PHOTO: STILLKOST/FOTOLIA.COM
When it comes to wine, the year 2012 was extremely kind and in so many ways. There are some who cringe at the term “generous” when employed in a tasting note to describe a particular wine. To me, there may not be a better word to wax dreamily and demurely about the year that was. The grapes were in fact generous in 2012, bursting better than ever with ripe, rich fruit, their ferment having flowed and poured freely at the hands of so many great people. Wine helped to fill the voids and soothed in times of stress, as if there were not a care in the world.
Wine events continued to proliferate. VINTAGES ramped up tasting opportunities, the importers shared lavishly and with munificent grace. There were mass assemblies of producers who came to share their wares from California, South Africa, New Zealand, Australia, Chile, Argentina, Italy, Austria, the list goes on. A Halpern portfolio tasting was stellar and Stem Wine Group’s gala brought me to my knees. A relentless trafficking of the grape persists, especially by the likes of Profile Wine Group’s Mark Coster who’s omnipotence seemed to find him pouring everywhere. Dinners with fellow geeks threw complementarity caution to the wind while the affair with my wine card at Barque Smokehouse continued its wanderlust.
Tasting through local portfolios and young juice in barrel with winemakers and vineyard representatives really highlighted the year. Norm Hardie and Dan Sullivan showed me what Prince Edward County is and will surely be. Paul Pender twice ran me through his promising casks at Tawse. Vintners in Long Island opened my eyes to the future of its two forks. I am looking forward to tasting around the world in 2013.
Never before have I been privy to a sound as buzzing as our local wine scene. Social media exploded in 2012, especially on the topic of Ontario wine. The elevated level of discourse and discussion became palpable and necessary. The Wine Council of Ontario opened MyWineShop, an initiative aimed at transforming the landscape of wine sold in Ontario. The current harvest looks to be of the ‘best ever” variety. VQA Ontario wrote “conditions were close to perfect going into harvest,” then followed up with “harvest reports on grape quality were excellent for all regions.”
I liken 2012 to 1998. This vintage will see Ontario to wines of stunning fruit quality, acidity, balance and finesse to match what we continue to experience from the exceptional ’98’s, including reds. The 1998 Henry of Pelham Cabernet/Merlot I tasted last winter can testify to this. “You’ve come a long way baby,” I will say to our local, vinous heroes. Ignore the naysayers and keep on the path of the Rockafellar Skank. Just as in 1998, the “funk soul brother” is on your side.
Of the most profound pleasure and fortuitous circumstance is the opportunity I am given to imbibe and to share of other’s treasures.
These are the best wines I tasted in 2012:
The Wine Diaries: 2012
Château Pichon Baron Longueville, Paulliac 1988 (March)This PBL is throwing rocks tonight. I am dazzled by its youth. Purity, clarity, vitality. Embodies Cclaret’s dictionary entry. Opened in the heart of its window. While ’89 and ’90 continue to hog that era’s spotlight, here lies reason number one to endorse ’88. The turkey of the triple flight. 95
Corimbo 1 2009 (April) is sweet thistle pie. A cracker jack Tempranillo and nothing but Tempranillo. Candy coated with red licorice and an inexplicable apple flower sensation as if molecular gastronomy of the Ferran Adrià or Heston Blumenthal kind. Exotic and spicy, seeing through me, it “knows my name but calls me ginger.” 95
Tawse Chardonnay David’s 2011 (March) coruscates like the glare of a Koon sculpture, lambient and luminous. Searing tang of citrus and green apple. A crime to show so well, Zen in its persistence and long finish. This vintage and this vineyard may unseat Robyn. 93-95 (barrel sample)
Valdicava Brunello Di Montalcino Riserva Madonna Del Piano 2006 (October) is sacred Sangiovese, an inviolable reliquary of immaculacy deep beneath Montalcino’s altar. A vamp of essential Tuscan fruit. If you were to stand on a hill in Montalcino in winter time and listen carefully, you would hear a low sipping sound. That is the sound of the entire town drinking of the Madonna Del Piano. 97
Château Fonroque St. Emilion Grand Cru 2000 (September) unseats Talbot as the non pareil Bordeaux coalescence of value and longevity from that vintage. Resolute to immaculate balance, black fruit steadfast against crumbling tannins and yet I can see this pushing on for 10 or more. “You like drinking ghosts,” says JM. Yes I do, yes I do. 93
Mas Doix Salanques 2006 (April) is a revelation. A Pegau-esque perfume aux gasseuse leans Rhône but an amazing (65%) Garnacha sweetness veers Priorat. Iodine (Syrah and Carignan) of black slate soil, tar, smoked meat and bacon. A Parker and Galloni thesaurus of descriptors must be bequeathed on this candied (Merlot) wine loaded with acidity in magnums. CVR** WOTN. 93
Château de Beaucastel Châteauneuf du Pape 1998 (April) would be my wine of choice walking a boulder strewn vineyard on a misty morning in the Southern Rhône. Expressions are hurled around the table, “candified Pinot nose” and “tutti frutti.” For Beaucastel? I can’t believe the tripartite fruit freshness, ambient funk immersion and pencil lead sharpness. This ’98 is ”light as a feather, heavy as lead.” The Beaucastel will brighten up your tomorrow. WOTN 96
Château Léoville-Las Cases Saint Julien 1996 (March)Utopian, foxy, rubicund health. Voluptuous tomato, classy and luxurious on every level. Unabashed, showing off unblemished, curvy fruit. Pellucid, transparent, honest. A player, even if the highest caste keeps the dark LLC down. The sixth major. 94
Domaine Henri Perrot-Minot Morey-St.-Denis En La Rue De Vergy 1996 (March) The dark knight of the three red Burgundies. Smells like merde at first, a pumpkin left to compost long after the hallow night is done. A few swirls and the funk blows away, leaving behind a smashing MSD. Oracular utterances are in the air now. ”Lazer beam of acidity” says AM, “Pinot on a frozen rope” says I. 93
Castellare Di Castellina I Sodi di San Niccolo 1997 (May) of Colli Della Toscana Centrale IGT origins and the fountain of youth. How can it be so fresh? 85% Sangioveto and 15% Malvasia. The Sangiovese clone, also known as Sangiovese Piccolo is here a sweet and beautiful elixir. Polished deep purple Amethyst dipped in smokey, black raspberry water. No hard lines, void of animale and free from Tuscan iron. “No matter what we get out of this, i know, i know we’ll never forget.” Better with the cheese course to come. 93
Good to go!
Godello 