17 Canadian wines that rocked in 2017

As we taste through the #NWAC17 finals we thank @ZWILLING_CA for the rocking great glassware. Canadian wines are better for these vessels.

I first published this year-end summary of Canadian wine excellence in 2013 and four years on that original list of 13 has expanded with four more. It’s a good thing too because four years later 17 wines is but a fraction of what could or should be included. This exercise is more than difficult. It’s biased, exclusive and decisive but it is meant to celebrate a select few with a mandate to elevate and exult the rest. It’s also a proclamation read to many who remain ignorant to an ideal of great wine being made in Canada, to tell the insolent they are not welcome here anyway. The winemakers in this country are in full command of their acumen, craft and future. They own it. Roll out the red carpet. Here they come.

Related – 16 Canadian wines that rocked in 2016

My writing about wine is a display that spills everything but subtraction, reduction and minimalism. It is an occupation whose reality is examined to points of madness, of long, run-on sentences, often at odds with grammatical winemaking realism. My tireless, tiring sentences and phrasing can at times offer a feeling that is potentially endless. So thanks for reading and putting up with me.

As I have noted before, I try to visit wines more than once before reviewing them, preferably from more than one bottle but even more importantly, with a good chunk of time having passed between assessments. The most complete picture is drawn from such a course of critical action but it’s not always possible. Not a single one of these 17 wines were decided upon at a single VINTAGES release, sterile and windowless LCBO laboratory tasting. The nearly 2000 wines (of which approximately were 20 percent Canadian) that I tasted in the LCBO lab in 2017 are kept, compartmentalized, reviewed and stored over at WineAlign. They are forged from and formed by a very specific, of the fleeting moment style. They are the results of root days and fruit days, often plagued by other writers present levels of distraction and time constraints. These 17 wines are children of repeated concentration and stand out because the makers went out of their way to bring them to me.

Please allow me to quote Wes Anderson. “It is an extremely common mistake, people think the writer’s imagination is always at work, that he’s constantly inventing an endless supply of incidents and episodes, that he simply dreams up his stories out of thin air. In point of fact, the opposite is true. Once the public knows you’re a writer, they bring the characters and events to you and as long as you maintain your ability to look and to carefully listen, these stories will continue to…,” continue to provide what you need to entertain your readers. Thank you to the winemakers for sharing their stories time and time again.

Related – 15 Canadian wines that rocked in 2015

Heartbreaker

If 2016 was a most difficult year, what does that say about 2017? It was a most dippy, derisory, barmy and yet chimerical one. Once again too many special people were taken from us and in Ontario, no one more important to everyone who works in wine than Karl Kaiser. It can and should be argued that the industry we all call home is at its 2017 state because of Mr. Kaiser and what he pioneered more than 40 years ago. Karl Kaiser was eulogized by Brock University’s Dan Dakin. Please take the time to read it.

Related – Karl Kaiser left indelible mark on Brock University

Once again we all lost someone close to us in 2017. Celebrity deaths, especially the ones of loved musicians seem to hit us the hardest because we relive moments of our lives when their songs are played. I’ll ask the social media trolls to walk on past and to once again, please respect our reminiscences.

Gregg Allman. Richard Anderson. Harvey Atkin. Walter Becker. Chester Bennington. Johnny Bower. Chuck Berry. Glen Campbell. David Cassidy. Chris Cornell. Jonathan Demme. Fats Domino. Dick Enberg. Stephen Furst. J. Geils. Robert Guillaume. Roy ‘Doc’ Halladay. Connie Hawkins. John Hurt. Al Jarreau. Martin Landau. Jerry Lewis. Erin Moran. Sir Roger Moore. Bryan Murray. Charlie Murphy. Bill Paxton. Tom Petty. Della Reese. Don Rickles. Sam Shepard. Joni Sledge. Keely Smith. Harry Dean Stanton. Y. A. Tittle. Mary Tyler Moore. Adam West. Malcom Young. Joanne Godel.

Don’t forget the pouring rain

There was more than enough good news out of 2017, especially from Ontario. After one of the wettest summers on record and this looming harvest of disaster everything changed. The temperatures hit 30 degrees and remained there for much of September. October obliged with warm and slowly declining temperatures with very little precipitation. Not only was the 2017 vintage saved but it became one of the great phenolic ripeness stories in wine country history. Quality high. Check. Quantity high. Check. Win win for wine.

The year continued to throw thousands of wines my way. I did travel more and so the international count ran higher at the expense of the local. I plan to fix that in 2018. Things have a way of balancing out anyway. Still I’m sure I tasted close to 1000 Canadian wines once again. We continued to pay great attention to Canadian wines at the WineAlign office. I once again joined the judging with Tony Aspler at the Ontario Wine Awards, in Wolfville, Nova Scotia at the WineAlign National Wine Awards of Canada and with David Lawrason at Gold Medal Plates.

Related – 14 Canadian wines that rocked in 2014

My wine on tap program at Barque Smokehouse and Barque Butcher Bar welcomed a third child to the family when we opened Barque Smokehouse Burlington in August. With that opening we were proud to partner with Rosewood Estates to join the family that over the years has included Tawse, Lailey, Norm Hardie, Creekside, Between the Lines, Kew Vineyards, Redstone, Stratus, Leaning Post, Between the Lines, Coyote’s Run, Vineland Estates and Creekside Estates.

It began, as it always does with Niagara’s Icewine Festival in January and in February there were Thirteen ways to taste Cuvée. In March I found Fifty ways to Taste Ontario and then travelled to Germany for Godello’s March through Prowein, The Ahr Valley and The Rheinhessen. As a Canadian and a representative of Wine Country Ontario I hung around the Canadian pavilion, talked with our coast to coast winemakers, vintners and marketing representatives, took in the seminars on cool climate wines led by David and Dr. Janet Dorozynski and of course, tasted some wines.

Related – 13 Canadian wines that rocked in 2013

In the company of #family so thank you judges, friends and badasses #NWAC17 #killedit

Any major dude will tell you

At the Terroir Hospitality Symposium in May we debated the highly controversial new category of Skin-Contact wines in Ontario. Orange is the new smack should have been my title but instead I chose to talk through hushed tones in Pop goes VQA, a story in three parts, each one more misunderstood than the others. It would take months to come to better and more improved conclusions to that haughty complex story.

In June we convened the WineAlign Canadian Wine Awards in the Annapolis Valley. It was the first time that Nova Scotia hosted our motley crew and what a smashing success it was. Great thanks must go out to all our tremendous hosts including Wines of Nova Scotia, Domiane de Grand Pré, Benjamin Bridge Vineyards, Blomidon Estate, Annapolis Cider Company and Obladee Wine Bar in Halifax.

In July I once again made the pilgrimage to i4c, the International Chardonnay Cool Climate Conference, “the local mecca attracting thousands, arriving to praise chardonnay in all its glory. It’s chanted with incantatory connotation by patrons cantilevered like alluvial fans across the Niagara Peninsula. It teaches us about more than chardonnay because the rapidity of climate change is real and the desire for fresh is yet unquenched. This transcends chardonnay. It’s about growing grapes and making wines in places we all previously discounted. Recently scoffed at. It concerns farming higher, further and edgier. This conference and this grape together let us know that we must change.”

At i4c we welcomed California’s Karen MacNeil, Dr, Jamie Goode, Bill Zacharkiw, Treve Ring, Kurtis Kolt and Rhys Pender MW and then I penned 69 chardonnay reviews. What did Godello learn from Cool Chardonnay in 2017? After a visit to Pearl Morissette I learned from François Morissette, vigneron about oxidation.“Whatever we press, we oxidize. We do not oxidize wine, we oxidize must.” There’s a big difference. The stabilization of these wines are attributed to this idea of getting rid of all oxidizable compounds before they enter into the next stages of the winemaking process. Pleasing aromas, flavours, textures and ultimately the sum of the above elevates the cool chardonnay game and speaks to the future. But I did not learn enough. I needed to move beyond the ubiquity of cool climate. I wanted to understand more about cold soaking and whole berry fermentation. Just last week Pearl Morissette’s savant winemaker Brent Rowland sent me these words of enlightenment.

“This is the main reason I am such an advocate to whole bunch fermentation. The best tannin and worst tannin are seed tannin, depending on how you extract them…heat and alcohol rip out aggressive angular tannins. By keeping the berry attached to the rachis for as long as possible you are creating a little microenvironment for fermentation that is low heat and low alcohol, enabling you to slowly extract long polymerized tannins. This and perfume is the reason I do everything whole bunch. To me whole bunch has nothing to do with the stems, tannins from stems or flavour of stems.” He continues. “I absolutely think that skin contact wines can have elevated structure and texture. I also do not subscribe to the idea that some arbitrary number like “10 days” defines the genre. I did say that Orange wine is not an in-between wine but its own genre and I believe that. For the record I feel the less rigid the criteria for the category the better. As you state the broader the category the more opportunity for discovery of a valued category.” Thank you mate.

Be part of the Greatest Wine Revolution since Prohibition.

Where are we one year later?

I’ve two words for you. WineAlign Exchange. The WineAlign Exchange taps into the world of wines beyond the LCBO and delivers a curated, mixed case of top quality wines directly to your door. All the wines have been carefully chosen by our panel of critics for their quality and value. David Lawrason, John Szabo M.S., Sara d’Amato, Steve Thurlow and Godello. The first case delivered to hundreds of members was an all Platinum Award winners pack from the National Wine Awards of Canada. In terms of free trade we await a decision but don’t expect a miracle in 2018, Christmas or otherwise. As for the VQA panel in Ontario? Well, read my article referenced above and you’ll get my drift.

One of my favorite wines I tasted in 2017. All killer no filler. Beautifully ripe #cabernetfranc nice layers of cocoa, red, and black fruit. Tannin is liquid silk. Can_t wait for next

Let’s be Franc

Cabernet Franc is getting better all the time. In British Columbia the coolest sites are increasingly raising fresh, spirited and ultimately crushable wines with unmistakable west coast accents; savour, garrigue and mountain tea. With thanks to venn diagram circles drawn in and out of Niagara’s Lincoln Lakeshore, but also magically deep into the Prince Edward County limestone, the great Ontario hope is developing into what we thought it might be. Getable and structured red wine.

New World cabernet franc growing sites produce less delineation as compared to the various lieux-dites in the varietal homeland, France’s Loire Valley. Niagara is beginning to enter into an Old World state of mind, so now winemakers and by extension wine geeks, are posturing over micro-terroirs; Niagara-on-the-Lake, Beamsville Bench, Niagara Escarpment, St. David’s Bench, Lincoln Lakeshore, Four Mile Creek. The same is happening in British Columbia’s Okanagan Valley although the cumulative stylistic is worlds (four provinces to be exact) apart. In Nova Scotia Benjamin Bridge Vineyards’ viticultural and vinifying braintrust of Jean-Benoit Deslauriers and Scott Savoy are allocating serious resources to cabernet franc in the Gaspereau Valley. But how is it that decisions are made as to where to plant this crisp, juicy and crunchy grape? While many will disagree, if you consider growing sites as circles within the aforementioned venn diagram, in Canadian soils the shared subtleties can easily get buried or muddled within the common areas. The lines may be drawn but the web is tangled. That said, the story of franc terroir is getting clearer and clearer. Interloper carries the torch.

Tonight brought to you by #interloper and the inner beauty of #cabernetfranc @RavineVineyard #vqaniagaraonthelake

At this most recent NWAC17 judging experience the results from cabernet franc paints a more palatable picture than those brushed by both merlot and cabernet sauvignon. We are collectively impressed with and solidly behind the direction growers and winemakers are taking with this noble varietal. The 546 acres planted in B.C. are rising steadily and if I were merlot I’d be looking in the rear-view mirror. In Ontario more than 4,000 tonnes were harvested in 2015, third to only chardonnay and riesling. Four of five Gold Medals were Ontario in origin, 10 of 16 were awarded Silver and 10 of 17, Bronze. While only four in Ontario are labled “LL,” no less than 10 of the 24 winners were made with at least some significant amount of fruit grown in the Lincoln Lakeshore/Beamsville Bench circle of commonality. The sites we want to call “cru” are no longer a mystery.

Taskmasters not pictured #punchdowns #interloper

I can’t say this list is full of surprises, save for the first of 17. You see this particular wine is close to my heart because I had a hand in its concept and design. My partner Scott Zebarth and I teamed up with winemakers Marty Werner and Ben Minaker at Ravine Vineyards to produce what we all feel is the most exciting fresh breath of cabernet franc air to arrive in Ontario in quite some time. It’s obviously self-serving to put it on a best of the year list but we are very proud of this project and its inaugural effort. If you’ve tried it you know. If you haven’t, give me a ring. We’ll break Interloper bread together. To the other 16, welcome to the list.

Scott, Marty, Ben and I are proud to present the now SOLD OUT #interloper Cabernet Franc 2016. We’ll be back next year #vqa #niagaraonthelake #ravinevineyard

Interloper 2016, VQA Niagara-on-the-Lake, Ontario ($19.95)

Produced at Ravine Vineyard Estate Winery with the winemaking team of Martin Werner and Ben Minaker

Variety: 100 per cent cabernet franc

Fruit source: 55 per cent Estate (St. David’s Bench), 40 Creek Road, five Tanbark (Four Mile Creek)

Harvest Dates: October 26th and November 5th, 2017

Time on skins: Estate 26 days, Creek 21 days

Length and type of fermentation: Three weeks, ambient/wild for both

Élévage: Eight months in old 225 L French barrels

Case Production: 22

mgodello  scottzebarth  marty_werner  benminaker23  ravinevineyard

Charles Baker Riesling B-Side 2016, VQA Niagara Peninsula, Ontario (Winery, $22.00, WineAlign)

Vinyl records sound different because they are designed with grooves carved in that mirrors the original sound’s wave form. Their analog recording delivers a sensory feeling of warmth, an aural of texture, nuance and soul. There was a time when the hits spun over and over were also pressed onto the A-Side of 45 rpm singles. The discovery of a never before heard B-Side was a revelation because is was extra material from a favourite band and it was a great song. It meant the record was already too strong for that song to make the final cut and to choose it for a B-Side meant it would elevate the quality of the album. A well-chosen B was not an afterthought. This is the accomplishment of the first Charles Baker’s B-Side, for itself and for the vineyards of Iaen and Picone. Baker digs about in the Niagara Peninsula’s escarpment dirt for young vine, not ready for prime time riesling fruit. If perchance it seems like cheating on his per se Vinemount Ridge Picone and Ivan bottles so be it but one look at him and he’ll say “Hey, hey, what can I do?” His 2016 B-Side delivers a spray bottle Zeppelin expressing heady aromas, high in the stratosphere and raining down upon the earth. The notes are an all in, breath of classic Baker riesling air, blanketing from up above and with a landscape that reeks of lime and quivers with classic agitation. The fruit is wild and full, the salty grit infiltrating and gripping the bloody omniscience of this package. What is this B-Side and where will it be lead? To the top of the ridge, from earlier harvests, younger fruit and higher yields. Scratch the single vineyard elitism, just listen to the song and raise one up, to getting ‘er done before the conceptual singular side one and side two, Ivan and Picone. The Beatles? Forget it. Led’s flip side to the ‘Immigrant Song’ A is the one. Drink 2017-2021.  Tasted November 2017  Charles Baker Wines  stratuswines  @cbriesling  @StratusWines  Stratus Vineyards

Tawse Riesling Quarry Road Vineyard 2016, VQA Vinemount Ridge, Ontario (198853, $24.50, WineAlign)

There is no substitute for seasonal Vinemount Ridge warmth when you are (or even if you’re not) trying to emulate a Mosel like, fleshy Kabinett tension. The Tawse Quarry Road riesling has shown signs of such mimicry in the past but here in 2016 the coincidence is uncanny. Riesling amounts to just 10 per cent of the 2007 planted vineyard, a Fly Road in Lincoln block where chardonnay (planted in 1998) and pinot noir (2007) are queen and king of the hill. But it is riesling that mines for limestone and uses it to distill, filter and enervate the outright fruity purposes of orange zest, lime juice and sweet grapefruit flesh. This ’16 has it all; adipose drupe, salty elements and stasis preserve. It will add some petrol and honey after a few years time and drink well for a few to a bevy more. Drink 2017-2023.  Tasted November 2017  tawsewinery  @Tawse_Winery  @tawsewines

Malivoire Rosé Moira 2016, VQA Beamsville Bench, Ontario (AgentWinery, $24.95, WineAlign)

Hard to believe what I see, a hue not blush nor pink, but gris. That “if my eyes don’t deceive me there’s something going wrong around here.” Forget about Provençe, don’t think too hard about Vin Gris but concentrate only on what Shiraz Mottiar has acceded with Rosé for Moira in ’16. Light and lithe do not begin to explain the rub. Rocks and stones are what come through the good earth on the nose. Is this the blush equivalent of mineralité, away from chardonnay and into pinot noir? “Is she really going out with him?” But the pinot noir component is almost non-existent so what is the phenolic advantage here? Has this gone too far or not far enough? Don’t mistake the things I say. This is delicious, understated and fully underestimated Rosé. It will have great appeal to a specific cognoscenti population and who could not think to drink it any day of the week? Commercially considered however, it may not speak a universal language. Drink 2017-2021.  Tasted March 2017  malivoire  shirazmottiar  @MalivoireWine  @ShirazMottiar  @MalivoireWine

Flat Rock Riesling Nadja’s Vineyard 2016, VQA Twenty Mile Bench, Niagara Escarpment, Ontario (578625, $24.95, WineAlign)

Nadja, like the Bréton novel begins with the question, “Who am I?” A surrealistic trigger is incited by the first taste, with excitement running in many directions but like the book, Nadja’s non-linear structure is grounded in Twenty Mile Bench riesling reality. She is an elite varietal wine in 2016, excitable girl, gregarious, punchy and so bloody juicy. I don’t recall the last Nadja with so much up front zest fervency and writhing aromatic gait, “exploding international, the scenes, the sounds, and famously the feeling that you can’t squeeze ground.” The lime flesh and cordial infusion brings the flavours into a once tropical, twice bitten realm. The vintage delivers the electric version, the new pornographer for the vineyard and the song sung loud swan song for departing winemaker Jay Johnstone. Was it all for swinging you around? Drink 2017-2024.  Tasted October 2017  flatrockcellars  @Winemakersboots  @FlatRockCellars

First Fruit: Field Day Pet Nat, Niagara Peninsula, Ontario (Winery, $25.00, WineAlign)

An escarpment Pet-Nat is born, thanks to the healthy and precocious idealism of winemaker Ryan de Witte and his Winona-based host Ilya Senchuk at Leaning Post Wines. The name “First Fruit: Field Day” carries three connotations; a reference to De Witte’s first commercial wine, the first crop off this particular block and the fact that it’s a field blend of two grapes. The erudite hat is thrown into the micro-cuvée, sparkling wine ring with interchangeable tracks of arts and science from near-equal parts muscat (60 per cent) and gewürztraminer. The style is pétillant-naturel, or as they say in Italy, Vino Rifermentato In Bottiglia, under crown cap with what Ryan notes “as much of the lees as I could get in.” The tightrope induces a two-fold increase, of reduction and for texture, from the nutrients fed the fermentation. De Witte’s math was sound because the effervescence is strong enough to blow the reduction off after a few seconds in the glass. One point for science. After tasting two samples I can safely say that the yeast deposit can’t be missed but it is those crafty and leaningpostwineconsolidated cells that drive the salvus meets salus machine. This lithe, re-fermented and crackling sparkler is both safe and healthy. You can feel its enzymes usher liquid happiness through your body and it makes you pause, leave the warrior behind and become at one with the experimental fizz. It’s raw and you want it to be so. The aromatic varieties collogue preserved lemon, ginger and aseptic vegetal scents in an almost funk-less Pet-Nat. It’s an impossible one actually, that is until you get a load of that slag at the bottom of the bottle. But the lack of danceable, rhythmic funk may deny you a Cissy Strut so think on it like Foam meets Talking Heads as in minimal, industrial, synth-pop. Or, in sparkling wine terms, one Pet-Nat’s riflessioni naturalische is another one’s clarity. One point for art. The intrigue here sets the bar high and looking ahead, when acidity can further provide boundless rhythm section support we’ll really have something to talk about. Inaugurals are never easy, nor is progress but the sophomore release will most certainly play on repeat. Let’s hope someone finds a category to place it for three-letter approval. Drink 2017-2018.  Tasted Twice, February 2017  leaningpostwine  @LeaningPostWine  @Witte_Wine  Leaning Post Wines  Ryan de Witte

Cave Spring CSV Riesling 2015, Cave Spring Vineyard, VQA Beamsville Bench, Niagara Peninsula, Ontario (566026, $29.95, WineAlign)

In a word, balance. Well two, balance and brilliance. CSV in 2015 takes the reigns from itself and stands firm. The fruit is in charge, the mineral a support system unparalleled and the minor celebratory sweetness a mere afterthought when it comes to rounding out the complexity. CSV is pretty darn back in ancient dolomite time travel and escarpments high great in 2015, uplifting, serious but yet not so. The numbers trip the light fantastic, fooling like gold and bones dry are seemingly preserved in karst but impossibly not. The sensoria apprised reel from the finest acidity it can possibly carry in its veritable truth. Deep lemon intent and a new wax vernacular speak the clarity of a wine that listens to its own expert advice. Might as well have made itself. CSV 2015 is one of the finest rieslings ever made from Ontario grapes. Drink 2019-2031.  Tasted March 2017  cavespringcellars  thevineagency  @CaveSpring  @TheVine_RobGroh  Cave Spring Cellars  The Vine – Robert Groh Agency

Sneak peak in the @TriusWines Meunier with Craig McDonald and a true Niagara Grand Cru @coolchardonnay site #lincolnlakeshore #oliveiravineyards #vqa #wildferment

Trius Showcase Chardonnay Wild Ferment Oliveira Vineyard 2015, VQA Lincoln Lakeshore, Ontario (Winery, $36.75, WineAlign)

When you consider the level of quality provided by the Wild Ferment 2014 it would be hard to imagine raising the bar any further but this is what winemaker Craig McDonald has managed with his exceptional 2015. The accomplishment is purely based on one year older, wiser and complexities developed Oliveira Farm vineyard fruit, the holy chardonnay grail, Lincoln Lakeshore playground. The site sits along the QEW below the escarpment’s Twenty Mile and Beamsville benches, a recipient of glacial till and rocks left behind by an ancient river running from a lake. It’s a chardonnay wonderland. Intensity of fruit purity, fleshy and real, remarkably juicy and notably crunchy has increased, upping the pleasure game and turning the impression knob up to 11. The windmill generates more power while always maintaining a classic Trius level of finesse. Then you think on the wood integration, equally impressionable because acidity is sweet and refined. Dry extract is also impressive, not to mention a fineness of grape tannin. The site’s unofficial designation as a Niagara Grand Cru should be upgraded with status. There is no better time than the present and the Wild Ferment’s 2015 ability is proof enough. Drink 2017-2023.  Tasted July 2017   triuswines  @TriusWines  @triuswines

Pearl Morissette Cuvée Madeline Cabernet Franc 2014, VQA Twenty Mile Bench, Niagara Peninsula, Ontario (Winery, $38.00, WineAlign)

From the 19th Street Vineyard and wow, there is simply no cabernet franc like this cabernet franc. It pops and flies from the glass, in and out of your mouth, playful, buoyant, joyful, unbridled. A silky and spicy ripeness that’s also shed by its tannin, like shavings of a chocolate only a master knows to render, then currants electric and alive. Excels by its chewy mouthfeel and texture and you must ruminate on this cabernet franc. This is the it vintage, with all the enzymes in control, wrapped up in the enigma membrane and this low, classical Beethoven orchestral strings rumble, on a Verona stage, surrounded by the ancient rocks, acoustics perfect. You can get lost in franc like this. Drink 2019-2027.  Tasted July 2017  pearlmorissette  @PearlMorissette  Pearl Morissette

Quails’ Gate Stewart Family Reserve Chardonnay 2015, BC VQA Okanagan Valley, British Columbia (639641, $43.95, WineAlign)

Some of the Okanagan Valley’s great chardonnay fruit is found on its eastern shore and makes its way into this Quail’s Gate Reserve. The story and place go back 60 plus years and wait if you can’t nose it in this top North American chardonnay. Forget comparisons, competitions and blind judgements but pull anything you want from Sonoma and watch this raise eyebrows and turn heads. The variegations are numerous and in replay. Richness, bite, energy, spirit and firm conceit. The barrel is everywhere and nowhere. What is a great chardonnay? It’s completely invisible, yet always in sight. It remembers what people hate. It anticipates the consumer’s needs before the needs are needed. A great chardonnay is, above all, discreet to a fault. Such is the Stewart Family Reserve. Drink 2018-2023.  Tasted October 2017   quails gate  hobbsandcompany  @Quails_Gate  @AMH_hobbsandco  Quails’ Gate  Hobbs & Co.

Sparkling wine you need to know @lwwines Blanc de Blanc Extra Brut 2013, from the shores of the #minasbasin #annapolisvalley #novascotia

Lightfoot & Wolfville Blanc De Blanc Extra Brut 2013, Nova Scotia, Canada (Winery, $45.00, WineAlign)

Josh Horton and Rachel Lightfoot presented an early, less leesy glimpse of their 100 per cent estate chardonnay at i4c in July of 2016. It was a different animal than this recently disgorged (late February/early March) sparkling wine. The Extra Brut lives up to its designation, from fruit grown on the shores of the Minas Basin under the auspices of a markedly warm year with exceptional phenolic ripeness and 25 per cent malolactic gain. The time relative to texture lees accumulation is approximately 40 months and it’s an accurate representation of Nova Scotia low and slow. The flavours are wisely developed ripe and spicy, leaning into a moment or two of oxygenation, but seemingly richer than the amount of lees time that was given. Now emerging from the shell of not just a warm but a great chardonnay year (as previously proven by the Ancienne released two years ago). The notion here is of a sparkling wine that has been brought home, a B de B that you need to get to know. There are layers and layers of character that fold and unfold. The precision, focus and rendering is citrus tamed, mouthfeel in perpetual expansion and contraction, length linear and elastic. And it’s just the beginning. Drink 2017-2023.  Tasted June 2017  lwwines  @lwwines  Lightfoot & Wolfville

Blomidon Late Pick Sparkling Chardonnay 2011, Nova Scotia, Canada (Winery, $45.00, WineAlign)

The 2011 late-picked chardonnay, the “Hurricane” is a hyperbole of itself. Normally picked in later October, the frost-free weather allowed further time and development. Picked from seaside vineyards just ahead of another hurricane (in a season that included Irene), this is sparkling wine you just have to try. Though lean, taut and as intense as you are likely to taste, the developed character and complexity is visionary for Nova Scotia and Canadian sparkling wine. Three years on the lees brings the texture and fills the gaps, holes and voids created by such a tightly wound cool climate chardonnay. The dry factor is exaggerated in 2011 (a one-off says winemaker Simon Rafuse) but the wine takes full advantage of the Extra-Brut intent. Did it require the anxiety of a recent and an impending cyclone? Can it be duplicated? “That’s the story of the Hurricane.” Visionary for Nova Scotia and Canadian sparkling wine. Drink 2017-2022.  Tasted March 2017  blomidonestate  @BlomidonEstate  Blomidon Estate Winery

Southbrook Poetica Red 2013, VQA Niagara Peninsula, Ontario (355859, $69.95, WineAlign)

It seems at first that Poetica 2013 was chosen by winemaker Ann Sperling to be the deferential one. The blend is dominated by 74 per cent cabernet sauvignon, the highest number ever for the wine. Conversely the cabernet franc component is set to 23 per cent and far less petit verdot (3 per cent) rounds out the blend. That number had been 29 per cent in 2012 because the varietal elegance shown at that time necessitated the relationship. In 2013 it is the cabernet sauvignon that displayed with elegance and an uncanny ability to sow of its own accord and yes, it is an exceptional vintage so look for 2013 to age on a 15 year curve. The Witness Block CS-CF follows suit and the SV-PV is better off for the allocations. Every wine wins as a result. There is this deep-impressed sous-terre tang in here, a wisdom certainly, and when it is released later in the year the heads will turn. Poetica is often but here not overly tannic, but it is endowed with bones, spine and structure. The flavours, spice and magnetism give cause to salivate. Only Ann Sperling makes Niagara reds like this, wines that can develop such architecture without an excess of tannin, astringency and chalky chocolate from over-wrought wood exchange. Poetica 2013 will drink well young and comfortably into the end of the next decade. Drink 2018-2028.  Tasted January 2017  southbrookvineyards  thelivingvine  @TheLivingVine  @SouthbrookWine   @SouthbrookWine  The Living Vine inc.

A finer man, winemaker and host you will not find. Thank you @normanhardie @keeponshucking @clarsenault @cuveeletittia @Mknow21 @mclauriault and all.

Norman Hardie Chardonnay Cuvée Des Amis 2014, Prince Edward County, Ontario (Winery, $150.00, 1500ml, WineAlign)

As exceptional as chardonnay may have seemed from out of the 2013 Ontario vintage you haven’t lived or loved until you get a taste of (only in magnum format) Norm Hardie’s 2014 Cuvées des Amis. This chardonnay attacks and ascends, recalibrating the inner workings of the brain and how it develops conceptualization. It is a state of the art and all-knowing elixir to remind that ’13 was a vintage with profitable yields and a generously stretched canvas on which to practice on, for when things begin to get real. The CdeA spent 18 months in barrel, the first 12 (in 35 per cent new), the next six in neutral and the last six in stainless steel on the fine lees. The spin class in the mouth manages agility, dextrous, furtive movement and completes many pirouettes. The dance is pure joy but the intensity is equally to disturbingly intrusive, suggesting more settling time is necessary. The flavour pearls are delicate and come straight from the oyster so they carry salinity, power and brine. Pure lemon essence is received by intravenous injection. Sumptuous is translated from Hardie-speak as a four-letter, Prince Edward County word. It doesn’t get more real than right here, with the best fruit, the tripping of the light fantastic, previously unheard and unseen unconscionable concentration. Drink 2019-2025.  Tasted twice, June and July 2017  normanhardiewinery  @normhardie  Norman Hardie

Le Vieux Pin Équinoxe Syrah 2014, BC VQA Okanagan Valley, British Columbia (Winery, $80.00, WineAlign)

Èquinoxe is announced without equivocation as the Bricco of B.C. syrah and an absolutely lovely Bench expression from winemaker Severine Pinte. What came from these three-quarters Osoyoos Lake District and one-quarter Black Sage vineyards in 2013 was floral and peppery, with a fineness that belies a dessert climate but in 2014, well this is something more and other. You just have to think about texture here and a quality of acidity that is peerless in B.C. syrah. So juicy, beautifully tannic and rendered with culture and class. Drink 2018-2022.  Tasted October 2017  levieuxpin  @LeVieuxPin  Le Vieux Pin Winery

My eyes do not deceive me. It’s Decant @StratusWines #cabernetfranc bottled with lees #vqa #niagaraonthelake #karimrashid

Stratus Cabernet Franc “Decant” 2014, VQA Niagara On The Lake, Ontario (Winery, $95.00, WineAlign)

“A designer’s hands are tied. They are only as good as their opportunities.” The words of the brilliant bottle designer Karim Rashid fully apply to the mirrored universe in which winemaker J-L Groux works, here with a deferential and ulterior cabernet franc, bottled with its lees. When I first tasted it in February (in advance of this auspicious release), its unfiltered state spoke of a hyperbole of perfume, marked by exoticism. The aromatics gave far east five-spice, star anise, cardamom, miso and incense, all natural by-products of its purposed ferment. More grain spoke out but also a roundness of tannin and a smoothness both coating and comforting. There was chocolate accentuated by the treatment, with thanks to those lees left in the bottle. The chopped up and constructed bottle catches the lees while the volume flows out and the function out of form mimics the thought of lees delivering structure and yet they are invisible, caught in a hidden net or nook, out of sight, out of mind. But it’s not about pouring. It’s about the hand, or the slight thereof. Then there is the copycat idealism of strata in the vineyard, of geology transferred to the bottle and kept there, like a ship perfectly preserved inside. This cabernet franc will age better, as is the plan, with thanks to the lees that you’ll never have to deal with. There were 110 cases made. Drink 2019-2029.  Tasted twice, February and May 2017  stratuswines  @StratusWines  Stratus Vineyards

Supper at Benjamin Bridge

Benjamin Bridge Méthode Classique Estate Blanc De Blancs 2013, Nova Scotia (Winery, $119.50, WineAlign)

Tasted from a bottle disgorged in May 2017, there alights a plugged-in, three-pronged, dazed, charged and enchanted energy about the Bridge’s ’13 Blanc de Blancs. The history of go it alone pure chardonnay is a relatively short one for the estate so this quickly makes up for lost time or rather with haste sets the timer and heads out at first light. “Like sittin’ on pins and needles, things fall apart, it’s scientific.” Wild, of talking heads temper and yeasts, done up in demi-muids, with a wilder secondary fermentative push riding on the coattails of the primary fermentation. Everything in this wine is a productive child of the vineyard, of no third party sugars or consultations. “How do you do that without making a Pétillant Naturel,” I wonder aloud. It’s a second ferment, non-contiguous is the reason, even if the former is both influencer and mentor to the latter. It certainly falls under the category of “micro-cuvée. Like its cousin and predecessor (Blanc de Noirs 2011), this ’13 BdeB is mired intensely inward within its own specificity and is not so much a sparkling wine with competitive soul. It is a pure representative of chardonnay grown in Nova Scotia for one purpose. So let’s talk about true stories and wild, wild life. “You get on board anytime you like.” Drink 2018-2024.  Tasted July 2017  benjaminbridge  caveman__jones   winesofn  @Benjamin_Bridge  @benjaminbridgevineyards  @WinesofNS @benjaminbridgevineyards  @winesofns

As we taste through the #NWAC17 finals we thank @ZWILLING_CA for the rocking great glassware. Canadian wines are better for these vessels.

Good to go!

Godello

Twitter: @mgodello

Instagram: mgodello

WineAlign

Seventeen mind-blowing wines of 2017

No, wines do not have to be old to blow your mind but there is just something so mysterious, magical and hypnotizing about the experience of age in preservation. When we use the cliché “tasting history” it distracts from what is most poignant about tasting older wines. It’s the humbling and how wisdom, acumen and meteorological circumstance conspire to take us away from our troubles, to forget about life for a while and to realize that forces greater than us are truly in charge.

There are also young wines so precocious and wise beyond their years that they somehow intuit the future. These too can blow our minds, addle us as if lovestruck and disoriented so that only this confluence of smell, taste, texture and structure are what we know. It takes all kinds to populate a list that separates greatness from the rest, but that does not means only 17 wines were tasted to be extraordinary in 2017.  It means that some struck a vein while others grazed on the skin. Most important is that all were experienced because someone chose to share them. Thank you to the producers and the benefactors for bringing these bottles to light.

Related – 16 mind-blowing wines of 2016

Honourable Mentions

Château Haut-Brion 1986, Saffredi 2004, Brokenwood Sémillon 2007, Domaine Gros Frères Clos Voguent Musigni 2013, M. Lapierre Morgon 2010, Domaine G. Roumier Bonnes-Mares Grand Cru 1996, Domaine Jamet Côte-Rôtie 2006, Coppo Barbera d’Asti Nizza Riserva della Famiglia 2009, Le Fraghe Bardolino 2015, Sordo Barolo Riserva Gabutti 2006, Carobbio Chianti Classico 1990, J & J Eger Kékfrankos 2006, Château Léoville Las Cases 2001, François Cotat Chavignol Sancerre Rosé 2009, Domaine La Vieux Télégraphe Châteauneuf du Pâpe La Crau 2005, D’Arie Syrah 2012, Julia Bertram Handwerk Spätburgunder 2015, Planeta Carricante Eruzione 1614 2015, Dominus 1994, Château Lafite Rothschild 1998 and Esmonin Gevrey-Chambertin Clos Saint-Jacques 1993.

Several times a years I gather with groups of like-minded, wine-spirited folks, to break bread and to pop established icons, singular archetypes, varietal rarities and supernumerary misfits. Many of the wines on this 2017 list are a result of having been fortunate enough to be included in repeated repasts with pirates on picnics and doctors at dinner.  Most of the rest are travel related, in fact this year alone I tasted approximately 700 sangiovese, 200 barbera, 200 corvina and 100 nebbiolo. So many more of those praiseworthy reds and rosés deserved spots on this docket but alas, the list is short. I do not fulminate them, nor you neither. Here are Godello’s 17 mind-blowing wines of 2017.

It began like this and I got 15 dollars hid above the stove.

Möet & Chandon Dom Pérignon Vintage Brut Champagne 1990, Champagne, France (280461, AgentWineAlign)

Tasted blind the hue immediately leads the mind in one of two directions; hot vintage or decades of age. I’m tempted to consider a combination of the two, so the decision is warm vintage and a minimum of twenty years age. Further introspection takes me back to 1990 and when the reveal confirms this and in the abide of Dom Pérignon it means one thing. Start the process of thinking again. This wine has done its work, having accumulated a diverse set of developmental traits and processed them so that the language it now speaks is clear and pure. At 27 years of age it’s delicate, smooth, soft-spoken and settled. The finest golden toast (again in hue and more importantly in aroma) glows into the creamy texture, like preserved lemon transformed into gelid curd. The mouthfeel is exceptional with baking bread rising, puffy and satiny glazed across the palate. The seamlessness of this Champagne seeks, solicits and makes rendezvous with no peer or challenger its equivalent, not should any comparison be made. Kudos to a wine that stands on its own and makes you feel this good. It will continue to do so up to and perhaps beyond its 40th birthday. Drink 2017-2030.  Tasted March 2017  moetchandon  @chartonhobbs  @MoetUSA  @ChartonHobbs  @Champagne  Moët & Chandon  Charton Hobbs Canada  Champagne

Famille Picard Saint Aubin Premier Cru Le Charmois 2014, AOC Bourgogne (522078, $57.95, WineAlign)

This is a chardonnay to place the village of Saint Aubin in a remarkable light if only because it’s the most stony, flinty and tightly wound example just about ever. The Charmois is the elevator that carries the appellation into a purity of climat for Bourgogne Premier Cru. In this case terroir delivers the idea of Climat but it is the interaction of the maker that defines the notion simply because there is no mess and no fuss. It just feels like drinking straight from a bleed of the calcareous land, as might happen in a limestone goblet filled with Montrachet. You have no idea how good a deal this is from the most excellent 2014 vintage. Drink 2019-2028.  Tasted October 2017  domainesfamillepicard  profilewinegroup  #bourgognewines #FamillePicard  @ProfileWineGrp  @BourgogneWines  Domaines Famille Picard  Profile Wine Group  Bourgogne Wines

Domaine Bouchard Père & Fils Chevalier Montrachet Grand Cru 2015, AOC Bourgogne (Agent, $480.00 WineAlign)

Chevalier-Montrachet is a matter of aromatics, of the finest of the finest, preserved, reserved, impressionable and of quietly powerful impression. The deistic and the parrhesiastic are reached in this Grand Cru, “one who speaks the truth to power.” Elysium in chardonnay is captured for the perfectly ripe orchard and crushed stones. The young palate is almost severe but takes its first steps down the most ethereal path, with the finest drawn lines and rendered streaks of energy lit, sparked and smouldering. This is Bourgogne of intrinsic value, slowly rising to a crescendo where a flame flickers but within the sheltered lamp of a hurricane. How is such harnessed power even possible? Only like this, in Chevalier-Montrachet . Drink 2021-2037.  Tasted April 2017  bouchardpereetfils  woodmanws  vinsdebourgogne  @BouchardPere  @WoodmanWS  @VinsdeBourgogne  Bouchard Père & Fils  Woodman Wines & Spirits  Vins de Bourgogne / Burgundy wines

Domaine Sigalas Kavalieros 2015, Santorini, Greece (SAQ 11814421WineAlign)

I’ve not yet tasted the Kavalieros 2014, so this single-vineyard, 18 months on lees done in stainless steel Kavalieros 2015 made by “Mr. George” is the benchmark for Santorini, assrytiko and salty white wines everywhere. The first release was 2009. Straight up and turning the world on its head, like the old man on the label and upside down against Apollo’s Aegean Cyclades. This ’15 richer still, more than the seven villages wines and a hyperbole as compared to the entry-level assyrtiko, of deeper mineral, compressed, layered and fantastic. Crushed rocks permeate in aggregate, it’s quixotically saline and textured, of intense presence and finally, structured. For 15 years at least. A late shot of natural Santorini tonic swirls in centrifuge with assyrtiko so wound up. This will need 10 years to unwind and allow for cracks to form in the mineral shell, followed by the birth of its fruit. It should never be forgotten that assyrtiko can and will show fruit but with Kavalieros you’ll have to be patient. Drink 2020-2031.  Tasted March 2017  @DomaineSigalas  @MajesticWineInc  winesofgreece  domainesigalas  @MajesticWineInc  @DrinkGreekWine  @DomaineSigalas  Panayiota Kalogeropoulou  Wines of Greece

Penfolds Grange 2011, South Australia (356121, $750.00, WineAlign)

There is just something about cool, rainy and irreconcilably regarded vintages that brings out the best in wines made by winemakers of elite acumen. Deliver your best from the greatest of harvests but also “give me your tired, your poor, your huddled masses yearning to breathe free. The wretched refuse of your teeming shore.” Leave the middle of the road to someone else. This Grange faced adversity and won. The yields and output may only be 50 per cent of normal but what gives is the silky texture of Grand Cru Bourgogne. This chosen one of singular vision to represent the multi-tiered and faceted Penfolds Estate tells us about the world inhabited by the instinctual and the ethereal. It combines tannin, structure and aesthetic deeply engrossed in the shadow of its own looming destruction, but is designed from the first with an eye to its later existence as a ruin, forever preserved. If a perfect plum and a magical olive were crossed they would welcome this collective spice of no equal. The quality of bite and chew lead to rumination and the savour rests on a chart clearly defined but in high contrast and only to itself. An analgeisc meets hypnotic cooling is mentholated though if not specific in origin it is only and highly natural. Legendary vintage? Why not. This calm, cool and collected 2011 may just outlast some of the more recently considered top vintages of ’06, ’08 and ’10. Drink 2019-2035.  Tasted May 2017  penfolds  markanthonyon  wineaustralia  @penfolds  @MarkAnthonyWine  @Wine_Australia  Penfolds  @MarkAnthonyWine  Wine Australia

A deep #eredichiappone vertical delve with Daniele for perspective and a release of endorphins @ilNizza possibilities #progrettovini #collisionimonferrato

Erede Di Chiappone Armando Barbera D’asti Superiore Nizza DOC RU 2006, Piedmont, Italy (WineAlign)

RU by Daniele Chiappone is this, at first something altogether inexplicable but when tasted alongside his 2005, 2010 and 2011 it makes such perfect sense. Sense in where this fits in his evolution and to speak on behalf of the age-worthy ability of Nizza barbera. In a world where barbera perfume so often performs with perfunctory brevity this goes on and on. It is a unique combination of fennel frond, incense, hibiscus and violet to create an intoxicant and an anaesthetic. Yet another exceptional vintage is revealed, traditional and so alive, spun from earth crusting over cherry and then this smooth leather. The portal backwards 10 years allows for looks forward 10 more, especially into what’s coming from 2015 and 2016. To say the match with a prodigiously spiced in aromatic ragu over linguine was agreeable would be the understatement of the Monferrato century. Perfectly timed acidity seals the deal. This is barbera folks, of wit, age and history. Drink 2017-2021.  Tasted July 2017  erededi  ilnizza  @erededi  @ilNizza  Erede Di Chiappone Armando  IlNizza

Robert Mondavi Reserve Cabernet Sauvignon To Kalon Vineyard 1999, Napa Valley, California (WineAlign)

This from a time when Mondavi labeled the reserve cabernet sauvignon as “To Kalon Vineyard,” a moniker of essential meaning that would return 14 years later on the 2013 bottle. If this were what Mark de Vere referred to as “a confusing moment in history” I could not say but “this strange bottling” provided an unequivocal and seminal turning point in this wine’s storied past, present and future. It was in fact a small, special cuvée, a little bit different than the ’99 Reserve. “The coolest vintage on record, until it wasn’t,” because of a warm period at the end of summer and early fall that ushered forth a certain, singular sort of ripeness. Regardless of memories, characterizations and twists of fate, this single-vineyard cabernet is as finessed, focused and precise as any Mondavi Reserve. It persists chalky, fine and gritty in tannin running amok, dragging the acidity forward and around. The workout is something to behold, a dispatch of late Napa fashion and never more successful than right here. The dépêche mode of To Kalon is by now famous but culminated with this ’99 for everything to follow, with consistency and a guarantee of modern quality. Listen to it croon “try walking in my shoes.” Many have and many continue to pay homage to this Napa Valley originator and pioneer. It’s a cabernet sauvignon of faith and devotion. Drink 2017-2029.  Tasted May 2017  robertmondavi  @RobertMondavi  Robert Mondavi Winery

Quilceda Creek Cabernet Sauvignon 2003, Columbia Valley, Washington (Agent, WineAlign)

A truly remarkable nose, notably violets and peregrine species of spices. There is so much perfume and beauty, an Aishwarya Rai Bachchan nose and then there is the fruit. Blackberry, Cassis then into vanilla, scented happiness like ruby red grapefruit and bergamot. If it should have aged I can’t say but it’s still a voluminous and voluptuous thing to sip. It blinds like first Growth Bordeaux with its perfect extraction. Thoughts keep at it, to blueberries, cigar box and Kirsch. The tannins are sweet and gritty, not fully resolved and imagine Margaux. You could consider taking out a mortgage on yours and your neighbour’s house for this one. It was one of many great reds tonight but I’ve just tasted this. And I wept. Drink 2017-2024.  Tasted March 2017  @QuilCreekWinery  @thevineagency  winesofwashington  wa_state_wine  @QuilCreekWinery  @TheVine_RobGroh  Quilceda Creek Vintners  @WINESofWA  The Vine – Robert Groh Agency  Washington State Wine

A great honour to taste this 1995 #carobbio #leone and in memory of #carlonovarese Thank you Dario and Silvia. Would like the chance to do it again in 22 years #toscana #sangiovese

Tenuta Carobbio Leone 1995, IGT Toscana, Italy (WineAlign)

Leone 1995 was made under the auspices of the Vittorio Fiore-Gabriella Tani oenology stylistic for Carlo Novarese. To say that this single-vineyard sangiovese is youthful would be the biggest IGT understatement of the century. From vines that at the time were 25 years-old, Leone is not just a survivor of a universally-declared incredible vintage, it is a singular expression from 1990’s Tuscany, in Chianti Classico and for Panzano. The violets, dried espresso and plum-amaretti semifreddo (savoury, not sweet) mixes with fennel frond, fresh rosemary and the 20-plus years lingering Carobbio tobacco. The acidity is fully intact, still travelling up and down the sides of the tongue, repeatedly and soliciting so much savour, sapidity, a desire for a mouthful of hematic, rare sear of Claudia’s beef filet and then more and more sipping. After 20 minutes the aromatics deliver a raspberry purée and even a black olive and mineral-saline, short of briny caper into the fray by stroke of some aromatic brush and bush in the light afternoon wind. That’s enough. I’m not sure my heart can take any more. Time for Vin Santo. Drink 2017-2029.  Tasted February 2017  carobbio_wine  chianticlassico  @Tenuta_Carobbio  @chianticlassico  Tenuta Carobbio  Chianti Classico

In @chianticlassico mano nella mano 1986, @fontodi #vignadelsorbo & #flaccianello thank you Giovanni Manetti for sharing these two opposing forces of the Tuscan paradox #chianticlassico

Fontodi Flaccianello della Pieve 1986, Tuscany, Italy (WineAlign)

Flaccianello in 1986 is actually though not surprisingly so different from Vigna del Sorbo, more than any other reason because of the cabernet sauvignon, but in a more philosophical way, because they have built a paradox, from the Super Tuscan ideal in revolution. Now the sangiovese going forward will be the most important and also the best wine, like looking back at this 1986, OK, not better than Sorbo but purer, honest, a clearer picture from which to learn from and ultimately a model for the future. Beautiful power, restraint, structure and yes, the kind of wine that deserves to be praised with the term elegance, overused, or not. Perfectly rustic, earthy and full of fruit with its accompanying complimentary, enervating and necessary acidity. Drink 2017-2023.  Tasted September 2017  Fontodi  chianticlassico    @chianticlassico  Chianti Classico  Az. Agr. Fontodi

Cortonesi La Mannella Brunello Di Montalcino Riserva 2010, Docg Tuscany, Italy (Agent, $202.95, WineAlign)

There are few Brunello vintages afforded more attention in the last 10-plus, certainly ’04 and ’06, increasingly better even from ’08 and looking forward towards what greatness will come in 2015. Yes but not solely magnified through the lens of patience and bottle time, from 2010 La Mannella has coupled upon and layered over itself like compressed fruit and puff pastry. Though it begs for drink now attention, another seven years will be needed before it can safely be labeled as uncoiled and to reveal all that is wrapped so tight. Rich is not the operative but unmistakeable as Cortonesi it is; that natural clay soil funk of resolution and fully hydrated chalk. This is to sangiovese as Les Preuses Grand Cru Chablis or Rangen Grand Cru Alsace are to Riesling. It carries in its pocket the absolute meaning and genetic responsibility of where it comes from, with a curative and restorative ability to get you lost. Drink 2019-2031.  Tasted February 2017  marcora85  nicholaspearcewines  brunellodimontalcino  @LaMannella  @Nicholaspearce_  @ConsBrunello  Tommaso Cortonesi  Nicholas Pearce  Consorzio del Vino Brunello di Montalcino

Maison Roche De Bellene “Collection Bellenum” Grand Cru Clos De La Roche 1998, AOC Bourgogne, France (Agent, $364.95, WineAlign)

Clos de La Roche 1998 may be 19 years old but you have to swirl the britches out of this Grand Cru because reduction persists in its make-up. Once you work your way over the wall a field of wildflowers and a roses bouquet lays out as far as the nose can mind’s eye. This is pure candy in its most arid, blessed and gout de terroir way. It is as charming as Burgundy can be and yet so fine of tannin, tight and duplicitously-grained in clone upon itself. One of those wines so difficult to put to words because it teaches and you can do nothing but listen. I’d still want to wait two more years, maybe more, before knowing I’ve waited long enough. Close de la Roche speaks to me but to answer with any real credibility and respect I will need to think some more. Drink 2019-2035.  Tasted February 2017  domaine_de_bellene  nicholaspearcewines  vinsdebourgogne  @RochedeBellene  @Nicholaspearce_  @VinsdeBourgogne  Bellene  Nicholas Pearce  Vins de Bourgogne / Burgundy wines

Not just #meerlust more like major lust. Thank you for the sexy time travel @meerlustwine Laurel Keenan and The South African Wine Society.

Meerlust Rubicon 1984, Wo Stellenbosch, South Africa (WineAlign)

Meerlust dates back to 1693, the house that is “love or pleasure of the sea.” Less than five kms south from the Atlantic Ocean, the property was purchased in 1756 and to this day remains family owned, now in its eighth generation with 260 years of continuity. Rubicon 1984 is poured (with brilliant decision making) from magnum and is therefore fresher than the 1996 with an incredibly controlled level of fineness in tannin, from acidity and at the threshold of understood volatility. “Perhaps one did not want to be loved so much as to be understood,” like this early Rubicon. The future of Meerlust is foretold with Orwellian transparency, bold honesty and expert ability. “Who controls the past controls the future.” Drink 2017-2019.  Tasted September 2017  meerlustwine  wosa_za  wosa_ca  liffordgram  @MeerlustWine  @LiffordON  @WOSA_ZA  @WOSACanada  MEERLUST ESTATE  Lifford Wine and Spirits  Wines of South Africa

Boscarelli Vino Nobile Di Montepulciano Riserva 1982, Tuscany, Italy (WineAlign)

The Boscarelli acts like a much younger Nobile, from an exceptional vintage and a producer way ahead of its time. The key is to decide which side of the evolutionary fence we’re on, closer to that 1967 from Contucci or to what is happening today. This may actually be the turning point for Vino Nobile because it really has one foot entrenched in each world. Very much in the mushroom and truffle aromatic atmosphere, where sangiovese should feel free and comfortable to travel in the twilight of its golden years. This is beautiful, with some dark fruit persisting and acidity still in charge. You can imagine the old tannins but they no longer make any demands. Drink 2017-2020.  Tasted at Anteprima del Vino Nobile di Montepulciano 2017, February 2017  #PoderiBoscarelli  lucadeferrarildf  artisanal_wine_imports  consorzionobile  #poderiboscarelli  Nicolò De Ferrari   Luca De Ferrari  @artisanalwineimports

Antichi Poderi Dei Marchesi Di Barolo Gia’ Opera Pia Barolo 1958, Piedmont, Italy (WineAlign)

Poured by Ernesto Abbona on his wife Anna’s birthday, a ’58 at the ripe old age of 58 (though it will turn 59 later this year). Simply, in the words of the Abbona family, “a special evening, special friends, special vintage,” with a cork that looks as good as new, though Ernesto takes great time and care in its extraction. The aromas are blessed of a collective umami but would better be served by a new descriptor because they are antediluvian and impossibly preserved. Forget mushrooms and truffles. These scents are brand new, with no truly identifiable frame of reference, as if plucked from some guise of Eden where never before tasted dark berries fall effortlessly into the hand off of gariga savoury-scented bushes, brambly and crawling intertwined with nasturtium on a composting forest floor. The 1958 was and still is a nebbiolo of struttura, of a fibra morale that tells a story of consistency and longevity. With air it became more complex if deeper and turbido. That this magical nebbiolo from another era hovered in the lasting air of a 30 minute long ethereal says that you could open a few more but perhaps not much beyond its 60th birthday. Drink 2017-2018.  Tasted July 2017  marchesibarolo  majesticwinesinc  @MarchesiBarolo  @MajesticWineInc  @marchesibarolo  Majestic Wine Cellars

The mythology of #thorle #riesling in Beerenauslese and Trockenbetenauslese #weingutthörle #gabsheim #rheinhessen #holle

Thörle Riesling Trockenbeerenauslese Hölle 2011, Rheinhessen, Germany (WineAlign)

The Hölle TBA 2011 is a minuscule 180 bottle single-vineyard production and the vintage was simply perfect for the effort. The process involved the collection of a few berries at a time over the course of three weeks, started in the fridge and was then pressed when the amount of approximately 100L could be obtained. “This is the king’s discipline for creating such a riesling” explains Christoph Thörle. Thick like honey, full of unctuousness and viscosity. It is expressly noticed how the colour and the development have not advanced considering the six year mean. The exoticism is what separates this, with fruits far east, creamy and perfectly easy to assimilate, in flavour, consistency and understanding. Sweet herbology, of thai basil and thyme and candied mandarin rind. Here, a piece of history and legacy from Christoph and Johannes. Drink 2021-2041.  Tasted March 2017  thorle_c  thorleestatewinery  univinscanada  @thoerle  @UNIVINS  @germanwineca  @gen_riesling

Will be a top ’17 from 2017 #louisguntrum #1976 @weininstitut #rieslingauslese #niersteiner #heiligen #nierstein #niersteinamrhein #roterhang

Weingut Louis Guntrum Riesling Auslese Niersteiner Heilibengaum 1976, Rheinhessen, Germany (WineAlign)

“Roter Hang is a geological statement” says Louis Konstantin Guntrum. If you want to hang around and try to understand its red soils and friable limestone fettle it requires a focused state of mind. Guntrum introduces this 1976 by saying “it’s a young guy, 40 years old,” the same thing he could have said years ago about a 1917 Roter Hang Riesling. The comparative studies is a matter of perspective, a theory of relativity, in reduction, colour, drama, florality and fabulousness. While certain vintages and specific wines will blow you away more than others there is something to be said about older just being more interesting, whether 1917, 1976 or whatever back vintage you want to try your luck with. It’s simply remarkable and crazy how sugar and acidity can preserve riesling like this, especially and/or truly withstanding the Roter Hang. The honey and candied orange blossom are so prevalent but it almost seems dry (relatively speaking) even though 100 grams or more of sugar have driven this wine. Beauty from bitter phenols blend with lanolin, paraffin, ginger and ginseng. Keep returning for 15 more years. Drink 2017-2031.  Tasted March 2017  #louisguntrum  @weininstitut  wines_of_germany  @LouisGuntrum  @WinesofGermany  Weingut Louis Guntrum  German Wine Institute i.e. Wines of Germany

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Good to go!

Godello

Twitter: @mgodello

Instagram: mgodello

WineAlign

 

Gold Medal Plates Toronto 2017

Go Time @GoldMedalPlates Toronto #gmp2017

It was my fourth Gold Medal Plates Toronto as wine judge, culinary taster and olympic athlete groupie. In 2014 WineAlign partner, colleague, mentor and friend David Lawrason invited me to join the festivities and help decide which three wines should be crowned Gold, Silver and Bronze. Two weeks ago a panel of Ontario wine experts tasted, assessed, debated, deliberated and ultimately decided this year’s top three. David Lawrason, John Szabo M.S., Michael Vaughan, Margaret Swaine and Godello. The winner ran away from the pack but two through six were separated by one point increments. It was a photo finish for Silver and Bronze.

The 2017 Toronto event featured emcee Scott Russell of the CBC’s Olympic coverage. Russell was joined by dozens of Olympic medallists and future hopefuls. Blue Rodeo’s Jim Cuddy led the on-stage entertainment; Anne Lindsay, Danny Michel, Jeremy Fisher, Devin Cuddy and Sam Polley. The inimitable and eloquent James Chatto was once again at the head and the heart of the culinary judging panel with seats occupied by an illustrious five; Sasha Chapman, Anita Stewart,  Christine Cushing, Amy Rosen and Chef John Higgins.

Gold Medal Plates Toronto 2014

For a little bit of GMP history please click on this post I penned after that 2014 gala event. The culinary winners then were Gold Medal Plates Toronto 2014 bronze, gold and silver medal winning chefs Damon Campbell, John Horne and Jason Bangerter. The top three wines were Norman Hardie‘s Niagara Unfiltered Pinot Noir 2011, Hidden Bench Nuit Blanche Rosomel Vineyard 2012 and Creekside Estate‘s Iconoclast Syrah 2012. But what about 2017? My top seven in no particular order were Flat Rock Cellars Riesling Nadja’s Vineyard 2016, Ravine Vineyard Chardonnay Reserve 2014, Charles Baker Riesling B-Side 2016, Henry of Pelham Cuvée Catherine Brut Rosé, Stratus White 2013, Leaning Post Chardonnay ‘The Fifty’ 2015 and Tawse Chardonnay Quarry Road 2013. The actual medalists are listed below in David’s report.

National Wine Advisor David Lawrason’s Wine and Spirits Report

Nadja’s Tops a Bounty of Great Whites in Toronto

“The Gold Medal Plates campaign came to a booming 800-person conclusion at Toronto Convention Centre on November 16, and it included the largest selection of wines seen in any stop on the ten-city national tour.  We judged 26 donated wines, beers, spirits and even a lavender mead, but it was a core of great Canadian white wines that caused the most excitement, and produced the winner of the evening.

The “Best of Show” Gold Medal went, by a very clear margin, to Flat Rock Cellars 2016 Nadja’s Riesling, from a single block of maturing vines in Niagara’s Twenty Mile Bench appellation. I was personally stunned by just how delicious, well-balanced and nuanced this wine is – in my mind it is the best vintage of “Nadja’s” ever produced.  Other judges agreed – we all placed it as either our first or second choice.  This beauty also took a rare Platinum Medal at 2017 National Wine Awards.

It will go on to compete for Gold Medal Plates Wine of the Year at the Canadian Culinary Championships in Kelowna in February, and it appears there will be a riesling showdown, as it will be tasted against rieslings from Tantalus, Cave Spring and Norman Hardie, plus six other wines.

For second and third place the voting in Toronto was more varied, and only one point separated the second, third and fourth place wines.  The Silver Medal went to Mission Hill 2015 Merlot Reserve, a swarthy, plummy and ripe red from the Okanagan Valley.  And the bronze medal went to Henry of Pelham Cuvee Catharine Brut Rose, a delicate refined pink sparkler with subtle berry aromas.

In very close 4th place came Tawse 2013 Quarry Road Chardonnay from Niagara’s Vinemount Ridge sub-appellation. I have become very familiar with this solid, complex Burgundian chardonnay as it was generously donated by Tawse to the Celebration in three cities this year. It was also a Platinum Award winner at the 2107 WineAlign National Wine Awards of Canada.

Tawse was one of three Gold Level sponsors. Mission Hill was a national sponsor as well, donating a variety Reserve wines to seven city events across the country, and stepping even higher in Toronto with smaller donations of their more expensive “Legacy tier” red Compendium 2013 and Perpetua 2015 Chardonnay.

Arterra Wines, the recently re-named company with several wineries in Canada, was a gold sponsor donating to six cities.  In Toronto there was a selection of reserve whites and reds from Jackson-Triggs and Inniskillin, as well as a rare public showing of the new Arterra 2016 Chardonnay and Arterra 2016 Pinot Noir.

Toronto’s Silver Sponsor also donated to Ottawa. Cave Spring of Niagara donated their 2015 Cabernet Franc.  Although better known as a riesling producer, Cave Spring is doubling down on its efforts to produce fine reds from Ontario’s most widely grown grape.

Flat Rock Cellars was one two Bronze level sponsors for the Toronto event, providing Nadja’s riesling for the VIP Reception and Celebration tables. The other was Henry of Pelham, which split their donation between the 2016 Old Vines Baco Noir and yet another strong 2016 Estate Riesling.

Among other notable and high calibre wines donated to the chefs, I gave my first-place vote to Stratus 2013 White, a very complex, now maturing, barrel aged blend of several white varieties. Ravine 2014 Chardonnay Reserve, another power white, also earned top-five votes.  Leaning Post 2015 Mile 50 Chardonnay was a leaner style that paired well with Gold Medal Plates Chef Lorenzo Loseto’s winning dish.  And riesling specialist Charles Baker chose the occasion to show his new, bracing B-Side Riesling.

Interestingly, no red wines were paired with chef’s creations this year, but there were two ciders, including the fine, crisp Brickworks CiderHouse Batch 1904 and a lighter cider called Pick Up 66 from Hoity Toity Cellars. Rosewood Cellars donated their exotic, fragrant Lavellener Lavender Mead, and Zirkova Vodka set up shop during the VIP Reception to sample Zirkova One, a vodka designed to be drunk “neat” and Together a version designed for cocktails.

The Best of Show judging is held prior to each event, as way to highlight the generous donation of beverage by Canada’s wineries, brewers and distillers.  In Toronto I assembled four wine pros/sommeliers.  Three are amigos at WineAlign.com and two are judges at the National Wine Awards of Canada; including Master Sommelier John Szabo, and wordsmith extraordinaire and former chef Michael Godel.  Margaret Swaine is a veteran wine and travel writer, and the spirits columnist at WineAlign.  Michael Vaughan publishes Vintages Assessments, a detailed critique of every wine released by the LCBOs Vintages stores.”

Chef Lorenzo Loseto’s @GoldMedalPlates winning dish @georgeonqueen paired by @brieish with @leaningpostwine The Fifty Chardonnay 2015. Congratulations Chef and the entire team.

Culinary Medals

Gold

Lorenzo Loseto
George Restaurant

Pairing: Leaning Post Wines, 2015 ‘The Fifty’

Silver

David Lee
Nota Bene

Pairing: Brickworks Ciderhouse, Batch: 1904

Bronze

Jesse Vallins
Maple Leaf Tavern/PORT

Pairing: Tooth & Nail Brewing Company, AGRARIA Modern Farmhouse Ale

Nota Bene’s David Lee

Here are my tasting notes for the 20 wines entered at Gold Medal Plates 2017.

Henry Of Pelham Family Estate Winery Cuvée Catharine Brut Rosé, VQA Niagara Peninsula, Ontario (217505, $29.95, WineAlign)

A whole new base, a whole new wine, the departure point exacted by a new wisdom and understanding. But it’s somehow like looking in the mirror, reviving a good memory, going back to wine childhood. Consistency is your friend with non-vintage fizz and the Catherine(s) are the undisputed leader in the Ontario biz. Brings back the Niagara orchard of a take your pick red apple, lovely creamy texture, a mild blanch of nut and fresh baked bread. Terrific class and of its own accord. Drink 2017-2021.  Last tasted at Gold Medal Plates Toronto, November 2017

With its fine, strawberry mousse is at the head of its Ontario class. Vanilla, Ida Red apple and bitter nut combine like a smooth, creamy, Mediterranean spread to dip the warmest, fresh-baked bread.  Tasted December 2012

Henry Of Pelham Riesling Estate 2016, VQA Short Hills Bench, Niagara Peninsula, Ontario (557165, $17.95, WineAlign)

A rash of aromatics straight away and marked warmth verging to humidity. More weight, substance and depth than most vintages deal when youth is the tempo so this riesling plays the notes and the hand quick after the draw. What you nose, taste and feel is what you get, with lime, gassing up to petrol quickly and flavours already in developing mode. Five years of riesling together for the best of times, from beginning to end. Drink 2017-2021.  Tasted November 2017

Charles Baker Riesling B-Side 2016, VQA Niagara Peninsula, Ontario (Winery, $22.00, WineAlign)

Vinyl records sound different because they are designed with grooves carved in that mirrors the original sound’s wave form. Their analog recording delivers a sensory feeling of warmth, an aural of texture, nuance and soul. There was a time when the hits spun over and over were also pressed onto the A-Side of 45 rpm singles. The discovery of a never before heard B-Side was a revelation because is was extra material from a favourite band and it was a great song. It meant the record was already too strong for that song to make the final cut and to choose it for a B-Side meant it would elevate the quality of the album. A well-chosen B was not an afterthought. This is the accomplishment of the first Charles Baker’s B-Side, for itself and for the vineyards of Ian and Picone. Baker digs about in the Niagara Peninsula’s escarpment dirt for young vine, not ready for prime time riesling fruit. If perchance it seems like cheating on his per se Vinemount Ridge Picone and Ivan bottles so be it but one look at him and he’ll say “Hey, hey, what can I do?” His 2016 B-Side delivers a spray bottle Zeppelin expressing heady aromas, high in the stratosphere and raining down upon the earth. The notes are an all in, breath of classic Baker riesling air, blanketing from up above and with a landscape that reeks of lime and quivers with classic agitation. The fruit is wild and full, the salty grit infiltrating and gripping the bloody omniscience of this package. What is this B-Side and where will it be lead? To the top of the ridge, from earlier harvests, younger fruit and higher yields. Scratch the single vineyard elitism, just listen to the song and raise one up, to getting ‘er done before the conceptual singular side one and side two, Ivan and Picone. The Beatles? Forget it. Led’s flip side to the ‘Immigrant Song’ A is the one. Drink 2017-2021. Tasted November 2017

Flat Rock Riesling Nadja’s Vineyard 2016, VQA Twenty Mile Bench, Niagara Escarpment, Ontario (578625, $24.95, WineAlign)

Nadja, like the Bréton novel begins with the question, “Who am I?” A surrealistic trigger is incited by the first taste, with excitement running in many directions but like the book, Nadja’s non-linear structure is grounded in Twenty Mile Bench riesling reality. She is an elite varietal wine in 2016, excitable girl, gregarious, punchy and so bloody juicy. I don’t recall the last Nadja with so much up front zest fervency and writhing aromatic gait, “exploding international, the scenes, the sounds, and famously the feeling that you can’t squeeze ground.” The lime flesh and cordial infusion brings the flavours into a once tropical, twice bitten realm. The vintage delivers the electric version, the new pornographer for the vineyard and the song sung loud swan song for departing winemaker Jay Johnstone. Was it all for swinging you around? Drink 2017-2024.  Tasted October 2017

Jackson Triggs Niagara Estate Sauvignon Blanc Grand Reserve 2015, VQA Niagara Peninsula, Ontario ($19.95, WineAlign)

Arterra’s JT sauvignon blanc is youthful and even a bit reductive, with wood notable and a real sauvignon blanc pungency. Its character and a bit of risk are tied up in the aromatics though it settles for mild-mannered and middle of the road on the palate. Drink 2017-2020.  Tasted November 2017

Mission Hill Family Pinot Gris Reserve 2016, BC VQA Okanagan Valley, British Columbia (537076, $24.95, WineAlign)

Reserved to be sure and also still in pulse mode, with some tongue pin-pricking, not quite effervescent but moving in time. A bit of skin-contact hue and plenty of orchard fruit notes are present in both aromas and flavours. Solid gris that will improve in six months or so. Drink 2018-2021.  Tasted November 2017

Inniskillin Okanagan Pinot Gris Reserve 2016, BC VQA Okanagan Valley, British Columbia ($19.99, WineAlign)

Noticeable skin-directed hue, chalky to soapy, with a taste that reminds of Topps hockey card bubble gum. Childhood memory revisited in pinot gris. Drink 2017-2018.  Tasted November 2017

Arterra Chardonnay 2016, VQA Niagara Peninsula, Ontario  (Winery, $25.00, WineAlign)

Arterra’s chardonnay comes from a famous Peninsula source, formerly made into just as famous wines by Le Clos Jordanne The site is on the Escarpment’s Bench above Jordan Village and this is the second vintage at the hands of Jackson-Triggs winemaker Marco Piccoli. Picks up where the fine and ambitious first vintage in 2015 left off but here with some light strike and reduction. You can just feel the buttered toast and kernels behind the flinty curtain, with blanched nut and some fine elasticity. Will benefit from a few more months in bottle to gather thoughts and flavours. Drink 2018-2021.  Tasted November 2017

Leaning Post Chardonnay ‘The Fifty’ 2015, VQA Ontario (Winery, $25.00, WineAlign)

This is chardonnay that had a cup of coffee in the big leagues and was then moved to the fresh confines of stainless steel tanks soon after its 15 minutes of barrel fame. It’s a unique chardonnay specimen this Fifty, barrel fermented but not aged, a wine crafted with pragmatic reverse psychology so that it may solicit great appeal. If you’ve never tasted Ilya Senchuk’s entry-level foray into Peninsula chardonnay you’ve been missing out, but by starting here in 2015 there is certainly no harm, no foul. This is the most pleasing and palatable Fifty so far, barrel creamy, suety and magically malolactic on the nose. The flavours are cooler, of an anti-Senchuk subtlety and versatile food amenability. I can think of 50 reasons to pour this by the glass, at home, on a restaurant list or on a campsite under the stars. Drink 2017-2020.  Tasted April 2017

Ravine Vineyard Chardonnay Reserve 2014, VQA St. David’s Bench, Ontario (Winery, $55.00, WineAlign)

The Reserve is 100 per cent estate fruit that spent 18 months in (50 per cent new) barrel. As it’s both barrel fermented and aged the variegation locks the fruit in so bloody tight so even now it’s reductive, smoky and flinty. A mineral chardonnay needs balance from over the top fruit and so track record, acumen and love will have it so. Marty Werner and Ben Minaker’s is a big, summery and gold platinum expression, very expressive, the two-lb steamed in seaweed lobster chardonnay, seemingly Meursault but just as likely from California. But as Ravine’s Reserve on the St. David’s Bench it is purely Niagara Peninsula. Fruit intensity, extract and controlled oxygenation shows off the best of what these men can do. It speaks to their efforts, knowledge accumulation, trials and finally to the culmination of their stamina. Drink 2018-2023.  Tasted July 2017

Small @RavineVineyard village looking pretty sweet at @GoldMedalPlates 2017 #gmp2017

Tawse Chardonnay Quarry Road Vineyard 2013, VQA Vinemount Ridge, Ontario (111989, $35.80, WineAlign)

When I tasted Quarry Road 2013 out of four barrels three years ago the purpose was to take in the nuances and see only the trees. I for one could not help seeing the forest through the trees and imagining percentages of each combining for the final blend. Neutral Mercurey wood looked over infant three year-old vines spoken here with surprising density, tang and tropical melon in both aroma and flavour. This sits on the front palate right now. The mineral Ceres qualifies older fruit as the pretty and the gemstone, essential for Quarry Road, the most like (Meursault) in Burgundy. This fruit transferred to stainless on the lees from September to March before going into bottle now renders to make Quarry the purest expression from the best vineyard. The CLL toast delivers the taut, not yet reductive wood tightening, then and again now, mainly on the finish. Compressed citrus notes are late arriving and even if it is splitting hairs, the oak really impacts the finish. The larger CLL toast Mercurey barrel reveals a fresher, more reductive, less oaky feel. All together we now have one of Paul Pender’s most accomplished to date and all chardonnays considered, one of the finest higher end values around. I think he would agree. Drink 2017-2024.  Tasted May 2017

Mission Hill Perpetua 2015, BC VQA Okanagan Valley, British Columbia (Winery, $73.03, WineAlign)

Perpetua is a different sort of chardonnay for the Okanagan, with not completely obvious fruit and leesy notes that outdo the effects of wood, plus a lactic edge that also smothers the smoulder. This is not the toastiest of chardonnays but is does deliver a saltiness so ultimately the reference point is flint and stone, a.k.a. Chablis. A bit of crème frâiche adds to the dairy mystique. Perpetual chardonnay motion leads to persistence. Drink 2017-2022.  Tasted November 2017

Stratus Vineyards Stratus White 2013, Niagara Lakeshore, Ontario (660704, $38.20, WineAlign)

There can be little doubt that anticipation would haver to run high for the aromatic, elongated and coolest of Niagara white wine vintages, especially for the chardonnay, but also for the iconic, four-varietal (with sauvignon blanc, sémillon and viognier) blend. The five sensory tenets are solicited and provided for; salty, sour, sweet, briny and umami. The last is exotic and punchy, so this White does it all, speaks for it all and completes it all. It is the most designed and seamless their’s can be. Last tasted May and November 2017

In 2013 viognier is back in the varietal mix, in reprise of its earlier role in support of chardonnay, sauvignon blanc and riesling. A different sort of vintage here for the White, seemingly led by a circular turning of chardonnay and viognier, like a cat chasing its tail. This really goes round and round with no obvious signs of where it will stop. Quite fleshy and lime juicy with stone fruit flavours in righteous abound. Really amalgamated and seamless even for itself. It is here that I think of it as The White. Niagara’s White. Lake Effect™. Drink 2017-2022.  Tasted November 2016

Arterra Pinot Noir 2016, VQA Niagara Peninsula, Ontario (Winery, $29.95, WineAlign)

Wow the cherry pie delivers a healthy slice oozing in reduced cherry syrup. Could only by an effect created by some appassimento on pinot noir. It’s so concentrated, full of glycerin and sweet fruit. Were it not pinot made with some drying of the grapes it would be an amazing feat of growing, picking and pressing. A panoply of cherries wells in this ripe of ripest Marco Picoli red. Wow, as I said. Drink 2017-2019.  Tasted September and November 2017

Cave Spring Cabernet Franc 2015, VQA Niagara Escarpment, Ontario (523001, $17.95, WineAlign)

As with the other Niagara Escarpment reds in the portfolio it is the limestone that stands out, in a good way, to bring about this mineral-red citrus cutting through the rich fruit. That stone-mineral note also does everything to temper and even mute what bitter-tonic-astringent notes might try to distract because that’s what capsicum-bell pepper is wont to do in cabernet franc. This is clean and focused, light and eminently quaffable juice. Drink 2017-2019. Tasted September and November 2017

Inniskillin Merlot Reserve 2014, VQA Niagara On The Lake, Ontario (Winery, $24.95, WineAlign)

This is really pressed and pushed merlot, cool and savoury, minty and spirited with lots of wood spice and equal amounts of tannin. The really tart finish dries out with grip and force. Drink 2018-2020.  Tasted November 2017

Jackson Triggs Grand Reserve Meritage 2015, VQA Niagara Peninsula, Ontario (594002, $24.95, WineAlign)

Now here is a nice little bit of diesel of dust, with more than a fair shake of dark raspberries and a mix of chicory, nettles and chalky tannin. Pretty wondrous quality and complexity here. Drink 2018-2021.  Tasted November 2017

Henry Of Pelham Baco Noir Old Vines 2016, VQA Niagara Peninsula, Ontario (459966, $19.95, WineAlign)

This is finely rendered baco noir, rich and tangy, with bright cherries and what just feels like beeswax. The most elegant baco noir ever made in Ontario and just foxy enough to be itself. Drink 2017-2019.  Tasted November 2017

Mission Hill Merlot Reserve 2015, VQA Okanagan Valley, British Columbia (Agent, $24.99, WineAlign)

This is aromatically rich and lush merlot, with a full compliment of palate richness and silky tannins. For fans of the California style with all in hedonism and a side of nettle. Drink 2018-2022.  Tasted November 2017

Mission Hill Compendium 2012, BC VQA Okanagan Valley, British Columbia (Agent, $86.25, WineAlign)

Compendium 2012 carries a great wealth of aromatics, very floral and rusty, with dried strawberries and so much more. A bit reserved on the palate but its elegance and seamlessness are special. Great length even while it’s just not that much of a concentrated beast. Drink 2017-2022.  Tasted November 2017

Good to go!

Godello

Twitter: @mgodello

Instagram: mgodello

WineAlign

Flights in and out of Niagara, ere Terroir

The Niagara crew getting a load of #BallsFalls in Jordan

In May of 2017 the 12th annual Terroir Symposium brought many magnificent folk to Ontario. They were dreamers, disruptors, international luminaries, thought leaders, visionaries, creative influencers, innovators, chefs, hoteliers, drink experts, writers and business leaders. With VQA Wines of Ontario and the Wine Marketing Association of Ontario as chaperone, a dozen of these invitees flew from Billy Bishop Airport to Niagara District Airport for an ante-Terroir Talk Sunday fun day in wine country immersion. I joined Robert Gilvesy, Fiona Beckett, Jeremy Bonia, Magdalena Kaiser, Jamie Drummond, Nikki Bayley, Dick Snyder, Ursula Heinzelmann, Christoph Thörle and Jim Poris for the excursion. In between return nine-seater shuttles we ran through flights at Flat Rock Cellars and Henry of Pelham Estate Winery. Who amongst us was not taken by these VQA wines and their unselfconscious excellence?

First a hot air balloon and now this!!!

After a quick first pit stop at Ball’s Falls to show off Niagara’s famous escarpment limestone to the international contingent, we settled in at Flat Rock to taste six wines with Cellarmaster Allison Findlay. Next it was a dozen at Henry of Pelham Estate Winery with proprietor Daniel Speck, Ryan Corrigan of Rosewood Estates and Suzanne Janke of Stratus Vineyards. A blow your mind lunch was prepared on site by Wellington Court Chefs Erik Peacock and Cait Bermuhler. Here are the notes on the 18 wines.

Revisits with @Winemakersboots and a seven-year Crowned epiphany

At Flat Rock Cellars

Flat Rock Cellars Riddled Sparkling 2010, Méthode Traditionnelle, VQA Twenty Mile Bench, Niagara Escarpment, Ontario (383315, $29.95, WineAlign)

Time makes a difference so here the extended lees age (six months further, to 60) takes Riddled to another level. Considering the cost and attention to time, in the broad realm of traditional method sparkling wine there are some that are given away. Riddled. A whole lot of biscuit warmth, sody saleratus, gingersnap, tart Ida Red apple, breadth and a smile-inducing creamy palate. There is more wisdom and calm from 2010 so do not come around demanding tension and over-exciteability. Think Grower’s Champagne with Ontario heart and soul, dedication and purpose. The extended arm of Madronich-Johnston love is here, this year. It won’t get much better than this. Great length. Drink 2016-2025.  Tasted October 2016, March and May 2017  flatrockcellars  @Winemakersboots  @FlatRockCellars

Flat Rock Cellars Crowned Sparkling Brut 2009, VQA Twenty Mile Bench, Niagara Escarpment, Ontario (Winery, $45.20, WineAlign)

Crowned ’09 was disgorged this spring after seven years on the lees, sealed under crown cap and sent to market with a crowning achievement in mind. Feather gingery, faintly oxidative, this Blanc de Blancs wafts in copper-veined breezes and fennel frond ahead of its palate piercing chardonnay intensity. It delivers a cooler climate interaction than the Riddled, with preserved lemon and please concentrate if you will on it as a wine of heavy forethoughts. What with it resting on its lees, in limbo this long out of practice, necessity and as a result, now fortuitous and of great luck. The animal was created early on and now anything less might be difficult to justify and accept. Plus the bar is raised for the entire Sparkling community. Here the perfect example of low, slow and minute by minute evolution. Only 500 bottles (plus one) were made. Drink 2017-2023.  Tasted May 2017

Flat Rock Cellarmaster Allison Findlay

Flat Rock Cellars Gravity Pinot Noir 2013, VQA Twenty Mile Bench, Niagara Escarpment, Ontario (1560, $30.25, WineAlign)

Flat Rock’s ever involving vines (on 33 hectares planted in 2001 and 2002) enter a new phase with indicators blinking and refreshing in this 2013 Gravity Pinot Noir. Youthful adolescence and gregarious fruit expression initiated in 2010 and carried through the 2012 vintage. Those years saw to a world of astringency and tension relegated to mites in the rear-view mirror. The wine is now in a nexus cross-roaded with exigency holding pattern. To understand its confusion and survey fast forward to its future is not easy. Gravity is a bit large right now, seemingly advanced, but to me the fight is between that fruit abundant state and the return of, though eased by meditative Jedi tension. Gravity just needs a parachute to bring it back down to earth. That lifeline may not materialize in this 2013 but that does not take anything away from its discriminating and diagnostic tones. Brightness, astatic inflection and succulence. This vintage may suffer from some level of snafu but it will age, evolve and breath. That much fruit has to have some level of expectation. The follow up ’14 and ’15 will win the hearts of horses and men. Drink 2016-2021.  Tasted October 2015 and May 2017

Flat Rock Cellars Gravity Pinot Noir 2012, VQA Twenty Mile Bench, Niagara Escarpment, Ontario (1560, $29.95, WineAlign)

Seven months have softened and mothered Gravity’s adolescence in ways to now see it as the most feminine, certainly of the last four vintages. Pretty dabs, perfumes of natural conditioning, warm days and warm nights in the bottle. More accessible than previous takes and of a new modernity perceived. Sweet dreams and sweet fragrances, roses and cinnamon, nothing fancy here mind you, with no bite and no gathering moss. Cherries and vanilla, lavender and simple pleasures. Straight up Gravity, no pull down, no drag and no excess weight. At $30 and from the best barrels, this trumps $40-50 most locales not called Lowery, La Petite Vineyard, Central Otago, Hengst or Pfinstberg. From my earlier, March 2014 note: “In a vintage potentially muddled by warmth and a humidor of radio frequency, duplicating berry phenolics, Flat Rock’s Gravity remains a definitive, signature house Pinot Noir. In 2011, the head of the FR class from its most expressive barrels shared the limelight (and top juice) with the Pond, Bruce and Summit one-offs. In ’12, Gravity’s sandbox was its own. The style is surely dark, extracted, black cherry bent, as per the vintage. Yet only the Rock’s soil does earth in this variegate, borne and elevated by the barrel’s grain. There are no fake plastic trees in a Flat Rock Pinot. “Gravity always wins.”  Last tasted October 2014 and May 2017

Flat Rock The Rusty Shed Chardonnay 2013, VQA Twenty Mile Bench, Niagara Escarpment, Ontario (1552, $24.95, WineAlign)

It’s as if this label had bided all this time to be the benefactor of 2013 fruit. This Rusty Shed, this 20 miler with the track record to age, a wine that sheds baby fat over a 10 year mineral through echelon stratum, in ways few other peninsula to bench chardonnay can do. This Jay Johnston handled surfer of a wine, buoyant and balanced, centred and able to withstand turbulence, oscillation and tidal sway. Here with sumptuous and spiralled fruit gaged in lode intervals and a tartness held in lope and line by a membrane of extract and tannin. Best ever. Showing well, repeatedly and to forecasted repute. Impressing critics and consumers alike. Bravo. Drink 2016-2025.  Tasted June 2016 and May 2017.

Flat Rock Cellars Nadja’s Vineyard Riesling 2015, VQA Twenty Mile Bench, Niagara Peninsula, Ontario (578625, $24.95, WineAlign)

This is an outlier for the Nadja’s Vineyard riesling, with deeper concentration and compression than before. More Mosel and less Twenty Mile in 2015, of light alcohol and an increase in off-dry, extract meets acidity. There have been Nadja’s with more air and exhale but I can’t recall one with such density in vitality. A great Nadja to be sure but of a deferential sort of character. Two or three years should bring it back into its self-imposed and created line. Drink 2018-2024.  Tasted May 2016 and May 2017

VQA wines at Henry of Pelham Estate Winery, May 2017

At Henry of Pelham Estate Winery

Rosewood Estates Gamay Rosé Emerald Shore Vineyard 2016, VQA Creek Shores, Ontario (Winery, $15.95, WineAlign)

The inaugural gamay Rosé is from fourth leaf vines in the spot where the famous sémillon once lived. It delivers essential gamay aromas; strawberry modified with a tisane into raspberry and cherry, salinity clarified and fined. It’s lactic tonal, nicely tart and with a Beamsville mineral, very specific and just this emerald side of intense. Finished dry, but was allowed to go through three quarters malo to bring the cream and the layers. Finished by the incumbent winemaker Ryan Corrigan who once “lived out of a backpack and chased grapes,” committing in fleeting methodology, to northern and southern hemisphere harvests. In 2017 Niagara is all his. Drink 2017-2018.  Tasted May 2017  rosewood wine  @Rosewoodwine  @rosewoodwine

Welcome to @rosewoodwine Ryan Corrigan. Gamay and Cabernet Franc are in fine hands.

Henry Of Pelham Speck Family Reserve Chardonnay 2015, VQA Short Hills Bench, Niagara Peninsula, Ontario (616466, $29.95, WineAlign)

Spice and toast more than anything else come to define the early life of the SPR ’15 chardonnay. Not overtly or overly fruit forward at this (nearing) two-year mark, but green apple, pear and the unusual tangy bite of south asian palm (Salak) snake fruit are just around the corner. This speaks to the phenolic grab and go, the hang time and then that barrel exploit comes through. The palate delivers sappy moments and then the weight of the wine is felt. If texture were quantifiable in aromatics, it would be the SFR that would provide such intellectual fodder to describe what that might feel like. The perfume is layered, chewy, unctuous and viscous. Another year should inflate the fruit and integrate the wood. Drink 2018-2021.  Tasted twice, May and September 2017  henryofpelham  @HenryofPelham  @SpeckBros  @henryofpelham

Wellington Court Chef Erik Peacock and Cait Bermuhler’s appetizer trio

Rosewood Estates Chardonnay Origin 2014, VQA Niagara Peninsula, Ontario (Winery, $28.95, WineAlign)

Rosewood’s Origin 2014 is highly representative of Beamsville chardonnay, pacing a bridge that connects the cool of the climate and the nook in the escarpment’s abutting warmth of the overall Bench. The skins matter, as per the departing winemaking Ross Wise expertise, if only and alt-heightened in elevating texture, but even more so the rusty, soil tart, intensely wound and taut orchard fruit speciality. Drink 2017-2020.  Tasted May 2017

Wellington Court Chef Erik Peacock and Cait Bermuhler’s salt grass point oyster, beet mignonette, cucumber gel, horseradish foam

Stratus Vineyards Stratus White 2013, VQA Niagara Lakeshore, Ontario (660704, $38.20, WineAlign)

There can be little doubt that anticipation would haver to run high for the aromatic, elongated and coolest of Niagara white wine vintages, especially for the chardonnay, but also for the iconic, four-varietal (with sauvignon blanc, sémillon and viognier) blend. The five sensory tenets are solicited and provided for; salty, sour, sweet, briny and umami. The last is exotic and punchy, so this White does it all, speaks for it all and completes it all. It is the most designed and seamless their’s can be.  Last tasted May 2017  stratuswines  @StratusWines  @StratusWines

In 2013 viognier is back in the varietal mix, in reprise of its earlier role in support of chardonnay, sauvignon blanc and riesling. A different sort of vintage here for the White, seemingly led by a circular turning of chardonnay and viognier, like a cat chasing its tail. This really goes round and round with no obvious signs of where it will stop. Quite fleshy and lime juicy with stone fruit flavours in righteous abound. Really amalgamated and seamless even for itself. It is here that I think of it as The White. Niagara’s White. Lake Effect™. Drink 2017-2022.  Tasted November 2016

Rosewood Estates Riesling Origin 2014, VQA Niagara Peninsula, Ontario (Winery, $22.95, WineAlign)

Smells like Bench riesling spirit. The energy comes from the über vineyard’s way of emission, gasseous and vital, linear, introspective and direct. This may just be the most aridity and brine ever teased from a Mima’s riesling, acidity coveting sugar notwithstanding, startling from beginning to end, with spirited shots of lime. Underrated and honest, the consistency of this riesling is possessive of great triggers and so beautifully defines the mineral Bench. Early suffocations blow off with ease and in the denoument there are crunchy stones, forever and always something to like. Mima’s never really needed an abundance of sugar for balance and kudos to that. Drink 2017-2022.  Tasted March and May 2017

Wellington Court Chef Erik Peacock and Cait Bermuhler’s simcoe asparagus, ramp aioli, sous vide hen’s egg, puffed wild rice

Stratus Gamay 2014, VQA Niagara-on-the-Lake, Ontario (Winery, $29.20, WineAlign)

When asked about his approach to gamay winemaker J-L Groux responds with “continuously with changes.” This is what takes place in 2014 with the barrel time cut back by a full year, now only nine months, if nothing else for to place ultimate emphasis on fruit. Sounds simple but it’s anything but in a Groux universe. His gamay now gifts fresh strawberry and raspberry, a slight 13 per cent alcohol spine and the uplifting effect of zero-noticeable steaminess, steminess, aggression or grass. In contrast to many overly and overtly ambitious Ontario gamay here Stratus enters the antithetical to harsh realm and instead occupies the amenable-ethereal void. Less pressing means smoother transitions and weightless chimera. This captures varietal and place with its coax of maximum fruit. The plantings are from 1992 and 2001 (with an imperfect memory that includes the possibility of 1985 too). Drink 2017-2020.  Tasted twice, May 2017

Thanks for hosting Daniel. Cab-Merlot ’12 SFR @HenryofPelham is one for the ages @WineCouncilOnt @winecountryont

Henry Of Pelham Pinot Noir Speck Family Reserve 2012, VQA Short Hills Bench, Niagara Peninsula, Ontario (Winery, $34.95, WineAlign)

Always the elder, wise and delicate if elegant statesman for Ontario pinot noir. There is real demure and reserve, Speck family style and this dried red berry savour to both aromatics and flavour. Tart is an undercurrant and red currants run above. Right in its wheelhouse now, for a spell and then the slow fade will come. Drink 2017-2021.  Tasted May 2017

Henry Of Pelham Speck Family Reserve Baco Noir 2015, VQA Ontario (Winery, $24.95, WineAlign)

From vines planted in 1984, a more than significant fact of experience, wisdom and acumen from this baco noir. Couple that with what is arguably the finest varietal vintage in many years makes this the collector bottle for the baco fanatic. The rubbery reductiveness is so nicely offset by the flowers, the red fruit and the delicious appeal. Easily the finest ever, by anyone and especially this most prominent house. Great ripe acidity and fine, fine tannin. Drink 2017-2024. Tasted May and June 2017

Wellington Court Chef Erik Peacock and Cait Bermuhler’s confit lake huron pickerel, fingerling potatoes, chorizo vinaigrette, celery, capers

Rosewood Origin Cabernet Franc 2014, VQA Beamsville Bench, Ontario (Winery, $29.95, WineAlign)

It’s a deep, dark fruit, rich currant, pyrazine and savoury vintage for the Origin. It’s cabernet franc that brings strawberry, raspberry and ripe rhubarb to the table. It’s tart and layered, rich and even a touch hematic. Quite pure, red fruit driven and of finely tuned acidity. Never tries too hard, refuses to hide the naturally green character, does nothing to sheath or blanket and leaves the fruit to shine red, bright and vital. Drink 2017-2020.  Tasted May 2017

Stratus Cabernet Franc “Decant” 2014, VQA Niagara On The Lake, Ontario (Winery, $95.00, WineAlign)

“A designer’s hands are tied. They are only as good as their opportunities.” The words of the brilliant bottle designer Karim Rashid fully apply to the mirrored universe in which winemaker J-L Groux works, here with a deferential and ulterior cabernet franc, bottled with its lees. When I first tasted it in February (in advance of this auspicious release), its unfiltered state spoke of a hyperbole of perfume, marked by exoticism. The aromatics gave far east five-spice, star anise, cardamom, miso and incense, all natural by-products of its purposed ferment. More grain spoke out but also a roundness of tannin and a smoothness both coating and comforting. There was chocolate accentuated by the treatment, with thanks to those lees left in the bottle. The chopped up and constructed bottle catches the lees while the volume flows out and the function out of form mimics the thought of lees delivering structure and yet they are invisible, caught in a hidden net or nook, out of sight, out of mind. But it’s not about pouring. It’s about the hand, or the slight thereof. Then there is the copycat idealism of strata in the vineyard, of geology transferred to the bottle and kept there, like a ship perfectly preserved inside. This cabernet franc will age better, as is the plan, with thanks to the lees that you’ll never have to deal with. There were 110 cases made. Drink 2019-2029.  Tasted twice, February and May 2017

Wellington Court Chef Erik Peacock and Cait Bermuhler’s earl grey friand, poached rhubarb, vanilla mascarpone mousse

Henry Of Pelham Speck Family Reserve Cabernet Sauvignon/Merlot 2012, VQA Short Hills Bench, Niagara Peninsula, Ontario (616433, $39.95, WineAlign)

The warm 2012 is an ideal vintage for this very specific cabernets and merlot blend, a wine as deliberate and iconic to the Niagara effort as any that have come before or currently exist. The vintage falls into a line that remembers 1998 and 2002 (with a half wink for 2007 and three-quarters nod to 2010). The brightness of red fruit and the dusty grounding of that fruit into earth integrates quietly and when acidity joins, the balance is pitch perfect. The fineness of that acidity will allow the mild astringency and dark chocolate by barrel to melt with slow dripping ooze into proper and educated tannin. Is this Cabernet-Merlot Speck Family Reserve one for the ages? In a word yes and likely to rival that 1998 for a 15 year run through excellence. Drink 2017-2027.  Tasted May 2017

Run any machine on the harnessed marmalade energy of this @StratusWines Riesling Icewine #specialstuff #niagaraonthelake

Stratus Riesling Icewine 2015, VQA Niagara On The Lake (56671, $30.25, 200ml, WineAlign)

The Stratus Riesling Icewine 2015 simulates a true orange and apricot marmalade with a preserved lemon note and a bitter pitch edge. It actually goes into grapefruit a touch, develops unction as it fleshes in the mouth and never fattens or sweetens too much. A show off in triumvirate display of quality, beauty and rhythm. Drink 2019-2030.  Tasted May 2017

Good to go!

Godello

Twitter: @mgodello

Instagram: mgodello

WineAlign

Thörle Riesling, Truly Rheinhessen

Some of Germany’s finest #riesling coming to @TerroirTalk May 29th #thorle #Terroir2017 #christophthorle #saulheim #rheinhessen #terroirsymposium #holle #agotoronto

I first met Christoph Thörle when Wines of Germany rolled their Next Generation Germany roadshow through Toronto in May of 2014. I know that he knew based on my reactions to his Rheinhessen rieslings that we would need to rekindle the relationship at a later date. That opportunity came again in May of 2015, albeit briefly but it was this past March of 2017 that the true immersion took place. Even then it was too quick and too short. But that’s OK because Christoph and his brother Johannes have really only just begun their lifelong journey of winemaking and understanding in Saulheim.

Related – Godello’s March through Prowein, The Ahr Valley and The Rheinhessen

On day three of ProWein I jumped on the großer Magie Bus with 17 international journalists and headed for the Ahr Valley, followed by the Rheinhessen. We stopped in for a visit with Christoph Thörle at Weingut Thörle in Saulheim, the most progressive winery he started with his brother in 2006 after taking over from their parents. Thörle concentrates on natural ferments and they farm organically without certification. The vineyards are planted to 50 per cent riesling, 25 pinot noir and 25 mixed varietals; including silvaner and pinot blanc. The estate structures are narrow and long, mimicked in the vineyards, a leftover from Napoleonic times. This history must be kept in mind because there are so many different terroirs that all need to be kept separate. Fossilized oysters and mussel shells are found in the limestone, plus there is clay, iron-oxide, loam and yellow sands. The blocks roll out on wave-like, hilly landscapes over land that was once submerged beneath an ocean.

Godello with Christoph Thörle at Ball’s Falls, Ontario

The Thörle brothers make full use of their mixed vines ages and variegated terroir qualities to craft a range of riesling from Villages through Premier Cru and into Grand Cru level wines; Trocken, Feinherb, Kabinett, Spätlese and single-vineyard GGs from Hölle and Schlossberg. Their bottles of Weissburgunder and Spätburgunder are anything but afterthoughts and with climate change gaining speed, pinot noir will only increase in importance, not just at Thörle but across the Rheinhessen.

Two class @terroirtalk #riesling fellas, @RavineVineyard Sultan of St. David’s @marty_werner and the Rheinhessen’s Souverän of Saulheim #christophthorle #terroir2017 #terroirsymposium

Christoph came back to Ontario this past May as a special guest speaker of the Terroir Talk Symposium. In advance of that Monday congress we spent a day in Niagara tasting at Flat Rock Cellars with cellar master Allison Findlay and then at Henry of Pelham with Daniel Speck, Ryan Corrigan of Rosewood Estates and Suzanne Janke of Stratus Vineyards. Terroir afforded the opportunity to revisit two of Christoph’s rieslings, the Kabinett and the Schlossberg GG. Back in March I tasted 11 wines at Thörle. Here are the notes.

The mythology of #thorle #riesling in Beerenauslese and Trockenbetenauslese #weingutthörle #gabsheim #rheinhessen #holle

Thörle Riesling Feinherb 2016, Rheinhessen, Germany (420091, Agent, $18.95, WineAlign)

Off-dry riesling does not always have to be bottled as such but in the Rheinhessen and at Thörle the category of Feinherb is anything but an afterthought. This started as a side fermentation in its first years but is now an important wine in the estate’s multi-tiered processes. The cuvée is gathered from younger vines plus one barrel of premier cru Saulheim fruit. A slight skin maceration (12-18 hours) is employed which helps to temper the tartaric acid though this will be swapped for whole bunch fermentation in warmer years. Hides some of its sugar, especially on the nose which is quite floral, of white flowers and honeysuckle. Honey and wax with sweet herbs bring all into playful light to taste, with plenty of sweet lime and lik-a-maid sour touches. For every Indian Food list in the world. Drink 2017-2020.  Tasted March 2017  thorle_c  thorleestatewinery  univinscanada  @thoerle  @UNIVINS  @germanwineca  @gen_riesling  

Thörle Riesling Saulheim 2015, Rheinhessen, Germany (WineAlign)

The Trocken and Feinherb bottles aside, this riesling denoted as Saulheim is the signature Thörle product and with succinct style represents this corner of the Rheinhessen, a renaissance region in west-central Germany, due south of Rheingau and southwest of Frankfurt. The fruit sources are several parcels and soils around the village, from vines 28-37 years old and an élèvage in 50 per cent old oak barrels. The avoidance of oaked flavours is part of the ultimate goal, that and balance in a riesling seemingly quite dry. A slight petrol aroma (perceived, or not, towards its future) submits to pure, crisp orchard fruit. Some glycerin and a mineral saltiness will aid in developing these notes over time. As opposed to other regions in Germany and their four levels of quality definitions, the Saulheim here sits between a villages and a Premier Cru, as it is written on the label and as it is defined by its soils. Drink 2017-2020.  Tasted March 2017

Thörle Weissburgunder Saulheim 2015, Rheinhessen, Germany (WineAlign)

Weissburgunder from Saulheim is dubious here as a very dry pinot blanc, presented in that between villages and cru level. The Thörle oeuvre is all about combing and combining soils, “to show the other grapes of Germany,” and expressly important for Rheinhessen. The ’15 went into 500L French Beaune (Allier) Tonneaux. A hot summer so clearly lifts ripeness but says Christoph, “we left it a little bit shorter under the flame.” The oak is 30 per cent new and it really hides it, despite the lower acidity but the wood helps to usher it along and replace the tannins not always originally there. The net function is one third naturally unforced malolactic and good crisp orchard fruit with crunch and persistence. Drink 2017-2019.  Tasted March 2017

Thörle Riesling Hölle 2015, Rheinhessen, Germany (WineAlign)

Hölle is a single-vineyard of high limestone at 35 degree steepness and housing 42 year-old vines, planted by Christoph’s grandfather. Minimal air flow in this valley during the day makes for a warm, still place. So dried fruit results; peach, apricot and plum. I find this streaking in liquid limestone chalk, glistening in glycerin consistency, nearly bone dry and popping in pearls of fine acidity. So focused and precise. This shows precocious acumen, wisdom and patience. Both the fruit and the mineral are never shadowed or will one defeat the other. Let it rest a year or two because the secondary notes will blow you away. Drink 2018-2026.  Tasted March 2017

Thörle Riesling Schlossberg 2013, Rheinhessen, Germany (WineAlign)

Schlossberg is a vineyard in the north of the (Saulheim) village, closer to the Rhine, on clay, iron-oxide and further down, limestone. With converse effect (in relation to Hölle) this higher and cooler spot carries with it more wind and airflow. This and the tenet of a cool 2013 vintage results in quite the floral riesling but it’s also noted by the hint of smoke, flint and therefore, great potential development. The nose is full of flowers to suggest glycerin and petrol even if it’s not quite yet in tune. The body is graced by more structure and variegated soil tang. It’s not dry but it acts dry without austerity or unnecessary intensity. More roundness, body and soul. Drink 2019-2028.  Tasted March 2017

Thörle Spätburgunder Saulheim 2015, Rheinhessen, Germany (WineAlign)

Spätburgunder Saulheim is villages level, aged in 20 per cent (225L) barriques and 80 per cent old barrels for 12 months. It’s a blend of three vineyards, 30 year old and 15 year old vines. Typical for northern Rheinhessen pinot noir, with no stem inclusion, done in open top fermenters and with no added yeast. It’s a palpable mouthful of glycerin fruit, morello cherry, raspberry and a touch of sweet orange. Made in a reductive style, in avoidance of volatile acidity. Quite silky with a liquid limestone, dusty chalk feel. Much prettier and brighter than most and just enough fine grain tannin to make it last five plus years. Drink 2018-2022.  Tasted March 2017

Thörle Spätburgunder Hölle 2014, Rheinhessen, Germany (WineAlign)

Hölle is pinot noir at the Grand Cru (Grosses Gewächs, Großes Gewächs, or GG) level, from the middle part of the slope where plantings owe their history to the 1971 German clone. The élèvage is 20 months in 50 per cent new barrels, similar to the Saulheim but fortified by an extra year in respect to the single vineyard. The cherries and the raspberry repeat but in a deeper liqueur with bigger grains of tannin. Though a comparison is fruitless this is the most NSG of the German pinot noir. Smoky, meaty, and blessed with full on density in structure that will allow it to travel long. Drink 2019-2025.  Tasted March 2017

Thörle Riesling Kabinett 2015, Rheinhessen, Germany (WineAlign)

Thörle’s estate level Riesling Kabinett 2015 comes from young vineyards and is harvested at the beginning of October. It’s a matter of natural fermentation in the cold cellar (at a maximum 22 degrees) and takes 8-10 weeks, then cooled further at seven to eight per cent alcohol. Green tinged, green citrus, crisp and fresh like a bite out of both a green apple and a ripe peach. Pure and refreshing Kabinett to drink by the bucketful, on the beach or wherever works, from now through its 10th birthday. Drink 2018-2024.  Tasted March 2017

Thörle Riesling Spätlese 2015, Rheinhessen, Germany (WineAlign)

The Spätlese was harvested two to three weeks after the Kabinett and with no botrytis, in other worlds, fully healthy grapes. Looking at it now it shines lucent in a yellow-orange hue. The aromatics and flavours repeat what the colour tells them to. A bit less gregarious than the Kabinett, the nose hints at stone fruit and also a smoky, flinty note. More citrus to taste than you’d expect but this added complexity goes along with ripe peach, apricot, passion fruit and even methinks some guava. So focused, of clean lines, pure, precise, linear and inwardly intense. Drink 2019-2027.  Tasted March 2017

Thörle Riesling Beerenauslese Hölle 2011, Rheinhessen, Germany (WineAlign)

Only 350 bottles were produced of the 2011 Riesling Hölle BA (Beerenauslese), an intense Rheinhessen late harvest with “not only a little botrytis but the perfect weather for sweet wine.” Rain in September and the intangible brought on the botrytis and then warm weather persisted through the harvest. The residual number 150 is the minus for sugar but this reached 186 g/L. So much stone fruit with good acidity. Apricot, longan and mangosteen but also this sweet basil note. A wine of clarity, the freshest botrytis, so juicy and as clean a BA as you are ever going to taste. A bit of spice at the end shows further complexity. I’d like to see three years of development so that these notes all contrive to morph and begin anew. Drink 2020-2036.  Tasted March 2017

Thörle Riesling Trockenbeerenauslese Hölle 2011, Rheinhessen, Germany (WineAlign)

The Hölle TBA 2011 is a minuscule 180 bottle single-vineyard production and the vintage was simply perfect for the effort. The process involved the collection of a few berries at a time over the course of three weeks, started in the fridge and was then pressed when the amount of approximately 100L could be obtained. “This is the king’s discipline for creating such a riesling” explains Christoph Thörle. Thick like honey, full of unctuousness and viscosity. It is expressly noticed how the colour and the development have not advanced considering the six year mean. The exoticism is what separates this, with fruits far east, creamy and perfectly easy to assimilate, in flavour, consistency and understanding. Sweet herbology, of thai basil and thyme and candied mandarin rind. Here, a piece of history and legacy from Christoph and Johannes. Drink 2021-2041.  Tasted March 2017

Good to go!

Godello

Twitter: @mgodello

Instagram: mgodello

WineAlign

The future is now for Lightfoot and Wolfville Vineyards

In the throes of judging 1,700 plus Canadian wines at the WineAlign National Wine Awards of Canada I slipped away to reconnect with Mike Lightfoot at his property in Wolfville, Nova Scotia. The last time I paid the family a visit, Mike, Jocelyn, Rachel and winemaker Josh Horton were planning, scheming and on the cusp of breaking new ground, figuratively and literally speaking. The new Lightfoot & Wolfville winery facility was beginning to take cerebral, engineered, augurate and anticipatory shape. It’s now well into the building phase, in fact, at some point this summer L & W’s unprecedented facility will open to the public. When it does it will change the wine landscapes that include more than just Wolfville, the Gaspereau, Annapolis Valleys and Nova Scotia. It will reset the needle, compass and artfully strategized standard for Canadian wineries everywhere.

Related – Consider the Gaspereau Valley

Mike and Jocelyn have taken a once thriving apple farm and turned its rolling hills into Nova Scotia’s most progressive organic and biodynamic winery while also perpetuating the raising of animals in the heritage meets modern agriculturist way. In 2014 I made the following ambitious statement. “Lightfoot & Wolfville will take everything anyone has ever thought about the Nova Scotia wine industry and turn it on its head. Hybrids and local varieties will continue to be a part of the stratagem. In the unpredictable climate of Nova Scotia’s wine growing regions that is a necessity but it’s what chardonnay and pinot noir will do that will put the province on the map and the world’s stage.” Mean it.

Cellar dining space at Lightfoot & Wolfville

Related – Great Chardonnay and Pinot Noir from Nova Scotia?

The external vineyard planted near Avonport called “Oak Island” is perched on a hill with a view of the Minas Basin at the head of the Gaspereau Valley. “Le Corton,” as it is known, or as I like to call it,  “Oak Isle Knoll” is where consulting oenologist Peter Gamble has placed 100 per cent certainty in the future success of Vinifera grapes. Vigorous vines will increase the possibilities for chardonnay, sparkling plus a host of expected and eclectic varieties, like riesling, sauvignon blanc, gewürztraminer, chenin blanc, chasselas and scheurebe.

Mike and winemaker Josh Horton ushered me through a tour of the new facility. A state of the art retail shop, quick production kitchen, al fresco pizza oven and a subterranean cellar, private dining facility and commercial kitchen to make iron chefs drool. The mammoth-sized, reemployed beams alone are pieces of reclaimed and refashioned wood to send one into a state of awe. It felt as though I were walking through the massive hull and underbelly of a great romantic period ship.

Al Fresco Pizza Oven

Mike Lightfoot has spent the past 15 years watching Nova Scotia’s wine industry transform from an unknown cottage entity to a destination that attracts thousands of visitors, heavily weighted to the summer months. He is drawing on experience but also careful to avoid repeating the mistakes some of his peers have made in trying to build and develop wine tourism at their nearby facilities. He is also grateful for what they have accomplished and how they have opened the door for the possibility of L & W’s imminent operation. Mike points out how in July and August the trail of cars moving along the Evangeline Trail is endless, cars that travel right past his property. Truly a case of “if you build it they will come.”

I sat down with Mike and Josh to taste 10 wines, some new and some revisits, for perspective and to expound on some personal theories of L & W relativity. Josh Horton is coming into his own as a winemaker and just in the nick of time. The nigh fact of this property’s history and ineluctable expansion will weigh on the ancienne ideology but Horton’s de facto ability and unaffected personality equip him with the tools to face the challenge head on. The future is now for Lightfoot and Wolfville Vineyards.

Sparkling wine you need to know @lwwines Blanc de Blanc Extra Brut 2013, from the shores of the #minasbasin #annapolisvalley #novascotia

Lightfoot & Wolfville Blanc De Blanc Extra Brut 2013, Nova Scotia, Canada ($45.00, WineAlign)

Josh Horton and Rachel Lightfoot presented an early, less leesy glimpse of their 100 per cent estate chardonnay at i4c in July of 2016. It was a different animal than this recently disgorged (late February/early March) sparkling wine. The Extra Brut lives up to its designation, from fruit grown on the shores of the Minas Basin under the auspices of a markedly warm year with exceptional phenolic ripeness and 25 per cent malolactic gain. The time relative to texture lees accumulation is approximately 40 months and it’s an accurate representation of Nova Scotia low and slow. The flavours are wisely developed ripe and spicy, leaning into a moment or two of oxygenation, but seemingly richer than the amount of lees time that was given. Now emerging from the shell of not just a warm but a great chardonnay year (as previously proven by the Ancienne released two years ago). The notion here is of a sparkling wine that has been brought home, a B de B that you need to get to know. There are layers and layers of character that fold and unfold. The precision, focus and rendering is citrus tamed, mouthfeel in perpetual expansion and contraction, length linear and elastic. And it’s just the beginning. Drink 2017-2023.  Tasted June 2017

Lightfoot & Wolfville Pinot Noir Ancienne 2014, Nova Scotia, Canada ($40.00, WineAlign)

Pinot Noir Ancienne is a product of a wild ferment and here in 2014 is possessive of a larger percentage of estate fruit, but still with a significant portion skimmed from (Al) McIntyre’s Blomidon vineyard. The typical Nova Scotia growing season means this was harvested during the last week of October and at approximately 20.5-21.5 brix, but of a lower crop level. Like the inaugural 2013 this still carries the elegant, highly cool climate provincial stamp, not skinny or lean by any means but certainly lithe and helped calmly and curatively along by 3rd and 4th fill neutral oak. The ’15 will be bottled in July, which will be 100 per cent estate fruit. Here is the second image of Nova Scotia pinot, built upon a well-designed foundation and an architectural struggle in search of structure. Ancienne is old-school, traditional, hand-made, artisanal. It is a wine that others will not yet know what to do with but the launching point is precise, progressive, poignant and teeming with wonder meets possibility. The fruit purity and transparency speaks to the honesty delivered. Drink 2017-2020.  Tasted June 2017

Lightfoot & Wolfville Pinot Noir Ancienne 2013, Nova Scotia, Canada ($40.00, WineAlign)

Retrospection, reflection and what we know now places this so obviously in the exact spot where it began. So now we establish a minimum five years going forward to reach the sweetest of sweet spots. This now gives perspective and a reference point for where ’14 is and will be going forward. This 2013 is less immediate, a wonder of first time luck, pomp and circumstance. It is nothing short of remarkable. Last tasted June 2017.

If de novo for Pinot Noir is to be found in Nova Scotia then count me in because the inaugural release from Lightfoot & Wolfville is the trailblazer for and from the extrinsic frontier. Tasting the painstakingly measured yet barely handled 2013 for the first time (from bottle) is like falling into a glass of Nova Scotia cherries. Somehow there is this simultaneous and virtual voyage abroad to imagine a comparison with Nuits-Saint-Georges, in its earth crusted, sanguine, welled up tension that begs questions and belies answers. A year yonder the taste from barrel and what can be said? Pinot Noir adjudicated, into a cortex of recognizable consciousness and thus into the natural Nova Scotia mystic. Ignore and forgive the dope of first returns, for no one could have imagined such ripeness and immediate gratification. Future releases will dial back in the name of structure. That said, in 2013 there is a red citrus, ferric debate that will send this to an exordium seven years down the road. Impossible inaugural release. Approximately 50 cases made. Drink 2015-2022.  Tasted July 2015

Experiments are for more than sharing #perspective #teachingmoment #progress @lwwines #unfiltered

Lightfoot & Wolfville Chardonnay Ancienne 2014, Nova Scotia, Canada ($40.00, WineAlign)

The name Ancienne and the proximate irony appraised is not lost for its translation as endemic or indigenous for wines made from Burgundian grape varieties raised on Nova Scotia soil. The sophomore chardonnay speaks in a vernacular a year to the wiser but at the expense of excitement, which is actually a good thing. A step back taken will result in two going forward, as I shall explain. The same regime exercised mimics the ’13, of 20 per cent new, 18 months in barrel, but a slight course altered with some reductive play in ’14, as an experiment but also as a plan. There seems to be more lees richness and spice notes that flit like direct darts on the palate. Different clones are harvested at different times, so now the vinifications are staggered and layered, which really shows on the stratified and almost germinating palate. Another year older allows these vines to bring diversified variegation, more Nova Scotia and as a consequence, less winemaking. The growth here is fascinating and enlightening. In the interim it may compromise the flavour profile and the wow factor but in the long run it is structure, longevity and impressibility that will give the green light to estate grown, Minas Basin success. Drink 2017-2021.  Tasted June 2017

Lightfoot & Wolfville Chardonnay Ancienne 2013, Nova Scotia, Canada ($40.00, WineAlign)

The ’13 seems to at first have really softened but that’s only relative to tasting it side by side with the 2014. It’s also leaner when considered side by each though still carries weight and creaminess on the palate. Winemaker Josh Horton also pours an unfiltered experimental bottle. It is so clean, almost indiscernible to the filtered ’13, except perhaps with more bite on the palate and yet less creaminess than the ’14.  Lasted Tasted June 2017.

Welcome to the new Chardonnay ethos, an east coast compages for la belle nouvelle écosse, the new borderland for Canadian vinifera. The respite found in Lightfoot & Wolfville’s first release is like breathing for the first time. As I noted a year ago while tasting through (mostly older) barrel trials, I have unearthed a Canadian winery animated in the architectural rendering of Premier Cru Chablis. Full textured, creamy aromatics, layers of lace and luxe, popping acidity and with length stretched to service now and later. Approximately 135 cases made. Drink 2015-2019.  Tasted July 2015

Lightfoot & Wolfville Chardonnay Ancienne Reserve 2013, Nova Scotia, Canada ($56.00, WineAlign)

The Chardonnay was planted in 2009 in a block that sits on the crest of the hill on the Wolfville vineyard site and the Ancienne Reserve is a barrel selection more than anything. It sees an additional six (to 24) months and because one of the barrels was new, it’s therefore 50 per cent new. Now tasting this for the second time a year later (the first time being at i4c 2016), the wood is melting and dissolving so all is coming together, but the unmistakeable L & W acidity meets Nova Scotia vines spice and bite is all over the palate. There is length here to last a decade. Never ending. Nothing if not a coup for new world/cold climate/NS chardonnay. You will not understand unless you taste it. Consulting oenologist Peter Gamble and his protégés Josh Horton and Rachel Lightfoot have allowed the fruit to speak without encumbrance. This chardonnay is neither stark nor beyond ripe and oak has been used with terrific restraint. I am not sure how Gamble could have known it would work but to a veteran of decades of Canadian harvests, it must be an absolute revelation. Drink 2017-2023.  Tasted June 2017

Lightfoot & Wolfville Tidal Bay 2016, Nova Scotia, Canada ($22.00, WineAlign)

The blend is l’acadie, geisenheim, chardonnay and riesling plus a smidgen of vidal. Just a great year, the l’acadie coming from rocky soil and the difference maker in the use of riesling. There is some residual sulphur, still activated citrus tablet and its aromas are propitiously fresh, from lean to piercing. The palate carries terrific texture and flesh, great citrus and a bit of unction. It even suggests fleshy citrus and stone fruit, with just that minor note of peach to make this so drinkable. The vinifera provides the structure while l’acadie is the back bone and this has plenty of it. The reams of citrus are simply striking. The better to best yet, a no doubter and without argument. For Tidal Bay it’s almost perfect. Drink 2017-2019.  Tasted twice, at L & W and blind at NWAC17, June 2017

Lightfoot & Wolfville Schuerebe 2016, Nova Scotia, Canada (WineAlign)

The schuerebe comes from up on the Oak Isle in Avonport, now just past the stage of baby vines, this the introduction as far as a style is concerned. That style combines elevated sugar and acidity. It’s highly floral and of incredible acidity, from vines that ripen later than riesling, though the plants are young of just a few years. Schuerebe is a wine that can beat its own sibling chardonnay in a wine competition, with some fat and flamboyance, alcohol near 9.5 per cent and those sugars (whose actual number is pointless) will track across some complex notions and age three to six years with ease. Drink 2017-2021.  Tasted June 2017

Lightfoot & Wolfville Pinot Noir Rosé 2016, Nova Scotia, Canada ($28.00, WineAlign)

The Rosé from pinot noir is 100 per cent estate varietal fruit destined for this purpose and not from a bleed, or as one. At $28 it doesn’t hit the same $20 Rosé crowd, here dry, saline, south of France ringing and as a ringer. The notes are distinctly lime and grapefruit, floral but not quite meunier floral. “When pinot noir can give you structure you keep making it this way,” notes winemaker Josh Horton. Good plan. Drink 2017-2019.  Tasted June 2017

Lightfoot & Wolfville Pinot Noir Rosé 2015, Nova Scotia, Canada ($28.00, WineAlign)

L & W’s will surely appear, perform and consummate as the lightest of all Rosés in any Canadian flight and as pinot noir it suffices to say all that needs in terms of rusty, rustic and taut. There is good salinity, perhaps one or two elevated blowsy notes of sulphur but all is forgiven in consideration of fine precision, presence and lightness of being. The minor leesy and lactic fromage melts into acidity and tasted blind it could be the closest of Moira cousins, à la Malivoire. Lemon and lime finish and very long. Drink 2017-2019.  Tasted June 2017

Good to go!

Godello

Twitter: @mgodello

Instagram: mgodello

WineAlign

Godello’s March through Prowein, The Ahr Valley and The Rheinhessen

Godello with Jancis Robinson

as seen on WineAlign

In March I attended Prowein in Düsseldorf, Germany, the world’s largest wine trade fair, tasting a fascinating array of wines. I also added short visits to lesser known regions, first the tiny Ahr Valley as well as Rheinhessen in Germany. Last month I published a brief synopsis report based on the following tastings:

Jancis Robinson, Alsace, Greek Assyrtiko, Chianti Classico, Franken Silvaner, The Ahr Valley and Rheinhessen…

It was one month ago that David and I attended Prowein 2017, the international wine congress in Düsseldorf, Germany of such immense proportion that words, description and explanation just fail to do it justice. If you are an agent your goals are simple; meet with your incumbent suppliers and taste with enough new ones to fill the holes in your portfolio. But what if you are a journalist like me? What do you concentrate on? Were do you start?

Canada’s two coolest wine cats present the country’s cool whites to a packed #Prowein house #Canadianwine #ontariowine #winesofbritishcolumbia #drjanetdorozynski #davidlawrason #beyondco

First things first. As a Canadian and a representative of Wine Country Ontario I hung around the Canadian pavilion, talked with our coast to coast winemakers, vintners and marketing representatives, took in the seminars on cool climate wines led by David and Dr. Janet Dorozynski and of course, tasted some wines. I’m glad I did because I might have otherwise missed out on four exceptional Canadian bottles.

It’s @jamiegoode talking up #Canadianwine at #Prowein

Pillitteri Estates Winery Cabernet Franc 2013, VQA Niagara Peninsula, Ontario (Agent, $24.95, WineAlign)

The quintessential cool climate vintage does for more than chardonnay and riesling as told by this classic tier cabernet franc. From winemaker Aleksandar Kolundzic who is rapidly developing guru status where cabernet franc is concerned, which comes as no surprise when you consider how many variations on the theme he lends his laser focus. The 16 months spent in two to three year-old oak leads to mellow melting integration and that seasoned, grace-gifting wood is used to great advantage. This is floral, expansive, chewy, firm and so very pretty. A wise old cabernet franc that will tell great stories of the years gone by well into the next decade. Drink 2017-2023.  Tasted March 2017  @Pillitteriwines pillitteriwines  @PillitteriEstatesWinery  @WineCountryOnt  winecountryont  @mkaiserwine  @WineCountryOntario

Vineland Estates Elevation Cabernet 2014, VQA Niagara Peninsula, Ontario (173609, $28.00, WineAlign)

The two thirds/one third cabernet franc/cabernet sauvignon stunner from Vineland Estates is pulled (and now labeled) from the 60-acre Bo-Teek Vineyard found within the designated viticultural area Niagara Escarpment (within the broader Twenty Mile Bench) sub-appellation. Estate cabernet of such acumen is predicated on the sound wisdom gathered by a viticulturist and Vineland’s Roman Prydatkewycz knows his cabernet. Winemaker Brian Schmidt takes this paradigmatic escarpment fruit, passes it through the optimal sorter, removes five to eight per cent imperfect berries and a quarter of the cabernet sauvignon fruit. What remains is hand-punched, sent to neutral barrels and is forgotten for 15 months. What emerges is a naturally sweet, vegetal-void elixir, sharp, focused, fervently nervous, tart and captured as if in a dark vacuum or void. It’s all tied inside snug, concentrated and intense. It’s too early for the burst but it will happen within another 12 months time, followed by a six to 12 year slow release of flavour, texture and descendent development of tannin. Drink 2018-2023. Tasted March 2017  @VinelandEstates  @benchwineguy  vinelandestates  benchwineguy  @winery.vinelandestates  Brian Schmidt  @WineCountryOnt  winecountryont  @mkaiserwine  @WineCountryOntario

Attention proweiners- Still time to discover cool @WinesofCanada in Hall 9 @CVAWine @WinesofNS #ontariowine #bcwine

Benjamin Bridge Brut Brut Rosé Sparkling 2012, Nova Scotia (Winery, $44.99, WineAlign)

The adjustment for vintage and evolution means that chardonnay takes more control in the Brut Rosé. Warmth and ripeness were easier to come by in 2012 and though the pinot decrease may seem antithetical and not obvious as a result, it is a brilliant stroke of adjudication. With a 43 per cent stake (plus equal parts noir and meunier) the 2012 Rosé rushes out as an open vein of fleshy aromatics, many of which you will have never nosed before. Citrus and floral exotica, like juice vesicles oozing out of fruit and herbal, of Murraya paniculata, pomelo and kumquat. The omnipresent vitality, energy, intensity and Bridge acidity is never denied and definitely not here but the vintage sets this ’12 apart and furthers the experience with travel around excellency. The liquid hits the palate, expands, vaporizes and recurs. It’s magic really, the sparkling wine tasting equivalent of vaping so cue the health benefits. Just when you thought Benjamin Bridge and winemaker Jean-Benoit Deplauriers had hit the mark they turn the mark on its head. Confirms two salient matters; the Nova Scotia sparkling wine leader is the Canadian commander and blush bubbles are what they do with constant consistency. Drink 2017-2022. Tasted March 2017  @Benjamin_Bridge  @jbdeslauriers  benjaminbridge  caveman__jones  @benjaminbridgevineyards  Jean-Benoit Deslauriers  @WinesofNS  #winesofnovascotia  @winesofns

Blomidon Estate Late Pick Sparkling Chardonnay 2011, Nova Scotia (Winery, $45.00, WineAlign)

The 2011 late-picked chardonnay, the “Hurricane” is a hyperbole of itself. Normally picked in later October, the frost-free weather allowed further time and development. Picked from seaside vineyards just ahead of another hurricane (in a season that included Irene), this is sparkling wine you just have to try. Though lean, taut and as intense as you are likely to taste, the developed character and complexity is visionary for Nova Scotia and Canadian sparkling wine. Three years on the lees brings the texture and fills the gaps, holes and voids created by such a tightly wound cool climate chardonnay. The dry factor is exaggerated in 2011 (a one-off says winemaker Simon Rafuse) but the wine takes full advantage of the Extra-Brut intent. Did it require the anxiety of a recent and an impending cyclone? Can it be duplicated? “That’s the story of the Hurricane.” Visionary for Nova Scotia and Canadian sparkling wine. Drink 2017-2022.  Tasted March 2017  @BlomidonEstate  blomidonestate  @blomidonestatewinery   Simon Rafuse  @WinesofNS  #winesofnovascotia  @winesofns

You can’t see it all, do it all or taste it all, so you pick your spots. The rest of my three-day, 12-pavilion cum airport hangar wanderings can be summed up in five ProWein experiences; Jancis Robinson, Alsace, Greece, Chianti Classico and a great exploration into Franken silvaner and spätburgunder. The grand dame of wine held a special intimate media tasting. With fewer than 18 international journalists in attendance, Jancis Robinson’s seven favourite wines at ProWein were poured, choices she noted “I think should be useful to our readers and seek out value.” Nahe and Weinviertel riesling, Chinese cabernet sauvignon, Crozes-Hermitage, Amontillado and my picks of the lot from Chile and Sicily.

Robinson’s full list of wines chosen and poured were as follows: Weingut Schäfer-Fröhlich Riesling Trocken Bockenaur Schiefergestein 2015, Nahe, Germany, Zillinger Grüner Veltliner Radikal 2015, Weinviertel, Austria, De Martino Cinsault Viejas Tinajas 2014, Itata, Chile, Tenuta delle Terre Nere Santo Spirito Rosso 2014, Sicily, Italy, Chateau Changyu Moser Family Cabernet Sauvignon 2013, Ningxia, China, Maison Tardieu-Laurent Vieilles Vignes 2015, Rhône, France, Williams & Humbert Jalifa 30 Year Old VORS Amontillado NV, Jerez-Manzanilla, Spain.

41 years experience. 65,000 to choose from. Seven meticulous picks. @jancisrobinson @Prowein #Prowein

De Martino Viejas Tinajas Cinsault 2014, Secano Interior/Coelemu, Maule, Chile (BCLDB, 72702 $16.99, WineAlign)

Poured by Jancis Robinson at ProWein 2017, the departure for Chile and cinsault hails from just south of Maule and well south of Santiago. Grapes come from a tiny commune called Coelemu and in fact the name Itata cannot be used for ‘un-noble’ grapes so Secano Interior is the nomenclature employed. Done up in old clay jars called “Tinajas,” the cinsault gets a sort of membrane, a cap if you will, of a layer of tannin and acidity due to the clay after 15 days of carbonic maceration plus a full year in those amphorae. The 31 year-old vines deliver the first strike, a natural cure, then bitter cherry and so the wine would service better with a further chill. Robinson notes that it’s “chock full of fruit and tradition,” an exploration wine, in a part of the world not on the bigger maps. Drink 2017-2019.  Tasted March 2017  @DeMartinoWines  demartinowines  @DeMartinoWines  @WinesofChile  @WinesOfChile  drinkchile  @DrinkChile

Tenuta Delle Terre Nere Santo Spirito Rosso 2014, Sicily, Italy (Agent, $56.95, WineAlign)

Here is a regional defining Etna Rosso that comes 16 years after the pioneers began to bring these volcanic magma gems to the world, like Frank Cornilessen and Andrea Franchetti of Tuscany’s Tenuto Trinoro in the Val D’Orcia. Made by Marco de Grazie, Santo Spirito is a single vineyard Etna made on the “black lands,” composed of 98 per cent nerello mascalese, deep dark and volcanic, off of 40-100 year old vines. It’s deeply hematic and the nose is like a cross between fennel and the marriage of lava and garrigue. The wine is aged in French barriques and it shows; of vanilla, really mellow liquid bitters. It’s warm (14.5 per cent), young, oak-welling though energetic, playful, like dark modern Burgundy. The finish as so very volcanic twang, like country music, Sicilian style. Such chewy and grainy tannin drapes all over that long finish. Drink 2018-2022.  Tasted March 2017  @tenutaterrenere  @WinesSiciliaDoc  @WinesOfSicily  @GroupeSoleilTO  tenutaterrenere  winesofsicily  realbenhardy  @TenutaDelleTerreNere  @WinesOfSicily

The honour and privilege to taste Alsace is always welcome and especially when the sit down happens with two exceptional humans like Christian and Valerie Beyer. Their Lieu-Dit pinot gris and noir were terrific examples but it was the Riesling that blew me away. From special limestone this is more refined than similar Alsace from granite, of a salty minerality and intensely elegant.

An @AlsaceWines reconnect with Christian & Valérie Beyer @EmileBeyer @Prowein #justlikestartingover #eguisheim #riesling #rieslinggrandcru #pfersigberg #pinotgris #lieudit #hohrain #pin

Emile Beyer Riesling Grand Cru Pfersigberg 2012, Ac Alsace, France (Winery, WineAlign)

The Pfersigberg or “hill of peach trees” consists of limestone conglomera Muschelkalk and Jurassic stone. Its south exposure on very deep soil produces early maturing wines but from the exceptional 2012 vintage Christian Beyer’s Pfersigberg will last a decade or more. His family’s domain has been farming organically since ’05, officially since ’12 and half of the producers in Egusheim are indeed organic. Christian explains that this Grand Cru is a special kind of limestone, so similar to Burgundy and it lends the salty minerality of itself. Always carries richness with lime fresh citrus, stone fruit acidity and some honey in a riesling that will turn waxy in secondary life. It’s really about mouthfeel and the crisp crunchy rock salt so I and I believe you should really concentrate on the aftertaste. This is more refined than similar Alsace from granite, here from 35-45 year old vines and 35 hL/L yields. Intensely elegant. Drink 2018-2028.  Tasted March 2017  @EmileBeyer  emilebeyer1580  Emile Beyer  Valérie Beyer  @VinsAlsace  @AlsaceWines  @drinkAlsace  vinsalsace  drinkalsace  @vinsalsace  @AlsaceWinesOfficial

With Panayiota Kalogeropouloun and Margarita Damigou of Domaine Sigalas at ProWein

I also sat down with Panayiota Kalogeropoulou and Margarita Damigou for a ProWein date with assyrtiko and it was a revelation to taste a single-vineyard white that turns the world on its head.

Domaine Sigalas Kavalieros 2015, Santorini, Greece (Agent, SAQ 11814421, $31.00, WineAlign)

I’ve not yet tasted the Kavalieros 2014, so this single-vineyard, 18 months on lees done in stainless steel Kavalieros 2015 made by “Mr. George” is the benchmark for Santorini, assrytiko and salty white wines everywhere. The first release was 2009. Straight up and turning the world on its head, like the old man on the label and upside down against Apollo’s Aegean Cyclades. This ’15 richer still, more than the seven villages wines and a hyperbole as compared to the entry-level assyrtiko, of deeper mineral, compressed, layered and fantastic. Crushed rocks permeate in aggregate, it’s quixotically saline and textured, of intense presence and finally, structured. For 15 years at least. A late shot of natural Santorini tonic swirls in centrifuge with assyrtiko so wound up. This will need 10 years to unwind and allow for cracks to form in the mineral shell, followed by the birth of its fruit. It should never be forgotten that assyrtiko can and will show fruit but with Kavalieros you’ll have to be patient. Drink 2020-2031.  Tasted March 2017  @DomaineSigalas  @MajesticWineInc  domainesigalas  @DomaineSigalas  Panayiota Kalogeropoulou  @DrinkGreekWine  winesofgreece  @newwinesofgreece

As does a natural Peloponnese Roditis, a white that ignites the light fantastic’s wire.

Domaine Tetramythos Roditis 2015, PGI Peloponnese, Greece (Agent, WineAlign)

Roditis 2015 is the natural one, racked from the top and finally now settled (so at this time of tasting 2016 is not yet in bottle but at this time of writing should already be as it always does in April). This is the cleanest and purest of the natural wines on the planet, low in pH, high of natural acidity and without a care in the world. With nothing to fear in regards to spoilage it can go on its own personal shopping spree, accumulate character, personality and confidence with the end result being that there is more of everything in the natural one. Its terrifically repeatable, replicable and clonal acidity makes it quite trippy, stepping on and igniting the light fantastic’s wire. You just have to take a stab in the dark with winemaker Panayiotis Papagiannopoulos’ roditis. Or ye have not yet lived. Drink 2017-2021.  Tasted March 2017  @Tetramythos  #tetramythoswines  @tetramythoswines  Devon Masciangelo  @DrinkGreekWine  winesofgreece  @newwinesofgreece

A roam through the Italian pavilion afforded tastings in Puglia, Sicily and as always Tuscany with a one on one face to face with Chianti Classico’s President Sergio Zingarelli and his estate’s flagship wine.

Rocca Delle Macìe Chianti Classico Gran Selezione Sergio Zingarelli 2012, Docg Tuscany, Italy (Agent, $122.95, WineAlign)

This is the flagship wine from the famed estate, a Gran Selezione that bears the patriarchal Sergio Zingarelli name. As expected it is a richer, deeper and depth welling GS, clearly aimed towards the crowning achievement of place, more hedonism, but of course, seeking purity and elegance. The extra year or two in bottle means integration and wood having subsided a bit. “We decided to change the vineyard in 1974 in front of Rocca to be the best vineyard with the best grapes and we will produce our best wine,” I am told by Zingarelli as we taste at ProWein. What was 90 per cent sangiovese (planted in 1999-2000) this 2012 is accented by colorino but in 2014 it will be 100 per cent sangiovese. Elegant as much as sangiovese and Gran Selezione will likely ever strive to be. It is hard not to be impressed with this wine. It bursts with the essence of plums and richest of red cherries, but it’s not without it’s requisite crunch and chew. The absence of astringency is remarkable and speaks to the quality of the fruit and the gentle touch while working with such phenolic ability. Start drinking this anytime. Drink 2017-2025.  Tasted March 2017  @roccadellemacie  @roccadellemacie  @ProfileWineGrp  Profile Wine Group  roccadellemacie  @chianticlassico  chianticlassico  @ChiantiClassicoUSA

Cantina di Ruvo Grifo Nero di Troia Riserva Augustale 2012, DOCG Castel del  Monte, Puglia, Italy (Winery, WineAlign)

Grifo in Castel del Monte was established in 1960 as a cooperative, with 400 farmers and still operates as such with flagship wines based on the local nero di troia. The output is quantified at 1,200,000 bottles per year and increasing. Augustale is the top tier varietal wine from a selection of the vines and produced in small quantities. There is no mistaking what it is, with that specific yeasty bright fruit, slightly volatile to funky but ripe and generous grape scent and bursting with flavour. Spent approximately one year in oak “but the greatest liars are the winemakers,” says Riccardo Ravasio, Direttore Generale presso (General Manager), with a wink and a smile. Mainly big barrels, plus a smaller percentage of small barriques. Fresher than primitivo and with more structure. This has presence and distinction with just a hint of dried fruit, flowers and truffle towards the finish. Classic adult, mature, experienced NdT.  Drink 2018-2022.  Tasted March 2017    @FedericaSchir  @cantinaruvodipuglia

Miracle on #etna from @PlanetaWinery eruptive #carricante of such acidity! The lime! #eruzione #1614 #patriciatoth #prowein2017 #winesofsicily #Prowein

Planeta Eruzione 1614 Carricante 2014, Doc Sicily, Italy (Agent, $39.95, WineAlign)

“Not everyone can carry the weight of the world,” save perhaps Planeta’s Patricia Tóth, a winemaker who celebrates the past, the endemic varietal and in the present, the glaring truth. The name Eruzione is evocative of the estate’s Cru dell’Etna and in a mind’s eye transports history through the narrative of carricante (with 10 per cent riesling). It brings the legendary 1614 Mount Etna eruption to life, a longest ever recorded catastrophe that lasted ten years, halting just on the border of the vineyards of Sciaranuova. This is veritable mountain altitude wine, from high (790-890m) terraced, volcanic black soils delivering fresh conifer savour, saltiness and palpable mineral style. It is sharp and composed on the nose, with citrus distillate and elevated acidity. It does not matter whether you are wide awake or deep in R.E.M sleep. At all times it is a revelation for carricante. This is what it can be! There was no need for crop thinning, it was picked four to five weeks after the sparkling and it spent five months on the lees. The texture and the potential longevity are thankful for this. “Combien, combien, combien du temps?” At least seven years. Talk about the passion. Drink 2018-2025.  Tasted March 2017  @PlanetaWinery  @Noble_Estates  planetawinery  plant dependent  noble_estates  @planetawinery  Tóth Patricia  @NobleEstates

No self-respecting wine journo departs #Prowein without tasting #carricante @PlanetaWinery with #patriciatoth #etna

The Germany pavilion is the epicentre of the ProWein universe. Gravity would naturally pull you to the Mosel and yet I was in search of an alternative experience. With travels to the Ahr Valley and the Rheinhessen looming I gravitated (naturally) to Franken and more specifically to an intensive workshop with silvaner and spätburgunder. The days of the old flattened ellipsoid, field bottle silvaner packaged in traditional Franconian Bocksbeutel are nearly behind us and while several modern, clean and pure examples match up with the great mineral fresh whites around the planet, one stood apart.

Franken Silvaner

Rudolf May Silvaner Retzstadter Langenberg Der Schäfer 2015, Franken, Germany (Winery, WineAlign)

May’s Der Schäfer silvaner comes from the Retztadter Langenberg, a slope of muschelkalk (predominantly from the lower muschelkalk, or wellenkalk) that characterizes the soil. Looking east the location is protected by the Retzstadt deciduous forest and the warm air of the Maintales flows from the west. This specialized and extra-special silvaner is balanced in its aromatic ability meets proper and right-willing alcohol (13.5), with great quality acidity. True salinity and caper brine put my mind’s senses into concepts where this shares a kinship with assytrtiko. It’s brilliant, stony-gemstone able, savoury, no actually sapid, and exceptionally mouth salivating. Just a touch of texture driven lees builds character and great persistence. Bitters before the end are finely distilled and character building. Fresh to drink now and with more ability than most to age. Drink 2017-2022.  Tasted March 2017  @frankenwein  #frankenwein  Frankenwein Fränkische Weinkönigin  @Weingut.Rudolf.May  @weininstitut  @WinesofGermany  @germanwineca  germanwine_ca  wines_of_germany  @germanwinecanada

So much to say about #silvaner and #spätburgunder #pinotnoir

Passion für Pinot Noir! is the avant-garde Deutscher Qualitäswein Franken slogan for spätburgunder. Rudolf May once again impressed with their Retzbach Benediktusberg but as I was about to pour myself a taste of the next wine, a Franken booth associate swooped in to slip me a Burgundy glass, so I knew this was going to be different. It was the next wine that taught me what Franken pinot noir can be.

Weingut Richard Östreicher Spätburgunder No. 1 Sommeracher Katzenkopf 2013, Franken, Germany (Winery, WineAlign)

No. 1 takes not only the estate’s best pinot noir pick but Franken spätburgunder and paradigmatic pinot noir to an entirely new level. The Katzenkopf (“cat’s head”) is Sommeracher’s best vineyard and it is Weingut Richard Östreicher that demands great respect. As I am about to pour myself a taste a ProWein Franken booth associate swoops in and slips me a Burgundy glass, so this must be different. Certainly an elegance and a refinement not seen yet. I’m thinking only on its perfume from the get go but this Franken sensibility is more important, a soil component that just acts of its own accord in the magic it brings to pinot noir. The compatibility of fruit and acidity with the finest grains of sweet and refined tannin is a revelation. The vintage is an important one to be sure and the firm but still amenably sweet finish mixed with a dash of tonic tells me about the longevity this No. 1 is capable to execute. Drink 2017-2027.  Tasted March 2017  #richardöstreicher  Richard Östreicher  @weininstitut  @WinesofGermany  @germanwineca  germanwine_ca  wines_of_germany  @germanwinecanada

The desparate grade of Ahr Valley vineyards

On day three of ProWein I jumped on the großer Magie Bus with 17 international journalists and headed for the Ahr Valley, one of Germany’s (of 13) furthest northern wine regions. With an area of 150 hectares (of 100,000 total in Germany), even the Mosel is not so far north. Our first visit was to Meyer-Näkel, a young winery in its third generation. Before that there was a winery (Meyer) and Näkel (restaurant). When the grandparents married the entities merged. In 1982 winemaker Meike Näkel’s father took the winery and her uncle the restaurant.

Michael and Meike

Starting out with two, now there are 20 hectares under vines. The slopes are ridiculously steep, prized for their blue slate soils and so difficult to work. Spätburgunder steals the Ahr Valley show and while Meyer-Näkel’s lieu-dit and grand cru (Großes Gewächs) are impassioned and important works, in Ontario you can find their affordable entry-level treat. It really is what basic German spätburgunder needs and is expected to be.

Meyer Näkel Spätburgunder 2015, Deutscher Qualitätswein, Ahr Valley, Germany  (427898, $26.25, WineAlign)

The entry-level pinot noir was bottled in the summer of 2016, after a hot season and dry elsewhere but in the Ahr it rained and it was cool overall. Picking was actually late and the aromatics show off the long, cool, floral temper. De-stemming and fermentation is immediately initialized but the maximum fermentation is 10 and usually six days. The pips are just a quick doo-wop to keep both green and bitter away. A focus on fruit, an absence of tannin and a pure varietal expression. Red trumps green, large wooden casks (15-20 years) also impart no tannin so the finality is simply cherry. That said, this carries some almond pit and green strawberry on the palate. It’s really what basic German spätburgunder is and expected to be. Nicely balanced and in at 13 per cent alcohol. Drink 2017-2019.  Tasted March 2017    @vonterrabev  Weingut Meyer – Näkel  vonterra  @MeyerNaekel  @weininstitut  @WinesofGermany  @germanwineca  germanwine_ca  wines_of_germany  @germanwinecanada

Yet nothing could prepare me for what a former German wine queen would pour. Julia Bertram grew up in Dernau, gained experience at Meyer-Näkel and Klumpp. In 2013 she launched her own her vineyard with just half a hectare and now farms three and a half. Nothing fascinates her and the “SchlAhrVino” (association of young Ahr vintners) as much as ripe wines, especially pinot noir. Her whole bunch, wild ferment spätburgunder is nothing short of intense. The world should get ready for her alternative Ahr universe.

World get ready for #juliabertram and her alternative #ahr universe pinot noir @weininstitut #ahrvalley #spätburgunder #handwerk

Julia Bertram Spätburgunder Handwerk 2015, Ahrweiler, Germany (WineAlign)

Former German Wine Queen Julia Bertram grew up in Dernau, gained experience at Meyer-Näkel and Klumpp. In 2013 she launched her own her vineyard with just half a hectare and now farms three and a half. Nothing fascinates her and the “SchlAhrVino” (association of young Ahr vintners) as much as ripe wines, especially pinot noir. Her whole bunch, wild ferment spätburgunder is nothing short of intense. Bone dry, tart and spirited by crisp acidity, the young vines and used barrels deliver notes that are embattled in a spontaneous, natural, posit tug. The world should get ready for her alternative ahr universe pinot noir. Drink 2017-2020.  Tasted March 2017    #juliabertram  Julia Bertram  @weininstitut  @WinesofGermany  @germanwineca  germanwine_ca  wines_of_germany  @germanwinecanada

The next two were Rheinhessen days, first with five Appenheim village winemakers at Weingut Willems & Hoffman, followed by a visit to taste more deferential and singular spätburgunder at Weingut J. Neus. The single vineyard of Hudertgulden in Appenheim is one of the Rheinhessen’s finest. At Neus we got grippy with the muschelkalk soil meets spontaneous ferments from the team of Operations Manager Lewis Schmitt and agronomist/oenologist/winemaker/cellarmaster Julien Meissner’s pinot noir.

Weingut Knewitz Riesling Hundertgulden 2015, Rheinhessen, Germany (WineAlign)

From the Burgundy-like soils of this special rolling hills nook in the Rheinhessen, replete with shells and corrals, the Hundertgulden, “hundred guilders” is the most important single vineyard in all of Appenheim. The vintage trumps 2014 and nearly bone dry is still the operative in this super salty, linear, lengthy and age-worthy riesling. A true blue limestone vernacular is spoken and the stone simply slides and glides through the wine. Definitive of place, with leesy texture, elegant, balanced and seamlessly woven through. There is more lime zest and juice than the Appenheimer and more overall citrus tendency. The mirror of Appenheim. Drink 2018-2022.  Tasted March 2017    weingutknewitz  @Weingut.Knewitz  @weininstitut  @WinesofGermany  @germanwineca  germanwine_ca  wines_of_germany  @germanwinecanada

Getting grippy with #pinotnoir #jneus @weininstitut #spätburgunder #ingelheim #muschelkalk

Weingut J. Neus Spätburgunder Muschelkalk Alte Raben Trocken Ingelheim Am Rhein 2014, Rheinhessen, Germany (WineAlign)

From vines 25-40 years old, depending on which barrels are chosen for the final blend, off of the estate’s singular limestone muschelkalk soils. Even some 45 year-old vine fruit can be used, ferments kept separate, just as winemaker Julien Meissner will do with the Großes Gewächs. After tasting the younger vines spätburgunder and trocken first this acts less up front fruit forward, now spirited, of a phenolic tonic, variegated, characterful, open and spontaneous. Large (600 and 1000L) 100 per cent new oak barrels add char and spice to the rampant cherry, but also structure that takes you on the ride from background to foreground. “A strict style of pinot noir,” says Meissner, a cellar master who triples as agronomist and oenologist. Reduction begs for patience and time, tannins are taut and there is this minty, Mornington Peninsula pinot effect. Fruit, tannin, chalk and the conduit of Neuss acidity. The whole package. Drink 2018-2022.  Tasted March 2017  @JNeus1881  jneus.ingelheim  @J.Neus.Weingut.seit1881  @weininstitut  @WinesofGermany  @germanwineca  germanwine_ca  wines_of_germany  @germanwinecanada

We moved away from the red wine thematic and into more familiar territory when we stopped in at Weingut Thörle for a visit with Christoph Thörle. The single-vineyard Hölle and Schlossberg rieslings are as exceptional as any in Germany but the Ontario presence of the Feinherb should never be overlooked.

Some of Germany’s finest #riesling coming to @TerroirTalk May 29th #thorle #Terroir2017 #christophthorle #saulheim #rheinhessen #terroirsymposium #holle #agotoronto

Thörle Riesling Feinherb 2016, Qualitätswein Rheinhessen, Germany (420091, $18.95, WineAlign)

Off-dry riesling does not always have to be bottled as such but in the Rheinhessen and at Thörle the category of Feinherb is anything but an afterthought. This started as a side fermentation in its first years but is now an important wine in the estate’s multi-tiered processes. The cuvée is gathered from younger vines plus one barrel of premier cru Saulheim fruit. A slight skin maceration (12-18 hours) is employed which helps to temper the tartaric acid though this will be swapped for whole bunch fermentation in warmer years. Hides some of its sugar, especially on the nose which is quite floral, of white flowers and honeysuckle. Honey and wax with sweet herbs bring all into playful light to taste, with plenty of sweet lime and lik-a-maid sour touches. For every Indian Food list in the world. Drink 2017-2020.  Tasted March 2017  Weingut Thörle  @WeingutThoerleGabsheim  @weininstitut  @WinesofGermany  @germanwineca  germanwine_ca  wines_of_germany  @germanwinecanada

On our last day in the Rheinhessen we stopped in at Weingut Manz and if you ever find yourself in their tasting room, expect a multi-varietal experience. On any given day you may taste weissburgunder (pinot blanc), riesling, grauburgunder (pinot gris), sauvignon blanc, spätburgunder (pinot noir), merlot, cabernet sauvignon and finally, huxelrebe trockenbeerenauslese. On this day it was the wines spoke to the territorial low yields and late harvest work of Eric Manz.

#goodcombo #weingutmanz #rieslingauslese #herrenberg #restaurantvolker #oppenheim

Weingut Manz Riesling Spätlese Trocken Kehr, Weinolsheimer 2015, Rheinhessen, Germany (WineAlign)

The Kehr from Eric Manz is riesling of extremely low yields and a late harvest for what shines to be high in complexity and aging potential. Generous skin contact and even more so in lees action effect makes this quite different than the Kehr “M” but also the Herrenberg Trocken Spätlese. With the sugar here remaining in line with the Hipping (Niersteiner) it is the high acidity that drives the Kehr machine. This seems less arid than the Hipping, more energetic and more reductive than the “M.” Higher potential for aging with so much lime cordial sparkles and brings spirit that will persist into a petrol and honey future that would have to be bright. Drink 2019-2026.  Tasted March 2017     Weingut Manz Weinolsheim   @weingut.manz.weinolsheim  @weininstitut  @WinesofGermany  @germanwineca  germanwine_ca  wines_of_germany  @germanwinecanada

I don’t always taste #roterhang Riesling but when I do it has to be in the #fockenberghütte

The week in Germany saw virtually no sun, that is until the final morning outdoors above the Rhein River under the shelter of the Fockenberghütte. Here we tasted the Nierstien wines of Weingut Domtalhof, St. Antony and Louis Guntrum with our charismatic M.C. Konstantin Guntrum. We walked the famed Roter Hang Vineyard and had the great fortune to taste Guntrum’s ethereal 1976 Neisteiner Heilgen riesling. Guntrum wears the passion for his home vineyard in his expression, on his sleeve and by the way he walks. “Roter Hang is a geological statement,” he explains. Red soils of friable sandstone, steep and breathtaking. Nierstein is the portal into which you can peer to wonder about great riesling grown above the Rhein.

Weingut Louis Guntrum Riesling Trocken Nierstein Oelberg 2015, Rheinhessen, Germany (WineAlign)

Nierstein’s Oelberg is for vintner Konstantin Guntrum a changing landscape, of different light and greater fog. This dry riesling gives off the sense of intelligence and so grabs your attention and demands your concentration. It also solicits conversation. Takes its time to open up, with no petrol note but the grace of mineral is back there. Lean but slowly changing and developing in just the short time in glass, the charm envelops your sense of smell and taste, renders them keen and then you give it up for the aftertaste and the persistence. While the layers will not yet peel away they will, though may need two full years to do so. Forget the need for immediate gratification because this one is mineral skin deep. Drink 2018-2024.  Tasted March 2017  @LouisGuntrum  #louisguntrum  Weingut Louis Guntrum  @weininstitut  @WinesofGermany  @germanwineca  germanwine_ca  wines_of_germany  @germanwinecanada

When you see one grand cru you’ve seen another grand cru #nierstein #rheinhessen #rhein #roterhang

The German wine experience is owed great thanks to Stefan Egge, Christiane Schorn, Brigitte Küppers, Michael Mandel and Carola Keller of ProWein press department, Messe Düsseldorf and Wines of Germany. I have been on many Press trips over the years and the organization in Germany was second to none. I will now begin looking forward to ProWein 2018. Until then.

Good to go!

Godello

Twitter: @mgodello

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