Have wine forget winter

Plantain, strawberry and blueberry

Plantain, strawberry and blueberry

Now for a few argumentative words on logomachy, interpretive synergies and general rambling. Lets talk about wine and how it can make us forget about being chilled to the bone. Lets discuss the ways in which wine can bring forth a future being remembered with each passing sip.

Like stones as heavy, some winters are so stinging only silence helps you portage them, or soldier on through them. That and wine. When winter pisses and moans with a cold, cold heart, the purity and silence of wine can ease the pain. Fruit of the vine that remembers the eskers of the earth, minerals that have not forgotten magma, wine that gives an ancient, suspenseful feeling. Cold forgotten.

In July of 2012 the suggestion was to chill red wines for another hot weekend to ease the suffering in the throes of a sweltering, Ontario summer. A year on the thematic was pursued once again.

Related – A midsummer night’s chill red wine

“Just a slight frost mind you, like clipped diction, for warm, not hot weather.” Here we find ourselves in the opposite chasm, the anti-Hades, a seemingly endless void of polar hell. Perpetually stuck inside a frozen hadron collider. So history is the gradual intent. What to do? Drink wine.

February can be displaced with wine because the ferment has no beginning and no end. No sense of horizontal progression of time. Wine is set in a fractal globe, in which no facet of its character has a life of its own. Scale succumbs to intention.

Related – Feb. 21 wine and song salute

Tomorrow brings another VINTAGES release, a February 21st agglomeration with wines I suggest have discovered a remarkable balance achieved. Open them in a room and their blood will posit a similar temperature, one of warmth, so that soon, you will neither notice the alcohol or the heat, nor the deep freeze of winter. Here are eight more values to kick winter upside its proverbial ass.

From left to right: Gayda Viognier 2013, Esser Chardonnay 2012, Fowles Stone Dwellers Shiraz 2012, Domaine Des Huards Romo Cour Cheverny 2010, Jim Barry The Lodge Hill Dry Riesling 2012, Leasingham Winemakers Selection Bin 61 Shiraz 2012, Hedges Family Estate Three Vineyards Red 2011 and Domaine Du Grapillon D'or Gigondas 2012

From left to right: Gayda Viognier 2013, Esser Chardonnay 2012, Fowles Stone Dwellers Shiraz 2012, Domaine Des Huards Romo Cour Cheverny 2010, Jim Barry The Lodge Hill Dry Riesling 2012, Leasingham Winemakers Selection Bin 61 Shiraz 2012, Hedges Family Estate Three Vineyards Red 2011 and Domaine Du Grapillon D’or Gigondas 2012

Gayda Viognier 2013, Igp Pays D’oc, Languedoc-Roussillon, France (395129, $13.95, WineAlign)

Simple, proper, sturdy and in certain respects, essential Viognier. Three sites each purpose a layer; chalk from limestone La Livinière, grain by clay-limestone Côteaux du Languedoc and metal tang through slate Roussillon. Florals are southern French Viognier obvious and spice adds a global touch. Quite versatile, well-made and complex beyond its simple roots. A nutty note rounds out the lean with a touch of fat. Good length takes it beneath the surface.  Tasted February 2015  @DomaineGayda  @TandemSelection

Esser Chardonnay 2012, Monterey County, California (675017, $18.95, WineAlign)

The musky and musty aromas in this off-chance gem from cooler Monterey draws fruit from the Riverview and Viento Vineyards in the north of Salinas Valley. The bottled up compression is relieved shortly after the cap is unscrewed, melting into a creamy textured Chardonnay and into the wind gaps of tall redwoods and pines. Round, sweet unctuous, easy to consume sips are both tropical and anything but buttery, heavy mouthfuls. Quite cool-classic actually, persistent, whiffing Monterey cone and framed by mineral adjunct meaning. More than impressive for the cost involved.  Tasted February 2015  @EsserVineyards  @DionysusWines

Fowles Stone Dwellers Shiraz 2012, Strathbogie Ranges, Victoria, Australia (265967, $19.95, WineAlign)

In Victoria’s Strathbogie Ranges cooler temperatures and heads prevail in this savoury, meaty, cured, grounded and earthy Shiraz. Dried flowers, caper berry and a bitterish angst are the Mediterranean accents from a low-yielding vine proviso. Though the wine is quite concentrated as a result of the peanut produce, the fruit is anything but baked. It may be a dweller on the threshold but it has lift, a natural acidity that emphasizes the freshness. The stone turned, this has “the music of the spheres,” a gaining in gathering momentum, beautiful vision and a background of accompanying voices.  Tasted February 2015  @FowlesWine  @vonterrabev

Domaine Des Huards Romo Cour Cheverny 2010, Ac, Loire, France (401257, $21.95, WineAlign)

A wildly original, not quite Loire white made from 100 per cent Romorantin, of a brilliant golden yellow colour and great metallic expression. Like sweating rocks, all sorts of soft and precious metals, a cool medallion around the neck. A tang that gets beneath the surface, though oxidative, remains fixed, in suspended animation. The length cements the fixation, with white flowers, their petals strewn about. A most uncomfortable pungency might frighten some olfaction, though the reek is just a by-product of calcareous clay with a lime reaction, not necessarily chalky but more like a lick of Blaisois loam on metal. Nutty, drying out on the finish but with acids stringing along in ability and pride.  Tasted February 2015  @MarkCuff    @TheLivingVine

Jim Barry The Lodge Hill Dry Riesling 2012, Clare Valley, South Australia, Australia (262469, $25.95, WineAlign)

Clare Valley Riesling is one of those caché varietal in locale entities revered by so many. Fact is not all CVRs are sensational but when one is made like the 2012 Lodge Hill, the grape in place is nothing short of spectacular. A rather flinty meets petrol continuum vintage is massively forward and upward, getting right down to back of the skull business. Herbal yet stony, so arid, so much citrus and a tang of salinity bled from metal. Highly complex and blessedly dangerous length. But flack is cut because despite the anxiety the Lodge Hill “sang as if he knew me…singing clear and strong.” Riesling that soothes and delights, killing me softly with Riesling kindness and his song.  Tasted February 2015  @Jimbarrywines  @MikeAikins1  @ChartonHobbs  @Wine_Australia

Leasingham Winemakers Selection Bin 61 Shiraz 2012, Clare Valley, South Australia, Australia (448241, $25.95, WineAlign)

The history of the Bin 61 is a long, storied and reliable one to hang a perennial Shiraz hat on. In the late nineties and early 2000’s the fruit was darker, more extracted, the wines tannic and needing a dozen years to reach nirvana. Times have gradually shifted the fruit paradigm to red, fresh and vibrant. In 2012, immediate gratification increases, though the tempering vintage has not advanced the progression like in the most recent years. Here the stretched, busy and cake Leasingham persists, so five to seven years of justified evolution should be expected. Tightness grips with further sips so despite the current requiem for red fruit and acidity, this will need a brief taming. Not a Bin 61 for the ages but another winner to be sure.  Tasted February 2015  #Clarevalley

Hedges Family Estate Three Vineyards Red 2011, Red Mountain, Yakima Valley, Washington (1594, $32.95, WineAlign)

A year later this Yakima Valley red has concentrated further, like sweet cherry tree gum resin and sap. Desert climate and high pH loess in coarse flood debris, once entirely gritty in the blend, are now beginning to integrate. Acidity remains on high amid diplomatic balance. From my earlier, February 2014 note: “A most interesting Washington blend out of a vintage worth seeking out. Abstruse fruit package in five varieties, conjoined like a semi-sweet chocolate dessert of flourless proportions and marked by a grain and an exceptional, altitudinous presence that can’t be denied. Berries of all colours and levels of sweet/tart, evergreen verdigris, velvety texture, richesse, luxury magic mountain air. “Walk in the sun, up on Magic Mountain, Red mountain wine, everybody laughs.” This Hedges has that effect. A more than sensible price for all that’s going on and anything but a burden.  Last tasted February 2015  @hedgeswine

Domaine Du Grapillon D’or Gigondas 2012, Southern Rhône, France (981787, $32.95, WineAlign)

Grenache dominant Rhône such as this from the Chauvet family goes deep into the ripest territory, with gorgeous aromatics that burst of red fruit incarnate. The large ancient barrels bring a subtle oak spice and a funk du cave unique and necessary to the Gigondas application. Alcohol is checked at the mid-palate, stepping aside for the vermillion fruit layering while so many spice accents, so Rhône, old and new, spike the zesty orange skin. The leathery hide will see to a decade of age, at the very least.  Tasted February 2015  @grapillondor

Good to go!

http://www.winealign.com/profile/2058-mjg

Reds for a blood moon

Reds for a blood moon

From left to right: Concha Y Toro Marques De Casa Concha Carmenère 2008, Jim Barry The Cover Drive Cabernet Sauvignon 2010, L’ecole No. 41 Red Wine 2011, Blue Mountain Reserve Pinot Noir 2011, Michele Castellani Colle Cristi Collezione Ca’ Del Pipa Amarone Della Valpolicella Classico 2008, Domaine Des Martinelles Hermitage 2009, Painted Rock Red Icon 2011

That the ‘Blood Moon” tetrad of 2014-2015 fall on Passover and Sukkot should come as no surprise. That it’s snowing again on April 15th while the Moon meets the Earth’s shadow for a total lunar eclipse is a cosmic connection that requires red wine. Big reds.

Last weekend’s VINTAGES April 12th release had some beauties and a recent tasting at WineAlign of B.C. wines showed that power and finesse can co-exist on the Left Coast. Who knew they would come in handy with the mercury again dipping below zero and people everywhere howling at a moon they can’t see. Crazy times.

Thanks to Dave Dickinson, the lunar phenomenon is broken down into laymen’s terms, in shades of red. “Does the eclipsed Moon appear reddish to you? What you’re seeing is the sunlight of a thousand sunsets worldwide, streaming through the Earth’s atmosphere into the shadow. This color can vary considerably from eclipse to eclipse, causing it to appear anywhere from a dark tea-stained color to a bright cherry red. This variation is due to the amount of dust currently in the Earth’s atmosphere, and is measured on what is known as the Danjon scale.”

Here are seven immense red wines, from three continents, each with their own unique style, to match with a blood moon.

Concha Y Toro Marques De Casa Concha Carmenère 2008, Peumo Vineyard, Rapel Valley, Chile (169862, $19.95, WineAlign)

A trifecta of regard makes this worth looking at, the least of which, at first thought, is the effect of some age. The Concha y Toro Carmenère examination, in Carmín de Peumo, in Terrunyo and in Marques de Casa Concha is the Chilean reference point for the variety. The impart of deep, clay soils and the expectation of gentle tannins make for a curiosity call when considering an ’08 specimen. Tough and gritty, on one hand, on the other soapy, sandalwood and waxy. The third hand has smouldering wood, berries and tannins. Very much like its Cab and Merlot brethren, the fruit is just starting to be outrun. Try it now and see what Carmenère can bring.  Tasted March 2014  @conchaytoro

Jim Barry The Cover Drive Cabernet Sauvignon 2010, Coonawarra, South Australia (677476, $26.95, WineAlign)

Young-ish vines on the site of the old Coonawarra Penola cricket ground receive perpetual hydro-mineral support from porous limestone under rich terra rossa soil. That fruit is then blended with extract from estate vineyards in the Clare Valley. Smashes the cover off the grapes towards a full on gain of flavour. Charred peppers and lush black berries are smothered and splintered by a 50/50 split of French and American oak in no less than a crush of conceit. Tannin, grit, joy, flesh, full on deep fruit and mineral. Obviously over-swung and with too much club (switching sports), like using Driver used when a long iron would have sufficed. But you drive for show and this Barry can putt for dough.  Tasted March 2014  @Jimbarrywines

L’ecole No. 41 Red Wine 2011, Columbia Valley, Washington, USA (366237, $29.95, WineAlign)

A really good, high-octane red blend if blatantly massive. Like the smell of a shiny, varnished, fresh wood cabin glazed by highly aromatic and resinous epoxy extract. That’s the simple tasting note. The more complex version includes a perfume potpourri of Bougainvillea, violet, orange peel, cinnamon, dark chocolate and a lumber factory. The electric, fully plugged in blend is Syrah, Merlot, Cabernet Sauvignon, Malbec, Cabernet Franc and Grenache (38, 36, 15, 6, 4 and 1). The quotient seeks learned Nirvana and with a little luck, some power chords, a bit of screaming and historical, retro-cult exoneration, it may just get there. Right now it just feels like High School. Impulsive and uncomfortable. Wouldn’t you believe it, it’s just my luck. No recess.”  Tasted March 2014  @lecole41

Blue Mountain Reserve Pinot Noir 2011, Okanagan Valley, British Columbia, Canada (Winery, $36.00, WineAlign)

The Reserve Pinot is intoxicating to say the list. Some whole clusters in the fermentation process add mouth feel, cure and needed grit but how this can not be viewed overall in the shiniest west coast light would be confounding. The reserve ’11 is both “sky as I kite, sticky as lips” and “as licky as trips.” If there was ever an Okanagan Pinot Noir to get you high, this would be the one. What a boisterous effort out of a less than scorching vintage and considering the modest to riches price, no shame in visiting with flavourful fare, imbued with spice, any day of the week.  Tasted April 2014  @BlueMtnWinery

Michele Castellani Colle Cristi Collezione Ca’ Del Pipa Amarone Della Valpolicella Classico 2008, Veneto, Italy (222109, $45.95, WineAlign)

The magic of age is a friend to Amarone and funk trumps fruit. In a nutshell the axiom describes the old-school Colle Cristi. A brooding Amarone, cut by zest that’s citrus-like and savoury/earthy in pine needles, juniper and a Venetian forest in autumn. Inviatura and Chiaroscuro. Caravaggio meets Giorgione. The most complex Valpolicella in the April 12th VINTAGES line-up.  Tasted March 2014

Domaine Des Martinelles Hermitage 2009, Rhone, France (112268, $54.95, WineAlign)

Clearly modern and style-heavy though not out-of-place in the world of Hermitage. From steep slopes of stony brown sand, a high level of grit might be expected but this Syrah is refined, lush and smooth as silk. At 14.5 percent it’s no shrinking violet, honest and futuristically traditional. At $55 it’s a mandatory, appellative Northern Rhone steal. Matter-of-fact acidity, verve and mineral content are all in, with elegance and balance. Really fine Syrah with a five to ten-year fruit-tannin power struggle ahead.  Tasted March 2014  @LeSommelierWine

Painted Rock Red Icon 2011, VQA Okanagan Valley, British Columbia, Canada (Agent, $55.00, WineAlign)

Painted Rock’s red icon could be considered more black than red, as exemplified by the layering of grapes, their pitchy extracts and the fruit associated with their gathering. If the man should ask, “tell him what we said ’bout ‘Paint It Black.’ Rock ‘n Roll is here to stay.” Yes, the Icon will be a big star someday and perhaps this ’11, despite the cooler vintage, will be the first. Might have to wait 13 years or more to find out because the tannic structure is in beast mode and will remain so for likely that much time. The wine plays memorable chords and its song lingers on the brain.  Tasted April 2014  @liffordwine  @PaintedRockJohn

Good to go!