A Stratus pairing last Spring defined modernity incarnate. Dinner at David Chang’s Má Pêche in NYC’s Chambers Hotel introduced me to “dishes as colourful canvasses, never over-painted nor as monochromatic abstractions.” Supper at Toronto’s Daishō this past September acquainted me with chef’s meticulous small plates and the finest crab dip the city has ever seen.
A 200 year-old Champagne house tasting was my fourth Momofuku experience and though it flashed before my eyes, it may have left the deepest impression. The Daishō kitchen and team, most notably Beverage Director Jonathan Gosenhauser and Front of House Manager Steve Sousa popped and poured five renditions of Henriot Champagne in expedient time. With out missing the beat of a room full of writers’ bleeding hearts, the gang then delivered six sublime courses in 15 minutes flat. Impossible. No.
The group was in a hurry to travel 20 minutes north on foot to the Royal Ontario Museum for the Napa Vintners Association seminar and tasting. With no disrespect intended, I would have been quite content to spend some further quality time with cellar master Laurent Fresnet of Henriot, our hosts Russell, Jason and Rachel Woodman, Mr. Gosenhauser and the all-day textures of Daishō’s plates. Another time.
The wines of Champagne Henriot are a relatively new addition to the Ontario market. Founded in 1808, under Apolline Henriot, this is one of the last independent and family-owned houses in Champagne. Chardonnay is Henriot’s muse and each of the five wines at the Momofuku tasting stood singularly in contrast to one another. If I had to consider one to define the Henriot style, it would have to be the assemblage of their Blanc de Blancs. First, the plates.
Kimchi, napa cabbage
Falafel Bun, sesame, turnip, yogurt
Roasted Rice Cakes, pork sausage, Chinese broccoli, tofu
Hanger Steak, (McGee farms ON), kimchi, onions, bibb lettuce
Whole Speckled Trout, (kolapore ON), shrimp, tomato, smoked milk
Brussels Sprouts, fish sauce, puffed rice, mint
Champagne Henriot Tasting, presented by Woodman Wines and Spirits
Momofuku Daishō – Monday, October 21, 2013
Brut Rosé NV (Consignment) from 15 blended crus, contains a smidgen of Pinot Meunier along with a shade less than 15 per cent Pinot Noir to mantle the Chardonnay in bronze patina. Though not intended as a “visual wine,” Fresnet noted “We blend rosé in dark glasses so we’re influenced only by nose & taste, not by colour.” The quip that followed: “Perhaps everyone should blend in dark glasses.” Limitless aromatics, pear, ginger and the ticking kicker, the freshest peach. An alluvial toast, citrus emergence and a bull’s-eye of atomic probing all wrap this blush into one consumer-friendly basket of bubbles. Boundless beyond base. 92
Brut Souverain NV (959643, Nov. 9th, $59.95) from upwards of 25 crus hunts house parity in Chardonnay and Pinot Noir. Looking back in retrospect of the tasting, the Souverain is a brutally honest vampire in binding a consistency of the stable’s house style. So much so, “you found you’ve walked along these halls.” Faux-fumé, in a way, with toasted nuts, spice, grapefruit citrus and charcoal. An arid arrow through my Champagne heart, perfect for weekend sipping. 89
Blanc De Blancs NV (Private Order) is an assemblage of Chardonnay grapes mainly from the Côte des Blancs and village crus: Mesnil sur Oger, Avize, Chouilly, Vertus, Montgueux, Trépail, Epernay and the Vitry region. Though a blend of vintages, this B de B sulks and broods in adolescence. Red, skinless apple and citrus pith are its card of youthful exuberance. Gorgeous in reserve juice with a brioche waft on the back end. In a phase of careful consideration, this NV fizz will be held in kind hands for a good, long time. 91
Brut Millésimé 2005 (Private Order) is a du pareil au même complex union of Chardonnay and Pinot Noir from 15 crus, mainly Côte des Blancs and Montagne de Reims; Mesnil sur Oger, Avize, Chouilly, Mareuil-surAÿ, Avenay, Verzy and Verzenay. In light of its own accord and magnificence from increased toast and an exotic level of perceived sweetness. The most ethereal of the line-up. 92
Cuvée Des Enchanteleurs 1998 (83774, VINTAGES Classics) is a mother of pearl, equipoise of Chardonnay and Pinot Noir from six Grand Crus: Mailly Champagne, Verzy, Verzenay on Montagne de Reims, Mesnil-sur-Oger, Avize and Chouilly on Côte des Blancs. Shows plenty of lively, savoury goods; caper berry, herbal sauvage, marmite jam, baking orchard fruit, aromatic bitters. The elaboration is confounding and a lesson in 15 year-old Champagne humility. The deciduous, Crazy Mary of the line-up. One Champagne lover’s edulcoration is another one’s bitter pill. “Take a bottle, drink it down, pass it around.” 90
Cuvée Des Enchanteleurs 1990 (Private Order, from magnum) from 15 crus, including the most prestigious: Mesnil-sur-Oger, Avize, Chouilly, Mareuil-surAÿ, Oger, Verzy, Verzenay, Ay and Vertus. Showing more youth than that bottle of blooming ’98. Spoons out more segmented grapefruit, more saveur, more washed Langres rind. Blithesome like an evergreen forest after rain. Wild fennel and citrus in the most parched way. Linear nobility and mobility that appeals to my mathematical mind. Speaks as if to say, “I want to change your mind, said I want to set it right this time.” Moving Champagne. 94
Good to go!