Valpolicella, Ripasso Valpolicella

#rondinella #valpolicella #novaia

In September of 2016 seven Ontario friends, colleagues and I paid visits to 18 Valpolicella estates over four days. We stayed at the perfectly situated Hotel Villa Moron in Negrar. We were formally introduced to the Veronese gastronomy and a set of Valpolicella wines at Locanda ‘800, a Negrar Valley institution. I expect some of you will know it. We visited the following estates. Buglioni, Pasqua, Santa Sofia, Ca’ La Bionda, Novaia, Sartori di Verona, Nicolis, Tenute Salvaterra, Valentina Cubi, Fidora, Cantina Valpolicella di Negrar, Ettore Righetti, Tenuta Santa Maria Alla Pieve, Massimago, Corte Adami, Bertani, Zonin and Ca’ Rugate. Dinners were also taken at Osteria Numero 1 in Fumane, Antica Osteria Paverno in Marano and Ristorante Nicolis in Verona. It is my pleasure and, indeed, my privilege to tell you this Valpolicella story. Such as it is.

Valpolicella 101 for i canadese #locanda800 @C_Valpolicella

The permutations are many but well-defined. Valpolicella, a style of wine as much as anything though qualified as a set of possibilities all capable of being labeled as a DOC; Valpolicella, Valpolicella Superiore and Valpolicella Classico Superiore. Ripasso, a next level stylistic, a traditional technique that promotes a second fermentation through the basic Valpolicella’s contact with warm dried grape skins from which Amarone has been pressed. This practice slightly decreases the acidity and increases the alcoholic content and enriches the wine with a greater concentration of sugar, glycerine, dry extract, polyphenolic substances and aromas. Ripasso intends to promote a heavier structure and longevity.

Amarone knowingly set aside, at least outside the terms of this report, tradition looks to Ripasso as the top of the pyramid for Valpolicella wines but when we talk of terroir, of marl, clay and limestone, of 11 valleys and all the hills, what represents the truest expression of Valpolicella? Authenticity must be borne out of spontaneity, in a product that shows itself in different ways, in every year. It should never act the same way twice. Valpolicella must remember the primaries; geology, geography and climate but also colours, uncontrollable forces and natural tendencies. Memories are only built on that which is not forced. “The importance of little details,” with thanks to Camilla Rossi Chauvenet.

Lavoro stradinario da cuoco Diego Donatelli #locanda800 #negrar #valpolicella

It’s all about the valleys. Do the grapes grow in the Valpolicella Classica or not? Corvina is king, corvinone and rondinella (often for colour) support while molinara may or may not bring up the rear. Sometimes there is croatina and oseleta. Pergola or Pergoletta Veronese is perpetuated as the training system of record, at times in double Pergoletta style. Guyot and high density planting continues to creep into consciousness. The Burgundy ideal will always play into the minds of all.

Valpolicella hails from the hills north and east from Verona. To the immediate west is Lago Garda and further to the east, Venezia. The Valpolicella extends from Sant’Ambrogio di Valpolicella to Val Tramigna in three sub zones, Valpolicella DOC Classico, Valpolicella DOC Valpantena and the eastern or extended Valpolicella DOC. The valleys; Fumane, Marano, Negrar (Valpolicella Classica), Quinzano and Avesa (Valpolicella), Vaplantena (independent), Squaranto, Marcelisse, Mezzane, Illasi and Tramigna (Eastern Valpolicella). The area is 80,000 hectares of which 7,600 are planted under vine. The Classico area is 45 per cent of the total. More than 60,000,000 bottles are produced annually, 45 per cent of which are Ripasso and (32) Valpolicella. For an in-depth analysis of the appellation production zone and a proposal for the delimitation of the principal viticultural areas of the hillsides seek out the map of Valpolicella Crus by Alessandro Masnaghetti.

Masnaghetti contends “however vast and variegated it might be, the Valpolicella is rather easy to sum up and describe.” Geographically speaking, that much is true. From a quality standpoint, there can be much debate. Tradition, even if spoken in terms of dry red wines, is hard to break and in Valpolicella the collective style is virtually unparalleled anywhere, considering the breadth and quantity of wine produced. Over the past 20 years the area of vineyards has doubled in the Valpolicella and the 60M bottles produced put it highest for any Italian PDO. The consistency of homogeneity is clearly a harbinger of sales and quality but sustaining such growth without a compromise to quality is surely the tallest of orders. Those producers attempting to challenge the current order are necessary for diversity and to preserve the perpetual health of Valpolicella.

When the light is just right #verona

A trip to Valpolicella is a most intense, concentrated and often repetitive exercise, much like and in mimic of the wines produced throughout the vast area and so pit stops in and out of Verona are both obvious and necessary. Verona may be most famous as the setting for Shakespeare’s Romeo and Juliet but it is truly one of the unconscionably beautiful cities of this world. It is a place that brings characters and events to you. With eyes open wide and faculties able to maintain focus you will continuously look and carefully listen, so that the stories come to you. Verona repeatedly delivers moments of awe. At dusk overlooking the Adige from the Ponte Pietra. At night in the busy Piazza delle Erbe. Musing over several hundred varieties of Gin at the Frz Lab Bar. Sipping on Champagne outside of Osteria Alcova del Frate and Patrick Piuze Chablis at Antica Bottega del Vini.

Via Marconi, #verona #frzlab #ginbar

I’ve included some examples of IGT Verona at the end of this report to expound on two polar bookends of the 21st century ideal. Winemakers make use of the designation to fashion Super Veronese, wines of local meets expatriate varietals bathed in oak. Still others make Valpolicella doppelgängers with traditional varieties that can sometimes act more like Valpolicella than so many legal examples approved under the DOC. The IGTs with international grape varieties blended in and subjected to new oak need time to develop and will age into their bubbles welling with balsamic, chocolate, espresso and even truffle. There is no disputing the modernity and mimicry of other Italian brethren and sistren. Recent changes to labelling say that a wine exceeding 80 per cent of a local variety (like corvina) could in fact now be called a Classico Superiore though if the methodology of winemaking (and/or growing) messes with the plan there are some that don’t resemble one in any shape or form.

More pertinent to this investigation is in holding hope that wines produced under the auspices of rogue decisions will soon find their way out of the scrap heap piled high due to discriminatory DOC penalties. Things like bottling under screwcap, omitting sulphites and exploring “the terroir and grape varieties to the fullest by pushing all boundaries.” Valpolicella is and can be even more progressive, not just to increase market presence, Amarone sales and the bottom line of all Valpolicella wines riding the skins of their provider, but also to lead with innovation.

This report is due with great respect and thanks to Olga Bussinello, Director of the Valpolicella Consorzio Tutela Vini. Also to John Szabo M.S. and Federica Shir. The trip and subsequent 8,500 words would not be possible without the company of esteemed, stupid smart and even funnier colleagues; Julie Garton, Joshua Corea, Annette Bruley, Lauren Hall, José Luis Fernández and Nick Chajoglou. Last but certainly at the top of the list are the Valpolicella wineries, their proprietors, winemakers, export and marketing folks who received us. Tiziano Accordini, Roberta Speronello of Bertani, Mariano Buglioni, Alessandro Castelanni of Ca’ La Bionda, Giorgia Lanciai of Ca’ Rugate, Valentina Cubi, Gabriele Righetti (and the whole family) of Ettore, Eugenia Torelli and Emilio Fidora, Camilla Rossi Chauvenet of Massimago, Luca Bissoli of Cantina Valpolicella Negrar, Martina Fornaser and Giuseppe Nicolis, Marcello Vaona of Novaia, Chiara Pinamonte of Pasqua, Gianpiero Rotini of Salvaterra, Alex Guardini, Elisa Biasolo and Giancarlo Begnoni of Santa Sofia, Carmen Stirn and Andrea Sartori, Gaetano Bertani of Tenuta Santa Maria and Francesco Zonin.

I give you 64 reviews; Valpolicella, Ripasso Valpolicella and IGT.

Great old table, Villa Mosconi Bertani

Valpolicella

Bertani Valpolicella DOC 2015, Veneto, Italy (Agent, WineAlign)

Bertani’s Valpolicella is not classified Classico because the grapes come from Valpantena and Valpolicella Classica, 80 per cent corvina and 20 rondinella. Fermented in stainless and aged one year in concrete. Basic, commercial, effective, red cherry and tanky leather, seamless and untouchable. Commercially corrected and correctly traditional Valpolicella. Low in alcohol, acidity and complex capability. Drink 2016-2017.  Tasted September 2016  cantine_bertani  churchillcellars  @CantineBertani  @imbibersreport  @cantine.bertani  @imbibersreport

Cantina Di Negrar Valpolicella DOC 2015, Veneto, Italy  (467936, $11.95, WineAlign)

It gets neither more obvious or direct in a perfectly commercial Valpolicella package, one that is highly fruity with a sidle over to the funky cherry side and would always benefit from a slight chill. A leathery note more suede than new strop distracts but only for a moment because of the omnipresent acidity. Drink 2016-2017.  Tasted June 2016  cantina_valpolicella_negrar  noble_estates  @CantinaNegrar  @Noble_Estates  @CantinaValpolicellaNegrar  @NobleEstates

Ca’ Rugate Valpolicella DOC Rio Albo 2015, Veneto, Italy (Agent, SAQ 10706736, $18.00, WineAlign)

Rio Albo is drawn from vineyards in the hilly area of Montecchia di Crosara and is a blend of corvino (45), corvinone (40) and rondinella (15). Fresh fruity, very tangy, viscous, liquorice and plum Valpolicella. Firm but very juicy, with quite a bit of concentration. Very modern and forward but not overly extracted or pressed. Just up there with the ambitious, confident and in balance. Drink 2016-2019.  Tasted September 2016  carugatevini  @carugate.aziendaagricola

Tasting at Fidora

Fidora Valpolicella DOC Monte Tabor 2015, Veneto, Italy (Agent, $24.95, WineAlign)

Monte Tabor is the name of the Sant’Ambrogio estate and this is pure delight from the purest, cleanest and most honest red fruit found anywhere in Valpolicella. Fermented and aged in only stainless steel, to push the fruit borne in requiem of a proper selection, even in the giving 2015 vintage, but pushed by higher learning from the challenge of the previous one. Establishes a base, like a song in celebration tells Emilio Fidora. “We are very good farmers, even if we are not super with making wines.” Joking aside there is no cheating here, just honesty and back to basics ethics. The notes talk of cherries at peak but then there is this calcari and marbling as per the mimic of the terroir. Drink 2017-2020.  Tasted September 2016 and July 2017  fidorawines  thelivingvine  @eugeniatorelli    @TheLivingVine  @fidorawines  The Living Vine inc.

Fidora Valpolicella DOC Monte Tabor 2014, Veneto, Italy (Agent, $24.95, WineAlign)

From the Illasi Valley, composed of 50 per cent corvina, (30) corvinone and (20) rondinella, another singular effort in its inaugaural vintage, rusty and rustic, not exactly light in spite of its transparency. Great visceral soil tang, in line with a top notch bardolino and while firm there is a brightness about it. A moment of tonic. Could drink this often and with thanks to some good length in its persistence. Excellent for the vintage with 5 g/L of RS and also richer than you think. Drink 2016-2018.  Tasted September 2016

“I gotta have some of your attention, give it to me.” @massimago #special #brassinpocket

Massimago Valpolicella 2014, Veneto, Italy (Agent, $29.95, WineAlign)

Few reference points can prepare you for Massimago’s style of Valpolicella so simply use this as the ingress. Plucked from vines in the Mezzane Valley in the east part of Verona province, rising from the village of Vago towards Mezzane di Sotto. Camilla Rossi Chauvenet’s precocious blend is the crisp, crunchy, pure as driven white limestone portal into the soils laid out in amphitheatre vineyard grid. Camilla uses only stainless steel tanks here to accentuate a basal clarity brush stroke on her Valpolicella canvas. This from a selection of the grapes that will not enter the Amarone process, the second and third pass harvested bunches. Cherry and silty saline mingle at the interces of limestone. How can you miss the white stone in the naked Valpolicella? You can’t. It’s without make-up, transparent, naked to the world. The wine speaks a natural vernacular and the land is spoken for. If villages-level Bourgogne were made like this all would be well in the world. Lithe, delicate and perfumed. Drink 2016-2019.  Tasted September 2016

Marcello Vaona of Novaia

Novaia Valpolicella DOC Vino Biologico 2015, Veneto, Italy (Winery, WineAlign)

Family history matters. It begins with Paolo Vaona, then Bruno, followed by two sons, Gianpaolo and Cesare. Today it is Marcello (Gianpaolo’s son) and Cristina (Cesare’s daughter) who have transformed Novaia, or “new courtyard” into the organic farm it is but also to the new age for Valpolicella, predicated on experimentation, mistakes, triumphs and changing the way the region will think about its storied wines. Because, as Marcello reminds us, “in the beginning there was only Recioto. So getting to this moment was a long journey and Novaia’s Valpolicella named Vino Biologico can’t be labled Classico because it’s under screwcap. That will change. It’s fresh, spicy and of no oak. It’s natural ease and yeasty feel mesh with saline, terroir-drawn variegate and it’s so very specific and focused. Love the cherries and the lithe 12 per cent frame. Drink 2016-2018.  Tasted September 2016  bwwines  @NovaiaAgricola  @bwwines  Marcello Vaona (Novaia)  @bwwines

The last tasting with The Master and the Canadian apostles at #fumane

Valentina Cubi Valpolicella DOC Iperico 2014, Veneto, Italy (Winery, WineAlign)

Iperico (St John’s Wort) is made of corvina (65 per cent), rondinella (25) and molinara (10), a wine confidently in purport of the ’14 intel., with an early note of musty, damp forest floor, currants and flower compost. All of the earthy components are exaggerated by the vintage with nothing to cover it up, but the palate is silky in a transparent way and acidity that softens, like a saline streak, as an ancient underground river would impart, as if by Willamette Valley pinot noir. This is singular stuff in Valpolicella. As before, raised only in steel. Drink 2016-2021.  Tasted September 2016

Valentina Cubi Valpolicella DOC Iperico 2013, Veneto, Italy (Winery, WineAlign)

Iperico is a blend of corvina (65 per cent), rondinella (25) and molinara (10), similar in character to 2014 but with a compressed reduction to the compost and yet a striking come about from an increase to the sharpness. The acetic push is a key factor in the linear definition. Torched marshmallow skin, bitter herbs, umami savour, the flowers still fresh, the fruit vibrant and all tolled, a beautiful vitality. An intense wine, again like pinot but also like Trentino-Alto Adige/Südtirol teroldego or Piemonte alter-ego varieties, specifically grignolino. As with Sin Cero, raised only in steel. Drink 2016-2019.  Tasted September 2016  #valentinacubi  @valentina_cubi  Valentina Cubi

Good times in #valpolicella with @johnszabo

Valpolicella Classico

Buglioni Valpolicella Classico DOC 2015, Veneto, Italy (Winery, WineAlign)

In 2014 the entire crop was sold off to bulk wine because the quality was not considered up to standard. The Valpolicella Classico 2015 is composed of corvina, rondinella and 18 per cent croatina, with no oak and a flash raised three months in stainless steel. An increase in quality might arise from training by Guyot (2-4 but generally 3 kilos) says Mariano Buglioni, but this Valpo is from vines trained by pergola to yield quantity (3.5 to five kilos per vine). Certainly some warmth on the nose and the result here is both floral and acetic, fully crushed, simple, firm and fruity, though not too firm nor infirm. The vintage is promising across the range and here this lingers quite long, clean, crisp and a bit chewy. Drink 2016-2018. Tasted September 2016  buglioni_azienda_agricola  marianobuglioni    @cantine.buglioni.9

A sense of wonder beneath the pergola, Vigneti di Ettore

Vigneti Di Ettore Valpolicella Classico DOC 2015, Veneto, Italy (Winery, WineAlign)

From the Righetti family, from grandfather Ettore to grandson Gabriele, Vigneti di Ettore’s Valpolicella Classico may just be possessive of the most quaffability of any Classico, all red fruit and in the optimum bring it on zone. The acidity and whatever momentary firmness accorded is functiional and better still, beautiful. As basic and categorical as life in Valpolicella grapes should be and only made more complex because it pleases so. Drink 2016-2018.  Tasted September 2016 vigneti_di_ettore     @vignetidiettore

Vigneti Di Ettore Valpolicella Classico DOC 2014, Veneto, Italy (Winery, WineAlign)

Stylistically this Ettore Valpolicella Superiore ’14 is a departure, or perhaps it is ’15 that changes course. I get the feeling there is more grandfather Ettore inherent here and grandson Gabriele drives the ship next season. Or perhaps it’s just a case of vintage. Nature versus nurture arguments aside this ’14 takes a step deeper and away from simple red fruits into a more variegated gathering that includes blue (berry) and black (currant). Still quiet and quite restrained, elegant even, said despite the creative license employed with that word. Greater acidity balances the more developed and deeper fruit and so balance is fully realized. More pleasure in a slightly adjusted bell-curve way. I’d drink up some ’15s for a couple more months while waiting for the more awkward 14s to come around. Drink 2016-2020.  Tasted September 2016

Cantina Santa Sofia

Santa Sofia Valpolicella Classico DOC 2014, Veneto, Italy (Agent, WineAlign)

So simply pure, clear, concise and precise. Ripe cherry, brightness, transparency and unadulterated. Every day Valpolicella, the way it was and the way it needs to be encouraged to remain. Drink 2016-2018.  Tasted September 2016  santa_sofiawines  @SANTASOFIAwines  @SantaSofiaWines

Tasting and lunch at Tenute Salvaterra

Tenute Salvaterra Valpolicella Classico DOC 2014, Veneto, Italy (Winery, WineAlign)

A post oxidative must has made transference to personality lifted by a reductive odour within and expressive of ripe, firm fruit without. Dark but not exactly black cherry, with little to no oak but certainly cariries the characteristics of a wine that has had a cup of coffee with wood. The collection is ultimately reductive, smoky and dangerous. The caramel finish is a sign of a wine not unlike some new world takes on old world grapes. Drink 2016-2018.  Tasted September 2016  tenute_salvaterra  tre.amici.imports  @vinosalvaterra  @treamiciwines  @tenutesalvaterra  

Buongiorno from @sartori_verona @C_Valpolicella

Sartori Valpolicella Classico DOC 2015, Veneto, Italy (378109, $12.95, WineAlign)

This silly inexpensive blend of 45 per cent corvina, (30) corvinone, (20) rondinella and (five) croatina spent five months housed in the big barrels. Valpolicella of stronger, deeper, traditionalist methodology. Firm and low tonal, baritone Classico, mahogany and leather, naugahyde and deep black cherry. Clean and balanced. Old school with a great understanding of things done right. Drink 2016-2018.  Tasted September 2016  sartoriverona  fwmcan  @Sartori_Verona  @FWMCan  @SartoriVerona  @FWMCan

Zonin Valpolicella Classico DOC 2015, Veneto, Italy (475145, $13.10, WineAlign)

Zonin’s Valpolicella Classico 2015 is corvina with some molinara and rondinella, aged in 2nd and 3rd passage large barrels but no barriques. Clean red fruit and despite some tonneaux time really quite fresh. Sour cherry, textbook, elevating, commercial, technically sound. Clean as a whistle. Drink 2016-2018.  Tasted September 2016  zonin1821  @Zonin_USA  @zonin

Ponte Di Castelvecchio

Valpolicella Superiore

Massimago Valpolicella Superiore DOC Profasio 2012, Veneto, Italy (Agent, $54.95, WineAlign)

Profasio establishes new territory for Valpolicella Superiore from Mezzane Valley fruit in a wine over dinner “that lets you talk.” A careful and specific selection of Corvina, Corvinone and Rondinella (65/30/5) is subjected to “un leggero appassimento,” or a “slight withering” from one month of drying and the rest kept thankfully and respectfully fresh. The child is raised in stainless steel for five months plus one year in 2nd and 3rd passage barrels. This is Valpolicella meant to partner up with dinner for two, replete with secret recipes and crossing glances. “We feel the appassimento method is about levels of aromatics,” tells Camilla Rossi Chauvenet. In such a contrary to Superiore belief we find freshness and anti-jam the goal and as a result, the wine is allowed to tell a story. A script written cursively, crisp and pure, crunchy like the normale with an addendum of aromatic profiling; cherry, leather and red citrus. Profasio is a wine of good temper and vision (and could mean profezia, or prophecy, or perhaps a surname in reference to Dante and the Veronese ebraico’s Almanacco Perpetuo), a Valpolicella into a second level of contemplation, but not too much. The wine causes no worries, no anxiety and shoes are left at the bottom of the mountain. Profasio with its hint of dried momentum is a wine of communication and a new way of communicating. Drink 2016-2021.  Tasted September 2016  massimago  @Massimago  Massimago

Valpolicella Classico Superiore

Buglioni Valpolicella Classico Superiore DOC 2013, Veneto, Italy (Winery, WineAlign)

Mariano Buglioni’s Valpolicella Superiore 2013 sees a blend of French and Slavonian oak, aged for two years, the first 18 in Inox plus six months in the barrels. The blend is nearly the same as the Valpolicella Classico 2015 but with eight to 10 per cent croatina. A well-balanced split between fresh and dried fruit comes through on the nose, with some fennel, tar and rosemary. Firm and mildly tannic, black cherry and bokser to the palate, chewy again, of texture, with structure and the slightest tingling fizz. Not so much a fizz as much as an electric current tang. Drink 2016-2018.  Tasted September 2016

Good morning @C_Valpolicella from @accordinilgino

Stefano Accordini Valpolicella Classico Superiore DOC ‘Acinatico’ 2015, Veneto, Italy (Agent, WineAlign)

From the Fumane Valley, an airy, aerified, soft and blowsy, carbonic felt Valpolicella, at once to a whole bunch sensory response and then for thoughts to big hose pumpovers. Saline, from vineyards stretching up the hillside from 350 up to 500 plus metres high. Classic red fruit and nettle meets impartial red limestone, citrus with as much salty sting as their can be. Many Valpolicella turn out this way but few are as blatant and obvious as this. Drink 2016-2018.  Tasted September 2016  accordini_stefano  majesticwinesinc  @AccordiniIgino  @MajesticWineIn  @accordini  @majesticwinecellars

Once you go Casal Vegri you can never go back, Eh @lesommelierwine ?? #calabionda

Ca’ La Bionda Valpolicella Classico Superiore DOC ‘Campo Casal Vegri’ 2015, Veneto, Italy (Agent, $32.95, WineAlign)

In 2015 the blend is 70 per cent corvina, with 20 corvinone, rondinella and molinara. Some producers decide not to produce this level in Valpolicella but Alessandro stresses its importance. It allows him to make a selection for the other categories and the young vines can better service this wine. Only in stainless, bottled in February, this is beautifully natural. Molinara has less colour but brings salinity (a.k.a minerality). Here plays the opening card for the cellar. Fresh cherries, inviting acidity, such freshness, bright, effusive, so drinkable. Began the harvest on September 2nd. Must have been the first in town. The acidity is that special. As a footnote, no Amarone is made from this vineyard. Drink 2016-2020.  Tasted September 2016  #calabionda  lesommelierwine    @LeSommelierWine  Azienda Agricola Cà La Bionda  @LeSommelierWine

Ca’ La Bionda Valpolicella Classico Superiore DOC ‘Campo Casal Vegri’ 2014, Veneto, Italy (Agent, $32.95, WineAlign)

In the world of Valpolicella Classico Superiore 2014 was a difficult vintage with lots of rain, some development of botrytis and as a result many bunches were dropped, reducing the output from 120,000 to 80,000 bottles. It was also (and concurrently) not a great vintage for Amarone so some of the vineyards that would feed the big wine were diverted to the Superiore. Aged 18 months in oak barrels, averaging 20 years (16-25) from Casa Vegri vineyard, the wood is by now integrated, the vintage compendium resolved with kept freshness and ripe tannins. Very young, alive, in and out of biting but never sharp. Drink 2016-2020.  Tasted September 2016

Ca’ La Bionda Valpolicella Classico Superiore DOC ‘Campo Casal Vegri’ 2012, Veneto, Italy (Agent, $32.95, WineAlign)

It was a warm vintage, similar to 2009, here at four years with a stand up and be counted, noticed and no questions asked applauded level of maintained freshness, despite the heat of the moment. I say this because there is a slight elevation in volatility, a hyperbole as compared to 2014, but also more compression and mineral tonic. With eyes shut tight I get to this point with such properly rendered corvina, corvinone et al swirling in my mouth and my senses acute to the variegated fruit character. And I know this is more serious and of a Campo Casal Vegri structure to let it age another seven to eight, at the least. How does this apply to later vintages? Only time will tell. Drink 2016-2024.  Tasted September 2016

Dry, baby dry. Corvina at #calabionda

Ca’ La Bionda Valpolicella Classico Superiore DOC ‘Campo Casal Vegri’ 2010, Veneto, Italy (Agent, $32.95, WineAlign)

Alessandro Castelanni comments how “it’s nice to taste old vintages because we have to stop and note the things we need to do. To figure out how to get acidity, freshness, lesss quantity, more quality.” Looking forward to 2016 Campo Casal Vegri will be the first vineyard of full organic certification and looking back 2002 was the last year using selected yeasts. And 2010? “One of my favouritre, classic vintages,” smiles Alesandro, “cool, with some rain but not too much.” A season of the enervating diurnal shifts in temperature and with “the colour of corvina.” Late September harvest, now here, suddenly, the magical Classico Superiore impossibility, shy but real, the moment of volatility anything but, the plum-cherry-strawberry current running through with live wire elegance. Natural wonder of corvina and subsidiaries, with secondary character just beginning though they were always there, fennel, the territory occupied by he who may not be named, but fresher, cleaner, more precise. Again, not a baby Amarone and not giving the market what it ignorantly thinks it wants. This wine can establish or re-establish the market, to bring back (or bring the contiguous and contagious style from out of the dark and into the mind of tasters that need to be directed. Drink 2016-2023.  Tasted September 2016

Ca’ La Bionda Valpolicella Classico Superiore DOC ‘Campo Casal Vegri’ 2008, Veneto, Italy (Agent, $32.95, WineAlign)

A little bit more rustic than the foward ’10 and ’12 vintages, more liqueure and from a smaller production, more bretty volatility, certainly concentrated, with colour and yet the acidity is still buzzing. “Too rustic for my tastes,” insists Alessandro and here greener than the younger vintages. The linger is quicker and the drying tannin a force more blunt than the forward years. Drink 2016-2017.  Tasted September 2016

Generations of Ca’ La Bionda

Corte Adami Valpolicella Classico Superiore DOC 2013, Veneto, Italy (Winery, WineAlign)

When the vintage offers great fruit ambition often follows and so the strength, volatility and power comes with little surprise. A really dense and equally tart Superiore has this citrus streak running through. After an hour in the glass it’s all chocolate and the perception of heat units increases though 13.5 per cent alcohol is a reasonable frame on which to cling. Give it a year to come together and see it seduce with some secondary notes, including balsamic, dried fruit and spices. Drink 2017-2020.  Tasted September 2016  corte_adami  coliowinery    @ColioWinery  @CorteAdami  @coliowinery

#lastsupper #nicolis #verona

Nicolis Valpolicella Classico Superiore DOC 2015, Veneto, Italy (Agent, WineAlign)

The traditional wines of Nicolis are mostly from the Valpolicella Classica region which are night and day different than those from Valpantena (central Valpolicella and eastern Valpolicella “alla garta,” the stertched boundary. Their Classico shows high acid, cherries, past red before black fruit, liquid pomegranate, red ruby chalk. Reduction keeps talking, a bit hot methinks but with some air it cools off and just acts simple, amenable and what it needs to be, which is fruity. Drink 2016-2018.  Tasted September 2016  nicoliswinery  #thevineagency  @NicolisWinery  @TheVine_RobGroh  @NicolisWinery  The Vine – Robert Groh Agency

Novaia Valpolicella Classico Superiore DOC 2012, Veneto, Italy (Winery, WineAlign)

This Valpolicella is ahead of the Ripasso in terms of quality because it is a particular Superiore, from a volcanic soil and single vineyard, “I Cantoni” at 400m. The wine submitted to a 10 per cent loss during the one month drying process plus 18 months in wood in a combination of barriques but also 1000L and 1500L larger barrels. An expanded, airy, moussy, floating fresh Superiore. There is spice in its step and so it dances on the tongue. Not so much floral as ambrosial in its rich and thick aromatics. Definite bitter chcolate and cimmerian dried fruit but the palate is not heavy or cloying. Some mushroom and truffle demi-glace, savoury, umami initialization in in the stages of the begin. But it can still improve. Drink 2017-2024.  Tasted September 2016

Vero @SantaSofiawines @C_Valpolicella

Santa Sofia Valpolicella Classico Superiore DOC Montegradella 2013, Veneto, Italy (Agent, WineAlign)

Montegradella is 70 per cent corvina and corvinone plus 30 rondinella that saw 40-45 days of drying. The grapes come from the Valpolicella classica region, from vineyards planted on loamy marl in the hilly countryside of Fumane, San Pietro in Cariano and Marano. A special multi-vineyard designate Valpo aged for two years in 70 per cent large oak and 30 per cent small barriques. Some of the terse corners receive the smooth couverture of the amalgamation of barrels, the amore and aroma deeper into black cherry and beginning to hint at chocolate melting into espresso. Structure forms like the first sculpted clay to practice and prepare before switching more permanently to work with the marble of it to receive its first chisled stroke. Persistent and concentrated, Montegradella is a full cupboard of slow-developed spice. Drink 2017-2021.  Tasted September 2016

Valentina Cubi Valpolicella Classico Superiore DOC Il Tabarro 2014, Veneto, Italy (Winery, WineAlign)

Il Tabarro (The Cloak) is an opera in one act by Giacomo Puccini to an Italian libretto by Giuseppe Adami, based on Didier Gold’s play La houppelande. Il Tabbaro the Valpolicella is a house-consistent blend of corvina (65 per cent), rondinella (25) and molinara (10) plus some wood aging after the steel. The use of selected yeasts, temperature control and some sulphite addition separate it from Iperico though the Guyot, Pergola doppia and Pergola semplice growing methods are the same. A selection is completed both in the vineyard and in the winery to pick the right grapes for this classification. Deeper and richer but still pure red fruit, wild cherries and because of the treatment, an extra level of refinement. I would still drink this any day over a high percentage of the region’s Classico Superiore. Bright and alive palate with nothing but fruit and spice. And length. Plenty of length. Drink 2016-2020.  Tasted September 2016

A #verona right of passage #getinthere

Ripasso Valpolicella

Bertani Ripasso Valpolicella DOC 2014, Veneto, Italy (395087, $17.95, WineAlign)

Just released, also a combination of Classica and Valpantena fruit, 85 per cent corvina, 10 merlot and 5 rondinella. Not much distinction from the Valpolicella, of a similar fruit profile, cherry and leather, here restained in alcohol and in avoidance of seeling itself with sugar. Some firm grip, a step towards liqueur but very clean, celar and precise for Ripasso. Quite dry especially in relation to many other regional takes. Aged in Slavonian oak barrels. Drink 2016-2019.  Tasted September 2016

Fidora Ripasso Valpolicella DOC Monte Tabor 2014, Veneto, Italy (Agent, WineAlign)

Certainly carries the torch forward from the Valoplicella but with some pomace addendum, without the concentration and with a mere tacky furthering from the barrels. Older ones (225L) and for just six months. Same on the verge but quite shy of oxidative so that the fruit stands out and the rusty quality remains bright. Plums are fresh with that variegated purple skin/red fleshiness and then plenty of spice. The sugar level is 6.5 g/L RS but it’s negligible considering the style. Drink 2016-2020.  Tasted September 2016

Massimago Ripasso Valpolicella DOC Marchesi Mariabella 2014, Veneto, Italy (Agent, $40.95, WineAlign)

Yet another new launching point, this time for the much maligned Ripasso category, acquiesced through the fresh urgency of the whimsical Marchesi MariaBella. The fruit is borne of a a much earlier ripening vineyard outside of Massimago, perched only at an insignificant 100m on Argileux soil. This a Ripasso I will wager large you have never tasted before. La Bella Poesia, “is different because its literary destiny has followed a strange path.” To say that a feminine disposition, temperament and engagement fills not just the aromatics but also the texture would be a Valpolicella understatent of this early century. There is virtually no dried fruit on the nose; there is more tension than the two classic Valpolicellas which is both counter-intuitive to terroir and to methodology. Ripasso needs to carry both weight and tension. It needs to have some elegance. It requires acidity and freshness. This walks that very line and it will age gracefully and with beauty. Incidentally to answer the query of whimsy each character on the label represents the democracy of the proletariat. Drink 2016-2022.  Tasted September 2016

Novaia Ripasso Valpolicella DOC 2014, Veneto, Italy (Winery, WineAlign)

From a not very good to certainly difficult vintage, the alt-Ripasso is made in the following manner because Macrello Vaona explains that “it’s a strange way to make wine but we do it to improve the body and the structure.” No drying, just the use of the wet skins towards the second fermentation. This has a very elegant, smooth, controlled, cool (13.5 abv) temper. Sees one-year in barriques and larger tonneaux, very little new to gain the calming Ripasso. Black cherry though light and fresh but on the flip side firm and direct. “What I want to produce is a drinkable wine, without thinking too much because the wine is too strong and has destroyed the food.” Well done Marcello. Drink 2016-2021.  Tasted September 2016

Novaia Ripasso Valpolicella DOC 2013, Veneto, Italy (Winery, WineAlign)

The vintage in Novaia’s hands is antithetical in terms of Ripasso, with more acetic notes but also elevated florals, more fresh than potpourri. It’s quite spiced but in deep, masala ways, into the umami of mushroom and a roasted forest wood smoulder. Plenty of tea and then a clearing of the skies with brightness at the finish. One of the more variegated Ripasso studies to ever come across. Drink 2016-2018.  Tasted June 2016

Post i canadesi light lunch carnage @PasquaWinery

Valpolicella Ripasso Superiore

Pasqua Valpolicella Ripasso Superiore DOC Romeo & Juliet 2014, Veneto, Italy (476903, $18.95, WineAlign)

In the realm of Ripasso this busy label Romeo and Juliet love letter of a Venetian is markedly more Valpolicella Superiore in style. No Ripsasso ever breathes so fresh and light and the Pasqua-made red is therefore part deception and part delight. I for one am pleased with the result, all fruit and little to less hydration and rehydration. There is a simplicity to it that leans nouveau but again, the simple and pure act of red fruit love is a laudable attribute. Just a bit of white peppery spice late reminds that fruit was once passed over some Amarone lees and that barrels parts were in the leavening mix. Chill this for best results. Many a consumer will enjoy the platitude. Drink 2017-2018.  Tasted twice, September 2016 and February 2017  pasquawines  #ChartonHobbs  @PasquaWinery  @ChartonHobbs  @pasquawinesitaly  

Hey #rossettadimontagna endemic grapes drying museum #cantinadinegrar #valpolicella #totallycool

Valpolicella Ripasso Classico Superiore

Stefano Accordini Ripasso Valpolicella Classico Superiore DOC ‘Acinatico’ 2014, Veneto, Italy (85159, $19.25, WineAlign)

An inviting initial feigned freshness but then a posit tug of structure in the difficult vintage. Plum fruit and the same balsamic tone afforded the Classico but here the darkness begins to cover the fruit, with the classic but modern secondary fermentation passage over the Amarone skins. One year in French oak plus some large Slavonian oak. Already showing some secondary mushroom and truffle. High acidity, stark and driven, like a Doors Texas back beat. The smokiness heads straight to the back of the brain. Drink 2016-2018.  Tasted September 2016

Stefano Accordini Ripasso Valpolicella Classico Superiore DOC ‘Acinatico’ 2010, Veneto, Italy (Agent, $19.95, WineAlign)

Quite similar and consistent to the ’14 though with more personality and further resolved into the secondary character traits; mushroom, truffle, forest floor, savoury herbs, tart berries, juniper, tonic and nearly umami. Pretty much what would be expected. Some affirming vitality reappears at the end. Nice Ripasso. Drink 2016-2018.  Tasted September 2016

Stefano Accordini Ripasso Valpolicella Classico Superiore DOC ‘Acinatico’ 2009, Veneto, Italy (Agent, $19.95, WineAlign)

Quite evolved, deeper into the boletus and digging into a spongy, mid-autumn forest. Composted pine and some limestone here with more chcolate than either of the two younger (’11 and ’14) were showing. Seems to be more oak impart in 2009, either because the barrels were newer or because the vintage made the request or showed some intrinsic accord with it. Acidity is still quite solid, tannins nearly past. Drink 2016-2017.  Tasted September 2016

Stefano Accordini Ripasso Valpolicella Classico Superiore DOC ‘Acinatico’ 2008, Veneto, Italy (Agent, $19.95, WineAlign)

More acetic vintage and not as much oak as expected, especially as compared to 2009. A consistency of secondary aromas is noted, from the woods and the boletus that appears every fall, depending on the vintage, in 2008 not quite as pronounced. Good persistence, very classic, totally in the zone. Drink 2016-2017.  Tasted September 2016

Buglioni Ripasso Valpolicella Classico Superiore DOC ‘Bugiardo’ 2013, Veneto, Italy (Winery, WineAlign)

Fermented on skins from the Amarone, Buglioni’s Ripasso went with four weeks of drying grapes, blended as 75 per cent with 25 per cent. Nicknamed “Bugiardo,” the liar, because this is what the wine is. Another electric Valpo but here with some salumi, quite a bit of salumi actually and some liquid cherry smoke. Also earthy with a truffled note and then more smoke, smoulder, in the chamber beside the fire. Quite an even keeled Ripasso, in between concentrations, acidity and tannin. Clocks in at a very reasonable 14 per cent. Drink 2017-2021.  Tasted September 2016

Ca’ Rugate Ripasso Valpolicella Classico Superiore DOC 2014, Veneto, Italy (Winery, WineAlign)

Here we are again fully entrenched in 2014, from whence it was nearly impossible to make a really fine, elegant and getable Ripasso. Again 45, 45 and 15 (corvina-corvinone-rondinella), the holes filled in with more extract and careful selection than many. The green current and tobacco are not instigators but rather spectators to the fruit. Perhaps a lower percentage of skins here and more fresh fruit. This has the liquid red ruby citrus-grapefruit and orange play and then some grain in the tart, quite tannic structure. Modernity again and a success for 2014. Drink 2016-2020.  Tasted September 2016

Ca’ Rugate Ripasso Valpolicella Classico Superiore DOC 2015, Veneto, Italy (Winery, WineAlign)

Produced in the traditional way where the pomace from the dried Amarone grapes are left to referment in a Valpolicella wine from the same vintage. The wine is aged half and half in tonneaux and stainless steel for approximately eight months. The gravel and limestone estate vineyards are located in the hills around Montecchia di Crosara. This 2015 perpetuates the house blend of (45 per cent) corvina, (40) corvinone and (15) rondinella, consistent and familial similar to ’14 but carrying more freshness, bite and intensity. It will require a year more settling to bring the Ripasso vigour and rigour into real time Valpolicella by way of Amarone connectivity. Drink 2018-2022.  Tasted September 2016

Cantina Di Negrar Ripasso Valpolicella Classico Superiore DOC Le Roselle 2014, Veneto, Italy (620831, $17.95, WineAlign)

Le Roselle is a woman’s name, the diminutive of Rosa but in Valpolicella terms her character is both rich and acetic, fully consumed from Amarone skins and pressed to the maximum for colour and potential. Her name should see her as feminine from head to toe, but here in Ripasso she is highly permeable to the atmosphere of wherever she happens to be. She can repeat herself too, like the bird or parrot, so that her consistent nature will translate wherever she is consumed. In 2014 the results are quite intense, with full-on acidity wrapping up the optimum concentrated fruit in a Ripasso package so global, so far and wide reaching. Drink 2016-2018.  Tasted September 2016

Cantina Di Negrar Ripasso Valpolicella Classico Superiore DOC Domìni Veneti Vigneti Di Torbe 2014, Veneto, Italy (Agent, $19.95, WineAlign)

Domìni Veneti Vigneti Di Torbe Ripasso is made with the skins of Recioto (as opposed to Amarone), drawing uopn the sweet-bleeding for refermentation towards a developing potential, with heavy fuel, dense compression and brooding character. Another Cantine Negrar cooperative stylistic to make the biggest wine possible from a variegated collection of Classica grapes. Full bore plum fruit, a rage of acidity and some Amaro tannin. Even bigger of an expreession than the already glycerin-listed Le Roselle. Drink 2016-2019.  Tasted September 2016

Cantina Di Negrar Ripasso Valpolicella Classico Superiore DOC Domìni Veneti Vigneti Di Torbe 2013, Veneto, Italy (Agent, $19.95, WineAlign)

This is the third of three Negrar Ripassi tasted side by side by each from a much better vintage without the necessity to over do, not from pressing, not for extract nor to dish hyperbole of concentration and last but so very important, accomplished without heavy oaking. The fruit is a bit baked but not without charm, the sun-ripened and passed over skins sets of berries turned to dehydrated plum and piqued by a contiguous found balance from major wood spice. The equilibrium here is quite improved and born that way. Drink 2016-2019.  Tasted September 2016

Vigneti Di Ettore Ripasso Valpolicella Classico Superiore DOC 2014, Veneto, Italy (Winery, WineAlign)

Ettore’s Ripasso comes from 20 year-old vines, of four grapes, corvina (45 per cent), corvinone (30), rondinella (15) and croatina (10). Needs air because of a minor reduction and a whiff of SO2. The first vintage was 2008 (as with all the Ettore labels) and here the small portion of dried grapes melds into passed over Recioto skins for a (5 hL) tonneaux experienced Ripasso of great spice and cool savour. This is arid and tense Ripasso with linear drive and vital spirit. Ripasso of clarity and direct connectivity, to the 40 million year old friable rock soil, the calcaire and the basalt. Well-made in a very difficult vintage. Drink 2016-2019.  Tasted September 2016

Vigneti Di Ettore Ripasso Valpolicella Classico Superiore DOC 2013, Veneto, Italy (Winery, WineAlign)

The aromatic tones are quite high and even acetic (especially as compared to the bookend vintages) but this Ettore is as floral as they come. It’s a veritable potpourri flower bowl and then meaty, in dried charcuterie and splashed by balsamic. Deep flavours dip into chocolate and then a back bite into char-crusted, rare roast beef. Acidity pierces into the finish, with an injection of pure vanilla and finally some sour cherry. A satisfyingly gastronomic wine. Drink 2016-2019.  Tasted June 2016.

Lunch at Ettore Righetti

Vigneti Di Ettore Ripasso Valpolicella Classico Superiore DOC 2012, Veneto, Italy (Winery, WineAlign)

Assuming Ettore’s Ripasso Valpolicella Superiore ’12 grape make-up is the same as in 2014 the benefit is beautifully obvious from a most excellent vintage that is a gift (especially in comparison to ’14). The real purport to avoid the “sumo-warrior” Valpolicella shows in this bottle of finesse and one that you can finish. These are pure plum notes, in aroma and flavour, with balancing acidity and really fine tannins. This wine is so young still, spicy and spirited, jumping from the glass. What Ripasso can be. Drink 2016-2020.  Tasted September 2016

Nicolis Ripasso Valpolicella Classico Superiore Seccal DOC 2013, Veneto, Italy (Agent, $29.95  WineAlign)

Seccal is a single-vineyard Ripasso, 70 per cent corvina, (20) rondinella, plus five each molinara and croatina. It spends 16 months in big Slavonian oak barrels and takes the stylistic reigns from the fruit juicy Classico. With a firm grip it adds low and slow big wood time lapse release to develop breadth and slightly bretty volatility. Reductive again (a recurring Ripasso theme) dry and tangy, very soil-driven to supersede the volatility and so it really reminds of cooler climate grenache (top part of the southern Rhône Valley) or even salty, marine cannonau. I find this really terroir driven with the fruit less prominent but acids are high and tannin low. A very specific, old-school, the way it used to be Valpolicella but with a tie to the vineyard that is undeniable. Though the grapes comes from a single vineyard because Amarone grape skins are used for the second fermentation its single-vineyard status is changed. Drink 2016-2020.  Tasted September 2016

The @garton_jules and #godello at such a nice place #tenutasalvaterra

Tenute Salvaterra Ripasso Valpolicella Classico Superiore DOC 2013, Veneto, Italy (Winery, WineAlign)

The closest of cousins to the Valpolicella Classico, from a different vintage but similar in styling. Reductive and silky in texture, with the dried grapes addition adding layers of impression and compression. Acidity is neither tough nor linear and while it is present, its support is a lift, not a distraction. Drink 2016-2018.  Tasted September 2016

Santa Sofia Ripasso Valpolicella Classico Superiore DOC 2013, Veneto, Italy (Agent, $27.95, WineAlign)

The Ripasso 2013 is 70 per cent corvina and corvinone plus (30) rondinella, of no dried grapes, only secondary fermentation with amarone grape skins, simply and originally Ripasso. “Many Ripasso are like the small brother of Amarone,” explains proprietor Giancarlo Begnoni, “but in our case Ripasso is the big brother of Valpolicella Superiore.” Something added, augmented, not taken away. Aged only in old (up to 30 years) old (Slavonian) oak barrels. This is completely new and yet so very old, modern but ancient. The great dichotomy built through slow evolved structure. Tense, terse, direct, liquid yellow tufo rock with red citrus, pomegranate and the most refined tonic. More structure than so many but less freshness than some for sure. Superiore speaks only to the appellative minimum content plus context and speaks nothing to structure. That changes in the stylistic hand of Novaia. Drink 2017-2020.  Tasted September 2016

Andrea Sartori and our Lauren Hall

Sartori Ripasso Valpolicella Classico Superiore DOC Valdimezzo 2014, Veneto, Italy (Agent, $17.95, WineAlign)

Sartori’s Ripasso Valdimezzo is a blend of corvina (60 per cent), corvinone (20), rondinella (15) and croatina (five) in a mix of medium and large format oak casks. The deep mahogany wainscotting and black cherry notation is recognized for aligning house style clarity though the acidity and the vital tonality are elevated. The purple to black plum fruit controls the depth. Really high acidity. Drink 2016-2019.  Tasted September 2016

Old school indeed @dobianchi @tenutapieve #gaetanobertani #classico

Tenuta Santa Maria Ripasso Valpolicella Classico Superiore DOC 2014, Veneto, Italy (WineryWineAlign)

Some vibrant bright red fruit bridging fresh to dried, right on that line. The kind of Ripasso that feigns fortified when it really isn’t that way at all. Lots of spice and once again the liqueur like old school, old barrel aged tempranillo or sangiovese but here on the fresher side. Plush texture and tannin. Very solid for a 2014 and not so dry, with 8 g/L RS. Drink 2016-2020.  Tasted September 2016

Valentina Cubi Ripasso Valpolicella Classico Superiore DOC Arusnatico 2013, Veneto, Italy (Winery, WineAlign)

Arusnatico is dedicated to one of the few underground groups that refused to submit to the Romans. This is hard to be believed as Ripasso, light, cool, crisp, very citrus (orange) directed and a bite into chocolate that might be white or dark I couldn’t really say. The nose does not speak to Ripasso (nor does the hue or the construct) but the palate does more so. Richness is observed and permitted with grace throughout and and as more than just an impression. Hard to believe that Amarone pomace is used and in fact it will be impossible to know what churns this Ripasso until we return and the similarly vintage-dated Amarone is tasted. Once again in a league of its own. Drink 2016-2020.  Tasted September 2016

Zonin Ripasso Valpolicella Classico Superiore DOC 2014, Veneto, Italy (170142, $16.40, WineAlign)

Very similar, in fact impossibly consistent with the Classico, of red fruit first, freshness second and commerciality in confident control. Clean, crisp, here smoky and with just those slight notes of earth, forest floor, savour, tobacco, umami. The additions are the smokiness and the 2014 challenges unable to find their clear. Drink 2016-2017.  Tasted September 2016

Zonin Ripasso Valpolicella Classico Superiore DOC 2005, Veneto, Italy (AgentWineAlign)

A test of time for this Ripasso is an all well and incredible Superiore certainty, now all mushroom and truffle, earthy forest, umeboshi plum, darkening soy sauce and bubbling brown sugar. The acidity is clearly alive, then tempered chocolate, dried and slightly torched espresso bean, ground and pressed. Very alive. One punch and a knockout, short finish. Drink 2016-2017.  Tasted September 2016

Valentina Cubi

IGT Rosso Verona, Veneto and Venezia

Valentina Cubi Sin Cero IGT Rosso Verona 2015, Italy (Winery, WineAlign)

The truthful or sincere one is the third vintage after 2012 and 2013 (there was no 2014), a blend of corvina (75 per cent) and rondinella (25), of zero sulphites and possessive of the naturalische, straight from the soil and a breath of fresh air. There too is a bready, yeasty, enzymatic air and this is IGT you are pleased to put in your mouth. Spontaneous fermentation and microbes no other Valpolicella varietal IGT (or approved) has thus far granted. Is it typical? No. Could it be labled Classico Superiore? Stylistically speaking why not. But it’s bloody atypical, potentially consumer confusing but there is every reason to drink it. It’s beautifully dirty and with a cereal quality, like sugar crisp but not the commercial, fructose glazed crap, but more like the bulk bags of slightly earthy, whole foodies stuff. Fermented and aged only in steel. Drink 2016-2020.  Tasted September 2016

Bertani Secco-Bertani IGT Rosso Verona 2013, Italy (Agent, WineAlign)

Secco Bertani is an IGT Verona composed from corvina (80 per cent), sangiovese grosso (10) plus equal parts merlot and cabernet sauvignon. Aged in (cherry and chestnut) Veronese barrels, this is IGT of high tones, red and black fruit and dry-aged beef bresaola. Travels through an acidity fire and comes out smouldering with tobacco and chocolate. Cimmerian IGT of high acidity and big, sweet tannins. Needs two years to settle down before beginning to age into balsamic and truffle territory. Drink 2018-2024.  Tasted September 2016

Vigneti Di Ettore Rosso Veronese IGT Arsi 2011, Italy (Winery, WineAlign)

Arsi is from 15 year year-old vines at 400m in volcanic soil. No malolactic and higher acidity bleed lava from corvina veronese (30 per cent), corvinone (30), croatina (30) and pelara (10). A different wine for Valpolicella and for IGT, the wine is highly saline, from grapes dried for 50 days, of lovely red fruit with the saline streak that is not found in the other wines. A wine I feel many winemakers, especially from the larger houses and cooperatives would not understand. Though there is some emptiness on the palate this highly distinctive, salty umami Rosso is in a world of its own and that world is one I am delighted to visit. Drink 2016-2021.  Tasted September 2016

Nicolis Rosso Verona IGT Testal 2012, Italy (Agent, WineAlign)

Testa, “the head,” from grapes at the head of the vine, left to hang for two or three weeks longer than usual. The Ripasso aspect is the short drying time on the vine. A late harvest IGT from Corvina (90) and 10 per cent other (not named) varieties. This alters the house style and does something other, something Classico Superiore but it can’t be this because it exceeds the DOC Corvina maximum of 80 per cent. The large casks have added more sheathing than you might expect. This is highly wooded and toasty with quite a bit of vanilla, lavender and clove. Certainly made for a crowd that loves this style. Changes to labelling mean you can’t call this Rosso del Veronese anymore but now this wine could in fact be a Classico Superiore. Though it doesn’t resemble one in any shape or form. Drink 2016-2021.  Tasted September 2016

Pasqua Passimento 2014, IGT Veneto, Italy (141952, $13.95, WineAlign)

Passimento is “Passione Sentimento,” part of the Romeo & Juliet line, composed of merlot (40 per cent), corvina (30), and croatina (30). It’s somewhat experimental and yet traditional, from grapes partially dried for one month, half way between Valpolicella Superiore and Amarone, in weight and alcohol. Four months in barriques has given this lean and green red a decidedly merlot bent, with memories of stems and herbal dill plus some balancing corrected sweetness. At 14 per cent alcohol and extra body it represents market driven wine in a nutshell. Drink 2016-2018.  Tasted September 2016

Tenuta Salvaterra Rosso Delle Venezie Igt Lazzarone 2011, Italy (WineryWineAlign)

The word Lazzarone comes from Campania, from the men who hung around the church either begging money or looking for a day’s work. Just a small portion of grapes are dried (30-40 per cent) and for a shorter period than Amarone, between five to seven weeks. A baby Amarone this one, maybe with a bit more umami or certainly a different one, wooly and weedy, herbal and crazy. Some teroldego is added in here with the corvina and rondinella. Some freshness and palate softness but still, it’s the modern house style. The soft back side is filled with plump raisins, fresh figs and a shave of truffle. Oh will people eat this up, for breakfast, lunch and dinner. Drink 2016-2019.  Tasted September 2016

Elisa Biasolo and Giancarlo Begnoni of Santa Sofia

Santa Sofia Igt Rosso Del Veronese Arlèo 2011, Italy (Agent, WineAlign)

Arléo is 85 per cent corvina, the wine Giancarlo Begnoni is proud to have invented, from a longer (60 day) dry-aging, more like Amarone, plus 15 per cent of (not dried) merlot and cabernet sauvignon. Two years in large Botti plus one year in barriques, for body, complexity and variegated intensity. Bretty volatility delivers in the great and righteous stylistic success that walks up to the threshold, teases to climb over, turns, grins and perches at the precipice. This shares a commonality with sangiovese, either Brunello or Gran Selezione, in more ways than you would imagine or think it should. But this is structure, traditional risk and wisely decided upon confident decision making, calculated and successful. The right grapes are essntial to pull it off and the winemaker musty have known otherwise or would not have moved them or this wine in this direction. Drink 2017-2021.  Tasted September 2016

Tenuta Santa Maria Igt Rosso Veronese Pràgal 2013, Italy (WineryWineAlign)

Pràgal is corvina (50 per cent), syrah (25) and merlot (25), all estate fruit and admittedly kind of foxy and boxy. Dried red fruit, fresh figs and grape must. Rustic and oxidative. Then an old Rioja or Chianti liqueur, so in some ways this walks the line. Quite the smouldering, bretty, lit up experience with a note of pickling brine and wet horse. Drink 2016-2017.  Tasted September 2016

The Verona gang, Ponte Di Castelvecchio

Good to go!

Godello

Twitter: @mgodello

Instagram: mgodello

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Massimago in astral Valpolicella light

camilla-rossi-chauvenet

Camilla Rossi Chauvenet

I have been thinking quite a bit lately about certain producers I have met through the course of my recent travels. Every wine region has its stars and while it’s quite rare to have a bad visit or negative experience, some visits simply turn on the lights.  Sometimes there comes along a winemaker and a place with a special kind of light. Last September I found such an experience on a windswept limestone ridge in Valpolicella. Massimago.

windswept-white-limestone-vineyard-at-massimago

Windswept white limestone vineyard at Massimago

Words of advice. “Lasciate la vostre ansia e le scarpe al cancello.” Massimago is the dream of Camilla Rossi Chauvenet, in Mezzane di Sotto found in Valpolicella’s Mezzane Valley. “A little heaven in the north part of Italy.” Massimago, from the Latin “Maximum Agium,” the maximum benefit. Camilla considers Mezzane as the most secret and wild of Valpolicella and her family’s land has belonged to the Cracco Family (on the maternal side) since 1883. In 2003 she began to transform the company into its modern-day renaissance.

Now (and I believe since 2014, officially) organic though that has always been the philosophy, the new generation believes in the Eminem credo, one shot equals one opportunity. Young guardian and creator of Massimago Camilla Rossi Chauvenet’s  roots are never forgotten, emotion and creativity define identity and complexity will lead to longevity. On her website Camilla writes, “Massimago and I are tightly holding our hands, step by step, sooner or later we shall arrive, but please do not hurry us, time in nature is slow and unstoppable.” Truth.

Lasciate la vostre ansia e le scarpe al cancello

There are 28 hectares of vineyards, olive trees and woods. The soils are a nominative palette of limestone, marl and clay. Traditional varieties (corvina, corvine and rondinella) cultivated in Pergola are transformed into wines assembled from only estate grapes. A wine relais experience on site confirms Massimago as a Veronese wine experience hotel. As noted in Italian above there is but one rule. “Leave your anxiety and your shoes at the gate.”

On that September day I paid a visit and sat down to taste seven Massimago wines with John Szabo M.S., Joshua Corea, Annette Bruley, Jules Garton, José Luis Fernández, Lauren Hall and Nick Chajoglou. I could hardly contain my enthusiasm and these wines changed everything I thought I knew about Valpolicella. Così grande, così perfetto. I saw the light.

mago-brut-rose

Magò Brut Rosé

Massimago Spumante Brut Rosé Millésime Magò 2014, Veneto, Italy (Agent, $34.95, WineAlign)

Magò is Camilla Rossi Chauvenet’s Charmat Method, 100 per cent corvina blush sparkler and another Massimago wine born of dreams and initiative. We climb to the top of the exposed white limestone ridge to sample this unmitigated refreshing fizz, light, aromatic and ethereal. To say it does wonders for grape, method and place would be the correct way to explain the situation. Magò sees 10 hours of maceration and eight months of lees aging. Though intentionally sweet (10.4 g/L RS) it is expertly balanced by acidity and even more so by exceptionally dry, limestone-conditioned extract. This is the key and the kicker, that and elevation, on a windswept, exposed geological place of wonder. The setting and presentation notwithstanding this is an impressive effort from the simplest of technologies at the hands of the soft-spoken and the kind. So yes, do enjoy this with “an elegant dress, the magic of waiting and the taste of freedom.” Or whatever romantic notion you prefer to call your own. Drink 2016-2019.  Tasted September 2016

Massimago Valpolicella 2014, Veneto, Italy (Agent, $29.95, WineAlign)

Few reference points can prepare you for Massimago’s style of Valpolicella so simply use this as the ingress. Plucked from vines in the Mezzane Valley in the east part of Verona province, rising from the village of Vago towards Mezzane di Sotto. Camilla Rossi Chauvenet’s precocious blend is the crisp, crunchy, pure as driven white limestone portal into the soils laid out in amphitheatre vineyard grid. Camilla uses only stainless steel tanks here to accentuate a basal clarity brush stroke on her Valpolicella canvas. This from a selection of the grapes that will not enter the Amarone process, the second and third pass harvested bunches. Cherry and silty saline mingle at the interces of limestone. How can you miss the white stone in the naked Valpolicella? You can’t. It’s without make-up, transparent, naked to the world. The wine speaks a natural vernacular and the land is spoken for. If villages-level Bourgogne were made like this all would be well in the world. Lithe, delicate and perfumed. Drink 2016-2019.  Tasted September 2016

godello-can-hardly-contain-his-enthusiasm-for-camillas-valpolicella

Godello can hardly contain his enthusiasm for Camilla’s Valpolicella

Massimago Valpolicella Superiore Profasio 2012, Veneto, Italy (Agent, $54.95, WineAlign)

Profasio establishes new territory for Valpolicella Superiore from Mezzane Valley fruit in a wine over dinner “that lets you talk.” A careful and specific selection of Corvina, Corvinone and Rondinella (65/30/5) is subjected to “un leggero appassimento,” or a “slight withering” from one month of drying and the rest kept thankfully and respectfully fresh. The child is raised in stainless steel for five months plus one year in 2nd and 3rd passage barrels. This is Valpolicella meant to partner up with dinner for two, replete with secret recipes and crossing glances. “We feel the appassimento method is about levels of aromatics,” tells Camilla Rossi Chauvenet. In such a contrary to Superiore belief we find freshness and anti-jam the goal and as a result, the wine is allowed to tell a story. A script written cursively, crisp and pure, crunchy like the normale with an addendum of aromatic profiling; cherry, leather and red citrus. Profasio is a wine of good temper and vision (and could mean profezia, or prophecy, or perhaps a surname in reference to Dante and the Veronese ebraico’s Almanacco Perpetuo), a Valpolicella into a second level of contemplation, but not too much. The wine causes no worries, no anxiety and shoes are left at the bottom of the mountain. Profasio with its hint of dried momentum is a wine of communication and a new way of communicating. Drink 2016-2021.  Tasted September 2016

Camilla Rossi-Chauvenet talks Ripasso

Camilla Rossi-Chauvenet talks Ripasso

Massimago Valpolicella Ripasso Marchesi Mariabella 2014, Veneto, Italy (Agent, $40.95, WineAlign)

Yet another new launching point, this time for the much maligned Ripasso category, acquiesced through the fresh urgency of the whimsical Marchesi MariaBella. The fruit is borne of a a much earlier ripening vineyard outside of Massimago, perched only at an insignificant 100m on Argileux soil. This a Ripasso I will wager large you have never tasted before. La Bella Poesia, “is different because its literary destiny has followed a strange path.” To say that a feminine disposition, temperament and engagement fills not just the aromatics but also the texture would be a Valpolicella understatent of this early century. There is virtually no dried fruit on the nose; there is more tension than the two classic Valpolicellas which is both counter-intuitive to terroir and to methodology. Ripasso needs to carry both weight and tension. It needs to have some elegance. It requires acidity and freshness. This walks that very line and it will age gracefully and with beauty. Incidentally to answer the query of whimsy each character on the label represents the democracy of the proletariat. Drink 2016-2022.  Tasted September 2016

this-is-camilla-and-matteo-they-will-change-everything-you-thought-you-knew-about-valpolicella

This is Camilla and Matteo. They will change everything you thought you knew about #valpolicella

Massimago Amarone Della Valpolicella Conte Gastone 2011, Veneto, Italy (Agent, $77.95, WineAlign)

If at first the Conte Gastone Amarone seems to be the freshest Amarone ever tasted it will in fact creep up and get upside so don’t be fooled. It is in fact a brooding, sulking, contemplative mess of intense fruit. The assessment is magnified when compared to a barrel sample of 2015 tasted minutes before. With no disrespect to carefully raised and quite specific red fruit the 2011 Amarone punch drunk (16.5 per cent alcohol) love can’t help but overwhelm as is its want and ilk. Here the Massimago conditioning of (65/30/5) corvina, corvinone and rondinella is treated with 100 days of appassimento, 30 months in large botti and smaller French barriques and then 12 further months in bottle. Camilla’s suggestion would be to enjoy her Amarone “brainstorming with friends, feasting on dreams and quiet omnipotence.” While hers is indeed more cerebral and contemplative inducing than most, 2011 is just a beginning and fashioned as a means preparing Valpolicella towards an end that will begin with that fresh maker of a ’15. Drink 2017-2024.  Tasted September 2016

"I gotta have some of your attention, give it to me." @massimago #special #brassinpocket

“I gotta have some of your attention, give it to me.” @massimago #special #brassinpocket

Massimago Amarone Della Valpolicella 2011, Veneto, Italy (Agent, $109.95, WineAlign)

The packed and punchy Massimago labeled simply Amarone is the stronger one and with deferential ability manages to bring the Conte Gastone into bright, fresh, highlighted, beautiful infrared light. Not that the fruit is any less presumptuous or magnificent but considered side by side here it is really just acidity and tannin that drives the intense machine. The suggestions of “brainstorming, feasting and omnipotence” are more than apropos for a wine of preponderance, indulgence and power. The young wine is rigid and so full of fruit, an impossible combination in Amarone and like the Gastone is just a precurser to what will be coming in Camilla Rossi-Chauvenet’s dreamy Valpolicella future. Drink 2018-2025.  Tasted September 2016

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Sneak label preview of Camilla’s @massimago pét-nat sparkling. Così grande, così perfetto

Massimago Zurlie, IGT Verona, Italy (Agent, $21.95, WineAlign)

Zurlie is Massimago’s newest product, a 100 per cent confondere corvina made in the sur lie Vino Rifermentato In Bottiglia style. The fruit is 100 per cent 2015 and until now, no one in Valpolicella has tried to make sparkling wine in this confounding style. Passes through secondary fermentation with sugar added into the bottle and then a seal under crown cap. Extreme acidity abounds because it’s accomplished sur lie, a wine to clean your mouth at the end of a wine tasting. Delicately raises a perfume almost after the fact from an easy drinking picnic wine stolen straight from the fridge. So much fun and just extreme freshness, in a way cider does but also cannot do. This speaks at the highest level of simple brillance. A four year dream in the making. Drink 2016-2018.  Tasted September 2016

when-you-visit-massimago-%22lasciate-la-vostre-ansia-e-le-scarpe-al-cancello%22-c_valpolicella-organic-camilla

When you visit @massimago “lasciate la vostre ansia e le scarpe al cancello” @C_Valpolicella #organic #camilla

Good to go!

Godello

Twitter: @mgodello

Instagram: mgodello

WineAlign

16 mind-blowing wines of 2016

this-may-or-may-not-have-happened-raveneau-memory-monteedetonnerre

This may or may not have happened #raveneau #memory #monteedetonnerre

It has never been this difficult to narrow it down. This frenetic, fast and forward moving blur of a year has blistered the patterns of thought so much so that I seriously considered throwing the whole 16 in 16 down the drain and laying it all out there. “Here are the 42 mind-blowing wines of 2016…” and then this wave of clarity came over me like a cloudless afternoon in Chablis. I mean I tasted 50-plus Grand Cru Chablis this year. They could all be on this list.

I meant this just the way I wrote it. The simplicity of wine is a beautiful thing. A vine grows and produces grapes. That fruit is picked and ferments itself with help from yeast it just happens to carry in its luggage. Time passes and wine is made. No one had to invent it. The most basic example of shit happens.

Related – 15 Mind blowing wines of 2015

As if to presumptuously bookend 2016 before it even began, that first post was apropos. New year, 16 new VINTAGES releases were not mind-blowing by any stretch of the waxing rhapsodic imagination but white space was filled. Like growing grapes in warm climates where just about anything can complete a phenolic journey, the possibilities are endless. So that I may feel comfortable quoting Godello again and again, multeity is the name of the game.

Related – Around the Cape in 50 wines

South Africa continued to occupy Godello for the early part of 2016 and that will never cease and desist. Hosting Andrea Mullineux at Barque Butcher Bar was one of the true highlights of the year. The landscape of South African wine is demarcated by ancient geology and by the geographical diversity of its regions, sub-regions and micro-plots. Varietal placement is the key to success. As I mentioned in previous articles, South African winemakers can grow anything they want, to both their discretion and their whimsy. The choice of what grows best and where will determine the successes of the future.

A new riesling on my radar was released in February. Creekside Estate Riesling Marianne Hill Vineyard 2014, Beamsville Bench, Ontario (443572, $19.95, WineAlign) and it paired beautifully with more foreshadowing than I’d like to admit.

Such a showing of 12 from Langton's does @Wine_Australia proud. Formidable, exemplary #AussieWine #vintagewineconservatory

Such a showing of 12 from Langton’s does @Wine_Australia proud. Formidable, exemplary #AussieWine #vintagewineconservatory

The Langton’s Classification: Excellent, outstanding, exceptional could have, would have placed 16 wines on this best of list were the rest of the planet not so adept at making wine. Like Wynns Coonawarra Estate John Riddoch Cabernet Sauvignon Limited Release 2010, Coonawarra, South Australia (466748, $99.95, WineAlign). Such a gathering of Australian wine delivers the preponderance of form, with the incantatory capacity of narrative to bring truth to light and fulness out of pleasure. The mantra repeated with Savouring the new Australia.

The #napavalley mustard is something else @CalifWines_CA #napa #califwine

The #napavalley mustard is something else @CalifWines_CA #napa #califwine

California stars showed up in droves and like any high quality engrossing preoccupation, the trip to Napa and Sonoma this year changed everything. Whatever I thought I knew or felt about the California wine industry now needs to be rewritten. First, Napa Valley: Where ripeness happens, then Napa Valley two: A question of ageNapa Valley: The next generationChardonnay in the Napa luxurySonoma gaps and single vineyardsSeven Grothic tales and Old vines for the Zin.

Vintage to vintage nuance and the common thread of %22grothiness,%22 or, @GrothWines in essence @TheVine_RobGroh #suzannegroth #napavalley #oakville #cabernetsauvignon

Vintage to vintage nuance and the common thread of grothiness, or, @GrothWines in essence @TheVine_RobGroh #suzannegroth #napavalley #oakville #cabernetsauvignon

The most pertinent question now in my mind is this. Can European wine keep up with the fictionality of North American reality? Even these wines could not make this list, however great and exceptional they are. Anakota Helena Montana Vineyard Cabernet Sauvignon 2013, California (181131, $158.95, WineAlign), Forman Cabernet Sauvignon 2012, Napa Valley, California (143925, $160.00, WineAlign) and Groth Cabernet Sauvignon Reserve 1997, Oakville, Napa Valley, California (Agent, $179.95, WineAlign). Sometimes the answer still persists. All in the Primum Familiae Vini. And by the way, The LCBO keeps Kosher.

lunch-champagnelallier-azureau

Much of what I taste is in a lab with no windows. That is because VINTAGES is a mimetic project, which is a few projects too many. We wine trackers and writers are akin to Cricetinae, perpetually running in a wheel or like Sisyphus, forced to roll an immense boulder up a hill, only to watch it roll back down. We read the bi-weekly catalogue, pre-taste the newest offerings, make our lists and check them twice. In every batch there are 10-15 wines that stand out, as much about bell curve positioning as absence of singularity. That is why attending varietal-centric events like The dawning of the age of Austrian wine and travelling the world is so important. Not too mention in my dining room In the Campania of Vini Alois.

ca-la-bionda

To name a few excursions, I visited California in February, Vinho Verde in March, Chianti Classico in May, Chablis in July and Valpolicella in September. November in Paris I re-connected with Earth and sky. The take aways were extraordinary and flush with the relish of new discoveries and brand new days. Who can forget Ca’ La Bionda Vigneti Di Ravazzol Amarone Della Valpolicella Classico 1997? Italy in the fall reminded me that Franciacorta is the best kept sparkling secret on the planet. November is a sublime time to visit the province of Brescia and the cellars of Franciacorta. Meraviglioso! Meanwhile, Champagne has to be on the list, right? Lallier Cuvée Millésime Grand Cru Brut Champagne 2008, Champagne, France (Agent, $95.00, WineAlign) should be but again, space restrictions and there was this old bubble from the New World. Decisions, decisions.

Related – March of the Canadians

Which brings me back to Canadian and more parochioally, Ontario wine. The Canadian wine renaissance is attributed to high-end, artisan winemakers like Norman Hardie and Thomas Bachelder. That’s the cool factor. The truth of the matter is that Canadian winemakers have realized and capitalized on the significance and exceptionality of their terroirs in regions such as Niagara, Prince Edward County and the Okanagan Valley. Journalists and buyers from around the globe know it and have begun to spread the Canadian gospel.

And now #cuvee2016 @CCOVIBrockU #vqa @winecountryont #scotiabankconventioncentre

And now #cuvee2016 @CCOVIBrockU #vqa @winecountryont #scotiabankconventioncentre

And so I asked Where does the taste of Ontario go from here? At Cuvée, where was the Cabernet Franc? Where was the rest of Ontario’s Go Gamay Go arsenal? Varietal lampoonery I tell ya. Over the highway and across the hills, No County for old wines and then, “a celebrated indictment of suburban surrender,” Too late for May Two-Four.

Related – 16 Canadian wines that rocked in 2016

This 16-strong list has much to do with the beg, Drink now or save it for later? I have spent the last 30 years considering wine in some respect. The last 15 much more so. The tries, trials, errors, tricks, and tribulations have taught me one thing. I prefer and receive much more instant gratification from drinking wines young but nothing compares to the insight and the exhilaration of partaking in older wines.

You never forget your first hunk of #kimmeridgian love @BIVBChablis @vinsdebourgogne #chablis #cotedelechet

You never forget your first hunk of #kimmeridgian love @BIVBChablis @vinsdebourgogne #chablis #cotedelechet

The year’s greatest distraction came at the hands of Chablis and fair warning, twenty thousand words are coming soon. In 2016 I published three times, Chablis from Dauvissat to VocoretLooking for Chablis in Ontario?Enlightened Chablis of Château De Béru and Paradox in Chablis. Chablis as a varietal concept, as opposed to and unlike anywhere else in the world, seemingly unrelated to chardonnay. How could these extraordinary Chablis not make the list? Domaine Laroche Chablis Grand Cru Les Blanchots Réserve De L’obédience 2014, Ac Burgundy, France (AgentWineAlign) and Domaine William Fèvre Chablis Grand Cru Bougros Côte Bouguerots 2014, Ac Burgundy, France (AgentWineAlign). Perhaps because I will soon publish Grand Cru hyperbole next month? That must be it.

Mirror to classicism, history and tradition. Purity from @valerialosi #querciavalle @chianticlassico #agricolalosi #sangiovese #granselezione #pontiganello

Mirror to classicism, history and tradition. Purity from @valerialosi #querciavalle @chianticlassico #agricolalosi #sangiovese #granselezione #pontiganello

For the first time, I think ever, I gave some love to Rosé in the Days of wine and Rosés. I also fell for new dessert wines and these two tried hard but came up just a wee bit short for the list. Domaine Cauhapé Jurançon Symphonie De Novembre 2012, Southwest, France (470344, $38.95, WineAlign), Losi Querciavalle Vin Santo Del Chianti Classico 2000, Docg Tuscany, Italy (Agent, $95.00, WineAlign).

grahams_port-insanity-via-abnermallity-onceinalifetime-piratesonapicnic-piratesv4point0-sharingiscaring-1948-finestreserve

@grahams_port insanity via @abnermallity #onceinalifetime #piratesonapicnic #piratesv4point0 #sharingiscaring #1948 #finestreserve

Graham’s Vintage Port Finest Reserve 1948 (with thanks to Peter Boyd) granted the year’s moment of providable history. Love in droves. Holiday season for the VINTAGES releases were split and categorized, from December 10th in VINTAGES: Canada through December 10th in VINTAGES: Old World and into December 10th in VINTAGES: New World.

Singolarità, qualità, diversità. Grazie di tutto @chianticlassico

Singolarità, qualità, diversità. Grazie di tutto @chianticlassico

In 2016, two words. Chianti Classico. The wines have embarked upon an ascension into their contemporary golden age. Image, perception and finalmente, reality, these are the truths all who feel the soul of Chianti Classico are in search of today. Today and moving forward, explaining to the world that Chianti Classico is not what you thought or think it to be. Colle Bereto Chianti Classico Gran Selezione 2011, Docg Tuscany, Italy (Agent, $67.50, WineAlign) was a side-revelation, as were so many others in Three days, eight estates, Chianti Classico and Gran Selezione, The most important red wine from Italy. And in a year when CC is all that seems to matter, Tenuta dell’Ornellaia Ornellaia 2012, Doc Bolgheri Superiore, Tuscany, Italy (722470, $195.50, WineAlign) and Fattoria Dei Barbi Brunello Di Montalcino Riserva 2004, Tuscany, Italy (Agent$100.00WineAlign) are but mere mentions in addendum.

DavidPpelletier, 'Le Sommelier Fou' and friends in Vinho Verde

David Pelletier, ‘Le Sommelier Fou’ and friends in Vinho Verde

It may seem irrelevant now but Changes to VINTAGES release recommendations and notes on Godello will translate to a revolution at WineAlign in 2017. Wait for it. Most of all, 2016 will remind me that I will always raise my glass of Vinho Verde to Le Sommelier Fou. Here are Godello’s 16 mind-blowing wines of 2016.

200-yr-old-vines-1300m-above-sea-level-vignerietna-somesmartsomm-rosato-vinudilice-2008-tastethelava-volcanic

200 yr old vines. 1300m above sea level @vignerietna @somesmartsomm #rosato #vinudilice 2008 #tastethelava #volcanic

I Vigneri Di Salvo Foti Vinudilice 2008, Igt Sicilia Rosè, Sicily, Italy (WineAlign)

So much about this introduction to volcanic Rosato falls under the category and melts into the realm of the impossible. Begin with Vigna Bosco planted to 10,000, (up to) 200 year-old bush-trained (Etnean alberello) vines per hectare in Bronte, Northern Etna. Consider the party goers, endemic alicante, grecanico, minnella and other minor if wholly obscure native varietals. Locate the vineyard at 1,300m above sea level. Tell me it’s not the highest in all of Europe. Go on, tell me. Tended by hand with the help of Ciccio the mule. No refrigeration, yeasts or filtration. Decanting and bottling follow the phases of the moon. Blush has never acted like this, suspended as if put into bottle yesterday, beautifully minutia funky, every detail in laser calm focus. There really is no reference point, not in the south of France or anywhere in Italy to prepare for such an intellection. Vinudilice is nestled in a wood filled with holly oak (quercus ilex or in Sicily, ilice) but in respect for its singularity I would hesitate to categorize or compartmentalize. In fact I would not use the term Rosé, or Orange or natural to realize a need for reason. I would simply taste the lava. Thank you SomeSmartSomm. Drink 2016-2018.  Tasted April 2016  @ivigneri  @somesmartsomm  @WinesOfSicily

not-members-of-blasted-mechanism-with-magnuspim-and-vasco-croft-aphroswines-vinhoverde

Not members Blasted Mechanism. With Chris Wilton and Vasco Croft, Aphros Wines, Vinho Verde

Aphros Phanus Pet-Nat 2015, Sub-Região Lima, Doc Vinho Verde, Portugal (Agent, $34.95, WineAlign)

Loureiro of a fashion so rare for Portugal and this region, from a concrete pétillant-naturel style, vinified in stainless steel with wild yeasts and initially no additional sugar, then bottled with 20 grams of natural residual sugar, to alight the single fermentation conclusion. An 11 per cent contrariety of méthode ancestrale dialectic, like a lime-grapefruit cordial housing a dissolving lemon tablet. A bowie cut, boning and dressing of loureiro. This here the whole new way to take the grape, to send it sky-high and bring it down to the rustic roots of glam, sparkling funk. “Like to take a cement fix, be a standing cinema. Dress my friends up just for show, see them as they really are.” Vasco (Andy) Croft walking and his hunky dory pet-nat spinning an original tale of a time and a place, or perhaps a myth, like the rustic deity of the forest riding shotgun to Dionysus and his native war. Drink 2016-2018.  Tasted March 2016    @LeSommelierWine

Oldest vines #barossavalley textures in #semillon and #grenache @cirillo1850wine @Wine_Australia #southaustralia #marcocirillo

Oldest vines #barossavalley textures in #semillon and #grenache @cirillo1850wine @Wine_Australia #southaustralia #marcocirillo

Cirillo 1850 Ancestor Sémillon 2011, Barossa Valley, South Australia (Agent, $36.00, WineAlign)

A sémillon revelation is found in this Barossa Valley ancient, a wine procured from vines dating back more than 150 years. To discount that prodigious bit of calculated fortuity would be wrong on so many levels. The Cirillo family are guardians of what may be the oldest continuously producing grenache and sémillon vineyards in Australia and by logical extension, the world. Here the combination of dry extract, mineral depth and straight-lined (unsalted) salinity is beyond special. While the Hunter Valley garners the most attention for aging immortal sémillon, this Barossan will likewise escape, somehow, to live another more complicated and mysterious life. I would wait three years for some extract meets tannic sweetness to begin its development and then take it slow for another six to 10. Incredible find here in Ontario from Marco Cirillo. Drink 2019-2029.  Tasted May 2016  @Cirillo1850wine  @bokkewines  @BarossaDirt

Brash Higgins Nero D’avola Amphorae Project 2015, McLaren Vale, South Australia (Winery, $55.00, WineAlign)

The renegade triumvirate of coagulation denotes the shock and awe of this outlier; McLaren Vale, Nero d’Avola and Amphora. Winemaker Brad Hickey and his nickname have taken the troika and created a beautiful monster. A non-oxidative, crunchy, spicy, toasty, chewy and tannic NdA in versicolour, mottled and florid in flavour. There is black and white pepper, cinnamon, zesty orange spritz and a clay influence (plus amphora) to waft one for the ages. The palate flaunts a tapenade of painfully brilliant chalky black olive. The swirl is chocolate and vanilla, mediterranean and meganesian. There should be zero attention paid to the unusual in its concept. This is both a pleasure to taste now and will evolve into something wholly other given enough time. At least 10 years to be sure. Drink 2016-2025.  Tasted May 2016  @BrashHiggins  @mclaren_vale  @TheLivingVine

what-is-rockpile-time-in-and-time-out-the-fun-stuff-keith-moon-of-zinfandel-mauritsonwinery-sonomacounty-jameswood

Rockpile Zinfandel Cemetery Vineyard 2013, Rockpile AVA, Sonoma County, California (Winery, US $47, WineAlign)

Look towards the other arm of Lake Sonoma and let your mind’s eye rest 250 feet higher than Jack’s Cabin Vineyard. The Cemetery plantation is a jagged, craggy outcropping with “a face uneven as a river jag and asperous as the mullein’s flannel.”  The Mauritsons are Los Campesinos of Cemetery Vineyard in Rockpile. The rocks below resemble giant headstones along the Rogers Creek fault and you just have to believe all this immensity of geology impacts the vines. It does but don’t ask how or why, just settle into the cimmerian depth of zinfandel touched by black fruit, spice and the akimbo savour of glutamate and amino acid. Three further months in barrel (85 French plus 15 American) accentuates the spice, smoulder and espresso con crema texture. Ripeness of fruit, tannin and acidity are simply stellar out of this dramatic place. “You know us by the way we crawl and you know us by our cemetery gaits.” Drink 2017-2025.  Tasted February 2016  @mauritsonwinery  @sonomavintners

weinbach

Domaine Weinbach Gewürztraminer Cuvée Laurence 2013, Alsace, France (581975, $64.00, WineAlign)

Though it may long ago have been considered the quintessential one, there may be no other Alsatian gewürztraminer more important than Weinbach’s Cuvée Laurence. The reasons are manyfold but begin and end with memory and legacy. This was daughter and sister Laurence Faller’s prized wine, the wine she put her name to, that defined her gracious winemaking in echo of the estate she worked. Her family has carried the torch and yet her touch is all over this wine. Calm, composed, balanced and ethereal. Laurence is a clear expression of the marly limestone soil beneath the lieu-dit of Altenbourg, located at the base of the great Grand Cru Furstentum vineyard. Where else do you find gewürztraminer of such delicasse, from which classic aromas (rose petal, creamy to boozy-syrupy tropical fruit) and impossible unction combine without ukase? Nowhere. The acidity does not act with impulse. No, it rings, supports and lingers. The extract is intense but out of mind. Exceptional vintage. Drink 2018-2033.  Tasted October 2016    @AlsaceWines  @drinkAlsace  @ACT_Alsace  @VinsAlsace

alessandro-your-grandfather-was-a-very-good-winemaker-luiluiano-chianticlassico-fattoriadiluiano-chianticlassicoriserva-1979-sangiovese-alessandropalombo-antoniopalombo-luiano

Luiano Chianti Classico 1979, Tuscany, Italy (WineAlign)

Alessandro Palombo is skeptical at first, one eyebrow raised but with the look of possibility on his face. Takes me very little time to acknowledge that this ’79 is very much alive, fruit not predominant (and surely some prune) but neither cooked nor bruised. The brown nose (earth and spice) purports a full concentration of anthocyanins, acidity still full in, dried fraises de bois, black liquorice, dirty leather and worth repeating, still very good acidity. Truffle, forest floor and then black olive tapenade on the palate. This is 70-80 per cent sangiovese with colorino and canaiolo and for 1979 it’s quite incredible. It should not have lasted this long.  Antonio says that up to 10 per cent could have been malvasia blanca and trebbiano because at the time it was a field blend, co-planted with the sangiovese, which could explain some of the variegation in the colour. This is a Chianti Classico to lend credence to the idea of using multiple fruit, vegetal and animale descriptors when assessing an old wine. It’s also the reason why you put them away and open them with friends who’s eyes are wide open. Thank you Alessandro for the opportunity and for the connection to your grandfather Alberto. He was a very good winemaker. Drink 2016.  Tasted May 2016  @LuiLuiano  @chianticlassico

thoroughly-enamoured-with-the-purechablis-made-by-athenais-at-chateau-de-beru-chablis-monopoleleclosberu

Château De Béru Chablis Clos Béru Monopole 2012, Ac Burgundy, France (Agent, $87.95, WineAlign)

In 2012, less density and iodine matchstick is on display in performance for the historic, south facing vineyard beyond the Château’s walls. From this her eighth vintage in the resurrection of the family’s estate wines, Athénaïs de Béru has assembled fruit from Kimmeridgian limestone in rapport with a vintage of portent and intent towards elegance. The acidity is much more linear (than 2013) and the limestone sensations less metallic. Here the feeling is more of a liquid chalk and the balance is much improved. Also less evolved, bright and a much more amenable of a bitter pith, more citrus (lemon and lime) and not as earthy. Longer finish too. What 2013 lacks this ’12 gains and vice versa. The comparative literature and parenthetical study is duly noted as apples to oranges so the wines are exempt of one another. Neither answer all the questions asked and both express their terroir from their time spent on it. This ’12 story will become clearer in another year or two. Drink 2017-2023.  Tasted July 2016       

remelluri

Granja Remelluri Rioja Gran Reserva 2009, Rioja, Spain (Agent, $89.99, WineAlign)

“What is Rioja?” asks Telmo Rodríguez. He notes that Lopez-Heredia still manages small vineyards, Grand Cru and Premier Cru plots, but most Rioja houses are industrial. Their wines age in barrels in 100-150 year old wineries but have no sense of place, of origins, of an amazing vineyard. “I want to be radical. I believe it (Rioja) can be one of the most beautiful places in the world but I told my brothers it needed to go in a very particular direction. My brothers agreed.” So costs went up 35 per cent. They bought no grapes. “If you want to work properly in Spain, you have to be a hero.” You have to work the most difficult vineyards, where production costs are five times that of Grand Vin Bordeaux but the price sells for 10 times less. And so Telmo Rodríguez produces this Gran Reserva, a wine that adheres to a Rioja systematic but does so from a blind-eye turned, high density field-blend planting of tempranillo, garnacha, graciano, muscatel, viura and malvasia. A field blend, unlike Bordeaux but a local village farmed gathering of the best fruit. The 2009 is showing no age but the difference between 2010 Reserva and 2009 Gran Reserva is night and day. This makes the ’10 seem fresh, alive, open, almost simple. Here the variegation is distilled down to laser focus, as if the varieties all become one and most people would simply say tempranillo, but who has ever tasted and been dealt such a tempranillo? This is oozing of a liqueur like no other, rich, viscous, natural and dry-extract sweet. An expression of the best microclimates and their vineyard kin. Wait another five years to allow it to remember and tell its tale. Drink 2022-2034.  Tasted September 2016    @TelmoRodriguez_  @Noble_Estates

dominus

Dominus 1998, Napa Valley, California (212381, $176.95, WineAlign)

When I tasted the 1990 in 2012, hanging on to every thread of oscillation from death to life and back again was exhausting. The 2008 tasted that same year could not have been more life affirming. This ’98 is such a zoetic Dominus beast with an embarrassment of resplendent riches. It is everything 1990 wished it could have been and yet the light-hearted George Hrab geological funk reminds me of that wine. The 1998 trips on a trebuchet and I weep at its aromatic reverie. It is hypnopompic, a state immediately preceding waking up, whiffing the most beautiful Brett there ever was or could ever imagined to be. Volatility in a bubble, circumstantial, lost in a dream. Get lost in the butcher shop, the natural cure here, there, everywhere, curative and comforting. Porcine and rapturous, fruit perfect and entitled, structure supprting every note. If 1998 was both a curious and concerning vintage this wine lays those worries to rest. The fretting may have swayed feelings and been difficult to glide fingers across but the harmonics extend with ease. Finishes with staccato calm, a palpable exhale of breath and silence. Five more years will be like this and five more without threat. Drink 2016-2026.  Tasted October 2016     @rogcowines  

its-ok-it-was-a-half-bottle-ridgevineyards-montebello-noguilt-rogcowines-2010-draperperfume-balance-structure-beautiful

Ridge Vineyards Monte Bello 2013, Santa Cruz Mountains, California (405332, $191.95, WineAlign)

From a serious drought vintage, dry, warm and demanding, the 2013 Montebello’s Draper perfume is as heady as ever, to such effect that after one whiff this is where daydreaming takes over consciousness. Montebello gets inside the head, with allegory, radio frequency waves and platonic thought, as if inside a cave. An 80 per cent Cabernet Sauvignon, Petit Verdot (8), Cabernet Franc (7) and Merlot (5) classic, lithe and restrained blend of sheer, utter exceptionality. The balance in 2013 is impeccable but dont be fooled into thinking this is not a big wine. The acidity is dramatic, the tannins fine and demanding and the amount of pure extract whorled and revelling. All in dark red fruit and a coolness through the mid-palate that threads like silk through fine stainless steel fibre. “This goes beyond me, beyond you.” Drink 2018-2030.  Tasted May 2016  @RidgeVineyards  @rogcowines  @CalifWines_CA

Fino, Don P.X. '86 and '62 w: @sorgatoBTA @toroalbala @LeSommelierWine Magical, impossible, unchanging. Bucket list to revisit in 150 years #pedroximenez #bodegastoroalbala #montillamoriles #spain

Fino, Don P.X. ’86 and ’62 w: @sorgatoBTA @toroalbala @LeSommelierWine Magical, impossible, unchanging. Bucket list to revisit in 150 years #pedroximenez #bodegastoroalbala #montillamoriles #spain

Bodegas Toro Albalá Don P.X. Selección 1967, Do Montilla Moriles, Spain (491647, $199.95, WineAlign)

You know it’s a good month when you are afforded the opportunity to taste two Montilla-Moriles Pedro Ximenez oldies, first the Alvear Solera 1927 in Paris and now this Selección 1967 bottled in November of 2016. The vintage-dated PX are produced from sun-dried grapes fermented for two months to eight or nine per cent alcohol, at which point a distillate made from the same PX pressings is added to bring the wine up to 17 per cent. First in concrete vats and then a transfer into 50-150 year old American oak barrels. Only 630 bottles were filled in a PX of awakening and hope that finished at an indiscernible 17 per cent alcohol. Some dessert wines can be cloying Popskull but Bodegas Toro Albalá delivers yet another impossible and crazy dessert wine of heavy fuel, impeccable balance in the face of Lugduname breaching sweetness and aromas sin fronteras. The gamut glides through roasted nuts and dried fruits, from almonds and Van Gogh Museum memories of their abundant flowers plus pomegranate, apricot, peach, nectarine, damson plum and pistachio. So much pistachio!! In between there is orange marmalade, quince jelly and prune preserve. Plenty of acidity extends and narrows into a sharp, pointed tang. No matter how many times you try to empty the glass there is always more wine. Always another sip. Is it viscosity, a truco del ojo or trampantojo? Is there some kind of wizardry at play? Then finally, well, actually never, a finish with no end, or a pause in a never-ending 49 year-old (and counting) story. So where is the beginning? 1967. Drink 2016-2040.  Tasted November 2016  @toroalbala  @sorgatoBTA  @MontillaMoriles  @LeSommelierWine

schram

Schramsberg Sparkling J. Schram 50th Anniversary Late disgorged 1999, Napa Valley, California (Winery $175 US, WineAlign)

In celebration of Schramsberg’s golden anniversary, 50 years after Jack and Jamie Davies revived the historic Schramsberg estate for the purpose of making the nation’s first chardonnay and pinot noir based, bottle-fermented sparkling wines. A North Coast (57 per cent Napa, 25 Mendocino, 15 Monterey and 13 Sonoma) blend of 74 per cent chardonnay and 26 pinot noir. Seventeen years have come to ginger, cumin, coriander and galangal in laminous, oxidative ingenuity, wholly arid in kicking up the aromatic dust. Flavours of pressed lemon, bitter brioche and then tannin, yes tannin. From a protracted year, picked as late as October 19th, disgorged in August of 2014 at a dosage of (very necessary) 11.5 g/L RS. Blessed with high natural acidity of 9.8 tA. How can I not concur with Hugh Davies. “What we’re really showing here is Napa Valley Chardonnay.” Drink 2016-2031.  Tasted February 2016  @Schramsberg  @TheVine_RobGroh

Down by the river with #raveneau #grandcru #blanchot #chablis @lafolieauxerre #2009 #francoisraveneau #thankful

Down by the river with #raveneau #grandcru #blanchot #chablis @lafolieauxerre #2009 #francoisraveneau #thankful

Domaine François Raveneau Chablis Grand Cru Blanchot 2009, Burgundy, France (WineAlign)

It would be misleading to address Raveneau’s Blanchot as chardonnay even as we know it as such because Raveneau produces wines as unique as door keys. They are so inimitable and each will only open the gate to its own unique perception. Blanchot is the southernmost of the seven Chablis Grand Cru climats and blankets the southeastern side of Les Clos. The Raveneau narration does not convey the notion of manifest feeling but instead splits the axiomatic atom of the climat. A sip and you are inside the Blanchot, gliding and passing through rock as if you are the ethereal and the wine is the solid foundation of thought, pathos and avowal. There are aromas that combine citrus and umami with a sweetness that can’t be denied or defined. The wine is just a child, complex, shy and yet unable to express both its meaning and power. But you try to get inside its head, stumbling over kimmeridgian rock replete with the smithereen-crushed shells of ancient fossils. This is a calm young Blanchot and you melt away while under its spell. Three more years should render its hidden meaning. Drink 2019-2034.  Tasted July 2016

A great pleasure and exercize in humility to taste with #vincentdauvissat in his cellar @BIVBChablis #humanity #chablis

A great pleasure and exercize in humility to taste with #vincentdauvissat in his cellar @BIVBChablis #humanity #chablis

Domaine René et Vincent Dauvissat Chablis Grand Cru Les Clos 2001, Burgundy, France (WineAlign)

Tasted from a bottle opened five days prior which is nothing really for a wine that can age easily for 30 years. It resides in a perfect state. Vincent concedes “over 20 there is nothing to be gained” and yet the still terrifically raging acidity would suggest this 15 year-old specimen is only halfway there. The texture is nothing if not persuasive. In 1931 Vincent’s father began this journey. Here 70 years later is a wine so perfectly intact, the lemon-waxy aspect almost on the edge of the hive. But not quite because of the taut bracing and tight embracing. There is a chew to this and Dauvissat shrugs. “What’s to say?” Nothing but a great piece of his history and his father’s legacy. If this wine is a sentimental tribute to a childhood village, it is never uncomplicated. Drink 2016-2031.  Tasted July 2016

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Catena Adrianna Vineyard Mundus Bacillus Terrae Malbec 2011, Mendoza, Argentina (Agent, $325.00, WineAlign)

In this extremely specific malbec from a diagnosed block of the Adrianna Vineyard we are graced with the micro-science of wine. And if you feel that using the name of an aerobic bacteria in the nomenclature is an odd choice, consider the mind of Dr. Laura Catena and her biological approach to viticulture. If we can understand and differentiate the microbes in the soil we can make better wine. It’s as simple as that. When wine is broken down to the biological level it becomes something entirely different and this is the road travelled by the Mundus Bacillus. Catena’s usage of 70 parcel pits per hectare has unearthed this single parcel within the vineyard, again completely different and the pinpointed microbial discussion initiates right here. The soil stakes a claim for this malbec only, certainly not in any way that tends to funk but surely as an impresario of soil. Talk about eugenics in the MBT because that science is compelling and can be related to in this wine. It can offer keys towards improving genetic quality of the vinous population. Here we are faced with rich and dusty, a mean streak of malbec intensity made elegant by earthly microbes. This section draws parallels to the (chardonnay) White Bones soil from which there transfers an excess of dry extract and tannin. Patience please for a malbec that will be long lived. Drink 2019-2027.  Tasted November 2016

Good to go!

Twitter: @mgodello

Instagram: mgodello

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December 10th in VINTAGES: Old World

were-that-it-were-so-simple-you-nailed-it-chef-duckconfit-chabrolto-dougpenfold

Were that it were so simple. You nailed it chef #duckconfit @chabrolto #dougpenfold

It’s Friday!! Brevity like you’ve never seen is here with more VINTAGES December 10th picks. Time to bag school, be on one’s beanwater, get frisky, live a little, enjoy the weekend. This week’s earlier posts explored the new and the local.

Related – December 10th in VINTAGES: New World

Related – December 10th in VINTAGES: Canada

You will notice more than a 50 per cent share in favour of white wines. That’s what I like to drink, more often than not and nothing opens the palate for dinner like a crisp, dry white. That and sparkling wine. Trust me, you need more white wine in your life. It will bring balance and happiness. We now move into the comfort zone of the old world with 14 recommendations.

alenquer

Quinta Das Setencostas Alenquer 2012, Doc Portugal (50930, $13.95, WineAlign)

  @winesportugalCA  @wines_portugal  @MajesticWineInc

muscadet

Pierre Luc Bouchaud Muscadet Sèvre Et Maine 2015, Sur Lie, Ac Loire, France (82461, $14.95, WineAlign)

  @LoireValleyWine

femina

Douloufakis Femina 2015, Aegean Islands, Greece (464503, $16.95, WineAlign)

@douloufakiswine  @KolonakiGroup  @winesofcrete  @DrinkGreekWine

vega

Rioja Vega Crianza 2012, Doca Rioja, Spain (471854, $16.95, WineAlign)

@bodegariojavega  @azureau  @RutaVinoRioja

lugana

Zenato San Benedetto Lugana 2015, Doc Veneto, Italy (707158, $17.95, WineAlign)

@zenatowinery  @VinoLuganaDoc

sartori

Sartori Montegradella Valpolicella Classico Superiore 2012, Doc Veneto, Italy (473157, $17.95, WineAlign)

@Sartori_Verona  @C_Valpolicella  @FWMCan

latour

 

Louis Latour Domaine De Valmoissine Pinot Noir 2013, Igp Var, Provence, France (714451, $19.95, WineAlign)

@LouisLatour1797  @winesofprovence  @ImportWineMAFWM

drouhin

Joseph Drouhin Mâcon Bussières Les Clos 2014, Ac Burgundy, France (470401, $20.95, WineAlign)

@JDrouhin  @Dandurandwines  @vinsdebourgogne  @BourgogneWines

moreau

Louis Moreau La Vigne Blanche Chablis 2015, Ac Burgundy, France (474932, $21.95, WineAlign)

@MoreauLouis1  @anneinchablis  @purechablis  @vinsdechablis  @vinsdebourgogne  @BourgogneWines

clarendelle

Clarence Dillon Clarendelle Blanc 2014, Ac Bordeaux, France (28845, $23.95, WineAlign)

  @HautBrion  

pecina

Señorío De P. Peciña Reserva 2009, Doca Rioja, Spain (82156, $29.95, WineAlign)

@BodegasPecina01  @LeSommelierWine

collet

Domaine Jean Collet & Fils Montmains Chablis 1er Cru 2014, Ac Burgundy, France (405704, $34.95, WineAlign)

@purechablis  @vinsdechablis    @vinsdebourgogne  @BourgogneWines

sherry

El Maestro Sierra 12 Year Old Amontillado, Do Jerez Xérès Sherry, Jerez, Spain (310458, $27.95, 375ml, WineAlign)

@MaestroSierra  @JerezXrsSherry  @VinosJerez  @TFBrands

brochet

Brochet Hervieux Champagne 1er Cru 1996, Ac Champagne, France (385815, $68.95, WineAlign)

Good to go!

Twitter: @mgodello

Instagram: mgodello

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84May28

The Cabernets of the Judgement of Paris 1976

The Cabernets of the Judgement of Paris 1976

Some quotes about vanity.

“Vanity is my favourite sin.” (Al Pacino)

“The knowledge of yourself will preserve you from vanity.” (Miguel de Cervantes)

“Vanity is the healthiest thing in life.” (Karl Lagerfeld)

“How long shall your vain thoughts lodge within you?” (Jeremiah 4:14)

“When you have a lot of success you don’t need vanity any more.” (Amelie Nothomb)

The headline reads as a current VINTAGES vanity plate. Nothing shouts VANITY like the bi-weekly VINTAGES releases, that is unless you can read between the lines, seek out anti-narcissistic wines made with honesty, from and for success. The LCBO is full of itself, as it should be, because billions of dollars of revenue for the monopoly and the province is a favourite sin. The consumer can protect themselves by knowing themselves, their personal tastes and which wines will see to personal success.

The Judgement of Paris happened 40 years ago. VINTAGES celebrates seven players that not only participated but were granted instant celebrity. Now 40 years later, VINTAGES puts the legends back in the spotlight. I tasted all seven wines. Were I afforded sackfuls of cash I would gladly indulge in their collective vanity.

For full reviews on all the Judgement of Paris wines, please visit me at WineAlign

It is indeed healthy to be a winemaker, distributor, agent or retailer of self-assurance, to believe in a body of work or portfolio, to know that it represents quality and to flaunt it for the world to relish in its revelry. It is equally healthy to know humility, to create with impunity in knowing the confidence of fashion has resulted in the singularity of accomplishment. All the better when verecundity is found in a wine made by a big house.

Eight current releases speak to success, beyond vanity. My notes.

VV

Casal De Ventozela Loureiro Vinho Verde 2014, Portugal (445098, $14.95, WineAlign)

Loureiro from Villa Verde, grippy and mineral as it should be, marked by citrus, herbs and the slightest spark of CO2. This must have been prime, perfect in fact, in the wheelhouse even…six months ago. Still refreshing and yet savoury, nearly, though one step away from complex for the grape and a sense of place, from point A to B. Drink 2016.  Tasted May 2016    @LeSommelierWine  @vinhosverdes  @VinhoVerdeCA  @wines_portugal  @winesportugalCA

Rafael

Tommasi Rafael Valpolicella Classico Superiore 2013, Veneto, Italy (23259, $18.95, WineAlign)

The Rafael is an honest, purposed product culled from what such endemic grapes together with wood will combine for perfectly typical effect. Here the package is respectfully lithe and speaks of what Valpolicella may once have righteously been, should still and can eminently be. Fresh, wound tart, amenable and easy to love. Yes, please. Drink 2016-2019.  Tasted May 2016  @Tommasiwine  @UNIVINS  @C_Valpolicella

Benmarco

Benmarco Malbec 2013, Unfined And Unfiltered, Uco Valley, Argentina (657601, $17.95, WineAlign)

Clearly ripe and ripping like so many malbec brethren and sistren but at 3,000 feet of Vistaflores altitude the Benmarco delivers an extra level of ratcheted intensity, especially at $18. Extreme aromatics, of black, blue and boysenberry fruit are bigger than the oak, the soil and the malbec genre. This is the best Benmarco since the formidable 2002, a wine that still drinks well today. Drink 2016-2028.  Tasted May 2016  @sbalbowines  @ProfileWineGrp  @winesofarg  @ArgentinaWineCA

Tobia

Tobía Selección Crianza 2010, Rioja, Spain (364828, $21.95, WineAlign)

Most righteous Rioja, dusty and leathery but fresh, vibrant and alive. Terrifically rich palate, full of strawberry, liquorice and pastis. Acidity is all over the fruit, enveloping and then a short pause ensues, followed by the caressing tannins. There is more than a Crianza mouthful of wine in here. Wait one or two and then watch this turn over and over for the next 10 years. Drink 2017-2026.  Tasted May 2016   @_La_Rioja  @RiojaWine_ES

Viticcio Chianti Classico 2012, Docg Tuscany, Italy (283580, $22.95, WineAlign)

A Chianti Classico with a foot in two worlds, the traditional (Greve) and the modern. The tart red berries are sour to nose and to taste but it’s the kind of sour that reels you in and gets you too beg for more. The level of clean, fresh lees is very 2013, something that Chianti Classico needs more of. Dry extract and tannin are spot on for the overall intent. Drink 2016-2020.  Tasted May 2016     @chianticlassico  @MajesticWineInc

Megalomaniac Big Mouth Merlot 2012, VQA Niagara Peninsula, Ontario (67645, $24.95, WineAlign)

Big mouth strikes again, with phenolic ripeness set against stinging nettle greens from out of the warmth in 2012 Niagara. “Sweetness, sweetness I was only joking.” Plums turning into prunes and back again, of fruit not sure if its coming in or heading out the door. Hanging in like Morrissey at a Smiths reunion concert. Drink 2016-2018.  Tasted May 2016  @MegalomaniacJHC

Heitz Chardonnay 2014, Napa Valley, California (205500, $49.95, WineAlign)

When the Napa Valley name Heitz is mentioned it is Cabernet Sauvignon that comes to most minds, 99 per cent of the time. Chardonnay is a Heitz thing, dating back to 1961. The 2014 rendition is the iron fist-velvet glove version of classic Napa Valley (usually reserved for Cabernet Sauvignon allusion). This is quite a rich and variegated Chardonnay full of typically warm Napa sunshine but it’s also a study in barrel restraint and judgement. The flavours are loaded with citrus, compressed and taut. Wound tighter than a wire around a boat winch, this just needs some time to settle in. Drink 2018-2021.  Tasted May 2016    @NapaVintners  @CalifWines_CA

Judgement of Paris Chardonnay

Judgement of Paris Chardonnay

Ridge Vineyards Monte Bello 2013, Santa Cruz Mountains, California (405332, $191.95, WineAlign)

From a serious drought vintage, dry, warm and demanding, the 2013 Montebello’s Draper perfume is as heady as ever, to such effect that after one whiff this is where daydreaming takes over consciousness. Montebello gets inside the head, with allegory, radio frequency waves and platonic thought, as if inside a cave. An 80 per cent Cabernet Sauvignon, Petit Verdot (8), Cabernet Franc (7) and Merlot (5) classic, lithe and restrained blend of sheer, utter exceptionality. The balance in 2013 is impeccable but dont be fooled into thinking this is not a big wine. The acidity is dramatic, the tannins fine and demanding and the amount of pure extract whorled and revelling. All in dark red fruit and a coolness through the mid-palate that threads like silk through fine stainless steel fibre. “This goes beyond me, beyond you.” Drink 2018-2030.  Tasted May 2016  @RidgeVineyards  @rogcowines  @CalifWines_CA

Good to go!

Twitter: @mgodello

Instagram: mgodello

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Ten prodigal suspects

Donatella Cinelli Colombini Brunello Di Montalcino 2010

Donatella Cinelli Colombini Brunello Di Montalcino 2010

Expensive wine surrounds us all year-long but in the 30 plus days leading up to Christmas the concentration multiplies.  As the shopping days tick down, it seems as though we are inundated by an omnipresent $50-plus crowd. Do these wines have any effect on your life? Do you consider forking out half a yard or two, on yourself or for someone you (sort of) love? Are the jet-setting, usual suspects really worth considering?

In certain cases the answer is yes, but just because some wines are expensive, for a complex variety of reasons, does not make them either good or bad in a decidedly black or white sense. Many outrageously expensive wines are simply awesome bottles of fermented grapes while others are nothing special. High prices can be a reflection of designer labelling and marketing, while others are the summation of genius created by greatness and art. Sometimes it’s just a matter of economics.

I’m going to borrow a hypothesis from my WineAlign colleague John Szabo to illustrate the point. You go to a juice bar. The smoothie or vegan fruit and grass concoction cost not much more than a few dimes to produce. The expertise required came as a result of a half hour’s worth of learning and training. The machine costs a few hundred bucks. And you paid $8.95 for the beverage.

Wine grapes grow on vines that might be as old as 100 years, tended by a farmer far away who was paid a dollar or two for a kilo of his fruit. The vigneron spent perhaps the first 30 days slaving over the initial maceration and fermentation of that fruit and followed that up with at least a year (and in some cases five) to nurture the wine into becoming something special. The bottle and the cork cost another dollar or two and the shipping charges add at least another two again. Then there were the middle men involved; negociants, wholesalers, distributors, agents, retailers and monopolies. That wine might sell for anywhere from $9 to $20 in the Canadian market. And you don’t want to pay $20 for a decent bottle of wine?

Now imagine the fruit coming from some of the most expensive real estate on the planet and processed by the best equipment that money can buy for making wine. Then it is handled by experts in the transportation, selling and marketing fields. You can see how $20 quickly becomes $50 and so on. Don’t misunderstand me. Many wines are ridiculously overpriced. Many are the by-products of marketing juggernauts. It is important to understand, however, that many high-priced wines are deserving of their tags. The margins are not as inflated as you might want to believe.

Iconic wines are always a good buy for someone, but vintages determine when their purchase is the way to go for others. Varied and direct opinion of conceit is rarely witnessed with such certainty as there is found in the world of wine. “I speak therefore it is,” or “I think therefore I am” are two truisms that ring with pomp and circumstance in the world of winemakers, sommeliers and writers. Being sure about everything goes a long way towards determining careers and fortunes.

So, for the first time in this sketch of wine stuff I am offering up a list of high-priced wines that I may or may not be recommending. They are all household names in the world of iconic wine. Some are “best of” vintages while others are head scratches as to why anyone would spend such money on their wood or their contrivance. You are the one to judge. Here are 10 expensive releases from VINTAGES for November 28th, as usual, prodigal in their return in time for the holidays.

 

Donatella Cinelli Colombini Brunello Di Montalcino 2010

Donatella Cinelli Colombini Brunello Di Montalcino 2010, Brunello Di Montalcino, Tuscany, Italy (431718, $56.95, WineAlign)

The fruit in 2010 is jam-packed, sealed in freshness and blessed with the unmistakeable Colombini soil funk. I first tasted this ’10 alongside 2007 and 2008. The dew, bloom and vigor hangs on a line threaded through each vintage. The 2010 stands alone for its poetic perfume. The flowers of Montalcino, along with the burst buds of herbs on the hills. This vintage pours a generous cup of Montalcino mountain tea. Smoky, opaque and of a proprietary liqueur thick and distilled, the level of animale is right there too. With so much aromatic potpourri the wine’s trotters scramble and ascend with a juggernaut of complexity. Beautiful Brunello with so much tradition running through its fast forward veins. It must of course be laid aside for a few years to really get it. Drink 2017-2022.  Tasted April and November 2015  @news_donatella  @ConsBrunello  @LeSommelierWine

Château De Beaucastel Châteauneuf Du Pape 2013

Château De Beaucastel Châteauneuf Du Pape 2013, Ac Rhone, France (711317, $89.95, WineAlign)

Quite a mouthful of Beaucastel with more warm, figgy fruit than memory generally serves. The surfeited structure can’t be denied but the advanced, occupied territory reminds of 1988. This ’13 may be viewed as acting with similar haste when it will have reached the age of 25, in earth-crusted caramel and sweet fruit scooped from a forest floor. Up until five years before then it will always have ripe red berries, spice accents, anise and the veritable design of garrigue. Drink 2018-2028.  Tasted November 2015  @Beaucastel  @VINSRHONE  @RhoneWine  @ChartonHobbs
Kistler Les Noisetiers Chardonnay 2013

Kistler Les Noisetiers Chardonnay 2013, Sonoma Coast, California (251223, $99.95, WineAlign)

A tremendous vintage for Les Noisetiers, cared for, tendered and placated by a clarity in hands-off winemaking. Deeply ingrained from juice maximized out of overloaded sensory sunshine and the choice to let sleeping fruit dogs lie. Possessive of an almond bitter bar not bitten into before and overlaid by lacy organza, a mild sheath overtop of purposed, wild fermented fruit, a lightly toasted barrel slumber and richness beyond the horizon. All in style of west coast Chardonnay, though simply prepared with the freshest local ingredients, with stony lactic lees texture and subtle spice. Drink 2015-2022.  Tasted November 2015  @TheVine_RobGroh  @sonomavintners

Antinori Guado Al Tasso 2012

Antinori Guado Al Tasso 2012, Doc Bolgheri Superiore, Tuscany, Italy (986380, $104.95, WineAlign)

Deep, dark, rich and handsome, a thick red duke of aggressive, conceited, unctuous behaviour. Such tannin and aggression is not so much rarely seen as not always a factor provided by expatriate Cabernet Sauvignon. The dense and massive ferric monster exercises in many, thorough magnanimous machinations. Such a beast. It’s big and it’s good. Drink 2018-2028.  Tasted November 2015  @AntinoriFamily  @HalpernWine

Quintarelli Valpolicella Classico Superiore 2007

Quintarelli Valpolicella Classico Superiore 2007, Doc Valpolicella, Veneto, Italy (986117, $104.95, WineAlign)

Here Quintarelli takes it to a new level, away from rusticity and into modernity, though it remembers every step along the historical way. Liquid caramel and red fruit meld into such sweet earth it feels as though the vineyard is right here and now. Some tobacco but just a puff, so much impression, cure without aridity and natural feel without an orange juicing. Intensity and acidity to take it 30 years. Amongst the best ever? No question it must be considered. Impossible to know. Drink 2015-2047.  Tasted November 2015  @LiffordON

Luce Della Vite Luce 2012

Luce Della Vite Luce 2012, Igt Toscana, Italy (685263, $114.95, WineAlign)

There can be no denying the density and wealth of flavour. Equally so the solid foundation and unwavering structure is the result of a winemaker’s ability to construct such a formidable pillar of strength. It can be imagined that this Luce will go ten years before budging into evolution even a single iota. It is a beast of fruit, barrel and tannin but more than anything else, oak. As shaken as a creamy, milky, anglaise cappuccino as there ever was or will be. Lots of spice from that oak. A designer label wine made with the finest materials. It really doesn’t matter when it is opened, now or in 15 years. It will take that long before it will begin to change. That is because the sum of its parts happen to be over the top. Drink 2015-2030.  Tasted November 2015  @FrescobaldiVini  @AuthenticWineON  @AuthenticWine

Sassicaia 2012

Sassicaia 2012, Doc Bolgheri, Tuscany, Italy (480533, $199.95, WineAlign)

Every once in a while an iconic leader of Tuscan wine feudalism takes a step back from its military rule and offers to feed both the army and its people. In 2012 Sassicaia is restrained, giving, generous and empathetic. The fruit is certainly ripe, as are the tannins and structurally speaking this has the layers, the soft libido and the desire to please like never before. Sassicaia for the people, like it may have once been, a king of the classes and for the masses. Not in price mind you, but you can’t have everything. Drink 2018-2038.  Tasted November 2015  @Smarent

Ornellaia 2012

Tenuta dell’Ornellaia Ornellaia 2012, Doc Bolgheri Superiore, Tuscany, Italy (722470, $195.50, WineAlign)

Takes the purity of 2011, furthers the integration and mimics the precision, then pumps up the volume. Takes a breath and then, with soluble efficiency it refines the intricately woven lines a few steps furtrher, if that is even possible. I will say that the tannins are a bit tougher in ’12, with a tight string wound depressively around the fruit’s long and elegant tendrils. Fruit is the determinate factor, pure, blossoming and fragrant. It adds up to a consensus of one thought, that this vintage is yet another legend in the making, a fine and linear Ornellaia that should travel 30 plus years, perhaps longer. What liqueur, such botanicals and endless valleys passing through fertile hills. Drink 2019-2045.  Tasted November 2015  @Ornellaia  @AuthenticWineON  @AuthenticWine

Antinori Solaia 2011

Antinori Solaia 2011, Igt Toscana, Italy (987586, $249.95, WineAlign)

Shows off the typically cured and seemingly advanced notes that Solaia always seems to display, whether the vintage purposed days of heat or nights of cold. A wine that seems immune from vintage variation, with fresh and dried fruit shacking up together. In 2011 Solaia is extremely rich, aggressive with acidity and yet with moderate tannins for five years of development, but not much more. Drink 2017-2020.  Tasted November 2015  @AntinoriFamily  @HalpernWine

Joseph Phelps Insignia 2012

Joseph Phelps Insignia 2012, Napa Valley, California (710400, $299.95, WineAlign)

The 2012 Insignia had me at first whiff. At first sip I could not be reached. Massive aromatics blast from this formidable Insignia, clearly noted with immediate clarity as a proprietary blend for the ages. The current torrent is so plugged in and highly climatic, like a visibly sparking conduit, storm and fire all wrapped into one electric happening. The peaks, valleys, waves and intonations are bred of perfectly ripe fruit sets traveling as one in perfect syncopation. The ripe, chain-link tannins will take this very, very far. This is as fine a California wine as I have ever tasted. Drink 2018-2045.  Tasted November 2015  @josephphelps  @LiffordON  @NapaVintners

Good to go!

Twitter: @mgodello

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Buy the case

Trialto Group tasting at WineAlign with Zalto glasses

Trialto Group tasting at WineAlign with Zalto glasses

“What wines would you recommend that are not available at the LCBO?” has made its constitutive and bounden way to the top of the FAQ list. This applies to both consumers in search of quality and ease of acquisition, along with restaurateurs who want to build a diverse, anterior, ulterior and eclectic wine list. The answer is consignment. Working with Ontario wine importing agents opens up a world you never knew existed and they deliver direct to your door.

“But I don’t want to purchase by the case” is the most common response. “What if I don’t like the first bottle?” The answer is WineAlign. You already trust and put your dollars in the hands and palates of a critic or a group of critics whose judgements you trust. You order stuff online all the time, mainly because they are products you want to purchase but also because you love the home or office delivery aspect of the transaction. Wine? Yes, it’s possible. In cases of six or 12, of a wine you trust will do nothing but please, it just makes sense to order by the case.

As you know, I am a regular and increasingly active contributor at WineAlign, the most essential source for critical reviews of wines released in Ontario. Just like the coverage in this province, WineAlign tackles the scenes in Alberta and British Columbia as well. More and more samples of B.C. wine has have traipsed through the office doors so the opportunity to taste west coast output has become a regular duty and a pleasure. Still, the release gamut in Ontario remains the primary focus.

At WineAlign we have launched a new program called Buy The Case. To understand what the ‘Buy The Case’ program is really all about, click on the link to hear it from our most esteemed critic David Lawrason.

Buy The Case: Trialto Wine Group

I sat down with David and Sara d’Amato to taste through a cross-section of the Trialto Wine Group portfolio. Trialto has a great Canadian presence, in Alberta, Quebec, Ontario and British Columbia. The Ontario team has a group of highly knowledgeable wine professionals and their portfolio is chock full of gems, top values and products that will appeal to the most cerebral and fastidious of Sommeliers or discerning consumers.

The following list highlights the wines that I chose as most representative for the Buy The Case program, employing the top 10 good reasons as the guideline for making such decisions.

From left to right: Montresor Capitel Alto 2013, Giacomo Borgogno & Figli Barbera D'alba 2013, Joseph Faiveley Bourgogne 2012, Vietti Perbacco Langhe Nebbiolo 2012, Terras Gauda Abadia San Campio Albariño Rias Baixas, Montresor Castelliere Delle Guaite Primo Ripasso 2011 and 2014 Neal Cabernet Sauvignon 2009

From left to right: Montresor Capitel Alto 2013, Giacomo Borgogno & Figli Barbera D’alba 2013, Joseph Faiveley Bourgogne 2012, Vietti Perbacco Langhe Nebbiolo 2012, Terras Gauda Abadia San Campio Albariño Rias Baixas, Montresor Castelliere Delle Guaite Primo Ripasso 2011 and 2014 Neal Cabernet Sauvignon 2009

Curio Selections

Montresor Capitel Alto 2013, Soave Classico, Veneto, Italy (Agent, $16.95, WineAlign)

High floral tones are at the top end for Soave and here more than a step up from the Classico bottling. The primrose and aster give way to creamy chestnut folded into savoury custard. A smooth palate feel turns to nuts, stones, fine bitters and gentle tonics. Quite the salubrious Soave, purveyor of good feelings and with the words party pleaser inscribed across its Veronese face. Drink 2015-2018.  Tasted April 2015  @TurismoVeneto

Restaurant Pours by the Glass

Giacomo Borgogno & Figli Barbera D’alba 2013, Piedmont, Italy (Agent, $19.95, WineAlign)

Popping Barbera full of strapping substantial fruit, mind-meddling acidity and thankfully, playful rhythm and blues chords. Full of plums and cherries baked in the sun, rehydrated to syrup and filled with a whole lot of old-school, funky, soulful flavour. Once this Hozier Barbera finds its way through, past a “mid-youth crisis all said and done, it then needs “to be youthfully felt, cause God” it “never felt young.” Goes round and round, like vinyl on a well-used turntable. We could grow old with this and more vintages of Borgogno’s Barbera. Years in “we’ll name our children Jackie and Wilson, raise ’em on rhythm and blues.” Drink 2015-2020.  Tasted April 2015  @regionepiemonte

Joseph Faiveley Bourgogne 2012, Burgundy, France (Agent, $23.95, WineAlign)

Pinot Noir’s most base cumulative history has arrived here, in the second decade of the 21st century, in this commodious and convenient 2012, fashioned to the letter of entry-level Bourgogne law. Bright, animated, ripe, affable, under-currant earthy and wholly, purposefully, decidedly approachable. Strawberry and raspberry mixed with dried rose-dominated potpourri. The thrill of acidity flush with direct energy jigs to finis. What more might be petitioned from the fruit of les villages? Drink 2016-2019.  Tasted April 2015  @BourgogneWines

Function Wines

Vietti Perbacco Langhe Nebbiolo 2012, DOC Piedmont, Italy (Agent, $26.95, WineAlign)

Modern, ripe and pushing maximum extraction in Nebbiolo. A single-vineyard Langhe of full, flaunting expressive ideas and protein matching aspirations. The combination of Cassis, cedar, currants and berries link this, in aromatic tumescence, to Sonoma Cabernet. Yet its prevailing and concurrent Nebbiolo presence, of tar and roses, are really magnified and inextricably tied to its declassified Barolo vineyard. Quite sappy sentimental, with sinew to one side and dusty chocolate to the other. Quality acidity and tannin keep it brutally honest. Drink 2016-2010. Tasted April 2015  @vietti_vino  @vinidelpiemonte

Seasonal Wines

Terras Gauda Abadia San Campio Albariño Rias Baixas 2014Albariño/Alvarinho, Spain (Agent, $21.95, WineAlign)

From Bodegas Terras Gauda in Galicia this likens to white blend style, in complex varietal aromatics, as if a combing of Pinot Gris, Viognier, Chardonnay and Sauvignon Blanc were vying for and forming connections in conundrums. Has a slight Vinho Verde effervescence and plenty of bright, spirited character. A monk’s white, quietly serving in piety and in the presence of the unspoken. Lingers for longer than expected. Fine example of Albariño. Drink 2015-2029.  Tasted April 2015  @TerrasGauda @RiasBaixasWines

Cellaring Wine

Montresor Castelliere Delle Guaite Primo Ripasso 2011, Doc Valpolicella Superiore, Veneto, Spain (Agent, $24.95, WineAlign)

Fortified village of Venetian varietal strength, yelping with warm, extracted, dense and chewy Valpolicella fruit and stepping beyond the acid scrubbed boundaries of the typical gauge. Pitches braised beef and a full on drupe of berry, plum and fig fruit. While at present time the confluence of worked over flavours are an over abundance of riches, this will flesh and caramelize towards a mini-Quintarelli-like future, where the rust and antiquity of innate history turns liqueur into ethereal mocker. Buy a case, wait up to 10 years and drink it over the next 10. You’ll revel in telling everyone how much you paid in back in 2015. Drink 2020-2032.  Tasted April 2015  @RegioneVeneto

Neal Cabernet Sauvignon 2009, Napa Valley, California (Agent, $59.00, WineAlign)

Nothing but Cabernet Sauvignon from both mountain and valley floor fruit. Has that keen, innate sense of proprietary wisdom. A wine that seemingly has more age on it, as if it were already 15 plus years old, when the fact is it’s a mere toddler. Somehow you just yet know it will evolve in this exact state for another 10 before fading anywhere near towards a tequila sunset. Spirited, elated, elevated tones and full, fleshy fruit endow this Neal with long term capabilities. Sweet tannins and a soft, creamy oak blanketing contain the tension and a desire for hurried, premature development. Velveteen chocolate to be sure but one of really fine grain. Very good length. Drink 2017-2024.  Tasted April 2015  @NealVineyards  @NapaVintners

Good to go!

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