Eleven 11th hour holiday bubbles

Betella Franciacorta

Betella Franciacorta

Two weeks ago I laid bare the bubbles I’d buy were I faced with the welcoming necessity of a holiday shopping day. With those bottles long ago secured I followed up with more Sparkling wine tastings. Naturally.

Related – Godello’s guide to holiday effervescence

The idiomatic phrase has infiltrated all kinds of desperation, from settling political disputes, to diffusing bombs, to shopping. Its origins are Matthew 20:6. “And about the eleventh hour he went out, and found others standing idle, and saith unto them, Why stand ye here all the day idle?” If it’s Sparkling you want or Champagne you need, stand up and be counted. The choices are all around you.

First a disclaimer. I have no intention of making this a Champagne-free holiday. Some wine writers and perhaps even a consumer or two will be joining Jim Budd, a.k.a Jim’s Loire, in a Champagne boycott. This in response to what Budd calls the governing board’s (CIVC) “ludicrous, extremely heavy-handed and ruthless attempt to crush Jayne Powell (aka Champagne Jayne).” The powers that be that are Champagne are attempting to out Powell in court for allegedly attempting to capitalize on the name in illegal marketing ways. They claim she is misleading Twitter followers for monetary gain.

The trial is both ridiculous and smells of a witch hunt but the prosecution weighs of the big houses, not the small grower. One reader commented that the small producers should speak out. Speak out? Why would a French farmer jeopardize his business and the food he puts on his family’s table to protect “a respected international media commentator, independent reviewer and expert in champagne.” Why join the complaint department with something you neither endorse nor renounce? Why chime in on something further from your radar than Sparkling Outback Shiraz?

Perhaps Jim Budd’s request to boycott will do for the Champagne strong-arm dialectic what the Leonardo DiCaprio narrated 11th Hour did for the earth’s environmental discourse. That is, “push the debate further down the road.” Maybe it will assist, as the film may have, as the “montage rolls inexorably forward, pitched somewhere between Koyaanisqatsi and An Inconvenient Truth.”

Sparkling wine aims to please in so many ways and yes, there are a multitude of Champagne alternatives. A recent one day affair with Lombardian Franciacorta left me weak in the knees, despite all attempts to figure out where the two samples found at WineAlign came from? If anyone has the answer, please let me know. I want more for Christmas. Most exciting was a second tasting in as many weeks with Stephen Cohen from Groupe Soleil. Stephen’s portfolio of Grand Cru, Grower’s Champagne is nothing short of brilliant. Treats to the nth degree.

Here are 11 more Sparkling wines to seek out over the holidays, through the LCBO and at the import of Ontario agents. Bubbles are worth buying by the case.

Betella Franciacorta Brut Blanc De Blanc, Lombardy, Italy (WineAlign)

This 100 per cent Chardonnay is so direct, so grounded, so black and white. Just a hint of funky earth and a swath of painted lees but otherwise fruit entrenched in traction and fermentation in beautiful suspended animation. Defines modernity in Franciacorta, a still frame of concentrated, dry bubbles, life affirming and void of any extraneous conditioning. No add-ons, just straight up sock it to me Sparkling wine. Tight, bracing and built for serious fun, without ceremony or pageantry. So effective and so well constructed.  Tasted December 2014  @Franciacorta

Betella Lovera Di Franciacorta Rose Ardi, Lombardy, Italy (WineAlign)

Like the Betella Blanc de Blanc, this is quite direct, but in a much different way. It’s funky reductive and yet super, hyper transparent and understood. Wound tight with racy acidity and spumes of an aridity that steals saliva and is nearly heart-stopping. These blush bubbles are savoury in a way the Chardonnay just can’t seem to herbalize and bracing in a way that does not fully compute. Exciting and tart if noticeably out of balance. Tasted December 2014

From left to right: Wolf Blass Yellow Label Sparkling Brut, Mionetto M O Prosecco, Foss Marai Extra Dry Prosecco,13th Street Cuvée 13 Sparkling Brut Rosé,Sumac Ridge Steller's Jay Brut Sparkling Wine 2009

From left to right: Wolf Blass Yellow Label Sparkling Brut, Mionetto M O Prosecco, Foss Marai Extra Dry Prosecco,13th Street Cuvée 13 Sparkling Brut Rosé,Sumac Ridge Steller’s Jay Brut Sparkling Wine 2009

 

Wolf Blass Yellow Label Sparkling Brut, Australia (649996, $17.95, WineAlign)

Smells like strawberries covered in crème fraîche with a sprinkling of brown sugar. Slightly if negatively overripe and even oxidized, limping to bruised. The mouthfeel is nothing if not luxurious, in an expansive way Crémant d’Alsace fills spaces. The bruising is joined by a bronzing, in apples stuck to cold metal. Terpenes wind the fruit in elastic release. The persistence is quite good on a light (11 per cent) alcohol frame.  Tasted December 2014  @WolfBlassWines

Mionetto M O Prosecco, Treviso, Veneto, Italy (266023, $17.95, WineAlign)

Paradigmatic, stoic, poised and essential Prosecco of ultra-utilitarianism and yet spirited in ascent. Like the combined discourse of soft, acidulated, creamy granny smith apples and bosc pears in baking anticipation. A hero seltzer for aperitif goings on. Celebrates the reformed religion of Treviso fizz. Our Prosecco of inclusive ascension.  Tasted December 2014  @Select_Wines

Foss Marai Extra Dry Prosecco, Veneto, Italy (729392, $19.95, WineAlign)

Light, lithe and indiscernible from an alcohol perspective. Candy factory meet concrete truck aromas to form a strange, but effective union. Like yellow-banana salt water taffy rolled in coarse aggregate and portland cement. The filling brings sweetness and nondescript bitters. Finishes bold yet abrupt. From my earlier note: “Funky and advanced character. Aromas of green vegetables, celery stalks and oddly like botrytis, or an anti-botrytis. Has a platinum, minerality like no other in its Prosecco gang. Fun to think on and to work with.”  Last tasted December 2014  @FossMarai

13th Street Cuvée 13 Sparkling Brut Rosé, Traditional Method, VQA Niagara Peninsula, Ontario (147504, $24.95, WineAlign)

The intensity of strawberries is palpable, with the woodsy and earthy leaves on the ground soiling the oozing juices. Only Jean Pierre Colas can coax mushroom and truffles from Pinot Noir and Chardonnay destined for blush bubbles, grown in Niagara clay soils. Starts out sweet, turns dry and finishes with a concrete stamp of evidence. Not everyone’s cup of steeped, developed and all over the map tea. From my earlier note of April 2013: “Autolytic, Brut-finished, traditional method sparkling that has that something in her style. Pinot Noir and Chardonnay emitting so much strawberry energy you might find yourself lost in the fields forever. But there is more than that, “something in the way she woos me,” maybe the rhubarb replay, or the tarragon, or the faint tang of cheese. You gotta like the Jean Pierre Colas style and to like her, you need to like her style.”  Last tasted December 2014  @13thStreetWines

Sumac Ridge Steller’s Jay Brut Sparkling Wine 2009, VQA Okanagan Valley, British Columbia (264879, $25.95, WineAlign)

A worthy if warmer and fuller follow-up to the wise and evolving ’08. Presents more yeasty opulence and sweet cream, not to mention density and conceit in alcohol (13 per cent). A slightly oxidized false front reveals a gregarious personality, with aromas of clementine rind, spritz and a concentration of enzymatic lees. This has to be imagined as an absolute, unequivocal take on Okanagan Brut, with a glide from gravel and slate to citrus all around. Gives length like it should and it will say, “like I knew I would.” Thing is, these bubbles are good.  Tasted December 2014  @SumacRidgeWine

From left to right: Deutz Brut Classic Champagne, André Clouet Brut Rosé Champagne, Diebolt Vallois Prestige Brut Blanc De Blancs Champagne, Champagne Agrapart De Blanc Grand Cru Champagne

From left to right: Deutz Brut Classic Champagne, André Clouet Brut Rosé Champagne, Diebolt Vallois Prestige Brut Blanc De Blancs Champagne, Champagne Agrapart De Blanc Grand Cru Champagne

Deutz Brut Classic Champagne, France (Agent, $54.95, WineAlign)

The Deutz has every right to call itself classic Champagne; full of charm and chaste caste, of ingot, pleasure in bottle and a calm, slow play. An armoury of bronze, gold and platinum set yet malleable, ready to mold with all that comes its way. A sipper extraordinaire, a meal companion and a celebratory tipple. Works its metals with every facet of its mettle and being. Bread yeasty, non-violent citrus aromatics and very, very linear acidity. Elasticity in forward stretch, rebound rewind and cast forth again. Quite remarkable in such a simple way. Most excellent value.  Tasted December 2014  @TandemSelection

André Clouet Brut Rosé Champagne, France (Agent, $62.95, WineAlign)

Clouet does Rosé in a unique and special way. With the slightest early whiff in miasma it bleeds residual in sanguine, plasma vitality. Disgorged in April 2014, the base wine is 100 per cent Pinot Noir from the 2010 vintage, with (20 per cent) support from 2008 and 2009. Its 6 g/L of dosage saturates the plasmic flow, just at the edge of sweetness without any elevated or heightened sense of being there. A tease of concept and precept; citrus, wild sage savour and berry fruits. Very fine, natural and pronounced, in a calm and precise way. Tasted  December 2014  @GroupeSoleilTO

Diebolt Vallois Prestige Brut Blanc De Blancs Champagne, France (Agent, $68.00, WineAlign)

From the tiny town of Cramant, this B de B could never be confused with the lithe and lively Alsatian unequivalent. The Prestige bottling is exactly that; a bubbly of searing intensity from a Blanc de Blancs operative with an ever so slight bent to oxidation. The oxymoronic activity that is simultaneously weighty and aerified will only improve with some age. Disgorged in March 2014 at 9 g/L it eschews a Brut mentality for extreme pleasure. Savour the savour in this grower’s Champagne. The lemon-lime-grapefruit flavours pierce and inject along with organic sourdough fury and a density of just over the top toasty goodness. This is sword fighting, swashbuckling Champagne, bottled Tybalt of honour, terroir and incredible length.  Tasted December 2014

Champagne Agrapart Terroir Blanc De Blanc Extra Brut Grand Cru Champagne, France (Agent, $72.00, WineAlign)

Disgorged in February 2014 at 3.5 g/L, this is the Extra Brut Agrapart, as amplified a grower’s Champagne expression you are ever hopeful to come across. The base wine is from the 2009 vintage, with bits of 2008 and 2007 added in. There is an increased green feeling, in herbs and savour, nettle and apple. The citrus component is from lime, acting as the key to elevation and weightless simulation. Here the Grand Cru terroir for a GC strikes an immolate dagger into the hearts of basic, big name, monotone Champagne. Their are bitter roots as underlay and the aridity is simply nuts, peanuts even, the citrus condense of pith and putty. The flavours at times are at odds but thoughts always return to soil and blocks. This has specificity and idiosyncratic relevance written all over its fierce face. Most interesting specimen.  Tasted December 2014

Good to go!

He spits, he scores: World Wine Awards of Canada results

Fresh off the presses, here are the results from World Wine Awards of Canada 2013, presented by WineAlign
Photo: kotoyamagami/Fotolia.com

as seen on canada.com

Drinking, by definition, includes consuming and that would obviously be counterproductive to the wine evaluation process. So, wine writers and critics spit for their living. Why would anyone buy a wine on the recommendation from someone who spit it into a bucket? Good question.

Consider another question. How many wine critics does it take to change a light bulb? If the answer were 10, that would be because it would take one to hold the bulb and nine to spin the room. Or the answer might be three. One to decant, taste and spit, and two to take him to the hospital before he bleeds to death. Is the joke and are these responses indicative of how the general public feels about wine criticism? If yes, then the wine consumer’s attitude towards the relevance of wine competitions and the doling out of awards may not exactly be positive and indiscriminate.

A bit of insight for you into the modus vivendi of those who judge wine. Chew over this. A wine is submitted to a concours, tasted several times by a minimum of three critics, all of whom are kept blind as to the clues regarding producer, appellation, region and country. These wine professionals are chosen by and with their peers to judge, sniff, sip, spit and repeat. They consider, contemplate and formulate on the spot tasting notes and then discuss the attributes with a panel before passing final judgement. Seems like a perfectly and indisputably sound and reasonable approach, don’t you think? But what about the spitting part?

Whatever you might think about the use of such an exercise to determine the merit of a bottle of wine, competitions, when run and operated with unbiased integrity, do in fact empower justice to the entrants. Poke fun at the wine critic if you must, felicity knows they can take it, but know their modus operandi is just the same as yours. To seek out the most worthy and best value wines available in their market. The wine critic is self-taught, to internalize the intricacies and idiosyncrasies of a wine without swallowing it. It takes focus and years of practice to figure it out.

WineAlign World Wine Awards of Canada 2013

PHOTO: WineAlign.com
WineAlign World Wine Awards of Canada 2013

The WineAlign World Wine Awards of Canada (WWAC) held in September featured a week-long evaluation process for nearly 1,000 wines (996 to be exact) from around the world. Assembled and organized by an army of volunteers, the Herculean task was orchestrated by one of North America’s most respected wine critics and WineAlign Partner Anthony Gismondi, aka The Spitter. The Vancouver Sun columnist was also responsible for the immeasurable and exacting task of overseeing the pouring and the critical timing of delivery to the judges. Not to mention piles upon piles of tasting notes and scores.

WineAlign WWAC13 Wine Room

WineAlign WWAC13 Wine Room

The WWAC is open to both imported and domestic wines for sale in Canada, provided the wine sells for less than $50 somewhere in the country.  This affords an unparalleled opportunity for all wines sold in Canada to show that they can compete in quality and value with wines from anywhere in the world.  Wines are tasted in three price categories based on the lowest selling price in Canada. Less than $15, from $15 to $25 and from $25 to $50. As a consequence WWAC is really three competitions in one with wines being tasted alongside their peers by price and with awards given by price category.

I was invited to join the other 17 judges for the preliminary rounds. If I were to measure my prosperity by the company I keep, I would indeed be a pecunious wine scribe. I was joined in Mississauga, Ontario by David Lawrason, John Szabo, MS, Steve Thurlow, Sara d’Amato, Bill Zacharkiw, Janet Dorozynski, Rémy Charest, Marc Chapleau, Rhys Pender, MW, Ben Macphee-Sigurdson, DJ Kearney, Treve Ring, Brad RoyaleJulian Hitner, Evan Saviolidis, Anne Martin and Zinta Steprans.

WineAlign WWAC13 judges John Szabo, Julian Hitner and Sara d'Amato

WineAlign WWAC13 judges John Szabo, Julian Hitner and Sara d’Amato

Judges sit three or four together at a table, taste solo through flights of like varieties, procure notes and assign individual scores. Each flight of (three to 12) wines is then discussed, argued, debated and an ultimate meeting of the vinous minds either pushes a wine through to the next round or relegates it to the discard heap. This method of awarding by committee ensures that good wines receive their due blessings and flawed specimens are put in their rightful place.Here’s the kicker. Aside from knowing the price range and specific variety or varieties in a blend, the judges taste all the wines blind. Continent, country, region, appellation and vineyard are not part of the equation. This ensures the most equitable results.

So, fresh off today’s presses, here are the results from WWAC13, presented by WineAlign. Special thanks go out to Head Wineaux, Bryan McCaw, along with Steve Thurlow, Carol Ann Jessiman and Sarah Goddard.

2013 World Wine Awards of Canada Results

Each judge was asked to write reviews on a specific cross-section of wines they were a part of assessing during the competition. Here are my notes on my 28 of them, across a wide range of categories.

From left: Gustave Lorentz Cuvee Amethyste Riesling 2011, Caliterra Sauvignon Blanc Reserva 2013, Yealands Sauvignon Blanc 2012, and De Vine Vineyards Vrm 2011

Riesling $0-15

Gustave Lorentz Cuvee Amethyste Riesling 2011, Alsace, France $14.95

WWAC 2013 Judges’ Choice WWAC 2013 Best of Variety Under $15

Peppery, perspiring, basal, nasal fruit. Propellant driven with a bite of crisp golden delicious apple and green goddess acidity. At under $15 this achieves Trocken success. Unshakable, abecedarian if not the most formidable Riesling.  88  @AmethystWineInc  @drinkAlsace

Loosen Bros. Dr. L Riesling 2012, Qualitätswein Mosel, Germany $13.95

Pressed and packed with tropical fruit, as if a roll-up, in liquid form. Thoughts head east and south but the textural, angular and vertical intensity peels back that inclination. The extended play and fruit replay is a study in delineated Riesling depth. There must be some history behind the bottle.  87  @drloosenwines  @Select_Wines

Jackson Triggs Reserve Riesling 2012, Niagara Peninsula, Ontario, Canada, $13.99

Drawn to the off-dry resonance which is both tropical and florid in citrus maxima. That pomello repeats to taste but it falls under a balmy and herbal spell, in a relaxed way. A valley’s elongated attitude, at the foot of a mountain and architecturally sound. Re-mastered, utilitarian Riesling.  85  @Jackson_Triggs

Chardonnay Oaked $15-25

Robert Mondavi Private Selection Chardonnay 2012, California, USA $16.95

Deft, lissome touch of oak. Subtle, determined orchard fruit, namely pear, barely kissed by a rose and the barrel. Exiguous yet meaningful and pragmatic aromatics. Bright Chardonnay so “a light hits the gloom on the grey.” Seals the deal astir with tang on the snappy finish.  88

PHOTO: Michael Godel White wine flight at the WineAlign WWAC13

Sauvignon Blanc $15-25

Caliterra Sauvignon Blanc Reserva 2013, Casablanca Valley, Chile $9.95

WWAC 2013 Judges’ Choice

Great show savvy, really great show. Outright fast flint, white pepper, citrus and fresh herbs. Luscious texture, convincing up the middle and goes deeper than many. Grapey and succulent. Clean, concise winemaking.  90  @Caliterra  @imbibersreport

Yealands Sauvignon Blanc 2012, Marlborough, South Island, New Zealand $15.95

WWAC 2013 Judges’ Choice

Equatorial and profuse but not over the top. Quick, painless slice of jalapeno, a sweet heat capsicum moment. Sauvignon Blanc with a drop of Sriracha, spritz of lime and pinch of salt on ripe tree fruit, like papaya and mango. Add in golden pineapple and kumquat for good salad measure. Nearly great value, if only it were graced with a bit more finesse.  88  @yealands  @TrialtoON

The Ned Sauvignon Blanc 2013, Marlborough, New Zealand $15.99

Stoic initially, with acute notes of gooseberry, grass and blanched legume. Turns tropical and balmy with a sense of orange marmalade. Confounding in that it could be South Island or Sancerre, but being subjected to such toe tipping is this Sauvignon Blanc’s calling card.  88  @MariscoWine

Kim Crawford Sauvignon Blanc 2013, Marlborough, South Island, New Zealand $18.95

Commodious Sauvignon Blanc, candid, candied and calcified. Tropical from what must be an intense vintage, whiffing dewy teak gold plum and prickly pear. Full-bodied and blessed with a long aftertaste. A slice of southern hemisphere confiture on toast.  88  @kimcrawfordwine

White Blends $15-25

De Vine Vineyards Vrm 2011, Okanagan Valley, British Columbia, Canada, $23.00

WWAC 2013 Judges’ Choice WWAC 2013 Best of Variety $15 – $25

A Rhône-ish boy with a tithe of Marsanne in support of equal 45′s of Roussane and Viognier. Mutters in rhyme, beating the drum slowly, in a subtle white flower, pretty print dress. Nothing muddy about the waters this graceful swimmer treads. Sidled by just enough rigor to replay in refrain, “I’m a natural born lovers” wine. Egalitarian revolutions per minute.  90  @deVineVineyards

Road 13 Honest John’s White 2012, BC VQA Okanagan Valley, British Columbia, Canada $25.95

A group of seven grapes, riding on a carousel. A who’s who of white varieties going “round and round and round and round with you. Up, down, up, down, up, down, too.” Elegant and in control, like the stationary horses, this endearing and human blend. Nectarine and longan make appearances in the by committee, ensemble performance.  88  @Road13Vineyards

Pfaffenheim Tete A Tete Pinot Gris Riesling 2012, Alsace, France $15.49

A 50/50 split of Riesling and Pinot Gris, please do not adjust your set, go head to head, mano a mano to duke it out, agree to disagree and ultimately settle to blend and accept the results. Together they procure Époisses and worn socks. On the bright side there is orange zest and fresh squeezed grapefruit. “So they’ve got that going for them, which is nice.” Tangy and pithy finish. Abbreviated and horizontal.  85  @AlsaceWines

From left: Jackson Triggs Merlot Gold Series 2008, Road 13 Syrah Malbec 2011, Creation Syrah Grenache 2011, and Cassiano Amarone Della Valpolicella 2008

Syrah $0-15

Fifth Leg Old Dog New Tricks Shiraz 2011, Western Australia, Australia, $15.95

Less calamitous fruit compression in relation to the rest of the flight. Blueberry pie and a concord of baking spices predominate, along with unsettling though bracketing elevated levels of tannin and acidity. Wild and whacking lack of overall integration but possessive of many positive moving parts.  87

Mission Hill Reserve Shiraz 2011, VQA Okanagan Valley, British Columbia, Canada, $19.60

A convection of raspberry jam and forest floor verdant wildness. Notable in not being nearly as wood-driven in relation to peers in adjacent stemware. An inelasticity and diaphanous texture suggests Syrah. Simpatico Shiraz.  87  @MissionHillWine

Red Blends $0-15

Hardys Stamp Series Shiraz/Cabernet 2012, South Eastern Australia, Australia $10.05

Initial thoughts lean towards flattery, in finesse and generosity. Rhône-like rocks and stones trot out the red fruit, spiked by citrus (ripe orange, juiced and reduced). Structured in oxymoronic astringent elegance. Decent to medium length.  87

Sumac Ridge Cabernet Merlot Private Reserve 2011, BC VQA Okanagan Valley, British Columbia, Canada, $14.99

Stands apart from the under $15 Red Blend flight as an axiomatic, soft conifer in a forest of hardwoods. I was admittedly fooled into thinking Niagara when it really calls the Okanagan Valley home. Semi-hemi-ripe, red stone fruit soused in halogen, spiced by Ween’s seventh album and Korean red pepper. “Even If you don’t” like the alternative character you will be charmed by its friendly production and likable wine/musicianship.  87  @SumacRidgeWine

Louis Bernard Côtes Du Rhône Rouge 2012, Rhone, France $13.00

A copacetic Grenache and Syrah Côtes du Rhône blend that just seems to exist in an Iberian state of mind. It’s the modernity speaking, in deep mauve, lilaceous essence and a palate clotted with poached tomato. Stops adroitly short of cooked or stewed fruit character. Juicy fruit from presumably young vines. Quick yet resplendent.  87  @LouisBernard84  @AuthenticWine

Masi Tupungato Passo Doble Malbec Corvina 2011, Mendoza, Argentina $13.95

Malbec and Venetian Corvina in Ripasso’s Argentinian hands. Raising, hair-triggering, eye-opening aromas in acerbic Daikon intensity. Black bean paste and cedar, earth and char. The flavours echo and further Ripasso’s absorptive ability. Tack on a  snippet of sour mix and an elevated, grizzly bear, altitudinous attitude. This one leaves me “frozen in my tracks.” Certainly not gun-shy85 

Merlot $15-25

Jackson Triggs Merlot Gold Series 2008, BC VQA Okanagan Valley, British Columbia, Canada, $23.99 WWAC 2013 Judges’ Choice

Like a wine lover’s dessert, this JT Merlot spoons gobs of sun-dried fruit, anise and dried raisin over a compressed and chalky cake of balmy green tea. Youth purloined by developed character, marked by the sauce, not unlike some manic red advance cassettes from Italy’s Mezzogiorno. Now long in the tooth, “how you wound me so tight,” with your unique style, so “don’t say that I’ve lost you.” Its heft will carry it through.  88  @JacksonTriggsBC

Michael Godel, Zinta Steprans and David Lawrason at the WineAlign WWAC13

Red Blends $15-25

Musella Valpolicella Superiore Ripasso 2009, Verona, Veneto, Italy, $15.95

Soaked and sappy, with braised tree fruit flavours, concentrated and passed over upon itself. Certainly trying very hard to entice and invite hedonistic pleasure. Like an upside down plum and fig cake, dripping in macerated syrup but with enough mineral tension to prorogue another day. Good rehydrated example.  88  @3050Imports

La Fiole Cotes Du Rhone 2010, Rhone, France $15.05

Simultaneously juicy and brooding. Tension from the get go. A depth of dried, fruit leathery plum, soaking in spiked Kefir grain. Bound tight but aching to race free. In Rhône ranger territory, or a Rhône acting on a Hollywood set. Tannic, oaky, manly yes, but I like it too. Admirable length.  88

California Square Paso Robles Red Bland 2012, California, USA $18.95

Downy soft, delicate, cheerful red blend. Pastel watercolour, flower-patterned print as perfume. Warm climate red licorice, plum permeate and cherry saturate, well-integrated acidity and some iron astriction. Would gain weight alongside rich foods.  86  @TrialtoBC

Vignoble Rancourt Meritage 2007, VQA Niagara Peninsula, Ontario, Canada $19.80

Chalk dust followed by quality, perceptive, frank and just red fruit. Understated, not overly expressive and walking softly down the road.  85

The Cloof Cellar Blend 2009, Wo Darling, South Africa $20.00

Leaps from the glass with earth expanding aromas. Strapping Pinotage java component shows accommodating restraint in advance of a Turkish viscidity. Red fruit is bright, adhesive and enervetic. Overall a bouncy, tannic and splintered affair.  85  @Cloofwines_ZA

Red Blends $25-50

Road 13 Syrah Malbec 2011, BC VQA Okanagan Valley, British Columbia, Canada, $25.00

A count five psychedelic strawberry and savoury rhubarb aromatic behemoth. Crazy cherries too. Then, a mind-altering, animal hide moment, not exactly gamey, but something other, enough to cause a psychotic reaction. “(Shouted) And it feels like this!”  90  @Road13Vineyards

Creation Syrah Grenache 2011, Walker Bay, South Africa $32.50

A requiem for an exaggerated swirl, or at least the respect of a decant. Quite a head-smacking whack of mineral-iron-metal, with the tempering lift of a citrus-scented candle. Kirsch, vanillin oak “and my time is a piece of wax fallin’ on a termite, who’s chokin’ on the splinters.” I am the loser, the wine is the winner. Very berry, big and beautiful.  90  @gradwellwines

Cassiano Amarone Della Valpolicella 2008, DocVeneto, Italy $35.25

Quite the animal, this plum juicy and high-octane alcohol, cloying acetone and chocolate-dipped red licorice Venetian red blend. Sounds ridiculously Ripasso and near-Amarone delicious and were it endowed with the balance and structure to walk with the giants I’d sing its praises. Even so, I really believe it’s a “soul who’s intentions are good” so please don’t let it be misunderstood.  87

Masi Costasera Amarone 2008, Veneto, Italy $39.95

A stew of red fruit, prune and fig. Cauterized, steroidal, excessive, welling sensory overload. Leaking car fluids. Certainly a problematic, off-bottle from a reliable, age worthy brand.  80

Pinot Noir $25-50

Leyda Lot 21 Pinot Noir 2012, Leyda Valley, Chile $45.00

Beaucoup de terre, or more likely, mucho suelo. An extreme example of Pinot Noir, a flamboyant king, ostentatious, peacockish and wired by a constriction of spices. There is perhaps too much earthly, saftig body. Though my first impression was admittedly old world, there is no way that theory will hold. A glass in and the thrill is gone, “And now that it’s over, all I can do is wish you well.”  87  @BadDogWine  @WinesofChile

Good to go!

Red earth, white wine and September sparkling fire

Photo: ASK-Fotografie/Fotolia.co

as seen on canada.com

The weekend brought us autumn. A certain type of exhaustion creeps in when summer turns over, especially after two weeks of early September, hectic activity. So I sipped my weekend wine, let the ghosts come, allowed them to crash my dreams. It was the least I could do. Then, with a sibilant call, I cast out the spirits rattling like a guttering candle, browsed through some tasting notes and found many a wine reason to usher in the fall.

I did so with perfunctory ease. A bottle of red terroir here, a couple of neo-classical Ontario whites and a revelatory British Columbian sparkler there. Don’t let the sun go down on your wine year just because the mercury is falling. A red Mercurey from Burgundy might be all you need to enjoy the fall. That and some Canadian juice.

Canadian wine pilgrims are living in what is arguably the most exciting time in wine’s history. A time when the greatest wines are fetching the highest prices, where revolutionary activities are taking place in almost every realm of vinous endeavour. During this renaissance new world winemakers have had to re-calibrate their wine linguistics, so Bordeaux became “Meritage,” (Red) Bourgogne became “Pinot Noir” and Champagne became “Sparkling Wine.” The world’s data banks for terms and parlance (wine dictionaries) of examples in context is dwarfed by the collection winemakers all carry around subconsciously in their heads. Thus we have “White Palette” (Jean-Pierre Colas), “Sketches” (Paul Pender) and “Methode Classique” (Jason James). Pilgrim extraordinaire Thomas Bachelder gives us Pinot Noir opposite the iconic Domaine Faiveley’s Bourgogne.

Here are five wines of the lexicographical order to look for this coming weekend and to welcome the fall.

Clockwise from left: 13th Street White Palette, Tawse Sketches of Niagara Riesling 2012, Domaine Faiveley Mercurey 2010, Bachelder Pinot Noir Oregon 2011, and Sumac Ridge Steller’s Jay Methode Classique Brut 2008.

13th Street White Palette 2011 (207340, $15.95) is JP’s who’s who bottle of white grapes, a mad scientist’s blend, the flask filled with Riesling, Sauvignon Blanc, Gewurztraminer and Chardonnay Musque. A re-release and much improved with a year’s extra weight, its “got your body right now.” Fortified by a carapace of grape spirits and purposeful in a white meritage sense of community, plus citrus, pith and a far-reaching, right correct absinthian length. You better you bet.  88  @13thStreetWines

Tawse Sketches of Niagara Riesling 2012 (89029, $17.95) s’got quite the tropical warmth for Bench Riesling. When considered in terms of the vintage, this is nearly a Riesling in the service of a Pinot Gris. Very juicy fruit, dry but bursting in fricative verve. Extreme quality, low-cost. Now on tap at Barque Smokehouse.  89  @Tawse_Winery

Domaine Faiveley Mercurey 2010 (341925, $22.95, B.C. 486217, $28.99) is really quite nice TYVM. Dug from the pungent autumnal earth, expressing ripe cherry, cranberry and strawberry. Pure, elegant and charming. When first tasted and without knowing the price I made this note: “If it’s under $25 it’s a very, very good buy – assuming it is.” Sold.  90

Bachelder Pinot Noir Oregon 2011 (333278, $34.95) bleeds Willamette terroir. Punctiliously phenolic from marine sediment and seemingly obvious early-ripening. Provocative in ruby, sugar-sour cranberry meets redolent raspberry. Chalky, tannic and serious. It’s tough on me right now. Come on Thomas, would ya please lighten up? I don’t want to have to wait to drink the first case.  90  @Bachelder_wines

Sumac Ridge Steller’s Jay Methode Classique Brut 2008 (264879, $25.95) makes use of B.C.’s future, the necessary signature white variety Pinot Blanc with assistance from Pinot Noir and Chardonnay. Very fine lees and yeast aromas are followed by a fantastic jumping and grooving party in the mouth. Tart apples, dry and crisp. Sprightly with 3-D sparkling fire texture. Tertiary maturity has nearly arrived.  91  @SumacRidgeWine

Good to go!