Memories of South Africa in 60 notes

Water hole, South Africa

As this passage through weltschmerz marches on, the defining feeling of melancholy and world-weariness continues, no doubt magnified in the hearts and minds of the wanderlusts accustomed to consistent world travel. So the question begs, as it has for 12 months, how to summon thoughts that will keep a deep sadness about the inadequacy or imperfection of the world at bay? Speaking from a personal place, a simple and distracting way is to compose retroactive wine reviews, unearthing and editing nuggets of meaningful playfulness, tasting notes created in the past but never having found their way to the light of day. Recent thoughts about South Africa are the impetus for this story.

Related – Searching for great heart in South Africa

In a pandemic-free world Cape Town’s Cape Wine would be taking place six months from now but a difficult and necessary decision by Wines of South Africa has moved the trade show from September 2021 to October 2022. Intensive planning for one of the great triennial wine fairs on the planet begins 18 months out and so with vaccine promise and good hope the time has arrived for the industry to launch preparations for a Spring 2022 Capelands revival. Soon enough the hurdles, obstacles, impediments and hoops of pandemic, lockdowns, sponsorship landing and export bans will be added to the growing list of “what has been overcome.”

Fly me back to South Africa

Related – Spotlight on South Africa in VINTAGES August 6th

Wine trips afford tasting hundreds of wines in a week’s time and while all bottles poured by every producer are given full attention and solicit a hundred or so scribbled words on history, tradition, agriculture, winemaking, varietal and regional relativity, many remain in raw form, relegated to computer folders and on the pages of moleskin journals. Pulling them out months, if not years later can induce that elusive feeling of relief and in some extraordinary occasions, epiphany. This to the creator of course, not necessarily to the producer, wine prose seeker, consumer, regional administrator or marketer. Notwithstanding who may be watching or reading, the exercise is a satisfying one and stands on its own merit, if only to be soothed and take refuge in a safe prosaic haven, free from the savage talon grip of a world gone mad.

“What happens in Cape Town stays in Cape Town” carries a three year statute of limitation. With the inimitable Ken Forrester

Nature, farmers and winemakers continue their work. Grapes are still growing and wines are still being made. Cape Wine is one of the greats, a collection and gathering by an industry of more varied character and industriousness than you will ever find. Let’s hope a global correction and stabilization brings everyone back together. During the last edition in 2018 I published several articles and many notes but these are the fruits of unfinished business left unsaid, scattered and streaming bits of consciousness having patiently waited it out for this moment in the sun. With thanks to all these erudite producers who shared a few ounces, engaged in conversation and offered up their time. These are the 60 wines tasted 30 months ago, assessed, critiqued, enjoyed and until now, unpublished.

A.A. Badenhorst Family White Blend 2016, WO Swartland

Simply a case of “fantastic grapes from old vineyards,” small parcels from Adi Badenhorst’s Kalmoesfontein farm, around the Swartland and the greater Paardeberg Mountain. A tienvoudig veldversnit of chenin blanc, roussanne, marsanne, grenache blanc, viognier, verdehlo, grenache gris, clairette blanche, sémillon and palomino. Hard to imagine that ten grapes could be so tactful and get together for such a discreet nose, but they are and they do. Secretive and seductive, full of mystery and enigma, ferments in 3000L vessels and then concrete, of a co-existence executing balance and a dedicated focus on texture. A ten-fold paradigm shift as part of the pioneering, Western Cape appellative white blend parade. Those who know it get lost in the varietal party and just like the makers the soirée will go on forever. Drink 2018-2022.  Tasted September 2018

A.A. Badenhorst Pinot Noir Bokkeveld 2017, WO Swartland

Grown further afield of the great old white grape vineyards, higher into mountainous terrain on the famed Bokkeveld shales. Makes for transitory, lifted pinot noir, “rain-slick’d, rubbed-cool, ethereal,” a little pastiche in a glass. Provides a cool flush of red berries, a note of allspice and truth is the fruit is really quite naturally sweet. Clean, characterful and only an afterthought of subtle savour. More than anything this pinot noir drifts and rises, kind of like reciting poetry. Drink 2018-2022.  Tasted September 2018

Hanneke Krüger, A.A. Badenhorst

A.A. Badenhorst Secateurs Cinsault 2018, WO Swartland

Of the Badenhorst second tier of wines, a red blend though mainly cinsault (82 per cent) with (10) syrah and (8) grenache. Though this is technically a tank sample it will be bottled next week so essentially across the finish line. There will be 130,000 bottles of this unfiltered wine. Red fruit incarnate Cape style, sweet baking spices and from a band knowing what is needed for playing live in concert, lekker balance seekers capable of working with any instrumentation, including 4,500 and 7,200L blending tanks. Badass sound, fury and energy, dry rocket fuel, pure, raw emotion and precision. Drink 2018-2025.  Tasted September 2018

A.A. Badenhorst Grenache Raaigras 2017, WO Swartland

From the home farm at Kalmoesfontein, a scant 1268 vines by lowest of low yields and considered to be the oldest (1951) grenache vines in South Africa. The Raaigras (ryegrass) is a vineyard choker so without human intervention it would literally strangle a vineyard. One of those wonderful whole bunch ferments though a portion is de-stemmed and well if this is not the right stuff from the right place, transparent, curative, a gastronomy of ancient meatiness and spice. Tannic yet elastic and one of those wines ready to go from creation but won’t likely change anytime soon. For now, long and wide. Feel free to think “see you in 15 years on the other side.” Drink 2019-2029.  Tasted September 2018

Springbock Burger anyone?

David And Nadia Sadie Wines Chenin Blanc 2017, WO Swartland

A chenin blanc blend of 35-65 year-old 1960s, 70s and early 80s, mainly Paardeberg dry-farmed bush vine vineyards in the Swartland. Some shale and clay soils mix in for a top end chenin meritage with a faint if feigned salty vanilla sweetness. High and dry extract and grape tannin conspire in their conscription and into a stretched intensity requiring some patience for the opening up. Lingers forever thereafter. Drink 2018-2026.  Tasted September 2018

David And Nadia Skaliekop 2017, WO Swartland

Skaliekop, “hill of shale,” a curious dale of fine-grained, clastic sedimentary rock amongst the Paardeberg granite. For David and Nadia Sadie a chance to make a chenin blanc with both prescient soils lending their presence and tutelage. The people here speak of the Skaliekop, knowing well the wisdom and aridity, the windswept open space, exposed and warm. They recognize and tell of the difference it makes, how a wine such as this can act so implosive, salty, targeted and fervent. The vintage only serves to magnify a sentiment already assured, that fruitful and mineral will align, swell and expand as one from these first grapes to be harvested in the wider Paardeberg zone. Drink 2019-2029.  Tasted September 2018

David and Nadia Aristargos 2017, WO Swartland

In 2017 a Swartland appellative white blend of chenin blanc (58 per cent), viognier (14), clairette blanche (13), sémillon (7), roussanne (5) and marsanne (3). David and Nadia’s only white that sees enough skin-contact to inch it up to but not quite breaching the natural-orange-amber stereotype so moving along now. A free-form, stacked blanc of multifarious juxtaposition, a Cape sensation that does this thing better and more interesting than anywhere else on the planet. Complex because florals and salinity get together and express the Swartland without a care in the world. What really comes across the palate is texture, downy and coddling with a finishing pesto of sweetly herbal fynbos and renosterveld. A perfectly broad expression overall though please don’t typecast or compartmentalize the Sadies’ white blend. Let it be. Drink 2018-2024.  Tasted September 2018

David and Nadia Sadie Wines Elpidios 2016, WO Swartland

An ever evolving or rather moving target, Rhône motivated but at this point in South Africa’s modern tenure just better to say Cape inspired. Has had many lead singers in its time; syrah, carignan and based on David Sadie’s language, who knows, perhaps grenache will take a turn at the microphone. Here in ’16 carignan (39 per cent) is centre stage with syrah (31), pinotage (16), cinsault (9) and grenache (5) rounding out the players. Elpidios means hope, as in “Cape of Good” and like the place itself there are so many layers to peel away from this heady foreland of a red wine. The berry aspect is magnified by the pinotage and you should know that David and Nadia treat this grape with utmost respect. A mix of styles and inspirations make this both muddled and brilliant as it stretches into breadth and potential. A nexus of varietal and micro-terroirs caught up in a whirlwind of extracts, flavours, liqueurs and expression. Still fresh, spirited and alive so drink this well over a ten year span. Drink 2018-2026.  Tasted September 2018

De Kleine Wijn Koöp Kreatuur Die Synachin 2017, WO Coastal Region

“A collaboration between a bunch of young blokes, making of-the-moment wines from little-known vineyards around the Cape,” and under monikers that refer to “pushmi-pullyu animals.” Also with the winemaking help of Alexander Milner from Natte Valleij. Really quite the drinkable Rhône-ish blend of 56 per cent syrah, (26) grenache and (18) cinsault. Iron in multifarious soils (mainly granitic) make this hematic and deeply plum but still, not so difficult to knock back. Drink 2018-2021.  Tasted September 2018

De Kleine Wijn Kop Ou Treffer Cinsault 2017, WO Stellenbosch

Ou Treffer, as in the ‘old hit’ in Afrikaans, also the old workhorse, in reference to cinsault of the Western Cape. Or if you will, like a hit song as the grape just seems to be the it one in South Africa these days. Or perhaps Traffic, by the Stereophonics. Beautifully aromatic, rich fruit and a soild funk from the particularities in these Stellenbosch vineyards. Half the ferment is de-stemmed, meaning the other half is whole bunch and old vines surely concentrate the fruit, stem funk and spun feeling all-around. Besides, “is anyone going anywhere? Everyone’s gotta be somewhere.” Drink 2018-2022.  Tasted September 2018

De Kleine Wijn Koöp Knapsekêrel 2016, WO Stellenbosch

The second cabernet franc release of the De Kleine Wijn Koöp boys’ Knapsekêrel (a.k.a the spiky little black Cape plant) comes from the Polkadraai Hills. Not just any vineyard mind you but one planted in 2000 and biodynamically farmed by Old Vines Project pioneer Rosa Kruger and current Stellenbosch guru Johan Reyneke. The winemaking hands of Lukas van Loggerenberg are to thank and while this shows the sultry smoky smoulder that often emits from Cape franc it is a challenge and work in project to find the varietal sweet spot. That’s because cool temps and long growing seasons are best but look out for this breadth of a team’s members to find what works. In the meantime the tobacco, dusty plum and pushed to the raisin precipice make up a tasty if humid treat in a glass. Drink 2018-2019.  Tasted September 2018

De Kleine Wijn Koöp Heimwee 2015, WO Stellenbosch

As with the Knapsekêrel cabernet franc, the Polkadraai west of Stellenbosch is the fruit source, a biodynamic vineyard farmed by Rosa Kruger and Johan Reyneke. The boys at the Koöp are back in varietal town and refer to this all-around floral spiced cabernet sauvignon as running “with tannins as smooth as your grandmother’s polished imbuia coffee table.” No doubt and you can almost hear them singing in Phil Lynott workingman’s poetry. That said, this cab is no thin Lizzy, more like thick as a brick. Hung long and well-developed, of a liqueur that oozes of red, red fruit. Or perhaps, “man when I tell you she was cool, she was red hot. I mean, she was steamin’…” Drink 2018-2020.  Tasted September 2018

Johannes de Wet in Robertson

De Wetshof Riesling 2017, WO Robertson

A known fact that riesling and limestone make a great couple so this look at de Wetshof’s Robertson ’17 is met with great mineral anticipation. Yes the finest calcareous blocks are dedicated to chardonnay because Bourgogne is the de Wet inspiration but anyone who has learned a thing about riesling around the world will know that limestone can work wonders. Alsace of course, as in Clos Windsbul but also The Niagara Escarpment’s dolomitic limestone and Germany’s Muschelkalk (especially in the Rheinhessen, Pfalz and Franconia). And so Robertson joins the list as witnessed by this linguistically aromatic example, working the glass with a pure lime distillate notion. A nod to Alsace more than anything else with acidity that doesn’t need to scream and shout but it’s truly there. The potential to pioneer the movement is here, along with Elgin as Cape riesling standard bearers. Drink 2018-2022.  Tasted September 2018

De Wetshof Chardonnay Limestone Hll 2018, WO Robertson

Youth and drought make for the most naked and transparent of the past few Limestone Hill chardonnays. Absolute cool Kelvin freshness and a 270 degree vineyard scope to gather de Wetshof’s Robertson fruit from an amphitheatre of slope and aspect so subtle yet so meaningful. A fulsome regional DNA creates varietal layers gathered to make this cuvée a true spokes-wine for the limestone-based estate. Set foot on these soils, spin around, take it in. Then feel and intuit the truth in chardonnay that speaks to a place. Drink 2018-2020.  Tasted September 2018

De Wetshof Chardonnay Bataleur 2016, WO Robertson

Bataleur, as in a battalion of chardonnay soldiers, fruit up front, reduction and wood falling in, acids taking up the flanks and structure in support by land, air and sea. Or so it seems because this just marches like a military exercise in chardonnay. Flinty, biting back, yet buttered and toasted on the mid-palate with Roberston’s unique limestone felt from start to finish. Vanilla then white caramel with soft French cream fill and then the snap of lime acidity. Biting and downy, one and then the other, all tied up in robes and pearls, equalling out in the end. Fine work from 2016. Drink 2019-2023.  Tasted September 2018

Hamilton Russell Pinot Noir 2000, WO Hemel-en-Aarde Valley, Walker Bay

By this time 2000 is the 15th vintage of Hamilton Russell’s pinot noir and tasting both the 1986 and 1997 ahead of this only serves to heighten anticipation knowing full well longevity is by now a solid guarantee. The vintage seems like it must have been a demanding one because there is more hard grip, aridity and austerity here but it really has aged gracefully and beautifully. The posit tug between fruit and earth notes is performed like a string instrument’s bow, bending and angling with dexterity in balanced, fluid motion. Brings in the herbs and spices, wholly and truly of Hemel-en-Aarde origin, on hillsides and between rows of sagacious pinot vines. This is a treat and opens a portal into the future, beginning with the 2012 vintage that will usher in a string of sequentially impressive HR pinot noir. Drink 2018.  Tasted September 2018

Huis Van Chevallerie Circa Rosecco NV, WO Swartland

From a 32 year-old pinotage vineyard, great old vines that received some TLC from Old Vines Project pioneer Rosa Kruger. Secondary bottle fermented with a little help from “a special blend of liqueur de triage,” so unlike Prosecco in that regard. Early picked which is a given considering the granitic soil and therefore a “Rosecco” of low pH and severely high acidity. ‘Twas just a slight dosage and therefore comes across arid like the Swartland desert. A well cultured sparkling Rosé, crushable and easy like Sunday morning. Drink it for breakfast, lunch and dinner. Drink 2018-2021.  Tasted September 2018

Jan Harmsgat Chardonnay 2015, WO Robertson

True reduction yet to dissipate as noted by the smoky smoulder with a healthy compliment of wood still needing to melt in and away. Looking to settle over the next six months or so and allow the combination of vanilla extract and green apple purée to integrate, compliment and go forward in agreement. Though creamy there is a bite back at the finish so while this is good now it still shows promise for improvement down the road. Drink 2019-2021.  Tasted September 2018

Klein Constantia Sauvignon Blanc 2009, WO Constantia

Poured by Managing Director Hans Astrom in Cape Town alongside the 1987 labeled “Blanc de Blanc” and the 1994. The vines date back to 1979, with the first South African sauvignon blanc made in 1986. That ’87 was a B de B because of the botrytis-affected vintage. A 100 per cent varietal wine, built by the soil and so bloody mineral as a result. Oak texture but really that’s the end of wood talk, a salty streak, so direct and so personal. The kind of sauvignon blanc that invades your airspace and a vintage more Bordeaux than the rest. Or, if you will Sancerre but not so much this time around. Drink 2019-2023.  Tasted September 2018

Klein Constantia Sauvignon Blanc 1994, WO Constantia

Poured by Managing Director Hans Astrom in Cape Town alongside the 1987 labeled “Blanc de Blanc” and the 2009. The vines date back to 1979, with the first South African sauvignon blanc made in 1986. That ’87 was a B de B because of the botrytis-affected vintage. The ’94 vintage was another story altogether, apposite, far away from developing noble rot. Not the baller and perhaps even a bit “weak” with less weight but a saltiness that is more than intriguing. Perhaps more Sancerre-esque as a result but certainly lends longevity credibility to those passed over cool vintages neither celebrated nor considered to carry much staying power. May not be fleshy but is surely a curious and electric surprise. Drink 2018-2020.  Tasted September 2018

Leeu Passant Chardonnay 2016, WO Stellenbosch

Andrea Mullineux continues to foster the Leeu Passant line of heritage vines wines with work from Rosa KrMuger alongside. The “post (leaf-roll) virus vineyard,” of smuggled in clean material planted in Stellenbosch in the 1980s. The site is home to loam-rich soils of the Helderberg and the wine stylistically modelled after the oxidative approach to chardonnay. “Death and resurrection,” as Andrea puts it, meaning after the fermentation you allow the must to oxidize again, literally to the colour of cola. Risk reward actionable take and one that requires some shall we say, cojones. This chardonnay is not about luck and the methodology can’t help but connect you to the vineyard. You end up with this unctuous, astonishingly rich chardonnay that bears a resemblance to the vines and the place from whence it came. Unlike the Mullineux chenins or Swartland and so say hello to Meursault. Drink 2018-2025.  Tasted September 2018

Leeu Passant Dry Red Wine 2016, WO Western Cape

The throwback, ode and homage to South African reds made in the 50s, 60s, 70s, rustic, tannic, structured and reeking of the ancient soils that gave them life. Three locales are in the mix; Wellington, Franschhoek and Stellenbosch. The vineyards are the first pro-Phylloxera planted sites, a willy-nilly varietal scattering, blocks of two cinsault, a cabernet sauvignon and a cabernet franc. “It’s a deconstructed reconstruction,” says Andrea Mullineux, “where you break down what you love and build it back up again.” First thing is to show utmost submissive respect to 95 and 117 year-olds, the oldest registered red wine vineyards in South Africa. So you hand harvest their low yields and keep a minimum half of the bunches intact for to ferment these wise and experienced grapes. They spend 20 months in barrel then emerge structured and fit for 20 years of longevity. As with those post mid-20th century wines the profile is rich, tart, spicy, robust and layered with serious grounding. Revivalist red, keeper of faith and a lost style, uniquely South African. Today that translates to vogue. Boom. Drink 2020-2032.  Tasted September 2018

Lismore Sauvignon Blanc 2016, WO Greyton

The Cape’s south coast work of Samantha O’Keefe, a (500L) barrel fermented sauvignon blanc made in an oxidative way, or rather a wine of early introductions made with oxygen. Flinty no doubt then rich and full on the palate, of throttling grape tannin who’s antidote is a sense of settled calm. Late spice, Bordeaux in temperament but cooler still, an almost northern Sancerre-ish dexterity and layering. Composed and so very genteel. Drink 2018-2024.  Tasted September 2018

Lismore Chardonnay Estate 2016, WO Greyton

From the Cape’s south coast and Samantha O’Keefe’s original Greyton Farm, in re-build for a promising future. This ’16 is 90 per cent estate fruit, a natural ferment and all done up in neutral (300L) barrels, 11 months on lees. No malo except when a great vintage comes along. Simply an orchard and gingered and delight, a woven tapestry of backroads eccentricities and southern exposures, with a kick and twist of finishing spice. Drink 2019-2024. Tasted September 2018

Lismore The Age Of Grace 2017, WO Elgin

From rose-quartz soil in cool Elgin, a 100 per cent viognier, so apposite relative to the achromatic shades of Greyton sauvignon blanc and chardonnay. High demeanour and a sense of vivid colour in the aromatic wonder but more so in the levels of palate, front through middle to back. They come like a rainbow, rolling, over stones, in “colours in the air, oh, everywhere.” Orange, peach, nectarine and fine, fine Elgin acidity. They are wrapped in sour spice yet sit cross-legged, in complete control. An aristocratic flower child, surely full of and situated in an age of grace. Drink 2018-2023.  Tasted September 2018

Lismore Pinot Noir 2017, WO Western Cape

Fruit from both Walker Bay and Elgin and 30 per cent whole bunch (the first vintage was 15). So very herbal, savoury, stemmy and honest. A beacon in pinot noir you want to drink that comes equipped with an edginess about it. Full purity on display, grip, intensity and packed with provisions for the picnic. Marks the early beginnings of a varietal journey with some naïveté and dreams but look out. Drink 2019-2024.  Tasted September 2018

Alette de Boer, Lowerland

Lowerland Tolbos Tannat 2016, WO Prieksa, Noord Kap

From South Africa’s furthest northern wine-growing area, a joint effort between grower Bertie Coetzee and winemaker Lukas van Loggerenberg. Wow does this ever smell like tannat with its depth of earthy fruit and suspension of oxidative animation. High acidity reminds of the really cool climate, more Niagara per se than southwest France. There really is something special here, as with Lowerland’s stellar whites, something singular, yet undefined, in enigma and mystery. Drink 2018-2021.  Tasted September 2018

Lowerland Witgat Viognier 2017, WO Prieska Noord Kaap

The viognier may scent of exotic flowers and tropical fruits but as with most of Alette de Beer and Bertie Coetzee’s range this is surely a cool climate wine. Subtly so and yet of a tension and a demand that accrue a sense of northerly South African wine-growing sense. The wine was made by JD Pretorius at the Constantia property Steenberg and it comes about quite normal, varietally speaking but also beautiful. There is a liquid chalky feel, a product no doubt of quality dry extract mixed with Prieksa soil of desert sand and silty clay. Lean and structured, a lanky viognier that in the end delivers quite the delight. Drink 2018-2021.  Tasted September 2018

Lowerland Die Verlore Bokooi 2016, WO Prieska Noord Kaap

Literally “easy drinking blend,” spoken through an indigenous vernacular from “the place of the lost goat.” At the time a blend of merlot, shiraz and tannat but like the Herd Sire Reserve that too will change over time. A racy and ripe red, earthy and parochial though fruitful in its red, black and blue mixed berry basket. There really is nothing to compare this too, neither old world origin or varietal mash up so assess it on its own terms. Just knock it back. Drink 2018-2019.  Tasted September 2018

Lowerland Herd Sire Reserve 2015, WO Prieska Noord Kaap

A red blend that will evolve (varietally speaking) but in 2015 it is based on cabernet sauvignon with petit verdot and a small amount of merlot. Bordeaux being the message but that too will change because the north of South Africa may actually share more affinity with the southwestern French wine-growing than anywhere else. This unique Noord Kaap Wyn van Oorsprong’s cool climate makes for early drinking reds and the 13 year-old vines here follow the party line for a red blend ripe enough to do what needs. There is more liqueur and spice here than what is noted in the merlot/shirtaz/tannat and also increased acid intensity. Somewhat oxidative but holding well and doling pleasure. Drink 2018-2019.  Tasted September 2018

Nina Mari and Ernst Bruwer, Mont Blois

Mont Blois Estate Chardonnay Kweekkamp 2016, WO Robertson

After 28 of not bottling their own wines the husband and wife team of Ernst and Nina-Mari Bruwer began again in 2017. This is one of the first, a single vineyard chardonnay off of 12 year-old vines, barrel fermented and aged 11 months. Speaks of Robertson, not specifically by limestone but with that WO’s orchard fruit and realism, by passing spice that’s merely a thought. Lovely snap, crack and bite which is truly Robertson while in delivery of everyday texture and mellow disposition. The kind of chardonnay to stay quiet and simply sip. Drink 2018-2021.  Tasted September 2018

Mont Blois Chardonnay Hoog en Laag 2016, WO Robertson

“High And low,” in reference to the vineyard being a terraced block on clay. Heavy clay that is, a Robertson specialty and the Hoog En Laag receives the same elévage as the Kweekkamp chardonnay. Certainly a richer and fruit fulsome expression, less snap and bite. No subtle spice either and yet the barrel notes are equally noted. What this has is full-fledged texture, creamy and smooth, all day long. Drink 2018-2020.  Tasted September 2018

Mont Blois Chenin Blanc Groot Steen 2016, WO Robertson

The “big” chenin blanc because of the dense clay that gives nutrient life to the 32 year-old block of vines. Quite the steen intensity, ripping with fruit and a mineral streak for layer upon layer of Robertson quality. Naturally sweet pears, ripe and dripping, plus an unusual or unaccustomed to herbology. Perhaps it’s the famous local Rooibos talking. Really persistent chenin with loads of potential. Likely some flint and smoulder in its future. Drink 2018-2024.  Tasted September 2018

Mullineux Kloof Street Chenin Blanc 2018, WO Western Cape

A true Cape chenin blanc assemblage, in fact it gives meaning to the gathered idea, like an AOC Chablis made by a houses in names of Fèvre, Drouhin, Moreau or La Chablisienne. Mullineux’s twist is the back blending with some old barrel ferments to balance to new and “other” fruit components. A chenin blanc that is bottled the same year it was picked though that’s easier to do in the southern hemisphere where harvest happens in the first quarter months. Expectation always dictates value from the Kloof Street and 2018 does not disappoint with an attractive spiciness that speaks to the preservation of freshness in a chenin blanc possessive of no boundaries. One of the most versatile wines on the planet. Sheet pan sausages and fennel would be just ideal. Drink 2018-2022.  Tasted September 2018

Mullineux Chenin Blanc Quartz 2017, WO Swartland

Soil is the single matter, catalyst and difference maker to dictate the peculiarities, idiosyncrasies and unique sets of behaviours in the Mullineux single-terroir wines. The chenin develops “freckles” in the sun, tells winemaker Andrea Mullineux and the warmth of the high presence of quartz retains and returns warmth, translating to a conduit of concentrated ripeness passing through the vines. Not a direct heat, otherwise the berries would burn but a reflected back-beat of light and one that is slowly transmitted with naturally occurring temperature control for how and when the plants are in need. The greatest positive is in the maturation of phenolics in the skins and not by a hasty overload in developed sugars. From out of the silica oxide comes vegetative growth that promotes and preserves a physiological process in retention of acid freshness. The result? A phenolic journey unique to chenin blanc as here with a striking 2017, dry as drought yet fresh as a daisy. Though there is some creamy texture there too is hyper intense clarity, a variegate of dappled aromatics and brindled flavours, all bound up in animated acid bounces. Drink 2019-2029.  Tasted September 2018

Mullineux Chenin Blanc Granite 2017, WO Swartland

In chenin blanc the Mullineuxs engage in this single-terroir comparison, first by Quartz and now through Granite. The reference is to the predominant mineral presence in the soil and in how it influences the chameleon varietal. In 2017 Quartz is a major concern but switching to sandy, decomposed rocky soil and everything changes. Berries leave the world of mottled and piebald to one of demure and decor with thanks to the diffused light set upon them. That and a place where roots must burrow, digging deeper through hunks of rock into the sub-strata. This is where trace elements and minerals are to be found in the water table below and while limestone and silex is not the tablet there is some ideological affinity here with the Loire. As such it is this Granite that speaks in a leaner, thoroughly mineral, less spice and increased sharpness vernacular. Precision cut, flint struck, metallic, a song of science and silence. Body and flesh are ambient, less “creamy” than in Quartz, linear in travels, long and of an aging potential surely cast forward. Focused all the way through, unrelenting but always in layers of overlap and subtlety. Drink 2020-2033.  Tasted September 2018

Mullineux Kloof Street Red 2017, WO Swartland

Kloof Street is a “heritage blend,” says Andrea Mullineux, “it’s a wine about the love for making wine, but having preferences.” From vintage to vintage maybe check the bottle for varieties because there is no steadfast formula. Heritage, as opposed to Rhône means playfulness, choices and the inclusion of a structure fortifying grape like tinta barocca, truly integral to the Western Cape meritage experience. Here in 2017 there are some notable added layers of flesh, drying tannin and largesse. An early extracted wine in fast stages of maceration to coax out the fruit and deter astringency. Comes away rich and robust, rocking the free and new world. Drink 2018-2022.  Tasted September 2018

Mullineux Syrah 2016, WO Swartland

“I still consider it a blend,” insists Andrea Mullineux,”because it comes from seven vineyards on three soils.” Spends up to six weeks on skins, depending on how big the tannins are. Big equals patience. Burly early with spice and elongation but that heft and girth will slowly melt away. An invisible friend called acidity will usher the transformation, those gnomes of silent structure. The next stage will celebrate the leathery cherry fruit and cumulative Swartland savour.  Last tasted September 2018

The first drought vintage for the Swartland syrah and so the extract, concentration and density are all in compression mode. The change is felt with palpable impression, meatier, more char, even tar, and a little bit of dogma was necessary to bring in more granite-raised syrah to keep things swimmingly cool and savoury along. It’s a hematic one in 2016. To some this would be the bomb, the massive reason to believe and to others it might seem an impossible wall to scale. With a combination of love and patience the ’16 will please them all. Drink 2020-2028.  Tasted May 2018

Mullineux Syrah Schist 2016, WO Swartland

As with the two chenin blanc Quartz and Granite introspections there too is a Mullineux terroir combing of Swartland soils through the lens of syrah, there by Iron and here through Schist. The style or rather the result is befitting the monikers because Schist is the tamer one of the two and it is interesting to note that the syrah “blend” as Andrea Mullineux calls it is more like Iron than this elegant one. A huge January heat wave could have led this into the raisin danger zone because ripening under the shotgun is no way to approach harvest. Cooler heads and temperatures prevailed to allow for an unfurling, a plumping and a perking up. Schist comes out regal, aromatically civil and demure, but also juicier than a nosing might indicate. Acid retention is strong, sweet and quite friendly to work in cohorts with the cane and Baleni based spice. Dark in complexion, yes brooding yet sneakily serene, salty and so comfortable in its own skin. Drink 2020-2032.  Tasted September 2018

Mullineux Syrah Iron 2016, WO Swartland

The second of two Mullineux soil investigations for syrah is this dramatic and hematic nonpareil exemplar. Cultivar meets terroir, raised off of a heavy, gravelly clay, rich in iron, impressive and hallowed as antediluvian viticultural ground. That may not be completely Cape uncommon but this is clearly a paradigm shifter for drilled down South African syrah in attack meets beast mode, cimmerian, ferric and intense. Modish though, while inexorable character oozes from every pore and a mid-palate wells of extraordinary fill. Sharpens its wits on bullish tannin and expresses Northwest of Malmesbury iron with raw emotion and power, though without rusticity. What it may lack in elegance is made up by sheer force in reckoning, at first engaging and then gripping the palate by all means necessary. The velvet glove future lies somewhere in the next decade, likely latter first half. Drink 2022-2034.  Tasted September 2018

Paul Cluver Pinot Noir Seven Flags 2013, WO Elgin

Just a hint of evolution is showing in this five year-old pinot noir which is something because you had to work to find any in the just tasted 2009. The sweetest fruit comes from 2013, on of the riper, purest and most pristine vintages to express what Elgin has to offer. Ethereal actually, not loosely but effortlessly structured with a seamless bond forged between fruit and acids. Tannins are already subsiding in this elegant, balanced and slightly spiced pinot. Drink 2018-2026.  Tasted September 2018

Paul Cluver Pinot Noir Seven Flags 2011, WO Elgin

Such a composed vintage, cool, calm and collected. A Beaune Villages feel here, perhaps Aloxe-Corton with darker pinot noir fruit, almost black cherry but less obvious, more complex, full of baking spice. A genial and genteel Seven Flags nonetheless, elastic, pliable, amenable but not without undeniable and underlying composure. That backbone may bend with curvature ease but will not break. Provides the basis to see this Cluver from Elgin live easily up to and likely beyond its 12th birthday. Drink 2018-2023.  Tasted September 2018

Paul Cluver Pinot Noir Seven Flags 2009, WO Elgin

Harkens back to a time when the 1987 planted 113 clone was no longer the sole provider for the Seven Flags family after 115 and 667 had been planted in 2001. From 2009 it seems quite obvious the vintage was one to create big, robust, ripe and warm pinot noir. Even as it approaches its ninth birthday the evolution equation remains in early steps computation, perhaps just now moving to the next stage. Secondary development is still around the bend or on the next page, noted by the persistence of a cool climate, liquid but still grainy chalk. Also acts just a bit reductive which seems almost impossible but stranger things have happened out of South African vineyards. Just imagine the futuristic possibilities when these vines soon achieve heritage age. Remind me to ask Paul Cluver for a look at vintages from 2022 onward at Cape Wine 2039. Drink 2018-2023.  Tasted September 2018

Callie Louw, Porseleinberg

Porseleinberg Syrah 2016, WO Swartland

Poured by Callie Louw at Cape Wine 2018, this Riebeek Kasteel, Porcelain Mountain syrah somehow sits at a pantheon’s peak vintage after vintage, as if each one is a once in a lifetime effort. This must have been the epitome of such a consideration because Louw calls it “a fucking hard vintage, eh.” Strong talking words from the stoic and pragmatic BBQ smoker, winemaker and cricket master. Callie may have experienced a craftsman’s pain but the 70 per cent foudres and 30 concrete elévage not only tamed the savage beast, it helped to turn heads and remind of where greatness comes from. Tasted side by each with 2012 and 2013 only magnifies the massive structure in this ’16, a reductively bouncy, glycerin and impenetrable syrah in need of getting lost in the cellar. Will also need an epic song, “into the blue again, after the money’s gone.” Through the next decade and well into the following one this syrah will remain in light. “Same as it ever was.” Drink 2022-2040.  Tasted September 2018

Callie Louw’s smoker hard at work in Malmesbury

The Sadie Family Palladius 2014, WO Swartland

If you Google “South African white appellative blend” the number one result should surely be Eben Sadie’s Palladius and these are the 11 reasons why; chenin blanc, grenache blanc, marsanne, sémillon, sémillon gris, viognier, clairette blanche, roussanne, verdelho, colombard and palomino. Eleven blocks, all on granites, some from the Riebeek-Kasteel side. If looking forward to the brilliant ’16 and seeing it as a wine of mixed tenses, then this ’14 speaks in the imperfect because it strikes as the one to talk about the past and to say what used to happen. As in language, love, war and the past continuous, all is fair when it comes to assessing the verticals of wine, especially in descriptions. The 2014 Palladius is the back to the future vintage, of warmth and spice when things were picked overripe and new beginnings are constantly forged. But the citrus preserve and sheer electric lemon-lime energy looks ahead to the intensity of a youthful 2016, leaving a taster confounded, satisfied and awake all at the same time. This may go forward before it retreats once again. Drink 2018-2028.  Tasted September 2018

The Sadie Family Palladius 2009, WO Swartland

When talking about the 2009 vintage Eben Sadie talks of the decision to add sémillon, clairette blanche and palomino to his appellative white blend that already held chenin blanc, colmbard, grenache blanc and viognier. “To up the acidity,” aid and abet the tendencies of fleshy fruit to fatten in overripe behaviour. More than just acidity mind you, Sadie also looked to heighten the “acoustics” in a wine that was quickly becoming a major Swartland concern. Tasting this is September 2018 it can’t help but be noted how development and evolution have nearly caught up to 2005, a vintage cause and effect action no doubt. Here is the spiciest, sauciest and flat out nasty attitude Palladius, unabashed and already having done most of its living. That said the track record of these wines tells us to stay put, be patient and continue to relish the sapid, saline and ever-changing paths carved out. Drink 2018-2023.  Tasted September 2018

The Sadie Family Pofadder 2017, WO Swartland

Part of Eben Sadie and family’s “Die Ouwingerdreeks,” the old vine series and a reference to either or both puff adder snakes and the small “bushman’s land” town in the Northern Cape. Can be 100 per cent cinsault though the percentage is 85 in 2017, aged in old but not Jurassic wood. The ideal, epitome and exemplar bench-land varietal wine, not to mention a pioneer in the South African paradigm shift to conscious exultation of a plan in collective commitment for varietal, heritage vine and whole cluster ferments. From granite shales (not the decomposed kind) and yet another red fruit incarnate, freshest of the fresh precision wines. Pure Cape cinsault is this, with tannin but the kind that is sweet and stretched. No bullshit here. Drink 2019-2025.  Tasted September 2018

The Sadie Family Treinspoor 2017, WO Swartland

Afrikaans for “railroad,” perhaps a reference to the method of transportation that brought these European grapes to the Cape, depending on how far back tinta barocca arrived in the Swartland. In fact it was in the 1920’s and now just a bit more than 200 ha’s of this hardy, rustic, dark-skinned, early ripening and versatile red lay scattered about, accounting for two one hundredth’s of a per cent for vineyard area in South Africa. Sadie’s is a single-vineyard line running through the Darling side of Malmesbury, a cimmerian blackish red reeking of Renosterbos which is ironic because animal activists have always believed that the railroads threaten Rhino habitat. Digressions aside this is a prime example of why some might consider tinta barocca to be the future grape of Swartland. Sweetly floral and in 2017 both ways perfectly ripe. Botanicals abound, bosplante in bloom while flowers await the bees. Where this shares affinities with cinsault and grenache is in the curative and salumi aromas leading to sweet yet elastic tannins. The finish and length are expressly Swartland in nature. Drink 2020-2028.  Tasted September 2018

The Sadie Family Columella 2016, WO Swartland

Red counterpart to the Sadie white signature Palladius and residing in the upper echelon of Western Cape appellative blends. Ontario lays claim to the Stratus White and Red while the Cape knows these. Allowing for some levity there is a kinship to be considered between Eben Sadie and J-L Groulx, two of the more unlikely mad scientists able to capture the lit and woke disposition of mastered assemblage. Imagine Groulx also pouring varietal shots of many different farmed varieties from the back of his pick up truck during a lawn bowl in Niagara-on-the-Lake. The full name is Columella Liberatus in Castro Bonae Spei, Latin for “liberated in the Cape of Good Hope” and as a pillar of strength Columella’s syrah, grenache, mourvèdre, cinsault and tinta barroca ascend to dramatic expression. Variegated in every respect; hue, perfume, flavour and structure, at once layered and then stratified with doric strength, able to bear the most concentrated weight. Relative acidity, fluted or grooved, wider in youth to help support and lengthen. Intensely fortified with help from the barocca, naturally and of itself, intuitively wild yet controlled. Such a focused wine one rarely comes upon. Drink 2019-2030.  Tasted September 2018

The Sadie Family ‘T Voetpad 2017, WO Swartland

The “footpath” from both the Dutch (het Voedpad) and Afrikaans, also the name of Dirk Brand’s rooibos and wheat farm next to this oldest vineyard in the Kapteinskloof near Piketberg. Some say the oldest in South Africa, planted between 1920 an 1928, but others will say the first vines went in around the 1890’s through to the early 1900’s. Takes the Sadie Family “Die Ouwingerdreeks” to the farthest, most extreme reaches of the old vineyards idea. “The vines have seen it all,” tells Eben Sadie, “don’t fuck with us” is their message. “Don’t mess this up.” And so Eben co-ferments in an as is format but more importantly works at the agriculture to a point of obsession. Newer inter-plantings will go in, of sémillon, sémillon gris and palomino from massal selected material. To deal with drought cover crops will also be added between rows, all of course through an organic approach. The blend is sémillon, sémillon gris, palomino, chenin blanc and muscat d’Alexandrie, all processed together, but this is not about extreme winemaking. More like extreme farming, finding ways to keep these twisted kurktrekker and cavatappi bending vines alive for to produce their magic. The wine that emerges is all about tendencies and multiplicities of texture. The dry extract here is off the charts making it seem forcefully and fiercely tannic. Fantasy and zeitgeist just happens and the results are right there in the bottle. A remarkable wine and vintage from an isolated vineyard where drought is always a factor. Drink 2019-2033.  Tasted September 2018

Abrie Bruwer, Springfield Estate

Springfield Estate Chardonnay Méthode Ancienne 2016, WO Robertson

Burgundian ode, ancient method of making chardonnay, a rare approach these days, with wild yeasts and no fining or filtration. No surprise that Springfield Estate is willing to give it a go because that’s how they roll. The plan is for deep longevity by a method akin to anti-aging serum, though 15 to 20 years would be astonishing in any case. Ground control to major tang, circuits wired tohu vavohu and a lemon custard to curd constitution that is simply merveilleux. Yes it is true that a hint of orange could turn into Cointreau after a half decade or more and the mid-palate cloud cover will continue to deliver warmth and appeal. Curious methodology plus romantic acumen equates to one of a kind. We’ll see where this goes. Drink 2019-2024.  Tasted September 2018

Van Loggerenberg Wines Break A Leg Blanc De Noirs 2017, WO Paarl

Often referred to as a pink wine but to choose this term to call Lukas van Loggerenberg’s 100 per cent cinsault grown on Helderberg granite would not tell the right story. Blanc de noirs is more apt but even then more detail is necessary to do it justice. Sees nine months of lees time, “to remove the tutti frutti,” snarks van Loggerenberg, without jest but can you really know when he’s being serious? Leaves the arena of the Rosé absurd and settles at a hue of proper B de N colour, as if that really matters. Saltiness is the thing, the granite kind, the sort to set your eyes ablaze and your heart to rest. Not really a wine about texture, though there is plenty, but that’s not the goal. Anything but sweet and a wresting away from norms into a matter of reckoning. And all about five knee surgeries, something the winemaker and the critic know all about. Drink 2018-2021.  Tasted September 2018

Van Loggerenberg Wines Chenin Blanc Trust Your Gut 2017, WO Western Cape

While there are wines in Lukas van Loggerenberg’s world that travel down the kamikaze viaduct, Trust Your Gut is not one of them. In fact there is a normalcy, a recognizable structure and an older Euro soul to the way this chenin blanc acts and feels. Sees 10 months sur lie in old French oak but no bâttonage, nor malo neither. Three zones bring the fruit; 45 per cent each Stellenbosch and Swartland plus 10 from Paarl. Take chenin blanc and treat it like a Villages wine by imagining Loire aromatics merging with Chablis texture. This my friends is a classic example of amalgamated Western Cape chenin style. There is irony in the name and no shocker there. Drink 2018-2022.  Tasted September 2018

Early springtime in Cape Town

Van Loggerenberg Wines Cinsault Geronimo 2017, WO Western Cape

Geronimo is 100 per cent cinsault, 60 per cent from Stellenbosch and 40 “Break a Leg” Paarl. The get together finds energy that one without the other would not find “because cinsault doesn’t have high natural acidity,” explains Lukas van Loggerenberg, “it is a very good indicator of vintage.” The 2017 is, wait for it, 80 per cent whole bunch and while that is a factor of the Western Cape’s ripen anything, anywhere, anytime great advantage, it’s still an impressive strategy no matter where you are making wine. Spends nine months in barrel and comes out smelling like roses, candied petals mainly but other florals, hibiscus and such. A handsome cinsault to be sure and one that will take precious time to unwind, great acidity or not. Like the red Cape equivalent of white friulano in Collio, sneaky long and structured. Drink 2018-2024.  Tasted September 2018

Van Loggerenberg Cabernet Franc Breton 2017, WO Stellenbosch

A more than obvious ode to the Loire Valley, 100 per cent cabernet franc bearing the old world varietal name. Fruit drawn from Stellenbosch’s decomposed granite soils gets the 60 per cent whole bunch treatment, followed by 11 months in barrel. Transparent as cabernet franc is the understatement, open wide, ease of alcohol at 12.8 per cent and in delivery for the rapture of being alive. Lots of verdant tones but nary a green tannic moment. Seems like the beginning of a beautiful friendship so the future too is wide open. Drink 2018-2020.  Tasted September 2018

Sheree Nothnagel

Wildehurst Velo White 2016, WO Swartland

A testament to non-pareil, Cape appellative white blend equanimity, of colombard, grenache blanc and viognier, 33 of each, give or take one per cent. Only the viognier is barrel fermented though the equilibrium os never compromised. Intensely herbal, of a nose uncanny in its fynbos reek, lovely glycerin texture, again balanced and knowing the place it wants to be. Acid structure travels though in a pas trop travaillé, no trouble way. Drink 2018-2021.  Tasted September 2018

Wildehurst Chenin Blanc 2017, WO Swartland

Barrel fermented and six months matured, 100 per cent chenin blanc, acting as if freshly spiced and in Cape terms, a really chewy white wine. Counterbalanced by a leanness in vintage while wound tight, just now perhaps beginning to unwind in repeat of its specific refrain. Acid structure makes up the lyrical couplets, sung again and again, as a reminder that fruit and wood will always align and submit to the citrus rhyme. Almost feels like still perlage and chenin blanc like this is very much a string of pearls, inclusive of tannins in long chains. Helps to explain the success of Wildehurst’s Méthode Cap Classique. Drink 2019-2024.  Tasted September 2018

Wildehurst Red 2014, WO Swartland

A blend of shiraz, grenache, mourvèdre, viognier and cinsault, aged in old French barrels for 18 months. Like the solo cinsault but an even more held back and hard to crack the savoury and sweet candied shell. Both elements emerge with good agitation, first the sweet variegate of red fruit and then the brushy and dusty fynbos bushiness, here acting as an energizer for equal opportunity. Spills over with that Wildehurst acid-tannin continuum as all the wines take their time to ready, pivot in the glass and then speak of their age ability going forward. Big bursts are all power and no cake. Rich yet elastic and surely capable of going deep. Drink 2019-2025.  Tasted September 2018

Wildehurst Cinsault 2017, WO Swartland

Just two barrels were found to be extraordinary and thus pulled by Sheree Nothnagel, away from the red blend and into this solo album. Quite the richly emulsified and ropey red fruit cinsault and while it follows along the varietal Swartland thread the differences are as great as they are to the party’s similarities. That is due in respect to the Wildehurst style, tighter and more acid-structure intense, higher-toned and less in the meaty-salumi-curative vein. Still possessive of that red as red can be fruit but here more akin to barbera or sangiovese from high altitudes and limestone soils. There must be something about Koringberg and the other Swartland sites that bring a special je ne sais quoi to Joanne Hurst’s wines. Maybe in thanks to Swartland shale, granite, silcrete and alluvium Renosterveld. Who does not love the smell of Renosterveld in the morning? Drink 2019-2027. Tasted September 2018

The Wine Thief Costa Del Swart Viura 2017, WO Voor Paardeberg

From the Western Cape’s chameleon of a region where anything goes and all things are considered. Case in point this viura of Spanish roots as part of the single barrel series. Surely Swartland specific (as opposed to Paarl), 100 per cent viura and only 180 bottles produced. Less alchemy and more herbology, but flinty, sharp and exciting. Direct, full of fun and even a bit waxy, with a riesling or sémillon feel that can only mean some petrol in its future. So much citrus gets ya in the end. Drink 2018-2022.  Tasted September 2018

Good to go!

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WineAlign

50 California blasts from the past

Godello in the Napa Valley mustard

As each calendar year counts down I set out on a long December inward journey, sifting through thousands of tasting notes, looking for reminders to trigger emotion. The purpose is a honing, a zeroing in process, first to create a shortlist and then a numbered final register to match the century’s yearly suffix. The latest was Godello’s Twenty mind-blowing wines of 2020. A bit painstaking to agglomerate while simultaneously offering a grouping of days in recollection of the year’s finest sips though rumination over the previous 365. On this the first of March 2021 there is a looming and gloaming of a particular sort, forced upon us by circumstance as the auspicious anniversary approaches. Thus it seems like a reasonably credible idea to act upon the concept of creating more top lists, or rather further “gathered reminiscences,” blasts from the past. These are 50 California wines tasted years ago, assessments that up until now remained raw and unfinished, just now committed to public record.

Carneros, Napa Valley

Chardonnay

Patz & Hall Chardonnay Alder Springs Vineyard 2014, Mendocino County

A vineyard of altitude and cool seven miles from the ocean at 1200 ft with fruit also sold to Kosta Browne. Her for banana, lemon and intense dry extract. Crisp as possible, freshness, balance, length, carries it all. No butter, no oil, no gratuitous aromas or flavours. Exceptional. Donald Patz has now retired having sold to Chateau Ste. Michelle. Buy it up. May never be this exceptional again. Wild ferment, full malolactic, 70 per cent new French wood. $60-70 US. Drink 2018-2025.  Tasted August 2016

Grgich Hills Estate Chardonnay 2012, Napa Valley

In the zone, reduction blowing off to the edges of the compound. The liberally spread butter fully absorbed, the wood subsidy subsided, now all laid out in retrospect. Ripeness from that beautiful vintage has settled into a cool, lemon curd tart and nectarous nectarine delectation. All tolled the cumulative is an effect of elegance, though in this case not necessarily richesse. Drink 2016-2019.  Tasted April 2016

Kutch Chardonnay Santa Cruz Mountains 2014

Santa Mateo County, really reductive, very mineral, the most thus far in a line-up of 13 California chardonnays , from what is surely the coolest spot from the Santa Cruz Mountains. Great rocks, stones and bones. Yes bones, by karst and the sea air reaching out to make this seriously cool. The great mountain tang and natural acidity, intense, snappy, snapping back and long. From Jamie Kutch, “Burgundian to a fault,” this being his first effort with chardonnay. An “abandoned” chardonnay vineyard, 12 per cent abv, pH to give you lemon juice but when you get lemons you know just what to do. $40 US. Drink 2018-2024.  Tasted April 2016

Keller Estate Chardonnay Oro De Plata 2014, Sonoma Coast, Sonoma County

This makes the previous wine (RS) seem oxidative. Reductive is at the fore for the Keller, freshness locked in, really wound on the coastal spindle, intense fruit and even more so, acidity, circular, reeling, wild. A Petaluma Gap leader to be sure, chardonnay of heritage with a winemaking tie to Hansell. No malolactic and all neutral oak. This is so very Chablis, Côte de Lechet and so, wow. $35 US, 800 cases. Drink 2018-2025.  Tasted August 2016

Benovia Chardonnay Fort Ross Seaview 2014, Sonoma County

A coastal vineyard (and fruit that is also employed by Flowers) and many will rank this as the coolest spot in California for growing grapes. Mike Sullivan is the winemaker, with fruit that used to go to Marquesan. This done in a richer, expressive, layered style. Some tropical notes, deeply hued, mango, nectarine, creamsicle. Fresh, tart depth, Champagne like with toast and brioche. Luscious custard, 40 per cent new wood, 400 cases made. $55-60 US. Drink 2017-2022.  Tasted August 2016

Melville Verna’s Estate Chardonnay 2014, Santa Barbara County

Both rich and really reductive, deeply hued, fully sun-worshipped and deftly but intently extracted fruit. A bite into a barrel, a Mutsu apple and the inside of a platinum pipe. Big, unabashed style with never ending mineral, tart, ripping and wisely no real malolactic. Plenty of lees though and the oldest of the oak. It’s all fruit, lemon curd and so dessert-like chardonnay but of savour and spicy sapidity. Saline finish. $40-50 US. Drink 2018-2022.  Tasted April 2016

Migration Chardonnay 2014, Russian River Valley, Sonoma County

The richest and most “old-school” California of the lucky 13 tasting, fruit orchard apple and pear albeit folded and blended through ripe and creamy custard. Or at least the renderings thereof. Likely able to attribute that opaque, cloudy, clotted cream sensation from the fog injection. $40-45 US. Drink 2017-2020.  Tasted April 2016

Presqu’ile Chardonnay 2014, Santa Maria Valley, Santa Barbara County

Nice reserve on this nose, teasing some tropical fruit but keeping it calm, cool and collected. The calcareous aromas are quite fine, delineated like a chalky streak though less so on the palate follow through. Quite tart and nicely dry extract turn to creamy texture but not so thick in fluidity. Like barrel fermented chenin blanc so a unique expression. Listed at 13.9 abv, low pH, neutral oak and stainless, half and half. Matt Murphy is winemaker and co-owner. $35-40 US. Drink 2017-2021.  Tasted April 2016

Ramey Chardonnay 2014, Russian River Valley

Some reduction and quite a corpulent, sweet herbology, genovese basil, pine nut and quality olive oil. Pesto of herb, glade, lemon and fine acidity. Always perfectly Russian River Valley, with a warm steal but ultimately cool. Drink 2017-2021.  Tasted August 2016

Ramey Chardonnay 2008, Russian River Valley

Really showing some age from not the top of the top vintage, holding up but in display of its new barrels, nose oxidized and flavours still buoyed by acidity. So the corrective structure seems out of balance now while the wine marches on. Musty and microbial at this point with a fading sweetness on the finish. Drink 2016-2017.  Tasted August 2016

Sonoma County vines
Photo (c): https://www.facebook.com/SonomaCountyVintners

Beringer Chardonnay 2014, Napa Valley

Continues along the Beringer scaling line of wood retreat, cool climate clarity and as a result a wider commercial appeal. Who would have predicted the success but it’s really working. There would never be a mistaking and the shining is always in play but the admiral work and practicum really does what is base, necessary and appreciated. Drink 2017-2020.  Tasted April 2016

Martin Ray Chardonnay 2015, Green Valley Of Russian River Valley, Sonoma County

A greener understanding, like the smell of algae on rock in a pretty little creek. Carries some unction and creamy sherbet texture on the palate. Listed at 13.7 abv, toasty by 40 per cent new french oak, full malolactic. It leans delicious but also verdant and commercial. Drink 2017-2019.  Tasted April 2016

Rodney Strong Sonoma Coast Chardonnay 2015, Sonoma Coast

Classic taut and reductive chardonnay with Petaluma Wine Gap scream, in suffragette of creamy, rich fruit. Early harvest, compressed vintage. The fruit is caught in the wine’s vacuum, a wine tunnel creating this centrifuge of richness and acidity. Commercial, composed and so very effective. $25 US Drink 2017-2020.  Tasted August 2016

Mer Soleil Reserve Chardonnay 2014, Santa Lucia Highlands

A Wagner Family of Wines property, a fine restraint and a shine to cooler thoughts come from this highland chardonnay, with more than enough orchard pressed fruit to fill a trough for the quiet and the masses. Really ramps up and fleshes on the palate with some wild biters late. Good length. Drink 2017-2020.  Tasted April 2016

Chamisal Stainless Chardonnay 2015, Central Coast

San Luis Obispo County, ocean proximate, cool spot, from the oldest producer in Edna Valley. Nicely lean, briny, saline, good acidity. Add some fish or seafood flesh and it will sing. Fresh and crisp. $18 US. Drink 2017-2019.  Tasted April 2016

Menage A Trois Gold Chardonnay 2015

From the Trinchero Family Estates stable, classic buttery rich and slightly toasty broad California style. Barrel rendered middle road taken, wax polish, enamel-oleaginous spray. Intensely inward and uni-dimensional for commercial lobster fishing, crack a shell and pour into red plastic cup enjoyment. You know what’s it’s good for. Drink 2017-2018.  Tasted April 2016

Scheid Chardonnay Escolle Road Vineyard 2014, Santa Lucia Highlands, Monterey County

The aromatics here are off the charts in the 13 strong grouping of this tasting. Waxy, caramel, smoky, flinty, butterscotch in gobs. Really odd conclusive nose and even stranger to taste, with a pencil lead and rubber tipped pencil flavour that reminds of childhood class boredom chewing mistakes. Inoculated, 7 per cent new oak, some of it “European.” Drink 2017-2019.  Tasted April 2016

Sonoma Coast
Photo (c): http://www.sonomawine.com/

Other White

Long Meadow Ranch Sauvignon Blanc 2015, Napa Valley

Ripe and creamy aromas take this sauvignon blanc into fresh and exotic territory but it’s one of those wines that really improves on the palate, carrying weighty and energy together, expanding and elevating the status in so many ways. A gregarious and resourceful sauvignon blanc with more upside than many peers. Drink 2017-2020.  Tasted April 2016

St. Supéry Sauvignon Blanc 2015, Napa Valley

The high stirred SS, SB style, from high and dry extract effect, fine acidity and faux sugary spell. Full fleshy mouthfeel and terrific 2015 tang. Lays out the green carpet for the vintage, the varietal and what’s to come. Drink 2017-2020.  Tasted April 2016

J Vineyards Pinot Gris 2015, California

J Vineyards Pinot Gris 2015, which strikes as pinot grigio in style, dry extract to aromatic sweetness, warm and inviting. Tart and citrus intense, very appealing commercial style and a buttery finish which tells some barrel is involved. Drink 2017-2018.  Tasted April 2016

Treana Blanc 2015, Central Coast

A blend of 45 each marsanne and roussanne plus viognier, a bit of aromatic reserve, quite rich and dense on the palate. Flavours of very ripe pear and even riper apple. A bit into the sauce and the purée. Could use a more purposed shot of acidity and courage. Drink 2017-2018.  Tasted April 2016

Cabernet Sauvignon

Heitz Martha’s Vineyard Cabernet Sauvignon 2012, Napa Valley

As only Heitz can do this provides the combination of elegance and structure and what may just be the finest tannins available from Napa Valley for cabernet sauvignon. That this is so understated speaks volumes about the essence and the incredulity of a Martha’s and with the dry backdrop of a perfect Napa growing season this clambers through its reps with effortless ease, muscular tension and satisfying performance. More ballerina than gymnast and certainly more statesman than warrior. Drink 2020-2033.  Tasted April 2016

Groth Cabernet Sauvignon 2013, Oakville, Napa Valley

Continues the thread of dry, dusty, beautifully savoury and fruit fleshy cabernet sauvignon from the Groth team. It’s like biting into that perfectly ripe and juicy plum, in texture, not sweetness or even specific to the fruit, but that texture, its unmistakeable. Seamless, tender, age worthy and so friendly (but at the same time serious) cabernet sauvignon. Grothiness refined and defined. Drink 2019-2027.  Tasted April 2016

Spottswoode Estate Cabernet Sauvignon 2013, Napa Valley

A different world here, very floral, historic site with vines that go back as far as 1972, organic since the mid-1980’s. With a slice of reduction to grant forward structure where candied roses will always be there. Classic 1990’s Napa style, rich and full but focused, pure and detailed. Complex, 20 months in French wood, 60 per cent new, 88 per cent cabernet sauvignon 88 plus (8) cabernet franc and some petit verdot. The potential is great. This will become picture perfect. $185 US. Drink 2019-2032.  Tasted September 2016

Etude Cabernet Sauvignon 2012, Napa Valley

The combination of fruit (could it be any riper or improved upon), acumen and no expense spared makes this the cabernet sauvignon of great esteem in that echelon where few reside. Berries in many forms; fresh, puréed and in clafouti are fully engaged. What will this not do for you, for 20 years and more? Everything. The most refined and sophisticated such a wine can be. Drink 2019-2033.  Tasted April 2016

J. Davies Cabernet Sauvignon 2014, Napa Valley

From Schramsberg Vineyards, a Napa Valley aromatic beauty, the most floral of any on this table and in so many ways the most Bordelais, or perhaps more specifically Margaux with such perfume only a scant few know or understand. So pretty and powerful, lovely, structured and intense. This will age for two decades easily and tasting this really puts it all into perspective. The palate brings more of the divine, silky, fleshy and with some spicy bite and chew. Really fine. Really, really fine. Drink 2020-2035.  Tasted May 2016

 

Gallica Wines Cabernet Sauvignon 2013, St. Helena, Napa Valley

Oakville valley floor Napa fruit gravelly soil, from Rosemary Cakebread. First wine in this haute line-up to amalgamate the blue, red and black fruit, with some volcanic aromatics. Acidity works in and all around and so this has it all going on with a chocolate finish more refined. Mainly (75 per cent cabernet sauvignon plus (25) cabernet franc, suave from blueberry to red currant to black berry. The corporeal tone is elegant and muscular. Has some real elegance and is is simply excellent. 249 cases. Drink 2019-2031.  Tasted September 2016

Young Inglewood Estate Cabernet Sauvignon 2012, St. Helena, Napa Valley

Deep, low, bench land gravelly soils, extended maceration, rich concentrated depth, amazingly void of chalk and grain though the tannin is intense. Very refined, spicy and great acidity. It’s all in napa, all in from Josh. Wow, so long. $157 US. Drink 2018-2028.  Tasted September 2016

Signorello Cabernet Sauvignon 2013, Napa Valley, Unfiltered

From 1990 planted hillside, bench site vineyards, gravelly with good drainage, young but structured, just east of the Silverado Trail. Rich, black fruit, chalky, fine-grained and very sweet tannin. All natural yeasts, 22 months in 65 per cent new oak. All in but because the fruit is so rich and pure there is balance. Rich, spicy and focused, tempered chocolate finish, a prime example of today’s Bordelais in the retro-modern world. $156 US. Drink 2018-2026.  Tasted September 2016

Silverado Estate Grown Cabernet Sauvignon 2013, Napa Valley

Also high-toned but the level of serious, depth and bad-ass intent is on the table. From steep shale soils, there is a mountain herb aroma that is distinct, ahead of the chocolate curve,. All in 100 per cent cabernet sauvignon, 45 per cent new wood, heat factor notably reduced. There is a cool-menthol note but the flavour is a change of pace, into cool, thin mountain air and the tannins are a beast. Tart and grainy finish. Needs five to seven years to integrate. Exceptional wine. $150 US. Drink 2019-2028.  Tasted September 2016

Y Rousseau Cabernet Sauvignon 2013, Napa Valley

Yannick’s work, in reduction and Mount Veeder depth. Further south with fog-maritime coverage so here winemaking is in, Bordelais for sure, reminds of St. Éstephe. Dark, pitchy, cimmerian, with a steep remoteness about it. Volcanic, serious at 2000 ft, so great acidity that just seems natural and raging. Candied flowers and this is just simply intense, gorgeous and alone. Eastern exposure, naturally fermented, 18 months in 75 per cent in new oak. The structure here is second to none with focus, determination and very aggressive tannins. Quite hot on the finish being the only detractor. 150 cases made. Drink 2017-2024.  Tasted September 2016

Daou Vineyards & Winery Cabernet Sauvignon Soul Of A Lion 2013, Paso Robles

Carries a cool, Mediterranean savour on the nose, with spirit, vitality and a black olive tapenade. Seamless, ripe in acidity and intensely naked but never wavering from its energy. This is a massively structured wine and no doubt will last 25 years but touched anytime in the first 10 will require hours of aeration and a more than obvious, double-digit ounce weighed, protein fleshy sidekick. It may be big and high octane on the nose, carry a truck load of architectural bones on its corpulent frame but it never loses sight of finesse and dare it be said, elegance. Well, maybe not elegance but it is charming, handsome and fine, even in the face of massive extraction. Drink 2020-2030.  Tasted April 2016

Honig Cabernet Sauvignon 2013, Napa Valley

Going deeper and darker on the floor, ripe and tart black raspberries, dusty Rutherford fruit, 87 cabernet with a long splash of petit verdot, with some merlot. Aged in 100 per cent American oak (30 new). Good valley floor fruit absorption, some exotic black and white fruit, pod and kernel. Acidity is low profile, tannin slightly more but this is quite easy to get at for a Honig. A wine of good volatility. $78 US. Drink 2016-2018.  Tasted September 2016

Terra Valentine Spring Mountain District Estate Grown Cabernet Sauvignon 2013, Napa Valley

High Mediterranean-savoury component, in black olive and caper volatility. So much ripe but tang-tart-sour raspberry, a product of high sun hours at elevation with the need for canopy management. Old vines, erosion hills, fog-influence, history and repetition. Very savoury and another wine with its very own kind of funk. Oak and spice with grainy tannins all over the finish. Wild, disparate and complex wine. A bit early to get to know and then it carries a bit of an advanced character or a natural cure to it that may always be there as it ages over a good long period of time. $175 US. Drink 2017-2025.  Tasted September 2016

Trefethen Family Vineyards Cabernet Sauvignon 2013, Oak Knoll District, Napa Valley

Valley floor fruit where healthy ground cover leads for major florals and minor Mediterranean scents, namely black olive. Gravelly, Oak Knoll natural acidity giving rise to the AVA nature, that ripe and round acidity for a cool feel. Aridity, pinch of salinity, rises and lingers. Minor pitches from malbec, petit verdot and merlot. Overall epitome of red fruit. Better value than most. $60 US. Drink 2017-2021.  Tasted September 2016

Rocca Family Vineyards 2013, Napa Valley

Single vineyard on a 21-acre farm, high toned, dark fruit from a warm bench land site, alluvial soil, organic. Sees 20 months in 75 per cent French oak and in this case it is necessary because the fruit and the acidity are ravers and ragers. Such a cooling back side, minty, chocolate mint, rubbed between the fingers, yes, like malbec. Oak is huge. $108 US. Drink 2018-2023.  Tasted September 2016

Darioush Napa Signature Cabernet Sauvignon 2013, Napa Valley

More of a proprietary red, 75 cabernet with some merlot and a minor amount of cabernet franc, plus malbec and petit verdot. More acetic tendency, tart and direct, even stark at first. High octane over bullish concentration, not so subtle, aromatically closed but the acidity and the overall structure is gritty. This needs time to settle, for the composed acidity to get together and layer into the fruit. The finish while hot is more composed. There is some dried fruit advanced character. Multifarious, both by varietal and picking times, or so it would seem. $95 US. Drink 2016-2019.  Tasted September 2016

Farella Cabernet Sauvignon 2012, Napa Valley

The tones are on the rise, up in the air, quite the herb influence, whiff of pipe tobacco, seems like a higher percent of malbec and/or petit verdot. From the most recently designated AVA, volcanic meets foxy, dried fruit with spice, fig, cherry, apricot, peach and plum. Chewy dried fruit, you need to work a while (it’s actually 100 per cent cabernet) some grainy, chalky tannin and really good length. New oak is well-integrated. Not as cultured and understood in fact perhaps a bit disjointed but so much potential and expectation runs high for what will come next. Oak is an imbalance factor. Simple finish. $65 US. Drink 2016-2019.  Tasted September 2016

Sara d’Amato, ROM September 2016

Pinot Noir

Etude Grace Benoist Ranch Pinot Noir 2012, Carneros

The fullest of fruit, with spice and San Pablo Bay influenced tension. The combination of ripe and ripping, rich and ricocheting. Has found the right place. Typically atypical for Carneros or rather as Carneros within a Napa to Sonoma connectivity. Holds an ability to age like few varietal sistren or brethren in either AVA. Drink 2016-2022.  Tasted April 2016

Longoria Wines Pinot Noir Lovely Rita 2015, Sta. Rita Hills

“Nothing can come between us.” A wine with a song in its title, offering up the lowest hanging fruit and ready for lyrical association. Fine and elegant pinot fruit, with slender, long fingers and legs, plenty of confidence and so perfectly Sta. Rita Hills representative of place. Restrained, elegant, beautiful and ethereal. That’s a really fine pinot noir with a shot of garrigue. Drink early, If for no other reason that there is no way to resist temptation. Drink 202017-2020.  Tasted April 2016

Patz & Hall Sonoma Coast Pinot Noir 2014, Sonoma County

Now under the ownership of Chateau St. Michelle Wine Estates, this is one of Donald Patz’s swan songs, a wine that has swept into a new price stratosphere, 50 per cent increase in the last what seems like five years (but is probably more like ten). Sweet pinot fruit in such a refined, elegant and classically secure Sonoma Coast style, with altitude, diurnal temperature changes and the maritime air all influencing the style. Drink 2018-2022.  Tasted April 2016

Marimar Estate Mas Cavalls Pinot Noir 2013, Doña Margarita Vineyard, Sonoma Coast

Marimar Estate’s Mas Cavalis 2013 pinot noir shows great tension as always, acts nominally rustic and engaging. A turnkey pinot noir, expertly ripe and accented with sweet if spicy oak, tart but never lactic. Just terrific varietal wine noting vineyard and AVA with alternating slash double entendre distinction. Drink 2016-2021.  Tasted April 2016

Reata Pinot Noir Rosella’s Vineyard 2014, Santa Lucia Highlands

From out of the Santa Lucia Highlands and a property owned by Jamieson Ranch Vineyards. Rich and velvety, slightly spicy but certainly spiced, very consumer friendly at the higher end of the scale, interesting in that it hits all the right notes and lingers nicely but it’s almost too vivid and appealing. Drink 2017-2021.  Tasted April 2016

Benovia Pinot Noir Cohn 2013, Russian River Valley, Sonoma County

Sweet tension, red berry emotion, tar and roses, not as intense as perhaps expected. Great example however of Russian River Valley fruit, though low acidity, easy to like, hard to keep around. Drink 2016-2017.  Tasted April 2016

Other Red

Chateau St. Jean Cinq Cépages 2013, Sonoma County

Full on deep, dark, arid and ranging wide trodding a silk road. Extensively far reaching red blend and with great formidable tannin and structure so perhaps the best of its ilk in many a moon. Top quality from Margo Van Staaveren through the looking glass of vivid transparency and vibrancy. Best I’ve tasted. Drink 2018-2023.  Tasted April 2016

Duckhorn Three Palms Merlot 2012, Napa Valley

Duckhorn’s Three Palms ranks amongst the finest in Napa merlot and from 2012 I could paint my plate with this reduction. Thick, beautifully chocolatey and yet chalky, tart, angled and nearly bradding. It could pass for Masseto. Really Italianate and intense. So much chocolate and spice, clove, nutmeg, purple flowers. Not sure just anyone can handle its vivid truth but it’s a very intense and stylish merlot. Drink 2017-2022.  Tasted April 2016

Twomey Merlot 2012, Napa Valley

From Silver Oak Cellars, just now coming into its window with the formidable barrel continuing its slow melt, now in a calm and gelid stage. Coconut and plum combine and then there is this chocolate smooth consistency and always the dusty feel of merlot. Still pulsing with energy but this is such a full on expression. All chocolate and espresso on the finish. So much oak. Silver oak. Drink 2017-2022.  Tasted April 2016

C.G. Di Arie Vineyard & Winery Syrah 2012, Sierra Foothills

From the Sierra Foothills, this is deep mahogany red pitchy, meaty and cured syrah, full aromatic fleshy and mouth coating/filling with terrific silky addendum. A seamless syrah from start to finish. Turns into something firm (feels like granite) and even porcine at the finish. There’s a lot of fun complexity and ever-changing personality, from its roots to the Rhône and back again. Fascinating. approx. $40 CAN. Drink 2018-2022.  Tasted April 2016

Cline Big Break Zinfandel 2013, Contra Costa County

Cline’s Big Break zinfandel 2013 is rich, brambly and so full of dark berry fruit, though also a bit of oxidation. Chalky, lactic, not overtly tart and I like the fennel, tar and roses aspect. Complex and really big. Drink 2016-2017.  Tasted April 2016

Good to go!

godello

Godello in the Napa Valley mustard

Twitter: @mgodello

Instagram: mgodello

WineAlign

Retrospective, alternative Argentina

One of my favourite all-time documentaries is the 1967 “Don’t Look Back,” D.A. Pennebaker’s backstage biopic of Bob Dylan on tour. Who can forget “Don’t look back, ooh, a new day is breakin’,” by the mysteriously, somehow and against all odds timeless band Boston. Crazy as “F” Van Morrison sang “Don’t look back, to the days of yesteryear. You cannot live on in the past. Don’t look back.” Finally, in his wistful 1980s Boys of Summer ode to better days Don Henley sang, “A little voice inside my head said don’t look back, you can never look back.” Yet here I am, doing just that, but in this case for good reason.

Gerardo Diaz

Related – Making tracks in Argentina

Related – High altitude heliophiles in Argentina 

Time allows for such things and when you remember unfinished business there is some truth to fulfilling a long ago made promise. A silent accord of salient requiem with passionate people who shared prized bottles and as a wine writer you are bound by the unwritten and unbinding contract. Things demand closure and so the August 2015 sit-down with Gerardo Diaz and David Neinstein at Barque Butcher Bar finally comes full circle. Gerardo’s then epiphany happened in Argentina and the alternative universe he discovered was spoken through a few cases of wine he paid 10 times in duties as compared to what he shelled out at the source. Later in April 2016 we sat down with Emily McLean and Josh Corea (I miss them all) at Archive 909 and tasted the lava. A volcanic time was had by all, naturally. Meanwhile, what does alternative Argentina even mean six years later? By the time I had visited Argentina in November of 2018 the idea of alternative varietals, new, innovative and alternative winemaking styles were already a part of the fabric. But in 2015 the examples were few and far between. Gerardo sniffed them out long before bottle shops lined with labels of the far, wacky and away were even a thing. These were the sixteen we shared and my notes were blessedly easy to transcribe, a testament to Gerardo, the wines and their rebel makers.

Bodega Cruzat Charmat Style Chardonnay, Uco Valley, Mendoza

Juan Carlos is the winemaker for tis fine lithe chardonnay of fine mousse with yeast induction. A yeast of gastronomy, already having passed through some development, long hanging, creamy, rich, full, well-made. Nettles, sharp, pointed, a new Charmat direction and idea. Decent length, peach fleshy flavours and then citrus, ripe and late. Drink 2015-2016.  Tasted August 2015

Bodega Cruzat Cuvée Nature Método Tradicional, Uco Valley, Mendoza

A blend of 60 per cent pinot noir and (40) chardonnay, full malo, 24 months on the lees. Full on dusty, leesy, funky fizz, on the platinum, concrete, oxidative side. A grower’s crust, and such righteous proper fromage making this something experiential. Ginger and endemic yeast, like red fife bread, with ferric tones. Goes new and old at the same time. It’s actually chewy! Drink 2015-2018.  Tasted August 2015

Domaine Alma Negra Brut Nature NV, Mendoza

A traditional method Rosé and while Josefina Alessio insists “we don’t confess on grape varieties,” this is in fact a pinot noir and malbec sparkler of eight to as much as 16 months on lees. The grapes comes from uncertified biodynamic vineyards in the production zones of Vistaflores, Tunuyán, Mendoza (3,608 feet) and Gualtallary, Tupungato, Mendoza (4,265 feet). An implosive bubble, all about energy and a side-step, two-step into texture. Raspberry is everywhere, as if it could be nerello mascalese sidling up to malbec. Low pH and just about dry adds up to red fruit, lime and overall zest. Drink 2018-2020.  Last tasted November 2018

Aged in 20 per cent new oak and 14 months on lees, unfiltered, smoky as a cranberry marsh brush fire, from Tupungato. Limestone, smoky, sharp and unctuous of candied peach, inciting the need to match this with the smell of an open charcoal grill. Such an amazing response to changing the face of making South American sparkling wine. Turns to cheese and stone on its slow decline which will be six, seven, maybe 10 years down the Uco road.  Tasted August 2015

Bodega La Azul Sauvignon Blanc 2014, Uco Valley, Mendoza

Steel to bottle for six months rest, 10,000 cases and ostensibly a $10 wine. Reductive, fresh, noting quinine, sparked, pinging and so saline. A briny capering of South America and there is nothing like this, though no capsicum or overt grassiness. Neutral, big mineral, sweet stones, a bit dilute on the palate but also no inspiration. Just La Azul. Drink 2015.  Tasted October 2015

Bodega Finca La Escarcha Viognier Entrelíneas 2011, Tupungato

Saw 10 months in French barriques, a rare Uco Valley sighting, read between the Viognier lines. Clearly about where it’s from, in bite and texture. Would be hard pressed to pick it out blind as viognier yet the oak gives cream and custard, also a bit reductive and yet chardonnay like. So wild, natural, divine. Great length, like the unfurling of a long strip of savoury, saline taffy, smooth and effortless in glide down as if over the sloping ups, downs and moguls of a water slide. Beautiful bitter citrus finish. Drink 2015-2019.  Tasted August 2015

Colonia Las Liebres Bonarda 2012, Luján De Cuyo, Mendoza

The grape of the people, what people care for and an integral part of the the future for Argentina. No matter how hot it gets, acidity remains. Dark current of currant juice running through a charcoal vein, spice in its drip, bursting of iron, VA and sprays of cooking oil flavour. Velvet tongue and much more spice than many. Drink 2015-2017.  Tasted August 2015

Alma 4 Sparkling Bonarda 2011, Santa Rosa, Mendoza

Alma 4 project was started in 1999 by Mauricio Castro, Agustín López, Marcela Manini and Sebastián Zuccardi. Avant-garde, on the radar ideal, 10 day maceration, natural fermentation, 36 months lease the lees, traditional method MASH. A grape Ne-Hi, slice of black cherry pie, yeasty oven aroma, then metal smoulder. Dry as the desert with more acidity than Lambrusco. Santa Rosa nary minerality, sanguine and wound very tight. Dramatic departure from still bonarda, hung for ripe fruit but vilified with zero dosage. Beautiful oxidation. Oh where this might go. Drink 2015-2021. Tasted August 2015

Alma 4 Sparkling Bonarda 2012, Santa Rosa, Mendoza

Lithe by comparison, still oxidative and more elastic, not as rigid and more purity, clean, playful and clear, a blue sky day versus a cloudy brood. Still the grape soda, the current and the ripeness but something softer and prettier here. Lingerer too and the finish is even more blessed with natural aridity. That said the 2011 was a whole helluva lot more fun. Drink 2015-2019.  Tasted August 2015

Cara Sur Bonarda 2014, Barreal, San Juan

Dry farmed, down a garagiste of a dirt road, small production, Zuccardi funded. Natural run-off water and yeast, 500-600 bottles, from north of Mendoza, “Valle de Calingasta.” The natural cure is off the charts, the Emidio Pepe of Argentina, Winemaking is really just perfect, smells like the scrape of the amphora, already holds the aromatics of years, the answers of age, the design of ancients. You could keep this in the glass for a week and it will hardly evolve, 40 year wine for sure. Purity incarnate. Drink 2015-2030.  Tasted August 2015

Cara Sur Criolla 2014, Barreal, San Juan

Not gamay, though could very well be, but criolla (cree-oh-jah). Dusty and so floral, earthy of sweet variegated beets, THE Cru of/for criolla, fresh and yet of terra firma. Still has the natural cure, expert finesse, allowance for reality glaring and expansive,. Heads to the atmosphere, hovers as if on magic carpet or broomstick. Pure roses distillate. Taste the novella in the glass, but not the frostbite. The natural sweetness is of a remarkable rusticity. Warmer on the finish than expected. Drink 2015-2018.  Tasted August 2015

Altos Las Hormigas Malbec Vista Flores Single Vineyard 2011, Mendoza

Organic and biodynamic, bruiser, big-boned, so much oak. Chocolate, ferric, sanguine, top-tier commercial malbec, were malbec to be made in Châteauneuf-du-Pâpe. Graphite, pencil lead, full on massive flavour, truly varietal, layered, chalky, full grain and big tannins. Huge bleeping wine yet somehow bleeds natural. Somehow. You really feel the alcohol in the late palate (14.8 per cent). Drink 2016-2021.  Tasted August 2015

Carmelo Patti Malbec 2006, Luján De Cuyo, Mendoza

The indigenous natural cure persists in malbec form, eccentric winemaking here, a contrarian Malbec, non-aggressive of fruit jam yet muscular, masculine, oak coffee-chocolate driven. But with Bretty, wood spice character, on the rubber reductive side. With the age of patience, the need for thinking, the lack of care for conventions and standards. Not a major concern for aggressive acidity. Best days are passed but so very flavourful and characterful. Drink 2015-2016.  Tasted August 2015

Mar E Pampas Sauvignon Blanc 2014, Patagonia

Young vines, terpenes in juicy waves, very tacky, concentrated, but not so very ripe . Piercing acidity, a grapefruit citrus, not grassy at all and very little spice. Quite in tune with cool climate sauvignon blanc or riesling. Direct, crisp crunch and bite. Drink 2015-2016.  Tasted August 2015

Mar & Pampa Gewürztraminer 2014, Patagonia

As fresh as gewürztraminer will ever be, like muscat from the flats of Patras and not nearly tropical. Pear for sure, from sea level flats, with salinity, crisp and delicate. First vintage, waxy and glade citrus, pretty amazing. A late night tang that will keep it from being as simple as say, gewürz nouveau. The most interesting gewürz emotion from bubble gum to bones. Producers in Patagonia be woke. Drink 2015-2017.  Tasted August 2015

Mar & Pampa Pinot Noir 2014, Patagonia

Has natural cure, funky socks, brightness of cranberry being. Just a terrific funk, a concrete feel from natural yeast. So pure, with porcine intent, spice, truffle, but again, so bright. Would never guess its origins. The terroir is correct for pinot noir. Has nuance in its litheness. Not exactly Burgundian, no surely Argentinian, clearly Patagonian. Drink 2015-2017.  Tasted August 2015

Good to go!

godello

Twitter: @mgodello

Instagram: mgodello

WineAlign

Yearning for the Langhe

Godello in Cherasco

My kingdom for an Albese plate of Tajarin at Osteria dei Sognatori or a platter of Plin at Ristorante La Libera. What a wine writer would not do for a Langhe reprise, a Piedmontese redux, a tasting of any Barolo, Barbaresco, Roero, Dogliani, Alba or Langhe Barbera and Nebbiolo, Langhe Roero Arneis, Na’Scetta e Favorita. Were things normal and they most certainly are not, but were life being lived now as it was one year ago we would be convening in Alba in two weeks time. What I would not give to break bread with a winemaker, colleague or friend in Piemonte.

Related – Barolo DOCG previews and retrospectives: 2016, Riserva 2014, 2006 and Riserva 2004

Mark these words. The two specialized and specific DOCs of Nebbiolo d’Alba and Langhe Nebbiolo will gain prominence and become a two-headed beast in 2021. The world will gather to exult, raise up and drink these fine and vastly underrated examples of classified nebbiolo. Of this I became truly privy to one year ago but also throughout 2020 as more and more nebbiolo came to be assessed across my desk. Yes it was back in January 2020 when I travelled to Alba in Piemonte for Nebbiolo Prima 2020 and Grandi Langhe. I tasted more than 600 nebbiolo, dolcetto, barbera, arneis, freisa, chardonnay, pelaverga and even riesling during the eight day work staycation. Grande.

Grandi Langhe 2020

Related – Barbaresco DOCG previews and retrospectives: 2017, Riserva 2015, 2007 and 2005

Nebbiolo Prima and Grandi Langhe Trade Fair are a back-to-back cumulative by the work of many, not the least of which are organizations such as Consorzio Albeisa, a.k.a Unione Produttori Vini Albesi, Consorzio di Tutela Barolo Barbaresco Alba Langhe e Dogliani, Consorzio Tutela del Roero and Regione Piemonte. During that trip I tasted and reviewed 230 Barolo: DOCG 2016 (197), Riserva DOCG 2014 (6), DOCG 2006 (20) and Riserva DOCG 2004 (7). For Barbaresco the number was 92: DOCG 2017 (59), DOCG 2015 (15), DOCG 2015, 2007, 2009 and 2005 (18). As for Roero DOCG, 38 notes: DOCG 2017 and 2016 (33) and DOCG 2006 and 2007 (5).

Related – Roero DOCG Previews and Retrospectives: 2017, Riserva 2016, 2007 and Riserva 2006

Here’s to hoping for a return at any point in 2021, or in 2022 for the 25th Nebbiolo Prima followed by Grandi Langhe, if that’s how it will be. In the meantime here are 44 further reviews of wines tasted in and around Alba back in January, 2020. Langhe Nebbiolo DOC, Nebbiolo d’Alba DOC, Barolo DOCG, Barbaresco DOCG, Barbera d’Alba DOCG, Verduno Pelaverga DOC, Langhe Nascetta Del Comune Di Novello DOC, Langhe Favorita DOC, Roero Arneis DOC, Langhe Rosato DOC, Vino Rosso and Birbét. Care Langhe, spero di tornare presto.

Nebbiolo d’Alba DOC

Diego Morra Nebbiolo d’Alba DOC 2016

F.rom northern facing vineyards that receive no direct sun so essentially a cool Langhe climate. Nebbiolo that sees a short maceration and French wood. Not your everyday or expected nebbiolo in a really light and transparent style. Extremely fresh and refreshing, taut, high-toned and yet this creamy texture. Richer than half-and-half, perhaps like 20 per cent fat though lactose free and not enough to be whipped. So different. Drink 2020-2023.  Tasted January 2020

Malabaila Di Canale 1362 Nebbiolo d’Alba Doc Bric Merli 2017

From the vineyard directly in front of Bric Volta. A lighter, but far from unstructured nebbiolo with a new and certain grace and still unmistakeable Canale DNA. Here you can mark another reference point, not to mention the genetic and torch passing material provided by 650 years of history, information and accumulation in experience. The demeanour is confident and gracious. Who would not want a glass every night? Drink 2020-2024.  Tasted January 2020

Mauro Sebaste Nebbiolo d’Alba DOC Parigi 2017

Comes from the same type of marly soil as the barbera, here out of vineyards located in the villages of Alba and Diano d’Alba. The vines are around 20 years of age and the wine sees one year in (30 per cent new) American 40L and French 30L barrels. The idea is to draw out soft and elegant tannins, especially by the American oak. That much is true in a nebbiolo heading towards that direction though not quite yet there. A return in two to three years should do the trick. Drink 2021-2024.  Tasted January 2020

Nebbiolo Langhe DOC

Elvio Cogno Nebbiolo Langhe DOC Montegrilli’ 2018

A name taken from Valter Fissore’s grandfather’s vineyard in the Roero, not Barolo and yes this is a nebbiolo and a wine to drink. Immediately gratifying in so many ways. From vineyards on the other side of Novello, southwest exposure and very sandy soil with just a minor amount of sandstone. Fragolina di bosco and white raspberry, a juicy wine that can quench your thirst. Just a minor grip and chalk of tannin. Hardly causes any confusion and allows you to sip and sip and sip. Grill some fish and Montegrilli’s your friend. Drink 2020-2025.  Tasted January 2020

Mauro Molino Nebbiolo Langhe DOC 2018 ($27.95, Le Sommelier Inc.)

From two vineyards, one in La Morra (estate) and one in Roero. Less than a year in old, large barrels and a purposeful one, for early and often drinking enjoyment. Bright fruit, easy, forward and will surely solicit many a happy palate for dual-drawn, doubling down pleasure. Floral, well made and proper. Drink 2020-2023.  Tasted January 2020

Bollito Misto, Sinio

Azienda Agricola Taverna Langhe Nebbiolo DOC 2018

Declassified nebbiolo from Barbaresco with mildly candied fruit, slightly oxidative, but charming. Only been in bottle maximum one month. Drink 2020.  Tasted February 2020

Sottimano Langhe Nebbiolo DOC 2018 (454017, $32.95, Le Maitre de Chai)

Youngest vines in the Basarin Vineyard at 18 years old grown in sand and clay at the foot of Neive. The Langhe nebbiolo sees 20-30 days on skins (as opposed to 30-40 for the Barbaresco), ferments naturally and at low temperatures. Glaring as a vintage with a big grin on its face, unprecedented concentration, healthy extraction and completed by elevated dry extract. Incredible intensity for the appellation, something already noted in 2015 but bears repeating, like a mantra, for kicks, compliments, giggles and kudos. The Piedmontese maceration brings so much texture and chromatic accents; tangerine, vermillion, sorrel and umber. Longer maceration, less wood (four months) and no love lost for aging, not to mention waxing rhapsodically on. Drink 2021-2026.  Tasted January 2020

Osteria dei Sognotori, Alba

Barolo DOCG

Agricola Marrone Barolo DOCG Pichemej 2015

Pichmej is a combination of two vineyards, Bussia and Santa Maria, what Valentina and sister’s Serena and Denise Marrone call “our grandfather’s wine.” Who happened to be Carlo. A nebbiolo that you really can drink now but then again that’s the thing about young Marrone Barolo. They and this ’15 Pichmej display a sense of the ethereal in their youth. Nature in conjunction with nurture, a delicate touch and phenolic regulation to near perfection. If you would like to access the portal into the reality of how nebbiolo needs to be made in modern times then begin right here and know what’s what in 2020. Drink 2020-2026.  Tasted January 2020

Agricola Marrone Barolo DOCG Bussia 2015

Compared to Pichmej this nebbiolo from Bussia is a step up in concentration and also structure, the latter being in kinship with Bussia 2016. That said there is absolutely zero compromise to the stylistic execution that makes for a Marrone Barolo. Simulates the phenolic beauty of Pichmej and of ’16 but the fullest, deepest and most complete journey happens here. Enologist Donato Lanati has coaxed the fruit but not the bitters while the sisters Marrone find excellence in completing Bussia and all the rest. Lightness of being is also accrued while the wine clocks in at a hidden 15 per cent alcohol. Magic happens and success follows. Drink 2021-2029.  Tasted January 2020

Cascina Adelaide Barolo DOCG Baudana 2015

From Serralunga d’Alba and the apposite Barolo cru, forceful, grippy, demanding, always mired in posit tension tug. That alone explains no differing opinion but pay attention to the kind of “tensione” Adelaide’s creates. The numbered beats are off, out of time, or at least not understood in fours, yet orchestrated and aligned as they should be. As in five or taking the fifth, with a spoonful of notes, lines, vocalizations and structural arrangements feeling like they are unanswered. A vintage that men are dumbfounded by but girls can tell. Baudana is a hyper real get together of brushy aromas, dedicated flavours and highly functional architecture. This one stretches and creates an elastic musculature, flexible and persistent. Wouldn’t mess with Baudana. Drink 2020-2031.  Tasted January 2020

Simone Ortale and Giuliana Drocco, Cascina Adelaide

Cascina Adelaide Barolo Riserva DOCG “Per Elen” 2014

A blend of two cru and says Simone Ortale “we choose the best to make Riserva. It’s our jewel.” The same grandi botti (as per Preda and Cannubi) but here 62 months of aging time. The most mouthfeel, filling and the silkiest chalky liquidity, tannins and layering of multifarious, mille-feuille multiplicity. A nebbiolo for the decades. Drink 2022-2035.  Tasted January 2020

Cascina Boschetti Barolo DOCG Gomba 2015

A smooth, elastic, stretched and elongated nebbiolo from the Commune of Barolo and Boschetti’s estate fruit. Drawn off of the higher reaches and also some that is sold to Marchesi di Barolo. Drink 2020-2025.  Tasted January 2020

Cascina Boschetti Barolo Riserva DOCG Sernìe 2015

Sernìe is the cru inside the cru, a selection within the selection and a word in Piedmontese dialect that essentially means just that. Surely the richer, more concentrated, fully stretched, entirely elastic and truly elongated nebbiolo. Has the violets, purple fruit, foie gras and decadence. Drink 2021-2032.  Tasted January 2020

Cascina Boschetti Barolo Riserva DOCG Sernìe 2012

This older version of the cru within the cru comes from a very select parcel and as an estate flagship nebbiolo is only produced in select vintages. The formidable 2012 season made a request that winemakers (in this case Maurizio Delpero) did not try to extract too much fruit which would also mean an excess of tannin. Yet Boschetti’s Sernìe was subjected to a Piedmontese 40-day maceration (a cappello sommerso), a classic technique that eight years later establishes an exaggeration of nebbiolo riches. Was also a generous vintage that saw to healthy fruit and quantity. Serious Barolo right here. Drink 2020-2030.  Tasted January 2020

Crudo – La Libera, Alba

Diego Morra Barolo DOCG 2015

From the river between La Morra and Verduno, two plots with separate soils and expositions to combine for a double cru cause and effect. Balanced and dynamic, a nose of power meeting finesse. No winding or cinching but more a zig-zagging, ying versus yang, AC-DC, nebbiolo going both ways. Lovely spice. Drink 2021-2026.  Tasted January 2020

Diego Morra Barolo DCOG Monvigliero 2015

From four hectares in the Verduno cru and the three Ms, Mosca, La Morra and Monvigliero. The V in the middle is for Verduno. The 2015 nebbiolo is a really pretty one, floral and understated but of obvious power. Near formidable in its restraint with bursting a real possibility at any near moment. Not quite there yet but it’s coming, it’s real, leaving meaning. “In a room made of stone your future was made.” Wait for it. Drink 2022-2029.  Tasted January 2020

Elvio Cogno Barolo DOCG Bricco Pernice 2015

Ages three years in wood, one year further in barrel. One hundred per cent Lampia clone. A little bit more classic in terms of what is Barolo. The partridge is a special hill and a place that gives away these highly specialized nebbioli and 2015 is on the border between a red and a black vintage. More black then red. A vintage that will be so right and so joyous in middle age and ideal for salty (aged) cheese and meat. Splendido nebbiolo. Drink 2022-2029.  Tasted January 2020

With Valter Fissore

Elvio Cogno Barolo Ravera DOCG Vigna Elena 2014

Rosa clone of Ravera, not quite yet released (will be in three months), dedicated to daughter Elena. A registered menzione geografica named many years ago so the size on the label is set above the DOCG. More of a Bourgogne style. Rose petals and potpourri. Red fruit and red citrus so obviously a red year. Cured like salumi, bresaola maybe or at least eat some alongside. A touch vegetal and that is ’14, sun-dried vegetable and yes, like pinot noir. The first vintage was 1997. Drink 2024-2036.  Tasted January 2020

The quality of the wines gives everyone at Mauro Sebaste every reason to smile

Mauro Sebaste Barolo DOCG Cerretta 2015

Less weight and density in 2015, both in Serralunga fruit and also tannin. Much interest here in how it intimates the richesse of ’16 but not the youthful aggression of the tannin. More freshness, linearity and understanding. No hard edges, really easy to like and enjoy and enough grip to see it develop nicely over the next seven plus years. Might even last longer than imagined. Drink 2020-2027.  Tasted January 2020

Mauro Sebaste Barolo Riserva DOCG Ghè 2014

Ghè is the Riserva of Cerretta fruit but only the smallest berries are chosen. A mega clonal version per se, a Cerretta of Ceretta. Celebrates and argues the merits of a challenging vintage, spends 36 months in tonneaux and like the Cerretta there is pure and substantial fruit. Acidity and tannin too, more than you might imagine considering the wood. Tension and grace live side by side and this is just beginning to act like it will for its essential and optimum 10 year window. Drink 2020-2029.  Tasted January 2020

Palladino Barolo Del Commune Di Serralunga d’Alba DOCG 2016

A true commune Barolo drawn off of a scattering of vineyards, a Serralunga liqueur warming, comforting and reliable, plus a vintage tannin more stringent and yet to crack. Spent two years in grandi botti plus six further months in bottle. Of roses and tar, youthfulness and tension aboard a nicely balanced and upright frame. Drink 2021-2029.  Tasted January 2020

Palladino Barolo Riserva DOCG San Bernardo 2013

The “oriental plot,” from the other side of the Ornato cru and a nebbiolo to speak of extended elévage just as it should. Now into a balsamico cadence and a tartufo lilt. A matter of funghi, acciuga and back to that truffled sensibility. So much umami, the anchovy sitting like a salty and briny slice of maritime butter on toasted crostini with shavings both pencil and earthen nuggets in origin. Oh how the feeling of the block and the greater Piedmontese emanates from one glass of Barolo that only San Bernardo seems capable of gifting. The secondary nature of this nebbiolo is astonishing, if like Christmas come early but why not celebrate now? Should keep developing, morphing, giving again and again. Drink 2020-2030.  Tasted January 2020

Renato Ratti Barolo DOCG Marcenasco 2004 (713479, Halpern Enterprises)

Has quite obviously rounded into form, now beautifully rich and preserved. Poured from magnum yet showing all of its age, fruit sweetly hanging in the balance and as a whole an elegant nebbiolo worthy of the reference. Drink 2020-2024.  Last tasted January 2020

Of the famiglie Pola e Ferro is polar as compared to the non of the Burdin. AM and D nose “car exhaust.” I am tricked by its charm and think New World Syrah, but am reminded that the colour lacks gloom. Hugely muscular, girded by plastron and decades ahead of itself. “Leave it open all night and it’ll be amazing” says Dr. C.  Tasted April 2012

Cherasco

Barbaresco DOCG

Azienda Agricola Taverna Barbaresco DOCG 2017

Comes from one vineyard, the top part of the hill, Gaia Principe it’s called, one of four that make Barbaresco in the MGA. Quick maceration, only seven days, not very Piedmontese and because the house tradition is to make wines to drink and drink now. A very fresh nebbiolo, sweetly perfumed, clear, pure and precise. Drink this most days. No good reason not to. Drink 2020-2025.  Last tasted February 2020

Very ripe and organized, developed and heading forward with great haste. Acids are brighter than some so there is light streaking through the Neive vintage darkness. Another example that speaks to the great variability in 2017. Drink 2020-2024.  Barrel Sample tasted January 2020

Barbera d’Alba DOCG

Cascina Adelaide Vigna Preda Barbera d’Alba 2016

Same vineyard as the nebbiolo for the Preda Barolo but here the barbera fruit is notable deeper and darker. Spends up to 18 months in big barrel and high acidity for Alba with just the right and deft touch of necessary volatile acidity. Rich, luxurious and lovely. Drink 2020-2024.  Tasted January 2020

Cascina Adelaide Barbera D’alba Superiore Docg Amabilin 2016

Named after the creator himself Amabile Drocco who as a child was called Amabilin. The name chosen for the wine pays homage to the family’s origins. The yields are ridiculously low (half a kilo per vine) from 3,000 kg per hectare that represents half of the consorzio’s disciplanare rule. So concentrated and a true gem in the Adelaide portfolio, in fact this is truly one of the tops in all of what is labeled Superiore. Includes eight to ten per cent Barolo fruit but not that which might end up as DOC Nebbiolo. High acidity again (as with the Preda) and ultra special tannins. Only 2000-2300 bottles are produced. Drink 2021-2029.  Tasted January 2020

Diego Morra Barbera d’Alba DOCG 2016

Roddi is the source and direct sun exposure provided for a terroir-varietal relationship that is necessary when you consider acidity rates, ripeness measurements and structural assets. Here barbera gets into beneficial bitters, speaks with assuring alacrity and extolls the virtue of a mainly steely exterior. Really spirited, fresh and alive. Drink 2020-2024. Tasted January 2020

Elvio Cogno Barbera d’Alba DOC Bricco Dei Merli 2017

Single vineyard, aged for one year in wood. The hilltop of the blackbird and a wine nosing succinctly of black cherry. No way this is simply the wine of the osteria or the honky tonk bar. The maturation here is set so high on both fronts, first sugar and then phenolic. Acidity is supportive and there is no burn. There is no jam. What shows is body strength, spirit and a soft finish. Comes from elevation where the wind blows and you can feel the cool breeze running in the veins, like cool water. Picked late September and we are thankful for that. Drink 2021-2026.  Tasted January 2020

The view from Elvio Cogno

Elvio Cogno Barbera d’Alba DOC Pre Phylloxera 2018

Pre-Phylloxera because of these barbera vines’ ability to survive with thanks to sandy soil and 500m of elevation. A red soil that was not inhabitable to the louse. The vineyard is rented from Marcarini and Valter likes to farm it to to keep the history of his family’s work alive. Lower acidity, higher concentration and an affinity with northern Rhône syrah. Cool, smooth, silky, crystal clear and the pinnacle of barbera beauty. Incredible texture. Only 2,000 bottles made. Drink 2021-2029.  Barrel Sample tasted January 2020

Lucrezia Carrega Malabaila

Malabaila Di Canale 1362 Barbera d’Alba DOC Giardono 2018

From a single vineyard, eight yearsold and aged in concrete, for a reductive environment and more important a low, natural and slow ferment. A rich deep cherry barbera to be fair, sure and completely honest with a modernity of acidity that belies the reasons why barbera fell out of favour and became hard to sell. This will do the yeoman work to continue the resurrection. A spice market from a time gone by connects Giardino to a loyal and traditional wine. Drink 2020-2025.  Tasted January 2020

Malabaila Di Canale 1362 Barbera D’alba DOC Mezzavilla 2015

From 75 year-old vines in the Mezzavilla Vineyard, located between the villages of Cisterna (towards Asti) and Canale. Just a few percentage points of oak because the fruit demands it and concrete will keep freshness but doesn’t quite do enough for this fruit. Such a soothing acidity and a presence that speaks to the sand and the clay of the land from whence it came. Taste this fruit and you will understand. Drink 2020-2022.  Tasted January 2020

Mauro Molino Barbera d’Alba Doc “Legattere®”‎ 2017 ($24.95, Le Sommelier Inc.)

A selection of barbera vineyards of soils calcareous/clayey, maceration of six days, fermented in steel, aged in French oak. Just a classic, pure red fruit, high acid and smooth texture/tannins. Round flavours, big yet somehow understated. Drink 2020-2023.  Tasted January 2020

Mauro Sebaste Barbera d’Alba Superiore DOCG Centobricchi 2016

On the hill just above Alba on the way to Serralunga, of low yields that produce just about one bunch per vine. Spends one year in new French oak to gift spice, savour, silk and palate fineness. High acidity, at times too high but necessary to foil the hedonism. A piqued and plentiful barbera that in the end comes down to farming. Drink 2021-2026.  Tasted January 2020

Palladino Barbera d’Alba Superiore DOCG Bricco delle Olive 2017

Big barbera, 15 months in (50 per cent new) tonneaux with violets and spice smothering all else. Despite the enormity of it all this is barbera in a balanced varietal world and Bricco delle Viole is clearly a Superiore terroir from which to approach with great ambition. All assets are encouraged and flaunted  within the grand scale of this particular Alba spectrum. Will improve with some further wood integration. Drink 2021-2025.  Tasted January 2020

Azienda Agricola Taverna Barbera d’Alba DOC 2018

The red fruit juiciest and most succulent Barbera d’Alba with great acids. Make you wish more varietal wines like this would align, draft and glide alongside. Fresh and just lovely. Drink 2020-2023.  Tasted February 2020

Verduno Pelaverga DOC

Diego Morra Pelaverga DOC 2018

Diego Morra’s pelaverga ’18 is clear, concise and pure, lying with a varietal heart at its most effusive. Prim as is imaginable while a big expression for a light and silken grape. From a “normal,” manageable and consistent vintage. A wine executed with molecular gastronomy to an end forged by a grape-wine relationship. Social, artistic and technical pelaverga, investigating the physical and chemical transformations of ingredients that occur in farming and then, winemaking. Drink 2020-2024.  Tasted January 2020

Vino Rosso

Malabaila Di Canale 1362 Donna Costanza Cardunaj Vino Rosso 2017

A digestif wine, a Brachetto vinified dry and so curious. A dessert wine with no fizz and just a touch of sweetness. A moment’s Amaro bitters but no sense of liqueur. Odd to be sure. Drink 2020-2022.  Tasted January 2020

Método Classico Vino Spumante Di Qualita

Malabaila Di Canale 1362 Pas Dosè Método Classico Vino Spumante Di Qualita

A 50-50 nebbiolo and arneis mix, seven years on the lees, from the 2012 vintage and disgorged in October 2019. Yes you read this properly, seven years on lees. The Malabaila connection to the Esterhazy royalty in Austrian indirectly bridges two estates and you can’t help but think about the Blanc de Blancs made in the Burgenland. Zero dosage means lean, direct, sharp and energetic bubbles with remarkable precision. These are Grandi Langhe bubbles from Roero, not to be missed. First vintage was 2010. Can’t be Millesimato because it’s a blend. Drink 2020-2025.  Tasted January 2020

Langhe Rosato DOC

Malabaila Di Canale 1362 Langhe Rosato DOC 2018

From Lucrezia Carrega Malabaila with perfectly typical Rosato colour for nebbiolo taken from Roero lands. ’Tis a coppery hue, sexy rusty, mimicked in flavours with a note like lemon tisane. Steep in some currants and sweet herbs and you get the picture. Poured from magnum and good thing because a table of six would have otherwise gone very thirsty. Drink 2020-2022.  Tasted January 2020

Langhe Nascetta Del Comune Di Novello DOC

Elvio Cogno Langhe Nascetta Del Comune Di Novello DOC Anas Cëtta 2019

Cold stabilization and some wood aging but in botti, no longer in barriques. I have yet to put the nose to my glass and the aromatics are coming out. A semi-aromatic grape with here in 2019 from peach, elderflowers and high level acidity. I would imagine it’s most akin to chenin but even that is a stretch. The drinkability meeting complexity is off the charts. Once you go tactile-textile nascetta like this you may never go back. Approximately 16,000 bottles produced. One of now 30-plus producers in the Langhe. Barrel Sample tasted January 2020.  Drink 2020-2023

Le Strette Nas-cëtta Langhe DOC Pasinot 2018

Nascetta, or Nas-cëtta, as they say in the commune of Novello with fruit out of Pasinotti, Bergera, Pezzole and Tarditi at altitudes of 350 to 420m. Planted over many decades, in 1948, 1983, 2009, 2014 and 2016. The Piedmontese grape rarity likes the sandy, calcareous clay and its emission is semi-aromatic. This example sits somewhere between riesling and gewürztraminer though truth be told seems closer to friulano what with its glycerin and off-dry sentimentality. Novello is the place and the heights help bring about the oiliness and preserved citrus notes from the grape. Needs another year to fully bloom. Drink 2021-2025.  Tasted January 2020

Langhe Favorita DOC

Malabaila Di Canale 1362 Langhe Favorita DOC Donna Costanza 2018

A label made by Lucrezia’s father (who passed away in 2010) for his wife and her mother. Endemic, full of drive, a touch of a sweetness and in a way a cool, northern example that is linked to inzolia, or even zibbibo. More texture here and alloy notation. Lingers with herbs and sweet citrus. Drink 2020-2022.  Tasted January 2020

Roero Arneis DOC

Malabaila Di Canale 1362 Roero Arneis DOC Pradaj 2018

Pradaj in Piedmontese is “A valley with grass and flowers” and clearly a reference to the aromatics in the grape variety from this place. A perfectly correct and referenced arneis indeed and an ideal match to the local Plin agnolotti filled with herbs. When the arneis from Roero speaks clearly it does so like this, unadorned, floral and calm. Drink 2020-2022.  Tasted January 2020

Birbét

Malabaila Di Canale 1362 Birbét Donna Costanza 2018

Mosta d’Uva parzialmente fermentato or, grape must partially fermented to five point five per cent alcohol. Served traditionally as dessert though it could certainly be employed in aperitivo format, as Brachetrto d’Acqui often is. Very cherry, lightly carbonated and sweetly herbal. Simple pleasure. Drink 2020-2021.  Tasted January 2020

Good to go!

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WineAlign

Twenty Canadian wines that rocked in 2020

(c) @tiny.wide.world and @winealign

Year-end lists and greatest hits have always elicited a personal introspective fascination, not any lists mind you but mostly those involving music. Always curious to find out if someone else thought the same songs or albums aligned with your own. Such lists are met with growing skepticism and so the words “top” or “best” should be taken with a grain of salt, scrutinized with impunity, viewed with subjective prejudice. Music and wine need not be considered as ranked, top or best but instead contemplated with dead reckoning, as if throwing a buoyant opinion overboard to determine the speed of the mind’s emotion relative to thought, which was assumed to be dead in the waters of judgement. The feeling of being moved, stirred up in sentiment, excited and reaching deeper into understanding, these are the reasons to tally a culminating register. Neither for enumeration nor for classification, but for the indexing, of harbingers and that which makes us feel.

(c) @tiny.wild.world and @WineAlign

What transpired over the previous 12 months has not left the arena of the unfathomable and the absurd, but with respect to Canadian wine there can be no doubt that a next level of greatness was reached. Holiday time will be somewhat solitary as 2020 winds down and while the sharing of bottles will surely mean more repeated sips for the few involved, they will be sweet ones and are not to be taken for granted. As for the exercise of creating a rocking roster of Canadian made wine, well here on Godello this so happens to be the eighth annual for an instalment that first appeared in 2013. Now adding up to seven more entries than the first and acting as natural segue, a transition and salvo towards crossing over the threshold where 2021 awaits.

Related – Nineteen Canadian wines that rocked in 2019

Twenty. Not an arbitrary number but rather an arbiter of perpetual and developmental prowess of a nation’s wine-producing ability and surely while knowing that no fewer than 20 others could of, would of, should of made the grade. The quote is a timeless one and will be employed once again. This curated list is “biased, exclusive and decisive but it is meant to celebrate a select few with a mandate to elevate and exult the rest. It’s also a proclamation read to many who remain ignorant to an ideal of great wine being made in Canada. The winemakers in this country are in full command of their acumen, craft and future. They own it.”

Related – Eighteen Canadian wines that rocked in 2018

In 2020 Canadian wine came to my tasting table in ways no other year made it happen. There were no excursions to British Columbia, Nova Scotia or Quebec, save for a 36-hour round-trip drive to Halifax in delivery of precious human cargo. No Cuvée or i4c. No VQA Oyster competition, Somewhereness or Terroir Symposium. No walk-around tastings. Despite going nowhere the opportunities to sample Canadian wines were of a number higher than ever before. Safely distanced tastings at WineAlign headquarters, at the welcome emptiness of Barque Smokehouse and in our homes brought Canada’s finest bottles to us. Though we were unable to convene in June at the WineAlign National Wine Awards of Canada, a prodigious alternative became surrogate in the guise of the Guide to Canada’s Best Wines, a.k.a WineAlign’s GCBW. Over the course of six weeks we tasted through 860 samples and not just any mind you but truly Canada’s best. We were sad to miss Tony Aspler’s Ontario Wine Awards and David Lawrason’s Great Canadian Kitchen Party, the artist formerly known as Gold Medal Plates. Here’s to hoping 2021 will usher in a return to assessing and celebrating together.

Related – 17 Canadian wines that rocked in 2017

Aldé Rosé, Interloper and As Is

Related – 16 Canadian wines that rocked in 2016

The numbers chosen to cant, recant and decant excellence in Canadian wine continue to march ahead, as promised by the annual billing. In 2018 the list counted 18. In 2017 there were 17 and in 2016, 16 noted. In 2015 that meant 15 and 14 for 2014, just as in 2013 the filtered list showed 13. Last year? You would be correct if you guessed 19. There is no red carpet for 2020, it just doesn’t feel appropriate or right but keeping on is essential. “Whence comes the sense of wonder we perceive when we encounter certain bottles of art?” Here are 20 most exciting Canadian wines of 2020. Twenty Canadian wines that rocked.


Le Vieux Pin Ava 2018, BC VQA Okanagan Valley ($29.99)

Calculated, figured and reasoned, a 51 per cent roussanne, (36) viognier and (13) marsanne organized, Rhône motivated blend that just fits right. A kiss of new wood and a 35 per cent wood campaign, slightly more in steel and then the other freshener, that being a fifth of this exceptional vintage fruit having seen time in concrete tank. Yes the aromas are wildly fresh, far away tropical and cumulatively enticing. A white blend of rhythm and soul, actionable in every part of its drift and coil, democratic, of no accident, come up to please and at the same time, foil. Offers this and that, high tempo acids opposite fully ripened fruit and all tolled, wrapped up with a tailored bow. Drink 2020-2024.  Tasted October 2020

Cave Spring CSV Riesling 2018, VQA Beamsville Bench, Ontario ($29.95)

Cave Spring’s is Ontario riesling and along with three or four others the CSV has been the benchmark for decades. CSV is one of the reasons to believe in riesling, versatile, brutally honest, speaker of the mind, telling us like it is. As for 2018, frosts in late ’17 reduced the upcoming vintage’s yield potential. Long, hot and dry was ’18’s summer and so doubling down occurred. Less yet highly concentred fruit was pretty much assured before September turned wet and humid. CSV embraces and stands firm in its dealings with nature so while there is more flesh and flavour intensity there too is the tried and true structural backbone. Surely a highly phenolic riesling but every aspect is elevated in this game. A hyperbole of itself, gangster riesling, the jumbo package, age-worthy and stone-faced beyond compare. Best ever, perhaps no but perchance something new, riveting, magnified, extravagant and well, fine. Drink 2022-2032.  Tasted October 2020

Charles Baker Picone Vineyard Riesling 2017, VQA Vinemount Ridge, Niagara Peninsula, Ontario ($37.20, Stratus Wines)

The concept behind Baker’s single-vineyard riesling is for the top tier one to be possessive in the matters of majestic and dignified, which quite honestly it is. Funny vintage that ’17 was and yet in riesling there can be this slow melt, tide and release of intricacy and intimacy, which this Picone does. Like taking a picture with the slowest shutter speed, allowing the sensor a full allotment of time in its exposure to light. This is the dramatic and hyper-effect and how Baker captured the highest riesling resolution imaginable. The succulence in the acids over top juicy, juicy fruit and this great entanglement is majestic and dignified. My goodness Charles, I think you’ve done it. Drink 2021-2032.  Tasted April and October 2020

Martin’s Lane winemaker Shane Munn

Martin’s Lane Riesling Simes Vineyard 2016, BC VQA Okanagan Valley, British Columbia ($45.00)

First tasted at the winery in 2018 after only one year in bottle. A cooler vintage and less residual sugar (4 g/L vs. 6 in 2015) and also one reaching for its phenolics. The Alsace Clone (49) planted in 2008 is coming into the zone with this textured ’16 from one of three single vineyards on granite in East Kelowna. There is that minor number of sugar but there are acidities and reminiscences to the motherland that supersede and infiltrate the nooks and crannies of the fruit. Who in the Okanagan neighbourhood would not be envious of the clean clarity that this riesling achieves. Very focused, tightly wound and surely able to unravel ever so slowly, developing beeswax, honey and gasses as it will, over a ten year period. Drink 2020-2026.  Tasted April 2020

Tawse Chardonnay Quarry Road Vineyard 2016, VQA Twenty Mile Bench ($37.15)

Wound tight like a coil around a winch with precise threading and pinpoint spacing for chardonnay that wins the vintage. Reductive style to be sure but only truly noted because of the freshest vibes this side of Motown. Got rhythm and blues, not to mention funk and soul. Clean beats, in step, three-part backing vocals and a purity of sound. Taste relays all these things and more, of succulence and in satiation guaranteed. In other words timeless and the willingness to pour on repeat will be a continuous thing of perpetual satisfaction. Last tasted October 2020. There is no secret that 2016 can align itself with the best of them in Niagara and chardonnay is clearly right in the middle of the discussion. Knowing that, how could the iconic triad of varietal, producer and vineyard not rise like fresh summer fruit cream to the top of the discourse? The years of Pender and Bourgogne barrel studies have come to this; spot on in blending Quarry fruit from wood and associated forests, staves and toasts, here the crux of sonic, sonar, and olfactory waves are met in optimum phenolic crash. The crush of chardonnay, the cryogenic liquid wait and the ultimate goal is achieved. Balance is struck at 12.5 degrees alcohol and all the perfectly seasoned grape tannin you could want. Drink 2020-2027.  Tasted May 2020

Leaning Post Senchuk Vineyard Chardonnay 2018, VQA Lincoln Lakeshore, Ontario ($45.20, Nicholas Pearce Wines)

Set apart from the Bench wineries and while still beneath the Niagara Escarpment Senchuk Vineyard sits on more of a plain that gently slides down the Lincoln Lakeshore and into Lake Ontario. Perhaps it will become Ontario’s next sub-appellation. Sandy soil is maculated by largish stones three to four feet down. This atop a bed of grey clay so the low vigour of the sandy soil will be offer up a flip-side, a foil to the heavy clay of nearby locales like the Beamsville Bench. This third chardonnay from the home vineyard comes off of vines planted in 2011 so now this seven-year old fruit is starting to really mean something. And Ilya Senchuk is a winemaker who studies, concentrates and plans his work around clones. It’s not just about where to plant which varietals but which clone will work best and where within the greater where. Vineyard, vintage and variance. Senchuk truly believes that greatness is determined by varietal variegation, from vineyard to vineyard and from year to year. From 2018: 64 per cent Clone 548 and (36) Clone 96. Listen further. Warm season so picked on September 18. The grapes were gently whole cluster pressed (separated by Clone), allowed to settle in chilled tanks over night. The juice was then racked into barrels; Clone 548 – one puncheon and three barriques, Clone 96 – three barriques, where they underwent spontaneous alcoholic and malolactic fermentation. The lees were not stirred and it was allowed to age for 16 months. Power, body, tons of fruit, definite barrel influence, a southern Bourgogne kind of vintage, so maybe Pouilly-Fuisée or Maconnais Village with a specific Climat. For the time being we call the Village Lincoln Lakeshore and Senchuk Vineyard the geographical designation. The lemon curd and the acidity are there in a great tangle so yes, this is trés cool chardonnay. I think we can safely say already that the Pinot Noir and the Chardonnay grown in Ilya and Nadia’s home vineyard is on its own, one of a kind and makes wines that don’t taste like anywhere else. This 2018 cements the notion and opens the next stage of the discussion. Drink 2021-2027.  Tasted July 2020

Lightfoot And Wolfville Ancienne Chardonnay 2017, Annapolis Valley, Nova Scotia (462093, $56.95)

Exceptionalities worthy of hyperboles are befitting this chardonnay of concentration, textural satisfaction and immediate gratification. Apple distillate to nose, a walk through a perennial garden on Fundy shores in late summer bloom and then citrus in so many ways, incarnate and teeming with briny, zesty flavour. If your are counting at home, this Lightfoot family wine by way of Peter Gamble and in the hands of winemaker Josh Horton is now six years into its tenure. As the crow flies, qualitatively and quantitatively speaking refinement has never ceased to improve. Has arrived at its new Minas Basin tidal heights, crisp and salivating, finishing on the highest of notes. Chardonnay god of ocean tides, “all night long, writing poems to” Nova Scotia. Drink 2020-2024.  Tasted October 2020

(c) @tiny.wide.world and @winealign

Mission Hill Perpetua 2018, BC VQA Okanagan Valley, British Columbia ($60.00)

Dichotomy in chardonnay, grand and graceful, powerful and elegant. Reductive and not acting this way but rather in what is now descried as the post modern style of chardonnay, from Australia to New Zealand, Bourgogne to B.C. Huge fruit concentration, wood equalizing yet in check, acids controlling yet relenting, structured assured though not overly complicating. Orchards combed and fruit brought in to make the composition sing with flavour while the work put in shaves down the rough edges and pieces fit snugly together. Top vintage for this label. Drink 2021-2026.  Tasted October 2020

Blomidon Cuvée l’Acadie, Annapolis Valley, Nova Scotia ($35.00)

The entirety of a sparkling wine oeuvre is modified and transmogrified, designed and decreed of a new morphology where l’Acadie is concerned. It must be conceded that the Nova Scotia varietal speciality is destined to create cracker, lightning rod, back beats and bites in Nova Scotia sparkling wine. This from Blomidon adds spice, apple skin, orange zest and stony moments throughout. It’s amazing. Drink 2020-2025.  Tasted October 2020

Henry Of Pelham Cuvée Catharine Carte Blanche Estate Blanc De Blanc 2015, Traditional Method, VQA Short Hills Bench, Niagara Escarpment, Ontario (315200, $49.95)

As always 100 per cent chardonnay and 2015 is perhaps the vintage of the most golden toast, as if made by agemono, with the most lemon and lees ever assembled in a Cuvée Catharine, vintage-dated Sparkling wine. An intensity of aromas swirl around in citrus centrifuge into which the gross cells don’t seem to want to go. On the palate is where they rest, layered and leesy, textured with a sense of weightlessness and wonder. Henry of Pelham channelling an inner Japanese cooking technique. Feels like some time is warranted to pull all this together. Drink 2021-2025.  Tasted October 2020

Stratus Blanc De Blancs 2013, VQA Niagara-On-The-Lake, Ontario ($75.00)

The first (commercial) J-L Groux foray into traditional method Sparkling wine has been six plus years in the making, or in this case, senescence as the lees fly and his Blanc de Blanc has finally arrived. A notable moment in the Stratus continuum as they too now own a program of development, time, investment, research and acumen. The nose on this bubble tells a pensive story, or as fantasy goes like dipping your face into a tale-spun pensieve as it takes you back in time. In 2013 chardonnay excelled on the Niagara Peninsula and still today in 2020 we are drinking vintage examples persistent in their freshness and durability of construct. That this reeks of varietal lore is a hallmark moment, that and a conscientious adherence to reverence for solids and the focus on rotational detail. Speaks a Blanc de Blanc vernacular as a chardonnay should, with a bite out of a sharp fall apple, a pesto of verdant aromatics and a crunch of texture before drifting saline, briny and fine. Pretty good work J-L. Kudos for getting from there to here with intelligence and humility. Drink 2020-2026.  Tasted November 2020

At a Somewhereness gathering a few years back Thomas Bachelder poured me his first gamay and while I remember the light, I could not have known what complex cru notions the maniacal monk had up his sleeve. Who knew that Twenty Mile Bench gamay would gain standing in “Villages,” “Naturaliste,” and two Wismer-Foxcroft iterations. And so here we are with the more intense of the two whole cluster siblings and the one chosen to celebrate its 52 per cent wild bunch inclusion. The fermentation technique transposed seems almost “alla vinificazione Piedmontese a cappello sommerso,” though by way of sangiovese in Chianti Classico what with a glycerin feel and a formative fabric so tactile to the mouth’s touch. Stemmy? Not a chance. Herbal? Nope. More like a Côte de Brouilly to the Wismer-22’s Brouilly, not quite Morgon but savour and structure are serious, righteous and very much here. That I did not buy cases of this stuff is a real concern. Drink 2020-2027. Tasted November 2020

Malivoire Courtney Gamay 2018, VQA Beamsville Bench, Niagara Escarpment, Ontario (524231, $29.95)

What Courtney brings to the table in gamay is what we’ve come to expect from Ontario, that is structurally contracted and age-worthy wine. Now understood to be a Cru designate, carved from a decade of research and well-defined. You could build an entire cellar by way of Malivoire’s multi-varietal work and the many tiers they fashion from drink now, through mid-term aging and up to here in a gamay that will go long. I’ve tasted a few older Malivoires lately and have been blown away by their longevity and also tasted this Courtney from barrel last winter. The whole bunch strategy has come to this, a knowable, beautifully swarthy, fruit protected and into the future protracted guarantee of fortitude and change. Reminds me of Michael Schmelzer’s Montebernardi Panzano sangiovese. Grande. Drink 2021-2028.  Tasted October 2020

Rosehall Run’s Dan Sullivan and Goode

Rosehall Run Pinot Noir JCR Rosehall Vineyard 2018, Prince Edward County, Ontario ($42.00)

Fortuitous time and place are the combined recipient of the primary assist for Rosehall’s JCR Vineyard pinot noir, a varietal stunner that seduces from the word go. A drinking vintage, early, ethereal, not lacking but easing in and out of structure, ready to please in the proverbial vein of immediate gratification. Then the County tones, reverb and static mosey on in like a Telecaster’s light jing-a-ling. Rises to an interlude crescendo and explodes into rock ‘n roll bands. In the County the poets make these things happen, then “sit back and let it all be. Tonight, in Jungleland.” Drink 2022-2026.  Tasted July and October 2020

CedarCreek Platinum Pinot Noir Block 2 2017, BC VQA Okanagan Valley ($54.90)

Block “2” is genuine and fine pinot noir, a pinpointed example multi-faceted in its origins. An exclusive block and also a dedicated clone to make this what it is; ripe stem earthy in phenolics ripe and ready plus a natural and wild fruit sweetness that can’t be replicated by anything but what happens on and from the vine. Anytime pinot noir is experienced as a wine at one with site, clone and vine you know it, feel it and intuit the connection. The forging is a bond unbreakable, as here with Block number two. Drink 2020-2025.  Tasted October 2020

Culmina Hypothesis 2014, Golden Mile Bench, BC VQA Okanagan Valley (414243, $49.95, Arterra Wines Canada Inc.)

The Triggs original, Hypothesis is an Okanagan Valley flagship red that celebrates the upper benches in what has become the great Golden Mile. This district is no longer a matter of new fashion, it is in fact a place to make serious Bordeaux-varietal red wine. Whether cabernet franc or merlot take the lead there is always cabernet sauvignon to tie the room of lit luminescence together. Culmina’s is bright-eyed on a face of dark fruit, chewy like liquorice and sweetly herbal, naturally sweetened by dessert warmth ripening. You smell, feel, sense and taste the land in this wine. That’s what makes it so special. Drink 2021-2028.  Tasted June 2020

Black Hills Nota Bene 2018, BC VQA Okanagan Valley, British Columbia ($68.99)

Methinks winemaker Ross Wise is giddy (and that’s a stretch for the stoic man of leisure) in what he must know will be the great eventuality of the Nota Bene 2018. By way of reminder this is one of Canada’s most accomplished and massive reds of great notoriety. The flagship of Black Hills in Bordeaux blend apparel, master of ceremonies and lead singer for B.C. Climat, Somewhereness and terroir. The maestro blend to speak of mystery, riddle and enigma. This ’18 is smooth and I mean smooth, ganache silky and focused. In youth you chew the mouthful, later on you’ll draw and imbibe. Further on down the road you will sip and savour. Quietly luxurious, rampantly delicious and pridefully profound. Top. Grande. Drink 2023-2031.  Tasted June 2020

(c) @tiny.wide.world and @winealign

Megalomaniac Reserve Cabernet Franc 2017, VQA Twenty Mile Bench, Ontario ($49.95)

Ah, finally! This is the aromatic profile of a reserve style Ontario cabernet franc, well, not “the” but “a” godly one. Concentrated and layered, like phyllo or puff pastry folded again and again upon itself. May seem dense and without air at this time but with time the folds will expand and stack with weightlessness. The variegated red fruit in betweens are juicy, sumptuous and so packed with flavour they will burst when bitten into, or in this case, explode in the mouth. Texture too is all pleasure, as will be the eventuality of exceptionality created by a triangle that includes complete and fine tannin. One of the finest and from a vintage that holds the cards for cabernet franc excellence. Drink 2022-2029.  Tasted October 2020

Thirty Bench Small Lot Cabernet Franc 2017, VQA Beamsville Bench, Ontario ($75.00)

Niagara’s most premium solo cabernet franc is turned upside in 2017 and does everything that needed doing to make what is quite possibly the best solo effort in that vintage. Of fruit so dark yet pure and allowed to act, move and speak as varietal in place. Walks that Beamsville Bench walk and talks that cabernet franc talk. World-beating, wholly and truly. Drink 2020-2023.  Tasted October 2020

(c) @tiny.wild.world and @WineAlign

Hidden Bench La Brunante 2016, VQA Beamsville Bench, Ontario ($85.20)

From a La Brunante year to speak of truths and there is no doubt the team was excited about the prospects of this formidable Beamsville Bench blend. The triad is merlot (43 per cent), malbec (35) and cabernet franc (22). I’d say it was the warm climate and long season that lead to then winemaker Marlize Beyer’s decisions of assemblage. You could pour this blind with red blends from Bordeaux and Australia with nary a taster being able to truly separate one from many others. And yet there is a singularity about these aromatics that are so hard to define, like spices in their simmering infancy ahead of what brand of togetherness they will assign. As for texture and length, balance is exemplary and longevity guaranteed. Drink 2022-2030.  Tasted May 2020

Good to go!

godello

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WineAlign

Twenty mind-blowing wines of 2020

Related – Nineteen mind-blowing wines of 2019

There are times when you do it just for the continuity because time marches on, no matter the circumstances. There is no disputing how different 2020 was and frankly the flip to 2021 will not bring about significant change or any semblance of a return to what was, at least not in the first several months. Yet the compelling urge is there, to quantify and qualify this annual Godello list of wines that opened, expanded and blew a mind in 2020. The concept for a year-end summation was launched in 2012 though it was the publishing of 14 in 2014 that made it very official, if only in the mind of one Godello. Matters little whether this qualifies as the seventh or the ninth because in wine one should always eschew semantics for the liquid truth found inside the bottle, elixirs they are of most profound, ethereal and honest propriety.

Related – Eighteen mind-blowing wines of 2018

This will be a much different list than ever before. While I did manage to squeeze in 25 days of travel in the first 56 of 2020 those were the last of this calendar year. That’s at least 75 short of my normal yearly schedule and so imagine that if an average of 30 wines are tasted each and every day on the road, well then that would tell us that at the very minimum 2,250 wines were missed this year. Not entirely true because at least half that many, if not 75 per cent more were made available to me and my WineAlign colleagues over these past nine month of quarantine, isolation and safe-distancing tastings. Still the make-up of what was tasted has been very different, the most notable being the lack of unrepresented or not found in market wines. Less discovery in 2020 to be sure.

Campo Spritz

Related – Seventeen mind-blowing wines of 2017

According to my personal critic’s database on WineAlign I reviewed 4,450 wines in 2020, keeping in mind that many of those reviews were for wines tasted in 2019. Up until this year I was consistently behind or back-logged with hundreds if not more than a thousand tasting notes in the queue, unedited, unresolved, not yet reconciled, unfinished, not-posted. Since the global pandemic abruptly delivered me home in the dead of a late February night from Faenza to Firenze, through Frankfurt and to Pearson I have not been able to resume travel. These last 10 months have allowed for a massive catching up. There are now a thousand less wines to finesse and publish then there were this time last year, very few raw and rustic songs waiting for the editing process. All the choices on this 2020 list have been solidified and already been opined with confidence for the world to scrutinize. In 2020 there is nothing left on the table.

Related – 16 mind-blowing wines of 2016

Slipped outta Dodge under the cover of darkness…

This year’s list is indeed different. The get togethers were few and far between. The travel non-existent. That is why you will recognize more producer names and also a more “archetypal” bent to the choices. The year dictates such a direction and as we all know, you have to listen to what the vintage tells you but also to remember and thank the true pioneers for getting all of us here. Perhaps the greatest influence on how this composition came to be was a conscious choice to omit the older vintages tasted in 2020. There were less to be sure but it just feels like keeping them kind of secretive is the way to go. Let’s hope a connection to that part of this exercise will make a return in 2021. As always, heartfelt thanks to everyone who poured a glass. The producers, winemakers, export managers, friends, colleagues and pirates, so please be encouraged and read on. Alas, Godello’s 20 mind-blowing wines of 2020.

The Heldeberg from Stellenbosch

Ken Forrester Old Vine Reserve Chenin Blanc 2019, WO Stellenbosch, South Africa (23128, $17.95, Noble Estates Wines & Spirits Inc.)

Gets me every time. Not just one of the finest meets best value chenin blancs available out of South Africa but an example to hang all your hats on no matter where white wine comes from in this world. Still the knowing nod and incredulous head shake that $18 CDN can buy you fruit from six blocks that are mainly 38 years of age but could possibly include 1974 Helderberg planted vines in Stellenbosch. “Core of the business” and arrow through a chenin heart. Great ferment, like a (catherine) wheel. Layers of design, creamy with thanks to secondary lees aging but somehow still texturally chewy. Barrel notes make a point in a vanilla brûlée way and yet each sip is like taking a bite from a piece of firm, ripe fruit. “I need more texture. You need to give me more texture, texture, texture. You need to give me more texture.” Old Vine Reserve obliges every time. Drink 2020-2026.  Tasted June 2020

(c) @tiny.wild.world and @WineAlign

Selbach Oster Wehlener Sonnenuhr Riesling Spätlese 2018, Prädikatswein, Mosel, Germany (17498, $45.95, Noble Estates Wines & Spirits Inc.)

The triad of producer, appellation and vineyard gets no more arch classic than this with a riesling in Spätlese form at the hands of Selbach-Oster. The pitch and sway in this Wehlener Sonnenuhr vinyeard is 2018 dance card perfect, tight and fluid. Succulent acids are burgeoning and urging the fruit forward, sideways and every which way but loose. This is a wine that gets what needs and gives what is wanted. Will only improve with a few years and then there will come a day when an air or vapour trail falls away. Drink 2022-2033.  Tasted November 2020

Tyrrell’s Belford Sémillon 2017, Single Vineyard, Hunter Valley, New South Wales, South Australia (14322, $46.95, Select Wine Merchants)

Belford Vineyard (formerly Elliot Farm) is Hunter Valley leader Tyrrell’s single-vineyard leased sémillon with so much promise in its corner. A top varietal vintage for one thing and the well-draining sandy soils for another. Sémillon thrives in these conditions and so what comes from this awe-inspiring wine is exactly what you possibly wish for when selecting from Hunter Valley. This wine is swiftly, justly and perpetually lit, a smoky, paraffin waxy, über salty, elemental, aerified, verified mineral wine. So focused and precise. Mon dieu, Drink 2021-2026.  Tasted June 2020

(c) @tiny.wild.world and @WineAlign

Fresne Ducret La Grande Hermine Champagne Premier Cru 2008, AC Champagne, France ($78.00, Nicholas Pearce Wines)

Hard to believe the age because while this almost certainly achieved an immediately retro toasted and evolved stage in its youth and though 12 years have passed the present day imaginings are dreamed to persist within that very immediate stage. As creamy as it is toasty, the textural body politic in La Grande Hermine is one of great cerebral and figurative impression. You feel, intuit and embrace such honesty and possibility. Drink this vintage dated Champagne all winter long. Its calming presence will preserve you in a state of grace lower than a snowman’s blood pressure. Drink 2020-2028.  Tasted September 2020

El Esteco

El Esteco 1947 Old Vines Cabernet Sauvignon 2018, Cafayate Valley, Salta, Argentina (15082, $24.95, Philippe Dandurand Wines Ltd.)

From Argentina’s northern desert where some of the country’s oldest vines perpetuate existence while thriving fiercely in a hot climate. So yes it is true that some fruit from 70-plus year old vines, well trees really, make their way into this special Salta wine. Dense and concentrated, Cassis times 10, savoury and truly expressive. Oak is well-managed, not shy mind you but these old vines deserve some added and fortifying structure. Do not miss this. Drink 2021-2028.  Tasted August 2020

Concha Y Toro Don Melchor Cabernet Sauvignon 2017, Maipo Valley, Chile (403980, $160.00, Escalade Wines & Spirits)

Though essentially a cabernet sauvignon at minimum 90 per cent, it would normally need saying to never discount the blending attributes of cabernet franc, merlot and in recent years, petit verdot. The nooks and crannies filled by the other grape varieties are some of the senses of wonder that have illuminated and elucidated the magic of Don Melchor. And yet years of such thought is turned on its head in 2017 with a 98 per cent pure cabernet sauvignon Don Melchor and only two bits of cabernet franc. Speaks to winemaker Enrique Tirado’s vision of the varietal and vintage relationship. After all, this is his baby, a passion project that spans 20 vintages, from which he looks to “harvest the beauty of the balance of the Puente Alto terroir.” From Viñedo Don Melchor, D.O. Puente Alto and Valle del Alto Maipo, old vines planted 1979 to 1992, new from 2004-2013. The vintage was above average in terms of warmth, cooler temperatures at harvest preserved acidities and sealed the (near) mono-varietal deal. At 30 years into its tenure Don Melchor hits a new stride and it would be hard to argue against the levels of subtle, demure, balanced and ethereal in this 2017. Perfect fruit? Pretty darn close and a bouquet of fresh picked flower-herb-fruit that merge, meld and grace together. One for this age and to age gracefully, slowly and predictably for 20-25 years. Drink 2022-2037.  Tasted October 2020

Taub Family Vineyards Beckstoffer Vineyard Georges III Cabernet Sauvignon 2017, Napa Valley, California (849434, $235.00, Dionysus Wines & Spirits Ltd.)

From proprietor Marc Taub who’s family has been prominently part of the Napa Valley wine fabric since prohibition and who in 2013 acquired Napa Valley producer Heritance, later evolving into Taub Family Vineyards. His winemaker is Tom Hinde, a Sonoma and Napa specialist who cut his teeth for seven years at Flowers, but also at Kendall-Jackson, Hartford, La Crema, Lakoya, Cardinale, Stonestreet and Verite. Add in a mere three acres within the historic 300-acre Beckstoffer Vineyard first purchased by Beaulieu founder Georges de Latour in 1928, called Beaulieu Vineyard Number 3 and made by winemaker Andre Tchelistcheff. The 2017 Napa Valley cabernet sauvignon are a very special lot. That much we know. Add in the pedigree, torch passing and respect for these necessary tenets of wine-producing business and well, hello. Utmost attention to detail, optimum extraction and concentration, sultry, supple and ultimately divine. There is this fine, fine, almost indescribable salty vein that cuts through the fruit and the fat like perfect umami seasoning in the most decadent dish. With meat or seafood, California or Japan, take your pick. Drink this either way. Drink 2023-2039.  Tasted October 2020

Olive and Anthony Hamilton Russell

Hamilton Russell Pinot Noir 2018, WO Hemel En Aarde Valley, South Africa (999516, $59.95, Noble Estates Wines & Spirits Inc.)

Even though the ’18 HR PN took my breath away nine months ago, the not yet understood nuance of this wine surely clouded first impressions. However small a sample size this may be is more than enough to prove time’s effect on wine, pinot noir and Hamilton Russell’s spiritual connection with the grape and how it personifies the Hemel En Aarde Valley. Fragrance, perfume, essential oils, Lilac, Lilly of the Valley and the sweetest tobacco smoulder. Captivating now and quite likely will be so into the mid 30s.  Last tasted August 2020

There have been many Hamilton Russell pinot noir poured in my anxiously awaiting glasses over the last five years. It’s hard to believe we are here at 2018 but time is a joy when you are having a noirmance. The fruit is exceptional in this vintage because it just feels like the warm day/cool night fix is in. The diurnal flux has locked in freshness and sweet tension like no recent memory can recall. Makes for a most grippy yet excitable pinot noir of concentration, presence and promise. Benchmark in every respect. Drink 2021-2032.  Tasted November 2019

That Marco Cirese Sangiovese stare. His Noelia Ricci and Pandolfo are crucial, fundamental and illustrative of what is possible in Emilia-Romagna. #sangiovesediromagna #viniadarte #viniadarte2020

Noelia Ricci Pandolfa Romagna Sangiovese Predappio DOC Godenza 2018, Emilia Romagna, Italy (The Vine Agency)

Godenza was the name of the podere (house) on site at a one hectare vineyard at 340m, the highest section of Ricci’s land. The introduction of concrete tanks is surely responsible (in part) to the freshness and reduction but also poor, well-draining calcareous soils that complete a relationship with open-knit and fragrant red fruit. Adds up to complexities and beauty, not to mention the hands-off, unadulterated feel of this wine. At the top end of quality and elaborate expression for the appellation. Drink 2021-2026.  Tasted twice at Vini Ad Arte, Casa Spadoni, Faenza February 2020

Because he’s Dario F-in Faccin, that’s why g-dammit! #carobbio #sangiovese #chianticlassico #panzano #galestro

Tenuta Carobbio Chianti Classico DOCG 2016, Tuscany, Italy ($33.60, Alta Wines)

Stop in here for a rest and exult in the near perfect grace, charm and collective soul in the heart of an Annata. To say that the Novarese family and Dario Faccin should feel the greatest sangiovese reward from this appellation would be a grand understatement. This version of Panzano and Chainti Classico DOCG is what it is, what it can and must be. Should be. Has to be. Richly glorious and confidently understated. The cleanest sangiovese and the one that speaks most succinctly of the land. These are the reasons why Carobbio is the most underrated, but for how long? This ’16 will see proof to that and so much more. Drink 2021-2031.  Tasted February 2020

With the brothers Boscu Bianchi Bandinelli

Now to introduce you to the Boscu Bianchi Bandinelli brothers, Alessandro and Andrea, two men who covet, own and articulate their western wing of Castelnuovo terroir. As custodians of these classic southern Chianti Classico Alberese and Galestro vineyards they have come to understand their nuance and their specialities. So, Riserva from 2015 now comes to its beginning having needed every bit of the extra two years in bottle it has received. Yes this Geggiano ’15 Riserva still needs time and if you abide by the premise it will come alive, surmise and in turn, surprise. In fact it will make a lasting impression and stay with you forever. Drink 2022-2030.  Tasted February 2020

Castello Di Monsanto Chianti Classico Gran Selezione DOCG 2015, Tuscany, Italy (Stem Wine Group)

The acumen, wisdom and also the persistent reduction are formidable in this incredibly concentrated wine. So Monsanto, so in delivery of San Donato in Poggio, so Laura Bianchi. Seemingly equipped with the needed stuffing in the way that 1968 managed to accrue over 50 years of travels. Here in Gran Selezione form the tendencies and the abilities are multiplied tenfold. Magnificent and magnanimous, the concentration is foiled by focus and precision, from all that has come before, moving into the present and then going forward with everything that occupies, in hopes and dreams. Drink 2025-2037.  Tasted February 2020

Vineyard at Salicutti

Podere Salicutti Brunello Di Montalcino DOCG Sorgente 2015, Tuscany, Italy

Organic, biodynamic and unfiltered, from the then first in Montalcino, at the hands of Francesco Leanza, in 1995. Now (and since 2015) in the custodial hands of Felix and Sabine Eichbauer, halfway between Montalcino and Castelnuovo dell’Abate. The last of the cru, single-vineyards planted at Salicutti and not surprisingly the one with most red fruity juiciness that keeps a lineage with the Rosso. If a portal into knowing what it makes to taste the bright side of 2015 could be described then why not make use of this ethereal Sorgente to learn of such things. Voltage, tension and vibration. Drink 2021-2028.  Tasted February 2020

Francesco Ripaccioli

Canalicchio Di Sopra Brunello Di Montalcino DOCG Casaccia 2016, Tuscany, Italy (Le Sommelier Inc.)

Barrel Sample. Now this is something exceptional. This is what Casaccia is obviously capable of producing, The sweetest Canalicchio fruit of all, to date and with a rising low and slow angling of acidity (as opposed to straight verticality) that carries the fruit to great heights. This will be a triumph and in fact it is already tasting like a piece de Canalicchio resistance while it sings a long maestro song. A soloist that needs no accompaniment although food, company and peace would not hurt at all. Obviously this is more than just the northern side of Montalcino and more than Canalicchio. This is Casaccia. Drink 2025-2039.  Tasted February 2020

Lorenzo Magnelli, Le Chiuse

Le Chiuse Brunello Di Montalcino Riserva DOCG Diecianni 2013, Tuscany, Italy

The ’13 will be released on January 1st, 2023 and as the name Diecianni suggests it is a Riserva that 10 years minimum are needed before readiness begins to take shape. The selection is from the smallest grape clusters in estate vineyards and mainly the oldest vines, originally planted in 1987. The vintage of the great polyphonic-phenolic, elastic and stretched ripeness, by photosynthesis without heat, of muscles with energy and ones that will develop, remain and use their power to keep the fruit alive. That said it’s a wine of wood and the highest level of salinity, sapidity and a tang that is exhibited by no other Brunello di Montalcino. A concentration that is simply outstanding and in some minds, will even be eclipsed (or not) by 2016. The finesse and architecture of this wine are as good as it gets. Drink 2026-2042.  Tasted February 2020

Lucrezia Carrega Malabaila

Malabaila Di Canale 1362 Roero Riserva DOCG Castelletto 2015, Piedmont, Italy ($59.95)

From Canale vines 50 years old and the most historical vineyard for Malabaila, as documents show. Riserva here means two years in two, three and four year-old barrels. Yet another silky Roero and example of nebbiolo that could not have been born anywhere else. The “little castle” is a charming nebbiolo, fine of all its constructive parts with an ease of sensuality that just shows how confident, casual and natural life as it is just happens to be. Castelletto knows what it is. Drink 2020-2028.  Tasted January 2020

Elena Sottimano

Sottimano Barbaresco DOCG Basarin 2016, Piedmont, Italy ($103.95, Le Maitre de Chai)

Basarin in the newest Cru for Sottimano, established in 2014 though the vines are already between 45-50 years old. Released just at the start of 2020 and already displaying a prominence in aromatics that speak to this exceptional nook just below Neive. From a vintage blessed for its place in history matched by a requiem for a dream. Crunchy for nebbiolo surely caused by the policy of classically long Piedmontese maceration, drawing fruit with gentle impunity and long-grained tannins in thrushes and intermingling chains. Pure dark fruit (almost raspberry) and a generous application of wood varnish. Architecture, length and character, all together. Drink 2022-2037.  Tasted January 2020

With Francesca Vaira

G.D. Vajra Barolo DOCG Bricco Delle Viole 2016, Piedmont, Italy ($113.95, Groupe Soleil)

The thing of Bricco delle Viole that is beauty emits with gala fruit force into the canals of the layers. Bricco dell Viole the singular Barolo cru, from which fruit, texture and extension are consistently planned out, mapped and organized. So wound, so found and following a path that runs along a line along a circle. Slow unwind and unfolding coming, culminating in developed notes, to be far away, somewhere between then and then. Too soon to tell. Drink 2023-2032.  Tasted January 2020

Penfolds St. Henri Shiraz 2017, South Australia, Australia (12016, $150.00, Mark Anthony Group)

Another old friend, St. Henri, once a wine for a special occasion, now one for all times. No, not a baby Grange but to me this is to Penfolds as Vigne de l’Enfant Jesus is to Maison Bouchard Père & Fils. Not that there is any resemblance to pinot noir save for the fact that in terms of shiraz, St. Henri is the elegant or if you will, the Burgundian one. Penfolds like to refer to Henri as “an intriguing counterpoint to Grange,” and that seems right in the sense that power and optimum concentration are never the point. It is a multi-regional blend, from Barossa Valley, McLaren Vale, Eden Valley and Port Lincoln. There is no new wood exercised; it spends 12 months in 50-plus year old vats. Distinct style, unique pedigree and alternative execution. Adds up to intrigue, enigma and mystery, which is just what an iconic and signature counterpoint should do. Acidity and structure are tops, bar none. Drink 2023-2039.  Tasted October 2020

(c) @tiny.wild.world and @WineAlign

Taylor Fladgate Vintage Port 2018, Douro Valley, Portugal (12076, $160.00, Sylvestre Wines & Spirits)

The third consecutively declared Vintage Port by Taylor is one of 18’s most powerfully restrained. Taylor describes their 2018 from a “year (that) seems to have given it an additional layer of density and weight.” Apropos it needs saying because texture this viscous is clearly vintage driven. After record aridity in 2017 it was a wet March that was welcomed with open arms and water tables but the rain kept up and so mildew became the challenge. Worse was damage from hailstorms in the Pinhão area, including Taylor Fladgate’s Quinta do Junco. But the heat came and on August 3rd at Quinta de Vargellas they recorded a temperature of just over 44°C. Ripening happened in a shorter and more concentrated window, a good thing in the world of VP, as witnessed by the no holes, all in, singular in vision and style Taylor 2018. Not the gangster power surge of some others mind you and the violets give little aromatic space to fruit nor perfume that tries to steal the spotlight. These are remarkable tannins and it could be periods of ages and epochs before this begins to move into complexities secondary and tertiary. If I were as young as I think you are I’d invest in this Taylor for the next 30-plus years of evolution. Drink 2027-2044.  Tasted November 2020

Good to go!

godello

Twitter: @mgodello

Instagram: mgodello

WineAlign

A Chardonnay toast to Cool and the gang

Happy 10th Chardonnay anniversary i4C. Virtually or live, you’re still cool after all these years

Cool is the star attraction, 10 years running. Cool, what everyone continues to talk about, gathers to discuss, debate and celebrate. Cool is not one thing, one person or in one place but everything, in all of us, everywhere. Cool is what unites, brings meaning and really ties the varietal room together. Cool is chardonnay.

Related – Can chardonnay get any cooler?

On Saturday, July 18th at 6:00pm in “A Toast to VQA Cool Chardonnay” John Szabo and I welcomed everyone to for a virtual, interactive Zoom tasting of top Ontario wines, our virtual tailgate party. From near and far, everyone was encouraged to chat. “Get your socially distanced BBQ lit, pour yourself a glass of Cool chardonnay and let John and I have a chinwag, blow smoke, chew the fat, talk a lot without pausing,” John and I discussed the meaning of Cool and how it pertains to making wines in a climate that is anything by warm. We traded messaging, tasted eight wines between us and welcomed two special guests, Niagara’s winemaking monk Thomas Bachelder and Sicily’s Patricia Tóth of Planeta Winery. Here is the full video:

Related – I4C’ a future filled with Chardonnay

It began last Friday with events playing on Zoom screens across Ontario, throughout Canada and in fact, around the globe. There were wine tastings, educational seminars and breezy cocktail hours all virtually orchestrated to include winemakers, producers, sommeliers and wine critics, all talking about one grape variety at the core and the crux of cool-climate viticulture. The weekend long fest, affectionately known as “i4c”, has for 10 years now been bringing the wine community close together, perennially cementing the varietal bonds. Though the 2020 edition of the International Cool Climate Chardonnay Celebration gatherings was indeed virtual in 2020, they lost no lustre, significance or their chardonnay shine.

Related – The meaning of Chardonnay: You’ve gotta be cool to be kind

Chardonnay doesn’t suck and if you have doubts, a reluctant spirit to join in or just plain need to insist that you hate the stuff, consider this. Chardonnay is cool. It’s true, the good folks at i4C have shown this to me, more than once. Ontario winemakers have proved it to me. The South Africans really get it, as do the fine makers from New Zealand, Chile, Argentina and the not necessarily ready for prime time cool climate players from Australia and California too. Don’t even get me started on that Bourgogne stuff. Have we not all been contemplating the axiom of chardonnay continuing to make its own new set of rules, putting its best foot forward? Yes chardonnay is always on our minds, especially here in Ontario and so we feel the progression continuously dovetailing towards the cool and the ethereal.

In a way i4c feels like the prodigal child of the local wine industry and we wait for the homecoming every July. Change and adjustment has infiltrated all of our lives and so the concierge team and Wine Country Ontario decided to take i4C online from July 17-19. Nearly a thousand registrants got into the cool spirit by joining in three online zoom sessions, the first at 11:00am on Friday July 17, 2020 virtually for the #i4CAtHome School of Cool Homeschool Edition, presented by VQA Wines of Ontario, the Wine Marketing Association of Ontario and the Grape Growers of Ontario. The online presentation featured Andrew Jefford, Columnist at Decanter and World of Fine Wine Magazine and Academic Advisor to the Wine Scholar Guild. Andrew was joined by several of the i4C’s past keynote speakers in celebration of 10 Cool years of Chardonnay. This dynamic session involved interviews with past keynotes, all acclaimed authors and wine writers from across the globe, including Matt Kramer (2011 and 2015 keynote), Ian D’Agata (2016 keynote) and Karen MacNeil (2017 keynote). Here is that video:

Andrew Jefford begins. “Cool climate on its own is not enough. It’s what you go and do with it. The climate is just a single strand of that very complex equation that includes soil, topography and human catalysts. We don’t drink soils, we drink wine. Vineyard owners want drinkers to be greedy, to have an irreverent feeling for the vineyard. Cool-climate wine is possessive of a pattern of heat just adequate enough to produce ripe wines and to do so consistently enough. Chardonnay when grown in the right sites can shoot loveliness about, the litmus varietal, along with riesling and cabernet franc – the holy trinity. It’s not an austere holy grail, it shouldn’t mean punishing, painful, taut, tight, dry, short, bitter, lean, mean and caustic. No one in Chablis is trying to make “cool climate chardonnay,” they are trying to make the most balanced and ripe Chablis available in the vintage. The quest is always for deliciousness. Janet Dorozynski, Trade Commissioner at Global Affairs Canada writes “listening to Andrew (Jefford) is like drinking up the finest Chassagne. Arterra Wine’s Eugene Mlynczyk MW adds “new days but we’ll remember Andrew’s advice to be deliciously cool.” Jefford concludes his opening statement by saying “winegrowers have been blissfully unaware for centuries that they have been raising grapes in cool climates. They simply want to make wines that induce covetousness.”

Matt Kramer of Wine Spectator Magazine talks about The Aesthetics of Cool. “It’s a new phrase. A new world phrase. The measure is that it’s not a sure thing, to ripen and make great wine. If it does all the time then it’s not cool climate. We’re very impatient but the truth of the matter is the Burgundians set the standard for centuries and while the ultimate reign is over, everyone else is so new to it all. It’s a very modern locution, not a sure thing and how do we slowly make it become a sure thing.”

Ian d’Agata, multi-award winning wine writer and author of internationally renowned books is considered one of the leading experts in Italian wine Chardonnay and Climate Change. He asks and answers the million dollar question. “What climate change is really about is not just warmer weather but long and extreme droughts, warmer winters, flash floods and tsunamis. The melting of the polar ice caps might actually cool down Atlantic waters. Bordeaux could actually enter a cooler phase. Then a shift to biology. “Gene editing is potentially a very good thing, adding or subtracting from what is already there, it’s not like genetically modifying which introduces other organism into a host genome. The ethical issue is if people cross the line. the technology is not the issue, people are the problem.”

Karen MacNeil is a winner of the James Beard award for Wine and Spirits Professional of the Year, the Louis Roederer award for Best Consumer Wine Writing, and the International Wine and Spirits award as the Global Wine Communicator of the Year. “Everybody drinks Kim Kardashian’s Chardonnay. We think in terms of Audrey Hepburn but truth be told, it is Kardashian that moves off the shelves. People have moved their vineyards and vocabulary to cool, but not their mindset. They are still making big fat chardonnays. There’s a big disconnect, between talk and actuality, and that’s a dangerous thing. Most people are talking the cool talk, but not walking the walk. I think it’s a problem to pick early and call it a cool climate wine. There’s also a poorly conceived idea of ripeness. It’s a not a singular thing. It’s a kaleidoscope that morphs into a thing of beauty.”

With Magdalena Kaiser’s famous red hat, i4c 2018

The chat moves forward with everyone chiming in.

Jefford: “Saying cool climate is a style on its own is a trap. Iwould be very weary of that. Better to say I work in a cool climate and i am trying to listen to my vineyard, to be a vineyard whisperer.”

MacNeil: “When I think about ripeness I think about scrambled eggs. You have to take the pan off the heat one minute before its done. It’s the idea of being one step ahead of what you need the result to be. iI’s all about what happens before the big moment.”

Kramer: “What is identifiable as as being Ontario chardonnay? A lean but not mean and a distinct minerality and I believe it does come from the soil. I love Prince Edward County chardonnay, no other wine, certainly not from California or Oregon tastes like Ontario chardonnay. In a blind tasting Ontario would always stand out as being chardonnay, for whatever reason that may be.”

MacNeil: “I love maximum flavour with minimum weight. distinct obliqueness, vibrational, like watching ballet, you lift in the air with energy and without so much gravity. tension and flavour.”

d’Agata: “I really do believe Canada makes world class chardonnays, certainly better than chardonnay made in Italy. They speak of Somewhereness, to borrow Matt Kramer’s phrase, weightless, laser-like acidities and are able to communicate the sense of the land. Refreshing, mineral-driven site specific wine. Ontario can be very proud of it.”

Jefford: “Stealthy wines, wines you need to spend time with, cozy up to, sit beside and get to know. Have a meal with. Have a meal with your partner, have a second and third glass, drain the bottle and that you can do with Ontario chardonnay.”

Click here to see the list of participating Ontario wineries

Click here to see the list of participating International wineries

The afternoon session was one of academics meeting market experience in a lively debate! Featuring a dynamic panel of multi-hat wearing Canadian industry professionals: John Szabo MS (Ontario), Treve Ring (BC), Brad Royale (Alberta) and Véronique Rivest (Québec) held a virtual debate about the various scientific and interpretive parameters of what it means to be cool. Featuring, and leveraging, the sensational Chardonnays of Chablis, New Zealand and Ontario, each panelist was asked to defend, or condemn, one of the classic parameters of cool climates. Including, but not limited to, latitude, altitude, length of growing season, average temperatures, soil colour and temperature, and sunlight hours. Which is most important, and how should cool climate really be defined? Here is the video:

What are the characteristics of cool chardonnay?

Cool in this sense is trying to find the sweet spot as if at midnight where sugar ripeness, acid structure, phenolic ripeness and fruit character meet for optimum wine results. The latter is what John Szabo considers the critical aspect of making great cool-climate wine. Treve Ring talks about growing degree days and the original benchmark measuring stick, The Winkler Scale. Mean temperature of the month, minus 10, times the number of days in the month – multiplied by seven for the number of the season. On the positive side is for comparisons, i.e. Prince Edward County versus Chablis, 1250 vs. 1350 GGDs in 2019. Still a basic application but hardly complex enough to tell a full story. Ultimately the relationship between vine growth and temperature is not linear. This is the argument against GGDs being the be all, end all way to define growing ability in a climate. Grape varieties are all different and also different clones of a varietal will react different to sunlight hours. A good tool, a useful tool, but does not take climate into account. So, in the end “a limiting factor,” says Szabo. “It worked well in the 1940s and 50s “says Brad Royale, “in the time of emerging viticultural areas and where growers needed a simple, base reality.”

Royale goes on to talk about soil temperature and colour, heat retention and magnification, from white limestone, red, blue, black or grey clays, all effect grape growing in different ways. It is a chat note from Eugene Mlynczyk MW that stands out as important. “Science shows that things matter (or not) … with the added complexity of subjective factors in the case of wines (or any other “artform”) …” Karl Kliparchuk is a professor of Geology at British Columbia’s Institute of Technology. He adds “interior vs coastal vs near large interior water bodies also affects cool climate.” True that.

Raj Parr at i4c, 2018

The next question “are latitude and altitude the single most important determining factors for cool climate wines?” is answered by Soif Wine Bar in Gatineau’s Sommelier-owner Véronique Rivest, one of the most respected sommeliers in Canada and abroad. “No latitude is not the only factor, continentality (also with thanks to Chablis’ Athénaïs de Béru) is a much bigger factor, especially with respect to danger of frosts.” Latitude, latitude, latitude “will determine heartretention, solar radiation and seasonality. Latitude defines the original consideration of where to plant.”

Brad Royale adds that “a cool climate region is surely one that is susceptible to spring frosts, especially in the midst of warm temperatures.” Diurnal temperature shifts are key. “Most cool climate viticultural areas have relatively boring (10 degrees) diurnal temperature fluctuations. Hot climates, especially deserts have the widest range.” The group goes on to wonder if is sunshine the new rain and can we use length of growing season to define cool chardonnay? Both are answered with more yes than no responses so the times they are ‘a changin’.

Director of Sales and Education at Rex Hill’s Carrie Kalscheuer at i4c, 2018

Can Chardonnay get any cooler?

Is there a comparable white grape that speaks of its origins in more varied tones? We have unoaked, barrel fermented, 50-50, unfiltered, reductive, must oxygenated and many more methods and styles of Ontario chardonnay. Which one is done best? Sometimes we mimic Mâconnais, other times Chablis and often a Bourgogne Villages approach. What’s the best way to go about it? Is chardonnay a victim of its own ubiquity and adaptability.” What makes it so special then? “Chardonnay expresses place, as well as production, terroir as well as technique.” Chardonnay should taste like it has come from a place, but also from a time. It’s a hell of a lot easier to plant in the right spot.

As I mentioned, John and I tasted four wines each during our seminar. Here are my notes on the four that I opened.

Organized Crime Chardonnay Limestone Block 2018, VQA Beamsville Bench, Ontario (11951, $24)

From Jan Tarasewicz, his daughter Ania de Deluba and winemaker Greg Yemen, on Mountainview Road in the shadow of the Escarpments’s steep cliff faces. Whole bunch pressed, juice settled for 12 hours and put very turbid to puncheon (none new), no bâtonnage and full malolactic conversion. Classic Beamsville chardonnay of cool, snappy and piqued tendencies with the added warmth of a vintage bringing some lemon curd and just turning to golden ecru caramel glaze for rich measure. Lots of ripeness, definite somewhereness and what’s desired, as in deliciousness. Drink 2020-2023.  Tasted July 2020

I-Cellars Chardonnay Icel Vineyard 2017, VQA Niagara-on-the-Lake ($40)

From Niagara-on-the-Lake and 2010 founder Adnan Icel, a rich throttled chardonnay barrel fermented in 500L French oak puncheons, lees stirred for six months, then aged 12 months more. Tells us to expect rich, opulent, creamy and highly flavourful chardonnay. That it is. Flint-struck if only momentarily, correctly reductive in the sense of fresh encouragement combined with the Niagrified creamed corn, again, if only during this persistently youthful state. Maybe causes a note of bewilderment for some but stay with this wine, give it a year’s time and all will be worth it. Will drink in optimum and designed fashion eight months from now and for two-plus years thereafter. Drink 2021-2024.  Tasted July 2020

Trail Estate Chardonnay Vintage Three Unfiltered 2018, VQA Prince Edward County, Ontario ($40.00)

A bit more than a hectare of chardonnay and 312 cases in 2018, harvested September 19th to 24th (3-4 weeks ahead of 2017, which was October 8th). Set to natural ferment and put to 85 per cent 500 L French oak puncheons and 15 per cent 225 litre barriques, 33 per cent second fill, (17) third fill and (50) neutral, for 10 months. Lots of lees contact though I doubt Mackenzie Brisbois did much or even any stirring. Bottled unfined and unfiltered. When I reviewed number two I noted more flesh and complexity than the first vintage and said in many ways it was Mackenzie Brisbois’ first truly personal chardonnay. So 2018 is the next one and oh, baby. More flesh, more caramel, more body. If at first there seems to be a turbid or demure sense of aromatics, they come out like wildflowers with just a moment’s agitation. Sorry to say but the vintage is just a bit too easy, not hard to get, open to a relationship without needing too much coercing. But deliciousness and agreeability are positives and so we’ll just have to chalk it up to epistemic Trail Estate chardonnay success. Drink 2020-2025.  Tasted July 2020

Leaning Post Chardonnay Senchuk Vineyard 2018, VQA Lincoln Lakeshore, Ontario ($45)

Set apart from the Bench wineries and while still beneath the Niagara Escarpment Senchuk Vineyard sits on more of a plain that gently slides down the Lincoln Lakeshore and into Lake Ontario. Perhaps it will become Ontario’s next sub-appellation. Sandy soil is maculated by largish stones three to four feet down. This atop a bed of grey clay so the low vigour of the sandy soil will be offer up a flip-side, a foil to the heavy clay of nearby locales like the Beamsville Bench. This third chardonnay from the home vineyard comes off of vines planted in 2011 so now this seven-year old fruit is starting to really mean something. And Ilya Senchuk is a winemaker who studies, concentrates and plans his work around clones. It’s not just about where to plant which varietals but which clone will work best and where within the greater where. Vineyard, vintage and variance. Senchuk truly believes that greatness is determined by varietal variegation, from vineyard to vineyard and from year to year. From 2018: 64 per cent Clone 548 and (36) Clone 96. Listen further. Warm season so picked on September 18. The grapes were gently whole cluster pressed (separated by Clone), allowed to settle in chilled tanks over night. The juice was then racked into barrels; Clone 548 – one puncheon and three barriques, Clone 96 – three barriques, where they underwent spontaneous alcoholic and malolactic fermentation. The lees were not stirred and it was allowed to age for 16 months. Power, body, tons of fruit, definite barrel influence, a southern Bourgogne kind of vintage, so maybe Pouilly-Fuisée or Maconnais Village with a specific Climat. For the time being we call the Village Lincoln Lakeshore and Senchuk Vineyard the geographical designation. The lemon curd and the acidity are there in a great tangle so yes, this is très cool chardonnay. I think we can safely say already that the Pinot Noir and the Chardonnay grown in Ilya and Nadia’s home vineyard is on its own, one of a kind and makes wines that don’t taste like anywhere else. This 2018 cements the notion and opens the next stage of the discussion. Drink 2021-2027.   Tasted July 2020

Good to go!

godello

Twitter: @mgodello

Instagram: mgodello

WineAlign

A Barque Smokehouse pack of Smoke’s finest wines for home

The Barque Smokehouse Restaurant Relief Case is a mixed 12-pack of wines curated by Chef/Owner David Neinstein and Wine Director Michael Godel. The wines are representative of local and international producers that have been a part of the Barque family of wines during the restaurant’s nine years in existence. The choices for the mixed case are thanks to four outstanding Ontario wine agents who have consistently been some of the restaurant’s most loyal and supportive partners.

Click here to view the Barque Smokehouse wines for home offer from the WineAlign Exchange Agency Cases

The collective challenge during the COVID-19 pandemic has forced many hard choices and put great demands on both the physical and mental health and well-being of so many in the hospitality industry. The Barque team is not immune to such adversity and that is why there is great need plus the will to pitch in and help. Part of the proceeds from the sales of these cases will go towards helping The Restaurant Relief Fund as well as much needed financial support for Smokehouse staff currently isolating at home.

Three wines each from Noble Estates Wines and Spirits, Nicholas Pearce Wines, Brand New Day Wines and Spirits and Le Sommelier Wine Agency make up the case. You will receive one sparkling wine, one Rosé, three whites and seven reds, along with a complimentary signature Barque rub.

The final case price will be $275/case plus delivery. Delivery fees are estimated at $17 in Ontario (shipping locations, fees & COVID-19 update). Delivery is expected in late May 2020. The $275 price includes all taxes and our $20 procurement, admin, storage & handling fee.

CHECK OUT THE WINES & ORDER A CASE!

Corretta Chianti Classico DOCG
2015
Italy
Tuscany
Sangiovese
No Place Wines “As Is” Field Blend
2017
Canada
VQA Niagara Lakeshore, Ontario
Pinot Noir, Merlot, Cabernet Franc
Bussoletti Ciliegiolo di Narni
2018
Italy
Umbria
Ciliegiolo
Sepp Moser Grüner Veltliner Classic
2018
Austria
Niederösterreich
Grüner Veltliner
Alpha Box & Dice Tarot Grenache
2018
Australia
McLaren Vale, South Australia
Grenache
Fita Preta Red
2018
Portugal
Alentejo
Aragonêz, Trincadeira, Alicante Bouschet
Pearce-Predhomme Chenin Blanc
2019
South Africa
Stellenbosch
Chenin Blanc
Marco Zunino Malbec
2018
Argentina
Mendoza
Malbec
Gilvesy Bohém
2017
Hungary
Lake Balaton
Olaszrizling, Riesling, Pinot Gris, Sauvignon Blanc
Pares Balta Brut Cava
NV
Spain
Penedès
Parellada, Macabeu, Xarel-Lo
Mas Buscados
2018
Spain
La Mancha
Tempranillo, Petit Verdot
Les Oliviers Rosé
2017
France
Languedoc
Grenache, Cinsault

Good to go!

godello

Twitter: @mgodello

Instagram: mgodello

@BarqueBBQ

Facebook: Michael Godel

Barque Smokehouse

WineAlign

Godello’s Ontario wines playlist

Writing about Canadian wines has been intrinsically inspired by music because quite frankly, one is always connected to the other. The wines of Ontario have always been at the head of this coupling and the relationship is borne more or less of its own accord. Music came first of course because before wine there was this gangly Toronto teenager every Saturday morning at 8:59 am sitting on the curb in front of Vortex Records at Dundas and Mutual Streets waiting for Bert Myers to open his shop so that kid could be the first in. The 1,600 vinyl record collection still gets plenty of spin time, as does Spotify and Google Music. The CDs? Not so much. Invariably a glass of wine is in hand, more often than not with an Ontario VQA designation in tow.

Canadian music has been great for as long as I have been listening. When did Ontario wine get here too, or the question begs, how? Not by virtue of any particular ethos through customs and traditions going back over many generations of wines. No, success and cumulative proficiency exists by dint of these wines without any forced supervision. They are governed by themselves and indeed across the entire industry. Done are the blanketing days of spare and powerful Ontario wines that were often too spare, so that the ribs of tannin showed through in painful obviousness. Today the contigious embracing of cool climate idiosyncrasy, fringe exceptionality and a unique Somewhereness makes Ontario the envy of the developing wine world.

Niagara-on-the-Lake, Ontario

My writing about wine an occupation whose reality is examined to points of madness, of long, run-on sentences, often at odds with grammatical winemaking realism. My tireless, tiring sentences and phrasing can at times offer a feeling that is potentially endless. Often I like my music to be the same in a Genesis-Frank Zappa-Pat Metheny like continuum but that too is changing. The young pop meeting hip-hop stars that my children listen to are growing on me. As are the unknown, the indie and the tireless players. And they need our help. The wineries too. Just ask Neko Case. “For every piece of music you stream/use for free today, please pay for one if you can. Music and art seem as effortless and breathable as air because an army of humans lovingly make it and propel it for the good of all.” Support local and order your next case of wine from an Ontario winery.

Compiling any wine list is never easy. Not when the subject matter is the most fleeting of consumables, a drink ever-changing, almost never tasting the same twice and destined for eventual failure. We know by instinct that wines cast the shadow of their own destruction before them and are designed from the first with an eye to their later existence as ruins. Wine critics can only regard what is in the glass by what sensory enjoyment or displeasure is activated at that exact time. In most cases there are no second chances. Music is different, timeless, often repetitive and can always be given a second chance.

Music and wine can work magic when paired together. Sometimes it’s just a matter of breaking wine down to the base, choosing grapes from places where they are made in straightforward and simply powerful ways. Likewise, clicking an uncomplicated, three-chord arrangement on YouTube or Spotify can really change the outlook of a day. With a glass of wine in hand there’s a familiar internal silence when sublime music plays, is performed, gifted. The following wines combine lyricism with melody. They write the songs.

Sparkling Wine

Ontario’s sparkling wine oeuvre has transformed into something unstoppable, immoveable and utterly impressive. Truly. Examples tend to be sharp, of lean and intense fruit, with more toast and edges than other Canadian counterparts. The climate is ideal for making bubbles of all ilk; traditional method, cuvée close, ancestral, charmat and pétillant naturel, a.k.a. pét-nat. For every occasion and at all times, especially with music blaring, or soothing softly, as you wish. There are no wrong pairings for Ontario sparkling wine.

Hinterland Lacus Pétillant Naturel 2017, VQA Ontario ($24.00)

Hinterland’s Lacus is gamay noir made in a fully accumulated yeasty style, re-fermented in bottle and yet wholly antithetical to the Jonas Newman’s sweeter Ancestral. Lacus could mean “lake” or “cistern,” perhaps in nod to all the meandering, surrounding and irregularly patterned water in the County, or perhaps it might mean “award,” as should be what we all get in tasting this delightful sparkling wine. Different and comforting, textural and exceptional in varietal, land and stylistic usage. Utterly versatile and electric as need be. Elevates pétillant naturel wine into the real world for many to enjoy. Drink 2019-2023.  Tasted June 2019

Pairs with The Tragically Hip’s My Music at Work

Why? The opening lines say it all, for what’s happening today.

Everything is bleak
It’s the middle of the night
You’re all alone and
The dummies might be right
You feel like a jerk
My music at work
My music at work

 

Henry Of Pelham Cuvée Catharine Carte Blanche Estate Blanc De Blanc 2014, Traditional Method, VQA Short Hills Bench, Niagara Escarpment (315200, $44.95)

The vintage tension is felt right from the aromatic get go and there can be no doubt that you are nosing Niagara’s most accomplished sparkling wine. Lime and wet concrete, fennel pollen and Baked Alaska. All tolled a terrific entry and no downturn into ginger and savoury crème brûlée followed by a moment of silence and contemplation. Use this for all, whenever and wherever. It will work for everyone, including those who will appreciate the faint sweetness to balance the year’s anxieties. Drink 2019-2026.  Tasted November 2019

Pairs with Alessia Cara’s Scars to Your Beautiful

Why? H of P’s Cuvée Catharine is also a wine of hope, youth and beauty. A wine from our very own backyard, just like the the singer from Brampton. The first line helps.

But there’s a hope that’s waiting for you in the dark

Riesling

It seems that in Ontario riesling is perpetually on the rise and the reasons why are as varied as the artistry it’s equipped to display. It has been 40 years since the Pennachetti family of Cave Spring Vineyard and German vintner Herman Weis planted riesling in St. Urban Vineyard on what is now Vineland Estates. My how things have changed. The trending line ascends as the general public comes around and warms to the versatile grape so popularity is not just in the hands of geeks, oenophiles and connoisseurs. Ask your favourite sommelier, product consultant or wine writer. Riesling’s neighbourhood is beginning to gentrify in a big way but it’s also expanding experimental and ancestral horizons. Varietal power, finesse and omniscient existentialism for a signature and singular Ontario purpose is perpetual and unwavering. Versatility goes with eccentric, electric and eclectic tunes so get your funk, funky and funkadelic groove on.

Adamo Estate Riesling Wismer Foxcroft Vineyard 2017, VQA Twenty Mile Bench (11236, $19.95)

Grower’s Series as in purchased fruit raised by serious Ontario grape farmers, in this case the Wismers and their expansive and generous Twenty Mile Bench-Foxcroft Vineyard. In Shauna White’s hands this Wismer fruit is ripe, developed and open-knit for skies the limit flavour potential. Cut your teeth on this juicy somnambulist riesling of citrus, peach, yellow plum and wide-eyed excitement. Drink 2020-2024.  Tasted March 2020

Pairs with The Weeknd’s Blinding Lights

Why? The song is new but timeless, retro, thrown back to the mid 1980s with synth rhythms like Take on Me by A-Ha. Adamo’s riesling sleep walks, blinds us by its light and connects rieslings going back through time to today.

Oh, when I’m like this, you’re the one I trust
Hey, hey, hey

Cave Spring Riesling Adam Steps 2017, VQA Beamsville Bench ($24.95)

Adam Steps is the riesling positioned up the middle lane, with more sugar than the Estate and near equal to CSV, with acidity higher than the former and similar to the latter. It’s the fatter, juicier, more generous one and in many ways much like the Feinherb’s of Germany. This is a very forward vintage with elevated levels of all its typical character, including tropical notes of guava and pineapple. May not be the longest age worthy AS but it is a most pleasing one. Drink 2019-2022.  Tasted February 2019

Pairs with Drake’s Passion Fruit

Why? You might think this would pair better with sauvignon blanc but Adam’s Steps smells just as tropical and well, the first line.

Ayy, y’all get some more drinks goin’ on, I’ll sound a whole lot better

Ravine Vineyard Riesling Patricia’s Block 2018, VQA St David’s Bench ($35.00)

From the botrytis block and you can feel, sense, and taste it very much so in this vintage. This in spite of a 30 per cent number out of a year when humidity and brix did not quite jive in terms of penultimate timing. Tart, leesy and so bloody sensorial. Drink 2019-2021.  Tasted September 2019

Pairs with DJ Shub’s Indomitable

Why? The indigenous electronic music of PowWowStep is so riesling, so Ravine and so Patricia. “I want Canadians to see that pow wow culture is beautiful in both imagery and spirit,” explains DJ Shub. “I also want young Native kids to know that they can find support and happiness in their lives, even if they can’t see it right in front of them.”

Chardonnay

In Ontario, raising chardonnay is about growing grapes and making wines in places previously discounted. There is no secret that Ontario winemakers have worked tirelessly to develop the ability and the acumen to make world-class chardonnay. Always reinventing itself and potential fulfilled, chardonnay, the slow train coming. Few ideals or notions are hotter these days than those relating to cool climate viticulture and the selvage regions from where such wines are produced. As for music and chardonnay? The great singer-songwriters and bands of course; the classics, icons and archetypes.

Westcott Vineyards Estate Chardonnay 2017, VQA Vinemount Ridge (424507, $27.95)

This 2017 from Westcott is really just what you might imagine were you to close your eyes and draw a triangle in your mind from the Vinemount Ridge, to judiciously oaked chardonnay and through to Westcotts’s manifesto. Niagara chardonnay should be about farming and this most certainly is, but also a microcosm of place, again of truth, but like all good, great and ethereal chardonnay must be. The florals are high for the place and the texture like organza, filament and lace. The obtuse vintage be damned it is this team that has found the right path and the way to varietal understanding. This teaches us about the ridges and benches but also about cool climate chardonnay. Thanks for this. Drink 2019-2025.  Tasted October 2019

Pairs with Bruce Cockburn’s Wondering Where the Lions Are

Why? Like the song everyone always wants to hear him play, timeless, so Canadian and one that teaches so much about being us. The dictionary and playlist wrapped into one with a chardonnay that speaks to all of us in a cool climate vernacular.

Sun’s up, mm-hmm, looks okay
The world survives into another day
And I’m thinking ’bout eternity
Some kinda ecstasy got a hold on me

Hidden Bench Estate Chardonnay 2017, VQA Beamsville Bench, Niagara Escarpment (68817, $29.95)

You may consider this 2017 (estate) chardonnay from Hidden Bench the transition, meaning it demarcates the passing of the varietal torch, from Marelize Beyers to Jay Johnston. And indeed there is a little bit of each winemaker’s finesse, grace and cumulative style. Perhaps a step away from richesse with a step forward in structure. That means the linearity and subtlety speaks ahead of the developed flavours and so a longer primary period will allow this to drink consistently for nearly five years. After that it will develop more flint and smoulder, if less golden sunshine richness. These are of course details in minutia and shadows to discover. Drink 2020-2027.  Tasted February 2020

Pairs with Leonard Cohen’s Everybody Knows

Why? Everything about Cohen’s music lives in shadows and everybody knows that a Hidden Bench chardonnay does the same. Even if the plague is coming fast, from one great to another, everybody knows.

Everybody knows,
Everybody knows,
That’s how it goes,
Everybody knows

Le Clos Jordanne Le Grand Clos Chardonnay 2017, VQA Niagara Peninsula ($44.95)

Welcome back, to that grand vineyard place that we’ve talked about. Down on the farm near the water where chardonnay was purposed grown and put in the hands of a young Thomas Bachelder. The results were dramatic and now that unparalleled fruit is back in the monk’s world, he wiser and more experienced than ever. The transition is spooky seamless and the awe in hand providing breathtaking posits in moments more than fleeting. Behold the presence of orchards and their just ripened glow of fruit with sheen so fine. Let your glass allow the ease of the aromas and flavours to fall in and emit with conscious movement, without conscience or effort. That’s the 2017 Grand Clos. Chardonnay that is. Drink 2019-2026.  Tasted November 2019

Pairs with Rush’s Limelight

Why? Le Clos Jordanne is back in the limelight and on a literal level, the return of this iconic Ontario chardonnay by Thomas Bachelder is about living as a performer, on a stage, with all eyes upon them. A wine with a higher purpose.

Get on with the fascination
The real relation
The underlying theme

Rosé

Who needs only light, southern French styled Rosé when you can also have full fruit, plenty of colour and a healthy dose of personality? In many cases the nearly pale and vin gris examples still persist and excite but there are those bled and rendered, heavily hued and teeming with fruit. Ontario made Rosé is more diverse, complex and multifarious than ever before. In terms of working for the consumer that means more choice and that’s a beautiful thing. Whether you are making yours to be a crowd pleaser with a heathy dose of residual sugar or dry as the desert, the unequivocal voice of necessary conscience will always whisper “balance in Rosé is key.” Like Canadian music which also pairs well with bottles of blush.

Leaning Post Rosé 2018, VQA Niagara Peninsula ($20.95)

Hmmm…salty. Lovely lithe and spirited Rosé here from the LP boys, redolent of fresh-picked strawberry, Maldon sprinkled and just herbaceous enough to care for signature red grape varieties ideal for the quick, calm and easy blush bleed. The sour edge just adds to the mystique and the by the boatload charm. Just right. Drink 2019-2021.  Tasted February 2019

Pairs with Shawn Mendes’ Stitches

Why? Don’t want to get too serious with Rosé so a little pop music with a slightly salty and bitter sound seems like just the plan.

And now that I’m without your kisses
I’ll be needing stitches

Malivoire Rosé Moira 2019, VQA Beamsville Bench ($24.95)

Production is “as much as I can get from that site,” tells Shiraz Mottiar, so maximum 800 cases. As always the aridity and the salinity continue to rise, the acids, minerality, near brininess and ultimate stoic balance so secure at the top of the game. Such a high acid vintage for everything but certainly that includes Rosé, yet still the least amount of skin-contact of the three Malivoire blush. Acids just don’t correlate to hue and flesh. Thank pH for the needle’s movement in how this translates from vintage to vintage. Drink 2020-2024.  Tasted January 2020

Pairs with Justin Bieber’s Intentions

Why? Moira just gets to me and a glass always leads to creativity. The Ontario Rosé muse unparalleled.

Shout out to your mom and dad for making you
Standing ovation, they did a great job raising you
When I create, you’re my muse
The kind of smile that makes the news

Gamay

Not that there is ever a bad time to partake in the wonders of gamay, but with the mercury rising, spring is the right time to be with the gamay you love. If you’ve never experienced the nuanced pleasure of great gamay, whether it be from Beaujolais in Bourgogne’s southern reaches or from Ontario’s cool-climate hinterlands, its prime time you did. The gamay produced in Ontario can run the gamut from light, fruity and joyful to dark, serious and structured. Winemakers are on their gamay game and the quality has never been better. The kind of songs to match gamay need to exhibit intrinsic purity and also variance so be picky and intentional here.

Château Des Charmes St. David’s Bench Vineyard Gamay Noir Droit 2017, VQA St. David’s Bench, Niagara On The Lake (346742, $19.95)

Quite a reductive and structured gamay with healthy extraction and great vintage fruit. Resides in the black raspberry realm with a balancing sheet of strawberry roll-up. Nothing shy about this, in a ripest of St. David’s Bench vein and so much could be taught about Ontario gamay through the work of this maker. Drink 2019-2023.  Tasted October 2018 and March 2020

Pairs with Neil Young’s Homegrown

Why? Both Château Des Charmes and gamay strike me as the epitome of homegrown and the St. David’s Bench estate is simply the Neil Young of Ontario.

Homegrown’s
All right with me
Homegrown
Is the way it should be
Homegrown
Is a good thing
Plant that bell
And let it ring

Stratus Gamay 2017, VQA Niagara On The Lake ($29.20)

Gamay gets neither more ripe nor extracted in Ontario and yet there’s a step back dance grace about this singular ’17. If ever the word Cru might come to mind when nosing and tasting local gamay this would be one, specific to a time and a place. Wild cherry, black cherry and concentrated cherry syrup are the big, bigger and biggest attributes, all cut through by a knife’s edge acidity. Wild gamay of grip, with very good length. Drink 2019-2023.  Tasted February 2019

Pairs with Robbie Robertson’s I Hear You Paint Houses

Why? To be honest lyrically this song has nothing to do with Stratus or gamay but it features Van Morrison and that’s pretty much the reason. Robbie and Van together is like Stratus and gamay.

I hear you paint houses
Right down to the wire

Pinot Noir

Thoughts about pinot noir always articulate an opinion. Smells like cherries, shows earth and mineral notes of/from clay and limestone. Texture is specific to the village where it is grown. In Ontario there are pinot noir crus few would ague against the probability that in most vintages quality will be a guarantee. Crus like Lowrey Vineyard on the St. David’s Bench, top blocks in Prince Edward County, several vineyards up on the Beamsville Bench, Wismer-Foxcroft, much of the Twenty Mile Bench and Four Mile Creek. The naysayers who continue to doubt whether pinot noir is a viable signature grape in this province are not paying close enough attention to the signs, portents and in conclusion, the results. As for the songs it plays and sings? Gotta be both old and new, retro and still avant-garde, crooning while ambient, poppy yet just a bit unusual and always stuck in your head.

Inniskillin Montague Vineyard Pinot Noir 2017, VQA Four Mile Creek, Niagara Peninsula ($30.95)

From a vintage both turned on and stood on its head with cool and wet summer conditions followed by unprecedented heat in September. The resulting look at pinot noir means strawberry like you’ve never noted before and Montague’s certainly jamming with concentration. Sweet fruit carries just enough varietal tension and depth to keep it grounded in the clay-earthy realities of Niagara. Not like Montague’s past perhaps but great fun nonetheless. Drink 2019-2023.  Tasted November 2019

Pairs with City and Colour’s Hope for Now

Why? Dallas Green’s voice, of sweet tension, like Ontario pinot noir and Montague’s clay-earthy reality.

What will it take to live as if I would not another day?
To live without despair, and to be without disdain
How can I instill such hope, but be left with none of my own?
What if I could sing just one song and it might save somebody’s life?

Rosehall Run JCR Pinot Noir 2017, VQA Prince Edward County ($39.00)

A bit high-toned, magically spirited and rebelliously volatile. Earthy and lithe in fruit though quite raspberry-pomegranate and exciting for those who like it not only lightning searing, but intensely meaningful. Hard not quiver with impatience at the thought of this treat before me and what such a singular pinot noir will become when it matures. Drink 2019-2023.  Tasted blind at NWAC19, June 2019

Pairs with Joni Mitchell’s A Case of You

Why? PEC pinot noir, this vineyard and that winemaker. Musically structured like a song from Blue, chord and tempo changes, magically spirited and intensely meaningful. Thank you Dan Sullivan.

You taste so bitter
And so sweet, oh
I could drink a case of you darling, and I would
Still be on my feet

Congrats to Cliff and Colin @stannerswines for their The Narrow Rows Pinot Noir 2017 Gold Medal performance @judgement.of.kingston 2019. We the judges deliberated long and with great care to come to this well-deserved conclusion.

Stanners Vineyard Pinot Noir The Narrow Rows 2017, VQA Prince Edward County

A super-saturated, honed and zeroed in upon place in a vineyard ripeness with a touch foxiness. Reality from limestone bled into fruit wavering on a spectrum where berry fruit

sits on one end and earthy beetroot all the way over on the other. Touches both and then properly meets in the middle. Cherries are red, herbs are green and tension stretches a wire between two poles. Tomato water and tomato leaf with fresh basil. That’s just matter of fact and a good struck balance in combination. You almost feel it’s at once too ripe and then a bit green but those moments are fleeting and so the summation in accumulation is the thing; must, seeds, stems and the work of kind, nurturing and gentle hands add up to great delicacy. It’s local and it’s so bloody good. Delicious even. Unlike any pinot noir ever made previously in Ontario. Drink 2019-2023.  Tasted blind at the Judgement of Kingston, November 2019

Pairs with Ron Sexsmith’s Gold in Them Hills

Why? Pinot is a song of hope, crooned by a Canadian treasure. Colin Stanners may as well be the Ron Sexsmith of Prince Edward County, shy and brilliant, reserved and funny.

But maybe it’s the perfect day
Even though the bills are piling

There’s gold in them hills
There’s gold in them hills
So don’t lose heart
Give the day a chance to start

Cabernet Franc

At the brazen and confident right of Ontario’s most important varietal reds is cabernet franc, a Bordelais grape that paints a more palatable picture than those brushed by both merlot and cabernet sauvignon. Transparently honest and forthright by nature, brassy and highly energetic, righteously indignant like a young band with a big sound and no shortage of swagger. Frank Ontario red, frankly speaking.

Tawse Natural Wine Cabernet Franc Redfoot Vineyard 2018, VQA Lincoln Lakeshore, Niagara Peninsula ($28.95)

There’s a symmetry in this cabernet franc and as it is the natural one in the Tawse stable, it’s actually the connection between vineyard and varietal that brings about the a ha moment. Redfoot has to date been the gamay block for natural executions and cabernet franc has been a Laundry Vineyard affair. The dots are connected through the Lincoln Lakeshore lexicon from one to the next, first in grape and then in winemaking, or lack thereof. This Vin Nature is both the least “natural” of all the Tawse tries while at the same time most like the Laundrys of past vintages, though it’s really somewhere in the circulative middle of a stylistic that includes the Grower’s Blend. In fact there’s no great departure from those cabernet francs so why not make them all this way? If the results are same dark fruit, same blushing acidity, same piquancy, same herbal undertones and nearly the same clarity of structure, why not risk it across the board? Could drink this with abandon. Drink 2019-2022.  Tasted September 2019

Pairs with The Arkells Knocking at the Door

Why? “There’s a fearlessness to it that I think a lot of sports fans and teams want to feel,” said frontman Max Kerman. The song has been anthemic at hockey games and women’s marches. Paul Pender’s natural wines do something eerily similar and reach a very large audience.

That’s me, I’m knockin’ at the door
I’m thirsty
For more, for more, for more
That’s me, I’m knockin’ at the door
I’m knockin’ at the door
I’m knockin’ at the door
That’s me

Southbrook Saunders Vineyard Cabernet Franc 2018, Beamsville Bench, Niagara Peninsula ($28.95)

Nothing if not classic Bench-raised cabernet franc with crunchy fruit, dark red and savoury plus that unmistakeable current of dark currant and capsicum. There’s no mistaking the origin or the execution, nor the varietal expressiveness. Transparent, honest, real and blessed of so much purposeful character. May not charm everyone from the word go but a couple of years will sort them out. Drink 2020-2024.  Tasted December 2019

Pairs with Arcade Fire’s The Suburbs

Why? The bounce in this song reminds of cabernet franc’s varietal dance, crunchy, savoury and honest. That’s just how Ann Sperling interprets fruit from Saunders Vineyard, tripping over piano keys and a background of strings making ambient sounds, rising to a crescendo.

Sometimes I can’t believe it
I’m moving past the feeling
Sometimes I can’t believe it
I’m moving past the feeling again

Good to go!

godello

Twitter: @mgodello

Instagram: mgodello

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Coppo: Feet on Canelli ground since 1892

Luigi Coppo is grounded in tradition, family, heritage and by a contiguous connection through generational continuance. That much is clear. I’ve met with and tasted Coppo’s wines three times over the last three years; during Barolo’s Collisioni Festival, July 2017, at Relais San Maurizio in Santo Stefano Belbo, December 2018 and most recently at the family’s Canelli estate in December, 2019. Since 1892 Coppo has been nestled in the favourable company of fellow producers Gancia and Bosco, together forming a link between these three most historical wineries in Canelli. Coppo’s Barbera d’Asti and in particular their Pomorosso cru from Nizza Monferrato’s hills are intimately integral charges and while it may have long been established, the advancing Luigi Coppo led Sparkling wine program will push further than merely rivalling the best of Alta Langa. Lookout Franciacorta. Take heed Champagne. And though these estate masterpieces in constant progress will duly impress sommeliers and collectors worldwide, Luigi Coppo still pulls for the workhorses and insists that “Moscato d’Asti is definitely the heritage of our hills.” That amongst their 56 farmed hectares surely counts for something. This is the actuality and presence of Luigi Coppo in Piemonte: Determined, ambitious and yet always cognizant of his roots. All the Coppos in fact; Gianni, Paolo, Luigi, Roberto and Piero. Feet on Canelli ground since 1892.

Luigi Coppo

Related – Three DOCG pillars of Asti: Secco, Dolce, Moscato d’Asti

Much has changed since Luigi’s great-grandfather Piero started the estate in 1892. Today production is 500,000 bottles annually. In another three-pronged producer connection Coppo can make Barolo here in Canelli, along with Scarpa and Bersano. And in 1977 it was Carlo Gancia who as the first in Italy to do so, returned from Champagne to employ moscato in traditional method bubbles. Luigi Coppo is also making use of the Canelli tufo azzuro soils, a mix of blue clay and limestone so ideal for growing grapes to turn them into many variations of sparkling wine. He too embraced the new Alta Langa appellation, beginning in 2010. A specific area was identified, chardonnay and pinot noir were planted and the 30 month lees aging methodology was put into place. Following the dreams of Grandfather Luigi who desired to produce a Bourgogne-style in Piemonte, chardonnay was planted 35 years ago. After nonno passed away in 1994 Luigi’s father Paolo decided to keep the dream alive. Monteriolo sees nine months on lees in barriques; big, buttery, modern and luscious.

Related – Living wine in the moment at Scarpa Winery

The Nizza Classico barbera come from several Monferrato villages while the Pomorosso cru, first made in 1998 sees new French oak for 14-18 months. Moscato d’Asti gets stelvin closures, the wines that age for five to six months are sealed under Diam and real corks for anything longer. The natural barrel cellar was finished in 1970, 42m below ground level. As for the heritage one, says Luigi, “Moscato loves altitude compared to barbera. It’s now time to talk about Moscato d’Asti as a serious wine because it’s very difficult to make. We don’t add sugar or carbonize and it is a vintage wine. These are the three natural and honest things about moscato.”

Related – Rock steady Bersano

What do Coppo’s wines do for us? How are they helpful and perhaps even life-affirming? The truth lies in Luigi Coppo’s humanity and dedication to the things that matter. Something has to save us from ourselves, especially in times such as these, from being inside our heads. Luigi’s wines are the sort to make our wisdom bearable, to rescue us, if nothing else from the ever-bearing fever of begotten biological and ecological destiny. These are the five wines tasted at Coppo.

Coppo 1892 Luigi Coppo Brut Metodo Classico 2016, Vino Spumante Di Qualita DOC, Piedmont, Italy ($40.00 – Estimate)

Traditional method varietal pinot noir in sparkling form, 24 months on its lees and no wood aging. Gainfully fresh and joyous, just a pinch of dosage and regaled, mainly by strawberry but also a sweetly savoury push. Crushable bubbles in the parlance of our times. Drink 2019-2021.  Tasted December 2019

Coppo 1892 Piero Coppo Riserva Del Fondatore 2007, Vino Spumante Di Qualita DOC, Piedmont, Italy ($220.00 – Estimate)

A 60-40 split of pinot noir and chardonnay that was at a near to previous time a varietal wine of the first but with 90 months on the lees and more complex notions conceived it was necessary to bring the latter into the mix. This was disgorged in July 2017. The tartufo bianco in this wine is simply uncanny. That and a toasty precision as if by a Japanese chef’s hand, a toasted piece of perfect white bread to the edges in 100 per cent equality by golden caramelization. Sandwich a piece of reverse seared Kobe rib-eye in between two buttered slices with a side of potato chips and creamy cole slaw and Coppo’s your uncle. Mimic with foie gras if you must. Up to you. Drink 2019-2026.  Tasted December 2019

Coppo 1892 Monteriolo 2017, DOC Piemonte, Piedmont, Italy ($92.00 – Estimate)

A father and an uncle’s chardonnay dedication to their father with a Bourgignons style and philosophy. This just released ’17 saw nine months on lees in French barriques. Toasty in a “Batard” Italianate way, nearly gingered and a low-yield meets high concentration and alcohol (though maxing out at 13.0 per cent) and purposefully ripe. The hot year took away some control and thus the warm biscuit and accentuating spice notes. A little caramelization and while the joy will be a year or so away it will be a shorter lasting period, albeit a highly anticipated and relishing one. Verdant finish with a scape of citrus zests. Drink 2020-2024.  Tasted December 2019

Coppo 1892 Barbera D’asti Nizza DOCG Pomorosso 2017, Piedmont, Italy ($74.95 – Estimate)

A blend of areas, Nizza Monferrato, Castelnuovo Calcea and Agliano Terme, first produced in 1984. “If you want to make Nizza all of your vineyards have to face south,“ explains Luigi Coppo. The exposures gather three levels of sunlight and with 15 days of fully extractive macerated practices the tannins are necessarily pulled to their limit. With varietal acidity set to a natural high there is a three-pronged effect that expresses three separate platitudes and layers for long-term effect. Add the warmth of ’17 and the degree of difficulty and margin for error is very stringent. Castelnuovo Calcea was the last to pick and still only at the end of the first week of September. There’s a phenolic-minor note from the vintage that’s ostensibly unavoidable in a composition like this and yet the richness and structure are non-compromised. Tough to follow the ideal 2016. Drink 2021-2028.  Tasted December 2019

Coppo 1892 Moscato d’Asti DOCG Moncalvina “Canelli” 2018, Piedmont, Italy ($23.20 – Estimate)

“Moscato loves altitude as compared to barbera,” tells Luigi Coppo, “and now is the time to think about Moscato d’Asti.” Luigi says it’s a serious wine because it’s difficult to make. No sugars are added or carbonization performed and it’s a vintage wine. These are the three tenets that matter most. From Canelli vineyards between 200-280m and the classicism of construct and effect is pure magic in proper and precise, sleight of hand ability. That’s what it needs to be, no more, no less. Naturally sweet, a pinch of salt and all the orchard fruit; apple, pear, lemon and orange. All together in balance and gift with tannin on a real dry finish. Drink 2019-2023.  Tasted December 2019

Good to go!

godello

Twitter: @mgodello

Instagram: mgodello

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