Tasting Ontario Part Three: Rosé

Do not adjust your set. Magnums of Rosé by @scottzebarth and godello ~ #aldé #cabernetfranc @ravinevineyard #vqa #niagaraonthelake

The first of the 2018 WineAlign National Wine Awards of Canada results are now live on site with the announcement of winners in the Rosé category. The global blush explosion has not passed Canada by as witnessed through the record number of entries at this year’s Nationals held in June at the Penticton Trade & Convention Centre.

Related – Tasting Ontario Part One: Riesling 

The Rosé romance is still in the honeymoon phase as sales have seemingly been rapidly rising every year for at least the last three and show no signs of slowing down. In the early part of 2018 my partner Scott Zebarth and I made 599 (sold out) magnums of 100 per cent cabernet franc with Marty Werner and Ben Minaker at Ravine Vineyard. We are officially part of the problem, I mean program.

Related – Tasting Ontario Part Two: Chardonnay

As part of an ongoing series in which I am publishing my most recent tasting notes of Ontario wines in any and all categories, here are 20 Rosés of local origin, including a half dozen tasted blind at NWAC18 last month.

Day 3 #nwac18 shades with Rosé nails by @heatherriley29 and a 50 for the judge from Nova Scotia.

Fielding Estate Rosé 2017, VQA Niagara Peninsula, Ontario (53421, $15.95, WineAlign)

Fielding’s latest Rosé is not only unlike the others but also unrecognizable from itself and the curiosity level is set real high. The sweetness is different, almost late harvest so perhaps Richie Roberts has taken a turn by adding a twist into experimentation and it really works. No compromise to sapidity or energy is noted and in the context of rich and ripe there is great pleasure. Nice departure here. Drink 2018-2020.  Tasted May 2018  fielding winery  richiewine  @FieldingWinery  @RichieWine  Fielding Estate Winery

13th Street Pink Palette Rosé 2017, VQA Niagara Peninsula, Ontario (275834, $15.95, WineAlign)

Pink palette is exactly as the nomenclature suggests, a painter’s tray with colours blending and layering in and out of one another. All the pink, red and orange fruits are represented here in aromas and flavours. It’s a bit of an abstract mess but it finds a way to work. Goes every way and returns to the starting point, then sets out again. Drink 2018-2019.  Tasted May 2018  13thstreetwinery  @13thStreetWines  13th Street Winery

Malivoire Wine Ladybug Rosé 2017, VQA Niagara Peninsula, Ontario (559088, $15.95, WineAlign)

The blend is cabernet franc (65 per cent), pinot noir (24) and gamay (11) for the most Malivoire forward, all fruit all the time, simply rosy Rosé. Name those red fruits in their collected bunches but don’t plan to come looking for citrus. As I said, it’s all about the red fruit. Drink 2018-2019.  Tasted twice, blind at NWAC18 and July 2018  malivoire  noble_estates  @MalivoireWine  @Noble_Estates  Malivoire Wine  Noble Estates Wine & Spirits

Tawse Rosé Sketches 2017, Niagara Peninsula, Ontario (172643, $16.35, WineAlign)

Now that Tawse is making a 100 per cent pinot noir Rosé from the Quarry Road Vineyard it puts the Sketches into clearer perspective as a provident and judicious bet for easy and easier drinking. I’d say there is a good amount of gamay in this Rosé because it delivers softer, less rusty and coppery, more wild berry-scented and leafy savoury-accented fruit. It nicely straddles the line between fruity-candied and sapid-dry for maximum amenability. You can’t go wrong here with a warm day and a big chill. Drink 2018-2019.  Tasted June 2018  tawsewinery  @Tawse_Winery  @tawsewines

Westcott Vineyards Delphine Rosé 2017, VQA Vinemount Ridge, Ontario (498527, $16.95, WineAlign)

Delphine does not shy away from expressiveness, with a high level of Rosé complexity by Vinemount Ridge pinot noir. Sugar, tang and washed rind cheese get together with high tonality and quite the fleshy tang. Good food Rosé, especially with a vegetables accented by a smoky edge. Drink 2018-2019.  Tasted May 2018  westcottvineyards  @WestcottWines  @westcottwines

Kacaba Summer Series Rebecca Rosé 2017, VQA Niagara Peninsula, Ontario (227025, $17.95, WineAlign)

From gamay and an immediate response of that’s more like it. Smells just like gamay with a salt lick running through cranberry and raspberry fruit. Just enough pressing, good acidity and great persistence. Drink 2018-2020.  Tasted blind at NWAC18, June 2018   kacabavineyards  @KacabaVineyards  Kacaba Vineyards and Winery

Wildass Rosé 2017, VQA Niagara Peninsula, Ontario (71712, $18.95, WineAlign)

As per the plan Stratus will change direction and for the first time chooses the saignée method for varietal cabernet franc. As for Wildass it is a blend of sauvignon blanc, riesling, tempranillo and cabernet franc. It hints at the present and the future of Niagara Peninsula Rosé in a nutshell albeit with full-bled coverage, high level fruit phenolics and a little bump up in residual sugar. If the ’16 Wildass hovered in the five to six range this seems to be upwards of nine or ten. The fruit here is fantastic and the warmth of the vintage can be thanked, especially from the extended fall and the later picking hands of a Stratus managed wine. Drink 2018-2019.  Tasted May 2018   stratuswines  @StratusWines  @StratusWines

The Roost Rosé 2016, VQA Niagara Peninsula, Ontario (Winery, $18.95, WineAlign)

From pinot noir, rich, very pressed and quite tannic. Fleshy, full and a bit funky. Rhubarb leads the fruit in a two-dimensional, flat-patterned, if unusual texture. Drink 2018-2020.  Tasted blind at NWAC18, June 2018  theroostwineco  @TheRoostWineCo  @theroostwineco

Peller Estates Private Reserve Rosé 2017, VQA Niagara Peninsula, Ontario (Winery, $18.95, WineAlign)

A blend of pinot noir (88 per cent) with gamay and pinot meunier. Lovely in litheness, light, bright and briny blush, saline all the way through. Does the trick with fineness, tart and tight inner-vision Really lovely. Drink 2018-2020.  Tasted blind at NWAC18, June 2018

Huff Estates Rosé 2017, VQA Ontario (Winery, $19.00, WineAlign)

From cabernet franc, some florals, with agitative acidity and a good tartness in composure. Fruit meets salinity and a touch of currants in brine. Drink 2018-2020. Tasted blind at NWAC18, June 2018  huffestateswine  @HuffEstatesWine  @HuffEstates

80x Wine Company When Pigs Fly Pinot Noir Rosé Ridgepoint Vineyard 2017, VQA Twenty Mile Bench, Ontario (Winery, $19.95, WineAlign)

It’s a comedy moment reminder and also a temptation to invoke the Smithers question “will you be donating that million dollars now, sir?” The cheeky name “When Pigs Fly” is actually Rosé by pinot noir from André Proulx and (Kacaba winemaker) Vadim Chelekhov made with the help of David Stasiuk at Rockway Winery. It ain’t no big thing, nor adynaton, idiom of improbability, impractical nor rhetorical device as extreme exaggeration. And so When Pigs Fly is summer in September, harbinger of spring and varietal Twenty Mile Bench, single Ridgepoint Vineyard hyperbole captured with healthy, fresh, brackish and earthy estuary goodness. As promised, its verdant, crisp, delicate, sweet rose petal floral and rusty fruit gone down easy, on a deck, in the sun. Drink 2018-2019.  Tasted March 2018  andrewinereview  vadimwineguy  @andrewinereview  @Vadim_Chelekhov  André J Proulx  Vadim Chelekhov

Henry Of Pelham Rosé Three of Hearts 2017, VQA Ontario (552562, $19.95, WineAlign)

It’s a good card the three of hearts, played out in Rosé form though admittedly in sweet and sour ways. A salty cheese rind note filters in to the ubiquity of Rosé strawberry and grapefruit, that and some blanched, sweet herbs. This is a snazzy meets chic new label from the Speck brothers at Henry of Pelham and there is little doubt that the lithe and lean style is the right one to choose. From this particular bottle an overly aggressive mix of sugar and sulphur detracts from the overall impression and pleasure. Drink 2018-2019.  Tasted April 2018  henryofpelham  @HenryofPelham  Henry of Pelham Family Estate Winery

Southbrook Vineyards Organic Triomphe Cabernet Franc Rosé 2017, VQA Niagara Peninsula, Ontario (279117, $19.95, WineAlign)

Mostly cabernet franc (85 per cent) with merlot in this tart and rich blush. Currants and blackberries, good flow and integration, very solid if typical and correct, highly market saturate and soluble commercial Rosé. Drink 2018-2019.  Tasted blind at NWAC18, June 2018  southbrookvineyards  thelivingvine  @SouthbrookWine  @TheLivingVine  Southbrook Vineyards  The Living Vine inc.

Malivoire Rosé Bon Vivant 2017, VQA Beamsville Bench, Ontario (498535, $19.95, WineAlign)

C’est bon this Maliviore, from what is just the most perfect, antithetical, apposite Rosé vintage Niagara has perhaps ever seen. After the coolest of summers the great resurgent warmth of September delivered great ripeness into this Beamsville Bench fruit, even when picking for Rosé is completed before the full monty is reached. The result is nothing short of bring it on. Salt, brine, stone fruit, citrus and sonic, tonic injections had never gathered so collectively in synch at this price, from this place. This is brilliant Ontario blush and all should be so lucky to emulate and live as cohabitant with the Vivant. Drink 2018-2020. Tasted April 2018  malivoire  noble_estates  @MalivoireWine  @Noble_Estates  Malivoire Wine  Noble Estates Wine & Spirits

Southbrook Syrah Rosé 2017, VQA Four Mile Creek, Ontario (Winery, $22.25, WineAlign)

Ann Sperling’s small lot, organic and biodynamic syrah shows what the vintage is for Rosé, that being stellar and why did Ann make such a varietal Rosé? “It seemed like a good idea at the time.” It’s still a good idea. Great acidity, faint white peppery red fruit, namely raspberry and then that blush catalyst called texture. Salty, fruity, energetic and well-commanded. Proper. Drink 2018-2019.  Tasted April 2018 southbrookvineyards  thelivingvine  @SouthbrookWine  @TheLivingVine  Southbrook Vineyards  The Living Vine inc.

Malivoire Rosé Moira 2017, VQA Beamsville Bench, Ontario (Agent, $24.95, WineAlign)

Malivoire’s most important and benchmark Ontario Rosé is one of the first to the table from the 2017 vintage and why not because its quick soak and lightness of being takes no time at all to get ready. This is the antithetical beauty of Rosé and how it must be approached for best results. Malivoire does not take a step forward from the most perfect ’15 and ’16 wines but there is more fruit in this ’17. You can actually nose and taste strawberry plus a hint of tart raspberry. This will appeal to more of the general Rosé loving populace without any compromise for the provincial, provençal geeks everywhere else. It’s ostensibly a better wine in 2017 because it will attract that growing audience without having made any concessions or dis to authenticity. Drink 2018-2021.  Tasted February 2018  malivoire  noble_estates  @MalivoireWine  @Noble_Estates  Malivoire Wine  Noble Estates Wine & Spirits

Hidden Bench Locust Lane Rosé 2017, VQA Beamsville Bench, Niagara Peninsula, Ontario (68833, $22.95, WineAlign)

Locust Lane is always in the echelon of premier Ontario Rosé and from a prized piece of real estate on the Beamsville Bench. This takes autumn warmth and bottles it as blush sunshine with zippy fraise cocktail essence and ever-berry flavour that goes on forever with an added good shake or two of maldon salt. Great quality right here and well worth the price of admission. Drink 2018-2020.  Tasted May 2018  hidden bench  markanthonyon  @HiddenBench @MarkAnthonyWine  Hidden Bench Estate Winery  Mark Anthony Wine & Spirits

Tawse Quarry Road Vineyard Rosé 2017, VQA Vinemount Ridge, Niagara Peninsula, Ontario (Winery, $27.95, WineAlign)

The inaugural Tawse single-vineyard Rosé launches with a whisper, as Rosé should, from a saignée methodology in search of layering and structure. The way this pinot noir of Vinemount Ridge Quarry Road grapes lightly treads into this world means that it can build, layer and ultimately capture our attention. It’s decidedly dry and brings many fruit thoughts to the bowl but more than anything it’s lime-doused cherries, a shot of ginger bitters and the ever-proper feign of sweetness that really isn’t there. This is terrific varietal pinot noir in blush clothing, properly sour and briny to keep pace with similar renderings by cabernet franc. Drink 2018-2020.  Tasted June 2018   tawsewinery  @Tawse_Winery  Tawse Winery

Thirty Bench Small Lot Rosé 2017, VQA Beamsville Bench, Niagara Peninsula, Ontario (414227, $29.95, WineAlign)

“I am not in love, but I’m open to persuasion.” So tell me what a $30 Ontario Rosé can be. Here presents a next level of expectation from the Thirty Bench Small Lot and yes it obliges with a profile that begins in flavour bursts to supersedes its regional and price category. With open armed, elevated and trading hands this Small Lot at first offers pressed juicy fruit, then fresh picked strawberry and finally packets of fruity umami. The triumvirate workings of saignée cabernet sauvignon, cold-soaked pinot noir/pinot meunier and direct-pressed cabernet franc mean business. Rosé is meant to gift wrap an equation executed through chill, quaff and relax, which you can do with this example but it requires a little bit more attention. Give it that love if you’ve got the mind and the meditation, “but this time with a little dedication.” Sing it, sing it. Drink 2018-2020. Tasted May 2018  hirtybench  pellerwines  @ThirtyBench  @PellerVQA  @ThirtyBench  Andrew Peller(Andrew Peller Import)  Emma Garner

Pearl Morissette’s Svetlana Atcheva with Cuvée Roselana

Pearl Morissette Rosé Cuvée Roselana 2016, Ontario (Winery, $30.00, WineAlign)

Roselana is a gamay-pinot noir saignée blend that pulls no pleasure punches. “We like Rosé of colour, like Tavel,” notes Svetlana Atcheva, “but in a more accessible style.” Her name folds into a Rosé that was sold out as it was bottled, a blush of so much gifting flavour and unlimited pleasure. The specifics of aromatics, berry, citrus or otherwise defined tastes is not important. Just drink it. Next vintage. Drink 2018-2020. Tasted July 2017  pearlmorissette  @PearlMorissette  Pearl Morissette

Good to go!

Godello

Twitter: @mgodello

Instagram: mgodello

WineAlign

Stoked for Cool Chardonnay

This time next week I’ll be parked front and centre at White Oaks Resort in Niagara for the i4C 2018 School of Cool, presented by VQA Wines of Ontario, The Wine Marketing Association of Ontario, the Grape Growers of Ontario and Wines of Chablis.  You can to if you manage to grab one of the few remaining tickets.

Related – International Cool Climate Celebration

Session One, The Perception of Chardonnay will be moderated by Dr. Jamie Goode, Session Two, Desert Island Combo – Chardonnay and Cheese by Peter Rod and Session Three, Raising Chardonnay by John Szabo, MS. I’ll continue on to join in the cool festivities all weekend long. Friday evening’s Flights of Chardonnay event will be held once again at the Niagara District Airport and the Saturday night Cool Chardonnay World Tour Tasting & Dinner will take place at Ridley College, St. Catharines, Ontario. On Sunday morning Ravine Vineyard will play host to the Moveable Feast Brunch.

Related – Tasting Ontario Part Two: Chardonnay

This year, 63 winemakers from ten countries will be pouring 165 wines in Niagara from Friday, July 20th to Sunday July 22nd. Let’s get into the spirit and check out 11 of my most recently tasted chardonnays.

Westcott Chardonnay Lillias Unoaked 2017, VQA Vinemount Ridge, Niagara Peninsula, Ontario (425322, $12.25, WineAlign)

Lillias is petit chardonnay, unoaked, made in a decidedly Petit Chablis style, slightly lactic and fresh as picked calla lilies without too much scent. The texture and palate feel on Westcott’s 2017 is richer than it was before, with thanks to a hot September and so weight meets alcohol are up there with some barrel-aged cousins. Minus the vanilla and butterscotch of course. Easy drinking to be sure and just might lead to a good time. Drink 2018-2019.  Tasted July 2018  westcottvineyards  @WestcottWines  @westcottwines

Cave Spring Chardonnay Musqué Estate Bottled 2016, Cave Spring Vineyard, VQA Beamsville Bench, Niagara Peninsula, Ontario (246579, $17.95, WineAlign)

Very floral, of course, a potpourri that includes roses, orange peel, geranium and south asian fruit. It’s almost tropical like viognier or even gewürztraminer so you could wonder if this is 100 per cent musqué but really it’s just a matter of a warm year making for soft chardonnay. Drink 2018-2019.  Tasted July 2018  cavespringcellars  thevineagency  @CaveSpring  @TheVine_RobGroh  Cave Spring Cellars  The Vine

Malivoire Chardonnay 2016, VQA Beamsville Bench, Ontario (573147, $17.95, WineAlign)

It almost seems a guilty pleasure or even a shame to be this taken by Malivoire’s entry-level chardonnay because it seems as though it will steal the lime, spot and ultra-violet light away from the serious and essential Mottiar and Moira chardonnays. Winemaker Shiraz Mottiar has really taken the varietal by the horns but the thanks has to begin and be granted the excellence of viticulture in these Beamsville Bench vineyards. How at this price you can strike such a mutually beneficial accord between fruit and wood is beyond me, first with so many thoughts of apples, pears, peaches and nectarines, then the verdant sweetness of lime-caramel and spiced vanilla. It;s all very subtle but also generous. Regional level chardonnay in Ontario at its finest. Drink 2018-2020.  Tasted July 2018  malivoire  noble_estates  @MalivoireWine  @Noble_Estates  Malivoire Wine  Noble Estates Wine & Spirits

Cave Spring Chardonnay Estate Bottled 2016, Cave Spring Vineyard, VQA Beamsville Bench, Niagara Peninsula, Ontario (256552, $18.95, WineAlign)

High quality fruit with the creaminess of apple purée keeps its bite with thanks to proper barrel use though I can’t help but think this almost feels unoaked, relatively speaking. This might also be a result of the floral perfume, perhaps by musqué but also a vintage feel. The wood comes through late with a white peppery pique of spice. Drink 2019-2021.  Tasted May 2018  cavespringcellars  thevineagency  @CaveSpring  @TheVine_RobGroh  Cave Spring Cellars  The Vine

Thirty Bench Winemaker’s Blend Chardonnay 2016, VQA Niagara Peninsula, Ontario (547877, $19.95, WineAlign)

In many ways there is more richness and warmth from the Winemaker’s Blend, a multi-vineyard broad expression that could also be called “Signature,” as in typical of the estate style but not necessarily something that defines the winemaker. It’s a boozy chardonnay by regional standards, with full advantage taken from sun and wood. Notes of caramel, vanilla and spice form a malleable shell around creamy orchard fruit. Calls for whole grilled fish, sweet herbs and citrus. Drink 2018-2020.  Tasted May 2018  thirtybench  pellerwines  @ThirtyBench  @PellerVQA  @ThirtyBench  Andrew Peller(Andrew Peller Import)  Emma Garner

3XP Chardonnay 2016, VQA Niagara Peninsula, Ontario (Agent, $20.95, WineAlign)

 3XP is the triumvirate styling of Tawse winemaker Paul Pender, Ontario wine importer Nicholas Pearce and Sommelier Will Predhomme. It’s the latest song release in the epic Pearce-Predhomme négoce journey, a progressive-art-album rock venture replete with eleven-minute opus material, but this one is the hit with a recognizable and catchy hook. It’s Hungry Heart, I Will Get by and Lucky Man wrapped up into one three-minute chardonnay play. The sip-swirl-swallow trilogy is like verse-chorus-verse and repeat. It’s straightforward sharp, tart and flavourful chardonnay that only Paul Pender could make and it’s consume-ability factor is one of threefold manifest destiny. The number three is a very important number in biblical and mythological study. It “is the first number to which the meaning “all” was given. It is The Triad, being the number of the whole as it contains the beginning, a middle and an end. The power of three is universal and is the tripartide nature of the world as heaven, earth, and waters. It is human as body, soul and spirit.” As for this PPP chardonnay, just drink it up and enjoy. For the next three years. Drink 2018-2020.  Tasted July 2018  pearcepredhomme  nicholaspearcewines  tawsewinery  @PearcePredhomme  @Nicholaspearce  @Tawse_Winery  Nicholas Pearce  @tawsewines

Jackson Triggs Niagara Estate Grand Reserve Chardonnay 2016, VQA Niagara Peninsula, Ontario (Winery, $20.95, WineAlign)

A classic Marco Piccoli composition, optimum ripeness of orchard phenolics-developed fruit and plenty of generosity from aging in barrels. Yes chardonnay is different to everyone and Piccoli takes full advantage of the chameleon, even simplifying with that unblemished fruit and lots of wood. It’s like perfect apples in the top-end market from which you may not get that organic fuzzy feeling but you will get the perfectly modern and scientifically successful bite of life. Then take the fruit and make it richer, brown buttery and soft. All good if only there was less wishful thinking for more synchronicity and length. Drink 2018-2020. Tasted twice, first blind at NWAC18, June 2018 and then July 2018  jacksontriggsniagara  #ArterraWines  @Jackson_Triggs   @JacksonTriggs

Tawse Chardonnay Sketches 2014, VQA Niagara Peninsula, Ontario (89037, $21.95, WineAlign)

At this point in time Sketches represents terrific value in Ontario-bred chardonnay because with an extra year or two in the rear-view mirror it has settled into a lovely place where nuts, caramel and baked goods are all beginning to show. It was a lean chardonnay to begin with so don’t expect any overtly creamy textural notes, least of which might be creamed corn. Bigger oaked versions in vintages like 2014 might go to such a comfort zone but this Sketches stays the green apple and piqued spice course. There are some lingering notes of melon and flowers at dusk so just enough freshness persists to carry this through another year or so of open window drinking. Drink 2018-2020.  Tasted June 2018  tawsewinery  @Tawse_Winery  @tawsewines

Flat Rock Cellars Chardonnay The Rusty Shed 2016, VQA Twenty Mile Bench, Niagara Escarpment, Ontario (1552, $26.95, WineAlign)

The 2016 is less a matter of chardonnay spirit and more falling along rich, buttery and vanilla-caramel lines. Might be the most zaftig Rusty Shed tasted in quite some time. Go after this FRC chardonnay with immediate and desperate intentions. It will really satisfy for a year or two. Drink 2018-2020.  Tasted July 2018  flatrockcellars  @Winemakersboots  @FlatRockCellars

Rosehall Run Chardonnay JCR Rosehall Vineyard 2016, VQA Prince Edward County, Ontario (Winery, $29.95, WineAlign)

First and foremost there is so much charm here, from great fruit, mostly orchards of apple and citrus, then just a hint towards tropical. All impressive from a pottery vineyard coming of age into its later teens and capable of retaining soluble nutrients during stressed times. An elemental and kissed wet stone design runs through like veins carrying white blood cells to the fruit’s organs and extremities and so the drought vintage was no worthy adversary to the JCR. Dan Sullivan’s top chardonnay comes replete with high level, quality and pointed fineness of acidity. Drink 2019-2022.  Tasted twice, blind at NWAC18 and July 2018  rosehall_run  @Rosehall_Run  Rosehall Run Vineyards

Closson Chase Vineyard Chardonnay 2016, VQA Prince Edward County, Ontario (148866, $29.95, WineAlign)

A terrific vintage for the Closson Chase fruit, easily ripened and developed of phenolics all in and more glycerin than might ever be expected. It’s punchy and reductive chardonnay with a savoury candy shell protecting real, honest to goodness PEC fruit. There is a decided level of vanilla and caramel folded into fruit like great batter at the rippled stage just before its poured into the pan. Makes for wonderful expectation to see how it might taste once the baking is done. Drink 2019-2024.  Tasted July 2018  clossonchasevineyards  @ClossonChase  @ClossonChase

Good to go!

Godello

Twitter: @mgodello

Instagram: mgodello

WineAlign

Tasting Ontario Part Two: Chardonnay

Chardonnay, Wismer Vineyard, Twenty Mile Bench

Just over two months from now the world will reconvene in Niagara for the eighth i4c summit and that’s got me thinking again. Thinking about chardonnay. Contemplating the axiom of chardonnay continuing to make its own new set of rules, putting its best foot forward, not being influenced by fools. After the seventh installation of the International Cool Climate Chardonnay Celebration I wrote “there is no secret that Ontario winemakers have worked tirelessly to develop the ability and the acumen to make world-class white wines. There may be no better example of this then what was again on display at i4c.” Always reinventing itself and potential fulfilled, chardonnay, the slow train coming.

I’ve asked many questions and posed, ego notwithstanding by waxing some pretty bold transcribed statements on behalf of our beloved chardonnay. The phrasing has included Chardonnay is cool‘I4C’ a future filled with ChardonnayCan chardonnay get any cooler? and You’ve gotta be cool to be kind. It’s all purposed to give a glimpse into the portal of how far Ontario has come and to where it may be heading. As we continue to taste, assess and take note of wines poured out of the 2015, 2016 and now 2017 vintages we feel the progression dovetailing towards the cool and the ethereal. The deeper understanding walks among us.

Related – Tasting Ontario Part One: Riesling

The winter of 2018 brought us from Tastes Untamed in Toronto to Cuvée in Niagara Falls and back to Taste the (Prince Edward) County downtown. Spring dovetailing moved across the Terroir Symposium, the Wine Council of Ontario’s first annual Ontario Craft Wine Conference and most recently Somewhereness continued to show examples of Ontario chardonnay. The saturated and intensive start to 2018 is a pronouncement of the Ontario wine industry’s unwavering commitment to march forward, with swagger, collective identity and unabashed promotion. In just 67 days we’ll take in viticultural and winemaking sessions at the School of Cool, Kick the Dirt with local growers and taste through flights of chardonnay.

Meanwhile, later this week Ontario vintners and winemakers will be pouring at Canada House in London, England at the Trade and Media Table Top Tasting hosted by The High Commission of Canada to the UK in London and Janet Dorozynski, Trade Commissioner, Wine, Beer, Spirits and Tourism, Global Affairs Canada. The May 17th, 2018 Taste Canada UK event is an opportunity for Canadian producers to meet with trade, educators, and media contacts. The high-level London show will build on the success of the previous tastings in London including most recently the Taste Canada UK 2017. All interested producers from across Canada are invited to participate.

Related – How can i4c the future through cool chardonnay?

I’ve said it before. In Ontario, raising chardonnay is “about growing grapes and making wines in places we all previously discounted…few ideals or notions are hotter these days than those relating to cool climate viticulture and the selvage regions from where such wines are produced.” These were my words after the seventh i4c, Niagara’s International Cool Chardonnay Celebration. I’ll be back in July for number eight. Will you?

Chardonnay is the second exposée, following on the heels of riesling and ahead of sparkling wines, other white varieties and appellative blends, gamay, pinot noir, cabernet franc, plus other reds and red blends. This 21 chardonnay salute covers what I’ve recently tasted, plus a select few from 2017 I have not opened up godello.ca white space to fill. Today I give you Ontario chardonnay.

VQA Ontario wine selections at Farmhouse Tavern

Fielding Estate Unoaked Chardonnay 2016, VQA Niagara Peninsula, Ontario (164491, $14.95, WineAlign)

Fielding’s unplugged 2016 is a richer affair than before, with fruit fully vintage realized and into the humid zone. The balm is a lemon herbal one and the fruit an apple in the Cortland variety. There is an underlying salty aromatic note and a sweet chardnonnay-ness that speaks to really ripe phenolics and some mid-palate texture. A reluctant spokesperson for what is definitely an unoaked vintage for Ontario. Drink 2017-2019.  Tasted November 2017 and February 2018  fielding winery  richiewine  @FieldingWinery  @RichieWine  Fielding Estate Winery 

Château Des Charmes Chardonnay Barrel Fermented 2016, VQA Niagara On The Lake, Ontario (81653, $14.95, WineAlign)

When I wrote about the Château des Charmes ’15 I was amazed at the high-toned aromatics and sheer warmth of that wine. What strikes so very real is how reserved this follow up ’16 seems to be. It marks a subtle, focused return, less of a reintroduction than a reimmersion into CdC’s chardonnay Niagara. Much of the wine is tenuous, either faintly whispered or located just beyond our grasp but it puts us in mind into thinking about a place. It’s ambient, fuzzed out and mild. The nine months in older barrel with the vintage fruit brings about a sense of calm, mild vanilla and no overpowering of that fruit. All chardonnay aged in oak can cross the line. “There’s a darkness over there, but we ain’t going.” This ’16 stays right there. Drink 2017-2019. Tasted October 2017 and February 2018  chateaudescharmes  @MBosc  Château des Charmes

Rosewood Estates Locked & Loaded White 2016, VQA Niagara Peninsula, Ontario (552570, $16.95, WineAlign)

Locked and Loaded the curious moniker is labled “white” though it is in fact 100 per cent chardonnay. It’s mild, creamy and just slightly affected by a splinter or two of wood. It’s a curious thing to tease appellative blend but fill a bottle with only chardonnay but all that stands to reason is drinkability and balance, two tenets of matter that this “white” surely has. Almost too easy in fact. Drink 2018-2019.  Tasted March 2018  rosewoodwine  @Rosewoodwine  @rosewoodwine

Flat Rock Cellars Chardonnay Unplugged 2016, VQA Twenty Mile Bench, Niagara Escarpment, Ontario (68015, $17.95, WineAlign)

The Rock’s Twenty Mile Bench unoaked chardonnay is surprisingly aromatic, fleshy and creamy in 2016. It punches the proverbial with texture above its weight class and though just a click to the right on the oxidative line it offers up great context and chardonnay clarity at this exact stage of life. Don’t wait for any energy to wane and drink this happily for the rest of 2018. Drink 2018.  Tasted May 2018  flatrockcellars  @Winemakersboots  @FlatRockCellars

The Tragically Hip Chardonnay Ahead By A Century 2016, VQA Niagara Peninsula, Ontario (483875, $19.95, WineAlign)

The Hip chardonnay takes 2016 to heart in this very drinkable hit with a hint of smoky complexity. It does what it should and is needed for the sake of balance and finishes with a gin and tonic bitterness, a sigh and a sense of having been refreshed. Then it fades to side two. Drink 2017-2019.  Tasted April 2018  stoneyridgewinery  epic_wines_spirits  @stoneyridgewine  @EpicW_S  Stoney Ridge Estate Winery  Epic Wines & Spirits

Flat Rock Cellars Chardonnay 2016, VQA Twenty Mile Bench, Niagara Escarpment, Ontario (286278, $19.95, WineAlign)

A Flat Rock chardonnay is more Mâconnais than Chablis in its Villages stylistic but truth be told it’s a vintage in and vintage out child of the single-corkscrew twist of this part of the Twenty Mile Bench. Here the sumptuous, creamy and generous Bench is provided by the winemakers who’s boots walk the vineyard and talk the talk. It’s dreamy to a degree and once again, as always on point. Drink 2018-2021. Tasted April 2018   flatrockcellars  @Winemakersboots  @FlatRockCellars

Meldville Wines Chardonnay 2016, VQA Lincoln Lakeshore, Ontario (Winery, $20.20, WineAlign)

The 2016 chardonnay is quite reductive in its impossible youth, a flint struck, barrel-taut, implosive chardonnay that shows great potential while it teases with less than obvious fruit. This is so very Derek Barnett, resembling many Lailey-bred chardonnay that have come before but here with Lincoln Lakeshore fruit the probabilities are multifarious and complex. A thrown Beaune of texture confirms the suspicion of ambition and time must pass before any of you, us or them can really say what will be. Guesses as good as anyone’s should plan for balance and impression. The fruit will be revealed. Drink 2019-2023.  Tasted February 2018  meldvillewines  @meldvillewines  Meldville Wines

Erik Peacock’s Smoked Wild Boar Tourtière with parsnip purée, The Restaurant at Bench Brewery

13th Street Chardonnay June’s Vineyard 2016, VQA Creek Shores, Ontario (236745, $21.95, WineAlign)

From 2016 this June is quite tight, lean, green apple bitten and so transparent as a cool-climate chardonnay. Perhaps the youthful reduction casts a curtain over the fruit and the charm so I’d suggest waiting a year for the true June character to emerge. It may not be the most affected or regaling June but it’s salty-gritty extract and tannin truly run the show. Drink 2019-2022.  Tasted April 2018  13thstreetwinery  @13thStreetWines  13th Street Winery

Southbrook Chardonnay Triomphe 2016, VQA Niagara Peninsula, Ontario (Winery, $24.75, WineAlign)

Fruit for Ann Sperling’s Triomphe is a Saunders (Beamsville Bench) and Laundry (Lincoln Lakeshore) joint, dealt a wild ferment and usually large format neutral oak. This is more reductive than previously noted in 2015, i.e. it has maintained its extreme freshness and youthful gaze. It’s also effusive and built with more flesh and caramel barrel addendum so it would seem that bigger and riper fruit meant the necessity of extra sheathing. Keep in mind that every Niagara vintage is ostensibly a chardonnay vintage so it’s not easy to separate, knock or elevate one above the others. It’s really early to decide how this driven chardonnay will turn, into purity like snow or pungent as the earth. I’d say a bit of both, in the name of complexity and variegation. After all, why should any two be exactly the same. Drink 2019-2022.  Tasted January 2018  southbrookvineyards  @SouthbrookWine  Southbrook Vineyards

Lighthall Vineyards Chardonnay Ramirez Family Vineyard 2016, VQA Prince Edward County (Winery, $25.00, WineAlign)

The Ramirez Family fruit is from Hillier and for it Glenn Symons chose a concrete ferment followed by barrel aging, separating it from others and it shows. This is one of the more nutty and halavah nougat creamy chardonnays in the County. It’s ripe and generous, squeezing out cool climate sparks and doling out length. A departure from previous Lighthall chardonnays and so smart for the sideshow. Drink 2019-2022. Tasted April 2018  lighthallvineyards  @lighthallvyard  Lighthall Vineyards

Pingue Prosciutto

Redstone Chardonnay Select Vineyard 2013, VQA Niagara Peninsula, Ontario (511428, $25.70, WineAlign)

With an extra year or so of time in bottle the Redstone chardonnay has entered the zone. With its snappy orchard fruit and sizzling acidity working in cohorts it doles out a feeling of real compression. The layering is stratifying in alternating fruit and stone embedded into a clay impression. This is most pleasing and instructive chardonnay with lake effect attitude and acts the part of Mr. sheer and brilliant stroke of luck by way of effort. Drink 2018-2019.  Tasted February 2018  redstonewinery  @RedstoneWines  Redstone Winery

The Foreign Affair Chardonnay 2015, VQA Niagara Peninsula, Ontario (149211, $26.95, WineAlign)

Partial appassimento and oak barrel aging does to chardonnay what nothing else in the world can or will so expect an acquired taste in this Foreign Affair dream. Unique and alternative don’t begin to explain but the level of caramel, butterscotch and poppycock notations are nothing short of hedonistic. Forget that you get all these drawn butter, coconut and candy store flavours because they are what they are and it is texture that should be the focus. The texture is lovely. Drink 2018-2019.  Tasted May 2018  foreignaffairwine  @wineaffair  The Foreign Affair Winery

Hidden Bench Chardonnay Estate 2016, VQA Beamsville Bench, Niagara Escarpment, Ontario (68817, $29.95, WineAlign)

If you’ve never had the pleasure of a moment alone with a Hidden Bench chardonnay it is here where you’ve come to the right place, vintage and bottle for which to begin the relationship. As full, flavourful and generous of cool-climate chardonnay spirit as it has ever shown, the 2016 Estate work is pure, unbridled and effortless genius. What it exudes in energy is only eclipsed by a hidden grace and it serves as the exacting launch point for more specific and eccentric Hidden Bench offerings. The triangle composed of points defined by creamy fruit, fine acidity and finer-spun texture are drawn as if on a circle. Spend $10 more on Bench chardonnay like this and you’ll be drinking properly every time out. Drink 2018-2024.  Tasted February 2018  hidden bench  markanthonyon  @HiddenBench @MarkAnthonyWine  Hidden Bench Estate Winery  Mark Anthony Wine & Spirits

Late July chardonnay, Wismer Vineyard

Malivoire Chardonnay Mottiar 2013, VQA Beamsville Bench, Ontario (Agent, $29.95, WineAlign)

There is something about this land, hard to really put a finger on it but the wines made by Shiraz from his namesake vineyard stand out, even in a line-up of Malivoire chardonnay. Here the balance and connection is forged with a couple of settling years accumulated to elasticize the once reductive composition. All has come together; cool-vintage, once cloudy and now clarified fruit. Generosity of wood, now eased and withdrawn. Acidity tempered, stretched and supportive. It’s like perfectly in season and expertly poached lobster in drawn with deft ability, clarified butter. Or just drink it with such a thing. Drink 2019-2023.  Tasted February 2018  malivoire  noble_estates  @MalivoireWine  @Noble_Estates  Malivoire Wine  Noble Estates Wine & Spirits

Henry Of Pelham Chardonnay Speck Family Reserve 2016, VQA Short Hills Bench, Ontario (616466, $29.95, WineAlign)

First I’m immediately struck by the open arms of this barrel hugging chardonnay and second, by the textured quality of the fruit. You can never discard the notion or forget the ideal of cool climate but the anti-reductive, clear and focused composition from 2016 is markedly fresh, inviting and creamy. This is an H of P SFR to enjoy earlier than most and quite frankly, the price announces the same. Drink 2019-2022.  Tasted April 2018  henryofpelham  @HenryofPelham  Henry of Pelham Family Estate Winery

Cave Spring Chardonnay CSV 2016, VQA Beamsville Bench, Niagara Escarpment, Ontario (529941, $29.95, WineAlign)

There is little surprise that CSV and its 42 year-old vine baggage show off this early in life, in part thanks to a gregarious and generous vintage but also because few Ontario terroir cru can gift such a combination of ripeness and mineral virtue. What lays beneath the calcareous clay and what is drawn by mature, dug down deep roots comes into this orchard juice with layers of heaven and tang. Escarpment earth is a beautiful thing, even in chardonnay of such texture and feel. The acidity is a step down in 2016 but don’t let that detract from the pleasure this brings. Drink 2018-2021.  Tasted February 2018  cavespringcellars  thevineagency  @CaveSpring  @TheVine_RobGroh  Cave Spring Cellars  The Vine

Karlo Estates Chardonnay Estate Grown Wild Ferment 2016, VQA Prince Edward County, Ontario (Winery, $35.00, WineAlign)

The block planted in 2010 was destined to see its first in bottle fruition last year but because 2015 was the crop that never was, here is the debut of the wild ferment, estate grown chardonnay. Under the auspices of a Derek Barnett varietal creed the home vineyard fruit shows the mantic signs of what will come when these vines mature into Prince Edward County adults. Barrel fermented and aged for 10 months was a conservative and frugal approach to coax just enough precocious success from the awkward child of naive and excitable fruit. That and the coolest of fermentative temperatures in house to balance some heat from a season’s outdoor months. What really drives this tenderfoot chardonnay is the lovely combinative movements in funky and leesy aromatics and texture. Convivial beginnings often lead to later gregarious gatherings, something I can see this County chardonnay getting into just a couple of vintages looking forward. Drink 2018-2021.  Tasted February 2018  karloestateswinery  @KarloEstates  Karlo Estates

Leaning Post Chardonnay Wismer Foxcroft Vineyard 2015, VQA Twenty Mile Bench, Ontario (Agent, $35.00, WineAlign)

It takes little motivation these days to find your groove in the mûrir of battened and cultivated chardonnay vines growing with confidence in Wismer’s cru vineyard. Leaning Post’s Ilya Senchuk continues to dig deep for mineral extraction provided by the maturity of the Foxcroft Block and if you’ve ever stood in one spot, turned 360 degrees and felt the connectivity of slant, angle, relief, position and exposure, then you’d understand. These lines in the Twenty Mile Bench sub-appellation in Vineland are some of the most architectural in all of Niagara. You can imagine the intricate workings beneath the soil and then extrapolate what that means for the chardonnay grown above. Senchuk grabbed a late September pick at the apex of an autumn heat wave to maximize fruit speaking the language of three orchards; apple, peach and lime. His winemaking process stretches, elongates and elasticizes the savvy ’15 fruit, by multi-purposed fermentations both primary and malolactic, followed by a no-stir, three-tiered barrel cantilever. The stones put a reductive flint back in the word mineral and the non-lazy reliance on stirring up texture means the balance supplied through mouthfeel is by a naturally occurring accumulate whipped up in support by high acidity centrifuge. In the end it’s just great juice, to sip, sit back, sigh and smile. Drink 2018-2023. Tasted March 2018  leaningpostwine  nicholaspearcewines  @LeaningPostWine  @Nicholaspearce_  Leaning Post Wines  Nicholas Pearce

Southbrook Chardonnay Estate Grown Small Lot Wild Ferment 2016, VQA Four Mile Creek, Ontario (Winery, $39.95, WineAlign)

The organic and biodynamic small lot “Wild Ferment” chardonnay is unique to itself and seems to have garnered a great deal of Ann Speling’s 2016 chardonnay attention. Find more beautifully scented Four Mile Creek fruit than this and I’ll ask you to make the finest chardonnay ever produced down on the flats of the peninsula. A wee bit of sémillon blended in has done wonders for this wine, like the Niagara white appellative version of Côte-Rôtie. It is here where sémillon transforms texture and this amazing thematically-charged chemical reaction so that grape tannin and extract rise to an exceptional occasion. There is so much on the aromatic front and the prescribed “baby fat” is expressed by a delicious flinty note. Chewy is part of the palate opera and tart Niagara orchard fruit is juiced into the piqued and ambrosial flavours. Can you tell this wine excites? That will only increase as the fat renders into the salsa. Imagine the Poetica possibilities. Drink 2019-2023.  Tasted January 2018  southbrookvineyards  @SouthbrookWine  Southbrook Vineyards

Closson Chase Chardonnay South Clos 2016, VQA Prince Edward County, Ontario (Winery, $39.95, WineAlign)

South Clos from the archetypal estate vineyard block with vines up to 18 years-old on the south side of the Closson Road is one of Ontario’s premium chardonnays. Barrel fermented and aged for 16 months in French oak, 20 per cent new, “Le Clos” ’16 is perhaps the richest, creamiest and most mouth filling of all, from the hottest of seasons. It’s in a state of youthful bliss, finding a soft spot now, though a closed moment is coming, before it speaks of a true South Clos personality. Baking apples, preserved lemon and a whispered feeling of honey that is not quite there. I’d suggest enjoying one before the summer and then waiting on the rest to see what will be. Will be released during the Closson Chase 20th-anniversary party June 23rd. Drink 2018-2025.  Tasted April 2018  clossonchasevineyards  @ClossonChase  @ClossonChase

Bachelder Chardonnay Wismer Vineyard #2 “Foxcroft Block” 2015, VQA Twenty Mile Bench, Ontario (547299, $44.95, WineAlign)

Wismer-Foxcroft delivers a simpatico and workable growing season for Thomas Bachelder to craft a sensible, unpresumptuous, repeatable and perfectly balanced chardonnay in 2015. The togetherness of another classic Bachelder fresh glade and generous barrel note front is equally centred but I don’t envision much movement or morphisms any time soon. The palate is all about the liquefaction of the kept solids having settled into textural precipitate so that pleasure is derived more by sips than smells. That’s a fine thing from chardonnay, especially from one as much Beauned as it is Niagarafied. The happenstance of fine spicy bytes mark the last moments with the ad hoc and scrupulous WFN2. Drink 2018-2023.  Tasted April 2018  bachelder_wines  @Bachelder_wines  Bachelder Wines

Good to go!

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Tasting Ontario Part One: Riesling

Riesling at Vineland Estates, 161 days on skins

Riesling is again on the rise and the reasons why are as varied as the artistry it’s equipped to display. It has been 40 years since the Pennachetti family of Cave Spring Vineyard and German vintner Herman Weis planted riesling in St. Urban Vineyard on what is now Vineland Estates. My how things have changed. The trending line ascends as the general public comes around and warms to the versatile grape so popularity is not just in the hands of geeks, oenophiles and connoisseurs. Ask your favourite sommelier, product consultant or wine writer. Riesling’s neighbourhood is beginning to gentrify in a big way but it’s also expanding experimental and ancestral horizons. It will always be just riesling but today’s varietal vernacular goes beyond dry, off-dry, semi-sweet, Süssreserve, late harvest and Icewine to now include skin-contact, barrel fermented, unfiltered, wild ferment, Blackball and The Geek.

A few weeks back I attended my 7th Cuvée in Niagara Falls to celebrate the next chapter with and for our wine industry, fresh on the heels of the 2018 Tasted Untamed edition of Taste Ontario in Toronto. Just a month before I rambled through the Niagara Icewine Festival in Jordan and the Icewine Gala in Niagara Falls. It was at the Icewine Gala where we watched and listened in on a great tribute to Ontario’s iconic pioneer, Karl Kaiser. We owe so much to Mr. Kaiser with respect to everything Icewine but also to how far we have come in terms of riesling.

A lovely tribute to #karlkaiser tonight at #icewinefestival gala

Just two weeks ago in Toronto we tasted the current offering of Prince Edward County wines at Taste of the County. Today we will immerse ourselves into the culture of global food and local wine at the Terroir Symposium and on Tuesday the Wine Council of Ontario will hold its first annual Ontario Craft Wine Conference. It has been a very saturated and intensive start to 2018, something that must be attributed to the maturity, confidence, preparedness and excitement of and towards Ontario wine.

My personal opportunities to taste wines from the Niagara Peninsula, Prince Edward County, Lake Erie North Shore and Ontario’s South Coast have been many. Before too long there will be greater access to the wines of emerging regions like the Oak Ridges Moraine, Georgian Bay the Northumberland Hills. Prior to 2017 I used this wine processing platform of godello.ca as a vehicle to review and discuss Ontario wines with much greater frequency but circumstances have changed. My work with Italian and French wine regions, most notably Chianti Classico, Brunello di Montalcino and Bourgogne have occupied a great deal of my time. So has tasting and reviewing many potential submissions for the WineAlign exchange and acting as a consistent contributor to the WineAlign Buyers’ Guides to the VINTAGES releases.  I 2017 I ceased publishing my bi-weekly tasting notes because it’s important that readers check them out on WineAlign. All this as added up to less constant coverage of Ontario wines on the site.

And a few of my favourite wine writers. Thx for coming to #cuvee2018 #vqawinesofontario

That is why I’ve decided to post a series of articles over the next few weeks solely dedicated to Ontario wine and I’m going to split them up by grape varieties, beginning today with Ontario’s great white hope, riesling. I’ve written about the grape many times before and my belief in its varietal power, finesse and omniscient existentialism for a signature and singular Ontario purpose is perpetual and unwavering. This work is possible because of the organizations and the people behind them who make it all possible. The Wine Marketing Association of Ontario, The Wine Council of Ontario and VQA Ontario are a triple-edged force that keep our wines flowing. Thank you to Richard Linley, President of WCO, Magdalena Kaiser, Head of Marketing and Public Relations for WMAO, Brian Schmidt and Laurie Macdonald, President and Executive Director respectively of VQA. The Icewine Festival Gala and Cuvée are not possible without the work of Fallsview Casino, Scotiabank Convention Centre and of course Brock University. Gala and Experts’ Tasting coordination is possible because of The Cool Climate Oenology and Viticulture Institute’s Barb Tatarnic, Manager, Wine and Sprit Education Trust and Kaitlyn Little, Marketing and Communications Officer.

Inaugural Winemaker of Excellence Award winner and riesling maker extraordinaire, Angelo Pavan of Cave Spring Cellars, with Donald Ziraldo

At Cuvée, the inaugural Winemaker of Excellence Award winner was Angelo Pavanchosen in a unanimous decision for his major contributions to the industry, his commitment to excellence and his mentorship to winemakers across Canada. Pavan, Vice-President, Winemaker and Founding Partner at Cave Spring Cellars, is known for his encyclopedic understanding of viticulture in Niagara. He was among the first in the province to work with numerous grape varieties and was a pioneer in the quest to improve wine quality and sustainability in vinifera varieties.

“It is humbling to be the first recipient of this great award,” said Pavan. “It validates the passion, time, effort and commitment of over 30 years dedicated to this great wine growing region and having participated in its evolution to international recognition.”

Pavan is also a founding member and Chair of the Vintners Quality Alliance (VQA) Standards Development Committee and has played a key role in determining the most suitable winemaking practices applicable in Ontario. As the founding Chair of the International Riesling Experience, held in conjunction with CCOVI, Pavan has also been instrumental in solidifying Niagara’s place as one of the world’s pre-eminent Riesling producing regions.

Related – Three Rieslings to believe

One of my first bold statements about Ontario riesling was this. “There are many reasons to believe in riesling, that versatile and brutally honest grape. Riesling holds no punches, speaks its mind, tells it like it is. Grown worldwide and vinified in so many varying styles, riesling is not so much a chameleon but rather a mutant. It takes root in every vineyard, marking its terroir, expressing itself singularly and without apology. Over the past two-four months I have exonerated and upheld with the highest riesling belief that (Ontario) does the variety justice above and beyond the pale, in the vineyard and in the glass. More reviews have been written, designed and pushed down your throats on (local) riesling than on any other grape. What’s up with that? Quality, that’s what.”

Related – 100 kilometre wine for spring

And this. “Riesling. Can there be a more versatile white grape? From natural, mineral spring, bone-dry to concentrated, candied sweet, this grape runs the diversity gamut like no other. ‘The Bench’ is home to a mineral wealth of local riesling, singular in composition not only by way of a global comparison, but also from plot to plot, soil to soil and vineyard to vineyard.”

Riesling Vine

Related – Are you wine experienced?

We held a symposium at Brock University a few years back and the technical, chemical side was addressed by Cornell University Sensory Researcher Terry Acree. For riesling, Acree focuses on chemicals that correspond to the strongest identified smells, the most important and prevalent of which is TDN (Trimethyldihydronaphthalene). TDN the chemical or diesel/petrol the sensation as an “odour strength (Damascenone) as related to by human subjects.” In order for the wine taster to “experience” these sensations, two things have to be there. “Memories of different kinds of features and features themselves.” That said, Acree believes you can only smell three things at once, a notion he borrows from M.F.K. Fisher.

Acree sees odour as “an evolutionary human response to history.” If you have never come into contact with a banana, you will never smell banana in Chardonnay. TDN is the dominant aroma and where riesling grows, more sunlight means more fruit and more TDN. TDN is a precursor but its prevalence does not necessarily increase as a wine ages. A very common theme when nosing an aged Riesling is to comment on the secondary aromatic emergence of a gas or petrol note. Acree believes that identifying increased petrol notes in aged Riesling is a bit of a misnomer. It had to already be there. “I’m just inventing a new, confusing way to discuss minerality,” he concludes.

At that time Toronto wine writer Mike Di Caro and I talked about Ontario riesling and we agreed that sugar levels are both arbitrary and unpredictable so Niagara’s best is and should be of the dry variety. I don’t think that way anymore. My friend and colleague Bill Zacharkiw of the Montreal Gazette wrote this last year.”Rieslings, especially from cool climates like the Mosel in Germany and Niagara tend to have residual sugar. Don’t be scared. You know what? I love them. The sugar makes the aromatics go “boom,” while the acidity keeps the wine tasting dry.” Bill is correct and it is also those sugars that allow the wine to stay alive, age and develop those aforementioned petrol notes.

Related – I shall be Riesling

Here is how VQA chooses to define typical Ontario riesling. “Classically exhibits refreshing citrus, peach or floral aromas with a light “petrol” element and racy acidity on the palate. Made in a range of dry, off-dry and sweet styles, including Icewine. Typically not oaked but good examples will age well with the petrol nose evolving.” Many would agree but there is so much more to think about. You don’t know anything about riesling and aging until you begin tasting them at five years only know then can you begin to understand. Some examples will stay the course of pure lemon, so taut and tight, perhaps shouldn’t even be released until they are ready. The acidity might be the most unwound, with pent-up aggression, a fighter in search of balance. Not typical perhaps but very much a part of the Ontario mix.

The curious thing about Ontario riesling is how it has pushed me to wax with unlimited hyperbole, as in “to purchase in increments any less than a case may be considered a crime against Riesling” and “one of the finest rieslings ever made from Ontario grapes.” For Treve Ring’s take on the great grape, head over to WineAlign for what she had to say after the 2017 WineAlign National Wine Awards of Canada (The Nationals). Treve writes,  “as our palates progress, we often shy away from these simpler, fruity styles for more structured, savoury and minerally wines, which again, brings us full circle (close the ring) back to serious and ageworthy riesling.”

Related – Moved by Riesling

I have been moved by riesling many times. In Alsace it happens every day and it has happened in Ontario, most notably after having comes across (any one of four or five) Charles Baker Picones and Emma Garner Thirty Bench Small Lots. Or in particular, Jay Johnston’s Nadja’s from Flat Rock and most notably Brian Schmidt’s Vineland Estates St. Urban. With Cave Spring it happened after tastes of Cave Spring CSV. It has happened again and again. It will continue this way.

As I mentioned, this is merely the first part in a long series of articles to come, including exposées on sparkling wines, chardonnay, other white varieties and appellative blends, gamay, pinot noir, cabernet franc, plus other reds and red blends. To begin this Ontario varietal march through spring here are 26 recently tasted riesling, plus a handful visited in 2017 yet to make it to godello print, all to give a glimpse into the portal of how far Ontario has come and to where it may be heading.

Riesling at the Carriage House, Vineland Estates Winery – March 7, 2015

Redstone Riesling 2014, VQA Niagara Peninsula, Ontario (Winery, $14.95, WineAlign)

So much lime, in flesh and zest, all over the lime map. Really juicy riesling for the cost of a song. Cool climate stamp right here; glade, citrus, wax and air up above. The palate follows, albeit thin and tinny. Ideal for current consumption though not likely made with the stuffing to evolve. Regardless it’s good value. Drink 2017-2018.  Tasted blind at NWAC July 2017 and October 2017  redstonewinery  @RedstoneWines  Redstone Winery

Featherstone Riesling Black Sheep 2017, VQA Niagara Peninsula, Ontario (80234, $16.95, WineAlign)

The Black Sheep strikes again, same price, same typicity and balance. This is the riesling we’ve come to expect and relish, with elevated sugar and acidity levels walking hand in hand. Plenty of lime spirit is more Bench styled than ubiquitous Niagara Peninsula so you can guess what fruit lurks to lead such a suspicion. Always high quality and quick to market, sip, rinse and repeat. You’ll see this wine in release cycles four or five times over, available at all times. Drink 2018-2020.  Tasted April 2018  #featherstonewinery  @featherstonewne  Featherstone Estate Winery

Flat Rock Cellars Riesling 2016, VQA Twenty Mile Bench, Niagara Escarpment, Ontario (43281, $17.95, WineAlign)

There are two types of traditional riesling made up on the Escarpment’s benches, both equally accessible and correct but so very different. There is the other way; dry, stoic and intense. And there is the Flat Rock way, slightly further adrift off-dry, weightier and to be honest, less serious and happier. Not that one style is more important than the other but if I’m a consumer expecting sweet riesling but hoping to learn how the other half lives and breathes it would be this Flat Rock that would help educate and ultimately help me grow into the new riesling lover I’d want to be. The sugar (while nothing extraordinary here) is balanced by equal acidity and athletic chic. Drink 2018-2021.  Tasted February 2018  flatrockcellars  @Winemakersboots  @FlatRockCellars

2027 Cellars Riesling Wismer Vineyard Foxcroft Block 2016, Twenty Mile Bench, Ontario (225490, $18.75, WineAlign)

The wind is so tight and the expressive fruit bound up in a ball of fire and acidity but aching to break free. The pent up energy here is palpably felt, like a needle in the side, leaving you seized up, protective and tense. There is so much juicy citrus and fineness of acidity it’s hard not to see this riesling taking five years to unwind and five more towards developing characterful secondary personality. This is perhaps Kevin Panagapka’s best. Drink 2019-2026. Tasted July 2017 and March 2018  2027cellars  @2027cellars  2027 Cellars

Konzelmann Estate Winery Riesling Reserve Old Vines 2016, VQA Niagara Peninsula, Ontario (Winery, $18.95, WineAlign)

The by now classic house style of using late harvest fruit off of old vines on the estate’s lakefront property and barrel fermentation are the things that delve into the Konzelmann glück, density and complexity. Preserved lemon, grapefruit sorbet and mineral-mandarin cream define this riesling of zero trepidation, utmost confidence and old world charm. Who’s to say you aren’t sipping this in some Rhineland-Palatinate village instead of Niagara on the Lake. There will always be a place in hearts for riesling made this way. Drink 2018-2022.  Tasted March 2018  konzelmannwines  @Konzelmann  @konzelmannwines

Megalomaniac Riesling Narcissist 2017, VQA Niagara Peninsula, Ontario (67587, $18.95, WineAlign)

Narcissist takes a turn to the flint with great citrus intent in 2017, simulating great German riesling that have been coming for generations and eons before. There is a youthful funky reductive yeastiness that tests the aromatics but in looking for balance we find tart fruit, fine acidity and a leanness that strikes like a laser through the microbial fog. Wow is this interesting and in a show of great potential. Drink 2019-2023.  Tasted March 2018  megalomaniacjhc  sobmegalo  @MegalomaniacJHC  @seb_jacquey  Megalomaniac Wine

Fielding Estate Bottled Riesling 2016, VQA Beamsville Bench, Niagara Escarpment, Ontario (251439, $19.95, WineAlign)

Though neither single-vineyard nor block specific make no mistake. This estate riesling from Fielding is a carefully selected and curated one with not a single wasted note in the varietal tune it plays. The chords are pure citrus, the arpeggio rising from stone fruit skin meets flesh and the overall score ambient in its keyboard hold. It’s so bloody juicy, mouth watering and intense, riesling in which there’s a torrent that rises gently. There’s a wind, like a drug, in new material from a great year to make a new record. Worth listening to and drinking in, on repeat, with a deeper understanding. Should develop a layered feel, of honey and petrol, with time. Drink 2017-2022.  Tasted October 2017 and March 2018  fielding winery  richiewine  @FieldingWinery  @RichieWine  Fielding Estate Winery  

Vineland Estates Riesling Elevation St. Urban Vineyard 2016, VQA Niagara Escarpment, Ontario (38117, $19.95, WineAlign)

By now the St. Urban Vineyards vines are as old as 37 years, a fact in longevity and experience never lost on this archetypal Niagara Escarpment riesling. There is a certain kind of interest here, first from track record and then because of the deferential vintage for the flagship variety. The nose is quite waxy, lemon-scented and vaguely sweet-fruity. There is even a bit of Niagara Gold cheese mixed with fresh florals, of white roses and then persimmon. So now the mind travels to the tropics, for flavours imagined of mango, marquesa and mangosteen. Warm days and nights will do that to riesling and while this may not live into its twenties it will go complex and curiously fascinating into the petrol and honey with more early unction, like 2012 but even more, akin to 2010. Drink 2018-2028.  Tasted December 2017  vinelandestates  benchwineguy  @VinelandEstates  @benchwineguy  Vineland Estates Winery  Brian Schmidt

Hidden Bench Riesling Bistro 2016, VQA Beamsville Bench, Ontario (Winery, $20.00, WineAlign)

If Ontario riesling can be referred to as classic it would be something as traditional and acumen-factored as this ’16 by Hidden Bench. This is due to the middle road meets the fine, direct and essential line taken, where along the way balance is struck with notable fruit, just shy of off-dry styling and a fashion of natural acidity. Correct is, as correct does. Drink 2018-2021.  Tasted March 2018  hiddenbench  @HiddenBench  Hidden Bench Estate Winery  

Creekside Estates Riesling Marianne Hill 2016, VQA Beamsville Bench, Niagara Escarpment, Ontario (Winery, $21.95, WineAlign)

The next Marianne is a conundrum, low in alcohol and yet quite lean, avoiding both high strains of citrus and flesh. The nose is both inviting and very mineral but the palate is a bit staid, understated and seemingly dry. The skins of pears and peaches are touched but it’s just a bit too quiet right now. We’ll see what the future holds. Drink 2019-2022.  Tasted April 2018  creeksidewine  @CreeksideWine  Creekside Estate Winery

Southbrook Vineyards Riesling Triomphe 2016, VQA Niagara Peninsula, Ontario (Winery, $22.95, WineAlign)

With all of her other varietal talents I wouldn’t normally pontificate winemaker Ann Sperling as exemplifying the riesling whisperer (at least in Niagara) though a pass at this warm and inviting 2016 may change that and with haste. At the risk of sounding a bit too establishment this is classic and typical Niagara but it accedes into such a category with impeccable sugar, acid and texture balance. Treating the fruit with respect, avoiding any unhinged decisions and delivering the three-pronged effects of sweet, tart and bitter with seamless intertwine is the work of a total pro. Gotta have the lime and the essential possibility of honey. Triomphe 2016 does just that. It’s what you want and need. Drink 2018-2021. Tasted January and March 2018  southbrookvineyards  @SouthbrookWine  Southbrook Vineyards

Mulled riesling anyone? Hidden Bench at Icewine Fest

Hidden Bench Riesling Estate 2016, VQA Beamsville Bench, Ontario (183491, $23.95, WineAlign)

Just a lovely bit of spring sun and dew picks up the stimulus, pace and attitude right from go in the Hidden Bench ’16. This is not only definitive for riesling by house, for estate and to regional necessity but also to all varietal wines done up right in this pinpointed place. The orbiting acidity is twisted like ties around wires along a circle drawn to lock in freshness, by fruit more lemon and lime citrus than stone or up the stairs. It’s a near perfect vintage for the omniscient one and sets the table for Roman and Felseck Vineyard rieslings to come. Drink 2019-2023.  Tasted April 2018  hidden bench  markanthonyon  @HiddenBench @MarkAnthonyWine  Hidden Bench Estate Winery  Mark Anthony Wine & Spirits

Hidden Bench Riesling Felseck Vineyard 2014, VQA Beamsville Bench, Ontario (Agent, $23.95, WineAlign)

Felseck delivers a concentrated, compact and direct riesling, very focused along linear Locust Lane lines, truly Beamsville stony, precise and even a bit demanding. Few Ontario rieslings can distill lemon, lime, green apple and stone like this without jumping around. That Felseck can stand firm in one place with such stoic and unwavering calm is a testament to a winemaker’s attention to detail. It begins in the storied vineyard and finishes with the same fineness of finesse. Drink 2017-2023.  Tasted October 2017  hidden bench  markanthonyon  @HiddenBench @MarkAnthonyWine  Hidden Bench Estate Winery  Mark Anthony Wine & Spirits

Perfect match to riesling? Some might say

Cave Spring Riesling Adam’s Steps 2016, VQA Beamsville Bench, Ontario (901211, $24.95, WineAlign)

Adam’s Steps is Cave Spring’s riesling with a bit more of everything, more depth, body, sweetness and texture. It really is the outlier in their varietal bunching, closer to the Estate than the CSV in style and yet firmly positioned in its own category. There is a true sense of spirit and energy, especially on the lively palate, with a waxy, almost peach coulis and lemon-lime pastille note that lingers like sucking on a riesling candy. Clearly dolomite in origin but fleshy and full. Holds the age ability card for a five-plus year run. Drink 2017-2022.  Tasted October 2017 and March 2018  cavespringcellars  thevineagency  @CaveSpring  @TheVine_RobGroh  Cave Spring Cellars  The Vine

Lundy Manor Riesling 2016, VQA Niagara Peninsula, Ontario (Winery, $24.95, WineAlign)

The fruit source is Wismer Vineyard for winemaker and Niagara College graduate Adam Kern’s ’16 riesling. Kern also makes the wines with Chris Fornasier and Bench Trial Wines. His straightforward varietal wine for Lundy’s Manor speaks of peach and tart citrus with a surprisingly tannic thrush. The equanimity between fruit and acidity keeps it in the airy space above the pull by extracted weight and will serve it well for two or three years time. Drink 2018-2020.  Tasted March 2018  lundymanorwinecellars  @LundyManorWine  @lundymanorwinecellars

Stanners Vineyard Riesling 2015, VQA Lincoln Lakeshore, Ontario (Winery, $25.00, WineAlign)

The Stanners Riesling evolution is upon us, happening and ready to blow. In replay of 2014 this is Niagara meets PEC fruit, two days of skin contact, six months on the lees, dry is as dry does and yeasty funky. In my mind it’s pretty much a repeat of that just about leesy enough and pear textured 2014 without anything new added or realized. But, for Colin Stanners it must be the vintage that wakes him up to what he needs to do next so this ’15 is therefore the first next step towards and set up man for what’s to come in 2016. This is a must step to taste on that ladder of evolutionary understanding so make sure to take it. Drink 2018-2020.  Tasted April 2018  stannerswines  @StannersWines  Stanners Vineyard

Keint-He Riesling 2016, VQA Niagara Peninsula, Ontario (Winery, $25.00, WineAlign)

It’s quite amazing how the texture, sugars and acidities all rise up as one, together for the common good, layered and in-synch. Labeled Niagara Peninsula but really noses and tastes like Twenty Mile Bench riesling. Lime sherbet and mandarin orange gelée. Nothing but pleasure from winemaker Lee Baker’s first start to finish wine at Keint-He. Drink 2018-2021.  Tasted April 2018  keinthewinery  @KeintheWinery  Keint-he Winery & Vineyards

@mackbrisbois brought the past, the present and the future @trailestatewine to taste. Thanks Mack! Indeed, to my pleasure and my education. Delete Comment

Trail Estate Wild Ferment Riesling 2016, VQA Ontario (Winery, $28.00, WineAlign)

In 2016 the WFR is a blend of Foxcroft and BTL fruit, respectfully and respectively farmed by Craig Wismer and Greg Wertsch. This is tannic and textural, the sweetest of all the Trail rieslings, through some skin (or stem) whole cluster contact. The notes are not mind-blowing or expanding ones, of apple, pear and peach skin, again very textural and from a ferment stopped on taste. It’s loaded with 28 g/L of RS but good winemaking makes it seem drier than it is. “Everything else is dry so I guess when I go sweet, I go big” admits Mack Brisbois. So yes this is light, lean, not as fleshy and seemingly drier than it obviously is. Carries forward with a nice candied flower, citrus finish. It’s pretty middle of the road, perfectly correct and enjoyable, especially for a winemaker with an off the beaten track sensibility, antithetical modus vivendi and go beyond the pale ability. Drink 2018-2021.  Tasted April 2018  trailestatewine  mackbrisbois  @TrailEstateWine  @MackBrisbois  Trail Estate Winery  Mackenzie Brisbois

Stanners Vineyard Riesling 2016, VQA Ontario (Winery, $28.00, WineAlign)

I find it curious that this Stanners Riesling is 95 per cent Lincoln Lakeshore fruit but now labeled as VQA Ontario, whereas previous vintages called VQA LL had less Niagara and more PEC fruit. No matter really because again this is Niagara meeting PEC with two days of skin contact, but elevated by 12 months on the lees. That time spent can’t be discounted, nor can the dry as a bone, mad as a hatter summer, not tom mention another year of understanding for Colin Stanners. In the end the acidity out of a chart topping pH and fruit accumulation (not in quantity but in phenolic brilliance) leads this riesling to great heights. Malolactic fermentation was allowed to occur naturally, helping to bring the acidity (and everything else) into balance. Lime, toast, flint and energy, boundless and invigorating. What a riesling, what a story. Drink 2019-2024.  Tasted April 2018  stannerswines  @StannersWines  Stanners Vineyard

Cave Spring Riesling CSV 2016, Cave Spring Vineyard, VQA Beamsville Bench, Niagara Escarpment, Ontario (566026, $29.95, WineAlign)

The CSV from a warm 2016 really expresses the vintage on the nose with a heavy dose of wet stone and every part of a ripe peach. You have to get past the early sulphur but once you do you take a good bite into the flesh of this riesling and the juices will run with accents and angles fit by tonic, pith, tangy, nervy acidity and a hidden sweetness. The sugars are surely more elevated than realized or will ever be felt because the combination of acidity and pith are covers that will never peel back. Size matters and this CSV is built with great Escarpment architecture, stepping out of the paradigmatic 2015 shadow and into another age. This 2016 begins an epoch of structural expressionism and should easily carry its construct through to the next decade. That consequently, is when this CSV will really be ready to rock and roll for a full decade more. Drink 2020-2030.  Tasted March 2018  cavespringcellars  thevineagency  @CaveSpring  @TheVine_RobGroh  Cave Spring Cellars  The Vine

Trail Estate Skin Contact Riesling Hughes Vineyard 2016, Ontario (Winery, $30.00, WineAlign)

Times changes, as do winemakers, their hunches, hopes and dreams. Mackenzie Brisbois takes a sidestepping approach to this trailblazing riesling from the vineyard tended by Ed Hughes. It’s now all wild ferment elongated to 19 days on skins. Takes its time this little big one, moving no less than 25 per cent slower than ’15, in part because of the vintage but also because its wild pressed. More a dry matter of when over how or why, still in its aromatic infancy, suffocated by its nature. Also a case of a young wine caught in the 9 g/L total acidity crossfire of a sci-fi battle scene. Will most certainly take another 18 months to change. It does exhale this curious note of garrigue, like Peloponnese mountain tea and Alto Adige sweet fennel frond in broth, with apple and onion skin doused by shots of lime juice. There is even a chewy feel in the leafy texture, quite herbal with a mild pique in a green tea finish. Trust me, this will become something both fascinating and delicious at some point in 2020. There are approximately 76 cases made. Drink 2019-2023. Tasted April 2018  trailestatewine  mackbrisbois  @TrailEstateWine  @MackBrisbois  Trail Estate Winery  Mackenzie Brisbois

Leaning Post Riesling The Geek 2015, VQA Twenty Mile Bench, Ontario (Agent, $35.00, WineAlign)

The second instalment of the Geek takes Ontario riesling experimentation not just to another level but to a specific methodology that no one else has really attempted thus far. The geeking out goes further and edgier into territory both new and misunderstood. If it seems unconvincing it’s a case of both searcher and searched not yet on the same page but that’s what research and development are all about. All the 2015 lees from Leaning Post’s classic riesling and chardonnay were added to the Geek. As if that wasn’t enough solid, texture-variegating matter, the 2014 riesling lees were also employed. Two years later the Solera ideal was put to bottle. The complex equation comes out to the most autolytic riesling ever made in Ontario, distinctive in that it’s like drinking traditional-method sparkling wine, 36 months on the lees but without any fizz. It’s unusual and fascinating, full of baking apples, biscuits and citrus. It does not meet the expected and the normal, not just because it’s dry as the desert but because it’s enzymatic behaviour is self-cannabalistic. It writes a riesling idiom, having a meaning not deducible from the individual parts. It’s a neo-impressionist idiosyncrasy, a reaction to the empirical realism of “typical,” VQA-cornered and pigeon-holed riesling, accomplished by relying on scientific theory to achieve predetermined textural effects. While The Geek undergoes an oxidative process it’s not exactly Solera-styled because young wine does not replace a percentage of removed older wine. It’s a positive accumulation of solids and therefore a strict and formalized composition. The argot R & D will go on and winemaker Ilya Senchuk asks, “how much lees is too much lees? Only The Geek knows.” Drink 2018-2021. Tasted March 2018  leaningpostwine  nicholaspearcewines  @LeaningPostWine  @Nicholaspearce_  Leaning Post Wines  Nicholas Pearce

Trail Estate Skin Contact Riesling Hughes Vineyard 2015, Ontario (Winery, $35.00, WineAlign)

At the time of making this wine and then putting a label on a bottle there was no Ontario defined category and in fact this pioneering effort is one of the unheralded forerunners. From fruit sourced out of Ed Hughes’ vineyard it’s a shaggy yet ambitious riesling made mellifluent by 14 days skin contact, inoculated to keep the lees strain constant with with other 15s, meaning the Lakeview and Foxcroft brethren. Now smells just like riesling, unlike in its early “orange” wine days. No longer demanding and tannic, the high acidity too has mellowed and a petrol note has emerged, plus a pepper flake meets peach skin aromatic sedge. Still with the liquid salve texture, coming into its destined balance, dry and persistent in pulse by acidity but calm enough and settled. A great flesh of lime and raining complexity, with a final note of orange skin too. Drink 2018-2020.  Tasted April 2018  trailestatewine  mackbrisbois  @TrailEstateWine  @MackBrisbois  Trail Estate Winery  Mackenzie Brisbois

Trail Estate Barrel Ferment Riesling Foxcroft Vineyard 2016, VQA Twenty Mile Bench, Ontario (Winery, $35.00, WineAlign)

In 2016 the next wrinkle is a wild ferment (as opposed to the inoculated ’15), unfined and unfiltered, because as time progressed “I liked it more and more,” says winemaker Mackenzie Brisbois. No coarse filtration means some minor sediment will settle in the bottle. Smashed layers of tote-filled grapes are brought to the crushpad, in lieu of the crusher, to extract from the skins and stems, making use of the punchdown tool, while waiting before pressing. Recently bottled in December 2017 the BFR is something completely other and if 2015 was considered not, this follow-up is markedly fruity now, because it always was, all the way through during just more than a year in really old barrels. It’s a blonde riesling as per M. Gustave, if you will. “Why blonde? Because they all were.” This is the wisest of Mack Brisbois’ rieslings, calm, confident, collected and shining brightly from the word go. You don’t have to wait on this one, it’s riper, it’s unfiltered, made with a lot less sulphur than the skin contacts and those “dirty” 15s. “I like to see how little (sulphur) I can get away with,” notes Brisbois. The most accomplished riesling that she has made to date, the 16’s balance is spot on now and you will not have to wait for it to come into its cinematic stage. Drink it now and keep it longer. Drink 2018-2024.  Tasted April 2018  trailestatewine  mackbrisbois  @TrailEstateWine  @MackBrisbois  Trail Estate Winery  Mackenzie Brisbois

Charles Baker Riesling Picone Vineyard 2014, VQA Vinemount Ridge, Niagara Peninsula, Ontario (241182, $35.20, WineAlign)

Can it be helped if the first 30 seconds with Charles Baker’s 2014 riesling seem like the opening of a film noir classic. Hushed tones, chiaroscuro shadows, off-screen characters and dramatic foreshadowing all solicit the need or the necessity to make use of a wild imagination. There have been older Baker vintages that acted with similar, almost hard to crack quietude. Perhaps it’s with ’13 etched in persistent memory but as a vintage it was (moderately) cooler and in the end, quite average. This ’14 works the benefits and the notes here are quite omnisciently lemon; curd, preserve, citrus tablet and then smeared by a bees-waxy salve. It’s really quite atypical for Baker and for the windswept Vinemount Ridge but misunderstood youth is a bitch. I’d like to revisit in 2019 and beyond to unearth and relish in the hidden meanings. Drink 2019-2027.  Tasted November 2017 and March 2018  cbriesling  stratuswines  cruwinemerchants  @cbriesling  @StratusWines  @CRUOntario  Stratus Vineyards  

Pearl Morissette Riesling Cuvée Black Ball 2015, Ontario (416073, $36.20, WineAlign)

The new age 2015 was tasted as part of a retrospective that included 2014, 2013, 2012 and 2011. Anyone who is interested in gaining a deeper understanding of what might be construed as idiosyncratic or antithetical riesling should be so fortunate to be involved in such a demonstration. The Pearl Morissette riesling endeavour was pretty much bone dry from day one. The Mosel style really never spoke to François Morissette. “We have 220 hang time days so we started fermenting riesling chardonnay style, then in 2012 and 2013 in foudres, which tightened them too much. So in ’14 we moved into concrete egg for aromatics but it was too intense.” So here in ’15 the joint between foudres and cement marks the new beginning. The juice is then transferred to become clear while the lees are kept and recycled for future vintages. This had just been bottled days before with almost no free sulphur “because they can take it.” Such low pH (2.97ish) and the up front skin contact brings tannin and then this silk road texture is followed by more tannin on the back palate. It’s a vintage Blackball and a vintage-driven riesling. A phenolically ripe one. The exercise proves that we really don’t know a thing about riesling, Cuvée Blackball and aging until we begin tasting at five years on. In order, 2011 is “a confirmation that we are on the right road,” ’12 may never be ready, ’13 messes with the riesling paradigm and ’14 is more like riesling of expectation. So what does that make 2015? Nothing yet, really. Have you not been paying attention? Drink 2019-2024.  Tasted July 2017  pearlmorissette  @PearlMorissette  Pearl Morissette

Riesling at Vineland Estates, 161 days on skins

Good to Go!

Godello

Twitter: @mgodello

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WineAlign

17 Canadian wines that rocked in 2017

As we taste through the #NWAC17 finals we thank @ZWILLING_CA for the rocking great glassware. Canadian wines are better for these vessels.

I first published this year-end summary of Canadian wine excellence in 2013 and four years on that original list of 13 has expanded with four more. It’s a good thing too because four years later 17 wines is but a fraction of what could or should be included. This exercise is more than difficult. It’s biased, exclusive and decisive but it is meant to celebrate a select few with a mandate to elevate and exult the rest. It’s also a proclamation read to many who remain ignorant to an ideal of great wine being made in Canada, to tell the insolent they are not welcome here anyway. The winemakers in this country are in full command of their acumen, craft and future. They own it. Roll out the red carpet. Here they come.

Related – 16 Canadian wines that rocked in 2016

My writing about wine is a display that spills everything but subtraction, reduction and minimalism. It is an occupation whose reality is examined to points of madness, of long, run-on sentences, often at odds with grammatical winemaking realism. My tireless, tiring sentences and phrasing can at times offer a feeling that is potentially endless. So thanks for reading and putting up with me.

As I have noted before, I try to visit wines more than once before reviewing them, preferably from more than one bottle but even more importantly, with a good chunk of time having passed between assessments. The most complete picture is drawn from such a course of critical action but it’s not always possible. Not a single one of these 17 wines were decided upon at a single VINTAGES release, sterile and windowless LCBO laboratory tasting. The nearly 2000 wines (of which approximately were 20 percent Canadian) that I tasted in the LCBO lab in 2017 are kept, compartmentalized, reviewed and stored over at WineAlign. They are forged from and formed by a very specific, of the fleeting moment style. They are the results of root days and fruit days, often plagued by other writers present levels of distraction and time constraints. These 17 wines are children of repeated concentration and stand out because the makers went out of their way to bring them to me.

Please allow me to quote Wes Anderson. “It is an extremely common mistake, people think the writer’s imagination is always at work, that he’s constantly inventing an endless supply of incidents and episodes, that he simply dreams up his stories out of thin air. In point of fact, the opposite is true. Once the public knows you’re a writer, they bring the characters and events to you and as long as you maintain your ability to look and to carefully listen, these stories will continue to…,” continue to provide what you need to entertain your readers. Thank you to the winemakers for sharing their stories time and time again.

Related – 15 Canadian wines that rocked in 2015

Heartbreaker

If 2016 was a most difficult year, what does that say about 2017? It was a most dippy, derisory, barmy and yet chimerical one. Once again too many special people were taken from us and in Ontario, no one more important to everyone who works in wine than Karl Kaiser. It can and should be argued that the industry we all call home is at its 2017 state because of Mr. Kaiser and what he pioneered more than 40 years ago. Karl Kaiser was eulogized by Brock University’s Dan Dakin. Please take the time to read it.

Related – Karl Kaiser left indelible mark on Brock University

Once again we all lost someone close to us in 2017. Celebrity deaths, especially the ones of loved musicians seem to hit us the hardest because we relive moments of our lives when their songs are played. I’ll ask the social media trolls to walk on past and to once again, please respect our reminiscences.

Gregg Allman. Richard Anderson. Harvey Atkin. Walter Becker. Chester Bennington. Johnny Bower. Chuck Berry. Glen Campbell. David Cassidy. Chris Cornell. Jonathan Demme. Fats Domino. Dick Enberg. Stephen Furst. J. Geils. Robert Guillaume. Roy ‘Doc’ Halladay. Connie Hawkins. John Hurt. Al Jarreau. Martin Landau. Jerry Lewis. Erin Moran. Sir Roger Moore. Bryan Murray. Charlie Murphy. Bill Paxton. Tom Petty. Della Reese. Don Rickles. Sam Shepard. Joni Sledge. Keely Smith. Harry Dean Stanton. Y. A. Tittle. Mary Tyler Moore. Adam West. Malcom Young. Joanne Godel.

Don’t forget the pouring rain

There was more than enough good news out of 2017, especially from Ontario. After one of the wettest summers on record and this looming harvest of disaster everything changed. The temperatures hit 30 degrees and remained there for much of September. October obliged with warm and slowly declining temperatures with very little precipitation. Not only was the 2017 vintage saved but it became one of the great phenolic ripeness stories in wine country history. Quality high. Check. Quantity high. Check. Win win for wine.

The year continued to throw thousands of wines my way. I did travel more and so the international count ran higher at the expense of the local. I plan to fix that in 2018. Things have a way of balancing out anyway. Still I’m sure I tasted close to 1000 Canadian wines once again. We continued to pay great attention to Canadian wines at the WineAlign office. I once again joined the judging with Tony Aspler at the Ontario Wine Awards, in Wolfville, Nova Scotia at the WineAlign National Wine Awards of Canada and with David Lawrason at Gold Medal Plates.

Related – 14 Canadian wines that rocked in 2014

My wine on tap program at Barque Smokehouse and Barque Butcher Bar welcomed a third child to the family when we opened Barque Smokehouse Burlington in August. With that opening we were proud to partner with Rosewood Estates to join the family that over the years has included Tawse, Lailey, Norm Hardie, Creekside, Between the Lines, Kew Vineyards, Redstone, Stratus, Leaning Post, Between the Lines, Coyote’s Run, Vineland Estates and Creekside Estates.

It began, as it always does with Niagara’s Icewine Festival in January and in February there were Thirteen ways to taste Cuvée. In March I found Fifty ways to Taste Ontario and then travelled to Germany for Godello’s March through Prowein, The Ahr Valley and The Rheinhessen. As a Canadian and a representative of Wine Country Ontario I hung around the Canadian pavilion, talked with our coast to coast winemakers, vintners and marketing representatives, took in the seminars on cool climate wines led by David and Dr. Janet Dorozynski and of course, tasted some wines.

Related – 13 Canadian wines that rocked in 2013

In the company of #family so thank you judges, friends and badasses #NWAC17 #killedit

Any major dude will tell you

At the Terroir Hospitality Symposium in May we debated the highly controversial new category of Skin-Contact wines in Ontario. Orange is the new smack should have been my title but instead I chose to talk through hushed tones in Pop goes VQA, a story in three parts, each one more misunderstood than the others. It would take months to come to better and more improved conclusions to that haughty complex story.

In June we convened the WineAlign Canadian Wine Awards in the Annapolis Valley. It was the first time that Nova Scotia hosted our motley crew and what a smashing success it was. Great thanks must go out to all our tremendous hosts including Wines of Nova Scotia, Domiane de Grand Pré, Benjamin Bridge Vineyards, Blomidon Estate, Annapolis Cider Company and Obladee Wine Bar in Halifax.

In July I once again made the pilgrimage to i4c, the International Chardonnay Cool Climate Conference, “the local mecca attracting thousands, arriving to praise chardonnay in all its glory. It’s chanted with incantatory connotation by patrons cantilevered like alluvial fans across the Niagara Peninsula. It teaches us about more than chardonnay because the rapidity of climate change is real and the desire for fresh is yet unquenched. This transcends chardonnay. It’s about growing grapes and making wines in places we all previously discounted. Recently scoffed at. It concerns farming higher, further and edgier. This conference and this grape together let us know that we must change.”

At i4c we welcomed California’s Karen MacNeil, Dr, Jamie Goode, Bill Zacharkiw, Treve Ring, Kurtis Kolt and Rhys Pender MW and then I penned 69 chardonnay reviews. What did Godello learn from Cool Chardonnay in 2017? After a visit to Pearl Morissette I learned from François Morissette, vigneron about oxidation.“Whatever we press, we oxidize. We do not oxidize wine, we oxidize must.” There’s a big difference. The stabilization of these wines are attributed to this idea of getting rid of all oxidizable compounds before they enter into the next stages of the winemaking process. Pleasing aromas, flavours, textures and ultimately the sum of the above elevates the cool chardonnay game and speaks to the future. But I did not learn enough. I needed to move beyond the ubiquity of cool climate. I wanted to understand more about cold soaking and whole berry fermentation. Just last week Pearl Morissette’s savant winemaker Brent Rowland sent me these words of enlightenment.

“This is the main reason I am such an advocate to whole bunch fermentation. The best tannin and worst tannin are seed tannin, depending on how you extract them…heat and alcohol rip out aggressive angular tannins. By keeping the berry attached to the rachis for as long as possible you are creating a little microenvironment for fermentation that is low heat and low alcohol, enabling you to slowly extract long polymerized tannins. This and perfume is the reason I do everything whole bunch. To me whole bunch has nothing to do with the stems, tannins from stems or flavour of stems.” He continues. “I absolutely think that skin contact wines can have elevated structure and texture. I also do not subscribe to the idea that some arbitrary number like “10 days” defines the genre. I did say that Orange wine is not an in-between wine but its own genre and I believe that. For the record I feel the less rigid the criteria for the category the better. As you state the broader the category the more opportunity for discovery of a valued category.” Thank you mate.

Be part of the Greatest Wine Revolution since Prohibition.

Where are we one year later?

I’ve two words for you. WineAlign Exchange. The WineAlign Exchange taps into the world of wines beyond the LCBO and delivers a curated, mixed case of top quality wines directly to your door. All the wines have been carefully chosen by our panel of critics for their quality and value. David Lawrason, John Szabo M.S., Sara d’Amato, Steve Thurlow and Godello. The first case delivered to hundreds of members was an all Platinum Award winners pack from the National Wine Awards of Canada. In terms of free trade we await a decision but don’t expect a miracle in 2018, Christmas or otherwise. As for the VQA panel in Ontario? Well, read my article referenced above and you’ll get my drift.

One of my favorite wines I tasted in 2017. All killer no filler. Beautifully ripe #cabernetfranc nice layers of cocoa, red, and black fruit. Tannin is liquid silk. Can_t wait for next

Let’s be Franc

Cabernet Franc is getting better all the time. In British Columbia the coolest sites are increasingly raising fresh, spirited and ultimately crushable wines with unmistakable west coast accents; savour, garrigue and mountain tea. With thanks to venn diagram circles drawn in and out of Niagara’s Lincoln Lakeshore, but also magically deep into the Prince Edward County limestone, the great Ontario hope is developing into what we thought it might be. Getable and structured red wine.

New World cabernet franc growing sites produce less delineation as compared to the various lieux-dites in the varietal homeland, France’s Loire Valley. Niagara is beginning to enter into an Old World state of mind, so now winemakers and by extension wine geeks, are posturing over micro-terroirs; Niagara-on-the-Lake, Beamsville Bench, Niagara Escarpment, St. David’s Bench, Lincoln Lakeshore, Four Mile Creek. The same is happening in British Columbia’s Okanagan Valley although the cumulative stylistic is worlds (four provinces to be exact) apart. In Nova Scotia Benjamin Bridge Vineyards’ viticultural and vinifying braintrust of Jean-Benoit Deslauriers and Scott Savoy are allocating serious resources to cabernet franc in the Gaspereau Valley. But how is it that decisions are made as to where to plant this crisp, juicy and crunchy grape? While many will disagree, if you consider growing sites as circles within the aforementioned venn diagram, in Canadian soils the shared subtleties can easily get buried or muddled within the common areas. The lines may be drawn but the web is tangled. That said, the story of franc terroir is getting clearer and clearer. Interloper carries the torch.

Tonight brought to you by #interloper and the inner beauty of #cabernetfranc @RavineVineyard #vqaniagaraonthelake

At this most recent NWAC17 judging experience the results from cabernet franc paints a more palatable picture than those brushed by both merlot and cabernet sauvignon. We are collectively impressed with and solidly behind the direction growers and winemakers are taking with this noble varietal. The 546 acres planted in B.C. are rising steadily and if I were merlot I’d be looking in the rear-view mirror. In Ontario more than 4,000 tonnes were harvested in 2015, third to only chardonnay and riesling. Four of five Gold Medals were Ontario in origin, 10 of 16 were awarded Silver and 10 of 17, Bronze. While only four in Ontario are labled “LL,” no less than 10 of the 24 winners were made with at least some significant amount of fruit grown in the Lincoln Lakeshore/Beamsville Bench circle of commonality. The sites we want to call “cru” are no longer a mystery.

Taskmasters not pictured #punchdowns #interloper

I can’t say this list is full of surprises, save for the first of 17. You see this particular wine is close to my heart because I had a hand in its concept and design. My partner Scott Zebarth and I teamed up with winemakers Marty Werner and Ben Minaker at Ravine Vineyards to produce what we all feel is the most exciting fresh breath of cabernet franc air to arrive in Ontario in quite some time. It’s obviously self-serving to put it on a best of the year list but we are very proud of this project and its inaugural effort. If you’ve tried it you know. If you haven’t, give me a ring. We’ll break Interloper bread together. To the other 16, welcome to the list.

Scott, Marty, Ben and I are proud to present the now SOLD OUT #interloper Cabernet Franc 2016. We’ll be back next year #vqa #niagaraonthelake #ravinevineyard

Interloper 2016, VQA Niagara-on-the-Lake, Ontario ($19.95)

Produced at Ravine Vineyard Estate Winery with the winemaking team of Martin Werner and Ben Minaker

Variety: 100 per cent cabernet franc

Fruit source: 55 per cent Estate (St. David’s Bench), 40 Creek Road, five Tanbark (Four Mile Creek)

Harvest Dates: October 26th and November 5th, 2017

Time on skins: Estate 26 days, Creek 21 days

Length and type of fermentation: Three weeks, ambient/wild for both

Élévage: Eight months in old 225 L French barrels

Case Production: 22

mgodello  scottzebarth  marty_werner  benminaker23  ravinevineyard

Charles Baker Riesling B-Side 2016, VQA Niagara Peninsula, Ontario (Winery, $22.00, WineAlign)

Vinyl records sound different because they are designed with grooves carved in that mirrors the original sound’s wave form. Their analog recording delivers a sensory feeling of warmth, an aural of texture, nuance and soul. There was a time when the hits spun over and over were also pressed onto the A-Side of 45 rpm singles. The discovery of a never before heard B-Side was a revelation because is was extra material from a favourite band and it was a great song. It meant the record was already too strong for that song to make the final cut and to choose it for a B-Side meant it would elevate the quality of the album. A well-chosen B was not an afterthought. This is the accomplishment of the first Charles Baker’s B-Side, for itself and for the vineyards of Iaen and Picone. Baker digs about in the Niagara Peninsula’s escarpment dirt for young vine, not ready for prime time riesling fruit. If perchance it seems like cheating on his per se Vinemount Ridge Picone and Ivan bottles so be it but one look at him and he’ll say “Hey, hey, what can I do?” His 2016 B-Side delivers a spray bottle Zeppelin expressing heady aromas, high in the stratosphere and raining down upon the earth. The notes are an all in, breath of classic Baker riesling air, blanketing from up above and with a landscape that reeks of lime and quivers with classic agitation. The fruit is wild and full, the salty grit infiltrating and gripping the bloody omniscience of this package. What is this B-Side and where will it be lead? To the top of the ridge, from earlier harvests, younger fruit and higher yields. Scratch the single vineyard elitism, just listen to the song and raise one up, to getting ‘er done before the conceptual singular side one and side two, Ivan and Picone. The Beatles? Forget it. Led’s flip side to the ‘Immigrant Song’ A is the one. Drink 2017-2021.  Tasted November 2017  Charles Baker Wines  stratuswines  @cbriesling  @StratusWines  Stratus Vineyards

Tawse Riesling Quarry Road Vineyard 2016, VQA Vinemount Ridge, Ontario (198853, $24.50, WineAlign)

There is no substitute for seasonal Vinemount Ridge warmth when you are (or even if you’re not) trying to emulate a Mosel like, fleshy Kabinett tension. The Tawse Quarry Road riesling has shown signs of such mimicry in the past but here in 2016 the coincidence is uncanny. Riesling amounts to just 10 per cent of the 2007 planted vineyard, a Fly Road in Lincoln block where chardonnay (planted in 1998) and pinot noir (2007) are queen and king of the hill. But it is riesling that mines for limestone and uses it to distill, filter and enervate the outright fruity purposes of orange zest, lime juice and sweet grapefruit flesh. This ’16 has it all; adipose drupe, salty elements and stasis preserve. It will add some petrol and honey after a few years time and drink well for a few to a bevy more. Drink 2017-2023.  Tasted November 2017  tawsewinery  @Tawse_Winery  @tawsewines

Malivoire Rosé Moira 2016, VQA Beamsville Bench, Ontario (AgentWinery, $24.95, WineAlign)

Hard to believe what I see, a hue not blush nor pink, but gris. That “if my eyes don’t deceive me there’s something going wrong around here.” Forget about Provençe, don’t think too hard about Vin Gris but concentrate only on what Shiraz Mottiar has acceded with Rosé for Moira in ’16. Light and lithe do not begin to explain the rub. Rocks and stones are what come through the good earth on the nose. Is this the blush equivalent of mineralité, away from chardonnay and into pinot noir? “Is she really going out with him?” But the pinot noir component is almost non-existent so what is the phenolic advantage here? Has this gone too far or not far enough? Don’t mistake the things I say. This is delicious, understated and fully underestimated Rosé. It will have great appeal to a specific cognoscenti population and who could not think to drink it any day of the week? Commercially considered however, it may not speak a universal language. Drink 2017-2021.  Tasted March 2017  malivoire  shirazmottiar  @MalivoireWine  @ShirazMottiar  @MalivoireWine

Flat Rock Riesling Nadja’s Vineyard 2016, VQA Twenty Mile Bench, Niagara Escarpment, Ontario (578625, $24.95, WineAlign)

Nadja, like the Bréton novel begins with the question, “Who am I?” A surrealistic trigger is incited by the first taste, with excitement running in many directions but like the book, Nadja’s non-linear structure is grounded in Twenty Mile Bench riesling reality. She is an elite varietal wine in 2016, excitable girl, gregarious, punchy and so bloody juicy. I don’t recall the last Nadja with so much up front zest fervency and writhing aromatic gait, “exploding international, the scenes, the sounds, and famously the feeling that you can’t squeeze ground.” The lime flesh and cordial infusion brings the flavours into a once tropical, twice bitten realm. The vintage delivers the electric version, the new pornographer for the vineyard and the song sung loud swan song for departing winemaker Jay Johnstone. Was it all for swinging you around? Drink 2017-2024.  Tasted October 2017  flatrockcellars  @Winemakersboots  @FlatRockCellars

First Fruit: Field Day Pet Nat, Niagara Peninsula, Ontario (Winery, $25.00, WineAlign)

An escarpment Pet-Nat is born, thanks to the healthy and precocious idealism of winemaker Ryan de Witte and his Winona-based host Ilya Senchuk at Leaning Post Wines. The name “First Fruit: Field Day” carries three connotations; a reference to De Witte’s first commercial wine, the first crop off this particular block and the fact that it’s a field blend of two grapes. The erudite hat is thrown into the micro-cuvée, sparkling wine ring with interchangeable tracks of arts and science from near-equal parts muscat (60 per cent) and gewürztraminer. The style is pétillant-naturel, or as they say in Italy, Vino Rifermentato In Bottiglia, under crown cap with what Ryan notes “as much of the lees as I could get in.” The tightrope induces a two-fold increase, of reduction and for texture, from the nutrients fed the fermentation. De Witte’s math was sound because the effervescence is strong enough to blow the reduction off after a few seconds in the glass. One point for science. After tasting two samples I can safely say that the yeast deposit can’t be missed but it is those crafty and leaningpostwineconsolidated cells that drive the salvus meets salus machine. This lithe, re-fermented and crackling sparkler is both safe and healthy. You can feel its enzymes usher liquid happiness through your body and it makes you pause, leave the warrior behind and become at one with the experimental fizz. It’s raw and you want it to be so. The aromatic varieties collogue preserved lemon, ginger and aseptic vegetal scents in an almost funk-less Pet-Nat. It’s an impossible one actually, that is until you get a load of that slag at the bottom of the bottle. But the lack of danceable, rhythmic funk may deny you a Cissy Strut so think on it like Foam meets Talking Heads as in minimal, industrial, synth-pop. Or, in sparkling wine terms, one Pet-Nat’s riflessioni naturalische is another one’s clarity. One point for art. The intrigue here sets the bar high and looking ahead, when acidity can further provide boundless rhythm section support we’ll really have something to talk about. Inaugurals are never easy, nor is progress but the sophomore release will most certainly play on repeat. Let’s hope someone finds a category to place it for three-letter approval. Drink 2017-2018.  Tasted Twice, February 2017  leaningpostwine  @LeaningPostWine  @Witte_Wine  Leaning Post Wines  Ryan de Witte

Cave Spring CSV Riesling 2015, Cave Spring Vineyard, VQA Beamsville Bench, Niagara Peninsula, Ontario (566026, $29.95, WineAlign)

In a word, balance. Well two, balance and brilliance. CSV in 2015 takes the reigns from itself and stands firm. The fruit is in charge, the mineral a support system unparalleled and the minor celebratory sweetness a mere afterthought when it comes to rounding out the complexity. CSV is pretty darn back in ancient dolomite time travel and escarpments high great in 2015, uplifting, serious but yet not so. The numbers trip the light fantastic, fooling like gold and bones dry are seemingly preserved in karst but impossibly not. The sensoria apprised reel from the finest acidity it can possibly carry in its veritable truth. Deep lemon intent and a new wax vernacular speak the clarity of a wine that listens to its own expert advice. Might as well have made itself. CSV 2015 is one of the finest rieslings ever made from Ontario grapes. Drink 2019-2031.  Tasted March 2017  cavespringcellars  thevineagency  @CaveSpring  @TheVine_RobGroh  Cave Spring Cellars  The Vine – Robert Groh Agency

Sneak peak in the @TriusWines Meunier with Craig McDonald and a true Niagara Grand Cru @coolchardonnay site #lincolnlakeshore #oliveiravineyards #vqa #wildferment

Trius Showcase Chardonnay Wild Ferment Oliveira Vineyard 2015, VQA Lincoln Lakeshore, Ontario (Winery, $36.75, WineAlign)

When you consider the level of quality provided by the Wild Ferment 2014 it would be hard to imagine raising the bar any further but this is what winemaker Craig McDonald has managed with his exceptional 2015. The accomplishment is purely based on one year older, wiser and complexities developed Oliveira Farm vineyard fruit, the holy chardonnay grail, Lincoln Lakeshore playground. The site sits along the QEW below the escarpment’s Twenty Mile and Beamsville benches, a recipient of glacial till and rocks left behind by an ancient river running from a lake. It’s a chardonnay wonderland. Intensity of fruit purity, fleshy and real, remarkably juicy and notably crunchy has increased, upping the pleasure game and turning the impression knob up to 11. The windmill generates more power while always maintaining a classic Trius level of finesse. Then you think on the wood integration, equally impressionable because acidity is sweet and refined. Dry extract is also impressive, not to mention a fineness of grape tannin. The site’s unofficial designation as a Niagara Grand Cru should be upgraded with status. There is no better time than the present and the Wild Ferment’s 2015 ability is proof enough. Drink 2017-2023.  Tasted July 2017   triuswines  @TriusWines  @triuswines

Pearl Morissette Cuvée Madeline Cabernet Franc 2014, VQA Twenty Mile Bench, Niagara Peninsula, Ontario (Winery, $38.00, WineAlign)

From the 19th Street Vineyard and wow, there is simply no cabernet franc like this cabernet franc. It pops and flies from the glass, in and out of your mouth, playful, buoyant, joyful, unbridled. A silky and spicy ripeness that’s also shed by its tannin, like shavings of a chocolate only a master knows to render, then currants electric and alive. Excels by its chewy mouthfeel and texture and you must ruminate on this cabernet franc. This is the it vintage, with all the enzymes in control, wrapped up in the enigma membrane and this low, classical Beethoven orchestral strings rumble, on a Verona stage, surrounded by the ancient rocks, acoustics perfect. You can get lost in franc like this. Drink 2019-2027.  Tasted July 2017  pearlmorissette  @PearlMorissette  Pearl Morissette

Quails’ Gate Stewart Family Reserve Chardonnay 2015, BC VQA Okanagan Valley, British Columbia (639641, $43.95, WineAlign)

Some of the Okanagan Valley’s great chardonnay fruit is found on its eastern shore and makes its way into this Quail’s Gate Reserve. The story and place go back 60 plus years and wait if you can’t nose it in this top North American chardonnay. Forget comparisons, competitions and blind judgements but pull anything you want from Sonoma and watch this raise eyebrows and turn heads. The variegations are numerous and in replay. Richness, bite, energy, spirit and firm conceit. The barrel is everywhere and nowhere. What is a great chardonnay? It’s completely invisible, yet always in sight. It remembers what people hate. It anticipates the consumer’s needs before the needs are needed. A great chardonnay is, above all, discreet to a fault. Such is the Stewart Family Reserve. Drink 2018-2023.  Tasted October 2017   quails gate  hobbsandcompany  @Quails_Gate  @AMH_hobbsandco  Quails’ Gate  Hobbs & Co.

Sparkling wine you need to know @lwwines Blanc de Blanc Extra Brut 2013, from the shores of the #minasbasin #annapolisvalley #novascotia

Lightfoot & Wolfville Blanc De Blanc Extra Brut 2013, Nova Scotia, Canada (Winery, $45.00, WineAlign)

Josh Horton and Rachel Lightfoot presented an early, less leesy glimpse of their 100 per cent estate chardonnay at i4c in July of 2016. It was a different animal than this recently disgorged (late February/early March) sparkling wine. The Extra Brut lives up to its designation, from fruit grown on the shores of the Minas Basin under the auspices of a markedly warm year with exceptional phenolic ripeness and 25 per cent malolactic gain. The time relative to texture lees accumulation is approximately 40 months and it’s an accurate representation of Nova Scotia low and slow. The flavours are wisely developed ripe and spicy, leaning into a moment or two of oxygenation, but seemingly richer than the amount of lees time that was given. Now emerging from the shell of not just a warm but a great chardonnay year (as previously proven by the Ancienne released two years ago). The notion here is of a sparkling wine that has been brought home, a B de B that you need to get to know. There are layers and layers of character that fold and unfold. The precision, focus and rendering is citrus tamed, mouthfeel in perpetual expansion and contraction, length linear and elastic. And it’s just the beginning. Drink 2017-2023.  Tasted June 2017  lwwines  @lwwines  Lightfoot & Wolfville

Blomidon Late Pick Sparkling Chardonnay 2011, Nova Scotia, Canada (Winery, $45.00, WineAlign)

The 2011 late-picked chardonnay, the “Hurricane” is a hyperbole of itself. Normally picked in later October, the frost-free weather allowed further time and development. Picked from seaside vineyards just ahead of another hurricane (in a season that included Irene), this is sparkling wine you just have to try. Though lean, taut and as intense as you are likely to taste, the developed character and complexity is visionary for Nova Scotia and Canadian sparkling wine. Three years on the lees brings the texture and fills the gaps, holes and voids created by such a tightly wound cool climate chardonnay. The dry factor is exaggerated in 2011 (a one-off says winemaker Simon Rafuse) but the wine takes full advantage of the Extra-Brut intent. Did it require the anxiety of a recent and an impending cyclone? Can it be duplicated? “That’s the story of the Hurricane.” Visionary for Nova Scotia and Canadian sparkling wine. Drink 2017-2022.  Tasted March 2017  blomidonestate  @BlomidonEstate  Blomidon Estate Winery

Southbrook Poetica Red 2013, VQA Niagara Peninsula, Ontario (355859, $69.95, WineAlign)

It seems at first that Poetica 2013 was chosen by winemaker Ann Sperling to be the deferential one. The blend is dominated by 74 per cent cabernet sauvignon, the highest number ever for the wine. Conversely the cabernet franc component is set to 23 per cent and far less petit verdot (3 per cent) rounds out the blend. That number had been 29 per cent in 2012 because the varietal elegance shown at that time necessitated the relationship. In 2013 it is the cabernet sauvignon that displayed with elegance and an uncanny ability to sow of its own accord and yes, it is an exceptional vintage so look for 2013 to age on a 15 year curve. The Witness Block CS-CF follows suit and the SV-PV is better off for the allocations. Every wine wins as a result. There is this deep-impressed sous-terre tang in here, a wisdom certainly, and when it is released later in the year the heads will turn. Poetica is often but here not overly tannic, but it is endowed with bones, spine and structure. The flavours, spice and magnetism give cause to salivate. Only Ann Sperling makes Niagara reds like this, wines that can develop such architecture without an excess of tannin, astringency and chalky chocolate from over-wrought wood exchange. Poetica 2013 will drink well young and comfortably into the end of the next decade. Drink 2018-2028.  Tasted January 2017  southbrookvineyards  thelivingvine  @TheLivingVine  @SouthbrookWine   @SouthbrookWine  The Living Vine inc.

A finer man, winemaker and host you will not find. Thank you @normanhardie @keeponshucking @clarsenault @cuveeletittia @Mknow21 @mclauriault and all.

Norman Hardie Chardonnay Cuvée Des Amis 2014, Prince Edward County, Ontario (Winery, $150.00, 1500ml, WineAlign)

As exceptional as chardonnay may have seemed from out of the 2013 Ontario vintage you haven’t lived or loved until you get a taste of (only in magnum format) Norm Hardie’s 2014 Cuvées des Amis. This chardonnay attacks and ascends, recalibrating the inner workings of the brain and how it develops conceptualization. It is a state of the art and all-knowing elixir to remind that ’13 was a vintage with profitable yields and a generously stretched canvas on which to practice on, for when things begin to get real. The CdeA spent 18 months in barrel, the first 12 (in 35 per cent new), the next six in neutral and the last six in stainless steel on the fine lees. The spin class in the mouth manages agility, dextrous, furtive movement and completes many pirouettes. The dance is pure joy but the intensity is equally to disturbingly intrusive, suggesting more settling time is necessary. The flavour pearls are delicate and come straight from the oyster so they carry salinity, power and brine. Pure lemon essence is received by intravenous injection. Sumptuous is translated from Hardie-speak as a four-letter, Prince Edward County word. It doesn’t get more real than right here, with the best fruit, the tripping of the light fantastic, previously unheard and unseen unconscionable concentration. Drink 2019-2025.  Tasted twice, June and July 2017  normanhardiewinery  @normhardie  Norman Hardie

Le Vieux Pin Équinoxe Syrah 2014, BC VQA Okanagan Valley, British Columbia (Winery, $80.00, WineAlign)

Èquinoxe is announced without equivocation as the Bricco of B.C. syrah and an absolutely lovely Bench expression from winemaker Severine Pinte. What came from these three-quarters Osoyoos Lake District and one-quarter Black Sage vineyards in 2013 was floral and peppery, with a fineness that belies a dessert climate but in 2014, well this is something more and other. You just have to think about texture here and a quality of acidity that is peerless in B.C. syrah. So juicy, beautifully tannic and rendered with culture and class. Drink 2018-2022.  Tasted October 2017  levieuxpin  @LeVieuxPin  Le Vieux Pin Winery

My eyes do not deceive me. It’s Decant @StratusWines #cabernetfranc bottled with lees #vqa #niagaraonthelake #karimrashid

Stratus Cabernet Franc “Decant” 2014, VQA Niagara On The Lake, Ontario (Winery, $95.00, WineAlign)

“A designer’s hands are tied. They are only as good as their opportunities.” The words of the brilliant bottle designer Karim Rashid fully apply to the mirrored universe in which winemaker J-L Groux works, here with a deferential and ulterior cabernet franc, bottled with its lees. When I first tasted it in February (in advance of this auspicious release), its unfiltered state spoke of a hyperbole of perfume, marked by exoticism. The aromatics gave far east five-spice, star anise, cardamom, miso and incense, all natural by-products of its purposed ferment. More grain spoke out but also a roundness of tannin and a smoothness both coating and comforting. There was chocolate accentuated by the treatment, with thanks to those lees left in the bottle. The chopped up and constructed bottle catches the lees while the volume flows out and the function out of form mimics the thought of lees delivering structure and yet they are invisible, caught in a hidden net or nook, out of sight, out of mind. But it’s not about pouring. It’s about the hand, or the slight thereof. Then there is the copycat idealism of strata in the vineyard, of geology transferred to the bottle and kept there, like a ship perfectly preserved inside. This cabernet franc will age better, as is the plan, with thanks to the lees that you’ll never have to deal with. There were 110 cases made. Drink 2019-2029.  Tasted twice, February and May 2017  stratuswines  @StratusWines  Stratus Vineyards

Supper at Benjamin Bridge

Benjamin Bridge Méthode Classique Estate Blanc De Blancs 2013, Nova Scotia (Winery, $119.50, WineAlign)

Tasted from a bottle disgorged in May 2017, there alights a plugged-in, three-pronged, dazed, charged and enchanted energy about the Bridge’s ’13 Blanc de Blancs. The history of go it alone pure chardonnay is a relatively short one for the estate so this quickly makes up for lost time or rather with haste sets the timer and heads out at first light. “Like sittin’ on pins and needles, things fall apart, it’s scientific.” Wild, of talking heads temper and yeasts, done up in demi-muids, with a wilder secondary fermentative push riding on the coattails of the primary fermentation. Everything in this wine is a productive child of the vineyard, of no third party sugars or consultations. “How do you do that without making a Pétillant Naturel,” I wonder aloud. It’s a second ferment, non-contiguous is the reason, even if the former is both influencer and mentor to the latter. It certainly falls under the category of “micro-cuvée. Like its cousin and predecessor (Blanc de Noirs 2011), this ’13 BdeB is mired intensely inward within its own specificity and is not so much a sparkling wine with competitive soul. It is a pure representative of chardonnay grown in Nova Scotia for one purpose. So let’s talk about true stories and wild, wild life. “You get on board anytime you like.” Drink 2018-2024.  Tasted July 2017  benjaminbridge  caveman__jones   winesofn  @Benjamin_Bridge  @benjaminbridgevineyards  @WinesofNS @benjaminbridgevineyards  @winesofns

As we taste through the #NWAC17 finals we thank @ZWILLING_CA for the rocking great glassware. Canadian wines are better for these vessels.

Good to go!

Godello

Twitter: @mgodello

Instagram: mgodello

WineAlign

Gold Medal Plates Toronto 2017

Go Time @GoldMedalPlates Toronto #gmp2017

It was my fourth Gold Medal Plates Toronto as wine judge, culinary taster and olympic athlete groupie. In 2014 WineAlign partner, colleague, mentor and friend David Lawrason invited me to join the festivities and help decide which three wines should be crowned Gold, Silver and Bronze. Two weeks ago a panel of Ontario wine experts tasted, assessed, debated, deliberated and ultimately decided this year’s top three. David Lawrason, John Szabo M.S., Michael Vaughan, Margaret Swaine and Godello. The winner ran away from the pack but two through six were separated by one point increments. It was a photo finish for Silver and Bronze.

The 2017 Toronto event featured emcee Scott Russell of the CBC’s Olympic coverage. Russell was joined by dozens of Olympic medallists and future hopefuls. Blue Rodeo’s Jim Cuddy led the on-stage entertainment; Anne Lindsay, Danny Michel, Jeremy Fisher, Devin Cuddy and Sam Polley. The inimitable and eloquent James Chatto was once again at the head and the heart of the culinary judging panel with seats occupied by an illustrious five; Sasha Chapman, Anita Stewart,  Christine Cushing, Amy Rosen and Chef John Higgins.

Gold Medal Plates Toronto 2014

For a little bit of GMP history please click on this post I penned after that 2014 gala event. The culinary winners then were Gold Medal Plates Toronto 2014 bronze, gold and silver medal winning chefs Damon Campbell, John Horne and Jason Bangerter. The top three wines were Norman Hardie‘s Niagara Unfiltered Pinot Noir 2011, Hidden Bench Nuit Blanche Rosomel Vineyard 2012 and Creekside Estate‘s Iconoclast Syrah 2012. But what about 2017? My top seven in no particular order were Flat Rock Cellars Riesling Nadja’s Vineyard 2016, Ravine Vineyard Chardonnay Reserve 2014, Charles Baker Riesling B-Side 2016, Henry of Pelham Cuvée Catherine Brut Rosé, Stratus White 2013, Leaning Post Chardonnay ‘The Fifty’ 2015 and Tawse Chardonnay Quarry Road 2013. The actual medalists are listed below in David’s report.

National Wine Advisor David Lawrason’s Wine and Spirits Report

Nadja’s Tops a Bounty of Great Whites in Toronto

“The Gold Medal Plates campaign came to a booming 800-person conclusion at Toronto Convention Centre on November 16, and it included the largest selection of wines seen in any stop on the ten-city national tour.  We judged 26 donated wines, beers, spirits and even a lavender mead, but it was a core of great Canadian white wines that caused the most excitement, and produced the winner of the evening.

The “Best of Show” Gold Medal went, by a very clear margin, to Flat Rock Cellars 2016 Nadja’s Riesling, from a single block of maturing vines in Niagara’s Twenty Mile Bench appellation. I was personally stunned by just how delicious, well-balanced and nuanced this wine is – in my mind it is the best vintage of “Nadja’s” ever produced.  Other judges agreed – we all placed it as either our first or second choice.  This beauty also took a rare Platinum Medal at 2017 National Wine Awards.

It will go on to compete for Gold Medal Plates Wine of the Year at the Canadian Culinary Championships in Kelowna in February, and it appears there will be a riesling showdown, as it will be tasted against rieslings from Tantalus, Cave Spring and Norman Hardie, plus six other wines.

For second and third place the voting in Toronto was more varied, and only one point separated the second, third and fourth place wines.  The Silver Medal went to Mission Hill 2015 Merlot Reserve, a swarthy, plummy and ripe red from the Okanagan Valley.  And the bronze medal went to Henry of Pelham Cuvee Catharine Brut Rose, a delicate refined pink sparkler with subtle berry aromas.

In very close 4th place came Tawse 2013 Quarry Road Chardonnay from Niagara’s Vinemount Ridge sub-appellation. I have become very familiar with this solid, complex Burgundian chardonnay as it was generously donated by Tawse to the Celebration in three cities this year. It was also a Platinum Award winner at the 2107 WineAlign National Wine Awards of Canada.

Tawse was one of three Gold Level sponsors. Mission Hill was a national sponsor as well, donating a variety Reserve wines to seven city events across the country, and stepping even higher in Toronto with smaller donations of their more expensive “Legacy tier” red Compendium 2013 and Perpetua 2015 Chardonnay.

Arterra Wines, the recently re-named company with several wineries in Canada, was a gold sponsor donating to six cities.  In Toronto there was a selection of reserve whites and reds from Jackson-Triggs and Inniskillin, as well as a rare public showing of the new Arterra 2016 Chardonnay and Arterra 2016 Pinot Noir.

Toronto’s Silver Sponsor also donated to Ottawa. Cave Spring of Niagara donated their 2015 Cabernet Franc.  Although better known as a riesling producer, Cave Spring is doubling down on its efforts to produce fine reds from Ontario’s most widely grown grape.

Flat Rock Cellars was one two Bronze level sponsors for the Toronto event, providing Nadja’s riesling for the VIP Reception and Celebration tables. The other was Henry of Pelham, which split their donation between the 2016 Old Vines Baco Noir and yet another strong 2016 Estate Riesling.

Among other notable and high calibre wines donated to the chefs, I gave my first-place vote to Stratus 2013 White, a very complex, now maturing, barrel aged blend of several white varieties. Ravine 2014 Chardonnay Reserve, another power white, also earned top-five votes.  Leaning Post 2015 Mile 50 Chardonnay was a leaner style that paired well with Gold Medal Plates Chef Lorenzo Loseto’s winning dish.  And riesling specialist Charles Baker chose the occasion to show his new, bracing B-Side Riesling.

Interestingly, no red wines were paired with chef’s creations this year, but there were two ciders, including the fine, crisp Brickworks CiderHouse Batch 1904 and a lighter cider called Pick Up 66 from Hoity Toity Cellars. Rosewood Cellars donated their exotic, fragrant Lavellener Lavender Mead, and Zirkova Vodka set up shop during the VIP Reception to sample Zirkova One, a vodka designed to be drunk “neat” and Together a version designed for cocktails.

The Best of Show judging is held prior to each event, as way to highlight the generous donation of beverage by Canada’s wineries, brewers and distillers.  In Toronto I assembled four wine pros/sommeliers.  Three are amigos at WineAlign.com and two are judges at the National Wine Awards of Canada; including Master Sommelier John Szabo, and wordsmith extraordinaire and former chef Michael Godel.  Margaret Swaine is a veteran wine and travel writer, and the spirits columnist at WineAlign.  Michael Vaughan publishes Vintages Assessments, a detailed critique of every wine released by the LCBOs Vintages stores.”

Chef Lorenzo Loseto’s @GoldMedalPlates winning dish @georgeonqueen paired by @brieish with @leaningpostwine The Fifty Chardonnay 2015. Congratulations Chef and the entire team.

Culinary Medals

Gold

Lorenzo Loseto
George Restaurant

Pairing: Leaning Post Wines, 2015 ‘The Fifty’

Silver

David Lee
Nota Bene

Pairing: Brickworks Ciderhouse, Batch: 1904

Bronze

Jesse Vallins
Maple Leaf Tavern/PORT

Pairing: Tooth & Nail Brewing Company, AGRARIA Modern Farmhouse Ale

Nota Bene’s David Lee

Here are my tasting notes for the 20 wines entered at Gold Medal Plates 2017.

Henry Of Pelham Family Estate Winery Cuvée Catharine Brut Rosé, VQA Niagara Peninsula, Ontario (217505, $29.95, WineAlign)

A whole new base, a whole new wine, the departure point exacted by a new wisdom and understanding. But it’s somehow like looking in the mirror, reviving a good memory, going back to wine childhood. Consistency is your friend with non-vintage fizz and the Catherine(s) are the undisputed leader in the Ontario biz. Brings back the Niagara orchard of a take your pick red apple, lovely creamy texture, a mild blanch of nut and fresh baked bread. Terrific class and of its own accord. Drink 2017-2021.  Last tasted at Gold Medal Plates Toronto, November 2017

With its fine, strawberry mousse is at the head of its Ontario class. Vanilla, Ida Red apple and bitter nut combine like a smooth, creamy, Mediterranean spread to dip the warmest, fresh-baked bread.  Tasted December 2012

Henry Of Pelham Riesling Estate 2016, VQA Short Hills Bench, Niagara Peninsula, Ontario (557165, $17.95, WineAlign)

A rash of aromatics straight away and marked warmth verging to humidity. More weight, substance and depth than most vintages deal when youth is the tempo so this riesling plays the notes and the hand quick after the draw. What you nose, taste and feel is what you get, with lime, gassing up to petrol quickly and flavours already in developing mode. Five years of riesling together for the best of times, from beginning to end. Drink 2017-2021.  Tasted November 2017

Charles Baker Riesling B-Side 2016, VQA Niagara Peninsula, Ontario (Winery, $22.00, WineAlign)

Vinyl records sound different because they are designed with grooves carved in that mirrors the original sound’s wave form. Their analog recording delivers a sensory feeling of warmth, an aural of texture, nuance and soul. There was a time when the hits spun over and over were also pressed onto the A-Side of 45 rpm singles. The discovery of a never before heard B-Side was a revelation because is was extra material from a favourite band and it was a great song. It meant the record was already too strong for that song to make the final cut and to choose it for a B-Side meant it would elevate the quality of the album. A well-chosen B was not an afterthought. This is the accomplishment of the first Charles Baker’s B-Side, for itself and for the vineyards of Ian and Picone. Baker digs about in the Niagara Peninsula’s escarpment dirt for young vine, not ready for prime time riesling fruit. If perchance it seems like cheating on his per se Vinemount Ridge Picone and Ivan bottles so be it but one look at him and he’ll say “Hey, hey, what can I do?” His 2016 B-Side delivers a spray bottle Zeppelin expressing heady aromas, high in the stratosphere and raining down upon the earth. The notes are an all in, breath of classic Baker riesling air, blanketing from up above and with a landscape that reeks of lime and quivers with classic agitation. The fruit is wild and full, the salty grit infiltrating and gripping the bloody omniscience of this package. What is this B-Side and where will it be lead? To the top of the ridge, from earlier harvests, younger fruit and higher yields. Scratch the single vineyard elitism, just listen to the song and raise one up, to getting ‘er done before the conceptual singular side one and side two, Ivan and Picone. The Beatles? Forget it. Led’s flip side to the ‘Immigrant Song’ A is the one. Drink 2017-2021. Tasted November 2017

Flat Rock Riesling Nadja’s Vineyard 2016, VQA Twenty Mile Bench, Niagara Escarpment, Ontario (578625, $24.95, WineAlign)

Nadja, like the Bréton novel begins with the question, “Who am I?” A surrealistic trigger is incited by the first taste, with excitement running in many directions but like the book, Nadja’s non-linear structure is grounded in Twenty Mile Bench riesling reality. She is an elite varietal wine in 2016, excitable girl, gregarious, punchy and so bloody juicy. I don’t recall the last Nadja with so much up front zest fervency and writhing aromatic gait, “exploding international, the scenes, the sounds, and famously the feeling that you can’t squeeze ground.” The lime flesh and cordial infusion brings the flavours into a once tropical, twice bitten realm. The vintage delivers the electric version, the new pornographer for the vineyard and the song sung loud swan song for departing winemaker Jay Johnstone. Was it all for swinging you around? Drink 2017-2024.  Tasted October 2017

Jackson Triggs Niagara Estate Sauvignon Blanc Grand Reserve 2015, VQA Niagara Peninsula, Ontario ($19.95, WineAlign)

Arterra’s JT sauvignon blanc is youthful and even a bit reductive, with wood notable and a real sauvignon blanc pungency. Its character and a bit of risk are tied up in the aromatics though it settles for mild-mannered and middle of the road on the palate. Drink 2017-2020.  Tasted November 2017

Mission Hill Family Pinot Gris Reserve 2016, BC VQA Okanagan Valley, British Columbia (537076, $24.95, WineAlign)

Reserved to be sure and also still in pulse mode, with some tongue pin-pricking, not quite effervescent but moving in time. A bit of skin-contact hue and plenty of orchard fruit notes are present in both aromas and flavours. Solid gris that will improve in six months or so. Drink 2018-2021.  Tasted November 2017

Inniskillin Okanagan Pinot Gris Reserve 2016, BC VQA Okanagan Valley, British Columbia ($19.99, WineAlign)

Noticeable skin-directed hue, chalky to soapy, with a taste that reminds of Topps hockey card bubble gum. Childhood memory revisited in pinot gris. Drink 2017-2018.  Tasted November 2017

Arterra Chardonnay 2016, VQA Niagara Peninsula, Ontario  (Winery, $25.00, WineAlign)

Arterra’s chardonnay comes from a famous Peninsula source, formerly made into just as famous wines by Le Clos Jordanne The site is on the Escarpment’s Bench above Jordan Village and this is the second vintage at the hands of Jackson-Triggs winemaker Marco Piccoli. Picks up where the fine and ambitious first vintage in 2015 left off but here with some light strike and reduction. You can just feel the buttered toast and kernels behind the flinty curtain, with blanched nut and some fine elasticity. Will benefit from a few more months in bottle to gather thoughts and flavours. Drink 2018-2021.  Tasted November 2017

Leaning Post Chardonnay ‘The Fifty’ 2015, VQA Ontario (Winery, $25.00, WineAlign)

This is chardonnay that had a cup of coffee in the big leagues and was then moved to the fresh confines of stainless steel tanks soon after its 15 minutes of barrel fame. It’s a unique chardonnay specimen this Fifty, barrel fermented but not aged, a wine crafted with pragmatic reverse psychology so that it may solicit great appeal. If you’ve never tasted Ilya Senchuk’s entry-level foray into Peninsula chardonnay you’ve been missing out, but by starting here in 2015 there is certainly no harm, no foul. This is the most pleasing and palatable Fifty so far, barrel creamy, suety and magically malolactic on the nose. The flavours are cooler, of an anti-Senchuk subtlety and versatile food amenability. I can think of 50 reasons to pour this by the glass, at home, on a restaurant list or on a campsite under the stars. Drink 2017-2020.  Tasted April 2017

Ravine Vineyard Chardonnay Reserve 2014, VQA St. David’s Bench, Ontario (Winery, $55.00, WineAlign)

The Reserve is 100 per cent estate fruit that spent 18 months in (50 per cent new) barrel. As it’s both barrel fermented and aged the variegation locks the fruit in so bloody tight so even now it’s reductive, smoky and flinty. A mineral chardonnay needs balance from over the top fruit and so track record, acumen and love will have it so. Marty Werner and Ben Minaker’s is a big, summery and gold platinum expression, very expressive, the two-lb steamed in seaweed lobster chardonnay, seemingly Meursault but just as likely from California. But as Ravine’s Reserve on the St. David’s Bench it is purely Niagara Peninsula. Fruit intensity, extract and controlled oxygenation shows off the best of what these men can do. It speaks to their efforts, knowledge accumulation, trials and finally to the culmination of their stamina. Drink 2018-2023.  Tasted July 2017

Small @RavineVineyard village looking pretty sweet at @GoldMedalPlates 2017 #gmp2017

Tawse Chardonnay Quarry Road Vineyard 2013, VQA Vinemount Ridge, Ontario (111989, $35.80, WineAlign)

When I tasted Quarry Road 2013 out of four barrels three years ago the purpose was to take in the nuances and see only the trees. I for one could not help seeing the forest through the trees and imagining percentages of each combining for the final blend. Neutral Mercurey wood looked over infant three year-old vines spoken here with surprising density, tang and tropical melon in both aroma and flavour. This sits on the front palate right now. The mineral Ceres qualifies older fruit as the pretty and the gemstone, essential for Quarry Road, the most like (Meursault) in Burgundy. This fruit transferred to stainless on the lees from September to March before going into bottle now renders to make Quarry the purest expression from the best vineyard. The CLL toast delivers the taut, not yet reductive wood tightening, then and again now, mainly on the finish. Compressed citrus notes are late arriving and even if it is splitting hairs, the oak really impacts the finish. The larger CLL toast Mercurey barrel reveals a fresher, more reductive, less oaky feel. All together we now have one of Paul Pender’s most accomplished to date and all chardonnays considered, one of the finest higher end values around. I think he would agree. Drink 2017-2024.  Tasted May 2017

Mission Hill Perpetua 2015, BC VQA Okanagan Valley, British Columbia (Winery, $73.03, WineAlign)

Perpetua is a different sort of chardonnay for the Okanagan, with not completely obvious fruit and leesy notes that outdo the effects of wood, plus a lactic edge that also smothers the smoulder. This is not the toastiest of chardonnays but is does deliver a saltiness so ultimately the reference point is flint and stone, a.k.a. Chablis. A bit of crème frâiche adds to the dairy mystique. Perpetual chardonnay motion leads to persistence. Drink 2017-2022.  Tasted November 2017

Stratus Vineyards Stratus White 2013, Niagara Lakeshore, Ontario (660704, $38.20, WineAlign)

There can be little doubt that anticipation would haver to run high for the aromatic, elongated and coolest of Niagara white wine vintages, especially for the chardonnay, but also for the iconic, four-varietal (with sauvignon blanc, sémillon and viognier) blend. The five sensory tenets are solicited and provided for; salty, sour, sweet, briny and umami. The last is exotic and punchy, so this White does it all, speaks for it all and completes it all. It is the most designed and seamless their’s can be. Last tasted May and November 2017

In 2013 viognier is back in the varietal mix, in reprise of its earlier role in support of chardonnay, sauvignon blanc and riesling. A different sort of vintage here for the White, seemingly led by a circular turning of chardonnay and viognier, like a cat chasing its tail. This really goes round and round with no obvious signs of where it will stop. Quite fleshy and lime juicy with stone fruit flavours in righteous abound. Really amalgamated and seamless even for itself. It is here that I think of it as The White. Niagara’s White. Lake Effect™. Drink 2017-2022.  Tasted November 2016

Arterra Pinot Noir 2016, VQA Niagara Peninsula, Ontario (Winery, $29.95, WineAlign)

Wow the cherry pie delivers a healthy slice oozing in reduced cherry syrup. Could only by an effect created by some appassimento on pinot noir. It’s so concentrated, full of glycerin and sweet fruit. Were it not pinot made with some drying of the grapes it would be an amazing feat of growing, picking and pressing. A panoply of cherries wells in this ripe of ripest Marco Picoli red. Wow, as I said. Drink 2017-2019.  Tasted September and November 2017

Cave Spring Cabernet Franc 2015, VQA Niagara Escarpment, Ontario (523001, $17.95, WineAlign)

As with the other Niagara Escarpment reds in the portfolio it is the limestone that stands out, in a good way, to bring about this mineral-red citrus cutting through the rich fruit. That stone-mineral note also does everything to temper and even mute what bitter-tonic-astringent notes might try to distract because that’s what capsicum-bell pepper is wont to do in cabernet franc. This is clean and focused, light and eminently quaffable juice. Drink 2017-2019. Tasted September and November 2017

Inniskillin Merlot Reserve 2014, VQA Niagara On The Lake, Ontario (Winery, $24.95, WineAlign)

This is really pressed and pushed merlot, cool and savoury, minty and spirited with lots of wood spice and equal amounts of tannin. The really tart finish dries out with grip and force. Drink 2018-2020.  Tasted November 2017

Jackson Triggs Grand Reserve Meritage 2015, VQA Niagara Peninsula, Ontario (594002, $24.95, WineAlign)

Now here is a nice little bit of diesel of dust, with more than a fair shake of dark raspberries and a mix of chicory, nettles and chalky tannin. Pretty wondrous quality and complexity here. Drink 2018-2021.  Tasted November 2017

Henry Of Pelham Baco Noir Old Vines 2016, VQA Niagara Peninsula, Ontario (459966, $19.95, WineAlign)

This is finely rendered baco noir, rich and tangy, with bright cherries and what just feels like beeswax. The most elegant baco noir ever made in Ontario and just foxy enough to be itself. Drink 2017-2019.  Tasted November 2017

Mission Hill Merlot Reserve 2015, VQA Okanagan Valley, British Columbia (Agent, $24.99, WineAlign)

This is aromatically rich and lush merlot, with a full compliment of palate richness and silky tannins. For fans of the California style with all in hedonism and a side of nettle. Drink 2018-2022.  Tasted November 2017

Mission Hill Compendium 2012, BC VQA Okanagan Valley, British Columbia (Agent, $86.25, WineAlign)

Compendium 2012 carries a great wealth of aromatics, very floral and rusty, with dried strawberries and so much more. A bit reserved on the palate but its elegance and seamlessness are special. Great length even while it’s just not that much of a concentrated beast. Drink 2017-2022.  Tasted November 2017

Good to go!

Godello

Twitter: @mgodello

Instagram: mgodello

WineAlign

Pop goes VQA

Having just spent a full experiential week crushing vendemmia 2017 sangiovese grapes between fingers and teeth in the heart of Chianti Classico it’s more than exciting to be home in Ontario in the throes of wine country Ontario’s own ’17 raccolto. Every grape harvest has its challenges, intricacies, twists and turns but the antithetical coming about that has happened in both regions is nothing short of a set of miracles.

In Chianti Classico one of the longest droughts in recorded history threatened to suffocate and desiccate what tiny berries there may have been but an early September deluge filled the sangiovese with hope and a recharge towards quality and even quantity. The opposite happened in Ontario. A full summer of rain and mild temperatures has given way to an unprecedented warm Septenmber and now into October, the continued spell of gorgeous weather means that all parties should be celebrating. A glorious September has done more than save a vintage, it has elevated the quality and stretched the quantity so that winemakers can and will process their grapes into a wide range of exciting 2017 wines.

At a time when wine promotions are happening around the province with great intent and public positivity, the VQA-LCBO pot is simultaneously stirred, a recurring theme it seems in the world we call Ontario wine. The provincial board recently announced that “Ontario wines take centre stage at the LCBO ahead of Thanksgiving. The LCBO celebrates and savours the taste of Ontario. Local favourites featured online and in-store.” The four wines featured are a drop in the bucket of what is both capable and impressive about Ontario wine production so it is the LCBO’s “Taste Local Pop-up Experience” that digs a little deeper.

From Friday September 22nd through Sunday October 15th you can drop by 600 King St. West in downtown Toronto for a joint LCBO-VQA pop-up with an ongoing discovery tasting bar, flight tastings, classes (including life-drawing and chocolate bark making) and tutored events led by sommeliers, product consultants and local winemakers. You can also shop for your favourite VQA wines in the LCBO’s retail and digital store. In fact it was last night only that the irreducible Peter Boyd could be found working the first floor of The Spoke Club with a talk on “how to order wine in restaurants.” VQA wine, that is.

Back in March of 2017 while reporting on the VQA wines Taste of Ontario event I remarked how “new assessments are so important to understanding and gaining new perspective on not just how our (Ontario) wines age but also how they are affected by early reductive environment shock and their ability to change (for the better) after a mere six to 12 months in bottle. The first snapshots are not always the clearest.” The same attitude might apply to what happens when wines are presented to a VQA tasting panel. Only the most experienced palates, best winemakers and a select few Ontario wine cognoscenti can forecast evolution and are therefore capable of making immediate, correct decisions. Left to less experienced hands there are sure to be feathers ruffled.

Related – Fifty ways to Taste Ontario

On the heels of a summer during which VQA Ontario wines were celebrated at the 7th annual Cool Chardonnay conference with unprecedented zeal something is amiss, once again, but this time for curious reasons. An article published in the National Post last week goes on the all frontal attack, in short to the LCBO and long against VQA, the Vintner’s Quality Alliance of Ontario. The story contends that the best wines produced in Ontario do not make it to LCBO shelves. It states “all wine made in Ontario needs to pass through the VQA’s tasting panel if it is to be sold at Wine Rack and the LCBO.” The blame is placed squarely on the VQA tasting panel. The equation is simple. Fail VQA and no LCBO for you. Sounds correct but it’s not that simple. The two problems are only connected for the sake of argumentative convenience. As an Ontario wine producer, even if your wine passes VQA it may never be purchased to be sold at the LCBO. Such an equation takes liberties without substantiation. And, as John Szabo M.S. correctly points out, “there’s no law preventing the LCBO or Wine Rack from selling non-VQA wines. In fact, many wines at Wine Rack are offshore blends.” But even this diverges from the point.

Related – How can i4c the future through cool chardonnay?

More important are the questions of taxation in the discrepancy between VQA and non-VQA approved wines and whether or not a wine industry can grow and flourish when many of its makers feel stymied, both economically and philosophically, by a regulatory board they contend tells them what styles of wine they can make. They argue against a panel that carries the authority to send them to the highest level of appeal before granting approval, all the while bottling, labelling and delivery schedules may be compromised along the way. The bureaucracy is hardest on the smallest fries. Some are vocal about wanting to do away with the VQA establishment, or at least the tasting panel and to ask that they just concentrate on regional policing and labelling. Still others would like to see the end of that arm as well. Australia has gone that route, so why not Ontario? There is much talk about this golden era in which foreign wine writers and sommeliers around the world are raving about and drinking wines from Ontario’s great fringe terroir. Ontario is hot and the fear is that if more is not done to discourage mediocre wines that pass with ease and instead encourage risk-taking styles the mojo will be lost and the region be passed up for the next cool climate producer. Is this a fear based in reality?

This story is as old as Ontario wines time immemorial. There isn’t a local writer worth his or her words in salt that has not touched on the subject of the LCBO and VQA. I’ve read the most eloquently rendered articles of sophistication by David Lawrason, John Szabo M.S., Rick VanSickle, Christopher Waters, Tony Aspler, Beppi Crosariol and countless other excellent scribes about what’s right, wrong, fine and inexplicably deplorable about our monopoly and regulatory provincial systems. Even Godello has touched, broached and breached the subjects. A recent, arguably superficial National Post article by a young writer has caused a minor stir in wine circles though not surprisingly has fallen on deaf consumers ears. There is no new revelation here but I really have to thank the NP writer for her take because for one thing she is a very good writer. She should not feel unwanted if the comments sections remain quiet, nor should the winemakers who feel their plight is falling on deaf ears. I’ve made a living off of being ignored. I’m also not a fan of attacking writers and their work. It takes a great deal of dedication, passion and hard determination to produce such a story. Editors on the other hand are not what they used to be. My editor while I was at Canada.com was an expert in the art of knowing what to print and how to make adjustments for the greater good of the story. The National Posts’s editor was flat-out lazy and yet while the writer’s tirade in crusade against VQA is rife with errors and fact checking inconsistencies (like contending that VQA pumps “inordinate sums of money into promoting Ontario wines”) the provocation has provided me personally with a quick period of genuflection and ultimately, an epiphany.

The average wine drinker in Ontario is not privy to the inner circle of goings on with respect to what is typical and acceptable and how the Vintner’s Quality Alliance of Ontario screens the wines submitted for approval, thus deciding the financial fate and economic viability of selling said wines. There was a minor trickle of comment chiming to the article. Ontario Wine Chat’s Shawn McCormick noted “there’s a few facts wrong in the article, but they hit the key point that unless you regularly visit Ontario wine regions, you have a very narrow view on Ontario wine.” Ottawa’s Dr. Janet Dorozynski, Canadian Wine, Beer and Spirits, Foreign Affairs and International Trade Canada noted, “pprovocative title and interesting perspective by a new-to-wine writer but as there are many factual errors NP editor would be wise to fact check before publication. And Ontario is not really so unknown anymore.”

André Proulx pulls no punches. Proulx writes “another lazy criticism of VQA. Cites 2 wineries issues failing to mention most wineries pass sans problem. Fault doesn’t make a wine daring…The VQA has its faults… but I’m sick of hearing the same two stories about Norm and PMs wines failing ” Hidden Bench winemakers states “this article makes it appear that the only artisanal wineries producing terroir driven wines are those who have had wines rejected by VQA.”

It is WineAlign’s John Szabo that really picks apart the article. On the idea that “many of the world’s greatest wines have naturally occurring faults, which are the result of the soils and wild fermentation processes,” he replies “ridiculous statement. Stay away from subjects you don’t understand.” In response to “in other words, some of France’s best wines would not pass VQA certification because their high reductive notes would be considered faulty,” he answers “more extrapolated nonsense.” Reacting to “many smaller Ontario wineries have begun experimenting with naturally occurring faults by fermenting their wines with wild yeast,” he says “you insult many smaller Ontario winemakers, and some yeasts, too. Nobody strives for faults.” And finally, when the story notes “adding conventional yeast to grape juice is a bit like buying insurance.… it can also stifle the terroir of a particular vintage,” he retorts, “countless top winemakers around the world disagree. Faulty tastes homogenize wine a helluva lot more than any yeast.”

One of our most esteemed and leading winemakers Norman Hardie had this to say. “It’s great someone has had the guts to take on the VQA…have great difficulty with the quote from the VQA claiming “one of our strengths of our model is our ability to flexible and responsive to be both winemaking and consumer trends”. .this couldn’t be further from the truth..it is a factual error given directly from.the VQA..says alot about our governing body.” I followed up by having a lengthy conversation with Norm. He contends that his statement is indeed one grounded in fact and I listened.

Winemakers feel they should not be told how to practice their craft or be penalized for pushing boundaries. Anyone who thinks this just isn’t so is not paying close enough attention and likely drinking boring wine. It is also a progressive imperative that winemakers seek ways to break from tradition, rules and etiquette, to challenge norms and traditions, but does a wine have to be a bad boy to be considered the most important expression of a local terror? And what fun or excitement is there is a governing board saying “yes “and “of course” in response to every submission? The financial ramifications can certainly be damaging but what’s so special about being accepted at every turn? Would William S. Burroughs, Andy Warhol, Frank Zappa, John Coltrane, Henry Miller, Robert Mapplethorpe and Jean-Michel Basquiat been half as interesting if their art did nothing to challenge or subvert? Immediate commercial acceptance comes at a price and much harder to those who choose to make a difference. Just as vines have to stress to produce exceptional grapes, so must a winemaker face adversity and suffer for his or her art. You can’t have it both ways. You can’t have your grapes and drink them too.

In 2011 David Leyonhjelm wrote in Business Spectator, “some believe that Australia’s policy of exporting fault-free but relatively bland wines has done more harm to Australia’s wine reputation than anything that might have been sold without Wine Australia’s approval…The market is a very efficient mechanism for sorting out these sorts of things. It is most definitely anti-entrepreneurial.” Hard to argue against this but a devil’s advocate position would say that undrinkable and or grossly faulted wines made by less than experienced producers can get lumped in with quality bottles in shared categories. What if the consumer was unable to remember one from the other or which was which? Would it not be better to rid the market of the shite before it makes it there in the first place?

After Wine Australia squashed their export vetting panel, wine journalist Max Allen wrote “anybody assessing whether a wine is ‘sound and merchantable’ need to be exposed to the incredible diversity of styles out there: from big, black, overoaked, over-alcholic shiraz to cloudy, orange, amphora-fermented sauvignon blanc, almost anything goes out there in the modern wine scene.” Indeed this is what we want to see, allow and encourage, though in Ontario, can it be done without some form of compromise? It must suck to make a great wine, have it applauded, reviewed with great scores and requested by international sommeliers, only to see it stalled before being accepted by a local tribunal. Something is obviously missing in such an equation but is the full-out scrapping of the tasting panel the solution? Doing so would mean eliminating an identity consumers have come to trust. Ontario wine not only needs VQA, it is VQA. In this part of the world you have to seek diplomacy.

The article in question notes “this is a situation unique to Ontario,” that wines must pass a tasting panel, when in point of fact most appellations make use tasting a panel. VQA continues to carry the function it was built for, just like its AOC, DOCG and VDP European equivalents, with a standard to protect for the greater good of the wine region it has been entrusted to promote. Is it perfect? Far from it. Has eliminating it helped Australia? Sure. Is the free for all system working in South Africa? You could say yes. But Ontario is not a form of the wild west. It’s diplomatically Canadian to a fault and inextricably linked in political and cultural fashions to Europe more than most would like to admit. Bureaucracy is part of the reason so many moving parts manage to get along. The system fails some and more often than not benefits the largest players even while it saves countless others from getting sick, though continued discussion and journalistic discourse will render said governance continuously relevant or perhaps moot, eventually in time.

If as a winemaker you want to forge your own path and make unusual, risk-taking, anti-establishment wines with character and personality you have to be prepared to suffer the financial casualty of making such products within the parameters of an organized and civilized society. VQA should seek a clearer picture so that wines either pass or fail, not string them along if they are just going to pass them in the end. Neither side benefits when good wines are held hostage. That said, when the system weeds out others which are neither curiously subversive nor special then the consumer will benefit. As for ground-breaking winemaking it can take years, sometimes a lifetime and in Bukowski-like cases, a posthumous party for great art to truly be recognized. The system can only change so fast. It’s not realistic, very frustrating and counterintuitive to creativity and productivity to think otherwise.

The VQA system is certainly flawed. So are the AOC and DOCGs in France and Italy. Even Ontario wine industry peeps who have to support VQA’s function and back its credibility could not argue against that statement. The panelists who decide the fate of submitted wines may not always be best equipped to deal with every fleeting snapshot placed in front of them. Even the best make mistakes. Only the most experienced referees and umpires get to work the NHL, NBA, NFL and MLB postseason. Same in World Cup, Champions League and Premier League Football. Why not in wine? At major wine competitions around the world only the most qualified judges get the nod. The same goes for the WineAlign National Wine Awards of Canada and Intervin and the latter includes some of Ontario’s finest winemakers as judges. Who’s better to make these decisions then they? Anyone who thinks that VQA’s processes don’t need any tweaking is hiding under a rock.

Illustrious panel @TerroirTalk ready to rock #orangewine @winecouncilont #vqaontario #vqa #skinfermentedwhite #faultsandall #terroir2017

So let’s talk a bit about progress and picking battles. Back in May of 2017 the annual Terroir Symposium was held and the first of three masterclass wine sessions focused on VQA’s new category of Skin-Contact Whites. That it took somewhere between 12 months and two years for VQA to get this far is not surprising nor should it be called out for taking so long. It’s a step. Italy would still be working on it. The hottest trend to grip the wine world in the last five years is indeed a style that has been the focus of winemakers in Europe for centuries but as a PDO (wines of protected origin) it is most certainly a relatively new ideal. You can’t just snap your fingers and expect everyone involved to know what’s going on.

The standards development committee has decided that 10 days is the minimum time needed on skins. Again, it’s a step and after review may soon be adjusted. This sub-committee of VQA made up of winemakers, educators, etc. arrived at “how long it would take to attract the typical characteristics of a skin fermented wine.” The number 10 was decided upon as a “good starting point, but it’s a living document and not carved in stone.” Vineland Estates winemaker Brian Schmidt added “the characteristics of orange wine require fermentation, as opposed to cold soak.”

As the distinction needs to be for skin-contact white wines, John Szabo asks and Brent Rowland of Pearl Morissette answers his question. “What is the fundamental core character? Fundamentally they are about complexity and structure, about the tactile components of wine’s phenolic compounds and tannins. Heat and alcohol rip out aggressive tannins, so whole berry fermentation improves texture and structure. A cold soak gives you the salty component but not the structure you get from fermentation.”

Writer Fionna Beckett adds, “Orange wine is not an in between wine, but skin-contact wine is just that, without texture and structure. You need the minimum 10 days to get to that point.” Or do you? But the argument agrees that the extended use of stems and seeds will lead you down that textured road. Just keeping it to stems and seeds you will be shortchanged in certain years because they may remain green, bitter and unpleasant. So more flexibility is needed. Are we just adding a category of trendy wine or are we adding a category of value?”

“A small but significant number of consumers are excited by it” admits Beckett. “As an outsider I say why not. It’s a white wine that behaves like a red. A wine made from white grapes but made like a red.” Are they always oxidative? She says they are “white wine but with more structure?” Kind of seems counterintuitive because many whites are laden with texture and structure. So, Szabo asks if skin-contact wine enhances or hinders distinct regional character and what wines would you like to see excluded from this category?” The answer is dominant traits that make wine one-dimensional; but we haven’t set those parameters yet. “We’re looking to weed out flaws, like excessive sulphur, just as with any wine,” says Schmidt and adds Rowland “when you skin ferment white wine they produce glutamate, a precursor to umami. And there is a predisposition to enjoying umami, or not.” Ay, there’s the rub. There is also a predisposition to passing wines through VQA, or not.

Here are my notes on the skin-contact white wines tasted at Terroir in May 2017. After all, what would a post by Godello be without some tasting notes. Let’s not take ourselves too seriously, after all.

Does skin-contact wine enhance or hinder distinct regional character? @terroirtalk #vqaontario #terroir2017

Norman Hardie “Tornado” 2016, VQA Ontario (WineryWineAlign)

Tasted blind this strikes with immediacy in that it presents as so very much like chardonnay of high acidity, not to mention tannin and a Savennières meets somewhere in Alsace like texture and tang. So as varietal pinot gris it does confound and yet this really fine calcareous notion can’t be denied, so there is knowledge in that it would be there regardless. Not technically orange with its (maximum, if even) 12 hours on skins but under the rules of the appellation it more than qualifies as a skin-contact white. With more pronounced and less oxidative fruit than most, without a doubt speaks of its place. Drink 2017-2019. Tasted May 2017  normanhardiewinery  @normhardie  @NormanHardieWinery

Southbrook Vineyards Vidal Skin Fermented White, Small Lot Natural Wine 2016, VQA Ontario (Winery, $29.95, WineAlign)

The first time I tasted this blind (at Terroir Symposium) I noted it to be “vidal-like,” a touch oxidative, of this elegant paste or salve, with notes of green plum and just a touch of grapefruit. The second pass confirms it to be a fine vidal orange wine, with more texture than should or would be expected. It delivers lemon and tannin, plus a calculated layering of ample and enough acidity to carry it along. A fine example. Really mouth coating and so tannic. Takes what was learned from 2014 and 2015 experiments and with VQA category approval in its back pocket, begins the true journey forward. Drink 2017-2020. Tasted blind at NWAC17, June 2017  southbrookvineyards  @SouthbrookWine  @SouthbrookWine

Sperling Vineyards Natural Amber Pinot Gris 2015, VQA Okanagan Valley, British Columbia (Winery, $30.00, WineAlign)

So much beeswax and honey wine attribution. Porcine, delicate and quite elegant for the statement. Plenty of acidity and even more relish. Why not give a little Grauburgunder love to the winemaker for giving the style a shot, and succeeding. Tasted blind at #NWAC16, June 2016  sperlingvineyards  @AnnSperling  @SperlingVyds  @SperlingVineyards

From my earlier note of January 2016:

Ann Sperling is not merely fussing about with natural ferments, skin-contact macerations and non-sulphured, self-preservations. She is learning about winemaking, opening doors to perception and interested in doing things in different ways. Her second go ’round with a natural Amber Pinot Gris furthers the non-plussed discussion and the understanding. While pouring the inaugural 2014 from keg on tap last year at Vancouver’s Belgard Kitchen, it was Sommelier David Stansfield who so succinctly noted “this wine is a raw expression of vineyard, grape, and time.” This gets right to the heart and the crux of the Orange matter, especially within the context of a North American account. Sperling has many supporters in her corner, including husband-winemaker-consultant Peter Gamble, the folks at the Casorso-Sperling Kelowna Farm and Bill Redelmeier at Southbrook Vineyards in Niagara. This 2015 is a veritable pink cloud, anti-orange, still so very musty, funky, tanky, with great Sperling acidity and pierce. There is so much exuviation to evanescence and back again flavour. There is feigned sweetness that purposes towards and with gearing second wind into length. How much pleasure is this from and for Pinot Gris? Drink 2016-2017

Cos Rami Sicilia 2014, Sicily, Italy (Agent, SAQ, 12461525, $31.50, WineAlign)

The ornate “orangeness” of the Raimi is patterned and woven across a flat and linear map, introducing itself in a way no other wine can or will be willing to do. Still equipped with this fine acidity but it is the flavours and the texture that cause and solicit so much more sensory approbation, first savoury, then sapid and finally umami. A melted salve of orange skin, bergamot-scented and hazelnut-essential oil secreted beeswax. You gotta get into it to get in to it. Drink 2017-2027.  Tasted May 2017  #cosvittoria  #aziendaagricolacos  thelivingvine     @TheLivingVine  @cosvittoria  The Living Vine inc.

Domaine Viret Dolia Paradis Ambré 2015, Vin De France (Agent, $65.95, WineAlign)

Philippe Viret’s orange wine resides in a cosmoculture world, class and category of its own. Cosmotelluric principles, magnetic fields, homeopathic applications, natural preparations and ancient architectural rules destine this so very naturally flat, rusty and rustic wine into a nether world. The coppery blend of muscat petit grain, bourboulenc, clairette rose, roussanne, vermentino and grenache blanc spent 60 days on the skins and with transparent clarity leaves nothing behind. It does leave much to the imagination and requires some metaphysical fortitude, especially because it lingers, long after it has left the glass and the room. As for amber wine it’s as close to paradise as you are going to find. Drink 2017-2025.  Tasted May 2017  #domaineviret  nicholaspearcewines  @CosmocultureFR  @Nicholaspearce_  @ledomaineviret  Philippe Viret (Domaine Viret)  Nicholas Pearce

Norman Hardie Pinot Gris “Ponton” 2016, VQA Ontario, Canada (Winery, $39.00, WineAlign)

Unlike the Tornado, Hardie’s Ponton is the most Rosé like in this newly created skin-contact category. It’s pink and rosey, of great acidity, salinity, regional limestone and even liquid dusty. In its quantifiable sapidity and wispy lime-zippy personality it could actually pass for riesling and having spent up to and only 10 days on skins this continues to state such a case. The number is actually nine days in cold soak and then it began fermenting, so really just one day of fermentation to confound the category, then put into barrel. The natural fermentation and zero adjustments add up to this, neither white nor red, but comfortably in the land settled between. A clear and focused SCW in the natural world. Drink 2017-2019.  Tasted May 2017

Pyramid Valley Vineyards Growers Collection Kerner Orange White 2015, New Zealand (Winery, WineAlign)

This Kiwi skin-contact blend almost smells like Icewine what with its tropical, exaggerated fruity nose but conversely and impossibly bone dry despite that aromatic sweetness. Kerner is the vineyard and its actually a one month on skins ferment of pinot gris, gewürztraminer and riesling. Tres cool. Drink 2017-2020. Tasted May 2017  pyramidvalleyvineyards  @pyramidvalleynz  @PyramidValleyVineyards

Pearl Morissette Cuvée Blu 2015, Niagara Peninsula, Ontario (Winery, $25.00, WineAlign)

The amphora (qveri) fermented Cuvée Blu makes use of 100 per cent whole cluster chardonnay in blend with pinot gris, riesling and (in 2016, sauvignon blanc). This singular, go it alone fantasy spent three and a half months on skins pressed and aged in foudres. It may just dance with the funkiest R & B gait of them all and to the semi-trained noggin can only be Pearl Morissette. The risk taken here is done without fear, into sheep’s milk, unwashed rind, saline, earth-crusted, stoned immaculate. The accumulation of glutamate-umami-polyphenolic-brettanomyces and volatile acidity takes it to great lengths and yet all this might disappear around the next aromatic corner. So much interest and so playfully dirty at the same time is this geekiest of them all, whole bunch, aged in 60 year-old (Alsatian) oak vats SCW. The numbers show 14 per cent abv, though it’s not yet in bottle. Drink 2017-2024.  Tasted May 2017  pearlmorissette  @PearlMorissette  Pearl Morissette

Vineland Estates Chardonnay Musqué Skin Fermented White 2016, VQA Twenty Mile Bench, Ontario (Winery, $30.00, WineAlign)

Though Brian Schmidt’s floral chardonnay “experiment” might be considered the simplest and easiest of Ontario’s “orange” wines that is only because it’s so bloody delicious to consume. The character is rusty and textured and in a way tastes just like warm iced tea and all the tannic variations that come from such a profile of flavour. This chardonnay musqué spent 55 days on skins and in turn developed its tannic backbone though it seems to have lost its intrinsic chardonnay character. That said it soaked up its Bench terroir so if something is lost much has been gained. Drink 2017-2019.  Tasted May 2017  vinelandestates  benchwineguy  @VinelandEstates  @benchwineguy  @winery.vinelandestates  Brian Schmidt

Good to go!

Godello

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