Planeta’s Sicily

Missed flight fifth order of business @planetawinery 2008 #santacecilia #docnoto

On a most recent trip to Sicily I tasted no less than 20 wines from Planeta’s five estates, most with winemaker Patricia Tóth and some all by my lonesome. I will be tasting more with the ethereally-worldy Tóth in just over an hour from now so what better time to share these notes than right now. There was a Chardonnay 2002, Eruzione Riesling and Santa Cecilia Noto 2008 as well but those notes need time, music and deeper thought.

Degustazione e bei tempi with the @planetawinery gang ~ #lookup #siciliaenprimeur #siciliaep18 #siciliaep2018

Planeta Grillo Terebinto Sicilia Menfi DOC 2017, Sicliy, Italy (Winery, WineAlign)

Planeta’s varietal grillo is raised at Cantina Ulmo in Menfi, a western Sicilian outpost where pebbly-inlaid deep soils are found around Lake Arancio. The terebinth is a Sicilian shrub with glossy fronds. a.k.a. Pistacia Terebinthus or white pistachio, used as rootstock for pistachio production. The Menfi grillo is pulled from a low lying clay vineyard at 50m. Aromatics and texture are equally rich at maximum ripeness as bottled sunshine, pomelo sago unctuous and so consumable. Mango trees are actually in the same family as pistachio but of more interest is the fact that the female trees produce the nuts while the male produces the pollen. Sounds familiar, not to mention that male and female pistachio trees are often grafted together to bring about pollination. Drink 2018-2019.  Tasted May 2018  planetawinery  plant dependent  noble_estates   @PlanetaWinery  @Noble_Estates  @planetawinery  Tóth Patricia  @NobleEstates

Planeta Alastro Sicilia Menfi DOC 2017, Sicliy, Italy (Winery, SAQ 11034361, $22.00, WineAlign)

Alastro amalgamates 70 per cent grecanico with 15 each grillo and sauvignon blanc for one tart, intense, highly aromatic, mineral and striking western Sicilian white blend. It’s certainly got a tropical feel but not in any creamy or humid sense. Also known as the bush La Segreta, meaning “broom,” the horny plant was used for natural fences and as a general intruder deterrent. Take note of the locked in neoteric and floral aromatics from this early September harvested blend, wild as its name suggests and best when youthfully fresh. Grecanico can age but this blend screams immediate gratification. Drink 2018-2019.  Tasted May 2018

Carnage for two please

Planeta Etna Bianco 2017, Etna DOC, Sicliy, Italy (Agent, $33.99, WineAlign)

The Etna is 100 per cent carricante produced at the Feudo di Mezzo winery in the Contrada Taccione, in Montelaguardia. Now labeled simply as Etna, not as the artist formerly known as Bianco and apparently for no reason at all. Seventeen was a really warm year here in the 690-720m vineyard and so the quickest maceration was performed due to so much sun-developed colour on hand. Stayed on lees until February, also less than usual but again the hot season saw quick development. The quotient distilled is a plentiful one, a brocade like golden silk, full and full of everything it can be. Not the sapid, mineral and volcanic salty carricante of let’s say 2014 but sometimes “luxury is the opposite of vulgarity…and complication, a necessity that begins where necessity ends.” Drink 2018-2022.  Tasted May 2018

Planeta Eruzione 1614 Carricante 2016, Doc Sicily, Italy (Agent, $42.99, WineAlign)

Passion projects are not for the faint of heart but they are perhaps reserved for winemakers too smart and too worthy for their own good. Eruzione is such an animal for Planeta’s winemaker Patricia Tóth, a varietal carricante ode (with 10 per cent riesling) to the great and tragic 1614 Etna eruption. If boys don’t cry I still shed a tear or two for history and for my love of this wine. It comes from the black volcanic soil of the Contrada Sciaranuova vineyard, next up the mountain from Contrada Santo Spirito. In ’16 it’s not measured by a low ’14-like pH, not quite as sharp, so therefore fuller and with more unction. It’s still an Etna-bled eruptive white, still beating raw by laser focus out of inspirational terroir. Readier too because it’s been held back a few more months for release. This wine will let you arrive at where you want to be. So many whites are mired in repeatable refrains. “Plastic passion is a Hyacinthe heart. Plastic passion is a transparent tart…Plastic passion is a gold guarantee. The plastic passion is murdering me.” Eruzione is life affirming and though other wines may pay the bills, this cariccante is the cure. Fill your prescription and drink up its passion. It’s the winemaker’s too. Drink 2018-2024.  Tasted May 2018

Planeta Rosé Sicilia DOC 2017, Sicily, Italy (Agent, $16.95, WineAlign)

Planeta’s Rosé is half nero d’avola and half syrah, the nero coming from higher elevations. “We want something that we like to drink,” is the matter of fact explanation from winemaker Patricia Tóth. The first vintage was 2007 and it has evolved into this lithe and yet lush blush, the syrah bringing crisp verve and nerve. It is perhaps not as aromatic as some high level Planeta but that’s the life where odd bedfellows compliment one another in a modern world. Salty and sexy equals good combination. Drink 2018-2019.  Tasted May 2018

Planeta Cerasuolo Di Vittoria DOCG 2016, Sicily, Italy (Agent, $29.37, WineAlign)

The only Sicilian DOCG in Planeta’s hands is noticeable, contractable and notable for quality consistency, both for the denomination and the estate style. Rich but tangy with so much soil voce, it flows effortlessly across the palate with malleable texture. Like Bourgogne Villages it starts at fruity and two years forward will begin to morph, into tobacco, funghi and salts of the earth.  Last tasted May 2018

Planeta’s Cerasuolo di Vittoria brings together nero d’avola and endemic frappato with only a stainless steel ferment in an anti-oxidative and naturally anti-oxidant way. This is nothing but freshness in a bottle with its ubiquitous red berry verve. You can just feel the breaths in this radiant Planeta, of winemakers and coveters of Sicilian treasures. You just have to taste Cerasuolo to understand how generous and graceful it is, earthy but of lovely clarity and spice all over the finish. Drink 2017-2021. Tasted November 2017

Planeta Cerasuolo Di Vittoria Classico DOCG Dorilli 2016, Sicily, Italy (Agent, $38.95, WineAlign)

Cerasuolo di Vittoria Classico is one thing, Dorilli 2016 is another matter altogether. The name of the estate marks the iconography of this Planeta blend, from a chosen vineyard carrying the dialectical tome of the river passing by. The old maps say Dirillo but through time this has changed, just like this Burgundian wine will draft through wake and evolve. There is a minor reduction here so it’s not as open as the normale though it’s offset by an extra year of aging for release 18 months after harvest. Blooming should happen some time in 2019 after the 70 per cent nero d’avola and (30) frappato begin to unfold out of itself for a full and layered Vittoria. Still there is the Cerasuolo fragrance from a guarantee by vintage and for texture. Drink 2019-2027.  Tasted May 2018

Planeta Nocera Sicilia DOC 2016, Sicily, Italy (Winery, WineAlign)

This is just the second vintage of Nocera, from the province of Messina and one of the most dramatic vineyard landscapes on the planet. La Baronia on Capo Milazzo is a long strip of a peninsula that looks out to the Aeolian islands. Nocera is by accounts an unusual variety made by approximately 15 producers, also in Faro and the total wines produced are from 28 hectares in total. The expectation is a marine wine of macchia, myrtle and garrigue. “It’s a beast,” says Patricia Tóth, especially in marine areas with huge clusters. It’s notable for its thickness and tannin, smelling of white pepper, maybe a note of geranium and it just might become a superstar. It’s like a child of cabernet franc and primitivo but with gamay plus pinot structure. Or like Bandol, with fleshy tannin and with time it will beocme a velvety version of its thick self. Don’t forget the salinity. Drink 2019-2025.  Tasted May 2018

Planeta Eruzione 1614 Pinot Nero 2016, IGT Terre Siciliane, Sicily, Italy (Winery, $42.99, WineAlign)

Even within the erudite and super-investigative Eruzione 1614 series there is no internet or Planeta mention of the newest member Pinot Nero IGT Terre Siciliane 2016. It’s high volcanic mountain landscape time we talk about Etna and pinot noir. The symbiosis is a reality meeting necessity at a crossroads of potential. Not just any potential mind you but a Burgundian one. “We don’t want to talk about Bourgogne but Etna is the only Sicilian terroir where it can build a house,” says winemaker Patricia Tóth. The perfume, texture and tannic structure is all pinot noir, picked on a Saturday afternoon which was the moment of truth from green to spirit, the aha before moment the sun-dried plum is placed into the cognac. This is all heard in Sicily but it’s all true. There are now two terraces of fruit, so the current production of 1472 bottles may become 4000! Drink 2019-2027.  Tasted May 2018

Planeta Eruzione 1614 Nerello Mascalese Sicilia DOC 2016, Sicily, Italy (Winery, $42.99, WineAlign)

Like the yellow lorry carricante thriller it is Etna Rosso incarnate that is portrayed in this Eruzione red lorry nerello mascalese (with nine per cent nerello cappuccio) from up the mountain’s 890m vineyards of (Contrada) Sciaranuova, but with some fruit from lower altitude at 600m. The vine age is part 2008 and part 20 year-old vines and a small section going back 90 years but just a small spot. The higher you climb for nerello macalese the more finesse you acquire. This Eruzione is swimming through lava with it, smoothed by plenty of silky texture, raspberry and chalky liquid tannin. Nerello, “you ain’t nothing but a true embrace. You ain’t nothing but a hidden face.” Your Planeta edition gets neither more refined, elegant nor focused. You’ve been descried as the “alternative classic” or the new light pinot noir. Maybe frappato, but not you, nerello mascalese. Let’s leave you out of the discussion. Leave you alone. Talk about the weather. Drink 2019-2025. Tasted May 2018

Planeta Santa Cecilia Doc Noto 2015, Sicily, Italy (Winery, $54.99, WineAlign)

The first vintage was in the late 90s and the appellation eventually became DOC Noto, with the initial vintage of 2003 having been where it was fully done in Noto, but 2008 is the official DOC recognition. This is when both Noto and Sicilia are on the label for the DOC to be recognized as 100 per cent nero d’Avola. Comes by way of the white chalky soils of Noto and is deceptively rich, deeply rendered, of an incredible acidity, dark and viscous fruit. There is so much happening in violet florals and light. Did I mention the acidity, amazingly linear but waiting to circle and become ringing. Drink 2019-2025.  Tasted May 2018

Allemanda Sicilia Noto DOC 2017, Sicily, Italy (Winery, WineAlign)

Allemanda is made from 100 per cent moscato bianco and if you have not tried to sit on a beach in the shade with a bottle of this gently but forcefully aromatic farfalle of a Noto in Sicilia white then you have yet lived. The self-professed Baroque dance is truly an exotic reminder of jasmime blooms and tropical citrus. It’s actually a bit tannic and also extremely refreshing. Two hands in the air for Noto’s soils and sea-proximity to do what’s necessary and beautiful for moscato. Dangerously consumable. Drink 2018-2021. Tasted May 2018

Cometa Fiano Sicilia Menfi DOC 2017, Sicily, Italy (Winery, $49.99, WineAlign)

Cometa from Menfi is the other fiano, the somewhat rare and effusive fiano from Sicily. The elusive one is a Planeta speciality and one of winemaker Patricia Tòth’s great secret varietal weapons, a Mediterranean that pleases quickly, compliments all that is drawn from the sea and is capable of developing complexity with age. This is both floral and juicy, combining for this lychee meets honeysuckle into tropical territory. Streaks like a comet indeed, right across the palate and into your psyche. Not to mention your bleeding heart. Drink 2019-2024.  Tasted May 2018

Burdese Sicilia Menfi DOC 2014, Sicily, Italy (Winery, WineAlign)

Burdese is cabernet sauvignon (70 per cent) and cabernet franc as the playful Bordelais blend, dialectical in nomenclature and in style. It’s an adaptation from “Bordolese” and into the land. The trilogy of sun-ripened phenolics, rich texture and silky tannins make this quite easy to drink, especially with four years past and medium rare protein on the plate. All aspects of sun-reasoned votes play notes, of tomato, dusty plum and dark currants. Flavour abounds with no sign of impending decline. Drink 2018-2022.  Tasted May 2018

Maroccoli Syrah Sicilia Menfi DOC 2014, Sicily, Italy (Winery, WineAlign)

The name Maroccoli is local for “ideally situated vineyard” and syrah must find its spots to shine. An elevated hill between lake and sea is this Maroccoli’s place in the sun and the syrah it delivers is spicy, high tonal and indelibly stamped with firm grip. It’s both meaty and exotic, wildly berry filled and sharp as a tack. It seems syrah could use an extra year or two beyond the Bordolese out of Menfi. Drink 2019-2023.  Tasted May 2018

Sito Dell’umo Merlot Sicilia Menfi DOC 2014, Sicily, Italy (Winery, WineAlign)

Here the biggest of the three Menfi reds and the varietal home from where the estate’s story really begins. No wood holds barred or lack of ripeness can keep this Bordolese down, not with such a firm grip by way of tannin derived off of sun-worshipping vines and generous barrels. On its own the merlot is more demanding than the Burdese and just as grippy-peppery as the syrah. It’s a wine best enjoyed when it reaches the balsamico-ganache-medicinal herbs stage. That has yet to happen. Drink 2019-2025.  Tasted May 2018

Missed flight fifth order of business @planetawinery 2008 #santacecilia #docnoto

Good to go!

Godello

Twitter: @mgodello

Instagram: mgodello

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Castello di Ama’s state of the art

Two months ago yet another Toscana adventure came to a close. The tastes and sights indelibly stamped are etched forever in memory. Before moving on down the SR2 from Siena to Montalcino we paid the most profound and contemplative Chianti Classico visit of all, sulle colline di Gaiole. To a place where wine, art and landscape interact, variegate and intertwine. A place where the slow pace of play is grounded in grace and nature slowly renders an intoxication of faith. Where the exceptionality of place, experience and innovation can’t be underestimated, not at Castello di Ama.

La Cappella di Villa Pianigiani (18th century)

It was mid-August 1995 and my wife and I were on honeymoon, holed up in a little nook of Castelnuovo Berardenga near Ponte e Bozzone, just outside of Siena. We used this idyllic spot as our base camp from which to explore Chianti Classico for two full weeks that summer, which incidentally was cool, often rainy and now, none to my decades of studiously learning about sangiovese surprise later, proved to have resulted in turning out some elegant and structured wines.

One day we drove up into the Gaiole in Chianti hills, up a long drive past what I now know as Vigneto Bellavista and parked on a crest of gravel straddling the picturesque vineyard on one side and on the other, Vigneto San Lorenzo of Castello di Ama. Just as it was on February 15th of this year, the scene was one of stillness and tranquility, frozen in time, albeit memory delivers the picture in black and white. We wandered aimlessly, taking in the vines and the quietude when a small voice came rising from a dwelling in the tiny hamlet. An old woman motioned for us to come down the steps and into a small room. We tasted a few sangiovese, purchased a few bottles and were on our way.

La Cappella di Villa Ricucci (18th century)

The woman was likely Lorenza Sebasti’s grandmother and five years ago I recounted the story for her when Lorenza was pouring Ama’s wines at their Ontario agent Halpern’s annual grand tasting. Her name was Ermellina, Lorenza’s nana that she called Mami. She could perhaps have been the fattoressa, or agente fondinario, land agent to the hamlet of Ama which takes its name from a small borgo, or agricultural village, nestled in the Gaiole hills at an altitude of almost 500 metres. Five centuries ago, it was the hub of a florid farming and winemaking business overseen by a group of local families. “The road from Radda leads to Amma, three miles away on a hill and home to the Pianigiani, Ricucci and Montigiani – the most prominent families in Chianti,” wrote Grand Duke Peter Leopold of Habsburg-Lorraine in his 18th-century Report on the government of Tuscany.

The winery was founded in the 1970s by a group of Roman families; Tradico, Carini, Cavanna and Sebasti and in the 1980s Lorenza’s husband Marco Pallanti, a Tuscan, took over the winemaking duties. Pallanti is a former President of the Consorzio Vino Chianti Classico and the pioneer who undertook one of the most ambitious vineyard transformations in the region’s history during a five-year period in the 1980s when he chose to re-trellis 50,000 vines (planted to 2,800 vines per hectare) to an open lyre system. Much of the vineyards were also grafted to new sangiovese clones and other beneficial varieties (like merlot) to take advantage of Ama’s specific topography and singular geology.

Carlos Garaicoa, Yo no quiero ver mas a mis vecinos

Castello di Ama’s 80 hectares of vineyards surround the hamlet of Ama by an extended radius of three kilometres at altitudes ranging from 450 to 550 metres above sea level. The four valleys are marked by harvested Galestro rock at the top of each vineyard; Bellavista, San Lorenzo, Casuccia and Montebuoni. Bellavista stands apart because set atop that hill at an altitude of 490m is the block that is used to make L’Apparita, Tuscany’s first pure varietal merlot. In 1975 this portion was planted with canaiolo and malvasia bianca, then grafted over with merlot clone 342 between 1982 and 1985.

Kendell Geers, Revolution/Love

The village of Ama is made up of aggregate buildings of medieval origin, along the axis of a main street and essentially protected by two villas on either end; Ricucci and Pianigiani. There are three small chapels, one dedicated to the Blessed Virgin of Carmine, at the Villa Pianigiani. The second, along the main street, is dedicated to San Lorenzo and the third, dedicated to San Venazio, in the garden of Villa Riccucci.

Michelangelo Pistoletto, L’albero di Ama

Marco Pallanti is proud of the more than 35 years of work and adventure he has poured heart, mind and soul into the purity of these Gaiole hills. “It is important for wines to maintain a link to their place of origin” he writes. “The fundamental idea of tasting a wine and displaying the vines from which it comes. Wine has to spring from the rocks of the vineyard and reflect the sun, the season, the heavens of that hill, in that moment.” Pallanti’s notion of connecting the past, in viticulture, viniculture and architecture with the future is manifested through 15 art installations on or abutting vineyards, set into landscapes and occupying cellar spaces. “To give the illusion of being able to perfect perfection,” he expounds from grape and through the intangible gift, to “make seen what cannot be seen.”

Ilya & Emilia Kabakov, The Observer

The 15 site-specific installations are a collection of explicitly contemporary works still in progress, all created to marry place and idea. The artists commissioned and represented are Michelangelo Pistoletto, Daniel Buren, Giulio Paolini, Kendell Geers, Anish Kapoors, Chen Zhen, Carlos Garaicoa, Louise Bourgeois, Cristina Iglesias, Nedko Solakov, Ilya and Emilia Kabakov, Pascal-Martine Tayou, Hiroshi Sugimoto, Lee Ufan and Roni Horn.

Hiroshi Sugimoto, Confession of Zero

Once inside the tasting room at Castello di Ama Marco led John Szabo M.S. and I through the estate wines, focusing as we should on the four vineyards, Bellavista, San Lorenzo, Casuccia and Montebuoni. Here are my reviews on the six wines tasted.

Marco Pallanti, Godello and John Szabo M.S.

Castello di Ama Purple Rosé 2017, IGT Toscana, Italy (Agent, $20.85, WineAlign)

Bottled recently, going to market on March 1st, this is sangiovese with a minor amount of merlot, a new Rosato for Ama, really fruity, of an amazing colour, viscous, spicy, tart and so bloody delicious. Savoury and herbal moments but always that return to fruit. A touch of citrus pith and tonic mark the finish. Very fresh and spirited Rosé and I can’t imagine anyone not wanting to drink two glasses. Drink 2018-2019.  Tasted February 2018

Roni Horn, Untitled

Castello di Ama Chianti Classico DOCG 2015, Tuscany, Italy (Agent, $34.95, WineAlign)

The artist now known simply as “Ama” is a highly touted, self-reflective sangiovese with fruit to end all fruit, every iota of sensory and sensual fibre filled in and a deeply inward, charted impression. The first vintage was 2010, when Gran Selezione began its newly classified journey, so this is the sixth instalment in the Ama new age. The Chianti Classico equivalent of a Bordeaux Château’s estate wine, the one to explain the house style and philosophy. Needs three more years to develop all its charms and move to the next stage of its life. There are 90,000-100,000 bottles produced.  Last tasted February 2018.

“The road from Radda leads to Amma,” where some of Chianti Classico’s most fertile land treats sangiovese vines as if they were planted in a garden. Hard not to experience this Gaiole Chianti Classico as a sangiovese of extreme youth for a quick to bottle Ama, so floral and what just has to be so as a result of some whole cluster, feigning carbonic and hyperbole of managed freshness. Some exotic spice in perfume and real, certain, credible clarity. Not that this will entertain notions of Ama longevity but the purity clarifies the 2015 vintage position of consumer and critical mass quality. Drink 2018-2024.  Tasted February 2017  @CastellodiAma  @castellodiama  @HalpernWine  castellodiama  halpernwine  @halpernwine

Questa non è una finestra, @castellodiama an instrument through which something is represented. #danielburen #chianticlassico #landscapepainting … Daniel Buren, Sulle vine punti di vista

Castello di Ama Chianti Classico Gran Selezione DOCG San Lorenzo 2014, Tuscany, Italy (418897, $48.95, WineAlign)

San Lorenzo is not actually a single-vineyard wine though the fruit source depends highly on this side of the estate. It is in fact a blend of all the best places of the property and from a vintage out of which no La Casuccia or Bellavista were made all the best fruit (including some merlot) ended up in San Lorenzo. The quality of the acidity and the tannin separate this from Ama but that wine’s pedigree should not be in question for it remains the broadest, most appropriate brushstroke for Ama. San Lorenzo delivers a domino structure, stacked and yet imagined as fallen, a set of roads and walls to walk and climb along, to eventually arrive at a pre-destined destination. This is the white meets grey meets sandy brown limestone of the broad amalgamation of the mineral estate, salty and rich, with depth into a grotto.  Last tasted February 2018.

Even with the benevolent San Lorenzo as the sample size, going at 2014 Gran Selezione is like trying to crack a walnut shell with your teeth, the husk so tough you might break two or more trying. What is noted in the single-vineyard San Lorenzo is a hyperbole of 2014’s general characteristics; firm grip, savour, herbology and liqueur. There is extreme Gran Selezione personality humming in San Lorenzo and help me if two years are needed simply for assessment and five for the drinking window to open. The attention to soil and Ama’s prized Gaiole in Chianti Climat is duly noted, as is the careful selection from the vintage. I will say this. No amount of selection, barrel or time can allow Gran Selezione to escape from 2014. In the short term it will be a downfall, in the long, long, long run a blessing. Drink 2021-2031.  Tasted February 2017

Castello di Ama Chianti Classico Gran Selezione DOCG Vigneto Bellavista 2013, Tuscany, Italy (Agent, $242.59, WineAlign)

You just have to stand and gaze out over said vineyard to feel the awe and then to understand its connection, for Castello di Ama, to the Gran Selezione category. The rise up to and astride the estate is a collina rocciosa so singular to Gaiole in Chianti. If it is not correct to intuit, self-convince and deduce that Bellavista just tastes like the salty, calcareous and deeply stony white rocks of that blinding light vineyard then so be it. The wine is saturated beyond imagination and without any possibility of feeling chalky on the palate. If this isn’t Grand Cru Chambertin or Montrachet in red, Chianti Classico form, then no wine in Toscana can be considered as such. That it also carries in pocket the great ripeness of sangiovese fruit, streamlined acidity and mille-feuille tannin is a variegation of thought to consider at every smell, taste and turn. Just amazing for the vintage with non-aggressive though confident tenets of structure. A Gran Selezione generally in production of four to six thousand bottles. Drink 2021-2031.  Tasted February 2018

Giulio Paolini, Pardigma

Castello di Ama Chianti Classico Gran Selezione DOCG Vigneto La Casuccia 2013, Tuscany, Italy (Agent, $242.59, WineAlign)

Vigneto La Casuccia is a vineyard with different qualities in the stones of the soil and with malvasia nera accumulating another level of spice, even spicy when you taste. The sangiovese nose is deeper in fruit, bricks baked in and in emission of a graphite sensation, with more and differing effects brought on by limestone, though in apposite effect by the Galestro of Bellavista. The acidity is even more striking than what is derived from the adjacent block and the tannin stronger, broader, more obvious though never over-demanding. If apprised in the poetic terms of a haiku, this may deal in the facile of a read while mired in the inability to ascertain ultimate meaning. We’re only in the first incomplete five words at this stage and it will be five more years before we can say the next seven will even enter the discussion. So be patient. As with the Gran Selezione Bellavista the production is generally in the range of four to six thousand bottles. Drink 2022-2034.  Tasted February 2018

Anish Kapoor, aima

Castello di Ama L’Apparita 2013, IGT Toscana, Italy (Agent, $242.59, WineAlign)

Castello di Ama L’Apparita IGT Toscana is merlot from atop the Bellavista hill and you just might see an apparition if you wander the rows in the dead of night. In reality, on a clear day when happening upon the vineyard, this is the spot from which the towers of Siena will appear. The first L’Apparita was 1985 so it is this 27th from 2013, with only 2002 and 2012 having been avoided. Merlot ripens earlier than sangiovese so it can be made more often. You recognize it as merlot, not Pomerol, not St. Emilion, not Maremma, but purely from this territory. The quality of acidity is vineyard-terroir driven and the tannins are sweet, plush and broad, different from Casuccia but sill set upon wide-developed shoulders. There is that ubiquitous Ama spice and in L’Apparita, a sense that tar is a factor and roses a quotient down the road. Drink 2020-2030.  Tasted February 2018

Good to Go!

Godello

Twitter: @mgodello

Instagram: mgodello

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The great Gabbiano

@castgabbiano in light of expression and meaning

A return visit at Castello di Gabbiano

Federico Cerelli is Chianti Classico’s new renaissance ranger, a man on a mission to not only seek out great terroirs but also to reinvent what can be induced, coaxed, persuaded and realized from his denizens of field and plantation. Though Castello di Gabbiano’s portfolio is a massive project with scopic reach, Cerelli never rests on complacency, laurels or sales figures. There is no settling for average at Gabbiano or the blasé delivery of unexciting wines just because you’ve already earned the trust of your buyers. If a Gabbiano owned or managed vineyard in Mercatale Val di Pesa requires the cash to improve the health of the vines or to rip out and replant, than it is done. Can there be a finer example of commercial scope meeting artigianale than the quixotic and obsessive Castello di Gabbiano?

About his masterpiece novel F. Scott Fitzgerald wrote “I want to write something new, something extraordinary and beautiful, simple and intricately patterned.” Like the vineyards of Gabbiano but also a project in Radda in Chianti that is Federico’s new baby, that being the remarkable IGT Toscana work at Poggio di Guardia with Stefano di Blasi. It is there on a storied plot and historical estate where they are producing sangiovese with cabernet, merlot and amphora raised rebo. Cerelli can thank the work he’s put in at Gabbiano and the team who support his endeavours for this springboard to something exciting and new.

Gabbiano’s hills in Mercatale Val di Pesa

Related – Three days, eight estates, Chianti Classico

A return visit to the 12th century Castello di Gabbiano touches an estate and a castle that remained in the possession of the Florentine banking family Bardi until the early part of the 15th century. After it passed to the Soderini family, one of the most politically influential families in Florence, it was converted of the turreted manor house of Gabbiano in Fattoria, already completed by the late 15th century.

Today the 147 hectare estate is divided up into DOCG Chianti Classico (109 hectares), IGT (35) and Vin Santo. I have had the pleasure to taste with winemaker Federico Cerelli, Managing Director Ivano Reali and Marketing Director Silvia Bottelli on several occasions and this most recent sit-down focused on vertical looks at Riserva and Gran Selezione. Ivano is responsible for directing the complete renewal of all estate vineyards including new plantings and managed improvements to the estate’s winemaking facilities and practices. At the start of our visit Federico drove us to the ridge opposite and to the east of the castle and winery to gain a clearer ante-understanding of Gabbiano’s soil types, slopes, aspects and exposures. Looking at the blocks you can intuit how the two men work side by side with meticulous attention, verging on obsessive, to focus on agriculture and how it connects to winemaking. Federico and Ivano are in constant analytic contact with the vineyards and corresponding production methods. There is no rest for these two. Later on our discussion on Gabbiano and Chianti Classico carried over to dinner at the estate’s restaurant, Il Cavaliere. These are my notes on the seven wines poured.

Triumvirate #chianticlassico Riserva and Gran Selezione verticals at @castgabbiano with Federico Cerelli 2011-2013

Castello Di Gabbiano Chianti Classico Riserva 2015, DOCG Tuscany, Italy (216309, $22.95, WineAlign)

The consistency of the Gabbiano Chianti Classico Riserva continues in 2015 and it is becoming increasingly impossible to find matchable quality at this price level. The 2015 is a Riserva of extreme youth, really grippy, full, extracted and liquid chalky rich. Don’t misunderstand or be duped because this ’15 isn’t brighter than the more than surprising ’14. It is not a question of stepping back from success and time will be a factor for both longevity and the preservation of freshness. So it is a matter of vintage. This carries an early and spicy sangiovese wisdom and this will serve it well. It’s frankly a bit hot right now but that too will relax. With each passing year another rung is ascended up the CCR ladder forged by the Federico Cerelli and Ivano Reali Gabbiano union. Drink 2019-2028.  Tasted September 2017  castellodigabbiano  markanthonyon  @castgabbiano  @MarkAnthonyWine  @castellogabbiano  Ivano Reali (Castello Di Gabbiano)  Mark Anthony Wine & Spirits

Castello Di Gabbiano Chianti Classico Riserva 2014, DOCG Tuscany, Italy (216309, $22.95, WineAlign)

Now tasting with winemaker Federico Cerelli he says he wasn’t even sure he would make Riserva out of 2014 but with more skin contact and longer maceration he was able to add some structure. The depth is the thing. This will age much longer than most would choose to give it credit for.  Last tasted September 2017

The difficulties presented by the vintage were determinate in excluding the Gran Selezione Bellezza from production so it is that bottle’s loss that became the Riserva’s gain. The single vineyard’s 2014 yield may not have been stellar but its significance is not lost on the overall Riserva gathering, down 40 per cent in quantity. It is here that we see the expertise of a winemaker like Federico Cerelli, to work with new parameters literally thrown at him by chaos and uncertainty. Less than 18,000 bottles came out of 2014 and the wine saw its expected time in barriques and botti, none of which were new. This is CCR of sangiovese brightness meets firm ’14 grip. The varietal freshness is preserved in ways previous vintages were not. Once again this incumbent year is put on vivid display, befallen to knowing hands and forward thinking minds. The aging potential here is excellent. Drink 2018-2029. Tasted February 2017

Castello Di Gabbiano Chianti Classico Riserva 2013, DOCG Tuscany, Italy (216309, $22.95, WineAlign)

The advanced character is minor but poignant, as expected and predicted. A touch of balsamic, softness and richness.  Last tasted September 2017

First and foremost it is the wood, or the lack of wood that stands out in the CCR 2013. It may be observed as a different kind of wood, less polished and more natural but what really wins out is the fruit. The cherries are surfeited by impressed tannin and linger with good tonic for a good length of time. Great restraint shown by winemaker Federico Cerelli. Drink 2018-2024.  Tasted June 2016

Burrata e pomodoro at IL Cavaliere del Castello di Gabbiano

Castello Di Gabbiano Chianti Classico Gran Selezione Bellezza 2013, DOCG Tuscany, Italy (652438, $39.95, WineAlign)

Bright, structured, vibrant, just in a great state, with tons of fruit and yet it will continue to improve, over the next two or three years.  Last tasted September 2017

Tasted with winemaker Federico Cerelli alongside the new era ushering 2012, a wine with six months further resolve, which is really just a moment in life. Looking at this 2013 it clings to that ’12’s ideal, still firm and in need of down time, stirring still, wasting some time. Here a gear switch, alteration and adjustment. A reduction of new oak, an increase of the mineral cogitation specific to the Albarese soil, with tannins great like in 2012 but finer, more elegant. This is more classic in the sangiovese thought because what also is allowed is the level of dry extract, “over 30 for sure” notes Cerelli. This Bellezza is pure sangiovese, the best Bellezza in years, classic to remind of many years ago but a very modern wine. It is the Gabbiano predicament and the predilection to announce what Gran Selezione means so in a word, bravo. You could actually drink this now and then over 25 years. “What is Bellezza? This is the best block of the estate” is the answer as told by Federico. Great tannins, simply great tannins. Drink 2019-2032.  Tasted May 2016 and February 2017

Castello Di Gabbiano Chianti Classico Gran Selezione Bellezza 2012, DOCG Tuscany, Italy (652438, $39.95, WineAlign)

Quite antithetical to the bookends of 2011 and 2013 this feels a bit cooked and raisined at this stage though it’s certainly a different sort of vintage and forged from a deferential set of structure parameters. Enjoy earlier while the others work their slower evolutions.  Last tasted September 2017

Sangiovese all in, 100 per cent pure-blood and nothing but new barrels to round off every divergence, angle and edge. Expectations demand secondary characteristics from such a bella Chianti and this piccolo Gran Selezione delivers. In 2012 it over-delivers, already hinting at tertiary aromas and flavours, leathery, cedary and potent. Due to its advancing ways it’s a bit of a double-edged sword, albeit carried by a knight on a beautiful horse. It’s a joust we should all be willing to wage in the near to medium term, especially if a Florentine steak or double cut-veal chop are part of the battle. Drink 2017-2020.  Tasted February 2016

Castello Di Gabbiano Chianti Classico Gran Selezione Bellezza 2011, DOCG Tuscany, Italy (652438, $39.95, WineAlign)

Tasting Gabbiano’s Gran Selezione Bellezza 2011 in 2017 is a treat of timing and perhaps the advantage is unfair, also for having already tasted 2012 and 2013 on two occasions each. The slings, arrows and raptures of experience offer perspective for having waited out this Chianti Classico borne of a hottish and dry season. Now having gained another two years in bottle it has benefited from the integration and the settling. I really get true sangiovese character, savoury, tart, energetic but certainly sheathed in more new barrel than the more recent and scaled back vibrant 2013. Really chewy, this ’11 has come together in such an amenable and fortuitous way. Drink 2017-2024.  Tasted September 2017

Ristorante Il Cavaliere at Castello di Gabbiano

Gabbiano Dark Knight 2016, IGT Toscana (Agent, $17.99, WineAlign)

Dark Knight is cabernet sauvignon and merlot from the Tuscan coast with some estate sangiovese, It’s lush, dark, silky with a little bit of residual sugar (7 g/L). Fruity, simple, faintly sweet and for so many commercial purposes, it’s a slam dunk. Drink 2017-2019.  Tasted September 2017

@castgabbiano in light of expression and meaning

Good to go!

Godello

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If you’re going to San Casciano

Bistecca fiorentina, Villa Le Corti

Chianti Classico the region is both muse and magnet, its reservoir of territorial intrigue and sangiovese anthology infinite in possibility. By junket or by migration through its communes there is always a sense of awe and wonder, yet no matter how many times the roads, villages and vineyards are travelled there is always something new. This is the story of San Casciano in Val di Pesa.

Related – A river runs through Greve

San Casciano is one of nine sub-zones of Chianti Classico, also a hamlet, while the commune sits on the north-western border of the greater territory in Toscana. It shares only two sectional borders, with Tavarnelle Val di Pesa to the south and Greve in Chianti to the east and southeast. From the town’s centre to Piazza del Duomo in Firenze should take about half an hour, excluding summertime. The full name San Casciano in Val di Pesa tells us that it’s location is proximate to the valley of the Pesa river. My colleagues John Szabo M.S., Brad Royale, Steve Robinson and I paid a visit with an armful of San Casciano producers in September, 2017. Our host was the affable meets honourable Duccio Corsini of Principe Corsini – Villa Le Corti. The take away from this visit was a sense of San Casciano’s inner voice and exclusive temperament but also how it fits into the puzzle that is Chianti Classico.

Related – The ins and outs of Panzano in Chianti

The word congeries comes from the Latin verb congerere, which means “to carry or bring together,” though it could also move through the Italian, palificazione, or piling. I’m not sure any sub-zone typifies this concept more than San Casciano, in part because the multiplicity of its sangiovese rivals or even exceeds many to most anywhere in the greater district. When you pile one on top of another in a tasting you feel the weight and the density but also the permutation and variegation. These are a collection of sangiovese hard to pin down even if this particular sample size is perhaps too small and so a sooner over later return for more will be crucial.

The Gallo Nero of Luiano

Related – Into the Castelnuovo Berardenga great wide open

From San Casciano we expand outwards again to think on Chianti Classico the concept as based on the figuration that is the Gallo Nero, a symbol not only designed and enshrined to classify the wines raised from these multifarious soils but to ingrain something deeper, meaningful and soulful. The Gallo Nero stamps each bottle of sangiovese with a seal of amour-propre approval, for a conceit of quality, not out of outrecuidance but in recognition that the opinion of others does matter. San Casciano now sits in requiem of such avowal and validation.

Inside the Chianti Tower, San Casciano in Val di Pesa

Related – Because the night in Gaiole

Just as you’ve settled into the comfort zone of knowing your way around the landmarks of a place, the people take hold of your hand, put on a blindfold (not literally) and reveal a site that blows your mind. The Chianti Tower of San Casciano is an unusual spike of architecture, quirky and seemingly displaced, that is until you make the climb (by elevator) up to its observation deck. From up above there are vistas that take in the Florentine hills and Vallombrosa, the mountains of Pistoia, and Pisa. The panorama turns to the Chianti and Chianti Classico landscape, Siena’s hamlets and perhaps, on a really clear day, the Ligurian sea.

Related – Castellina in golden light

The 33 meters high cylindrical surge tank tower is part of the Museo di San Casciano in Val di Pesa, owned by the Comune and is characterized in form as suggestivo or evocativo. It’s post World War Two reconstruction continues its function as a storage water reservoir, but it is the panoramic terrace that steals the visitation show. Our group was joined by a gaggle of San Casciano winemakers to take in the immediate and extrapolated lands.

Related – Get Radda for Chianti Classico

Over these last few weeks I have published six articles on sub-zones and this seventh and final essay on San Casciano concludes the heavily scrutinizing reconnaissance mission. For now. By the time this week has come to its end I’ll be back in Chianti Classico for more, this time with the knowledge that everything I have thus far learned will be turned on its head, refreshed and begun anew. The goal is always deeper understanding but who am I to speak in absolutes. The journey has just begun. If you’re going to San Casciano you’re gonna meet some gentle people there. Here are my tasting notes on six examples from six wamhearted producers.

Niccolò Montecchi, Cigliano

Cigliano Chianti Classico 2014, DOCG Tuscany, Italy (Agent, 189803, $19.95, WineAlign)

Deep, dark and sombre inhalant of grand vineyard fruit in the premium selezione vein, this is indeed a sobering San Casciano in Val di Pesa Chianti Classico with wild berries, herbs and drops of fine liqueur, almost like Vin Santo but without sugar. Cigliano takes a certain road for 2014 and gets away with murder. This could have turned out hot and bothered but the balance is struck by chords of great acidity and tension. This pulls no sangiovese or vintage punches and is clearly the work of a rogue winemaker. Drink 2018-2023.  Tasted February and September 2017  Villa del Cigliano    @VilladelCigliano

Stefano Pirondi, La Sala

La Sala Chianti Classico 2014, DOCG Tuscany, Italy (WineryWineAlign)

La Sala from Stefano Pirondi carries 10 per cent merlot in address of the sangiovese with some green tannin integrated into the black cherry. From sites up at 300m, a mix of Alberese and deep clay but almost all red clay in 2014. Not a very ripe CC, only five hectares (20,000 bottles) were vinified. Half and half stainless and large French wood, very spicy and quite red citrus, but on the dark side. I would give it a year to soften. Drink 2018-2021.  Tasted September 2017  cantinalasala  @LaSalaVini  La Sala

La Querce Seconda Chianti Classico 2014, DOCG Tuscany, Italy (WineryWineAlign)

From vineyards quite close to Florence (8 kms) this 100 per cent sangiovese has been organic since 2001. It now seems ripe for 2014, into the depth of steeping cherries, a touch hollow up the middle, but deep, rich and actually quite easy to drink. Last tasted September 2017.

From the most northern Chianti Classico vineyard located in the area of San Casciano in Val di Pesa, La Querce Seconda by Niccoló Bernabei is high-spirited, of tart to volatile brightest of bright red fruit with toasted fennel to nose. Quite a tart palate as well with furthered spirit and quite sweet tannin. This is old school but alive and vital. Will live this kind of life for a spell. Drink 2018-2022. Tasted February 2017    @LaQuerceSeconda  laquerceseconda

My triple-threat of @luiano terroir is right over there, in #sancasciano #alessandropalombo

Related – Three days, eight estates, Chianti Classico

Luiano Chianti Classico Riserva 2014, DOCG, Italy (Agent, $39.95, WineAlign)

Luiano’s Chianti Classico Riserva 2014 by Alessandro Palombo, is 95 per cent sangiovese with a touch of body-adding merlot. “For us Riserva has always been a cellar selection and a representation of Luiano’s three distinct sub-soils,” tells Palombo. This is a 2014 postcard in a nutshell, cool and deep, with some bretty and volatile nature though just a wonderful whisper. Done in bigger oak casks and recently bottled (well March of 2017), some cakiness is baked into the structure though filled in with binding mortar. It’s silky, supple and certainly a wine that will age into umami secondary character. Drink 2018-2024.  Tasted September 2017  luianowine  ale_luiano  tre.amici.imports  @LuiLuiano  Luiano®   Alessandro Palombo  @treamiciimports

Azienda Agricola Mori Concetta Chianti Classico Morino 2014, DOCG, Italy (WineryWineAlign)

It’s a wise old story but the San Casciano 2014 from Massimo Becattelli is a beacon to reel us in towards a new Chianti Classico understanding. Named after his mother Mori this vino is very much alive, anything but memento mori, more like a reflection on immortality. The very small production is the work of a one man band with modest hands, only one hectare, planted by Massimo’s father 40 years ago. It has now been replanted with the clones of the old vineyard in June of 2015. This Annata is 80 per cent sangiovese, 12 canaiolo and eight colorino. There is soul, volatility, depth, intensity and finesse in what is a rustic but cultured ’14 with fruit and more fruit, but graced by this underlying Galestro feel. Only 287 bottles were made of Massimo’s “lavoro di passione.” Drink 2018-2022.  Tasted September 2017  @az.agr.moriconcetta

Linguine con coniglio, Villa Le Corti

Villa Le Corti Principe Corsini Chianti Classico Gran Selezione Don Tommaso 2013, DOCG, Italy (Agent, $62.50, WineAlign)

Don Tommaso 2013 is named after Duccio Corsini’s father, was first made in 1994 and here contains 80 per cent sangiovese with 20 per cent merlot. The latter is meant for smoothing the angles, something that is also accomplished by aging in tonneaux and second passage barriques. Villa Le Corti – Principe Corsini’s Gran Selezione is a very silky smooth, deep black raspberry fruit forward wine with high acidity and green savour running through. Not from a cru originally, just the right grapes but over time narrowed down to three vineyards. Chocolate oozes all over the finish. “I do what I do with what I have, adding people,” says Duccio. Sounds like the Chianti Classico equivalent of climat. Drink 2018-2023.  Tasted September 2017  villalecorti  artisanal_wine_imports  @PrincipeCorsini  Principe Corsini  @artisanalwineimports

Bistecca fiorentina, Villa Le Corti

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Twitter: @mgodello

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A river runs through Greve

Ruffoli, Greve in Chianti

Chianti Classico is not one of the more famous left versus right bank terroirs in Europe but in the case of Greve in Chianti a river does run through it. My recent September 2017 sangiovese exploration brought me to Greve and a retrospective concern shows how visits to Querciabella, Villa Calcinaia and a subset of Montefioralle wines now explain a contrast in landscape meets topography, position and soil that at the time was not fixed on my menzioni geografiche radar. What happens left or west of the river is one thing and to the right something other. Were that it were so simple I wouldn’t have to expand, but it’s not and I do.

Related – The ins and outs of Panzano in Chianti

The Greve river (fiume Greve) is a 43 kilometre slide of twists, turns, switchbacks, rises, falls and settles into floodplains. It’s origins are upon Monte Querciabella in Radda, north of Volpaia, southwest of Badaccia a Monetmuro and southeast of Lamole. Heading swiftly northwest it then crests as a flat flood plain between Panzano and Greve, known as the Piano di Montagliari. Continuing north it slices the village of Greve in Chianti and along Strada 222 past Villa Calcinaia, Verrazzano and Vicchiomaggio. It eventually spills into the Arno River at Firenze.

Related – Into the Castelnuovo Berardenga great wide open

Querciabella’s position in Ruffoli east of the Greve hamlet and the river is one of the more distinct and perhaps least understood of Greve’s areas. Ruffoli is another communal sub-zone that requires the introspective investigation for its singularities and peculiarities. It is the Chianti Classico poster child for seeing the vineyards through the trees. Along with neighbours Poggio Scalette and Il Tagliato there forms a special bond for the combination of altitude, great stands of forests and the multifarious soils that have been unearthed from beneath those heavy woods. In fact Ruffoli may be the most Burgundian meets Alsatian terroir in all of Tuscany. It’s a very cool place.

Related – Because the night in Gaiole

Not all clones are created equal #sangiovese #ruffoli #chianticlassico #greveinchianti #querciabella

Related – Castellina in golden light

Comparatively speaking Villa Calcinaia and the hills west of Greve are more of a landscape of tumbling rocks and stones down hills into gravel and silt where the river lies below. Stand on the upper terrace of Calcinaia’s property, look up into the hills and then back across the Chiantigiana and the study in contrasts is a fascinating one. Calcinaia’s soils down by the river are clay-loam and as you climb the hill the sand and calcaire with Galestro predominating lends the name “chalk quarry” to the estate.

Related – Get Radda for Chianti Classico

South from Calcinaia and Viticcio we come upon the next great Greve sub-zone known as Montefioralle. Simply assessed Montefioralle is close to Castello di Montefioralle, southwest of Greve and south of Greti. The hamlet has 79 residents and sits at an elevation of 352 meters. The zonazione is home to the Associazione Viticoltori Montefioralle of 14 producers; Altiero, Belvedere, Brogioni Maurizio, Villa Calcinaia, Podere Campriano, Podere San Cresci, Roberto Grassi, Le Palei, Luciano Meli, Poggio Riccioli, Schietto, Terre di Baccio, Castello Di Verrazzano and Vitticio. The growers refer to their collective soil soul as “on the left side of the river, the peculiarity of the soil and the microclimate give to the Sangiovese grapes a unique and strong identity.” The terroir in Montefioralle is indeed mostly calcareous clay, with sand and in some cases, outcrops of “compresso indifferenziato argille scagliose,” part schisty calcaire with less instances of Galestro or Alberese and more Macigno. Once again yet another micro-territory in Chianti Classico to be considered for menzione geographiche aggiuntive.

This sixth of seven exposés on i cru di enogea, the greater and smaller territories within Chianti Classico covers the visit to Querciabella and the Montefioralle tasting with Sebastiano Capponi at Villa Calcinaia. I’ve reviewed 18 wines in total.

Querciabella

Querciabella is the continuing vision of the late patriarch Giuseppe Castiglioni, a man of Milanese origins who purchased and launched the estate in 1974 in the post sharecropping, mezzadrina era. Since 1988 with his precocious and ahead of the global game decision to convert the farm to organic practices, it is the emotional and soulful braintrust of Sebastiano Cossia Castiglioni that leads Querciabella forward. The estate is also biodynamic (2000) although minus the hocus-pocus, voodoo chile, astrological, new age nonsense. There are no animal-based preparations employed, no stuffing cow horns with manure, only plants, all in the name of applications rooted in ethical principles. The forests are maintained and cover crops are composed of grasses, herbs, cruciferous vegetables and legumes. 

Our visit to Querciabella coincided with harvest so we were able to watch first hand the sangiovese grapes coming in and going through the presses. Grapes destined for Chianti Classico and IGT Toscana. In 2000 Querciabella’s Camartina was proclaimed as the greatest Italian wine of the year by virtue of combining scores rated by the Italian wine guides. At the time it was a sangiovese dominant blend and in this tasting we were able to taste a vertical that showed how it has transformed into the cabernet-led blend it is today. The cru of Ruffoli was investigated through pours of Chianti Classico and Palfreno, a merlot only made in selected vintages. We also got a glimpse into the history and evolution of Bátar, a white wine of not so subtle reference to Bâtard-Montrachet. Our tasting was one of patent application for full Querciabella disclosure, led by winemaker Manfred Ing and CEO Roberto Lasorte.

Revisiting the exceptional @querciabella @chianticlassico at the source

Querciabella Mongrana 2013, IGT Toscana, Italy (Agent, $28.95, SAQ 11192183, $25.25, WineAlign)

The first vintage of Mongrana was 2005 and the blend is now 50 per cent sangiovese plus 25 each cabernet franc and merlot. The fruit comes coastal from the Maremma, easy-going dusty and orchard red. Very red fruit, so crushable with ripe acidity and a grippy finish. Spicy and round, but pointed, in a right and delectable direction. Bloody delicious, this medieval blend of poetry, of knights and horses. Drink 2017-2020.  Tasted September 2017  querciabella  grape_brands  @Querciabella   @querciabella

Querciabella Chianti Classico 2014, DOCG Tuscany, Italy (728816, $30.25, WineAlign)

This vintage is the third as a 100 per cent sangiovese and Manfred Ing points out how there is a lot less Radda fruit in the mix due to pest problems and so much of that fruit was dropped. Whatever (lack of) balance may have been in question last February is no longer debatable. This is a most exceptional 2014.  Last tasted September 2017

I am at first quite surprised by the aromatic candy and volatility on this Greve in Chianti Querciabella when considered after the extraordinarily balanced 2013 recently tasted. But this ’14 is still silly young and the sweet opening is just a portal in which to crawl through. Once inside there is this specific liquor, a pool filled with more wealth of sangiovese fruit than the basin can currently hold. So it’s spilling over the edges in its youth and it’s simply too much for the glass to hold. I think the house took this a bit too far in reaction to ’14’s weather and a bit of balance has been compromised. I’m not sure this will ever find the elegance that ’13 showed but it does match the ripeness and the necessary triumvirate opposition forces of grip, acid and tannin. Huge wine. Maybe it just needs five years to settle into its skin because of course the fruit is red bright, not dark, hematic and brooding. Drink 2019-2026.  Tasted February 2017

Querciabella Chianti Classico Riserva 2013, DOCG Tuscany, Italy (WineAlign)

This Riserva picks up right where the ’13 normale left you hanging and wishing for more. As is so often the case when it can be excellent CC but disappointing, or at least, not quite meeting high expectations from CCR. This Querciabella carries the same pure fruit but with another layer of concentration and purity. Where it really excels is in a combinative and almost but not quite too serious combative struggle between texture and structure. The acidity is red tapioca pearly fine and the tannins ridiculously fine. So appreciative of this Burgundian-style, Beaune winemaking for sangiovese. Certainly Premier Cru in quality though in the end, if only by a splitting hair, I will always choose the CC. Drink 2019-2025.  Tasted February and September 2017

Querciabella Turpino 2011, IGT Toscana, Italy (Agent, $54.95, WineAlign)

Turpino Toscana IGT is a blend of cabernet franc (40 per cent), syrah (40) and merlot (20), with this being the second commercial vintage. For winemaker Manfred Ing it’s about “having the ability to do small, micro-vinifications,” to produce a Super Tuscan wine from the Maremma coast, but here also including some cabernet franc and merlot from Greve. It’s hematic with still a minor reductive note that persists and though its draws from grapes and sites around the region the Querciabella liqueur distinguishes and pervades. The name’s origin might come from one of a few sources. Turpino, an eighth century monk and archbishop of Reims, Turpinus or Tylpinus. Turpino from the poem written by Ludovico Ariosto, the “Orlando Furioso.” Or perhaps fictional from the medieval verse Cronaca di Turpino o Historia Karoli Magni et Rotholandi. The wine is grandioso in its own right, really wound tight, still of the Querciabella red fruit but quite forward and stand alone despite the oak and the age. The freshness is actually quite remarkable as it seems both agronomist and winemaker really understand their fruit. There is even a marine saltiness running through. Drink 2017-2022.  Tasted September 2017

Camartina

Querciabella Camartina 2011, IGT Toscana, Italy (Agent, $100.00, WineAlign)

Camartina is Querciabella’s red of greatest reason, lineage and purpose, from Giuseppe Castiglioni through Sebastiano Cossia Castiglioni and Manfred Ing. The first vintage was 1981 of this 70 per cent cabernet sauvignon and 30 sangiovese from organic (1988) and biodynamic (2000), frightfully low-yield vineyards and it is not produced when the year is not right. The varietal obviousness from the cabernet is so transparent, especially for Toscana, dusty, Cassis-led, full of black raspberry fruit and ripe verbena. The sangiovese brings the acidity and a secondary layering of tannin but there is nothing fat or brooding about the cabernet. Freshness again and elasticity that starts wise and comes back in. Very focused and length that delivers more and more waves of that fruit. Tannins are pure and their fineness only stretches and further lengthens the accord. There can be no consideration of understanding until at least four years after vintage with seven being the correct launching point. Alas. Drink 2018-2028.  Tasted September 2017

Querciabella Camartina 2005, IGT Toscana, Italy (AgentWineAlign)

Camartina in 2005 is 70 per cent cabernet and 30 sangiovese, two years forward after 2003, the point where the cabernet replaced the sangiovese as the varietal so here we are early in that ideal. An ideal that has persisted to 2011 and beyond. Warmth of vintage shows with 12-year mark secondary character but of a vintage that wasn’t (at the time) considered great (being between 2004 and 2006). Here it’s really claret-Bordeaux like, with Cassis, graphite and this open phase of life. Really quite expressive and yet the wood is more a part of the mix, albeit with a savoury edge. Drink 2017-2020.  Tasted September 2017

Querciabella Camartina 1999, IGT Toscana, Italy (AgentWineAlign)

Camartina back in 1999 was a very different wine, of 85-90 per cent sangiovese and 10-15 per cent cabernet sauvignon, all from Greve, specifically the cru of Ruffoli. Would have qualified as a Chianti Classico Riserva back then (and potentially Gran Selezione now, though not for long), both because of varietal percentage and location. So the reference point is taken, this from the last Camartina that winemaker/enologist Giacomo Tachis followed through to the end. The structure has made this one built to last with the umami factor running plateau high and the acidity persistent and lifted, but sweet and layered. The spice, savour and this mint-rosemary-lavender-sage mix is really quite striking. Drink 2017-2025.  Tasted September 2017

Querciabella Palfreno 2012, IGT Toscana, Italy (AgentWineAlign)

Palafreno is organic and biodynamic Greve farmed 100 per cent merlot from Ruffoli made in small quantities and only in the finest vintages, with 2000 being the first. Picking merlot is the most precarious preoccupation in Toscana, as explained by Manfred Ing, “it’s nearly ready, it’s ready and it’s gone.” The three-day window of merlot. Palafreno is an ancient Italian word designating a noble riding horse used by medieval knights for travel, parades or tournaments. Palafreno the merlot is an open book, quite ripe, not from a cold vintage to be sure but one of a a slow ripening gait, with some rain and then long, extended trotting through heat. Very spicy, really chalky, tart, tight and highly tannic. In other words, merlot of structure, musculature and regal status. Drink 2019-2027.  Tasted September 2017

Batter

Querciabella Bátar 2014, IGT Toscana, Italy (SAQ 12294771, $97.00, WineAlign)

Batar from the Latin battere, variant of battuere, to beat, strike repeatedly hit. Bátar, a not so subtle reference to Montrachet and at Querciabella the name used to have a D on the end, but a letter from the French changed that, to Batàr with the accent but the Milanese translation remains essentially the same. Between 1988 and 1991 the wine was called Bâtard-Pinot, which was a blend of Pinot Blanc and Pinot Gris. Between 1992 and 1994 the name was Bâtard because Chardonnay had been added to the blend. In 1995 the name was changed to Batàr in order to avoid confusion with French AOCs of Burgundy whose name contains the word ‘Bâtard’ (Bienvenues-Bâtard-Montrachet, Criots-Bâtard-Montrachet and Bâtard-Montrachet). Batàr is the Querciabella outlier, a long thought on project to combine pinot bianco and chardonnay and elevate its white appellative status though barrel aging and full malolactic. It may just be the most singular white wine in all of Chianti Classico, perhaps in all of Toscana. It’s like Beaune-Bourgogne and Norman Hardie rolled into one Tuscan white blend package, with a fine oxidative line running through a fresh, tannic and pure wine, with thanks to the generous use of French barrels. The length is exceptional but to be honest, not unexpected. Another galestro-elastic-saline wine, in its own special way. Drink 2019-2029.  Tasted September 2017

Querciabella Bátar 1998, IGT Toscana, Italy (WineAlign)

Batàr has been the name since 1995 after the Bourgignons forced Querciabella to drop the “D” at the end. This ’98 is certainly oxidative (and unavoidably so because of style and time) but the acidity really persists. A comparison with 2014 is quite futile as this is just from another era. Texture and flesh is strong, floral, honeyed, tannic again and even carrying some notes of pineapple, beeswax and almandine. Would make for a wonderful blind pour at a pirates on a picnic dinner. Drink 2017-2019.  Tasted September 2017

Appassitoio (drying room) at Villa Calcinaia

Villa Calcinaia

For a full report on Villa Calcinaia please click on this link.

Related – Six hundred years of Villa Calcinaia in Chianti Classico

After a September evening visit to Calcinaia we convened at Ristorante Pane E Olio in Firenze for a final meal with the Consorzio Vino Chianti Classico’s Silvia Fiorentini, Christine Lechner and Calcinaia’s Count, Sebastiano Capponi. It was here that he opened the only varietal bottle of its kind.

Villa Calcinaia Occhiorosso 2015, IGT Vino Dei Colli Della Toscana Centrale, Italy (Winery, WineAlign)

Occhiorosso is Endemic to Lamole, cultivated at Calcinaia and raised by Sebastiano Capponi. Only the lonely occhiorosso are the red eyes of Greve in Chianti, the war on drugs varietal feeling, in cohorts to cousin sangiovese. “Come and see, where or when there’s everything. On my ways, be better, get to my soul.” Drink 2017 -2019.  Tasted September 2017

I was under the impression this was called “Ocolos” which could very well be a shortened version of concupiscentia oculorum, “the lust of the eyes,” or in this case sarcopodium odoratum, with a sangiovese-copycat more volatile (but not screaming sour in any acetic way), just earthy, not microbilia, but soil funky. This is in fact Occhiorosso, drawn from a specific seven rows of vines, adding up to one barrique and it will go to bottle in July. Earthy, from Galestro soil located on the upper seventh and eight terrace of sangiovese, so different from the single-vineyard cousin, Gran Selezione Bastignano. The perfume is redolent of sweet scented bedstraw and exotics, like orchids just beginning to decay in water, still in control of its enticements. This is the natural sangiovese, very specific to place. Drink 2019-2025.  Tasted from barrel, February 2017

Greve in Chianti – Montefioralle

The Montefioralle Divino wine festival organized and promoted by the Grape Growers Association of Montefioralle took place on September 23 and 24, just four days before we met at Villa Calcinaia to taste through the wine growers’ wines. The harvest festival is a two day event with tasting stalls and direct sale. The members are producers with estates and/or vineyards holdings around the Montefioralle hill west of Greve.  @ViMontefioralle  @viticoltorimontefioralle

A #greveinchianti #montefioralle @chianticlassico run through @villacalcinaia in Sebastiano’s caves

Altiero Chianti Classico 2014, DOCG Tuscany, Italy (WineryWineAlign)

Altiero Chianti Classico 2014 by Paolo Baldini is 100 per cent Montefioralle sangiovese with a distinct reduced balsamico, soy and tar complexity. Oak stands out in a deep, dark and handsome way. It’s kind of sweet in a chcolate ooze of dessert topping sort of way. Drink 2017-2019.  Tasted September 2017  aziendaagricolaaltiero    Azienda Agricola Altiero

Brogioni Maurizio Chianti Classico 2014, DOCG Tuscany, Italy (WineryWineAlign)

Brogioni Maurizio is plain good funky Greve in Chianti Chianti Classico of its own sweet funk with a bounce in its step, a funk that does not so much blow away as carry on with the musicality of the fruit. The palate piles on with great harmonic volatility. The beat is part disco and part Funkadelic R & B all wrapped and warped into one crazy fun wine. Drink 2018-2020.  Tasted February and September 2017  #brogionimaurizio  Maurizio Brogioni

Villa Calcinaia Chianti Classico 2014, Docg Tuscany, Italy (Agent, $25.95, WineAlign)

From a challenging and low-yielding vintage that took away more than it gave. The varied renditions of Chianti Classico are all over the map so it’s a revelation to come across Sebastiano Capponi’s calm and beautiful ’14 life. His is a sangiovese that was allowed to just be itself, aromatic to savoury, immune from the pressures placed upon by vintage and expectation. Calcinaia’s is a Greve in Chianti of roses, violets, more amenability than most ‘14s and without any real bother from the barrel. Quite pure with very mature sangiovese flavours, circulating and by extension from natural acidity. The length is exceptional for annata. Drink 2018-2022.  Tasted February and September 2017  @villacalcinaia  @Nicholaspearce_  villacalcinaia  nicholaspearcewines  @calcinaia  Nicholas Pearce

Podere Campriano Chianti Classico 2014, DOCG Tuscany, Italy (Win eAlign)

Podere Campriano Chianti Classico 2014 is Elena Lapini’s organic 100 per cent sangiovese. The label notes Greve in Chianti straight under the winery name and the sense of appellative pride is duly noted. Lapini’s ’14 is so proficiently correct, righteously tart, deeply rendered and soulful. The low-yielding, young adult (15 year-old high density vines) fruit was picked on fine acidity and carries this plummy note to counteract the launching tang and direct energy. Really stays focused and keeps it clarity through a long finish. Great example from Montefioralle. Drink 2018-2022.  Tasted September 2017  poderecampriano  @ElenaCampriano  Elena Podere Campriano Lapini

Podere San Cresci Chianti Classico 2013, DOCG Tuscany, Italy (Winery, WineAlign)

Santa Cresci Chianti Classico 2013 from David Ballini carries both five per cent of cabernet franc and merlot alongside the sangiovese in the only sample of ten from Montefioralle that comes from the little peninsula outcrop with a slightly different soil composition, “compresso indifferenziato argille scagliose,” part schisty calcaire with less Alberese and more into the Macigno than the others. The unfair playing field puts this in ’13 territory, with its silky and filled in mid-palate and plenty of vintage energy. The cab franc and merlot do indeed impart a right bank Bordeaux moment, however fleeting, and the roasted meat meets dark ropey fruit is quite the excitement creator if ever there was in sangiovese. This the outlier is quite vital even if some raisin notes pop in and out of the fruit. Drink 2017-2021.  Tasted September 2017  ballanza12_  David Arnold Ballini

Terre di Baccio Chianti Classico 2014, DOCG Tuscany, Italy (WineryWineAlign)

Terre di Baccio Chianti Classico 2014 from Montefioralle boldly expresses the rich brooding of sangiovese and an acquiesced savoury streak with 10 per cent cabernet franc in the mix. This final sample of 10 confirms the consistency of terroir, style and execution, readily apparent across the Montefioralle grouping. They are deep, hematic, dark and intense sangiovese. This is no exception. Drink 2017-2020.  Tasted September 2017  #terredibaccio  @TerrediBaccio  Agriturismo Terre di Baccio

Castello Di Verrazzano Chianti Classico 2014, DOCG Tuscany, Italy (Agent, $30.25, WineAlign)

Castello di Verrazzano Chianti Classico from Luigi Cappellini is 95 per cent sangiovese with five per cent “other varieties.” A really ripe and filled to the brim CC for ’14, fully pressed and expressed. Oak laden in as much as Greve in Chianti can be, like a milkshake with bitter almond elements. From the north part of Montefioralle on Alberese and some Galestro with sandy soils. A solid early drinking and lush Chianti Classico. Drink 2017-2020.  Tasted September 2017  verrazzanopeople   @StaffVerrazzano  @Smallwinemakers  Castello di Verrazzano  The Small Winemakers Collection

Viticcio Chianti Classico 2014, DOCG Tuscany, Italy (283580, $19.25, WineAlign)

Viticcio’s also hails from the north part of Montefioralle (on the western side of Greve in Chianti) and its typical Alberese, Galestro and sandy soils. A good punch of dark red and black raspberry fruit is mostly sangiovese (with two per cent merlot), spicy and bitterish with wood notes and plenty of savour. This ’14 from the vintage of great demand and attention to detail is tart and chalky, needing some time. Drink 2018-2022.  Tasted September 2017   viticciowinery  majesticwinesinc  @viticciowinery  @MajesticWineInc  Viticcio Winery  Majestic Wine Cellars

Good to go!

Godello

Twitter: @mgodello

Instagram: mgodello

WineAlign

The ins and outs of Panzano in Chianti

Looking for two horsemen in #chianticlassico

Characterizing Chianti Classico as a most heterogeneous wine region is substantiated by the multiplicity of its sangiovese and the endless permutations of soil. The territory is commonly divided by commune but its tiers of structure do not end there. There lies within more specific sub-zones, zonazione, places of interest where microclimates and shared geologies bring land and producers together. Five of the nine Chianti Classico communes have their own Associazione Viticoltori or Vignaioli; Castellina in Chianti, Castelnuovo Berardenga, Gaiole in Chianti, Radda in Chianti and San Casciano Val di Pesa. Greve is the notable exception because the precincts of Lamole, Montefioralle and Panzano in Chianti have each formed their own associations. Panzano in Chianti exists inside the greater neighbourhood that is Greve in Chianti and while it is not the only sub-zone of its kind, at this triennial level of the pyramid it is arguably the most unified and defined frazioni of all. For good reason.

Related – Into the Castelnuovo Berardenga great wide open

Panzano is the first consolidated district for organic wine production in Italy and in which 90 per cent of its vineyards are grown according to the criteria of organic viticulture. There are other tertiary Chianti Classico zones associated with the hamlet they surround, like the aforementioned Lamole and Montefioralle in Greve, Vagliagli in Castelnouvo Berardenga and Monti in Gaiole. These towns, the vineyards and associated producers are tied by a parochial set of idiosyncrasies but they’ve yet to coagulate into an equally unified level of coercion that is found in Panzano. That being said, in Panzano there are both practical and political decisions that charge some producers to remain on the fence or even outside the tight circle of the area’s union. These kinds of decisions work two ways, whether you are in or out, dentro o fuori dal territorioThe question is whether or not diplomacy would lead to greater success for all involved. Does the group need the high-profile individual or the individual the high-profile group?

Related – Because the night in Gaiole

Either way you look at it, there is no denying that a band of brothers and sisters sharing information and mapping out their territory together is beneficial, especially towards defining the finest vineyards. The dividing lines in Chianti Classico are very difficult to establish because one always has to be wary of possible arguments over where a certain cru vineyard ends and another, lesser plot begins. If you ask the 19 members, Panzano is less prone to such argumentation. Besides, producers will speak their minds, but they may not always be able or willing to tell us exactly what we need to know. It’s ultimately a question of menzioni geografiche, or geographical notations, especially on wine labels, to tie the wines to place of origin. For Panzano the idea seems quite obvious with a playing field more equal than most but it’s not necessarily so simple for other frazioni in the region. Chianti Classico is fragmented and diverse with municipalities that may not always be homogeneously or consistently representative in terms of terroir or production style.

Because he’s Dario F-in Faccin, that’s why g-dammit! #carobbio #sangiovese #chianticlassico #panzano #galestro

Related – Castellina in golden light

The original Panzano Winemakers Association was founded in 1995 to celebrate common ground and for like-minded producers to articulate the necessity and pursuit of shared interests. With the famous Conca d’Oro at its epicentre, Panzano encompasses a set of hills aboard and encircling a plateau rich in Galestro and a rather significant altitude where vineyards are planted to between 350 and 500 meters above sea level. Today there are 19 member producers of the Unione Viticoltori Panzano; Candialle, Casaloste, Castello dei Rampolla, Cennatoio, Fattoria La Quercia, Fatttoria Rignana, Fontodi, Il Molino di Grace, Il Palagio, L’Orcio a Ca’ di Pesa, La Massa, Le Cinciole, Le Fonti, Monte Bernardi, Panzanello, Renzo Marinai, Tenuta degli Dei, Vecchie terre di Montefili, Vignole and Villa Cafaggio. There are 91 producers in Greve, 31 of those are in Panzano. The 12 non-members are Carobbio, Vallone di Cecione, San Cresci, Sassolini, Reggine, La Marcellina, Le Bocce, Il Vescovino, Festeggiata, Fattoria Casenuove, Fattoria Montagliari and Campocorto.

Related – Get Radda for Chianti Classico

“To ensure for themselves a healthy environment the wine makers decided to take the path of sustainable and organic viticulture, which allowed to enhance aromas, flavors, character and personality of the wines, produced exclusively from grapes of their vineyards” are the words of Ruggero Mazzilli, an agronomist with experience in viticulture biodiversity, who since 2000 has been working with the Panzano Association.  In a Chianti Classico world where drawing lines along commune or sub-zone borders fails to recognize the multi-faceted and variegated intendments of geology, it is Panzano that suggests  borders can be drawn by “fellow producers to organise their individual communes and sub-commune designations under their own respective unions, as Panzano in Chianti has already done.” The argument can be made not just one way or the other, but in so many ways. I am no genius nor close to the first to perpetuate the idea that drawing borders along any definable lines in Chianti Classico is a very complicated subject. This is why we continue to seek the truth in the villages.

Complimenti @johnszabo for riding 87 kms #granfondo @chianticlassico #gallonero looking fresh and refreshed post lunch at #osterialapanzanelle

John Szabo M.S., Brad Royale and I had arrived from Budapest after three volcanic days (in many and every respects) in Hungary. We arrived in Castellina to the sounds and sights of race cars before settling in at Pierafitta. The following morning John competed in the Gran Fondo del Gallo Nero and with great Canadian representation completed the 87 kilometre Media Fondo in world-class time. Congratulazioni Gian Burrasca. Non siamo degni. Meanwhile Brad, Steve Robinson and Godello joined Il Molino di Grace’s Iacopo Morganti for a preview of the 2017 infant sangiovese straight from the tank, followed by a walk through Vigne Raphaella, Magdalena and Jae, culminating with a new look meets retrospective tasting in IMG’s brand new tasting room.

Gian Burrasca

A few days later we returned to Panzano for a morning spent with Giovanni Manetti at Fontodi. A full report on that visit is chronicled in a link below. Later that afternoon we concluded our week-long Chianti Classico visit with Dario Faccin at Carrobio. This is the fifth instalment (of seven) reports concerning communes and sub-zones in Chianti Classico. In total I’ve written 24 notes on wines poured by these three Panzano producers. Enjoy.

Newly planted Carrobio Sangiovese vineyard on a dramatic Galestro slope

Carobbio

Related – Caro Carobbio

If my first visit with Dario Faccin was a profound and moving experience than my second Panzano summons later last calendar year could only be thought of as an epiphanic. In round one and nearing the conclusion of an epic lunch prepared by Chef Claudia, it was then that Faccin poured three acroamatic sangiovese blasts from the past in the forms of Chianti Classico 1997, 1991 and Leone 1995. In my Carobbio report I wrote “a great honour to taste this 1995 and in memory of Carlo Novarese, Thank you Dario and Silvia. Would like the chance to do it again in 22 years.” Though I was making reference to the age of Leone (and also a nod back in time to my 1995 Chianti Classico honeymoon) I was also making comment on the ideas of fortuity and generosity. I could not have known that I would return to Toscana seven months later and this time to be present when Dario chose to open both a 1990 and a 1982 Chianti Classico. Collectively these five 1980-90s sangiovese have shed so much light on evolution and on what Dario is setting out to accomplish at Carrobio. As you may have noticed, Carobbio is not part of the UVP.

A walk in the newly planted sangiovese vineyard tells me everything I need to know. The dramatic Galestro slope captures humidity in spite of drought conditions to keep infant vines alive with vital growth in their earliest formative years. This fruit will be a Chianti Classico game changer. It all begins with the rocks and soil of these über-specific Panzano vineyards. It moves into the winery where Carobbio’s position as protector and purveyor of sangiovese purity and honesty reigns over all else. It concludes in the wisdom and generosity of the annate wines, with consistency and focus.

Tenuta Carobbio Rosato Terrarossa 2016, IGT Toscana, Italy (Winery, $32.95, WineAlign)

Rosato Terra Rossa is the same 100 per cent sangiovese in 2016, from the red soil vineyard, a child of 15 days fermentation to a maximum 15 degrees of temperature and ultimately dry as the desert. The specs and methodology turn forth a classic blush of aridity, acidity and minerality; 6.0 tA, 3.35 pH, no malo, cooled down to six degrees after fermentation and one month on the lees. Dario Faccin lays it out clear and simple. “For me this is a wine, not an aperitif.” It is in fact built on character that lies between Rosé and the light Rosso; sapid, saline, rich and textured. Full of dry extract, perfect for lunch. La prossima annata may be even better. Drink 2017-2020.  Tasted September 2017  @ 

Tenuta Carobbio Chianti Classico Riserva 2013, IGT Toscana, Italy (Winery, $58.95, WineAlign

A 100 per cent sangiovese from three vineyards in which Galestro, clay and Alberese each contribute by percentage of 30,30 and 10 towards an inextricably calculated Carobbio sangiovese in reward. Variegated for multiplicity purposes while complicit in even ripeness meets high and polished acidity. Once again the salty sapidity and the highest of polyphenolic qualities adds up to density, extract and layering. This wine will not turn secondary for at least five years and certainly not tertiary for 15. The composition and composure are one in the same and continue to repeat over and upon one another.  Last tasted September 2017.

For Chianti Classico Riserva the solo performance is 100 per cent sangiovese and just as 2013 must be this grabs you by the olfactory senses with elegant inhalant immediacy. You are immersed straight away into a wine without reserve in the way that the only the purest of Riserva can be. Philanthropic, generous and kind. Even more so and because it is Carobbio, there is no fence to jump over, hoop to hurl through or great wall to climb. Not in aroma and then what follows is palate texture and finally fine-grained tannin. Not even acidity will lash out but rather support, with more kindness. Everything is presented from the start with a wisdom that doesn’t rely on oxidative or cured character. Just elegance. Rich and affirming, for sangiovese and life. Humour this CCR ’13 and wait just one more year, per il rispetto. Drink 2018-2027. Tasted February 2017

Tenuta Carobbio Leone 2013, IGT Toscana, Italy (Winery, $119.95, WineAlign

Sangiovese as Leone sees 20 months in new French barriques and a minimum eight months in bottle. “I have only one child. This is my second son,” smiles Dario Faccin. The prodigal sangiovese is seductive, spicy and intense from south exposed vines, at the time 35 years of age. The Carrobbio extract meets ripe acidity is unquestioned and on repeat albeit with an extra note of conceit, attitude, promise and as a cumulative, ultimate respect. The first vintage was 1989. Last tasted September 2017.

Leone is Chianti Classico incarnate, a single-vineyard sangiovese and perhaps the artist of the future known as Gran Selezione. The aromatics are a force from fruit raised in front of the river (Pesa) on the border between Florence and Siena, a high-density (5,000-5,500 plants per hectare) vineyard. In the first week of June Dario says “I take all the leaves off of the stems,” executed with risk-reward abandon but on second thought, as a factual matter of personal volition and intuition. Then two weeks later the smaller leaves begin to grow. This allows the early phenolic process to work on the young skins and increase the early offerings of photosynthesis. The skins carry a natural protection against the sun (in June) but not in August. Voila, wine begins in the vineyard. Leone is incredibly young and perfumed with so much restraint. It gets neither more precise, elegant or wise, or even more important, as a vineyard representative or as such a mindful and consistently right expression as this. The tannins are the finest of any you are likely to taste in sangiovese. The fruit is so perfect, red and purple, living and loving together, and you don’t need to name them. Dario insists on the simple and the obvious. That you taste the grapes every day at harvest and when the bottom of the skins do not attack you with aggressive tannin and the brown seeds crunch, you are ready to pick. “If you want to produce a great wine, you have to walk in the vineyard every day.” Leone’s got soul and only 4,000 bottles are produced. Drink 2020-2033.  Tasted February 2017

Tenuta Carobbio Pietraforte 2013, IGT Toscana, Italy (Winery, $119.95, WineAlign

Pietraforte as cabernet sauvignon and its splash of cabernet franc is Carobbio’s ode to the Tuscan name for Galestro rock. Less than 1000 bottles were made and though it is a son or a daughter from French mothers, it is impossible to take the Panzano vineyard out of the wine. The varietal notes of Cassis and graphite are here, as is a pyrazine-savour but the sapidity and extraction of a Dario Faccin wine talks with clarity, even while thjs very dense young wine is so many years away from speaking loud and clear. The new wood is in charge, the perfume a bit closed and the tannins demanding more than the rest. Three years are needed, at the base minimum.  Last tasted September 2017

Pietraforte is the Carobbio diversion into 95 per cent cabernet sauvignon (plus five cabernet franc) out of a 30 year-old vineyard that generally yields 3,500 kg per hectare or what Dario Faccin deems “niente.” Only 2,000 bottles are produced and 2013 is still a bambino, with wood more apparent on the nose than the sangiovese, quite spiced and then even spicier on the palate. Nothing vegetal takes any place at this international varietal table but the franc lends its must give current, of currants and even a little espresso. This has cool red soil savour that the cabs will inherit from the wind and the earth. But I have to say and say it with conviction, this is more varietally correct and obvious than most. More cabernet than Toscana. Needs five years, minimum. 2022-2030.  Tasted February 2017

Carobbio Chianti Classico 1990 and 1982

Tenuta Carobbio Chianti Classico 1990, Tuscany, Italy (WineryWineAlign

I love the irony of Dario Faccin choosing to open a 1990 and a 1982, two vintages from when Italy hosted (1990) and won (1982) the FIFA World Cup. Ironic because the next tournament will be the first without the great footballing nation for the first time since 1958. The 1990 Chianti Classico is from an exceptional vintage, in fact there are many who feel the finest 1990s are some of the best CCs ever made. The youth on this bottle is dumbfounding, still in full possession of the freshness originally locked in by the sweet and optimally extracted sangiovese fruit. This is the school of Vittorio Fiore and the vintage is a great contrast to the 1991 Riserva that we tasted seven months prior. In 1990 it’s so much more about fruit quality and though the acidity continues to lift and execute, the tones here are less floral, not as bright and fruit is a matter of pure thought. The innocence, clarity and luck of time and place is on display in this capsule. What more can you say? Drink 2017-2022.  Tasted September 2017

Carobbio Chianti Classico 1982

Tenuta Carobbio Chianti Classico Riserva 1982, Tuscany, Italy (WineryWineAlign

Everyone knows that 1982 was one of Italy’s greatest years in the 20th century. Their beloved Azzuri won the FIFA World Cup 3-1 over West Germany and the wines were pretty darn good all over the boot. It was the final match of Group C stage play that may have been one of the most dramatic, exciting and famous because Italy won 3–2 with Italian striker Paolo Rossi scoring a hat-trick. The result eliminated Brazil. Meanwhile the only thing that matters right now about 1982 with respect to this Chianti Classico is how it shows and I’m overwhelmed with emotion to say it’s perfect. By now we’ve come to know that Dario Faccin demands a mentality of excellence, emotion and soul. He would not open a 1982 and a 1990 were they unable to meet expectations and deliver an intelligent quotient of age. These were and remain great and structured sangiovese to this day. This 1982 is full of fruit, like cherries preserved in cryogenic syrup and violets captured at the height of their scent, only to be released when the wine is poured into the glass. If this vintage was at all austere it could only have been for the benefit of guarding the fruit so that its purity and original virility and viridity could be revealed again and again, as it has here in 2017. Remarkable showing for a piece of Gallo Nero history. Drink 2017-2021.  Tasted September 2017

48 hours @chianticlassico picked Sept 22, #sangiovese so primary, for breakfast @ilmolinodigrace

Il Molino Di Grace

For a full report on the history and current production at Il Molino di Grace please click on the following link.

Related – Grace in Chianti Classico

Back in @chianticlassico with the progressivo, non dogmatico #sangiovese @ilmolinodigrace #volano #panzano #chianticlassico #chianticlassicoriserva #granselezione #ilmargone #gratius

Il Molino Di Grace Chianti Classico 2015, DOCG Tuscany, Italy (85209, $19.95, WineAlign)

Have yet to encounter an Il Molino di Grace Chianti Classico that was not deeply hued, refreshing and spirited. Nor has there be one not designed to drink early but 2015 refuses to be left on the racks. It’s a progeny of upbringing in large Slovenian casks with zero panoply by wood addendum, of freshness kept and preserved. The spice is indubitable sangiovese and the tannins are wistful ones. There is some chewy constitution, more than most 15s and those dreamy tannins have texture too, chalky and fine yet grainy, with a fine grated finish of good dark chocolate shavings. Drink 2017-2023.  Tasted September 2017

Il Molino Di Grace Chianti Classico 2014, DOCG Tuscany, Italy (85209, $19.95, WineAlign)

Now in a great place, fresh, direct, focused, clear, nothing to hide. This tells us right now why we should be more than satisfied with normale in ’14, with or without needing Riserva, because with no Gran Selzione and much of the Gratius grapes ending up in here you have a most impressive wine, with great structure.  Last tasted September 2017

Incidentally the first vintage on which the label reads organic, 2014 captures the freshness and the true Chianti Classico, its nature and its truth. No mask, nothing to hide behind, nowhere to run. “In some ways 2014 is more typical a vintage,” suggests Iacopo Morganti, because like other passed over and quickly assessed ones of the recent past (such as 1996, 1998 and 2008) the intrepid purity of sangiovese is decisive and built to last. This is deeply hued Chianti Classico, refreshing, spirited and crafted with a very specific type of actionable drinkability. With pasta, with filetto, with friends. Will not change course for four years and drink comfortably for four more. Sangiovese accented with canaiolo, colorino and malvasia nero. Drink 2017-2025.  Tasted February 2017

Il Molino Di Grace Il Volano 2015, IGT Toscana, Italy (Agent, WineAlign)

Il Volano is a new label for the house, the wheel of the windmill, “il volano di molino” and also really, the name of the place as a whole. It brings together sangiovese (75 per cent) and merlot, raised only stainless steel, for a chill and a quick spill. Here from a vintage that gets better with some young age added, perhaps now at its best so this is a wine to drink, with little to no thinking required. Drink 2017-2019.  Tasted September 2017

Il Molino Di Grace Chianti Classico Gran Selezione Il Margone 2013, DOCG Tuscany, Italy (435115, $39.95, WineAlign)

It bears remembering that Il Molino’s Gran Selezione is the kind of Chianti Classico that remains in perpetual motion, of a consistency and of guarantees, like gravity and tides, from vintage to vintage. It is the embodiment of water passing over stone, like the windmill it carries in its name and it is a wine that was always the Gran Selezione, before, like the water and after, on the vine and in the barrel. Saw the same 18 months in barriques, the selection having long before begun in the vineyard. Violets are all over this very young GS, the elegant one, but typically tannic and while ’13 is very good, it seems to be showing its cards early. This is a surprise and a welcome thought because there needs to be one Il Margone to enjoy while other more fierce vintages take their sweet time to unfold. Drink 2020-2031.  Tasted September 2017

Il Molino Di Grace Chianti Classico Gran Selezione Il Margone 2012, DOCG Tuscany, Italy (435115, $39.95, WineAlign)

Chianti Classico Gran Selezione Il Margone 2012 comes structured from a vintage with frost in May that compromised 50 per cent of the crop and as a result, bestowed lowest of low yields and concentrated berries. After that happenstance of natural selection the vintage turned to hot and dry, with great weather at harvest. This is and could only have developed into a fleshy and magnanimous Gran Selezione with acidity equivocal and anti-acrimonious to bones draped with the ripest of fruit. And it’s a good thing the acidity is set to high because that fruit and richness will need it going forward. Such a GS had to be crafted this way, with compound aggression and aggressive behaviour. Ultimately defines what it means to be affirmative action Gran Selezione. Drink 2021-2030.  Tasted February and September 2017

Il Molino Di Grace Chianti Classico Gran Selezione Il Margone 2011, DOCG Tuscany, Italy (435115, $39.95, WineAlign)

The 2011 is persistent, that much is obvious, in a hulking, Gran Selezione monstrous state, big in alcohol and bones. A curious and precocious chocolate-balsamic secondary note is just faintly starting to peek through, teasing the idea of drying the fruit by nature and leading towards the beginning of a savoury ascent. This may really take hold ahead of schedule, perhaps at some point in the latter stages of 2019.  Lasted tasted September 2017

What is Il Margone? “This is the best selection. We taste the wine in the cellar and decide the wine that will be, to the end,” explains Iacopo Morganti, director of Il Molino di Grace. The name must also refer to the particular construction of the vineyard at Montefili, on Panzano’s west side, of its altitude, slope and the Galèstro within. Il Margone is a kind of wine for the (Molino) windmill, where the water goes over the stone and it is a wine that was always the Gran Selezione, before and after, on the vine and in the barrels. Now it can be called what is has been whereas before it was the second Riserva but the more important one, the best one. It now spends 18 months in barriques, 50 per cent new and 18,000 bottles are made. It runs deeper still, far through the Galèstro and into the pietra forte, for the cementing of strong sangiovese (not just religious buildings). From the hot vintage of 2011 and with the alcohol to prove it (14.5 per cent), there is an inherent sense of yeasty culture, a sheep’s milk pecorino that runs through the warmth. It functions as a cooling centre, then compression, layered spice and tannin. That late attack co-conspires with acidity to freeze the mouthfeel and seek years of patient desire. Really energetic Sangiovese, iron-fisted and demanding but with so much seeping cherry fruit. Wait four years minimum. Drink 2019-2025.  Tasted May 2016

Sangiovese and Galestro at Il Molino di Grace in Panzano

Il Molino Di Grace Gratius 2012, IGT Toscana, Italy (Agent, $49.95, WineAlign)

Gratius 2012 is not the bomb that was (and still is) 2011, from the single, 70 year-old vineyard located seven kilometres away from the estate. Many of those vines are still thriving, with the hope to keep grafting for the purpose of perpetuating the biotypes through future plantings on the estate. Gratius is 95 per cent sangiovese with bits of canaiolo and colorino that spent 12 months in barriques. It’s always a chunky and tannic affair, of savoury red fruit but the nose here is more beautiful now, finally, as Gratius has scaled back just enough to be beautiful. When it’s now dry in the right way and not bent to steal anything from you or your palate it then reveals the chivalry and the charm. Lovely work here from the Bernabei-Morganti-Grace group. Drink 2019-2024.  Tasted September 2017

Fontodi vineyards in the Conco d’Oro, Panzano

Fontodi

To read my full report on this September 2017 visit with Giovanni Manetti at Fontodi please click the following link.

Related – Fontodi’s one hundred per cent sangiovese

Sangiovese of Fontodi

Fontodi Meriggio 2016, IGT Colli Toscana Centrale, Italy (WineAlign)

Meriggio is 100 per cent La Rota vineyard sauvignon blanc, whole cluster pressed with native yeasts, 75 per cent stainless steel ferment, no malo, 15 per cent in amphora and 10 per cent in French barriques. That said, without temperature control some malo, like it, happens. To go to Meriggio means to go and have a rest in the shade, from the verb meriggiare in reference to the (not Tuscan) poet Eugenio Montale, “merrigiare pallidio e assorto.” Empty is the literal translation but it’s more a case of the unoccupied mind at rest. Sauvignon should always be so calm and yet spirited, here with little to no oxidative character but rather metallurgy, saltiness and pure tang. The leesy reductive environment and Panzano acidity conspire with calcaire for a demonstrative locution. Bloody delicious sauvignon blanc for the man in me. Drink 2017-2022.  Tasted September 2017

Fontodi Chianti Classico 2014, Tuscany, Italy (933317, $36.95, WineAlign)

No surprise here from stalwart Fontodi, to take a difficult vintage, push vanity aside and select the best fruit for a pure expression of sangiovese, natural and organically made, with precision and clarity. The red Panzano fruit spikes with cran-pom-rasp-currant bursting freshness. It’s just the right amount of tart and sapid, carefully rippling in acidity. So well made. Drink 2018-2022.  Tasted February and September 2017  #Fontodi  rogersandcompanywines    @rogcowines  Az. Agr. Fontodi  #fontodi

Fontodi Chianti Classico Filetta Di Lamole 2014, Tuscany, Italy (Agent, $35.95, WineAlign)

The old Lamole winery is owned by Giovanni Manetti’s cousins, where the grandfather made important wines until he passed away in the 80s and the grapes were then sold to bulk. Then Giovanni began working with the family in the 2000s and this first vintage was ready because the finesse of 2014 spoke to him, to begin the new journey. This has seriously improved, settled, come together, developed its excellence with seven months added in time to bottle. Its characters of amaro, earth and texture are now as one, inseparable and fully vested in the calm. Drink 2017-2023.  Last tasted September 2017

From the “forgotten corner of Chianti Classico,” Lamole of Greve in Chianti is perched in a natural amphitheatre between Volpaia to the south and Panzano to the west. Some of the vineyard’s older vines are still pruned in the alberello (bush) style. This is Giovanni Manetti’s inaugural vintage of the Filetta in cohorts with his cousin. So, decidedly a diffident partner and opposing force to the Fontodi Annata because the earthy-subterranean dwelling aromatics brood beneath the red, verging to riper and darker fruit. There is a liquor, aperitif amaro-ness to the Lamole. The clay must be darker and more compressed. The balance is struck though on deeper, more brooding and warmer alcohol-felt lines and in 2014, as if it were a Riserva. It’s an oak “vessel’ aged 100 per cent sangiovese, as opposed to other the estate’s usual use of barriques. It is perhaps counterintuitive but this acts more evolved than the “normale.” Neither better or worse but enjoyment time is now.  Tasted February 2017

Father and son- Giovanni and Bernardo Manetti @fontodi #panzano #chianticlassico

Fontodi Chianti Classico Gran Selezione Vigna Del Sorbo 2014, Tuscany, Italy (Agent, $83.95, WineAlign)

The older vines are between 52 and 54 years old, the first vintage being 1985 and until 2011, contained some cabernet sauvignon, vines that have since been pulled out. The now site-specific, 100 per cent sangiovese Vigna del Sorbo may have been muscular in 2012 but no such hyperbole exists in 2014. The vintage determined this and despite the deep black cherry chalkiness the true spirit and stripped down honesty of sangiovese is in display. Purity has returned, floral like an artistically-rendered natural, realist and perpetual field of flowers in bloom, in installation, of violet light and rose-scented glass. I can imagine drinking this for decades, with its albarese-galestro saltiness and effortless concentration. Sometimes sangiovese never relents and at the same time never tires. Meraviglioso. Drink 2020-2038.  Tasted September 2017

Fontodi Chianti Classico Gran Selezione Vigna Del Sorbo 2013, Tuscany, Italy (Agent, $81.00, WineAlign)

Fontodi Chianti Classico Gran Selezione Vigna del Sorbo 2013. (Takes deep breath). Just imagine a box filled with all things sangiovese, in all its incarnations and permutations, each aspect teaching something about what you need to know. History, legacy and tradition. Risk taking, forward thinking and progress. What is learned (in retrospect) from two poles; heat and power (2012) and cool savour and elegance (2014). The ’13 is not a matter of being in between but rather an exceptionality, a sangiovese of energy, precision, clarity, purity and a pure reflection in the window of honesty. Everything this vineyard can offer is in the 2013; florals, herbs, fruit, acidity and fine, fine tannin. All in, together, as one. Perhaps its best years will end sooner than 2014 but the time spent will be unparalleled. Drink 2019-2035.  Tasted September 2017

Fontodi Chianti Classico Vigna Del Sorbo 1986, Tuscany, Italy (AgentWineAlign)

Fontodi’s Vigna del Sorbo was obviously not a Gran Selezione designated Chianti Classico in 1986 but it was at the top of the pyramid. A sangiovese in which the acids and fine pear bitters stir in the tray, with a fruit from the (Sorbo) tree that was used to mix with grapes for Vin Santo. Not any more. In 2017 the freshness is impossible, implausible, perpetuated in the most floral and fine acidity combination of any older sangiovese ever experienced. This is like sucking on the most perfect lozenge of fruit, salt, mineral and Panzano mystery. This is Panzano sapidity perfectly realized, preserved and expressed. There is a touch of Cassis, less pyrazine but you can detect the cabernet sauvignon character, even in 10 per cent but combined with sangiovese it’s this frutta di bosco feeling. Just fantastic. Drink 2017-2023.  Tasted September 2017

In @chianticlassico mano nella mano 1986, @fontodi #vignadelsorbo & #flaccianello thank you Giovanni Manetti for sharing these two opposing forces of the Tuscan paradox #chianticlassico

Fontodi Flaccianello della Pieve 2014, Tuscany, Italy (Agent $125.00, SAQ 12123921, $97.25, WineAlign)

Flaccianello comes off of a different slope, aspect and exposition than Vigna del Sorbo, here facing straight south, collecting all the sun it can in the golden glow of the Conca d’Oro. The richness celebrates the legacy of this 100 per cent sangiovese, once so atypical and untraditional back in 1981, now the most legacy defining there may just be for varietal Panzano and for the territory in the sense of the greater good. Pure, nonpartisan just, unadulterated and perfectly powerful sangiovese with length from Firenze to Siena and back. Drink 2021-2036.  Tasted September 2017

Fontodi Flaccianello della Pieve 2013, Tuscany, Italy (Agent $125.00, SAQ 12123921, $97.25, BCLDB 55392, $109.99, WineAlign)

The Flaccianello is the Fontodi expression of uva nostrala, “our grape,” explains Giovanni Manneti, the most important local variety owned by Chianti Classico, protected and exalted by Fontodi. Sangiovese the solo act that must define Gran Selezione, to explain what is Chianti Classico in its purest form and to separate how it grows and what wine it produces, particularly when you are to compare it from commune to commune. This Flaccianello separates itself from the Vigna del Sorbo vineyard and Gran Selezione category, even from itself, with another bonafide elegant layer of Conca d’Oro stratified limestone richness and this ultra-savoury umami level of minty-herbal intensity. What else is there to say? Drink 2020-2034.  Tasted September 2017

Fontodi Flaccianello della Pieve 2006, Tuscany, Italy (WineAlign)

Tell it to the vintage perhaps but 2006 is so very floral, more than any Flaccianello in the memory bank and expressly sangiovese in temper. It’s a year with massive tannins and extreme acidity. For these reasons there is a tightness of being and even at 10-plus years it’s silly young to work with but the concentration impresses. Fruit at a premium indicates some citrus, in orange and lemon with compound interest calculated in further variegated acidity. The most sapid Flaccianello of them all has 15 years more initial development ahead before true secondary character will take over. It’s amazing when you stop to think about sangiovese of such structure. Drink 2019-2031.  Tasted April 2017

Fontodi Flaccianello della Pieve 2005, Tuscany, Italy (WineAlign)

“This is the vintage I open when I host a party or an important dinner, because no one asks me to open it.” The words are Giovanni Manetti’s and for him none truer are spoken, with a smile. The younger vines and super-selection from the “Bricco” part of the top of the hill in the exceptional vineyard make for a sangiovese of fine-grained tannin plus what the smallest berries of the smallest bunches gift. Their integration with wood has become a matter of balance, in terms of delicasse, even while supported by such structure. Secondary character is happening, in herbal, balmy and savoury, slightly pulsed and edging into balsamico. But it’s such a gentle and slow-sliding slope, years yet away from tertiary. Drink 2017-2026.  Tasted September 2017

Fontodi Flaccianello della Pieve 1986, Tuscany, Italy (WineAlign)

Flaccianello in 1986 is actually though not surprisingly so different from Vigna del Sorbo, more than any other reason because of the cabernet sauvignon, but in a more philosophical way, because they have built a paradox, from the Super Tuscan ideal in revolution. Now the sangiovese going forward will be the most important and also the best wine, like looking back at this 1986, OK, not better than Sorbo but purer, honest, a clearer picture from which to learn from and ultimately a model for the future. Beautiful power, restraint, structure and yes, the kind of wine that deserves to be praised with the term elegance, overused, or not. Perfectly rustic, earthy and full of fruit with its accompanying complimentary, enervating and necessary acidity. Drink 2017-2023.  Tasted September 2017

Looking for two horsemen in #chianticlassico

Good to Go!

Godello

Twitter: @mgodello

Instagram: mgodello

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Castellina in golden light

Gallo Nero of Rocca delle Macie in Castellina in Chianti

Each time I travel to Chianti Classico the conversation regarding sub-zones rises closer to the surface. The deep and profound understanding of sangiovese as contributing to the greater good and power of Chianti Classico will not soon be superseded but producers are increasingly adamant about presenting their wines in the context of località and cru classificata. An annata is coming soon from which the names of both commune and village will proudly by worn on the bottle. With time comes change, however slowly, as necessity draws nearer and clearer into focus.

Granted there are some exceptions in Chianti Classico where fruit from neighbouring communes get together to make a Chianti Classico blend, so to speak, but these examples are few and far between. The Gallo Nero producers own, farm and harvest grapes from estate vineyards surrounding or in very close proximity to their production facilities. Chianti Classico is a highly territorial place, protected to the ultimate end of and by a family’s (or a custodian’s thereof) genealogy, history and legacy. As the region continues its march into the most modern of golden age there is a palpable and emotional push to celebrate the places within the place.

Related – Get Radda for Chianti Classico

The thinking or imagining about the landscape of Chianti Classico is more often than not acquiesced by a general feeling of winding roads through hilly landscapes, verdant vineyards and lines upon lines of cypress trees leading up drives to Etruscan estates. Generally speaking there is plenty of truth in such a conjuring but the distinct vistas, angles, geologies and visually speaking, the casts of light are so very different from one collateral enclave to the next. In Castellina there is a sense of wide open space and undulation you just don’t find in neighbouring lands. Borders are shared with Castelnuovo Berardenga to the southeast, Radda to the east, Greve to the north and Barberino Val d’Elsa to the northwest.  There can’t help but be some venn diagram drawn circles to adduce commonalities with neighbouring communes but Castellina is unique to itself and to its 66 producers associated with the Consorzio Vino Chianti Classico. In many respects and though it may be a generalization to say so, the sangiovese of Castellina are of the most lush, full-bodied and modern wines in the region. There is a thread that runs through, deep, mature and wise, an echelon of tangibility, from umbrage through illumination to loop a Castellina character from beginning to end and back again. The circle always returns to a point where Castellina is bathed in golden light.

This past September an ambassadorial group of Canadians paid visits to three historical properties in Castellina in Chianti. John Szabo M.S., Brad Royale, Steven Robinson and Godello took another step into the world of understanding, unearthing and disseminating the particular characteristics of communes and in the case of Castellina the epiphany was found in the consistency of the wines. It may be abstract to say but the Chianti Classico found here offer the greatest probability of correctness, high quality and regional guarantee. Read these 21 notes from Bibbiano, Castello di Fonterutoli and Rocca delle Macie, then judge for yourself.

Bibbiano

Related – Chilling with the bad boy of Chianti Classico

My second visit in as many years with Tommaso Marrocchesi Marzi reinforced the duality of landscape and sangiovese personality that the highly cerebral and zealous winemaker accepts, cherishes and celebrates through his wines. Bibbiano’s extraordinarily unique plateau position is a place of great dichotomy. The vines of Montornello slides gracefully down on the northwestern side and on the southwestern, Vigna del Capannino. “With glaring clarity is the determinate or indeterminate Bibbiano slope each wine draws their fruit from. In some cases one or the other and in others, a combination of the two. Montornello and Vigna del Capannino. The descending vineyards on either side of the Bibbiano plateau offer up an incredible study in contrasting Chianti Classico geology.”

We tasted eight wines with Tommaso, some of which were revisits for me. He also shared three new vintage samples, first a 2016 barrel pull from fruit drawn off the northern side. From tonneaux it gave beautiful, sexy fruit, spicy, tart, of great acidity and fine, spicy tannins. Structurally speaking this can only be from Montornello, albeit from wood, unblended with concrete sangiovese, so tannic, and very much in spice. The 2016 southern side is sangiovese grosso, from 25hL Slavonian oak botti and again, could only be the Capannino side with its big, thick and cakey fruit, massive, spicy and long. A 2016 blend or “taglio” may or may not have had some malvasia nera in there, from French tonneaux. Such perfume, alarmed, unparalleled, velvety, mouth coating and intense. With spice again and tight, taut, tannic (tight grain) structure. Really cakey and the thought again is just wow.  Here are the notes on the eight finished wines.

Bibbiano Listrice 2016, IGT Toscana, Italy (WineAlign)

Listrice is a blend of trebbiano and malvasia, pretty much 50/50, a fantasy name says Tommaso Marrocchesi Marzi. Il Istrice is a simple, fresh, straightforward white representative of the area. It’s salty, directly tart and made from fruit pulled only off the northern site/side of the Bibbiano estate. Is this so named because the northern vineyard’s fault dip is steeper near the surface then shallower with increased depth? Perhaps one day Tommaso will concur. There were approximately 2000 bottles produced. Drink 2017-2018.  Tasted September 2017  bibbianowines  lesommelierwine  @bibbianowines  @LeSommelierWine  Bibbiano Chianti Classico  Le Sommelier, Wine Agency

Bibbiano Rosato Scappalepre 2016, IGT Toscana, Italy (WineAlign)

Scappalepre, as in “the run away hare,” another whimsical name for a Bibbiano wine. This follows the growing number of specifically designed Tuscan rosés, especially for the Chianti Classico territory, to join the trendy ranks but with great sangiovese purpose. Scappalepre is from 100 per cent sangiovese fruit picked off of north and south vineyards and harvested purposely for Rosato. It is picked early, at least a few days before for Chianti Classico. Not quite saignée method but with a wealth of Rosé possibility, fresh and structured, confusingly phenolic and up there in the 14-plus per cent alcohol realm. A wine of sugars, acids and alcohol. It’s in a league of its own. Approx. 2000 bottles produced. Drink 2017-2019. Tasted  September 2017

Bibbiano Chianti Classico 2015, Tuscany, Italy (168286, $23.95, WineAlign)

“It’s a very genuine grape. It will never try to have fun with you,” explains Tommaso Marrochezi Marzi. This could easily have been said about the 2014 sangiovese though we know by now that the grape’s resilience has and will continue to bring itself about, and around. This 2015 shows its colours early, often and in great fruit strength. It’s beautiful and expressive, a spoken varietal message that is clear and understood. It should be enjoyed while it talks in fruit this way. Silky smooth, textured like fine satin, caressing and even sexy, sulty and lush. No colorino now and perhaps its inclusion with be more likely when the new vineyard grows up but for now the indigenous grapes are used in the Bibbianaccio IGT. Here again raised in all concrete for the élévage lending freshness, properly oxidative, anti-reductive character. Drink 2017-2019.  Tasted September 2017

John Szabo M.S., Steven Robinson, Brad Royale, Silvia Fiorentini and Tommaso Marrocchesi Marzi

Bibbiano Chianti Classico Riserva 2014, Tuscany, Italy (AgentWineAlign)

The first vintage not called Montornello is now a Chianti Classico Riserva on its own with that (northern slope) vineyard separated as a Gran Selezione. The smooth depth of sangiovese fruit character here is entirely Riserva though without edges or toughness. No grit, some minor grip, fineness and silkiness of tannin. The perfect summer of September allowed picking to happen at the end of the month, in delivery of enough quantity and quality for both Riserva and Vigne di Montornello Gran Selezione. A Riserva as polished, modern, clean and drinkable as they come and a terrific effort for the challenging vintage. Drink 2017-2022.  Tasted September 2017

Bibbiano Chianti Classico Gran Selezione Vigne di Montornello 2014, Tuscany, Italy (AgentWineAlign)

The artist formerly known as Chianti Classico Riserva is now Vigne di Montornello beginning in 2014, from the northern side so not a single-vineyard so to speak but a collection of very specific vineyards. Spent 18 months in a mix of wood, the thread carried forward from the Riserva but with a more focused, intense and layered approach. Having already needed a reset of the compass to wrap my head around the Riserva now taking in some Capannino side fruit, the recalibration also involves moving upwards in pyramid quality. The plan is for the best of Montornello fruit to work with precocious acumen so that it may immediately transport this GS to a new plenary place for Bibbiano. It’s offer of gratification is fleeting in comparison because it’s a conceptual baby as compared to the Capannino, in this or any near future vintage really. Drink 2018-2024.  Tasted September 2017

Bibbiano Chianti Classico Gran Selezione Vigna Del Capannino 2013, DOCG Tuscany, Italy (AgentWineAlign)

The Chianti Classico Gran Selezione Vigna Del Capannino 2013 is monstrous, from ’58 and ’62 sangiovese grosso vines put in by Giulio Gambelli, then grafts from that material for masale propogation in 1999 and the 2000s. The departure from Brunello is here, a huge, muscular, dare it be said Bibbianaccio of the sangiovese Bibbiano family, in GS form, thick, tannic, brooding, exceptionally structured, robust and 15 years away from announcing its true plans. This bottle is subdued however slightly from a spot of TCA but not enough to warrant skipping on past. Wow. Drink 2021-2032.  Tasted September 2017

Bibbiano Chianti Classico Gran Selezione Vigna Del Capannino 2011, DOCG Tuscany, Italy (AgentWineAlign)

The vineyard “Del Capannino” was planted in the 1950’s by the late great Giulio Gambelli, assistant to Tancredi Biondi-Santi. Not surprisingly and in connection to Brunello di Montalcino it is a clonal planting of sangiovese grosso, with further propagation done in the 1990s. The rich Albarese soil of Del Capannino enjoys the finest exposure and microclimate on the estate and is considered the best expression of Bibbiano’s “genius loci,” the spirit of the place. The first single vineyard vintage was 1998 and the Riserva designation switched to Gran Selezione in 2014, retroactive to the 2010 vintage. Today Bibbiano uses Botti (di rovere) Grande and Tonneaux (beginning in 2008) after barriques had been used for years. Still and always has been 100 per cent grosso, the only producer to do so in Chianti Classico. And so theirs is a liqueur that of course takes your mind to Brunello but this is purely Castellina and Chianti Classico so don’t be confused or tempted to settle for idyll comparisons. This has freshness, purity and that enticing meets teasing acidity, certainly consistent with and of no divergence to Bibbiano style. Ties to CC and CCR are blatant, necessary and so very pleasing. There is great structure but you can think about drinking this in its youth. It wont let out all its secrets but it will begin to tell its story. A story of territory. Drink 2019-2028.  Tasted February and September 2017

Bibbiano Bibbianaccio 2011, Igt Toscana, Italy (AgentWineAlign)

Bibbianaccio comes to light in its inaugural vintage, “the bad boy of Bibbiano.” Who is this bad boy, wine or man, referring to Tomasso Marrocchesi Marzi perhaps, or is it something other? The 50 per cent sangiovese, (40) colorino and mixed varietal (including malvasia bianca) blend is an ode to a time before, when Chianti Classico regional wines were blends filled with whatever grew in the fields and men were men. This (mere production of 2,000 bottles) one is forged with extended battonage, malolactic is done in tonneaux and then the blend is assembled and sent to Slavonian oak. The bad more likely refers to a departure, a break from the stylistic and the the territorial approach. His purpose is “to show that we are capable of anything,” insists Tomasso. His rebel is floral and it reminds me of a northern Rhône syrah-viognier, in a sangiovese-colorino with white grape addendum body. Colorino brings the colour, but texture is also ushered in. The punch downs, the stalks mined in, the wood and the compression all give this a vivid, fleshy reality. It’s also much more tannic than the straight-shooting sangiovese. Bibbiannacio is yet another wine tasted in Chianti Classico with no frame of reference, or certainly not one that I have ever tasted before. It is drawn fruit on down from both sides of the Bibbiano plateau but I really taste the calcaire, liquid chalky and mixed with that tannin showing that some further bottle time is needed. Drink 2019-2025.  Tasted February and September 2017

Castello di Fonterutoli

The Mazzei family lays claim to Chianti Classico’s origins in a document authored by Ser Lapo Mazzei in 1398. In correspondence from the 16th of December between “the keen notary” and Francesco Datini, “the merchant from Prato “Ser Lapo Mazzei made reference to “Chianti” as a production region and denomination. In 1435, when his granddaughter Madonna Smeralda Mazzei married Piero di Agnolo da Fonterutoli, the holding became part of the family’s estate. Since then, for 24 generations, the Mazzei family have produced wine at Castello di Fonterutoli.

Filippo Mazzei led us through a tasting of seven wines, including the experimental and visionary “Mix 36,” an IGT composed of 36 clones of Fonterutoli planted sangiovese. We then followed Filippo across the road from the estate and village to Osteria di Fonterutoli for lunch and some spirited discourse on sangiovese and the future of Chianti Classico.

Mazzei Badiola 2015, IGT Toscana, Italy (662197, $19.95, WineAlign)

Badiola is a sangiovese-merlot, 70-30 mix and its name comes from the tiny Roman times (circa 998) church set in one of the estate vineyard at 650m. This so happens to be the highest elevation in the area. Badiola sees 10 months in mainly used barriques for the intent to fashion a fruity, round, “everyday” Super Tuscan. It’s actually a bit lactic, dark berry dusty and with some solid grip. Drink 2017-2019.  Tasted September 2017  marchesimazzei  profilewinegroup  @MarchesiMazzei  @ProfileWineGrp  Marchesi Mazzei – Castello di Fonterutoli  Profile Wine Group

Castello di Fonterutoli No. 10 2014, IGT Toscana, Italy (AgentWineAlign)

No. 10 is something akin to a lottery pick, chosen from a group of samples and this specific sample was number 10 in the testing. It’s a dusty, properly volatile, minor bretty young sangiovese (with some other varieties mixed in) and led by dark currant to black cherry fruit. It’s neither avant-garde nor a legend but it is very particular in style. Drink 2018-2021.  Tasted September 2017

A week’s worth of sustenance in Toscana #5- Pici con ragu di cinghiale at Osteria Di Fonterutoli

Mazzei Chianti Classico Riserva Ser Lapo 2014, DOCG Tuscany, Italy (288530, $22.95, WineAlign)

Fonterutoli’s Chianti Classico Riserva Ser Lapo is named for Filippo Mazzei’s ancestor “Mr. or Signore Lapo,” the first to use the word “Chianti Classico” on a wine label, in December of 1398. This Riserva is 90 per cent sangiovese with 10 merlot and while it no longer fetches three florins, 26 soldi and 8 dinari for 6 barrels, it consistently represents one of the finest values for Riserva level on the CC pyramid. This 2014 spent 14-15 months in barriques and its classic, old time, rustica red tart fruit sangiovese with fine tannins wastes no time into the sidetracked distraction of unwanted meanderings. Walks the Chianti Classico line with classic distinction. Drink 2018-2022. Tasted September 2017

Mazzei Castello Di Fonterutoli Chianti Classico Gran Selezione 2013, DOCG Tuscany, Italy (Agent, $75.00, WineAlign)

Some malvasia nera and colorino are blended in with the 92 per cent sangiovese, raised in 60 per cent new barriques plus tonneaux. The Mazzei GS is selected from the best parcels and finest quality grapes within those parcels. This is the fourth vintage, 2010 being the first and from a lineage for the wine known as Castello that began in 1995. Was not a Riserva before but just the Castello (IGT). It’s 2013 to be sure but with a deeper, nearly hematic and brooding character. Still the Fonterutoli dusty red fruit but with some iron fisted tannic management. It does carry this sexy feel and yet it’s so serious, so ’13. Drink 2018-2023.  Tasted September 2017

Filippo Mazzei in discussion with Brad Royale and Steven Robinson

Castello di Fonterutoli Mix 36 2013, Igt Toscana, Italy (AgentWineAlign)

Castello Fonterutoli’s Mix 36 IGT Toscana is a brilliant stroke of insular blending genius, from a plot with the 36 sangiovese biotypes planted together but all from the same rootstock, planted in 2003 and 2004. It’s from a very clay vineyard at 300m. An experimental wine to be sure, the commotion variegates layer upon strata, of multi-sangiovese personality interwoven with 35 more variations of its own distinct character self. The becoming may be muddled but it’s simply delicious, fruit juicy, high in acidity though the tannins seem tamed and rendered. Filippo Mazzei insists this to be considered at the top of the pyramid, on a Gran Selezione level. He’s more correct that even he might realize. Just bloody delicious multiplicity of sangiovese. Drink 2018-2024.  Tasted September 2017

Castello di Fonterutoli Concerto Di Fonterutoli 2015, IGT Toscana, Italy (AgentWineAlign)

Concerto di Fonterutoli is the Super Tuscan that started in 2001, originally with 20 per cent cabernet sauvignon. In the nineties there was only half a hectare, and so ’94 was then the last vintage. Over the last 20 years there has been a gradual migration to sangiovese and a restoration of this historical vineyard, but now there is a return or at least a mimic of what was done 20 years ago. So it’s a return to the 80-20 split, not a wine from Concerto Vineyard but a fantasy name, bringing two together, now sangiovese from Fonterutoli and cabernet sauvignon from Siepi. It’s deeply cakey, rich, tannic, very wooden sheathed, with almost a sweetness as a result, more like Napa than almost any wine from lands in Chianti Classico. It wells with big, sweet, grainy and chalky tannins. Huge monster of a wine. Drink 2019-2026.  Tasted September 2017

Castello di Fonterutoli Siepi 2015, IGT Toscana, Italy (AgentWineAlign)

Siepi is the 200m vineyard, west of Fonerutoli, a historical place that already had vineyards planted when the family arrived in the 1400s. This is the only exception to what is being done at the estate. Sangiovese (1995-2000) and merlot (1985) grown, picked and vinified separately. It’s essentially a single-vineyard blend, though on two sides of a road. A 50-50 split, separated and then brought together. It carries more tartness, high acidity and fine tannic structure. Very fine, less cake then Concerto and more of a seamless affair. Merlot in certain parts of Chianti Classico just seems to have this affinity, alone and in partnership with sangiovese, in ways that cabernet sauvignon just does not. Drink 2019-2027.  Tasted September 2017

Rocca delle Macie Estate, Castellina

Rocca delle Macie

Sometimes it just feels like Rocca delle Macie sits at the epicentre of not only Castellina in Chianti but the greater territory that is Chianti Classico. Consorzio President and estate proprietor Sergio Zingarelli is certainly a principal reason for the sentiment but it’s more than that. No other three-tiered pyramid set of examples for Chianti Classico, Chianti Classico Riserva and Chianti Classico Gran Selezione speak to the perseverance of presence and consistency of quality in the Ontario market (plus 40 other countries) and yet it feels as though Rocca delle Macie is just beginning to reinvent its oeuvre. Zingarelli’s late father Italo, a former boxer and producer of spaghetti westerns, bought Rocca delle Macìe in 1973 and today the company produces wines off of six estates, including Macie, Fizzano and Sant’Alphonso. Sergio and his wife Daniela, daughter Giulia, son Andrea and Marketing and Communication Manager Thomas Francioni welcomed us into the Zingarelli home for a comprehensive tasting and the most exceptional home cooking. Not to mention the finest gelato in Toscana and Andrea’s very special craft gin. I made notes on the following six wines.

ry  And in #castellinainchianti we taste @chianticlassico @roccadellemacie with The Presidential #sergiozingarelli

Rocca Delle Macìe Moonlite 2016, IGT Toscana, Italy (400879, $17.95, WineAlign)

Moonlite 2016 gathers vermentino, chardonnay and pinot grigio (40/40/20) from vineyards in southwest Toscana, not far from Grossetto. The lands are really, ostensibly, technically in the Morellino area. A white Super Tuscan so to speak, it’s fresh but also rich and funny in that it’s almost as wet stone smelling as it is pear fruity. There is this ubiquitous Italianate feel about it, not necessarily Tuscan but as a regional white (not sangiovese) it’s harder to define. The vermentino lends a saltiness and the nearby seaside a secondary note as such. Drink 2017-2019.  Tasted September 2017  roccadellemacie  profilewinegroup  @roccadellemacie  @ProfileWineGrp  @roccadellemacie  Profile Wine Group

Rocca Delle Macìe Chianti Classico 2015, DOCG Tuscany, Italy (741769, $18.95, WineAlign)

This VINTAGES Essential in Ontario delivers a contiguous style continued since the brand switched to fresher, less brooding gears over the past five or six years. Sees 10-12 months in large Slavonian casks (5000L), from many estates and a selection of vineyards. Freshness is a virtue and depth of fruit as important as anything, in a consistent, well-mannered and fleshy experience, top to bottom. Carries a small amount or Bordeaux varieties.  Last tasted September 2017

Rocca delle Macie’s Chianti Classico 2015 makes the adjustment and will be perfect for the current market, now changing in style again, away from dark colour, with less cabernet sauvignon, to be so very sangiovese and to celebrate the vintage. The classic fresh, bright and righteously dusty red cherry is just so very subtle and refined for what sangiovese can be. You will be hard pressed to find a more amenable, reachable and commercially getable Chianti Classico from a vintage ready to roll. Drink 2017-2019.  Tasted February 2017

A week’s worth of sustenance in Toscana #4- Ribollita da Daniela Zingarelli

Rocca Delle Macìe Chianti Classico Tenuta Sant’Alphonso 2015, DOCG Tuscany, Italy (Agent, $22.95, WineAlign)

Tenuta Sant’Alphonso is the single vineyard Chianti Classico, from one of five estates, mostly clay and dictated by 100 per cent sangiovese. French oak of smaller size (25 hL mostly, up to 30) is employed because of the clay. The robust flesh and tannins need it and are coupled by it, but also refined by it. Aggressiveness only goes so far in sangiovese and then it hits you over the head so accepting the depth in espresso, dark chocolate and the eventuality of balsamic needs to be understood. The use of cement tanks (and less time in Inox tanks) helps to stave off reduction. This is one of the more Riserva like CCs on the market, carrying many characteristics that happen with more and smaller barrique aging. Drink 2018-2022.  Tasted September 2017

Rocca Delle Macìe Chianti Classico Riserva 2013, DOCG Tuscany, Italy (930966, $23.95, WineAlign)

Rocca delle Macìe’s is a selection of the best grapes pulled from all four estates, but in different (separate) vinifications and vivifications, aged in French barrels, half new and half 2-plus year old. The methodology looks for consistency in every vintage, because it’s the gathering of best fruit, (including half the fruit from the Sergio Zingarelli Vineyard). Very round, fleshy, composed, integrated, a high acidity (more than many) vintage, dry and intense.  Last tasted September 2017

The vintage is not so much one for Gran Selezione but that category’s loss is the Riserva’s gain. This is a very balanced and structured Riserva with a healthy dose of oak and an even greater sense of the Zingarelli family style. It’s crucial and obvious, correct and loyal, so very modern. Why shouldn’t it be? Let is settle for one year. Drink 2017-2021.  Tasted September 2016

Rocca Delle Macìe Chianti Classico Fran Selezione Riserva Di Fizzano Single Vineyard 2013, DOCG Tuscany, Italy (699454, $33.95, WineAlign)

Fizzano is the historical single vineyard that Sergio’s father Italo purchased from The Bertoli family (who did not have any vines) in 1984. From 1985 to 2010 it was CC Riserva and moved to the category of Gran Selezione for the 2010 vintage, keeping the Fizzano name. Mostly (95 per cent) sangiovese with five merlot, only French oak (20 per cent barriques), from calcareous (with quite a mix of sandy) soil. iIt’s a silky affair, ripe in tannin and from fruit so much so. One of the oldest vineyards (planted in 1985 to 1990) but needing replanting, to a higher (5,000+ plants per hectare) density. Not so much exceptional length but now having evolved into a really round, balanced and amenable CC. More than almost any GS.  Last tasted September 2017

Certainly the most affordable Gran Selezione on the market, Rocca Delle Macie’s From Castellina in Chianti is remarkably defined and tannic. The (32nd) vintage prepares for another profitable possibility, with ripe fruit, solid structure and those formidable edges. The re-branded single-Fizaano vineyard Riserva to Grand Selezione is again worth every bit of that advantage. Big, balanced and in the end, still brooding, let this rest for another two years. Drink 2019-2026.  Tasted January 2017

Rocca Delle Macìe Roccato 2010, IGT Toscana, Italy (Agent, $51.95, WineAlign)

Roccato is the second Super Tuscan of the estate (along with Ser Gioveto), this beginning with the 1988 vintage. It’s a 50 per cent sangiovese and 50 cabernet sauvignon split and the reasons for pouring a not so current vintage will become clear. Aged only in barriques Roccato is rich beyond the pale and with the first (very apparent) volatility and bretty culpability, though remarkably not as tannic as expected. It’s quite a smooth, silky, velvet cupboard but filled with acidity. This seven year point of age is certainly part of the mystique and secondary character is beginning (or has well begun to take this next step). Most supple and round and then the finish goes into chocolate ganache, dark toffee and a feigned note of sweetness. Will likely carry more cabernet sauvignon in the future and conversely Ser Gioveto (not tasted) will likely become a Chianti Classico Riserva. Drink 2017-2020.  Tasted September 2017

Gallo Nero of Rocca delle Macie in Castellina in Chianti

Good to go!

Godello

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