It reminds me of Richard Yates at his early career, Revolutionary Road best, in tense humour, as noted by James Woods, “a celebrated indictment of suburban surrender.” Here we are, in 21st century Ontario, preparing to head to our suburban respite sanctuaries with tools, sundries and supplies in hand, only lacking one essential piece. Good wine. We turn to the LCBO, to VINTAGES, to the ceaseless recurrence of release and we find limbo. Last week? Next week? Why not now?
We are willing to submit and surrender but the shelves are stocked with 2nd tier choices, the wines of first degree excitement already having disappeared with the previous week’s first wave. So if you need wine suggestions for the Victoria Day weekend I’ll have to send you on a retroactive search through the May 14th VINTAGES release. “It’s a beautifully typical story of these times and this place.”
Related – In VINTAGES May 14th
Why am I looking forward and into the eyes of May 28th? Well, I’ll tell you why. The finest collection of Canadian wines in some time gathered together at one communal table will become available, sadly just days after the May 24 three-day escape. These wines would have sold well, in droves actually, had VINTAGES made use of their excellence in advance. So, as a messenger for the stars, it is my duty to tell you about their upcoming presence in diplomatic conformity of early 21st century Ontario realism, on the LCBO stage. These be the 10 of them.
This 2014 Okanagan take on Viognier is an all out rich, ripe and boozy affair. Sparks fired by a cold play take the lead, singing with spice, marked by galangal and ginger in control over the wishful act of balancing extract. “And I saw sparks, yeah I saw sparks,” enough so for such a Viognier to be on your way. Sharply struck, in smithereens and yet epic for the price. Drink 2016-2018. Tasted May 2016 @ @ @
Good unction for the un-oaked Jay Johnston procured Chardonnay, more green apple and early honey than before. This is the purity machine in motion, direct, spoken in a Bench vernacular and zagging like the rows of the vineyard. Still at $17 and not to be bypassed for anything that might think to stand in its way. Can you say petite Chablis? Drink 2016-2020. Tasted February 2016 and May 2016 @ @ @
The bottle tells you about grapes handed the pink slip during post harvest deliberations, something not lost within its own ironic twist. When you have pink lemons you made pink lemonade, done here to great simulated effect. Tart is the operative, like a perfect square of gelid red citrus on a plate to foil briny sea morsel and verdant greens. With the right herbs and lettuces this pink grapefruit Rosé will handle itself with pairing irony and relative ease. Welcome aboard Sébastien Jacquey. Megalomaniac’s winemaking approach to Rosé never had it so good. Drink 2016-2018. Tasted May 2016 @
Continues to throw its weight about and has now engaged a phase of typical J-P Colas redolence and pungency. Strict adherence to Creek Shores citrus minerality injects the June for future time-lapse release, an internal ooze that will take years to push its way upwards to the surface.
From my earlier note of December 2014: 2013 was a perfect follow-up for Niagara Riesling, after a vintage where so many exceptional wines were made. The ’12 June’s by Jean-Pierre Colas was his best and with this repeat performance in ’13, the consistency of June’s vineyard is further cemented. Once again, the citrus injection is a Creek Shores thing, a vehemence not matched by other sub appellations. Where ’13 differs is its weight. There is a textural density improved upon and at the same time dragging on the freshness of the fruit. The trade-off will mean less immediate gratification in lieu of more flesh and bone for a longer period of aging. Given at least five years rest, the 2013 June’s Riesling will discover a Ribeauvillé like future.
Last tasted May 2016
Such a ripe and extroverted Pinot Gris, in a style created and honed by winemaker Richie Roberts, here in 2014 near its apex. Singular without feeling the pressure to induce rapture or revelation. Fleshy ripe, of peaches, plums and nectarines. Typically and expectedly fresh, juicy, industrious, vehement and good, spicy length. Always well-made, hitting essential, doctrinal Pinot Gris notes and so very food versatile. May I suggest a whole grilled fish, lemon and fresh herbs. Drink 2015-2018. Tasted May 2015 and May 2016 @ @
The dial is turned up in the noble blend, an amalgamation of five grape varieties and nine vineyards. The inspiration and the intent is Alsace, the result lying somewhere in between. It is an inspired blend and it does resemble Alsace but in the end it’s all Joie Farm. Distinct from structure and connectivity, not to mention drinkability, with a shot of spice. Drink 2016-2020. Tasted May 2016 @
At first the 2013 Red alights in high tones juxtaposed by a chew of sultana, an odd entry for the Thirty Bench, carrying on for the first few minutes in the glass. There are sulphide notes, of red onion and yet after a few minutes they begin to resolve, caramelizing to sweetness, mixed with tannin. The transformation continues, playing new notes, of red rooibos tea and seasoned seaweed. Grilled onions and charred poblanos come on the palate. Currants finish off the profile. The emotive cabernet franc really dominates this blend and though at first difficult to crack, the eventuality is an equation figured as a true positive. Drink 2017-2021. Tasted May 2016 @
This is more than an interesting look back into the Tawse time machine to compare where the Grower’s Blend now sits as compared to what it was like in its youth. Now into liqueur, of cherry and earth, no longer just a hint of what they wish to be. This shows the excellence of the 2011 vintage for Pinot Noir and the master blending acumen of winemaker Paul Pender. Drink 2016-2018. Tasted May 2016 @ @ @
That flesh, that Kabinett flesh, fills the CSV in every crevice. In 2013 the residual sugar number lies between 15 and 16 g/L, and though the crop was bigger, it was still picked later than in 2012. The result is formidable corporeal concentration, consistency of house style and perhaps the only ’13 Niagara Riesling to imitate, perpetuate and extrapolate on the vintage that came before. This Cave Spring concentrates fruit and Escarpment into a powerful Riesling, streaming like charged particles through changing expressions. A lingering ascension hovers as it rises, until it slowly fades into the welkin, like a balloon that languidly gets lost into the blinding blue of a midday sky. Drink 2017-2025. Tasted April 2015 and May 2016 @ @
From the Nuits St Georges parcel that Thomas reaps, built on the premise of soil, structure and depth. The lithe beauty of this La Petite Charmotte block is lifted and held in the highest esteem in 2013, perhaps with even greater sensibility of character than out of what was an exceptional 2011. The Nuits iron power surge may have descended down a half level but the redolent Beaune balance is spot on. So very perfumed. That Bachelder perfume, expressed in Neaune craving and breadth. Drink 2017-2024. Tasted May 2016 @
Good to go!