Sicily in review

Nose deep at Baglio Christo di Campobello

Last week my first report from Sicilia en Primeur appeared over at WineAlign. I discussed the island’s amazing diversity of geography and how its producers have developed an uncanny ability in understanding of how to match their island’s multifarious and idiosyncratic varietal necessities to the über-specific demands of micro-climates and terroir. In that report 30 defining examples were explored and reviewed. In this Godello follow-up I offer up an expanded snapshot, with 45 additional tasting notes and dozens of images to highlight my eight days spent touring and tasting across bella Sicilia.

Related – Sicily’s varietal concentration: Measuring an island’s wealth in grape varieties, a journey through its winelands and tasting Sicilia en Primeur

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As seen on WineAlign … Have you ever felt so at home or been so comfortable travelling as you have been in Sicily? If you’ve not been then you might not understand what I mean. Sicily is Casa quantu stai e tirrinu quantu viri, “home for as long as you need to be and land as far as the eye can see.” I always assumed it would be the water to captivate me, but from endless seas of wheat to grapevines covering plains, hills and terraces, it would always be about the land.

You might also think this island in the southern Mediterranean would ripen grapes with the sort of ease akin to some of the world’s warmest climates, like South Australia or the Western Cape of South Africa. Oh that it were so simple. In Sicily they say, Austu e riustu capu i mmennu, “after August, winter starts.” Growing grapes is truly a matter of place. You need to be specific with your grape varieties and match them to your micro-climate, but also your soils. This is a Sicilian necessity.

Inside the doorway there's me, endlessly thinking and working. ~ The author at Tenuta Regaleali

“Inside the doorway there’s me, endlessly thinking and working.” ~ The author at Tenuta Regaleali

A trip to Italy’s southern most wine region of a mere eight days is enough to be struck by the number of specificities Sicilian winemakers and producers have already figured out in order to make generational decisions. The success of any wine region depends on knowing where to denote qualitative probability so that it is possible to achieve the greatest results. This is the Burgundian model and yet Sicily’s vineyards are defined within a land of mono-estates, much like Tuscany in that its crus are single-owner farmed. This means that in order to qualify their best blocks and single-vineyards they must do so with ambition and ego. Unlike Tuscany the complication is much greater because they are not going at the exercise with just one grape. This might be looked at as a most difficult undertaking but if you own your problems and your decisions you can make it happen. In micro terms there are 23 DOCs and one DOCG. Go smaller and look at the hundreds upon hundreds of contrade, crus or small geographic areas defined in terms of soil types, including many layered volcanic lands. In macro terms this is also why the island has chosen to create an all encompassing category: Sicilia DOC. It is in fact the only DOC unanimously chosen to represent the region as a whole. In terms of size Sicily is equal to South Africa, Germany and three of New Zealand. Yes, it’s bigger than you would have thought.

Godello, Jessica Bordoni and Sharon van Minden

At Castellare di Castellina’s Niscemi outpost of Feudo di Pisciotto on the plain of Gela it is oenologist Marco Parisi who talks of their location six kilometres from the sea but even more about the specific micro-climate. He tells of a project called reliquendo, an investigative and experimental vineyard where they study 13 indigenous varieties nicknamed “relics” because they are cultivars that are no longer used. They continue to study these varieties just to check if some of them have the potential to become or return to be a variety good for wine production. The mixed plantings of red and white are then treated with micro-vinificatons. Parisi is also focused on nero d’avola. When he waxes about the island’s most important grape variety he refers to it as having a typical smell of straccio bagnato, the “air of wet cloth.”

Capo Milazzo, Sicily

Sicily is occupied by a variability of viticulture, rainfall, elevation and and soils. The diversity applies to nero d’avola as well, with so much variation in cluster and berry size, biotypes and clones. it’s just not the same grape everywhere it’s planted and grown; Menfi, Noto, Capo Milazzo, Vittoria and Etna. Noto has calcareous soils like Jerez and Champagne, not really comparable to anywhere else. Capo Milazzo is alluvial, deep soils, friables, out of rivers that came from the northern mountains. Menfi and the whole western side has energy and colour, violets, plum, chcolate and mint. Vittoria is red fruit in style, with bottle aging capacity, generally turning fruity to leafy and tobacco plus/minus chocolate. Noto is close by but it’s a mobile texture, silk and velvety tannins. Capo Milazzo’s proximity to the sea leads to salt, algae, black cherry and cypress. All this from Patricia Tóth of Planeta.

Feudo Principi Di Butera winemaker Antonio Paolo Froio

At Feudo Principi Di Butera winemaker Antonio Paolo Froio points out the mix of conditions just within the estate’s lands, eight kilometres from the sea and even greater, the importance of mountain influences. The variability of the calcareous soil provides very different results in (especially) nero d’avola. Three distinct parcels, Trapani in the west, the estate’s central plain and the “eastern theatre” are all planted to different clones. The west deals in fatter wines of lower acidities, the east in smaller, compact bunches and in the central plain, less compact bunches, bigger berries, high acidity and tannin. These revelations lead to correlations and being able to make desired blends in varietal wines. As a result Antonio’s wines are pre-emptive, planned with great foresight and always with a caution strike. They are focused, precise, clean, sophisticated, subtle and balanced.

Castello Falconara

At Baglio Del Cristo Di Campobello proprietor Carmello Bonetta delves deep into the highly specific and territorial chalky soils and a micro-climate of high day for night diurnal temperature fluctuations. The limestone/gypsum in this portion of Campobello di Licata is quartz-like though very fragmented and fragile and it is here where grillo, the child of zibibbo and cattarrato was born. Masseria del Feudo’s Carolina Cucurullo is a fourth generation farmer with two distinct vineyards in Caltasinetta and of the first producers to plant chardonnay, in 1991/1992.

Agronomist Davide Bacchiega, Tenuta Regaleali

Agronomist Davide Bacchiega, Tenuta Regaleali

You would have to search the island many times over to find an estate project with more research and experimentation behind it than that from Alberto Tasca of Tenuta Regaleali. There is no sea influence at Regaleali so higher diurnal temperature swings mean picking times are generally late September to late October. In Siciliy! Tasca tells us “you learn from the bees, to know if you are doing well.” And so the approach is sustainability, to measure impact, to grow regal varieties, use herbs and to create biodiversity in the vineyards. “Organic is too static,” says Tasca. “I prefer biodynamic. It’s more in touch with the land and the practices that associate with the land. Sustainability speaks the greatest to impact.” So he and agronomist Davide Bacchiega work with universities, learn about soil health, raise cover crops and sheep for ricotta.

Alberto Tasca, holding court at Tenuta Regaleali

The focus on syrah takes place at Moreale because it’s too cool and wet around the estate at Regaleali. There is experimentation with perricone, alberello bush vines for nero d’avola and cattarrato. Rain is collected in man made lakes, for use in arid vintages and for cleaning tanks. Rosemary and bay laurel grow everywhere. Inzolia is grown in the Barbabietole Vineyard and heritage vines are propagated by burying canes, waiting for budding, tying it down with an iron ring and then cutting a spur into the vines. This methodology and preservation helps to keeps the true nature and spirit of a wine like Rosso del Conte alive.

Melissa Muller and Fabio Sireci, Feudo Montoni

Which brings us to Feudo Montoni. Fabio Sireci’s secret world is found in the Contrada L’Homo Morto. This is the heart of Sicily, where provinces collide and in terms of elevation his estate is one of the highest (at 700m) and sits at the confluence of the winds, including the Sirocco that blows from North Africa.  There is also 350 days of sunlight, something the surrounding wheat fields quite enjoy. But in Sireci’s vineyards there is no search for heat and alcohol, only freshness, high acidity, low pH and long life. Fabio says “we do not have a marketing plan, we have only what the grapes give to us.” His pre-phylloxera nero d’avola Vrucara vineyard houses 100-plus year-old alberello bush vines. Just as they do at Regaleali, at Feudi Montoni they make use of propagine, the method of replacing spaces where century vines have passed on, by burying an arm, allowing it to take root and then splitting it to become it’s own ungrafted plant. It’s quite simple. You can’t graft onto vines so old. “Everything here is stopped in time.”

Feudi Montoni, L’Homo Morto, Siclia

Feudo Montoni’s history goes back 1500 years with Roman records indicating that in the sixth century there was a notation of this field as being a place where specific biotypes of vines thrived. If Fabio could ever get past his inferiority complex perhaps he’d celebrate such knowledge. His vineyard is that special, 30 of 80 hectares planted are all his, il nanismo, “the dwarf estate.” Fabio and his partner Melissa Muller make 25 vinifications of the same grape, every year. Talk about experimentation and dedication to varietal understanding. “I love my land and we choose the best areas to bring my wines to the world,” he says with no complex whatsoever. Whites (grillo, cattarrato and inzolia) are planted at the highest elevations, where the iron and the magnesium rule. The lower parts are sandy, from erosion, with the presence of fossils and shells from an ancient sea. There is also black soil, with humus, layered, stratified, above the argilo, clay and sand. This is where you find Vrucara. “It’s easy to make good wine, more or less” says Fabio, “but we need to transfer the soul of the vineyard into the wine. Please don’t take me for a crazy person.” No chance of that Fabio. What about nero d’avola? “It’s like a crazy horse,” he insists, “wild and crazy young, then slowly refines. It needs micro-oxygenation and producers shouldn’t look at it with the market in mind.” He finishes by asking “What is nero d’avola? Look at a map of Sicily,” is the answer.

Palermo

After visits to Feudi di Pisciotto, Feudo Principi Di Butera, Baglio Del Cristo Di Campobello, Masseria del Feudo, Tenuta Regaleali and Feudo Montoni I travelled to take part in the Sicilia En Primeur events. In Palermo I took part in a walking tour of the city. The original one day stroll through the city of Palermo concentrated on baroque and contemporary art. The tour highlighted the urban changes of the seventeenth century Palermo and the originality of Giacomo Serpotta’s sculptures together with contemporary works of art from both public and private collections: Palazzo Belmonte Riso – Regional Museum of Contemporary Art; Galleria Francesco Pantaleone at the Quattro Canti; Palazzo Butera – Massimo and Francesca Valsecchi Collection (a building site due to open on June 15th for Manifesta 12, the European biennial of contemporary art, opening in the city in mid June); Palazzo Torremuzza with the Bevilacqua collection of contemporary art (to be confirmed as it is a private house, normally not open to the public). Starting from the Quattro Canti, the baroque heart of the city, continuing to Piazza Bologni with Palazzo Belmonte Riso and ending at Palazzo Butera on the waterfront, art historian and contemporary art curator, Valentina Bruschi illustrated the most interesting antique and contemporary works of art.

#notthesame ~ #quattrocanti #palermo #siciliaep18 #siciliaenprimeur #fourcorners

In Palermo we listened intently to a panel discussing the current state of Sicily’s wine industry and its connection to the city. The presentations by Maurizio Gily, Mattia Filippi (Assovini Sicilia), Antonio Rallo (Sicila DOC), Planeta’s Alessio Planeta and Palermo Mayor Leoluca Orlando all looked to connect the island by the phrase stato stazione delle una perfetta, meaning the union is currently situated in a perfect state, working together for the common good.

Fountain of Shame, Palermo

More than 100 journalists representing a total of 22 countries took part in the recently concluded edition of Sicilia en Primeur, a preview of Sicilian wines organized by Assovini Sicilia. As Palermo is the Capital of Culture for 2018, the city’s Palazzo Riso, Museo d’Arte Contemporanea della Sicilia was chosen as the backdrop for the tastings, masterclasses and meetings with wine producers, confirming once again the increasing amount of attention that the island’s wine industry is attracting from all over the world. By the numbers 53 wineries participated in the event, 450 wines were presented for tasting in the wine producer halls (50 of which were en primeur tastings), 360 wines were presented in the tasting hall, 144 wines were on the wine list, 103 Magnums and five standing room only masterclasses.

Sicilia en Primeur Press Conference, Museo Riso, Palermo

Sicilia en Primeur Press Conference, Museo Riso, Palermo

Potential was also stressed by the mayor Orlando. In his speech he explained “this city, like the island’s wine industry, has managed to overcome its challenges and now, thanks to the commitment of many, it has become the Capital of Culture. In Palermo, we have witnessed a cultural change and the same applies to the world of wine: we know how to work together to use our Mediterranean origins to our best advantage. To draw an analogy between the experiences of Palermo and Sicilian wine, it is fair to say that we have managed to reconcile the roots and the wings of our existence. A metaphor indicating our respect for the past and commitment to the future.” The mayor summarized his message with three words about his city of Palermo. “Exciting, safe and inexpensive.”

Palazzo Butera Palermo

The decision to allow producers and bottlers across the island to bottle under the appellative umbrella code of Sicilia DOC has led to a 124 per cent increase in the number of bottles produced compared to the first two months of 2017. “Just reward for quality and control,” says Antonio Rallo, Chairman of the Sicilia DOC consortium, also known as Consorzio di Tutela Vini Doc Sicilia. “This growth data is no surprise to us and confirms the level of interest companies are showing in the Sicilia DOC designation. An important element is that all of the Sicilian DOCs showed a pattern of growth in the first two months of 2018, confirming, as in the rest of Italy, that our aim is increasingly focused on a designation system capable of guaranteeing greater quality and controls throughout the entire supply chain, both in Italy and abroad.”

Missed flight first order of business #espresso

Take nero d’avola and now grillo as great examples of how Sicily has wrapped their arms around native grape varieties to create market share. Both grillo and nero d’avola can only be sold under the Sicilia DOC label. Grillo’s achievement as a top 10 selling Italian white wine confirms the legitimacy of this decision and above all that consumers have greater confidence in a product that is protected and guaranteed. “We are very proud of the results obtained for our Sicilian Grillo wines, which further confirms the growth trend of the Sicilia DOC label,” remarked Rallo, “but in particular it highlights how safeguarding autochthonous vines can bring excellent results in terms of sales and induce greater confidence in a market that is increasingly aware of the importance of purchasing a traceable product. The adoption of monitoring and control activities highlights the value of our vine varieties and acknowledges the importance of a controlled and guaranteed supply chain.”

Sicila en Primeur, May 2018

Sicila en Primeur, May 2018

My tastings across the island engaged no less than nine important grape varieties, plus the region’s most celebrated blend and only DOCG, Cerasuolo di Vittoria. The opportunities to taste happened during visits to the six aforementioned properties and the three-day intensive gathering in Palermo for Sicilia en Primeur. The four-part opportunity was split between Sommelier service, Masterclasses, walk around producer one-on-ones and a private morning hotel tasting from bottles generously offered by several producers and graciously collected by the JustSicily and Sopexa staff. The week’s wines included the whites; grillo, inzolia, carricante and cattarrato, plus the reds; nero d’avola, nerello mascalese, syrah, frappato and perricone. Most of the island’s table wines fall directly under the all-encompassing and smartly organized denomination of DOC Sicilia, with notable exceptions labeled as IGT Terre Siciliane. Deeper investigations took in the volcanic specialities of DOC Etna Bianco, Rosso and Rosato. Then there were wines from characteristic locations (and communes) such as Sclafani Bagni, Noto, Campbello di Licata, Milazzo, Niscemi, Cammarata, Mozia, Caltanissetta, Menfi, Butera, Acate and Vittoria. Here are my reviews of 75 wines tasted in Sicily.

Tasting through the range of Planeta Winery with winemaker Patricia Tóth ~ Image (c) Pasquale Buffa

Tasting through the range of Planeta Winery with winemaker Patricia Tóth ~ Image (c) Pasquale Buffa

Inzolia, Grillo and Catarratto

Masseria del Feudo Inzolia Sicilia DOC 2017, Sicily, Italy (WineryWineAlign)

From vineyards in Caltasinetta at 450m, organic, picked in the third week of September. Wild ferment and done up in stainless steel. The inzolia with the most amount of lemon and orange peel to nose, it’s a very fruity and ripe rendition with the classic metallic tang and pith bitter finish. But it’s soft, amenable and gracious. Solid, non-agreesive inzolia. Drink 2018-2019.  Tasted May 2018  masseria.del.feudo  @fcucurullo  Masseria del Feudo

The lacquer of #polpo @ Baglio Cristo di Campobello

Feudo Principi Di Butera Insolia Sicilia DOC 2017, Sicily, Italy (Winery, WineAlign)

Seró is 100 per cent insolia, a selection of finest limestone parcels subjected to a very cold and extended maceration. Table sorting selection eliminates the smallest and least effective berries and then, a soft crush. Certainly an increase in texture and ripeness with both phenolic and sugar/alcohol but still comes across as the leaner, less tangy and oxidative style typical of winemaker Antonio Paolo Froio’s directive. Also an increase in tropical fruit aromatics. The aim is for a certain amount of longevity and this should extend three to four years though more than five would be a stretch. It’s a trial and the curiosity factor is one full of intrigue. Drink 2018-2020.  Tasted May 2018  feudobutera  Zonin  francescozonin  Sebastien Ouellet  zonin1821  FeudoButera  Antonio Paolo Froio  Zonin  Francesco Zonin

Feudo Montoni Inzolia Dei Fornelli Sicilia DOC 2017, Sicily, Italy (539932, $22.95, WineAlign)

“Inzolia sometimes is afraid of Inzolia,” says Fabio Sireci, “so it is so often mixed with chardonnay, because it’s considered too neutral.” In Montoni’s hands it has been a varietal wine for a few years now, learning from micro-vinifications, practicing, seeing what it needs. Here it comes with a combination of peach and citrus, saline without tasting at all of salt and so, what is this? It’s the sedimentary rock and the varietal soul. How else to explain the magic? Come un lama, like a blade, cutting through fruit that came bled from stone. Implosive impressionistic tang, thriving in the mouth. Terrific texture, like a laser. Drink 2018-2022.  Tasted May 2018  feudo_montoni  @FABIOSIRECI  Fabio Sireci Feudo Montoni (Fabio Sireci)  @feudomontoni

Masseria del Feudo Grillo Sicilia DOC 2017, Sicily, Italy (WineryWineAlign)

Also from the vineyards in Caltasinetta, similar to the inzolia but an earlier pick (third week of August), wild ferment, same altitude, a rich and even creamy grillo but with a clarity defined by the trace elemental-mineral push of the vineyard. Orange segmented and a touch of grapefruit, peach skin, a slight pith, no barrel but characterized by lees. Might develop a honeyed note in a year which can only elevate the sense of balance. Drink 2018-2020.  Tasted May 2018  masseria.del.feudo  @fcucurullo  Masseria del Feudo

Love me a little lean and focused #grillo in the morning

Feudo Principi Di Butera Grillo DOC Sicilia 2017, Sicily, Italy (Winery, WineAlign)

The estate’s vineyards for grillo are upwards at 500m above sea level and the treatment is considered in many ways like what would be done for sauvignon blanc. A minor reduction means locked in freshness and grillo takes a turn towards snappy green apple fruit. It’s also terpenic, with white and yellow flowers, good persistence and the veering to the verdant side of the spectrum with a classic Butera lean strike. Drink 2018-2020.  Tasted May 2018  feudobutera  Zonin  francescozonin  Sebastien Ouellet  zonin1821  FeudoButera  Antonio Paolo Froio  Zonin  Francesco Zonin

Feudo Montoni Grillo Sicilia DOC Timpa 2017, Sicily, Italy (111252, $22.95, WineAlign)

Grillo here is warmer, fuller and more intense than 2016. This zibbibo and catarratto cross can’t help but see, feel, hear and sense all that it comes from, with a catarratto lucido heritage, more laser-like, with layered citrus, honest, clear and transparent but more aromatic and a minor note of akin to certain southern aromatic varieties. Orange zest and fennel broth mix with real fruit and the omnipresent stoniness. Drink 2018-2023.  Tasted May 2018  feudo_montoni  @FABIOSIRECI  Fabio Sireci Feudo Montoni (Fabio Sireci)  @feudomontoni

Feudo Montoni Grillo Sicilia DOC Timpa 2016, Sicily, Italy (111252, $22.95, WineAlign)

Fabio Sireci’s 2016 grillo carries the aromatics of sugary fruit with exceptional ripeness with thanks to long, slow and perfectly developed phenolics and of course, altitude in Sicily. The mouthfeel is magic with tropical lychee, mangosteen and green mango flavours. These are not aromas but actual flavours. From a member of “schizophrenic grapes that include it and vermentino,” personalities that split and divide depending on harvest time. This is picked early enough to avoid a terpene and gooseberry-figgy wine. Lemon, mint and musk all come in to play but it is the tropical fruit and pure acidity that take the reigns. The absolute level of elegant tart incarnate. So good. Drink 2017-2020.  Tasted July 2017.  feudo_montoni  @FABIOSIRECI  Fabio Sireci Feudo Montoni (Fabio Sireci)  @feudomontoni

Carnage for two please, By Bye Blues @ Mondello Beach

Planeta Grillo Terebinto Menfi DOC 2017, Sicliy, Italy (WineryWineAlign)

Planeta’s varietal grillo is raised at Cantina Ulmo in Menfi, a western Sicilian outpost where pebbly-inlaid deep soils are found around Lake Arancio. The terebinth is a Sicilian shrub with glossy fronds. a.k.a. Pistacia Terebinthus or white pistachio, used as rootstock for pistachio production. The Menfi grillo is pulled from a low lying clay vineyard at 50m. Aromatics and texture are equally rich at maximum ripeness as bottled sunshine, pomelo sago unctuous and so consumable. Mango trees are actually in the same family as pistachio but of more interest is the fact that the female trees produce the nuts while the male produces the pollen. Sounds familiar, not to mention that male and female pistachio trees are often grafted together to bring about pollination. Drink 2018-2019.  Tasted May 2018  planetawinery  plant dependent  noble_estates   @PlanetaWinery  @Noble_Estates  @planetawinery  Tóth Patricia  @NobleEstates

Baglio Del Cristo Di Campobello Grillo Sicilia DOC Lalùci 2017, Sicily, Italy (Winery, WineAlign)

Lalùci in Sicilian dialect means “the lights” or in terms of financial crisis, carry on, stay the course, “keep the lights on.” As a solo artist (100 per cent) grillo carries a lemony freshness that gets lost in bianco (blends) and along with this citrus there too is a pith bitterness. Herbs are also in play, mainly thyme and a faint but deliciously subtle rosemary. What trumps the bianco is the seamless transition to palate weight, with a move to more tropical flavours, almost mango but certainly peach. A taste of 2009 shows can girl can age so stash one or two away for some early twenties fun. Drink 2018-2022.  Tasted May 2018  cristodicampobello  campobello_wine  cristodicampobello

Baglio Del Cristo Di Campobello Grillo Sicilia DOC Lalùci 2009, Sicily, Italy (Winery, WineAlign)

The nine year-old grillo’s lemon is intensified, preserved, reduced to a curd’s flavour and consistency, now the light at the end of a dark tunnel. it’s a symbolic, if almost mythical bottle, only five Lalùci (now four) left in this world and certainly a romantic ideal. The lights are still on, the project still in operation and the family fully entrenched, exaggeratedly excited and carrying the torch from papa Bonetta. This is a lovely older wine, really well-aged, still alive, impressive in its longevity. Drink 2018-2020.  Tasted May 2018  cristodicampobello  campobello_wine  cristodicampobello

#pecore di Regaleali

Tasca D’Almerita Grillo Mozia DOC 2016, Sicily, Italy (Winery, WineAlign)

This grape grows in particular among the salt flats of the Marsala Pond on the small island of Mozia, an environmental and archeological gem where the Phoenicians once passed through. There are 17 hectares of grillo di Mozia, with oenologist Giacomo Ansaldi at the fore, bush system (Alberello) planted vines on sandy soils and a pruning system with 10 buds on the cane to guarantee production but also to protect from wind, sun and heat. The grapes are sent over by boat to Regaleali for production. The grillo sees four months on the lees and while it was a challenging vintage with no rain from April to September, nature and the sea always bring temperature fluctuations. Excellent grillo here, sapid, rich and very mineral from vines deeply in search of trace elements. The marine influence in notable so this is like no other with a sémillon character but still with grillo fruit. Might develop some honey. Drink 2018-2022.  Tasted May 2018  tascadalmerita  @TascaWine  Alberto Tasca  Tenuta Regaleali  Tasca d’Almerita

Tasca D’Almerita Catarratto Sicilia DOC Antisa 2017, Sicily, Italy (Winery, WineAlign)

Antisa is planted in the highest part of the estate, is harvested late, after nero d’avola, as well as perricone. It’s a vine that deals with heat and aridity stress better than grillo. This from Tasca is deeply rendered catarratto, of metallics and orange blossom, sapid again but with a candied floral that transfers to the palate and with more persistence. Pure lemon all over the finish. Drink 2018-2022.  Tasted May 2018  tascadalmerita  @TascaWine  Alberto Tasca  Tenuta Regaleali  Tasca d’Almerita

Feudo Montoni Catarratto Sicilia DOC Masso 2017, Sicily, Italy (111252, $22.95, WineAlign)

Catarratto by Fabio Sireci is salty and sapid of course, carrying the name of the vineyard in the Contrada L’Homo Morto, Masso meaning “hill of rock.” It is point of fact catarratto that is cultivated at the highest point on the estate. Brings a clean and bright clarity, clarified through inox and then into cement tank. Few catarratto will deliver this balance between fruit and stone, with a calm warmth that settles on your palate. Drink 2018-2021.  Tasted May 2018  feudo_montoni  @FABIOSIRECI  Fabio Sireci Feudo Montoni (Fabio Sireci)  @feudomontoni

Mazzei Zisola Asiza Sicilia DOC 2017, Sicily, Italy (Winery, WineAlign)

This is third vintage of Zisola’s Azisa, finding great success even though Filippo resisted planting white grapes. The blend is grillo and catarratto of balance and decadence, ripeness from vintage, rich, summery, full of fruit and just a hint of skin contact. Drink 2018-2019.  Tasted May 2018  marchesimazzei  profilewinegroup  @MarchesiMazzei  @ProfileWineGrp  Marchesi Mazzei – Castello di Fonterutoli  Profile Wine Group

Missed flight fourth order of business @byebyebluesPA #mondello

Nero d’Avola

Feudo Principi Di Butera Spumante Brut Sicilia DOC Neroluce, Sicily, Italy (Winery, WineAlign)

This Charmat method sparkler is made from the dark-skinned nero d’avola and its impossibly pale hue makes the oxymoron that much more incredible. Picked mid August it smells like deep and dark red fruit and because it carries a naturally high number of natural sugar there is in no real need for dosage. Smooth, balanced, calm and fit with just the right amount of buoyant acidity. Drink 2018-2019.  Tasted May 2018  feudobutera  Zonin  francescozonin  Sebastien Ouellet  zonin1821  FeudoButera  Antonio Paolo Froio  Zonin  Francesco Zonin

Mazzei Zisola Noto Rosso Sicilia DOC 2016, Sicily, Italy (303925, $19.95, WineAlign)

Tasted with Filippo Mazzei in Palermo, Noto Rosso is nero d’avola from the Cantina in Sicily owned and operated by the Castellina in Chianti estate that produces Fonterutoli. A stainless ferment is followed by 50 per cent aging in stainless and 50 in 2nd and 3rd passage oak barrels, It’s a perfectly rich and plummy nero with great red liquorice tang and a distinction to celebrate pure, honest commerce. Very nero, very Noto. Drink 2018-2021.  Tasted May 2018  marchesimazzei  profilewinegroup  @MarchesiMazzei  @ProfileWineGrp  Marchesi Mazzei – Castello di Fonterutoli  Profile Wine Group

Feudo Principi Di Butera Nero D’avola Sicilia DOC 2016, Sicily, Italy (Winery, $18.95, WineAlign)

Really complex perfume, jumping from the glass, fresh, vital, from large plantings that make up more than 50 per cent of the agriculture. It’s both dark red fruit expressive and also herbal, of fennel and then a territorial limestone impression running through the fruit. Quite chewy and expansive in the mouth, all a result of stainless fermentations followed by older, larger barrels, 30 and 50 hL. Gives a broad, soft, elasticized and stretched palate texture with no departure from varietal and place. Very focused, clean, modern interpretation with no excesses, attitude or conceit, nor ambition neither. Drink 2018-2021.  Tasted May 2018  feudobutera  Zonin  francescozonin  Sebastien Ouellet  zonin1821  FeudoButera  Antonio Paolo Froio  Zonin  Francesco Zonin

Terre Di Giurfo Nero d’Avola Sicilia DOC Kuntari 2014, Sicily, Italy (Winery, $19.50, WineAlign)

Kuntari is where the classicism of soil meets barrel-driven nero d’avola is fixed at the twain so that high tonality raises the awareness of sun-worshipped fruit. While that is happening there is no love lost at the vortex of that union because it is blessed by tannin. Plum dusty and full of medicinal herbs this brings back the past and a most recent account of how nero d’avola arrived at this place and time. It’s a big nero, warm, grippy and powerful. Drink 2019-2024.  Tasted May 2018  terredigiurfo  cavinonawine  @terredigiurfoIT   @Cavinona  Terre di Giurfo  Cavinona – Italian Wine Delivered

Pasta al Forno, by Melissa Muller

Feudo Montoni Nero d’Avola Sicilia DOC Lagnusa 2016, Sicily, Italy (523738, $22.95, WineAlign)

Lagnusa is a nickname though Fabio Sireci doesn’t clarify if its him, or perhaps his father, or a farmer on the property. These nero d’avola vines come from grafts taken off of the ancient Vrucara. Fabio’s “entry-level” nero is one of a younger, youthful maturity and a prune-cinnamon-salumi trilogy, with only a hint of wood, micro-oxidation by cement vats and ultimately fruit-earth-black sandy stone earth balance. Always the Cammarata comune in the Province of Agrigento Montoni sapidity, of grit, grip, strength and understanding. A double rainbow might just appear after a sip of this regional nero d’avola from the Montoni property. Drink 2019-2024.  Tasted May 2018  feudo_montoni  @FABIOSIRECI  Fabio Sireci Feudo Montoni (Fabio Sireci)  @feudomontoni

Planeta Nero d’Avola Sicilia DOC Plumbago 2016, Sicily, Italy (Agent, $24.99, WineAlign)

Plumbago the nero d’avola from Menfi and the purple wildflower that grows in the woods and around the farmhouse at Planeta’s Ulmo estate. Lake Arancio is the vineyard location for the downiest nero in town. Soft in terms of fruit but high acidity full of pulse and energy, a tart intensity and a brushed swath of current, in every colour, crack-scented, tang-sapid and liquid chalky textured. The homes are 3rd and 4th passage barriques and tonneaux plus a year in bottle to market. Lovely balance on the high beams caught in the frame of the headlights. Drink 2018-2021.  Tasted May 2018  planetawinery  plant dependent  noble_estates   @PlanetaWinery  @Noble_Estates  @planetawinery  Tóth Patricia  @NobleEstates

Baglio Del Cristo Di Campobello Nero d’Avola DOC Sicilia Lu Patri 2015, Sicily, Italy (Winery, WineAlign)

In Sicilian dialect Lu Patri means “the father,” explains Carmello Bonetta, “which is really my father but also every father” and the variety is the father of them all. At Cristo Di Campobello nero d’avola plays the part of everyone’s father, including the evocation of the religious one, the most representative. Here the specific chalky limestone works with grape variety and peeks through despite the make up, bringing a zinging, ripping, tart and tangy nd’a with energy and that classic acidity. Also the classic amaro bitters, part burnt orange, part liquorice and part fennochio. This should age with stony ease. Drink 2020-2027.  Tasted May 2018  cristodicampobello  campobello_wine  cristodicampobello

Baglio Del Cristo Di Campobello Nero d’Avola Sicilia DOC Lu Patri 2009, Sicily, Italy (Winery, WineAlign)

We tasted two bottles of Lu Patri 2009, the first being a bit muted, not very evolved, a character that could be described as one of slow micro-oxygenation. In the second a minute advancement and I agree with Carmelo that this is preferable, because by now it is clear that all of his wines get better with age. They are not that much fun when stuck inertia-like in their undeveloped youth. The evolution at this stage has brought wild cherry, part fresh (Yes!) and part dried. The acidity is linear up and down the sides of the mouth and the length exceptional. First wine with true chocolate and espresso ahead of the balsamico. The last supper nero d’avola. Truly. Drink 2018-2022.  Tasted May 2018  cristodicampobello  campobello_wine  cristodicampobello

Tasca D’Almerita Nero d’Avola IGT Terre Siciliane Lamùri 2016, Sicily, Italy (Winery, WineAlign)

Lamùri is 100 per cent nero d’avola from a 2002 initiated project where it was decided to do research and bring some quality love to the grape. “L’amour” (l’amore) in Sicilian, this selection is from two high altitude (450m) vineyards with time spent in some oak barriques of 2nd and 3rd use, to savour, flavour and spice, which it does, without make-up or cake baking. It’s all red fruit, some dried, with a fennel, bay laurel herb-crust. Florala, sapid as all these wines are, ropey and with fine acidity. Drink 2019-2023.  Tasted May 2018  tascadalmerita  @TascaWine  Alberto Tasca  Tenuta Regaleali  Tasca d’Almerita

A missed flight due to strike opens the door to more #degustazione now with the archetypes of @vdawinery ~ #cerasuolodivittoria

Valle dell’Acate Nero d’Avola Sicilia DOC Il Moro Limited Edition 2015, Sicily, Italy (Agent, $34.95, WineAlign)

This speciality of nero d’avola is labeled vendemmia da uva ultramatura, an understatement for the rich, black earth and steady Mediterranean sun that forms a crust and injects a voluminous, mineral liquid intensity to capture earth and sky. Il Moro could be the Moor, of Arabic identity, dark-haired or dark-skinned, certainly apropos for the grape and for the cimmerian yet transparent action of this wine. Let it breathe, settle and exhale. This will ready itself at just about the same time as the ’14 which makes it just a touch more amenable and in turn, beautiful. Drink 2021-2028.  Tasted May 2018  vdawineryValle dell’Acate  halpernwine  @VdaWinery  @HalpernWine  Valle dell’Acate  Halpern Wine

Valle dell’Acate Nero d’Avola Sicilia DOC Il Moro Limited Edition 2014, Sicily, Italy (Agent, $34.95, WineAlign)

Il Moro is a child of a wholly antithetical vintage and this particular brooding Moor of a nero d’avola is actually the reductive one as compared to 2015. The vintage will clearly deliver more age ability as the fruit is locked in tight behind an iron, black soil curtain. Sun is a factor but there is more understated wealth and probably balance here, though it’s not nearly as gregarious and open as ’15, which is saying alot. The fruit seems richer and the violets are everywhere. Drink 2021-2029.  Tasted May 2018  vdawineryValle dell’Acate  halpernwine  @VdaWinery  @HalpernWine  Valle dell’Acate  Halpern Wine

Azienda Agricola Cos Nero Di Lupo IGT Terre Siciliane 2016, Sicily, Italy (Agent, $36.95, WineAlign)

Nero di Lupo is the “black wolf,” a would be reference to the nero d’avola grape variety and specific to how it grows in this southern Sicilian clime. Perhaps a sheep in wolf’s clothing, pecore in abiti da lupo, there is this docile, domicile quality but with teeth and bite behind. Don’t poke this bear and don’t expect it to lay down, soften and play dead any time soon. It’s a tightly knit nero d’avola, spun with fine natural acidity and even finer tannin. The dark rooted, soil driven fruit is earthy but in a wholly sapid and structured way. Are there any other nero d’avola that taste like this? Methinks not. Drink 2019-2028.  Tasted May 2018  giustoocchipinti  thelivingvine  #COSwinery   @TheLivingVine  AZIENDA AGRICOLA COS  The Living Vine inc.

Valle dell’Acate Nero d’Avola Vittoria DOC Tané 2013, Sicily, Italy (Agent, WineAlign)

Tané is from the eastern part of the island in Bidini Contrada. Now falling under the auspices of the Vittoria DOC this 100 per cent nero d’Avola used to be labeled as IGT Sicilia Rosso (through 2011 and there was no production in 2012). Extremely low, not totally commercially viable yields deliver this intense, extracted, concentrated and grippy nero in the way of let’s say, Ruché but with deeply layered and furthered phenolics. A big wine with solid architecture and a wild, floral intensity needs time and a carefully selected Sicilian arrosto. The tanned one is certainly kissed by the Mediterranean sun and rendered deeply hematic by the dark red soil of Bidini. Drink 2021-2029.  Tasted May 2018  vdawineryValle dell’Acate  halpernwine  @VdaWinery  @HalpernWine  Valle dell’Acate  Halpern Wine

Mazzei Zisola Noto Rosso Sicilia DOC Doppiozeta 2015, Sicily, Italy (SAQ 11792138, $39.75, WineAlign)

Doppiozetta is from two single estate parcels in vineyards and a then selection of top grapes from there, while the name seems to denote double the Latin numeral septem, meaning seven. Not sure if this should be two sevens of two times seven or maybe even two (or twice) the decimal unit prefix in the metric system denoting a factor of 10 to the 21st power. Regardless, the mathematical concentration of this Sicilian iconic original and most important wine of the estate is impressive. It is made with a selection of endemic nero d’avola, rigorously bush trained, a self-professed “super nero,” and the real usage of Doppiozeta highlights the ZZ-top core of the Mazzei name. This nero d’avola is fresher and higher toned, more floral with a ferric push, mineral though as if by shells of the sea, full and Mazzei structured, needing some time. Drink 2019-2024.  Tasted May 2018  marchesimazzei  profilewinegroup  @MarchesiMazzei  @ProfileWineGrp  Marchesi Mazzei – Castello di Fonterutoli  Profile Wine Group

Planeta Noto DOC Santa Cecilia 2015, Sicily, Italy (Agent, $54.99, WineAlign)

The first vintage was in the late 90s and the appellation eventually became DOC Noto, with the initial vintage of 2003 having been where it was fully done in Noto, but 2008 is the official DOC recognition. This is when both Noto and Sicilia are on the label for the DOC to be recognized as 100 per cent nero d’Avola. Comes by way of the white chalky soils of Noto and is deceptively rich, deeply rendered, of an incredible acidity, dark and viscous fruit. There is so much happening in violet florals and light. Did I mention the acidity, amazingly linear but waiting to circle and become ringing. Drink 2019-2025.  Tasted May 2018  planetawinery  plant dependent  noble_estates   @PlanetaWinery  @Noble_Estates  @planetawinery  Tóth Patricia  @NobleEstates

Planeta Noto DOC Santa Cecilia 2014, Sicily, Italy (Agent, $54.99, WineAlign)

Didn’t think it would be the case but 2014 has just begun to accept a peak behind the curtain into the world of where it may be going. Just a minor Noto note of development, a first peeled layer, one strip of wood and veneer shed. So very strawberry, rolled up and compressed, from the wet vintage that followed a dry winter. It’s still a bit tight, with linear acids and a great concern of purpose and strength. Not the most structured Santa Cecila of all time but certainly built for a 10 year run. Drink 2018-2024.  Tasted May 2018  planetawinery  plant dependent  noble_estates   @PlanetaWinery  @Noble_Estates  @planetawinery  Tóth Patricia  @NobleEstates

Planeta Noto DOC Santa Cecilia 2011, Sicily, Italy (Agent, $54.99, WineAlign)

Santa Cecilia from 2011 is a special nero d’avola, balanced in silent but sweetly deadly acquiescence of Noto’s white chalky soils. Her tannins are abundant and smooth, running in one direction and so it’s a wonder how un-evolved and yet so involved this nero d’avola is equipped to believe about and with great kindred spirit with itself. That it presents this youthful and yet to advance is a thing magical and sincere. Inner strength is one thing but outward beauty is the real deal. Or is it the other way around? Either way they combine for one of Cecilia’s greatest acuity and remainder of structure. Drink 2018-2026.  Tasted May 2018  planetawinery  plant dependent  noble_estates   @PlanetaWinery  @Noble_Estates  @planetawinery  Tóth Patricia  @NobleEstates

Planeta Noto DOC Santa Cecilia 2007, Sicily, Italy (Agent, $54.99, WineAlign)

Time has been kind to Santa Cecilia Noto 2007, sidled along and preparing a path laid out with dried fruit, tobacco and black currant-Cassis development. There is this cool eucalyptus, menthol, chinese herbal medicine, cola and chocolate combing and combining that lingers for longer than the road to Noto. In just a two week span I was blessed to taste vintages ’07, ’08, ’11, ’14 and ’15 and I’ve come to a conclusion. No two Noto nero d’avola by Patricia Tóth are alike and the theories of relativity need not apply. They are snowflakes and children of singular personalities. But they all speak one of Sicily’s clearest and most transparent brands of nero d’avola vernacular. The language of 2007 is savoury, mild mannered Mediterranean and structured, but never grippy or too firm. It’s just right. Drink 2018-2021.  Tasted May 2018  planetawinery  plant dependent  noble_estates   @PlanetaWinery  @Noble_Estates  @planetawinery  Tóth Patricia  @NobleEstates

Feudo Principi Di Butera Nero D’avola Sicilia DOC Deliella 2015, Sicily, Italy (Winery, $55.00, WineAlign)

Deliella is a selection in the vineyard, from edgy, prurient and analytical investigations in special vineyard blocks with maximum of five bunches per vine to find more concentration from each vine. It’s actually quite a taut and reserved nero d’avola with a slow release of aromatics and charm, dark liquid fruit chalky, structured and quite calm. Takes its time but the acidity carefully climbs up and down the sides of the mouth to stress its position in the overall architecture. Aged in 30 hL casks (and larger tonneaux) for 14 months. There will be some extended longevity here, not forever but likely five to seven years. Drink 2019-2024.  Tasted May 2018  feudobutera  Zonin  francescozonin  Sebastien Ouellet  zonin1821  FeudoButera  Antonio Paolo Froio  Zonin  Francesco Zonin

Feudo Principi Di Butera Nero D’avola Sicilia DOC Deliella 2014, Sicily, Italy (WineryWineAlign)

Deliella for nero d’avola ’14 is clearly a different vintage but a year in bottle has helped to release the early aromatics, even if it’s a more savoury and herbal than fruit matter at this stage. The red berries and plums are studded by sprigs of rosemary, the calcari runs through chalky and flashes its committed comet-commute trail of fine tannin. Close your eyes and try to really enjoy the fruit that fills the mid-palate you don’t yet see from 2015 and will no longer come from vintages as old as 2005. Ultimately it is the integration and fineness of the moving parts recognized for greater harmony from this vintage. Drink 2018-2023.  Tasted May 2018  feudobutera  Zonin  francescozonin  Sebastien Ouellet  zonin1821  FeudoButera  Antonio Paolo Froio  Zonin  Francesco Zonin

Feudo Principi Di Butera Nero D’avola Sicilia DOC Deliella 2005, Sicily, Italy (WineryWineAlign)

At 13 years you can see how the time that has passed goes beyond what the grape is really capable of, though these tertiary aromas are more than curious and in fact they are charming to the point of fascinating. Figs and caramel-balsamico reduction but also dried red fruits, like a cross between plum and liquorice with accent by fennel, rosemary and mint. It’s interesting that the acidity is still a part of the Deliella effort, saying something real about this territory, the three-part vineyard harmony, these chosen clones and how age develops along with balancing nero d’avola energies. Finishes saline and you need to linger with it to see what will happen. Not quite time to close the book. Drink 2018-2019. Tasted May 2018  feudobutera  Zonin  francescozonin  Sebastien Ouellet  zonin1821  FeudoButera  Antonio Paolo Froio  Zonin  Francesco Zonin

Soils of Feudo Montoni

Feudo Montoni Nero d’Avola Sicilia DOC Vrucara 2014, Sicily, Italy (111286, $58.00, WineAlign)

Vrucara is labeled by cru on the front label and only as varietal on the back because the place is the most important ingredient, so that the grape can be separated from not only the rest of the estate but also from the rest of Sicilia. Only this cru does this for nero d’Avola. Only Vrucara and its ungrafted pre-phylloxera, European 100 plus year-old wisdom knows the soul of place to transfer into wine. It is a wine that has already developed the acumen it will carry through life. Freshness and acidity are a right from birth and need six or seven years to not move into secondary life but to begin at all. Acidity is upward of 8.2 g/L of tA and it lifts not just fruit but soul. Vrucara is wild grass that lives under the vine, in the words of Fabio Sireci “not a wine to make but a wine to protect.” A wine that carries the torch, flag, signature and emblem of estate, varietal and island. There are 4500 bottles produced Drink 2019-2031.  Tasted May 2018  feudo_montoni  @FABIOSIRECI  Fabio Sireci Feudo Montoni (Fabio Sireci)  @feudomontoni

Feudo Montoni Nero d’Avola DOC Sicilia Vrucara 2008, Sicily, Italy (Winery, WineAlign)

The answers are so simple and yet unanswered because magic is involved. You can understand the old vines and the way their fruit turns into wines that begin with ancient wisdom but move so little in the first seven years. What happens at 10 is the turning outward, to express the place and speak the dialect of the cru. The acidity is still high but is now in lift, with fruit at the height and en anergy that flows, really flows, moving across your palate with grace, grab and attention. A contiguous wine from start to finish, with intensity, impression and precision. The structure is come cavallo domato, like a trained horse. Dramatic nd’A but with no drama at all. Tamed and in respect of ancient vine, where it grows and what it wants to give. “Ma zitto,” a wine to keep you silent. Drink 2018-2029.  Tasted May 2018  feudo_montoni  @FABIOSIRECI  Fabio Sireci Feudo Montoni (Fabio Sireci)  @feudomontoni

Cerasuolo di Vittoria

Feudi Del Pisciotto Cerasuolo Di Vittoria DOCG Giambattista Valli 2016, Sicily, Italy (Agent, $36.95, WineAlign)

Giambattista Valli Cerasuolo di Vittoria is 60 per cent nero d’Avola and 40 frappato, in attest of 14 per cent alcohol, a terrific vintage and 10 months in barrique. Exceptionally aromatic, this is a perfume of great ambition as it almost smells like American oak but it’s only French, with creosote, vanilla, lavender and tarragon. Rich in mixed soil impart, from sand and clay. It’s a very deep impression, tasting like pomegranate concentrate, with plenty of acidity and fine, mild tannins. It’s so very purple, as in its phenolic fruit content and consistent, slow maturation. There was no speeding up of the polyphenolics from overly hot summer months. Made for whole cuts of beef, cooked rare and sliced, running bloody. Drink 2018-2021.  Tasted May 2018  feudidelpisciottowinerelais  castellarewine  dionysuswines    @DionysusWines  Feudi del Pisciotto Wine Relais  Castellare di Castellina  Dionysus Wines & Spirits Ltd.

Terre Di Giurfo Cerasuolo Di Vittoria DOCG Maskarìa 2014, Sicily, Italy (WineryWineAlign)

Maskarìa is a top quality vintage for the only Sicilian DOCG in a red that captures the union between nero d’avola and frappato. This dark soil driven Cerasuolo di Vittoria suggests more nero dominance but with fruit forward assistance from the lighter soil raised frappato. Really hits both the high tones and low baritone notes, one and then the other, for maximum effect. Once again it is high acidity, not unlike some Aragonese garnacha or Monferrato barbera that sings the loudest in the chorus. Big wine indeed. Drink 2019-2025.  Tasted May 2018  terredigiurfo  cavinonawine  @terredigiurfoIT   @Cavinona  Terre di Giurfo  Cavinona – Italian Wine Delivered

A missed flight due to strike opens the door to more #degustazione now with the archetypes of @vdawinery ~ #cerasuolodivittoria

Valle dell’Acate Cerasuolo di Vittoria DOCG 2014, Sicily, Italy (Agent, WineAlign)

The iconic blend is 60 per cent nero d’Avola and (40) frappato from vineyards located on the Bidini Soprano plateau. The frappato vines are planted in clear red soil while the dark red soil produces nero d’Avola. The Classico comes to market a year and a half (in this case 21 months) after the previous September harvest, a key ingredient to integration, harmony and ultimately success. This is part of the estate’s project known as seven terroirs for seven wines. The age ability here is strong, with high-toned acidity and the notable presence of firm, grippy tannin. Words like benchmark and traditional are two ways to look at it. Drink 2020-2027. Tasted May 2018  vdawinery  halpernwine  @VdaWinery  @HalpernWine  Valle dell’Acate  Halpern Wine

Planeta Cerasuolo Di Vittoria Classico DOCG Dorilli 2016, Sicily, Italy (Agent, $38.95, WineAlign)

Cerasuolo di Vittoria Classico is one thing, Dorilli 2016 is another matter altogether. The name of the estate marks the iconography of this Planeta blend, from a chosen vineyard carrying the dialectical tome of the river passing by. The old maps say Dirillo but through time this has changed, just like this Burgundian wine will draft through wake and evolve. There is a minor reduction here so it’s not as open as the normale though it’s offset by an extra year of aging for release 18 months after harvest. Blooming should happen some time in 2019 after the 70 per cent nero d’avola and (30) frappato begin to unfold out of itself for a full and layered Vittoria. Still there is the Cerasuolo fragrance from a guarantee by vintage and for texture. Drink 2019-2027.  Tasted May 2018  planetawinery  plant dependent  noble_estates   @PlanetaWinery  @Noble_Estates  @planetawinery  Tóth Patricia  @NobleEstates

Rosso del Conte

Tasca D’Almerita Rosso del Conte Monreale DOC 2007, Sicily, Italy (Winery, WineAlign)

Rosso del Conte comes out of the DOC Monreale and the first vintage of this Sicilia original was 1970. It was the first single-vineyard wine in Sicily, was (back then) usually 65 per cent perricone and (35) nero d’avola done in 500L chestnut barrels but too much tannin meant a need to switch. Chestnut was abandoned and so experimentation led to change. The 2007 is really brought from soil, in this case the San Lucio Vineyard, with stony red fruit and wood spice. The ’07 blend is nero d’avola (54 per cent), perricone (26) and other red varieties (20). Drink 2018-2020.  Tasted May 2018  tascadalmerita  @TascaWine  Alberto Tasca  Tenuta Regaleali  Tasca d’Almerita

Tasca D’Almerita Rosso del Conte Monreale DOC 2000, Sicily, Italy (Winery, WineAlign)

The 2000 “red wine of the count” is age apparent and so much more so than the 2007, so secondary character is really a matter of at least 12, if not 15 years plus with the supermarca Rosso di Conte. Now blessed by an aromatic potpourri of balsamico, tar and roses, like a sapid and warm mix of nebbiolo and sangiovese, with carob, bokser, rosemary, and bay laurel. All the important herbs of the Mediterranean world. Very territorial, impressive, constructive and intense. All about what grows in and out, the savoury pods known and unknown, almonds, metallics and trace elements. A terrific legacy wine once created through trial and error, of grape varieties (now perricone and nero d’avola) matched to terroir (S. Lucio Vineyard) by Conte Giuseppe Tasca d’Almerita. Drink 2018-2021.  Tasted May 2018  tascadalmerita  @TascaWine  Alberto Tasca  Tenuta Regaleali  Tasca d’Almerita

eady for anything after having stormed that castle first thing in the morning ~ #siciliaenprimeur #siciliaep18

Frappato and Perricone

Feudo Montoni Perricone Sicilia DOC 2016, Sicily, Italy (Agent, $22.95, WineAlign)

Perricone, also called pignatello, from the land of clay soils, where they make clay pots called pignatelli, here called guarnaccio, perhaps related to grenache. Deeper and darker though not necessarily richer with fruit that thinks in terms of red and black currants. The grape is transparent despite its hue and there is a kinship with cabernet franc but again a reminder of grenache. Strong skin, big grape, with green seeds and 10 per cent green skin. Disease resistant but when it ferments the greenness can give bitter tannin. So Fabio Sireci was the first to mitigate this by waiting for the seeds to turn brown. It’s picked in November when the seeds taste like hazelnuts. It actually reminds of Kekfrankos in a way, with this depth and savoury smoulder. Kept in the cellar for a few days to brown in vintages of too much rain. These techniques are essential to deliver it as the soft, round wine it is. Will turn to chocolate and liquorice even though there was only cement involved in its elévage. The drying of stems before fermentation is almost appassimento in a way, albeit for just a few days or so. So interesting. A wine of very low (3.15) pH and high (7) tA. This and the rest of Montoni’s wines are two of Sicily’s greatest kept secrets. Drink 2018-2022.  Tasted May 2018  feudo_montoni  @FABIOSIRECI  Fabio Sireci Feudo Montoni (Fabio Sireci)  @feudomontoni

Terre Di Giurfo Frappato Vittoria DOC Belsito 2016, Sicily, Italy (Winery, $19.50, WineAlign)

Belsito from Terre di Grufo’s is one of the more extracted and full-bodied frappatos out of Vittoria, leaning in the direction of dark, dusty plum and black cherry fruit. The ripeness has been pushed to the limit with high acidity to match and balance in the headlights of moderate alcohol. This is both ready to drink and also in dire search of a ragu of sorts, in stew, on pasta or in a bowl accompanied by sharp cheese. With this ripe ripper you could go west, southeast or far east to multi-faceted and spiced cuisine. Drink 2018-2020.  Tasted May 2018  terredigiurfo  cavinonawine  @terredigiurfoIT   @Cavinona  Terre di Giurfo  Cavinona – Italian Wine Delivered

Valle dell’Acate Frappato Sicilia DOC Il Frappato 2017, Sicily, Italy (Agent, $32.95, WineAlign)

I was first introduced to Valle dell’Acate’s frappato a few years back by Francesco Ferreri and at the time noted its off the beaten path uniqueness. The roots from this 100 per cent frappato go back at least six generations to pre-Phylloxera times. All organic and replanted using massal selection, the Vittoria is one of only five in the region. It hails from the Contrada of Bidini and just a kiss of barrel time (up to three months) determines a fresh and spirited frappato that smells like roses in early morning bloom. There is a quick to the point peppery kick to pique interest and to prepare the palate for a traditional and classic Sicilian meal. Drink 2018-2020.  Tasted May 2018  vdawinery  halpernwine  @VdaWinery  @HalpernWine  @ValleDellAcate  Halpern Wine

Anchovy on strawberry at Feudi del Pisciotto Wine Relais

Feudi Del Pisciotto Frappato IGT Terre di Siciliane Carolina Marengo 2015, Sicily, Italy (Agent, WineAlign)

Clocks in at 13.5 per cent alcohol and while frappato is generally considered to be a one or two winter wine, it is made here with structure and age ability in mind. A better year for frappato but still challenging because it starts budding early and hangs the longest so it is subjected to everything that happens in a vintage. But frappato is not as sensitive to disease like nero d’avola. Sees 10 months in first and second passage barriques. The natural freshness and energy is a bit blurred at this youthful stage, but frappato cannot run or hide. It will always be floral and yet here the wood brings out a volatility and a reductive tendency you wouldn’t normally associate with the grape variety. One of the most ambitious frappato just about ever, high in fruit quality and given plenty of attention, as if it were sangiovese or nebbiolo. Takes on tobacco and plenty of spice, mostly from the barrels but also out of some pretty string extraction satisfaction. Drink 2019-2023.  Tasted May 2018  feudidelpisciottowinerelais  castellarewine  dionysuswines    @DionysusWines  Feudi del Pisciotto Wine Relais  Castellare di Castellina  Dionysus Wines & Spirits Ltd

Two #Cos beat as one ~ #frappato #nerodilupo

Azienda Agricola Cos Frappato IGT Terre Siciliane 2015, Sicily, Italy (Agent, $36.95, WineAlign)

The Cos Frappato is in many ways the poster child, the entry point and portal into the singular oeuvre created by Giambattista Cilia e Giusto Occhipinti. Perhaps it’s because it parlays as the one wine straddling two worlds, the natural (sic) and the conventional, but also because it’s unadorned beauty is something everyone can appreciate. You may not need Chopin, Gaugin or Rodin for this frappato but you do need calm, time and no distraction. This open-minded and wide-eyed red is full of fruit both scraped of skin and sliced open in an outdoor market. It’s not so defined as to what those fruits may be so make some up, if you will. The purity of varietal from vineyards in Vittoria is delivered, without complaint or denial, just an expression of the extreme southern point of Sicily in north African violet aromatics and light. Lovely finesse yet quite magnified and concentrated. Drink 2018-2022.  Tasted May 2018  #aziendaagricolacos  thelivingvine    @TheLivingVine  AZIENDA AGRICOLA COS  The Living Vine inc.

Varietal revelations in #sicilia at #tenutaregaleali @TascaWine ~ #perricone #guarnaccio #tascadalmerita

Tenuta Regaleali Perricone Sicilia DOC Tasca D’almerita Guarnaccio 2016, Sicily, Italy (Winery, WineAlign)

Endemic perricone is the grape that has always existed at Regaleali, since 1954, in the historical San Lucio vineyard. The massal selection allowed for extending the vineyard, because believing in perricone (always known as Guarnaccio at the Estate) means respecting the winemaking past of western Sicily, which was rich in this grape. Because brother Rosso del Conte was always offering an age able wine, it was decided to bottle this varietal wine for freshness and possibility. It sees 12 months in 2nd and 3rd use barrique. The first vintage was 2012 and there is a sweet nuttiness about this grape made in this way, like marzipan or nougat, with currant red fruit and in a way, like cabernet franc but without any pyrazine intrusion. A note of carob or bokser joins in, advantageous acidity for buoyancy and a calmness without any real demand by tannin. So much pleasure and confidence. Too early in its tenure to know about aging solo but how can confidence not speak to an avowal of yes? Drink 2019-2026.  Tasted May 2018  tascadalmerita  @TascaWine  Alberto Tasca  Tenuta Regaleali  Tasca d’Almerita

Panelle chick pea fritters from Fud Off Catania ~ Sicilian street food

Syrah

Feudo Principi Di Butera Syrah Sicilia DOC 2016, Sicily, Italy (SAQ 10960161, $19.55, WineAlign)

An international variety perhaps and/or as old as Sicilian grape growing in Syracusa. Either way it’s well adapted to Sicilian soils, particularly here with plenty of calcari, maturing early at the end of August or latest early September. It must be managed for acidity, so expositions are very important. This is very rich but it has maintained its energy with a pulse that moves with the bigger bodied fruit. The freshness comes form east and west vineyard positions, balancing the north-south densities. There is a slightly dusty plum note but spice bookends the fruit, with some bitter amara notes at the end. Drink 2018-2020.  Tasted May 201  feudobutera  Zonin  francescozonin  Sebastien Ouellet  zonin1821  FeudoButera  Antonio Paolo Froio  Zonin  Francesco Zonin

Masseria del Feudo Syrah Sicilia DOC 2017, Sicily, Italy (WineryWineAlign)

From estate vineyards in Caltasinetta picked early in the third week of August. Raised by a wild ferment and the use of concrete vats. More freshness and bright fruit as compared to the nero d’avola and so as a result, less bitters. There is sweetness in the mid-palate and a silky consistency. The bitters do come forth at the finish. The most expressive and floral wine in the portfolio, though still those bitters and pressed personality but in the form of syrah, it’s both characterful and meaty. Drink 2018-2021.  Tasted May 2018  masseria.del.feudo  @fcucurullo  Masseria del Feudo

Palermo’s multicultural streets

Mazzei Zisola IGP Terre Siciliane Achilles 2015, Sicily, Italy (AgentWineAlign)

This is Mazzei’s first bottling of syrah and before it was added to the Noto (Doppiozetta). Like the nero d’avola the syrah vines were also planted in 2004 and 2005 (though some additional nero was planted in 2007). Syrah was put in to experiment and for blending, even though they knew it was nero d’avola territory, but the syrah has impressed the most. This is big, meaty, structured syrah with classic Mazzei bones and acidity but simply Sicilan tannin. Kind of the sort to take your breath away, tangy, high in deep red citrus and chewy. Really chewy. For all the talk of syrah across the island this is one to say “you’re on it something” but with an undertone of “we’ve always known this unspoken truth.” Drink 2020-2026.  Tasted May 2018  marchesimazzei  profilewinegroup  @MarchesiMazzei  @ProfileWineGrp  Marchesi Mazzei – Castello di Fonterutoli  Profile Wine Group

Maroccoli Syrah Sicilia Menfi DOC 2014, Sicily, Italy (WineryWineAlign)

The name Maroccoli is local for “ideally situated vineyard” and syrah must find its spots to shine. An elevated hill between lake and sea is this Maroccoli’s place in the sun and the syrah it delivers is spicy, high tonal and indelibly stamped with firm grip. It’s both meaty and exotic, wildly berry filled and sharp as a tack. It seems syrah could use an extra year or two beyond the Bordolese out of Menfi. Drink 2019-2023.  Tasted May 2018  planetawinery  plant dependent  noble_estates   @PlanetaWinery  @Noble_Estates  @planetawinery  Tóth Patricia  @NobleEstates

Puro e modesto @tornatorewines #degustazione with Domenico d’Antoni at #siciliaenprimeur #siciliaep18 ~ @nicholaspearce_ ~ #etnadoc #etna #etnawine

Carricante and Etna Bianco

Tornatore Etna Bianco DOC 2017, Sicily, Italy (Agent, $23.95, WineAlign)

Tasted with the estate’s Domenico D’Antoni, the Bianco is 100 per cent carricante, on very little soil above the volcano’s basalt at 500-6500m. There are 25 hectares of bianco, 24 of which is carricante that shivers with this fresh, salty nasal inhalation, still so youthful and needs a little time away. The most important thing is that you respect and understand the simplicity of this noble but basic grape. No malo, high potassium and volcanic soil so the acidity is naturally preserved. Young vines with great room for improvement at 5-5.5 g/L acidity. Find a better value in Etna Bianco, I dare you. Drink 2018-2021.  Tasted May 2018  tornatorewines  giuseppetornatore  nicholaspearcewines    @Nicholaspearce_  @tornatorewines  Nicholas Pearce

Planeta Etna Bianco DOC 2017, Sicliy, Italy (Agent, $33.99, WineAlign)

The Etna is 100 per cent carricante produced at the Feudo di Mezzo winery in the Contrada Taccione, in Montelaguardia. Now labeled simply as Etna, not as the artist formerly known as Bianco and apparently for no reason at all. Seventeen was a really warm year here in the 690-720m vineyard and so the quickest maceration was performed due to so much sun-developed colour on hand. Stayed on lees until February, also less than usual but again the hot season saw quick development. The quotient distilled is a plentiful one, a brocade like golden silk, full and full of everything it can be. Not the sapid, mineral and volcanic salty carricante of let’s say 2014 but sometimes “luxury is the opposite of vulgarity…and complication, a necessity that begins where necessity ends.” Drink 2018-2022.  Tasted May 2018  planetawinery  plant dependent  noble_estates   @PlanetaWinery  @Noble_Estates  @planetawinery  Tóth Patricia  @NobleEstates

Torre Mora Etna Bianco DOC Scalunera 2017, Sicily, Italy (Agent, WineAlign)

orre Mora is the Etna outpost of Tuscany’s Piccini, owners of Villa al Cortile in Montalcino and Valiano in Chianti Classico. Scalunera is the Contrada on the northeastern edge of the volcano and the Torre Mora (and Benanti) vineyard sites at 650-670m are the first just off the lava flow, planted to Albarello bush vines. Salty, of course, but quite ripe, full of fleshy fruit. It’s a body phenolic unexpected and quite the mouthful of Etna Bianco. A broad expression that gives it all. Drink 2018-2021.  Tasted February 2018  picciniwines  @PicciniWinesUK  PICCINI WINES  

Godello @ Mondello ~ #italianstrike

Terra Costantino Etna Bianco DOC Deaetna 2014, Sicily, Italy (Agent, $33.99, WineAlign)

Terra Costantino’s is from Contrada Blandano in the Comune Viagrande, on soils sabbie di matrice vulcanica, a blend of carricante and catrarratto, three to one, at 500m, part bush vine and part spurred cordon. Intense aromatics for the two-varietal blend, with great concentration, so much sunlight and while lower in altitude, the palate softness is matched by great presence and high tonality to balance the opulence. Only 1900 bottles produced and though anything but a laser-focused Etna Bianco it speaks of place and opens awareness to the world. Perhaps acts a bit older than you would expect but it’s a terrific entry without too much linearity. Drink 2018-2021.  Tasted May 2018  terracostantino  @TerraCostantino  TerraCostantino

Tenuta Di Fessina Etna Bianco DOC A’Puddara 2015, Sicily, Italy (Winery, WineAlign)

A’Puddara is from Silvia Maestrelli out of Contrada Manzudda a Biancavilla, on scisto sabbioso e fine, presenza di pomice e lapilli, i.e. sandy and fine schist, pumice and lava. This 100 per cent carricante is farmed on Alberello (bush vines) at 900m. Starts an Etna tasting with a schisty fullness, tart and a minor oxidative accent, with plenty of acidity. It’s properly salty and mineral pushed. Very correct for varietal and place with lemon all over the place. Drink 2018-2021.  Tasted May 2018  tenutadifessina  @tenutadifessina  TENUTA DI FESSINA

Cottanera Etna Bianco DOC 2017, Sicily, Italy (Winery, WineAlign)

Here on the northern slopes near Randazzo it is Cottanera and its contiguous vineyard in blocks of Solicchiatta, Sotto Cantina, Sopra Cantina, Iannazzo, Fiume and Aurore. This is carricante of flint and citrus, from struck basalt to grapefruit and a remarkable absence of pith. It’s also fleshy and filling, with a minor blanched vegetal note but also with high quality, fine, laser-like acidity. So poised, composed and focused. Just an excellent bianco from adjoining contiguo lands, concentrato e completo. Drink 2018-2022.  Tasted May 2018  cottanera   @Cottanera  Cottanera

Tornatore Etna Bianco DOC Pietrarizzo 2016, Sicily, Italy (AgentWineAlign)

The upwardly mobile Tornatore Etna Bianco is from a single-vineyard at 600m, in the Contrada Pietrarizzo. Aging is different, now carricante grapes and just a few percentage points of catarratto five months in big (grandi botti) of 5000L It’s somewhat of a field blend style, albeit with more stature standing taut and firm of a confident structure and texture. It’s found to be almost a bit creamy, with beautiful flavours and prolongated elasticty. Drink 2019-2025.  Tasted May 2018  tornatorewines  giuseppetornatore  nicholaspearcewines    @Nicholaspearce_  @tornatorewines  Nicholas Pearce

Planeta Eruzione 1614 Carricante Sicilia DOC 2016, Sicliy, Italy (Agent, $42.99, WineAlign)

Passion projects are not for the faint of heart but they are perhaps reserved for winemakers too smart and too worthy for their own good. Eruzione is such an animal for Planeta’s winemaker Patricia Tóth, a varietal carricante ode (with 10 per cent riesling) to the great and tragic 1614 Etna eruption. If boys don’t cry I still shed a tear or two for history and for my love of this wine. It comes from the black volcanic soil of the Contrada Sciaranuova vineyard, next up the mountain from Contrada Santo Spirito. In ’16 it’s not measured by a low ’14-like pH, not quite as sharp, so therefore fuller and with more unction. It’s still an Etna-bled eruptive white, still beating raw by laser focus out of inspirational terroir. Readier too because it’s been held back a few more months for release. This wine will let you arrive at where you want to be. So many whites are mired in repeatable refrains. “Plastic passion is a Hyacinthe heart. Plastic passion is a transparent tart…Plastic passion is a gold guarantee. The plastic passion is murdering me.” Eruzione is life affirming and though other wines may pay the bills, this cariccante is the cure. Fill your prescription and drink up its passion. It’s the winemaker’s too. Drink 2018-2024.  Tasted May 2018    planetawinery  plant dependent  noble_estates   @PlanetaWinery  @Noble_Estates  @planetawinery  Tóth Patricia  @NobleEstates

#palermo

Nerello Mascalese and Etna Rosso

Feudo Montoni Nerello Mascalese Rosé Sicilia DOC 2017, Sicily, Italy (111252, $22.95, WineAlign)

Adele is roast of a 10 minute press, literally, then into inox tanks. Carries the name of the finest cru of life, not vineyard, but mama. Rosato of the most lithe possibility, remarkable in its varietal nerello mascalese obviousness, singularly fruity but certo to be more sapid than anything else. Where Rosé must go, into the air, from out of the land and the womb. Pure immediacy from the volcanic grape realized and enjoyed. Drink 2018-2020.  Tasted May 2018  feudo_montoni  @FABIOSIRECI  Fabio Sireci Feudo Montoni (Fabio Sireci)  @feudomontoni

Tornatore Etna Rosso DOC 2016, Sicily, Italy (487090, $23.95, WineAlign)

Just a small portion of nerello cappuccio joins the masacalese in Tornatore’s Etna Rosso and it’s not quite as warm as the ’15 tasted in Toronto a month later. Spent one year in 3000 and 5000L botti after a 10 day cement maceration, to ward of reduction. Domenico d’Antino also talks about trying to avoid malolactic, “but the wine will tell you,” and they use the same yeast strain in all the wines. This was just bottled in December and it’s already so clean, transparent and honest, not green but young. It is the epitome of modern, useful and works with a yeoman’s ability to be the teachable one, for consumers and restaurant drinkers, about what is Etna today. Drink 2018-2022.  Tasted May 2018  tornatorewines  giuseppetornatore  nicholaspearcewines    @Nicholaspearce_  @tornatorewines  Nicholas Pearce

Barone Di Villagrande Etna Rosso DOC Vendemmia 2016, Sicily, Italy (Winery, WineAlign)

A different northern Etna expression is a factor of chestnut barrels, lending a distinct nutty and ulterior earthy notation to nerello mascalese. As a result the fruit is emphasized but the umami is tenured, or at least relegated to another parallel universe. There is a wealth of flavour but also a deep sense of tradition and a world that once was. It’s a bit chalky albeit liquid and viscous with some gariga, leafy, evergreen savour and mountain tea tannin. Drink 2019-2024.  Tasted May 2018  baronedivillagrande  katherine_mellin_  @Villagrandewine  @apparitionwines  Barone di Villagrande  Katherine Mellin Apparition Wines

Barone Di Villagrande Etna Rosso DOC Contrada Villagrande 2016, Sicily, Italy (Winery, WineAlign)

The self-effacing Contrada is at 700m with a southeast exposure, warmer and mildly humid. This is Etna in purport of what it really is, a Rosso derived off of a volcano, with wild flowers, sweet balsamico drizzled red fruit and this blanched almond or chestnut nuttiness from you guessed it, chestnut barrels. This is using your terroir and what grows, coming from estate trees to mesh naturally with the nerello mascalese (including 20 per cent cappuccio and mantellato) grown here. The aging renders the baby fat and leads this through a portal into dried wild strawberry, white caramel and a slightly smoky beat. There is real texture here to celebrate the singularity of a contrada Rosso. Drink 2020-2027.  Tasted May 2018  baronedivillagrande  katherine_mellin_  @Villagrandewine  @apparitionwines  Barone di Villagrande  Katherine Mellin Apparition Wines

Pietradolce Etna Rosso DOC Solicchiata 2017, Sicily, Italy (538165, $25.95, WineAlign)

The Etna “normale” is one of the DOCs great umami entries into the mountain’s northern portal slope, taken from vines growing at 600m in Solicchiata, Bush (alberello) and espalier training on stony, light sandy loam soils produce this lithe version of the estate style. It’s slightly piqued and spicy, unencumbered and unadulterated. The dry, dusty, sun-soaked and rainless season is to me perfect for this entry-level Pietradolce, even if it turns out to be a challenge for the crus of certain Contrade. This wine does not always give away this much concentration and red berry fruit as it does in 2017. It’s warm but also lined by a cool, stony streak. Not sure the structure from 2017 is as strong as ’16 and I’d rather drink this in 2018 and 2019. This sample is labeled “Campione di Vasca,” not yet bottled but it is a finished wine. Drink 2018-2021.  Tasted May 2018  pietradolce  woodmanws  #Pietradolce  @WoodmanWS  Pietradolce Vigneti in Solicchiata, Etna  Woodman Wines & Spirits

Tornatore Etna Rosso DOC Trimarchisa 2015, Sicily, Italy (Agent, WineAlign)

The Contrada Trimarchisa 2015 is fresher than 2014 and more complicated, simply vulcanica, of mainly nerello mascalese with some nerello cappuccio at 600m. The vineyard is close to the river and there was some vintage some rain with uneven ripening. More florals here, with layering and variegation, done up in 2nd passage barrels. The acidity and tannin are intertwined and the violets come out but true red fruit also wrapped in and with the structural components. This vintage is cooler and fresher, with age ability potential confirmed. Drink 2020-2027.  Tasted May 2018  tornatorewines  giuseppetornatore  nicholaspearcewines    @Nicholaspearce_  @tornatorewines  Nicholas Pearce

Benanti Etna Rosso DOC Rovittello 2013, Sicily, Italy (Winery, WineAlign)

Benanti’s Rovittello is nerello mascalese (90-95 per cent) with nerello cappuccio grown at 750m from the Contrada of Dafara Galluzo in the area of “Vidalba,” in the Comune Castiglione di Sicilia. Soils are vulcanico, piuttosto sciotto con sabbie laviche e giusta presenza di pietre, or lava with sand and stones. It’s a Rosso of history, welled up into this studious and wise wine, almost perfectly aged, with wood, terroir and fruit in complex combinations. Small sites, older vines and a variegation of soil make this serious and intense. It’s fine and akin to the spoken realm of nebbiolo and sangiovese though also torched by tobacco, earth and ferric necessity. Has entered the early stages of secondary life. Drink 2018-2025.  Tasted May 2018  benantiwinery  lenotecadimorenodemarchi  @BenantiWines  @MorenoEnoteca  Benanti Viticoltori  L’Enoteca di Moreno De Marchi

Vivera Etna Rosso DOC Martinella 2012, Sicily, Italy (Winery, WineAlign)

Vivera’s Martinella is mostly nerello mascalese (90 per cent) with nerello cappuccio from vineyards at 550-600m. Contrada Martinella’s soil is volcanic, ricco di scheletro a reazione subcaida, profondità 250 metri. Deep, brooding red fruit and still a touch reductive despite its age, from Irene Vaccaro, hers is a really structured wine with liquorice and tobacco, plums and a chocolate note, as by wood still working its way through the fruit and the vulcanico. Firm, complex and grippy. Very territorial Etna Rosso with spicy bite. Drink 2019-2024.  Tasted May 2018  viverawinery  @viverawinery  Vivera Winery

Planeta Eruzione 1614 Nerello Mascalese Sicilia DOC 2016, Sicily, Italy (Agent, $42.99, WineAlign)

Like the yellow lorry carricante thriller it is Etna Rosso incarnate that is portrayed in this Eruzione red lorry nerello mascalese (with nine per cent nerello cappuccio) from up the mountain’s 890m vineyards of (Contrada) Sciaranuova, but with some fruit from lower altitude at 600m. The vine age is part 2008 and part 20 year-old vines and a small section going back 90 years but just a small spot. The higher you climb for nerello macalese the more finesse you acquire. This Eruzione is swimming through lava with it, smoothed by plenty of silky texture, raspberry and chalky liquid tannin. Nerello, “you ain’t nothing but a true embrace. You ain’t nothing but a hidden face.” Your Planeta edition gets neither more refined, elegant nor focused. You’ve been descried as the “alternative classic” or the new light pinot noir. Maybe frappato, but not you, nerello mascalese. Let’s leave you out of the discussion. Leave you alone. Talk about the weather. Drink 2019-2025.  Tasted May 2018    planetawinery  plant dependent  noble_estates   @PlanetaWinery  @Noble_Estates  @planetawinery  Tóth Patricia  @NobleEstates

All in, all out Contrade comparative @pietradolce #etna degustazione from #michelefaro e #mariofaro

Pietradolce Etna Rosso DOC Archineri 2016, Sicily, Italy (Winery, WineAlign)

Archineri is a trifecta Etna Rosso from the Contradas of Zottorinoto, Rampante and Solicchiata on Mt. Etna’s northen slopes, same soil as the ER DOC and at various altitudes, between 600-900m. The ideal here is aimed at layering and variegation, to take three blocks of similar topography and geology for what is a broad but focused northern expression. Archineri might mean “black bows” or better yet “black arches” and the label offers a whimsical, Beatles’ Yellow Submarine like iconography. This is nerello mascalese that flows like long raven hair, trailing behind beautiful fruit and the classic sweet stone umami of these subtle northern expressions. From a great vintage no doubt and ready to enjoy if need be but will morph and utter more mythologies as time goes by. This sample is Campione di Vasca, not yet bottled, but it is a finished wine. Drink 2020-2028.  Tasted May 2018  pietradolce  woodmanws  #Pietradolce  @WoodmanWS  Pietradolce Vigneti in Solicchiata, Etna  Woodman Wines & Spirits

Pietradolce Etna Rosso DOC Contrada Santo Spirito 2016, Sicily, Italy (Winery, WineAlign)

Contrada Santo Spirito Etna Rosso is also on the northern slopes at approximately 850-900m. The Santo Spirito is less subversive than Rampante, more likely to please early but with higher tone and acidities. This really hits the high notes in opposition to the soprano of Rampante. A more mineral for sure if still umami based nerello mascalese with similar aging potential, albeit along a parallel graphing line. This sample is Campione di Vasca, not yet bottled, but it is a finished wine. Drink 2020-2028.  Tasted May 2018  2-3  pietradolce  woodmanws  #Pietradolce  @WoodmanWS  Pietradolce Vigneti in Solicchiata, Etna  Woodman Wines & Spirits

Pietradolce Etna Rosso DOC Contrada Rampante 2015, Sicily, Italy (Winery, WineAlign)

Rampante is from Michele Faro’s nerello mascalese way up at 850m, off of prephylloxera alberello bush vines 80-90 years-old. Rampante is in Solcchiata, Comune Castiglione di Sicilia. The soil is franco sabbioso con abbondante presenza di scheletro, sandy loam with skeletal stone fragments. It’s a matter of rusticity and liquid chalk with a young curative meets medicinal perfume. Tannins are quite chalky, as is the acidity without a true integration (in its youth) for structure but it wants to take you there, so you’ll have to exercise extreme patience. Old vines and inherent wisdom are everything here in its purest and most honest form. Few other wines will develop any wilder and earthy secondary aromas than this. Not a wine for the uninitiated. Drink 2020-2028.  Tasted May 2018  pietradolce  woodmanws  #Pietradolce  @WoodmanWS  Pietradolce Vigneti in Solicchiata, Etna  Woodman Wines & Spirits

Pietradolce Etna Rosso DOC Barbagalli 2015, Sicily, Italy (Winery, WineAlign)

The estate flagship Etna Rosso Barbagalli is taken from Contrada Rampante in the area that is known as “Barbagalli” in Solicchiata. This northern Etna 80 to 100 year-old pre-phylloxera vineyard delivers the most naturally earth-crusted, umami-laden expression in hyperbole, concentration and peak spiciness. There is a buzz about this nerello mascalese that the rest of the portfolio does not pulse with, neither outward through expressionistic energy nor inward, retracted and self-effacing by implosive feeling. The texture separates itself with multi-faceted tenor and a tremor of explosive potential that might strike at any time, anywhere, any place. This will turn into something ethereal, of that there can be little doubt. Drink 2022-2032.  Tasted May 2018  pietradolce  woodmanws  #Pietradolce  @WoodmanWS  Pietradolce Vigneti in Solicchiata, Etna  Woodman Wines & Spirits

Serious, call me in 20 years @etnadoc Rosso from @cottanera

Cottanera Etna Rosso DOC Dicittassetesalme 2016, Sicily, Italy (Winery, WineAlign)

Dicittassetesalme could be translated as “seventeen corpses” but in this case it’s an ancient way of measuring a Sicilian vineyard. One “salme” essentially equals just over 17,000 square metres, or one and a half hectares, more or less. The Dicittassetesalme is nererello mascalese on lavico-argiloso soils, a mix of basalt, limestone and clay. It is structured for the long haul and filled to overflowing with intensities to distract, occupy and take over your senses. It’s a brooding affair while this young, standing firm and strong, raising the hairs on the back of the neck and in demand of full command attention. The future is wide open. Drink 2021-2030.  Tasted May 2018  cottanera   @Cottanera  Cottanera

Good to go!

Godello

Twitter: @mgodello

Instagram: mgodello

WineAlign

Garda’s Chiaretto success

Lago di Garda, Torri del Benaco

In northern Italy travel east from Milan towards and beyond Brescia or west from Venice through Verona and you will reach the southern shore of Italy’s largest lake. Lago di Garda is famous for many things, including an open invitation to pass through its gates to reach the Dolomite mountains. On either side of the lake two grand edifices gaze at one another across the crystal clear water. At the southeast end Castello Scaligero di Sirmione and fortress guards the harbour below Monte Baldo and across to the western shore Villa Galnica rises above the lake in Puegnago del Garda. It is on the hills and plateaus behind these great structures where something pink is happening.

Two wine regions on these opposing shores are disparate bedfellows but together sluice the Rosé key to collective success. Bardolino Chiaretto and Chiaretto Valtènesi are the most recent and important Rosato designations in Italy and their hopes, plans and dreams rest on the shoulders of two leading grape varieties, corvina and groppello.

Simply put, Chiaretto (key-are-et-oh) is the Rosé version of Bardolino. It’s made from those same grapes (corvina, rondinella and molinara) and the colour varies from rosy pink to coral-red. “Chiaretto Pink” is the battle cry of the Italian dry Rosato, “a lighter shade of pale,” hence the name “Chiaretto”, which derives from the Italian “chiaro,” meaning light or pale. The grapes are vinified using white winemaking practices, wholly apposite and antithetical to its other usages, namely in Bardolino, Valpolicella, and Amarone.

@chiarettopink @ilbardolino e tutte cose #corvina @villacordevigo #vignetivillabella with Il Presidente Franco Cristoforetti and Tiziano Delibori

As with Garda-west neighbour Valtènesi, Chiaretto from Bardolino’s roots go back to 1896 when Pompeo Molmenti learned of the Rosé vinification technique in France. In 1968 Bardolino Chiaretto was among the first Italian wines to receive DOC (Denominazione di Origine Controllata) status. Since the 2014 harvest, Chiaretto’s winemakers have collectively pursued a “Rosé Revolution,” choosing a pale pink colour and more floral-aromatic notes. Consorzio di Tutela Vino Bardolino President Franco Cristoforetti invokes the Rosé revolution in his introduction of the Chiaretto, confirming the region’s commitment to a very specific style and the key to its success. “Together, the Chiaretto of Bardolino and the Valtènesi Chiaretto,”  explains Franco Cristoforetti, “produce 12 million bottles, placing Lake Garda in the role of absolute leader in the Italian production of Rosé designation of origin.” The region’s greatest ambassadorial asset is Angelo Peretti, an economist and writer who fully understands that by gaining a true sense of community and having a common goal the two regions can be highly successful in their pursuit of Rosé. Chiaretto for the win.

Extending from south to west between the towns of Desenzano and Salò, in the heart of the morainic amphitheater on the Brescia side of Garda, Valtènesi includes the territory of the following municipalities in the province of Brescia, characterized by the microclimate of Lake Garda: Salò, Roè Volciano, Villanuova sul Clisi, Gavardo, S.Felice del Benaco, Puegnago del Garda, Muscoline, Manerba del Garda, Polpenazze del Garda, Moniga del Garda, Soiano del Lago, Calvagese della Riviera, Padenghe sul Garda, Bedizzole. It also includes part of the territories of the municipalities of Lonato del Garda and Desenzano del Garda.

Angelo Peretti

In Valtènesi the first and most commonly employed method makes use of a white vinification with red grapes and a short maceration to obtain colour, by direct pressing of the destemmed and crushed grapes. The second makes it possible to obtain more hue and structure in Rosato by means of a short maceration of the must and grape seeds in order to increase the extraction of anthocyanin and tannin. The first process is specifically used to vinify Rosé wines only. The second, not so widespread method has the primary purpose of enriching and improving the remaining red wines, which remain in the tank, after the subtraction, for salasso. The regulatory board instructs that the release for consumption of Valtènesi Chiaretto may take place from the 14th of February following the harvest, while the release for consumption of Valtènesi can take place from the 1st of September after harvest. The Denomination of Controlled Origin (DOC) was recognized in 1967.

Alessandro Luzzago is the President of the Chiaretto Valtènesi consorzio and tells us that over the last four years the Valtènesi have been working with the association of Provençe, sending their wines over to see where they are in relation to the region that produces the type of Rosé they want to imitate. The communication is leading to making better wines. “A change of philosophy is taking place and perspective,” notes Luzzago, “you start the work in the vineyard, thinking of Rosé.”

Anton Potvin, Bill Zacharkiw, Pascal Arsenault and Paola Giagulli on the shore of Lago di Garda

Back in October of 2017 I joined a group of intrepid sommeliers for a week long investigation into the wines of Bardolino, Valtènesi and Custoza. A report of the red, whites and sparkling from these regions will follow but this is strictly a Chiaretto exposé. I tasted these wines with thanks to the producers, John Szabo M.S., Bill Zacharkiw, Anton Potvin, Nadia Fournier, Maja Baltus, Brad Royale, Al Drinkle, Véronique Dalle, Pascal Arsenault, kidnapped American turned adopted Canadian Nicolas “Nicky Ray Beaune” Capron-Manieux, our chaperones and educators, Angelo Peretti and Paola Giagulli. Here are 30 reviews of Bardolino Chiaretto and Chiaretto Valtènesi.

Welcome to the new @chiarettopink on the #Bardolino shores of #lagodigarda #rosato #discoverchiaretto #lefraghe #villacalicantus #leginestre #poggiodellegazie #albinopiona #gentili

Bardolino Chiaretto DOC

Bergamini Bardolino Chiaretto DOC 2016, Veneto, Italy (Winery, WineAlign)

Bergamini is located in Lasize with 13 hectares of vineyards farmed organically but not certified. The Bardolino Chiaretto is corvina of the minimum 70 per cent plus rondinella and molinara. Subjected to a 24 hours soak and it is the combination of location and the full maceration that drifts a bit darker than some, yet with plenty of salty sapidity. The molinara brings the salt. Drink 2017-2019.  Tasted October 2017  bergaminiaziendaagricola  Bergamini Azienda Agricola

#chiaretto @chiarettopink #rosato #bardolino #discoverchiaretto

Cantina Di Custoza Bardolino Chiaretto DOC Biologico Terre in Fiore 2016, Veneto, Italy (Winery, WineAlign)

A gathering of corvina, molinara and rondinella in the simplest Rosato, so similar in profile to the cantina’s whites. Metallic and balmy at the sam time, like citrus salve on a copper pipe. Drink 2017.  Tasted October 2017

Cantina Di Custoza Bardolino Chiaretto Classico DOC 2016, Veneto, Italy (Winery, WineAlign)

Customer’s Chiaretto Classico is the conventional one, also like the cantina’s whites but with more mid-palate weight and overall intensity. This carries some acidity, real, natural or otherwise. Drink 2017-2018. Tasted October 2017

From tbe #bardolino shores of #lagodigarda to Toronto, benvenuti @chiarettopink Rosati to @pizzalibretto … @winerypoggiodellegrazie @tenutalapresa #villabella #lefraghe #gentili #caveg

Cantina Di Negrar Bardolino Chiaretto DOC 2016, Veneto, Italy (Winery, WineAlign)

The cooperative’s Rosato is a full and fleshy one, with a healthy 7.8 g/L of residual sugar after two hours of skin-contact and a compressed version of gentle pressing. This is Rosé from an outfit that makes 1.2 million bottles of Amarone, one tenth of the total production in the area, out of a cooperative made up from 230 members. They produce 300,000 bottles annually (inclusive of the two different Chiaretto), this being the tart one, somewhat saline but more so tangy with the sugar so it’s ultimately sweet and sour Rosé. Would love to have had a bottle or two of this around with Cantonese food in 1975. Drink 2017-2018.  Tasted October 2017  cantina_valpolicella_negrar  @CantinaNegrar  @CantinaValpolicellaNegrar

Cantina Castelnuovo Del Garda Bardolino Chiaretto Classico DOC Ca’ Vegar 2016, Veneto, Italy (Winery, WineAlign)

From vines with some established street cred (10-25 years old) the Ca’ Vegar is Rosato raised on promises and morainic, calcareous-cay soils. It’s a traditional Lago di Garda blend of corvina veronese (80 per cent) with rondinella (15) and molinara. So similar in vein to the Spumante and the Custoza in that it’s faintly herbal, with mild acidity and a rustic, sweet coppery sensation. This is just one of those really inexpensive far from petty wines that taste just fine for the less discerning but who also won’t drink fake and dishonest wine. You could sell the farm to promote and get temporarily rich off of pushing this Chiaretto. She was, a Veneto girl. Drink 2017-2018.  Tasted October 2017  cantinacastelnuovo  @BoscodelGal  Cantina Castelnuovo del Garda

Casaretti Bardolino Chiaretto Classico DOC Rosa Dei Casaretti 2016, Veneto, Italy (Winery, WineAlign)

Classic Rosato from the eastern shore of Lake Garda, composed of corvina (70 per cent), rondinella (20) and molinara. Both colour and impression suggest a somewhat longer bleed though its maintains freshness, lightness and a reserve of attitude. It has some but also more fruit than many other examples, of red berries but not in any over the top way or tangy hyperbole. Pays ode to its reductive side of the Chiaretto tracks. Drink 2017-2018. Tasted October 2017  stefano_rossi  Azienda Agricola Casaretti

Le Fraghe Bardolino Chiaretto DOC Rodòn 2016, Veneto, Italy (Winery, WineAlign)

Chiaretto Rõdon is 80 per cent corvina and 20 rondinella picked at red wine phenolic ripeness and subjected to six hours skin contact, i.e. a quick (50 saignée) and 50 pressed (no maceration) soak. Rõdon means pink (or Rosé in Greek) and Le Fraghe the “wild strawberry” which this so closely resembles. This is a prime example of how screwcap helps to keep freshness because it’s an easy wine (and varietal) to oxidize. This is really sapid, dry, sharp but so beautifully finessed Rosato. If you need to know the present and immediate future of Chiaretto Pink, look no further than this perfectly pure and honest effort from Matilde Poggi. Drink 2017-2019.  Tasted twice, October 2017 and January 2018  #lefraghe  #matildepoggi      Le Fraghe  Matilde Poggi

Matilde Poggi and John Szabo

Le Fraghe Bardolino Chiaretto DOC Rodòn 2017, Veneto, Italy (Winery, WineAlign)

In a stroke of pure Rosé genius and unwavering consistency Le Fraghe’s Matilde Poggi writes the next Chiaretto Pink chapter with this piu salé 2017 Rōdon. It’s both charming in its rusty rusticity and yet also crisp, clean and perfectly tangy. The wild strawberry is faint this early on and still beneath the sweet aromatic compost but by the time late spring comes this will bring all that fragola pleasure and unbridled joy. Rōdon is as good as Rosato gets in all of northern Italy. Drink 2018-2020.  Tasted February 2018  #lefraghe  #matildepoggi      Le Fraghe  Matilde Poggi

Gentili Bardolino Chiaretto DOC 2016, Veneto, Italy (Winery, WineAlign)

Gentili sits above Costermano in the northern part of Lago di Garda, with high altitude vineyards, high sand soils with stone and light clay. The second generation winemaker follows in the footsteps of his father who started in the late 1970’s. “My dream was to select the best vines from the best vineyards.” Bardolino Chiaretto 2016 comes from the same vineyards as the red but not the same grapes. There is a selection here, from corvina, rondinella and molinara (60/30/10). This has the faux sugary, South African chenin blanc styled extract, tannin and personality. Apple and peach skin, somewhat tropical, fresh, vital and then a bite into red apple. A tart, somewhat sweet and crisp apple. Different than some Chiaretto but there is no residual sugar here. In its completely dry state there too is no flint, sulphite or struck notes. Very interesting. Drink 2017-2019. Tasted twice, October 2017 and January 2018  Azienda agricola Gentili

Le Ginestre Bardolino Chiaretto DOC 2016, Veneto, Italy (Winery, WineAlign)

From oenologist Marco Ruffato, here Chiaretto comes from a vintage of low sugars and quiet phenols, but high acidity so expect a specific style that is lean, direct and prompt. A 24-hour soak in tank with no enzymes and then sulphites after fermentation. Mainly (80 per cent) corvina with rondinella and corvinone, all together leaving this at a great pale Rosato. Also with thanks to the Pergola training. So direct, really quite beautiful, on the right side of acidity. Drink 2017-2020.  Tasted October 2017  leginestrewine    Marco Ruffato

The genesis of #tortellini perfect #loveknots so proud to have tasted the care of 58 years from Alceste and Nadia Pasquali #jewellcaskets #borsavallegio

Le Morette Bardolino Chiaretto Classico DOC 2016, Veneto, Italy (Winery, WineAlign)

A typical blend of corvina (55 per cent), rondinella (35) and molinara picked in the production area of Bardolino hence the label “Classico.” You really get the peach skin and ubiquity of strawberry, also with a fresh squeezed lemon, juiced and tart. So very tangy and a sour candy flavour takes to a dry finish. Truly a “made” Rosato in a compressed and reserved style, lean and near-searing. Drink 2017-2018.  Tasted October 2017  lemorettelugana  @Le_Morette  @lemorette.lugana

Il Pignetto Bardolino Chiaretto DOC 2016, Veneto, Italy (Winery, WineAlign)

From a southeastern location on the outer morainic range of Lake Garda, the Morando famiy’s Bardolino Chiaretto is composed of 60 percent corvina, (20) rondinella, (15) molinara and (five) sangiovese. A gentle 12-15 hour soak on the skins promises classic Chiaretto texture and flavour, broad in the mouth, with tons of lemon mixed into red fruit and a decided leesy texture, from some bâttonage. Really easy drinking with good acidity. Drink 2017-2018.  Tasted October 2017  ilpignetto  Cantina Il Pignetto

Silvio Piona

Albino Piona Bardolino Chiaretto DOC 2016, Veneto, Italy (Winery, WineAlign)

Silvio Piona’s Chiaretto is from Custoza, in the south of Lago di Garda, between the lake and the city of Verona, the furthest village south in Bardolino. Albino Piona goes back to 1899 and here 118 years later we find a fine and elegant Rosato, void of power because frankly it never needs it. Fruit and spice, but certainly light, a prodigy by glacial till, some argileux clay and alluvial deposit. A different soil than up where they make Chiaretto on the steps of Monte Baldo. The climate is still the same and heavily influenced by the lake. Piona’s may or not be 100 per cent corvina, which would technically be illegal, so if you read this don’t write about something Albino may or may not have got a way with, the quasi legal Chiaretto. Light and fruity, sapid and fresh, just openly aromatic enough, knock it back Rosato. Drink 2017-2019.  Tasted October 2017  Silvio Piona    Azienda Agricola Albino Piona  Monica Piona

Tenuta La Presa Bardolino Chiaretto DOC Baldovino 2016, Veneto, Italy (Winery, WineAlign)

Baldovino the brand is corvina (70 per cent) with rondinella (20) plus molinara and the Bardolino outlier, sangiovese. Sourced from a twofold terroir, the Caprino Veronese and Località La Presa. Baldovino’s is the palest of the coppery-hued Chiaretto, with more sugar than is perhaps warranted and as so suppresses the inherent saltiness of the parochial appellative spirit. That said the salinity insists on paying heed to some necessary balance and proper personality so in the end this technically sound Rosato points the compass’ arrow straight up the DOC ruler’s median line. Drink 2017-2018.  Tasted October 2017  tenutalapresa    Tenuta La Presa

Poggio Delle Grazie Bardolino Chiaretto DOC 2016, Veneto, Italy (Winery, WineAlign)

Out of Castelnuovo del Garda, Poggio delle Grazie’s is exactly what any doctor would and should order for a Chiaretto prescription. This a very fruity, ripe and balanced Rosato, from the predominant corvina (80 per cent) and rondinella. Raised only in stainless, 12 hours on skins, with the first vintage having been 2014. A very lithe and pretty strawberry blush, with rounder acidity than most, but light and perfectly pleasant. An 8,000 bottle export possibility steal at 4.0 euro ex-cellar. Drink 2017-2019.  Tasted October 2017  poggiodellegrazie  winerypoggiodellegrazie  Poggio delle Grazie – ufficial page  Elisabetta Panetto  Massimo Brutti

Vini Rizzi Bardolino Chiaretto DOC Marco Polo 2016, Veneto, Italy (Winery, WineAlign)

Highly typical Garda blend of corvina, rondinella and molinara from Cantina Seiterre, a group with holdings in Piemonte, Toscana, Valpolicella and here, in Bardolino. Big box Rosato yet full of weight and secondary thoughts. On the darker side of Chiaretto hue but in retention of the light and the salty, at least in terms of citrus and floral aromas, mild berry flavour and approved texture. Drink 2017-2018.  Tasted October 2017  cantina_seiterre    Cantina Seiterre Verona

Cantine Tinazzi Bardolino Chiaretto Doc 2016, Veneto, Italy (Winery, WineAlign)

Tinazzi makes wines in the Veneto and Puglia and the Chiaretto is drawn off of the Valleselle Estate in Bardolino. The blend is 70 per cent corvina, with molinara and rondinella for a straight-ahead fruity and vinous Rosato, tart, the red fruits felt coated by a lactic, yoghurt shell. There’s a semblance to something akin a later harvest Rosé, something that could only happen in the Veneto. Drink 2017-2018.  Tasted October 2017  cantine.tinazzi  @CantineTinazzi  Cantine Tinazzi

Valetti Bardolino Chiaretto Classico DOC 2016, Veneto, Italy (Winery, WineAlign)

Valetti’s Rosato is composed from 70 per cent corvina, 20 rondinella plus the outlier, 10 sangiovese. The faux sugary Rosé sniffed blind could very well be value Cape South African chenin albeit with a rhubarb savoury edge. Yet it has reached a phenolic ripeness which only the Bardolino area can achieve, unlike in Valpolicella where corvina can’t get there from here. It’s the Mediterranean climate and you feel it here. It gets neither more straightforward nor more small village, family tight commercial than this. Textbook Chiaretto. Drink 2017-2018.  Tasted October 2017  valetticantina  @CantinaValetti  Azienda vinicola Valetti Luigi srl

#vignetivillabella #villacordevigo #discoverchiaretto #bardolino #corvina

Villabella Villa Cordevigo Bardolino Chiaretto Classico DOC Biologico 2016, Veneto, Italy (Winery, WineAlign)

Organic Chiaretto from 75 per cent corvina and 25 rondinella, for what Franco Cristoforetti refers to as “the Rosé revolution that started in 2014.” A short maceration/time on skins does the right thing for hue and in extracting citrus and orange from the corvina skins. Here it’s very much more like a white wine produced from red grapes, the only imagination of colour being red fruits, and so the method and the style deliver as much palate replay as any Rosé on the planet. So very not vinous and so far from the oxidized style that was still so very prevalent in the recent past. The difficult 2014 vintage marked the turning point. Picking was accomplished between September 10 and 20. Drink 2017-2018.  Tasted October 2017  vignetivillabella  villacordevigo  @VillaCordevigo  @VignetiVillabella

Villabella Villa Cordevigo Bardolino Chiaretto Classico DOC Heaven Scent 2016, Veneto, Italy (Winery, WineAlign)

Heaven Scent in the words of Franco Cristoforetti offers “the feeling like here was to be in heaven,” speaking of his vineyards and this “place in the sun at Cordevigo. The style is similar to the Bio VillaBella but it thinks more in terms of an international customer, with less acidity and further roundness on the palate. More lemon but a preserved, compressed one and less orange. Still produced from the dominant corvina and the picking times are the same, albeit now in a less structured, milder acidity result. Drink 2017-2018.  Tasted October 2017

Villa Calicantus Bardolino Chiaretto Classico DOC 2015, Veneto, Italy (Agent, $31.95, WineAlign)

Villa Calicantus is the organic, biodynamic, terroir defending, smallest of Bardolino estates passion project of winemaker Daniele Delaini and his natural, vin de garde wines on the moranic hill above Bardolino and Lazise. Higher up than Cavaion, in Calmasino. Delaini also produces a bigger and deeper Rosato called Chiar’Otto but this Classico ’15, though very different than most still adheres to the paler, lighter and cleaner DOC example. Mostly. It’s certainly less of a geek out Rosé but again, like the Otto its methodology is essentially descried to that of a red wine. Young vines of corvina, rondinella, molinara and sangiovese of extremely low Chiaretto yields, native yeasts, five months of ageing in small still wood vats and zero clarification dole out a base, forward and natural blush. This just feels like trouble melting away and like a child comfortable in its alternative skin. A child encouraged and allowed mutual respect and friendship with its parents. For Daniele, sometimes you make the wine and sometimes the wine makes you. Drink 2017-2021.  Tasted October 2017  villacalicantus  thelivingvine    @TheLivingVine  @VillaCalicantus  The Living Vine inc.

Villa Calicantus Chiar’Otto Vino Rosato ADXVI 2016, Veneto, Italy (WineryWineAlign)

Chiar’Otto is Daniele Delaini’s Vino Rosato from a natural fermentation, the name meaning “Big Rosé” as opposed to the smaller, lighter and saline examples directed by the Bardolino Chiaretto DOC. The deferential and apposite qualities in Delaini’s are at the far end of the morainic Garda spectrum, far and away from any other winery in the entire region. It’s oxidative, the natural wine that isn’t, but it spills over in ubiquitary must while acting Garda-funk specific. This is a red wine spoken in a gamay cru way, almost Jura, like trousseau, but it really smells of oranges, red fruit and also the calcareous soil from which it comes. It’s certainly possessive and expressive of these affinities but also a matter of open barrel, overnight fermentation. Otto is the outlier and the pioneer for what the future holds in Rosato off of Bardolino lands. As a red wine of light composition and soil-loyal admonition it’s very good. As a Rosé it requires further understanding and evolution to elevate its game. Drink 2017-2020.  Tasted October 2017  villacalicantus  thelivingvine    @TheLivingVine  @VillaCalicantus  The Living Vine inc.

Daniele Domenico Delaini #villacalicantus welcoming I Canadesi to #levignedeibardolino at #fortedegenfeld

Zeni Bardolino Chiaretto Classico DOC 2016, Veneto, Italy (Winery, WineAlign)

Substantial vine vigour and generous yields of corvina 50 (per cent), rondinella (40) and molinara deliver substance in perfume. It begins with fennel and lemon thyme urged forward by a feeling of sulphur and Saccharomyces. Lean and tart on the palate, simple and easy in dimension. Drink 2017-2018.  Tasted October 2017  zeni1870  @Zeni1870  @zeni1870

Chiaretto Valtènesi

Valtènesi Chiaretto DOC

Cantina la Pergola Valtènesi Chiaretto Classico DOC Riviera Del Garda 2016, Italy (Winery, WineAlign)

The blend is groppello (60 per cent), marzemino (20), barbera (10) and sangiovese (10) in a well extracted and bled, highly flavourful Rosato expressly Chiaretto and decidedly Valtènesi. Even the name suggests something haute in class and couture, for relaxation time, on a shore, in the sun. Ever-bearing strawberry and cherry meet a clay richness smack in the middle where salt and air collide. Drink 2017-2019.  Tasted October 2017  @cantinelapergola

Costaripa Valtènesi Chiaretto DOC Rosamara 2016, Italy (SAQ 11415121 $20.90, WineAlign)

Costaripa’s Valtènesi Chiaretto is the perfect opener to gain a contrastive and apposite feeling from across the lake on this western side of Garda. It is here that Rosato takes on a decidedly Provençal feel. Nicole Vezzola explains. “I feel as much French as I do Lombardian.” Groppello is such a delicate grape and here the percentage is set around 60, with marzemino, plus 10-15 sangiovese and barbera. Costaripa is the only winery fermenting 30 per cent in old barrels before making the blend. “My father (Mattia Vezzola) believes that to make a good Rosé you have to make a blend, of varieties and parcels.” As a grape groppello carries more spice than let’s say, pinot noir, but this is a Rosé matter so the reference point need be cinsault, grenache and mourvèdre, but it’s just a matter of idea that starts and ends there. “The aim we have as Valtènesi is to shift the idea of colour to a structured wine.” It alights with lightness and freshness, then moves to salinity and finesse. Structure is more ideal than reality, or perhaps in Rosamara, just a different state of mind. Drink 2017-2019.  Tasted three times, October 2017  costaripa  nicolevezzola  lenotecadimorenodemarchi  @costaripa  Costaripa

Godello with Nicole Vezzola

Costaripa Valtènesi Chiaretto DOC Molmenti 2013, Italy (Winery, WineAlign)

The Molmenti Chiaretto spent two years in tonneaux and two years in bottle. This is something completely different for Rosé, treated with red wine poise and attention. Same blend as the Rosamara, with the intention to create more structure and ultimately, longevity. The saltiness persists and there is weight, even metallurgy but very little wood-addendum. The lightness of Rosé just doesn’t really attract too much barrel sheathing, perhaps in mild spice and texture, but not in bitters, tannin or any sort of salve. This too because even with two years of barrel time there is no achievement of malolactic, thanks to temperature control but also by virtue of being a low acidity, Mediterranean climate wine. Molmenti is likely a whereabouts that you have never been to before, in so many ways. There are a mere 4,000 bottles for a Rosato in command of 13 euros, cellar price. Drink 2017-2022.  Tasted October 2017  costaripa  nicolevezzola  lenotecadimorenodemarchi  @costaripa  Costaripa

La Guarda Chiaretto Valtènesi DOC 2016, Italy (Winery, WineAlign)

Here Chiaretto exemplifies its position as a most characteristic and typical wine of the west coast of Lake Garda. A few hours of pressing leads to the desired pale, salmon and peach skin colour, replayed in stone fruit aromas mixed with citrus and dried clay. Stainless steel is used to lock in freshness and preserve aromatics. Guarda makes use of the characteristic processing method called “levata di cappello,” litterally to “take of the hat” with their classic blend of groppello, marzemino, barbera and sangiovese from the morainic hills of the Valtènesi. This is one of the more sapid tasting Chiaretto though with a mild mannered acidity. Drink 2017-2019.  Tasted October 2017  @LaGuardadiNegri

Pasini San Giovanni Il Chiaretto Valtènesi DOC 2016, Italy (Winery, WineAlign)

From Raffa di Puegnano (a fraction of the Brescia municipality on Lago di Garda), in contest for a perfect introduction and overview of the area of Valtènesi. Pasini’s is a blend of all four grapes, including sangiovese at less than 10 per cent (but for strength), whereas the groppello is 65 per cent, with the barbera (for acidity) and mazemino (sugar) delivering the overall balance. This organic Rosato is what Paolo Pasini refers to as the “overnight wine,” a child of only a slight vinfication and brief contact with the grape skins at the midnight hour of the first night. Carries the western Garda personality in pocket but with more sulphite-struck rock and iodine saltiness, even a note of hematic plasma. The palate delivers some sugar (4-5 g/L), just up from the bone dry style, not obtrusive but acting with the metallurgy on the nose to tun out more compression and down weighting. Price is 6.65 euro, ex-cellar. Drink 2017-2019.  Tasted October 2017  pasinisangiovanni  @polpasen  @pasinisangiovanni

Pasini San Giovanni Chiaretto Valtènesi DOC Rosagreen 2016, Italy (Winery, WineAlign)

Unlike the classico Chiaretto, the skin-contact is elevated from eight to 24 hours in the Rosagreen. It’s also a switch to varietal, single-vineyard (Soiano) groppello. The groppello can handle the triple contact time without darkening and compressing, remaining in its necessary state, vital and energetic. Not so much the sapid style but plenty of verve plus the elegance and easily achieved balanced by the singular and solo groppello. Conversely dried too, with less than 2 g/L of RS. Just a touch more expensive at 7.10, ex-cellar. Drink 2017-2020.  Tasted October 2017  pasinisangiovanni  @polpasen  @pasinisangiovanni

Scolari Chiaretto Valtènesi DOC 2016, Italy (Winery, WineAlign)

Scolari’s is the thoughtful, intuitive and even philosophical Chiaretto, a matter so gentle, pale and in their words, to “know how to grasp the fleeting moment.” The first and most pristine clusters of groppello, marzemino, barbera and sangiovese are chosen for the production of Chiaretto, into contact brief and subtle then moving to separate the must from the skins. What is fundamental is the sensitivity of the maker, who “must apply technology as art.” Scolari’s begins with salinity and a silky texture, passes by wild berries and then ends with a bitter almond note. It’s textbook and yes, everything is accomplished with a whisper, all things mild, even acidity and then the moment is gone. Drink 2017-2019.  Tasted October 2017   #cantinescolari  Cantine Scolari

Lago di Garda, Torri del Benaco

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The great Gabbiano

@castgabbiano in light of expression and meaning

A return visit at Castello di Gabbiano

Federico Cerelli is Chianti Classico’s new renaissance ranger, a man on a mission to not only seek out great terroirs but also to reinvent what can be induced, coaxed, persuaded and realized from his denizens of field and plantation. Though Castello di Gabbiano’s portfolio is a massive project with scopic reach, Cerelli never rests on complacency, laurels or sales figures. There is no settling for average at Gabbiano or the blasé delivery of unexciting wines just because you’ve already earned the trust of your buyers. If a Gabbiano owned or managed vineyard in Mercatale Val di Pesa requires the cash to improve the health of the vines or to rip out and replant, than it is done. Can there be a finer example of commercial scope meeting artigianale than the quixotic and obsessive Castello di Gabbiano?

About his masterpiece novel F. Scott Fitzgerald wrote “I want to write something new, something extraordinary and beautiful, simple and intricately patterned.” Like the vineyards of Gabbiano but also a project in Radda in Chianti that is Federico’s new baby, that being the remarkable IGT Toscana work at Poggio di Guardia with Stefano di Blasi. It is there on a storied plot and historical estate where they are producing sangiovese with cabernet, merlot and amphora raised rebo. Cerelli can thank the work he’s put in at Gabbiano and the team who support his endeavours for this springboard to something exciting and new.

Gabbiano’s hills in Mercatale Val di Pesa

Related – Three days, eight estates, Chianti Classico

A return visit to the 12th century Castello di Gabbiano touches an estate and a castle that remained in the possession of the Florentine banking family Bardi until the early part of the 15th century. After it passed to the Soderini family, one of the most politically influential families in Florence, it was converted of the turreted manor house of Gabbiano in Fattoria, already completed by the late 15th century.

Today the 147 hectare estate is divided up into DOCG Chianti Classico (109 hectares), IGT (35) and Vin Santo. I have had the pleasure to taste with winemaker Federico Cerelli, Managing Director Ivano Reali and Marketing Director Silvia Bottelli on several occasions and this most recent sit-down focused on vertical looks at Riserva and Gran Selezione. Ivano is responsible for directing the complete renewal of all estate vineyards including new plantings and managed improvements to the estate’s winemaking facilities and practices. At the start of our visit Federico drove us to the ridge opposite and to the east of the castle and winery to gain a clearer ante-understanding of Gabbiano’s soil types, slopes, aspects and exposures. Looking at the blocks you can intuit how the two men work side by side with meticulous attention, verging on obsessive, to focus on agriculture and how it connects to winemaking. Federico and Ivano are in constant analytic contact with the vineyards and corresponding production methods. There is no rest for these two. Later on our discussion on Gabbiano and Chianti Classico carried over to dinner at the estate’s restaurant, Il Cavaliere. These are my notes on the seven wines poured.

Triumvirate #chianticlassico Riserva and Gran Selezione verticals at @castgabbiano with Federico Cerelli 2011-2013

Castello Di Gabbiano Chianti Classico Riserva 2015, DOCG Tuscany, Italy (216309, $22.95, WineAlign)

The consistency of the Gabbiano Chianti Classico Riserva continues in 2015 and it is becoming increasingly impossible to find matchable quality at this price level. The 2015 is a Riserva of extreme youth, really grippy, full, extracted and liquid chalky rich. Don’t misunderstand or be duped because this ’15 isn’t brighter than the more than surprising ’14. It is not a question of stepping back from success and time will be a factor for both longevity and the preservation of freshness. So it is a matter of vintage. This carries an early and spicy sangiovese wisdom and this will serve it well. It’s frankly a bit hot right now but that too will relax. With each passing year another rung is ascended up the CCR ladder forged by the Federico Cerelli and Ivano Reali Gabbiano union. Drink 2019-2028.  Tasted September 2017  castellodigabbiano  markanthonyon  @castgabbiano  @MarkAnthonyWine  @castellogabbiano  Ivano Reali (Castello Di Gabbiano)  Mark Anthony Wine & Spirits

Castello Di Gabbiano Chianti Classico Riserva 2014, DOCG Tuscany, Italy (216309, $22.95, WineAlign)

Now tasting with winemaker Federico Cerelli he says he wasn’t even sure he would make Riserva out of 2014 but with more skin contact and longer maceration he was able to add some structure. The depth is the thing. This will age much longer than most would choose to give it credit for.  Last tasted September 2017

The difficulties presented by the vintage were determinate in excluding the Gran Selezione Bellezza from production so it is that bottle’s loss that became the Riserva’s gain. The single vineyard’s 2014 yield may not have been stellar but its significance is not lost on the overall Riserva gathering, down 40 per cent in quantity. It is here that we see the expertise of a winemaker like Federico Cerelli, to work with new parameters literally thrown at him by chaos and uncertainty. Less than 18,000 bottles came out of 2014 and the wine saw its expected time in barriques and botti, none of which were new. This is CCR of sangiovese brightness meets firm ’14 grip. The varietal freshness is preserved in ways previous vintages were not. Once again this incumbent year is put on vivid display, befallen to knowing hands and forward thinking minds. The aging potential here is excellent. Drink 2018-2029. Tasted February 2017

Castello Di Gabbiano Chianti Classico Riserva 2013, DOCG Tuscany, Italy (216309, $22.95, WineAlign)

The advanced character is minor but poignant, as expected and predicted. A touch of balsamic, softness and richness.  Last tasted September 2017

First and foremost it is the wood, or the lack of wood that stands out in the CCR 2013. It may be observed as a different kind of wood, less polished and more natural but what really wins out is the fruit. The cherries are surfeited by impressed tannin and linger with good tonic for a good length of time. Great restraint shown by winemaker Federico Cerelli. Drink 2018-2024.  Tasted June 2016

Burrata e pomodoro at IL Cavaliere del Castello di Gabbiano

Castello Di Gabbiano Chianti Classico Gran Selezione Bellezza 2013, DOCG Tuscany, Italy (652438, $39.95, WineAlign)

Bright, structured, vibrant, just in a great state, with tons of fruit and yet it will continue to improve, over the next two or three years.  Last tasted September 2017

Tasted with winemaker Federico Cerelli alongside the new era ushering 2012, a wine with six months further resolve, which is really just a moment in life. Looking at this 2013 it clings to that ’12’s ideal, still firm and in need of down time, stirring still, wasting some time. Here a gear switch, alteration and adjustment. A reduction of new oak, an increase of the mineral cogitation specific to the Albarese soil, with tannins great like in 2012 but finer, more elegant. This is more classic in the sangiovese thought because what also is allowed is the level of dry extract, “over 30 for sure” notes Cerelli. This Bellezza is pure sangiovese, the best Bellezza in years, classic to remind of many years ago but a very modern wine. It is the Gabbiano predicament and the predilection to announce what Gran Selezione means so in a word, bravo. You could actually drink this now and then over 25 years. “What is Bellezza? This is the best block of the estate” is the answer as told by Federico. Great tannins, simply great tannins. Drink 2019-2032.  Tasted May 2016 and February 2017

Castello Di Gabbiano Chianti Classico Gran Selezione Bellezza 2012, DOCG Tuscany, Italy (652438, $39.95, WineAlign)

Quite antithetical to the bookends of 2011 and 2013 this feels a bit cooked and raisined at this stage though it’s certainly a different sort of vintage and forged from a deferential set of structure parameters. Enjoy earlier while the others work their slower evolutions.  Last tasted September 2017

Sangiovese all in, 100 per cent pure-blood and nothing but new barrels to round off every divergence, angle and edge. Expectations demand secondary characteristics from such a bella Chianti and this piccolo Gran Selezione delivers. In 2012 it over-delivers, already hinting at tertiary aromas and flavours, leathery, cedary and potent. Due to its advancing ways it’s a bit of a double-edged sword, albeit carried by a knight on a beautiful horse. It’s a joust we should all be willing to wage in the near to medium term, especially if a Florentine steak or double cut-veal chop are part of the battle. Drink 2017-2020.  Tasted February 2016

Castello Di Gabbiano Chianti Classico Gran Selezione Bellezza 2011, DOCG Tuscany, Italy (652438, $39.95, WineAlign)

Tasting Gabbiano’s Gran Selezione Bellezza 2011 in 2017 is a treat of timing and perhaps the advantage is unfair, also for having already tasted 2012 and 2013 on two occasions each. The slings, arrows and raptures of experience offer perspective for having waited out this Chianti Classico borne of a hottish and dry season. Now having gained another two years in bottle it has benefited from the integration and the settling. I really get true sangiovese character, savoury, tart, energetic but certainly sheathed in more new barrel than the more recent and scaled back vibrant 2013. Really chewy, this ’11 has come together in such an amenable and fortuitous way. Drink 2017-2024.  Tasted September 2017

Ristorante Il Cavaliere at Castello di Gabbiano

Gabbiano Dark Knight 2016, IGT Toscana (Agent, $17.99, WineAlign)

Dark Knight is cabernet sauvignon and merlot from the Tuscan coast with some estate sangiovese, It’s lush, dark, silky with a little bit of residual sugar (7 g/L). Fruity, simple, faintly sweet and for so many commercial purposes, it’s a slam dunk. Drink 2017-2019.  Tasted September 2017

@castgabbiano in light of expression and meaning

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If you’re going to San Casciano

Bistecca fiorentina, Villa Le Corti

Chianti Classico the region is both muse and magnet, its reservoir of territorial intrigue and sangiovese anthology infinite in possibility. By junket or by migration through its communes there is always a sense of awe and wonder, yet no matter how many times the roads, villages and vineyards are travelled there is always something new. This is the story of San Casciano in Val di Pesa.

Related – A river runs through Greve

San Casciano is one of nine sub-zones of Chianti Classico, also a hamlet, while the commune sits on the north-western border of the greater territory in Toscana. It shares only two sectional borders, with Tavarnelle Val di Pesa to the south and Greve in Chianti to the east and southeast. From the town’s centre to Piazza del Duomo in Firenze should take about half an hour, excluding summertime. The full name San Casciano in Val di Pesa tells us that it’s location is proximate to the valley of the Pesa river. My colleagues John Szabo M.S., Brad Royale, Steve Robinson and I paid a visit with an armful of San Casciano producers in September, 2017. Our host was the affable meets honourable Duccio Corsini of Principe Corsini – Villa Le Corti. The take away from this visit was a sense of San Casciano’s inner voice and exclusive temperament but also how it fits into the puzzle that is Chianti Classico.

Related – The ins and outs of Panzano in Chianti

The word congeries comes from the Latin verb congerere, which means “to carry or bring together,” though it could also move through the Italian, palificazione, or piling. I’m not sure any sub-zone typifies this concept more than San Casciano, in part because the multiplicity of its sangiovese rivals or even exceeds many to most anywhere in the greater district. When you pile one on top of another in a tasting you feel the weight and the density but also the permutation and variegation. These are a collection of sangiovese hard to pin down even if this particular sample size is perhaps too small and so a sooner over later return for more will be crucial.

The Gallo Nero of Luiano

Related – Into the Castelnuovo Berardenga great wide open

From San Casciano we expand outwards again to think on Chianti Classico the concept as based on the figuration that is the Gallo Nero, a symbol not only designed and enshrined to classify the wines raised from these multifarious soils but to ingrain something deeper, meaningful and soulful. The Gallo Nero stamps each bottle of sangiovese with a seal of amour-propre approval, for a conceit of quality, not out of outrecuidance but in recognition that the opinion of others does matter. San Casciano now sits in requiem of such avowal and validation.

Inside the Chianti Tower, San Casciano in Val di Pesa

Related – Because the night in Gaiole

Just as you’ve settled into the comfort zone of knowing your way around the landmarks of a place, the people take hold of your hand, put on a blindfold (not literally) and reveal a site that blows your mind. The Chianti Tower of San Casciano is an unusual spike of architecture, quirky and seemingly displaced, that is until you make the climb (by elevator) up to its observation deck. From up above there are vistas that take in the Florentine hills and Vallombrosa, the mountains of Pistoia, and Pisa. The panorama turns to the Chianti and Chianti Classico landscape, Siena’s hamlets and perhaps, on a really clear day, the Ligurian sea.

Related – Castellina in golden light

The 33 meters high cylindrical surge tank tower is part of the Museo di San Casciano in Val di Pesa, owned by the Comune and is characterized in form as suggestivo or evocativo. It’s post World War Two reconstruction continues its function as a storage water reservoir, but it is the panoramic terrace that steals the visitation show. Our group was joined by a gaggle of San Casciano winemakers to take in the immediate and extrapolated lands.

Related – Get Radda for Chianti Classico

Over these last few weeks I have published six articles on sub-zones and this seventh and final essay on San Casciano concludes the heavily scrutinizing reconnaissance mission. For now. By the time this week has come to its end I’ll be back in Chianti Classico for more, this time with the knowledge that everything I have thus far learned will be turned on its head, refreshed and begun anew. The goal is always deeper understanding but who am I to speak in absolutes. The journey has just begun. If you’re going to San Casciano you’re gonna meet some gentle people there. Here are my tasting notes on six examples from six wamhearted producers.

Niccolò Montecchi, Cigliano

Cigliano Chianti Classico 2014, DOCG Tuscany, Italy (Agent, 189803, $19.95, WineAlign)

Deep, dark and sombre inhalant of grand vineyard fruit in the premium selezione vein, this is indeed a sobering San Casciano in Val di Pesa Chianti Classico with wild berries, herbs and drops of fine liqueur, almost like Vin Santo but without sugar. Cigliano takes a certain road for 2014 and gets away with murder. This could have turned out hot and bothered but the balance is struck by chords of great acidity and tension. This pulls no sangiovese or vintage punches and is clearly the work of a rogue winemaker. Drink 2018-2023.  Tasted February and September 2017  Villa del Cigliano    @VilladelCigliano

Stefano Pirondi, La Sala

La Sala Chianti Classico 2014, DOCG Tuscany, Italy (WineryWineAlign)

La Sala from Stefano Pirondi carries 10 per cent merlot in address of the sangiovese with some green tannin integrated into the black cherry. From sites up at 300m, a mix of Alberese and deep clay but almost all red clay in 2014. Not a very ripe CC, only five hectares (20,000 bottles) were vinified. Half and half stainless and large French wood, very spicy and quite red citrus, but on the dark side. I would give it a year to soften. Drink 2018-2021.  Tasted September 2017  cantinalasala  @LaSalaVini  La Sala

La Querce Seconda Chianti Classico 2014, DOCG Tuscany, Italy (WineryWineAlign)

From vineyards quite close to Florence (8 kms) this 100 per cent sangiovese has been organic since 2001. It now seems ripe for 2014, into the depth of steeping cherries, a touch hollow up the middle, but deep, rich and actually quite easy to drink. Last tasted September 2017.

From the most northern Chianti Classico vineyard located in the area of San Casciano in Val di Pesa, La Querce Seconda by Niccoló Bernabei is high-spirited, of tart to volatile brightest of bright red fruit with toasted fennel to nose. Quite a tart palate as well with furthered spirit and quite sweet tannin. This is old school but alive and vital. Will live this kind of life for a spell. Drink 2018-2022. Tasted February 2017    @LaQuerceSeconda  laquerceseconda

My triple-threat of @luiano terroir is right over there, in #sancasciano #alessandropalombo

Related – Three days, eight estates, Chianti Classico

Luiano Chianti Classico Riserva 2014, DOCG, Italy (Agent, $39.95, WineAlign)

Luiano’s Chianti Classico Riserva 2014 by Alessandro Palombo, is 95 per cent sangiovese with a touch of body-adding merlot. “For us Riserva has always been a cellar selection and a representation of Luiano’s three distinct sub-soils,” tells Palombo. This is a 2014 postcard in a nutshell, cool and deep, with some bretty and volatile nature though just a wonderful whisper. Done in bigger oak casks and recently bottled (well March of 2017), some cakiness is baked into the structure though filled in with binding mortar. It’s silky, supple and certainly a wine that will age into umami secondary character. Drink 2018-2024.  Tasted September 2017  luianowine  ale_luiano  tre.amici.imports  @LuiLuiano  Luiano®   Alessandro Palombo  @treamiciimports

Azienda Agricola Mori Concetta Chianti Classico Morino 2014, DOCG, Italy (WineryWineAlign)

It’s a wise old story but the San Casciano 2014 from Massimo Becattelli is a beacon to reel us in towards a new Chianti Classico understanding. Named after his mother Mori this vino is very much alive, anything but memento mori, more like a reflection on immortality. The very small production is the work of a one man band with modest hands, only one hectare, planted by Massimo’s father 40 years ago. It has now been replanted with the clones of the old vineyard in June of 2015. This Annata is 80 per cent sangiovese, 12 canaiolo and eight colorino. There is soul, volatility, depth, intensity and finesse in what is a rustic but cultured ’14 with fruit and more fruit, but graced by this underlying Galestro feel. Only 287 bottles were made of Massimo’s “lavoro di passione.” Drink 2018-2022.  Tasted September 2017  @az.agr.moriconcetta

Linguine con coniglio, Villa Le Corti

Villa Le Corti Principe Corsini Chianti Classico Gran Selezione Don Tommaso 2013, DOCG, Italy (Agent, $62.50, WineAlign)

Don Tommaso 2013 is named after Duccio Corsini’s father, was first made in 1994 and here contains 80 per cent sangiovese with 20 per cent merlot. The latter is meant for smoothing the angles, something that is also accomplished by aging in tonneaux and second passage barriques. Villa Le Corti – Principe Corsini’s Gran Selezione is a very silky smooth, deep black raspberry fruit forward wine with high acidity and green savour running through. Not from a cru originally, just the right grapes but over time narrowed down to three vineyards. Chocolate oozes all over the finish. “I do what I do with what I have, adding people,” says Duccio. Sounds like the Chianti Classico equivalent of climat. Drink 2018-2023.  Tasted September 2017  villalecorti  artisanal_wine_imports  @PrincipeCorsini  Principe Corsini  @artisanalwineimports

Bistecca fiorentina, Villa Le Corti

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A river runs through Greve

Ruffoli, Greve in Chianti

Chianti Classico is not one of the more famous left versus right bank terroirs in Europe but in the case of Greve in Chianti a river does run through it. My recent September 2017 sangiovese exploration brought me to Greve and a retrospective concern shows how visits to Querciabella, Villa Calcinaia and a subset of Montefioralle wines now explain a contrast in landscape meets topography, position and soil that at the time was not fixed on my menzioni geografiche radar. What happens left or west of the river is one thing and to the right something other. Were that it were so simple I wouldn’t have to expand, but it’s not and I do.

Related – The ins and outs of Panzano in Chianti

The Greve river (fiume Greve) is a 43 kilometre slide of twists, turns, switchbacks, rises, falls and settles into floodplains. It’s origins are upon Monte Querciabella in Radda, north of Volpaia, southwest of Badaccia a Monetmuro and southeast of Lamole. Heading swiftly northwest it then crests as a flat flood plain between Panzano and Greve, known as the Piano di Montagliari. Continuing north it slices the village of Greve in Chianti and along Strada 222 past Villa Calcinaia, Verrazzano and Vicchiomaggio. It eventually spills into the Arno River at Firenze.

Related – Into the Castelnuovo Berardenga great wide open

Querciabella’s position in Ruffoli east of the Greve hamlet and the river is one of the more distinct and perhaps least understood of Greve’s areas. Ruffoli is another communal sub-zone that requires the introspective investigation for its singularities and peculiarities. It is the Chianti Classico poster child for seeing the vineyards through the trees. Along with neighbours Poggio Scalette and Il Tagliato there forms a special bond for the combination of altitude, great stands of forests and the multifarious soils that have been unearthed from beneath those heavy woods. In fact Ruffoli may be the most Burgundian meets Alsatian terroir in all of Tuscany. It’s a very cool place.

Related – Because the night in Gaiole

Not all clones are created equal #sangiovese #ruffoli #chianticlassico #greveinchianti #querciabella

Related – Castellina in golden light

Comparatively speaking Villa Calcinaia and the hills west of Greve are more of a landscape of tumbling rocks and stones down hills into gravel and silt where the river lies below. Stand on the upper terrace of Calcinaia’s property, look up into the hills and then back across the Chiantigiana and the study in contrasts is a fascinating one. Calcinaia’s soils down by the river are clay-loam and as you climb the hill the sand and calcaire with Galestro predominating lends the name “chalk quarry” to the estate.

Related – Get Radda for Chianti Classico

South from Calcinaia and Viticcio we come upon the next great Greve sub-zone known as Montefioralle. Simply assessed Montefioralle is close to Castello di Montefioralle, southwest of Greve and south of Greti. The hamlet has 79 residents and sits at an elevation of 352 meters. The zonazione is home to the Associazione Viticoltori Montefioralle of 14 producers; Altiero, Belvedere, Brogioni Maurizio, Villa Calcinaia, Podere Campriano, Podere San Cresci, Roberto Grassi, Le Palei, Luciano Meli, Poggio Riccioli, Schietto, Terre di Baccio, Castello Di Verrazzano and Vitticio. The growers refer to their collective soil soul as “on the left side of the river, the peculiarity of the soil and the microclimate give to the Sangiovese grapes a unique and strong identity.” The terroir in Montefioralle is indeed mostly calcareous clay, with sand and in some cases, outcrops of “compresso indifferenziato argille scagliose,” part schisty calcaire with less instances of Galestro or Alberese and more Macigno. Once again yet another micro-territory in Chianti Classico to be considered for menzione geographiche aggiuntive.

This sixth of seven exposés on i cru di enogea, the greater and smaller territories within Chianti Classico covers the visit to Querciabella and the Montefioralle tasting with Sebastiano Capponi at Villa Calcinaia. I’ve reviewed 18 wines in total.

Querciabella

Querciabella is the continuing vision of the late patriarch Giuseppe Castiglioni, a man of Milanese origins who purchased and launched the estate in 1974 in the post sharecropping, mezzadrina era. Since 1988 with his precocious and ahead of the global game decision to convert the farm to organic practices, it is the emotional and soulful braintrust of Sebastiano Cossia Castiglioni that leads Querciabella forward. The estate is also biodynamic (2000) although minus the hocus-pocus, voodoo chile, astrological, new age nonsense. There are no animal-based preparations employed, no stuffing cow horns with manure, only plants, all in the name of applications rooted in ethical principles. The forests are maintained and cover crops are composed of grasses, herbs, cruciferous vegetables and legumes. 

Our visit to Querciabella coincided with harvest so we were able to watch first hand the sangiovese grapes coming in and going through the presses. Grapes destined for Chianti Classico and IGT Toscana. In 2000 Querciabella’s Camartina was proclaimed as the greatest Italian wine of the year by virtue of combining scores rated by the Italian wine guides. At the time it was a sangiovese dominant blend and in this tasting we were able to taste a vertical that showed how it has transformed into the cabernet-led blend it is today. The cru of Ruffoli was investigated through pours of Chianti Classico and Palfreno, a merlot only made in selected vintages. We also got a glimpse into the history and evolution of Bátar, a white wine of not so subtle reference to Bâtard-Montrachet. Our tasting was one of patent application for full Querciabella disclosure, led by winemaker Manfred Ing and CEO Roberto Lasorte.

Revisiting the exceptional @querciabella @chianticlassico at the source

Querciabella Mongrana 2013, IGT Toscana, Italy (Agent, $28.95, SAQ 11192183, $25.25, WineAlign)

The first vintage of Mongrana was 2005 and the blend is now 50 per cent sangiovese plus 25 each cabernet franc and merlot. The fruit comes coastal from the Maremma, easy-going dusty and orchard red. Very red fruit, so crushable with ripe acidity and a grippy finish. Spicy and round, but pointed, in a right and delectable direction. Bloody delicious, this medieval blend of poetry, of knights and horses. Drink 2017-2020.  Tasted September 2017  querciabella  grape_brands  @Querciabella   @querciabella

Querciabella Chianti Classico 2014, DOCG Tuscany, Italy (728816, $30.25, WineAlign)

This vintage is the third as a 100 per cent sangiovese and Manfred Ing points out how there is a lot less Radda fruit in the mix due to pest problems and so much of that fruit was dropped. Whatever (lack of) balance may have been in question last February is no longer debatable. This is a most exceptional 2014.  Last tasted September 2017

I am at first quite surprised by the aromatic candy and volatility on this Greve in Chianti Querciabella when considered after the extraordinarily balanced 2013 recently tasted. But this ’14 is still silly young and the sweet opening is just a portal in which to crawl through. Once inside there is this specific liquor, a pool filled with more wealth of sangiovese fruit than the basin can currently hold. So it’s spilling over the edges in its youth and it’s simply too much for the glass to hold. I think the house took this a bit too far in reaction to ’14’s weather and a bit of balance has been compromised. I’m not sure this will ever find the elegance that ’13 showed but it does match the ripeness and the necessary triumvirate opposition forces of grip, acid and tannin. Huge wine. Maybe it just needs five years to settle into its skin because of course the fruit is red bright, not dark, hematic and brooding. Drink 2019-2026.  Tasted February 2017

Querciabella Chianti Classico Riserva 2013, DOCG Tuscany, Italy (WineAlign)

This Riserva picks up right where the ’13 normale left you hanging and wishing for more. As is so often the case when it can be excellent CC but disappointing, or at least, not quite meeting high expectations from CCR. This Querciabella carries the same pure fruit but with another layer of concentration and purity. Where it really excels is in a combinative and almost but not quite too serious combative struggle between texture and structure. The acidity is red tapioca pearly fine and the tannins ridiculously fine. So appreciative of this Burgundian-style, Beaune winemaking for sangiovese. Certainly Premier Cru in quality though in the end, if only by a splitting hair, I will always choose the CC. Drink 2019-2025.  Tasted February and September 2017

Querciabella Turpino 2011, IGT Toscana, Italy (Agent, $54.95, WineAlign)

Turpino Toscana IGT is a blend of cabernet franc (40 per cent), syrah (40) and merlot (20), with this being the second commercial vintage. For winemaker Manfred Ing it’s about “having the ability to do small, micro-vinifications,” to produce a Super Tuscan wine from the Maremma coast, but here also including some cabernet franc and merlot from Greve. It’s hematic with still a minor reductive note that persists and though its draws from grapes and sites around the region the Querciabella liqueur distinguishes and pervades. The name’s origin might come from one of a few sources. Turpino, an eighth century monk and archbishop of Reims, Turpinus or Tylpinus. Turpino from the poem written by Ludovico Ariosto, the “Orlando Furioso.” Or perhaps fictional from the medieval verse Cronaca di Turpino o Historia Karoli Magni et Rotholandi. The wine is grandioso in its own right, really wound tight, still of the Querciabella red fruit but quite forward and stand alone despite the oak and the age. The freshness is actually quite remarkable as it seems both agronomist and winemaker really understand their fruit. There is even a marine saltiness running through. Drink 2017-2022.  Tasted September 2017

Camartina

Querciabella Camartina 2011, IGT Toscana, Italy (Agent, $100.00, WineAlign)

Camartina is Querciabella’s red of greatest reason, lineage and purpose, from Giuseppe Castiglioni through Sebastiano Cossia Castiglioni and Manfred Ing. The first vintage was 1981 of this 70 per cent cabernet sauvignon and 30 sangiovese from organic (1988) and biodynamic (2000), frightfully low-yield vineyards and it is not produced when the year is not right. The varietal obviousness from the cabernet is so transparent, especially for Toscana, dusty, Cassis-led, full of black raspberry fruit and ripe verbena. The sangiovese brings the acidity and a secondary layering of tannin but there is nothing fat or brooding about the cabernet. Freshness again and elasticity that starts wise and comes back in. Very focused and length that delivers more and more waves of that fruit. Tannins are pure and their fineness only stretches and further lengthens the accord. There can be no consideration of understanding until at least four years after vintage with seven being the correct launching point. Alas. Drink 2018-2028.  Tasted September 2017

Querciabella Camartina 2005, IGT Toscana, Italy (AgentWineAlign)

Camartina in 2005 is 70 per cent cabernet and 30 sangiovese, two years forward after 2003, the point where the cabernet replaced the sangiovese as the varietal so here we are early in that ideal. An ideal that has persisted to 2011 and beyond. Warmth of vintage shows with 12-year mark secondary character but of a vintage that wasn’t (at the time) considered great (being between 2004 and 2006). Here it’s really claret-Bordeaux like, with Cassis, graphite and this open phase of life. Really quite expressive and yet the wood is more a part of the mix, albeit with a savoury edge. Drink 2017-2020.  Tasted September 2017

Querciabella Camartina 1999, IGT Toscana, Italy (AgentWineAlign)

Camartina back in 1999 was a very different wine, of 85-90 per cent sangiovese and 10-15 per cent cabernet sauvignon, all from Greve, specifically the cru of Ruffoli. Would have qualified as a Chianti Classico Riserva back then (and potentially Gran Selezione now, though not for long), both because of varietal percentage and location. So the reference point is taken, this from the last Camartina that winemaker/enologist Giacomo Tachis followed through to the end. The structure has made this one built to last with the umami factor running plateau high and the acidity persistent and lifted, but sweet and layered. The spice, savour and this mint-rosemary-lavender-sage mix is really quite striking. Drink 2017-2025.  Tasted September 2017

Querciabella Palfreno 2012, IGT Toscana, Italy (AgentWineAlign)

Palafreno is organic and biodynamic Greve farmed 100 per cent merlot from Ruffoli made in small quantities and only in the finest vintages, with 2000 being the first. Picking merlot is the most precarious preoccupation in Toscana, as explained by Manfred Ing, “it’s nearly ready, it’s ready and it’s gone.” The three-day window of merlot. Palafreno is an ancient Italian word designating a noble riding horse used by medieval knights for travel, parades or tournaments. Palafreno the merlot is an open book, quite ripe, not from a cold vintage to be sure but one of a a slow ripening gait, with some rain and then long, extended trotting through heat. Very spicy, really chalky, tart, tight and highly tannic. In other words, merlot of structure, musculature and regal status. Drink 2019-2027.  Tasted September 2017

Batter

Querciabella Bátar 2014, IGT Toscana, Italy (SAQ 12294771, $97.00, WineAlign)

Batar from the Latin battere, variant of battuere, to beat, strike repeatedly hit. Bátar, a not so subtle reference to Montrachet and at Querciabella the name used to have a D on the end, but a letter from the French changed that, to Batàr with the accent but the Milanese translation remains essentially the same. Between 1988 and 1991 the wine was called Bâtard-Pinot, which was a blend of Pinot Blanc and Pinot Gris. Between 1992 and 1994 the name was Bâtard because Chardonnay had been added to the blend. In 1995 the name was changed to Batàr in order to avoid confusion with French AOCs of Burgundy whose name contains the word ‘Bâtard’ (Bienvenues-Bâtard-Montrachet, Criots-Bâtard-Montrachet and Bâtard-Montrachet). Batàr is the Querciabella outlier, a long thought on project to combine pinot bianco and chardonnay and elevate its white appellative status though barrel aging and full malolactic. It may just be the most singular white wine in all of Chianti Classico, perhaps in all of Toscana. It’s like Beaune-Bourgogne and Norman Hardie rolled into one Tuscan white blend package, with a fine oxidative line running through a fresh, tannic and pure wine, with thanks to the generous use of French barrels. The length is exceptional but to be honest, not unexpected. Another galestro-elastic-saline wine, in its own special way. Drink 2019-2029.  Tasted September 2017

Querciabella Bátar 1998, IGT Toscana, Italy (WineAlign)

Batàr has been the name since 1995 after the Bourgignons forced Querciabella to drop the “D” at the end. This ’98 is certainly oxidative (and unavoidably so because of style and time) but the acidity really persists. A comparison with 2014 is quite futile as this is just from another era. Texture and flesh is strong, floral, honeyed, tannic again and even carrying some notes of pineapple, beeswax and almandine. Would make for a wonderful blind pour at a pirates on a picnic dinner. Drink 2017-2019.  Tasted September 2017

Appassitoio (drying room) at Villa Calcinaia

Villa Calcinaia

For a full report on Villa Calcinaia please click on this link.

Related – Six hundred years of Villa Calcinaia in Chianti Classico

After a September evening visit to Calcinaia we convened at Ristorante Pane E Olio in Firenze for a final meal with the Consorzio Vino Chianti Classico’s Silvia Fiorentini, Christine Lechner and Calcinaia’s Count, Sebastiano Capponi. It was here that he opened the only varietal bottle of its kind.

Villa Calcinaia Occhiorosso 2015, IGT Vino Dei Colli Della Toscana Centrale, Italy (Winery, WineAlign)

Occhiorosso is Endemic to Lamole, cultivated at Calcinaia and raised by Sebastiano Capponi. Only the lonely occhiorosso are the red eyes of Greve in Chianti, the war on drugs varietal feeling, in cohorts to cousin sangiovese. “Come and see, where or when there’s everything. On my ways, be better, get to my soul.” Drink 2017 -2019.  Tasted September 2017

I was under the impression this was called “Ocolos” which could very well be a shortened version of concupiscentia oculorum, “the lust of the eyes,” or in this case sarcopodium odoratum, with a sangiovese-copycat more volatile (but not screaming sour in any acetic way), just earthy, not microbilia, but soil funky. This is in fact Occhiorosso, drawn from a specific seven rows of vines, adding up to one barrique and it will go to bottle in July. Earthy, from Galestro soil located on the upper seventh and eight terrace of sangiovese, so different from the single-vineyard cousin, Gran Selezione Bastignano. The perfume is redolent of sweet scented bedstraw and exotics, like orchids just beginning to decay in water, still in control of its enticements. This is the natural sangiovese, very specific to place. Drink 2019-2025.  Tasted from barrel, February 2017

Greve in Chianti – Montefioralle

The Montefioralle Divino wine festival organized and promoted by the Grape Growers Association of Montefioralle took place on September 23 and 24, just four days before we met at Villa Calcinaia to taste through the wine growers’ wines. The harvest festival is a two day event with tasting stalls and direct sale. The members are producers with estates and/or vineyards holdings around the Montefioralle hill west of Greve.  @ViMontefioralle  @viticoltorimontefioralle

A #greveinchianti #montefioralle @chianticlassico run through @villacalcinaia in Sebastiano’s caves

Altiero Chianti Classico 2014, DOCG Tuscany, Italy (WineryWineAlign)

Altiero Chianti Classico 2014 by Paolo Baldini is 100 per cent Montefioralle sangiovese with a distinct reduced balsamico, soy and tar complexity. Oak stands out in a deep, dark and handsome way. It’s kind of sweet in a chcolate ooze of dessert topping sort of way. Drink 2017-2019.  Tasted September 2017  aziendaagricolaaltiero    Azienda Agricola Altiero

Brogioni Maurizio Chianti Classico 2014, DOCG Tuscany, Italy (WineryWineAlign)

Brogioni Maurizio is plain good funky Greve in Chianti Chianti Classico of its own sweet funk with a bounce in its step, a funk that does not so much blow away as carry on with the musicality of the fruit. The palate piles on with great harmonic volatility. The beat is part disco and part Funkadelic R & B all wrapped and warped into one crazy fun wine. Drink 2018-2020.  Tasted February and September 2017  #brogionimaurizio  Maurizio Brogioni

Villa Calcinaia Chianti Classico 2014, Docg Tuscany, Italy (Agent, $25.95, WineAlign)

From a challenging and low-yielding vintage that took away more than it gave. The varied renditions of Chianti Classico are all over the map so it’s a revelation to come across Sebastiano Capponi’s calm and beautiful ’14 life. His is a sangiovese that was allowed to just be itself, aromatic to savoury, immune from the pressures placed upon by vintage and expectation. Calcinaia’s is a Greve in Chianti of roses, violets, more amenability than most ‘14s and without any real bother from the barrel. Quite pure with very mature sangiovese flavours, circulating and by extension from natural acidity. The length is exceptional for annata. Drink 2018-2022.  Tasted February and September 2017  @villacalcinaia  @Nicholaspearce_  villacalcinaia  nicholaspearcewines  @calcinaia  Nicholas Pearce

Podere Campriano Chianti Classico 2014, DOCG Tuscany, Italy (Win eAlign)

Podere Campriano Chianti Classico 2014 is Elena Lapini’s organic 100 per cent sangiovese. The label notes Greve in Chianti straight under the winery name and the sense of appellative pride is duly noted. Lapini’s ’14 is so proficiently correct, righteously tart, deeply rendered and soulful. The low-yielding, young adult (15 year-old high density vines) fruit was picked on fine acidity and carries this plummy note to counteract the launching tang and direct energy. Really stays focused and keeps it clarity through a long finish. Great example from Montefioralle. Drink 2018-2022.  Tasted September 2017  poderecampriano  @ElenaCampriano  Elena Podere Campriano Lapini

Podere San Cresci Chianti Classico 2013, DOCG Tuscany, Italy (Winery, WineAlign)

Santa Cresci Chianti Classico 2013 from David Ballini carries both five per cent of cabernet franc and merlot alongside the sangiovese in the only sample of ten from Montefioralle that comes from the little peninsula outcrop with a slightly different soil composition, “compresso indifferenziato argille scagliose,” part schisty calcaire with less Alberese and more into the Macigno than the others. The unfair playing field puts this in ’13 territory, with its silky and filled in mid-palate and plenty of vintage energy. The cab franc and merlot do indeed impart a right bank Bordeaux moment, however fleeting, and the roasted meat meets dark ropey fruit is quite the excitement creator if ever there was in sangiovese. This the outlier is quite vital even if some raisin notes pop in and out of the fruit. Drink 2017-2021.  Tasted September 2017  ballanza12_  David Arnold Ballini

Terre di Baccio Chianti Classico 2014, DOCG Tuscany, Italy (WineryWineAlign)

Terre di Baccio Chianti Classico 2014 from Montefioralle boldly expresses the rich brooding of sangiovese and an acquiesced savoury streak with 10 per cent cabernet franc in the mix. This final sample of 10 confirms the consistency of terroir, style and execution, readily apparent across the Montefioralle grouping. They are deep, hematic, dark and intense sangiovese. This is no exception. Drink 2017-2020.  Tasted September 2017  #terredibaccio  @TerrediBaccio  Agriturismo Terre di Baccio

Castello Di Verrazzano Chianti Classico 2014, DOCG Tuscany, Italy (Agent, $30.25, WineAlign)

Castello di Verrazzano Chianti Classico from Luigi Cappellini is 95 per cent sangiovese with five per cent “other varieties.” A really ripe and filled to the brim CC for ’14, fully pressed and expressed. Oak laden in as much as Greve in Chianti can be, like a milkshake with bitter almond elements. From the north part of Montefioralle on Alberese and some Galestro with sandy soils. A solid early drinking and lush Chianti Classico. Drink 2017-2020.  Tasted September 2017  verrazzanopeople   @StaffVerrazzano  @Smallwinemakers  Castello di Verrazzano  The Small Winemakers Collection

Viticcio Chianti Classico 2014, DOCG Tuscany, Italy (283580, $19.25, WineAlign)

Viticcio’s also hails from the north part of Montefioralle (on the western side of Greve in Chianti) and its typical Alberese, Galestro and sandy soils. A good punch of dark red and black raspberry fruit is mostly sangiovese (with two per cent merlot), spicy and bitterish with wood notes and plenty of savour. This ’14 from the vintage of great demand and attention to detail is tart and chalky, needing some time. Drink 2018-2022.  Tasted September 2017   viticciowinery  majesticwinesinc  @viticciowinery  @MajesticWineInc  Viticcio Winery  Majestic Wine Cellars

Good to go!

Godello

Twitter: @mgodello

Instagram: mgodello

WineAlign

The ins and outs of Panzano in Chianti

Looking for two horsemen in #chianticlassico

Characterizing Chianti Classico as a most heterogeneous wine region is substantiated by the multiplicity of its sangiovese and the endless permutations of soil. The territory is commonly divided by commune but its tiers of structure do not end there. There lies within more specific sub-zones, zonazione, places of interest where microclimates and shared geologies bring land and producers together. Five of the nine Chianti Classico communes have their own Associazione Viticoltori or Vignaioli; Castellina in Chianti, Castelnuovo Berardenga, Gaiole in Chianti, Radda in Chianti and San Casciano Val di Pesa. Greve is the notable exception because the precincts of Lamole, Montefioralle and Panzano in Chianti have each formed their own associations. Panzano in Chianti exists inside the greater neighbourhood that is Greve in Chianti and while it is not the only sub-zone of its kind, at this triennial level of the pyramid it is arguably the most unified and defined frazioni of all. For good reason.

Related – Into the Castelnuovo Berardenga great wide open

Panzano is the first consolidated district for organic wine production in Italy and in which 90 per cent of its vineyards are grown according to the criteria of organic viticulture. There are other tertiary Chianti Classico zones associated with the hamlet they surround, like the aforementioned Lamole and Montefioralle in Greve, Vagliagli in Castelnouvo Berardenga and Monti in Gaiole. These towns, the vineyards and associated producers are tied by a parochial set of idiosyncrasies but they’ve yet to coagulate into an equally unified level of coercion that is found in Panzano. That being said, in Panzano there are both practical and political decisions that charge some producers to remain on the fence or even outside the tight circle of the area’s union. These kinds of decisions work two ways, whether you are in or out, dentro o fuori dal territorioThe question is whether or not diplomacy would lead to greater success for all involved. Does the group need the high-profile individual or the individual the high-profile group?

Related – Because the night in Gaiole

Either way you look at it, there is no denying that a band of brothers and sisters sharing information and mapping out their territory together is beneficial, especially towards defining the finest vineyards. The dividing lines in Chianti Classico are very difficult to establish because one always has to be wary of possible arguments over where a certain cru vineyard ends and another, lesser plot begins. If you ask the 19 members, Panzano is less prone to such argumentation. Besides, producers will speak their minds, but they may not always be able or willing to tell us exactly what we need to know. It’s ultimately a question of menzioni geografiche, or geographical notations, especially on wine labels, to tie the wines to place of origin. For Panzano the idea seems quite obvious with a playing field more equal than most but it’s not necessarily so simple for other frazioni in the region. Chianti Classico is fragmented and diverse with municipalities that may not always be homogeneously or consistently representative in terms of terroir or production style.

Because he’s Dario F-in Faccin, that’s why g-dammit! #carobbio #sangiovese #chianticlassico #panzano #galestro

Related – Castellina in golden light

The original Panzano Winemakers Association was founded in 1995 to celebrate common ground and for like-minded producers to articulate the necessity and pursuit of shared interests. With the famous Conca d’Oro at its epicentre, Panzano encompasses a set of hills aboard and encircling a plateau rich in Galestro and a rather significant altitude where vineyards are planted to between 350 and 500 meters above sea level. Today there are 19 member producers of the Unione Viticoltori Panzano; Candialle, Casaloste, Castello dei Rampolla, Cennatoio, Fattoria La Quercia, Fatttoria Rignana, Fontodi, Il Molino di Grace, Il Palagio, L’Orcio a Ca’ di Pesa, La Massa, Le Cinciole, Le Fonti, Monte Bernardi, Panzanello, Renzo Marinai, Tenuta degli Dei, Vecchie terre di Montefili, Vignole and Villa Cafaggio. There are 91 producers in Greve, 31 of those are in Panzano. The 12 non-members are Carobbio, Vallone di Cecione, San Cresci, Sassolini, Reggine, La Marcellina, Le Bocce, Il Vescovino, Festeggiata, Fattoria Casenuove, Fattoria Montagliari and Campocorto.

Related – Get Radda for Chianti Classico

“To ensure for themselves a healthy environment the wine makers decided to take the path of sustainable and organic viticulture, which allowed to enhance aromas, flavors, character and personality of the wines, produced exclusively from grapes of their vineyards” are the words of Ruggero Mazzilli, an agronomist with experience in viticulture biodiversity, who since 2000 has been working with the Panzano Association.  In a Chianti Classico world where drawing lines along commune or sub-zone borders fails to recognize the multi-faceted and variegated intendments of geology, it is Panzano that suggests  borders can be drawn by “fellow producers to organise their individual communes and sub-commune designations under their own respective unions, as Panzano in Chianti has already done.” The argument can be made not just one way or the other, but in so many ways. I am no genius nor close to the first to perpetuate the idea that drawing borders along any definable lines in Chianti Classico is a very complicated subject. This is why we continue to seek the truth in the villages.

Complimenti @johnszabo for riding 87 kms #granfondo @chianticlassico #gallonero looking fresh and refreshed post lunch at #osterialapanzanelle

John Szabo M.S., Brad Royale and I had arrived from Budapest after three volcanic days (in many and every respects) in Hungary. We arrived in Castellina to the sounds and sights of race cars before settling in at Pierafitta. The following morning John competed in the Gran Fondo del Gallo Nero and with great Canadian representation completed the 87 kilometre Media Fondo in world-class time. Congratulazioni Gian Burrasca. Non siamo degni. Meanwhile Brad, Steve Robinson and Godello joined Il Molino di Grace’s Iacopo Morganti for a preview of the 2017 infant sangiovese straight from the tank, followed by a walk through Vigne Raphaella, Magdalena and Jae, culminating with a new look meets retrospective tasting in IMG’s brand new tasting room.

Gian Burrasca

A few days later we returned to Panzano for a morning spent with Giovanni Manetti at Fontodi. A full report on that visit is chronicled in a link below. Later that afternoon we concluded our week-long Chianti Classico visit with Dario Faccin at Carrobio. This is the fifth instalment (of seven) reports concerning communes and sub-zones in Chianti Classico. In total I’ve written 24 notes on wines poured by these three Panzano producers. Enjoy.

Newly planted Carrobio Sangiovese vineyard on a dramatic Galestro slope

Carobbio

Related – Caro Carobbio

If my first visit with Dario Faccin was a profound and moving experience than my second Panzano summons later last calendar year could only be thought of as an epiphanic. In round one and nearing the conclusion of an epic lunch prepared by Chef Claudia, it was then that Faccin poured three acroamatic sangiovese blasts from the past in the forms of Chianti Classico 1997, 1991 and Leone 1995. In my Carobbio report I wrote “a great honour to taste this 1995 and in memory of Carlo Novarese, Thank you Dario and Silvia. Would like the chance to do it again in 22 years.” Though I was making reference to the age of Leone (and also a nod back in time to my 1995 Chianti Classico honeymoon) I was also making comment on the ideas of fortuity and generosity. I could not have known that I would return to Toscana seven months later and this time to be present when Dario chose to open both a 1990 and a 1982 Chianti Classico. Collectively these five 1980-90s sangiovese have shed so much light on evolution and on what Dario is setting out to accomplish at Carrobio. As you may have noticed, Carobbio is not part of the UVP.

A walk in the newly planted sangiovese vineyard tells me everything I need to know. The dramatic Galestro slope captures humidity in spite of drought conditions to keep infant vines alive with vital growth in their earliest formative years. This fruit will be a Chianti Classico game changer. It all begins with the rocks and soil of these über-specific Panzano vineyards. It moves into the winery where Carobbio’s position as protector and purveyor of sangiovese purity and honesty reigns over all else. It concludes in the wisdom and generosity of the annate wines, with consistency and focus.

Tenuta Carobbio Rosato Terrarossa 2016, IGT Toscana, Italy (Winery, $32.95, WineAlign)

Rosato Terra Rossa is the same 100 per cent sangiovese in 2016, from the red soil vineyard, a child of 15 days fermentation to a maximum 15 degrees of temperature and ultimately dry as the desert. The specs and methodology turn forth a classic blush of aridity, acidity and minerality; 6.0 tA, 3.35 pH, no malo, cooled down to six degrees after fermentation and one month on the lees. Dario Faccin lays it out clear and simple. “For me this is a wine, not an aperitif.” It is in fact built on character that lies between Rosé and the light Rosso; sapid, saline, rich and textured. Full of dry extract, perfect for lunch. La prossima annata may be even better. Drink 2017-2020.  Tasted September 2017  @ 

Tenuta Carobbio Chianti Classico Riserva 2013, IGT Toscana, Italy (Winery, $58.95, WineAlign

A 100 per cent sangiovese from three vineyards in which Galestro, clay and Alberese each contribute by percentage of 30,30 and 10 towards an inextricably calculated Carobbio sangiovese in reward. Variegated for multiplicity purposes while complicit in even ripeness meets high and polished acidity. Once again the salty sapidity and the highest of polyphenolic qualities adds up to density, extract and layering. This wine will not turn secondary for at least five years and certainly not tertiary for 15. The composition and composure are one in the same and continue to repeat over and upon one another.  Last tasted September 2017.

For Chianti Classico Riserva the solo performance is 100 per cent sangiovese and just as 2013 must be this grabs you by the olfactory senses with elegant inhalant immediacy. You are immersed straight away into a wine without reserve in the way that the only the purest of Riserva can be. Philanthropic, generous and kind. Even more so and because it is Carobbio, there is no fence to jump over, hoop to hurl through or great wall to climb. Not in aroma and then what follows is palate texture and finally fine-grained tannin. Not even acidity will lash out but rather support, with more kindness. Everything is presented from the start with a wisdom that doesn’t rely on oxidative or cured character. Just elegance. Rich and affirming, for sangiovese and life. Humour this CCR ’13 and wait just one more year, per il rispetto. Drink 2018-2027. Tasted February 2017

Tenuta Carobbio Leone 2013, IGT Toscana, Italy (Winery, $119.95, WineAlign

Sangiovese as Leone sees 20 months in new French barriques and a minimum eight months in bottle. “I have only one child. This is my second son,” smiles Dario Faccin. The prodigal sangiovese is seductive, spicy and intense from south exposed vines, at the time 35 years of age. The Carrobbio extract meets ripe acidity is unquestioned and on repeat albeit with an extra note of conceit, attitude, promise and as a cumulative, ultimate respect. The first vintage was 1989. Last tasted September 2017.

Leone is Chianti Classico incarnate, a single-vineyard sangiovese and perhaps the artist of the future known as Gran Selezione. The aromatics are a force from fruit raised in front of the river (Pesa) on the border between Florence and Siena, a high-density (5,000-5,500 plants per hectare) vineyard. In the first week of June Dario says “I take all the leaves off of the stems,” executed with risk-reward abandon but on second thought, as a factual matter of personal volition and intuition. Then two weeks later the smaller leaves begin to grow. This allows the early phenolic process to work on the young skins and increase the early offerings of photosynthesis. The skins carry a natural protection against the sun (in June) but not in August. Voila, wine begins in the vineyard. Leone is incredibly young and perfumed with so much restraint. It gets neither more precise, elegant or wise, or even more important, as a vineyard representative or as such a mindful and consistently right expression as this. The tannins are the finest of any you are likely to taste in sangiovese. The fruit is so perfect, red and purple, living and loving together, and you don’t need to name them. Dario insists on the simple and the obvious. That you taste the grapes every day at harvest and when the bottom of the skins do not attack you with aggressive tannin and the brown seeds crunch, you are ready to pick. “If you want to produce a great wine, you have to walk in the vineyard every day.” Leone’s got soul and only 4,000 bottles are produced. Drink 2020-2033.  Tasted February 2017

Tenuta Carobbio Pietraforte 2013, IGT Toscana, Italy (Winery, $119.95, WineAlign

Pietraforte as cabernet sauvignon and its splash of cabernet franc is Carobbio’s ode to the Tuscan name for Galestro rock. Less than 1000 bottles were made and though it is a son or a daughter from French mothers, it is impossible to take the Panzano vineyard out of the wine. The varietal notes of Cassis and graphite are here, as is a pyrazine-savour but the sapidity and extraction of a Dario Faccin wine talks with clarity, even while thjs very dense young wine is so many years away from speaking loud and clear. The new wood is in charge, the perfume a bit closed and the tannins demanding more than the rest. Three years are needed, at the base minimum.  Last tasted September 2017

Pietraforte is the Carobbio diversion into 95 per cent cabernet sauvignon (plus five cabernet franc) out of a 30 year-old vineyard that generally yields 3,500 kg per hectare or what Dario Faccin deems “niente.” Only 2,000 bottles are produced and 2013 is still a bambino, with wood more apparent on the nose than the sangiovese, quite spiced and then even spicier on the palate. Nothing vegetal takes any place at this international varietal table but the franc lends its must give current, of currants and even a little espresso. This has cool red soil savour that the cabs will inherit from the wind and the earth. But I have to say and say it with conviction, this is more varietally correct and obvious than most. More cabernet than Toscana. Needs five years, minimum. 2022-2030.  Tasted February 2017

Carobbio Chianti Classico 1990 and 1982

Tenuta Carobbio Chianti Classico 1990, Tuscany, Italy (WineryWineAlign

I love the irony of Dario Faccin choosing to open a 1990 and a 1982, two vintages from when Italy hosted (1990) and won (1982) the FIFA World Cup. Ironic because the next tournament will be the first without the great footballing nation for the first time since 1958. The 1990 Chianti Classico is from an exceptional vintage, in fact there are many who feel the finest 1990s are some of the best CCs ever made. The youth on this bottle is dumbfounding, still in full possession of the freshness originally locked in by the sweet and optimally extracted sangiovese fruit. This is the school of Vittorio Fiore and the vintage is a great contrast to the 1991 Riserva that we tasted seven months prior. In 1990 it’s so much more about fruit quality and though the acidity continues to lift and execute, the tones here are less floral, not as bright and fruit is a matter of pure thought. The innocence, clarity and luck of time and place is on display in this capsule. What more can you say? Drink 2017-2022.  Tasted September 2017

Carobbio Chianti Classico 1982

Tenuta Carobbio Chianti Classico Riserva 1982, Tuscany, Italy (WineryWineAlign

Everyone knows that 1982 was one of Italy’s greatest years in the 20th century. Their beloved Azzuri won the FIFA World Cup 3-1 over West Germany and the wines were pretty darn good all over the boot. It was the final match of Group C stage play that may have been one of the most dramatic, exciting and famous because Italy won 3–2 with Italian striker Paolo Rossi scoring a hat-trick. The result eliminated Brazil. Meanwhile the only thing that matters right now about 1982 with respect to this Chianti Classico is how it shows and I’m overwhelmed with emotion to say it’s perfect. By now we’ve come to know that Dario Faccin demands a mentality of excellence, emotion and soul. He would not open a 1982 and a 1990 were they unable to meet expectations and deliver an intelligent quotient of age. These were and remain great and structured sangiovese to this day. This 1982 is full of fruit, like cherries preserved in cryogenic syrup and violets captured at the height of their scent, only to be released when the wine is poured into the glass. If this vintage was at all austere it could only have been for the benefit of guarding the fruit so that its purity and original virility and viridity could be revealed again and again, as it has here in 2017. Remarkable showing for a piece of Gallo Nero history. Drink 2017-2021.  Tasted September 2017

48 hours @chianticlassico picked Sept 22, #sangiovese so primary, for breakfast @ilmolinodigrace

Il Molino Di Grace

For a full report on the history and current production at Il Molino di Grace please click on the following link.

Related – Grace in Chianti Classico

Back in @chianticlassico with the progressivo, non dogmatico #sangiovese @ilmolinodigrace #volano #panzano #chianticlassico #chianticlassicoriserva #granselezione #ilmargone #gratius

Il Molino Di Grace Chianti Classico 2015, DOCG Tuscany, Italy (85209, $19.95, WineAlign)

Have yet to encounter an Il Molino di Grace Chianti Classico that was not deeply hued, refreshing and spirited. Nor has there be one not designed to drink early but 2015 refuses to be left on the racks. It’s a progeny of upbringing in large Slovenian casks with zero panoply by wood addendum, of freshness kept and preserved. The spice is indubitable sangiovese and the tannins are wistful ones. There is some chewy constitution, more than most 15s and those dreamy tannins have texture too, chalky and fine yet grainy, with a fine grated finish of good dark chocolate shavings. Drink 2017-2023.  Tasted September 2017

Il Molino Di Grace Chianti Classico 2014, DOCG Tuscany, Italy (85209, $19.95, WineAlign)

Now in a great place, fresh, direct, focused, clear, nothing to hide. This tells us right now why we should be more than satisfied with normale in ’14, with or without needing Riserva, because with no Gran Selzione and much of the Gratius grapes ending up in here you have a most impressive wine, with great structure.  Last tasted September 2017

Incidentally the first vintage on which the label reads organic, 2014 captures the freshness and the true Chianti Classico, its nature and its truth. No mask, nothing to hide behind, nowhere to run. “In some ways 2014 is more typical a vintage,” suggests Iacopo Morganti, because like other passed over and quickly assessed ones of the recent past (such as 1996, 1998 and 2008) the intrepid purity of sangiovese is decisive and built to last. This is deeply hued Chianti Classico, refreshing, spirited and crafted with a very specific type of actionable drinkability. With pasta, with filetto, with friends. Will not change course for four years and drink comfortably for four more. Sangiovese accented with canaiolo, colorino and malvasia nero. Drink 2017-2025.  Tasted February 2017

Il Molino Di Grace Il Volano 2015, IGT Toscana, Italy (Agent, WineAlign)

Il Volano is a new label for the house, the wheel of the windmill, “il volano di molino” and also really, the name of the place as a whole. It brings together sangiovese (75 per cent) and merlot, raised only stainless steel, for a chill and a quick spill. Here from a vintage that gets better with some young age added, perhaps now at its best so this is a wine to drink, with little to no thinking required. Drink 2017-2019.  Tasted September 2017

Il Molino Di Grace Chianti Classico Gran Selezione Il Margone 2013, DOCG Tuscany, Italy (435115, $39.95, WineAlign)

It bears remembering that Il Molino’s Gran Selezione is the kind of Chianti Classico that remains in perpetual motion, of a consistency and of guarantees, like gravity and tides, from vintage to vintage. It is the embodiment of water passing over stone, like the windmill it carries in its name and it is a wine that was always the Gran Selezione, before, like the water and after, on the vine and in the barrel. Saw the same 18 months in barriques, the selection having long before begun in the vineyard. Violets are all over this very young GS, the elegant one, but typically tannic and while ’13 is very good, it seems to be showing its cards early. This is a surprise and a welcome thought because there needs to be one Il Margone to enjoy while other more fierce vintages take their sweet time to unfold. Drink 2020-2031.  Tasted September 2017

Il Molino Di Grace Chianti Classico Gran Selezione Il Margone 2012, DOCG Tuscany, Italy (435115, $39.95, WineAlign)

Chianti Classico Gran Selezione Il Margone 2012 comes structured from a vintage with frost in May that compromised 50 per cent of the crop and as a result, bestowed lowest of low yields and concentrated berries. After that happenstance of natural selection the vintage turned to hot and dry, with great weather at harvest. This is and could only have developed into a fleshy and magnanimous Gran Selezione with acidity equivocal and anti-acrimonious to bones draped with the ripest of fruit. And it’s a good thing the acidity is set to high because that fruit and richness will need it going forward. Such a GS had to be crafted this way, with compound aggression and aggressive behaviour. Ultimately defines what it means to be affirmative action Gran Selezione. Drink 2021-2030.  Tasted February and September 2017

Il Molino Di Grace Chianti Classico Gran Selezione Il Margone 2011, DOCG Tuscany, Italy (435115, $39.95, WineAlign)

The 2011 is persistent, that much is obvious, in a hulking, Gran Selezione monstrous state, big in alcohol and bones. A curious and precocious chocolate-balsamic secondary note is just faintly starting to peek through, teasing the idea of drying the fruit by nature and leading towards the beginning of a savoury ascent. This may really take hold ahead of schedule, perhaps at some point in the latter stages of 2019.  Lasted tasted September 2017

What is Il Margone? “This is the best selection. We taste the wine in the cellar and decide the wine that will be, to the end,” explains Iacopo Morganti, director of Il Molino di Grace. The name must also refer to the particular construction of the vineyard at Montefili, on Panzano’s west side, of its altitude, slope and the Galèstro within. Il Margone is a kind of wine for the (Molino) windmill, where the water goes over the stone and it is a wine that was always the Gran Selezione, before and after, on the vine and in the barrels. Now it can be called what is has been whereas before it was the second Riserva but the more important one, the best one. It now spends 18 months in barriques, 50 per cent new and 18,000 bottles are made. It runs deeper still, far through the Galèstro and into the pietra forte, for the cementing of strong sangiovese (not just religious buildings). From the hot vintage of 2011 and with the alcohol to prove it (14.5 per cent), there is an inherent sense of yeasty culture, a sheep’s milk pecorino that runs through the warmth. It functions as a cooling centre, then compression, layered spice and tannin. That late attack co-conspires with acidity to freeze the mouthfeel and seek years of patient desire. Really energetic Sangiovese, iron-fisted and demanding but with so much seeping cherry fruit. Wait four years minimum. Drink 2019-2025.  Tasted May 2016

Sangiovese and Galestro at Il Molino di Grace in Panzano

Il Molino Di Grace Gratius 2012, IGT Toscana, Italy (Agent, $49.95, WineAlign)

Gratius 2012 is not the bomb that was (and still is) 2011, from the single, 70 year-old vineyard located seven kilometres away from the estate. Many of those vines are still thriving, with the hope to keep grafting for the purpose of perpetuating the biotypes through future plantings on the estate. Gratius is 95 per cent sangiovese with bits of canaiolo and colorino that spent 12 months in barriques. It’s always a chunky and tannic affair, of savoury red fruit but the nose here is more beautiful now, finally, as Gratius has scaled back just enough to be beautiful. When it’s now dry in the right way and not bent to steal anything from you or your palate it then reveals the chivalry and the charm. Lovely work here from the Bernabei-Morganti-Grace group. Drink 2019-2024.  Tasted September 2017

Fontodi vineyards in the Conco d’Oro, Panzano

Fontodi

To read my full report on this September 2017 visit with Giovanni Manetti at Fontodi please click the following link.

Related – Fontodi’s one hundred per cent sangiovese

Sangiovese of Fontodi

Fontodi Meriggio 2016, IGT Colli Toscana Centrale, Italy (WineAlign)

Meriggio is 100 per cent La Rota vineyard sauvignon blanc, whole cluster pressed with native yeasts, 75 per cent stainless steel ferment, no malo, 15 per cent in amphora and 10 per cent in French barriques. That said, without temperature control some malo, like it, happens. To go to Meriggio means to go and have a rest in the shade, from the verb meriggiare in reference to the (not Tuscan) poet Eugenio Montale, “merrigiare pallidio e assorto.” Empty is the literal translation but it’s more a case of the unoccupied mind at rest. Sauvignon should always be so calm and yet spirited, here with little to no oxidative character but rather metallurgy, saltiness and pure tang. The leesy reductive environment and Panzano acidity conspire with calcaire for a demonstrative locution. Bloody delicious sauvignon blanc for the man in me. Drink 2017-2022.  Tasted September 2017

Fontodi Chianti Classico 2014, Tuscany, Italy (933317, $36.95, WineAlign)

No surprise here from stalwart Fontodi, to take a difficult vintage, push vanity aside and select the best fruit for a pure expression of sangiovese, natural and organically made, with precision and clarity. The red Panzano fruit spikes with cran-pom-rasp-currant bursting freshness. It’s just the right amount of tart and sapid, carefully rippling in acidity. So well made. Drink 2018-2022.  Tasted February and September 2017  #Fontodi  rogersandcompanywines    @rogcowines  Az. Agr. Fontodi  #fontodi

Fontodi Chianti Classico Filetta Di Lamole 2014, Tuscany, Italy (Agent, $35.95, WineAlign)

The old Lamole winery is owned by Giovanni Manetti’s cousins, where the grandfather made important wines until he passed away in the 80s and the grapes were then sold to bulk. Then Giovanni began working with the family in the 2000s and this first vintage was ready because the finesse of 2014 spoke to him, to begin the new journey. This has seriously improved, settled, come together, developed its excellence with seven months added in time to bottle. Its characters of amaro, earth and texture are now as one, inseparable and fully vested in the calm. Drink 2017-2023.  Last tasted September 2017

From the “forgotten corner of Chianti Classico,” Lamole of Greve in Chianti is perched in a natural amphitheatre between Volpaia to the south and Panzano to the west. Some of the vineyard’s older vines are still pruned in the alberello (bush) style. This is Giovanni Manetti’s inaugural vintage of the Filetta in cohorts with his cousin. So, decidedly a diffident partner and opposing force to the Fontodi Annata because the earthy-subterranean dwelling aromatics brood beneath the red, verging to riper and darker fruit. There is a liquor, aperitif amaro-ness to the Lamole. The clay must be darker and more compressed. The balance is struck though on deeper, more brooding and warmer alcohol-felt lines and in 2014, as if it were a Riserva. It’s an oak “vessel’ aged 100 per cent sangiovese, as opposed to other the estate’s usual use of barriques. It is perhaps counterintuitive but this acts more evolved than the “normale.” Neither better or worse but enjoyment time is now.  Tasted February 2017

Father and son- Giovanni and Bernardo Manetti @fontodi #panzano #chianticlassico

Fontodi Chianti Classico Gran Selezione Vigna Del Sorbo 2014, Tuscany, Italy (Agent, $83.95, WineAlign)

The older vines are between 52 and 54 years old, the first vintage being 1985 and until 2011, contained some cabernet sauvignon, vines that have since been pulled out. The now site-specific, 100 per cent sangiovese Vigna del Sorbo may have been muscular in 2012 but no such hyperbole exists in 2014. The vintage determined this and despite the deep black cherry chalkiness the true spirit and stripped down honesty of sangiovese is in display. Purity has returned, floral like an artistically-rendered natural, realist and perpetual field of flowers in bloom, in installation, of violet light and rose-scented glass. I can imagine drinking this for decades, with its albarese-galestro saltiness and effortless concentration. Sometimes sangiovese never relents and at the same time never tires. Meraviglioso. Drink 2020-2038.  Tasted September 2017

Fontodi Chianti Classico Gran Selezione Vigna Del Sorbo 2013, Tuscany, Italy (Agent, $81.00, WineAlign)

Fontodi Chianti Classico Gran Selezione Vigna del Sorbo 2013. (Takes deep breath). Just imagine a box filled with all things sangiovese, in all its incarnations and permutations, each aspect teaching something about what you need to know. History, legacy and tradition. Risk taking, forward thinking and progress. What is learned (in retrospect) from two poles; heat and power (2012) and cool savour and elegance (2014). The ’13 is not a matter of being in between but rather an exceptionality, a sangiovese of energy, precision, clarity, purity and a pure reflection in the window of honesty. Everything this vineyard can offer is in the 2013; florals, herbs, fruit, acidity and fine, fine tannin. All in, together, as one. Perhaps its best years will end sooner than 2014 but the time spent will be unparalleled. Drink 2019-2035.  Tasted September 2017

Fontodi Chianti Classico Vigna Del Sorbo 1986, Tuscany, Italy (AgentWineAlign)

Fontodi’s Vigna del Sorbo was obviously not a Gran Selezione designated Chianti Classico in 1986 but it was at the top of the pyramid. A sangiovese in which the acids and fine pear bitters stir in the tray, with a fruit from the (Sorbo) tree that was used to mix with grapes for Vin Santo. Not any more. In 2017 the freshness is impossible, implausible, perpetuated in the most floral and fine acidity combination of any older sangiovese ever experienced. This is like sucking on the most perfect lozenge of fruit, salt, mineral and Panzano mystery. This is Panzano sapidity perfectly realized, preserved and expressed. There is a touch of Cassis, less pyrazine but you can detect the cabernet sauvignon character, even in 10 per cent but combined with sangiovese it’s this frutta di bosco feeling. Just fantastic. Drink 2017-2023.  Tasted September 2017

In @chianticlassico mano nella mano 1986, @fontodi #vignadelsorbo & #flaccianello thank you Giovanni Manetti for sharing these two opposing forces of the Tuscan paradox #chianticlassico

Fontodi Flaccianello della Pieve 2014, Tuscany, Italy (Agent $125.00, SAQ 12123921, $97.25, WineAlign)

Flaccianello comes off of a different slope, aspect and exposition than Vigna del Sorbo, here facing straight south, collecting all the sun it can in the golden glow of the Conca d’Oro. The richness celebrates the legacy of this 100 per cent sangiovese, once so atypical and untraditional back in 1981, now the most legacy defining there may just be for varietal Panzano and for the territory in the sense of the greater good. Pure, nonpartisan just, unadulterated and perfectly powerful sangiovese with length from Firenze to Siena and back. Drink 2021-2036.  Tasted September 2017

Fontodi Flaccianello della Pieve 2013, Tuscany, Italy (Agent $125.00, SAQ 12123921, $97.25, BCLDB 55392, $109.99, WineAlign)

The Flaccianello is the Fontodi expression of uva nostrala, “our grape,” explains Giovanni Manneti, the most important local variety owned by Chianti Classico, protected and exalted by Fontodi. Sangiovese the solo act that must define Gran Selezione, to explain what is Chianti Classico in its purest form and to separate how it grows and what wine it produces, particularly when you are to compare it from commune to commune. This Flaccianello separates itself from the Vigna del Sorbo vineyard and Gran Selezione category, even from itself, with another bonafide elegant layer of Conca d’Oro stratified limestone richness and this ultra-savoury umami level of minty-herbal intensity. What else is there to say? Drink 2020-2034.  Tasted September 2017

Fontodi Flaccianello della Pieve 2006, Tuscany, Italy (WineAlign)

Tell it to the vintage perhaps but 2006 is so very floral, more than any Flaccianello in the memory bank and expressly sangiovese in temper. It’s a year with massive tannins and extreme acidity. For these reasons there is a tightness of being and even at 10-plus years it’s silly young to work with but the concentration impresses. Fruit at a premium indicates some citrus, in orange and lemon with compound interest calculated in further variegated acidity. The most sapid Flaccianello of them all has 15 years more initial development ahead before true secondary character will take over. It’s amazing when you stop to think about sangiovese of such structure. Drink 2019-2031.  Tasted April 2017

Fontodi Flaccianello della Pieve 2005, Tuscany, Italy (WineAlign)

“This is the vintage I open when I host a party or an important dinner, because no one asks me to open it.” The words are Giovanni Manetti’s and for him none truer are spoken, with a smile. The younger vines and super-selection from the “Bricco” part of the top of the hill in the exceptional vineyard make for a sangiovese of fine-grained tannin plus what the smallest berries of the smallest bunches gift. Their integration with wood has become a matter of balance, in terms of delicasse, even while supported by such structure. Secondary character is happening, in herbal, balmy and savoury, slightly pulsed and edging into balsamico. But it’s such a gentle and slow-sliding slope, years yet away from tertiary. Drink 2017-2026.  Tasted September 2017

Fontodi Flaccianello della Pieve 1986, Tuscany, Italy (WineAlign)

Flaccianello in 1986 is actually though not surprisingly so different from Vigna del Sorbo, more than any other reason because of the cabernet sauvignon, but in a more philosophical way, because they have built a paradox, from the Super Tuscan ideal in revolution. Now the sangiovese going forward will be the most important and also the best wine, like looking back at this 1986, OK, not better than Sorbo but purer, honest, a clearer picture from which to learn from and ultimately a model for the future. Beautiful power, restraint, structure and yes, the kind of wine that deserves to be praised with the term elegance, overused, or not. Perfectly rustic, earthy and full of fruit with its accompanying complimentary, enervating and necessary acidity. Drink 2017-2023.  Tasted September 2017

Looking for two horsemen in #chianticlassico

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Into the Castelnuovo Berardenga great wide open

Rancia Vineyard at Fèlsina, Castelnuovo Berardenga, Chianti Classico

Two weeks from today I will make my way back to Toscana for another week-long immersion into all things sangiovese. More to the apposite point is a furthered plan for thorough if recondite excavations into the stone-cold secrets of Galestro, Alberese and other stratified limestone soils in Chianti Classico’s sub-zones. The preoccupation concerns communes, an instinct to break down the greater territory into its parts and a continued look at fissures and faults underfoot. It’s a matter of deeper understanding and meaning.

Related – Because the night in Gaiole

Once again I am proud to be a messenger on a subject that continues to write itself. This is the fourth edition in an ongoing series meant to encompass and expand upon definable territories in the municipalities of Castellina in Chianti, Gaiole in Chianti, Greve in Chianti and Radda in Chianti, Barberino Val d’Elsa, Castelnuovo Berardenga, Poggibonsi, San Casciano Val di Pesa and Tavarnelle Val di Pesa. This report is a by-product of the generous work and spirit of Chianti Classico’s producers and with unwavering guidance from the Consorzio Vino Chianti Classico: President Sergio Zingarelli, PR & Communications Manager Silvia Fiorentini, Event Manager Christine Lechner and Caterina Mori, Marketing and Communications.

Look Ma, I’m on top of the #chianticlassico #albarese at Tenuta Mocenni, Bindi Sergardi

I’ve come to consider Castelnuovo Berardenga the outlier for Chianti Classico, not for being so unlike the other constituents but because of its location and size. As the largest of the communes it covers 177 square kilometres while only Greve and its 169 square kilometres comes close in total area. When you drive out from Siena or Castellina the approach is most efficiently taken along highways and larger roads. This in great contrast to the switchback and zig-zagging over winding roads connecting proximate sub-zones like Radda, Gaiole, Greve, Panzano and Castellina. Castelnuovo Berardenga also forms much of Chianti Classico’s southern border and there is this particularly striking contrast between its hills and soils in opposition to the ulterior geography and geology of Chianti Colli Senesi below. There is also a feeling of the great wide open, of vast expanses and a great big sky.

All aboard the Alberese with the intrepid Brad Royale

Related – Castellina in golden light

A little bit of history. Berardenga took its district name from the noble Frankish Berardo who lived in the second half of the 10th century. His lineage follows that of Guinigi, Count of Sienna. The family Berardenga reigned over a vast area of the eastern part of the territories of Sienna (Terra Berardinga) between the 10th and 13th centuries. In 1366 the government of Sienna decided to construct the castle of Castelnuovo in the centre in this important territory. It was soon assaulted by the Florentine army but not successful until 1554 with the annexation of all the Sienna territories to the Duchy of the Medici. Montaperti in the municipality of Castelnuovo was the theatre of the battle of  September 4th, 1260 which saw the victory of the Sienna Ghibellines over the Florentine troops and their Guelph allies.

Related – Get Radda for Chianti Classico

John Szabo M.S. at Villa a Sesta. The Italian job or TJ Hooker?

Today there are 54 estates (out of 580 total members) in the district, a number that is surprisingly small when you consider the vastness of the territory. Castelnuovo Berardenga is the commune with sweeping vistas, views of Siena’s towers in the distance and with crests of hills that on some mornings sit perched above the clouds. It’s a very powerful landscape with a tremendous amount of wind, less shelter than most and a place you often feel small and vulnerable to the elements and the power of the place. It’s also home to some of the most impressive Galestro and Alberese soils in all of Chianti Classico. In Castelnuovo Berardenga, even the size of these limestone variant boulders seem bigger.

Related – Three days, eight estates, Chianti Classico

I’ve been extremely fortunate to pay some unforgettable visits to estates in Castelnuovo Berardenga in the recent past, including Losi Querciavalle with Valeria and Pietro Losi and twice with Andrea Bianchi Bandinelli at Villa di Geggiano. On my most recent trip back in September 2017 I was joined by John Szabo M.S., Brad Royale and Steven Robinson for three calls within the district. I tasted and reviewed 21 wines at Bindi Sergardi, Fèlsina and Villa a Sesta. Here are the notes.

Alessandra Casini Bindi Sergardi introduces the Mocceni Estate

Bindi Sergardi

A family run business for 23 generations, the estate has long been in the hands of Nicolò Casini, grandson of Elisabetta Bindi Sergardi. It is his daughter Alessandra Casini Bindi Sergardi’s turn, after joining in 2005, she now leads the company into the future. The Mocenni Estate near Vagliagli is without exception one of the most beautiful spots in Castelnuovo Berardenga but there are so many others reasons to say it too occupies a place at the breathtaking locus pinnacle for all of Chianti Classico. What transpires in the aura and sphere of a Bindi Sergardi visit is memorable. First a pause on the road to stand amidst the wild fennel, above the clouds and gaze out towards Siena’s spires in the deep distance. Then a walk in La Ghirlanda Vineyard with the Alberese, Galestro and the sirenic Bindi Sergardi in disssertative delivery on history, change and expectation. Finally a tasting through these wines of fineness, harmony and passion with Alessandra and Giulia Bernini.

Alessandra Casini Bindi Sergardi

Bindi Sergardi Chianti Classico La Ghirlanda 2015, DOCG Tuscany, Italy (WineryWineAlign)

La Ghirlanda makes reference to the woods “the shape of a garland,” in a CC of 100 per cent sangiovese (and the first as such for the estate). This is a form of the purest vineyard expression, a vintage “da manuale,” a vineyard in the amphitheatre, from part organic and part inorganic plots, halfway up the slopes above the Riserva and below the Gran Selezione. Serves memory with clarity in vision, impossibly old school but bright as a passage through the portico into the future could possibly be. These cherries are not only ripe, they are in phenolic harmony. Tannins are so refined on the heels of just as fine acidity. In terms of élévage it was 50 per cent in third passage barriques, plus 50 per cent in cement and/or stainless steel. Only botti grandi will be employed going forward. La Ghirlanda is highly composed, cultured and of calm demeanour in Chianti Classico. The price is approximately $20 US. Drink 2017-2021.  Tasted September 2017  @BindiSergardi  Alessandra Casini Bindi Sergardi  @bindisergardi  bindisergardi

Bindi Sergardi Chianti Classico La Ghirlanda 2014, DOCG Tuscany, Italy (WineryWineAlign)

The dark fruit and ripe black cherry with fine acidity and now more vibrant than memory serves from February. Really juicy and forward, a modern sangiovese in retro clothing. It has brightened and improved so will likely age much longer than previously thought. Drink 2017-2022.  Last tasted September 2017

The Castelnuovo Berardenga Ghirlanda vineyard is found on the Mocenni estate, near Vagliagli. The modern palate in search of Riserva in Chianti Classico will want this, of extraction and compression, not to mention density and a sweeping vat of deep black cherry liqueur. A nice mineral streak comes from soil rich in galestro and alberese at 450 meters. in the shadow of Monteriggioni. It’s tart and tannic but of tannins that are already fully engaged, chalky and established in their grip. It’s all in there now. Drink 2017-2018.  Tasted February 2017

Bindi Sergardi Chianti Classico Riserva Calidonia 2014, DOCG Tuscany, Italy (WineryWineAlign)

Calidonia is Castelnuovo Berardenga CCR from the Vigneto della Signora Chiara on the Mocenni estate near Vagliagli.
The terrain is rich in galestro and albarese stones at an altitude of 450m, a room with a view of the towers and spires of Siena in the distance. The Albarese and Galestro stones variegated into one-third each sand, clay and silt keep the sangiovese faith from what was one of the coldest vintages of the past 20 years. So much rain, especially in June and so this carries higher acidity and tough, fresh tannins, especially for Riserva quality. Here the truer originality of older schooling shows through but again with forward thinking clarity and understanding of a plant’s vegetative cycle. The south exposition and southerly location was a help in 2014. Remarkably a dark cherry from 2014, with depth of fruit and fineness of tannin. Some warmth for sure. Not as much of a departure from the Classica as many CC to CCRs can be. Drink this raven-haired beauty early. Would be approximately $28-32 US. Drink 2017-2019.  Tasted September 2017

Szabo and Alberese

Bindi Sergardi Chianti Classico Riserva Calidonia 2012, DOCG Tuscany, Italy (WineryWineAlign)

Chianti Classico Riserva Calidonia refers to the marriage of Calidonia Bindi to Sergardi, in a way to say thank you to the people who came before. This expression is so different from what’s to come later on, not quite acetic but much older schooled, with the red citrus sting and dried fruit, the tartness from acidity and the bleed from Albarese and Galestro so obvious, present and accounted for. From a low yielding vintage (which will replay in 2017), and then a real maturation shows up, with very developed grape flavours. This has entered into its drinking window. Drink 2017-2020.  Tasted September 2017

Bindi Sergardi Chianti Classico Riserva Calidonia 2011, DOCG Tuscany, Italy (WineryWineAlign)

Calidonia 2011 is the child of a vintage of few surprises, easy and regular in harvest, with some rains and cooler temperatures in September, helping to elongate maturation. Not as mature or advanced as 2011 mind you, still a bit reductive and even showing some volatility but it really opens with some proper agitation. Quite smooth and yet bright, even tight, tannins present and speaking with an authoritative voice. This will live much longer. Very composed Chianti Classico of terrific structure. Drink 2017-2024.  Tasted September 2017

Bindi Sergardi Chianti Classico Gran Selezione Numero “1989” 2013, DOCG Tuscany, Italy (WineryWineAlign)

The Gran Selezione Numero ‘1989’ is consistently 100 per cent sangiovese and here we are in wholly, truly, inexorably inorganic, fully stony soil, from vines planted in 1998. There is this composure and this understanding in Gran Selezione that is at the top of the pyramid chart, a fineness of tannic structure, a roundness of acidity and a perpetual motive and emotive fruit that will not give up or in. This is the Bindi Sergardi expression, sultry and offers up every reason to believe in the category. This is the GS that tells us why and how the top of the quality pyramid begins to be explained, with intrinsic value and great confidence from this 2013 vintage. Approx. $58-62 US. Drink 2019-2031.  Tasted September 2017

Bindi Sergardi Chianti Classico Gran Selezione Numero “1989” 2011, DOCG Tuscany, Italy (WineryWineAlign)

Bindi Sergardi’s Numero ‘1989’ 2011 is a statuesque sangiovese, cemented in stone, built upon a foundation of Galestro and Albarese. When the possibility of the Gran Selezione category came along it became the perfect dress for a wine that used to be an IGT. The age is a part of it but there is more red citrus, high acidity and rusticity in this sangiovese. The tannin structure is consistent with the later 2013 but this certainly feels like it’s from another era. The window is now and will persist for another three to five years. Drink 2017-2022.  Tasted September 2017

Bella mattina @felsinawines

Fèlsina

In the spectrum of “winery tours” there are few that can match the breadth of Fèlsina. In May of 2017 I was fortunate to break bread in Toronto with Fèlsina’s Giovanni Poggiali, oldest of Giuseppe’s three sons and current leader of the thousand year-old estate. Arguably the most famous and influential of Castelnuovo Berardenga’s wineries, it is here that many sangiovese clones and rootstocks have been developed, allowing them “to have an infinite palette of nuances and possibilities, much like a painter has infinite shades to work with.” Fèlsina is one of Chianti Classico’s great sangiovese innovators and champions. As Fèlsina goes, so goes Castelnuovo Berardenga and Chianti Classico. Our visit was led by Export Manager Chiara Leonini. A four-wheel trek through the vineyards up to Rancia. A walk through the appassitoio where grapes lay drying to make Vin Santo. A tasting through sparkling, chardonnay, Chianti Classico, Riserva, Gran Selezione and Fontalloro IGT.

Fèlsina Vino Spumante Di Qualità Brut Metodo Classico, Tuscany, Italy (Agent, WineAlign)

The zone of production is Chianti Classico, in the commune of Castelnuovo Berardenga southeast of Siena. Blended from 60 per cent sangiovese with 20 each chardonnay and pinot noir, Fèlsina’s is a gingery, yeasty, rich and textured sparkling wine, definitely not Franciacorta or anything remotely Lombardic. The time wait is 24 months on the lees and not labeled millesimato but rather non-vintage despite indeed being 100 per cent 2014 fruit. A little direct and green with early harvested sangiovese the reason but it’s been transformed in conjunction with the Champagne varietals. The fantasy to make quality sparkling wine, especially in this furthest southerly Chianti area is made into reality by the Fèlsina risk taking, culminating in such delicious and textured reward. Drink 2017-2020.  Tasted September 2017

Fèlsina Chardonnay I Sistri 2015, IGT Toscana, Italy (Agent, $41.99, WineAlign)

The sisters is IGT Toscana chardonnay that was first made in 1997. “This is our white wine, with a little bit of history,” says Chiara Leonini, from the ancient instrument sistro, shaken with a sound dedicated to agriculture. Quite a sunshine, golden hue, buttery, almond marzipan-laden chardonnay for the undisputed lover of such a phenomenon. Drink 2017-2020.  Tasted September 2017

Fèlsina Chianti Classico Berardenga 2015, Docg Tuscany, Italy (730788, $29.95, WineAlign)

Chianti Classico 2015 is forged from a selection drawn off of the eleven parcels on the estate with many soils, clones, expositions and slopes. I can’t help but look at the commune’s name Berardenga and see Fèlsina’s estate plot swept gathering as a grazing sangiovese, from the Italian “radere” or “radente.” Big and medium oak casks are used, mostly Slavonian and eight-ish months in mainly used barriques. This CC is 210 of 480,000 total bottles produced on the estate. It’s certainly not too serious, fresh as need be but still with a thick consistency and a pure, rustic edge. Carries some cure, char and corporeal reality though it’s got its number pointed towards elegance. It was not hard to make great wine in 2015 and yet so many missed the point. Not Fèlsina. This is classic and I mean classico Chianti. Drink 2017-2021.  Tasted September 2017

Fèlsina Chianti Classico Berardenga 2014, Docg Tuscany, Italy (730788, $29.95, WineAlign)

Still in a closed state of restraint, demure and only now gifting dried herbs, dusty fennel and a bit of char. The time is not yet but much further away for the challenged 2014. The acidity and structure are exceptionally intertwined and it should not be forgotten that with no Rancia made in ’14 the best grapes are here and much dedication is afforded this not oft so serious wine. It’s quite serious in 2014. Drink 2018-2024.  Tasted September 2017

Fèlsina Chianti Classico Riserva Rancia 2013, Docg Tuscany, Italy (82362, $55.75, WineAlign)

The vineyard takes its name from the historic Rancia farmhouse, once a Benedictine monastery and few if any vineyards in Chianti Classico are equipped with vines as genetically predisposed as here. More recent plantings utilize DNA from massal selections gathered from the old vineyard, a decision not lost on the perpetuation of vine ancestry and classic ability. Rancia is the true Riserva, solely entrenched as such, kept safe from the temptations of Gran Selezione and always antithetical to sangiovese IGT. It’s all good in 2013 and from the stellar season comes one of CC’s most storied Riservas replete with layers of fruit from great parcels, in more wood than almost any brethren or sistren could handle and it amalgamates, integrates and ultimately transcends the sangiovese-Riserva continuum with seamless ease. The curative, hung long for slow development style brings such restrained power, exercised finesse and unbridled energy. This will live 20 years easy. These are wines of acumen and of a deep and pure understanding of sangiovese, Alberese and Galestro soil. Bravo Giovanni. Drink 2019-2029.  Tasted September 2017

Fèlsina Chianti Classico Riserva Rancia 2005, DOCG Tuscany, Italy (82362, $55.75, WineAlign)

Rancia 2005 is an astute choice to follow-up the exceptional 2013, here from a warm year and it shows but it’s just as if everything has drawn further in, the fruit drying but keeping its flavour, its charm and its delicasse. The acid-tannin structure has not really changed, or so it seems because its composition was simply right and nothing seemingly can break it down. There is the secondary notion that imagines compressed and condensed balsamico but it has not yet even come close to syrup or liqueur. These sangiovese clones do not go there. It’s a special biotype and the farmers who have worked it surely have known what to do with it. “It was an ethical choice.” Drink 2017-2024.  Tasted September 2017

Fèlsina Chianti Classico Gran Selezione Colonia 2011, DOCG Tuscany, Italy (Agent, $208.99, WineAlign)

Chianti Classico Gran Selezione Colonia 2011 is clearly designed to be different and unlike 99 per cent of the other wines in the category. Fèlsina’s shows the most restraint meets elegance in power shown by a 2011 GS, a year where big, grand, brooding and robust is usually the name of the game, order and direction. Not at Fèlsina where melting, integrating and implosive intensification is wrapped inside the great sangiovese enigma. Here the dusty, curative, floral and herbal aromas are expressive but the flavours, tannins and acidity are a kept group. The energy is controlled and the length is outstanding. “Our idea of Gran Selezione is this one,” tells Chiara Leonini. Was an IGT in 2006 and then GS in 2009. There are 3000 bottles produced, in wooden cases, kept separate and special. Drink 2019-2031.  Tasted September 2017

Fèlsina Fontalloro 2013, IGT Toscana, Italy (Agent, $89.99, WineAlign)

Fontalloro 2013 is not as much of a departure as most IGT, here the consistency of biotype and what you do with your exceptional grapes is followed with the same clarity, finesse and detailed instruction. The grapes come from vineyards straddling the border between Chianti Classico and the Chianti Colli Senesi denomination, bringing sandy, loamy, silty with pebbles and marine sediments into the calcareous Alberese and Galestro make-up. The variegation means the broadest of sangiovese expression for Fèlsina. Marvellously rendered and structured, no holes, seamless transitions and the ease with which fine acidity and even more fineness of tannin work as one. When understanding comes freely and easy like this you know there are reasons why the sangiovese universe does sometimes align. Drink 2018-2026.  Tasted September 2017

Tasting at Fèlsina

Villa A Sesta

Villa a Sesta, the name of the ancient Castelnuovo Berardenga village and also the winery owned by Riccardo Tattoni, Founder of CIGP Group. The hamlet lies along the provincial road that leads to Brolio in Gaiole. Until the mid ninth century it belonged to the Berardenga counts and in 1882 their estate was assigned to the San Salvatore Abbey in Campi, known as ‘della Berardenga’. Written evidence regarding the Church of Santa Maria in Villa a Sesta dates as far back as the eight century and it was once a subsidiary of the hamlet of San Felice. Our visit began with one of the greatest meals in my life time at L’Asinello Ristorante in the village of Villa a Sesta. Sales Director Franco Russo led us through mini verticals of Il Palei CC, CC Riserva and VAS IGT Toscana. We then followed to the winery for some barrel sample tastings with Technical Director Roberto Ciani.

Tasting through Villa a Sesta

Villa A Sesta Chianti Classico Il Palei 2014, DOCG Tuscany, Italy (Agent, $23.99, WineAlign)

Il Palei, perhaps translated as the “ancient geological one” is 100 per cent sangiovese and nosing it side by side with ’13 the similarity is quite striking. Dusty fennel pollen and also the earth and stone, friable, crumbled in the air. Tart and black cherry flavours dominate. Shows off the work of the enologist Marco Mazzarrini from Alto Adige who toiled in the Bolgheri and began working with Villa a Sesta in 2011, so now there is a lighter, less pressed, more floral (here violets) perfume. Here in the southeast butterfly wing of the Castelnuovo Beradenga territory. Opens with time and develops more charm, character and length. Drink 2018-2021.  Tasted September 2017

A week’s worth of sustenance in Toscana # 7- L’Asinello Ristorante’s Tarragon pesto risotto con funghi porcini

Villa A Sesta Chianti Classico Il Palei 2013, DOCG Tuscany, Italy (Agent, $23.99, WineAlign)

Chianti Classico Il Palei 2013 shows the same dusty reserve as ’14 and is not so giving, especially for the vintage. A bit more compressed, even a bit more pressed and intense, from sites at 450m with Galestro in the soil. There is a calm about it even while the intensity climbs but there is not much fruit because of so many early immovable parts. Plenty of stone and earth but the fruit is hidden away. Yet there is a lightness and a brightness, hard to explain but there. Also like ’14 opens after some time, with near secondary notes on the precipice. Drink 2017-2020.  Tasted September 2017

Villa A Sesta Chianti Classico Riserva 2013, DOCG Tuscany, Italy (Agent, $33.99, WineAlign)

Villa a Sesta’s Chianti Classico Riserva 2013 is a great example of the conundrum in some 13s, acting quite reserved (as per the house style) but also quite dramatic and volatile, yet miles from reductive. Tart red citrus meets currants and pomegranate on the direct attitude of the palate, with etches of dark black fruit and yet there are these hidden aromatic violets hiding in the wings. Waiting on integration and fleshing would be a smart move. Drink 2018-2023.  Tasted September 2017

A week’s worth of sustenance in Toscana #8 – L’Asinello Ristorante’s Nastri di cioccolato, gel di zafferano e mango

Villa A Sesta Chianti Classico Riserva 2012, DOCG Tuscany, Italy (Agent, $33.99, WineAlign)

Chianti Classico Riserva 2012 is the richer of the two (tasted side by side with 2013) for sure. Still there is the dark black cherry fruit and violet aromatic undertones, also the one pressed deeper and with the wood felt stronger, though with less vintage-determined volatile behaviour it comes by this character honestly. Drink 2017-2021.  Tasted September 2017

Godello with L’Asinello Chef Senio Venturi and Elisa Bianchini

Villa A Sesta VAS 2013, IGT Toscana, Italy (WineAlign)

Vas Toscana IGT 2013, as in Villa a Sesta, here clearly modern, with what just has to be cabernet sauvignon and merlot. It’s flat-out juicy, Cassis and mulberry laden, yeah, so juicy from wild berry flavours. Just a touch more cabernet is would seem (maybe 60 per cent), internationally styled and really clean, transparent even and did I say juicy? Spent 18 months in barriques but it’s not woody whatsoever. Turns on an about-face dime away from the sangiovese as much as any estate thus far but in the finest possible way. It is not possible not to find some enjoyment in this wine, even while it sheds or celebrates any regional character. Drink 2017-2021.  Tasted September 2017

Villa a Sesta

Villa A Sesta VAS 2012, IGT Toscana, Italy (WineAlign)

Vas Toscana IGT 2012 is quite similar to ’13 but with a slightly higher acidity and consequently more località or sense of place. It would seem that ’13 is purely a sangiovese vintage while ’12 finds a way to elevate the Bordeaux. A bit of roasted or braised meat flavour, with spice. Hard to say but that is what this wine tells us. Really shows the step up in quality with ’13. Drink 2017-2019.  Tasted September 2017

Rancia Vineyard at Fèlsina, Castelnuovo Berardenga, Chianti Classico

Good to go!

Godello

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