Less than 24 hours after touching down at Pearson following a trip to Germany for ProWein (plus excursions through the Rheinhessen and Ahr Valley) I find myself in comfortable surroundings. Knotting a tie with Niagara Falls tumbling as it is always wont to do while in other proximate places Niagara’s wine folks get cleaned up real good, all of us ready to gather for Cuvée 2017. A grand affair.
The 29th annual Cuvée was indeed held last Friday, March 24 with the Grand Tasting at the Scotiabank Convention Centre in Niagara Falls. Organized by Brock University’s Cool Climate Oenology and Viticulture Institute (CCOVI), Cuvée presents an essential cross-section of Ontario VQA wines while also raising thousands of dollars to fund academic scholarships and research. A count of 750 guests were in attendance along with 48 participating local VQA wineries and celebrated regional chefs.
Congratulations to the Cuvée award winners for 2017
Cuvée Vineyard of Excellence Award: Grower Gerald Klose, Niagara-on-the-Lake.
Tony Aspler Cuvée Award of Excellence: Wine journalist Ian D’Agata.
VQA Promoters Award for Lifetime Achievement: Toronto restaurateur Roberto Martella, Grano.
VQA Promoters Award for Education: Barb Tatarnic, Brock University.
VQA Promoters Award in the LCBO: Melissa McFadden, Owen Sound.
VQA Promoters Award for Hospitality: Sommelier Mike Fish, Glassroots Restaurant in London.
VQA Promoters Award in Retail: Brian Hanna, sommelier at Huff Estates Winery in Prince Edward County.
VQA Promoters Award for Media: Angela Aiello, iYellowWineclub.
The Cuvée Scholarship winners are:
Cuvée Hosting Award for Academic Excellence: Jacob Johnsson-Werner
Cuvée Award for Academic Excellence: Stephanie Van Dyk
Cuvée Award for Academic Excellence in OEVC: Hannah Lee
Cuvée Graduate Scholarship: Jennifer Kelly
New signage showed the way to 47 winery participants divided into a six-pack of of design,
I’ve reviewed 13 from the Cuvée Grand Tasting. Here are the notes.
A new order for chardonnay begins at Megalomaniac with winemaker Sébastien Jacquey now doing things his way. Lyrically speaking, a once buttery and brain freeze style of Megalomaniac chardonnay is now made My Way. The song reference is via Paul Anka (also interpreted through Frank Sinatra and Sid Vicious) but here turning with learned impression into Jacquey’s way. The bite into crunchy green apple and tart russet sting is more than cool, it’s downright intense. The pulsating, ebullient pop burst is techno chardonnay at its finest, melodic and built on sonic texture. My Way reminds more of Temptation, “heaven, a gateway, a hope, just like a feeling inside, it’s no joke.” There is great ripeness from warm St. David’s Bench fruit a bit less mineral so conversely eased away from oak. Also easy on the stirring of lees, to keep the purity, clarity and as Séb notes “we are always trying to listen to nature.” Drink 2017-2020. Tasted March 2017 @
Four months is an eternity in sauvignon blanc development and what was is not any more. Here again, “Ooo there I stand neath the Marquee Moon, hesitating.” Now some of the finest and most intelligently rendered spice you are ever likely to get from a bite anywhere in the SB diaspora is tasted. Effectively intense as it was not last fall, Creekside’s 50 per cent wood-aged ’13’s “life in the hive puckered up my night.” The risk is now rewarded. Last tasted at Cuvée with Yvonne Irving, March 2017 @ @ @ @
Of more worthy extraction and calculated tropical aromatics, the Reserve rendition of Creekside’s backyard vineyard play is deeply juicy and spiked with natural tonic. This wine makes full use of the slow, let it hang 2013 vintage and its dry, cloud covered temper. There are herbs and lime juice stirred into the cocktail and flavour does not pass by at a fleeting premium. This has richness and tangy appeal. The wish would be for more acidity but isn’t that always the case? Drink 2016-2019. Tasted November 2016
Welcome to new adventures in hifi, J-L Groux-Stratus Vineyards-sauvignon blanc style. “Here it comes (and) I’m carried away” by the utter freshness and positively optimistic nature of the grape and its potential off of Niagara-on-the-Lake vineyards. Groux employed two Sancerre clones, 317 and 530, the former antiKiwithetical and the second more Loire obvious. Picked early straight out of REM sleep (for Stratus) though always loyal to aromatics, the crisp green apple bite is striking in a cool-climate designated white void of chive, grapefruit and green veg. The fitness, finesse and fineness really show on the palate, direct, fresh and very long. Speaks to the organoleptic language of taste. Could have very well been dubbed The Departure. Drink 2017-2020. Tasted at Cuvée, March 2017 @
Fielding takes flight into traditional method, blush sparkling territory with this decidedly off-dry, fruit-driven, round and drinkable Rosé. Primarily 2013 based from pinot noir (84 per cent) and chardonnay (16) that spent up to 24 months on the lees. It’s habitual strawberry evidence and faint black cherry subtlety meet at the interstices of (13 g/L) of residual sugar, inviting and jacketing acidity. This is rose spectral, chaste stylish fizz to initiate Fielding’s investigation that will only become more and more complex. You’ll have to make a trip to Fielding if you want one, that or a reservation at Treadwell or Backhouse. All good options. Drink 2017-2020. Tasted at Cuvée, March 2017 @ @ @
Nine months later and without the blind tasting arrangement it is Adamo’s chardonnay that once again directs the discourse. This second vintage and first solo record from B.C. native and winemaker Shauna White is a risk-taking, tart, fruit major, reductive minor virtuoso effort. It’s fresh, crisp, crunchy, pure, cooled down, off and out chardonnay. It’s also a classic Wismer-Foxtrot rendering interpreted with troubadour-diva talent. Chardonnay to “bring you apples from the vine,” so “run the bath and pour the wine.” Makes me anything but down. Last tasted at Cuvée 2017, March 2017 @
Really effective actuality, from barrel for couverture and bite, through texture by lees and with inhalant because of the mineral play. This has it all going on. The middle palate is so beautifully filled in, the spice and smokiness just a mild, intoxicating smoulder. Lovely stuff and terrific length. Drink 2016-2021. Tasted blind at #NWAC16, June 2016
The pattern forming from riesling in 2014 out of Niagara is coming into clear, linear focus and with great hyperbole from this single-vineyard Thirty Bench. True to its vineyard nature nomenclature Steelpost is apropos of steel pulse beats and smoky to flinty intensity. It has been many vintages since this type of Steelpost showing and methinks it the kind of wine so misunderstood in its youth. Riesling that cuts like a knife, right through fruit and gets right to the mineral heart of the matter. It’s like walking on a tightrope, “just, just take a look and see, yeah. I’d wait two years before digging a little deeper. A future of flesh and bone awaits. Drink 2019-2025. Tasted at Cuvée, March 2017
Adamo’s second vintage takes a small but important step forward with reasons threefold by way of explanation. The first is fruit one year older, still a toddler relatively speaking but beginning to express itself with opinion and determination. Second is the baton and torch transfer from PEC set up man Jonas Newman to incumbent winemaker Shauna White. Third is simply Howard and Wes Lowrey’s Vineyard. This hallowed ground for Adamo is an allotted St. David’s Bench section as a gift with one stipulation. Don’t mess it up. With abide to terroir and essential tenets followed, this ’14 drinks as it should, rich, unctuous and tenuously structured. The spice is quite up front, dancing cheek to cheek with the precocious fruit. The continuance moves through a central vortex and into the back halls, carrying noticeable tannin down its dry and savoury descent. Might want to wait one more year. How is it this vineyard is able to speak regardless the maker? Only the one who knows his or her rows can answer the question. Drink 2018-2021. Tasted at Cuvée, March 2017 @
This is one of those wines you need to revisit. The 70 per cent whole berry and 18 months in wood give it this posit tug between carbonic restlessness and organza texture. The flavours are now developing out of the tobacco road nose, into flanked borscht boullion distilled, like aqua vitae with cinnamon, Szechuan pepper and cardamom spice. Tasted at Cuvée, March 2017 @ @
Bright, high-toned Pinot Noir with rambling warm, St. David’s Bench red fruit aromas, out of the raspberry patch (thorns and thistles in) and off of the ripening pomegranate tree. Some rusticity and quarried character refracts within a mild tannic frame. Very floral and high on acidity. Blissfully and blessedly not over pressed and in fact rather well made. Yet another success employed by winemaker Kevin Panagapka with stylistic firm talon grip from out of the Queenston Road Vineyard. Drink 2016-2020. Tasted February 2016 and March 2017
With fruit from the Niagara chardonnay mecca Oliveira Vineyard and the addendum of yet another stellar varietal vintage it is this Craig McDonald speciality that helps to steal the show. Striking out with near-raging acidity (pushing and possibly exceeding the 8 g/L mark) the Wild Ferment is one of the most formidable expressions of 2014, if not ever. All the moving parts work fervently and impressively as if the motor is running and the machine careening around the speedway. To keep composure it is texture that brings about grounding, balance and cadence, from obvious lees perfection and 30 per cent new wood plus the rest forged by two to five year old barrels. This is creamy, energetic and tannic chardonnay, all conspiring to express itself with both weight and poise. From a maker who’s been around the block a few times, the ’14 WF will go the distance. And you can start now. Drink 2017-2024. Tasted at Cuvée, March 2017 @ @
The designation is NOTL and the fruit is a fifty-fifty draw from Niagara River along with less sandy estate soils. The fruit came is nicely warm, in the geek-noted 22.5-23.5 brix level, now double fast-forwarded to the spring of 2017 after its initial nine months in barrel. The frame is classic cabernet sauvignon, no matter the origin, housing and because of beautiful peninsula fruit. Twenty-five percent of the wood is texture giving and spice lifting atop blueberry, blackberry and Cassis. This is ripe but in retention of its acids with the creamy vanilla anglaise consistency only really felt at the finish. Only then. Tidy little $35 red from Marty Werner and Ben Minaker. Drink 2019-2024. Tasted at Cuvée, March 2017 @ @ @
Insieme is built around and upon a foundation of high quality vintage conditioned merlot (36 per cent) with (31) cabernet sauvignon, (19) cabernet franc and (14) syrah. The fruit is subjected to 100 per cent appassimento processing, turning smooth, ambient, atmospheric, “e petto a petto, noi respiriamo insieme.” This is Niagara’s cinema paradiso red blend, composed with Morricone classicism in ode to Amarone. Two years in second pass cigar barrels brings the smoke and the smoulder, syrah adds a peppery jolt and dusty merlot turns into raspberry purée because the appassimento makes it that way. With sugar and acidity equally running high there is a knowing balance in 2013, a silken palate and the structure to see it age. If nothing else, even at 15 per cent alcohol it achieves one thing. “Solamente amore.” Drink 2018-2022. Tasted at Cuvée, March 2017 @
Two pinot noir worlds collide in the Réserve du Domaine, one from Jordan and the other Beamsville, with fruit forged and fused via Neudorf Farm’s Le Petit and Mountainview Vineyard. The collaboration is never lost on the Thomas Bachelder-Kelly Mason winemaking cooperation. Le Petit firms up the plummy rich unctuousness of Mountainview like any good spouse should and the match is unpredictable, at times inflammatory but in the end, made in heaven. Whole berries do their carbonic foreplay thing, infusing energy and keeping things light with assistance from a vintage in echo of the sentiment. This is more flavourful and quite possibly, potentially more structured than 2013 though it may also compromise some classicism for ultra modernity. It’s too young frankly to make such bold statements so let’s just call it a draw. Drink 2018-2024. Tasted at Cuvée, March 2017 @ @
Showcase is from the wealthiest of cabernet franc Niagara fruit aboard the Clark Farm rows and placed in the hands of Trius for full effect. The Red Shale is housed in 30-35 per cent new oak, travels fully and completely through malolactic fermentation and lots of lees are kept, stirred, shaken and promoted with extreme prejudice. This is rich and beautifully reductive, a smoky batter enriched by 18 months in selected, set aside for a rainy cabernet franc day barrels. Something exotic this way wafts as it always does, with green herbal phenols and sweet spice island Syzygium aromaticum. In the end its incredibly long despite its rebel youth so know that it will be a finer Niagara cabernet franc with time tucked in pocket. Another notch etched in Clark Farm lore. Drink 2019-2022. Tasted at Cuvée, March 2017 @ @
Good to go!