selection was the sine qua non, inexorable and moral imperative to seek this floral sangiovese from a less than homogeneous vintage. With a father’s wise voice resonating in his ear it was the inborn proclivity to resist temptation and not to over press and to focus on freshness. Some cabernet sauvignon and merlot urges the chamomile, jasmine, black tea and candied orange peel with some healthy contrariety by underbrush (mushroom and forest floor) and truffle shaved over black cherry. A bit iron rich though righteously clean, with no exaggerations, in avoidance of arbitration, greenness or pepper pyrazine. “It’s not the greatest Chianti Classico I’ve ever made but it’s one I’m very proud of.” 60,000 bottles made. Drink 2016-2021.  Tasted May 2016

with-alessandro-and-antonio-palumbo

With Alessandro and Antonio Palombo

Luiano Chianti Classico Riserva 2013, Docg Tuscany, Italy (Agent, $39.95, WineAlign)

There was some rain and cold at the climax of maturation, so here the sangiovese is grittier, shivered with sweetmeat and somewhat bitter tannins, but otherwise a “normale” vintage. Here we have 100 per cent sangiovese of the best selections and the first vintage not in true French oak. It is in fact larger barriques (French but made in Italy). Still the forest floor and a hint of truffle, albeit slathered with a deeper richness, whiffing some leather and tobacco. The wood is present but respectful to the fruit, as is the verdant streak running through the tremendous San Casciano in Val di Pesa acidity. The bitter and drying tannins will require time to help soften the astringency and relent they will though not completely, but age will certainly help. 13,000 cases made from a vintage with no Grand Selezione. Drink 2017-2022.  Tasted May 2016

Luiano Chianti Classico 1979, Tuscany, Italy

Alessandro Palombo is skeptical at first, one eyebrow raised but with the look of possibility on his face. Takes me very little time to acknowledge that this ’79 is very much alive, fruit not predominant (and surely some prune) but neither cooked nor bruised. The brown nose (earth and spice) purports a full concentration of anthocyanins, acidity still full in, dried fraises de bois, black liquorice, dirty leather and worth repeating, still very good acidity. Truffle, forest floor and then black olive tapenade on the palate. This is 70-80 per cent sangiovese with colorino and canaiolo and for 1979 it’s quite incredible. It should not have lasted this long.  Antonio says that up to 10 per cent could have been malvasia blanca and trebbiano because at the time it was a field blend, co-planted with the sangiovese, which could explain some of the variegation in the colour. This is a Chianti Classico to lend credence to the idea of using multiple fruit, vegetal and animale descriptors when assessing an old wine. It’s also the reason why you put them away and open them with friends who’s eyes are wide open. Thank you Alessandro for the opportunity and for the connection to your grandfather Alberto. He was a very good winemaker. Drink 2016.  Tasted May 2016

Lornano

Fattoria Lornano had been a Napoleanic French property taken from the church and re-assigned.  Like many properties in Chianti Classico the 180 hectare estate was originally a church, in Lornano’s case a privilege of Pope Innocent III who was entrusted with the administration of other neighbouring churches and adjacent agricultural lands. The Taddei family-owned Lornano is located on the south west hills of Castellina in Chianti and Monteriggioni, five kilometres from Siena.

Nicolò Pozzoli’s great grandfather bought Lornano in 1904 after making a fortune in matches followed by owning a glass factory in Empoli. This from Nicolò’s mother’s side of the family and it was aunt Katerina who ran the winery, now in the hands of Pozzoli. In 1998 they re-planted six hectares and in 2013, replaced seven hectares of Chianti Classico on the upper hill. Today the team is led by General Director Pozzoli, Agronomist Silvio Campatelli and Enologists Franco and Matteo Bernabei. They are represented in Ontario by Frontier Wine Merchants.

structured-and-getable-chianticlassico-via-lornanochiantic-il-piacere-e-stato-mio-nicolopozzoli-silviocampatelli-montereggioni

Structured and getable @chianticlassico via @LornanoChiantiC Il piacere è stato mio #NicolòPozzoli #SilvioCampatelli #montereggioni

Lornano Chianti Classico 2012, Tuscany, Italy (211599, $17.95, WineAlign)

Lornano’s Chianti Classico benchmark endeavours from lock, stock and barrel sangiovese and is held back from market longer than most, to soften the 100 per cent edges and give the round, plumate feel. The vintage is nothing if not consistent with the Lornano house style, divaricated rich and dishing out some evolution. The fifty-fifty small and large barrel split and 12 months of aging following a 22-day fermentation at 25-28 degrees is more than just a jumpstart and a kicker. The integral technical play celebrates and elevates the elegant vintage of very pure fruit, almost biting, ricercato crack spice and finally, very silky tannins. A seven to 10 years Chianti Classico with significant poise for so little salvo. Drink 2017-2023.  Tasted May 2016

Lornano Le Bandite Chianti Classico Riserva 2011, Docg, Tuscany, Italy (230672, $19.95, WineAlign)

Le Bandite, “the banned,” is a cru special for its content of white sand. This is the place “where the hunters went hunting,” notes Direttore generale Nicolò Pozzoli, Monteriggioni territory in which, for public tender are prohibited hunting, fishing or grazing. So what is the significance with respect to Chianti Classico Riserva? Simple. The hunter’s loss is the wine consumer’s gain. Here a wine that spent 21 months in barrels, of wise character, evolved and integrated inherent, thanks to an extra year in bottle before release. Sangiovese from clay, of earthy density settled, on the palate, with three to five years left for prime drinking. When tasted alongside the 2009 Le Bandite, it shows more is less vitality and acidity than when that vintage was last tasted in November 2013. This 2011 will soon revive a pop and a feeling that brings leather and liquorice into the fray. Drink 2017-2024.  Tasted May 2016

with-thanks-to-nicolo-pozzoli-e-silvio-campatelli-inowfeellikenew-lornanochiantic-chianticlassico-fattorialornano-castellinainchianti

With thanks to Nicolò Pozzoli e Silvio Campatelli #inowfeellikenew @LornanoChiantiC @chianticlassico #fattorialornano #castellinainchianti

Lornano Commendator Enrico 2011, Igt Toscana, Italy (211615, $29.95, WineAlign)

In reference to a time in Lornano’s history when the property was placed in trust as a commendam, “the temporary holding of an ecclesiastical benefice.” The Igt blend is sangiovese (50 per cent), merlot (25) and cabernet sauvignon (25) housed for 20 months in new barrels and large barriques. Nothing but rich and intense with the most spice and also the notion of liquid violets. As an aside to the Chianti Classicos there is here a new texture, the merlot giving dusty brushes, the cabernet blackberry, Cassis and with a savoury side. Drink 2016-2020.  Tasted May 2016

Lornano Vin Santo Del Chianti Classico 2008, Docg Tuscany, Italy (244947, 375ml, $29.95, WineAlign)

So very nutty, of almonds and hazelnuts and then marzipan. Succinctly apricot and ripe peach with acidity that hits during the initial shot of fresh fruit into frutta secca and then again at the back end. A dessert wine unique to its own character, perfectly clean and pure. From the oldest plantings of trebbiano and malvasia, one hectare of each, aged for up to six years. Picked in late October, brought in and hung up in a well-ventilated room with humidity and mildew control, then sorted before fermentation. Up to 30 per cent is lost or discarded. Drink 2016-2028.  Tasted May 2016

Villa Trasqua

Located north of Siena in Castellina in Chianti with Monteriggioni rising majestically above the estate, Villa Trasqua is built around the ancient and exceptional vineyard known as Nerento. The estate dates back to 1965 and cultivates its 120 hectares and 10 vineyards in the oldest part of Castellina in Chianti. Trasqua is owned by Swiss brothers Sven and Alan Hulsbergen. Organically farmed vines and the gravity fed winery built on several levels are overseen by oenologist Franco Bernabei and Director Armand Metalla. The estate is represented in Ontario by Frontier Wine Merchants.

how-about-this-beauty-chefmolson-berkel-1912-slicingmachines

How about this beauty at Villa Trasqua? #berkel #1912 #slicingmachines

Villa Trasqua Trasquanello Rosé 2015, Docg Tuscany, Italy (Agent, $13.95, WineAlign)

A 100 per cent sangiovese designed out of a quick bleed for minor colour and the result is great elegance. Saline, savoury and with a bit of sweetness, sexy, easy going Rosé with oomph. Drink 2016-2017.  Tasted May 2016

Villa Trasqua Chianti Classico 2012, Docg Tuscany, Italy (Agent, $19.95, WineAlign)

From serene Castellina in Chianti wide open spaces vineyards and built upon sangiovese plus (five per cent) colorino and malvasia nera. Leaf savour of and with the tart sweetness of frutti di bosco. Spicy oak and depths plumbed but ultimately fresh elegance with acidity to lift, clean and place this in the new echelon of Chianti Classico. Drink 2016-2019.  Tasted May 2016

Losi Querciavalle

If any Chianti Classico estate speaks of family values, tradition and a deeply profound, contiguous lineage it is Losi Querciavalle. Located a stone’s throw across a few valleys southeast towards Siena in the Comune di Castelnuovo Berardenga, the Losi family are the custodians of the purest Albarese soils in the hills of Pontignano. The Albarese here is so pronounced and so defined from plot to plot and vine to vine that Pietro Losi is able to distinguish and differentiate specific vines for the purpose of choosing identified bunches of grapes for each of his wines. Pietro and daughter Valeria take the torch from Cavaliere Tranquillo Losi, mezzadro (cropper) and a man who pioneered farming and winemaking methods to make wines that purely and clearly define the region’s Chianti Classico. Tranquillo’s transference of indispensable Chianti Classico information came from his father Emilio Losi and from Brunello of Montalcino’s Tancredi Biondi Santi.

Pietro continues the work of his forefathers, along with Valeria and brother Riccardo. The Querciavalle farm, acquired in 1954 with the establishment of the company, covers 35 hectares of vineyards while Pontignanello farm, acquired in 1998, bordering on the Querciavalle farm, covers 15 hectares. The estate is represented in Ontario by Natural Vines.

Mirror to classicism, history and tradition. Purity from @valerialosi #querciavalle @chianticlassico #agricolalosi #sangiovese #granselezione #pontiganello

Mirror to classicism, history and tradition. Purity from @valerialosi #querciavalle @chianticlassico #agricolalosi #sangiovese #granselezione #pontiganello

Malvasia Nera 2015 (Barrel Sample)

Aged in tonneaux barriques, the blending grape on a possible solo mission gives green vegetal and floral aromatics, violets, like petit verdot in a way, with great acidity. Pietro Losi is considering producing a single-varietal wine, is cloning to try and plant more for such a purpose. Tannins are grainy but sweet, fine and delicate. Three words for you Pietro. Go for it.  Tasted May 2016

Losi Querciavalle Chianti Classico 2011, Docg Tuscany, Italy (Agent, $19.95, WineAlign)

The historical south-facing “Leccino” family vineyard is situated at 300-350 above sea level, from sandstone in the higher areas and from Galestro and Albarese, so typical from the lower areas of Chianti Classico. Sangiovese (90 per cent) and canaiolo see 18 months in 50 hectolitre barrels and in concrete. Here the natural world and the particular poetry of “old school” dialectical sangiovese speech is heard. It is certainly traditional and pure, clean, crisp, structured, taut and of that wise liqueur. The verbiage is all that plus what feels like dusty ancient mountain brush mixed with albarese soil minerality. In the end it is the canaiolo that brings the perfume. Drink 2016-2021.  Tasted May 2016

Losi Querciavalle Chianti Classico Riserva 2010, Docg Tuscany, Italy (Agent, $24.95, WineAlign)

With five per cent canaiolo instilling just enough potpourri into the fine-grained sangiovese, this could be easily pass for Gran Selezione from an inelastic vintage. The 30 months in 20hL barrels has crafted a structured, elegant, firm and classic Riserva. More than sixty vintages have gathered up the albarese and here, from Querciavalle’s “Vigna del Pino” vineyard. Forest floor, vanilla and berries cull the traditional, resting calm, balanced, noiseless and bitterless. The aftertaste comes out the habits of generations, with a sweet amaro finish, a smooth digestivo. Drink 2018-2026.  Tasted May 2016

Losi Querciavalle Vin Santo Del Chianti Classico 2000, Docg Tuscany, Italy (Agent, $95.00, WineAlign)

Every drop poured and considered from this ambrosial elixir solicits memories from and for a family’s history and tradition. From trebbiano and malvasia, the grapes picked on the 15th and dried from September to December. The pick has graduated to become earlier over the years, and the new, soft press to fermentation heads directly into the cartelli. Querciavalle’s patience exceeds the the five years (as required by the DOCG), usually waiting eight and making use of stainless steel to lower the natural sediment. “An immortal wine, already in paradise,” smiles Pietro Losi, knowingly, of dried fruit and of course almonds. There also challenges a depth and an aridity amongst this sugar, a depth of intensity through acidity that lines and then rounds without a moment of searing. This is true gran selezione calm, gorgeous and alone, warm and full of love. A dessert wine that takes minutes to finish, stays warm in the belly, helpful, coating and comforting. The best and correct story for Vin Santo is of the black plague when the monks believed it held the power to cure. What’s not to believe? Drink 2016-2040.  Tasted May 2016

Barone Ricasoli – Castello di Brolio

The history of Chianti Classico, Tuscany and for that matter, Italian wine can’t be discussed or put into perspective without mention of Barone Ricasoli. That name has been linked to wine since 1141, when Brolio Castle passed into the hands of the Ricasoli family. The first 700 years of Tuscany’s most famous castle and the family aside, it is the work of Baron Bettino Ricasoli, Prime Minister of Italy, researcher, innovator and first marketing expert for the regions wines.  Bettino is credited with having invented the Chianti formula in 1872. When I visited the Ricasoli family crypt in May I was struck by the fact that the Iron Baron passed away on my wife’s birthday. Then shivers travelled down my spine when I noticed a second Bettino Ricasoli shared a birthday with me.

#castellodibrolio

A video posted by Michael Godel (@mgodello) on

Francesco Ricasoli, 32nd Baron of Brolio has been at the helm of the castle and the family business since 1993. In the past 20 years he has overseen the re-planting of vineyards, isolated exceptional soils, plots and exposures. The five types of soils found on the estate; sandstone, argilliti, montemorello, pliocene and fluvial deposits all play major rolls on vineyard demarcations and which blocks are used for which wines. This research with nearly 1000 years of experience in the current hands of Francesco Ricasoli has transformed an historic estate into a new golden age as one of Chianti Classico’s most important producers. Massimiliano Biagi is now head of winemaking and Commercial Director Stefano Capurso is responsible for bringing Ricasoli’s exceptional wines to the world. Churchill Cellars is the Ontario Agent.

delivering-purity-with-deep-respect-to-exceptional-vineyards-barone_ricasoli-chianticlassico-sangiovese-granselezione-merlot

Delivering purity with deep respect to exceptional vineyards @barone_ricasoli @chianticlassico #sangiovese #granselezione #merlot

Barone Ricasoli Brolio Chianti Classico 2013, Docg Tuscany, Italy (3962, $23.95, WineAlign)

When you consider that this Chianti Classcio enjoys a production of 8000,000 bottles, you might think it a huge salad of over determination. It’s not but instead gleefully full of coincidence and implausibility. Sangiovese (80 per cent) mingles with merlot and cabernet sauvignon for nine months in barrique and tonneau. The goal is freshness from fruit with Chianti Classico character. The exactitude of resolution is a full expression, of cherries, dusty character and a meeting point from and for all five terroirs across the estate. Carries its full fleshy fruit with some liquorice in a dichotomous combo of exceptional quality and high quantity, incorporating diversity, brought together with simple but highly technological vinification. This is now as much a vision of Toscana, even as it resonates as Chianti Classico, than what it used to be. That is to say internationally stylized, but isn’t this in effect true of all sangiovese, not especially of Chianti Classico? Drink 2016-2021.  Tasted May 2016

Barone Ricasoli Brolio-Bettino Chianti Classico 2013, Docg Tuscany, Italy (Agent, $34.95, WineAlign)

This ulterior Chianti Classico label is dedicated to Bettino Ricasoli who invented the formula for the production of Chianti in 1872. The Iron Baron must have been a hard-nosed, get things accomplished kind of Prime Minister-Researcher-Inventor-Marketer because the sangiovese (with a splash or two of colorino) is a gritty effort, firm and taut. Aged in refurbished old casks, this unfiltered and bullish Chianti Classico is built upon a full-frontal fun nation of black cherry fruit. There is a textile texture that is not quite the CC leather of old but something newer, modern, hand-crafted and woven, silky and gentile. This is the elegance of such a form ridable sangiovese, on the tongue, to the touch and the feel. Bettino’s ode is dark and brooding but it is so very sangiovese. Drink 2018-2022.  Tasted May 2016

fettuccine-con-crema-di-tartufo-osteriadelcastello-barone_ricasoli-madonnaabrolio-gaioleinchianti

Fettuccine con #crema di #tartufo #osteriadelcastello @barone_ricasoli #madonnaabrolio #gaioleinchianti

Barone Ricasoli Rocca Guicciarda Chianti Classico Riserva 2013, Docg Tuscany, Italy (943613, $24.95, WineAlign)

The blend for the Riserva (first introduced out of the exceptional 1999 vintage) is very similar to the Brolio (beginning with 80 per cent sangiovese), but here the l’élevage sees time in large casks with some canaiolo in the mix. Carries the Brolio gene and the torch, takes the diversity of sangiovese from the cinque terroirs and distills it into a very fresh (especially for CCR) but certainly rich and velvety red. Firm, taut and finishing on its recurring entry note of round acidity and sweet tannin. Drink 2017-2022.  Tasted May 2016

not-all-terroir-is-created-equal-cinque-cru-barone_ricasoli-granselezione-castellodibrolio-chianticlassico-massimilianobiagi-francescoricasoli-stefanocapurso

Not all #terroir is created equal. Cinque #cru @barone_ricasoli #granselezione #castellodibrolio #ChiantiClassico #massimilianobiagi #francescoricasoli #stefanocapurso

Barone Ricasoli Casalferro 2013, Docg Tuscany, Italy (122598, $51.95, WineAlign)

Casalferro is 100 per cent merlot wrought from a southeast exposure, single vineyard cru for a total of 27,000 bottles. New barriques for 18 months are filled from fruit picked in late september (after the rest) and eight or nine further months in bottle before release. Here despite the wood and the varietal, this is as much a study in Chianti Classico as it is merlot, chiantified so to speak, of pure sweet acidity and red cherry like no other Tuscan merlot will espouse to show. This is surely not Redigaffi, Galatrona, Masseto or L’Apparita. None of them. It may not be the richest or silkiest but it is very pure and it has a naturally cured, sandstone and schisty feel. At a modest 14 per cent alcohol it feels light and ethereal. A great vintage for Casalferro. Drink 2018-2022. Tasted May 2016

Il Molino Di Grace

Frank and Judy Grace purchased the vineyards in the mid 1990’s and restored an abandoned 19th century ruin into what is now the cantina of il Molino di Grace, named for the centuries-old historic water-mill. The first vintage out of the new winery was in 1999. MdG became a certified organic winery in 2013, something they and indeed the entire 20 viticultural Panzano-in-Chianti producers are extremely proud of, all together as one. It took 20 years to get this way, with no spraying and even the workers who work the roads will cut, but never spray.

Tim Grace runs Il Molino di Grace along with Director Iacopo Morganti. Their consulting oenologist is none other than Franco Bernabei. To say that Il Molino di Grace is an authentic producer of terroir-driven Chianti Classico would be an understatement. Their vineyards are set upon some of the finest Galèstro soil in all of Chianti Classico. The permeations and permutations from that soil have separated this estate from so many others with a portfolio of wines constructed with power, finesse and yes, grace.

galestro-and-panzano-in-every-pour-with-iacopo-morganti-ilmolinodigrace-chianticlassico-toscana-organic-granselezione-ilmargone-gratius

Galèstro and #panzano in every pour. With Iacopo Morganti @IlMolinodiGrace @chianticlassico #toscana #organic #granselezione #ilmargone #gratius

Il Molino Di Grace Chianti Classico 2012, Docg Tuscany, Italy (85209, $19.95, WineAlign)

Sangiovese running 100 per cent solo, but from a vintage that surrendered 50 per cent of the crop in the spring to frost. The absence of quantity is quality’s coup for a mere 48,000 bottles of Molino di Grace’s normale. Aging happened in Botti (25 hL) for one year. There is a distinct opposition to the other house stylistics, here fresh and fruit massive meets a beautifully dusty, high quality, straight and taut line. Drink 2016-2020.  Tasted May 2016

Il Molino Di Grace Chianti Classico 2013, Docg Tuscany, Italy (85209, $19.95, WineAlign)

The 2013 point blank sangiovese Chianti Classico is a softer, rounder version of its normale self, with less spice and dust and as a matter of course, from double the output. A dreamy downy growing season saw to 100,000 bottles and each are so eminently drinkable. There is a soil in there that seeps through because of the vintage, that combination of marl and limestone known locally as galestro and so while the concentration is wontedly in measure to 2012, it is ultimately just a matter of differing result. One wine’s pale is another one’s edge. This ’13 will present for immediate pleasure while ’12 spends one more year coming into view. Drink 2016-2019.  Tasted May 2016

%22just-need-a-place-where-i-can-lay-my-head-%22-panzano-chianticlassico

“Just need a place where I can lay my head.” #panzano #ChiantiClassico

Il Molino Di Grace Chianti Classico Riserva 2009, Docg Tuscany, Italy (382945, $23.95, WineAlign)

From a hot vintage you can feel straight away on the nose, augmented corporeal and heavy hued. A perspicuous selection from the vineyard is kept in old tonneaux (2nd and 3rd fill), then tasted through those barrels to decide on the Riserva’s final blend. Another Il Molino di Grace 100 per cent sangiovese and the last vintage produced of the regular Riserva. Here again you note the house-style liqueur, the deep seep of cherry and the indubitable vineyard. The culmination of the calefactive vintage offer, from fruit to strength, inclusive with deep intent and a burrowing into the galestro. This the rooted riserva, firm and stretched to elegant. The spice and the tannin are late arriving, tied up in sapidity, graced by comfort. Still so very young, with chards nicking and drawing blood, in need of three years for the fragments of stone to peel away and dissolve into the liquid. Drink 2018-2023.  Tasted May 2016

Il Molino Di Grace Gratius 2010, Docg Tuscany, Italy (Agent, $49.95, WineAlign)

Gratius, meaning more pleasing, the author of a poem on hunting, opponent of the poet Archias and a contemporary of Ovid. The other sangiovese from Il Molino di Grace whose first vintage was 1999, of “a nose incredible,” says a wistful Iacopo Morganti and he is not wrong. From the Panzano-Greve in Chianti slopes of Montefili, at 500 meters, a 2.2 hectare single vineyard of old vines (70 years) co-planted with some colorino and canaiolo. So in that sense it’s a field blend but essentially sangiovese. Tuscan climat of rock and poor soil, where the wind blows and grapes whose fate is two weeks later maturation. Aromatics and elegance are in a calm struggle and like two brothers, rolling but not fighting. Such a wine of clean, pristine purity does not exist just anywhere. The inviting perfume solicits readiness and a willingness to be generous. No need to wait. Drink 2016-2022.  Tasted May 2016

Il Molino Di Grace Gratius 2009, Docg Tuscany, Italy (Agent, $49.95, WineAlign)

Darker, exuding more heat and vineyard funk with an emphatic oomph. You can’t help but notice it, the Galestro, screaming to be heard. This has that natural cure, that wisdom, the kind of feeling that the wine was always as it is now, borne this way. From the windy Montefili, 500m limestone and marl single-vineyard. Usually late maturing but warmer from 2009 and slightly obscuring but not smothering the Gratius “more pleasing” perfume. Very ready sangiovese field blend intensified in augmentation by canaiolo and colorino. Ready for drinking alongside the enchanting 2010. Drink 2016-2019.  Tasted May 2016

Il Molino Di Grace Gratius 2005, Docg Tuscany, Italy (Agent, $49.95, WineAlign)

The Gratius 2005 shares DNA with 2009 aromatically speaking but in texture and expression the litheness is pinot noir like, with a bit of bretty volatility as an impression that is vineyard funk derived. Just now beginning a drinking window in performance for the art of perfect timing but why not imagine the installation persisting for 10-12 more years? Here the Montefili Galestro vineyard is clearly iterated in a funk-soil-chalk-liquid rubies way. A brilliant peek back because the tart is just so right. Ask the question, “what was the old wine like?” The answer is “it was like old wine, that is to say, like all old wines.” Drink 2016-2022.  Tasted May 2016

Colle Bereto

The Pinzauti family have transformed one of Chianti Classico’s most idyllic settings into an architectural and wine-producing estate of the highest elegance and excellence. Bernardo Bianchi is winemaker and the estate’s total production is 80,000 bottles per year. “The 60 hectares of the estate, of which 15 are devoted to grape growing, are skillfully arranged and tended to obtain excellent quality wines.” Sangiovese, the area’s “noble vine,” is used for Chianti Classico and Chianti Classico Riserva, while the Pinot Noir and Merlot grapes give their best in Il Cenno and Il Tocco, respectively.”

The approach is through a very careful selection in the vineyard, stems removed and the thickest skinned sangiovese selected for Riserva. The avoidance of green berries is exercised with extreme prejudice, they do no crushing and only work with gravity fed juice followed by the gentlest fermentation. The Ontario agent is Nokhrin wines.

at-the-intersection-of-chianticlassico-and-singlevineyard-there-is-granselezione-collebereto

At the intersection of @chianticlassico and #singlevineyard there is #granselezione #collebereto

Colle Bereto Chianti Classico 2014, Docg Tuscany, Italy (Agent, $31.15, WineAlign)

From a vintage with no Riserva or Gran Selezione, so 50,000 bottles of sangiovese (97 per cent) and colorino (3) were produced. Fermented in botti, finished in stainless steel and bottled the first week of February. Includes fruit from the single-vineyard “la vigna del Convento” that lays beneath il convento di Radda in Chianti, now the restored home of the Consorzio del Vino Chianti Classico. The ’14 CC is possessive of the most liberal import and impart of local mineral. “We are very lucky, it is all Galestro,” says winemaker Bernardo Bianchi. This is Chianti Classico of tradition and progress defined, with the better and best grapes instilling structure, full of the kind of fruit that will last for 10 years. Who needs Riserva when you have this. Liquid concentrated must and dust, mineral and mouthfeel. Great round acidity and finally, blessed bitters. Drink 2018-2024.  Tasted May 2016

Castello di Gabbiano

Castello di Gabbiano was built in the 12th century, just south of Florence in the heart of the Chianti Classico region. The estate has been protecting its estate-grown grapes since 1124. The castle remained in the possession of the Florentine banking family Bardi until the early part of the 15th century when it passed to the Soderini family, one of the most politically influential families in Florence. It was the Soderini who were responsible for the conversion of the turreted manor house of Gabbiano in Fattoria, already completed by the late 15th century.

Today the 147 hectare estate is in the hands of Treasury Wine Estates, one of the most progressive wine companies in the world. The vineyards are divided up into DOCG Chianti Classico (109 hectares), IGT (35) and Vin Santo. Winemaker Federico Cerelli has dedicated the best blocks of exceptional aspect and exposure upon the finest clay and limestone rock-filled soils for Gabbiano’s most important cuvées. Cerelli pays painful attention to both his agronomy and his winemaking. He is constantly analyzing the soils, carefully selecting the choice of rootstocks and clones, as well as pruning back in a careful, skillful handling of the vines. In the winery and in the cellars he exercises the balanced epitome of melding a natural approach to traditional methods and technical innovation to both large and small productions.

federico-cirelli-brought-the-castellogabbiano-barquebbq-supplied-the-sampler-treasurywineestates-greatmatch-chianticlassico-sangiovese-granselezione-bellezza-chianti-chianticlassicoriserva

Federico Cirelli brought the @CastelloGabbiano & @barquebbq supplied the sampler #treasurywineestates #greatmatch #chianticlassico #sangiovese #granselezione #bellezza #chianti #chianticlassicoriserva

Castello Di Gabbiano Chianti Classico 2013, Docg Tuscany, Italy (219808, $18.15, WineAlign)

Classic red sauce pasta appendage, for Monday and Tuesday, along with Wednesday, Thursday and Friday. Though the varietal and regional specificity floats in the Tuscan wind, the local tension, tang and tannin make for some robust Chianti Classico moments. Fashioned from 90 per cent sangiovese, the rest merlot with some colorino and canaiolo, moist from the fresh maker Branca vintage of deep, fertile soil. Partial carbonic fermentation after five days of cold (15c) maceration. Aging done in 70 per cent (five tonnes) cask and some 3-4 year old barrels plus 30 per cent in cement. The latter gives the exposure of freshness in fruit. Quite pure, clean and soil driven, earthy enough to soak up swimming pools of sugo all’arrabbiata or amatriciana. Drink 2016-2018.  Tasted February and May 2016

Castello Di Gabbiano Chianti Classico Riserva 2013, Docg Tuscany, Italy (216309, $22.95, WineAlign)

First and foremost it is the wood, or the lack of wood that stands out in the CCR 2013. It may be observed as a different kind of wood, less polished and more natural but what really wins out is the fruit. The cherries are surfeited by impressed tannin and linger with good tonic for a good length of time. Great restraint shown by winemaker Federico Cerelli. Drink 2018-2024.  Tasted June 2016

really-getting-to-know-these-guys-castellogabbiano-chianticlassico-chianti-granselezione-bellezza

Really getting to know these guys @CastelloGabbiano #chianticlassico #chianti #granselezione #bellezza

Castello Di Gabbiano Chianti Classico Riserva 2012, Docg Tuscany, Italy (216309, $22.95, WineAlign)

Winemaker Federico Cerelli’s 2012 Riserva goes at the ancient ideal with (95 per cent) sangiovese and (5) merlot, of which 70 per cent of all estate grapes are used to produce this wine. From the Mercatale Val di Pesa castle vineyards, the CCR is a work of time, energy and investment spent in the vineyard. The elevated tonality can’t help but be assessed as compared with the ‘normale,’ here fermented in small (10 tonne) tanks, of a wild ferment, a warmer maceration and 20-25 days of skin contact. The new and improved state of the art incarnation of this Gabbiano is a by-product of Cerelli’s major reduction in pump overs (like, zero), a bit extra delestage, sangiovese malolactic in cement and merlot in barrel. Then into wood (20 per cent new French) plus (80) in third and fourth fill. A minor amount sees large cask. The totality is 12 plus 12 months (wood and bottle). Such a smooth operator with spice accents, again that classic rolling hills red fruit, great length, remarkable breadth and quality for the price. It’s amenable to immediate consumption with some air but will benefit from two more years imagined aeration. Drink 2018-2023.  Tasted May 2016

Ambassadors of @chianticlassico to the world. 2013 #castellodigabbiano #granselezione (not pictured) will blow your mind #treasurywineestates #sancascianovaldipesa #ilbellezza #chianticlassicoriserva

Ambassadors of @chianticlassico to the world. 2013 #castellodigabbiano #granselezione (not pictured) will blow your mind #treasurywineestates #sancascianovaldipesa #ilbellezza #chianticlassicoriserva

Castello Di Gabbiano Alleanza 2011, Igt Toscana, Italy (Agent, $39.95, WineAlign)

A single block alliance between merlot and cabernet sauvignon, less than 10,000 bottles per year, from low lying vines on clay soil, consummated out of a late harvest. “I like to pick when the vine has lost their leaves,” notes winemaker Federico Cerelli, “that is the right time to pick. It’s not too hot so this is when the phenolics are ripe.” Just a few hectares of cabernet see a separate, mostly wild ferment, mostly in concrete and normally 40-45 days of skin contact. It then spends 14 months in (100 per cent) new French oak. So very, very vanilla, caky but not milk-shaken, urged am biliously forward by crazy acidity, (5.7 tA) and high pH (3.9). The nose wields blackberry and Cassis and then the palate seems to veer wholly Merlot, dusty, silky and sandalwood soft. Just a faint note of dill pickle and it’s quite cool and savoury, of some black olive and brine, no animale, clean, almost anti-super Tuscan. There is no beast here. There is tannin and an edgy level but no brood. There is drinkability and it uses its wood well. A real improvement for this bottle, with thanks to Federico. Drink 2016-2020.  Tasted May 2016

the-river-arno-beneath-a-florentine-night-westinflorence

The river #arno beneath a #florentine night @WestinFlorence

Good to go!

Twitter: @mgodello

Instagram: mgodello

WineAlign

Reading of the last whites (and reds)

It were so simple #caprese

It were so simple #caprese

It’s that time of summer when transitions begin to set in, in paradoxical slow surges and breezes, sonic wallows and fond, rueful, ironic gaps. It also brings the unofficial last one of the season (gasp), the upcoming VINTAGES August 20th release. The limits of probability, possibility and potentiality are great, delineated and distilled to 17 wines tasted, reviewed and laid out right here.

Calamus Steely Chardonnay 2013, VQA Niagara Peninsula, Ontario (210062, $14.95, WineAlign)

The barrel need not be employed to gain success for chardonnay from the excellent Niagara 2013 vintage. Calamus has done right by the no-wood approach, allowing the slow-ripened fruit to shine solo and brightly. Steely chardonnay for steamy days. Drink 2016-2017.  Tasted August 2016  @calamuswinery

Val De Vid Verdejo 2015, Do Rueda, Spain (452086, $14.95, WineAlign)

Quite a racy Rueda with lemon and lime juiced and cooling the warm stone aspect. Were the acidity a touch more in tune this would really plug in the senses. But it is delicious and worthy of some seafood tapas. Drink 2016-2018.  Tasted August 2016  @DORueda  @rogcowines

Schloss

Schloss Schönborn Riesling 2011, Qualitätswein, Rheingau, Germany (653535, $16.95, WineAlign)

Schloss Schönborn’s basic, entry-level, come and get it Qualitätswein is seemingly riesling from out of a designate void and no strings attached. It’s actually highly specified riesling but without label verbiage and from a most excellent vintage. The oscillation runs the gamut from propellant to scintillant, with pumped in air and rising cool temperature behaviour. There is a balanced, posit tug between acidity and sweetness, over the line and back again. The cumulative flavours recall long lasting pastilles, of gin, tonic and agave. Drink 2017-2025.  Tasted August 2016     

Contini Pariglia Vermentino Di Sardegna 2014, Doc Sardinia, Italy (455238, $18.95, WineAlign)

Stoic and aerified vermentino emanating like semillon or riesling, with a vapour trail and simply terrific mineral feel. You might imagine riesling from calcareous soils or semillon off of dry, arid plains, but this vermentino is striking on its own accord and illuminates as a developing experiment. The next big thing perhaps for geeks and mineral freaks in search of a profound, axiomatic, aromatic experience? More than perhaps and Sardegna beckons. Terrific tonic and beneficial bitters mark the rather lengthy finish. Drink 2016-2020.  Tasted August 2016  @WineOfSardinia  @vinosardegna

Nova

Quinta Nova De Nossa Senhora Do Carmo Colheita Tinto 2011, Doc Douro, Portugal (452748, $19.95, WineAlign)

A blend of four endemic varieties, two from touriga and two by tinto. The label tells us it’s “unoaked.” Brilliant. Such knowledge is power and usually an exclusive bit reserved for whites, especially chardonnay. Why not tell us your red wine spent no time in barrel? This is nothing short of awesome for the consumer. And so we have pure fruit, excellent extraction, very little in the way of masking or shrouding (if any) and a simple, unadulterated experience. Terrific summer red when procured with a chill that will serve and protect your palate and your will. At five years of age it has held up beautifully, a testament to hands off and trustworthy winemaking. Drink 2016-2018.  Tasted August 2016  @LeSommelierWine  @winesportugalCA

Lighthall

Lighthall Progression Sparkling 2014, Ontario (468090, $20.00, WineAlign)

Charmat or otherwise, grapes grown on Lighthall’s beautifully stark, wind-swept and electrifying property destined for sparkling wine does so with profound meaning. This is lit with the finest Ontario spark of vidal, also known as “Ward 5 Brut.” Unparalleled in its treatment to effect continuum, Progression is possessive of real intent and fine-grained precision. It’s simply meant to be. Their are notes of green apple and grapefruit, sweetness from extract, wild and wooly texture. This and fresh summer basil pesto would work every time. Just imagine the possibilities when Glenn Symons adds further lees and traditional method applications to his sparkling fruit. Just you wait and see what it does to elevate the category in Ontario. Drink 2016-2019.  Tasted July 2016  @lighthallvyard

Thörle Feinherb Riesling 2015, Qualitätswein, Rheinhessen, Germany (420091, $20.95, WineAlign)

Tart, waxy, off-dry, herbal and very sapid. Tremendous appeal on the scales of sweet, sour and racy. Great acidity and a fine pesto of herbs. Balance is spot on. Really well made. Drink 2016-2021.  Tasted August 2016  @thoerle  @UNIVINS  

Campo

Campopazzo Chianti Classico 2012, Docg Tuscany, Italy (454512, $20.95, WineAlign)

From Radda in Chianti on the Monterinaldi Estate, here the prevalent liqueur of intuitive and naturally occurring sangiovese wafts like ripe, red fruit warming in compote with wildflower honey. While this may seem a touch raisined (and even slightly volatile) it is in fact both those things. But it’s beautifully bitter and richly old-school. A certain kind of CC and a style that is slowly dying out but there is something to be said in support of drying sangiovese fruit once steeped and macerated in its own narcissistic liqueur. I for one am happy to spend time with this and like my grandfather, would know to miss him when he’s gone. His old and drying tannins really grow on you. Great deal in old-school Chianti Classico. Drink 2017-2021.  Tasted August 2016  @monterinaldi  @chianticlassico

Brocard

Jean Marc Brocard Domine Sainte Claire Vieilles Vignes Chablis 2014, Ac Burgundy, France (356634, $23.95, WineAlign)

In a year for acidity and total, utter freshness the Saint Claire rushes and wells with excitement. Beautifully green apple tart and crunchy. The saline temperature is measured in an ooze running through and with the lees. Cracker vintage keeps the deep salinity intense, vital, searing and so naked to the world. Pure Chablis with length that stretches away from richness and into a lean lingering. Drink 2016-2019.  Tasted twice, July 2016  @chablisbrocard  @BIVBChablis  @purechablis

Montagny

André Goichot Les Guignottes Montagny 2014, Ac Burgundy, France (455139, $26.95, WineAlign)

As in the case of Chablis, 2014 is a stellar vintage from the ever-increasingly excellent Côte Chalonnaise subregion from which chardonnay fervently shines. André Goichot’s fruit is rich, ripe and beautifully pressed, expressed and plays with the determination of the mineral obsessed. Oh the vitality and the range this displays, with balance and exceptional layering. Breath is actually taken slightly away on the acidity’s back side and the airy, elemental finish. Simply wow Montagny. Drink 2016-2022. Tasted August 2016  @vinsdebourgogne  @BourgogneWines

Dutschke Jackson Cabernet/Shiraz 2012, Lyndoch, Barossa Valley, South Australia, Australia (447037, $27.95, WineAlign)

This marriage of shiraz (60 per cent) and cabernet sauvignon is a deep well filled to overflowing with Barossa berry and Lyndoch savour. The smell of ripening pomegranate and red berry is in the air but the blend is grounded by a lactic-limestone like liquid chalkiness. This is seamless stuff, pretty and modern but also following down a very direct line. The dualistic varietal speak is a thing of seamless, duet, two-part harmony. Will pair and compliment anything you throw at it over the following five years. Drink 2016-2021.  Tasted August 2016  @DutschkeWines  @Wine_Australia  @TFBrands

Closson

Closson Chase Vineyard Chardonnay 2014, VQA Prince Edward County, Ontario (148866, $29.00, WineAlign)

Keith Tyers’ follow-up to the tour de force that was the hypnotizing 2013 is a step forward in the vineyard’s progression out of a vintage that takes a step back from buttressed substance. Taking into account that 2014 was cooler than the year before, the barrel swaddle needed to also scale back, but just a bit. This CCV chardonnay takes a clean and lean precise line, drawing up PEC mineral with mining acumen and wrapping perfectly phenolic ripe fruit coiled like gelid citrus around a gemstone wire popsicle stick. The palate does provide an orchard meets stone fruit creamy respite from the rocks of entry and exit but it is the mineral County notes that make the biggest impression. Terrific balance is struck, on flint and over the course of so many levels. Leave this a year to stretch and flex while you enjoy every waking moment with the ’13. Drink 2017-2023.  Tasted May 2016  @ClossonChase

Mazzei

Mazzei Fonterutoli Chianti Classico 2013, Docg Tuscany, Italy (977629, $29.95, WineAlign)

Fonterutoli’s “second wine” pays exceptional attention to fruit quality, drawing from five different limestone sites and bringing them all together with balance. The minor tonic is an asset to the major fruit and a tie of acidity. Classic Castellina in Chianti richness and sun-driven excellence. Few CC’s are as firm and structured within the arena of such exceptional fruit. This is so modern and bright you might have to wear shades but the stylistic is achieved with grace, class and culture. Never forget where you are from. Mazzei. Fonterutoli. Castellina. Chianti Classico. Drink 2018-2024.  Tasted August 2016  @MarchesiMazzei  @chianticlassico  @ProfileWineGrp

Collett

Jean Collet & Fils Montée De Tonnerre Chablis 1er Cru 2014, Ac Burgundy, France (405720, $37.95, WineAlign)

Just amazing pitch and imploding vitality from a climat that demands traditional winemaking (in 100 per cent old wood) so as not to detract from a classic flinty, steely Chablis direction. No bells and whistles, just rocks and stones and straight ahead chardonnay. Takes what the vintage gives and tackles the rest. Drink 2018-2024.  Tasted August 2016  @BIVBChablis  @purechablis

Losi

Losi Millennium Gran Selezione Chianti Classico 2010, Docg Tuscany (459735, $38.95, WineAlign)

Every great wine dissolves a genre or creates a new one and in the context of Gran Selezione, Pietro Losi and Giorgio Baldi’s Millenium 2010 concludes the latter. In a category where so much changes and yet nothing at all, the choice to pick individual plants, specific vines and particular bunches of grapes as destined for a vision of greatness defines the ideal that wine is indeed made in the vineyard. This Chianti Classico Riserva sees 36 months in 10hL barrels and it is a wine that has essentially been made since since 1997. It went to market again in 1999 and then it was 2000 that prescribed the Millenium, followed by 2001, 2003, 2005, 2007 and 2009. Subsequent top quality vintages are 2011, 2012 and 2015. The selected vines and particular bunches produce on average and approximately 4800 bottles. Take note of the most perfume and yet not the most savour, forest or truffle but there are hints, with some fennochio and the most grip to lead a sangiovese (with five per cent each canaiolo and malvasia nera) structure. The finest tannic grain runs through, lifted by tang meets sour over tart so round and specific to Gran Selezione. This wine is a highly accomplished specimen and a portal in ode to a great grandfather who started his day with wine and cheese, for energy. He imbibed for everyday consumption, just as water would nourish as it should be with this wine for food and contemplation. A wine with a finish minutes long. Drink 2018-2028.  Tasted May 2016  @Valerialosi  @chianticlassico

Humility only exceeded by impossibility @normhardie #pec #countyinthecity Pinot Noir 2014

Humility only exceeded by impossibility @normhardie #pec #countyinthecity Pinot Noir 2014

Norman Hardie County Unfiltered Pinot Noir 2014, VQA Prince Edward County, Ontario (125310, $45.20, WineAlign)

A second taste four months later confirms the impossibility from Hardie in 2014, a vintage that just begs for Norm’s magic handling, from exemplary, slow-developed fruit off of a vintage’s hyperbole of low-yielding vines. The low alcohol continuum persists, the freshness and richness of County berries magnifies and the development of flavour is beyond and above. The tart is a membrane and the sweetness a virtue, feigned and delicate. Tremendous work made easy by Norm and a pinot noir that will live longer than any he has produced before. Drink 2017-2027.  Tasted August 2016.

In Prince Edward County and for Pinot Noir there is no substitute and no comparison. Quixotically sweet Pinot Noir fruit, from the lowest of the low yields, scrupulously heeded and handled with care and yet also, somehow without a care to the world. As self-effacingly pretty and impossible as ever though in 2014 the tensity is lower, the anxiety bereft and not so crucially or dearly developed. There is almost no crisis from out of this first of the near-crisis vintages. This is an early to love Norm Pinot Noir, brought to life and with red citrus that only a Hardie low alcohol Pinot can bring. Humility only exceeded by impossibility. Ready to enjoy younger than most.  Tasted April 2016  @normhardie

Drouhin

 

Domaine Drouhin Pinot Noir 2013, Dundee Hills, Oregon (961284, $52.95, WineAlign)

Beautifully firm Dundee Hills pinot noir requesting some patience before it will submit and offer near instant gratification. The fruit is wonderfully, naturally sweet with an underlying saline current and so much ripe yet tart currant fruit. This gift wraps French Beaune soul and Oregon soil in one exemplary pinot noir package. Will develop righteously for up to ten years. A stroke of balanced genius from winemaker Arron Bell. Drink 2018-2023.  Tasted August 2016  @DrouhinOregon  @FWMCan

Good to go!

Twitter: @mgodello

Instagram: mgodello

WineAlign

Fifteen in VINTAGES July 23rd

#toast

#toast

While life is a blur there is always wine. In the past month the WineAlign National Wine Awards of Canada, Chablis and three VINTAGES releases have seen me taste through more than 800 glasses of wine. This is something I do often in a four-week stretch but this, this was something other. It was intense.

During the same stretch I completed my tasting notes on 50 Chianti Classico (including 18 Gran Selezione) and those ruminating thoughts will be published in the coming weeks. Tomorrow I head down to Niagara for the sixth annual International Cool Climate Chardonnay Celebration, or as it is affectionately hash-tagged, #i4c16. Just in case I didn’t have enough tasting notes to transcribe, edify, pop-culture aggrandize, indoctrinate and embellish, well, get ready for 100 more.

For now there is the upcoming July 23rd VINTAGES release and 15 wines I recommend with Godello certainty. Now if I could just get off this grid.

Sutherland Sauvignon Blanc 2014, Wo Elgin, South Africa (203877, $14.95, WineAlign)

A pungent, insistently perfumed cooler clime sauvignon blanc from a big, need to be picked quick crop. Spice, grapefruit, agave and yellow flowers and with more texture than its Thelema ’14 cousin. Fleshy, tropical, juicy, ripe and spirited. Classic Elgin cool savour running linear like a beam through the joist of structure. High quality fruit ready for all comers. Drink 2016-2018.  Tasted September 2015 and July 2016  @ThelemaWines  @WOSA_ZA  @WOSACanada

almansa

Castillo De Almansa Old Vines Selection 2010, Almansa, Spain (586719, $16.95, WineAlign)

Rich and concentrated, nicely balanced between roping fruit and ripping acidity. Has real firepower but enough sense to remain calm at the right moments. Plenty of verve, concentration and development from old vines and the stuffing to stand up to blessed char off the grill. Terrific summer BBQ red. Will also work for winter stew. Drink 2016-2020.  Tasted July 2016  @BodegasPiqueras  @almansaturismo  @DionysusWines

Vinedos Y Bodegas Pablo Menguante Garnacha Selección 2012, Cariñena, Spain (313833, $16.95, WineAlign)

Two years on and with more oak this is a very different animal than the subdued ’14, integrated but on the other side of the aromosphere. The oak is dominant, vanilla and cocoa are the great waft in what is ostensibly pitch perfect fruit, in bottle on the dark side of the moon. Coconut, vanilla extract and cinnamon. The wood brings layered and sheathed character. Very plush and notes Jorge, “if you come to Cariñena to experience Garnacha, this wine will allow you to discover the wonders of American oak.” The deep fruit and earth melded into and by the barrel makes for a very pleasurable drop. The ’08 released into the Ontario market in November 2014 lends credence to the ageability of this Garnacha. Drink 2015-2019.  Tasted October 2015 and July 2016  @GranViu  @VinosCarinena  @DoCarinena  @Vinexxperts

Quails’ Gate Gewürztraminer 2014, BC VQA Okanagan Valley, British Columbia (354480, $17.95, WineAlign)

The ripest Quail’s Gate gewürztraminer ever may be some kind of anomic desert hyperbole but wow is this fleshy, extracted and beautiful. Spicy too, with a minor citrus pith and almost into slight effervescence. Fun with gewürztraminer. Drink 2016-2018.  Tasted July 2016  @Quails_Gate  @hobbsandco  @AMH_hobbsandco

santa rita

Santa Rita Medalla Real Syrah 2012, Limarí Valley, Chile (443523, $17.95, WineAlign)

From the northerly clime of the Limari this is seductively floral syrah with an edge of peppery spice. It just feels balanced on the nose and silky sweet in mouthfeel. Pushes characterization towards incomplex tautology. Linger with it long enough and the fine tannins will rear and bring everything back to earth. Cue the value jingle. Drink 2016-2020.  Tasted July 2016  @SantaRitaEst  @WinesofChile  @DrinkChile  @ImportWineMAFWM  @MarkAnthonyWine

redstone

Redstone Limestone Vineyard South Riesling 2012, VQA Twenty Mile Bench, Ontario (381251, $19.20, WineAlign)

The lower bowl of this Tawse-Redstone plot is the shiny one, as in happy scintillant of riesling proportions. A year on the attitude persists, in lime and honey, acacia and beeswax. Terrific tartness and direct enjoyable deposit. Enough mineral to satisfy a calcaire lover’s soul.  @RedstoneWines  @Tawse_Winery  @DanielatTawse

From my earlier note of May 2015:

So much lime and liquid chalk make for desired and dreamy texture. The lime slides like a slick of oil into the full flavours, spiked by peach and white plum liqueur. Terrific 20 Mile value. Drink 2015-2019.

From my earlier note of May 2014:

This inaugural Riesling foray from atop the Twenty Mile Bench out of the Limestone Vineyard is a sister to the Tawse exploration from same. The comparisons end right there. Paul Pender’s take is kinetic, frenetic and electric. Redstone winemaker Rene Van Ede tends to and lends from a reconnaissance that heralds Mosel. His first, fixed take is off-dry (in obvious ubiquity) with circular acidity. The co-agitation is early picked at low brix, with realized high residual sugar (36.4 g/L) and low alcohol (10 per cent). Toothsome, with a ying/yang, lemon/lime, push/pull. The case load is formidable for a first go ’round (1000 plus) yet paddled through limestone acreage with effortless strokes.

Last tasted July 2016

allegrini

Corte Giara Ripasso Valpolicella 2013, Doc Veneto, Italy  (83964, $19.95, WineAlign)

Lovely Ripasso liqueur with pretty red fruit and compressed earthy accents. Resides on the correct side of tart and the exemplary aspect of sweet, fine-grained tannin. Accomplishes Ripasso intimacy by doing so at a mimetic remove. Lingers like a perfect pastille. Drink 2016-2019.  Tasted July 2016  @AllegriniWine  @C_Valpolicella  @RegioneVeneto

William Fèvre Champs Royaux Chablis 2014, Ac Burgundy, France (461640, $24.95, WineAlign)

The Champs Royaux is Chablis drawn from a selection of Fèvre’s better grower contracts and five to 10 per cent is aged in old oak, the rest in stainless steel. It is a generalized but oh too important expression from kimmeridgian soil, hedged and qualified from all over Chablis. Takes all the hills, valleys, les clos and slope/aspect dimensions into account. It is textbook Chablis, a guarantee of quality, especially out of the cracker 2014 vintage. The fruit is ripe and the acidity a study in Chablis exactitude. The balance may be the best this cuvée has ever shown. Drink 2016-2020.  Tasted July 2016      @BIVBChablis  @purechablis

sancerre

Roger & Didier Raimbault Sancerre 2014, Ac Loire Valley, France (82255, $26.95, WineAlign)

This white scintillant by Raimbault from Sancerre is laid out with clear instruction, like Rimbaud through Van Morrison, in precisely what sauvignon blanc needs to impress from the Loire. The beseeching immanent, insulated implosion of fruit, searing mineral and tannin multiplying within a bubble. This is tres fort fricative stuff, tart without any excess tang, notes all important and leading to a grand result. Pungency does not enter the vocabulary but the mouthful of stones is palpable and sonant. Raimbault’s 2014 offered up a sense of wonder, “showed me ways and means and motions. showed me what it’s like to be. Gave me days of deep devotions, showed me things I cannot see.” Essential sauvignon blanc with poise, precision and mandatory feel. Sincere Sancerre tore down a la Rimbaud. Drink 2016-2022.  Tasted July 2016

charmes

Château Des Charmes St. David’s Bench Vineyard Cabernet Franc 2012, VQA St. David’s Bench, Niagara On The Lake, Ontario (453415, $27.95, WineAlign)

I’d put my money down on a French woman to work magic from cabernet franc grown on the warm, generous and giving St. David’s Bench. Lo and behold here is Amélie Boury with such fruit of spot on varietal countenance, magnified by the exhort of 2012. The gifts of that vintage could have been clouded with oak smothers but that case is not presented nor was it predicted. Boury certainly makes use of the barrel but its presence is textural, with mellow spice and for la longeur. This will develop efficiently and with grace, from this current anglaise stage into something modern Loire Valley en croute. It will accrue its culture and its character over seven to 10 years. Drink 2018-2022.  Tasted July 2016  @MBosc

bachelder

Bachelder Hautes Côtes De Beaune 2013, Ac Burgundy, France (445247, $27.95, WineAlign)

My sweet Beaune from Thomas Bachelder, as in sweet on the spontaneous haute ideal, not the cloying of residual imbalance. From a winemaker who lets his wines narrate themselves. Exemplary by George (well, Thomas) of a Beaune perfume with an underlay of acidity and tannin. No bitters here, nor astringent behaviour, nor harassment, which is nice. My sweet Beaune. Hm, my Beaune. Hm, my Beaune. Though a touch firm at present, a year ahead will see it come closer to hallelujah harmony. Drink 2017-2020.  Tasted July 2016  @Bachelder_wines  @BourgogneWines @vinsdebourgogne  @LiffordON

 

querciabella

Querciabella Chianti Classico 2013, Docg Tuscany, Italy (728816, $37.95, WineAlign)

Remarkable sangiovese so fleshy and forthright, modern and of an extreme brightness of being. There is an underlying Greve truth be told in moderation, tradition and historical meets varietal significance but it’s a new oration. This means that the structure is both sound and hermetically sealed. The lightness of volatility is a reminder of the past but it treads so delicately you just know this is a shining star pointing the way to the future. A brilliant “normale” without the the new slang of Gran Selezione but in many respects it may as well be. Drink 2018-2025.  Tasted July 2016  @Querciabella  @chianticlassico  @rogcowines

Fisticuffs Cabernet Sauvignon 2012, Napa Valley, California (457507, $49.95, WineAlign)

From Pavi Wines comes this study in hedonistic Napa Valley balance from out of a top-notch vintage. Ripe fruit and oak spice dance a simple cabernet sauvignon language with rope-a-dope drupe, right-handed acidity and a solid tannic left. A peremptory wine but its message is an assertion rather than a persuasion. Not a heavyweight by any means but behold the high-strung, svelte and agile middleweight. Possessive of the stuffing and the stamina to go a full fifteen rounds. Drink 2018-2022.  Tasted July 2016

flowers

Flowers Sonoma Coast Chardonnay 2014, Sonoma Coast, California (215210, $68.95, WineAlign)

A near perfect vintage after a mild winter was presented to shape this ripe gathering of increased extraction. Though the previous years pale in comparison, there can be no mistaking the load of impression. The causation supplied by extreme coastal vineyards with dramatic altitude stretches and elongates the fruit and so it is hard to get to know the oak. The bite is toothsome into great green apple, perfectly ripened grapefruit and a far eastern note of Indonesian sasak (snake) fruit. The materials and the handling are as one, from purchased coastal fruit to winemaker Dave Keatley’s acquiescent dispensation. Delicate fortitude from Sonoma. Where else before but here can chardonnay sire and develop such a family? Drink 2016-2022. Tasted July 2016  @FlowersWinery  @rogcowines  @sonomavintners

Two Hands Samantha’s Garden Shiraz 2013, Clare Valley, South Australia, Australia (67355, $71.95, WineAlign)

This is simply gorgeous shiraz from the Clare Valley. A wine of balance, precision and focus. It seems the wood regimen has been relaxed in welcoming retreat. On a rare occasion when a garden of flowers can bloom through despite so much fruit and an equal tempering by wood, well that is a joyous thing. The texture is woven from pure silk and the quality of the ganache painted with the finest brush. This never over soaks, runs roughshod or lays down the hammer. It is a fine-tuned shiraz of the highest esteem. Drink 2018-2030.  Tasted July 2016  @twohandswine  @bwwines  @Wine_Australia

Good to go!

Twitter: @mgodello

Instagram: mgodello

WineAlign

84May28

The Cabernets of the Judgement of Paris 1976

The Cabernets of the Judgement of Paris 1976

Some quotes about vanity.

“Vanity is my favourite sin.” (Al Pacino)

“The knowledge of yourself will preserve you from vanity.” (Miguel de Cervantes)

“Vanity is the healthiest thing in life.” (Karl Lagerfeld)

“How long shall your vain thoughts lodge within you?” (Jeremiah 4:14)

“When you have a lot of success you don’t need vanity any more.” (Amelie Nothomb)

The headline reads as a current VINTAGES vanity plate. Nothing shouts VANITY like the bi-weekly VINTAGES releases, that is unless you can read between the lines, seek out anti-narcissistic wines made with honesty, from and for success. The LCBO is full of itself, as it should be, because billions of dollars of revenue for the monopoly and the province is a favourite sin. The consumer can protect themselves by knowing themselves, their personal tastes and which wines will see to personal success.

The Judgement of Paris happened 40 years ago. VINTAGES celebrates seven players that not only participated but were granted instant celebrity. Now 40 years later, VINTAGES puts the legends back in the spotlight. I tasted all seven wines. Were I afforded sackfuls of cash I would gladly indulge in their collective vanity.

For full reviews on all the Judgement of Paris wines, please visit me at WineAlign

It is indeed healthy to be a winemaker, distributor, agent or retailer of self-assurance, to believe in a body of work or portfolio, to know that it represents quality and to flaunt it for the world to relish in its revelry. It is equally healthy to know humility, to create with impunity in knowing the confidence of fashion has resulted in the singularity of accomplishment. All the better when verecundity is found in a wine made by a big house.

Eight current releases speak to success, beyond vanity. My notes.

VV

Casal De Ventozela Loureiro Vinho Verde 2014, Portugal (445098, $14.95, WineAlign)

Loureiro from Villa Verde, grippy and mineral as it should be, marked by citrus, herbs and the slightest spark of CO2. This must have been prime, perfect in fact, in the wheelhouse even…six months ago. Still refreshing and yet savoury, nearly, though one step away from complex for the grape and a sense of place, from point A to B. Drink 2016.  Tasted May 2016    @LeSommelierWine  @vinhosverdes  @VinhoVerdeCA  @wines_portugal  @winesportugalCA

Rafael

Tommasi Rafael Valpolicella Classico Superiore 2013, Veneto, Italy (23259, $18.95, WineAlign)

The Rafael is an honest, purposed product culled from what such endemic grapes together with wood will combine for perfectly typical effect. Here the package is respectfully lithe and speaks of what Valpolicella may once have righteously been, should still and can eminently be. Fresh, wound tart, amenable and easy to love. Yes, please. Drink 2016-2019.  Tasted May 2016  @Tommasiwine  @UNIVINS  @C_Valpolicella

Benmarco

Benmarco Malbec 2013, Unfined And Unfiltered, Uco Valley, Argentina (657601, $17.95, WineAlign)

Clearly ripe and ripping like so many malbec brethren and sistren but at 3,000 feet of Vistaflores altitude the Benmarco delivers an extra level of ratcheted intensity, especially at $18. Extreme aromatics, of black, blue and boysenberry fruit are bigger than the oak, the soil and the malbec genre. This is the best Benmarco since the formidable 2002, a wine that still drinks well today. Drink 2016-2028.  Tasted May 2016  @sbalbowines  @ProfileWineGrp  @winesofarg  @ArgentinaWineCA

Tobia

Tobía Selección Crianza 2010, Rioja, Spain (364828, $21.95, WineAlign)

Most righteous Rioja, dusty and leathery but fresh, vibrant and alive. Terrifically rich palate, full of strawberry, liquorice and pastis. Acidity is all over the fruit, enveloping and then a short pause ensues, followed by the caressing tannins. There is more than a Crianza mouthful of wine in here. Wait one or two and then watch this turn over and over for the next 10 years. Drink 2017-2026.  Tasted May 2016   @_La_Rioja  @RiojaWine_ES

Viticcio Chianti Classico 2012, Docg Tuscany, Italy (283580, $22.95, WineAlign)

A Chianti Classico with a foot in two worlds, the traditional (Greve) and the modern. The tart red berries are sour to nose and to taste but it’s the kind of sour that reels you in and gets you too beg for more. The level of clean, fresh lees is very 2013, something that Chianti Classico needs more of. Dry extract and tannin are spot on for the overall intent. Drink 2016-2020.  Tasted May 2016     @chianticlassico  @MajesticWineInc

Megalomaniac Big Mouth Merlot 2012, VQA Niagara Peninsula, Ontario (67645, $24.95, WineAlign)

Big mouth strikes again, with phenolic ripeness set against stinging nettle greens from out of the warmth in 2012 Niagara. “Sweetness, sweetness I was only joking.” Plums turning into prunes and back again, of fruit not sure if its coming in or heading out the door. Hanging in like Morrissey at a Smiths reunion concert. Drink 2016-2018.  Tasted May 2016  @MegalomaniacJHC

Heitz Chardonnay 2014, Napa Valley, California (205500, $49.95, WineAlign)

When the Napa Valley name Heitz is mentioned it is Cabernet Sauvignon that comes to most minds, 99 per cent of the time. Chardonnay is a Heitz thing, dating back to 1961. The 2014 rendition is the iron fist-velvet glove version of classic Napa Valley (usually reserved for Cabernet Sauvignon allusion). This is quite a rich and variegated Chardonnay full of typically warm Napa sunshine but it’s also a study in barrel restraint and judgement. The flavours are loaded with citrus, compressed and taut. Wound tighter than a wire around a boat winch, this just needs some time to settle in. Drink 2018-2021.  Tasted May 2016    @NapaVintners  @CalifWines_CA

Judgement of Paris Chardonnay

Judgement of Paris Chardonnay

Ridge Vineyards Monte Bello 2013, Santa Cruz Mountains, California (405332, $191.95, WineAlign)

From a serious drought vintage, dry, warm and demanding, the 2013 Montebello’s Draper perfume is as heady as ever, to such effect that after one whiff this is where daydreaming takes over consciousness. Montebello gets inside the head, with allegory, radio frequency waves and platonic thought, as if inside a cave. An 80 per cent Cabernet Sauvignon, Petit Verdot (8), Cabernet Franc (7) and Merlot (5) classic, lithe and restrained blend of sheer, utter exceptionality. The balance in 2013 is impeccable but dont be fooled into thinking this is not a big wine. The acidity is dramatic, the tannins fine and demanding and the amount of pure extract whorled and revelling. All in dark red fruit and a coolness through the mid-palate that threads like silk through fine stainless steel fibre. “This goes beyond me, beyond you.” Drink 2018-2030.  Tasted May 2016  @RidgeVineyards  @rogcowines  @CalifWines_CA

Good to go!

Twitter: @mgodello

Instagram: mgodello

WineAlign

Facebook

On tasting blind and VINTAGES April 30th

"Every time I look at you I go blind." #timetotaste @WineAlign

“Every time I look at you I go blind.” #timetotaste @WineAlign

Saturday will bring forth yet another LCBO Ontario VINTAGES release. Every other Friday (and most Tuesdays) I taste through them, along with my colleagues at WineAlign (David Lawrason, John Szabo M.S. and Sara d’Amato), as well as a dozen or more multifarious and multi-motley wine writers. The wines and spirits are laid out with Warsaw Pact jibing intendment and we plod through, free as birds, privy with full disclosure for what we are assembled to inspect.

Related – Heading out for the west coast

At WineAlign David, John, Sara, Steve Thurlow and I spend quality time with LCBO and/or VINTAGES destined products but we do so with wine-apprisement obliquity. When we arrive at the office and sit down to taste we are met with bottles covered with aluminum foil. We taste blind. Not completely mind you. A spreadsheet tells us the varietal(s) and region/country of origin. I too wonder if this can be truly be considered tasting blind.

The debate chases down critics and systems of evaluation with dogged persistence. Should wine be judged without any prior knowledge or preconceived notion about what’s in the glass? Must a tasting be conducted blind for a critic to objectively dispense an unbiased, unswayed and uninfluenced assessment of a wine?

The short answer is yes. Wine competitions are conducted blind, with only the varietal and perhaps place of origin as the sole bits of information with which to go on. The understanding is that if there are medals to be doled out, picking winners must be done with prejudice and favouritism set deliberately aside. But the wringer runs deeper. By definition, should any information be available at all?

Blinds

To blind or not to blind, that is the question

As for grapes, a Gamay should be judged against other Gamays and so a critic may as well know that the flight is filled with nothing but Gamay. Mixing varietals within a flight distorts the playing field and skews the results. Place of origin is more complicated. While it is helpful to know where a wine hails from so that it may get a fair shake against competitors or peers composed of the same grape, that seemingly insignificant bit of information adds bias to the process. At the WineAlign Wine Awards of Canada the region is not pre-disclosed, except that the judges know that all the wines come from Canada. In competitions involving wines from around the world the regions are also excluded. Only the grape and price range is mentioned. Shouldn’t we do the same for all blind tastings? In fact, the bias of price might also be avoided.

I don’t know what it is

Something in me just won’t give it a chance

I think it’s just that I feel more confused by the deal

The tougher question is whether we as critics should be tasting all wines blind, all the time, or at least whenever possible. That is to say, whenever investigations are being processed for the purpose of publishing tasting notes and perhaps more importantly, assigning scores or ratings. Who does not believe that wine must be tasted without any assistance from marketing, pedigree and prior experience? The devil’s advocate approach would declare it unfair to so many honest wines to not be given credit for many years of hard work and success. Why should a wine with a longstanding reputation for excellence have to begin again in every vintage just to prove itself? The rub I feel, is there.

I think it’s that because I have seen all the fuss

And it’s no big deal

The following 11 recommendations from the VINTAGES April 30th release were not tasted blind. They succeed because they are honest, well-made and accurate representations of varietal and place. I am confident they would all fare just as well had they been assessed without knowing what they were. Good wine has a habit of finding its way into a taster’s heart, blind, or not.

Mcguigan Bin 9000 Semillon 2015, Hunter Valley, New South Wales, Australia (444554, $14.95, WineAlign)

Distinguishes itself for the Hunter Valley oeuvre with impossibly pale yet rich and stark-dressed fruit. More fruity than most and so nearly, just on the cusp of getable at such a young age. A terrific example to gain entry into the valley’s great white varietal hope while waiting for the serious crew to open the doors to their longevity-accrued perceptions. Takes one for the team with bells ringing and whistles blowing. It will drink well for five years and just develop a bit of that aged Semillon character near the end of the fruit line. Drink 2016-2020.  Tasted April 2016  @mcguiganwines  @Wine_Australia  @ChartonHobbs

Featherstone Black Sheep Riesling 2015, VQA Niagara Peninsula, Ontario (80234, $16.95, WineAlign)

Impressively expressive early to market 2015 Riesling, off-dry, partially pungent and markedly concentrated. The Black Sheep always smells and tastes like this; fifty-fifty fruit to mineral, concentrated and sweet from ripe extract and tannin. Whether you are an expert or a newbie to Niagara Peninsula Riesling, the Black Sheep is guaranteed. Drink 2016-2020.  Tasted April 2016  @featherstonewne

El Maestro Sierra Pedro Ximénez Sherry, Do Jerez, Spain (451468, $17.95, WineAlign)

Now. We. Are. Talking. Vino dulce natural of quite reasonably low alcohol and extreme elevated unction. Nutty and full of dried apricots, sweeter than some but really well balanced. Dessert all by itself with just enough acidity. Tart and tight, nuts again, spice and marzipan. Really tricks the tongue and pricks the senses. Sweet. Drink 2016-2018.  Tasted April 2016  @MaestroSierra  @TFBrands

Montes Outer Limits Sauvignon Blanc Zapallar Vineyard 2015, Aconcagua Valley, Chile (389643, $19.95, WineAlign)

This is an exciting hyperbole of Chile, a Sauvignon Blanc from the coast with wild flavours and singing aromatics. An inwardly deliciousness SB filled from within by a lactic streak and an exceptionally reserved tartness. Great length. So different, so new, so exciting. If it’s a bit warm and perhaps higher than alcohol than it notes, so be it. It has real vitality. Job well done with this newly directed Montes. Drink 2016-2020.  Tasted April 2016  @MontesWines  @WinesofChile  @DrinkChile  @ProfileWineGrp

Wildass

Stratus Vineyards Wildass Red 2012, VQA Niagara On The Lake, Ontario (86363, $19.95, WineAlign)

It would be hard to figure any sub-$20 red Ontario blend showing a deeper sense of ripeness, wood intent, sinew, cure, triturate resin and dry barbecue rub – than this Stratus ’12. It’s a bit of a head scratching, game-changing meritage, altering the course for $20 red blends forever. At the risk of forming comparisons, it puts me in mind of other places, like Roussillon, Campania and Navarra. It has coal running through its arteries and tonic spewing out of its fountains. Wild my ass? Yes. Drink 2015-2019. Tasted September 2015  @StratusWines

13th Street Gamay Noir 2013, VQA Niagara Peninsula, Ontario (177824, $19.95, WineAlign)

Four months has upped the funk for ’13, with tar and bitters still and thick as summer air. Rich and ripe, notable for its black cherry aroma and that J.P. Colas natural truncation. Unique, as always and very Gamay. Drink 2015-2019.

From my earlier note of December 2014:

Fruit was sourced from both the Sandstone and Whitty Vineyards for 13th Street’s Gamay Noir, a focused and gritty adjunct in ode to the Cru Beaujolais approach. This ’13 raises the aromatic and texture bar and just may be the most striking from a 13th Street estate mix. All the important berries are there, as are the mineral quandaries. In a Gamay moment this will lead you to gulp and giggle with #GoGamayGo delight.

Last tasted April and Sepetember 2015, April 2016  @13thStreetWines  @Noble_Estates

Chianti

Tenuta Di Capraia Chianti Classico 2013, Docg Tuscany, Italy (135277, $21.95, WineAlign)

Extreme freshness, ripe red fruit and ripping acidity in such a young Chianti Classico. Possessive of an underlying mineral and dry tannic structure with such correct use of older oak and kept clean under the threshold of over-modernising alcohol. This reeks of some whole cluster work and tastes of the soil though never in any funky way. It’s extreme purity and cleanliness is second to none. This will last for longer than imagined. Drink 2016-2023.  Tasted April 2016    @chianticlassico  @ProfileWineGrp

Jeremy Dineen of Josef Chromy Wines, Tasmania

Jeremy Dineen of Josef Chromy Wines, Tasmania

Josef Chromy Chardonnay ‘Pepik’ 2014, Tasmania, Australia (378240, $22.95, WineAlign)

Combines beauty and bitters for a streak of natural selection through a field of texture. Heads for the cream risen to the top of rich, pulls over and steps aside to allow for a crunch of green apple. The bite is real, lit by match and cut with spice. Great length. Drink 2015-2020.  Tasted July 2015  @JosefChromy  @bwwines

Grendel

De Grendel Shiraz 2013, Wo Coastal Region, Durbanville, Coastal Region, South Africa (174557, $24.95, WineAlign)

Strapping, youthful, dark as night Cape of Good Hope Shiraz, full of rich beginnings, soil reduction and barrel imaging. Vivid off the charts, rich red fruit, mineral undercurrent, wreaths of floral tethering and a rip tide riding rolling waves of cape intensity. Quite wow. Crazy good value. Drink 2018-2025.  Tasted April 2016  @degrendelwines  @WOSA_ZA  @WOSACanada  @imbibersreport

Vincent Mothe Chablis 2014, Ac Burgundy, France (390468, $26.95, WineAlign)

Perfectly pretty little village Chablis, flinty, lemon piercing and pouring like crystal clear, tiny drops of rain. Chardonnay on needles and pins, a white scintillant with tart berries, tannin and extra layers of dry extract. Terrific for so many reasons and with every reason to pair and to believe. While others moan “I been meek and hard like an oak,” with a glass of the Mothe I am blessed with “buckets of moonbeams in my hand.” If this were $20 it would be right up there with best ever. Close enough. This is a perfect example of why everyone should drink Chablis. Drink 2016-2019.  Tasted April 2016    @BIVBChablis  @bourgognespress  @BourgogneWines

Crawford

Kim Crawford Small Parcels Corner 50 Vineyard Merlot/Cabernet 2013, Hawkes Bay, North Island, Marlborough, New Zealand (447433, $29.95, WineAlign)

Made from fruit grown in the Corner 50 vineyard located in the Bridge Pa Triangle wine district on the western side of the Heretaunga Plains of Hawke’s Bay. Diverse soils of Ngatarawa Gravels, Takapau Silty-loam (free draining red metal of mixed alluvial and volcanic origin) work towards a Bordeaux kind of varietal character and charm. Red recreational fruit and ripe, ropey acidity interact together in this very spirited North Island red. A Hawke’s Bay beauty with vivid and spirited energy. The oak is still very much in play but in no way on top. The cake factor is very low, the lushness happening in texture though not on the level of plush. Really good effort. Drink 2016-2018.  Tasted April 2016  @kimcrawfordwine @CBrandsCareers  @nzwine  @NZwineCanada

Norman Hardie Niagara Unfiltered Chardonnay 2014, VQA Niagara Peninsula, Ontario (184432, $39.00, WineAlign)

It’s hard not to compare Norman Hardie’s Niagara Chardonnay side by side with his County-grown and produced estate counterpart but also with other top end Niagara bottles. The fruit he sources from Duarte Oliveira’s Beamsville Bench farm offers the first leg up. The reductive and minimalist handling style is the second piece of the impossibility puzzle. Though not as closed as some in the past, freshness has never been so bright. The slow Hardie Chard evolution and painstaking road to malolactic could result in perdition but miraculously never does. The cumulative culled from out of patience leads to a reward in near perfect textural deference and defiance. The 12.2 per cent declaration of alcohol is exemplary though it could hardly cross the 11.5 threshold if it wanted to or tried. Chardonnay left alone, to find its way, fend for itself, unstirred, unassailed and deft above or beyond reproach. Enjoy a Hardie Niagara Chardonnay in its early youth. They are not meant to be stashed away forever. Drink 2017-2021.  Tasted April 2016  @normhardie

Trapiche Terroir Series Malbec Finca Ambrosia 2010, Single Vineyard, Mendoza, Argentina (402941, $39.95, WineAlign)

The pitchiest Malbec of dark black fruit, weight and substance. Really ambrosial, a thick swath of berry, wood and tannin. This Malbec can run with the players any day of the week. Structurally sound and massive, fully, completely accomplished and offering much reward. There is a resinous, cedar and briar note of amalgamation and complexity. It will take three or more years to bring all the exceptional components together. Drink 2019-2024.  Tasted April 2016  @TrapicheWines  @winesofarg  @ArgentinaWineCA

Good to go!

Twitter: @mgodello

Instagram: mgodello

WineAlign

Facebook