Seventeen mind-blowing wines of 2017

No, wines do not have to be old to blow your mind but there is just something so mysterious, magical and hypnotizing about the experience of age in preservation. When we use the cliché “tasting history” it distracts from what is most poignant about tasting older wines. It’s the humbling and how wisdom, acumen and meteorological circumstance conspire to take us away from our troubles, to forget about life for a while and to realize that forces greater than us are truly in charge.

There are also young wines so precocious and wise beyond their years that they somehow intuit the future. These too can blow our minds, addle us as if lovestruck and disoriented so that only this confluence of smell, taste, texture and structure are what we know. It takes all kinds to populate a list that separates greatness from the rest, but that does not means only 17 wines were tasted to be extraordinary in 2017.  It means that some struck a vein while others grazed on the skin. Most important is that all were experienced because someone chose to share them. Thank you to the producers and the benefactors for bringing these bottles to light.

Related – 16 mind-blowing wines of 2016

Honourable Mentions

Château Haut-Brion 1986, Saffredi 2004, Brokenwood Sémillon 2007, Domaine Gros Frères Clos Voguent Musigni 2013, M. Lapierre Morgon 2010, Domaine G. Roumier Bonnes-Mares Grand Cru 1996, Domaine Jamet Côte-Rôtie 2006, Coppo Barbera d’Asti Nizza Riserva della Famiglia 2009, Le Fraghe Bardolino 2015, Sordo Barolo Riserva Gabutti 2006, Carobbio Chianti Classico 1990, J & J Eger Kékfrankos 2006, Château Léoville Las Cases 2001, François Cotat Chavignol Sancerre Rosé 2009, Domaine La Vieux Télégraphe Châteauneuf du Pâpe La Crau 2005, D’Arie Syrah 2012, Julia Bertram Handwerk Spätburgunder 2015, Planeta Carricante Eruzione 1614 2015, Dominus 1994, Château Lafite Rothschild 1998 and Esmonin Gevrey-Chambertin Clos Saint-Jacques 1993.

Several times a years I gather with groups of like-minded, wine-spirited folks, to break bread and to pop established icons, singular archetypes, varietal rarities and supernumerary misfits. Many of the wines on this 2017 list are a result of having been fortunate enough to be included in repeated repasts with pirates on picnics and doctors at dinner.  Most of the rest are travel related, in fact this year alone I tasted approximately 700 sangiovese, 200 barbera, 200 corvina and 100 nebbiolo. So many more of those praiseworthy reds and rosés deserved spots on this docket but alas, the list is short. I do not fulminate them, nor you neither. Here are Godello’s 17 mind-blowing wines of 2017.

It began like this and I got 15 dollars hid above the stove.

Möet & Chandon Dom Pérignon Vintage Brut Champagne 1990, Champagne, France (280461, AgentWineAlign)

Tasted blind the hue immediately leads the mind in one of two directions; hot vintage or decades of age. I’m tempted to consider a combination of the two, so the decision is warm vintage and a minimum of twenty years age. Further introspection takes me back to 1990 and when the reveal confirms this and in the abide of Dom Pérignon it means one thing. Start the process of thinking again. This wine has done its work, having accumulated a diverse set of developmental traits and processed them so that the language it now speaks is clear and pure. At 27 years of age it’s delicate, smooth, soft-spoken and settled. The finest golden toast (again in hue and more importantly in aroma) glows into the creamy texture, like preserved lemon transformed into gelid curd. The mouthfeel is exceptional with baking bread rising, puffy and satiny glazed across the palate. The seamlessness of this Champagne seeks, solicits and makes rendezvous with no peer or challenger its equivalent, not should any comparison be made. Kudos to a wine that stands on its own and makes you feel this good. It will continue to do so up to and perhaps beyond its 40th birthday. Drink 2017-2030.  Tasted March 2017  moetchandon  @chartonhobbs  @MoetUSA  @ChartonHobbs  @Champagne  Moët & Chandon  Charton Hobbs Canada  Champagne

Famille Picard Saint Aubin Premier Cru Le Charmois 2014, AOC Bourgogne (522078, $57.95, WineAlign)

This is a chardonnay to place the village of Saint Aubin in a remarkable light if only because it’s the most stony, flinty and tightly wound example just about ever. The Charmois is the elevator that carries the appellation into a purity of climat for Bourgogne Premier Cru. In this case terroir delivers the idea of Climat but it is the interaction of the maker that defines the notion simply because there is no mess and no fuss. It just feels like drinking straight from a bleed of the calcareous land, as might happen in a limestone goblet filled with Montrachet. You have no idea how good a deal this is from the most excellent 2014 vintage. Drink 2019-2028.  Tasted October 2017  domainesfamillepicard  profilewinegroup  #bourgognewines #FamillePicard  @ProfileWineGrp  @BourgogneWines  Domaines Famille Picard  Profile Wine Group  Bourgogne Wines

Domaine Bouchard Père & Fils Chevalier Montrachet Grand Cru 2015, AOC Bourgogne (Agent, $480.00 WineAlign)

Chevalier-Montrachet is a matter of aromatics, of the finest of the finest, preserved, reserved, impressionable and of quietly powerful impression. The deistic and the parrhesiastic are reached in this Grand Cru, “one who speaks the truth to power.” Elysium in chardonnay is captured for the perfectly ripe orchard and crushed stones. The young palate is almost severe but takes its first steps down the most ethereal path, with the finest drawn lines and rendered streaks of energy lit, sparked and smouldering. This is Bourgogne of intrinsic value, slowly rising to a crescendo where a flame flickers but within the sheltered lamp of a hurricane. How is such harnessed power even possible? Only like this, in Chevalier-Montrachet . Drink 2021-2037.  Tasted April 2017  bouchardpereetfils  woodmanws  vinsdebourgogne  @BouchardPere  @WoodmanWS  @VinsdeBourgogne  Bouchard Père & Fils  Woodman Wines & Spirits  Vins de Bourgogne / Burgundy wines

Domaine Sigalas Kavalieros 2015, Santorini, Greece (SAQ 11814421WineAlign)

I’ve not yet tasted the Kavalieros 2014, so this single-vineyard, 18 months on lees done in stainless steel Kavalieros 2015 made by “Mr. George” is the benchmark for Santorini, assrytiko and salty white wines everywhere. The first release was 2009. Straight up and turning the world on its head, like the old man on the label and upside down against Apollo’s Aegean Cyclades. This ’15 richer still, more than the seven villages wines and a hyperbole as compared to the entry-level assyrtiko, of deeper mineral, compressed, layered and fantastic. Crushed rocks permeate in aggregate, it’s quixotically saline and textured, of intense presence and finally, structured. For 15 years at least. A late shot of natural Santorini tonic swirls in centrifuge with assyrtiko so wound up. This will need 10 years to unwind and allow for cracks to form in the mineral shell, followed by the birth of its fruit. It should never be forgotten that assyrtiko can and will show fruit but with Kavalieros you’ll have to be patient. Drink 2020-2031.  Tasted March 2017  @DomaineSigalas  @MajesticWineInc  winesofgreece  domainesigalas  @MajesticWineInc  @DrinkGreekWine  @DomaineSigalas  Panayiota Kalogeropoulou  Wines of Greece

Penfolds Grange 2011, South Australia (356121, $750.00, WineAlign)

There is just something about cool, rainy and irreconcilably regarded vintages that brings out the best in wines made by winemakers of elite acumen. Deliver your best from the greatest of harvests but also “give me your tired, your poor, your huddled masses yearning to breathe free. The wretched refuse of your teeming shore.” Leave the middle of the road to someone else. This Grange faced adversity and won. The yields and output may only be 50 per cent of normal but what gives is the silky texture of Grand Cru Bourgogne. This chosen one of singular vision to represent the multi-tiered and faceted Penfolds Estate tells us about the world inhabited by the instinctual and the ethereal. It combines tannin, structure and aesthetic deeply engrossed in the shadow of its own looming destruction, but is designed from the first with an eye to its later existence as a ruin, forever preserved. If a perfect plum and a magical olive were crossed they would welcome this collective spice of no equal. The quality of bite and chew lead to rumination and the savour rests on a chart clearly defined but in high contrast and only to itself. An analgeisc meets hypnotic cooling is mentholated though if not specific in origin it is only and highly natural. Legendary vintage? Why not. This calm, cool and collected 2011 may just outlast some of the more recently considered top vintages of ’06, ’08 and ’10. Drink 2019-2035.  Tasted May 2017  penfolds  markanthonyon  wineaustralia  @penfolds  @MarkAnthonyWine  @Wine_Australia  Penfolds  @MarkAnthonyWine  Wine Australia

A deep #eredichiappone vertical delve with Daniele for perspective and a release of endorphins @ilNizza possibilities #progrettovini #collisionimonferrato

Erede Di Chiappone Armando Barbera D’asti Superiore Nizza DOC RU 2006, Piedmont, Italy (WineAlign)

RU by Daniele Chiappone is this, at first something altogether inexplicable but when tasted alongside his 2005, 2010 and 2011 it makes such perfect sense. Sense in where this fits in his evolution and to speak on behalf of the age-worthy ability of Nizza barbera. In a world where barbera perfume so often performs with perfunctory brevity this goes on and on. It is a unique combination of fennel frond, incense, hibiscus and violet to create an intoxicant and an anaesthetic. Yet another exceptional vintage is revealed, traditional and so alive, spun from earth crusting over cherry and then this smooth leather. The portal backwards 10 years allows for looks forward 10 more, especially into what’s coming from 2015 and 2016. To say the match with a prodigiously spiced in aromatic ragu over linguine was agreeable would be the understatement of the Monferrato century. Perfectly timed acidity seals the deal. This is barbera folks, of wit, age and history. Drink 2017-2021.  Tasted July 2017  erededi  ilnizza  @erededi  @ilNizza  Erede Di Chiappone Armando  IlNizza

Robert Mondavi Reserve Cabernet Sauvignon To Kalon Vineyard 1999, Napa Valley, California (WineAlign)

This from a time when Mondavi labeled the reserve cabernet sauvignon as “To Kalon Vineyard,” a moniker of essential meaning that would return 14 years later on the 2013 bottle. If this were what Mark de Vere referred to as “a confusing moment in history” I could not say but “this strange bottling” provided an unequivocal and seminal turning point in this wine’s storied past, present and future. It was in fact a small, special cuvée, a little bit different than the ’99 Reserve. “The coolest vintage on record, until it wasn’t,” because of a warm period at the end of summer and early fall that ushered forth a certain, singular sort of ripeness. Regardless of memories, characterizations and twists of fate, this single-vineyard cabernet is as finessed, focused and precise as any Mondavi Reserve. It persists chalky, fine and gritty in tannin running amok, dragging the acidity forward and around. The workout is something to behold, a dispatch of late Napa fashion and never more successful than right here. The dépêche mode of To Kalon is by now famous but culminated with this ’99 for everything to follow, with consistency and a guarantee of modern quality. Listen to it croon “try walking in my shoes.” Many have and many continue to pay homage to this Napa Valley originator and pioneer. It’s a cabernet sauvignon of faith and devotion. Drink 2017-2029.  Tasted May 2017  robertmondavi  @RobertMondavi  Robert Mondavi Winery

Quilceda Creek Cabernet Sauvignon 2003, Columbia Valley, Washington (Agent, WineAlign)

A truly remarkable nose, notably violets and peregrine species of spices. There is so much perfume and beauty, an Aishwarya Rai Bachchan nose and then there is the fruit. Blackberry, Cassis then into vanilla, scented happiness like ruby red grapefruit and bergamot. If it should have aged I can’t say but it’s still a voluminous and voluptuous thing to sip. It blinds like first Growth Bordeaux with its perfect extraction. Thoughts keep at it, to blueberries, cigar box and Kirsch. The tannins are sweet and gritty, not fully resolved and imagine Margaux. You could consider taking out a mortgage on yours and your neighbour’s house for this one. It was one of many great reds tonight but I’ve just tasted this. And I wept. Drink 2017-2024.  Tasted March 2017  @QuilCreekWinery  @thevineagency  winesofwashington  wa_state_wine  @QuilCreekWinery  @TheVine_RobGroh  Quilceda Creek Vintners  @WINESofWA  The Vine – Robert Groh Agency  Washington State Wine

A great honour to taste this 1995 #carobbio #leone and in memory of #carlonovarese Thank you Dario and Silvia. Would like the chance to do it again in 22 years #toscana #sangiovese

Tenuta Carobbio Leone 1995, IGT Toscana, Italy (WineAlign)

Leone 1995 was made under the auspices of the Vittorio Fiore-Gabriella Tani oenology stylistic for Carlo Novarese. To say that this single-vineyard sangiovese is youthful would be the biggest IGT understatement of the century. From vines that at the time were 25 years-old, Leone is not just a survivor of a universally-declared incredible vintage, it is a singular expression from 1990’s Tuscany, in Chianti Classico and for Panzano. The violets, dried espresso and plum-amaretti semifreddo (savoury, not sweet) mixes with fennel frond, fresh rosemary and the 20-plus years lingering Carobbio tobacco. The acidity is fully intact, still travelling up and down the sides of the tongue, repeatedly and soliciting so much savour, sapidity, a desire for a mouthful of hematic, rare sear of Claudia’s beef filet and then more and more sipping. After 20 minutes the aromatics deliver a raspberry purée and even a black olive and mineral-saline, short of briny caper into the fray by stroke of some aromatic brush and bush in the light afternoon wind. That’s enough. I’m not sure my heart can take any more. Time for Vin Santo. Drink 2017-2029.  Tasted February 2017  carobbio_wine  chianticlassico  @Tenuta_Carobbio  @chianticlassico  Tenuta Carobbio  Chianti Classico

In @chianticlassico mano nella mano 1986, @fontodi #vignadelsorbo & #flaccianello thank you Giovanni Manetti for sharing these two opposing forces of the Tuscan paradox #chianticlassico

Fontodi Flaccianello della Pieve 1986, Tuscany, Italy (WineAlign)

Flaccianello in 1986 is actually though not surprisingly so different from Vigna del Sorbo, more than any other reason because of the cabernet sauvignon, but in a more philosophical way, because they have built a paradox, from the Super Tuscan ideal in revolution. Now the sangiovese going forward will be the most important and also the best wine, like looking back at this 1986, OK, not better than Sorbo but purer, honest, a clearer picture from which to learn from and ultimately a model for the future. Beautiful power, restraint, structure and yes, the kind of wine that deserves to be praised with the term elegance, overused, or not. Perfectly rustic, earthy and full of fruit with its accompanying complimentary, enervating and necessary acidity. Drink 2017-2023.  Tasted September 2017  Fontodi  chianticlassico    @chianticlassico  Chianti Classico  Az. Agr. Fontodi

Cortonesi La Mannella Brunello Di Montalcino Riserva 2010, Docg Tuscany, Italy (Agent, $202.95, WineAlign)

There are few Brunello vintages afforded more attention in the last 10-plus, certainly ’04 and ’06, increasingly better even from ’08 and looking forward towards what greatness will come in 2015. Yes but not solely magnified through the lens of patience and bottle time, from 2010 La Mannella has coupled upon and layered over itself like compressed fruit and puff pastry. Though it begs for drink now attention, another seven years will be needed before it can safely be labeled as uncoiled and to reveal all that is wrapped so tight. Rich is not the operative but unmistakeable as Cortonesi it is; that natural clay soil funk of resolution and fully hydrated chalk. This is to sangiovese as Les Preuses Grand Cru Chablis or Rangen Grand Cru Alsace are to Riesling. It carries in its pocket the absolute meaning and genetic responsibility of where it comes from, with a curative and restorative ability to get you lost. Drink 2019-2031.  Tasted February 2017  marcora85  nicholaspearcewines  brunellodimontalcino  @LaMannella  @Nicholaspearce_  @ConsBrunello  Tommaso Cortonesi  Nicholas Pearce  Consorzio del Vino Brunello di Montalcino

Maison Roche De Bellene “Collection Bellenum” Grand Cru Clos De La Roche 1998, AOC Bourgogne, France (Agent, $364.95, WineAlign)

Clos de La Roche 1998 may be 19 years old but you have to swirl the britches out of this Grand Cru because reduction persists in its make-up. Once you work your way over the wall a field of wildflowers and a roses bouquet lays out as far as the nose can mind’s eye. This is pure candy in its most arid, blessed and gout de terroir way. It is as charming as Burgundy can be and yet so fine of tannin, tight and duplicitously-grained in clone upon itself. One of those wines so difficult to put to words because it teaches and you can do nothing but listen. I’d still want to wait two more years, maybe more, before knowing I’ve waited long enough. Close de la Roche speaks to me but to answer with any real credibility and respect I will need to think some more. Drink 2019-2035.  Tasted February 2017  domaine_de_bellene  nicholaspearcewines  vinsdebourgogne  @RochedeBellene  @Nicholaspearce_  @VinsdeBourgogne  Bellene  Nicholas Pearce  Vins de Bourgogne / Burgundy wines

Not just #meerlust more like major lust. Thank you for the sexy time travel @meerlustwine Laurel Keenan and The South African Wine Society.

Meerlust Rubicon 1984, Wo Stellenbosch, South Africa (WineAlign)

Meerlust dates back to 1693, the house that is “love or pleasure of the sea.” Less than five kms south from the Atlantic Ocean, the property was purchased in 1756 and to this day remains family owned, now in its eighth generation with 260 years of continuity. Rubicon 1984 is poured (with brilliant decision making) from magnum and is therefore fresher than the 1996 with an incredibly controlled level of fineness in tannin, from acidity and at the threshold of understood volatility. “Perhaps one did not want to be loved so much as to be understood,” like this early Rubicon. The future of Meerlust is foretold with Orwellian transparency, bold honesty and expert ability. “Who controls the past controls the future.” Drink 2017-2019.  Tasted September 2017  meerlustwine  wosa_za  wosa_ca  liffordgram  @MeerlustWine  @LiffordON  @WOSA_ZA  @WOSACanada  MEERLUST ESTATE  Lifford Wine and Spirits  Wines of South Africa

Boscarelli Vino Nobile Di Montepulciano Riserva 1982, Tuscany, Italy (WineAlign)

The Boscarelli acts like a much younger Nobile, from an exceptional vintage and a producer way ahead of its time. The key is to decide which side of the evolutionary fence we’re on, closer to that 1967 from Contucci or to what is happening today. This may actually be the turning point for Vino Nobile because it really has one foot entrenched in each world. Very much in the mushroom and truffle aromatic atmosphere, where sangiovese should feel free and comfortable to travel in the twilight of its golden years. This is beautiful, with some dark fruit persisting and acidity still in charge. You can imagine the old tannins but they no longer make any demands. Drink 2017-2020.  Tasted at Anteprima del Vino Nobile di Montepulciano 2017, February 2017  #PoderiBoscarelli  lucadeferrarildf  artisanal_wine_imports  consorzionobile  #poderiboscarelli  Nicolò De Ferrari   Luca De Ferrari  @artisanalwineimports

Antichi Poderi Dei Marchesi Di Barolo Gia’ Opera Pia Barolo 1958, Piedmont, Italy (WineAlign)

Poured by Ernesto Abbona on his wife Anna’s birthday, a ’58 at the ripe old age of 58 (though it will turn 59 later this year). Simply, in the words of the Abbona family, “a special evening, special friends, special vintage,” with a cork that looks as good as new, though Ernesto takes great time and care in its extraction. The aromas are blessed of a collective umami but would better be served by a new descriptor because they are antediluvian and impossibly preserved. Forget mushrooms and truffles. These scents are brand new, with no truly identifiable frame of reference, as if plucked from some guise of Eden where never before tasted dark berries fall effortlessly into the hand off of gariga savoury-scented bushes, brambly and crawling intertwined with nasturtium on a composting forest floor. The 1958 was and still is a nebbiolo of struttura, of a fibra morale that tells a story of consistency and longevity. With air it became more complex if deeper and turbido. That this magical nebbiolo from another era hovered in the lasting air of a 30 minute long ethereal says that you could open a few more but perhaps not much beyond its 60th birthday. Drink 2017-2018.  Tasted July 2017  marchesibarolo  majesticwinesinc  @MarchesiBarolo  @MajesticWineInc  @marchesibarolo  Majestic Wine Cellars

The mythology of #thorle #riesling in Beerenauslese and Trockenbetenauslese #weingutthörle #gabsheim #rheinhessen #holle

Thörle Riesling Trockenbeerenauslese Hölle 2011, Rheinhessen, Germany (WineAlign)

The Hölle TBA 2011 is a minuscule 180 bottle single-vineyard production and the vintage was simply perfect for the effort. The process involved the collection of a few berries at a time over the course of three weeks, started in the fridge and was then pressed when the amount of approximately 100L could be obtained. “This is the king’s discipline for creating such a riesling” explains Christoph Thörle. Thick like honey, full of unctuousness and viscosity. It is expressly noticed how the colour and the development have not advanced considering the six year mean. The exoticism is what separates this, with fruits far east, creamy and perfectly easy to assimilate, in flavour, consistency and understanding. Sweet herbology, of thai basil and thyme and candied mandarin rind. Here, a piece of history and legacy from Christoph and Johannes. Drink 2021-2041.  Tasted March 2017  thorle_c  thorleestatewinery  univinscanada  @thoerle  @UNIVINS  @germanwineca  @gen_riesling

Will be a top ’17 from 2017 #louisguntrum #1976 @weininstitut #rieslingauslese #niersteiner #heiligen #nierstein #niersteinamrhein #roterhang

Weingut Louis Guntrum Riesling Auslese Niersteiner Heilibengaum 1976, Rheinhessen, Germany (WineAlign)

“Roter Hang is a geological statement” says Louis Konstantin Guntrum. If you want to hang around and try to understand its red soils and friable limestone fettle it requires a focused state of mind. Guntrum introduces this 1976 by saying “it’s a young guy, 40 years old,” the same thing he could have said years ago about a 1917 Roter Hang Riesling. The comparative studies is a matter of perspective, a theory of relativity, in reduction, colour, drama, florality and fabulousness. While certain vintages and specific wines will blow you away more than others there is something to be said about older just being more interesting, whether 1917, 1976 or whatever back vintage you want to try your luck with. It’s simply remarkable and crazy how sugar and acidity can preserve riesling like this, especially and/or truly withstanding the Roter Hang. The honey and candied orange blossom are so prevalent but it almost seems dry (relatively speaking) even though 100 grams or more of sugar have driven this wine. Beauty from bitter phenols blend with lanolin, paraffin, ginger and ginseng. Keep returning for 15 more years. Drink 2017-2031.  Tasted March 2017  #louisguntrum  @weininstitut  wines_of_germany  @LouisGuntrum  @WinesofGermany  Weingut Louis Guntrum  German Wine Institute i.e. Wines of Germany

\

Good to go!

Godello

Twitter: @mgodello

Instagram: mgodello

WineAlign

 

En route to Mondavi

Godello at Mondavi, February 2016 @CalifWines_CA @CBrandsCareers

I’m feeling a Mondavi shiver and a To Kalon shimmer coming on. Another anticipatory Mondavi experience is looming, a next week return venture to the iconic and archetypal Napa Valley winery. This will be my third deep delve into the wines of Robert Mondavi spread out over the past 15 months, after a February 2016 California visit and a June VINTAGES 50th Anniversary structured tasting and dinner. I thought it might be me that was the one getting around but clearly it’s the other way around.

THIS VINEYARD STOOD HEAD AND

SHOULDERS ABOVE THOSE AROUND IT

“The extraordinary quality of this wine originates in Napa Valley’s generous terroir. When I taste this, I’m reminded why Cabernet Sauvignon is the varietal on which Robert Mondavi built his reputation.” These are the comments of Genevieve Janssens, Director of Winemaking. I’d hedge my bets that Fumé Blanc should also fall under the auspicious umbrella of such a statement. Mondavi turned the ideal into copyright and it should be argued that Napa Valley Sauvignon Blanc would not be where it is today without the farming, research and development put in by generations of the Mondavi team.

Mondavi @CalifWines_CA @CBrandsCareers — at Robert Mondavi Vineyard.

No matter the varietal, the To Kalon Vineyard is where it all stems from, the rib from which the eponymous winery was born and the subsequent 50 years of wines that have comes from those storied vines. In 1966 Mondavi chose To Kalon as the epicentre of what would turn out to be a great big winemaking universe. “It was a vineyard with a distinguished history and a magical nature, ” he wrote. “Ideal soils, sunlight and rain – to my eye, the vineyard was a treasure.” Five decades of Fumé Blanc have sprung, along with more than a hundred renditions of Cabernet Sauvignon.

During that February 2016 visit we tasted through Napa, Oakville and Reserve Fumé Blanc and Cabernet Sauvignon. Carneros Pinot Noir and To Kalon Vineyard bottles were poured in the Margarit Mondavi Vineyard Room at dinner prepared by Chef Jeff Mosher, including the 1998 Cabernet Sauvignon Reserve.

Lorenzo Loseto predeliction @georgeonqueen Lobster, asparagus, quinoa, brioche #umami

Last June Mark De Vere MW led a masterclass in celebration of Mondavi’s 50th anniversary. The line up was outstanding bordering on ridiculous. Vintages of Cabernet Sauvignon starting at 2012 and going back through 2007, 1996, 1995, 1994, 1980 and 1975. The VINTAGES sponsored event and dinner at George Restaurant was prepared by the predilection of Executive Chef Lorenzo Loreto.

With 50 years of To Kalon and a specialized certification program up next, there is no better time than the present to publish these notes on 16 Mondavi wines tasted during these recent events and a few others that have found their way through the VINTAGES release program. Here they are.

Feeling a #mondavi shiver and a #tokalon shimmer #50thanniversary @RobertMondavi #markdevere

Robert Mondavi Fumé Blanc 2015, Napa Valley, California (SAQ 221887 $22.95, WineAlign)

The landmark 2015 is the culmination of five Mondavi decades spent elevating and differentiating sauvignon blanc, now in the its 50th vintage. The name fumé blanc and Mondavi are synonymous with one another in unequivocal signature, identical twin, trademark, signature fashion. Not just for Oakville, Napa Valley and California but anywhere and everywhere. You can throw in benchmark, Fodor’s or Lonely Planet guide, dictionary entry or whatever moniker you like. Mondavi’s is all this and in 2015 at its richest and adroitly balanced best. The nose is all ripe orchard fruit from seed to stone and the palate full of texture, acidity and length. The flavours repeat the apple-pear-peach-plum fodder with great tang and near-essential aridity. Great vineyards produce great sauvignon blanc and the rest is history. Drink 2017-2021.  Tasted February 2017

Robert Mondavi Fumé Blanc Oakville 2013, Napa Valley, California (SAQ 13119254 $32.00, WineAlign)

The Oakville fumé blanc is a To Kalon gathering, the vineyard that surrounds the Robert Mondavi Winery. With so many “highest beauty” offerings it’s hard to keep track but this qualifies for the distinction with as much respect as any in the ever moving squall of the portfolio. Here from the geographic mean of the valley, a benchmark Bordeaux blend in bench abutment, composed of 89 per cent sauvignon blanc and (11) sémillon. This is only the third vintage and once in cohorts you note the elevated toast, struck flint and smoke. More citrus involves the senses, something almost rare for Napa Valley, in this way. With time (and please be encouraged to hang out for a while) the butterscotch joins the fumé party. The increased tense intention translates to excellent length. The sémillon makes a statement into the nicely bitter finish, with weight, stoicism and certainly the great potential for age. By way of comparison to the Napa Valley bottle there are 5,000 cases of this Oakville. Drink 2017-2022.  Tasted February 2016

Robert Mondavi Winery Reserve Fumé Blanc To Kalon Vineyard 2012, Napa Valley, California (SAQ 225599 $44.75, WineAlign)

The To Kalon Vineyard Reserve produces 2500 cases (in a big year) and 2012 topped out at 1700. The vintage delivers more green apple and elastic elegance so good luck in your search for reduction, flint, toast and smoke. You should look to 2013 for such a deferential stylistic and make plans to embosom the two side by side 10 years onward. This is mostly sourced from the 1959 planted Robert’s Block within the larger vineyard, primarily gravelly and well-draining with some alluvial soil edged against the Mayacamas Mountains. The spice here is exceptional, with some anomalic Napa Valley mineral tang afforded by the sémillon blended into the sauvignon blanc. Drink 2017-2023.  Tasted February 2016

Robert Mondavi Winery Reserve Chardonnay 2014, Napa Valley, California (492124, $44.95, WineAlign)

There is a richness defined in a Mondavi chardonnay that goes beyond the simple fact that the fruit is Carneros in origin. It’s a luxe composition because of that terroir and also because winemaker Genevieve Janssens is painfully shy to let the fruit speak on its own behalf. The crux and the key lies and turns right there because this is a Mondavi wine. Just as it is always noted with fumé blanc, chardonnay too develops this obeisant disposition, full of emotive ability and perhaps not exactly what you are want to expect, varietally speaking. This is singular for Carneros chardonnay and it’s all Mondavi. It’s both country kitchen in weekend baking mode and a walk in the ripening orchard. It’s a starred Michelin kitchen in baking fury, with a multiplicity of sugars caramelizing overtop a myriad of ramekins welling with tropical fruit. Finally, it’s a Mondavi acidity, elevated and integrated. It’s good chardonnay. Drink 2017-2022.   Tasted April 2017

Robert Mondavi Pinot Noir Reserve 2013, Carneros, Napa Valley, California (SAQ 10219840, $60.50, WineAlign)

Some wise old conditioned and character building vines go into Mondavi’s pinot noir, “purchased from people who have better fruit than we do.” The Hyde Vineyard (40 plus year-old vines) and Rancho Carneros (which includes vines planted in 1979) bring the southernmost windswept part of Napa Valley into the pinot mix. This is optimum extraction in hyperbole, of fruit that runs the gamut from red to deeply dark. It is nothing if not a rich, concentrated and intensely flavourful pinot noir. There is a measure of stuffing to see it drink this way for at least five years from release. Drink 2016-2020.  Tasted February 2016

50th anniversary @RobertMondavi @LCBO #VINTAGES tasting @GeorgeTO #constellationbrands #cabernetsauvignon

Robert Mondavi 50th Anniversary Maestro Red 2013, Napa Valley, California (459933, $60.00, WineAlign)

Maestro the proprietary blend endows another legacy building notch onto the Robert Mondavi name. This is accomplished through the tenets of wisdom in winemaking as an extension from historic estate vineyards. To Kalon is always the rock and in order to make this 50th Anniversary blend there were sources drawn from throughout Napa Valley though mostly from the Stags Leap District. Merlot (59 per cent) is the pillar with cabernet franc (25), cabernet sauvignon (7), petit verdot (6) and malbec. It’s a true five varietal Bordeaux-styled affair with classic Mondavi elevated pH and acidity. The concept is taken from the image of Robert Mondavi as the maestro of the orchestra and of greater Napa Valley. The liquor of merlot provides the base wine, joined dusty and injected with power by jolts of espresso. It’s an interesting 50th anniversary choice of voice, antithetical to the dominant cabernet sauvignon reds that Mondavi is so famous for and the varietal he staked his reputation on. But rich and velvety helps the cause and the result. Drink 2017-2022.  Tasted June 2016

Robert Mondavi Cabernet Sauvignon 2013, Napa Valley, California (255513, $37.95, WineAlign)

The aridity of 2013 has now translated into some lovely development in bottle that trials and tribulates with its wealthy pool of rich, ripe and silky chocolate texture. Such a typically reasoned Napa Valley explanation with 47 years under its increscent belt. Serious tannins need five years to seek settlement and to carry structure for to build a home for the ripe fruit. At 14.8 per cent alcohol there is much to fuel and keep the abode bathed in warmth, along with American oak in pancetta ooze, augmented by smoke and spice. Chewy and huge. Drink 2018-2024.  Tasted twice, February and June 2016

Robert Mondavi Cabernet Sauvignon 1996, Napa Valley, California (459883, $73.00, WineAlign)

This 1996 is the 30th anniversary bottling at 20 years-old showing with impossible structure and beautiful possibilities still lay ahead. Though expecting it to push through to its 30th birthday is overly ambitious it will drink just like this, with freshness, bright red fruit and pitch perfect acidity for at least three more years. The pleasure it currently brings suggests this is what was meant to be, by design, of great fortune or just plain luck, so get it while it rests in this ethereal state. Those who paid nothing for it early on were the wisest of the wise and also lucky. This Mondavi ’96 would be a Left Bank killer in a Bordeaux blind tasting, teasing as it does with whiffs of Cassis and tobacco, plus a fortune in subtle perfume. The finish brings a note of baked bricks, almost like nebbiolo but the structure is all cabernet sauvignon. Drink 2016-2019.  Tasted June 2016

Robert Mondavi Cabernet Sauvignon 1994, Napa Valley, California (459867, $73.00, WineAlign)

From a cool, oft times wet vintage with an elongated ripening season the under appreciated, under-valued and underestimated cabernet sauvignons of Napa Valley continue to get their say. This Mondavi ’94 will not be denied its voice, showing harmonious parts in symphony, of power, grip and elegance from To Kalon Vineyard fruit, amazing acidity and more than impressive longevity. Here now some notes of balsam wood, mushroom and soy have taken hold with more than just two years of extra time as compared to the silly fresh ’96, but the jig is not yet up. The combination of brown sugar and lingering mixed berry fruit is nothing but lovely. Drink up soon. Drink 2016-2017.   Tasted June 2016

Robert Mondavi Cabernet Sauvignon Reserve 2012, Napa Valley, California (670463, $150.00, WineAlign)

Much of the fruit is brought to the Napa Reserve from the To Kalon Vineyard and it is rounded out with complimentary Napa and 16 months in 100 per cent new French oak. From a post 2011 hardship deliverance, more than welcome, hallelujah even vintage. Now a Mondavi return to floral posture above and beyond the Napa and Oakville bottle norms. So very pretty and powerful, out of saturation and into drought from which tannic structure is born. Full on fruit without borders, up to the top of the walls and back down in to the glass. With each sip the tannin builds and builds until the wall is constructed. There is no escape because the architecture is both classic and exceptional. Don’t be in a hurry. Struggle will only tighten the grip. Be patient and the next decade will deliver elegance and grace. Drink 2020-2027.  Tasted February 2016

Robert Mondavi Cabernet Sauvignon Reserve To Kalon Vineyard 2012, Oakville, Napa Valley, California (670463, $150.00, WineAlign)

This is just the second vintage of the To Kalon Oakville Reserve (as opposed to the Napa bottling) from a vineyard where Robert Mondavi established his winery in 1966 and the next “great one,” after 2009. The To Kalon (western) Oakville Reserve is like the Gretzky of cabernet sauvignons, a generational player that only comes along once (or in wine terms, two or three times) a decade. The finest blocks and the “walk in the park” vintage conspired to make To Kalon a focal point once again, of both pH and acidity on the elevated scale, telling us that longevity will never come into question. The wall of tannin exhibited by the Napa Reserve is not duplicated here and so it is a different sort of structure that builds, with more black cherry rich fruit and coveted acescence, but also an absence refined, as if the French barrel hides, deftly woven into the fineness of grain. There is a dusty, ropey and slow developing rise in character, as if a low, barely audible rumble can be heard, or sensed. A waffling between great and outstanding is certainly understood but by the time we reach 2030 and add up the career statistics of this To Kalon I’m quite certain the jury will be out. Drink 2018-2031.  Tasted February and June 2016

Robert Mondavi Reserve Cabernet Sauvignon 2007, Napa Valley, California (670463, $144.95, WineAlign)

Tasted at the nine year mark the vintage warmth has nowhere to hide and the fruit is coming within reason of raisin. A small percentage of petit verdot is part of this Mondavi development from fruit as rich, concentrated and extracted as any. The choices made here surely went a long way towards teaching what subsequent decisions were made with the aridity of 2012, 2013 and 2014. The dried fruit as syrup glazing the layers of cake melts into the decadence of barrel chocolate and a roundness of acidity so different that the 2012s. Some earthy, woodsy floor grounds this ’07 so that you are able to see fruit through the forest’s trees. Drink 2016-2019.  Tasted June 2016

Robert Mondavi Reserve Cabernet Sauvignon 1998, Napa Valley, California (WineAlign)

Though sandwiched betwixt and gobsmacked between some infamous Napa Valley vintages (most notable 1995-7 and 1999) don’t look past this golden era 1998. To Kalon Vineyard is the source so right there is pretty much what you need to know about pedigree and potential. At this 17-18 years point in time a few drops of soy and a melt or two of caramel are noted in the ’98 Reserve’s development. Secondary affirmations and vintage structure bring out the purity of the herbaceous quality in cabernet sauvignon together with the slow evolution of a quiet, respectful wine. A tender and silky balsamic reduction chimes in though time is still a friend, willing and allowing the fruit to continue its natural path towards senectitude. I can’t find any reason to not seek tertiary character and continue to enjoy this over the next six years. Drink 2016-2022.  Tasted February 2016

Robert Mondavi Reserve Cabernet Sauvignon 1995, Napa Valley, California (670463, WineAlign)

A few points of merlot were blended into this 21-year salute to Mondavi’s legacy, a cabernet sauvignon impossibly fresh and bright this deep into life. The acidity is not only persistent it’s downright captivating and spellbinding. With thanks to the vintage of course, after a wet spring and a long, cool summer. Few double digit decade retrospective looks into the Mondavi cabernet sauvignon anthology would deliver such clarity of fruit seemingly immune to the truffled passages of time. By dint of tradition and without any forced supervision wines like this govern themselves and yet this might be a larger consideration regarding the entire portfolio. Drink 2016-2021.  Tasted June 2016

Say, friend – you got any more of that good Sarsaparilla? #thestranger #thebiglebowski #yeahthatsagoodone

Robert Mondavi Cabernet Sauvignon Reserve 1980, Napa Valley, California (WineAlign)

Mondavi’s 1980 Reserve comes from a time when Napa Valley cabernet sauvignon was made in an unidentified, free and indirect style. The young To Kalon Vineyard may have already known its iconic place but if the makers also knew they could not have so easily created such an early success for us to revel in 36 years later. This is now and still fresh, at least in the context of three dozen years in the bag, with that tied To Kalon triumvirate of acidity, tannin and structure seamless and unsevered. How many aromatic notes can be described? Sarsaparilla, root beer, baked bricks, tomato leaf, pipe tobacco, eryngii mushroom, potpourri and mocha are eight that come to mind and nose. It’s a juicy ’80, not so much in terms of fruit though further sips bring faint memories on the back palate. All this 36 years later manages to remove responsibility from the omniscient perspective of the winemaker and lay it comfortably and pleasurably in our hands and minds. So much thanks for this opportunity. Drink 2016-2017.  Tasted June 2016

Robert Mondavi Cabernet Sauvignon Reserve 1975, Napa Valley, California (WineAlign)

Forty one years is a long haul for a wine to hang in there and I’m not sure more than a handful of 1975 Napa Valley cabernet sauvignon not plucked from the future iconic climat of To Kalon Vineyard could have survived this test of time. Even with the impressive longevity and lifeline ability this is now more curiosity than pleasure. Some might say at this stage the wine may be aimless but who can deny that it is also possessive of poised intelligence. From a vintage overshadowed by 1974, there is some old California Golden Seals hockey bag sweat in the aromatic mix along with savoury mulch and mushroom. There really is no fruit left to speak of, prune perhaps but no berries. The acidity still rips with some strength, swirling into the burnt caramel and all things considered this ain’t dead yet. It does show some Bretty notes that the 1980 does not and in the end the adage is true, spoken so eloquently by Mark de Vere MW. “Flavours you cannot replicate without time.” Drink 2016.   Tasted June 2016

Godello at Mondavi, February 2016 @CalifWines_CA @CBrandsCareers

Good to go!

Godello

Twitter: @mgodello

Instagram: mgodello

WineAlign

Why hate wine?

Three vintages and producers of Brunello di Montalcino

Three vintages and producers of Brunello di Montalcino

Though it may sound absurd, it’s true. There are some who hate wine. It may seem impossible to imagine, but not everyone cares for the stuff, in fact, they say they hate it. Pretty harsh, no?

They have their reasons. Either it’s pretentious, it pales in comparison to beer, causes headaches or simply tastes like shit. The haters also hate wine drinkers and they really can’t stand people who blabber on about what they smell and taste, especially wine writers. The vile, worthless, waste of the air they breathe kind of human. The virus with shoes.

They are out there but they are not the real problem. The bigger issue is the wine geek who hates certain wines. The wine aficionado who picks on specific bottles, bullies them to the point of hatred. Slags them beyond reproach. Rants to the world about the injustice of their existence.

I will tell you why I have to say what I have to say. When I entered the LCBO tasting lab last Friday I saw three bottles sitting on the sterile counter, three Pinot Noir that made hairs all over my body stand up in horrified attention. Three Chuck Wagner Pinots. Les Belle Glos. So I tweeted this.

That was a mistake and I apologize for having written that. My message is this. You may find flaws in wine. You may suss out mistakes in the way a wine is made, sniff out bacteria or mould. You may point out imbalance and general impropriety. But you should not hate.

After all, wine is made from grapes and has fermented into itself. No matter the manipulations, the heavy-handed preparations and the dismissal of varietal or territorial propriety, at the end of the day it is just a bottle of wine. It is still a card-carrying member of the heritage, the extraction and the house. The fact is that when you hate one wine, you hate all wine. Do you see, the instant that you hate a wine, then you hate the world of wine.

There is more. Every wine has a connection to the land it came from. Soft mutinies in the senescence of nature all contribute to the scarring of a wine, of an indelible truth that indicts the world it harmonizes in, like a tract of a forest long ago scorched by a fire. A vineyard shares a history, which each vine remembers, even after it has failed to survive, even after others have not survived, or have been felled or re-planted. All wine has a background, regardless of what it may have suffered during growth and fermentation.

Related – WineAlign guide to VINTAGES April 4th and Easter recipes

And so, please try to be nice. Not every bottle will thrill and most will even disappoint. But do not hate. These seven examples, coming to a VINTAGES kiosk on April 4th do nothing less than restore the faith. They are all classic returns, of familiar and favourite varieties. They are wines to love.

From left to right: Muriel Reserva Vendimia Seleccionada 2008, Robert Mondavi Fumé Blanc 2013, Isole E Olena Chianti Classico 2011, Domaine Long Depaquit Chablis 1er Cru Les Vaillons 2012, Hess Allomi Vineyard Cabernet Sauvignon 2012, Fuligni Brunello Di Montalcino 2008 and Vitanza Riserva Brunello Di Montalcino 2007

From left to right: Muriel Reserva Vendimia Seleccionada 2008, Robert Mondavi Fumé Blanc 2013, Isole E Olena Chianti Classico 2011, Domaine Long Depaquit Chablis 1er Cru Les Vaillons 2012, Hess Allomi Vineyard Cabernet Sauvignon 2012, Fuligni Brunello Di Montalcino 2008 and Vitanza Riserva Brunello Di Montalcino 2007

Muriel Reserva Vendimia Seleccionada 2008, Doca Rioja, Spain (276030, $18.95, WineAlign)

Carries with it the efforts and old barrel trials of generations in its classic aromas. Cedar, dried plum, bitumen, dried anise, wood soaking in natural sugar syrup. Really seamless, flourless and austere in a running wild kind of way. Possessive of length and deserving of that oddest of wine descriptions; supple. This will age for 10-12 years with ease. A great wine for the money, right up there with the Montecillo 1991, but cleaner, juicier and with more sex appeal. A red-head, a ginger, Rita Hayworth, Julianne Moore, Emma Stone.  Tasted March 2015  @bodegasmuriel  @RiojaWine

Robert Mondavi Fumé Blanc 2013, Napa Valley, California (221887, $22.95, WineAlign)

The Mondavi course of intention stays on track once again in 2013 though the vintage for Sauvignon Blanc seems at its warmest and ripest in quite some time. This walks a highline of aromatics yet refrains from tragically creamy barrel notes or excessively hop toast. Fruit is the driver, “rushing by the machine revving tension.” That drupe is part fresh and part dried, whiffing citrus and potpourri. Zest is buzzing but not overbearing. Were I locked in the trunk of a car, this bottle of Fumé Blanc would keep good company. Drink 2015-2020.  Tasted March 2015  @RobertMondavi  @CBrandsCareers

Isole E Olena Chianti Classico 2011, Docg Tuscany, Italy (704346, $31.95, WineAlign)

The hue and distinguished generational character pay hommage and unconditional loyalties to the noble Sangiovese. Chianti Classico in which patience is a commendable virtue and extreme necessity. The wood and tonic inflate the near nose in screaming interface but five minutes works to soften the early edginess. Now the perfume is intoxicating, so typically IEO, from a beautiful parcel of Chanti Classico out of a very giving vintage. An alluring wine that draws you in with a flirtatious smile of depth and meaning, seamless in personality, never too rich, affected or grandiose. There is no resin and no slice of cake decadence. Though it retains some old-school properties, this CC keeps right in stride with the winemaking times. Drink 2018-2025.  Tasted March 2015  @chianticlassico  @HalpernWine

Domaine Long Depaquit Chablis 1er Cru Les Vaillons 2012, Burgundy, France (19364, $31.95, WineAlign)

Bring on the 2012 Chablis. Here, an early, exciting and intense look. Has a combination of spot on salinity and limestone flint from the central Vaillons Cru. Given time this eventually turns to honey, indicating great early promise. This Bichot Estate Chardonnay is ripe and extroverted. Though it won’t be the longest lived, the back-end stony merrymaking and overall exuberance is a great show. If ’12 Chablis is always this much fun, I’ll be buying front row seats. Tasted 2017-2022.  Tasted March 2015  @Bichotwine  @BIVBChablis  @DionysusWines

Hess Allomi Vineyard Cabernet Sauvignon 2012, Napa Valley, California (906420, $39.95, WineAlign)

Here scrambles forth a high-toned yet exuberant Hess. Dark fruit, old growth bark, fresh tar in summer and natural charcoal on the BBQ. These are the perceptions on a cimmerian, Patwin-coined, single-vineyard red wine from the eastern base of Howell Mountain. This micro-climate (relative to really cold places) experieneces freezing cold winters and later bud break than most of Napa. That difference comes across in the tension of this wine, the dichotomy of hot and cold and manifests by tongue-coating tannin-crusted fruit. Tannin that may take 10 years to integrate. Good concentration of fruit, acidity and that fierce tannin menas lots of energy and stereotypically speaking, even more structure. Drink 2020-2025.  Tasted March 2015  @HessCollection  @liffordwine

Fuligni Brunello Di Montalcino 2008, Docg Tuscany, Italy (245225, $49.95, WineAlign)

Though the bark and bite of the vintage will try to test even the purest fruit, this Fuligni is immune, the Brunello to absorb difficulty and energe unscathed. Earth. forest, clean mushroom, plum, carob and fresh cherry band together as an admirable aromatic lot. Though the vintage worked against many Montalcino producers, those who picked, vinified and allowed the fruit to do its thing, to be its own talking head, to express itself, made good wine. Enter the house of Eredi Fuligni. This ’08 is like Heaven, talking heady, saying nothing at all. The tune is clear as a whistling from the depths of a canyon. The spice is fragrant, never biting. The oak is like an old favourite song.   The Brunello “in Heaven plays my favorite song. They play it once again, they play it all night long.” Drink 2020-2030.  Tasted March 2015  @ConsBrunello  @HalpernWine

Vitanza Riserva Brunello Di Montalcino 2007, Docg Tuscany, Italy (236232, $89.95, WineAlign)

Here sidlles up to the counter a huge, come home and lay with me now Brunello. Displays all the flirtaious and flamboyant hallmarks of the get me vintage. Gorgeous, juicy red fruit. This wine will make you want to head straight for the bar, load up and go home with wrong woman or man. A full on seducer, asking you, are you ready for love? It’s not so much that this Grosso is bad company, it’s just that it’s so bloody dangerous. It has layered fruit, earth and lace. It has the structure to age. The issue is how could you resist it now? “I’m ready for love. Oh for your love.” Drink 2015-2025.  Tasted March 2015  @TenutaV  @ConsBrunello

Good to go!

https://twitter.com/mgodello

http://www.winealign.com/profile/2058-mjg

Three release love for the last long weekend

Taco Night

Taco Night

Good things come in threes and once in a calendar blue moon the LCBO’s VINTAGES wine release cycle rolls out that magic number. There can be no better month than August for the cosmic confluence to occur, particularly when the 31-day stretch hovers and encompasses two Canadian long weekends.

The fundamental postulate of accepting abetment to be ushered down a path of vinous enlightenment and the subsequent pleasure derived from having matched recommended bottles to the meals of summer is a priceless thing indeed. Make the connection enough times and behold the sense of empowerment. The beneficiary then becomes the facilitator. A torch is passed and the gift pays forward. Say what you will but no other wine program offers this type of retail-critic-consumer relationship. This is the beauty of the VINTAGES program. Bordeaux futures don’t count. That’s a racket.

The three August releases of the 2nd, 16th and 30th, though encumbered by a sea of suffusion, are also filled with excellence. Here are nine wines to consider for the final (gasp) summer long weekend of 2014.

Clockwise, from left to right: The Royal Old Vine Steen Chenin Blanc 2013, Creekside Backyard Block Sauvignon Blanc 2013, Redstone Limestone Vineyard South Riesling 2012, Château Des Charmes Estate Bottled Old Vines Pinot Noir 2010, Nyarai Cellars Viognier 2012, Robert Mondavi Fumé Blanc 2012, Greywacke Sauvignon Blanc 2013, Huff Estates South Bay Chardonnay 2010, Le Clos Jordanne Village Reserve Pinot Noir 2011, Norman Hardie Niagara Unfiltered Chardonnay 2012, (c) Jason Dziver, www.winealign.com

Clockwise, from left to right: The Royal Old Vine Steen Chenin Blanc 2013, Creekside Backyard Block Sauvignon Blanc 2013, Redstone Limestone Vineyard South Riesling 2012, Château Des Charmes Estate Bottled Old Vines Pinot Noir 2010, Nyarai Cellars Viognier 2012, Robert Mondavi Fumé Blanc 2012, Greywacke Sauvignon Blanc 2013, Huff Estates South Bay Chardonnay 2010, Le Clos Jordanne Village Reserve Pinot Noir 2011, Norman Hardie Niagara Unfiltered Chardonnay 2012, (c) Jason Dziver, http://www.winealign.com

The Royal Old Vine Steen Chenin Blanc 2013, Wo SwartlandSouth Africa (376871, $13.95, WineAlign) From the VINTAGES August 2, 2014 Release

While other expat varieties ride in to town, “see the glory, of the royal scam” and dupe new consumers into thinking greatness has immigrated here, Chenin Blanc in South Africa, like Malbec in Argentina, is the real deal. That an example like this Steen old vines can offer ten degrees of advanced proficiency in steely, dan-like refrain is a testament to the necessity of its promotion. Chenin Blanc is the grape for Swartland, for Stellenbosch, for the Western Cape, for South Africa. It comes equipped with energy, “wearing coats that shined, both red and green, colors from their sunny island, from their boats of iron.” It works many sides of the wine pairing practicum, for protein fleshy and flaky, for vegetables prepared in many ways. The Royal is textured and even if the tale is told with quick and efficient pluck, at $14 per play, what more is there to say.  Tasted August 2014  @oenophilia1  @kysela

Creekside Backyard Block Sauvignon Blanc 2013, VQA Creek Shores, Niagara Peninsula, Ontario (341792, $17.95, WineAlign) From the VINTAGES August 30, 2014 Release

A Creek Shores SB that bridges the gap between spring and summer fruit. From a year in which the choice was made to not blend off into the estate bottling. Recognizable Creekside aromatics stand out in a more than obvious mineral deposit and grapefruit zest way. Here the band plays across The Great Divide so “just grab your hat, and take that ride.” Will be a VINTAGES August 30 release.  Tasted February 2014  @CreeksideWine

Château Des Charmes Estate Bottled Old Vines Pinot Noir 2010, VQA Niagara On The Lake, Ontario (256834, $17.95, WineAlign) From the VINTAGES August 30, 2014 Release

The CdC Pinot schematic is never predicated on pectin or reduction but rather the pungent molasses of earth. What better vintage (until the 2012 comes our way) can there be to accentuate the warmth of the St. David’s Bench (within a Pinot Noir plat) and to elevate sylvan fruit for complex results? The raisining is within reason and concentrates botany, not plums or figs. The somewhat elevated (7.0 g/L) residual comes across in tannin and texture so forgiveness is granted. Bigmouth (critic) strikes again, “oh…sweetness, sweetness,” but “I was only joking.” The Old Vines Pinot brings about smithy balance, of brix, treacle, iron, acidity, rusticty and mortar. It should be considered as good a value at $18 as any basic Bourgogne rouge.   Tasted August 2014  @MBosc

Redstone Limestone Vineyard South Riesling 2012, VQA Twenty Mile Bench, Ontario (381251, $21.95, WineAlign) From the VINTAGES August 16, 2014 Release

This inaugural Riesling foray from atop the Twenty Mile Bench out of the Limestone Vineyard is a sister to the Tawse exploration from same. The comparisons end right there. Paul Pender’s take is kinetic, frenetic and electric. Redstone winemaker Rene Van Ede tends to and lends from a reconnaissance that heralds Mosel. His first, fixed take is off-dry (in obvious ubiquity) with circular acidity. The co-agitation is early picked at low brix, with realized high residual sugar (36.4 g/L) and low alcohol (10 per cent). Toothsome, with a ying/yang, lemon/lime, push/pull. The case load is formidable for a first go ’round (1000 plus) yet paddled through limestone acreage with effortless strokes.  Tasted May 2014  @RedstoneWines

Nyarai Cellars Viognier 2012, VQA Niagara Peninsula, Ontario (378414, $21.95, WineAlign) From the VINTAGES August 2, 2014 Release

Look, I get it. Wine is made from grapes so why command a host of other fruits to offer context for aromas and tastes? Just have a moment with Steve Byfield’s “virtual” Viognier 2012. Virtual tree meets stone fruit. Smells just like a ripe peach. The flavour bears an uncanny resemblance to apricots. Virtual my Equus africanus asinus. The winery is virtual, the Viognier anything but. Speaks a Condrieu varietal truth by way of Niagara’s Redfoot vineyard. Carries a soil-driven, mineral-flecked, microscopically-oxidized metal tang so essential to invigorating Viognier. Blessed stuff from a Shona’s humble hands.  Tasted twice, March and June 2014  @NyaraiCellars

Robert Mondavi Fumé Blanc 2012, Napa Valley, California (221887, $23.95, WineAlign) From the VINTAGES August 2, 2014 Release

A nod to the typical White Bordeaux blend with 87 per cent Sauvignon Blanc and 13 Semillon. Another vintage that shows the direction taken by the winery is a righteous one. Drawn in chromatic patina, characterized by an oxidized style and with extreme arid prejudice. Though it’s a storied expression of warm Napa Valley it bears an uncanny resemblance to a wild yeast affected, cool climate Sauvignon Blanc style, with extended lees contact. There is ripe pear and some chalk, excellent tang, faux sugars and stretched out length. Served well chilled is a plus, accentuating the zest and mineral components. Very good showing and vintage for this iconic wine.  Tasted April 2014  @CBrandsCareers

Greywacke Sauvignon Blanc 2013, Marlborough, New Zealand (164228, $24.95, WineAlign) From the VINTAGES August 2, 2014 Release

With caution to what is likely a captain obvious comment, the suggestion here is that this (former Cloudy Bay winemaker) Kevin Judd Sauvignon Blanc makes perfect use of the over thruster to travel back in time. A time in the late 90’s/early 2000’s when Marlborough SB was the white bomb. Might it be more than obvious to ask for some briny Pacific oysters to accompany and match the elegance in salinity of this Woodbourne, Renwick and Rapaura fruit amalgamation? Potent, if distilled Marlborough delivering excellence here, with a notion of sweetness, not of a suffering palate, but in aromatics. The late summer garden by the sea, in a stiff mineral breeze and in ripening, southern hemisphere tree fruit. The grasses are somewhere else, there are no speed limits and no undesirable tang. The Greywacke is refined, perhaps to a fault, but prime and worth every bit of its dime.  Tasted August 2014  @greywacker

Huff Estates South Bay Chardonnay 2010, VQA Prince Edward County, Ontario (88955, $29.95, WineAlign) From the VINTAGES August 2, 2014 Release

The oak repeal in decreased new barrel impact allows the County to speak in the clearest of voice. As it should, from a South Bay landscape and terroir as rugged and dramatic that can be found anywhere Chardonnay is made in Ontario. There is a honeyed unctuous and viscous feel to the South Bay ’10, no doubt a result of its middle filled in by a meritorious and pure lees. Limestone wraps up the fruit in a clean, crisp and pure package.  Tasted April 2014  @HuffEstatesWine

Le Clos Jordanne Village Reserve Pinot Noir 2011, VQA Niagara Peninsula, Ontario (33894, $33.00, WineAlign) From the VINTAGES August 2, 2014 Release

Something’s missing, or rather something is happening here. The LCJ omnipresent warm Pinot coat of harm is conspicuous in its absence, or has it been reigned in? This 2011 is so much more friendly, more soft-spoken, expertly judged and picked ripe fruit richer than before. Plenty of tang and tannin but the pronouncement is in a savoury basil/chervil kind of way. Not just another high made by just another crazy guy. A most excellent, bright, roxy Village Reserve, full of atmosphere and ambient music.  Tasted February 2014  @LeClosJordanne

Norman Hardie Niagara Unfiltered Chardonnay 2012, VQA Niagara Peninsula, Ontario (184432, $39.20, WineAlign) From the VINTAGES August 30, 2014 Release

 Norm’s Niagara is such a different animal to the County 2012. The warm summer and dry fall means more humidity and even more reduction. Currently cothurnal so less like Burgundy but only because there elevates the high-tones and percipience from Niagara. Texture is key but this Hardie needs time. It’s not angular but it is steroidal, injected, like a wild thing, as if the yeast were still in control, munching away even though there is no more sugar to be had. Undomesticated ’12, at heart, in spirit, out of mind. Hard to imagine there could be this much anxiety from the even-tempered vintage, but when you pick real early and keep the oak to a bare minimum, Hardie happens. Norm picked ripe fruit between September 7 and 10, six weeks ahead as compared to some years. He said the fruit had a “golden tan, ready to go.” The use of smallish 500L barrels works wonders for texture and though 40 per cent was new wood, you would never know it. Malolactic fermentation didn’t happen until late August, nearly a full year on so no sulphuring was required until that time. This is Hardie’s freshest Niagara fruit ever, from Duarte Oliveira’s farm between Victoria and Ontario Street, the same spot as Hillebrand’s Chardonnay Reserve. Terrific Beamsville Bench Chardonnay.  Tasted May 2014  @normhardie

Good to go!

https://twitter.com/mgodello

Mr. Pearson’s Opus

David Pearson has been the CEO of Opus One since February of 2004. His job is both simple at heart and complex of mind. Two legendary wine men, California’s Robert Mondavi and Bordeaux’s Baron Philippe de Rothschild combined (in 1978) to create one of Napa Valley’s most iconic wines. “At its core, Opus One is an idea,” relates Mr. Pearson. The wine is a blend of Mondavi and Mouton, a reflection of the character of two families.

Pearson is responsible for all production, marketing, sales and administrative activities at Opus One. He is the caretaker of a single bottle of wine. Can there be another brand, anywhere in the world (not called a First Growth) that carries such weight or specificity of concentration? The job requires serious moxie and intuition. The soft-spoken David Pearson is Opus One. That much is clear. Thirty-five years later “we’re just at the beginning of the process,” explains Pearson, “In evolution, of developing this great marriage.” For the uninitiated, Opus One is a Bordeaux table blend of the traditional five varieties, Cabernet Sauvignon, Cabernet Franc, Merlot, Petit Verdot and Malbec, made in a “California style.”

Opus One Vineyard Photo: http://en.opusonewinery.com/

Opus One Vineyard
Photo: http://en.opusonewinery.com/

It started as a pure concept, with no actual vineyard, in the Baron’s bedroom back in the 1970’s. “The wine is a child that resembles its parents,” notes Pearson. He sees its growth has now reached a maturity stage for individual vintages to be judged as either that child or as an adult. Pearson, Craig de Blois and Mark Coster of Noble Estates brought four vintages of Opus One to Luma Restaurant on March 27th. Pearson asked that the group of sommeliers and wine scribes decide which of these wines have left their parent’s home. The exercise seemed simple enough, especially with a level of clarity made readily available by the fact that all four vintages poured were fostered and nurtured by current winemaker Michael Silacci. Silacci joined Opus One in March 2001 as director of viticulture and enology and became winemaker in January of 2004. After tasting a stunning set from 2010, 2009, 2006 and 2001, the solicited clarity was revealed.

All natural acidity, an ever-earlier picking stratagem and less frequent racking define the Opus direction. The Opus team considers their winemaking “minimalist” and though in wine-speak that is certainly a relative term, as a group the wines do present with a meritorious level of fruit purity. That can’t be said for many Napa Valley brands that seek more hedonism than is often necessary. Saying that the price of a bottle is inflated by a historical elevage of personality and fashion branding neither does Opus One an injustice nor does it relegate the commenter as a castaway to a deserted island. Opus One is a brilliant and gorgeous red. It’s also very expensive.

Opus One Tasting at Luma Restaurant Photo: Eric Vellend

Opus One Tasting at Luma Restaurant
Photo: Eric Vellend

In September of 2012 I had the pleasure of tasting the Opus One 1989. My tasting note:

Opus One 1989 Unbelievable. A lesson in Napa iconoclasm. What every great 22-year old New World wine should strive to become. In harmony with every part of itself; fruit, tannin, acidity. Beauty within and without. Dark, sultry, full of all things berry and oak. The full gamut of red and black fruit, vanilla, mocha and chocolate. Like walking into your childhood and being handed the keys to Charlie’s factory. Another M gem.

Notes from the March 2014 tasting: Opus One, Napa Valley (26310, $399.95 – 2009 vintage)

2010 (WineAlign) The blend is Cabernet Sauvignon (84 per cent), Cabernet Franc (5.5), Merlot (5.5), Petit Verdot (4) and Malbec (1). Fiercely approachable, a rope of gemstones falling effortlessly into the palm of a velvet glove. Imminently modern, reeking of toothsome Napa and working without Old World parental support. Dense texture, high acidity and exceptional length. Layers upon layers of fruit powered by audacity and prowess. Even this formidable ’10 will struggle to find immunity from the weird vintage. It’s ripe, anything but green and manages an admirable level of elegance. Lives for today. Will it age like its older siblings? Yes, but not as long.

2009 (WineAlign) The blend is Cabernet Sauvignon (81 per cent), Cabernet Franc (9), Petit Verdot (6), Merlot (3) and Malbec (1). The immediate and obvious cerebration is all about its incredible sense of balance. A garden of perfume, the most Bordeaux-bent of the tasting and a mineral reverberation carried on through a seemingly never-ending finish. Blessed by a long and sweet chain of tannin. This ’09 has that Mediterranean brush stroke of garrigue and black olive smothered by a smear of sun-drenched California fruit. Another challenging vintage where picking time was so crucial. That September 21st to October 20th window must have been the right one.

Opus One Bottle

2006 (WineAlign) The blend is Cabernet Sauvignon (77 per cent), Merlot (12), Cabernet Franc (5), Petit Verdot (3) and Malbec (3). A kinaesthesia with age is sent forward by the tertiary complexity of its make-up. Dusty, still marked by acidity, along with a note of toffee and a raisining of the fruit. Savoury too, in gentle middle-age, it gives away strange sensations and aromas that suggest a potpourri of powders; rose, bacon, espresso and Filé. Full of grace and contentment. A cool year that saw no end-of-year heat spike, this is a most unique Opus one.

2001 (WineAlign) The blend is Cabernet Sauvignon (87 per cent), Merlot (6), Malbec (3), Cabernet Franc (2) and Petit Verdot (2). The ’01 conjures up instant funk and “the beat is really soothing.” The Bretty streak stretches, dissipates and is cleansed as the wine aerates, but the groove lingers on. An Opus that clearly states “I got my mind made up.” Of the vineyard and for the vineyard, with a note of wet forest. The Bar Mitzvah boy is acting as one would expect, as an agent to a coming of age law, like a leather satchel filled with dehydrating, concentrated fruit. Swirl some more and that jerky is then drizzled by a Mickey of berry liqueur and dusted by 13 year-old dirt. A vintage defined by 14 per cent alcohol, still vital, powerful and neo-gritty. Forty-five minutes in, the lingering funk is fading but the thought, the chalk and the grain sends this Opus One back across the Atlantic, to the world of Mouton.

Good to go!

https://twitter.com/mgodello

Big houses, bigger wines, big-ish prices

Canadian money

The earnest call across the country to free my grapes continues though regrettably, stiff resistance stifles the cause.
Photo: ulga/Fotolia.com

as seen on canada.com

If you live in Canada, purchasing wine ties you directly to a monopoly. There are exceptions, though still imperfect ones, like the free market culture of Alberta and the developing tiered system in British Columbia. The earnest call across the country to free my grapes continues though regrettably, stiff resistance stifles the cause.

Manitoba and BC allow direct to consumer inter-provincial wine imports. Consumers can order from out of province and receive direct shipments so long as the wine  is 100 per cent Canadian. Nova Scotia has passed enabling legislation that will follow a similar path. If you reside in Quebec or a fortiori, in Ontario, having wine shipped to you remains taboo. The alternate recourse of consignment wines available for purchase through local importers is an irregular option and having to buy by the case designs no compass of mass appeal.

Spend even a fraction of the time I do in trying to seek out the best values, at the best prices and in the categories that cater specifically to personal tastes and you will understand how difficult it is to be satiated in such a constricting climate. I am not the only one seeking out red wines made in the vineyard, through minimalist oak intervention, unhindered by residual sugar, produced by passionate and honest winemakers who are vigilant with the softest of hands.

Who does not want their wine to have mass in it, as in life? Who would reject an elixir drawn from iron-rich earth, boiled through limestone and warmed to a rosy madder? Who can deny the pure joy culled from a wine that might steal the words from the mouths of poets?

In Canada, unearthing such gems requires intestinal fortitude, especially considering the search is mapped out in government-controlled stores. Stock norms do not include wines made from lesser-known grapes, from regions and appellations less frequented. It takes time, effort and most of all, patience. Life can get in the way of the endless and unavailing chase; work that pays, kids, weather, fatigue. Sometimes it just makes sense to abide and even embrace the easier, well-worn path. This is where the bigger wineries step in, toting larger case loads and a middle-of-the-road, radio bathos experience.

There are varietal vicissitudes to ferret out from varieties you might have chosen to avoid. New World Pinot Noir and Chardonnay. Zinfandel. Rhône blends. Sangiovese blended with Cabernet Sauvignon. Tempranillo. All these grapes are often mistreated, modernized, smothered in oak and homogenized so that their indigenous origins are blurred into a bar of mass-produced chocolate. Occasionally they are done right by their makers.

In what has been such relentless cold, snow and ice, now into the oppressive dog days of winter, don’t think of drinking commercial wine as copping out. The big houses can be your friend, so loosen up and trust me when I tell you I’ve worked very hard to weed out the chaff and promise only to recommend the whole wheat. Here are seven current releases that made the pecuniary cut.

From left: Mission Hill Reserve Pinot Noir 2011, Clos Du Val Zinfandel 2011, and Robert Mondavi Chardonnay 2011

From left: Mission Hill Reserve Pinot Noir 2011, Clos Du Val Zinfandel 2011, and Robert Mondavi Chardonnay 2011

Mission Hill Reserve Pinot Noir 2011, VQA Okanagan Valley British Columbia (545012, $24.95, WineAlign) From the VINTAGES Feb. 15, 2014 Release

Here’s a juicy plum wine with noticeable warm alcohol that goes subterranean and won’t make you homesick for alien Pinot Noir. Athletic red with a quick first step and nerve, running a west coast offence, scoring points.  Char in licorice and a grid-iron, “uptight, uptight” bitter tendency but is a most saucy rendition. Extra point from clean, easy sweet tannins. Good length. Pinot on the radio. Really attractive price puts it at the head of its class.  90  Tasted February 2014  @MissionHillWine

Clos Du Val Zinfandel 2011, Napa Valley California, USA (590216, $24.95, WineAlign) From the VINTAGES Feb. 15, 2014 Release

Every so often a grape variety confounds and astounds, like this pretty in zinc Zinfandel. Almost mute as far as Zin goes, this CdV ”set out on the heels of the unknown.” Times like these normally produce lumbering, high-octane interpretations but this radical face is the Simon and Garfunkel of the variety. Singing with soft harmonies and composed as if by a deft balladeer. Flair comes from Spanish-like modernity – a good thing for Zin. Less bramble, more Ribera. Less reduction, more Montsant. Smooth as silk, reeking in vanilla, raspberry and symptomatic by a kiss of mineral. If but for one hollow mid-verse this would truly sing but that really is no big thing.  90  Tasted February 2014  @ClosDuValNapa

Robert Mondavi Chardonnay 2011, Napa Valley, California, USA (310409, $25.95, WineAlign)

One of the more quintessential, mid-range, rich and opulent Napa Chardonnays that steps out of the lobster butter dish in 2011. Apple-tinged terpenes show their presence, along with tarragon and a bag of just opened good and plenty. Piquant, poignant vintage, peppery and acting cooler than I ever remember it to be. Whether by chance or by choice, this is a welcome direction though I doubt its kind will soon be seen again.  89  Tasted January 2014  @RobertMondavi

From left: Umberto Cesari Liano Sangiovese/Cabernet Sauvignon 2009, Wairau River Reserve Pinot Noir 2010, Grant Burge The Holy Trinity Grenache/Shiraz/Mourvédre 2011, and Beronia Viñas Viejas 2010

From left: Umberto Cesari Liano Sangiovese/Cabernet Sauvignon 2009, Wairau River Reserve Pinot Noir 2010, Grant Burge The Holy Trinity Grenache/Shiraz/Mourvédre 2011, and Beronia Viñas Viejas 2010

Umberto Cesari Liano Sangiovese/Cabernet Sauvignon 2009, Igt Rubicone Emilia-Romagna, Italy (225086, $29.95)

Decidedly modern in many ways; oak impart, varietal alliance and braggadocio. The nose speaks highly of unsettled alcohol and alchemy. Big on black cherry and earthy with a welcoming and necessary roasted rare and still kicking game component. The mellow support of Cabernet Sauvignon is kicked upside the head by full throttle, oak-laden Sangiovese. Though hot and bothered, there is a keen sense of acumen on display by the Emilia-Romagna team at Umberto Cesari.  89   Tasted January 2014  @UmbertoCesari

Wairau River Reserve Pinot Noir 2010, Marlborough, New Zealand (361253, $29.95, WineAlign) From the VINTAGES Feb. 15, 2014 Release

Wonderful value in premium Marlborough Pinot Noir. Alluring sylvan aromatics, in a potpourri of violet, rose, plum and strawberry. Sharp, cranberry-pomegranate-cherry fruit flavours, the grain of red fife, and eye-popping acidity. An earthy terroirist, layered and delicious. Warm but not alcohol driven, touched by oak but not shaken and with just one coat of paint.  91  Tasted February 2014  @wairauriver

Grant Burge The Holy Trinity Grenache/Shiraz/Mourvédre 2011, Barossa, South Australia (Agent, 236257, $29.95, WineAlign)

The right Rhône immediacy of the 2011 Barossa vintage gets its hooks right in. Snapping with a direct blow uppercut to the jaw, this Grenache, Shiraz and Mourvédre blend goes right for the jugular with passion, not sugar. It’s a tricky mix, angular yet smooth, floating like a butterfly and stinging like a bee. Terrific charred, meaty flavours mixed with juniper and black raspberry, savoury spice and a chain of tannic length. Will age with metronome precision over a period of 10-15 years.  91  Tasted January 2014  @GrantBurgeWines

Beronia Viñas Viejas 2010, Rioja, Spain  (Agent, $30.00, WineAlign)

This 100% Tempranillo is Beronia’s enigma. Sourced from 40-plus year-old vines and housed for 14 months in new French oak. The Van Morrison bottling, if you will. Forget thoughts of a gnarly, tar and brambly red. This one is compliant and inviting. Cherry cheesecake gives it a dessert-like funk, with a baking spice and savoury plum pudding chaser. Vanilla is the unifying factor, the glaze, the icing on the cake, thanks to those new barrels. “You say “France” and I’ll whistle.” This is a pleasure to taste and ready for consumption.  90  Tasted January 2014  @BodegasBeronia

Good to go!

He spits, he scores: World Wine Awards of Canada results

Fresh off the presses, here are the results from World Wine Awards of Canada 2013, presented by WineAlign
Photo: kotoyamagami/Fotolia.com

as seen on canada.com

Drinking, by definition, includes consuming and that would obviously be counterproductive to the wine evaluation process. So, wine writers and critics spit for their living. Why would anyone buy a wine on the recommendation from someone who spit it into a bucket? Good question.

Consider another question. How many wine critics does it take to change a light bulb? If the answer were 10, that would be because it would take one to hold the bulb and nine to spin the room. Or the answer might be three. One to decant, taste and spit, and two to take him to the hospital before he bleeds to death. Is the joke and are these responses indicative of how the general public feels about wine criticism? If yes, then the wine consumer’s attitude towards the relevance of wine competitions and the doling out of awards may not exactly be positive and indiscriminate.

A bit of insight for you into the modus vivendi of those who judge wine. Chew over this. A wine is submitted to a concours, tasted several times by a minimum of three critics, all of whom are kept blind as to the clues regarding producer, appellation, region and country. These wine professionals are chosen by and with their peers to judge, sniff, sip, spit and repeat. They consider, contemplate and formulate on the spot tasting notes and then discuss the attributes with a panel before passing final judgement. Seems like a perfectly and indisputably sound and reasonable approach, don’t you think? But what about the spitting part?

Whatever you might think about the use of such an exercise to determine the merit of a bottle of wine, competitions, when run and operated with unbiased integrity, do in fact empower justice to the entrants. Poke fun at the wine critic if you must, felicity knows they can take it, but know their modus operandi is just the same as yours. To seek out the most worthy and best value wines available in their market. The wine critic is self-taught, to internalize the intricacies and idiosyncrasies of a wine without swallowing it. It takes focus and years of practice to figure it out.

WineAlign World Wine Awards of Canada 2013

PHOTO: WineAlign.com
WineAlign World Wine Awards of Canada 2013

The WineAlign World Wine Awards of Canada (WWAC) held in September featured a week-long evaluation process for nearly 1,000 wines (996 to be exact) from around the world. Assembled and organized by an army of volunteers, the Herculean task was orchestrated by one of North America’s most respected wine critics and WineAlign Partner Anthony Gismondi, aka The Spitter. The Vancouver Sun columnist was also responsible for the immeasurable and exacting task of overseeing the pouring and the critical timing of delivery to the judges. Not to mention piles upon piles of tasting notes and scores.

WineAlign WWAC13 Wine Room

WineAlign WWAC13 Wine Room

The WWAC is open to both imported and domestic wines for sale in Canada, provided the wine sells for less than $50 somewhere in the country.  This affords an unparalleled opportunity for all wines sold in Canada to show that they can compete in quality and value with wines from anywhere in the world.  Wines are tasted in three price categories based on the lowest selling price in Canada. Less than $15, from $15 to $25 and from $25 to $50. As a consequence WWAC is really three competitions in one with wines being tasted alongside their peers by price and with awards given by price category.

I was invited to join the other 17 judges for the preliminary rounds. If I were to measure my prosperity by the company I keep, I would indeed be a pecunious wine scribe. I was joined in Mississauga, Ontario by David Lawrason, John Szabo, MS, Steve Thurlow, Sara d’Amato, Bill Zacharkiw, Janet Dorozynski, Rémy Charest, Marc Chapleau, Rhys Pender, MW, Ben Macphee-Sigurdson, DJ Kearney, Treve Ring, Brad RoyaleJulian Hitner, Evan Saviolidis, Anne Martin and Zinta Steprans.

WineAlign WWAC13 judges John Szabo, Julian Hitner and Sara d'Amato

WineAlign WWAC13 judges John Szabo, Julian Hitner and Sara d’Amato

Judges sit three or four together at a table, taste solo through flights of like varieties, procure notes and assign individual scores. Each flight of (three to 12) wines is then discussed, argued, debated and an ultimate meeting of the vinous minds either pushes a wine through to the next round or relegates it to the discard heap. This method of awarding by committee ensures that good wines receive their due blessings and flawed specimens are put in their rightful place.Here’s the kicker. Aside from knowing the price range and specific variety or varieties in a blend, the judges taste all the wines blind. Continent, country, region, appellation and vineyard are not part of the equation. This ensures the most equitable results.

So, fresh off today’s presses, here are the results from WWAC13, presented by WineAlign. Special thanks go out to Head Wineaux, Bryan McCaw, along with Steve Thurlow, Carol Ann Jessiman and Sarah Goddard.

2013 World Wine Awards of Canada Results

Each judge was asked to write reviews on a specific cross-section of wines they were a part of assessing during the competition. Here are my notes on my 28 of them, across a wide range of categories.

From left: Gustave Lorentz Cuvee Amethyste Riesling 2011, Caliterra Sauvignon Blanc Reserva 2013, Yealands Sauvignon Blanc 2012, and De Vine Vineyards Vrm 2011

Riesling $0-15

Gustave Lorentz Cuvee Amethyste Riesling 2011, Alsace, France $14.95

WWAC 2013 Judges’ Choice WWAC 2013 Best of Variety Under $15

Peppery, perspiring, basal, nasal fruit. Propellant driven with a bite of crisp golden delicious apple and green goddess acidity. At under $15 this achieves Trocken success. Unshakable, abecedarian if not the most formidable Riesling.  88  @AmethystWineInc  @drinkAlsace

Loosen Bros. Dr. L Riesling 2012, Qualitätswein Mosel, Germany $13.95

Pressed and packed with tropical fruit, as if a roll-up, in liquid form. Thoughts head east and south but the textural, angular and vertical intensity peels back that inclination. The extended play and fruit replay is a study in delineated Riesling depth. There must be some history behind the bottle.  87  @drloosenwines  @Select_Wines

Jackson Triggs Reserve Riesling 2012, Niagara Peninsula, Ontario, Canada, $13.99

Drawn to the off-dry resonance which is both tropical and florid in citrus maxima. That pomello repeats to taste but it falls under a balmy and herbal spell, in a relaxed way. A valley’s elongated attitude, at the foot of a mountain and architecturally sound. Re-mastered, utilitarian Riesling.  85  @Jackson_Triggs

Chardonnay Oaked $15-25

Robert Mondavi Private Selection Chardonnay 2012, California, USA $16.95

Deft, lissome touch of oak. Subtle, determined orchard fruit, namely pear, barely kissed by a rose and the barrel. Exiguous yet meaningful and pragmatic aromatics. Bright Chardonnay so “a light hits the gloom on the grey.” Seals the deal astir with tang on the snappy finish.  88

PHOTO: Michael Godel White wine flight at the WineAlign WWAC13

Sauvignon Blanc $15-25

Caliterra Sauvignon Blanc Reserva 2013, Casablanca Valley, Chile $9.95

WWAC 2013 Judges’ Choice

Great show savvy, really great show. Outright fast flint, white pepper, citrus and fresh herbs. Luscious texture, convincing up the middle and goes deeper than many. Grapey and succulent. Clean, concise winemaking.  90  @Caliterra  @imbibersreport

Yealands Sauvignon Blanc 2012, Marlborough, South Island, New Zealand $15.95

WWAC 2013 Judges’ Choice

Equatorial and profuse but not over the top. Quick, painless slice of jalapeno, a sweet heat capsicum moment. Sauvignon Blanc with a drop of Sriracha, spritz of lime and pinch of salt on ripe tree fruit, like papaya and mango. Add in golden pineapple and kumquat for good salad measure. Nearly great value, if only it were graced with a bit more finesse.  88  @yealands  @TrialtoON

The Ned Sauvignon Blanc 2013, Marlborough, New Zealand $15.99

Stoic initially, with acute notes of gooseberry, grass and blanched legume. Turns tropical and balmy with a sense of orange marmalade. Confounding in that it could be South Island or Sancerre, but being subjected to such toe tipping is this Sauvignon Blanc’s calling card.  88  @MariscoWine

Kim Crawford Sauvignon Blanc 2013, Marlborough, South Island, New Zealand $18.95

Commodious Sauvignon Blanc, candid, candied and calcified. Tropical from what must be an intense vintage, whiffing dewy teak gold plum and prickly pear. Full-bodied and blessed with a long aftertaste. A slice of southern hemisphere confiture on toast.  88  @kimcrawfordwine

White Blends $15-25

De Vine Vineyards Vrm 2011, Okanagan Valley, British Columbia, Canada, $23.00

WWAC 2013 Judges’ Choice WWAC 2013 Best of Variety $15 – $25

A Rhône-ish boy with a tithe of Marsanne in support of equal 45′s of Roussane and Viognier. Mutters in rhyme, beating the drum slowly, in a subtle white flower, pretty print dress. Nothing muddy about the waters this graceful swimmer treads. Sidled by just enough rigor to replay in refrain, “I’m a natural born lovers” wine. Egalitarian revolutions per minute.  90  @deVineVineyards

Road 13 Honest John’s White 2012, BC VQA Okanagan Valley, British Columbia, Canada $25.95

A group of seven grapes, riding on a carousel. A who’s who of white varieties going “round and round and round and round with you. Up, down, up, down, up, down, too.” Elegant and in control, like the stationary horses, this endearing and human blend. Nectarine and longan make appearances in the by committee, ensemble performance.  88  @Road13Vineyards

Pfaffenheim Tete A Tete Pinot Gris Riesling 2012, Alsace, France $15.49

A 50/50 split of Riesling and Pinot Gris, please do not adjust your set, go head to head, mano a mano to duke it out, agree to disagree and ultimately settle to blend and accept the results. Together they procure Époisses and worn socks. On the bright side there is orange zest and fresh squeezed grapefruit. “So they’ve got that going for them, which is nice.” Tangy and pithy finish. Abbreviated and horizontal.  85  @AlsaceWines

From left: Jackson Triggs Merlot Gold Series 2008, Road 13 Syrah Malbec 2011, Creation Syrah Grenache 2011, and Cassiano Amarone Della Valpolicella 2008

Syrah $0-15

Fifth Leg Old Dog New Tricks Shiraz 2011, Western Australia, Australia, $15.95

Less calamitous fruit compression in relation to the rest of the flight. Blueberry pie and a concord of baking spices predominate, along with unsettling though bracketing elevated levels of tannin and acidity. Wild and whacking lack of overall integration but possessive of many positive moving parts.  87

Mission Hill Reserve Shiraz 2011, VQA Okanagan Valley, British Columbia, Canada, $19.60

A convection of raspberry jam and forest floor verdant wildness. Notable in not being nearly as wood-driven in relation to peers in adjacent stemware. An inelasticity and diaphanous texture suggests Syrah. Simpatico Shiraz.  87  @MissionHillWine

Red Blends $0-15

Hardys Stamp Series Shiraz/Cabernet 2012, South Eastern Australia, Australia $10.05

Initial thoughts lean towards flattery, in finesse and generosity. Rhône-like rocks and stones trot out the red fruit, spiked by citrus (ripe orange, juiced and reduced). Structured in oxymoronic astringent elegance. Decent to medium length.  87

Sumac Ridge Cabernet Merlot Private Reserve 2011, BC VQA Okanagan Valley, British Columbia, Canada, $14.99

Stands apart from the under $15 Red Blend flight as an axiomatic, soft conifer in a forest of hardwoods. I was admittedly fooled into thinking Niagara when it really calls the Okanagan Valley home. Semi-hemi-ripe, red stone fruit soused in halogen, spiced by Ween’s seventh album and Korean red pepper. “Even If you don’t” like the alternative character you will be charmed by its friendly production and likable wine/musicianship.  87  @SumacRidgeWine

Louis Bernard Côtes Du Rhône Rouge 2012, Rhone, France $13.00

A copacetic Grenache and Syrah Côtes du Rhône blend that just seems to exist in an Iberian state of mind. It’s the modernity speaking, in deep mauve, lilaceous essence and a palate clotted with poached tomato. Stops adroitly short of cooked or stewed fruit character. Juicy fruit from presumably young vines. Quick yet resplendent.  87  @LouisBernard84  @AuthenticWine

Masi Tupungato Passo Doble Malbec Corvina 2011, Mendoza, Argentina $13.95

Malbec and Venetian Corvina in Ripasso’s Argentinian hands. Raising, hair-triggering, eye-opening aromas in acerbic Daikon intensity. Black bean paste and cedar, earth and char. The flavours echo and further Ripasso’s absorptive ability. Tack on a  snippet of sour mix and an elevated, grizzly bear, altitudinous attitude. This one leaves me “frozen in my tracks.” Certainly not gun-shy85 

Merlot $15-25

Jackson Triggs Merlot Gold Series 2008, BC VQA Okanagan Valley, British Columbia, Canada, $23.99 WWAC 2013 Judges’ Choice

Like a wine lover’s dessert, this JT Merlot spoons gobs of sun-dried fruit, anise and dried raisin over a compressed and chalky cake of balmy green tea. Youth purloined by developed character, marked by the sauce, not unlike some manic red advance cassettes from Italy’s Mezzogiorno. Now long in the tooth, “how you wound me so tight,” with your unique style, so “don’t say that I’ve lost you.” Its heft will carry it through.  88  @JacksonTriggsBC

Michael Godel, Zinta Steprans and David Lawrason at the WineAlign WWAC13

Red Blends $15-25

Musella Valpolicella Superiore Ripasso 2009, Verona, Veneto, Italy, $15.95

Soaked and sappy, with braised tree fruit flavours, concentrated and passed over upon itself. Certainly trying very hard to entice and invite hedonistic pleasure. Like an upside down plum and fig cake, dripping in macerated syrup but with enough mineral tension to prorogue another day. Good rehydrated example.  88  @3050Imports

La Fiole Cotes Du Rhone 2010, Rhone, France $15.05

Simultaneously juicy and brooding. Tension from the get go. A depth of dried, fruit leathery plum, soaking in spiked Kefir grain. Bound tight but aching to race free. In Rhône ranger territory, or a Rhône acting on a Hollywood set. Tannic, oaky, manly yes, but I like it too. Admirable length.  88

California Square Paso Robles Red Bland 2012, California, USA $18.95

Downy soft, delicate, cheerful red blend. Pastel watercolour, flower-patterned print as perfume. Warm climate red licorice, plum permeate and cherry saturate, well-integrated acidity and some iron astriction. Would gain weight alongside rich foods.  86  @TrialtoBC

Vignoble Rancourt Meritage 2007, VQA Niagara Peninsula, Ontario, Canada $19.80

Chalk dust followed by quality, perceptive, frank and just red fruit. Understated, not overly expressive and walking softly down the road.  85

The Cloof Cellar Blend 2009, Wo Darling, South Africa $20.00

Leaps from the glass with earth expanding aromas. Strapping Pinotage java component shows accommodating restraint in advance of a Turkish viscidity. Red fruit is bright, adhesive and enervetic. Overall a bouncy, tannic and splintered affair.  85  @Cloofwines_ZA

Red Blends $25-50

Road 13 Syrah Malbec 2011, BC VQA Okanagan Valley, British Columbia, Canada, $25.00

A count five psychedelic strawberry and savoury rhubarb aromatic behemoth. Crazy cherries too. Then, a mind-altering, animal hide moment, not exactly gamey, but something other, enough to cause a psychotic reaction. “(Shouted) And it feels like this!”  90  @Road13Vineyards

Creation Syrah Grenache 2011, Walker Bay, South Africa $32.50

A requiem for an exaggerated swirl, or at least the respect of a decant. Quite a head-smacking whack of mineral-iron-metal, with the tempering lift of a citrus-scented candle. Kirsch, vanillin oak “and my time is a piece of wax fallin’ on a termite, who’s chokin’ on the splinters.” I am the loser, the wine is the winner. Very berry, big and beautiful.  90  @gradwellwines

Cassiano Amarone Della Valpolicella 2008, DocVeneto, Italy $35.25

Quite the animal, this plum juicy and high-octane alcohol, cloying acetone and chocolate-dipped red licorice Venetian red blend. Sounds ridiculously Ripasso and near-Amarone delicious and were it endowed with the balance and structure to walk with the giants I’d sing its praises. Even so, I really believe it’s a “soul who’s intentions are good” so please don’t let it be misunderstood.  87

Masi Costasera Amarone 2008, Veneto, Italy $39.95

A stew of red fruit, prune and fig. Cauterized, steroidal, excessive, welling sensory overload. Leaking car fluids. Certainly a problematic, off-bottle from a reliable, age worthy brand.  80

Pinot Noir $25-50

Leyda Lot 21 Pinot Noir 2012, Leyda Valley, Chile $45.00

Beaucoup de terre, or more likely, mucho suelo. An extreme example of Pinot Noir, a flamboyant king, ostentatious, peacockish and wired by a constriction of spices. There is perhaps too much earthly, saftig body. Though my first impression was admittedly old world, there is no way that theory will hold. A glass in and the thrill is gone, “And now that it’s over, all I can do is wish you well.”  87  @BadDogWine  @WinesofChile

Good to go!