Godello’s 24-hour Nova Scotia revival

Lightfoot & Wolfville estate vines overlooking the Minas Basin

Neither travel fatigue nor Ida on a wet and grey last day of August and first of September could hardly dampen the spirit nor get in the way of a most rewarding and highly educational visit to Nova Scotia wine country. On Thursday the skies looked like an unripe olive as photographed through gauze yet the fabric gifted a palpable feeling of optimism. As Friday progressed the resolute mood took on a confidence in airs. An exchange of ideas and a refreshed positivism rang from Newport to Wolfville, the Blomidon Peninsula, Gaspereau Valley and through permeate points dotting the Minas Basin. Looking back one month later, a persistent study in reflection wonders if the blood of Nova Scotia wines are closer to seawater than its bones are to soil. Considering the growing of grapes so proximate to the immense tidal sways of the Bay of Fundy can weaken or perhaps even profane the recurring thought, as if in fact in the whole of the Annapolis Valley there may be more earth than sea. If that is the answer then what is the question? Ponder this. Can you taste Nova Scotia terroir in the wine?

A rebirth with new blood. Caitlyn McNamara, Erin Carroll, Cat Taylor. Three new faces of Nova Scotia winemaking. Innovators, bringers of new, fresh and forward-thinking ideas to an industry well past the cusp, fully cognizant of and cementing its command of greatness. Arbiters of viticulture and viniculture who have joined the ranks of teams already entrenched and with positions of leadership occupied; Louis Coutinho, Jean-Benoit Deslauriers, Bruce Ewart, Harold Gaudy, Gina Haverstock, Josh Horton, Rachel Lightfoot, Mike Mainguy, Alex Morozov, Simon Rafuse, Jürg Stutz and Ben Swetnam. There are others of course and yet on my most recent east coast swing to the Annapolis Valley there were six visits in total plus two remarkable if isolated wine experiences and meals; first at Heather Rankin’s Obladee Wine Bar in Halifax and then at Chef Geoffrey Hopgood’s Juniper in Wolfville. Add to that an ocean submerging of 300 bottles of sparkling wine and some after the fact assessments of more Nova Scotia bottles. Funny how a 24 hour jaunty through Nova Scotia wine country is the stuff of bagatelles, dear and near to a naturalist’s heartstrings, familiar as family and yet wrought with equalizing, objective professionalism. Please read on for a 2021 update to winery profiles and tasting notes for 40 wines from Nova Scotia.

Related – Consider the Gaspereau Valley

Winemaker Ben Swetnam, Avondale Sky Winery

Avondale Sky Winery, Newport

Andrew and Mary Bennet first planted the vineyard in 1987, in one of the hotter provincial zones. It would have been an old dairy farm, with an original schoolhouse, six old dug wells and the same number of split properties/buildinAvila,gs on the farm. In 2008 they realized the 12.5 acres was a bit much so put it up for sale. They were picky about the buyer and keen to keep it going. Winemaker Ben Swetnam was at Petite Rivière on the South Shore at the time and was hired by Chef Ray Bear, then Avondale sold five months later to Lorraine Vassalo who kept Ben on. They relocated an old hay barn from down the road without water and doors but that first harvest went through beautifully. The Coutinho family bought Avondale Sky Winery and Restaurant at the tail end of November 2019. They lost 95 per cent of their crop to the 2018 frosts. As an example l’acdie’s primary, secondary and tertiary buds all come out at the same time, not exactly frost protection and all hybrids were lost. The original 12.5 acres have turned into 25 which now includes an acre of pinot noir and this coming Spring the plan is to add more, along with pinot gris (as far as cleared land) with a possible five cares uncleared that could be used in the future. Up to 5,000-5,500 total cases at this point. Vineyard manager is Pete Smits and has been at Avondale for five years. The family are all involved; Louis (vineyard), Avila (finance), Sean (hospitality), Karl (CEO) and Jamie (Social Media).

Avondale Sky Winery

Avondale Sky Winery Gamay Pet Nat 2019, Nova Scotia ($50)

From a grower (Andre Dant’emont) in Mahoney Bay who has a small amount (he sold winemaker Ben Swetnam 96 kilos) with the intention of making a red from whole cluster and a gentle mash. Swetnam instead decided to “let this happen” because it just smelled clean. An as it happens sparkling pet-nat with just the right amount of lees, and a quick three day riddle so that it wouldn’t explode as Rosé P-N is want to be a little jumpy. Bloody delicious, as juicy and forthright as could possibly be. Bottled on November 18th, 2019, only 23 bottles made, from grapes brought in November 2nd and 3rd. Showing with vigour, intendment and kept determination. Drink 2021-2023.  Tasted August 2021

Avondale Sky Winery Méthode Traditionelle Blanc De Noir 2013, Nova Scotia ($75)

While Ben Swetnam had wanted to dabble in sparkling going back to 2009 he can thank everyone in the Nova Scotia industry for showing him the ropes. That includes Gina Haverstock at Gaspereau, Bruce Ewart at L’Acadie, Simon Rafuse at Blomidon, Jean-Benoit Deslauriers at Benjamin Bridge and others. The 2011 would have been the first vintage of pinot noir production with the intent of making sparkling wine, of hot to cool years and all others in between. Dijon clones and a warmer edge of a ’13 season, a riper style but brought in at classic sparkling numbers, acids 11-12.5 and brix 17-19, picking in the third week of October. An early vintage. Intensity meets richness halfway there, fruit flavours are exceptional, just shy of eight years on lees, disgorged three months ago. “For the pinot I always wanted to do a minimum five years and the acidity was always there,” tells Ben. “The tertiary qualities were not out yet so the pause every six months kept the decisions at bay.” Got this apricot chanterelle fungi character, mousse and bubble are really in tact, dosage is 7.5 g/L almost fully hidden by that Nova Scotia acidity. There is something about this sight that maintains higher acidity levels while sugars rise but as an example perhaps it’s the gypsum based soil underneath the whole vineyard, or the tidal rivers and the specific diurnal fluctuations, cooler at night and “it’s something we can always rely on, in every year, that backbone of acidity.” So very Nova Scotia. Usually 500 bottles produced per year. Drink 2021-2027.  Tasted August 2021

Avondale Sky Winery Méthode Traditionelle L’Acadie 2015, Nova Scotia ($55)

A first attempt at l’acadie (with 86 per cent estate) and because there was no pinot noir available at the time there is instead some frontenac blanc by a grower in Truro (grown in a gravel parking lot). It lends some (lol) acidity (21 g/L) but it’s almost all tartaric, meaning you can lose much of it during cold stabilization, which incidentally may have been lacking (hard to believe) while the fruit essentially came in at 19-21 brix. L’Acadie comes in around 18-18.5 brix with acid 10-10.5, so much less bracing than what reputation may proceed it. In fact it can be flabby if harvested late and happens to act the part of texture grape for Tidal Bay. May be revelatory to think this way but it is the least of the bunch. About five years on lees, disgorged this winter, 10.5 g/L of RS, mineral push, now out of the searing and into developing secondary moments, petrol to mild caramelization. Only 300 bottles disgorged, more citrus, a touch of pith, fine bitters, botanical, orange scrape, length, striking. Hair raising though never a scare. Drink 2021-2025.  Tasted August 2021

Avondale Sky Benediction 2017, Nova Scotia ($35)

“Our cheap and cheerful bubble as you will find here,” targeting 18 months on lees, with the idea being geisenheim fruit and higher dosage (20 g/L) to balance out geisenheim’s acidity. Smells like geisenheim alright, star fruit to the edge of elderflower, picked 17-18 brix, before the cabbage and burnt orange but with the fresh citrus well intact. The bliss (stalled ferment geisenheim) is employed for more green apple and grapey notes. More dried herbs here, fennel and a touch of anise. All works really well together. Surely one of the more consistent sparkling wines and ’17 may be a more linear, shall we say “classic,” unmeshed, non messed with or plussed vintage. So drinkable with great and sweet acids. Drink 2021-2023.  Tasted August 2021

Avondale Sky Winery Riesling Small Lot NV, Nova Scotia ($25)

“A rescue wine,” blending re-fermented 2018 fruit with 2019 and “the wine is better as a blend than either one would have been on their own.” Super biased towards the Mosel (Ben Swetnam worked at St. Urbans-Hof in 2005) and so a riesling to prove that terroir does indeed exist. A child of stalled ferments, sugar kept naturally. Almost entirely Warner Vineyards fruit, down in the valley, been working with them since 2012. The sugar level is higher than imagined, upwards of 26 g/L (the ’18 fruit was at 38 and the ’19 part 40 and part fully dry). A better methodology to keep aromatics and shy away from vinous qualities. Also in avoidance of dilution, here the concentration and texture are in upright rise and uprising. Citrus prominence and at the lower end of the phenolic spectrum. Terrific work. Drink 2022-2026.  Tasted August 2021

Avondale Sky Tidal Bay 2020, Nova Scotia ($23)

A blend of l’acadie, vidal, frontenac blanc, geisenheim and muscat. The plan is “don’t screw it up, stick to your guns” and stay consistent. Even in frost destroying 2018 there was no non-Nova Scotia grapes allowed. Each winery has their own style and Avondale Sky’s is on the sweeter, stalled ferment part of the spectrum, keeping balance with the searing acids, finishing at 16-17 g/L of residual sugar, centring around fruit. So citrus, with plenty of juiced orange. Sweet and sassy, tart with a faux botrytis sauvignon character managed by riesling like acidity. Quite complex for Tidal Bay, sweet yet classy. Look beyond seafood for this, in particular hot and spicy. Hot wings and south asian dhosa, as examples. First made in 2010, first official vintage was 2011. Drink 2021-2023. Tasted August 2021

JB and Morozov, Benjamin Bridge

Related – Crush on Benjamin Bridge

Benjamin Bridge, Wolfville

From the name of the bridge that crosses the Gaspereau Valley and pays tribute to the Benjamin family who dammed up the river to become the first industrialists here. Sparkling wine specialist, unquestioned leader and now moving into uncharted territory but also deep waters. Watch these videos to learn more about the 2011 Blanc de Noirs that was “dunked into the sea to age and drift with the tides to test the effects of underwater ageing on sparkling.”

Each bottle has been carefully wrapped so as not to disturb the Bryozoa and sediments. The project was inspired by recovered Champagne on shipwrecks on the ocean floor and the fun daydreaming ways through the inquiring minds of Alex Morozov and Maxime Daigle. After a year at sea, though ice and snow, this wine is finally surfacing. But there’s more in the works at Benjamin Bridge, including newest member of the winemaking team Erin Carroll’s “Gamay Col Fondo,” a hybrid concept in ancient meets futuristic sparkling wine. The fun never ends at the Bridge, nor does the excitement.

Benjamin Bridge Méthode Classique Brut Rosé 2017, Nova Scotia ($49.95)

One of the first wines to come to the surface with Pascal Agrapart’s involvement with winemakers Jean-Benoit Deslauriers and Alex Morozov. When tasted the sentiment was that this particular vintage of this very particular sparkling wine was not yet there yet in terms of readiness or rather publicizing but truth be told, never have texture and acids come together as one in a BB Rosé. Crunch and chew, riff and rise, bellow and beauty, all despite the spiralling zeitgeist that underscores its urgency. Drink 2022-2027.  Tasted August 2021

Benjamin Bridge Gamay Col Fondo Handcrafted Small Lot 2020, Nova Scotia ($49.95)

A hybrid concept, between Ancestrale and Traditional Method sparkling wine, driven by experimentation, constant reassessment of a varietal progression and the new injection of intelligence through the focused lens of assistant winemaker Erin Carroll. Though the term is normally associated with Prosecco there is really no reference point as such, not with gamay and certainly not the way the BB team approaches their work. Such gamay-ness glaring, vivid and concentrated never graced a glass, not before nor likely any time soon. Refosco meets Lambrusco and a quasi Valpolicella rifermermentato in bottiglia futuristic sentimentality. Despite the Nova Scotia acid structure that hangs in the balance it should be considered that Carroll’s Col Fondo is not likely to allow objectivity to nudge itself off of the pillar of its own perspective. Drink 2021-2024.  Tasted August 2021

Benjamin Bridge Méthode Classique Brut 2016, Nova Scotia ($45.00)

Perfect conditions, “an Olympic year.” The most tightly wound toast, the year that acidity through the roof while in control will bring the dosage down, from 8.5 to 2.6 g/L. At the most. And so Brut Reserve will be Brut zero. The epiphany, or at least the latest epiphany is upon Alex Morozov and Jean-Benoit Deslauriers. No longer the project incarnate, defined, teachable house style. Now the realization of a prophecy from words spoken three years ago by Deslauriers, then echoing in your head, now coming to idealistic fruition. “With the possibility of absolute transcendency.” Back then it was a matter of eventuality. Today it is the truth. This may not turn out to be the finest Brut made by the team in the new era but it sets a course for a neoteric sparkling wizardry shore, where climate, acids, vines, sugars and controlled emotion all meet to advocate in realization of their necessary dynamic. Drink 2022-2027.  Tasted August 2021

Winemaker Simon Rafuse, Blomidon Estate

Blomidon Estate Winery, Canning

Blomidon Estate Winery is set on the western pastoral shelf of a shore overlooking the the Minas Basin in Nova Scotia’s Annapolis Valley. Perhaps the most intimate of all the seaside settings there is a sense of singularity in the milieu and atmospheric conditions on this side of the basin’s shores edging northerly up the Blomidon Peninsula. Surely a sparkling wine specialist but also a champion of chardonnay both in still and sparkling forms. Co-owner Tim Ramey purchased the property in 2007 and Simon Rafuse is the Winemaker alongside Harold Gaudy, the viticulturist.

Blomidon Estate Winery Crémant NV, Nova Scotia ($28)

Disgorged March of 2021, based on the 2019 harvest, bottled in early 2020. Three grapes, approx 60-20-20, seyval blanc, l’acadie and chardonnay. Moving up in pressure and therefore a new sweet spot, up to 5.5 bars of pressure, at 14-16 g/L RS, with more texture. This is the balanced spot, with seyval’s acidity equalizing into citrus and tree (peach) fruit. Tart and full on tang, fulsome and a healthy dose of fruit, so late in ripening, old school Nova Scotia. If too old school so be it because longevity and slow development is everything. Easy to drink and yet pointed, poignant even. Drink 2021-2025.  Tasted August 2021

Blomidon Estate Winery Cuvée L’Acadie Brut Méthode Traditionelle, Nova Scotia ($39.95)

A 100 per cent estate l’acadie disgorged in March 2020, approx. 65-70 per cent 2017 with 2016 and a splash of 2015, 2,500 bottles caged in August 2018. Dosage is 6 g/L, very Brut, dry as the desert and not just because of a concept in which l’acadie is an acid king, because in fact it can be quite the opposite. A phenolic sparkler, picked early (first in fact) and therefore a self-starter, enthusiastic, cranking and varietally zealous. There will be 24 cases coming to VINTAGES in mid-September. Drink 2021-2025.  Tasted August 2021

Charcuterie, Obladee Wine Bar, Halifax

Blomidon Estate Winery Brut Réserve Méthode Traditionelle 2014, Nova Scotia ($45.00)

A 100 per cent estate chardonnay picked relatively early (21st of October), having seen no malolactic fermentation and six years on the lees. Feels like this has moved into both secondary and tertiary character, that and so much deeper engagement with structure. Disgorged in the spring of 2020 then held for eight months before release. This to get new reactions past dosage (that was 6.5 g/L). The mushroom notes and other evolutionary gains are vintage driven and the lemon crème brûlée meets Nova Scotia finish is bridged by orchard fruits as creamy as they are striking. Toasty dichotomous bubbles of the extraordinary kind. Drink 2021-2025.  Tasted August 2021

Blomidon Estate Winery Méthode Traditionelle Woodside Road Vineyard 2015, Nova Scotia ($45.00)

The second iteration, disgorged on August 31st, no malo, 7 g/L dosage, picked on the 20th of October. Made from 70 per cent chardonnay, (20) pinot noir, (5) meunier and splashes of pinot gris plus blanc. Base wines were bottled late summer 2016 and so now five years and a bit of lees aging. The pinot brings much ado in small quantity. The aromatics are temporarily not quite integrated, the gas is working the room and in due course all will come back together. Complex, graphing a new Minas course, small lot, 50 cases or so. Drink 2022-2027.  Tasted August 2021

Shrimp Cocktail at Juniper, Wolfville

Blomidon Estate Winery Méthode Traditionelle Blanc De Noirs 2016, Nova Scotia ($45.00)

Give or take 76 per cent pinot noir and 24 meunier, a similar vintage to 2015 (though a touch warmer) and here picked on the 17th of November. Almost all from Woodside Vineyard and some meunier off of the Blomidon estate vines, no longer here. Disgorged today, yes today and my oh my the potential here elevates to a very high ceiling. Just under 6 g/L RS so exactly extra brut, really primary but with the dosage that will arrive before you know it. The pinot delivers more fruit than the chardonnay, perhaps a counterintuitive concept but that’s Nova Scotia. And every vintage will flip the head and make you think again. Small lot, 50 cases or so. Searing succulence, a structural richness and transformative beyond the complex, curious and interesting. Assiduous if conceited blanc de noirs, pejorative to chardonnay, entangled inside enigma, mystery and riddle. Literally. Drink 2022-2027.  Tasted August 2021

Jürg Stutz, Winemaker at Domaine de Grand Pré

Related – East coast swing 2015: Time, tides and wine

Domaine De Grand Pré, Grand Pré

Domaine De Grand Pré has recently celebrated 20 years of erudite work leading the Nova Scotia wine industry. As for riesling, well the work of Jürg Stutz speaks for itself and now in sparkling the game is on. A visit is well worth the tasting, local knowledge and great gastronomy of Chef Jason Lynch.

Domaine De Grand Pré Riesling Extra Dry Traditional Method NV, Nova Scotia ($44.50)

A blend of 2019 and (more) 2018 fruit reviewed by the traditional method and 12 months of lees aging, finishing at 18 g/L dosage of RS. Just released one month ago, the first such sparkling wine at Grand Pré. The ’18 juices at low pH and high acidity was adjusted by the ’19s, then sent back to bottle for an additional 12 months. Sometimes not acting with pragmatic immediacy turns into something special and complex. A matter of adjustments and not the ripest ’18 grapes but here the combination of autolysis and phenolics goes beyond acidity. Three thousand bottles of great energy in the wine, green apple bite and that phenolic rush. Very singular, even for Nova Scotia sparkling. Drink 2021-2023.  Tasted September 2021

Domaine De Grand Pré Riesling 2020, Nova Scotia ($22.50)

Harvested Oct. 23rd at 18.3 brix, a pH of 3.05, with total acidity at 10.4, no malo and 18 g/L of RS. Picking can be the first week of November but 2020 saw picking towards the later stages of October. A wine without changes, a Grand Pré way stuck to, given extra care, in vinifera extra work put in, with cluster thinning and battling all the disease pressure grapes are likely to meet in this climate. Vinous riesling, fermented through with adding back sugar in a complex, layered and Mosel like riesling. Really balanced and perfect with subtly spiced cuisine. Will improve with two to three years of age. Drink 2021-2024.  Tasted September 2021

Domaine De Grand Pré Tidal Bay 2020, Nova Scotia ($22.00)

In 2020 a blend of mainly l’acadie (44 per cent), with vidal (20), ortega (16), muscat (12) and seyval (8). TA is 8.6 g/L; RS 12 g/L; 11 per cent alc./vol. Certainly one of the most aromatic of all Tidal Bays, fruit spread across yellow, white and green spectrums, flowers too. Really pushes the appellative concept, ties the room together, bedroom, living space and community. Plums and oranges, apricots, peached and green apples. All the fruits, all in full regale and blossoms in bloom. The most fruit adjustment of all. The next (2021) will be labelled Annapolis Valley. Drink 2021-2023.  Tasted September 2021

Domaine De Grand Pré Chardonnay 2020, Annapolis Valley, Nova Scotia ($35.00)

Second vintage from young Melanson Vineyard vines (planted in 2017), low yielding, definitely a work in progress. Harvested Oct. 16t at 20 brix, barrel fermented in new French oak, passed through malo and remained there for nine months altogether. Only two barrels were gained of this flinty, sulphide felt, clearly reductive style but also one that is explicitly Nova Scotia. The pH is 3.11, the tA 9.4. Some of this fruit will go to sparkling and it’s really quite a special vineyard (Melanson) that sits across the river in the Gaspereau Valley across from L’Acadie Vineyards. This will morph and flesh, placate the over-cumbersome wood at present and then settle in. Work in progress as mentioned. The vineyard is also planted to some pinot noir and cabernet franc. Drink 2021-2023.  Tasted September 2021

Domaine De Grand Pré Millot 2017, Nova Scotia ($28.50)

One hundred per cent Leon Millot in American oak for two years. Was already planted when the Stutz family arrived, along with Marechal Foch. A lighter red here, lending itself to barrel aging, green when fresh and urged on to fleshy substance with two or three years of barrel put behind. A warm vintage and a remarkable brightness having emerged with gamay-like tang and circumstance. Very cherry, almost black but short of that darker hue-flavour profile. The least musky and foxy of hybrid reds. Really well made. Drink 2021-2024.  Tasted September 2021

Domaine De Grand Pré 20 By Domaine De Grand Pré, Nova Scotia ($28.50)

A one-off, three part blend of cabernet foch (40 per cent) with equal (30) parts marquette and marechal foch, released to celebrate the winery’s 20th anniversary. Mainly from the hot 2016 vintage (70 per cent) with some warm 2017 mixed in. Again in American oak, most for two years, some even longer. Layered with some further musk this time, skins of dark red fruits and a forest floor component. A bit of tar and so much tang. More chalky texture and chew but still good balance. Was recently pulled off the shelf because only 20 cases remained. Drink 2021-2023.  Tasted September 2021

Bruce Ewart, L’Acadie Vineyards

L’Acadie Vineyards, Wolfville

Bruce Ewart hired a viticultural manager and performed a three year terroir study on his vineyards in collaboration with three other wineries (Benjamin Bridge, Domaine de Grand Pré and Lightfoot & Wolfville). The study was assembled by the department of agriculture, or rather it was part of a program informally known as “farm extension,” services provided by Perennia on behalf of the Nova Scotia Department of Agriculture. The idea was to get a good representation of the Nova Scotia wine industry. Rodrigo Layette who is Directeur Général de trois domaines (a Bordeaux viticultural consultant) dug test holes to look at the schist and sandstone. They found roots were three feet deep and like children and if you give them everything they want (like soft clay and loam) they will stay near the surface where the water is. If they have to work for the nutrients they will dig deeper and find the trace elements and minerals. Ewart also converted to Clover and Timothy employed as ground cover, part of the organic practice and to till only occasionally. The use of compost and horsetail teas, humus, etc. Caitlin McNamara is the vineyard manager and she did her degree at the university (Acadia), of which Bruce is half the faculty. “We used to employ organic chicken manure and the study determined this was no longer necessary. L’Acadie wanted to find a non-biodynamic organization.” They found Biocyclic Vegan (from Germany) whose concept is farming without any form of animal or animal product, opposite or rather apposite to biodynamism. This year (2021) they will become certified and from 2021 onwards their bottles will wear the certification. L’Acadie Vineyards will be the first in North America to gain this status.

L’Acadie Vineyards Pétillant Naturel Méthode Ancestrale 2020, Nova Scotia ($29.00)

This is the story of Saccharomyces paradoxus. Wild yeast present in the vineyard, naturally, like pre-packaged enzymatic magic ready and prepared to give a Pétillant Naturel its head start. Bruce Ewart explains they know this from analyses of the lees and his Pet-Nat acts as a conduit for microbial terroir, with no inputs showing itself off. Whole cluster pressed with no skin contact, a light disgorgement, no residual sugar, bottled just at dryness. Subtly orange, lithely citric, a marriage of acidities, tremendous flavour development and amazingly so considering the grapes are picked at sparkling time, four weeks ahead of when the l’acadie is picked for the still bottling. Drink 2021-2024.  Tasted September 2021

L’Acadie Vineyards Prestige Brut Estate Méthode Traditionelle 2014, Nova Scotia ($50.00)

Was embargoed until September 9th after having just received the Lieutenant Governor Award. Has evolved into a seriously toasted arena, gone long with lees contact, looking for peaceful co-existence between yeast autolysis and the fruit of the wine. “You don’t want conflict, you want that harmony, tells Bruce Ewart.” Disgorged January 2021 and so spent more than the minimum five years on lees. An insignificant dosage (more than most of these wines). Bruce’s program goes at it in terms of two and five year aging and he believes that while Nova Scotia can do ten or more there is only a minor incremental increase in complexity by doing so. This at six-plus has hit such a sweet spot, still in retention of currant and white/red berry fruit but also low and slow golden, tanned and long as an August afternoon Gaspereau shadow. Drink 2021-2026.  Tasted September 2021

Tuna, Obladee Wine Bar, Halifax

L’Acadie Vineyards Joie De Vivre Charmat Method 2019, Nova Scotia ($28.00)

From a project that began three years ago, with vessels from Northern Italy, wines rested in tank during the pandemic, made from l’acadie (85 per cent) and (15) seyval blanc. “An earlier release, fruity sparkling for the market.” Held at 0-2 degrees celsius. The tanks arrived in early May and this was bottled last week. From the later picked l’acadie, fuller of tree fruit and lower in acidity. Low dosage for the style at 8 g/L and lithe at 11.1 per cent alcohol. Peach and apricot in a moscato d’asti vein, albeit higher of alcohol, mingling with yeasty col fondo, though crystal clean. Simple and satisfying. Delightful. Drink 2021-2023.  Tasted September 2021

L’Acadie Vineyards Vintage Cuvée Méthode Traditionelle 2018, Nova Scotia ($35.00)

From the frost year (June 5th), a blend of l’acadie and seyval blanc in a sparkling wine that shows the formers’s resilience, having raced out to meet bloom, veraison and harvest dates. In a 30 per cent crop but vines that bounced back the following year for a full yield out of harvest. A wine that meets the LV twain, somewhere between the fruit first sparklers and those of the longest tirage. The length of this is more than surprisingly impressive from a wine that looks for a new slate in every vintage. A wine of trials, investigations and experiments. Not at the toast ceiling but consistently malolactic and in that 8-12 g/L dosage. Truly a Brut style and middle of the road in the most complimentary way. Drink 2022-2026.  Tasted September 2021

L’Acadie Vineyards Tidal Bay 2020, Nova Scotia ($24.00)

Bruce Ewart’s first Tidal Bay, now being a part of the committee that holds a new standard to protect Nova Scotia wines from artificial carbonation. Here a combination of the two grape varieties where the hat is hung upon, they being l’acadie and seyval blanc. “My take on Tidal Bay is dry, even at five or ten g/L of RS it is not really our market.” Many are going dry and while there is stone fruit and white citrus this is truly a TB of mineral push and salty Fundy air. Just tastes like the vineyard so clearly showing off as a terroir based wine. Nova Scotia, part of a common thread but pretty specific to here. Drink 2021-2022.  Tasted September 2021

Cat Taylor, Rachel Lightfoot and Godello

Related – The future is now for Lightfoot and Wolfville Vineyards

Lightfoot & Wolfville Vineyards, Wolfville

When I first arrived on the shores of the Minas Basin in 2013 to begin a near decade long (by now) immersion into the Nova Scotia wine industry it was Mike Lightfoot that I first came to know. With thanks to consulting oenologist Peter Gamble I spent a great chunk of time with the Lightfoots and their exciting new Wolfville project. My how things have changed, evolved, progressed and come to this astonishing point.

There is the home vineyard, Raven Hill across the road and what may just be the valley’s most important knoll in a vineyard at Avonport. Along with the most precocious work being executed by winemaker Josh Horton, Rachel Lightfoot and now with the addition of Assistant Winemaker Cat Taylor. Cat came from Toronto in logistics (Unilever) for 10 years, went to New York, then to wine school in France. She staged with Zind-Humbrecht alongside Biodynamic guru Olivier Humbrecht in 2016, worked at Tawse in Ontario with Paul Pender in 2017, then arrived here to Lightfoot & Wolfville in 2018. A biodynamic journey and now she is responsible for implementing the biodynamic aspect of the farming. “Using what’s on the farm around you,” Taylor notes, “seeing what the books say and what your farm says. It took me a while to get used to Nova Scotia acidity, I’m now much more comfortable with it.” Cat also brought in foudres from Alsace with thanks to Olivier Humbrecht. If around the time Cat Taylor arrived in Wolfville coincided with The future being now for Lightfoot and Wolfville Vineyards, well then that future is now the present.

The tasting line-up at Lightfoot & Wolfville

Lightfoot & Wolfville Blanc De Blancs Extra Brut 2014, Nova Scotia ($75.00)

From a specific lower-cropped section of the home farm vineyard and an early 2019 disgorgement so an additional year on its lees, rounding it out just a hair further. Still the ripeness and added creamy character, engaging a new complexity by way of fruit fleshiness and crisp exterior crunches. This is the window, open, acclimatized and staid through a holding pattern of complex energies.  Last tasted September 2021

Disgorged just now. Looking for a late spring release. Built on 100 per cent clone 95 and 96 estate fruit, on its lees almost 50 months. This carries the most texture meeting energy piqued by pungency. The story is now beginning to truly set in with formative consistency. The lemon curd is swirled with bits of zest for a salty citrus intensity not yet known from this chardonnay. Was picked a bit riper and that’s quite obvious, plus some new play time with malo. Needs nine or ten more months of integration for the moving parts of tension and density to come together. Yet another Nova Scotia sparkling wine to inform us all. This must be the place and the sky is the limit. Drink 2019-2026.  Tasted October 2018

Lobster Gnocchi at Juniper, Wolfville

Lightfoot & Wolfville Blanc De Blanc Brut 2015, Annapolis Valley ($45.00)

From all three blocks of the home vineyard, 100 per cent chardonnay, classic line, part tank and part barrel, an extra year in barrel. Disgorged in February 2020, still only at 15 per cent malolactic, soon to become near 100 per cent in 2017. In these early-ish sparkling wine program days there was worry about how high to go with malic conversions and with so much acidity to play with these things were not yet known. Less tension, more cream, 15 g/L in RS as compared to 4 g/L in the Extra Brut. Still a toasted element and at 50-plus months of lees contact this is just shy of that perfect window. Some tropical fruit joins tree peach and pure yellow citrus, all following the brushy herbs. Drink 2021-2024.  Tasted September 2021

Lightfoot & Wolfville Brut Rosé 2019, Annapolis Valley ($45.00)

Made from 100 per cent pinot noir off of the certified organic, third year Raven Hill Vineyard fruit across the road from the winery. Full malolactic fermentation and a wine that needed a few more months of time before disgorgement. Also to step away and allow the wine to say what it wants to say. After all it’s a wine made with red fruit, of more pulp and circumstance, fruit substance in waves and surely a great season following and in spite of the challenging 2018. Who would not be wooed, pleased and gainfully satisfied by a glass of this class, craft and equanimous Rosé? Methinks no one paying any attention. A gorgeous wine that shows off the L & W ability for shortening the wait times on enjoyment for their ever maturing, evolving and appetizing sparkling wines. Drink 2021-2026.  Tasted September 2021

Lightfoot & Wolfville Small Lots Oak Island Vineyard Sparkling Chenin Blanc 2016, Annapolis Valley ($55.00)

In 2016 the one acre Oak Island Vineyard crop was split between this sparkling wine and the (still) barrel-fermented chenin blanc. The wine has progressed with slow haste, still tense and exited while in exemplary control. Driving forward with rhythmic dance step, forward and sideways but also times always gaining.  Last tasted September 2021

I tasted this unfinished wine in the Oak Island Vineyard back in November 2018 and I remember at the time Mike Lightfoot saying “out goes the muscat, in goes the chardonnay.” Truth is, in goes the chenin blanc as well. To say the grape variety is suitable to Nova Scotia sparkling would be a gross understatement. What it delivers is the expected tight and bracing local acidity but with longer hang time also the potential to accept a lees-aging development for downy to fluffy texture. Mousse without compromise to emotion and ardor. As with the L & W Blanc De Blanc Brut there is some white lightning by direct sunlight extended and mixed into weeks of cloud cover for a full east coast sparkling wine experience. Phenolics, acidities and specificity of flavours. Ideal now with a foreshadowing towards the memorable, three to four years ahead. Drink 2021-2025.  Tasted February 2021

Lightfoot & Wolfville Ancienne Oak Island Vineyard Chenin Blanc 2017, Annapolis Valley ($39.00)

In a most interesting phase, not dumb but reserved, needing some coaxing. Shows off the 2017 structure, long-lasting and ever-bearing. Or vice versa. Spent 18 months in neutral French oak (three barrels full) and a vintage meant for still wines, not necessarily for sparkling. Hung really long, picked in early November and finishing at a remarkable 23-plus brix. Tough mudder this variety (on California rootstock) set into Nova Scotia soils. An Avonport, Oak Island child, one acre in an open place to the elements and elements there almost always are. Richness, fulsome character and textural gains are possible, even if there could have been no way to know it. A beautiful fall, especially October led to the hang, develop and creation of minutia facets of this wine. A one off perhaps but also the future.  Last tasted September 2021

The Oak Island hill in Avonport is Nova Scotia’s “mini Corton,” a vineyard unlike any other in surround of The Bay of Fundy’s Minas Basin. Lightfoot & Wolfville planted many engaging varieties on that convex mound through the course of the last decade and chenin blanc is just now coming into fruition. It was October of 2018 when I last walked it with winemaker Josh Horton, Mike and Rachel Lightfoot. The purpose that day was to sample the chenin projects, still and sparkling, while also tasting grapes just a couple of weeks away from picking. While still from young vines this 2017 shows great charm, a curious varietal precociousness and calling it a quick study speaks to the land and the choice of plantation. Aromatically sits in a tirage de liqueur place, prominent and demanding. Acids are Oak Knoll special, lifted and crunchy. High ceiling relationship between varietal and place is in the books, this being just the new beginning. Drink 2021-2024.  Tasted February 2021

Lightfoot & Wolfville Gamay Noir Terroir Series 2020, Annapolis Valley ($30)

From a block just now coming into its own, on the far end of the Oak Island, Avonport Vineyard, planted in 2013 and 2014. The first vintage was 2018 though this is the fullest of the three and the question begs, is gamay perfect for Nova Scotia? Some neutral oak was incorporated because of increased ripeness, though just for a few months. Freshness of course but also a marine funk that speaks to food pairing possibilities. Lovely musk that talks of the grape and also other fruit skins. Very primary, delightful, floral and as Rachel Lightfoot says, “weirdly popular.” As it should be. Drink 2021-2023.  Tasted September 2021

Lightfoot & Wolfville Ancienne Wild Ferment Pinot Noir 2018, Annapolis Valley ($45)

Despite the early frost of 2018 (June 5th) the pinot noir was unaffected, even at the Oak Island site where other (earlier developing) varieties were hit. The rest of the season was beautiful and with today being a spice day (or earth if you prefer) the sandalwood, fenugreek, cinnamon and cardamom all come through. Such a seep of tea, red tea that is, not quite rooibos but more floral, into hibiscus without any doubt. A wine of oscillations and grooves, sensitive, emotive, ever changing. That said the mood is more than good at this stage, an intuitive and responsive, paying attention and ranging to so many edges, corners and plateaus. Already secondary, perhaps empathetic in speaking about other vines’ suffering and expressive of beauty for all. Almost as if the pinot noir is saying I’ll take all the attention right now while the rest of you get healthy. 3,000 bottles made, approximately. Drink 2022-2027.  Tasted September 2021

Lightfoot & Wolfville Kékfrankos 2018, Annapolis Valley ($30)

A near-finished product but still needing the final touches after nine months in mostly older wood. Well hello there Kék, welcome to the world. Structured like nothing that came previous and floral off the charts. Still so youthful in exuberance and yet to settle in, the richness and caky barrel notes still very much in charge. Oh my the sweetness of fruit, so ripe, full on tang, tannins a bit lowered but so much richesse. Vinous and primary, expressive and working through the gears of its journey. Drink 2022-2025.  Tasted September 2021

Rachel Lightfoot and Cat Taylor

Lightfoot & Wolfville Ancienne Chardonnay 2018, Annapolis Valley ($56.95)

Frost year for the valley but again an escape by the vines at Lightfoot & Wolfville with thanks to the tidal influence to keep the chardonnay vines happy, healthy and secure. So much fruit and warm summer sunshine, a glade bathed in light and a luminescence rarely found in chardonnay. Consistent L & W elévage, increasingly into puncheons and away from 225L barriques. You can never forget and not remember what chardonnay has done for L & W, while now the richness and restraint work in optimized tandem. Less reductive than previous incantations, with new and improved connotations, consistencies and harmonic sway. Also a matter of vintage and cooperage. Stability is the key to being great. Drink 2022-2026.  Tasted September 2021

Lightfoot & Wolfville Riesling 2020, Annapolis Valley ($30)

A not quite finished wine but so very close, raised in foudres, lighter in oak impact as compared to what might happen in smaller barrel. Hard not to imagine an Alsace-Zind Humbrecht idealistic connection, long-pressed and slowly done, a 10-12 hour cycle without compromising the pH. That’s because you get plenty before it trickles in at the end of the cycle. Full malo as well, a few grams of sugar and definitely a lemon curd, perhaps but not in a Windsbuhl manner. Just enough crunch but to be fair the texture is more emulsified than in any other way. Gonna be a stunner. Drink 2022-2027.  Tasted September 2021

Lightfoot & Wolfville Tidal Bay 2020, Annapolis Valley ($30)

Tidal Bay’s mix in 2020 is 50 per cent l’acadie with an almost equal amount of geisenheim and chardonnay. In a tree fruit moment, in apples and pears with citrus in the background. Sugar in the 12 g/L area and trying for drier, with higher toned fruit due to the pressing on l’acadie’s skins. Over time the sugars are less important, especially as compared to the wine in its extreme youth. This is the Tidal Bay for all and all will love what it brings to the appellative table. Drink 2021-2023.  Tasted September 2021

Lightfoot & Wolfville Terroir Series Scheurebe 2020, Annapolis Valley ($30)

Skipped in 2018 due to the hurricane’s fall effect and now here back in 2020. Not merely a classic varietal vintage but an exaggerated one, in harmony and open to any and all benefactors. A benevolent and philanthropic scheurebe, a touch drier than before, toned back in the range of 10-12 g/L of sugar, along with the matching decreased acidity. Stays focused and balanced throughout. So much stone orchard fruit unrelenting and with feeling. Passion fruit as well, open-knit, expressive and very giving. Drink 2022-2027.  Tasted September 2021

Luckett Vineyards, Wolfville

While I did not visit with winemaker Mike Mainguy on this trip I did have the pleasure of tasting through some of his essentials. These are three that stand out as wholly representative of Luckett’s increasingly focused varietal persona.

Luckett Vineyards Rosetta Rosé 2019 ($20)

The plan has been to get back to Nova Scotia and get a bottle of Luckett winemaker Mike Mainguy’s Rosé. Took two years to do so and Rosetta is the one, perhaps (if only in this fantasy) a reference to Lennon’s only utterance ahead of McCartney’s final crooning upon a London rooftop. Also a vidal, riesling and leon millet chorus of Nova Scotia phenolics, soft-pressed sentimentality and faintly funky-earthy Fundy salt. Consistently reeking of red berry and citrus, sweetly herbal and coaxing out (or in) stone fruit. Drinking well more than a year in. Crushable delicasse. Optimization and individuality meet upon a plain where all can enjoy this satisfying Rosé. Drink 2021-2022.  Tasted September 2021

Luckett Vineyards Tidal Bay 2020 ($20)

Confirms the billing of 100 per cent Nova Scotia, as per the Tidal Bay manifesto and in Luckett’s view (which incidentally is a spectacular one) screams local, parochial and beneficially biased. The l’acadie, seyval blanc, chardonnay and ortega all conspire to speak the language or even more so the spirited vernacular of Tidal Bay. This package may have once been a searing machine but the ripenesses reached besides maintaining early enough picked acidity is a miracle of climate change and wine-growing intelligence. This new era is coming out clean, obvious and beautiful with new phenolic frontiers gained. Yes the lemon incarnate zests, juices and zings throughout this 2020 but so do orange, jasmine, lemongrass and honeyed herbals. Dry as it seems to get for the category yet opulent in its very own light alcohol, marine breezes, oyster shell way. Hello Santorini assyrtiko and Muscadet Sèvre et Maine melon de Bourgogne. Meet the new Tidal Bay. Drink 2021-2023.  Tasted September 2021

Luckett Vineyards Chardonnay 2020 ($25)

Grapes are grown in Avonport, one of Nova Scotia’s wildcard if tiny micro zones in Kings County. The land is graced by flats, rolls of hills and well-positioned knobs or hillocks set between the mouths of the Avon and Gaspereau Rivers. No other Nova Scotia terroir offers up the kind of varietal-vinifera playground as Avonport and Luckett’s unoaked beauty takes on the marine air, silty saltiness and Fundy-proximate sway. Lean and characterful, herbaceous in an ox-eye daisy way, nearly chamomile and no woody parts denoted. Quite a precise chardonnay with snap-back green apple bite and positive energy. Drink early and on repeat. Drink 2020-2021.  Tasted September 2021

Good to go!

godello

Lightfoot & Wolfville estate vines overlooking the Minas Basin

Twitter: @mgodello

Instagram: mgodello

WineAlign

Niagara’s cool for chards

 

Niagara chardonnay, cornerstone of an industry, another one of nature’s mysterious constants, long-time member of both local and globally recognized greatness. A pandemic be damned the time had finally come to glide on down the QEW, inch by inch, to arrive in Niagara’s wine-lands and taste recently bottled vineyard bounty, plus some older surprises. At the behest, felicitations and facilitations of WMAO we the crü at WineAlign abided by the invitation. The visits included Le Clos Jordanne, On Seven Estate Winery, Stratus Vineyards, Trius Winery and Restaurant, Hidden Bench Estate Winery, Tawse Winery, Redstone Winery and Restaurant and the Bat Caves at Bachelder Wines. The next trip will take in at least seven more and after that, no less than seven again. And so on. Niagara is not conquered in a day, or a weekend.

And everybody tells me that it’s cool to be a cat
Cool for cats (cool for cats)

Related – A Chardonnay toast to Cool and the gang

The steamy and canicular July varietal sally coincided with the physical return, if only in part and to limited display, of the region’s annual i4c Cool Climate Chardonnay Celebration. Ontario’s most famous annual gathering inclusive of international winemaking stars is one that so many media, sommeliers, producers, importers, marketers and consumers have come to know, embrace and love. With a commitment for more arms to get jabbed and further progress towards community safety be made in these next 11 months, there should be every reason for optimism that i4c 2022 will return in full force next July.

Thomas Bachelder between Hanck East and West

Related – David Lawrason’s Canadian Wine Insider – Niagara’s Regeneration

In addition to chardonnay (that cool refreshing drink) there too were touring pours of sparkling wines, riesling, pinot gris, skin contact whites, rosé, pinot noir, cabernet franc and gamay. Those tasting notes are included in this report because quite frankly Niagara’s varietal diversity and inclusivity on full display should be duly noted. The festivities concluded on Sunday afternoon with not one but two Bat Cave barrel tastings with the stupefied, hyper-hypnotized and monkified winemaking tour de force himself, the other tall and thin white duke, Thomas Bachelder. No I did not make any formal notes on the dozens of chardonnay and gamay thieved from his barrels because frenetics and focus do not jive, not when Bachelder, barrels and argumentative discourse are involved. Bachelder began with some re-visits of finished “Villages” wines in the guise of Mineralité de Niagara and L’Ardoise, same same but for different markets (Ontario and Québec), both from the 2019 vintage. Then the surprise of the tasting emerged, two unmarked magnums, as of that very moment yet untasted and very special. “From the Heart Cuvée Number 1” is a project with fellow enlightened, philanthropic aiding and abetting abbot Steven Campbell. Their chardonnay crushes the concept with its dynamic and lush configuration. Why because of the very notion of being figuratively layered, blessed with a frictional vitality burnished into its collective heart and chardonnay soul. I had to stop after each sip to reassemble my nervous system and scrape my mind of the cosmos, not to mention the universe, galaxies and stars.

Crazy eyes in the throes of a four-hour Bachelder barrel tasting

The concept began as an annual Canadian Charity Wine Auction in support of the battle against climate change and then further developed into the Rescue the Grapes auction in NYC in partnership with Christie’s. Campbell and Bachelder convinced dozens of winemakers to donate small-ish lots of unfinished wines to be gathered and vinified as a single wine, an Ontario supergroup-cuvée if you will and finished by Thomas, acting as lead singer and songwriter. In Canada he and Steven are asking wineries to sponsor winemakers dinners in their home province and if they do host a dinner also support our auctions in the other two provinces. For the other province they donate a six pack of wine and will include  VIP “Passport” to the winery to promote interprovincial wine tourism. So far in Ontario Trail Estate, Malivoire, Southbrook, The Farm, Trius, Cave Spring, Pearl Morissette, Bachelder, Henry of Pehlam, Tawse and Rosehall run have all stepped up with a few more in the wings. In British Columbia Black Hills, Stag Hollow, Burrowing Owl, Okanagan Crush Pad, Tin Horn Creek, Tantalus, Quails Gate, Mission Hill and an Arterra winery are in with more to come.

The Bachelder Vineyard Map

The chardonnays were pulled from Willms Vineyard, Wismer-Wingfield est and ouest, Wismer-Foxcroft, Saunders Organic and Bio and Grimsby Hillside Escarpment Red Clay Barn Block. The gamay barrels tasted were Bator, Jackson-Bai “Bai Xu,” Wismer-Parke, Hanck est and ouest. Thomas did reveal the first ever bottle of Grimsby Hillside Chardonnay. The personal connection to that storied plot along the Lincoln Lakeshore in Winona will be investigated to the fullest extent of Godello law in a report coming soon.

Godello with Hidden Bench winemaker Jay Johnston

Has one really taken full advantage of a cool chardonnay weekend if one has not gone nose, palate, heart and mind deep into a seven year Hidden Bench Marlize Beyers to Jay Johnston Felseck Vineyard Chardonnay vertical? Methinks not. Not to mention a viticultural tour with J.J. and Joel Williams, Brut 2014, Rachis & Derma skin-contact and of course, Gamay. Thanks to proprietor Harald Thiel and congrats on being bestowed with the honour of “Champion Chardonnay of the year!” Couldn’t have happened to a more deserving and industry leading partner. 👏 👏 👏

Hidden Bench Winemaker Jay Johnston and Viticulturist Joel Williams

New to the Niagara Peninsula scene is On Seven Estate Winery, headed up by Vittorio de Stefano and with the charge in the hands of Canada’s most accomplished consulting winemaker Peter Gamble. Just as he has made giant viticultural and vinicultural strides with the likes of Stratus, Benjamin Bridge and Lightfoot & Wolfville, in typical, ambitious and big picture defining fashion it is Gamble who sees unlimited qualitative potential in the mineral-rich soils of OSEW’s Niagara-on-the-Lake soils. 

The sit-down at Stratus Vineyards titled “To lees or not to lees? That is the tasting” explained from the word go about the new direction concerns all things lees. To see two winemakers, they being J.L. Groux and Dean Stoyka existing on the same mad scientist solids page is something all Ontario wine pursuers should choose to follow. The pursuit is being played out in chardonnays and multifarious sparkling wines, in Blanc de Blancs, Brut Nature Zero Dosage and “Field Blend” Ancestral. For Ontario this means serious sparkling wine business.

Panko-Crusted Pork Rilette, poached plum & charred fennel salad, toasted hazelnuts, honey dressing, pickled mustard seeds – Executive Chef Steve Sperling, Tide and Vine Oyster House

“Lunch and Launch in Le Clos Jordanne Vineyard” moved us in many ways, first through distant Upper and immediate Lower Jordan Bench views, of Le Clos, Talon Ridge and Claystone Terrace. Tide and Vine Oyster House was responsible for feeding us to the breaking point, by oysters, yellow fin tuna tartar, cold smoked salmon, vichyssoise, pork rillete, surf & turf and olive oil cake. The chardonnay flowed, with Village and Grand Clos examples by hosts LCJ, but also international stars; Tasmania, Australia’s Dalrymple, Hemel-en-Aarde, South Africa’s Hamilton Russell and Russian River Valley, Sonoma County, California’s Gary Farrell. Here are my notes on those three wines.

Dalrymple Cave Block Chardonnay 2018, Tasmania, Australia ($70.95, Noble Estates)

A steely year with the vineyard’s hallmark acidity in a cracker Tazzy chardonnay with lip-smacking energy, intensity and drive. Soil, site and place in relentless pursuit of a focus at the head of body and game. Crunchy, crisp, indelibly fresh and piqued with the finest wisp of white peppery kicks. Nuts, complexity, bolts and length. All in. Drink 2021-2026.  Tasted July 2021

Hamilton Russel Vineyard Chardonnay 2018, Hemel-en-Aarde Valley, South Africa ($47.95, Noble Estates)

From the air-conditioned, cool breeze motivated vineyards (52 hectares) 100 miles from the ocean. Wet vintage, cool and long-hanging. Concentrated flavours in chardonnay that draws from all parcels which is more than just the Hamilton Russell way but in fact the only way. No fruit is wasted, all parts commit and contribute to the whole. A vintage like this is special, restrained, understated and one should not be misled by the shadowy depth and layering. Fruit is but a conduit for all else happening in this streamlined chardonnay. The alcohol and opulence are subtle, the pleasure calming, the capitulations promising. Methinks time will be long, slow and kind to HRV ’18. Drink 2021-2027.  Tasted July 2021

Garry Farrell Chardonnay Olivet Lane 2018, Russian River Valley, Sonoma County, California ($69.00, Noble Estates)

Pellegrini’s 1975 planted Olivet Lane Vineyard sits on 65 acres of sloping benchland in the Santa Rosa Plain, in between the warmer Westside Road region and the cooler Green Valley. If taking a step up from Gary Farrell’s estate label is even a possibility then yes Olivet Lane is just such an animal. Threefold (or ten times) more expressive, from jump started to flying ahead, in freshness, vitality and tightly wound intensity. Flesh and opulence submit to energy, motion and emotion. Captivated and caught up in a bold embrace. Forget bracing but surely feel the fineness and the purpose towards effecting satisfaction. Top, right, fine. Drink 2022-2027.  Tasted July 2021

Tres Cool Chardonnay

We’ve called on many estates over the last 10 years but truth is the visits were epic this time around, with thanks to the talent involved; Thomas Bachelder, Elsa MacDonald MW, Eugene Mlynczyk MW and the Arterra Wines Canada crew; Tide and Vine’s Mike Langley, Chef Steve Sperling and team; On Seven Estate Winery’s Vittorio de Stefano and Consulting Winemaker Peter Gamble; Stratus Vineyards Assistant Winemaker Dean Stoyka and Estate Director Suzanne Janke; Trius Winery and Restaurant’s Executive Chef Frank Dodd and team; Hidden Bench Estate Winery’s Winemaker Jay Johnston and Viticulturalist Joel Williams; Tawse Winery Winemakers Paul Pender and Jessica Otting; The Restaurant at Redstone Executive Chef Dave Sider and team; Thomas Bachelder and Mary Delaney. These are the 40 finished wines tasted over a near 30-hour period on July 24th and 25th, 2021.

Felseck Vertical

Hidden Bench Chardonnay Felseck Vineyard 2019, VQA Beamsville Bench ($42.20)

Tasted as part of an #14c21 seven year vertical Felseck Vineyard retrospective. No stirring, “I don’t like bâtonnage,” tells winemaker Jay Johnston, “unless I’m trying to get a wine to dry.” Never mind the lees aeration or the emulsification because texture in this ’19 is extraordinary to behold, gliding across the palate with Bench orchard fruit cleverness, penetrating perspicacity and juices running through unblemished flesh. Tighter and taut than ’18, while seemingly improbable but here yet unwound, far from the pinnacle at which point full expression will surely ache to be. The ’18 may be a beautiful thing but the ’19 is structured, manifold in destiny and ideal for those who know, or at least think they do. Drink 2023-2030.  Tasted July 2021

Hidden Bench Chardonnay Felseck Vineyard 2018, VQA Beamsville Bench

First a walk through the Felseck Vineyard and then a tasting with winemaker Jay Johnston and viticulturist Joel Williams as part of an #14c21 seven year vertical retrospective. Very warm season, much like 2016 though not quite as scorching and sun-filled. Would not call this stoic but would say that concentration, grace and all things stretched are in optimum balance this time around. Pretty quick turn around for Johnston to exact an ideal Felseck chardonnay just a year and a bit into his tenure at Hidden Bench. Just crunchy enough, more than ample and most importantly understated within the context of a great richness inherent in its varietal meets plantation DNA. There is no denying how enticing, invigorating and attractive this chardonnay is and will be to many who showed buyer’s foresight, but also those now lucky enough to come across its terroir-motivated beauty. Drink 2022-2028.  Tasted July 2021

Hidden Bench Chardonnay Felseck Vineyard 2017, VQA Beamsville Bench

Tasted as part of an #14c21 seven year vertical Felseck Vineyard retrospective. A vintage of survival, saved by a glorious September and into October. Looks like the richness made it with thanks to the fall weather and yet the elongation, length, elasticity and texture are all what matters to speak, walk, talk and tow the Felseck line. Solid, mid-weight, mid-acid and structure chardonnay that acts with perfectly middling emotion between the warm ’16 and ’18.  Last tasted July 2021

Felseck gifts what chardonnay needs with fruit equipped to start out subtle, gain traction and then commit to gliding into grace. That state of delicasse is now, with a natural orchard-stone-melon sweetness and an integration seamless, layered and eternal. Drinking this now makes great sense and the honey notes that may follow will only add to the mystique. The Ontario epitome of intelligent and refined chardonnay. Drink 2020-2025.  Tasted May 2020

Felseck Vineyard

Hidden Bench Chardonnay Felseck Vineyard 2016, VQA Beamsville Bench

Tasted as part of an #14c21 seven year vertical Felseck Vineyard retrospective. Smoking hot season, much like 2018. No other vintage will impress and woo a more general if elevated palate than this ’16 (save perhaps the high award winning ’18) because both concentration and grace reside in the arena of the beautiful, together, side by side. Not the tightest grain in the vertical retrospective Felseck ship. Can’t say this will live as long as the ’13 and ’14 but there is plenty of life in this gorgeous and not so alone 2016. Drink 2021-2026.  Tasted July 2021

Hidden Bench Chardonnay Felseck Vineyard 2015, VQA Beamsville Bench

Tasted as part of an #14c21 seven year vertical Felseck Vineyard retrospective. A short crop year, “we got slammed,” says winemaker Jay Johnstone, “but a wine of definite concentration.” Showing evolution and age in tones, developed richesse and caramelization well beyond both that of ’13 and ’14. No corn however, despite what the initial nose might have indicated. A faux creamed presentation that ended up more peach to apricot in drupe, not niblet. Nutty too, again idiosyncratic and a unique Felseck as such.  Last tasted July 2021

Sometimes I’m “walking down the street, minding my own business” when a taste of a chardonnay makes my eyes go wide. Like this lovely thing of really compelling and nuanced aromatics, diverting, bright and effusive. Intoxicating really, “must have been the sun beating down on me.” A soulful chardonnay, Darondo luscious, strutting at you, with golden fruit, layers of slaty under-vein, a bit of ancient bivalve fossil shell, piqued and long. Gets its texture from a pinpointed cru for sure and is very cool-climate Canadian, almost certainly Bench Niagara, more than likely in Beamsville. Drink 2019-2025.  Tasted blind at NWAC18, June 2018

Hidden Bench Chardonnay Felseck Vineyard 2014, VQA Beamsville Bench

Tasted as part of an #14c21 seven year vertical Felseck Vineyard retrospective. A short crop year but a solid year. Now expressive with croccante and cracker sensibility. Aromatically touched by croissant to brioche biscuit richness, with still pulsing acids and mouthfeel second to none. This is a next era Hidden Bench Felseck and the launch point from off of the work put in through the previous five or six vintages. Tasted blind four years previous to now was a completely different experience. Drink 2021-2026.  Last tasted July 2021

Unction and creaminess, lost in a chardonnay dream because to nose it’s a sweet, floral, demure thing. Lees apparent so you can smell the work in progress and feel the texture. But it’s wound loosely tight with just enough give to make it so readily available. Beautiful little wine though I can’t help but imagine there’s more single-focus structure than a blind taste wants to give. Hope to come across this hard to get beauty again someday soon.  Tasted blind at NWAC17, June 2017

Hidden Bench Chardonnay Felseck Vineyard 2013, VQA Beamsville Bench

Tasted with incumbent winemaker Jay Johnston as part of an #14c21 seven year vertical Felseck Vineyard retrospective. The vintage may very well be considered much like 2021 is shaping up to be, wet and humid, culminating in a late season. A short crop year but surely one of the Bench’s best dating back to 2009. Persistently flinty and aromatic, holding the citrus and stone fruit line, still quite tight and yet to evolve with any considerable haste. Not one to think on as a specific Bourguignons terroir per se but definitely Hidden Bench, amphitheatric Beamsville of origin, expression and conclusion. Drink 2021-2025.  Tasted July 2021

Le Clos Jordanne Jordan Village Chardonnay 2019, VQA Niagara Peninsula ($24.95)

The first attempt and rather obvious pronouncement towards creating a Bourguignons Villages wine is this over-delivering for the price chardonnay from Thomas Bachelder and the re-invented spirit of Le Clos Jordanne. Jordan Village as in grapes gathered from the lower and upper Jordan benches. When warmed in the glass and were it drawn from a warmer vintage there might be even more fleshy opulence but with 2019 and this collection of LCJ single vineyards there is fresh magnification and edgy dance moves, shimmer and glitter, not to mention of glimmer of what this commercially viable brand will ultimately bring to the collective entity that is cool climate Ontario chardonnay. Drink 2021-2024.  Tasted July 2021

Le Clos Jordanne Le Grand Clos Chardonnay 2018, VQA Twenty Mile Bench ($44.95)

Le Grand Clos signals the return of the lower Jordan Bench and “I’m very happen it’s back in the (Escarpment) lexicon,” says winemaker Thomas Bachelder for a chardonnay of origins truly different than the upper benches in Beamsville, Vineland and Jordan. A svelte vintage, not lean by any stretch but surely tight and what some might say restrained. That may or may not include fine white caramel, liqueur glazed fennel and a mild sense of grilling. A chardonnay from vines in a season that needed not shut down to either hydric nor heat stress. Funny how both 2018 in Niagara and Hermanus produced similar results. The big “E,” fine-tuning, chiseled features and sneaky structure.  Last tasted July 2021

Thomas Bachelder’s second vintage since the reprise of Le Clos Jordanne’s chardonnay and pinot noir is perhaps the most nurtured (and nurturing) because he and team treated this varietal fruit through all the early stages; newborn, infant, toddler and child. The attention to detail, from choosing cooperage, forests, barrels and in elévage design is both mathematical and surgical. After 22 months the result is just so imperfectly perfect. Unequivocally noted as a high acid vintage and rather then fatten up this fruit the monk chose the direction of vintage seasoning and identity. Drills down into the Clos and where it fits within the Twenty Mile Bench. The exiguity and heretical transparency makes this a great ’18 Le Clos because ambiguity is the enemy of accountability and also progress. As a forward thinking chardonnay it represents itself, the maker and proffers a sense of place. Perfectly easy to drink right now and imperfectly set up for aging, but that’s just not the point. Drink 2020-2025.  Tasted November 2020

On Seven Estate Winery The Pursuit On Seven Chardonnay 2018, VQA Niagara-on-the-Lake ($45.00)

Seven acres, thus the name, in the hands of Vittorio de Stefano, “and a project paramount to wanting something sustainable that can compete at the international level and standard.” The vineyard is five acres and the property now 15.5. Planted half each to chardonnay and pinot noir, all organic. Bourgogne is the impetus, Niagara the goal. The genesis of planting decisions dates back to 2009, high vigour rootball SO4 rootstocks and clones finally acquired in 2014. Now at seven years of age the vines are ready to rock. A place of science, with oenological consultant/winemaker Peter Gamble at the fore and wines of minimalist approach starting out in reductive tendency, then finishing with longevity defining acidity. Richness and intensity meet at a general Côte d’Or vortex but in the end Niagara lake-proximate flesh and tension are the true meeting point. There is a distinct flintiness (and unlike other flinty chardonnays) but also a caramelization of high delectability and flavour. Vim and vigour, vivid and 20 per cent new oak over three years to gain such favour. Exotic too, with wood contributing to the extract, but surely essential trace elements; manganese, iron and calcium of causation allowing the minerals to make themselves heard. Intriguing wine if only at the beginning of a long story yet to be told. Only 82 cases made. The goal as the vines mature will be 800. Drink 2021-2024.  Tasted July 2021

On Seven Estate Winery The Pursuit On Seven Chardonnay 2017, VQA Niagara-on-the-Lake ($45.00)

Perhaps not the highest of knowable excellence yet clearly the most intriguing chardonnay that may never be emulated any time soon, certainly not out of 2019 or 2020. Singular stylistic wine, reductive and opulent, more Pouilly-Fuissé (with thanks to 2017) and a warmth that creates such a textural buzz. More fat in spite of that 8 g/L acidity, but such energy and considering the age at this point it almost seems the wine is going a bit backwards. That said the vanilla and caramel comes in wafts and waves, the flavours and textures in layers, long, lingering, forever. Only 108 cases made.  Last tasted July 2021

The newest Peter Gamble consulting joint is this from upstart The Pursuit of Seven. The chardonnay fruit is Niagara-on-the-Lake and the concentration suggest established vines (of at least 15 years-old it would seem) and no holds barred in terms of extraction and wood support. The density and fruit bang for buck are impressive and there is some volatility in distraction. Ambitious to be sure and the acumen employed true to form, not to mention distinctly clear. Drink 2020-2023.  Tasted March 2020

Vittorio de Stefano of @onsevenwinery with consulting oenologist Peter Gamble

On Seven Estate Winery The Devotion On Seven Chardonnay 2018, VQA Niagara-on-the-Lake ($65.00)

Imagine the minerals from these Niagara-on-the-Lake soils (manganese, iron and calcium) and the highest intensity fruit getting together in a tiny lot chardonnay case load. Then consider going against the grain with harder (elevated) turbidity in the ferments for more skin feel and purposed pulp for upfront loaded flavour intensity. That’s the direction and hyperbole of pursuit in The Devotion on Seven, an (only) 31 cases made chardonnay. Doubles (or perhaps triples) down on reduction, fulsome flesh and yet the warner vintage has as much to say as the inherent processes involved. Also a tannic chardonnay, in dramatic sensory extract as compared to the Pursuit on Seven ’18, though it can’t help but express more of everything as compared to the Pursuit of Seven. The acidity number of 8 g/L might seem extraordinary when considering the warmth and the ripeness of the vintage, however, and this matters most, ultimately it is the terroir that drives both the texture and the acidity of this special, barrel selection wine. Drink 2021-2025.  Tasted July 2021

Peller Estates Signature Series Chardonnay Sur Lie 2019, VQA Niagara-on-the-Lake

Yet another cracker 2019 chardonnay with the coolest of vintages meeting varietal bones and a karst of energy to drive the lees machine. Spent 10 months sur lie to be exact in a fully malolactic confirmed textural tang that benefits from a certain restraint only such a season can affirm. That being particularly cool and elongated for a chardonnay just crunchy enough to support the promise and extend enjoyment for a good, long and fruitful spree. Expect a future filled with a soft and creamy centre, eventuating in some creamed Niagara corn. Drink 2021-2024.  Tasted July 2021

Stratus Chardonnay ‘Unfiltered’ & Bottled With Lees 2019, VQA Niagara-on-the-Lake ($49.20)

“It’s not that we’re trying to change something every year,” explains assistant winemaker Dean Stoyka, which means that the R and D projects are in constant motion and take four to five years to come to fruition. The October 18-26 stretch is the latest harvest in quite some time (since 2009), fermented in various clay vessels and French oak, 76 per cent in neutral barrels and (24) in stainless steel. Great naturally developed acidity and just enough ripeness to gain favour with the fully-completely accessed, utilized and kept in the bottle lees. So lemon, so balanced and very fine. There is a combinative effect of mad scientist acumen for a wine that needs to be explained to a consumer mixed with absolute pleasure and amenability. One of the finest chardonnay peaks conquered nut just in Ontario but anywhere cool varietal mountains are meant to be climbed.  Last tasted July 2021

Tight one this 2019 chardonnay, seductively reductive and unwilling to relent this early in life. Knowable richness is optimized by being associated with green orchard fruit bite. Though so youthful and shrink wrapped at this time there are some ways to pair with potential and eek out enough charm. Boy do you feel the lees but the freshness really shines. Prosciutto comes to mind, as does mortadella, especially if it’s from Faenza. Drink 2022-2027.  Tasted October 2020

Stratus Chardonnay ‘Unfiltered’ & Bottled With Lees 2017, VQA Niagara-on-the-Lake

Warm and ripe vintage if only because of a gorgeous September into October, more lees than ever before, no new wood and an extended elévage nearing a year in length. Alcohol has risen, as has the pH though neither are what you might call vivid. The palate is actually tightly strung, the texture fulfilling and a cloudiness so perfect for what the winemaking team had long wanted to achieve. Hard not to see 2017 as the teaching wine where lees usage is concerned, the (after the fact) ah-hah moment whereby knowing what to do and how deep to go was learned by how 2017 turned out. In this case fulsome of stone fruit, opaque clarity, an oxymoronic ying-yang of positives in apposite attractions. A Monet vintage, modernized and so very J-L Groux. A Stratus, unlike any other. Drink 2021-2025.  Tasted July 2021

Stratus Chardonnay 2015, VQA Niagara-on-the-Lake

The 2014 vintage was essentially the first year when barrel lees would be left in the bottle and my how conservative this ’15 really was as compared to an evolution that culminates (currently) with the full on lees filed chardonnay vintage. Quite the opulent vintage mixed with aromatics still morphing, developing lees, brash and blushing by 40 per cent new oak, complimented by generous acidity. Showing with controlled drama and though the yields were low (only 88 tonnes) there is something quite special about this emotionally charged, vivid, scarce and remarkable chardonnay.  Last tasted July 2021

Stratus Chardonnay 2012, VQA Niagara-on-the-Lake

Tasting with assistant winemaker Dean Stoyka as part of a vertical exercise in “to lees or not to lees.” Neither hue nor aromatics suggest much evolution though the low-ish acidity and tropical fruit tell an emerging secondary story. Creamy and centred, gregarious of flavour, nothing left unsaid, hidden or kept hidden away. Up front and talking vintage warmth, opulence and ripeness. Was housed in only 18 per cent new wood. For a good time, drink up.  Last tasted July 2021

As per the house promulgation, in chardonnay, “still an assemblage process,” insists Groux, “no matter what we do.” Some grapes grown for Sparkling were added back in, for acidity, complexity and ultimately balance. That and though notably barrel burdened (a good, hard burden to bare) leading to a bargain, “the best I ever had.” Major key of whose who of Niagara fruit, power acoustic chords and 12-string harmonics. Drink 2015-2022.  Tasted June 2015

A change in direction is duly noted with J-L Groux’s 2012 chardonnay, from fruit picked six weeks earlier than in 2010. The program is scaled back and the wine is more “typical” of the region, in weight, in barrel effect and in alcohol. Still quite defined by natural yeasts that “sometimes go a bit wild, but I’m getting better at it,” concedes the clinician of vinous letters. Those feisty microbes are difficult to work with, like dealing with a wine that lacks natural clarity. “You have to shut down the bacteria, teach the yeast to stop stealing the lees. In 2013 I really got it.” The ’12’s altered course is welcome and encouraged and the world should wait with bated breath for what ’13 will bring. Here the complexity of aromatics is matched only by the intensity of tropical fruit. Has balance and a soft, round feel. Again, more texture and aromatics than natural acidity. Classic J-L style. “It’s not about trying to imitate anyone. It’s about making the most interesting and most complex chardonnay in Niagara.”  Tasted March 2014

Tawse Chardonnay Quarry Road 2018, VQA Vinemount Ridge ($35.95)

Definitely a warm vintage, picked on the early side, bite still clamped down, a bit of pesto and far from reductive as noted in Quarry Roads of the recent past (i.e 2011 and 2013). Pine nut pronunciation, no malic residual transformations (there will never me) and just bloody good freshness. Last tasted July 2021

No shocker that Quarry Road always finds a way to morph and change gears, meaning every so often, a year and up to two years later there will be some significant movement in this wine. Something about the Vinemount Ridge and how its players are in constant flux, adjusting sentiments and character to keep things curious, interesting and alive. Still the unencumbered and free-flowing expression it set out to be, free to be Quarry Road and as for me, I am always enamoured by how it marries personality with age. Natural (not unlike the Natural version of itself), enigmatic and very personal. Let it be. Drink 2021-2026.  Tasted May 2021

Tawse winemakers Paul Pender and Jessica Otting

Tawse Quarry Road Chardonnay 2011, VQA Vinemount Ridge

Fantastic ten years after flinty reduction from arguably the most cracking vintage of the previous decade. As it is said, “you’ve got to feed the beauty, it doth not come cheap.” And that is what Paul Pender went for in 2011. At 10 Quarry is light on its feet, fresh, spirited jumping rope and spinning in concentric chardonnay circles. It simply reeks of beautiful Vinemount Ridge stone.  Last tasted July 2021

The pinpoint accuracy and gemstone capture of the Quarry is exaggerated in ’11, amplified and fully plugged in. From my earlier, October 2013 note: “Carries that classic Paul Pender perfume; rocks and stones, flaxen, refulgent toast and the verdure Vinemount terroir. A free flying, linear, atmospheric smear of thermal fortitude and backbone. A polemic Bowie Chardonnay to make you believe “the strangest things, loving the alien.”  Tasted May 2014

Resides on the mineral, slate and lime side of the tracks. The calcareous quality imparted by its eponymous SV terroir makes it the antithesis of David. Creamy, 24-karat fruit.  Tasted March 2012 (barrel sample)

Thirty Bench Small Lot Chardonnay 2019, VQA Beamsville Bench ($34.95)

Prick, punch and torque from the conceptual vintage get-go, a classic 2019 in the making, if by so many yet to be understood standards. A chardonnay so cool it causes a brain freeze while simultaneously moving the soul. In fact put on some vinyl Gaye, get in on, or even disco foreshadowing Temptations, echoing the chardonnay law of the land. Don’t sleep on the high level fruit, not quite fleshy but surely potent and dynamic to match the season’s verve in acidity. Fine lees, better texture and all-around vitality so essential to chardonnay. Will improve with six more months in bottle. Drink 2022-2026.  Tasted July 2021

Trius Showcase Chardonnay Wild Ferment 2019, VQA Lincoln Lakeshore ($36.75)

A single-vineyard chardonnay once labelled Oliveira and then watching Tree Vineyard but no longer, though the source remains the same. Embraces a cool 2019 vintage played out through rewards in the guise of reduction, toast, flint and drive. In cool climate varietal terms this ’19 reminds of 2011 though to be clear and certain there is more focus where by the quantity and quality of ripenesses meet at the essential points of acidity and tannin. Here is a vintage to end a decade in the most poised and poignant way. Spot on, striking and graceful chardonnay. Drink 2021-2026.  Tasted July 2021

Remarkable finesse, flavours and design @triuswines and Restaurant by Chef Frank Dodd with @coolchardonnay accompaniments.

Beyond Chardonnay

Hidden Bench Blanc De Blanc Zero Dosage 2014, VQA Beamsville Bench ($48.00)

Second vintage from a tightly contested and smaller crop, initiated by then winemaker Marlize Beyers and subsequently disgorged by Jay Johnston, following five years on the lees. Moves from the practice of poetics to the anticipatory embracing of tomorrow’s science. Full disclosure this was tasted while walking the Hidden Bench chardonnay vineyards with a traditional method sparkling wine in hand first disgorged in the summer of 2019, when the yeasts were removed and the bottle was topped with the same wine. This tasting featured a January 2021 disgorgement and the term “Brut Nature Zero Dosage used when no sugar is added to the finished wine, which provides the most authentic expression of (the Hidden Bench) terroir.” Truth and synchronicity, grace, striking engagement, pure citrus and pleasure. Who could not anticipate and wait on subsequent vintages of this wine? The best is yet to come. Drink 2021-2027.  Tasted July 2021

Stratus Brut Nature Zero Dosage 2013, VQA Niagara-on-the-Lake ($100.00)

Comes across a bit cloudy, at least as compared to the B de B with thanks to the natural, lees left intact style. The citrus component is so pronounced, as is the taut, direct, lean and intense manifold destiny of what is truly a singular Sparkling wine. That being a living, breathing, inhaling and exhaling wine, slowly releasing proteins, acids and realizing its B de B Nature dream. Just amazing what lees can do for sparkling wine.  Last tasted July 2021

Released side by each with the Stratus Blanc de Blanc 2013 and while vintage and grape are the same, the similarities almost seemingly, ostensibly and allegedly end there. Yes in fact this 100 per cent chardonnay is a child of the most excellent varietal vintage and like the B de B spent six years on the lees. Comparisons cast aside it is the very fact that because much of the lees were transferred to bottle by a minimalist’s disgorging that this cloudy bubble with a Canadian artist’s series set of labels can’t help but elicit another memory. The Lilies of Monet and their clouds represent neither the horizon, nor the top or the bottom. Nor does a bottle of this Zéro Dosage Brut. The elements of water, air, sky and earth become intertwined in a composition without perspective, or so it goes in this hazy, opaque and dry as the desert sparkling wine. So many layers of lemon can be peeled, juiced and scraped away. If a Stratus wine could be a a riddle, wrapped in a mystery, inside an enigma then here it is. The texture here is palpable and the intrigue factor surely high, so it should be imagined that longevity will be this wine’s calling card. It’s more austere than the Blanc de Blanc but I think in fact it will. Drink 2022-2029.  Tasted November 2020

Stratus Blanc De Blancs 2013, VQA Niagara-on-the-Lake ($75.00)

One gram of dosage, disgorged in January 2020. Nearly six years on the lees based on the first R & D trials done in 2006 and 2007. High level autolytic entity, a toasted affair and an idea long time coming for the Stratus team. Fine tonic and bitters. With 15 minutes of air the blooming happens, floral, expressive and complex. This wine has really developed more layers, emotions and complexity.  Last tasted July 2021

The first (commercial) J-L Groux foray into traditional method Sparkling wine has been six plus years in the making, or in this case, senescence as the lees fly and his Blanc de Blanc has finally arrived. A notable moment in the Stratus continuum as they too now own a program of development, time, investment, research and acumen. The nose on this bubble tells a pensive story, or as fantasy goes like dipping your face into a tale-spun pensieve as it takes you back in time. In 2013 chardonnay excelled on the Niagara Peninsula and still today in 2020 we are drinking vintage examples persistent in their freshness and durability of construct. That this reeks of varietal lore is a hallmark moment, that and a conscientious adherence to reverence for solids and the focus on rotational detail. Speaks a Blanc de Blanc vernacular as a chardonnay should, with a bite out of a sharp fall apple, a pesto of verdant aromatics and a crunch of texture before drifting saline, briny and fine. Pretty good work J-L. Kudos for getting from there to here with intelligence and humility. Drink 2020-2026.  Tasted November 2020

Stratus Vineyards “Field Blend” Ancestral 2020, VQA Niagara-on-the-Lake ($35.00)

The inaugural Stratus commercially labelled release is what winemaker Dean Stoyka refers to as “in the mindset of monks.” A field blend of sémillon, chardonnay, riesling and viognier. Pressed all together, fermented dry and then re-fermented in the bottle with no sugar added. Dry enough, or so it seems, non-disgorged, under crown cap and so very fruity. Floral, allspice and spiciness overtop apricot, pear and black walnuts conceptually turning into Vin de Noix or Nocino. A natural testament to assemblage and a great use of varieties without a home. 100 cases produced. Drink 2021-2024.  Tasted July 2021

Tawse Spark Laundry Vineyard Blanc De Noirs 2013, VQA Lincoln Lakeshore

Actually quite shocked I’ve never tasted this wine before, a Spark about which winemaker Paul Pender exults by saying “2013 is my favourite vintage for all our sparklings.” Traditional method, pinot noir from Heather Laundry’s double L vineyard and a fizz that fits and sparks. Gingered and toasty, crunchy, wave cresting and fulsome by six years on the lees. The dosage was five to six g/L, in that Pender sweet spot all around, just right, so well and good. A little romanticism goes a long way where science is concerned, especially in this medium and in Spark Blanc De Noirs 2013 one is simply good for the other. Drink 2021-2025.  Tasted July 2021

Tawse David’s Block Estate Vineyard Spark 2014, VQA Twenty Mile Bench

Tasted side by side with the 2013 Blanc de Noirs, making for a striking if surprisingly antithetical contrasting contract with this Blanc de Blancs. Aged three years on the lees and finished with the same 5-6 g/L of dosage yet here so upfront, centred and personal. More immediate richness than what pinot seems to do from Laundry Vineyard and so even in sparkling it is David’s Block and chardonnay that gift quicker satisfaction. Likely vintage driven (again, even in sparkling), very pear and shortbread, a savoury dessert of a sparkling wine. Like olive oil cake, all about the simple pleasures. Drink 2021-2023.  Tasted July 2021

Trius Showcase Brut Nature NV Méthode Traditionelle, VQA Niagara Peninsula ($55.00)

The dry as the desert Brut nature initiates with a yeasty faradism of excitement from what strikes as a minimum four to five years spent sitting on those fascinating lees. While the wine does not exactly smoulder with a toasty salutation that is no matter because textural acidity and blooming aromatics also arrive to an applause of immediate gratification. There is an exceptional level of “croccante” satisfaction that parlays that “texture” into a lasting display of bits and bites. The make up is 50 per cent chardonnay and (45) pinot noir with (5) pinot meunier and 2014 being the primary vintage source, though there is some 2013 involved. Zero dosage, top tier, notch and drop. Drink 2021-2027.  Tasted July 2021

Tawse Rosé Limestone Vineyard 2020, VQA Twenty Mile Bench ($27.95)

Tawse began crafting Rosé from (Vinemount Ridge) Quarry Road Vineyard fruit in 2017 and now here they come with Twenty Mile Bench pinot noir. From Limestone Vineyard this represents a heads and tails Rosé, meaning 40 per cent is used for Spark traditional method bubbles and the bookends is destined for this salty, straight-shooting and crisp-freckled single-vineyard blush. Double-redheaded wow! Grape, place and style all on side for so many good reasons. 1000 bottles made. Drink 2021-2023.  Tasted July 2021

Tawse Pinot Gris Lawrie Vineyard 2019, VQA Niagara-on-the-Lake ($27.15)

Not to be confused with the Lowrey Vineyard on St. David’s Bench and a best varietal vintage for Paul Pender. Far from being a “Miller-Lite or Corona” pinot gris, instead creamy, fulsome, well-versed and elastic. The furthest away from metallic and/or turbid, low on phenols, no bitters, nor tonics neither.  Last tasted July 2021

Fresh and while this young is full of its original fruit, which is the biggest plus for pinot gris because dry varietal wines have a hard time after enough time has passed on by. Sulphur is not really an issue so this delivers the varietal and stylistic goods with fruit at the lead. Good acids, persistence and balance. Drink 2020-2022.  Tasted October 2020

Tawse Winery Carly’s Block Riesling 2015, VQA Twenty Mile Bench

A sleeper vintage, not necessarily exacting out of the blocks, not heavy cropped, middle of the road in so many respects. If I tasted this before memory fails to draw any retrospective conclusions) but Carly’s ’15 has already turned towards the petrol sun, “let the shadows fall behind you, don’t look back, just carry on.” This perhaps began more than a year or two ago and today acts Rihanna outspokenly so. Lime and almost cordial by now, warm and friendly as a riesling liqueur. Quite stable, animated, holding its patterning, likely to do so for an additional three or fours years. Drink before it returns home. Drink 2021-2024.  Tasted July 2021

Tawse Limestone Ridge Riesling 2012, VQA Twenty Mile Bench

Unlike the Carly’s ’15 (tasted at the same time) this Limestone ’12 has not moved forward with any vehement haste. The lack of advancing towards petrol is curious but the softening is surely comforting. Still resplendent with a particular 2012 meets Twenty Mile Bench acidity, now oscillating while integrating with waning fruit. Drinking beautifully.  Last tasted July 2021

From the newest estate vineyard, the single-vineyard Limestone Ridge exteriorizes its name in a rubric of pressed rock, struck flint and chalky density. Paul Pender has coaxed a multiplicity oft linear character, with major notes of lime zest and juice, persistent from start to finish. A mid-pause of oozing, residual sinensis is the determinant towards the wine’s matrix of longevity. A longer, leaner, meaner and mightier Riesling charged by a different sort of power. Kinetic, frenetic and electric.  Tasted twice, April and May 2014

Hidden Bench Rachis & Derma Aromatiq! Skin Fermented White 2020, VQA Niagara Peninsula ($35.00)

Whole cluster sauvignon blanc, viognier and riesling, layered atop one another, full on hilt in spice, a hit of gingerbread, light in talc and salve. Good-natured and textured when well chilled, oxidative for sure, drinkable, pleasurable, done in one puncheon. Simple really. Drink 2021-2023.  Tasted July 2021

Hidden Bench Rachis & Derma Chardonnay Skin Fermented White 2020, VQA Niagara Peninsula ($35.00)

Whole cluster chardonnay, more spirited than the Aromatiq!, crunchy even, definitely with more spice and plenty of bite. More tannin too, structurally sound to allow more secondary character and time spent developing cooler, more energetic waves of spirit. Wild ride yet just sound and subtle enough to attract the right kind of attention. Drink 2021-2024.  Tasted July 2021

Hidden Bench Gamay Unfiltered 2019, VQA Lincoln Lakeshore ($29.95)

The inaugural gamay release from Hidden Bench is eight years in the planning and making, from 2013 through planting in 2017 and with third leaf fruit for this game changing 2019. That is because the grape and the maker were made for each other so the question begs, what took so long to take the plunge? No matter because such an auspicious start can never come too late. A wine of native yeasts, a properly prolonged, 24-day maceration, an eighth of new wood and the Lincoln Lakeshore being the ideal appellation for what wants and surely needs. More than impressive for such young vine fruit, of a light smoulder lending an essence of jasmine and by argan to red, red fruit, tightly winding acids and such gamay crunch, the likes of which are attributed to expectation, hopes and dreams. When the vineyard grows up there will be further anticipations, exegeses further afield to include cru and reserve concepts. That is a countable fact based on current evidence and credible speculation.  Drink 2021-2023. Tasted April and July 2021

Hidden Bench Rachis & Derma Gamay 2019, VQA Niagara Peninsula

Naturally refined, welcoming, open-knit and my oh my, juicy as a basket of Niagara plums and peaches blended into rooibos kombucha. Rachis, “main axis or shaft, a stem of a plant, bearing flower stalks at short intervals.” Derma, or Dermis, “the inner layer of the two main layers of the skin.” In R & D the inner workings of gamay are accessed at the natural axis between light to fruity and joyful to dark, before sous serious and after vide structured. Middle ground, believable and exhibiting intrinsic purity. Drink 2021-2024.  Tasted July 2021

Tawse Pinot Noir Tintern Vineyard 2013, VQA Vinemount Ridge ($50.15)

This July 2021 tasting is my first for Pinot Noir Tintern 2013 in bottle but I did run through two different barrels with Paul Pender back in March of 2014. The vines were only three years old at the time, on a site (next door to John Howard) Pender likens to “reclaiming the swamps,” or “the Golan Heights project.” From the Vosges medium toast the wine was already showing colour, freshness and drive. From the Vosges, medium plus toast it was a bit reductive, with more tannin and more sappy wood. This look back reveals not a vintage of varietal exhilaration but a malic one with credit due the high levels of potassium in the soil. A cherry generosity a la Central Otago by way of the Vinemount Ridge. Almost a volcanic presence, but not and yes a pinot from young vines come about as a result of winemaking. Up front, in motion, drinking really well. Drink 2021-2023.  Tasted July 2021

Redstone Restaurant

Tawse Pinot Noir Cherry Avenue Vineyard 2017, VQA Twenty Mile Bench ($49.15)

Another high-toned pinot noir from an inverted vintage, in cherry spirit, a hit of fennel and enough lingering energy while there is a meld and morph towards darker black fruit. Broad shouldered, now tannic, settling in as a pretty big wine.  Last tasted July 2021

As for Cherry Avenue the twain is met, somewhere between Tintern and Quarry, in the middle of vintage and classic Tawse styling. Both firm and bright, the fruit a cherry but a darkening black one and then the grip of place though well within vintage reason. Less structured than Quarry but not as hematic and brooding as Tintern. Solid pinot noir. Drink 2021-2025.  Tasted June 2020

Tawse Cabernet Franc Growers Blend 2010, VQA Niagara Peninsula

How remarkably fresh, inviting, enticing and that is just the aromatic front. Effusive, the greater good of burgeoning, smelling like Bourgeuil in uncanny resemblance. Nothing leafy here, just the smell of youth, post-adolescence and from a notably warm vintage. A freshness that just may be a foreshadowing of what’s to come from 2021. Heat and water, humidity and rain, yet no vine stress nor disease pressure neither. A product of great agriculture and an example of 2010’s longevity. “On the riper side but not overly ripe,” tells Paul Pender with a pragmatically raised brow. Indeed. Drink 2021-2024.  Tasted July 2021

Tawse David’s Block Cabernet Franc 2013, VQA Niagara Peninsula

Whole-souled, benevolent and keyed up though that’s the vineyard, persistent and in perpetuity. Red to charcoal fruit, quite firm and tannic for the Tawse-varietal relationship and in that sense mostly related to vintage. Was not picked until November 15th and stayed in barrel for 18 months. Not showy really, not the ripest vintage after all but surely one to promote variegation, fruit/acid layers and particularities. Wait long enough (as in seven-plus years) and these things become complexities. Drink 2021-2023.  Tasted July 2021

Good to go!

godello

 

Twitter: @mgodello

Instagram: mgodello

WineAlign

Yearning for the Langhe

Godello in Cherasco

My kingdom for an Albese plate of Tajarin at Osteria dei Sognatori or a platter of Plin at Ristorante La Libera. What a wine writer would not do for a Langhe reprise, a Piedmontese redux, a tasting of any Barolo, Barbaresco, Roero, Dogliani, Alba or Langhe Barbera and Nebbiolo, Langhe Roero Arneis, Na’Scetta e Favorita. Were things normal and they most certainly are not, but were life being lived now as it was one year ago we would be convening in Alba in two weeks time. What I would not give to break bread with a winemaker, colleague or friend in Piemonte.

Related – Barolo DOCG previews and retrospectives: 2016, Riserva 2014, 2006 and Riserva 2004

Mark these words. The two specialized and specific DOCs of Nebbiolo d’Alba and Langhe Nebbiolo will gain prominence and become a two-headed beast in 2021. The world will gather to exult, raise up and drink these fine and vastly underrated examples of classified nebbiolo. Of this I became truly privy to one year ago but also throughout 2020 as more and more nebbiolo came to be assessed across my desk. Yes it was back in January 2020 when I travelled to Alba in Piemonte for Nebbiolo Prima 2020 and Grandi Langhe. I tasted more than 600 nebbiolo, dolcetto, barbera, arneis, freisa, chardonnay, pelaverga and even riesling during the eight day work staycation. Grande.

Grandi Langhe 2020

Related – Barbaresco DOCG previews and retrospectives: 2017, Riserva 2015, 2007 and 2005

Nebbiolo Prima and Grandi Langhe Trade Fair are a back-to-back cumulative by the work of many, not the least of which are organizations such as Consorzio Albeisa, a.k.a Unione Produttori Vini Albesi, Consorzio di Tutela Barolo Barbaresco Alba Langhe e Dogliani, Consorzio Tutela del Roero and Regione Piemonte. During that trip I tasted and reviewed 230 Barolo: DOCG 2016 (197), Riserva DOCG 2014 (6), DOCG 2006 (20) and Riserva DOCG 2004 (7). For Barbaresco the number was 92: DOCG 2017 (59), DOCG 2015 (15), DOCG 2015, 2007, 2009 and 2005 (18). As for Roero DOCG, 38 notes: DOCG 2017 and 2016 (33) and DOCG 2006 and 2007 (5).

Related – Roero DOCG Previews and Retrospectives: 2017, Riserva 2016, 2007 and Riserva 2006

Here’s to hoping for a return at any point in 2021, or in 2022 for the 25th Nebbiolo Prima followed by Grandi Langhe, if that’s how it will be. In the meantime here are 44 further reviews of wines tasted in and around Alba back in January, 2020. Langhe Nebbiolo DOC, Nebbiolo d’Alba DOC, Barolo DOCG, Barbaresco DOCG, Barbera d’Alba DOCG, Verduno Pelaverga DOC, Langhe Nascetta Del Comune Di Novello DOC, Langhe Favorita DOC, Roero Arneis DOC, Langhe Rosato DOC, Vino Rosso and Birbét. Care Langhe, spero di tornare presto.

Nebbiolo d’Alba DOC

Diego Morra Nebbiolo d’Alba DOC 2016

F.rom northern facing vineyards that receive no direct sun so essentially a cool Langhe climate. Nebbiolo that sees a short maceration and French wood. Not your everyday or expected nebbiolo in a really light and transparent style. Extremely fresh and refreshing, taut, high-toned and yet this creamy texture. Richer than half-and-half, perhaps like 20 per cent fat though lactose free and not enough to be whipped. So different. Drink 2020-2023.  Tasted January 2020

Malabaila Di Canale 1362 Nebbiolo d’Alba Doc Bric Merli 2017

From the vineyard directly in front of Bric Volta. A lighter, but far from unstructured nebbiolo with a new and certain grace and still unmistakeable Canale DNA. Here you can mark another reference point, not to mention the genetic and torch passing material provided by 650 years of history, information and accumulation in experience. The demeanour is confident and gracious. Who would not want a glass every night? Drink 2020-2024.  Tasted January 2020

Mauro Sebaste Nebbiolo d’Alba DOC Parigi 2017

Comes from the same type of marly soil as the barbera, here out of vineyards located in the villages of Alba and Diano d’Alba. The vines are around 20 years of age and the wine sees one year in (30 per cent new) American 40L and French 30L barrels. The idea is to draw out soft and elegant tannins, especially by the American oak. That much is true in a nebbiolo heading towards that direction though not quite yet there. A return in two to three years should do the trick. Drink 2021-2024.  Tasted January 2020

Nebbiolo Langhe DOC

Elvio Cogno Nebbiolo Langhe DOC Montegrilli’ 2018

A name taken from Valter Fissore’s grandfather’s vineyard in the Roero, not Barolo and yes this is a nebbiolo and a wine to drink. Immediately gratifying in so many ways. From vineyards on the other side of Novello, southwest exposure and very sandy soil with just a minor amount of sandstone. Fragolina di bosco and white raspberry, a juicy wine that can quench your thirst. Just a minor grip and chalk of tannin. Hardly causes any confusion and allows you to sip and sip and sip. Grill some fish and Montegrilli’s your friend. Drink 2020-2025.  Tasted January 2020

Mauro Molino Nebbiolo Langhe DOC 2018 ($27.95, Le Sommelier Inc.)

From two vineyards, one in La Morra (estate) and one in Roero. Less than a year in old, large barrels and a purposeful one, for early and often drinking enjoyment. Bright fruit, easy, forward and will surely solicit many a happy palate for dual-drawn, doubling down pleasure. Floral, well made and proper. Drink 2020-2023.  Tasted January 2020

Bollito Misto, Sinio

Azienda Agricola Taverna Langhe Nebbiolo DOC 2018

Declassified nebbiolo from Barbaresco with mildly candied fruit, slightly oxidative, but charming. Only been in bottle maximum one month. Drink 2020.  Tasted February 2020

Sottimano Langhe Nebbiolo DOC 2018 (454017, $32.95, Le Maitre de Chai)

Youngest vines in the Basarin Vineyard at 18 years old grown in sand and clay at the foot of Neive. The Langhe nebbiolo sees 20-30 days on skins (as opposed to 30-40 for the Barbaresco), ferments naturally and at low temperatures. Glaring as a vintage with a big grin on its face, unprecedented concentration, healthy extraction and completed by elevated dry extract. Incredible intensity for the appellation, something already noted in 2015 but bears repeating, like a mantra, for kicks, compliments, giggles and kudos. The Piedmontese maceration brings so much texture and chromatic accents; tangerine, vermillion, sorrel and umber. Longer maceration, less wood (four months) and no love lost for aging, not to mention waxing rhapsodically on. Drink 2021-2026.  Tasted January 2020

Osteria dei Sognotori, Alba

Barolo DOCG

Agricola Marrone Barolo DOCG Pichemej 2015

Pichmej is a combination of two vineyards, Bussia and Santa Maria, what Valentina and sister’s Serena and Denise Marrone call “our grandfather’s wine.” Who happened to be Carlo. A nebbiolo that you really can drink now but then again that’s the thing about young Marrone Barolo. They and this ’15 Pichmej display a sense of the ethereal in their youth. Nature in conjunction with nurture, a delicate touch and phenolic regulation to near perfection. If you would like to access the portal into the reality of how nebbiolo needs to be made in modern times then begin right here and know what’s what in 2020. Drink 2020-2026.  Tasted January 2020

Agricola Marrone Barolo DOCG Bussia 2015

Compared to Pichmej this nebbiolo from Bussia is a step up in concentration and also structure, the latter being in kinship with Bussia 2016. That said there is absolutely zero compromise to the stylistic execution that makes for a Marrone Barolo. Simulates the phenolic beauty of Pichmej and of ’16 but the fullest, deepest and most complete journey happens here. Enologist Donato Lanati has coaxed the fruit but not the bitters while the sisters Marrone find excellence in completing Bussia and all the rest. Lightness of being is also accrued while the wine clocks in at a hidden 15 per cent alcohol. Magic happens and success follows. Drink 2021-2029.  Tasted January 2020

Cascina Adelaide Barolo DOCG Baudana 2015

From Serralunga d’Alba and the apposite Barolo cru, forceful, grippy, demanding, always mired in posit tension tug. That alone explains no differing opinion but pay attention to the kind of “tensione” Adelaide’s creates. The numbered beats are off, out of time, or at least not understood in fours, yet orchestrated and aligned as they should be. As in five or taking the fifth, with a spoonful of notes, lines, vocalizations and structural arrangements feeling like they are unanswered. A vintage that men are dumbfounded by but girls can tell. Baudana is a hyper real get together of brushy aromas, dedicated flavours and highly functional architecture. This one stretches and creates an elastic musculature, flexible and persistent. Wouldn’t mess with Baudana. Drink 2020-2031.  Tasted January 2020

Simone Ortale and Giuliana Drocco, Cascina Adelaide

Cascina Adelaide Barolo Riserva DOCG “Per Elen” 2014

A blend of two cru and says Simone Ortale “we choose the best to make Riserva. It’s our jewel.” The same grandi botti (as per Preda and Cannubi) but here 62 months of aging time. The most mouthfeel, filling and the silkiest chalky liquidity, tannins and layering of multifarious, mille-feuille multiplicity. A nebbiolo for the decades. Drink 2022-2035.  Tasted January 2020

Cascina Boschetti Barolo DOCG Gomba 2015

A smooth, elastic, stretched and elongated nebbiolo from the Commune of Barolo and Boschetti’s estate fruit. Drawn off of the higher reaches and also some that is sold to Marchesi di Barolo. Drink 2020-2025.  Tasted January 2020

Cascina Boschetti Barolo Riserva DOCG Sernìe 2015

Sernìe is the cru inside the cru, a selection within the selection and a word in Piedmontese dialect that essentially means just that. Surely the richer, more concentrated, fully stretched, entirely elastic and truly elongated nebbiolo. Has the violets, purple fruit, foie gras and decadence. Drink 2021-2032.  Tasted January 2020

Cascina Boschetti Barolo Riserva DOCG Sernìe 2012

This older version of the cru within the cru comes from a very select parcel and as an estate flagship nebbiolo is only produced in select vintages. The formidable 2012 season made a request that winemakers (in this case Maurizio Delpero) did not try to extract too much fruit which would also mean an excess of tannin. Yet Boschetti’s Sernìe was subjected to a Piedmontese 40-day maceration (a cappello sommerso), a classic technique that eight years later establishes an exaggeration of nebbiolo riches. Was also a generous vintage that saw to healthy fruit and quantity. Serious Barolo right here. Drink 2020-2030.  Tasted January 2020

Crudo – La Libera, Alba

Diego Morra Barolo DOCG 2015

From the river between La Morra and Verduno, two plots with separate soils and expositions to combine for a double cru cause and effect. Balanced and dynamic, a nose of power meeting finesse. No winding or cinching but more a zig-zagging, ying versus yang, AC-DC, nebbiolo going both ways. Lovely spice. Drink 2021-2026.  Tasted January 2020

Diego Morra Barolo DCOG Monvigliero 2015

From four hectares in the Verduno cru and the three Ms, Mosca, La Morra and Monvigliero. The V in the middle is for Verduno. The 2015 nebbiolo is a really pretty one, floral and understated but of obvious power. Near formidable in its restraint with bursting a real possibility at any near moment. Not quite there yet but it’s coming, it’s real, leaving meaning. “In a room made of stone your future was made.” Wait for it. Drink 2022-2029.  Tasted January 2020

Elvio Cogno Barolo DOCG Bricco Pernice 2015

Ages three years in wood, one year further in barrel. One hundred per cent Lampia clone. A little bit more classic in terms of what is Barolo. The partridge is a special hill and a place that gives away these highly specialized nebbioli and 2015 is on the border between a red and a black vintage. More black then red. A vintage that will be so right and so joyous in middle age and ideal for salty (aged) cheese and meat. Splendido nebbiolo. Drink 2022-2029.  Tasted January 2020

With Valter Fissore

Elvio Cogno Barolo Ravera DOCG Vigna Elena 2014

Rosa clone of Ravera, not quite yet released (will be in three months), dedicated to daughter Elena. A registered menzione geografica named many years ago so the size on the label is set above the DOCG. More of a Bourgogne style. Rose petals and potpourri. Red fruit and red citrus so obviously a red year. Cured like salumi, bresaola maybe or at least eat some alongside. A touch vegetal and that is ’14, sun-dried vegetable and yes, like pinot noir. The first vintage was 1997. Drink 2024-2036.  Tasted January 2020

The quality of the wines gives everyone at Mauro Sebaste every reason to smile

Mauro Sebaste Barolo DOCG Cerretta 2015

Less weight and density in 2015, both in Serralunga fruit and also tannin. Much interest here in how it intimates the richesse of ’16 but not the youthful aggression of the tannin. More freshness, linearity and understanding. No hard edges, really easy to like and enjoy and enough grip to see it develop nicely over the next seven plus years. Might even last longer than imagined. Drink 2020-2027.  Tasted January 2020

Mauro Sebaste Barolo Riserva DOCG Ghè 2014

Ghè is the Riserva of Cerretta fruit but only the smallest berries are chosen. A mega clonal version per se, a Cerretta of Ceretta. Celebrates and argues the merits of a challenging vintage, spends 36 months in tonneaux and like the Cerretta there is pure and substantial fruit. Acidity and tannin too, more than you might imagine considering the wood. Tension and grace live side by side and this is just beginning to act like it will for its essential and optimum 10 year window. Drink 2020-2029.  Tasted January 2020

Palladino Barolo Del Commune Di Serralunga d’Alba DOCG 2016

A true commune Barolo drawn off of a scattering of vineyards, a Serralunga liqueur warming, comforting and reliable, plus a vintage tannin more stringent and yet to crack. Spent two years in grandi botti plus six further months in bottle. Of roses and tar, youthfulness and tension aboard a nicely balanced and upright frame. Drink 2021-2029.  Tasted January 2020

Palladino Barolo Riserva DOCG San Bernardo 2013

The “oriental plot,” from the other side of the Ornato cru and a nebbiolo to speak of extended elévage just as it should. Now into a balsamico cadence and a tartufo lilt. A matter of funghi, acciuga and back to that truffled sensibility. So much umami, the anchovy sitting like a salty and briny slice of maritime butter on toasted crostini with shavings both pencil and earthen nuggets in origin. Oh how the feeling of the block and the greater Piedmontese emanates from one glass of Barolo that only San Bernardo seems capable of gifting. The secondary nature of this nebbiolo is astonishing, if like Christmas come early but why not celebrate now? Should keep developing, morphing, giving again and again. Drink 2020-2030.  Tasted January 2020

Renato Ratti Barolo DOCG Marcenasco 2004 (713479, Halpern Enterprises)

Has quite obviously rounded into form, now beautifully rich and preserved. Poured from magnum yet showing all of its age, fruit sweetly hanging in the balance and as a whole an elegant nebbiolo worthy of the reference. Drink 2020-2024.  Last tasted January 2020

Of the famiglie Pola e Ferro is polar as compared to the non of the Burdin. AM and D nose “car exhaust.” I am tricked by its charm and think New World Syrah, but am reminded that the colour lacks gloom. Hugely muscular, girded by plastron and decades ahead of itself. “Leave it open all night and it’ll be amazing” says Dr. C.  Tasted April 2012

Cherasco

Barbaresco DOCG

Azienda Agricola Taverna Barbaresco DOCG 2017

Comes from one vineyard, the top part of the hill, Gaia Principe it’s called, one of four that make Barbaresco in the MGA. Quick maceration, only seven days, not very Piedmontese and because the house tradition is to make wines to drink and drink now. A very fresh nebbiolo, sweetly perfumed, clear, pure and precise. Drink this most days. No good reason not to. Drink 2020-2025.  Last tasted February 2020

Very ripe and organized, developed and heading forward with great haste. Acids are brighter than some so there is light streaking through the Neive vintage darkness. Another example that speaks to the great variability in 2017. Drink 2020-2024.  Barrel Sample tasted January 2020

Barbera d’Alba DOCG

Cascina Adelaide Vigna Preda Barbera d’Alba 2016

Same vineyard as the nebbiolo for the Preda Barolo but here the barbera fruit is notable deeper and darker. Spends up to 18 months in big barrel and high acidity for Alba with just the right and deft touch of necessary volatile acidity. Rich, luxurious and lovely. Drink 2020-2024.  Tasted January 2020

Cascina Adelaide Barbera D’alba Superiore Docg Amabilin 2016

Named after the creator himself Amabile Drocco who as a child was called Amabilin. The name chosen for the wine pays homage to the family’s origins. The yields are ridiculously low (half a kilo per vine) from 3,000 kg per hectare that represents half of the consorzio’s disciplanare rule. So concentrated and a true gem in the Adelaide portfolio, in fact this is truly one of the tops in all of what is labeled Superiore. Includes eight to ten per cent Barolo fruit but not that which might end up as DOC Nebbiolo. High acidity again (as with the Preda) and ultra special tannins. Only 2000-2300 bottles are produced. Drink 2021-2029.  Tasted January 2020

Diego Morra Barbera d’Alba DOCG 2016

Roddi is the source and direct sun exposure provided for a terroir-varietal relationship that is necessary when you consider acidity rates, ripeness measurements and structural assets. Here barbera gets into beneficial bitters, speaks with assuring alacrity and extolls the virtue of a mainly steely exterior. Really spirited, fresh and alive. Drink 2020-2024. Tasted January 2020

Elvio Cogno Barbera d’Alba DOC Bricco Dei Merli 2017

Single vineyard, aged for one year in wood. The hilltop of the blackbird and a wine nosing succinctly of black cherry. No way this is simply the wine of the osteria or the honky tonk bar. The maturation here is set so high on both fronts, first sugar and then phenolic. Acidity is supportive and there is no burn. There is no jam. What shows is body strength, spirit and a soft finish. Comes from elevation where the wind blows and you can feel the cool breeze running in the veins, like cool water. Picked late September and we are thankful for that. Drink 2021-2026.  Tasted January 2020

The view from Elvio Cogno

Elvio Cogno Barbera d’Alba DOC Pre Phylloxera 2018

Pre-Phylloxera because of these barbera vines’ ability to survive with thanks to sandy soil and 500m of elevation. A red soil that was not inhabitable to the louse. The vineyard is rented from Marcarini and Valter likes to farm it to to keep the history of his family’s work alive. Lower acidity, higher concentration and an affinity with northern Rhône syrah. Cool, smooth, silky, crystal clear and the pinnacle of barbera beauty. Incredible texture. Only 2,000 bottles made. Drink 2021-2029.  Barrel Sample tasted January 2020

Lucrezia Carrega Malabaila

Malabaila Di Canale 1362 Barbera d’Alba DOC Giardono 2018

From a single vineyard, eight yearsold and aged in concrete, for a reductive environment and more important a low, natural and slow ferment. A rich deep cherry barbera to be fair, sure and completely honest with a modernity of acidity that belies the reasons why barbera fell out of favour and became hard to sell. This will do the yeoman work to continue the resurrection. A spice market from a time gone by connects Giardino to a loyal and traditional wine. Drink 2020-2025.  Tasted January 2020

Malabaila Di Canale 1362 Barbera D’alba DOC Mezzavilla 2015

From 75 year-old vines in the Mezzavilla Vineyard, located between the villages of Cisterna (towards Asti) and Canale. Just a few percentage points of oak because the fruit demands it and concrete will keep freshness but doesn’t quite do enough for this fruit. Such a soothing acidity and a presence that speaks to the sand and the clay of the land from whence it came. Taste this fruit and you will understand. Drink 2020-2022.  Tasted January 2020

Mauro Molino Barbera d’Alba Doc “Legattere®”‎ 2017 ($24.95, Le Sommelier Inc.)

A selection of barbera vineyards of soils calcareous/clayey, maceration of six days, fermented in steel, aged in French oak. Just a classic, pure red fruit, high acid and smooth texture/tannins. Round flavours, big yet somehow understated. Drink 2020-2023.  Tasted January 2020

Mauro Sebaste Barbera d’Alba Superiore DOCG Centobricchi 2016

On the hill just above Alba on the way to Serralunga, of low yields that produce just about one bunch per vine. Spends one year in new French oak to gift spice, savour, silk and palate fineness. High acidity, at times too high but necessary to foil the hedonism. A piqued and plentiful barbera that in the end comes down to farming. Drink 2021-2026.  Tasted January 2020

Palladino Barbera d’Alba Superiore DOCG Bricco delle Olive 2017

Big barbera, 15 months in (50 per cent new) tonneaux with violets and spice smothering all else. Despite the enormity of it all this is barbera in a balanced varietal world and Bricco delle Viole is clearly a Superiore terroir from which to approach with great ambition. All assets are encouraged and flaunted  within the grand scale of this particular Alba spectrum. Will improve with some further wood integration. Drink 2021-2025.  Tasted January 2020

Azienda Agricola Taverna Barbera d’Alba DOC 2018

The red fruit juiciest and most succulent Barbera d’Alba with great acids. Make you wish more varietal wines like this would align, draft and glide alongside. Fresh and just lovely. Drink 2020-2023.  Tasted February 2020

Verduno Pelaverga DOC

Diego Morra Pelaverga DOC 2018

Diego Morra’s pelaverga ’18 is clear, concise and pure, lying with a varietal heart at its most effusive. Prim as is imaginable while a big expression for a light and silken grape. From a “normal,” manageable and consistent vintage. A wine executed with molecular gastronomy to an end forged by a grape-wine relationship. Social, artistic and technical pelaverga, investigating the physical and chemical transformations of ingredients that occur in farming and then, winemaking. Drink 2020-2024.  Tasted January 2020

Vino Rosso

Malabaila Di Canale 1362 Donna Costanza Cardunaj Vino Rosso 2017

A digestif wine, a Brachetto vinified dry and so curious. A dessert wine with no fizz and just a touch of sweetness. A moment’s Amaro bitters but no sense of liqueur. Odd to be sure. Drink 2020-2022.  Tasted January 2020

Método Classico Vino Spumante Di Qualita

Malabaila Di Canale 1362 Pas Dosè Método Classico Vino Spumante Di Qualita

A 50-50 nebbiolo and arneis mix, seven years on the lees, from the 2012 vintage and disgorged in October 2019. Yes you read this properly, seven years on lees. The Malabaila connection to the Esterhazy royalty in Austrian indirectly bridges two estates and you can’t help but think about the Blanc de Blancs made in the Burgenland. Zero dosage means lean, direct, sharp and energetic bubbles with remarkable precision. These are Grandi Langhe bubbles from Roero, not to be missed. First vintage was 2010. Can’t be Millesimato because it’s a blend. Drink 2020-2025.  Tasted January 2020

Langhe Rosato DOC

Malabaila Di Canale 1362 Langhe Rosato DOC 2018

From Lucrezia Carrega Malabaila with perfectly typical Rosato colour for nebbiolo taken from Roero lands. ’Tis a coppery hue, sexy rusty, mimicked in flavours with a note like lemon tisane. Steep in some currants and sweet herbs and you get the picture. Poured from magnum and good thing because a table of six would have otherwise gone very thirsty. Drink 2020-2022.  Tasted January 2020

Langhe Nascetta Del Comune Di Novello DOC

Elvio Cogno Langhe Nascetta Del Comune Di Novello DOC Anas Cëtta 2019

Cold stabilization and some wood aging but in botti, no longer in barriques. I have yet to put the nose to my glass and the aromatics are coming out. A semi-aromatic grape with here in 2019 from peach, elderflowers and high level acidity. I would imagine it’s most akin to chenin but even that is a stretch. The drinkability meeting complexity is off the charts. Once you go tactile-textile nascetta like this you may never go back. Approximately 16,000 bottles produced. One of now 30-plus producers in the Langhe. Barrel Sample tasted January 2020.  Drink 2020-2023

Le Strette Nas-cëtta Langhe DOC Pasinot 2018

Nascetta, or Nas-cëtta, as they say in the commune of Novello with fruit out of Pasinotti, Bergera, Pezzole and Tarditi at altitudes of 350 to 420m. Planted over many decades, in 1948, 1983, 2009, 2014 and 2016. The Piedmontese grape rarity likes the sandy, calcareous clay and its emission is semi-aromatic. This example sits somewhere between riesling and gewürztraminer though truth be told seems closer to friulano what with its glycerin and off-dry sentimentality. Novello is the place and the heights help bring about the oiliness and preserved citrus notes from the grape. Needs another year to fully bloom. Drink 2021-2025.  Tasted January 2020

Langhe Favorita DOC

Malabaila Di Canale 1362 Langhe Favorita DOC Donna Costanza 2018

A label made by Lucrezia’s father (who passed away in 2010) for his wife and her mother. Endemic, full of drive, a touch of a sweetness and in a way a cool, northern example that is linked to inzolia, or even zibbibo. More texture here and alloy notation. Lingers with herbs and sweet citrus. Drink 2020-2022.  Tasted January 2020

Roero Arneis DOC

Malabaila Di Canale 1362 Roero Arneis DOC Pradaj 2018

Pradaj in Piedmontese is “A valley with grass and flowers” and clearly a reference to the aromatics in the grape variety from this place. A perfectly correct and referenced arneis indeed and an ideal match to the local Plin agnolotti filled with herbs. When the arneis from Roero speaks clearly it does so like this, unadorned, floral and calm. Drink 2020-2022.  Tasted January 2020

Birbét

Malabaila Di Canale 1362 Birbét Donna Costanza 2018

Mosta d’Uva parzialmente fermentato or, grape must partially fermented to five point five per cent alcohol. Served traditionally as dessert though it could certainly be employed in aperitivo format, as Brachetrto d’Acqui often is. Very cherry, lightly carbonated and sweetly herbal. Simple pleasure. Drink 2020-2021.  Tasted January 2020

Good to go!

godello

Godello in Cherasco

Twitter: @mgodello

Instagram: mgodello

WineAlign

Twenty Canadian wines that rocked in 2020

(c) @tiny.wide.world and @winealign

Year-end lists and greatest hits have always elicited a personal introspective fascination, not any lists mind you but mostly those involving music. Always curious to find out if someone else thought the same songs or albums aligned with your own. Such lists are met with growing skepticism and so the words “top” or “best” should be taken with a grain of salt, scrutinized with impunity, viewed with subjective prejudice. Music and wine need not be considered as ranked, top or best but instead contemplated with dead reckoning, as if throwing a buoyant opinion overboard to determine the speed of the mind’s emotion relative to thought, which was assumed to be dead in the waters of judgement. The feeling of being moved, stirred up in sentiment, excited and reaching deeper into understanding, these are the reasons to tally a culminating register. Neither for enumeration nor for classification, but for the indexing, of harbingers and that which makes us feel.

(c) @tiny.wild.world and @WineAlign

What transpired over the previous 12 months has not left the arena of the unfathomable and the absurd, but with respect to Canadian wine there can be no doubt that a next level of greatness was reached. Holiday time will be somewhat solitary as 2020 winds down and while the sharing of bottles will surely mean more repeated sips for the few involved, they will be sweet ones and are not to be taken for granted. As for the exercise of creating a rocking roster of Canadian made wine, well here on Godello this so happens to be the eighth annual for an instalment that first appeared in 2013. Now adding up to seven more entries than the first and acting as natural segue, a transition and salvo towards crossing over the threshold where 2021 awaits.

Related – Nineteen Canadian wines that rocked in 2019

Twenty. Not an arbitrary number but rather an arbiter of perpetual and developmental prowess of a nation’s wine-producing ability and surely while knowing that no fewer than 20 others could of, would of, should of made the grade. The quote is a timeless one and will be employed once again. This curated list is “biased, exclusive and decisive but it is meant to celebrate a select few with a mandate to elevate and exult the rest. It’s also a proclamation read to many who remain ignorant to an ideal of great wine being made in Canada. The winemakers in this country are in full command of their acumen, craft and future. They own it.”

Related – Eighteen Canadian wines that rocked in 2018

In 2020 Canadian wine came to my tasting table in ways no other year made it happen. There were no excursions to British Columbia, Nova Scotia or Quebec, save for a 36-hour round-trip drive to Halifax in delivery of precious human cargo. No Cuvée or i4c. No VQA Oyster competition, Somewhereness or Terroir Symposium. No walk-around tastings. Despite going nowhere the opportunities to sample Canadian wines were of a number higher than ever before. Safely distanced tastings at WineAlign headquarters, at the welcome emptiness of Barque Smokehouse and in our homes brought Canada’s finest bottles to us. Though we were unable to convene in June at the WineAlign National Wine Awards of Canada, a prodigious alternative became surrogate in the guise of the Guide to Canada’s Best Wines, a.k.a WineAlign’s GCBW. Over the course of six weeks we tasted through 860 samples and not just any mind you but truly Canada’s best. We were sad to miss Tony Aspler’s Ontario Wine Awards and David Lawrason’s Great Canadian Kitchen Party, the artist formerly known as Gold Medal Plates. Here’s to hoping 2021 will usher in a return to assessing and celebrating together.

Related – 17 Canadian wines that rocked in 2017

Aldé Rosé, Interloper and As Is

Related – 16 Canadian wines that rocked in 2016

The numbers chosen to cant, recant and decant excellence in Canadian wine continue to march ahead, as promised by the annual billing. In 2018 the list counted 18. In 2017 there were 17 and in 2016, 16 noted. In 2015 that meant 15 and 14 for 2014, just as in 2013 the filtered list showed 13. Last year? You would be correct if you guessed 19. There is no red carpet for 2020, it just doesn’t feel appropriate or right but keeping on is essential. “Whence comes the sense of wonder we perceive when we encounter certain bottles of art?” Here are 20 most exciting Canadian wines of 2020. Twenty Canadian wines that rocked.


Le Vieux Pin Ava 2018, BC VQA Okanagan Valley ($29.99)

Calculated, figured and reasoned, a 51 per cent roussanne, (36) viognier and (13) marsanne organized, Rhône motivated blend that just fits right. A kiss of new wood and a 35 per cent wood campaign, slightly more in steel and then the other freshener, that being a fifth of this exceptional vintage fruit having seen time in concrete tank. Yes the aromas are wildly fresh, far away tropical and cumulatively enticing. A white blend of rhythm and soul, actionable in every part of its drift and coil, democratic, of no accident, come up to please and at the same time, foil. Offers this and that, high tempo acids opposite fully ripened fruit and all tolled, wrapped up with a tailored bow. Drink 2020-2024.  Tasted October 2020

Cave Spring CSV Riesling 2018, VQA Beamsville Bench, Ontario ($29.95)

Cave Spring’s is Ontario riesling and along with three or four others the CSV has been the benchmark for decades. CSV is one of the reasons to believe in riesling, versatile, brutally honest, speaker of the mind, telling us like it is. As for 2018, frosts in late ’17 reduced the upcoming vintage’s yield potential. Long, hot and dry was ’18’s summer and so doubling down occurred. Less yet highly concentred fruit was pretty much assured before September turned wet and humid. CSV embraces and stands firm in its dealings with nature so while there is more flesh and flavour intensity there too is the tried and true structural backbone. Surely a highly phenolic riesling but every aspect is elevated in this game. A hyperbole of itself, gangster riesling, the jumbo package, age-worthy and stone-faced beyond compare. Best ever, perhaps no but perchance something new, riveting, magnified, extravagant and well, fine. Drink 2022-2032.  Tasted October 2020

Charles Baker Picone Vineyard Riesling 2017, VQA Vinemount Ridge, Niagara Peninsula, Ontario ($37.20, Stratus Wines)

The concept behind Baker’s single-vineyard riesling is for the top tier one to be possessive in the matters of majestic and dignified, which quite honestly it is. Funny vintage that ’17 was and yet in riesling there can be this slow melt, tide and release of intricacy and intimacy, which this Picone does. Like taking a picture with the slowest shutter speed, allowing the sensor a full allotment of time in its exposure to light. This is the dramatic and hyper-effect and how Baker captured the highest riesling resolution imaginable. The succulence in the acids over top juicy, juicy fruit and this great entanglement is majestic and dignified. My goodness Charles, I think you’ve done it. Drink 2021-2032.  Tasted April and October 2020

Martin’s Lane winemaker Shane Munn

Martin’s Lane Riesling Simes Vineyard 2016, BC VQA Okanagan Valley, British Columbia ($45.00)

First tasted at the winery in 2018 after only one year in bottle. A cooler vintage and less residual sugar (4 g/L vs. 6 in 2015) and also one reaching for its phenolics. The Alsace Clone (49) planted in 2008 is coming into the zone with this textured ’16 from one of three single vineyards on granite in East Kelowna. There is that minor number of sugar but there are acidities and reminiscences to the motherland that supersede and infiltrate the nooks and crannies of the fruit. Who in the Okanagan neighbourhood would not be envious of the clean clarity that this riesling achieves. Very focused, tightly wound and surely able to unravel ever so slowly, developing beeswax, honey and gasses as it will, over a ten year period. Drink 2020-2026.  Tasted April 2020

Tawse Chardonnay Quarry Road Vineyard 2016, VQA Twenty Mile Bench ($37.15)

Wound tight like a coil around a winch with precise threading and pinpoint spacing for chardonnay that wins the vintage. Reductive style to be sure but only truly noted because of the freshest vibes this side of Motown. Got rhythm and blues, not to mention funk and soul. Clean beats, in step, three-part backing vocals and a purity of sound. Taste relays all these things and more, of succulence and in satiation guaranteed. In other words timeless and the willingness to pour on repeat will be a continuous thing of perpetual satisfaction. Last tasted October 2020. There is no secret that 2016 can align itself with the best of them in Niagara and chardonnay is clearly right in the middle of the discussion. Knowing that, how could the iconic triad of varietal, producer and vineyard not rise like fresh summer fruit cream to the top of the discourse? The years of Pender and Bourgogne barrel studies have come to this; spot on in blending Quarry fruit from wood and associated forests, staves and toasts, here the crux of sonic, sonar, and olfactory waves are met in optimum phenolic crash. The crush of chardonnay, the cryogenic liquid wait and the ultimate goal is achieved. Balance is struck at 12.5 degrees alcohol and all the perfectly seasoned grape tannin you could want. Drink 2020-2027.  Tasted May 2020

Leaning Post Senchuk Vineyard Chardonnay 2018, VQA Lincoln Lakeshore, Ontario ($45.20, Nicholas Pearce Wines)

Set apart from the Bench wineries and while still beneath the Niagara Escarpment Senchuk Vineyard sits on more of a plain that gently slides down the Lincoln Lakeshore and into Lake Ontario. Perhaps it will become Ontario’s next sub-appellation. Sandy soil is maculated by largish stones three to four feet down. This atop a bed of grey clay so the low vigour of the sandy soil will be offer up a flip-side, a foil to the heavy clay of nearby locales like the Beamsville Bench. This third chardonnay from the home vineyard comes off of vines planted in 2011 so now this seven-year old fruit is starting to really mean something. And Ilya Senchuk is a winemaker who studies, concentrates and plans his work around clones. It’s not just about where to plant which varietals but which clone will work best and where within the greater where. Vineyard, vintage and variance. Senchuk truly believes that greatness is determined by varietal variegation, from vineyard to vineyard and from year to year. From 2018: 64 per cent Clone 548 and (36) Clone 96. Listen further. Warm season so picked on September 18. The grapes were gently whole cluster pressed (separated by Clone), allowed to settle in chilled tanks over night. The juice was then racked into barrels; Clone 548 – one puncheon and three barriques, Clone 96 – three barriques, where they underwent spontaneous alcoholic and malolactic fermentation. The lees were not stirred and it was allowed to age for 16 months. Power, body, tons of fruit, definite barrel influence, a southern Bourgogne kind of vintage, so maybe Pouilly-Fuisée or Maconnais Village with a specific Climat. For the time being we call the Village Lincoln Lakeshore and Senchuk Vineyard the geographical designation. The lemon curd and the acidity are there in a great tangle so yes, this is trés cool chardonnay. I think we can safely say already that the Pinot Noir and the Chardonnay grown in Ilya and Nadia’s home vineyard is on its own, one of a kind and makes wines that don’t taste like anywhere else. This 2018 cements the notion and opens the next stage of the discussion. Drink 2021-2027.  Tasted July 2020

Lightfoot And Wolfville Ancienne Chardonnay 2017, Annapolis Valley, Nova Scotia (462093, $56.95)

Exceptionalities worthy of hyperboles are befitting this chardonnay of concentration, textural satisfaction and immediate gratification. Apple distillate to nose, a walk through a perennial garden on Fundy shores in late summer bloom and then citrus in so many ways, incarnate and teeming with briny, zesty flavour. If your are counting at home, this Lightfoot family wine by way of Peter Gamble and in the hands of winemaker Josh Horton is now six years into its tenure. As the crow flies, qualitatively and quantitatively speaking refinement has never ceased to improve. Has arrived at its new Minas Basin tidal heights, crisp and salivating, finishing on the highest of notes. Chardonnay god of ocean tides, “all night long, writing poems to” Nova Scotia. Drink 2020-2024.  Tasted October 2020

(c) @tiny.wide.world and @winealign

Mission Hill Perpetua 2018, BC VQA Okanagan Valley, British Columbia ($60.00)

Dichotomy in chardonnay, grand and graceful, powerful and elegant. Reductive and not acting this way but rather in what is now descried as the post modern style of chardonnay, from Australia to New Zealand, Bourgogne to B.C. Huge fruit concentration, wood equalizing yet in check, acids controlling yet relenting, structured assured though not overly complicating. Orchards combed and fruit brought in to make the composition sing with flavour while the work put in shaves down the rough edges and pieces fit snugly together. Top vintage for this label. Drink 2021-2026.  Tasted October 2020

Blomidon Cuvée l’Acadie, Annapolis Valley, Nova Scotia ($35.00)

The entirety of a sparkling wine oeuvre is modified and transmogrified, designed and decreed of a new morphology where l’Acadie is concerned. It must be conceded that the Nova Scotia varietal speciality is destined to create cracker, lightning rod, back beats and bites in Nova Scotia sparkling wine. This from Blomidon adds spice, apple skin, orange zest and stony moments throughout. It’s amazing. Drink 2020-2025.  Tasted October 2020

Henry Of Pelham Cuvée Catharine Carte Blanche Estate Blanc De Blanc 2015, Traditional Method, VQA Short Hills Bench, Niagara Escarpment, Ontario (315200, $49.95)

As always 100 per cent chardonnay and 2015 is perhaps the vintage of the most golden toast, as if made by agemono, with the most lemon and lees ever assembled in a Cuvée Catharine, vintage-dated Sparkling wine. An intensity of aromas swirl around in citrus centrifuge into which the gross cells don’t seem to want to go. On the palate is where they rest, layered and leesy, textured with a sense of weightlessness and wonder. Henry of Pelham channelling an inner Japanese cooking technique. Feels like some time is warranted to pull all this together. Drink 2021-2025.  Tasted October 2020

Stratus Blanc De Blancs 2013, VQA Niagara-On-The-Lake, Ontario ($75.00)

The first (commercial) J-L Groux foray into traditional method Sparkling wine has been six plus years in the making, or in this case, senescence as the lees fly and his Blanc de Blanc has finally arrived. A notable moment in the Stratus continuum as they too now own a program of development, time, investment, research and acumen. The nose on this bubble tells a pensive story, or as fantasy goes like dipping your face into a tale-spun pensieve as it takes you back in time. In 2013 chardonnay excelled on the Niagara Peninsula and still today in 2020 we are drinking vintage examples persistent in their freshness and durability of construct. That this reeks of varietal lore is a hallmark moment, that and a conscientious adherence to reverence for solids and the focus on rotational detail. Speaks a Blanc de Blanc vernacular as a chardonnay should, with a bite out of a sharp fall apple, a pesto of verdant aromatics and a crunch of texture before drifting saline, briny and fine. Pretty good work J-L. Kudos for getting from there to here with intelligence and humility. Drink 2020-2026.  Tasted November 2020

At a Somewhereness gathering a few years back Thomas Bachelder poured me his first gamay and while I remember the light, I could not have known what complex cru notions the maniacal monk had up his sleeve. Who knew that Twenty Mile Bench gamay would gain standing in “Villages,” “Naturaliste,” and two Wismer-Foxcroft iterations. And so here we are with the more intense of the two whole cluster siblings and the one chosen to celebrate its 52 per cent wild bunch inclusion. The fermentation technique transposed seems almost “alla vinificazione Piedmontese a cappello sommerso,” though by way of sangiovese in Chianti Classico what with a glycerin feel and a formative fabric so tactile to the mouth’s touch. Stemmy? Not a chance. Herbal? Nope. More like a Côte de Brouilly to the Wismer-22’s Brouilly, not quite Morgon but savour and structure are serious, righteous and very much here. That I did not buy cases of this stuff is a real concern. Drink 2020-2027. Tasted November 2020

Malivoire Courtney Gamay 2018, VQA Beamsville Bench, Niagara Escarpment, Ontario (524231, $29.95)

What Courtney brings to the table in gamay is what we’ve come to expect from Ontario, that is structurally contracted and age-worthy wine. Now understood to be a Cru designate, carved from a decade of research and well-defined. You could build an entire cellar by way of Malivoire’s multi-varietal work and the many tiers they fashion from drink now, through mid-term aging and up to here in a gamay that will go long. I’ve tasted a few older Malivoires lately and have been blown away by their longevity and also tasted this Courtney from barrel last winter. The whole bunch strategy has come to this, a knowable, beautifully swarthy, fruit protected and into the future protracted guarantee of fortitude and change. Reminds me of Michael Schmelzer’s Montebernardi Panzano sangiovese. Grande. Drink 2021-2028.  Tasted October 2020

Rosehall Run’s Dan Sullivan and Goode

Rosehall Run Pinot Noir JCR Rosehall Vineyard 2018, Prince Edward County, Ontario ($42.00)

Fortuitous time and place are the combined recipient of the primary assist for Rosehall’s JCR Vineyard pinot noir, a varietal stunner that seduces from the word go. A drinking vintage, early, ethereal, not lacking but easing in and out of structure, ready to please in the proverbial vein of immediate gratification. Then the County tones, reverb and static mosey on in like a Telecaster’s light jing-a-ling. Rises to an interlude crescendo and explodes into rock ‘n roll bands. In the County the poets make these things happen, then “sit back and let it all be. Tonight, in Jungleland.” Drink 2022-2026.  Tasted July and October 2020

CedarCreek Platinum Pinot Noir Block 2 2017, BC VQA Okanagan Valley ($54.90)

Block “2” is genuine and fine pinot noir, a pinpointed example multi-faceted in its origins. An exclusive block and also a dedicated clone to make this what it is; ripe stem earthy in phenolics ripe and ready plus a natural and wild fruit sweetness that can’t be replicated by anything but what happens on and from the vine. Anytime pinot noir is experienced as a wine at one with site, clone and vine you know it, feel it and intuit the connection. The forging is a bond unbreakable, as here with Block number two. Drink 2020-2025.  Tasted October 2020

Culmina Hypothesis 2014, Golden Mile Bench, BC VQA Okanagan Valley (414243, $49.95, Arterra Wines Canada Inc.)

The Triggs original, Hypothesis is an Okanagan Valley flagship red that celebrates the upper benches in what has become the great Golden Mile. This district is no longer a matter of new fashion, it is in fact a place to make serious Bordeaux-varietal red wine. Whether cabernet franc or merlot take the lead there is always cabernet sauvignon to tie the room of lit luminescence together. Culmina’s is bright-eyed on a face of dark fruit, chewy like liquorice and sweetly herbal, naturally sweetened by dessert warmth ripening. You smell, feel, sense and taste the land in this wine. That’s what makes it so special. Drink 2021-2028.  Tasted June 2020

Black Hills Nota Bene 2018, BC VQA Okanagan Valley, British Columbia ($68.99)

Methinks winemaker Ross Wise is giddy (and that’s a stretch for the stoic man of leisure) in what he must know will be the great eventuality of the Nota Bene 2018. By way of reminder this is one of Canada’s most accomplished and massive reds of great notoriety. The flagship of Black Hills in Bordeaux blend apparel, master of ceremonies and lead singer for B.C. Climat, Somewhereness and terroir. The maestro blend to speak of mystery, riddle and enigma. This ’18 is smooth and I mean smooth, ganache silky and focused. In youth you chew the mouthful, later on you’ll draw and imbibe. Further on down the road you will sip and savour. Quietly luxurious, rampantly delicious and pridefully profound. Top. Grande. Drink 2023-2031.  Tasted June 2020

(c) @tiny.wide.world and @winealign

Megalomaniac Reserve Cabernet Franc 2017, VQA Twenty Mile Bench, Ontario ($49.95)

Ah, finally! This is the aromatic profile of a reserve style Ontario cabernet franc, well, not “the” but “a” godly one. Concentrated and layered, like phyllo or puff pastry folded again and again upon itself. May seem dense and without air at this time but with time the folds will expand and stack with weightlessness. The variegated red fruit in betweens are juicy, sumptuous and so packed with flavour they will burst when bitten into, or in this case, explode in the mouth. Texture too is all pleasure, as will be the eventuality of exceptionality created by a triangle that includes complete and fine tannin. One of the finest and from a vintage that holds the cards for cabernet franc excellence. Drink 2022-2029.  Tasted October 2020

Thirty Bench Small Lot Cabernet Franc 2017, VQA Beamsville Bench, Ontario ($75.00)

Niagara’s most premium solo cabernet franc is turned upside in 2017 and does everything that needed doing to make what is quite possibly the best solo effort in that vintage. Of fruit so dark yet pure and allowed to act, move and speak as varietal in place. Walks that Beamsville Bench walk and talks that cabernet franc talk. World-beating, wholly and truly. Drink 2020-2023.  Tasted October 2020

(c) @tiny.wild.world and @WineAlign

Hidden Bench La Brunante 2016, VQA Beamsville Bench, Ontario ($85.20)

From a La Brunante year to speak of truths and there is no doubt the team was excited about the prospects of this formidable Beamsville Bench blend. The triad is merlot (43 per cent), malbec (35) and cabernet franc (22). I’d say it was the warm climate and long season that lead to then winemaker Marlize Beyer’s decisions of assemblage. You could pour this blind with red blends from Bordeaux and Australia with nary a taster being able to truly separate one from many others. And yet there is a singularity about these aromatics that are so hard to define, like spices in their simmering infancy ahead of what brand of togetherness they will assign. As for texture and length, balance is exemplary and longevity guaranteed. Drink 2022-2030.  Tasted May 2020

Good to go!

godello

(c) @tiny.wide.world and @winealign

Twitter: @mgodello

Instagram: mgodello

WineAlign

High times in Bourgogne

Château du Clos de Vougeot, Côtes de Nuits

 

“Bourgogne vs. Burgundy: A critic’s take on the “plus” side of Bourgogne – the Best Places for Value”

Please join me on Tuesday, June 30th via Instagram for a Bourgogne video in which I talk about Les Hautes, “the plus side of Bourgogne,” where vineyards and producers of quality can be found. Bourgogne du Haut, “The Upper Bourgogne.”

I will also make a case for “Bourgogne against Burgundy: A critic’s take on why language is so essential to messaging, for preserving identity and tradition. Finally I will pose the question, What is Climat?

Then, on Monday, July 13th, from 10:30 to 11:15 am I will be hosting a Bourgogne webinar on Regional Appellations. The 45 minute seminar will be directed at sommeliers and the trade industry.

Searching for Bourgogne-Plus

Bourgogne holds many secrets yet discovered and that is why in November of 2019 my colleague and friend John Szabo M.S. and I travelled to France’s most revered wine region. The Bourgogne Appellation d’Origine Contrôlée (AOC) was authorized in 1937, for white wines extending to the three departments of Yonne, Côte-d’Or and Saône-et-Loire and for reds, to pinot noir from 299 communes throughout wine-growing Bourgogne. Designations have been immovable since the year dot for Bourgogne’s five wine-producing regions; Chablis and Grand Auxerrois, Côtes de Nuits, Côtes de Beaune, Côtes Chalonnaise and the Mâconnais. Opinion has come to expect a certain fixed and comprehensible understanding of the hierarchy of appellations; Grand Cru, Premier Cru, Village, Appellation Régionale Bourgogne. The latter to many simply translates as the ubiquitous Bourgogne AOC, though it is but one of six that fall within the category of La Région Bourgogne, the others being Coteaux Bourguignons, Bourgogne Aligoté, Bourgogne Passe-Tout-Grains, Bourgogne Mousseux and Crémant de Bourgogne. The deeper delve is all about the multiplicity of Les Appellations Régionales in the study of what collects beneath the larger umbrella referred to as les dénominations géographiques.

It’s 8:46 am, we’re at #latâche and that’s not our dog #canadiansinbourgogne #vindebourgogne #vosneeromanee #domainedelaromaneeconti

They the outliers have not been truly considered, at least not until recent times. At the head are Les Hautes, the parts of Bourgogne thought to exist in the nether realms and so previously passed over. “The heights,” out of sight fringe locations, places unseeable, host to wines untenable and from vines unsubstantiated. Or with some investigation, perhaps something else? There too are the siblings, Côte Chalonnaise, Côtes d’Auxerre, Côtes du Couchois, Chitry, Coulanges-la-Vineuse, Epineuil, Vézelay, Tonnerre, Le Châpitre, La Chapelle Notre-Dame, Montrecul and Côte Saint-Jacques. In the latterly days of November 2019 the opportunity was presented to visit these shadowy appellative entities, perchance to uncover their truths, they by vineyards and producers of Bourgogne-plus quality. Bourgogne du Haut, “The Upper Bourgogne.” High times in Bourgogne indeed.

 

Related – Bourgogne in a word: Climat

I penned that 2017 article in the last days of November, two years ahead of the trip that would rework my internal vision of a Bourgogne world order. At the time a choice was made to focus on the central theme that ties the Bourgogne room together. Climat. I asked the 50,000 euro question. What is Climat? Please read that post for the 10,000 word answer but the irony of my conclusion went like this. “The only true intrinsic reality gained through a discussion about Climat is accessed by the tasting and assessment of examples that represent a full cross-section of Bourgogne. The appellations of Chablis et du Grand Auxerrois, Côtes de Nuits and Hautes Côtes de Nuits, Côtes de Beaune and Hautes Côtes de Beaune, Côtes Chalonnaise and Couchois, the Macônnais and the Châtillonnais are best understood by comparative studies of Pinot Noir and Chardonnay. With more than 100 appellations (84 officially recognized) it would take a lifetime and then some to cover them all and several more to come to grips with the very specific meanings and interpretations of their personalized Climats. By that time the moving target would change so much that starting again would be the only option. Make the most of the time there is, which is the way of the Bourguignons.” Ironic because exactly two years later I returned to Bourgogne to begin my education anew in the light of a trip gone deep into the Hautes Côtes and satellite appellative explorations. The findings are remarkable, as I will elucidate in due course.

Beaune

Would a rose by any other name smell as sweet?

Bourgogne, now there’s the rub. In this case the party line and profound argument emphatically says no. Pause to consider the infallible cogency of the nuanced word. Then cringe at the platitude of an overused and confusingly perpetuated Brittanica translation that need not be named. Never could or should have but it must now be stressed that the imposter can no longer be considered a viable alternative for it changes meaning and even more importantly, emotion. If we must say it aloud then we may as well point the culprit out in matters point of fact. Burgundy takes its name from the Burgundians, an East Germanic people who moved westwards beyond the Rhine during the late Roman period and settled in Bourgogne. The seat of the Duc de Bourgogne was to be found west of the Saône along the narrow spit of land between Dijon to the north and the area just south of Mâcon. The reference “Duke of Burgundy” is but a translation. The first Google result that answers the query “Is Burgundy the same as Bourgogne” goes like this. “Burgundy is wine made in the Burgundy region in eastern France, in the valleys and slopes west of the Saône, a tributary of the Rhône.” The proper response to that would be to scream, to shout “answer the bloody $&**!!??&$@ question!” And to offer a strict reminder not to believe everything you read. The first recorded use of “burgundy” as a colour in English was in 1881. Making the argument that the word Burgundy dates back 300 years? Puh-lease. Who but the blind believer and the colonialist heeds this fallacy. These are the eyes of the old. They have seen things that you will never see. Leave it to memory. Dare the Bourguignons to breathe.

At Domaine de la Romanée-Conti’s La Tâche Vineyard, In the heart of Bourgogne

Plus grand est l’obstacle, et plus grande est la gloire de le surmonter

Just a little bit more than a year ago the Bourgogne Wine Board (BIVB) made the plea, on behalf of and at the behest of le vraiment Bourguignon, for a firm and clear pronouncement to take back their name, as is their right to do. “To re-affirm its identity as one of the most iconic vineyards of France, the region and its producers are reverting back to the original French iteration of its name: Bourgogne. Historically Bourgogne is the only French appellation that adopted an alternate identity for export markets with the use of the ‘Burgundy’ designation for the English speaking markets, or Burgund for the German speaking and many other translations according to the country. Today, this traditional ‘Bourgogne’ designation has already been adopted by nearly all the wines produced here – either via appellation designation or wine region labeling. By maintaining this one true identity, Bourgogne returns to its historical roots as the consummate vineyard treasured by consumers the world over.”

The devil might advocate for inclusion, to allow for levity and to argue against a parochialist stance. The contrarian might say, “why exclude a greater population when it might be to the detriment of market share. Tell the people they have to speak the language and they may feel alienated or worse, choose not to participate because it’s harder work, or just too much to ask.” They will say that language is merely colloquial, a matter of repetitive utterance, developed slang and simply a matter of evolution. Why fight it? Would it not make most sense to worry about making good wine and concentrating on selling the product?

“Plus grand est l’obstacle, et plus grande est la gloire de le surmonter. “The greater the obstacle, the greater the glory of overcoming it.” Indeed were Molière here today he would abide in support of the usage. Besides, un savant imbécile est plus un imbécile qu’un imbécile ignorant, “a learned fool is more a fool than an ignorant fool.” Bourgogne, name of the territory and also the name gracing each and every bottle conjoining all its appellative wines. Practice your pronunciation and become comfortable with using it. Do so with unequivocal conviction, daily, written, typed and in the vernacular of spoken word. Glad we got that out of the way.

Iconic Bourgogne

Related – Les Grands Jours de Bourgogne 2020 are suspended

Uncertain times

Things were going so well. Sales were up, wine importers and consumers the world over were beginning to embrace the affordable Bourgogne, these partisan orbiters in surround of their better established kin, these fine pinot noir, chardonnay, aligoté, sauvignon blanc and gamay blends of qualities and quality not seen before. No one ever really worries about the rising prices of the established and their place within the establishment. The new work concentrates on the new world and upwardly mobile millennial spending. Get the regional appellative wines of geographical designation to these new buyers, they of dollars aimlessly doling away to Argentina, Chile, South Africa and Australia, to the cheap and cheerful Italian and Spanish wines. Teleport these varietal outliers into their minds and the golden era will usher in. Then COVID-19 rears its ugly viral head.

Fear not for this will pass and while trade shows are an essential aspect of selling wine, they can be circumvented. Education is the key. There are educators around the world aching to tell a Bourgogne story and fill cups with the wines. The Bourgogne tome is a magnificent one, filled with centuries of great reality, overflowing with heartbreak, victory and desire. The viral hiccup is indeed dangerous, surely dramatic and as great a mortal nuisance as there is but it will leave as fiercely as it came. A trail of debris and sorrow will be left behind but the Bourguignons are a resilient people to get past and move on.

Dinner at Le Bistro des Cocottes in Beaune

Dovetailing and Denominations

In algorithm design, dovetailing is a technique that interweaves different computations, simultaneously performing essential tenets. Bourgogne moves in such rhythm, not only from Côtes de Nuits north to Maçonnais south but also in vortex web design that incorporates Les Appellations Régionales. In Bourgogne the greater territory is tied together by threading all its constituent appellative parts through a mortise, designed to receive corresponding appellations on another part so as to join or lock the parts together. The chardonnay and pinot noir of Les Hautes-Côtes are tenoned through Côtes de Beaune and Côtes de Nuits, just as the reds of Irancy and Bourgogne Epineuil are threaded through the whites of Chablis to define a northerly Yonne-Serein section of Bourgogne. The same applies to the Côtes de Couchois with the Côtes Chalonnaise.

Jump to:

Chablis and Grand Auxerrois
Côtes de Beaune
Côte Chalonnaise
Côte de Nuits
Bourgogne Coulanges-la-Vineuse
Bourgogne Côtes d’Auxerre, Saint-Bris and Irancy
Bourgogne Epineuil, Chablis and Bourgogne Tonnere
Bourgogne Hautes Côtes de Beaune
Bourgogne Côtes du Couchois
Bourgogne Côte d’Or
Bourgogne Hautes Côtes de Nuits

Producers:

Domaine Jean Claude Courtault and Stéphanie & Vincent Michelet

Domaine du Clos du Roi
Goisot Guilhem et Jean-Hugues
Domaine Gruhier (Domaine de L’Abbaye du Petit Quincy)
Domaine Alexandre Parigot
Maison Roche de Bellene
Maison Bertrand Ambroise
Cave de Mazenay
Domaine Theulot-Juillot
Domaine de L’Évêché Quentin & Vincent Viticulteurs
Cave des Vignerons de Buxy
Domaine Bart (Pierre)
Domaine David Duband
Domaine Cruchandeau

Quai de l’Yonne, Auxerre


Grand Auxerrois

The Grand Auxerrois covers a multitude of very old small plots which are today sorted into four terroirs:
• The Auxerrois covers around a dozen communes to the south and southeast of Auxerre
• Farther to the east, beyond Chablis, the vines of the Tonnerrois are found in the valley of the Armançon, the river that runs through the little town of Tonnerre.
• In the south of the Grand Auxerrois region is the Vézelien, which covers Vézelay, Asquins, Saint-Père and Tharoiseau
• The slopes of the Jovinien look down over the town of Joigny, to the north of Auxerre

On these limestone soils, the wines are mainly produced from the traditional Bourgogne varietals of chardonnay and aligoté for whites, and pinot noir and gamay for the reds. Smaller quantities of césar for reds, and sacy or melon for whites are used, while the very old Bourgogne varietal césar sometimes makes a minor appearance in certain Irancy wines. There is an exception in Saint-Bris, where the winemakers produce very aromatic whites from the sauvignon grape.

The Grand Auxerrois brings a wide palette of appellations to the Bourgogne winegrowing region, mainly specific appellations Régionales:

  • Appellations Villages: Irancy, Saint-Bris, Vézelay
  • Appellations Régionales specific to Grand Auxerrois: Bourgogne Chitry, Bourgogne Côte Saint-Jacques, Bourgogne Côtes d’Auxerre, Bourgogne Coulanges-la-Vineuse, Bourgogne Epineuil, Bourgogne Tonnerre



Bourgogne Coulanges-la-Vineuse

The education begins in Bourgogne Coulanges-la-Vineuse, south of Auxerre in northwestern Bourgogne at the hamlet of the same name surrounded by five valleys; les vallées de Chanvan, de Douzotte, des Champs, de Chamoux, de Droit à Vente and de Magny. There are just over 135 total planted hectares, only 18 of which are chardonnay, with seven producers in the village and 15 overall in the appellation. Unlike virtually all other appellations in Bourgogne the wines produced here all come from the regional appellation, save for a small amount of Côteaux Bourguignons.

Exploring the @vinsdebourgogne of #coulangeslavineuse with great curiosity, emerging engaged, engrossed and charmed. Instructive tasting at Domaine du Clos du Roi.


Domaine du Clos du Roi

Red, White and Rosé are produced at Domaine du Clos du Roi from 16 hectares of chardonnay, pinot noit and césar. Founded in 1969 by Michel and Denise Bernard the domaine has been run by Magali Bernard and her husband Arnaud Hennoque since 2005. Magali is in charge of winemaking and sales while Arnaud the business and the vines. Chardonnay are gifted by generous bâtonnage and raised in demi-muid. The pinot noir purports to be the most typical from these lands, somewhat glycerin rich and clay-chalky with relatively soft and easy tannin. Raised in foudres de chènes (44 hL), the barrels introduced by Ludovin’s father and made in the traditional and historic way of the domain. César is the varietal wild card as noted by the 15 per cent whole cluster worked into pinot noir for the Clos du Roi “Coline” Nos Origines. 

Click here to see all reviews for the wines of Domaine du Clos du Roi

Clos du Roi Cuvée Charly Nos Origines 2015, Coulanges La Vineuse AOC

From viticulturist Bernard Magali Nos Origines ia a wine of generous bâtonnage a much easier vintage required less stirring and more accounting from naturally fortifying lees. This exceptional child must have loved its comforting and nurturing stay in demi-muids so now the imagination runs wild with gently rolling spice and thoughts of well-deserved aperitíf moments, especially with a semi-soft, almost firm Epoisses. Has lost little energy at this point in fact it’s still fresh as can be. Tells us something about the future for the ’18 though ’16 and ’17 will outrun the latter. Drink 2019-2021.  Tasted November 2019.

Clos du Roi “Coline” Nos Origines 2017, Coulanges La Vineuse AOC

The only cuvée in the portfolio that contains some cézar, at 15 per cent mixed into the pinot noir. Coline, Magali’s daughter. Carries a foot-treading tradition, perhaps more Portuguese than Bourgignons but this is the playful wine, not necessarily the serious one. More floral and quite full of citrus, namely pomegranate and especially blood orange. Falls somewhere in the middle, not between red and white but within a red spectrum of its own. Can see this as the correct one to drink with charcuterie. That’s the sort of structure it considers, especially because of the whole bunch workings inside. Drink 2019-2022.  Tasted November 2019

Saint-Bris and Côtes d’Auxerre


Bourgogne Côtes d’Auxerre, Saint-Bris and Irancy

The Auxerre vineyards (pronounced “Ausserre”), lying on either side of the river Yonne, boast ancient lineage, thanks to the abbey of Saint-Germain and a proximity to Paris. Today they are very much alive. In 1993, wines from the communes of Auxerre, Vaux, Champs-sur-Yonne, Augy, Quenne, Saint-Brisle- Vineux and Vincelottes were granted the right to add a local identifier to the appellation Régionale Bourgogne.

Lying alongside the river Yonne in the heart of the Auxerrois region, Saint-Bris-le-Vineux is an old stone-built village beneath which are extraordinary medieval cellars, running everywhere, the most astonishing examples of their kind in Bourgogne. They cover 3.5 ha, 60 metres underground. The quarries at nearby Bailly supplied the building stone for the Pantheon in Paris.

Irancy, in the Grand Auxerrois region, stands on the right bank of the Yonne river, some fifteen kilometres South of Auxerre and South-West of Chablis. It is typical of the wine-growing villages of the district. It boasts a majestic church, as well as the house where G. Soufflot, architect of the Paris Panthéon, was born. The handsome winemaker’s houses make a fitting setting for a red wine with such a long-established reputation. It was raised to the status of an appellation Village, which it shares with the neighboring villages of Cravant and Vincelottes, in 1999.

Guilhem Goisot


Goisot Guilhem et Jean-Hugues 

The family tree of the Domaine Guilhem & Jean-Hughes Goisot traces roots back to the 14th century and today the estate raises vines biodynamically in the communes of Saint-Bris-Le-Vineux and Irancy. They are unique on a hill position that straddles both the Saint-Bris and Côtes d’Auxerre appellations enabling production of both sauvignon blanc and chardonnay. Irancy is the source for pinot noir. Their cellar lays beneath the 11th-12th century village. Guilhem’s parents Ghislaine and Jean-Hughes took over production in 1979 while he and his wife Marie assumed the lead in 2005. Guilhem’s collection of calcareous rocks and especially ancient seabed shells and fossils is perhaps the most incredible in Bourgogne. His translation of three terroirs is concise and exacting. These are some of Bourgogne’s most focused wines that elevate the power, precision and status of these three furthermore there appellations.

The precise, focused and compact pinot noir, chardonnay and sauvignon blanc of @guilhemgoisot from out of the @vinsdebourgogne proximate terroirs of #cotesdauxerre and #saintbris ~ Plus some of the great rocks anywhere.

Click here to see all reviews for the wines of Goisot Guilhem et Jean-Hugues

Goisot Guilhem et Jean-Hugues Les Mazelots 2017, Irancy AOC

A Villages wine from and for Irancy from 100 per cent pinot noir. Aromatically quiet, not unusual for the appellation and especially without any of the allowable 15 per cent cézar in the mix. Quite pure and similarly structured to the Côtes d’Auxerre in that it’s not full-bodied but is in fact tightly compact. More implosive intensity and idiosyncrasy with a chalky underlay from white to grey soil high in calcaire and layered with arglieux. Yet another very refined wine. This man knows how to use his sulphur properly. Clean, focused and very precise. Benchmark for Irancy. Drink 2020-2026.  Tasted November 2019

Goisot Guilhem et Jean-Hugues La Ronce 2017, Bourgogne Côtes d’Auxerre AOC

The next Climat behooves the already pronounced adage that these wines increase upwards from one to the next in delicasse, precision and possibility. There is an earthy grounding in La Ronce that seems absent in Le Court Vit and here makes for a new structure, or rather a more complex one. Now taking another step into variegated terroir replete with all the fossils, shells and epochs of clay, limestone and multi-hued soils all filling up the elemental well. These vines draw from it all and it shows with precise sapidity, aridity, salinity and validity in the aromatic character and flavour profile. A conditioning that is sweet because the fruit is pure and savoury with thanks to the acid-tannin structure that makes this sing. Amazing purity, grace and possibility. Drink 2022-2031.  Tasted November 2019

Goisot Guilhem et Jean-Hugues Gondonne 2017, Bourgogne Côtes d’Auxerre AOC

A soil of kimmeridgian and marl of white and blue, with great layering of fruit and that is in fact what you feel from Gondonne. There is something rich and overtly expressive here and while it’s anything but simple it could be imagined that so many consumers would understand this chardonnay, love it and want to drink it with abandon. That said the structure, gout de terroir and de vivre are just exceptional. The wood and the land just melt right in. Drink 2020-2029.  Tasted November 2019

Goisot Guilhem et Jean-Hugues La Ronce 2017, Saint-Bris AOC

Usually this is a Climat reserved for holdings in Côtes d’Auxerre but in this case the northwest exposure is indeed within the appellation of Saint-Bris. In fact there’s more affinity with chardonnay here and also conversely more terpenes in the notes. Also pyrazines which is more than curious. Ripe too and ultimately a most curious expression of sauvignon blanc. It’s got everything in here, in hyperbole and more. Drink 2020-2028.  Tasted November 2019



Bourgogne Epineuil, Chablis and Bourgogne Tonnere

The Tonnerrois region lies in the southern Yonne not far from Chablis. Épineuil the commune won the official right to identify its wines by name within the general appellation Bourgogne in 1993. The word Épineuil may only be appended to the word Bourgogne in the case of red or rosé wines produced within the defined area of the appellation. On the label, the word Épineuil must follow the word Bourgogne. The soils, full of white pebbles, resemble those of the nearby Chablis region (Kimmeridgian or associated limestones) and have definable qualities. Where the vineyard district is broken up into valleys, the vines are sheltered from the cold winds of the Langres plateau and reap the benefit of a favourable microclimate.

I’ve considered Chablis many times before. “There is little about Chablis that is not drawn up in contrasts. It begins with Left Bank versus Right Bank, the Serein River and the village of Chablis acting as the interface between. Petit Chablis giving way to the more important Chablis and then Premier Cru the varied and always impressive interloper separating the villages wines from the Grand Cru. Chablis as a varietal concept, as opposed to and unlike anywhere else in the world, seemingly unrelated to chardonnay.”

Related – Paradox in Chablis

“The greatest paradox of all is written in stone along a few ridges and across the most important set of hills above the river. Deep-rooted, inveterate purlieu of geology in eight names; Les Preuses, Bougros, Vaudésir, Grenouille, Valmur, Les Clos, Blanchot and unofficially (depending on political affiliations), La Moutonne. Les Grand Crus of Chablis are singled out not only for their exceptional terroir and climat but also for the impossibility of what happens when fruit is pulled from their chardonnay vines. The Grand Cru are oracles in complex riddles, transcendent mysteries and the most enigmatic of all Chablis. I suppose it’s because the rich fruit versus exigent stone is the epitome of Chablis paradox.”

Domaine Jean-Claude Courtault, Lignorelles


Domaine Jean Claude Courtault and Stéphanie & Vincent Michelet

Stéphanie Courtault-Michelet is the daughter of Jean-Claude and Marie-Chantal Courtault. She and her husband Vincent Michelet farm 20 hectares in the appellations of Bourgogne Epineuil and the four that comprise Chablis. The business dates back to 1984 and today both Domaine Jean-Claude Courtault and Stéphanie & Vincent Michelet produce Chablis from vineyards in Beines and Lignorelles, at a windy and cool spot on the top of the hill above the Vau Ligneau. Their Bourgogne Epineuil Climat is the Côte de Grisey from a valley and off of vines that face west.

Click here to see all reviews for the wines of Domaine Jean Claude Courtault and Stéphanie & Vincent Michelet

Stéphanie & Vincent Michelet Chablis AOC 2018

From only one hectare of vineyards right on the line between Lignorelles and Villy and much of the vines are in and about 60 years of age. A very concentrated yet somehow delicate and quite precise Chablis that weighs in above it’s appellative status, if only because it’s not considered one of the more coveted terroirs. Here at the limits of Chablis there is a micro-climate that speaks a Premier Cru vernacular, categorized or not. Very much a calcareous child, fresh, darting, never tiring and innocent. That means it’s focused and pure. Drink 2020-2026.  Tasted November 2019

Domaine Jean Claude Courtault Chablis Premier Cru AOC Mont De Milieu 2017

From young vines and certainly quality fruit that comes across as simple, sweet and charming. From a valley and vines that face west with a darkening cherry profile, mainly clay induced with just a little stoniness from the limestone. Finishes with just a touch of tannin in a notably dried herbs and arid way. Find your food match, like a little pot au feu of tête de veau. Drink 2020-2022.  Tasted November 2019

Dominique Gruhier


Domaine Gruhier (Domaine de L’Abbaye du Petit Quincy)

More often than not it should be a conscionable imperative to trust a man with a great hat. Dominique Gruhier in Epineuil walks around the Abbey of Quincy in a characteristic, dashing calibre lid. The Abbey was founded in 1212 by Cistercian monks, sold in 1792 as a natinal asset ands was preserved in pastoral and viticultural terms through 1914. Though it fell to Phylloxera and disrepute there was activity through 1970. Twenty years later The Gruhier family began the resurrection and today create Bourgogne Epineuil and Tonnerre wines that lead for the appellations. Dominique’s Sparkling Wine program is at the head of Bourgogne’s new world order for classic method Crémant de Bourgogne AOC preparations.

 

Click here to see all reviews for the wines of Domaine Gruhier (Domaine de L’Abbaye du Petit Quincy)

Domaine Gruhier (Domaine de L’Abbaye du Petit Quincy) Cuvée Juliette 2017, Bourgogne Epineuil AOC

Named for Dominique Gruhier’s eldest daughter Juliette. A lighter, more delicate and refined Tonnerrois with floral cherry and cherry blossom aromatics, moving away from the darker ultra-violet notes of the following vintage and also two forward based on what’s in barrel. The tannins are fine like those 2019s but the wine has more tension than 2018. Righteous structure in a wine to last well past the namesake’s 21 birthday.  Drink 2020-2024.  Tasted November 2019

Domaine Gruhier (Domaine de L’Abbaye du Petit Quincy) Grande Cuvée Pur Chardonnay Brut Nature, Crémant de Bourgogne AOC

The eminent one or rather the grand eminent. His eminence is a zero dosage, 100 per cent Crémant of zero put on. From an accumulated amount of solare the make up is 85 per cent 2015 and the other 15 a sparkling wine with everything up front, on its sleeve and one that just screams “won’t you come and join the party, dressed to kill.” A second, just opened bottle reveals the great strike, right from the opening keyboard whirl to the final shout. Drink 2019-2024.  Tasted November 2019



Côtes de Beaune

The Côte de Beaune vineyards lie on the upper slopes of the Montagne de Beaune just above the Premier Cru plots at heights of 300 to 370 metres and on brown limestone and calcium-rich soils, Oolitic and Rauracian (Jurassic) in origin. The special value of these vineyards is attested by the fact that one of the Climats belonging to this appellation, located on Mont Battois, is a dedicated part of Bourgogne’s vine-science research program. When Beaune’s twins AOCs were instituted in 1936, it was the higher altitude vineyards which became the Côte de Beaune appellation. Unlike the appellation Côte de Beaune-Village, with which it must not be confused, it refers to one commune only – Beaune. Within this relatively restricted area, the appellation Côte de Beaune produces one third white wines (chardonnay) to two-thirds red (pinot noir).

A night in Beaune. Thank you Nico. Je me souviendrai toujours.


Bourgogne Hautes Côtes de Beaune

The Bourgogne Hautes Côtes De Beaune Régionale appellation covers still red, white, and rosé wines produced in an area covering 29 villages that was defined in 1961. The vines are located at the foot of the limestone cliff on the sunny slopes of a ribbon of valleys perpendicular to the Côte de Beaune, from Les Maranges to Ladoix-Serrigny heading west. Wine from the Hautes Côtes de Beaune was drunk at the coronation of Philippe Auguste in 1180. The vines underwent a period of expansion, linked to economic growth throughout the 19th century, until phylloxera struck. Between 1910 and 1936, almost half of the vineyard disappeared. Its renaissance stemmed from the reestablishment of the winegrowers union of the Hautes Côtes de Beaune in 1945, which was responsible for the creation of the appellation on 4 August 1961.


Domaine Alexandre Parigot

Marie et Régis Parigot have handed the reigns to Domaine Parigot to their son Alexandre who is clearly poised to become a star for pinot noir threaded from Hautes-Côtes de Beaune through Savigny, Volnay and Pommard. Today Domaine Alexandre Parigot cultivates 18 hectares in total, 15 of which are pinot noir. The Hautes-Côtes de Beaune vines are of south, southwest expositions on very fine argileux-calcaire, quite sandy and causing wines of elegance and finesse. Le Clos de la Perrière is a benchmark for the appellation. Two to three weeks of classic remontage from which the closing of the tanks and raising of temperature to 32 degrees post fermentation brings this and these pumped over Parigot pinot noir into their silky and seductive state.

Click here to see all reviews for the wines of Domaine Alexandre Parigot

Domaine Alexandre Parigot Clos de la Perrière 2017, Hautes Côtes de Beaune AOC

The Domaine cultivates 18 hectares in total. The Hautes-Côtes de Beaune vines are of south, southwest expositions on very fine argileux-calcaire, quite sandy and causing wines of elegance and finesse. A fresh and silky pinot noir with 2017’s great purity and transparency of fruit. Transparency but subtle glycerin texture which is truly an extension of the sweet aromatic profile. A perfectly enlivening nine o’clock in the morning Haut-Côtes. Drink 2020-2024.  Tasted November 2019

Domaine Alexandre Parigot Pommard-Charmots Premier Cru AOC 2017

From the plot just beneath the village at the height of Pommard. The particularity of 2017 grapes is their fineness of skins and perfectly phenolic gifts donated with great philanthropy by the perfectly ripened seeds. But in this case the laces are once again pulled tight, with great power in even greater finesse. There’s an elegance opposed by a controlled tension that puts this in a position of posit and positive tug, though always charged with something higher and opposing. Drink 2022-2032.  Tasted November 2019

Domaine Alexandre Parigot Clos de la Perrière 2010, Hautes Côtes de Beaune AOC

The 2010 is incredibly fresh, showing negligible evolution, with no advancement into mushroom or truffled territory. Certainly no blood orange and still welling with cherries. No desiccation, only fresh fruit and high acidity. Very impressive showing for a nine year-old Hautes-Côtes de Beaune. Drink 2019-2024.  Tasted November 2019

And of course in Beaune we tasted 30 Bourgogne with Nico @johnszaboms @nicholaspearce_ @domaine_de_bellene


Beaune to be wild – Maison Roche de Bellene

There really is nothing Nicolas Potel can’t do, does not touch or lacks kinship with all things Beaune. Potel’s father Gérard was larger than life, local hero and legend, one of Bourgogne’s most cherished and beloved, the King of Volnay and who’s legacy can’t ever be forgotten. While at dinner in Beaune in November Nico suddenly disapparated to teleport 20 minutes home and back, to retrieve and then share his dad’s 1964 Domaine de la Pousse d’Or Pommard Premier Cru Les Jarollières. Why? It was suddenly the right time and it was sublime. In fact the city of Beaune was called Bellene back in the Middle Ages and this is the reason Potel chose the name for his brand/wine merchant/négoce domaine. Maison Roche de Bellene is a force to be reckoned with, a seer of all things and provider of a cross-section of many terroir to educate us all on the power of Bourgogne multitude and multiplicity. Nicolas does have a reputation for being the wild child of Beaune and yet he is also known for his generosity, mainly of spirit. One never forgets a night in Beaune with the infamous Nicolas Potel.

Tasting with Nicolas Potel at Maison Roche de Bellene

Click here to see all reviews for the wines of Maison Roche de Bellene

Maison Roche de Bellene Beaujolais Côte de Brouilly 2015

Larger than life, at least by normal Brouilly standards, here from Stéphane Aviron’s hands transferred into Nicolas Potel’s arms. There’s a blowsy, boisterous and open-handed handle in this gamay, ready for anything. Was ready, remains ready and will always be ready. Rich, fatter and appealing. Drink 2019-2022.  Tasted November 2019

Maison Tastelune Monthelie AOC 2017

Tastelune is a play on Tastevin in ode to how labels of Nuits-Saint-Georges Bourgogne were brought on an Apollo mission to the moon. Quite firm, grippy and near glycerin in texture, quite rich for 2017. Generally speaking the winemaker makes use of 30-40 per cent whole bunch, no punchdowns and just pump-overs. The result is a true sense of grip and grit. Drink 2020-2026.  Tasted November 2019

Maison Roche de Bellene Volnay AOC Vieilles Vignes 2016

A high quality fruit year means one major thing in Nicolas Potel’s hands and that’s 100 per cent whole bunch in the fermentation. These lignified brown stems add the sort of complexity that great Bourgogne just has to have. Plenty of fine tannin, grip for the future and real swagger. Drink 2022-2030.  Tasted November 2019

Maison Roche de Bellene Bourgogne AOC Chardonnay Vieilles Vignes 2017

The old vines chardonnay, just as Nicolas Potel has managed to effect with the pinot noir is a matter of bringing Bourgogne to the market. The old vines carries a purpose and an intendment to speak as a by the glass matter with a classic regional styling, clean, crunchy and white cherry fruit designed. Made reductively and for freshness to consume with great immediacy. That’s exactly what it does. Buy into the program. Drink 2019-2021.  Tasted November 2019

Maison Roche de Bellene Chassagne-Montrachet Premier Cru AOC Trés Vieilles-Vignes 2016

Why Trés? Because they are. They meaning the vines which are more than 80 years old. Wisdom, acumen and inbred understanding translated and transported into this Bourgogne of chic stature and the sort of class only Nicolas Potel can gift. Balance is spot on. Drink 2021-2031.  Tasted November 2019

Ludovine Ambroise, Maison Ambroise


Maison Bertrand Ambroise

Maison Ambroise dates its origins to the 18th century and 1960 is about the time the family begins making a life around the vineyard after two and a half centuries of unsettled times. The location is Premeaux-Prissey, across the road and proximate to Nuits-Saint-Georges on a dividing line that separates the two Côtes, de Beaune and de Nuits. In 1987 Bertrand Ambroise takes over management of the 17 hectare domaine which he now runs with his family; Martine, Ludovine and Françoise. These are chardonnay and pinot noir in the space between, dualistic, generous and austere, bold and forgiving, demanding and generous. Truly Bourgogne.

 

Click here to see all reviews for the wines of Maison Bertrand Ambroise

Maison Bertrand Ambroise Bourgogne Chardonnay Haut-Côtes de Nuits AOC 2018

A step up in height and tension for a reductive one that may not speak in the same fruit terms as the regional chardonnay of higher calling, but welcome to the new and exciting Hauts denomination. This is crackerjack Bourgogne, with real strength in tension. So much fun, joy, excitement and delight. Drink 2020-2024.  Tasted November 2019

Maison Bertrand Ambroise Bourgogne Pinot Noir Haut-Côtes de Nuits AOC 2018

From near the village of Villers there’s a refinement about this pinot noir that speaks to the chic abilities of the Haut-Côtes de Nuits. Black cherry and high acidity all oozing, welling and pulsing out of concentration. If the whites are crunchy then the reds are chewy and this sits at the top of the spectrum. The top pinot noir for sure and equipped with the finest tannins. Drink 2020-2026.  Tasted November 2019

Maison Bertrand Ambroise Nuits-Saint-Georges AOC 2017

A Villages Nuits-St.-Georges (sans Climat) with a peppery reduction that will blow off with time, just not in these few minutes of dating. In fact some hand-covered agitation does the trick and releases the florals you’d imagine would be present. The firm grip is just outstanding, as is the liquid velvet mouthfeel with true argiluex underlay. From fruit just north of the village and clearly a spot that delivers some of the appellation’s great finesse. Terrific pace and compact structure while also rich for 2017 but not so unexpected from the place. Drink 2021-2031.  Tasted November 2019

Côte Chalonnaise


Côte Chalonnaise

The appellation Bourgogne Côte Chalonnaise dates from 1990 and recognizes the distinct personality of wines from the 44 communes in the northern part of the department of Saône-et-Loire, an area some 40 km long and between 5 and 8 km in width. Lying between the valleys of the Dheune and Grosne and open towards the South, the Côte Chalonnaise offers a less rugged landscape than those of the Côte de Nuits to the North. These gentle hills are outcrops of the Massif Central thrown up by the creation of the rift valley known as the Bresse Trench. In the North, limestone forms the East-facing slopes and there are outcrops of lias and trias formations (Saint-Denis, Jambles, Moroges). South of the granitic block formation at Bissey, the hillsides slope either to the East or the West until they reach the hills of the Mâconnais. The soils below the Bajocian limestone corniche are marly, with sands and shaly or flinty clays at the foot of the slopes where there are also some gravel outcrops. Altitudes vary from 250 to 350 metres.

Pruning in the Côte de Couchois


Bourgogne Côtes du Couchois

The Bourgogne Côtes du Couchois Régionale appellation covers still red wines produced in an area covering six villages that was defined in 2000. An application for AOC-status for the white wines is currently ongoing. The vines of Bourgogne Côtes du Couchois are located to the south of the Côte de Beaune and the Hautes Côtes de Beaune, on the left bank of the River Dheune, which separates it from the Côte Chalonnaise to the east. They grow on the best slopes in this rolling landscape, offering some remarkable viewpoints. The vines are divided up across south- and southeast-facing slopes at between 280-420m above sea level, with a climate marked by continental influences that leads to relatively late ripening. The soil is characterized by granite from the Primary period, clay sandstone and clay from the Trias, and limestone from the Lower Jurassic. Most of the vines in the Bourgogne Côtes du Couchois appellation sit atop versicoloured clay from the Trias.

Château de Couches, a.k.a Marguerite de Bourgogne, Chagny


Cave de Mazenay

Jean-Christophe Pascaud is the Directeur of the Cave de Mazenay, Union des Producteurs at Négociants de l’AOC Côtes du Couchois, located in Saint-Sernin-du-Plain in Saône-et-Loire. Their most particular wine is the Blason de Vair from the Château de Couches vineyards. Although located since its creation in the very heart of the Couchois appellation, the cellar’s approach is not limited to the work of a single PDO. But also to the production of a complete range of Bourgogne wines, mainly from Côtes de Nuits to Côtes Chalonaises, and of course also including Côtes de Beaune. Their range is extensive and includes the sale of bulk wines. Production includes Bourgogne Pinot Noir et Hautes-Côtes, Maranges et Santenay, Savigny les Beaune, Pommard et Meursault, Gevrey Chambertin, Vin des Hospices de Beaune, Bourgogne Aligoté, Viré-Clessé, Rully, Givry et Mercurey, Crémant de Bourgogne.

The Cave is intrinsically tied to one of Bourgogne’s most famous castles and medieval fortification, the Château de Couches, known as Marguerite de Bourgogne, near Chagny and classified as a historic monument. The château is a former fortress of the Dukes of Bourgogne dating back to the 11th century, with a dungeon, underground, garden and of architecture designed between the end of the 11th and the 19th century. Acting as a form of protection for the route between Paris and Chalon-sur-Saône, over the centuries, the château underwent many changes, but its defensive character remains intact. This fortress dominates the road and the surrounding countryside from the top of its crenellated towers and its keep.

Marguerite of Bourgogne was the granddaughter of King Saint Louis and daughter of the Duke of Bourgogne. She spent part of her youth in this place. Her marriage to the future Louis X le Hutin made her a queen of France but, convicted of adultery, she was locked away in the fortress of Château Gaillard in Normandy. Legend claims that after the death of her royal husband, secret negotiations between the crown and the powerful Duchy of Bourgogne would have enabled her to end her days in Château de Couches.

 

Click here to see all reviews for the wines of Cave de Mazenay

Cave de Mazenay Château de Couches Blason de Vair Clin d’Oeil 2016, Côtes du Couchois AOC

The fruit meeting acidity seam is woven properly in this right proper grippy pinot noir with less wood notice and more up front terroir in the transparency of this wine. These are the Bourgogne cherries and sense of terroir piques we’ve come to expect and translate to our own language of understanding. Tightly wound with much finer tannins than the other wines. A much better vintage in this particular case. Drink 2020-2025.  Tasted November 2019

Cave de Mazenay Château de Couches Chardonnay Clos Marguerite Passonnément 2018, Côtes du Couchois AOC

A wood at the forefront chardonnay for now with a greater reductive freshness than the ’17. A similar ripe, sun-worshiped quality though more structure and integration it would seem. The winemaking is better in this second incarnation of the company’s top chazrdonnay. This would impress the Bourgogne seeker of higher end chardonnay. Drink 2020-2024.  Tasted November 2019

Nathalie and Jean-Claude Theulot, Domaine Theulot-Juillot


Domaine Theulot-Juillot

Few producers in Bourgogne will offer a more profound, deep, philosophical and über historical delve into the triumvirate of terroir, lieu-dit and Climat as Jean-Claude and Nathalie Theulot. Their Mercurey estate is one of the regions great sleepers, founded more than 100 years ago by Émile Juillot. Granddaughter Nathalie and her husband Jean-Claude run the 12 hectare farm of Mercurey Villages and sense of place pinot noir that can age 20-25 years.

 

Click here to see all reviews for the wines of Domaine Theulot-Juillot

Vignobles Nathalie Theulot Côte Chalonnaise AOC 2018

From Nathalie and Jean-Claude Theulot, their négoce part of the estate’s production, here a transparent and simple expression of chardonnay. Drawn from Mercurey vineyards though outside of the limit to name this Mercurey AOC, this is fruit grown specifically for basic consumption. The richesse and finesse take it further than many with traditional and classic touching great modernity. Just a bloody delicious and balanced chardonnay. That’s the proper stuff. Drink 2019-2022.  Tasted November 2019

Domaine Theulot-Juillot Mercurey Premier Cru AOC Les Saumonts 2018

A red terroir planted to white now 35 years ago, then and now, without fear. Clearly a more mineral, saline and fine brine inducing plot of Mercurey for chardonnay. Truly rich and developed with ideal, precise and extract sidling phenolics. Ripeness is truly a virtue and exclamation exercised with confidence and also restraint. The wood is necessary and invited, always present while finding a balance between thermal amplitude and cooling comfort. Very young, in structure and at heart. Drink 2022-2029.  Tasted November 2019

Domaine Theulot-Juillot Mercurey AOC Lieu-Dit Château Mipont 2018

From two words, “Mi” and “Pont,” meaning a milestone or military marker at the bridge on the ancient Roman road from Chalon to Autun. The house or fort would have been a dwelling on the plot where the stone was set and now the lieu-dit carries the name. This is still Villages appellation and yet there’s a climb above in quality, from texture for sure but also calcareous excitement. It’s a complicated spot to define but there is more limestone because the soil washes away in a section due to the exposition and the “plunge” of that part. There’s a tension but not an anxious one, no rather the lift is simply of joy in a rapid heartbeat, from love, not consternation. Drink 2022-2028.  Tasted November 2019

Domaine Theulot-Juillot Mercurey AOC Premier Cru La Cailloute 1999

A blind pour without knowledge of Climat, lieu-dit or vintage. Certainly older than 2010, now with mushroom and truffle involved but still high in acidity. There is also the ferric quality that was noted in the Cailloute. The tannins are so limestone driven with a red earthiness that converts sugars to savouriness and fruit to umami, Life affirming, longevity defying and quality of all its constituent parts. This is why Jean-Claude and Nathalie do what they do and share it with people like us. Drink 2019-2024.  Tasted November 2019

The Côte Chalonnaise from Domaine de L’Évêché Quentin & Vincent Viticulteurs


Domaine de L’Évêché Quentin & Vincent Viticulteurs

In the 17th century the Clos de L’Évêché was part of a larger property owned by the Bishop of Autun. Vincent Joussier purchased Domaine de L’Évêché in 1985 and runs the estate today with his wife Sylvie and son Quentin. The Côte Chalonnaise vineyards cover 14 hectares across several appellations: Mercurey, Bourgogne Côte Chalonnaise, Crémant de Bourgogne, Coteaux Bourguignons and Bourgogne Aligoté. Most of the production comes from pinot noir (80 per cent) and chardonnay (15) but also small amounts of aligoté and gamay.

 

Click here to see all reviews for the wines of Domaine de L’Évêché Quentin & Vincent Viticulteurs

Domaine de L’Évêché Quentin & Vincent Viticulteurs Mercurey AOC Les Ormeaux 2017

Just the terroir makes the difference,” explains Vincent Joussier, “and the age of the vines.” They are in fact 10 years older and handle their wood compliment with greater acceptance and ease. Still quite a creamy chardonnay but this time with lemon curd, dreamy demure and finer spice. A much more refined and defined wine with much greater sense of place. Certainly the Premier Cru of Vincent’s blancs. Drink 2021-2025.  Tasted November 2019

Domaine de L’Évêché Quentin & Vincent Viticulteurs Mercurey AOC Les Murgers 2017

Now into a pinot noir with some tension as purposed by a calcaire Mercurey terroir, as opposed to the simpler argile in the Côte Chalonnaise. Not just grip, tension and tannin but a fineness in those chains to extend the future’s possibilities. Fruit is relatively dark but there is a persimmon flavour and texture mixed with something citrus undefined. Maybe pomegranate but also wooly-earthy, like red Sancerre. Quite a complex wine with a sour complexion. Needs time to integrate to be sure. Returns to earth and fineness at the finish. The length is outstanding. Drink 2021-2025.  Tasted November 2019



Cave des Vignerons de Buxy

Bourgogne’s most impressive cooperative producer is none other than Cave des Vignerons de Buxy, established in 1931 and easily the largest in the Côte Chalonnaise. Located in the North of the Mâconnais, the “cave” groups together fifty or so family producers associated with the Cave des Vignerons de Buxy since 1976. The range of wines from the Mâconnais and the Côte Chalonnaise is nothing less than extensive. At least 20 white, red and rosé appellations are bottled and represented. At the forefront of it all is the passionate Rémi Marlin, he of knowledge encompassing all things Mâconnais and especially Côte Chalonnaise.

 

Click here to see all reviews for the wines of Cave des Buxy

Cave des Buxy Millebuis Côte Chalonnaise AOC 2017

A very different vintage but more backbone in 2017. Even fresher and even now than the 2018 with more than 90 per cent of the growers’ fruit the same. Less than 10 per cent fermented in barrel because the vintage served up the possibility and the chance taken was a prudent and ambitious one. Fresh and snappy, really and truly perfectly Côte Chalonnaise. Drink 2019-2021.  Tasted November 2019

Cave des Buxy Millebuis Côte Chalonnaise AOC Champ Cardin 2018

On the plateau up to the village of Culles (des Roches) only seven kilometres from the Cave. Champ Cardin makes use of its higher elevation at 300-plus metres above sea level. There is more fruit and acid attack along with a longer chain of extract  giving sharp mineral notes that also come through caused by less topsoil and more exposed rock in the upper reaches of the vineyards. Well-balanced chardonnay from a solid lieu-dit. Drink 2020-2023.  Tasted November 2019

Cave des Buxy Millebuis Montagny AOC Premier Cru Montcuchot 2017

Located at the entrance of “the circus,” in front of the amphitheatre, oriented south and southeast. At 350m and with the aspect it’s an early maturing Climat, of 12.3 hectares on steep hillsides with the vines are planted at the top of the slopes. Quite “clayeux,” as in chalky with that great Montagny richesse. You feel like you’re chewing this chardonnay long after it has left your mouth. Drink 2020-2026.  Tasted November 2019

Cave des Buxy Millebuis Côte Chalonnaise AOC 2016

The vintage for pinot noir to deliver and express the best of both worlds it is the sense of piquing spice that separates this Côte Chalonnaise from the pack. There’s also an earthy volatility that grounds, elevates and keeps it real. Chalky finish as expected in a pinot of really solid architecture. Drink 2020-2024.  Tasted November 2019

 

Cave des Buxy Millebuis Givry AOC Cur Clos Jus 2016

A high level of iron-oxide is contained withy the clay of Cur Clos Jus, just below the road from Givry to Mercurey. It’s a seven hectare plot re-planted in the late 70s early 80s and farmed by only five growers. Two years of age (more than the ’16) is finally showing some advancement and even a moment of relenting behaviour. A few portents for the future are hidden and then released in this bloody, meaty and piquillo-paprikas of a Givry. Drink 2020-2026.  Tasted November 2019


Côte de Nuits

The Côte de Nuits and Hautes Côtes is predominately cultivated with pinot noir and holds most of the region’s Grands Crus. Much of the small production of white wine is chardonnay though aligoté is also grown. The reputation of the appellations of the Côte de Nuits is firmly established. Some have even gone so far as to name this exceptional terroir the Champs-Elysées of the Bourgogne winegrowing region. This sophisticated pseudonym also explains the reality of the terrain. Between Dijon and Corgoloin, the wines grow along a narrow strip of hillside that is around 20km long and in parts, just 200 meters wide.

Andouillette


Bourgogne Côte d’Or

The vines of the Bourgogne Côte d’Or appellation extend across an area 65km long and between 1-2km wide, from Dijon to the Maranges. Geographically speaking, the Côte d’Or (golden slope) covers the Côte de Beaune and the Côte de Nuits. The reputation of the wines grown here is such that the department was named after the area during the Revolution. Vines have been grown here since antiquity, and were subsequently expanded by religious orders, the Dukes of Bourgogne, the wine merchants.

In the 19th century, new means of transportation facilitated and modernized the sale. The establishment of the AOC system led winegrowers to build a hierarchy of terroir on the Côte, thus marking out specific areas and protecting their Crus. In 2017, producers of the Régionale appellation Bourgogne from Côte de Nuits and Côte de Beaune were granted the extended name of “Bourgogne Côte d’Or”, their wines thus becoming Bourgogne Identifiés within the Régionale Bourgogne AOC, limited to specific geographical areas within the Bourgogne appellation.

If you ever find yourself in Bourgogne, Côte-d’Or, Nuits-Saint-Georges and Curtil-Vergy do not miss the cuisine and the playlist of Olivier Lebail. Grand jour! ~ #aupetitbonheur #aubergebourguignonne


Domaine Bart (Pierre)

Fifty years after André Bart was farming only six hectares of vines, sixth generation Pierre Bart is now the custodian in Marsannay-la-Côte, working 22 hectares of vines.  After André’s children Martin and Odile arrived in 1982 they founded a farming association for combined operations in 1987, to continue operating as the GAEC.  Pierre Bart is a community leader in the process to recognize the more important vineyards of the Marsannay appellation as Premier Cru. Approximately one in four identified blocks in separated bottlings of the appellation are up for Premier Cru status consideration and while his intention is to highlight these Climats, he is also pragmatic about which ones should remain in the Village appellation. The most likely to suceed are Champs Perdrix, Champ Salomon, Clos du Roi, Longeroies and Montagne.

Click here to see all reviews for the wines of Domaine Bart (Pierre)

Domaine Bart (Pierre) Bourgogne Côte d’Or AOC 2018

Bourgogne Côte d’Or AOC began in 2018 after years of incremental appellative movement. There was Bourgogne AOC in 1965, followed by Marsannay AOC in 1987. The entire cuvée comes from fruit grown in Marsannay, mostly on sandy soils created by washes coming down from the hills. In this case Combe Grand Vaux and Combe Semetot. If 2018 seemed open than ’17 is fully un-shuttered and doing great business. Interesting how on the calcareous soils you always get a chalky feel but here just smooth, silky and immensely amenable. What a great pour by the glass right here in so many ways to justify this from Marsannay in Bourgogne Côte d’Or AOC clothing. Fine and delicate.. Drink 2019-2021.  Tasted November 2019

Domaine Bart (Pierre) Marsannay Rosé AOC 2018

Marsannay Rosé AOC began in 1987 after years of incremental appellative movement. There was Bourgogne AOC in 1965, followed by Marsannay AOC in 1987. It can be drawn from both the Villages and the Bourgogne appellations, a particularity specific to labelling it Marsannay Rosé. The fruit is drawn from sandy soils and made from the Marsannay pinot noir. Two thirds direct press and one third (48 hour ) maceration. Not a huge quantity made in the appellation and here with plenty of fruit undercut by a current or streak of sweet salinity. Tons of flavour and unlimited drinkability. Drink 2019-2020.  Tasted November 2019

Domaine Bart (Pierre) Marsannay AOC La Montagne 2017

From a very small, seven barrel cuvée and a tiny parcel near the northern limit closest to the hill. There is some primary calcaire mixed into the white oolite dominated soil. Twenty per cent whole bunch fermentation and 20 per cent new oak with the accumulation result being a notable raise and rise in this Marsannay Villages Climat’s fine acidity-tannin relationship. There’s a study in here in consideration of Premier Cru though one that sits on the fence. A little too amenable and subtle of appellative grip to be in the running. Drink 2020-2026.  Tasted November 2019

Domaine Bart (Pierre) Marsannay AOC Au Champ Salomon 2017

From near the mountain and the place (Champ) where people were killed. Here is the Marsannay that I personaly have come to know and expect, laced pulled so tight but there is a quality to Bart’s fruit that is consistently woven through the Climats. Clearly a matter of hands off/hands on winemaking playful of whole bunch, new wood, temperature adjustment and easy movement work. These are wines of great pleasure and while the structure here moves the needle to a 10-15 year aging potential there is no question the pleasure is early and almost instant. There’s something very special about that. Drink 2021-2030.  Tasted November 2019

Signs and portents. First an afternoon Chevannes rainbow and then more examples of on-a-want-to-know-basis #hautscotesdenuits @vinsdebourgogne ~ Oh, some pretty stylish Climat and Grand Cru as well from Domaine #DavidDuband


Bourgogne Hautes Côtes de Nuits

At one time apparently doomed to disappear the vineyards of the Bourgogne Hautes Côtes de Nuits have since the 1950s undergone a patient, courageous, and ultimately successful restoration. They are situated overlooking the slopes of Gevrey-Chambertin and extending as far as the wood of Corton, the Hautes Côtes de Nuits. Little villages nested in the forest fringes lay waiting to be discovered. The vineyards located on a plateau behind the famous Côte de Nuits  and village of Nuits-Saint-Georges at altitudes of 300 to 400 metres cover all these slopes which enjoy favourable exposures and proudly preserve their proof of nobility going back to Vergy and the abbey of Saint-Vivant.

High-level discussion at Domaine David Duband


Domaine David Duband

The domaine was created in 1991 in the footsteps of David’s father Pierre who first started in 1965. From 1995 on and after his father’s departure the estate made several purchases and extended to making wines off of 17 hectares of vineyards. No less then 23 prestigious appellations are employed, including important Côtes de Nuits Premier and Grand Cru. The wines cover the Grand Cru of Echezeaux, Chambertin, Charmes-Chambertin and Clos de la Roche; the Premier Cru of Chambolle-Musigny Les Sentiers, Nuits-Saint-Georges Les Procès, Aux Thorey and Les Pruliers, Morey-Saint-Denis Clos Sorbè; Villages from Vosne-Romanée, Gevrey-Chambertin; Hautes Côtes de Nuits. The farming is organic since 2004.

Click here to see all reviews for the wines of Domaine David Duband 

Domaine David Duband Pinot Noir Louis Auguste Bourgogne Haut-Côtes de Nuits AOC 2017

Tasting with Laurent Berger. Located in the village of Chevannes, next to the Côte de Nuits with some vineyards in Nuits-Saint-Georges and some in Savigny. A négoce of most of the important Côte d’Or and Côtes de Nuits appellations. Here from the Hauts-Côtes at the top the south facing hill off of 35 year-old vines growing on full calcaire slopes. Mixes a wealth of fruit and tart acidity sent straight to the cerebral cortex, crux and cross of the heart. Well made, clean and ideally balanced. Drink 2020-2024.  Tasted November 2019

Domaine David Duband Morey-Saint-Denis AOC Premier Cru Clos Sorbè 2018

Clos Sorbè the Climat is located right in heart of Morey’s interior, right next to the cemetery. Now the rose’s petals are macerating with the cherries in a pinot noir of classic Bourgogne depth and understanding. The structure is quite elegant in a focused and rich way while weight seems developed by vine age in the 50-55 year range. An impressive Premier Cru of true blue cause, personality and effect. Drink 2022-2028.  Tasted November 2019

Domaine David Duband Grand Cru Chambertin AOC 2018

Taking a side step from Chames-Chambertin is the more transparent and seemingly lighter and more delicate Chambertin. Looks and first impressions are deceiving for the power lies in the aromatic complexity, garden and wild field floral plus a gastronomy that incites memories but also machinations of the great demi-glacés imaginable, The fruit pectin and sweet cerebral enhancements are at the top of this portfolio so if others were seductive and enticing this Chambertin is off the charts. Seamless, endless and utterly fine. Structure just at the precipice of pinot noir. Drink 2023-2036.  Tasted November 2019

Domaine David Duband Grand Cru Charmes-Chambertin AOC 2018

Wholly antithetical to the 2018 with much more Bourgogne, Duband and Charmes fruit in the delicate vein of great and sheer transparency. This takes an organza line along a finely threaded and woven seam. There can be no mistaking the understatement of the vintage and while it may not strike an arrow into the hearts of the deducted and seduced there can be no mistake found here. This is the pinnacle of this appellation in fine dress and perfectly classic vernacular. Drink 2022-2034.  Tasted November 2019

Julien Cruchandeau and his Pinot Noir


Domaine Cruchandeau

The estate was established in 2003 by Julien Cruchandeau and his first vines were purchased in Bouzeron. In 2007 expansion saw to the buying of a house in the village of Chaux, located in the Hautes Côtes de Nuits, with large cellars and an extensive vat room. In 2009 and 2010 investment helped to establish an agricultural land group (GFA) “Aux Saint Jacques,” thus extending the estate from Nuit-Saint-Georges to Savigny-les-Beaune. Julien grows chardonnay, pinot noir and some pinot blanc in the Hautes Côtes de Nuits, with four and a half hectares in the appellation that includes two parcels in the Villa Fontaine, a.k.a the mini Corton. Red parcels are Les Cabottes and Les Valançons, the latter being one you can see straight from the tasting room window at the estate of David Duband. Whites are made from Bourgogne Aligoté, Bouzeron and Puligny-Montrachet. In addition to the Hautes Côtes de Nuits other reds produced are from Savigny-Les-Beaune, Ladoix and Nuits-Saint-Georges.

 

Click here to see all reviews for the wines of Julien Cruchandeau

Julien Cruchandeau Haut-Côtes de Nuits AOC Vieilles Vignes 2018

From four and a half hectares in the appellation, including two parcels in the Villa Fontaine, a.k.a the mini Corton. Villa Fontaine plus if you will. It’s a top essence soliciting exposition that makes for a great floral chardonnay and one of pretty impressive finesse. Takes care of the vintage with great care and no ambition to overdue or over-exaggerate. Wood is in the background and at the finish, spices are very far eastern. Reminds of Indonesian sasak fruit as only a few chardonnay can and do. Different and exotic stuff. Drink 2019-2022.  Tasted November 2019

Julien Cruchandeau Puligny-Montrachet Premier Cru AOC Hameau de Blagny 2018

Very close to Meursault in every way and the smoulder is so very Puligny, as it should be with Julien’s exotic twist and turn of the storied fruit. A parcel like this does not come along every day so the coup is in Julien’s hands and the wine celebrates the possibilities. Takes your breath away for a fleeting moment but stays with you for minutes. Just 900 bottles were made and there are notes of toasted kernel or nut plus a recently extinguished candle. The suggestion says that the future may hold out for the possibility of a touch of honey. Drink 2021-2027.  Tasted November 2019

Julien Cruchandeau Haut-Côtes de Nuits AOC Les Valançons 2018

You can see Les Valançons straight from the tasting room window at the estate of David Duband. Here you find one of Bourgogne’s great terroirs deemed a satellite and not considered worthy of others fetching 10 times the price. Thirty to 40 year-old vines equate to exquisite south facing slope fruit to this glass and the mineral streak running through violets is just what you want and what you can drink for 10 plus years. Pay attention to the threefold relationship between Haut-Côtes de Nuits, Cruchandeau and Valançons. Superb. Drink 2021-2030.  Tasted November 2019

Julien Cruchandeau Nuits-Saint-Georges AOC Aux Saint Jacques 2018

Th Climat is next to Vosne-Romanée at the northern limit of Nuits-Saint-Georges and clearly raised on great promises. Julien has taken the exceptional ripenesses of the vintage and turned those promises into possibilities with pinot noir that effects juicy behaviour without maximum effort. And so probable is quickly becoming a reality. Very primary however and almost like it’s still in barrel. Just has that feel, like it’s not finished yet, still working, just a child. Speaks to the structure and what the future more than very likely holds. Just need the wood to begin a settling for the next phase to begin. Welcome to modern Bourgogne with one foot always entrenched in the past. Drink 2021-2029.  Tasted November 2019

With John Szabo at La Tâche

Good to go!

Godello

Château du Clos de Vougeot, Côtes de Nuits

Twitter: @mgodello

Instagram: mgodello

WineAlign

Godello’s Ontario wines playlist

Writing about Canadian wines has been intrinsically inspired by music because quite frankly, one is always connected to the other. The wines of Ontario have always been at the head of this coupling and the relationship is borne more or less of its own accord. Music came first of course because before wine there was this gangly Toronto teenager every Saturday morning at 8:59 am sitting on the curb in front of Vortex Records at Dundas and Mutual Streets waiting for Bert Myers to open his shop so that kid could be the first in. The 1,600 vinyl record collection still gets plenty of spin time, as does Spotify and Google Music. The CDs? Not so much. Invariably a glass of wine is in hand, more often than not with an Ontario VQA designation in tow.

Canadian music has been great for as long as I have been listening. When did Ontario wine get here too, or the question begs, how? Not by virtue of any particular ethos through customs and traditions going back over many generations of wines. No, success and cumulative proficiency exists by dint of these wines without any forced supervision. They are governed by themselves and indeed across the entire industry. Done are the blanketing days of spare and powerful Ontario wines that were often too spare, so that the ribs of tannin showed through in painful obviousness. Today the contigious embracing of cool climate idiosyncrasy, fringe exceptionality and a unique Somewhereness makes Ontario the envy of the developing wine world.

Niagara-on-the-Lake, Ontario

My writing about wine an occupation whose reality is examined to points of madness, of long, run-on sentences, often at odds with grammatical winemaking realism. My tireless, tiring sentences and phrasing can at times offer a feeling that is potentially endless. Often I like my music to be the same in a Genesis-Frank Zappa-Pat Metheny like continuum but that too is changing. The young pop meeting hip-hop stars that my children listen to are growing on me. As are the unknown, the indie and the tireless players. And they need our help. The wineries too. Just ask Neko Case. “For every piece of music you stream/use for free today, please pay for one if you can. Music and art seem as effortless and breathable as air because an army of humans lovingly make it and propel it for the good of all.” Support local and order your next case of wine from an Ontario winery.

Compiling any wine list is never easy. Not when the subject matter is the most fleeting of consumables, a drink ever-changing, almost never tasting the same twice and destined for eventual failure. We know by instinct that wines cast the shadow of their own destruction before them and are designed from the first with an eye to their later existence as ruins. Wine critics can only regard what is in the glass by what sensory enjoyment or displeasure is activated at that exact time. In most cases there are no second chances. Music is different, timeless, often repetitive and can always be given a second chance.

Music and wine can work magic when paired together. Sometimes it’s just a matter of breaking wine down to the base, choosing grapes from places where they are made in straightforward and simply powerful ways. Likewise, clicking an uncomplicated, three-chord arrangement on YouTube or Spotify can really change the outlook of a day. With a glass of wine in hand there’s a familiar internal silence when sublime music plays, is performed, gifted. The following wines combine lyricism with melody. They write the songs.

Sparkling Wine

Ontario’s sparkling wine oeuvre has transformed into something unstoppable, immoveable and utterly impressive. Truly. Examples tend to be sharp, of lean and intense fruit, with more toast and edges than other Canadian counterparts. The climate is ideal for making bubbles of all ilk; traditional method, cuvée close, ancestral, charmat and pétillant naturel, a.k.a. pét-nat. For every occasion and at all times, especially with music blaring, or soothing softly, as you wish. There are no wrong pairings for Ontario sparkling wine.

Hinterland Lacus Pétillant Naturel 2017, VQA Ontario ($24.00)

Hinterland’s Lacus is gamay noir made in a fully accumulated yeasty style, re-fermented in bottle and yet wholly antithetical to the Jonas Newman’s sweeter Ancestral. Lacus could mean “lake” or “cistern,” perhaps in nod to all the meandering, surrounding and irregularly patterned water in the County, or perhaps it might mean “award,” as should be what we all get in tasting this delightful sparkling wine. Different and comforting, textural and exceptional in varietal, land and stylistic usage. Utterly versatile and electric as need be. Elevates pétillant naturel wine into the real world for many to enjoy. Drink 2019-2023.  Tasted June 2019

Pairs with The Tragically Hip’s My Music at Work

Why? The opening lines say it all, for what’s happening today.

Everything is bleak
It’s the middle of the night
You’re all alone and
The dummies might be right
You feel like a jerk
My music at work
My music at work

 

Henry Of Pelham Cuvée Catharine Carte Blanche Estate Blanc De Blanc 2014, Traditional Method, VQA Short Hills Bench, Niagara Escarpment (315200, $44.95)

The vintage tension is felt right from the aromatic get go and there can be no doubt that you are nosing Niagara’s most accomplished sparkling wine. Lime and wet concrete, fennel pollen and Baked Alaska. All tolled a terrific entry and no downturn into ginger and savoury crème brûlée followed by a moment of silence and contemplation. Use this for all, whenever and wherever. It will work for everyone, including those who will appreciate the faint sweetness to balance the year’s anxieties. Drink 2019-2026.  Tasted November 2019

Pairs with Alessia Cara’s Scars to Your Beautiful

Why? H of P’s Cuvée Catharine is also a wine of hope, youth and beauty. A wine from our very own backyard, just like the the singer from Brampton. The first line helps.

But there’s a hope that’s waiting for you in the dark

Riesling

It seems that in Ontario riesling is perpetually on the rise and the reasons why are as varied as the artistry it’s equipped to display. It has been 40 years since the Pennachetti family of Cave Spring Vineyard and German vintner Herman Weis planted riesling in St. Urban Vineyard on what is now Vineland Estates. My how things have changed. The trending line ascends as the general public comes around and warms to the versatile grape so popularity is not just in the hands of geeks, oenophiles and connoisseurs. Ask your favourite sommelier, product consultant or wine writer. Riesling’s neighbourhood is beginning to gentrify in a big way but it’s also expanding experimental and ancestral horizons. Varietal power, finesse and omniscient existentialism for a signature and singular Ontario purpose is perpetual and unwavering. Versatility goes with eccentric, electric and eclectic tunes so get your funk, funky and funkadelic groove on.

Adamo Estate Riesling Wismer Foxcroft Vineyard 2017, VQA Twenty Mile Bench (11236, $19.95)

Grower’s Series as in purchased fruit raised by serious Ontario grape farmers, in this case the Wismers and their expansive and generous Twenty Mile Bench-Foxcroft Vineyard. In Shauna White’s hands this Wismer fruit is ripe, developed and open-knit for skies the limit flavour potential. Cut your teeth on this juicy somnambulist riesling of citrus, peach, yellow plum and wide-eyed excitement. Drink 2020-2024.  Tasted March 2020

Pairs with The Weeknd’s Blinding Lights

Why? The song is new but timeless, retro, thrown back to the mid 1980s with synth rhythms like Take on Me by A-Ha. Adamo’s riesling sleep walks, blinds us by its light and connects rieslings going back through time to today.

Oh, when I’m like this, you’re the one I trust
Hey, hey, hey

Cave Spring Riesling Adam Steps 2017, VQA Beamsville Bench ($24.95)

Adam Steps is the riesling positioned up the middle lane, with more sugar than the Estate and near equal to CSV, with acidity higher than the former and similar to the latter. It’s the fatter, juicier, more generous one and in many ways much like the Feinherb’s of Germany. This is a very forward vintage with elevated levels of all its typical character, including tropical notes of guava and pineapple. May not be the longest age worthy AS but it is a most pleasing one. Drink 2019-2022.  Tasted February 2019

Pairs with Drake’s Passion Fruit

Why? You might think this would pair better with sauvignon blanc but Adam’s Steps smells just as tropical and well, the first line.

Ayy, y’all get some more drinks goin’ on, I’ll sound a whole lot better

Ravine Vineyard Riesling Patricia’s Block 2018, VQA St David’s Bench ($35.00)

From the botrytis block and you can feel, sense, and taste it very much so in this vintage. This in spite of a 30 per cent number out of a year when humidity and brix did not quite jive in terms of penultimate timing. Tart, leesy and so bloody sensorial. Drink 2019-2021.  Tasted September 2019

Pairs with DJ Shub’s Indomitable

Why? The indigenous electronic music of PowWowStep is so riesling, so Ravine and so Patricia. “I want Canadians to see that pow wow culture is beautiful in both imagery and spirit,” explains DJ Shub. “I also want young Native kids to know that they can find support and happiness in their lives, even if they can’t see it right in front of them.”

Chardonnay

In Ontario, raising chardonnay is about growing grapes and making wines in places previously discounted. There is no secret that Ontario winemakers have worked tirelessly to develop the ability and the acumen to make world-class chardonnay. Always reinventing itself and potential fulfilled, chardonnay, the slow train coming. Few ideals or notions are hotter these days than those relating to cool climate viticulture and the selvage regions from where such wines are produced. As for music and chardonnay? The great singer-songwriters and bands of course; the classics, icons and archetypes.

Westcott Vineyards Estate Chardonnay 2017, VQA Vinemount Ridge (424507, $27.95)

This 2017 from Westcott is really just what you might imagine were you to close your eyes and draw a triangle in your mind from the Vinemount Ridge, to judiciously oaked chardonnay and through to Westcotts’s manifesto. Niagara chardonnay should be about farming and this most certainly is, but also a microcosm of place, again of truth, but like all good, great and ethereal chardonnay must be. The florals are high for the place and the texture like organza, filament and lace. The obtuse vintage be damned it is this team that has found the right path and the way to varietal understanding. This teaches us about the ridges and benches but also about cool climate chardonnay. Thanks for this. Drink 2019-2025.  Tasted October 2019

Pairs with Bruce Cockburn’s Wondering Where the Lions Are

Why? Like the song everyone always wants to hear him play, timeless, so Canadian and one that teaches so much about being us. The dictionary and playlist wrapped into one with a chardonnay that speaks to all of us in a cool climate vernacular.

Sun’s up, mm-hmm, looks okay
The world survives into another day
And I’m thinking ’bout eternity
Some kinda ecstasy got a hold on me

Hidden Bench Estate Chardonnay 2017, VQA Beamsville Bench, Niagara Escarpment (68817, $29.95)

You may consider this 2017 (estate) chardonnay from Hidden Bench the transition, meaning it demarcates the passing of the varietal torch, from Marelize Beyers to Jay Johnston. And indeed there is a little bit of each winemaker’s finesse, grace and cumulative style. Perhaps a step away from richesse with a step forward in structure. That means the linearity and subtlety speaks ahead of the developed flavours and so a longer primary period will allow this to drink consistently for nearly five years. After that it will develop more flint and smoulder, if less golden sunshine richness. These are of course details in minutia and shadows to discover. Drink 2020-2027.  Tasted February 2020

Pairs with Leonard Cohen’s Everybody Knows

Why? Everything about Cohen’s music lives in shadows and everybody knows that a Hidden Bench chardonnay does the same. Even if the plague is coming fast, from one great to another, everybody knows.

Everybody knows,
Everybody knows,
That’s how it goes,
Everybody knows

Le Clos Jordanne Le Grand Clos Chardonnay 2017, VQA Niagara Peninsula ($44.95)

Welcome back, to that grand vineyard place that we’ve talked about. Down on the farm near the water where chardonnay was purposed grown and put in the hands of a young Thomas Bachelder. The results were dramatic and now that unparalleled fruit is back in the monk’s world, he wiser and more experienced than ever. The transition is spooky seamless and the awe in hand providing breathtaking posits in moments more than fleeting. Behold the presence of orchards and their just ripened glow of fruit with sheen so fine. Let your glass allow the ease of the aromas and flavours to fall in and emit with conscious movement, without conscience or effort. That’s the 2017 Grand Clos. Chardonnay that is. Drink 2019-2026.  Tasted November 2019

Pairs with Rush’s Limelight

Why? Le Clos Jordanne is back in the limelight and on a literal level, the return of this iconic Ontario chardonnay by Thomas Bachelder is about living as a performer, on a stage, with all eyes upon them. A wine with a higher purpose.

Get on with the fascination
The real relation
The underlying theme

Rosé

Who needs only light, southern French styled Rosé when you can also have full fruit, plenty of colour and a healthy dose of personality? In many cases the nearly pale and vin gris examples still persist and excite but there are those bled and rendered, heavily hued and teeming with fruit. Ontario made Rosé is more diverse, complex and multifarious than ever before. In terms of working for the consumer that means more choice and that’s a beautiful thing. Whether you are making yours to be a crowd pleaser with a heathy dose of residual sugar or dry as the desert, the unequivocal voice of necessary conscience will always whisper “balance in Rosé is key.” Like Canadian music which also pairs well with bottles of blush.

Leaning Post Rosé 2018, VQA Niagara Peninsula ($20.95)

Hmmm…salty. Lovely lithe and spirited Rosé here from the LP boys, redolent of fresh-picked strawberry, Maldon sprinkled and just herbaceous enough to care for signature red grape varieties ideal for the quick, calm and easy blush bleed. The sour edge just adds to the mystique and the by the boatload charm. Just right. Drink 2019-2021.  Tasted February 2019

Pairs with Shawn Mendes’ Stitches

Why? Don’t want to get too serious with Rosé so a little pop music with a slightly salty and bitter sound seems like just the plan.

And now that I’m without your kisses
I’ll be needing stitches

Malivoire Rosé Moira 2019, VQA Beamsville Bench ($24.95)

Production is “as much as I can get from that site,” tells Shiraz Mottiar, so maximum 800 cases. As always the aridity and the salinity continue to rise, the acids, minerality, near brininess and ultimate stoic balance so secure at the top of the game. Such a high acid vintage for everything but certainly that includes Rosé, yet still the least amount of skin-contact of the three Malivoire blush. Acids just don’t correlate to hue and flesh. Thank pH for the needle’s movement in how this translates from vintage to vintage. Drink 2020-2024.  Tasted January 2020

Pairs with Justin Bieber’s Intentions

Why? Moira just gets to me and a glass always leads to creativity. The Ontario Rosé muse unparalleled.

Shout out to your mom and dad for making you
Standing ovation, they did a great job raising you
When I create, you’re my muse
The kind of smile that makes the news

Gamay

Not that there is ever a bad time to partake in the wonders of gamay, but with the mercury rising, spring is the right time to be with the gamay you love. If you’ve never experienced the nuanced pleasure of great gamay, whether it be from Beaujolais in Bourgogne’s southern reaches or from Ontario’s cool-climate hinterlands, its prime time you did. The gamay produced in Ontario can run the gamut from light, fruity and joyful to dark, serious and structured. Winemakers are on their gamay game and the quality has never been better. The kind of songs to match gamay need to exhibit intrinsic purity and also variance so be picky and intentional here.

Château Des Charmes St. David’s Bench Vineyard Gamay Noir Droit 2017, VQA St. David’s Bench, Niagara On The Lake (346742, $19.95)

Quite a reductive and structured gamay with healthy extraction and great vintage fruit. Resides in the black raspberry realm with a balancing sheet of strawberry roll-up. Nothing shy about this, in a ripest of St. David’s Bench vein and so much could be taught about Ontario gamay through the work of this maker. Drink 2019-2023.  Tasted October 2018 and March 2020

Pairs with Neil Young’s Homegrown

Why? Both Château Des Charmes and gamay strike me as the epitome of homegrown and the St. David’s Bench estate is simply the Neil Young of Ontario.

Homegrown’s
All right with me
Homegrown
Is the way it should be
Homegrown
Is a good thing
Plant that bell
And let it ring

Stratus Gamay 2017, VQA Niagara On The Lake ($29.20)

Gamay gets neither more ripe nor extracted in Ontario and yet there’s a step back dance grace about this singular ’17. If ever the word Cru might come to mind when nosing and tasting local gamay this would be one, specific to a time and a place. Wild cherry, black cherry and concentrated cherry syrup are the big, bigger and biggest attributes, all cut through by a knife’s edge acidity. Wild gamay of grip, with very good length. Drink 2019-2023.  Tasted February 2019

Pairs with Robbie Robertson’s I Hear You Paint Houses

Why? To be honest lyrically this song has nothing to do with Stratus or gamay but it features Van Morrison and that’s pretty much the reason. Robbie and Van together is like Stratus and gamay.

I hear you paint houses
Right down to the wire

Pinot Noir

Thoughts about pinot noir always articulate an opinion. Smells like cherries, shows earth and mineral notes of/from clay and limestone. Texture is specific to the village where it is grown. In Ontario there are pinot noir crus few would ague against the probability that in most vintages quality will be a guarantee. Crus like Lowrey Vineyard on the St. David’s Bench, top blocks in Prince Edward County, several vineyards up on the Beamsville Bench, Wismer-Foxcroft, much of the Twenty Mile Bench and Four Mile Creek. The naysayers who continue to doubt whether pinot noir is a viable signature grape in this province are not paying close enough attention to the signs, portents and in conclusion, the results. As for the songs it plays and sings? Gotta be both old and new, retro and still avant-garde, crooning while ambient, poppy yet just a bit unusual and always stuck in your head.

Inniskillin Montague Vineyard Pinot Noir 2017, VQA Four Mile Creek, Niagara Peninsula ($30.95)

From a vintage both turned on and stood on its head with cool and wet summer conditions followed by unprecedented heat in September. The resulting look at pinot noir means strawberry like you’ve never noted before and Montague’s certainly jamming with concentration. Sweet fruit carries just enough varietal tension and depth to keep it grounded in the clay-earthy realities of Niagara. Not like Montague’s past perhaps but great fun nonetheless. Drink 2019-2023.  Tasted November 2019

Pairs with City and Colour’s Hope for Now

Why? Dallas Green’s voice, of sweet tension, like Ontario pinot noir and Montague’s clay-earthy reality.

What will it take to live as if I would not another day?
To live without despair, and to be without disdain
How can I instill such hope, but be left with none of my own?
What if I could sing just one song and it might save somebody’s life?

Rosehall Run JCR Pinot Noir 2017, VQA Prince Edward County ($39.00)

A bit high-toned, magically spirited and rebelliously volatile. Earthy and lithe in fruit though quite raspberry-pomegranate and exciting for those who like it not only lightning searing, but intensely meaningful. Hard not quiver with impatience at the thought of this treat before me and what such a singular pinot noir will become when it matures. Drink 2019-2023.  Tasted blind at NWAC19, June 2019

Pairs with Joni Mitchell’s A Case of You

Why? PEC pinot noir, this vineyard and that winemaker. Musically structured like a song from Blue, chord and tempo changes, magically spirited and intensely meaningful. Thank you Dan Sullivan.

You taste so bitter
And so sweet, oh
I could drink a case of you darling, and I would
Still be on my feet

Congrats to Cliff and Colin @stannerswines for their The Narrow Rows Pinot Noir 2017 Gold Medal performance @judgement.of.kingston 2019. We the judges deliberated long and with great care to come to this well-deserved conclusion.

Stanners Vineyard Pinot Noir The Narrow Rows 2017, VQA Prince Edward County

A super-saturated, honed and zeroed in upon place in a vineyard ripeness with a touch foxiness. Reality from limestone bled into fruit wavering on a spectrum where berry fruit

sits on one end and earthy beetroot all the way over on the other. Touches both and then properly meets in the middle. Cherries are red, herbs are green and tension stretches a wire between two poles. Tomato water and tomato leaf with fresh basil. That’s just matter of fact and a good struck balance in combination. You almost feel it’s at once too ripe and then a bit green but those moments are fleeting and so the summation in accumulation is the thing; must, seeds, stems and the work of kind, nurturing and gentle hands add up to great delicacy. It’s local and it’s so bloody good. Delicious even. Unlike any pinot noir ever made previously in Ontario. Drink 2019-2023.  Tasted blind at the Judgement of Kingston, November 2019

Pairs with Ron Sexsmith’s Gold in Them Hills

Why? Pinot is a song of hope, crooned by a Canadian treasure. Colin Stanners may as well be the Ron Sexsmith of Prince Edward County, shy and brilliant, reserved and funny.

But maybe it’s the perfect day
Even though the bills are piling

There’s gold in them hills
There’s gold in them hills
So don’t lose heart
Give the day a chance to start

Cabernet Franc

At the brazen and confident right of Ontario’s most important varietal reds is cabernet franc, a Bordelais grape that paints a more palatable picture than those brushed by both merlot and cabernet sauvignon. Transparently honest and forthright by nature, brassy and highly energetic, righteously indignant like a young band with a big sound and no shortage of swagger. Frank Ontario red, frankly speaking.

Tawse Natural Wine Cabernet Franc Redfoot Vineyard 2018, VQA Lincoln Lakeshore, Niagara Peninsula ($28.95)

There’s a symmetry in this cabernet franc and as it is the natural one in the Tawse stable, it’s actually the connection between vineyard and varietal that brings about the a ha moment. Redfoot has to date been the gamay block for natural executions and cabernet franc has been a Laundry Vineyard affair. The dots are connected through the Lincoln Lakeshore lexicon from one to the next, first in grape and then in winemaking, or lack thereof. This Vin Nature is both the least “natural” of all the Tawse tries while at the same time most like the Laundrys of past vintages, though it’s really somewhere in the circulative middle of a stylistic that includes the Grower’s Blend. In fact there’s no great departure from those cabernet francs so why not make them all this way? If the results are same dark fruit, same blushing acidity, same piquancy, same herbal undertones and nearly the same clarity of structure, why not risk it across the board? Could drink this with abandon. Drink 2019-2022.  Tasted September 2019

Pairs with The Arkells Knocking at the Door

Why? “There’s a fearlessness to it that I think a lot of sports fans and teams want to feel,” said frontman Max Kerman. The song has been anthemic at hockey games and women’s marches. Paul Pender’s natural wines do something eerily similar and reach a very large audience.

That’s me, I’m knockin’ at the door
I’m thirsty
For more, for more, for more
That’s me, I’m knockin’ at the door
I’m knockin’ at the door
I’m knockin’ at the door
That’s me

Southbrook Saunders Vineyard Cabernet Franc 2018, Beamsville Bench, Niagara Peninsula ($28.95)

Nothing if not classic Bench-raised cabernet franc with crunchy fruit, dark red and savoury plus that unmistakeable current of dark currant and capsicum. There’s no mistaking the origin or the execution, nor the varietal expressiveness. Transparent, honest, real and blessed of so much purposeful character. May not charm everyone from the word go but a couple of years will sort them out. Drink 2020-2024.  Tasted December 2019

Pairs with Arcade Fire’s The Suburbs

Why? The bounce in this song reminds of cabernet franc’s varietal dance, crunchy, savoury and honest. That’s just how Ann Sperling interprets fruit from Saunders Vineyard, tripping over piano keys and a background of strings making ambient sounds, rising to a crescendo.

Sometimes I can’t believe it
I’m moving past the feeling
Sometimes I can’t believe it
I’m moving past the feeling again

Good to go!

godello

Twitter: @mgodello

Instagram: mgodello

WineAlign

Matteo Soria’s made to order Moscato d’Asti

    Eleonora Bragnero and Matteo Soria

Matteo Soria in Castiglione Tinella is the man. If the world at large is not yet privy to his prowess they will soon be. Soria’s work put in with Asti’s varietal exemplar and the sparkling wines that emerge are turning moscato into gold. His Moscato d’Asti methodology is brilliant, seemingly simple in its chemistry and scientific efficacy but truths are spoken in complex terms. Grapes are literally suspended in time, beyond weeks, months and years, often for decades before their transfer to fermentation and then bottling. Both those in the present and also juice renewed come to astonishing results. Matteo Soria’s made to order Moscato d’Asti.

Related – Three DOCG pillars of Asti: Secco, Dolce, Moscato d’Asti

It begins, as it must, with weight and measurements. The math is straightforward: 100 kilograms of grapes is equal to 86 of must. The first press of moscato yields 15 per cent of that 86, or 13 kg. Only 15 per cent is used for the top wine. The must is kept at freezing temperature (approximately -2 degrees celsius) and every two months must be “cleaned.” Musts from past vintages are also kept (generally up to four) for the production of Moscato d’Asti wines. The DOCG rule says that a vintage dated wine must consist of 75 per cent must from that year’s production. Soria’s are just that, with the other 25 per cent made up of the three previous vintages. Complexity factor increased and in Matteo’s world that is how you achieve such a distinction because to him “this is not a single-vineyard ideal.”

Castiglione Tinella

Related – Coppo: Feet on Canelli ground since 1892

Soria is not wholly impressed with the aromas from the 2019 vintage, like 2016, very hot. “For moscato we don’t need too much sun,” says Matteo. “The grapes will dry out, burn, lose freshness and perfumes. From tasting the must you smell honey which proves the grapes are not perfectly mature.” This is where the vision of using 25 per cent must from the three preceding vintages works to great advantage. Phenolic holes are filled, absent aromas are engaged and layers of intricacy are cast. We taste the musts of 2019, 2018, 2017 and 2016. The ’19 smells like honey, the ’17 is developed, rich and full of glycerin, nearly cloying. As for ’16 it’s certainly sweet and somewhat out of balance but there is delicacy, florals and it’s never cloying. The ’18 is clearer, easier to comprehend, showing nary a trace of honey. The presence of white flowers and apricot in a wine lighter in hue and more delicate in mien speaks exactly to what Matteo Soria is after. When fermentation happens those aromas increase by 80 per cent. There’s the rub and the magic.

The terroir of Castiglione Tinella is one that breeds some of the highest acidity for moscato. The pH averages out at 3.4  and when bottled at 3.08, because this is when the acidity rises. Once a week every week 10,000 litres are moved to fermentation to begin their process of making Moscato d’Asti. The bottling quantities are 1,500 a week and so approximately 75,000 per year. We convened in the tasting room with Matteo Soria and his wife Eleonora Bragnero, winemaker at Cantina Oriolo in Montelupo Albese. These are the fives wines tasted.

Matteo Soria Moscato d’Asti DOCG Soria 2019, Piedmont, Italy ($16.00 – Estimate)

Bottled last week, barely moved in, likely not yet settled into its new digs. Made up of 75 per cent 2019 (as per appellation rule) plus a mix of the three previous vintages. Crisp, cleaner and waxier than the ’16 with sharper acidity and leaner flavours. Heavily aromatic and even a bit herbal but just so linear, searing and lightning quick in reflex motion. That said the ripeness is just a tad short of ideal and so Matteo seems to have gone straight to freshness and intensity. It was the correct choice with a little help from the last three vintage friends. All about finding more aromas. Drink 2019-2022.  Tasted December 2019

Matteo Soria Moscato d’Asti DOCG Soria 2016, Piedmont, Italy ($16.00 – Estimate)

Bottled in the beginning of November, and while again looking like it was just bottled it was kept at passive winery temperatures. The biggest difference is not so much a comparison to vintages but to the other Moscato d’Asti producing areas around, as in Canelli and Castignole Lanze. This according to Matteo is the mineral hill and a pinch of salt consistently confirms the boast. There seems just a slight advancement, a move into lemon curd and a sweeter profile of further fruit density. Acids up high are maintained and this surely is a top quality vintage. For the price it is clearly one of the benchmarks for the appellation. Drink 2019-2024.  Tasted December 2019

Matteo Soria Moscato d’Asti DOCG Soria 2005, Piedmont, Italy

Fermented in December 2005 and from a program out of which in every weekly bottling Matteo Soria kept back 12 bottles, for replacements and for saving them 14 years to taste at times like this. Has been kept in a minus two temperature cellar all this time and so yes, it is as fresh as the day it was bottled. Acids are sharp and invigorating, lemon meringue flavours are just so and a saltiness streaks through which is something Matteo calls mineral, specially from his Castagnole Tinelli vineyards. Impossible and amazing. The question is, what is gained if nothing is lost? It’s a cryogenic moscato. Keep it forever if you can maintain the minus-two temperature, or three years without. Drink 2019-2023.  Tasted December 2019

Matteo Soria Asti DOCG Extra Dry Bric Prima Bella NV, Piedmont, Italy ($16.00 – Estimate)

One of drier Asti sparklers, at only 11g of sugar in that zone of extreme possibility, in the middle between Brut and Extra-Dry. A real ginger and lightly toasted nut expression of moscato and surely seeming drier than pretty much any other. A tight mousse of a velouté inextricably tied to the chemistry as if a zabaglione whipped to a perfect consistency. White pepper and more complexity than almost any tank fermented sparkling wine that turns a touch bitter at the finish. A really great concept and near excellent execution though something has to give between the methodology and the sugar control. Drink 2019-2021.  Tasted December 2019

Matteo Soria Bolla Bea Cuvée Speciale Blanc De Noir, Piedmont, Italy

There is no one making sparkling wines in Castiglione Tinella or just about anywhere in Asti lands like Matteo Soria. The results, especially in Moscato d’Asti are both fascinating and confounding. This however is another story altogether. The Bea Cuvée Speciale Blanc De Noir is 100 per cent pinot noir aged five years on the lees and that is what provides a perceived thickness of texture, like toasty crostini soaked in a viscous stock made from the bones of muscular fowl. Strength begets energy and so it’s quite a brilliant and vigilant bubbly, racy, plush, crystalline of sight and like a hand that tries to seize flowing water. A must try at some point in life. Drink 2020-2025.  Tasted December 2019

Good to go!

godello

Twitter: @mgodello

Instagram: mgodello

WineAlign

 

Coppo: Feet on Canelli ground since 1892

Luigi Coppo is grounded in tradition, family, heritage and by a contiguous connection through generational continuance. That much is clear. I’ve met with and tasted Coppo’s wines three times over the last three years; during Barolo’s Collisioni Festival, July 2017, at Relais San Maurizio in Santo Stefano Belbo, December 2018 and most recently at the family’s Canelli estate in December, 2019. Since 1892 Coppo has been nestled in the favourable company of fellow producers Gancia and Bosco, together forming a link between these three most historical wineries in Canelli. Coppo’s Barbera d’Asti and in particular their Pomorosso cru from Nizza Monferrato’s hills are intimately integral charges and while it may have long been established, the advancing Luigi Coppo led Sparkling wine program will push further than merely rivalling the best of Alta Langa. Lookout Franciacorta. Take heed Champagne. And though these estate masterpieces in constant progress will duly impress sommeliers and collectors worldwide, Luigi Coppo still pulls for the workhorses and insists that “Moscato d’Asti is definitely the heritage of our hills.” That amongst their 56 farmed hectares surely counts for something. This is the actuality and presence of Luigi Coppo in Piemonte: Determined, ambitious and yet always cognizant of his roots. All the Coppos in fact; Gianni, Paolo, Luigi, Roberto and Piero. Feet on Canelli ground since 1892.

Luigi Coppo

Related – Three DOCG pillars of Asti: Secco, Dolce, Moscato d’Asti

Much has changed since Luigi’s great-grandfather Piero started the estate in 1892. Today production is 500,000 bottles annually. In another three-pronged producer connection Coppo can make Barolo here in Canelli, along with Scarpa and Bersano. And in 1977 it was Carlo Gancia who as the first in Italy to do so, returned from Champagne to employ moscato in traditional method bubbles. Luigi Coppo is also making use of the Canelli tufo azzuro soils, a mix of blue clay and limestone so ideal for growing grapes to turn them into many variations of sparkling wine. He too embraced the new Alta Langa appellation, beginning in 2010. A specific area was identified, chardonnay and pinot noir were planted and the 30 month lees aging methodology was put into place. Following the dreams of Grandfather Luigi who desired to produce a Bourgogne-style in Piemonte, chardonnay was planted 35 years ago. After nonno passed away in 1994 Luigi’s father Paolo decided to keep the dream alive. Monteriolo sees nine months on lees in barriques; big, buttery, modern and luscious.

Related – Living wine in the moment at Scarpa Winery

The Nizza Classico barbera come from several Monferrato villages while the Pomorosso cru, first made in 1998 sees new French oak for 14-18 months. Moscato d’Asti gets stelvin closures, the wines that age for five to six months are sealed under Diam and real corks for anything longer. The natural barrel cellar was finished in 1970, 42m below ground level. As for the heritage one, says Luigi, “Moscato loves altitude compared to barbera. It’s now time to talk about Moscato d’Asti as a serious wine because it’s very difficult to make. We don’t add sugar or carbonize and it is a vintage wine. These are the three natural and honest things about moscato.”

Related – Rock steady Bersano

What do Coppo’s wines do for us? How are they helpful and perhaps even life-affirming? The truth lies in Luigi Coppo’s humanity and dedication to the things that matter. Something has to save us from ourselves, especially in times such as these, from being inside our heads. Luigi’s wines are the sort to make our wisdom bearable, to rescue us, if nothing else from the ever-bearing fever of begotten biological and ecological destiny. These are the five wines tasted at Coppo.

Coppo 1892 Luigi Coppo Brut Metodo Classico 2016, Vino Spumante Di Qualita DOC, Piedmont, Italy ($40.00 – Estimate)

Traditional method varietal pinot noir in sparkling form, 24 months on its lees and no wood aging. Gainfully fresh and joyous, just a pinch of dosage and regaled, mainly by strawberry but also a sweetly savoury push. Crushable bubbles in the parlance of our times. Drink 2019-2021.  Tasted December 2019

Coppo 1892 Piero Coppo Riserva Del Fondatore 2007, Vino Spumante Di Qualita DOC, Piedmont, Italy ($220.00 – Estimate)

A 60-40 split of pinot noir and chardonnay that was at a near to previous time a varietal wine of the first but with 90 months on the lees and more complex notions conceived it was necessary to bring the latter into the mix. This was disgorged in July 2017. The tartufo bianco in this wine is simply uncanny. That and a toasty precision as if by a Japanese chef’s hand, a toasted piece of perfect white bread to the edges in 100 per cent equality by golden caramelization. Sandwich a piece of reverse seared Kobe rib-eye in between two buttered slices with a side of potato chips and creamy cole slaw and Coppo’s your uncle. Mimic with foie gras if you must. Up to you. Drink 2019-2026.  Tasted December 2019

Coppo 1892 Monteriolo 2017, DOC Piemonte, Piedmont, Italy ($92.00 – Estimate)

A father and an uncle’s chardonnay dedication to their father with a Bourgignons style and philosophy. This just released ’17 saw nine months on lees in French barriques. Toasty in a “Batard” Italianate way, nearly gingered and a low-yield meets high concentration and alcohol (though maxing out at 13.0 per cent) and purposefully ripe. The hot year took away some control and thus the warm biscuit and accentuating spice notes. A little caramelization and while the joy will be a year or so away it will be a shorter lasting period, albeit a highly anticipated and relishing one. Verdant finish with a scape of citrus zests. Drink 2020-2024.  Tasted December 2019

Coppo 1892 Barbera D’asti Nizza DOCG Pomorosso 2017, Piedmont, Italy ($74.95 – Estimate)

A blend of areas, Nizza Monferrato, Castelnuovo Calcea and Agliano Terme, first produced in 1984. “If you want to make Nizza all of your vineyards have to face south,“ explains Luigi Coppo. The exposures gather three levels of sunlight and with 15 days of fully extractive macerated practices the tannins are necessarily pulled to their limit. With varietal acidity set to a natural high there is a three-pronged effect that expresses three separate platitudes and layers for long-term effect. Add the warmth of ’17 and the degree of difficulty and margin for error is very stringent. Castelnuovo Calcea was the last to pick and still only at the end of the first week of September. There’s a phenolic-minor note from the vintage that’s ostensibly unavoidable in a composition like this and yet the richness and structure are non-compromised. Tough to follow the ideal 2016. Drink 2021-2028.  Tasted December 2019

Coppo 1892 Moscato d’Asti DOCG Moncalvina “Canelli” 2018, Piedmont, Italy ($23.20 – Estimate)

“Moscato loves altitude as compared to barbera,” tells Luigi Coppo, “and now is the time to think about Moscato d’Asti.” Luigi says it’s a serious wine because it’s difficult to make. No sugars are added or carbonization performed and it’s a vintage wine. These are the three tenets that matter most. From Canelli vineyards between 200-280m and the classicism of construct and effect is pure magic in proper and precise, sleight of hand ability. That’s what it needs to be, no more, no less. Naturally sweet, a pinch of salt and all the orchard fruit; apple, pear, lemon and orange. All together in balance and gift with tannin on a real dry finish. Drink 2019-2023.  Tasted December 2019

Good to go!

godello

Twitter: @mgodello

Instagram: mgodello

WineAlign

Nineteen Canadian wines that rocked in 2019

Love year-end lists? Stick around. Hate ’em? See ya. It is always a matter of great difficulty to contain the retrospective excitement in thinking about what happened over the previous 12 months with respect to Canadian wine. This while enjoying holiday down time, with December winding down. The exercise began on Godello in 2013 and this seventh instalment naturally not only includes six more than the first, it also happens to act as segue, transition and salvo to usher in a new decade.

Related – Eighteen Canadian wines that rocked in 2018

Unity opinions aside this nineteen as a number is but a fraction of what could, should or would be celebrated in this coast to coast entity we call Canadian wine.  Allow a quote to be used again, in unabashed redundancy of repetition. This curated list is “biased, exclusive and decisive but it is meant to celebrate a select few with a mandate to elevate and exult the rest. It’s also a proclamation read to many who remain ignorant to an ideal of great wine being made in Canada, to tell the insolent they are not welcome here anyway. The winemakers in this country are in full command of their acumen, craft and future. They own it.”

Fearless #ontariowineawards leaders @tony.aspler and Deborah Benoit running a tight #owa2919 ship @gbcchca ~ best quality work coming out of Ontario folks

Related – 17 Canadian wines that rocked in 2017

In 2019 the opportunities for tasting Canadian wine upped the ante and increased the possibilities hundreds fold. This despite doubling international travel over a year further afield and abroad which made it twice as difficult to keep up the Canadian pace of assessment. That said there were more than 1000 tasted once again. The WineAlign team never wavers in the relentless pursuit, often at the WineAlign headquarters and in 2019 in convene at the June WineAlign National Wine Awards of Canada in Prince Edward County, Ontario.  Ontario wines were judged as well thanks to Tony Aspler and also with David Lawrason at The Great Canadian Kitchen Party, the artist formerly known as Gold Medal Plates.

Aldé blending session day @ravinevineyard ~ Rosé 2018 looking stellar

Related – 16 Canadian wines that rocked in 2016

Over the past 12 months the little négoce project known as Interloper Wines with Scott Zebarth, Marty Werner and Ravine Vineyard Estate Winery continued the pursuit of Niagara Lakeshore and Niagara-on-the-Lake excellence with Aldé Rosé 2018, a 100 per cent cabernet franc. The third vintage of Interloper Cabernet Franc appeared with the 2018 release, as did the second incarnation of the As Is Field Blend 2018.

Oh hey @nicholaspearce_ thanks for making us look so good!

In 2017 there were 17 and in 2016 there were 16 noted. In 2015 that meant 15 and 14 for 2014, just as in 2013 the filtered list showed 13 as the number chosen to cant, recant and decant excellence in Canadian wine. Last year? You would be correct if you guessed 18. Roll out the 2019 red carpet. Whence comes the sense of wonder we perceive when we encounter certain bottles of art? Here are the 19 most exciting Canadian wines of 2019.

Avondale Sky Sparkling Rosé Méthode Traditionnelle 2017, Nova Scotia ($27.82)

Leon Millet like you’ve never experienced with red currants folded into tomatillo salsa from a traditional method upbringing and a recent disgorgement. Energy, excitement and then boom, black currants and a whoosh tidal wave of Fundy exhilaration. An entirely new look at bubbles and from a Nova Scotia class where the sky is the limit. Drink 2019-2020. Tasted September 2019

NWAC19 Gold Medal Winner

The 2014 vintage, labelled as Balance Blanc de Blanc Brut, marks the Teaching Winery’s first venture into the style of Sparkling made exclusively from Chardonnay grapes. It also marks the first product made 100 per cent from grapes grown on the College’s Niagara-on-the-Lake Campus vineyards. “It celebrates the balance of knowledge, passion and creativity of the winemakers, professors and students who all pursue excellence in the field of winemaking.”

Niagara College Balance Blanc De Blanc Brut 2014, VQA St. David’s Bench, Ontario ($26.95)

Gingered entry for blanc de blanc of stoic beauty, marbled bust focus. Lemon and a dustiness indicative first of low yields, but then, the obviousness of do not disturb winemaking. Toasty and preserved lemon richesse, elegant and cumulative. So good. Drink 2019-2026.  Tasted blind at NWAC19, June 2019

From a crown cap versus cork closure tasting with Flat Rock’s owner Ed Madronich and current winemaker David Sheppard. The two wines count as one for the purpose of this list.

Flat Rock Sparkling (Crown Cap Closure) 2006, Traditional Method, VQA Twenty Mile Bench, Niagara Escarpment, Ontario (383315, $34.95)

Wines were all under crown for 36 months, disgorged in January 2010, three quarters pinot noir plus chardonnay and then re-sealed under crown, Six cases were sealed under cork but otherwise both wines are exactly the same, same cellar conditions, same dosage, same everything. Less hue in this number two (crown), same but different, less oxidation, less caramelization and yet on par or near in terms of that ginger-miso tone. Lemon adds to the milder orange crème brûlee and the energy, spirit and lift is more pronounced. Greater vision in acidity and even some lingering reduction. Like the first it is in fact full of sensibility, reason, plenty of seasoning. Likewise and differently so much fun to behold and to drink. Certainly more heightened sensation created by mousse and carbonation that actually affect the mouthfeel and texture. Made by Marelise Beyers. Drink 2019-2024.  Tasted September 2019

Flat Rock Sparkling (Cork Closure) 2006, Traditional Method, VQA Twenty Mile Bench, Niagara Escarpment, Ontario (383315, $34.95)

Wines were all under crown for 36 months, disgorged in January 2010, three quarters pinot noir plus chardonnay and then re-sealed under crown, “However,” explains Ed Madronich and the big raison d’etre for this tasting is that six cases were sealed under cork, complicit with or perhaps explicitly for Ed’s Mom. Both wines are exactly the same, same cellar conditions, same dosage, same everything. Just the seal on 72 bottles changes the nature of the game. The colour is deeper in this number one (cork), more oxidation, more caramelization and more deep ginger-miso tone. Quite orange crème brûlee as well. Acidity persists, wealthy, rising, more than intact. In fact it’s well-reasoned, seasoned and in tact. So much fun to behold and to drink. Made by Marelise Beyers. Drink 2019-2020.  Tasted September 2019

Charles Baker Picone Vineyard Riesling 2016, VQA Vinemount Ridge, Niagara Escarpment, Ontario (241182, $37.20)

Baker’s ’16 is the child of a great vintage’s phenolics and so without needing to concern oneself in wondering about ripeness or fruit quality it allows for a beeline straight to the tannic structure. That’s the crux of 2016, built upon a core that may as well be centred in the very heart of Colmar. Sugar may as well be nowhere and nothing because balance induces dreams utterly grounded in aridity. So reminded of Bernard Schoffit and The Rangen, austere yet entangled, lean, direct, sure, focused and precise. In the zone and will be for 12 blessedly slow developing years. Drink 2021-2030.  Tasted October 2019

Ravine Vineyard Chardonnay 2011, VQA Niagara Peninsula, Ontario (173377, $28.00)

Looking at this 2011 Chardonnay now and with learned imagination back through time this screams the vintage. Great Scott, cracker jack Chablis dressing up into Premier Cru status cloaked candidly in Ravine clothing. This eight year-old chardonnay shows off as one of then winemaker Shauna White’s great early moments, an achievement of planning through execution and clearly a success from a cool, austere and so very varietal vintage. Maybe even a legacy defining moment for what was and can continue to be. A purveyor of land, a youthful precociousness and all the local possibilities on offer. This is so pure and purposeful for the grape and for Ravine. Just great right now. Drink 2019-2021.  Tasted September 2019

Le Clos Jordanne Winemaker Thomas Bachelder

Le Clos Jordanne Le Grand Clos Chardonnay 2017, VQA Niagara Peninsula, Ontario (184549, $44.95)

Welcome back, to that grand vineyard place that we’ve talked about. Down on the farm near the water where chardonnay was purposed grown and put in the hands of a young Thomas Bachelder. The results were dramatic and now that unparalleled fruit is back in the monk’s world, he wiser and more experienced than ever. The transition is spooky seamless and the awe in hand providing breathtaking posits in moments more than fleeting. Behold the presence of orchards and their just ripened glow of fruit with sheen so fine. Let your glass allow the ease of the aromas and flavours to fall in and emit with conscious movement, without conscience or effort. That’s the 2017 Grand Clos. Chardonnay that is. Drink 2019-2026.  Tasted November 2019

Closson Chase Churchside Chardonnay 2017, VQA Prince Edward County, Ontario ($44.95)

Platinum hue and reserved aromatics indicate a reductive tendency so give it some air. Comes out and away clean and more expressive, with periodic mineral notes, not exactly saline but certainly from the table. Lovely fruit in the melon to orchard way and elevated by acidity plus fine grape tannin. Lovely and composed wine right here.  Last tasted blind at NWAC19, June 2019

Truth be submitted, discussed and told the 2017 Closson Chase Vineyard is a lovely, accessible, County for all chardonnay but this, this is something other. This Churchside ’17 from a block of vines at the prettiest little chapel around delivers the fullest fruit compliment of the times, in headline, lede and body of work. It does so with a posit tug of tension and spot on, pinpointed and precise attention to balance. States a case with best butter, better toast and even greater purpose. The ’17 Churchside undulates and circles, coming to rest in the moment where it all melts down, like a ball in place on the roulette wheel, always having known what number it would be.  Drink 2019-2026. Tasted June 2019

Meyer Micro Cuvée Chardonnay Old Main Rd Vineyard 2017, VQA Okanagan Valley, British Columbia ($65.00)

The Old Main Road is a Naramata Bench growing site of silt over clay loams at 350m. The northerly aspect links fruit to indirect sun for higher acid-driven chardonnay. This specialized plot-block-pick-separation of origin intensifies the citrus and the savoury strike of scintillant. It’s reductive and not redacted in that it’s protected by a shell of tannin but bursts with rumbles and shakes. This is singular and unique in ways most Okanagan chardonnay does not begin to touch. Great potential and possibility exist so expect so much from this wine now and for a half decade minimum more. Drink 2020-2028.  Tasted April 2019

Stratus White 2015, VQA Niagara Lakeshore, Ontario (660704, $38.20)

The latest incarnation of Stratus White is a gem-like one, part reductive and part honeyed. The dual attack is duly noted and doubly paid great attention. Warmth and this remarkable phenolic multiplicity add up to the most strikingly reserved White in quite some time. It will develop more secondary personality and less fade into lean, smoky, shadowy and unfruitful feelings than many that have come before. By many stretches of imagination this is a deeply curious blend and ultimately a beautiful one. So bloody didactic and interesting. A ten years forward retrospective will regard White 2015 as a benchmark for the locomotive Ontario appellative white locution. Drink 2020-2028.  Tasted February 2019

Congrats to Cliff and Colin @stannerswines for their The Narrow Rows Pinot Noir 2017 Gold Medal performance @judgement.of.kingston 2019. We the judges deliberated long and with great care to come to this well-deserved conclusion.

Stanners Vineyard Pinot Noir The Narrow Rows 2017, VQA Prince Edward County, Ontario ($45.00)

A super-saturated, honed and zeroed in upon place in a vineyard ripeness with a touch foxiness. Reality from limestone bled into fruit wavering on a spectrum where berry fruit sits on one end and earthy beetroot all the way over on the other. Touches both and then properly meets in the middle. Cherries are red, herbs are green and tension stretches a wire between two poles. Tomato water and tomato leaf with fresh basil. That’s just matter of fact and a good struck balance in combination. You almost feel it’s at once too ripe and then a bit green but those moments are fleeting and so the summation in accumulation is the thing; must, seeds, stems and the work of kind, nurturing and gentle hands add up to great delicacy. It’s local and it’s so bloody good. Delicious even. Unlike any pinot noir ever made previously in Ontario. Drink 2019-2023.  Tasted blind at the Judgement of Kingston, November 2019

Hidden Bench Pinot Noir Locust Lane Vineyard 2015, VQA Beamsville Bench, Ontario ($48.00)

Locust Lane is the one of greater tension and posit tug, holding court and keeping fruit on a short leash. The aromatics are not as sweetly floral but what you will note, if you wait for the fleshing is this glycerin texture and seamless weave of structure. This is the savoury, almost minty and surely cantilevering pinot noir, from the field and out over the length of the wine’s attention. Will linger, prosper and live long. Drink 2020-2027.  Tasted March 2019

NWAC19 Platinum Medal Winner

Howling Bluff Pinot Noir Century Block 2016, VQA Okanagan Valley, British Columbia ($35.00)

Wow. Now we’ve come into pinot of some curious, unusual and stand up to be noticed excitement. The aromatics are circling, rising, elemental, exaggerated and complex. There’s umami here that few others seem to find or are capable of seeking out. Fine if slightly tonic tannins and structure, texture, architecture and blessed complexity. This will morph into many things by way of many stages. Drink 2020-2027.  Tasted blind at NWAC19, June 2019

Thirty Bench Winemaker Emma Garner

Thirty Bench Small Lot Cabernet Franc 2016, VQA Beamsville Bench, Ontario ($75.00)

In many respects this is the flagship of all the Thirty Bench wines, a varietal exploration like no other, of direction, microcosm and intention. It’s an extracted and concentrated cabernet franc but stays free of encumbrance, hinderance or adulteration. It’s dramatically plush and yet shows nary a note of green or gritty, nor astringency neither. It’s a showpiece to be sure and even of an ambition not typical of its maker but as for structure, well that’s as impressive as the concentration. We’ll be tasting this at an Expert’s Tasting in the mid 20s. Drink 2021-2028.  Tasted August 2019

NWAC19 Platinum Medal Winner

Desert Hills Estate Winery Ursa Major Syrah Eagle’s Nest Vineyard 2016, VQA Okanagan Valley, British Columbia ($40.00)

Inky, ferric, serious, structured, regaling and ripping syrah. Full throttle, absolute ripeness, carefully extracted and utterly purposed. The acidity, tannin and overall structure seal all the deals and put this in a category of its own. Drink 2021-2026. Tasted blind at NWAC19, June 2019

Big Head Raw Syrah 2017, VQA Niagara Lakeshore, Ontario ($65.00)

Never before have we encountered syrah this way in Ontario. A wild ferment and use of concrete vats is one thing but the Brettanomyces off the charts is intonate of something wholly other. The exclamation is emotion both Andrzej and Jakub Lipiniski acknowledge and embrace. The thought and the recognition lights up their faces. It expresses itself in peppery jolts, with sultry, hematic, ferric and magical notation. It’s like liquorice on steroids, melting into a feral liqueur. “Wow that syrah is crazy,” tasters are heard to exclaim and yet you can see how much they relish the experience. As I do, without knowing why, except for the fact that in its big headedness this is a very balanced wine. Some way, somehow. Drink 2020-2026.  Tasted March and April 2019

Lawrason and Gismondi

NWAC19 Gold Medal Winner

Nk’mip Cellars, 51 percent owner by the Osoyoos Indian Band Cellars, part of the Arterra Wine Group, as per Anthony Gismondi is “ably guided by winemakers Randy Picton and Justin Hall. Nk’Mip Cellars took home one platinum, two gold, three silver and five bronze medals, adding to its legacy of consistent performances at the nationals. The unique, First Nations winery is well worth a visit, as is lunch on the patio.”

Nk’mip Cellars Winemakers Talon 2016, BC VQA Okanagan Valley, British Columbia ($23.99)

Really juicy shiraz based blend (44 per cent with cabernet sauvignon, merlot, malbec, cabernet franc and pinot noir) with rich, ropey, red berry and savoury tones. Big fruit and if oaked with generosity it’s a construct that seems more than capable of the handling. Big effort, personality and acidity to carry it high. Boozy to a degree and again capable of finding balance. Isn’t this what cool climate blends should strive to achieve? Forget the formulas. Look to great agriculture and a master blender to realize goals. This reaches a milestone and likely at a ridiculously affordable price. Drink 2020-2026.  Tasted blind at NWAC19, June 2019

Tawse winemaker Paul Pender

Tawse Meritage 2015, VQA Niagara Peninsula, Ontario (581165, $67.95)

That aromatic combination of dark plummy fruit and tangy blood orange is a straight give away for many more impending complexities to come. A three-pronged Bordeaux varietal mix of merlot (45 percent), cabernet sauvignon (28) and cabernet franc (27) with so much going on you might not understand what it’s trying to say. It’s like Glossolalia, a “fluid vocalizing of speech-like syllables that lack any readily comprehended meaning,” a.k.a. in tongues. Never mind the distractions and the madness but instead head straight to the intersection of structure and balance because that’s what matters. The fruit is bold, the woodwork finely chiseled and precise and the end result is the work of masters; agriculturalists, oenologists and winemaking hands. This will live on through epochs of Canadian Meritage notability and infamy. Drink 2021-2031.  Tasted blind at NWAC19, June 2019

With Phantom Creek’s Anne Vawter

Phantom Creek Phantom Creek Vineyard Cuvée 2016, BC VQA Okanagan Valley, British Columbia ($100.00)

Some of the estate’s finest cabernet sauvignon makes its way into the flagship red, also made up of the other four Bordeaux red grapes. There is a sweetness that comes through from layering so much quality fruit in a way that neither the Becker blend nor the varietal cabernet sauvignon seem capable to manage. There’s also a deep sense of tannin and an almost dark brooding character, but also a smoky, savouriness that adds to the mystery and the dimension. So stylish and composed, amalgamated of the finest fruit bred from great attention to agricultural detail. Incredible length too. One of the most professional wines in Canada. Drink 2021-2030.  Tasted February 2019

Southbrook winemaker Ann Sperling

Southbrook Organic Vidal Icewine 2015, VQA Niagara-on-the-Lake, Ontario (581165, 375ml, $49.95)

The most unusually brick red-orange hue makes this vidal Icewine a one-of-a-kind wonder and the best news of all is how complex the wine is to follow suit. Yes the curiosity factor runs high but so do the gamut of aromatics and flavours. Coffee, toffee, crème brûlée, apricot, guava and strangely enough the spongey filling of a Crunchie Bar. What a childhood memory that digs up. Acids are strong, relevant and still humming so the sugars are carried along with great companionship. Benchmark vidal usage and to no surprise. Ann Sperling’s work with varietal orange wine combined with her knowledge of Icewine make for a union divine. Drink 2019-2025.  Tasted December 2019

Good to go!

godello

Twitter: @mgodello

Instagram: mgodello

WineAlign

Nineteen mind-blowing wines of 2019

1964

Tout vient à son heure pour qui sait attendre, wrote Clément Marot, Renaissance poet. Everything comes at its appointed time. From Cahors to Turin. War, peace, hate, love, fruit, acid and tannin. Wine is all about the pauses and the balances. At its core the value is in that feeling of things being natural and equal. That’s the way it should be. When you drink you enjoy what you have, without competition. One sensation after another. You feel like you have more, even if you have less. Like consomée with just a chop of vegetables.

Welcome to Godello’s annual list of the most conspicuous, head-turning and psychotropic moments, better known as his 19 mind-blowing wines of 2019. Godello first initiated the concept for a year-end culminating evaluation in 2012 though did not actually coin the phrase until publishing his 14 mind-blowing wines of 2014. Call it the sixth or the eighth but who really cares because the wines are the crux and the heart of the matter.

Related – Eighteen mind-blowing wines of 2018

Related – Seventeen mind-blowing wines of 2017

Hard to know how many wines he actually tasted in 2019 but the best guesstimate would be 2,500 because that is how many reviews have been posted to WineAlign in this calendar year. A couple hundred were for wines tasted in 2018 but the editing and posting of at least that many for wines tasted in 2019 have yet to become permanent. So the number is pretty close, one way or another.

There were at least a few dozen stellar and jaw-dropping wines that should of, could of, would of made this list. For every one chosen another was left behind for no reason other than necessity and its relationship to the mother of invention. These images exhibited are but a few that had every reason to be one of 19’s 19.

Related – 16 mind-blowing wines of 2016

With thanks to everyone who poured a glass. The producers, winemakers, export managers, friends, colleagues and pirates, please be encouraged and read on. Godello’s 19 mind-blowing wines of 2019.

AB Wines Opçāo Avesso “A” Vinho Verde 2016, Portugal

From winemaker/oenologist António Sousa’s personal label (with partner Bernardo) and a vineyard planted in 2003, in Amarante. These are avesso grapes just a few years away from what António considers the optimum age, when they reach 18 years, 10 years older than the age from which they begin to deliver excellence. This A is in position A, from a perfect vantage point out of a very good vintage. This is the role model and exemplar for avesso, from a project that began in 2016, with all the adjunct components in line; lemon, lime, orange, ripe acidity, juicy nature and just a minor creamy, fleshy and boozy happiness. Great balance. Drink 2019-2025.  Tasted October 2019

Marco Felluga Russiz Superiore Tocai Friulano Collio DOC 1997, Friuli, Italy

So remarkable, from the old messaging in the riesling/tocai bottle, stricken from the consorzio record. This is now a wine bottled in Bordeaux style but this look back 20-plus years shows freshness, spirit and only the beginnings of secondary character. Gassy and lemon intense, a near-perfect example of what was and could be, of how aged whites of Collio can keep freshness and the saltiness of place. All thjis and without crazy acidity. That is the conundrum and the magic of Collio. The persistence is romanticism incarnate with fruit oozing out of pores in great remain. Drink 2019-2021.  Tasted May 2019

Goisot Gulhem Et Jean Hugues Gondonne 2017, Bourgogne Côtes D’auxerre AOC, Bourgogne, France

A soil of kimmeridgian and marl, of white and blue, with great layering of fruit and that is in fact what you feel from Gondonne. There is something rich and overtly expressive here and while it’s anything but simple it could be imagined that so many consumers would understand this chardonnay, love it and want to drink it with abandon. That said the structure, goût de terroir and joie de vivre are just exceptional. The wood and the land just melt right in. Drink 2020-2029.  Tasted November 2019

Ken Forrester Old Vine Reserve Chenin Blanc 2007, WO Stellenbosch, South Africa

These Helderberg vines would have been 33 years of age at the time and to think the wine would have cost $10 or so. Now 12 years later we’re graced with this hyperbole of toast, smoulder, lit paraffin and the edge of saffron honey. It’s hard to believe and this the from the tier-two, non-selected grapes at the back of the line behind a Forrester wine like the FMC. Nothing less than incredible. Drink 2019-2021. Tasted October 2019

Ornellaia Bianco 2016, IGT Toscana Bianco, Tuscany, Italy

The Bianco was first introduced in 2013, following fast forward to the original 1980s and 1990s work with Poggio alle Gazze dell’Ornellaia. That project had been abandoned because says Axel Heinz “stylistically it just wasn’t right.” That wine was mainly sauvignon blanc on one of Ornellaia’s great vineyard sites. What was wanted was something more than a varietal wine and a new age of finding vineyard sites that were more than merely good for white wine. That means making use of northern slopes and those blocks favourable to whites, including the use of (indigenous) vermentino and viognier. The practice had already been proven with success by colleagues. Bianco is the alter ego to the Rosso, priced as such “and reflects the spirit of Ornellaia, but it had to build itself up to that premium level. We intend to make one of the great white wines of the world,” explains Heinz. That may sound like bragging swagger but the reality is that experience, acumen and especially confidence breed the truth. I Bianci are aged for 12-15 months in (30 per cent new) barriques before bottling. I do dare you to find a wine that smells anything like this Bianco. They are flowers unnamed or perhaps not yet discovered. The flinty reductiveness is also truly and wholly unique. Though the way sauvignon is raised and the place are surely not the same, the Bordeaux styling and sensibility of affinities are more than uncanny and even served by purpose. The vintage brings great maturity, fruitiness and salinity. Fruit presence under the spell of fleur de sel. Nothing but a brilliant combination. Says Heinz without equivocation, “it’s a benchmark for us, ’16 that is.” Drink 2020-2031.  Tasted March 2019

Domaine Bouchard Père & Fils Chevalier Montrachet Grand Cru 2017, AOC Bourgogne, France

The couverture is all encompassing acting as a full sheathing tapestry in surround of a fruit core of sheer concentration and yet as a whole so understated. It’s hard to imagine more coaxing and less pronouncement. Relatively speaking there’s no estate equal to what has happened here. Great mineral crash into life and love, into fruit and impossible acidity. A magnificent chardonnay with 25 years of life ahead. Drink 2021-2039.  Tasted September 2019

Adelsheim Pinot Noir Boulder Bluff 2015, Chehalem Mountains AVA, Oregon

From a steep, southwest facing site and picked really early, especially in the warm 2015 vintage. Again the confluence of vineyard conflagration of more than one soil type leads to an estate stylistic but let’s face it one that is bent into shape by focus and precision. There is great generosity and freshness, again in spite of or despite the hot vintage. More floral from this bluff and bigger, albeit finer quality signature tannin from this neighbourhood, with more thanks to basaltic blocks. Long ageing surely ahead with fruit turning to bramble, at times. Drink 2021-2028.  Tasted April 2019

Tenute Bosco Etna Rosso DOC Vigna Vico Pre Phylloxera 2015, Sicily, Italy

The litheness of this nerello mascalese from Mount Etna off of 100-plus years of age pre-phylloxera vines cannot be over-stated or overstressed. The light, ethereal beauty of this wine may very well transport you to a place, to a vacuum within a bubble that is a hidden world inside a biodome. Few words are available when a wine speaks to you such as this Vico does to me at this time. This impossibility of such fruit concentration is also implausibly understated, as are the tannins and the acidity, yet all align and intertwine along a perfectly rendered line. You recognize the automatic brilliance, for the people and from the place. You just know it when you taste it. If you can find this wine, if you ever get the chance to purchase a bottle or two, you owe it to yourself to act, for you and for anyone you might happen to share it with. Drink 2019-2035.  Tasted May 2019

Donnafugata Mille E Una Notte 1996, DOC Contessa Entellina, Sicily, Italy

An arch classic from Sicilia sud Occidentale and more specifically Tenuta Contessa Entellina. Of the oldest wines this is one of the highest tonality, not unlike older and older schooled nebbiolo from Barbaresco, in a queen’s throne sort of way. There is siply no way to argue that this wine did not deserve to be aged this way and to be waited on for such a moment of appreciation. Age worthy and load management indeed, with every resolution hoped for and expected. Brilliance and a benchmark, with a half decade of life still ahead. Drink 2019-2026.  Tasted May 2019

Scarpa Barbera d’Asti DOC La Bogliona 1996, Piedmont, Italy

At 23 years you just have to launch yourself headfirst into the blood orange. That this piece of barbera wow factor happened before the year 2000 is the thing, especially because climate was very different. Rain fell often and slowly through the year, as opposed to the deluges of globally disaster-orchestrated today. Higher acidity simply speaking and this of the great lean, salty and direct-fitted pieces of barbera composure. Still fresh with dried fruits and low alcohol (at 13.0 per cent declared) but who knows which way the marketing directed labelling in those days? More than a lovely look back. Educational, instructional, cerebral and mind-bending from the lesser appreciated Piedmontese sector. Drink 2019-2024.  Tasted December 2019

Maison Roche De Bellene Charmes Chambertin Grand Cru 2012, AOC Bourgogne, France

Do not adjust your set. The vintage brought everything to the table and while the foreground presents a picture crystalline and transparent the entirety of the frame is frozen clear. As for the aromatics this teases a meaty cure like few other and teases as if by the ambience of a cave, restricted of access, hiding what lurks, hangs and excites. Crunchy to say the least, layered to say more and complex to speak the ultimate truth. Magnifique and still twenty years away from the beginning of the end. Drink 2022-2037.  Tasted September 2019

Domaine De La Pousse D’or Pommard Premier Cru Les Jarollières 1964, Appellation Pommard Controlée, Bourgogne, France

Calling this 55 year-old Bourgogne Premier Cru a piece of history is not enough to do justice because family, lineage and the passing of the generational torch beyond domaine lines are everything that matters. Nicolas Potel pulled this one out of thin air and not merely by a human ability to disappear and reappear. No, Nico chose the way of disapparating and then apparating (in the wizard sense of “apparition,” a magical form of teleportation). His father Gérard’s ’64 was in his hands and a great big, merde-eating grin was posted all across his face. Les Jarollières is a 1.44 ha plot of marl and calcaire and even today half of the plantings are those that were fitted in 1925 and 1962. It was Gérard Potel who resurrected Domaine de la Pousse d’Or to its glory and in 1964 he acquired the domaine through a marriage to the then owner’s niece. Along with Henri Boillot this cru has been famous being meaty, earthy and owning an ability for supernatural integration. This 1964 had taken all that, everything and more, left nothing in the vineyard and had now become the epitome of the ethereal. The fruit was fully intact, so bloody strawberry, still with lightning quick reflexes and able to pour fresh glasses of spirit and energy over the course of a full hour. The experience was a once in a lifetime type, a shared moment and the kind to create a banked memory that will always be generous when a good one is needed. Thank you Nico. Drink 2019-2024.  Tasted December 2019

 

I Fabbri Chianti Classico DOCG 2000, Tuscany, Italy

At the time it was labeled as an (Annata) Chianti Classico though it was really Riserva. Yes it has evolved but 18-plus years should have moved it much further along. Carries a spice like the exoticism in resemblance to 2006 but this is something other. Still some very fine, present and notable acidity. Amazing purity, honesty, luck, circumstance, place and gentile personality. The sapidity is there again and the age ability nothing short of remarkable. Drink 2019-2021.  Tasted February 2019

Volpaia Chianti Classico Gran Selezione DOCG Il Puro 2015, Tuscany, Italy ($150.00)

Il Puro takes her purity to another level in 2015 with fruit so silky fine and chalky tannins integrated into liquid even finer than that fine. The accumulation is just impressive and the charm meeting grace even more so than that. The Mascheroni-Stianti family has really found a stride in this GS to explain why it exists and how it can make many people happy. The structure here will take this through two or three decades of unfolding. There is a house record to prove it, ironically regardless and in spite of the bottle’s name. This is sangiovese. Drink 2023-2037.  Tasted February 2019

Le Chiuse Brunello Di Montalcino Riserva DOCG Diecianni 2010, Tuscany, Italy

“A muscle vintage, of huge character,” tells Lorenzo Magnelli. The name of the wine is Diecianni to tell us that Lorenzo’s Riserva is not released until the 10th year. Brings about all the complexities that come from such an extended elévage. Tobacco, savour, forest floor, frutta di bosco and frutto secco but don’t be succumbing to depths and sottosuolo because the freshness persists. A wine so wise beyond its years, like its maker. Sure you can release a Riserva one year after Annata but when it has been protected and taken care of for you then it presents as it was intended to. We are thankful for the triage and the investment on our behalf. The fruit persists with great natural sweetness out of 2010. Drink 2019-2035.  Tasted October 2019

Conti Costanti Brunello Di Montalcino DOCG Colle Al Matrichese 2015, Tuscany, Italy

Andrea Costanti is convinced this is a great vintage. “One of the best.” The weather was perfect following a beneficial cold winter. The harvest was early but not compromisingly so and it saw no hurdles, obstacles or intendments. The barrel use is bigger, older and wiser. This is the sort of concentrated Costanti that speaks to the 2019 philosophy, of acidity, ripeness and balance. Time on skins was about a month (including two weeks of fermentation and oxidation introducing délestage) and no protective sulphur. There is a control in this sangiovese, a powerful restraint but more than that, more so a calm, but not before storm. Finesse, grip and beauty, like a statue of a stag, in a courtyard, lit by moonlight. Tannins are all pervasive, fully stated, yet to feel a necessity for attack. They will and we will retreat, Then we will advance, with caution, further to find full pleasure for two decades. At the very minimum. Drink 2023-2039.  Tasted February 2019

Le Ragnaie Brunello Di Montalcino DOCG Vigna Vecchia 2015, Tuscany, Italy ($177.00)

Planted in 1968 and from a warm vintage all the way to the end, into October. Riccardo Campinoti is smiling wryly, knowingly and confidently after he pours and begins to speak of it. “The longer you waited the riper it became” and the healthy grapes allowed for hanging to mid-October. Deeper and of more sponge-soaked earth in the old vines with a higher tone juxtaposed against the depth drawn by long vine roots. The aromatic complexities run, jump and ride off the proverbial charts and you may find yourself drunk and mystified just from the smells. Once you gain palate entry you are hooked and then you climb in, headfirst, unencumbered, no strings attached. A tour de force beloved of sangiovese, Montalcino and old vines. Vigna Vecchia is the epitome of a true structured wine, one which does not grow old, despite the passage of time. Drink 2023-2039.  Tasted October 2019

Antiche Cantine Dei Marchesi Di Barolo 1990, Barolo Riserva, Piemonte, Italy

A grande dame or marchesa in the parlance of these woods, a nebbiolo of persistence, resilience and strength of character. Initiates contact with the past and a contract with tradition by way of the things that matter most. Family for one, roots dug into the earth second and the vineyard’s tongue, if it were able to speak. The overall gist in the parlance is heard and even understood although the dialect is hard to decipher if you are not of this place. This 1990 is found to be of high though level tempered energy and then with an ear, a nose and a soul so close to the earth. Smells like the soils amalgamated, preserved and demonstrated through the tempered liquor of a wise old 29 year-old nebbiolo. So much more than a piece of the past, this is an auguri gathering of storytelling, kin, culture and DNA. You must pay thanks for a chance to taste a thing such as this. Drink 2019-2033.  Tasted December 2019

Gaja Sorì Tildìn 2016, Barbaresco DOP, Piemonte, Italy ($810.00)

Angelo Gaja sees 2016 as a perfect vintage in Barbaresco and the one from which climate change is viewed with great irony in the wink-wink guise of parenthetical thanks. That means the cosmic and astronomical alignment makes for wines that are both pleasant in their youth and also impossibly structured to age. Named for the sunny position of the slope and Mr. Gaja’s grandmother Clotilde. Now the clay and the calcaire have conspired, along with the purchased land of which Clotilde was custodian and in how she pushed her husband to make great wine. The vines are now on average 50 years-old and the composition meeting aspect bring a depth of complexity as poignant as it gets in this tiny part of nebbiolo production. All the flowers, rocks and elements are contained within the interior walls of this gently forceful Langhe red. It mimics the matriarch by the strongest power of suggestion and will not take no for an answer. Perhaps never will. Drink 2025-2045.  Tasted December 2019

Good to go!

godello

1964

Twitter: @mgodello

Instagram: mgodello

WineAlign