The pearls of Morissette’s wisdom

Pearl Morissette Riesling samples

Pearl Morissette Riesling samples

So you make wine from Ontario-grown grapes and it fails VQA inspection. The economic impact is potentially crippling. Here’s the short story. The sale of an Ontario VQA-certified bottle of wine sends approximately 15-20 per cent of the profit to the province. Without the stamp the tax cost is upwards of 50. There is no money to be made if your wine has not been blessed by VQA. Here is the long version:

The total Landed Cost (what the winery keeps) is calculated based on this:
Basic Price (retail price)  
minus Environmental Tax fee (same for VQA and non-VQA)
minus Bottle Tax/Levy (same for VQA and non-VQA)  
minus LCBO Wine Levy (applied to non-VQA only, yet minimal – $1.15 for $26btl)
minus LCBO mark-up (which is completely different between VQA and non-VQA – $0 for VQA, $8.5039 for a non-VQA wine based on a $26)
For a $25.20 ($25 + bottle deposit) bottle of wine, this is what the winery (Total Landed Cost in VQA language) keeps:
VQA retail: $20.56
VQA licensee: $20.56
non-VQA licensee: $12.44
These numbers come from a calculator, designed by VQA and the LCBO themselves that gives you the breakdown, once you enter the retail price.

François Morissette has that crazed look in his eye. The Quebec native faces the professional fight of his young winemaking life and has no intention of backing down. There will be no compromise of the viniculture oeuvre. Morissette’s day in, day out plight has been instigated by the Vintners Quality Alliance (VQA), the regulatory board that determines whether or not a wine made in Ontario gets its stamp of approval. It has already happened four times. VQA has rejected his Rieslings.

The pearl Morissette Cuvée Blackball Riesling 2011 is a $26 (retail price including bottle deposit) non-VQA bottle of wine and so the winery’s profit (before operating and production costs) is $12.98. Do the math. Sounds like a loss leader to me.

Pearl Morissette pigs

Pearl Morissette pigs

Morissette makes the wines at Pearl Morissette out of the Twenty Mile Bench in Jordan, Ontario. He’s opinionated and sometimes just plain pissed off. There are those who surely consider him a rogue, a dissident and an SD but at the end of the day, just how is he so different from his Niagara brethren and sistren? He is a farmer and a purveyor of fermented grapes. Granted his methods are progressive and experimental but the goal is the same as any honest and passionate winemaker. François Morissette wants to make memorable wine. Last July François Morissette told me “it’s not that we don’t want to make natural wines. We want to make wines with the least amount of impact.”

In July of 2013 at the i4C Cool Chardonnay Conference in Niagara, Francois expounded on some of the more important facets of making wine in Ontario. “Climate is the number one terroir driven aspect. The clone is nothing without the rootstock. They are inextricably linked.” He is a man who believes wholeheartedly in natural acidity. “You will have riper fruit on dry matter.” These are the ideas of a “rebel,” of a winemaker willing and ready to push the envelope. “I cannot ever apply what I learned in Burgundy as a farmer to Niagara. It’s a totally different animal.” These are the words of “pot-stirrer” Francois Morissette.

Foudre at Pearl Morissette

Foudre at Pearl Morissette

Today, Monday, May 26th, François and his girl Friday Svetlana Atcheva will once again go before the powers that be at VQA.  In their meeting with Executive Director Laurie Macdonald they will argue that their four-time rejected Riesling is bio-chemically sound, that it is a wine with no technical faults. The question of penalizing innovation will be raised, albeit in the spirit of cooperation. They will assert that the level of residual sugar (which the VQA panel seems to feel is “atypically” too low) and perceived sense of dryness must not be the focus. Morissette and Atcheva will explain to the panel that their Riesling is not oxidized but that the use of wood foudres (in addition to typically employed stainless steel tanks) allows for a gentle yet natural, controlled oxygen transfer. Ms. Macdonald will be asked the question on everyone’s mind. “How can an organization that reigns over such a young wine region be so sure what is correct and what is not?” What they should really say is “who are you to play God with wine?”

The sensory evaluation panel and decision makers maintain the necessity that “VQA wine grapes meet standards such as minimum ripeness levels (degrees brix) attained through careful viticultural practices.” This statement suggests that the Pearl Morissette Riesling fails to meet the criteria laid out by the decided governance. Does the system not sound like it is seeking conformity in the name of typicity? I spoke with Atcheva last Monday at the Generation Riesling tasting and she adamantly refutes the VQA position on Pearl Morissette’s wines. Skin ripeness, not sugar levels, indigenous yeasts, minimal interventionist winemaking and most of all quality should be the determining factors to passing their Ontario wine to VQA status. François just wants to be free to sell his wines to whoever he pleases without being shackled to taxes and bureaucracy. “My preference would be for 1,000 people to buy one bottle. But that takes time.”

Atcheva spoke at length this past weekend with a senior LCBO product consultant who elaborated on the selection process for the VQA panel. Up until a few years ago panel members were chosen based on their tasting experience. Today seniority lands spots on the tribunal. Work an LCBO cash for fifteen years and you too can decide the financial future of an Ontario winery.

Conrete Egg Fermenter

Conrete Egg Fermenter

For a full account on VQA evaluation processes and the rejection of Morissette’s wines, read Rick VanSickle’s article, The ‘black-balled’ Riesling from Pearl Morissette in Niagara and the storm that’s brewing over VQA rejection: Let’s talk about it. Another response by Tim Reed Manessy brings the VQA system’s shortcomings into proper focus. Behind the ‘Black Ball’ is Manessy’s take on his blog, Somm on the Run.

Hinterland's Jonas Newman, François Morissette, Montreal Gazette and Chacun Son Vin's Bill Zacharkiw, WineAlign's John Szabo M.S. , Wine Country Ontario's Magdalena Kaiser Smit and Assistant Winemaker Ryan Corrigan tasting Cabernet Franc

Hinterland’s Jonas Newman, François Morissette, Montreal Gazette and Chacun Son Vin’s Bill Zacharkiw, WineAlign’s John Szabo M.S. , Wine Country Ontario’s Magdalena Kaiser Smit and Assistant Winemaker Ryan Corrigan tasting Cabernet Franc

Through the generosity of François Morissette, Naomi Laurie, Ryan Corrigan, Cameron MacDonald and Svetlana Atcheva I have had the opportunity to taste, consider and assess the wines of Pearl Morissette out of tank, barrel, concrete egg fermenter and bottle on several occasions in the past year. Here are my notes on many of those moments.

Riesling Cuvée Blackball 2010, Niagara Peninsula, Ontario ($26)

This introduction to the experimental oeuvre of François Morissette holds attention and water. The delve into texture shaping by way of progressive malolactic fermentation during primary fermentation is a stirring exercise in character building. The ’10 is a conjoined cuvée of two, one of which contained 20% botrytis affected grapes. It spent eight months on fine lees in stainless steel and finished so very dry, at 1.27 g/L residual sugar. Biochemically correct, reeking and bleeding of the Peninsula’s veins, Blackball was submitted for VQA approval four times and rejected because it “lacked varietal typicity.” Perhaps it was the lack of human intervention, the anti-Bonzai approach, that doomed this diffident Riesling. Perhaps the texture should take it on the cheek for its brilliant disguise, for changing the subject and forcing the taster to open their mind and act innocent for a moment in time. The Blackball has that effect. Sadly, it too will be typical one day.  Tasted July 2013

Riesling Cuvée Blackball 2011, Niagara Peninsula, Ontario ($26)

The 2011 Cuvée Blackball picks up where the ’10 left off. When tasted from a stainless steel, not yet labeled sample in bottle back in July of 2013 it showed high acidity and citrus but also a bottle-shock musky note. Nearly one year later the wine has fleshed into that sought after experimental texture, as if it were aged in foudres. It’s flexibility was encouraged by three months of aging on its fine lees. The ’11 is the jumping off point and the bridge towards understanding where the Riesling program is heading. Others will follow. “There’s no real reference for these wines,” admits Morissette and that’s the clue to understanding why haste judgments are passed. Fear of the unknown empowers tradition to stagnate and end up getting left behind.  Tasted July 2013 and May 2014

Riesling Cuvée Blackball Barrique 2011, Niagara Peninsula, Ontario ($29)

The craving for texture led François Morissette to employ small barrels to ferment a small (68 case) amount of 2011 Riesling, in this instance eight year-old neutral barriques. Close-minded, new world wine geeks might fear anarchy but ask any winemaker from Pfalz and they would say, “tell me something new.” The succor is so benign and simultaneously, subtly huge. The increased lees contact on small volumes of wine promotes corpulence and viscidity. The methodology results in more fruit presence; in pear and yellow plum, not to mention that unmistakable Niagara citrus. This ’11 has the most levels of expression. There is nothing revelatory or regulatory about it, beyond the fact that it works and that it would stand out as an excellent example in a flight of Trocken Riesling. The ’11 exemplifies the flesh versus acid continuum. The freshness of this Riesling has emerged, thanks to meticulous sorting, ne0-liberal winemaking and the use of a -1°C fridge. François Morissette does not like to race against time. His Riesling speaks volumes about that.  Tasted July 2013 and May 2014

Riesling Cuvée Blackball Barrique 2012, Niagara Peninsula, Ontario ($29, WineAlign)

When tasted in July of 2013 the ’12 Barrique had only been in bottle for three days so the musk was quite front and centre. Aged in foudres (neutral, old wood casks) it held much latitude at such a young age with notes of herbiage (mint, tarragon), nary a drop of residual sugar and a wholly unique type of dry acidity. “It will not always show this way,” commented Morissette. Tasted 10 months later I can say this. The ’12 Riesling Barrique avoids excessive malic and tartaric acid, not to mention any amount of volatile acidity. It is viable, vital and technically sound. “This is a wine that will take time,” pleads François . “I care about texture, not about varietal character.” Though perplexing and untamed, the wine has undeniable body and that noble bitterness in its unsung tang. It is the anti-Riesling hero, full of experiential conceit and needs to be revisited often, to see where it will go.  Tasted July 2013 and May 2014

Riesling and The Lamb Lies Down on Broadway

Riesling and The Lamb Lies Down on Broadway

Rosé Cuvée LPR 2012, Niagara Peninsula, Ontario (Sold out, $25)

Stylistically speaking, the bottles (and kegs) that emerged from the 225L hemorrhaging of Cabernet Franc from both oak and concrete vessels have no reference point. In fact, the advertence is one created by Francois Morissette. The flexible disposition is difficult to pinpoint and without trying to sound blowsy in assessment, this goes places yet visited by bone-dry Rosé. If it were the only wine made on premises the barn doors would always be banged upon. A most current wine, exigently red and almost indiscernible as Cabernet Franc. It suffers no stenosis and does not live a single green day. Another VQA rejected wine, the LPR walks down a boulevard of broken dreams and it sings, “I walk a lonely road, the only one that I have ever known.”  Last tasted November 2013

Pinot Noir 2011, Niagara Peninsula, Ontario (Sold out, $36)

With utmost integrity Pearl Morissette chose not to vinify Pinot Noir from the fruit of the 2008, 2009 and 2010 vintages due to unacceptable levels of sour rot. With the 2011 harvest came inspiration. It was noted that local tree fruit farmers make use of the practice of storing their harvested fruit at 1° Celsius in a large refrigerator. This pseudo-cryogenic cooling practicum worked to halt the progression of the dreaded rot. Buying time allowed the crew to clean sort without having to worry about a single berry contaminating the lot. So what? So a pure, clean Pinot Noir was the result. Tasted four months after bottling, the modest (12.7 per cent alcohol) and vinified so dry (2 g/L residual sugar) ’11 held barking fruit on a tight leash and a moonscape of dusty, grainy tannin. Nine months later (to the day) the sensory evolution became as if cherries, strawberries and the tension in seeking ripe perfection were wine.  Tasted July 2013 and April 2014

Pearl Morissette Pinot Noir 2011

Pearl Morissette Pinot Noir 2011

Cuvée Madeline Cabernet Franc 2010, VQA Twenty Mile Bench, Niagara Peninsula, Ontario  (winery, $38, WineAlign)

François Morissette’s 2010 is a pioneering example towards defining Bench appellation Cabernet Franc isomeric reactions. Relationships between grapes of a growing area and their ultimate destination in bottle. An affair of veraison, leaf drop, frost, hand harvesting, whole cluster sorting and berry oak fermenting. Indigenous yeast, punch downs and overs for phenolic skin extraction and polymerization. Neutral oak and sulfur dioxide to provide antimicrobial and antioxidant protection. An eighteen month somniac’s rest, fine lees and no filtration. The structural arrangement in cohabitation of radicals and ions leads to such a Cabernet Franc. Fully expressive of an endemic, very ripe, vegetal varietal vicissitude that is both inbred and necessary. Currants and peppered berries of power and grit. Dry (2 g/L residual sugar), plump (13.7 per cent alcohol) and scarce (618 cases made). Reflective of the warm 2010 vintage and will always act in stark contrast to the elegant 2011. Tasted July 2013 and March 2014

19th Street Cabernet Franc 2011, VQA Twenty Mile Bench, Niagara Peninsula, Ontario  (winery, $38, WineAlign)

First tasted from a barrel sample in July 2013. “From what is turning out to be a very elegant vintage, the 2011 Cabernet Franc is early proof that on the Twenty Mile Bench “we can turn a vineyard very quickly, in three years we can turn a vine.” This is significant in consideration that in Europe, vine age is always key.” Now in bottle the aromatics are hyper-pronounced and though the tannins are less rigid, less exerting and less demanding, they are not nearly ready to throw in the towel. Longevity will define ’11 and it will be the genesis of Pearl Morissette’s CF program used to compare future vintages. “The day of judgement’s come,” and you can bet that the wine’s been “resting, for this testing, digesting every word the experts say.” With the ambient transition of a hairless heart, the 2011 Cabernet Franc segues from anxiety to counting out time.  Tasted May 2014

Chardonnay ‘Dix-Neuvième’ 2009, VQA Twenty Mile Bench, Niagara Peninsula, Ontario (limited library, $40, WineAlign)

Was the ’09 DN this lush and so pretty last summer? Was it bronzing as if sun-kissed and so delicate? Tasted alongside Chef Cameron MacDonald’s White Bean Cassoulet, duck and pork neck wrapped pate it sings in a Lindley-esque falsetto. From my earlier, July 2013 note: “Tragically singular in expression, regardless and in spite of the terroir, mixes metaphors and pulls it off. “Takes arms against a sea of troubles,” by convincing ADHD fruit of an uncertain vintage to settle, play nice and “by opposing, end them.” Now entering the load out zone, this Hamlet cuvée is “the first to come and the last to leave, working for that minimum wage.” A sentimental ballad here to stay, be remembered and to set the stage for all dix-neuvième to come.”  Last tasted May 2014

Chardonnay ‘Dix-Neuvième’ 2010, VQA Twenty Mile Bench, Niagara Peninsula, Ontario (sold out, $35, WineAlign)

Having had the opportunity to taste the 2010 Cuvée Dix Neuvieme on several occasions over the past 10 months, every layer and fibre of its being has ingratiated itself to me. The tropical, solar 2010 vintage required that steps were taken to preserve freshness for when the final blend was to be assembled. A small portion of the juice was fermented separately in stainless steel tank and then injected into the 18-month, neutral barrel mass. The ’10 is full of verve, rigor and grinning elegance. It speaks of a salinity so typical for PM Chardonnay which comes from the usage of lees. This is what could be referred to as a “tannic” white. While it lacks the intensity of the bookending vintages on either side, as a middle sibling it is the glue and the rock that speaks diplomatically and most eloquently for the family.  Last tasted May 2014

Chardonnay ‘Dix-Neuvième’ 2011, VQA Twenty Mile Bench, Niagara Peninsula, Ontario (303602, $35, WineAlign)

A child of a hot and dry summer, a stress-free winter slumber and a non-invasive spring awakening.  Sets out lean, tight and mean, but the dry extract invites spicy, stone fruit and an emergence of tropical lushness. Can there be another specimen that so rightfully defines Pearl Morissette, the top of the Bench or Niagara as a whole in 2011?   Tasted July 2013

Barrel and Tank Samples tasted July 2013 and May 2014

19th Street Cabernet Franc 2012

Tasted in July 2013 from one of two barrels, it’s not so (amazingly reductive) and redolent of the most earthly currants. From a very immense year, in primary quality, barely evolved. Blessed with such ripe tannins this will have even bigger structure. Francois declares “I’m now a believer that Cabernet Franc is the most important grape to grow in Ontario (on this side of St. Catherines). Nine months later, with the wine still sitting on its primary lees and not yet racked “it’s so torqued,” notes John Szabo. “We made a monster CF without cream,” adds François . Pure, énorme, immovable yet so stable. There was a nearly volatile spike during fermentation and malo but it’s done. A death metal beast.  Tasted July 2013 and May 2014

19th Street Cabernet Franc 2013

From juice housed in concrete, wood and open top fermenters this occupies impossible Cabernet Franc colour territory. Sweaty, chalky and bloody, it’s a bit reductive in extract and intensity. Lifted florally and very savoury, this is quintessentially Cabernet Franc in character. Crunchy tannins come late in magnanimous fashion.  Tasted May 2014

Chardonnay 2013

Tighter than it looks, sitting on its lees, pushing the envelope. In a German 2,500L barrel it’s rounder and softer. In second fill Alsatian Foudre it gains tang, spirit and backbone. From the Koscis Vineyard’s heavy red clay there is less texture and mid-palate. Out of a smaller (228L) barrel the wood is felt in fluidity, structure and creamier, clearer fruit. The largest barrel adds (10 per cent) new oak and finishes the ferment the earliest. It brings textural tack and a chewy finish. “New oak doesn’t make it better. It energizes the wine,” says Morissette. Overall this will be a rich, ripe-fruit based opulent Chardonnay, high in potential (13+ per cent) alcohol with a remarkable sweetness despite little or no residual sugar.  Tasted May 2014

Chardonnay from barrel with Ryan Corrigan, Jonas Newman, Francois Morissette and John Szabo

Chardonnay from barrel with Ryan Corrigan, Jonas Newman, Francois Morissette and John Szabo

Rosé 2013

If this Cabernet Franc is flirting with an acetic danger it is not enough to scare me away. Certainly edgy and there is a chance it may be pushed to the fringe, hippest markets but that also may just be a necessity if it is once again rejected as VQA. And it should not be.  Tasted May 2014

Bill Zacharkiw making notes at Pearl Morissette

Bill Zacharkiw making notes at Pearl Morissette

Gamay 2013

In July 2013 Francois Morissette made this statement. “If we can’t make Gamay in a Cru Beaujolais Style, I’m not interested.” In May 2014 his ’13 Gamay causes Bill Zacharkiw to comment with blatant honesty, “just line up at the tank. Forget the bottle.” From 100 per cent whole clusters sent to cement fermenters. Once again the hue is just impossible. Sulphur-free, this walks a fine and perfect line of Cru banana Gamay. Pushes the Gamay envelope in that it’s gulpable but with a duress to remind you not to overdo it. A Gamay with a chamber of 32 doors. In it “I’d rather trust a man who doesn’t shout what he’s found.” François Morissette.   Tasted May 2014

 

Good to go!

Deep freeze: Controversies, polar vortex and icewine

Extreme Lows, Niagara Peninsula, December 2013 and January 2014

Extreme Lows, Niagara Peninsula, December 2013 and January 2014
Photo: Weather INnovations Consulting LP (WIN)

as seen on canada.com

The physiological and emotional roller coaster heaped upon grapes and growers these past 55 days has been nothing short of exhilarating, frightening and exhausting. First this monster climatic Dementor known as the Polar Vortex. Along with the demonic weather came the devastation of an ice storm, followed by record low temperatures. More recently, thaw and re-freeze. Consequences and challenges have abounded. Also, a silver lining. Freezing temperatures can kill grape buds on vines unprepared and left to fend for themselves. Those little vine kinder can also just be unlucky enough to grow up in the wrong place at the wrong time. Some Niagara growers are reporting heavy losses to Riesling, Cabernet Franc and Chardonnay vines. Here are the numbers as reported by Wines In Niagara’s Rick VanSickle.

I spoke with winemaker Paul Pender of Tawse Winery in Vineland, Ontario yesterday. Paul is both unconcerned and not yet ready to make any sort of call on damage to his crops. “It’s still too early to tell,” he notes, “I won’t really head out to assess any potential damage until early March.” While Beamsville vineyards are reportedly hard hit, Pender is confident that his team’s strident and prudent vineyard management will see the vines through.

Balanced pruning means leaving a specific number of buds during the winter on a dormant cane for this year’s crop, the number based on the amount the vine grew the previous season. Tawse’s canes are cut back to two feet, the dead wood removed before winter’s freeze can hit. Buds this season were thinned from 12 to six, giving those tender bits a fighter’s chance to survive. And while Pender will not enter into an unequivocal conversation with respect to the heartiness of his vineyards as a consequence of 100 per cent organic and biodynamic farming, I can hear the surety in his voice and imagine the twinkle in his eye at the thought.

Other growers concern themselves with what may happen inside the many parts of the vine when there are freezes, thaws and re-freezes. Again, Pender is not concerned. Proper pruning should prepare a vine for a harsh winter, whether or not they are protected by a warm blanket of snow. In New York’s Finger Lakes region, Lenn Thompson is reporting “some minor bud damage to vinifera vines, but little to no vine death.” Steve Shaw of Shaw Vineyards on Seneca Lake had this to say. “Yes, this winter is definitely presenting itself in a rather volatile manner. As far as I can tell from checking a number of varieties and many buds, there does not seem to be any catastrophic primary bud kill. There is damage, but not too bad so far. I do not think that with things being this wacky that we can really rest easy until most of the winter has passed.” Brock University’s Cool Climate and Viticulture Institute in St. Catherines helps local growers with much needed information and infrastructure to deal with damaging weather. Their VineAlert program helps protect vineyards during frigid temperatures.

Icewine Hours 2013

PHOTO: Weather INnovations Consulting LP (WIN)
Icewine Hours 2013

The news is not all bad. According to many icewine makers in Niagara, 2013 will shape up to be what many are forecasting the best ever vintage for the province. Temperatures dipped to the requiem in late December and most picked their shriveled, sugary berries before the new year. That is unprecedented, allowing this season’s icewine to remain high in necessary balancing acidity and well ahead of the fermentation arresting challenges from most years. Wine Country Ontario reported that “early icewine harvest in Wine Country Ontario starts the festival fever.” Look for the most balanced icewines out of 2013. Not to mention the Grape Grower’s of Ontario reporting the province’s grape growers gathered a record 79,756 tonnes of grapes in 2013 valued at nearly $100 million.

The Niagara Icewine Festival encompasses three weekends in January dedicated to the region’s beloved ambrosial elixir, wines that have become the calling card beyond the broader confines of Canadian borders. Icewine has been made since 1981 and in that short span of 33 years, Ontario and B.C. winemakers have challenged, and in many cases lapped their counterparts in Germany and Austria. Canadian icewine is globally renowned, even if it is not the most important wine resource bequeathed upon the rest of the world.

Icewine 101. Simply put, made from grapes that have been left to freeze naturally on the vine. Ontario’s stringent Bolshevik Initial Decrees-like laws insist that icewine must be made from approved grape varieties; the most popular are Vidal Blanc, Riesling and Cabernet Franc. Some small lots include Gewürztraminer, Chardonnay and Cabernet Sauvignon.  Grapes are left on the vine until a sustained temperature of -8°C or lower is reached and then picked from those vines encapsulated in nets to protect them from birds possessive of a sweet tooth.

A national icewine debate is ongoing, inflamed by a recent Macleans Magazine article discussing the ideological differences between the VQA law preventing vine and grape separation before pressing and the Quebec practice of letting the grapes freeze in nets. Quebec growers do this out of necessity for fear of their fruit being smothered by excessive snowfall. Ontario’s old guard vehemently oppose the practice. The irony of VQA Ontario’s website low volume statistic, “with average yields of 500 litres for each acre netted,” is not lost on the curious. Two questions arise. How many grapes in Ontario nets end up in bottles of VQA labelled icewine and how can a culture of Canadian icewine be brought together without some form of compromise and collaboration? Yet again, is togetherness integral to the success of Canadian icewine, or more specifically, Ontario’s industry?

According to Klaus W. Reif of Reif Estate, apparently there are 3,750 berries needed for one bottle of 375ml icewine. Just consider the concentration for a moment, the hand-picked (though not all) labour involved and the specificity of the practice. The sweetest wine known to Canadians can indeed be re-worked as a palindrome for Niagara Ice Wine Festival.

A wet vial is fine nice agar

PHOTO: Michael Godel
Rick James Ice Sculpture, Niagara Icewine Festival

On Friday, January 10th, 2014 I was a most elated guest at the Xerox Icewine Gala: A Bacchus Evening of Icewine and Revelry. For a list of continuing events this weekend and next, here is a link to the festival site. More information here. With kind thanks to Magdalena KaiserSmit and Wine Country Ontario, I had the good fortune to taste a host of Niagara’s finest renditions, along with some very special bottles of sparkling and still wines. Here are notes on six wines sampled at the Fallsview Casino Grand Ballroom last Friday night.
From left: PELLER ESTATES SIGNATURE SERIES ICE CUVÉE, CREEKSIDE ESTATES WINERY SYRAH RESERVE BROKEN PRESS 2010, RAVINE VINEYARD RESERVE RED 2008, PILLITTERI ESTATES CABERNET SAUVIGNON ICEWINE 2011, and VINELAND ESTATES RIESLING VIDAL ICEWINE 2012

From left: PELLER ESTATES SIGNATURE SERIES ICE CUVÉE, CREEKSIDE ESTATES WINERY SYRAH RESERVE BROKEN PRESS 2010, RAVINE VINEYARD RESERVE RED 2008, PILLITTERI ESTATES CABERNET SAUVIGNON ICEWINE 2011, and VINELAND ESTATES RIESLING VIDAL ICEWINE 2012

PELLER ESTATES SIGNATURE SERIES ICE CUVÉE, VQA Niagara Peninsula, Onatrio (284547, $31.95, WineAlign)

This is Peller’s most versatile fizz, a blend of traditional method Chardonnay and Pinot Noir sweetened by a dosage of Vidal icewine post disgorgement of its lees. The lees has been left to linger in the bottle, in spirit. Sapid, savoury bubbles tingle the senses to the bone and will offer the most comforting and proper pleasures to those discriminating and otherwise. Appealing to a large common denominator, this Peller Sparkling can really do no wrong.  90  Tasted January 2014  @PellerVQA

CREEKSIDE ESTATES WINERY SYRAH RESERVE BROKEN PRESS 2010 (202127, $39.95, WineAlign)

The floral lift from three to four percent Viognier gives notice to bend the brawny, savoury black olive and blistered Ancho fruit into balance. Syrah in a sunshine state but not from concentrate. Would accept a glass of this Brokenpress at any beck and call. “Grab your wine, take me where you been, with the violin time and the moon gettin’ thin.” From my earlier note: “Offers up gorgeous pine and pepper-laced correctness and so much juicy, fresh warmth from a terrific Syrah vintage in Ontario and even more parochial so on the St. David’s Bench. This Queenston Road Vineyard red is winemaker Rob Power’s secret weapon, absolutely freakin’ delicious stuff and the epitome of what Syrah should be like from Niagara. Verve, rigor and yet also flirtatious with expertly judged wood and tannin to re-fresh its spirit and lengthen its life. Love it.”  91  Tasted twice, October 2013 and January 2014  @CreeksideWine

PILLITTERI ESTATES MERLOT FAMILY RESERVE 2002, VQA Niagara Peninsula, Ontario (71753, $39.95, WineAlign)

Served from Jeroboam, one of 23 produced and a testament to the precocious, facile touch of then winemaker Sue-Ann Staff. The extreme five litre format has certainly been kind to the hermetic 11-year slumber of this Merlot, as has the above average red Niagara growing season. Charlie pulled out this rare behemoth “for the special occasion” and despite and with thanks to the perfect vintage meets size storm, it has held up with dramatic fortitude. Unmistakably predicated Pillitteri chocolate perfume, brushed violet, mulberry and oven-warmed baking spice. Holding in sustained concentration, the toffee, caramel and umami of wizened, oxidized fruit not yet a twinkle in its soapy sandalwood eye. How could Sun-Ann have known what time-cheating lengths her Merlot would see to?  93  Tasted January 2014  @Pillitteriwines

RAVINE VINEYARD RESERVE RED 2008, St Davids Bench, Niagara Peninsula (20483, $55.00, WineAlign)

This Bordeaux style blend (40 per cent Merlot, 33.3 Cabernet Sauvignon and 26.7 Cabernet Franc) is clothed in a coat of arms all about texture. A drawn and raised relief of dried, candied bramble fruit and charcoal lines of savoury, earthy hickory and herbs. Hearty warmth from a cool vintage, meat on a stick in a glass, charred, roasted and smoking. A spit of gamey goodness. Holding strong but drink now.  90  Tasted January 2014  @RavineVineyard

PILLITTERI ESTATES CABERNET SAUVIGNON ICEWINE 2011, Niagara On The Lake (46557, 375 ml, $60.00, WineAlign)

A most unique and striking rendition, wearer of many hats, confounding and curious. There is a funk about him that stands apart from the rest. Like a really well-aged, superb piece of washed rind cheese, then turning unabashedly sweet, with verve and symphonic tone. An orange sky of an icewine, anti-bittersweet, accented by mace and anise, carob even. “Here is what I know now brother. Here is what I know now sister.” Cabernet Sauvignon, in a vintage equipped with striking acidity, can turn into something to look forward to. One of the more interesting icewines to date.  91  Tasted January 2014  @Pillitteriwines

VINELAND ESTATES RIESLING VIDAL ICEWINE 2012, VQA Niagara Peninsula, Ontario (163018, 375 mL, $60.00, WineAlign)

This represents the icewine revolution, for the first time adding 15 percent Vidal juice into the Riesling mix. In 2012, the normally stand alone Riesling needed a shot in the arm, provided by the Vidal, a dose of icewine magic by winemaker Brian Schmidt. Lifted tree fruit blossom and added weight are the result, without hyper-sweet flavours. Riesling is the rock, Vidal the roll as this RV crashes into me. The pit orchard fruit is reduced and recognizable to taste, yet reserved and in phonic harmony. “Sweet like candy to my soul, sweet you rock and sweet you roll.” Brotherly love icewine, full of Schmidt wisdom.  93  Tasted January 2014  @benchwineguy

Good to go!

Holiday wine weathers the ice storm

Ice tree after the storm

Ice tree after the storm
Photo: Michael Godel

as seen on canada.com

What a strange, trying and beautiful holiday season it has been. If you are still without power and heat, here’s hoping you can climb out of the darkness as soon as possible.

Ice storm 2013 tree Down

Ice storm 2013: Tree down in the middle of my street

Go figure that wine helped add warmth to a cold week. These past few nights I’ve been fortunate to share some memorable bottles with family and friends. I held in self-possession some ready to pop and pour Boxing week wines, but you may not have been so fortunate. Was the LCBO open to find them? No. Could you walk into a private wine shop to seek them out? Not so much. Is there a VQA wine store with its doors wide open to offer up these local beauties? Not a chance. Though the stretch between Christmas and New Year’s can seem like a purgatorial void where nothing seems to happen, it does offer the opportunity to take a trip down the QEW or across the 401 and find perfectly beautiful wines for sale at the source. My advice? Stay away from the malls and go in search of local wine. Niagara, Prince Edward County and Lake Erie North Shore are waiting for you. Just be sure to check winery hours first!

From left: Chateau des Charmes Aligote VQA St. David's Bench 2011; Rosehall Run Pinot Gris Cuvée County 2012; Rosewood Estates Merlot 2011; Pillitteri Estates Cabernet Sauvignon 'Exclamation Series' 2010.

PHOTO: Handout/Michael Godel
From left: Chateau des Charmes Aligote VQA St. David’s Bench 2011; Rosehall Run Pinot Gris Cuvée County 2012; Rosewood Estates Merlot 2011; Pillitteri Estates Cabernet Sauvignon ‘Exclamation Series’ 2010.

CHATEAU DES CHARMES ALIGOTE VQA ST. DAVID’S BENCH 2011, St. David’s Bench, VQA, Niagara Peninsula, Ontario (296848, $13.95, WineAlign)

A product of wise vines with a nose so tropically-scorched, in pear and banana bubble gum. Glycerin saturate texture, indelible, edible white, immersed and immeasurable for food connectivity. Amenable, personable, diplomatic daughter of aromatic proportions, doting and full of flavour. A Mayer Aligoté, in joule raised heat capacity and major Meyer lemon. “She puts the color inside of my world but, she’s just like a maze.”  88  Tasted twice, March and December 2013  @MBosc

A solar tobaggan walk

A solar tobaggan walk

ROSEHALL RUN PINOT GRIS CUVÉE COUNTY 2012, VQA Prince Edward County, Ontario ($21.95, winery)

Puts the exclamatory headline previously written for other 2012 County PG’s back on top of the front page. The band’s ’12 members include Norman Hardie and Hubbs Creek and now Winemaker Dan Sullivan’s effort joins the already raging party, “with ripples and the rhymes,” climbs the stage and dances on the tongue and in the mouth. Like a refreshing glass of water, with so much orchard fruit goodness, in cold play pear and citrus, with more crazy acidity than before. This despite the equatorial balm of the vintage. A Grise Fiord of Pinot goodness, a cool drink of Gris that never thaws.  90  Tasted December 2013  @Rosehall_Run

Ice Tree

Ice Tree

ROSEWOOD ESTATES MERLOT 2011, VQA Niagara Escarpment, Ontario (211896, $22.00, winery)

From Renacaeu and Wismer Vineyards fruit on the upper reaches of the promontory, plots of land vital and calculated to produce exceptional Niagara Merlot. The granular and green nature that can sometimes mar byland Merlot dissolves away into an elastic coulee of berry coulis and savoury syrup. Carob, star anise and the intoxicating effects of chewed myrrh and betel nut round out the eastern philosophy. Attains a new level of pansophy in 2011, building a bridge from the naïve ’10 towards a perspicacious future.  90  Tasted December 2013  @Rosewoodwine

Ice storm forms

Ice storm forms

PILLITTERI ESTATES CABERNET SAUVIGNON ‘EXCLAMATION SERIES’ 2010, VQA Niagara On The Lake, Ontario ($38.00, winery only, WineAlign)

While exercising an option for plenitude wood use finds its way for the vine to make the savour of the earth intelligible to the imbibers. The poverty of the soil is this Cabernet’s prose and a taste brings out its poetry. Runs a fruity line from blue to black and digs deep, for the rocks beneath the clay. Drinking in expert evolution now and will do so for another few years, then angle towards a graceful decline. Offers shelter from the storm, “in a world of steel-eyed death, and men who are fighting to be warm.” Really fine by the fire, surrounded by an icy, unforgiving winter’s tale.  90  Tasted December 2013  @PillitteriWines

Good to go!

2013: It was the best of wines

Red wines

15 wine releases $30 and over
Photo: Steve Cukrov/Fotolia.com

as seen on canada.com

The long and wine-ding road of 2013 began with a personal plea for it to be the year of drinking better wine. I wrote about iconic wines at affordable prices and a personal hermeneutic public service announcement, a wine prescription for cold and flu. January rounded out with good reds, twenty-somethings, Robbie Burns, weekday wines and a wine analogy Super Bowl prediction gone bad.

I played pond hockey, chatted about wine and said no to ambient, rich pinks because you gotta be cruel to be wine for Valentine’s.  Real wines, more hockey, Oscars, French grapes and a Somewhereness sea of grape-driven humanity occupied my winter thoughts, along with California, The Beamsville Bench, Cuvée 2013 and the zeitgeist of my virgin expert’s tasting with music as its guide. Cool grapes marched on with wines for the Ides, St. Patrick, Passover, Momofuku in Toronto and New York City.

Spring brought 100-km wine, value reds, sunshine, Masters’ colours, a Stanley Cup for house league hockey, Ontario wine events, Peter Franus, wild leeks and Mother’s Day. There was a ‘London Calling’ for Canadian wine, Go Gamay Go, an averted LCBO strike and the Elsie Awards. I delved into the schadenfreude matters of tasting notes, the humanity in real value wine and the Venn Diagrams in a paradox of accents.

The weather warmed, I cooked for 1,300 Ultimate Frisbee players, contemplated the Rolling Stones and struck Semillon in a showcase showdown. Father’s Day, Riesling and the Canada Day long weekend preceded excursions to Fenway Park and the eleemosynary earth in the North Fork of Long Island. This followed by a search for the wine pulse of the Finger Lakes and the indelible stamp of British Columbia‘s Okanagan Valley.

The International Cool Climate Chardonnay conference took Niagara by storm (literally), leading into the August long weekend. I wrote on Sauvignon Blanc, chill red wine, The Great Canadian Wine Challenge, Free My Grapes and the plea for wine to flow across Canadian provinces.

September came, as did Low alcohol wine for the High Holidays. Ontario wines shone on, especially those from Stratus, along with Spanish and Italian reds. I touted the vinous acumen of Canadian wines for Thanksgiving, the wines of Chile, the best from Ontario and presided as guest judge at the WineAlign World Wine Awards of Canada 2013. October ended with Champagne and reasons to pour a glass of wine on Halloween.

Napa Valley came to town, there were private tastings with Ontario winemakers and I made notes on Canadian made apolitical wines. There were gems, Friday bites, Beaujolais Nouveau and more from Italy. At the end of November I wondered if the wine sign of the apocalypse was upon us. Sparkling wines and the unavoidable Christmas picks have brought us to here.

Edward Steinberg once asked Angelo Gaja, “how do you make the best wine?” to which Gaja replied, “with the best grapes.” In tasting notes I extrapolate from that base and simple notion, with an intent to convey the salient facts of the grape’s life, to give life to the agriculture, even if the first two syllables are removed in the process.

Tasting notes can be clerihews, pithy poems that begin with a winemaker’s name, become the reviewer’s purport and more often than not, are penned in four lines. Word play leading the mind to consider wine as anagram, palindrome and lipogram. Writing a tasting note not as a vinous jape, but rather an artfully woven acrostic.

Reviews align like Burma Shave signs on North American highways, spaced one hundred feet apart, connected by their language. Phrases are turned on their heads, causing the notes to be peculiarly unsuccessful in making any decided impact upon the consumer college. So be it.

The musical and other (sometimes) obscure references bring about metaphasis to the tasting notes, an habitual transposition of sounds, connecting smell, flavour and structure to groove, pitch and aesthetic. The best wines produce the greatest emotion and excess of language. Here is a look back at the top 15-$30 and over releases tasted in 2013 and the tasting notes that brought them to light.

15 wine releases $30 and over

From left: RAINOLDI CRESPINO VALTELLINA SUPERIORE 2006, TAWSE CABERNET FRANC LAUNDRY VINEYARD 2010, CHARLES BAKER WINES RIESLING 'PICONE VINEYARD' 2011, PETER FRANUS RED WINE 2008, and FEUDI DI SAN GREGORIO TAURASI 2007

From left: RAINOLDI CRESPINO VALTELLINA SUPERIORE 2006, TAWSE CABERNET FRANC LAUNDRY VINEYARD 2010, CHARLES BAKER WINES RIESLING ‘PICONE VINEYARD’ 2011, PETER FRANUS RED WINE 2008, and FEUDI DI SAN GREGORIO TAURASI 2007

RAINOLDI CRESPINO VALTELLINA SUPERIORE 2006, Lombardy, Italy (316331, $31.95, WineAlign)

Composed of 100 per cent Chiavennasca (Nebbiolo) from Lombardy. Grace, flowing ruby robe, striking. Lit by cherries bathing in a silica and gravel mineral bath, tightly wound in a swirling pensieve of real vinous thought. Elevated by cool, altitudinous breezes and gothic, statuesque like a Mantegazza. Northern, alpine and proud.  93  Tasted April 2013  @VinumValtellina  From: Top ten wines for May Day

TAWSE CABERNET FRANC LAUNDRY VINEYARD 2010, Lincoln Lakeshore, Niagara Peninsula, Ontario (130997, $31.95, WineAlign)

Assures us of several things. First, 2010 was a gift for making idiot-proof Cab Franc in Niagara, Second, the Lincoln Lakeshore is one of three obvious and essential CF locales in Niagara. Third and most important, properly adjudicated new oak can elevate CF to the upper reaches of the cool-climate troposphere. While not as masculine or bovine like brother Van Bers, Laundry’s got black cherry, tar, coal, herbs and a peaceful, grilling feeling. Essential CF from winemaker Paul Pender.  92  Tasted July 2013  @Tawse_Winery  @Paul_Pender  From: Alternative wines for the August long weekend

CHARLES BAKER WINES RIESLING ‘PICONE VINEYARD’ 2011, Vinemount Ridge, Niagara Peninsula, Ontario (241182, $35.20, WineAlign)

Does not so much pick up where cracking ’09 left off (with no offence meant to the soothing and tuneful ’10) but rather re-writes the Baker book. From the almost famous windswept vineyard atop the Vinemount Ridge, this Picone, from older Riesling plantings is crazy lively. That ’10 is now imbued with rich, oily glück. The ’11 will realize such a future, but much further along and in combination with its inborn tension. Right up there with Baker’s “perfect vintage” 2006.  93  Tasted October 2013  @cbriesling  From: Top wines shine at Taste Ontario 2013

PETER FRANUS RED WINE 2008, Red Hills Lake County Red, California ($39.95)

Composed of Syrah (85 per cent), Grenache (10) and Mourvèdre (5) comes from Fore Family Vineyards fruit on the top of 3000 foot Cobb Mountain. A fiery paradox of climate met by altitude works a strange magic on the grapes. It’s no mistral but rather some sort of wine weather occult. This SGM is highly influenced by a very tempest of dramatic temperature changes, from solar radiation to cool, tempering Pacific breezes and at great heights. Exhibits the hills’ red earth, in colour, in fragrance and in rich berry flavour. I’m grateful for this SGM blend, cool and hot at the same time, “almost ablaze still you don’t feel the heat.”  93  Tasted April 2013  @ProfileWineGrp  From: The Wine Diaries: Peter Franus

FEUDI DI SAN GREGORIO TAURASI 2007, Campania, Italy ($39.95)

Lush and gorgeous. The most immediately gratifying young Aglianico yet such an infant. Earthbound red berries, perfectly ripe plums, biting tannin and off the charts acidity. Epochal verve of Middle Pleistocene volcanic rocksSouthern Italian equivalent to Southern Rhône reds, offering tremendous value under $50 where Bordeaux and Tuscany pedantically fall short. Should join the ranks of recent great vintages, ’01 and ’04.  93  Tasted January 2013  @FeudiDSGregorio  @StemWineGroup  From: Iconic wines, affordable prices

From left: CHÂTEAU DES CHARMES EQUULEUS 2010, BACHELDER CHARDONNAY WISMER VINEYARD 2010, CLOSA BATLLET GRATALLOPS 2007, GIROLAMO RUSSO SAN LORENZO 2008, and PALLADINO BAROLO PARAFADA 2008

From left: CHÂTEAU DES CHARMES EQUULEUS 2010, BACHELDER CHARDONNAY WISMER VINEYARD 2010, CLOSA BATLLET GRATALLOPS 2007, GIROLAMO RUSSO SAN LORENZO 2008, and PALLADINO BAROLO PARAFADA 2008

CHÂTEAU DES CHARMES EQUULEUS 2010, St. David’s Bench, Niagara Peninsula, Ontario (319525, $40, SAQ,  11156334, $41.25, WineAlign)

From the Paul Bosc Estate Vineyard is a classically styled blend of 50 per cent Cabernet Sauvignon, 25 per cent Cabernet Franc and 25 per cent Merlot, only made in exceptional years. Apropos choice from 25-year old vines (in 2010) from the warmer St. David’s Bench for Cuvée’s 25th show.  Poised, balanced and regal yet this mare is temporarily a head-shy, sensitive equine red. Will trot out furlongs of tobacco and meaty aromas from now and through maturity in five plus years. A saddle of round, red fruit will age gracefully.  92  Tasted March 2013  @MBosc  From: Top juice flows at Cuvée 25th anniversary

BACHELDER CHARDONNAY WISMER VINEYARD 2010, Twenty Mile Bench, Niagara Peninsula, Ontario (345819, $44.95, WineAlign)

So sumptuous, presumptuous and precocious. Ahead of the curve, effortless and full of 20 mile mineral length. The ripe green apple never quits. My earlier note from Top juice flows at Cuvée 25th anniversary from the Twenty Mile (Vineland) Bench is the most righteous, understated charred butterscotch remoulade sauce of dreams. Richly textured and built upon a sneaky, slow and stretched breath of wild yeasts. A creeper, gatherer and traveler of both knowledge and persistence. The journey with Thomas Bachelder as related by partner Mary Delaney, from out of Quebec, by way of Ponzi and Lemelson in Oregon and to Niagara is the stuff of dreams. Tasted twice same night and hypnotized both times.  94  Tasted July 2013  @Bachelder_wines  From: Hot weekend wines and cool Chardonnay

CLOSA BATLLET GRATALLOPS 2007, Priorat, Spain (156398, $49.95, WineAlign)

Stupid gorgeous Priorat and though inaccessible to most of us mere mortals, if you were to shell out $50 in November for one wine, this has to be considered. A blend of 65 per cent Cariñena, 22 per cent Garnacha, with a smattering of Syrah and Merlot. Pure purple pitch, an early summer Catalonian garden in bloom, air warm, breeze light. Wow. Blows high priced Napa and over the top Châteauneuf-du-Pape out of the water. The oak is so beautifully integrated.  94  Tasted October 2013  From: Nine big November best buy wines

GIROLAMO RUSSO SAN LORENZO 2008, Sicily, Italy ($59.95)

From agronomist and oenologist Giuseppe Russo lives a Sicilian dream. Composed of Etna’s indigenous Nerello Mascalese with a small percentage of Nerello Cappuccio, this red is a veritable lava flow of molten magma, volcanic igneous solder and opulent Scoria. Pure, unchained fruit, no disguise, striking.  94  Tasted February 2013  @Oenophilia1  From: Real wines, whisky and boys night out

PALLADINO BAROLO PARAFADA 2008, Piedmont, Italy (280412, $68.00, WineAlign)

This just has the look, the look of love. “A look that time can’t erase.” Nebbiolo you can see right through, this impossible light, this impossible life. Tea, tar and roses. A mineral spring, iron-earth field, where the game runs wild. You can relate to this Barolo, love it, relish it now but it will give pleasure for years. Not necessarily 25 but certainly 10-15. “Well, it takes my breath away.” Great vineyard.  94  Tasted October 2013  From: Holiday wine gems hit November shelves

From left: M. CHAPOUTIER LES BÉCASSES CÔTE-RÔTIE 2010, MOËT & CHANDON GRAND VINTAGE BRUT CHAMPAGNE 2004, DOMAINE LONG-DEPAQUIT MOUTONNE GRAND CRU CHABLIS 2011, CHASSAGNE MONTRACHET VIDE BOURSE 1ER CRU 2010, and MASI MAZZANO AMARONE DELLA VALPOLICELLA CLASSICO 2006

From left: M. CHAPOUTIER LES BÉCASSES CÔTE-RÔTIE 2010, MOËT & CHANDON GRAND VINTAGE BRUT CHAMPAGNE 2004, DOMAINE LONG-DEPAQUIT MOUTONNE GRAND CRU CHABLIS 2011, CHASSAGNE MONTRACHET VIDE BOURSE 1ER CRU 2010, and MASI MAZZANO AMARONE DELLA VALPOLICELLA CLASSICO 2006

M. CHAPOUTIER LES BÉCASSES CÔTE-RÔTIE 2010, Ac Northern Rhône, France (280420, $82.95, WineAlign)

Strictly beautiful Syrah. The offspring of the Côte Rôtie’s two necessary points of view. First, the schist, silt and shingle of the Brune. Second, the silica and limestone of the Blonde. In combination they produce an iron-rust wine of a ferruginous nature, in colour and in aroma. Seeping, exotic Rooibos tea, Provençal tapenade and smouldering flowers send smoke signals clear as day. Smells so rich though it’s full of grace and bathed in ultra-elegance.  94  Tasted October 25, 2013  From: Holiday wine gems hit November shelves

MOËT & CHANDON GRAND VINTAGE BRUT CHAMPAGNE 2004, Ac Champagne, France (69773, $83.95, WineAlign)

May not be the esteemed house and vintage of the century’s love-child but I can’t think of a single reason not to spend a pittance more on a vintage-dated Champagne like this Moët in lieu of a sea of NV alternatives. Granted it’s wound maddeningly tight, spewing still young venom, crazed by pear and citrus concentrate but…trust must be placed in its charms. This Moët is quite refined. Apples tempered in acidity, beloved for its building blocks, it’s really good Champagne.  94  Tasted November 2013  @MoetUSA  From: Ten sparkling wines to life

DOMAINE LONG-DEPAQUIT MOUTONNE GRAND CRU CHABLIS 2011, Monopole, Ac, Burgundy, France (46706, $89.95, WineAlign)

From Mathieu Mangenot’s ”Grand Cru” plots, the Monopole holdings in the steep amphitheatre slope of Vaudésir and the gentle rise of Les Preuses. The Two Sides of Monsieur Valentine. He spoons piles of flint and chunks of rock. He explains the tin pan elevation of Chablis and Chardonnay squeezed from the bedrock, capturing every last drop of geology, refuse of stars and fossils of the ancient animals. Stoic, metazoic, super Chablis, with tremendous length. How can this Chablis have so much fruit but no apple, no lemon, no pith. “You think things are straight but they’re not what they seem.” Candy for the soul. Novacaine in liquid form. Amazing.  94  Tasted November 2013  From: Twelve days of wine for Christmas

CHASSAGNE MONTRACHET VIDE BOURSE 1ER CRU 2010, Ac Burgundy, France (344887, $101.95, Quebec $85.00, WineAlign)

A mild sylvan reductive stink is neither abstruse nor in fruit obstruction. What we have here is a brass tax in Chardonnay histrionics. Yellow and green tree fruit, wicked wild yeast game and just about as much ruminating, mineral tang as one might desire. Something wicked this way woos my wistful longing for quality white Burgundy. I could imagine drinking this well into my pension days.  95  Tasted November 2013  From: Twelve days of wine for Christmas

MASI MAZZANO AMARONE DELLA VALPOLICELLA CLASSICO 2006, Doc, Veneto, Italy (215764, $99.95, WineAlign)

If a wine clocking in at 16 per cent alcohol by volume can be considered elegant and restrained and if that’s even possible, the Mazzano is the one. Though there is nothing outright prune, dried raisin or fig paste about it, this single-vineyard Amarone is enormously tannic. Any attempt at cracking its hard shell inside of 15-20 years should be thought of as counter-productive. Smells like the aforementioned fruit just picked at maximum ripeness so there is nothing cooked, roasted or overdone here. You simply have to wait for tertiary complexity to see what it will become. I sense great. Near-perfect vintage.  96  Tasted October 2013  From: Holiday wine gems hit November shelves

Good to go!

A few wine questions for Kathleen Wynne

In September of 2008, Dalton McGuinty’s Liberal government and the LCBO decided to allow wine to be sold in farmers’ markets, albeit with some restrictions. Their guidelines demanded a strict adherence to outdoor structure dimensions, latitudinal/longitudinal positioning and ethnic-appropriate choices. No, really. In 2008.

The move was heralded with great thanks, not just for the bone thrown to the wine industry, but for the significance such change might have upon the system of selling Ontario wine.

Fast forward to December 2013.

Kathleen Wynne called a news conference. On the coattails of a 2009 initiative, the Liberals boast that “the strategy has supported significant growth in the sector, including doubling the number of VQA wineries, creating 2,000 direct jobs, record grape production, and the development of prime tourist destinations, from the Niagara Peninsula to Prince Edward County and Lake Erie North Shore.”

All true and impressive stuff. VQA wines, which are made only with Ontario grapes, will be available along with seasonal vegetables and fruits at farmers’ markets, Premier Kathleen Wynne said Monday.

For the uninitiated, VQA Ontario is Ontario’s Wine Authority, a regulatory agency responsible for maintaining the integrity of local wine appellations and enforcing winemaking and labelling standards.  VQA Ontario does not represent the wine industry in Ontario and is not a marketing agency.

Here are the Liberal government program’s quick facts:

  • The province is investing $75 million over five years through the Ontario Wine and Grape Strategy.
  • Located inside selected full-sized LCBO stores, Our Wine Country boutiques offer an expanded selection of VQA wines, helping elevate the profile of products from smaller local wineries, with more than 500 wines from across the province available.
  • VQA wines are crafted entirely from Ontario grown grapes and must adhere to rigorous winemaking standards.
  • Ontario’s wine and grape industry contributed an estimated $3.3 billion to the province’s economy in 2011.
  • VQA wine sales in Ontario have increased by $100 million since 2008 — from $168 million in 2008 to $268 million in 2013.
  • The Wine Secretariat will be led by Premier and Minister of Agriculture and Food Kathleen Wynne and Jim Bradley, MPP, St. Catharines.

To see Niagara wine writer Rick VanSickle’s thoughts and to read the full text of the press release, along with another from the Grape Grower’s of Ontario,  please visit Rick’s site here.

I just have a few questions for Premier Kathleen Wynne, if she wouldn’t mind taking the time to answer them. Great ideas come out of necessity, and we certainly need this program, just as we need some level of privatization for the wine industry in Ontario. But I still have concerns:

1. Does the wine commerce plan involve issuing licences to third-party vendors wishing to sell wine at said markets or will it be restricted to wineries? Either way, what will be the cost of the licences? Will the farm market endorsement simply be an extension of a winery’s tasting room retail license? Will sales be restricted to two bottles per customer and will the license allow vendors to pour and sell by the glass or open bottle? Many markets take place in the early morning so will vendors be allowed to pour samples and sell before 11:00 am and before LCBO stores open? Will the licenses be transferable from one market to another, i.e. from Niagara-on-the-Lake to Orillia, so long as the vendor has secured and paid for spots in both markets? My apologies, that really was more like six questions.

2. You are quoted as saying “it means we can be a lot more competitive in the LCBO against import wines.” Will VQA wines be available in markets in close proximity to LCBO stores, like just down the block? I wonder what your thoughts are on points of sale simply moving from one location to another so I’d also like to know what percentage of people who frequent farmers’ markets are the same folks who make visits to Ontario wineries?

3. Will there be a restriction on which markets will be allowed to sell VQA wine? Are there plans to allow markets in Toronto and Ottawa to join in the fun, like St. Lawrence, Byward, Weston, Sorauren or Trinity Bellwoods? Will buyers be able to sample, taste and buy? The folks who attend those markets tend to shop at the LCBO so I’m wondering if the possible bite into LCBO sales has been considered? Can you say yay or nay? Oh, one more thing. Can you confirm that fruit wines, non-VQA wine, mead, craft beer and craft cider are to be excluded from the plan?

4.  The initiative also creates a “Wine Secretariat” to help the province and industry find ways to make the industry more competitive. Can you tell me what that job description is and what amount from the $75 million will be allocated to that work?

5. Debbie Zimmerman, CEO of the Grape Growers of Ontario, was quoted as saying the “devil is in the details.” Is there anything else we should know about the plan? You noted that “discussions with wine stakeholders about adding VQA to farmers’ markets in the province will likely begin in the new year.” Who are the stakeholders and what does likely mean? Will the enterprise go into effect in 2014, sometime in 2015 or 2016 and if your Liberal government were to lose the next provincial election, what would happen to the plan?

Thank you so much for taking the time to consider my queries. Good luck with the initiative and happy holidays.

Best Regards,

Michael Godel

Top ten wines $30 and under for 2013

Wine in the haystack


Finding the needles in the proverbial haystack is no simple assignment so tasting through thousands of wines each year is the necessity to the mother of invention.
Photo: Africa Studio/Fotolia.com

as seen on canada.com

Folks like best of lists and I for one am happy to offer them up. Historical farsightedness can be one of life’s great pleasures so cue the retrospective view.

The $20-30 category brims to overflowing with soft wines, so often heavy, overworked, reeking of new oak and unforgiving in contrivance. That niche can also be occupied by some of the greatest wine values on the planet. Wines that are neither entry-level nor flagship. Wines that define the attitude and intention of their producers.

Finding the needles in the proverbial haystack is no simple assignment so tasting through thousands of wines each year is the necessity to the mother of invention. Looking back, I am pleased to note that Ontario wines proved their worth in this reasonable if not cheap category. That four of the ten represented here were chosen locally is a testament to the quality and the marketability of $25 Niagara whites and reds.

Here are my top ten wines, on the number or below, released and tasted in 2013.

Ten wine releases $30 and under

From left: SOUTHBROOK TRIOMPHE CABERNET SAUVIGNON 2010, GREENLANE RIESLING OLD VINES 2011, DOMAINE DU PETIT MÉTRIS LES FOUGERAIES SAVENNIÈRES 2009, DOMAINES SCHLUMBERGER KESSLER PINOT GRIS 2008, and SAN FELICE IL GRIGIO CHIANTI CLASSICO RISERVA 2009

From left: SOUTHBROOK TRIOMPHE CABERNET SAUVIGNON 2010, GREENLANE RIESLING OLD VINES 2011, DOMAINE DU PETIT MÉTRIS LES FOUGERAIES SAVENNIÈRES 2009, DOMAINES SCHLUMBERGER KESSLER PINOT GRIS 2008, and SAN FELICE IL GRIGIO CHIANTI CLASSICO RISERVA 2009

SIGALAS SANTORINI ASSYRTIKO 2011, Santorini, Greece (74781, $21.95, WineAlign)

Must be a fairy tale, a Boucles d’or narrative of structure and complexity from the first swirl and sniff. Airy, saline, built of rich, gold guts. Perfectly ripened orchard fruit and fresh-squeezed grapefruit. Taste it and there’s a joyous dance, a kefi bursting inside, like great Champagne but minus the bubbles.  92  Tasted April 2013  @KolonakiGroup  From: See the humanity in real value wine

SOUTHBROOK TRIOMPHE CABERNET SAUVIGNON 2010, VQA Niagara On The Lake, Ontario (ON, VINTAGES Essential, 193573, $22.95, WineAlign)

Drifts effortlessly along in an extreme brightness and lightness of being. A perfumed exotic beauty that displays definitive Cabernet Sauvignon character. Tea, tobacco, Cassis, vanilla, dark berries, proper acidity, good grip and length. Dictionary entry for the vintage, the Niagara-on-the-Lake appellation and the genre. No other sub-$25 Ontario Cab does the warm vintages (’02. ’05, ’07 and ’10) with this kind of grace and power. From and kudos to winemaker Ann Sperling.  91  Tasted September 2013  @SouthbrookWine  From: Good Look Ahead at Canadian Wines For Thanksgiving

GREENLANE RIESLING OLD VINES 2011 ,VQA Lincoln Lakeshore, Niagara Peninsula, Ontario (351486, $22.95, WineAlign)

Cracks the mineral whip, froths lime into foam and atomizes stone fruit into sweet and sour heaven. Wants to be semi-dry but never quite goes there. Walks a fine line, a tightrope actually. Up there with Charles Baker and Thirty Bench for sheer madness.  91  Tasted July 2013  @GreenLaneWinery  From: Alternative wines for the August long weekend

DOMAINE DU PETIT MÉTRIS LES FOUGERAIES SAVENNIÈRES 2009, Ac Loire, France (319855, $23.95, WineAlign)

Screams “I am Chenin Blanc,” in honey on the pedal and maximum mineral metal. Aggressive, pursuing machine ”stealing honey from a swarm of bees.” Petrol stinky, tangy thick, sticky with honey oozing everywhere, in comb and sweet-smelling suckle. Seriously huge and flashy. Will be stunning when it settles down.  92  Tasted April 2013  @Savennieresaoc  From: Top ten wines for May Day

DOMAINES SCHLUMBERGER KESSLER PINOT GRIS 2008, Ac Alsace, France (249623, $25.95, WineAlign)

Wants to tell you she’s late harvest but you know better. “You might say you can only fool yourself.” Golden gorgeous, silken pear custard and southern hemisphere, capsicum spiked fruit. Walks on little feat but ultra-marathon runs a sweet to dry crescendoing gamut.  92  Tasted June 2013  @drinkAlsace  From: Working wines for the Canada Day long weekend

From left: SAN FELICE IL GRIGIO CHIANTI CLASSICO RISERVA 2009, LAN GRAN RESERVA 2005, ROEDERER ESTATE BRUT SPARKLING, MALIVOIRE WINE COMPANY GAMAY 'COURTNEY' 2011, and THIRTY BENCH VINEYARDS 'STEEL POST' VINEYARD RIESLING 2011

From left: SAN FELICE IL GRIGIO CHIANTI CLASSICO RISERVA 2009, LAN GRAN RESERVA 2005, ROEDERER ESTATE BRUT SPARKLING, MALIVOIRE WINE COMPANY GAMAY ‘COURTNEY’ 2011, and THIRTY BENCH VINEYARDS ‘STEEL POST’ VINEYARD RIESLING 2011

SAN FELICE IL GRIGIO CHIANTI CLASSICO RISERVA 2009, Tuscany, Italy (716266, $26.95, SAQ, 703363, $27, WineAlign)

Clocks in at 12.8 per cent abv. Are you following the theme here? This CCR is just so flippin’ foxy and gorgeous to nose. It’s also demanding in iron, dried sanguine char and tough like the label’s Titian-painted medieval knight. CCR stretched out on the rack, Italianate through and through and likely in need of 10 years lay down time. Funkless which, considering the lack of coat and obfuscation, is very, very interesting.  92   Tasted August 2013  From: Fall is the wine time to be with the Tuscan you love

LAN GRAN RESERVA 2005, Rioja, Spain (928622, $27.95, WineAlign)

Its makers may now just be a cog in the Sogrape empire but it continues to do its own thing. Has that evolution I look for in Rioja. The slightest oxidative note, heaps of herbs and the umami of salty clashes with smokey Jamon. Rioja expressive of one love and one heart. Caught bobbing, dancing and wailing right in its wheelhouse, giving everything it’s made of, no holds barred and no questions asked. “Is there a place for the hopeless sinner?” Yes, in a glass of a weathered, leathery and just flat out real as it gets red Rioja.  92  Tasted September 2013  @BodegasLan  From: Ancient state of the art Spanish wine

ROEDERER ESTATE BRUT SPARKLING, Anderson Valley, Mendocino, California, (294181, $29.95, WineAlign)

Composed of approximately 60 per cent Chardonnay and 40 Pinot Noir. As close to greatness a house style from California can achieve. Discovers some secrets shared by cool-climate Sparkling wine, first with a delicate floral waft from out of a salmon copper tone. Complex, savoury bubbles, in rhubarb, tarragon and poached pear. Round, really fine, earthly, grounded stuff that spent a minimum two years on the lees. Marked by citrus too, namely pink grapefruit and creamy vanilla from the addition of some oak-aged wine.  91  Tasted November 2013  From: Ten sparkling wine to life

MALIVOIRE WINE COMPANY GAMAY ‘COURTNEY’ 2011, Beamsville Bench, Niagara Peninsula, Ontario ($29.95, winery only,)

Spent 14 edifying months in French oak and will live adroitly for another five years as a result. So much plum inherent in all its faculties, berries and currants too. The winemaker star of Shiraz Mottiar is rising higher into the cool climate stratosphere with each passing vintage. His wines walk a haute couture runway of class and style.  91  Tasted April 2013  @MalivoireWine  @ShirazMottiar  From: Come together over wine

THIRTY BENCH VINEYARDS ‘STEEL POST’ VINEYARD RIESLING 2011, Beamsville Bench, Niagara Peninsula, Ontario ($30, winery only, WineAlign)

From the Andrew Peller stable leans late-harvest or Spätlese, with 18.5 grams per litre of residual sugar. Clean, crisp, precise and near perfect Beamsville Bench expression. Flinty minerality and fantastic whorl by way of winemaker Emma Garner. Equal to if not more of a bomb than the stellar ’09.  93  Tasted March 2013  @ThirtyBench  100 kilometre wine for Spring

Good to go!

Top wines shine at Taste Ontario 2013

Mary Catherine Wasilik, (Merry Bee) the Assistant Winemaker of Rosewood Estates Winery checking out the Pinot Noir pick at Wismer Vineyard in Balls Falls, Ontario
PHOTO: KRYSTINA ROMAN, QUEEN SOCIAL BEE/ROSEWOOD ESTATES WINERY

as seen on canada.com

Taste Ontario is a special event. The VINTAGES prescribed gathering of Ontario wine, the makers and the marketers should never be missed. The Royal Ontario Museum is a terrific setting for such a palooza and the Bronfman Hall a cozy, comfortable and airy room to showcase the wines.

That this gathering is conspicuous as much for its omissions as it is for the unparalleled quality and consistency of the wines does not need to be overly debated. The figure of “80 wines from over 30 of Ontario’s most passionate and talented winemakers” is certainly a drawing card despite VQA Ontario‘s contention “there are over 125 Ontario wineries producing VQA wines of various appellations – all backed up by VQA Ontario’s assurance of origin and quality.”

The VINTAGES say in what specific bottles should be poured was certainly in evidence last Thursday and succeeded for the purposes of presenting the licensee and the consumer with a cross section of Ontario’s signature grapes. Chardonnay was not high in representation but considering the recent run from and following #i4C2013 (Cool Chardonnay) that was to be expected. What the general public does not know for certain is the quality potential in and necessity of Ontario’s production of Sparkling wine, Gamay and Syrah. Three categories virtually ignored at Taste Ontario 2013.

PHOTO: Michael Godel
Red wines at Taste Ontario 2013

Taste Ontario was held in Ottawa (The Westin Hotel) on Monday, October 7th and in Toronto (ROM) on Thursday, October 10th with essential support from Wine Country Ontario. Thanks must go out to Hilary Dawson and Magdalena KaiserSmit for their pampering and generosity. The grand tastings were partnered with the LCBO “SHINE {ON}” campaign that ran from September 15 through October 12.

My reviews of wines that shone is specific to the event and let it be known there are dozens more to form best of lists, from producers represented and those who were not involved. Here are 16 top wines from Taste Ontario 2013.

From left: Jackson-Triggs Entourage Grand Reserve Méthode Classique Brut 2009, 2027 Cellars Riesling ‘Falls Vineyard’ 2012, Thirty Bench Small Lot Woodpost Vineyard 2006, and Charles Baker Wines Riesling ‘Picone Vineyard’ 2011

Sparkling

Tawse ‘Spark’ Riesling 2009 (winery only, $18.95) may just be that bottle of persuasive interrogation and torture to turn even the toughest hold-outs against Sparkling Riesling. A veritable homeland crush of signature grapes, put to a not so traditional test, emerge in piercing, capital dry scintillation. Sparks fly in Beamsville when winemaker Paul Pender and team, “the boy prophets walk it handsome and hot.” This sparkler does the E street shuffle and dances in the dark. The new deal in Ontario bubbles.  “You can’t start a fire without a spark.”  89  @Paul_Pender  @Tawse_Winery

Jackson-Triggs Entourage Grand Reserve Méthode Classique Brut 2009 (234161, $22.95) in just under a year has evolved to a grandiloquent level of sophistication.  Fino arid bubbles, with an elevated level of aromatic sweetness, ginger spice, lime and charcoal. Quite complex, jumpy, with pepper on the finish.  90  From my earlier note: “is a sweet-smelling misty mousse waterfall where white grapefruit replays from vapor to flavour. Driest fizz yet playing the Angostura angle. Good length.”  88  @Jackson_Triggs

Riesling

Cattail Creek Estate Winery Riesling 2012 (241547, $14.95) from Four-Mile Creek suggests peaches in every way; juice, flesh and pit. A battle cry bottle for the adage and generational anthem, “when in Niagara I drink Riesling for peace.” Really fine evolutionary Creek example for the price, located somewhere on the dry to off-dry line.  Palate cleansing, with solid rhythm and length, like Les Brers in A Minor. Makes me want to eat a peach.  88  @CTCWinery

2027 Cellars Riesling ‘Falls Vineyard’ 2012 (294041, $18.95) in contrast to brother Foxcroft, is the more serious vineyard in my estimation. Falls compresses less limestone chalk and instead thunder rolls out glacial boulders. Here there is less grass, herbs, citrus and sea, but rathergarrigue blanc, the windswept plain studded with gorse and deeper, sweeter, earthly purity.  91  @2027Cellars

Thirty Bench Small Lot Woodpost Vineyard 2006 (winery only) has achieved green patina and diesel in D minor as the wine is just beginning to act its age. A crisp, crunchy green apple bent persists and the fruit remains confidently perched on top of the wood pile. A smoulder of wood seems ghostly present, or at least as rusty ties keeping it upright. A self-supporting slice of Beamsville Bench recent history here. Really quite fantastic.  92  @ThirtyBench

Charles Baker Wines Riesling ‘Picone Vineyard’ 2011 (241182, $35.20) does not so much pick up where cracking ’09 left off (with no offence meant to the soothing and tuneful ’10) but rather re-writes the Baker book. From the almost famous windswept vineyard atop the Vinemount Ridge, this Picone, from older Riesling plantings is crazy lively. That ’10 is now imbued with rich, oily glück. The ’11 will realize such a future, but much further along and in combination with its inborn tension. Right up there with Baker’s “perfect vintage” 2006.  93  @cbriesling

Chardonnay

Lailey Chardonnay 2011 (193482, $19.95, Alberta, 739220, $35.67) butters toast with delectable lemon curd and a sprinkle of brown sugar. Well-articulated, bundled Chardonnay fruit, in spice cadence, big but never brawny. A measure of Niagara balance.  90   From my earlier note: “is right on brother Derek. This not only joins the right excellent Chardonnay club; it’s the incumbent President. Lifted honeysuckle, honey and bright lemon aromas, the deftest kiss of oak and just a punch of spice. Tingles and lingers.  If ’10 was “almost great,” ’11 is. Mikey likes this very much.  90  @laileywinemakr

Tawse ‘Quarry Road’ Chardonnay 2011 (111989, $34.95) carries that classic Paul Pender perfume; rocks and stones, flaxen, refulgent toast and the verdure Vinemount terroir. A free flying, linear, atmospheric smear of thermal fortitude and backbone. A polemic Bowie Chardonnay to make you believe “the strangest things, loving the alien.”  92  From my earlier (barrel tasting) note: “resides on the mineral, slate and lime side of the tracks. The calcareous quality imparted by its eponymous SV terroir makes it the antithesis of David. Creamy, 24-karat fruit.”  91-93

From left: Rosewood Estates Winery Sémillon 2012, Coyote’s Run Pinot Noir ‘Red Paw Vineyard’ 2011, Flat Rock Cellars Gravity Pinot Noir 2011, Norman Hardie County Pinot Noir Unfiltered 2012, and Fielding Estate Winery Gamay 2012

Sémillon

Rosewood Estates Winery Sémillon 2012 (winery only, $18.00) drifts along, like a city swan, a white Beamsville white cut from a different cloth, wholly unique. Rosewood’s Sem is the case and the point for others to follow, to plant, cultivate, embrace and perfect this grape in Ontario. The ’12 is immense, articulate, hungry. It makes cause to say, ”I’m starving in your gravity. You’re made from something different than I know.”  90  From my earlier note: “is their most intense ever. An exceptional growing season amps the honey sounds to 11, speeds up the sugars to 33 and while there is obviously no sign of chapitalization, added acid stabilizes the high tropical nuance. Huge style for Sémillon, mulched in miele, fruit flavours amplified and lengthened by 14.6 per cent alcohol. Une cousine to J.L. Groux’s Stratus SV, if less grapefruit and increased value.”  90  @Rosewoodwine

Pinot Noir

Coyote’s Run Pinot Noir ‘Red Paw Vineyard’ 2011 (79228, $22.95) gets the best value nod because it’s just oh so pretty, in hue, bouquet, essence and mouth feel. Four-Mile Creek dusty wind, dried leaf grain and a unique sense of soil imparts earthly elegance and poise. Excellent stuff.  90  @coyotesrun

Flat Rock Cellars Gravity Pinot Noir 2011 (1560, $29.95) may at first strangely seem that it had ”stepped out of the wilderness all squint-eyed and confused” but my how a swirl elicits gorgeous red berries and an emphatic oomph, even without a sip. Impressively ripe, blooming red rose and cinnamon from the heart of a winemaker’s boots. A mineral streak brings to mind Volnay, in spirit and tragically hip Pinot essence.  92  @Winemakersboots  @UnfilteredEd

Norman Hardie County Pinot Noir Unfiltered 2012 (125310, $35.00) cuts a rug with immense, stepping out juicy behaviour. It’s both turntable old-school, astatic in smooth groove rotation, but also digitally forward thinking towards a perdurable future. The nose is Norm’s most intense floral burst to date, with incredible brightness and sparkling acidity in the key of fresh plum. This brings to mind indelible Burgundy, enveloped in PEC’s warm ’12 blanket. Hardie’s measure of consistency abides in a Pinot of parity and undemanding polish.  93  @normhardie

PHOTO: Michael Godel Bachelder Pinot Noir ‘Lowrey Vineyard’ 2011

Bachelder Pinot Noir Lowrey Vineyard 2011 (361816, $44.95) springs eternal from an ocean of cranberry and an island of spice. The somewhereness of this St. David’s vineyard can’t be denied, and in the hands of Thomas Bachelder the extraordinary happens. I am simply blinded by the light, by the weight and the weightless gravity. By a sweetness that just isn’t sweet, like exotic red fruit that knocks you sideways upside the cerebral cortex. Not to mention an iron madness that “plays that song with the funky break.”  94  @Bachelder_wines

Cabernet Sauvignon/Merlot/Cabernet Franc

Lailey Vineyard Wines Cabernet Merlot 2011 (winery only, $15) speaks the language of vinous accommodation. Abundant very berry fruit if less knotty and peculiar and more accessible than most Niagara Bordeaux blends. No bones about it, languid Lailey in mind of its own wonder. Could drink it straight from the tap.  89  @Laileywinemakr

Cave Spring Cellars Cabernet Franc Estate Bottled 2011 (72751, $24.95) attains a level of varietal purity near categorically Niagara Escarpment perfect. A mess of sweet and tangy red fruit, namely berries, currants and cherries cut fine to licorice and the evolutionary effects of magnesium-rich limestone. Imagine cutting a cross-section of rock to project a swirl of this multifarious Cabernet Franc. An example to examine at an Expert’s Tasting 10 years on.  91  @CaveSpring

Gamay

Fielding Estate Winery Gamay 2012 (winery only, $17.95) is, without question, Richie’s best to date. A gleaming, ebullient, shining glass of rich Gamay fruit with an undercurrent of currant and gleaning vineyard floor. A Buddy and Gene snare drum attack. Takes the baton and parades about the province. Will lead the #GoGamayGo charge for the rest of 2012 and well into 2013.  89  @Fieldingwines  @RichieWine

Good to go!

A lesson learned from the averted LCBO strike

PHOTO: PETER J. THOMPSON/NATIONAL POST

as seen on canada.com

Two words. Buy local.

It was like Armaggedon in LCBO stores across the province on Thursday and that’s exactly what the spin masters wanted to see. Everyone waited with bated breath while being told “talks are continuing in hopes of averting the strike, but if no deal is reached then the strike is on as of 12:01 a.m. Friday.” Yikes. What were the poor citizens of Ontario to do?

canada.com’s  said that “Ontario drinkers are having a bit of a freak out.” Really, Ontarians were losing their minds? Did they not already know that alternative, high quality and affordable options are right in our backyard?

The question is, why give the monopoly a “bump in sales” for “precious, soon to be (maybe) unavailable liquor.” Why fall for this (conspiracy theory alert) marketing juggernaut? Ontario is literally armed by a firmament of booze soldiers stationed at every visible post and outpost. You just have to know where to look.

Related – LCBO strike looms as drinkers stock up

Guess what. The strike was averted. Quelle surprise!

According to VQA Ontario, there are over 140 licensed wineries including grape and fruit wineries. Most people who live in this province are within an hour or two’s drive to Niagara, Prince Edward County or Lake Erie North Shore appellations.  With the exception of the May two-four weekend statutory holiday on Monday, May 20th, every winery will be open for business. Visit one. While you’re at it, check out a micro-brewery or micro-distiller. The Ontario Craft Brewers list 29 breweries on their site. At least one is likely very close to where you live. Still Waters Distillery and Dillon’s in Concord and Beamsville respectively are close enough to several million Ontarians. Check them out. #MeetTheMakers

Here are some tweets to get you thinking:

https://twitter.com/torontowineguy/status/335296614472228864

Here are three local wines, available for purchase at the winery or delivery (by the case) to see you through a fake LCBO strike.

From left: Château des Charmes Cabernet/Merlot 2010, Rosehall Run Pinot Gris Cuvée County 2011, and Henry of Pelham Cabernet-Merlot Estate 2010

Château des Charmes Cabernet/Merlot 2010 ($19.95, winery) composed of two Cabs (Sauvignon and Franc) and one Merlot is both curvy and linear, Gehry-ish in structure, like the Art Gallery of Ontario. So juicy, so stupidly affordable and clearly designed for dinner; small plates, stove-top one stop, oven-roasted, big barbecue. It don’t matter to this Bordeaux-blend. Saturday? Next Wednesday instead? Any night of the week.  89  @MBosc

Rosehall Run Pinot Gris Cuvée County 2011 ($19.95, winery) combines fruit from their Estate Vineyard and the neighbouring Fieldstone Vineyard. Dan Sullivan’s PG is as glycerin-textured as any in the County. It’s mildly piquant, hugely pear, wearing big fruit flavours on its sleeve and even a touch of cheese. Calling it characterful.  90  @Rosehall_Run

Henry of Pelham Cabernet-Merlot Estate 2010 ($24.95, winery) from the most easterly of the Niagara Escarpment appellations called the Short Hills Bench, is a bit of a west side story. The two Cabs here are the Romeo (Tony) while the Merlot is somewhat of a Juliet (Maria). Their love story goes from “womb to tomb, birth to earth,” from plum to prune, vintage warmth to cool earthy flavour. This one tingles in the nose and also a dances on the buds in a twirling, dream-like state. Bright berries give way to classic Bordeaux-like aromas of tobacco, tea and licorice.  91  @HenryofPelham

Good to go!

The Wine Diaries: A generous year

PHOTO: STILLKOST/FOTOLIA.COM

as seen on canada.com

When it comes to wine, the year 2012 was extremely kind and in so many ways. There are some who cringe at the term “generous” when employed in a tasting note to describe a particular wine. To me, there may not be a better word to wax dreamily and demurely about the year that was. The grapes were in fact generous in 2012, bursting better than ever with ripe, rich fruit, their ferment having flowed and poured freely at the hands of so many great people. Wine helped to fill the voids and soothed in times of stress, as if there were not a care in the world.

Wine events continued to proliferate. VINTAGES ramped up tasting opportunities, the importers shared lavishly and with munificent grace. There were mass assemblies of producers who came to share their wares from California, South Africa, New Zealand, Australia, Chile, Argentina, Italy, Austria, the list goes on. A Halpern portfolio tasting was stellar and Stem Wine Group’s gala brought me to my knees. A relentless trafficking of the grape persists, especially by the likes of Profile Wine Group’s Mark Coster who’s omnipotence seemed to find him pouring everywhere. Dinners with fellow geeks threw complementarity caution to the wind while the affair with my wine card at Barque Smokehouse continued its wanderlust.

Tasting through local portfolios and young juice in barrel with winemakers and vineyard representatives really highlighted the year. Norm Hardie and Dan Sullivan showed me what Prince Edward County is and will surely be. Paul Pender twice ran me through his promising casks at Tawse. Vintners in Long Island opened my eyes to the future of its two forks. I am looking forward to tasting around the world in 2013.

Never before have I been privy to a sound as buzzing as our local wine scene. Social media exploded in 2012, especially on the topic of Ontario wine. The elevated level of discourse and discussion became palpable and necessary. The Wine Council of Ontario opened MyWineShop, an initiative aimed at transforming the landscape of wine sold in Ontario. The current harvest looks to be of the ‘best ever” variety. VQA Ontario wrote “conditions were close to perfect going into harvest,” then followed up with “harvest reports on grape quality were excellent for all regions.”

I liken 2012 to 1998. This vintage will see Ontario to wines of stunning fruit quality, acidity, balance and finesse to match what we continue to experience from the exceptional ’98’s, including reds. The 1998 Henry of Pelham Cabernet/Merlot I tasted last winter can testify to this. “You’ve come a long way baby,” I will say to our local, vinous heroes. Ignore the naysayers and keep on the path of the Rockafellar Skank. Just as in 1998, the “funk soul brother” is on your side.

Of the most profound pleasure and fortuitous circumstance is the opportunity I am given to imbibe and to share of other’s treasures.

These are the best wines I tasted in 2012:

The Wine Diaries: 2012

Château Pichon Baron Longueville, Paulliac 1988 (March)This PBL is throwing rocks tonight. I am dazzled by its youth. Purity, clarity, vitality. Embodies Cclaret’s dictionary entry. Opened in the heart of its window. While ’89 and ’90 continue to hog that era’s spotlight, here lies reason number one to endorse ’88.  The turkey of the triple flight.  95  

Corimbo 1 2009 (April) is sweet thistle pie. A cracker jack Tempranillo and nothing but Tempranillo. Candy coated with red licorice and an inexplicable apple flower sensation as if molecular gastronomy of the Ferran Adrià or Heston Blumenthal kind. Exotic and spicy, seeing through me, it “knows my name but calls me ginger.”   95

Tawse Chardonnay David’s 2011 (March) coruscates like the glare of a Koon sculpture, lambient and luminous. Searing tang of citrus and green apple. A crime to show so well, Zen in its persistence and long finish. This vintage and this vineyard may unseat Robyn.  93-95 (barrel sample)

Valdicava Brunello Di Montalcino Riserva Madonna Del Piano 2006 (October) is sacred Sangiovese, an inviolable reliquary of immaculacy deep beneath Montalcino’s altar. A vamp of essential Tuscan fruit. If you were to stand on a hill in Montalcino in winter time and listen carefully, you would hear a low sipping sound. That is the sound of the entire town drinking of the Madonna Del Piano.  97

Château Fonroque St. Emilion Grand Cru 2000 (September) unseats Talbot as the non pareil Bordeaux coalescence of value and longevity from that vintage. Resolute to immaculate balance, black fruit steadfast against crumbling tannins and yet I can see this pushing on for 10 or more. “You like drinking ghosts,” says JM. Yes I do, yes I do.  93

Mas Doix Salanques 2006 (April) is a revelation. A Pegau-esque perfume aux gasseuse leans Rhône but an amazing (65%) Garnacha sweetness veers Priorat. Iodine (Syrah and Carignan) of black slate soil, tar, smoked meat and bacon. A Parker and Galloni thesaurus of descriptors must be bequeathed on this candied (Merlot) wine loaded with acidity in magnums.  CVR** WOTN.  93

Château de Beaucastel Châteauneuf du Pape 1998 (April) would be my wine of choice walking a boulder strewn vineyard on a misty morning in the Southern Rhône. Expressions are hurled around the table, “candified Pinot nose” and “tutti frutti.” For Beaucastel? I can’t believe the tripartite fruit freshness, ambient funk immersion and pencil lead sharpness. This ’98 is ”light as a feather, heavy as lead.” The Beaucastel will brighten up your tomorrow. WOTN  96

Château Léoville-Las Cases Saint Julien 1996 (March)Utopian, foxy, rubicund health. Voluptuous tomato, classy and luxurious on every level. Unabashed, showing off unblemished, curvy fruit. Pellucid, transparent, honest. A player, even if the highest caste keeps the dark LLC down. The sixth major.  94

Domaine Henri Perrot-Minot Morey-St.-Denis En La Rue De Vergy 1996 (March) The dark knight of the three red Burgundies. Smells like merde at first, a pumpkin left to compost long after the hallow night is done. A few swirls and the funk blows away, leaving behind a smashing MSD. Oracular utterances are in the air now. ”Lazer beam of acidity” says AM, “Pinot on a frozen rope” says I.  93

Castellare Di Castellina I Sodi di San Niccolo 1997  (May) of Colli Della Toscana Centrale IGT origins and the fountain of youth. How can it be so fresh? 85% Sangioveto and 15% Malvasia. The Sangiovese clone, also known as Sangiovese Piccolo is here a sweet and beautiful elixir. Polished deep purple Amethyst dipped in smokey, black raspberry water. No hard lines, void of animale and free from Tuscan iron. “No matter what we get out of this, i know, i know we’ll never forget.” Better with the cheese course to come.  93

Good to go!