There must be 50 ways to remember Amarone

Memories of Verona

Buona Pasqua to everyone in the Veneto, Verona and as the title of this article indicates, a very Happy Easter to our friends and producers in Valpolicella. My last visit to the area was in October 2018 for a sidestep away from a Lake Garda focused journey west of the Adige River. Two years earlier I spent a September 2016 week in Verona and the Valpolicella Valleys. After that trip I published all my notes on the DOCs; Valpolicella (inclusive of Classico and Superiore) and Valpolicella Ripasso. The fact of the matter is on that week-long tasting through corvina, corvinone, rondinella, molinara, croetine and oseleta I also sipped, swirled and assessed a number of Amarone della Valpolicella DOCG and Recioto della Valpolicella DOCG. In between those two Veronese excursions there was a July 2017 Collisioni experience in Piemonte and during that festival a Progetto Vino Masterclass showed and poured the wines of eight Famiglie dell’Amarone producers. It just seems every trip to northern Italy must include Amarone.

Related – Valpolicella, Ripasso Valpolicella

Villa Moron, Negrar

Those collective tasting notes never made it to print, that is until now. Following those 2016, 2017 and 2018 voyages to northern Italian regions I published a host of articles and many notes, but as with every immensely immersive media trip there is always unfinished business. Each and every travel return to Canada requires the day to day of real world work detail; tasting through VINTAGES releases, consignment, private order and potential to market wines, followed by editing and publishing those reviews; restaurant buying and staff education too; most gratifying is wine education, sharing regional wine experiences and gained knowledge with sommeliers, other journalists and peers. The rigours of home and work life don’t always allow for every travel stone to be unturned.

Related – Barbera d’Asti Del Monferrato E Nizza Monferrato

Verona, September 2016

What can be attacked by retrospective means are notebooks scribbled by design and computer folders layered, pages and files filled with thoughts left to await their eventual fruition, temporarily resigned to the arena of “the never too late.”  This kind of post on Godello always comes accompanied by a huge sense of gratitude to the regional facilitators, logistical magicians and dozens of producers who share their life’s work, engage in conversation and give so generously of their time. These are the 50 wines tasted three, four and five years ago. Forty one Amarone and nine Recioto surveyed, evaluated, admired and yet consigned in those times, resigned to drafts, now unburdened, released and published.

Amarone della Valpolicella DOCG

Bertani Amarone Della Valpolicella Classico DOCG 2013

“You can like it or not but this is what Bertani Amarone Classico is supposed to be,” the words of host Michaela at the historic estate founded in 1857. The first vintage was 1959. Made the same way today. “This is a medication wine,” no sorry, “meditation.” Again, points are credited for the lack of jam, the shortness of breath and the heavy shaken oak restraint. But once again the charm needs to be coaxed. There is undeniable structure to look decades forward and to read the tea leaves for its past. Perhaps a virtual walk through a forest will ensue. Perhaps. Drink 2019-2029.  Tasted September 2016

Bertani Amarone Della Valpolicella Valpantena DOCG 2013

A 30 day drying period instead of 50, quite short for the region. Aged in Slavonian oak barrels, an earlier developing, made to drink with food early in life kind of Amarone. Sour cherry and dark chocolate. Quite young but I can’t see it getting much more interesting than this. Made for a consumer that has never tried an Amarone before and wants a gateway entry. Clocks in at 15.5 per cent, certainly not jammy though you feel the density and the weight. Drink 2016-2020.  Tasted September 2016

Brigaldara Amarone Della Valpolicella Classico DOCG Casa Vecie 2011

“At thirty three years old (1986) I came back to the family farm. It was the best decision of my life,” says Stefano Cesari. “I like this business. In my time the problem was the market. Now it is the cost of soil. You need big investment.” More elegance driven into this dusty, dried red fruit Amarone than most, with some frutta di bosco and fragola secco, heat on the nose in a slightly volatile way (or acetic) but plenty of equality abounds. Plenty of fruit and savoury character equals it all out. In Valpolicella west facing vineyards bring stronger wines and in the east more elegance. CCR, (40/40/20). Two years in barriques and two in 25 HL casks. The chocolate comes late. At 16.4 per cent this strikes an accord. Drink 2019-2029.  Tasted July 2017

Alfredo Buglioni

Buglioni Il Lussurioso Amarone Della Valpolicella Classico Riserva DOCG 2011

Alfredo Buglioni’s Riserva 2011 is a case study of 25 per cent in 50 hL barrel in a Valpolicella that bridges the old and the new school of Amarone. It notes less confiture and dried fig, negative reduction, inducement and decreasing hyperbole, from concentration, of facets and tents getting on one page together and of sugar levels. Palates of the Amarone are rarely so alive, sparked and again, as per the thread run through this house, electric. The properties of chalky and tannic will churn this through a ten year development wheel. Drink 2019-2027.  Tasted September 2016 and October 2017

Ca’ La Bionda Amarone Della Valpolicella Classico DOCG 2011

The bright, freshest Amarone, light as it can possibly be, with smoky limestone and volcanic influence mixed with clay. If you can’t see the forests (minerals) for the trees (soils) than you won’t get this Amarone. “If I am home I don’t drink Amarone,” says Alessandro Castellani, but you just know he sneaks some sips in the cellar. There is cherry in softly crushed ways and the silky palate with nary a chocolate moment. Just a baby, fleshing quickly so just imagine the feel in another 18 months. Drink 2018-2027.  Tasted September 2016

Ca’ La Bionda Amarone Della Valpolicella Classico DOCG Vigneti Di Ravazzòl 2012

A blend of 70 per cent corvina, (20) corvinone and (10) rondinella plus molinara from the renowned stony clay-limestone hill Ravazzòl. The vines average 50-70 years of age and in 2012 the Amarone is a lithe 16 per cent alcohol with necessary and alter-ego balancing acidity. Ca’ La Bionda acidity, singular, arisen from the mineral terroir to rise above most of the Classico territory. A wine that already sets about to linger almost before the first sip is taken, lending credence to the contemplative and meditative Valpolicella ideal. Even when a wine is so powerful it can elicit serenity and calm. Drink 2018-2032.  Tasted September 2016

Ca’ La Bionda Amarone Della Valpolicella Classico DOCG Vigneti Di Ravazzòl 2011

Generally speaking the Ravazzòl blend is 70 per cent corvina, (20) corvinone and (10) rondinella plus molinara. The clay-limestone soil is unequivocally the thing that changes the wine and with time the emerge is all about more mineral and spice. Much older vines (minimum 50 years old) bring about an increased richness but also a more lifted brightness. “This is my idea of Amarone, traditional but unusual,” tells Alessandro Castellani. “We’ve invented nothing.” Sapidity, acidity, supple peppery schisty-like, syrah-esque spice. Again a bite but no scathe. “It’s difficult to make an Amarone that is powerful with drinkability. You need a good terroir.” Drink 2019-2029.  Tasted September 2016

Ca’ La Bionda Amarone Della Valpolicella Classico DOC Vigneti Di Ravazzòl 2008

Just bottled one month ago after eight years in wood (Botti Grandi) so despite the age its just a baby. The wood is still quite up front. Here the most floral though the palate is thick and compressed, spice of course, as in all the wines but somehow there is evidence of what you have come to expect, despite the youth. The confusion and the conundrum align to cause your brain to say “too young to really know anything.” This is the beauty of complexity in Alessandro Castellani’s Amarone, specifically from the clay-limestone hill that is Ravazzòl. Drink 2020-2030.  Tasted September 2016

Ca’ La Bionda Amarone Della Valpolicella Classico DOC Vigneti Di Ravazzòl 2004

Opened two hours earlier, a cool vintage slowly fast-forwarded to today’s elegance. Is it mature? Of sorts as it carries the soil in its blood and whiffs like it was intended to be though I personally find it extreme youthful. A slight (as it used to be) sweetness (6 g/L of RS) and there is tobacco smouldering in a cedar box. Still not quite opening yet, spending an hour with it (or more) would be ideal. Undefined red citrus, exotica, florals, finesse, balance and elegance. Though it may have once been or at least acted-seemed greener, it has made it to this pretty stage. An integrated beauty. Drink 2016-2026.  Tasted September 2016

Locanda 800

Ca’Rugate Amarone Della Valpolicella DOCG 2013

Sees 32 months in barrel, of course there is richness and some very bright fruit but what is remarkable is the transparency, the claret consistency and the relative thin (and thankfully so) veneer. Finding this quite mineral, full of soil tang and with the barrel program here all new it’s quite an impossibility. As in Ca’Rugate’s whites, the barrel adds spice and some smoulder, not thick, glycerin and caky texture. This is Amarone you can drink, even if it’s a bit of smoke and mirror talk but it’s really done in the right way and for all the right reasons. At 16 per cent it fools with great acumen. Same vintage twice and yes, truly consistent. Drink 2017-2025.  Tasted September 2016

Cantina Di Negrar Amarone Della Valpolicella Classico DOCG 2013

A massive mouthful of Amarone with more varieties of chocolate than thought possible confined to one sweet and savoury bottle. Rich, extracted, caky and oozing with that aforementioned chocolate swirling in the machine, lathered like warm ganache and oozing out of a flourless torte’s every pore. Everything you might expect from Amarone in the developing Valpolicella world. Drink 2019-2025.  Tasted September 2016

Cantine Negrar Domini Veneti Amarone Della Valpolicella Classico Superiore DOCG Verjago 2011

From grapes dried between five and six weeks, here the octane runs high, the sugars fully developed for a warm and generous Amarone. The spice cupboard is joined by tobacco and plenty of sweet Amaro bitters, with dusty espresso and a minimum 76 per cent chocolate all over the finish, still with massive tannin. A huge expression with an RS between seven and eight g/L. Drink 2018-2023.  Tasted September 2016

Cantine Negrar Domini Veneti Amarone Della Valpolicella Classico DOCG Vigneti Di Jago 2010

Now here, in my opinion, from a most excellent vintage, with more red fruit and less obvious splintering the freshness persists and the charm continues to draw emotive consideration. The impression brings some soil/terroir gifting, with aromas that suggest multi-stone (limestone and basalt) and freshness from clay. Though the sweetness seems elevated (an RS of 12 or more?) at least the red fruit, citrus expressed and thriving acidity is a match to the Amarone thing. Though massive again, with raging tannin, there is more honesty in this wine. Drink 2016-2022.  Tasted September 2016

Famiglia Pasqua Amarone Della Valpolicella Classico DOCG Villa Borghetti 2012

Comes in at 15 per cent, produced in Marano della Valpolicella, the drying process lasts up to four months (depending on the dates of harvest) for a 30-40 per cent loss of moisture into grape and sugars concentration. Sees 12 months in French barriques, is a fresher style of Amaraone, with quality red fruit but the flavours are directed by formula, cloyingly medicinal and acidified tart. Admittedly with its spice and its sweetness it loves the cheese and the dried fruit. Drink 2016-2019.  Tasted September 2016

Famiglia Pasqua Amarone Della Valpolicella Classico DOCG Mai Dire Mai 2010

Joint ventures between two families, a whopping 16.5 per cent, from corvina (65 per cent), corvinone (15), rondinella (10) and oseleta (10). The work of never say never, single-vineyard (Vignetti Montevegro val d’Illasi), up to four months appassimento, 44 days fermentation, mostly in new barriques for 24 months. The wood occupies the central square in the city centre, taking up residence with what seems to be exceptional fruit though its suppression hides what it might want to offer. Mocha chocolate big time, heat of the night and so much spice. Chalky clay dense and weighty. Intense Amarone. Cherries seeping in spirit water, over the top but for the right reasons where many would follow. Drink 2018-2022.  Tasted September 2016

In motion at Fidora

Fidora Amarone Della Valpolicella Classico DOCG Monte Tabor 2010

A massive mouthful of Amarone with a boozy effect to make it seem as though it is quite sweet when in fact it’s an Amarone of extreme relative acidity. The RS level is oddly, curiously and impossibly low at 2.0 g/L with balancing thanks to massive dry extract and fierce, competitive and autocratic tannins. Not to mention 36-42 months in barrel that may as well have been 48, or more. Where else have you ever tasted such a thing? Needs a few to many more years to find its way. Drink 2020-2032.  Tasted September 2016

Masi Serego Alighieri Amarone Della Valpolicella Classico Vaio Armaron 2011

The descendants of San Pietro. Single Vineyard from the Serego Alighieri Estate, 70 corvina, 20 rondinella and 10 molinara, only in the best vintages. Use of cherry wood, brings more oxidation, but it’s only employed for four months. 15.5, illusion of sweetness, 6-7 g/L RS.  Last tasted July 2017

The Vaio Amaron is both highly polished and heavily composed Amarone with history, tradition and the way it has always been exuding out of every appassimento pore. Sourced from the eponymous vineyard which lays claim “it seems” to the name itself, this is Masi’s most iconic Amarone. The not quite reached prime time fig-centric red to black fruit is bright and alive but do not be fooled. The depths of plum and marly earth are plumbed, mined and excavated for full bore corvina, rondinella and molinara heavy exercize. From what I have come to recognize as a most excellent Amarone vintage (even though it is way too young to even begin to appreciate) you had better pull out the Monte Veronese for this dangerous and formidable Veneto. Drink 2019-2034.  Tasted September 2016

Nicolis Amarone Della Valpolicella Classico DOCG 2010

A blend of 65 corvina, 20 rondinella, 10 croatina and 5 molinara with a bit of SO2 that needs air to release. The reduction is consistent with the fresher Valpolicellas. Old school, deep red fruit, really fleshy, more than the price is drinkable, this has so much in common with similarly weighted reds, like sonoma cabernet sauvignon, Chianti classico Gran Selezione and Rhône Gigondas. Interesting comparisons aside (and stylistically they are valid) this is a rich, concentrated, high glycerin Amarone with a warm, sweet finish. Orange fleshy, summer patio melon liqueur cocktail. Very consumer friendly for a Keg Steakhouse red. Drink 2016-2021.  Tasted September 2016

Nicolis Amarone Della Valpolicella DOC Ambrosan 2008

Tallying in at 16 per cent alcohol which is par for the Amarone course and a number completely normal for the 2008 vintage. While it may be a bruiser it has barely walked out of its toddler shoes and is indeed a corvina blend of deepest intent. The eight year mark is where the layering begins to unfold and a glimpse variegates right here in this glass. A thick one, with a naturally funky porcine cure, humid and ideal for slices of ham in all iterations. Also perfect for the cuisine of Chef Diego Donatelli at Locanda 800 in Negrar. Drink 2018-2029.  Tasted September 2016

Nicolis Amarone Della Valpolicella DOC Ambrosan 2007

Single vineyard, current vintage available, sold in the LCBO, 70 corvina, 20 rondinella, 10 croatina, first made in 1990 (the normale was first made in 1978). This combines the rich extraction and big barrel impart of the Ripasso into a fortified, layered and deeply compressed Amarone. Sweetness seems magnified. The bretty voltility is part of the party. A mix of sweet, saline and savoury, not yet umami and still so young because it’s thick and taut. Will be late in 2017 before anything changes. Drink 2018-2028.  Tasted September 2016

Novaia Amarone Della Valpolicella Classico DOCG Le Balze 2011

Bottled in March and will likely be released in December. Single-vineyard aged three years in (some new and mostly old) barrels. Vines were planted in 1996, so now just entering right into the proverbial wheelhouse of exceptionality. It will have up to another 10 years or so before those vines will likely succumb to the Mal d’este wood disease. Richer, softer, gentle and amenable especially to taste, but that acidity, power and tannin does not relent. The aging adds to the density, the clay in this vineyard adds to the power and all tolled this is bigger and with more layered brawn than the Corte Vaona. Two different slices of Amarone pie. This one with a big chocolate espresso finale. Drink 2019-2028.  Tasted September 2016

Salvaterra Amarone Della Valpolicella Classico DOC 2009

Plenty of oak, including American, on the nose with the gamut run in kernel, nut and smoke. With Monte Veronese cheese aged 18 and 24 months the savoury and herbal aspects are foiled with reigned in agreement. This is modernity to the extreme, like some equally forged or a cross between Gran Selezione and Barolo, firm, concentrated but not shaken. Still quite youthful. Drink 2017-2027.  Tasted September 2016

Salvaterra Amarone Della Valpolicella Classico DOC 2007

Seems typical of the vintage, softer, rich and quite getable though there is heat and the aromatics of distraction; menthol, clove, vanilla, lavender, fennel and even cola. How this reminds me of high octane California pinot noir I’m not sure but it does. So thoroughly modern but without the same structure of 2009 and certainly not 2008, if that were tasted here as well. Drink 2016-2020.  Tasted September 2016

Santa Sofia Amarone Della Valpolicella Classico DOCG 2011

A representative of a best vintage, a specific vineyard and the addition of molinara (five per cent), stabilizer and a grape that has been ripped out to be omitted from the other wines. Quite remarkably perfumed with florals (roses and violets) that Amarone just does not often have. Except here it is, fresh and potpourri and then a mouthfeel that goes to velvet despite the dangerously intense acidity. The finish is dusted with espresso and shaved by bittersweet chocolate. Not as drinkable, with more structure and outright hedonism. Will live in infamy. Drink 2018-2033.  Tasted September 2016

Sartori Amarone Della Valpolicella DOCG 2012

The blend is 50 per cent corvina, (30) corvinone, (15) rondinella and (5) cabernet sauvignon. Comes in at 15 per cent abv, after a hot summer, four months drying process, raisin and plum with a baked fruit character. Fleshy and nearly though not entirely severe. Steeped tea of a few varieties, some forest floor, deep and brooding tannins. Sage and balsamic. Would not wait any longer. This should be consumed early. Drink 2016-2019.  Tasted September 2016

Sartori Amarone Della Valpolicella DOC I Saltari 2009

Old vines (some more than 40, average age of 20), low yields (1.5 tonnes per hectare), again quite secondary, almost into prune but certainly of a fig character. Though this wine and the Corte Bra have developed quite quickly their body and disposition are left off in the middle, leaning away from the overs of extraction, over-pressing and over oaking. You may not accuse the Sartori wines of over oaking. They are made with some restraint, against the rising norm, but they do brood with dark as night character. Drink 2016-2022.  Tasted September 2016

Sergio Zenato Amarone Della Valpolicella DOCG 2010

Founded in 1960, village near Lago Garda on the east side. Village of Santa Moggio, where the Valoplicella estate is located. Father was Sergio, now with sister and mother. CCR 60-20-20 plus oselata and croetine grown at 300masl, red clay with stones, difficult to retain water so irrigation is used. This is the dried fig and chocolate bomb, with soy, balsamic and five spice. So Mediterranean savoury, thick and shaken. Lots of French vanilla feel with 300L French tonneaux and 500L, plus 300L and 5000L French and Slavonian oak casks. This may never, ever fully integrate. It’s the thickest milkshake you will ever find. It’s a mess at this time and 17 per cent so wait 10 more years for it to get interesting. Drink 2027-2042.  Tasted July 2017

Speri Vigneto Amarone Della Valpolicella Classico DOCG Monte Sant’Urbano 2012

Family business in Valpolicella. Single-Vineyard, top of the hill in the Fumane Valley. Fume, as in hot, from its volcanic origins, especially for corvina. Soft soils (in texture, yellowish, friable but gets sticky when wet so over cover crops like fescue and clover are employed) and this will translate into the wine. Heavy in corvina (80 per cent) with reasoning because of its affiliation to volcanic soil and because winemaker (of 25 years) Alberto Speri simply thinks it’s the best grape. The grape that finds the most elegance. High percentage of drying (40 per cent), use of big oak, four years. Will go out on a limb and say this will indeed be the most elegant in a line up of eight formidable Amarone. Drink 2019-2032.  Tasted July 2017

Good morning @C_Valpolicella from @accordinilgino

Stefano Accordini Amarone Della Valpolicella Classico DOCG Acinatico 2013

The latin name of the wine is Acinatico, from ancient Rome, indicating the wines delineated from this place, produced from these specific berries. The vines were planted by grandfather Gaetano and are now up to 85 years old. Quite reductive and so very rushed into market young but this is the normale so perfectly understandable. A whack of tannin is met by acidity in the most rushing wave of red citrus. The wine is so taut and wound that the house style of secondary savoury character hasn’t even become a twinkle in its eye. Chocolate shavings cover everything, they cover everything. The chocolate of Accordini. Drink 2019-2024.  Tasted September 2016

Stefano Accordini Amarone Della Valpolicella Classico DOCG Acinatico 2010

Has developed righteously, from a gritty and serious vintage, for which tannin was not at a premium. Plenty of expertly tempered chocolate works the mid-palate and the tart finish with a baker’s glaze. This is heavily wooded Amarone, sweet and custardy, mouth coating and really 90’s. Like Rioja or IGT from the same time period. Drink 2016-2020.  Tasted September 2016

Tedeschi Amarone della Valponicella Classico DOCG Monte Olmi 2011

Monte Olmi is a two and a half hectare parcel, southwest in the Classica area, where the winery is located. This archetypal Amarone was first produced in 1964 and is now an 8,000-10,000 bottle per year effort. The mix is classic Tedeschi corvina, corvinone and rondinella, in a one third of each plus minor percentages of oselata and several other endemic varieties (rossignola, negrara, dindarella, croatina and forselina), from the oldest parts of Monte Omi. This is the Amarone to celebrate tradition, keeping history alive and always remembering from where you’ve come. It spent four years in large casks and emerged at 17 per cent alcohol. The ceiling is reached, with balls, brash and no worries but is it balanced? Remarkably it is and also sour-edged, with tannin and the crazy, wild and free spirit of red fruit drawn off of morainic white and yellow limestone. But it will certainly improve and last as long as any. The acidity will see to that, even if the fruit fades. Drink 2021-2035.  Tasted July 2017

Tenuta Sant’Antonio Amarone Della Valpolicella DOCG Campo Dei Gigli 2012

Youngish winery, still essentially first generation, started in 1995. Armando Castagnedi is one of four brothers and Paolo is winemaker. They were born and worked in the vineyards but sold to cooperatives before. In the east (not in Classico), Montegarbi. The symbol of the flower of Sant’Antonio. White limestone chalky soil, lime and sand. Corvina (35), corvinone (35), rondinella (25) with croetina and oselata because of their elevation, wind, proximity to the sea with that wind in mind. Three years in tonneaux, not big barrels (young producer compromise). Clean and fruity with a syrupy pool in the middle, welling on the palate. Clocks in at 16 per cent, come out tonight. Drink 2017-2019.  Tasted July 2017

Tenuta Santa Maria Amarone Della Valpolicella Classico DOCG 2010

Separated five years ago from the parent (Bertani) winery. Gaetano Bertani is the winemaker with the help of consulting oenologist Franco Bernabei. One 7th the size of the larger Bertani, 380,000 bottles vs. 2.5 million and no one from the family works with them at all. Amarone is corvina, corvinone and rondinella, reductive and young, in need of air and so much more. Plenty of acidity and a rage of tannin. The red fruit capacity is boundless and with all the rage around this whirls like a hurricane. Rocking Amarone, old-school, leathery and dry. Drier than the Ripasso. Fruit leather roll-up. Restrained at 15 per cent alcohol and acts like less. The number is 7.5 g/L RS. Drink 2016-2022.  Tasted September 2016

Tommasi Amarone Della Valpolicella Classico Riserva DOC Ca’ Florian 2009

Presented by PierAngelo Tommasi. Founded in 1902, the new generation is 1997, nine “kids” from four fathers. Only since 1990 has this vineyard been dedicated to a single-vineyard wine and since 2010 as a Riserva. “This wine tastes this way because of the vineyard,” says PierAngelo “and not because it is called a Riserva.” CCR, 75-20-5. Fermentation in wooden vats and the aging in 500L (French) tonneaux (in the first year) is a departure (for Tommasi) and the next three are in large Slavonian casks. This is the third vintage for Ca’ Florian and though it is massive, it is not volatile nor is it acetic. At 15.5 per cent and 4 g/L of RS it states the least obvious connotational expectation for the style and goes against its peers. This should be the top vintage of this SV wine, considering the integration, the level of fruit, the texture and the potential for aging. Drink 2019-2032.  Tasted June 2017

Valentina Cubi Morar Amarone Della Valpolicella Classico DOCG 2010

Valentina’s estate is now farmed certified organica though some older Amarones were not. From 1963, the estate dates back to the 18th century. At 16.5 it has to be a lie, again, not just because of colour but clearly its lightness of being is anti-Amarone. The grip and the grit of the aridity and tannin is the crux of this wine but there is plenty of fruit. That said it has chocolate and woody notes that give it some commonality so it is obvious that Amarone is almost impossible to change and to seek revolution. But this is 2010, before Valentina could write organic on the label and before the winemaking turned to its present motives. It was also the vintage. Structured and long. 2018-2025.  Tasted September 2016

Valentina Cubi Morar Amarone Della Valpolicella Classico DOC 2007

In ways that composition and result make for a dramatic difference, this is more traditional, darker and more extracted but also cooler, further into savour and with that umami prevalent throughout the region. This is not separate or antithetical, quite spicy and wholly tannic. and yet it is neither thick nor overdone. White chocolate is all in, This 2007 has more finesse but also real creaminess, sweet, savoury and blanketing. And that umami, mushroom and consomée. Drink 2016-2021.  Tasted September 2016

Valentina Cubi Morar Amarone Della Valpolicella Classico DOC 2005

Wholly, utterly, invisibly resolved, all umami, full truffle, dried forest floor and porcini mushroom. Something pine savoury but all vanilla and green tea ice cream. Spice and smoke all over the palate and the finish. Clocks in at 16 per cent alcohol. Very good vintage and showing well. Must have been a tannic beast in its time. Drink 2016-2019.  Tasted September 2016

Venturini Amarone Della Valpolicella Classico DOCG Campo Masua 2011

Centre of the Classica area southwest of Negrar. Vines in the 20-25 year range, rocky and clay under the topsoil. “Toar” as in volcanic, a very friable soil. A very clear strata separation between soil and rock. Hot and very dried fruit aromas which conspire to mask the florals aching to get out. A corvina (70 per cent), corvinone (10) and rondinalla (20) blend, dried for five months “in the natural way” and aged in 3000L big barrels for four years. Dried plum and apricot, roasted almond, charred onion and smoked meat. Spicy off the piquant charts. Sweetness follows. 16.5 and every bit of it. Drink 2019-2026.  Tasted July 2017

Vignetti Di Ettore Amarone Della Valpolicella Classico DOCG 2012

One of the more if not the most fragrant Amarone, of peppery plum and pomegranate fruit, richness, depth and plenty of dusty espresso. Acidity and tannin are equal and opposing, subduing fruit for the time being though three of four years down the road all should be in synch. This will develop umami. For now it lurks. Drink 2019-2026.  Tasted September 2016

Vignetti Di Ettore Amarone Della Valpolicella Classico DOC 2008

The 2008 is right where the 2012 projects to be in four years, carrying its peppery and stemmy spice into a secondary world inhabited by figs and still to be determined dried fruit. Tannins were tougher in 2008 and acidity higher so this remains just a baby. Plenty of espresso, again, but also some developed chocolate. A really well made Amarone from back in the day. Drink 2017-2025.  Tasted September 2016

Zonin Amarone Della Valpolicella DOCG 2011

Looking for freshness, fruit, that corvina punch. Plums again as are all the wines and grinds upon grinds of pepper. So much syrah is like this. New world syrah. Plenty of chocolate. A bit weighty but the acidity and tannin will drive this machine. It is a fruit first Amarone, that much is clear. The spice is everywhere though, which speaks to the wood as a major part of the impression. Very typical. How it was and many observe as should be. Hot finish detracts from the fruit freshness Drink 2017-2026.  Tasted September 2016

Recioto Della Valpolicella DOCG

Buglioni Recioto Della Valpolicella Classico DOCG ‘Il Narcisista’ (500 Ml) 2011

Like honey, with leesy, cheesy, red citrus and earthy notes mixed in. Gracious natural sweetness, use of sulphur to stop the fermentation, 140 g/L of rS (which is the maximum, can be as low as 110). The nose is remarkable, short on the sweetness despite the honey, so more like honeycomb. Good narcissist, if there is such a thing. Drink 2017-2027.  Tasted September 2016

Ca’ La Bionda Recioto Della Valpolicella Classico DOCG 2012

The drinkable Recioto with a level of sugar comparable to many producers’ Amarone. Aromas resemble the Amarone, as does the mouthfeel. Once you taste this “dessert” wine you can never go back. Plum, strawberry, beautiful. Caressing. Elegant. Finessed. Drink 2016-2028.  Tasted September 2016

Ca’ Rugate Recioto Della Valpolicella DOCG L’Eremita 2012

From a 500 mL bottle, a sweet disposition on a moderate (13.5 per cent) alcohol frame with Amaro liqueur bitterness. Liquorice and menthol on the nose, then plum pudding, black cherry dominant and mint jelly to taste. So much cooler than to what expectation would have made a commitment. Oh, it’s a Cherry Blossom, dark chocolate and when cracked open lets out the ooze of silky confection. Drink 2016-2021.  Tasted September 2016

Domini Veneti Amando Recioto Della Valpolicella Classico DOCG Amandorlato (Charmat Method Spumante Recioto) 2010

Charmat Method spumante Recioto, from one of last producers to do so, carrying on the home bottler’s accidental tradition. In the past apricot (or cherry) leaves or seeds were added to impart an almond flavour (Amandorlato) but today it’s developed leaving the Recioto in small cherry wood barriques with a low, slow and sugar burning fermentation. Naturally achieved 17 per cent alcohol without fortification, unique and meant for chocolate and cheese. “And a good cigar.” Less or more 25 euro retail or 19 ex-cellar or lets say $75-80 Canadian. Smells just like a Cherry Blossom, from the tree and out of the candy box. Sweet, bitter, drying and hot. An expensive acquired taste. Will drink for decades. Drink 2016-2046.  Tasted September 2016

Novaia Recioto Della Valpolicella DOCG 2013

From the oldest parcels in the oldest vineyard at La Novaia, the same process of the Amarone, using more ripe grapes, with an extended drying time to concentrate the juice. Fermentation arrested with cold temperature, registers 13.5 abv and spent one year in barrel. If it doesn’t happen the wine is filtered but that’s rarely needed. Full on black cherry syrup, runny raspberry confiture, sweet fennel tea and Chambord. Sweet but not milkshake thick. Great red chalky, spring maple bleed. A good Recioto ooze. Drink 2016-2026.  Tasted September 2016

Santa Sofia Recioto Della Valpolicella Classico DOC 2009

Same make-up as the Gioé Amarone, aged in Frenck oak for 14 months, plus 12 months in bottle. “A niche product that is hard to transmit its importance.” Of course no sugar adjustment, so to maximize the natural design, the fermentation is arrested naturally when the alcohol number is breached. Here at 14.5, higher on the Recioto scale but stlll well below the level of fortified. A balanced effort with acidity, tannin, bitters, tonic and plum essence sweetness. Dries out at then end with a pasty finish like salumi. Drink 2017-2028.  Tasted September 2016

Valentina Cubi Recioto Della Valpolicella Classico DOC Meliloto 2000

At 14.5 per cent and not produced every year, after this 2000 again in 2003 and 2010. Vanilla bean and ground espresso, cherry ooze or confiture. Dark chocolate, mint and orange zest. There is your pairing. Drink 2016-2026.  Tasted September 2016

Vignetti Di Ettore Recioto Della Valpolicella Classico DOCG 2013

Alcohol equitable to weight, acidity buoyant, dry extract elevated and residual sugar well-adjusted. Here we have typical and rich, balanced and ephemeral Recioto. What it needs to be. Drink 2016-2025.  Tasted September 2016

Zonin Recioto Di Gambellara Classico DOCG Il Giangio 2011

A 100 per cent garganega, aged in tonneaux, 24-36 months. “The typicity of this soil in garganega,” volcanic but dark basalt, apricot and pineapple with a minor herbal note and menthol cool, very sweet on the palate. Tart and sour, very pineapple, oil and mineral by basalt, not sticky but a salve, specific to Gambellara. There are 10-12 producers who make this wine (out of the 15-20 in the appellation). A very specific dessert wine. A 12-13 g/L RS number which seems impossible. Drink 2016-2025.  Tasted September 2016

Good to go!

godello

Memories of Verona

Twitter: @mgodello

Instagram: mgodello

WineAlign

Coppo: Feet on Canelli ground since 1892

Luigi Coppo is grounded in tradition, family, heritage and by a contiguous connection through generational continuance. That much is clear. I’ve met with and tasted Coppo’s wines three times over the last three years; during Barolo’s Collisioni Festival, July 2017, at Relais San Maurizio in Santo Stefano Belbo, December 2018 and most recently at the family’s Canelli estate in December, 2019. Since 1892 Coppo has been nestled in the favourable company of fellow producers Gancia and Bosco, together forming a link between these three most historical wineries in Canelli. Coppo’s Barbera d’Asti and in particular their Pomorosso cru from Nizza Monferrato’s hills are intimately integral charges and while it may have long been established, the advancing Luigi Coppo led Sparkling wine program will push further than merely rivalling the best of Alta Langa. Lookout Franciacorta. Take heed Champagne. And though these estate masterpieces in constant progress will duly impress sommeliers and collectors worldwide, Luigi Coppo still pulls for the workhorses and insists that “Moscato d’Asti is definitely the heritage of our hills.” That amongst their 56 farmed hectares surely counts for something. This is the actuality and presence of Luigi Coppo in Piemonte: Determined, ambitious and yet always cognizant of his roots. All the Coppos in fact; Gianni, Paolo, Luigi, Roberto and Piero. Feet on Canelli ground since 1892.

Luigi Coppo

Related – Three DOCG pillars of Asti: Secco, Dolce, Moscato d’Asti

Much has changed since Luigi’s great-grandfather Piero started the estate in 1892. Today production is 500,000 bottles annually. In another three-pronged producer connection Coppo can make Barolo here in Canelli, along with Scarpa and Bersano. And in 1977 it was Carlo Gancia who as the first in Italy to do so, returned from Champagne to employ moscato in traditional method bubbles. Luigi Coppo is also making use of the Canelli tufo azzuro soils, a mix of blue clay and limestone so ideal for growing grapes to turn them into many variations of sparkling wine. He too embraced the new Alta Langa appellation, beginning in 2010. A specific area was identified, chardonnay and pinot noir were planted and the 30 month lees aging methodology was put into place. Following the dreams of Grandfather Luigi who desired to produce a Bourgogne-style in Piemonte, chardonnay was planted 35 years ago. After nonno passed away in 1994 Luigi’s father Paolo decided to keep the dream alive. Monteriolo sees nine months on lees in barriques; big, buttery, modern and luscious.

Related – Living wine in the moment at Scarpa Winery

The Nizza Classico barbera come from several Monferrato villages while the Pomorosso cru, first made in 1998 sees new French oak for 14-18 months. Moscato d’Asti gets stelvin closures, the wines that age for five to six months are sealed under Diam and real corks for anything longer. The natural barrel cellar was finished in 1970, 42m below ground level. As for the heritage one, says Luigi, “Moscato loves altitude compared to barbera. It’s now time to talk about Moscato d’Asti as a serious wine because it’s very difficult to make. We don’t add sugar or carbonize and it is a vintage wine. These are the three natural and honest things about moscato.”

Related – Rock steady Bersano

What do Coppo’s wines do for us? How are they helpful and perhaps even life-affirming? The truth lies in Luigi Coppo’s humanity and dedication to the things that matter. Something has to save us from ourselves, especially in times such as these, from being inside our heads. Luigi’s wines are the sort to make our wisdom bearable, to rescue us, if nothing else from the ever-bearing fever of begotten biological and ecological destiny. These are the five wines tasted at Coppo.

Coppo 1892 Luigi Coppo Brut Metodo Classico 2016, Vino Spumante Di Qualita DOC, Piedmont, Italy ($40.00 – Estimate)

Traditional method varietal pinot noir in sparkling form, 24 months on its lees and no wood aging. Gainfully fresh and joyous, just a pinch of dosage and regaled, mainly by strawberry but also a sweetly savoury push. Crushable bubbles in the parlance of our times. Drink 2019-2021.  Tasted December 2019

Coppo 1892 Piero Coppo Riserva Del Fondatore 2007, Vino Spumante Di Qualita DOC, Piedmont, Italy ($220.00 – Estimate)

A 60-40 split of pinot noir and chardonnay that was at a near to previous time a varietal wine of the first but with 90 months on the lees and more complex notions conceived it was necessary to bring the latter into the mix. This was disgorged in July 2017. The tartufo bianco in this wine is simply uncanny. That and a toasty precision as if by a Japanese chef’s hand, a toasted piece of perfect white bread to the edges in 100 per cent equality by golden caramelization. Sandwich a piece of reverse seared Kobe rib-eye in between two buttered slices with a side of potato chips and creamy cole slaw and Coppo’s your uncle. Mimic with foie gras if you must. Up to you. Drink 2019-2026.  Tasted December 2019

Coppo 1892 Monteriolo 2017, DOC Piemonte, Piedmont, Italy ($92.00 – Estimate)

A father and an uncle’s chardonnay dedication to their father with a Bourgignons style and philosophy. This just released ’17 saw nine months on lees in French barriques. Toasty in a “Batard” Italianate way, nearly gingered and a low-yield meets high concentration and alcohol (though maxing out at 13.0 per cent) and purposefully ripe. The hot year took away some control and thus the warm biscuit and accentuating spice notes. A little caramelization and while the joy will be a year or so away it will be a shorter lasting period, albeit a highly anticipated and relishing one. Verdant finish with a scape of citrus zests. Drink 2020-2024.  Tasted December 2019

Coppo 1892 Barbera D’asti Nizza DOCG Pomorosso 2017, Piedmont, Italy ($74.95 – Estimate)

A blend of areas, Nizza Monferrato, Castelnuovo Calcea and Agliano Terme, first produced in 1984. “If you want to make Nizza all of your vineyards have to face south,“ explains Luigi Coppo. The exposures gather three levels of sunlight and with 15 days of fully extractive macerated practices the tannins are necessarily pulled to their limit. With varietal acidity set to a natural high there is a three-pronged effect that expresses three separate platitudes and layers for long-term effect. Add the warmth of ’17 and the degree of difficulty and margin for error is very stringent. Castelnuovo Calcea was the last to pick and still only at the end of the first week of September. There’s a phenolic-minor note from the vintage that’s ostensibly unavoidable in a composition like this and yet the richness and structure are non-compromised. Tough to follow the ideal 2016. Drink 2021-2028.  Tasted December 2019

Coppo 1892 Moscato d’Asti DOCG Moncalvina “Canelli” 2018, Piedmont, Italy ($23.20 – Estimate)

“Moscato loves altitude as compared to barbera,” tells Luigi Coppo, “and now is the time to think about Moscato d’Asti.” Luigi says it’s a serious wine because it’s difficult to make. No sugars are added or carbonization performed and it’s a vintage wine. These are the three tenets that matter most. From Canelli vineyards between 200-280m and the classicism of construct and effect is pure magic in proper and precise, sleight of hand ability. That’s what it needs to be, no more, no less. Naturally sweet, a pinch of salt and all the orchard fruit; apple, pear, lemon and orange. All together in balance and gift with tannin on a real dry finish. Drink 2019-2023.  Tasted December 2019

Good to go!

godello

Twitter: @mgodello

Instagram: mgodello

WineAlign

Barbera d’Asti Del Monferrato E Nizza Monferrato

This report first appeared on WineAlign. Here it is expanded to include all the wines reviewed in July of 2017; 27 Barbera d’Asti and 44 Barbera d’Asti Nizza from 29 producers.

  • Consorzio Barbera d’Asti E Vini Del Monferrato
  • Cascina Gilli Di Vergnano Giovanni
  • Cascina Galarin
  • Bersano
  • Pico Maccario
  • Azienda Agricola Ivaldi Dario
  • Az. Agr. Garrone Evasio & Figlio
  • Michele Chiarlo
  • Castello Di Gabiano Marchesi Cattaneo Adorno Giustiniani Srl
  • Rovero
  • Coppo
  • Tenuta Il Falchetto
  • Az. Agr. Franco Roero
  • Viticoltori Associati Vinchio e Vaglio Serra
  • Marchesi Incisa Della Rocchetta
  • Marco Bonfante
  • Erede Di Chiappone
  • Gozzelino
  • Moretti Adimari
  • Berta Paolo
  • Borgo Isolabella Delle Croce
  • Il Botolo
  • Cascina Garitina
  • Villa Giada
  • Bava
  • La Gironda
  • Tenuta Olim Bauda
  • Cantina Tre Secoli
  • L’Armangia

Back in July of 2017 I hopped aboard the Collisioni Progetto Vino train in advance of four seminar-saturated days in Barolo, to immerse myself in everything the great red hope known as barbera holds in the territory of Monferrato. Here in Ontario we possess a pretty good idea about the nature and the competency of Barbera d’Alba, mainly because of its association with the Piemontese region’s more famous grape variety nebbiolo in production of the noble and regal Barolo and Barbaresco wines. The successes enjoyed by Barbera d’Alba are ensured, not solely because of but certainly by its proximate association. But what about Barbera d’Asti?

Collisioni Festival’s Ian D’Agata recently stated “it is undoubtedly in Piedmont where the grape performs best. To put barbera’s popularity in perspective, consider that 33 per cent of Piedmont’s 45,000 hectares under vine are planted to barbera.” Try throwing this statistic in the face of Monferrato, Nizza Monferrato and so many other Asti barbera growers. So the question begs as to why so many DOC’s exist is such a close proximate place? The answer is quite simple. I am “insert commune name here” and I am this DOC, around my village, with my own very special terroir. Yours may only be five kilometres away from me but I am special and my land and grapes are not like yours. It must be noted that in Piemonte there are as many native grapes then there are in all of France. This is the second and more important reason nearly 50, or almost 10 per cent of all registered Italian grapes are found in Piemonte.

The Barbera DOCGs via somesmartsomm.com

The consortium for Barbera d’Asti and Monferrato wines was founded in 1946 with distinctive labelling and while only seven members were originally on board, today more than 200 band together for the good of the grape and especially the agricultural practices of the territory. I will touch on other Piemontese denominations such as Ruchè di Castagnole Monferrato, Freisa d’Asti and Grignolino d’Asti in a follow-up report but now is the time to discuss, analyze and celebrate all things Barbera d’Asti E Vini Monferrato.

Barbera d’Asti is a DOCG with upwards of 3,900 hectares under vine with nearly 2,500 producers, 30 of which are cooperatives. The wines can be fresh reds made in stainless steel or receive some oak aging while the bigger Barbera d’Asti Superiore, made from selected grapes are required by DOCG law to be aged for at least six months in wood. Both the Barbera d’asti Superiore and Barbera del Monferrato Superiore DOCGs were awarded in 2008, both have maximum yield allowances of nine tonnes per hectare but Monferrato’s minimum alcohol requirement is a half a point higher at 13 per cent by volume. The Vigna (single-vineyard) Monferrato yields are lower, at eight tonnes per hectare. Aging for both is 14 months from November 1st the year after harvest. In Monferrato 85 per cent must be barbera with the remainder allowing dolcetto, grigolino and freisa while Barbera d’Asti Superiore requires 90 per cent barbera.

Barbera vineyards in Costigiole d’Asti

The rich limestone, clay and calcium hills of the Nizza wine zone is one of three Barbera d’Asti sub-zones (that also include Tinella and Colli Astigiani). Nizza’s terroir is a result of marine sediment and with proof supplied by a walk-around tasting and dinner during which wines dating back to 2001 were poured, it is indeed the zone where the most ageworthy and arguably the best barbera d’Asti is made. In 2014 the DOCG was created and the artist formerly known as “Barbera d’Asti Superiore Nizza” has now been abbreviated to simply, Nizza. Like Prince. Power and balance are married in Nizza and many perform well past the 10 year mark after vintage. Wines from Nizza must be 100 per cent barbera, the yields are capped at seven tonnes per hectare and the age requirement is 18 months (six in oak) from January 1st the year after harvest. Reserva is 30 months (12 in oak) and Vigna (single-vineyard) releases must have yields no higher than 6.3 with a minimum of 13.5 per cent alcohol.  The first Nizza DOCG wines were released in July of 2016.

Still today the barbera wines of Monferrato and Nizza are virtually ignored worldwide. Many consumers simply think of the name Asti and sweet sparkling wines come to mind. Many others know not of Asti and still countless more associate the grape with Alba. The Consorzio Barbera d’Asti e Vini del Monferrato is working tirelessly to change public perception, first with its proud public speaking president Filippo Mobrici, by enlisting the association with the Collisioni Festival and through the work of ambassadors like Michele Longo. The Collisioni Progetto Vino brings groups of journalists and sommeliers from around the globe to taste, educate and indulge in the multiplicity of barbera.

A compassionate barbera d’asti sky in the dimmet of a piemonte evening.

The following tasting notes of Barbera d’Asti and Nizza wines were executed in the consorzio headquarters in Costigiole and at the Enoteca Regionale di Nizza in July of 2017. The first tasting focused on Barbera d’Asti and Barbera d’Asti Superiore from the 2014, 2015 and 2016 vintages with the emphasis placed on four sub-zones and their differing soils. The second (walk-around) tasting allowed producers to pour at their whimsy so this included portfolios with varietal wines such as grignolino and freisa. The gathering of the Associazione Produttori del Nizza focused beautifully on a comparison of only wines from the 2014 vintage, by way of introduction, followed by two brilliant tastings in which verticals of their wines were offered, first at a (way too fast) high-speed walkabout and then later during a (beautifully slow) dinner at Locanda Del Boscogrande. My full report covers more than 75 reviews of Monferrato barbera from both the Asti and Nizza categories.

Barbera d’Asti DOCG

Consorzio Barbera d’Asti E Vini Del Monferrato Barbera d’Asti DOCG 2015, Piedmont, Italy (Winery, WineAlign)

Every year one wine is chosen through a series of blind tastings from a selection of producers, to be bottled and labeled under the “taken as a while” entity Consorzio Barbera D’asti E Vini Del Monferrato Barbera D’asti. Only the producer and the President (Filippo Mobrici) know who’s wine is chosen, along with wink, wink, everyone else. This 2015 is quite the firm and brambly barbera, as it should be, with an omnipresent blanketing European vintage depth of character, from warmth, quality, quantity and length. This is typically barbera pressed, full on for fruit, specific to a Monferrato territorial claim and nary a moment of intrusive tannin. Drink 2017-2019.  Tasted July 2017  barberadasti  @barberadasti  @barberadasti

Cascina Gilli Di Vergnano Giovanni Barbera d’Asti DOCG Le More 2016, Piedmont, Italy (Agent, WineAlign)

From the silty marl of Monferrato in Castelnuovo Don Bosco, here the traditionally rustic is acquiesced. Of dark berry, dusty, mulberry, a rich mid-palate, leathery, textured, solid if not profound structure. Only stainless steel and possessive of appropriate length. Drink 2017-2019.  Tasted July 2017  cascinagilli  @cascinagilli  @cascinagilli

Cascina Galarin Barbera d’Asti DOCG Le Querce 2016, Piedmont, Italy (Agent, WineAlign)

Out of the silty marl comes this stainless raised barbera, of such a similar profile to Le More, less floral and also less obvious fruity berry. Made with five per cent freisa, here there is more caramel and dried plum, also more VA and a bit of residual CO2. The bitter finish blend into acidity so very tart. Drink 2017-2018.  Tasted July 2017  #cascinagalarin  Cascina Galarin

Bersano Barbera d’Asti DOCG Costalunga 2015, Piedmont, Italy (Agent, 348680, $13.75, WineAlign)

Bersano’s, like so many of its peers making barbera in and around Monferrato comes from a terroir of silty marl. It spends one year in (large) botti and is a most most floral and perfumed barbera, notably of violets, even a touch of liquorice or fennel. Fills in with more mid-palate and structure than many at this “posto che si chiama” entry level, with bitters as tonics well integrated into the mix. Drink 2017-2020.  Tasted July 2017  bersano1907  profilewinegroup  @BERSANO1907  @ProfileWineGrp  @Bersanowine  Profile Wine Group

Pico Maccario Barbera d’Asti DOCG Lavignone 2016, Piedmont, Italy (Agent, WineAlign)

Quite the deep, dark and handsome barbera with a current of black currant and a pure stainless steel raising. Plums and chocolate mark the second half profile for the rich red, no oak lover in you. This pervasive barbera represents just about half of the house’s total (400,000 bottle) production. It’s truly a matter of fresh fruit and the already conscious awareness of its sharp, tart, fugacious youth. Solicits a knowing nod of the head when tasted at the source not long after a moment with the ’14 less than a year before. Drink 2017-2019.  Tasted July 2017  picomaccario  @PicoMaccario  @PicoMaccario

Pico Maccario Barbera d’Asti Superiore DOCG Epico 2014, Piedmont, Italy (Agent, WineAlign)

Epico is the top selection from the oldest (60 year-old) vines developed 14 months in barrel. In its current state the oak is alpha dominant and the volatility quite pronounced. There is something of a jammy quality, not so much a viscous or pejorative, pectin-laced presence on the palate but more like a reduction as barbera syrup or liqueur. The epitome of modern and produced. Drink 2017-2020.  Tasted July 2017

Pico Maccario Barbera d’Asti DOCG Tre Rovere 2015, Piedmont, Italy (Winery WineAlign)

The “three oaks” saw to six months in barrel and along with an expressly coffee aroma there too is this sugary scent. Candied plums bring fruit depth and richness and the wine sings the high notes of volatility. It’s quite a tart treat, from liquid clay to blackberry in a combined and distilled affair. A moment of cotton candy is fleeting because the heavy clays and ferric accent take over, stirring up some bitters to mix with the sugars. A deferential and adjustable barbera that condones the ups and downs of the oeuvre. Drink 2017-2020.  Tasted July 2017

Azienda Agricola Ivaldi Dario Barbera d’Asti DOC 2015, Piedmont, Italy (Winery, WineAlign)

In the pantheon of red wine made from the barbera grape in Asti lands it is Andrea Ivaldi’s that stands out, like a beacon or a lighthouse, lit up to help mariners find the shore. In this case a summoning light set in a white limestone vineyard and it is the youngest member of the Ivaldi family who resides as the current superintendent of this special barbera. At a locally low 14 per cent alcohol and a hue so Monthelie transparent this is classic, innate, intense liquid stone, bled from the pietra bianca at 300 masl. The blessedly honest red fruit raised in cement tanks for one year is hypo-reductive and only 4,000-5,000 bottles are produced. So balanced, melting, oozing and brisk, structured even. Drink 2017-2021.  Tasted July 2017

Az. Agr. Garrone Evasio & Figlio Barbera d’Asti DOCG 2015, Piedmont, Italy (Winery, WineAlign)

Garrone’s barbera climbs out of the silty marl and exhibits more VA than the others but in a good way. If perhaps it acts a bit acetic, it thus so hides its florals, though there is more texture and integration, gliding silky across the palate and finishing long. More complexity and interest here. Drink 2018-2021.  Tasted July 2017  @vinigarrone

Michele Chiarlo Barbera d’Asti DOCG Le Orme 2015, Piedmont, Italy (265413, $13.95, WineAlign)

Le Orme or “the footsteps” spent 16 months in stainless steel, taken from variegated terroir; sandy, marly and coarser soils. It sheds developed florals and high yet stretched and creeping acidity and in turn length. The acumen and experience comes through, leading to more refinement and almost a creamy (though unwooded) texture on bright, juicy fruit. Drink 2017-2019.  Tasted July 2017  michelechiarlo  univinscanada  @michelechiarlo  @UNIVINS  Michele Chiarlo  @UnivinsCanada

Castello Di Gabiano Marchesi Cattaneo Adorno Giustiniani Srl Barbera d’Asti DOCG La Braja 2015, Piedmont, Italy (Winery, WineAlign)

Gabiano’s stands apart in a barbera tasting of 13 wines because of its naturally wild personality. Run free off sandy soils it saw 16 months in a combination of botti and barriques. Beyond barbera it also contains some grignolino and freisa, more tannin, certainly reductive (which easily blows off) and I’d even call it righteously and properly stinky. More developed and even wise, this has that acidity that travels up and down the sides of the mouth. Drink 2018-2021.  Tasted July 2017  castellodigabiano  @CastelloGabiano  Gazzola Katia (Castello di Gabiano)

#risotto #ristorantelabarbera #costiglioledasti @costiglioleat

Rovero Barbera d’Asti DOCG Superiore Rouvé (Bio) 2014, Piedmont, Italy (Winery, WineAlign)

Rovero’s wafts with the most perfume by a long shot, by a soaking up and in from 24 months in barrique. The waves of vanilla infiltrate the purple berries, much like Rioja and its wood perfume but in barbera it comes with so much acidity. Like chewing on a stick of wood dynamite overcompensating for fruit that didn’t stack up, though it would have been honest and pure to allow the fruit to talk anyway, in whatever voice it may have chosen. Drink 2018-2020.  Tasted July 2017

Luigi Coppo

Coppo Barbera d’Asti DOCG Pomorosso 2014, Piedmont, Italy (Agent, $74.95, WineAlign)

From the house that Piero Coppo built, now in the forward thinking acumen-saturated hands, heart and mind of Luigi Coppo, comes a barbera most ambitious and in 2014, likely to be misunderstood in the throes of its youth. Pomorosso carries the baggage and the experience of 125 years of history in pocket, is only produced in the best vintages and spends 14 months in French oak. A fair to challenging vintage makes cause and pause to consider it a case of over-oak usage because it still overwhelms the terroir while simultaneously in disavow and disallow for the vintage to speak. The big but factor is spoken with a simple term. Balance. Even while the wood is very much in charge the craft behind the scene fills the screen, like a sepia toned vintage movie reel, in which hard at work agriculturalists, agronomists and oenologists move in fast frame motion, tending to their barbera. Beautiful fruit defends itself, because and for the land, reeks through the wood, integrates acidity and lingers, long after the wood perfume has dissipated. Fast forward to the end of the film and enjoy in retrospective view, somewhere mid next decade, while the credits roll. Drink 2020-2028.  Tasted July 2017  coppo1892  maitredechai_ca  @COPPO1892  @maitredechai  @COPPO1892  Le Maître de Chai

Tenuta Il Falchetto Barbera d’Asti DOCG Pian Scorrone 2016, Piedmont, Italy (Winery, WineAlign)

Sees some stainless steel and six months in acacia wood. From a mix of soils in the Piemontese tertiary basin, characterized by sedimentary rocks known as “Marnoso Arenacea,” deposited from a marine environment 30-35 million years ago. A lovely barbera in purity of fruit, perfume and balance. Varietal honesty and bright personality bring dark plum, great acidity and ultimately just a pleasure to drink. 2017-2019.  Tasted July 2017  tenutailfalchetto  @ilfalchettovini  @tenutailfalchetto

Az. Agr. Franco Roero Barbera d’Asti DOCG Carbune 2016, Piedmont, Italy (Winery, WineAlign)

Roero’s is another stainless specimen but this time off of mixed soils cut across two sub-zones. The fruit here is rich, darker, spicy and the acidity less pronounced, rendered, melted in. It too is a pleasure to drink but not as bright as some, to be sure. Just a bit pressed, quite solid and hefty at 15.4 per cent alcohol. Drink 2017-2019.  Tasted July 2017  franco_roero_winery  @FrancoRoeroVini  @franco.roero

Az. Agr. Franco Roero Barbera d’Asti Superiore Docg Mappale 213 2015, Piedmont, Italy (Winery, WineAlign)

From Montegrosso d’Asti Roero’s Mappale takes a heat index step back from Carbuné and from 2016. In 2015 the single vineyard, single (213) block is vinified separately from the others (including Siché and Cellarino) and spends 18 months in large barrels. Still it’s a dark, hematic bruiser with Cassis and dark chocolate, plus the omnipresent energy of acidity. Also ropey, tart and glazed, almost to the point of deep caramel. Then again it always comes back to how young it is. Drink 2018-2023.  Tasted July 2017

Viticoltori Associati Vinchio e Vaglio Serra Barbera d’Asti DOCG Vigne Vecchie 2011, Piedmont, Italy (Winery, WineAlign)

The use of generous oak on these old vines rings and scents into secondary notes, of creosote, graphite, vanilla, clove and dried fruit from strawberry to prune. This will soon be turning to figs, chocolate and balsamic when in a year or two the fruit is no longer willing to sing and the acidity will step back into a phase otherwise quiet. From vineyards in Montegrosso, with caramel, more vanilla, creaminess and Amarone like character in alcohol and a perception of sweetness. Drake 2017-2019.  Tasted July 2017  vinchiovaglioserra  @vinchiovaglio  @VinchioVaglioSerra

Marchesi Incisa Della Rocchetta Barbera d’Asti Superiore DOCG Sant’Emiliano 2015, Piedmont, Italy (SAQ, 12278202, $29.45, WineAlign)

Marchesi Incisa Della Rocchetta is from Sassiccaia fame and also a family with a long Piemontese tradition. Their barbera is aged 18 months in French barrels and hails from near (southeast) of Asti. It’s certainly posied and appointed though I can’t help but notice the five-spice, caramel and balsamic aspect. A highly refined if tart style, seriously structured and wholesome though balanced within that formidable framework. As it fleshes and expands it reveals more charm, with some grace and elegance, kept warm and safe from the elements with an expensive scarf to be sure. Drink 2018-2023.  Tasted July 2017  #marchesiincisadellarocchetta  vins.balthazard  #marchesiincisadellarocchetta  @vinsbalthazard  #marchesiincisadellarocchetta  @VinsBalthazard

Marco Bonfante Barbera d’Asti Superiore DOCG Menego 2011, Piedmont, Italy (Winery, WineAlign)

Marco Bonfante’s barbera d’asti made from fruit all over the hill is called Menego, the nickname and in honour of his and Micaela’s father Domenico who passed away in 2000. At the top of Domenico’s hill is Il Bricco and it is this one and a half hectares of south-exposed fruit that separates this barbera from the broad expression that is Menego. The calcareous terroir defines this wine and though the journey here is a high octane, jammy developing one through 14 months in barriques, this is the (relatively speaking) elegant vintage. It stills clocks in at a minimum 15 per cent alcohol and delivers a firm, confident and authoritative message but its elasticity and length allow it to breathe. Still it does not merely wave but punches and is more of a shout than a whisper. At six years the window of pleasure is open, if only just the first crack. Drink 2017-2023.  Tasted July 2017  marcobonfantewinery  @MarcoBonfante70  @MarcoBonfanteWinery

Marco Bonfante Barbera d’Asti Superiore DOCG Menego 2012, Piedmont, Italy (Winery, WineAlign)

What a difference a vintage makes, here in 2012 out of warmth and into the highest of alcohol level with intensely ripe fruit. Marco Bonfante does not mess around, stretching the elevations of brix and alcohol while maintaining the natural acidity of barbera and waiting it out so the phenolic ripeness can fall, or rather climb to the high line. That he finds a way to work some magic so that balance is achieved is nothing short of remarkable. The most grip, power and brooding comes out of the 2012, like Madiran tannat, Cahors malbec, Napa Valley Petit Sirah and northern Rhône syrah all rolled into one. But this is the genesis of the new barbera d’asti and only Bonfante pushes such limits and scores in the end. This 2012 is the striker every great football club somehow finds, at most times blending in but always the silent assassin. This Menego is coursing with chocolate, Cassis, espresso and black cherry. It’s just a huge wine, easily at the 16 per cent mark and structured to go a decade before any withering or wuthering. Tension builds all the way until the end. Wot Gorilla. Drink 2019-2027.  Tasted July 2017

Marco Bonfante Barbera d’Asti Superiore DOCG Menego 2009, Piedmont, Italy (Winery, WineAlign)

In 2009 the hill supplied fruit ready to kill so at eight years Menego has entered its secondary phase. It will not be expected that either 2011 or 2012 will travel this far, this fast though the (more elegant) former will certainly get there quicker then (the massive) latter. A new complexity has emerged with the developing 2009, from out of and with a nod to the southwest facing calcareous vineyard. Cinnamon, orange and subtler spices now grace the aromatics, things the young and powerful Menego do not release. The accents make the eyebrows rise and when noted integrating into the chocolate coated palate there is a tickling sensation. Yet another immensely impressive moment with a Marco Bonfante bruiser is had but with some age the time spent is relenting and ultimately offering some relief. Drink 2017-2021.  Tasted July 2017

Erede Di Chiappone Barbera d’Asti DOCG Brentura 2013, Piedmont, Italy (Winery, WineAlign)

From Daniele Chiappone and a 100 per cent stainless steel upbringing at four years old the Chiappone retains remarkable freshness, with not a moment of reduction or careless redirection. Some dried fruit on the nose is curious so changes are in the air but the Brentura’s structure outside of the wood realm is more solid than most. So too is the warmer, rounder and more breathable acidity, now so integrated. Marvellous example of what barbera d’sati can be. Drink 2017-2019. Tasted July 2017  erededi  @erededi  Erede Di Chiappone Armando

Gozzelino Barbera d’Asti Superiore DOCG Ciabot d’la Mandorla 2012, Piedmont, Italy (Winery, WineAlign)

The underworld of gariga and earthy fox holes are accessed through Gozzelino’s well-aged 2012, a barbera that saw its biased share of barrel by way of a 24 months full soaking in (3000L) Grande Botti. It has emerged vinous and boxy, foxy and full of heavy set moxy, like dried fruit and jerky absorbing like sponges in a pool of campari and aperol. The rusticity is palpable, the figs and the chocolate baking with spice. The alcohol persists while the wine acts fading but it’s certainly persistent. Old-school, traditional, out there in the antediluvian void. Drink 2017-2018.  Tasted July 2017  Azienda Agricola Gozzelino Sergio

Moretti Adimari Barbera d’Asti Superiore DOCG 2015, Piedmont, Italy (Winery, WineAlign)

Moretti’s Superiore takes barbera further, out of a stainless steel world and into barriques for eight months. Perfume and acidity are barbera hallmarks, here now merged nicely together, but it is texture that elevates the game. The chalkiness gained from sandy, Franco (white) limestone soils make for a rover of a barbera, through liquid mineral and made creamy by barrel. Moretti as a producer experiments with riesling, chardonnay and sauvignon blanc so there is no surprise this barbera travels hither and thither. And it works. Drink 2018-2022.  Tasted July 2017  morettiadimariwines    @morettiadimariwines

Montalbera Barbera d’Asti Superiore DOCG Nuda 2013, Piedmont, Italy (Winery, WineAlign)

Montalbera’s calcareous soils are the catalyst to keeping this barbera scaled back, with teeth still shining white after 20 months in barriques. The unfiltered, oak driven wine is astonishingly divine and elegantly integrated with so much dripping, oozing and glazing chocolate. It’s rich and fine if for certain a mess in a mouthful. Drink 2018-2021.  Tasted July 2017  montalbera  @Montalbera  @montalbera

Berta Paolo Barbera d’Asti DOCG 2015, Piedmont, Italy (Winery, WineAlign)

From vineyards located between the areas of Monferrato and Langa, Berta Paolo’s barbera is a ceremoniously traditional one, possessive of a walk the line beauty specific to the area, at once sonsy in pure red fruit and then volatile to just the right degree. Here is the sort of barbera that exemplifies the natural while unbeknownst to just how raw an affair it really is. Honesty oozes from one that succeeds in being real without even trying. Drink 2017-2019.  Tasted July 2017 vinifamigliaberta  @wineBerta  @viniberta

Borgo Isolabella Delle Croce Barbera d’Asti DOCG 2015, Piedmont, Italy (Winery, WineAlign)

Were that is were so simple for all barbera to take one road or the other, as does Isolabella’s on the darker, full-tempered side. This is so perfectly solid, structured, architecturally sound barbera, with classically styled columns and porticos, tart and with a wealth of 2015 fruit. It’s dark but health-tempered, ever so slightly tannic and streaming with fine natural acidity. So well made. Drink 2017-2020.  Tasted July 2017  isolabelladellacroce2001  @ISOLABELLA_D_C_  @isolabelladellecroce

The history of @ilNizza began long ago. Prepare for its storied future. Exceptional tasting, stellar wines #barberadasti #100percent #100percentapproval #piemonte #progettovino #collision

Nizza DOCG and DOC

Bersano Barbera d’Asti Riserva Nizza DOCG Generala 2014, Piedmont, Italy (Agent, WineAlign)

Suave, refined, silky smooth barbera, of a warmth to express and make accessible the sense of its strength, power and alcohol. It is the exceptionality of texture that really shines. Bersano’s Nizza (Riserva) has already done its 30 months of aging time so it can be released 12 days from now. A true case of catching a wine at its potential best. As they say, timing is everything. Like on the stage so on a lighter, theatrical note this is perhaps an ode to 20th century Italian drama, to Signora Ignazia. “Dear, dear Signora! Hail to our great Generala! To our patron saint!” And yet we could do without the theatre, as long as we have barbera. Drink 2018-2024.  Tasted July 2017  bersano1907  profilewinegroup  @BERSANO1907  @ProfileWineGrp  @Bersanowine  Profile Wine Group

Bersano Barbera d’Asti Nizza DOC Generala 2013, Piedmont, Italy (Agent, WineAlign)

Something about the 2013 vintage speaks with such great clarity as it does here in Roberto Morosinotto’s barbera from Nizza fruit that spent six months in tonneaux. The chocolate swirl has palpably settled on the palate but it’s just so silky smooth, tempered and demonstrative. Acidity surely runs high, it is barbera after all, but it also drifts into and with the waves of plum, wood spice and just spice in generala. Drink 2017-2020.  Tasted July 2017

Bersano Barbera d’Asti Nizza DOC Generala 2010, Piedmont, Italy (Agent, WineAlign)

The summer of extreme heat (though perhaps holding no candle compared to 2017) has delivered a warm to warmest Bersano barbera with a calming effect achieved by cooling time spent in big barrels that date back to 1970. This ’10 is possessive of that sort of delicious perception of sweetness that puts it up there with the richest of the Nizza barbera. The élevage is half and half tonneaux/barriques and texture is full of this Mediterranean liquorice/black olive/gariga/briny tang. Nicely structured to last in this state for another three years. Drink 2017-2020.  Tasted July 2017

Bersano Barbera d’Asti Nizza DOC Generala 2008, Piedmont, Italy (Agent, WineAlign)

Another excellent vintage for the Generala is found to be sound and generous at the nine year mark though the fully developed secondary character is duly noted. Helps to prepare and deduce a clear impression of where 2010 will go over the next two to three years. This ’08 has not quite reached the denouement stage though it has peaked, reeking resinous of fruit and wood clasped in a lover’s humid embrace, with notes of dried orange, apricot, fig jam, tar and roses. The acidity still rages quite assiduously while the briny and ecoregion earthy brush have now faded and disappeared from the fragrance trail. Drink 2017-2019.  Tasted July 2017

Il Botolo Barbera d’Asti Nizza DOCG 2014, Piedmont, Italy (Winery, WineAlign)

From soils with quite a bit of sediment, in the northeast part of Nizza. Quite the silky feel following on the heels of refinement and freshness. A liquid liqueur that is close to syrup but more of a natural feel, without tonic or medicine, but just pure limestone liquid fruit. The sort of tart that is elongated, elastic and stretched with ease. Drink early because it’s quite a glassful of immediate pleasure. Grows on you too. Drink 2017-2019.  Tasted July 2017

Cascina Garitina Barbera d’Asti Superiore “900” Neuvsent CEC Nizza DOCG 2014, Piedmont, Italy (Winery, WineAlign)

Why 900? Because Giancarlo Morino’s momma began working here in the 1900s but the local dialect was spoken so quickly so it was just, “900.” The vineyard “CEC” is pronounced “check,” or short for Francesca, who used to own the vineyard. From the (Castel Boglione) southern part of Nizza with higher acidity and alcohol, here at 15 per cent. Aged 12 months in barrel, there is some deep organic clay and (three) old vineyard (1924, 1949 and 1954) induced layering, astringency and brooding, of a seriousness about it that makes it dense and a bit tempered, finishing with dark chocolate. A minty, savoury and sapid streak runs through, likely with thanks to the cooling Mediterranean “Marin” winds that blow through the vineyards from spring to autumn. Well done but needs as much as five to seven years to show as silky and refined as some of the others. Drink 2019-2024.  Tasted July 2017  cascinagaritina  @gianlucamorino  Gianluca Morino (Vignaiolo indipendente)

I’ve got 900 reasons to drink these @gianlucamorino #cascinagaritina #nizza but need only one #nizzamonferrato #progettovino #collisionimonferrato #cec #neuvsent #barberadasti

Cascina Garitina Barbera d’Asti Superiore “900” Neuvsent Nizza DOC 2010, Piedmont, Italy (Winery, WineAlign)

Having tasted Gianluca Morino’s 2014 earlier in the day it makes this follow up, retrospective look at his 2010 such a satisfying confirmation of his work. That ’14 was way too young to make lifelong friends with but this ’10, well this is something other. While still a seriously brooding, hematic, ganache spread of fine chocolate barbera, the components have filled the kettle to overflowing, but time has worked to now emit a floral and spice perfume. The richness of oak has also rendered a touch of complexity, of caramel and baking spice but even further, into secondary beginnings. The tones are aromatic, musical and textural, of sweet, salty and faintly sour by a fineness of acidity. One more year will bring it all together. Drink 2017-2020.  Tasted July 2017

Michele Chiarlo Barbera d’Asti Superiore Nizza DOCG Cipressi 2014, Piedmont, Italy (Winery, WineAlign)

From a loamy locale, aged in large oak barrels, there is a rusticity about it along with its really dark cherry fruit. Some Bretty volatility too, complexity, character, oomph and reason for living. Quite high in acidity and structure is provided by that ideal with addendum by the gentle touch afforded by the higher oxygen exchange, large format wood. Drink 2018-2022.  Tasted July 2017  michelechiarlo  univinscanada  @michelechiarlo  @UNIVINS  Michele Chiarlo  @UnivinsCanada

Michele Chiarlo Barbera d’Asti Superiore Nizza DOCG La Court 2013, Piedmont, Italy (Winery, WineAlign)

Chiarlo’s La Court is actually one of the only Nizza barbera with a hard to get, slightly reserved character. It’s aromas are a bit muted though you get the sense that it’s quite floral behind the veil. Patience and air reveal dark fruits, of plum and black raspberry, then dusty earth and liquorice, with a silky patterning on the palate. Would love to get some wood spice but that too is currently in limbo so time is required to reveal such charm. The acidity is less than barbera raging, something that falls into line with the sneaky structure. Quite singular Nizza cru work right here. Drink 2018-2023.  Tasted July 2017

Viticoltori Associati Vinchio Vaglio Serra Barbera d’Asti Superiore Nizza DOCG Laudana 2014, Piedmont, Italy (Winery, WineAlign)

From the hill known as “Bricco Laudana” this is one of two barberas produced from its clay and sandy marls, a barbera d’asti DOC and this extraordinary Nizza DOCG. The Nizza is aged one year in large oak barrels, thus mixing grace, elegance and full on liqueur with high, nearing acetic acidity. Very long but with angular bits and spikes in and out of the morello cherry fruit. Needs a year to settle in and amongst its sharp, moving parts. The cru is farmed by five or six producers and certainly one to watch, explore and anticipate the subsequent glory that near-future vintages will bring. Drink 2018-2024.  Tasted July 2017  vinchiovaglioserra  @vinchiovaglio  @VinchioVaglioSerra

Viticoltori Associati Vinchio Vaglio Serra Barbera d’Asti Superiore Nizza DOC Laudana 2012, Piedmont, Italy (Winery, WineAlign)

Laudana is a warm and inviting barbera, dark with an ambling, rusty variegate, almost traditionally rustic but with a silky texture. Its notes play sweet and sour red fruits, namely raspberry and its constitution is right proper Nizza with the sort of traditional feel to demand not just attention but a raison d’être that says,”grant us our own DOCG.” It’s a dusty and vinous affair, like fully realized merlot with elevated alcohol, acidity and good phenolic ripeness. A solid, unafraid and unabashed barbera to represent the denomination with confidence and poise. Drink 2017-2019.  Tasted July 2017

Azienda Agricola Ivaldi Dario Barbera d’Asti Superiore Nizza DOCG “1613” 2014, Piedmont, Italy (Winery, WineAlign)

Ivaldi Dario’s barbera captures the honesty, clarity and purity of Nizza Monferrato, from grapes grown on clay-limestone soils and from vines 50 years of age. This perfectly suited barbera was aged in large Slavonian oak barrels and in 2014 turned out lithe and beautiful at 13.5 per cent. It’s tart as it should be, recounting a brief bit of tradition, earthiness and volatility. This is the most decent and convivial barbera of the lot, from longer, slower maceration with less pump overs and no unnecessary barriques aging. The lighter hue is vintage related but also house-curated, not to (re) mention classic styling. Picked early? Perhaps. Most important is that it is progressively hands-off, proper and most appreciated winemaking to celebrate a white limestone terroir. Drink 2018-2023.  Tasted July 2017  andrea.ivaldi  @ivaldidario  @vinidelmonferrato

Azienda Agricola Ivaldi Dario Barbera d’Asti Superiore Nizza DOC “1613” 2012, Piedmont, Italy (Winery, WineAlign)

Few persuasions in the schemes of wine assessments are more fascinating to study than vintage variation, always great signs and portents from the fringe growing regions of the world. Monferrato is one such place, affected by swings in climatic conditions from year to year, raised here in magnification through the lens of Andrea Ivaldi’s multi-faceted barbera. The depth and structure in this ’12 is so contrary to the bright eyed ’14, now richer and almost brooding, even for Nizza. Ivaldi is a house with a self-predicated idiosyncrasy but here it speaks with Nizza style, perhaps antithetically reflexive but still with fruit that echoes from its manifest gaze into a mirror. Andrea makes exactly what the vintage gives, with blacker than red fruit bruised with a variegated hematoma and yet layered with a mineral underlap from that white limestone hill. As an arrangement it’s bigger than even he would likely have wanted to fashion but he’s a pragmatic winemaker who had to pick his fruit by September 20th. Do the math and see the forest for the trees. Drink 2017-2022.  Tasted July 2017

Berta Paolo Barbera d’Asti Superiore Nizza DOCG La Berta 2014, Piedmont, Italy (Winery, WineAlign)

The Berta family wine estate dates back to 1842 with vineyards located between the areas of Monferrato and Langa. Their Nizza barbera d’asti is aged in large 500L oak barrels, lending a perfume that lingers long after this textured wine has stretched into the long aftertaste. Berta’s is quite a warm, rich, welling and dense example, fine liquid grainy, weighty and youthfully cumbersome. Having been afforded the opportunity to taste some older examples later the same day really put this one into perspective and provided a deeper understanding of Nizza structure. Drink 2018-2022.  Tasted July 2017  vinifamigliaberta  @wineBerta  @viniberta

Berta Paolo Barbera d’Asti Superiore Nizza DOC La Berta 2011, Piedmont, Italy (Winery, WineAlign)

The Nizza DOCG was added to Asti’s barbera portfolio in 2014 so this predates the appellative status, though for real intents and purposes this ’11 serves the same purpose. From a hotter than hot summer though the aromatics hide the thought and so you would never know just how warm it was. The palate speaks a different story with a deep-seated liqueur distilled from the top of the Berta Paolo terroir, a 40-70 year old set of plantings at Il Bricco, “The kettle” vineyard, 270 meters above sea level. The veins of this plot stretched over the hill of San Michele at Nizza Monferrato are the reason for Berta Paola’s distinct barbera texture. In 2011 this translates to a creamy, dreamy, suave and fine leathery parochial wine. Another example to set up one’s mind to realize what later vintages will turn out to be. Drink 2017-2022.  Tasted July 2017

If 2014 is anything like 2008 the future will shine on #famigliaberta #barberadasti @ilnizza Riserva #progettovino #collisionimonferrato

Berta Paolo Barbera d’Asti Superiore Nizza DOC La Berta 2008, Piedmont, Italy (Winery, WineAlign)

More traditional than ever, partly and certainly because of age but also in an era that predates the level of current Nizza Monferrato understanding. This travels into a secondary, present state savour with the still flowing liqueur of the San Michele terroir. Speaks an older school, barrel-influenced vernacular, of a chocolate and vanilla vocabulary with an edge of Brett and volatility. Character from another time and quite persistent in voice. Drink 2017-2018.  Tasted July 2017

Villa Giada Barbera d’Asti Superiore Nizza DOCG Bricco Dani 2014, Piedmont, Italy (Winery, WineAlign)

Here from Andrea Faccio struts with great confidence the dark, hematic, ferric and brooding barbera. A very serious Nizza, mercury rising, full on chocolate, espresso and an oily tar, imagining a nebbiolo-like modernity that places this in a stylistic and über-specific category. High acidity, some grainy tannin and sharp finishings so this needs some time. More than any other thus far in the Nizza DOCG flights. Drink 2019-2024.  Tasted July 2017  villagiadawine  Andrea Faccio

Bava Barbera d’Asti Superiore Nizza DOCG Pianoalto 2014, Piedmont, Italy (Winery, WineAlign)

A large (500L) barrel aging, this is highly, beautifully perfumed, restrained and deliciously tart. Savoury, herbal and tomato leaf herbal, from a hill with a crest, “the high plain,” or plateau. A current of currants, bell pepper and really ripe acidity. This is the most proper use of barrels, generous but exceptional. The most energy of all, modern and yet somehow classic, even traditional. Drink 2018-2025.  Tasted July 2017  bavawinery  @bavawinery  @bava.winery

Bava Barbera d’Asti Superiore Nizza DOC Pianoalto 2007, Piedmont, Italy (Winery, WineAlign)

Barbera’s secondary moments are upon the 10 year-old Pianoalto though the wine still slides across the palate with creamy barrel texture. Notes of fig and prune are a case of a hot and dry vintage with very low yields. The nose has matured into a perfume only lifted now by the persistence of barbera’s elevated acidity so this continues to fly at a decent altitude. It’s quite perfect at the ripe old age. Drink 2017-2020.  Tasted July 2017

Bava Barbera d’Asti Superiore Nizza DOC Pianoalto 2001, Piedmont, Italy (Winery, WineAlign)

Certainly showing its age at 16 and perhaps not as long-lasting due to what was at the time a middle of the road sort of vintage. It was a low and slow, no real heat to speak of, natural and organically rendered season so the wine has in turn done the same in kind. Now into the tertiary it has little to no bite or reason to put up a fight. What does persist is a chocolate, espresso and spice sprinkling, then down towards a slightly sharp, tart and done with it finish. Tannins are now only woody but all in all it’s a curious and worthy look back at turn of the century Nizza. Drink 2017-2018.  Tasted July 2017

La Gironda Barbera d’Asti Nizza DOCG Le Nicchie 2014, Piedmont, Italy (Winery, WineAlign)

A barbera return to dark fruit, glycerin into texture across a silky smooth palate. From old vines, many exceeding 50 years. Real concentration and developed fruit with an underlay of stone and clay. It’s rich and intense but not dense, warm but not searing. Everything rising but cresting, on a plateau where it can be handled. Structure is clear and obvious. Take this one deep into the cellar. Drink 2018-2025.  Tasted July 2017  la_gironda  @LaGironda  Susanna Galandrino

La Gironda Barbera d’Asti Nizza DOC Le Nicchie 2011, Piedmont, Italy (Winery, WineAlign)

The vintage for Le Nicchie is deep, dark and handsome, with fruit woven into texture rich and thick, with lots of wood and lit-scented herbs. Smells like rosemary and thyme stalks thrown on an open flame. It’s also almost impossibly silky and smooth while in management of quite refined acidity and tannin. Very polished Nizza barbera. Drink 2019-2023.  Tasted July 2017

La Gironda Barbera d’Asti Nizza DOC Le Nicchie 2007, Piedmont, Italy (Winery, WineAlign)

La Gironda’s is yet another 2007 that exhibits very high acidity. It was in fact a hot vintage that concentrated fruit but also that omniscient barbera acidity. Seems very young, almost impulsively so. The flavours are of an extreme Nizza variety, like a slice of Cru cake (in this case Le Nicchie) swimming in a syrupy pool of its own deeply reduced demi-glacé. For fans of barbera density with haute couture style and this is how this house does what they do best. Drink 2017-2020.  Tasted July 2017

La Gironda Barbera d’Asti Nizza DOC Le Nicchie 2003, Piedmont, Italy (Winery, WineAlign)

As hot as a vintage like 2007 might have been it held no fingertip burning candle to the likes of the scorcher of 2003. In the case of La Gironda and its Le Nicchie Cru the heat played right into the hands of the house style. This is quite a remarkable specimen because despite the warmth and the time elapsed this barbera is just in the early throes of secondary life, so the level of structure is quite astounding. The heavy wood aspect fully renders in chocolate tones piqued with spice. The combinative use of barriques and tonneaux has struck an accord and this still clings to viable life even if it’s quite the molten chocolate bomb. Drink 2017-2019.  Tasted July 2017

Tenuta Olim Bauda Barbera d’Asti Superiore Nizza DOCG 2014, Piedmont, Italy (Winery, WineAlign)

Few barbera from Nizza’s recently appointed DOCG are as polished as Gianni Bertolino’s ’14, a long developed piemontese that spent two years in large barrels. The fruit is really ripe, pushed to the limit of the vintage but just cresting at the edge of dried fruit and the tawny, figgy spectrum. Wild strawberry keeps it fruity and earthy, acidity is round and still in charge, thankfully, for the building and beguiling effect of great structure. Drink 2018-2022.  Tasted July 2017  tenuta_olimbauda hobbsandcompany  @tenutaolimbauda  @hobbsandco  @tenutaolimbauda.it  hobbsandcompany

Tenuta Olim Bauda Barbera d’Asti Superiore Nizza Doc 2011, Piedmont, Italy (SAQ 11383570, $37.50, WineAlign)

From a hot vintage, especially in summer but the warmth was managed by enough cool nights. Gianni Bertolino tells me about picking on acidity, not sugar, in mid-September. Here is the generous, extremely fresh, tart and silky barbera. A seriously classy, chic, racy and almost perfectly modern wine, very much an acumen-acquiesced and benchmark leader for the Nizza appellation. Drink 2017-2023.  Tasted July 2017

Tenuta Olim Bauda Barbera d’Asti Superiore Nizza Doc 2010, Piedmont, Italy (SAQ 11383570, $37.50, WineAlign)

Earlier in the day it was Gianni Bertolino who commented on barbera from Nizza being a six-year wine. His 2010 must have hit its stride at just about exactly the six year mark because here in its seventh just the beginnings of secondary character are showing their tell tale signs. It’s in cantilever mode, stretching out over the barbera abyss, unfurling its wings and truly opening to reveal its charms. Though the acidity still burns, churns and plays devil’s advocate to the depth of fruit and territory, the wood has melted enough to reign in that sapidity and balance is coming into order. It may come as a surprise to find the acidity warm but no longer sharpening its stone but where chocolate, dried fruit (namely plum) and spice are concerned this will be the result. Yet so much life persists in this ubiquitously defined cru of a Nizza. Drink 2017-2022.  Tasted July 2017

Cantina Tre Secoli Barbera d’Asti Superiore Nizza DOCG 2014, Piedmont, Italy (Winery, WineAlign)

Cooperative rendered barbera, aged for one year in small barrels. Soil is equally spread across several vineyards, from a rock, sand and loam accrue. Amenable, approachable, warm and vibrant acidity, dark fruit and negligible tannin. Some sweetness, black cherry, berry and fig. Drink 2017-2020.  Tasted July 2017  #cantinatresecoli  @TRESECOLI  @tresecoli1887

Cantina Tre Secoli Barbera d’Asti Superiore Nizza DOCG 2011, Piedmont, Italy (Winery, WineAlign)

It takes but a sip of the Tre Secoli 2011 to gain an understanding in comparison as to where the afore-tasted 2014 is heading. Few Nizza barbera swim with such full on chocolate and dried fruit depth and while the kinship resemblance between the two wines is uncanny, the heat of this ’11 vintage has brought on some fully realized evolution. The richness is all in, drying out and truffles are just around the next bend. Drink 2017-2019.  Tasted July 2017

A quadrato of big, bold and balanced @MarcoBonfante70 #barberadasti @ilNizza Bricco Bonfante #progettovino #collisionimonferrato

Marco Bonfante Barbera d’Asti Superiore Riserva Nizza DOCG Bricco Bonfante 2014, Piedmont, Italy (Winery, WineAlign)

In the hills of Nizza and Val di Sacca, Bonfante takes a deferential approach with some drying of the grapes for a handful of days, but unlike the three to four months as in Amarone. His fruit is aged in a combination of small and large oak barrels for 20 months. The extra concentration leads to higher sugar content and therefore elevated (15-16 per cent) alcohol but the wine is vinified dry. Sourced from the Bricco, top of the hill on calcareous clay marl. In the end this is a thick, viscous, shaken but certainly refined and balanced barbera in its large format, unabashed and even braggart style. Drink 2019-2026. Tasted July 2017  marcobonfantewinery  @MarcoBonfante70  @MarcoBonfanteWinery

Marco Bonfante Barbera d’Asti Superiore Riserva Nizza DOC Bricco Bonfante 2012, Piedmont, Italy (Winery, WineAlign)

Bricco Bonfante is the one and a half hectare family vineyard though it’s not necessary to label the wine “vigna.” Bricco works just fine. Now the comparison (to the barbera d’asti Superiore) becomes clear because the silk and elegance is noted in clean and pure Nizza. The 5,500 density of vines producing 4,000 bottles works out mathematically to 800 grams of fruit per plant, a number nothing short of ridiculous economics. With necessity the mother of invention the quality must run high and so 24 months in new barriques is bequeathed the precious fruit. The bricco exalted is the origin of the barbera that delivers prescience, presence and a preciseness of being. The hill is the thing, the vineyard its totem, the hot vintage adding heat early and on repeat, at 15.5 degrees alcohol (declared) so ripe, so big and with structure so in control. Drink 2019-2027.  Tasted July 2017

Marco Bonfante Barbera d’Asti Superiore Riserva Nizza DOC Bricco Bonfante 2011, Piedmont, Italy (Winery, WineAlign)

The vintage is in fact not so completely unlike the 2012 if perhaps a step taken back, away from power, terribilita and the heat. The palate has already begun to relent into a Nizza meets Bricco Bonfante sweetness and the tannins have resolved one notch down to a point closer to understanding. As a result there is more polish to Marco’s 2011 and a finer layer of silk. Here for the first time there is this purity of dark cherries mixed into the finest chocolate and a touch of secondary character development in balsamic. Should be good to go this time next year. Drink 2018-2024.  Tasted July 2017

Marco Bonfante Barbera d’Asti Superiore Riserva Nizza DOC Bricco Bonfante 2010, Piedmont, Italy (Winery, WineAlign)

Travelling in reverse down along a Marco Bonfante vertical is a most interesting exercise and makes so much sense. The 2010 is so similar to 2011, even more than how that ’11 compares with 2012. The fruit in ’10 is less pitchy, in delivery of red to black berries (or black raspberry to be precise) and yet the silky thread runs through the red. The same 24 months in new barriques sends this reeling into the plum chocolate pudding as a veritable bomb of a Nizza barbera. There are some who might find the stylistic overbearing, weighty and dense. They would not be wrong but they would be missing the Bricco point, of a matter that comes from the top of the hill with lowest of the low yields out of a rarity of rarities vineyard. There is no denying the acumen and the ambition but also, mostly the necessity. Drink 2017-2021.  Tasted July 2017

Marco Bonfante Barbera d’Asti Superiore Riserva Nizza DOC Bricco Bonfante 2009, Piedmont, Italy (Winery, WineAlign)

It was beginning to look like no matter how far back you travel in a Bricco Bonfante Nizza vertical there would be no signs of evolution, that is until you hit this 2009. Here the first to begin an inkling into secondary notes, if only the etchings of spice symbols and wood derived pericopes. There is also a faint, around the corner idea of tar and candied roses, or perhaps they’ve already begun to join the scented party. I find this 2009 quite cru Barolo-like and it’s interesting to note that this was Marco’s first Nizza Bricco. It also happens to be the one with the most apparent fruit, or perhaps time is the factor needed for such a reveal. It travels from red to black and back. Really quite amazing. Drink 2017-2021.  Tasted July 2017

Godello, Michele Longo, Michaela Morris and Dr. Michael Apstein

L’Armangia Barbera d’Asti Superiore Nizza DOC Titon 2013, Piedmont, Italy (Winery, WineAlign)

Titon is a blend of three estate vineyards planted between 1934 and 1990. The plots are also a mix of exposures; southeast, east and west, with warm temperatures abundant throughout. This barbera runs a fever of acidity, doles out plenty of chocolate, has yet to fully integrate its wood and is truly well made Nizza. Drink 2017-2019.  Tasted July 2017  armangia.giuly  @LARMANGIA

L’Armangia Barbera d’Asti Superiore Nizza DOC Vignali 2011, Piedmont, Italy (Winery, WineAlign)

Vignali is the single-vineyard barbera from the estate vineyard planted in 1934. An approximate 24 months of barrel aging is performed before it then ages in bottle for a further 24 months. At first there are the new 300L oak casks, then small 130L barrels for 12 months and finally large casks for 10-12 months more. Well, all this to say that Vignali is fully involved in its secondary stage of life. It is a most mature barbera, with the three holy trinity tenets of chocolate, balsamic and high level acidity all working as one. The soil and barbera tang is fully felt. Drink 2017-2019.  Tasted July 2017

L’Armangia Barbera d’Asti Superiore Nizza DOC Vignali 2010, Piedmont, Italy (Winery, WineAlign)

A later harvest developed riper fruit with higher phenolics and with seven years under its belt that fruit is drying nicely. Chocolate as always with figs, raisins, apricots and as expected balsamic, though here with a shot of dark espresso. All of the above on repeat and that big barbera acidity. Drink 2017-2018.  Tasted July 2017

Going back to @ilNizza for a lesson in what tomorrow will bring @Coppo1892 Grazie Luigi #barbera #barberadasti #riservadellafamiglia

Coppo Barbera d’Asti Nizza Superiore DOC Riserva di Famiglia 2009, Piedmont, Italy (Agent, $74.95, WineAlign)

From a small cru located in Castelnuovo Calcea, born in 1998, “a project, not only a wine,” explains Luigi Coppo. Only produced in the best vintages, the previous being 2007 and the next will be 2010, though this ’09 is undoubtedly the finest. “It’s not a wine of economics,” continues Coppo, but a single-vineyard expression for people to think outside the barbera box. It shares less history than Pomorosso and thus the reason why it is only selected from very specific vintages, “to work on the craft.” Few if any Barbera d’Asti carry such precision and presence. It’s adult candy, wise and layered, the key to making great barbera right here, in this texture. Expertly woven are fruit, wood and acidity so that all are blended, with no ego, nothing taken for granted, all in balance. Drink 2017-2027.  Tasted July 2017  coppo1892  maitredechai_ca  @COPPO1892  @maitredechai  @COPPO1892  Le Maître de Chai

Coppo Barbera d’Asti Nizza Superiore DOC Riserva di Famiglia 2007, Piedmont, Italy (AgentWineAlign)

Higher acidity in 2007 and alcohol pushing at 15.3 per cent (as opposed to 14.7 in 2009) don’t mean the world has come to end but it does make for an electric Nizza barbera. Even then Coppo could be pragmatic when it was called for so the wood use in this barbera was increased, to soak up some of that fantasy and see if the components could strike a balance in accord. You can really sense the fineness of silk on the palate. Still so beautifully managed, or rather you can intuit looking ahead 10 years from signsin this 2007 how in future vintages the winemaker will know how to manage the realities of vintage variable acidities, through the adjustments in wood and how that will determine the levels of tannin. Drink 2017-2019.  Tasted July 2017.

Borgo Isolabella Delle Croce Barbera d’Asti Superiore Nizza Doc Augusta 2009, Piedmont, Italy (Winery, WineAlign)

All the Isolabella wines receive a girl’s name, in this instance Augusta, a vineyard selection from a couple of sites on each side of the village limits and named after the proprietor’s sister. The estate produces only 90,000 bottles, each highly specialized and this barbera comes out of the highly prized vintage. In retrospect and with the fortune to taste several 2009s in one walkabout it is now obvious that the season bequeathed the gift of age on its wines. Great because of an extra fineness of acidity from a grape that always gives this way but in Isolabella’s 2009 there is this cool, savoury, reserved character, not unusual but balanced in equal opposition to the strength of perfume and body. A delicato is expressed in what may be referred to as an ultra-über special 2009. Drink 2017-2025.  Tasted July 2017  isolabelladellacroce2001  @ISOLABELLA_D_C_  @isolabelladellecroce

A deep #eredichiappone vertical delve with Daniele for perspective and a release of endorphins @ilNizza possibilities #progrettovini #collisionimonferrato

Erede Di Chiappone Barbera d’Asti Superiore Nizza DOC RU 2011, Piedmont, Italy (Winery, WineAlign)

Daniele Chiappone’s 2011 is his richest, warmest, most wood affected barbera replete with an armament of spice. While still in the care of its 16 per cent alcohol frame it is a most underdeveloped specimen but because it’s so big and burly it can’t help but reek, ooze and sweat out the aching masala of aromatics. In talking with Daniele he fully admits this to be the vintage of great demand and pressure so he simply made the wine it asked for. I liken this to Amarone from vintages like 2010 and 2011, unavoidable and so a great winemaker will simply do what must be done and try to seek out balance in a bold and crazy world. With fine acidity void of spikes, peaks and valleys Chappione puts this barbera in a state of equilibrium however high the plain may be. Give this two years minimum to integrate and match it with some lean venison over a bed of tangy polenta. Drink 2019-2027.  Tasted July 2017

Erede Di Chiappone Barbera d’Asti Superiore Nizza DOC RU 2010, Piedmont, Italy (Winery, WineAlign)

Chappione’s 2010 is barbera of a powerful maturation and its polyphenolics are quite different than those from 2011. The hard skins, noted by Daniele as pelli durissime might lead to a personality ostinata impermeabilità but a longer maceration broke them down, turned the opposite around to make them flexible and permeable. Though still tightly wound and not yet pliant this precise and very present 2010 of intrinsic structural value will make use of another year in bottle to soften its pertinacious fibres. When it opens up it will bloom, but ever so slowly, over a 15-20 year plan. Its crazy legs, choice acidities and quality tannins will all conspire towards longevity of the indiction degree. Drink 2019-2027.  Tasted July 2017

Erede Di Chiappone Barbera d’Asti Superiore Nizza DOC RU 2006, Piedmont, Italy (Winery, WineAlign)

RU by Daniele Chiappone is this, at first something altogether inexplicable but when tasted alongside his 2005, 2010 and 2011 it makes such perfect sense. Sense in where this fits in his evolution and to speak on behalf of the age-worthy ability of Nizza barbera. In a world where barbera perfume so often performs with perfunctory brevity this goes on and on. It is a unique combination of fennel frond, incense, hibiscus and violet to create an intoxicant and an anaesthetic. Yet another exceptional vintage is revealed, traditional and so alive, spun from earth crusting over cherry and then this smooth leather. The portal backwards 10 years allows for looks forward 10 more, especially into what’s coming from 2015 and 2016. To say the match with a prodigiously spiced in aromatic ragu over linguine was agreeable would be the understatement of the Monferrato century. Perfectly timed acidity seals the deal. This is barbera folks, of wit, age and history. Drink 2017-2021.  Tasted July 2017

Erede Di Chiappone Barbera d’Asti Superiore Nizza DOC RU 2005, Piedmont, Italy (Winery, WineAlign)

The vintage was a tough one with some hail and difficult to get the grapes into a state of full maturity. It’s amazing how winemakers remember every painful moment of a vintage like 2005 and Daniele Chiappone recalls picking in the first week of October. While that may not be wholly unusual for the RU cru it is quite a late Piemonte harvest. This RU carries deep, dark depth in currant fruit, in a realm where cabernet franc hooks up with nebbiolo and sires a love child. Side by side with 2010 it is really just the quality of tannins that truly sets the two apart and here the chemical reactions in the natural world bring about spice; cinnamon, star anise and then this eminence of Chiappone acidity. In Nizza it is this speciality that is both singular and distinct that creates such a structured feeling of éclat, or in the case of Chiappone, fulgore. Drink 2017-2022.  Tasted July 2017

Il contingente canadese @Collisioni #nizza #barberalovers #represent #progettovino #piemonte

Thanks for reading up on the wines of Barbera d’Asti and Nizza Monferrato. Let’s all hope we begin to see more options in both categories made available here in Ontario. A special thanks to Ian D’Agata, Michele Longo, Michaela Morris, Giulia Corino and the entire Collisioni crew.

Good to go!

Godello

Twitter: @mgodello

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