Good things come in threes and once in a calendar blue moon the LCBO’s VINTAGES wine release cycle rolls out that magic number. There can be no better month than August for the cosmic confluence to occur, particularly when the 31-day stretch hovers and encompasses two Canadian long weekends.
The fundamental postulate of accepting abetment to be ushered down a path of vinous enlightenment and the subsequent pleasure derived from having matched recommended bottles to the meals of summer is a priceless thing indeed. Make the connection enough times and behold the sense of empowerment. The beneficiary then becomes the facilitator. A torch is passed and the gift pays forward. Say what you will but no other wine program offers this type of retail-critic-consumer relationship. This is the beauty of the VINTAGES program. Bordeaux futures don’t count. That’s a racket.
The three August releases of the 2nd, 16th and 30th, though encumbered by a sea of suffusion, are also filled with excellence. Here are nine wines to consider for the final (gasp) summer long weekend of 2014.
While other expat varieties ride in to town, “see the glory, of the royal scam” and dupe new consumers into thinking greatness has immigrated here, Chenin Blanc in South Africa, like Malbec in Argentina, is the real deal. That an example like this Steen old vines can offer ten degrees of advanced proficiency in steely, dan-like refrain is a testament to the necessity of its promotion. Chenin Blanc is the grape for Swartland, for Stellenbosch, for the Western Cape, for South Africa. It comes equipped with energy, “wearing coats that shined, both red and green, colors from their sunny island, from their boats of iron.” It works many sides of the wine pairing practicum, for protein fleshy and flaky, for vegetables prepared in many ways. The Royal is textured and even if the tale is told with quick and efficient pluck, at $14 per play, what more is there to say. Tasted August 2014 @oenophilia1 @
A Creek Shores SB that bridges the gap between spring and summer fruit. From a year in which the choice was made to not blend off into the estate bottling. Recognizable Creekside aromatics stand out in a more than obvious mineral deposit and grapefruit zest way. Here the band plays across The Great Divide so “just grab your hat, and take that ride.” Will be a VINTAGES August 30 release. Tasted February 2014 @CreeksideWine
The CdC Pinot schematic is never predicated on pectin or reduction but rather the pungent molasses of earth. What better vintage (until the 2012 comes our way) can there be to accentuate the warmth of the St. David’s Bench (within a Pinot Noir plat) and to elevate sylvan fruit for complex results? The raisining is within reason and concentrates botany, not plums or figs. The somewhat elevated (7.0 g/L) residual comes across in tannin and texture so forgiveness is granted. Bigmouth (critic) strikes again, “oh…sweetness, sweetness,” but “I was only joking.” The Old Vines Pinot brings about smithy balance, of brix, treacle, iron, acidity, rusticty and mortar. It should be considered as good a value at $18 as any basic Bourgogne rouge. Tasted August 2014 @MBosc
This inaugural Riesling foray from atop the Twenty Mile Bench out of the Limestone Vineyard is a sister to the Tawse exploration from same. The comparisons end right there. Paul Pender’s take is kinetic, frenetic and electric. Redstone winemaker Rene Van Ede tends to and lends from a reconnaissance that heralds Mosel. His first, fixed take is off-dry (in obvious ubiquity) with circular acidity. The co-agitation is early picked at low brix, with realized high residual sugar (36.4 g/L) and low alcohol (10 per cent). Toothsome, with a ying/yang, lemon/lime, push/pull. The case load is formidable for a first go ’round (1000 plus) yet paddled through limestone acreage with effortless strokes. Tasted May 2014 @
Look, I get it. Wine is made from grapes so why command a host of other fruits to offer context for aromas and tastes? Just have a moment with Steve Byfield’s “virtual” Viognier 2012. Virtual tree meets stone fruit. Smells just like a ripe peach. The flavour bears an uncanny resemblance to apricots. Virtual my Equus africanus asinus. The winery is virtual, the Viognier anything but. Speaks a Condrieu varietal truth by way of Niagara’s Redfoot vineyard. Carries a soil-driven, mineral-flecked, microscopically-oxidized metal tang so essential to invigorating Viognier. Blessed stuff from a Shona’s humble hands. Tasted twice, March and June 2014 @
A nod to the typical White Bordeaux blend with 87 per cent Sauvignon Blanc and 13 Semillon. Another vintage that shows the direction taken by the winery is a righteous one. Drawn in chromatic patina, characterized by an oxidized style and with extreme arid prejudice. Though it’s a storied expression of warm Napa Valley it bears an uncanny resemblance to a wild yeast affected, cool climate Sauvignon Blanc style, with extended lees contact. There is ripe pear and some chalk, excellent tang, faux sugars and stretched out length. Served well chilled is a plus, accentuating the zest and mineral components. Very good showing and vintage for this iconic wine. Tasted April 2014 @CBrandsCareers
With caution to what is likely a captain obvious comment, the suggestion here is that this (former Cloudy Bay winemaker) Kevin Judd Sauvignon Blanc makes perfect use of the over thruster to travel back in time. A time in the late 90’s/early 2000’s when Marlborough SB was the white bomb. Might it be more than obvious to ask for some briny Pacific oysters to accompany and match the elegance in salinity of this Woodbourne, Renwick and Rapaura fruit amalgamation? Potent, if distilled Marlborough delivering excellence here, with a notion of sweetness, not of a suffering palate, but in aromatics. The late summer garden by the sea, in a stiff mineral breeze and in ripening, southern hemisphere tree fruit. The grasses are somewhere else, there are no speed limits and no undesirable tang. The Greywacke is refined, perhaps to a fault, but prime and worth every bit of its dime. Tasted August 2014 @
The oak repeal in decreased new barrel impact allows the County to speak in the clearest of voice. As it should, from a South Bay landscape and terroir as rugged and dramatic that can be found anywhere Chardonnay is made in Ontario. There is a honeyed unctuous and viscous feel to the South Bay ’10, no doubt a result of its middle filled in by a meritorious and pure lees. Limestone wraps up the fruit in a clean, crisp and pure package. Tasted April 2014 @
Something’s missing, or rather something is happening here. The LCJ omnipresent warm Pinot coat of harm is conspicuous in its absence, or has it been reigned in? This 2011 is so much more friendly, more soft-spoken, expertly judged and picked ripe fruit richer than before. Plenty of tang and tannin but the pronouncement is in a savoury basil/chervil kind of way. Not just another high made by just another crazy guy. A most excellent, bright, roxy Village Reserve, full of atmosphere and ambient music. Tasted February 2014 @
Norm’s Niagara is such a different animal to the County 2012. The warm summer and dry fall means more humidity and even more reduction. Currently cothurnal so less like Burgundy but only because there elevates the high-tones and percipience from Niagara. Texture is key but this Hardie needs time. It’s not angular but it is steroidal, injected, like a wild thing, as if the yeast were still in control, munching away even though there is no more sugar to be had. Undomesticated ’12, at heart, in spirit, out of mind. Hard to imagine there could be this much anxiety from the even-tempered vintage, but when you pick real early and keep the oak to a bare minimum, Hardie happens. Norm picked ripe fruit between September 7 and 10, six weeks ahead as compared to some years. He said the fruit had a “golden tan, ready to go.” The use of smallish 500L barrels works wonders for texture and though 40 per cent was new wood, you would never know it. Malolactic fermentation didn’t happen until late August, nearly a full year on so no sulphuring was required until that time. This is Hardie’s freshest Niagara fruit ever, from Duarte Oliveira’s farm between Victoria and Ontario Street, the same spot as Hillebrand’s Chardonnay Reserve. Terrific Beamsville Bench Chardonnay. Tasted May 2014 @normhardie
Good to go!