En route to Mondavi

Godello at Mondavi, February 2016 @CalifWines_CA @CBrandsCareers

I’m feeling a Mondavi shiver and a To Kalon shimmer coming on. Another anticipatory Mondavi experience is looming, a next week return venture to the iconic and archetypal Napa Valley winery. This will be my third deep delve into the wines of Robert Mondavi spread out over the past 15 months, after a February 2016 California visit and a June VINTAGES 50th Anniversary structured tasting and dinner. I thought it might be me that was the one getting around but clearly it’s the other way around.

THIS VINEYARD STOOD HEAD AND

SHOULDERS ABOVE THOSE AROUND IT

“The extraordinary quality of this wine originates in Napa Valley’s generous terroir. When I taste this, I’m reminded why Cabernet Sauvignon is the varietal on which Robert Mondavi built his reputation.” These are the comments of Genevieve Janssens, Director of Winemaking. I’d hedge my bets that Fumé Blanc should also fall under the auspicious umbrella of such a statement. Mondavi turned the ideal into copyright and it should be argued that Napa Valley Sauvignon Blanc would not be where it is today without the farming, research and development put in by generations of the Mondavi team.

Mondavi @CalifWines_CA @CBrandsCareers — at Robert Mondavi Vineyard.

No matter the varietal, the To Kalon Vineyard is where it all stems from, the rib from which the eponymous winery was born and the subsequent 50 years of wines that have comes from those storied vines. In 1966 Mondavi chose To Kalon as the epicentre of what would turn out to be a great big winemaking universe. “It was a vineyard with a distinguished history and a magical nature, ” he wrote. “Ideal soils, sunlight and rain – to my eye, the vineyard was a treasure.” Five decades of Fumé Blanc have sprung, along with more than a hundred renditions of Cabernet Sauvignon.

During that February 2016 visit we tasted through Napa, Oakville and Reserve Fumé Blanc and Cabernet Sauvignon. Carneros Pinot Noir and To Kalon Vineyard bottles were poured in the Margarit Mondavi Vineyard Room at dinner prepared by Chef Jeff Mosher, including the 1998 Cabernet Sauvignon Reserve.

Lorenzo Loseto predeliction @georgeonqueen Lobster, asparagus, quinoa, brioche #umami

Last June Mark De Vere MW led a masterclass in celebration of Mondavi’s 50th anniversary. The line up was outstanding bordering on ridiculous. Vintages of Cabernet Sauvignon starting at 2012 and going back through 2007, 1996, 1995, 1994, 1980 and 1975. The VINTAGES sponsored event and dinner at George Restaurant was prepared by the predilection of Executive Chef Lorenzo Loreto.

With 50 years of To Kalon and a specialized certification program up next, there is no better time than the present to publish these notes on 16 Mondavi wines tasted during these recent events and a few others that have found their way through the VINTAGES release program. Here they are.

Feeling a #mondavi shiver and a #tokalon shimmer #50thanniversary @RobertMondavi #markdevere

Robert Mondavi Fumé Blanc 2015, Napa Valley, California (SAQ 221887 $22.95, WineAlign)

The landmark 2015 is the culmination of five Mondavi decades spent elevating and differentiating sauvignon blanc, now in the its 50th vintage. The name fumé blanc and Mondavi are synonymous with one another in unequivocal signature, identical twin, trademark, signature fashion. Not just for Oakville, Napa Valley and California but anywhere and everywhere. You can throw in benchmark, Fodor’s or Lonely Planet guide, dictionary entry or whatever moniker you like. Mondavi’s is all this and in 2015 at its richest and adroitly balanced best. The nose is all ripe orchard fruit from seed to stone and the palate full of texture, acidity and length. The flavours repeat the apple-pear-peach-plum fodder with great tang and near-essential aridity. Great vineyards produce great sauvignon blanc and the rest is history. Drink 2017-2021.  Tasted February 2017

Robert Mondavi Fumé Blanc Oakville 2013, Napa Valley, California (SAQ 13119254 $32.00, WineAlign)

The Oakville fumé blanc is a To Kalon gathering, the vineyard that surrounds the Robert Mondavi Winery. With so many “highest beauty” offerings it’s hard to keep track but this qualifies for the distinction with as much respect as any in the ever moving squall of the portfolio. Here from the geographic mean of the valley, a benchmark Bordeaux blend in bench abutment, composed of 89 per cent sauvignon blanc and (11) sémillon. This is only the third vintage and once in cohorts you note the elevated toast, struck flint and smoke. More citrus involves the senses, something almost rare for Napa Valley, in this way. With time (and please be encouraged to hang out for a while) the butterscotch joins the fumé party. The increased tense intention translates to excellent length. The sémillon makes a statement into the nicely bitter finish, with weight, stoicism and certainly the great potential for age. By way of comparison to the Napa Valley bottle there are 5,000 cases of this Oakville. Drink 2017-2022.  Tasted February 2016

Robert Mondavi Winery Reserve Fumé Blanc To Kalon Vineyard 2012, Napa Valley, California (SAQ 225599 $44.75, WineAlign)

The To Kalon Vineyard Reserve produces 2500 cases (in a big year) and 2012 topped out at 1700. The vintage delivers more green apple and elastic elegance so good luck in your search for reduction, flint, toast and smoke. You should look to 2013 for such a deferential stylistic and make plans to embosom the two side by side 10 years onward. This is mostly sourced from the 1959 planted Robert’s Block within the larger vineyard, primarily gravelly and well-draining with some alluvial soil edged against the Mayacamas Mountains. The spice here is exceptional, with some anomalic Napa Valley mineral tang afforded by the sémillon blended into the sauvignon blanc. Drink 2017-2023.  Tasted February 2016

Robert Mondavi Winery Reserve Chardonnay 2014, Napa Valley, California (492124, $44.95, WineAlign)

There is a richness defined in a Mondavi chardonnay that goes beyond the simple fact that the fruit is Carneros in origin. It’s a luxe composition because of that terroir and also because winemaker Genevieve Janssens is painfully shy to let the fruit speak on its own behalf. The crux and the key lies and turns right there because this is a Mondavi wine. Just as it is always noted with fumé blanc, chardonnay too develops this obeisant disposition, full of emotive ability and perhaps not exactly what you are want to expect, varietally speaking. This is singular for Carneros chardonnay and it’s all Mondavi. It’s both country kitchen in weekend baking mode and a walk in the ripening orchard. It’s a starred Michelin kitchen in baking fury, with a multiplicity of sugars caramelizing overtop a myriad of ramekins welling with tropical fruit. Finally, it’s a Mondavi acidity, elevated and integrated. It’s good chardonnay. Drink 2017-2022.   Tasted April 2017

Robert Mondavi Pinot Noir Reserve 2013, Carneros, Napa Valley, California (SAQ 10219840, $60.50, WineAlign)

Some wise old conditioned and character building vines go into Mondavi’s pinot noir, “purchased from people who have better fruit than we do.” The Hyde Vineyard (40 plus year-old vines) and Rancho Carneros (which includes vines planted in 1979) bring the southernmost windswept part of Napa Valley into the pinot mix. This is optimum extraction in hyperbole, of fruit that runs the gamut from red to deeply dark. It is nothing if not a rich, concentrated and intensely flavourful pinot noir. There is a measure of stuffing to see it drink this way for at least five years from release. Drink 2016-2020.  Tasted February 2016

50th anniversary @RobertMondavi @LCBO #VINTAGES tasting @GeorgeTO #constellationbrands #cabernetsauvignon

Robert Mondavi 50th Anniversary Maestro Red 2013, Napa Valley, California (459933, $60.00, WineAlign)

Maestro the proprietary blend endows another legacy building notch onto the Robert Mondavi name. This is accomplished through the tenets of wisdom in winemaking as an extension from historic estate vineyards. To Kalon is always the rock and in order to make this 50th Anniversary blend there were sources drawn from throughout Napa Valley though mostly from the Stags Leap District. Merlot (59 per cent) is the pillar with cabernet franc (25), cabernet sauvignon (7), petit verdot (6) and malbec. It’s a true five varietal Bordeaux-styled affair with classic Mondavi elevated pH and acidity. The concept is taken from the image of Robert Mondavi as the maestro of the orchestra and of greater Napa Valley. The liquor of merlot provides the base wine, joined dusty and injected with power by jolts of espresso. It’s an interesting 50th anniversary choice of voice, antithetical to the dominant cabernet sauvignon reds that Mondavi is so famous for and the varietal he staked his reputation on. But rich and velvety helps the cause and the result. Drink 2017-2022.  Tasted June 2016

Robert Mondavi Cabernet Sauvignon 2013, Napa Valley, California (255513, $37.95, WineAlign)

The aridity of 2013 has now translated into some lovely development in bottle that trials and tribulates with its wealthy pool of rich, ripe and silky chocolate texture. Such a typically reasoned Napa Valley explanation with 47 years under its increscent belt. Serious tannins need five years to seek settlement and to carry structure for to build a home for the ripe fruit. At 14.8 per cent alcohol there is much to fuel and keep the abode bathed in warmth, along with American oak in pancetta ooze, augmented by smoke and spice. Chewy and huge. Drink 2018-2024.  Tasted twice, February and June 2016

Robert Mondavi Cabernet Sauvignon 1996, Napa Valley, California (459883, $73.00, WineAlign)

This 1996 is the 30th anniversary bottling at 20 years-old showing with impossible structure and beautiful possibilities still lay ahead. Though expecting it to push through to its 30th birthday is overly ambitious it will drink just like this, with freshness, bright red fruit and pitch perfect acidity for at least three more years. The pleasure it currently brings suggests this is what was meant to be, by design, of great fortune or just plain luck, so get it while it rests in this ethereal state. Those who paid nothing for it early on were the wisest of the wise and also lucky. This Mondavi ’96 would be a Left Bank killer in a Bordeaux blind tasting, teasing as it does with whiffs of Cassis and tobacco, plus a fortune in subtle perfume. The finish brings a note of baked bricks, almost like nebbiolo but the structure is all cabernet sauvignon. Drink 2016-2019.  Tasted June 2016

Robert Mondavi Cabernet Sauvignon 1994, Napa Valley, California (459867, $73.00, WineAlign)

From a cool, oft times wet vintage with an elongated ripening season the under appreciated, under-valued and underestimated cabernet sauvignons of Napa Valley continue to get their say. This Mondavi ’94 will not be denied its voice, showing harmonious parts in symphony, of power, grip and elegance from To Kalon Vineyard fruit, amazing acidity and more than impressive longevity. Here now some notes of balsam wood, mushroom and soy have taken hold with more than just two years of extra time as compared to the silly fresh ’96, but the jig is not yet up. The combination of brown sugar and lingering mixed berry fruit is nothing but lovely. Drink up soon. Drink 2016-2017.   Tasted June 2016

Robert Mondavi Cabernet Sauvignon Reserve 2012, Napa Valley, California (670463, $150.00, WineAlign)

Much of the fruit is brought to the Napa Reserve from the To Kalon Vineyard and it is rounded out with complimentary Napa and 16 months in 100 per cent new French oak. From a post 2011 hardship deliverance, more than welcome, hallelujah even vintage. Now a Mondavi return to floral posture above and beyond the Napa and Oakville bottle norms. So very pretty and powerful, out of saturation and into drought from which tannic structure is born. Full on fruit without borders, up to the top of the walls and back down in to the glass. With each sip the tannin builds and builds until the wall is constructed. There is no escape because the architecture is both classic and exceptional. Don’t be in a hurry. Struggle will only tighten the grip. Be patient and the next decade will deliver elegance and grace. Drink 2020-2027.  Tasted February 2016

Robert Mondavi Cabernet Sauvignon Reserve To Kalon Vineyard 2012, Oakville, Napa Valley, California (670463, $150.00, WineAlign)

This is just the second vintage of the To Kalon Oakville Reserve (as opposed to the Napa bottling) from a vineyard where Robert Mondavi established his winery in 1966 and the next “great one,” after 2009. The To Kalon (western) Oakville Reserve is like the Gretzky of cabernet sauvignons, a generational player that only comes along once (or in wine terms, two or three times) a decade. The finest blocks and the “walk in the park” vintage conspired to make To Kalon a focal point once again, of both pH and acidity on the elevated scale, telling us that longevity will never come into question. The wall of tannin exhibited by the Napa Reserve is not duplicated here and so it is a different sort of structure that builds, with more black cherry rich fruit and coveted acescence, but also an absence refined, as if the French barrel hides, deftly woven into the fineness of grain. There is a dusty, ropey and slow developing rise in character, as if a low, barely audible rumble can be heard, or sensed. A waffling between great and outstanding is certainly understood but by the time we reach 2030 and add up the career statistics of this To Kalon I’m quite certain the jury will be out. Drink 2018-2031.  Tasted February and June 2016

Robert Mondavi Reserve Cabernet Sauvignon 2007, Napa Valley, California (670463, $144.95, WineAlign)

Tasted at the nine year mark the vintage warmth has nowhere to hide and the fruit is coming within reason of raisin. A small percentage of petit verdot is part of this Mondavi development from fruit as rich, concentrated and extracted as any. The choices made here surely went a long way towards teaching what subsequent decisions were made with the aridity of 2012, 2013 and 2014. The dried fruit as syrup glazing the layers of cake melts into the decadence of barrel chocolate and a roundness of acidity so different that the 2012s. Some earthy, woodsy floor grounds this ’07 so that you are able to see fruit through the forest’s trees. Drink 2016-2019.  Tasted June 2016

Robert Mondavi Reserve Cabernet Sauvignon 1998, Napa Valley, California (WineAlign)

Though sandwiched betwixt and gobsmacked between some infamous Napa Valley vintages (most notable 1995-7 and 1999) don’t look past this golden era 1998. To Kalon Vineyard is the source so right there is pretty much what you need to know about pedigree and potential. At this 17-18 years point in time a few drops of soy and a melt or two of caramel are noted in the ’98 Reserve’s development. Secondary affirmations and vintage structure bring out the purity of the herbaceous quality in cabernet sauvignon together with the slow evolution of a quiet, respectful wine. A tender and silky balsamic reduction chimes in though time is still a friend, willing and allowing the fruit to continue its natural path towards senectitude. I can’t find any reason to not seek tertiary character and continue to enjoy this over the next six years. Drink 2016-2022.  Tasted February 2016

Robert Mondavi Reserve Cabernet Sauvignon 1995, Napa Valley, California (670463, WineAlign)

A few points of merlot were blended into this 21-year salute to Mondavi’s legacy, a cabernet sauvignon impossibly fresh and bright this deep into life. The acidity is not only persistent it’s downright captivating and spellbinding. With thanks to the vintage of course, after a wet spring and a long, cool summer. Few double digit decade retrospective looks into the Mondavi cabernet sauvignon anthology would deliver such clarity of fruit seemingly immune to the truffled passages of time. By dint of tradition and without any forced supervision wines like this govern themselves and yet this might be a larger consideration regarding the entire portfolio. Drink 2016-2021.  Tasted June 2016

Say, friend – you got any more of that good Sarsaparilla? #thestranger #thebiglebowski #yeahthatsagoodone

Robert Mondavi Cabernet Sauvignon Reserve 1980, Napa Valley, California (WineAlign)

Mondavi’s 1980 Reserve comes from a time when Napa Valley cabernet sauvignon was made in an unidentified, free and indirect style. The young To Kalon Vineyard may have already known its iconic place but if the makers also knew they could not have so easily created such an early success for us to revel in 36 years later. This is now and still fresh, at least in the context of three dozen years in the bag, with that tied To Kalon triumvirate of acidity, tannin and structure seamless and unsevered. How many aromatic notes can be described? Sarsaparilla, root beer, baked bricks, tomato leaf, pipe tobacco, eryngii mushroom, potpourri and mocha are eight that come to mind and nose. It’s a juicy ’80, not so much in terms of fruit though further sips bring faint memories on the back palate. All this 36 years later manages to remove responsibility from the omniscient perspective of the winemaker and lay it comfortably and pleasurably in our hands and minds. So much thanks for this opportunity. Drink 2016-2017.  Tasted June 2016

Robert Mondavi Cabernet Sauvignon Reserve 1975, Napa Valley, California (WineAlign)

Forty one years is a long haul for a wine to hang in there and I’m not sure more than a handful of 1975 Napa Valley cabernet sauvignon not plucked from the future iconic climat of To Kalon Vineyard could have survived this test of time. Even with the impressive longevity and lifeline ability this is now more curiosity than pleasure. Some might say at this stage the wine may be aimless but who can deny that it is also possessive of poised intelligence. From a vintage overshadowed by 1974, there is some old California Golden Seals hockey bag sweat in the aromatic mix along with savoury mulch and mushroom. There really is no fruit left to speak of, prune perhaps but no berries. The acidity still rips with some strength, swirling into the burnt caramel and all things considered this ain’t dead yet. It does show some Bretty notes that the 1980 does not and in the end the adage is true, spoken so eloquently by Mark de Vere MW. “Flavours you cannot replicate without time.” Drink 2016.   Tasted June 2016

Godello at Mondavi, February 2016 @CalifWines_CA @CBrandsCareers

Good to go!

Godello

Twitter: @mgodello

Instagram: mgodello

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All in with Chianti Classico

Ci vediamo domani @chianticlassico #cc17 #gallonero #chianticlassico

The Chianti Classico Collection 2017 was held over two days, February 13th and 14th at Stazione Leopolda in Florence, Italy. The largest of the Tuscan Anteprime poured more than 430 examples of DOCG sangiovese grown and produced from estates in the region. There is no other such opportunity to taste such a wide diversity of one multi-faceted entity in one place. Even if you’ve been privileged to attend before and are fortunate enough to be afforded the chance again, sitting in at Anteprima Chianti Classico should always be viewed as a once in a lifetime opportunity.

Related – Three days, eight estates, Chianti Classico

I must always remind you that what we are talking about is Chianti Classico, two words strung together that mean so much. One without the other diminishes the meaning and the significance. Chianti Classico was my rock, my galestro and my home base in and out of February Anteprime tastings. I made six new estate visits in 2017, bringing the total number visited in the last calendar year to 14.

In advance of the two-day affair I joined the Consorzio Vino Chianti Classico’s Christine Lechner on February 12th for a three-estate visit, first to Podere La Cappella, next to Bibbiano and finally, back to Villa Trasqua. I tasted in the most impressive and unparalleled of press rooms on the morning and into the early afternoon of the 13th, followed by a walk through on the producers’ side to assess further with winemakers and vintners. My focus on day one was Annata 2015 and 2014 with a short delve into some young Riserva examples. I took a break to take in a panel discussion led by the Consorzio’s Director Giuseppe Liberatore and on the night of the 13th attended the gala dinner.

Consorzio Vino del Chianti Classico Director Giuseppe Liberatore hosts an Anteprima panel discussion

On the second day of #CCC2017 I began with an Annata refresher and then worked my way through Riserva and Gran Selezione, careful to attack all vintages presented so as to gain some understanding into the tenets of agreeability, evolution, development and to be able to compare and contrast with these thoughts in mind. At the end of day two I jumped in Iacopo Morganti’s car and high-tailed it out of Dodge. We drove to Il Molino di Grace. The next day I joined Silvia Fiorentini for another two visit excursion, to Villa Calcinaia and Carobbio.

Anteprima Chianti Classico 2017

This step back into Chianti Classico time was purposed for an all in, taste as many sangiovese as is humanly possible two-day inculcation at Anteprima 2017. The uninitiated will wonder and ask how this is accomplished. How do you taste so many wines of the same ilk and differentiate from one to the next? The answer is really quite simple and straightforward. The sangiovese of Chianti Classico are like children. They are all different. They are snowflakes.

Related – The most important red wine from Italy

To a world who considers all sangiovese to be cut from the same cloth, from a fichu always woven of volatile acidity, fresh cherry and old leather, there are some things worth knowing. Like for instance did you know that both the Ricasoli and Carobbio estates are variegated with five unique and distinct soil types? Did you know that in Chianti Classico marl and limestone come in many variations, three of which are called Galèstro, Albarese and Colombino? Soil matters for what differentiates hundreds of contrastive sangiovese.

But why or more importantly, how are they different? What factors separate Castellina from Tavarnelle Val di Pesa or Gaiole, San Casciano from Poggibonsi or Greve, Mercatale Val di Pesa from Barberino Val d’Elsa or Radda, Castelnuovo Berardenga from Monti, Lamole, San Donato in Poggio or Panzano. Take these last two micro sub zones and dig deeper still. How do the micro-terroirs within these sub-appellative areas like Panzano or San Donato in Poggio differentiate within themselves from one ridge, hill or valley to the next. How is it that one side of the Conca d’Oro is responsible for wines that so profoundly contrast with the other? The answers are never simple but let’s see if we can gain some understanding, especially through an analysis of the DOCG wines presented at the Chianti Classico Collection 2017. Later this month I will host a Masterclass at the Shangri la Hotel and we’ll look to acquiesce some answers through the eyes and the knowledge of seven outstanding producers.

Many of you will recognize the following potentially controversial quote from Roberto Stucchi’s “The Evolution of Chianti Classico.” Stucchi writes “this zone is too large and diverse to remain locked in the current DOCG regulations, which make no distinction between the extremely diverse expressions of Sangiovese in its original territory. The first natural level of evolution above the simple “Chianti Classico” appellation would be naming the Comune [township] of origin of the grapes for wines that truly represent their territory. The next step would be to define the village appellations, the smaller zones that are distinctive and that would clearly define some of the top wines in the appellation. So we could have Panzano, Monti, Lamole, as possible zones as well as the many others that have a common geography and history. This type of classification wouldn’t eclipse the current definitions of Classico, Riserva, Gran Selezione.”

Now I am not here to revive a discussion about breaking Chianti Classico up into sub-zones, based on geology or not, although I wouldn’t get in the way of highly experienced, intelligent and opinionated Chianti Classico folks from expressing their own views. We know that defining sub-zones and sub-sub zones is partially arbitrary, certainly based on subjective opinion, potentially discriminatory and so ultimately, controversial. There are no borders underground so to try and compartmentalize by geology is almost impossible. The only way to draw lines is above ground, by commune, village, river or road.

No, I am here to talk about the multiplicity of sangiovese. Though it is almost impossible to qualify what that means and by the end of this discussion we all may feel even further away from a clear and concise regional definition, we will have traveled through a healthy discourse that sheds more light on the personality and character of these wines. I’m not going to lead us into a pedagogical wasteland but rather open the door to the diversity of Chianti Classico. What we need is to talk about is the allogeneous capabilities of the grape, so that’s the plan.

#chianticlassico #gallonero #cc17

My friend and colleague Dr. Jamie Goode noted “The soils vary quite a bit, and it’s not easy to make a link between the geology and the way the wine tastes.” Jamie’s comment refers to the disconnect between geological zones and administrative boundaries. I don’t disagree with the challenge presented but I wholeheartedly oppose the idea that Chianti Classico’s variegated rocks and earth underfoot do not influence the taste of the wines. This is where the positive and as I have been warned, even the negative connotations of the word complexity come into play. Simply drawing lines and borders does not do justice to the multiplicity of sangiovese throughout the region. There are pockets of each of the many sub-soils found all over. Galestro is not confined to one location with a defined and easily traceable perimeter.  Wherever it is found, the other trace minerals, clay, silt, Macigno sandstone or calcareous tufa it might mix into will alter the character building nutrients it lends to the roots and their vines. Sangiovese in Radda with Galestro in the soil has a distinct character, just as it does a different one in Panzano. Even within Panzano the wines will differ, depending which slope and depression in the land on which the sangiovese digs deep into that galestro.

#cc17 #chianticlassico #gallonero

In Chianti Classico, just as there are anywhere grapes are grown, there are these schema of the earth created and then developed over millions of years. Just as one example there is this ridge, an escarpment really that works its way from Tavernelle and across to San Donato in Poggio. The intendment of this geology and geography and its unique aspects play a vital role in determining some of the most complex sangiovese. The significance of this is not lost on my mission.

Galestro is a sedimentary rock deposit left behind by the ancient Ligurian-Piedmontese ocean. When the Apennine mountain chain was formed the sediments were raised and pushed to the east giving rise to the Tuscan-Emilian Apennines. The galestro, clay and rock known as the “iolithium unit” is also referred to as “palombini” or “colombini” limestones, found (among other locations) in San Donato in Poggio, while in ​​Castellina in Chianti there is this gray-hazel limestone, of fine grain and concoid fracture.

After tasting through 150 sangiovese over two days at Stazione Leopolda in Firenze I joined Iacopo Morganti for the drive to a pin on the map south from Firenze along the Chiantigiana, sidestepping for the Florentine view from Impruneta, then through Greve and into Panzano. The reason for my return began as it always does, to adduce a lifelong pursuit deep into the meaning of sangiovese. It also fosters a fixation dug into the variegated soils of Chianti Classico and even further still, to the nurturing, sub-appellative specificity of sangiovese’s intaglio secrets. With each return it also ingrains a feeling of coming home. In this case home feels like Il Molino di Grace.

#pasta #perfetta #castagnoli

Related – Grace in Chianti Classico

I first visited Il Molino di Grace in May 2016 and was graciously welcomed into the family’s estate by Morganti. In the months leading up to that first visit I had opportunities to assess Chianti Classico, Chianti Classico Riserva and Chianti Classico Gran Selezione at LCBO media lab tastings in Toronto. I became an instant convert and a buyer even before I stepped foot onto Il Molino di Grace’s sloping Galèstro soil-driven vineyards in Panzano. After that May visit I was transformed into a life-long friend.

Later that May I was handed the keys to Chianti Classico’s Gran Selezione Masterclass presentation at The Four Seasons Hotel in Toronto. My role was to open the door to sangiovese perception before a crowd of Toronto sommeliers, agents, buyers and media. It was the Gallo Nero’s 300 year anniversary and its Ontario reputation was entrusted to me by the consorzio braintrust of President Sergio Zingarelli, Director Giuseppe Liberatore, Silvia Fiorentini and Christine Lechner. At that Toronto event I had the pleasure to meet and sit on the panel with Tim Grace.

To say that Il Molino di Grace is an authentic producer of terroir-driven Chianti Classico would be an understatement. Their vineyards are set upon some of the finest Galèstro soil in all of Chianti Classico. The permeations and permutations from that soil have separated this estate from so many others with a portfolio of wines constructed with power, finesse and yes, grace.

The Count Sebastiano Capponi of @villacalcinaia in his element #greveinchianti #ilconte #conticapponi #chianticlassico

Related – Six hundred years of Villa Calcinaia in Chianti Classico

The following morning, on a more than crisp and impossibly beautiful February morning, the Consorzio Vino Chianti Classico’s Silvia Fiorentini, Sebastiano Capponi and I took a walk around Villa Calcinaia, away from the Greve River and onto the fanned amphitheatre of a hill that encompasses the estate’s holdings. Within Calcinaia’s boundaries the soils change dramatically, not unusual for Greve, so the consistency of the landscape alters depending on the proximity to the river. Just across the road it changes again. At Calcinaia we tasted the four classico tiers of Annata, Riserva, Gran Selezione and Vin Santo along with a second line called Piegaia, also organic and produced from younger vines at a slightly more attractive price point.

Silvia Fiorentini and Dario Faccin

Related – Caro Carobbio

What about Tenuta Carrobio? Aside from the specialized plots that deal with Dario Faccin’s best wines, there is this specific, steep-terraced red clay soil vineyard he uses for Rosato. Rosé? Single-vineyard. Terra Rossa. Yes, this is what Chianti Classico brings to the table. A year ago in 2016, as I do now,  I repeat the mantra. Singularite, diversite, qualite. Tenuta Carobbio at Panzano in Chianti lies at the heart of Chianti Classico and below the hilltop town sits the “golden basin” of the Conca d’Oro, once a prized wheat producing area interspersed with grape vineyards and olive groves. Carobbio is not so easy to find. The tight twisting road from Panzano climbs and descends before turning off-road for the descent into the valley where tucked away and recondite Carobbio lies. It is no stretch to call Carobbio a hidden gem. The soils are characterized by a significant proportion of deep clay, sandstone, siltstone strata, marl and Alberese, the latter two most typical of Chianti Classico.

Who's ready for lunch? #poderelacappella #chianticlassico

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Related – The heart and the hearth of Podere La Cappella

The day before the Chianti Classico Anteprima I toured the region with the Consorzio’s Christine Lechner. Which brings me to this very special visit I made to see Bruno and Natascia Rossini at Podere La Cappella. You do your best to breathe in and with eyes wide open examine to commit to memory the simple and extraordinary truths that you see around a property such as this. You see it as beatific, elysian, baronial and devout, as a small piece of paradise in a sea of paradisiacal estates in Chianti Classico, but here unequivocal to San Donato in Poggio.

Related – Chilling with the bad boy of Chianti Classico

If you stand on the plateau at Bibbiano and look down one slope and then the other, another epiphany will follow. You listen to what Tomasso Marrocchesi Marzi has to say about his vineyards, how each affect his wines but also what happens when he combines the two together.  What stands apart with glaring clarity is the determinate or indeterminate Bibbiano slope each wine draws their fruit from, in some cases one or the other and yes still in others, a combination of the two. Montornello and Vigna del Capannino. The descending vineyards on either side of the Bibbiano plateau offer up an incredible study in contrasting Chianti Classico geology.

A study of the district of Castellina in Chianti and geomorphological Bibbiano is paradigmatic to the variety of the appellation. The estate is placed at the southwestern side of the area with altitudes varying from 250m to 600m. It’s plateau is perched on two slopes, on a late Miocene and early Pliocene seabed platform aged 5-10 million years. On one side the highest and eastern is based on primary boulder platforms; the lowest and western on silt sediments. More specifically it is broken down as calcareous silt and sediments of diverse kinds of clay mixed with round pebbles, rare sands, rare chalk veins on the NE estate side; pure gray clay with fragmented limestones, shattered schists on the SW estate side.

On that glorious February 12th afternoon in between Anteprime days I exited the car at Bibbiano and noticed this most beautiful stone wall bathed in Chianti Classico light. Castellina in Chianti light to be precise, overlooking the Elsa Valley towards the castle of Monteriggioni and I laid my body down for a quick rest. Here in Bibbiano with Montornello on the northwestern side and on the southwestern, Vigna del Capannino. A stillness filled the air. Minutes later, refreshed and ready, I sat down to taste Bibbiano’s wines. A river of adroit style runs through the wines of Bibbiano. They are uncluttered, ingenious, precise and successive sangiovese (and sangiovese grosso) wines of tradition and modernity. I tasted Chianti Classico Annata, Riserva, Gran Selezione.

A restful return and new visit with the #chianticlassico of #villatrasqua #castellinainchianti Thank you Sven. Thank you Giorgia. #graziemille

Related – A Chianti Classico return to Villa Trasqua

Like love, sangiovese from Chianti Classico can’t be owned because no two are the same. It was a return to Villa Trasqua where the revelation snuck into my brain and my heart because while their wines are no exception to the Chianti Classico rule, they are becoming increasingly exceptional and each are their own emotive exemption. I joined Sven Hulsbergen and Villa Trasqua’s Export Manager Giorgia Casadio for dinner and to taste through the estate’s current releases, not to mention some spirited conversation and debate.

I have tasted, assessed and reviewed 121 Chianti Classico Annata, Riserva and Gran Selezione since February 2017. Most of these tasting notes were taken at the Chianti Classico Collection and during my six estate visits. A handful were also done at ProWein 2017 in Düsseldorf, Germany in March.

Journalists at Chianti Classico Collection 2017

Chianti Classico DOCG (Annata) 2015

Villa Belvedere Campoli Chianti Classico 2015, DOCG Tuscany, Italy (WineAlign)

Since January 2016 the estate has been under the ownership of Conte Ferdinando Guicciardini, on the ridge of the hills between Mercatale and Montefiridolfi at an altitude of about 400 meters. Since the 18th century it was held by the Winchler family attending the court of grand duke Pietro Leopoldo of Lorene, located in the village of Mercatale Val di Pesa. The 2015 is notable for a remarkable fresh raspberry purée but with some firm and rich grip. Softens on the palate into a very easy, gulpable, gamay-like sangiovese. Just a fractive bit of sweet tannin comes up the backside, unannounced and soothing. Cool minty finish and ultimately noted as a mineral, Mercatale specific sangiovese. Drink 2017-2018.  Tasted February 2017   Villa Belvedere Campoli  #villabelvederecampoli

Cantine Bonacchi Chianti Classico 2015, DOCG Tuscany, Italy (Agent, WineAlign)

From Castelnuovo Berardenga. Quite bretty and old-school, not so funky but certainly earthy-volatile. Still reeling and not settled in its glass house. Scents of strawberry and the rubbed or bruised leaves, so the savour and herbiage is a good foil to the funk. Chalky finish. Drink 2018-2019. Tasted February 2017  @TheCaseForWine  Cantine Bonacchi  #cantinebonacchi

Castello di Ama Chianti Classico 2015, DOCG Tuscany, Italy (Agent, $34.95, WineAlign)

“The road from Radda leads to Amma,” where some of Chianti Classico’s most fertile land treats sangiovese vines as if they were planted in a garden. Hard not to experience this Gaiole Chianti Classico as a sangiovese of extreme youth for a quick to bottle Ama, so floral and what just has to be so as a result of some whole cluster, feigning carbonic and hyperbole of managed freshness. Some exotic spice in perfume and real, certain, credible clarity. Not that this will entertain notions of Ama longevity but the purity clarifies the 2015 vintage position of consumer and critical mass quality. Drink 2017-2019.  Tasted February 2017  @CastellodiAma  @castellodiama  @HalpernWine  castellodiama  halpernwine  @halpernwine

Castello Di Gabbiano Chianti Classico 2015, Docg Tuscany, Italy (219808, $17.95, WineAlign)

A broad brushstroke of sangiovese around San Casciano in Val di Pesa conjoins and completes Gabbiano’s Chianti Classico, a rich to riches ’15 of pure red berry and some plum fruit. Spice blankets the expression and is certainly needed to match and offset the level of ripeness. This is hands off, ultra-clean work from winemaker Federico Cerelli and über exemplary of the vintage. Consumers will not be able to resist. Drink 2017-2019.  Tasted February 2017  @castgabbiano  @MarkAnthonyWine  castellodigabbiano  markanthonyon  @castellogabbiano  Ivano Reali (Castello Di Gabbiano)

I Collazzi I Bastioni Chianti Classico 2015, DOCG Tuscany, Italy (Agent, WineAlign)

Collazzi has been producing this CC since 2002 from seven hectares located in the adjacent town of San Casciano. The exposure is south/south western on rocky, well drained soils. Quite firm and somewhat muted aromatic entry out of the good must but musty nonetheless. I’m getting white to grey clay but not much fruit. Really solid texture and structure to the palate though again not a Chianti Classico of fruit sort vintage. Austere and demanding though pleasure surely lies ahead. Not absent minded of a fruit deprived style but just that it’s too young. Drink 2018-2020.  Tasted February 2017    @CollazziVini  collazzivini

Colle Bereto Chianti Classico 2015, DOCG Tuscany, Italy (Agent,, $31.95, WineAlign)

From Radda in Chianti and one of Chianti Classico’s great young, forward thinking winemakers Bernardo Bianchi the wisdom is easily noted, deduced, accepted, considered and abided. Red fruit with an earth’s dusty, cracked crust allows for smells like fresh tiles and the just mixed mortar but that fruit is aching to burst forth. Very seamless for a young Chianti Classico, so this building will stand strong and last through the centuries, which in wine years equates to seven, maybe ten. Terrific sweet acidity, life-affriming sapidity and vitality. As good as young CC gets with the longest, pitch perfect tang in elongation, drift and persistence. Drink 2018-2025.  Tasted February 2017    @NokhrinWines  Azienda Agricola Colle Bereto  Azienda Agricola Colle Bereto

Dievole Chianti Classico 2015, DOCG Tuscany, Italy (WineAlign)

The Castelnuovo Berardenga fruit beyond the tart generalities of red cherry delves into something a bit deeper, of that next level from extraction. With this in mind there might be some expectation of tannin onto which fine bitters latch below but this ’15 takes the vintage’s best offerings and travels up the high road. High acidity is both the magnifier and the qualifier so this has to wait, at least a year plus before the mineral-chalk and sustainable grip begin to integrate. Look at this Dievole as existing in the modern Chianti Classico realm that will be at its best in the near but over the dale future.  Drink 2019-2022. Tasted February 2017  @Dievole  @dievole  dievole

Fattoria Nunzi Conti Chianti Classico 2015, DOCG Tuscany, Italy (WineAlign)

Another sangiovese in the slightly calm, quiet and demurred realm where some seem shy and not quite ready to speak. Though that being said the red fruit is gorgeous, alive, with great balancing acidity and tannin. This really works, strikes, reels, lashes again, reveals earth and fruit intertwined. A refined and actually quite modern CC from San Casciano in Val di Pesa. There is a very smart winemaker working this room. Drink 2018-2023.  Tasted February 2017    @famiglianunzicont  Antonio Nunzi Conti  #nunziconti

Fattoria Di Ruppiano Astorre Noti Chianti Classico 2015, DOCG Tuscany, Italy (WineAlign)

Quite tart to nose with funky meanderings and some microbial activity. Palate is better but the grainy, chalky, bitter and astringent tannin brings out the fruit, which happens to be green. From Castelnuovo Berardenga. Drink 2017-2019.  Tasted February 2017  @fattoriadiruppianoastorrenoti  #ruppiano

Pasolini dall’Onda Chianti Classico Sicelle 2015, DOCG Tuscany, Italy (WineAlign)

One of the freshest sangiovese, pure of red fruit, essence of ripe berries and a natural feel that is too often rarely there. This strikes as wild yeast organic, perfectly tart, thirst quenching and second, third and fourth sip inducing. No funk, so clean, precise and pleasing. Takes its Barberino Val d’Elsa hilly clay sloped with gravelly-ciotoloso streaks and runs like a river right through it. Ease of ability, confidence and just fruit to enjoy for the first two years of utmost most enjoyment. Drink 2017-2019.  Tasted February 2017  Fattoria Pasolini dall’Onda Borghese  #FattoriaPasolinidallOnda

Podere La Cappella Chianti Classico 2015, Tuscany, Italy (Agent, $28.95, WineAlign)

Every Chianti Classico tasting should begin with a 2015 and Podere La Cappella’s is the ideal portal. Breaks it consistently down with 90 sangiovese and 10 merlot because, as we are informed by Natascia Rossini, “if you want to make Chianti Classico and drink it (relatively) young, you need to blend in a little bit of merlot or cabernet.” This is the wise sangiovese, from vines seven to 10 years old and still the mineral gives, even from young vines. Important in that it is raised with no new oak and in which richness is balanced by the sort of acidity that tries to remain out of focus, out of the spotlight. The fruit is dark and broods in youth, so a comparison to ’14 will be smart. The contrast reminds us of a more getable, dare it be said commercial vintage in this two sides of the moon sangiovese. Robust, consolidated, sober and gorgeous. Still, a year will make a difference. Drink 2018-2025.  Tasted February 2017      #poderelacappella  Natascia Rossini

Podere Poggio Scalette Chianti Classico 2015, DOCG Tuscany, Italy (Agent, WineAlign)

The seventh vintage for the cement-aged Annata is a firm one, especially for 2015, of quick aromatic demand, already thinking ahead, not necessarily for the here and now. The sangiovese di Lamole from decent Greve in Chianti altitude (450m) delivers some hillside (mountain-isn) herbs and fennel with chicory too. To the palate comes a char on cinghiale roasting over the fire. Top quality acidity rounds out this traditional, fiery red sangiovese with grip and persistence.  Drink 2019-2024.  Tasted February 2017  @ProfileWineGrp    Podere Poggio Scalette  Podere Poggio Scalette

Renzo Marinai Chianti Classico 2015, Docg Tuscany, Italy (WineAlign)

You can take the boy out of the vintage but you can’t take the vintage out of the boy. It may very well be 2015 but the estate style is clear and vivid, wild and intense. This is a massive Panzano-fortified CC in relation to most others. Deep, dark fruit, wild acidity and crazy tannins. Not typically 2015, full of structure and quite the lion. Now is way too early to enjoy and if this is not the CC you want for the here and now so be it. Find another. This is the way of Marinai. This is built for a long journey ahead. But there is no worrying over the rise and fall of the cake. Drink 2018-2026.  Tasted February 2017    #renzomarinai  Renzo Marinai Panzano

Rocca delle Macie Chianti Classico 2015, Docg Tuscany, Italy (741769, $18.95, WineAlign)

Rocca delle Macie’s Chianti Classico 2015 makes the adjustment and will be perfect for the current market, now changing in style again, away from dark colour, with less cabernet sauvignon, to be so very sangiovese and to celebrate the vintage. The classic fresh, bright and righteously dusty red cherry is just so very subtle and refined for what sangiovese can be. You will be hard pressed to find a more amenable, reachable and commercially getable Chianti Classico from a vintage ready to roll. Drink 2017-2019. Tasted February 2017  @roccadellemacie  @roccadellemacie  @ProfileWineGrp  Profile Wine Group  roccadellemacie

Vignamaggio Chianti Classico Terre di Prenzano 2015, DOCG Tuscany, Italy (Agent, WineAlign)

The single-vineyard Greve in Chianti Prenzano is quite traditional sangiovese from vines are 15-20 years old. As with so many 2015’s the youth is glaring and in Vignamaggio coupled with elevated tones. The flowers are in bloom big time, the dark fruit just picked. The settling required here is more pressing so imagine this shed of its current stark realities softening in two years and gifting the warmth and balance of the vintage. Drink 2018-2021.  Tasted February 2017  @vignamaggio  @HHDImports_Wine  Vignamaggio  vignamaggio

Chianti Classico DOCG 2014

Bibbiano Chianti Classico 2014, DOCG Tuscany, Italy (168286, $23.95, WineAlign)

Taken out of both the north and south vineyards (the estate sits on the ridge of Bibbiano at 310m) from the difficult, rainy vintage. Tomasso Marrocchesi Marzi notes that “being organic you have to be very careful with your farming” but despite the adversity the fruit came clean. You get freshness, acidity, florals of a wide range, fennel-liquorice, mint and savour, taut sapidity, but not wound so tight you can’t gain access. The vintage solicited a careful selection, more so than usual but not so out of the ordinary. Yields were low as result. This is very sturdy, essential sangiovese of tradition, proper description of its dual terroir and what it means to be in this wine. From calcareous pebbles in variegated clay and sharp schist in red clay. Smells like the slopes and its natural growth, with just a touch of colorino, raised all in concrete and no wood. Is what it is, perfect and imperfect. Drink 2017-2021.  Tasted February 2017  @bibbianowines  VineWhys Wine Experts  @bibbianowines  bibbianowines

Bindi Sergardi Chianti Classico La Ghirlanda 2014, DOCG Tuscany, Italy (WineAlign)

The Castelnuovo Berardenga Ghirlanda vineyard is found on the Mocenni estate, near Vagliagli. The modern palate in search of Riserva in Chianti Classico will want this, of extraction and compression, not to mention density and a sweeping vat of deep black cherry liqueur. A nice mineral streak comes from soil rich in galestro and alberese at 450 meters. in the shadow of Monteriggioni. It’s tart and tannic but of tannins that are already fully engaged, chalky and established in their grip. It’s all in there now. Drink 2017-2018.  Tasted February 2017   @BindiSergardi  Alessandra Casini Bindi Sergardi  @bindisergardi  bindisergardi

Brogioni Maurizio Chianti Classico 2014, DOCG Tuscany, Italy (WineAlign)

Brogioni Maurizio is plain good funky Greve in Chianti Chianti Classico of its own sweet funk with a bounce in its step, a funk that does not so much blow away as carry on with the musicality of the fruit. The palate piles on with great harmonic volatility. The beat is part disco and part Funkadelic R & B  all wrapped and warped into one crazy fun wine.  Drink 2018-2020.  Tasted February 2017  Maurizio Brogioni  #brogionimaurizio

Silvia Fiorentini and Dario Faccin

Tenuta Carobbio Chianti Classico 2014, Tuscany, Italy (Agent, $37.95, WineAlign)

Chianti Classico 2014 is a Panzano in Chianti, Conca d’Oro sangiovese with five per cent merlot that takes just one whiff to gain an understanding of what’s going on with wine director Dario Faccin, Carobbio and where these wines are heading. From the start I would ask to leave vintage concern or controversy out of the equation and simply concentrate on the purity from a variegated sangiovese that is entirely specific to the vineyards here. The red to purple sangiovese, transversing a line from a classic to ultra modern without ever veering from what sangiovese must have been and quintessentially is, off of vines tendered into Carobbio’s soils. The only comparison thus far is the Radda in Chianti Colle Bereto from Bernardo Bianchi, here of course so different, but with perfect hue, avoidance of massive structure and bullish tannin, in a word or two, “molto elegante.” Precise. Drink 2017-2025.  Tasted February 2017  @Tenuta_Carobbio  @apparitionwines  @tenutacarobbio  carobbio_wine

Casa al Vento Chianti Classico Aria 2014, Tuscany, Italy (WineAlign)

In terms of Vendemmia 2014, Aria from Gaiole In Chianti is a wilder expression, more da capo than di sorbetto, with cherries so bright to the point of vivid and a deep exhaling, high-toned and rising still. There is a dusty fennel note as well mixed into the faint but frank acetone. This improves dramatically on the palate and with oak more presence than you would think would or could transmute. Quite fine for a 2014 and looking back on it, pressed deftly for success. Drink 2017-2019.  Tasted February 2017  @casaalvento  borgocasaalvento  @AgriturismoChiantiCasaAlVento

Castello di Monsanto Chianti Classico 2014, Tuscany, Italy (WineAlign)

Monsanto’s sangiovese (with 10 per cent canaiolo and colorino) comes from Barberino Val D’Elsa and the line here is walked by the darker fruit, albeit dusty with a shade of new leather, richness and depth. You can sense the low-yielding, classic savour of the 2014 vintage. Chianti Classico possessive of such fruit, spice, bite and chew. Feels a touch warm at present so needs some settling, but this is quite structured juice. Drink 2018-2022.  Tasted February 2017  @castelmonsanto  castellomonsanto  @castello.dimonsanto

Castello Monterinaldi Chianti Classico 2014, DOCG Tuscany, Italy (383604, $19.95, WineAlign)

The producer notes that the Annata “is both field blend and a cellar cuvée into a worth greater than the sum of Monterinaldi’s single vineyards.” The Castle of Monte Rinaldi is situated in the commune of Radda in Chianti and this sangiovese helps to amagine the air inside, closed and somewhat musty. This Chianti Classico is reserved, not giving too much away at such a young stage. What speaks now is more earth than fruit, with quite a clay grain running through and a hollowness to the mid-palate. Indeed “the Annata usually starts life in a secretive way before conceding herself.” Drink 2019-2021. Tasted February 2017  @monterinaldi  C & E Worldfinds  @monterinaldi  #monterinaldi

Cigliano Chianti Classico 2014, DOCG Tuscany, Italy (189803, $19.95, WineAlign)

Deep, dark and sombre inhalant of grand vineyard fruit in the premium selezione vein, this is indeed a sobering San Casciano in Val di Pesa Chianti Classico with wild berries, herbs and drops of fine liqueur, almost like Vin Santo but without sugar. Cigliano takes a certain road for 2014 and gets away with murder. This could have turned out hot and bothered but the balance is struck by chords of great acidity and tension. This pulls no sangiovese or vintage punches and is clearly the work of a rogue winemaker. Drink 2018-2023.  Tasted February 2017    DB Wine & Spirits  @VilladelCigliano  Fattoria Cigliano

Fattoria Di Corsignano Chianti Classico La Coppia 2014, DOCG Tuscany, Italy (AgentWineAlign)

From Castelnuovo Berardenga and quite the aromatic exotica, of cinnamon, a touch of clove but not too much, nearly and veering volatile but not in a breezy way. It’s an intense potpourri and a very sour-tart palate but the fruit is sound and clear. More old-school than at first thought of and quite tannic but the hue, texture, structure and potential are all pure sangiovese the way it’s supposed to be. Nothing modern, fetischistic or ambitious about it. Will live a decade or more, but it has to be your cup of sangiovese style. Regardless it’s just the vintage done right. Drink 2018-2027.  Tasted February 2017   @corsignano  @tenutadicorsignano  Don Ackerman’s Wines & Spirits  fattoriadicorsignano

Fattoria Terreno Chianti Classico 2014, DOCG Tuscany, Italy (WineAlign)

The typically stony and gravelly galestro south by southwest terraced vineyard at 350m sits in the heart of the Greve Valley. Its sangiovese (with 10 pert cent merlot) resides on the extracted, modern and expressive shore, of black cherry and cabernet sauvignon-esque Cassis meets Ribena. A deep inhalant with mint, clove and menthol repetition. Some pleasantries and expressiveness exist gainfully  on the palate. Quite bright and full of flavour, savour and grip. Really ripe and get me sangiovese.  Drink 2018-2021.  Tasted February 2017   @terrenovino  #fattoriaterreno

 

Fontodi Chianti Classico 2014, DOCG Tuscany, Italy (933317, $36.95, WineAlign)

No surprise here from stalwart Fontodi, to take a difficult vintage, push vanity aside and select the best fruit for a pure expression of sangiovese, natural and organically made, with precision and clarity. The red Panzano fruit spikes with cran-pom-rasp-currant bursting freshness. iI’s just the right amount of tart and sapid, carefully rippling in acidity. So well made. Drink 2018-2022.  Tasted February 2017    @rogcowines  Az. Agr. Fontodi  #fontodi

Fontodi Chianti Classico Filetta Di Lamole 2014, DOCG Tuscany, Italy (Agent, $35.95, WineAlign)

From the “forgotten corner of Chianti Classico,” Lamole of Greve in Chianti is perched in a natural amphitheatre between Volpaia to the south and Panzano to the west. Some of the vineyard’s older vines are still pruned in the alberello (bush) style. This is Giovanni Manetti’s inaugural vintage of the Filetta in cohorts with his cousin. So, decidedly a diffident partner and opposing force to the Fontodi Annata because the earthy-subterranean dwelling aromatics brood beneath the red, verging to riper and darker fruit. There is a liquor, aperitif amaro-ness to the Lamole. The clay must be darker and more compressed. The balance is struck though on deeper, more brooding and warmer alcohol-felt lines and in 2014, as if it were a Riserva. It’s an oak “vessel’ aged 100 per cent sangiovese, as opposed to other the estate’s usual use of barriques. It is perhaps counterintuitive but this acts more evolved than the “normale.” Neither better or worse but enjoyment time is now. Drink 2017-2019.  Tasted February 2017    @rogcowines  Az. Agr. Fontodi  #fontodi

Il Molino Di Grace Chianti Classico 2014, Docg Tuscany, Italy (85209, $19.95, WineAlign)

Incidentally the first vintage on which the label reads organic, 2014 captures the freshness and the true Chianti Classico, its nature and its truth. No mask, nothing to hide behind, nowhere to run. “In some ways 2014 is more typical a vintage,” suggests Iacopo Morganti, because like other passed over and quickly assessed ones of the recent past (such as 1996, 1998 and 2008) the intrepid purity of sangiovese is decisive and built to last. This is deeply hued Chianti Classico, refreshing, spirited and crafted with a very specific type of actionable drinkability. With pasta, with filetto, with friends. Will not change course for four years and drink comfortably for four more. Sangiovese accented with canaiolo, colorino and malvasia nero. Drink 2017-2025.  Tasted February 2017  @Ilmolinodigrace  Il Molino Di Grace  Frontier Wine Merchants  ilmolinodigrace

La Querce Seconda Chianti Classico 2014, DOCG Tuscany, Italy (WineAlign)

From the most northern Chianti Classico vineyard located in the area of San Casciano Val di Pesa, La Querce Seconda by Niccolá Bernabei is high-spirited, of tart to volatile brightest of bright red fruit with toasted fennel to nose. Quite a tart palate as well with furthered  spirit and quite sweet tannin. This is old school but alive and vital. Will live this kind of life for a spell.  Drink 2018-2022. Tasted February 2017    @LaQuerceSeconda  laquerceseconda

Le Fonti di Panzano Chianti Classico 2014, DOCG Tuscany, Italy (282848, $26.95, WineAlign)

From organic sangiovese from Vicky Schmitt-Vitali in Panzano this Annata caries a most unique sweet, candied nose, part cotton and part hard shell on red delicious apple. Also turkish delight, unusually so, especially for 2014 Chianti Classico. Very ripe fruit with what noses as perhaps a few botrytis berries in the mix. That said it drinks really well with solid acid levels and firm but immediately gratifying engaged tannins. Le Fonti’s is the deepest well of ripe sangiovese offering exceptional consumer appeal for the here and now. Drink 2017-2018.  Tasted February 2017  @LeFontiPanzano  Fattoria Le Fonti – Panzano  @TheVine_RobGroh  @thevineto  poderelefonti

L’Erta Di Radda Chianti Classico 2014, DOCG Tuscany, Italy (WineAlign)

No shrinker this L’Erta Di Radda, the deep clay and what smells perhaps like galestro and certainly an affinity with the Colle Bereto style, if here more of a pressed brooder. Convincing and precise of Radda soils rich in both galestro and alberese, a depth of everything is counted quickly and then countered with grip in tannic structure. This is serious sangiovese, a deep inhalant, welling with aromatic texture and the avidity of layered ripe fruit. I find it exceptional for the vintage. Everything about this is place, terroir, territory, tradition and ambition. Wow. This may be one of the best ’14’s period. Great structure-acidity to tannin continuum. A vacuum of moving parts all in unison and seamless despite the rage inside its machine. Plums and pepper on the finish with great grains of chalky-pebbles, fine, pearly, pomegranate/sour cherry, tapioca like. Drink 2019-2029.  Tasted February 2017 @lerta.diradda 

Machiavelli Solatio Del Tani Chianti Classico 2014, DOCG Tuscany, Italy (WineAlign)

From Grupo Italiano Vini and located in San Casciano Val di Pesa. With s distant connection to exiled Florentine Niccolo Machiavelli on the  of the ancient Fontalle estate the Solatio Del Tani is a bit dark and brooding, “solace for now” in sangiovese pressed for impression. Then the geosmin factor steps up as it goes sweaty and confined, musty and reductive. The reduction is more than the idea of the bacterial but at the end of the solstice there is some not so clean fruit in here. Drink 2017-2018.  Tasted February 2017      @VillaMachiavelli  #villamachiavelli

Montefioralle Chianti Classico 2014, DOCG Tuscany, Italy (WineAlign)

An ambitous ’14 Greve in Chianti Classico of a welling pool filled with cherries steeping in strong herbal, mint and potpourri, aromaticized and certainly romanticized as a sangiovese dream. This has Riserva aspirations and modern Brunello styling. Very commercial, quite delicious and ready to please. Sweetness on the palate confirms it all. Drink 2017-2018.  Tasted February 2017     Montefioralle Winery  Castello Di Montefioralle  montefioralle

Il Palagio di Panzano Chianti Classico 2014, DOCG Tuscany, Italy (WineAlign)

Not to be confused with the Sting-Toscana IGT-Message in a Bottle thing, this is from the truly Chianti Classico-sangiovese- Conca d’Oro-Monia Piccini and Franco Guarducci Il Palagio di Panzano. Quite pretty and pitch vintage perfect for 2014, accomplished with step-back care and respect. Reeks well and fine of the land, dusty, soil savoury and sweet herbal garnish fancy. Quite simply what the vintage wanted, requested and in this balanced CC, to with has been complied. There is a proper sense of tension and fine-grained tannin to bring it all together. Drink 2018-2021.   Tasted February 2017 @palagiodipanzano  palagiopanzano

Piegaia Chianti Classico 2014, Docg Tuscany, Italy (Agent, $19.95, WineAlign)

If the 2014 Chianti Classico vintage was a summons to contest then it was winemaker Sebastiano Capponi that met it head on. Challenging weather and low yields tested mettle and solicited acumen so just as the Villa Calcinaia won the battle, so does the Piegaia. My rudimentary understanding would take this to mean “pious earth,” and it is the clay, silt and mineral Greve in Chianti soil that helps to define this wine. Here is inter-personal sangiovese, umami-aromatic, salato e piccante. There may be less refinement (and maturity) than the older sibling but it does not lack for varietal purity or classic character. Piegaia also confirms if perhaps expands on the tart flavours that define sangiovese, with natural acidity and non-combative tannins. I can’t think of a wine list that wouldn’t benefit from this juicy, organic and time-honoured Chianti Classico. Drink 2017-2020.   Tasted May 2017  @villacalcinaia  @Nicholaspearce_  villacalcinaia  nicholaspearcewines  @calcinaia  Nicholas Pearce

Podere La Cappella Chianti Classico 2014, Tuscany, Italy (Agent, $28.95, WineAlign)

As with the coming unrestricted vintage, the 2014 get together is 90 per cent sangiovese and (10) merlot but such a different animal. The acidity needed to be stronger for deferential (but classic) fruit squeezed from minuscule yields after so much rain. It all called for the requiem of very strict selection and there is this rusticity in ’14 along with so much more herbology and perfume. Roses and fennel, less fruit, more perfume. There is structure in 2014 and it is a wine that will develop secondary character because of the umami that is necessary without as much fruit due to sun deprivation. Frutti di bosco sharing equal aromatic time with frutti di conifere. Walks a more traditional, taut, direct and unconsolidated sedimentary line for Chianti Classico, with time travel ability to a future blooming with Angiosperms. It’s simple really. The sangiovese usually reserved for Corbezzolo went to Riserva and for Riserva relegated to Chianti Classico. Structure is not compromised. Drink 2018-2026.  Tasted February 2017      #poderelacappella  Natascia Rossini

Podere Poggio Scalette Chianti Classico 2014, DOCG Tuscany Italy (Agent, WineAlign)

In the Greve in Chianti Scalette way this takes traditional methodology and strides confidently into the CC future. Shows what a year can effect on this fruit, with deeper richness than ’15 despite the vintages purporting the opposite. The palate tells the real story here with great acids and fine tannin enveloping, protecting and sealing in the purity of the fruit. This has depth and structure. It’s quite the mouthful, brings history into the present and services Chianti Classico with classicism and possibility. Drink 2018-2025.  Tasted February 2017  @ProfileWineGrp    Podere Poggio Scalette  #poderepoggioscalette

Querciabella Chianti Classico 2014, Docg Tuscany, Italy (728816, $37.95, WineAlign)

I am at first quite surprised by the aromatic candy and volatility on this Greve in Chianti Querciabella when considered after the extraordinarily balanced 2013 recently tasted. But this ’14 is still silly young and the sweet opening is just a portal in which to crawl through. Once inside there is this specific liquor, a pool filled with more wealth of sangiovese fruit than the basin can currently hold. So it’s spilling over the edges in its youth and it’s simply too much for the glass to hold. I think the house took this a bit too far in reaction to ’14’s weather and a bit of balance has been compromised. I’m not sure this will ever find the elegance that ’13 showed but it does match the ripeness and the necessary triumvirate opposition forces of grip, acid and tannin. Huge wine. Maybe it just needs five years to settle into its skin because of course the fruit is red bright, not dark, hematic and brooding. Drink 2019-2026.  Tasted February 2017  @Querciabella  @rogcowines  @querciabella  querciabella  querciabella

Renzo Marinai Chianti Classico 2014, Docg Tuscany, Italy (WineAlign)

Renzo Marinai’s Chianti Classico comes from down in the colata of the Conca d’Oro, across the valley from Carobbio. I tasted the 90 per cent sangiovese plus 10 per cent cabernet sauvignon with Managing Director Janmario Hero Reina who tells me that the vintage dictated production of only Annata, so no Riserva and No Gran Selezione, In this fact of matter way Marinai separates itself from other estates but the decisions are also driven by location. After all, Panzano is the organic centre of the Chianti Classico universe. Few CC’s carry this kind of weight, structure and depth of liqueur steeping fruit. There is a touch of pretty volatility so the traditional weight presses upon this sangiovese but it’s a smooth running operator. Needs a year to settle and integrate. Drink 2018-2024.  Drink February 2017    #renzomarinai  Renzo Marinai Panzano

Rocca delle Macie Chianti Classico 2014, Docg Tuscany, Italy (741769, $18.95, WineAlign)

A year in bottle has been kind to what Sergio Zingarelli refers to as “our most important wine,” a VINTAGES essential that despite the low yields, still kept up the quantity in 2014. This was made possible by fruit gathered from near and far by growers engaged in the Rocca delle Macie quality ideal. Quite firm and still some tannins run through like fine grains of sand. Tart in just the right balance and a touch of refining sweetness on the finish. Drink 2017-2020.  Tasted February 2017  @roccadellemacie  @roccadellemacie  @ProfileWineGrp  Profile Wine Group  roccadellemacie

Rocca di Montegrossi Chianti Classico 2014, DOCG Tuscany Italy (AgentWineAlign)

Even at three years the Rocca di Montegrossi Annata ’14 is too young so with a wink and a nod it is understood why the powers that be should hold back their wines longer for best commercial benefit. The classic Rocca amalgamation of sangiovese with equal (five per cent) addendum by colorino and canaiolo is both traditional and necessary. In Gaiole there is this unwritten mythical and antediluvian law that dictates such practice. Though too much stock should not be placed on which varietals, international or otherwise should support sangiovese, this is Monti in Chianti. Enough said. Big (500L) barrels administer the low-yielding, meticulously selected, certified organic grapes with the most subtle and slightest dusty ride through a decidedly old-school Chianti Classico maturation. Copacetic feelings are provided by dehydrated and consequently ripe rehydrated fruit that turns dark and rich. The firm grip at the back end tells us that two more years of development is needed. Drink 2019-2026.  Tasted February 2017  #roccadimontegrossi  @RoccadiMontegrossi  Devon Masciangelo  #roccadimontegrossi

Savignola Paolina Chianti Classico 2014, DOCG Tuscany, Italy (WineAlign)

This sings of of so many Chianti Classico sweet aromatics, ripe red strawberry and raspberry, more palate sweetness and so very easy on the tension. One of the easier, simpler and quietly pleasurable ‘14s, not just from Greve in Chianti but the whole of the territory. Tartness and sour-edged acidity are complimentary if far from elevating. Drink 2017-2019.  Tasted February 2017    Savignola Paolina  savignolapaolina

Vallone de Cecione Chianti Classico 2014, DOCG Tuscany, Italy (WineAlign)

In Panzano, this organic and biodynamic Chianti Classico is the old, wise and profoundly aromatic sangiovese. It’s also built with tidy structure, due in part no doubt to the canaiolo inclusion from a producer that treats the ancient variety with great respect. Their varietal canaiolo is a bright, elegant and architectural wine. Even 10 per cent canaiolo inclusion here lends credible accent and catalyst support. This CC strands ripeness on account of proportion with beneficial elevated acidity melting into richness. It offers the whole package in 2014. Drink 2018-2024.   Tasted February 2017    #vallonedicecione  @vallonedicecione

Villa Calcinaia Chianti Classico 2014, Docg Tuscany, Italy (Agent, $25.95, WineAlign)

From a challenging and low-yielding vintage that took away more than it gave. The varied renditions of Chianti Classico are all over the map so it’s a revelation to come across Sebastiano Capponi’s calm and beautiful ’14 life. His is a sangiovese that was allowed to just be itself, aromatic to savoury, immune from the pressures placed upon by vintage and expectation. Calcinaia’s is a Greve in Chianti of roses, violets, more amenability than most ‘14s and without any real bother from the barrel. Quite pure with very mature sangiovese flavours, circulating and by extension from natural acidity. The length is exceptional for annata. Drink 2018-2022.  Tasted February 2017  @villacalcinaia  @Nicholaspearce_  villacalcinaia  nicholaspearcewines  @calcinaia  Nicholas Pearce

Chianti Classico DOCG 2013

Bibbiano Chianti Classico 2013, DOCG Tuscany, Italy (168286, $23.95, WineAlign)

A rich liquere, weight and warmth define this sangiovese from Castellina in Chianti by Tomasso and Federico Marrocchesi Marzi. While the old school leather, cherries and steeping liquor are in line with many Brunello this is pure Chianti Classico and not Riserva. The clarity and purity of fruit make that determination even if the wine is warm to mulled in feeling. Will settle a bit and develop its mushroom, truffle and forest floor nuances sooner rather than later. For fans of bold CC and the way it can be thought as has to be. Drink 2018-2022.  Tasted January 2017  @bibbianowines  VineWhys Wine Experts  @tenutacarobbio  bibbianowines

Il Molino Di Grace Chianti Classico 2013, Docg Tuscany, Italy (85209, $19.95, WineAlign)

Nine months later so provocative and round, still imbued of the deep pulpier purple Il Molino di Grace hue with ruby tinges. Floral but not bursting, warm, in control and easy. Manages fruit purity and then by extension, the grip from 100 per cent sangiovese. Now gelling into a liqueur typical of ’13, smooth and rapidly developing into a multi-faceted sip. A drink earlier in full enjoyment vintage.  Last tasted February 2017

The 2013 point blank sangiovese Chianti Classico is a softer, rounder version of its normale self, with less spice and dust and as a matter of course, from double the output. A dreamy downy growing season saw to 100,000 bottles and each are so eminently drinkable. There is a soil in there that seeps through because of the vintage, that combination of marl and limestone known locally as galestro and so while the concentration is wontedly in measure to 2012, it is ultimately just a matter of differing result. One wine’s pale is another one’s edge. This ’13 will present for immediate pleasure while ’12 spends one more year coming into view. Drink 2016-2019.  Tasted May 2016  @Ilmolinodigrace   Il Molino Di Grace  Frontier Wine Merchants  ilmolinodigrace

Fattoria La Presura Chianti Classico 2013, DOCG Tuscany, Italy (WineAlign)

La Presura’s Greve in Chianti is indeed under pressure sangiovese with volatility and orange zest all over the nose. This is microbial big time, with nothing left to show on the palate, save perhaps some old raspberry and a bite into a brick wall. Drink 2017.   Tasted February 2017  @www.lapresura.it  #fattorialapresura

Ormanni Chianti Classico 2013, DOCG Tuscany, Italy (Agent, WineAlign)

Ormanni’s is Castellina in Chianti sangiovese of such a beautiful beginning, a demurred, soft and kind-hearted one. Pure red berry fruit and a downy disposition. The palate is less so, with some deep liqueur lost to the drift. Good acidity and grip though in the end a bit commercial and simple so like the Riserva ’10 from a similar vintage, not the finest value around. Drink 2017-2018.  Tasted February 2017    Rogers & Company  #ormanni

Calcinaia 1959

Villa Calcinaia Chianti Classico 2013, Docg Tuscany, Italy (Agent, $25.95, WineAlign)

Chianti Classico 2013 is a Greve in Chianti by-product of what winemaker Conte Sebastiano Capponi will refer to as a cooler vintage. Elongated ripening was trespassed by early September rain so harvest was delayed. Capponi’s tredici Annata is a demurred and soft one, as if the low-lying cloud-cover created a protective environmental layer to keep the perfume of sangiovese perfectly intact and now omnipresent on the aromatics. This is textured CC of a gentle touch and round acidity, pretty, feminine and downy. Fans of the scuola femminile style will live and breathe this in for its first few years. Drink 2017-2020.  Tasted February 2017  @villacalcinaia  @Nicholaspearce_  villacalcinaia  nicholaspearcewines  @calcinaia  Nicholas Pearce

Villa di Geggiano Chianti Classico 2013, Docg Tuscany, Italy (Agent, $35.95, WineAlign)

Villa di Geggiano’s 2013 Annata had only been in bottle one week at the time of tasting so kudos to its confidence, stage presence and all around acumen to show this well. The richness of fruit in this Siena and proximate Castelnuovo Berardenga (Vignone di Geggiano) sangiovese is ushered forth by 18 months in (500L plus 10 per cent new 225L) French barrels. A minor (three to five) per cent augment of cabernet sauvignon distills lush rounding though aromatically speaking this still sits in a state of quiet demure. Geggiano has come a long way since I first visited the estate in 1995. Brothers Alessandro and Andrea Boscu Bianchi Bandinelli, his son Gregorio and partner Malcolm Caplan have led the 16th century estate from a time when wine production was mostly personal and parochial to fashioning Chianti Classico and IGT of international ability. Certified organic and fast forward thinking practices such as the use of dry ice during pressing brings cold temperature freshness to CC, less oxidation and as a result, lower sulphur usage too. This is really grippy sangiovese, fine spun, pure and full bodied-wood spice structured. It’s also gentle and very representative of the Ponte e Bozzone terroir. Geology, earth, time and place. Lovely. Drink 2019-2027.  Tasted February 2017  @VilladiGeggiano  @BarrelSelect  villa_di_geggiano  andreaboscu  barrelselect  @VilladiGeggiano  @barrelselectinc

Villa Trasqua Chianti Classico 2013, DOCG Tuscany, Italy (Agent, $19.95, WineAlign)

Trasqua’s from the Hulsbergen brothers (Alan and Sven) out of an idyllic, naturally rippling and undulating Castellina in Chianti bowl is 100 per cent sangiovese. I have to admit to fully agreeing with Sven when he tells me “you can drink this with red sauce.” I did in fact follow him up on this and tasted it alongside one prepared by him at the estate. The round, soft yet structured CC was, for the vintage and the pasta a perfect match. It’s that simple and you should try it, on a Monday night, as we did, in Chianti Classico, or anywhere else. This is traditional with its tart and edgy red fruit and some tannin. More than that is its smoke and smoulder, coming as it has from eight months in big barrels, eight more in concrete and finally, steel. Drink 2017-2019.  Tasted February 2017      @tenutavillatrasqua  @HULSI_II  Frontier Wine Merchants  villatrasqua

Chianti Classico DOCG 2012

Castell’in Villa Chianti Classico 2012, DOCG Tuscany, Italy (SAQ, 908228, $21.80, WineAlign)

A 100 per cent  Castelnuovo Berardenga sangiovese with floral entry that waltzes in with really pretty albeit traditional red sour fruit aromatics and then stops for all the room to stare. The palate tells me this is no lightweight as it is the terroir and the soil herein that really speaks. It’s a calcareous clay, a red clay perhaps with some variegation. This is old school, firm and decisive CC. It is ready and will drink well for another year or two, not beyond mind you so go, now. Drink 2017-2019.   Tasted February 2017  Castell In Villa  Les Importations Olea inc.  marino_castellinvillarestauran

Il Barlettaio Chianti Classico 2012, DOCG Tuscany, Italy (WineAlign)

From Radda in Chianti, 100 per cent sangiovese and help back like a student a grade behind to get it just right. Sees 24 months in barriques followed by a further 12 bottle, there is nothing about this I would not refer to as old-school, traditional, classic or otherwise. It’s quite firm and internalized, antithetical to the modern concept of Annata Chianti Classico, layered aromatically upon itself with a distinct note of raspberry, sandalwood and the humidity of the earth. So confident, set to purpose and rich without lingering wood or pressed for impressive impression. There is some natural fruit, soil sweetness and the wood melted, integrated, dissolved and nearly disappeared. The evolutionary process has brought about the right time to be with the sangiovese you love. Drink 2017-2019.  Tasted February 2017  @barlettaio    ilbarlettaio

The #alberese of #querciavalle #pontiganello @valerialosi #agricolalosi #sangiovese #granselezione

Losi Querciavalle Chianti Classico 2012, DOCG Tuscany, Italy (Agent, $19.95, WineAlign)

The vintage and five years have seen to some evolution but the tannins remain and persist, firm, grippy and intense. The personality celebrates many generations of winemaking from the family’s south-facing “Leccino” vineyard, a place of high ground sandstone, plus Galestro and Albarese lower down. Sangiovese and canaiolo see 18 months in 50 hL barrels and in concrete. This is very traditional Chianti Classico of rational barrel influence, natural and poetic, both polemical and persuasive. Incarnadine fruit polished and clashing with mixed soil minerality adds up to a wealth of Chianti Classico riches. Drink 2017-2023.  Tasted February 2017  @Valerialosi  @NaturalVines  @marzia_gallo  valerialosi  @famiglialosi  Valeria Losi  Marzia Gallo

Rocca di Cispiano Chianti Classico La Rocca 2012, DOCG Tuscany, Italy (WineAlign)

Located in Castellina in Chianti. Bright and shower curtain volatile and severely old school. One hand will ask for more time but the other will tell you this will all magnify and increase. Extracted but hollow, alora, something went missing here. Drink 2017.  Tasted February 2017  @roccadicispiano  roccadicispiano

Villa Montepaldi Chianti Classico Tagliafune 2012, DOCG Tuscany, Italy (WineAlign)

From vines in San Casciano Val Di Pesa this is a lovely demurred and ultra-ripe Chianti Classico with now perhaps the exact amount of optimum time slid beneath its belt. Joins the dark side of the fruit spectrum with some fig, a layer of caramelization, chocolate, balsamic and the beginning soft soy and five-spice. Has seen its fair share of affectation characterized by wood in a big way (barriques it would seem) so you must decide which camp you are from. This is classic sangiovese but recent classic, like 1995-2005 with real citrus pith and bitters on the finish. It’s highly complex but not the cleanest CC in camp. Drink 2017-2019.  Tasted February 2017   @VillaMontepaldi    villamontepaldi

Chianti Classico DOCG 2011

Sottol’aia Chianti Classico La Lama 2011, DOCG Tuscany, Italy (WineAlign)

Castelnuovo Berardenga. Really pretty inhalant, deep but fresh and certainly with thanks to humidity, balance and delineation in the soil. A combinative excellence met for fruit through earth and into sapidity. There is some older barrel chocolate and a whiff of vanilla in this grown-up juice but all is well where balance is concerned. This comes from winemaking with many tears of expertise, an understanding of the world, trends, reality and what type of CC must be made from this terroir.  Drink 2017-2020.  Tasted February 2017  #SottoLAia  #sottolaia

Solatione Chianti Classico 2011, DOCG Tuscany, Italy (WineAlign)

San Casciano Val di Pesa. Firm, perfectly evolved from really pure fruit and lovely texture. acidity continues to manage the striking raspberry resemblance in a dry, really fine-lined, direct and just ever so slightly microbial CC. This is right in that Rioja-CC aged and will continue to age beautifully wheelhouse. Expert classic winemaking. Speaks a true vernacular. Drink 2017-2020.  Tasted February 2017    #solatione

Chianti Classico Riserva DOCG 2014

Castellare Di Castellina Chianti Classico Riserva 2014, Docg Tuscany, Italy (508507, $29.95, WineAlign)

Castellina in Chianti. If you could imagine sangiovese inside a vacuum or whirling with intense speed lost inside a void you might just get a picture of Castellare’s 2014 CCR. Well what you really find is the vintage itself in Riserva form this early in life. To make Riserva from the mountain scaling challenge you had to be more selective with grapes and barrels than almost ever but with so few Riserva quality grapes and certainly no visions of Gran Selezione the Riserva is king. This is buzzing, percolating, spinning in centrifuge. The fruit is markedly intense and the acidity reeling. A piercing Riserva wound with extreme tightness and if overly sour just blame it on the youth. Drink 2019-2024. Tasted February 2017  @CastellareWines  @CastellarediCastellina  @DionysusWines  @DionysusWinesTO  #castellaredicastellina

Castello Di Gabbiano Chianti Classico Riserva 2014, Docg Tuscany, Italy (216309, $22.95, WineAlign)

The difficulties presented by the vintage were determinate in excluding the Gran Selezione Bellezza from production so it is that bottle’s loss that became the Riserva’s gain. The single vineyard’s 2014 yield may not have been stellar but its significance is not lost on the overall Riserva gathering, down 40 per cent in quantity. It is here that we see the expertise of a winemaker like Federico Cerelli, to work with new parameters literally thrown at him by chaos and uncertainty. Less than 18,000 bottles came out of 2014 and the wine saw its expected time in barriques and botti, none of which were new. This is CCR of sangiovese brightness meets firm ’14 grip. The varietal freshness is preserved in ways previous vintages were not. Once again this incumbent year is put on vivid display, befallen to knowing hands and forward thinking minds. The aging potential here is excellent. From San Casciano in Val di Pesa. Drink 2018-2029.  Tasted February 2017  @castgabbiano  @MarkAnthonyWine  castellodigabbiano  markanthonyon  @castellogabbiano  Ivano Reali (Castello Di Gabbiano)

Dievole Chianti Classico Riserva Novecento 2014, Docg Tuscany, Italy (WineAlign)

So not surprising considering the ripe and rich house style but do not be fooled. The vintage rules and youth is a rebellious and renegade thing. Dievole’s is a meeting of the extracted and the terse but it’s also graced by really sweet and tight, tight-grained tannins. This needs years to unwind and meld its mineral-chalky spice into its formidable structure. Drink 2020-2026. Tasted February 2017  @Dievole  @dievole  dievole

Il Molino Di Grace Chianti Classico Riserva 2014, Docg Tuscany, Italy (382945, $23.95, WineAlign)

Riserva 2014 is certainly positioned further down that democratic line from the Chianti Classico, its hue more variegated with three to four variations of shade and fruit still popping fresh. These two pronto pieces of personality are the hallmarks of the Il Molino di Grace style and singularity. To employ such darker fruit without any compromise to freshness, this is the magic of this place. Iacopo Morganti says there is no magic. “I like to see the colour of the vintage.” It is true, 2014 is one of purple violet fruit so it speaks of a time. As a Riserva it demonstrates guts and creates a shell of protection for itself, sufferable to whoever thinks it may fail to validate the idea of a classic vintage, which it most certainly will turn out to be. Drink 2019-2029.  Tasted February 2017  @Ilmolinodigrace  Il Molino Di Grace  Frontier Wine Merchants  ilmolinodigrace  ilmolinodigrace

Podere La Cappella Chianti Classico Riserva Querciolo 2014, Tuscany, Italy (Agent, $46.95, WineAlign)

The most recent release of Podere La Cappella’s “small oak tree” is a vintage success, as always a sangiovese (90 per cent) and merlot configuration and no other Riserva will ever give such defined perfume and richesse. In this smaller than small crop of a vintage the under-rock current is the galestro and the savoury, here with some spice from increased barrel, though of course no new oak. There is some fine chocolate and there is this sweet defined acidity and tannin. When you taste this side by side by each with the 2012 and the 2013 you begin to note these recurrent themes. The smell of orange skin (and in 2013 it was persimmon) is specific to Querciolo. In the pantheon of CCR this is very refined. Drink 2019-2025.  Tasted February 2017      #poderelacappella  Natascia Rossini

Rocca Delle Macie Chianti Classico Riserva Famiglia Zingarelli 2014, Docg Tuscany, Italy (930966, $23.95, WineAlign)

It takes little time to find more ease, balance and immediately agreeable notions from the Zingarelli Castellina in Chianti CCR ’14. This is a wine that belies the vintage and the early to market release. The fruit is very ripe and supported by relatively copacetic acidity and tannin. The intention here is surely geared towards early gratification to imbibe while so many others gather their collective 2014, Chianti Classico Riserva thoughts. Drink 2017-2020. Tasted February 2017  @roccadellemacie  @roccadellemacie  @ProfileWineGrp  Profile Wine Group  roccadellemacie

Villa Calcinaia Chianti Classico Riserva 2014, Docg Tuscany, Italy (Agent, $43.95, WineAlign)

In the low-yielding vintage like 2014 the current state of Villa Calcinaia’s Chianti Classico Riserva shows the signs of a growth stock as opposed to one that is generating lots of cash. This sangiovese is obviously young and not yet telling its Riserva tale, nevertheless I find it quite soothing and cool but really without any herbs or savour (to speak of). Tannins are fine but not so sweet (like ’13) so this wine begs for more time. Its length and it’s quietude will confirm such a request. The return will be generous and a just reward for those who have exercised patience. Drink 2019-2026.  Tasted February 2017  @villacalcinaia  @Nicholaspearce_  villacalcinaia  nicholaspearcewines  @calcinaia  Nicholas Pearce

Highlights from #cc17 #chianticlassicoriserva 2013

Chianti Classico Riserva DOCG 2013

Bibbiano Chianti Classico Riserva Montornello 2013, DOCG Tuscany, Italy (AgentWineAlign)

Montornello is 100 per cent sangiovese grown on the eponymous northern slope, the one with the variegated soil. Montornello is the (five million years) younger of Bibbiano’s two geologies, a platform of several types of partly calcareous, loose clay; red, yellow, amber and white. As floral as the ’14 annata but more mellow, serious and of a noted confidence. Some barriques are employed but the fruit is not shrouded in any way. Scents of liquorice again, plus graphite, a toasty char, warm tar and some beneficial bitters. Finishes strong, seamless and cool. Drink 2018-2023.  Tasted February 2017   @bibbianowines  VineWhys Wine Experts  bibbianowines  @bibbianowines

A river of adroit style runs through it @bibbianowines #ingenuity #uncluttered #succession #precision #chianticlassico #chianticlassicoriserva #granselezione #bibbianaccio #tomassomarocc

Ca’ Di Pesa Chianti Classico Riserva Burrone 2013, Docg Tuscany, Italy (WineAlign)

Despite reservations or perhaps with great hope from the simplest of labels, like looking for the grail and choosing the least adorned chalice, this is a revelatory 2013 Riserva. So simple, bright and honest. It may have spent Riserva time in barrel but they were certainly large ones and old as the winemakers’s grandparents. What is so special however is the purity and prurient clarity of fruit and even more the way the fruit plays so nicely in the sandbox with the gentle infiltration of Greve in Chianti soil. This has acidity and mild tannin, will age for years without knowledge of its own passage in time or any one knowing any change has taken place, then fade gracefully into the sunset. Drink 2017-2023.  Tasted February 2017    @cadipesa  cadipesa

Capanelle Chianti Classico Riserva 2013, Docg Tuscany, Italy

Reductive, hard and fast Gaiole in Chianti winemaking have shocked the fruit’s system and rendered this nearly paralyzed in its youth. Chalky, tart, grainy and lacking acidity. Will peak and then fade quickly Drink 2017-2018.  Tasted February 2017

Peaceful afternoon in February light at #carrobio #chianticlassico #panzano

Tenuta Carobbio Chianti Classico Riserva 2013, Tuscany, Italy (Agent, $58.95, WineAlign)

For Chianti Classico Riserva the solo performance is 100 per cent sangiovese and just as 2013 must be this grabs you by the olfactory senses with elegant inhalant immediacy. You are immersed straight away into a wine without reserve in the way that the only the purest of Riserva can be. Philanthropic, generous and kind. Even more so and because it is Carobbio, there is no fence to jump over, hoop to hurl through or great wall to climb. Not in aroma and then what follows is palate texture and finally fine-grained tannin. Not even acidity will lash out but rather support, with more kindness. Everything is presented from the start with a wisdom that doesn’t rely on oxidative or cured character. Just elegance. Rich and affirming, for sangiovese and life. Humour this CCR ’13 and wait just one more year, per il rispetto. Drink 2018-2027.  Tasted February 2017  @Tenuta_Carobbio  @apparitionwines  @chianticlassico  @ChiantiClassUSA  @tenutacarobbio  carobbio_wine

Casa al Vento Chianti Classico Riserva Foho 2013, Tuscany, Italy (WineAlign)

Foho is the “fire” in Tuscany, an organic Chianti Classico Riserva from Gaiole in Chianti and like the ’14 Annata it’s similarly striking, bright, vivid and for 2013, vintage driven. There is a slight musty note to dredge the earth a bit and put this in a dry, simply stated realm. A small percentage of merlot and 18 months in barrel rounds out the edges. A demurred Riserva to be sure. Drink 2017-2019.  Tasted February 2017  @casaalvento  borgocasaalvento  @AgriturismoChiantiCasaAlVento

Castello Di Gabbiano Chianti Classico Riserva 2013, Docg Tuscany, Italy (216309, $22.95, WineAlign)

First and foremost it is the wood, or the lack of wood that stands out in the CCR 2013. It may be observed as a different kind of wood, less polished and more natural but what really wins out is the fruit. The cherries are surfeited by impressed tannin and linger with good tonic for a good length of time. Great restraint shown by winemaker Federico Cerelli. From San Casciano in Val di Pesa. Drink 2018-2024.  Tasted June 2016 and February 2017  @castgabbiano  @MarkAnthonyWine  castellodigabbiano  markanthonyon  @castellogabbiano  Ivano Reali (Castello Di Gabbiano)

Castello Di Paneretta Chianti Classico Riserva 2013, DOCG Tuscany, Italy (AgentWineAlign)

As sweet, floral and fine on the aromatic scale as there is likely to be found from CCR 2013 and that says something. Raspberry purée spreads all over the nose and continues onto the palate with more sweetness and dusty notes. I sense a higher percentage of canaiolo in this CCR. Likely 10 per cent at least and there’s certainly not anything wrong with that. It’s quite delicious in a savoury dessert kind of way. Very commercial friendly and eminently drinkable CCR from Barberino Val d’Elsa. Drink 2017-2019. Tasted February 2017  @panerettavino  @HalpernWine  agriturismo Castello della Paneretta  @halpernwine  Castello Della Paneretta  halpernwine  #castellodipaneretta

Castello di Monsanto Chianti Classico Riserva 2013, Tuscany, Italy (WineAlign)

Monsanto’s Chianti Classico Riserva shows the Barberino Val D’Elsa house is clearly fluent in vintage speak because as much as the annata ’14 is deep, savoury and serious, this ’13 is proportionally and deferentially brighter, richly reasoned and chock full of 13’s amenable energy. The strawberry to raspberry realm is covered and though the architectural design is classic, it’s an ornate style (a.k.a. Baroque). This strutting peacock of a Riserva solicits earlier requests for the proverbial dive in, to be poured early and to be enjoyed. Drink 2018-2022.   Tasted February 2017  @castelmonsanto  castellomonsanto  @castello.dimonsanto

Colle Bereto Chianti Classico Riserva 2013, DOCG Tuscany, Italy (Agent, WineAlign)

Colle Bereto’s is just one of those Chianti Classico Riservas that seem caught in the nether land between shy reservation and greatness. The nose speaks but not yet with what it really wants to say. I’d call it serious but what it really is seems so much more than that. The Radda terroir and the great curving amphitheatre of slopes is what matters, not the barrel or just the talents of a great winemaker, though both offer up respectfully obvious interference. The travel from aromatics to palate with texture and into the stabilizing and configuring components of acidity and tannin are all perfectly aligned. The melting pastille texture and effortless lingering of fruit tells me the stars are aligned, not quite in single-vineyard beneath the ancient monastery of perfect exposure way but a really close and respectful second. I imagine this is about as perfect a vintage for Bernardo Bianchi’s  CCR as there ever has or will be. Drink 2019-2028.  Tasted February 2017    @NokhrinWines  Azienda Agricola Colle Bereto  #colleberetowinery

I Sodo Chianti Classico Riserva 2013, Docg Tuscany, Italy (Agent, $29.95, WineAlign)

I Sodi’s Gaiole in Chianti Riserva is on the volatile and over the top youthful side but you can really get a grip upon the terrific red berry and herbal-savoury accents. Certainly led by raspberry but red currants are quite prevalent. Must admit the palate leaves a fuller and more demanding impression which is always important as opposed to the other way around. The change of gears from accelerated vitesse to grip on the road around turns and into pits is a sign of great Italian design. The finish carries dried fruit and compressed acidity with not overly aggressive tannin. Drink 2018-2022.  Tasted February 2017  Agriturismo Le Trappoline – Azienda Agricola I Sodi

Il Molino Di Grace Chianti Classico Riserva 2013, Docg Tuscany, Italy (382945, $23.95, WineAlign)

A better vintage for Riserva (as it is in Chianti Classico for merlot) because of the warmth and highest available poly-phenolic qualities. A return here to deep purple, Il Molino di Grace’s ’13 Riserva is akin to 2009 (though seemingly more in control of its fruit) and also with thanks somewhat like ’14 Chianti Classico, popping, fresh and with its stark moments. It is necessary to stick around, keep checking the glass and it too will lead you down a sexy, sultry, sumptuous road. Shows signs of 2010 in these flaunting ways, with a forward and upwards trajectory through the notions drawn from its very specific Panzano territory. There is chocolatey richness mixed with driving acidity, because “this is the vintage.” Will live long enough, perhaps developing some exoticism and balsamic and/or mushroom notes after seven or eight years time. Drink 2019-2027.  Tasted February 2017  @Ilmolinodigrace  Il Molino Di Grace  Frontier Wine Merchants  ilmolinodigrace

Il Palagio Di Panzano Chianti Classico Riserva 2013, Docg Tuscany, Italy (WineAlign)

This services one of the more interesting aromatic entries thus far, not quite exotic but certainly different. It’s partly reduction, genesis and youth but also a certain soil plus some new barrel. Perhaps the most tannic wine tasted all day, this is way, way too young to gain any sense early of. The structural steel and petrified wood components are massive and untouchable, immovable and indestructible. There is great fruit lurking there and that soil, “under the soil, the soil, the soil, yes, deep in the soil.” So wait at least three years before supper’s ready. Drink 2021-2029.  Tasted February 2017  @palagiodipanzano

Le Fonti di Panzano Chianti Classico Riserva 2013, DOCG Tuscany, Italy (Agent, $33.75, WineAlign)

More special organic Panzano sangiovese here from Vicky Schmitt-Vitali for Riserva this time, surely floral and beautiful but also with some vintage heat on the nose. More than brevity; essence or essential oils of and also smoky, charred meat and forest floor in warm sunlight. Big bright, naturally curated red, chewy, extremely chewy, some chalky substance but nearly liquified, plenty of acidity and so very Panzano. The Galestro runs through this like a beam of laser light. Really airtight example of modern CCR without resorting to the barrel’s swath or crème. Drink 2018-2025.  Tasted February 2017  @LeFontiPanzano  Fattoria Le Fonti – Panzano  @TheVine_RobGroh  @thevineto  poderelefonti

Melini Chianti Classico Riserva Vigneti La Selvanella 2013, DOCG Tuscany, Italy (WineAlign)

From southwest facing,  mainly alberese soils on estate vineyards in the commune of Radda in Chianti, this is a youthful, full-mouthful of rich and barrel-influenced sangiovese, but the fruit is decidedly red and chewy, not soft and chocolate creamy.  This has plenty of monolith coating tannin and needs two years to integrate, including the beneficial bitters. Drink 2019-2024.  Tasted February 2017

Montefioralle Chianti Classico Riserva 2013, DOCG Tuscany, Italy (WineAlign)

The Brett monster has come to play. The nose is all volatility mixed with deep red fruit and variegated clay. The palate is swathed in texture, some bitter chocolate and intensity, merging to join the volatile acidity. Time may take both by the horns and settle the merging beast. Character abounds but just how much can you take? From Greve in Chianti.  Drink 2019-2024.  Tasted February 2017    Montefioralle Winery  Castello Di Montefioralle

Fattoria Nunzi Conti Chianti Classico Riserva 2013, DOCG Tuscany, Italy (WineAlign)

Like the 2015 Chianti Classico from San Casciano in Val di Pesa tasted before, the Fattoria Nunzi Conti CCR is a just, beautifully floral and gingerly aromatic sangiovese with the faintest whiff of toast and smoulder. A sumptuously textured red berry sangiovese with great acidity, bright and zinging, followed by the kind of calcareous-chalky texture that recalls red citrus fruits and a red bleed of rock from clay. This will last a long time. It has both the fruit and the stuffing. Drink 2019-2028. Tasted February 2017    @famiglianunzicont  Antonio Nunzi Conti

Ormanni Chianti Classico Riserva Borro Del Diavolo 2013, DOCG Tuscany, Italy (435149, $42.95, WineAlign)

Borro Del Diavolo, “The Devil’s Gully” is a stunner in 2013, of very ripe and bright red fruit, some tart to note on the nose intertwined with tang. As before it’s a Riserva of really persistent ambition and large-scale balance, not to mention massive tannic structure. It succeeds in carrying all of its massive moving parts together, thanks in large part to the generosity and in turn, the mimic of the vintage. Not a CCR for the immediate gratification seeker nor the faint of sangiovese heart. Let it rest.  Drink 2020-2026.  Tasted February 2017    Rogers & Company

Querciabella Chianti Classico Riserva 2013, Docg Tuscany, Italy (AgentWineAlign)

This Riserva picks up right where the ’13 normale left you hanging and wishing for more. As is so often the case when it can be excellent CC but disappointing, or at least, not quite meeting high expectations from CCR. This Querciabella carries the same pure fruit but with another layer of concentration and purity. Where it really excels is in a combinative and almost but not quite too serious combative struggle between texture and structure. The acidity is red tapioca pearly fine and the tannins ridiculously fine. So appreciative of this Burgundian-style, Beaune winemaking for sangiovese. Certainly Premier Cru in quality though in the end, if only by a splitting hair, I will always choose the CC.  Drink 2019-2025.  Tasted February 2017  @Querciabella  @rogcowines  @querciabella  querciabella

Renzo Marinai Chianti Classico Riserva 2013, Docg Tuscany, Italy (WineAlign)

A high-toned Panzano 2013 and very Riserva, of deep strawberry and raspberry fruit, intense and variegated tart palate structure and then a very long finish. The tannic structure is grainy and a bit wild. Expect two years minimum to tame these wild moving parts. Drink 2019-2026.  Tasted February 2017    #renzomarinai  Renzo Marinai Panzano

Savignola Paolina Chianti Classico Riserva 2013, DOCG Tuscany, Italy (WineAlign)

The Greve in Chianti Savignola Paolina comes with a pretty nose, classic, elongated and slightly upturned. Still a bit of reductive winemaking at play but it’s almost ready to open up. Aeration helps and releases the endorphins. It’s one of those wines that softens the grip on the palate and goes all soft, silky and downy. May as well drink up. Pleasant and correct in a 2004 sort of way. Drink 2017-2018.  Tasted February 2017    Savignola Paolina

Torcibrencoli Chianti Classico Riserva Mariagiaconda 2013, DOCG Tuscany, Italy (WineAlign)

From Greve in Chianti, the Mariagiaconda, loosely translated as “the lies of Maria,” but in all seriousness is actually named for founders Marcello Pini and Maria Gioconda Bucciolini. A Riserva made by children and grandchildren that is quite bright and somewhat volatile but give it time. Great red citrus joins that old-school aromatic sour-edged and tart winemaking style, with more canaiolo (eight per cent) addition than most. Still it is the sangiovese palate that shows some raisin and evolution though the acidity and tannin are fully engaged. Chocolate and espresso are all over the finish. A wild ride, mostly in a conventional sense but with an unconventional result. Drink 2017-2020.  Tasted February 2017   @torcibrencoli

Vallepicciola Chianti Classico Riserva 2013, DOCG Tuscany, Italy (WineAlign)

The complexity of character in this Chianti Classico Riserva extends straight from the name and throughout its being. More than just the “little one,” the Vallepicciola is like the Wormwood, the holy grass of aromatic plants, assenzio magiorir, dry, without sweetness and sometimes without petioles. The irony is not lost here for the name can also translate to petiole. Certainly an off the charts pH and dry extract sangiovese with 10 per cent merlot, from the south facing Val di Picciola vineyard, left of the Arbia River in Castelnuovo Berardenga. The immediate impression given by this exceptional CCR is one of understanding and balance, with aromatics in the ripe berry and plum spectrum. Plenty of earth on the nose, mostly dry and cool forest floor but also some aromatic leaves, herbs and fronds. Like a fennel, porcini and fiddlehead smoothie, with parsley and basil for savoury measure. Remarkable smooth and silky palate, mouthful and viscous nature, followed by plenty of round acidity and forward tannin. Not quite powerfully tonic, febrifuge or anthelmintic but it needs three years to integrate, settle and tell a tale. I will personally really want to know more about this pure and complex specimen. It just tastes expensive. Drink 2019-2028.  Tasted February 2017  @Vallepicciola  @vallepicciola  @vallepicciola

Villa Calcinaia Chianti Classico Riserva 2013, Docg Tuscany, Italy (Agent, $43.95, WineAlign)

So very diffident to that annata Chianti Classico, Villa Calcinaia’s Greve in Chianti Riserva 2013 changes a gear (or three), as it should, into a more reductive and yes, reserved sangiovese. The perfume is deeper clay resolved, texture is amplified and the tannins are not only sweeter than the CC but more toothsome than many Riserva. The acidity is very in line with the annata but perhaps also on the sweeter, even a bit more delicate side. This Capponi walks a very balanced, forward, slow gaining of elevation line, like the vineyards themselves the way they rise with facile incline away from the villa and winery. The peaceful easy feeling gifted by this Riserva impresses the estate’s inclinations, something that is reproduced through a miniature architectural rendering of Calcinaia’s property and vineyards. If you ever pay a visit, don’t miss this fascinating model. Drink 2018-2024.  Tasted February 2017  @villacalcinaia  @Nicholaspearce_  villacalcinaia  nicholaspearcewines  @calcinaia  Nicholas Pearce

Chianti Classico Riserva DOCG 2012

Carpineto Chianti Classico Riserva 2012, DOCG Tuscany, Italy (47118, $29.95, WineAlign)

Really expressive, extremely tonal sangiovese, inching ever so close to that microbial slash volatility threshold, with red citrus lactic notes dominant early and staying persistent. Turns to tapestry texture on the palate with continued earthy-Bretty character. Sweet fruit is certainly well-extracted and an integral part of that impression. Very long finish, certain as a representative of the vintage and its Greve in Chianti sangiovese roots. Drink 2018-2021.  Tasted February 2017  @CarpinetoWines  @UNIVINS  Carpineto Wines  @agence.UNIVINS  carpinetowines  univinscanada

Le Cinciole Chianti Classico Riserva Aluigi 2012, DOCG Tuscany, Italy (WineAlign)

Yet another most excellent Panzano in Chianti sangiovese, from galestro clay/limestone schist and sandstone soils in a southwest facing vineyard. Only 3,000 bottles are made of what is quite a pretty and pulchritudinous nose with bright, puréed red berry fruit. It’s a warm inhalant to be sure and a fine gain is found running in criss-crossing acidity to match tannin on the palate. The variegation of tang and sour is quite something and will need two years to weave, layer and integrate. Drink 2019-2023. Tasted February 2017    Podere Le Cinciole  “Le Cinciole”

Lornano Chianti Classico Riserva Le Bandite 2012, Docg, Tuscany, Italy (230672, $19.95, WineAlign)

By Ontario standards Chianti Classico Riserva value does not come better than Le Bandite, “the bandits,” a sangiovese drawn like a fine line into white sand. Twenty months in “the big barrels” perpetuates the Silvio Campatelli and Nicolò Pozzoli approach to expose the purity of this 100 per cent varietal expression. The vintage gets its say with firm grip and formidable structure so perhaps the fruit is considered the hunted from these grounds where such activity is prohibited. This ’12 is as big as a Lornano ever really gets, possessive of a Castellina in Chianti meets Montereggioni Tuscan reality, positioned somewhere between the bright and the impossible. Its youth mixed into deep clay settles rigid and full on the palate, like ’09 once did and so a year will be needed to open things up. Drink 2018-2025.  Tasted February 2017  @LornanoWines  Frontier Wine Merchants  loran  @lornanochianticlassico

Quercia Al Poggio Chianti Classico Riserva 2012, DOCG Tuscany, Italy (Agent, WineAlign)

From Barberino Val D’Elsa, this aromatically speaking has it all going on. High tones of some markedly round volatility, extreme brightness of cinnamon heart, tart red fruit and cool, savoury, mint-influenced herbology. Quite the toast, roast and over the top carrying notes. There is just too much of too many good and exaggerated things. Drink 2018-2021.  Tasted February 2017  @quercialpoggio  The Small Winemakers Collection  @Smallwinemakers  Quercia al Poggio in Toscana  @smallwinemakerscollection  quercia_al_poggio  

Chianti Classico Riserva DOCG 2011

Losi Querciavalle Chianti Classico Riserva 2011, DOCG Tuscany, Italy (Agent, $24.95, WineAlign)

Not unusual for 2011 Riserva, this is still a bit reductive and along with the loaded combination of galestro and heavy clay there is an impressive level of concentration and compression. My how this settles into its profound acceptance of geological contention to express sangiovese with as much sense of place as any with a Castelnuovo Berardenga address. Aromatics are also unique to the Pontignanello terroir, with notes of lemon and pith, orange, pomegranate and some spicy barrel accenting exotica. Not quite incense but not far from it either. The liqueur is simultaneously bright and deep. The sense of setting the compass right to Querciavalle makes this a soulful and poignant CCR to make grandparents proud. Drink 2019-2026.  Tasted February 2017  @Valerialosi  @NaturalVines  @marzia_gallo  valerialosi  @famiglialosi  Valeria Losi  Marzia Gallo

Machiavelli Chianti Classico Riserva Vigna Di Fontalle 2011, DOCG Tuscany, Italy (WineAlign)

Machiavelli is located at Sant’ Andrea in Percussina (San Casciano Val di Pesa) and yes, the it is place where the Italian Renaissance historian, politician, diplomat, philosopher, humanist, and writer was exiled. This single-vineyard Riserva Vigna Di Fontalle is jammy, slightly raisined and coming into an oxidative period. It’s a bit past its prime which is too bad because there was at some point some really ripe and expressive,  if now just a bit baked fruit.  Drink 2017-2018.  Tasted February 2017    @VillaMachiavelli  #villamachiavelli

Il Palazzino Chianti Classico Riserva Grosso Sanese 2011, DOCG Tuscany, Italy (WineAlign)

Il Palazzino is owned by Alessandro and Andrea Sderci and is located in Monti in Chianti, in Gaiole in Chianti, 20 km northeast of Siena. Their flagship wine is this Grosso Sanese, a sangiovese of gorgeous aromatic waft with complexities provided by fresh cut roses, deeply mined minerality and fresh sliced morning summer fruit. Great tension, so much more variegation from the earth and a natural, let it be who it is and from laissez-faire from Monti village emotion. This is CCR with true soul and it truly is a really clean and natural wine. Really fine tannin, sweetness from round acidity and architectural design set in the past with innovation for the future. Amazing CCR. Drink 2019-2029. Tasted February 2017    Agriturismo Il Palazzino  #ilpalazzino

Vignavecchia Riserva Chianti Classico Odoardo Beccari 2011, Docg Tuscany, Italy (Agent, $33.95, WineAlign)

A consistent and terrific follow-up to 2010 from old vines in Radda in Chianti, this is warm and creeping north (or south depending on your explanatory orientation) from deep, religious aromatics. Fresh slices of fennel bulb and wet concrete are rich, wet, juicy and vaporous. Sweet acidity and tannin join spicy red fruit from what is ostensibly the most unctuous and deeply tangy sangiovese you are likely to ever taste. This is quite something else, both hedonistically indulgent and propitiously wild and engaging. You had better like it hot and bothered, fleshy, gregarious and sexy. This really has it all. Drink 2017-2024.  Tasted February 2017  #vignavecchia    @VignaVecchia

Villa di Geggiano Chianti Classico Riserva 2011, Docg Tuscany, Italy (AgentWineAlign)

Older vines are employed for the Riserva (between 25 and 40 years old) from Geggiano’s southern (Castelnuovo Berardenga) Chianti Classico vineyards northeast of Siena and Ponte e Bozzone. Like the Annata the use of carbon dioxide in the vat followed by autochthonous yeasts in steel tanks delivers the first layer of locked in freshness. The next lengthy step sees 18 months in (12 year-old) 500L casks with 15 per cent augment by new 225L barriques. Another year in larger casks (including 2,000L big boys) sets this CCR up for time-delayed/lapse character release and to this day has retained its freshness. So what’s the secret? “It’s not anything we do,” admits Andrea Boscu Bandinelli Bianchi, “it’s our soil.” An aggregate of clay, river silt and Galestro keeps humidity stable and balanced, when the vintage is warm (or not) and for 2011 this is remarkable. It is admittedly calm, gentle and settled but the brightness carries on. Drink 2017-2022.  Tasted February 2017  @VilladiGeggiano  @BarrelSelect  villa_di_geggiano  andreaboscu  barrelselect  @VilladiGeggiano  @barrelselectinc

Villa Trasqua Chianti Classico Riserva Fanatico 2011, Docg Tuscany, Italy (Agent, $29.95, WineAlign)

Though not declared on the label Fanatico is 100 per cent sangiovese in 2011 and very much in line, vein and style to the Annata Chianti Classico. The Bernabei entusiasta/amatore/appassionato for Trasqua’s exceptional Castellina in Chianti terroir comes across with CC amplifications so this does by its nomenclature in attitude, acidity and big red fruit. To stay clear of hyperbole balance was key to the vintage and here struck with firm, grippy and almost gritty amplitude. As a result it’s nearly atypical to traditional but it speaks to the specificity of Trasqua grown sangiovese. Drink 2018-2023.  Tasted twice, February 2017     Villa Trasqua  @HULSI_II  Frontier Wine Merchants

Chianti Classico Riserva DOCG 2010

Casuccio Tarletti Chianti Classico Riserva Campoalto 2010, DOCG Tuscany, Italy (WineAlign)

From the sandy/clay Ponte a Bozzone section of Castelnuovo Berardenga. A bit warm to be sure and on the coulis to jammy side with plenty of aromatic personality. Has hit its secondary stride and the greenery is coming into view; nettles, herbs and ferns. A full-fledged forest floor in late spring or early summer. Some toast and even a flinty note. Mineralogist of sorts from Campoalto and though the tart, slightly reasoned and raisining fruit is leaning to wax, this is the wise old Chianti Classico speaking. Loving the traditional and the classic in full-bodied form is nothing to be ashamed about.  Drink 2017-2020.  Tasted February 2017

Fattoria La Ripa Chianti Classico Riserva 2010, DOCG Tuscany, Italy (984401, $26.95, WineAlign)

In Castellina in Chianti Ripa ripeness is a virtue and the road is full of clay. This must be pulled from vines reaching deep into the caked and the crusted because the level of density through structure is felt with palpable concentration. It’s a bit stinky and minutely Bretty but well within acceptable reason. Plenty of black cherry blossom and chocolate on the nose in a semi-confected way. Large specimen of CCR, full on, in and with the big barrel inside. Acidity still rages and tannin coats with gamey and hematic brush. Huge wine. Drink 2019-2029.  Tasted February 2017    Nicolas Caramelli  nicolascaramelli  #fattorialaripa

Piemaggio Chianti Classico Riserva Le Fioraie 2010, DOCG Tuscany, Italy (WineAlign)

Le Fioraie is a flower garden indeed, filled with the love, demure and the grace in its aromatics; fresh and dried flowers, gardenia of lavender and rosemary, plus roses and even violets. Really ripe and tender fruit remains in great shape though not ushered along by any true sense of acidity or furthering structure. This represents Castellina in Chianti with the sort of exemplary CCR for current contemplative sipping. Drink 2017-2019.  Tasted February 2017  @Piemaggio  piemaggio

Chianti Classico Riserva DOCG 2009

Casa Di Monte Chianti Classico Riserva Le Capitozze 2009, Docg Tuscany, Italy (WineAlign)

Le Capitozze is a Riserva captured from the estate’s best grape selection out of the Chiesanuova Vineyard in San Casciano Val di Pesa. Here some age and extract signals a return to aromatic raspberry purée though curiously without the dusty, jammy Bordeaux stylistic so sangiovese is categorically preserved in the varietal display. Secondary life has come to this ’09 CCR, with a roasted meat note and sweet tannic interplay. There still persists a red citrus acidity on the finish so three of four more years will find “The Captains” drinking well. “Elegante e leggermente?” É vero. Drink 2017-2020.  Tasted February 2017  Azienda agricola Casa di Monte  #capitozze

A taste of @VilladiGeggiano poured from a fountain of @chianticlassico youth #bianchibandinelli #villadigeggiano #castelnuovoberardenga #chianticlassico #chianticlassicoriserva #cc17 #ga

Chianti Classico Riserva DOCG 2007

Villa di Geggiano Chianti Classico Riserva 2007, Docg Tuscany, Italy (AgentWineAlign)

A warm and balanced vintage, older vines (between 20 and 35 years old) speak straight to me though proprietor Andrea Boscu Bianchi Bandinelli prefers his 2006. Geggiano’s Castelnuovo Berardenga Chianti Classico vineyards are located northeast of Siena and Ponte e Bozzone, a terroir composed of clay, river silt and galestro. Clean, pure and bright, this could easily pass for 2011, or even 2013. The aromatic brightness eases the mind and prepares the palate for the 10 year development of grit and power so in the end there is equity that leads to elegance. Chianti Classico Riserva as a gift of experience. Drink 2017-2021.  Tasted February 2017  @VilladiGeggiano  @BarrelSelect  villa_di_geggiano  andreaboscu  barrelselect  @VilladiGeggiano  @barrelselectinc

Chianti Classico Gran Selezione DOCG 2014

Castello di Ama Chianti Classico Gran Selezione San Lorenzo 2014, Docg Tuscany, Italy (418897, $48.95, WineAlign)

Even with the benevolent San Lorenzo as the sample size, going at 2014 Gran Selezione is like trying to crack a walnut shell with your teeth, the husk so tough you might break two or more trying. What is noted in the single-vineyard San Lorenzo is a hyperbole of 2014’s general characteristics; firm grip, savour, herbology and liqueur. There is extreme Gran Selezione personality humming in San Lorenzo and help me if two years are needed simply for assessment and five for the drinking window to open. The attention to soil and Ama’s prized Gaiole in Chianti climat is duly noted, as is the careful selection from the vintage. I will say this. No amount of selection, barrel or time can allow Gran Selezione to escape from 2014. In the short term it will be a downfall, in the long, long, long run a blessing. Drink 2021-2031.  Tasted February 2017  @CastellodiAma  @castellodiama  @HalpernWine  castellodiama  halpernwine  @halpernwine

Rocca delle Macie Chianti Classico Gran Selezione Riserva Di Fizzano Single Vineyard 2014, Docg Tuscany, Italy (699454, $33.95, WineAlign)

Only 7,000 bottles (as opposed to 30,000 in 2013) were produced and I think I can say with utmost certainly that this single-vineyard Fizzano is and will be the most approachable Gran Selezione out of 2014. The vineyard demands ripe and bright fruit, not too much coveting and even less wood. There is no heat and little to less herbs and savour on the nose. The palate is all smoky raspberry, smouldering rich and very near to coming into present and accounted for balance. Sweetness follows, mostly from fine, resolving tannin and then a return engagement with the perfumed, coulis fruit. Sergio Zingarelli tells me the harvest said great things to his winemaking team so the vintage’s already earned reputation is not what is deserved. The Fizzano is unctuous and savoury but pure and structured and blessed with such chewy, crunchy red fruit. It carries that no lo so liqueur of fruit that will survive and seek a truffled addendum in its tertiary future. Drink 2018-2025.  Tasted twice, at Anteprima Chianti Classico, February 2017 and ProWein, March 2017  @roccadellemacie  @roccadellemacie  @ProfileWineGrp  Profile Wine Group  roccadellemacie

Villa Calcinaia Chianti Classico Gran Selezione La Fornace 2014, Docg Tuscany, Italy (Agent, $67.95, WineAlign)

La Fornace was planted in 1975 in close proximity to the Greve River and its sandier soils bring a contradistinct voice to Chianti Classico produced off of other vineyards on the estate. “The Furnace” is so aptly named because of its solar exposure and how the wine takes it in, bathes in it and extricates it to texture. The plot is not denied some of the typical brick-gray Calcinaia clay and the variegation leads to a beautiful exaggeration of the Capponi sangiovese stylistic. Compared to and in conjunction of what I tasted out of barrel for ’15 this completes the Fornace picture, in line with the texture but leaning away from those sweet accents and returning back to more pure and distinct sangiovese roots. Much time will be needed to elongate those angles. Drink 2020-2029.  Tasted February 2017  @villacalcinaia  @Nicholaspearce_  villacalcinaia  nicholaspearcewines  @calcinaia  Nicholas Pearce

Villa Calcinaia Chianti Classico Gran Selezione La Bastignano 2014, Docg Tuscany, Italy (Agent, $67.95, WineAlign)

I’m not certain whether La Bastignano should translate to “good fortune or “good luck,” (buona fortuna or in bocca al lupo) but regardless of the nomenclature this Chianti Classico Gran Selezione will bring great happiness at some point halfway through the next decade. It is actually called Bastignano after the name of the holding on which the vineyards grow and the name refers to one of the four originally poderi of 1524. Bastignano is to me the most poignant and specific gaze into the mirror rendering of sangiovese, the Villa Calcinaia estate and the maker, a.k.a. Conte Sebastiano Capponi. This Greve in Chianti GS is such an ulterior varietal expression from less clay, more silt, less texture and more elastic structure as a result. There is less density in Bastignano, it’s more elegant and in single-vineyard Gran Selezione, reaching for the ethereal, especially out of 2014, because it has been handled with delicate hands. You get the grilling meats, herbs and an impression that is all location. The wine of place more than any in the Calcinaia line-up, with just a hint of concentrated earth on the finish. Drink 2019-2030.  Tasted February 2017  @villacalcinaia  @Nicholaspearce_  villacalcinaia  nicholaspearcewines  @calcinaia  Nicholas Pearce

Ambassadors of @chianticlassico to the world. 2013 #castellodigabbiano #granselezione (not pictured) will blow your mind #treasurywineestates #sancascianovaldipesa #ilbellezza #chianticlassicoriserva

Chianti Classico Gran Selezione DOCG 2013

Castello Di Gabbiano Gran Selezione Bellezza Chianti Classico 2013, Docg Tuscany, Italy (652438, $39.95, WineAlign)

Tasted with winemaker Federico Cerelli alongside the new era ushering 2012, a wine with six months further resolve, which is really just a moment in life. Looking at this 2013 it clings to that ’12’s ideal, still firm and in need of down time, stirring still, wasting some time. Here a gear switch, alteration and adjustment. A reduction of new oak, an increase of the mineral cogitation specific to the Albarese soil, with tannins great like in 2012 but finer, more elegant. This is more classic in the sangiovese thought because what also is allowed is the level of dry extract, “over 30 for sure” notes Cerelli. This Bellezza is pure sangiovese, the best Bellezza in years, classic to remind of many years ago but a very modern wine. It is the Gabbiano predicament and the predilection to announce what Gran Selezione means so in a word, bravo. You could actually drink this now and then over 25 years. “What is Bellezza? This is the best block of the estate” is the answer as told by Federico. Great tannins, simply great tannins. Drink 2019-2032.  Tasted May 2016 and February 2017  @castgabbiano  @MarkAnthonyWine  castellodigabbiano  markanthonyon  @castellogabbiano  Ivano Reali (Castello Di Gabbiano)

Colle Bereto Chianti Classico Gran Selezione 2013, DOCG Tuscany, Italy (Agent, $67.50, WineAlign)

The current incarnation of the single-vineyard Gran Selezione from “la vigna del Convento” is a wildly rich and structured, intuitive and interpretive expression. The vineyard resides in a great Radda amphitheatre, situated on the slope beneath Il Convento di Radda in Chianti. Winemaker Bernardo Bianchi does nothing to veer away from the house-composed, let the vineyard speak style, from a sun-worshipping, ambitious yet wise, 22 year-old Galestro soil block at a high Chianti Classico 500m peak. All together making for the new super Riserva of restrained power and elegance. If the aromatics in 2011 were of a wow factor they are somehow, magically and inexplicably improved upon in 2013. The field of flowering greens, the deep way you inhale the fruit and above all else, the mineral of this Galestro. It pervades and attacks, especially on the palate but when you taste sangiovese like this you understand the disconnected exaggerations, over-stressed acidity and the (comparative) imbalance in some of the GS peers. Bereto’s is one of the finest Gran Selezione and worthy of every charged sip. Drink 2020-2035.  Tasted February 2017    @NokhrinWines  Azienda Agricola Colle Bereto  Azienda Agricola Colle Bereto

Le Fonti di Panzano Chianti Classico Gran Selezione 2013, DOCG Tuscany, Italy (AgentWineAlign)

From Vicky Schmitt-Vitali in Panzano, the ’13 Gran Selezione is already showing some lovely evolution. There is a sumptuousness and sweet culminating vintage victory in this fruit with certain deep clay mineral undertones. This really delves down and mines for Galestro and as a result is somewhat mysterious mineral stuff. Acidity is beautifully integrated though not quite of the magical layering that can be displayed by the greats in the greatest vintages. Drink 2019-2025.  Tasted February 2017  @LeFontiPanzano  Fattoria Le Fonti – Panzano  @TheVine_RobGroh  @thevineto  poderelefonti

Villa A Sesta Chianti Classico Gran Selezione Sorleone 2013, DOCG Tuscany, Italy (Agent, $61.95, WineAlign)

The sangiovese means of communication comes in many types, some old and some new, like Villa A Sesta, the sixth estate, from the Siena hills in Castelnuovo Berardenga. Sorleone, the lion’s lion, for the lion, a sangiovese of great presence, of fruit over matter, mineral over mind and acidity in every facet of being. While it’s certainly striking and leaves the deepest of impression, in one respect this is quintessential Gran Selezione because it’s so perfectly Chianti Classico and on the other hand it’s a raging machine. So the question begs how long it will take to simmer, integrate and roar down. How much time does the pride of the Gallo Nero need to find its new age, reggae rastafari, Judah zion beat? It will, but that’s in upwards of 10 more years time. Fantastic display of alpha male GS. Drink 2022-2030.  Tasted February 2017  @villa_a_sesta  @StemWineGroup  #villaasesta  stemwinegroup  @villaasesta  @stemwine

Vicchiomaggio Chianti Classico Gran Selezione La Prima 2013, DOCG Tuscany, Italy (Agent, $60.00, WineAlign)

Vicchiomaggio’s ’13 was released just two months ago from the single vineyard La Prima, named for the first vineyard planted by British-Italian winemaker John Matta. On a hill built upon Galestro soil, of rock and clay facing south towards Greve in Chianti. A warm and very heartening Chianti Classico this is, deeply rich in fruit but with both feet deeply planted in that mixed earth. It’s herbaceous in its sweet coulis and lingers long. It’s the structure upon this length that brings perpetual strength. This Gran Selezione would help to push that boulder up the hill. You can count on it. Drink 2019-2029.  Tasted February 2017  @vicchiomaggio  @SignatureWS1  castellovicchiomaggio  Castello Vicchiomaggio

Chianti Classico Gran Selezione DOCG 2012

Concadoro Chianti Classico Gran Selezione 2012, Docg Tuscany, Italy (WineAlign)

Concadoro, from Castellina in Chianti, as opposed to the Conca d’Oro, in Panzano. A slightly musty and even a touch more soil funky for Gran Selezione so aeration is an absolute must. Don’t be afraid to splash this one around and get your hands wet. It needs the air, the multi-decant and the love. It is so much better off for the attention. What you are gifted is great clay with minerals lying in soak at the water table’s basin. You get unnamed fruit, red and rusty, rosy and ruby, ropey and wildly pure. You have curative and restorative power from the sort of GS (that’s just got to be 100 per cent sangiovese) that was always this way and will go forward the same. The fruity roll up flavour is no child’s play candy. It is marbled and textured. Very fibrous sangiovese with tremendous upside, given the shake up and four more years of patience. The old happen upon Gran Reserva Rioja parallel is drawn upon once again. Drink 2021-2034.  Tasted February 2017    Agriturismo Concadoro  #concadoro

Il Molino Di Grace Chianti Classico Gran Selezione Il Margone 2012, Docg Tuscany, Italy (435115, $39.95, WineAlign)

Chianti Classico Gran Selezione Il Margone 2012 comes structured from a vintage with frost in May that compromised 50 per cent of the crop and as a result, bestowed lowest of low yields and concentrated berries. After that happenstance of natural selection the vintage turned to hot and dry, with great weather at harvest. This is and could only have developed into a fleshy and magnanimous Gran Selezione with acidity equivocal and anti-acrimonious to bones draped with the ripest of fruit. And it’s a good thing the acidity is set to high because that fruit and richness will need it going forward. Such a GS had to be crafted this way, with compound aggression and aggressive behaviour. Ultimately defines what it means to be affirmative action Gran Selezione. Drink 2021-2030.  Tasted February 2017  @Ilmolinodigrace  Il Molino Di Grace  Frontier Wine Merchants  ilmolinodigrace

Melini Chianti Classico Gran Selezione Terrarossa 2012, DOCG Tuscany, Italy (WineAlign)

Melini is found in Radda in Chianti and their Gran Selezione clearly ear marks from terra rossa soil, a red clay soil variegate found in Radda and other Chianti Classico locales, like Carrobbio in Panzano. A musty note but once again it’s aeration and agitation that opens the gates to charm and appreciation. I don’t get 100 per cent sangiovese here, more like merlot and cabernet mixed in with the dusty, currant, Cassis, tomato leaf and peppery jolts accenting and sidling alongside the sangiovese. The mineral-saline aroma sears ahead of the fruit which is also bright of light cherry. There is some microbial activity noted and the palate falls a bit flat so this is surely not the most sound example. Drink 2017-2019.  Tasted February 2017

Rocca Delle Macìe Chianti Classico Gran Selezione Sergio Zingarelli 2012, Docg Tuscany, Italy (Agent, $122.95, WineAlign)

This is the flagship wine from the famed estate, a Gran Selezione that bears the patriarchal Sergio Zingarelli name. As expected it is a richer, deeper and depth welling GS, clearly aimed towards the crowning achievement of place, more hedonism, but of course, seeking purity and elegance. The extra year or two in bottle means integration and wood having subsided a bit. “We decided to change the vineyard in 1974 in front of Rocca to be the best vineyard with the best grapes and we will produce our best wine,” I am told by Zingarelli as we taste at ProWein. What was 90 per cent sangiovese (planted in 1999-2000) this 2012 is accented by colorino but in 2014 it will be 100 per cent sangiovese. Elegant as much as sangiovese and Gran Selezione will likely ever strive to be. It is hard not to be impressed with this wine. It bursts with the essence of plums and richest of red cherries, but it’s not without it’s requisite crunch and chew. The absence of astringency is remarkable and speaks to the quality of the fruit and the gentle touch while working with such phenolic ability. Start drinking this anytime. Drink 2017-2025.  Tasted March 2017  @roccadellemacie  @roccadellemacie  @ProfileWineGrp  Profile Wine Group  roccadellemacie

Rocca di Montegrossi Chianti Classico Gran Selezione San Marcellino 2012, DOCG Tuscany Italy (Agent, $59.00, WineAlign)

When the names San Marcellino and Monti in Chianti are invoked for Chianti Classico it evokes a singular sort of tradition and understanding. Stir in the grapes of a vineyard raised in the shadow of the 1000 year-old Pieve San Marcellino, 20-25 per cent of which are pulled from vines 50-plus years old and some ghosts will be summoned. Historians will recall that in 1039 Azzi di Geremia Ricasoli gave his brother all the rights he had on the district and many territorial disputes were to follow. Now in 2017 this 2012 top quality Gran Selezione is the current embodiment of all that tortuous history with welling tension of its own. Two years in barriques plus two more in bottle should be plenty to sooth a savage beast but this ’12 is not there yet. Thankfully a five per cent inclusion (since 2006) of local, endemic Pugnitello raises the complexity, complexion and complimentary game, lifting the sangiovese to bright heights. Red to black fruits on the nose give way to a mouthfeel that is surprisingly unshackling for top-tier Chianti Classico, in fact it’s soothing and comfortable. This is a tale of two Gran Selezione in one glass so leave it be for two years. Seamlessness awaits. Drink 2019-2026.  Tasted February 2017  #roccadimontegrossi  @RoccadiMontegrossi  Devon Masciangelo  #roccadimontegrossi

Vignamaggio Chianti Classico Gran Selezione Di Monna Lisa 2012, DOCG Tuscany, Italy (AgentWineAlign)

Vignamaggio’s Monna Lisa is blessed of demurred and beautifully hazy spirit, like a painting imbued of an artist’s ability to render a spiritual glow. Aromatics are delicate and lifted, certainly ripe berry and rendered by south exposure sunshine. This Gran Selezione is classic Greve in Chianti in every way, riper than many other Chianti Classico because of hill orientation, exposition and location. As always, when such a wine delivers more on the palate than it had in its shy way on the nose, success is immediately qualified. This carries that necessary but never overbearing acidity. Ingenuity and genuine honesty collide in a perfect world from what has to be the Monna Lisa’s great GS vintage. Bravo. Drink 2019-2028.  Tasted February 2017  @vignamaggio  @HHDImports_Wine  Vignamaggio  vignamaggio

Two soils of Bibbiano

Chianti Classico Gran Selezione DOCG 2011

Bibbiano Chianti Classico Gran Selezione Vigna Del Capannino 2011, DOCG Tuscany, Italy (AgentWineAlign)

The vineyard “Del Capannino” was planted in the 1950’s by the late great Giulio Gambelli, assistant to Tancredi Biondi-Santi. Not surprisingly and in connection to Brunello di Montalcino it is a clonal planting of sangiovese grosso, with further propagation done in the 1990s. The rich Albarese soil of Del Capannino enjoys the finest exposure and microclimate on the estate and is considered the best expression of Bibbiano’s “genius loci,” the spirit of the place. The first single vineyard vintage was 1998 and the Riserva designation switched to Gran Selezione in 2014, retroactive to the 2010 vintage. Today Bibbiano uses Botti (di rovere) Grande and Tonneaux (beginning in 2008) after barriques had been used for years. Still and always has been 100 per cent grosso, the only producer to do so in Chianti Classico. And so theirs is a liqueur that of course takes your mind to Brunello but this is purely Castellina and Chianti Classico so don’t be confused or tempted to settle for idyll comparisons. This has freshness, purity and that enticing meets teasing acidity, certainly consistent with and of no divergence to Bibbiano style. Ties to CC and CCR are blatant, necessary and so very pleasing. There is great structure but you can think about drinking this in its youth. It wont let out all its secrets but it will begin to tell its story. A story of territory. Drink 2019-2028.  Tasted February 2017  @bibbianowines  VineWhys Wine Experts  @bibbianowines  bibbianowines

Casa Di Monte Chianti Classico Riserva Gran Selezione Le Capitozze 2011, Docg Tuscany, Italy (WineAlign)

From San Casciano Val di Pesa, Casa Di Monte’s Le Capitozze, perhaps meaning “the spires.” This is the outlier, deeply perfumed and full of mentholated deep rub that wafts with reckless abandon from the glass. The volatility is part Brett and part over indulgence in minty-herbaceous behaviour. Drink 2017-2020. Tasted February 2017  Azienda agricola Casa di Monte  #capitozze

Passolini Dall’onda Chianti Classico Riserva Gran Selezione Sicelle 2011, Docg Tuscany, Italy (WineAlign)

From Barberino Val d’Elsa Sicelle is a fine Gran Selezione is a fine example here of how rich, ripe and strident fruit walks side by side with ripping acidity, never quite forming a perfect unison of cells, yet finding a way to coexist parallel to one another. This is a strong and red liquid ruby, tart and powerful example that certainly needs time to settle. Drink 2019-2023 Tasted February 2017  Fattoria Pasolini dall’Onda Borghese  #FattoriaPasolinidallOnda

Renzo Marinai Chianti Classico Gran Selezione 2011, Docg Tuscany, Italy (WineAlign)

Marinai’s Panzano Gran Selezione 2011 is 100 per cent pulled from the lower slope beginning at 450m and up to 550 called I Cappano, adjacent to La Massa, facing southeast (and also towards Carobbio). At this apropos time it is showing some lessening and integrating volatility along with some drying red fruit, that GS liqueur and plenty of barrique. It’s real time barrel stay is nine months in big barrel plus 18 in barrique. The vines are still quite young (in and around 15 years-old) but the galestro here is a mineral of will and strength. The style is so very 1990’s but one that has been accomplished with great acumen and skill. It’s the style, loyal to the estate and with the accompaniment of great structure. Like 1997 in so many ways. If you want to know something about the house philosophy, the words of the poet Iori Marinai may shed some light. “Come si fa a morire senza aver mai baciato un fiore? Or… “How do you die without ever kissing a flower?” Drink 2019-2026. Tasted February 2017    #renzomarinai  Renzo Marinai Panzano

Villa Trasqua Chianti Classico Gran Selezione Nerento 2011, Docg Tuscany, Italy (459685, $39.95, WineAlign)

Nerento lies at the heart of the Trasqua Vineyards and the vines take root in the deep red soil. The name might be mythical, a tree of life reference or from the Latin “nerent,” meaning courting. This is Gran Selezione that courts like a suitor, charming and suave but built on power and a deep liqueur, like at the bottom of a pure well. The sangiovese is still very kissed by wood and locked shut. The first bottle (over dinner) needed more than one hour to open, eventually releasing fresh florals (violets especially), herbs, savour and forest floor. The second bottle next day was not so eager to do the same. This is compact, woven, textured and refined sangiovese with forceful (and the promise of) delicate tannins. Drink 2019-2026.  Tasted twice, February 2017     Villa Trasqua  @HULSI_II  Frontier Wine Merchants

Good to go!

Godello

Twitter: @mgodello

Instagram: mgodello

WineAlign

Godello’s March through Prowein, The Ahr Valley and The Rheinhessen

Godello with Jancis Robinson

as seen on WineAlign

In March I attended Prowein in Düsseldorf, Germany, the world’s largest wine trade fair, tasting a fascinating array of wines. I also added short visits to lesser known regions, first the tiny Ahr Valley as well as Rheinhessen in Germany. Last month I published a brief synopsis report based on the following tastings:

Jancis Robinson, Alsace, Greek Assyrtiko, Chianti Classico, Franken Silvaner, The Ahr Valley and Rheinhessen…

It was one month ago that David and I attended Prowein 2017, the international wine congress in Düsseldorf, Germany of such immense proportion that words, description and explanation just fail to do it justice. If you are an agent your goals are simple; meet with your incumbent suppliers and taste with enough new ones to fill the holes in your portfolio. But what if you are a journalist like me? What do you concentrate on? Were do you start?

Canada’s two coolest wine cats present the country’s cool whites to a packed #Prowein house #Canadianwine #ontariowine #winesofbritishcolumbia #drjanetdorozynski #davidlawrason #beyondco

First things first. As a Canadian and a representative of Wine Country Ontario I hung around the Canadian pavilion, talked with our coast to coast winemakers, vintners and marketing representatives, took in the seminars on cool climate wines led by David and Dr. Janet Dorozynski and of course, tasted some wines. I’m glad I did because I might have otherwise missed out on four exceptional Canadian bottles.

It’s @jamiegoode talking up #Canadianwine at #Prowein

Pillitteri Estates Winery Cabernet Franc 2013, VQA Niagara Peninsula, Ontario (Agent, $24.95, WineAlign)

The quintessential cool climate vintage does for more than chardonnay and riesling as told by this classic tier cabernet franc. From winemaker Aleksandar Kolundzic who is rapidly developing guru status where cabernet franc is concerned, which comes as no surprise when you consider how many variations on the theme he lends his laser focus. The 16 months spent in two to three year-old oak leads to mellow melting integration and that seasoned, grace-gifting wood is used to great advantage. This is floral, expansive, chewy, firm and so very pretty. A wise old cabernet franc that will tell great stories of the years gone by well into the next decade. Drink 2017-2023.  Tasted March 2017  @Pillitteriwines pillitteriwines  @PillitteriEstatesWinery  @WineCountryOnt  winecountryont  @mkaiserwine  @WineCountryOntario

Vineland Estates Elevation Cabernet 2014, VQA Niagara Peninsula, Ontario (173609, $28.00, WineAlign)

The two thirds/one third cabernet franc/cabernet sauvignon stunner from Vineland Estates is pulled (and now labeled) from the 60-acre Bo-Teek Vineyard found within the designated viticultural area Niagara Escarpment (within the broader Twenty Mile Bench) sub-appellation. Estate cabernet of such acumen is predicated on the sound wisdom gathered by a viticulturist and Vineland’s Roman Prydatkewycz knows his cabernet. Winemaker Brian Schmidt takes this paradigmatic escarpment fruit, passes it through the optimal sorter, removes five to eight per cent imperfect berries and a quarter of the cabernet sauvignon fruit. What remains is hand-punched, sent to neutral barrels and is forgotten for 15 months. What emerges is a naturally sweet, vegetal-void elixir, sharp, focused, fervently nervous, tart and captured as if in a dark vacuum or void. It’s all tied inside snug, concentrated and intense. It’s too early for the burst but it will happen within another 12 months time, followed by a six to 12 year slow release of flavour, texture and descendent development of tannin. Drink 2018-2023. Tasted March 2017  @VinelandEstates  @benchwineguy  vinelandestates  benchwineguy  @winery.vinelandestates  Brian Schmidt  @WineCountryOnt  winecountryont  @mkaiserwine  @WineCountryOntario

Attention proweiners- Still time to discover cool @WinesofCanada in Hall 9 @CVAWine @WinesofNS #ontariowine #bcwine

Benjamin Bridge Brut Brut Rosé Sparkling 2012, Nova Scotia (Winery, $44.99, WineAlign)

The adjustment for vintage and evolution means that chardonnay takes more control in the Brut Rosé. Warmth and ripeness were easier to come by in 2012 and though the pinot decrease may seem antithetical and not obvious as a result, it is a brilliant stroke of adjudication. With a 43 per cent stake (plus equal parts noir and meunier) the 2012 Rosé rushes out as an open vein of fleshy aromatics, many of which you will have never nosed before. Citrus and floral exotica, like juice vesicles oozing out of fruit and herbal, of Murraya paniculata, pomelo and kumquat. The omnipresent vitality, energy, intensity and Bridge acidity is never denied and definitely not here but the vintage sets this ’12 apart and furthers the experience with travel around excellency. The liquid hits the palate, expands, vaporizes and recurs. It’s magic really, the sparkling wine tasting equivalent of vaping so cue the health benefits. Just when you thought Benjamin Bridge and winemaker Jean-Benoit Deplauriers had hit the mark they turn the mark on its head. Confirms two salient matters; the Nova Scotia sparkling wine leader is the Canadian commander and blush bubbles are what they do with constant consistency. Drink 2017-2022. Tasted March 2017  @Benjamin_Bridge  @jbdeslauriers  benjaminbridge  caveman__jones  @benjaminbridgevineyards  Jean-Benoit Deslauriers  @WinesofNS  #winesofnovascotia  @winesofns

Blomidon Estate Late Pick Sparkling Chardonnay 2011, Nova Scotia (Winery, $45.00, WineAlign)

The 2011 late-picked chardonnay, the “Hurricane” is a hyperbole of itself. Normally picked in later October, the frost-free weather allowed further time and development. Picked from seaside vineyards just ahead of another hurricane (in a season that included Irene), this is sparkling wine you just have to try. Though lean, taut and as intense as you are likely to taste, the developed character and complexity is visionary for Nova Scotia and Canadian sparkling wine. Three years on the lees brings the texture and fills the gaps, holes and voids created by such a tightly wound cool climate chardonnay. The dry factor is exaggerated in 2011 (a one-off says winemaker Simon Rafuse) but the wine takes full advantage of the Extra-Brut intent. Did it require the anxiety of a recent and an impending cyclone? Can it be duplicated? “That’s the story of the Hurricane.” Visionary for Nova Scotia and Canadian sparkling wine. Drink 2017-2022.  Tasted March 2017  @BlomidonEstate  blomidonestate  @blomidonestatewinery   Simon Rafuse  @WinesofNS  #winesofnovascotia  @winesofns

You can’t see it all, do it all or taste it all, so you pick your spots. The rest of my three-day, 12-pavilion cum airport hangar wanderings can be summed up in five ProWein experiences; Jancis Robinson, Alsace, Greece, Chianti Classico and a great exploration into Franken silvaner and spätburgunder. The grand dame of wine held a special intimate media tasting. With fewer than 18 international journalists in attendance, Jancis Robinson’s seven favourite wines at ProWein were poured, choices she noted “I think should be useful to our readers and seek out value.” Nahe and Weinviertel riesling, Chinese cabernet sauvignon, Crozes-Hermitage, Amontillado and my picks of the lot from Chile and Sicily.

Robinson’s full list of wines chosen and poured were as follows: Weingut Schäfer-Fröhlich Riesling Trocken Bockenaur Schiefergestein 2015, Nahe, Germany, Zillinger Grüner Veltliner Radikal 2015, Weinviertel, Austria, De Martino Cinsault Viejas Tinajas 2014, Itata, Chile, Tenuta delle Terre Nere Santo Spirito Rosso 2014, Sicily, Italy, Chateau Changyu Moser Family Cabernet Sauvignon 2013, Ningxia, China, Maison Tardieu-Laurent Vieilles Vignes 2015, Rhône, France, Williams & Humbert Jalifa 30 Year Old VORS Amontillado NV, Jerez-Manzanilla, Spain.

41 years experience. 65,000 to choose from. Seven meticulous picks. @jancisrobinson @Prowein #Prowein

De Martino Viejas Tinajas Cinsault 2014, Secano Interior/Coelemu, Maule, Chile (BCLDB, 72702 $16.99, WineAlign)

Poured by Jancis Robinson at ProWein 2017, the departure for Chile and cinsault hails from just south of Maule and well south of Santiago. Grapes come from a tiny commune called Coelemu and in fact the name Itata cannot be used for ‘un-noble’ grapes so Secano Interior is the nomenclature employed. Done up in old clay jars called “Tinajas,” the cinsault gets a sort of membrane, a cap if you will, of a layer of tannin and acidity due to the clay after 15 days of carbonic maceration plus a full year in those amphorae. The 31 year-old vines deliver the first strike, a natural cure, then bitter cherry and so the wine would service better with a further chill. Robinson notes that it’s “chock full of fruit and tradition,” an exploration wine, in a part of the world not on the bigger maps. Drink 2017-2019.  Tasted March 2017  @DeMartinoWines  demartinowines  @DeMartinoWines  @WinesofChile  @WinesOfChile  drinkchile  @DrinkChile

Tenuta Delle Terre Nere Santo Spirito Rosso 2014, Sicily, Italy (Agent, $56.95, WineAlign)

Here is a regional defining Etna Rosso that comes 16 years after the pioneers began to bring these volcanic magma gems to the world, like Frank Cornilessen and Andrea Franchetti of Tuscany’s Tenuto Trinoro in the Val D’Orcia. Made by Marco de Grazie, Santo Spirito is a single vineyard Etna made on the “black lands,” composed of 98 per cent nerello mascalese, deep dark and volcanic, off of 40-100 year old vines. It’s deeply hematic and the nose is like a cross between fennel and the marriage of lava and garrigue. The wine is aged in French barriques and it shows; of vanilla, really mellow liquid bitters. It’s warm (14.5 per cent), young, oak-welling though energetic, playful, like dark modern Burgundy. The finish as so very volcanic twang, like country music, Sicilian style. Such chewy and grainy tannin drapes all over that long finish. Drink 2018-2022.  Tasted March 2017  @tenutaterrenere  @WinesSiciliaDoc  @WinesOfSicily  @GroupeSoleilTO  tenutaterrenere  winesofsicily  realbenhardy  @TenutaDelleTerreNere  @WinesOfSicily

The honour and privilege to taste Alsace is always welcome and especially when the sit down happens with two exceptional humans like Christian and Valerie Beyer. Their Lieu-Dit pinot gris and noir were terrific examples but it was the Riesling that blew me away. From special limestone this is more refined than similar Alsace from granite, of a salty minerality and intensely elegant.

An @AlsaceWines reconnect with Christian & Valérie Beyer @EmileBeyer @Prowein #justlikestartingover #eguisheim #riesling #rieslinggrandcru #pfersigberg #pinotgris #lieudit #hohrain #pin

Emile Beyer Riesling Grand Cru Pfersigberg 2012, Ac Alsace, France (Winery, WineAlign)

The Pfersigberg or “hill of peach trees” consists of limestone conglomera Muschelkalk and Jurassic stone. Its south exposure on very deep soil produces early maturing wines but from the exceptional 2012 vintage Christian Beyer’s Pfersigberg will last a decade or more. His family’s domain has been farming organically since ’05, officially since ’12 and half of the producers in Egusheim are indeed organic. Christian explains that this Grand Cru is a special kind of limestone, so similar to Burgundy and it lends the salty minerality of itself. Always carries richness with lime fresh citrus, stone fruit acidity and some honey in a riesling that will turn waxy in secondary life. It’s really about mouthfeel and the crisp crunchy rock salt so I and I believe you should really concentrate on the aftertaste. This is more refined than similar Alsace from granite, here from 35-45 year old vines and 35 hL/L yields. Intensely elegant. Drink 2018-2028.  Tasted March 2017  @EmileBeyer  emilebeyer1580  Emile Beyer  Valérie Beyer  @VinsAlsace  @AlsaceWines  @drinkAlsace  vinsalsace  drinkalsace  @vinsalsace  @AlsaceWinesOfficial

With Panayiota Kalogeropouloun and Margarita Damigou of Domaine Sigalas at ProWein

I also sat down with Panayiota Kalogeropoulou and Margarita Damigou for a ProWein date with assyrtiko and it was a revelation to taste a single-vineyard white that turns the world on its head.

Domaine Sigalas Kavalieros 2015, Santorini, Greece (Agent, SAQ 11814421, $31.00, WineAlign)

I’ve not yet tasted the Kavalieros 2014, so this single-vineyard, 18 months on lees done in stainless steel Kavalieros 2015 made by “Mr. George” is the benchmark for Santorini, assrytiko and salty white wines everywhere. The first release was 2009. Straight up and turning the world on its head, like the old man on the label and upside down against Apollo’s Aegean Cyclades. This ’15 richer still, more than the seven villages wines and a hyperbole as compared to the entry-level assyrtiko, of deeper mineral, compressed, layered and fantastic. Crushed rocks permeate in aggregate, it’s quixotically saline and textured, of intense presence and finally, structured. For 15 years at least. A late shot of natural Santorini tonic swirls in centrifuge with assyrtiko so wound up. This will need 10 years to unwind and allow for cracks to form in the mineral shell, followed by the birth of its fruit. It should never be forgotten that assyrtiko can and will show fruit but with Kavalieros you’ll have to be patient. Drink 2020-2031.  Tasted March 2017  @DomaineSigalas  @MajesticWineInc  domainesigalas  @DomaineSigalas  Panayiota Kalogeropoulou  @DrinkGreekWine  winesofgreece  @newwinesofgreece

As does a natural Peloponnese Roditis, a white that ignites the light fantastic’s wire.

Domaine Tetramythos Roditis 2015, PGI Peloponnese, Greece (Agent, WineAlign)

Roditis 2015 is the natural one, racked from the top and finally now settled (so at this time of tasting 2016 is not yet in bottle but at this time of writing should already be as it always does in April). This is the cleanest and purest of the natural wines on the planet, low in pH, high of natural acidity and without a care in the world. With nothing to fear in regards to spoilage it can go on its own personal shopping spree, accumulate character, personality and confidence with the end result being that there is more of everything in the natural one. Its terrifically repeatable, replicable and clonal acidity makes it quite trippy, stepping on and igniting the light fantastic’s wire. You just have to take a stab in the dark with winemaker Panayiotis Papagiannopoulos’ roditis. Or ye have not yet lived. Drink 2017-2021.  Tasted March 2017  @Tetramythos  #tetramythoswines  @tetramythoswines  Devon Masciangelo  @DrinkGreekWine  winesofgreece  @newwinesofgreece

A roam through the Italian pavilion afforded tastings in Puglia, Sicily and as always Tuscany with a one on one face to face with Chianti Classico’s President Sergio Zingarelli and his estate’s flagship wine.

Rocca Delle Macìe Chianti Classico Gran Selezione Sergio Zingarelli 2012, Docg Tuscany, Italy (Agent, $122.95, WineAlign)

This is the flagship wine from the famed estate, a Gran Selezione that bears the patriarchal Sergio Zingarelli name. As expected it is a richer, deeper and depth welling GS, clearly aimed towards the crowning achievement of place, more hedonism, but of course, seeking purity and elegance. The extra year or two in bottle means integration and wood having subsided a bit. “We decided to change the vineyard in 1974 in front of Rocca to be the best vineyard with the best grapes and we will produce our best wine,” I am told by Zingarelli as we taste at ProWein. What was 90 per cent sangiovese (planted in 1999-2000) this 2012 is accented by colorino but in 2014 it will be 100 per cent sangiovese. Elegant as much as sangiovese and Gran Selezione will likely ever strive to be. It is hard not to be impressed with this wine. It bursts with the essence of plums and richest of red cherries, but it’s not without it’s requisite crunch and chew. The absence of astringency is remarkable and speaks to the quality of the fruit and the gentle touch while working with such phenolic ability. Start drinking this anytime. Drink 2017-2025.  Tasted March 2017  @roccadellemacie  @roccadellemacie  @ProfileWineGrp  Profile Wine Group  roccadellemacie  @chianticlassico  chianticlassico  @ChiantiClassicoUSA

Cantina di Ruvo Grifo Nero di Troia Riserva Augustale 2012, DOCG Castel del  Monte, Puglia, Italy (Winery, WineAlign)

Grifo in Castel del Monte was established in 1960 as a cooperative, with 400 farmers and still operates as such with flagship wines based on the local nero di troia. The output is quantified at 1,200,000 bottles per year and increasing. Augustale is the top tier varietal wine from a selection of the vines and produced in small quantities. There is no mistaking what it is, with that specific yeasty bright fruit, slightly volatile to funky but ripe and generous grape scent and bursting with flavour. Spent approximately one year in oak “but the greatest liars are the winemakers,” says Riccardo Ravasio, Direttore Generale presso (General Manager), with a wink and a smile. Mainly big barrels, plus a smaller percentage of small barriques. Fresher than primitivo and with more structure. This has presence and distinction with just a hint of dried fruit, flowers and truffle towards the finish. Classic adult, mature, experienced NdT.  Drink 2018-2022.  Tasted March 2017    @FedericaSchir  @cantinaruvodipuglia

Miracle on #etna from @PlanetaWinery eruptive #carricante of such acidity! The lime! #eruzione #1614 #patriciatoth #prowein2017 #winesofsicily #Prowein

Planeta Eruzione 1614 Carricante 2014, Doc Sicily, Italy (Agent, $39.95, WineAlign)

“Not everyone can carry the weight of the world,” save perhaps Planeta’s Patricia Tóth, a winemaker who celebrates the past, the endemic varietal and in the present, the glaring truth. The name Eruzione is evocative of the estate’s Cru dell’Etna and in a mind’s eye transports history through the narrative of carricante (with 10 per cent riesling). It brings the legendary 1614 Mount Etna eruption to life, a longest ever recorded catastrophe that lasted ten years, halting just on the border of the vineyards of Sciaranuova. This is veritable mountain altitude wine, from high (790-890m) terraced, volcanic black soils delivering fresh conifer savour, saltiness and palpable mineral style. It is sharp and composed on the nose, with citrus distillate and elevated acidity. It does not matter whether you are wide awake or deep in R.E.M sleep. At all times it is a revelation for carricante. This is what it can be! There was no need for crop thinning, it was picked four to five weeks after the sparkling and it spent five months on the lees. The texture and the potential longevity are thankful for this. “Combien, combien, combien du temps?” At least seven years. Talk about the passion. Drink 2018-2025.  Tasted March 2017  @PlanetaWinery  @Noble_Estates  planetawinery  plant dependent  noble_estates  @planetawinery  Tóth Patricia  @NobleEstates

No self-respecting wine journo departs #Prowein without tasting #carricante @PlanetaWinery with #patriciatoth #etna

The Germany pavilion is the epicentre of the ProWein universe. Gravity would naturally pull you to the Mosel and yet I was in search of an alternative experience. With travels to the Ahr Valley and the Rheinhessen looming I gravitated (naturally) to Franken and more specifically to an intensive workshop with silvaner and spätburgunder. The days of the old flattened ellipsoid, field bottle silvaner packaged in traditional Franconian Bocksbeutel are nearly behind us and while several modern, clean and pure examples match up with the great mineral fresh whites around the planet, one stood apart.

Franken Silvaner

Rudolf May Silvaner Retzstadter Langenberg Der Schäfer 2015, Franken, Germany (Winery, WineAlign)

May’s Der Schäfer silvaner comes from the Retztadter Langenberg, a slope of muschelkalk (predominantly from the lower muschelkalk, or wellenkalk) that characterizes the soil. Looking east the location is protected by the Retzstadt deciduous forest and the warm air of the Maintales flows from the west. This specialized and extra-special silvaner is balanced in its aromatic ability meets proper and right-willing alcohol (13.5), with great quality acidity. True salinity and caper brine put my mind’s senses into concepts where this shares a kinship with assytrtiko. It’s brilliant, stony-gemstone able, savoury, no actually sapid, and exceptionally mouth salivating. Just a touch of texture driven lees builds character and great persistence. Bitters before the end are finely distilled and character building. Fresh to drink now and with more ability than most to age. Drink 2017-2022.  Tasted March 2017  @frankenwein  #frankenwein  Frankenwein Fränkische Weinkönigin  @Weingut.Rudolf.May  @weininstitut  @WinesofGermany  @germanwineca  germanwine_ca  wines_of_germany  @germanwinecanada

So much to say about #silvaner and #spätburgunder #pinotnoir

Passion für Pinot Noir! is the avant-garde Deutscher Qualitäswein Franken slogan for spätburgunder. Rudolf May once again impressed with their Retzbach Benediktusberg but as I was about to pour myself a taste of the next wine, a Franken booth associate swooped in to slip me a Burgundy glass, so I knew this was going to be different. It was the next wine that taught me what Franken pinot noir can be.

Weingut Richard Östreicher Spätburgunder No. 1 Sommeracher Katzenkopf 2013, Franken, Germany (Winery, WineAlign)

No. 1 takes not only the estate’s best pinot noir pick but Franken spätburgunder and paradigmatic pinot noir to an entirely new level. The Katzenkopf (“cat’s head”) is Sommeracher’s best vineyard and it is Weingut Richard Östreicher that demands great respect. As I am about to pour myself a taste a ProWein Franken booth associate swoops in and slips me a Burgundy glass, so this must be different. Certainly an elegance and a refinement not seen yet. I’m thinking only on its perfume from the get go but this Franken sensibility is more important, a soil component that just acts of its own accord in the magic it brings to pinot noir. The compatibility of fruit and acidity with the finest grains of sweet and refined tannin is a revelation. The vintage is an important one to be sure and the firm but still amenably sweet finish mixed with a dash of tonic tells me about the longevity this No. 1 is capable to execute. Drink 2017-2027.  Tasted March 2017  #richardöstreicher  Richard Östreicher  @weininstitut  @WinesofGermany  @germanwineca  germanwine_ca  wines_of_germany  @germanwinecanada

The desparate grade of Ahr Valley vineyards

On day three of ProWein I jumped on the großer Magie Bus with 17 international journalists and headed for the Ahr Valley, one of Germany’s (of 13) furthest northern wine regions. With an area of 150 hectares (of 100,000 total in Germany), even the Mosel is not so far north. Our first visit was to Meyer-Näkel, a young winery in its third generation. Before that there was a winery (Meyer) and Näkel (restaurant). When the grandparents married the entities merged. In 1982 winemaker Meike Näkel’s father took the winery and her uncle the restaurant.

Michael and Meike

Starting out with two, now there are 20 hectares under vines. The slopes are ridiculously steep, prized for their blue slate soils and so difficult to work. Spätburgunder steals the Ahr Valley show and while Meyer-Näkel’s lieu-dit and grand cru (Großes Gewächs) are impassioned and important works, in Ontario you can find their affordable entry-level treat. It really is what basic German spätburgunder needs and is expected to be.

Meyer Näkel Spätburgunder 2015, Deutscher Qualitätswein, Ahr Valley, Germany  (427898, $26.25, WineAlign)

The entry-level pinot noir was bottled in the summer of 2016, after a hot season and dry elsewhere but in the Ahr it rained and it was cool overall. Picking was actually late and the aromatics show off the long, cool, floral temper. De-stemming and fermentation is immediately initialized but the maximum fermentation is 10 and usually six days. The pips are just a quick doo-wop to keep both green and bitter away. A focus on fruit, an absence of tannin and a pure varietal expression. Red trumps green, large wooden casks (15-20 years) also impart no tannin so the finality is simply cherry. That said, this carries some almond pit and green strawberry on the palate. It’s really what basic German spätburgunder is and expected to be. Nicely balanced and in at 13 per cent alcohol. Drink 2017-2019.  Tasted March 2017    @vonterrabev  Weingut Meyer – Näkel  vonterra  @MeyerNaekel  @weininstitut  @WinesofGermany  @germanwineca  germanwine_ca  wines_of_germany  @germanwinecanada

Yet nothing could prepare me for what a former German wine queen would pour. Julia Bertram grew up in Dernau, gained experience at Meyer-Näkel and Klumpp. In 2013 she launched her own her vineyard with just half a hectare and now farms three and a half. Nothing fascinates her and the “SchlAhrVino” (association of young Ahr vintners) as much as ripe wines, especially pinot noir. Her whole bunch, wild ferment spätburgunder is nothing short of intense. The world should get ready for her alternative Ahr universe.

World get ready for #juliabertram and her alternative #ahr universe pinot noir @weininstitut #ahrvalley #spätburgunder #handwerk

Julia Bertram Spätburgunder Handwerk 2015, Ahrweiler, Germany (WineAlign)

Former German Wine Queen Julia Bertram grew up in Dernau, gained experience at Meyer-Näkel and Klumpp. In 2013 she launched her own her vineyard with just half a hectare and now farms three and a half. Nothing fascinates her and the “SchlAhrVino” (association of young Ahr vintners) as much as ripe wines, especially pinot noir. Her whole bunch, wild ferment spätburgunder is nothing short of intense. Bone dry, tart and spirited by crisp acidity, the young vines and used barrels deliver notes that are embattled in a spontaneous, natural, posit tug. The world should get ready for her alternative ahr universe pinot noir. Drink 2017-2020.  Tasted March 2017    #juliabertram  Julia Bertram  @weininstitut  @WinesofGermany  @germanwineca  germanwine_ca  wines_of_germany  @germanwinecanada

The next two were Rheinhessen days, first with five Appenheim village winemakers at Weingut Willems & Hoffman, followed by a visit to taste more deferential and singular spätburgunder at Weingut J. Neus. The single vineyard of Hudertgulden in Appenheim is one of the Rheinhessen’s finest. At Neus we got grippy with the muschelkalk soil meets spontaneous ferments from the team of Operations Manager Lewis Schmitt and agronomist/oenologist/winemaker/cellarmaster Julien Meissner’s pinot noir.

Weingut Knewitz Riesling Hundertgulden 2015, Rheinhessen, Germany (WineAlign)

From the Burgundy-like soils of this special rolling hills nook in the Rheinhessen, replete with shells and corrals, the Hundertgulden, “hundred guilders” is the most important single vineyard in all of Appenheim. The vintage trumps 2014 and nearly bone dry is still the operative in this super salty, linear, lengthy and age-worthy riesling. A true blue limestone vernacular is spoken and the stone simply slides and glides through the wine. Definitive of place, with leesy texture, elegant, balanced and seamlessly woven through. There is more lime zest and juice than the Appenheimer and more overall citrus tendency. The mirror of Appenheim. Drink 2018-2022.  Tasted March 2017    weingutknewitz  @Weingut.Knewitz  @weininstitut  @WinesofGermany  @germanwineca  germanwine_ca  wines_of_germany  @germanwinecanada

Getting grippy with #pinotnoir #jneus @weininstitut #spätburgunder #ingelheim #muschelkalk

Weingut J. Neus Spätburgunder Muschelkalk Alte Raben Trocken Ingelheim Am Rhein 2014, Rheinhessen, Germany (WineAlign)

From vines 25-40 years old, depending on which barrels are chosen for the final blend, off of the estate’s singular limestone muschelkalk soils. Even some 45 year-old vine fruit can be used, ferments kept separate, just as winemaker Julien Meissner will do with the Großes Gewächs. After tasting the younger vines spätburgunder and trocken first this acts less up front fruit forward, now spirited, of a phenolic tonic, variegated, characterful, open and spontaneous. Large (600 and 1000L) 100 per cent new oak barrels add char and spice to the rampant cherry, but also structure that takes you on the ride from background to foreground. “A strict style of pinot noir,” says Meissner, a cellar master who triples as agronomist and oenologist. Reduction begs for patience and time, tannins are taut and there is this minty, Mornington Peninsula pinot effect. Fruit, tannin, chalk and the conduit of Neuss acidity. The whole package. Drink 2018-2022.  Tasted March 2017  @JNeus1881  jneus.ingelheim  @J.Neus.Weingut.seit1881  @weininstitut  @WinesofGermany  @germanwineca  germanwine_ca  wines_of_germany  @germanwinecanada

We moved away from the red wine thematic and into more familiar territory when we stopped in at Weingut Thörle for a visit with Christoph Thörle. The single-vineyard Hölle and Schlossberg rieslings are as exceptional as any in Germany but the Ontario presence of the Feinherb should never be overlooked.

Some of Germany’s finest #riesling coming to @TerroirTalk May 29th #thorle #Terroir2017 #christophthorle #saulheim #rheinhessen #terroirsymposium #holle #agotoronto

Thörle Riesling Feinherb 2016, Qualitätswein Rheinhessen, Germany (420091, $18.95, WineAlign)

Off-dry riesling does not always have to be bottled as such but in the Rheinhessen and at Thörle the category of Feinherb is anything but an afterthought. This started as a side fermentation in its first years but is now an important wine in the estate’s multi-tiered processes. The cuvée is gathered from younger vines plus one barrel of premier cru Saulheim fruit. A slight skin maceration (12-18 hours) is employed which helps to temper the tartaric acid though this will be swapped for whole bunch fermentation in warmer years. Hides some of its sugar, especially on the nose which is quite floral, of white flowers and honeysuckle. Honey and wax with sweet herbs bring all into playful light to taste, with plenty of sweet lime and lik-a-maid sour touches. For every Indian Food list in the world. Drink 2017-2020.  Tasted March 2017  Weingut Thörle  @WeingutThoerleGabsheim  @weininstitut  @WinesofGermany  @germanwineca  germanwine_ca  wines_of_germany  @germanwinecanada

On our last day in the Rheinhessen we stopped in at Weingut Manz and if you ever find yourself in their tasting room, expect a multi-varietal experience. On any given day you may taste weissburgunder (pinot blanc), riesling, grauburgunder (pinot gris), sauvignon blanc, spätburgunder (pinot noir), merlot, cabernet sauvignon and finally, huxelrebe trockenbeerenauslese. On this day it was the wines spoke to the territorial low yields and late harvest work of Eric Manz.

#goodcombo #weingutmanz #rieslingauslese #herrenberg #restaurantvolker #oppenheim

Weingut Manz Riesling Spätlese Trocken Kehr, Weinolsheimer 2015, Rheinhessen, Germany (WineAlign)

The Kehr from Eric Manz is riesling of extremely low yields and a late harvest for what shines to be high in complexity and aging potential. Generous skin contact and even more so in lees action effect makes this quite different than the Kehr “M” but also the Herrenberg Trocken Spätlese. With the sugar here remaining in line with the Hipping (Niersteiner) it is the high acidity that drives the Kehr machine. This seems less arid than the Hipping, more energetic and more reductive than the “M.” Higher potential for aging with so much lime cordial sparkles and brings spirit that will persist into a petrol and honey future that would have to be bright. Drink 2019-2026.  Tasted March 2017     Weingut Manz Weinolsheim   @weingut.manz.weinolsheim  @weininstitut  @WinesofGermany  @germanwineca  germanwine_ca  wines_of_germany  @germanwinecanada

I don’t always taste #roterhang Riesling but when I do it has to be in the #fockenberghütte

The week in Germany saw virtually no sun, that is until the final morning outdoors above the Rhein River under the shelter of the Fockenberghütte. Here we tasted the Nierstien wines of Weingut Domtalhof, St. Antony and Louis Guntrum with our charismatic M.C. Konstantin Guntrum. We walked the famed Roter Hang Vineyard and had the great fortune to taste Guntrum’s ethereal 1976 Neisteiner Heilgen riesling. Guntrum wears the passion for his home vineyard in his expression, on his sleeve and by the way he walks. “Roter Hang is a geological statement,” he explains. Red soils of friable sandstone, steep and breathtaking. Nierstein is the portal into which you can peer to wonder about great riesling grown above the Rhein.

Weingut Louis Guntrum Riesling Trocken Nierstein Oelberg 2015, Rheinhessen, Germany (WineAlign)

Nierstein’s Oelberg is for vintner Konstantin Guntrum a changing landscape, of different light and greater fog. This dry riesling gives off the sense of intelligence and so grabs your attention and demands your concentration. It also solicits conversation. Takes its time to open up, with no petrol note but the grace of mineral is back there. Lean but slowly changing and developing in just the short time in glass, the charm envelops your sense of smell and taste, renders them keen and then you give it up for the aftertaste and the persistence. While the layers will not yet peel away they will, though may need two full years to do so. Forget the need for immediate gratification because this one is mineral skin deep. Drink 2018-2024.  Tasted March 2017  @LouisGuntrum  #louisguntrum  Weingut Louis Guntrum  @weininstitut  @WinesofGermany  @germanwineca  germanwine_ca  wines_of_germany  @germanwinecanada

When you see one grand cru you’ve seen another grand cru #nierstein #rheinhessen #rhein #roterhang

The German wine experience is owed great thanks to Stefan Egge, Christiane Schorn, Brigitte Küppers, Michael Mandel and Carola Keller of ProWein press department, Messe Düsseldorf and Wines of Germany. I have been on many Press trips over the years and the organization in Germany was second to none. I will now begin looking forward to ProWein 2018. Until then.

Good to go!

Godello

Twitter: @mgodello

Instagram: mgodello

WineAlign

A Chianti Classico return to Villa Trasqua

I had been to Villa Trasqua once before, in May of 2016. Proprietor Sven Hulsbergen was more than kind and generous to say I would always be welcome back, so I took him up on that offer and returned in February 2017. I joined Sven and Villa Trasqua’s Export Manager Giorgia Casadio for dinner and to taste through the estate’s current releases, not to mention some spirited conversation and debate.

Related – The most important red wine from Italy

The following day in Florence inside Stazione Leopolda at Anteprime’s Chianti Classico Collection 2017 Sven and I run through the wines again with two Villa Trasqua associates, Francesca and Guilia. It is nearly impossible to gain a true sense of an estate’s Chianti Classico through the nadir scope of a single 12-hour window, even by tasting each bottle twice, yet such an ascent towards conceptualization and visualization leads to a higher probability of ken. I could not do this with just any Chianti Classico but Villa Trasqua’s wines are both encouraging and enabling. When sangiovese opportunity knocks, Godello walks through the varietal door.

A restful return and new visit with the #chianticlassico of #villatrasqua #castellinainchianti Thank you Sven. Thank you Giorgia. #graziemille

Related – Three days, eight estates, Chianti Classico

Located north of Siena in Castellina in Chianti with Monteriggioni rising majestically above the estate, Villa Trasqua is built around the ancient and exceptional vineyard known as Nerento. The estate dates back to 1965 and cultivates its 120 hectares and 10 vineyards in the oldest part of Castellina in Chianti. Trasqua is owned by Swiss brothers Sven and Alan Hulsbergen. Organically farmed vines and the gravity fed winery built on several levels are overseen by oenologist Franco Bernabei and Director Armand Metalla. The estate is represented in Ontario by Frontier Wine Merchants.

I tasted four new releases from Villa Trasqua, all from earlier vintages than the norm shown at the Chianti Classico Collection and held back because time in bottle is your ally and your friend. This is one of the ways that Bernabei refuses to let the estate’s wines melt into a puddle of conformity. The wines are not merely executed on behalf of comfort’s sake or stylized to emulate wherever the sangiovese grass is greener. They are specific to the soils with Nerento at the epicentre of it all.

The team at Trasqua takes what the land gives and allows each vintage to speak on its behalf. There are no forcing square pegs into round holes or the stealing of phrasing from other regional, or even more parochially, Castellina in Chianti micro-locales. Like love, sangiovese from Chianti Classico can’t be owned because no two are the same and Villa Trasqua’s are no exception but, they are becoming increasingly exceptional and each are their own emotive exemption. Here are the notes.

Annata, Fanatico, Nerento and Trasgaia

Villa Trasqua Chianti Classico 2013, Docg Tuscany, Italy (Agent, $19.95, WineAlign)

Trasqua’s from the Hulsbergen brothers (Alan and Sven) out of an idyllic, naturally rippling and undulating Castellina in Chianti bowl is 100 per cent sangiovese. I have to admit to fully agreeing with Sven when he tells me “you can drink this with red sauce.” I did in fact retroactively follow-up on this and tasted it alongside one prepared by him at the estate. The round, soft yet structured CC was, for the vintage and the pasta a perfect match. It’s that simple and you should try it, on a Monday night, as we did, in Chianti Classico, or anywhere else. This is traditional (perhaps even more so that their 2012) with its tart and edgy red fruit and some tannin. More than that is its smoke and smoulder, coming as it has from eight months in big barrels, eight more in concrete and finally, steel. Drink 2017-2019.  Tasted twice, February 2017     Villa Trasqua  @HULSI_II  Frontier Wine Merchants

Villa Trasqua Chianti Classico Riserva Fanatico 2011, Docg Tuscany, Italy (Agent, $29.95, WineAlign)

Though not declared on the label Fanatico is 100 per cent sangiovese in 2011 and very much in line, vein and style to the Annata Chianti Classico. The Bernabei entusiasta/amatore/appassionato for Trasqua’s exceptional Castellina in Chianti terroir comes across with CC amplifications so this does by its nomenclature in attitude, acidity and big red fruit. To stay clear of hyperbole balance was key to the vintage and here struck with firm, grippy and almost gritty amplitude. As a result it’s nearly atypical to traditional but it speaks to the specificity of Trasqua grown sangiovese. Drink 2018-2023.  Tasted twice, February 2017

Villa Trasqua Chianti Classico Gran Selezione Nerento 2011, Docg Tuscany, Italy (459685, $39.95, WineAlign)

Nerento lies at the heart of the Trasqua Vineyards and the vines take root in the deep red soil. The name might be mythical, a tree of life reference or from the Latin “nerent,” meaning courting. This is Gran Selezione that courts like a suitor, charming and suave but built on power and a deep liqueur, like at the bottom of a pure well. The sangiovese is still very kissed by wood and locked shut. The first bottle (over dinner) needed more than one hour to open, eventually releasing fresh florals (violets especially), herbs, savour and forest floor. The second bottle next day was not so eager to do the same. This is compact, woven, textured and refined sangiovese with forceful (and the promise of) delicate tannins. Drink 2019-2026.  Tasted twice, February 2017

Villa Trasqua IGT Toscana Trasgaia 2012, Tuscany, Italy (AgentWineAlign)

The IGT foray takes half sangiovese to mingle with two cabernets (35-40 per cent sauvignon and 10-15 franc) from the sandy Trasqua soils abutting Nerento. The name also combines and returns the estate to the earth. The conscious life of this blend centres around a currant crunch and a current of simplicity to solicit early and repetitive consumption with meals. This was bottled in May of 2016 so is now just coming into its window. There is a peaty, smoky note from the oak and this is one instance where sangiovese does not dominate, control or reign. It’s both rich and firm, typically Bernabei in style and with a tannic, beneficially bitter finish. IGT of a democratic and discreet kind. Drink 2017-2019. Tasted twice, February 2017

Good to go!

Godello

Twitter: @mgodello

Instagram: mgodello

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Fifteen ahead of VINTAGES April 15th

Yes we did. Who shucks’em cleaner anywhere close to the headwaters? #nobody @TideandVine

The VINTAGES April 15th release is all about value. I tasted through close to 100 over these past few weeks and wines under $20 are what stood out from the pack. My recommendations include four under $15 and six more under $18. Everything needed to get you through five months of impending warm weather is right here, right now. Enjoy.

Animus 2014, Doc Douro, Portugal (385302, $12.95, WineAlign)

@VFvinhos  @ProfileWineGrp  @winesportugalCA

Boutari Naoussa Xinomavro 2014, Pdo Naoussa, Greece (23218, $13.95, WineAlign)

@boutari  @KolonakiGroup  @DrinkGreekWine

Casal De Ventozela Espadeiro Rosé 2016, Vinho Verde, Portugal (450841, $13.95, WineAlign)

  @vinhosverdes  @winesportugalCA  @LeSommelierWine

Chateau D’aigueville Côte Du Rhône Villages 2015, Ac Rhône, France (479683, $14.95, WineAlign)

  @Eurovintage  @VINSRHONE

Lorca Selección Monastrell 2008, Do Bullas, Spain (380238, $15.95, WineAlign)

@BodegasRosario  @TheCaseForWine  @DOP_Bullas

Heartland Spice Trader Shiraz/Cabernet Sauvignon 2014, Langhorne Creek, South Australia, Australia (429241, $16.95, WineAlign)

From Langhorne Creek and reeking of exoticsim, the aptly-named Spice Trader is a glass of full-bodied shiraz-cabernet sauvignon savour. The seasonings are zesty, spirited, piquant and then finally, settled into a mulled warmth. Red peppercorn, cardamom and allspice bring a Malabar-Zanzibar, dhow-drift sail through the red fleshy fruit. No kernel is left uncracked and the spiked liquere leaves a lingering lift. More Langhorne than cabernet or shiraz but full of flavour. Drink 2017-2018.  Tasted January 2017  @heartlandwines  @TheVine_RobGroh

La Griffe Bernard Chéreau Muscadet Sèvre & Maine 2015, Sur Lie, Ap Loire, France (948182, $16.95, WineAlign)

@HHDImports_Wine  @LoireValleyWine

Alkoomi White Label Semillon/Sauvignon Blanc 2016, Frankland River, Western Australia, Australia (428383, $16.95, WineAlign)

@Alkoomi  @TFBrands

Château La Verrière 2014, Ac Bordeaux Supérieur, Bordeaux, France (349274, $17.95, WineAlign)

@MajesticWineInc  @BordeauxWines

Jaspi Negre 2013, Montsant, Spain (481085, $17.95, WineAlign)

@cocaifito  Grape Brands Fine Wine & Spirits

Tornatore Nerello Mascalese/Nerello Cappuccio 2014, Doc Etna Rosso, Sicily, Italy (487090, $21.95, WineAlign)

Domaine De Riaux Pouilly Fumé 2015, Ac Loire, France (200063, $25.95, WineAlign)

@LoireValleyWine  Old Cellar Collection

Closson Chase Closson Chase Vineyard Pinot Noir 2014, VQA Prince Edward County, Ontario (145888, $29.95, WineAlign)

@ClossonChase

Fontodi Chianti Classico 2013, Docg Tuscany, Italy (933317, $36.95, WineAlign)

    @rogcowines

Muga Prado Enea Gran Reserva 2009, Doca Rioja, Spain (743310, $57.95, WineAlign)

@bodegasmuga  @Vinexxpert  @RiojaWine  @Wines_fromSpain

Good to go!

Godello

Twitter: @mgodello

Instagram: mgodello

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Caro Carobbio

Peaceful afternoon in February light at #carrobio #chianticlassico #panzano

Few wanderlust statements sound better than “I returned to Tuscany” and with the greatest of fortune smiling upon me I am able to utter the phrase again. Not just Toscana mind you, but Chianti Classico, in and out of February Anteprime tastings, to a pin on the map south from Firenze along the Chiantigiana, sidestepping for the Florentine view from Impruneta, then through Greve and into Panzano. The reason for my return begins as it always does, to adduce a lifelong pursuit deep into the meaning of sangiovese. It also fosters a fixation dug into the variegated soils of Chianti Classico and even further still, to the nurturing, sub-appellative specificity of sangiovese’s intaglio secrets. With each return it also ingrains a feeling of coming home.

Related – Grace in Chianti Classico

The most recent visit brought me back to Panzano, first to Il Molino di Grace and then to Tenuta Carobbio. Panzano in Chianti lies at the heart of Chianti Classico and below the hilltop town sits the “golden basin” of the Conca d’Oro, once a prized wheat producing area interspersed with grape vineyards and olive groves. Carobbio is not so easy to find. The tight twisting road from Panzano climbs and descends before turning off-road for the descent into the valley where tucked away and recondite Carobbio lies. It is no stretch to call Carobbio a hidden gem.

Conca d’Oro

Forza e Passione

E la sua passione describes the vision of Carlo Novarese’s decision to create Tenuta Carobbio. The Como silk king was born into a family from Monferrato and the childhood memories of wine production at Sannazaro Castle conspired to transfer passion into the estate’s Panzano ways. At 60, Novarese handed over the family textile company to his son and returned to Tuscany. “A spontaneous return, perhaps atavistic, which marked a new beginning.” With a “desire was to return to his roots and begin living close to the soil.” During a magical evening in June 1986, in a moment frozen in time, Carlo Novarese felt the certainty of having found “un angolo di paradiso in Toscana, “a little corner of paradise.”

Capiteto

A little slice of Eden in Tuscany

The southern facing Carobbio set between 350 and 400 metres of elevation stretches over 50 hectares, mostly forested, 10 of which are specialized vineyards and two are dedicated to olive cultivation. The Panzano hill and its houses protect the southern Conca d’Oro valley from the cold Apennine winds. The peaks of Monte Domini, Poggio Convento, Monte San Michele and Monte Querciabella in the east shelter the vineyards of Carobbio from the winds and damp air from the Arno.

The soils are characterized by a significant proportion of deep clay, sandstone, siltstone strata, marl and Alberese, the latter two most typical of Chianti Classico. The land is simply and emphatically “un territorio che vive graze alla forza e passione delle persone,” a land that lives through the strength and passion of its people. The 150 year-old farmhouse, ‘Capiteto’ is a great symbol of the estate’s history, a home at the edge of the Conca d’Oro, with views stretching from Rignana in San Donato to Tavarnelle.

Silvia Fiorentini and Dario Faccin

After walking the estate I sat down with Carobbio’s Director of Winemaking Dario Faccin and the Consorzio di Vino Chianti Classico’s Silvia Fiorentini for a tasting of current vintages and indelible memory etching bottles from the past. Dear Carobbio, thank you for taking me in, for sustaining me and for introducing me to the mysteries of the Conca d’Oro. Here are my notes on the nine wines tasted, with thanks to Dario, including selections from 1997, 1995 and 1991.

Single-vineyard, 100 per cent sangiovese, so mineral-spiced you would think it came from barrel #notachance #carrobio #toscana #panzano #terrarossa #rosato #rosé

Tenuta Carobbio Rosato Terrarossa 2015, Igt Toscana, Tuscany, Italy (Agent, $32.95, WineAlign)

Carobbio’s is different, a rosato of its own accord from a hasty (24-28 hours) fermentation descried of 100 per cent sangiovese. After four to five months in stainless steel it asks to show the world what it has to offer from a specific, steep-terraced red clay soil vineyard, thus the moniker and only used for this wine. A mineral-saline aroma sears ahead of the fruit which is bright of light cherry and convincingly of an intent to celebrate sangiovese in a form not so often noted. Like a cross between Coonawarra of terra rossa for cabernet sauvignon and Swartland of schist for syrah but here with sangioivese, for Rosé. Much more fruit on the palate but still the light and lithe cherry. There is more colour from sangiovese, naturally, but not from pressing. A very distinguished and elegant Rosato. Drink 2017-2020.  Tasted February 2017  @Tenuta_Carobbio  @apparitionwines  @chianticlassico  @ChiantiClassUSA

Tenuta Carobbio Chianti Classico 2014, Tuscany, Italy (Agent, $37.95, WineAlign)

Chianti Classico 2014 is a Panzano in Chianti, Conca d’Oro sangiovese with five per cent merlot that takes just one whiff to gain an understanding of what’s going on with wine director Dario Faccin, Carobbio and where these wines are heading. From the start I would ask to leave vintage concern or controversy out of the equation and simply concentrate on the purity from a variegated sangiovese that is entirely specific to the vineyards here. The red to purple sangiovese, transversing a line from a classic to ultra modern without ever veering from what sangiovese must have been and quintessentially is, off of vines tendered into Carobbio’s soils. The only comparison thus far is the Radda in Chianti Colle Bereto from Bernardo Bianchi, here of course so different, but with perfect hue, avoidance of massive structure and bullish tannin, in a word or two, “molto elegante.” Precise. Drink 2017-2025.  Tasted February 2017

Tenuta Carobbio Chianti Classico Riserva 2013, Tuscany, Italy (Agent, $58.95, WineAlign)

For Chianti Classico Riserva the solo performance is 100 per cent sangiovese and just as 2013 must be this grabs you by the olfactory senses with elegant inhalant immediacy. You are immersed straight away into a wine without reserve in the way that the only the purest of Riserva can be. Philanthropic, generous and kind. Even more so and because it is Carobbio, there is no fence to jump over, hoop to hurl through or great wall to climb. Not in aroma and then what follows is palate texture and finally fine-grained tannin. Not even acidity will lash out but rather support, with more kindness. Everything is presented from the start with a wisdom that doesn’t rely on oxidative or cured character. Just elegance. Rich and affirming, for sangiovese and life. Humour this CCR ’13 and wait just one more year, per il rispetto. Drink 2018-2027.  Tasted February 2017.

Tenuta Carobbio Leone 2013, IGT Toscana, Italy (Agent, $119.95, WineAlign)

Leone is Chianti Classico incarnate, a single-vineyard sangiovese and perhaps the artist of the future known as Gran Selezione. The aromatics are a force from fruit raised in front of the river (Pesa) on the border between Florence and Siena, a high-density (5,000-5,500 plants per hectare) vineyard. In the first week of June Dario says “I take all the leaves off of the stems,” executed with risk-reward abandon but on second thought, as a factual matter of personal volition and intuition. Then two weeks later the smaller leaves begin to grow. This allows the early phenolic process to work on the young skins and increase the early offerings of photosynthesis. The skins carry a natural protection against the sun (in June) but not in August. Voila, wine begins in the vineyard. Leone is incredibly young and perfumed with so much restraint. It gets neither more precise, elegant or wise, or even more important, as a vineyard representative or as such a mindful and consistently right expression as this. The tannins are the finest of any you are likely to taste in sangiovese. The fruit is so perfect, red and purple, living and loving together, and you don’t need to name them. Dario insists on the simple and the obvious. That you taste the grapes every day at harvest and when the bottom of the skins do not attack you with aggressive tannin and the brown seeds crunch, you are ready to pick. “If you want to produce a great wine, you have to walk in the vineyard every day.” Leone’s got soul and only 4,000 bottles are produced. Drink 2020-2033.  Tasted February 2017

Tenuta Carobbio Pietraforte 2013, IGT Toscana, Italy (Agent, $119.95, WineAlign)

Pietraforte is the Carobbio diversion into 95 per cent cabernet sauvignon (plus five cabernet franc) out of a 30 year-old vineyard that generally yields 3,500 kg per hectare or what Dario Faccin deems “niente.” Only 2,000 bottles are produced and 2013 is still a bambino, with wood more apparent on the nose than the sangiovese, quite spiced and then even spicier on the palate. Nothing vegetal takes any place at this international varietal table but the franc lends its must give current, of currants and even a little espresso. This has cool red soil savour that the cabs will inherit from the wind and the earth. But I have to say and say it with conviction, this is more varietally correct and obvious than most. More cabernet than Toscana. Needs five years, minimum. 2022-2030.  Tasted February 2017

What are you tasting right now? #carrobio @chianticlassico #1991 #1997

Tenuta Carobbio Chianti Classico 1997, Tuscany, Italy (AgentWineAlign)

Chianti Classico 1997 was made by then oenologist Gabriella Tani, the first pupil of Vittorio Fiore. With 20 beautiful years of slow development now in the past this has drifted into the smoky, opaque and cloudy future, elegant and elongated though its best days have only recently receded out of view. Plums mingle with raisins while the original cherries are now dehydrating sweet and turning to leather. There is this delicate acidity and silky mouthfeel that reminds you of what Chianti Classico once was (and for some continue to make), that curative, always knew what it was going to be in disposition for two years even before it has taken its first steps. In glass 15 minutes it now changes and becomes even more like its original self, minus the tannin. The old funk is in, quietly slipping into the room, lingering and taking a seat at the table. It is most welcome. Drink 2017-2020.  Tasted February 2017

Tenuta Carobbio Chianti Classico Riserva 1991, Tuscany, Italy (AgentWineAlign)

Ranging back further to 1991, now this is something else, 26 year-old Chianti Classico (Riserva), but surely so like the normale, alive, singing and oh I bet it can tell some stories. From a Carobbio golden age, at a time when the wines were at one with grandfather’s pipe, when I and so many other children would sit on his lap and as the pipe-cleaner came out, we would take in a deep breath and this was the smell. He wasn’t Tuscan, never walked the Conca d’Oro, knew nothing of Panzano, but does it matter? Chianti Classico of no guru, no method, no teacher. Now the wine morphs into delicate, fine-spice, a moment’s travel on a magic carpet to somewhere exotic. Than back to sangiovese reality, with lavender, rosemary and wild cherry. The acidity in 1991 is kept, preserved alive so there will easily be five years left to repeatedly find this in a sound and gifting place. “We’ve got to go back. For the healing. Go on with the dreamers.” Drink 2017-2023.  Tasted February 2017

Tenuta Carobbio Leone 1995, IGT Toscana, Italy (Agent, $119.95, WineAlign)

Leone 1995 was made under the auspices of the Vittorio Fiore-Gabriella Tani oenology stylistic for Carlo Novarese. To say that this single-vineyard sangiovese is youthful would be the biggest IGT understatement of the century. From vines that at the time were 25 years-old, Leone is not just a survivor of a universally-declared incredible vintage, it is a singular expression from 1990’s Tuscany, in Chianti Classico and for Panzano. The violets, dried espresso and plum-amaretti semifreddo (savoury, not sweet) mixes with fennel frond, fresh rosemary and the 20-plus years lingering Carobbio tobacco. The acidity is fully intact, still travelling up and down the sides of the tongue, repeatedly and soliciting so much savour, sapidity, a desire for a mouthful of hematic, rare sear of Claudia’s beef filet and then more and more sipping. After 20 minutes the aromatics deliver a raspberry purée and even a black olive and mineral-saline, short of briny caper into the fray by stroke of some aromatic brush and bush in the light afternoon wind. That’s enough. I’m not sure my heart can take any more. Time for Vin Santo. Drink 2017-2029.  Tasted February 2017

A great honour to taste this 1995 #carobbio #leone and in memory of #carlonovarese Thank you Dario and Silvia. Would like the chance to do it again in 22 years #toscana #sangiovese

Tenuta Carobbio Vin Santo del Chianti Classico Occhio di Pernice 2010, Tuscany, Italy (Agent, $49.95, WineAlign)

Vin Santo del Chianti Classico Occhio di Pernice, “The eyes of the partridge,” called as such because it adheres to the credo of Vin Santo, made from at least 80 per cent sangiovese. Here the number is 90, with (five) trebbiano and (five) malvasia bianca, a completely different take, with so much more fruit, red fruit, away from the stone-peach/apricot vein and grounded, back down to the earth. Long, created by time in barrel spice, with the accent in cinnamon and there is this lemon peel and ripe crabapple aroma too. The palate is all cherry blossom liqueur, soft, creamy, downy, silky and nearly gelid. But it’s warm and comfortable. The gentlest and most ethereal Vin Santo in which acidity tempers sweetness, connecting with each other and neither bleeding ego or control. Drink 2017-2035.  Tasted February 2017

#vinsantophilia #carobbio #pannacotta

Good to go!

Godello

Twitter: @mgodello

Instagram: mgodello

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The heart and the hearth of Podere La Cappella

La Cappella S. Maria a Cerbaia circa 11th century

Two weeks ago I stepped back into Chianti Classico time for an all in, taste as many sangiovese as is humanly possible two-day inculcation at Anteprima 2017. The uninitiated will wonder and ask how this is accomplished. How do taste so many wines of the same ilk and differentiate from one to the next? The answer is really quite simple and straightforward. The sangiovese of Chianti Classico are like children. They are all different. They are snowflakes.

You will have noted my penchant for lengthy tasting notes and excessive use of adjectives. You’re likely privy to a certain infatuation with obscure and insignificant pop culture references and music lyrics. Have you paid attention to my running obsession with geology, climat and terroir? In Chianti Classico there is this ridge, an escarpment really that works its way from Tavernelle and across to San Donato in Poggio. The intendment of this geology and geography and its unique aspects play a vital role in determining some of the most complex sangiovese. The significance is not lost on my mission.

To a world who considers all sangiovese to be cut from the same cloth, from a fichu always woven of volatile acidity, fresh cherry and old leather, there are some things worth knowing. Like for instance did you know that both the Ricasoli and Carobbio estates are variegated with five unique and distinct soil types? Did you know that in Chianti Classico marl and limestone come in many variations, three of which are called Galèstro, Albarese and Colombino? Soil matters for what differentiates hundreds of contrastive sangiovese.

Which brings me to this very special visit I made to see Bruno and Natascia Rossini at Podere La Cappella. You do your best to breathe in and with eyes wide open examine to commit to memory the simple and extraordinary truths that you see around a property such as this. You see it as beatific, elysian, baronial and devout, as a small piece of paradise in a sea of paradisical estates in Chianti Classico, but here unequivocal to San Donato in Poggio.

Bruno and Natascia Rossini with Godello

The estate has been in the possession of the Rossini family since 1979, when Mr. Rossini, a native of Veneto, integrated the growing of vines and olives with the cultivation of apple and pear trees. In the early days Rossini sold off his grapes but in the subsequent years he was drawn to the temptation of self-guided expression and became a producer of Chianti Classico. A re-planting (and re-grafting) scheme took place between 1981 and 1985 and again in the 1990’s. Some varieties were removed and others moved in to take their place. Sangiovese was elevated to top-tier status and merlot was planted, grafted to chardonnay and vermentino rootstock.

Beginning with the 1995 vintage Podere la Cappella started producing its own wines, of Chianti Classico and Corbezzolo, a sangiovese IGT Toscana. Then in 1996 the company released their first merlot called Cantico and it was at this time that Bruno’s daughter Natascia joined in the family’s organically farmed and produced vinous endeavours.

Just across from the house and adjacent the winery in the park of the estate you can visit the small church of S. Maria a Cerbaia, mentioned for the first time in 1043. The church hosts some very precious artistic works, like a painting of a Madonna with the infant Jesus on her lap, which experts date back to the end of the 13th century. Also inside the tiny chapel you will note high relief works representing the stations of the cross.

Bruno and Natascia Rossini are what you might refer to as the most gracious of hosts. From the extraordinary hearth in the kitchen to their sublime and highly personal wines, my visit with them and the Consorzio del Chianti Classico’s Christine Lechner was not so much memorable as it was like going home. At Podere La Cappella, home is where the hearth and the heart can be found. The Rossini’s poured 12 wines for me to taste, before and with a Tuscan lunch for the ages. Here are the notes.

Podere La Cappella Oriana 2014, Tuscany, Italy (Agent, Winery, WineAlign)

There were very early plantings of vermentino on the property but a decision was made to graft those vines and re-plant them between 2010 and 2012. Oriana is the modern day estate’s 100 per cent varietal white, named after Bruno Rossini’s wife. The grapes are harvested when their colour turns to a mature gold, then left to sit in the cold cellar for 20 days so the perfume concentrates straight to the core. A very mineral vermentino, telescoped, structured, with spice but there is no oak. Non-filtered, precise, unctuous and incomparable. Needs time, but there is no frame of reference here, not for Tuscany, not for the verdant hills of Chianti Classico. Doesn’t make it unusual but makes it extraordinary. The specific galestro marl and columbino here is influenced by the sea, more than in Panzano and that mineral runs through, with the fantasy of fossilized shells, like Chablis. There was a sea here at one time after all. What else should it be compared to? Drink 2019-2027. Tasted February 2017

Podere La Cappella Vermentino Tancredi di Rossini 1998, Tuscany, Italy (AgentWineryWineAlign)

Bruno Rossini’s vermentino 1998 is still very much alive, with some must on the nose, running along a parallel line to TCA but it’s really just a matter of age and the cellar. Acidity is very much intact, the aromas are notable in lemon purée and gelée, some orange peel and to the palate with great viscosity. Really quite amazing when you think about it, 19 year-old Tuscan vermentino, of salinity and shells. Bring on the oysters. Drink 2017-2018.  Tasted February 2017

Podere La Cappella Chianti Classico 2015, Tuscany, Italy (Agent, $28.95, WineAlign)

Every Chianti Classico tasting should begin with a 2015 and Podere La Cappella’s is the ideal portal. Breaks it consistently down with 90 sangiovese and 10 merlot because, as we are informed by Natascia Rossini, “if you want to make Chianti Classico and drink it (relatively) young, you need to blend in a little bit of merlot or cabernet.” This is the wise sangiovese, from vines seven to 10 years old and still the mineral gives, even from young vines. Important in that it is raised with no new oak and in which richness is balanced by the sort of acidity that tries to remain out of focus, out of the spotlight. The fruit is dark and broods in youth, so a comparison to ’14 will be smart. The contrast reminds us of a more getable, dare it be said commercial vintage in this two sides of the moon sangiovese. Robust, consolidated, sober and gorgeous. Still, a year will make a difference. Drink 2018-2025.  Tasted February 2017

Podere La Cappella Chianti Classico 2014, Tuscany, Italy (Agent, $28.95, WineAlign)

As with the coming unrestricted vintage, the 2014 get together is 90 per cent sangiovese and (10) merlot but such a different animal. The acidity needed to be stronger for deferential (but classic) fruit squeezed from minuscule yields after so much rain. It all called for the requiem of very strict selection and there is this rusticity in ’14 along with so much more herbology and perfume. Roses and fennel, less fruit, more perfume. There is structure in 2014 and it is a wine that will develop secondary character because of the umami that is necessary without as much fruit due to sun deprivation. Frutti di bosco sharing equal aromatic time with frutti di conifere. Walks a more traditional, taut, direct and unconsolidated sedimentary line for Chianti Classico, with time travel ability to a future blooming with Angiosperms. It’s simple really. The sangiovese usually reserved for Corbezzolo went to Riserva and for Riserva relegated to Chianti Classico. Structure is not compromised. Drink 2018-2026. Tasted February 2017

Podere La Cappella Chianti Classico Riserva Querciolo 2014, Tuscany, Italy (Agent, $46.95, WineAlign)

The most recent release of Podere La Cappella’s “small oak tree” is a vintage success, as always a sangiovese (90 per cent) and merlot configuration and no other Riserva will ever give such defined perfume and richesse. In this smaller than small crop of a vintage the under-rock current is the galestro and the savoury, here with some spice from increased barrel, though of course no new oak. There is some fine chocolate and there is this sweet defined acidity and tannin. When you taste this side by side by each with the 2012 and the 2013 you begin to note these recurrent themes. The smell of orange skin (and in 2013 it was persimmon) is specific to Querciolo. In the pantheon of CCR this is very refined. Drink 2019-2025.  Tasted February 2017

Podere La Cappella Chianti Classico Riserva Querciolo 2013, Tuscany, Italy (Agent, $46.95, WineAlign)

The 100 per cent, “small oak tree” sangiovese is showing some reductive funk in ’13 though purely and surely reasoned of a sangiovese seasoning, melted into liquid, like fennel simple syrup. From what is generally considered a high quality vintage, confirmed by Bruno and Natascia, warm, balanced, not too hot, with some rain in the middle of harvest. Picking and selection required greater focus than 2012 though not as serious as 2014 so there is so much more terroir (than ’12) in here and tannic structure similar, though a step down from 2014. Not quite ready, actually, not even close, but gains potential complexity because it is youthful and spirited. Then a different note makes an appearance, one that is hard to define, a red or orange citrus. Wait for it…persimmon! What a finish this stretches towards, forever and intense to Riserva. Drink 2019-2031.  Tasted February 2017

Podere La Cappella Chianti Classico Riserva Querciolo 2012, Tuscany, Italy (Agent, $46.95, WineAlign)

Querciolo is 100 sangiovese (as always for the Riserva),”the small oak tree.” Time is of course the catalyst but who would deny for whatever reasons chosen that it is the most beautiful of the (2012-2014) vertical’s three, the only one with the first stages of its developmental life already complete. Come away with its pure fruit aromas and still the structure dominates the mathematical mind, demanding attention. What makes the difference I ask Natascha Rossini? “The extra year,” she shrugs and adds, philosophically, “for my father each wine is a son, or a daughter.” There is a liqueur in here that reminds of what happens with structured sangiovese, regardless of clone and irregardless to place, be it Brunello, Gran Selezione or Riserva. What defines this ’12 is inherent to the specifics of galestro marl from the hallowed grounds of San Donato in Poggio. Drink 2017-2029. Tasted February 2017

Podere La Cappella Corbezzolo 2013, IGT Toscana, Italy (Agent, $84.95, WineAlign)

The Corbezzolo from vine and into bottle is 100 per cent sangiovese and in name “the fruit tree that produces a very tart berry for making jam.” This comes straight from the heart of the Rossini matter, out of the oldest vineyard planted in 1990-1991. It would be hard not too think on Podere La Cappella’s sangiovese as untethered to family, to meals and the kitchen’s hearth. The demi-glacé in Corbezzolo is deeper, richer, slower developing, of graceful, elegant and ethereal aromatics, even a bit exotic verging on quixotic. There is this far eastern temperament because the fruit seems to simmer with cool, jasmine-floral savour in a galestro clay pot. The acumen is variegated in the singular Corbezzolo concentration but this is not a factor of extract or density. Depth is sangiovese light, dancing from 2013, a gorgeous vintage that everyone will want a piece of. Drink 2020-2035.  Tasted February 2017

Podere La Cappella Corbezzolo 2012, IGT Toscana, Italy (Agent, $84.95, WineAlign)

Corbezzolo in 2012 comes by way of 22 year-old vines and it carries a similar quality in deep, exotic and mysterious fruit. The rich get richer in such a very tannic vintage, taking this top-tier, 100 per cent sangiovese to a place up on a pedestal where it can be really heard. There is a chew to this 2012 and a meaty grip but always ushered along by the spirit guide of sangiovese. There seems to be this relationship between Querciolo and Corbezzolo whereby the current vintage of the former shares a kinship with the subsequent vintage of the former. Though Natascia Rossini will remind me that one extra year in bottle for her sangiovese will both trick and explain, I’m still convinced there is something to the counterintuitive duality. Only retrospective tastings like can reveal the truth. Drink 2020-2032.  Tasted February 2017

Podere La Cappella Corbezzolo 2011, IGT Toscana, Italy (Agent, $84.95, WineAlign)

The Corbezzolo in 2011 is another matter altogether as compared to what comes after, beginning with the 2012 vintage. The fruit is from 1981-1984 planted vineyards and if 2012 in (Querciolo) Riserva showed the most terroir it is the 2011 that does so for Corbezzolo. The older vines do just the opposite of what the 90’s planted vines do for Corbezzolo going forward. Here there is less exoticism and more mineral meets local terroir and with some time there emits this great ulterior perfume. But it’s a sangiovese perfume you can recognize, a fennel-liquorice aroma noted in other parts of Chianti Classico. What separates this ’11 from the rest is that Cappella acidity that is second to none. It’s also chewy, then crunchy with just a side note of chocolate, something that clearly dissipates with time. The structure in 2011 is also remarkable, but singular and with such fine pearls and grains of acidity, leading to the conclusion this will be so long lived. Drink 2018-2034.  Tasted February 2017

Podere La Cappella Cantico 2009, IGT Toscana, Italy (Agent, $123.95, WineAlign)

Cantico is hard to define, laying decanted tracks somewhere between a poem and a song, as in the form created by Dante. This is 100 per cent merlot from the oldest vineyard planted between 1981-1985 and grafted on the old vermentino and chardonnay rootstock. Rich in pure fruit and exoticism, steeped, of black cherry, graphite and more cherries, vivid and wild. This is very grown-up, mature IGT but still that Cappella acidity keeps it round and alive. The intensity and wisdom in this merlot is of its own accord but if you want to make comparisons to the likes of Galatrona, Masseto or Ricasoli’s Casalferro, be my guest. You won’t have much to say after you’re done. There is some still nearly hidden, secondary activity here that hints to truffle, porcini and balsamic but these are mere aromatic accents in a centrifuge of veal demi-glacé that has been simmering for days. Remarkable merlot. Wait two more years. Drink 2019-2029.  Tasted February 2017

Podere La Cappella Cantico 1998, IGT Toscana, Italy (Agent, $123.95, WineAlign)

“The canto is a principal form of division in a long poem,” and yet this 1998 has yet to sub-divide. The nearly 20 year-old Cantico is not as hard to figure as a precocious 2009 but a dante refrain is still the reference, at least with respect to nomenclature. The vines for Podere La Cappella’s 100 per cent merlot were but a mere but established 18-22 years old at the time and I truly believe the old vermentino and chardonnay rootstock had more effect on this particular wine. You can feel it in the Cappella acidity and this is what has kept it sailing along virtually unchanged and certainly unfazed. Few Toscana IGT tasted in 2017 could possibly show such youthful aromatics, barley perceivable yet replete with must be said are loyal and allegiant secondary mineral notes. Seek the mushroom and the truffle and they are not yet there. Wonder aloud that you feel a deep sense of the marl and you will still just be convincing yourself because you happen to know what lays under foot and under vine. The gioventù of the 1998 Canto is extraordinary and tells us so much about what to expect from not only 2009 but the Cantos to come. Drink 2017-2022.  Tasted February 2017

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Godello

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