No County for old wines

Humility only exceeded by impossibility @normhardie #pec #countyinthecity Pinot Noir 2014

To me, Prince Edward County is the most enigmatic wine region in the world. Why is that? The coterminous climate and geology comparison to Burgundy never wanes and the vintners who painstakingly cultivate and produce Chardonnay and Pinot Noir never quite abandon the methodology. The Burgundian model of viticulture is almost universally applied to the County microclimate. Think about it further and note that latitude and soil composition aside, PEC is not Burgundy, never will be and the parallels drawn ad nauseum should begin to cease and desist.

There are many reasons for saying this. The most obvious has to do with winter and the painful condition of a once or twice every 10-15 year pain in the arse deep freeze that necessitates the hilling up of vines. Farmers select canes chosen for the following growing season and tie them to a wire very close to the ground. Upwards of two feet of soil is plowed onto the tied-down canes. The labour required is extensive and the subsequent yields are lower than most grape growing places on the planet.

Related – I’m a little bit County

At the 2015 spring County in the City event I noted that WineAlign primo scrittore David Lawrason presented his PEC state of the union address via the company website. “David touched on some integral points for growers and winemakers in the County, including the rise of Riesling and a case for increasing plantings of varieties like Chenin Blanc.” At the time I hung on to Burgundy with no immediate plans to recognize an imminent diurnal varietal shift.

Last fall I wrote a mini-dissertation on the ridges of PEC. “It all adds up to minerality in the wines and nowhere does the geology matter more than on the ridges.” Which brings me to the third bit of logic and one that is varietal based. Pinot Noir and Chardonnay share the stage with a wide range of planted grape varieties and it is the emergence of Pinot Gris that shakes the foundations of PEC-Burgundy thought. If this year’s grand tasting of County wines at the Berkeley Church showed one thing it’s that Pinot Gris is a must. From Hillier clay-loam to omnipresent limestone, the group begs for Pinot Gris, a mineral-loving, dry extract extricating and tertiary tannin absorbing grape. The makers know it.

A fourth dialectic concerns rules and regulations. A wine growing community may talk a big game of homage and publicly declare with politically correct language their allegiance to, a following of and the emulation of a wine-producing deity that has proven its success with hundreds of years of tradition behind it. But the fact of the matter is Prince Edward County does not yet know exactly what it means to be a community of wine producers. The grand cru, premier cru and lieu-dit blocks are only beginning to be understood and working with the climate is still an unmitigated, trial and error disaster.

So in steps a governing body to determine what winemakers are supposed to and even allowed to produce and what exactly they can call it. Absolute authority is exercised against a brilliant vintner who owns land, lives and produces wines in the County, but can’t label it as such. Forget about the economics of an acronym that saves on taxes. They are not allowed to write Prince Edward County on their label.

I hear you. Regulatory boards are needed to make sure a region is putting its best foot forward out to the country and to the world. You can’t have a golfer wearing cut-off jeans, a fishnet tank and a mesh visor shanking nine-irons on the perfectly groomed country club 18. But what if one guy’s wines are off the charts, gorgeous representations of terroir? So what if her skin-contact whites are not what we are used to? Who cares what either of them are wearing. Who should complain that they make new tracks in their own special way? Exactly how is it they bring shame, detriment or housing market decline to the neighbourhood?

Related – Take them home, County wines

Rant aside, the last piece of the Prince Edward County puzzle stretches from the idea of freedom and into a polemical discussion in which no two County wines are the same. Dynamism has never known such hyperbole as it does in the County. Yet another Sparkling epiphany was had after tasting Lighthall Vineyard’s first (not yet labeled) traditional method fizz. It should be called “Au Courant” because it takes everything we have assimilated from Champenoise bubbles, filters it through Cherry Valley soil and rewrites the book. The collective needs to embrace the Sparkling example set by Jonas Newman, Bruno Francois and Glen Symons.

The endearment “The County” is a term meant to bestow a sense of down to earth affection on a place you have to detour through to pay it a visit. “The County” is in fact Ontario’s most diverse and magnetic wine region. To borrow from the American literary critic James Wood, PEC is “one of those rare occasions where the absence of evidence is evidence.” Everything is changing all the time and everything is new. No County for old wines.

I recently reviewed 20 County wines. Here they are.

First @lighthallvyard strike #methodetraditionelle #2011 #fortytwomonths

Casa Dea Dea’s Cuvee 2015, VQA Ontario (261263, $18.95, WineAlign)

Distinctly August cling stone peach, ripe, lightly crushed and fenocchio glacier. Really pollinated fizz, with a bright pink grapefruit granita personality and cool chardonnay exemption. Pretty, pretty stuff. Lingers precisely and there is nothing remotely precious about it. Well made. Drink 2016-2018. Tasted April 2016 @casadeawinery @PECWinemaker

Huff Estates Cuvee Janine 2013, VQA Prince Edward County, Ontario (Winery, $29.95, WineAlign)

Comes from a place and will return again to the junction where rusticity and elegant oxidative character live. Erstwhile fresh, alive, prescient and yet must have been a challenge to tame. Quite the gustatory, culinary, mis en place of torched vegetables and acidity de-glazed game seared off into caramelization. Intensely real, characterful and attention grabbing Janine but not funky. Slow braise ahead. Drink 2017-2021. Tasted April 2016 @HuffEstatesWine

Huff Estates South Bay Vineyards Chardonnay 2014, VQA Prince Edward County, Ontario (Winery, $29.95, WineAlign)

Reductive and reeling from the pushy barrel, young, tight, angular and closed. Green apple, tart white berries and barrel spice. Emerald gem Chardonnay leaving little to no wonder Niagara Bench winemaker Paul Pender is so interested in the fruit. South Bay is the Quarry Road of the County. Wait for the richness and the platinum peaches and cream to emerge commensurate to ostensibly consummate cool climate Chardonnay. Drink 2018-2022. Tasted April 2016

Karlo Estates Pinot Gris 2015, VQA Prince Edward County, Ontario (Winery, $29.95, WineAlign)

Welcome winemaker Derek Barnett to the County and to Pinot Gris with a Gorrilaz style, “the essence, the basics,” gone ripe beyond the pale, round and full. Sweet green apple and basil relish, veritable tang, baked tart shell filled with apple-citrus curd but so far from sour. Wish it hung around for longer. I suppose I have only myself to blame. “I ain’t happy, I’m feeling glad. I got sunshine in a bag.” Clint Eastwood and Pinot Gris in the County. “The future is coming on.” Drink 2016-2018. Tasted April 2016 @KarloEstates

Karlo Estates Lake On The Mountain Riesling 2015, Prince Edward County, Ontario (Winery, $29.00, WineAlign)

Very Mosel Germanic Riesling Kabinett in style, with some residual and low alcohol. Juicy, round acidity, ripe sapidity and almost tersely spoken from the edge of the late harvest forest. Good length and will live a half decade or more with severity tempered by herbal countenance. Drink 2016-2021. Tasted April 2016

Keint He Portage Chardonnay 2014, VQA Prince Edward County, Ontario (Winery, $25.00, WineAlign)

Tart and tight, rich and tangy, as expected and with some density. What needs from reduction lays low and melds into wood. The handling was necessary from out of a challenging and demanding 2014 vintage. The Portage is fully entrenched as a true County stalwart. This is what defines what Keint He is, has come from and to where it will go. Ground zero for the range, from what others will feed from. Sister Chardonnays Greer and Frost embark from this Portage starting point. Drink 2016-2019. Tasted April 2016 @KeintheWinery @Nicholaspearce_

Keint He Greer Road Chardonnay 2014, VQA Prince Edward County, Ontario (Winery, $30.00, WineAlign)

The specificity of the label conjures up territorial Hillier thoughts for Chardonnay made by Norm Hardie, Dan Sullivan and Paul Battilana. While the Greer thread runs through and keeps it in the family this is all in Keint-He issue. Possessive of a richness shown by few other PEC Chardonnay, there counteracts and stabilizes a cool climate snap, crackle and green apple pop. Tang folds into lovely tart, citrus bitter curd with a wisely executed tumult. And there is no relent. A Chardonnay ripper. Beware the power. Drink 2016-2020. Tasted April 2016

Lighthall Chardonnay 2014, VQA Prince Edward County, Ontario (Winery, $25.00, WineAlign)

Glenn Symons’ 2014 from the southern flank in the Cherry Valley is perhaps the most regionally intense, lights out Chardonnay in Prince Edward County. ‘Twas a good growing season in the Lighthall Road ward so say hello to phenolic ripeness and an old school, reductive and layered striker of flint and wood. The yields being as low as they are and exponentially were, there grunges much tonic reverb stirred into leesy, sweet extract in its rather ripped sonic youth. Such a mineral wine, sword-wielding, axe-grinding and tannin mining. Will find its unctuous way with time. ‘Cause it’s lights out right now. Drink 2017-2022. Tasted April 2016 @lighthallvyard

Lighthall Pinot Noir 2014, VQA Prince Edward County, Ontario (Winery, $30.00, WineAlign)

The paradigm shift that began with Lighthall’s 2013 Pinot Noir continues with this stay the course 2014 and then some. The vintage offered up a slower developed phenolic yawning so the stygian runs deeper than the vermillion. That is to say the cherry fruit turns to black even while such a pretty Pinot pours with tension beneath the rich and glorious surface. Tension yes, but also soil infiltration and cooling breezes to temper the Cherry Valley conflagration. Tautness de-armed by a necessary streak of humus conditioning pomace, for grounding. Voluminous palate notes are repeated in demonstrative refrain. Another step forward for Prince Edward County Pinot excellence. Drink 2016-2019. Tasted April 2016

Lighthall Pinot Gris 2014, VQA Prince Edward County, Ontario (Winery, $25.00, WineAlign)

Made in the Lighthall style mixed with location, location, location. Vines of healthy fruit in the Cherry Valley, making for wines that are stark, sturdy, demanding, self-fortified and of limited quantities. Like its siblings, this Pinot Gris is also exempt from weakness. Here PG reminds of lieu-dit Alsace, of attitude, with tannin, extract, salinity and and of course, mineral. Singular County Pinot Gris. Could age for a decade. Drink 2016-2022. Tasted April 2016

Norman Hardie Riesling 2015, VQA Ontario (131169, $21.00, WineAlign)

More reductive for a Norman Hardie Riesling than even it ordinarily shows and also pervasive of penetratingly concentrated stone fruit. While the acids may be received as hard and potentially malic that perception is calibrated by this wine’s typical aggregate. The walls need breaking down and the road is purposely graded high knowing full well it will eventually finish even with the shoulder. I like the sweet tannins and the difficult way in which it uses extract to a futuristic advantage. Wait a year and imagine the possibilities of balance. Drink 2017-2020. Tasted April 2016 @normhardie

Norman Hardie Pinot Noir 2014, VQA Prince Edward County, Ontario (Winery, $39.00, WineAlign)

In Prince Edward County and for Pinot Noir there is no substitute and no comparison. Quixotically sweet Pinot Noir fruit, from the lowest of the low yields, scrupulously heeded and handled with care and yet also, somehow without a care to the world. As self-effacingly pretty and impossible as ever though in 2014 the tensity is lower, the anxiety bereft and not so crucially or dearly developed. There is almost no crisis from out of this first of the near-crisis vintages. This is an early to love Norm Pinot Noir, brought to life and with red citrus that only a Hardie low alcohol Pinot can bring. Humility only exceeded by impossibility. Ready to enjoy younger than most. Drink 2016-2022. Tasted April 2016

Rosehall Run Pinot Noir J C R Rosehall Vineyard 2013, VQA Prince Edward County, Ontario (Winery, $39.00, WineAlign)

The vintage steps out of a particular shadow and into bright light, exposing the JCR Pinot Noir with a particularly beautiful level of freshness and vitality. What has come before is not forgotten; the County tartness, the limestone preparation and the earthy red ochre fruit. But here is something other, something new, exciting and structured. The balance begins and ends on a seamless circle with no obvious demarcation point. The most elegant Rosehall Run Pinot Noir comes out of this 2013 and its level of poise should see it enjoyed now and for 10 more years easy. Drink 2016-2025. Tasted April 2016 @Rosehall_Run @sullywine

Rosehall Run J C R Rosehall Vineyard Chardonnay 2013, VQA Prince Edward County, Ontario (Winery, $29.95, WineAlign)

A tenderly and beautifully rich, stone roses reductive and buttery Chardonnay, fully malo-activated, in adherence to the consistently classic Dan Sullivan righteous style. Makes me think of 1990’s Manchester post-punk, 60’s retro guitar pop, with a sweet softness as foil to an angst-riddled, contemporary acid house rhythmic sensibility. Sullivan’s JCR draws from influence, playing both time-tested Burgundy and new world Chablis pop hooks. “Where there’s life there’s gotta be hope and where there’s a will there’s a way.” Just sip along with the Rosehall Run JCR Chardonnay. It’s hard not to become enamoured after experiencing such great, coherent length. So young. Drink 2017-2021. Tasted April 2016

Stanners Vineyard Chardonnay 2014, VQA Prince Edward County, Ontario (Winery, $30.00, WineAlign)

Quite remarkable and reductive Chardonnay, from fermentation of a certain halting, the yeast not quite having finished munching and malo just short of finding fulfillment. Low in alcohol after posting pH similarly reserved. This has real gumption, a stalwart of phantasmagorical Chablis allegory in the guise of salty, mineral PEC with minor residual sugar and a dip into the funky well. Just lettin’ it all hang out. This is a very promising wine. Just wait until the weather holds out and the yields go up just enough for Colin Stanners to make a really proper Chardonnay. Drink 2016-2019. Tasted April 2016 @StannersWines @GroupeSoleilTO

It’s not what you think but it’s just what you imagine @Stannerswines @GroupeSoleilTO @therealbenhardy #PinotGris #cuivre #skincontact #pecwine #princeedwardcounty

Stanners Vineyard Pinot Gris Cuivré 2014, VQA Prince Edward County, Ontario (Agent, $25.00, WineAlign)

The coppery-hued Stanners Pinot Gris Cuivré 2014 is like a member of the cup of coffee club, its skin contact time limited but forever significant. The PEC conceptualization may seem as strange as surfing Wellington waters but this Pinot Gris is a boy who trapped the sun, having sealed in brightness and freshness beneath the surface, cauterized during fermentation. This is not an orange wine but rather a a Pinot Gris with poise and a balladeering sense of calm. The Cuivré comes from pure sourced County fruit, spent time in stainless steel, is more than a curiosity, is a little funky and offers a feeling of rosé as a gateway drug to orange wine. Saline, nicely savoury, with a tinge of wild sauvage, all within reason. Such a skin contact white in self-proclamation “when you go into your skin, I’ll be the hope joining the walls.” The missing piece is tension, dynamic tempo changes, rises, falls and a crescendo. Though it lacks such structure it is still a beautiful mistake by the lake. Copper down. Only 230 cases were produced and it was released in February, 2016. Drink 2016-2019. Tasted April 2016

Trail Estate Skin Contact Series Riesling Hughes Vineyard 2015, Ontario (Winery, $30.00, WineAlign)

One of three Skin Contact Rieslings from winemaker Mackenzie Brisbois, from Lincoln Lakeshore fruit out of Ed Hughes’ farm. For whatever reason this vineyard is far less reductive then the (Wismer) counterparts. It may be attributed to site, of decreased nitrogen (or not) and/or when sulphur is applied. “Ed Hughes is a very calculated grower,” notes Brisbois, which may account for what stylistic deference is syllogistically accrued. “They’re very dry and they will be very tart,” she warns, “and aromatic.” Pressed when fully dry and 14 days on the skins. Arid is the understatement, this shining and whispering Riesling, of tartness not on top slides beneath the surface of acidity. So much length. Youth is not on its side while it wiles away in withheld revelations though longevity is not necessarily its greatest ally. This is Riesling of stark realities, arid with no Niagara frame of reference and fruit so crisp it cracks into perfectly linear fissures. Laser focus without pierce or citrus. Spellbound skin contact stuff. Needs six months to seek a wave beyond the shock. Only 32 cases made. Drink 2016-2019. Tasted April 2016 @TrailEstateWine @MackBrisbois

Skin contact #Riesling from @MackBrisbois @TrailEstateWine Invisibly stitched and tart-pan curl. #burgunder less than 50 cases #hughes #lakeview #foxcroft

Trail Estate Skin Contact Series Riesling Lakeview Vineyard 2015, Ontario (Winery, $30.00, WineAlign)

The second of three skin contact, Niagara borrowed Rieslings from winemaker Mackenzie Brisbois. This time from Craig Wismer’s Lakeview, a Twenty Mile Bench block with 18 years-ish old vines. Spent 21 days on the skins and comes through in or around 10 per cent alcohol (like the others). More herbology balms the nose and while it may not waft with equanimity or gregarious aromatics, it’s bleeding delicacy and savoury sapidity breathes freshness. If it just came with an added juicing of lime it would help to bring out structure and balance the anterior acids. As it is the acidity runs through the middle, streaks and halts the fruit from gaining on time. Adheres to acting typical of a 20 Mile Bench Alsatian Clone 49 example. Only 15 cases made. Drink 2016-2020. Tasted April 2016

Trail Estate Skin Contact Series Riesling Foxcroft Vineyard 2015, Ontario (Winery, $30.00, WineAlign)

The third and most effectually ingenious of Mackenzie Brisbois’ skin contact series Rieslings, with far more texture on the palate and overall Riesling acumen. Endowed with a gram less acidity than the Lakeview and burgeoning with veritable Twenty Mile Bench viscosity. Can it be such a coincidence that so many winemakers choose Foxcroft for their Riesling fruit? A real burgunder sensation is to be annexed out of the crafted brim of an invisibly stitched, tart-pan curl. This is irrefutably the most accomplished of the three (that includes Hughes and Lakeview), of length increased, laser focus and thirst quenching pleasure. Such a pity that only 12 cases were made. Drink 2016-2022. Tasted April 2016

Trail Estate Skin Contact Series Sauvignon Blanc Hughes Vineyard 2015, Ontario (Winery, $30.00, WineAlign)

The concept is in line with what winemaker Mackenzie Brisbois set out to do with Riesling but the result couldn’t be further from the truth or the ideal. Sauvignon Blanc is nothing like Riesling. It’s malleable, amenable and submissive. The process took de-stemmed fruit, saw it ferment on its own (dry, in nine days), needing no inoculation and then handled with hand-punched, TLC. In the end it was sterile filtered, leaving it to shine with latent lucidity, of brilliant clarity and with skin-deep grace. The whole is a snapshot of nothing less than supple integration. I would like to taste this side by side in 2020 with Jean-Benoit Deslauriers’ similarly struck Benjamin Bridge (sweeter and cloudier) 2014. The divergence should be fascinating and confounding. Only eight cases made. A drop in the skin contact bucket. Drink 2016-2020. Tasted April 2016

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Varietal Spanish wine

Jan15

Meat Me in the Junction
http://meatmeinthejunction.com

In which camp do you take up permanent and loyal residence? Do you listen to, build your cellar around and taste exclusively of the singer-songwriter, the solo artist, the grape that goes it alone? Who are you? Varietal or blend?

Many a quarrel has landed on the subject of pitting meritage versus the single-varietal. The purist will argue that no combination of grapes can combine to make for the greatest of wines (save for Champagne). They will insist the skilled and important winemaker is one whose favourite medium is difficulty. That only the ones who are possessive of the cabalistic code can truly unlock the inner secrets of their art. That it can only done through the secret concentration and religious attention paid solely to one partner.

Pinot Noir and Chardonnay perpetuate in globally made, 100 per cent single solutions, not to mention the behemoths of Shiraz, Malbec, Tempranillo, Sauvignon Blanc and Riesling. To a lesser extent there are great vats composed of Cabernet Sauvignon, Sangiovese, Cabernet Franc, Merlot, Nebbiolo, Gamay, Chenin Blanc, Pinot Gris and Gewürztraminer.

The viticultural right of assemblage is one of the perks in modern winemaking, propped up by and standing on the shoulders of Bordeaux giants. The blending of grapes in summations to argue that the whole is the proper gross of fractions is a celebration of the 21st century avant garde.

Related – Off the beaten Italian path

Yet times evolve, change and tesselate. Old becomes new again. In November I travelled off the beaten Italian varietal path in an investigation of the B-sides, the ones that no one else knows about. I met the awakening of the Italian grape vernacular, engineered for companionless a cappella troubadours, from Albana to Ribolla Gialla, endemic (or indigenous, if the nomenclature suits you) and ancient varieties that have entered a time of new dawn. A similar renaissance is happening in Spain.

In October, at the invite of the downright honourable good Dr. Barry Brown of the Spanish Wine Society, I had the opportunity to taste through a wide selection of the wines of Navarra. The region lies between Pamplona in the north and the Ebro River plain to the south. Non-native varieties like Chardonnay, Cabernet Sauvignon and Merlot were introduced in the eighties, but it is the native Viura, Tempranillo and Garnacha that drive the Navarran machine.

The Rosado of Navarra were exceptional and the best examples were composed from 100 per cent Garnacha. The single-varietal compositions in Garnacha and Tempranillo by Bodegas Principe de Viana drove the companionless point. The exception to the rule was found in the wines of Bodegas Tandem. The small winery in Tierra Estella (Yerri Valley) is fashioning blends using Tempranillo with Cabernet Sauvignon and Merlot in a combination of concrete vats and French oak. The slow ripening, meticulous handling and extended aging in wines crafted by José María Fraile is nothing short of exceptional. After all, they are called grape varieties and variety is the spice of life. Why shouldn’t blends have more fun?

In November I continued my Spanish odyssey with the wines of Garnacha. It was there that the solo records, in red and white really began to play in my varietal head. Garnacha (also known as Grenache) is one of the world’s oldest and most widely planted grapes. Its ability to assimilate the double-pronged effect of a Mediterranean climate and an Atlantic suffusion make it ideal for the Iberian Peninsula.

From left to right: Bodegas Tandem Ars Nova 2011, Bodegas Principe de Viana Garnacha Vinas Viejas 2013, Viñas del Vero La Miranda de Secastilla 2012, Lafou Els Amelers 2013, Edetària Selecció Blanc 2012, Bodegas Pirineos Garnacha 2013 and Grandes Vinos y Viñedos El Anayón Selección Garnacha 2011

As the most notorious grape variety with the ability to go ying or yang, Ac or Dc, red or white, Garnacha makes for a fascinating study. Three examples expressive of Blanca’s western European white vinous supremacy opened my eyes to its capabilities. Viñas del Vero La Miranda de Secastilla 2012 (Agent, $16.00) from Somontano made use of four months in two year-old oak barrels to help develop texture in as good a value Garnacha Blanca as could hope to find. The Lafou Els Amelers 2013 (Agent, $28.95) from Terra Alta is a gorgeous wine of salinity, calcium, white flowers, fine lines and elegance. The Edetària Selecció Blanc 2012 (Agent, $39.95) also from Terra Alta is the pure distilled embodiment of Garnacha Blanca with its own unique and distinct aroma.

The Toronto Garnacha tasting ushered by Sopexa Canada brought into focus the grape’s diverse spectrum spread liberally around Spanish wine regions. When Garnacha goes it alone the results are extremely varied, from simple syrup, inexpensive drops to seriously structured compositions. As a varietal wine it is extremely accessible and offers exploratory song lines for all walks of wine consumer life.

From Somontano there is the Bodegas Pirineos Garnacha 2013 (Agent, $17.00), a prime starter’s example all about structure, with rock, chalk and lime-like citrus accents. This is a red Garnacha for the white wine drinker. Grandes Vinos y Viñedos El Anayón Selección Garnacha 2011 (Agent, $30.00) hails from Cariñena. Reeking ethereal and attenuated in American Oak, the high toast, citrus tone, vanilla and Rhône-esque garrigue is palpable. Crazy sweet tannins will carry this big fruit Garnacha to the next decade with pleasing clarity.

So with thanks to Macabeo, Prieto Picudo, Mazuelo, Graciano, Garnacha and the people who brought them to us, the individual is freed from the collective. In a twist of Descartian philosophy, of mind and mechanism, varietal wine is handled with the treatment of oxymoronic social sciences. The result is a triumph of secular materialism, the conceit of modernity and the reduction of the world to a single, simple mechanism. Varietal atom splitting is a resource to be exploited in blind interaction with the living planet.

In the end there is only one vine, one grape, concentrating, developing, existing one at a time. Here are six full tasting notes on varietal wines, each allowed to shine without intrusion and on their own line.

From left to right: Torre Oria Reserva Brut Cava, Dominio Dostares Estay Prieto Picudo 2011, Señorío De Sarría Viñedo No.8 Mazuelo Crianza 2009, Finca Los Alijares Graciano 2009, Baron De Ley Varietales Graciano 2010 and Viñas del Vero Secastilla 2009

Torre Oria Reserva Brut Cava, Método Tradicional, Do Valencia, Spain (402255, $15.95, WineAlign)

Made from 100 per cent Macabeo, this is from a winery that is the first to produce Cava from outside of the Penedes DO. Here, from Valencia, up front there is dust, must and concrete, evidence of a lees-induced oxdative lean and wish upon a star aridity. There comes a time when dry fizz does not have to be the way to go, especially when trying to please many palates in too tight a space. So up steps this formidable Cava (with 9-10 g/L RS), in quality, with a crush of gala apple, a weight and a texture like a shag rug. Sure, it may be a bit disco but it’s also so very retro hip. Like Gorillaz and Clint Eastwood with “the essence, the basics,” and its “got sunshine, in a bag.” On the oxidative side? Yes and “the future is coming on.” Drink up. Tasted January 2015 @cavaswine @DO_Cava

Dominio Dostares Estay Prieto Picudo 2011, Vino De La Tierra De Castilla Y León, Spain (393140, $15.95, WineAlign)

A rare sighting of Prieto Picudo, one of the more idiosyncratic of grape varieties. This is the entry-level offering from Dominio Dostares (they make more precious best plot selection versions). Vines as ancient as 90 years old contribute briery cedar and leathery veins but this is quite modern, straightforward and aiming to please. Though a bit hot and heavy, the aridity (2 g/L RS) and the mineral streak keep it real. A harmonious if gangly red (from high acid soils), keeping warm and huddled within its hermetic, endemic environment. Short and simple, sweet and tart. Represents striking value in something other. Tasted January 2015 @oenophilia1 @_Cast_y_Leon

Señorío De Sarría Viñedo No.8 Mazuelo Crianza 2009, Do Navarra, Spain (391656, $17.95, WineAlign)

The release of relief in the activity of opportunity to taste something other, like 100 per cent Mazuelo, is just excellent. Compounded with the breath of fresh Spanish DO brought to the table by the current wave of Navarran wines, the experience is made that much more enjoyable. The wine is neither modest nor is it a mouse. Its body travels “on a road shaped like a figure eight.” It builds more than nothing out of something. The traced aromas are filled with pots of fresh flowers and the space is occupied by plenty of stuffing. No. 8 has a seamless, put together structure from the start. Silky and so very juicy with a streak of reminiscing rusticity. Great proper acidity and very stretched length. A very pretty if grounded and ode to history made wine. Tasted January 2015 @navarrawine

Finca Los Alijares Graciano 2009, Vino De La Tierra De Castilla, DO La Mancha, Spain (392522, $17.95, WineAlign)

Not unlike Rioja, the wines of Tierra De Castilla in the heart of Spain are blessed with a Mediterranean climate augmented by an Atlantic influence. This organic winery is located beneath the Gredos Mountains in the Province of Toledo. The vineyards are protected from the northern winds by the mountain ranges. Though oft considered lower in quality, the Vino de la Tierra de Castilla designation is emerging from out of the Castilla-La Mancha shell. Tasting this 100 per cent Graciano just after a few months in oak and a bunch more in bottle before release would have shown more bright fruit and verve. Now four plus years later there is still much to admire in the high notes and brightness of the nose. Hard not to notice the strikingly and hauntingly beautiful aromatics. Also some dried fruit, like prune and turkish apricot. Akin to some Dão and some Rhône, without ever flirting with being baked or stewed flavours. Aridty juiced from rocks, acidity that follows suit and to nudge it forward in longer strides. Tasted January 2015

Baron De Ley Varietales Graciano 2010, Doca Rioja, Spain (397166, $21.95, WineAlign)

Such a unique and life reaffirming, giving back red Riojan. The singular, singled out Graciano comeback revolution is upon us and we are all the beneficiaries. Here there exhibits a different sort of profile. A veritable profiterole of anise, cured chorizo, dried flowers and some spices (violets and the wafting aromas of Patatas a la Riojana). Not to be left off the redolent list is a funk, one that is not merde, but rather an old school, skinned hide. At the price and best of all is that the Graciano is so very, very long, like the Camino Frances, from the Pyrenees, through Roncesvalles and to Rioja. Tasted January 2015 @RiojaWine

Viñas del Vero Secastilla 2009, DO Somontano, Spain (Agent, $32.00)

Took a sip and “the breeze blew back my hair.” Made from 100 per cent Garnacha, the elevated liqueur on the nose is invigorating and initially, somehow disturbing. The combined forces of macerated, steeping cherries, melting liquorice and bubbling tar is extraordinary. Enveloped by a tinging, pinging acidity, the wine is structured in chalk, grain and gravelly tannin. The barrel influence is ingrained and the wine is most certainly huge but the overall composition is fresh, red and viscid. What to do after being hit in the face with a wine such as this? “How can I measure up to anyone new, after such a love as this?” Who are you Secastilla? Be patient, let it ride for years, let it soften. The comeback tour will be fun. Tasted November 2014 @VinasdelVero @WoodmanWS

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No County for old wines

Varietal Spanish wine