Carpineto brings “la Toscana e i suoi vini magliori” to the world. The producer near Greve in Chianti fashions wines from most of the better, best, requisite and constituent locales of Tuscany. The Carpineto library has been laid down from foundations in the DOC and DOCGs of Montereggio, Chianti Classico, Vino Nobile di Montepulciano and Brunello di Montalcino. Were the Bolgheri on the Maremma coast a part of their portfolio their reputation would surely be further cemented amongst the elite agricole of the region.
What dials Carpineto’s wines in to the natural and honest zone, especially when compared to so many modern peers, is their attention to simple detail. The wines across the board are restrained in alcohol, low in residual sugar and unencumbered by an excess of new oak. The wines are pure Tuscany distilled with seamless though mitigated texture. To a bottle they are a pleasure to taste.
Last Thursday Antonio Michael Zaccheo Jr. of Carpineto came to the WineAlign offices, along with eight of his wines. Together with Tandem Selections, WineAlign principals David Lawrason and Steve Thurlow we tasted through this noteworthy cross section of the Carpineto registry.
The Dogajolo Rosato is a right proper and serviceable Rosé, made from 90 per cent Sangiovese and 10 Canaiolo from holdings in both Chianti Classico and Vino Nobile. Sells quite well at the LCBO and even better at the SAQ where there is a different “attitude towards Rosé.” A gaseous medicine with exceptional salinity. Very dry saigneé, savoury and approachable. The freshly pickled strawberry is a nice touch.
Farnito White 2012, Tuscany, Italy ($24.95, WineAlign)
The Carpineto “White” is made from 100 per cent Chardonnay. Though the intent may be Burgundy, the Tuscan take here is very Italian; tight and forthright in flexure and focus. It is quite amazing how very primary it shows, with its whisper of a kiss by just a chip off the old barrel. Fresh, bone dry and bestowed the angle of Tuscan herbiage. So young that it offers the sensation of just having left the tanks and the wood. Like a leaner and cleaner version of the Cervaro della Sella. Can you say Linguine con le Vongole?
Maybe it’s just a marketing term but Carpineto’s Antonio Michael Zaccheo Jr. refers to this as a “baby Super Tuscan,” because that is what it is. To pay $15 for a quarter century of winemaking acumen is anything but a hardship. Lithesome of fruit as opposed to sweet, it’s actually bone-dry (one g/L residual sugar), and artfully crafted for both the primi and secondi piatti. “Now we are in the Sangiovese camp, so good to go.” Well said, Antonio.
Chianti Classico 2012, Tuscany, Italy (356048, $21.95, WineAlign)
For Chianti Classico, 2012 was a good year, not too warm yet ripening occurred early, with the quality set to high, but the quantities were low. A winemaker’s vintage. Carpineto’s CC comes from the northern aspect of the appellation, from a conca (amphitheater) seven km’s east of Greve, by the piccolo hamlet of Dudda. It’s cooler in this part of Chianti, with more rock imparting flavour and textured sensations into the reds. The ’12 is essentially 90 percent Sangiovese and 10 per cent Canaiolo, give or take 10 per cent. Aromas of roses and wet rocks, fresh ripe plums mashed into tomatoes, herbs and a spicy side note. Old school and precisely what CC should be, minus the funk (which it does not have or need). Ultimate pasta wine right here. Traditional style in an up to date way with temperature control and all the tools of a modern facility. No VA, no barnyard, but really natural. This explains the axiom of maintaining tradition. With so many story lines already spoken for in sectarian Chianti, maybe that is the only thing Carpineto has left to hang their Zuccotto on. David Lawrason hits the nail head on. A Chianti that “resets the compass.” Coming to VINTAGES April 18, 2015
Chianti Classico Riserva 2008, Tuscany, Italy (47118, $29.95, WineAlign)
A wine that is “already performing at purchase time,” like the Chianti Classico but turned up to 11. This has a more than a touch of funk, not exactly barnyard, but surely an earthy forest carpeting. Attribute this to the extra concentration and the élevage – time spent soaking up the barrel. The added marinade works to opposite effect as compared to the CC normale and in my opinion it’s an adverse one. Lost is the freshness and spirit. Still a wine of great Tuscan antiquity, in maintenance of its acidity and full of dark, iron and sanguine pulsing fruit.
Vino Nobile Di Montepulciano Riserva 2007, Tuscany, Italy (368910, $29.95, WineAlign)
Carpineto’s Vino Nobile hails from further inland, where the climate is more continental and the dry-farmed clay soils help carry the grapes through warm summers like 2007. Has an intense grapey, raisin and resin character. Really big fruit yet still old school enough to remind us all of the Carpineto oeuvre. This has stuffing, with nary an advancing moment towards a premature future. Blessed with a seamless nose to palate to tannins structure. This is really fine Vino Nobile, “scelto,” a chosen mocker. It’s thick and full but not from oak in any shaken or splintered way. This Prugnolo Gentile comes by its substance naturally, with minimal effort or need of applause.
Cabernet planted as 8,000 vines per hectare in Montepulciano resulting in the production of one bottle per vine. Love that equation. Eight tons per hectare is low but not an economically impossible yield. Antonio Michael Zaccheo Jr. insists the single vineyard plot is the largest contiguous vineyard in all of Italy. The vineyard was 15 years old at the time this wine was made, so we’re talking prime time for making world class wine. Spent one year in one third new French and American oak and then a few years in bottle. Not quite as ready to pop and pour like the CCR, this has beast mode written all over its expatriate face. Juicy, chalky and dusty which puts it in contrast to the Sangiovese. This is much more internationally styled and “needs cholesterol of any kind, “ says Antonio Michael. It’s more floral than the Chiantis and the Vino Nobile. Ripe but not overripe, international but unmistakably Tuscany.
This vintage is from a single, five hectare vineyard (the wine moves around through vineyards, depending on an assessment of which shows best from year to year). Spent one year in new oak and was bottled in spring 2006. The “Old Mill” is a Tuscan-Bordeaux-Rhône gathering of Sangiovese (70 per cent), Cabernet Sauvignon (20) and Syrah (10). This has a Boschetto al Tartufo (shaved white truffles in cheese) note that is intoxicating. From sandy clay soils, southerly facing with marine sediments planted in the early nineties so the marine impart is just starting to show. Recent vintages should give increased salinity and minerality. Has the aroma of roasting game and savoury, Mediterranean bushes – this is akin to some southern Rhône big wines but the texture is stretched and seamless, not cake-baked and chalky. Great acidity and length. Still quite edgy. Needs at least five more years to come around. Released as part of the VINTAGES September Classics.
Good to go!