Synchronicity in three terroirs

Grapes

On Bachelder’s choice of grapes: “The great thing about making Pinot and Chardonnay is they take 16 months so you have to leave them alone, go away and let them be.”
Photo: PAO joke/Fotolia.com

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Thomas Bachelder is a quote sprinkler. Like this: “It’s not because you can’t tell something blind that it doesn’t exist.” On Monday, February 10th, the Quebec native courted and mesmerized a room of 50 Ontario Wine Society members, guests and wine writers at the University of Toronto’s Faculty Club. If there is another winemaker’s brain that can dish out dissertations with gifted, hypnotic babble like Bachelder, I’ve yet to hear it. All so unbelievable and believable at the same time. Whatever the former Le Clos Jordanne and Lemelson winemaker is selling, I’m buying.

I would crawl up any staircase, rearrange busy schedules and mobilize the troops to taste the wines of Thomas Bachelder. So, when the call came from OWS President Ken Burford to join Bachelder and partner Mary Delaney for another tasting of the Bachelder Project, mobilize I did.

For a brief history on the Burgundy, Oregon and Niagara terroirist, check out my November 2013 tasting report, with thanks again to Tony Aspler.

Related – Vineyards, winemakers and their sense of place: Bachelder and Leaning Post

The nine-deep tasting focused on the 2011 vintage, with one (2010) exception. While it was not a perfect storm of the entire (15 wine) Bachelder portfolio, it was a pretty damn good attempt. It’s hard to believe that a Canadian citizen who happens to make wine in three countries is forbidden to hoard enough of his own wines to conduct tastings at his leisure. Canadian cross-border restrictions meant Bachelder had to deliver his Oregons to a New York post office box and then carry them across at Fort Erie. Imagine the scenario. Customs officer: “What are the wines for?” Bachelder: “I am the winemaker and they are for a tasting in Toronto and for my cellar.” Beyond absurd. The rest were sourced from SAQ and LCBO stores scattered about the two provinces.

The serendipity and synchronicity of the three winemaking regions has meant the stars have aligned in Bachelder’s favour. These tastings simply write themselves. The year 2010 was warm in Burgundy, Oregon and Niagara, classic in 2011 and in 2012 warm again. The 2013 vintage looks to be another trifecta classic. “If the wines are all of a similar weight, you can really see each country’s terroir for what it is.”

Ontario Wine Society Bachelder Tasting

Ontario Wine Society Bachelder Tasting

“Burgundy is my favourite place to make wine,” admits the flying vintner. ”I’m not ashamed to say that (in a room full of Ontario Wine Society members) it’s exciting to be tasting wines from other places.”

On Pinot Noir: “If you push too hard and try to make that darker Pinot, you lose elegance.  You can’t try to make a hot vintage an elegant one. You have to live with it.”

On Niagara: “Are we still prejudiced against Ontario wines? If you are standing in a store with Oregon, Niagara and Burgundy in front of you and $50 in your pocket, what are you going to choose? No one ever passes a $50 Burgundy my way because I look like a nice guy.”

On barrel aging: “It’s not about the oak flavour, it’s about the texture. That’s aging Chardonnay in oak. What’s happening in the barrel is a reduction sauce, a demi-glace, sucking the moisture out of the wine. Humidity leaves the wine and the alcohol stays. It’s a permeability stage, in the fight against residual sugar and low acids, which are poison to balance.”

On his choice of grapes: “The great thing about making Pinot and Chardonnay is they take 16 months so you have to leave them alone, go away and let them be.”

On Stelvin (screwcap) vs cork, he avoids the question and says it’s the bottle with the thick neck he wants, the one that pours with ceremony.

1,500 cases is just about the maximum Bachelder intends to make in each of the three regions. On expansion: “There’s only so much you can do in a person’s cellar without them saying what the hell are you doing here.” These refreshed tasting notes are transcribed in the prescribed order poured by Bachelder and though I’m still not sure of the method behind the line-up’s madness, call me crazy if I wasn’t transfixed.

From left: Chardonnay Classique Niagara 2011, Pinot Noir Oregon 2011, and Chardonnay Oregon 2011

Chardonnay Classique Niagara 2011, VQA Niagara Peninsula, Ontario (302083, $29.95, SAQ 11873721, $29.95, WineAlign)

From three blocks, Wismer, Saunders and Wismer-Foxcroft. Has gained fleshy weight and waxy polish in three short months, despite the tightness of the vintage. Juicier now, with zest akin to Clementine. Should this upward trend continue, cool down often and always with this exemplary Niagara Chardonnay. From my earlier November 2013 note: “Lean and mean Niagaran, in a hue and a style that brings Burgundy to mind. Comblanchien layers of limestone salinity, like a villages from Côte de Beaune. Tang, pine forest, Warheads sour candy and just a hint of the barrel but you know it’s there. A simple, Chuck Berry three chord arrangement. “I was anxious to tell her the way I feel,” even if I had no particular place to go.”  90

Pinot Noir Oregon 2011, Willamette Valley, Oregon, USA  (333278, $34.95, WineAlign)

On a night like this Bachelder’s recently gravelly Oregon Pinot ’11 seems to have shed its tough outer layer. Signals the evolutionary advance with a Parliament Cordell Boogie Mosson space bass note, which then blows quickly away. The wine exudes spirited cherries, Barbarescish tar and duly scented rose. Thomas notes that Burgundy should be the reference point though it does not specifically emulate Chambolle-Musigny. Built of a specific Oregon mindset but with a broad inter-connectivity to Bachelder’s other terroirs, especially considering the 2011 vintage kismet between the mothership convention of Niagara, Oregon and Burgundy. Thomas describes this Pinot as, “just shy of perfect ripeness, but not green, which is a perfect indicator of terroir.” She is perhaps advancing quickly. Is she too beautiful.? From my earlier September 2013 note:  “Bleeds Willamette terroir. Punctiliously phenolic from marine sediment and seemingly obvious early-ripening. Provocative in ruby, sugar-sour cranberry meets redolent raspberry. Chalky, tannic and serious. It’s tough on me right now. Come on Thomas, would ya please lighten up? I don’t want to have to wait to drink the first case.” 90

Pernand Vergelesses 1er Cru ‘La Creux De La Net’ 2011, Burgundy, France (SAQ 12089524, $38.50, WineAlign)

A metallurgical slant this time around and iodine, though sweet, like a geologist’s preferred cocktail. The palette is Rothko maroon and in cohorts with what is ascertained by the palate, scheme fruits and hearts both red and black.  From my earlier November 2013 note: “Has the sense to be subtle, effortless and akin to Chambolle. Not so much openly ripe fruit but more the flowers that come before. Cherries dabbed by a citrus fragrance, or the spritz of squeezed zest and an unusually smoky musk. Insinuates new world (think Oregon) though it tells a rubble tale of its limestone slope climat.” 90 

Pinot Noir Lowrey Vineyard 2011, VQA St. David’s Bench, Niagara Peninsula, Ontario (361816, $44.95, WineAlign)

Legerdemain from what must be posited as a parcel capable of proliferating the richest and most structured Niagara Pinot Noir. Remarkable purity out of this magic vineyard, lissome tannins and an unmistakeable blooming rose note here now, fragrant like never before. Yet unknown but very known vineyard, especially if you have also made the acquaintance of Five Rows and Leaning Post. Peerless local Valentine’s Pinot. From my earlier October 2013 note: ”Springs eternal from an ocean of cranberry and an island of spice. The somewhereness of this St. David’s vineyard can’t be denied, and in the hands of Thomas Bachelder the extraordinary happens. I am simply blinded by the light, by the weight and the weightless gravity. By a sweetness that just isn’t sweet, like exotic red fruit that knocks you sideways upside the cerebral cortex. Not to mention an iron madness that “plays that song with the funky break.”  94

Pinot Noir Johnson Vineyard 2011, Willamette Valley, Oregon, USA (SAQ, 12065338, $44.25, WineAlign)

Devastating underestimation on my part when first sampled back in November. How could I have been so blind to the depth, density and irresistible pastry chef layering. The Bachelder Chardonnay may be the stuff of demi-glace but the Pinot is so much more a thing of chemistry. A wall of sound, of no moving parts, with no separation and if an astringency was ever there, it has since departed.  Since November, this has improved more than any other wine in the room. From my earlier November 2013 note: “Here there wafts an increased “blister in the sun,” more terroir from a tight vintage full of pumped over tannins. An accented aromatic membrane envelops this Johnson, of orange zest and studded rind, in violet tendency, with more flesh. Even if she speaks in Frainc-Comtou dialect when she walks through the door, she walks out distinctly Oregonian singing as a Violent Femme. Pure and clean up front, she builds, then leaves a trail of tangy fruit behind. Tangled web of Pinot.  93 

Chardonnay Oregon 2011, Willamette Valley, Oregon, USA (273334, $29.95,  SAQ, 11845359, $29.95, WineAlign)

Yet another three months later re-taste to show Bachelder’s Oregon terroir may be the most difficult to assess in its infancy. This short slumber has changed everything. Oregon distinction, smell it, commit it to memory and you’ll never forget it. “Picture yourself staring at a loved one in a restaurant,” says Thomas. “Would you be able to pick this out as Chardonnay?” Some ciderish activity, from sedimentary and volcanic soils that used to mingle with ocean waters, give this a sea salt and fossilized lava stillness. More buttery (dare I say, popcorn) goodness than the rest. And restrained tang. And length. Wow.  From my earlier November 2013 note: While Burgundian in hopes and dreams, this is very much a $29 Oregon white.  No mask, no hidden altruism, simply the right Chardonnay for the right price. Bone dry, orchard driven, high acid, void of harmful terpenes. There is a salinity and piquancy not influenced by PH, perhaps by the ocean, by sandstone, but regardless it’s unique to place, unlike Niagara, Prince Edward County, or for that matter Burgundy.”  91

 From left: Chardonnay Saunders Vineyard 2011, Chardonnay Wismer Vineyard 2011, and Bourgogne Chardonnay 2010

Chardonnay Saunders Vineyard 2011, VQA Beamsville Bench, Niagara Peninsula, Ontario  (324103, $44.95, WineAlign)

Saunders is quiet right now, in cool waiting and in display of the most elegance I’ve encountered from any Bachelder Chard, at anytime, anywhere. Background spice, backing vocals are in the isolated spotlight. This I am keying on as much as any note, in any wine here tonight. Not giving it up as easy as before. Extra swirl time required. Will re-visit in the summer. Right, Thomas? From my earlier July and November 2013 notes: “From Beamsville, right beside 30 bench, has a texture, a depth and a mouth feel  in ’11 that bounds and leaps towards the ethereal. A dancing stag, displaying, performing a mating ritual dance.  Melons, ripe and fleshy are in this Saunders. “What’s carrying this wine is site, site and site.” A great clay slice of the Beamsville Bench. From my earlier note: ”Takes the baton from Wismer ’10 in a transfer of power, tension and excitement. Clarity of textural fruit is driven by Beamsville Bench clay-silt soil. Highly dependent on yeast chains, sticking, spreading and expanding. Savoury, buttered stones show negligible encumbrance due to vines that will not carry an excess of new oak.”  93

Chardonnay Wismer Vineyard 2011, VQA Twenty Mile Bench, Niagara Peninsula, Ontario (345819, $44.95, SAQ 12089591, $44.95, WineAlign)

Increased richesse and oomph and though I continue to hesitate to admit it, Saunders is the (Jackson Browne) elegant bottling in ’11. Wismer the (Warren Zevon) gregarious, mineral character werewolf of Niagara, what with its a touch of anxiety, fuller texture and “bite down…draw blood!” From my earlier November 2013 note: “From the Wingfield Block within the 20 Mile Bench grand cru vineyard, ’11 Wismer is greener, in apple and sapid behaviour. The tension is palpable, quarryful, querulous, more calciferous. Fruit here is picked at an altitude as high as the lowest part of Flat Rock’s vineyard. Can a spot be pinpointed, anywhere on the peninsula that produces more piercing Chardonnay in 2011 as this Wismer micro-block?”  91 

Bourgogne Chardonnay 2010, Burgundy, France (272005, $29.95, WineAlign)

Bathed in medicinal permeate, a white rose mingling with marigold floral tone. Waves the hot flag of the vintage draped like a humid blanket over the wholly palatable, imbued netherweave, mineral tang. Still the omnipresent Bachelder acidity tempers the heat. It’s not oxygen on the nose, it’s more carbonic, oleaginous too, with a solar aromatic, malolactic presentation that gives this Chardonnay soft, stable, holistic age. Qualities unique to Puligny and Mâconnais.  90  

Good to go!

A wine pentathlon

Casa Loma in Toronto PHOTO: ALISONHANCOCK/FOTOLIA.COM

as seen on canada.com

Wake up and smell the grapes. Put those lame excuses on the shelf and get over yourself. Time to cease and desist the dissing and dismissing of Ontario wine. I used to be like you but now I participate any chance I get, by invitation or by uncorking at dinner, to sample, savour and immerse myself in Canadian and more specifically, Ontario wine.

“5-Star” at Casa Loma (Photos: Michael Godel)

I was there when thirty wineries from The Niagara Peninsula, Prince Edward County and Lake Erie North Shore regions were assembled on Wednesday, April 10th, 2013 in Toronto’s Casa Loma by The Ontario Wine Society. No fewer than 127 wines (plus a few under the table ringers here and there) were poured at the “5-star” event that focused on the signature, cool-climate varieties produced in Ontario. Sparkling wines shared company with Chardonnay, Pinot Noir, Riesling and Cabernet Franc. I loved the pentalpha conceptualization, realized by a narrowing of the field to a focus of five. Working endurance wine tastings tugs on the olfactory and taste bud strings, demanding maximum mettle, so this was a welcome format.

The Ontario Wine Society is a necessary and viable provincial institution. The not-for-profit society was formed in 1991 and continues its mandate to discover, appreciate and support local wines. The industry knows to thank and give back to the OWS and other organizations who likewise set out complimentary mandates to champion local greatness. Like the VQA leader with respect to growth and sustainability Wine Council of Ontario (WCO) and the oenological education leader Cool Climate, Viticulture and Oenology Institute (CCOVI) at Brock University, the OWS is all about championing greatness stemming from our vineyards.

Shout out goes to OWS President Ken Burford and Vice-President Sadie Darby for orchestrating the oeno-pentathlon. The feat was neither small, nor insignificant. The local tastings ramp up in a big way in April and May with events like County in the City,  County CharacterCounty Terroir, The Niagara Food and Wine Expo and culminating in June with the inaugural National Wine Awards of Canada (formerly the Canadian Wine Awards) presented by Wine Align.

From left: Flat Rock Cellars 2008, Southbrook Vineyards Triomphe Chardonnay 2011, Stanners Pinot Noir 2010, Vineland Estates Elevation Riesling 2008, and Tawse Cabernet Franc Van Bers Vineyard 2009

Many of the wines presented had been previously reviewed so with such a big line-up to get through I did not always re-taste, including the following:

Rosewood Estates Natalie’s Süssreserve Riesling 2010 (258806, $14.95) 88

Flat Rock Cellars 2008 Riddled ($24.95) 87

Green Lane Old Vines Riesling 2010 (283432, $29.95) 91

Bachelder Saunders Vineyard Chardonnay 2010 (324103, $44.95) 91

Coyote’s Run Estate Winery Rare Vintage Pinot Noir 2010 ($44.95) 91

Here are eight highlights from the OWS Casa Loma tasting, to the tune of Riesling, Chardonnay, Cabernet Franc and Pinot Noir.

Southbrook Vineyards Triomphe Chardonnay 2011 ($21.95, 172338) binds FSO2 with jack or durian, febrile fruit. For now hard to figure, like a grey rose or a Pink Floyd. Offers up a creamy warmth in resonant echoes but amplified as if still trapped inside the barrel. The best days remain ahead for this certified and biodynamic Chardonnay, which in two to three years time will “come streaming in on sunlight wings.” 89  @SouthbrookWine

Tawse Riesling Quarry Road Vineyard 2012 ($23.95, winery only) picks up where the piercing ’11 left off and should be enjoyed in near time while that prototypical QRV fleshes out. This vintage is all about the here and now, citrus bright, immediately inviting, a slice of limstone pie with clay icing. While some age on Riesling is certainly and always welcome, this one begs to be looked at in the present. 90 @Tawse_Winery  @DanielatTawse

Lighthall Vineyard Chardonnay 2010 ($25, winery only) has that crazed look in its eye, as does vintner Glenn Symons when he talks about it, knowing full well this Prince Edward County juice is a bursting and rising, rocket launching supernova. Steely like Chablis, sharp and shimmering in defiance to the heat of the vintage, the LVC is a dartle to the collective consciousness of the County. Startling revelation. It’s all about the rocks. 91  @lighthallvyard

Lighthall Vineyard wines

Stanners Pinot Noir 2010 ($30, winery only) combines 60% (horizontal) County fruit with 40 per cent (vertical) Niagara (Lincoln Lakeshore) grapes in balance and with finesse. Simply apply the distance formula to figure out the length of the hypotenuse. Bridging the kilometres that lie between, though inadmissible to some, comes by way of a deft winemaker’s vision and touch. Plum good, mineral rich and perceptibly tannic without breaching a threshold of varnish. Cherry toffee speaks of the sunshine and indicates time is of the essence. Will look forward to full-on County issue for 2013 in the hands of Cliff and Colin Stanners. 89  @StannersWines

Vineland Estates Elevation Riesling 2008 ($30, winery only) poured as a youthful and “hello” pleasant surprise though it’s just beginning to display secondary character. Has shed its CO2 ferment skin without compromising the inherent citrus zest. Nectar lit by just emerging perky propellant and the ubiquitous, underlying of St. Urban’s stones all combine forces to a life of amarita. All this to make believe 2028 will be just another year in its evolution. 92  @VinelandEstates  @benchwineguy

Flat Rock Cellars Gravity Pinot Noir 2010 ($30, 1560winery) reels in Twenty Mile Bench fruit in a warm vintage as well if not better than any of its peers. Founder Ed Madronich is clearly slope and soil obsessed and this Pinot Noir is a study in topography and geology. To paraphrase Madronich, it’s  “more Pommard than Volnay, in a deeper and more masculine way than the Estate bottling.” Pinot barrels most representative of the Gravity style were chosen for the final blend, in this case noted by woodsy black cherry and spiced root vegetable. “Get a little savagery in your life.” 90   @Winemakersboots  @UnfilteredEd

Hidden Bench Estate Pinot Noir 2010 ($38, winery only) takes my previous impressions to a higher plane. Standing correct by calling it a “a vintage relative release” but it’s so much more than “a quaffable, generous fruit sui generis.” Beets turn into plums. Opaque hue reminds of graceful Nebbiolo with a dancer’s legs in aperture. Wins in judicious use of French wood. Tannins persist in the rear-view mirror. Big ’10 that speaks of another level in Beamsville Pinot Noir. “Think about it, there must be higher love.” 91  @HiddenBench  @BenchVigneron 

Tawse Cabernet Franc Van Bers Vineyard 2009 ($49.95, winery only) from the Creek Shores Appellation is proof that a well rounded grape has no point. The Van Bers is winemaker Paul Pender’s purlieu, edgy, outlying, unconcerned with the norm or the banal. Makes full use of a cool vintage with heart-stopping acidity and eye-popping verve but not without delivering Soul, in the form of flowers and a fruit basket to your doorstep. “It’s like thunder and lightning.” Capers, camphor and a knock on wood add R & B complexity. 91  @Paul_Pender

Good to go!