Top 15 under-$25 wines of 2014

Barque Smokehouse Miami Ribs PHOTO: Kevin Hewitt and Jill Chen (http://www.freestylefarm.ca/)

Barque Smokehouse Miami Ribs
PHOTO: Kevin Hewitt and Jill Chen (http://www.freestylefarm.ca/)

The year-end list. Why? To “free the individual from the collective.” To ponder, speculate and formulate a narrative. To create the sociological, world of wine equivalent of splitting the atom. To celebrate the triumph of laic heterodoxy and the arrogance of modernity.  To seek purity from beneath the massacre caused by an avalanche of contrived wines. In anthropological terms, “to make a housecleaning of belief.”

For the great majority, $25 is the threshold rarely exceeded when shopping for a bottle of wine. If a solid, honest to good bottle can’t be had for less, grape dismissal rears its ugly head and the switch turns to beer, or worse, rail booze mixed with sugar and/or chemical bitters. Oh, the drab humanity of it all.

But a great wine can be had for less than $25 and once found should be exalted and purchased by the case. The category of reds and in less instances whites, need company. This is where Sparkling, Sherry and even Dessert wines seek the embrace of an open mind and a willing palate. Spread the wealth, into glasses filled, from methods and styles unknown.

You will note that this list is filled with such rare animals and not just from the calculations in ferment, but from places unexpected, far off, of gestalt, historical significance and of the ancients. Places like Naoussa and Santorini in Greece, Montilla Moriles from Spain and Alsace, France.

These 15 wines are (almost all) culled from VINTAGES releases. I tasted countless other terrific under-$25 examples in 2014; local, parochial, from beyond Ontario’s borders and abroad. For the purposes of what the Ontario consumer needs to know and for what serves them best, restricting the bulk of the list to what is available in LCBO stores (or in many cases, what was and will again, as a newer vintage, be released), these 15 wines are not hard to find.

So yes, this is an ode, a nod, shout out and props to our faithful and loyal provider, the LCBO and truer to the point, VINTAGES, the fine wine and spirits division of the Ontario monopoly. The supply chain for great wine is alive and well, despite the efforts required to sift through the chaff, to separate it from the proverbial wheat. The gems, though oft-times hidden, can be unearthed. The diamonds will time and again be scooped from the rough and the cream will also rise to the top. Cliché is a by-product of wine life in Ontario.

What stands out and above is the contribution made and presented by the winemakers and vintners in this province. Six out of my 15 choices are from Ontario. The attitude that Ontario wines are too expensive and do not offer good value as compared to similar wines from Chile, Argentina, Spain, Italy, France, Portugal, Germany, South Africa, Australia and New Zealand is rubbish. My decision to include six such beasts drives the point. Many excellent wines are available at the u-$25 price point.

Here are my wines of the year that came in under $25. Some are sold out, many are not. Find them before the year is out.

Toro Albalá Fino Del Lagar Electrico, Do Montilla Moriles, Spain (Agent, $14.95, 500ml, WineAlign) From Recently tasted here, there and everywhere, November 24, 2014

The winery was founded in 1844 and in 1970 Toro Albalá became the first commercial Montilla producer in the classic Solera method, from (estate-grown) Pedro Ximénez vines. This is unfortified Fino, at a naturally achieved alcohol of 15 per cent, from an average age of 10 years. It’s so dry, like a desert you could walk for astral weeks, as if it should be measured in negative residual sugar. Like pure almond extract paste, bones in the sand and the essence of pulverized, powdered nuts, void of moisture. The chalky-white Albariza soils of the Moriles Alto subzone are hardwired into its Akashic, astral Electrico plane. This Fino ventures in the slipstream, between viaducts of dreams, “where immobile steel rims crack.” Impossibly long finish.  Tasted November 2014  @toroalbala  @MontillaMoriles  @LeSommelierWine

Ken Forrester Reserve Chenin Blanc 2012, Stellenbosch, South Africa (231282, $17.95, WineAlign) From the VINTAGES June 21, 2014 Release

Always a diamond cut above its like-minded and similarly priced peers. Ken Forrester’s Chenin Blanc has the most wonderful smell of bleeding, oozing metal and the bitten into stones of many tree fruits, in bittering nobility. Not to mention the pith of citrus and the pits of tree nuts. Though currently in a sulphurous, reductive state, with age this will seek and find an earthen, honey bronzed gorgeousness, in say five to seven years and live in sweet CB infamy until 2025. For a wine that crosses oceans to arrive in your tasting glass, at $18 it represents the finest value in Chenin just about anywhere on the planet. Terrific length. Chenin meets Montrachet.  Tasted May 2014  @KFwines  @WOSACanada

Artichoke and Fiddleheads PHOTO: Michael Godel

Artichoke and Fiddleheads
PHOTO: Michael Godel

Boeckel Brandluft Riesling 2012, Alsace, France (392928, $17.95, WineAlign) From the VINTAGES November 8, 2014 Release, Big release, bigger wines, November 7, 2014

From a northern part of Alsace, southwest of Strasbourg comes this epitome of Dry Alsace Riesling, stone cold stoic and bereft. The impossibility of this style is what Alsace does with impunity and propriety; gaseous and aerified without petrol or vitriol. But it will condense and go there after five years time. The quality is excellent for the price, from a limestone and silica lieu-dit just this side short of Grand Cru. Citrus would be the wrong descriptor but it does act like an exuding of citric acid. So stark and beautiful. Such a mineral expression in every fighting sense of the argument. Like chewing on rock salts and dehydrated limestone, the second tablet then dropped into the glass. A famous wine merchant in London sells this for $25 CAN. In Ontario, this is a must purchase by the case.  Tasted October 2014  @HHDImports_Wine  @drinkAlsace

Dirty Ramps

Dirty Ramps

Rosewood Select Sémillon 2013, VQA Beamsville Bench, Ontario (winery, $18.00,WineAlign) From Taste Ontario’s polarity of personality, October 8, 2014

After tasting Rosewood’s ’12, I urged the region’s cultivation of the great white wolf variety. Then the winter of 2014 happened. Rosewood’s vines were wiped clean off the map, erased like a child of parents who never met. The ’13 Sem is the last Mohican and its 12.5 per cent alcohol (down two from ’12) is a fitting, subdued and graceful epitaph to an amazing Beamsville run. This final cut is lean, stark, raving mad. So very savoury, tannic and built to linger for longer than most. The Rosewood honey is in hiding,”far from flying high in clear blue skies,” but like all memorable vintages of this wine, it will emerge in time. This Sémillon asks, “and if I show you my dark side, will you still hold me tonight?” Yes is the answer, and not just because she is the last one. Terrific curtain call.  Tasted October 2014  @Rosewoodwine

Rockway Small Lot Block 12 150 Riesling 2012, VQA Twenty Mile Bench, Niagara Peninsula, Ontario, Canada (372441, $18.95, WineAlign) From the VINTAGES July 19, 2014 Release, Release the summer wine, July 17, 2014

Noticeably dry but also earthy/funky. Struck match and plowed earth. As it settles into its skin and your consciousness it develops body, depth and acidity. Grows and expands, reaches heights you thought it would not. The vintage works wonders for the Twenty Mile Bench and this block has expansive stuffing to take it long, not to mention the earthy complexity to see it change and evolve. It may go through a disturbing, unusual phase but be patient and set one aside for 15 years from now. You will be amazed what honey and deep geology it discovers and uncovers.  Tasted June 2014  @RockwayVineyard

Vineland Estates Elevation St. Urban Vineyard Riesling 2012, VQA Niagara Peninsula, Ontario (38117, $19.95, WineAlign) From the VINTAGES December 6, 2014 Release, The final 14 bargains of 2014, December 5, 2014

Who has not waited for Elevation to hit out of the 2012 vintage? Straight up it must be noted that this will rank over and above the best from the St. Urban Vineyard. The ’12 Elevation will not only find long-term success among the great values in Bench Riesling, it will go down as one of the best ever, at any price. The vintage impart is a natural for this wine. At the moment it is the most primary of all because of the layers that texture bring. The Elevation will go thirty years and climb higher and higher into the stratosphere, gaining flesh and personality. The already seamless gathering of fruit and mineral is palpable. And still a reminder, the price is $20. This is a Schmidt gift to Ontario, for anyone and everyone to be one of the lucky ones. To purchase in increments any less than a case may be considered a crime against Riesling.  Tasted November 2014  @VinelandEstates  @benchwineguy

Maine Lobsters

Maine Lobsters

Nugan King Valley Frasca’s Lane Chardonnay 2012, King Valley, Victoria, Australia (288191, $19.95, WineAlign) From the VINTAGES June 7, 2014 Release, Australian rules VINTAGES, June 4, 2014

The toast in this Victorian charmer comes across in a mild-mannered, spoken word way with a simmering, buttery bass line. The fruit is high but the rhythms are delicate and even-keeled. More white flowers than your average Australian Chardonnay, brighter, with more grace and more beauty. She’s a girl with a short skirt and a long jacket eating angel cake. Still firm towards the back-end with citrus zest and mouth-watering acidity, she’s “fast and thorough and sharp as a tack.” Finishes with a long and persistent held trumpeting line. “Na,na,na,na,na,na.”  Tasted May 2014  @PMA_int

Katogi & Strofilia Averoff Xinomavro 2008, Pdo Naoussa, Greece (249615, $19.95, WineAlign) From the VINTAGES October 11, 2014 Release, From VINTAGES for Thanksgiving, in wine and with song, October 10, 2014

It’s not that every Xinomavro is infallible but every Xinomavro is worth exploring. The Averoff is classic; smoky, rich plum meets cherry intensity, tannic and textured, layered, like old school Pinot Noir. Liqueur of Naoussa terra firma, rocks and sweet beets. Balance of earth, wind and fire, fun funky and moving. Shares the spice of life so “let this groove, light up your fuse, alright. Let this groove, set in your shoes.” Parts unknown gather to subvert the uninitiated and make them move to Greece.  Tasted October 2014  @katogistrofilia

Thymiopoulos Vineyards Yn Kai Oupavós Xinomavro 2010, Unfiltered, Naoussa, Greece (360750, $19.95, WineAlign) From the VINTAGES January 20, 2014 Release, From Super Bowl XLVIII wine odds, January 30, 2014

Magnificent Macedonian, built upon the unheralded yet stalwart variety Xinomavro. Pure, sweet-smelling gardenia and the refuse of ancient rolling stones express every bit of sun and wind-swept, low bush vines goodness. Purposefully and thankfully unfiltered, so that all the delicious sweet and sour cherry and great biting but sweet tannin are left in. Purity, good sugar/alcohol heights without oak corruption. Earth possessive of mythic undercurrent, sage, wealth of  knowledge, sweet anise and hyssop. Scents of game on the grill. Amazing complexity and length. While tasting this Xinomavro it made me “feel so hypnotized, can’t describe the scene.” Get your rocks off to the Greek Tasted January 2014  @thymiopoulosvin

Huff Estates South Bay Vineyards Unoaked Chardonnay 2012, VQA Prince Edward County, Ontario (Winery, $21.95, WineAlign) From Take them home, County wines, May 20, 2014

The Huff Chardonnay bent has seen a shift as strong as South Bay’s prevailing winds, away from the weight of barrel ferment to a clean, Chablis-like style. The ’10 might just have been the turning point and though they now make two versions, this ’12 is the cementing of the attitude. What is most amazing is that the texture, aromas and feel remain those of an oak-influenced wine. Huff manages the linear consistency without the need to encumber, toast or char the purity of its glade, glycerin and citrus fruit. Only Prince Edward County’s limestone soil can effect this kind of nine inch nails drive into Chardonnay without oak and only Huff can do it with this kind of elegance. A wine “less concerned about fitting into the world.” Do not miss this singular effort. @HuffEstatesWine

Estate Argyros Assyrtiko 2011, Santorini, Greece (366450, $22.95, SAQ 11901091, $24.50, WineAlign) From the VINTAGES March 29, 2014 Release, On a wine and a prayer, March 24, 2014

A 100 per cent Assyrtiko from a 150 year-old, Cycladic Phylloxera sanctuary vineyard. Separates itself from other Santorini adelphoi by ageing 20 per cent of the inoxydable, ancient-minded grapes in French barrels. An Assyrtiko that can’t help be anything but stony, atomic driven goodness. Volcano flow and spew, with more texture than most, its elevated price a necessary reflection of a tertiary expertise. Elevated aromatics, locked in tight by the barrel and matched by extreme flavours, so primary, raw, powerful, relentless and grippy. A remarkable white wine that impresses with a sensation of mouth rope burn full of complex, seafaring knots, this Assytiko will age for 15 years in the cellar and develop into something ethereal. Will melt away in dreamy waves when it settles together. Myth will beget legend, legend will beget truth.  Tasted March 2014 @KolonakiGroup

Roast Chicken, Potatoes, Swiss Chard Photo: Michael Godel

Roast Chicken, Potatoes, Swiss Chard
Photo: Michael Godel

Bordón Gran Reserva 2005, Doca Rioja, Spain (114454, $22.95, WineAlign) From the VINTAGES October 25, 2014 Release, Wine on company time, October 23, 2014

If it were so because of cryogenic preserved must or an accidental tipping and topping up into an unused barrel by recent vintage juice I would not be left hanging with mouth fully agape. Considering the amount of time this flat out delicious Gran Reserva saw in barrel, the mystery must somehow be explained, how it came to be so surprisingly modern and bright (for its age), especially at $23. But it has been seen many times before, with no greater example than the Montecillo 1991 GR that drank fortuitously well into the last years of the previous decade. This is the magic of Rioja. That said, there is some sinew and some raw character here as well – that’s the old school treatment and style talking. Red cherry fruit. Ripe fruit roasted, rested and now sliced, showing its perfectly cooked rare cut. Juicy and with sanguine notes still running through its grain. Wonderful old school yet bright Rioja. Riotous red wine with a calming aura of quietude.  Tasted October 2014  @RiojaBordon  @Eurovintage  @RiojaWine

Il Molino Di Grace Chianti Classico Riserva 2006, Docg, Tuscany, Italy (382945, $23.95, WineAlign) From the VINTAGES December 6, 2014 Release, The final 14 bargains of 2014, December 5, 2014

An ’06 Chianti Classico Riserva you say, pre-aged, delivered to the Ontario market and presented here in 2014, all in for $24? You can’t fool us. We’ve been duped too many times before. This must fall into the “too good to be true” category. The answer depends on which style of Chianti you prefer. This walks all the halls, plies the trades and hits the marks of the CCR ancients. Comes from a remarkable vintage, holding on but in true advanced, oxidizing and fruit diminishing character. Mushrooms and truffles abound, as does game in the early roasting stage. A note of Brett is here too, not over the top but its presence can’t be denied. Acidity speaks, as does bitter chocolate. This is not for all but all should have a go.  Tasted November 2014  @Ilmolinodigrace  @chianticlassico

Riesling and The Lamb Lies Down on Broadway

Riesling and The Lamb Lies Down on Broadway

Pearl Morissette Riesling Cuvée Blackball Barrique 2012, Niagara Peninsula, Ontario ($25, WineAlign) From The pearls of Morisstte’s wisdom, May 26, 2014

When tasted in July of 2013 the ’12 Barrique had only been in bottle for three days so the musk was quite front and centre. Aged in foudres (neutral, old wood casks) it held much latitude at such a young age with notes of herbiage (mint, tarragon), nary a drop of residual sugar and a wholly unique type of dry acidity. “It will not always show this way,” commented Morissette. Tasted 10 months later I can say this. The ’12 Riesling Barrique avoids excessive malic and tartaric acid, not to mention any amount of volatile acidity. It is viable, vital and technically sound. “This is a wine that will take time,” pleads François . “I care about texture, not about varietal character.” Though perplexing and untamed, the wine has undeniable body and that noble bitterness in its unsung tang. It is the anti-Riesling hero, full of experiential conceit and needs to be revisited often, to see where it will go.  Tasted July 2013 and May 2014  @PearlMorissette

Hinterland Ancestral 2014, Prince Edward County, Ontario (Winery, $25,00, WineAlign) From Godello’s guide to holiday effervescence

Just released today, the anterior sniff and first sip procure a sense of immediacy in declaration: This is Jonas Newman’s finest Ancestral to date. Amethyst methustos bled from Prince Edward County Gamay. If a continuing study on such sparkling wine were to be conducted in the méthode ancestrale diaspora, the anthropologist would lose time in the County. Say what you must about the method and the New World place, this elevates an old game, in fact it creates a new one. Strawberry is again at the helm with the sugar number high and balanced by three necessary portents of chemistry; low alcohol, savor and acidity. The finish is conspicuously dry, conditioning the palate to activate the phenotypic sensors. Hits all the right bells, traits, whistles and behaviour. Careful, it will make you want to go out and make babies.  Tasted November 2014  @hinterlandwine  on the card at @barquebbq

Good to go!

It was Josmeyer’s imagination

Domaine Josmeyer

Domaine Josmeyer

Christophe Ehrhart has a very real and specific goal as custodian of the vines and as a collaborative winemaker at L’éclat Josmeyer. “To avoid oxidized, unclear and unsound wines.” Erhart’s reality lies in his exacting state of certified organic and biodynamic agriculture. He is also a true expressionist, manifested in the feelings of love for biodynamism, running like a dream throughout viticultural life. They encompass an imaginative broad spectrum of respect and attention to all things natural, especially given the spiritual nature of his quest to express terroir.

At Josmeyer, “the first goal is not biodynamism,” Ehrhart tells me at the family winery in Wintzenheim. “We eat only organic and biodynamic. It’s a philosophy of life, but the final goal is to make the finest wines that express the terroir, in a biodynamic way.” I sat down with Ehrhart, along with sommeliers Fred Fortin and Jonathan Ross, to taste eight explanatory wines that fortified insight into Josmeyer’s oeuvre. This second foray took place three days after tasting through a flight of seven wines with Christophe at the Millésimes Alsace, the professional trade fair for the region.

Related – In a Grand Cru state of mind

Domaine Josmeyer is the present day incarnation of a business begun by patriarch Aloyse Meyer. He was succeeded in 1933 by son Joseph who then further developed the operation in 1946. The current operation was established in 1963 by Hubert Meyer, in memory of Joseph. His eldest son Jean is the elder statesman of the modern domain.

Céline Meyer, Christophe Ehrhart, Isabelle Meyer and Jean Meyer, Domaine Josmeyer photo (c): https://www.facebook.com/pages/Domaine-Josmeyer/140625599300808?fref=ts

Céline Meyer, Christophe Ehrhart, Isabelle Meyer and Jean Meyer, Domaine Josmeyer
photo (c): https://www.facebook.com/pages/Domaine-Josmeyer/140625599300808?fref=ts

With daughters Isabelle (as winemaker), artist Céline (as CEO) and Christophe Ehrhart as wine grower, Josmeyer is three and a half centuries and 11 generations removed from its original beginnings. Today Christophe is a leader in Alsace, sitting on committees including the Alsace governing board of CIVA (Le Conseil Interprofessionnel des Vins d’Alsace) and the local AVA. Since 2001, Ehrhart has been the head of the local growers of the Grand Cru Hengst.

In his position on the Hengst committee, Christophe Ehrhart has been instrumental in eliminating chapitalization (2003), reducing maximum yield limits (55 hL/L) and creating a sugar code index for wine labels. The latter is Ehrhart’s baby and a result of that vivid, expressive imagination.

“Sometimes Alsace wines make one person unhappy,” notes Ehrhart. “If there is an index, we can make two people happy.” The codex rates wines from 0 to five on a residual sugar scale. The index is specific to the wines of Alsace, which differ greatly from those of Champagne, or anywhere else that still white wines are made. The variegated mineral soils of Alsace wreak havoc on how sugar manifests itself, confusing the perceptive ability to imagine the true level of residual. The Ehrhart scale helps the consumer decode that mystery. The purpose is to avoid mistakes, to let the people know what is inside the bottle. “Just to have information in a simple way.”

Josmeyer is anointed with the highest level of Demeter and Biodynamic certification. In fact, Ehrhart is one of the three global VP’s of the organization, the other two being Olivier Humbrecht MW and Eric Saurel of Domaine Montirius.

In his extensive and definitive profile, Tom Cannavan points out Josmeyer’s transition from négociant to biodynamic grower within the context of a “unique ultra-viticulture raison née.” Cannavan praises the purity of the wines while at the same time bemoaning the “bewildering” diversity of products. He writes, “the different ranges are a product of Josmeyer’s négociant roots, but they do not project the image of a single domaine.” Cannavan notes that switching to biodynamic farming did little to change the Josmeyer style, which is all about dry, crisp wines and yet he ignores the reasons for the creation of so many variations on a single (especially Riesling) theme. Soil. Unique geographical spots. Terroir. Jean, Isabelle, Céline and Christophe feel compelled to make small lots from micro-parcels. Organic and biodynamic are important. Terroir is more important.

Jamie Goode posed this question today. Do we make too much of terroir? In the end of his piece, Goode writes “”I reckon terroir deserves to remain at the heart of fine wine.” Jamie and I were together in Alsace. As they did to me, the winemakers of such a region have left an indelible mark on Goode as well. He has been to Alsace on numerous occasions. It has no doubt helped shape his feelings about the importance of terroir, but also the part the winemaker plays in shaping wine.

At Josmeyer, the science of making wine is like wayfinding, based on dead reckoning. In his anthropological study The Wayfinders, Wade Davis writes “you only know where you are by knowing precisely where you have been and how you got to where you are.” Wine making, like wayfinding, is a craft of intuition and experience. Like the Polynesians who navigated the Pacific through knowledge and photographic images committed to memory, the winemaker learns from what the soil and each passing vintage have told. The agglomerated data is applied towards making better, cleaner and clearer wine.

Each time Ehrhart and Meyer navigate the process, from grape life cycle to élevage, they are like the mariner making use of a 360 degree compass of the mind. The navigator will integrate climate (clouds, winds and rain) skies (sun, light refraction and stars) land (marks and bearings) and water (swells, pitch & roll of waves, feel, currents, widths & colours caused by light & shadow, horizons, subtended mast angles and the vessel’s relative position). Davis writes “the genius of the wayfinder lies not in the particular bit in the whole, the manner in which all of these points come together in the mind.”

At Josmeyer the winemaker uses terroir; lieu-dit & Grand Cru, granite, limestone & clay, slopes (steep or not) facing in various directions, climate and vintage. Christophe Ehrhart the wayfinder is what could be called a terroirist. But what about biodynamic wine growing? According to The Living Vine’s Mark Cuff, moon cycles and tides aside, what matters most, as opposed to organic, biodynamics is all about soil, vitality of land, resistance to disease; vines are like icebergs, we concentrate too much on what’s above the soil when 90 per cent of a vine’s life takes place under the soil.

Godello and Christophe Ehrhart, Domaine Josmeyer, Kientzenheim

Godello and Christophe Ehrhart, Domaine Josmeyer, Kientzenheim

The world according to Josmeyer, as related by Christophe Ehrhart is technically, biologically and viticulturally delicious. Yes, the biodynamic winemaker must concern himself, immerse herself, be disciplined to think deep. What happens in the vine’s subterranean world is everything, and at the same time, nothing. Everhart asked Jonathan Ross, Fortin and I what we thought may be the percentage a vine’s growth and energy is derived from beneath the soil (considering the rest comes by way of photosynthesis from the sun). Our guesses ranged from 10 to 33 per cent. Not even close. Christophe said that scientific studies show the number to be between three and five per cent. Who knew?

Ehrhart’s concession that the quantitative number is small for a vine to derive its personality, divined though the earth’s brine, was quite shocking. Though Ehrhart does not rely solely on the common practice that other Alsatian winemakers take for granted and even believe with blind faith, terroir still drives the Josmeyer machine. Like a sailor who can’t find his longitudinal way without a chronometer, the winemaker who is not in tune with the earth must make use of technology to find his viticultural way. Christophe Ehrhart has an advantage. Organic, biodynamic, wayfinder. This is why ancient wisdom matters in the modern world.

Tasting twice with Christophe in four days left a mark. It was Josmeyer’s imagination, running away with me. Here are notes on the seven wines tasted June 15th, 2014 at Millésimes Alsace.

Pinot Auxerrois Vieilles Vignes 2012 (WineAlign)

From calcaire-limestone, there is fine design in line, a mime of sugary lime with notes of white pepper and thyme. Wise and so very dry (5 g/L residual sugar), balanced, rhyming, keeping perfect four four time.

Pinot Auxerrois 1996 (WineAlign)

Acting as if it were recent, current, yet bottled, this is freshness in elegance defined. Still a bit reserved and not quite forthright, this is Auxerrois composed of tight, jutting angles, from ripe phenols and grape tannin. It must have been made with “crossing fingers and wiping brows,” by a winemaker with an awful lot of big dreams. At 18 those dreams remain unrealized. By 25 they will have materialized. Would partner well with Unagi.

Riesling Les Pierrets 2010 (WineAlign)

Simplified, the terroir here is part marl, part limestone. (See the 2002 note for more specificity.) The three areas combine for a full orchestral expression of Riesling. Dry as the desert with a triple threat tang of terroir. Intense, as per the vintage, from what I gather and heard around the trade show floor, the closest repeat to 2002 there has been. The sugar here is strikingly low (3.5 g/L) and the acidity (7.8 g/L) raging in comparison. Such sharp, awry but ripe citrus intensity the likes rarely seen in Riesling at 13 per cent alcohol. A Josmeyer study to be sure that needs several years to settle into its mineral skin.

Riesling Les Pierrets 2002 (WineAlign)

From a selection of prestige vineyards in Wintzenheim, Turckheim and Wettolsheim. Positively terroir street in this most arid yet fresh-driven ’10, yet another example of the absolute purity by way of the vantage point vintage brings to the path through time. There is poise but also texture in the form of a yogurty lees. This from flat alluvian Fecht deposits rich in clay of a soil predominantly built of sand, shingle and silt with les pierrets (little stones) and plates of loess. What it must be like to be a wine such as this. Turns a song on its head. This I would say to it. I wish that for just one time I could stand inside your shoes. “And just for that one moment I could be you.

Riesling Grand Cru Hengst 2010 (WineAlign)

From calcaire marls, the levels are raised, especially the sugar (9 g/L) though you would have no way of knowing it. More chalk grains through and less citrus, but it’s still a matter of zest. This shouts low yields and concentration with a Grand Cru’s deep, guttural voice and the immediacy is frightening. A dart to the Riesling heart. The stallion is at its finest and most focused in 2010. Like so many other pH arrested fermentative ’10’s the couple of extra grams of residual sugar rise up with the elevated level of acidity, but again, the change is both subtle and impossible to figure.

Riesling Grand Cru Hengst 2005 (WineAlign)

A slim Hengst, lower is sugar (7 g/L) and acidity (6.1 g/L) and minutely up in alcohol. That said it is possessed of a sweet round sensation with leaner, less obtuse angles of tension. More flesh and higher aromatic tones, of stone fruit, of tropical wafts most unusual and standing out in the Josmeyer scheme. The approachability here is base and nearly fun, like a tease of late harvest fruit.

Riesling Grand Cru Hengst 1993 (WineAlign)

Travelling back 21 years you see the Jean Meyer take on Hengst, from another era, another Josmeyer. The sugar (10 g/L) is higher, the acidity (6.4 h/L) lower and the alcohol (12 per cent) too. The atomic rise and petrol fuel-driven sensations are more pronounced, the vineyard speak quite real. This is the most polarizing wine I tasted (of the 15 from the Domain in Alsace), not because of the natural and wild expression but because of the way it arrests the ability to produce saliva. A touch of past ripe apple adds to the difficulty in deciding which direction this has taken.

Riesling Grand Cru Hengst Sélection de Grains Nobles 2002

An (SGN) already signed, sealed and delivered to now begin its secondary development stage. Persists with the character of freshness, angular pierce and of a tempered (8 g/L) acidity poking holes in the sugar’s (94 g/L) membranes. Very balanced and delicious, an atomic marmalade of peaches and cream of micro-managed sweetness.

Here are notes on the eight wines tasted at the domain on June 18th, 2014.

Pinot Blanc Mise du Printemps 2013 (SAQ, $22.90, WineAlign)

This is the first wine that goes to bottle (February 2014) from out of stainless steel and 1600-2500L old (1895) oak vats. A verdant amalgamation of spring vegetables, herbs and lime gain elegance and acidity from the blending in of Pinot Auxerrois.

Pinot Auxerrois “H” Vieilles Vignes 2012 (WineAlign)

Straight out the uncanny symmetry to Chablis-like sustenance is uncanny. From a vineyard planted in 1959, the “H” refers to the great Hengst, minus the Grand Cru attaché. Sticky soils with marl and clay make complexity real (like Burgundy). Jean Meyer was the pioneer of circumvention to the 1983 Grand Cru decree by using a letter in lieu of the GC. Many followed (like Albert Mann and Paul Blanck). This PA is clean, precise, creamy, dry and expansive.

Riesling Le Kottabe 2011 (WineAlign)

From the Josmeyer artist series, “young and impulsive, it shares with you its poetry and its intimacy.” The votes between Wintzenheim and Turckheim are old, the sugar (approx. 5 g/L) low and the alcohol (13.5 per cent) higher. “Riesling speaks a salt language that expresses terroir,” says Ehrhart, “as much as a fingerprint.” This has more full-bodied heft as compared to 2010, more muscle, more girth. Shells and a spritz of citrus mark this salt lick of a Riesling, spread evenly, in a chalky sprinkling throughout.

Riesling Le Dragon 2011 (WineAlign)

Very hot, described by Ehrhart as “little Senegal,” from the southwest facing slope of Letzenberg in a sheltered area known locally as “Petit Sénégal” with the dragon that is said to live (or resolved to die after a duel with the sun) in a cave within the Grand Cru Brand. From very ripe grapes that receive major amounts of sunshine. Flinty minerality comes by way of yellow limestone Muschelkalk (shell bearing limestone or, calcaire coquillier). Long and true, with a distinct chalkiness, from a bottle that had been open for five days.

Riesling Les Pierrets 2010 (see above)

Riesling Grand Cru Brand 2011 (WineAlign)

Here lies the mineral of perception, energy and of what is spoken by the fiery locale. Expressing the polarity of silica and chalk, Brand is a vertical line of silica filtering through granite rock. Pure, crystalline and focused because the mineral is filtered out, remaining behind only in deja vu, temptation like sensation. This here, in Brand, is the biodynamism of Josmeyer incarnate. Always the talk of terroir, for right or for wrong. “But it was just my imagination. Runnin’ away with me-once again.”

Riesling Grand Cru Hengst 2011 (WineAlign)

The solar-powered Grand Cru talks in proteins and salinity so the wine will seek more complex saltiness in food, like sharp (Reggiano-like) cheeses and lobster in a rich sauce. This is endowed with a completely different structure than the Brand, with more surround and circulating roundness. The mineral salinity resides in the back, of both the palate and the texture. It’s richer, with deeper density, less piercing and linear than the Brand. An enveloping, circumventing Riesling.

Riesling Grand Cru Hengst 2010 (see above)

Good to go!