I Fabbri’s perfume of Lamole

What is I profumi di Lamole? Why is it the wines produced from Lamole’s hills are so particular and distinct? What gives them their singular perfume? For starters the sangiovese initiated, cultivated and habituated in these Greve in Chianti hills is unlike any other in the Chianti Classico territory. As a sub-zone or frazione it lies and breathes in spirit beyond compare and in today’s Lamole landscape no one knows, intuits and understands the reasons more than Susanna Grassi of I Fabbri.

Related  – Chianti Classico is the future

Sunset in Lamole

The valley is not a common thoroughfare or often transversed en route from greater territorial points A to B, so to arrive in Lamole you climb with gradual ascendance from way down along the Greve River and up through an amphitheatre that graces the horseshoe ringing hills of its unique viticultural landscape. As evidenced by ancient documents preserved by Susanna’s father Giuliano, the family history in this place dates back to 1600. By age 37 (and I would suggest much earlier) Grassi knew that both her fate and her destiny were to be winemaker, in this place and with her family’s tradition held close.

Deep into Greve there is Lamole ~ Tasting at Casole with Susanna Grassi and 17 years of @ifabbriclassico ~ what a great night in Chianti Classico

Related – Chianti Classico Fall 2018: September and November, 25 estates, 150 wines reviewed in 18,000 words

Susanna farms organically with the credo to “give equal dignity to that place, producing typical high-quality wines in a traditional way and sell bottles with our brand.” When you read my tasting notes below you will find that experience is not everything, but intuition, humility, beauty and grace are. Every wine that Susanna Grassi has made has stood the test of time, going back to her very beginning in 2000. They are some of Chianti Classico’s most elegant sangiovese from which structure has emerged and been preserved, in remarkable harmony.

There’s 32 kilometres to Lamole, we’ve got a full tank of gas, a six-pack of Chianti Classico, it’s dark out, and we’re wearing sunglasses

Related – Chianti Classico’s Canadian dream

Lamole is a Chianti Classico hidden secret, home to Castello di Lamole, one of Tuscany’s oldest castle properties going back one thousand years and where historically it connects Macigno del Chianti (sandstone) soil terraces to carcere delle Stinche, the prison on Via Ghibellina in Florence. The magical acclimazione del sottosuolo has attracted many, including Chianti Classico President Giovanni Manetti, producer of Fontodi’s Filetta Di Lamole off of fruit grown at his cousin’s farm. Jurji Fiore of Podere Poggio Scalette makes Lamole Nonloso out of a special vineyard. Over the past few years I’ve tasted Lamole sangiovese from Le Masse Di Lamole, Castello Di Lamole, Fattoria Di Lamole Vigna Grospoli Antico Lamole by Paolo Socci, Lamole Di Lamole, Podere Castellinuzza and Castellinuzza E Piuca.

Casole

What you need to know about I Fabbri and Lamole is found in the territory of Casole (surrounding the village of the name), above Castello di Lamole and below the high Ruffoli hill. Casole is a wide, sunny valley catheterized by the diversities in its range of altitudes, from 450 to 650m. Macigno (sandstone) predominates in loose soils, permeable and poor in organic substances. This is the crux and the origin of the Lamole perfume. Diurnal temperature fluctuations and high solar radiation are also important, resulting in wines that are lithe, crunchy and ethereal.

John Szabo, Susanna Grassi ands Michaela Morris

Susanna Grassi is a member of the Federazione Italiana Vignaioli Indipendenti (Toscani), an organization of like-minded wine producers scattered about in Italy. The Italian Federation of Independent Winegrowers is all about the concept of quality and authenticity of Italian wines. If you have ever had the great fortune to taste with Matilde Poggi, Monica Raspi, Angela Fronti or Elisabetta Foradori then you will have a good idea of what it is like to taste with Susanna Grassi. Along with Michaela Morris and John Szabo M.S., these are the 12 wines tasted with her in February 2019.

I Fabbri Chianti Classico DOCG Olinto 2015, Tuscany, Italy (Agent, $26.95, WineAlign)

From sangiovese (80 per cent) plus merlot, named after great-grandfather Olinto Grassi, nonno, patriarch and pioneer in Lamole. From vineyards at 500m and aged part in concrete plus part in barrels. A very different wine because of the merlot, more of a big hug, with sweeter and less tart acids, not the same caress in the mouth, but surely silky and easy. Get into the glass and note the orange, blood or just simply orange. Fresh and spirited regardless of merlot or not. Pair with Pino Daniele, the Italian Van Morrison. Drink 2019-2023.  Tasted February 2019

I Fabbri Chianti Classico DOCG Olinto 2010, Tuscany, Italy (Agent, $26.95, WineAlign)

Named after great-grandfather Olinto Grassi, pioneer in Lamole. From vineyards at 500m and aged part in concrete plus part in barrels. Once again an old vintage from Susanna Grassi is slightly backwards, reductive peppery and confounding in how it’s so very stuck, or gone back in to youth. Again the 80-20 split between sangiovese and merlot, with a real porcini nose but then the palate is so fresh and almost bouncing around in the mouth. You can chew this, or at least the merlot which is or was so ripe. And it was a cool vintage. So great. Pair with Pino Daniele, a.k.a. the Italian Joe Jackson. Drink 2019-2022.  Tasted February 2019

I Fabbri Chianti Classico DOCG Lamole Olinto Grassi E Figlio 2017, Tuscany, Italy (Agent, $26.95, WineAlign)

“A true expression of this terroir,” says Susanna Grassi, from the organic vineyards, and the tiniest (3,000) bottles of production. At altitudes as high as any in Chianti Classico and from the warmest of vintages, the fresh factor is as high as there will be. The fruit goes beyond cherry, into what careens like raspberry and the savoury aspect is almost sweet, but not. Aged in concrete and just so pleasurable meets territorial. Exactitude for Lamole. Drink 2019-2024.  Tasted February 2019

I Fabbri Chianti Classico DOCG Lamole Olinto Grassi E Figlio 2016, Tuscany, Italy (Agent, $26.95, WineAlign)

From a normal vintage really, warm in Spring, hot in summer and back down to pleasant in the fall. A phenolic journey just right for Lamole, More savour, in fennel and gariga than ‘17, surely not as juicy sweet. Still so mouth watering in a way that most sangiovese doesn’t normally accede. This really sparks the taste buds and livens up the energy required to come back again and again. Succulence through acidity assured. Really proper. Drink 2019-2024.  Tasted February 2019

Lamole

I Fabbri Chianti Classico DOCG Lamole Olinto Grassi E Figlio 2011, Tuscany, Italy (Agent, $26.95, WineAlign)

The vinification was the name. “The big change was the vintage. We remember 2011 as a very good vintage, with a balance between quantity and quality.” So says Susanaa Grassi and her sangiovese is still so very young, reductive even. There’s a pepperiness bordering on band-aid but it blows away with air. A whiff of pancetta or bacon fat and a note of banana. All locked up in the youth of this sangiovese, a wine suspended in time, from an average vintage turned around and stood upon a head. At once young and then to look at quite advanced, then so young again. A dichotomy stuck inside an enigma, wrapped in a Lamole mystery. Feels so good in the mouth. Drink 2019-2025.  Tasted February 2019

I Fabbri Chianti Classico DOCG Terra di Lamole 2016, Tuscany, Italy (Agent, WineAlign)

Take the Lamole terroir and taste it again and again. Though it may be confounding the first 10 or 12 tries it continues to educate and with time you are unable to avoid the understanding and the temptation. There is a layer beneath the Greve level, of altitude and aspect but also a variability that deems sangiovese impermeable within a context of repeatable. Hard to explain, really. Sweet as original fruit, a genesis of Chianti Classico and a fineness that slides and grooves effortless and with succulence. Drink 2021-2027.  Last tasted February 2019

Lamole in Greve is the source for this high toned, stone-tined and savoury aromatic young Annata, traditional, mildly volatile in its wise rusticity and surprisingly tannic. This is the sort of pressed sangiovese you’d find over the decades, from information and technique passed down and upheld by the current generation. Continues the thread with more microbes and real live tart notes to taste. Builds and builds upon its old-school foundation. Drink 2018-2021.  Tasted February 2018

I Fabbri Chianti Classico DOCG Terra di Lamole 2015, Tuscany, Italy (Agent, WineAlign)

A blend of sangiovese and canaiolo, circa 10 per cent, including the vines planted in 1964 (by Susanna’s father Guiliano), plus 1989 and 2002. This is a whole ‘nother matter of fruit sumptuousness and exquisite tannin. There’s a fine bitters note and fruit that enters into an area where it’s almost a middle-aged, mature version of the Lamole sangiovese. The tannic structure is so very different than the “Lamole” surely because of the altitude 200m lower down the slope. There’s a bass note here apposite to the higher Lamole horns, but also something umami and salty. Wow did this need a year to open up.  Last tasted February 2019

Into the Lamole lair we delve from I Fabbri with 90 per cent sangiovese (grosso) plus canaiolo nero of great potential and it should also be said, probability, if not right now then soon, very soon. This terroir is different and if we are not quite sure exactly how or why then perhaps the producers are not quite sure either. The fruit is 98 per cent ripe but I can’t help but wonder how greatness could have been were the number perfect. That may be asking too much but something is amiss, even while the dusty excesses and fine acidity support of wild red fruit is there to see, sense, feel and enjoy. That is the end game after all. Drink 2018-2022.  Tasted February 2018

I Fabbri Chianti Classico DOCG Riserva I Fabbri 2015, Tuscany, Italy (Agent, WineAlign)

From the first passage through the vineyard, when all the fruit is ripe and ready to go. Now Riserva gets serious, or not really at all, but the table is set anew with an entirely new look at the category. Chew on this fresh and leathery wine for awhile. Take your time, feel the heights and the aspects. The acidity is incredibly fine and the effect like a blood red sunset to the west of the Lamole valley. There may be five per cent canaiolo in here, hard to say because of the way and the timing of the picking. Sapidity and salinity are perfect streaks through the sunken, drunken, oxygenated red fruit. Length all the way up to Terrata and La Sala at 100m and back. Drink 2020-2029.  Tasted February 2019

I Fabbri Chianti Classico Riserva DOCG I Fabbri 2006, Tuscany, Italy (Agent, WineAlign)

From the first selection through the just ripened vineyard, the first vintage from the artist formerly known as Chianti Classico. Un annata molto buona, smiles Susanna Grassi, here with 15 per cent merlot. A 12 year-old Riserva that has not lost a beat of sapidity, salinity or acidity. That said ripeness is the virtue and the operative, markedly so, looking ahead very different than that ’15. Moving away from red fruit and into blue, perhaps even into the black. Also a spice not noted later on. Lovely Riserva. Drink 2019-2021.  Tasted February 2019

I Fabbri Chianti Classico DOCG 2000, Tuscany, Italy (Agent, WineAlign)

At the time it was labeled as an (Annata) Chianti Classico though it was really Riserva. Yes it has evolved but 18-plus years should have moved it much further along. Carries a spice like the exoticism in resemblance to 2006 but this is something other. Still some very fine, present and notable acidity. Amazing purity, honesty, luck, circumstance, place and gentile personality. The sapidity is there again and the age ability nothing short of remarkable. Drink 2019-2021.  Tasted February 2019

I Fabbri Chianti Classico Gran Selezione DOCG 2015, Tuscany, Italy (Agent, WineAlign)

A choice selection of sangiovese only from the oldest vineyards (1969 and 1984, planted by Susanna Grassi’s father Guiliano). The fine, fine lines, streaks and sets are all a matter of taking the best of the best. The two wines made before this were 2011 Gran Selezione and 2007 (special) Riserva. Texture is drawn from altitude, climate and states of grace. Susanna believes that a special bottle should be made in only the most special vintages. A pretty good argument for commerce in terms of the category, if not everyone were to make it every year. A serious argument. No make-up, no overblowing of extraction, wood or horns. Know this wine. It’s from Lamole. Drink 2021-2034.  Tasted February 2019

I Fabbri Chianti Classico Riserva DOCG 2007, Tuscany, Italy (Agent, WineAlign)

From back a decade when it was simply called Riserva and in this case the best wine of the estate, only made in special vintages. From the first pass at harvest time and is indeed the artist that starting with the 2011 vintage will become known as Gran Selezione. This is different altogether; sumptuous, sensual, exotic, so perfumed. A warm vintage, a sexy vintage and one that could have gone south pretty fast. But not Lamole, not I Fabbri, not Susanna Grassi. A true team effort for 2007 to stay so vibrant, with sapidity, salinity and energy. Drink 2019-2026.  Tasted February 2019

Good to go!

godello

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WineAlign

Chianti Classico is the future

Panzano Sunset

Tasting notes and reviews on 125 sangiovese at the 2019 Chianti Classico Collection

by Michael Godel

Related – As seen on WineAlign

Sangiovese and the Black Rooster. The grape and the symbolic trademark are the inseparable and inextricable nexus of Chianti Classico. The Gallo Nero brands each bottle of sangiovese with a seal to guarantee the exacting territorial source of the contents inside, on the neck or the back label, for a conceit of quality. If the rooster is not there, it can’t be Chianti Classico. All three levels of DOCG classification are rubber stamped; Chianti Classico, Chianti Classico Riserva and Chianti Classico Gran Selezione. Deconstructed deeper there are San Casciano in Val di Pesa, Radda in Chianti, Poggibonsi, Greve in Chianti, Gaiole in Chianti, Castellina in Chianti, Castelnuovo Berardenga and the freshly renamed commune of Barberino Tavernelle. Deeper still there are frazioni; Panzano, Lamole and Montefioralle (Greve), Monti (Gaiole), San Donato in Poggio and Mercatale in Val di Pesa (San Casciano) and many more. These names grace some examples and you can expect more and more to join the menzione geografica wave.

#lacappella

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putting my money on @beck to pair @johnszabo with #chianticlassico

Related – John Szabo’s Anteprime di Toscana report

The preview or anteprima tasting of current vintage releases known as the Chianti Classico Collection took place on February 11th and 12th at Stazione Leopolda in Firenze. Upwards of 200 producers were on hand to introduce their most recent (or imminent to be released) Annata, Riserva and Gran Selezione. Journalists from all over the world were present, including myself and WineAlign’s John Szabo M.S. Those who are commensurate with the Tuscan territory’s landscape, people, food and wines fondly remember the essential and tireless work lent to Chianti Classico matters by long-time friend and Consorzio past President Sergio Zingarelli of Rocca delle Macìe. In 2019 the focus is on where the territory will go, with the future squarely, capably and thankfully in the hands of the incumbent President, Fontodi’s Giovanni Manetti. It would be provocation and a challenge to express the sentiment any clearer. For Chianti Classico the future looks bright and so very sangiovese.

When I met with Manetti in both September and November of 2018 he had that look, the one of serious concentration mixed with great hope. Manetti told me that Chianti Classico is home to “one of the best red wines from all over the world, deserving of space in place with the best. I find great harmony in the wines.” His words and the things I myself have seen, nosed, tasted, felt and experienced over seven trips and 76 estate visits spread across 34 latter months have led to some serious genuflection. The important question is contemplated again and with great sincerity. Is Chianti Classico the most important red wine from Italy?

Which way with the Gallo Nero?

The sangiovese raised in Chianti Classico must and should not be assessed without considering what lays beneath the ground in conjunction with the people who work the vineyards. It was a discussion with Principe Corsini/Le Corti’s Duccio Corisini in which he mentioned the term genius loci that led me to regard the Chianti Classico Climat concept equivalence called acclimazione sottosuolo. Both are a matter of agriculturalists interacting with the stratified Chianti Classico layers beneath the vines. Four major types of mineral soils are present, prevalent and essential to how, why and where sangiovese acts and thrives in the territory.

Alberese (calcareous limestone), Galestro (schisty marl), Pietraforte (purple-brown shale) and Macigno (sandstone) fix and demonstrate the sub-soils but they are not the only significant rocks that contribute to regional character. River stones and marine fossil shells are also found in various vineyards and yet it is simply impossible to draw geological and geographical lines that explain exactly which soils exist and where. The master mapmaker himself Alessandro Masnaghetti has tried and while his rendering is the most accurate and complete for Chianti Classico even he has conceded that it is the most complex weave in all of Italy. Here is the rub and the essence of Chianti Classico’s set of exemptions and eccentricities. The complexity of soils results in the multiplicity of its sangiovese.

There’s 32 kilometres to Lamole, we’ve got a full tank of gas, a six pack of Chianti Classico, it’s dark out, and we’re wearing sunglasses.

In advance of February’s #CCC2019 I published tasting notes and reviews for all the wines I assessed at Chianti Classico estates in the Autumn of 2018.

Related – Chianti Classico Fall 2018: September and November, 25 estates, 150 wines reviewed in 18,000 words

Those September and November 2018 visits to 25 properties were my pre-anteprima to the February 2019 anteprima at the Chianti Classico Collection. In addition to the reviews I also dropped two posts, one that appeared on the Chianti Classico website so succinctly translated into Italian by the Consorzio del Vino Chianti Classico’s Silvia Fiorentini and Caterina Mori. This was no simple or easy exercise for them as any of you who know the meandering style of my prose. The second was in English, as I had originally composed.

Related – as seen in Chianti Classico Magazine, translated into Italian – Il sogno Canadese del Chianti Classico abbraccia il più nobile dei Sangiovese Italiani

Related – Chianti Classico’s Canadian dream

Chianti Classico

What did we learn from this most recent Chianti Classico Collection? For one thing we remarked upon the unprecedented level of attendance. The Collection is divided into two rooms, each a football pitch in length, one with the producer stands and the other with tables set for journalists to taste at the hands of a service dutifully provided by the hardest working Sommeliers in the business. There was this non-stop buzz and producers pouring to throngs lined up three or four deep. The Collection also marked the moment when the newest Chianti Classico ambassador award was honoured to none other than Decanter’s long-standing consultant editor and author of Wine – A Way of Life, Steven Spurrier. Spurrier joins the 2018 list and inaugural first five CC ambasciatori; Jeffrey Porter, Michaela Morris, Massimo Castellani, Isao Miyajima and…Godello.

In spite of the very hot growing season yet another successful vintage was noted from the small number of 2017 sangiovese poured, in particular those showing great freshness with help from communes and vineyards blessed of higher altitudes. The real focus at #CCC2019 was on the 2016 Annata, a vintage at once normal and then exceptionally generous to show the exponential, across the board increase in quality and ever-evolving multiplicity of the territory’s sangiovese.

Lamole, Greve in Chianti

So what will 2019 bring? Will it usher in a new era of Chianti Classico bottles noted by villages and crus on the labels? Will sangiovese long designated IGT come back to the appellation? Will Gran Selezione gain further ground and find itself endeared by the hearts of more women and men? Will the category seek 100 per cent sangiovese status? One thing is certain and that is Canada’s connection and bond to the territory will only grow stronger. When we convene at the end of 2019 the sales figures will prove that the process is moving in the right direction.

As you will note from the following tasting notes/wine reviews the number of Chianti Classico I rated 90 points or higher are the most I’ve ever awarded above that arbitrary threshold. Not that I take much stock in the 100-point system, or any numerical substantiation for that matter, but in the context of what consumers want and how they make purchasing decisions, these scores show just how many Chianti Classico are worth buying, drinking and adding to the cellar.

Ontario in market Chianti Classico DOCG

These are the wines from producers with importation agency representation in Ontario available for purchase either through LCBO channels (LCBO General List, VINTAGES, Classics Catalogue, VINTAGES Shop-Online or Destination Store) or through case purchases in the LCBO-Agent Consignment program. The list does not include producers’ wines represented in Ontario that are either brought in periodically through Private Order or have not yet been imported at all.


Chianti Classico DOCG 2017

I Fabbri Chianti Classico DOCG Lamole Olinto Grassie E Figlio 2017

“A true expression of this terroir,” says Susanna Grassi, from the organic vineyards, and the tiniest (3,000) bottles of production. At altitudes as high as any in Chianti Classico and from the warmest of vintages, the fresh factor is as high as there will be. The fruit goes beyond cherry, into what careens like raspberry and the savoury aspect is almost sweet, but not. Aged in concrete and just so pleasurable meets territorial. Exactitude for Lamole. Drink 2019-2024. Tasted February 2019  ifabbriclassico  roberto_codispoti  @ifabbrichianticlassico  Susanna Grassi

With Volpaia’s Federica Mascheroni

Volpaia Chianti Classico DOCG 2017

Pretty taut for Volpaia though truth be told this Radda sangiovese always requires some time. Fullness of fruit and equally supportive acidity meets the texture of altitude and the advantage of acumen. There are layers here that many ‘17s will just not have, exhibit or develop. A tour de vintage force really. Drink 2021-2028. Tasted February 2019  castellodivolpaia  rogersandcompanywines  @volpaia  @rogcowines  @volpaia

Castello Di Ama Chianti Classico DOCG Ama 2017

Aromatic freshness never had it this way and the flowers are in full bloom. It’s both violet and rose but more than that, an installation as a late summer/early fall garden having been respectfully groomed. The palate does nothing to change your mind because the texture and quelling constitution are almost hypnotic, capturing, spellbinding even. Acids are fine and timing even better. Drink 2020-2027. Tasted February 2019  castellodiama  halpernwine  @CastellodiAma  @HalpernWine  @castellodiama  @halpernwine

Rocca Di Montegrossi Chianti Classico DOCG 2017

Monti in Chianti is a special tour de force location for grooming sangiovese and the vintage takes this terroir for a real spin. The Galestro rocks heated up in a way they had not recently been accustomed to doing, having received so much intense sun and you can feel the accumulation in this 2017 Annata. The fruit is particularly sweet-scented and richly developed. It needs little settling time and with acids not overly demanding I would suggest early enjoyment. Drink 2020-2023. Tasted February 2019  #roccadimontegrossi  #roccadimontegrossi  @RoccadiMontegrossi

Bibbiano Chianti Classico DOCG 2017

Scintillant this ’17 fresh-maker from i Marrochezi Marzi at Bibbiano, lightning red fruit of clarity, transparency and pulse. High-toned early, out of the gate and surprisingly without foible despite the ripeness and while concentrated, not excitedly so. Well done Tommaso, really well done. Drink 2019-2023. Tasted February 2019  bibbianowines  lesommelierwine  @bibbianowines  @LeSommelierWine  Bibbiano Chianti Classico  Le Sommelier, Wine Agency

Filippo Mazzei in discussion with Brad Royale and Steven Robinson

Castello Di Fonterutoli Chianti Classico DOCG Fonterutoli 2017

A poster child for 2017, ripeness developed without trepidation, berries small and bursting with tart fruit, cherries on high and acidity wound so very tight. Some quality tannins, sweet and savoury, liquid chalky and always intense. All that said, try and find a better Tuscan cuisine matching early drinking Annata. It’s exactly that, to be sure. Drink 2019-2021. Tasted February 2019

Carpineto Chianti Classico DOCG 2017

Tough reductive nut to crack though a swirl, some agitation and air releases some classic Greve in Chianti Carpineto aromatics. Chewy sangiovese, after that initial rock solid wall broken through and full of rendered fruit, some leathery, very cherry and quick to speak. Such a mouthful with bones and a verdant streak run right through. Drink 2019-2022. Tasted February 2019  carpinetowines  univinscanada  @CarpinetoWines  @UNIVINS  Carpineto Wines  @agence.UNIVINS  


Chianti Classico DOCG 2016

Villa Di Geggiano Chianti Classico DOCG 2016

Sometimes there’s a sangiovese that’s really quite perfect for its place and time. In Geggiano’s case their land is a highly specific micro-climate in as far as the crow flies close to Siena at the western edge of Castelnuovo Berardenga. With terrific 2016 in pocket it adds up to immediate gratification giving way in credence to structural organization. This is the 2019 find from Annata so many of you will have been looking and waiting for. Precise and focused are certainties though it is the way its silky texture slides down and its fine tannins only limelight the layers the pleasure along that ride. Great work from field to table from the brothers Boscu Bandinelli Bianchi. Drink 2022-2033. Tasted February 2019  illadigeggiano  andreaboscu  barrelselect  @VilladiGeggiano  @BarrelSelect  @villadigeggianowinery  @barrelselect

Consorzio Vino Chianti Classico President Giovanni Manetti, Fontodi, Panzano in Chianti

Fontodi Chianti Classico DOCG 2016

There are so many attributable aspects at play upon arrival at 2016 for Fontodi. Tasting three times in 2018 with Giovanni Manneti lent much discussion to the anticipation of this vintage even though it hot not yet been poured. The newer vineyards have entered a new period of maturity, coupled with the older Conca d’Oro vines and in the breathing of 2016 all adds up to a pinnacle of sorts. This is an uncompromising Annata of fruit, acidity, oh acidity and all around structure. It’s actually a bit chalky at this stage and the finest tannins still dominate the scene. Will be one for the ages. Drink 2021-2028. Tasted February 2019  #Fontodi  rogersandcompanywines    @rogcowines  Az. Agr. Fontodi

Fontodi Chianti Classico DOCG Filetta Di Lamole 2016

Once again Lamole both astonishes and confounds. It’s make-up, constitution and display are unlike any other in Chianti Classico. It’s both liquid lava flowing and petrified, salumi cured and fresh as just picked red fruit. It’s quite a scene this Fontodi from land occupied by cousins to Giovanni Manetti, sangiovese that is chewy but linear, chalky while viscous, savoury but far from herbal. It’s the umami of Chianti Classico sangiovese I suppose. It’s so singular and needs to be investigated, nosed and tasted, again and again. Drink 2022-2029. Tasted February 2019

Paolo de Marchi, Isole e Olena

Isole E Olena Chianti Classico DOCG 2016

Was finally bottled in July, to be released in February. “I like 2016, it’s a very different vintage.” As usual there is 15 per cent canaiolo mixed in. Why Canaiolo? “Because it’s from here. And it’s a late ripening variety like sangiovese, and also not heavy and jammy like merlot.” Canaiolo is like sangiovese in that it must be selected and used in very particular ways. Paolo’s is actually a darker depth of fruit from 2016 while the spice is so much more sophisticated. There is so much wisdom now, more than even before and a calm, settling depth about this wine. Last tasted November 2018 and February 2019  #isoleeolena  @HalpernWine    halpernwine  Isole e Olena  @halpernwine

Chianti Classico 2016 is composed of 80 per cent sangiovese, (15) canaiolo and (5) syrah, which since the 1980s has always held a spot, in fact it may have been as much as 10 two plus decades ago. Paolo de Marchi explains.”Syrah in my opinion, was really about thinking, about blending in an earlier ripening variety.” It also added colour, not for quality necessarily, but for pleasure. “If I were a consultant I don’t think I would recommend to plant it anymore.” But Paolo loves it, its bright acidity and lower pH, and loves the warmth. You can feel the liquid peppery hug from the combination of canaiolo and syrah in the constitution of this CC and now a new texture evolved from a traditional one, clearly passed on through generations. It is spoken in the clarity of this 2016, but it has taken decades to arrive here. Finessed, soft tannins and an effulgent acidity wrap fruit chewy and yet very crisp. Singular again and alone but quicker to please, at least for now. Perhaps it too will shut down in 2019. Perhaps not. Drink 2019-2028. Tasted February 2018

Il Molino Di Grace Chianti Classico DOCG Solosangiovese 2016

”I think it’s a very good vintage,” announces Iacopo Morganti and that is all you really need to know, though take the time to glide along and feel the in synch moving parts. This is essential and partisan to gain an understanding ingrained of deepest knowing. There is something about this house style, this estate gathering and this layering of no-proviso, 100 per cent sangiovese. It walks you down all the way to Rimocine, down to the bottom of the Grace vinyards, looking up at San Francesco and the vines all around. This transports you to a place. Isn’t that what you want? That and great fruit, acids and fine tannin. Southeast Panzano sangiovese incarnate. Drink 2021-2028. Tasted February 2019

Colle Bereto Chianti Classico DOCG 2016

So accomplished, respectful and purposed. Knowable, knowledgeable and guaranteed to educate on the merits of growing, picking and sorting perfect fruit. The furthest from rustic that you will find or know. Dark fruit, succulent acids and some of Radda in Chianti’s finest tannins. Drink 2020-2027. Tasted February 2019  olleberetowinery   @NokhrinWines  Azienda Agricola Colle Bereto  Azienda Agricola Colle Bereto

Le Fonti Di Panzano Chianti Classico DOCG 2016

Officially still a tank sample but it is a finished wine, just awaiting DOCG approval. Very firm and juicy, replete with the classic Le Fonti aromatic profile, of salumi, fennel, herbs and salty savour. Fruit, acidity, structure all there in fineness and Panzano culpability. Needs a year to come together, at least, for sure. Essentially 90 per cent sangiovese give or take a point or two with merlot and cabernet sauvignon. Drink 2020-2027. Tasted February 2019  poderelefonti  thevineagency  @LeFontiPanzano  @TheVine_RobGroh  Fattoria Le Fonti – Panzano   @thevineto

I Fabbri Chianti Classico DOCG Lamole Olinto Grassie E Figlio 2016

From a normal vintage really, warm in Spring, hot in summer and back down to pleasant in the fall. A phenolic journey just right for Lamole, More savour, in fennel and gariga than ‘7, surely not as juicy sweet. Still so mouth watering in a way that most sangiovese doesn’t normally accede. This really sparks the taste buds and livens up the energy required to come back again and again. Succulence through acidity assured. Really proper. Drink 2019-2024. Tasted February 2019

Barone Ricasoli Chianti Classico DOCG Brolio Bettino 2016

There is no other name in Chianti Classico that speaks to tradition, formula and success like Bettino. Bettino ’16 is a clarity that is Ricasoli. Sits up at the peak of generosity at a vortex where the fine history of a terroirist’s prayers of intercession come together. As one voice they speak of acidity and structure, brought in to meet, engage and commune at a masterly rendered vanishing point. It’s a rich one Mr. Ricasoli, but one that can be shared and enjoyed by many in the congregation. Drink 2021-2026. Tasted February 2019

Querciabella Chianti Classico DOCG 2016

On the ripest side of 2016 life, Querciabella’s Annata is all in, developed, deep and pure. The fruit already there, unencumbered by holds barred and of a picking that pushes the envelop to gratify at the highest level. There’s nothing stopping the early enjoyment and while the tannins are anything but astringent they are there, albeit sweet and fine. Drink 2020-2023. Tasted February 2019   querciabella  grape_brands  @Querciabella  @querciabella

Luiano Chianti Classico DOCG 2016

Quite the extracted and pressed Annata of sangiovese florals and liquor so dark cherry and even a note of Cassis. A bit of cabernet methinks, along with warmth, a big San Casciano bear hug and all you could want from a wine meant to offer up some love. XOXO for sure. Last tasted February 2019  luianowine ale_luiano  tre.amici.imports  @LuiLuiano  @treamiciwines  Luiano®  Alessandro Palombo  Tre Amici Wines

While 2014 showed a winemaker’s ability to survive and ultimately thrive in spite of a great challenge and 2015 proved a different sort of sangiovese mettle, 2016 is more accented and accentuated. The tobacco mid-point on a crunchy mid-palate moves away from gelée and into gravelly pronouncements. Though only in bottle a few days you can’t help but feel the power, grit and structure from this youthful 2016. It’s so very primary and needs to be heard but I’ve asked for a rain-check, looking forward to a re-visit in late ’18 or early ’19. Drink 2019-2023. Tasted February 2018

Casa Al Vento Chianti Classico DOCG 2016

‘Tis a savoury and yet also rich Chianti Classico, pretty much what you’d want and expect from Gaiole in Chianti. At present it’s found somewhat in a shell with inherent structure from what seems like a pretty solid variegate of soil. You can sense Alberese, Galestro and clayey-marl in the layers of fruit and the blocks that stack one upon the other. An unmistakeable sangiovese albeit well-extracted and very modern. Drink 2021-2025. Tasted February 2019

Ruffino Chianti Classico DOCG Santedame 2016

Santedame is quite traditional Chianti Classico, straight ahead with tart red fruit, a tad sour-edged and one of the keepers of the words. Classico, as in what came before and needs to continue, plus Chianti, place in a territory where things are always what they are. Don’t expect much change from this wine. It is loyal to its lineage and proper. It’s also really well made in a very good vintage. Drink 2020-2024. Tasted February 2019

Villa Trasqua

Villa Trasqua Chianti Classico DOCG 2016

Trasqua’s Annata comes from a special sway of land, from a valley floor sweeping over gentle hills to create sangiovese of ease and drink ability. You can basically back up the truck for this one without needing to wait or expect later miracles. That said the acidity and tannin are fine, present and accounted for, so all the boxes are checked. Drink 2019-2023. Tasted February 2019     @tenutavillatrasqua  @HULSI_II  Frontier Wine Merchants  villatrasqua

John Matta and John Szabo at Vicchiomaggio, Greve in Chianti

Vicchiomaggio Chianti Classico DOCG San Jacopo 2016

A varietal sangiovese with full fruit freshness intentions though there is some sweet herbal aspects to go along. Quite fresh and youthful with minor tannic structure. Don’t lose these in the cellar. They are ready whenever you are. Last tasted February 2019

A syrup quells and wells on the nose in Vicchiomaggio’s Greve drawn San Jacopo, like an anaesthetic offering temporary numbing before the scents of fennel and baking spices shake you clear. Here the vintage is spoken early and with weight, density and deep impression. Everything fires on quick cylinders; fruit, wood spice, smoulder and verdant savour. It’s all in and immediate. Drink 2018-2021. Tasted February 2018

Cantalici Baruffo Chianti Classico DOCG 2016

Quite a barrel affected Annata with a richness of fruit that can handle the toasty wood and carry forward with expressive character, along with quite alimentary tannin. It’s not so much an older schooled Chianti Classico as much as it’s one of swagger, ambition and going hard for the vintage. Drink 2020-2025. Tasted February 2019  cantalici_winery__  @wineCantalici  Cantalici  Carlo Cantalici  Angela Butini  

Borgo Scopeto Chianti Classico DOCG 2016

Very getable 2016 sangiovese straight shooter with a glass full of cherries and quick to the point acids. Zero tannin means drink this as young as is humanly possible and let everyone enjoy the wholly ubiquitous, international and easy to appreciate style. Drink 2019-2020. Tasted February 2019  borgoscopetorelais  @BorgoScopeto  @rubenelmer  Borgo Scopeto  Ruben Elmer


Chianti Classico Riserva DOCG 2016

Villa Le Corti Principe Corsini Chianti Classico Riserva DOCG Cortevecchia 2016

A river of stones up on the Corsini hill provide the elemental fodder to generate vine health in a territory where altitude and exposure are everything. At least in the case of Cortevecchia. The richness of savoury edged cherries meets very fine tannin and a princely cohort of conscious movement. The old court is the wine for the decade at this very particular vantage place and place, in Riserva form. Drink 2021-2027. Tasted February 2019  principecorsini  artisanal_wine_imports  @PrincipeCorsini  @ArtWineGuru  Principe Corsini  Artisanal Wine Imports

Who does Il Molino di Grace’s Iacopo Morganti remind you of?

Il Molino Di Grace Riserva Chianti Classico DOCG 2016

Welcome to the new world Il Molino di Grace order. Here along, after and in addition to the Annata that changes everything is a crunchy and chewy Riserva of pure, laser focus. An extension of Annata with deeper fruit and confidently brighter than most Riserva. The selection is not merely impressive, it’s necessary. The opening farewell is just the beginning of the end. The fruit sits way up on high, on a hill where acidity and tannin live intertwined, transparent and monumental. Sangiovese on its own in Riserva might need help, a little bit of support to elevate and celebrate a little bit of everything. Not this IMG. Solo suffices with ease. It’s already got a little bit of everything. Marks the first of more steps to come for an estate ready to climb into a highest Chianti Classico echelon where it wants, needs and deserves to be. Drink 2021-2029. Tasted February 2019

Bibbiano Chianti Classico Riserva DOCG 2016

Bibbiano’s ’16 wears a robe of wood and wears it well. There are notes expected in lavender, vanilla, graphite and syrupy berries but all swim together in the same and forthright direction. As with the pervasive Bibbiano oeuvre there’s time ahead before learning will push forward to allow this great vintage fruit to poke through as sunlight through the trees. Please, I implore you to wait for that glorious moment. Drink 2022-2027. Tasted February 2019

Dievole Chianti Classico Riserva DOCG Novecento 2016

A highly focused, geographically compassed, navigationally composed and just plain oozing sangiovese in Riserva form. Many facets are at play and to thank; Vagliagli, Castelnuovo Berardenga and concrete eggs are just a few though truth be told, in Dievole’s case, are all larger than life. They all contribute for presence, texture and ultimately, dreaminess. Drink 2022-2028. Tasted February 2019  @dievole  profilewinegroup  @Dievole  @ProfileWineGrp  dievole  Profile Wine Group

Barone Ricasoli Brolio Chianti Classico Riserva DOCG 2016

Riserva is but a bambino, locked tight, with great acidity, fruit agglomerated as one from a selection of all the vineyards. It’s the Ricasoli signature sangiovese dish, a true estate combinative Riserva. This is like taking a tour through all of the plots scattered around 270 hectares, to gain an understanding of what goes into making this Gaiole in Chianti body of work. The insight and grasp is yet unfulfilled because in this case it will take some time for all the moving parts to come together. Solid work in Riserva regardless, really really solid. Drink 2021-2026. Tasted February 2019  ricasoli1141  francescoricasoli  churchillcellars  @ricasoli_1141  @imbibersreport  @ricasoli1141  @imbibersreport

Mazzei Ser Lapo Chianti Classico Riserva DOCG 2016

Big 2016 fruit from the Mazzei family, with a massive amount of concentration to meet a grip no honest man can pay. Clearly a wine of maceration, concentration and fine liquid tannic focus. Long and true in the context of the tradition of Ser Lapo. Drink 2021-2025. Tasted February 2019

Rocca Delle Macìe Chianti Classico Riserva DOCG Famiglia Zingarelli 2016

Classic firm and over delivering entry for a Zingarelli Riserva built to last. Succulent of red fruit rolling round beneath a hard savoury candy fruit shell. Such a rich edition with lights flared and motor running. I’d wait a couple of years for the richness of 2016 fruit, the warmth and the bones to get together. Drink 2021-2027. Tasted February 2019  @roccadellemacie  @roccadellemacie  @ProfileWineGrp  Profile Wine Group  roccadellemacie

@castellovicchiomaggio

Vicchiomaggio Chianti Classico Riserva DOCG Agostino Petri 2015

Riserva Petri is the largest of the Vicchiomaggio cru, in production of 500 hL so 60,000 bottles. Aged in used barriques and large barrels. A deeper and darker sangiovese so silky and smooth. There is now a balsamic and truffle aspect to the aromas, with some chocolate on the palate. Last tasted February 2019

Agostino Peri is an expressly and explicitly written Riserva from Vicchiomaggio, dusty, high in acidity and ultimately, ostensibly wholly, traditional. Sits on a perch above Greve in Chianti lands to tell the world. Drink 2019-2024. Tasted February 2018


Chianti Classico Gran Selezione DOCG 2016

Conti Capponi/Villa Calcinaia Chianti Classico Gran Selezione DOCG Vigna Contessa Luisa 2016

Now for something completely different. The Contessa’s vineyard is a lifelong dream and confounding sangiovese from which to grab attention. She’s immediately elegant and charming and then so closed. She is predicated on darkening red cherry fruit but her acidity is formidable and so the connection is severe to establish. She lingers with you for so long that you don’t know what to do because she was never really accessible to begin with. Teasing Gran Selezione, an incubus for now, but eventually you will realized the dream. FYI, the oldest estate 1959 planted Contessa Luisa vineyard was dedicated to matriarch Luisa Vonwiller. Drink 2023-2033. Tasted February 2019  @villacalcinaia  @Nicholaspearce_  villacalcinaia  nicholaspearcewines  @calcinaia  Nicholas Pearce

Castello Di Ama Chianti Classico Gran Selezione DOCG Vigneto Bellavista 2016

It’s worth noting that Bellavista is the Gran Selezione passed over in 2014 because it is only deemed worthy of being made in the most concentrated of vintages. Bellavista may be a brother to San Lorenzo but they really couldn’t be any different. Deeper, richer, more tannic and structured, with a chalkiness that speaks to white limestone. But it’s a not a lightning, bright red fruit sangiovese, no rather it’s strong, deep, grippy, brooding and built for the longest of of hauls. This fulfills the wishes of a very specific type of Chianti Classico, of an emperor’s structure in sangiovese clothes. Drink 2022-2030. Tasted February 2019

Conte Capponi/Villa Calcinaia Chianti Classico Gran Selezione DOCG Vigna Bastignano 2016

Capponi’s Bastignano is a Gran Selezione consistent and repetitively persistent to speak its singular truth. It is truly hematic, a sumptuous, oozing full-fruit sangiovese with above the left bank of the river Greve coursing through its blood. Very smooth, seamless, finely tannic and beautifully high in ripe acida. If all GS carried such acid then the category would float even higher. Drink 2021-2029. Tasted February 2019

Castello Di Ama Chianti Classico Gran Selezione DOCG San Lorenzo 2016

San Lorenzo will gift all that Ama has to offer with respect to sangiovese for the 2016 vintage. The fruit is quite dark cherry, perhaps exceeding acquainted expectation though truth be told expectation is easy to handle when vineyards, fruit and seminal acidity do what they do. Far from a tumult of tannin sacrifices nothing to pleasure. A great San Lorenzo many will simply want to drink. Drink 2020-2027. Tasted February 2019

Conti Capponi/Villa Calcinaia Chianti Classico Gran Selezione DOCG La Fornace 2016

Vigna Fornace, “The Furnace” is indeed the warmest of the Capponi Gran Selezione, full of gathered 2016 sunshine, ready to melt in the mouth acidity, tannins and in this case, chocolate. The acidity is very different to Bastigano, here cured, developed and dare it be said in such a young wine, assimilated. Drink this younger while ye wait for the bigger structure and high tonal Bastigano. Drink 2019-2024. Tasted February 2019

Rocca Delle Macìe Gran Selezione Chianti Classico DOCG Riserva Di Fizzano Single Vineyard 2016

In 2016 the cards all align for this ubiquitous and all pervasive get to market Gran Selezione, with a sweet fruit core and satiny viscosity to tell the tale of an estate and a category. This is so very stylish, cultured and rendered sangiovese with round edging, good quality acidity and a voice to last a generation. Drink 2021-2029. Tasted February 2019


Chianti Classico DOCG 2015

Tenuta Perano Chianti Classico DOCG 2015

The second harvest (though the first to enter the market) for Frescobaldi’s Tenuta Perano in Gaiole is a fortuitous one and you have to see these steep vineyards for yourself to believe what possibilities there can be. The unusual situation of a simultaneous release alongside the same vintage Riserva is necessary and understood because the ’14 fruit was de-classified and sold off. Chianti Classico Annata is proper when this much freshness abounds, with high acidity and Gaiole savour. So very and bloody Gaiole and I say this with blood orange in mind. There is also a forested nod and a wink in affinity over the hills to Radda but this remains secure in its Gaiole clothing. The angles, slopes and aspects of Perano’s steepness are echoed in the way this sangiovese ambles across the palate, expanding and contracting as sangiovese likes to and will often do. Temperature fluctuations will also impart this sense of breaths taken in and out. Great intrigue here and with no surprise why Frescobaldi coveted this impressive property. Drink 2018-2022. Tasted September 2018 and February 2019

Losi Querciavalle Chianti Classico DOCG 2015

Let’s talk about sangiovese needing time. Even this generous and rapturous 2015 from the Losi family is not ready to tell its Castelnuovo Berardenga, on the road to Pontignano truth. Not yet. Annata yes I know but structured like the chapels that take a decade or more to restore after many centuries of formidable architecture refusing to yield. Like this Alberese fed sangiovese. Always a firm one of honest and fair play. Drink 2021-2028. Tasted February 2019

Le Cinciole Chianti Classico DOCG 2015

Quite the tangy and chewy number this ’15, let bleed from Panzano Galestro, at once torn and frayed and then fully engaged in its business. This has got you by the cherries that much it’s true and while it’s a bit out of its musical element there’s a charm about it’s country twang. Drink 2020-2024. Tasted February 2019

Stefano Farina Le Bocce Chianti Classico DOCG 2015

Fleshy, somewhat morbido, dark red to black fruit sangiovese with some complications, notably acidity that stands apart. Fruit so savoury and tangy tart leaning into a raisin direction. There’s an intensity, a high tonality and also a depth of dried fruit. Drink 2020-2023. Tasted February 2019


Chianti Classico Riserva DOCG 2015

Le Fonti Di Panzano Chianti Classico Riserva DOCG 2015

Two years in the barrel (400 and 500L, one is Hungarian Kader), again approximately 90 per cent sangiovese and the new wood in ’15 was in the 20 per cent range. Here comes that Le Fonti aromatic profile again, as distinct as any sangiovese you will ever nose. Would like to think they could be picked out of a line-up anywhere. Savoury, salty, cured, elegant and pure pleasure available. The quietest 15 per cent alcohol anywhere and from the coolest part of Panzano, to the east. Drink 2021-2028. Tasted February 2019

Rocca Di Castagnoli Chianti Classico Riserva DOCG Poggio A Frati 2015

Poggio A Frati 2015 is primarily sangiovese though usually contains a few percentage points of canaiolo, for tradition. The vines grow on 12 hectares of schisty Alberese soil at Poggio Frati, “the hills of the friars.” The generous season is blessed of beautifully defined tannins, fine and sweet, with that vintage’s glycerin fruit and really intense acidity. This is such a baby but with tannins so accomplished there will be a really fine future, sooner and later. Drink 2021-2029. Tasted February 2019  roccadicastagnoli  profilewinegroup  @Roccacastagnoli  @ProfileWineGrp  Rocca di Castagnoli  Profile Wine Group

Castello Di Querceto Chianti Classico Riserva DOCG 2015

Classically styled 2015, honest, pure and welling with extracted sangiovese depth. Acidity, grip and then tension all consistently woven from and beyond Annata, but it too is silky smooth,with a liquid liquorice ooze. Smooth bitter balsamic finish. Drink 2020-2024. Tasted September 2018 and February 2019   castellodiquerceto  profilewinegroup  @CastQuerceto  @ProfileWineGrp  Castello di Querceto  Profile Wine Group

Tenuta Perano Chianti Classico Riserva DOCG 2015

In Riserva the essence of this Gaiole location is continued to be captured, along with a strong Frescobaldi identity instituted for an early defined Perano style. It’s a severe set of vineyard landscapes here and appropriating the place is necessary to making quality sangiovese. The sanguinity and orange citrus aspects speak of the white limestone and chalkiness in the soils, here accompanied by a Riserva glaze, slightly caramelized and charred al forno. The fruit multiplied by earth richness is properly rendered and texturally you can imagine this to feel like elastic pizza dough. Acidity is everything, the key to success and the director of the project. As it should be with sangiovese, Chianti Classico and this place. The focus begins right away with vintage number one and so the future of Gaiole is ensured inclusive with the talents of Frescobaldi. Truly. Drink 2019-2023. Tasted September 2018 and February 2019  frescobaldivini  philippedandurandwines  @FrescobaldiVini  @Dandurandwines  @FrescobaldiVini  @VinsPhilippeDandurand


Chianti Classico Gran Selezione DOCG 2015:

Volpaia Chianti Classico Gran Selezione DOCG Il Puro 2015

Il Puro takes her purity to another level in 2015 with fruit so silky fine and chalky tannins integrated into liquid even finer than that fine. The accumulation is just impressive and the charm meeting grace even more so than that. The Mascheroni-Stianti family has really found a stride in this GS to explain why it exists and how it can make many people happy. The structure here will take this through two or three decades of unfolding. There is a house record to prove it, ironically regardless and in spite of the bottle’s name. This is sangiovese. Drink 2023-2037. Tasted February 2019

Susanna Grassi of I Fabbri

I Fabbri Chianti Classico Gran Selezione DOCG 2015

A choice selection of sangiovese only from the oldest vineyards (1969 and 1984, planted by Susanna Grassi’s father Guiliano). The fine, fine lines, streaks and sets are all a matter of taking the best of the best. The two wines made before this were 2011 Gran Selezione and 2007 (special) Riserva. Texture is drawn from altitude, climate and states of grace. Susanna believes that a special bottle should be made in only the most special vintages. A pretty good argument for commerce in terms of the category, if not everyone were to make it every year. A serious argument. No make-up, no overblowing of extraction, wood or horns. Know this wine. It’s from Lamole. Drink 2021-2034. Tasted February 2019

Colle Bereto Chianti Classico Gran Selezione DOCG 2015

Here is a rich, rendered and Radda rocking Gran Selezione with dark fruit, high acidity and really sweet tannins. So very stylish with a keen sense of itself and who it aims to please. Colle Bereto’s bring the cleanest fruit and Bernardo Bianchi’s are very confident Chianti Classico, sempre e per sempre. Drink 2022-2031. Tasted February 2019

Il Molino Di Grace Chianti Classico Gran Selezione DOCG Il Margone 2015

Molino di Grace’s Margone 2015 perpetuates the previous and original epoch for the estate, healthy, ambitious, full-bodied and of a wealth by fruit multiplied through wood. While it has always been a celebration of its land, it has also always been a wine made big, bold, spicy and tannic through the ushering along of real men’s barrels. That said Margone ’15 is the most calm and layered one to date, full of textures, tapestry and chewy rapport. It marks a turning point, not a complete one, but surely the one where both feet are securely and confidently striding forward into the new dimension of re-invention. Drink 2022-2029. Tasted February 2019

Rocca Delle Macìe Chianti Classico Gran Selezione DOCG Sergio Zingarelli 2015

The 2015 Zingarelli Gran Selezione is a taut, youthful, fresh and also very tannic sangiovese. The toasty wood notes and chocolate are much in play with the fruit still tied up in youth. It’s one that takes all that ’15 wants to give, big, dense and and weighty. Will take five plus years to unfold and reveal, then five more to establish its territory. Castellina in Chianti. Drink 2023-2031. Tasted February 2019

Marchesi Antinori Badia A Passignano Chianti Classico Gran Selezione DOCG 2015

Instantly recognizable archetype of the continuum in Chianti Classico excellence and one of the original seven Gran Selezione. Badia a Passignano comes to life in 2015 with the generosity of fruit that not all in the top of the pyramid category will exhibit as best in show. The classically styled tenets of structure, acidities and tannins are qualified fine as fine can be. Purposefully produced to be this way, to dot every I, T and traditional Italian restaurant wine list. Very fine. Drink 2019-2025. Tasted November 2018 and February 2019  marchesiantinori  halpernwine  markanthonyqc  @AntinoriFamily  @HalpernWin e  @MarchesiAntinori  @halpernwine

Chianti Classico Riserva DOCG 2013

Villa Di Geggiano Chianti Classico Riserva DOCG 2013

Geggiano’s ’13 is certainly a sangiovese explicit of expression within a sub-category that falls inside the category of multiplicity that is Riserva. That it took five years to come to a place of accessibility is no shocker and shares yet another detail of this nook in the western edges of Castelnuovo Berardenga. The perfume is beginning to emerge with truly succulent red liqueur. Very prominent (and promising) which is funny to say for a wine now heading into middle age, but not for Geggiano where sangiovese needs as much time as any. Tannins are fine but still in charge. Clarity and purity are surely defined. Wait another year for the next level of perfume and presence, though to be fair the structure is just a shade below the ’12. Drink 2020-2028. Tasted February 2019

San Francesco in the vineyards of Il Molino di Grace

Not currently in Ontario market Chianti Classico

These are the wines from producers without importation agency representation in Ontario but also wines represented in Ontario that are not currently available. They may either be brought in periodically through Private Order or have not yet been imported at all.


Chianti Classico DOCG 2017

Riecine Chianti Classico DOCG 2017

Riecine’s is the true limestone sangiovese, of pure and striking, fast as lightning red fruit. This is without any equivocal wavering a Chianti Classico for purists, for those who look to tradition and who seek the truth, with the most clarity and modernist’s approach. The acids are perfectly succulent, defined and refined. An Annata that will live in infamy, fifteen to twenty years or more I should think. Drink 2021-2035. Tasted February 2019

Podere La Cappella Chianti Classico DOCG 2017

Sangiovese with merlot in two and three year old botti and barriques, to be bottled in two weeks. Smells like Colombino stone, licked by rain with the fruit at its highest La Cappella promise. It’s never been this rich or full but sapidity will always streak through these wines. It reminds me of really high quality mencìa, in a way, piqued by toasty spice, juicy and ready for great meats and roasted vegetables. Drink 2020-2028. Tasted February 2019  natnito  #poderelacappella  Natascia Rossini

Podere Poggio Scalette Chianti Classico DOCG 2017

Quite forward and viscous for a Jurji Fiore Annata at so young a moment which tells us that in the heat of 2017 the highest altitudes were able to not only get to maximum phenolics but also do it with an accumulation of next level texture. For those who love Scalette’s lighting sangiovese and for those who like it real and those also those who want crushable this hits every collective note. Drink 2020-2025. Tasted February 2019  PoderePoggioScalette  profilewinegroup     @ProfileWineGrp  Podere Poggio Scalette  Profile Wine Group

Castello Di Monsanto Chianti Classico DOCG 2017

Once again here is the Castello di Monsanto perfume, distinct, proper, self-effacing correct and then into a purity of taste and texture to carry the name. Sangiovese and the meaning of what is now known collectively as Barberino Tavarnelle. A bit crunchy this early, indeed it is very young and will officially go to bottle in two weeks, though the wine is clearly a finished one. Another gem from Laura Bianchi. Drink 2020-2027. Tasted February 2019   castellomonsanto  @castelmonsanto  @castello.dimonsanto

Fattoria Montecchio Chianti Classico DOCG ‘Primum Line’ 2017

Spring frost has resulted in minuscule quantities from a very young vineyard (though 22 years of age). Pretty impressive for Annata, with enough freshness to balance the weight and the sheer presence of this wine. This is the Premium (Primum) alternative to the original and much larger production Chianti Classico DOCG. Drink 2020-2025. Tasted February 2019

Fattoria Di Montecchio Chianti Classico DOCG 2017

The original, historical label, having been 140,000 bottles production. A year in grandi botti plus four months in bottle before release. Classic, savoury, San Donato bigger, silky and smooth style. Not hard to understand and easy to drink. Find some of this ’17, drink it while waiting for the more structured 16s and stay loyal to a fine, honest and hard working house. Drink 2019-2021. Tasted February 2019

Alessandra Casini Bindi Sergardi and Giulia Bernini


Chianti Classico DOCG 2016

Podere Cianfanelli Chianti Classico DOCG Cianfanello 2016

From David Cianfanelli in the most northeasterly corner of the territory in Greve. Tight and also reductive, or hand in hand in a way and über promising. Reminds me of the sangiovese styling by Luca Martini di Cigala at San Giusto e Rentennano, serious, in control and perfectly reasonable for what the vineyard wants to give. Lithe airiness in here, with clay and Galestro in the vineyard. From a warm location butted up against a cooling hill. Goes both ways, AC/DC, with savour and rich fruit but so in balance. Acids are prepared, round and supportive while tannins take charge in the long winded end. Drink 2021-2028. Tasted February 2019

Istine Chianti Classico DOCG Vigna Istine 2016

Eponymous winery vineyard facing northwest, surrounded by forest at 550m, rocky, steep, full of both Galestro and Alberese, bottled in May 2018 and will be sent to market in January 2019. The dusty, savoury and structured one, from the steep slope and if there is a vineyard that delivers more black olive tapenade and wild earthy complexity, please let me know. This needs time, loads of precious time to get into a charming place. It’s a matter of layers waiting to peel back, air and breath. It’s also a thing of powerful beauty, linear, direct and vines that breathe in the forest and bathe in the morning sun. Harvested third week of October, a month before 2017 and two weeks before what will be in 2018. Submits a new voice into the modern lexicon of Chianti Classico. Drink 2021-2028. Tasted September 2018 and February 2019  istine_raddainchianti  angela_fronti    @istineraddainchianti

Fattoria Pomona Chianti Classico DOCG 2016

Essentially 100 per cent sangiovese, from the better and higher part of the vineyards planted in 2004 and 1998. From hot days, cold nights and eight months in barrel. Beautiful. Fruit, fruit and more fruit. Calcareous marl and Alberese stone interchangeable for the make up the vineyard and the house, with pietraforte, quartz, everything all in, together in conglomerate. In the end, combined with organic farming and low pH, there is a salty vein running through the deeply rendered red fruit. Sapidity unique to this vineyard. Perfect with caponata, carpione and pecorino. This Annata needs to be drawn from every part of the estate because it’s terroir is one of the most variegated in all of the territory. Drink 2018-2022. Tasted September 2018 and February 2019  fattoria_pomona    @fattoriapomona

A result of our manic research on the quintessential search for #sangiovese in Radda and @valdellecorti. Roberto Bianchi’s sangiovese, now with even more consciousness.

Val Delle Corti Chianti Classico DOCG 2016

Just bottled and I mean just bottled, a sangiovese of bright red to purple fruit with a 30-40 per cent assistance by what Roberto Bianchi employs through fermentation called “piemontazino,” or macherazione carbonica a capello son merso.” Leaving 30-40 per cent of the fruit in stainless steel tank on skins for three to four months. Tames the Raddesse acidity for the Annata and makes it more than drinkable. In 2016 it’s crushable, back up the truck gulpable. Beauty in sangiovese, questa, è radda. This, is Radda. Drink 2019-2023. Tasted September 2018 and February 2019  valdellecorti  @ValdelleCorti  @valdellecorti

L’erta Di Radda Chianti Classico DOCG 2016

A tightly wound, sharp as a tack, robust, fascinating, lightning quick sangiovese with Galestro and altitude in its blood. Really forceful through the brightest red fruit in the book. Intensely red liqueur wowing with no loss of pulse, tempo or fast paced drum kit animale. Radda Sangiovese strike straight to the heart. Drink 2020-2027. Tasted February 2019

Poggerino Chianti Classico DOCG 2016

You must walk these Radda vineyards to understand what’s in this glass. Regard the way the rows of vines change colour in September and give up a variability of timing. It is these stops along the way where winemaker Piero Lanza makes his picks then crushes, macerates and collectively ferments. It results in the most seamless, albeit high alcohol, glycerin and textured sangiovese. It is Chianti Classico made precisely the way it needs to be made from this very specific place. Drink 2021-2028. Tasted February 2019 fattoriapoggerino  vins.balthazard   @vinsbalthazard  @poggerino  @VinsBalthazard

Poggiopiano Chianti Classico DOCG La Tradizione 2016

One of the new standard bearers and setters for San Casciano sangiovese. A massively structured Annata that will need rest and will eventually emerge in time. While more traditional than the sister ’16, this comes as no surprise considering the name. Tart and intense, Alberese demanding and purposed, asking for and being granted the request for a return engagement at a much later date. Drink 2022-2029. Tasted February 2019

Fattoria Montecchio Chianti Classico DOCG ‘Primum Line’ 2016

Quite reductive and wound with a tightness that moves the adage one step up the rung, the one that says sangiovese needs time. For ’16 it’s a matter more pressing and a story yet to be told. It’s tart but so very layered and there’s a feeling of Galestro here, with a darker chalky texture and mouthfeel. Perhaps not the same weight as 2015 but more power and structure by a mile. It’s about preference of style and vintage variation. You may have to drink 15s while this waits two or three years before seeing the glory unfold. Drink 2021-2027. Tasted February 2019  fattoriamontecchio  @FattMontecchio  Fattoria Montecchio

Fattoria Dell’aiola Chianti Classico DOCG Aiola 2016

High glycerin, chewy, textured, tangy and ropey red fruit Annata with great purity though certainly up there in ripeness, alcohol and ambition. Reminds of the dark and intense sangiovese from Galestro marl west of the Arbia River though it’s not as deeply rendered and the tonality is a bit higher. Surely seems like Castelnuovo (and turns out it is) but in the northeast, off of slopes abutted up against Radda. If you’ve not heard of Aiola you and I need to know this estate and their vineyards, which certainly present sangiovese right up there with some of Chianti Classico’s finest. Drink 2020-2027. Tasted February 2019

Ormanni Chianti Classico DOCG 2016

The combination of Poggibonsi and Barberino val d’Elsa is Ormanni’s trump card, a straddling of commune borders that creates the ideal estate Annata in perfect alignment. It’s really layered and sumptuous, old school at heart but clear, pure and honest, always looking straight ahead. There’s no rusticity but there is this red fruit beauty that reminds of days of yore. Drink 2021-2027. Tasted February 2019  #fattoriaormanni  rogersandcompanywines    @rogcowines  @fattoriaormanni  @rogcowines

Monte Bernardi Chianti Classico DOCG Retromarcia 2016

Retromarcia represents 75 per cent of the production from vines under 50 years old, averaging 13 years of age, from all four points on the estate. “The workhorse,” says Michael Schmelzer, giving perfume, tannin and a great chew. La matematica è bella; 75 per cent of 75,000 bottles on 75 hectares, of Galestro (70 per cent), purple-brown shale/pietraforte-sandstone (20) and Alberese (10). Made by adding stems back, but not before in the carbonic maceration way. “because that’s winemaking. I feel that I’m adding tannins and de-acidifying naturally, increased in cold years and decreased in the hot ones.” It’s a matter of potassium bonding with tartaric acid dropping out. Longer macerations occur in high acid (i.e. cooler) years and vice versa. Last tasted February 2019  michaelschmelzer  #montebernardi  @montebernardi  @Michael_MonteB  @montebernardi  Michael Schmelzer 

Retromarcia is like the Swahili “pole, pole,” a reminder to us all to slow down, gear down, chill out, take it easy. This Annata has been a 100 per cent, Panzano in Chianti estate grown sangiovese since 2010. The fruit is some of the sweetest and purest sangiovese out there, with a scent of anise, a whiff of tobacco. It’s unequivocally “molto frutto,” with glycerin texture, especially for the frazione and also nosing spiced floral notes. Fresh, light in the tannic department, light in weight and also in alcohol (13.5). Just a joy to drink. As a match to an Italian racer it’s a sprinter, Gino Bartali, Cavaliere di Gran Croce, Gino the Pious, 1950 winner in San Remo. Drink 2018-2021. Tasted September 2018

Vicchiomaggio Chianti Classico DOCG Guado Alto 2016

Guado Alto is the first, La Prima of four Vicchiomaggio cru, so small in fact that it delivers only 50 hL (6,000 bottles). In Annata it is so bloody fresh and perfectly tangy, modernist with really fine acidity. Matured only in large barrels it’s a stylish, chicca of a sangiovese with the kind of length needed to sooth and keep you coming back for more. Clarity and focus in Annata incarnate. Drink 2019-2023. Tasted February 2019  castellovicchiomaggio  @vicchiomaggio  @SignatureWS1  Castello Vicchiomaggio

Montefioralle Chianti Classico DOCG 2016

Harvested at the end of September from the warmest and most gracious gifting vintage. Stock in colour may be unnecessary but oh so beautiful this one, deeply hued, rendered of a purple that’s really just perfect. Grace in acidity meets depth of fruit and such polish. There is nothing rustic about this and yet the perfumed meets spice profile is exacting and pure for this Montefioralle terroir, which incidentally is three hectares of planted vineyards. Silk in sangiovese, honest and pure. Drink 2019-2025. Tasted September 2018 and February 2019  montefioralle  @MontefioralleWi  @montefioralle  Lorenzo Sieni

Vallone Di Cecione Chianti Classico DOCG 2016

Old school, volatile, earthy, funky and very, very real. From Panzano, organic, natural and all you want in sangiovese of this particular ilk. Dreamy. Long and immediately gratifying due to being battle ready. Drink 2019-2021. Tasted February 2019

Stomennano Chianti Classico DOCG 2016

The Grassi family borgo is in close proximity to the medieval town of Monteriggioni just outside of the Chianti Classico zone. Their vineyards are Castellina in Chianti, of sangiovese and colorino grown on loose and not very deep soils where beneath there is grey clay and tufaceous rock. Their’s is lovely rich and delicate sangiovese of ripeness and verdancy intermingling. Great presence, length, high acidity and texture fills the mouth. Cool, minty, savoury. Drink 2020-2026. Tasted February 2019

Renzo Marinai Chianti Classico DOCG 2016

One step closer to a deep, deep understanding is where Marinai has arrived with this welling, oozing and fully rendered Greve sangiovese. There’s some true depth and fullness to this fruit and this constitution, not to mention architecture. Certainly filled with warmth and spice for the lovers here. Drink 2020-2024. Tasted February 2019

Poggiopiano Chianti Classico DOCG 2016

Nothing hidden here about the level of texture, aromatic layering and tannic amenability, wholly consistent if much improved impression from San Casciano in Val di Pesa. It’s a big, nearly boozy and welling to oozing sangiovese of deep cherry and next level modernity. Will please many camps, especially Italian wine lists that must have this avant garde producer on board. Drink 2021-2028. Tasted February 2019  poggiopiano.galardi  @PoggiopianoFI  @FattoriadiPoggiopiano

Bindi Sergardi Chianti Classico DOCG La Ghirlanda 2016

Full sweet natural fruit, a reductive shell and real savoury Mocenni character add up to an Annata from the generous vintage without a tenebrous bone in its body. Chewy mouthful, collected acids and finely grained tannins. A step up again for the Castelnuovo house. Drink 2020-2025. Tasted February 2019

I Fabbri Chianti Classico DOCG Terra di Lamole 2016

Take the Lamole terroir and taste it again and again. Though it may be confounding the first 10 or 12 tries it continues to educate and with time you are unable to avoid the understanding and the temptation. There is a layer beneath the Greve level, of altitude and aspect but also a variability that deems sangiovese impermeable within a context of repeatable. Hard to explain, really. Sweet as original fruit, a genesis of Chianti Classico and a fineness that slides and grooves effortless and with succulence. Drink 2021-2027. Last tasted February 2019

Lamole in Greve is the source for this high toned, stone-tined and savoury aromatic young Annata, traditional, mildly volatile in its wise rusticity and surprisingly tannic. This is the sort of pressed sangiovese you’d find over the decades, from information and technique passed down and upheld by the current generation. Continues the thread with more microbes and real live tart notes to taste. Builds and builds upon its old-school foundation. Drink 2018-2021. Tasted February 2018

San Fabiano Calcinaia Chianti Classico DOCG 2016

Rich and earthy, full dark liqueur, lots of barrel and needing time. This is brawny but needs time. It will settle, eventually and offer great pleasure. The biggest Annata from Poggibonsi, deep in clay and consistently structured this way. Drink 2022-2026. Tasted February 2019  sanfabianocalcinaiasrl  @SanFabiano  Società Agricola “San Fabiano Calcinaia”  Soleil Fine Wines

La Querce Seconda Chianti Classico DOCG 2016

Nicely funky volatile, a rich cherry liqueur, full of spice both out of the vineyard and from the barrel. There is this chewiness that is also marked by a mouthful of spice, candied flowers and calcareous chalkiness from big variegated stones in the soil. Crunchy Annata out of San Casciano in Val di Pesa. Drink 2020-2026. Tasted February 2019  laquerceseconda  #laquerceseconda  La Querce Seconda

Borgo La Stella Chianti Classico DOCG 2016

Cool climate Chianti Classico on full display here with a vintage advantage though you can’t take the hill or the place out of the sangiovese. Seriously savoury, gariga style and a cherry liqueur that’s as much liquor and very much singular of its La Stella own. Quite fine. Drink 2020-2024. Tasted February 2019  borgolastella  #BorgoLaStella  Borgo la Stella

Podere Terreno Chianti Classico DOCG 2016

Terreno’s lights are flashing with sangiovese of bright fruit and ultra high tones. That said there is a macerated and extracted depth to this, with layered acidity and grippy tannins. It’s very youthful and not showing its best, at least not yet. Might allow the shell to be cracked in a year or more likely two. Drink 2021-2027. Tasted February 2019

Vecchie Terre Di Montefili Chianti Classico DOCG 2016

Talk about exotics. The aromatics are all perfume and spice; cinnamon, clove, liquorice, star anise and Szechuan pepper. It’s a veritable Pho broth in Greve in Chianti, sangiovese clothing. The barrel is an obvious influence but the fruit remains lightning quick and culpable for place. I find it a bit thin and lean for 2016 so it’s a bit of a disparate accumulation. Drink 2021-2025. Tasted February 2019

Castellinuzza E Piuca Chianti Classico DOCG 2016

From Greve in Chianti, the sangiovese di Lamole here is strong, youthful, firm and pure. Bright red fruit so typical of the frazione indicates limestone for cherries. Also a salumi of Mortadella and yes, that sort of connection is imaginable and possible. Very fresh with big acidity from the cool night air at 550m above sea level. The inclusion of 10 per cent canaiolo only accentuates the sapidity and the terraced sense of place. If it were a rider it would be Felice Gimondi, precocious and gregarious, a rookie who was a 1965 Tour de France winner in his first try. Drink 2018-2022. Tasted September 2018 and February 2019  castellinuzza.chianti.classico    @poderecastellinuzza

Terre Di Perseto Chianti Classico DOCG Albòre 2016

Sweet and candied, high acidity but not in a VA way, though alt-morbido malic and hard candy shelled. Needs some time for the crackling and the cracking to flake away. Drink 2019-2020. Tasted February 2019

Montecalvi Chianti Classico DOCG 2016

A highly recognizable style of Annata, tangy, soil chalky and textured of sour cherries, ripe and a bit feral. Well on its way to celebrate a Greve in Chianti terroir with this sandy clay (and some Galestro) soil. Drink 2020-2023. Tasted February 2019

La Sala Chianti Classico DOCG 2016

Quite the traditional sangiovese offering up a seriously parochial San Casciano sense of place. Grounded in pace from that place in peace out to the Galestro and Argilla Rosa. Drink 2020-2024. Tasted February 2019

Le Masse Di Lamole Chianti Classico DOCG 2016

From Annamaria, great-granddaughter to founder Emilio Soccio, who with her husband Giuliano tend to some of Lamole’s highest vineyards at upwards of 650m. Their’s is a highly traditional, high acidity and sapid sangiovese at the rooftop of the territory, “il tetto del Chianti.” From the generous vintage and showing well early. Some canaiolo and colorino field blended in only accentuate the loyalty and the adherence to place. Authenticity incarnate right here. Drink 2019-2023. Tasted February 2019

Fattoria Rodáno Chianti Classico DOCG 2016

Dirty, peppery reductive and dark fruit, black earth, sharp, woody, old school and spicy. Storm clouds looming, threats on the horizon. Take shelter. Return in two years when the dust has settled. From Castellina in Chianti. Drink 2021-2025. Tasted February 2019

San Giorgio A Lapi Chianti Classico DOCG 2016

San Giorgio a Lapi is an unusually floral and aromatic sangiovese, much more so than many. It veers and teeters to the edge of geranium but manages the balance to hang on the right side of 2016. It’s a bit brittle on the palate but there is no oxidative or raisining tendency. Perhaps just a bit out of sorts at this time. Drink 2021-2025. Tasted February 2019


Chianti Classico Riserva DOCG 2016

Poggerino Chianti Classico Riserva DOCG Bugialla 2016

Piero Lanza’s selection is so smart, protracted and tidy within the framework of what a Poggerino Riserva just happens to be. It’s almost as you find yourself scanning the vineyards and your mind’s eye settles on a few perfect plants. You taste the berries from those vines and imagine them bound together in wine. This is the sangiovese mimic of those isolated points of a very special vineyard and also a perfectly constructed stone house in Gaiole, variegated, tightly intertwined and just beautiful to behold. Perfectly streamlined, built to last a few hundred years, but I would suggest to drink it 280 years before that. Drink 2022-2032. Tasted February 2019

Fattoria Pomona Chianti Classico Riserva DOCG Bandini 2016

Purity of handsome fruit lingers left, right and centre within a commission of structural components designed by nature on the road past Villa Pomona up through Castellina in Chianti. The vintage is a rich and elastic one for Monica Raspi and one she must have just delighted in simply being a part of. Elegance as the opposite of vice. Reaches all the essential peaks, plateaus and precipices where supple fruit settles and rests. Drink 2021-2028. Tasted February 2019

Tenuta Cinciano Chianti Classico Riserva DOCG 2016

Cinciano ’16 Riserva bleeds straight from the Annata in style though because of the berry concentration and extra aging it misses out on the transparency and the basic purity, at least at this so very early stage. Tannins are grippy while fluid and the vineyard waits in anything but vein. Drink 2022-2027. Tasted February 2019  fattoriacinciano  @fattoriadicinciano

Cigliano Chianti Classico Riserva DOCG 2016

A sleeper this vineyard, on a peninsula out into a great wide void of San Casciano set beneath fairy tales and vistas to set you straight. This is Riserva made to do the same, to ground you in a garden, on a perch, with nothing but tranquil surroundings. Succulent acids support ripe fruit egged on by the variegate of the soil. Drink 2022-2028. Tasted February 2019  Villa del Cigliano  dbwineandspirits    @VilladelCigliano  @dbwineandspirits

La Sala Chianti Classico Riserva DOCG 2016

What an absolutely lovely Riserva from La Sala in San Casciano, with purity, transparency and clarity. The acidity is perfectly uplifting and the fruit a loyal follower. The tannins are sweet, supple, supportive and once again the fruit tows the tannic line. Structured for a slow, soft and delicate incline, followed by a graceful decline. Drink 2020-2027. Tasted February 2019  cantinalasala  @LaSalaVini  @toohotrightnow  La Sala  Stefano Pirondi

Riecine Chianti Classic Riserva DOCG 2016

Older schooled, tart, tangy, intense, welling and oozing Riserva. Very, truly, obviously Riserva. Like ’13 in a way but the vintage is almost a polar opposite so it’s clearly an estate style in as much as there ever could be. Built to age for a long time. Drink 2022-2029. Tasted February 2019

Vicchiomaggio Chianti Classico Riserva DOCG Vegan 2016

This is note merely John Matta being whimsical or polite but a wine born of an idea to bring something to market that many people demand, want and need. A vegan wine from a specific vineyard area where no animal products are used. The whole process is certified, including the cork. There is a peppery reductive meets soil movement, here with a “natural wine” feel though it’s all red to black fruit with a stop at purple flowers. Very smooth, lightly tannic, not a rare beef pairing Riserva. Not just vegan friendly. Truly vegan. Good on you John Matta. Drink 2019-2020. Tasted February 2019


Chianti Classico Gran Selezione DOCG 2016

Vicchiomaggio

Vicchiomaggio Chianti Classico Gran Selezione DOCG Le Bolle 2016

Named for the small group of houses to which the vineyard abuts, a vineyard where the large gathering of stones resembles Les Galets of Châteauneuf-de-Pâpe. The total prodcution is 50 hL (6,000 bottles). Just going into bottle as we speak, there is a structural architecture to this Gran Selezione that stands apart. La Prima is the wine for everyman while Le Bolle will appeal to ye who wants edgy, artistic and deferential. The blood orange, cranberry, pomegranate and sapid-herbal attributes are all part of the extenuating mix. Terrifc single-block within a single-vineyard expression of solo sangiovese Gran Selezione. Drink 2022-2031. Tasted February 2019


Chianti Classico DOCG 2015

I Fabbri Chianti Classico DOCG Terra Di Lamole 2015

A blend of sangiovese and canaiolo, circa 10 per cent, including the vines planted in 1964 (by Susanna’s father Guiliano), plus 1989 and 2002. This is a whole ‘nother matter of fruit sumptuousness and exquisite tannin. There’s a fine bitters note and fruit that enters into an area where it’s almost a middle-aged, mature version of the Lamole sangiovese. The tannic structure is so very different than the “Lamole” surely because of the altitude 200m lower down the slope. There’s a bass note here apposite to the higher Lamole horns, but also something umami and salty. Wow did this need a year to open up. Last tasted February 2019

Into the Lamole lair we delve from I Fabbri with 90 per cent sangiovese (grosso) plus canaiolo nero of great potential and it should also be said, probability, if not right now then soon, very soon. This terroir is different and if we are not quite sure exactly how or why then perhaps the producers are not quite sure either. The fruit is 98 per cent ripe but I can’t help but wonder how greatness could have been were the number perfect. That may be asking too much but something is amiss, even while the dusty excesses and fine acidity support of wild red fruit is there to see, sense, feel and enjoy. That is the end game after all. Drink 2018-2022. Tasted February 2018

I Fabbri Chianti Classico DOCG Olinto 2015

From sangiovese (80 per cent) plus merlot, named after great-grandfather Olinto Grassi, nonno, patriarch and pioneer in Lamole. From vineyards at 500m and aged part in concrete plus part in barrels. A very different wine because of the merlot, more of a big hug, with sweeter and less tart acids, not the same caress in the mouth, but surely silky and easy. Get into the glass and note the orange, blood or just simply orange. Fresh and spirited regardless of merlot or not. Pair with Pino Daniele, the Italian Van Morrison. Drink 2019-2023. Tasted February 2019

Poggio Borgoni Chianti Classico DOCG Curva Del Vescovo 2015

From San Casciano, “Curve Of The Bishop” is a rich and nearly voluptuous sangiovese with more than enough fruit to withstand the triad of wood, acidity and tannin in great, systemic but manageable concentration. Yes, a truly concentrated CC to be clear and surely so, with extensions in many directions but mostly length. Drink 2020-2027. Tasted February 2019

Fattoria Montecchio Chianti Classico DOCG ‘Primum Line’ 2015

A sangiovese with five per cent Alicante Bouschet and the first of its kind in terms of Annata. Diverts 10 per cent fruit by way of selection from the original and traditional Chianti Classico and it’s quite a beautiful wine in 2015 though not as structured as 2016. It’s like a compromise between that ’16 and the coming ’17. Drink 2019-2024. Tasted February 2019

Villa Montepaldi Chianti Classico DOCG Tagliafune 2015

Very syrupy, sweet raspberry fruit, bled from San Casciano clay and some grey stone. A tannic wine too, older schooled though there is a clarity in that world it lives. Correct, proper and successful. Drink 2021-2025. Tasted February 2019

La Casa Di Bricciano Chianti Classico DOCG 2015

Pretty floral syrup that’s neither too viscous nor tart, not exactly right but certainly finding some balance. A bit resolved with melted barrel notes in vanilla and lavender. Smooth, silky, satiny, easy drinking sangiovese. There was more verve from the adversarial ’14. Drink 2020-2022. Tasted February 2019


Chianti Classico Riserva DOCG 2015

I Fabbri Chianti Classico Riserva DOCG I Fabbri 2015

From the first passage through the vineyard, when all the fruit is ripe and ready to go. Now Riserva gets serious, or not really at all, but the table is set anew with an entirely new look at the category. Chew on this fresh and leathery wine for awhile. Take your time, feel the heights and the aspects. The acidity is incredibly fine and the effect like a blood red sunset to the west of the Lamole valley. There may be five per cent canaiolo in here, hard to say because of the way and the timing of the picking. Sapidity and salinity are perfect streaks through the sunken, drunken, oxygenated red fruit. Length all the way up to Terrata and La Sala at 100m and back. Drink 2020-2029.  Tasted February 2019

Monte Bernardi Chianti Classico Riserva DOCG Sa’Etta 2015

From the sandstone (Pietraforte) soils, this is sangiovese (100 per cent) with canaiolo and malvasia nowhere to be found. The vines are also 50 years old and sure as the sun sets over the towers of San Gimignano the force of soil stone nature here is rigid, forceful and grippy. Still ripe in every which way; fruit, acids and those added back in stems that lift, strike and place. Two years in botti grandi and then another year in bottle. The perfume is blue and purple flower, i.e. violets and lavender but it almost matters very little because of the perfectly polished tannins. Straight as an arrow, chewy and sapid as the vein of that rock runs long. It’s all about instinct, long macerations and adding back those stems, because that’s the way Michael rolls. I get it because that’s the way I cook. Drink 2021-2027. Tasted February 2019

Monte Bernardi Chianti Classico Riserva DOCG 2015

It was 16 years ago that Michael Schmelzer came to Panzano with the idea to make pure and elegant wines that represent the territory. Monte Bernardi’s vineyards are in the “belly-button” at the heart of Chianti Classico, with vineyards spread out beneath the winery from 300-410m. Tannins from the Torchiatta are what Schmelzer calls “the best that you can get.” What you get from the pressings and then the ripe stems brings sapidity and longevity. The Riserva is a vineyard selection from only Galestro soils, across the road, 95 per cent sangiovese, with canaiolo and malvasia. Stems are added back in and the wine is aged in botti grandi plus tonneaux, if there is more than the botti can hold. The idea here is the soft constitution from rocks that absorb more solar radiation and yet the acidity is wound remarkably tight so imagine what’s coming next from the Pietraforte in the Sa’Etta. Sapidity is exceptional, in fact in spite of fruit right on the button it’s really quite everything. Drink 2019-2024. Tasted February 2019

Podere Campriano Chianti Classico Riserva DOCG Le Balze Di Montefioralle 2015

Exactly Campriano, distinct and luxurious in its own perfect way. it’s so very Riserva, unctuous with red fruit that seems almost completely absent of wood. because of the land, a vineyard set in the forest “and still so very present.” That also means it’s in the wine. recognizable every year. Always. The vineyard is west facing above the Greve River, on old terraces, with old stones. You can drink this now even if it’s so young. Last tasted February 2019  poderecampriano  @ElenaCampriano  Elena Podere Campriano Lapini(Podere Campriano )  Elena Lapini

Just put to market, the vintage will surely have so much to say and that it in fact already does, with a combination of perfume and spice. Still dusty, with fennel and endemic herbs, teas and brushy plants. There’s a raspberry to dried currant fruitiness that ’14 doesn’t have, also more mid-palate flesh and overall juiciness. A different sort of structure, still with long capabilities but will likely go into a drier fruit profile after the seven year mark. Elena Lapini is a very busy agriturismo and viticoltore proprietor these days and if these most recent 100 per cent sangiovese from two sides of the Greve river tracks are any indication, she’ll be busier than ever before. Drink 2019-2025. Tasted September 2018

La Cappella

Podere La Cappella Chianti Classico Riserva DOCG Querciolo Unfiltered 2015

Querciolo sees one year in barriques, of which 20 per cent is new. Takes off straight away from where the ’15 Annata wants it to, from a generosity and a perfume that stands apart because the vintage says so. There’s still a minor peppery reductive note and that will serve this wine so well going two decades further. One sip lingers so long on the back of the tongue, right in the middle, lingering like a bite of something marbled, a protein of layered flavour. Here you really get a sense of marine sediment and rocks one over the other, in perpetuity out of the soil. Drink 2021-2030. Tasted February 2019

Val Delle Corti Chianti Classico Riserva DOCG 2015

The 45 year old vines are responsible for this single cru, 100 per cent sangiovese that while older is yet bolder than the barrel sample tasted of 2016. Here you feel the hottest weeks of the summer, less elasticity, fluidity and fluency than that 2016. And yet it is so intuitively elastic, fluid and fluent in mineral rich, marly limestone soil. Here from the Corti Valley on the east facing slope above the river below. Richness, weight and red fruit so specific to this place meets the Radda acidity head on but can’t help but be submissive and respectful. Pure expression of estate, valley and commune. Truly. Drink 2020-2029. Tasted September 2018 and February 2019

Montecchio Chianti Classico Riserva DOCG Premium Line 2015

The Riserva is 95 per cent sangiovese with cabernet sauvignon and alicante bouschet. It ages for 26 months in grandi botti. Quite rich, even reductive, with its upside not yet available. As for Riserva it’s ripe, ripping, big, high in acidity and so necessary to wait at least two more years for it to settle down. Pulsates, quivers and sends shock waves around the mouth, with heavy-hitting sapidity and structural shudders. Quite amaro herbal and very, very long. There is some serious structure available for the log haul here. Impressive and demanding. Drink 2022-2028. Tasted February 2019

Podere Castellinuzza Chianti Classico Riserva DOCG 2015

Podere Castellinuzza’s Riserva is one of Lamole’s most generous (100 per cent) sangiovese though not without the very particular salty-mineral-sapid streak the hill always delivers. Only 1,500 bottles were produced of this highly traditional Greve-Lamole ’15 and it’s most certainly a perfect foil for fresh pasta with pumpkin, roast chicken, pork and rabbit. Drink 2020-2027. Tasted February 2019

Montefioralle Chianti Classico Riserva DOCG 2015

So very young and powerful, just a few months in bottle. Primary and beautifully perfumed with the liquified deep fruit chalk of the frazioni and a hit of exotic spice. An intensity that ’14 just did not show and the polish we know to be the kind mastered out of Montefioralle by this passion project house. The liqueur is again one of textured silk, a viscosity to nearing the vanishing point of glück and in the end, total domination. Drink 2019-2024. Tasted September 2018 and February 2019


Chianti Classico Gran Selezione DOCG 2015

Bindi Sergardi Chianti Classico Gran Selezione DOCG Mocenni ’89 2015

There’s pure unbridled surprise in the delicasse and the gentility of this Gran Selezione, one of the more and even most charming of them all. The Mocenni texture is very present, very full, no holes, no peaks or valleys, just a calm and easy nature that finds no reason for stress. Pure fruit, Galestro and Alberese interwoven freshness. Proper, sweet and forward thinking tannins with a future ahead indeed. Drink 2020-2029. Tasted February 2019

Tenuta Cinciano Chianti Classico Gran Selezione DOCG 2015

Cinciano’s is a true effort and tour de acidity force in 2015, with fruit drawn from the oldest blocks of great rock filled soils in Poggibonsi. It’s perfectly perfumed with exotica and the brushy herbs that grown on hillsides and in between rows. A wise and cultured GS that stands apart for its beauty and its power. Forged with great passion and insights to be clear and sure. Drink 2023-2033. Tasted February 2019

Le Fonti Di Panzano Chianti Classico Gran Selezione DOCG 2015

Thirty months in wood and a year in bottle later, this top estate wine is the pinnacle of the Le Fonti aromatic certainty. A big vintage to be sure and one that extrapolates in every which way but loose. Taut, tight, firm, grippy and every other subset of structure you can imagine. The 100 per cent sangiovese ideal is acquiesced and believe it or not it failed DOCG designation on the first try. Who might see this as light, atypical or not ready for international prime time is surely missing the point. Drink 2021-2028. Tasted February 2019

Fattoria Montecchio Chianti Classico Gran Selezione DOCG 2015

The vintage 2015 is the one for Montecchio ready and purposed for the category, done up two-thirds in barrel and one-third in amphora. You can feel it both in cured aromatics but also the texture, part salve and part hard savoury candy. Really takes on the Selezione category with charm and power, with ultra fine tannins and a balancing number of personality in acidity. Does what it must, by the reigns and drives a point. Here the terracotta amphora designed and built by the family business is employed to raise the character and the wonder of the sangiovese. The one third amphora adds great interest, something many other in the category could certainly use. The Riserva does not taste like this, nor does it carry this level of spice. Quite a thrill, long and rich. Drink 2022-2030. Tasted February 2019

Vallepicciola Chianti Classico Gran Selezione DOCG 2015

Chianti Classico and Gran Selezione get neither more modern nor more forward than this. The 2015 is a brooding boozy and stylish sangiovese. Dressed up of a flashy liqueur and a massive attack. Dark fruit, lots of wood, with notes of creosote, graphite and vanilla. Just wow. Drink 2022-2029. Tasted February 2019

Vicchiomaggio Chianti Classico Gran Selezione DOCG La Prima 2015

Made with a few percentage points of merlot, this is the a small-ish production Gran Selezione, a 100 hL output so the number is approximately 15,000 bottles produced. Really high-toned aromatically for Gran Selezione and then a palate of great richness and layering. Truly a selection created sangiovese, with drinkability and steak house amenability. Suits the style and the intent so perfectly. Drink 2020-2027. Tasted February 2019

Chianti Classico DOCG 2014

Castell’in Villa Chianti Classico DOCG 2014

Immediate amore for the aromatics and the lack of supposition, for how this 100 per cent sangiovese is naturally careful, subtly handsome and respectfully direct. Lean but without angles or sharp, pointed edges, nor overtly weighted down in tang. Floral notes are stated in grace and like all of the Principessa’s wines from these Castelnuovo Berardenga vineyards, the singularity of restraint for power and and purity is duly recognized. Drink 2018-2024. Tasted November 2018 and February 2019   Castell In Villa  Les Importations Olea inc.  marino_castellinvillarestauran

Chianti Classico DOCG 2013

Castello Di Lamole Chianti Classico DOCG Le Stinche 2013

From the Lamole producer connected to one of Tuscany’s oldest castle properties, going back one thousand years and a high altitude vineyard restored 16 years ago. This is the sangiovese of the Macigno (sandstone) soil terraces of Lamole, richer than many of the frazione and deeper in textures and transitions. Raised in cement and tonneaux there are floral as well as smoky notes, almost tobacco but more like wild herbs and wood smoulder. You’ve not likely ever whiffed (or tasted) anything quite like Le Stinche, also known as “carcere delle Stinche,” the prison on Via Ghibellina in Florence. Drink 2020-2024. Tasted February 2019

Chianti Classico Riserva DOCG 2013-2010

Castell’in Villa Chianti Classico Riserva DOCG 2013

A blend of parcels ”though we know more or less the fields from where they come,” says Principessa Coralia Pignatelli della Leonessa. Here we are introduced to the clarity and functionality of what Castell’in Villa has always purported to be, traditional while always moving in a forward direction of evolutionary necessity. There is no guessing game being played and the aromas are expressive of the property, in everything that grows, plus all that sits beneath and slowly rises to the surface of the fields. Flowers and rocks, together with grapes. It’s that simple really. Finesse and reality. Drink 2019-2028. Tasted February 2019

Chianti Classico Riserva DOCG Poggio Delle Rose 2010

From the hill parcel planted in 1990 to the old selezoine massale clones, from the original property, not the current “Chianti Classico” clones. “And there is a difference,” insists Principessa Coralia. Three or four years in grandi botti and older tonneaux so no, it’s not even close to ready. Yet the fcat that you don’t explicitly notice the tonneaux is its magic. A big and complex vintage with variability in temperature and precipitation but at the crucial moments it gave what was needed. There is a special presence about this sangiovese, because of the source but also how alive, bright-eyed and expressive it is. This pulses, vibrates and reverberates with ancient seabed salinity. No loss to finesse but more time will be required, to turn back time and back pages, for the true clarity and calm disposition to settle in. Extraordinary wine of restrained power and exceptional sangiovese. Has always been Riserva and “will never be Gran Selezione.” Drink 2021-2035. Tasted February 2019

Chianti Classico Gran Selezione DOCG 2013

Capannelle Chianti Classico Gran Selezione DOCG 2013

This first edition of Gran Selezione for Capannelle is an amzing combination of authenticity and polish, with Gaiole’s infamous acidity and herbology combining to deliver a promise of today and for the future. The estate produces no Annata because winemaker Simone has always felt that the acidity here would be over the top in the freshest wines of the year. This Gran Selezione confirms the ideology but the near future may change the plan. Meanwhile kudos for waiting before making Gran Selezione and matched to Tagliatelle con Funghi Porcini. Drink 2020-2026. Tasted September 2018 and February 2019  capannelle  @Capannellewines

Fattoria Di Lamole Gran Selezione Chianti Classico DOCG Vigna Grospoli Antico Lamole 2013

From Paolo Socci in Lamole who also produces the alternating Annata/Riserva “Le Stinche” and who just may be Chianti Classico’s greatest and long-winded storyteller. Socci’s high altitude Greve-Lamole Grospoli vineyard is filled with Macigno stone and while Le Stinche adheres to history and tradition (both in style and the ode to the Florentine Prison’s connection to Lamole), this Gran Selezione hyperbolizes and accentuates both sides of the equation. Very smoky, high dense texture and big acids with this underbelly of sandy, gritty and grippy tannin. Once again, a most singular expression of sangiovese and Chianti Classico. Drink 2021-2029. Tasted February 2019

Good to go!

Godello

Panzano Sunset

Twitter: @mgodello

Instagram: mgodello

WineAlign

Chianti Classico’s Canadian dream

Gallo Nero, Castello di Querceto, Greve in Chianti

Il sogno Canadese del Chianti Classico: Embracing the most noble of Italy’s Sangiovese

Related – as seen in Chianti Classico Magazine, translated into Italian – Il sogno Canadese del Chianti Classico abbraccia il più nobile dei Sangiovese Italiani

The year 2018 has come to a close, a new one has begun and we naturally reflect on where we’ve been, what we have done and where we are going. This last vintage was a most significant and rewarding one for me and my relationship with Chianti Classico. For the great Tuscan territory it was marked by a meaningful and historical transition. In 2018 we witnessed the region’s fate and fortune transferred from long-time friend and President Sergio Zingarelli of Rocca delle Macie into the hands of Fontodi’s Giovanni Manetti. For Chianti Classico the future looks bright, sangiovese and now.

One of the best red wines from all over the world, deserving of space in place with the best – Giovanni Manetti, Fontodi, Panzano in Chianti

In just nine days the world will converge on Stazione Leopolda in Firenze for the two day Chianti Classico Collection 2019. The 2017 Annata will be poured by producers ready to show their newest sangiovese. During a September 2018 visit with the Consorzio’s recently elected President, the proprietor of Fontodi in Panzano referred to his territory as home to “one of the best red wines from all over the world, deserving of space in place with the best. I find great harmony in the wines,” said Manetti, “like I do in Renaissance paintings, vineyards and landscapes modelled by many generations. Harmony is what everyone and every winemaker should and will find. It’s something you feel.”

It is perhaps a recurring question that only happens in dreams but the clarity is quite real. Il Chianti Classico è il centro del mondo del vino italiano? Is Chianti Classico the centre of the Italian wine world? Without needing to offer up a response the query is still both curious and serious. When you pause to consider the 2018 buzz around Chianti Classico wines both at home and abroad, regardless of which is which to you, are you able to stop yourself from at least considering the question?

We are at the new era of the great potential – Paolo de Marchi, Isole e Olena, Barberino Val d’Elsa

It makes for compelling discourse to be sure. The rise of the Gallo Nero is a fascinating one, not merely because sales of Chianti Classico are rising with numbers never seen before. There is the exponential, across the board increase in quality, the ever-evolving multiplicity of the territory’s sangiovese and then there are these continuing controversies. Not exactly controversial issues as much as healthy debates, dialectics about sub-zones, boundaries, crus and designations of origin. We’ll get to that shortly.

Consorzio Vino Chianti Classico President Giovanni Manetti, Fontodi, Panzano in Chianti

In the past 31 months I have travelled to the land of the Gallo Nero on six occasions and have made a minimum 70 estate visits, 46 of them being unique. I’ve tasted and reviewed no less than 434 wines and written at least 12 articles about the region. In February 2019 I will arrive to report on a third consecutive Chianti Classico Collection. And I’ve just begun this lifelong journey into the highly complex world of sangiovese. In the middle of this odyssey of wanderlust there has already been a very special moment. Every wine region needs ambassadors to educate in the diaspora and in 2018 I was humbled to be chosen as one of Chianti Classico’s first five. This was indeed one of the great honours my life. I’m quite sure Jeffrey Porter, Michaela Morris, Massimo Castellani and Isao Miyajima felt the same.

The region and its nine communes share a commonality expressed in varietal and landscape but look to the maps, the ridges, hills and individual estates to note that there is more soil diversity than we can possibly wrap our brains around. When I arrive in Chianti Classico I am intrinsically aware that each trip will add a new dimension to the project, legend and story. More to the point I am hyper aware that the best is yet to come. Just two weeks ago I stood on the great Galestro ridge of Isole e Olena, Barberino Val d’Elsa to hear Paolo de Marchi say “we are at the new era of the great potential.”

Simplicity is the best thing in life. Simplicity is freedom – Principessa Coralia Pignatelli della Leonessa, Castell’inVilla, Castelnuovo Berardenga

Speaking of the number 31, in Dante’s 31st canto of the Inferno the Italian poet writes “on its circular parapets / Montereggione crowns itself with towers”. The poet’s fascination with the famous castle and turrets of Monterrigioni located just outside the Classico zone are used as a simile for his otherworldly journey that brought him to the horrible giants who, sunk into the infernal rock, guarding the ninth and last circle, where traitors are punished. For a moment, that frightening sight looked like high towers, like the ones of the ancient castle. This is not, however, a reference to proponents of 100 per cent sangiovese versus assemblage, nor is it one to the soils of Chianti Classico, but only a coincidental notation with respect to discussing what lays underground.

Sangiovese is the future – Montefioralle, Greve in Chianti

In Bourgogne there is one word used to describe the relationship between the weather, the land and the interaction with the people who raise vines on that land. Climat is expressed as a highly complex chain of topographical, elemental and ethnological conditions. There is no such word in Italian, at least none that sum up the notion in una sola parola. We could perhaps take the liberty and make use of two words, acclimazione and sottosuolo to delineate such a meaning. To “acclimatize the underground” is to infer that over time vines tended by humans get used to the subsoils beneath their climate. Just as the Burgundians discuss Climat not as something above in the sky but rather below their feet, so can the Chianti Classico cognoscenti do so with the notion of acclimazione sottosuolo. Last week at Castell’inVilla in Castelnuovo Berardenga Principessa Coralia Pignatelli della Leonessa told me “simplicity is the best thing in life. simplicity is freedom.” In September Principe Duccio Corsini used the term genius loci, from the Latin, meaning “terroir plus the action of man.” Combine this with the “acclimatization of the underground.” The notions takes a very difficult and complex set of circumstances and distill it down into something simple.

The ideas of acclimazione sottosuolo and genius loci are a matter of agriculturalists interacting with the stratified Chianti Classico layers beneath the vines. Three major types of mineral soils are present, prevalent and essential to how, why and where sangiovese acts and thrives in the territory. The rocks of alberese (calcareous limestone), galestro (schisty marl) and macigno (sandstone) are the three most important sub-soil types but they are not the only significant rocks that contribute to character. River stones and marine fossil shells are also found in various vineyards and bring more than their fair share of personality-gifting traits. Though we would so very much love to draw geological and geographical lines that explain what soils exist and where, it is simply impossible to do so. The complex weave of patterns and designs, not to mention the venn diagram circles of commonalities would make for the most intricate mapping anywhere in Italy. Yet is that not the foundation and the nature of Chianti Classico’s set of exemptions and eccentricities? No two soils are the same and the resulting sangiovese are all different. Yes, they are snowflakes.

The Galestro of Isole e Olena, Barberino Val d’Elsa

The official line tells us that geologically the land is a shield of clayey schists (marl), with layers of scaly clay, alberese and fine limestone sandstone. The dark brown soil tends not to be deep, with structures ranging from clayey-sand to stony with average clay content. Almost all the Chianti Classico production area, though, has soil rich in stony material, especially marl. Two-thirds of the whole area is covered with woods. Oak trees are present everywhere while chestnuts are found mainly in the eastern area, conifers in the higher altitudes and pine woods in the lower hills south of Florence.

The type of land varies considerably from one area to another, making it impossible to make a clear subdivision of the various soil types typical of Chianti. But it can also be said that marl-based soil is widespread in the San Casciano in Val di Pesa, while Greve in Chianti and all the lower altitude areas have typically clayey limestone soil; large sandstone rocks characterize the Monte dei Chianti ridge; alberese is the principal element of the central-southern area, and tuff stone rock is found in most of the Castelnuovo Berardenga area. The area with a marked sandstone presence are severe and steep while the limestone hills are softer and rounder, and the clayey hills are even gentler.

Not all stone in Chianti Classico is created equal – at Pomona, Castellina in Chianti

In 1716 the Grand Duke Cosimo III set the borders of the Gallo Nero production zone, defining it as extraordinary and suitable for the making of high quality wines in what today covers nine municipalities under the provinces of Florence and Siena. In 1984 the adjective “Classico” was added by ministerial decree to distinguish the original Chianti from the wine made outside the territory delimited in 1716. In 2002 the sangiovese number permitted by production regulations was raised from a minimum of 80 per cent with a maximum of 20 red indigenous  (i.e. colorino and canaiolo) or international grapes permitted by production regulations. Since 2005 the Black Rooster trademark has stood for the entire Chianti Classico appellation with a graphic re-styling to make it stand out even more on every bottle of Chianti Classico. Two locations have been permitted, on the neck or on the back label. The year 2010 was the beginning of Chianti Classico truly distancing itself from Chianti through a change to an Italian law banning the production of Chianti wine in Chianti Classico production zone. In 2013 the Gran Selezione was introduced to stand at the top of the quality pyramid. 

évero

We now live in a world where diversity leads to prosperity and though current global political and national climates are pushing back against that truth, success comes from celebrating and embracing differences. A territory that recognizes its individualities, multiplicities and idiosyncrasies is destined for greatness. This is Chianti Classico, a region where the wines have 300 years of recorded history to support its message but also a history that includes evolution and change. You’d better sit down for what’s coming.

In the early 1980s a group of rogue producers reacted to the idea of Chianti Classico not being allowed to be labeled as such if the contents were 100 per cent sangiovese. The IGT Toscana for the region was born out of varietal necessity. No fewer than 12 significant and iconic producers began labelling their best wine as IGT. With the recent advent of Gran Selezione as being the most important wine at the top of the pyramid could we possibly see a backlash 30 years after the last one? Might the 12 producers make a joint announcement that their collective IGT will now be bottled under the label of Gran Selezione or take it to the great extreme and simply label it Chianti Classico? Speculation is the thing but first there is the notion of having the Gran Selezione category as being restricted to 100 per cent sangiovese. Would this decree help to define the category or hinder its progress? Would it shed light and help to educate the consumer?

Pasta is the protagonist of the table – Principe Duccio Corsini, Le Corti – Principe Corsini, San Casciano

Then there is the all important discussion about cru and labelling. Menzioni geografiche are on the way in as a means to identify the communes, villages and cru within the greater territory. We are witnessing the rise of the associazioni, subsets of viticultural associations uniting producers of communes and also villages within the communes. These associations are formed so that the common good is furthered, both in terms of exchanging and promoting like-minded ideas but also to access a potential for commercial and economic gain. The question is who will benefit by way of these detailed additions to Chianti Classico labels. Producer or consumer? Perhaps both?

Fresh harvested truffles at Carpineta Fontalpino, Castelnuovo Berardenga

These are the debates of men and while their meaning and importance should never be discounted, there is another way to look at the territory’s peregrination of significance. Whether or not the wines are made from 100 per cent sangiovese, from an assemblage that includes other endemic as well as international varietals, or from expatriate grape varieties, there is one common kinship that binds them all. They are wines made from grapes grown on Chianti Classico soils. Many would argue to the bitter end that the place is always stronger than the grape. Most important and sometimes forgotten is how they work with the food. How can one be considered without the other? Sit down to dinner with Principe Duccio Corsini and you will learn about the Tuscan symbiosis. “Pasta is the protagonist of the table,” says Corsini. Truth.

Which brings us to some all important numbers. The top export markets in 2015 for Chianti Classico (in volumes) were the US (31 per cent), Italia (20), Germany (12) and Canada (10). In 2016 the numbers were US (32), Italia (22), Germany (13) and Canada (8). In 2017, US (33), Italia (23), Germany (12) and Canada (8). This year is just about complete and already it looks like the unofficial-official statistics are in. In 2018 for Chianti Classico we find the US at 34 per cent, Italia (23) and Canada (11). Export numbers to the US and Italy continue to rise slow but steady but it is Canada’s near 38 per cent increase from 2017 to 2018 that is most significant. Canada’s is a market loyal to repetitive purchasing from wine regions that produce consistent and recognizable wine so what changed to encourage consumers to drink outside the box and to seek out sangiovese? The most obvious answer lies in the work of Chianti Classico producers at the vineyard level but the true catalyst seems to be educational efforts that have awaken the sangiovese wolf of the Canadian consumer.

The author Godello in Radda in Chianti

The Consorzio has travelled tirelessly across Canada, staging events, masterclasses and grandi degustazioni in major Canadian cities. Ambassador competitions have reeled in some of this country’s finest sommelier minds to help spread the great secret of the Gallo Nero’s sangiovese. Michaela Morris and Jason Yamasaki (Vancouver), Steven Robinson (Ottawa) and Kler-Yann Bouteiller (Quebec) are all apart of the revolution. The next and essential step is to win over the hearts and minds of sommeliers and restaurant buyers, especially in urban centres like Vancouver, Toronto and Montreal. Such a program would surely push Chianti Classico up the precipice where numbers do not lie in a scenario where exports could very likely equal those nationally in the 20-25 per cent range.

Finding ways to increase imports to Canadians is the ultimate goal and in a country where monopolies and one-tier purchasing systems are the norm it is the rise of wine clubs that could very well be the most important next step. Gargoyle out of Alberta and the WineAlign Exchange out of Ontario are poised to become critical avenues for the importation of Chianti Classico wines into Canada. In fact, the WineAlign community wine exchange program will be facilitating upwards of 150 cases of Chianti Classico into Ontario in 2019. Consider that the Consorzio normally calculates export percentages on a total of 35/6 million of sold bottles, which means that in 2018 approximately 3,000 cases (of 12 bottles) were exported to Canada. Even with a highly generous expectation for that number to increase by 38 per cent again from 2018 to 2019, 150 of 4,140 cases would represent 3.6 per cent of the total imports for next year. That is surely a significant contribution to sales.

So what will 2019 bring? Will it usher in a new era of Chianti Classico bottles noted by villages and crus on the labels? Will sangiovese long designated IGT come back to the appellation? Will Gran Selezione gain further ground and find itself endeared by the hearts of more women and men? Will the category seek 100 per cent sangiovese status? One thing is certain and that is Canada’s connection and bond to the territory will only grow stronger. When we convene at this time in 2019 the sales figures will prove that the process is moving in the right direction.

See you at the 2019 Chianti Classico Collection.

Good to go!

Godello

Gallo Nero, Castello di Querceto, Greve in Chianti

Twitter: @mgodello

Instagram: mgodello

WineAlign

Barbera d’Asti Del Monferrato E Nizza Monferrato

This report first appeared on WineAlign. Here it is expanded to include all the wines reviewed in July of 2017; 27 Barbera d’Asti and 44 Barbera d’Asti Nizza from 29 producers.

  • Consorzio Barbera d’Asti E Vini Del Monferrato
  • Cascina Gilli Di Vergnano Giovanni
  • Cascina Galarin
  • Bersano
  • Pico Maccario
  • Azienda Agricola Ivaldi Dario
  • Az. Agr. Garrone Evasio & Figlio
  • Michele Chiarlo
  • Castello Di Gabiano Marchesi Cattaneo Adorno Giustiniani Srl
  • Rovero
  • Coppo
  • Tenuta Il Falchetto
  • Az. Agr. Franco Roero
  • Viticoltori Associati Vinchio e Vaglio Serra
  • Marchesi Incisa Della Rocchetta
  • Marco Bonfante
  • Erede Di Chiappone
  • Gozzelino
  • Moretti Adimari
  • Berta Paolo
  • Borgo Isolabella Delle Croce
  • Il Botolo
  • Cascina Garitina
  • Villa Giada
  • Bava
  • La Gironda
  • Tenuta Olim Bauda
  • Cantina Tre Secoli
  • L’Armangia

Back in July of 2017 I hopped aboard the Collisioni Progetto Vino train in advance of four seminar-saturated days in Barolo, to immerse myself in everything the great red hope known as barbera holds in the territory of Monferrato. Here in Ontario we possess a pretty good idea about the nature and the competency of Barbera d’Alba, mainly because of its association with the Piemontese region’s more famous grape variety nebbiolo in production of the noble and regal Barolo and Barbaresco wines. The successes enjoyed by Barbera d’Alba are ensured, not solely because of but certainly by its proximate association. But what about Barbera d’Asti?

Collisioni Festival’s Ian D’Agata recently stated “it is undoubtedly in Piedmont where the grape performs best. To put barbera’s popularity in perspective, consider that 33 per cent of Piedmont’s 45,000 hectares under vine are planted to barbera.” Try throwing this statistic in the face of Monferrato, Nizza Monferrato and so many other Asti barbera growers. So the question begs as to why so many DOC’s exist is such a close proximate place? The answer is quite simple. I am “insert commune name here” and I am this DOC, around my village, with my own very special terroir. Yours may only be five kilometres away from me but I am special and my land and grapes are not like yours. It must be noted that in Piemonte there are as many native grapes then there are in all of France. This is the second and more important reason nearly 50, or almost 10 per cent of all registered Italian grapes are found in Piemonte.

The Barbera DOCGs via somesmartsomm.com

The consortium for Barbera d’Asti and Monferrato wines was founded in 1946 with distinctive labelling and while only seven members were originally on board, today more than 200 band together for the good of the grape and especially the agricultural practices of the territory. I will touch on other Piemontese denominations such as Ruchè di Castagnole Monferrato, Freisa d’Asti and Grignolino d’Asti in a follow-up report but now is the time to discuss, analyze and celebrate all things Barbera d’Asti E Vini Monferrato.

Barbera d’Asti is a DOCG with upwards of 3,900 hectares under vine with nearly 2,500 producers, 30 of which are cooperatives. The wines can be fresh reds made in stainless steel or receive some oak aging while the bigger Barbera d’Asti Superiore, made from selected grapes are required by DOCG law to be aged for at least six months in wood. Both the Barbera d’asti Superiore and Barbera del Monferrato Superiore DOCGs were awarded in 2008, both have maximum yield allowances of nine tonnes per hectare but Monferrato’s minimum alcohol requirement is a half a point higher at 13 per cent by volume. The Vigna (single-vineyard) Monferrato yields are lower, at eight tonnes per hectare. Aging for both is 14 months from November 1st the year after harvest. In Monferrato 85 per cent must be barbera with the remainder allowing dolcetto, grigolino and freisa while Barbera d’Asti Superiore requires 90 per cent barbera.

Barbera vineyards in Costigiole d’Asti

The rich limestone, clay and calcium hills of the Nizza wine zone is one of three Barbera d’Asti sub-zones (that also include Tinella and Colli Astigiani). Nizza’s terroir is a result of marine sediment and with proof supplied by a walk-around tasting and dinner during which wines dating back to 2001 were poured, it is indeed the zone where the most ageworthy and arguably the best barbera d’Asti is made. In 2014 the DOCG was created and the artist formerly known as “Barbera d’Asti Superiore Nizza” has now been abbreviated to simply, Nizza. Like Prince. Power and balance are married in Nizza and many perform well past the 10 year mark after vintage. Wines from Nizza must be 100 per cent barbera, the yields are capped at seven tonnes per hectare and the age requirement is 18 months (six in oak) from January 1st the year after harvest. Reserva is 30 months (12 in oak) and Vigna (single-vineyard) releases must have yields no higher than 6.3 with a minimum of 13.5 per cent alcohol.  The first Nizza DOCG wines were released in July of 2016.

Still today the barbera wines of Monferrato and Nizza are virtually ignored worldwide. Many consumers simply think of the name Asti and sweet sparkling wines come to mind. Many others know not of Asti and still countless more associate the grape with Alba. The Consorzio Barbera d’Asti e Vini del Monferrato is working tirelessly to change public perception, first with its proud public speaking president Filippo Mobrici, by enlisting the association with the Collisioni Festival and through the work of ambassadors like Michele Longo. The Collisioni Progetto Vino brings groups of journalists and sommeliers from around the globe to taste, educate and indulge in the multiplicity of barbera.

A compassionate barbera d’asti sky in the dimmet of a piemonte evening.

The following tasting notes of Barbera d’Asti and Nizza wines were executed in the consorzio headquarters in Costigiole and at the Enoteca Regionale di Nizza in July of 2017. The first tasting focused on Barbera d’Asti and Barbera d’Asti Superiore from the 2014, 2015 and 2016 vintages with the emphasis placed on four sub-zones and their differing soils. The second (walk-around) tasting allowed producers to pour at their whimsy so this included portfolios with varietal wines such as grignolino and freisa. The gathering of the Associazione Produttori del Nizza focused beautifully on a comparison of only wines from the 2014 vintage, by way of introduction, followed by two brilliant tastings in which verticals of their wines were offered, first at a (way too fast) high-speed walkabout and then later during a (beautifully slow) dinner at Locanda Del Boscogrande. My full report covers more than 75 reviews of Monferrato barbera from both the Asti and Nizza categories.

Barbera d’Asti DOCG

Consorzio Barbera d’Asti E Vini Del Monferrato Barbera d’Asti DOCG 2015, Piedmont, Italy (Winery, WineAlign)

Every year one wine is chosen through a series of blind tastings from a selection of producers, to be bottled and labeled under the “taken as a while” entity Consorzio Barbera D’asti E Vini Del Monferrato Barbera D’asti. Only the producer and the President (Filippo Mobrici) know who’s wine is chosen, along with wink, wink, everyone else. This 2015 is quite the firm and brambly barbera, as it should be, with an omnipresent blanketing European vintage depth of character, from warmth, quality, quantity and length. This is typically barbera pressed, full on for fruit, specific to a Monferrato territorial claim and nary a moment of intrusive tannin. Drink 2017-2019.  Tasted July 2017  barberadasti  @barberadasti  @barberadasti

Cascina Gilli Di Vergnano Giovanni Barbera d’Asti DOCG Le More 2016, Piedmont, Italy (Agent, WineAlign)

From the silty marl of Monferrato in Castelnuovo Don Bosco, here the traditionally rustic is acquiesced. Of dark berry, dusty, mulberry, a rich mid-palate, leathery, textured, solid if not profound structure. Only stainless steel and possessive of appropriate length. Drink 2017-2019.  Tasted July 2017  cascinagilli  @cascinagilli  @cascinagilli

Cascina Galarin Barbera d’Asti DOCG Le Querce 2016, Piedmont, Italy (Agent, WineAlign)

Out of the silty marl comes this stainless raised barbera, of such a similar profile to Le More, less floral and also less obvious fruity berry. Made with five per cent freisa, here there is more caramel and dried plum, also more VA and a bit of residual CO2. The bitter finish blend into acidity so very tart. Drink 2017-2018.  Tasted July 2017  #cascinagalarin  Cascina Galarin

Bersano Barbera d’Asti DOCG Costalunga 2015, Piedmont, Italy (Agent, 348680, $13.75, WineAlign)

Bersano’s, like so many of its peers making barbera in and around Monferrato comes from a terroir of silty marl. It spends one year in (large) botti and is a most most floral and perfumed barbera, notably of violets, even a touch of liquorice or fennel. Fills in with more mid-palate and structure than many at this “posto che si chiama” entry level, with bitters as tonics well integrated into the mix. Drink 2017-2020.  Tasted July 2017  bersano1907  profilewinegroup  @BERSANO1907  @ProfileWineGrp  @Bersanowine  Profile Wine Group

Pico Maccario Barbera d’Asti DOCG Lavignone 2016, Piedmont, Italy (Agent, WineAlign)

Quite the deep, dark and handsome barbera with a current of black currant and a pure stainless steel raising. Plums and chocolate mark the second half profile for the rich red, no oak lover in you. This pervasive barbera represents just about half of the house’s total (400,000 bottle) production. It’s truly a matter of fresh fruit and the already conscious awareness of its sharp, tart, fugacious youth. Solicits a knowing nod of the head when tasted at the source not long after a moment with the ’14 less than a year before. Drink 2017-2019.  Tasted July 2017  picomaccario  @PicoMaccario  @PicoMaccario

Pico Maccario Barbera d’Asti Superiore DOCG Epico 2014, Piedmont, Italy (Agent, WineAlign)

Epico is the top selection from the oldest (60 year-old) vines developed 14 months in barrel. In its current state the oak is alpha dominant and the volatility quite pronounced. There is something of a jammy quality, not so much a viscous or pejorative, pectin-laced presence on the palate but more like a reduction as barbera syrup or liqueur. The epitome of modern and produced. Drink 2017-2020.  Tasted July 2017

Pico Maccario Barbera d’Asti DOCG Tre Rovere 2015, Piedmont, Italy (Winery WineAlign)

The “three oaks” saw to six months in barrel and along with an expressly coffee aroma there too is this sugary scent. Candied plums bring fruit depth and richness and the wine sings the high notes of volatility. It’s quite a tart treat, from liquid clay to blackberry in a combined and distilled affair. A moment of cotton candy is fleeting because the heavy clays and ferric accent take over, stirring up some bitters to mix with the sugars. A deferential and adjustable barbera that condones the ups and downs of the oeuvre. Drink 2017-2020.  Tasted July 2017

Azienda Agricola Ivaldi Dario Barbera d’Asti DOC 2015, Piedmont, Italy (Winery, WineAlign)

In the pantheon of red wine made from the barbera grape in Asti lands it is Andrea Ivaldi’s that stands out, like a beacon or a lighthouse, lit up to help mariners find the shore. In this case a summoning light set in a white limestone vineyard and it is the youngest member of the Ivaldi family who resides as the current superintendent of this special barbera. At a locally low 14 per cent alcohol and a hue so Monthelie transparent this is classic, innate, intense liquid stone, bled from the pietra bianca at 300 masl. The blessedly honest red fruit raised in cement tanks for one year is hypo-reductive and only 4,000-5,000 bottles are produced. So balanced, melting, oozing and brisk, structured even. Drink 2017-2021.  Tasted July 2017

Az. Agr. Garrone Evasio & Figlio Barbera d’Asti DOCG 2015, Piedmont, Italy (Winery, WineAlign)

Garrone’s barbera climbs out of the silty marl and exhibits more VA than the others but in a good way. If perhaps it acts a bit acetic, it thus so hides its florals, though there is more texture and integration, gliding silky across the palate and finishing long. More complexity and interest here. Drink 2018-2021.  Tasted July 2017  @vinigarrone

Michele Chiarlo Barbera d’Asti DOCG Le Orme 2015, Piedmont, Italy (265413, $13.95, WineAlign)

Le Orme or “the footsteps” spent 16 months in stainless steel, taken from variegated terroir; sandy, marly and coarser soils. It sheds developed florals and high yet stretched and creeping acidity and in turn length. The acumen and experience comes through, leading to more refinement and almost a creamy (though unwooded) texture on bright, juicy fruit. Drink 2017-2019.  Tasted July 2017  michelechiarlo  univinscanada  @michelechiarlo  @UNIVINS  Michele Chiarlo  @UnivinsCanada

Castello Di Gabiano Marchesi Cattaneo Adorno Giustiniani Srl Barbera d’Asti DOCG La Braja 2015, Piedmont, Italy (Winery, WineAlign)

Gabiano’s stands apart in a barbera tasting of 13 wines because of its naturally wild personality. Run free off sandy soils it saw 16 months in a combination of botti and barriques. Beyond barbera it also contains some grignolino and freisa, more tannin, certainly reductive (which easily blows off) and I’d even call it righteously and properly stinky. More developed and even wise, this has that acidity that travels up and down the sides of the mouth. Drink 2018-2021.  Tasted July 2017  castellodigabiano  @CastelloGabiano  Gazzola Katia (Castello di Gabiano)

#risotto #ristorantelabarbera #costiglioledasti @costiglioleat

Rovero Barbera d’Asti DOCG Superiore Rouvé (Bio) 2014, Piedmont, Italy (Winery, WineAlign)

Rovero’s wafts with the most perfume by a long shot, by a soaking up and in from 24 months in barrique. The waves of vanilla infiltrate the purple berries, much like Rioja and its wood perfume but in barbera it comes with so much acidity. Like chewing on a stick of wood dynamite overcompensating for fruit that didn’t stack up, though it would have been honest and pure to allow the fruit to talk anyway, in whatever voice it may have chosen. Drink 2018-2020.  Tasted July 2017

Luigi Coppo

Coppo Barbera d’Asti DOCG Pomorosso 2014, Piedmont, Italy (Agent, $74.95, WineAlign)

From the house that Piero Coppo built, now in the forward thinking acumen-saturated hands, heart and mind of Luigi Coppo, comes a barbera most ambitious and in 2014, likely to be misunderstood in the throes of its youth. Pomorosso carries the baggage and the experience of 125 years of history in pocket, is only produced in the best vintages and spends 14 months in French oak. A fair to challenging vintage makes cause and pause to consider it a case of over-oak usage because it still overwhelms the terroir while simultaneously in disavow and disallow for the vintage to speak. The big but factor is spoken with a simple term. Balance. Even while the wood is very much in charge the craft behind the scene fills the screen, like a sepia toned vintage movie reel, in which hard at work agriculturalists, agronomists and oenologists move in fast frame motion, tending to their barbera. Beautiful fruit defends itself, because and for the land, reeks through the wood, integrates acidity and lingers, long after the wood perfume has dissipated. Fast forward to the end of the film and enjoy in retrospective view, somewhere mid next decade, while the credits roll. Drink 2020-2028.  Tasted July 2017  coppo1892  maitredechai_ca  @COPPO1892  @maitredechai  @COPPO1892  Le Maître de Chai

Tenuta Il Falchetto Barbera d’Asti DOCG Pian Scorrone 2016, Piedmont, Italy (Winery, WineAlign)

Sees some stainless steel and six months in acacia wood. From a mix of soils in the Piemontese tertiary basin, characterized by sedimentary rocks known as “Marnoso Arenacea,” deposited from a marine environment 30-35 million years ago. A lovely barbera in purity of fruit, perfume and balance. Varietal honesty and bright personality bring dark plum, great acidity and ultimately just a pleasure to drink. 2017-2019.  Tasted July 2017  tenutailfalchetto  @ilfalchettovini  @tenutailfalchetto

Az. Agr. Franco Roero Barbera d’Asti DOCG Carbune 2016, Piedmont, Italy (Winery, WineAlign)

Roero’s is another stainless specimen but this time off of mixed soils cut across two sub-zones. The fruit here is rich, darker, spicy and the acidity less pronounced, rendered, melted in. It too is a pleasure to drink but not as bright as some, to be sure. Just a bit pressed, quite solid and hefty at 15.4 per cent alcohol. Drink 2017-2019.  Tasted July 2017  franco_roero_winery  @FrancoRoeroVini  @franco.roero

Az. Agr. Franco Roero Barbera d’Asti Superiore Docg Mappale 213 2015, Piedmont, Italy (Winery, WineAlign)

From Montegrosso d’Asti Roero’s Mappale takes a heat index step back from Carbuné and from 2016. In 2015 the single vineyard, single (213) block is vinified separately from the others (including Siché and Cellarino) and spends 18 months in large barrels. Still it’s a dark, hematic bruiser with Cassis and dark chocolate, plus the omnipresent energy of acidity. Also ropey, tart and glazed, almost to the point of deep caramel. Then again it always comes back to how young it is. Drink 2018-2023.  Tasted July 2017

Viticoltori Associati Vinchio e Vaglio Serra Barbera d’Asti DOCG Vigne Vecchie 2011, Piedmont, Italy (Winery, WineAlign)

The use of generous oak on these old vines rings and scents into secondary notes, of creosote, graphite, vanilla, clove and dried fruit from strawberry to prune. This will soon be turning to figs, chocolate and balsamic when in a year or two the fruit is no longer willing to sing and the acidity will step back into a phase otherwise quiet. From vineyards in Montegrosso, with caramel, more vanilla, creaminess and Amarone like character in alcohol and a perception of sweetness. Drake 2017-2019.  Tasted July 2017  vinchiovaglioserra  @vinchiovaglio  @VinchioVaglioSerra

Marchesi Incisa Della Rocchetta Barbera d’Asti Superiore DOCG Sant’Emiliano 2015, Piedmont, Italy (SAQ, 12278202, $29.45, WineAlign)

Marchesi Incisa Della Rocchetta is from Sassiccaia fame and also a family with a long Piemontese tradition. Their barbera is aged 18 months in French barrels and hails from near (southeast) of Asti. It’s certainly posied and appointed though I can’t help but notice the five-spice, caramel and balsamic aspect. A highly refined if tart style, seriously structured and wholesome though balanced within that formidable framework. As it fleshes and expands it reveals more charm, with some grace and elegance, kept warm and safe from the elements with an expensive scarf to be sure. Drink 2018-2023.  Tasted July 2017  #marchesiincisadellarocchetta  vins.balthazard  #marchesiincisadellarocchetta  @vinsbalthazard  #marchesiincisadellarocchetta  @VinsBalthazard

Marco Bonfante Barbera d’Asti Superiore DOCG Menego 2011, Piedmont, Italy (Winery, WineAlign)

Marco Bonfante’s barbera d’asti made from fruit all over the hill is called Menego, the nickname and in honour of his and Micaela’s father Domenico who passed away in 2000. At the top of Domenico’s hill is Il Bricco and it is this one and a half hectares of south-exposed fruit that separates this barbera from the broad expression that is Menego. The calcareous terroir defines this wine and though the journey here is a high octane, jammy developing one through 14 months in barriques, this is the (relatively speaking) elegant vintage. It stills clocks in at a minimum 15 per cent alcohol and delivers a firm, confident and authoritative message but its elasticity and length allow it to breathe. Still it does not merely wave but punches and is more of a shout than a whisper. At six years the window of pleasure is open, if only just the first crack. Drink 2017-2023.  Tasted July 2017  marcobonfantewinery  @MarcoBonfante70  @MarcoBonfanteWinery

Marco Bonfante Barbera d’Asti Superiore DOCG Menego 2012, Piedmont, Italy (Winery, WineAlign)

What a difference a vintage makes, here in 2012 out of warmth and into the highest of alcohol level with intensely ripe fruit. Marco Bonfante does not mess around, stretching the elevations of brix and alcohol while maintaining the natural acidity of barbera and waiting it out so the phenolic ripeness can fall, or rather climb to the high line. That he finds a way to work some magic so that balance is achieved is nothing short of remarkable. The most grip, power and brooding comes out of the 2012, like Madiran tannat, Cahors malbec, Napa Valley Petit Sirah and northern Rhône syrah all rolled into one. But this is the genesis of the new barbera d’asti and only Bonfante pushes such limits and scores in the end. This 2012 is the striker every great football club somehow finds, at most times blending in but always the silent assassin. This Menego is coursing with chocolate, Cassis, espresso and black cherry. It’s just a huge wine, easily at the 16 per cent mark and structured to go a decade before any withering or wuthering. Tension builds all the way until the end. Wot Gorilla. Drink 2019-2027.  Tasted July 2017

Marco Bonfante Barbera d’Asti Superiore DOCG Menego 2009, Piedmont, Italy (Winery, WineAlign)

In 2009 the hill supplied fruit ready to kill so at eight years Menego has entered its secondary phase. It will not be expected that either 2011 or 2012 will travel this far, this fast though the (more elegant) former will certainly get there quicker then (the massive) latter. A new complexity has emerged with the developing 2009, from out of and with a nod to the southwest facing calcareous vineyard. Cinnamon, orange and subtler spices now grace the aromatics, things the young and powerful Menego do not release. The accents make the eyebrows rise and when noted integrating into the chocolate coated palate there is a tickling sensation. Yet another immensely impressive moment with a Marco Bonfante bruiser is had but with some age the time spent is relenting and ultimately offering some relief. Drink 2017-2021.  Tasted July 2017

Erede Di Chiappone Barbera d’Asti DOCG Brentura 2013, Piedmont, Italy (Winery, WineAlign)

From Daniele Chiappone and a 100 per cent stainless steel upbringing at four years old the Chiappone retains remarkable freshness, with not a moment of reduction or careless redirection. Some dried fruit on the nose is curious so changes are in the air but the Brentura’s structure outside of the wood realm is more solid than most. So too is the warmer, rounder and more breathable acidity, now so integrated. Marvellous example of what barbera d’sati can be. Drink 2017-2019. Tasted July 2017  erededi  @erededi  Erede Di Chiappone Armando

Gozzelino Barbera d’Asti Superiore DOCG Ciabot d’la Mandorla 2012, Piedmont, Italy (Winery, WineAlign)

The underworld of gariga and earthy fox holes are accessed through Gozzelino’s well-aged 2012, a barbera that saw its biased share of barrel by way of a 24 months full soaking in (3000L) Grande Botti. It has emerged vinous and boxy, foxy and full of heavy set moxy, like dried fruit and jerky absorbing like sponges in a pool of campari and aperol. The rusticity is palpable, the figs and the chocolate baking with spice. The alcohol persists while the wine acts fading but it’s certainly persistent. Old-school, traditional, out there in the antediluvian void. Drink 2017-2018.  Tasted July 2017  Azienda Agricola Gozzelino Sergio

Moretti Adimari Barbera d’Asti Superiore DOCG 2015, Piedmont, Italy (Winery, WineAlign)

Moretti’s Superiore takes barbera further, out of a stainless steel world and into barriques for eight months. Perfume and acidity are barbera hallmarks, here now merged nicely together, but it is texture that elevates the game. The chalkiness gained from sandy, Franco (white) limestone soils make for a rover of a barbera, through liquid mineral and made creamy by barrel. Moretti as a producer experiments with riesling, chardonnay and sauvignon blanc so there is no surprise this barbera travels hither and thither. And it works. Drink 2018-2022.  Tasted July 2017  morettiadimariwines    @morettiadimariwines

Montalbera Barbera d’Asti Superiore DOCG Nuda 2013, Piedmont, Italy (Winery, WineAlign)

Montalbera’s calcareous soils are the catalyst to keeping this barbera scaled back, with teeth still shining white after 20 months in barriques. The unfiltered, oak driven wine is astonishingly divine and elegantly integrated with so much dripping, oozing and glazing chocolate. It’s rich and fine if for certain a mess in a mouthful. Drink 2018-2021.  Tasted July 2017  montalbera  @Montalbera  @montalbera

Berta Paolo Barbera d’Asti DOCG 2015, Piedmont, Italy (Winery, WineAlign)

From vineyards located between the areas of Monferrato and Langa, Berta Paolo’s barbera is a ceremoniously traditional one, possessive of a walk the line beauty specific to the area, at once sonsy in pure red fruit and then volatile to just the right degree. Here is the sort of barbera that exemplifies the natural while unbeknownst to just how raw an affair it really is. Honesty oozes from one that succeeds in being real without even trying. Drink 2017-2019.  Tasted July 2017 vinifamigliaberta  @wineBerta  @viniberta

Borgo Isolabella Delle Croce Barbera d’Asti DOCG 2015, Piedmont, Italy (Winery, WineAlign)

Were that is were so simple for all barbera to take one road or the other, as does Isolabella’s on the darker, full-tempered side. This is so perfectly solid, structured, architecturally sound barbera, with classically styled columns and porticos, tart and with a wealth of 2015 fruit. It’s dark but health-tempered, ever so slightly tannic and streaming with fine natural acidity. So well made. Drink 2017-2020.  Tasted July 2017  isolabelladellacroce2001  @ISOLABELLA_D_C_  @isolabelladellecroce

The history of @ilNizza began long ago. Prepare for its storied future. Exceptional tasting, stellar wines #barberadasti #100percent #100percentapproval #piemonte #progettovino #collision

Nizza DOCG and DOC

Bersano Barbera d’Asti Riserva Nizza DOCG Generala 2014, Piedmont, Italy (Agent, WineAlign)

Suave, refined, silky smooth barbera, of a warmth to express and make accessible the sense of its strength, power and alcohol. It is the exceptionality of texture that really shines. Bersano’s Nizza (Riserva) has already done its 30 months of aging time so it can be released 12 days from now. A true case of catching a wine at its potential best. As they say, timing is everything. Like on the stage so on a lighter, theatrical note this is perhaps an ode to 20th century Italian drama, to Signora Ignazia. “Dear, dear Signora! Hail to our great Generala! To our patron saint!” And yet we could do without the theatre, as long as we have barbera. Drink 2018-2024.  Tasted July 2017  bersano1907  profilewinegroup  @BERSANO1907  @ProfileWineGrp  @Bersanowine  Profile Wine Group

Bersano Barbera d’Asti Nizza DOC Generala 2013, Piedmont, Italy (Agent, WineAlign)

Something about the 2013 vintage speaks with such great clarity as it does here in Roberto Morosinotto’s barbera from Nizza fruit that spent six months in tonneaux. The chocolate swirl has palpably settled on the palate but it’s just so silky smooth, tempered and demonstrative. Acidity surely runs high, it is barbera after all, but it also drifts into and with the waves of plum, wood spice and just spice in generala. Drink 2017-2020.  Tasted July 2017

Bersano Barbera d’Asti Nizza DOC Generala 2010, Piedmont, Italy (Agent, WineAlign)

The summer of extreme heat (though perhaps holding no candle compared to 2017) has delivered a warm to warmest Bersano barbera with a calming effect achieved by cooling time spent in big barrels that date back to 1970. This ’10 is possessive of that sort of delicious perception of sweetness that puts it up there with the richest of the Nizza barbera. The élevage is half and half tonneaux/barriques and texture is full of this Mediterranean liquorice/black olive/gariga/briny tang. Nicely structured to last in this state for another three years. Drink 2017-2020.  Tasted July 2017

Bersano Barbera d’Asti Nizza DOC Generala 2008, Piedmont, Italy (Agent, WineAlign)

Another excellent vintage for the Generala is found to be sound and generous at the nine year mark though the fully developed secondary character is duly noted. Helps to prepare and deduce a clear impression of where 2010 will go over the next two to three years. This ’08 has not quite reached the denouement stage though it has peaked, reeking resinous of fruit and wood clasped in a lover’s humid embrace, with notes of dried orange, apricot, fig jam, tar and roses. The acidity still rages quite assiduously while the briny and ecoregion earthy brush have now faded and disappeared from the fragrance trail. Drink 2017-2019.  Tasted July 2017

Il Botolo Barbera d’Asti Nizza DOCG 2014, Piedmont, Italy (Winery, WineAlign)

From soils with quite a bit of sediment, in the northeast part of Nizza. Quite the silky feel following on the heels of refinement and freshness. A liquid liqueur that is close to syrup but more of a natural feel, without tonic or medicine, but just pure limestone liquid fruit. The sort of tart that is elongated, elastic and stretched with ease. Drink early because it’s quite a glassful of immediate pleasure. Grows on you too. Drink 2017-2019.  Tasted July 2017

Cascina Garitina Barbera d’Asti Superiore “900” Neuvsent CEC Nizza DOCG 2014, Piedmont, Italy (Winery, WineAlign)

Why 900? Because Giancarlo Morino’s momma began working here in the 1900s but the local dialect was spoken so quickly so it was just, “900.” The vineyard “CEC” is pronounced “check,” or short for Francesca, who used to own the vineyard. From the (Castel Boglione) southern part of Nizza with higher acidity and alcohol, here at 15 per cent. Aged 12 months in barrel, there is some deep organic clay and (three) old vineyard (1924, 1949 and 1954) induced layering, astringency and brooding, of a seriousness about it that makes it dense and a bit tempered, finishing with dark chocolate. A minty, savoury and sapid streak runs through, likely with thanks to the cooling Mediterranean “Marin” winds that blow through the vineyards from spring to autumn. Well done but needs as much as five to seven years to show as silky and refined as some of the others. Drink 2019-2024.  Tasted July 2017  cascinagaritina  @gianlucamorino  Gianluca Morino (Vignaiolo indipendente)

I’ve got 900 reasons to drink these @gianlucamorino #cascinagaritina #nizza but need only one #nizzamonferrato #progettovino #collisionimonferrato #cec #neuvsent #barberadasti

Cascina Garitina Barbera d’Asti Superiore “900” Neuvsent Nizza DOC 2010, Piedmont, Italy (Winery, WineAlign)

Having tasted Gianluca Morino’s 2014 earlier in the day it makes this follow up, retrospective look at his 2010 such a satisfying confirmation of his work. That ’14 was way too young to make lifelong friends with but this ’10, well this is something other. While still a seriously brooding, hematic, ganache spread of fine chocolate barbera, the components have filled the kettle to overflowing, but time has worked to now emit a floral and spice perfume. The richness of oak has also rendered a touch of complexity, of caramel and baking spice but even further, into secondary beginnings. The tones are aromatic, musical and textural, of sweet, salty and faintly sour by a fineness of acidity. One more year will bring it all together. Drink 2017-2020.  Tasted July 2017

Michele Chiarlo Barbera d’Asti Superiore Nizza DOCG Cipressi 2014, Piedmont, Italy (Winery, WineAlign)

From a loamy locale, aged in large oak barrels, there is a rusticity about it along with its really dark cherry fruit. Some Bretty volatility too, complexity, character, oomph and reason for living. Quite high in acidity and structure is provided by that ideal with addendum by the gentle touch afforded by the higher oxygen exchange, large format wood. Drink 2018-2022.  Tasted July 2017  michelechiarlo  univinscanada  @michelechiarlo  @UNIVINS  Michele Chiarlo  @UnivinsCanada

Michele Chiarlo Barbera d’Asti Superiore Nizza DOCG La Court 2013, Piedmont, Italy (Winery, WineAlign)

Chiarlo’s La Court is actually one of the only Nizza barbera with a hard to get, slightly reserved character. It’s aromas are a bit muted though you get the sense that it’s quite floral behind the veil. Patience and air reveal dark fruits, of plum and black raspberry, then dusty earth and liquorice, with a silky patterning on the palate. Would love to get some wood spice but that too is currently in limbo so time is required to reveal such charm. The acidity is less than barbera raging, something that falls into line with the sneaky structure. Quite singular Nizza cru work right here. Drink 2018-2023.  Tasted July 2017

Viticoltori Associati Vinchio Vaglio Serra Barbera d’Asti Superiore Nizza DOCG Laudana 2014, Piedmont, Italy (Winery, WineAlign)

From the hill known as “Bricco Laudana” this is one of two barberas produced from its clay and sandy marls, a barbera d’asti DOC and this extraordinary Nizza DOCG. The Nizza is aged one year in large oak barrels, thus mixing grace, elegance and full on liqueur with high, nearing acetic acidity. Very long but with angular bits and spikes in and out of the morello cherry fruit. Needs a year to settle in and amongst its sharp, moving parts. The cru is farmed by five or six producers and certainly one to watch, explore and anticipate the subsequent glory that near-future vintages will bring. Drink 2018-2024.  Tasted July 2017  vinchiovaglioserra  @vinchiovaglio  @VinchioVaglioSerra

Viticoltori Associati Vinchio Vaglio Serra Barbera d’Asti Superiore Nizza DOC Laudana 2012, Piedmont, Italy (Winery, WineAlign)

Laudana is a warm and inviting barbera, dark with an ambling, rusty variegate, almost traditionally rustic but with a silky texture. Its notes play sweet and sour red fruits, namely raspberry and its constitution is right proper Nizza with the sort of traditional feel to demand not just attention but a raison d’être that says,”grant us our own DOCG.” It’s a dusty and vinous affair, like fully realized merlot with elevated alcohol, acidity and good phenolic ripeness. A solid, unafraid and unabashed barbera to represent the denomination with confidence and poise. Drink 2017-2019.  Tasted July 2017

Azienda Agricola Ivaldi Dario Barbera d’Asti Superiore Nizza DOCG “1613” 2014, Piedmont, Italy (Winery, WineAlign)

Ivaldi Dario’s barbera captures the honesty, clarity and purity of Nizza Monferrato, from grapes grown on clay-limestone soils and from vines 50 years of age. This perfectly suited barbera was aged in large Slavonian oak barrels and in 2014 turned out lithe and beautiful at 13.5 per cent. It’s tart as it should be, recounting a brief bit of tradition, earthiness and volatility. This is the most decent and convivial barbera of the lot, from longer, slower maceration with less pump overs and no unnecessary barriques aging. The lighter hue is vintage related but also house-curated, not to (re) mention classic styling. Picked early? Perhaps. Most important is that it is progressively hands-off, proper and most appreciated winemaking to celebrate a white limestone terroir. Drink 2018-2023.  Tasted July 2017  andrea.ivaldi  @ivaldidario  @vinidelmonferrato

Azienda Agricola Ivaldi Dario Barbera d’Asti Superiore Nizza DOC “1613” 2012, Piedmont, Italy (Winery, WineAlign)

Few persuasions in the schemes of wine assessments are more fascinating to study than vintage variation, always great signs and portents from the fringe growing regions of the world. Monferrato is one such place, affected by swings in climatic conditions from year to year, raised here in magnification through the lens of Andrea Ivaldi’s multi-faceted barbera. The depth and structure in this ’12 is so contrary to the bright eyed ’14, now richer and almost brooding, even for Nizza. Ivaldi is a house with a self-predicated idiosyncrasy but here it speaks with Nizza style, perhaps antithetically reflexive but still with fruit that echoes from its manifest gaze into a mirror. Andrea makes exactly what the vintage gives, with blacker than red fruit bruised with a variegated hematoma and yet layered with a mineral underlap from that white limestone hill. As an arrangement it’s bigger than even he would likely have wanted to fashion but he’s a pragmatic winemaker who had to pick his fruit by September 20th. Do the math and see the forest for the trees. Drink 2017-2022.  Tasted July 2017

Berta Paolo Barbera d’Asti Superiore Nizza DOCG La Berta 2014, Piedmont, Italy (Winery, WineAlign)

The Berta family wine estate dates back to 1842 with vineyards located between the areas of Monferrato and Langa. Their Nizza barbera d’asti is aged in large 500L oak barrels, lending a perfume that lingers long after this textured wine has stretched into the long aftertaste. Berta’s is quite a warm, rich, welling and dense example, fine liquid grainy, weighty and youthfully cumbersome. Having been afforded the opportunity to taste some older examples later the same day really put this one into perspective and provided a deeper understanding of Nizza structure. Drink 2018-2022.  Tasted July 2017  vinifamigliaberta  @wineBerta  @viniberta

Berta Paolo Barbera d’Asti Superiore Nizza DOC La Berta 2011, Piedmont, Italy (Winery, WineAlign)

The Nizza DOCG was added to Asti’s barbera portfolio in 2014 so this predates the appellative status, though for real intents and purposes this ’11 serves the same purpose. From a hotter than hot summer though the aromatics hide the thought and so you would never know just how warm it was. The palate speaks a different story with a deep-seated liqueur distilled from the top of the Berta Paolo terroir, a 40-70 year old set of plantings at Il Bricco, “The kettle” vineyard, 270 meters above sea level. The veins of this plot stretched over the hill of San Michele at Nizza Monferrato are the reason for Berta Paola’s distinct barbera texture. In 2011 this translates to a creamy, dreamy, suave and fine leathery parochial wine. Another example to set up one’s mind to realize what later vintages will turn out to be. Drink 2017-2022.  Tasted July 2017

If 2014 is anything like 2008 the future will shine on #famigliaberta #barberadasti @ilnizza Riserva #progettovino #collisionimonferrato

Berta Paolo Barbera d’Asti Superiore Nizza DOC La Berta 2008, Piedmont, Italy (Winery, WineAlign)

More traditional than ever, partly and certainly because of age but also in an era that predates the level of current Nizza Monferrato understanding. This travels into a secondary, present state savour with the still flowing liqueur of the San Michele terroir. Speaks an older school, barrel-influenced vernacular, of a chocolate and vanilla vocabulary with an edge of Brett and volatility. Character from another time and quite persistent in voice. Drink 2017-2018.  Tasted July 2017

Villa Giada Barbera d’Asti Superiore Nizza DOCG Bricco Dani 2014, Piedmont, Italy (Winery, WineAlign)

Here from Andrea Faccio struts with great confidence the dark, hematic, ferric and brooding barbera. A very serious Nizza, mercury rising, full on chocolate, espresso and an oily tar, imagining a nebbiolo-like modernity that places this in a stylistic and über-specific category. High acidity, some grainy tannin and sharp finishings so this needs some time. More than any other thus far in the Nizza DOCG flights. Drink 2019-2024.  Tasted July 2017  villagiadawine  Andrea Faccio

Bava Barbera d’Asti Superiore Nizza DOCG Pianoalto 2014, Piedmont, Italy (Winery, WineAlign)

A large (500L) barrel aging, this is highly, beautifully perfumed, restrained and deliciously tart. Savoury, herbal and tomato leaf herbal, from a hill with a crest, “the high plain,” or plateau. A current of currants, bell pepper and really ripe acidity. This is the most proper use of barrels, generous but exceptional. The most energy of all, modern and yet somehow classic, even traditional. Drink 2018-2025.  Tasted July 2017  bavawinery  @bavawinery  @bava.winery

Bava Barbera d’Asti Superiore Nizza DOC Pianoalto 2007, Piedmont, Italy (Winery, WineAlign)

Barbera’s secondary moments are upon the 10 year-old Pianoalto though the wine still slides across the palate with creamy barrel texture. Notes of fig and prune are a case of a hot and dry vintage with very low yields. The nose has matured into a perfume only lifted now by the persistence of barbera’s elevated acidity so this continues to fly at a decent altitude. It’s quite perfect at the ripe old age. Drink 2017-2020.  Tasted July 2017

Bava Barbera d’Asti Superiore Nizza DOC Pianoalto 2001, Piedmont, Italy (Winery, WineAlign)

Certainly showing its age at 16 and perhaps not as long-lasting due to what was at the time a middle of the road sort of vintage. It was a low and slow, no real heat to speak of, natural and organically rendered season so the wine has in turn done the same in kind. Now into the tertiary it has little to no bite or reason to put up a fight. What does persist is a chocolate, espresso and spice sprinkling, then down towards a slightly sharp, tart and done with it finish. Tannins are now only woody but all in all it’s a curious and worthy look back at turn of the century Nizza. Drink 2017-2018.  Tasted July 2017

La Gironda Barbera d’Asti Nizza DOCG Le Nicchie 2014, Piedmont, Italy (Winery, WineAlign)

A barbera return to dark fruit, glycerin into texture across a silky smooth palate. From old vines, many exceeding 50 years. Real concentration and developed fruit with an underlay of stone and clay. It’s rich and intense but not dense, warm but not searing. Everything rising but cresting, on a plateau where it can be handled. Structure is clear and obvious. Take this one deep into the cellar. Drink 2018-2025.  Tasted July 2017  la_gironda  @LaGironda  Susanna Galandrino

La Gironda Barbera d’Asti Nizza DOC Le Nicchie 2011, Piedmont, Italy (Winery, WineAlign)

The vintage for Le Nicchie is deep, dark and handsome, with fruit woven into texture rich and thick, with lots of wood and lit-scented herbs. Smells like rosemary and thyme stalks thrown on an open flame. It’s also almost impossibly silky and smooth while in management of quite refined acidity and tannin. Very polished Nizza barbera. Drink 2019-2023.  Tasted July 2017

La Gironda Barbera d’Asti Nizza DOC Le Nicchie 2007, Piedmont, Italy (Winery, WineAlign)

La Gironda’s is yet another 2007 that exhibits very high acidity. It was in fact a hot vintage that concentrated fruit but also that omniscient barbera acidity. Seems very young, almost impulsively so. The flavours are of an extreme Nizza variety, like a slice of Cru cake (in this case Le Nicchie) swimming in a syrupy pool of its own deeply reduced demi-glacé. For fans of barbera density with haute couture style and this is how this house does what they do best. Drink 2017-2020.  Tasted July 2017

La Gironda Barbera d’Asti Nizza DOC Le Nicchie 2003, Piedmont, Italy (Winery, WineAlign)

As hot as a vintage like 2007 might have been it held no fingertip burning candle to the likes of the scorcher of 2003. In the case of La Gironda and its Le Nicchie Cru the heat played right into the hands of the house style. This is quite a remarkable specimen because despite the warmth and the time elapsed this barbera is just in the early throes of secondary life, so the level of structure is quite astounding. The heavy wood aspect fully renders in chocolate tones piqued with spice. The combinative use of barriques and tonneaux has struck an accord and this still clings to viable life even if it’s quite the molten chocolate bomb. Drink 2017-2019.  Tasted July 2017

Tenuta Olim Bauda Barbera d’Asti Superiore Nizza DOCG 2014, Piedmont, Italy (Winery, WineAlign)

Few barbera from Nizza’s recently appointed DOCG are as polished as Gianni Bertolino’s ’14, a long developed piemontese that spent two years in large barrels. The fruit is really ripe, pushed to the limit of the vintage but just cresting at the edge of dried fruit and the tawny, figgy spectrum. Wild strawberry keeps it fruity and earthy, acidity is round and still in charge, thankfully, for the building and beguiling effect of great structure. Drink 2018-2022.  Tasted July 2017  tenuta_olimbauda hobbsandcompany  @tenutaolimbauda  @hobbsandco  @tenutaolimbauda.it  hobbsandcompany

Tenuta Olim Bauda Barbera d’Asti Superiore Nizza Doc 2011, Piedmont, Italy (SAQ 11383570, $37.50, WineAlign)

From a hot vintage, especially in summer but the warmth was managed by enough cool nights. Gianni Bertolino tells me about picking on acidity, not sugar, in mid-September. Here is the generous, extremely fresh, tart and silky barbera. A seriously classy, chic, racy and almost perfectly modern wine, very much an acumen-acquiesced and benchmark leader for the Nizza appellation. Drink 2017-2023.  Tasted July 2017

Tenuta Olim Bauda Barbera d’Asti Superiore Nizza Doc 2010, Piedmont, Italy (SAQ 11383570, $37.50, WineAlign)

Earlier in the day it was Gianni Bertolino who commented on barbera from Nizza being a six-year wine. His 2010 must have hit its stride at just about exactly the six year mark because here in its seventh just the beginnings of secondary character are showing their tell tale signs. It’s in cantilever mode, stretching out over the barbera abyss, unfurling its wings and truly opening to reveal its charms. Though the acidity still burns, churns and plays devil’s advocate to the depth of fruit and territory, the wood has melted enough to reign in that sapidity and balance is coming into order. It may come as a surprise to find the acidity warm but no longer sharpening its stone but where chocolate, dried fruit (namely plum) and spice are concerned this will be the result. Yet so much life persists in this ubiquitously defined cru of a Nizza. Drink 2017-2022.  Tasted July 2017

Cantina Tre Secoli Barbera d’Asti Superiore Nizza DOCG 2014, Piedmont, Italy (Winery, WineAlign)

Cooperative rendered barbera, aged for one year in small barrels. Soil is equally spread across several vineyards, from a rock, sand and loam accrue. Amenable, approachable, warm and vibrant acidity, dark fruit and negligible tannin. Some sweetness, black cherry, berry and fig. Drink 2017-2020.  Tasted July 2017  #cantinatresecoli  @TRESECOLI  @tresecoli1887

Cantina Tre Secoli Barbera d’Asti Superiore Nizza DOCG 2011, Piedmont, Italy (Winery, WineAlign)

It takes but a sip of the Tre Secoli 2011 to gain an understanding in comparison as to where the afore-tasted 2014 is heading. Few Nizza barbera swim with such full on chocolate and dried fruit depth and while the kinship resemblance between the two wines is uncanny, the heat of this ’11 vintage has brought on some fully realized evolution. The richness is all in, drying out and truffles are just around the next bend. Drink 2017-2019.  Tasted July 2017

A quadrato of big, bold and balanced @MarcoBonfante70 #barberadasti @ilNizza Bricco Bonfante #progettovino #collisionimonferrato

Marco Bonfante Barbera d’Asti Superiore Riserva Nizza DOCG Bricco Bonfante 2014, Piedmont, Italy (Winery, WineAlign)

In the hills of Nizza and Val di Sacca, Bonfante takes a deferential approach with some drying of the grapes for a handful of days, but unlike the three to four months as in Amarone. His fruit is aged in a combination of small and large oak barrels for 20 months. The extra concentration leads to higher sugar content and therefore elevated (15-16 per cent) alcohol but the wine is vinified dry. Sourced from the Bricco, top of the hill on calcareous clay marl. In the end this is a thick, viscous, shaken but certainly refined and balanced barbera in its large format, unabashed and even braggart style. Drink 2019-2026. Tasted July 2017  marcobonfantewinery  @MarcoBonfante70  @MarcoBonfanteWinery

Marco Bonfante Barbera d’Asti Superiore Riserva Nizza DOC Bricco Bonfante 2012, Piedmont, Italy (Winery, WineAlign)

Bricco Bonfante is the one and a half hectare family vineyard though it’s not necessary to label the wine “vigna.” Bricco works just fine. Now the comparison (to the barbera d’asti Superiore) becomes clear because the silk and elegance is noted in clean and pure Nizza. The 5,500 density of vines producing 4,000 bottles works out mathematically to 800 grams of fruit per plant, a number nothing short of ridiculous economics. With necessity the mother of invention the quality must run high and so 24 months in new barriques is bequeathed the precious fruit. The bricco exalted is the origin of the barbera that delivers prescience, presence and a preciseness of being. The hill is the thing, the vineyard its totem, the hot vintage adding heat early and on repeat, at 15.5 degrees alcohol (declared) so ripe, so big and with structure so in control. Drink 2019-2027.  Tasted July 2017

Marco Bonfante Barbera d’Asti Superiore Riserva Nizza DOC Bricco Bonfante 2011, Piedmont, Italy (Winery, WineAlign)

The vintage is in fact not so completely unlike the 2012 if perhaps a step taken back, away from power, terribilita and the heat. The palate has already begun to relent into a Nizza meets Bricco Bonfante sweetness and the tannins have resolved one notch down to a point closer to understanding. As a result there is more polish to Marco’s 2011 and a finer layer of silk. Here for the first time there is this purity of dark cherries mixed into the finest chocolate and a touch of secondary character development in balsamic. Should be good to go this time next year. Drink 2018-2024.  Tasted July 2017

Marco Bonfante Barbera d’Asti Superiore Riserva Nizza DOC Bricco Bonfante 2010, Piedmont, Italy (Winery, WineAlign)

Travelling in reverse down along a Marco Bonfante vertical is a most interesting exercise and makes so much sense. The 2010 is so similar to 2011, even more than how that ’11 compares with 2012. The fruit in ’10 is less pitchy, in delivery of red to black berries (or black raspberry to be precise) and yet the silky thread runs through the red. The same 24 months in new barriques sends this reeling into the plum chocolate pudding as a veritable bomb of a Nizza barbera. There are some who might find the stylistic overbearing, weighty and dense. They would not be wrong but they would be missing the Bricco point, of a matter that comes from the top of the hill with lowest of the low yields out of a rarity of rarities vineyard. There is no denying the acumen and the ambition but also, mostly the necessity. Drink 2017-2021.  Tasted July 2017

Marco Bonfante Barbera d’Asti Superiore Riserva Nizza DOC Bricco Bonfante 2009, Piedmont, Italy (Winery, WineAlign)

It was beginning to look like no matter how far back you travel in a Bricco Bonfante Nizza vertical there would be no signs of evolution, that is until you hit this 2009. Here the first to begin an inkling into secondary notes, if only the etchings of spice symbols and wood derived pericopes. There is also a faint, around the corner idea of tar and candied roses, or perhaps they’ve already begun to join the scented party. I find this 2009 quite cru Barolo-like and it’s interesting to note that this was Marco’s first Nizza Bricco. It also happens to be the one with the most apparent fruit, or perhaps time is the factor needed for such a reveal. It travels from red to black and back. Really quite amazing. Drink 2017-2021.  Tasted July 2017

Godello, Michele Longo, Michaela Morris and Dr. Michael Apstein

L’Armangia Barbera d’Asti Superiore Nizza DOC Titon 2013, Piedmont, Italy (Winery, WineAlign)

Titon is a blend of three estate vineyards planted between 1934 and 1990. The plots are also a mix of exposures; southeast, east and west, with warm temperatures abundant throughout. This barbera runs a fever of acidity, doles out plenty of chocolate, has yet to fully integrate its wood and is truly well made Nizza. Drink 2017-2019.  Tasted July 2017  armangia.giuly  @LARMANGIA

L’Armangia Barbera d’Asti Superiore Nizza DOC Vignali 2011, Piedmont, Italy (Winery, WineAlign)

Vignali is the single-vineyard barbera from the estate vineyard planted in 1934. An approximate 24 months of barrel aging is performed before it then ages in bottle for a further 24 months. At first there are the new 300L oak casks, then small 130L barrels for 12 months and finally large casks for 10-12 months more. Well, all this to say that Vignali is fully involved in its secondary stage of life. It is a most mature barbera, with the three holy trinity tenets of chocolate, balsamic and high level acidity all working as one. The soil and barbera tang is fully felt. Drink 2017-2019.  Tasted July 2017

L’Armangia Barbera d’Asti Superiore Nizza DOC Vignali 2010, Piedmont, Italy (Winery, WineAlign)

A later harvest developed riper fruit with higher phenolics and with seven years under its belt that fruit is drying nicely. Chocolate as always with figs, raisins, apricots and as expected balsamic, though here with a shot of dark espresso. All of the above on repeat and that big barbera acidity. Drink 2017-2018.  Tasted July 2017

Going back to @ilNizza for a lesson in what tomorrow will bring @Coppo1892 Grazie Luigi #barbera #barberadasti #riservadellafamiglia

Coppo Barbera d’Asti Nizza Superiore DOC Riserva di Famiglia 2009, Piedmont, Italy (Agent, $74.95, WineAlign)

From a small cru located in Castelnuovo Calcea, born in 1998, “a project, not only a wine,” explains Luigi Coppo. Only produced in the best vintages, the previous being 2007 and the next will be 2010, though this ’09 is undoubtedly the finest. “It’s not a wine of economics,” continues Coppo, but a single-vineyard expression for people to think outside the barbera box. It shares less history than Pomorosso and thus the reason why it is only selected from very specific vintages, “to work on the craft.” Few if any Barbera d’Asti carry such precision and presence. It’s adult candy, wise and layered, the key to making great barbera right here, in this texture. Expertly woven are fruit, wood and acidity so that all are blended, with no ego, nothing taken for granted, all in balance. Drink 2017-2027.  Tasted July 2017  coppo1892  maitredechai_ca  @COPPO1892  @maitredechai  @COPPO1892  Le Maître de Chai

Coppo Barbera d’Asti Nizza Superiore DOC Riserva di Famiglia 2007, Piedmont, Italy (AgentWineAlign)

Higher acidity in 2007 and alcohol pushing at 15.3 per cent (as opposed to 14.7 in 2009) don’t mean the world has come to end but it does make for an electric Nizza barbera. Even then Coppo could be pragmatic when it was called for so the wood use in this barbera was increased, to soak up some of that fantasy and see if the components could strike a balance in accord. You can really sense the fineness of silk on the palate. Still so beautifully managed, or rather you can intuit looking ahead 10 years from signsin this 2007 how in future vintages the winemaker will know how to manage the realities of vintage variable acidities, through the adjustments in wood and how that will determine the levels of tannin. Drink 2017-2019.  Tasted July 2017.

Borgo Isolabella Delle Croce Barbera d’Asti Superiore Nizza Doc Augusta 2009, Piedmont, Italy (Winery, WineAlign)

All the Isolabella wines receive a girl’s name, in this instance Augusta, a vineyard selection from a couple of sites on each side of the village limits and named after the proprietor’s sister. The estate produces only 90,000 bottles, each highly specialized and this barbera comes out of the highly prized vintage. In retrospect and with the fortune to taste several 2009s in one walkabout it is now obvious that the season bequeathed the gift of age on its wines. Great because of an extra fineness of acidity from a grape that always gives this way but in Isolabella’s 2009 there is this cool, savoury, reserved character, not unusual but balanced in equal opposition to the strength of perfume and body. A delicato is expressed in what may be referred to as an ultra-über special 2009. Drink 2017-2025.  Tasted July 2017  isolabelladellacroce2001  @ISOLABELLA_D_C_  @isolabelladellecroce

A deep #eredichiappone vertical delve with Daniele for perspective and a release of endorphins @ilNizza possibilities #progrettovini #collisionimonferrato

Erede Di Chiappone Barbera d’Asti Superiore Nizza DOC RU 2011, Piedmont, Italy (Winery, WineAlign)

Daniele Chiappone’s 2011 is his richest, warmest, most wood affected barbera replete with an armament of spice. While still in the care of its 16 per cent alcohol frame it is a most underdeveloped specimen but because it’s so big and burly it can’t help but reek, ooze and sweat out the aching masala of aromatics. In talking with Daniele he fully admits this to be the vintage of great demand and pressure so he simply made the wine it asked for. I liken this to Amarone from vintages like 2010 and 2011, unavoidable and so a great winemaker will simply do what must be done and try to seek out balance in a bold and crazy world. With fine acidity void of spikes, peaks and valleys Chappione puts this barbera in a state of equilibrium however high the plain may be. Give this two years minimum to integrate and match it with some lean venison over a bed of tangy polenta. Drink 2019-2027.  Tasted July 2017

Erede Di Chiappone Barbera d’Asti Superiore Nizza DOC RU 2010, Piedmont, Italy (Winery, WineAlign)

Chappione’s 2010 is barbera of a powerful maturation and its polyphenolics are quite different than those from 2011. The hard skins, noted by Daniele as pelli durissime might lead to a personality ostinata impermeabilità but a longer maceration broke them down, turned the opposite around to make them flexible and permeable. Though still tightly wound and not yet pliant this precise and very present 2010 of intrinsic structural value will make use of another year in bottle to soften its pertinacious fibres. When it opens up it will bloom, but ever so slowly, over a 15-20 year plan. Its crazy legs, choice acidities and quality tannins will all conspire towards longevity of the indiction degree. Drink 2019-2027.  Tasted July 2017

Erede Di Chiappone Barbera d’Asti Superiore Nizza DOC RU 2006, Piedmont, Italy (Winery, WineAlign)

RU by Daniele Chiappone is this, at first something altogether inexplicable but when tasted alongside his 2005, 2010 and 2011 it makes such perfect sense. Sense in where this fits in his evolution and to speak on behalf of the age-worthy ability of Nizza barbera. In a world where barbera perfume so often performs with perfunctory brevity this goes on and on. It is a unique combination of fennel frond, incense, hibiscus and violet to create an intoxicant and an anaesthetic. Yet another exceptional vintage is revealed, traditional and so alive, spun from earth crusting over cherry and then this smooth leather. The portal backwards 10 years allows for looks forward 10 more, especially into what’s coming from 2015 and 2016. To say the match with a prodigiously spiced in aromatic ragu over linguine was agreeable would be the understatement of the Monferrato century. Perfectly timed acidity seals the deal. This is barbera folks, of wit, age and history. Drink 2017-2021.  Tasted July 2017

Erede Di Chiappone Barbera d’Asti Superiore Nizza DOC RU 2005, Piedmont, Italy (Winery, WineAlign)

The vintage was a tough one with some hail and difficult to get the grapes into a state of full maturity. It’s amazing how winemakers remember every painful moment of a vintage like 2005 and Daniele Chiappone recalls picking in the first week of October. While that may not be wholly unusual for the RU cru it is quite a late Piemonte harvest. This RU carries deep, dark depth in currant fruit, in a realm where cabernet franc hooks up with nebbiolo and sires a love child. Side by side with 2010 it is really just the quality of tannins that truly sets the two apart and here the chemical reactions in the natural world bring about spice; cinnamon, star anise and then this eminence of Chiappone acidity. In Nizza it is this speciality that is both singular and distinct that creates such a structured feeling of éclat, or in the case of Chiappone, fulgore. Drink 2017-2022.  Tasted July 2017

Il contingente canadese @Collisioni #nizza #barberalovers #represent #progettovino #piemonte

Thanks for reading up on the wines of Barbera d’Asti and Nizza Monferrato. Let’s all hope we begin to see more options in both categories made available here in Ontario. A special thanks to Ian D’Agata, Michele Longo, Michaela Morris, Giulia Corino and the entire Collisioni crew.

Good to go!

Godello

Twitter: @mgodello

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