Why we’re always tasting Australia

Why is godello so pleased? #grenache @Wine_Australia @vintageMD and @Caplansky that’s why.

Mark Davidson, that’s why. We taste Australian wines with thanks to the intrepid Wine Australia ambassador, traveller and purveyor of everything you could ever want to know about that country’s wine scene. Davidson passes through our Toronto parts on manifold missions each calendar year and graces our collective wine writer-meets sommelier soul with non bottle-o Aussie bounty, not oft tasted before. In mutual abide our local agents are always willing to throw some gems into Mark’s mix and our finest restos lay out the food-matching compliments to accede the most excellent of wine tasting gatherings.

The last three sessions took place in June 2018, February 2018 and September 2017. For that September get together we convened at Caplansky’s Deli for a Smoked Meat and Grenache Lunch. “Pastrami to me smells like grenache,” says Davidson in candid equation. “Drink some and eat some meat.” In 2015 there were 1500 hectares of the varietal under vine, this compared to 44,000 of shiraz. On its agriculture in Australia he added “if you leave it untended it will go blowsy and slutty.” What about wood? “I don’t think new oak works with grenache. It dominates it.” These are my notes on the eight wines.

Yalumba Bush Vine Grenache 2015, Barossa Valley, South Australia (Agent, $19.95, WineAlign)

There is nothing here to raise an eyebrow’s moment of a suspicious mind. What you taste is what you get. Pure grenache. Tangy and spicy, fresh and walking with an easy stride. The youngest vineyard is from 1972 so that explains the confidence and yes, you can call this old vine, said with a wry smile. Really smart and teachable wine. When it comes to grenache, “we can’t build our dreams, on suspicious minds.” Drink 2017-2020.  Tasted September 2017  @yalumbawine  breakthrubevcanada  @yalumba  @BreakthruBev  yalumbawine  @BreakthruBeverageCanada

Alpha Box & Dice Grenache Tarot 2016, McLaren Vale, South Australia (Agent, $24.99, WineAlign)

Lighter style by way of a McLaren Vale mentality. Perhaps like somebody that I used to know the “death card” is a resurrective grenache to “chuck in the fridge and drink it,” as per the suggestion of Dylan Fairweather. But it’s really something else, comforting, helpful. Like Gotye, “a friendly face will bring you around and you’ll feel better.” This is a solidly pressed grenache with some cured, curative meaty notes, just where the varietal tendency should lead. “Better than before.” Drink 2017-2019. Tasted September 2017  alphaboxdice  awsmwest  @AlphaBoxDice  @AuthenticWineON  @alphaboxdice  @awsmon

d’Arenberg The Custodian Grenache 2013, McLaren Vale, South Australia (713040, $19.95, WineAlign)

This grenache may straight out remind “but what’s puzzling you is the nature of my game.” Place, name and grape all combine for notoriety, perhaps controversy but certainly greatness. The iconic house of d’Arenberg is the grenache custodian for McLaren Vale, the keeper of nearly one third of the region’s varietal vines. The process includes foot-treading, which does not make it old school as much as it presses the idea that human intervention is very much a part of the wine. The basket press adds to the beggar’s banquet gentility of the Custodian’s mystery, a deeply satisfying grenache of wealth and place. This is the juiciest of juicy grenache vintages, perfectly tart and sweet like candy for the soul. At four years of age the balance is struck and the evolution just right for current enjoyment. A rolling stone that will stand the test of time, one plus one bottle at a time. Drink 2017-2021. Tasted August and September 2017   darenbergwine  churchillcellars  @darenbergwine  @imbibersreport  @darenbergwine  @imbibersreport

Chapel Hill Bush Vine Grenache 2014, McLaren Vale, South Australia (Agent, $35.95, WineAlign)

Showing more than a major amount of fruit than most in a flight of eight grenache. Creamy, full of textured elements, tart and graced by a ying-yang of tenebrous-generous tannins. The ripeness is run through raised and chalky, like a mineral feel, searing at moments but mostly in a just so it happens or it happened way. Plenty of joy, curiosity and obfuscation. Give it a year or more to continue finding its course. Drink 2018-2021.  Tasted September 2017  chapelhillwine  chartonhobbs  @chapelhillwine  @ChartonHobbs  @ChapelHillWine

Kilikanoon Prodigal Grenache 2013, Clare Valley, South Australia (482547, $20.95, WineAlign)

From 80-90 hectares in the Clare. Kevin Mitchell’s bigger style is evident but not compared to 10 years earlier. Now in control of tangy grace and tempered volume. Needed six months to continue its settling and will only continue to improve.  Last tasted September 2017   kilikanoonwines  chartonhobbs  @kilikanoonwines  @ChartonHobbs  @KilikanoonWines

The fruit works well with the soil, sharing equal time in the sandbox and the acidity takes time to unfold but when it does, it comes smiling candid and sweet. A fine grenache and typically Clare Valley, perhaps more than what it offers in terms of varietal representation. Otherwise unexciting meaning easy to like and consume. Drink 2017-2019.  Tasted February 2017

Oldest #grenache vines in Australia is one thing, über religiously delicious @cirillo1850wine juice another #barossavalley #ancestorvines

Cirillo 1850s Grenache 2011, Barossa Valley, South Australia (Agent, $69.00, WineAlign)

Australia’s oldest grenache vines provide the setting, architecture and unfathomable bestowal for a singular standard of grenache. So what does it all mean? First there is the lighter, cooler vintage setting the stage for this queued up, cued slice of Barossa history. In most respects this is grenache prone to and prepared for drought vintages, preserving a guarantee of tannic structure. Sure, it may be seen as well beyond perhaps but six years forward offers more than enough information and explanation. This is simply beautiful, just and enlightening. Flowing, plum ripe, melting, liquorice, smack piquant, mellowing and so bloody cool. Drink 2017-2022.  Tasted September  2017 cirilloestatewines  bokkewines  @Cirillo1850wine  @bokkewines  Cirillo 1850 Estate  Marco Cirillo  @BokkeInc

Jauma Grenache Gramp Ant 2015, McLaren Vale, South Australia (Agent, $54.95, WineAlign)

This one’s for their kids’ grandfather, Grandpa Antony, a grenache sourced from the best corners of their McLaren Vale Foreman block and Blewitt Springs Genovese Vineyard. The James Erskine and Fiona Wood “keep me satisfied, please keep me calm, keep me pacified” grenache. Renders sulphur and volatility into must with magic and preservation. Old plantings (to the 1970s) offer the prospect of a whole cluster, 40 days on skins raising. It smells and tastes like the scrapings and peelings of plums, peaches, apples, cherry and cranberry. The concentration factor is spiked by anise and tonic bitters, working out the kinks and comfortably leaving an aftertaste of pure finessed liqueur. There is no question in my mind that of the two, Gramp Ant is not merely superior to Like Raindrops but is so much more fun to drink. From thirst to appetite. “Sitting by the riverside.” Drink 2019-2025. Tasted September 2017  jaumawines  thelivingvine  @JaumaWines  @TheLivingVine  James Danby Erskine  The Living Vine inc.

Ochota Barrels The Fugazi Vineyard Grenache 2014, Adelaide Hills, South Australia (Agent, $57.95, WineAlign)

A different look for Australian reds and connective with Tool’s James Maynard Keenan but if Post-Punk, Prog-Rock grenache is what you’re after than this Tolken Silmarillion Fugazi is the one for you. Its fruit spent 80 days on skins and the resulting whole bunch umami resides in an MDMA-Ecstasy-Fugazi realm. Clean, pure and of a transparency that speaks to the realism of the dream. It’s bloody juicy and anything but messed up beyond recognition. In fact it speaks to the opposite of the nomenclature. “Do you realize, this world is totally fugazi?” Great wines like these are the head, the voice and the heart. Maybe even the prophet, the visionary, the poet and the sentimental mercenary. Drink 2017-2022. Tasted September 2017  ochotabarrels  thelivingvine    @TheLivingVine @Ochota Barrels  The Living Vine inc.

In February 2018 Mark hosted a tasting of 12 (mostly) alternative varietals at George Brown College. It began with the Clare Valley, once a massive mountain range, now an extension of the loft mountain ranges and just shy of a great outback. It’s an amazing micro-climate with huge diurnal temperature changes, It can be 40 degrees during the day in peak growing season and five at night. “There is dew and there is this revival process that happens with riesling.” Here are the notes.

There are seminars and there are elucidative @vintageMD seminars. The oracle of @wine_australia has been illuminated

Grosset Polish Hill Riesling 2017, Clare Valley, South Australia (SAQ 10956022, $50.00, WineAlign)

Grosset’s riesling at Polish Hill Vineyard was planted in 1981, young for Australia, on limestone, shale and clay, underneath of which is 10,000,000 year-old blue slate. Austere when young, usually, it’s fleshier and more floral than limey but as always, it acquiesces the crisp, clear and cut brilliance Jeffrey Grosset expects and suspects Clare Valley riesling just is, or at least must be. So the choice is yours, enjoy it now because it can be, wait on its sneaky persistence or wait 20 years after you’ve tired of imagining the possibilities. Wait at least five for the screwcap to loosen and the riesling to abide as if. It’s pretty clear this is a forbearer clarified by a crystalline vintage. Drink 2021-2036.  Tasted February 2018  grossetwines  @GrossetWines  @GrossetWines

Pewsey Vale The Contours Old Vine Riesling 2012, Eden Valley, South Australia (Agent, $42.00, WineAlign)

Originally planted in 1847, passed through challenges, purchased by the Hill-Smith family and re-planted in 1961. This includes fruit from that original block, the “contoured site,” hence the name. Here five years on with some first developed character, with the airy, gassy (or Rose’s lime marmalade to an Australian ambassador), lemon-lime citrus spray ringing the inside of the glass. It’s a salty gas-powered riesling with innate Barossa ability to move forward with deceptive speed. This fin-slicing vapour trail of tonic and fine bitters is a personality I would gladly draught in for a bottle or more. One of the finest acidities of any wine on the planet. This is still the current release and that’s just perfect. Drink 2018-2027.  Last tasted February 2018

From vines originally planted in 1847, here is Riesling worthy of the longest run on sentence. Riesling of conventional wisdom from a cold, windy, chilly place, pricked with holes, atomized infiltrations, queued with basic intent, wise, driven, young, gaseous, of concentrated rage, bone dry and no, it does not feign sweetness, even if the texture makes nefarious attempts at confusing the palate. A decade on this will blow your mind, if you let it. Drink 2018-2024.  Tasted at the Langton’s Classification Seminar, February 2016  pewseyvalevineyard  breakthrubevcanada  @PewseyVale  @BreakthruBev  @pewseyvalevineyard  @pewseyvalevineyard  @BreakthruBeverageCanada

Ochota Barrels Chardonnay The Stint Vineyard 2016, Adelaide Hills, South Australia (Agent, $57.95, WineAlign)

Chardonnay out of the Stint Vineyard is from Lenswood in the hills in surround of Adelaide, up to elevations of almost 600 metres. It’s really about site exposure, and undulations, but to be honest it does little at first to tell me that is noses as chardonnay because there is a layer of impregnable wax and forest wall. Impenetrable because it’s so verdant, equally distributable and obscured by clouds. Picked on acid, as in profile, not elevation, cloudy because of no filtration. Likely 20 year-old fruit and if you consider this as funk you’ve not quite been listening to the right beats. The funk will only get better. Ochota Barrels repping the Basket Range Collective with a side of Rolling Stones. Drink 2019-2024.  Tasted February 2018  ochotabarrels  thelivingvine    @TheLivingVine  @Ochota Barrels  The Living Vine inc.

Murdoch Hill Artisan Sulky Blanc 2016, Adelaide Hills, South Australia (Winery, $62.95, WineAlign)

From winemaker Michael Downer the blend is riesling (50 per cent), sauvignon blanc (30) and pinot gris (20), left on skins, sent to barrel and also to tank. For an ambitious white it’s got remarkable entry-level gulpability. It’s an appellative blend built on acidity and so into the combinative texture. What you feel in the end is the alcohol, in a boozy warmth that hovers, broods and compresses climate like a rainforest village above the clouds. Drink 2018-2021.  Tasted February 2018   murdochhill_wines  @Murdoch_Hill  @murdochhillwine

Angove Family Vineyards Shiraz-Grenache Warboys Vineyard 2013, McLaren Vale, South Australia (537209, $46.00, WineAlign)

No matter where you are in the throes of this blend there is a maritime influence and in a way, a Mediterranean-like feeling, with plum, black olive and brine. It’s saltier and more ferric than a Rhône syrah-grenache (plus likely one with mourvèdre) and it feels more like shiraz than grenache because of the grip, vintage-driven or not. Drink 2018-2022.  Tasted February 2018   angovewine  churchillcellars  @AngoveWine  @imbibersreport  @AngoveWine  @imbibersreport

Henschke Henry’s Seven 2015, Barossa Valley, South Australia (685578, $42.95, WineAlign)

Shiraz is co-fermented with viognier, deciding the direction with holes and angles filled then lined by the grenache and the mataro. It’s floral, by flowers but also the leafiness that comes from raspberry and strawberry plants. Smells like fruit compost, sweet and savoury, Great acids and fine tannins. Really composed and grippy to delicious pile to be happy having consumed. Will be ideal in 18 months, give or take no time at all. Drink 2019-2026.  Tasted February 2018   henschke  breakthrubevcanada  @henschkewine  @BreakthruBev  @HenschkeWine  @BreakthruBeverageCanada

D’arenberg The Derelict Vineyard Grenache 2013, McLaren Vale, South Australia (Agent, $35.00, WineAlign)

If there is a juicier, riper or more gregarious nose on a grenache anywhere I’d like to know. Which is all the more surprising considering the level of grippy tannin that comes around to knock you upside the cerebral cortex. Fascinating wine, always and with perpetual craziness. The old derelict vineyard strikes again. Drink 2019-2024.  Tasted February 2018   darenbergwine  churchillcellars  @darenbergwine  @imbibersreport  @darenbergwine  @imbibersreport

John Duval Wines Grenache Annexus 2016, Barossa Valley, South Australia (Agent, $85.00, WineAlign)

There is certainly less immediacy and perhaps generosity but in its taut aromatic quietude there is this dusty, savoury fennel feeling going on. It is very much a grenache expressed in a vein like pinot noir, then again not really, but there is a skin-rubbed, umami quality about how it develops in the glass. It’s both forceful and virile. Duval does grenache in Barossa like Pommard in the Beaune. Warm climate and litheness get together at a grenache crossroads for firm if wonderful balance. Drink 2019-2024.  Tasted February 2018   johnduvalwines  breakthrubevcanada  @JohnDuvalWines  @BreakthruBev  @johnduvalwinesbarossa  @BreakthruBeverageCanada

Delinquente Wine Company Vermentino Screaming Betty 2017, Riverland, South Australia (Agent, $20.00, WineAlign)

It’s by now safe to call vermentino an “emerging variety” for South Australia, here from Riverland off some of the 120 total hectares planted. You just know it’s vermentino but you also know it’s not grown along the Ligurian coast. It’s so bloody big, aromatically fruity and full of dry extract, wants to be savoury, but it’s more of a light charcoal sensation. That and an essential oil distilled through cookie dough, with white chocolate and peach. It’s tannic without being grippy and in the end, dry as the desert. Drink 2018-2021.  Tasted February 2018   delinquentewineco  bespokewineandspirits  @BespokeWines  @delinquentewineco  Matt Wolman

Paxton Graciano 2016, McLaren Vale, South Australia (Agent, $26.99, WineAlign)

Rarely does an Australian red climb up to the tonal heights of this McLaren Vale graciano but there it is in the rare, aerified air, with red berries and their leaves. Steps into the Riverland, light, gives away this gulpable Kombucha in a flat out tart and quenching drink. Lovely at 11 per cent alcohol, high acidity and a pinch of residual sugar. Drink 2018-2020.  Tasted February 2018   paxtonwines  noble_estates  @paxtonwines  @Noble_Estates  @PaxtonWines  @NobleEstates

Brash Higgins Nero D’avola Amphora Project 2016, McLaren Vale, South Australia (Agent, $51.95, WineAlign)

Part of the amphoric project of Brad Hickey, raised in 200L amphorae, the volatility is but a whisper, way more calculated than careless. A full come about turn away from the previous Riverland Graciano this digs deep into the soil for a funky nero d’avola, far away from the caky Sicilian style and now under the auspices of perspiring glands. It’s not nearly as dense and intense you’d think it might be, nor is it so very varietally obvious, but it’s level of intrigue meeting with the need to get in my mouth is the stuff of lyrical innocence inspiration. Nero, nero on the wall, who’s the coolest Vale of all? Drink 2019-2026.  Tasted February 2018   brashhiggins  thelivingvine  @BrashHiggins  @TheLivingVine  @BrashHigginsWine  The Living Vine inc.

Alpha Box & Dice Dolcetto Dead Winemaker’s Society 2016, Adelaide Hills, South Australia (Agent, $21.95, WineAlign)

The name refers to an industry drinking session where you bring a wine made by a winemaker no longer alive and who was influential on you. From two vineyards (Paddock and Christmas Hill), southeast facing, 50-50 pick, fermented separately, all in old oak (as opposed to the 50 per cent in stainless from 2015). A much fresher vintage so thus the decision making. Such a ripe and joyful dolcetto should be every winemaker’s dream and it shows where the area first settled by Italians this variety and others like it would have been in the ground from the get go. Sour cherry and pomegranate, currants and all things citrus, red and ripping gather for great light possibilities. Surprisingly dry and tannic at the finish. Really just a joy. Drink 2018-2021.  Tasted February 2018   alphaboxdice  awsmwest  @AlphaBoxDice  @AuthenticWineON  @alphaboxdice  @awsmon

Vintage MD time ~ #pinotandporchetta @archive909 ~ welcome back Mark

In June of 2018 we connected with Mark once again, this time at Archive Wine Bar for pinot noir and porchetta. We travelled through eight from the 2015 and 2016 vintages.

Coldstream Hills Pinot Noir 2016, Yarra Valley, South Australia (Agent, $29.95, WineAlign)

A steeped black meets rooibos tea enters and opens before black cherry, orange and marmalade deliver the message of a three-fold schist-clay-volcanic earthiness. It’s a full combing in 2016, valley floor, lower and upper slope all contributing to character, structure and acidity. Bigger vintage than 2015 with a wealth of fruit and it will improve in a year. Drink 2019-2022.  Tasted June 2018   #coldstreamhills  markanthonyon    @MarkAnthonyWine  @coldstreamhillswinery  Mark Anthony Wine & Spirits

Montalto Pinot Noir Pennon Hill 2016, Mornington Peninsula, Australia (Winery, $30.00, WineAlign)

Lifted, higher and higher, sitting on a plateau built upon an acid structure squeezed from red currants and bled from stone. Also a slight cured salumi note mixed with wet concrete. Great palate presence and persistence, repeatable, replaying phenolics purely currant and with more electric current from leafy savour. Drink 2018-2023.  Tasted June 2018  montaltovineyardandolivegrove  @montaltowine  @montaltovineyard

Dalrymple Pinot Noir 2015, Tasmania, Australia (Agent, $49.95, WineAlign)

Tougher nut to crack with a bit of a muted nose. Dalrymple is a Yalumba property in cool Tasmania and when this airs it brings spice first and foremost. Add to that some garrigue, fresh tea leaf and salumi savour. Sweeter fruit to taste, of watermelon and red apple plus cherry fruit and a slight pith. Pretty intense, inward and impressionistic pinot noir. Drink 2019-2023. Tasted June 2018  dalrymplevineyards  breakthrubevcanada  @DalrympleWine @BreakthruBev  @DalrympleVineyards  @BreakthruBeverageCanada

Bindi Pinot Noir Dixon 2015, Macedon Ranges, Australia (Winery, $85.00, WineAlign)

The Bindi Dixon Pinot Noir is based upon declassified grapes from the Original Vineyard planted in 1988 and grapes from the new Block K, planted in 2001. Crazy horse nose in the way that other varieties of the world will do, or at least try and simulate when they want to be pinot noir. Especially Italian varieties, like nerello mascalese, dolcetto, perricone and montepulciano. This is a natural leader for grape wishes like those of the lesser known. Very wise from the start, from birth, from creation with more savour and salumi then so many wannabe realists. There is a beautiful raw pasta dough note and then an exotica by fruit that isn’t really nameable. If this is the de-class from Michael Dhillon I’d like to meet the classified. Drink 2020-2028.  Tasted June 2018  bindiwines  @Bindiwines  Michael Dhillon

Makers’ cool pinot noir warmth from regional @wineaustralia as explained by the man, @vintagemarkdavo

Wicks Estate Pinot Noir 2017, Adelaide Hills, South Australia (Agent, $25.95, WineAlign)

Lovely balance from the word yes by Wicks in a straightforward pinot noir expression with no agenda and no ulterior motive. It’s very forward, outwardly fruity and if basic, so be it because it really works. Some elevation (450-500m) makes a difference, bringing lift and cool tones to the ripe, sweeter and weighty warmth of magnanimous fruit. Drink 2018-2021. Tasted June 2018 wicksestate  azureau    @azureau  @wicksestate  @azureauwinesandspirits

Yering Station Village Pinot Noir 2015, Yarra Valley, Victoria, Australia (552166, $24.95, WineAlign)

Lifted into appropriate levels of volatility and ripe acidity the balance is struck by wide-ranging Yarra Valley fruit layering away and tempering the tonic coming from the tannin. Big bones and spirit for so little is quite the combination.  Last tasted May 2018

The Yarra Valley is pinot noir, for so many great reasons and Yering Station knows a thing or two about the connection. The brightness of acidity and tart cherry fruit meet with a sour edginess and sweet textural coverings to bring some sunshine to a dreary day. This is Victoria, cool and edgy in the grand scheme of Aussie reds but in the end, very true and correct for varietal and place. Drink 2018-2021.  Tasted June 2018  yeringstation  noble_estates  @yeringstn  @Noble_Estates  @YeringStation  @NobleEstates

Woodside Park Pinot Noir 2016, Adelaide Hills, South Australia (47828, $20.95, WineAlign)

A rush of the juiciest Adelaide Hills pinot noir red fruit plays from the Woodside Park, a wine of breeze and potentially, so many memories. There is an early note of understanding, like a riff that reminds of childhood and in a way how wine knows how it will come to eventually be, even when its still so young. It’s this rustic, old world sensibility, with dried fruit, leathery to cedar forest feelings and a rustic cure. Drink 2017-2020.  Tasted August 2017 and June 2018   #woodsidepark  nicholaspearcewines  @Nicholaspearce_   Nicholas Pearce

Ochota Barrels Pinot Noir Impeccable Disorder 2016, Piccadilly, South Australia (Agent, $99.95, WineAlign)

Impeccable disorder or as I like to call it conventional dysfunction. It’s a late picked pinot noir from one of winemaker Taras’ cooler sights, not so much a regional Piccadilly snapshot as much as realistic dystopian universality. Lifted volatility, pure orange juice and whole bunch pressing add up to wild rides through a flat earth. It’s like seeing things in 3D without glasses or drugs. It’s filmmaking in a glass and it tastes like pinot noir should, not as it does. Wrapped so tight, chewy, chalky and its own tonic-twisted, shaken and stirred cocktail in a glass. Drink 2020-2028.  Tasted June 2018   ochotabarrels  thelivingvine    @TheLivingVine  The Living Vine inc.

Good to go!

Godello

Twitter: @mgodello

Instagram: mgodello

WineAlign

Tasting Ontario Part Five: Varietal Whites and Appellative Blends

There were 33 medals handed out to White Blends at the 2018 WineAlign National Wine Awards of Canada; seven Golds, 17 Silvers and nine Bronze. Quietly, stealthily and without great fanfare the strength of the white blend category has taken NWAC18 by storm. The quality of the wines entered has never been higher, visibly and notably spread across the country. The time has come to establish party lines, to create truly parochial white appellative blends under appropriately chosen names. Nova Scotia has long been there with their apt-scripted Tidal Bay. Ontario and British Columbia should heed the economic and marketing success enjoyed by their maritime cousins and join the appellative party.

Related – Results of the 2018 WineAlign National Wine Awards of Canada (The Nationals): Best of Blends: Red, White and Tidal Bay

The French regions of Bordeaux and the Rhône Valley are clearly the benchmarks and the inspiration for Canadian-made emulative examples, first from a sauvignon blanc-sémillon connection and then with blends that make use of marsanne, roussanne and viognier. A testament to expatriate excellence is noted in the seven overall Gold Medals in this year’s judging and no less than six others finishing at high Silver status on the cusp of Gold. I for one awarded five 90-plus scores to wines I clearly deemed worthy of such accolade and esteem.

It is interesting to note that White Blends centred by sauvignon blanc in the Okanagan Valley rely on much higher percentages of sémillon than their counterparts in Ontario. The simplest explanation tells us that the grape variety has trouble surviving harsh Ontario winters, especially when we look back at 2015 and 2016 when much of the province’s vines were killed by sub-25 degree temperatures. But it’s more than that. In B.C. sauvignon blanc can get pretty ripe, tropical and zaftig so it is sémillon that helps to mitigate, temper, inject a flinty-smoky-mineral streak and ultimately bring balance to the relationship.

There was a time not too long ago when after the best juice was chosen for varietal wines producers then needed to find a way to use up the dregs of their white ferments. White blends came about out of economic necessity, but like Rosé production in this country so many are now produced with a purpose. As a farmer, if you know specific blocks of sauvignon blanc are destined to join with other plots of sémillon you’re going to prune, pluck, green harvest and ultimately pick in very specific ways. Appellative blends have become a year round occupation. That much is clear.

Related – Tasting Ontario Part Four: Gamay

The top scorers at this year’s Nationals have been awarded to seriously and thoughtfully crafted wines. The winners are not entry-level, introductory products at the lower or lowest common denominational levels. They are not simple aromatic blends of vague fruit and sweet impression, in fact many are graced by beneficial and forward thinking structure. The future certainly looks white blend bright. Here are 36 recently tasted Ontario varietal whites and appellative white blends.

Summer spread

Sprucewood Shores Pinot Grigio 2017, VQA Lake Erie North Shore, Ontario (426577, $14.95, WineAlign)

Just a hint of contact it would seem, leading to a not so obvious result in platinum gold hue but more so into the floral nature of its aromatics. Some sweet melon and pear fruit with good concentration and equal if necessary acidity. Can certainly drink a glass of this. Drink 2018-2020.  Tasted blind at NWAC18, June 2018  sprucewoodshores  @SprucewoodWine  @SprucewoodShores

Château Des Charmes Aligoté 2017, VQA Niagara Peninsula, Ontario (296848, $15.95, WineAlign)

The Château des Charmes self-proclaimed “pinot grigio” alternative was never more truthfully written than in reference to this 2017 aligoté. Screwy wet summer merging into crazy hot autumn weather made for one of the latest harvest dates in the estate on the York Road in St. Davids storied history. The rare Niagara Peninsula varietal vines are planted primarily at St. David’s Bench and Paul Bosc Estate vineyards but more are going in, surely out of testimony to the sales of this more than apropos local grape. Surely no one knows aligoté like the Bosc family and yet even they could not have seen this peachy, melony, fleshy and ripe one coming. It’s like a hyperbole of Val do Salnés in Rias Baixas albariño, crisp, aromatic and marched along by natural acidity. It seems sweet but trust me it’s not. It’s the long-hung, fully phenolic fruit and higher pH talking. This is not your average Bourgogne aligoté, searing, taut and intense. It’s a departure for the house but if it could always be made this way I think they would gladly go for the style. Waxy finish too, bringing an added note of complexity. Very cool. Drink 2018-2020.  Tasted July 2018  chateaudescharmes  @MBosc  Château des Charmes

Nyarai Cellars Pinot Gris 2016, VQA Niagara Peninsula, Ontario (Winery, $20.95, WineAlign)

This is quite a striking, rich, creamy and yogurt-leesy, a.k.a. Loire chenin blanc, fixedly in the guise of pinot gris. More skin contact then some plus so much yeasty texture combine to make for the fullest of an Ontario gris expression. This is the sort of feeling that normally comes from multi-varietal, dry white appellative Niagara blends but in a solo pinot gris it’s nothing short of remarkable. Drink 2018-2020.  Tasted February 2018  #nyaraicellars  @NyaraiCellars  Nyarai Cellars

Tawse Winery Pinot Gris Redfoot Vineyard 2017, VQA Lincoln Lakeshore, Ontario (Winery, $24.95, WineAlign)

From out of the dense Lincoln Lakeshore clay comes this flush and luxurious pinot gris, literally rolling in it. It makes for a highly aromatic take on the grape, all in for gris and not to be confused with lighter, less meaningful grigio. The Redfoot Vineyard is clearly earmarked for such a purposed way of interpretation and though the clays of the double L sub-appellation are best with syrah and cabernet franc there can’t be any reason not to allot 10-15 per cent of acreage to white plantings. In the hands of Paul Pender it seems obvious that pinot gris is the one. This dry take is just about perfectly right, with citrus and wet stone hanging around the fruit. Leaner might be more suitable but ultimately it’s balance that is most important for this rich fruit raised by the pottery soil. Drink 2018-2020.  Tasted June 2018  tawsewinery  @Tawse_Winery  @tawsewines

G.Marquis Sauvignon Blanc The Red Line 2016, VQA Niagara Peninsula, Ontario (Winery, $13.95, WineAlign)

Big love, big fruit, all about texture and juicy fruit on the palate but with some fine, wound acidity. Excellent. Drink 2018-2021.  Tasted blind at NWAC18, June 2018   g.marquisvineyards  @GMarquisWines  @G.MarquisVineyards

North 42 Degrees Estate Winery Sauvignon Blanc North 43 2017, VQA Niagara Lakeshore, Ontario (547836, $14.95, WineAlign)

Quite the character this North 43/North 42 degrees sauvignon blanc, fruit amassed on the nose, from canteloupe to underripe passion fruit with a wet, coppery alloy build that translates across latitudinal lines onto the palate. The metallic flavours are undercut by an herbal tonic with a spoonful of tinned fruit cup. Drink 2018-2019.  Tasted April 2018  north42wines  @StratusWines  North 42 Degrees Estate Winery & Bistro 42  @north42degrees

Château Des Charmes Sauvignon Blanc 2017, VQA Niagara Peninsula, Ontario (296848, $15.95, WineAlign)

Interesting take, quite a mineral salt wiring through the green apple fruit, here some feel of barrel but not the malo-creamy effect created. Goes quite juicy and crunchy without resorting to tart. A bit more acid intensity would have sealed the deal. Drink 2018-2020. Tasted blind at NWAC18, June 2018    chateaudescharmes  @MBosc  Château des Charmes

Lakeview Cellars Sauvignon Blanc 2016, VQA Niagara Peninsula, Ontario (483958, $17.95, WineAlign)

An interesting sauvignon blanc for the Peninsula because the pungency is quite Marlborough but the relaxed state and relative weight is all Niagara. Very easy drinking as far as SB is concerned with notable extraction and a green streak, herbal mostly, running through. Drink 2018-2019.  Tasted April 2018  lakeviewwineco  @LakeviewWineCo  @LakeviewWineCo

Kacaba Susan’s Sauvignon Blanc 2017, VQA Niagara Peninsula, Ontario (Winery, $17.95, WineAlign)

Quietude in such a lovely way, mineral meets orange blossom, soft and amenable through the middle, quiet and mellow, fades off slowly, into the sauvignon blanc sunset. Drink 2018-2019.  Tasted blind at NWAC18, June 2018  kacabavineyards  @KacabaVineyards  Kacaba Vineyards and Winery

Stratus Wildass Sauvignon Blanc 2016, VQA Niagara Peninsula, Ontario (376814, $18.95, WineAlign)

t’s more Stratus than sauvignon blanc, even by regional varietal standards, whatever that is, due to the ripe flavours and long-developed phenolic ripeness. Ultimately it is the quotient of a cup of fruit cocktail and an energy level that serves to encourage a sitting back with a glass in meditative state more than a mind stimulated to invigorate. Drink 2018-2019.  Tasted April 2018  stratuswines  @StratusWines  @StratusWines

Organized Crime Sauvignon Blanc 2016, VQA Beamsville Bench, Niagara Peninsula, Ontario (396275, $18.95, WineAlign)

Sometimes sauvignon blanc goes tropical and green at the same time, or at least it is the two poles by picked grapes that combine for such a layering. Citrus and bitters mix into the two sides and all the components walk along, separate and alone together, without making any real contact. Maybe a year will tie the room but the acidity is low so waiting is a counterintuitive idea. Drink 2018.  Tasted April 2018  organizedcrimewinery  Organized Crime Winery

Henry Of Pelham Fumé Sauvignon Blanc 2016, VQA Short Hills Bench, Ontario (444268, $19.95, WineAlign)

With a wink and a nod to Mondavi this lays the lumber in smoulder upon sauvignon blanc with just a wisp, like cold smoking salmon so that it breathes cool and mentholated, without char and a real smoky feeling. The fruit is light and even a bit precious, the weight quite lithe and the overall notation one of gentle demure. You have to appreciate the deft, slight of winemaking hand approach. Drink 2018-2020.  Tasted February 2018  henryofpelham  @HenryofPelham  Henry of Pelham Family Estate Winery

Meldville Wines Sauvignon Blanc 2016, VQA Lincoln Lakeshore, Ontario (Winery, $20.20, WineAlign)

Derek Barnett’s sauvignon blanc may be the fleshiest of the Ontario lot, ripe, tropical and impressively coaxed from off the vine. The phenolic aggregate is a 2016 triumph even while it dances a funky step into botrytis-like rhythms. Notes here and there of herbs and tonics add to the mystique and the rapport. So bloody interesting, singular and meditative for the grape. Drink 2018-2021.  Tasted February 2018  meldvillewines  @meldvillewines  Meldville Wines

Peller Estates Private Reserve Sauvignon Blanc 2017, VQA Niagara Peninsula, Ontario (Winery, $20.20, WineAlign)

Massively fruit aromatic sauvignon blanc, all gathered in a tin cup found in the exotics isle. Juicy melon meets passion fruit and so much more in between, then with a side of metalloid. Raps so commercially viable and succesful it hurts my ears and my eyes. “Any awards show or party I’ll get fly for it, I know that it’s coming I just hope I’m alive for it…I just wanna be, I just wanna be.” Remarkable success for sauvignon blanc, in Ontario. Drink 2018-2020.  Tasted blind at NWAC18, June 2018   pellerwines  @PellerVQA  @PellerEstates

Redstone Sauvignon Blanc Limestone Vineyard 2016, VQA Twenty Mile Bench, Ontario (Winery, $23.15, WineAlign)

There isn’t a ton of sauvignon blanc grown up on the Limestone Ridge but as a top level Twenty Mile Bench riesling terroir it changes the varietal course with considerable concern. As far as it goes this is quite an alloy challenged, mineralized expression, not quite flinty but certainly feeling like a mouthful of richly compressed, calcareous stones. The fruit is so anti-tropical it’s almost reductive and most certainly draws its tang from the soil. Such a curious sauvignon blanc with almost no frame of reference, save for a moment to consider Sancerre, but yet another successful effort from winemaker Rene Van Ede. Drink 2018-2021.  Tasted February 2018  redstonewinery  @RedstoneWines  Redstone Winery

Traynor Sauvignon Blanc 2016, VQA Prince Edward County, Ontario (Winery, $25.00, WineAlign)

Reductive, not flinty or smoky, but reductive. This carries the gooseberry-passion fruit suitcase of fruit. I like the fruit-acid balance and the way it delivers semblances of tart and tangy. Really nicely judged wine. Drink 2018-2021.  Tasted blind at NWAC18, June 2018   traynorvineyard  @TraynorVineyard  @traynorfamilyvineyard

Hidden Bench Fumé Blanc Rosomel Vineyard 2016, Niagara Peninsula, Ontario (68825, $29.95, WineAlign)

The vineyard gains another year, the farming and winemaking too and so fumé blanc out of Rosomel gets better, as things often do with age and wisdom. ’Twas a great year for growing grapes on this amphitheatre of a vineyard block up on the Bench and no love lost for sauvignon blanc neither. There is tension, wound intensity and fierce competitiveness in the ’16, perhaps the most Sancerre and least Pouilly-Fumé it has ever been and so the declaration leans to saying it is “a mineral year.” Nothing against the fruit because the personality cult of lean, crisp and crunchy is in full order, though each sip after sip speaks in those Sancerre or Chablis by way of Saint Bris terms. Stellar, as always, in continuance, moving towards the best it can be. Drink 2019-2024.  Tasted May 2018  hidden bench  markanthonyon  @HiddenBench @MarkAnthonyWine  Hidden Bench Estate Winery  Mark Anthony Wine & Spirits

Trius Showcase Clean Slate Sauvignon Blanc Wild Ferment 2016, Niagara-on-the Lake, Ontario (Winery, $31.95, WineAlign)

Quite flinty, barrel-aged sauvignon blanc, buttery nearly, banana and cantaloupe. So much fruit along with the toasty-creamy barrel. Almost perfectly in balance but it’s wildness and sweet-yeasty lees cumulative turns to a bit of caramel and only accentuates the vanilla. A really cool take on the grape with exceptionally developed flavours. Drink 2018-2019.  Tasted blind at NWAC18, June 2018   triuswines  @TriusWines  @TriusWines

Not all screw cap closures are created equal

Two Sisters Sauvignon Blanc 2017, VQA Niagara Peninsula, Ontario (Winery, $34.00, WineAlign)

Excessive tightness of screw caps does not allow any kept reduction to blow off so winemaker Adam Pearce closed here with a screw cap threading just a bit less rigid. A fine detail but an important one and the only wine to receive this attention, so just a minute amount of oxygen transfer can occur. Just released 11 days ago. The big change is now a fruit vineyard blend that is 70 per cent Four Mile Creek and (30) Twenty Mile Bench. From a cool, wet and rainy season so really it’s all about the grower in a vintage where the varietal struggled with mould and mildew. Eight per cent barrel ferment was used to augment the leanness, for body and peace of mind. A bit reductive and tight with good acid structure to the peach-yellow-plum-kumquat fruit. Good linger. Delicious. Drink 2018-2021. Tasted July 2018    twosisters_vineyards  @TwoSisters_wine  Two Sisters Vineyards

Fielding Estate Gewürztraminer 2016, VQA Niagara Peninsula, Ontario (146753, $19.95, WineAlign)

Fielding’s pays respect to how gewürztraminer has to be made in Ontario with a fleshy, off-dry style though making sure to counterbalance with a fine dose of acidity. From dosage to dose it dances the do-si-so with high quality peach-litchi fruit and grapefruit acidity. If you’re in need of a white to compliment some high-octane, multi-seasoned and possibly spicy food, Fielding’s is textbook and will do the work. It’s a gewürztraminer you can trust. Drink 2018-2020.  Tasted January 2018  fielding winery  richiewine  @FieldingWinery  @RichieWine  Fielding Estate Winery

Redstone Gewürztraminer 2016, VQA Niagara Peninsula, Ontario (Winery, $21.95, WineAlign)

A sip sends a warm shiver through from a simple off-dry gewüztraminer attack more flat than round earth, trying hard to stay on the dry though the bitters and creamy fruit deliver more sweetness than what might have been intended. Some skin contact deals peach skin and those bitters while the acidity quietly abides. It’s nearly, almost and close to cloying by honey mixed in concentrate with a note of alkali. Everything lingers. Drink 2017-2019.  Tasted October 2017  redstonewinery  @RedstoneWines  Redstone Winery

@mackbrisbois brought the past, the present and the future @trailestatewine to taste. Thanks Mack! Indeed, to my pleasure and my education.

Trail Estate Gewürztraminer 2016, VQA Niagara Peninsula, Ontario (Winery, $30.00, WineAlign)

Few winemakers in Ontario are as curious, aloof and serious about making gewürztraminer like this,”looking through that window, into the delicate place.” The changing of mind is so important during the process because it shows an understanding of both mistake and possibility. Mackenzie Brisbois takes a spoon of Niagara Lakeview fruit (Glen Elgin/Wismer farmed), puts it through a whole cluster press, a fermentation in old oak and then wait a minute. An about face transfer to stainless steel tank (just after a few days) because it is too reductive, but then sends it back to old wood where it remains for about nine months. Bottles back in September of 2017. The result is a gewürz that finishes dry (under 3 g/L) so delicate for a customer’s palate, with lots of lemon and lime but never searing, perfect for cold smoked or tataki prepared salmon. Bitter pith note but it dissipates, as does the acidity so keep in mind this is floral and fine. “The delicate place. The questions it raise. The delicate place yeah.” Enjoy it now and gimme fiction. Drink 2018-2021.  Tasted April 2018  trailestatewine  mackbrisbois  @TrailEstateWine  @MackBrisbois  Trail Estate Winery  Mackenzie Brisbois

Trail Estate Skin Contact Gewürztraminer 2016, VQA Niagara Peninsula, Ontario (Winery, $40.00, WineAlign)

The 2016 gewürztraminer fruit is from the Werscht’s (Between the Lines) Niagara farm, super ripe at 24 brix and aromatics on steroids. It clocks in at a healthy 13.5 alcohol, after 13 days on skins and beyond. Close your eyes and the warm pungency will simulate a sensory experience, like standing inside the butterfly conservatory, with all the dessicating fruit, secretions and balmy, humid aromas wafting around. Or maybe even more exotic, like walking past stalls in a south asian market, with fruits cut open so you can see what they are, mangoseteen, marquesa, jackfruit and durian. There is great fun to be had in acidity and spice. Lush, floral and nicely funky. By now an understanding and a level of maturity to think on is as a classic Brisbois white. Drink 2018-2021.  Tasted April 2018  trailestatewine  mackbrisbois  @TrailEstateWine  @MackBrisbois  Trail Estate Winery  Mackenzie Brisbois

Malivoire Viognier Stouck Vineyard 2016, VQA Lincoln Lakeshore, Ontario (Agent, $24.25, WineAlign)

From vines planted in 2010 the magic of excitable youth with just a hint of maturity has brought this block of the terrific Lincoln Lakeshore vineyard to this vintage. Warmth and ultimately ripeness have released the aromatic blessedness of viognier, which along with an unpurposed number of residual sugar will allow this to gain some further complexity with age. May just be the most varietal viognier ever produced out of Niagara but it’s obviousness as a regional example can’t be denied. It exudes confidence without even trying, is naturally oily and grippy because its acidity matches the high notes. It’s a touch boozy at 13.5 alcohol, at times metallic and at others, tropical, because that’s what viognier wants to be. It’s just a terrific effort from winemakers Shiraz Mottiar and Dan Stouck. Drink 2018-2022. Tasted February 2018  malivoire  noble_estates  @MalivoireWine  @Noble_Estates  Malivoire Wine  Noble Estates Wine & Spirits

Lakeview Cellars Viognier 2015, VQA Niagara Peninsula, Ontario (Winery, $24.95, WineAlign)

Pretty tart stuff from the get go, full of tangerine and beautifully dry. Gently pressed and kept in spirit high through the use of stainless steel tanks. Quite floral, not potpourri mind you but a fresh blossoming breath of a bouquet. Simple viognier, effectively executed and perfectly correct. Drink 2018-2019.  Tasted February 2018  lakeviewwineco  @LakeviewWineCo  @LakeviewWineCo

Redstone Viognier Redfoot Vineyard 2016, VQA Lincoln Lakeshore, Ontario (Winery, $28.95, WineAlign)

The barrel is a big time influence here, offering a combination of creamy vanilla and yet some reduction. There must be some lush viognier fruit back there somewhere but the wood is really in control. Subtle hints of varietal florals, far eastern fruit and spice linger behind the veil. Tasted blind it is the creamy texture and vanilla that makes cause for it to be considered so much like California chardonnay. Good acidity however rescues and thinks about the future. Drink 2018-2021.  Tasted twice, June 2018 and then blind at NWAC18, June 2018  redstonewinery  @RedstoneWines  Redstone Winery

Calamus Estate Winery White Night 2014, VQA Ontario (484014, $13.95, WineAlign)

A very good use of vidal (85 per cent) gets an apple jolt from chardonnay in this very peach and grapefruit oriented white. It’s like fruit cocktail in a glass but drier than off-dry and quite savoury. Stage right spicy too, like clove and capsicum, in a way akin to Kiwi sauvignon blanc but in the end it’s white appellative blend in hybrid dominance, running all the way. Drink 2017-2018.  Tasted January 2017  #calamuswinery  @calamuswinery  Calamus Estate Winery

Featherstone Four Feathers 2017, VQA Niagara Peninsula, Ontario (341586, $14.95, WineAlign)

Varietal birds of four feathers (riesling, chardonnay, gewürztraminer and sauvignon blanc) flock together for a wild ride in aromatics, texture, tang and acidity. Here a notable waxiness from the gewürztraminer does oily, glück potpourri with outgoing nature and a sweet meets sour set of flavours. Runs from orchard fruit with bite into the tropical and then some bitters. Nothing simple and quite stirred. Drink 2018-2019.  Tasted April 2018  #featherstonewinery  @featherstonewne  Featherstone Estate Winery

13th Street White Palette 2016, VQA Niagara Peninsula, Ontario (207340, $15.95, WineAlign)

White Palette is at the top of its hyperbole game in 2016 with a light’s glare flooding a room of high aromatic and flavour intensity. Glade, polish, wax and major citrus all max factor the scents and smells. Lemon and caramel well through the palate and funky emissions deal in Peninsula clay with obvious earth. It’s a case of the curious and not fully expected in 2016. Worth a look nevertheless, with fresh seafood off the coals. Drink 2018-2019.  Tasted May 2018  13thstreetwinery  @13thStreetWines  13th Street Winery

Rockway Vineyards Chardonnay/Riesling 2015, VQA Twenty Mile Bench, Niagara Escarpment, Ontario (545905, $16.95, WineAlign)

The varietal get together is both convenient and seamless, in delivery of a cool climate nose and a ripeness to imagine a warmer climate palate. It’s layering is one stacked by alternating textures and walks straight ahead, simple and for the sake of nothing, but for to enjoy.  Drink 2018-2020. Tasted April 2018  rockwayvineyards  @RockwayVineyard  Rockway Vineyards

The Hare Wine Company Crown Land White 2016, VQA Niagara On The Lake, Ontario (Winery, $18.95, WineAlign)

The blend of 60 per cent gewürztraminer and (40) riesling is a lovely mix of lemon, apricot and mild barrel notes. It’s a pithy affair, mildly battered and of a soft demeanour. Fresh with fruit skin scents, a passion fruit tang and acidity that’s pretty darn close to spot on. Chewy texture, finishing strong and long. Drink 2018-2020.  Tasted February 2018  theharewineco  @TheHareWineCo  The Hare Wine Co.

Kew Vineyard Estate Marsanne 2016, VQA Beamsville Bench, Ontario (Winery, $18.95, WineAlign)

The dominant marsanne (90 per cent) is joined seamlessly by viognier in a white blend rich with barrel notes, nutty and toasty. Perhaps a touch less interesting on the palate but it’s welling with presence and persistence. Metallic and effective, with great finishing bitters. Drink 2018-2020. Tasted blind at NWAC18, June 2018  kewvineyards  @kewvineyards  @kewvineyard

Tasting at Pearl Morissette, July 2017

Pearl Morissette Cuvée Blu 2016, VQA Niagara Peninsula, Ontario (Winery, $25.00, WineAlign)

Cuvée Blu is an appellative blend like no other, amphora fermented, 100 per cent whole cluster chardonnay, with pinot gris, riesling and sauvignon blanc. The group spent three and a half (no, not a typo) months on skins, pressed and aged in foudres. I taste this and self-reflected that I would need to taste this once a day for two weeks to wrap brain, heart and imagination around its mythology. I’d also need to understand how it pushed further then just about anything and to see what would happpen, over and over, again and again, each time anew. You can drink this immediately or anytime over the next six years. What’s the difference? How can you know what to do? Self-described by the PM team as “a chameleon charmer and a poem built from the taste of colours.” Memories of a 2017 summer recall the whimsy of hues. “Yellow, orange,” smiled Svetlana Atcheva, “it might as well be blue!” Drink 2018-2024. Tasted July 2017  pearlmorissette  @PearlMorissette  Pearl Morissette

Southbrook Vidal Skin Fermented White 2016, Small Lot Natural Wine, VQA Ontario (Winery, $29.95, WineAlign)

The first time I tasted this blind (at Terroir Symposium) I noted it to be “vidal-like,” a touch oxidative, of this elegant paste or salve, with notes of green plum and just a touch of grapefruit. The second pass confirms it to be a fine vidal orange wine, with more texture than should or would be expected. It delivers lemon and tannin, plus a calculated layering of ample and enough acidity to carry it along. A fine example. Really mouth coating and so tannic. Takes what was learned from 2014 and 2015 experiments and with VQA category approval in its back pocket, begins the true journey forward. Drink 2017-2020. Tasted blind at NWAC17, June 2017 and February 2018 southbrookvineyards  thelivingvine  @SouthbrookWine  @TheLivingVine  Southbrook Vineyards  The Living Vine inc.

Stratus Vineyards Stratus White 2014, VQA Niagara Lakeshore, Ontario (660704, $38.20, WineAlign)

White assemblage under the Stratus label is not like spinning a single record, it’s like Rock ‘n Roll radio. Opening a bottle brings great excitement and anticipation, with a sense of wonder. What songs am I going to hear or more to the point, which grape varieties am I going to taste, in which percentages and in what order? In 2014 it’s a medley of chardonnay, sauvignon blanc, viognier, sémillon and gewürztraminer. The blend spent 21 months in (15 per cent) new oak. The fruits are varied and each one (or mélange of several) represented a hit in their own right. Tutti frutti, orange blossom special, little green apples, the lemon song, kiwi, peach, tangerine and forbidden fruit. In the end I heard it through the grapevine, by way of a conduit provided by great and necessary acidity. A top quality Stratus White, worthy of repeat plays. Drink 2018-2025.  Tasted twice, May and June 2018    stratuswines  @StratusWines  @StratusWines

Hidden Bench Nuit Blanche Rosomel Vineyard 2016, VQA Beamsville Bench, Ontario (Winery, $40.00, WineAlign)

It’s primarily sauvignon blanc (94 per cent) but don’t discount the effect created by sémillon. This is a really lovely barrel fermented stroll through a fresh morning glade, with ripe fruit everywhere and a perfectly pointed and lifted flinty nose. A bit reductive and fresh, as it should and absolutely must be, with hints of vanilla and caramel. Quite ambitious and serious with a focus and a precision that speaks to the acumen of a specific cru that in the end, instructs for sauvignon blanc meets sémillon education. Drink 2019-2024. Tasted blind at NWAC18, June 2018    hiddenbench  markanthonyon  @HiddenBench @MarkAnthonyWine  Hidden Bench Estate Winery  Mark Anthony Wine & Spirits

Good to Go!

Godello

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WineAlign

Alternative and unexpected California

Pop goes @california.wines unexpected whites with phenomenal insight by @hawk_wakawaka ~ Thank you Elaine, Paula @CalifWines_CA

Elaine Chukan Brown came to town and if you’ve never heard her speak on the subject of California wines then you have yet lived. The California Wine Fair has been rolling through Canada for coming upon forty years running and this past April she and the show stopped in Toronto. It has continued to exist as the largest Canadian gathering of that state’s wines under one roof you are ever going to find. The American specialist at JancisRobinson.com, contributing writer with Wine & Spirits Magazine and eloquent meets erudite penner of Hawk Wakawaka Wine Reviews was the keynote speaker at the trade luncheon but it was her morning presentation of California’s unexpected white varietals that got me thinking. Thinking about California wine.

Elaine Chukan Brown

Unexpected might also mean alternative though when talking about grape varieties grown in a place where nothing is truly endemic and everything is expatriate, is there truly such an animal? I could digress into commentary about immigration policies but I’ll stay the course and stick to wine. Brown’s seminar was appropriately referenced with more than one headline because it wasn’t just about varietals. The lecture indeed touched upon malvasia bianca, vermentino and chenin blanc but it also spoke of sparkling, Rosé and iconic blends made by archetypal producers. Not a singular notion by any means of conferral and so ultimately necessary to be expressed in diversified terms. Alternative and unexpected but not without a hit of developed orthodoxy and a whack of doctrinal emigration.

The cross-Canada celebration of California’s wine community began as a single-city event in Ottawa in 1980 and is now the largest annual wine tour across Canada. The California Wine Fair is is the hands of Praxis PR’s Paula Oreskovich and I would be shocked if there is a more successful regional tour, especially at this scale. The 2018 edition was no exception and adding Elaine Chukan Brown to the bill was both a coup and a stroke of brilliant thinking.

There were 10 wines involved in the determinate and evaluative discourse. I could kudize the selections and the seamless flow from reception wine Rosé through epiphanic Brut and across a swath of right proper showing white wines. I could but I’d rather concentrate on Brown’s photographic mind and ability to convey California wine growing region geography, topography and climatic influences. To present these things to a Toronto wine body politic eager for information. This presentation was science incarnate, pure and motivating. It dispatched the essence of the California dialectic and if you understand varietals, growing conditions and economics, what you soak in may actually allow you to write down what will happen in the future, much like you might write down the history of the past. A California history that speaks of cabernet sauvignon, chardonnay and pinot noir. A California future that is alternative, unexpected and wide open.

Folded Hills Lilly Rosé 2017, Santa Inez Valley, California (Winery, WineAlign)

From the Bush family, Rhône varietals are the impetus with this second fruit from a Rosé vineyard set situated in proximation of Ballard Canyon, where things ripen quite formidably. It’s a top location for pinot noir but here an even better place for grenache and syrah. The wine spent 24 hours on skins, was fermented and aged in neutral oak. Crisp acidity speaks to the area’s growing conditions and in its way acts as grenache vin gris, of tart pink to red currants in a glass. Drink 2018-2020.  Tasted April 2018  folded hills  @foldedhills  Folded Hills

Caraccioli Brut Cuvée 2010, Santa Lucia Highlands, California (Winery, WineAlign)

Caraccioli Brut Cuvée 2010 is a pinot noir speciality transferred to sparkling for flinty, smoky, salty and briny sea fresh character from out of a cold Alaskan bred Pacific current. Top, absolute upper end of Brut with 12 g/L sugar and high natural acidity, which is essential. Four years on lees, but that burgeoning acidity works more magic than the yeasts do for texture. As tart as sparkling wine gets and it’s from California. A journey that began in 2010 for only 96 cases made. Price is $52 at the winery. Drink 2018-2022.  Tasted April 2018  caracciolicellars  @caraccioliwines  Caraccioli Cellars

Palmina Malvasia Bianca 2016, Santa Ynez Valley, California (Agent, WineAlign)

East of centre in the valley, just crossing into Ballard Canyon, from sand over chalk. These are soils that warm up fast, ripening a variety that wants to be bitterly phenolic but finds a way to make use of fog from coastal influences in a nook where the mountains run west to east. The limestone in turn acts as the conduit in delivery of great acidity. From green apple to south asian tropical fruit but I can’t say I’ve ever tasted anything like it before. Yes, the acidity is grand and yes, there is a bitter phenolic note though it’s like great gin. A wildly aromatic wine. There are 62 cases made. Drink 2018-2021.  Tasted April 2018  palminawines  barrelselect  @palminawines  @BarrelSelect  Palmina Winery  @barrelselect

Ryme Cellars Hers Vermentino 2016, Carneros, Sonoma County, California (Winery, WineAlign)

From just over on the Sonoma side of Carneros, the last vineyard before you hit marshlands in San Pablo Bay. Alto, musky and floral notes on the nose, a deep sax, A Love Supreme. What’s curious and high level is the texture, which speaks to place, soil and I suppose, winemaking. It’s part malolactic from neutral oak to further explain, with a mix of stainless steel to keep it Trane chord change airy, elevated, ante-flat earth society vermentino. Approximately $25-29 US. Drink 2018-2020.  Tasted April 2018  ryme_cellars  @RymeCellars  Ryme Cellars

Matthiasson White Blend 2015, Napa Valley, California (Winery, WineAlign)

Ostensibly an example of a ribolla gialla led, Friuli styled blend by Steve Matthiasson. It’s a grouping of sauvignon blanc, sémillon, ribolla gialia and tokai friuli (friulano) as the components, turning the Friuli a bit on its head but its more about fruit than pyrazine with a ribolla lick off the ground. There is a nutty note, namely almond from tokai and a flinty strike by sémillon. Unilaterally fermented in neutral barrels and then eventually transferred back in. Great balance, complex and long as the coastal range. Come back to it and it has a wonderful savoury, candied childhood memory feeling. Drink 2018-2021.  Tasted April 2018  matthiasson_wine  @matthiassonwine  Matthiasson Wines

J Vineyards And Winery Pinot Gris 2016, Russian River Valley, California (Agent, WineAlign)

Introduced by Elaine Brown as “a testament to the notion that pinot gris is a noble grape, that expresses its place and adaptation from place to place.” A wine as child of western Sonoma County daily fog incursion, absorbed by the clay, a gift of natural refrigeration, non-pushed sugar development, working for gris, not just noir. Semi-mouth watering freshness, unctuousness and notable sweetness.”Round and hovering,” full and tart, mid-range in the mouth. Minor barrel fermented plus 15 per cent new, as kisses for a nutty depth and orange marmalade flavour. Quite delicious, full of texture and flavour. Drink 2018-2020.  Tasted April 2018  #jvineyardsandwinery  gallocareers  @JWinery  @gallocareers  J Vineyards & Winery  Gallo Family Vineyards  E. & J. Gallo Winery

Birichino Chenin Blanc Jurassic Park Old Vines 2016, Santa Ynez Valley, California (Winery, WineAlign)

From a site protected from wind, a diurnal temperature shift with more of a breeze effect, above the fog line at a high (1100 ft.) elevation. All this to say that you’ll end up with increased aromatics, from own-rooted vines planted in the 70s on sandy soils. Chèvre funky, tangy on the acid notes, with layers of ripeness, but with no developed botrytis and then some fruit picked in December mixed right in. It’s green, white, pink and yellow. It’s all in, not overly punchy but very expressive. From apple to brine and back again. This may be the vintage that has it all. Drink 2018-2020.  Tasted April 2018  birichino_official    Birichino

Chateau Montelena Riesling Potter Valley 2016, Mendocino, California (Agent, $36.95, WineAlign)

The first wine Montelena ever released was in fact riesling, a Bo Barrett obsession, slightly inland in the far north on Mendocino. It’s a high elevation at 900 ft., on highly oxygenated, well-draining, gravelly-loam soils with a touch of clay. Made in a combination of stainless steel and neutral oak. The lullaby phenolic and dreamy glycerin fruit content is high, with help from minor (4 g/L) of RS and what is essentially an arrested acidity. A very underdeveloped riesling, youthful and rich, just bloody delicious. Lime, snappy green apple and gravel stone bleed. Riesling as good as it gets in California, from Mendocino all the way down. Perfect for this desert life. “If dreams are like movies, then memories are films about ghosts. You can never escape, you can only move south down the coast…Hey Mrs. Potter won’t you talk to me.” Drink 2019-2022.  Tasted April 2018  chmontelena  rogersandcompanywines  @ChMontelena  @rogcowines  Chateau Montelena Winery  Rogers & Company

Robert Mondavi Fumé Blanc To Kalon Reserve 2014, Oakville, Napa Valley, California (Agent, $44.95, WineAlign)

The Reserve is the top level for fumé blanc (aside from the I-Block) and a wine made since 1966. There must be more sémillon in 2014 because it’s as smoky and flinty as it ever has been. A portion of the 1945 I-Block vines generously add sauvignon blanc in this wine. This is the original, the history of California wine, the alternate varietal spoken ahead of all the others. Reduced vigour vines from volcanic, well-draining soils for purity and decades long honesty. Always absurdly fresh, integrated, with an ability to age low and slow. Drink 2019-2028.  Tasted April 2018  robertmondavi  #constellationbrands  @RobertMondavi  @cbrands  Robert Mondavi Winery  Constellation Brands

Tablas Creek Vineyard Esprit De Tablas Blanc 2015, Paso Robles, California (Agent, 735506, $44.95, WineAlign)

From the far western side’s folded, undulated hills on the western range that bring in cold air through its streams. A place of cold night and even some persistent cool air during the day. It’s roussanne based, but this ulterior vintage means an elongated ripening so the roussanne was low in acidity, therefore more picpoul was employed for acid. It’s fleshy, creamy toffee, candied floral and candied citrus plus orchard fruit and mango. Should turn waxy and seem more mineral as the alloys emerge and the fruit dissolves. Drink 2018-2021.  Tasted April 2018  tablascreek  @TablasCreek  @ChartonHobbs  Tablas Creek Vineyard  CHARTON-HOBBS QUEBEC

Pop goes @california.wines unexpected whites with phenomenal insight by @hawk_wakawaka ~ Thank you Elaine, Paula @CalifWines_CA

Good to go!

Godello

Twitter: @mgodello

Instagram: mgodello

WineAlign

Gold Medal Plates Toronto 2017

Go Time @GoldMedalPlates Toronto #gmp2017

It was my fourth Gold Medal Plates Toronto as wine judge, culinary taster and olympic athlete groupie. In 2014 WineAlign partner, colleague, mentor and friend David Lawrason invited me to join the festivities and help decide which three wines should be crowned Gold, Silver and Bronze. Two weeks ago a panel of Ontario wine experts tasted, assessed, debated, deliberated and ultimately decided this year’s top three. David Lawrason, John Szabo M.S., Michael Vaughan, Margaret Swaine and Godello. The winner ran away from the pack but two through six were separated by one point increments. It was a photo finish for Silver and Bronze.

The 2017 Toronto event featured emcee Scott Russell of the CBC’s Olympic coverage. Russell was joined by dozens of Olympic medallists and future hopefuls. Blue Rodeo’s Jim Cuddy led the on-stage entertainment; Anne Lindsay, Danny Michel, Jeremy Fisher, Devin Cuddy and Sam Polley. The inimitable and eloquent James Chatto was once again at the head and the heart of the culinary judging panel with seats occupied by an illustrious five; Sasha Chapman, Anita Stewart,  Christine Cushing, Amy Rosen and Chef John Higgins.

Gold Medal Plates Toronto 2014

For a little bit of GMP history please click on this post I penned after that 2014 gala event. The culinary winners then were Gold Medal Plates Toronto 2014 bronze, gold and silver medal winning chefs Damon Campbell, John Horne and Jason Bangerter. The top three wines were Norman Hardie‘s Niagara Unfiltered Pinot Noir 2011, Hidden Bench Nuit Blanche Rosomel Vineyard 2012 and Creekside Estate‘s Iconoclast Syrah 2012. But what about 2017? My top seven in no particular order were Flat Rock Cellars Riesling Nadja’s Vineyard 2016, Ravine Vineyard Chardonnay Reserve 2014, Charles Baker Riesling B-Side 2016, Henry of Pelham Cuvée Catherine Brut Rosé, Stratus White 2013, Leaning Post Chardonnay ‘The Fifty’ 2015 and Tawse Chardonnay Quarry Road 2013. The actual medalists are listed below in David’s report.

National Wine Advisor David Lawrason’s Wine and Spirits Report

Nadja’s Tops a Bounty of Great Whites in Toronto

“The Gold Medal Plates campaign came to a booming 800-person conclusion at Toronto Convention Centre on November 16, and it included the largest selection of wines seen in any stop on the ten-city national tour.  We judged 26 donated wines, beers, spirits and even a lavender mead, but it was a core of great Canadian white wines that caused the most excitement, and produced the winner of the evening.

The “Best of Show” Gold Medal went, by a very clear margin, to Flat Rock Cellars 2016 Nadja’s Riesling, from a single block of maturing vines in Niagara’s Twenty Mile Bench appellation. I was personally stunned by just how delicious, well-balanced and nuanced this wine is – in my mind it is the best vintage of “Nadja’s” ever produced.  Other judges agreed – we all placed it as either our first or second choice.  This beauty also took a rare Platinum Medal at 2017 National Wine Awards.

It will go on to compete for Gold Medal Plates Wine of the Year at the Canadian Culinary Championships in Kelowna in February, and it appears there will be a riesling showdown, as it will be tasted against rieslings from Tantalus, Cave Spring and Norman Hardie, plus six other wines.

For second and third place the voting in Toronto was more varied, and only one point separated the second, third and fourth place wines.  The Silver Medal went to Mission Hill 2015 Merlot Reserve, a swarthy, plummy and ripe red from the Okanagan Valley.  And the bronze medal went to Henry of Pelham Cuvee Catharine Brut Rose, a delicate refined pink sparkler with subtle berry aromas.

In very close 4th place came Tawse 2013 Quarry Road Chardonnay from Niagara’s Vinemount Ridge sub-appellation. I have become very familiar with this solid, complex Burgundian chardonnay as it was generously donated by Tawse to the Celebration in three cities this year. It was also a Platinum Award winner at the 2107 WineAlign National Wine Awards of Canada.

Tawse was one of three Gold Level sponsors. Mission Hill was a national sponsor as well, donating a variety Reserve wines to seven city events across the country, and stepping even higher in Toronto with smaller donations of their more expensive “Legacy tier” red Compendium 2013 and Perpetua 2015 Chardonnay.

Arterra Wines, the recently re-named company with several wineries in Canada, was a gold sponsor donating to six cities.  In Toronto there was a selection of reserve whites and reds from Jackson-Triggs and Inniskillin, as well as a rare public showing of the new Arterra 2016 Chardonnay and Arterra 2016 Pinot Noir.

Toronto’s Silver Sponsor also donated to Ottawa. Cave Spring of Niagara donated their 2015 Cabernet Franc.  Although better known as a riesling producer, Cave Spring is doubling down on its efforts to produce fine reds from Ontario’s most widely grown grape.

Flat Rock Cellars was one two Bronze level sponsors for the Toronto event, providing Nadja’s riesling for the VIP Reception and Celebration tables. The other was Henry of Pelham, which split their donation between the 2016 Old Vines Baco Noir and yet another strong 2016 Estate Riesling.

Among other notable and high calibre wines donated to the chefs, I gave my first-place vote to Stratus 2013 White, a very complex, now maturing, barrel aged blend of several white varieties. Ravine 2014 Chardonnay Reserve, another power white, also earned top-five votes.  Leaning Post 2015 Mile 50 Chardonnay was a leaner style that paired well with Gold Medal Plates Chef Lorenzo Loseto’s winning dish.  And riesling specialist Charles Baker chose the occasion to show his new, bracing B-Side Riesling.

Interestingly, no red wines were paired with chef’s creations this year, but there were two ciders, including the fine, crisp Brickworks CiderHouse Batch 1904 and a lighter cider called Pick Up 66 from Hoity Toity Cellars. Rosewood Cellars donated their exotic, fragrant Lavellener Lavender Mead, and Zirkova Vodka set up shop during the VIP Reception to sample Zirkova One, a vodka designed to be drunk “neat” and Together a version designed for cocktails.

The Best of Show judging is held prior to each event, as way to highlight the generous donation of beverage by Canada’s wineries, brewers and distillers.  In Toronto I assembled four wine pros/sommeliers.  Three are amigos at WineAlign.com and two are judges at the National Wine Awards of Canada; including Master Sommelier John Szabo, and wordsmith extraordinaire and former chef Michael Godel.  Margaret Swaine is a veteran wine and travel writer, and the spirits columnist at WineAlign.  Michael Vaughan publishes Vintages Assessments, a detailed critique of every wine released by the LCBOs Vintages stores.”

Chef Lorenzo Loseto’s @GoldMedalPlates winning dish @georgeonqueen paired by @brieish with @leaningpostwine The Fifty Chardonnay 2015. Congratulations Chef and the entire team.

Culinary Medals

Gold

Lorenzo Loseto
George Restaurant

Pairing: Leaning Post Wines, 2015 ‘The Fifty’

Silver

David Lee
Nota Bene

Pairing: Brickworks Ciderhouse, Batch: 1904

Bronze

Jesse Vallins
Maple Leaf Tavern/PORT

Pairing: Tooth & Nail Brewing Company, AGRARIA Modern Farmhouse Ale

Nota Bene’s David Lee

Here are my tasting notes for the 20 wines entered at Gold Medal Plates 2017.

Henry Of Pelham Family Estate Winery Cuvée Catharine Brut Rosé, VQA Niagara Peninsula, Ontario (217505, $29.95, WineAlign)

A whole new base, a whole new wine, the departure point exacted by a new wisdom and understanding. But it’s somehow like looking in the mirror, reviving a good memory, going back to wine childhood. Consistency is your friend with non-vintage fizz and the Catherine(s) are the undisputed leader in the Ontario biz. Brings back the Niagara orchard of a take your pick red apple, lovely creamy texture, a mild blanch of nut and fresh baked bread. Terrific class and of its own accord. Drink 2017-2021.  Last tasted at Gold Medal Plates Toronto, November 2017

With its fine, strawberry mousse is at the head of its Ontario class. Vanilla, Ida Red apple and bitter nut combine like a smooth, creamy, Mediterranean spread to dip the warmest, fresh-baked bread.  Tasted December 2012

Henry Of Pelham Riesling Estate 2016, VQA Short Hills Bench, Niagara Peninsula, Ontario (557165, $17.95, WineAlign)

A rash of aromatics straight away and marked warmth verging to humidity. More weight, substance and depth than most vintages deal when youth is the tempo so this riesling plays the notes and the hand quick after the draw. What you nose, taste and feel is what you get, with lime, gassing up to petrol quickly and flavours already in developing mode. Five years of riesling together for the best of times, from beginning to end. Drink 2017-2021.  Tasted November 2017

Charles Baker Riesling B-Side 2016, VQA Niagara Peninsula, Ontario (Winery, $22.00, WineAlign)

Vinyl records sound different because they are designed with grooves carved in that mirrors the original sound’s wave form. Their analog recording delivers a sensory feeling of warmth, an aural of texture, nuance and soul. There was a time when the hits spun over and over were also pressed onto the A-Side of 45 rpm singles. The discovery of a never before heard B-Side was a revelation because is was extra material from a favourite band and it was a great song. It meant the record was already too strong for that song to make the final cut and to choose it for a B-Side meant it would elevate the quality of the album. A well-chosen B was not an afterthought. This is the accomplishment of the first Charles Baker’s B-Side, for itself and for the vineyards of Ian and Picone. Baker digs about in the Niagara Peninsula’s escarpment dirt for young vine, not ready for prime time riesling fruit. If perchance it seems like cheating on his per se Vinemount Ridge Picone and Ivan bottles so be it but one look at him and he’ll say “Hey, hey, what can I do?” His 2016 B-Side delivers a spray bottle Zeppelin expressing heady aromas, high in the stratosphere and raining down upon the earth. The notes are an all in, breath of classic Baker riesling air, blanketing from up above and with a landscape that reeks of lime and quivers with classic agitation. The fruit is wild and full, the salty grit infiltrating and gripping the bloody omniscience of this package. What is this B-Side and where will it be lead? To the top of the ridge, from earlier harvests, younger fruit and higher yields. Scratch the single vineyard elitism, just listen to the song and raise one up, to getting ‘er done before the conceptual singular side one and side two, Ivan and Picone. The Beatles? Forget it. Led’s flip side to the ‘Immigrant Song’ A is the one. Drink 2017-2021. Tasted November 2017

Flat Rock Riesling Nadja’s Vineyard 2016, VQA Twenty Mile Bench, Niagara Escarpment, Ontario (578625, $24.95, WineAlign)

Nadja, like the Bréton novel begins with the question, “Who am I?” A surrealistic trigger is incited by the first taste, with excitement running in many directions but like the book, Nadja’s non-linear structure is grounded in Twenty Mile Bench riesling reality. She is an elite varietal wine in 2016, excitable girl, gregarious, punchy and so bloody juicy. I don’t recall the last Nadja with so much up front zest fervency and writhing aromatic gait, “exploding international, the scenes, the sounds, and famously the feeling that you can’t squeeze ground.” The lime flesh and cordial infusion brings the flavours into a once tropical, twice bitten realm. The vintage delivers the electric version, the new pornographer for the vineyard and the song sung loud swan song for departing winemaker Jay Johnstone. Was it all for swinging you around? Drink 2017-2024.  Tasted October 2017

Jackson Triggs Niagara Estate Sauvignon Blanc Grand Reserve 2015, VQA Niagara Peninsula, Ontario ($19.95, WineAlign)

Arterra’s JT sauvignon blanc is youthful and even a bit reductive, with wood notable and a real sauvignon blanc pungency. Its character and a bit of risk are tied up in the aromatics though it settles for mild-mannered and middle of the road on the palate. Drink 2017-2020.  Tasted November 2017

Mission Hill Family Pinot Gris Reserve 2016, BC VQA Okanagan Valley, British Columbia (537076, $24.95, WineAlign)

Reserved to be sure and also still in pulse mode, with some tongue pin-pricking, not quite effervescent but moving in time. A bit of skin-contact hue and plenty of orchard fruit notes are present in both aromas and flavours. Solid gris that will improve in six months or so. Drink 2018-2021.  Tasted November 2017

Inniskillin Okanagan Pinot Gris Reserve 2016, BC VQA Okanagan Valley, British Columbia ($19.99, WineAlign)

Noticeable skin-directed hue, chalky to soapy, with a taste that reminds of Topps hockey card bubble gum. Childhood memory revisited in pinot gris. Drink 2017-2018.  Tasted November 2017

Arterra Chardonnay 2016, VQA Niagara Peninsula, Ontario  (Winery, $25.00, WineAlign)

Arterra’s chardonnay comes from a famous Peninsula source, formerly made into just as famous wines by Le Clos Jordanne The site is on the Escarpment’s Bench above Jordan Village and this is the second vintage at the hands of Jackson-Triggs winemaker Marco Piccoli. Picks up where the fine and ambitious first vintage in 2015 left off but here with some light strike and reduction. You can just feel the buttered toast and kernels behind the flinty curtain, with blanched nut and some fine elasticity. Will benefit from a few more months in bottle to gather thoughts and flavours. Drink 2018-2021.  Tasted November 2017

Leaning Post Chardonnay ‘The Fifty’ 2015, VQA Ontario (Winery, $25.00, WineAlign)

This is chardonnay that had a cup of coffee in the big leagues and was then moved to the fresh confines of stainless steel tanks soon after its 15 minutes of barrel fame. It’s a unique chardonnay specimen this Fifty, barrel fermented but not aged, a wine crafted with pragmatic reverse psychology so that it may solicit great appeal. If you’ve never tasted Ilya Senchuk’s entry-level foray into Peninsula chardonnay you’ve been missing out, but by starting here in 2015 there is certainly no harm, no foul. This is the most pleasing and palatable Fifty so far, barrel creamy, suety and magically malolactic on the nose. The flavours are cooler, of an anti-Senchuk subtlety and versatile food amenability. I can think of 50 reasons to pour this by the glass, at home, on a restaurant list or on a campsite under the stars. Drink 2017-2020.  Tasted April 2017

Ravine Vineyard Chardonnay Reserve 2014, VQA St. David’s Bench, Ontario (Winery, $55.00, WineAlign)

The Reserve is 100 per cent estate fruit that spent 18 months in (50 per cent new) barrel. As it’s both barrel fermented and aged the variegation locks the fruit in so bloody tight so even now it’s reductive, smoky and flinty. A mineral chardonnay needs balance from over the top fruit and so track record, acumen and love will have it so. Marty Werner and Ben Minaker’s is a big, summery and gold platinum expression, very expressive, the two-lb steamed in seaweed lobster chardonnay, seemingly Meursault but just as likely from California. But as Ravine’s Reserve on the St. David’s Bench it is purely Niagara Peninsula. Fruit intensity, extract and controlled oxygenation shows off the best of what these men can do. It speaks to their efforts, knowledge accumulation, trials and finally to the culmination of their stamina. Drink 2018-2023.  Tasted July 2017

Small @RavineVineyard village looking pretty sweet at @GoldMedalPlates 2017 #gmp2017

Tawse Chardonnay Quarry Road Vineyard 2013, VQA Vinemount Ridge, Ontario (111989, $35.80, WineAlign)

When I tasted Quarry Road 2013 out of four barrels three years ago the purpose was to take in the nuances and see only the trees. I for one could not help seeing the forest through the trees and imagining percentages of each combining for the final blend. Neutral Mercurey wood looked over infant three year-old vines spoken here with surprising density, tang and tropical melon in both aroma and flavour. This sits on the front palate right now. The mineral Ceres qualifies older fruit as the pretty and the gemstone, essential for Quarry Road, the most like (Meursault) in Burgundy. This fruit transferred to stainless on the lees from September to March before going into bottle now renders to make Quarry the purest expression from the best vineyard. The CLL toast delivers the taut, not yet reductive wood tightening, then and again now, mainly on the finish. Compressed citrus notes are late arriving and even if it is splitting hairs, the oak really impacts the finish. The larger CLL toast Mercurey barrel reveals a fresher, more reductive, less oaky feel. All together we now have one of Paul Pender’s most accomplished to date and all chardonnays considered, one of the finest higher end values around. I think he would agree. Drink 2017-2024.  Tasted May 2017

Mission Hill Perpetua 2015, BC VQA Okanagan Valley, British Columbia (Winery, $73.03, WineAlign)

Perpetua is a different sort of chardonnay for the Okanagan, with not completely obvious fruit and leesy notes that outdo the effects of wood, plus a lactic edge that also smothers the smoulder. This is not the toastiest of chardonnays but is does deliver a saltiness so ultimately the reference point is flint and stone, a.k.a. Chablis. A bit of crème frâiche adds to the dairy mystique. Perpetual chardonnay motion leads to persistence. Drink 2017-2022.  Tasted November 2017

Stratus Vineyards Stratus White 2013, Niagara Lakeshore, Ontario (660704, $38.20, WineAlign)

There can be little doubt that anticipation would haver to run high for the aromatic, elongated and coolest of Niagara white wine vintages, especially for the chardonnay, but also for the iconic, four-varietal (with sauvignon blanc, sémillon and viognier) blend. The five sensory tenets are solicited and provided for; salty, sour, sweet, briny and umami. The last is exotic and punchy, so this White does it all, speaks for it all and completes it all. It is the most designed and seamless their’s can be. Last tasted May and November 2017

In 2013 viognier is back in the varietal mix, in reprise of its earlier role in support of chardonnay, sauvignon blanc and riesling. A different sort of vintage here for the White, seemingly led by a circular turning of chardonnay and viognier, like a cat chasing its tail. This really goes round and round with no obvious signs of where it will stop. Quite fleshy and lime juicy with stone fruit flavours in righteous abound. Really amalgamated and seamless even for itself. It is here that I think of it as The White. Niagara’s White. Lake Effect™. Drink 2017-2022.  Tasted November 2016

Arterra Pinot Noir 2016, VQA Niagara Peninsula, Ontario (Winery, $29.95, WineAlign)

Wow the cherry pie delivers a healthy slice oozing in reduced cherry syrup. Could only by an effect created by some appassimento on pinot noir. It’s so concentrated, full of glycerin and sweet fruit. Were it not pinot made with some drying of the grapes it would be an amazing feat of growing, picking and pressing. A panoply of cherries wells in this ripe of ripest Marco Picoli red. Wow, as I said. Drink 2017-2019.  Tasted September and November 2017

Cave Spring Cabernet Franc 2015, VQA Niagara Escarpment, Ontario (523001, $17.95, WineAlign)

As with the other Niagara Escarpment reds in the portfolio it is the limestone that stands out, in a good way, to bring about this mineral-red citrus cutting through the rich fruit. That stone-mineral note also does everything to temper and even mute what bitter-tonic-astringent notes might try to distract because that’s what capsicum-bell pepper is wont to do in cabernet franc. This is clean and focused, light and eminently quaffable juice. Drink 2017-2019. Tasted September and November 2017

Inniskillin Merlot Reserve 2014, VQA Niagara On The Lake, Ontario (Winery, $24.95, WineAlign)

This is really pressed and pushed merlot, cool and savoury, minty and spirited with lots of wood spice and equal amounts of tannin. The really tart finish dries out with grip and force. Drink 2018-2020.  Tasted November 2017

Jackson Triggs Grand Reserve Meritage 2015, VQA Niagara Peninsula, Ontario (594002, $24.95, WineAlign)

Now here is a nice little bit of diesel of dust, with more than a fair shake of dark raspberries and a mix of chicory, nettles and chalky tannin. Pretty wondrous quality and complexity here. Drink 2018-2021.  Tasted November 2017

Henry Of Pelham Baco Noir Old Vines 2016, VQA Niagara Peninsula, Ontario (459966, $19.95, WineAlign)

This is finely rendered baco noir, rich and tangy, with bright cherries and what just feels like beeswax. The most elegant baco noir ever made in Ontario and just foxy enough to be itself. Drink 2017-2019.  Tasted November 2017

Mission Hill Merlot Reserve 2015, VQA Okanagan Valley, British Columbia (Agent, $24.99, WineAlign)

This is aromatically rich and lush merlot, with a full compliment of palate richness and silky tannins. For fans of the California style with all in hedonism and a side of nettle. Drink 2018-2022.  Tasted November 2017

Mission Hill Compendium 2012, BC VQA Okanagan Valley, British Columbia (Agent, $86.25, WineAlign)

Compendium 2012 carries a great wealth of aromatics, very floral and rusty, with dried strawberries and so much more. A bit reserved on the palate but its elegance and seamlessness are special. Great length even while it’s just not that much of a concentrated beast. Drink 2017-2022.  Tasted November 2017

Good to go!

Godello

Twitter: @mgodello

Instagram: mgodello

WineAlign

Pop goes VQA

Having just spent a full experiential week crushing vendemmia 2017 sangiovese grapes between fingers and teeth in the heart of Chianti Classico it’s more than exciting to be home in Ontario in the throes of wine country Ontario’s own ’17 raccolto. Every grape harvest has its challenges, intricacies, twists and turns but the antithetical coming about that has happened in both regions is nothing short of a set of miracles.

In Chianti Classico one of the longest droughts in recorded history threatened to suffocate and desiccate what tiny berries there may have been but an early September deluge filled the sangiovese with hope and a recharge towards quality and even quantity. The opposite happened in Ontario. A full summer of rain and mild temperatures has given way to an unprecedented warm Septenmber and now into October, the continued spell of gorgeous weather means that all parties should be celebrating. A glorious September has done more than save a vintage, it has elevated the quality and stretched the quantity so that winemakers can and will process their grapes into a wide range of exciting 2017 wines.

At a time when wine promotions are happening around the province with great intent and public positivity, the VQA-LCBO pot is simultaneously stirred, a recurring theme it seems in the world we call Ontario wine. The provincial board recently announced that “Ontario wines take centre stage at the LCBO ahead of Thanksgiving. The LCBO celebrates and savours the taste of Ontario. Local favourites featured online and in-store.” The four wines featured are a drop in the bucket of what is both capable and impressive about Ontario wine production so it is the LCBO’s “Taste Local Pop-up Experience” that digs a little deeper.

From Friday September 22nd through Sunday October 15th you can drop by 600 King St. West in downtown Toronto for a joint LCBO-VQA pop-up with an ongoing discovery tasting bar, flight tastings, classes (including life-drawing and chocolate bark making) and tutored events led by sommeliers, product consultants and local winemakers. You can also shop for your favourite VQA wines in the LCBO’s retail and digital store. In fact it was last night only that the irreducible Peter Boyd could be found working the first floor of The Spoke Club with a talk on “how to order wine in restaurants.” VQA wine, that is.

Back in March of 2017 while reporting on the VQA wines Taste of Ontario event I remarked how “new assessments are so important to understanding and gaining new perspective on not just how our (Ontario) wines age but also how they are affected by early reductive environment shock and their ability to change (for the better) after a mere six to 12 months in bottle. The first snapshots are not always the clearest.” The same attitude might apply to what happens when wines are presented to a VQA tasting panel. Only the most experienced palates, best winemakers and a select few Ontario wine cognoscenti can forecast evolution and are therefore capable of making immediate, correct decisions. Left to less experienced hands there are sure to be feathers ruffled.

Related – Fifty ways to Taste Ontario

On the heels of a summer during which VQA Ontario wines were celebrated at the 7th annual Cool Chardonnay conference with unprecedented zeal something is amiss, once again, but this time for curious reasons. An article published in the National Post last week goes on the all frontal attack, in short to the LCBO and long against VQA, the Vintner’s Quality Alliance of Ontario. The story contends that the best wines produced in Ontario do not make it to LCBO shelves. It states “all wine made in Ontario needs to pass through the VQA’s tasting panel if it is to be sold at Wine Rack and the LCBO.” The blame is placed squarely on the VQA tasting panel. The equation is simple. Fail VQA and no LCBO for you. Sounds correct but it’s not that simple. The two problems are only connected for the sake of argumentative convenience. As an Ontario wine producer, even if your wine passes VQA it may never be purchased to be sold at the LCBO. Such an equation takes liberties without substantiation. And, as John Szabo M.S. correctly points out, “there’s no law preventing the LCBO or Wine Rack from selling non-VQA wines. In fact, many wines at Wine Rack are offshore blends.” But even this diverges from the point.

Related – How can i4c the future through cool chardonnay?

More important are the questions of taxation in the discrepancy between VQA and non-VQA approved wines and whether or not a wine industry can grow and flourish when many of its makers feel stymied, both economically and philosophically, by a regulatory board they contend tells them what styles of wine they can make. They argue against a panel that carries the authority to send them to the highest level of appeal before granting approval, all the while bottling, labelling and delivery schedules may be compromised along the way. The bureaucracy is hardest on the smallest fries. Some are vocal about wanting to do away with the VQA establishment, or at least the tasting panel and to ask that they just concentrate on regional policing and labelling. Still others would like to see the end of that arm as well. Australia has gone that route, so why not Ontario? There is much talk about this golden era in which foreign wine writers and sommeliers around the world are raving about and drinking wines from Ontario’s great fringe terroir. Ontario is hot and the fear is that if more is not done to discourage mediocre wines that pass with ease and instead encourage risk-taking styles the mojo will be lost and the region be passed up for the next cool climate producer. Is this a fear based in reality?

This story is as old as Ontario wines time immemorial. There isn’t a local writer worth his or her words in salt that has not touched on the subject of the LCBO and VQA. I’ve read the most eloquently rendered articles of sophistication by David Lawrason, John Szabo M.S., Rick VanSickle, Christopher Waters, Tony Aspler, Beppi Crosariol and countless other excellent scribes about what’s right, wrong, fine and inexplicably deplorable about our monopoly and regulatory provincial systems. Even Godello has touched, broached and breached the subjects. A recent, arguably superficial National Post article by a young writer has caused a minor stir in wine circles though not surprisingly has fallen on deaf consumers ears. There is no new revelation here but I really have to thank the NP writer for her take because for one thing she is a very good writer. She should not feel unwanted if the comments sections remain quiet, nor should the winemakers who feel their plight is falling on deaf ears. I’ve made a living off of being ignored. I’m also not a fan of attacking writers and their work. It takes a great deal of dedication, passion and hard determination to produce such a story. Editors on the other hand are not what they used to be. My editor while I was at Canada.com was an expert in the art of knowing what to print and how to make adjustments for the greater good of the story. The National Posts’s editor was flat-out lazy and yet while the writer’s tirade in crusade against VQA is rife with errors and fact checking inconsistencies (like contending that VQA pumps “inordinate sums of money into promoting Ontario wines”) the provocation has provided me personally with a quick period of genuflection and ultimately, an epiphany.

The average wine drinker in Ontario is not privy to the inner circle of goings on with respect to what is typical and acceptable and how the Vintner’s Quality Alliance of Ontario screens the wines submitted for approval, thus deciding the financial fate and economic viability of selling said wines. There was a minor trickle of comment chiming to the article. Ontario Wine Chat’s Shawn McCormick noted “there’s a few facts wrong in the article, but they hit the key point that unless you regularly visit Ontario wine regions, you have a very narrow view on Ontario wine.” Ottawa’s Dr. Janet Dorozynski, Canadian Wine, Beer and Spirits, Foreign Affairs and International Trade Canada noted, “pprovocative title and interesting perspective by a new-to-wine writer but as there are many factual errors NP editor would be wise to fact check before publication. And Ontario is not really so unknown anymore.”

André Proulx pulls no punches. Proulx writes “another lazy criticism of VQA. Cites 2 wineries issues failing to mention most wineries pass sans problem. Fault doesn’t make a wine daring…The VQA has its faults… but I’m sick of hearing the same two stories about Norm and PMs wines failing ” Hidden Bench winemakers states “this article makes it appear that the only artisanal wineries producing terroir driven wines are those who have had wines rejected by VQA.”

It is WineAlign’s John Szabo that really picks apart the article. On the idea that “many of the world’s greatest wines have naturally occurring faults, which are the result of the soils and wild fermentation processes,” he replies “ridiculous statement. Stay away from subjects you don’t understand.” In response to “in other words, some of France’s best wines would not pass VQA certification because their high reductive notes would be considered faulty,” he answers “more extrapolated nonsense.” Reacting to “many smaller Ontario wineries have begun experimenting with naturally occurring faults by fermenting their wines with wild yeast,” he says “you insult many smaller Ontario winemakers, and some yeasts, too. Nobody strives for faults.” And finally, when the story notes “adding conventional yeast to grape juice is a bit like buying insurance.… it can also stifle the terroir of a particular vintage,” he retorts, “countless top winemakers around the world disagree. Faulty tastes homogenize wine a helluva lot more than any yeast.”

One of our most esteemed and leading winemakers Norman Hardie had this to say. “It’s great someone has had the guts to take on the VQA…have great difficulty with the quote from the VQA claiming “one of our strengths of our model is our ability to flexible and responsive to be both winemaking and consumer trends”. .this couldn’t be further from the truth..it is a factual error given directly from.the VQA..says alot about our governing body.” I followed up by having a lengthy conversation with Norm. He contends that his statement is indeed one grounded in fact and I listened.

Winemakers feel they should not be told how to practice their craft or be penalized for pushing boundaries. Anyone who thinks this just isn’t so is not paying close enough attention and likely drinking boring wine. It is also a progressive imperative that winemakers seek ways to break from tradition, rules and etiquette, to challenge norms and traditions, but does a wine have to be a bad boy to be considered the most important expression of a local terror? And what fun or excitement is there is a governing board saying “yes “and “of course” in response to every submission? The financial ramifications can certainly be damaging but what’s so special about being accepted at every turn? Would William S. Burroughs, Andy Warhol, Frank Zappa, John Coltrane, Henry Miller, Robert Mapplethorpe and Jean-Michel Basquiat been half as interesting if their art did nothing to challenge or subvert? Immediate commercial acceptance comes at a price and much harder to those who choose to make a difference. Just as vines have to stress to produce exceptional grapes, so must a winemaker face adversity and suffer for his or her art. You can’t have it both ways. You can’t have your grapes and drink them too.

In 2011 David Leyonhjelm wrote in Business Spectator, “some believe that Australia’s policy of exporting fault-free but relatively bland wines has done more harm to Australia’s wine reputation than anything that might have been sold without Wine Australia’s approval…The market is a very efficient mechanism for sorting out these sorts of things. It is most definitely anti-entrepreneurial.” Hard to argue against this but a devil’s advocate position would say that undrinkable and or grossly faulted wines made by less than experienced producers can get lumped in with quality bottles in shared categories. What if the consumer was unable to remember one from the other or which was which? Would it not be better to rid the market of the shite before it makes it there in the first place?

After Wine Australia squashed their export vetting panel, wine journalist Max Allen wrote “anybody assessing whether a wine is ‘sound and merchantable’ need to be exposed to the incredible diversity of styles out there: from big, black, overoaked, over-alcholic shiraz to cloudy, orange, amphora-fermented sauvignon blanc, almost anything goes out there in the modern wine scene.” Indeed this is what we want to see, allow and encourage, though in Ontario, can it be done without some form of compromise? It must suck to make a great wine, have it applauded, reviewed with great scores and requested by international sommeliers, only to see it stalled before being accepted by a local tribunal. Something is obviously missing in such an equation but is the full-out scrapping of the tasting panel the solution? Doing so would mean eliminating an identity consumers have come to trust. Ontario wine not only needs VQA, it is VQA. In this part of the world you have to seek diplomacy.

The article in question notes “this is a situation unique to Ontario,” that wines must pass a tasting panel, when in point of fact most appellations make use tasting a panel. VQA continues to carry the function it was built for, just like its AOC, DOCG and VDP European equivalents, with a standard to protect for the greater good of the wine region it has been entrusted to promote. Is it perfect? Far from it. Has eliminating it helped Australia? Sure. Is the free for all system working in South Africa? You could say yes. But Ontario is not a form of the wild west. It’s diplomatically Canadian to a fault and inextricably linked in political and cultural fashions to Europe more than most would like to admit. Bureaucracy is part of the reason so many moving parts manage to get along. The system fails some and more often than not benefits the largest players even while it saves countless others from getting sick, though continued discussion and journalistic discourse will render said governance continuously relevant or perhaps moot, eventually in time.

If as a winemaker you want to forge your own path and make unusual, risk-taking, anti-establishment wines with character and personality you have to be prepared to suffer the financial casualty of making such products within the parameters of an organized and civilized society. VQA should seek a clearer picture so that wines either pass or fail, not string them along if they are just going to pass them in the end. Neither side benefits when good wines are held hostage. That said, when the system weeds out others which are neither curiously subversive nor special then the consumer will benefit. As for ground-breaking winemaking it can take years, sometimes a lifetime and in Bukowski-like cases, a posthumous party for great art to truly be recognized. The system can only change so fast. It’s not realistic, very frustrating and counterintuitive to creativity and productivity to think otherwise.

The VQA system is certainly flawed. So are the AOC and DOCGs in France and Italy. Even Ontario wine industry peeps who have to support VQA’s function and back its credibility could not argue against that statement. The panelists who decide the fate of submitted wines may not always be best equipped to deal with every fleeting snapshot placed in front of them. Even the best make mistakes. Only the most experienced referees and umpires get to work the NHL, NBA, NFL and MLB postseason. Same in World Cup, Champions League and Premier League Football. Why not in wine? At major wine competitions around the world only the most qualified judges get the nod. The same goes for the WineAlign National Wine Awards of Canada and Intervin and the latter includes some of Ontario’s finest winemakers as judges. Who’s better to make these decisions then they? Anyone who thinks that VQA’s processes don’t need any tweaking is hiding under a rock.

Illustrious panel @TerroirTalk ready to rock #orangewine @winecouncilont #vqaontario #vqa #skinfermentedwhite #faultsandall #terroir2017

So let’s talk a bit about progress and picking battles. Back in May of 2017 the annual Terroir Symposium was held and the first of three masterclass wine sessions focused on VQA’s new category of Skin-Contact Whites. That it took somewhere between 12 months and two years for VQA to get this far is not surprising nor should it be called out for taking so long. It’s a step. Italy would still be working on it. The hottest trend to grip the wine world in the last five years is indeed a style that has been the focus of winemakers in Europe for centuries but as a PDO (wines of protected origin) it is most certainly a relatively new ideal. You can’t just snap your fingers and expect everyone involved to know what’s going on.

The standards development committee has decided that 10 days is the minimum time needed on skins. Again, it’s a step and after review may soon be adjusted. This sub-committee of VQA made up of winemakers, educators, etc. arrived at “how long it would take to attract the typical characteristics of a skin fermented wine.” The number 10 was decided upon as a “good starting point, but it’s a living document and not carved in stone.” Vineland Estates winemaker Brian Schmidt added “the characteristics of orange wine require fermentation, as opposed to cold soak.”

As the distinction needs to be for skin-contact white wines, John Szabo asks and Brent Rowland of Pearl Morissette answers his question. “What is the fundamental core character? Fundamentally they are about complexity and structure, about the tactile components of wine’s phenolic compounds and tannins. Heat and alcohol rip out aggressive tannins, so whole berry fermentation improves texture and structure. A cold soak gives you the salty component but not the structure you get from fermentation.”

Writer Fionna Beckett adds, “Orange wine is not an in between wine, but skin-contact wine is just that, without texture and structure. You need the minimum 10 days to get to that point.” Or do you? But the argument agrees that the extended use of stems and seeds will lead you down that textured road. Just keeping it to stems and seeds you will be shortchanged in certain years because they may remain green, bitter and unpleasant. So more flexibility is needed. Are we just adding a category of trendy wine or are we adding a category of value?”

“A small but significant number of consumers are excited by it” admits Beckett. “As an outsider I say why not. It’s a white wine that behaves like a red. A wine made from white grapes but made like a red.” Are they always oxidative? She says they are “white wine but with more structure?” Kind of seems counterintuitive because many whites are laden with texture and structure. So, Szabo asks if skin-contact wine enhances or hinders distinct regional character and what wines would you like to see excluded from this category?” The answer is dominant traits that make wine one-dimensional; but we haven’t set those parameters yet. “We’re looking to weed out flaws, like excessive sulphur, just as with any wine,” says Schmidt and adds Rowland “when you skin ferment white wine they produce glutamate, a precursor to umami. And there is a predisposition to enjoying umami, or not.” Ay, there’s the rub. There is also a predisposition to passing wines through VQA, or not.

Here are my notes on the skin-contact white wines tasted at Terroir in May 2017. After all, what would a post by Godello be without some tasting notes. Let’s not take ourselves too seriously, after all.

Does skin-contact wine enhance or hinder distinct regional character? @terroirtalk #vqaontario #terroir2017

Norman Hardie “Tornado” 2016, VQA Ontario (WineryWineAlign)

Tasted blind this strikes with immediacy in that it presents as so very much like chardonnay of high acidity, not to mention tannin and a Savennières meets somewhere in Alsace like texture and tang. So as varietal pinot gris it does confound and yet this really fine calcareous notion can’t be denied, so there is knowledge in that it would be there regardless. Not technically orange with its (maximum, if even) 12 hours on skins but under the rules of the appellation it more than qualifies as a skin-contact white. With more pronounced and less oxidative fruit than most, without a doubt speaks of its place. Drink 2017-2019. Tasted May 2017  normanhardiewinery  @normhardie  @NormanHardieWinery

Southbrook Vineyards Vidal Skin Fermented White, Small Lot Natural Wine 2016, VQA Ontario (Winery, $29.95, WineAlign)

The first time I tasted this blind (at Terroir Symposium) I noted it to be “vidal-like,” a touch oxidative, of this elegant paste or salve, with notes of green plum and just a touch of grapefruit. The second pass confirms it to be a fine vidal orange wine, with more texture than should or would be expected. It delivers lemon and tannin, plus a calculated layering of ample and enough acidity to carry it along. A fine example. Really mouth coating and so tannic. Takes what was learned from 2014 and 2015 experiments and with VQA category approval in its back pocket, begins the true journey forward. Drink 2017-2020. Tasted blind at NWAC17, June 2017  southbrookvineyards  @SouthbrookWine  @SouthbrookWine

Sperling Vineyards Natural Amber Pinot Gris 2015, VQA Okanagan Valley, British Columbia (Winery, $30.00, WineAlign)

So much beeswax and honey wine attribution. Porcine, delicate and quite elegant for the statement. Plenty of acidity and even more relish. Why not give a little Grauburgunder love to the winemaker for giving the style a shot, and succeeding. Tasted blind at #NWAC16, June 2016  sperlingvineyards  @AnnSperling  @SperlingVyds  @SperlingVineyards

From my earlier note of January 2016:

Ann Sperling is not merely fussing about with natural ferments, skin-contact macerations and non-sulphured, self-preservations. She is learning about winemaking, opening doors to perception and interested in doing things in different ways. Her second go ’round with a natural Amber Pinot Gris furthers the non-plussed discussion and the understanding. While pouring the inaugural 2014 from keg on tap last year at Vancouver’s Belgard Kitchen, it was Sommelier David Stansfield who so succinctly noted “this wine is a raw expression of vineyard, grape, and time.” This gets right to the heart and the crux of the Orange matter, especially within the context of a North American account. Sperling has many supporters in her corner, including husband-winemaker-consultant Peter Gamble, the folks at the Casorso-Sperling Kelowna Farm and Bill Redelmeier at Southbrook Vineyards in Niagara. This 2015 is a veritable pink cloud, anti-orange, still so very musty, funky, tanky, with great Sperling acidity and pierce. There is so much exuviation to evanescence and back again flavour. There is feigned sweetness that purposes towards and with gearing second wind into length. How much pleasure is this from and for Pinot Gris? Drink 2016-2017

Cos Rami Sicilia 2014, Sicily, Italy (Agent, SAQ, 12461525, $31.50, WineAlign)

The ornate “orangeness” of the Raimi is patterned and woven across a flat and linear map, introducing itself in a way no other wine can or will be willing to do. Still equipped with this fine acidity but it is the flavours and the texture that cause and solicit so much more sensory approbation, first savoury, then sapid and finally umami. A melted salve of orange skin, bergamot-scented and hazelnut-essential oil secreted beeswax. You gotta get into it to get in to it. Drink 2017-2027.  Tasted May 2017  #cosvittoria  #aziendaagricolacos  thelivingvine     @TheLivingVine  @cosvittoria  The Living Vine inc.

Domaine Viret Dolia Paradis Ambré 2015, Vin De France (Agent, $65.95, WineAlign)

Philippe Viret’s orange wine resides in a cosmoculture world, class and category of its own. Cosmotelluric principles, magnetic fields, homeopathic applications, natural preparations and ancient architectural rules destine this so very naturally flat, rusty and rustic wine into a nether world. The coppery blend of muscat petit grain, bourboulenc, clairette rose, roussanne, vermentino and grenache blanc spent 60 days on the skins and with transparent clarity leaves nothing behind. It does leave much to the imagination and requires some metaphysical fortitude, especially because it lingers, long after it has left the glass and the room. As for amber wine it’s as close to paradise as you are going to find. Drink 2017-2025.  Tasted May 2017  #domaineviret  nicholaspearcewines  @CosmocultureFR  @Nicholaspearce_  @ledomaineviret  Philippe Viret (Domaine Viret)  Nicholas Pearce

Norman Hardie Pinot Gris “Ponton” 2016, VQA Ontario, Canada (Winery, $39.00, WineAlign)

Unlike the Tornado, Hardie’s Ponton is the most Rosé like in this newly created skin-contact category. It’s pink and rosey, of great acidity, salinity, regional limestone and even liquid dusty. In its quantifiable sapidity and wispy lime-zippy personality it could actually pass for riesling and having spent up to and only 10 days on skins this continues to state such a case. The number is actually nine days in cold soak and then it began fermenting, so really just one day of fermentation to confound the category, then put into barrel. The natural fermentation and zero adjustments add up to this, neither white nor red, but comfortably in the land settled between. A clear and focused SCW in the natural world. Drink 2017-2019.  Tasted May 2017

Pyramid Valley Vineyards Growers Collection Kerner Orange White 2015, New Zealand (Winery, WineAlign)

This Kiwi skin-contact blend almost smells like Icewine what with its tropical, exaggerated fruity nose but conversely and impossibly bone dry despite that aromatic sweetness. Kerner is the vineyard and its actually a one month on skins ferment of pinot gris, gewürztraminer and riesling. Tres cool. Drink 2017-2020. Tasted May 2017  pyramidvalleyvineyards  @pyramidvalleynz  @PyramidValleyVineyards

Pearl Morissette Cuvée Blu 2015, Niagara Peninsula, Ontario (Winery, $25.00, WineAlign)

The amphora (qveri) fermented Cuvée Blu makes use of 100 per cent whole cluster chardonnay in blend with pinot gris, riesling and (in 2016, sauvignon blanc). This singular, go it alone fantasy spent three and a half months on skins pressed and aged in foudres. It may just dance with the funkiest R & B gait of them all and to the semi-trained noggin can only be Pearl Morissette. The risk taken here is done without fear, into sheep’s milk, unwashed rind, saline, earth-crusted, stoned immaculate. The accumulation of glutamate-umami-polyphenolic-brettanomyces and volatile acidity takes it to great lengths and yet all this might disappear around the next aromatic corner. So much interest and so playfully dirty at the same time is this geekiest of them all, whole bunch, aged in 60 year-old (Alsatian) oak vats SCW. The numbers show 14 per cent abv, though it’s not yet in bottle. Drink 2017-2024.  Tasted May 2017  pearlmorissette  @PearlMorissette  Pearl Morissette

Vineland Estates Chardonnay Musqué Skin Fermented White 2016, VQA Twenty Mile Bench, Ontario (Winery, $30.00, WineAlign)

Though Brian Schmidt’s floral chardonnay “experiment” might be considered the simplest and easiest of Ontario’s “orange” wines that is only because it’s so bloody delicious to consume. The character is rusty and textured and in a way tastes just like warm iced tea and all the tannic variations that come from such a profile of flavour. This chardonnay musqué spent 55 days on skins and in turn developed its tannic backbone though it seems to have lost its intrinsic chardonnay character. That said it soaked up its Bench terroir so if something is lost much has been gained. Drink 2017-2019.  Tasted May 2017  vinelandestates  benchwineguy  @VinelandEstates  @benchwineguy  @winery.vinelandestates  Brian Schmidt

Good to go!

Godello

Twitter: @mgodello

Instagram: mgodello

WineAlign

Fifty ways to Taste Ontario

The Ontario wine industry is the best kept secret in the world. That much I’ve said before and this. “Ontario winemakers have figured it out. The “world-class” comparative humanities of aging and longevity aside, the comprehensive and widespread phenomenon of excellence, regardless of vintage, is now an Ontario reality.”

Related – Where does the taste of Ontario go from here?

Though it’s not always obvious at what time of year the event will happen, the annual get to know Ontario wines gathering’s 2017 parlay affectionately known as Taste Ontario Toronto was held a week ago today, on Monday, March. 6, 2017 at the Royal Ontario Museum. The number of Ontario vintners who have participated in Taste Ontario over the past five years seems as random as it is consistent. We’ve seen as few as 30, as many as 55 and 42 participants in 2017. I’ve been tracking varietal representation and this year considered a cease and desist order for placing a trending finger on the pulse of any given grape.

Related – Why taste Ontario?

Chardonnay rules, plain and simple and call it risk aversion if you must but why should Ontario shy away from developing the coolest climate designation on the planet? Chardonnay works and if you’ve spent any quality immersion time in Chablis you’ll drop the fight and join the team. Gamay remains an important and viable alternative to big bad reds but please, enough with trying to dress this sheep in wolf’s clothing. Cabernet Franc is getting better all the time. With thanks to venn diagram circles drawn in and out of the Lincoln Lakeshore but also magically deep into the Prince Edward County limestone, the great Ontario hope is developing into what we thought it might be. Getable and structured red wine.

Related – Taste Ontario’s polarity of personality

I don’t always taste Ontario but when I do I like to do it with Mike Di Caro. Mike grounds me and tasting by his side helps to keep my pulse at a healthy, wine tasting athletic rate of 40 – 60 beats per minute. Mike knows Ontario wine and never gets too high or too low. Tasting with him as Michael to his Mike I get to hang out inside the kind of discourse that delves into the ground, the makers and the market. Mike knows.

Related – Top wines shine at Taste Ontario 2013

With so many other opportunities to taste Ontario wines throughout the year, last week’s staging afforded the chance to re-taste a great number. These new assessments are so important to understanding and gaining new perspective on not just how our wines age but also how they are affected by early reductive environment shock and their ability to change (for the better) after a mere six to 12 months in bottle. The first snapshots are not always the clearest. Taste Ontario also brings new wineries to the table. It’s now my job to pay them visits. Here are 50 ways to Taste Ontario.

Sparkling

Flat Rock Cellars Riddled Traditional Method Sparkling 2010, Twenty Mile Bench, Ontario (383315, $29.95, WineAlign)

Time makes a difference so here the extended lees age (six months further, to 60) takes Riddled to another level. Considering the cost and attention to time, in the broad realm of traditional method sparkling wine there are some that are given away. Riddled. A whole lot of biscuit warmth, sody saleratus, gingersnap, tart Ida Red apple, breadth and a smile-inducing creamy palate. There is more wisdom and calm from 2010 so do not come around demanding tension and over-exciteability. Think Grower’s Champagne with Ontario heart and soul, dedication and purpose. The extended arm of Madronich-Johnston love is here, this year. It won’t get much better than this. Great length. Drink 2016-2025.  Tasted October 2016 and March 2017  @Winemakersboots  @UnfilteredEd  @brightlighter1  @wine_gems

The Grange Of Prince Edward Vineyards & Estate Winery Traditional Method Brut Rosé 2012, VQA Prince Edward County, Ontario (Winery, $35.00, WineAlign)

Caroline and Maggie Granger have reset the compass and brought to market this original sparkling wine with a whimsical outré bounce in its step. It was a fortifying and henna-russet collecting 40 months time spent on the lees that to me has magnified and clarified the varietal expression. This is so pinot noir it gazes at itself in a mirror and vaporizes a telluric perfume replete with strawberry, dried cherry, peach and almond. Estate fruit shed of such lithe and delicate, near zero dosage animation tempts fate, digs into danger and elicits a nervy period of risk-reward. Reflection time is now and the oxidative Grange Brut Rosé walks a fine volatile edge and succeeds. Few sparkling wines can go gossamer this way and survive but like the finest spun web by a leggy creature cunning and wise, strength comes out of the most delicate weave. Science can be pretty cool.  There were 150 cases made. Drink 2017-2021.  Tasted March 2017  @grangewinery

Riesling

Château Des Charmes Riesling Old Vines, Estate Bottled 2014, Niagara On The Lake, Ontario (277228, $17.95, WineAlign)

The language in ’14 is cordial and effete, with ripe sweetness trumping the pulse of energy. The old vines deliver distinct impression, compression and phenolic bitterness. There is no mistaking this distinct wine and in the vintage its clarity is only eclipsed by its easy drinking compatibility. Enjoy early. Drink 2017-2019.  Tasted March 2017  @MBosc

2027 Cellars Riesling Falls Vineyard 2016, VQA Vinemount Ridge, Niagara Peninsula, Ontario (Winery, $18.95, WineAlign)

Virtual winery producer Kevin Panagapka continues his obsession with single-vineyard wines with this riesling grown just above and south of the brow of the Niagara Escarpment. Clay loam till soils with silt and shale face south along the long, one km wide, hummocky ridge and as per the vintage, a bit of simplicity is narrowed from good biodiversity. It all works towards simple pleasure, with sun-warmed fruit; pears, apples and such. Falls Vineyard grants top notch acidity and a bit of lime bitters for what is always a solid Vinemount Ridge expression. Drink 2017-2020.  Tasted March 2017  @2027cellars

Rosewood Origin Riesling Mima’s Block 2014, Niagara Peninsula, Ontario (Winery, $22.95, WineAlign)

Smells like Bench riesling spirit. The energy comes from the über vineyard’s way of emission, gasseous and vital, linear, introspective and direct. This may just be the most aridity and brine ever teased from a Mima’s riesling, acidity coveting sugar notwithstanding, startling from beginning to end, with spirited shots of lime. Underrated and honest, the consistency of this riesling is possessive of great triggers and so beautifully defines the mineral Bench. Early suffocations blow off with ease and in the denoument there are crunchy stones, forever and always something to like. Mima’s never really needed an abundance of sugar for balance and kudos to that. Drink 2017-2022.  Tasted March 2017  @Rosewoodwine

Cave Spring Cellars Riesling CSV 2015, Beamsville Bench, Ontario (Winery, $29.95, WineAlign)

In a word, balance. Well two, balance and brilliance. CSV in 2015 takes the reigns from itself and stands firm. The fruit is in charge, the mineral a support system unparalleled and the minor celebratory sweetness a mere afterthought when it comes to rounding out the complexity. CSV is pretty darn back in ancient dolomite time travel and escarpments high great in 2015, uplifting, serious but yet not so. The numbers trip the light fantastic, fooling like gold and bones dry are seemingly preserved in karst but impossibly not. The sensoria apprised reel from the finest acidity it can possibly carry in its veritable truth. Deep lemon intent and a new wax vernacular speak the clarity of a wine that listens to its own expert advice. Might as well have made itself. CSV 2015 is one of the finest rieslings ever made from Ontario grapes. Drink 2019-2031.  Tasted March 2017  @CaveSpring  @TheVine_RobGroh

Chardonnay

Redstone Vineyard Chardonnay 2013, VQA Niagara Peninsula, Ontario (Winery, $19.95, WineAlign)

It would be hard not to make a most drinkable and full-fleshy chardonnay from the stellar vintage, especially with the omnipresent cool tempering from Beamsville bench fruit. Redstone does not disappoint though at first it may seem both reluctant and extremely taut. The flavours stretch out more than the aromatics which are flinty, woody and tart. They will relent and meld into the palate with some further bottle time. This is classic for the house braintrust and reminiscent of sketches drawn in some earlier vintages, like 2009. Drink 2017-2020.  Tasted September 2016 and March 2017  @RedstoneWines

Henry Of Pelham Family Estate Winery Chardonnay Estate 2015, VQA Short Hills Bench, Niagara Peninsula, Ontario (268342, $19.95, WineAlign)

Perhaps by virtue of the language spoken by the 2015 vintage this chardonnay is hard to crack and touched with a minor, vitality-preserving note of reduction. It will yield to swirl and air, opening up many floral blossoms, notably apple and peach. Intensity is consistent for the Short Hills Blench vineyards stalwart, both for its locked in freshness and aromatic heavy breathing with thanks to dense clay soils and their “tossed up limestone.” Think cool-climate chardonnay with added layers of compression, fervent soil tang and as of yet unresolved (one-third) new French and North Ameriacn oak. Two to three years in process from two to three bottles per vine naturally translates and extrapolates to needing two or three more years in bottle to make it all come swimmingly integrated together. Drink 2019-2023.  Tasted February and March 2017  @HenryofPelham  @SpeckBros

Meldville Chardonnay First Edition 2015, VQA Lincoln Lakeshore, Ontario (Winery, $20.20, WineAlign)

Foremost a Derek Barnett perfume, rational from a generous barrel and irrational from the ripest fruit at a twain where each meet, both matter and neither dominate. Classic Barnett chardonnay viscosity, deep tang and the sweetest of dry extract. If this isn’t the most ambitious effort early in a re-invented career it would be hard to say what is but wisdom and experience count for more than a bottom dollar. Real length in real time will develop the vanilla, honey and liqueur well into this chardonnay’s tithe year. If singular isn’t the current descriptor now, it surely will be then. A new stylistic benchmark for Lincoln Lakeshore is born. Drink 2017-2023.  Tasted March 2017  @meldvillewines

Fielding Estate Winery Chardonnay Estate 2015, Niagara Peninsula, Ontario (355842, $21.95, WineAlign)

The vintage offered up a whole set of challenges, especially for chardonnay on the Lincoln Lakeshore. Right off the aromatic bat I sense a little extra wood on the nose but low-yielding, ripe and healthy fruit can handle that sort of vintage-related truth. The coolness of a preceeding winter’s anti-glaze is contravened by the barrel up front and personal on the nose. The palate is all about cool-climate relegation, resignation and the overall picture is painted in balance; advance, recede, attack and retreat. Finishes with love interest, commercial appeal. Pretty complex chardonnay. Drink 2017-2020.  Tasted October 2016 and March 2017  @FieldingWinery  @RichieWine  @Heidi_Fielding

Bachelder Chardonnay Mineralité 2014, VQA Niagara Peninsula, Ontario (Agent, $22.20, WineAlign)

Mineralité is clearly nose-marked and cleverly marketed to celebrate rocks and soil, not barrel. The fruit seems plucked straight from the apple tree, crisp, tart and crunchy. Everything about this exacting Thomas Bachelder chardonnay screams foil to most else, from his wide reaching chardonnay domain and from the rest of the province. Other mettalurgical label referenced chardonnays still reek of oak and are too shy to distance themselves from the heart of the rocky matter. Thomas is serious about the moniker and goes at it with great intent. The vintage nearly, fully completely complies. Drink 2017-2021.  Tasted March 2017  @Bachelder_wines  @LiffordON

Southbrook Vineyards Chardonnay Triomphe 2015, VQA Niagara Peninsula, Ontario (172338, $22.95, WineAlign)

The fruit for Ann Sperling’s chardonnay Triomphe ’15 is sourced primarily from Saunders (Beamsville Bench) with auxiliary support out of Heather Laundry’s old vine Lincoln Lakeshore vineyard. There are older, non-clonal blocks with perhaps some Musqué mixed in so the aromatics fly, with no restraint applied by the wild ferment and (mostly 300L) neutral oak. This Triomphe is anything but reductive, a no stress chardonnay from such a far from sluggish, clean ferment. The simplicity and complicity explain how beauty is curated, from a vintage where reduction did not happen or beg to happen so why try to force it. The copacetic re-quiescence bears witness to classic Ann Sperling in such a vintage. Chardonnay of mellow smoulder, of old barrel spice and one to define a certain kind on a line of disparate and unique, cool climate, i4c selections. There are 800 cases made. Drink 2017-2020.  Tasted January and March 2017  @SouthbrookWine  @AnnSperling  @PaulDeCampo  @thesirengroup

@wismervineyards royalty, Craig, Thomas @Bachelder_wines & @normhardie (and delegate Peter @BouchardFinlayson ) talking north and south #vinelandbench

2027 Cellars Chardonnay Wismer Vineyard Foxcroft Block 2014, VQA Twenty Mile Bench, Ontario (421362, $22.95, WineAlign)

The ability of Craig Wismer’s Foxcroft Block to gift fruit, regardless it seems of vintage, is one of Niagara’s great stories. Even more special is how it allows each producer to own it and create value from differentiation. Kevin Panagapka works a decidedly reductive room with bees-waxy fruit from 2014 and of a wood creativity that deals more in spice than anything else. I really think this takes more risk than other Foxcroft efforts and they are numerous. The reward here is in the pudding, literally, in proofed fruit set up for unbreakable structure. The Sonoma glade and fog rings true in Bench-driven chardonnay speak while wood only creates a leesy stir. A very good vintage, as good as the previous two I would say and creates even more buzz for what will come next. Drink 2017-2021. Tasted March 2017  @2027cellars

Creekside Estates Chardonnay Queenston Road Vineyard 2014, VQA Niagara Peninsula, Ontario (Winery, $24.95, WineAlign)

If classic Queenston Road Vineyard might be explained in one drop, try using the Creekside ’14 to do so. Riper than most Niagara fruit and easy as Sunday morning barrel influence come together for everything to gain. Here the chardonnay equivalent of reading a good book falls into lunch, followed by a mid-afternoon slumber. Mild notes of caramel and sandlawood come through on the lightly buttered rye toast palate. The only thing missing is a good slice of bacon. Drink 2017-2019.  Tasted March 2017  @CreeksideWine

Domaine Queylus Tradition Chardonnay 2014, VQA Niagara Peninsula, Ontario (Agent489591, $24.95, WineAlign)

The vintage brings an excess of riches and richesse to the Queylus chardonnay entry point, a place you would be wise to begin your foray into high-level, carefully crafted, cool-climate wine. This 2014 offers up its tour-guide expertise as a representational bridge into what Thomas Bachelder, Kelly Mason, the Queylus team and lake-proximate, lower Bench chardonnay is all about. The vintage takes an ambitious departure for the house and yet it carries enough (short history of) tradition in its DNA to resemble past issues of itself. Such a balanced wine for you here, of ripe and tart fruit, elasticity, stretch, rebound and finally, great length. Drink 2017-2020.  Tasted January and March 2017  @QueylusVin  @Dandurandwines

13th Street Chardonnay Sandstone Vineyard Reserve 2013, VQA Four Mile Creek, Niagara Peninsula, Ontario (Winery, $29.95, WineAlign)

No surprise the vintage is a major plus for the Sandstone and the natural funk it owns. And I mean owns. Only Sandstone has such geological drive, not unlike chardonnay from South Africa’s Hemel-En-Aarde Valley. In 2013 there is a sweetness to the fruit mixed with a misty humidity and finally that falling over backwards with feet stuck in the clay and the calcaire. Wildness from J. P. Colas here and with attentiveness to place and time. Drink 2016-2021.  Tasted at #i4c16, July 2016  @13thStreetWines

Adamo Estate Chardonnay Oaked Willms Vineyard 2014, Niagara On The Lake, Ontario (Winery, $31.00, WineAlign)

Adamo sources from the same vineyard that provides fruit for 13th Street’s Sandstone Reserve in the Four Mile Creek sub-appellation of Niagara-on-the-Lake. Planted in 1983, it is owned and farmed by Erv, Esther and Eric Willms. In its early stages the fruit acted and reacted as a lean, taut and tension fuelled chardonnay with party a sign of letting up. Eight months later the juicy flesh of orchard fruit pushes past the vintage’s grip and lets tis wine breath a sigh of relief. Chalk one up to yet another cool-climate, calcareous clay stuck moment in time. Drink 2017-2019.  Tasted twice, at #i4c16, July 2016 and Taste Ontario, March 2017  @AdamoEstateWine

Westcott Vineyards Reserve Chardonnay 2015, VQA Vinemount Ridge, Ontario (Winery, $31.20, WineAlign)

I don’t mean to skip forward and get ahead of Westcott’s aromatic propriety but knowing how a winemaker likes to celebrate texture and flavour sends me direct to a sip. That first taste reveals the sumptuousness of 2015 Vinemount Ridge fruit, ripe, savoury and fleshy peach-organized. Accomplishment number one for Arthur Harder and crew. An aromatic retrospective notices tradition and cool-climate reserve, as the name would suggest and then a full-on conversion moving forward, back to the present and into the variegated luxe of flavour gifted to mouthfeel. I love how this wine lingers with an almost analgesic sensation on the gums and up the sides of the mouth. If at moments it may seem too warm or right of balancing centre it is only because it has the gumption to test and heighten the senses. If any Peninsula chardonnay were a drug that could lead to addiction, Westcott’s ’15 is the one. Drink 2018-2023.  Tasted March 2017  @WestcottWines

Icellars Chardonnay 2014, VQA Niagara-on-the-Lake, Ontario (Winery, $35.00, WineAlign)

The aromatic hard to get personality is intriguing, not because of absence but due to a gentle wisdom and beautiful demure lurking behind the veil. I get the extract and the mineral quality inherent but need more. The palate gives more and more, especially a calcareous sensation and the lean qualities throughout are neither deficient nor bothersome. This is ambitiously market-introduced chardonnay created without getting ahead of itself and though the best the fruit has to offer is not quite coaxed, nothing has been added to distract or suppress what orchard fruit is there. Great appreciation is afforded the winemaker for keeping it simple, unadulterated and real. Drink 2017-2010.  Tasted March 2017  @FoolAnd60Acres

Closson Chase South Clos Chardonnay 2014, VQA Prince Edward County, Ontario (Winery, $39.95, WineAlign)

Sometimes time matters. A year later the South Clos in 2014 has separated itself as the true Closson star, away from the CCV in ways it did not do in 2013, or before. The range of motion, aromas and flavours are dramatic and in beautiful flux, beginning with top notch orchard and stone fruit. The southern hill’s intense stony quality infiltrates before this opens up to reveal flavours as broad as the varietal spectrum will alow. If fruit slightly dehydrated, leather chewy and mille-feuille layered with fine, limestone wire interlocking are something of great appeal then chew on this South Clos for the next seven years. The texture and the length are wholly encouraging of the exercise. The score must change and the window be expanded. Drink 2018-2025.  Last tasted March 2017  @ClossonChase

The 2014 CCV South Clos Chardonnay is imbued with less tension, more elegance and fully-aclimatized cool-climate bent. It’s a linear, calm and directed soul raised from Prince Edward County soil royalty. The vintage offers up low-crop, scrupulously cropped stable if unexceptional fruit. This from a portion of the vineyard with the ability to plateau what can otherwise get season’s growth-mired in the proverbial middle of the road. Though not so tart, nor tense neither, there is a sense of tannic zest. Cool and precise, this represents concrete work from incumbent winemaker Keith Tyers. Drink 2016-2021. Tasted February 2016

The man, the chardonnay @normhardie #princeedwardcounty ’14 #vqa #winecountryontario As sure as fire will burn There’s one thing you will learn Is things you have cherished Are things

Norman Hardie County Chardonnay Unfiltered 2014, VQA Prince Edward County, Ontario (Winery, $45.20, WineAlign)

So much locked in tight obscures the coaxing of a distinct and clear impression of Norman Hardie’s ’14 County chardonnay so I search for a reference point. There is danger in drawing comparisons between two single-vineyards and even more so Niagara to Prince Edward County, but I have to go there. Norman Hardie’s 2014 Niagara chardonnay is the rich and reductive, bullet-proof one. His extreme, hard as nails ’14 PEC counterpart may be the most mineral-focused ever produced off of County soils. The ferment spent 10 months in barrel plus 10 more in stainless steel and never fully completed malolactic. Chablis never had it so good. I can’t ever before recall this flirtatious and furtive combination conjoined by preserved lemon and ginger but also the smell of the apple orchard grinding through metal gears in the cider press. The magnitude of this ’14 chardonnay is felt even before the flavours begin their reveal because the layers of texture and tang are nothing short of remarkable. Hardie has gone for structure broke from this vintage reeling with impression, soliciting oyster, lobster and grand gustatory associations. There is so much going on, eliciting a response that imagines a change in direction and at least an unconscious metaphrasing of terroir. With this formidable chardonnay the idea of better or worse for Niagara versus PEC is finally laid to rest. Vintage rules. Drink 2018-2023.  Tasted March 2017  @normhardie

Southbrook Vineyards Chardonnay Poetica 2013, VQA Niagara Peninsula, Ontario (Winery, $49.95, WineAlign)

Always Ontario’s outlier, eccentric and non-conformist chardonnay and I say this with complimentary, best of intention flattery. The 2013 vintage is simply chivalrous to chardonnay and in Poetica’s corner, a perfect calm case of preux meets elegante. Here is a chardonnay of inherent oxidative wisdom, from cloud cover, cool, long breaths of Niagara air well into the elongated autumn and the address for what I refer to as “the age apparent one.” The iconoclast Poetica ideal conforms because it is matched with equal breadth by richness of fruit and confirms the way Ann Sperling makes her signature wine. Tasted blind my first guess would put this at five years old because of the exuding warmth so 2010 might just be the order. A 2012 Bench chardonnay might have also been the answer. But with Poetica the promise is like Meursault with uptown fruit, honey, vanilla, caramel, a Niagara vapour and ethanol. Such a telling display that only Poetica can play. Drink 2016-2024. Tasted October 2016, January and March 2017  @SouthbrookWine  @AnnSperling  @PaulDeCampo  @thesirengroup

CHABROL. That is all. #snacks @chabrolto

Other Whites and Blends

Malivoire Pinot Gris 2015, VQA Beamsville Bench, Ontario (Winery, $19.95, WineAlign)

With a string of no less than five well-executed and received pinot gris vintages tucked comfortably like brass in pocket, Malivoire’s pinot gris 2015 goes one step deeper. No pretender or pretension but yes with compression in ’15, noting melon and lime, white stone fruit, not dense but layered. More Alsace than before and poured blind would always and only be pinot gris. In the hands of Shiaz Mottiar the ’15 knows and says it. “Intention, I feel inventive. Gonna make you, make you, make you notice.” Drink 2017-2020.  Tasted January and March 2017  @MalivoireWine  @ShirazMottiar  @GroupeSoleilTO

Meldville Sauvignon Blanc First Edition 2015, VQA Lincoln Lakeshore, Ontario (Winery, $20.20, WineAlign)

Not so much an aromatic sucess for sauvignon blanc though some faux botrytis in the guise of white peach and even mango is nosed. It is the palate that defines Derek Barnett’s First Edition and offers up description. Quite creamy in texture, tangy again from mango and then sharp and linear with the type of acidity that folds over itself to increase the notion and the effect that leesy textures creates. This lingers on the palate like a tropical pastille and sapidity is very real. It’s classic antithetical Niagara Peninsula sauvignon blanc and could not be confused with Marlborough, Elgin, Sancerre or any other varietal play in the great diaspora. Derek Barnett takes less risk here (as compared to his chardonnay) but at the same time perpetuates the marked differences in expression of NP sauvignon blanc. Drink 2017-2020.  Tasted March 2017  @meldvillewines

Nyarai Cellars Viognier 2015, VQA Niagara Peninsula, Ontario (Winery, $20.20, WineAlign)

Does not get much fresher in Viognier, anywhere. The tank has yet to leave the bottle which does not so much stand transfixed in shock as much as it buzzes like a fridge. Heady, radioactive, reductive and policed tight which I very much like. The expected flavours of peach and the pits are in while the texture thrushes inward and the linear, distillate character lashes out. Solid as a rock in a Niagara quarry. Drink 2016-2018.  Tasted February 2016 and March 2017  @NyaraiCellars  @TerroirLover

The Grange Of Prince Edward Vineyards & Estate Winery Pinot Gris Select 2015, VQA Prince Edward County, Ontario (Winery, $24.95, WineAlign)

If you are going to go for something you may as well go all in. Maggie Granger tells me the ’15 pinot gris saw 36 hours of skin contact. My math tells me that’s a 240 per cent increase over 2013 and 2014. As I said, all in. Now we have something that raises the stakes and despite some energy flatlining the sweet extract quality has never been finer. The Grange’s ’15 and its oxidative meets lactic and red berry-currant leafy personality is remarkably pure, clean, saline and yes, unusual. Add it should be because halfway there is nowhere. This succeeds because it crosses an imaginary line and fear is ignored. I can really imagine sipping this with pork liver mousse or cured Ontario fish, like rainbow or salmon trout. Drink 2017-2019.  Tasted March 2017  @grangewinery

The Good Earth Viognier 2015, VQA Lincoln Lakeshore, Ontario (Winery, $24.95, WineAlign)

Some of Ontario’s best viognier fruit comes from these picturesque vineyards, fruit that shines with tangy delight and also takes on the weight of compression from the great clay below. I do feel the 2013 vintage was better suited to both the varietal but also the way winemaker Ross Wise procured viognier in the purest form with glassy clarity. It will be most interesting to see what incumbent consulting winemaker Ilya Senchuk does with 2016 fruit going forward. Here, from what could only have been the lowest of low yields, this aromatic and treacly textured viognier is seamless and full of peach flavour. It lingers with its phenolic ripenss well into the next minute. Highly recommended especially for its lack of waxy or bitter edges. Drink 2017-2020.  Tasted March 2017  @goodearthtweets  @goodearthNico

Stratus White 2013, VQA Niagara On The Lake, Ontario (660704, $38.20, WineAlign)

In 2013 viognier is back in the varietal mix, in reprise of its earlier role in support of chardonnay, sauvignon blanc and riesling. A different sort of vintage here for the White, seemingly led by a circular turning of chardonnay and viognier, like a cat chasing its tail. This really goes round and round with no obvious signs of where it will stop. Quite fleshy and lime juicy with stone fruit flavours in righteous abound. Really amalgamated and seamless even for itself. It is here that I think of it as The White. Niagara’s White. Lake Effect™. Drink 2017-2022. Tasted November 2016 and March 2017  @StratusWines

Gamay

Malivoire Gamay Small Lot 2015, VQA Beamsville Bench, Ontario (Winery, $19.95, WineAlign)

A change of pace is noted for gamay in 2015 and perhaps it takes itself to a place beyond. Seriously dark fruit (with more tannin showing up after some time in bottle than might have originally thought possible) is noted from just a nose on Malivoire’s 2015. The pressed extraction may turn out to be a process leading to greatly improved structure. This is not the gamay rising from riding on the go-go train but one more akin to Cru doctrine and demagogy. Flavours of black cherry and tart citrus lead to plenty of leafy and earthy savour. Look out Juliénas, here comes Small Lot. Drink 2017-2020.  Tasted March 2017  @MalivoireWine  @ShirazMottiar  @GroupeSoleilTO

Tawse Winery Gamay Noir Unfiltered Redfoot Vineyard 2015, Niagara Peninsula, Ontario (Winery, $28.95, WineAlign)

The fruit for this deeply coloured gamay is drawn from Tom Koscis’ vineyard, big batch fermented but with a minimalist sulphured approach. Gamay that went through full malolactic in barrel out of sheer necessity. Winemaker Paul Pender is a big fan of this great site, a place that gifts perfect colour and a soil’s funk that is spot on. This is gamay of a noticeable velvety texture. Something strikes as deja nosed and sure enough, this was Pearl Morissette’s fruit in 2013 and 2014. Wisely natural and so bright, gulpable, back up the truck gamay. So beautifully and perfectly dry and even a wee bite of tannin. Drink 2016-2018.  Tasted April 2016 and March 2017  @Tawse_Winery  @DanielatTawse  @Paul_Pender

The Grange Of Prince Edward Vineyards & Estate Winery Gamay-Pinot Noir Select 2014, VQA Prince Edward County, Ontario (Winery, $24.95, WineAlign)

The ’14 is the first Grange gamay-pinot where the grapes were simultaneously picked and co-fermented. It’s a really ripe co-mingling and so much brighter than you’d think. “This is the vintage I was waiting for with this wine,” tells Maggie Granger. Clean, pure essence of raspberry dances on the nose and texture liquid chalky, lactic and taut. This wine also proves that this more than obvious bedfellow varietal combination makes more sense in the County than Bordeaux meetings of the kind. It remains to be seen if the Grange’s irreligious pagan pairing idea will catch on but if any vintage can spur the revolution, 2014 is the one. Drink 2017-2020.  Tasted March 2017  @grangewinery

Pinot Noir

Flat Rock Cellars Pinot Noir 2014, Twenty Mile Bench, Ontario (1545, $20.20, WineAlign)

The Flat Rock has been a VINTAGES essential for several seasons and like any maturing pinot noir vineyard, four or five years are needed before quality is ensured. This wine has always provided quality but it is in 2014 where the stakes are raised. For the Twenty Mile Bench (and others Benches too) this vintage provides sweet extract, steadfast fruit, polished tannins and exceptional structure. Jay Jonhston did not mess with the cards, blended with acumen and has subsequently ran the table for his basic, normale, bring it to the (relative) masses pinot noir. It’s all you need to understand Flat Rock, The Twenty Mile Bench and the Niagara Peninsula. It’s essential. Drink 2016-2022.  Tasted October 2016 and March 2017  @Winemakersboots  @UnfilteredEd  @brightlighter1  @wine_gems

Bachelder Pinot Noir Parfum 2014, VQA Niagara Peninsula, Ontario (Agent, $22.20, WineAlign)

Parfum doles out the Bachelder perfume with great Beaune intent and whole bunch hints from this most celebrated 2014 Niagara pinot noir vintage. With potpourri so bright and wildly tonal there needs to be some firmness for balance and this is present with tonic injection and finishing grip. The overall impression is a broad brushstoke and wells with its tea-seeping pot of mild but effective tannin. With thanks to “de-classified” Lowrey and Wismer-Parke vineyard fruit an ideal launching point progresses for the Bachelder way and encourages Le Parfum to set the stage for further investigative play. Drink 2017-2020.  Tasted March 2017  @Bachelder_wines  @LiffordON

Malivoire Rosé Moira 2016, VQA Beamsville Bench, Ontario (Winery, $24.95, WineAlign)

Hard to believe what I see, a hue not blush nor pink, but gris. That “if my eyes don’t deceive me there’s something going wrong around here.” Forget about Provençe, don’t think too hard about Vin Gris but concentrate only on what Shiraz Mottiar has acceded with Rosé for Moira in ’16. Light and lithe do not begin to explain the rub. Rocks and stones are what come through the good earth on the nose. Is this the blush equivalent of mineralité, away from chardonnay and into pinot noir? “Is she really going out with him?” But the pinot noir component is almost non-existent so what is the phenolic advantage here? Has this gone too far or not far enough? Don’t mistake the things I say. This is delicious, understated and fully underestimated Rosé. It will have great appeal to a specific cognoscenti population and who could not think to drink it any day of the week? Commercially considered however, it may not speak a universal language. Drink 2017-2021.  Tasted March 2017  @MalivoireWine  @ShirazMottiar  @GroupeSoleilTO

The Good Earth Pinot Noir 2015, VQA Niagara Escarpment, Ontario (Winery, $24.95, WineAlign)

Moving away from the Lincoln Lakeshore and up on to the ledges of the Niagara Escarpment we find pinot noir taking on a decidly firm and stony aromatic profile. Fruit in 2015 is graced with phenolic ripeness though certainly submissive to the elevated mineral tones. The strawberry-cranberry spectrum is acquiesced and the winemaking has rendered this clean as a pinot noir popsicle whistle. Great simplicity and consumer complicity is gained. Drink 2017-2019.  Tasted March 2017  @goodearthtweets  @goodearthNico

You’re gonna want to make room for a whole cluster of these @SouthbrookWine #pinotnoir #triomphe #annsperling #laundryvineyard #organic #niagarapeninsula #vqa #beamsvillebench

Southbrook Vineyards Pinot Noir Triomphe 2015, VQA Niagara Peninsula, Ontario (Winery, $29.95, WineAlign)

Ann Sperling’s inaugural pinot noir for Southbrook makes swift, acumen accomplished first time work with Heather Laundry’s vineyard fruit. While her peers of the current generation begin to play and progressively experiment, Sperling helps to usher in the whole cluster brigade with her own 40 per cent packed, tiny berry ferment. This sterling effort takes Lincoln Lakeshore pinot noir to another dimension and Ann is confident the 115 clone is so perfectly suited to the ideal. This whole cluster thing with pinot expresses the floral lift and in turn a gift into elegance and purity. Ripeness and richness take turns without drifting into black cherry darkness. There is some chalky, earthy reduction that needs to mellow and it’s still a bit gritty, palpable of textural and even a bit mean. It won’t take long for this just recently released Triomphe to pirouette, assimilate and dutifully represent an unmitigated success for Sperling, in this her 11th vintage at Southbrook. Drink 2017-2019.  Tasted January and March 2017  @SouthbrookWine  @AnnSperling  @PaulDeCampo  @thesirengroup

2027 Cellars Pinot Noir Queenston Road Vineyard 2013, St. David’s Bench, Ontario (421370, $35.00, WineAlign)

Bright, high-toned Pinot Noir with rambling warm, St. David’s Bench red fruit aromas, out of the raspberry patch (thorns and thistles in) and off of the ripening pomegranate tree. Some rusticity and quarried character refracts within a mild tannic frame. Very floral and high on acidity. Blissfully and blessedly not over pressed and in fact rather well made. Yet another success employed by winemaker Kevin Panagapka with stylistic firm talon grip from out of the Queenston Road Vineyard. Drink 2016-2020.  Tasted February 2016 and March 2017  @2027cellars

Bachelder Pinot Noir Wismer Parke Vineyard 2014, VQA Twenty Mile Bench, Ontario (Agent, $39.95, WineAlign)

Thomas Bachelder has never had a problem with timing. His first pinot noir from the specific Wismer Parke Vineyard (labeled as such) comes from a veritable cracking jackpot of a great varietal vintage. If you need some geographical placement here, The Parke is contiguous to the Foxcroft and Wingfield sections of Wismer in the eight farm-strong holdings on and around the Twenty Mile Bench. It is here that Bachelder concentrates the microscope on a sectional-cordoned off Wismer micro-terroir and its precision-apportioned mineralogy mined for sidetracked and step out of the box focus. What The Parke delivers in 2014 is a sweeter extract than Wismer proper and one that is stationary, static and accessible. The overall grasp is a mouthful easy on the spice or rather subtle in attack after it has climbed in and out of its barrels. Most polls would place Lowrey at the pinnacle of Ontario’s pinot noir vineyards but Thomas Bachelder’s 2014 work with Wismer Parke establishes a new player on the shortlist. This is an exciting entry point and the future will be bright. Drink 2018-2024.  Tasted October 2016 and March 2017  @Bachelder_wines  @LiffordON

Icellars Pinot Noir 2015, VQA Niagara-on-the-Lake, Ontario (Winery, $45.00, WineAlign)

The pinot noir condition is really challenged with Icellars ’15, a wine that acts as ambitious as its sister chardonnay but the results filtered through just the opposite. The aromas are dusty, rusty, coppery and full of dried fruit, but also weathered leather and savour. The palate goes deep south, humid and balmy with red citrus, plenty of tonic and a finish left by bitter citrus pith. Incredibly firm and old-world schooled, way back to Burgundy from another era. Drink 2017-2019.  Tasted March 2017  @FoolAnd60Acres

Norman Hardie Winery & Vineyard Pinot Noir 2015, VQA Niagara Peninsula, Ontario (208702, $45.20, WineAlign)

Great purity of Twenty Mile Bench fruit lightens the load, re-focuses, revives, prolongs and re-lives the magic. Sweet, salty and bitter combinative phenols in cohorts distinguish the layering effect of a Norm Hardie pinot noir, no matter the source but here distinct as the s-shaped micro-cilmate curves of 20 Mile blocks. Quite the cake creamy texture and silky mouthfeel for a Hardie pinot noir would indicate that alcohol has crept above the norm but the magic is never abandoned and always prolonged. Heat and alcohol “never there. You’re never there. You’re never ever ever ever there.” Under 12 per cent, every time. Drink 2017-2021.  Tasted March 2017   @normhardie

Cabernet and Red Blends

Redstone Cabernet 2013, VQA Niagara Peninsula, Ontario (415885, $19.95, WineAlign)

A cabernet blend more franc than sauvignon because of the savour and the plugged in currant fruit. Though the aromatic tones are elevated and venturing into menthol territory, the structure provided by palate and finish ground this two cab blend into solid clay. Will drink well for up to five BBQ seasons. Drink 2016-2020.  Tasted September 2016 and March 2017  @RedstoneWines

The Good Earth Cabernet Franc 2015, VQA Lincoln Lakeshore, Ontario (Winery, $21.95, WineAlign)

Just as cabernet franc is inherently wont to be this Good Earth celebrates a grape’s verdant habitual greenness of warming spring and fresh vegetal in waves that bring more advantage than not. Nicely tart and expressive of varietal ways, this is neither overly ambitious nor does it use wood to excessive advantage. With understated the great operative we are faces with cabernet franc allowed to go about its business, for under appreciated grace and the sort of electric and elastic length that goes on for days. Some will say too much of a good thing but if you know cabernet franc, it’s just right. Drink 2017-2019.  Tasted March 2017  @goodearthtweets  @goodearthNico

Can I be #cabernetfranc for a minute? @meldvillewines @grangewinery

The Grange Of Prince Edward Vineyards & Estate Winery Cabernet Franc 2013 Select, VQA Prince Edward County, Ontario (Winery, $24.95, WineAlign)

An extra year has paid great compliment to Caroline Granger’s ’13 cabernet franc, a wine of deeply aromatic and summer savoury dark fruit. Comparisons politically correct or not, this kind of County cabernet franc is so much more closely connected to Chinon than most from Niagara and it really combines cool-climate with limestone geology. What wood there was has melted and blended in with copacetic liquid chalky ooze, leaving this in a pure and pleasurable state of cabernet franc grace. A near perfect place. Drink 2017-2020.  Tasted March 2017  @grangewinery

Henry Of Pelham Family Estate Winery Cabernet/Merlot Estate 2012, VQA Short Hills Bench, Niagara Peninsula, Ontario (395855, $24.95, WineAlign)

Exceeds elegant expectations with poise and presence, a Bordeaux blend so refined it pleases. Effectively restrained and remedies with tonic. Circulating acidity ranges while chocolate whips, but wholly within reason. Spice accents assist in the celebration (why not?) to effectuate this red’s firm grip and grasp of Claret reality. Drink 2015-2020. Tasted blind at WWAC15, August 2015, January and March 2017  @HenryofPelham  @SpeckBros

Fielding Estate Winery Cabernet Syrah 2014, Niagara Peninsula, Ontario (258657, $25.15, WineAlign)

The rare and elusive Ontario cabernet-syrah returns with Fielding’s 2014, from mostly Lowrey Vineyard fruit set in 20-25 per cent new barrel for 16 months. Neither a 2009 or a 2013 was produced because “it’s a priority, not an afterthought,” insists winemaker Richie Roberts. The ’14 is a (50 per cent) cabernet sauvignon, (30) syrah and (20) cabernet franc compendium, treated like a top tier Bordeaux-esque blend with a French-Niagara twist. This is sultry-smoky, curative and red fruit, earthy-dried salumi-salmagundi, holy gastronomy in a glass blend. The Fielding-Roberts wisdom and acumen are all over in a wine that will prepare you for every eventuality. Would undoubtedly pair famously with the rare and elusive king of game birds, le bécasse, with bacon and fleur de sel. Drink 2018-2024.  Tasted January and March 2017  @FieldingWinery  @RichieWine  @Heidi_Fielding

Norman Hardie County Cabernet Franc 2015, VQA Prince Edward County, Ontario (Winery, $25.00, WineAlign)

Only 100 cases were made of Hardie’s 2015 County cabernet franc with thanks to a late spring frost. The impossible one is a destemmed, small basket press wonder that spent 11 months (one more than usual) in 30 per cent new (plus 70 neutral) 228L French barrels. The tartful dodger is slick, smart and spirited. Impossible because of its wood-smothered and smouldered upbringing and how it stays so lean, clean, stealth and low in alcohol. Some things are best left unexplained. Just take in the raspberry, cranberry and cool limestone, followed by the star anise and cassia red braised pork belly imagined, even if that’s just what dish would be so right alongside. Drink 2017-2021.  Tasted March 2017   @normhardie

Meldville Cabernet Franc 2015, VQA Lincoln Lakeshore, Ontario (Winery, $27.00, WineAlign)

A beautifully sweet, savoury aromatic cabernet franc of verdant bright tones and such commissioned, defined red fruit. Character is at the forefront, both for attitude and complexity, gently pressed and in varietal synch. This is precisely why Lincoln Lakeshore is the right place to be with the cabernet franc you love. This has great tension without being too firm, gritty or tannic. Though this celebrates the bright and the fruity it is not without enough structure to carry it forward five plus years. Pyrazine or green notes are curiously absent and there nothing suffers as a result of their omission. Drink 2017-2022.  Tasted March 2017  @meldvillewines

Southbrook Vineyards Cabernet Franc Small Lot “101” 2013, VQA Niagara Peninsula, Ontario (Winery, $34.95, WineAlign)

Gone is the Whimsy! idiom and preserved is the varietal freshman year class denotation. The “101” actually refers to the vineyard, a block in purport of aromatic restraint in a confident Cabernet Franc with more richness and tannin, not to mention raging acidity and acceptable volatility. There is lightness and brightness within the rigid tannic frame. The “101” vineyard shines while it broods. Dichotomous Cabernet Franc with an as yet undecided future. Drink 2017-2020. Tasted at Gold Medal Plates, November 2016, February and March 2017  @SouthbrookWine  @AnnSperling  @PaulDeCampo  @thesirengroup

Icellars Arinna 2014, VQA Niagara-on-the-Lake, Ontario (Winery, $39.00, WineAlign)

Without knowing much about the blend, the nose tells me cabernet sauvignon leads the way. Merlot and cabernet franc trail behind the tart, purple citrus and tobacco-verdant personality. The accumulation is quite chalky, wood-inflected and with the middle palate transparency this emits as another example of a big effort (like the pinot noir) with a shortfall because it gets ahead of itself. Would likely better be served with less pressing, structural dreaming and more easy going impression. I suppose the style has to justify the price but for value and enjoyment a prudent decision would choose instead to follow the lead set out with the estate’s chardonnay. Drink 2017-2019.  Tasted March 2017  @FoolAnd60Acres

Creekside Estates Cabernet Sauvignon Queenston Road Vineyard 2012, VQA Niagara Peninsula, Ontario (Winery, $39.95, WineAlign)

The time in bottle has eased up the tannic throttle, leaving Creekside’s ’12 in a pleasurable if not quite fuly accessible state. The great fruit vintage was deftly pressed, that much is clear, because as the wood subsides it is not astringncy and bitters sliding into its place. Cassis, cassia and black cherry are the aromas of ilk, in delivery at this time and followed up with cabernet sauvignon silk. This is rightfully and righteously chewy cabernet sauvignon and without a doubt just about as good as it gets for Ontario. Though the limbo bar starts low, Rob Power’s 2012 climbs under with great agility and raises the stakes for everyone else. Still, I’d hedge bets and wait two more years for further integration and a little bit of truffling to begin. Drink 2019-2025.  Tasted March 2017  @CreeksideWine

Icellars Cabernet Sauvignon 2015, VQA Niagara-on-the-Lake, Ontario (Winery, $50.00, WineAlign)

Good quality fruit and equanimity from generous barrels define this ambitious effort. There is this underlying green streak that can’t be missed nor denied though it’s neither unexpected nor unusual. The texture runs quite complex, chewy and at times even crunchy, with enough structure to work towards a promising future. Wood and stemmy savour are certainly part of the mix but with time should integrate without much trouble. Drink 2019-2023.  Tasted March 2017  @FoolAnd60Acres

Good to go!

Godello

Twitter: @mgodello

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Enlightened Chablis of Château De Béru

monopole

Clos Béru Monopole

We disembarked in the warm, golden, glowing light of a July afternoon. No one around. The tiny village sat motionless, in less than a whisper. Béru. Knock on the door. Athénaïs de Béru welcomes us in. At no other entry point into a domaine in Chablis did it feel like this, like crawling through a portal, back in time, crossing a threshold into a different, magical world.

Béru. Small village southeast of Chablis, to the west of Viviers, tucked into an amphitheatre nook below the Z-curve of the Route d’Auxerre and three valleys, Vau du Puits, Vallée de la Fontaine and Vallée de Foulignot. Béru. Mother in custody of Luke Skywalker. Béru. One of 16 South Pacific islands in the Southern Gilberts, according to legend created by Nareau the Wise and migrating, tree-dwelling Samoan spirits carrying branches from Te Kaintikuaba. Béru. The Left Bank domaine farmed by Athénaïs de Béru, organically, biodynamically and spiritually. Chablis from the tree of life.

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Château De Béru

The family history of the five hectare Château De Béru is one recorded back 400 years, a quintessential 300m high Chablis plot on Kimmeridgien, calcareous-clay soils inlaid with fossilized shells dating back 150 million years.  Written history tells of the vineyard first tended by first century Romans, ninth century Pontigny Abbey monks and the historical walls of the Clos Béru as having been erected in the 11th or 12th century. All to celebrate and demarcate the quality of the Béru terroir.

Then, in 1887 the phylloxera crisis ended nearly three hundred years of vinous prosperity. Late in the 20th century Count Eric de Béru replanted the vineyards and with loyal concentration on his family’s famous Clos Béru. He passed away suddenly when Athénaïs de Béru was just a child. Years later she returned from Paris to resurrect the vineyard work and produced her first vintage in 2005. A taste of 2015 ten years on marks a new era for Château De Béru. A walk through the underbelly of the winery confirms the direction and the enlightened future, through barrel trials, vin nature experimentation and concrete egg fermentation.

athenais

Athénaïs de Béru

The rows outside the 11th-12th century monk’s wall demarcate Le Clos de Béru Vineyard. All of Athénaïs de Béru’s wines are single-vineyard Chablis save for the Terroir de Beru, a wine that gathers all the vineyards to express the all-encompassing Béru terroir. Organic was completed in 2006, biodynamic in 2009. Everything was lost in 2016 to the frost of late April. Béru hardest hit in Chablis. Athénaïs sprayed Chamomile tea on her vines, with love, repeatedly and with utter confidence. They survived. The future remains bright.

We tasted four Chablis with Athénaïs that day, along with an Aligoté and an Irancy. Here are the notes.

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Thoroughly enamoured with the @purechablis made by Athénaïs at Château de Béru #chablis #monopoleleclosberu

Château De Béru Chablis Clos Béru Terroirs De Béru 2015, Ac Burgundy, France (Agent, $49.95, WineAlign)

A mere 400 years of family history lays astern of Béru Chablis and what white light now shines is due to the innate and spontaneous hands of Athénaïs de Béru. In the pantheon of the Chablis range from Terroirs through Montserre and to Clos Béru Monopole, this is the conversant spokesperson for the house. Terroirs the child is wild, natural, intrepid and convinced, from a ferment that sees only stainless and bottled as early as December. Trusting and self-sufficient from kimmeridgian limestone, only it as Chablis whiffs such a mix of iodine and smoke and bears witness to its small, windy and concentrated vineyard. A place that bestows low pH meets high acidity. Though warm and gracious 2015 is the catalyst, this is at first lean, then struck from rock and finally the weight of that rock impresses into the wine. Getting white flowers is real and works to foil the recurrence of smoky beats and bites upon the palate. This is new, something akin to imagining the acidity offspring of grüner and assyrtiko but with weight and a metallic minerality. A Béru salinity. An iodine laced salt. Wow. Drink 2016-2022.  Tasted July 2016     @TheLivingVine  @vinsdechablis  @purechablis  @vinsdebourgogne  @BourgogneWines

Château De Béru Chablis Clos Béru Montserre 2015, Ac Burgundy, France (Agent, $55.95, WineAlign)

Montserre is a child of special Chablis geology up on the flat of Béru, primarily limestone with sharp, jagged fragments of rock. Athénaïs de Béru points to the benign nature of this plateau’s climat but the glint in her eye predicts with wine wicca’s wisdom that in 2015 this Chablis will simply be unreal, comme d’habitude. But it’s more than that, the “greenhouse mountain,” smoky single-vineyard Chablis, of white flint hyperbole and dense limestone smoulder. It is striking, intense, trenchant and lingers with arboretum puissance. Gourmand chardonnay, salivating, a success from 100 per cent malolactic conditioning and despite the intensity, blessed of impeccable balance. The bon ton Béru Chablis history now in the oenological hands of Athénaïs de Béru marches to an organic and biodynamic drum. But again, it’s more than that. In the sanctuary of Chablis, Montserre is a connection forged between woman and terroir. It makes perfect sense. Drink 2018-2027.  Tasted July 2016

terroirs-de-beru-chablis-has-arrived-via-thelivingvine-49-956-packs-chateaudeberu-chablis-athenaisdeberu

Terroirs de Béru Chablis has arrived via @TheLivingVine #chateaudeberu #chablis #athenaisdeberu

Château De Béru Chablis Clos Béru Monopole 2013, Ac Burgundy, France (Agent, $87.95, WineAlign)

The organic and biodynamic vineyard sits like an earthwork garnison outside the walls of the Béru castle, south facing and slightly southwest at the bottom of the hill. Few are as capable to define the wine monopole as lieu-dit, exclusive, specific and genetic to the 400 year family roots of Athénaïs de Béru. It is in here that the atomic, atmospheric elevation works like an elevator, carrying oozes of liquid limestone up to the surface, passed through the vines into fruit and eventuating in bottle. So very natural and intense, the barrel here is fully felt, in fact still (after three years) dominating the stainless steel. The stones at the surface pulse and quiver from intermingling with marine fossils and sea shells in direct contact with the upper roots. There is a mandarin zest and reduced juice in this, mixed with the saline, Béru-specific note of iodine. The best is yet to come for the Clos Béru Monopole, partly because two improved vintages are up next but also because Athénaïs will have furthered her connection with the exclusive Béru terroir. Drink 2017-2025.  Tasted July 2016

Château De Béru Chablis Clos Béru Monopole 2012, Ac Burgundy, France (Agent, $87.95, WineAlign)

In 2012, less density and iodine matchstick is on display in performance for the historic, south facing vineyard beyond the Château’s walls. From this her eighth vintage in the resurrection of the family’s estate wines, Athénaïs de Béru has assembled fruit from Kimmeridgian limestone in rapport with a vintage of portent and intent towards elegance. The acidity is much more linear (than 2013) and the limestone sensations less metallic. Here the feeling is more of a liquid chalk and the balance is much improved. Also less evolved, bright and a much more amenable of a bitter pith, more citrus (lemon and lime) and not as earthy. Longer finish too. What 2013 lacks this ’12 gains and vice versa. The comparative literature and parenthetical study is duly noted as apples to oranges so the wines are exempt of one another. Neither answer all the questions asked and both express their terroir from their time spent on it. This ’12 story will become clearer in another year or two. Drink 2017-2023.  Tasted July 2016

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Attention @thelivingvine this amphora Chablis from Athénaïs de Béru @ Château de Béru

Château De Béru Aligoté 2015

One month skin contact, pressed and then set in (200L) amphora for approximately eight months. Transferred to tank for settling before bottling. Gives away apple and pear with exotic spice and the most minor bitter pith. Shares the aligoté acidity with impunity which turns on the varietal light of choice. Tannin and white flowers. Meant for sipping while cooking and into the first part of the meal. Drink 2016-2018.  Tasted July 2016

Château De Béru Irancy 2015

Irancy is a partnership with friends who work organically, from their high-end cooperative, highly thoughtful picking and operation. Aged in tonnerre, obviously Burgundian (with 15 per cent pinot gris co-planted with the pinot noir). Traditional and typical but simply, unequivocally Béru. A wine loyal to the old co-plantation tradition in a world of Irancy where only pinot noir is re-planted. A balance between pretty red flowers and spicy, near bitter pithy white fruit. Whole bunch (100 per cent) fermentation but no pressing whatsoever. A slight passage under foot but the gentlest approach, suppressing tannin but looking for structure. This is so very crushable and what would likely translate to $75 CAN is something to think about.

Vin Nature of Château De Béru

Vin Nature of Château De Béru

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