Searching for great heart in South Africa

A view of the Simosnberg from Amazink Live in Kalmandi Township

Heritage and diversity in South Africa

as seen on WineAlign

Takeaways from Cape Wine 2018: Bot Rivier, new generation pinotage, regional spotlight on Robertson, Méthode Cap Classique, heritage vines, post revolution Swartland, wot varietal? and kuier

The last time I travelled across the Atlantic and down to the southern tip of Africa was in the warm days of September when I took in the three days of Cape Wine 2015. Beyond the Cape Town commotion of the triennial wine fair there was the added bonus of an expansive, wayfaring wine-lands itinerary. A deep understanding of the Western Cape’s wine landscape came to light, though at the time it seemed like being caught up in some kind of cultural and constitutional revolution. A return engagement with South Africa this past September changes but also cements the notions considered and the lessons learned. South Africa’s scene has now found itself comfortably cast in a post-revolution, full on republic state of wine. Allow me to expand.

I’m searching for the spirit of the great heart
Under African sky

A deeper understanding

After my return three years ago I suggested that “what separates South African vignerons from the rest of the world is a playground mentality and their confident executions in consummation of those ideals. The soils and the weather are nothing short of perfect…the place is a veritable garden of viticulture eden…a certain kind of comparison presents South Africa as the wine equivalent of the wild west. In the Western Cape, anything goes. The landscape of South African wine is demarcated by ancient geology and by the geographical diversity of its regions, sub-regions and micro-plots. Varietal placement is the key to success. As I mentioned, South African winemakers can grow anything they want, to both their discretion and their whimsy. The choice of what grows best and where will determine the successes of the future.”

It’s satisfying to note that three years later the adages, analytics and perspectives remain constant with that initial intuition and yet the changes in mentality meeting execution are far greater than such a short passage of time could normally afford. Winemakers in South Africa are learning everything there is to know about making wine and from every corner of the world. Some are travelling to the sources for the knowledge while others are simply experimenting at home every day to get there. There is no style of wine that isn’t being attempted. I’ll say it again. “Natural fermentation, skin contact and carbonic maceration have infiltrated the winemaker’s psyche. Fresh, natural, orange, amber, caliginous and tenebrous have established Cape footholds with enzymatic force.”

The year 2018 will be remembered for many things but at the top of that list are resilience and tradition. After months and months on end of near catastrophic drought the country and in turn the wine producers have found a way to survive and to thrive. Thanks must be afforded the pioneers and those with the most experience, in other words, the people who have been through and seen it all. As a result it is the icons and archetypes of South African wine that stole much of this year’s spotlight. Though they are the antithesis of the young and free-spirited, the lines have begun to blur, or at least overlap in terms of who is who in the winemaking mise en scene. Three years ago these pirates with pirate eyes and pirate smiles made some good wines but a good deal of them were dirty, funky and flawed. Wine geeks gushed because of the cool, natural and revolutionary factor. It was a time of protest and free spirit. Once upon a time in the wild Western Cape. As the boomers have grown older their winemaking has matured and become wiser. There is no abandoning the call for uprising, subversion and experimentation but there is a concerted effort to fashion wines that are a pleasure to drink. Isn’t that the point? In 2018 it seems that everyone has it figured out. South African wines are cleaner by ‘n landmyl, with more purity, transparency and honesty than ever before. Their epiphany is now ours as together we synchronically enter this new world of deeper understanding.

No one does a media package like @wosa_za for @wosacanada peeps. thank you for getting me very ready to tackle @capewine2018

So much to think about

It began at the Spier Hotel in Stellenbosch, home to Spier Wine Farm and Vineyards. It was unseasonably cold with the kind of crisp night air that just makes you think about acidity. The vines were infants at this time in the southern hemisphere vineyards but I could not help but imagine the 2019 harvest possibilities as having forged their beginnings with these early spring conditions. Next stop was Bot Rivier, first with a farm to table experience at Wildekrans Wine Estate. A quick stop to hang with the baboons at Sir Lowry’s Pass and a move to Kalmandi Township.

Performers at Amazink Live

This was a truly South African experience of ‘Ubunti’ at Amazink Live‘s township braai with the local entertainment troupe and a big bottle format of Smiley, Silvervis and Terracura with Ryan Mostert and Samantha Suddons. The fifth season of performance took place in what is called “a place of unity,” a safe space for all guests and groups. Amazink’s manager Zinthle explained that this club offers “a change in the perception of townships, the name alone means “it’s a nice home.” Kunandi Umalaba indeed. “It’s nice to be here.”

On to Roberston for three quick visits with Graham Beck Wines, Springfield Estate and De Wetshof Estate Wines. Then a night under the African sky, a 24-hour out-of-body experience at Sanbona Game Reserve and over to L’Avenir Farm for Pino Pistols – the next generation of pinotage young guns. The next morning at the Cape Town International Convention Centre for the start of three jam-packed days of Cape Wine 2018. An evening that can never be forgotten covered the classics – a regional four-decade vertical tasting with eight iconic producers. The trip culminated with lawn bowls in Malmesbury with the Swartland Swingers, artists formerly known as The Swartland Revolution.

Sundowners, Sanbona Game Reserve

Three years after that 2015 Cape Wine experience it’s duly noted how both flow and focus mean that the game is changing. The notion of planting whatever you feel like wherever you feel it just because it will ripen is evolving. Specialization, especially with respect to varietals like chenin blanc, cinsault, grenache and pinotage is the wave of the future and with this furthered isolation of micro-plots and terroir for these very specific grape varieties. Narrowing the focus, figuring out what works best and why. It’s the Burgundian way and indeed the way all great wine regions make their mark. The heritage seekers and protectors know what’s what. Old vines, especially dry, bush-farmed vineyards are the backbone of South Africa’s diversity and possibility.

Were South Africa not so far away from the rest of the wine-consuming world I truly believe it would blow every other wine region out of the proverbial water of supply and demand. South Africa’s wines represent the finest quality to price ratios in the world and there is plenty of product to go around. Lying a continent (and an ocean) away from both Europe and North America is an obstacle that will always be too distant to overcome but the global economy’s ability to coalesce and encourage trading of goods from the furthest of poles is only going to increase. If this upwards and positive trend is to continue the current wave of nationalist political tendencies must be curtailed, if only so that we as consumers can continue to enjoy the wealth of extraordinary wines that need to be exported out of South Africa.

Chef Gregory Henderson, Wildekrans Wilde Forage, Bot Rivier

New age of diversity: Bot Rivier

Bot Rivier is south-east from Cape Town, sandwiched from south to north between Hermanus and Stellenbosch. “From the top of the Houw Hoek Pass, one gets the first glimpse of the vast, rolling hills and big sky of the Bot River area, where real people make real wine.” This is the credo of the family of wineries that farm and produce in the area. There are 12 members of the wine-growing association, all within a 10km radius of one another. At Wildekrans we participated in a ground foraging experience alongside Chef Gregory Henderson. Beaumont Wines, Gabriëlskloof, Paardenkloof, Villion and Luddite Wines led us through a blending process to make a wine from samples supplied by all six. Four groups attempted the exercise to mixed reviews. Said Luddite’s Niels Verburg. “We gave you six beautiful wines and you gave us four bad ones back.” Their wines were significantly better.

Beaumont Family Wines Hope Marguerite 2017, WO Bot Rivier-Walker Bay, South Africa (Agent, $35.00, WineAlign)

The vintage clarity speaks to an unbelievable old vines imperative and in this case a stage presence imperative to scrape, zest and juice all the lemons, tangerines and peaches in the world. The fruit quality and integrity conjures a continuum where distant memory fast forwards to present day reality. ‘Tis an extraordinary time to taste chenin blanc in its modern vernacular, of so many styles with Sebastian Beaumont’s so high on the pyramid. The The 2017 accomplishment includes further complex compliments, dried pineapple, lemon peel and an herbal wonder powder. This is the sauce. “This is the day, your life will surely change. This is the day, when things fall into place.” Soul mining for chenin blanc. Drink 2019-2026.  Tasted September 2018

Villion Family Wines Syrah 2017, WO Western Cape, South Africa (WineryWineAlign)

A moment’s pause to consider the aromatics is unavoidable because the mid-palate complex notions swirl dramatically out of glass, through the mouth and straight into the mind. This with thanks in kind to more than half of the juice having matured for eight months in (36 per cent new) 300 and 400L French barrels. The fruit was not lost in fact it’s uncanny how mandarin orange it is, plus this old vine (30 years and older) mineral-flint strike to round out the third and most expected aspect of the total oeuvre. Rich, unctuous and structured is a great way for chenin blanc to go through life. Drink 2018-2021.  Tasted September 2018  villionwines  @VillionWines  @VillionWines

Wildekrans Wine Estate Chenin Blanc Barrel Select Reserve 2017, WO Bot Rivier, South Africa (WineryWineAlign)

From winemaker Braam Gerricke his chenin blanc layers and variegates richness and spice. There is nothing simple about the designation or the result, very much in the vein of old vines and barrel licked chenin with great expectation. The ceiling climbs high for this type of execution and with some age for this, followed by some adjustments for the rest the future looks very bright. These are wines poised to climb into another Cape echelon. Drink 2018-2022.  Tasted September 2018  wildekrans  @WildekransWines  @Wildekrans

Gabriëlskloof Syrah The Landscape Series on Shale 2016, WO Bot Rivier, South Africa (WineryWineAlign)

On Shale is forged of a single-vineyard, Bokkeveld site on the Gabriëlskloof property that makes for a stand apart syrah without comparison. A wild ferment encourages idiosyncratic, ferric and hematic tendencies of what can happen on this section of Western Cape geology. The theoretical possibilities from such shale do for syrah what Cape granite and Malmesbury shale won’t, making abstract connections liquid chalk bled through mudstone in the form of herbal amaro syrup. You notice it in the consistency too, so pure, so sappy oozing and in its very intuitive way, extroverted fine. Drink 2018-2021.  Tasted September 2018  gabrielskloof_  @Gabrielskloof  @donniewine  @Gabrielskloof

Luddite Shiraz 2014, WO Bot Rivier, South Africa (WineryWineAlign)

Just a few years offers up so many more clues as to what is going on in Niels Verburg’s shiraz world. First of all the 24 months in barrel and the 24 months in bottle are structure building and basically tell us to stay away for an equally further amount of time. Not that you wouldn’t want to taste one or two along the way but time is the necessity. This is shiraz held back to “gain a balanced potential.” Meanwhile, no other Cape shiraz smells like this. Niels talks about the mattress of curry the khoi bushmen used to lie upon to raise them up above the ground and away from the insects. The plants known as “kerrie” have a very particular herbal-savoury scent, certainly present in Luddite’s shiraz and even more pronounced with a few years of time gone by. It’s exotic, an herbal-spice line trod with floral undertone and in part certainly a cause to that vineyard presence of the curry bush. Texture is fine spun silk, integrated and then comes exquisite acidity to complete the picture. Drink 2019-2027.  Tasted September 2018  luddite_wines  @LudditeWines  @ludditewines

Paardenkloof Estate Cabernet Sauvignon 2017, WO Bot Rivier, South Africa (WineryWineAlign)

Planted in 2002, it was 2006 that proprietor Mohseen Moosa first produced this cabernet sauvignon on the mountain that separates Bot Rivier from the Hemel-en-Aarde, three to four kms from the sea, as the crow flies. The cooling breezes help to coax, coddle and accentuate the varietal tendencies, “to promote the primary fruit of the vineyard,” tells Moosa. Beneficial balance and restrained intensity define this wine, from pockets of spice through ultra-violet floral rays. Pleasing fruit meets designate structure for the most solid of South African cabernets. Fine chalky tannins and all in all, really accomplished. Drink 2020-2027.  Tasted September 2018  paardenkloof  @PaardenKloof  @PaardenKloofEstate

Chardonnay vineyard in Robertson

Regional spotlight: Robertson

The Robertson Valley is a singular and vast South African landscape, a place of wide open spaces and skies. It’s the ideal location for many things, including growing chardonnay and pinot noir for Méthode Cap Classique sparkling wines. It’s also possessive of the finest limestone soils in the Capelands which means chardonnay thrives and the ceiling for pinot noir can only raise higher. Pockets of sand and clay are also ideal for Bordeaux varietals; cabernet sauvignon and sauvignon blanc. The history, meticulousness and confidence of Robertson’s winemakers is more than evident. Springfield’s Abrie Bruwer was quick to remind us all “we’ve revolutionized (winemaking) three times over already and nobody’s noticed.” Robertson remains under the radar but know this. Old world defines the collective oeuvre.

Springfield Estate Sauvignon Blanc Life From Stone 2018, WO Robertson, South Africa (Winery, WineAlign)

What a jolt in how there’s a quick flash of Sancerre and then bam, straight back into a Robertson reality from the rockiest of parcels. The juice is kept at negative three degrees celsius to preserve the sheer freshness of the fruit. It’s not so radical but it’s also not done. What is does is prevent the flavours from disappearing into the enzymatic wind. They’ve been at this process for 11-12 years, seven of them with the entire crop. It’s about keeping the entirety of the lees suspended to buoy and ready the fruit for fermentation, at 13-16 degrees. The fruit is so variegated, at first mostly stone and the towards tropical tendencies, on the back of acidity wise and mature.  Drink 2018-2023. Tasted September 2018  springfieldestate  @springfieldwine  @springfieldestate

De Wetshof Estate Unwooded Chardonnay Bon Vallon 2018, WO Robertson, South Africa (403675, $22.95, WineAlign)

The unwooded chardonnay from de Wetshof is a fascinating wine because it’s one of the very few in the style that needs some time to settle down and in. From the good valley at the lowest point between slopes there is more searing orchard and citrus fruit meeting pure, unaffected by wood nuttiness than a list that includes all of Robertson and perhaps the entire Western Cape. What is pulled from this limestone terroir and without any barrel time is almost impossible but wholly remarkable. It’s also consistently constructed vintage after vintage by the commitment to craft by the family de Wet. Drink 20189-2022.  Tasted September 2018  dewetshofwines  @DeWetshofWines  @dewetshofwines

Graham Beck Prestige Collection Cuvée Clive 2012, Méthode Cap Classique, Robertson, South Africa (Agent, WineAlign)

Clive is Graham Beck’s most prestigious and important cuvée, what méthode cap classique cellarmaster Pieter Ferreira calls “a respect to Champagne. While previous incarnations were wines of “best selection” the 2012 chardonnay and pinot noir are drawn from a single-vineyard for the first time. Stand in the tasting room and there it spreads out below, on soil riddled with limestone to equip this crisp and arid sparkling wine with all the necessary attributes. Bronze-parched apple and dried quince are noted. Sentiment and data from a 10 year study project of varietal, lees and aging are collected and come to this; a toast demure, a love divine, a wild control. Brilliant sparkling wine and undoubtedly a South African gem. Drink 20189-2027.  Tasted September 2018  grahambeckbubbly  vinexxperts  @GrahamBeckSA  @Vinexxpert  @grahambeckmcc  @Vinexx

L’Avenir Wine Estate and Country Lodge

Pino Pistols – The next generation of Pinotage young guns

Heritage in South Africa is not just reserved for chenin blanc. “You know what old vines can give you,” says L’Avenir’s winemaker Dirk Coetzee. “We’re here to discuss a pinotage revolution. We’re here to discuss the next generation of pinotage.” Stellenbosch is host to the greatest concentration of Western Cape plantings and over the last ten years it has grown by 52 per cent. “Once we start making authentic product people will start thinking and the product will speak for itself.” In fact it has moved from being the sixth to the third most planted grape varieties. Beyerskloof winemaker Ani Truter adds, “what I tasted in the 80s was not pinotage, it was sabotage. It took 2,000 years for Burgundy to be successful. Don’t worry, it won’t take that long in South Africa.” Only a Châteauneuf-du-Pâpe winemaker could pay a compliment with such direct proposition.

David Sadie continued the analysis with his take on soil and cellar as being the reasons for making good and bad pinotage. “If you look at a bad pinotage today you can look at the cellar and not at the cultivar.” This in explanation for how pinotage has improved and is moving on from rubbery, toasted and burnt flavour profiles. “It’s about site selection, planting in the right areas.” It’s also about pH levels. “Your attention to hygiene is really important, it’s pH driven.” And finally, Jacques de Klerk of Radford Dale.” They used to be made at high alcohol levels and the margin for error was very precarious. It comes down to over extraction and over use of oak.” The times they are a-changin’.

Beaumont Family Wines Pinotage Sixty Barrels 2015, WO Bot Rivier, South Africa (Agent, WineAlign)

So interesting to taste this seminal pinotage by Sebastian Beaumont side by each with his 2009 “normale.” The same 1970s planted vineyard is employed, here from two blocks, one 44 years of age and the other being a spritely 21. The salty note on the aromatic top is faint, hidden beneath massive fruit ability, but it depends (of course it depends), on vintage. This one is full of wealthy possibilities and stealth opportunity, especially when the salt rises to the surface in thew clay. That clay effect is a fulsome one, really notable from 2015 to claim fruit, stash it away in reserve and wait for structure to build, crest and relent. Many years will pass as a result of this pinotage process. This is how you build varietal wealth and worth. One of South Africa’s finest. Drink 2019-2027.  Tasted September 2018  beaumontwines  @Beauwine  @Smallwinemakers  @beaumontfamilywine  @smallwinemakerscollection

L’Avenir Pinotage 2016, WO Stellenbosch, South Africa (Agent, $14.95, WineAlign)

When it comes to pinotage there are few producers capable of delivering the triumvirate of quality, honesty and ignoring of sickly trends. There is no mocha in L’Avenir’s take on the mistaken identity grape. In this case it’s like you’d expect pinotage to be but also completely unexpected because it takes classic relief, alters the perspective and turns the architectural rendering on its head. Pinotage needs to keep you on your toes, confuse with trompe l’oeuil drawn trickery and offer up great surprise. That’s what makes it special. Here richness is met head on by tannin, dusty fruit by bold acidity and spice mix at the gate of intensity. Just imagine the possibilities in the estate’s single block. Drink 2019-2022.  Tasted September 2018  lavenir_wine_estate  selectwinemoments  @LAvenirWines  @SelectWinesTO  @LAvenirEstate  @SelectWinesCanada

Beyerskloof Pinotage Diesel 2015, WO Stellenbosch, South Africa (Winery, WineAlign)

The bush vines are in the 20 year range on gravelly Oakleaf and Klapmuts soil for this highly credible example of what is possible with pinotage, especially in Stellenbosch. This is nothing but a structured red, housed in 100 per cent new French oak barrels for 20 months. After maturation, only 20 barrels were selected out of a possible 300. The fruit is richer, the texture denser and the extraction at the top end of the ideal. There is more of everything here, including savour and it’s anything but reductive or ball bouncy. Big, roasting, boasting and blasting with an exceptional level of quality. Drink 2019-2023.  Tasted September 2018  beyerskloof  churchillcellars  @Beyerskloof_  @imbibersreport  @Beyerskloof  @imbibersreport

B. Vintners Pinotage Liberté 2017, WO Stellenbosch, South Africa (Agent, $41.99, WineAlign)

Two oceans facing granitic soils at 250m are the impetus to raise this Cape dialectical, Atlantic meets Indian pinotage. It’s also a whole bunch matter, something that in increasingly important in the varietal lexicon. The plantings are east-west in orientation to avoid overbearing sun exposure, which is really a thing in pinotage and often the culprit for its unwanted “thickening.” Baking spice is all over the notes and fruit purity is duly counted. A very characterful red, spicy, smoky and just plain pleasurable, if on the confident side of all things being equal. Nice work between cousins Gavin Bruwer and Bruwer Raats. Drink 2019-2024.  Tasted September 2018  raatsfamilywines  liffordgram  @RaatsWines  @LiffordON  Raats Family Wines  @liffordwineandspirits

Radford Dale Pinotage Frankenstein 2015, WO Stellenbosch, South Africa (AgentWineAlign)

It took a few decades for someone to give Shelleyan props to Dr. Abraham Penold of Stellenbosch University,1925 grafter of cinsault and pinot noir to create pinotage. It’s a literary sidestep of a stretch to compare the science to Mary Shelley’s creature created by mismatched donors, but more than that it’s a cheeky shout out for a varietal often mistaken for a monster. Winemaker Jacques de Klerk grabs fruit from the white marl at the foot of the Helderberg Mountain for a pinotage troika of intention, ability and expectation. Three properties born of terroir, house and winemaker. All are on the same page written by an unspoken agreement to not abuse or confuse this grape. Frankenstein is smoky, curative, red raspberry ripe, right proper and built to last. Drink 2019-2026.  Tasted September 2018  radford_dale  reveriechenin  noble_estates  @Radforddale  @deklerkjacques  @Noble_Estates  @RadfordDaleWine  @NobleEstates

Pinotage winemakers at L’Avenir

Kanonkop Pinotage 2015, WO Simonsberg-Stellenbosch, South Africa (Agent, $44.95, WineAlign)

Vines are between 30 and 60 years of age for this prototypical ode to how things were and going forward can almost certainly be in the world of pinotage. Wrinkled, gnarled, grizzled old veteran vines, the Gordie Howe of the genre, Mr. pinotage if you will. Trees of a vinous sort, able to shake of draughts and new wave mochafied drafts, with a hat trick of checks, balances and grit. These vines are the past but more importantly are the future, typified and exemplified in this kind of pinotage, a modern classic made from a place by a maker who knows what’s what. Smoky red fruit with this uncanny variegation of hue, cloudy transparency and complexity of character. Drink 2019-2025.  Tasted September 2018  kanonkopwineestate  noble_estates  @KanonkopEstate  @Noble_Estates  @Kanonkop  @NobleEstates

David And Nadia Pinotage 2017, WO Swartland, South Africa (Winery, WineAlign)

David and Nadia Sadie’s pinotage is quite possibly and purposefully the lightest there is, clocking in at an impossibly low 12 per cent. It is both the next and other tier for the varietal reconnaissance with vanguard clarity and an honesty to speak of wine made under serious drought conditions. Bright red fruit and that low alcohol make it at once crushable but then sneaky structured. A maturity of vine, maker and grape conspire for such a dichotomy of bemusement though to be fair you could blindly be convinced that you were tasting lithe and ethereal northern Rhône syrah. The mixed magical condition certainly makes you take a step back and a seat to think. It’s a good conundrum and an excellent way to be drinking pinotage. Drink 2019-2027.  Tasted September 2018  davidandnadia  @DavidandNadia  @DavidandNadia

Wildekrans Wine Estate

Wildekrans Wine Estate Pinotage 2017, WO Bot Rivier, South Africa (WineryWineAlign)

A cooler, herbal and uniquely floral pinotage from Braam Gerricke. Bush vines grow on a shady site of small acreage and at altitude for the valley. Pinotage of chalky liquidity from you which you feel the oak and a real sour-sorrel tang. Was in barrel for 15 months and it will need a year or two to fully integrate, than drink well for four or five more years after that. Terrific persistence and length.  Drink 2019-2023. Tasted September 2018  wildekrans  @WildekransWines  @Wildekrans

Graham Beck Winery, Robertson

Méthode Cap Classique

Plain and simple, Méthode Cap Classique (MCC) is a South African term indicating a sparkling wine made in the traditional method (the same way Champagne is made), by which a secondary fermentation takes place inside the bottle. That said, there is nothing simple about MCC and who would argue that as a category it produces some of the finest, most complex and diverse sparkling wines in the world. It’s also very much a wine about terroir. As it stands, MCC has to age on the lees for a minimum nine months to be labelled as such. “We’re making wines that develop too quickly,” insists Paul Gerber of Le Lude. Gerber believes the minimum should be raised to 15. “Sparkling wine is not a terroir wine? Please. This is completely untrue.” As for sugar dosage he’s like a cook in the kitchen. “Dosage is like seasoning. If you do it properly you don’t taste it.” It is Graham Beck’s Pieter Ferreira that has put in the time and the research over 20-plus years to really understand the category but more importantly the potential. “You are always looking to express terroir,” he says. “For Brut we have to extend (the less aging time) to 60 months. So there is no lipstick or eye shadow.”

Le Lude Vintage Cuvée Méthode Cap Classique 2012, WO Franschhoek, South Africa (Winery, WineAlign)

Le Lude’s winemaker Paul Gerber assembles two non-vintage Bruts, blended each vintage for a house style. The fruit is primarily Robertson with some addendum out of Franschhoek. The first vintage was indeed 2012 and this chardonnay (80 per cent) plus pinot noir comes sweet herbal straight out of the riddle with a sultry, piqued spiciness. Already showing a hint of secondary notation by way of a honeyed nougat melted into the soft and delicate mousse. Still plenty of intensity and drive with citrus in whole represent by lime, fresh and juicy. Less red fruit (much, much less) and more white flower with the idea of yellow and green fruit. Stylish, persevering and precise. At 2.6 g/L it’s perfectly albeit sparsely seasoned and mature with Champagne confidence. Drink 2019-2027.  Tasted September 2018  leludemcc  @LeLudeMCC  @LeLudeMCC

L’Avenir Brut Méthode Cap Classique 2017, WO Stellenbosch, South Africa (Winery, WineAlign)

L’Avenir Estate’s Méthode Cap Classique is mainly pinotage with some chardonnay and arrives in the glass as a light and nearly delicate bubble. It’s a succulent, sweet rusty, lively enzymatic sparkling wine with an opinion and a plan of action. Pleasurable to sip from a definite MCC teachable moment. Drink 2018-2020.  Tasted September 2018  lavenir_wine_estate  selectwinemoments  @LAvenirWines  @SelectWinesTO  @LAvenirEstate  @SelectWinesCanada 

Genevieve Brut Blanc De Blancs Méthode Cap Classique 2014, WO Bot Rivier, South Africa (WineryWineAlign)

Genevieve is Cap Classique made by Melissa Nelsen and was first made in 2008, released in 2010. Now with 2014 the lees aging time is 48 months with total output in the 12,00-13,000 bottle range, up from the 5,000 of that first vintage. The goal is 20,000 in the very near future. It’s essentially blanc de blancs, 100 per cent chardonnay as a wise, calm, mature and elegant traditional method sparkling. Just lovely. Drink 2018-2021.  Tasted September 2018  #melissagenevievenelsen  @Genevieve_mcc  

Graham Beck Brut Zero 2012, Méthode Cap Classique,Robertson, South Africa (435453, $23.95, WineAlign)

Slanghoek pinot noir (77 per cent) meets limestone-Robertson chardonnay for a driest of the dry sparkling wine that spent 60 months on the lees. Beck’s attack for the Brut Zero “is based on the philosophy of grower’s Champagne,” notes Pieter Ferreira and as such it surely ranks as one of the more mineral-toasty bubbles in the entire Cap Classique category. No sugar added during dosage allows the land to speak. There is a deeper intuition beyond flint-struck, something categorically chalky while delicate and flavour wise it’s simply limon-delicieux. The fineness is noted and the vintage too, from which the team saw enough to make use of the highest quality juice for a tête de cuvée wine. High ceiling for aging here. Drink 2018-2024.  Tasted September 2018

Wildehurst Méthode Cap Classique NV, WO Swartland, South Africa (Winery, WineAlign)

Sheree Nothangel’s sparkling Cap Classique is composed of chenin blanc and chardonnay (56/44), at 4 g/L dosage after 24 months on the lees. This is the third year of the program and the first stage speaks to a style that acts in delicasse incarnate. Just lovely and creamy in which lemon billows with elastic solids as curd and there is a real feel of fine lees. Though downy it too is lifted but not explosive by acidity. Drink 2018-2021.  Tasted September 2018  wildehurst  @WildehurstW  @wildehurst

Avondale Wines Armilla Blanc De Blanc 2011, Méthode Cap Classique, WO Paarl, South Africa (451930, $34.95, WineAlign)

The first vintage was 2003 for the Armilla blanc de blanc, now out of 2011 and having spent six years lees post whole bunch pressing. It’s a naturally fermented chardonnay of which two per cent saw some older barrel. After two years of coarse lees aging there began this formidable bringing of citrus and sharp apple bite. The following four on fine lees delivered the integration of acidity ahead of the gainful accumulation of toasted brioche. Richness at its best for this Méthode Cap Classique, of preserved lemon, fine aridity (under 5 g/L RS) and high acidulation (over 9 TA). Terrific MCC. Drink 2018-2024.  Tasted September 2018   avondalewinesa  @Avondalewine  @RareEarth_Wines  @AvondaleWines  Rare Earth Wines & Spirits

Godello with André “The Giant” Morgenthal, Old Vines Project and Scott Zebarth in Stellenbosch

Heritage vines

It may be argued that South Africa’s most important work is being done through the Old Vines Project. “Old vines make wines with a unique character. Wines that reflect the vastness of our South African landscape – our harsh climate, our old and sometimes fragile soils, and our complex culture. They reflect the decades of growing in one place, in the unyielding sun, the cold winter rain, the storms and winds, on a mountain, on a plain somewhere and then producing these delicate but powerful wines.

The Old Vine Project wants to preserve vines older than 35 years by creating an awareness of the heritage of old vines. Winemakers can certify their wines as ‘Old Vine’ and the public will knowingly buy wines that are made from the many ancient and sometimes forgotten patches of vineyards. Through membership the wine drinker will be able to follow the history of these wines and see where they come from – the exact slope or site, the winemaker, the soils and the stories of each.”

It begins with Rosa Kruger, viticulturalist and long time champion of the Cape’s oldest plantings. Using funding from businessman and winery proprietor Johann Rupert, Kruger founded the project in 2016, cementing formal something that had been in the works since 2002. In 2018, the OVP launched its plaques, held tastings and developed certification seals. Kruger has tirelessly promoted the qualities of the Cape’s 2618 hA of old vines. Today the larger than life André Morgenthal instructs, educates and directs on behalf of the Old Vines Project.

Chris Alheit makes an archetypal wine from the poster child vineyard for this intense old block by block pre-occupation, called La Colline in Franschhoek. So what do heritage vines mean to the makers of wines that carry this luggage? “For a clear South African identity you must use old vineyards to call it Cape heritage wine,” insists Alheit. He and more than 40 producers are making wines from a dozen regions housing further dozens of heritage blocks. These are the history and lifeline of South African varietals. It’s not just about keeping old things alive. The Western (and Northern) Cape is one of the few places in the world where old vines continue to produce extraordinary fruit to make beautiful wines. It’s not just about where you come from, it’s also about where you are going. These are just a few of these examples.

Alheit Vineyards Sémillon La Colline Vineyard 2017, Franschhoek, Western Cape, South Africa (WineryWineAlign)

“Qu’est-ce que c’est?” From a vineyard housing both light and dark-skinned sémillon and if there are others in this world I am not privy to the information. The resulting wine is 85-90 per cent blanc and 10-15 gris. La Colline was planted in 1936 on the southern slope of Dassenberg and is now farmed by grandson Anton Roux, a direct descendant of the Huguenot refugee Paul Roux who arrived in Franschhoek in 1688. The vines stretch up the hill from 310-350m and it is the fruit from the middle slope that is best to leave for picking long after the chenin blanc. This is the indispensable fruit used in Alheit’s Cartology. Thick skins elevate the natural talking tendencies, from a super healthy pH for drupe of apposite attack and confusing like great whites you would not or should not compare it to. Chris Alheit’s invades your head’s consciousness with this amazing depth for sémillon, with no definable context, pretence or precedent. The impossibility is totally unique in the world and yet utterly South African. It’s both tense and nervous but somehow I can still relax. Psycho Killer sémillon.  Drink 2020-2028. Tasted September 2018  chrisalheit  gsoleil123  @ChrisAlheit  @GroupeSoleilTO  Chris Alheit  Groupe Soleil Fine Wines

Chris and Suzaan Alheit

gentle humans, givers, terroiristes, magical wine purveyors ~ suzaan and @chrisalheit ~ thank you for the enlightenment ~ #capewine2018 #zoocrew

Alheit Vineyards Chenin Blanc Magnetic North 2017, WO Citrusdal Mountains, South Africa (WineryWineAlign)

Also from the Citrusdal Mountains SAVA, a.k.a the viticultural area also known as the Skurfberg, a 10 minute drive away at 550m, again red sand and clay. The vines are ungrafted chenin blanc on its own roots but the soil here is an even deeper red, more so than Huilkrans and so now that white hematic thing is happening. Like red blood cells carrying elements, nutrients, ferrous unction and a pulse of power as opposed to the calm in the white of Huilkrans. This is the tenor to the baritone, rich in its crazy depth of fruit and always seared, marked and injected with trace elements. Does it all on its own. There is no winemaking going on here, only a moving target, of intensity and mystery. The vineyard lies a few degrees off true north from the Alheit cellar, poetically licensed as their “Magnetic North.” Drink 2019-2028.  Tasted September 2018

 

Mullineux Old Vines White 2017, Unfiltered & Unfined, WO Swartland, South Africa (556597, $37.95, WineAlign)

Predominately chenin blanc with grenache blanc, sémillon gris, clairette and viognier, ushered by natural yeasts and encouraged through malolactic fermentation. The new age textured acidity is accessed without a stir and a highly textured affair it is. The composure rests in seamless mille-feuille layering while vested in slow-developed, all you could dream about in a cape effect white wine. Welcome to the cumulative in Andrea Mullineux’s Old Vines bottling. While Granite and Quartz make pinpointed investigations this is the one to educate us all on what Western Cape and more specifically Swartland chenin blanc blends are capable of discerning. The weight is powerful and weightless, the effort strong and effortless. Amazing really. Drink 2019-2025.  Tasted September 2018 and January 2019  mullineuxwines  nicholaspearcewines  @MullineuxWines  @Nicholaspearce_  @MullineuxWines  Andrea Mullineux  Chris Mullineux  Nicholas Pearce

Huis Van Chevallerie Filia Brut Nature Kap Klaissque NV, WO Swartland, South Africa (Winery, WineAlign)

Filia is the daughter of the Paardeberg, a self-described and cheeky Swartland Kap Klassique chenin blanc made by Christa Von La Chevallerie, dogter to Juergen and the Nuwedam Farm just off the R45 outside Malmesbury. Not just any sparkling wine mind you. Although the early stages of this old vines project from the (mainly) 2015 vintage only gives 18 months on the lees it also provides 1974 planted chenin blanc, for shits, giggles and shut the front door attitude. For Christa it’s a matter of “how far I can go with (the combination of) chenin and lees.” Clearly just the entry point here, with an announced mix of richness and tension, not yet knowing what can and will happen. The coast is clear, the chenin blanc is ready, willing, able and the winemaker will stop at nothing to make this bubble in her own image and way. Look out sparkling world. Drink 2018-2022. Tasted September 2018  christalachevallerie  @HuisChevallerie  @ChevallerieZA  Christa Von La Chevallerie

Natte Valleij Cinsault 2017, WO Darling, South Africa (Winery, WineAlign)

Malmesbury formation is the ground beneath the feet of these 1978ish planted bush vines. Milner calls them “the most isolated block in our collective…on a lonely hill surrounded by wheat fields and too many gates to remember.” The élevage is back into concrete egg here because the Darling fruit asks or even demands it. Alex is wanting the florality of violets to be celebrated and “put into a time capsule,” from one amazing environment to another. The egg is asked to capture that. It also brings texture and salve in the form of orange pastille, warmed and lingering. Of the four single investigative cinsault this is the most accomplished, with tannin and structure. Die koppie. Drink 2019-2022.  Tasted September 2018  nattevalleij  @nattevalleij  @nattevalleij

Savage Wines Red 2015, WO Western Cape, South Africa (Agent, $54.99, WineAlign)

The kitchen sink is nearly full with syrah, grenache, cinsault and touriga nacional in a back to the farthing future beginning that was the first and now reminds of the regional ideal. While all of Duncan Savage’s other wines will already have evolved, in ’17 this will become a 100 per cent varietal syrah, in the name of fine tuning and a furthering of regional identity. The Red is the most perfumed, also elegant and delicate with a sneaky beauty in its phantom power. Really clocks in and knocks you upside like powerful. Like modern nebbiolo though you’d never really know it unless you were unafraid to ask. Who are you? Drink 2019-2025.  Tasted September 2018  #savagewines    #savagewines

The Heldeberg from Stellenbosch

Post revolution Swartland

They are no longer the Swartland Revolution but now the Swartland Swingers, a free and easy collective of South African winemakers who have this winemaking thing figured out. There is a swagger about these women and men who make wine from dry-farmed bush vines set into some of this planet’s craziest antediluvian soils. Their wines collectively have a very purposed focus but what they have more than anything else is flow.

Badenhorst Secateurs Chenin Blanc 2018, WO Swartland, South Africa (Agent, $23.00, WineAlign)

While Adi Badenhorst also produces some über fascinating and ultra-expensive chenin blanc (Klip Klop, Golden Slopes and Piet Bok se) the Secateurs, also known as pruning shears or “snoeiskêr” is the glue and the rock in his entire portfolio. It’s one of the original upscale chenin blanc to crack the North American market and open the portal to the rest of South Africa’s bush vine world. Some great old vines help usher this into its echelon and while it strikes with leaner and more direct lines than (especially) the textured Golden Slopes, it still exhibits its own palate wealth. A little bit of this, a little bit of vat, skin-contact, stainless and concrete ushers along the variegation so that feeling balances the fresh spirit of this steen. Salty rock and sweet basil come through at the finish. Drink 2018-2022.  Tasted September 2018  aabadenhorst  hannekebotha  wynbefok  noble_estates  @AABadenhorst  @Noble_Estates  Adi Badenhorst  @aabadenhorst  @NobleEstates

David And Nadia Grenache 2017, WO Swartland, South Africa (Winery, WineAlign)

For grenache the focus David and Nadia exert is on the red-brown schistous soils of the Kasteelberg, masculine terroir if you like (or will) as a brother to the Paardeberg where they make chenin blanc the order. About half the ferment is whole bunch, plenty enough for grenache and also six amazing weeks on skins. I can only imagine what the room began to smell like with this triumvirate of soil, varietal and execution happening. No other grenache anywhere in the world shows this type of terroir purity, or at least with such unequivocal and parochial relevance. The raspberry notes are uncanny and the transparency of transference is both light and in total control. Who knew so much character and structure could be coaxed from something desperately delicate. It’s like a spider’s web with bonds unbroken, capable of snaring the physical and the emotional while always remaining inherently meta. Aragon nor Rhône this is not, ethereal it is. Drink 2018-2027.  Tasted September 2018  davidandnadia  @DavidandNadia  @DavidandNadia

Porseleinberg Syrah 2012, WO Swartland, South Africa (Winery, WineAlign)

If you would like to explore the pinnacle of richest restraint where South African syrah goes out to concrete then look to this off of Porcelain Mountain made by the phantom himself Callie Louw. A Riebeek Kasteel phenomenon was born out of a Boekenhoutskloof drive and it is the magical glycerin texture that behooves us to think, feel and linger with this top quality example. It’s also reticent, of great humility, needing no attention or introduction. It may be syrah of a certain aloof quality and yet the intensity unparalleled deserves all the accolades it may and will receive. Remembered, remarkable, stoic, unchanged and unchained. Drink 2019-2033.  Tasted September 2018  #porseleinberg #callielouw  #porseleinberg

Terracura Wines Red 2016, WO Swartland, South Africa (Winery, WineAlign)

Contributions are solicited, paid for and received from five different vineyards on three different terroirs in the Swartland; two on Riebeek schist, two on Paardeberg granite and one on Malmesbury ferrous clay. What does is all mean or add least add up to? It’s not Jamet dammit though it may be the most Cornas like because of the deep liqueur in this fruit. Also due in part to the Rhônish funk which gets into the mind of assessment in ahead of Western Cape terroir. It’s a combination of absolute perfection and downright absurdity. The olive brine and meaty cure are there, as is the tannin, like deep, dark sunken eyes. Ryan and Samantha don gothic costumes and zombie make-up, “with white lipstick and one thing on their minds.” Full moon syrah fever. Make a wine like this and you are no longer innocent winemakers. Nothing petty about that. Drink 2019-2023.  Tasted September 2018  terracura  ryanthewinegeek  vinevenom  @RyanTheWineGeek  @Sammelier  Samantha Suddons  Ryan Mostert  @terracurawines

Mullineux Syrah Granite 2016, WO Swartland, South Africa (Agent, $152.95, WineAlign)

Moving in a muy from the seven vineyard syrah and into a Swartland side site committed to granite this is one of three Mullineux syrah specificities, the other being Schist and Iron. Granite is drawn of a single parcel of 19 year-old dry land, bush vines grown in the decomposed granite of the Paardeberg. Andrea Mullineux makes use of a 100 per cent whole cluster ferment and moves into larger (500L) barrels, all aimed at freshness and aromatics. Granite provides a flavour profile that is juicier, fuller, spicier and more provocative than the others but oh to be smitten by tannins so exceptional. There is a taste of blackberry incarnate, a fluidity of seamless transitions and length for Paardeberg days. Brilliant vintage for one of South Africa’s most important red wines. Drink 2021-2033.  Tasted September 2018  mullineuxwines  nicholaspearcewines  wosa_ca  @MullineuxWines  @Nicholaspearce_  @MullineuxWines  @WOSACanada  Andrea Mullineux  Chris Mullineux  Nicholas Pearce  @WOSACA

Donovan Rall

Rall Wines AVA 2017, Swartland, South Africa (WineryWineAlign)

The red blend carrying his daughter’s name is Donovan Rall’s 2.5 hectares sourcing from the schistose section of 18 year-old planted vines. This is consistent with many of the vineyards he works with, from dry land conditions, cause he’s the Schist Man. It’s varietal syrah of 1000 bottles, a true cimmerian beast, from struggling vines, between 50-60 whole bunch (as opposed to 100 in the RED). Pure ferric initiative, real hematic following. The glycerin, candied flower and aged balsamico is almost IGT, of Cortona but really more so in a mind’s eye memory of Cornas. Freshness is preserved and structure is infinite. Great, great acidity. One of the Cape’s greatest achievements in syrah. Drink 2020-2032.  Tasted September 2018

Verticals

Anyone who chose not to attend Cape Wine’s eight wineries, four decades retrospective missed out on a tasting of a lifetime. Time was tight and so the ability to taste all eight and take proper notes in a walk-around format was challenging so here are five of the eight represented. Regrets to Vilafonté, Kanonkop and Warwick for the miss and here’s to hoping another opportunity will be afforded again someday.

How to have an epiphany. Taste 25-30 year-old #southafrican white wines. Case in point @kleinconstantia sauvignon blanc

Klein Constantia Blanc De Blanc 1987, Constantia, Western Cape, South Africa (Winery, WineAlign)

Poured by Managing Director Hans Astrom in Cape Town alongside 1994 and 2009. Planted in 1979, the inaugural vintage and the first South African sauvignon blanc was 1986. The 1987 was not labelled as sauvignon blanc but rather as B de B because of the botrytis-affected vintage. Honeyed but not in the way you might expect, not pushed by a petrol-fuelled sweetness but instead as the action of an old world inspired mash-up. Like Loire Jolivet Sancerre meeting Huet Demi-Sec chenin blanc head on. The collision explodes into a smoky smoulder with textural consequences. It’s a bees-waxy ethereal treading of chaotic spaces between worlds. The astral travel must have twisted through three decades of nether to arrive at this place, with the low pH vineyard soils to thank. And the magic, despite or perhaps in ode to the ’87 botrytis. In the end aridity wins and the wine drinks so proper, perfect and fine. Drink 2018-2020.  Tasted September 2018  kleinconstantia  halpernwine  wosa_za  @KleinConstantia  @HalpernWine  @hansverbier  @WOSA_ZA  @KleinConstantia  @halpernwine

Hamilton Russell Vineyard Pinot Noir 1986, WO Walker Bay, South Africa (999516, AgentWineAlign)

Anthony and Olive Hamilton Russell went above and beyond in their interpretation of what is means to pour at a varietal tasting by including not only this first HR vintage but also sharing one of only three remaining bottles left in this world. Were the 1997 and 2000 perhaps better structured wines? Likely and even probably yes, but there’s something magical about a first effort. The innocence, hopes and dreams are all in there, along with the honesty and the sincerity. Believe it or not the acidity is still in full flight even if the fruit has vacated the premises and turned to duff. If you’ve ever reached your hands into the Hermanus earth, inhaled in the sense of place and perhaps a lick of stone then you might imagine what this ’86 is like. A combination of plant oils, geosmin and petrichor preserved just long enough before it’s too late. Anthony and Olive timed the opening of the bottles produced to last just long enough. Drink 2018.  Tasted September 2018  olive_hamilton_russell  noble_estates  @OliveHR  @Noble_Estates  Olive Hamilton Russell  @NobleEstates

Paul Cluver Pinot Noir Seven Flags 2008, WO Elgin, South Africa (AgentWineAlign)

In a word meraviglioso, or as they say in Afrikaans, wonderlike. Paul Cluver’s 10 year-old Elgin whispering pinot noir is one to prove something very important. The get together of place, varietal and producer reaches a tri-point of agreement, all vintages being equal, at the 10 year mark. Here from this 2008 we intuit the apex, of tessellate beat and three points where two lines meet. We’ll allow for a give or take of one to two years, duly noted in this vertical that includes 2009, 2013 and 2015 but for 2008 the number 10 finds itself at a pinnacle of evolution. If you appreciate aged reds, developed pinot noir and wise South African wine than here you are. A glass of plum pudding elastic, textured and exemplary in entanglement; notable fruit, fine acidity and tannin of “streel.” An earthy intensity sprinkles over the finale. Drink 2018-2022. Tasted September 2018  paulcluver  paulcluverwines  @paulcluver  @paulcluverwines  Paul Cluver

Meerlust Rubicon 1991, WO Stellenbosch, South Africa (Agent, 64329, WineAlign)

Some vintage are surely more special than others and while Meerlust has blessed many of them with a speciality of Bordeaux inspired wine dissertation it is this 1991 that stands erect in a critical test of time. This was tasted during the second of two estate verticals afforded in one calendar year, the first having being drawn from 2010-2003, 1996 and 1984, with this second string consisting of 2015, 2009, 2001, 1991 and 1984. The fruit is both in original form and yet also dehydrated; rusty raspberry, bokser and orange peel. Still a tightness and a faint ramification of tannin but plenty of staying power. A top quality vintage no doubt. Drink 2018-2022.  Tasted September 2018  meerlustwine  liffordgram    @LiffordON  MEERLUST ESTATE  @liffordwineandspirits

Sadie Family Palladius 2011, WO Swartland, South Africa (SAQ 13098449, $88.00, WineAlign)

Though the upstart 2016 may well go on to become the best of the lot in a vertical that includes 2005, 2009 and 2014 there is no denying the way this 2011 draws you into its lair of fineness. “An incredible year,” says Eben Sadie and one during which the move was made to aging in foudres. Made for an instant alteration into the new texture and what Sadie notes as “starting to dial in.” This is by now one of the Western Cape’s most accomplished and paradigmatic appellative white blends and while certainly dogmatic it has earned the right to be so. A blend of 33 per cent chenin blanc, (16) roussanne, (11 each) grenache blanc and sémillon blanc plus sémillion gris and palomino, (6 each) viognier, clairette blanche and verdellho. What’s it all add up to? Layers and layers of stratified South African geology, history and potential. The ’05 and the ’09 show what was possible and this 2011 shows what is. Drink 2018-2027.  Tasted September 2018  sadiefamilywines  @SadieFamilyWine  The Sadie Family Wines

The 1980s called. They want their culture back.

Wot varietal?

“We’re no longer trying to make chenin taste like sauvignon blanc or chardonnay, or Huet for that matter,” noted Chris Mullineux. “The grape variety has been in the country for more the 350 years, since the 1650s and it can withstand warm and dry conditions and perform really well.” No discourse on new versus old in South Africa can be addressed without first looking at the modish dialectal of chenin blanc. The combination of bush and old vines, coupled with indigenous ferments and skin contact addresses has elevated the stalwart, signature grape to its current reality. That said the wines now being made in South Africa do not solely rely on the current chenin fashion and instead offers up a diverse lot of varietal, region and style.

Alheit Vineyards Cartology Bush Vines 2017, WO Western Cape, South Africa (Agent, $49.95, WineAlign)

Cartology exists in a vacuum without peers, in part because it charted and mapped a course ahead of the curve. The 2017 refuses to rest on laurels and pushes the destination even further away so that the journey still remains the thing. Chris and Suzaan Alheit employ 11 dryland bush (30-80) year-old parcels and the whole addition proposes an adage of place and not idea. This is Cartology, a snapshot of time and place. The smaller amount of eighty year-old sémillon is from La Colline in Franschhoek, while the 30+ year old chenin blanc is grown in Skurfberg, Perdeberg, Bottelary Hills and Kasteelberg. If Cartology was this rich before I cannot say and only Chris, Suzaan and the Cape can make this wine. Only them and in these places. Best to date. Drink 2019-2027.  Tasted September 2018  chrisalheit  gsoleil123  @ChrisAlheit  @GroupeSoleilTO  Chris Alheit  Groupe Soleil Fine Wines

Rall Wines Cinsault Blanc 2017, Wellington, Western Cape, South Africa (WineryWineAlign)

The fruit comes from a 32 year-old, tiny 0.2 hectares of certified vines and the only remaining vineyard planted to the varietal. Like red cinsault this thing drops acid as fast as anything else. What you will taste is only the grape, on the skins three days for phenolic pulling and then straight into the clay. Seven months only, not too far and so freshness is preserved. Not just spirit but mouthfeel with the lightest frame and 10.5 per cent alcohol, with nice dry tannins. It’s like a shout out louds very loud matter of “nothing is hard cause something always comes out.” Lemon like you’ve never experienced before, leaning lime, like clairette and grenache blanc, but then again no. It’s just this. Donovan Rall managed 1005 bottles. Drink 2018-2022.  Tasted September 2018  #Rallwines    @RallWines

Smiley Chenin Blanc NV, WO Swartland, South Africa (Winery, WineAlign)

Poured from magnum as one does with a non-vintage, Swartland chenin blanc inspired by the white Rioja of Tondonia and the idiosyncratic whites of the Jura. Although these originals are most obvious as Ryan Mostert’s first loves of oxidative sensitivity and specificity his Smiley stylistic has surely changed him so that the point in space is in constant flux. And so his is now the precedent because the revolutionary pioneering (along with several of his peers) has established South Africa, which includes Smiley at the forefront as the new reference point. We qualify this by saying that its own way Smiley is a fixed point that stays still and does not move. Drawing on four or five vintages the chenin blanc is blended on the flor, of skin-contact and it’s really all about layers of texture, not to mention “no holds barred.” It’s not nearly as far out there as you’d expect in fact it used to be and is now so much closer to centre. Some might argue against such a compromise but it’s not one at all. It’s made clean, with focus and determination to vinify something bloody great to drink. It’s a Champagne supernova cuvée. Drink 2018-2023.  Tasted September 2018  ryanthewinegeek  vinevenom  @Silwervis  @RyanTheWineGeek  @Sammelier  Samantha Suddons  Ryan Mostert

Blackwater Wines Palomino Pleasure Garden 2017, WO Swartland, South Africa (Winery, WineAlign)

Francois Haasbroek goes retro with his first try at varietal palomino, turning it out ambient and atmospheric, tasted here like listening to the Big Thing exactly thirty years on. The Duran Duran of chenin blanc for Swartland is also known as fransdruif or vaalblaar, meaning “White French.” Haasbroek sources his fruit by way of vines grown on shale with Table Mountain sandstone. Clocks in at a light radio’s just over 12 per cent alcohol and there was no fining. It’s a micro-terroir 0.85 hectare block and this 2016 as mentioned is the first kick at the can. Textured, natural, talc silky, with notes of orange zest, kelp, algae and sea spray. Gets creamy with lovely lemon preserve. Palomino is not chenin blanc but it can be coaxed into charm and “if there’s secrets, she has to be party, to every one of them.” We too are listening in. Drink 2018-2022.  Tasted September 2018  shot_of_time  @Blackwaterwine   @BlackwaterWine

Lowerland Colombard Vaalkameel 2017, WO Prieska Noord Kaap, South Africa (Winery, WineAlign)

Lowerland is the small northern exposure from Alette de Beer and Bertie Coetzee. Forget just about everything you think you know about wines from South Africa and settle in for something completely other. Drive 1000 kms north to a place 1000m above sea level, where the summers are hot and winters see temperatures of -10 celsius. Vaalkameel, the “pale camel” is not a reference to the wine’s hue but a note to mimic the local flora. Comes through in the most unique herbal way and so the thickets of horny bushes must have their garrigue say. Some natural grasses (no cover crops) line the rows of this arid and wild viticultural frontier where late summer rainfall and the Orange River supply all that is required. Lime citrus and moments of pith are coaxed into the cool, almost gelid but certainly textured fruit by whole bunch master winemaker Lukas van Loggerenberg. Only 1,000 bottles were made of this trés cool white. Drink 2018-2021.  Tasted September 2018  bioboertie  vanloggerenbergwines  alette.waterboer  lowerland_wines  @CoetzeeBertie  @AletteWaterboer  Bertie Coetzee  @LowerlandFarm  Alette De Beer

Avondale Wines Cyclus 2014, WO Paarl, South Africa (295220, $29.95, WineAlign)

The blend is one-third roussanne with smaller parts of chenin blanc, chardonnay, viognier and sémillon. Barrel fermented in bigger barrels plus 20 per cent in amphora with the whole bunch component. Toasty, first from the roussanne and then what the sémillon brings. Texture is quite silky and the acidity primps, prompts then lifts the richness of fruit. Such a smart mastering of the South African art of Cape assemblage. Drink 2019-2025.  Tasted September 2018  avondalewinesa  @Avondalewine  @RareEarth_Wines  @AvondaleWines  Rare Earth Wines & Spirits

De Wetshof Estate Pinot Noir Nature in Concert 2017, WO Robertson, South Africa (Winery, WineAlign)

For a chardonnay focused estate the question posed to Johannes de Wet is why pinot noir? “Because my father loves pinot,” is the straight answer. The brothers grow it on the rockiest soils up the slope seven kms from the winery above and beyond the limestone blocks where the whites thrive. It’s truly uncharted territory, away from the clay and into the hard Robertson granite. “Quite ideal for a variety that is so hard to get right,” muses de Wet. This is beautiful purity of fruit taken from vines that really only see the morning sun. A direct wind and afternoon shadows supply the acidity from what may be the coolest spot and also the steepest. “It’s one of the best/worst decisions we’ve ever made,” continues de Wet. “We don’t make any money but we love doing it.” Clean, linear, striking and in the end, just because. Drink 2018-2022.  Tasted September 2018  dewetshofwines  @DeWetshofWines  @dewetshofwines

Momento Wines Tinta Barocca 2017, WO Western Cape, South Africa (Winery, WineAlign)

In 2017 there are three equal sources for Momento’s tinto barocca; one-third each Swartland, Stellenbosch and Bot Rivier, all old, dry-farmed bush vineyards. The vintage saw 26 barrels made with 20 per cent whole bunch in the mix. “A tribute to old vines in South Africa explains Marelise Niemann.” Surely not the only one, but certainly the unique gatherer of the grape variety off of three distinct soils. Like making an estate Brunello or highest quality Bourgogne AOC, drawing from three apposite yet complimentary micro-terroirs to provide fruit, acidity and structure. The tannin accumulation submits to the possibilities of that structure and in turn, age ability. Brilliant. Drink 2020-2028.  Tasted September 2018  momento_wines  @momentowines  Marelise Niemann

Savage Wines Cinsault Follow The Line 2017, WO Western Cape, South Africa (Agent, $50.99, WineAlign)

Follow the Line investigates, celebrates and extrapolates the unbridled intensity of cinsualt defined, vital, incarnate. A small, seven points of Darling syrah is blended in for pure, spicy and red ropey fruit forward freedom. The full on fruit front is a pulsing current of currants and dried herbs but it’s also sneaky tannic. A creeping, seemingly idle ne’er-do-well this one but do not be fooled. Picked early and ready to explode. Wait for it, follow the line to the blood red shoes, “dancing with the lights on.” Wait for the fire like this cinsault of total excitement. Drink 2019-2026.  Tasted September 2018  #savagewines    #savagewines

Craven Wines Syrah The Faure Vineyard 2017, WO Stellenbosch, South Africa (Winery, WineAlign)

Like the sister Firs this Faure Vineyard site is also 21 years of age, east facing towards the Heldeberg, with rocks in the soils. The name is more than familiar to Jeanine Craven, who was a Faure before she merged with Mick. What really separates this place is the marine air, three kilometres from the sea, as far as the African Black Oystercatcher flies. Again the planning involves whole cluster pressing and on skins seven days, to make pure syrah. Separated by 15 kms the Faure is antithetical to the Firs, salted by the sea and of a furthered intensity in a different form. It’s near searing, linear, grippy and with acidity lifting everything. Really juicy, pushed by a wow factor, clean, no funk and so much spice. Drink 2019-2027.  Tasted September 2018   cravenwines  @cravenwines  Jeanine Craven  Mick Craven

Lismore Syrah Estate Reserve 2017, WO Greyton, South Africa (Winery, WineAlign)

Samatha O’Keefe’s excellent work with sauvignon blanc, chardonnay, viognier and pinot noir using Elgin, Walker Bay and 2003 planted estate fruit is one thing but this first go it alone syrah from the home vineyard takes a breath, blows a mind and melts a heart away. The Cape’s south coast at Greyton is the new frontier and as O’Keefe admits, “I drove down a dusty road and the rest is history.” While the ’16 syrah made use of half Elgin fruit it is this next wonder of cool-climate South Africa where you need to simply open your eyes and do the math. Steep slopes, prevalent shale and diurnal temperature fluctuations egress to varietal necessity and bring the proverbial Hermitage house down. A wine where together winemaker and taster share a moment of epiphany, for her one of many, for me my first. “All I did was learned to let the terroir speak for itself and to stop making South African shiraz.” Purity, transparency, honesty and paradigm shift all wrapped into one enigmatic yet emblematic syrah. Pay great attention to Greyton. This is South African syrah. Drink 2019-2029.  Tasted September 2018  lismorewine  greytontourism  @lismorewine  @LoveGreyton  @LismoreWine  Samantha O’Keefe  @GreytonTourism

Van Loggerenberg Wines Graft 2017, WO Stellenbosch, South Africa (Winery, WineAlign)

Lukas van Loggerenberg remembers his oupa with this tongue in cheek reference for a red blend of cinsault and syrah (55/45) sourced from granitic soils on in the Polkadraai Hills. Grafting, whether it be vines or winemakers is what keeps tradition, hard work ethic and biological diversity alive. Lukas is a larger than life pragmatist methinks and he’s all about putting things together, in place, with the best fit possible. Not so much a master of assemblage as much as one of oversized zen. The two varietal vineyards are 800m apart and separated by 200m of elevation. They are Lenny and George, two parcels joined at the whole bunch hip and for 11 months in French oak. They only add up to 660 bottles. The Mediterranean styling is evident, in black olive, garrigue (or fynbos), pepperoncino and cimmerian darkness. Richness is met by an earthbound ropiness though it’s ripeness is belied by pique, punch and peppery klip. A big and wow tannic finish, but it’s a sweet one. Drink 2019-2027. Tasted September 2018  vanloggerenbergwines  @LukasvLogg  Lukas van Loggerenberg  

Ken Forrester Grenache-Syrah 1999, WO Stellelenbosch, South Africa (Winery, WineAlign)

There ain’t a whole helluva lot of precedence from which to go on in deciding what’s going on here save for sitting next to Ken himself and taking in that devilish smile. What an honour to have him pour a spot of this 19 year-old tea into your glass. I suppose it could be considered the older sibling to the Gypsy and elder to Renegade but really it’s just a Rhône blend from another era and mother. Smoke, pepper, spice and mild meanderings remind us of innocent but also difficult times for making wine in the Western Cape. This just feels like sundown in Stellenbosch, of a demurred and soft glowing light, a breeze that picks up and falls away, a stillness in the air. No man made light, at night very bright. A good feeling this wine doth give. Drink 2018-2019.  Tasted September 2018  kenforrestervineyards  fmcwine noble_estates  @KFwines  @Noble_Estates  @KFwines  @NobleEstates

Kuier

Good to go!

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A view of the Simosnberg from Amazink in

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WineAlign

Eighteen mind-blowing wines of 2018

Godello, Museo civico e diocesano d’arte sacra di Montalcino

Welcome to Godello’s annual list of the most memorable, game-changing and mind-altering moments, also known as his 18 mind-blowing wines of 2018. Godello started this year-end assessment first in 2012 though first blessed the list with the moniker for the 14 mind-blowing wines of 2014. Whether it’s the fifth or the seventh incarnation matters little to negligible because in the end it’s all about the who, what and where.

Related – Seventeen mind-blowing wines of 2017

With thanks to the winemakers, friends, colleagues and pirates I welcome you to read on. Godello’s 18 mind-blowing wines of 2018.

Taittinger Comtes De Champagne Blanc De Blancs Vintage Brut Champagne 2006, Champagne, France (55277, $205.95, WineAlign)

Rarities are special for many reasons but in the case of the Comtes de Champagne Blanc de Blancs it’s a matter of chardonnay incarnate. Some details must be kept in the pocket of assessment. Only exceptional vintages lead to its production, fruit is drawn from the finest Côte des Blancs parcels of chardonnay and only the first press juice is used. So what? So the gathering might lead one to think of words like purity, elegance, refinement, finesse and delicasse. In actuality there is the finest wisp of smoke and smoulder, a bite from a perfectly ripe apple and the zen golden taste of honeyed Japanese toast. Who could not be overjoyed to zen out with the Comtes B de B, anytime, anywhere. Drink 2018-2030.  Tasted January 2018  champagnetaittinger  fwmcan  champagne_officiel  @TaittingerUK  @FWMCan  @Champagne_UK  Champagne Taittinger  @FWMCan

Dr. H. Thanisch Brauneberger Juffer Sonnenuhr Riesling Spätlese 2014, Prädikatswein, Mosel, Germany (298182, $40.95, WineAlign)

In a word, thank you, well two, to say how important, generous, fortuitous, philanthropic and poignant it is to taste Spätlese from this combination of producer, vineyard and alcohol. At 7.5 per cent proper and out of arrested necessity the frame on which the ultra-clean fruit and fineness of acidity hang is kevlar light and built to last. The poise and integrity in exhibition toasts lithely from stones warmed and earth cooled by night through excitable seasonal fluctuations. If this does not soothe the savage while wooing the unaware then few German rieslings will. This can’t be missed nor will it pass lips without eliciting a response set passionately in the ethereal and the sublime. Amazing. Drink 2021-2035.  Tasted April 2018  #braunebergerjuffer  awsmwest  germanwine_ca    @AuthenticWineON   @germanwineca  #braunebergerjuffer  @awsmon  @germanwinecanada

Into the South African mystic ~ A formidable line-up led by @mullineuxwines with thanks to Chris, LK @WOSACanada JG @lbstoronto @wosa_za @NicholasPearce_

Mullineux Schist Chenin Blanc 2014, Swartland, South Africa (Agent, $89.95, WineAlign)

Mullineux’s Schist is a 100-120 case production (though only 72 in 2014), from schist, of course, not granite, which adds mid-palate weight and texture. Also from older (36 and 40 years) vines based from soils of the Kasteelberg. It’s a heartfelt message and cerebral pulling string from the 2014 density gifting vintage. Older barrels wrap like a blanket for fruit richer than you’d ever imagine, full-bodied, beautiful and robed in petticoat unction. It’s also dry as the farmland desert. Truly one of the finest chenin blancs from South Africa and beyond. Drink 2018-2027.  Tasted May 2018  mullineuxwines  nicholaspearcewines  wosa_ca  @MullineuxWines   @Nicholaspearce_   @MullineuxWines  @WOSACanada  Andrea Mullineux  Chris Mullineux  Nicholas Pearce  @WOSACA

How to have an epiphany. Taste 25-30 year-old #southafrican white wines. Case in point @kleinconstantia sauvignon blanc

Klein Constantia Blanc De Blanc 1987, Constantia, Western Cape, South Africa (Winery, WineAlign)

Poured by Managing Director Hans Astrom in Cape Town alongside 1994 and 2009. Planted in 1979, the inaugural vintage and the first South African sauvignon blanc was 1986. The 1987 was not labelled as sauvignon blanc but rather as B de B because of the botrytis-affected vintage. Honeyed but not in the way you might expect, not pushed by a petrol-fuelled sweetness but instead as the action of an old world inspired mash up. Like Loire Jolivet Sancerre meeting Huet Demi-Sec chenin blanc head on. The collision explodes into a smoky smoulder with textural consequences. It’s a bees-waxy ethereal treading of chaotic spaces between worlds. The astral travel must have twisted through three decades of nether to arrive at this place, with the low pH vineyard soils to thank. And the magic, despite or perhaps in ode to the ’87 botrytis. In the end aridity wins and the wine drinks so proper, perfect and fine. Drink 2018-2020.  Tasted September 2018  kleinconstantia  halpernwine  wosa_za  @KleinConstantia  @HalpernWine  @hansverbier  @WOSA_ZA  @KleinConstantia  @halpernwine

Alheit Vineyards Sémillon La Colline Vineyard 2017, Franschhoek, Western Cape, South Africa (Winery, WineAlign)

“Qu’est-ce que c’est?” From a vineyard housing both light and dark skinned sémillon and if there are others in this world I am not privy to the information. The resulting wine is 85-90 per cent blanc and 10-15 gris. La Colline was planted in 1936 on the southern slope of Dassenberg and is now farmed by grandson Anton Roux, a direct descendant of the Huguenot refugee Paul Roux who arrived in Franschhoek in 1688. The vines stretch up the hill from 310-350m and it is the fruit from the middle slope that is best to leave for picking long after the chenin blanc. This is the indispensable fruit used in Alheit’s Cartology. Thick skins elevate the natural talking tendencies, from a super healthy pH for drupe of apposite attack and confusing like great whites you would not or should not compare it to. Chris Alheit’s invades your head’s consciousness with this amazing depth for sémillon, with no definable context, pretence or precedent. The impossibility is totally unique in the world and yet utterly South African. It’s both tense and nervous but somehow I can still relax. Psycho Killer sémillon.  Drink 2020-2028. Tasted September 2018  chrisalheit  gsoleil123  @ChrisAlheit  @GroupeSoleilTO  Chris Alheit  Groupe Soleil Fine Wines

Chablis Grand Cru can be found in the commune of Chablis on the right bank of the Serein River and the appellation comprises seven climats; Blanchot, Bougros, Les Clos, Grenouilles, Preuses, Valmur, and Vaudésir. “The terroirs, formed in the Upper Jurassic era, 150 million years ago, are composed of limestone and marl with Exogyra virgula, tiny oyster fossils. Chablis Grand Cru is one of the rare French AOC wines to make reference to its geology, notably the Kimmeridgean age.”

Christian Moreau Chablis Grand Cru AOC Les Clos 2015, Bourgogne, France (Agent, $82.00, WineAlign)

Who has not waited for the sovereign Grand Cru to get together with the 2015 vintage? I’m quite sure Christian Moreau was one of those who looked at the alliance with all his acumen and experience to craft a high point of Chablis benevolence. Christian’s ’15 is beautifully fruity, ultra fresh, richly endowed and reductive perforce. So young and precocious but begging for our patience, his is a model of Les Clos richesse. Resides on the cocotte or chouette side of Chablis with notes of white flowers and fresh herbs. Also layered of fruit over stone upon fruit, of peach, persimmon, citrus and wet stone. Implosive intensity reminds of Chablis Grand Cru structure though Moreau’s is more elastic than many, of a subtle and sultry liquidity. Great potential here. Drink 2021-2031.  Tasted May 2018  @christian_moreau_pere_et_fils  rogersandcompanywines  vinsdechablis  vinsdebourgogne  @ChristianMoreau  @rogcowines   @vinsdechablis  @GrandCruChablis  @purechablis  @VinsdeBourgogne  @BourgogneWines  Christian Moreau  @rogcowines

Makers’ cool pinot noir warmth from regional @wineaustralia as explained by the man, @vintagemarkdavo

Bindi Pinot Noir Dixon 2015, Macedon Ranges, Victoria, Australia (Winery, $85.00, WineAlign)

The Bindi Dixon Pinot Noir is based upon declassified grapes from the Original Vineyard planted in 1988 and grapes from the new Block K, planted in 2001. Crazy horse nose in the way that other varieties of the world will do, or at least try and simulate when they want to be pinot noir. Especially Italian varieties, like nerello mascalese, dolcetto, perricone and montepulciano. This is a natural leader for grape wishes like those of the lesser known. Very wise from the start, from birth, from creation with more savour and salumi then so many wannabe realists. There is a beautiful raw pasta dough note and then an exotica by fruit that isn’t really nameable. If this is the de-class from Michael Dhillon I’d like to meet the classified. Drink 2020-2028.   Tasted June 2018  bindiwines  wineaustralia  @Bindiwines  @wine_australia  @WineAustralia

50 years ago this #chianticlassico entered the world. Suffices to say 1968 was a pretty good year ~ @castellomonsanto

Castello Di Monsanto Chianti Classico Riserva DOCG Il Poggio 1968, Tuscany, Italy (Agent, WineAlign)

“A good, not an outstanding vintage, with some vines affected by botrytis,” explains Laura Bianchi, though truth be told she’s relating the information from stories and legends. You can taste it, in a sweetness that reminds of quince and apricot. Plums are dusted with white pepper, sherry drizzles over sugar plums and in the end, acidity continues to shine. It’s still a dramatic drop of sangiovese, with longevity preservation going back to the era (1962-1969) when the wines were aged in chestnut barrels. This at 50 years of age is so alive, time encapsulated, dew sweetened, ethereal. Drink 2018.  Tasted September 2018  castellomonsanto  @castelmonsanto   @castello.dimonsanto  Laura Bianchi  Carpe Vinum  

Castello Di Volpaia Chianti Classico Riserva DOCG 1987, Tuscany, Italy (Agent, WineAlign)

Chianti Classico Riserva 1987 is habituated and living life to the fullest in a state of complete and utter sound body and mind. It is sangiovese made at a time when it could it not have been known how impressive it would show 30 years later. Volpaia ’87 is from way back in the cold, pre-climate change days, the acid-washed, roaring 80s, now umami-earthy, cherry-plum fruit with some celery and a real salty-sandstone vein. Still blessed by a healthy, rhythmic pulse of acidity and finally, pure pleasure. Chalk it to bottle luck or a vintage that just had an inkling of greatness that would surely come but this is truly a special and memorable moment to taste. It needs saying with a thank you in words to Giovanella Stianti for sharing, but that will never be enough. Grazie infinite. Drink 2018-2021.  Tasted February 2018  castellodivolpaia  rogersandcompanywines  chianticlassico  @volpaia  @rogcowines   @chianticlassico  @volpaia  @rogcowines  @ChiantiClassicoUSA

Elisabetta Foradori

Foradori Granato 2013, IGT Vigneti Delle Dolomiti, Trentino, Italy (Agent, $74.95, WineAlign)

At the pinnacle of Elisabetta and Emilio Foradori’s mysterio teroldego pyramid is this Granato, theoretically or perhaps spiritually interchangeable with the world’s most fascinating and complex fruit, the pomegranate. There are many theories on separating the edible seeds from the pith and skin but those who know do it the right way. Foradori knows teroldego and raises this singular expression the right way. The roots dig deep into the Campo Rotaliano and Mezzolombardo stony alluvial soils with pebbles and gravel for an alternative-indie northern Italian red wine. Raised in large 20 and 30hL casks it’s still reductive, seriously internal and yet to shed layers, open up and externalize. The red fruit is alone and incredible, sweet and tonic-amended at the same time. It’s both retro and timeless. “And the world fell down, when the moon was blue, and you wore a crown and the word was true.” Like a pomegranate. Drink 2019-2024.  Tasted May 2018  eforadori  thelivingvine  @AzAgrForadori  @TheLivingVine  @elisabettaforadori  @thelivingvineinc

Benvenuto Brunello

Talenti Brunello Di Montalcino Riserva DOCG Pian Di Conte 2012, Tuscany, Italy (Agent, $120.00, WineAlign)

Two of the 20 estate hectares in Castelnuovo dell’Abate are dedicated to the the vineyard Paretaio, planted to a sangiovese clone selected by Pierluigi Talenti. Pian di Conte is only made in years deemed worthy of carefully selected grapes from 20-plus year-old vines out of this highly specific, 400m of altitude micro-climate block. It’s a wow Riserva from 2012, perfumed with classic extra time in barrel that Annata Brunello only seems to reach. Notes like dark berries, pipe smoulder and rich ganache, the 2012 is already showing some maturity signs of integration. It’s a fineness of tart dark citrus styled-sangiovese wrapped so tightly around the structure’s finger, indelibly inked, modern and with all parts fine-tuned in synchronicity. Riservas will often sting until they pass at least a ten-year mark but Talenti’s croons romantically with stand-up base note ease. For Montalcino it’s a hit of the vintage and to it I can safely say “I can see the destiny you sold turned into a shining band of gold.” Drink 2020-2030.  Tasted March 2018  talentiriccardo  brixandmortarwineco  brunellodimontalcino  @brixandmortar  @ConsBrunello  Riccardo Talenti  @brixandmortarwineco  BRUNELLO DI MONTALCINO

Feudo Montoni Nero D’avola Sicilia DOC Vrucara 2008, Sicily, Italy (Agent, WineAlign)

The answers are so simple and yet unanswered because magic is involved. You can understand the old vines and the way their fruit turns into wines that begin with ancient wisdom but move so little in the first seven years. What happens at 10 is the turning outward, to express the place and speak the dialect of the cru. The acidity is still high but is now in lift, with fruit at the height and en anergy that flows, really flows, moving across your palate with grace, grab and attention. A contiguous wine from start to finish, with intensity, impression and precision. The structure is come cavallo domato, like a trained horse. Dramatic nd’A but with no drama at all. Tamed and in respect of ancient vine, where it grows and what it wants to give. Ma zitto, a wine to keep you silent. Drink 2018-2029.  Tasted May 2018  feudo_montoni  wineofsiciliadoc  winesofsicily  @FABIOSIRECI  @WinesOfSicily Fabio Sireci Feudo Montoni (Fabio Sireci)  @feudomontoni  @WinesOfSicily

Cottá Azienda Agricola Sottimano cru spoiled by Elena Sottimano and Le Sommelier, Wine Agency ~ going vertical with Barbaresco and John Szabo — at Taverna Mercatto.

Sottimano Barbaresco DOCG Cottà 2010, Piedmont, Italy (Agent, $234.95, WineAlign)

While tasting through Pajoré, Fausoni, Currá and a mini-vertical of Cottá with Elena Sottimano it is here for the first time that some development appears in a wine. This glimpse into what might happen with their Barbaresco may only be a minor crack in the oasis but it begins to fall away from the curative, tannic intensity into something stretching its limbs towards the ethereal. I can ruminate with this nebbiolo swirling around in my mouth while I wonder how far along we are or have come. But it comes with knowing that no matter how much distance we walk there is still a marathon to run. There is this perfect wonderwall of wild cherry spinning like vinyl liqueur over the cheeks, tongue and gums, refreshing and working its magical fruit dance up to the edges of my nerves. “I said maybe, you’re gonna be the one that saves me. And after all,” you’re Sottimano. Drink 2019-2035.  Tasted April 2018  az.agr.sottimano ElenaSottimano  @AzAgrSottimano  @LeSommelierWine  @AziendaAgricolaSottimano  Elena Sottimano  @LeSommelierWine<

La Rioja Alta Gran Reserva 904 2001, Rioja, Spain (Agent, $65.00, WineAlign)

I am convinced the Reserva 904 is just one of those wines that must be held for 15 years before any deep understanding can be resolved. It beats down the adage that says if the fruit is not gorgeous from the beginning it will never be. At 17 years of age this Rioja of 90 per cent tempranillo and graciano remembers with a hyper-sensitive vividness the 40 year-old vines and the four year-old American oak barrels. The memories are crystal clear and it remembers the comfort, protection, protraction and the possibilities. The power is edifying, stabilizing and eventually but without great haste, emollient. La Rioja Alta has produced the 21st century purpose for what it is to mean Rioja. Drink 2018-2025.  Tasted June 2018  lariojaaltasa  riojawine_es  @LaRiojaAltaSA  @RiojaWine  La Rioja Alta  

And @winealign we tasted the greatest of #madiran terroir with the Man himself, #alainbrumont of @montusbouscasse

Château Montus La Tyre 2009, Madiran, Southwest, France (Agent, $135.27, WineAlign)

La Tyre, literally “the tire” is the pinnacle of Alain Brumont’s tannat from Madiran. It’s a wine that needs a decade to even begin to relent and open up for viewing, nosing and tasting. Pitchy to the nth cimmerian degree it would be hard not to see this wine as THE Madiran, the epitome of a red wine from Gascogne. The nose is über-umami and in fact in character it reminds so much more of Brunello Riserva meets sagrantino from Montefalco combined with Taurasi aglianico than it does Bordeaux. Not that Toscana, Umbria or Campania are the reference points but old school meets micro-oxidative winemaking surely is. The formidable acidity and the way in which the expense of barriques inject major influence is similar to what happens when sangiovese is subjected to said same sort of winemaking. The underbrush, garrigue and intensely concentrated argileux all combine, along with toasted wood to make this one of the most intense and structured red wines on the planet. Should seek and realize its best at some point in its late teens or early twenties. Drink 2025-2039.  Tasted October 2018  vinsdemadiran  montusbouscasse  markanthonyon  @MontusBouscasse  @MarkAnthonyWine  Marine Madiran  @MontusBouscasse  @MarkAnthonyWine

Catena Zapata Adrianna Vineyard Malbec River Stones 2015, Gualtallary, Tupungato, Uco Valley, Mendoza, Argentina (132340, $95.59, WineAlign)

In a line up that includes malbec from all walks of Mendoza life as well as some extreme altitude northern examples this is the first wine with a somewhat reductive quality, locked in freshness and very high acidity. It’s a wine of exceptional qualities. There is a highly intellectual and sensory balance executed through perfectly ripe fruit, that fine acidity and even more fineness in tannins. A beautifully linear wine that can come full circle if need be. This is a malbec that creates moisture in your mouth, never drying or taking anything away. A wine that is changing the way we are dealing with the idea of different terroirs in Argentina. Drink 2020-2027.  Tasted November 2018  lauracatenamd  catenawines  winesofarg  noble_estates  @LauraCatena   @CatenaMalbec  @ArgentinaWineCA  @Noble_Estates  @winesofarg  @bodegacatenazapata  Noble Estates Wine & Spirits  @winesofargentina

Roche De Bellene Clos De La Roche Grand Cru “Collection Bellenum” 2006, AC Bourgogne, France (Agent, $279.95, WineAlign)

The great Cru and the magnificent vintage conspiracy is a tour de force, even by the standards of Grand Bourgogne. I’m a bit surprised by the ascension to secondary life but it is Clos de la Roche that goes there early because of wisdom, curative indiscretion and life as it always was, right from the word character. Only this Cru delivers such soulful funk, perfectly classified and ethereal volatility and fully gathered expressions. It’s like a face that flashes a thousand looks in the span of a few seconds, there is that much going on. I am blown away by this. Still needs another year to settle, gather and explain itself. Drink 2019-2032.  Tasted May 2018  domaine_de_bellene  domaine_de_bellene  vinsdebourgogne  @Nicholaspearce_   @VinsdeBourgogne  @BourgogneWines  @BourgogneWines  @VinsdeBourgogneofficiel

Château Margaux 1989, AC Margaux, Bordeaux, France (176057,$1,645.00, WineAlign)

You never want to say that a vintage was perfect but in this case, the vintage was perfect. It seems impossible but the tannins are both present and even a bit drying so at least for this bottle there will be so much residual fruit at the end of the tunnel. Only those tannins seem altered from four years ago because the fruit and the flowers are exactly the same. What rises above, around and in darts between is the fineness and intensity of implosive acidity. Structure in this 1989 is forged by bars of steel as reinforced spikes in the concrete. It may never truly break down. Drink 2018-2044.  Last tasted March 2018  chateaumargaux  noble_estates    @Noble_Estates  @NobleEstates

The 1989 Château Margaux wears the response to a mondo Bordeaux axiom on its sleeve. Are First Growth wines made for people who want darts of instant pleasure?” Twenty years earlier and now like the 2009, here is a quintessential and exemplary vintage, from day one of bud break to the last day of harvest. Its appraisal as anything but incredible is to assassinate it as if it were the Franz Ferdinand of Bordeaux. The examination 25 years later sees a mellow funk meet a peerless and sublime perfume. A wine cast in utmost density, complexity and length. It noses strength, warmth verging on heat but only for a fleeting moment, to gain attention. The iconic wine has reached the first major peak, up a ways from base camp. In this second phase of young adulthood it looks with conceit to the top of the mountain, seeing 25 to 50 more years on the climb. Mr. Pontallier regrets he won’t be around to taste this wine at full maturity. Moi aussi. The fruit lingers in its full, original state, from the moment it passes lips and for minutes onward. Violets trump roses. Château Margaux 1989 is from a vintage that offers the blessing of ethereal balance. Hear her sing, “Ich heisse Superfantastisch!”  Tasted April 2014

Good to go!

godello

Godello, Museo civico e diocesano d’arte sacra di Montalcino

Twitter: @mgodello

Instagram: mgodello

WineAlign

Crush on Benjamin Bridge

Benjamin Bridge Vineyards

It’s late October and I’m walking the vineyard with viticulturalist Scott Savoy who gestures below our feet into the genius loci where multiple layers of loam and sandy loam are mixed with river stones. In the vested interest of micro-climate orientation he points out the modest mountain ridges to the north and south, the stretch of valley to the east and west, to the big Bay of Fundy beyond and back down to the earth. He notes the fault line running diagonally away from the crush pad and tasting room, through the vineyard and down the slope to the river below. Today the namesake belongs to the winery but Benjamin Bridge is first and foremost a place. We all want to know about its history because there is something very special here. In this valley the apples are different and the vines grow berries smaller and unique. It’s a place that pulls on the heartstrings of innate curiosity.

Related – Consider the Gaspereau Valley

It comes from the name of the bridge that crosses the Gaspereau Valley and pays tribute to the Benjamin family who dammed up the river to become the first industrialists here. The name is a historical one, not one of fashion, trends, aggrandizement or narcissism. The ownership and the management of Benjamin Bridge Vineyards are fully cognizant of their place within a King’s County pantheon, of the past and for the future. Who among them wouldn’t pay a king’s ransom to protect it? They fully recognize how the tenets of farming, progression, life, struggle and ethos came before them and will continue long after they are gone. Just in case their work in making sparkling wines headed up by chief winemaker Jean-Benoit Deslauriers is not legacy defining enough they recently supplied a bottle of Benjamin Bridge Méthode Classique Brut Reserve 2012 to christen the first Irving Shipyard built Arctic patrol vessel. Sophie Trudeau used the bottle to christen the Harry DeWolf during an October ceremony on the Halifax waterfront. An interesting and poignant aside, this gesture.

Frost damage at Benjamin Bridge

The 2018 Nova Scotia harvest will live in infamy and perhaps not for the reasons everyone involved will want to remember. Frosts, rain, grape growing pressures and more frosts reduced quantities so drastically that emergency fruit was transported across two provincial borders from Ontario, a fact not lost as a notion that is pathetically-monopoly ironic. Annapolis Valley Vineyards were looking at losses of at least 50 per cent following a late Sunday frost overnight and into the morning of June 4th. Temperatures plummeted from the high 20s just two days earlier to minus three degrees celsius. There were some miraculous exceptions to the rule, like Avonport’s Oak Knoll Isle but damage ran from 20 to 100 per cent. Frost that settled in the lowest sections of valley vineyards were hardest hit.

All that happened to Nova Scotia’s wine industry plus more in, outs and twists than a Coen brothers comedy-drama and yet the greatest things happened anyway. The community of growers and producers banded together, traded grapes, shared experience and pulled each other through. This is a place where everyone understands that making wine is not about one vintage, individual accomplishments or accolades. Turning grape water into wine is a life-long partnership with the land, with the weather, the Bay of Fundy and each other. Success is wrought with challenges, adversity and responses to the contretemps of the day. Such tremendous odds give credence to Nietzsche saying “that which doesn’t kill you makes you stronger,” leading to an alignment with a maritime band of brothers and sisters. The year 2018 is the vintage during which the Nova Scotia wine producers in and around the Annapolis Valley were forced into a situation of needing one another and to become les retrouvailles, the reunited.

#lookoff in Canning, Nova Scotia

At the fore of this happenstance is Benjamin Bridge Vineyards, both in terms of being the helped and the helper. The Gaspereau Valley sparkling wine specialist is the unquestioned leader of their cottage wine industry and for so many reasons. Decisions made more than a decade ago to invest everything into this stretch of land south of the Bay carved through two micro-climate catalyst ridges for the purpose of creating the newest and most important innovative sparkling wine on the planet is nothing short of historical. The speed bumps may be serious but mark my words (and by many who have stated this before me), Nova Scotia is second only to Champagne for making the kind of sparkling wine we should and will want to drink. No disrespect intended to Franciacorta, Alta Lange, Prosecco, Crèmant de Loire, Bourgogne, Jura or d’Alsace. No ill will meant towards Sonoma County, Ontario, British Columbia, Tasmania, England or Roberston’s Méthod Cap Classique. I love you all but Nova Scotia can raise grapes for traditional method sparkling wine in ways and with results that blow everything else out of the proverbial water.

Not sure you need the banger. Jacket should scare them off!

Case in point, time and again, with variations on the theme, measurable and of a ceiling reckonable through infinite possibility. In this part of Canada vinifera varietals like chardonnay, pinot noir and pinot meunier can linger well in the autumn months, reach brix levels ideal for sparkling wine and still maintain acidities at levels all other regions can only dream of. The effect of the Bay of Fundy creates a unique environment, plain, simple and complex. Imagine adding up the flow of all the rivers in the world and asking that accumulation to submit to the power of one body of water’s tides that lower and rise as much as 17 metres every day. The Bay is like an air pump that moderates climate. Frosts be damned the picking in the Gaspereau of grapes just ripe enough for making wine is the latest anywhere. In Franciacorta for example picking of chardonnay happens in early August, just to keep natural acidity. In California it’s July and in the dead of night. We have begun to taste Nova Scotia bubbles at eight, nine and ten years on their lees. The results are astonishing with a combination of texture and acidity never seen before. As I said, the ceiling is boundless.

Crush at Benjamin Bridge: Chris Campbelll, Godello and Jean-Benoit Deslauriers

The charge at Benjamin Bridge is led by founder Gerry McConnell who purchased the property with his late wife Dara Gordon in the Gaspereau Valley in 1999. McConnell worked with Canadian oenological consultant Peter Gamble and Sparkling Wine Consultant/Champagne specialist Raphaël Brisbois to establish vineyards, a protocol and a long-term strategy for making world-class bubbles. Within three years of launching the project they knew it would work.

Sunday morning, #Kingsport Nova Scotia

The unfortunate passing of Raphaël Brisbois left a huge hole in the hearts and the ethos of the BB project but great timing, fortune and intellect came to the company in the extraordinary ethic and cerebral meanderings of head winemaker Deslauriers. Originally from Québec, J-B joined in 2008 and for 10 years has explored, extrapolated and elevated the game. No combination of diversity and focus is more apparent than it is now at Benjamin Bridge.

Winemakers at work, Jean-Benoit Deslauriers, Alex Morozov and Chris Campbell

The team on the ground and in the cellars is led by Head Viticulturist Scott Savoy and Chris Campbell who aides, abets and manages the trilogy of harvest, cellar and production operations. Alex Morozov is Assistant Winemaker to Deslauriers. Gerry’s twin daughters Devon and Ashley McConnell-Gordon have run the daily operations of the winery since early 2010, Keltie MacNeill manages the BB Club and Gillian Mainguy is the face of the place. Some of you may remember Gillian at Wines of Nova Scotia but now she is marketing, public relations and tireless world traveller on behalf the BB brand.

Racking chardonnay with head winemaker Jean-Benoit Deslauriers

In the third week of October I spent 48 hours with the gang at Benjamin Bridge. Crushing, talking, pressing, tasting, pumping, discussing, racking, ruminating, walking and speculating. There is a foundation of land, people and spirit you can’t know until you come here to really know.

The base is the matter and what matters comes from the great base

The discussion with Gerry and Jean-Benoit is now woven into the fabric of relationship with Pascal Agrapart who has been making wines at Champagne Agrapart & Fils since 1983. BB is keen on keeping a lineage with Champgane, a connection, to pursue more richness, texture and wines structurally rounder and fuller. Says Deslauriers, “we’re looking for the growers taking a Burgundian approach to winemaking, in the vineyard first. Pascal’s wines have always had that compelling textural quality.” Has anyone in Canada ever taken a grower’s approach to sparkling wine is the question. Here in Nova Scotia these are the wines with a stamp, of an equation in confluence from estate plus local vineyards and growing environments. The wines are not in jeopardy by adding this richness. “We still recognize the parcels we have selected through the wines we have made. There is still an inherent Benjamin-ness to the wines, ” adds Chris Campbell. I tasted the following wines off the record, some unfinished and others still who are the children of experimentation but even more so as matters of conceptual links to the reasons why Benjamin Bridge even exists at all.

Minas Friday morning

Brut 2016

Part estate and part Kingsport chardonnay fruit, with effervescence not the thing but it should tell a story. Already showing off its richness, density and concentration, even herein the “entry level,” the first full vintage for and from Pascal’s influence and tutelage. Cool stuff in here, decoupement particulare, this taking of different parcels for micro-vinifications.

Brut Reserve 2016

Of chardonnay and pinot noir, from the oldest estate blocks. There is so much more complexity, legit and from the word go. The terpenes are exceptional ones, and that is something they can be, built on acidity. Even without bubbles you can fully relate to it as the wine it knows it is. Grapefruit and tangerine, dry and sumptuous. The base is the matter and what matters comes from the great base. Perspective comes at you in solicitation of your emotions and opinions in many ways. You don’t always need CO2 to make contact with sparkling wines.

The future

Blanc de Noirs 2016

Now into pinot noir this new perspective makes you want to admit that it may be that chardonnay and pinot noir come together with a higher ceiling as a sum of their parts. Here it’s the antithetical aromatics of lemon rosewater and an amaro-herbal-red currant thing. Also oranges with spirit and a linger that reminds of the best athlete, with the greatest potential, but not the flashy star who scores early and often. 

Brut 2017

The secondary fermentation is only a few weeks old and it’s a very primary notation, with the bubble still on the way up. The rise is lime as a slow crawl along a coaster’s upward track, welling with tension and a coursing flow of anticipation. By way of comparison there is a tonic phenolic uprising either not noted or now having dissipated from the 2016.

Peculiar samples

Brut Reserve 2017

Once again the youth and the young phenols of very early fermentation but also a course led by the most unusual of vintages, cold and wet all summer long followed by 30-plus degrees in September and October. That’s 30-plus higher than right now in 2018. The contact here is unlike ’16, almost agitating and certainly unsettled. It would prefer not to be bothered at this time.

Brut NV

A non-vintage ’16, tirage in ’17. Could be vintage-dated but isn’t and won’t be. Higher acidity and more of the tonic phenolic-ness that the young ‘17s are showing. So I conclude that the NV is less structured and as an acumen-accumulated base wine it’s like a Blanc de Noirs or a reserve when younger. The translation states they are not only on to something and a real pattern is forming but they really know what they are doing, in separating micro cuvées and the outstanding wheat from the excellent chaff.

Kingsport cabernet franc

While I tasted these unfinished wines and other tank samples I also assessed 10 new wines from the portfolio. Here are my notes. The prices are all Nova Scotia retail from the winery.

Benjamin Bridge Méthode Classique Brut 2013, Nova Scotia, Canada (Agent, $45.00, WineAlign)

Disgorged June of 2018, now four plus months in bottle. Right from the beginning it is energy, spirit and tension. It’s mostly chardonnay but suggests richness marked by toast and flint. Quite a smokiness, not from oak, but an autolytic one. A true wine of secondary fermentation, naked and smouldering. Richness comes naturally, in second term existential notability, followed by density and length. The linger turns to mineral and salinity and you really want more right away, to layer upon what’s still left lingering behind. This is the Benjamin Bridge project incarnate, defined, teachable house style. The words of Jean-Benoit Deslauriers echo in your head, “with the possibility of absolute transcendency.” Eventually. Drink 2018-2028.   Tasted October 2018  benjaminbridge  liffordgram  @Benjamin_Bridge  @LiffordON  @benjaminbridgevineyards  @liffordwineandspirits

Benjamin Bridge Méthode Classique Brut Reserve 2012, Nova Scotia, Canada (275396, $74.95, WineAlign)

Now into a real vinous notion, with extra concentration that reminds you how Reserve wines have to be perfectly exceptional as still wine. The bubbles bring an added dimension but they are not the be all, end all. The richness here is taken to another level, still of course with a toasty edge but it’s the 2002 blocks of estate chardonnay and pinot noir (then 10 years old) that deal in this endearing fruit and enduring length. The sip expands and increases, with knowledge that it is that fruit, very apple orchard but a variety not fully known that drives this wealth. It’s also knife-edged and able to keep this youthful tension cut and fissured through the mouth. Not a sprinter but a climber able to amble and scramble up to heights for a decade plus. Drink 2018-2029.  Tasted October 2018

The following two wines were tasted in 2017 and a few months earlier at #i4c 2018, Ontario’s Cool Climate Chardonnay Conference in Niagara.

Benjamin Bridge Méthode Classique Estate Blanc De Blancs 2013, Nova Scotia, Canada (Agent, $119.50, WineAlign)

Tasted from a bottle disgorged in May 2017, there alights a plugged-in, three-pronged, dazed, charged and enchanted energy about the Bridge’s ’13 Blanc de Blancs. The history of go it alone pure chardonnay is a relatively short one for the estate so this quickly makes up for lost time or rather with haste sets the timer and heads out at first light. “Like sittin’ on pins and needles, things fall apart, it’s scientific.” Wild, of talking heads temper and yeasts, done up in demi-muids, with a wilder secondary fermentative push riding on the coattails of the primary fermentation. Everything in this wine is a productive child of the vineyard, of no third party sugars or consultations. “How do you do that without making a Pétillant Naturel,” I wonder aloud. It’s a second ferment, non-contiguous is the reason, even if the former is both influencer and mentor to the latter. It certainly falls under the category of “micro-cuvée. Like its cousin and predecessor (Blanc de Noirs 2011), this ’13 BdeB is mired intensely inward within its own specificity and is not so much a sparkling wine with competitive soul. It is a pure representative of chardonnay grown in Nova Scotia for one purpose. So let’s talk about true stories and wild, wild life. “You get on board anytime you like.” Drink 2018-2024.  Tasted July 2017

Benjamin Bridge Méthode Classique Estate Blanc De Blancs 2012, Nova Scotia, Canada (Agent, $119.50, WineAlign)

The vintage 2012 marks the beginning of the Benjamin Bridge oak program, here with some purchased fruit from friends and neighbours Lightfoot & Wolfville. This January 2018 disgorged bottle spent 66 months on its very, very fine lees and represents the inaugural departure away from reductive chardonnay in traditional method housing. Its acidity is striking, ripping and amazingly shot straight up to light and ignite the olfactory nerve. That is seems another six months to a year will only lead to textural and mouthfeel home improvements tells us there is seemingly no ceiling for how long on lees these south Fundy shore valley sparkling wines can go. The research is still one in progress but this much we know. The house of Nova Scotia is built on acidity. It’s a commodity much of the rest of the wine-growing planet will want to pay anything to use. Drink 2018-2024.  Tasted July 2018

Now back to October 2018.

Benjamin Bridge Riesling 2016, Nova Scotia, Canada (Agent, $24.95, WineAlign)

With time rieslings change drastically, much more so than traditional method sparkling, completely disconnected from their youth. So where is this going? Energy, tension, Nova Scotia. This is a Bay of Fundy riesling, ocean-wise, saline, poignant, direct. There are herbs and fennel but already this onset of glück and proverbial riesling stamp. Lemon-lime, tart angling, green to ripe apricot. Mostly fruit from grower John Warner, it’s not too edgy, a dry, albeit 15 g/L RS style. The Mosel frame is obvious and the ceiling for potential great but this strikes me as being three to four years away from really moving into another gear. Drink 2020-2027.  Tasted October 2018

Benjamin Bridge Riesling 2013, Nova Scotia, Canada (Agent, $24.95, WineAlign)

There is something I can’t simply put a nose or a finger on. It’s floral but also aerified, stratified, stratospheric, atmospheric. It’s sugary honeyed and very beeswaxy but not in a sticky way. The balance is a roundabout one where you have to travel the entire circumference in order to tie the whole room together. Something umami meets intangible allows you to imagine where 2016 will travel but it’s just an inkling coupled with a hunch. The wax is lit or rather unlit, snuffed, smouldering and beautiful. So worth this five years forward visit. Drink 2018-2022.  Tasted October 2018

Benjamin Bridge Sauvignon Blanc 2017, Nova Scotia, Canada (Agent, Approx. $47.95, WineAlign)

The 2013 was the inaugural release and so here the fifth marks the man, the myth, the legend. Should sauvignon blanc be a Nova Scotia something, grown here is this tiny stretch of narrow valley? The answer is no but taste the impossible results and then try to say it with a straight face. A man who loves Sancerre and has the vision to stick with this project through unsurmountable odds and adversity deserves to drink his very own, very excellent sauvignon blanc. This 2017 strings forward a great moment of continuity although in less tropical, more saline and increased tension ways. There is an infiltration by tonic, lemon and lime and yet still explosively aromatic with citrus peel that connects the two vintages by way of this unequivocal substance and emotion. Let’s wait on this buffering streamer. Drink 2020-2027.  Tasted October 2018

Benjamin Bridge Sauvignon Blanc 2016, Nova Scotia, Canada (Agent, $47.95, WineAlign)

The difference between this and the previous vintage is turbidity, having it and not. It’s a negotiable varietal that doesn’t really prepare for winter and it’s not a match made in heaven with the climate. That said the adversity makes for wines of great interest. Not driven by rational motivation but by passion and love, from 0.75 tonnes of yield per acre. Explosive from the concentration delivered to each privileged berry. Dry extract is through the roof. The passion fruit on this ’16 is uncanny, almost tropical in fact it really is and yet in the end there is a revival of salt, tonic and lime. Drink 2018-2022.  Tasted October 2018

Benjamin Bridge Nova 7 Sparkling 2017, Charmat Method, Nova Scotia, Canada (256289, $24.95, WineAlign)

You’ll be pleased to know that Nova 7 is a child of wild ferment and made in 15,000 cases. It’s not tied to any real natural winemaking processes, but considering all that is in the balance it was decided not to add any sulphur in the winemaking process, only before bottling. Hard line indeed. No messing with the aromatic spectrum, not the terpenes nor the esters or anything else, so that the wine has developed its full aromatic possibility. Just the greatest lithe hint of effervescence, the crushable one, better than mega purple sweet confections for people who want to drink flavour. Peach, strawberry and juicy fruit for the people, for everyman, woman and non gender specific imbiber, for people in the sticks who don’t, won’t and can’t drink grower’s Champagne. Aromatic backbone is New York Muscat, plus ortega, seyval blanc, l’acadie, vidal, riesling, chardonnay (and no perle). “It’s all a lot of oyster and no pearlA, perfect for this long December. And no need to swirl, so you get a kick from the natural CO2. Drink 2018-2020.  Tasted October 2018

Benjamin Bridge Cabernet Franc Rosé Small Lot 2017, Nova Scotia, Canada (Winery, $26.95, WineAlign)

“We knew in this season we wouldn’t have enough for a full-on commercial Rosé,” tells Jean-Benoit Deslauriers. This was harvested same day, red or pink, November 10th, whole cluster pressed for a few hours and then after débourbage transferred into concrete egg. There is remained for nearly six months and in March it was highly turbid at ferments’ end. No fining, no filtration, never a sulphur addition with thanks to natural acidities that protect. It’s a perfectly lovely oxidative note with creaminess brought by the egg, never to be stripped away. It emulates the Kingsport vineyard and the varietal. Orange skin, salinity and integrated variability, with good tonic bitters. Even a bit of firmness of tannin that says its come into its own now and will be a cerebral bit of fun for two or three more years. This is Rosé very much meant to be. There were in and around 200 cases made, this essentially estate exclusive, with a few exceptions. Drink 2018-2021. Tasted October 2018

Benjamin Bridge Cabernet Franc Small Lot 2016, Nova Scotia, Canada (Winery, $57.95, WineAlign)

Still from the Kingsport farm fruit, a whole cluster ferment, no messing with stems, fully oxygenated, no carbonic maceration, 30-40 per cent whole bunch. Total output is “a barrel and a bit.” An infused aromatic ferment, green spice and a char of tobacco, utter intensity, compelling and a phenolic reality. “A myth buster incarnate,” says JB, ripened beyond the sensory borders, miles away from other territories, with generosity and juicy ripe legs. From a warm vintage, nine months in neutral oak plus nine in the bottle. Then a decant and oh how the florals open up, furthered, blooming and intoxicating. More than just a fun little experiment so please wake up and smell the Gaspereau Valley. So lively, a wee salty and all energy. Drink 2018-2024.  Tasted October 2018

And one final tank sample.

Cabernet Franc 2017

A good portion of, as in 100 per cent whole berry, whole cluster fruit ferment. Heavily oxygenated, non-carbonic, from four barrels, to be bottled in December and then released next fall, so nine plus nine. There’s the floral rising from the glass, so pronounced. Strawberry, mint, cherry and liquorice, amaro, spice and tobacco. Green and pyrazine are looked for and not found. It’s the sand layer under the strat of mixed recent glacial run off rocks that mitigate the bubbling water beneath the soil and give this a tannic structure unheard of in Nova Scotia reds, Also remembering the urgency at the hands of the whole cluster ferment.  There are 900L available. Grab ’em by the growlers.

crush #interloper standing with harvest giants

Good to go!

Twitter: @mgodello

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Important and impromptu study session at Stratus

It was planned as a big chill weekend, set aside months before because if you don’t dot the calendar you will never find the time. It was a meeting of old friends who rarely see one another, coming from different cities and countries to gather in Niagara for reasons unknown. It was more than an important impromptu tasting at Stratus Vineyards on a blustery October Sunday. Thanks so much Ben, for the hospitality and new revelations.

I pack my case, I check my face
I look a little bit older
I look a little bit colder
With one deep breath, and one big step
I move a little bit closer, I move a little bit closer
For reasons unknown

https://www.youtube.com/watch?v=TG5X4kOjEX8

Related – Chase food pairings with Stratus

I’ve written about Stratus Vineyards before, about Yoda of assemblage and varietal maître winemaker J-L Groux. Ben Nicks is the winery’s hospitality master, mentor and guiding light. It’s no coincidence that Ben set us up with six current releases in the tasting board room with a tease of three local cheeses and a morsel of Mario Pingue’s salumi. A subtle arrangement this micro-pairing, seemingly inconsequential but oh so very poignant and perfect. 

The Ozonator

Related – The Stratus-Momofuku continuum

Ben leads us through the inner workings of Stratus and you should know that this behind-the scenes tour is no ordinary junket nor is what goes on back there any accident. Sustainability is key, planned to a T, in particular with respect to water use. We pass by the hydrosieve, a simple stainless box used to aerate wines during fermentation and Ben explains the great ozonator, to clean and preserve sterility in the winery. When ozone gas is introduced to an environment with bacteria, mold or any other organic material, it readily donates one of the oxygen atoms to oxidize or destroy that material. The ozonator is highly effective in controlling Brettanomyces populations.

More than an important impromptu tasting @stratuswines on a blustery October Sunday. Thanks so much Ben, for the hospitality and new revelations.

Related – Select tasting through years of the Stratus Red and White

In the boardroom we set about tasting with the saturated vineyards as our backdrop. Grapes continue to hang though there is no surprise in that. Stratus is known to wait out the rest of the Peninsula in search of more phenolic ripeness and infinite aromatic possibilities. Here are the seven wines tasted on Sunday, October 28th.

Stratus Vineyards White 2014, VQA Niagara Lakeshore, Ontario (660704, $38.00, WineAlign)

So what is White ’14’s status in late October 2018? Still pronouncing struck flinty with a capital F and elevated into the air on a pillow of fine smoulder. What is duly noted at this stage is the pause, at calm, unaffected by gravity and then, the length. In other words, a perfectly drinkable state.  Last tasted October 2018

White assemblage under the Stratus label is not like spinning a single record, it’s like Rock ‘n Roll radio. Opening a bottle brings great excitement and anticipation, with a sense of wonder. What songs am I going to hear or more to the point, which grape varieties am I going to taste, in which percentages and in what order? In 2014 it’s a medley of chardonnay, sauvignon blanc, viognier, sémillon and gewürztraminer. The blend spent 21 months in (15 per cent) new oak. The fruits are varied and each one (or mélange of several) represented a hit in their own right. Tutti frutti, orange blossom special, little green apples, the lemon song, kiwi, peach, tangerine and forbidden fruit. In the end I heard it through the grapevine, by way of a conduit provided by great and necessary acidity. A top quality Stratus White, worthy of repeat plays. Drink 2018-2025.  Tasted twice, May and June 2018

Stratus Vineyards Chardonnay 2016, VQA Niagara-on-the-Lake, Ontario (Winery, $48.00, WineAlign)

This Stratus is the year of the utmost natural chardonnay, the one where knuckling down and waiting with great patience leads to the most ambient of varietal wines. Not that the indigenous yeast plan is new (it dates back to ’09) but it is unfiltered and the aromatics are wonderfully nostalgic. This too (like the White) has that uncanny and unmistakeable flinty smokiness but in the realm of chardonnay it’s surprisingly delicate and finessed. ’Twas a warm vintage and so there must be an initialization of richness and the lush contextual accession will continue to develop but for now its tighter and sitting in a pool of quietude. Revisits in two and three years will tell the wine’s story. Drink 2019-2026.  Tasted October 2018

Stratus Vineyards Gewürztraminer 2017, VQA Niagara-on-the-Lake, Ontario (Winery, $29.00, WineAlign)

The plantings are Clone 47, one of two from Alsace (along with 48) that are often used in Ontario. There are few regional equals like this one of subtle floral expression in lemon waxy spray, yellow rose fragrance and citrus oil incumbency. The acidity is buoyant, unaggressive and supportive and so the residual sugar number is probably higher than expected, perhaps in the mid to upper teens. Works the derivative volatile aroma compounds drawn from flowers, fruits, leaves, and stems to great aromatic effect. In any case it’s a health affirming gewürztraminer by essential oil and through the act of sumptuous behaviour. Drink 2018-2022.  Tasted October 2018

Stratus Vineyards Red 2015, VQA Niagara-on-the-Lake, Ontario (131037, $48.00, WineAlign)

Harvested over a week’s time in mid to late November from a warm if unremarkable vintage that followed a polar vortex winter, the just released 2015 Red is the five-headed Bordelais made from cabernet sauvignon, merlot, cabernet franc, petit verdot and malbec. If indeed perception is conceived to occur through five senses then all are needed to feel the fingers and toes of this assemblage. It’s also a matter of mathematical relevance, especially if you’ve tasted a few vintages of this most consistent appellative blend. And so standard deviation is relevant in assessment. From one Stratus Red to another we are looking at two sets of five different numbers that have the same mean but different standard deviations and it can be argued (because of the methodology), the same standard deviation but different means. If only J-L Groux knows the answer to the mean and standard of each Red set we can still look at this ’15 and note how it’s quite dusty and high-toned in its youth, with a richness that will eventually bring it all down to earth. It’s a chewy Red with some dried, leathery fruit, as per the mean, equal and opposing to the fresh and friendly, as per the standard deviation. As a matter of assemblage it’s as classic and recognizable as any in the accumulative history and also reminiscent of the past, like ’07, ’10 and ’12, to name just a few. With cabernet sauvignon at the head it tells us that ripeness is the virtue and comfort the result. By the way, the varietal breakdown of 40, 24, 23, 11 and 2 equates to a mean of 20 and a standard deviation of 14.40. For what it’s worth. Drink 2019-2026.  Tasted October 2018

Stratus Vineyards Cabernet Franc 2015, VQA Niagara Peninsula, Ontario (412759, $38.65, WineAlign)

The 2015 cabernet franc of warmth and layering is wise in the ways of fruit. It’s an overt and resolute varietal wine picked at intervals and in succession with on the fly intent. The endeavour is worthy of the ideal and in turn, every moment of our consideration. Here is where you can begin any one of your carefully thought on handful of cabernet franc explorations, not just any mind you but from those that start at the top of the pyramid, from the top down. What is striking about 2015 is the sweet herbal quality, with a bushy tisane in place of hard to ascertain, high-toned pyrazine. What you will find is actually quite simple; cabernet franc grown, raised and fashioned by winemaker J-L Groux at Stratus. I just love this fruit. These chips have fallen where they may. Drink 2020-2038.  Tasted October 2018

Stratus Vineyards Syrah 2014, VQA Niagara Peninsula, Ontario (Winery, $48.00, WineAlign)

Stratus turns back time and into varietal subtleties so that sniffs and sips of this ’14 are met with pauses. This iambic syrah is indeed something other, with dusty peppery notes and an unforced extraction that does little (at first) to challenge or demand that you work for your sips. The floral aromas form the crux of the unstressed syllables and are followed by strong flavours, a.k.a. the stressed syllables. The poetic feel is one of clause, pause and punctuation, with acidity strong but also fine and the even ripening from the grapes is a matter of obvious clarity. I suggest that the winemaking is more hands off than before and the wine needed little to no clutter to reach this goal. The richness is subdued and the balance as bountiful as it is beautiful. The drinker must read-render this syrah stanza so that it is both comprehended and appreciated. There may be some potential tension in doing so because you need to know how to seek out the stressors but also where to find the metrical pauses. Unearthing all the elements will help to pair with food that reads the same, like a seared duck breast, rare and sliced, or a lean piece of beef, carved tagliata style. Drink 2019-2025.  Tasted October 2018

Stratus Vineyards Sémillon Botrytis Affected 2016, VQA Niagara On The Lake (Winery, $38.00, WineAlign)

One of the most unique dessert wines in Ontario this is neither late-harvest nor Icewine in origin. Only the third time it has been made, the 2016 sémillon launches with a smoky beginning, as expected and yet, is always appreciated. Some of the fruit is harvested early, but other bunches in the same vineyard are some of the last to be harvested. This low alcohol anti-sticky is from the warm vintage and from the same spot in the vineyard, vintage in vintage out. Most interesting is how these pristine botrytis affected grapes are picked ahead of the rest of the clean fruit used for the dry sémillon. It’s a very vinous sém with distinct apricot and longan notes. Great acids in 2016. Has still retained some waxiness and found some tropical fruit despite the early pick. All of the counterintuitive ideals tell us that the warm vintages can make for top quality dessert wine. This is the masquerade party wine made by the Way Outs band. “That’s where the fun is, way out, WAY OUT!” Drink 2019-2028. Tasted October 2018

Good to go!

godello

Twitter: @mgodello

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Going back to South Africa

In just a few more sleeps I’ll be back in South Africa. Since attending Cape Wine in 2015 I have had the great fortune to spend many mornings, evenings and excursions with several groups of South African producers here in Ontario. In the past year we entertained visits from the Premium Independent Winemakers (PIWOSA) and most recently this May Chris Mullineux led a masterclass on mostly Chenin Blanc at lbs. Restaurant. Chabrol Restaurant also held a tasting and lunch with representatives from seven outstanding South African wineries.

Related – Around the Cape in 50 wines

On my way to one of those events I was in the car and listening to the CBC. The DJ began talking about Handel as being the composer who could have become a hip hop artist. I’ll explain what he meant in a minute. When I think about South African wines it’s almost impossible to put your finger down to think of it as one thing, one style, or one type of music. You can apply this just about anywhere but in the Capelands there is so much diversity; there are rock n’ roll stars in the Swartland, R & B, soul & Motown in Stellenbosch, Jazz in Elgin, Classical music wherever you want to hear it. But what there is everywhere is flow. Reggae flow, soulful Stevie Wonder flow, hip-hop flow.  What the DJ was trying to say is that a composer who writes with this ease of ability, with an unconscious penning of notes coming from a place that was always there from the beginning, with a creativity that comes out of effortless ease, it just flows. South African wines, collectively, have flow.

Great soils, weather and a Mediterranean climate

When I returned from that 2015 Cape Wine congress I said that South African wine is not what we thought it was. This mantra can’t be repeated often enough. Introduce me to a winemaker who is not in tune with his or her terroir and I’ll show you a winemaker who is either faking it or blindly towing a company line. That breed is few and far between. In South Africa I met exactly none of that ilk.

Related – Once upon a time in the Western Cape

LK @wosa_ca introducing Chris @mullineuxwines for what will be a wild ride through the Western Cape ~ #winesofsouthafrica

I don’t feel the same way, not quite exactly the same way, three years later. Now I see the necessity of not planting whatever you feel like wherever you feel like, but specializing, picking out micro-plots of terroir for very specific grape varieties. Narrowing the focus, figuring out what works best and why. It’s the Burgundian way and indeed the way all great wine regions make their mark. I am also inclined to agree with the heritage seekers and protectors. Old vines, especially dry, bush-farmed vineyards are the backbone of South Africa’s diversity and possibility.

At the lbs gathering Chris Mullineux noted there was a time when chenin blanc tasted like sauvignon blanc, green and sharp, or creamy like chardonnay and sweet. There have been so many styles. Mullineux explained. “We’re no longer trying to make chenin taste like sauvignon blanc or chardonnay, or Huet for that matter.” The grape variety has been in the country for more the 350 years, since the 1650s and it can withstand warm and dry conditions and perform really well. No discourse on new versus old in South Africa can be addressed without first looking at the modish dialectal of Chenin Blanc. The combination of bush and old vines, coupled with indigenous ferments and skin contact addresses has elevated the stalwart, signature grape to its current reality. Sixteen wines were presented that morning, including eight by Andrea and Chris Mullineux.

Into the South African mystic ~ A formidable line-up led by @mullineuxwines with thanks to Chris, LK @WOSACanada JG @lbstoronto @wosa_za @NicholasPearce_

Simonsig Chenin Blanc 2017, WO Stellenbosch, South Africa (981167, $13.95, WineAlign)

From Stellenbosch, the pride and joy, the rainmaker, hay-maker, large volume wine. Decomposed shale provides perfume to chenin, picked over three passes, early acidity, middle palate savour and later harvest tropical fruit, namely guava. There is texture, something firm in its structure and a clear-cut ripeness of acidity. Drink 2018-2019.  Tasted twice, May 2018   simonsigwines  azureau  @SimonsigWines  @azureau  @SimonsigWines  @azureauwinesandspirits

MAN Family Wines Chenin Blanc Essay 2017, WO Western Cape, South Africa (Agent, $14.95, WineAlign)

‘Essay’ is MAN’s chenin blanc with more more stone and citrus fruit, crisp, almost crunchy, getting into texture and would really elevate the fish game. Drink 2018-2019.  Tasted May 2018   manfamilywines  vonterra  @MANVintners  @vonterrabev  @MANFamilyWines  @vonterra

Deetlefs Chenin Blanc 2016, WO Breedekloof, Western Cape, South Africa (465443, $16.95, WineAlign)

The youngest wine route in South Africa and just 90 km outside of Cape Town, the Breedekloof wine route lies in the Breede River Valley, which stretches from Gouda in the west, McGregor in the south, Montagu in the east and the Tankwa-Karoo National Park in the north. “We call it over the mountains,” explains Chris Mullineux, “around that bend from Cape Town.” It’s an area with a long history of chenin by the river bed. A place of fertile soils, where young vines have great vigour and then when they reach 35 years plus, deliver great concentration. Some green pepper and pyrazine here, a throwback to the sauvignon blanc ringer days and also more weight and laced up tightness. It’s a savoury but quite cool expression. Gets crunchy and chewy, one and then the other, like Napolitano pizza dough, in a way. Drink 2018-2020.  Tasted May 2018   deetlefswineestate  nicholaspearcewines  @Deetlefs_Wine  @Nicholaspearce_   @DeetlefsWineEstate  Nicholas Pearce

May 23rd, 2018 #lobsterroll by @lbstoronto ~ #lostinamoment ~ pairs beautifully with South African #cheninblanc

Pearce Predhomme Chenin Blanc Old Vine/Wild Ferment 2017, Clear Mountain, Stellenbosch, South Africa (Agent, $22.99, WineAlign)

The next chapter in the Nicholas Pearce-Will Predhomme chenin blanc joint is the richest to date, as a matter of unction without presumption. The great blended barrel and tank amalgamation dishes an orchard tone citrus smoothie with rigour, tension and then perhaps, yes, a posit tug of confident Stellenbosch belief. Presumption even, knowing that you will adore it. And you will. Drink 2018-2022.  Tasted May 2018   pearcepredhomme  nicholaspearcewines  willpredhomme  @PearcePredhomme  @Nicholaspearce_   @WillPredhomme  Nicholas Pearce  willpredhomme

Ken Forrester Old Vine Reserve Chenin Blanc 2016, WO Stellenbosch, South Africa (Agent, $17.95, WineAlign)

Texture from old plants can never be underestimated and this number two of four tiers in the Forrester stable digs so much deeper. It’s more passionately meets seriously defined out of a labour of love so you have to pause and stay with it.  Last tasted May 2018

Reserve is a funny term for wines like this because it speaks to the idea that it should be put aside for further use. I don’t think that is Ken Forrester’s plan and here he once again raises his old vines game with the 2016 chenin blanc. Fruit and mineral are entrenched in this great posit tug of war, each shredding the twain and meeting at the trenchant median. Stellenbosch continues to dole out some of the planet’s most striking and finest whites with chenin blanc at the centre of it’s value universe. With major thanks to Ken Forrester. Drink 2017-2020.  Tasted March 2017   fmcwine  noble_estates  @KFwines  @Noble_Estates  Ken Forrester  Ken Forrester  @NobleEstates

I want to eat the dishes chef wants to cook ~ @jwillcook killed it last night @lbstoronto with the wines of South Africa

Survivor Chenin Blanc 2017, WO Swartland, South Africa (Agent, $17.95, WineAlign)

Survivor is richer, deeper, creamier, the chardonnay chenin, in a way, with round and mild acidity. Very tropical, from guava and papaya to mango and ultimately, simple like a banana, with coconut and cream. Drink 2018-2019.  Tasted May 2018   survivorwines  kirkwooddiamondcanada  @SurvivorWines  @KDC_NATIONAL  @SurvivorWines  @KirkwoodDiamondCanada

Mullineux Kloof Street Chenin Blanc Old Vines 2017, Western Cape, South Africa (Agent, $27.26, WineAlign)

Still in the middle of drought, the 100 per cent chenin is so youthful right at this stage. Part Paardeberg, ancient granite decomposed into sand, plus rocky, shallow slate, better in the blend out of cooler years. Still a flint strike but also something verdant, smouldering too, like white tobacco, if there is such a thing.  Last tasted May 2018

You would think this came straight from the vines and into the glass because fresh was never this new, exciting and getable. In fact when thinking about tasting 2015, 2016 and now this 2017 there is no doubt this is the most immediate and gratification guaranteeing Kloof Street yet. It’s already in delivery of ripe citrus, orchard and tropical fruit, all three, fleshy, unctuous and divine. So juicy, unconsciously so and as drinkable as any chenin blanc on the planet. Drink 2018-2020.  Tasted January 2018   mullineuxwines  nicholaspearcewines  @MullineuxWines  @Nicholaspearce_  @MullineuxWines  @MullineuxWines  @MullineuxWines  @MullineuxWines

Mullineux Kloof Street Chenin Blanc Old Vines 2016, WO Western Cape, South Africa (Agent, $22.95, WineAlign)

From the very dry year this 100 per cent chenin is from 36 and 38 year old vines in two vineyards, so considered old vines because its certified (above 35, a labelling law that came into place this year). Natural ferment, freshness meets a terrific sense of place, with downy texture by one third barrel. Aging nicely.  Last tasted May 2018

Some older vines (in the 40 year range) combed off of variegated soil types from several Swartland vineyards combine for definitive Western Cape effect. Kloof Street is the poster child for the way in which Chris and Andrea Mullineux’s are taking South African by storm. Though they spend so much effort concentrating on specific soils with über specific wines, this chenin blanc is the multi-purpose white to teach a thing or two about the rest of their work. It’s exemplary of ripe and perfectly extracted, multi-sensory fruit and personality. Though this 2016 is a bit warmer and deeper than previous vintages (and the portion of barrel ferment is further felt), it continues the thread of honesty, decency and consumer educational necessity for the Cape wine oeuvre. It will also develop some peaches, herbs and honey with time. Drink 2017-2021.  Tasted March 2017

Mullineux Old Vines White 2016, Unfiltered & Unfined, WO Swartland, South Africa (Agent, $36.95, WineAlign)

The old vines are between 36 and 65 years old and the 60-65 per cent chenin blanc is blended with grenache blanc, clairette blanc and viognier. There is also a smidgen of sémillon gris, unique to sémillon, then mutated after 45-50 years, becoming like gewürztraminer. Really flinty, lightning across the sky moving with strikes through the glass, but somehow rich and grippy, then elastic, slippery, moving like an glacial ooze. Extraordinary really. Cryptic white blend, in the end.  Tasted again, May 2018

From French water mill to Swartland bread basket the Old Vines White continues to woo and sooth savages with its exceptional quality. From winemaker Andrea Mullineux this is equation building by chenin blanc (62 per cent) plus grenache blanc (15), viognier (11), clairette blanc (8) and sémillon. It may as well be Meursault Premier Cru Genevrières or Châteauneuf-du-Pape blanc transposed into the body of chenin-plus in South Africa. The combination of flinty strike and sun-fleshy body is perfectly tugged with posit force, stretching, flexing and relaxing with each effortless sway. The tease of lemon curd, sweet herbal pesto and creamy warm climate fruit never submit to the realities of ambition or extension. All remains calm, purposed and transfixed. As am I. Drink 2020-2028.  Tasted May 2018

Mullineux Old Vines White 2015, Unfiltered & Unfined, WO Swartland, South Africa (Agent, $36.95, WineAlign)

The Old Vine White 2015 is a revelation, built by 36-65 year-old vines, of 60ish per cent chenin blanc mixed with grenache blanch, clairette blanc, viognier and the mutated sémillon gris. A year adds almost nothing to the development save for a minor magnification of the flinty feeling but the linger, oh the linger. This is length unparalleled for South African white wine and how it is left to breathe in its broad expression is there forever. You can walk around the block and these old vines will be with you, by your side, in mind, body, spirit and never-ending flavour. Drink 2019-2028.  Tasted May 2018

Ken Forrester Chenin Blanc The FMC 2016, Stellenbosch, South Africa (37291, $64.95, WineAlign)

The straight-lined FMC is chenin blanc on a path of the shortest distance between two points from straight-shooting Ken Forrester. It’s ambitious and righteously so, a statement wine, no longer (if ever) Loire but now indelibly Stellenbosch stamped,. Not an off-dry, botrytis copying style but now from larger barrel and so minor oak and lack of noble rot addendum. It’s simply older vines from the same old vineyard and so comfortable in its own skin. Yes it has a honeyed note but it’s from the bees replete with a sexy, waxy feeling. The aging possibilities are long to endless. Drink 2019-2029.  Tasted May 2018

Varietal and single-vineyard wines are great but #cartology is forever ~ so pleased to get a chance at this today ~ another laser from @chrisalheit

Alheit Vineyards Cartology Bushvine Chenin Blanc Sémillon 2016, Western Cape, South Africa (Agent, $46.95, WineAlign)

Chris and SuzaanGroupe Soleil Fine WinesAlheit’s Cartology ’16 exhibits a citrus layering that separates it from other Western Cape white blends and an implosive intensity that is simply stunning, but also frightening. As a reminder the blend is a smaller amount of eighty year-old La Colline sémillon from Franschhoek running ambagious with 30-40 year old chenin blanc grown in Skurfberg, Perdeberg, Bottelary Hills and Kasteelberg. Few white wines anywhere in the world are even remotely positioned in this field where energy and light spin with infinite speed in the centrifuge of life. That doesn’t even speak to texture for a wine that is the topographical depiction of these nooks of the Western Cape. Needs two years to flesh out, evolve just a hair and bring another level of interest to the glass. Drink 2020-2028.  Tasted May 2018  chrisalheit  gsoleil123  @ChrisAlheit  @GroupeSoleilTO  Suzaan Alheit  Groupe Soleil Fine Wines

Mullineux Schist Chenin Blanc 2014, Swartland, South Africa (Agent, $89.95, WineAlign)

Mullineux’s Schist is a 100-120 case production (though only 72 in 2014), from schist, of course, not granite, which adds mid-palate weight and texture. Also from older (36 and 40 years) vines based from soils of the Kasteelberg. It’s a heartfelt message and cerebral pulling string from the 2014 density gifting vintage. Older barrels wrap like a blanket for fruit richer than you’d ever imagine, full-bodied, beautiful and robed in petticoat unction. It’s also dry as the farmland desert. Truly one of the finest chenin blancs from South Africa and beyond. Drink 2018-2027.  Tasted May 2018

Mullinuex Olerasay Straw Wine NV, WO Swartland, South Africa (Agent, $59.95, WineAlign)

Mullineux’s non-vintage Straw Wine is fashioned from grapes hung in trees for three weeks. The key is to concentrate the acidity which doubles from the pressing number, plus sweetness that is off the charts. No rain in the picking season means no fear of rot. The use is of chenin blanc from the same vineyard as Kloof Street and it’s amazing how the same grapes can deliver such a different expression from the same place but with the simplest adjustment of winemaking methodology. An amazing look from a healthy 14 barrels made, so distinct as a dessert wine, with pineapple, lemon preserve and apple purée. Bold and delicious. Drink 2019-2031.  Tasted May 2018

A little bit of this, a little bit of that. A little bit of schist, a little bit of granite. Amazing vintage variation, from ethereal to powerful. Singular @mullineuxwines

Mullineux Syrah 2016, Swartland, South Africa (Agent, $42.95, WineAlign)

The first drought vintage for the Swartland syrah and so the extract, concentration and density are all in compression mode. The change is felt with palpable impression, meatier, more char, even tar, and a little bit of dogma was necessary to bring in more granite-raised syrah to keep things swimmingly cool and savoury along. It’s a hematic one in 2016. To some this would be the bomb, the massive reason to believe and to others it might seem an impossible wall to scale. With a combination of love and patience the ’16 will please them all. Drink 2020-2028.  Tasted May 2018

Mullineux Syrah 2015, Swartland, South Africa (Agent, $42.95, WineAlign)

Mullineux’s Syrah is sourced from several different vineyards around the Swartland, from granite, schisty slate (structure and tannin), plus the mid-palate giver, from lighter, porous soil suited to arenicolous vines. Here is a complex weave of geology, barrel usage and ultimately textures. There is a meaty char but also a floral, violet potpourri. A wine with a lot of integrity and generosity. From a vintage widely considered fantastic everywhere, moderate in every respect; cool, rain, sun, wide picking window. Easy. Drink 2018-2024.  Tasted May 2018

Paul Cluver with Ken Forrester’s Chenin Blanc

A few wines from the PIWOSA visit, June 2017

Paul Cluver Riesling Close Encounter 2015, Elgin Valley, South Africa (Agent, $23.99, WineAlign)

Paul Cluver’s Close Encounter is a matter of remarkable contrast elevated by texture so that sugar and acidity are seamlessly meshed, gathering both apple orchard and mango grove into one sweet and sour package. Channels its inner Rheinhessen like no other southern hemisphere riesling but does so with pure Elgin elegance and individuality. Most excellent riesling.  Last Tasted June 2017

A more serious effort than the sibling ‘Dry Encounter’ because this riesling knows what it wants to be. On its left may be Alsace and on its right the Mosel but in truth this speaks to a Kabinett reasoning, with Elgin layering. At nine per cent alcohol, 36 g/L RS and 8.2 g/L TA it knows the difference and speaks the truth about off-dry riesling, with elevated and yet balancing acidity. It pretends to be nothing but what is of and for itself. Flint and an attainable stratosphere (between 300-500m above sea level) accept the airy drifts of oceans and the gathering returns to earth with the weight of wax and glade. If you think South African riesling is “a real nowhere man, sitting in his nowhere land,” taste Elgin and think again. The skeptical Nowhere man is ignorant to the new frontier for riesling and to him I say “please listen, you don’t know what you’re missing.” Drink 2015-2020.  Tasted September 2015  paulcluverwines  hobbsandcompany  @paulcluverwines  @amargarethobbs  @paulcluver  @HobbsandCo

De Grendel Op Die Berg Pinot Noir 2014, Elgin Valley, South Africa (Agent, WineAlign)

“The Latch” in Dutch it means, where once settlers used the hill as a beacon for navigation. A crunchy, chewy and soil driven pinot noir, so bloody terroir driven, as if the bleed of the earth wells in the bottle and glass. There is fineness to the tannin but more than this acidity that defines the structure, or drives it and leaves you sipping on repeat. Cool summer nights do the savoury, spicy accents. Clearly this piece of Elgin was meant to raise pinot noir. Drink 2017-2020.  Tasted June 2017   degrendelwines  churchillcellars  @degrendelwines  @imbibersreport   @degrendelwines  @imbibersreport

Exceptional lads of South African wine take Toronto @chabrolto led by fearless leader Will ~ @WOSACanada @WOSA_Za

Seven producers, seven varietal wines

This tasting was led by master South African messenger Will Predhomme at Chabrol, Toronto’s smallest space and largest kept secret in the hands of Niall McCotter and Chef Doug Penfold.

First up was Sean Griffiths introducing Mulderbosch, based in Stellenbosch, “the centre of the universe,” He spoke of how South Africa has a long history of winemaking and Mulderbosch started in 1659. Looking forward to 2019 that is 360 years, a perfectly symmetrical number, of degrees, coming around full circle.

Mulderbosch Sauvignon Blanc 2017, WO Western Cape, South Africa (933424, $17.95, WineAlign)

The 2017 is the 25th vintage and “we’re always looking for cool-climate fruit.” notes Sean Griffiths. Fermented with its lees in the search for a fuller, richer style. It is surely round, rich and finish-able. A wine of great heritage, for itself and South Africa as a bigger entity but it’s not a replica of anything, least of all “old world.” Hints at a subtlety of weight, pungency, citrus, thiols, vegetation and flint. It’s 100 per cent sauvignon blanc, more passion than pamplemousse, more fruit than mousse. Touched but not bound by tradition. Maritime salinity finishes the spirit. Everything is under control. Drink 2018-2020.  Tasted May 2018   mulderboschvineyards  abconwine  @MulderboschV  @AbconWine  @Mulderbosch  Abcon Wine

Next up, Johannes De Wet from pioneering chardonnay specialist De Wetshof in Roberston, an area of limestone presence and the context of that rock is important. All estate work; farming, winemaking and bottling. First regional planting of chardonnay was in the late 1970s and then in the early 1980s. Johannes’ dad was a chardonnay smuggler.

De Wetshof Limestone Hill Unwooded Chardonnay 2017, WO Robertson, South Africa (419622, $16.95, WineAlign)

From four vineyards on clay with high limestone content, and high pH soils. Citrus abounds, all around, first lemon peel, and then grapefruit. Lots of lees (110 days) but unoaked with the end result being a desired weight. The source is 80 kms from the sea, a place of wind and cold nights, not surprisingly a great area for bubbly. Limestone Hill is a ridge, a step up to the mountain. This chardonnay is striking, sharp, full of energy and then calm, so drinkable. Crunchy and pure, honest, transparent and in its way, just perfect. Drink 2018-2020.  Tasted May 2018  dewetshofwines  glencairnwines    @glencairnwines  @dewetshofwines  @GCwines

Marthinus van der Vyver is Country Manager, North America, Ken Forrester Wines. Ken began with five restaurants in Stellenbosch and one day he saw an auction sign and three hours later, boom he walked away with a winery. If you have met or just heard of Ken Forrester, you know he is a force not just in wine, but a figure larger than life and hugely responsible for putting South African wines on the world’s stage. Partly because of his work to establish a premium level Chenin Blanc but also because of a tireless ethic, an entrepreneurial spirit and certainly his ambassadorial work. Forrester is a team player in the way a Football or Rugby captain rallies his teammates, his club and his country. I’ve had the pleasure of a four-hour tasting session with Ken in Stellenbosch and that interaction is indelibly stamped in my memory forever. Great guy whom Marthinus has the pleasure of calling Dad. He is Ken’s son-in-law and is responsible for taking care of the most important treasures in his life.

Ken Forrester Roussanne 2016, WO Stellenbosch, South Africa (Agent, WineAlign)

The 2016 is the third vintage of this wine, from 39 year-old vines. ‘Tis a risk-reward white held at bay, away from the safety of blending, of barref fermentation, and time spent in 80 per cent used 400L barrels. The vineyard is on the second last farm before you reach the Heldeberg, where hot days give way to late afternoon sea breezes. These are 15 of 60 roussanne hectares in Stellenbosch. Striking aromatics, a flinty, saline and pulsating white with presence and a stand up demand to be noticed. Drink 2018-2022.  Tasted May 2018  fmcwine  noble_estates  @KFwines  @Noble_Estates  Ken Forrester  Ken Forrester  @NobleEstates

Stephen Joubert is viticulturalist at DGB. “My passion is to understand South African terroir and to figure out what grows best and where.” Ocean is the thing, heavy soils, cold winters, dry summers, sea breeze influence, to keep acidity and freshness. We happened to have been in Sicily at the same time back in May. I’m curious to see what grape varieties gave him ideas for what to do back home in The Cape.

Bellingham The Bernard Series Old Vine Chenin Blanc 2016, WO Stellenbosch, South Africa (12724, $29.95, WineAlign)

This Bellingham Estate chenin blanc from old vines watched over by viticulturist Stephen Joubert carries an indelible stamp of richness, from that vine age and the leesy style. From granite and weathered shales, a minor note of reduction climbs over top of the rich, chic, stylish and full fruit and while it seems like the wood is very much in play it’s really more lees than anything that terms the texture and renders the weight. Old vines provide the density and structure to allow wood to take part in an ambitious attempt to create longevity. The locked in    spirit will go a long way to seeing some developed fruition but there may be a bit too much extraction so an oxidative quality might creep in before the wood has fully settled and integrated. Should work out well in the mid-term. Drink 2019-2022.  Tasted May 2018   bellingham_wines  dionysuswines  @Bellinghamwines  @DionysusWines   @bellinghamwines  @DionysusWinesTO

Danie de Kock presents Spier from Stellenbosch, going strong since 1692, always family owned, most recently purchased in 1993 and since 1996 Johannes Smith is the viticulturalist. Using the word “Signature” on their labels infers or might be what the chef wants to be known for. You should recognize varietal and get what you expect from that name on the bottle. In Spier’s case merlot should be a grape that gives you a great big hug.

Spier Signature Merlot 2016, WO Stellenbosch, South Africa (454827, $15.95, WineAlign)

Spier’s Signature Merlot 2016 is raised on alluvial soils, some estate, some purchased. “We’re trying to show a good solid wine.” Receives seven to eight months of dance floor wood for the fruit to express its moves, of 3rd and 4th passage. The best selling South African merlot in the LCBO happens to be the only one. Acidity and tartness at good height and level while reduction is lower than low. Breadth is a matter that is chalky, in chocolate guise and far from reduced, cooked out, even with just a touch of honest pyrazine. Drink 2018-2019.  Tasted May 2018   spierwinefarm  @SpierWineFarm  @SylvestreWSON  @spierwinefarm  Stephen Marentette

Francois Bezuidenhout from MAN family wines explains how the estate’s seven varietal wines are each equipped with an Afrikaans name. The vintner started out with three friends looking to make everyday varietal wines in 2001, as an anagram after their wives, Marie, Annette and Nicky. MAN. Chenin is the signature white.

Man Vintners Shiraz Skaapveld 2016, WO Coastal Region, South Africa (71332, $14.95, WineAlign)

Named Skaapveld, meaning “sheep’s field” this shiraz is a spicy, deep plum and raspberry red fruit red, a touch reductive and rusty-firm-grippy-transparent. Fruit is essentially from Paarl (with also some out of Stellenbosch), on decomposed granite and clay, dry-farmed and not the usual irrigation because of water retentive soils. Liquid chalky, talcy, oozing of chocolate and a shot of espresso but always returns to the red fruit. Mediterranean, black olive mixed with the chocolate. Peppery rotundo and lovely really. Drink 2018-2020.  Tasted May 2018   manfamilywines  vonterra  @MANVintners  @vonterrabev  @MANFamilyWines  @vonterra

Murray Barlow manages the winemaking at the 880 hectare property, larger than Pomerol, from an estate who’s first wine was made in 1692. In the early 1800s it was split in two, one purchased by John X Merriman. Rustenberg was one of the first to re-plant vineyards after phylloxera. The pioneer owned it until 1926 and was also the last Prime Minister previous to modern day South Africa. In 1941 Peter and Pamela Barlow bought the estate. Their son Simon took over the running of the farm in 1987. Winemaker Barlow represents the third generation of his family to make wine at Rustenberg wines on the foot of the Simonsberg Mountain in Stellenbosch, South Africa. Murray is the vini, father Simon is the viti. The Barlows have been at Rustenberg for 77 years: the longest period any one family has owned the farm during its well over 300 years old term. It’s a new world estate and like many others is  much older than the Boredelaise.”

Rustenberg John X Merriman 2014, WO Simonsberg-Stellenbosch, South Africa (707323, $24.95, WineAlign)

This is from altitudes between 250-500m, of deep rich red granite, high iron soils at the foot of the Simonsberg Mountains. Always 100 per cent estate fruit, merlot on south facing slopes which are cooler spots and then cabernet from those leading west (for afternoon sun). Fruit that thrives on cooling influences but no frost or hail and including beneficial breezes. A wet season preceding three successive drought vintages. Wow in that it’s so very Bordeaux and that’s saying alot because so many varietal or regional ode South African blends are not like their old world ancestors. Here all five Bordelais varieties work together, see plenty of barrel (20 months) and bottle time (one year) for it all to come together. Tobacco, olive, chocolate, classic Bordeaux stylistically and in the hands of a true South African pioneer, right along with the Meerlust Rubicon. Best at 10-15 years but can go 30. Drink 2020-2030.  Tasted May 2018   rustenbergwines  woodmanws  @RustenbergWines  @WoodmanWS  Rustenberg Wine Estate  @WoodmanWS

Good to go!

Godello

Twitter: @mgodello

Instagram: mgodello

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Why we’re always tasting Australia

Why is godello so pleased? #grenache @Wine_Australia @vintageMD and @Caplansky that’s why.

Mark Davidson, that’s why. We taste Australian wines with thanks to the intrepid Wine Australia ambassador, traveller and purveyor of everything you could ever want to know about that country’s wine scene. Davidson passes through our Toronto parts on manifold missions each calendar year and graces our collective wine writer-meets sommelier soul with non bottle-o Aussie bounty, not oft tasted before. In mutual abide our local agents are always willing to throw some gems into Mark’s mix and our finest restos lay out the food-matching compliments to accede the most excellent of wine tasting gatherings.

The last three sessions took place in June 2018, February 2018 and September 2017. For that September get together we convened at Caplansky’s Deli for a Smoked Meat and Grenache Lunch. “Pastrami to me smells like grenache,” says Davidson in candid equation. “Drink some and eat some meat.” In 2015 there were 1500 hectares of the varietal under vine, this compared to 44,000 of shiraz. On its agriculture in Australia he added “if you leave it untended it will go blowsy and slutty.” What about wood? “I don’t think new oak works with grenache. It dominates it.” These are my notes on the eight wines.

Yalumba Bush Vine Grenache 2015, Barossa Valley, South Australia (Agent, $19.95, WineAlign)

There is nothing here to raise an eyebrow’s moment of a suspicious mind. What you taste is what you get. Pure grenache. Tangy and spicy, fresh and walking with an easy stride. The youngest vineyard is from 1972 so that explains the confidence and yes, you can call this old vine, said with a wry smile. Really smart and teachable wine. When it comes to grenache, “we can’t build our dreams, on suspicious minds.” Drink 2017-2020.  Tasted September 2017  @yalumbawine  breakthrubevcanada  @yalumba  @BreakthruBev  yalumbawine  @BreakthruBeverageCanada

Alpha Box & Dice Grenache Tarot 2016, McLaren Vale, South Australia (Agent, $24.99, WineAlign)

Lighter style by way of a McLaren Vale mentality. Perhaps like somebody that I used to know the “death card” is a resurrective grenache to “chuck in the fridge and drink it,” as per the suggestion of Dylan Fairweather. But it’s really something else, comforting, helpful. Like Gotye, “a friendly face will bring you around and you’ll feel better.” This is a solidly pressed grenache with some cured, curative meaty notes, just where the varietal tendency should lead. “Better than before.” Drink 2017-2019. Tasted September 2017  alphaboxdice  awsmwest  @AlphaBoxDice  @AuthenticWineON  @alphaboxdice  @awsmon

d’Arenberg The Custodian Grenache 2013, McLaren Vale, South Australia (713040, $19.95, WineAlign)

This grenache may straight out remind “but what’s puzzling you is the nature of my game.” Place, name and grape all combine for notoriety, perhaps controversy but certainly greatness. The iconic house of d’Arenberg is the grenache custodian for McLaren Vale, the keeper of nearly one third of the region’s varietal vines. The process includes foot-treading, which does not make it old school as much as it presses the idea that human intervention is very much a part of the wine. The basket press adds to the beggar’s banquet gentility of the Custodian’s mystery, a deeply satisfying grenache of wealth and place. This is the juiciest of juicy grenache vintages, perfectly tart and sweet like candy for the soul. At four years of age the balance is struck and the evolution just right for current enjoyment. A rolling stone that will stand the test of time, one plus one bottle at a time. Drink 2017-2021. Tasted August and September 2017   darenbergwine  churchillcellars  @darenbergwine  @imbibersreport  @darenbergwine  @imbibersreport

Chapel Hill Bush Vine Grenache 2014, McLaren Vale, South Australia (Agent, $35.95, WineAlign)

Showing more than a major amount of fruit than most in a flight of eight grenache. Creamy, full of textured elements, tart and graced by a ying-yang of tenebrous-generous tannins. The ripeness is run through raised and chalky, like a mineral feel, searing at moments but mostly in a just so it happens or it happened way. Plenty of joy, curiosity and obfuscation. Give it a year or more to continue finding its course. Drink 2018-2021.  Tasted September 2017  chapelhillwine  chartonhobbs  @chapelhillwine  @ChartonHobbs  @ChapelHillWine

Kilikanoon Prodigal Grenache 2013, Clare Valley, South Australia (482547, $20.95, WineAlign)

From 80-90 hectares in the Clare. Kevin Mitchell’s bigger style is evident but not compared to 10 years earlier. Now in control of tangy grace and tempered volume. Needed six months to continue its settling and will only continue to improve.  Last tasted September 2017   kilikanoonwines  chartonhobbs  @kilikanoonwines  @ChartonHobbs  @KilikanoonWines

The fruit works well with the soil, sharing equal time in the sandbox and the acidity takes time to unfold but when it does, it comes smiling candid and sweet. A fine grenache and typically Clare Valley, perhaps more than what it offers in terms of varietal representation. Otherwise unexciting meaning easy to like and consume. Drink 2017-2019.  Tasted February 2017

Oldest #grenache vines in Australia is one thing, über religiously delicious @cirillo1850wine juice another #barossavalley #ancestorvines

Cirillo 1850s Grenache 2011, Barossa Valley, South Australia (Agent, $69.00, WineAlign)

Australia’s oldest grenache vines provide the setting, architecture and unfathomable bestowal for a singular standard of grenache. So what does it all mean? First there is the lighter, cooler vintage setting the stage for this queued up, cued slice of Barossa history. In most respects this is grenache prone to and prepared for drought vintages, preserving a guarantee of tannic structure. Sure, it may be seen as well beyond perhaps but six years forward offers more than enough information and explanation. This is simply beautiful, just and enlightening. Flowing, plum ripe, melting, liquorice, smack piquant, mellowing and so bloody cool. Drink 2017-2022.  Tasted September  2017 cirilloestatewines  bokkewines  @Cirillo1850wine  @bokkewines  Cirillo 1850 Estate  Marco Cirillo  @BokkeInc

Jauma Grenache Gramp Ant 2015, McLaren Vale, South Australia (Agent, $54.95, WineAlign)

This one’s for their kids’ grandfather, Grandpa Antony, a grenache sourced from the best corners of their McLaren Vale Foreman block and Blewitt Springs Genovese Vineyard. The James Erskine and Fiona Wood “keep me satisfied, please keep me calm, keep me pacified” grenache. Renders sulphur and volatility into must with magic and preservation. Old plantings (to the 1970s) offer the prospect of a whole cluster, 40 days on skins raising. It smells and tastes like the scrapings and peelings of plums, peaches, apples, cherry and cranberry. The concentration factor is spiked by anise and tonic bitters, working out the kinks and comfortably leaving an aftertaste of pure finessed liqueur. There is no question in my mind that of the two, Gramp Ant is not merely superior to Like Raindrops but is so much more fun to drink. From thirst to appetite. “Sitting by the riverside.” Drink 2019-2025. Tasted September 2017  jaumawines  thelivingvine  @JaumaWines  @TheLivingVine  James Danby Erskine  The Living Vine inc.

Ochota Barrels The Fugazi Vineyard Grenache 2014, Adelaide Hills, South Australia (Agent, $57.95, WineAlign)

A different look for Australian reds and connective with Tool’s James Maynard Keenan but if Post-Punk, Prog-Rock grenache is what you’re after than this Tolken Silmarillion Fugazi is the one for you. Its fruit spent 80 days on skins and the resulting whole bunch umami resides in an MDMA-Ecstasy-Fugazi realm. Clean, pure and of a transparency that speaks to the realism of the dream. It’s bloody juicy and anything but messed up beyond recognition. In fact it speaks to the opposite of the nomenclature. “Do you realize, this world is totally fugazi?” Great wines like these are the head, the voice and the heart. Maybe even the prophet, the visionary, the poet and the sentimental mercenary. Drink 2017-2022. Tasted September 2017  ochotabarrels  thelivingvine    @TheLivingVine @Ochota Barrels  The Living Vine inc.

In February 2018 Mark hosted a tasting of 12 (mostly) alternative varietals at George Brown College. It began with the Clare Valley, once a massive mountain range, now an extension of the loft mountain ranges and just shy of a great outback. It’s an amazing micro-climate with huge diurnal temperature changes, It can be 40 degrees during the day in peak growing season and five at night. “There is dew and there is this revival process that happens with riesling.” Here are the notes.

There are seminars and there are elucidative @vintageMD seminars. The oracle of @wine_australia has been illuminated

Grosset Polish Hill Riesling 2017, Clare Valley, South Australia (SAQ 10956022, $50.00, WineAlign)

Grosset’s riesling at Polish Hill Vineyard was planted in 1981, young for Australia, on limestone, shale and clay, underneath of which is 10,000,000 year-old blue slate. Austere when young, usually, it’s fleshier and more floral than limey but as always, it acquiesces the crisp, clear and cut brilliance Jeffrey Grosset expects and suspects Clare Valley riesling just is, or at least must be. So the choice is yours, enjoy it now because it can be, wait on its sneaky persistence or wait 20 years after you’ve tired of imagining the possibilities. Wait at least five for the screwcap to loosen and the riesling to abide as if. It’s pretty clear this is a forbearer clarified by a crystalline vintage. Drink 2021-2036.  Tasted February 2018  grossetwines  @GrossetWines  @GrossetWines

Pewsey Vale The Contours Old Vine Riesling 2012, Eden Valley, South Australia (Agent, $42.00, WineAlign)

Originally planted in 1847, passed through challenges, purchased by the Hill-Smith family and re-planted in 1961. This includes fruit from that original block, the “contoured site,” hence the name. Here five years on with some first developed character, with the airy, gassy (or Rose’s lime marmalade to an Australian ambassador), lemon-lime citrus spray ringing the inside of the glass. It’s a salty gas-powered riesling with innate Barossa ability to move forward with deceptive speed. This fin-slicing vapour trail of tonic and fine bitters is a personality I would gladly draught in for a bottle or more. One of the finest acidities of any wine on the planet. This is still the current release and that’s just perfect. Drink 2018-2027.  Last tasted February 2018

From vines originally planted in 1847, here is Riesling worthy of the longest run on sentence. Riesling of conventional wisdom from a cold, windy, chilly place, pricked with holes, atomized infiltrations, queued with basic intent, wise, driven, young, gaseous, of concentrated rage, bone dry and no, it does not feign sweetness, even if the texture makes nefarious attempts at confusing the palate. A decade on this will blow your mind, if you let it. Drink 2018-2024.  Tasted at the Langton’s Classification Seminar, February 2016  pewseyvalevineyard  breakthrubevcanada  @PewseyVale  @BreakthruBev  @pewseyvalevineyard  @pewseyvalevineyard  @BreakthruBeverageCanada

Ochota Barrels Chardonnay The Stint Vineyard 2016, Adelaide Hills, South Australia (Agent, $57.95, WineAlign)

Chardonnay out of the Stint Vineyard is from Lenswood in the hills in surround of Adelaide, up to elevations of almost 600 metres. It’s really about site exposure, and undulations, but to be honest it does little at first to tell me that is noses as chardonnay because there is a layer of impregnable wax and forest wall. Impenetrable because it’s so verdant, equally distributable and obscured by clouds. Picked on acid, as in profile, not elevation, cloudy because of no filtration. Likely 20 year-old fruit and if you consider this as funk you’ve not quite been listening to the right beats. The funk will only get better. Ochota Barrels repping the Basket Range Collective with a side of Rolling Stones. Drink 2019-2024.  Tasted February 2018  ochotabarrels  thelivingvine    @TheLivingVine  @Ochota Barrels  The Living Vine inc.

Murdoch Hill Artisan Sulky Blanc 2016, Adelaide Hills, South Australia (Winery, $62.95, WineAlign)

From winemaker Michael Downer the blend is riesling (50 per cent), sauvignon blanc (30) and pinot gris (20), left on skins, sent to barrel and also to tank. For an ambitious white it’s got remarkable entry-level gulpability. It’s an appellative blend built on acidity and so into the combinative texture. What you feel in the end is the alcohol, in a boozy warmth that hovers, broods and compresses climate like a rainforest village above the clouds. Drink 2018-2021.  Tasted February 2018   murdochhill_wines  @Murdoch_Hill  @murdochhillwine

Angove Family Vineyards Shiraz-Grenache Warboys Vineyard 2013, McLaren Vale, South Australia (537209, $46.00, WineAlign)

No matter where you are in the throes of this blend there is a maritime influence and in a way, a Mediterranean-like feeling, with plum, black olive and brine. It’s saltier and more ferric than a Rhône syrah-grenache (plus likely one with mourvèdre) and it feels more like shiraz than grenache because of the grip, vintage-driven or not. Drink 2018-2022.  Tasted February 2018   angovewine  churchillcellars  @AngoveWine  @imbibersreport  @AngoveWine  @imbibersreport

Henschke Henry’s Seven 2015, Barossa Valley, South Australia (685578, $42.95, WineAlign)

Shiraz is co-fermented with viognier, deciding the direction with holes and angles filled then lined by the grenache and the mataro. It’s floral, by flowers but also the leafiness that comes from raspberry and strawberry plants. Smells like fruit compost, sweet and savoury, Great acids and fine tannins. Really composed and grippy to delicious pile to be happy having consumed. Will be ideal in 18 months, give or take no time at all. Drink 2019-2026.  Tasted February 2018   henschke  breakthrubevcanada  @henschkewine  @BreakthruBev  @HenschkeWine  @BreakthruBeverageCanada

D’arenberg The Derelict Vineyard Grenache 2013, McLaren Vale, South Australia (Agent, $35.00, WineAlign)

If there is a juicier, riper or more gregarious nose on a grenache anywhere I’d like to know. Which is all the more surprising considering the level of grippy tannin that comes around to knock you upside the cerebral cortex. Fascinating wine, always and with perpetual craziness. The old derelict vineyard strikes again. Drink 2019-2024.  Tasted February 2018   darenbergwine  churchillcellars  @darenbergwine  @imbibersreport  @darenbergwine  @imbibersreport

John Duval Wines Grenache Annexus 2016, Barossa Valley, South Australia (Agent, $85.00, WineAlign)

There is certainly less immediacy and perhaps generosity but in its taut aromatic quietude there is this dusty, savoury fennel feeling going on. It is very much a grenache expressed in a vein like pinot noir, then again not really, but there is a skin-rubbed, umami quality about how it develops in the glass. It’s both forceful and virile. Duval does grenache in Barossa like Pommard in the Beaune. Warm climate and litheness get together at a grenache crossroads for firm if wonderful balance. Drink 2019-2024.  Tasted February 2018   johnduvalwines  breakthrubevcanada  @JohnDuvalWines  @BreakthruBev  @johnduvalwinesbarossa  @BreakthruBeverageCanada

Delinquente Wine Company Vermentino Screaming Betty 2017, Riverland, South Australia (Agent, $20.00, WineAlign)

It’s by now safe to call vermentino an “emerging variety” for South Australia, here from Riverland off some of the 120 total hectares planted. You just know it’s vermentino but you also know it’s not grown along the Ligurian coast. It’s so bloody big, aromatically fruity and full of dry extract, wants to be savoury, but it’s more of a light charcoal sensation. That and an essential oil distilled through cookie dough, with white chocolate and peach. It’s tannic without being grippy and in the end, dry as the desert. Drink 2018-2021.  Tasted February 2018   delinquentewineco  bespokewineandspirits  @BespokeWines  @delinquentewineco  Matt Wolman

Paxton Graciano 2016, McLaren Vale, South Australia (Agent, $26.99, WineAlign)

Rarely does an Australian red climb up to the tonal heights of this McLaren Vale graciano but there it is in the rare, aerified air, with red berries and their leaves. Steps into the Riverland, light, gives away this gulpable Kombucha in a flat out tart and quenching drink. Lovely at 11 per cent alcohol, high acidity and a pinch of residual sugar. Drink 2018-2020.  Tasted February 2018   paxtonwines  noble_estates  @paxtonwines  @Noble_Estates  @PaxtonWines  @NobleEstates

Brash Higgins Nero D’avola Amphora Project 2016, McLaren Vale, South Australia (Agent, $51.95, WineAlign)

Part of the amphoric project of Brad Hickey, raised in 200L amphorae, the volatility is but a whisper, way more calculated than careless. A full come about turn away from the previous Riverland Graciano this digs deep into the soil for a funky nero d’avola, far away from the caky Sicilian style and now under the auspices of perspiring glands. It’s not nearly as dense and intense you’d think it might be, nor is it so very varietally obvious, but it’s level of intrigue meeting with the need to get in my mouth is the stuff of lyrical innocence inspiration. Nero, nero on the wall, who’s the coolest Vale of all? Drink 2019-2026.  Tasted February 2018   brashhiggins  thelivingvine  @BrashHiggins  @TheLivingVine  @BrashHigginsWine  The Living Vine inc.

Alpha Box & Dice Dolcetto Dead Winemaker’s Society 2016, Adelaide Hills, South Australia (Agent, $21.95, WineAlign)

The name refers to an industry drinking session where you bring a wine made by a winemaker no longer alive and who was influential on you. From two vineyards (Paddock and Christmas Hill), southeast facing, 50-50 pick, fermented separately, all in old oak (as opposed to the 50 per cent in stainless from 2015). A much fresher vintage so thus the decision making. Such a ripe and joyful dolcetto should be every winemaker’s dream and it shows where the area first settled by Italians this variety and others like it would have been in the ground from the get go. Sour cherry and pomegranate, currants and all things citrus, red and ripping gather for great light possibilities. Surprisingly dry and tannic at the finish. Really just a joy. Drink 2018-2021.  Tasted February 2018   alphaboxdice  awsmwest  @AlphaBoxDice  @AuthenticWineON  @alphaboxdice  @awsmon

Vintage MD time ~ #pinotandporchetta @archive909 ~ welcome back Mark

In June of 2018 we connected with Mark once again, this time at Archive Wine Bar for pinot noir and porchetta. We travelled through eight from the 2015 and 2016 vintages.

Coldstream Hills Pinot Noir 2016, Yarra Valley, South Australia (Agent, $29.95, WineAlign)

A steeped black meets rooibos tea enters and opens before black cherry, orange and marmalade deliver the message of a three-fold schist-clay-volcanic earthiness. It’s a full combing in 2016, valley floor, lower and upper slope all contributing to character, structure and acidity. Bigger vintage than 2015 with a wealth of fruit and it will improve in a year. Drink 2019-2022.  Tasted June 2018   #coldstreamhills  markanthonyon    @MarkAnthonyWine  @coldstreamhillswinery  Mark Anthony Wine & Spirits

Montalto Pinot Noir Pennon Hill 2016, Mornington Peninsula, Australia (Winery, $30.00, WineAlign)

Lifted, higher and higher, sitting on a plateau built upon an acid structure squeezed from red currants and bled from stone. Also a slight cured salumi note mixed with wet concrete. Great palate presence and persistence, repeatable, replaying phenolics purely currant and with more electric current from leafy savour. Drink 2018-2023.  Tasted June 2018  montaltovineyardandolivegrove  @montaltowine  @montaltovineyard

Dalrymple Pinot Noir 2015, Tasmania, Australia (Agent, $49.95, WineAlign)

Tougher nut to crack with a bit of a muted nose. Dalrymple is a Yalumba property in cool Tasmania and when this airs it brings spice first and foremost. Add to that some garrigue, fresh tea leaf and salumi savour. Sweeter fruit to taste, of watermelon and red apple plus cherry fruit and a slight pith. Pretty intense, inward and impressionistic pinot noir. Drink 2019-2023. Tasted June 2018  dalrymplevineyards  breakthrubevcanada  @DalrympleWine @BreakthruBev  @DalrympleVineyards  @BreakthruBeverageCanada

Bindi Pinot Noir Dixon 2015, Macedon Ranges, Australia (Winery, $85.00, WineAlign)

The Bindi Dixon Pinot Noir is based upon declassified grapes from the Original Vineyard planted in 1988 and grapes from the new Block K, planted in 2001. Crazy horse nose in the way that other varieties of the world will do, or at least try and simulate when they want to be pinot noir. Especially Italian varieties, like nerello mascalese, dolcetto, perricone and montepulciano. This is a natural leader for grape wishes like those of the lesser known. Very wise from the start, from birth, from creation with more savour and salumi then so many wannabe realists. There is a beautiful raw pasta dough note and then an exotica by fruit that isn’t really nameable. If this is the de-class from Michael Dhillon I’d like to meet the classified. Drink 2020-2028.  Tasted June 2018  bindiwines  @Bindiwines  Michael Dhillon

Makers’ cool pinot noir warmth from regional @wineaustralia as explained by the man, @vintagemarkdavo

Wicks Estate Pinot Noir 2017, Adelaide Hills, South Australia (Agent, $25.95, WineAlign)

Lovely balance from the word yes by Wicks in a straightforward pinot noir expression with no agenda and no ulterior motive. It’s very forward, outwardly fruity and if basic, so be it because it really works. Some elevation (450-500m) makes a difference, bringing lift and cool tones to the ripe, sweeter and weighty warmth of magnanimous fruit. Drink 2018-2021. Tasted June 2018 wicksestate  azureau    @azureau  @wicksestate  @azureauwinesandspirits

Yering Station Village Pinot Noir 2015, Yarra Valley, Victoria, Australia (552166, $24.95, WineAlign)

Lifted into appropriate levels of volatility and ripe acidity the balance is struck by wide-ranging Yarra Valley fruit layering away and tempering the tonic coming from the tannin. Big bones and spirit for so little is quite the combination.  Last tasted May 2018

The Yarra Valley is pinot noir, for so many great reasons and Yering Station knows a thing or two about the connection. The brightness of acidity and tart cherry fruit meet with a sour edginess and sweet textural coverings to bring some sunshine to a dreary day. This is Victoria, cool and edgy in the grand scheme of Aussie reds but in the end, very true and correct for varietal and place. Drink 2018-2021.  Tasted June 2018  yeringstation  noble_estates  @yeringstn  @Noble_Estates  @YeringStation  @NobleEstates

Woodside Park Pinot Noir 2016, Adelaide Hills, South Australia (47828, $20.95, WineAlign)

A rush of the juiciest Adelaide Hills pinot noir red fruit plays from the Woodside Park, a wine of breeze and potentially, so many memories. There is an early note of understanding, like a riff that reminds of childhood and in a way how wine knows how it will come to eventually be, even when its still so young. It’s this rustic, old world sensibility, with dried fruit, leathery to cedar forest feelings and a rustic cure. Drink 2017-2020.  Tasted August 2017 and June 2018   #woodsidepark  nicholaspearcewines  @Nicholaspearce_   Nicholas Pearce

Ochota Barrels Pinot Noir Impeccable Disorder 2016, Piccadilly, South Australia (Agent, $99.95, WineAlign)

Impeccable disorder or as I like to call it conventional dysfunction. It’s a late picked pinot noir from one of winemaker Taras’ cooler sights, not so much a regional Piccadilly snapshot as much as realistic dystopian universality. Lifted volatility, pure orange juice and whole bunch pressing add up to wild rides through a flat earth. It’s like seeing things in 3D without glasses or drugs. It’s filmmaking in a glass and it tastes like pinot noir should, not as it does. Wrapped so tight, chewy, chalky and its own tonic-twisted, shaken and stirred cocktail in a glass. Drink 2020-2028.  Tasted June 2018   ochotabarrels  thelivingvine    @TheLivingVine  The Living Vine inc.

Good to go!

Godello

Twitter: @mgodello

Instagram: mgodello

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Hamilton Russell three ways

Olive and Anthony Hamilton Russell at Ridley College

Anthony and Olive Hamilton Russell are tireless wanderers of this earth. When you consider the amount of time they spend travelling in support of one, their eponymous winery, two, their Hermanus friends and colleagues and three, Wines of South Africa, it’s amazing that they are able to find time to produce high quality wines. That they do with great consistency and though they are responsible for interpreting the Hemel-en-Aarde in three ways, in each case they do one or two things and they do it really well.

Hamilton Russell Vineyards works three appellations. The WO of Hemel-en-Aarde Valley is a geological wonder akin to Burgundian soils of 35-50 per cent top soil clay layered with exposed shale, closest to Walker Bay. It is here that Anthony and Olive pioneered the raising of chardonnay and pinot noir. Ashbourne red and white blends are fashioned in the Upper Hemel en Aarde Valley, on the eastern border of Hamilton Russell Vineyards, built of decomposed granite, with freer draining soils and more diurnal temperature fluctuations then the Hemel en Aarde Ridge. The property is named after Anthony’s great, great-grandfather Lord Ashbourne who was Lord Chancellor of Ireland in the late 1800’s. Southern Right is the line of pinotage and sauvignon blanc raised on the western border of Hamilton Russell Vineyards, on a 448 hectare property just behind the old fishing village of Hermanus.

In 1991 Hamilton Russell was the only one producing wines. Now there are 22 in the valley. They began running in 1991 and made full purchase in 1994. A cold current rises up from Antartica into the tip of South Africa’s (Western Cape) “making quality winemaking possible,” explains Anthony. “Our soils have been on the surface for more than 300,000,000 years. I like that you can taste ancient soils in every glass.” Hamilton Russell is what he refers to as their “immediate family.” Southern Right and Ashbourne are close relatives.”

As for varietal choices, there is little doubt that pinotage is (once again) booming while others are dropping. The plantings are very much on the rise. “What people thought was pinotage was badly made pinotage. It’s not a bad grape,” insists Hamilton Russell. We like to control what’s happening on both borders of Hamilton Russell.” So Southern Right (1994) and Ashbourne (1996) are more than just passion projects. “We also want to change people’s perception of pinotage,” he adds. There were no releases between 2011 and 2014, instead it was used as a re-thinking period and a chance to reflect on vineyard/agricultural culture, followed by the new age. “I don’t have a beard, I’m in my 50’s (plus) and I’m doing some pretty hipster stuff. We just don’t look the part.”

I have had numerous opportunities to taste, track, re-taste and follow the chardonnay and pinot noir over the past five years. I often add to my notes because theirs are highly organized, Burgundian powered structures that demand re-visits and respect. The Ashbourne and especially the Southern Right varietals and blends have seen less exposure but the notions of longevity (Ashbourne) and drink-ability (Southern Right) are fast gaining attention.

A few weeks back and post i4C Cool Chardonnay conference I sat down with Wines of South Africa’s Laurel Keenan, Angela Aiello and the South African Wine Society to listen in on Anthony Hamilton Russell’s dissertation and a tasting of eight wines. Here are the notes, plus two for their recently released ’17 chardonnay and pinot noir.

Southern Right Sauvignon Blanc 2016, WO Walker Bay, South Africa (512277, $21.95, WineAlign)

The Southern Right whale is a frequent visitor to Walker Bay and this sauvignon blanc should be a frequent visitor to your glass. It’s a white wine that acts as a messenger to its proximate location to a cold body of water. It’s a pure Western Cape fresh, flinty and smouldering sauvignon blanc so akin to a Bordeaux White. You could close your eyes and imagine Pessac-Leognan (perhaps even hoping for Sancerre or Chavignol) but there really isn’t any need. Six clones and six yeasts, multiple ripeness levels and some clay-grown vines deliver fat fruit to meet the linearity and tension of other shale grown fruit. In the end it’s a complex and rare chance to taste this kind of value. Drink 2018-2020.  Last tasted July 2018

The pungent nature of this sauvignon blanc brings a vigor sight and taste unseen. Classic herbal meets gooseberry and passionate notes are berry-derived and very floral. The palate confirms the notion and makes one a true believer in Walker Bay. Drink 2017-2020. Tasted July 2017   olive_hamilton_russell  noble_estates wosa_za  wosa_ca  @OliveHR  @Noble_Estates  @WOSA_ZA  @WOSACanada  Olive Hamilton Russell  @NobleEstates  @WOSACA

Southern Right Pinotage 2015, WO Hemel-en-Aarde Valley, South Africa (486167, $26.95, WineAlign)

Tasting ’15 while ’17 is already sold out back home. From an opulent and wide open vintage, the wine offers just those expressive attributes. Smokiness meets curative meaty notes and an umami sort of South African garrigue. From a vintage where phenolic ripeness occurred at a higher level of alcohol so it carries a 15 per cent volume, but does so with marked ease. Drink 2018-2021.  Tasted July 2018

Hamilton Russell Ashbourne 2009, WO Hemel-en-Aarde Valley, South Africa (486167, $25.95, WineAlign)

The Ashbourne ’09 includes cabernet sauvignon, cabernet franc, malbec, petit verdot and syrah blended in, “which brings nothing really to the party,” says Anthony Hamilton Russell, “but at least it doesn’t compete with Southern Right.” It’s deeply savoury and smoky, continues to smell like chocolate and will always show its wood. The single-vineyard heavy clay block was always in delivery of fruit ripe but never over that edge, all the while telling its shepherds when to pick so that balance and structure can be had. The linger and length are exceptional. “The variety doesn’t suck.” Truth that. Drink 2018-2024.  Last tasted July 2018

Ashbourne is a 25 barrel cuvée and the outlier in the Hamilton Russell pinot noir-chardonnay stable. With more than enough time behind at eight years on it is essentially evolved and resolved, now a downy blanket of Bordeaux fibres woven, seamless and soft. The fruit dries a bit but like all great aging South African reds the candidly curated acidity is years from relinquishing its grip. Ashbourne is not a matter to blow one’s mind but it teaches some vinous life lessons about Hemel-en-Aarde and the greater good of aged South African reds. It can be enjoyed right now and left for another decade. Like Meerlust’s Rubicon it’s an easy on the pocketbook gift in kind to Ontario from proprietors Anthony and Olive Hamilton Russell. Drink 2017-2024.  Tasted October 2017

Hamilton Russell Ashbourne Pinotage 2015, WO Hemel-en-Aarde Valley, South Africa (486167, $25.95, WineAlign)

It could be expected that this 2015 pinotage blend would already act somewhat to quite advanced when in fact the evolution is virtually non-existent. A side-by-side revisit with 2009 is all that is needed to drive the point. The ’15 is still quite demurred, tightly wound, not in a fresh to reductive way but more in terms of its finely-crafted pyramids of Giza architecture. The acidity and the spice are up there on the crests of the upper steps, very near to the pinnacle. Again it is the way the wine stays with you like a slowly rendered demi-glacé made from the lightest roast of bones that keeps the karst of stone sublime in your mind and mouth. Drink 2018-2028.  Tasted July 2018

Hamilton Russell Ashbourne Pinotage/Cinsault 2018, WO Swartland, South Africa (486167, $25.95, WineAlign)

“We wanted to work with an unoaked pinotage, to mix with a lighter and brighter cinsault.” In fact the cinsault really shines with (by now) classic Western Cape lithe ability because the pinotage allows it to. Add to that a verdant, pyrazine and currant streak and in the end you get perfume but no impenetrability that an overly green and wooded forest would demand. Beautiful (1972 planted) Paardeberg on decomposed granite gifts a chic and classy, perfectly correct blend of these two made for each other varietals. Will settle into one another so effortlessly and with sleepy grace in another year or so. Drink 2019-2024.  Tasted July 2018

Hamilton Russell Ashbourne Sauvignon Blanc/Chardonnay 2018, WO Walker Bay, South Africa (Agent, $25.95, WineAlign)

There can be no more fruit in a white blend than what bursts from this sauvignon blanc-chardonnay scene. Just released in South Africa and carried by Anthony and Olive (Hamilton Russell) on the plane. Chavignol is the reference point, with lightly structured sandstone soils bringing lightness, airiness and delicate fruit. Or think Jim Clendenen’s Au Bon Climat out of Santa Barbara. It’s democratically priced (a Hamilton Russell first) without gratuitous sugar and still dry, tart and direct. Also the first screw-cap for the company. Bottled just three weeks ago. Drink 2018-2020.  Tasted July 2018

Hamilton Russel Vineyard Chardonnay 2017, WO Hemel-en-Aarde Valley, South Africa (931006, $44.95, WineAlign)

A Hamilton Russell chardonnay must have its nuts, butter and über direct acidity. It just may remind of Bâtard perhaps because depth, richness and a ridges-straddling connection to the valley it comes from all work in this way. But what else brings that connection? In 2017 it’s elegance for sure, but also intensity. This 36th vintage is “a reflection, always of the same piece of ground, even if we are always insecure and trying to improve, it’s a far bigger thing than we are. We feel justice to serve it. We feel we have a duty to this.” This is what Anthony Hamilton Russell told me last year and it perfectly applies to this 2017. Back then he noted that “god made the 15s and winemakers watched. In ’16 winemakers made the wine.” So what about ’17? With heady attention paid to its eccentricities and idiosyncrasies, it’s really a matter of both. Drink 2019-2026. Tasted twice, July 2018

Hamilton Russel Vineyard Chardonnay 2016, WO Hemel-en-Aarde Valley, South Africa (931006, $44.95, WineAlign)

Says Anthony Hamilton Russell. “It took the French to teach me not to care about the colour of chardonnay, but to only worry about flavour and texture.” Fermented with a healthy amount of solids and introduced to oxidation in its youth. This helps and results in a chardonnay well-adjusted to adult life and to adults. “You cannot measure an aesthetic with a number,” meaning you can’t learn from a measured response. Literally speaking. The balance is as good as this archetype of an HR white has ever been. It is after all, the HR white.  Last tasted July 2018

No stone is left unturned in the Hamilton Russell 2016 chardonnay because it speaks with utmost Hemel-en-Aarde Valley clarity. There is less make-up in 2016 so the fruit, acidity and subtle salty quality all must have begun to speak from the word go. The first pressed, non-clarified must would have done nothing but made the maker’s smile, mimicking a foggy morning over Walker Bay and so they have allowed the wine to speak for itself. This is a beautifully restrained and go it alone rendered to be measured chardonnay, with beauty and grace. Drink 2017-2022.  Tasted September 2017

Hamilton Russel Vineyard Pinot Noir 2017, WO Hemel-en-Aarde Valley, South Africa (999516, $58.95, WineAlign)

’m not sure it can be stated often enough that when you continually do one thing well, without compromise or mutation, than you’re more likely to do it very well. This is the case with a Hamilton Russell pinot noir, the only one that is produced. From the best fruit available and swinging in the direction of the vintage, either into or away from the winds of vineyard or winemaking. The 2017 is like the chardonnay in that it’s a best of both worlds seasonal and acumen-focused display, neither one or the other dominant and in the end, so balanced. The fruit depth is exceptional, the acidity deeper still and the intensity wound around it all. It’s so precise and layered, like a pinot noir prism, like staring far inside the intricate and symmetrically patterned angles in a diamond. Drink 2019-2028.  Tasted July 2018

Hamilton Russel Vineyard Pinot Noir 2016, WO Hemel-en-Aarde Valley, South Africa (999516, $58.95, WineAlign)

“We believe in wines of consequence.” How pinot noir is capable of performing in South Africa can be defined right here, with a wink and a nod to Gevrey-Chambertin. Pure unbridled Hamilton Russell cerebral joy, nothing taken for granted and all possibilities celebrated.  Last tasted July 2018

This welcome ethereal return of Hamilton Russell’s Hermanus benchmark pinot noir follows on the heels of the early-picked, dense, muscular and compressed 2015. Comfortable alcohol meets optimum phenolic ripeness so lets think on it in terms of ’08 burgundy, though perhaps not as tight and classic. This is the second fully organic vintage, not certified but with no systemic use of chemicals. Young (just last year turned 30) winemaker Emul Ross from Chamonix and viticulturist Johan Montgomery have reverted to gentler pressing and travelled further away from hyper-reduction. Open fermenters handle the entire pinot noir harvest at once so there is nary a posit tug of war or movement at shock times. Thus the elegance and as mentioned, the ethereal. It should always be noted that all the HR grapes go into these wines, with no tactical moves and philosophical aberrations (any more), no reserve wines, no single-vineyard, no divergence from monopole, always staying the broad expression course. “We committed to this in 1981 and other than experiments, we’ve stayed this way,” says Anthony Hamilton-Russell. There is simply no plot, block, aspect, top, middle or bottom slope separation. It’s pinot all in for one purpose, fully conjoined and conspiring to make the Hamilton Russell expression. This expression, of pure fruit, no drudgery, clarity and exceptional length. Drink 2017-2029.  Tasted October 2017

Olive and Anthony Hamilton Russell at Ridley College

Good to Go!

Godello

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