Australasian tasting with Escarpment and Torbreck Vintners

Some of the worlds oldest vines continue to thrive in South Australia’s Barossa Valley and 3,600 kms away in Martinborough, New Zealand there are some vines upwards of 35 years of age now entering into their experiential phase. First there is the 1994 founded Torbreck Vintners, one of the Barossa’s upper echelon producers of bonzer shiraz, Rhône-inspired red blends, sémillon and a grenache to rival any in this world. Second along comes Escarpment Wines, a recent addition to the Torbreck portfolio created by the Marchesi of Martinborough himself, that being Larry McKenna back in 1999. The winery was originally established as a partnership between McKenna, his wife Sue, along with Robert and Mem Kirby, at a vineyard planted on the Te Muna river terraces, a few kilometres east of Martinborough town. McKenna had been in Martinborough since 1984, involved in the vineyards since ’86 and the winery was recently purchased by Torbreck in 2019.

With John Szabo MS and Torbreck’s Andrew Tierney

Back in September Torbreck’s Sales, Export and Marketing Director Andrew Tierney was in Toronto and so John Szabo MS and I sat down with him and his importing agent Craig de Blois of Noble Estates. We paced steadily with concerted haste through five Escarpment and eight Torbreck wines. Some will soon show up in VINTAGES and also by way of Classics catalogue releases from now through the Spring of 2023. Here are my notes on the 13 wines.

Escarpment Chardonnay 2021, Martinborough, New Zealand

Founder Larry McKenna had been in Martinborough since ’84, involved in the vineyards since ’86, started the property in ’99, mainly to chardonnay and pinot noir with a bit of pinot gris. Purchased by Torbreck in 2019. Alluvial-gravel soils and a property (Escarpment) that needed an infusion of commercial advantage. Quite a flinty strike, reminiscent of the Dog Point style in whites but here clearly attributable to the terroir. Low density in the new plantings and low volume output. From the original plantings (or at least those that survived Phylloxera) and a wine that sees no barrique, only puncheons. Intensity of tart and taut behaviour, lees-textured though nothing creamy caused by stirring. Gets to the top of the sides of the palate, lingers for a cocktail or two and slowly drifts away. Unique set of chardonnay circumstances right here. Drink 2022-2025.  Tasted September 2022

Escarpment “Noir” Martinborough Pinot Noir 2020, Martinborough, New Zealand

Considered an “entry-level” pinot noir, poured first and leading into a few “Premier and Grand Cru” iterations. Consider this more of a mini or multi-Villages style or plan, done in stainless steel and old barrels. A combination of vineyard across Martinborough of fruit de-classified away from the Villages and Cru wines. Shows off that darker and mineral-stony intensity of varietal fruit and therefore quite typical for the greater sense of place. As floral as expected or better yet wanting it to be, strength of aromatic sense and then herbal though savoury so, like fennel and drying roses. Drink 2022-2024.  Tasted September 2022

Escarpment Pinot Noir 2019, Martinborough, New Zealand

The next Escarpment steppe is a “Villages” level pinot noir, composed of 60-70 per cent estate fruit plus other Martinborough “Villages” sourced fruit. The next level concentration but more so the complex notions of fungi and Piedmontese-esque tar and roses take this to another level entirely. You need to take time here, allow the aromatics to rise and hover, pause again and then consider the range of flavour escaping with emotion. The encapsulation of Martinborough falls into and emerges from this Villages and my how it strikes a chord. Drink 2023-2025.  Tasted September 2022

Escarpment Pinot Noir Kiwa 2020, Martinborough, New Zealand

From the oldest (1.8 hectare) block with a higher level of alluvial-gravel, a township vineyard close to Ata Rangi, dating back to 1994. Expect high mineral and tannin though that is not necessarily what will come from sister bottling Kupe. Taking concentration, sensation and fascination to another level yet again, aromatic sure but harder to get and fully comprehend. Yet you know and intuit another dimension and scope of varietal fortitude, due to soil and place, someway, somehow. This is whole and a wine of breadth, clustered by 30-40 per cent intact berries and thereby a true gifting of the veritable pinot noir. Drink 2024-2029.  Tasted September 2022

Escarpment Pinot Noir Kupe 2020, Martinborough, New Zealand

One hundred per cent Abel clone smothered and then smuggled from “somewhere” in France, here from a block that suggests 60-70 whole cluster fermentation and the winemaking team abides. There is a pickling effect, a reductive reticence and a demand in taut intensity by way of tension that would not want to open up any time soon. Showing some nightshade leafiness though subtly so and surely a component that will dissipate with time. A beast? Perhaps the term of endearment could be used but it should be considered more in terms of weaponry, medieval to a degree but a warrior’s accoutrement accruements for sure. Return before the next moment of strife to check in and see where Kupe is at. Drink 2025-2033.  Tasted September 2022

Ladies and gentlemen, Craig de Blois

Torbreck Woodcutter’s Sémillon 2022, Barossa Valley, South Australia

From plantings of 1984 and 1998 and yes indeed the first 2022 wine tasted (for now). Just over a third is aged in wood and the vintage was as non dramatic as it gets, “a good year,” tells Andrew Tierney, “no drought, no wildfires, no bad winds.” Bit more downy texture and fulsome mouthfeel than many which will surely equip this sémillon with the kind of stature to age into something elastic and forever. This will surely include buttered brioche and lemon curd, eventually. Just imagine how upper echelon, world class this wine could be were it’s vineyards farmed and crafting approached with religious reverence. Drink 2022-2025.  Tasted September 2022

Torbreck Cuvée Juveniles 2021, Barossa Valley, South Australia

The first vintage that contains fruit from the recent carignan and cunoise plantings (2017) to go along with the syrah, grenache and mourvèdre. The “Côtes de Barossa” of Torbreck’s Rhône portfolio with such an added savoury element now that the C’s are involved and balancing out with the S, G and M. Gone are the days of confectionary pleasantries (a relative thing to say) and welcome to equanimity but better still Barossa Valley range. The new umami and depth descended than before. a great direction to be sure. Drink 2023-2027.  Tasted September 2022

Torbreck The Steading 2020, Barossa Valley, South Australia

Here Torbreck’s world enters what can be considered and even referred to as “Châteauneuf de Barossa,” a place where a multitude of Rhône grapes gather for the full and complimentary layered effect. A true G-S-M, first made in 1996 and by many accounts the signature red wine of the company. Rich and structured, built for aging. Ages in large foudres and while it will almost certainly retract in a year or so, for now the open juiciness and up front beauty is there for the preview. Just wait until the 2017 plantings of carignan and counoise mature and join this mix. The future will be exciting indeed. Drink 2022-2025.  Tasted September 2022

Torbreck Grenache Hillside Vineyard 2019, Barossa Valley, South Australia

Planted in 1949, all dry-farmed bush vine grenache on an estate property at 180m of elevation. The fruit used to go into The Steading but now finds its way into one large foudre for this lithe, elegant and copacetic example of pure grenache. Hard to find a Barossa Charter for Old Vines example any more impressive as a provider than this, a parent, grandparent and great-grandparent set of vines gifting a current vintage with all the acumen, experience and nurturing that is seemingly impossible but so very wanted. Started in 2017 with the elimination of small casks because grenache absorbs and then oxidizes, better best done up in foudres for the right result. Here the grenache swirls, inclusive of raspberry, then variegates (with far eastern Illicium Verum spices) and expands aromatically, in complex flavours and truth be told, über concentrated freshness. Gorgeous and honest wine. Drink 2024-2034.  Tasted September 2022

Torbreck The Struie 2020, Barossa Valley, South Australia

Label does not say it (it’s a Torbreck thing) but this is solo shiraz, from “intermediate” vineyards in the 70-80 year range, 75 per cent from the Valley and the rest outside. Sure there is a feeling gained that’s expressly shiraz from Barossa but what’s more and truly important is this silken seamlessness, the glycerol and mint coulis that grabs the palate’s full attention. To grow at this quality level the yields have to be devilishly low, not an easy task when you’re working with 30 contract growers. Sustainably farmed and regionally framed in a shiraz of fruit, meat and sweet herbs, nothing tarry, charred or rustic about it. Smooth as it gets. Truth. Drink 2024-2030.  Tasted September 2022

Torbreck Shiraz The Factor 2019, Barossa Valley, South Australia

The essential difference between Struie and Factor is complicated but the limiting is to four vineyards (90 to 125 years of age, in stone, sand, clay and red Barossa loam) and 40 per cent in French oak. The viscosity is again palpable but now so bloody accentuated, elongated, elasticized and multiplied in the Factor. Thus the name? Not exactly (or likely) but this is indeed a matter of place(s) and purpose. No deception in this depth, nor in the execution neither. Need to find more word hyperboles for glycerol and mouthfeel so bare with me for a moment.. Let’s call Factor a shiraz “triol bond multiplied by hydroxyl bomb” with the result being a diatomic molecule simply called “Radical.” Drink 2026-2037.  Tasted September 2022

Torbreck RunRig 2019, Barossa Valley, South Australia

Six vineyards go into RunRig, 90-170 years of age, four estate and two by growers, from Lindoc to Ebeneezer. There is a tiny percentage of viognier added at bottling and the wines that are not chosen will end up in the Struie and The Factor. A drought year and there seems no real need to compare with those wines. The level of fortitude, intensity, trenchant purpose and just plain gumption is off the charts, shiraz or not, with a “willingness to get things done and just let this wine do the talking.” Not the solo black fruit that the others show but a full hematoma of hue and drupe, blues and reds in the scheme. Full varietal aperture, slow shutter speed and clarity like no other. Vintage snapshot captured that will live in infamy. Drink 2024-2039.  Tasted September 2022

Torbreck RunRig 2016, Barossa Valley, South Australia

Six vineyards go into RunRig, 90-170 years of age, four estate and two by growers, from Lindoc to Ebeneezer. There is a tiny percentage of viognier added at bottling and the wines that are not chosen will end up in the Struie and The Factor. Surely age has begun to make a minor difference but more than anything it is a vintage that sets the record straight. RunRig was one thing and like all great wines has to change so here the set is that of a twain. And so 2016 marks the turn from one era towards another and establishes a revised launch point to accrue the new benchmark. Shiraz yes but a wine of certitude and confidence to transcend varietal definitions and celebrate some of the oldest plots in the land. Sure the texture is silky smooth but the “it factor” concerns these layers to peel away and the depths of (opposite of despair) that put this wine where it wants to be. Drink 2023-2029.  Tasted September 2022

Good to go!

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WineAlign

L’Etna and Parco Statella saved my Sicilian quarantine

Quarantine Passegiata

A few weeks back I experienced humanity in the vacuum of a chat with a man as proficient a listener as he is eloquent as a speaker. As for his writing prowess well, any words I can conjure only drift in mimic of what rhythms his melodies play. I am of course talking about Andrew C. Jefford. I recited my Covid story to the British born, France habituating composer about my quarantine up aboard the northern slopes of L’Etna and in kind he tuned in with great intent. The next day, after clearly having further considered my experience, the writer encouraged my going public with a recounting of the tale.

Parco Statella by night

Working through a bout of Covid-19 has been for each of us a personally possessive experience. We had all spent months and for some the better part of two years assimilating information, growing concern and formulating speculation as to what would happen when we contracted the virus. We also wondered how we might affect others. My turn involved only a few close connections, first my fostering and nurturing Sicilian hosts and chaperones at Planeta Winery. Then, aboard the mountain, the gracious and obliging staff at Shalai in Lingualossa. And finally the man so effing effable that is winemaker Giuseppe Russo. Sorry for the viral transfer Giuseppe. Cute sorry smiley Vector Art Stock Images | Depositphotos

Il Guercio

Let us back track for just a couple of paragraph’s moment. Travelling companion, beautiful friend, articulate writer and persuasive speaker Michaela Morris and I are having lunch with Il Guercio, the one and the only Sean O’Callaghan at Osteria Le Panzanelle in Lucarelli, Radda in Chianti. It’s the first truly warm day of March and so Nada Michelassi creates a table for us on the terrace. Sean hails from the U.K. and is asked to peek indoors on a distinguished and clearly famous solo British diner but he returns after not immediately recognizing the man. A moment later, as if having silently swept in like an apparition, he’s standing over our table. “May I join you?” he inquires, a chair is pulled up, a glass of Tenuta di Carleone is poured and introductions are made.

Sean O’Callaghan, Jeremy King, Michaela Morris and Godello

He is Jeremy King, London’s most famous restauranteur and we are treated to a story of his 44 million euro court predicament with investors. Sean takes a bite of Tagliata and he is suddenly choking, up desperately and stumbling over the stones, grabbing at his throat, liquids evacuating wherever they can find an outlet, terrified face turning blue. Still seated, legs crossed and calm as a hindu cow, Mr. King asks, “would you like me to do the Heimlich maneuver on you?” Sean shakes his head up and down hard, the towery King gets behind him and with one hoomph! the steak is dislodged and expectorating details aside, Sean falls back into his chair in heaving breaths. He’s fine. Saved. Left to live another day and enjoy another plate of Tagliata. King is back in his chair, story immediately in resume. Four days later I’m in Catania testing positive, alerting Michaela and Sean who in turn, both test positive with 24 hours. Coincidence? Perhaps. Fair trade? Absolutely. Like it or not Michaela Morris, Sean O’Callaghan, Nada Michelassi and Jeremy King, we are all inextricably linked for the duration of our times.

It was the Tagliata

Related – The five estates of Planeta earth

Which brings us to Sicilia and more specifically, L’Etna. My adventures with the candid and talented Patricia Tóth are visually chronicled and well documented in my previous article. After testing positive in Catania the winemaker picked up the necessary provisions of sustenance and medication then drove back up the mountain to the volcano’s northern slope. There at Parco Statella I passed my isolation for 11 days, albeit in one of the universe’s most spectacular, spiritual and enlightening locations. A few days of feeling quite unwell beget short walks and then full on treks through the forests and vineyards of this edenic playground. Friends were made and relationships forged with three sheep. two horses, a donkey and several sweet dogs. I ambled through the landscape in a Covid fog as easily as children might slip into their weariness like the soothing water of a warm bath. The effort of subterfuge was no match for Parco Statella’s beauty.

Verdant Parco Statella

Only came outside to watch the nightfall with the rain. I heard you making patterns rhyme

As the symptoms waned and the sun continued to warm Versante Nord there arrived, a case at a time, the wines of Etna producers, first Planeta and Donnafugata, followed by a stream of others. I began to taste and write in earnest, soaking up the innate imperfections and precise perfections of Etna Bianco, Rosso and variations on the parochial theme. Then there was the care provided by Manuela Scala, a plate of provisions here, a sublime slice of cake there. These gestures nourished some withered essential part of myself as I sat on the weathered wrought iron chairs at the table in Parco Statella’s piazzetta. I would fall gratefully on a perfect slice of cake, on this human gesture of connection and to know fortune smiles upon us. On the morning of my departure a caffé in Manuela’s presence made cause for true emotion and then, with the wind circling L’Etna and over the stones of the courtyard I was gone.

Una fetta d’amore

In the Planeta article I detailed the wines of Menfi-Ulmo, L’Etna, Noto, Vittoria and Capo Milazzo. Please click on the link to that post (above) to review those 45 wines. Here are 55 more tasting notes from Girolamo Russo, Emiliano Falsini, Donnafugata, Graci, Calcagno, Scirto, Eduardo Torres, Tascante, Vigneti Vecchio and Azienda Agricola Sofia. The wines on L’Etna that helped saved my quarantine.

With Giuseppe Russo

Girolamo Russo

Girolamo Russo Etna Bianco DOC Nerina 2021

Giuseppe Russo’s Etna Bianco honours his mother Nerina. Made from younger plants, including some planted three or four years old, but only carricante. That said Giuseppe will likely also plant some more grecanico in the San Lorenzo Vineyard because he likes the linearity and verticality it gives to the carricante. The Nerina is a startling and invigorating Bianco, as fresh, available and precocious as any on Versante Nord, or likely anywhere on L’Etna for that matter. A seven days a week wine for which there can be no reason not to engage. Drink 2022-2027.  Tasted March 2022

Girolamo Russo Etna Bianco DOC San Lorenzo 2020

From the single vineyard at 730-740m of elevation and vinified in tonneaux. The 2009 was the first vintage of San Lorenzo Bianco for a wine that leads amongst the 80-90 thousand total bottles made by Giuseppe Russo from 18 hectares. A strong selection from the plants of carricante with cattaratto and grecanico. The carricante are the oldest and they provide the breadth in the mouth, the texture in unction and the presence that really makes you feel the vineyard. The difference between it and Nerina is really in the selection of the grapes. Giuseppe wants his whites to speak for his territory, here to be a bit more generous and 2020 obliges first because it was easier and second because it is such a vintage specific to the white wines. Such beauty and emotion is purity and life. No stress and a wine you want to drink. Drink 2022-2028.  Tasted March 2022

Girolamo Russo Etna Rosato DOC 2021

Only nerello mascalese partly because cappuccia has more colour but also less body, acid and tannin than mascalese. And so the mascalese is the red Rosato variety, especially in Etna’s northern sector. Yes of course this is salty Rosé but that’s a given and hardly the point. Why does Giuseppe make it? Because it’s molto versate, literally “very poured” but meaning always worthy of consumption. For food, especially in summer and at low alcohol. He also believes it can age in fact he’s tasting some older Rosato here and there as witnessed by bottles laying around. Trust when it is said that Etna Rosato is a special breed. Indeed. Drink 2022-2025.  Tasted March 2022

Girolamo Russo Etna Rosso DOC ‘A Rina 2019

First made in 2005 as the initial vintage for Giuseppe Russo and from more than one vineyard, inclusive of fruit from some of the younger vines as an assemblage of micro-vinifications. In terms of maceration Giuseppe only does 15 days, nothing close to the Piedmontese ways with nebbiolo, even if he adores those wines. So much freshness, red fruit forward vintage but also a linearity because these wines always carry some of this emotion. ‘a Rina can be consumed just about when you want to but carries a sort of structure that is subdola, sneaky enough to see it go long. Drink 2023-2029.  Tasted March 2022

Girolamo Russo Etna Rosso DOC Feudo 2019

Many generations have been here but the story really begins with Giuseppe’s grandfather Giovanni Massimino, who planted the vineyard Feudo. Diversity of the vines is a profound part of the growing on these terraces, especially with the old vineyards, in Feudo 70-80 years old and also some as old as 100. Nerello mascalese with five per cent nerello cappuccio from a single vineyard cru and here 20 days maceration, five days longer than the on skins time for ‘a Rina. Again a vintage that Giuseppe Russo is a big fan of, rich and luxe to a great degree yet broad and deeply spiced. The depth and complexity are quite profound. First vintage was 2006 for a Rosso that needs the bottle in the ways of great grapes all over Italy. Drink 2024-2032.  Tasted March 2022

Home cooking by Tóth and Russo

Girolamo Russo Etna Rosso DOC San Lorenzo 2019

Giuseppe Russo’s father purchased San Lorenzo but Girolamo never bottled and sold off all the grapes. In 2003 Girolamo passed away. Giuseppe has worked with Emiliano Falsini from Toscana since 2005 and continues through to today. The selection is mainly from the vineyard’s highest point and it is in fact the largest at Girolamo Russo, making up seven of the 18 total hectares. Such a crunchy nerello mascalese though with plants up to 100 years old there are likely some other varieties mixed in for what is ostensibly a field blend. Also volcanic chalky (if there really is such a thing) and the one that reeks but also tastes of orange, mainly blood orange. While San Lorenzo may lack the richness of Feudo it does so much in terms of finezza and this after so much perfume. Fantastic vintage. Drink 2025-2035.  Tasted March 2022

Parco Statella fixer-upper

Girolamo Russo Etna Rosso DOC San Lorenzo 2017

From a vintage that was very warm, like the rest of Italy and you’d not be fully paying attention were you not to notice this in the wine. You have to wonder when the fruit was picked and indeed though the alcohol was high in September it was Giuseppe Russo who waited well into October to pick his grapes. They are ripe through and through, even if the weight lays low and intensity runs high. This is by far the biggest wine of five Rosso tasted but at its height there is balance and togetherness. Brilliance in the face of adversity, covered in spice is a beautiful thing. Drink earlier than some vintages but also be surprised as to where this may go. Drink 2022-2027.  Tasted March 2022

Girolamo Russo Etna Rosso DOC Calderara Sottana 2018

A label that was started in 2007 and from a contrada on the perimeter of the Russo property. From a very difficult vintage and a wine completely different from both Feudo and San Lorenzo, also because the contrada is so very different. A much more lifted Etna Rosso, edgy with some volatility but the kind that you can imagine settling in with this carefully picked, selected, sorted and vinified fruit. There is a wildness about this fruit that is specific to place but also the tannins that are spicier, grippier and forceful. This one really wakes you up and keeps you on your toes. Mi sveglia! I am awake! Drink 2025-2032.  Tasted March 2022

With a roof right over our heads

Emiliano Falsini

Feudo Pignatone Etna Rosso DOC 2020

Feudo Pignatore, from Emiano Falsini, the name of the contrada on L’Etna’s north side. A vintage a bit like 2018, difficult though not quite in the league of that challenge. Beautifully perfumed, youthful for sure and quite compact. Crunchy Rosso, red fruit in the currant and pomegranate vein, high acidity and showing its barriques though as a lithe, transparent and lifted wine it does so with great ease. Creates a cinnamon heart type spiciness and then you feel the wood on the back end. Very curious contrada Rosso. Drink 2024-2029.  Tasted March 2022

Covid penicillin

Feudo Pignatone Etna Rosso DOC Davanti Casa 2020

Feudo Pignatore, the name of the contrada on L’Etna’s north side and the small cru/single vinyeyard Rosso. This is the selection, smaller quantity from Emiliano Falsini and a whole ‘nother expression altogether, here the wood and fruit conspiring for a frutta di bosco experience but also one with toasted coconut. Barriques and tonneaux are used and because the fruit is deeper and richer there is more depth, doubled down concentration and a feeling of that wood, earlier and throughout. This will need much time and there is definitely an affinity with nebbiolo this time around. Drink 2025-2032.  Tasted March 2022

Donnafugata

Donnafugata

Pantelleria

Donnafugata Lighea 2021, DOC Sicilia

Lighea, Sicilian for “light” is varietal zibibbo (a.k.a. muscat of Alexandria) grown on the Island of Pantelleria off the southwestern Sicilian coast. Not unexpectedly high in citrus both juiced (lemon and orange) but also floral with orange blossoms the obvious, ostensible and uncanny notation. So bright and popping, brimming with pressed acidity and waxy, spritzed, airy and vaporous of sea spray. Sun, afternoon and vacation are three words that easily come to mind. Drink 2022-2024.  Tasted April 2022

Donnafugata Ben Ryé 2019, Passito Di Pantelleria DOC

Ben, as in “son of” and Ryé, a Sicilian riff on the concept of making strong mocker from the wheat grass. Think of grapes instead, in this case zibibbo (muscat of Alexandria) grown off the southwestern coast of Sicily on the Island of Pantelleria. Passito di Pantelleria DOC is one of the world’s great sweet wines, found only on this windswept promontory where the grapes concentrate, drink in the sea and express a view to which only this place commits. The warmest of vintages develops and comprises these particular sugars into something surreal. Extraordinary orange-ginger crème brûlée, perfectly embittered and made viscous in the most natural of ways. Layers of dedication and spice, health affirming herbs, respiratory fixing drops and sweetness captured, effortlessly and to gift plaisir. Apricots ripe and glazed, zen zero limone, giusto intenso. Nearly perfect. Drink 2025-2039.  Tasted April 2022

Donnafugata Vineyards

Contessa Entellina Estate

Dolce & Gabbana Rosa Rosé 2021, DOC Sicilia

Donnafugata makes two Rosato, one from Etna and this on the northern side of the Contessa Entellina Estate. A blend of nerello mascalese and nocera, two apposite varieties, one being the Dolce and the other Gabbana. Together they combine for exotic fragrance but also sweet candied florals, cottony feels and salty streaks right on through. Healthy acids easily deal with, mitigate and assimilate whatever sugars might want to express themselves but truthfully they only come out in the aromatics, rising at dusk and bleeding into night. Can’t think of a time when this Rosato would fail to please. Drink 2022-2024.  Tasted April 2022

Contrada Statella

Donnafugata Anthìlia Bianco 2021, DOC Sicilia

What’s in a name? Anthilìa is the name given to the city of Entella on the top of the Rocca in Roman times. As a Bianco it is composed of the local (Contessa Entellina Estate) lucido, known in other parts of Sicily as catarratto, blended with other unnamed autochthonous and international varieties. Regardless of the bit parts there is no questioning Anthilìa’s tart, tight and citrus to mineral posit tug of Sicilian style. There is an herbal quality in sweet basil or chervil typology but lemon-lime meeting salty stones halfway is really where it’s at. Beck and call, “a place we saw, the lights turn lo. The jigsaw jazz and the get-fresh flow.”  Drink 2022-2025.  Tasted April 2022

Donnafugata Sur Sur 2021, DOC Sicilia

Sur Sur is varietal grill0 from Donnafugata’s Contessa Entellina Estate in southwestern Sicily. More lemon and less mineral as compared to Anthilìa though sunshine is at an all time high. Sur Sur as in “On On” or in Italian Su Su. Like the lights and more to the point the sun, filling and lighting up this grillo. Light up the grill and throw on some fishes, large shrimps, even a squid or three. Sur Sur will compliment, alight and walk astride. Drink 2022-2024.  Tasted April 2022

Donnafugata Sherazade Nero d’Avola 2020, DOC Sicilia

Sherazade, or Scheherazade is the fictional wife of a sultan and the narrator of the tales in the Arabian Nights. The Nero d’avola is taken from western Sicily’s Contessa Entellina Estate and nearby vineyards. Mixed cultures’ spice and exotica are the aromatic potpourri this calls home and nothing else scents as this. Nothing else is also so inviting, casting its varietal line and reeling you in to inhale, sip, smile and exhale. Red wine as aperitivo, unencumbered, calming and even a little bit divine. Track three, The French Dispatch, Alexandre Desplat. Drink 2022-2025.   Tasted April 2022

Donnafugata Tancredi 2017, Terre Siciliane IGT

Tancredi, that exceptional Italian name is a blend of cabernet sauvignon, local nero d’Avola, tannat and ”other grapes,” field-ish so to speak, born in Donnafugata’s place of origin, Contessa Entellina Estate. Deeper in barrel, fruit substance, time and thought. All varieties well put, organized and once in conflagration now smouldering seamlessly together. What may have been an ignited engine of brush, tar and pressed juices is still tight and intense, raging in acidity and just now emerging with local style. Plenty of savour too, a western Sicilian kind, challenging the olfactory, making a concerted request for more time. Bordeaux, Madiran and Santa Margherita di Belice mixed, matched and melded together. Drink 2023-2027.  Tasted April 2022

Parco Statella by day

Donnafugata Mille E Una Notte 2018, Rosso Sicilia DOC

Mille E Una Notte (1001 nights), a collection of Middle Eastern folk tales compiled in Arabic during the Islamic Golden Age, a.k.a. the Arabian Nights. A Contessa Entellina Estate near Santa Margherita di Belice blend of nero d’Avola, petit verdot, syrah and in the typical Donnafugata field blend idiom, also inclusive of “other grapes.” The deepest and most profound if brooding and structured of the estate’s reds while also hauntingly familiar, succulent and beautiful. Clearly one of Sicily’s most age-worthy red wines, reeking of roses and steaming in highlands acidities. To say tasting 2018 this early in its tenure does little to open the gates of knowledge or pleasure would be a vast understatement but these many nights hint at hidden treasure, meaning and the aforementioned beauty. A serious wine with endless time laid out ahead. Drink 2025-2034.  Tasted April 2022

L’Etna

Donnafugata Sul Vulcano 2019, Etna Rosso DOC

The Rosso from L’Etna’s northern slope near Montelaguardia is essentially nerello mascalese though there is a small percentage of cappuccio involved. From vineyards adjacent the stunning Parco Statella to the east of the village of Passopisciaro. Alberello-trained vines mix with volcanic rock terraces, grazing sheep and the wild ferla. Really quite precise varietal, location and lava coming together in a Rosso that exhibits the limit of Etna’s volcanic savour. Really brushy and herbal, fruit singing a ripe acid song, slinging arrows of basaltic intensity, creating a true to form and peace experience. A broad brushstroke of Etna Nord and yet one with vim, victory and relish. Drink 2023-2028.  Tasted April 2022

Donnafugata Sul Vulcano 2019, Etna Bianco DOC

Sul Vulcano, below L’Etna on the north slope, 100 per cent estate grown carricante adjacent the Parco Statella in Montelaguardia. Classic varietal profile, at once rich and then salty, volcanic soils and elevation so very present, buoyant and presenting this dramatic white wine. Richer and riper than some, vintage related and directed to be sure. Not so much croccante as much as being scorrevole for carricante, mid-palate and aromatic twin split between pomelo-mandarin and ferla-broom. Some structure here so wait a year and drink through the decade. Drink 2023-2029.  Tasted April 2022

Vineyards adjacent Parco Statella

Donnafugata Fragore Contrada Montelaguardia 2019, Etna Rosso DOC

The single vineyard Fragore is an Etna Rosso out of the Montelaguardia contrada that announces itself with an ascoltami ruggire, in other words a roar. But a quietly controlled one, like a lion resting, expressing its content with the moment, using voice to engage, not warn. Take the Etna Rosso normale, improve and compress upon it multi-fold, concentrate all that savour, hillside naturalism and herbology, take things to an entirely unimaginable next level. This is the roar of Fragore, in control of emotions and sensibilities. Like a passegiata through Parco Statella on a windy Etna Spring day. An impressive vintage if just a bit barrel controlled, intimating fine chocolate and dusty espresso, needing time to integrate. Drink 2024-2031. Tasted April 2022

Vittoria

Donnafugata Floramundi 2019, Cerasuolo Di Vittoria DOCG

As per the Sicilian DOCG a blend of nero d’avola and frappato grown in the southeastern sector, the latter made deeper and more profound by the former. What may be lost in sheer consumer attack-ability is gained through strength and vigour. Cerasuolo is meant to concentrate but also percolate, simmering two complimentary varieties in liquid layers, increasingly volumetric and akin to new thought music in a red blend of moods. No Donnafugata’s does not exist by dint of such pressed heights because it persists in airy, openly fragrant and flute singing tones. A best of both worlds appellative juncture is met, acquiesced and compressed. Give it time or simply air to enjoy. Drink 2023-2026.  Tasted April 2022

Donnafugata Bell’Assai 2020, Vittoria DOC Frappato

Pure frappato from southeastern Sicily, fragrant and perfumed to the proverbial hilt and so bloody inviting. The freshest of summer strawberries, violets at peak and if aromatics could talk they would say hello. Juicy and justifiably tart, those peppery florals candied, inclusive of pansy and nasturtium. A veritable bouncing, fanciful and buzzing throttle frappato yet so easy to sip back. Inspiring. Drink 2022-2025.  Tasted April 2022

Graci

Graci Etna Bianco DOC 2021

Graci’s viticultural epicentre is Contrada Arcurìa but they also grow in four other Etna north communes. The all-purpose Bianco is 85 per cent carricante with (15) catarratto harvested mid-October (on average) and raised in only stainless steel for nine months, on the lees. My how those lovely lees drive this wine, texturizing the local grapes and directing all the traffic. Rarely does an Etna Bianco recall Chablis but here is one in all glory and reminiscence. Fresh, luxe fruit round and abounding, mild yogurt to crème frâiche character derived by the infiltrations of those positive yeasts. Just salty enough to remind of the place in a generalized and beneficial way. Drink 2022-2024.  Tasted April 2022

Parco Statella friends

Graci Etna Rosato DOC 2021

Etna Rosato comes from 100 per cent mascalese and the only grapes harvested in September. Just a soft press, no skin contact maceration and ultimately a salty, easy, light and rustic rose coloured meeting flavoured mingling with texture Rosato. Just what you want to drink in the sun, anytime after 11:00 am, preferably with the volcano looming above. Or anywhere the sun might hit in your place of living. Meets the non-plussed demands of delicious and satisfying, two most important blush ideals. Drink 2022-2023.  Tasted April 2022

Graci Etna Rosso DOC 2020

From Alberto Graci in Passopisciaro, with vineyards in five contrade, Feudo di Mezzo, Santo Spirito, Mugnazzi, Arcurìa and Barbabecchi. A spontaneous varietal nerello mascalese in every way, from fermentation through emotive spirit. Smells like L’Etna by way of 18 months spent in grandi botti (tini), fruit skin musky, salumi curative and mint-scented without being minty. Fine acid crunch and fruit persistence, intensity yet in control, driven and determined. Clearly top echelon Rosso untethered to any one specific tract of contrada soil. Drink 2023-2027.  Tasted April 2022

Graci Etna Bianco DOC Arcurìa 2020

Arcurìa is central to Graci’s farm and work, a contrada location on L’Etna’s northern slope at 600 to 700m of elevation. For Bianco only carricante is used, harvested mid-October, half in small wood and half in stainless, 12 months on lees followed by 12 in bottle. As a cool and windy place it refreshes, revitalizes and breathes great air into the carricante, joining forces with the multifarious volcanic soils to instil great salinity and ariosità in the Bianco. Even though it sees longer lees aging as compared to the normale there is less frâiche and more freshness but also depth, determination and desire. Great bite, snap and acutezza. Drink 2023-2027.  Tasted April 2022

Graci Etna Bianco DOC Muganazzi 2020

Mugnazzi is Graci’s secret weapon property, five and a half hectares in Passopiscaro, once owned by Ettore Majorana, the “brilliant and mysterious gentleman.” Three of those are planted to carricante at 700m, harvested around the same time as Arcurìa, destined to shake, rattle and roll this Etna Bianco. Takes the grape and volcano to the next level, both in mineral salinity but also luxuriousness of substantial, fleshy and concentrated fruit. The most aromatic of the bianci, orchard and even exotics mingling with sea, lava and air. There is no end or conclusion to this Mugnazzi for it is both inspiring and one to take a breath away. Very special Etna Bianco indeed. Drink 2024-2029.  Tasted April 2022

Graci Etna Rosso DOC Arcurìa 2019

Arcurìa is the homefront contrada location, flagship vineyard, late harvested nearing October’s finish and 100 per cent nerello mascalese. In the middle of 600 and 700m, on five types of layered volcanic mille-feuille, connected to the village of Passopisciaro. The best mascalese plants and rows are chosen for this single contrada Rosso, an Etna that takes the cumulative Rosso to a higher level of focus, preciseness and northerly understanding. This IS Graci, fruit and cure like a recipe passed down through generations, even if Alberto Graci is the family pioneer, at least in this place. Lightly chalky tannins present a structured notion for a Rosso that must be, has to be, can only be Arcurìa. Textured to settle on the palate and fortified just enough to explain something extra about the land. Drink 2024-2028.  Tasted April 2022\

Walking on basalt

Graci Etna Rosso DOC Feudo Di Mezzo 2019

In Feudo di Mezzo a wholly antithetical experience is had, ninety degrees to the west from full on northerly Arcurìa, ancient and early vines of 80 years or more growing at 600m, sharing the already tiny 1.5 hectare space with free and sky reaching nerello cappuccio growing as alberello. The oppositional character does not end there, what with the finer soils, less volcanic variegation and earlier to ripen location. And so the (95 per cent) nerello mascalese plus cappuccio Rosso is blessed of fruit breadth, round, circulating and enriching acidity, not to mention luxurious tannins. Feudo di Mezzo makes for some of the volcanic idiom’s most generous and lavish Rosso with this by Graci up there with the best. Longer maceration and full acceptance of the large barrels make this a most impressive Rosso to gain and gather friends. Drink 2023-2027.  Tasted April 2022

Jimmy

Graci Etna Rosso DOC Arcurìa Sopra Il Pozzo 2017

Sopra il Pozzo describes a special portion of the signature Arcurìa vineyard (and contrada of the same name), a block “above the well,” 100 per cent nerello mascalese picked in the last week of October. Treated to the same maceration and elévage as the Rosso for the same spontaneous style and time as Feudo di Mezzo. However Sopra il Pozzo’s refuse soil composition is different and requires patience in the name of time, due to its alternating layers of decomposed volcanics in stone and coarse sand. This is a section of recast material and the corresponding mascalese is both emasculated and chivalrous. The degree to which layers of fruit, mineral and umami incorporare and completare is finite and contiguous yet also lengthy, scorrevole and endless. There is rare Etna glycerin texture and perfectly timed acid tang. tempismo perfetto. Grande. Drink 2024-2032.  Tasted April 2022

Calcagno

Calcagno Etna Bianco DOC Ginestra 2020

Ginestra, a.k.a Genista aetnensis, the Mount Etna broom. A no wood, only stainless Etna Bianco spent time on lees and yet freshness of airy and open character abounds. And so a saltiness and a mineral wealth mix with typically lime blossom floral and spicy scents. Classic unadulterated and naked carricante, citrus streaking, tight, tart and satisfying. Could drink and relish this Bianco seven days a week. Drink 2022-2024.  Tasted April 2022

Calcagno Etna Bianco Superiore DOC Primazappa 2019

Primazappa comes from the commune of Milo, incidentally the only Etna area where it is allowed to bottle as Etna Bianco Superiore. A varietal carricante off of 30-40 year-old vines grown on both alberello and spalliera at 850m, picked in late September. The volcanic soils are quite weathered, decomposed and sandy, with a decided micro-mineral effect on this wood-aged and seriously flinty Bianco. Takes on a whole new appellative and stylistic meaning, clearly designed to age and enter another new Bianco world apart. Simultaneously smouldering and buzzing with mineral salts, fleshing if not yet quite fleshy. The curiosity and potentiality factors in this Bianco are developing and climbing off the charts. A bit wild now, it should settle into something really special. Drink 2024-2028.  Tasted April 2022

Sicilian blood orange for what ails

Calcagno Etna Rosato DOC Romice Delle Sciare 2020

Romice refers to a Sicilian grass species and delle Sciare literally “of skiing” so clearly a Rosato referencing the flora and also the high Etna slopes. A north side, salty, sapid and pink pink citrus slinging nerello mascalese, infinitely fulfilling and drinkable. Acids sling right along and balance is had by all, including sugars and fragrant fruits. Drink 2022-2023.  Tasted April 2022

Calcagno is the life work of Franco, Gianni and Giusy Calcagno, two brothers and a daughter, first vintage being 2006, now a full grown concern. From the Contrada Calderara the mixed soil consists of black pumice and basalt. Perhaps made most famous by Cottanera but never sleep on the passion and torch passing into this generation of Calcagno hands. Cherries and red fruit in concentration could never be dismissed and in fact must be celebrated in a nerello mascalese of sweet intoxication. I really wanna know this Rosso, I really wanna go with this mascalese, my sweet Calderara. Fresh and grounded, effusive and espansivo, meeting at both poles, one mission gained. Implosive Rosso from the famiglia and one to savour after many other wannabes have walked heavy in their soles and commercialized their souls. Drink 2023-2027.  Tasted April 2022

Terroir

Calcagno Etna Rosso DOC Arcurìa 2019

Arcurìa contrada is a late October harvested cru for nerello mascalese grown at elevations between 600 and 700m, on five types of multi-layered volcanic soils associated with the village of Passopisciaro. The Calcagno profile is consistent with Calderara in red fruit as if cherries especially are prominent and yet sour-savoury and botanical tonic elements change the complexion of this particular Rosso. Less generous and effusive if more serious and even structured results. No, not the same wine at all, even if it is distinguished as being from Calcagno. Drink 2024-2028.  Tasted April 2022

Calcagno Etna Rosso DOC Feudo Di Mezzo 2019

Feudo di Mezzo is neither Calderara nor Arcurìa, here much smaller plots of alberello vineyards with their twisted and ancient vines 60, 70 even 80 years or more growing at 600m.The nerello msacalese often shares space with less dominant and texture thickening cappuccio but most notable is the salumi and red fruit skin musk aromatics of these Rosso. There is nothing like Feudo di Mezzo, characterful, distinct, knowable and just plain funky. In a 70s bass beat way, not quite G.Q. but perhaps Love Train style. Calcagno’s is really special FdM, reaching for greatness and making itself noticed. Don’t sleep on this cru “‘cause if you miss it, I feel sorry, sorry for you, well.” Drink 2023-2028.  Tasted April 2022

Scirto

Scirto Don Pippinu Bianco Carricante 2019, Terre Siciliane IGT

From the Contrada Feudo di Mezzo and also Contrada Porcaria, at 650m on L’Etna’s north slope, planted in the 1930s. Soils are black volcanic sand, sub-acidic, skeletal, rich in potassium and poor in organic matter. Don Pippinu is a name attributed to Giuseppe Scirto’s grandfather and the wine is made from carricante, catarratto and white minnella. Ages for 10-12 months in steel and in the bottle. Just a raw white assemblage with no strings attached save for 100 years of history and a little bit of skin contact. No volatile distraction to speak of but yes this wine settles on the palate like a dissolving citrus, chamomile and orange blossom salve. Not loathe but perhaps reticent to use the word natural though how else to explain this thing of delicasse, elixir of kind heart and vial of virility. Acids are purely substrata drive, flavours layered by lava and mixed white grapes so in touch with one another’s realities. Peak performance happens late, often and with persistence. Drink 2022-2027.  Tasted April 2022

Scirtu All’Anticas Vino Della Tradizione Nerello Mascalese 2019, Terre Siciliane IGT

The term is “Rosso della Tradizione” or “Vino della Tradizione,” in other words Rosato. You have to look at and consider tradition where a certain style of Rosato is concerned and in Etnean terms this is a wine that must also be looked at under a Rosato lens. Still a matter of ungrafted 80-100 year old nerello mascalese (here with some cappuccio) subjected to 36 hours of skin contact. Where this diverges from a wine like the Don Pippinu Rosso is in the foggy, murky, uncharted, uncooked and untested waters of varietal sensitivity. And aromatics, here rising, inciting and inviting investigation. There is also a matter on minor Brettanomyces not present in the other Scirto wines. So yes tradition is on display, as is an unbending relationship for which control and sulphuring are not going to happen. Terrific aromatic display, mostly floral but also old vines and volcanic induced fruit substance but the palate is a world apart and to its own. That said it oscillates, wavers and delivers new complexities each and every time sipped. Curiosity takes on a whole new meaning. Drink 2022-2025.  Tasted April 2022

Un’altra fetta d’amore

Scirtu Don Pippinu Rosso Nerello Mascalese 2019, Terre Siciliane IGT

Scirto is the work of Giuseppe Scirto and Valeria Franco near Passopisciaro, with grapes since 2010 and from vineyards inherited from their grandparents. They have vines in Feudo di Mezzo and Porcaria, mainly nerello mascalese. Don Pippinu comes from a tiny plot of ungrafted 80-100 year old nerello mascalese and nothing off of the north slope of Mount Etna resembles what’s in this glass. Throws a light sediment, its hue is orange sky pastel at dawn and a flirtatious volatility marks the nose. Opens to an earthy if wild berry fragrance and then the salty-geological basaltic rock energy alights, if of a purpose to wake up the palate. Do not be fooled into any commercial space or domain for this is a natural expression of the Feud di Mezzo zone. Not on purpose mind you but a Rosso that is precise and as was unintentionally intended. So much beauty in the complexion of its flaws, a taste into the mirror of what is necessary and also possible. Wouldn’t age this too long but can think of many, many wine geeks who could crush the bottles of such a quietly provocative Rosso. Drink 2022-2026.  Tasted April 2022

Scirtu A’Culonna Rosso Nerello Mascalese 2018, Terre Siciliane IGT

monument in the centre of the nearby village of Passopisciaro. The volcanic stone was a three-sided carved obelisk indicating directions, to and from Milazzo, Taormina, Randazzo and Palermo. La Colonna was also the meeting place where peasants stopped for a chat and at the same time sold their wine. For Giuseppe Scirto and Valeria Franco it is predominantly nerello mascalese with some cappuccio picked in early October. Fermentation is done in stainless steel tanks using only natural yeasts, then aged 12 months in large and small used oak casks. Not filtered or fined with minimal use of sulphur at bottling. Clearly the most textural, glycerin and fruit pretty Rosso in Giuseppe Scirto’s Siciliane shed, flowers distilled into perfume, curious berry caramels swirling through the flavour profile. The swarthiness while there is perfectly seasoned and in check, the lasting impression is good, intuitive and reasoned one. A’Culonna is the bomb. Drink 2023-2030.  Tasted April 2022

Eduardo Torres

Eduardo Torres Acosta Viticoltore Versante Nord Uve Bianche 2020, Bianco Terre Siciliane IGT

The white counterpart to the “north slope” cousins is this from old vineyards in six different districts: Pietramarina, Allegracore, Piano Daini, Friera, Zucconero and Marchesa. The red nerello mascalese dominates but the vines are always inclusive of 10-15 per cent white grapes. In this case half minnella (Bianca) equalized and complimented by (50) other endemic varieties, as in carricante, catarratto, inzolia and grecanico. Fine sands of volcanic ash are the product of various and recent lava eruptions. The “Uve Bianche” expresses purposeful clarity and seriously rich Etna intendment, giving away a fleshy and controlled lees-effected texture. The weave has melted and so the seamlessness with which this drinks is second to none. A white of glaze and shine, implosive acid zing and explosive flavour bursts. It’s bloody delicious, so expertly assembled and crafted, professionally and yet subtly designed. Saying yes to this glass is akin to being paid for telling people what you already know. Drink 2022-2026.  Tasted April 2022

Eduardo Torres Acosta Viticoltore Versante Nord Nerello Mascalese 2020, Terre Siciliane IGT

Versante Nord, literally “north slope” is nerello mascalese (plus 15 per cent “varietà locali,” in other words nerello cappuccio and friends) from old (50-plus years) vines of the Pietramarina districts in Verzella, Capreri in Castiglione di Sicilia, Zucconero, Piano Daini in Solicchiata, Allegracore in Randazzo and Friera in Linguaglossa. The land is obviously volcanic, of mixed stones, sand and ashes from eruptions, several quite recent. Natural farming and fermentation, picked in the first two weeks of October and a 15 day, free to its own devices skin maceration. This gives the VS a raw feeling but truth be told the Rosso perfectly straddles the lines between the exposed and the sheltered, the volatile and the calm. Tart yet sweetly scented red fruits, edging to pomegranate but also a woven fabric in the mouth that suggests chalkiness, bend-ability and structure. Persistence is the surname, braiding the middle and “ascesa” the given. Drink 2023-2029.  Tasted April 2022

Eduardo Torres Acosta Viticoultore Quotan Vino Di Contrada Piede Franco 2020, Rosso Terre Siciliane IGT

Quotan as in “quota” is an apt moniker, a part or personal share, easily discerned for producers on L’Etna and what land they have to use. The wine comes from an old vineyard in Piede Franco, in the Contrada Nave, on the northwest slope of the volcano. Quota N is also the name of the vineyard, Q being the stamp of locally known “roads quota nave.” A most unique assemblage, of half nerello mascalese, 20 per cent grenache and (30) uve bianche, of grecanico, carricante and coda di volpe. Allegedly if obviously lighter, brighter and airy finer than Versante Nord, multi citrus strewn and waxy with both yellow and red citrus giving it all away. Neither Rosato nor full on Rosso, nor somewhere in between but residing all on its own. Not a structured wine but wouldn’t put 10 years past it without something interesting happening, eventually leading to curiosity and pleasure. Crushable in any case, like semi-soft lemonade in the best way. Drink 2022-2026.  Tasted April 2022

Tascante

Tascante Etna Rosso DOC Contrada Pianodario 2019

The vineyard was planted at 775m in 2010 in the contrada of Pianodario, one of four on the northern slope of Mount Etna, between the villages of Montelaguardia and Randazzo. Characterized by a degrading morphology from south to north on volcanics 15,000 and 4,000 years old. It is believed that the substrata is between 40,000 and 30,000 years of age. Pure nerello mascalese here is one of the latest picked in the last days of October, treated to a year in large Slavonian cask. Imagine sangiovese from somewhere like Montalcino but in this varietal world the lightness of being is palpable but also so accepting of the wood. If ever a mascalese from Etna were spoken in pure Sicilian blood orange terms this would be it. Tart yet never sour nor do you feel the acids in any sharp or inflammatory way. Really just purity and clarity, a well seasoned glass that comes from ripe fruit meeting nurturing barrel with the result being one of energy and spirit. Drink 2023-2027.  Tasted April 2022

Tascante Etna Rosso DOC Contrada Sciaranuova 2019

Sciaranuova is located between the villages of Montelaguardia and Passopisciaro at 730m and is one of the four contrade (districts) farmed by Tasca on northern Mt. Etna. The terraces of nerello mascalese were planted in 2008 and are generally harvested a week earlier than Piandorio. Less intense, more calming, acids not as sharp and fruit more developed in a Rosso of great stage presence and nurturing feel. Acts with less emotion and more control, delivers the kind of perfume that makes you close your eyes to consider and inhale. Pure wild strawberry and while surely airy and stone-cut there is always something of ease about this wine. Spice in the form of nutmeg and then cinnamon heart give a light white peppery edge but all turns to liquid, seamlessly integrated and finishing long. Drink 2023-2030.  Tasted April 2022

Tasca’s Tascante vineyard

Tascante Etna Rosso DOC Contrada Rampante 2019

This third of three Contrade Rosso farmed and bottled by Tasca on Etna is from a vineyard at 740m between Solicchiata and Passopisciaro. Same volcanic geological time period (between 15,000 and 4,000 years old) but a bit of a swing here towards the east, direction Feudo di Mezzo. Some really old vines exist here and Tasca’s are planted in 2000, making them eight to ten years older than Piandario and Sciaranuova. Also picked a bit earlier, stylistic tighter, wound and wrapped, like a rounded Napoleon or mille-feuille with so much to unravel, uncover and discover. Neither blood orange nor strawberry here but rather currants and pomegranate, with underlying botanical tonics and a layer of organza material. Increased curiosity, elevated enigma and mysteries to unfold. Wait longer on Rampante. Drink 2024-2028.  Tasted April 2022

Contrada Rampante

 

Tascante Etna Rosso DOC Contrada Sciaranuova 2017

Northwesterly Sciaranuova at 730m is found between the villages of Montelaguardia and Passopisciao. These gently sloping terraces of nerello mascalese went in the volcanic soil in 2008 and harvest usually occurs in the second to last week of October. One nose of 2017 and one understands about vintages and also time. If 2019 Sciaranova feels like a nurturing and health affirming nerello mascalese than 2017 writes the proverbial book on the subject. The warmth of the season is to thank but so is two extra years of settling in bottle time. A fleshing and a reckoning have taken place but so have a refreshing and an awakening. It could be thought that ’17 would not have shown this fragrant, open and vital just a year ago but now, well something of a next level rejoicing has occurred. The ’17 is in a right honest, pure and giving place. It should remain here for three, possibly even five years deeper. All this bodes so well for the most excellent ’19. Drink 2022-2027.  Tasted April 2022

Vigneti Vecchio

Vigneti Vecchio Etna Doc Rosso Sciare Vive 2020

From Solicchiata on the northeastern slope and the work of Carmelo Vecchio, mainly nerello mascalese with 10 per cent indigenous varieties (including minnella, inzolia, carricante, grecanico, catarratto and malvasia.) As per the disciplinare there can be up to 10 white grapes and in this living, scorrevole sledding Sciare Vive they bring lift, refreshment and a glide across the palate. Takes a page out of the Crasà book with some meaty juices but here they run rare, show little cured meat character and just bloody enliven the energy and spirit of this wine. There is some sneaky structure lurking but my you could really sip the you know what out of this blessed Rosso. Youthfulness does show through in a minor amount of austerity at the finish so let this ’20 rest a while. Drink 2023-2027.  Tasted April 2022

Vigneti Vecchio Etna DOC Rosso Crasà Contrada 2019

Carmelo Vecchio and Rosa La Guzzaone farm one hectare of nerello mascalese in Crasà Contrada near Solicchiata on L’Etna’s north slope. Picked later in October, a wild ferment and a quick two week maceration on skins. Adds up to a stylish and perfumed Rosso, vibrant, pulsating and alive. The aromatics are curiously akin to the tightest lambrusco but with running meat juices, tonic, savour and pinpointed local accuracy. Cured meats too, impulsive and implosive fruit internment, definite block of a Contrada’s location intendment, trenchant in many purposed splendour. This Rosso means business and directs its own traffic. No affection or heirs, only truth out of Crasà effectuation. Drink 2023-2029.  Tasted April 2022

Azienda Agricola Sofia

Azienda Agricola Sofia Etna Rosso DOC La Vigna Di Gioacchino 2020

The eponymous north Etna winery is run by Carmelo Sofia, son to Gioacchino who was born in 1953 in Castiglione di Sicilia. Dad had inherited vineyards in Solicchiata where the Piano dei Daini Contrada is located. Carmelo now has three hectares, two on that volcanic soil and one on clay in the Pietramarina Contrada, just outside of the village. This is vintage number four, all nerello mascalese grown at 600-700m. La Vigna di Gioacchino comes from Piano dei Daini and also Pietramarina, averaging out at 25 years, picked middle of October. Short skin contact, aging in concrete and as a result a level of kept freshness, but also the living, breathing feeling of cured meats and musky red fruit skins. No overt or purposeful structure but a true, honest and highly enjoyable Rosso experience. Drink 2022-2026.  Tasted April 2022

Azienda Agricola Sofia Etna Rosso DOC La Vigna Di Gioacchino 2019

The 2019 was Carmelo Sofia’s third vintage in bottle, here from the label dedicated to his father Gioacchino and drawn from the two parcels he farms on Etna’s north slope. Both the volcanics of Piano dei Daini and the clay of Pietramarina Contrada contribute but in 2019 they are so entangled, meshed and together. A terrific vintage to match flesh against bone, substance versus karst and meaty depth in tandem with mineral sway. A brighter and more lifted Gioacchino as compared to 2020, sure it’s got another year under belt but here the layers coordinate and open. Ready for business. Drink 2022-2026.  Tasted April 2022

Lava Flow of L’Etna eruption, 1981

Azienda Agricola Sofia Etna Rosso DOC Contrada Piano Dei Daini 2020

L’Etna’s north slope is the face of Contrada Piano dei Daini, here being the second vintage for which Carmelo Sofia decided to bottle as a single vineyard Rosso. The block is 65 year-old Alberello nerello mascalese that remains in contact with the skins a half week longer than Gioacchino and again there is no wood, only concrete for aging. Piano dei Daini straddles two worlds like few Etna Rosso can; swarthiness and clarity, lift and precision. Hard not to feel the volatility but it’s just so perfectly judged at the edge of the precipice in teasing, flirting and sly fashion. Whether intentional or nor it matters little because the ability to please both sides of that debate make this a deliciously risky and rewarding nerello mascalese. Confident and obvious, swagger and humility. Drink 2023-2028.  Tasted April 2022

Azienda Agricola Sofia Etna Rosso DOC Contrada Piano Dei Daini 2019

The Contrada Piano dei Daini is on L’Etna’s north slope and Carmelo Sofia first made the decision to bottle a single vineyard/commune Rosso from the oldest (65 year-old) Alberello nerello mascalese in the previous ’18 vintage. Stays in contact with the skins a few days longer but again no wood is used, only concrete for aging. This went to bottle in September of 2021 but it still exhibits a reticence and hesitation to lift. The fruit is leathery and you feel a hidden musk pungency, a fruit meets salumi skin so typical of this vineyard and the volcanic strata it breathes upon. Great potential here, a year and a half away it would seem, before the florals, flavours and highlights begin to align and alight. Drink 2024-2029.  Tasted April 2022

My friends are so lazy

Azienda Agricola Sofia La Vigna Di Gioacchino 2021, Terre Siciliane Bianco IGT

Carmelo Sofia’s Bianco scents of a singular set of circumstances and aromas, in part taken from 60-70 year-old Alberello carricante with a few percentage points of catarratto, minella and inzolia. Drawn from Piano dei Daini (volcanic) and also Pietramarina (clay) on the northern Etna range, picked late in September and staying in touch with the lees for the full five months in tonneaux. The crème frâiche quality and lemon curd viscosity are not as in charge as first thought with some (four months) of steely stainless extra time making sure to keep freshness and juicy behaviour a clear and present part of the style. Battles the urge to swirl in yogurt and comes away clean, chewy but clean. Seems like a work in progress to a certain extent, four years into its tenure, with great focus and precision to come. Drink 2022-2024.  Tasted April 2022

Arrividerci bella Sicilia

Good to go!

godello

Quarantine Passegiata

Twitter: @mgodello

Instagram: mgodello

WineAlign

What comes next for the wines of South Africa?

A deep dive into the wine regions of the Western Cape, chenin blanc, and a Buyers’ Guide to South African wines

This feature was commissioned by Wines of South Africa, as seen on WineAlign

 

Several years back I commented that “the act of intense immersion into any important wine-producing nation and its diverse regional expressions can only leave a lasting impression if the follow-up takes a long, cool sip of its meaning.”

That was just the beginning of what I hoped to be a life-lasting fascination with South African wine and, seven years later, I can safely say the journey is going very well, if still only in the early stages of deep understanding. Just about exactly two months from today I will return to the Western Cape to rekindle, reconnect and extend my relationship with South African winemakers and their fascinating wines. Curiosity, anticipation and excitement have never been greater and so the questions is worth asking: What comes next for the wines of South Africa? At current the only answer forthcoming is how Cape Wine 2022 will be the most lekker experience of the year.

In all their combined iterations, the wines of South Africa are exciting communicators of heritage, history, emotions and declarative attacks. Collectively they spread with ripples like a large rock dropped into a pool of water. They are the beneficiary of effects created by two oceans and the great ancient, preeminent, decomposed and weathered soils found anywhere on this planet. Maturity is breathed into every phrase these wines are wont to play.

Growing regions of the Western Cape

South Africa is a medium-sized country that would fit into Canada eight times. It has a diverse population of 58 million people and is affectionately known as the ‘Rainbow Nation,’ a phrase aptly coined by Archbishop Desmond Tutu. Wine growing is limited to the southwestern region of South Africa, in the Western Cape Province, which is an area roughly the size of Greece. South Africa has been making wine for more than 360 years. The first grapes were pressed in 1659. The wines reflect the best of the old and the new; they present fruit-forward styles with elegance and finesse. The South African wine industry is one of the most technically advanced in the world of wine. There is an extremely rigorous Wine of Origin Certification Scheme, introduced in 1973, which guarantees that the wine is what it is designated or described. Each bottle carries a certification seal to guarantee that the claims regarding vintage, variety and origin on the packaging are true. South Africa has more certified Fairtrade wines than any other country. That is to say their products “guarantee a minimum price to cover the costs of sustainable production, as well as a premium to invest in social and economic initiatives in their communities.”

There are five officially demarcated regions of production — they are delineated based on the massive variations in soil, climate and location. The regions are: Breede River Valley, Coastal, Klein Karoo, Olifants River and Boberg. There is a commitment to environmentally sustainable wine production and wines can be certified by Sustainable Wine South Africa, which is part of the Wine and Spirit Board. The designation refers to grapes which are produced in harmony with nature, which allows vineyards to flourish alongside their natural habitat. The Biodiversity and Wine Initiative is a unique partnership between conservation bodies and the wine industry.

Cape Floral Kingdom – A World Heritage Site

More than 95 percent of the wine is produced in the Cape Floral Kingdom, where there are more than 10,000 indigenous plant species, more than reside in the entire Northern Hemisphere. This Kingdom has been created by a diversity of soils, produced from granite, sandstone and shale; as well as a diversity of climates and geography. This, in turn, has created a treasure trove of winemaking possibilities. As a result, South African wines have a huge array of flavour and aroma profiles, which lead to wines with intriguing character and drinkability.

Chenin Blanc

Chenin Blanc

While so many grape varieties take hold with utmost promise in the Western Cape, there is but one that persists, unwavering and timeless. Yes, it is true that grape varieties such as grenache, cinsault, syrah, pinotage, sémillon and many others are apt at aligning with covenant to their old vine sources but there can be little argument against chenin blanc residing at the top of that list, Chenin is the greatest beneficiary of age, fortitude and focus as provided by the old vine experience. The list of Western Cape chenin sites from Stellenbosch, Swartland, Citrusdal Mountains, Darling, Hemel & Aarde Ridge, Breedekloof, Bot Rivier, Walker Bay, Cederberg, Paarl and Robertson, reads like a biblical scroll; Bottelary Hills, Granite Hill, Helderberg, Kapteinskloof, Kasteelberg, Paardeberg, Perdeberg, Riebeek-Kasteel and Skurfberg. The grape variety has been in the country for more the 350 years, and can perform well in warm and dry conditions. The signature grape variety is South Africa’s golden ticket to global recognition and success. No other varietal message speaks with as much clarity and consistency than that of chenin blanc.

Stellenbosch vines and heritage vines planted in the 1970s and before are now performing at their best. Johan Reyneke speaks of the illness that had been running through South African soils and how he sought to build immunity and disease resistance through a holistic farming approach. Things did not transform overnight, so fathers and neighbours may have doubted the long, arduous and yet understood process. But it is that organic and sustainable approach for which today’s health and prosperity can be thanked. When it comes to searching for chenin blanc plant material, vineyard sourcing can be quite broad, of multifarious soil types and elevations, 40 to 50 year blocks on average, sometimes also including old vine sémillon. The distance from the first to the last vineyard in a chenin blanc cuvée might be 200 kilometres or more but, when brought together well, magic often happens.

Windy places help in so many respects, allowing a larger canopy to remain in place and exaggerate the dappling effect which chenin blanc so dearly loves. Reyneke’s is South Africa’s oldest Demeter-certified biodynamic winery, with vineyards on the top of an ancient granite mound and on less weathered soils lower in the valley floors. The vine struggle is real, a positive one for the wines and ultimately for wine lovers. Granite soils further up the Stellenbosch hills are less colluvial, really old and weathered, predating microbial life. The vines produce lower yields and the weathered earth gives life to chenin blanc. For Mullineux Wines and a Cape chenin blanc assemblage, it gives meaning to the gathered idea, like an AOC Chablis made by a houses in names of Fèvre, Drouhin, Moreau or La Chablisienne. Mullineux’s twist is the back blending with some old barrel ferments to balance new and “other” fruit components. A chenin blanc may be bottled the same year it was picked though that’s easier to do so in the southern hemisphere, where harvest happens in the first quarter months. The reasons are simple. Intense investigations through schist, granite and old vines floats the boat and raises the bar for more professional and accessible chenin blanc cuvées. With older heritage vines involved, as is the case for Chris and Suzaan Alheit, the concentration and density of the vines is inherent. The use of heritage material is the South African version of Atticism; that is a return to classical methods and rhythms in making really old chenin, but also the likes of sémillon.

Chardonnay vineyards in Robertson

Cap Classique

One of the sparkling wine world’s most important and impressive categories in origin is no longer called Méthode Cap Classique (MCC), but now Cap Classique. This South African term indicates a sparkling wine made in the traditional method (the same way Champagne is made), by which a secondary fermentation takes place inside the bottle. As it stands, Cap Classique must age on the lees for a minimum 12 months to be labelled as such, though this number will surely extend once the realization sets in that more is better. Cap Classique produces some of the finest, most complex and diverse sparkling wines in the world. In Champagne the annual production is somewhere in the vicinity of 350 million bottles so compare this to South Africa where a fraction of that amount is released to the tune of seven or eight million. Méthode Cap Classique bottles are made by 100-odd producers, 73 of which are listed on the website for the Cap Classique Producers Association (CCPA), an organization established in 1992. The name was derived from the fact that the classic art of winemaking was introduced to the Cape by the French Huguenots, and the first bottle-fermented sparkling wine produced at the Cape was called Kaapse Vonkel (Cape Sparkle).

It’s also very much a wine about terroir. In Stellenbosch the sparkling is often made from early picked, old vines chenin blanc grown on Duplex soils, colluvial decomposed granite overlapping gravelly clay. Ask Ken Forrester and he will tell you the gravels allow for good draining and the clays deliver a time release of water. All this helps during drought and the restriction of water creates texture on the palate. There are pioneers like Graham Beck’s Pieter Ferreira who are attacking with Brut Zero style “based on the philosophy of grower’s Champagne.” For others, like For Christa Von La Chevallerie, it’s a matter of “how far I can go with [the combination of] chenin and lees.”

“We’re making wines that develop too quickly,” insists Paul Gerber of Le Lude. Gerber believes the minimum time on lees should be raised to 15 months. As for sugar dosage, he’s like a cook in the kitchen. “Dosage is like seasoning. If you do it properly you don’t taste it.” Ferreira has put in the time and the research over 20-plus years to really understand the category but, more importantly, the potential. “You are always looking to express terroir,” he says. As for Gerber, he will say “sparkling wine is not a terroir wine? Please. This is completely untrue.” “For Brut we have to extend [the lees aging time] to 60 months,” explains Ferreira. “So there is no lipstick or eye shadow. ”For a deeper dive into Cap Classique please read my article post Cape Wine 2018.

Bot Rivier 

Bot Rivier lies southeast of Cape Town, sandwiched from south to north between Hermanus and Stellenbosch. “From the top of the Houw Hoek Pass, one gets the first glimpse of the vast, rolling hills and big sky of the Bot River area, where real people make real wine.” This is the credo of the family of wineries that farm and produce in the area. There are 12 members of the wine-growing association, all within a 10 kilometre radius of one another. Here chenin blanc might be crafted with just a hint of residual sugar (at just above 5 g/L), to balance the effects of a long, slow, ocean-proximate Bot Rivier growing season.

Paul Cluver with Ken Forrester’s Chenin Blanc

Elgin

There is so much diversity in the Capelands. There are rock n’ roll stars in the Swartland, R & B, soul & Motown in Stellenbosch, Jazz in Elgin, Classical music wherever you want to hear it. But what there is everywhere is flow. Reggae flow, soulful Stevie Wonder flow, hip-hop flow, Stan Getz, Ahmad Jamal, Dexter Gordon flow. Elgin also has layering, in riesling, pinot noir and chardonnay. The wines glide with cool climate ease of ability, with an unconscious penning of notes coming from a place that was always there from the beginning, with a creativity that comes out of effortless style.

Elgin’s Paul Cluver seems to be the first to label his chardonnay with the Bourgogne “Villages” idea. This tells us much about what we need to know — that Elgin vineyards are the fruit source if not site specific or singularly focused. But he also finds precision with his Seven Flags and Close Encounter wines. The wines of Thelema (and Sutherland) do the same, curating classic Elgin cool savour running linear like a beam through the joist of structure.

The Helderberg, Stellenbosch, Western Cape

Stellenbosch

Stellenbosch in undoubtedly South Africa’s most well-known region and home to the eponymous town that is the country’s second-oldest town. It sits a mere 50 kilometres southeast of Cape Town, capital of the Western Cape. Stellenbosch is the lushest of the Cape’s valleys, home to more than 200 wine producers and surrounded by the Drakenstein and Stellenbosch mountains. False Bay acts as the mitigator of this Mediterranean climate, creating ideal wine-growing conditions where just about any sort of grape variety can achieve ripeness. The reds of cabernet sauvignon and shiraz predominate on the granite-based soils farther west, while chenin blanc and sauvignon blanc thrive in the sandstone soils of the east.

Swartland Independents

Swartland

The Swartland is Afrikaans for “Black Land,” so named because of the dark grey endemic renosterbos (rhinoceros bush) that covers the landscape and turns black after the rains. The region of the Western Cape begins some 50 kms north of Cape Town and consists of the area between the towns of Malmesbury to the south, Darling in the west and Piketberg in the north. Home to the Cape’s greatest of wine revolutions, followed by a swinging era — and what comes next is anybody’s guess. What we do know is that the Swartland’s decomposed shales and granites provide some of the most existential and powerful growing sites in all of South Africa.

Bush vines, Groot Drakenstein Mountains, Franschhoek, South Africa

Buyers’ Guide to Wines of South Africa

Over the past two months there have been several opportunities to taste a wide range of wines from South Africa. Andrea Mullineux came through Toronto to give a seminar on chenin blanc, VINTAGES has seen releases with a dozen various examples and the WineAlign team recently tasted a box of stunning values. Just last week I taught a seminar on South Africa and poured five seminal wines. Here is a Buyers’ Guide that includes chenin blanc, Cap Classique, Bot Rivier, Elgin, Stellenbosch, Swartland and the Western Cape.

Western Cape

Boschendal The Pavillion Chenin Blanc 2021, W.O. Western Cape
$13.35, Lifford Wine & Spirits (Select Wine Merchants)
Michael Godel – Hard to knock the consistency but even more so the varietal representation and transparency of this perennial steal of a chenin blanc. Fruit that sings, bones that stand upright and just textural enough to make you feel like chenin can do no wrong.

Spier Signature Chardonnay 2021, W.O. Western Cape
$13.35, Sylvestre Wines & Spirits
Michael Godel – Labeled as Western Cape though kind of essentially Stellenbsoch from Spier in a chardonnay of green apple, dried herbs and lime. A hint of reduction and then bitters and while not fleshy this is surely satisfying.

Franschhoek Cellar Statue De Femme Sauvignon Blanc 2020, W.O. Western Cape
$16.99, Perigon Beverage Group
Michael Godel – Franschhoek does sauvignon very well, not as cool as say Elgin but surely (on average) more complex than Stellenbosch. Note the elongated phenols and terpenes in this most stimulating and succulent sauvignon blanc. Steal of a deal.

Alheit Vineyards Cartology Bush Vines 2019, W.O. Western Cape
$59.95, Groupe Soleil
Michael Godel –  Soil excellency layers in oscillations, waves and variegation in one of South Africa’s most curious to crafty blends in which chenin blanc is the focus to the core. You feel the sémillon, indeed you do because it streaks through the chenin, but not as a sprinter or a shooting star. Cartology is a correlated, traced and tabulated white blend that stands up to be counted.

Fairview Goats Do Roam Red 2021, W.O. Western Cape
$14.00, Univins (Ontario)
Michael Godel – Rhône blend based on syrah and the stylistic departure from the past to be über rich and dark is now more a matter of bright and effusive. Black fruit is now red, tar and tension given way to open and generous. Loving the modern acids, clarity, purity and simplicity.

Bot Rivier 

Beaumont Wines Chenin Blanc 2021, W.O. Bot Rivier
$29.95, The Small Winemakers Collection
Michael Godel – Hard to conceive and thus receive more aridity on the aromatics, surely flinty, part gun and part struck granite stone. Stretches this chenin blanc like the pull of elastics or fior di latte. Also herbal, sweetly so, with a chanterelle apricot note in the freshest of fungi specimens. Acids take over, spit and shine over this wise and elongated wine.

Elgin

Paul Cluver Village Elgin Chardonnay 2020, W.O. Elgin
$25.00, Buyers + Cellars Wine Purveyors
Michael Godel – Taut and tight, nicely reductive, orchard fruit focused with some bite and then a little bit of barrel smoulder. Not a smoky or toasty chardonnay but a balanced one with plenty of local, savour, savoir faire and flavour.

Stellenbosch

Ken Forrester Sparklehorse Cap Classique 2018, W.O. Stellenbosch
$29.95, Noble Estates Wines & Spirits Inc.
Michael Godel –  This may just be Ken’s most phenolic sparkling wine to date, emitting as a combination of blanched nuts and precious metals. Spent eight months in fermentation followed by 28 further on lees, in bottle. Creates orchard fruit flavours and textures while acidity retention keeps the groove and the balance.

Radford Dale Vinum Chenin Blanc 2020, W.O. Stellenbosch
$19.95, Nicholas Pearce Wines Inc.
Michael Godel – There is a feeling of warmth in Radford Dale’s 2020, not boozy per se yet the feeling is like cold sake going down. Then it’s all roundness and creamy fruit, ease and utter culpability.

Reyneke Chenin Blanc 2020, W.O. Stellenbosch
$29.95, Univins (Ontario)
Michael Godel – Johan Reyneke’s chenin blanc is his and his alone, of South Africa’s first biodynamic winery and a level of say it as it is passion that can’t be touched. More like do as I do and Reyneke’s takes no liberties, asks no favours, gives and gives again. Spices and textural meanderings are concentrated and greater. An exotic notion as well, like ripe longan fruit and then a compound flavour profile going on forever.

De Morgenzon Reserve Chenin Blanc 2019, W.O. Stellenbosch
$49.00, Family Wine Merchants
Michael Godel – A barrel fermented style that shows in a flinty, caramel and pineapple way, part Burgundy plus California yet all South Africa. Heeds the Reserve moniker well with buttery brioche richness and full sun gathered consciousness. This one is all in with an effect to invite a wide ranging if specific consumer response.

Boschendal 1685 Cabernet Sauvignon 2017, W.O. Stellenbosch
$19.95, Lifford Wine & Spirits (Select Wine Merchants)
Michael Godel – Big, dark, brooding, as much about place as it is about grape variety.What’s special is the equally grippy and forceful fruit, exaggerated because the acidity is like a reduction of black currant syrup. Sharp and soil rich this is a serious mouthful of cabernet, firm, tannic and in charge. Roasted herbs and grilled vegetable notes, and a ferric-sanguine quality that brings the BBQ braai to mind.

Warwick Professor Black Pitch Black 2017, W.O. Stellenbosch
$19.95, NAVBEV INC
Michael Godel – Six grapes get together in Pitch Black, mostly made with cabernets with (13 per cent) cinsault, (10) merlot and then bits of malbec and petit verdot. Inky in feel if not pitch, tarry by natural nature if not by hue and also more Rhône meatiness then Bordeaux savour. A big, ferric and hematic example with strong bones and flesh all over.

Jordan Jardin The Long Fuse Cabernet Sauvignon 2019, W.O. Stellenbosch
$30.00, Kolonaki Group
Michael Godel – Straight faced and matter of fact, all things being true in a cabernet sauvignon that reeks of variety and subtlety in spite of the violence required to excavate and plant a vineyard. Don’t sleep on the tension and the structure in a wine of meaning, profound as it gets for Stellenbosch.

Aslina By Ntskiki Biyela Umsasane 2020, W.O. Stellenbosch
$35.00, Gradwell Wine Agency
Michael Godel – Ntsiki Biyela is officially recognized as South Africa’s first black female winemaker and the meaning in her Bordeaux styled Umsasane blend is local vernacular for the umbrella acacia tree. The brand is called Aslina, tribute to Ntsiki’s grandmother and one can feel the love in this richly styled, boozy in relative balance blend.

Swartland

Mullineux Kloof Street Chenin Blanc 2020, W.O. Swartland
$19.95, Nicholas Pearce Wines Inc.
Michael Godel – Essentially chenin blanc and an example that pulls the full blessings and richness of the sun into a generous and gracious wine. Kloof Street is chenin blanc of feel, touch and “tekstuur.” The old vines concentration and density is inherent, the “frâiche, agréable and couvert de rosée” all over the palate with license and privilege.

A.A. Badenhorst Family White Blend 2018, W.O. Swartland
$57.99, Lifford Wine & Spirits (Select Wine Merchants)
Michael Godel – The adage bears repeating as recited by Adi Badenhorst. “Fantastic grapes from old vineyards,” in a jazz mixtronic blend of chenin blanc, roussanne, marsanne, grenache blanc, viognier, verdehlo, grenache gris, clairette blanche, sémillon and palomino. Yet another paradigm shift in Cape white appellative white blends that seduces with its steely veneer, vine experience and turbulent soul to deliver in every way imaginable.

Mullineux Chenin Blanc Granite 2019, W.O. Swartland
$79.00, Nicholas Pearce Wines Inc.
Michael Godel – All barrel fermented in only neutral oak, full malo and with the intention to truly experience and taste chenin blanc grown on granite soils. A wine kickstarted by natural stabilization, equally expressive of tart acidity and freshness, fully reasoned by sunshine yet also seasoned with effortless and variegate ease.  Such an experienced and robust wine without solicitation, nor swagger neither. The ability, presence and precision are tops. There’s no question.

Porcupine Ridge Syrah 2021, W.O. Swartland
$16.95, Univins (Ontario)
Michael Godel – Unmistakable syrah from the Boekenhoutskloof clan, always the meatiest and meat fats dripping example for the price. That and a profile more Swartland than what comes from say Stellenbosch syrah.

Good to go!

godello

Twitter: @mgodello

Instagram: mgodello

WineAlign

The five estates of Planeta earth

Welcome to Planeta Earth

The question often asked, if you could go back in time and meet just one person, who would it be? Shakespeare, Golda Meir, Beethoven, Anne Frank, Martin Luther King, Maya Angelou, Galileo, Marie Curie, Einstein, or maybe Gandhi? In the winemaking world there would be many great men and women to consider but this current fascination with Sicilia leads to the name Diego Planeta. Pioneer, visionary and a man who considered the entire island an agricultural playground where anything was possible. The Planeta family has Spanish origins and roots dating back five hundred years. Diego Planeta was the former president of the Settesoli Cooperative and founder of Planeta winery. His passing in 2020 left an irreplaceable hole but 15 cousins, including Alessio, Francesca and Santi Planeta are the beneficiaries of their uncle’s plans and legacy. Five family members run the day-to day operation and more than 200 vinicultural, viticultural, administrative and marketing artisans share in the collective vision. Today they work, farm sustainably and reap the benefits of five distinct estates but more than that they bring the fruits of these locations to the world. No other producer in Sicilia does this, not with the scope and breadth they do. This is the story of the five Sicilian estates of Planeta earth.

Godello, L’Etna

Related – Planeta’s Sicily

Un percorso non casuale, fortemente legato alla diversità dei paesaggi, dei venti, del carattere degli uomini e quindi dei loro vini. Not an accidental journey but one inextricably linked to the diversity of five landscapes, in soil, wind, climate and the relationship between the custodians and the wines they shepherd. Menfi, Vittoria, Noto, L’Etna and Capo Milazzo. No two are the same and all five contribute to the fabric of Planeta’s extant association and alliance with Sicilia. The Planeta family and head winemaker Patricia Tóth abide by their surroundings, as do the agriculturalists, guardians and caretakers, of olive groves, orchards, hinterlands and plantations. The pentamerous grouping of estates in all its micro and collective diversity is at once staggering to consider and then a thing of sensory overload. Taking in one at a time and appreciating the profundity of each place is the key to understanding. In March of 2022 I had the honour and pleasure to visit two properties and were it not for Covid-19 and later in June travel misteps I would have seen a third, quite possibly a fourth and perhaps even all five. As it is my personal and professional life have become enriched in ways that could never have been imagined.

Menfi Coast

Only came outside to watch the nightfall with the rain. I heard you making patterns rhyme

Not to be overlooked is above all else, Planeta’s production of IGP olive oil. Their’s is a painstaking process to achieve uncompromising quality borne of the trees in a landscape destined to deliver greatness. The fields of hospitality and cultural ventures integrate into their viticultural activities, all purposed to enliven the Sicilian experience. Sustainability without exception,  respect for the land and wineries completely integrated within the landscape are the values which guide the company’s activities. Winemaker Patricia Tóth was born in Hungary and received a degree in 2004 at the University of Corvinus in Budapest in Food Science specializing in wine, beer and spirits. Tóth worked at Le Vigne di Zamò Friuli, Bava in Piemonte and Vylyan in Hungary. She began her 17 year Planeta run in 2005 at Noto, then in Vittoria, later managing the setup of the estate in Capo Milazzo and on L’Etna. She now splits her time at 900m above sea level on the volcano’s north face and also nearest the beating heart control centre of operations in Menfi.

Related – All the wines of Sicily

Baglio di Ulmo

In Menfi the variety of terroir is infinite and to walk the phrygana is to stop time. The fauna ignites in the olive oil and the wines from Ulmo in a variety of styles and varietal personalities as sundry as the numbers of women and men who create them. They can be fast or slow, rich or discreet, loud or soft, hard or tender, loving or intense. They can be so packed full of notes it may feel like life speeded up. They can also be calming and interpretive. They can be anything at all.

L’Etna eruption, 1981

On L’Etna space and melody, in particular aboard the volcano’s north face (versante nord) there is a use of space so artful it enables the melodies of the original lines in the wines. Though Planeta (and so many others) use improvisations and embellishments, they do so in order to integrate the leading voice to grow together with the supporting cast. The main declarations of nerello mascalese and carricante are joined by nerello cappuccio, catarratto and grecanico, all evolving together organically, swelling and retreating as the complete pulse of the wines, the inner pulse guiding the creativity itself, as it is dictated.

The inimitable human and paradigmatic winemaker Patricia Tóth

In Vittoria, Noto and Capo Milazzo the path indicated is that of quiet intensity, of melodies so phrased that the rhythm and the space together build wines of strong driving forces. Their collective agency is power achieved without volume, tension without distortion. Some wines grab you and drive everything else from your mind. They seduce, softly engage your whole attention and lure you into the grooves they are travelling. All this without you being aware, of what is happening until it has already happened.

This is planet earth you’re looking at planet earth
Bop bop bop bop bop bop bop bop this is planet earth

Alessio Planeta

Related – Sicily in review

Paraphrasing from something Alessio Planeta said back in 2018, Planeta looks to connect the island by the phrase stato stazione delle una perfetta, meaning the union is currently situated in a perfect state, working together for the common good. Alessio and his family’s rich set of wine-producing circumstances, whether it be the individual refrains of each estate or the collaborative effect of the group, is a constantly growing and changing undertaking but never with the kind of urgency implied in some other producers’ body of work. Planeta’s is more than methodical, it is meditative, contemplative and organic. Calculated? Of course but with the future in mind and the greater good always considered. Leadership incarnate, always hospitable and most importantly positive. When I fell ill with Covid whilst visiting with Alessio and Patricia I felt safe and set up for recovery. I can never thank them enough, for their humanity and support.

Meet next gen Planeta custodian and burgeoning chef, Costante Planeta

Here are the 45 Planeta wines tasted in late March and early April in a cross-section of a portfolio interconnected and jointly illustrative of five estates. Their quality is what makes it so satisfying to taste, assess, compose, edit and finally publish the results. Working through these wines, like listening to the albums of a band’s tenure, or sitting in a club while they play their songs, well this makes for a great trip through an intensely diverse and ever-evolving viticultural terrain.

Menfi phrygana

Menfi-Ulmo

The Menfi situation is really one of Ulmo, or rather Ulmo is Menfi. Here on the island’s southwest coast beneath Palermo is where Planeta’s first winery opened in 1995 near the village of Sambuca di Sicilia, Built near an ancient 16th-century baglio, or stone farmhouse, situated above Lake Arancio and blessed with chalky limestone soils. In the middle of the 1980’s Planeta planted their first vines around the baglio which the family has always owned. The Iter Vitis museum, surrounded by a “collection meadow’” of different Sicilian and Georgian vines, “inspired by the idea of enhancing the rich Sicilian winemaking tradition.” The nature footpath called La Segreta runs from the winery, connects with those that intersect the Menfi hills and also 250 cultivated hectares of vineyard. The name adorns the quadripartite set of wine labels that are arguably Sicily’s most well-known. The crux, core and heart is Dispensa where production, administration and planning all happen.

Beach at Menfi

The Infernotto, inside the small winery, is the family caveau, one of the most calming placing to read, rest and taste through Planeta’s portfolio of wines. Ulmo, Maroccoli, Cirami, Baglio di Ulmo and the 6th century B.C. Palmento di Bosco della Resinata; places of affinity, integration and varietal kinship. Of grillo, fiano, chardonnay, grecanico, sauvignon blanc, viognier, nero d’Avola, syrah, merlot, cabernet franc and cabernet sauvignon. The chardonnay stands out as the iconic label, a super chardonnay to be sure because no other varietal example delivers the two pillars of quality and quality like this Planeta label.

Planeta Serra Ferdinandea Rosato 2021, Sicilia DOC

A joint venture between Planeta and the family Oddo from the south of France. Rosato, Bianco and Rosso made high in the hills above the sea near Menfi, closer to Sambuca. Here nero d’avola and syrah made in the airiest, salty and light tart way, quenching and satisfying. The name refers to the story of a volcanic island that suddenly rose from the sea in 1831, fought over for claim by the Italians, French and British, before disappearing back in to the water many months later. There it sits 30 to 40 metres below the surface. You can drink the town dry out of this Rosato, any day, any time. Drink 2022-2024.  Tasted March 2022

Ulmo Chardonnay

Planeta Chardonnay 2020, Sicilia DOC

Chardonnay comes from two vineyards, Storico which is the large white rock at 270m above the Menfi lake and Marrocoli, where red grapes (cabernet franc, merlot and syrah) really thrive. Here chardonnay is given roundness to mix with the stoic-stony and intense directness of what it could have been. A place of vibrations and nerves and so Marrocoli is needed to tame and soften Storico’s blunt edginess. That it does, injecting peach fleshy sunshine into the linearity of the wine. Keep in mind that 200,000 bottles a year are made and that doesn’t even keep up with the demand. Arch classic Planeta bread and butter wine, also in style. One of the planet’s great chardonnays of double Q effect. Quantity and quality. Drink 2022-2025.  Tasted March 2022

Planeta Chardonnay 2019, Sicilia DOC

The two vineyards are Storico at 270m above the Menfi lake and Marrocoli where really white calcari predominates. While there is the plump presence of chardonnay giving “morbido” roundness in apposite to the mineral Storico fruit, there is also this persistent buzz and and nervy character. For a wine for which upwards of 200,000 bottles a year are produced it really is quite incredible how vintage dictates the personality of the wine. Fresh quality bread and churned butter in the glass. Drink 2022-2024.  Tasted March 2022

Planeta Cometa 2020, Sicilia Menfi DOC

As a reminder Cometa comes from two vineyards, the important one being Dispensa right by the winery and Paso di Gura, 10 kms away. Fiano, not off of volcanics but clay soils close to the sea, well-ripened, in a place where it likes the sun, suffers and gets a bit bronzing and golden. A fiano of white and yellow flowers, chamomile and the like. While the universe busy was sending more than enough chaos to humanity, in this vintage there were only good conditions and therefore excellent to raise a proper Cometa. Feels plump and salty, full and herbal, bitters so minor and subtleties available to those who wait for it. The upward trend continues, towards greatness. Drink 2023-2028.  Tasted March 2022

Planeta Cometa 2019, Sicilia Menfi DOC

Cometa is fiano “di Ulmo” in Menfi out of two vineyards, Dispensa and Paso di Gura. Clay soils over calcium carbonate and a place for full ripeness within the context of fulfilling the promise for golden grapes. The florals sing from 2019, more white than yellow and the vintage delivers a credibly balanced affair. In this last vintage before the world went mad Cometa seems at ease, confident and secure. Not as round and plump as the following 2020 yet equally saline, herbal if sweetly so and the crunchiest Cometa ever encountered. Not a shock because “every vintage of fiano is unpredictable” explains Alessio Planeta. More vertical, linear and direct. Drink 2022-2026.  Tasted March 2022

Planeta Cometa 2018, Sicilia Menfi DOC

Experimental grape introduction of fiano to Menfi in 1994 with the first vintage being 2000. “They (Avellino) grow fiano on volcanic soil in the mountains and we grow it in clay soils by the sea,” tells Alessio Planeta. “With low yields and small bunches.” Here it can be tropical but it’s always herbal and breezy. Can’t help but be salty, after all the air is filled with marine life.  Last tasted March 2022

Cometa has changed or rather in its youthful state of ultimate reductive freshness is so straight-laced, linear, tightrope walking along a razor sharp edge. There’s a tonic injection that helps to propel it forward and the envisioning projects two years ahead to see it develop some sweeter fruit notes, straight from the orchard’s hip. Watch for this special vintage of fiano, the ancient noble variety from Campania that Planeta’s braintrust took a well-advised flyer on in the 1990s. Drink 2020-2026.  Tasted May 2019

Planeta Didacus 2019, Sicilia Menfi DOC

The name Didacus is Diego, from the Latin, a chardonnay dedicated to Alessio Planeta’s visionary uncle, the late Diego Planeta. These Storico Vineyard Menfi vines were planted in 1985 on the hillside up to 270m of elevation and below the white rock on calcareous-clay soils above the lake. As a vintage 2019 was dryer and warmer than 2018, especially in summer. Results in a richly concentrated chardonnay but one picked earlier with acids in tact and phenols well developed. Plenty of water stocks in the soil after a wet 2018 allowed the plants to ease through ’19 and take full advantage of the dry season. Full malo feel, good mineral backbone and a long sensation swept across the palate puts this in a place of Menfi specificity while also leaving an impression that next level notes will emerge over a good period of time. Drink 2023-2029.  Tasted March 2022

Planeta Didacus 2018, Sicilia Menfi DOC

The chardonnay dedicated to Diego Planeta, from the oldest Menfi vines, planted in 1985. The name Didacus is indeed Diego in Latin and the inherent plus inferred further meaning is as thought, a didactic one, which says something about many things. It speaks to the pioneer Mr. Planeta’s two-toned, ahead of its time work and to the way chardonnay takes Sicily into another realm and brings reductive freshness into buttery bites that ties two voices together. And they will speak as one. Soon. Drink 2021-2027.  Tasted May 2019 and March 2022

Planeta Ulmo tasting

Planeta Didacus Cabernet Franc 2017, Sicilia Menfi DOC

The Didacus red is a varietal cabernet franc from a very specific Ulmo block, also named for Diego Planeta, visionary and pioneer for wines in Sicily. The Piano del Sommacco (sumac) is the source, treated to whole bunch fermentation and aged in tonneaux because of the fruit’s great potential. The heat did not come until just before harvest (after a cooler season early). This is good for franc when the heat comes late for more concentration though also one picked later as it should be. The uncanny smell of carob and even bokser pod fruit, properly herbal, just the right amount of pyrazine, balsamic and spice. Long, blue and true. Drink 2023-2027.  Tasted March 2022

Didacus is Diego, from the Latin and like the chardonnay this cabernet franc is dedicated in kinship to Alessio Planeta’s uncle, pioneer and visionary, the late Diego Planeta. Storico Vineyard in Menfi was planted in 1985 on white rock-calcareous-clay soils above the lake. There is little surprise that 2016 was a serious franc vintage, long and drawn out, perfect to bring the ripeness of necessary phenols that the grape so clearly needs and dearly deserves. Shows off cabernet franc’s dreamy complexion with a side of pyrazine though depth of fruit and dearth of (including American) oak are really the pair in charge. There is something Rioja Gran Reserva about Didacus but even more so there is Sicilian depth, Moorish density and Planeta gravity. Or gravitas it should be conceded from and for a wine of many splendored seasoning and structure. Perfume flies in the air and dreams will someday come true. Drink 2024-2032.  Tasted March 2022

Fishes by Costante Planeta

Planeta Alastro 2021, Sicilia Menfi DOC

Alsatro the yellow flower that appears all over Menfi in Spring. Mainly grecanico with some sauvignon blanc, the former essentially the same grape as garganega. Similar to a Soave ideal, to add some aromatic swagger in a friendship to work with a local grape. Lean and light, like garganega in wet concrete, straight ahead citrus, neutral and refreshing with just a hint of petrol. Cool white. Drink 2022-2025. Tasted March 2022

Planeta Grillo Terebinto 2021, Sicilia Menfi DOC

Terebinto the red flower all over the hills of Menfi in spring, especially as you approach the sea. A cross between the aromatics and intensity of cataratto and the gregarious flavours of zibbibo. Made as a pure variety but only since 2016 because Alessio Planeta realized it was a beautiful beast. While the sunshine and richness are very much accumulated there is also the sea in this gently rolling and saline white. A great vintage of this wine and just what grillo should be. Drink 2022-2025.  Tasted March 2022

Planeta Plumbago Nero d’Avola 2019, Sicilia DOC

Plumbago or “Ploom-baggo” grows in Menfi and around Ulmo, coming out in Spring though not right away. In nero d’avola it is a red that manifests Menfi missives though Planeta chooses to label it not in menzione geographica terms but rather Sicilia DOC. This is because a new vineyard’s fruit is involved and so it was not requested to be Menfi, but again in 2021 will be. Always rolling deep and seasoned, a black cherry and seasoned meaty depth yet ’19 seems to have more stones, air and lightness, a relative thing but it makes a difference. This Plumbago really gets it, or maybe we get it and how it translates transparently. Less rustic than usual, a wood adjustment made and so here with a bit more sympathy and less dealing with the devil. Or more perhaps? It may say, “Pleased to meet you, hope you guess my name. But what’s puzzling you, is the nature of my game.” Drink 2023-2028.  Tasted March 2022

Planeta Maroccoli Syrah 2017, Sicilia Menfi DOC

Syrah, from a conca facing the lake in Ulmo, more calcareous than where the chardonnay grows, a sea of sediment that is more alluvial going down to the shore. This syrah grows on the white calcium carbonate which surely gives vivid florals to mitigate a hematic meatiness created by the clay, sun and varietal tendency. Not a syrah of bacon or smoked meat and also not overtly concentrated but instead quite pretty and elegant. It should be expected this direction will continue with subsequent vintages. Drink 2022-2027.  Tasted March 2022

Vineyards in Ulmo

Planeta Maroccoli Syrah 2016, Sicilia Menfi DOC

Syrah is grown above the lake in Ulmo on a “conca“ of alluvial and calcareous clay soils notably white and the purple flower aromas are surely there in this vintage. So are the meaty ones but also those that imagine roasted melanzane and other toasty vegetative scents. While there used to be so much concentration in this wine it seems that 2016 marks a turn towards restraint and that thing we like to call elegance. Still the dripping meat juices fragrance and flavour rear up in this ’16, as they have always been known to do. Ready to go now with the first hints of balsamic and flint coming through. Drink 2022-2026.  Tasted March 2022

Planeta Sito Dell’Ulmo Planeta Merlot 2016, Sicilia Menfi DOC

Pure merlot made since 1995, one of the first for Planeta and one that used to be called simply “merlot.” A style of spice and even balsamic but once again the florals, lighter activity and respect for vineyard in their sense of place is what really matters today. These were the first vineyards planted in 1985, along with chardonnay, nero d’avola and grecanico. The experimental early days. At 31 years-old these merlot vines are highly experienced, the varietal give is exactly of itself and the wine is almost OCD stringent. That is to say it knows what it is and wants to be. Not overtly rich but surely capable of aging and again a vintage of freshness meets long, cool and slow ripening. “A bit too fresh for me,” says Alessio Planeta and then “nordic style,” adds Patrica Tóth.” Beautifully chalky and like a Sicilian I will fight to the death to argue that soil has much to do with the mouthfeel of this merlot. Still needs one more year. Drink 2023-2028.  Tasted March 2022

Planeta Burdese 2016, Sicilia Menfi DOC

Burdese (Boor-dee-say) from a Sicilian dialect, as in Bordelais, looking back in time at Bordeaux, using the two cabernets from Ulmo, sauvignon and franc, 70-30 in every vintage except ’97-99, when it was only sauvignon. There is an acidity that can only be described as “Burdese,” even when the sauvignon dries out a bit, by the calcareous raised franc and most importantly the freshest of Menfi vintages. Here a fragrant and bright Bordeaux (or perhaps Ulmese?) joint, a blend that sings and raises the bar for such wines in Sicily. Tart and chalky, structured and really long. Drink 2023-2027.  Tasted March 2022

Planeta Burdese 2015, Sicilia Menfi DOC

Burdese, the Sicilian Bordeaux blend, a word brought back and employed here in Menfi as the French dispatch for cabernet sauvignon (70 per cent) and franc grown in Ulmo. Now settled into its Bordelais by way of Sicilian skin, tannins softened and acids too. Feels like a warm season created the resolve in this wine but then again it also seems like there are parts unknown and things yet revealed. After all “all great beauties withhold their deepest secrets.” Drink 2023-2027.  Tasted March 2022

Sicilia DOC

Planeta La Segreta Grillo 2021, Sicilia DOC

An extension from the original Bianco bottle, added a few years back (2016) when grillo and nero d’avola were recognized as protected varieties under the Sicilia DOC. While made in greater quantity and with less complexity than the Terebinto grillo the idea and the ideal are one in the same. Citrus and herbs, some fleshiness and sunshine though quiet and calm. Spot on balance and amenability. Drink 2022-2024.  Tasted March 2022

Planeta La Segreta Il Bianco 2021, Sicilia DOC

Il Bianco is the original La Segreta, a blend of (50 per cent) grecanico with viognier, chardonnay and sauvignon blanc. Remarkably the aromatics do tell of viognier but that changes across a palate that  s expressly grecanico with shades of the other grapes. Broader and more rounded than grillo, perhaps antithetically so but less specificity Makes Il Bianco the one to work for all. Drink 2022-2024.  Tasted March 2022

Planeta La Segreta Nero d’Avola 2021, Sicilia DOC

An extension from the original Rosso bottle, added a few years back (2016) when nero d’avola and grillo were recognized and added as protected varieties under the Sicilia DOC. Essentially Planeta’s varietal “lite,” a lithe and honest, pure and transparent entry into the Ulmo world for nero d’avola, with just a small portion from Noto. The key is all estate grapes, an entry into and sort of second set of wines for Planeta. The selection comes within the availability of 370 hectares of production. Safe, straightforward, varietally correct, tart and also too easy to knock back. Drink 2022-2024. T asted March 2022

Planeta La Segreta Il Rosso 2021, Sicilia DOC

As with Il Bianco, Il Rosso is the original red under the La Segreta label, a blend of (50 per cent) nero d’avola with merlot, syrah and splashes of cabernet franc. Deeper if not darker but certainly meatier and more ferric than the varietal nero. Herbal as well, a note of Amaro and dark chocolate shavings. As with the other three La Segreta wines the Rosso is a matter of different vineyard management as compared with the other Planeta wines, with the intendment to be less concentrated, less tannic and to drink right here and right now. That it does, especially with pasta in a sauce of eggplant and tomatoes from Vittoria. Drink 2022-2024.  Tasted March 2022

Lava flow, Feudo di Mezzo

L’Etna

The year was 2008 when Planeta settled on the north side of Etna, among the lava flows and the woods which surround the village of Passopisciaro. Vines of planted nerello and carricante were planted and then in 2012 the winery was also established. The hospitality is housed to the north at Montelaguardia, in the middle of the Sciaranuova vineyard at more than 800m above sea level. Here the Etna cru are produced, in pinot nero, nerello mascalese, riesling and carricante. To the south the Feudo di Mezzo winery and vineyard (for Etna Rosso) are right in the centre of a 15th century lava flow. Nearby at Torreguarino and Rampante the vines are also best suited to red wines. At Sciaranuova the old terraces were transformed into a “Theatre in the Vineyard,” home to the Sciaranuova Festival.

Sciaranuova, Etna

To get a true sense of geography and location there are four passeggiate that will unlock the door to Etna enlightenment. The first is through the 15th century lava flow at Feudo di Mezzo and the vineyards with their gnarly bush vines. The second is the lava flow of “L’Etna 1981,” an eruption between the 17th and 23rd of March, at which time the village of Randazzo below came this close to being swallowed whole. The third is through Parco Statella to gain a sense of how Etna’s north face integrates Alberello vineyards, woods and homes. The fourth is ambling over volcanic boulder flows, admiring all the layers of lava rock, exploring the ancient, gnarly and propitious aboard L’Etna, as seen in Passopisciaro.

Planeta Eruzione 1614 Carricante 2019, Terre Siciliane IGT

Eruzione is always picked later than the carricante for the Etna Bianco (from Monetalguardia), at least a week later, finished on the 20th of October, really early. You smell and taste the Bianco from 2019 and think it’s tight but then you do the same with the Eruzione and then realize just what tight is. In this amazingly compact ’19 there is the feeling of salts dissolving into the fine grain of the wine, volcanics in carricante disappearing with immediacy though their presence never leaves your palate. A vintage that so precisely and clearly defines what it means to grow this grape on the northern slope of the mountain between 810-900m, even though at this elevation it can’t qualify for DOC Etna. The higher you go, the tighter are the wines and the longer they live. That is a fact. Drink 2023-2028.  Tasted March 2022

Parco Statella, Etna

Planeta Eruzione 1614 Carricante 2014, Terre Siciliane IGT

This is just perfect. To re-taste Eruzione carricante five years later, almost to the day and just past the halfway point in this 1614’s expected tenure. In fact it barely feels like any time has passed save for a fumé moment of character that Tóth admits “I don’t know where it comes from,” meaning it’s not technologically possible. Which means it comes from the vineyard. Or, the original sapid part of the wine transforming into smoulder. The texture is not organza but sheer, you can feel through it. The salt has fully melted to now extend the flavour but the wine remains tight. And so the longevity abides. And the score also rises, as the sun. Drink through 2027.   Last tasted March 2022

“Not everyone can carry the weight of the world,” save perhaps Planeta’s Patricia Tóth, a winemaker who celebrates the past, the endemic varietal and in the present, the glaring truth. The name Eruzione is evocative of the estate’s Cru dell’Etna and in a mind’s eye transports history through the narrative of carricante (with 10 per cent riesling). It brings the legendary 1614 Mount Etna eruption to life, a longest ever recorded catastrophe that lasted ten years, halting just on the border of the vineyards of Sciaranuova. This is veritable mountain altitude wine, from high (790-890m) terraced, volcanic black soils delivering fresh conifer savour, saltiness and palpable mineral style. It is sharp and composed on the nose, with citrus distillate and elevated acidity. It does not matter whether you are wide awake or deep in R.E.M sleep. At all times it is a revelation for carricante. This is what it can be! There was no need for crop thinning, it was picked four to five weeks after the sparkling and it spent five months on the lees. The texture and the potential longevity are thankful for this. “Combien, combien, combien du temps?” At least seven years. Talk about the passion. Drink 2018-2025.   Tasted March 2017

Quarantine passegiata, Versante Nord, Etna

Planeta Riesling 2018, Terre Siciliane IGT

What do you compare Etna riesling to? Nothing save perhaps Eden Valley but what’s the point? Texturally this from Planeta is quite soft but no matter the texture every sip goes salty. Volcanics, or more to the lava flow point, living, breathing and current (within the last 400 years) volcanics will do that, for real. Not like other “volcanic” soils, those from mountains that erupted maybe one million years ago. But that’s only half of the matter. The other and equally important matter is elevation, at 900m, less fancy, attractive and sexy. But this is real and this is what riesling wants and needs. Not Mosel, not Trentino, not Argentina but L’Etna heights. She is present and she presents. “Elevation is not as sexy as volcanics, “ said no one ever but this is the thing. Riesling was never that or like this but it has arrived. Say hello to my little friend TS-IGT. Drink 2022-2026.  Tasted March 2022

Sciaranuova Vineyard

Planeta Eruzione 1614 Pinot Nero 2018, Terre Siciliane IGT

Super fine pinot noir from Patricia Tóth on Etna’s north slope at 820m, like well-prepared sea urchin, straccato di manzo mantecato and fegato d’oca. If not the best Etna Rosso vineyard it may as well be in the conversation because this kind of pinot noir depth is usually reserved for nerello mascalese. Something cool this way comes every morning and dry, no matter the settling of precipitation the night before. Here the fineness of varietal and block share a feeling, a commonality of place within to the third degree, mimicking gastronomy and asking for the right set of partners. There is fennel and there are dried spices, cumin perhaps in how the delicate yet forceful south asianer’s carpet really ties the wine together. Sweet meanderings in dried rags really bring the rustica and the autentica. Drink 2023-2028.  Tasted March 2022

Making friends in Parco Statella, Etna

Planeta Etna Bianco DOC 2020

Widest and most inviting smile yet from Planeta and winemaker Patricia Tóth’s 2020 Etna Bianco, generous gift of the volcano and the sun, elemental salts and even ripeness, controlled eruption and fleshy intensity. A relaxed bianco as an extension of the vineyard, 100 per cent carricante from Contrada Taccione in the village of Monetalguardia. The soil is deeply organic, nourishing, dark for Etna at 690-720m. Hard to find more direct accommodation and physical beauty than what this Bianco wants to share, without demands, strings or expecting anything in return. Drink 2022-2027.  Tasted March 2022

Etna hospitality, Planeta

Planeta Etna Bianco DOC 2019

Though the next vintage of Etna Bianco DOC will be the perfect one, for everyone and all, this from 2019 is no difficult one, it’s just more linear, laser focused and intense. There are times when 100 per cent carricante can act this way, not because of any varietally finicky reason but just because the vintage makes it so. More central, linear, severe and seeking ways to branch out but that still may not be possible at this time. Super compact and it looks as though 2021 could also be this way. The grapes came early, seemingly counterintuitive to how things turned out and the winemaker looked around, not believing the harvest was done. But forget about it Patricia. It’s Etna. Drink 2023-2028.  Tasted March 2022

Shalalingualossa

Planeta Etna Rosso DOC 2020

A 100 per cent nerello mascalese from Pietramarina and Feudo di Mezzo (where the cellar is located), two vineyards 5km between them at 600m of elevation. The nose is almost clay even though there is none on Etna making for a very clean aromatic profile. Made in the Piedmontese cappelo sommerso method, 35-40 days on skins, because nerello mascalese doesn’t like and doesn’t need oxygen, regardless of its tannic structure. The vintage is a round and gifting one for all, bianco and rosso alike, less compact than some and fleshy as a ripe plum, especially with reds. A 2020 in which recent volcanics are a matter of wringing out a basalt sponge with the resulting juices running with charismatic invitation. That said a Planeta Etna Rosso clearly needs some time, not forever mind you and in this case a depth of developed fruit and mineral swath keeps things wrapped and taut. Notable for the red citrus bite, pique and pith across the back end. Drink 2023-2028.  Tasted March 2022

Feudo di Mezzo, Etna

Planeta Eruzione 1614 Nerello Mascalese 2018, Terre Siciliane IGT

Varietal nerello mascalese grown above the DOC line is a matter of great, compact and vertical concern from out of the 2018 vintage. Was a rainy and “fragile” vintage, a matter of nature putting more stress on bunches that can result in variegate meaning. The concept of rigorous table sorting and the use of a basket press are essential tools to getting pristine fruit and then juice. Etna’s conditions are so unique to Sicily and so here in Sciaranuova it is the last of Planeta’s estates to figure out the what, why and how for making quality wine. On the whites it was in and around ’16 and for the reds probably right here with this sharp, spiced and meaningful red. While it is quite compressed there is also an expansiveness that presses to the full extent in how the palate is swarmed and covered. My goodness. Drink 2025-2032.  Tasted March 2022

Parco Statella, Versante Nord, Etna

Planeta Eruzione 1614 Nerello Mascalese 2017, Terre Siciliane IGT

Sciaranuova is the place closest to the village of Passopisciaro for nerello mascalese of a very specific style. From a warm vintage and one when there was nine per cent cappuccio mixed in with the mascalese. More of a salumi, curative and dried skins vintage, not just with an extra year affecting the wine but also because of the cappuccio influence with an increase in oxidative feel. Feels quite ready to rock and roll, more of the latter perhaps and with the right moment there will be a scorrevole of mascalese sensation running and then sliding across the palate. Drink 2022-2026.  Tasted March 2022

Capo Milazzo, Sicily

Capo Milazzo

Sicilia’s most extreme and dramatic northeast corner is home to some of Planeta’s most extreme and dramatic wines. Capo Milazzo’s soils are alluvial, deep soils, friables, born out of rivers that came from the northern mountains. The peninsula’s proximity to the sea leads to wines that are salty, with algae, black cherry and cypress. The four hectare vineyard is called La Baronia, used for the Sicilia DOCs in Nocera and Mamertino but also experimentally and for research in three ancient varieties known as varietà reliquie; vitraruolo, lucignola and catanese nera.

Planeta Nocera 2018, Nocero Sicilia DOC

Specific to Milazzo in the northeast of Sicily, in two appellations, Faro and Mamertino. Noce is “nuts,” growing in big bunches and blue-hued (much more so than cabernet sauvignon). Grows on volcanics, in a place with an active volcano (Stromboli) which is significant and in 2018 the vintage didn’t turn out the same beast of a bruiser in terms of the grape’s intensity of tannins. Forget the comparisons to sangiovese, barbera and tannat because this ’18 is a wonderfully harmonious and balanced varietal wine. Still the presence and obviousness of black cherry, peppery nocellara olive and just a kiss of orange. Drink 2023-2027.  Tasted March 2022

Planeta Mamertino 2017, Mamertino Sicilia DOC

From the dramatic land and seascape that is Capo Milazzo and a wine surely as close to winemaker Patricia Tóth’s heart as any in her Planeta dreams. Blends 60 per cent nero d’Avola, with (40) nocera while paying homage to the Mamertini who produced a version of this wine at Milazzo, described by Pliny and beloved by Julius Caesar. First vintage was 2013 and so only the fifth by this warm vintage example. Can be a bruiser and a brooder but ’17 exhibits a surprising antithetical brightness and invitation for pleasure. Even when this young, now moving, not evolving but relenting, in structure and for spirit. The two grapes work in seamless if also delicious tandem, pushing and giving a little, extending an olive branch through clear Mediterranean scents, flavours and style. Like morning dew, soulfully guitar driven, modern jazzy in pure stone groove. Unexpected and warranted at the very same time. Drink 2023-2029.  Tasted April 2022

Noto

Noto is the birthplace of nero d’Avola, graced with calcareous soils like Jerez and Champagne, not really comparable to anywhere else. Noto is close to Vittoria in how the wines come to be but it’s a mobile texture, silken and with velvety tannins. The soft hills of Buonivini are blessed by soft breezes arising from the meeting of two seas, ideal for nero d’Avola and moscato, but also almonds, carobs and olives, symbolic plants of the Mediterranean location. The three vineyards are agliastro, buonvini and zuppardo on 45 hectares, acquired piece by piece, today producing the DOC wines Santa Cecilia, Moscato di Noto and Passito di Noto.

Planeta Allemanda 2021, Sicilia Noto DOC

Allemanda, opening baroque dance, 100 per cent moscato bianco, fully, completely Noto. The concept is before the meal, a winder upper, ahead of several courses and pairings, in lieu of that wine killing sundowner, Sicilian style. Quite a tart and powerfully stinging revivalist, to wake one up and keep the spirit alive well into the night. A palate refresher, making use of the indigenous and the parochial. Crisp, clean, tightly wound, acidity high, difficulty low. Revive your energy with a glass of Allemanda, dancer in the mouth. Drink 2022-2024.  Tasted April 2022

Moscato Di Noto Dry 2021, Sicilia Noto DOC

Sister to Allemanda, 100 per cent moscato (di Noto) yet here dry as the southern Sicilian desert (proverbially speaking) and acids running jet propelled high. In the vein of riesling or say Hunter Valley sémillon, austere, intense, at present unknowable but tenable as time will surely race on by. Lime and the dream of petrol, sharp herbs and even sharper citrus, though not straightforward as such. Most curious and intense white wine, best with sea creatures now but with time, who knows, the sky just may be the limit. Age some and see what transpires. Drink 2023-2027.  Tasted April 2022

Planeta Controdanza 2018, Sicilia Noto DOC

Not quite a year has passed and while a settling seems noticeable there still pulses and vibrates a dance of sorts. The white soils have yet to leave the floor and the wines continues to slide over the sleek surface. The nero needs more time, the austerity must chill out and the integration is still somewhat far away. Keep to the program.  Last tasted April 2022

Noto’s bianci soils on the Buonivini estate are the Controdanza source at of Sicily’s furthest southeastern point. Planeta’s relationship here dates back to 1998. The hoedown,”quadrille” or square dance is 85 per cent nero d’Avola plus (15) merlot, super Sicilian by way of Noto and no matter how many vintages pass on by there is still this irony between barn dancing and post-modern blending. It takes tasting this 2018 to realize how dominant the nero d’Avola really is and while merlot is supposed to soften and add a cream centre, in 2018 that’s a big request. Now 2017 makes even more sense and is a cream puff compared to this tannic and grippy 2018. A bigger wine of greater fortitude and one that needs some time to soften. Hold off on the Controdanza for now, the wine and the dance. Drink 2023-2028.  Tasted June 2021

Planeta Santa Cecilia 2016, DOC Noto

That idea behind tertiary fungi and umami is still a dream and should be shelved for at least four to five years. That said there is some movement now into the secondary, just hints mind you but there are the plums baked into the minced meat of a sciachiatta pie. Even a note of red pepper flake, parsley and dandelion to accent the sausage. Drinking with most excellent gastronomy right now.  Last tasted April 2022

The flagship 100 per cent nero d’avola must be poured last because of the power and the fact that it’s not something so easily understood. If you were to try and taste other wines after this it would be like Eric Clapton going on after Jimi Hendrix. There’s a deep olive, blood orange, tar and ribena profile that you just know will seek out truffle, porcini, tar and roses. Welcome to the world of aging Sicilian wines and in this very specific world, nero d’avola from Noto. Drink 2022-2034.  Tasted May 2019

Planeta Santa Cecilia 2011, DOC Noto

Santa Cecilia from 2011 is a special nero d’avola, balanced in silent but sweetly deadly acquiescence of Noto’s white chalky soils. Her tannins are abundant and smooth, running in one direction and so it’s a wonder how un-evolved and yet so involved this nero d’avola is equipped to believe about and with great kindred spirit with itself. That it presents this youthful and yet to advance is a thing magical and sincere. Inner strength is one thing but outward beauty is the real deal. Or is it the other way around? Either way they combine for one of Cecilia’s greatest acuity and remainder of structure. Drink 2018-2026.  Tasted May 2018 and April 2022

Planeta Santa Cecilia 2008, DOC Noto

Having now tasted several vintages, including a few older examples of Santa Cecilia the idea of taking nothing for granted is now engrained. Something happens to this nero d’avola after several years in bottle, part chemistry and part magic. When 10 years get behind this wine it begins to dig, deep and purposefully into the Noto soil, finding minerals and elements that never seemed to before be present in this wine. Well past the fruit stage here in this 2008, now underlying, primitive and fundamental. And yet it reeks of nero, wood a thing of the past, a perfume cast with spellbound, gripping and intriguing fascination. No shortage of earth and cocoa derivations but mostly the curiosity of place. Drink 2022-2024.  Tasted April 2022

Planeta Santa Cecilia 2005, DOC Noto

Finding oneself in a state of utter disbelief upon nosing an older Santa Cecilia has just happened with thanks to this 2005 and the unthinkable aromatics it possesses. There have been some older examples like 2007, 2008 and 2011 which all showed morphological magic but this, this is something other. The state of perfumed preservation is impossible, the floral emanations and fruit continuance implausible and in suspension of belief. The 2005 is almost perfect, dark berries and red citrus alive, acids in perfect condition, wood dissolved, resolved and walked straight out the door. The life and vitality reside in the arena of the flawless, faultless and achievable. This is what nero d’avola, Santa Cecilia, Noto and Planeta can be, at its collective finest. Will drink this way (and also that) for five more years and with ease. Drink 2022-2027.  Tasted April 2022

Planeta Passito Di Noto 2019, Sicilia Noto DOC

Planeta’s Passito di Noto is a rare and singular dessert wine, now in its 17th year of production, made with moscato (di Noto) and from vines so old it may not be known just how old they are. The grapes are dried using the appassimento method and then turned into this concentrated and naturally sweet dessert wine. This is a very particular viscosity and profile with resins and vapours as tenable as are the sugars, with herbs and plants nearby mixing with their vinous qualities for a sticky of superior savour and character. Imagine pineapple soaked in rosemary and vermouth, apricots bathing in fennel and golden Amaro, hazelnuts toasted with long pepper and green vines. Not unusual but particular, spoken personality and in the end, so very fine. Drink 2024-2035. Planeta’s Passito di Noto is a rare and singular dessert wine, now in its 17th year of production, made with moscato (di Noto) and from vines so old it may not be known just how old they are. The grapes are dried using the appassimento method and then turned into this concentrated and naturally sweet dessert wine. This is a very particular viscosity and profile with resins and vapours as tenable as are the sugars, with herbs and plants nearby mixing with their vinous qualities for a sticky of superior savour and character. Imagine pineapple soaked in rosemary and vermouth, apricots bathing in fennel and golden Amaro, hazelnuts toasted with long pepper and green vines. Not unusual but particular, spoken personality and in the end, so very fine. Drink 2024-2035. Tasted April 2022.Tasted April 2022

Vittoria

Southeastern Vittoria is home to the only Sicilian DOCG called Cerasuola di Vittoria, a blend of nero d’Avola and frappato grown on red sandy soils. As winemaker Patricia Tóth likes to say, “the main actor in all these wines is the beloved nero’d’Avola,” most important variety on the island, planted across 60 per cent of vinicultural surface area. Nero is the adaptable one, like pinot noir in France, nebbiolo in Piemonte and sangiovese in Tuscany. Vittoria’s are fresher and ignite more passion as compared to what comes from Noto and parts further east on Sicilia.

Diesel

Planeta Frappato Sicilia Vittoria DOC 2020

First vintage of Planeta’s frappato was 2013 so by count this eighth is a Vittoria DOC of experiential significance, rare, low output yielding and as always, never showy. The grape and the amazing singularity it possesses makes for comparisons that are desperate but ultimately useless. That frappato in Planeta’s way can deliver this fresh strawberry and reductively earthy combination is testament to soil and sea. Think of the ripest fruit cut clear and clean by wet stoniness and sharp imagery. Crystalline vintage here for Planeta, potent, vehement and heartfelt. There is no hiding from such clarity and tempered ethos. The 2020 shows a little of that Etna Rosso feeling and from a location so far away. Drink 2023-2027.  Tasted April 2022

Planeta Frappato Sicilia Vittoria DOC 2019

An extra year effects a significant amount of change and difference, especially when that vintage was so warm and generous. In the realm of rare and dignified frappato there are moods, as if sounds, environment, beats and emotion have become involved, as if music saved my life. The strawberries are wilder and deeper, the herbals ground by pestle and the sea just a bit dark, turned up and stormy. The mid-palate on 2019 is completely filled in, the acids circulative, the finish weighty and defiant. Not the light and bright frappato of some years and yet always sharp, direct, pointed. It can’t help but be. Drink 2022-2026.  Tasted April 2022

Winemaker or dog whisperer? Both

Planeta Cerasuolo Di Vittoria DOCG 2020

From the red soils of the Dorilli estate and Sicily’s only DOCG in capture of a seriously striking vintage. The southerly location lands between the sea and the Iblean mountains, the name coming from cerasa, cherry in Sicilian dialect. Typical for Planeta’s take, blend of 60 per cent nero d’Avola with (40) frappato, coming together like Hall and Oates, a little bit 80s, funky and pretty. Cerasuola as method of modern love, in which “dreams are made of a different stuff.” Cerasuola pitting strawberry and cherry against a red citrus backdrop, remarkably well constructed and produced. Two grapes in harmony, with strong hooks and overlaying melodies. Adheres to traditional soul traditions while turning out the pop. Thus the DOCG. Drink 2024-2028.  Tasted April 2022

Dorilli Sicilia Cerasuola Di Vittoria Classico DOCG 2017

Dorilli represents the pinnacle of the eponymous estate sound and vision in a Cerasuolo more Bowie and Lennon than any duo aligned for hits. The 2017 is Planeta’s Fame, higher in nero d’Avola (70 per cent) and lesser (30) in frappato as compared to the normale. Named for the nearby river Dirillo, “landing place of brave Aeneas,” and a red blend that aches with both maturity and confidence. “Could it be the best, could it be? Really be really babe. Could it be my babe could it babe?” The answer is yes, in spite of a warm vintage with some dustiness and dried fruit. Fame can be and is had with bowie knife sharpness and young Sicilian intensity. Yes this 2017 is too youthful to call but time will be kind and this wine will be timeless. Drink 2023-2029.  Tasted April 2022

Good to go!

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WineAlign

 

Twenty-one Canadian wines that rocked in 2021

Another year comes to a close, one filled with the dark moments and the light, the romantic entanglements and debacles, highs and lows. In life, love and wine, here with any reference to a gesture, gaze, smile or any other sensory reaction coming from an account of someone who witnessed it. In this particular case that would be Godello and much of what he saw and heard included odd little episodes that reveal how grapes really lived under the conditions of not only this vintage, but also the ones that came before. This ninth edition of 21 Canadian wines that rocked in 2021 comes out as a derivative, spin-off and postscript to all of this.

Godello in the Similkameen Valley

Related – Twenty Canadian wines that rocked in 2020

As a reminder, year-end lists are a matter of personal fascination and should be met with a certain level of judgement so that highly subjective descriptors such as “best” or “most” can be consumed with doubt, thoughts askance and even heated moments of disbelief. That which makes us feel moved, stirred, excited, ignited and set aflame could very well be someone else’s nothingness. Classification, indexing and charting is truly personal and as such opens up wide for criticism and hopefully, healthy debate. So keep it real but also civil, if you please.

Related – Nineteen Canadian wines that rocked in 2019

If we thought the 12 months that made up the 2020 calendar took things deep into the arena of the unfathomable and the absurd, then 2021 left the stadium and flew into the stratosphere of the preposterous. One silly year led to another but this one just seems to be concluding with some sort of level best described as fraught with “Vonnegutian violence.” Thank goodness there is Canadian wine to fall back onto and though it has been said before, this was indeed the very best year for the local stuff. A 2021 from which the highest to date level of greatness was achieved. Though these holidays are bittersweet and conditioned with some great unknowns, take solace in Canadian wine and what can be learned from their progression, evolution and continued excellence. They never give in or up but always strive forward, getting better all the time. To quote and then paraphrase from Britt Daniel and his band Spoon, “when you think your thoughts be sure that they are sweet ones. Don’t you know, love, you’re alright…don’t you know your (glass) awaits and now it’s time for (tasting).”

Related – Godello’s 24-hour Nova Scotia revival

This latest rocking roster of Canadian made wine is now the ninth annual for an exercise that first began back in 2013. When 2022 comes to a close the 10th will come to fruition in print, with 22 of Canada’s best laid to order. In 2021 Canadian wines were made available at every turn, especially at the WineAlign tasting table. In July the WineAlign critics’ crü took in Niagara for a pseudo-i4C 2021 Cool Chardonnay weekend. Godello made his own way to Nova Scotia in September to meet with and taste alongside eight of that province’s great winemaking teams. In October the WineAlign judging cartel sat through more than 2,000 entries at the National Wine Awards of Canada in the Okanagan Valley. Events such as the VQA Oyster competition, Somewhereness and Terroir Symposium were still no shows, or gos, nor walk-around tastings neither. Once again sad to miss Tony Aspler’s Ontario Wine Awards and David Lawrason’s Great Canadian Kitchen Party, the artist formerly known as Gold Medal Plates. Here’s to hoping 2022 will finally usher in a return to assessing and celebrating together.

Related – Niagara’s cool for chards

As per previous incarnations of this annual compendium, “the numbers chosen to cant, recant and decant excellence in Canadian wine continue to march ahead, as promised by the annual billing. In 2019 the list counted 19. In 2018 there were 18 and in 2017, 17 noted. In 2016 that meant 16 and 15 for 2015, just as in 2014 the filtered list showed 14, after  13 for 2013. Last year? You would be correct if you guessed 20. “Whence comes the sense of wonder we perceive when we encounter certain bottles of art?” Note that a third of the 21 most exciting Canadian wines of 2021 are in sparkling form. Does that need to be qualified? Of course not. Godello gives you twenty-one Canadian wines that rocked in 2021.

13th Street Premier Cuvée Sparkling 2015, Traditional Method, VQA Niagara Peninsula, Ontario

Racy sparkling wine of traditional ways, dry, toasty and of great vigour. Top notch autolysis, fine lees and guesses to the end would have to be in the 48-plus month arena. The real deal, richly rendered, acids in charge, instructive and carrying the fruit to the mountain’s peak. Hard to top this in Canada. Drink 2021-2027.  Tasted blind at NWAC2021, October 2021

Avondale Sky Winery Méthode Traditionelle Blanc De Noir 2013, Nova Scotia

While Ben Swetnam had wanted to dabble in sparkling going back to 2009 he can thank everyone in the Nova Scotia industry for showing him the ropes. That includes Gina Haverstock at Gaspereau, Bruce Ewart at L’Acadie, Simon Rafuse at Blomidon, Jean-Benoit Deslauriers at Benjamin Bridge and others. The 2011 would have been the first vintage of pinot noir production with the intent of making sparkling wine, of hot to cool years and all others in between. Dijon clones and a warmer edge of a ’13 season, a riper style but brought in at classic sparkling numbers, acids 11-12.5 and brix 17-19, picking in the third week of October. An early vintage. Intensity meets richness halfway there, fruit flavours are exceptional, just shy of eight years on lees, disgorged three months ago. “For the pinot I always wanted to do a minimum five years and the acidity was always there,” tells Ben. “The tertiary qualities were not out yet so the pause every six months kept the decisions at bay.” Got this apricot chanterelle fungi character, mousse and bubble are really in tact, dosage is 7.5 g/L almost fully hidden by that Nova Scotia acidity. There is something about this sight that maintains higher acidity levels while sugars rise but as an example perhaps it’s the gypsum based soil underneath the whole vineyard, or the tidal rivers and the specific diurnal fluctuations, cooler at night and “it’s something we can always rely on, in every year, that backbone of acidity.” So very Nova Scotia. Usually 500 bottles produced per year. Drink 2021-2027.  Tasted August 2021

Benjamin Bridge Méthode Classique Brut Rosé 2017, Nova Scotia

One of the first wines to come to the surface with Pascal Agrapart’s involvement with winemakers Jean-Benoit Deslauriers and Alex Morozov. When tasted the sentiment was that this particular vintage of this very particular sparkling wine was not yet there yet in terms of readiness or rather publicizing but truth be told, never have texture and acids come together as one in a BB Rosé. Crunch and chew, riff and rise, bellow and beauty, all despite the spiralling zeitgeist that underscores its urgency. Drink 2022-2027.  Tasted August 2021

Blomidon Estate Winery Méthode Traditionelle Blanc De Noirs 2016, Nova Scotia

Give or take 76 per cent pinot noir and 24 meunier, a similar vintage to 2015 (though a touch warmer) and here picked on the 17th of November. Almost all from Woodside Vineyard and some meunier off of the Blomidon estate vines, no longer here. Disgorged today, yes today and my oh my the potential here elevates to a very high ceiling. Just under 6 g/L RS so exactly extra brut, really primary but with the dosage that will arrive before you know it. The pinot delivers more fruit than the chardonnay, perhaps a counterintuitive concept but that’s Nova Scotia. And every vintage will flip the head and make you think again. Small lot, 50 cases or so. Searing succulence, a structural richness and transformative beyond the complex, curious and interesting. Assiduous if conceited blanc de noirs, pejorative to chardonnay, entangled inside enigma, mystery and riddle. Literally. Drink 2022-2027.  Tasted August 2021

Blue Mountain Blanc De Blancs R.D. 2012, VQA Okanagan Valley, British Columbia

A varietal estate grown chardonnay that spent upwards of 78 months sur lie is nothing short of dramatic, if not unconscionable. Not that no one else, anywhere else does such a thing but to do so, change so little and deliver unquestionable excellence is what dreams, expression and delivery are all about. If the Brut Reserve is Fillmore East than this Blanc de Blancs is Montreux, electric, mind-bending and so very exotique. João Gilberto, Marvin Gaye and Lou Reed wrapped into one, a sparkling wine of influence that only incidentally expands into mainstream visibility. This has stage presence and breaks fresh ground with creative sensibility, not to mention a deliciousness of flavour and mousse. That and 2012 in pocket permanently affixed to to the album cover. Drink 2021-2029.  Tasted March 2021

Henry Of Pelham Estate Winery Cuvée Catharine Centenary Estate Blanc De Blanc 2010, VQA Short Hills Bench, Ontario

As a reminder this top H of P traditional method sparkling wine is named after Catharine Smith, Henry of Pelham’s wife and this Centenary is the crème de la crème for the label. A rarity for the estate and for Canadian wine, partially (20 per cent) barrel fermented and aged for up to 100 months on the lees. All Short Hills Bench chardonnay, all in with a hyperbole of toasty development and the most brûlée of any bubble in the village. The sparkling stage presence and prescience of being so connected to grape and place make this true to itself. Not to be missed. Drink 2021-2026.  Tasted December 2021

L’Acadie Vineyards Prestige Brut Estate Méthode Traditionelle 2014, Nova Scotia

Was embargoed until September 9th after having just received the Lieutenant Governor Award. Has evolved into a seriously toasted arena, gone long with lees contact, looking for peaceful co-existence between yeast autolysis and the fruit of the wine. “You don’t want conflict, you want that harmony, tells Bruce Ewart.” Disgorged January 2021 and so spent more than the minimum five years on lees. An insignificant dosage (more than most of these wines). Bruce’s program goes at it in terms of two and five year aging and he believes that while Nova Scotia can do ten or more there is only a minor incremental increase in complexity by doing so. This at six-plus has hit such a sweet spot, still in retention of currant and white/red berry fruit but also low and slow golden, tanned and long as an August afternoon Gaspereau shadow. Drink 2021-2026.  Tasted September 2021

Two Sisters Blanc De Franc 2018, VQA Niagara River, Ontario

Stellar work here in blanc de franc, understated and effusive, lifted of black currants and sweet pepperoncini yet grounded by serious grape tannin. A sparkling wine of grape extract so full of depth and breadth. Not a wine of high autolysis but rather tart, tight and in command of all it wants to be. Last tasted blind at NWAC2021, October 2021.

The third vintage of Adam Pearce’s ground-breaking Blanc de Franc is as you would imagine a white sparkling wine made from the red cabernet franc grape. The aromas are distinct and secure, squarely wrested from the red currant and sweet peppery varietal post, expressed in a uniquely Two Sisters bubble that may once again, or rather should continue to rock one’s world. More richness and also excitement than ever before, risk taken and reward achieved. No acquiescence, no adjacent meanders but head down, goal in sight and hurdles overcome. At the end of the day this is one of the most impressive and essential wines made in Ontario. Nova Scotia is on the franc idea and others locally are beginning to follow. Autolytic and delicious, on point and regal. Drink 2021-2027.  Tasted September 2021

Malivoire Rosé Moira 2020, VQA Beamsville Bench, Niagara Escarpment, Ontario

From vines planted by proprietor Martin Malivoire “close to home” in what is the eponymous vineyard. Moira is a Beamsville Bench icon and has been for quite some time now, without question, nothing to discuss here, case closed. There is a complex and layered developed notation that Vivant does not have, not fort better or worse but Moira requires more thought and consternation. You can no longer think on it in terms of salinity, sapidity and satisfaction. Something more and other must be considered. Style. Style is what separates Moira from most other Ontario Rosé and in 2020 it exudes with prejudice and finesse. When a sip of a wine in this category stays with you for as long as Moira does, well you just know greatness is in the glass. This can saunter with the very best of Southern France. That’s the truth. Kudos to winemaker Shiraz Mottiar for this. Drink 2021-2025.  Tasted April 2021

Martin’s Lane Riesling Fritzi’s Vineyard 2018, BC VQA Okanagan Valley, British Columbia

Shane Munn’s riesling from the volcanic, clay and white quarts Fritzi’s Vineyard continues to get better, all the while with a wine he seems to do less and less to try and control. Must be the place and the fruit from this 21 year-old block (as of this 2018 vintage) seeking a 48 hour skin-contact for oxidatively handled juice. Pressed once, lightly and so softly treated, then transferred to German casks where it stays for up to eight months. Just bloody delicious, hard to not conjure a frothie for this freshest of phenolic rieslings, which incidentally was only sulphured once, four months into the trek. Walks about from grippy to lovely and back again, with silk stops along the way. Will shine brightest two years from now. Drink 2023-2029.  Tasted twice, October and December 2021

A really creative sémillon, rich, creamy and fulsome which is classic Mt. Boucherie while never abandoning the grape’s pointed and intense linearity. Hard not to be impressed by the soil intendment and how it creates a backbone in the wine, beyond acidity and into something sarsen-like, upright, timeless, forever. Plenty of grip, essential elements, minerals and metallics. Keeps the sémillon sensibility alive of an unconquerable nature, varietal invictus, solid construct but with more than ample fruit. Convincing follow-up to 2019 and really quite on par in every respect. Drink 2021-2025.  Tasted October 2021

Closson Chase South Clos Chardonnay 2019, VQA Prince Edward County, Ontario

Notable reduction marks South Clos’ youthful entry and with that first nose in the glass we are put on immediate notice that 2019 will be a structured year for winemaker Keith Tyers’ and Closson Chase’s chardonnay. This and the following vintage will trade blows for bragging rights, longevity and excellence, so pay attention to this pool of varietal estate wines. That is something CC so generously affords their customers. Here at the top level the fruit is glorious, pristine, pure and cut by diamond clarity. The reduction flies away and a nose of marzipan, lemon preserve and a fresh bitten Ida Red apple come away from the vineyard. Acids here are tight, crunchy, friable, felt from the tongue’s tip to the wisdoms. The liquidity is so finely chalky with all signs pointing to spirit and balance with that ’19 crop of South Clos fruit at the core. Does not get much better from PEC, Ontario or Canada. Anywhere. Drink 2022-2028.  Tasted October 2021

Hidden Bench Chardonnay Felseck Vineyard 2019, VQA Beamsville Bench

Tasted as part of an #14c21 seven year vertical Felseck Vineyard retrospective. No stirring, “I don’t like bâtonnage,” tells winemaker Jay Johnston, “unless I’m trying to get a wine to dry.” Never mind the lees aeration or the emulsification because texture in this ’19 is extraordinary to behold, gliding across the palate with Bench orchard fruit cleverness, penetrating perspicacity and juices running through unblemished flesh. Tighter and taut than ’18, while seemingly improbable but here yet unwound, far from the pinnacle at which point full expression will surely ache to be. The ’18 may be a beautiful thing but the ’19 is structured, manifold in destiny and ideal for those who know, or at least think they do. Drink 2023-2030.  Tasted July 2021

Lightfoot And Wolfville Ancienne Chardonnay 2018, Annapolis Valley, Nova Scotia

Frost year for the valley but again an escape by the vines at Lightfoot & Wolfville with thanks to the tidal influence to keep the chardonnay vines happy, healthy and secure. So much fruit and warm summer sunshine, a glade bathed in light and a luminescence rarely found in chardonnay. Consistent L & W elévage, increasingly into puncheons and away from 225L barriques. You can never forget and not remember what chardonnay has done for L & W, while now the richness and restraint work in optimized tandem. Less reductive than previous incantations, with new and improved connotations, consistencies and harmonic sway. Also a matter of vintage and cooperage. Stability is the key to being great. Drink 2022-2026.  Tasted September 2021

Westcott Reserve Chardonnay 2020, VQA Vinemount Ridge, Ontario

Almost seems redundant to say anything about the Reserve from 2020 because what more is there that was not already expounded upon from the Estate chardonnay. Same soft entry, slow developing charm, fruit neither richest nor gregarious but yet in Reserve truly ideal, less variegated and hinting at opulence. That is the crux and the key, hints, in shadows, speculations, possibilities and in Reserve form most surely probabilities. Elevates the crisp crunch and gets real trenchant with the pulverulent and tactile sensations. Seriously credible, professional and still emotive work here from Westcott at the pinnacle of Vinemount Ridge, but also Bench and Escarpment chardonnay. Drink 2022-2027.  Tasted October 2021

The Bachelder Vineyard Map

Bachelder Bai Xu Gamay Noir Niagara Cru 2019, VQA Four Mile Creek, Ontario

Bai Xu is unique within the Bachelder gamay domain encompassing whole cluster ferments and cru investigations. It reminds us all that time and patience are a must, an academic approach is not enough and one must follow their intuition, instinct and heart to deliver appreciated wine. In Niagara the philosophy has merged with gamay in ways the monk could never have known were possible. Here 20 per cent whole cluster may be less than the 22 and 52 crus, but this is a broader matter and one that fruits beyond the Wismer-Foxcroft Vineyard. In a sense, a villages-plus wine (think Côte d’Or) but as a conceptual one. The clarity and slow release of flavour in Bai Xu happens without power, grip or forceful intent. The acidity neither startles nor does it cry out, but instead acts as architect for the infrastructure and the mosaic. Bai (it is presumed) from a Chinese language, meaning “pure,” (depending on the dialect and vowel’s accent) and Xu, “slowly, calmly.” Thomas Bachelder is surely looking for the chaste gamay, unadulterated and one that rushes nowhere, takes the slow and winding path, feet securely on solid ground. More than anything else, this gamay cru won’t chase after what it thinks may make us happy or search for things that deliver one and done, immediate and short-lived excitement. As another one of nature’s mysterious constructs the captured poise and effect make cause for great delight. Drink 2021-2026.  Tasted June 2021

Cloudsley Cellars Cuesta Vineyard Pinot Noir 2018, VQA Twenty Mile Bench

Cuesta as a vineyard has more history behind it than one might have assumed, having been planted back in 2002. Adam Lowy has made 65 cases from Cuesta’s deeply resonant and soulful fruit, so as a consequence given it more new oak (28 per cent) than any of his other three single-vineyard pinot noirs. Clearly the brightest, most tonally effusive and transparent of the quadrangle, as Burgundian as it gets when it comes to mapping or contemplating the connectivity with the mothership. Just a lovely, elegant and sweet-scented pinot noir, classically arranged, scientifically opined and romantically delivered by Lowy’s prudent if so very hopeful elévage. The Côtes de Nuits notation is clearly defined, intuited and understood. Not quite but resembling Marsannay, or perhaps even something just a plot or three further south. Cuesta conduits as the “Robbinsian” one for which “the scientist keeps the romantic honest and the romantic keeps the scientist human.” Drink 2022-2027.  Tasted August 2021

Checkmate Silent Bishop Merlot 2015, BC VQA Okanagan Valley, British Columbia

One of four Checkmate merlots, regional expressions, here a blend of three benches, Osoyoos West, Oliver North and Golden Mile. A Silent Bishop and a merlot are more powerful than those who speak and their ordinations may also be called consecrations. Here the silent 2015 is one that is dedicated, coordinated, devoted and sacred to proprietors, winemaker and place. When a merlot is silent it moves in dynamic tactical effect and like the bishop moving on a position, does not capture or attack an enemy piece. Truth be told this is a stealth merlot, of fruit so dark and mysterious, of structure hidden, enigmatic and prepared to go the distance. Such an efficient wine and the kind to cause a ripple effect. Taste this and you too will want to pursue making profound Okanagan merlot, an endeavour as frustrating as it can be elusive. Drink 2022-2029.  Tasted June 2021

La Stella Maestoso “Solo Merlot” 2017, BC VQA Okanagan Valley, British Columbia

The decision whether to listen to Chopin’s Piano Concerto No.2 or Handel’s Allegro Maestoso (Water Music Suite 2) while tasting and sipping through La Stella’s “Solo” merlot is a difficult one. Less obvious than it might seem and the question is which piece best exemplifies “the highest peak in the crescendo, that moment of realizing you are in the presence of majesty.” Both, to be fair and so I find myself in good ears, and taste by the triad grace of Chopin, Handel and La Stella hands. Let’s revise to encompass all three, in decadence, rolling rhythm and Okanagan Valley merlot-defining precociousness come crashing onto a shore of strings. This is where the maestroso moment happens, in cumulative fruit substance joined by fine acid intensity, wrapped up in structural soundness. All this after a great deal of strong tempo variations which are prominent features in this Severine Pinte interpretation. The instruments are Glacio Fluvial and Fluvial Fan; Clay and Gravel mix, Alluvial deposit and Clay, playing in the orchestra of Osoyoos Lake District and Golden Mile. Support from the Okanagan’s best, written as a top merlot composition and executed flawlessly by the winemaking team. Bravissimo. Drink 2023-2032.  Tasted May 2021

Phantom Creek Phantom Creek Vineyard Cabernet Sauvignon 2017, BC VQA Okanagan Valley, British Columbia

Two weeks later than the usual norm defined the 2017 spring but hot and dry summer weather confirmed the intensity of Phantom Creek Vineyard’s southern Okanagan growing season. The cabernet sauvignon grows on the lower terrace of the Black Sage Bench’s Osoyoos sandy loam and it has been approximately 15 years that these vines have been fostering these wines. Magnanimously ripe and conspicuously copious fruit sees the unabashed generosity of (75 per cent new) French wood in a bone dry, healthy acidity endowed and elevated pH cabernet. This is essential edging up and into quintessential Okanagan varietal chattel, a wine of substance, grip and winched binding, oozing with expensive taste, fine dark chocolate and a depth of fruit that aches to be heard. That will have to wait and so should you because the structural parsimony will need three years or more to release and allow for stretching and breathing room. A prouheze as they say. Drink 2024-2032.  Tasted May 2021

Stag’s Hollow Syrah 2018, BC VQA Okanagan Valley, British Columbia

Roes floral, elegant, ethereal, really effusive and just lovely stuff. Nothing remotely over the top, no blow to the head nor a crashing upon the senses. Sweet acids and silky tannins are the finality in what is clearly generated to conclude upon the notion of a very great wine. Drink 2022-2026.  Tasted blind at NWAC2021, October 2021

Good to go!

godello

Twitter: @mgodello

Instagram: mgodello

WineAlign

Twenty-one mind-blowing wines of 2021

The greatest wines are considered as the ones that talk to us, connect with that part of our being that elicits sensory and emotional responses, feelings of zeitgeist and great release. Throughout the course of a year I taste thousands in my glass, countless banal, innumerable competent, others correct and many exceptional. Then there are the rare and peerless capable of altering time and space, chosen ones that after listening we then speak directly to. The mind-blowing wines.

Related – Twenty mind-blowing wines of 2020

This is what I might say to such a splendid creature. “I look upon the flash of your sheen, you a wine of scientific strategies. Your aromatics sum up for me my educational studies in science and lifelong memories. Your flavours remind me of experiments in vinous physics, your textures of exercises in galactic mechanics. Your structure recalls infinite chemical reactions and architectural engineering. Your energy, though carefully controlled, threatens to ignite and destroy my laboratory and yet binds my existential life together. You blow my mind.

Related – Nineteen mind-blowing wines of 2019

Last year’s 20 for 20 was a much different list than ever before. Only 25 days of travel and while I did finally make a return to global discovery that number was even less in 2021. Two trips to Italy and one to B.C. in October and November. Once again just 25 days in total. A yearly schedule usually adds up to 100-plus but fortune also shines on the critics of WineAlign. Through quarantine, isolation and safe-distancing we still managed to taste through thousands of wines. I recorded well and above 4,000 tasting notes in 2021 so it would appear that palate discovery is still alive and well. For the first time ever there are three dessert wines on the list because well, stickies just don’t get enough love. And never before have I included a Canadian wine because I pen a separate list for local but a Thomas Bachelder chardonnay is wholly deserving of going global. These are Godello’s 21 mind-blowing wines of 2021.

Berlucchi Riserva Familia Ziliana Franciacorta DOCG 2001, Lombardy

A blend of chardonnay and pinot nero matured on lees for 218 months and a further 31 months after disgorgement. Zero dosage, tirage in June 2002. Tasting from “the stolen bottle,” and one would swear there is some sweetness in this wine, offset by twenty year-old persistent and rising acidity. The state of grace and ability this 2001 finds itself sitting royally in is quite something to behold. Stands firm and can stride with most any 20 year-old sparkling wine. A simple fact tells us that Arturo Ziliani’s father Franco and Guido Berlucchi decided to create sparkling wines in Franciacorta. They are the pioneers. Drink 2021-2024.  Tasted October 2021

Krug Vintage Brut Champagne 2002

The year 2002 dubbed as “ode to nature” marked the first Krug “vintage of the millennium” and was presented after Krug 2003, just as Krug 1988 left the cellars after Krug 1989. A clement year, relatively dry to make for a homogeneous harvest. The blend is 39 per cent pinot noir, (40) chardonnay and (21) pinot meunier. Disgorgement would have been in the autumn of 2015 after having spent at least 13 years in Krug’s cellars. All this tells us that the vintage is one treated to great respect with the acumen to age seemingly forever. This bottle shows some advancement but mostly in toasted and spiced notes while acting so expertly oxidative, in total control of its own and also our senses. Smells of orange skin, zesty and by citrus spray, then pickled ginger and wild fennel. Tasted blind it feels just exactly 20 years old but it’s not hard to be tricked into imagining even older. I admit to guessing 1995 with thanks to a presentation of at once wildly exotic and then exceptional bubbles. Just a matter of being hoked up with celebration. Drink 2021-2027.  Tasted November 2021

Kabola Malvazija Amfora 2017, Istria, Croatia

Kabola’s is malvazija istarska raised in traditional clay amphorae in combination with oak barrels. Kabola is found in Buje, not far from the coast and south of Trieste. While the combination of clay and wood seem to confuse or blur the game there is something wholly credible and intriguing about this wonderful aromatic mess. You can not only smell and sense but more deeply intuit the phenolic qualities inherent in here. Skins, pips and even a bit of herbaceous stem. Peach and orange tisane, exotic spice and high, high quality lees. Great winemaking here in the context of leaving your grapes to do the work but both timing and execution are spot on. Raises the varietal bar and shows what’s possible. Drink 2021-2026.  Tasted April 2021

Livio Felluga Rosazzo Terre Alte DOCG 1998, Friuli-Venezia-Giulia

A wine in which the switch has been flicked at least five times, at least three past the family’s preference but let’s be frank. This is a fascinating Friuli-Venezia-Giulia wine to taste. Oxidative in the most beautiful way, sapid and laden with 23 year-old tang. Very much a young adult of confidence and swagger borne out of phenolic fruit maturation. A long-hanging vintage, a note of botrytis, a late harvest sensation but truly salty, mineral and showing the biodiversity in clones and vineyards that one would expect a white blend of this ilk to display. Just a terrific example of friulano, sauvignon and pinot bianco in their arena of characterful array. Drink 2021.  Tasted October 2021

Bachelder Grimsby Hillside “North Slope, Starry Skies” Chardonnay 2019, VQA Lincoln Lakeshore

New in the pantheon for Bachelder and Niagara wines as an entity is this from Grimsby Hillside, the new frontier, next level up and future for the industry. In fact the time is already upon these precocious vines and their fruit specially formulated for the most wound and cinched kind of chardonnay, so precipitously witnessed in Thomas Bachelder’s “North Slope, Starry Skies” 2019. The vineyard was planted to vitis labrusca and used for Kaddish wine through the 30s, 40s, 50s and 60s and just less than 20 years ago re-purposed to vinifera. Just two decades later winemakers like Thomas and Ilya Senchuk have discovered the magic of possibility and greatness of probability. Tasted this first in July with Thomas though it had just gone to bottle. Now the textural level of this GH-N triple-S has hitherto arrived at the immaculate, sweetly viscous, gleefully gelid and just right there at the apex of sensory enjoyment. Tight and delicious is a good combination. Drink 2022-2028.  Tasted December 2021

Stellenbosch, Western Cape

Raats Family Wines Chenin Blanc Eden 2018, Stellenbosch, South Africa

A single vineyard chenin blanc and the first vintage to the Ontario market for a unique project celebrating the family farm called Eden. From their Stellenbosch ward of Polkadraai and high density plantings on dolomitic, granitic soils. Of a richness, an intensity of parts and a presence only a handful of South African blanc ever reach. A wine that achieves a level of status by its work underground (through root competition) and a clone called Montpellier that produces small berries and even smaller yields, not to mention the plot is just 0.6 hectares in size. Eden is the mothership and matriarch of this clone and for that variety in South Africa. All parts contribute to a wine of outrageous acidity that is never sharp, vivid or dominant. Fruit, mineral, focus, elements and precision. Wet stone is pure Polkadraai, vaporous, omnipresent, all over the wine. “The most successful winemakers (and wine projects) are ones that specialize,” says Bruwer Raats. This Eden follows the credo to a “T” and with a capital “E.” Really cerebral and also age-worthy chenin, in the upper echelon of the finest in the pantheon. If ever a chenin signified “Bringing it all Back Home,” the Raats Eden is it. “Discuss what’s real and what is not. It doesn’t matter inside the Gates of Eden.” Drink 2022-2030.  Tasted June 2021

With Sofia Ponzini and Vico

Tenute Bosco Etna Rosso Vigna Vico Pre-Phylloxera 2018, DOC Etna

Just another immediately memorable Piano dei Daini Etna Rosso Vico, Sofia Ponzini’s Cru-Vigna nerello mascalese (with 10 per cent nerello cappuccio) at 700m from the northern side of Mount Etna. Grown as alberello on a volcanic, sandy matrix with some stones from 100-plus-plus pre-phylloxera vines located in the town of Passopisciaro, Contrada Santo Spirito, parcels “Belvedere,” “Seimigliaia” and “Calata degli Angeli.” A tempest of steel and a feeling that runs with waves of acidity throughout, in many parallel and horizontal lines, at all levels. Spice cupboard, rich waves of red fruit, viscous wisdom, confidential and confident elegance, finishing at precision without recall. True value, scattered patterning, significant and relevant. A vintage of force, restraint and powerful lightness of being. Drink 2024-2036.  Tasted October 2021

Domaine De Bellene Nuits Saint Georges Premier Cru Aux Chaignots 2019, AOC Bourgogne

The limestone soil Climat of Chaignots lies in the northern part of Nuits-Saint-Georges, up the slope and edging in location but also feeling towards that of Vosne-Romanée. The affinity is much discussed, real and therefore puts the Premier Cru at the top of what is most desired out of Nuits-Saint-Georges. A tiny (0.14 hectare) plot and simply a coup for Nicolas Potel to be able to secure this fruit. Everything about the aromatic front speaks to the Bourgogne mind and Chaignots heart. Cola but from the root, a tuber underground rubbed, that and a cocoa nut crushed between fingers. An almost diesel waft but not gaseous, instead sapid, nut-based, a liqueur toasted and intoxicating. The fineness of structure is the sort of wiry winding by winch that could cut through limbs due to tension so taut. All that you know, love, don’t know and hope to experience is in this wine. Neither I nor Nicolas Potel will be around when it blows someone’s mind in 2074. Look forward to that day young Alphonse. Drink 2025-2045.  Tasted May 2021

Angela Fronti, Istine

Istine Chianti Classico DOCG Vigna Istine 2019, Radda in Chianti, Tuscany

One must have to look at, walk this and stand in awe of of this vineyard, the steepness at 30-50 per cent grade with a terrace in the middle to break it up. Heavy in Alberese inclusive of massive yellow calcareous boulders and also Galestro. In fact the medium stones removed were transferred to create terraces for olive trees on the other side of the cantina (by Angela Fronti’s father no less). The vineyard faces north so the freshness is off the charts, while the ripeness is so matter of purposeful vintage fact. The label represents the position of the vines in coordinates, echoed in the machicolations of a Fronti sangiovese that drops all the Radda stones on unsuspecting palates through fruit openings between supporting acid corbels of a projecting tannic parapet. Vigna Istine is at the forefront of Chianti Classico’s battle to win over the world. Follow this example. Drink 2023-2029.  Tasted October 2021

“Molto parfumato,” binds an aromatic agreement between myself and Paolo de Marchi upon sniffing this ’11 found on Locanda Pietracupa’s wine list. “Cepparello needs time,” says Paolo, understatement of the obvious for the evening, year, decade and history with respect to sangiovese grown in the Chianti Classico territory. Also truth succinctly spoken, roses and violets exhaling and a 100 per cent varietal (or so it seems) profile of succulence and one to fully draw you in. Mint to conifers, multiplicity by complexity value, not to mention vigorous acidity sent straight to a mouth with a full compliment of wisdoms able to think about the situation. A linear Cepparello seeing its wide open window at the 10 year mark. And now a Paolo de Marchi story. “One side of the vine’s grapes were burnt and so I called up (Consorzio Direttore Giuseppe) Liberatore and asked are we changing the name of the appellation? Liberatore said what? To Chianti Amarone replied de Marchi, or sangiovese Port? Joking aside, a stringent selection and a five per cent inclusion of trebbiano did for this ’11 Cepparello what viognier might do for syrah. Not a Chianti Classico so perfectly kosher. A secret until now but all above board. Totally cool. Drink 2021-2026.  Tasted October 2021

Querciabella Chianti Classico Riserva DOCG 1999

The 1999 was the last (original) Riserva produced until it was again resurrected in 2011 and what’s so cool about this vintage is how it was held to some early esteem, though paling in comparison to that “vintage of the century” that was 1997. Underestimated over the last 20 years, drinking so beautifully now, with frutta di bosca, tertiary tartufo and fungi. Just doesn’t strike as a fully mature adult reminiscing about the way things used to be but more like a wine with an outlook for more promise, good times and adventures still ahead. If you are still holding onto ‘99s from this part of Toscana you will be very pleased. Drink 2021-2026.  Tasted May 2021

Filo di Seta is Filippo Chia’s intuitive “transavanguardia” sangiovese of place, over the ancient beach where he and his father Sandro once painted the Montalcino sea. Mostly early picked fruit, all in tonneaux, at first thinking “croccante” but that’s too simple a way to describe what texture and sensation is combed in this reserve wine. Bottled on the 29th of June so just arriving at the ready, to look at if not to consume. Here there is a fineness of liquid chalkiness, a “fluido” or “scorrevole” to drive the way this sangiovese plays and also sings, a Riserva to move with the wind and musical sway. Somewhat unknown, finely tannic and clearly what could and should be described as “mountain” Brunello. Coming in late is the spice, almost cinnamon and such. Hate to refer to any wine as the best from an estate but too bad. That this is, beyond the avant-garde such as it is. Drink 2025-2038.  Tasted November 2021

Biondi Santi Brunello Di Montalcino Riserva DOCG Tenuta Greppo 1985

The longevity of this vintage is almost not to be believed. Has been in bottle for as many years as it would have matured in casks. The next year (2022) will se the re-release of this vintage (in 2021 that vintage was 1983) and the year 1985 is the one I entered university. A Biondi-Santi of resolved tannin but remarkably youthful. A wine that saw Grandi Botti more than before, seen in the gentlest of spice notes and the back to the future return of balsamic and pomegranate. Followed a winter of major snowfall, long and cold winter, a regular spring and uneventful summer. The acidity is just incredible, also youthful and so sweet, those lengthened tannins in liquid powdery-chalky form. The connection with 2016 may seem to be an uncanny one but so help me if the chain is not there. The bottle was opened one hour and forty five minutes earlier so grazie to Federico Radi and Biondi-Sandi for perfecting the timing. We can all learn so much from this wine, to be patient, calm, well-adjusted, confident and gracious. Style and temperament to live by. Should continue this way for at least 10 more years. Drink 2021-2033.  Tasted November 2021

Argiano Brunello Di Montalcino Riserva DOCG 1979, Tuscany

A cooler vintage, especially as compared to 1978 and truly a Piedmontese style because the cellar workers closed the tanks, went on strike and returned two months later. Resulted in some carbonic maceration and surely an increased amount of vim in freshness. That mixed with true porcini, fungi and fennochiona. The extended maceration makes this act 43 years forward like an older nebbiolo, rich and once demanding tannins now long since melted away, tar and roses still showing with earthly perfume. Fabulous mouthfeel, lingering and lively. Surely the mean steak astringency would have been in control during the first 10 to 15 years but the beast relents and gives way to charm. Patience breeds gentility and the story is now unfolding. Drink 2021-2026.  Tasted October 2021

With Stefano Cesari, Brigaldara

Brigaldara Amarone Della Valpolicella Classico DOCG 2016, Veneto

Stefano Cesari’s farm concerns itself with all things sustainable and while that may seem like a catch phrase, In Brigaldara’s case it most surely is not. The family supports its workers financially, culturally and in health. The young winemaking team is encouraged to study and stage abroad, to learn new oenological skills and languages. The other farm workers and their families are additionally supported by being given stake in the profits of the farm. How can this not reflect in the qualities of the wines, including this very special vintage 2016 Amarone. A magnificent wine and one you can easily drink beyond one glass. Not that it’s a light example but it speaks in soft tones, clearly and with a distinct, precise and honest weight, in vernacular and feeling. All things fruit lead to roads of sweet acidity and fine tannin. A rare Amarone of this ilk and one to savour. Drink 2023-2033.  Tasted October 2021

Errázuriz Don Maximiano Founder’s Reserve 2012, Aconcagua Valley, Chile

Don Maximiano 2012 is a blend of 75 per cent cabernet sauvignon, (12) carmenère, (8) petit verdot and (5) malbec. No cabernet franc back in 2012 and aside from the obvious notions ushered in by age there is a distinct lack of herbal notes as a result. This is just in a great place nearly nine years forward from vintage, now settling, acids still in charge but tannins having done most of their melting and rendering. This wine is far from done, in fact the next level notions have just begun to have their say and from a vintage as great as this there should very well be nine years nigh before true earthiness, umami and truffle set in. Pour this blind at dinners with old world counterparts and watch with awe as to the results. Drink 2021-2027.  Tasted November 2021

Château Pétrus 1993, Pomerol, AC Bordeaux

Never easy to live in the shadow of siblings clearly designated as mom and dad’s favourites but sometimes overlooked vintages left for dead show greatness later on in life. The 1993 Pétrus is definitely a late bloomer and from a year when only 200 cases were produced, where normally 4,000-plus is the standard. Softened to an almost Burgundian sense of calm but the richness and concentration multiplied by a Spring verdant freshness and sweetly herbal pesto can only indicate one thing and that is Right Bank Bordeaux. I tasted this blind and immediately thought of Pomerol and its close proximity at the eastern border with Saint-Émilion because of the “fromage à pâte molle” feeling gained, along with vestiges of once formidable black fruit supported by a push-pull posit tug of merlot-cabernet franc acidity. A good hunch indeed and a more than surprising set of excellent parameters come to this for a 1993 Bordeaux. All in all a really satisfying and come together wine to hush the naysayers and win in the end. Drink 2021-2025.  Tasted November 2021

Paul Jaboulet Aîné La Chapelle 1990, AC Hermitage, Rhône

Jaboulet’s 1990 La Chapelle is a kind of an echo of the year in history, an Hermitage of impeccable harmony, much like balance restored in relative peace and prosperity. In 1990 the Soviet Union fell, ending the decades-long Cold War. Hard to find more shiny opaque purple in a 30 year-old syrah plus a splendid floral nose of stone roses, pencil shavings and graphite. The combinative effect of heft and freshness elicit pleasantries from a bad boy able to play soft ballads to mellow a crowd. La Chapelle is a communicative, entertaining and business-like syrah, a link between the northern Rhône and the taster, an internet Hermitage that changes the way we think and feel. Things will never be the same after tasting Jaboulet’s 1990 and for good reason. Has 10 years left without worry of decline. Drink 2021-2029.  Tasted November 2021

 

Reynvaan In The Hills Syrah 2017, Walla Walla Valley, Washington

Reynvaan is a family production of Rhône-style wines from two vineyard properties in the Walla Walla Valley. “In The Rocks” is their first vineyard located in Milton-Freewater, Oregon and the second vineyard is called “In the Hills.” short for “Foothills in the Sun.” It is found at the base of the Blue Mountains on the Washington/Oregon border and is planted to syrah, viognier and a gaggle of cabernet sauvignon rows. As one of the highest elevation vineyards in Washington (at 1200ft) and in this syrah co-fermented with up to 10 per cent syrah you might get a rendering of a northern Rhône-ish picture. Sure enough the perfume is floral but more than anything a smoulder of pancetta and smoked meat. Reductive as well, different as such than any syrah, anywhere else on the planet but liquid peppery and tire on asphalt nonetheless. The credibility and accountability here is profound and while the sheer concentration and beauty of In the Rocks in captivating, this In the Hills is alternatively vivid, dramatic and powerfully restrained syrah. Which one is you? Drink 2023-2033.  Tasted January 2021

Sine Qua Non Syrah The Hated Hunter 2017, Santa Barbara County

The hated hunter is named after Austrian immigrant and Los Angeles restaurateur turned winemaker Manfred Krankl’s grandfather, depicted on the label in gear, with rifle and hound. The blend is led by 82.4 per cent syrah with (7.8) petite sirah, (5.2) mourvèdre, (2) grenache, (1.2) petit manseng and (1.4) viognier. Clocks in at 15.9 alcohol but in this regard hardly garners even one per cent of the discussion. All anyone can talk about is the infinite expanse of pretty, pretty floral capture and personally speaking it simply reeks of syrah. A game of meat juices and marbling, part smoked meat and part pancetta. The only question tasting blind is whether to imagine it as Hermitage or Central Coast California. Once the abv is disclosed the answer can only be the latter but a syrah of such reclusive exclusivity is hard to pin down. Derives from a group of prized vineyards; 32 per cent Eleven Confessions (Santa Rita Hills), (41) The Third Twin (Los Alamos), (25) Cumulus (Santa Barbara) and (2) Molly Aida (Tepusquet Canyon). Adds up to the most luxe, deluxe and ultra-fantastic instrumental of a syrah, no lyrics needed. Man, Manfred, take a bow. A hunting bow. Drink 2023-2029.  Tasted November 2021

Fèlsina Vin Santo Del Chianti Classico DOCG 2018, Tuscany

An absolutely lovely vintage for Fèlsina’s Vin Santo and for Chianti Classico Vin Santo as a rule because extract, temperament and adaptability are all in collective balance. All that you want, need and expect from this traditional and loyal dessert wine are present and accounted for. Dried and glazed fruit, low and slow developed nuttiness and a freedom of territory spoken through airiness and layering. The upside cake of life turns over to reveal a generational wine of clear standards, perfect layering and endless conversation. Nonna and Nonno would be proud. Drink 2021-2035.  Tasted June 2021

Agriturismo Hibiscus Zhabib Passito 2020, C.Da Tramontana, Sicily

From the island of Ustica in the Tyrrhenian Sea, 70 kilometres (36 nautical miles) of the coast of Sicily’s capital Palermo and the work of Margherita Longo and Vito Barbera. The vineyards for this zibibbo (moscato d’Alessandria) are grown very close to the water on volcanic soil and Hibiscus is the only winery game in town. There are other farmers that contribute grapes to this tiny production; also grillo, cataratto, inzolia to go along with the zibibbo that makes this Passito. A place where tomato, grapes and peached co-exist, in the gardens and in the wine. This carries that uncanny sweet to savoury feeling in the most specific and ethereal dessert wine both mind can conjure and emotion shall receive. Of orange, grapefruit, peach and tomato. Balanced, harmonious, silky, woollen and with a super-tonal capacity to love. Drink 2021-2032.  Tasted October 2021

Taylor Fladgate Very Old Tawny Port – Kingsman Edition, Douro, Portugal

A bottle of wine is rarely tied to a film, let alone a Douro Port but Taylor’s Very Old Tawny has been blended and bottled to coincide and be product placed in the second Kingsman film, in this case a prequel to the first, this time set in the 1920s. Head Winemaker David Guimaraens chose reserve Tawnys from 70-100 years of age, wines crafted and set aside by generational predecessors past, no stretch for the master blender because we are talking about a house with extensive stocks from which to reach back into. Guimaraens was looking for harmonic balance between concentration and elegance and just a whiff will tell you he and his team have achieved a crossing between a magical vortex and a vanishing point of complexity. Two manifest matters have developed; concentration of sweetness and in this case by association, a focus of acids as well. Together they inspissate and cling comfortably to the skeletal structure. It feels like you are nosing 100 unique aromas, with just seven of them being marzipan, red velvet hazelnut cake, candied ginger rose, rau răm, roasting banana leaf, calimyrna fig and grilled pineapple express. Step six feet away from the glass and the aromatics persist just as sharp as if the glass were in hand. As for a sip of this maraviglioso Tawny, warmth, comfort, delicadeza and forever length make just an ounce last forever. Timeless. Approximately 1000 bottles were produced and in Canada 100 will be made available next September. That is when theatre goers should likely make a return to the cinema to take in the Secret Service spy thriller and Tawny Port fantasy up on the silver screen. Drink 2021-2050.  Tasted February 2021

Good to go!

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WineAlign

Wines in the Similkameen they are, sometimes they blow my mind

Ben in back, Goode standing tall

Last month the WineAlign judges spent an evening under the Similkameen Valley stars against a rugged mountain backdrop of glacial rock formation, the vineyards quiet, their fall foliage bright at dusk above stony, gravelly, and silty loam soil. The pizza oven was firing and the Similkameen growers hosted our motley crew with wines pouring all night long.

Similkameen Valley

Related – WineAlign Nationals meet the Iconic Wineries of B.C.

These are the facts. The Similkameen Valley lies west of Osoyoos with the majority of vineyards located around Cawston and Keremeos. Significant winds help naturally keep vineyards in this arid valley free of pests and disease, making this region well-suited for organic farming. Due to the steep surrounding mountains, and the reflectivity of the rock, heat remains in the valley long after the sun sets. Did I mention how beautiful a place this is?

WineAlign judges Janet Dorozynski, Michaela Morris and Michelle Bouffard

Our hosts were the owners of Crowsnest Vineyards, a Cawston property purchased by the Heinecke family in 1985 and named after the Crowsnest Highway #3. The family was an early contributor to the development of the Similkameen wine region, led by  second generation family siblings Sascha and Anna Heinecke. Here are 12 wines tasted that evening.

Clos Du Soleil Winemaker’s Series Pinot Blanc Middle Bench Vineyard 2020, BC VQA Similkameen Valley

Pointed and punchy pinot blanc, stone fruit with a verdant piquancy. Not exactly edgy but crisp, quite precise and yes, surely punchy. Early picked acids maintain freshness and this is nothing but bloody delicious. Drink 2021-2023.  Tasted October 2021

Wines in the Similkameen they are, sometimes they blow my mind

Clos Du Soleil Capella 2020, BC VQA Similkameen Valley

From the Upper Bench of the South Similkameen Valley and winemaker Michael Clarke’s signature Bordeaux-inspired white blend of sauvignon blanc and sémillon. Knowing the maker’s education and professional past one might look at this Capella as a branch of blancs that employs mathematical models and abstractions of physical objects and systems to rationalize, explain and predict natural phenomena. In other words Capella a.k.a. the brightest star in the constellation of Auriga, presents a case of two complimentary grape varieties made profound by the abstractions of soil, gently inclined land and the reflectivity of mountain rock. These building blocks of terroir and warmth may be real but it is the philosophies and methodologies of growing and winemaking that allows us to vindicate the greatness in this 2020. A virtuoso deportment of fine salinity and truffled perfume speaks in subtle Similkameen tones and a light touch is noted by both délestage and elévage restraint. This pure citrus distillate is sharp and pointed but then come the poignant flavours. Like the assyrtiko of the Similkameen with Bordeaux structure. Theoretical and physical, void of experimental tools and yes, c’est bon. Drink 2021-2025.  Tasted October 2021

Vines in the Similkameen

Corcelettes Micro Lot Series Chardonnay 2020, BC VQA Similkameen Valley

Fulsome, not bullish, cream centred and with exteriors all bite and wood spice. Almost too youthful still, previously misunderstood, not yet in full perfume bloom. Hinting at what’s coming, tree fruit part orchard and part tropical but no bloody pineapple. Chard of interest.  Last tasted October 2021

Part of the Micro Lot Series and a cool to gelid chardonnay well into the yogurt and lemon curd with finishing almond flavours. Texturally speaking there is flesh and fluidity in a Similkameen chardonnay that receives much barrel addendum. Silky and creamy, all about mouthfeel and development. Drink 2021-2023.  Tasted September 2021

Brad Royale and Crowsnest Gourd

Crowsnest Family Reserve Chardonnay Stahltank 2020, BC VQA Similkameen Valley

Stahltank as in stainless steel fermentation for full retention of freshness, which this energetic 2020 shows, but also big and substantial fruit. Crowsnest Vineyards is located near Cawston in the Similkameen Valley and chardonnay is clearly a specialty. Soft, creamy and devoted, available and amenable. Subtle spice, crafty and just crisp enough to remind of the fresh intendment and lively persistence. Drink 2021-2023.  Tasted October 2021

Hugging Tree Moonchild Merlot 2016, BC VQA Similkameen Valley

Solid merlot in many respects, rich and caky, thick and chock full of ripe fruit. Edgy as needed, split by a streak of right proper greenness and out of a quality vintage. Steeping in acids and tannins running down grain for a result that has and will continue to please for a few years yet to come.  Drink 2021-2023. Tasted October 2021

Orofino Riesling Hendsbee Vineyard 2018, BC VQA Similkameen Valley

Made from the other Alsatian Clone (as opposed to the oft employed 49) from the 2006 planted vineyard by Cheryl and Lee Hendsbee adjacent to and with great soil similarities to Orofino’s home block on the Cawston Bench. A place of rich caky soil atop gravel and river rock for 100 feet. Prudent to experience this with some but not too much age and the hope is to have an experiential moment, say one or two years forward to do so again. Just now moving into some development, a secondary dance step, trip of the tongue, coupling fruit and mineral salts. Quite dry with elevated but knowing and promising acidity. At present a true matter of delight mixed with complex notions in this time of emerging secondary emotions. The appendages work together, in rhythm and forward motion. Drink 2021-2025.  Tasted October 2021

Orofino Gamay 2020, BC VQA Similkameen Valley

So bloody primary, a fresh smack of Similkameen juice, a touch turbid and seemingly not quite at the curtain call of its final act towards being a finished wine. Still swimming in carbonic waters, openly fragrant and inviting. A squeeze of blood orange and tart edging while in full control to effect positively on the palate. You think it might turn botanical or volatile but it never does, instead staying a fruit persistent course. Can see this being underestimated when in fact it is simply a joy to drink. Drink 2021-2024.  Tasted October 2021

Orofino Wild Ferment Syrah 2014, BC VQA Similkameen Valley

A well developed smoulder, purely be variety and place, not by wood. Still persistently and openly fragrant, earth, brush, flora and fruit intertwined as one in a syrah of end game integration. What was once folds, waves and shadows is now seamlessness, inertia and assimilation. Orofino’s WFS resides in a place of great comfort and equally important regard. Drink 2021-2023.  Tasted October 2021

Robin Ridge Winery Gamay 2016, BC VQA Similkameen Valley

Has advanced well into the denouement of its life with fruit persistently black of cherry and what tannins there ever were have melted into a glass darkly. Even the acids wane, effecting little to no meaning at this stage. Drinks quite well actually if showing signs of imminence. Nothing wrong about a glass with a good slice of pizza on a cool Similkameen night. Drink 2021-2022.  Tasted October 2021

Seven Stones Speaking Rock Estate Chardonnay 2015, BC VQA Similkameen Valley

Reductive even after all this time, spicy chardonnay chai and wasabi spiced though still some juicy fruit. Showing well for its age, far from oxidative, of clotted cream and some drying to desiccating flavours. Lemon namely and a dollop of that cream. Fully developed and soon to finish all the softening. A lovely drop at this moment. Drink 2021-2022.  Tasted October 2021

Vanessa Vineyard Syrah 2018, BC VQA Similkameen Valley

Quite a big syrah expression while balanced and showing an ease with which it carries itself this way. Maintains composure and control in the face of a deep and hematic meatiness, high-toned culture, level, pulse and pace of play. Clearly a wine of site, revealing in a meaningful style because it just seems to be the kind of weighty wine it needs to be. No two ways around it. Drink 2021-2026.  Tasted October 2021

Vanessa Vineyard Cabernet Franc 2018, BC VQA Similkameen Valley

A whopping 16 per cent alcohol but truth is you’d not really fully feel or know it. The level of fruit and the flesh it expounds hangs snugly, fitted and tied to the bone. The chalky and peppery liquidity want to be about juiciness and freshness, some way, somehow. The cigarillo smoulders still and the wine finds those realistic and honest moments. Suffers and survives, delivers the varietal goods. Well perhaps there is a moment of shock and awe but ultimately the wine is the wine, for its time and place. Drink 2021-2024.  Tasted October 2021

Good to go!

godello

Ben in back, Goode standing tall

vvv

A Canadian summer for South African wines

Stellenbosch, Western Cape

Great heart and value from the Western Cape, alcohol bans, limited time offers and 15 reasons why you should support the wineries of South Africa 

by Michael Godel

 

as seen on WineAlign

There is an undeniable truth that South Africa is responsible for producing some of the finest wines in the world, at all price points and for every imaginable palate. A local perspective shows how fortunate Canadians are to have access to so many of the Cape’s essentials. Wines so very helpful as chaperones whilst Canada finds itself in the throes of a steamy and canicular July, still weeks ahead of the dog days when the star Sirius will first appear in the night sky. Essentials, as in chenin blanc, sauvignon blanc, chardonnay, Cap Classique, Rosé, syrah and cabernet sauvignon. The Capelands are the proviso and if there were ever a time to spend Canadian dollars on South African wine, that time is now.

Winegrowing areas of South Africa

As Canadian vaccination rates rise to a global lead and the economy continues to trend in an open and forward direction, here at home many wine consumers finally find themselves in a charmed position. Yet the story is not the same around the world. In Ontario visits to local wineries can now increase in earnest while looking ahead in anticipation for six further weeks of summer filled with touring, tasting and relaxing. South Africa’s situation is less fortunate and it’s wine industry remains in static, suppressed and uncertain limbo. The government continues to enforce a total alcohol ban while ignoring sound proposals from its very own constituents, to dire consequences. There just seems to be no consideration for South Africans who face job losses and poverty as their employers struggle to meet even the base and necessary tenets of the bottom line.

South African wine producers will tell you that the current moratorium on selling locally is the stuff of crazy town. The collective contention will express the view that the government’s decision making is rash, ill-considered and reactionary in the most peculiar ways. The President’s claim states that the ban on selling or drinking alcohol “is to ease the pressure on hospitals which are under strain,” yet anyone worth their salt in common sense and trusting medical professionals will acknowledge that keeping booze away from alcohol dependants will only add to hospital visits. The shut downs (and other restrictive government decrees) are now leading to protests, violence and bootlegging tactics. Canadians have little power to effect political will abroad but consumers can make the choice to support their friends and colleagues in the wine industry.

New development: Following the publication of this article on WineAlign the government of South Africa has since lifted the alcohol ban.

Production areas of South Africa

Related – Searching for great heart in South Africa

The LCBO is now doing their part. To make things easier and wholly accessible to an Ontario consumer, a joint “Flexspace” program between Wines of South Africa Canada and the LCBO launches July 19 and runs through August 15 with eight General List products. These LTOs (limited time offers) offer four weeks of discounted prices as incentive during down time summer holidays for people to try South Africa, if indeed they haven’t before. The LTOs coincide with the VINTAGES July 24th release inclusive of a thematic promoting the idea of young Cape winemakers.

Cape Wine 2018

Cape Wine 2021(2)

In a pandemic-free world Cape Town’s Cape Wine would be taking place just two months from now but the difficult and necessary decision by Wines of South Africa has moved the trade show from September 2021 to October 2022. Intensive planning for one of the great triennial wine fairs on the planet begins 18 months out and so with vaccine promise and good hope the industry has shifted preparations for a Spring 2022 “Capelands” revival. Soon enough the hurdles, obstacles, impediments and hoops of pandemic lockdowns, sponsorship landing and export bans will be added to the growing list of “what has been overcome.”

Nature, farmers and winemakers continue their work. Grapes are still growing and wines are still being made. Cape Wine is one of the greats, a collection and gathering by an industry of more varied character and industriousness than you will ever find. Let’s hope a global correction and stabilization brings everyone back together. In the meantime we focus are attention here in Ontario to General List, VINTAGES Essentials and VINTAGES release wines to do our part in support of a heavily challenged, beleaguered and surely resilient community of WOSA estates, farms, winemakers, distributors, retailers, marketers and supporters.

Andrea Mullineux

The Cape’s Young Winemakers

In two visits to the Western Cape (in 2015 and 2018) I had the pleasure of meeting and tasting with some of the most impressive, erudite and promising young winemakers anywhere on the planet. The list is long and winding, the resumés noteworthy and the wines crafted nothing short of inspiring. They are the present and the future of South Africa’s wine scene; Andrea Mullineux, Duncan Rall, Nomonde Kubheka, Chris Alheit, Emul Ross, Duncan Savage, Marlise Niemann, Carmen Stevens, Sebastian Beaumont, David and Nadia Sadie, Ryan Mostert, Jacques de Klerk, Sheree Nothangel, Ntsiki Biyela, Christa Von La Chevallerie, Alex Milner, Callie Louw, Patrick Ngamane, Francois Haasbroek, Eben Sadie, Tariro Masayiti, Lukas van Loggerenberg, Mick and Jeanine Craven, Samatha O’Keefe, Ernst and Nina-Mari Bruwer. This is but a small sampling and my sincerest Canadian apologies to those I fail to mention and also to those I have not yet had the pleasure to meet.

In South African winemaking terms and schemes, as the boomers and now the next generation have grown older their collective winemaking continues to mature and become exceedingly wiser. There will and should not be any abandoning for the call to uprising, subversion and experimentation, but there is a contiguous and concerted effort to create wines that are simply pleasurable to drink. Isn’t that the point? By the time I looked at Cape wines in 2018 assessment it seems that everyone had it all figured out. Tasting through 2019, 2020 and half of 2021, albeit here in Canada causes a persistent thought pattern wherein South African wines are cleaner by ‘n landmyl, with as much precision, purity, transparency and honesty than ever before. Their recent decades long developing epiphany is now ours as together we synchronically enter this new world of next level, reinvented and deeper understanding.

Eben Sadie and Rosa Kruger

Heritage Vines

According to founder and viticulturist Rosa Kruger, “aged vines bring an intensity, a perceived freshness, a texture, and a sense of place. They show less fresh fruit and varietal character, and more terroir and soil.” No discussion of the South African landscape can be introduced without a nod to the biodiversity and heritage work associated with the Old Vine Project. With great kudos first and foremost to long time champion of the Cape’s oldest plantings and pioneer Rosa Kruger, but also winemakers Johan Reyneke, Eben Sadie and OVP Manager André Morgenthal. Kruger, along with a select few viticulturists, started scouting for South African old vines in and around 2002. Then, just beyond 2006 Sadie released his first wine under the Old Vineyard Series, a Stellenbosch wine made from the oldest chenin blanc in South Africa.

Today winemakers all over the Western Cape are seeking out these old sites of dry-farmed, (un)trained bush vine plots of gold. “Stories sell wine,” says winemaker Johan Kruger, “and what better story the tell than the old vine one.” The Old Vine Project is all about preserving vineyards 35 years and older, through trade initiatives and sustainable projects to protect South African heritage. Only South Africa offers the possibility for wine labels to ensure certification by the regulatory authority. “Members of the Old Vine Project (OVP) can put a Certified Heritage Vineyards seal on bottles of wine made from vineyards of 35 years or older, together with the planting date. This is a guarantee to the consumer of authentic wines grown according to the OVP viticultural and winemaking guidelines.”

Chenin Blanc

Chenin Blanc

While grenache, cinsault, syrah, pinotage, sémillon and many others take great promise from their old vine sources there can be little argument against chenin blanc being the greatest beneficiary of age, fortitude, focus and acumen as provided by the old vine experience. The list of Western Cape chenin sites from Stellenbosch, Swartland, Citrusdal Mountains, Darling, Hemel & Aarde Ridge, Breedekloof, Bot Rivier, Walker Bay, Cederberg, Paarl and Robertson, reads like a biblical scroll; Bottelary Hills, Granite Hill, Helderberg, Kapteinskloof, Kasteelberg, Paardeberg, Perdeberg, Riebeek-Kasteel and Skurfberg. Just last month a chenin blanc day Zoom session with four Cape winemakers yielded this Polkadraai gem from Bruwer Raats.

Raats Family Wines Chenin Blanc Eden 2018

Raats Family Wines Chenin Blanc Eden 2018, WO Stellenbosch, South Africa ($80.00, Lifford Wine & Spirits)

A single vineyard chenin blanc and the first vintage to the Ontario market for a unique project celebrating the family farm called Eden. From their Stellenbosch ward of Polkadraai and high density plantings on dolomitic, granitic soils. Of a richness, an intensity of parts and a presence only a handful of South African blanc ever reach. A wine that achieves a level of status by its work underground (through root competition) and a clone called Montpellier that produces small berries and even smaller yields, not to mention the plot is just 0.6 hectares in size. Eden is the mothership and matriarch of this clone and for that variety in South Africa. All parts contribute to a wine of outrageous acidity that is never sharp, vivid or dominant. Fruit, mineral, focus, elements and precision. Wet stone is pure Polkadraai, vaporous, omnipresent, all over the wine. “The most successful winemakers (and wine projects) are ones that specialize,” says Bruwer Raats. This Eden follows the credo to a “T” and with a capital “E.” Really cerebral and also age-worthy chenin, in the upper echelon of the finest in the pantheon. If ever a chenin signified “Bringing it all Back Home,” the Raats Eden is it. “Discuss what’s real and what is not. It doesn’t matter inside the Gates of Eden.” Drink 2022-2030.  Tasted June 2021

Braai

The grape variety has been in the country for more the 350 years, can withstand warm and dry conditions and perform really well. The signature grape variety is South Africa’s golden ticket to global recognition and success. No other varietal message speaks with as much clarity and consistency than that of chenin blanc. And is there a finer example that also happens to be stupidly affordable than this.

Ken Forrester Old Vine Reserve Chenin Blanc 2019

Ken Forrester Old Vine Reserve Chenin Blanc 2019, WO Stellenbosch, South Africa (23128, $17.95, Noble Estates Wines & Spirits Inc.)

Gets me every time. Not just one of the finest meets best value chenin blancs available out of South Africa but an example to hang all your hats on no matter where white wine comes from in this world. Still the knowing nod and incredulous head shake that $18 CDN can buy you fruit from six blocks that are mainly 38 years of age but could possibly include 1974 Helderberg planted vines in Stellenbosch. “Core of the business” and arrow through a chenin heart. Great ferment, like a (catherine) wheel. Layers of design, creamy with thanks to secondary lees aging but somehow still texturally chewy. Barrel notes make a point in a vanilla brûlée way and yet each sip is like taking a bite from a piece of firm, ripe fruit. “I need more texture. You need to give me more texture, texture, texture. You need to give me more texture.” Old Vine Reserve obliges every time. Drink 2020-2026.  Tasted June 2020

Bruce Jack Chenin Blanc 2020

Sometimes you just need some fun, spirit and energy in a well-priced chenin blanc that speaks to everyone. This by Bruce Jack and former Hidden Bench winemaker Marlize Beyers is just the ticket.

Bruce Jack Chenin Blanc 2020, WO Western Cape ($13.95, LCBO 13356, VINTAGES May 29th, Lifford Wine & Spirits)

There’s a whack of chenin blanc personality in the 2020 by Bruce Jack, proprietor of The Drift, literary philosopher. The vineyards are located in the Breedekloof, in the west of the Breede River Valley, an arid rift of alluvial soils with a river running through. Here from the Western Cape’s newer wine route area chenin blanc is exulted as a most important varietal component. Older barrels, the alluvial soils and a warm location are involved, which are duly noted in the platinum hue, tropical fruit and developed ripeness. Sunshine chenin blanc Superman, especially considering the price. Sharp and in flight. Drink 2021-2022.  Tasted June 2021

The Heldeberg from Stellenbosch

Buyers’ guide to South African wines from current LTOs and the July 24th VINTAGES release

Back in late June (and we will do so again next week) the WineAlign cru sits down to taste through the LCBO LTOs and July 24th VINTAGES South African releases. When asked for his four top picks my colleague and mentor David Lawrason exclaimed, “Here you go Michael!  Kinda tough to narrow down these good values.” That’s exactly what you will find from these collective picks. Great value, as well as great heart from South Africa.

Haute Cabrière Pierre Jourdan Belle Rose Brut Sparkling

Haute Cabrière Pierre Jourdan Belle Rose Brut Sparkling, Traditional Method, WO Western Cape ($19.95, LCBO 18569, VINTAGES July 24th, LUSOCAPE)

This sparkling wine is part pinot noir, part Franschhoek and part traditional method in Cap Classique form. Haute Cabrière is the work of the von Arnim family in bubbles comfortably under a Brut number by residual sugar in attack mode made wholesome and free with a great pulse of acidity. Gingery and frothy, of red apple skins and a hint of blood orange. Also tannic, like rooibos tisane while ultimately sharp dressed, soda cracker crunchy and so properly defined. Good wine. Drink 2021-2025. Tasted June 2021

Rustenberg Petit Verdot Rosé 2020

Rustenberg Petit Verdot Rosé 2020, WO Stellenbosch ($14.95, LCBO 451773, VINTAGES July 24th, Woodman Wines & Spirits)

Here is what you get when you combine Rosé (first made in the 1980s) and petit verdot (first planted in the early 2000s). The grape is no longer employed solely for the John X Merriman Bordeaux blend but it is the same varietal stuff grown on Stellenbosch decomposed granite. Not exactly dry and salty with the specs tilting more to sugar over acidity but it is certainly balanced and quenching. Tons of fruit and flavour at $15 with a lovely side-step into adult lemonade. And it tastes like petit verdot, for what it’s worth. Drink 2021-2023.  Tasted June 2021

Robertson Winery Chenin Blanc 2020

Robertson Winery Chenin Blanc 2020, WO Robertson Valley ($10.00, LCBO 495507, Univins)

Made by winemaker Rianco van Rooyen as part of the “cultivar” range, of moderate acidity and a slightly higher content of residual sugar. Soft and cuddly, fuzzy peach, pear and apple slices. Simple and effective, Expect lots of floral perfume and plan to make use of this tropical chenin at brunch. Drink 2021.  Tasted June 2021

Fleur Du Cap Essence Du Cap Chardonnay 2018

Fleur Du Cap Essence Du Cap Chardonnay 2018, WO Western Cape ($12.95, LCBO 358960, PMA Canada)

The grapes were sourced from Stellenbosch, Somerset West, Elgin and Robertson. The oldest vineyard located in Stellenbosch was planted in 1990 while the rest of the vineyards were planted between 2000 and 2006. For 20 per cent of the wine, fermentation started in tank and was completed in French (90) and American (10) oak barrels. The remaining 80 per cent fermented in tanks on French (55) and American (45) oak staves. Quite heady, spiced and developed chardonnay for the cost with a flinty smoulder and notable reduction. Lots of wood feels but well integrated and pretty well in balance. Crafted with specific intention and there is lots of wine here for $13. Drink 2021-2023.  Tasted June 2021

Spier Seaward Sauvignon Blanc 2020

Spier Seaward Sauvignon Blanc 2020, Vegan, WO Cape Town ($15.95, VINTAGES July 24th, Sylvestre Wines & Spirits)

A coastal sauvignon blanc by winemaker Jacques Erasmus with plenty of marine influence. Healthy of alcohol and weight, with some sugar but even more so acidity to blow an ocean breeze through the wine. Notably pungent and exotically perfumed, all passion and grape fruit. More texture than many, crunchy, tin cup sweet and roasted cashew salty. Lots going on in here. Drink 2021-2023.  Tasted June 2021

Boschendal 1685 Chardonnay 2019

Boschendal 1685 Chardonnay 2019, WO Coastal Region ($14.95, LTO, Select Wine Merchants)

Always worth noting Boschedal’s connection to the natural world with the estate situated in the Cape Floral Kingdom, the smallest yet richest such plant biosphere on earth, with an astounding diversity of plant and animal life. Their lands are still in inhabited by indigenous creatures such as duiker, klipspringer, porcupine, mongoose, caracal and even leopard. Michael Langenhoven is Boschendal’s white winemaker, here with sources threefold; Stellenbosch, Elgin Valley and Boschendal Farm. Just lovely and amenable coastal-influenced chardonnay, easy, somewhat soft and no obstructions in the way. Neither reduction nor barrel do anything to distract and the wine’s touch of sweetness is well managed by herbs, elastic acidity and sapidity. Very well made. Drink 2021-2023.  Tasted June 2021

Lomond Sauvignon Blanc 2021

Lomond Sauvignon Blanc 2021, WO Cape Agulhas ($19.95, United Stars Corporation Group)

This 100 per cent Cape Agulhas sauvignon blanc is crafted and delivers specs eerily similar to the SSV, from the same sites on the farm’s upper reaches perched over the sea. Same soils and as a varietal wine the elements from various blocks are employed “to ensure that the result is greater than the sum of the parts.” Perhaps on a lower tier of complexity but surely expressive and satisfying. Drink 2021-2023.  Tasted June 2021

Lomond Ssv 2021

Lomond SSV 2021, WO Cape Agulhas ($19.95, United Stars Corporation Group)

Mainly sauvignon blanc (80 per cent) with sémillon (15) and viognier (5) from the Cape Agulhas growing area. High ranking acidity and near to bone dry attitude make for a wine that shares it’s true sense of place, in this case south facing blocks on the higher reaches of the farm, as well as within views of the sea. The soils are sandy, gravelly and highly weathered with a clay substructure. If you have yet to discover these saline, sapid and spirited whites of the Cape Agulhas then it’s high time and tide you did. Drink 2021-2024.  Tasted June 2021

Big Bill Shiraz 2018

Big Bill Shiraz 2018, WO Western Cape ($13.95, LCBO 10418, Philippe Dandurand Wines Ltd.)

William “Big Bill” Millar was a boxing champ, decorated war hero and most celebrated for so many South Africans as their Springbok rugby captain. Also the first General Manager of KWV. Like the larger than life man it is the largest of barrels that houses this shiraz, a 22,000L oak stuk vat. Pretty much classic (Western) Cape shiraz of heavy set red fruit, bone density and rippling musculature. A commercially viable drop of work ethic and muscle memory exuding attitude and confidence. The Michael Jordan of South Africa. Be like Bill. Drink 2021-2023.  Tasted June 2021

The Wolftrap Syrah Mourvedre Viognier 2019

The Wolftrap Syrah Mourvèdre-Viognier 2019, WO Western Cape ($14.00, LCBO 292557, Univins)

Generally speaking the Wolftrap by Boekenhoutskloof is two-thirds syrah and one-third mourvèdre with a few points splash of viognier. Malmesbury in the Swartland is the source where the dominant soil type is the aptly named Malmesbury shale. The 2019 brings out the sweetest and most proficiently perfumed Wolftrap yet, with less grip, spice and bite. There is a warmth that is especially noted on the back end, like a hematic seep of plasmatic liquid but felt quite subtly so. Fine if not exceptional acids keep the pulse and truth be told the mourvèdre really stands out. Drink 2021-2023.  Tasted June 2021

Glenelly Glass Collection Cabernet Sauvignon 2018

Glenelly The Glass Collection Cabernet Sauvignon 2018, WO Stellenbosch ($17.95, LCBO 132992, VINTAGES July 24th, H.H.D. Imports)

Fruit is Simonsberg-Stellenbosch from a most arid vintage with all aspects of the growing season having occurred with haste. Less than normal winter rains, early bud break and harvest in the third week of February. This is 100 per cent cabernet sauvignon with thriving acidity and a minor pinch of sweetness, fully versed from Cassis to Kirsch for a truly gelid, glycol and glycerin cabernet sauvignon. While seemingly soft and fruity at first it gains speed, traction and vitality because of the well captured acidity. Still seems just a tad sweet but overall the balance is quite good. Drink 2021-2024.  Tasted June 2021

Rustenberg Buzzard Kloof Syrah 2018

Rustenberg Buzzard Kloof Syrah 2018, WO Simonsberg-Stellenbosch ($24.95, LCBO 414151, VINTAGES July 24th, Woodman Wines & Spirits)

The artist formerly known as “Rustenberg Stellenbosch Syrah” is now the “Buzzard Kloof Syrah,” aptly named for the Jackal and Steppe Buzzards that circle the thermal currents rising above the kloof. The syrah vineyard sits in the Afrikaans ravine, a cool, sun-deprived location ideal for growing meaty, savoury and sapid syrah. This is in great Stelly hyperbole, like a grilled and sliced loin of lean, sweetly gamy and iron-rich Springbok. Optimum ripeness, cool acidity and finesse take this buzzard on swift currents through breezy skies. Bloody delicious. Drink 2022-2026.  Tasted June 2021

Kuier

Good to go!

godello

Stellenbosch, Western Cape

Twitter: @mgodello

Instagram: mgodello

WineAlign

Quality virtual time spent tasting with Querciabella

A few years back I made my first visit to Querciabella, in September 2017, to be exact. Their position in Ruffoli east of the Greve hamlet and the eponymous river is one of the most distinct and perhaps least travelled of Greve’s frazioni. With stunning views towards the Val di Greve, the Colle di Panzano and the amphitheatre of Lamole, Ruffoli carries its very own perspective, one that is unlike any other perch where the Classico are made in Chianti. Several weeks ago I caught up with Querciabella’s n groot winemaker Manfred Ing for a virtual session, replete with a ten-deep taste through of his (and their) lekker wines.

Ruffoli, Greve in Chiani

Related – A river runs through Greve

The Ruffoli hill may not qualify for Chianti Classico’s newly minted UGA (Ùnita Geografiche Aggiuntive), but make no mistake. Ruffoli is the definition of a communal sub-zone in requiem of introspective investigation for its distinct soils, elevation, singularities and peculiarities. It is, as I have said before, “the Chianti Classico poster child for seeing the vineyards through the trees.” Along with Jurji Fiore’s Poggio Scalette and Il Tagliato by Marco e Elena Kupfer there forms a special bond for Ruffoli’s combination of elevation, thick forests and conglomerate soils that have been excavated from beneath those heavy woods. If Querciabella’s decisive resource and secret weapon are vineyard holdings in two other Classico communes, those being Radda and Gaiole, Ruffoli remains the epicentre and the wines can be imagined as residing at the rooftop and pinnacle of Chianti Classico.

Querciabella was founded in 1974 by Giuseppe (Pepito) Castiglioni. His son Sebastiano Cossia Castiglioni, investor and entrepreneur, converted the estate to organic viticulture in 1988, making Querciabella one of the first wineries in Italy to employ this practice. In 2000 Sebastiano introduced a 100 per cent plant‑based approach to biodynamics that forbids the use of animal products in both the vineyards and in the cellars. The Chianti Classico estate that means “beautiful oak” has always been one that lives for today while always imagining and thinking about tomorrow. The wines arguably act as the most Bourguignons of any in the territory whilst always and unequivocally speaking for the land that gives them life.

In April of this year I asked Ing to assess the damage caused by uncharacteristic mid-Spring frosts. His response: “Unfortunately the cold weather that swiped through Tuscany on the April 6th and 7th caused us some frost damage, having hit especially those vineyards which were ahead in their development. Our team lead by Dales is still assessing the damage and it’s early to say how the affected vineyards will recuperate. We will know better in the coming weeks as the vines develop. In Chianti Classico, where our vineyard holdings are spread in different locations and altitude, isolated pockets of lower lying vineyards were affected, especially those around and below our cellar in Ruffoli. At a first glance, it appears that the frost bite hit some of the early budding Chardonnay and the young Sangiovese vines that were first out the blocks. Most of the higher altitude vineyards buds haven’t fully burst yet, so we are fortunate and remain hopeful. In Maremma, temperatures dipped to record lows in some areas, especially in the early hours of April 8th. The Sangiovese vines had an early start this year so were particularly exposed. Vines are an extraordinary plants which are known for bouncing back. At this stage we can only wait and see. It’s already clear, though, that we are among many other producers concerned about losing some crop to frost damage.”

It remains to be seen how pandemic and travel will play out over these next several weeks but I have every intention of climbing the Ruffoli hill this coming September (or anytime such an endeavour is possible) to see Manfred and team for a walk in the vineyards and a sit-down to taste more from their most excellent portfolio; Vineyard Operations Manager & Master Beekeeper Catiuscia Minori, Agronomist Chiara Capecci, Agronomist & Technical Director Dales D’Alessandro, Direct Sales & Visits Coordinator Daniela Krystyna Cappuccio, Head of Marketing and Communications Emilia Marinig, Global Sales Director Giorgio Fragiacomo, Winemaker Guido De Santi, Winemaking Director Luca Currado, Agronomist & Operations Manager Marco Torriti, CEO & Domestic Sales Director Roberto Lasorte, Marketing Assistant Manager Valentina Bertoli and of course Owner and Honorary Chairman Sebastiano Cossia Castiglioni. In the meantime here are the 10 wines we tasted and discussed back on May 31, 2021.

Felt quite real to be talking Ruffoli, Greve, Maremma, Gaiole and Radda with Tuscany’s groot South African winemaker @bottleofgrapes ~ A virtual session with @querciabella maintains the ties that bind with @chianticlassico

Querciabella Mongrana 2019, Marermma Toscana DOC (13653, $23.95)

From 31 hectares south of Grosseto, divided into two re-planted parcels purchased in 1998-1999 near to Alberese, a village and frazione of the commune. Wines are crushed and fermented in Maremma and then transferred to Greve just before or just after malo takes place. The style comes from cement and stainless steel, of fruit purity kept intact and a coastal influence developing some muscle. Picked ahead of Chianti Classico with harvest always beginning two to two and a half weeks ahead of Greve. So much Tuscan coastal bushy and dusty herbology, of fennel and rosemary primarily. Managed by Agronomist & Operations Manager Marco Torriti and team who are responsible for this 50-25-25, sangiovese led blend with cabernet sauvignon and merlot. Drink this by the glass everywhere you go, matching the pasta shape on the bottle, if you are so inclined, wherever possible. Mongrana goes as does L, Maquis shrubland ingrained into an easy drinking, fun, juicy and exuberant blend. Will never mess with any course, nor wine that comes before or after. Has been labelled DOC Maremma since 2017. Drink 2021-2024.  Tasted May 2021

Querciabella Chianti Classico DOCG 2018 (728816, $45.95)

Remains 100 per cent sangiovese, as it has been since 2012, as a three-commune collection; Ruffoli in Greve (40 per cent), on the Volpaia side and across the valley to Radda (20) and San Polo in Rosso from Gaiole (20), across the ravine from Ama. The totality of the Gaiole fruit is raised on Alberese, the Radda in schisty Galestro and Ruffoli, well Ruffoli is really about elevation. A no extremities vintage following a very cold winter and no climate spikes save for the early August heat. The Querciabella richness is foiled but also optimized by a three-part mineral harmony that does not so much cut but adds three district notes to the wine. The epiphany may or not begin with this 2018 but the textural perception has undergone a transformational alteration, now in defence against the drying effect of sangiovese’s tannin. The winemaking team has moved forward from the experimental stage into a full-on working contract with Piedmontese cappello sommerso, keeping the cap submerged for extended periods (up to 45 days). The high elevation fruit is particularly promising, forging true connectivity with the process. You get it completely, intuit the polish and this Annata just melts straight into inherit structure, again with thanks for a portion that has settled early. The wheel is constantly turning for Querciabella’s wines. Stupendo. Drink 2022-2032.  Tasted May 2021

Querciabella Chianti Classico Riserva DOCG 2017 ($79.95)

Riserva, like most Riservas in Chianti Classico is usually more serious, often blended with cabernet sauvignon and/or merlot, subjected to more wood. Since 2011 Querciabella’s has been 100 per cent sangiovese but still a three commune (Greve, Radda and Gaiole) cuvée, a vibrant varietal wine, lush as it needs to be and what stands apart is its simple purity. The picking decisions are made throughout the season, not just at harvest and certain blocks are given the attention of dramatic foreshadowing. Riserva by Querciabella is a wine of evolution, including monthly tastings along the way (with 20 per cent new wood involved). Riserva is a factor of a trajectory, of sangiovese that is always rising, gaining character, fortitude and fruit in vessel that winemaker Manfred Ing knows in his heart is meant for Riserva. The tannins tell the story, croccante is how he describes or the flavour and texture he looks for, in my mind like crunchy and caramelized almonds and dried wild strawberries of a concentrated yet developing sweetness. A wine to age, surely, though not quite like ’16, but do sleep on this because the efficacy, youthful binding and wound intensity show the promise of great ability. Drink 2023-2030.  Tasted May 2021

Querciabella Turpino 2017, IGT Toscana ($59.95)

First commercial vintage was 2010 when at the time it was 50-50 Maremma and Greve. Since 2015 it identifies as 100 per cent Tuscan coast with more barrel exercise and power than Mongrana, now a cuvée of approximately 12,000 bottles. “Turpino,” as in a character from Sebastiano Cossia Castiglioni’s favourite poem, like his son Orlando (and also for the names Mongrana and Palafreno). Frost was a major problem in 2017, followed by heat, no rain and vines that just went crazy. Small pickings were done in the first week of September and then the rain came. The vines dropped in alcohol potential by a degree but the vines were tired and so the fruit could not hang in there like it could (better so) in Ruffoli. A blend of 40 per cent each cabernet franc and syrah with (20) merlot. Spiciness but not in a traditionally Tuscan syrah (Cortona) way and so the franc is to thank for the pique, sharpness and pointed directive of this ripe wine agitative of pricks and sway. In the end this is truly Tuscan coast, carrying the dried and bushy herbs but with an extended olive branch, muscular arm and structured savour. Only 10,000 bottles were made of this succulent, strange bedfellows (for Tuscany) red wine. House wine, Querciabella style. Drink 2023-2028.  Tasted May 2021

Querciabella Camartina 2016, IGT Toscana

The first vintage for Camartina was 1981, originally mostly sangiovese, then in and around 2001-2003 turning towards becoming mostly cabernet sauvignon. Now at 70 per cent with (30) sangiovese since that 2003. With the most spectacular vintage in pocket the possibility and even more so the probability from 2016 is endless. A Vino da Tavola concept that has evolved to make for the most mature, wise and complex IGT from Ruffoli hillsides, but this vintage shows a special energy, liveliness and vim from acidity that gives the wine, regardless of grape varieties, so much youth and life. Another one of nature’s and Greve’s mysterious constants. So Querciabella, of pinpointed DNA. vibrancy and length. Drink 2023-2033.  Tasted May 2021

Querciabella Palafreno 2016, IGT Toscana ($214.95)

Since 2004 has always been 100 per cent merlot, before that being a 50-50 sangiovese and merlot joint. Has to be an ideal vintage for Sebastiano and Manfred to bottle this idealistic wine because it has to, must smell like Tuscany and Ruffoli. Places home to poetic settings which suggest inner meaning and invisible connections. With that essence of 2016, of high priority acidity, sapidity and vibrancy in mind, this drinks so well and truth is shows how merlot has been domesticated upon the Ruffoli hill. The vines average 20 years of age, with some vines nearly at 30, planted in 1995 and/or 1996. Sweet, verdant and grippy tannins with a little bit of grit are surely involved. This will show off some swarthy secondary character and essenza di tartufo in 10 years time. Only 3,000 bottles are made. Drink 2021-2031.  Tasted May 2021

Querciabella Chianti Classico DOCG 1998 (728816, Price at release: $31.95)

Twenty plus years later and not by any means over the hill. Drinking with captured and preserved youth from a vintage that was passed over for being one to not give any sort of great attention or consideration. Fermented in 225L (some new wood) barrels, some big tanks, picked later than most Chianti Classico of the time and would not have been pure sangiovese. You can feel the botrytis induced blood orange and saffron from a vintage with pioggia, pioggio, pioggia, a.k.a. so much rain. Also liquorice, bokser pod and a smell of wet tar. Really textural Classico, holding firm and strong, with a few years of interest and more complexity developing potential left to seek out. Charm begets pleasure which leads to unadulterated enjoyment. Drink 2021-2024.  Tasted May 2021

Querciabella Chianti Classico Riserva DOCG 1999

The 1999 was the last (original) Riserva produced until it was again resurrected in 2011 and what’s so cool about this vintage is how it was held to some early esteem, though paling in comparison to that “vintage of the century” that was 1997. Underestimated over the last 20 years, drinking so beautifully now, with frutta di bosca, tertiary tartufo and fungi. Just doesn’t strike as a fully mature adult reminiscing about the way things used to be but more like a wine with an outlook for more promise, good times and adventures still ahead. If you are still holding onto ‘99s from this part of Toscana you will be very pleased. Drink 2021-2026.  Tasted May 2021

Querciabella Batàr 2018, Toscana IGT ($149.95)

A joint between pinot blanc and chardonnay, whole bunch pressed, with furthered finer attention to detail, picked early in the morning and a decreased amount of new oak over the last 10 years. Now at about 20 per cent and less bâtonnage as well, keeping the strings tight and the backbone straight in the wine. “We don’t need to worry about getting richness in our wines,” tells Manfred Ing, and yes, the creaminess is automatic. There’s more bite to Batàr now, along with focus and precision, with an intention to allow for five (minimum) years ahead for energy to develop, flesh to increase and textural richness to become something naturally orchestrated over time. Batàr is a wine that defies flamboyance, deflates extroversion and muffles the most exultant cry. It knows what it is and what’s up. Terrific vintage for this singular, dual-focused and one goal achieved Querciabella bianco. Drink 2024-2029.  Tasted May 2021

Querciabella Batàr 2017, Toscana IGT ($149.95)

The effect of 2017 on white grapes meant a 40 per cent reduction in quantity and chardonnay surely suffered. Certainly true at 350m (south-facing) but also at 600m (on sandstone soils) where it thrives. The pinot bianco faces north so it did well in the season. The flinty reduction comes from the high elevation vineyard and you really notice it more in 2017, but also a fruit sweetness, like biting into a perfectly ripe apple, and also a peach. You still need to exercise patience with this wine because what it really shows you is how this particular cuvée will morph, oscillate and change, for sure and at least in its first five years. Definitely buttery, rich and creamy but let’s not sit on those laurels for too long because herbs, sapidity and a new kind of vim and vigour are just around the corner. A concentrated effort and one with many tricks up its Ruffoli sleeve. Drink 2022-2027.  Tasted May 2021

Good to go!

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Memories of South Africa in 60 notes

Water hole, South Africa

As this passage through weltschmerz marches on, the defining feeling of melancholy and world-weariness continues, no doubt magnified in the hearts and minds of the wanderlusts accustomed to consistent world travel. So the question begs, as it has for 12 months, how to summon thoughts that will keep a deep sadness about the inadequacy or imperfection of the world at bay? Speaking from a personal place, a simple and distracting way is to compose retroactive wine reviews, unearthing and editing nuggets of meaningful playfulness, tasting notes created in the past but never having found their way to the light of day. Recent thoughts about South Africa are the impetus for this story.

Related – Searching for great heart in South Africa

In a pandemic-free world Cape Town’s Cape Wine would be taking place six months from now but a difficult and necessary decision by Wines of South Africa has moved the trade show from September 2021 to October 2022. Intensive planning for one of the great triennial wine fairs on the planet begins 18 months out and so with vaccine promise and good hope the time has arrived for the industry to launch preparations for a Spring 2022 Capelands revival. Soon enough the hurdles, obstacles, impediments and hoops of pandemic, lockdowns, sponsorship landing and export bans will be added to the growing list of “what has been overcome.”

Fly me back to South Africa

Related – Spotlight on South Africa in VINTAGES August 6th

Wine trips afford tasting hundreds of wines in a week’s time and while all bottles poured by every producer are given full attention and solicit a hundred or so scribbled words on history, tradition, agriculture, winemaking, varietal and regional relativity, many remain in raw form, relegated to computer folders and on the pages of moleskin journals. Pulling them out months, if not years later can induce that elusive feeling of relief and in some extraordinary occasions, epiphany. This to the creator of course, not necessarily to the producer, wine prose seeker, consumer, regional administrator or marketer. Notwithstanding who may be watching or reading, the exercise is a satisfying one and stands on its own merit, if only to be soothed and take refuge in a safe prosaic haven, free from the savage talon grip of a world gone mad.

“What happens in Cape Town stays in Cape Town” carries a three year statute of limitation. With the inimitable Ken Forrester

Nature, farmers and winemakers continue their work. Grapes are still growing and wines are still being made. Cape Wine is one of the greats, a collection and gathering by an industry of more varied character and industriousness than you will ever find. Let’s hope a global correction and stabilization brings everyone back together. During the last edition in 2018 I published several articles and many notes but these are the fruits of unfinished business left unsaid, scattered and streaming bits of consciousness having patiently waited it out for this moment in the sun. With thanks to all these erudite producers who shared a few ounces, engaged in conversation and offered up their time. These are the 60 wines tasted 30 months ago, assessed, critiqued, enjoyed and until now, unpublished.

A.A. Badenhorst Family White Blend 2016, WO Swartland

Simply a case of “fantastic grapes from old vineyards,” small parcels from Adi Badenhorst’s Kalmoesfontein farm, around the Swartland and the greater Paardeberg Mountain. A tienvoudig veldversnit of chenin blanc, roussanne, marsanne, grenache blanc, viognier, verdehlo, grenache gris, clairette blanche, sémillon and palomino. Hard to imagine that ten grapes could be so tactful and get together for such a discreet nose, but they are and they do. Secretive and seductive, full of mystery and enigma, ferments in 3000L vessels and then concrete, of a co-existence executing balance and a dedicated focus on texture. A ten-fold paradigm shift as part of the pioneering, Western Cape appellative white blend parade. Those who know it get lost in the varietal party and just like the makers the soirée will go on forever. Drink 2018-2022.  Tasted September 2018

A.A. Badenhorst Pinot Noir Bokkeveld 2017, WO Swartland

Grown further afield of the great old white grape vineyards, higher into mountainous terrain on the famed Bokkeveld shales. Makes for transitory, lifted pinot noir, “rain-slick’d, rubbed-cool, ethereal,” a little pastiche in a glass. Provides a cool flush of red berries, a note of allspice and truth is the fruit is really quite naturally sweet. Clean, characterful and only an afterthought of subtle savour. More than anything this pinot noir drifts and rises, kind of like reciting poetry. Drink 2018-2022.  Tasted September 2018

Hanneke Krüger, A.A. Badenhorst

A.A. Badenhorst Secateurs Cinsault 2018, WO Swartland

Of the Badenhorst second tier of wines, a red blend though mainly cinsault (82 per cent) with (10) syrah and (8) grenache. Though this is technically a tank sample it will be bottled next week so essentially across the finish line. There will be 130,000 bottles of this unfiltered wine. Red fruit incarnate Cape style, sweet baking spices and from a band knowing what is needed for playing live in concert, lekker balance seekers capable of working with any instrumentation, including 4,500 and 7,200L blending tanks. Badass sound, fury and energy, dry rocket fuel, pure, raw emotion and precision. Drink 2018-2025.  Tasted September 2018

A.A. Badenhorst Grenache Raaigras 2017, WO Swartland

From the home farm at Kalmoesfontein, a scant 1268 vines by lowest of low yields and considered to be the oldest (1951) grenache vines in South Africa. The Raaigras (ryegrass) is a vineyard choker so without human intervention it would literally strangle a vineyard. One of those wonderful whole bunch ferments though a portion is de-stemmed and well if this is not the right stuff from the right place, transparent, curative, a gastronomy of ancient meatiness and spice. Tannic yet elastic and one of those wines ready to go from creation but won’t likely change anytime soon. For now, long and wide. Feel free to think “see you in 15 years on the other side.” Drink 2019-2029.  Tasted September 2018

Springbock Burger anyone?

David And Nadia Sadie Wines Chenin Blanc 2017, WO Swartland

A chenin blanc blend of 35-65 year-old 1960s, 70s and early 80s, mainly Paardeberg dry-farmed bush vine vineyards in the Swartland. Some shale and clay soils mix in for a top end chenin meritage with a faint if feigned salty vanilla sweetness. High and dry extract and grape tannin conspire in their conscription and into a stretched intensity requiring some patience for the opening up. Lingers forever thereafter. Drink 2018-2026.  Tasted September 2018

David And Nadia Skaliekop 2017, WO Swartland

Skaliekop, “hill of shale,” a curious dale of fine-grained, clastic sedimentary rock amongst the Paardeberg granite. For David and Nadia Sadie a chance to make a chenin blanc with both prescient soils lending their presence and tutelage. The people here speak of the Skaliekop, knowing well the wisdom and aridity, the windswept open space, exposed and warm. They recognize and tell of the difference it makes, how a wine such as this can act so implosive, salty, targeted and fervent. The vintage only serves to magnify a sentiment already assured, that fruitful and mineral will align, swell and expand as one from these first grapes to be harvested in the wider Paardeberg zone. Drink 2019-2029.  Tasted September 2018

David and Nadia Aristargos 2017, WO Swartland

In 2017 a Swartland appellative white blend of chenin blanc (58 per cent), viognier (14), clairette blanche (13), sémillon (7), roussanne (5) and marsanne (3). David and Nadia’s only white that sees enough skin-contact to inch it up to but not quite breaching the natural-orange-amber stereotype so moving along now. A free-form, stacked blanc of multifarious juxtaposition, a Cape sensation that does this thing better and more interesting than anywhere else on the planet. Complex because florals and salinity get together and express the Swartland without a care in the world. What really comes across the palate is texture, downy and coddling with a finishing pesto of sweetly herbal fynbos and renosterveld. A perfectly broad expression overall though please don’t typecast or compartmentalize the Sadies’ white blend. Let it be. Drink 2018-2024.  Tasted September 2018

David and Nadia Sadie Wines Elpidios 2016, WO Swartland

An ever evolving or rather moving target, Rhône motivated but at this point in South Africa’s modern tenure just better to say Cape inspired. Has had many lead singers in its time; syrah, carignan and based on David Sadie’s language, who knows, perhaps grenache will take a turn at the microphone. Here in ’16 carignan (39 per cent) is centre stage with syrah (31), pinotage (16), cinsault (9) and grenache (5) rounding out the players. Elpidios means hope, as in “Cape of Good” and like the place itself there are so many layers to peel away from this heady foreland of a red wine. The berry aspect is magnified by the pinotage and you should know that David and Nadia treat this grape with utmost respect. A mix of styles and inspirations make this both muddled and brilliant as it stretches into breadth and potential. A nexus of varietal and micro-terroirs caught up in a whirlwind of extracts, flavours, liqueurs and expression. Still fresh, spirited and alive so drink this well over a ten year span. Drink 2018-2026.  Tasted September 2018

De Kleine Wijn Koöp Kreatuur Die Synachin 2017, WO Coastal Region

“A collaboration between a bunch of young blokes, making of-the-moment wines from little-known vineyards around the Cape,” and under monikers that refer to “pushmi-pullyu animals.” Also with the winemaking help of Alexander Milner from Natte Valleij. Really quite the drinkable Rhône-ish blend of 56 per cent syrah, (26) grenache and (18) cinsault. Iron in multifarious soils (mainly granitic) make this hematic and deeply plum but still, not so difficult to knock back. Drink 2018-2021.  Tasted September 2018

De Kleine Wijn Kop Ou Treffer Cinsault 2017, WO Stellenbosch

Ou Treffer, as in the ‘old hit’ in Afrikaans, also the old workhorse, in reference to cinsault of the Western Cape. Or if you will, like a hit song as the grape just seems to be the it one in South Africa these days. Or perhaps Traffic, by the Stereophonics. Beautifully aromatic, rich fruit and a soild funk from the particularities in these Stellenbosch vineyards. Half the ferment is de-stemmed, meaning the other half is whole bunch and old vines surely concentrate the fruit, stem funk and spun feeling all-around. Besides, “is anyone going anywhere? Everyone’s gotta be somewhere.” Drink 2018-2022.  Tasted September 2018

De Kleine Wijn Koöp Knapsekêrel 2016, WO Stellenbosch

The second cabernet franc release of the De Kleine Wijn Koöp boys’ Knapsekêrel (a.k.a the spiky little black Cape plant) comes from the Polkadraai Hills. Not just any vineyard mind you but one planted in 2000 and biodynamically farmed by Old Vines Project pioneer Rosa Kruger and current Stellenbosch guru Johan Reyneke. The winemaking hands of Lukas van Loggerenberg are to thank and while this shows the sultry smoky smoulder that often emits from Cape franc it is a challenge and work in project to find the varietal sweet spot. That’s because cool temps and long growing seasons are best but look out for this breadth of a team’s members to find what works. In the meantime the tobacco, dusty plum and pushed to the raisin precipice make up a tasty if humid treat in a glass. Drink 2018-2019.  Tasted September 2018

De Kleine Wijn Koöp Heimwee 2015, WO Stellenbosch

As with the Knapsekêrel cabernet franc, the Polkadraai west of Stellenbosch is the fruit source, a biodynamic vineyard farmed by Rosa Kruger and Johan Reyneke. The boys at the Koöp are back in varietal town and refer to this all-around floral spiced cabernet sauvignon as running “with tannins as smooth as your grandmother’s polished imbuia coffee table.” No doubt and you can almost hear them singing in Phil Lynott workingman’s poetry. That said, this cab is no thin Lizzy, more like thick as a brick. Hung long and well-developed, of a liqueur that oozes of red, red fruit. Or perhaps, “man when I tell you she was cool, she was red hot. I mean, she was steamin’…” Drink 2018-2020.  Tasted September 2018

Johannes de Wet in Robertson

De Wetshof Riesling 2017, WO Robertson

A known fact that riesling and limestone make a great couple so this look at de Wetshof’s Robertson ’17 is met with great mineral anticipation. Yes the finest calcareous blocks are dedicated to chardonnay because Bourgogne is the de Wet inspiration but anyone who has learned a thing about riesling around the world will know that limestone can work wonders. Alsace of course, as in Clos Windsbul but also The Niagara Escarpment’s dolomitic limestone and Germany’s Muschelkalk (especially in the Rheinhessen, Pfalz and Franconia). And so Robertson joins the list as witnessed by this linguistically aromatic example, working the glass with a pure lime distillate notion. A nod to Alsace more than anything else with acidity that doesn’t need to scream and shout but it’s truly there. The potential to pioneer the movement is here, along with Elgin as Cape riesling standard bearers. Drink 2018-2022.  Tasted September 2018

De Wetshof Chardonnay Limestone Hll 2018, WO Robertson

Youth and drought make for the most naked and transparent of the past few Limestone Hill chardonnays. Absolute cool Kelvin freshness and a 270 degree vineyard scope to gather de Wetshof’s Robertson fruit from an amphitheatre of slope and aspect so subtle yet so meaningful. A fulsome regional DNA creates varietal layers gathered to make this cuvée a true spokes-wine for the limestone-based estate. Set foot on these soils, spin around, take it in. Then feel and intuit the truth in chardonnay that speaks to a place. Drink 2018-2020.  Tasted September 2018

De Wetshof Chardonnay Bataleur 2016, WO Robertson

Bataleur, as in a battalion of chardonnay soldiers, fruit up front, reduction and wood falling in, acids taking up the flanks and structure in support by land, air and sea. Or so it seems because this just marches like a military exercise in chardonnay. Flinty, biting back, yet buttered and toasted on the mid-palate with Roberston’s unique limestone felt from start to finish. Vanilla then white caramel with soft French cream fill and then the snap of lime acidity. Biting and downy, one and then the other, all tied up in robes and pearls, equalling out in the end. Fine work from 2016. Drink 2019-2023.  Tasted September 2018

Hamilton Russell Pinot Noir 2000, WO Hemel-en-Aarde Valley, Walker Bay

By this time 2000 is the 15th vintage of Hamilton Russell’s pinot noir and tasting both the 1986 and 1997 ahead of this only serves to heighten anticipation knowing full well longevity is by now a solid guarantee. The vintage seems like it must have been a demanding one because there is more hard grip, aridity and austerity here but it really has aged gracefully and beautifully. The posit tug between fruit and earth notes is performed like a string instrument’s bow, bending and angling with dexterity in balanced, fluid motion. Brings in the herbs and spices, wholly and truly of Hemel-en-Aarde origin, on hillsides and between rows of sagacious pinot vines. This is a treat and opens a portal into the future, beginning with the 2012 vintage that will usher in a string of sequentially impressive HR pinot noir. Drink 2018.  Tasted September 2018

Huis Van Chevallerie Circa Rosecco NV, WO Swartland

From a 32 year-old pinotage vineyard, great old vines that received some TLC from Old Vines Project pioneer Rosa Kruger. Secondary bottle fermented with a little help from “a special blend of liqueur de triage,” so unlike Prosecco in that regard. Early picked which is a given considering the granitic soil and therefore a “Rosecco” of low pH and severely high acidity. ‘Twas just a slight dosage and therefore comes across arid like the Swartland desert. A well cultured sparkling Rosé, crushable and easy like Sunday morning. Drink it for breakfast, lunch and dinner. Drink 2018-2021.  Tasted September 2018

Jan Harmsgat Chardonnay 2015, WO Robertson

True reduction yet to dissipate as noted by the smoky smoulder with a healthy compliment of wood still needing to melt in and away. Looking to settle over the next six months or so and allow the combination of vanilla extract and green apple purée to integrate, compliment and go forward in agreement. Though creamy there is a bite back at the finish so while this is good now it still shows promise for improvement down the road. Drink 2019-2021.  Tasted September 2018

Klein Constantia Sauvignon Blanc 2009, WO Constantia

Poured by Managing Director Hans Astrom in Cape Town alongside the 1987 labeled “Blanc de Blanc” and the 1994. The vines date back to 1979, with the first South African sauvignon blanc made in 1986. That ’87 was a B de B because of the botrytis-affected vintage. A 100 per cent varietal wine, built by the soil and so bloody mineral as a result. Oak texture but really that’s the end of wood talk, a salty streak, so direct and so personal. The kind of sauvignon blanc that invades your airspace and a vintage more Bordeaux than the rest. Or, if you will Sancerre but not so much this time around. Drink 2019-2023.  Tasted September 2018

Klein Constantia Sauvignon Blanc 1994, WO Constantia

Poured by Managing Director Hans Astrom in Cape Town alongside the 1987 labeled “Blanc de Blanc” and the 2009. The vines date back to 1979, with the first South African sauvignon blanc made in 1986. That ’87 was a B de B because of the botrytis-affected vintage. The ’94 vintage was another story altogether, apposite, far away from developing noble rot. Not the baller and perhaps even a bit “weak” with less weight but a saltiness that is more than intriguing. Perhaps more Sancerre-esque as a result but certainly lends longevity credibility to those passed over cool vintages neither celebrated nor considered to carry much staying power. May not be fleshy but is surely a curious and electric surprise. Drink 2018-2020.  Tasted September 2018

Leeu Passant Chardonnay 2016, WO Stellenbosch

Andrea Mullineux continues to foster the Leeu Passant line of heritage vines wines with work from Rosa KrMuger alongside. The “post (leaf-roll) virus vineyard,” of smuggled in clean material planted in Stellenbosch in the 1980s. The site is home to loam-rich soils of the Helderberg and the wine stylistically modelled after the oxidative approach to chardonnay. “Death and resurrection,” as Andrea puts it, meaning after the fermentation you allow the must to oxidize again, literally to the colour of cola. Risk reward actionable take and one that requires some shall we say, cojones. This chardonnay is not about luck and the methodology can’t help but connect you to the vineyard. You end up with this unctuous, astonishingly rich chardonnay that bears a resemblance to the vines and the place from whence it came. Unlike the Mullineux chenins or Swartland and so say hello to Meursault. Drink 2018-2025.  Tasted September 2018

Leeu Passant Dry Red Wine 2016, WO Western Cape

The throwback, ode and homage to South African reds made in the 50s, 60s, 70s, rustic, tannic, structured and reeking of the ancient soils that gave them life. Three locales are in the mix; Wellington, Franschhoek and Stellenbosch. The vineyards are the first pro-Phylloxera planted sites, a willy-nilly varietal scattering, blocks of two cinsault, a cabernet sauvignon and a cabernet franc. “It’s a deconstructed reconstruction,” says Andrea Mullineux, “where you break down what you love and build it back up again.” First thing is to show utmost submissive respect to 95 and 117 year-olds, the oldest registered red wine vineyards in South Africa. So you hand harvest their low yields and keep a minimum half of the bunches intact for to ferment these wise and experienced grapes. They spend 20 months in barrel then emerge structured and fit for 20 years of longevity. As with those post mid-20th century wines the profile is rich, tart, spicy, robust and layered with serious grounding. Revivalist red, keeper of faith and a lost style, uniquely South African. Today that translates to vogue. Boom. Drink 2020-2032.  Tasted September 2018

Lismore Sauvignon Blanc 2016, WO Greyton

The Cape’s south coast work of Samantha O’Keefe, a (500L) barrel fermented sauvignon blanc made in an oxidative way, or rather a wine of early introductions made with oxygen. Flinty no doubt then rich and full on the palate, of throttling grape tannin who’s antidote is a sense of settled calm. Late spice, Bordeaux in temperament but cooler still, an almost northern Sancerre-ish dexterity and layering. Composed and so very genteel. Drink 2018-2024.  Tasted September 2018

Lismore Chardonnay Estate 2016, WO Greyton

From the Cape’s south coast and Samantha O’Keefe’s original Greyton Farm, in re-build for a promising future. This ’16 is 90 per cent estate fruit, a natural ferment and all done up in neutral (300L) barrels, 11 months on lees. No malo except when a great vintage comes along. Simply an orchard and gingered and delight, a woven tapestry of backroads eccentricities and southern exposures, with a kick and twist of finishing spice. Drink 2019-2024. Tasted September 2018

Lismore The Age Of Grace 2017, WO Elgin

From rose-quartz soil in cool Elgin, a 100 per cent viognier, so apposite relative to the achromatic shades of Greyton sauvignon blanc and chardonnay. High demeanour and a sense of vivid colour in the aromatic wonder but more so in the levels of palate, front through middle to back. They come like a rainbow, rolling, over stones, in “colours in the air, oh, everywhere.” Orange, peach, nectarine and fine, fine Elgin acidity. They are wrapped in sour spice yet sit cross-legged, in complete control. An aristocratic flower child, surely full of and situated in an age of grace. Drink 2018-2023.  Tasted September 2018

Lismore Pinot Noir 2017, WO Western Cape

Fruit from both Walker Bay and Elgin and 30 per cent whole bunch (the first vintage was 15). So very herbal, savoury, stemmy and honest. A beacon in pinot noir you want to drink that comes equipped with an edginess about it. Full purity on display, grip, intensity and packed with provisions for the picnic. Marks the early beginnings of a varietal journey with some naïveté and dreams but look out. Drink 2019-2024.  Tasted September 2018

Alette de Boer, Lowerland

Lowerland Tolbos Tannat 2016, WO Prieksa, Noord Kap

From South Africa’s furthest northern wine-growing area, a joint effort between grower Bertie Coetzee and winemaker Lukas van Loggerenberg. Wow does this ever smell like tannat with its depth of earthy fruit and suspension of oxidative animation. High acidity reminds of the really cool climate, more Niagara per se than southwest France. There really is something special here, as with Lowerland’s stellar whites, something singular, yet undefined, in enigma and mystery. Drink 2018-2021.  Tasted September 2018

Lowerland Witgat Viognier 2017, WO Prieska Noord Kaap

The viognier may scent of exotic flowers and tropical fruits but as with most of Alette de Beer and Bertie Coetzee’s range this is surely a cool climate wine. Subtly so and yet of a tension and a demand that accrue a sense of northerly South African wine-growing sense. The wine was made by JD Pretorius at the Constantia property Steenberg and it comes about quite normal, varietally speaking but also beautiful. There is a liquid chalky feel, a product no doubt of quality dry extract mixed with Prieksa soil of desert sand and silty clay. Lean and structured, a lanky viognier that in the end delivers quite the delight. Drink 2018-2021.  Tasted September 2018

Lowerland Die Verlore Bokooi 2016, WO Prieska Noord Kaap

Literally “easy drinking blend,” spoken through an indigenous vernacular from “the place of the lost goat.” At the time a blend of merlot, shiraz and tannat but like the Herd Sire Reserve that too will change over time. A racy and ripe red, earthy and parochial though fruitful in its red, black and blue mixed berry basket. There really is nothing to compare this too, neither old world origin or varietal mash up so assess it on its own terms. Just knock it back. Drink 2018-2019.  Tasted September 2018

Lowerland Herd Sire Reserve 2015, WO Prieska Noord Kaap

A red blend that will evolve (varietally speaking) but in 2015 it is based on cabernet sauvignon with petit verdot and a small amount of merlot. Bordeaux being the message but that too will change because the north of South Africa may actually share more affinity with the southwestern French wine-growing than anywhere else. This unique Noord Kaap Wyn van Oorsprong’s cool climate makes for early drinking reds and the 13 year-old vines here follow the party line for a red blend ripe enough to do what needs. There is more liqueur and spice here than what is noted in the merlot/shirtaz/tannat and also increased acid intensity. Somewhat oxidative but holding well and doling pleasure. Drink 2018-2019.  Tasted September 2018

Nina Mari and Ernst Bruwer, Mont Blois

Mont Blois Estate Chardonnay Kweekkamp 2016, WO Robertson

After 28 of not bottling their own wines the husband and wife team of Ernst and Nina-Mari Bruwer began again in 2017. This is one of the first, a single vineyard chardonnay off of 12 year-old vines, barrel fermented and aged 11 months. Speaks of Robertson, not specifically by limestone but with that WO’s orchard fruit and realism, by passing spice that’s merely a thought. Lovely snap, crack and bite which is truly Robertson while in delivery of everyday texture and mellow disposition. The kind of chardonnay to stay quiet and simply sip. Drink 2018-2021.  Tasted September 2018

Mont Blois Chardonnay Hoog en Laag 2016, WO Robertson

“High And low,” in reference to the vineyard being a terraced block on clay. Heavy clay that is, a Robertson specialty and the Hoog En Laag receives the same elévage as the Kweekkamp chardonnay. Certainly a richer and fruit fulsome expression, less snap and bite. No subtle spice either and yet the barrel notes are equally noted. What this has is full-fledged texture, creamy and smooth, all day long. Drink 2018-2020.  Tasted September 2018

Mont Blois Chenin Blanc Groot Steen 2016, WO Robertson

The “big” chenin blanc because of the dense clay that gives nutrient life to the 32 year-old block of vines. Quite the steen intensity, ripping with fruit and a mineral streak for layer upon layer of Robertson quality. Naturally sweet pears, ripe and dripping, plus an unusual or unaccustomed to herbology. Perhaps it’s the famous local Rooibos talking. Really persistent chenin with loads of potential. Likely some flint and smoulder in its future. Drink 2018-2024.  Tasted September 2018

Mullineux Kloof Street Chenin Blanc 2018, WO Western Cape

A true Cape chenin blanc assemblage, in fact it gives meaning to the gathered idea, like an AOC Chablis made by a houses in names of Fèvre, Drouhin, Moreau or La Chablisienne. Mullineux’s twist is the back blending with some old barrel ferments to balance to new and “other” fruit components. A chenin blanc that is bottled the same year it was picked though that’s easier to do in the southern hemisphere where harvest happens in the first quarter months. Expectation always dictates value from the Kloof Street and 2018 does not disappoint with an attractive spiciness that speaks to the preservation of freshness in a chenin blanc possessive of no boundaries. One of the most versatile wines on the planet. Sheet pan sausages and fennel would be just ideal. Drink 2018-2022.  Tasted September 2018

Mullineux Chenin Blanc Quartz 2017, WO Swartland

Soil is the single matter, catalyst and difference maker to dictate the peculiarities, idiosyncrasies and unique sets of behaviours in the Mullineux single-terroir wines. The chenin develops “freckles” in the sun, tells winemaker Andrea Mullineux and the warmth of the high presence of quartz retains and returns warmth, translating to a conduit of concentrated ripeness passing through the vines. Not a direct heat, otherwise the berries would burn but a reflected back-beat of light and one that is slowly transmitted with naturally occurring temperature control for how and when the plants are in need. The greatest positive is in the maturation of phenolics in the skins and not by a hasty overload in developed sugars. From out of the silica oxide comes vegetative growth that promotes and preserves a physiological process in retention of acid freshness. The result? A phenolic journey unique to chenin blanc as here with a striking 2017, dry as drought yet fresh as a daisy. Though there is some creamy texture there too is hyper intense clarity, a variegate of dappled aromatics and brindled flavours, all bound up in animated acid bounces. Drink 2019-2029.  Tasted September 2018

Mullineux Chenin Blanc Granite 2017, WO Swartland

In chenin blanc the Mullineuxs engage in this single-terroir comparison, first by Quartz and now through Granite. The reference is to the predominant mineral presence in the soil and in how it influences the chameleon varietal. In 2017 Quartz is a major concern but switching to sandy, decomposed rocky soil and everything changes. Berries leave the world of mottled and piebald to one of demure and decor with thanks to the diffused light set upon them. That and a place where roots must burrow, digging deeper through hunks of rock into the sub-strata. This is where trace elements and minerals are to be found in the water table below and while limestone and silex is not the tablet there is some ideological affinity here with the Loire. As such it is this Granite that speaks in a leaner, thoroughly mineral, less spice and increased sharpness vernacular. Precision cut, flint struck, metallic, a song of science and silence. Body and flesh are ambient, less “creamy” than in Quartz, linear in travels, long and of an aging potential surely cast forward. Focused all the way through, unrelenting but always in layers of overlap and subtlety. Drink 2020-2033.  Tasted September 2018

Mullineux Kloof Street Red 2017, WO Swartland

Kloof Street is a “heritage blend,” says Andrea Mullineux, “it’s a wine about the love for making wine, but having preferences.” From vintage to vintage maybe check the bottle for varieties because there is no steadfast formula. Heritage, as opposed to Rhône means playfulness, choices and the inclusion of a structure fortifying grape like tinta barocca, truly integral to the Western Cape meritage experience. Here in 2017 there are some notable added layers of flesh, drying tannin and largesse. An early extracted wine in fast stages of maceration to coax out the fruit and deter astringency. Comes away rich and robust, rocking the free and new world. Drink 2018-2022.  Tasted September 2018

Mullineux Syrah 2016, WO Swartland

“I still consider it a blend,” insists Andrea Mullineux,”because it comes from seven vineyards on three soils.” Spends up to six weeks on skins, depending on how big the tannins are. Big equals patience. Burly early with spice and elongation but that heft and girth will slowly melt away. An invisible friend called acidity will usher the transformation, those gnomes of silent structure. The next stage will celebrate the leathery cherry fruit and cumulative Swartland savour.  Last tasted September 2018

The first drought vintage for the Swartland syrah and so the extract, concentration and density are all in compression mode. The change is felt with palpable impression, meatier, more char, even tar, and a little bit of dogma was necessary to bring in more granite-raised syrah to keep things swimmingly cool and savoury along. It’s a hematic one in 2016. To some this would be the bomb, the massive reason to believe and to others it might seem an impossible wall to scale. With a combination of love and patience the ’16 will please them all. Drink 2020-2028.  Tasted May 2018

Mullineux Syrah Schist 2016, WO Swartland

As with the two chenin blanc Quartz and Granite introspections there too is a Mullineux terroir combing of Swartland soils through the lens of syrah, there by Iron and here through Schist. The style or rather the result is befitting the monikers because Schist is the tamer one of the two and it is interesting to note that the syrah “blend” as Andrea Mullineux calls it is more like Iron than this elegant one. A huge January heat wave could have led this into the raisin danger zone because ripening under the shotgun is no way to approach harvest. Cooler heads and temperatures prevailed to allow for an unfurling, a plumping and a perking up. Schist comes out regal, aromatically civil and demure, but also juicier than a nosing might indicate. Acid retention is strong, sweet and quite friendly to work in cohorts with the cane and Baleni based spice. Dark in complexion, yes brooding yet sneakily serene, salty and so comfortable in its own skin. Drink 2020-2032.  Tasted September 2018

Mullineux Syrah Iron 2016, WO Swartland

The second of two Mullineux soil investigations for syrah is this dramatic and hematic nonpareil exemplar. Cultivar meets terroir, raised off of a heavy, gravelly clay, rich in iron, impressive and hallowed as antediluvian viticultural ground. That may not be completely Cape uncommon but this is clearly a paradigm shifter for drilled down South African syrah in attack meets beast mode, cimmerian, ferric and intense. Modish though, while inexorable character oozes from every pore and a mid-palate wells of extraordinary fill. Sharpens its wits on bullish tannin and expresses Northwest of Malmesbury iron with raw emotion and power, though without rusticity. What it may lack in elegance is made up by sheer force in reckoning, at first engaging and then gripping the palate by all means necessary. The velvet glove future lies somewhere in the next decade, likely latter first half. Drink 2022-2034.  Tasted September 2018

Paul Cluver Pinot Noir Seven Flags 2013, WO Elgin

Just a hint of evolution is showing in this five year-old pinot noir which is something because you had to work to find any in the just tasted 2009. The sweetest fruit comes from 2013, on of the riper, purest and most pristine vintages to express what Elgin has to offer. Ethereal actually, not loosely but effortlessly structured with a seamless bond forged between fruit and acids. Tannins are already subsiding in this elegant, balanced and slightly spiced pinot. Drink 2018-2026.  Tasted September 2018

Paul Cluver Pinot Noir Seven Flags 2011, WO Elgin

Such a composed vintage, cool, calm and collected. A Beaune Villages feel here, perhaps Aloxe-Corton with darker pinot noir fruit, almost black cherry but less obvious, more complex, full of baking spice. A genial and genteel Seven Flags nonetheless, elastic, pliable, amenable but not without undeniable and underlying composure. That backbone may bend with curvature ease but will not break. Provides the basis to see this Cluver from Elgin live easily up to and likely beyond its 12th birthday. Drink 2018-2023.  Tasted September 2018

Paul Cluver Pinot Noir Seven Flags 2009, WO Elgin

Harkens back to a time when the 1987 planted 113 clone was no longer the sole provider for the Seven Flags family after 115 and 667 had been planted in 2001. From 2009 it seems quite obvious the vintage was one to create big, robust, ripe and warm pinot noir. Even as it approaches its ninth birthday the evolution equation remains in early steps computation, perhaps just now moving to the next stage. Secondary development is still around the bend or on the next page, noted by the persistence of a cool climate, liquid but still grainy chalk. Also acts just a bit reductive which seems almost impossible but stranger things have happened out of South African vineyards. Just imagine the futuristic possibilities when these vines soon achieve heritage age. Remind me to ask Paul Cluver for a look at vintages from 2022 onward at Cape Wine 2039. Drink 2018-2023.  Tasted September 2018

Callie Louw, Porseleinberg

Porseleinberg Syrah 2016, WO Swartland

Poured by Callie Louw at Cape Wine 2018, this Riebeek Kasteel, Porcelain Mountain syrah somehow sits at a pantheon’s peak vintage after vintage, as if each one is a once in a lifetime effort. This must have been the epitome of such a consideration because Louw calls it “a fucking hard vintage, eh.” Strong talking words from the stoic and pragmatic BBQ smoker, winemaker and cricket master. Callie may have experienced a craftsman’s pain but the 70 per cent foudres and 30 concrete elévage not only tamed the savage beast, it helped to turn heads and remind of where greatness comes from. Tasted side by each with 2012 and 2013 only magnifies the massive structure in this ’16, a reductively bouncy, glycerin and impenetrable syrah in need of getting lost in the cellar. Will also need an epic song, “into the blue again, after the money’s gone.” Through the next decade and well into the following one this syrah will remain in light. “Same as it ever was.” Drink 2022-2040.  Tasted September 2018

Callie Louw’s smoker hard at work in Malmesbury

The Sadie Family Palladius 2014, WO Swartland

If you Google “South African white appellative blend” the number one result should surely be Eben Sadie’s Palladius and these are the 11 reasons why; chenin blanc, grenache blanc, marsanne, sémillon, sémillon gris, viognier, clairette blanche, roussanne, verdelho, colombard and palomino. Eleven blocks, all on granites, some from the Riebeek-Kasteel side. If looking forward to the brilliant ’16 and seeing it as a wine of mixed tenses, then this ’14 speaks in the imperfect because it strikes as the one to talk about the past and to say what used to happen. As in language, love, war and the past continuous, all is fair when it comes to assessing the verticals of wine, especially in descriptions. The 2014 Palladius is the back to the future vintage, of warmth and spice when things were picked overripe and new beginnings are constantly forged. But the citrus preserve and sheer electric lemon-lime energy looks ahead to the intensity of a youthful 2016, leaving a taster confounded, satisfied and awake all at the same time. This may go forward before it retreats once again. Drink 2018-2028.  Tasted September 2018

The Sadie Family Palladius 2009, WO Swartland

When talking about the 2009 vintage Eben Sadie talks of the decision to add sémillon, clairette blanche and palomino to his appellative white blend that already held chenin blanc, colmbard, grenache blanc and viognier. “To up the acidity,” aid and abet the tendencies of fleshy fruit to fatten in overripe behaviour. More than just acidity mind you, Sadie also looked to heighten the “acoustics” in a wine that was quickly becoming a major Swartland concern. Tasting this is September 2018 it can’t help but be noted how development and evolution have nearly caught up to 2005, a vintage cause and effect action no doubt. Here is the spiciest, sauciest and flat out nasty attitude Palladius, unabashed and already having done most of its living. That said the track record of these wines tells us to stay put, be patient and continue to relish the sapid, saline and ever-changing paths carved out. Drink 2018-2023.  Tasted September 2018

The Sadie Family Pofadder 2017, WO Swartland

Part of Eben Sadie and family’s “Die Ouwingerdreeks,” the old vine series and a reference to either or both puff adder snakes and the small “bushman’s land” town in the Northern Cape. Can be 100 per cent cinsault though the percentage is 85 in 2017, aged in old but not Jurassic wood. The ideal, epitome and exemplar bench-land varietal wine, not to mention a pioneer in the South African paradigm shift to conscious exultation of a plan in collective commitment for varietal, heritage vine and whole cluster ferments. From granite shales (not the decomposed kind) and yet another red fruit incarnate, freshest of the fresh precision wines. Pure Cape cinsault is this, with tannin but the kind that is sweet and stretched. No bullshit here. Drink 2019-2025.  Tasted September 2018

The Sadie Family Treinspoor 2017, WO Swartland

Afrikaans for “railroad,” perhaps a reference to the method of transportation that brought these European grapes to the Cape, depending on how far back tinta barocca arrived in the Swartland. In fact it was in the 1920’s and now just a bit more than 200 ha’s of this hardy, rustic, dark-skinned, early ripening and versatile red lay scattered about, accounting for two one hundredth’s of a per cent for vineyard area in South Africa. Sadie’s is a single-vineyard line running through the Darling side of Malmesbury, a cimmerian blackish red reeking of Renosterbos which is ironic because animal activists have always believed that the railroads threaten Rhino habitat. Digressions aside this is a prime example of why some might consider tinta barocca to be the future grape of Swartland. Sweetly floral and in 2017 both ways perfectly ripe. Botanicals abound, bosplante in bloom while flowers await the bees. Where this shares affinities with cinsault and grenache is in the curative and salumi aromas leading to sweet yet elastic tannins. The finish and length are expressly Swartland in nature. Drink 2020-2028.  Tasted September 2018

The Sadie Family Columella 2016, WO Swartland

Red counterpart to the Sadie white signature Palladius and residing in the upper echelon of Western Cape appellative blends. Ontario lays claim to the Stratus White and Red while the Cape knows these. Allowing for some levity there is a kinship to be considered between Eben Sadie and J-L Groulx, two of the more unlikely mad scientists able to capture the lit and woke disposition of mastered assemblage. Imagine Groulx also pouring varietal shots of many different farmed varieties from the back of his pick up truck during a lawn bowl in Niagara-on-the-Lake. The full name is Columella Liberatus in Castro Bonae Spei, Latin for “liberated in the Cape of Good Hope” and as a pillar of strength Columella’s syrah, grenache, mourvèdre, cinsault and tinta barroca ascend to dramatic expression. Variegated in every respect; hue, perfume, flavour and structure, at once layered and then stratified with doric strength, able to bear the most concentrated weight. Relative acidity, fluted or grooved, wider in youth to help support and lengthen. Intensely fortified with help from the barocca, naturally and of itself, intuitively wild yet controlled. Such a focused wine one rarely comes upon. Drink 2019-2030.  Tasted September 2018

The Sadie Family ‘T Voetpad 2017, WO Swartland

The “footpath” from both the Dutch (het Voedpad) and Afrikaans, also the name of Dirk Brand’s rooibos and wheat farm next to this oldest vineyard in the Kapteinskloof near Piketberg. Some say the oldest in South Africa, planted between 1920 an 1928, but others will say the first vines went in around the 1890’s through to the early 1900’s. Takes the Sadie Family “Die Ouwingerdreeks” to the farthest, most extreme reaches of the old vineyards idea. “The vines have seen it all,” tells Eben Sadie, “don’t fuck with us” is their message. “Don’t mess this up.” And so Eben co-ferments in an as is format but more importantly works at the agriculture to a point of obsession. Newer inter-plantings will go in, of sémillon, sémillon gris and palomino from massal selected material. To deal with drought cover crops will also be added between rows, all of course through an organic approach. The blend is sémillon, sémillon gris, palomino, chenin blanc and muscat d’Alexandrie, all processed together, but this is not about extreme winemaking. More like extreme farming, finding ways to keep these twisted kurktrekker and cavatappi bending vines alive for to produce their magic. The wine that emerges is all about tendencies and multiplicities of texture. The dry extract here is off the charts making it seem forcefully and fiercely tannic. Fantasy and zeitgeist just happens and the results are right there in the bottle. A remarkable wine and vintage from an isolated vineyard where drought is always a factor. Drink 2019-2033.  Tasted September 2018

Abrie Bruwer, Springfield Estate

Springfield Estate Chardonnay Méthode Ancienne 2016, WO Robertson

Burgundian ode, ancient method of making chardonnay, a rare approach these days, with wild yeasts and no fining or filtration. No surprise that Springfield Estate is willing to give it a go because that’s how they roll. The plan is for deep longevity by a method akin to anti-aging serum, though 15 to 20 years would be astonishing in any case. Ground control to major tang, circuits wired tohu vavohu and a lemon custard to curd constitution that is simply merveilleux. Yes it is true that a hint of orange could turn into Cointreau after a half decade or more and the mid-palate cloud cover will continue to deliver warmth and appeal. Curious methodology plus romantic acumen equates to one of a kind. We’ll see where this goes. Drink 2019-2024.  Tasted September 2018

Van Loggerenberg Wines Break A Leg Blanc De Noirs 2017, WO Paarl

Often referred to as a pink wine but to choose this term to call Lukas van Loggerenberg’s 100 per cent cinsault grown on Helderberg granite would not tell the right story. Blanc de noirs is more apt but even then more detail is necessary to do it justice. Sees nine months of lees time, “to remove the tutti frutti,” snarks van Loggerenberg, without jest but can you really know when he’s being serious? Leaves the arena of the Rosé absurd and settles at a hue of proper B de N colour, as if that really matters. Saltiness is the thing, the granite kind, the sort to set your eyes ablaze and your heart to rest. Not really a wine about texture, though there is plenty, but that’s not the goal. Anything but sweet and a wresting away from norms into a matter of reckoning. And all about five knee surgeries, something the winemaker and the critic know all about. Drink 2018-2021.  Tasted September 2018

Van Loggerenberg Wines Chenin Blanc Trust Your Gut 2017, WO Western Cape

While there are wines in Lukas van Loggerenberg’s world that travel down the kamikaze viaduct, Trust Your Gut is not one of them. In fact there is a normalcy, a recognizable structure and an older Euro soul to the way this chenin blanc acts and feels. Sees 10 months sur lie in old French oak but no bâttonage, nor malo neither. Three zones bring the fruit; 45 per cent each Stellenbosch and Swartland plus 10 from Paarl. Take chenin blanc and treat it like a Villages wine by imagining Loire aromatics merging with Chablis texture. This my friends is a classic example of amalgamated Western Cape chenin style. There is irony in the name and no shocker there. Drink 2018-2022.  Tasted September 2018

Early springtime in Cape Town

Van Loggerenberg Wines Cinsault Geronimo 2017, WO Western Cape

Geronimo is 100 per cent cinsault, 60 per cent from Stellenbosch and 40 “Break a Leg” Paarl. The get together finds energy that one without the other would not find “because cinsault doesn’t have high natural acidity,” explains Lukas van Loggerenberg, “it is a very good indicator of vintage.” The 2017 is, wait for it, 80 per cent whole bunch and while that is a factor of the Western Cape’s ripen anything, anywhere, anytime great advantage, it’s still an impressive strategy no matter where you are making wine. Spends nine months in barrel and comes out smelling like roses, candied petals mainly but other florals, hibiscus and such. A handsome cinsault to be sure and one that will take precious time to unwind, great acidity or not. Like the red Cape equivalent of white friulano in Collio, sneaky long and structured. Drink 2018-2024.  Tasted September 2018

Van Loggerenberg Cabernet Franc Breton 2017, WO Stellenbosch

A more than obvious ode to the Loire Valley, 100 per cent cabernet franc bearing the old world varietal name. Fruit drawn from Stellenbosch’s decomposed granite soils gets the 60 per cent whole bunch treatment, followed by 11 months in barrel. Transparent as cabernet franc is the understatement, open wide, ease of alcohol at 12.8 per cent and in delivery for the rapture of being alive. Lots of verdant tones but nary a green tannic moment. Seems like the beginning of a beautiful friendship so the future too is wide open. Drink 2018-2020.  Tasted September 2018

Sheree Nothnagel

Wildehurst Velo White 2016, WO Swartland

A testament to non-pareil, Cape appellative white blend equanimity, of colombard, grenache blanc and viognier, 33 of each, give or take one per cent. Only the viognier is barrel fermented though the equilibrium os never compromised. Intensely herbal, of a nose uncanny in its fynbos reek, lovely glycerin texture, again balanced and knowing the place it wants to be. Acid structure travels though in a pas trop travaillé, no trouble way. Drink 2018-2021.  Tasted September 2018

Wildehurst Chenin Blanc 2017, WO Swartland

Barrel fermented and six months matured, 100 per cent chenin blanc, acting as if freshly spiced and in Cape terms, a really chewy white wine. Counterbalanced by a leanness in vintage while wound tight, just now perhaps beginning to unwind in repeat of its specific refrain. Acid structure makes up the lyrical couplets, sung again and again, as a reminder that fruit and wood will always align and submit to the citrus rhyme. Almost feels like still perlage and chenin blanc like this is very much a string of pearls, inclusive of tannins in long chains. Helps to explain the success of Wildehurst’s Méthode Cap Classique. Drink 2019-2024.  Tasted September 2018

Wildehurst Red 2014, WO Swartland

A blend of shiraz, grenache, mourvèdre, viognier and cinsault, aged in old French barrels for 18 months. Like the solo cinsault but an even more held back and hard to crack the savoury and sweet candied shell. Both elements emerge with good agitation, first the sweet variegate of red fruit and then the brushy and dusty fynbos bushiness, here acting as an energizer for equal opportunity. Spills over with that Wildehurst acid-tannin continuum as all the wines take their time to ready, pivot in the glass and then speak of their age ability going forward. Big bursts are all power and no cake. Rich yet elastic and surely capable of going deep. Drink 2019-2025.  Tasted September 2018

Wildehurst Cinsault 2017, WO Swartland

Just two barrels were found to be extraordinary and thus pulled by Sheree Nothnagel, away from the red blend and into this solo album. Quite the richly emulsified and ropey red fruit cinsault and while it follows along the varietal Swartland thread the differences are as great as they are to the party’s similarities. That is due in respect to the Wildehurst style, tighter and more acid-structure intense, higher-toned and less in the meaty-salumi-curative vein. Still possessive of that red as red can be fruit but here more akin to barbera or sangiovese from high altitudes and limestone soils. There must be something about Koringberg and the other Swartland sites that bring a special je ne sais quoi to Joanne Hurst’s wines. Maybe in thanks to Swartland shale, granite, silcrete and alluvium Renosterveld. Who does not love the smell of Renosterveld in the morning? Drink 2019-2027. Tasted September 2018

The Wine Thief Costa Del Swart Viura 2017, WO Voor Paardeberg

From the Western Cape’s chameleon of a region where anything goes and all things are considered. Case in point this viura of Spanish roots as part of the single barrel series. Surely Swartland specific (as opposed to Paarl), 100 per cent viura and only 180 bottles produced. Less alchemy and more herbology, but flinty, sharp and exciting. Direct, full of fun and even a bit waxy, with a riesling or sémillon feel that can only mean some petrol in its future. So much citrus gets ya in the end. Drink 2018-2022.  Tasted September 2018

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