High altitude heliophiles in Argentina

Bodega DiamAndes, Uco Valley, Mendoza, Argentina

As seen on WineAlign – A masterclass across Argentina

For the malbec, cabernet sauvignon, syrah, cabernet franc, criolla, torrontés and chardonnay of Argentina the present day vernacular promoted by the party line tells us “altitude defines a singular type of wine.” Most of the country’s wine lands are located on soils perched at impressive heights, at least with respect to sea level. To the naked eye the vineyards of Mendoza are of a perfect design to act as a collective poster child for a flat earth society manifesto, but looks are deceiving. The gentle climb from that province’s eponymous city centre at 750 meters above sea level to the rain shadow wall of the Andes Mountains is a subtle gradation that transfers vineyard elevations up to and exceeding well over 1,000 further metres. Say what you will about Mendoza’s absence of switchback ridges tracking rolling or angled foothills. Solar radiation is very real here and the effect of elevation on grape growing is a highly critical component of viticultural matters.

Joaquin Superman @hidalgojoaquin offers #CndsInArg a dissertation on high altitude terroir @winesofarg ~ @aldosvinoteca

It was only weeks ago that I had the favourable and fortuitous opportunity to travel around with the team at Wines of Argentina. Ontario’s WOFA representative Liz Luzza introduced me to her Quebec counterpart Marilyne Demandre. Together we were joined by Mark Bradbury, Bar Manager at The Bicycle Thief, Halifax, Nova Scotia, Yann Janvier, Le Sommelier Moderne in Montreal, Michael Mizzi, Co-Owner and Alexander Raphael, Bar Manager AMA Always, Toronto and Paul Madden, Director of Purchasing, Crowfoot Wines & Spirits, Calgary, Alberta for a group traverse across the South American country. We were led with the guidance of WOFA’s exceptional on the ground team; Soledad Juncosa, Sofia Brazzolotto, Paula Valle, Analia Lucero and Romina Ruiz. We did not make Lionel Messi’s acquaintance but we did experience first hand in Caminito and at the Buenos Aires Aeroparque Jorge Newbery the first leg of the Copa Libertadores final. I can only begin to explain the cacophony of roars when goals were scored during the intense rivalry between Boca Juniors and River Plate. The November trip took in Buenos Aires (including Recoleta Cemetery), Mendoza City, Luján de Cuyo (Agrelo), the Uco Valley (Gualtallary and Tupungato) and Salta Province (Cafayate and Calchaqui Valley). The journey will always be considered as a masterclass across Argentina because that is precisely what it was.

Recoleta Cemetery, Buenos Aires

It began at a Buenos Aires institution, Aldos Restorán & Vinoteca for a dissertation on high altitude terroir through the savant Argentine eyes of Joaquin “Superman” Hidalgo. Joaquin did more than merely explain the effect of altitude and solar radiation, he also poured an extraordinary cross-section of the country’s malbec from Jujuy to Patagonia, Tucuman-Catamarca to Gualtallary-Tupungato, Uco Valley.  In the Palermo neighbourhood of Buenos Aires we convened at that city’s most coveted mecca for beef consumption, the exulted Don Julio Parilla, where we were schooled on the wines of Familia Schroeder and Patagonia. Later that night it was a wholly unexpected, antithetical and epiphanic tasting of white, pink and orange in Mendoza at Azafrán Resto with principals from Chakana Wines, Alpamanta and Ernesto Catena’s Domaine Alma Negra.

#tastingroom writing #tastingnotes @bodegadiamandes ~ #valledeuco #cdnsinarg @winesofarg

A visit to Finca Decero opened the window to the Agrelo advantage along with the wines tasted belonging to Alta Vista, Altos Los HormigasArgento, Susana Balbo and Trapiche. This was followed by a stop at Vicentin/Sottano. At Bodega Luigi Bosca it was head winemaker Pablo Cúneo who unlocked some secrets hidden inside the soils of Luján de Cuyo, with help from pours by Bodega CasarenaBodegas Navarro CorreasFinca Las MorasMascota Vineyards, Pascual Toso and Vina Cobos. Then we entered the Tupungato, Uco Valley portal at Domaine Bousquet along with the wines of Bodega Andeluna, Bodega Atamisque, Bodegas Bianchi, Familia Zuccardi and Finca Sophenia. The incomprehensible wall of beauty provided by the snow-covered Andes acted as the backdrop to the al fresco tasting room at Bodega Diam Andes. It was here that we gained a deeper understanding of the mountain connection to Clos de los Siete and Vista Flores-Valle de Uco wines. The wines of Bodega Piedra NegraCasa de Uco, Masi Tupungato and Bodega Salentein helped usher these sub-appellative Mendoza wines into the light.

Salads in Argentina are exceptional

Before heading north we were met at our Mendoza hotel by Viña Cobos winemkaer Andres Vignoni for a seminar and tasting of cabernet franc and cabernet sauvignon. As a general rule cabernet franc is planted in dry Argentine climates, in Winkler Zones 11 and 111. It has nicely adapted to high altitudes (900m+) and its prominence began spreading after 1990, especially in Luján de Cuyo where 34 per cent of the country’s vines are grown. The varietal boom has really swelled in the last 18 years. Studies show that its best maturity is at 1000-1200m, with hot spots being at Los Arboles, San Pablo, Gualtallary, Agrelo, La Consulta and Paraje Altamira. The country’s third most planted red grape variety is cabernet sauvignon, historically raised in a “Bordeaux meets Rioja school,” with long barrel aging and traditionally grown in Maipu and Luján de Cuyo. The varietal has migrated to cooler spots, where greater freshness is being chosen ahead of over maturation, not to mention less/smaller use of new barrels. Sub-zone favourites are Las Compuertas, Perdriel, Agrelo, Cruz de Piedra, Gualtallary, La Consulta, Paraje Altamira, Cafayate and Santa Maria.

Godello post masterclass on cabernet sauvignon and franc with Viña Cobos winemkaer Andres Vignoni

From Ciudad de Mendoza Airpark we shuffled off to Salta, destination Cafayate. The drive took us though the desert monuments of Quebrada de las Conchas. The next day there was a fast, furious and fascinating look at Cafayate and Valle Calchaqui high altitude terroirs through the Donald Hess Bodega Colome and Bodega Amalaya lens. At Bodega El Esteco was walked beneath the 70 year-old criolla and torrontés vines. In the afternoon heat of Cafayate’s 30-plus degree early Spring sun we walked the limestone rocky desert moonscape of Piattelli Vineyards with proprietor John Malinski. A visit to Cafayate and the Valles Calchaquies would have been incomplete without a Bad Brothers Wine Experience. My understanding of Argentina’s fringe, edgy and extreme high altitude wines was confused until I met Agustín Linús and his Sunal malbec. Terruños de extrema indeed.

Snowy Andes backdrop makes Godello happy ~ snap (c) @marylinedemandre

One of the highest vineyards in Argentina is in Salta Province, 1,200 kms north of Mendoza. It is called Altura Máxima and it sits perched at 3,100 meters above sea level. Whaaat? It is one of the most extreme vineyards in the country, but not the only one. There are 20 or more, carved out of desert sand and rock where terroir is made up of climate, soil and in these extreme locations, the machinations of man. Climate is highly variable so rainfall and heliophany (the energy of the sun reaching the soil) and temperature are the most important factors. So when we speak of climate in Argentina we have to attach the altitude to the problem. The equation is always modified by the effects of altitude. Not to mention atmospheric pressure. Altitude in relation to temperature. For every 155m of linear rise, in temperate zones the average temperature of a point on the map drops by one degree. This effect is called vertical thermal gradient and the cause is due to atmospheric pressure. And then, with every 1,000m of linear rise, solar radiation increases by 15 per cent. In order to be more resistant to light, the plants produce more polyphenols. There is a proven relationship between UVB and a higher concentration of polyphenols and abdisic acid. In the end it’s a matter of cool climates with a great intensity of sun. Stress conditions at 1,500m or higher results in lower yields, high polyphenols, higher acidity and ultimately a marked variance of character. Explains Joaquin Hidalgo, “mastering the terroir is a challenge that involves another way of managing the vineyard.”

New Piattelli Vineyards planting in the high altitude desert of the Calchaqui Valley

The production and consumption of wine in Argentina dates back to over four hundred years ago when the first specimens of Vitis Vinifera were brought to the Americas by the Spanish colonizers in the early 16th century. Early in the 1900’s, the vineyard area had reached 519,800 acres but between 1982 and 1992 extensive uprooting of vineyards was undertaken and 36 per cent of the existing vineyards were removed. In the early 1990s a new era began for the Argentine wine industry. The arrival of Neoliberalism in the national economy led to the implementation of a model of adjustment and the incorporation of Argentina into the global market. With a population of 42 million inhabitants and a territory that is four times larger than France, Argentina is one of the world’s nature reserves. Privileged with outstanding natural richness and extraordinarily diverse landscapes, Argentina boasts high mountains and plains, lush vegetation and extreme deserts, forests and steppes, glaciers and waterfalls.

Stunning #cafayate morning in the 60-70 year-old #criolla and #torrontes vines @bodegaelesteco in Salta

This wealth of natural ecosystems includes vast, highly productive grape growing regions stretching at the foot of the Andean strip, to the West of the country, from latitude 22° south to latitude 42° south. The cultivated area covers more than 538,071 acres. The vineyard area of Argentina covers 545.737,99 acres (2017). From the total area just 502.895,78 acres are able to vinify. The breakdown is 56 per cent red, 19 white and 25 Rosé. The leading red varieties are malbec (36), bonarda (16), cabernet sauvignon (13) and syrah (10). For whites it is torrontés (25), chardonnay (16), sauvignon blanc and chenin blanc each (5).

Canadians in Argentina at the Devil’s Throat in Salta Province ~ #quebradadelasconchas

Today, despite a skyrocketing national inflation rate, the wine industry continues to thrive. While certainly not immune to the economic crisis, exports are growing and the wines from Argentina are evolving to meet global demands. I tasted upwards of 150 wines in my week spent in Argentina. This report covers 37 wines from 37 producers. These are 37 that struck me as being exceptional, ahead of the curve or simply the perfect sort of examples to speak about climate, soil and of course, altitude.

Mendoza shuffle with some fine examples and cross section of terroirs to represent #winesofargentina ~

Malbec

Bodega Amanecer Andino Malbec Reserva Quebrada De Humahuaca 2017, Tumbaya, Jujuy, Argentina (Winery, WineAlign)

From a new location for growing grapes, at 2,200 metres of altitude, very close to Bolivia. Even if malbec is not necessarily the most interesting varietal to grow at this altitude, it is the most elastic variety and will always work. The pH (3.77), the acidity (6.6 g/L) and the alcohol are all set to high but it does not come across like any other malbec any of us have ever tasted. Full bodied and very fresh, really salty, a malbec so affected by altitude. So bloody interesting. Drink 2018-2022. Tasted November 2018  amanecer.andino  @BodegaAmanecer 

Agustín Lanús Wines Malbec Sunal Ilógico 2017, Tucuman Catamarca, Calchaqui Valley, Salta, Argentina (Winery, WineAlign)

The wine is drawn from vineyards in Pucará Salta, Lucaratao Salta, Amaicha del Valle Tucumán and Hualfin Catamarca. Real body and richness, savour and verdancy. The touch is delicately salty, with medium acidity and a constrained power. Really fine balance. The length is forever, a fact proven by an opened bottle showing exemplary freshness a full eight days later. Everything in Argentina might claim to be drawn away from high altitude but this from Agustín Lanús at 2,800m plus is the real deal. Drink 2018-2022.  Tasted twice, November and December 2018  agustinlanuswines  @agustin_lanus  Agustín Lanús  

Tinto Negro Vineyard 1955 Malbec 2013, La Consulta, San Carlos, Uco Valley, Mendoza, Argentina (Agent, B.C. $81.99, WineAlign)

The most important factor in Altamira is not the altitude but the soil. It’s at 1000m but from the cooler, southern part of the Uco Valley. Very high pH (3.8) and well-managing acidity. This wine has it all; great fruit, savour, sweet viscosity, freshness, acidity and structure. Not to mention fine tannins and polyphenolic textural beauty. A high altitude and a place that keeps its cold air. Forget about how much oak and what the alcohol may be. The clay and the cool factor keep it all real. Drink 2019-2025.  Tasted November 2018  bodegatintonegro  thewinesyndicate    @winesyndicate  @thewinesyndicate

Catena Zapata Malbec Adrianna Vineyard River Stones 2015, Gualtallary, Tupungato, Uco Valley, Mendoza, Argentina (132340, $95.59, WineAlign)

In a line up that includes malbec from all walks of Mendoza life as well as some extreme altitude northern examples this is the first wine with a somewhat reductive quality, locked in freshness and very high acidity. It’s a wine of exceptional qualities. There is a highly intellectual and sensory balance executed through perfectly ripe fruit, that fine acidity and even more fineness in tannins. A beautifully linear wine that can come full circle if need be. This is a malbec that creates moisture in your mouth, never drying or taking anything away. A wine that is changing the way we are dealing with the idea of different terroirs in Argentina. Drink 2020-2027.  Tasted November 2018  catenawines  lauracatenamd  noble_estates  @CatenaMalbec  @LauraCatena  @Noble_Estates  @bodegacatenazapata  @NobleEstates

Luigi Bosca Terroir Los Miradores Malbec 2016, Uco Valley, Mendoza, Argentina (132340, $32.95, WineAlign)

From 70 year-old vines in Valle de Uco with lowest of low yields so that one vine does not even function to produce a whole bottle. From the same genetic cutting materials, massal selection of the DOC malbec, but with obvious concentration and specificity. So much more floral, of a baking spice and a fruit intensity that truly is the bomb. An implosive wine with modesty, purity and a 40 per cent oak housing. Big and balanced with great structure and tannins that invoke seven senses. Put some aside and we’ll have some further discussions in 10 years. Drink 2021-2029.  Tasted November 2018  bodegaluigibosca  fwmcan  @LuigiBoscaBodeg  @FWMCan  @BodegaLuigiBosca  @FWMCan

Domaine Bousquet Malbec 2018, Tupungato Valley, Mendoza, Argentina (160952, $13.95, WineAlign)

Draws fruit from Paraje Altamira and Gualtallary, no oak, simply in stainless. Fresh and equally savoury, relative concentration and simple in effusive red fruit. Really negligible tannins and a sweet as opposed to astringent finish. Perhaps the best vintage ever for this entry-level malbec. Drink 2018-2020.  Tasted November 2018   domainebousquet  @domaineBousquet  @DomaineBousquetUSA

Trapiche Malbec Terroir Series Finca Orellana de Escobar Single Vineyard 2012, La Consulta, San Carlos, Mendoza, Argentina (178145, $39.95, WineAlign)

One of several malbecs in the Trapiche portfolio here the collaboration with the grower is exulted in this the 10th years of the Terroir Series. Every year the best three combinations of fruit and grower are chosen to represent the range. Sixty-one year old vineyards deliver minty herbal savour and a chalky liquidity in surround of spicy cherry fruit. Plummy too with ferric purity and big, big structure. Drink 2019-2025.  Tasted November 2018  trapichearg  trapichewines  philippedandurandwines  @TrapicheWines  @Dandurandwines   @TrapicheArgentinaInt  @VinsPhilippeDandurand

Rocio Campoy Morist with Alta Vista’s Alazarine

Alta Vista Malbec Single Vineyard Alizarine 2013, La Compuertas, Luján de Cuyo, Mendoza, Argentina (Winery, WineAlign)

Of three Alta Vista single-vineyard wines this is 100 per cent malbec and one of the richest, deeply textured and chocolate driven examples. From a warm vintage it’s not quite mature, even drying a bit though the fruit seems to just get more dense, intense and leathery. Justified elevation extrapolation makes for a classic malbec with some idiosyncratic Compuertas moments. Smooth, fully rendered and giving everything at this very stage. Drink 2018-2021.  Tasted November 2018  bodegaaltavista  hhdwines  @bodegaaltavista  @HHDImports_Wine  @BodegaAltaVista  @HHDImportsInc

Argento Malbec Single Vineyard 2016, Paraje Altamira, Mendoza, Argentina (Agent, $24.00, WineAlign)

Argento terroir exploration is from Finca Las Cerezas, “the cherries” and lo and behold, it’s really that fruit incarnate. A reductive malbec to be sure and so very fresh, from a soil rich in limestone which tells us something about the speciality of this nook in Paraje Altamira. The red fruit receives a lightning strike from the cool stone touch and there is a salty vein that lifts the cherry up and into a whole other realm. Really quite beautiful this charming little number. Drink 2019-2025.  Tasted November 2018  bodegaargento  profilewinegroup  @BodegaArgento  @ProfileWineGrp  @bodegaargento  @ProfileWineGroup

Altos Las Hormigas Malbec Terroir 2016, Uco Valley, Mendoza, Argentina (366005, $22.95, WineAlign)

Three quarters of the terroir malbec is aged in concrete with the fourth in 3000L French foudres. The total aging time is 24 months, the last six of which were in bottle before release. Here is the smooth malbec with balancing and defining sour acids on edge and uplifting. The fruit is nicely integrated into this structure with a fine set of tannins to grant some pretty good potential. Wait a year and let the magic happen. Drink 2019-2023.  Tasted November 2018  altoslashormigas  @ALHmalbec  @ALTOSLASHORMIGASWINERY

Casa De Uco Malbec Vineyard Selection 2015, Los Chacayes, Tunuyán, Uco Valley, Mendoza, Argentina (WineryWineAlign)

Considered their top expression from calcareous rocky soils this is the third incarnation of a malbec with some differences, turns and twists. Winemaking choices of 20-30 per cent whole bunch and partial carbonic macerations are extended to most of the chosen lots. You can feel the firm grip of the layered tannins on fresh, reductive and candy shell fruit. Concrete initiates the balance, there is no new oak to distract and enough acidity to keep it vibrant. There is a combination of energy and finesse on this malbec standing up to be noticed and counted. It’s both solid and expressive, real, emotive and truly curious. Drink 2018-2020.  Tasted November 2018  casadeuco  @CasadeUco  @CasadeUco

Extreme altitude malbec of Bodega Colomé

Bodega Colomé Malbec Lote Especial Colomé 2016, Calchaquí Valley, Salta, Argentina (Agent, $29.95, WineAlign)

Takes what is established by brother La Brava (and then El Arenal) and amplifies ideal. Now up to an altitude of 2,300m the dichotomous relationship between thermal amplitude and diurnal variegation is magnified, which can only mean more hyperbole. More concentration of fruit in equal extraction but with the extra 600 meters of altitude the tones are higher, the fruit more variegated and with a dried component out of the idea of some desiccation at harvest. It also seems saltier and the structure different, tighter and strung like a racket with ready to fray tension. One of the wildest malbec rides on the planet. Drink 2020-2028.  Tasted November 2018  bodegacolome  liffordgram  @BodegaColome  @LiffordON  @bodegacolome  @liffordwineandspirits

A flock of producers gather to educate on the multiplicity of munificent Mendoza ~

Syrah and Red Blends

Bodega Finca las Moras Gran Syrah 2015, San Juan, Argentina (Winery, WineAlign)

From the three main valleys of San Juan; Tulum, Zonda and Pedernal at altitudes of 650, 800 and 1300 meters above sea level. Ripeness from the lower valleys meets peppery spice and herbology of the highest, with freshness lying somewhere in between. The effects of diurnal temperature swings and thermal radiation pile one on top of another for a highly variegated yet mostly seamless syrah. The queen mother of San Juan syrahs with plenty of swagger. It shouts floral rose then switches into bohemian rhapsodies of musky, ferrous and hematic waves. Really meaty and intense with major chord, mood and tempo swings. “Is this the real life? Is this just fantasy?” Drink 2019-2022.  Tasted November 2018  fincalasmoras  @FincaLasMoras  @fincalasmoraswineryCA

Finca Decero The Owl & The Dust Devil Remolinos Vineyard 2015, Agrelo, Luján De Cuyo, Mendoza, Argentina (Agent, $36.95, WineAlign)

The multi-level, purposed and floral flight of fancy red blend. A mix of real facts and a story; near equal parts malbec and cabernet sauvignon, with petit verdot and tannat. Must contain at least 30 per cent of the last two outlier varietals and in the end this completes the estate style, of big, smooth, polished reds that are completed through micro-vinifications of many single-vineyard blocks. More tannin and grip here. Drink 2019-2023.  Tasted November 2018

DiamAndes Gran Reserve Malbec/Cabernet Sauvignon 2013, Uco Valley, Mendoza, Argentina (295063, $32.95, WineAlign)

The signature red of the estate this is three quarters malbec to one quarter cabernet sauvignon set for 18 months in 100 per cent French oak, 50 per cent new. To say this is lush and ambitious would be an understatement but there is no questioning the quality of the agriculture, the fruit and the use of deep pockets technology. There is also humility within this classic modernism though not yet a true indication of soul. The fineness and the precision are so apparent which leads to believe that the human element noted will mean the epiphanies are coming soon. So much potential to become one of Argentina’s great red blends. Drink 2019-2022.  Tasted November 2018  bodegadiamandes  maitredechai_ca    @maitredechai  @diamandes  Francis Dubé  

Salentein Numina Spirit Vineyard Gran Corte 2015, Uco Valley, Mendoza, Argentina (543405, $35.00, WineAlign)

The goal for Salentein’s Gran Corte “is to produce a wine with the grapes from the first vineyards planted in 1996” and so only these find there way into the Numina line. The blend in 2015 is malbec (68 per cent), cabernet sauvignon (12), cabernet franc (8), merlot (7) and petit verdot (5). It’s a true Bordelais five varietal ideal albeit with malbec at the fore. It see 16 months in total though 10 are go it alone and then six all housed all together. This quintuples down on the rich liqueur, all in spice and hyperbole of violet florals. Though currently liquid chalky and slightly gritty you can imagine the integration especially because the oak use is not new. A really nice wine on the road to becoming something fine. Drink 2019-2024.  Tasted November 2018  salenteinbodega  azureau  @BodegaSalentein  @azureau  @BodegasSalentein  @BodegasSalentein

Bodega Atamisque Assemblage 2015, Tupungato, Uco Valley, Mendoza, Argentina (483032, $45.95, WineAlign)

The blend of malbec, cabernet sauvignon, merlot and petit verdot is fruit drawn from sites between 1,100 ands 1,300m and sees 14 months in 100 per cent new French oak. This being a wine made by forcing square pegs into one round hole in what amounts to an all for nothing, all in one treatment. It’s really something to note that despite all this the fact remains that red fruit abounds, fresh and pure with an accent of spice but no real overdo of make-up. There is elongated grace and generosity, like a Rhône blend with charming warmth and a fine smoulder. Drink 2019-2025.  Tasted November 2018  bodegaatamisque  #MCOwines    Bodega Atamisque

Masi Tupungato Corbec 2015, Uco Valley, Mendoza, Argentina (AgentWineAlign)

A blend of 70 per cent corvina with malbec treated to upwards of 25 per cent appassimento for 20 days. Spends 18 months in French oak. All about the baking spices, the unbounded limits of glycerin texture and specifically cinnamon all over the back pages. So rich and a ringer like no other for the Veneto motherland. Drink 2019-2024.  Tasted November 2018  masitupungato  masicanada  @MrAmaroneMasi  @MasiWineExperience  

Clos De Los Siete 2015, Uco Valley, Mendoza, Argentina (622571, $23.95, WineAlign)

This was tasted side by side by each with the 2013 and the 2006 so quite fortuitous in terms of relativity and imagination. The blend in ’15 is high in malbec predominance (68 per cent), with merlot, cabernet sauvignon, syrah and petit verdot. Four wineries made contributions to this vintage (of a possible seven) and as per the dictum it’s a blend of blends created by Michel Rolland. It’s Rolland’s inceptive imagination that brought this special project into the Uco Valley landscape and though the assemblage can be up to seven-fold the possibility to age for a value-priced wine is quite impressive. This ’15 is richly endowed and structured, chalky and just plain excellent. Drink 2019-2024. Tasted November 2018  closdelossiete  philippedandurandwines  @closdelossiete  @Dandurandwines   @closdelossiete  @VinsPhilippeDandurand

Tasting through the Uco Valley

Cabernet Franc

Zuccardi Cabernet Franc Polígonos 2017, San Pablo, Uco Valley, Mendoza, Argentina (Agent, $29.95, WineAlign)

The Polígonos exploration is a many vineyard sided affair and the altitude is significant at 1,300m from San Pablo in Valle de Uco, Mendoza. A relatively early pick preserves nigh high acidity and the alcohol is beautifully restrained. Just a hint of dusty, pyrazine edgy fruitiness drives the machine and keeps this pulsing with terrific energy. Both food amenability and aging potential here are excellent. If it’s verdant that’s a compliment to local character. Drink 2019-2024.  Tasted November 2018  zuccardivalledeuco  szuccardi  dionysuswines  @ZuccardiWines  @FamiliaZuccardi  @SebaZuccardi  @ZuccardiValleDeUco  @DionysusWinesTO

Trivento Cabernet Franc Golden Reserve Black Edition 2017, Altamira, Uco Valley, Mendoza, Argentina (AgentWineAlign)

Made by winemaker Germán Di Césare there is a respect for land (alluvial, sand and some lime) but also for varietal. It’s well-endowed, juicy, plummy and full flavoured though it’s oaky tendencies are quietly respectful as well. The tone of the wine hums and resonates with ambience in complete control. It’s really quite fine and just about to enter its perfectly integrated, resolved and balanced window. High acidity example and wouldn’t hurt to settle for just a few more months. Drink 2019-2022.  Tasted November 2018  triventoarg  triventoarg  #escaladewines  @Trivento   @TriventoArg  @TriventoCanada

Bodega Andeluna Cabernet Franc Pasionado 2015, Gualtallary, Tupungato, Uco Valley, Mendoza, Argentina (Agent, $54.99, WineAlign)

Classic Uco terroir at high altitude (1,300m) that mixes alluvial soils with sand, limestone and here loam make for a pretty subtle rendition in terms of cabernet franc. That’s especially true when you consider the small vessels used (225L barrels) and much of it new. You feel the wood in vanilla and berry coulis, a bit of spice and liquified graphite. Quite a molten flow this cabernet franc and with demanding quality in its tannins. Drink 2018-2021.  Tasted November 2018  bodegaandeluna  stemwinegroup  @BodegaAndeluna  @StemWineGroup  @BodegaAndeluna  @stemwine

Zuccardi, Andeluna, Sophenia and Bianchi

Cabernet Sauvignon

Familia Schroeder Cabernet Sauvignon Saurus 2017, Patagonia, Argentina (Agent, $21.95, WineAlign)

Schroeder is a Paul Hobbs Patagonia outpost and across the board they are truly smooth, cool and polished wines. Tasted after the pinot noir and malbec we see by now the consistency of style and with great evidence. Big time ripe and dark varietal fruit, salumi accents, all in, no holds barred and a cool factor with texture times purity. It finds its way through the ooze to act linear and come out quite elegant. In the end it warms and brings much comfort, finishing with a rendering and lingering spice. Drink 2019-2023.  Tasted November 2018  schroederwines  @SchroederWines  @stemaren  @BodegaFamiliaSchroeder 

Tasting at Sottano

Sottano Reserva De Familia Cabernet Sauvignon 2016, Mendoza, Argentina (324707, $24.95, WineAlign)

Sottano’s cabernet sauvignon exhibits less of an oak influence or exaggeration, especially not a hinderance or a matter of make up. Smells like cabernet sauvignon with loads of ribena and black currant on top of each other and then the oak really takes over. Half of the grapes are estate and the other half Altamira in Uco Valley. Not so much a terroir investigation as it is a thing of Mendozan assemblage. It’s far from elegant but it is creamy smooth and velvety, if not the best wine thus far in the portfolio. Drink 2019-2024.  Tasted November 2018  bodegasottano  @bodegasottano  @bodega.sottano

Susana Balbo Cabernet Sauvignon Signature 2016, Uco Valley, Mendoza, Argentina (260919, $19.95, WineAlign)

From a wet year but locales with good exposure and drainage fared quite well. Regardless here is a rich, grippy and powerful cabernet sauvignon (with five per cent franc), of high natural acidity and cumulative depth. The parcels are Uco Valley and Los Arboles just below Gaultallary. Chocolate is cut by a rocky streak from fruit grown over a dry river bed with stones, quite the opposite from Agrelo. It’s a veritable expression of a unique set of alluvial and stony soils. Excellent work to bring out a sense of place. Drink 2019-2022.  Tasted November 2018  susanabalbowines  profilewinegroup  @sbalbowines  @ProfileWineGrp  @SusanaBalboWines  Susana Balbo  @ProfileWineGroup

Sophenia Cabernet Sauvignon Synthesis 2014, Gualtallary, Tupungato, Uco Valley, Mendoza, Argentina (AgentWineAlign)

A wine made by Julia Hulupczok and Matiás Michelini. From a wild vineyard upwards of 1,300m where ripening is a challenge and tannins can be formidable. There’s a greenness to be sure and yet also a subtle grace about it. A different structure, impossibly dichotic and surely one you would not have found in Argentina just 10 years ago. Drink 2018-2024.  Tasted November 2018  fincasophenia  @FincaSophenia  @Juliahilux  @FincaSopheniaWines  Julia Halupczok

Masterclasses on cabernet sauvignon and franc with Viña Cobos winemaker Andreas Vignoni

Viña Cobos Bramare Cabernet Sauvignon Marchiori Estate 2015Perdriel, Luján de Cuyo, Valle de Uco, Mendoza, Argentina (Agent, $119.00, WineAlign)

At 1,000m few other cabernet wines out of Valle de Uco will deliver such concentration and polish. It’s also huge in acidity, grippy tannin and overall structure. Almost two-thirds new oak is used and the fortunate thing is really the highest quality fruit able to withstand this woody onslaught. Deep soils work hard for vines less than 25 years old, the upper strata built of clay-loam to sandy-loam and the substrata of river-washed cobbles and round stones. It was an early ripening vintage with harvest temperatures above the historical record. Not surprising to receive such a massive, not so much brooding but more like a swagger of attitude in a cabernet that can go the distance. Drink 2020-2027.  Tasted November 2018  vina.cobos  awsmwest  @VinaCobos  @AuthenticWineON  @vinacobos  @awsmon

Bodega Casarena Cabernet Sauvignon Owen’s Vineyard 2015, Luján De Cuyo, Valle de Uco, Mendoza, Argentina (578062, $44.95, WineAlign)

Casarena’s Owen’s Vineyard is their special place, the key piece to this sector of the Luján De Cuyo puzzle. It’s importance is quite particular for the Napa Valley like repositioning of (Bourgogne) chardonnay and (Bordeaux) cabernet sauvignon. It’s a dry micro-climate with intense solar exposure and though not “mountain” fruit per se the wines draw upon matters of heliophany dictated by elevation. The Italian pergola-styled planted vines are old, some laid down as far back as 85 years in time. This approximately $30 US wine is a stunner, bloody beautiful in the darkest of Morello cherry red fruit that seems to macerate in its own liqueur. It is indeed reductive which only accentuates its freshness and there is a bountiful amount of acidity in support. Honest, apasionado, vehemente and intenso. Drink 2019-2023.  Tasted November 2018  bodegacasarena  noble_estates  @BodegaCasarena  @Noble_Estates  @BodegaCasarena  @NobleEstates

Filete at Luigi Bosca

Pascual Toso Cabernet Sauvignon Alta Barrancas Vineyards 2016, Mendoza, Argentina (441907, $32.95, WineAlign)

Alta is a huge cabernet sauvignon needing air, still very reductive in a hard protective shell sort of intense way. There can be no argument about these aggressive or rustic tannins needing time to integrate and settle. All the structural components are part of the note taking and note to self to add to the Mendoza cabernet sauvignon discussion. This example may not be the first but it does sit at the lead in terms of showing a real cool, minty herbal streak and a distinct amaro finish. Big, big wine with plenty of upside. Drink 2020-2027.  Tasted November 2018  pascualtoso  eurovintage  @PascualToso  @Eurovintage  @pascualtosowinesargentina  @Eurovintage

The next @winesofarg is naturally skin-contact orange, rosé and white. Pure, nervy, crystal examples of great interest from @chakanawines @alpamanta and @domainealmanegra

White, Orange and Rosé

Domaine Alma Negra Blanco Producción Limitada 2017, Vino Argentino, Bebida Nacional, Argentina (Winery, WineAlign)

From Ernesto Catena this is the second secret blend, a naranja vintage of the hide and seek, now you see a vino blanco, now an orange wine behind the mask. Maximum 500 cases are produced of this truly flexible white-ish orange, as it should be, as anyone’s guess and at the winemaker’s whimsy. “This comes from a place where you move away from knowing everything before you ever made a wine” explains Josefina Alessio on Ernesto’s behalf.  It’s meant to shake foundations and commit to things with blind and innocent intent. It’s a precocious orange, clean, pure, crisp and matter of fact. Smells like honey the drizzled over a tart slice of peach. The telling of varietal is kept hush but my money is on the likes of chardonnay, perhaps pinot gris and/or some torrontés. Nine months on skins, six in old barrels. Clarity and dumb luck precision with a pineapple dole of citrus, always in balance. Can’t believe it’s neither reductive nor oxidative and virtually tannin free. A 15 euro ex-cellar beauty. Drink 2018-2022.  Tasted November 2018  domainealmanegra  noble_estates    @Noble_Estates   @ernestocatenavineyards  @NobleEstates

Chakana Estate Selection Torrontés Naranja Edicion Limitada 2018, Gualtallary, Tupungato, Uco Valley, Mendoza, Argentina (Agent, WineAlign)

This literal orange torrontés from only free run juice spent seven months on skins in 500L barrels. No additions, including sulphur but “we’re not interested in saying this is a natural wine,” insists winemaker Gabriel Bloise. “Because we’re not interested in the natural movement, but it is our pleasure.” Floral spice is a factor of “maceratión prolongada” as is the green melon, pomello and caviar. Takes torrontés to an entirely new level, in so many positive ways, with a salve, plenty of tannin and notice me character. Kudos for the exploration, for a team that’s clearly on to something and a winemaker acting on techniques that clearly float his boat. Drink 2018-2021.  Tasted November 2018  chakanawines  oeno2  @chakanawines  @oenophilia1  @bodegachakana  

Alpamanta Rosé Syrah Breva 2018, Luján De Cuyo, Mendoza, Argentina (Agent, $42.95, WineAlign)

To call this a Rosé is to miss the point methinks. “In 2017 we decided to approach a new philosophy of wines,” explains Ukranian/Austrian/Dane/Argentine Managing Partner & CEO Andrej Razumovsky. It’s a perfectly lithe red wine made through the use of syrah picked real early direct to ferment in cement eggs for 11 months. The complete absence of second pressed grapes speaks not only to the method but also the teacher. “It goes well with intestines and seafood,” says Andrej. Now at a whopping 1,600 bottles made, which is in fact a great increase from the first vintage. Number two was a rainy one so six or seven months was not a sufficient amount of time to get this to its happy place. Pear, lemon and grapefruit are anti-red fruit notes but give it a good agitation to stave off reduction and then the wine just bursts with strawberry, fine bitters and endless aromatics imagined. It’s destined for danger and deliciousness because you really feel that you are drinking something that is alive. Not just from acidity, but like power breakfast juice that you would die for every morning. Killer stuff. Drink 2018-2020.  Tasted November 2018  alpamanta  rogersandcompanywines  @Alpamanta  @rogcowines   @alpamanta  @rogcowines

Navarro Correas Chardonnay Gran Reserva Alegoria 2015, Agrelo, Mendoza, Argentina (WineryWineAlign)

From Agrelo the Alegoria is chardonnay with true blue reduction and real apple bite. Spent six months in first and second use oak, now nicely aged with lemon-lime and orange zestiness. Toasty and quite wild from an ambient yeast ferment and shockingly crazy good. Drink 2018-2022.  Tasted November 2018  bodeganavarrocorreas  @BodegaNavarroCorreas

Bodega Piedra Negra Pinot Gris Reserve Vino Organico 2017, Los Chacayes, Uco Valley, Mendoza, Argentina (Winery, WineAlign)

New to the François Lurton portfolio and for the market is this pinot gris in classic older world mode. It’s really fine, spirited and with a creaminess that is suggestive of experimentation. There is some oak treatment but also some time spent in concrete egg. With no compromise to acidity there is a lieu-dit specificity and completeness so that it expresses fruit in a wholly different way than grigio and all other white wines in Argentina. Kudos to Lurton for going the distance and spending some cash on a product to separate itself from the pack. It’s a pinot gris we want to drink but also one to watch for not too distant sidesteps into something changed. Drink 2018-2021.  Tasted November 2018  bodegapiedranegra  @BgaPiedraNegra  @BPNvdu

Bodega El Esteco Torrontés Old Vines 1945 2018, Valle De Calchaquí, Salta, Argentina (Winery, WineAlign)

From the original plantings of torrontés, as far back as 1945 but mostly vines in the 60-70 year old range. As saline and diamond sandy as it is floral but just as expressive as any. Very direct, linear, again that salty component which you could call mineral but also full-fleshy like Rhône varietal wines in new world climes. Could pass for high acidity driven whites from California or Washington state. Drink 2018-2022.  Tasted November 2018  bodegaelesteco  #mondiaalliance  @ElEstecoWines  @Mondia_Alliance  @elestecowines  @mondiaalliance

Piattelli Vineyards Reserve Torrontés 2018, Cafayate Valley, Salta, Argentina (Agent, $14.95, WineAlign)

Trained at Piattelli in Pergola, the ancient Mediterranean varietal is protected from direct sunlight and thrives in this desert where herbs of every imaginable kind grow wild and the aridity meets elevation and solar radiation. Piattelli’s is quite high in dry extract and concentration, ripeness and a maintained necessary acidity. This is the icon wine of the estate and few equal its magic in this vintage. It’s fresh, crunchy, crisp and explodes with tropical fruit. Bodes well for the ’18 reds. Drink 2018-2022.  Tasted November 2018  piattellivineyardsarg  piattellivineyardsusa  @piattelliusa  @PiattelliVineyardsARG  @PiattelliVineyardsUSA

La Mascota Chardonnay Unánime 2017, Maipu, Mendoza, Argentina (Winery, WineAlign)

Grown at 1,300m “the pet” chardonnay is given a name meaning “unanimous” meaning it’s a wine from and for people who all feel the same way. The wine was raised 50/50 in concrete egg and large (500-1000m) oak foudres. It’s a very tannic chardonnay, with a salve texture, spice and lemon-vanilla molten creaminess. Plenty of texture and bite, not over the top but certainly ambitious to quite successful. Drink 2019-2022.  Tasted November 2018  mascotavineyards  univinscanada  @UNIVINS  @MascotaVineyards  @UnivinsCanada

Good to go!

godello

Bodega DiamAndes, Uco Valley, Mendoza, Argentina

Twitter: @mgodello

Instagram: mgodello

WineAlign

Crush on Benjamin Bridge

Benjamin Bridge Vineyards

It’s late October and I’m walking the vineyard with viticulturalist Scott Savoy who gestures below our feet into the genius loci where multiple layers of loam and sandy loam are mixed with river stones. In the vested interest of micro-climate orientation he points out the modest mountain ridges to the north and south, the stretch of valley to the east and west, to the big Bay of Fundy beyond and back down to the earth. He notes the fault line running diagonally away from the crush pad and tasting room, through the vineyard and down the slope to the river below. Today the namesake belongs to the winery but Benjamin Bridge is first and foremost a place. We all want to know about its history because there is something very special here. In this valley the apples are different and the vines grow berries smaller and unique. It’s a place that pulls on the heartstrings of innate curiosity.

Related – Consider the Gaspereau Valley

It comes from the name of the bridge that crosses the Gaspereau Valley and pays tribute to the Benjamin family who dammed up the river to become the first industrialists here. The name is a historical one, not one of fashion, trends, aggrandizement or narcissism. The ownership and the management of Benjamin Bridge Vineyards are fully cognizant of their place within a King’s County pantheon, of the past and for the future. Who among them wouldn’t pay a king’s ransom to protect it? They fully recognize how the tenets of farming, progression, life, struggle and ethos came before them and will continue long after they are gone. Just in case their work in making sparkling wines headed up by chief winemaker Jean-Benoit Deslauriers is not legacy defining enough they recently supplied a bottle of Benjamin Bridge Méthode Classique Brut Reserve 2012 to christen the first Irving Shipyard built Arctic patrol vessel. Sophie Trudeau used the bottle to christen the Harry DeWolf during an October ceremony on the Halifax waterfront. An interesting and poignant aside, this gesture.

Frost damage at Benjamin Bridge

The 2018 Nova Scotia harvest will live in infamy and perhaps not for the reasons everyone involved will want to remember. Frosts, rain, grape growing pressures and more frosts reduced quantities so drastically that emergency fruit was transported across two provincial borders from Ontario, a fact not lost as a notion that is pathetically-monopoly ironic. Annapolis Valley Vineyards were looking at losses of at least 50 per cent following a late Sunday frost overnight and into the morning of June 4th. Temperatures plummeted from the high 20s just two days earlier to minus three degrees celsius. There were some miraculous exceptions to the rule, like Avonport’s Oak Knoll Isle but damage ran from 20 to 100 per cent. Frost that settled in the lowest sections of valley vineyards were hardest hit.

All that happened to Nova Scotia’s wine industry plus more in, outs and twists than a Coen brothers comedy-drama and yet the greatest things happened anyway. The community of growers and producers banded together, traded grapes, shared experience and pulled each other through. This is a place where everyone understands that making wine is not about one vintage, individual accomplishments or accolades. Turning grape water into wine is a life-long partnership with the land, with the weather, the Bay of Fundy and each other. Success is wrought with challenges, adversity and responses to the contretemps of the day. Such tremendous odds give credence to Nietzsche saying “that which doesn’t kill you makes you stronger,” leading to an alignment with a maritime band of brothers and sisters. The year 2018 is the vintage during which the Nova Scotia wine producers in and around the Annapolis Valley were forced into a situation of needing one another and to become les retrouvailles, the reunited.

#lookoff in Canning, Nova Scotia

At the fore of this happenstance is Benjamin Bridge Vineyards, both in terms of being the helped and the helper. The Gaspereau Valley sparkling wine specialist is the unquestioned leader of their cottage wine industry and for so many reasons. Decisions made more than a decade ago to invest everything into this stretch of land south of the Bay carved through two micro-climate catalyst ridges for the purpose of creating the newest and most important innovative sparkling wine on the planet is nothing short of historical. The speed bumps may be serious but mark my words (and by many who have stated this before me), Nova Scotia is second only to Champagne for making the kind of sparkling wine we should and will want to drink. No disrespect intended to Franciacorta, Alta Lange, Prosecco, Crèmant de Loire, Bourgogne, Jura or d’Alsace. No ill will meant towards Sonoma County, Ontario, British Columbia, Tasmania, England or Roberston’s Méthod Cap Classique. I love you all but Nova Scotia can raise grapes for traditional method sparkling wine in ways and with results that blow everything else out of the proverbial water.

Not sure you need the banger. Jacket should scare them off!

Case in point, time and again, with variations on the theme, measurable and of a ceiling reckonable through infinite possibility. In this part of Canada vinifera varietals like chardonnay, pinot noir and pinot meunier can linger well in the autumn months, reach brix levels ideal for sparkling wine and still maintain acidities at levels all other regions can only dream of. The effect of the Bay of Fundy creates a unique environment, plain, simple and complex. Imagine adding up the flow of all the rivers in the world and asking that accumulation to submit to the power of one body of water’s tides that lower and rise as much as 17 metres every day. The Bay is like an air pump that moderates climate. Frosts be damned the picking in the Gaspereau of grapes just ripe enough for making wine is the latest anywhere. In Franciacorta for example picking of chardonnay happens in early August, just to keep natural acidity. In California it’s July and in the dead of night. We have begun to taste Nova Scotia bubbles at eight, nine and ten years on their lees. The results are astonishing with a combination of texture and acidity never seen before. As I said, the ceiling is boundless.

Crush at Benjamin Bridge: Chris Campbelll, Godello and Jean-Benoit Deslauriers

The charge at Benjamin Bridge is led by founder Gerry McConnell who purchased the property with his late wife Dara Gordon in the Gaspereau Valley in 1999. McConnell worked with Canadian oenological consultant Peter Gamble and Sparkling Wine Consultant/Champagne specialist Raphaël Brisbois to establish vineyards, a protocol and a long-term strategy for making world-class bubbles. Within three years of launching the project they knew it would work.

Sunday morning, #Kingsport Nova Scotia

The unfortunate passing of Raphaël Brisbois left a huge hole in the hearts and the ethos of the BB project but great timing, fortune and intellect came to the company in the extraordinary ethic and cerebral meanderings of head winemaker Deslauriers. Originally from Québec, J-B joined in 2008 and for 10 years has explored, extrapolated and elevated the game. No combination of diversity and focus is more apparent than it is now at Benjamin Bridge.

Winemakers at work, Jean-Benoit Deslauriers, Alex Morozov and Chris Campbell

The team on the ground and in the cellars is led by Head Viticulturist Scott Savoy and Chris Campbell who aides, abets and manages the trilogy of harvest, cellar and production operations. Alex Morozov is Assistant Winemaker to Deslauriers. Gerry’s twin daughters Devon and Ashley McConnell-Gordon have run the daily operations of the winery since early 2010, Keltie MacNeill manages the BB Club and Gillian Mainguy is the face of the place. Some of you may remember Gillian at Wines of Nova Scotia but now she is marketing, public relations and tireless world traveller on behalf the BB brand.

Racking chardonnay with head winemaker Jean-Benoit Deslauriers

In the third week of October I spent 48 hours with the gang at Benjamin Bridge. Crushing, talking, pressing, tasting, pumping, discussing, racking, ruminating, walking and speculating. There is a foundation of land, people and spirit you can’t know until you come here to really know.

The base is the matter and what matters comes from the great base

The discussion with Gerry and Jean-Benoit is now woven into the fabric of relationship with Pascal Agrapart who has been making wines at Champagne Agrapart & Fils since 1983. BB is keen on keeping a lineage with Champgane, a connection, to pursue more richness, texture and wines structurally rounder and fuller. Says Deslauriers, “we’re looking for the growers taking a Burgundian approach to winemaking, in the vineyard first. Pascal’s wines have always had that compelling textural quality.” Has anyone in Canada ever taken a grower’s approach to sparkling wine is the question. Here in Nova Scotia these are the wines with a stamp, of an equation in confluence from estate plus local vineyards and growing environments. The wines are not in jeopardy by adding this richness. “We still recognize the parcels we have selected through the wines we have made. There is still an inherent Benjamin-ness to the wines, ” adds Chris Campbell. I tasted the following wines off the record, some unfinished and others still who are the children of experimentation but even more so as matters of conceptual links to the reasons why Benjamin Bridge even exists at all.

Minas Friday morning

Brut 2016

Part estate and part Kingsport chardonnay fruit, with effervescence not the thing but it should tell a story. Already showing off its richness, density and concentration, even herein the “entry level,” the first full vintage for and from Pascal’s influence and tutelage. Cool stuff in here, decoupement particulare, this taking of different parcels for micro-vinifications.

Brut Reserve 2016

Of chardonnay and pinot noir, from the oldest estate blocks. There is so much more complexity, legit and from the word go. The terpenes are exceptional ones, and that is something they can be, built on acidity. Even without bubbles you can fully relate to it as the wine it knows it is. Grapefruit and tangerine, dry and sumptuous. The base is the matter and what matters comes from the great base. Perspective comes at you in solicitation of your emotions and opinions in many ways. You don’t always need CO2 to make contact with sparkling wines.

The future

Blanc de Noirs 2016

Now into pinot noir this new perspective makes you want to admit that it may be that chardonnay and pinot noir come together with a higher ceiling as a sum of their parts. Here it’s the antithetical aromatics of lemon rosewater and an amaro-herbal-red currant thing. Also oranges with spirit and a linger that reminds of the best athlete, with the greatest potential, but not the flashy star who scores early and often. 

Brut 2017

The secondary fermentation is only a few weeks old and it’s a very primary notation, with the bubble still on the way up. The rise is lime as a slow crawl along a coaster’s upward track, welling with tension and a coursing flow of anticipation. By way of comparison there is a tonic phenolic uprising either not noted or now having dissipated from the 2016.

Peculiar samples

Brut Reserve 2017

Once again the youth and the young phenols of very early fermentation but also a course led by the most unusual of vintages, cold and wet all summer long followed by 30-plus degrees in September and October. That’s 30-plus higher than right now in 2018. The contact here is unlike ’16, almost agitating and certainly unsettled. It would prefer not to be bothered at this time.

Brut NV

A non-vintage ’16, tirage in ’17. Could be vintage-dated but isn’t and won’t be. Higher acidity and more of the tonic phenolic-ness that the young ‘17s are showing. So I conclude that the NV is less structured and as an acumen-accumulated base wine it’s like a Blanc de Noirs or a reserve when younger. The translation states they are not only on to something and a real pattern is forming but they really know what they are doing, in separating micro cuvées and the outstanding wheat from the excellent chaff.

Kingsport cabernet franc

While I tasted these unfinished wines and other tank samples I also assessed 10 new wines from the portfolio. Here are my notes. The prices are all Nova Scotia retail from the winery.

Benjamin Bridge Méthode Classique Brut 2013, Nova Scotia, Canada (Agent, $45.00, WineAlign)

Disgorged June of 2018, now four plus months in bottle. Right from the beginning it is energy, spirit and tension. It’s mostly chardonnay but suggests richness marked by toast and flint. Quite a smokiness, not from oak, but an autolytic one. A true wine of secondary fermentation, naked and smouldering. Richness comes naturally, in second term existential notability, followed by density and length. The linger turns to mineral and salinity and you really want more right away, to layer upon what’s still left lingering behind. This is the Benjamin Bridge project incarnate, defined, teachable house style. The words of Jean-Benoit Deslauriers echo in your head, “with the possibility of absolute transcendency.” Eventually. Drink 2018-2028.   Tasted October 2018  benjaminbridge  liffordgram  @Benjamin_Bridge  @LiffordON  @benjaminbridgevineyards  @liffordwineandspirits

Benjamin Bridge Méthode Classique Brut Reserve 2012, Nova Scotia, Canada (275396, $74.95, WineAlign)

Now into a real vinous notion, with extra concentration that reminds you how Reserve wines have to be perfectly exceptional as still wine. The bubbles bring an added dimension but they are not the be all, end all. The richness here is taken to another level, still of course with a toasty edge but it’s the 2002 blocks of estate chardonnay and pinot noir (then 10 years old) that deal in this endearing fruit and enduring length. The sip expands and increases, with knowledge that it is that fruit, very apple orchard but a variety not fully known that drives this wealth. It’s also knife-edged and able to keep this youthful tension cut and fissured through the mouth. Not a sprinter but a climber able to amble and scramble up to heights for a decade plus. Drink 2018-2029.  Tasted October 2018

The following two wines were tasted in 2017 and a few months earlier at #i4c 2018, Ontario’s Cool Climate Chardonnay Conference in Niagara.

Benjamin Bridge Méthode Classique Estate Blanc De Blancs 2013, Nova Scotia, Canada (Agent, $119.50, WineAlign)

Tasted from a bottle disgorged in May 2017, there alights a plugged-in, three-pronged, dazed, charged and enchanted energy about the Bridge’s ’13 Blanc de Blancs. The history of go it alone pure chardonnay is a relatively short one for the estate so this quickly makes up for lost time or rather with haste sets the timer and heads out at first light. “Like sittin’ on pins and needles, things fall apart, it’s scientific.” Wild, of talking heads temper and yeasts, done up in demi-muids, with a wilder secondary fermentative push riding on the coattails of the primary fermentation. Everything in this wine is a productive child of the vineyard, of no third party sugars or consultations. “How do you do that without making a Pétillant Naturel,” I wonder aloud. It’s a second ferment, non-contiguous is the reason, even if the former is both influencer and mentor to the latter. It certainly falls under the category of “micro-cuvée. Like its cousin and predecessor (Blanc de Noirs 2011), this ’13 BdeB is mired intensely inward within its own specificity and is not so much a sparkling wine with competitive soul. It is a pure representative of chardonnay grown in Nova Scotia for one purpose. So let’s talk about true stories and wild, wild life. “You get on board anytime you like.” Drink 2018-2024.  Tasted July 2017

Benjamin Bridge Méthode Classique Estate Blanc De Blancs 2012, Nova Scotia, Canada (Agent, $119.50, WineAlign)

The vintage 2012 marks the beginning of the Benjamin Bridge oak program, here with some purchased fruit from friends and neighbours Lightfoot & Wolfville. This January 2018 disgorged bottle spent 66 months on its very, very fine lees and represents the inaugural departure away from reductive chardonnay in traditional method housing. Its acidity is striking, ripping and amazingly shot straight up to light and ignite the olfactory nerve. That is seems another six months to a year will only lead to textural and mouthfeel home improvements tells us there is seemingly no ceiling for how long on lees these south Fundy shore valley sparkling wines can go. The research is still one in progress but this much we know. The house of Nova Scotia is built on acidity. It’s a commodity much of the rest of the wine-growing planet will want to pay anything to use. Drink 2018-2024.  Tasted July 2018

Now back to October 2018.

Benjamin Bridge Riesling 2016, Nova Scotia, Canada (Agent, $24.95, WineAlign)

With time rieslings change drastically, much more so than traditional method sparkling, completely disconnected from their youth. So where is this going? Energy, tension, Nova Scotia. This is a Bay of Fundy riesling, ocean-wise, saline, poignant, direct. There are herbs and fennel but already this onset of glück and proverbial riesling stamp. Lemon-lime, tart angling, green to ripe apricot. Mostly fruit from grower John Warner, it’s not too edgy, a dry, albeit 15 g/L RS style. The Mosel frame is obvious and the ceiling for potential great but this strikes me as being three to four years away from really moving into another gear. Drink 2020-2027.  Tasted October 2018

Benjamin Bridge Riesling 2013, Nova Scotia, Canada (Agent, $24.95, WineAlign)

There is something I can’t simply put a nose or a finger on. It’s floral but also aerified, stratified, stratospheric, atmospheric. It’s sugary honeyed and very beeswaxy but not in a sticky way. The balance is a roundabout one where you have to travel the entire circumference in order to tie the whole room together. Something umami meets intangible allows you to imagine where 2016 will travel but it’s just an inkling coupled with a hunch. The wax is lit or rather unlit, snuffed, smouldering and beautiful. So worth this five years forward visit. Drink 2018-2022.  Tasted October 2018

Benjamin Bridge Sauvignon Blanc 2017, Nova Scotia, Canada (Agent, Approx. $47.95, WineAlign)

The 2013 was the inaugural release and so here the fifth marks the man, the myth, the legend. Should sauvignon blanc be a Nova Scotia something, grown here is this tiny stretch of narrow valley? The answer is no but taste the impossible results and then try to say it with a straight face. A man who loves Sancerre and has the vision to stick with this project through unsurmountable odds and adversity deserves to drink his very own, very excellent sauvignon blanc. This 2017 strings forward a great moment of continuity although in less tropical, more saline and increased tension ways. There is an infiltration by tonic, lemon and lime and yet still explosively aromatic with citrus peel that connects the two vintages by way of this unequivocal substance and emotion. Let’s wait on this buffering streamer. Drink 2020-2027.  Tasted October 2018

Benjamin Bridge Sauvignon Blanc 2016, Nova Scotia, Canada (Agent, $47.95, WineAlign)

The difference between this and the previous vintage is turbidity, having it and not. It’s a negotiable varietal that doesn’t really prepare for winter and it’s not a match made in heaven with the climate. That said the adversity makes for wines of great interest. Not driven by rational motivation but by passion and love, from 0.75 tonnes of yield per acre. Explosive from the concentration delivered to each privileged berry. Dry extract is through the roof. The passion fruit on this ’16 is uncanny, almost tropical in fact it really is and yet in the end there is a revival of salt, tonic and lime. Drink 2018-2022.  Tasted October 2018

Benjamin Bridge Nova 7 Sparkling 2017, Charmat Method, Nova Scotia, Canada (256289, $24.95, WineAlign)

You’ll be pleased to know that Nova 7 is a child of wild ferment and made in 15,000 cases. It’s not tied to any real natural winemaking processes, but considering all that is in the balance it was decided not to add any sulphur in the winemaking process, only before bottling. Hard line indeed. No messing with the aromatic spectrum, not the terpenes nor the esters or anything else, so that the wine has developed its full aromatic possibility. Just the greatest lithe hint of effervescence, the crushable one, better than mega purple sweet confections for people who want to drink flavour. Peach, strawberry and juicy fruit for the people, for everyman, woman and non gender specific imbiber, for people in the sticks who don’t, won’t and can’t drink grower’s Champagne. Aromatic backbone is New York Muscat, plus ortega, seyval blanc, l’acadie, vidal, riesling, chardonnay (and no perle). “It’s all a lot of oyster and no pearlA, perfect for this long December. And no need to swirl, so you get a kick from the natural CO2. Drink 2018-2020.  Tasted October 2018

Benjamin Bridge Cabernet Franc Rosé Small Lot 2017, Nova Scotia, Canada (Winery, $26.95, WineAlign)

“We knew in this season we wouldn’t have enough for a full-on commercial Rosé,” tells Jean-Benoit Deslauriers. This was harvested same day, red or pink, November 10th, whole cluster pressed for a few hours and then after débourbage transferred into concrete egg. There is remained for nearly six months and in March it was highly turbid at ferments’ end. No fining, no filtration, never a sulphur addition with thanks to natural acidities that protect. It’s a perfectly lovely oxidative note with creaminess brought by the egg, never to be stripped away. It emulates the Kingsport vineyard and the varietal. Orange skin, salinity and integrated variability, with good tonic bitters. Even a bit of firmness of tannin that says its come into its own now and will be a cerebral bit of fun for two or three more years. This is Rosé very much meant to be. There were in and around 200 cases made, this essentially estate exclusive, with a few exceptions. Drink 2018-2021. Tasted October 2018

Benjamin Bridge Cabernet Franc Small Lot 2016, Nova Scotia, Canada (Winery, $57.95, WineAlign)

Still from the Kingsport farm fruit, a whole cluster ferment, no messing with stems, fully oxygenated, no carbonic maceration, 30-40 per cent whole bunch. Total output is “a barrel and a bit.” An infused aromatic ferment, green spice and a char of tobacco, utter intensity, compelling and a phenolic reality. “A myth buster incarnate,” says JB, ripened beyond the sensory borders, miles away from other territories, with generosity and juicy ripe legs. From a warm vintage, nine months in neutral oak plus nine in the bottle. Then a decant and oh how the florals open up, furthered, blooming and intoxicating. More than just a fun little experiment so please wake up and smell the Gaspereau Valley. So lively, a wee salty and all energy. Drink 2018-2024.  Tasted October 2018

And one final tank sample.

Cabernet Franc 2017

A good portion of, as in 100 per cent whole berry, whole cluster fruit ferment. Heavily oxygenated, non-carbonic, from four barrels, to be bottled in December and then released next fall, so nine plus nine. There’s the floral rising from the glass, so pronounced. Strawberry, mint, cherry and liquorice, amaro, spice and tobacco. Green and pyrazine are looked for and not found. It’s the sand layer under the strat of mixed recent glacial run off rocks that mitigate the bubbling water beneath the soil and give this a tannic structure unheard of in Nova Scotia reds, Also remembering the urgency at the hands of the whole cluster ferment.  There are 900L available. Grab ’em by the growlers.

crush #interloper standing with harvest giants

Good to go!

Twitter: @mgodello

Instagram: mgodello

WineAlign

Tasting Ontario Part Three: Rosé

Do not adjust your set. Magnums of Rosé by @scottzebarth and godello ~ #aldé #cabernetfranc @ravinevineyard #vqa #niagaraonthelake

The first of the 2018 WineAlign National Wine Awards of Canada results are now live on site with the announcement of winners in the Rosé category. The global blush explosion has not passed Canada by as witnessed through the record number of entries at this year’s Nationals held in June at the Penticton Trade & Convention Centre.

Related – Tasting Ontario Part One: Riesling 

The Rosé romance is still in the honeymoon phase as sales have seemingly been rapidly rising every year for at least the last three and show no signs of slowing down. In the early part of 2018 my partner Scott Zebarth and I made 599 (sold out) magnums of 100 per cent cabernet franc with Marty Werner and Ben Minaker at Ravine Vineyard. We are officially part of the problem, I mean program.

Related – Tasting Ontario Part Two: Chardonnay

As part of an ongoing series in which I am publishing my most recent tasting notes of Ontario wines in any and all categories, here are 20 Rosés of local origin, including a half dozen tasted blind at NWAC18 last month.

Day 3 #nwac18 shades with Rosé nails by @heatherriley29 and a 50 for the judge from Nova Scotia.

Fielding Estate Rosé 2017, VQA Niagara Peninsula, Ontario (53421, $15.95, WineAlign)

Fielding’s latest Rosé is not only unlike the others but also unrecognizable from itself and the curiosity level is set real high. The sweetness is different, almost late harvest so perhaps Richie Roberts has taken a turn by adding a twist into experimentation and it really works. No compromise to sapidity or energy is noted and in the context of rich and ripe there is great pleasure. Nice departure here. Drink 2018-2020.  Tasted May 2018  fielding winery  richiewine  @FieldingWinery  @RichieWine  Fielding Estate Winery

13th Street Pink Palette Rosé 2017, VQA Niagara Peninsula, Ontario (275834, $15.95, WineAlign)

Pink palette is exactly as the nomenclature suggests, a painter’s tray with colours blending and layering in and out of one another. All the pink, red and orange fruits are represented here in aromas and flavours. It’s a bit of an abstract mess but it finds a way to work. Goes every way and returns to the starting point, then sets out again. Drink 2018-2019.  Tasted May 2018  13thstreetwinery  @13thStreetWines  13th Street Winery

Malivoire Wine Ladybug Rosé 2017, VQA Niagara Peninsula, Ontario (559088, $15.95, WineAlign)

The blend is cabernet franc (65 per cent), pinot noir (24) and gamay (11) for the most Malivoire forward, all fruit all the time, simply rosy Rosé. Name those red fruits in their collected bunches but don’t plan to come looking for citrus. As I said, it’s all about the red fruit. Drink 2018-2019.  Tasted twice, blind at NWAC18 and July 2018  malivoire  noble_estates  @MalivoireWine  @Noble_Estates  Malivoire Wine  Noble Estates Wine & Spirits

Tawse Rosé Sketches 2017, Niagara Peninsula, Ontario (172643, $16.35, WineAlign)

Now that Tawse is making a 100 per cent pinot noir Rosé from the Quarry Road Vineyard it puts the Sketches into clearer perspective as a provident and judicious bet for easy and easier drinking. I’d say there is a good amount of gamay in this Rosé because it delivers softer, less rusty and coppery, more wild berry-scented and leafy savoury-accented fruit. It nicely straddles the line between fruity-candied and sapid-dry for maximum amenability. You can’t go wrong here with a warm day and a big chill. Drink 2018-2019.  Tasted June 2018  tawsewinery  @Tawse_Winery  @tawsewines

Westcott Vineyards Delphine Rosé 2017, VQA Vinemount Ridge, Ontario (498527, $16.95, WineAlign)

Delphine does not shy away from expressiveness, with a high level of Rosé complexity by Vinemount Ridge pinot noir. Sugar, tang and washed rind cheese get together with high tonality and quite the fleshy tang. Good food Rosé, especially with a vegetables accented by a smoky edge. Drink 2018-2019.  Tasted May 2018  westcottvineyards  @WestcottWines  @westcottwines

Kacaba Summer Series Rebecca Rosé 2017, VQA Niagara Peninsula, Ontario (227025, $17.95, WineAlign)

From gamay and an immediate response of that’s more like it. Smells just like gamay with a salt lick running through cranberry and raspberry fruit. Just enough pressing, good acidity and great persistence. Drink 2018-2020.  Tasted blind at NWAC18, June 2018   kacabavineyards  @KacabaVineyards  Kacaba Vineyards and Winery

Wildass Rosé 2017, VQA Niagara Peninsula, Ontario (71712, $18.95, WineAlign)

As per the plan Stratus will change direction and for the first time chooses the saignée method for varietal cabernet franc. As for Wildass it is a blend of sauvignon blanc, riesling, tempranillo and cabernet franc. It hints at the present and the future of Niagara Peninsula Rosé in a nutshell albeit with full-bled coverage, high level fruit phenolics and a little bump up in residual sugar. If the ’16 Wildass hovered in the five to six range this seems to be upwards of nine or ten. The fruit here is fantastic and the warmth of the vintage can be thanked, especially from the extended fall and the later picking hands of a Stratus managed wine. Drink 2018-2019.  Tasted May 2018   stratuswines  @StratusWines  @StratusWines

The Roost Rosé 2016, VQA Niagara Peninsula, Ontario (Winery, $18.95, WineAlign)

From pinot noir, rich, very pressed and quite tannic. Fleshy, full and a bit funky. Rhubarb leads the fruit in a two-dimensional, flat-patterned, if unusual texture. Drink 2018-2020.  Tasted blind at NWAC18, June 2018  theroostwineco  @TheRoostWineCo  @theroostwineco

Peller Estates Private Reserve Rosé 2017, VQA Niagara Peninsula, Ontario (Winery, $18.95, WineAlign)

A blend of pinot noir (88 per cent) with gamay and pinot meunier. Lovely in litheness, light, bright and briny blush, saline all the way through. Does the trick with fineness, tart and tight inner-vision Really lovely. Drink 2018-2020.  Tasted blind at NWAC18, June 2018

Huff Estates Rosé 2017, VQA Ontario (Winery, $19.00, WineAlign)

From cabernet franc, some florals, with agitative acidity and a good tartness in composure. Fruit meets salinity and a touch of currants in brine. Drink 2018-2020. Tasted blind at NWAC18, June 2018  huffestateswine  @HuffEstatesWine  @HuffEstates

80x Wine Company When Pigs Fly Pinot Noir Rosé Ridgepoint Vineyard 2017, VQA Twenty Mile Bench, Ontario (Winery, $19.95, WineAlign)

It’s a comedy moment reminder and also a temptation to invoke the Smithers question “will you be donating that million dollars now, sir?” The cheeky name “When Pigs Fly” is actually Rosé by pinot noir from André Proulx and (Kacaba winemaker) Vadim Chelekhov made with the help of David Stasiuk at Rockway Winery. It ain’t no big thing, nor adynaton, idiom of improbability, impractical nor rhetorical device as extreme exaggeration. And so When Pigs Fly is summer in September, harbinger of spring and varietal Twenty Mile Bench, single Ridgepoint Vineyard hyperbole captured with healthy, fresh, brackish and earthy estuary goodness. As promised, its verdant, crisp, delicate, sweet rose petal floral and rusty fruit gone down easy, on a deck, in the sun. Drink 2018-2019.  Tasted March 2018  andrewinereview  vadimwineguy  @andrewinereview  @Vadim_Chelekhov  André J Proulx  Vadim Chelekhov

Henry Of Pelham Rosé Three of Hearts 2017, VQA Ontario (552562, $19.95, WineAlign)

It’s a good card the three of hearts, played out in Rosé form though admittedly in sweet and sour ways. A salty cheese rind note filters in to the ubiquity of Rosé strawberry and grapefruit, that and some blanched, sweet herbs. This is a snazzy meets chic new label from the Speck brothers at Henry of Pelham and there is little doubt that the lithe and lean style is the right one to choose. From this particular bottle an overly aggressive mix of sugar and sulphur detracts from the overall impression and pleasure. Drink 2018-2019.  Tasted April 2018  henryofpelham  @HenryofPelham  Henry of Pelham Family Estate Winery

Southbrook Vineyards Organic Triomphe Cabernet Franc Rosé 2017, VQA Niagara Peninsula, Ontario (279117, $19.95, WineAlign)

Mostly cabernet franc (85 per cent) with merlot in this tart and rich blush. Currants and blackberries, good flow and integration, very solid if typical and correct, highly market saturate and soluble commercial Rosé. Drink 2018-2019.  Tasted blind at NWAC18, June 2018  southbrookvineyards  thelivingvine  @SouthbrookWine  @TheLivingVine  Southbrook Vineyards  The Living Vine inc.

Malivoire Rosé Bon Vivant 2017, VQA Beamsville Bench, Ontario (498535, $19.95, WineAlign)

C’est bon this Maliviore, from what is just the most perfect, antithetical, apposite Rosé vintage Niagara has perhaps ever seen. After the coolest of summers the great resurgent warmth of September delivered great ripeness into this Beamsville Bench fruit, even when picking for Rosé is completed before the full monty is reached. The result is nothing short of bring it on. Salt, brine, stone fruit, citrus and sonic, tonic injections had never gathered so collectively in synch at this price, from this place. This is brilliant Ontario blush and all should be so lucky to emulate and live as cohabitant with the Vivant. Drink 2018-2020. Tasted April 2018  malivoire  noble_estates  @MalivoireWine  @Noble_Estates  Malivoire Wine  Noble Estates Wine & Spirits

Southbrook Syrah Rosé 2017, VQA Four Mile Creek, Ontario (Winery, $22.25, WineAlign)

Ann Sperling’s small lot, organic and biodynamic syrah shows what the vintage is for Rosé, that being stellar and why did Ann make such a varietal Rosé? “It seemed like a good idea at the time.” It’s still a good idea. Great acidity, faint white peppery red fruit, namely raspberry and then that blush catalyst called texture. Salty, fruity, energetic and well-commanded. Proper. Drink 2018-2019.  Tasted April 2018 southbrookvineyards  thelivingvine  @SouthbrookWine  @TheLivingVine  Southbrook Vineyards  The Living Vine inc.

Malivoire Rosé Moira 2017, VQA Beamsville Bench, Ontario (Agent, $24.95, WineAlign)

Malivoire’s most important and benchmark Ontario Rosé is one of the first to the table from the 2017 vintage and why not because its quick soak and lightness of being takes no time at all to get ready. This is the antithetical beauty of Rosé and how it must be approached for best results. Malivoire does not take a step forward from the most perfect ’15 and ’16 wines but there is more fruit in this ’17. You can actually nose and taste strawberry plus a hint of tart raspberry. This will appeal to more of the general Rosé loving populace without any compromise for the provincial, provençal geeks everywhere else. It’s ostensibly a better wine in 2017 because it will attract that growing audience without having made any concessions or dis to authenticity. Drink 2018-2021.  Tasted February 2018  malivoire  noble_estates  @MalivoireWine  @Noble_Estates  Malivoire Wine  Noble Estates Wine & Spirits

Hidden Bench Locust Lane Rosé 2017, VQA Beamsville Bench, Niagara Peninsula, Ontario (68833, $22.95, WineAlign)

Locust Lane is always in the echelon of premier Ontario Rosé and from a prized piece of real estate on the Beamsville Bench. This takes autumn warmth and bottles it as blush sunshine with zippy fraise cocktail essence and ever-berry flavour that goes on forever with an added good shake or two of maldon salt. Great quality right here and well worth the price of admission. Drink 2018-2020.  Tasted May 2018  hidden bench  markanthonyon  @HiddenBench @MarkAnthonyWine  Hidden Bench Estate Winery  Mark Anthony Wine & Spirits

Tawse Quarry Road Vineyard Rosé 2017, VQA Vinemount Ridge, Niagara Peninsula, Ontario (Winery, $27.95, WineAlign)

The inaugural Tawse single-vineyard Rosé launches with a whisper, as Rosé should, from a saignée methodology in search of layering and structure. The way this pinot noir of Vinemount Ridge Quarry Road grapes lightly treads into this world means that it can build, layer and ultimately capture our attention. It’s decidedly dry and brings many fruit thoughts to the bowl but more than anything it’s lime-doused cherries, a shot of ginger bitters and the ever-proper feign of sweetness that really isn’t there. This is terrific varietal pinot noir in blush clothing, properly sour and briny to keep pace with similar renderings by cabernet franc. Drink 2018-2020.  Tasted June 2018   tawsewinery  @Tawse_Winery  Tawse Winery

Thirty Bench Small Lot Rosé 2017, VQA Beamsville Bench, Niagara Peninsula, Ontario (414227, $29.95, WineAlign)

“I am not in love, but I’m open to persuasion.” So tell me what a $30 Ontario Rosé can be. Here presents a next level of expectation from the Thirty Bench Small Lot and yes it obliges with a profile that begins in flavour bursts to supersedes its regional and price category. With open armed, elevated and trading hands this Small Lot at first offers pressed juicy fruit, then fresh picked strawberry and finally packets of fruity umami. The triumvirate workings of saignée cabernet sauvignon, cold-soaked pinot noir/pinot meunier and direct-pressed cabernet franc mean business. Rosé is meant to gift wrap an equation executed through chill, quaff and relax, which you can do with this example but it requires a little bit more attention. Give it that love if you’ve got the mind and the meditation, “but this time with a little dedication.” Sing it, sing it. Drink 2018-2020. Tasted May 2018  hirtybench  pellerwines  @ThirtyBench  @PellerVQA  @ThirtyBench  Andrew Peller(Andrew Peller Import)  Emma Garner

Pearl Morissette’s Svetlana Atcheva with Cuvée Roselana

Pearl Morissette Rosé Cuvée Roselana 2016, Ontario (Winery, $30.00, WineAlign)

Roselana is a gamay-pinot noir saignée blend that pulls no pleasure punches. “We like Rosé of colour, like Tavel,” notes Svetlana Atcheva, “but in a more accessible style.” Her name folds into a Rosé that was sold out as it was bottled, a blush of so much gifting flavour and unlimited pleasure. The specifics of aromatics, berry, citrus or otherwise defined tastes is not important. Just drink it. Next vintage. Drink 2018-2020. Tasted July 2017  pearlmorissette  @PearlMorissette  Pearl Morissette

Good to go!

Godello

Twitter: @mgodello

Instagram: mgodello

WineAlign

Alternative and unexpected California

Pop goes @california.wines unexpected whites with phenomenal insight by @hawk_wakawaka ~ Thank you Elaine, Paula @CalifWines_CA

Elaine Chukan Brown came to town and if you’ve never heard her speak on the subject of California wines then you have yet lived. The California Wine Fair has been rolling through Canada for coming upon forty years running and this past April she and the show stopped in Toronto. It has continued to exist as the largest Canadian gathering of that state’s wines under one roof you are ever going to find. The American specialist at JancisRobinson.com, contributing writer with Wine & Spirits Magazine and eloquent meets erudite penner of Hawk Wakawaka Wine Reviews was the keynote speaker at the trade luncheon but it was her morning presentation of California’s unexpected white varietals that got me thinking. Thinking about California wine.

Elaine Chukan Brown

Unexpected might also mean alternative though when talking about grape varieties grown in a place where nothing is truly endemic and everything is expatriate, is there truly such an animal? I could digress into commentary about immigration policies but I’ll stay the course and stick to wine. Brown’s seminar was appropriately referenced with more than one headline because it wasn’t just about varietals. The lecture indeed touched upon malvasia bianca, vermentino and chenin blanc but it also spoke of sparkling, Rosé and iconic blends made by archetypal producers. Not a singular notion by any means of conferral and so ultimately necessary to be expressed in diversified terms. Alternative and unexpected but not without a hit of developed orthodoxy and a whack of doctrinal emigration.

The cross-Canada celebration of California’s wine community began as a single-city event in Ottawa in 1980 and is now the largest annual wine tour across Canada. The California Wine Fair is is the hands of Praxis PR’s Paula Oreskovich and I would be shocked if there is a more successful regional tour, especially at this scale. The 2018 edition was no exception and adding Elaine Chukan Brown to the bill was both a coup and a stroke of brilliant thinking.

There were 10 wines involved in the determinate and evaluative discourse. I could kudize the selections and the seamless flow from reception wine Rosé through epiphanic Brut and across a swath of right proper showing white wines. I could but I’d rather concentrate on Brown’s photographic mind and ability to convey California wine growing region geography, topography and climatic influences. To present these things to a Toronto wine body politic eager for information. This presentation was science incarnate, pure and motivating. It dispatched the essence of the California dialectic and if you understand varietals, growing conditions and economics, what you soak in may actually allow you to write down what will happen in the future, much like you might write down the history of the past. A California history that speaks of cabernet sauvignon, chardonnay and pinot noir. A California future that is alternative, unexpected and wide open.

Folded Hills Lilly Rosé 2017, Santa Inez Valley, California (Winery, WineAlign)

From the Bush family, Rhône varietals are the impetus with this second fruit from a Rosé vineyard set situated in proximation of Ballard Canyon, where things ripen quite formidably. It’s a top location for pinot noir but here an even better place for grenache and syrah. The wine spent 24 hours on skins, was fermented and aged in neutral oak. Crisp acidity speaks to the area’s growing conditions and in its way acts as grenache vin gris, of tart pink to red currants in a glass. Drink 2018-2020.  Tasted April 2018  folded hills  @foldedhills  Folded Hills

Caraccioli Brut Cuvée 2010, Santa Lucia Highlands, California (Winery, WineAlign)

Caraccioli Brut Cuvée 2010 is a pinot noir speciality transferred to sparkling for flinty, smoky, salty and briny sea fresh character from out of a cold Alaskan bred Pacific current. Top, absolute upper end of Brut with 12 g/L sugar and high natural acidity, which is essential. Four years on lees, but that burgeoning acidity works more magic than the yeasts do for texture. As tart as sparkling wine gets and it’s from California. A journey that began in 2010 for only 96 cases made. Price is $52 at the winery. Drink 2018-2022.  Tasted April 2018  caracciolicellars  @caraccioliwines  Caraccioli Cellars

Palmina Malvasia Bianca 2016, Santa Ynez Valley, California (Agent, WineAlign)

East of centre in the valley, just crossing into Ballard Canyon, from sand over chalk. These are soils that warm up fast, ripening a variety that wants to be bitterly phenolic but finds a way to make use of fog from coastal influences in a nook where the mountains run west to east. The limestone in turn acts as the conduit in delivery of great acidity. From green apple to south asian tropical fruit but I can’t say I’ve ever tasted anything like it before. Yes, the acidity is grand and yes, there is a bitter phenolic note though it’s like great gin. A wildly aromatic wine. There are 62 cases made. Drink 2018-2021.  Tasted April 2018  palminawines  barrelselect  @palminawines  @BarrelSelect  Palmina Winery  @barrelselect

Ryme Cellars Hers Vermentino 2016, Carneros, Sonoma County, California (Winery, WineAlign)

From just over on the Sonoma side of Carneros, the last vineyard before you hit marshlands in San Pablo Bay. Alto, musky and floral notes on the nose, a deep sax, A Love Supreme. What’s curious and high level is the texture, which speaks to place, soil and I suppose, winemaking. It’s part malolactic from neutral oak to further explain, with a mix of stainless steel to keep it Trane chord change airy, elevated, ante-flat earth society vermentino. Approximately $25-29 US. Drink 2018-2020.  Tasted April 2018  ryme_cellars  @RymeCellars  Ryme Cellars

Matthiasson White Blend 2015, Napa Valley, California (Winery, WineAlign)

Ostensibly an example of a ribolla gialla led, Friuli styled blend by Steve Matthiasson. It’s a grouping of sauvignon blanc, sémillon, ribolla gialia and tokai friuli (friulano) as the components, turning the Friuli a bit on its head but its more about fruit than pyrazine with a ribolla lick off the ground. There is a nutty note, namely almond from tokai and a flinty strike by sémillon. Unilaterally fermented in neutral barrels and then eventually transferred back in. Great balance, complex and long as the coastal range. Come back to it and it has a wonderful savoury, candied childhood memory feeling. Drink 2018-2021.  Tasted April 2018  matthiasson_wine  @matthiassonwine  Matthiasson Wines

J Vineyards And Winery Pinot Gris 2016, Russian River Valley, California (Agent, WineAlign)

Introduced by Elaine Brown as “a testament to the notion that pinot gris is a noble grape, that expresses its place and adaptation from place to place.” A wine as child of western Sonoma County daily fog incursion, absorbed by the clay, a gift of natural refrigeration, non-pushed sugar development, working for gris, not just noir. Semi-mouth watering freshness, unctuousness and notable sweetness.”Round and hovering,” full and tart, mid-range in the mouth. Minor barrel fermented plus 15 per cent new, as kisses for a nutty depth and orange marmalade flavour. Quite delicious, full of texture and flavour. Drink 2018-2020.  Tasted April 2018  #jvineyardsandwinery  gallocareers  @JWinery  @gallocareers  J Vineyards & Winery  Gallo Family Vineyards  E. & J. Gallo Winery

Birichino Chenin Blanc Jurassic Park Old Vines 2016, Santa Ynez Valley, California (Winery, WineAlign)

From a site protected from wind, a diurnal temperature shift with more of a breeze effect, above the fog line at a high (1100 ft.) elevation. All this to say that you’ll end up with increased aromatics, from own-rooted vines planted in the 70s on sandy soils. Chèvre funky, tangy on the acid notes, with layers of ripeness, but with no developed botrytis and then some fruit picked in December mixed right in. It’s green, white, pink and yellow. It’s all in, not overly punchy but very expressive. From apple to brine and back again. This may be the vintage that has it all. Drink 2018-2020.  Tasted April 2018  birichino_official    Birichino

Chateau Montelena Riesling Potter Valley 2016, Mendocino, California (Agent, $36.95, WineAlign)

The first wine Montelena ever released was in fact riesling, a Bo Barrett obsession, slightly inland in the far north on Mendocino. It’s a high elevation at 900 ft., on highly oxygenated, well-draining, gravelly-loam soils with a touch of clay. Made in a combination of stainless steel and neutral oak. The lullaby phenolic and dreamy glycerin fruit content is high, with help from minor (4 g/L) of RS and what is essentially an arrested acidity. A very underdeveloped riesling, youthful and rich, just bloody delicious. Lime, snappy green apple and gravel stone bleed. Riesling as good as it gets in California, from Mendocino all the way down. Perfect for this desert life. “If dreams are like movies, then memories are films about ghosts. You can never escape, you can only move south down the coast…Hey Mrs. Potter won’t you talk to me.” Drink 2019-2022.  Tasted April 2018  chmontelena  rogersandcompanywines  @ChMontelena  @rogcowines  Chateau Montelena Winery  Rogers & Company

Robert Mondavi Fumé Blanc To Kalon Reserve 2014, Oakville, Napa Valley, California (Agent, $44.95, WineAlign)

The Reserve is the top level for fumé blanc (aside from the I-Block) and a wine made since 1966. There must be more sémillon in 2014 because it’s as smoky and flinty as it ever has been. A portion of the 1945 I-Block vines generously add sauvignon blanc in this wine. This is the original, the history of California wine, the alternate varietal spoken ahead of all the others. Reduced vigour vines from volcanic, well-draining soils for purity and decades long honesty. Always absurdly fresh, integrated, with an ability to age low and slow. Drink 2019-2028.  Tasted April 2018  robertmondavi  #constellationbrands  @RobertMondavi  @cbrands  Robert Mondavi Winery  Constellation Brands

Tablas Creek Vineyard Esprit De Tablas Blanc 2015, Paso Robles, California (Agent, 735506, $44.95, WineAlign)

From the far western side’s folded, undulated hills on the western range that bring in cold air through its streams. A place of cold night and even some persistent cool air during the day. It’s roussanne based, but this ulterior vintage means an elongated ripening so the roussanne was low in acidity, therefore more picpoul was employed for acid. It’s fleshy, creamy toffee, candied floral and candied citrus plus orchard fruit and mango. Should turn waxy and seem more mineral as the alloys emerge and the fruit dissolves. Drink 2018-2021.  Tasted April 2018  tablascreek  @TablasCreek  @ChartonHobbs  Tablas Creek Vineyard  CHARTON-HOBBS QUEBEC

Pop goes @california.wines unexpected whites with phenomenal insight by @hawk_wakawaka ~ Thank you Elaine, Paula @CalifWines_CA

Good to go!

Godello

Twitter: @mgodello

Instagram: mgodello

WineAlign

Planeta’s Sicily

Missed flight fifth order of business @planetawinery 2008 #santacecilia #docnoto

On a most recent trip to Sicily I tasted no less than 20 wines from Planeta’s five estates, most with winemaker Patricia Tóth and some all by my lonesome. I will be tasting more with the ethereally-worldy Tóth in just over an hour from now so what better time to share these notes than right now. There was a Chardonnay 2002, Eruzione Riesling and Santa Cecilia Noto 2008 as well but those notes need time, music and deeper thought.

Degustazione e bei tempi with the @planetawinery gang ~ #lookup #siciliaenprimeur #siciliaep18 #siciliaep2018

Planeta Grillo Terebinto Sicilia Menfi DOC 2017, Sicliy, Italy (Winery, WineAlign)

Planeta’s varietal grillo is raised at Cantina Ulmo in Menfi, a western Sicilian outpost where pebbly-inlaid deep soils are found around Lake Arancio. The terebinth is a Sicilian shrub with glossy fronds. a.k.a. Pistacia Terebinthus or white pistachio, used as rootstock for pistachio production. The Menfi grillo is pulled from a low lying clay vineyard at 50m. Aromatics and texture are equally rich at maximum ripeness as bottled sunshine, pomelo sago unctuous and so consumable. Mango trees are actually in the same family as pistachio but of more interest is the fact that the female trees produce the nuts while the male produces the pollen. Sounds familiar, not to mention that male and female pistachio trees are often grafted together to bring about pollination. Drink 2018-2019.  Tasted May 2018  planetawinery  plant dependent  noble_estates   @PlanetaWinery  @Noble_Estates  @planetawinery  Tóth Patricia  @NobleEstates

Planeta Alastro Sicilia Menfi DOC 2017, Sicliy, Italy (Winery, SAQ 11034361, $22.00, WineAlign)

Alastro amalgamates 70 per cent grecanico with 15 each grillo and sauvignon blanc for one tart, intense, highly aromatic, mineral and striking western Sicilian white blend. It’s certainly got a tropical feel but not in any creamy or humid sense. Also known as the bush La Segreta, meaning “broom,” the horny plant was used for natural fences and as a general intruder deterrent. Take note of the locked in neoteric and floral aromatics from this early September harvested blend, wild as its name suggests and best when youthfully fresh. Grecanico can age but this blend screams immediate gratification. Drink 2018-2019.  Tasted May 2018

Carnage for two please

Planeta Etna Bianco 2017, Etna DOC, Sicliy, Italy (Agent, $33.99, WineAlign)

The Etna is 100 per cent carricante produced at the Feudo di Mezzo winery in the Contrada Taccione, in Montelaguardia. Now labeled simply as Etna, not as the artist formerly known as Bianco and apparently for no reason at all. Seventeen was a really warm year here in the 690-720m vineyard and so the quickest maceration was performed due to so much sun-developed colour on hand. Stayed on lees until February, also less than usual but again the hot season saw quick development. The quotient distilled is a plentiful one, a brocade like golden silk, full and full of everything it can be. Not the sapid, mineral and volcanic salty carricante of let’s say 2014 but sometimes “luxury is the opposite of vulgarity…and complication, a necessity that begins where necessity ends.” Drink 2018-2022.  Tasted May 2018

Planeta Eruzione 1614 Carricante 2016, Doc Sicily, Italy (Agent, $42.99, WineAlign)

Passion projects are not for the faint of heart but they are perhaps reserved for winemakers too smart and too worthy for their own good. Eruzione is such an animal for Planeta’s winemaker Patricia Tóth, a varietal carricante ode (with 10 per cent riesling) to the great and tragic 1614 Etna eruption. If boys don’t cry I still shed a tear or two for history and for my love of this wine. It comes from the black volcanic soil of the Contrada Sciaranuova vineyard, next up the mountain from Contrada Santo Spirito. In ’16 it’s not measured by a low ’14-like pH, not quite as sharp, so therefore fuller and with more unction. It’s still an Etna-bled eruptive white, still beating raw by laser focus out of inspirational terroir. Readier too because it’s been held back a few more months for release. This wine will let you arrive at where you want to be. So many whites are mired in repeatable refrains. “Plastic passion is a Hyacinthe heart. Plastic passion is a transparent tart…Plastic passion is a gold guarantee. The plastic passion is murdering me.” Eruzione is life affirming and though other wines may pay the bills, this cariccante is the cure. Fill your prescription and drink up its passion. It’s the winemaker’s too. Drink 2018-2024.  Tasted May 2018

Planeta Rosé Sicilia DOC 2017, Sicily, Italy (Agent, $16.95, WineAlign)

Planeta’s Rosé is half nero d’avola and half syrah, the nero coming from higher elevations. “We want something that we like to drink,” is the matter of fact explanation from winemaker Patricia Tóth. The first vintage was 2007 and it has evolved into this lithe and yet lush blush, the syrah bringing crisp verve and nerve. It is perhaps not as aromatic as some high level Planeta but that’s the life where odd bedfellows compliment one another in a modern world. Salty and sexy equals good combination. Drink 2018-2019.  Tasted May 2018

Planeta Cerasuolo Di Vittoria DOCG 2016, Sicily, Italy (Agent, $29.37, WineAlign)

The only Sicilian DOCG in Planeta’s hands is noticeable, contractable and notable for quality consistency, both for the denomination and the estate style. Rich but tangy with so much soil voce, it flows effortlessly across the palate with malleable texture. Like Bourgogne Villages it starts at fruity and two years forward will begin to morph, into tobacco, funghi and salts of the earth.  Last tasted May 2018

Planeta’s Cerasuolo di Vittoria brings together nero d’avola and endemic frappato with only a stainless steel ferment in an anti-oxidative and naturally anti-oxidant way. This is nothing but freshness in a bottle with its ubiquitous red berry verve. You can just feel the breaths in this radiant Planeta, of winemakers and coveters of Sicilian treasures. You just have to taste Cerasuolo to understand how generous and graceful it is, earthy but of lovely clarity and spice all over the finish. Drink 2017-2021. Tasted November 2017

Planeta Cerasuolo Di Vittoria Classico DOCG Dorilli 2016, Sicily, Italy (Agent, $38.95, WineAlign)

Cerasuolo di Vittoria Classico is one thing, Dorilli 2016 is another matter altogether. The name of the estate marks the iconography of this Planeta blend, from a chosen vineyard carrying the dialectical tome of the river passing by. The old maps say Dirillo but through time this has changed, just like this Burgundian wine will draft through wake and evolve. There is a minor reduction here so it’s not as open as the normale though it’s offset by an extra year of aging for release 18 months after harvest. Blooming should happen some time in 2019 after the 70 per cent nero d’avola and (30) frappato begin to unfold out of itself for a full and layered Vittoria. Still there is the Cerasuolo fragrance from a guarantee by vintage and for texture. Drink 2019-2027.  Tasted May 2018

Planeta Nocera Sicilia DOC 2016, Sicily, Italy (Winery, WineAlign)

This is just the second vintage of Nocera, from the province of Messina and one of the most dramatic vineyard landscapes on the planet. La Baronia on Capo Milazzo is a long strip of a peninsula that looks out to the Aeolian islands. Nocera is by accounts an unusual variety made by approximately 15 producers, also in Faro and the total wines produced are from 28 hectares in total. The expectation is a marine wine of macchia, myrtle and garrigue. “It’s a beast,” says Patricia Tóth, especially in marine areas with huge clusters. It’s notable for its thickness and tannin, smelling of white pepper, maybe a note of geranium and it just might become a superstar. It’s like a child of cabernet franc and primitivo but with gamay plus pinot structure. Or like Bandol, with fleshy tannin and with time it will beocme a velvety version of its thick self. Don’t forget the salinity. Drink 2019-2025.  Tasted May 2018

Planeta Eruzione 1614 Pinot Nero 2016, IGT Terre Siciliane, Sicily, Italy (Winery, $42.99, WineAlign)

Even within the erudite and super-investigative Eruzione 1614 series there is no internet or Planeta mention of the newest member Pinot Nero IGT Terre Siciliane 2016. It’s high volcanic mountain landscape time we talk about Etna and pinot noir. The symbiosis is a reality meeting necessity at a crossroads of potential. Not just any potential mind you but a Burgundian one. “We don’t want to talk about Bourgogne but Etna is the only Sicilian terroir where it can build a house,” says winemaker Patricia Tóth. The perfume, texture and tannic structure is all pinot noir, picked on a Saturday afternoon which was the moment of truth from green to spirit, the aha before moment the sun-dried plum is placed into the cognac. This is all heard in Sicily but it’s all true. There are now two terraces of fruit, so the current production of 1472 bottles may become 4000! Drink 2019-2027.  Tasted May 2018

Planeta Eruzione 1614 Nerello Mascalese Sicilia DOC 2016, Sicily, Italy (Winery, $42.99, WineAlign)

Like the yellow lorry carricante thriller it is Etna Rosso incarnate that is portrayed in this Eruzione red lorry nerello mascalese (with nine per cent nerello cappuccio) from up the mountain’s 890m vineyards of (Contrada) Sciaranuova, but with some fruit from lower altitude at 600m. The vine age is part 2008 and part 20 year-old vines and a small section going back 90 years but just a small spot. The higher you climb for nerello macalese the more finesse you acquire. This Eruzione is swimming through lava with it, smoothed by plenty of silky texture, raspberry and chalky liquid tannin. Nerello, “you ain’t nothing but a true embrace. You ain’t nothing but a hidden face.” Your Planeta edition gets neither more refined, elegant nor focused. You’ve been descried as the “alternative classic” or the new light pinot noir. Maybe frappato, but not you, nerello mascalese. Let’s leave you out of the discussion. Leave you alone. Talk about the weather. Drink 2019-2025. Tasted May 2018

Planeta Santa Cecilia Doc Noto 2015, Sicily, Italy (Winery, $54.99, WineAlign)

The first vintage was in the late 90s and the appellation eventually became DOC Noto, with the initial vintage of 2003 having been where it was fully done in Noto, but 2008 is the official DOC recognition. This is when both Noto and Sicilia are on the label for the DOC to be recognized as 100 per cent nero d’Avola. Comes by way of the white chalky soils of Noto and is deceptively rich, deeply rendered, of an incredible acidity, dark and viscous fruit. There is so much happening in violet florals and light. Did I mention the acidity, amazingly linear but waiting to circle and become ringing. Drink 2019-2025.  Tasted May 2018

Allemanda Sicilia Noto DOC 2017, Sicily, Italy (Winery, WineAlign)

Allemanda is made from 100 per cent moscato bianco and if you have not tried to sit on a beach in the shade with a bottle of this gently but forcefully aromatic farfalle of a Noto in Sicilia white then you have yet lived. The self-professed Baroque dance is truly an exotic reminder of jasmime blooms and tropical citrus. It’s actually a bit tannic and also extremely refreshing. Two hands in the air for Noto’s soils and sea-proximity to do what’s necessary and beautiful for moscato. Dangerously consumable. Drink 2018-2021. Tasted May 2018

Cometa Fiano Sicilia Menfi DOC 2017, Sicily, Italy (Winery, $49.99, WineAlign)

Cometa from Menfi is the other fiano, the somewhat rare and effusive fiano from Sicily. The elusive one is a Planeta speciality and one of winemaker Patricia Tòth’s great secret varietal weapons, a Mediterranean that pleases quickly, compliments all that is drawn from the sea and is capable of developing complexity with age. This is both floral and juicy, combining for this lychee meets honeysuckle into tropical territory. Streaks like a comet indeed, right across the palate and into your psyche. Not to mention your bleeding heart. Drink 2019-2024.  Tasted May 2018

Burdese Sicilia Menfi DOC 2014, Sicily, Italy (Winery, WineAlign)

Burdese is cabernet sauvignon (70 per cent) and cabernet franc as the playful Bordelais blend, dialectical in nomenclature and in style. It’s an adaptation from “Bordolese” and into the land. The trilogy of sun-ripened phenolics, rich texture and silky tannins make this quite easy to drink, especially with four years past and medium rare protein on the plate. All aspects of sun-reasoned votes play notes, of tomato, dusty plum and dark currants. Flavour abounds with no sign of impending decline. Drink 2018-2022.  Tasted May 2018

Maroccoli Syrah Sicilia Menfi DOC 2014, Sicily, Italy (Winery, WineAlign)

The name Maroccoli is local for “ideally situated vineyard” and syrah must find its spots to shine. An elevated hill between lake and sea is this Maroccoli’s place in the sun and the syrah it delivers is spicy, high tonal and indelibly stamped with firm grip. It’s both meaty and exotic, wildly berry filled and sharp as a tack. It seems syrah could use an extra year or two beyond the Bordolese out of Menfi. Drink 2019-2023.  Tasted May 2018

Sito Dell’umo Merlot Sicilia Menfi DOC 2014, Sicily, Italy (Winery, WineAlign)

Here the biggest of the three Menfi reds and the varietal home from where the estate’s story really begins. No wood holds barred or lack of ripeness can keep this Bordolese down, not with such a firm grip by way of tannin derived off of sun-worshipping vines and generous barrels. On its own the merlot is more demanding than the Burdese and just as grippy-peppery as the syrah. It’s a wine best enjoyed when it reaches the balsamico-ganache-medicinal herbs stage. That has yet to happen. Drink 2019-2025.  Tasted May 2018

Missed flight fifth order of business @planetawinery 2008 #santacecilia #docnoto

Good to go!

Godello

Twitter: @mgodello

Instagram: mgodello

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Castello di Ama’s state of the art

Two months ago yet another Toscana adventure came to a close. The tastes and sights indelibly stamped are etched forever in memory. Before moving on down the SR2 from Siena to Montalcino we paid the most profound and contemplative Chianti Classico visit of all, sulle colline di Gaiole. To a place where wine, art and landscape interact, variegate and intertwine. A place where the slow pace of play is grounded in grace and nature slowly renders an intoxication of faith. Where the exceptionality of place, experience and innovation can’t be underestimated, not at Castello di Ama.

La Cappella di Villa Pianigiani (18th century)

It was mid-August 1995 and my wife and I were on honeymoon, holed up in a little nook of Castelnuovo Berardenga near Ponte e Bozzone, just outside of Siena. We used this idyllic spot as our base camp from which to explore Chianti Classico for two full weeks that summer, which incidentally was cool, often rainy and now, none to my decades of studiously learning about sangiovese surprise later, proved to have resulted in turning out some elegant and structured wines.

One day we drove up into the Gaiole in Chianti hills, up a long drive past what I now know as Vigneto Bellavista and parked on a crest of gravel straddling the picturesque vineyard on one side and on the other, Vigneto San Lorenzo of Castello di Ama. Just as it was on February 15th of this year, the scene was one of stillness and tranquility, frozen in time, albeit memory delivers the picture in black and white. We wandered aimlessly, taking in the vines and the quietude when a small voice came rising from a dwelling in the tiny hamlet. An old woman motioned for us to come down the steps and into a small room. We tasted a few sangiovese, purchased a few bottles and were on our way.

La Cappella di Villa Ricucci (18th century)

The woman was likely Lorenza Sebasti’s grandmother and five years ago I recounted the story for her when Lorenza was pouring Ama’s wines at their Ontario agent Halpern’s annual grand tasting. Her name was Ermellina, Lorenza’s nana that she called Mami. She could perhaps have been the fattoressa, or agente fondinario, land agent to the hamlet of Ama which takes its name from a small borgo, or agricultural village, nestled in the Gaiole hills at an altitude of almost 500 metres. Five centuries ago, it was the hub of a florid farming and winemaking business overseen by a group of local families. “The road from Radda leads to Amma, three miles away on a hill and home to the Pianigiani, Ricucci and Montigiani – the most prominent families in Chianti,” wrote Grand Duke Peter Leopold of Habsburg-Lorraine in his 18th-century Report on the government of Tuscany.

The winery was founded in the 1970s by a group of Roman families; Tradico, Carini, Cavanna and Sebasti and in the 1980s Lorenza’s husband Marco Pallanti, a Tuscan, took over the winemaking duties. Pallanti is a former President of the Consorzio Vino Chianti Classico and the pioneer who undertook one of the most ambitious vineyard transformations in the region’s history during a five-year period in the 1980s when he chose to re-trellis 50,000 vines (planted to 2,800 vines per hectare) to an open lyre system. Much of the vineyards were also grafted to new sangiovese clones and other beneficial varieties (like merlot) to take advantage of Ama’s specific topography and singular geology.

Carlos Garaicoa, Yo no quiero ver mas a mis vecinos

Castello di Ama’s 80 hectares of vineyards surround the hamlet of Ama by an extended radius of three kilometres at altitudes ranging from 450 to 550 metres above sea level. The four valleys are marked by harvested Galestro rock at the top of each vineyard; Bellavista, San Lorenzo, Casuccia and Montebuoni. Bellavista stands apart because set atop that hill at an altitude of 490m is the block that is used to make L’Apparita, Tuscany’s first pure varietal merlot. In 1975 this portion was planted with canaiolo and malvasia bianca, then grafted over with merlot clone 342 between 1982 and 1985.

Kendell Geers, Revolution/Love

The village of Ama is made up of aggregate buildings of medieval origin, along the axis of a main street and essentially protected by two villas on either end; Ricucci and Pianigiani. There are three small chapels, one dedicated to the Blessed Virgin of Carmine, at the Villa Pianigiani. The second, along the main street, is dedicated to San Lorenzo and the third, dedicated to San Venazio, in the garden of Villa Riccucci.

Michelangelo Pistoletto, L’albero di Ama

Marco Pallanti is proud of the more than 35 years of work and adventure he has poured heart, mind and soul into the purity of these Gaiole hills. “It is important for wines to maintain a link to their place of origin” he writes. “The fundamental idea of tasting a wine and displaying the vines from which it comes. Wine has to spring from the rocks of the vineyard and reflect the sun, the season, the heavens of that hill, in that moment.” Pallanti’s notion of connecting the past, in viticulture, viniculture and architecture with the future is manifested through 15 art installations on or abutting vineyards, set into landscapes and occupying cellar spaces. “To give the illusion of being able to perfect perfection,” he expounds from grape and through the intangible gift, to “make seen what cannot be seen.”

Ilya & Emilia Kabakov, The Observer

The 15 site-specific installations are a collection of explicitly contemporary works still in progress, all created to marry place and idea. The artists commissioned and represented are Michelangelo Pistoletto, Daniel Buren, Giulio Paolini, Kendell Geers, Anish Kapoors, Chen Zhen, Carlos Garaicoa, Louise Bourgeois, Cristina Iglesias, Nedko Solakov, Ilya and Emilia Kabakov, Pascal-Martine Tayou, Hiroshi Sugimoto, Lee Ufan and Roni Horn.

Hiroshi Sugimoto, Confession of Zero

Once inside the tasting room at Castello di Ama Marco led John Szabo M.S. and I through the estate wines, focusing as we should on the four vineyards, Bellavista, San Lorenzo, Casuccia and Montebuoni. Here are my reviews on the six wines tasted.

Marco Pallanti, Godello and John Szabo M.S.

Castello di Ama Purple Rosé 2017, IGT Toscana, Italy (Agent, $20.85, WineAlign)

Bottled recently, going to market on March 1st, this is sangiovese with a minor amount of merlot, a new Rosato for Ama, really fruity, of an amazing colour, viscous, spicy, tart and so bloody delicious. Savoury and herbal moments but always that return to fruit. A touch of citrus pith and tonic mark the finish. Very fresh and spirited Rosé and I can’t imagine anyone not wanting to drink two glasses. Drink 2018-2019.  Tasted February 2018

Roni Horn, Untitled

Castello di Ama Chianti Classico DOCG 2015, Tuscany, Italy (Agent, $34.95, WineAlign)

The artist now known simply as “Ama” is a highly touted, self-reflective sangiovese with fruit to end all fruit, every iota of sensory and sensual fibre filled in and a deeply inward, charted impression. The first vintage was 2010, when Gran Selezione began its newly classified journey, so this is the sixth instalment in the Ama new age. The Chianti Classico equivalent of a Bordeaux Château’s estate wine, the one to explain the house style and philosophy. Needs three more years to develop all its charms and move to the next stage of its life. There are 90,000-100,000 bottles produced.  Last tasted February 2018.

“The road from Radda leads to Amma,” where some of Chianti Classico’s most fertile land treats sangiovese vines as if they were planted in a garden. Hard not to experience this Gaiole Chianti Classico as a sangiovese of extreme youth for a quick to bottle Ama, so floral and what just has to be so as a result of some whole cluster, feigning carbonic and hyperbole of managed freshness. Some exotic spice in perfume and real, certain, credible clarity. Not that this will entertain notions of Ama longevity but the purity clarifies the 2015 vintage position of consumer and critical mass quality. Drink 2018-2024.  Tasted February 2017  @CastellodiAma  @castellodiama  @HalpernWine  castellodiama  halpernwine  @halpernwine

Questa non è una finestra, @castellodiama an instrument through which something is represented. #danielburen #chianticlassico #landscapepainting … Daniel Buren, Sulle vine punti di vista

Castello di Ama Chianti Classico Gran Selezione DOCG San Lorenzo 2014, Tuscany, Italy (418897, $48.95, WineAlign)

San Lorenzo is not actually a single-vineyard wine though the fruit source depends highly on this side of the estate. It is in fact a blend of all the best places of the property and from a vintage out of which no La Casuccia or Bellavista were made all the best fruit (including some merlot) ended up in San Lorenzo. The quality of the acidity and the tannin separate this from Ama but that wine’s pedigree should not be in question for it remains the broadest, most appropriate brushstroke for Ama. San Lorenzo delivers a domino structure, stacked and yet imagined as fallen, a set of roads and walls to walk and climb along, to eventually arrive at a pre-destined destination. This is the white meets grey meets sandy brown limestone of the broad amalgamation of the mineral estate, salty and rich, with depth into a grotto.  Last tasted February 2018.

Even with the benevolent San Lorenzo as the sample size, going at 2014 Gran Selezione is like trying to crack a walnut shell with your teeth, the husk so tough you might break two or more trying. What is noted in the single-vineyard San Lorenzo is a hyperbole of 2014’s general characteristics; firm grip, savour, herbology and liqueur. There is extreme Gran Selezione personality humming in San Lorenzo and help me if two years are needed simply for assessment and five for the drinking window to open. The attention to soil and Ama’s prized Gaiole in Chianti Climat is duly noted, as is the careful selection from the vintage. I will say this. No amount of selection, barrel or time can allow Gran Selezione to escape from 2014. In the short term it will be a downfall, in the long, long, long run a blessing. Drink 2021-2031.  Tasted February 2017

Castello di Ama Chianti Classico Gran Selezione DOCG Vigneto Bellavista 2013, Tuscany, Italy (Agent, $242.59, WineAlign)

You just have to stand and gaze out over said vineyard to feel the awe and then to understand its connection, for Castello di Ama, to the Gran Selezione category. The rise up to and astride the estate is a collina rocciosa so singular to Gaiole in Chianti. If it is not correct to intuit, self-convince and deduce that Bellavista just tastes like the salty, calcareous and deeply stony white rocks of that blinding light vineyard then so be it. The wine is saturated beyond imagination and without any possibility of feeling chalky on the palate. If this isn’t Grand Cru Chambertin or Montrachet in red, Chianti Classico form, then no wine in Toscana can be considered as such. That it also carries in pocket the great ripeness of sangiovese fruit, streamlined acidity and mille-feuille tannin is a variegation of thought to consider at every smell, taste and turn. Just amazing for the vintage with non-aggressive though confident tenets of structure. A Gran Selezione generally in production of four to six thousand bottles. Drink 2021-2031.  Tasted February 2018

Giulio Paolini, Pardigma

Castello di Ama Chianti Classico Gran Selezione DOCG Vigneto La Casuccia 2013, Tuscany, Italy (Agent, $242.59, WineAlign)

Vigneto La Casuccia is a vineyard with different qualities in the stones of the soil and with malvasia nera accumulating another level of spice, even spicy when you taste. The sangiovese nose is deeper in fruit, bricks baked in and in emission of a graphite sensation, with more and differing effects brought on by limestone, though in apposite effect by the Galestro of Bellavista. The acidity is even more striking than what is derived from the adjacent block and the tannin stronger, broader, more obvious though never over-demanding. If apprised in the poetic terms of a haiku, this may deal in the facile of a read while mired in the inability to ascertain ultimate meaning. We’re only in the first incomplete five words at this stage and it will be five more years before we can say the next seven will even enter the discussion. So be patient. As with the Gran Selezione Bellavista the production is generally in the range of four to six thousand bottles. Drink 2022-2034.  Tasted February 2018

Anish Kapoor, aima

Castello di Ama L’Apparita 2013, IGT Toscana, Italy (Agent, $242.59, WineAlign)

Castello di Ama L’Apparita IGT Toscana is merlot from atop the Bellavista hill and you just might see an apparition if you wander the rows in the dead of night. In reality, on a clear day when happening upon the vineyard, this is the spot from which the towers of Siena will appear. The first L’Apparita was 1985 so it is this 27th from 2013, with only 2002 and 2012 having been avoided. Merlot ripens earlier than sangiovese so it can be made more often. You recognize it as merlot, not Pomerol, not St. Emilion, not Maremma, but purely from this territory. The quality of acidity is vineyard-terroir driven and the tannins are sweet, plush and broad, different from Casuccia but sill set upon wide-developed shoulders. There is that ubiquitous Ama spice and in L’Apparita, a sense that tar is a factor and roses a quotient down the road. Drink 2020-2030.  Tasted February 2018

Good to Go!

Godello

Twitter: @mgodello

Instagram: mgodello

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Garda’s Chiaretto success

Lago di Garda, Torri del Benaco

In northern Italy travel east from Milan towards and beyond Brescia or west from Venice through Verona and you will reach the southern shore of Italy’s largest lake. Lago di Garda is famous for many things, including an open invitation to pass through its gates to reach the Dolomite mountains. On either side of the lake two grand edifices gaze at one another across the crystal clear water. At the southeast end Castello Scaligero di Sirmione and fortress guards the harbour below Monte Baldo and across to the western shore Villa Galnica rises above the lake in Puegnago del Garda. It is on the hills and plateaus behind these great structures where something pink is happening.

Two wine regions on these opposing shores are disparate bedfellows but together sluice the Rosé key to collective success. Bardolino Chiaretto and Chiaretto Valtènesi are the most recent and important Rosato designations in Italy and their hopes, plans and dreams rest on the shoulders of two leading grape varieties, corvina and groppello.

Simply put, Chiaretto (key-are-et-oh) is the Rosé version of Bardolino. It’s made from those same grapes (corvina, rondinella and molinara) and the colour varies from rosy pink to coral-red. “Chiaretto Pink” is the battle cry of the Italian dry Rosato, “a lighter shade of pale,” hence the name “Chiaretto”, which derives from the Italian “chiaro,” meaning light or pale. The grapes are vinified using white winemaking practices, wholly apposite and antithetical to its other usages, namely in Bardolino, Valpolicella, and Amarone.

@chiarettopink @ilbardolino e tutte cose #corvina @villacordevigo #vignetivillabella with Il Presidente Franco Cristoforetti and Tiziano Delibori

As with Garda-west neighbour Valtènesi, Chiaretto from Bardolino’s roots go back to 1896 when Pompeo Molmenti learned of the Rosé vinification technique in France. In 1968 Bardolino Chiaretto was among the first Italian wines to receive DOC (Denominazione di Origine Controllata) status. Since the 2014 harvest, Chiaretto’s winemakers have collectively pursued a “Rosé Revolution,” choosing a pale pink colour and more floral-aromatic notes. Consorzio di Tutela Vino Bardolino President Franco Cristoforetti invokes the Rosé revolution in his introduction of the Chiaretto, confirming the region’s commitment to a very specific style and the key to its success. “Together, the Chiaretto of Bardolino and the Valtènesi Chiaretto,”  explains Franco Cristoforetti, “produce 12 million bottles, placing Lake Garda in the role of absolute leader in the Italian production of Rosé designation of origin.” The region’s greatest ambassadorial asset is Angelo Peretti, an economist and writer who fully understands that by gaining a true sense of community and having a common goal the two regions can be highly successful in their pursuit of Rosé. Chiaretto for the win.

Extending from south to west between the towns of Desenzano and Salò, in the heart of the morainic amphitheater on the Brescia side of Garda, Valtènesi includes the territory of the following municipalities in the province of Brescia, characterized by the microclimate of Lake Garda: Salò, Roè Volciano, Villanuova sul Clisi, Gavardo, S.Felice del Benaco, Puegnago del Garda, Muscoline, Manerba del Garda, Polpenazze del Garda, Moniga del Garda, Soiano del Lago, Calvagese della Riviera, Padenghe sul Garda, Bedizzole. It also includes part of the territories of the municipalities of Lonato del Garda and Desenzano del Garda.

Angelo Peretti

In Valtènesi the first and most commonly employed method makes use of a white vinification with red grapes and a short maceration to obtain colour, by direct pressing of the destemmed and crushed grapes. The second makes it possible to obtain more hue and structure in Rosato by means of a short maceration of the must and grape seeds in order to increase the extraction of anthocyanin and tannin. The first process is specifically used to vinify Rosé wines only. The second, not so widespread method has the primary purpose of enriching and improving the remaining red wines, which remain in the tank, after the subtraction, for salasso. The regulatory board instructs that the release for consumption of Valtènesi Chiaretto may take place from the 14th of February following the harvest, while the release for consumption of Valtènesi can take place from the 1st of September after harvest. The Denomination of Controlled Origin (DOC) was recognized in 1967.

Alessandro Luzzago is the President of the Chiaretto Valtènesi consorzio and tells us that over the last four years the Valtènesi have been working with the association of Provençe, sending their wines over to see where they are in relation to the region that produces the type of Rosé they want to imitate. The communication is leading to making better wines. “A change of philosophy is taking place and perspective,” notes Luzzago, “you start the work in the vineyard, thinking of Rosé.”

Anton Potvin, Bill Zacharkiw, Pascal Arsenault and Paola Giagulli on the shore of Lago di Garda

Back in October of 2017 I joined a group of intrepid sommeliers for a week long investigation into the wines of Bardolino, Valtènesi and Custoza. A report of the red, whites and sparkling from these regions will follow but this is strictly a Chiaretto exposé. I tasted these wines with thanks to the producers, John Szabo M.S., Bill Zacharkiw, Anton Potvin, Nadia Fournier, Maja Baltus, Brad Royale, Al Drinkle, Véronique Dalle, Pascal Arsenault, kidnapped American turned adopted Canadian Nicolas “Nicky Ray Beaune” Capron-Manieux, our chaperones and educators, Angelo Peretti and Paola Giagulli. Here are 30 reviews of Bardolino Chiaretto and Chiaretto Valtènesi.

Welcome to the new @chiarettopink on the #Bardolino shores of #lagodigarda #rosato #discoverchiaretto #lefraghe #villacalicantus #leginestre #poggiodellegazie #albinopiona #gentili

Bardolino Chiaretto DOC

Bergamini Bardolino Chiaretto DOC 2016, Veneto, Italy (Winery, WineAlign)

Bergamini is located in Lasize with 13 hectares of vineyards farmed organically but not certified. The Bardolino Chiaretto is corvina of the minimum 70 per cent plus rondinella and molinara. Subjected to a 24 hours soak and it is the combination of location and the full maceration that drifts a bit darker than some, yet with plenty of salty sapidity. The molinara brings the salt. Drink 2017-2019.  Tasted October 2017  bergaminiaziendaagricola  Bergamini Azienda Agricola

#chiaretto @chiarettopink #rosato #bardolino #discoverchiaretto

Cantina Di Custoza Bardolino Chiaretto DOC Biologico Terre in Fiore 2016, Veneto, Italy (Winery, WineAlign)

A gathering of corvina, molinara and rondinella in the simplest Rosato, so similar in profile to the cantina’s whites. Metallic and balmy at the sam time, like citrus salve on a copper pipe. Drink 2017.  Tasted October 2017

Cantina Di Custoza Bardolino Chiaretto Classico DOC 2016, Veneto, Italy (Winery, WineAlign)

Customer’s Chiaretto Classico is the conventional one, also like the cantina’s whites but with more mid-palate weight and overall intensity. This carries some acidity, real, natural or otherwise. Drink 2017-2018. Tasted October 2017

From tbe #bardolino shores of #lagodigarda to Toronto, benvenuti @chiarettopink Rosati to @pizzalibretto … @winerypoggiodellegrazie @tenutalapresa #villabella #lefraghe #gentili #caveg

Cantina Di Negrar Bardolino Chiaretto DOC 2016, Veneto, Italy (Winery, WineAlign)

The cooperative’s Rosato is a full and fleshy one, with a healthy 7.8 g/L of residual sugar after two hours of skin-contact and a compressed version of gentle pressing. This is Rosé from an outfit that makes 1.2 million bottles of Amarone, one tenth of the total production in the area, out of a cooperative made up from 230 members. They produce 300,000 bottles annually (inclusive of the two different Chiaretto), this being the tart one, somewhat saline but more so tangy with the sugar so it’s ultimately sweet and sour Rosé. Would love to have had a bottle or two of this around with Cantonese food in 1975. Drink 2017-2018.  Tasted October 2017  cantina_valpolicella_negrar  @CantinaNegrar  @CantinaValpolicellaNegrar

Cantina Castelnuovo Del Garda Bardolino Chiaretto Classico DOC Ca’ Vegar 2016, Veneto, Italy (Winery, WineAlign)

From vines with some established street cred (10-25 years old) the Ca’ Vegar is Rosato raised on promises and morainic, calcareous-cay soils. It’s a traditional Lago di Garda blend of corvina veronese (80 per cent) with rondinella (15) and molinara. So similar in vein to the Spumante and the Custoza in that it’s faintly herbal, with mild acidity and a rustic, sweet coppery sensation. This is just one of those really inexpensive far from petty wines that taste just fine for the less discerning but who also won’t drink fake and dishonest wine. You could sell the farm to promote and get temporarily rich off of pushing this Chiaretto. She was, a Veneto girl. Drink 2017-2018.  Tasted October 2017  cantinacastelnuovo  @BoscodelGal  Cantina Castelnuovo del Garda

Casaretti Bardolino Chiaretto Classico DOC Rosa Dei Casaretti 2016, Veneto, Italy (Winery, WineAlign)

Classic Rosato from the eastern shore of Lake Garda, composed of corvina (70 per cent), rondinella (20) and molinara. Both colour and impression suggest a somewhat longer bleed though its maintains freshness, lightness and a reserve of attitude. It has some but also more fruit than many other examples, of red berries but not in any over the top way or tangy hyperbole. Pays ode to its reductive side of the Chiaretto tracks. Drink 2017-2018. Tasted October 2017  stefano_rossi  Azienda Agricola Casaretti

Le Fraghe Bardolino Chiaretto DOC Rodòn 2016, Veneto, Italy (Winery, WineAlign)

Chiaretto Rõdon is 80 per cent corvina and 20 rondinella picked at red wine phenolic ripeness and subjected to six hours skin contact, i.e. a quick (50 saignée) and 50 pressed (no maceration) soak. Rõdon means pink (or Rosé in Greek) and Le Fraghe the “wild strawberry” which this so closely resembles. This is a prime example of how screwcap helps to keep freshness because it’s an easy wine (and varietal) to oxidize. This is really sapid, dry, sharp but so beautifully finessed Rosato. If you need to know the present and immediate future of Chiaretto Pink, look no further than this perfectly pure and honest effort from Matilde Poggi. Drink 2017-2019.  Tasted twice, October 2017 and January 2018  #lefraghe  #matildepoggi      Le Fraghe  Matilde Poggi

Matilde Poggi and John Szabo

Le Fraghe Bardolino Chiaretto DOC Rodòn 2017, Veneto, Italy (Winery, WineAlign)

In a stroke of pure Rosé genius and unwavering consistency Le Fraghe’s Matilde Poggi writes the next Chiaretto Pink chapter with this piu salé 2017 Rōdon. It’s both charming in its rusty rusticity and yet also crisp, clean and perfectly tangy. The wild strawberry is faint this early on and still beneath the sweet aromatic compost but by the time late spring comes this will bring all that fragola pleasure and unbridled joy. Rōdon is as good as Rosato gets in all of northern Italy. Drink 2018-2020.  Tasted February 2018  #lefraghe  #matildepoggi      Le Fraghe  Matilde Poggi

Gentili Bardolino Chiaretto DOC 2016, Veneto, Italy (Winery, WineAlign)

Gentili sits above Costermano in the northern part of Lago di Garda, with high altitude vineyards, high sand soils with stone and light clay. The second generation winemaker follows in the footsteps of his father who started in the late 1970’s. “My dream was to select the best vines from the best vineyards.” Bardolino Chiaretto 2016 comes from the same vineyards as the red but not the same grapes. There is a selection here, from corvina, rondinella and molinara (60/30/10). This has the faux sugary, South African chenin blanc styled extract, tannin and personality. Apple and peach skin, somewhat tropical, fresh, vital and then a bite into red apple. A tart, somewhat sweet and crisp apple. Different than some Chiaretto but there is no residual sugar here. In its completely dry state there too is no flint, sulphite or struck notes. Very interesting. Drink 2017-2019. Tasted twice, October 2017 and January 2018  Azienda agricola Gentili

Le Ginestre Bardolino Chiaretto DOC 2016, Veneto, Italy (Winery, WineAlign)

From oenologist Marco Ruffato, here Chiaretto comes from a vintage of low sugars and quiet phenols, but high acidity so expect a specific style that is lean, direct and prompt. A 24-hour soak in tank with no enzymes and then sulphites after fermentation. Mainly (80 per cent) corvina with rondinella and corvinone, all together leaving this at a great pale Rosato. Also with thanks to the Pergola training. So direct, really quite beautiful, on the right side of acidity. Drink 2017-2020.  Tasted October 2017  leginestrewine    Marco Ruffato

The genesis of #tortellini perfect #loveknots so proud to have tasted the care of 58 years from Alceste and Nadia Pasquali #jewellcaskets #borsavallegio

Le Morette Bardolino Chiaretto Classico DOC 2016, Veneto, Italy (Winery, WineAlign)

A typical blend of corvina (55 per cent), rondinella (35) and molinara picked in the production area of Bardolino hence the label “Classico.” You really get the peach skin and ubiquity of strawberry, also with a fresh squeezed lemon, juiced and tart. So very tangy and a sour candy flavour takes to a dry finish. Truly a “made” Rosato in a compressed and reserved style, lean and near-searing. Drink 2017-2018.  Tasted October 2017  lemorettelugana  @Le_Morette  @lemorette.lugana

Il Pignetto Bardolino Chiaretto DOC 2016, Veneto, Italy (Winery, WineAlign)

From a southeastern location on the outer morainic range of Lake Garda, the Morando famiy’s Bardolino Chiaretto is composed of 60 percent corvina, (20) rondinella, (15) molinara and (five) sangiovese. A gentle 12-15 hour soak on the skins promises classic Chiaretto texture and flavour, broad in the mouth, with tons of lemon mixed into red fruit and a decided leesy texture, from some bâttonage. Really easy drinking with good acidity. Drink 2017-2018.  Tasted October 2017  ilpignetto  Cantina Il Pignetto

Silvio Piona

Albino Piona Bardolino Chiaretto DOC 2016, Veneto, Italy (Winery, WineAlign)

Silvio Piona’s Chiaretto is from Custoza, in the south of Lago di Garda, between the lake and the city of Verona, the furthest village south in Bardolino. Albino Piona goes back to 1899 and here 118 years later we find a fine and elegant Rosato, void of power because frankly it never needs it. Fruit and spice, but certainly light, a prodigy by glacial till, some argileux clay and alluvial deposit. A different soil than up where they make Chiaretto on the steps of Monte Baldo. The climate is still the same and heavily influenced by the lake. Piona’s may or not be 100 per cent corvina, which would technically be illegal, so if you read this don’t write about something Albino may or may not have got a way with, the quasi legal Chiaretto. Light and fruity, sapid and fresh, just openly aromatic enough, knock it back Rosato. Drink 2017-2019.  Tasted October 2017  Silvio Piona    Azienda Agricola Albino Piona  Monica Piona

Tenuta La Presa Bardolino Chiaretto DOC Baldovino 2016, Veneto, Italy (Winery, WineAlign)

Baldovino the brand is corvina (70 per cent) with rondinella (20) plus molinara and the Bardolino outlier, sangiovese. Sourced from a twofold terroir, the Caprino Veronese and Località La Presa. Baldovino’s is the palest of the coppery-hued Chiaretto, with more sugar than is perhaps warranted and as so suppresses the inherent saltiness of the parochial appellative spirit. That said the salinity insists on paying heed to some necessary balance and proper personality so in the end this technically sound Rosato points the compass’ arrow straight up the DOC ruler’s median line. Drink 2017-2018.  Tasted October 2017  tenutalapresa    Tenuta La Presa

Poggio Delle Grazie Bardolino Chiaretto DOC 2016, Veneto, Italy (Winery, WineAlign)

Out of Castelnuovo del Garda, Poggio delle Grazie’s is exactly what any doctor would and should order for a Chiaretto prescription. This a very fruity, ripe and balanced Rosato, from the predominant corvina (80 per cent) and rondinella. Raised only in stainless, 12 hours on skins, with the first vintage having been 2014. A very lithe and pretty strawberry blush, with rounder acidity than most, but light and perfectly pleasant. An 8,000 bottle export possibility steal at 4.0 euro ex-cellar. Drink 2017-2019.  Tasted October 2017  poggiodellegrazie  winerypoggiodellegrazie  Poggio delle Grazie – ufficial page  Elisabetta Panetto  Massimo Brutti

Vini Rizzi Bardolino Chiaretto DOC Marco Polo 2016, Veneto, Italy (Winery, WineAlign)

Highly typical Garda blend of corvina, rondinella and molinara from Cantina Seiterre, a group with holdings in Piemonte, Toscana, Valpolicella and here, in Bardolino. Big box Rosato yet full of weight and secondary thoughts. On the darker side of Chiaretto hue but in retention of the light and the salty, at least in terms of citrus and floral aromas, mild berry flavour and approved texture. Drink 2017-2018.  Tasted October 2017  cantina_seiterre    Cantina Seiterre Verona

Cantine Tinazzi Bardolino Chiaretto Doc 2016, Veneto, Italy (Winery, WineAlign)

Tinazzi makes wines in the Veneto and Puglia and the Chiaretto is drawn off of the Valleselle Estate in Bardolino. The blend is 70 per cent corvina, with molinara and rondinella for a straight-ahead fruity and vinous Rosato, tart, the red fruits felt coated by a lactic, yoghurt shell. There’s a semblance to something akin a later harvest Rosé, something that could only happen in the Veneto. Drink 2017-2018.  Tasted October 2017  cantine.tinazzi  @CantineTinazzi  Cantine Tinazzi

Valetti Bardolino Chiaretto Classico DOC 2016, Veneto, Italy (Winery, WineAlign)

Valetti’s Rosato is composed from 70 per cent corvina, 20 rondinella plus the outlier, 10 sangiovese. The faux sugary Rosé sniffed blind could very well be value Cape South African chenin albeit with a rhubarb savoury edge. Yet it has reached a phenolic ripeness which only the Bardolino area can achieve, unlike in Valpolicella where corvina can’t get there from here. It’s the Mediterranean climate and you feel it here. It gets neither more straightforward nor more small village, family tight commercial than this. Textbook Chiaretto. Drink 2017-2018.  Tasted October 2017  valetticantina  @CantinaValetti  Azienda vinicola Valetti Luigi srl

#vignetivillabella #villacordevigo #discoverchiaretto #bardolino #corvina

Villabella Villa Cordevigo Bardolino Chiaretto Classico DOC Biologico 2016, Veneto, Italy (Winery, WineAlign)

Organic Chiaretto from 75 per cent corvina and 25 rondinella, for what Franco Cristoforetti refers to as “the Rosé revolution that started in 2014.” A short maceration/time on skins does the right thing for hue and in extracting citrus and orange from the corvina skins. Here it’s very much more like a white wine produced from red grapes, the only imagination of colour being red fruits, and so the method and the style deliver as much palate replay as any Rosé on the planet. So very not vinous and so far from the oxidized style that was still so very prevalent in the recent past. The difficult 2014 vintage marked the turning point. Picking was accomplished between September 10 and 20. Drink 2017-2018.  Tasted October 2017  vignetivillabella  villacordevigo  @VillaCordevigo  @VignetiVillabella

Villabella Villa Cordevigo Bardolino Chiaretto Classico DOC Heaven Scent 2016, Veneto, Italy (Winery, WineAlign)

Heaven Scent in the words of Franco Cristoforetti offers “the feeling like here was to be in heaven,” speaking of his vineyards and this “place in the sun at Cordevigo. The style is similar to the Bio VillaBella but it thinks more in terms of an international customer, with less acidity and further roundness on the palate. More lemon but a preserved, compressed one and less orange. Still produced from the dominant corvina and the picking times are the same, albeit now in a less structured, milder acidity result. Drink 2017-2018.  Tasted October 2017

Villa Calicantus Bardolino Chiaretto Classico DOC 2015, Veneto, Italy (Agent, $31.95, WineAlign)

Villa Calicantus is the organic, biodynamic, terroir defending, smallest of Bardolino estates passion project of winemaker Daniele Delaini and his natural, vin de garde wines on the moranic hill above Bardolino and Lazise. Higher up than Cavaion, in Calmasino. Delaini also produces a bigger and deeper Rosato called Chiar’Otto but this Classico ’15, though very different than most still adheres to the paler, lighter and cleaner DOC example. Mostly. It’s certainly less of a geek out Rosé but again, like the Otto its methodology is essentially descried to that of a red wine. Young vines of corvina, rondinella, molinara and sangiovese of extremely low Chiaretto yields, native yeasts, five months of ageing in small still wood vats and zero clarification dole out a base, forward and natural blush. This just feels like trouble melting away and like a child comfortable in its alternative skin. A child encouraged and allowed mutual respect and friendship with its parents. For Daniele, sometimes you make the wine and sometimes the wine makes you. Drink 2017-2021.  Tasted October 2017  villacalicantus  thelivingvine    @TheLivingVine  @VillaCalicantus  The Living Vine inc.

Villa Calicantus Chiar’Otto Vino Rosato ADXVI 2016, Veneto, Italy (WineryWineAlign)

Chiar’Otto is Daniele Delaini’s Vino Rosato from a natural fermentation, the name meaning “Big Rosé” as opposed to the smaller, lighter and saline examples directed by the Bardolino Chiaretto DOC. The deferential and apposite qualities in Delaini’s are at the far end of the morainic Garda spectrum, far and away from any other winery in the entire region. It’s oxidative, the natural wine that isn’t, but it spills over in ubiquitary must while acting Garda-funk specific. This is a red wine spoken in a gamay cru way, almost Jura, like trousseau, but it really smells of oranges, red fruit and also the calcareous soil from which it comes. It’s certainly possessive and expressive of these affinities but also a matter of open barrel, overnight fermentation. Otto is the outlier and the pioneer for what the future holds in Rosato off of Bardolino lands. As a red wine of light composition and soil-loyal admonition it’s very good. As a Rosé it requires further understanding and evolution to elevate its game. Drink 2017-2020.  Tasted October 2017  villacalicantus  thelivingvine    @TheLivingVine  @VillaCalicantus  The Living Vine inc.

Daniele Domenico Delaini #villacalicantus welcoming I Canadesi to #levignedeibardolino at #fortedegenfeld

Zeni Bardolino Chiaretto Classico DOC 2016, Veneto, Italy (Winery, WineAlign)

Substantial vine vigour and generous yields of corvina 50 (per cent), rondinella (40) and molinara deliver substance in perfume. It begins with fennel and lemon thyme urged forward by a feeling of sulphur and Saccharomyces. Lean and tart on the palate, simple and easy in dimension. Drink 2017-2018.  Tasted October 2017  zeni1870  @Zeni1870  @zeni1870

Chiaretto Valtènesi

Valtènesi Chiaretto DOC

Cantina la Pergola Valtènesi Chiaretto Classico DOC Riviera Del Garda 2016, Italy (Winery, WineAlign)

The blend is groppello (60 per cent), marzemino (20), barbera (10) and sangiovese (10) in a well extracted and bled, highly flavourful Rosato expressly Chiaretto and decidedly Valtènesi. Even the name suggests something haute in class and couture, for relaxation time, on a shore, in the sun. Ever-bearing strawberry and cherry meet a clay richness smack in the middle where salt and air collide. Drink 2017-2019.  Tasted October 2017  @cantinelapergola

Costaripa Valtènesi Chiaretto DOC Rosamara 2016, Italy (SAQ 11415121 $20.90, WineAlign)

Costaripa’s Valtènesi Chiaretto is the perfect opener to gain a contrastive and apposite feeling from across the lake on this western side of Garda. It is here that Rosato takes on a decidedly Provençal feel. Nicole Vezzola explains. “I feel as much French as I do Lombardian.” Groppello is such a delicate grape and here the percentage is set around 60, with marzemino, plus 10-15 sangiovese and barbera. Costaripa is the only winery fermenting 30 per cent in old barrels before making the blend. “My father (Mattia Vezzola) believes that to make a good Rosé you have to make a blend, of varieties and parcels.” As a grape groppello carries more spice than let’s say, pinot noir, but this is a Rosé matter so the reference point need be cinsault, grenache and mourvèdre, but it’s just a matter of idea that starts and ends there. “The aim we have as Valtènesi is to shift the idea of colour to a structured wine.” It alights with lightness and freshness, then moves to salinity and finesse. Structure is more ideal than reality, or perhaps in Rosamara, just a different state of mind. Drink 2017-2019.  Tasted three times, October 2017  costaripa  nicolevezzola  lenotecadimorenodemarchi  @costaripa  Costaripa

Godello with Nicole Vezzola

Costaripa Valtènesi Chiaretto DOC Molmenti 2013, Italy (Winery, WineAlign)

The Molmenti Chiaretto spent two years in tonneaux and two years in bottle. This is something completely different for Rosé, treated with red wine poise and attention. Same blend as the Rosamara, with the intention to create more structure and ultimately, longevity. The saltiness persists and there is weight, even metallurgy but very little wood-addendum. The lightness of Rosé just doesn’t really attract too much barrel sheathing, perhaps in mild spice and texture, but not in bitters, tannin or any sort of salve. This too because even with two years of barrel time there is no achievement of malolactic, thanks to temperature control but also by virtue of being a low acidity, Mediterranean climate wine. Molmenti is likely a whereabouts that you have never been to before, in so many ways. There are a mere 4,000 bottles for a Rosato in command of 13 euros, cellar price. Drink 2017-2022.  Tasted October 2017  costaripa  nicolevezzola  lenotecadimorenodemarchi  @costaripa  Costaripa

La Guarda Chiaretto Valtènesi DOC 2016, Italy (Winery, WineAlign)

Here Chiaretto exemplifies its position as a most characteristic and typical wine of the west coast of Lake Garda. A few hours of pressing leads to the desired pale, salmon and peach skin colour, replayed in stone fruit aromas mixed with citrus and dried clay. Stainless steel is used to lock in freshness and preserve aromatics. Guarda makes use of the characteristic processing method called “levata di cappello,” litterally to “take of the hat” with their classic blend of groppello, marzemino, barbera and sangiovese from the morainic hills of the Valtènesi. This is one of the more sapid tasting Chiaretto though with a mild mannered acidity. Drink 2017-2019.  Tasted October 2017  @LaGuardadiNegri

Pasini San Giovanni Il Chiaretto Valtènesi DOC 2016, Italy (Winery, WineAlign)

From Raffa di Puegnano (a fraction of the Brescia municipality on Lago di Garda), in contest for a perfect introduction and overview of the area of Valtènesi. Pasini’s is a blend of all four grapes, including sangiovese at less than 10 per cent (but for strength), whereas the groppello is 65 per cent, with the barbera (for acidity) and mazemino (sugar) delivering the overall balance. This organic Rosato is what Paolo Pasini refers to as the “overnight wine,” a child of only a slight vinfication and brief contact with the grape skins at the midnight hour of the first night. Carries the western Garda personality in pocket but with more sulphite-struck rock and iodine saltiness, even a note of hematic plasma. The palate delivers some sugar (4-5 g/L), just up from the bone dry style, not obtrusive but acting with the metallurgy on the nose to tun out more compression and down weighting. Price is 6.65 euro, ex-cellar. Drink 2017-2019.  Tasted October 2017  pasinisangiovanni  @polpasen  @pasinisangiovanni

Pasini San Giovanni Chiaretto Valtènesi DOC Rosagreen 2016, Italy (Winery, WineAlign)

Unlike the classico Chiaretto, the skin-contact is elevated from eight to 24 hours in the Rosagreen. It’s also a switch to varietal, single-vineyard (Soiano) groppello. The groppello can handle the triple contact time without darkening and compressing, remaining in its necessary state, vital and energetic. Not so much the sapid style but plenty of verve plus the elegance and easily achieved balanced by the singular and solo groppello. Conversely dried too, with less than 2 g/L of RS. Just a touch more expensive at 7.10, ex-cellar. Drink 2017-2020.  Tasted October 2017  pasinisangiovanni  @polpasen  @pasinisangiovanni

Scolari Chiaretto Valtènesi DOC 2016, Italy (Winery, WineAlign)

Scolari’s is the thoughtful, intuitive and even philosophical Chiaretto, a matter so gentle, pale and in their words, to “know how to grasp the fleeting moment.” The first and most pristine clusters of groppello, marzemino, barbera and sangiovese are chosen for the production of Chiaretto, into contact brief and subtle then moving to separate the must from the skins. What is fundamental is the sensitivity of the maker, who “must apply technology as art.” Scolari’s begins with salinity and a silky texture, passes by wild berries and then ends with a bitter almond note. It’s textbook and yes, everything is accomplished with a whisper, all things mild, even acidity and then the moment is gone. Drink 2017-2019.  Tasted October 2017   #cantinescolari  Cantine Scolari

Lago di Garda, Torri del Benaco

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