Gripping wines from Spain and Italy

Europe

How can winemaking trump terroir?
Photo: 1xpert/Fotolia.com

as seen on canada.com

Winemakers in the most famous regions of Spain and Italy have gone pro in the practicum of wine that speaks loud and clear. If there is a downside it is the blurring of lines and overlapping of circles, where regions set far apart show similar, if near identical characteristics in their wines. How does this happen? How can winemaking trump terroir?

The simple answer is wood. Barrel usage is a global affair, with wineries scouring oak forests the world over to age their wine. French oak is most used and whether you make wine in central Italy or northern Spain, the oak you employ may result in more than just the commonality of wood. If your processes are tied by similar or even identical ties, your wines may taste eerily like one another, if not outright like kissing cousins.

Despite the oligopoly of technique and the lack of winemaking individuality gone viral in this generation, there are three things that continue to work in favour of regional character. The first is obvious. Soil. Or, more importantly, the components, the rocks and minerals that fleck the earth. Secondly, attitude. Call it conceit if you like but when a winemaker has the guts to make wines we like to call grippy, you can’t help but stand up and take notice. Third and so important to the consumer, is price. Spending $15-30 on wines from the most historic locales such as Burgundy and Bordeaux is almost always nonsensical and a waste. No where else in the world offers grip, pomp and pride like Spain and Italy and in that go to mid-price range.

A pentavalent and benevolent group fits this requiem for commercial gain. Rioja, Ribera del Duero and Priorat from Spain. Chianti and Abruzzo in Italy. A Venn diagram of commonality can be agglomerated from their proclivities. It is in these fab five Old World wine regions where a twain of ancient and state of the art collide. Here are seven gripping wines from Spain and Italy.

From left: CEPA 21 HITO 2010, ÉBANO CRIANZA 2008, and RESALTE DE PEÑAFIEL PEÑA ROBLE RESERVA 2004

From left: CEPA 21 HITO 2010, ÉBANO CRIANZA 2008, and RESALTE DE PEÑAFIEL PEÑA ROBLE RESERVA 2004

Ribera Del Duero

The history: Located in north-central Spain, on a plateau, 90 minutes from Madrid. Ribera, or “river bank,” extends from both sides of the Duero. The Denominación de Origen (D.O.) of Ribera del Duero dates back to 1982.

The lowdown: Highest average elevation in Europe for growing red wine grapes. Summers are hot, winters are cold, rainfall is minimal. Lower vineyards are alluvial with sand and reddish clay. Higher ones built of limestone, marl and chalk. Tempranillo in the main grape. Finest recent vintages include 2004, 2009 and 2012.

CEPA 21 HITO 2010, Ribera Del Duero, Spain (360503, $17.95, WineAlign)

Oh the shaken, modern humanity. Nothing shocking here, this 100 per cent Tempranillo parfait of silky chocolate, mixed berries, vanilla and wood chips. Finds parity in biting red cherry flavour. Though it may as well be any ambiguous, heterogeneous or hermaphroditic $30 IGT, its price puts it at the front of the line. Fun to drink, high-toned, textured and structured, though its origins are not at once obvious. Will evolve felicitously for five to seven years.  89  Tasted December 2013  @DrinkRibera

ÉBANO CRIANZA 2008, Ribera Del Duero, Spain (355099, $21.95, WineAlign)

Amid a sea of Spanish reds, this Ribera stands alone as the most modern on the table. Dusty, trenchant dark chocolate, mocha crema, thick, syrupy, rehydrated plum fruit. Accented by both white and black pepper, anise and a late lash of astringent tannin. Abrasive as a pleading Waits croon, this Crianza is “better than a cup of gold. See only a chocolate Jesus can satisfy my soul.” Another Ribera with qualities akin to present day, Sangiovese dominated Chianti Classico. Immaculate confection.  89  Tasted December 2013  @EuroVinatage

RESALTE DE PEÑAFIEL PEÑA ROBLE RESERVA 2004, Ribera Del Duero, Spain  (355107, $31.95, WineAlign)

Typically modern version with just the right amount of age. Interesting to see nearly 10 year-old Ribera, with so much obvious oak and modernity retain its fruit lushness and presence after such a chunk of time could have stripped away its freshness. Candied violets and pansy, peppery nasturtium and marble slab, rocky road ice cream. Oak nearly integrated but persistent in chalky texture. Confounding bareback ride on a wild 100 per cent Tempranillo horse that bucks as if Bordeaux or Rhône varieties would seem to bolster the whole.  90  Tasted December 2013

From left: CIRELLI MONTEPULCIANO D'ABRUZZO 2012, CASTELLO DI QUERCETO CHIANTI CLASSICO 2011, PLANETS DE PRIOR PONS 2009, and ONTAÑÓN RESERVA 2004

From left: CIRELLI MONTEPULCIANO D’ABRUZZO 2012, CASTELLO DI QUERCETO CHIANTI CLASSICO 2011, PLANETS DE PRIOR PONS 2009, and ONTAÑÓN RESERVA 2004

Abruzzo

The history: Central Italy, stretching from the heart of the Apennines to the Adriatic Sea.

The lowdown: Mostly mountainous and wild terrain. The four DOC produced in Abruzzo are the Contro Guerra, Trebbiano d’Abruzzo, Montepulciano d’Abruzzo and Montepulciano d’Abruzzo Colline Teramane. Montepulciano is the most planted red variety. Finest recent vintages include 2006, 2009 and 2010.

CIRELLI MONTEPULCIANO D’ABRUZZO 2012, Abruzzo, Italy (663939, $17.95, WineAlign)

Winemaker superstar to be Francesco Cirelli does what more should do. Age organic grapes of purity and pristine quality in clay Amphore. The natural empathy and wisdom of crop rotation (for more than just grapevines) drives the logic and proportion of Cirelli’s wines. This Md’A smirks and balks at thoughts of it as entry-level, though it concedes to the moniker ’poster child’. From 15 year-old vines set in sandy clay soils near Atri in the Colline Teramane zone. The fruit is like raspberry felt, lifted, spritely, gregarious and inviting. The wine never plunges into bitterness, nor does it depend on any crutch to remain upright and weightless.  90  Tasted September 2013 and January 2014  @TheLivingVine

Chianti

The history: In central Tuscany. The two Chianti zones, Denominazione di origine controllata (DOC) and Denominazione di Origine Controllata e Garantita (DOCG), produce the largest volume of DOC/G wines in Italy.

The lowdown: Chainti Classico must have a minimum 80 per cent Sangiovese, the main variety of the region. Other indigenous grapes include Canaiolo and Colorino, bur Cabernet Sauvignon and Merlot are also used. Soils vary from marl of layered sandstone, to chalk and clay, blue-grey sandstone and clay-limestone. Finest recent vintages include 2006, 2007 and 2011.

CASTELLO DI QUERCETO CHIANTI CLASSICO 2011, Tuscany, Italy  (680496, $22.95, WineAlign)

Heather meadow Sangiovese, emotive of old school Chianti Classico aromas, notably tea, new leather and sour cherry. Texturally succulent and lush, like mini-modern Sangiovese Grosso. Nearly syrupy and 90′s-styled by a heavy-handed, wood-soaked guilty conscience. The kind of CC to “waste away the weekend with perfect regard for how cavalier we used to be.”  89  Tasted December 2013  @ChiantiClassico  @ProfileWineGrp

Priorat

The history: In Catalunya, northeast Spain. The most recent regulations of the DOQ were defined in 2006.

The lowdown: Dominated by hillside vineyards with poor soils, the dark slate called Licorella and low-fielding old vines. Garnacha and Carinena are the most planted, but also international varieties such as Cabernet Sauvignon, Merlot and Syrah. Finest recent vintages include 2004, 2009 and 2012.

PLANETS DE PRIOR PONS 2009, Priorat, Spain, (314559, $24.95, WineAlign)

Clearly contemporary, voluptuous Garnacha blend, in symmetry with foil Carinena, In support are small amounts of Cabernet Sauvignon (10 per cent), Merlot (five) and Syrah (five). Chalk, grain and chocolate intensity, scents of dusty mulberry, menthol tobacco, eucalyptus and licorice. Works its international styling to great effect, if a bit heavy, woody and hollow up the middle. Lags just behind the stellar 2008 and yet this ’09 will have many a follower. Just a bit more structure would make it a prize.  89  Tasted December 2013

Rioja

The history: In northern Spain, on both sides of the River Ebro. The oldest Designation of Origin in Spain (DOCA), established in 1926.

The lowdown: Confluence of Atlantic and Mediterranean climates, with soils ranging from chalky-clay, to ferrous-clay and alluvial. Tempranillo is the most planted (red) grape. Finest recent vintages include 2005, 2005, 2010 and 2011.

ONTAÑÓN RESERVA 2004, Rioja, Spain (725895, $25.95, WineAlign)

The animal that is an ’04 Rioja Reserva is a VINTAGES darling. Here is yet another example in a long line-up spread out over several months of releases. 2004 palate fatigue should certainly have set in but for this youthful yet learned Ontañón. The dichotomy is not lost with much wood to be nosed though it’s neither abstruse nor resinous. More like a smoking cedar plank beneath the rendering weight of a slow-roasting porcine slab. Tangy cherry, sour plum and really stretched length. Mineral finish. Brillo Tempranillo with a touch of Graciano.  91  Tasted December 2013  @TandemSelection

Good to go!

Three Rieslings to believe

Grape leaf

More reviews have been written, designed and pushed down your throats on Canuck Riesling than on any other grape. What’s up with that? Quality, that’s what.
Photo: hayo/Fotolia.com

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There are many reasons to believe in Riesling, that versatile and brutally honest grape. Riesling holds no punches, speaks its mind, tells it like it is. Grown worldwide and vinified in so many varying styles, Riesling is not so much a chameleon but rather a mutant. It takes root in every vineyard, marking its terroir, expressing itself singularly and without apology.

Canucks make Icewine from many different varieties; Vidal, Cabernet Franc, Cabernet Sauvignon and most often, Riesling. This coming weekend the most passionate Icewine lovers will gather to get silly with Niagara’s nectar gift to the gods. The annual #icewinefest is set to begin on Friday, roll through the weekend and continue on for three more activity filled weeks. Wine Country Ontario has all the details. For more information, click here.

In 2006, a Gothamist author made a poignant call in the column A Riesling to believe. Quote, “there was so much going on in the glass that it truly captured our undivided attention.” There’s one rub. In 2012, The BC Wine Guys stated in their post, You Give Me a Riesling to Believe, “thankfully, a hand full of the original vintners in the province held to the belief that world-class Rieslings could, and would, be made in BC.” True that. Wineries of Niagara on the Lake also employs the catch phrase in their discussion on several local wineries fashioning excellent versions of Riesling, notably Between the Lines, Cattail Creek, Konzelmann and Strewn. Montreal Gazette wine columnist Bill Zacharkiw‘s more than appropriate recent rodomontade stated that 2014 will be the year of Riesling. His stance? “It’s time to spread the gospel about this glorious and misunderstood grape.”

Riesling held centre stage in this column twice last year. In the post, 100 kilometre wine for spring, there was this: “A modern-day Riesling narrative takes place less than a 100 kilometres away, along the Niagara Escarpment and above the pictorial towns of Beamsville, Jordan and Vineland.” In June, there was the Brock University Cool Climate Oenology and Viticulture Institute’s Riesling Experience 2013. It was there I asked the $128,000 question, “are you wine experienced?” It was also there in St. Catherines that Nik Weis of the Mosel’s St. Urbans Hof winery furtively suggested, “Riesling is better than an isotonic sports drink.”

Over the past two-four months I have exonerated and upheld with the highest Riesling belief that Canada does the variety justice above and beyond the pale, in the vineyard and in the glass. Gushing praise has been doled out to Tawse, Greenlane, Flat Rock, Angels Gate, Sperling, Hidden Bench, Thirty Bench, Rosewood, Charles Baker (Stratus), 2027, Cattail Creek, Chateau des Charmes, 8th Generation, Featherstone, Fielding Estate, 13th Street, Calamus, Cave Spring, Tantalus, Colaneri, The Foreign Affair, Hinterland, Vineland Estates, Malivoire and John Howard. More reviews have been written, designed and pushed down your throats on Canuck Riesling than on any other grape. What’s up with that? Quality, that’s what.

If there is a better place to produce Riesling than up on the Beamsville Bench and the upper reaches of the Niagara Escarpment (the Mosel in Germany notwithstanding) then I’d like to know about it. With no disrespect to the Rheingau, Pfalz, Baden, Nahe, Rheinhessen, Alsace, Wachau, Clare Valley,  Eden Valley, Marlborough or the Finger Lakes, Ontario’s Niagara Peninsula and to a lesser extent, British Columbia’s Okanagan Valley should and will be making some of the planet’s finest juice.

As if the list of nearly 25 Niagara producers was not long enough, here are two more to add along with their three combined terrific Riesling interpretations.

From left: SUE ANN STAFF LOVED BY LU RIESLING 2012, SUE ANN STAFF GRACE'S DRY RIESLING 2011, and HINTERBROOK RIESLING 2012

From left: SUE ANN STAFF LOVED BY LU RIESLING 2012, SUE ANN STAFF GRACE’S DRY RIESLING 2011, and HINTERBROOK RIESLING 2012

SUE ANN STAFF LOVED BY LU RIESLING 2012, VQA Niagara Peninsula, Ontario  (322636, $16.95, WineAlign)

Perhaps camping in that gray area between a laugh and a tear, ostensibly off-dry and simple in succulence yet an undeniable stonking acidity manifests its ability for give and take. Honey, lemon, melon and yellow plum combine for fruit forgiveness, with no petrol and “I know there’s a balance, see it when I swing past.” Really terrific.  88  Tasted December 2013  @SueAnnStaff

SUE ANN STAFF GRACE’S DRY RIESLING 2011, VQA Niagara Peninsula, Ontario (367086, $18.95, WineAlign)

Hard lemon drop sour candy, beautifully medicinal and waxy Riesling, dry yet intimating something more, something hung and harvested longer. More lemon, freshly squeezed and grapefruit too, with Alsatian promise but with a bent towards what I don’t know. Intriguing, beguiling and herbal, like a lemon balm tisane. “I know that you are strong enough to handle what I need.” Very unique Niagaran giving yet another reason to believe in the Peninsula as a dashboard confessional for Riesling prayer.  89  Tasted December 2013

HINTERBROOK RIESLING 2012, VQA Niagara Lakeshore, Ontario (270512, $17.95, WineAlign)

Despite the pale hue this has body and a certain, distinct clarity. Nearly but not quite off-dry, this makes use of lake-effect for balance. There are fresh herbs, the tang of yellow plum and even an odd licorice note. Springs a full stein of mouth-watering Riesling belief, so much so that a “congregation gathers down by the riverside.” Another hymn to Riesling is sung.  88  Tasted December 2013  @Hinterbrook

Good to go!

Crack open these Canadian-made apolitical wines

Opening a wine bottle

Head out to your local wine shop and purchase one of these eight apolitical Canadian (or Canadians making wine abroad) bottles for next weekend.
Photo: Rumkugel/Fotolia.com

as seen on canada.com

This is a wine column folks. If you’ve arrived here looking for a human train wreck, colloquial references to sexual body parts or stories about illicit activity, keep on moving.

Perhaps the thing I find so refreshing about wine is its lack of political affiliation. Wine is apolitical, well, maybe not so in Ontario, but let’s not go there today. The science of making wine is apolitical. Grow grapes, nurture the vineyard, pick at optimum phenolic ripeness, use minimalist intervention in the winery and voila! Fine, honest wine ready and willing to please.

Imagine wine as a painting, depicting a ceremonial scene, as if there were visible hundreds of figures within, no two alike. This is what concentrating on the simple, the base, the lightness of being can do for your life. Choosing the wine high road as a distraction from political sideshow is a healthy lifestyle choice.

Even if you just can’t forget about the pathetic fallacy of local, provincial and federal government right now, consider moving onwards and upwards next week. Head out to your local wine shop and purchase one of these eight apolitical Canadian (or Canadians making wine abroad) bottles for next weekend. Crack one open and witness your dread and fear melt away.

From left: TINHORN CREEK GEWÜRZTRAMINER 2012, PALATINE HILLS MERITAGE NEUFELD VINEYARD 2010, DANIEL LENKO MERLOT OLD VINES 2010, and CREEKSIDE ESTATES WINERY SYRAH RESERVE BROKENPRESS 2010

From left: TINHORN CREEK GEWÜRZTRAMINER 2012, PALATINE HILLS MERITAGE NEUFELD VINEYARD 2010, DANIEL LENKO MERLOT OLD VINES 2010, and CREEKSIDE ESTATES WINERY SYRAH RESERVE BROKENPRESS 2010

TINHORN CREEK GEWÜRZTRAMINER 2012 (904185, $24.95, winery $18.49, BCLS 530675, $18.49)

From the sandy gravel soils of the estates Golden Mile Vineyard. Viticulturalist Andrew Moon and Winemaker Sandra Oldfield find exemplary natural sugars and classic Gewurz tendencies from mature, 16 year-old vines. Offers spice before pleasure and a funky beat ahead of the lychee and rose water/petal. Cool and dry specimen, somewhat Gris-esque, intuitive, integrated and consistent every step of the way. Nothing earth shattering but really fine, precise, on time and in time. Like a right proper Gin and Tonic, with a lime.   89  @Andrew_Tinhorn  @SandraOldfield

PALATINE HILLS MERITAGE NEUFELD VINEYARD 2010 (361378, $29.95)

Cuts a positively pretty shape in silhouette. The blend consists of 40 per cent Cabernet Sauvignon, 40 Merlot and 20 Cabernet Franc though the Cabernet Franc certainly stands out, which is a very good thing in this warm vintage, in spicy bites, currants, dried and braised meat. Also notable are licorice, cherries and plums. The savoury vineyard floor adds but does nothing to overpower so this is quite fine, if a bit tinged by a coffee and cherry chalk.  89  @palatinewinery

DANIEL LENKO MERLOT OLD VINES 2010 (75622, $34.95)

Pure, ripe red berries dusted by a dried and pungent mulling spice. Dried flowers round out this easy-going if not overly complex red fashioned from likely the oldest Beamsville Bench Merlot vines. Good balancing acidity and verdant in a Cab Franc-ish way. I could drink this any day of the week but wouldn’t hold out for more age. Despite murmurs of tobacco tight tannins, this is as good as it will ever be.  89  @daniel_lenko

CREEKSIDE ESTATES WINERY SYRAH RESERVE BROKEN PRESS 2010 (202127, $39.95)

Offers up gorgeous pine and pepper-laced correctness and so much juicy, fresh warmth from a terrific Syrah vintage in Ontario and even more parochial so on the St. David’s Bench. This Queenston Road Vineyard red is winemaker Rob Power’s secret weapon, absolutely freakin’ delicious stuff and the epitome of what Syrah should be like from Niagara. Verve, rigor and yet also flirtatious with expertly judged wood and tannin to re-fresh its spirit and lengthen its life. Love it.  91  @CreeksideWine

From left: STRATUS WHITE 2010, STRATUS RED 2010, VERSADO MALBEC RESERVA 2010, and BENJAMIN BRIDGE BRUT RESERVE MÉTHODE CLASSIQUE 2005

From left: STRATUS WHITE 2010, STRATUS RED 2010, VERSADO MALBEC RESERVA 2010, and BENJAMIN BRIDGE BRUT RESERVE MÉTHODE CLASSIQUE 2007

STRATUS WHITE 2010 (660704, $44.20)

Quite possibly the most textured yet. A casted mass, like ingot or sélection de grains nobles, where viscosity meets candied fruit, apricot, quince and acacia flowers. A white moon with a medicinal and peaty tang that shows so much verve, earth floor even. This cracker jack ’10 will continue to add heft and flesh to earn its white stripes. Could be a classic for 20 years plus.  92  Tasted October 2013. From my earlier note: “sends me immediately towards Bordeaux, in neo-marmalade, but also buoyed in perfume and body by 25 percent Viognier. “This variety worked so well in the vineyard in 2010,” notes Groux. Niagara honey and near-botrytis via Semillon and Sauvignon Blanc void of grass, full of vigor. A sharp note, neither metallic nor mineral, but a combination of the two is present in this so very concentrated ’10. Of a warm vintage (self-explanatory) fully picked by October 23. Though loaded with early Spring maple sap, foie gras and appley terpines, its sharp and framed by “tannic” tang and protracted length.  92  @Stratuswines

STRATUS RED 2010 (131037, $44.20)

Tasted again, I do declare this to be the reigning bomb of Ontario red blends. Showing even better than I judged it two weeks ago. Intense ruby meets claret in every facet of its make-up. Rouge tomate, fresh and racy at the same time, with just enough chalk to lengthen the chain. You can actually imagine the hum in the clang and rhythm of its magic. Fleet of foot, mac-nanimously rendered red blend. “Chain keep us together, running in the shadow.”  92  From my earlier note: is a study in restrained, gilt-edged use of only 15 per cent new oak during assemblage, especially with Cabernet Sauvignon in the lead and so prudent considering the extreme warmth of the vintage. Cabernet Franc imparts simple but intense spice.  Red talented, fresh finesse, the oak in support as a James Dean, cherry stained leather jacket. De facto fresh, with just enough trenchant acidity.  92

VERSADO MALBEC RESERVA 2010 (316984, $59.95)

This ultra-premium Mendozan from the Canadian winemaking team of Peter Gamble and Ann Sperling boasts fruit from “the finest barrels from the finest blocks.” Rare Malbec uniquely subsistent upon their own roots, that is, “ungrafted” as compared to the typically phylloxera-resistant rootstocks of native North American grapes. While certainly riding a splintered and jammy horse (what fully extracted Mendozan does not), this reserve Malbec has so much else happening, I owe it my time and focus. Dances to a triple jump height in oozing berry, compacted, brick wall infrastructure and overlapping delineation. Really like the consistency here, with no hollow middle, no umlaut, no pregnant pause. Very well made.  91  @VersadoWine

BENJAMIN BRIDGE BRUT RESERVE MÉTHODE CLASSIQUE 2007 (275396, $74.95, NSLC 1012526, $74.79)

Peter Gamble struck gold with this Gasperaux Valley, Nova Scotia Sparkling Wine project. This Bridge comes from ”radically and frighteningly low yields” (3/4 ton per acre, as opposed to the new 6 ton world of Champagne). The ’07 is spun so fine and endowed with a prominent and great leesy nose, along with baking biscuits and lemon purity. To taste there is zest, white pepper and ultimately this is streamlined and refined. A Gamble style that will integrate in ’08 the idea of emulating grower’s Champagne. One will find no holes and no holds barred, in tension and in ease. Like Iggy Pop, Paul Weller, Brandon Flowers and David Bowie rolled into one, a thin white duke with a lust for life in a killer town called malice. Eight some odd cases of the 2005 are still floating around in the monopoly’s system so keep an eye on the labels. You just might get lucky. Price tag, $75? Cost, “priceless.”  93  @Benjamin_Bridge

Good to go!

Between a Flat Rock and an escarpment

Flat Rock Vineyard, Twenty Mile Bench, Niagara PeninsulaPhoto: Brian Barton - Guelph, Ontario

Flat Rock Vineyard, Twenty Mile Bench, Niagara Peninsula
Photo: Brian Barton – Guelph, Ontario

as seen on canada.com

I attend many tastings but none are better than the ones accompanied by the growers, the negociant and the vintner. To a maker, the adage is repeated again and again. Wine is made in the vineyard. Here is part two in the series on land, vineyard and terroir.

Related – Vineyards, winemakers and their sense of place: Bachelder and Leaning Post

Flat Rock Vineyard

PHOTO: Flat Rock Cellars
Flat Rock Vineyard

Assuming the essential information about Flat Rock Cellars proprietor Ed Madronich is on a need to know basis, know this. Madronich is entirely sure about what matters to him, his vineyard and how he approaches the science of making wine. He and winemaker Jay Johnston have embarked upon a new Pinot Noir project. The Block Series investigates the magic of Pinot Noir through a series of a vineyard’s three blocks and plots. Flat Rock’s is a study in soil, slope and altitude.

Notes Johnston: “We can’t learn or get better about our Pinot unless we enter into this type of experimentation.” Adds Madronich, “just don’t screw it up.” They don’t call him Unfiltered Ed for nothing. On Pinot Noir? “When I think about it, I think Burgundy, Oregon, New Zealand and Niagara.” On winemaking? “Jay may be hands on in the vineyard but we are strictly hands off (in the winery).” On closures? Only screwcaps. “The alternative closures are the only way to ensure the wine we make is the wine you’ll drink.  Simple as that.” On taking risks in Flat Rock’s locale as compared to Beamsville? “He’s always had a crop,” says Madronich about a fellow Bench grower. “I’ve always made a better wine,” confirms the unfiltered one.

Flat Rock Cellars

PHOTO: Flat Rock Cellars
Flat Rock Cellars

Soil. Flat Rock’s vineyard set on the Twenty Mile Bench is built of deep clay and till, limestone and shale. The Micro-block Pinot Noir share a commonality from that composition but each plot is possessive its own variation on the rock to soil ratio.

Slope and altitude. Flat Rock lays claim to the biggest elevation change (60 metres from top to bottom) of any vineyard in Niagara. Located approximately (as a function of proximity) 7 – 7.5 km from the lake, propitious air flow dries out the vineyard and mediates humidity. Yields are lower and vines are more vigorous on this part of the Bench, with more rocks dotting the earth. “A super vineyard, great for ripening,” notes Madronich. It’s all about the elevation.

Flat Rock’s Pinot Noir blocks would normally produce 100 or more barrels. Launched with the 2011 harvest, the Block Series encapsulated a selection of 12 barrels, four each from what Ed and Jay considered the “best expressions” of the grand cru determined blocks. Neutral oak was employed to guarantee a fresh, direct and unhindered capture of Flat Rock’s top Pinot fruit. Will this experiment persist vintage after vintage, regardless of cold winters and/or warm summers? Notes Johnston, “we can mine for gold, from block to block, but not necessarily in every year. We’re not trying to razzle dazzle with alchemy in the winery.”

Flat Rock at Crush Wine Bar

Flat Rock Cellars The Block Series Pinot Noir 2011 tasting

Crush Wine Bar, 455 King St W, Toronto, ON M5V 1K4, 416.977.1234 @CrushWineBarTO

BRUCE ($29.95)

From the northern most block, up at the Escarpment/Bruce trail. Thin, one foot deep soil meshes flaky limestone at this elevation. Smallish berries predominate and an earthly mote accents the flowers, cherries, strawberry and classic purity of this bonny Bruce. A Oregonian lightness of being, if you will. From one of the few south-facing slopes in Niagara (because of 20 Mile Creek), where the limestone chalk imparts fine-grained tannin so apparent to taste.  91  Tasted Oct. 23, 2013

SUMMIT ($29.95)

This block’s base is slightly deeper, spreading over dolomite limestone. Diminished average temperatures mean berries develop lower and slower, hang longer (up to three weeks) resulting in higher phenolic ripeness. Summit may be the caveman of the three, seemingly in dire straits, covered in leaves, snapped twigs, truffles and porcini mushroom but damn if impossible Burgundy does not come to mind. This is one to ask where do you think you’re going? It will surely reply, “if you ain’t with me girl, you’re gonna be without me.” 92  Tasted Oct. 23, 2013

POND ($29.95)

Crosses the twain between Bruce and Summit. A cottony touch, most pronounced perfume and of the three, the lowest acidity. Mellow, easy, J.J. Cale peaceful, void of chalk, grain or angst. Speaks in a cherry voice, smells like cherry and returns that cherry to taste. Ripe and soft. “Sweet as a morning sunrise, fresh as a mountain dew.”  89  Tasted Oct. 23, 2013

Two more Pinot Noir

ESTATE 2011 (1545, VINTAGES Essential, $19.95)

A blend of all 13 blocks, made in a rounder and more accessible style, but still consistent with the Blocks and Gravity. Hand-picked, gravity fed, naturally and in a search for fruit truth. Bottled early (August of 2012), the earth, cherries and plant phenol are all here. Blessed with 20/20 Bench vision, in price and location. Really pure expression and unsevered length from beginning to end.  88  Tasted Oct. 23, 2013

GRAVITY 2011 (1560, $29.95, Coming to VINTAGES Nov 23rd.)

From a blend of eight different blocks, 25 barrels were held back for the Gravity. Less made in ’11 due to the Block Series initiative. Magnified pierce, plum, freshness, flow and complexity, a completely gathered Pinot feeling Gravity’s pull. “Reason had harnessed the tame.” A fable of reconstructed Pinot Noir, the Gravity is Flat Rock’s most complete expression.  From my earlier note: Top wines shine at taste Ontario 2013, “may at first strangely seem that it had ”stepped out of the wilderness all squint-eyed and confused” but my how a swirl elicits gorgeous red berries and an emphatic oomph, even without a sip. Impressively ripe, blooming red rose and cinnamon from the heart of a winemaker’s boots. A mineral streak brings to mind Volnay, in spirit and tragically hip Pinot essence.” 92  Tasted Oct. 10 and 23, 2013

Good to go!