Tag Archives: Cabernet Sauvignon

A Sancerre Thanksgiving

French vegetable garden
PHOTO: NEIRFY/FOTOLIA.COM

as seen on canada.com

October is a very busy month in the world of fermented grapes. The local harvest will (almost) entirely see to its conclusion and winemakers will breathe a communal and proverbial sigh of collected relief. They will gaze up into the blue sky and engage in salutary acts of gratitude. They will thank mother nature for allowing their babies to hang long enough for the purpose of achieving phenolic ripeness in varietal maturity.

Appreciation will be shown in spades this week when we wine geeks convene to taste recent years’ wares at Taste Ontario. The event is hosted in Ottawa (The Westin Hotel) today and in Toronto (ROM) on Thursday by VINTAGES and Wine Country Ontario. The grand tasting coincides with the LCBO “SHINE {ON}” campaign that runs from September 15 through October 12.

The lead up week to Canadian Thanksgiving also means the Wines of Chile are coming to the ROM. Chilean wines have lately been blowing my mind in ways not previously perceived. Case in point a recent WineAlign session with winemaker Francisco Baettig of Errazuriz. Later this month there will be stupefying opportunities to sample wines from Napa Valley, Champagne and the Loire Valley.

Ah, there’s the rub. The Loire. Can there be a region anywhere in the world with more varied and obvious wines to match the wealth and richness of foods at the Thanksgiving table? Chenin Blanc, Cabernet Franc and Sauvignon Blanc. A holy trinity of Silex mineral, peppery goodness and piercing acidity to cut through the utterly gluttonous and hoggish Thanksgiving feast. I have already delved into Canadian wines for the coming weekend. Here I add an Argentine Chardonnay, a Nebbiolo from Piedmont, a Pinot Noir from Burgundy and a couple of stupidly good and expensive Cabernets from Napa Valley. Most of all I am so proud to recommend the most altruistic Sauvignon Blanc I’ve tasted in a long time.

So, happy Thanksgiving Canada. I offer up Sancerre thanks, Escondida that emotion and hope to be blessed with a Cabernet on the Corison. Ugh. Sigh.

From left: Finca La Escondida Reserva Chardonnay 2012, Paul Prieur et Fils Sancerre 2011, Pertinace Vigneto Nervo Barbaresco 2009, Aurélien Verdet Moray Saint Denis ‘En La Rue De Vergy’ 2010, Corison Cabernet Sauvignon 2005, and Phillip Togni Cabernet Sauvignon 2010

The grape: Chardonnay

The history: From 100 year-old Bodega La Rosa’s San Juan Andean vineyards, under the much larger ownership of Argentina’s Grupo Peñaflor

The lowdown: This is a phenomenal deal at $15

The food match: Cauliflower Steaks with Tomatoes

Finca La Escondida Reserva Chardonnay 2012 (270207, $14.95) has the Zonda lemon drop I love and look for in Argentinian Chardonnay. Attitude from altitude, the faintest smokey char and terrific restraint. Cool climate rendition and nearly as lovely as Chile’s Le Cordillera. Tight and a bit tingling. There’s a soulful, quiescent component too, if a bit stunted by a stannic cedilla. Never mind the stops and starts. “If you got the notion” buy a boatload of this elegant Chardonnay. Escondida that emotion.  90  @fincalaescondid  @winesofarg

PHOTO: Jill Chen/FreestyleFarm.ca
Barque Smokehouse Baby Back Ribs

The grape: Sauvignon Blanc

The history: Eleven generations have been making Sancerre on this 18-hectare vineyard at the foot of the Monts Damnés

The lowdown: Like I said before, superb

The food match: Barque Smokehouse Baby Back Ribs

Paul Prieur et Fils Sancerre 2011 (350421, $25.95, SAQ, 11953245, $22.95) has that je ne Sancerrais quoi, first in a fountainhead of Verdingy geology and then in plating everything that is Sancerre; verve, attack, the faintest herbiage and rustling, brushing grass. Tittilating and galvanizing in the most golden, autumnal way. To quote the canonical David Lawrason, if I may, “you can always use a good Sancerre.” Damn straight.  92  @LoireValleyWine

The grape: Nebbiolo

The history: A single-vineyard bottling from Cantina Vignaioli (Elvio Pertinace) in Piedmont, Italy

The lowdown: Patience or a good two hour decant is necessary to seek reward from this generously VINTAGES priced red. It’s generally a $50-60 dollar bottle south of the border

The food match: Pasta Al Forno with Pumpkin and Pancetta

Pertinace Vigneto Nervo Barbaresco 2009 (344705, $39.95) is a tight, saliva-sucking, bone dry, ossified, ferric Nebbiolo. Just two sips and my tongue and gums feel like a lorry has run over them. That and the crimson smell of climbing roses. Classic really.  92

The grape: Pinot Noir

The history: A storied vineyard just above the very famous Clos Du Tart in the Côte de Nuits

The lowdown: This producer may not be a household name for its holdings in this Burgundy plot but step aside Bruno Clair, Lignier-Michelot and Pascal Marchand. Verdet can handle the terroirof Morey-St.-Denis

The food match: Grilled Arctic Char, za-atar crust, nasturtiums

Aurélien Verdet Morey Saint Denis ‘En La Rue De Vergy’ 2010 (353416, $44.95) noses my kind of MSD aromatics. Soft vanilla, black cherry, smoke and obdurate limestone toughness. Coated in fine, tinny tannin and stretchy length, this represents big value for the appellation.  92  @BadDogWine

The grape: Cabernet Sauvignon

The history: Cathy Corison holds a Master’s in Enology from U.C. Davis, made wine for Chappellet Vineyard, Staglin Family Vineyard, York Creek Vineyards and Long Meadow Ranch and produced her first Corison in 1987.

The lowdown: From Corison, “time on the vine allowed the development of the full range of flavors that Cabernet can achieve (red and blue fruits grading into the darker, purple and black notes) at moderate alcohol. Cold nights promoted great natural acidity.” Some Napa Cabernet is built upon smoke and mirrors. They cause fires. The honesty of Corison’s wines induce irrigation and germination

The food match: Duck Confit, potato galette, berry jus

Corison Cabernet Sauvignon 2005 (333328, $113.95) is certainly in its wheelhouse, offering up sweet, Napa plaisir. Not as fleshy as expected but open-handed and magnanimous in behaviour. Ceanothus, blue and perfumed. Berries, red and ever bearing. A (Geraldine) Brooksian wine that allows you “to fall down a rabbit hole, where the rest of the world disappears.”  93  @cathycorison

The grape: Cabernet Sauvignon

The history: Napa icon, from a vineyard at 2000 feet, near the top of Spring Mountain

The lowdown: Togni’s Cabernet has oft been compared to the wines of the Medoc, specifically Margaux

The food match: Grilled Beef Tenderloin

Philip Togni Cabernet Sauvignon 2010 (31351, $137.95) may brood and bark but it is not over the top, in alcohol or extract. Imbued of mellifluous perfume, great grain and lay of the land. The 2010 is big on elemental design for Napa, cool in the middle, iron and sanguine at the end. This is serious stuff.  94

Good to go!

Good look ahead at Canadian wines for Thanksgiving

Vineyards and orchards in Osoyoos, Okanagan Valley
PHOTO: THINKSTOCK

as seen on canada.com

The equation is simple. Long weekend plus Canadian wine equals vinous acumen. The holiday is Canadian Thanksgiving. A weekend to celebrate the harvest, all that was once and will again be good. Some time off and an opportunity to put away the stress, if only for 72 hours. Canadian made wine is not only abundant, readily available and affordable, but there is so much great stuff out there now it’s become a wine crime to ignore it. I know the hundreds of dedicated Great Canadian Wine Challenge participants will be savouring Canadian wine next weekend. So, what about you?

Flattery is not always forthcoming. Though Canadian wine would surely suffer a one and done in a World Cup of Wine, being Canadian, no loss of libido would come from losing to centuries-old, billionaire-supported, super-power wine countries. Canadians do not care about writers, critics or dissers of Canadian wine. Canadians are tolerant, thicker-skinned and above that type of behaviour. I like to think of us as Nebbiolo but Cabernet Sauvignon would also work just fine.

More than encouraging words regarding Canadian wines have recently appeared in the columns and tweets of some of the world’s in the know wine scribes. Here are a few examples:

Wine Spectator

Konrad Ejbich with Decanter’s Steven Spurrier

In anticipation of the fall classic long weekend, here are six choices from Ontario and British Columbia to look for and to share on Canadian Thanksgiving.

Clockwise from left: Angels Gate Riesling 2010, Inniskillin Reserve Pinot Gris 2012, Pillitteri Estaes Chardonnay Musqué 2011, Road 13 Seventy-Four K 2011, Jackson Triggs Merlot Gold Series Okanagan Valley 2008, and Southbrook Vineyards Triomphe Cabernet Sauvignon 2010

Tasted at LCBO Media Lab, August-September 2013

Angels Gate Riesling 2010 (ON, 160523, $13.95) in this warm vintage reminds me of brother St. John 2007, drawing comparisons as a lemon-lime, ginger beer, black charcoal, crowish crooning shandy. Although still resisting secondary life, she walks lightly with the TDN angels, “in certain company.” This ’10’s spatially atomic sweet entry gives way to a tight and lemon palate pierce but she resiliently lingers on with just enough tropical intention from the vintage. So much to like for $14.  88  @angelsgatewines  (From the upcoming VINTAGES October 12, 2013 Release)

Inniskillin Reserve Pinot Gris 2012 (ON, 177766, $19.95) may not go as far as the “primordial lake of oozing honey and petrol” that was the Legacy ’09, but still, aside from Trius’ Craig McDonald, only Inniskillin winemaker Bruce Nicholson can attempt, execute and pull off this style of PG in Ontario, or anywhere not called Alsace. Warm vintage white toffee, bronzed oxygenated style. A soundgarden of high-toned pear, light toasted nut and a sure-fire alcohol presence, in “burning diesel burning dinosaur bones.” Preserved lemon tang, great length and housed in a rusty cage.  89  @InniskillinWine  (From the VINTAGES September 28, 2013 Release)

Tasted at Pillitteri Estates, July 2013

Pillitteri Estates Chardonnay Musqué 2011 (ON, 344689, $17.95) maxes out the white flower quotient for Niagara on the Lake. Sinfully rich and viscous in palatial texture, with a pine nut pesto circular in aroma and taste. Veering Viognier in temperament though the lack of wood and deadpan dry behaviour would indicate otherwise.   89  @PillitteriWines  (From the VINTAGES September 28, 2013 Release)

Tasted from keg on tap at Vancouver Urban Winery, July 2013

Road 13 Seventy-Four K 2011 (Winery, $25, BCLDB, 78915, $24.99) concentrates 46 per cent Merlot with 45 per cent Syrah, bolstered by a traffic of Viognier, Cabernet Sauvignon, Cabernet Franc and Mourvedre. Grapes come marching out of vineyards on the Lower and Upper Black Sage Benches, Golden Mile and Cawston Upper Bench. Elongated late season climate moderation saw here to full-effect, low and slow Okanagan hemic ooze and meridianiite mineral. Goes longer than a grain and acts like rich, chewy, malted barleycorn as strong drink, as if McLaren behind the veil.  88  @Road13Vineyards  @VanUrbanWinery

Tasted blind in September while judging at the 2013 WineAlign World Wine Awards

Jackson Triggs Merlot Gold Series Okanagan Valley 2008 (BC, 572040, $23.99) like a wine lover’s dessert, this JT Merlot spoons gobs of sun-dried fruit, anise and dried raisin over a compressed and chalky cake of balmy green tea. Youth purloined by developed character, marked by the sauce, not unlike some manic red advance cassettes from Italy’s Mezzogiorno. Now long in the tooth, “how you wound me so tight,” with your unique style, so “don’t say that I’ve lost you.” Its heft will carry it through.  88  @JacksonTriggsBC

Southbrook Vineyards Triomphe Cabernet Sauvignon 2010 (ON, VINTAGES Essential, 193573, $22.95) drifts effortlessly along in an extreme brightness and lightness of being. A perfumed exotic beauty that displays definitive Cabernet Sauvignon character. Tea, tobacco, Cassis, vanilla, dark berries, proper acidity, good grip and length. Dictionary entry for the vintage, the Niagara-on-the-Lake appellation and the genre. No other sub-$25 Ontario Cab does the warm vintages (’02. ’05, ’07 and ’10) with this kind of grace and power. From and kudos to winemaker Ann Sperling.  91  @SouthbrookWine

Good to go!

Fall is the time for Tuscan wine

Ripe wine grapes
PHOTO: ANDY DEAN/FOTOLIA.COM

as seen on canada.com

Tuscany. Entrenched in place as one of the most storied, time-tested and traditional wine regions of the world. For right reason, thanks in great measure to the chimerical, paragons of Brunello, Vino Nobile, Bolgheri, Maremma and of course, Chianti Classico.

Tuscan wine laws, while more relaxed and inclusive than they recently were, continue to hold on to stubborn and hardheaded ways and remain transfixed on tradition and patriarchy. In the 1970′s some miscreant and rebellious winemakers began bottling with foreign varieties and gulp, in blends with the local, beloved Sangiovese. They broke as many rules as possible. Wine hippies. The movement paid no heed to the DOC (Denominazione di Origine Controllata) and DOCG (Denominazione di Origine Controllata e Garantita) laws and the wines came to be known as Super Tuscans. The new marketers labeled their bastardi as IGT (Indicazione Geografica Tipica). Antinori’s Tignanello, Tenuta San Guido’s Sassicaia, Tenuta Dell’Ornellaia’s Ornellaia and Masseto were the very expensive originals. So many followed and today a “Super Tuscan” can be had from $12 to $400. I turn to this concise and disseminated description on the genre from VinoinLove.

PHOTO: Daniela Scorza/Fotolia.com
Tuscan wines are to be found everywhere these days and tastings seem to teem with them in the fall.

All this in direct insult and dis to the salt of Tuscany’s wine earth, the sanguis Jovis, the “blood of Jove,” Sangiovese. Conventional and prescribed Chianti (Sangiovese), Brunello (Sangiovese Grosso) and Vino Nobile (Prugnolo Gentile) all contained, in majority proportions, a form or clone of the grape. Other autochthonous varieties were parochially permitted, like Canaiolo, Colorino, Malvasia and Mammolo. But Cabernet Sauvignon, Merlot and Syrah? No chance. Today, things have (somewhat) changed.

The Super Tuscan IGT holds court while Sangiovese-based wines fight for market share. Better yet, the IGT style paradigm is finally beginning to shift back to the future of Italian wine, in a focused, pure, fruit-driven style. Oak hindrance and high alcohol IGT, despite the reason for putting the genre on the map in the first place and while still so prevalent, will not survive the mode it has been mired in for the past 10-12 years.

Tuscan wines are to be found everywhere these days and tastings seem to teem with them in the fall. Tuscany was the themed centrepiece of the most recent VINTAGES September 28th, 2013 release. Wine importers have been showcasing their IGT’s at portfolio tastings and coming next month, Wines of Italy will offer more than a dozen among the 100+ wines on pour at that immense event. Here are five recently sampled Super-Tuscans and three rogue Sangiovese to seek out this fall.

Clockwise from left: Capezzana Barco Reale di Carmignano 2010, Fattoria Carpoli Sada Integolo 2010, San Felice Il Grigio Chianti Classico Riserva 2009, Carpineto Farnito Cabernet Sauvignon 2007, Pertimali AZ. Livio Sassetti Fili di Seta IGT 2009, Terrabianca Campaccio IGT 2009, and Anima Libera Morellino di Scanzano 2011

VINTAGES September 28th, 2013 release

Capezzana Barco Reale di Carmignano 2010 (508531, $16.95) lets Sangiovese play chaperone to Cabernet Sauvignon and Canaiolo in its most modern and alluring incarnation to date. That’s not to say it clenches without tension, in seething red berry and cherry. Highly floral entry and dusty finish. Solid value. Will work for many a pasta.  88

Fattoria Carpoli Sada Integolo 2010 (350132, $18.95) the unheralded, consumer obscure yet not so unusual IGT blend from Cabernet Sauvignon, Montepulciano and Alicante feigns modernity at a refreshingly low, low alcohol by volume of 12.5 percent. Though not widely known, the blend is not so uncommon for the Tuscan coast. Uncomplicated and pure, dark red camera obscura with pitch emitting a ray of bright fruit light. Spit char roasting aroma, sun-dried flavour and energy in solar happiness, as “the rocks melt wi‚ the sun.”   89

San Felice Il Grigio Chianti Classico Riserva 2009 (716266, $26.95, SAQ, 703363, $27) clocks in at 12.8 per cent abv. Are you following the theme here? This CCR is just so flippin’ foxy and gorgeous to nose. It’s also demanding in iron, dried sanguine char and tough like the label’s Titian-painted medieval knight. CCR stretched out on the rack, Italianate through and through and likely in need of 10 years lay down time. Funkless which, considering the lack of coat and obfuscation, is very, very interesting.  92

Carpineto Farnito Cabernet Sauvignon 2007 (996553, $29.95) invites Chianciano/Montepulciano to the party mix and the result in 2007 is lush, lusty and downright funky. Usually one only finds this kind of funk and circumstance in a Napa valley Cabernet. So muttonous and crustaceous I’m tempted to say merroir but as my colleague JS notes, “withterroir like this who needs grapes.” Another IGT that dials my number at 12.5 per cent abv. Honesty thy name is balance.  90

Profile Wine Group Portfolio Tasting

Liberty Grand, September 24, 2013

Pertimali AZ. Livio Sassetti Fili di Seta IGT 2009 (Profile Wine Group private order, $37.95, B.C., International Wine Cellars, 16147, $46) is a Sangiovese (60 per cent) and Cabernet Sauvignon (40 per cent) Montalcino blend. Rosso di Toscano, as opposed to Rosso di Montalcino, or baby Brunello. Lush, jet pitchy and earthy fruit that dances the Brett line but never crosses over into dangerously funky territory.  90

Terrabianca Campaccio IGT 2009 (Profile Wine Group consignment, $39.95) combines fruit from two Tuscan appellations, Chianti Classico and Maremma. The 70 per cent Sangiovese and 30 per cent Cabernet Sauvignon blend has never wavered or waffled, nor has the price. Same 40 bucks I paid for my ’97′s. If perhaps it were accused of being less complex and idiosyncratic and more accessible, so be it. Such a virtuous expression of Sangiovese where Cabernet supports. Harmonious, red fruit and rampart acidity in a wine capable of abstruse behaviour.  91

Connexion Oenophilia

August 1, 2013

Anima Libera Chianti 2011 (Connexion Oenophilia Private Order, $16.95) is the child of a “garagiste” project from flying consultant winemaker Emiliano Falsini. Composed of 95 percent Sangiovese and five Canaiolo, it’s juicy, lively, certainly a “made” wine but bursting with western Chianti earth, raspberry and strawberry. Ultimately approachable and sociable “from love I long to taste.” Libera me Chianti.  89

Anima Libera Morellino di Scansano 2011 (Connexion Oenophilia Private Order, $22.95) is a mix of Sangiovese (90 per cent), Alicante (five) and Malvasia Nera (five). More depth and robust, studied consternation than most Morellino. Corporeal, developed cherry fruit deliberated by grainy, chalky tannin. There’s an iodine and roasted chestnut note but the fruit remains fresh, neither rustic nor bruised and the wine is conclusively rooted sub-mediterraneanly beyond the Chianti’s reach.  91

Good to go!

Select tasting through years of the Stratus Red and White

Stratus Winery and Vineyard, Niagara on the Lake
PHOTO: STRATUS WINERY

as seen on canada.com

Imagine this scene. It’s the year 2000 and all of the Stratus single varietal wines have been bottled.  J-L (Jean-Laurent) Groux and partner in wine at the time Peter Gamble are discussing the vintage and the merits of the individual varieties. “Something’s missing,” is the thought. “We can do better.” They decide to pour them out and reconstruct by blending whites into riddles wrapped in mysteries inside enigmas. They did what? They poured out Chardonnay, Riesling and Gewürztraminer, to reform the varieties by fractional assemblage? Crazy but true. History was made.

J-L Groux
Photo: Stratus Winery

J-L Groux is the winemaker at Stratus Vineyards, steward and maître d‘ to Niagara assemblage, the “art of combining several varieties to create a single wine.” The Stratus Red and White wines define that noble practice for Ontario. Groux’s M.O. is to select the best grapes from a single growing season, age them in oak barrels and then combine the SV’s for the purpose of achieving exceptional aromatics, a long aftertaste, vintage consistency and ageability. If any doubt has been cast over the idea of or the success of Groux’s methodology, upon his insistence that “there is no recipe for assemblage, only a goal,” the back-vintage vertical tasting at Le Sélect Bistro answered the multi-variety bell.

Cabernet Franc, Stratus Vineyard
Photo: Stratus Winery

So what has changed in the past 13 years? Most notable is the wisdom, experience and maturity of the vines and the winemaker. The wines and their maker have developed a symbiotic relationship with their environments. The oak barrels are crucial to the refinement of the Stratus signature wines. Cooperage time, though perpetually in oscillation, has generally increased over the years but levels of new oak have decreased. Groux’s declaration that it takes time to get the pyrazine (green character) out of the red grapes (especially Cabernet Sauvignon) indicates that oak must support but never lead. The Stratus Red vintage eversion is testament to a barrel program that is just getting better and better.

Rigorous vineyard management, including adjustments in fruit-thinning and maintaining fundamental, biological order have been key. “The vineyard is way more balanced due to all the hard work we have done,” boasts Groux. In 2010 they discovered it was no longer necessary to over-thin, but to concentrate on maintaining the organic matter needed. “We used to thin by two-thirds. 2010 was the hitching point.” Grape quality has never been better. “All these varieties are now making concentrated wine,” concludes Groux.

Re-thinking specific variety usage has seen a constant progression. Reds that used to rely on a categorical Bordeaux model (the three main grapes, Cabernet Sauvignon, Cabernet Franc and Merlot) have seen additions of Gamay, Syrah and Tannat over the years. In 2010, the archetype is again Bordeaux, with Petit Verdot in the mix. Malbec can’t be too far behind. My personal preference would be to see the beacon Gamay in grounding support. The grape really ties the room together. Whites once lead by Chardonnay have also angled Bordeaux.  “We discovered in 2008 that Semillon can make great wine in Ontario.” This was a pivotal turning point in the Stratus white evolution.

Gewürztraminer was also eliminated around this time, to ‘thin’ away a level of terpenes and to adjust the flavour profile towards more balance. “People would begin to say I smell Gewürz. Dammit!”  J.L. would say, “that’s not what I want them to smell. I want them to notice complexity. We want when people put their nose in this they say, this is serious.” Going forward, more Chardonnay will join the assemblage, moving towards more complexity, a less dry style.

The Select-Stratus tasting and lunch was hosted by J-L Groux and team: Charles Baker, Ben Nicks, Suzanne Janke and Sarah Walker. Chef Ponzo’s stoic, elegant plates prove that simplicity leads to good design as they ratify the sine qua non of Bistro cuisine.

Stratus Select Line-Up
Photo: Michael Godel

Stratus Red and White Vertical

Tuesday September 24, 2013

Le Sélect Bistro, 432 Wellington Street West  (416) 596-6405

Chef Albert Ponzo, @AlbertPonzo

Stratus White

2010 sends me immediately towards Bordeaux, in neo-marmalade, but also buoyed in perfume and body by 25 percent Viognier. “This variety worked so well in the vineyard in 2010,” notes Groux. Niagara honey and near-botrytis via Semillon and Sauvignon Blanc void of grass, full of vigor. A sharp note, neither metallic nor mineral, but a combination of the two is present in this so very concentrated ’10. Of a warm vintage (self-explanatory) fully picked by October 23. Though loaded with early Spring maple sap, foie gras and appley terpines, its sharp and framed by “tannic” tang and protracted length.  92

2009 is a vintage you will notice a great similitude in that the Sauvignon Blanc and the Semillon number is consistent with ’10. This was a not preconceived plan insists J-L. Here the acidity level is so much higher, not as terpenic and veering citrus. Late picked UV’s on the berries are to thank but still the apples are there along with some pith. The Gewürztraminer glycerin, nutty aftertaste used to be there but now seems to have dissipated. This ’09 comes from a very small crop so the price “makes very little business sense, but you can’t win them all.” With time in the glass it dilates and modulates, becomes tropical, in pineapple and melon. This from 25 brix Sauvignon Blanc and to a lesser extent 23 brix Semillon. More stony and stark than the ’10.  89

2008 is formatively led by Chardonnay and certainly leans Chablis in a cool year. The highly aromatic grapes, at first mute, begin to emerge as the wine warms. This is the prettiest of the three thus far, with more citrus, fine balance and a wine that corroborates  J.L ‘s concept; consistency, long aftertaste and ageability. Achieves all three.  Keep swirling and the tropical notes make a play. Again consistency. This is effortless.  92

2007 has taken seven years to slow down the Gewürztraminer because the tiger army was so prominent back then, even at only 11 per cent of the mix. A “prisoner of the past and my heart’s dark desire,” with extreme efflorescent, ambrosial white flower and medicinal honey scents. The aromas are likely a residual effect of the Gewürztraminer, like jasmine or dried roses, or the floral aroma of some honey.  Even at six years old the Riesling is a distraction. This wine is very, very interesting, but also the hardest to assess. “Dried flowers pressed in pages of faded romance died.”  90

2006 was a “great recovery year,” after the winter damage of ’03, ’04 and ’05. A cool vintage, which required careful picking. The Sauvignon Blanc driven ’06 has the highest melon component, not to mention Boxwood. Yet that rose/floral/honey medicinal note is even stronger. Not over the hill at all and developing a graceful white wine character. Very French with late acidity and verve. Remarkable. Love this one. “This is a style of aged wine where I want to go,” says J-L. Nutty finish.  93

2005 was a deadly vintage (worst frost in Niagara on the Lake) and the only one with smacking aromas from the vineyard floor. “A zoo growing season,” notes Groux, “with grapes hanging high and low.” Chardonnay leads the troops in ’05, in elevated acidity and earthiness from grapes picked “in a different type of environment, near to the earth.” Highly textured and mature, leggy fruit. Though its best years are behind (because the fruit will no longer support the oak), the Groux seven-year ageing goal has easily been reached. The whiff of terroir does blow away and the honey liniment and rose emerges. So much consistency, so rapidly developed.  Amazing. Witness here the winemaking acumen out of an atypical vintage and confounding result.  90

Stratus Red

2010 is a study in restrained, gilt-edged use of only 15 per cent new oak during assemblage, especially with Cabernet Sauvignon in the lead and so prudent considering the extreme warmth of the vintage. Cabernet Franc imparts simple but intense spice.  Red talented, fresh finesse, the oak in support as a James Dean, cherry stained leather jacket. De facto fresh, with just enough trenchant acidity.  92

2009 is a very different and strange Cabernet animal, driven by Franc, its aromatics in spectacular form. Certainly ringing the bell pepper tocsin in a briny, cool climate and licorice carillon. Quite masculine for cool climate, cool vintage assemblage, assisted in kind that way by Tannat and Petit Verdot. “O Ominous Spiritus!” 88

2008 gives J-L reason to quip, “a cool year so therefore Cab Franc is king.” A smear of tarry black fruit is grounded by the dusty character that cool-climate reds so often display. Pepper, currant and more minerals meet metal aromatics. The ’08 Stratus SV’s collectively charm in special ways so there’s little reason not to be taken in by this assemblage. There’s just something about the vintage.  90

2007 puts a twinkle in Groux’s eye. “Still very enjoyable, agreeable and ageable,” he smiles and I note it’s not candied like it may have once been perceived.  A healthy and high 88 per cent dose of new oak but it’s not the encumbrance you might expect. Still quite tight, eking strawberry and plum, and indubitably a unique amalgamation. Will offer up five more years of pleasure.  91

2006 has reached a mellow stage in life, a middle age comfort zone, with no more edgy tannins. J-L is reserved and resolved to say it “has evolved to a nicely aged red wine.” Some sour funk continues to shine in bright acidity, seemingly fresh, though not as mature or concentrated as the others. Some grape leaf here, in a savoury way, like herb and starch stuffed tomato or ground meat in sweet peppers. Complex but not overly chichi.  89

2005 is a wine, according to J-L “you want to keep for a long run.” Laser focus, eagle-eyed cherry bears aloft by lingering acidity and rusticity. The warm vintage and oak aging has elongated the tannin chain. “Its passport for aging,” says Groux. “Can go the distance, we’ll find out in the long run.” That omnipresent dusty mulberry Merlot influence persists, along with black tea, carob, rhubarb and bokser. Herbal, savoury and highly complex.  93

Terrine de Tête et Queue, head to tail, ‘meaty’ pork terrine

Tartare de Saumon, with lemon pearls, caperberries & frisée lettuce

Stratus White 2002
Photo: Michael Godel

Stratus White 2002 performs a demi-sec act which is not such a stretch, considering the late harvest actualities of the Gewürztraminer and the Riesling within.  Could pass for dessert-like, cool-climate French (Jura) though after the chimerical declension it’s still nothing but a Chardonnay-galvanized meritage. Like warm honeycomb buttering steamed crustaceous matter. That Stratus White medicine, in rose potpourri and honey completes the classic scene within the portal.  93

Confit de Canard, duck leg confit with crispy skin, served with vegs from the garden, potatoes au gratin

Joue De Boeuf Bourguignonne, beef cheek braised in red wine, with pork lardons and button mushrooms and a green pea purée

Le Sélect Bistro Duck Confit
Photo: Michael Godel

Stratus Red 2001 from two Cabs, Merlot and Gamay is a juicy, funky and earthy glass of vinous compost. Purple verdigris, verging to black and after all these years. Broods on despite memories of a hot “lady-bug” vintage. The NOL equivalent and coalescence between the French garrigue and the Italian animale. There should be nothing declassified about this black beauty.  91

Mousse au Chocolat, made with French dark chocolate

Assiete de Fromage, a selection of Artisan cheeses from Québec; Riopelle, Le Douanier and Bleu Benedictin

Stratus Special Select Late Harvest Cabernet Franc 2012

Good to go!

Ancient, state of the art Spanish wine

Barrels of wine are pictured in a cellar PHOTO: A.B.G./FOTOLIA.COM

as seen on canada.com

Argument suggests that the cradle of wine civilization, borne of Levant and of Mesopotamia should rightfully translate to talk of global influence and relevance as emanating from Greece and the Middle East. Not so much. The epicentre lies further west. A commonality shared by the modern romantic, European wine-producing nations is a mojo modus constructed of the most complex declensions. The language of the big three, France, Italy and Spain, inflects in case and number, the benchmark for fine and designed wine.

Spain’s vinous history stretches about as far back as that of its Western European neighbours and though it so often plays kissing cousin, Spanish winemakers do not pussyfoot in producing superannuated yet contemporary wine. My tastings over the previous two years of western (Latin) Europe’s 2009 and 2010 vintages have somewhat and hopefully only temporarily soured my palate for beloved southern Rhônes, especially from the village of Châteauneuf-du-Pape. Up until a year ago I would have put CdP up against any global comparatives for quality and value in the $30-50 range. So many current examples, especially those 2010′s, are hot, over-extracted and completely out of balance. That feeling is also coming out of Piedmont (in particular from a virus of cheap, under $35, traipsing and awkwardly ambling Barolo), but also newly endemic in a hyperbolic convoy of flamboyant and trashy-sexy Tuscan IGT and Brunello. This, sniff, from my first wine love.

PHOTO: Michael Godel Bodegas Beronia, Patria Restaurant, July 18, 2013

Winemakers in Spain (and zooming in more specifically) from Ribera del Duero, Rioja and Montsant are more careful not to fall into modish vinification traps like sugar and spice wood splintering (France) or terroir-void, vinous compost (Italy). They are masters of their wine technique domains, in control of reductive aromas and in deft touch with acidification. Don’t misunderstand me. France and Italy are blessed with brilliant wines and winemakers. Conversely, there are plenty of examples out there these days in high-octane, alcohol elevated, barrel age-leveraging in ultra-modern Spanish wine. There are also wine making superstars. Red and white wine heroes. Matias Calleja, Juan Carlos Vizcarra, Maria Barúa, Luisa Freire and Alvaro Palacios all achieve Iberian nirvana by striking a balance between old and new world, antediluvian and 21st century, all the while making large quantities of commercially successful wine.

Bodegas Beronia talks of their “commitment to quality wine that expresses the personality of theterroir.” Their goal? “A philosophy based on respect for the environment and an ability to adapt to new market trends, maintaining the essence of Rioja.” Matías Calleja defines it: ”We combine art technology with traditional methods of production.”

According to their Ontario agent, Woodman Wines and Spirits, “if anyone embodies the promise and spirit of “The New Spain”, it is Alvaro Palacios.” It has not been much more than 20 years since he took control of the esteemed empire built by his father, Jose Palacios Remondo, but Alvaro Palacios has already become one of Spain’s most famous and well-respected winemakers.

Here are 10 perfect Spanish wines to pour, ponder and debate the popularity vs. quality discussion and to open the door to ancient, state of the art Spanish wine.

From left: Alvaro Palacios Camins del Priorat 2011, Lan Gran Reserva 2005, Bodegas Vizcarra JC Vizcarra 2010, Beronia Crianza 2009, and Beronia Gran Reserva 2006

Alvaro Palacios Camins del Priorat 2011 (216291, $22.95) is composed from 50 per cent Samsó (Carinena), 40 per cent Garnacha and a 10 per cent split between Cabernet Sauvignon and Syrah. A child of young vines, ready to roll Spanish charmer with a mingling floral nose, in barberry and bursting blueberry. Outlined by notes of pencil and charcoal. Timely acidity helps ease the heavy alcohol with some essential balancing grace. Stealth, arid ride through calcareous rock, deciduous oak and viburnum. There is something historical here, crafted yet serious.  91

Lan Gran Reserva 2005 (928622, $27.95) and its makers may now just be a cog in the Sogrape empire but it continues to do its own thing. Has that evolution I look for in Rioja. The slightest oxidative note, heaps of herbs and the umami of salty clashes with smokey Jamon. Rioja expressive of one love and one heart. Caught bobbing, dancing and wailing right in its wheelhouse, giving everything it’s made of, no holds barred and no questions asked. “Is there a place for the hopeless sinner?” Yes, in a glass of a weathered, leathery and just flat out real as it gets red Rioja.  92  @BodegasLan

Bodegas Vizcarra JC Vizcarra 2010 (214650, $28.95) while 100 per cent Tempranillo could understandably be confused for Bordeaux or Châteauneuf-du-Pape. Wood driven to be sure, shrouded in tobacco, vanilla, coconut and the prevailing, hedonistic attributes of the Left Bank or the Rhône. Bounding in berries and liqueur with a hit of phite. JC works because it comes together by adhering to Tempranillo’s early ripening, Cabernet-like, savoury chain of command. Compliments all around to an under $30 powerful yet beauteous Ribera, all out contempo, flaunting and billowing gorgeous. Wow times ten for flavour, if a bit too much of a good thing.  91 @DrinkRibera

Bodegas Beronia, Patria Restaurant, July 18, 2013

presented by Woodman Wines and Spirits, (416) 767-5114, @WoodmanWines @BodegasBeronia

Beronia Viura 2012 (Coming to VINTAGES January 18th, 2014 – 190801, $14.95) exsufflates super ripe, fresh picked pear and emollient herbiage in pure, angled control. One hundred per cent, quick macerated and cold stabilized Viura of aromatics locked in tight. A pour that leads to a starburst of flavour. Complexity reaches the sea in an underlying tide of salinity.  89

Beronia Tempranillo 2010 (LCBO, 243055, $11.65) is a warm, tempered, six months in Sherry cask-driven “one-half Crianza” but not classified as such. Specifically crafted for the North American market, the oak is the protagonist, while the Tempranillo lies in macerated cherry state. At $12 it’s a no-brainer, crafted by a conscientious and forward-thinking vintner.  86

Beronia Crianza 2009 (Consignment, $16.95, Barque Smokehouse) offers more terroir and less barrel interference, in pursuit of a fruit/tension equilibrium. Redolent as if berries, cherries and plums were on the crush pad, with a touch of modernity as a result of both new and used barrels. Classic style (1970′s) Rioja, a five to seven-year wine.  89

Beronia Gran Reserva 1973 is both the dawn of a first vintage pathfinder and fountain of youth. Fast forward from the pre-disco vintage to ubiquitous 90′s soul-searching structure and know it was clearly there with untested confidence back in the beginning. Earth, Spanish bramble and aged expertly in barrel, you can ”tie a yellow ribbon ’round the ole oak tree” with this genesis of Rioja. Tempranillo, Graciano, Mazuelo and five per cent Viura. Twenty minutes in the glass and still so alive. Old school with the proviso to entertain.  93

Beronia Gran Reserva 1982 is highly evolved, gone milky, breaking down as by proteolytic enzyme. A study in caramel, fruit removed, out of tension, past. A second bottle not tasted was purportedly sound, though not corroborated.  NR

Beronia Gran Reserva 1994 spent 34 months in new and used barrels. The bridge from past to future, definitive for Rioja in every pertinent way. Fragrant in licorice, iron and bigarreau cherry. American oak to see a 2020 future in shag, snuff, tea and forest compost.  94

Beronia Gran Reserva 2006 (VINTAGES, Release date TBD – 940965, $34.95) is so youthful it actually gives me bubble gum and dark black cherry from just a swirl. American vanillin oak and terrible tannins in a frightfully tough to assess wine Calleja says “will maintain this intensity for four to six years.” Oh, and then “will continue to evolve for 20-25 more,” slowly modulating as a result of its natural acidity. Judgment currently reserved though the future looks extremely promising.  92

Good to go!

Ontario wines shine on

Shine {ON} Ontario Wine Map PHOTO: LCBO

as seen on canada.com

After spending the last two days tasting through 150 plus wines as a deputy judge for WineAlign’s World Wine Awards of Canada 2013, a reprieve is in order. Today I shift gears, shut off the global wine valve, return home and focus local.

Fresh on the heels of the National Wine Awards of Canada 2013 results, the #WWAC13 threw a gauntlet of grapes my way; international red blends under $15, up to $25 and up to $50. Same for an amphitheater of white blends. According to fellow panelist David Lawrason, “there was no white grape variety not on this page.” We also tasted, took notes, scored and passed judgement on Pinot Noir, Chardonnay, Agiorgitiko, Xinomavro, Shiraz/Syrah and Riesling.

A year ago less two weeks this supplicating statement, Ontario wine. Can you feel the love? was posed. This reflexive, rhetorical question was quickly responded to with an emphatic, yes. A year on, I continue to talk with myself, with increasing focus on the wines of Ontario’s three most prominent producing regions, The Niagara Peninsula, Prince Edward County and Lake Erie North Shore. Self, I preach, Ontario wines continue to shine on. The $64K question is why?

People. Passion. Community. Quality. Climate. Spend a little time in wine country and the first four points explain themselves. Then there is the weather. Mother nature has hurled everything at Ontario’s vines this growing season. Spring frosts, unseasonable cool and wet weather for most of Spring and Summer, tempests, wind damage, torrential rain and flooding. Then an early September spike of intense, humid heat. This will be followed by a twenty-five degree dip in temperature at the end of this week. Despite the mercurial, tsunami fluctuations, Ontario winemakers will make terrific whites and reds in 2013. This is because of the industry’s maturity. Global climate craziness no longer holds a candle to the ability, knowledge, innate understanding and confidence found in Ontario’s wine houses. Going forward, lesser and greater are the terms to consider. Bad vintages are a thing of the past.

For the next 30 days, Ontario’s grape growers and wineries will be receiving some tender, loving, marketing care. The LCBO has rolled out their Shine ON program, an eat and drink local, in-store promotion that runs from September 15 through October 12. A dozen food trucks, representing a wide range of food styles, will be visiting an LCBO location for a special outdoor wine and food sampling. The September 14th, 2013 VINTAGES release features 38 pages of print and photos in discussion with sommeliers, restaurateurs, chefs and international wine critics.

But wait, there’s more. Wine Country Ontario, always the most devout and righteous of Ontario’s wine promoters, is encouraging an experiential twitter colloquy:

Spotlight Toronto champions the campaign in a big way, by way of their extensive 30 Days of Ontario Wine coverage. Wine Country Ontario and VINTAGES will bring the fall celebration to a vinous crescendo when Taste Ontario comes to Ottawa and Toronto, October 7th and 10th. These events mark the largest assembly for sampling Ontario’s wines in one go around.

I have tasted more Ontario wines in the past year than I had combined in all my years previous. Here are six exemplary choices slated for release this coming weekend.

Clockwise from left: The Foreign Affair The Conspiracy 2011, Fielding Estate Pinot Gris 2012, Daniel Lenko Gewurztraminer 2009, Lighthall Vineyard Chardonnay 2010, Bachelder Niagara Chardonnay 2011, and Henry Of Pelham Cuvée Catharine Carte Blanche Blanc De Blanc 2007

The Foreign Affair The Conspiracy 2011 (149237, $19.95) from ‘It’s Only Rock ‘n Roll’, (but I like wine), “kissed, re-passed over and threatening to push boundaries as if it were singing “if I could stick a knife in my heart, suicide right on stage.” This Ilya Senchuk beauty may only be ripasso but I like it. Eases my pain and my brain. Excellent verve and honed of a rock star’s capacity to be loved, with tart, red and black fruit in waves, tar and charcoal. Svelte balance in fruit, alcohol, sweet and sour. This is THE vintage for this wine. Ten plus years lay ahead for a long affair and it will be rewarded with praise in future tastings.”  92  @wineaffair

Fielding Estate Pinot Gris 2012 (251108, $21.95) unlike, or as much as any Niagaran, intimates Alsace. Greasy, well, not greasy but jet propelled, viscous and rich in texture.  Seems to indicate a sweet/nut/salt/stone fruit pit conundrum but never crosses into that dangerous zone where any of these notes might cause interference. Really solid Gris and says a lot about the vintage for this grape. “Will shine on, for everyone.”  89  @FieldingWinery

Daniel Lenko Gewurztraminer 2009 (356832, $24.95) offers obvious, distinct and succinct lychee-induced pleasure. Off-dry with an embolden, mineral tang and good acidity. Early picked yet quite ripe and almost “tannic” for Gewurz. A diamond in the aromatic white wine rough, “blown on the steel breeze.” Sings a long, long song.  90  @daniel_lenko

Lighthall Vineyard Chardonnay 2010 (278226, $25) from A Wine Pentathlon, “has that crazed look in its eye, as does vintner Glenn Symons when he talks about it, knowing full well this Prince Edward County juice is a bursting and rising, rocket launching supernova. Steely like Chablis, sharp and shimmering in defiance to the heat of the vintage, the LVC is a dartle to the collective consciousness of the County. Startling revelation. It’s all about the rocks.”  91  @lighthallvyard

Bachelder Niagara Chardonnay 2011 (302083, $29.95) burrows towards, reaches and fleeces limestone with amplified ramifications. This weather whipped Chardonnay is both Bachelder’s kookiest and most severe. That is succeeds in agminate partying of power and pop is a tribute to savvy winemaking. Though the fruit does not currently ride the breakers, the wine’s length oscillates in waves. Will wait for this one and make an appeal. “Won’t you shine, shine on?”  90 @Bachelder_wines

Henry Of Pelham Cuvée Catharine Carte Blanche Blanc De Blanc 2007 (315200, $44.95) currently resides on the leesy side of the Blanc tracks. Rich, nervy, stoked by putty, pith and tankhouse grit. In toast mode and a full on attack of chalk and limestone. Not the faint-hearted bubbles of yesteryear. Must always take it’s rightful place in discussion of top sparkling wines from Ontario.  90  From my earlier notes: Lock, Stock and Sparkling Wines, “turns the brioche quotient up several notches and is consistent with last month’s note: “combines the exceptional ’07 growing season’s rich fruit with early harvested acidity and extreme patience to result in one serious Ontario sparkling wine. A frothing tonic of citrus zest, baking apples, soda bread, cut grass and creamy grume. Long and true.”  90  @HenryofPelham

Good to go!

Low alcohol wine for the High Holidays

Barque Smokehouse Smoked Chicken Thighs. Serve with Ca’Del Baio, Moscato D’Asti 2011
PHOTO: KEVIN HEWITT AND JILL CHEN/FREESTYLEFARM.CA

as seen on canada.com

A quick bit of Jewish 101. Tomorrow night is a Jew’s big night. There will be a great feast. Apples and honey will grace every table. The big meal will be followed by much sweet indulgence. Rosh Hashanah is marked on the Jewish calendar by the first day of Tishrei, meaning the “head of the year.” This new calendar year beginning is referred to as Yom Hadin, the Day of Judgment, a time to make sincere resolutions for the future. Jews will say, L’shanah tovah tikatev v’taihatem, “may you immediately be inscribed and sealed for a good year.” Rosh Hashanah is a time for renewal, where symbolic pleasantries are shared, exchanged and not surprisingly, Jews make use of food and drink to exercise the festivities.

When it comes to yayin (wine), Shekar, or “strong drink” is not necessarily the obvious, fermented choice. Last November I wrote a rant on the jumboism rampant in so many current wines on the market. “Biblical thought says there was a time when “wine” was simply the juice of pressed fruit, non-fermented, void of alcohol, the “pureblood of the grape.” The post-deluge patriarch (Noah) purportedly discovered that if you let natural yeasts run wild they would turn grape juice and sugar into mocker, “strong drink.” Researches say that ancient barm barely peaked at 12 per cent alcohol by volume.”

Like a pair of brothers in heated debate over ”integrity versus compromise,” choosing wine for the High Holidays is fraught and fought with philosophical and religious intensity. Kosher or conventional? Traditional or modern? Low alcohol or high-octane? Many Jewish tables will be set with Kosher (not Meshuval or, Kosher for Passover) wine. Many will not. For many modern Jews, on holidays not called Passover, Kosher is not a prerequisite when it come to choosing wine. Jews, in general, will daven to that 12 percent abv mark, give or take a percent. When talking wine, the Jew should never be labelled a Mundus Novian. Keep in mind that with all that food going down, heavy-handed winemaking has no place at the Rosh Hashanah banquet.

Related – More from the VINTAGES August 31st, 2013 Release

Then there is the etymology of the expression L’Chaim. At one point the condemned were given wine so that their execution would be less painful. The phrase “to life” was coined to express a sentiment to the contrary. Here are five excellent, low-alcohol wines to look for thisRosh Hashanah, to raise a glass to the new year, to exclaim L’Chaim!

Clockwise from left: Ca’Del Baio, Moscato D’Asti 2012, 13th Street June’s Vineyard Riesling 2011, Jean-Marc Brocard Sainte Claire Vieilles Vignes Chablis 2011, Château Hyot 2010, and Domaine De La Garodière Morgon 2011

Ca’Del Baio, Moscato D’Asti 2012 (Stem Wine Group, $18.99) is so low in alcohol (five per cent) you might think you are drinking cider but fermented apples could never achieve such complexity with such incredibly economical syntactic structure. Slightly sweet and also sparkling, this Moscato makes itself readily accessible to new wine drinkers. I may not be one but how can I not be tempted by its forbidden stone fruits. I’ll drink it with the sups at the RH table. Moscato 101 indeed. On the card at Barque.  90

The food match: Halibut, pan roasted, charred sweet pepper jam, steamed broccoli & heirloom carrots

13th Street June’s Vineyard Riesling 2011 (147512, $19.95) from Niagara’s Creek Shores and built of the classic Alsatian Clone 49 inordinately defines place and time in an agglomerated manner. Maximum floral intensity, zero petrol tolerance and an arid accumulation speak volumes about the appellation. To taste you will note it just barely believes it’s off-dry. Unique and unambiguous, plosive Riesling.  89

The food match: Quinoa Salad, summer corn, peas, cilantro, lime chili vinaigrette

Jean-Marc Brocard Sainte Claire Vieilles Vignes Chablis 2011 (329995, $24.95, SAQ, 2010,11589658, $24.95) marks a return to memories of old vines Brocard I’ve loved before. “The winds of change continue blowing,” so Chablis is sometimes not what it used to be.  This VV is not quite steely but is structured like a good old country ode, with all the correct components. Just a kiss of all things Chablis. Rock, flint, sapid ardor and a racy, new slang, tang thang. As good as it gets from something other than Grand or Premier Cru.  89

The food match: Salmon with tomato & preserved lemon salsa, sautéed baby kale, lemon zest, crushed almonds

Château Hyot 2010 (63537, $16.95) from 70 percent Merlot, 20 Cabernet Franc and 10 Cabernet Sauvignon goes properly and structurally sound into the Côtes de Castillon night. Forty year-old vines capitulate ripe red fruit, tangy accents, zest and just enough bite to keep it lengthy and fresh. A farmer’s Bordeaux, natural in feel, oxygenated low and slow, micro-managed. Solid if prosaic. Kudos to winemaker Amélie Aubert for reigning in the overripe and over extracted tendencies of consultant Michel Rolland.  88

The food match: Smoked Beef Brisket, bbq Jus, rice pilaf, wild and basmati rice, bok choy and ginger

Domaine De La Garodière Morgon 2011 (330126, $17.60, SAQ, 10368204, $18.60) is rich modern Beaujolais but also tight and bound by enough sour acidity to balance the ripe extraction. Hard to believe this clocks in at only 12.5 percent abv. Rock solid Gamay, ready for a fight. Vinous compost with some southern French style Medi-savoury, black olive garrigue. Complex and fortifying.  91

The food match: Duo of Beef: NY Striploin & Braised Beef Cheek, smoked kishka

Good to go!

A paradox of wine accents

Soil and birthplace predetermines both wine and language.
PHOTO: JUNGE REBE/FOTOLIA.COM

as seen on canada.com

Wine and language, two very complex organisms, first and foremost predetermined by the land from which they’ve come. Soil and birthplace. Climate is so very important too, in ripening fruit and developing speech. Weather and pedigree. Then there are the clones, genetic variants of a cultivar, or in language, slang and urban/rural diction. Variety and dialect. The study of wine (oenology) is very much like the study of language (linguistics). It’s all in the accents, in articulation and tonality, in aroma, taste and texture.

Related – More from the VINTAGES August 17th, 2013 release

Wine is generally divided into Old and New World styles, old school versus new wave. Though many New World wines have bested Old World stalwarts in blind tastings, are those results more than just a matter of taste? Old World varieties of a common region who have been cohabiting side by side exhibit a wide assortment of accents. New World clones from disparate backgrounds that have been living together for just a few generations show similar accents.

Old World stereoisomer stereotypes suggest that if your wine smells like vanilla, it was likely aged in American oak. Got flint and steel? Chablis. Brioche and yeast? Champagne. All this may be true but the grand wines within a particular growing area like Chablis, Champagne, the Rhône Valley, Burgundy, Bordeaux, Mosel-Saar-Ruwer, Tuscany and Piedmont might share and yet bogart an infinite number of subtleties and dominant traits, each specific to the monopole, villages, indicazione geografica tipica, or appellation of origin. Napa Cabernet, whether from Oakville, Rutherford, St. Helena or Howell Mountain, shares a commonality and decreased peculiarity so much more so than counterparts in the communes on the Left Bank in Bordeaux, including Paulliac, St-Estèphe, Pessac-Léognan, Margaux and St. Julien.

New World Chardonnay growing sites produce less delineation as compared to the various lieu-dites in Burgundy. Niagara is beginning to enter into an Old World state of mind, so now winemakers, and by extension wine geeks, are posturing over micro-terroirs; Niagara-on-the-Lake, Beamsville Bench, Niagara Escarpment, St. David’s Bench, Lincoln Lakeshore, etc. While many will disagree, if you consider growing sites as circles within a Venn Diagram, the shared subtleties get buried or muddled within the common areas. The lines may be drawn but the web is tangled.

In Old World locales such as France, Italy, Germany, Spain and Portugal, the sustained adjacency of wine regions ought to carry considerable weight against differences in accents, while in a vast but small growing area like Canada, the relative isolation of wine regions ought to encourage regional intonations. Yet comparatively speaking, there is a great deal of similar speak among Canada’s various cool climate wines. So, the question begs. Has the maturity of Canadian vines and its isolated industries increased or decreased the diversity of dialects?

If you stood with one foot in a Niagara vineyard and the other in Prince Edward County, you might be disappointed to find that the geology, climate and wine accent are nearly indiscernible. A wine patriot might disagree with that statement with reverence or indifference, yet the average wine consumer would be hard pressed to intuit the subtlest of idiosyncrasies. Even in the case of, let’s say, the temperature disparity between a St. David’s Bench vineyard and one from the Queenston Road, as a winemaker, who are you speaking to anyway?

The wine world has attempted the vinous equivalent of heteroglossia, “a blending of world views through language that creates complex unity from a hybrid of utterances.” This heteroglossia is an abstract convenience for the benefit of geographical oenophiles. In the New World (especially), we are dealing with huge generalities. To say that each viticultural area is singularly unique from another is to suggest that one region’s accent starts where another one ends. This is simply not true.

The argument is no longer about good and bad, natural and synthetic, Old and New World. We’re not talking about a Roman Paradox here. In a short period of time it seems we have gone from saying “there’s a remarkably great deal of homogeneity in wine today” to now, “some wines are so over the top they could only be from that place.” A recent California Pinot Noir, heretofore known as “he who shall not be named” laid insult and depression upon a group of tasters. Pushing 16 per cent alcohol by volume and thicker than a McFlurry, this Pinot could not have been from just anywhere. Only the hot California sun and heavy winemaker’s hand could have produced such an utterly undrinkable, faux-chocolate, simulated berry shake.

Special thanks to Bill Bryson, who’s good read “Mother Tongue” was the inspiration for this column. Here are six examples of really fine wine, from the Old and the New World, each expressive of a particular set of accents, out of a specific place.

Clockwise from left: André Blanck Pinot Blanc Rosenberg 2011, Pillitteri Estates Viognier 2011, Daniel Lenko Estate Winery Old Vines Chardonnay 2010, Greenlane Estate Winery Cabernet 2010, Zema Estate Cluny Cabernet Merlot 2008 and Château La Croix De Gay 2009

André Blanck Pinot Blanc Rosenberg 2011 (626606, $14.95) is high on lime citrus and heavy in stones, so much more so than in ’09 and ’10. Green apple in tart tonality, lean and mean.  Much juicier and riper to taste, with the faintest lees note to ground it firmly on Alsatian terrain ferme.  Love this designation. Same vintage release from a year ago.  89  @drinkAlsace

Pillitteri Estates Viognier 2011 (330894, $19.95) from 20+ year old estate vines is really quite pretty. Honeysuckle and white flower aromas with a taste of honey dew, tangy mango fruit, creamy and soft, and  a hint of white pepper.  Will look for it to flesh a bit in a year or so.  88  @Pillitteriwines

Daniel Lenko Estate Winery Old Vines Chardonnay 2010 (352328, $22.95) punches its ticket to Niagara stardom but a toast and punch down period is the requiem to mellow before the fruit can truly and fully be assessed. It’s certainly large, inviting and warm, a cedar cottage with its hearth flaming and crackling. Borrows a page from Quarry Road’s handbook and takes risks, if ambitiously over-seasoning a bissel. The late buttery seafood note is striking and just makes you want to suck back a bucket of claw. Must pay heed to Lenko’s uncompromising winemaking. Were you to ask me what 10 Ontario Chardonnay would I buy, in any vintage, to study, follow the evolution and ultimately learn about cool climate Chardonnay, this Lenko OV 2010 would be a must.  91  @daniel_lenko

Greenlane Estate Winery Cabernet 2010 (winery, $14.95) combines Cabernet Franc and Cabernet Sauvignon (80/20) fruit in demurred Niagara/Vineland modulation for full, soft and silky effect. Black pepper in a key of fire-roasted sweet capsicum, anise and gun flint are met by the plasticity of black and red berries and cherries.  Deal.  88  @GreenLaneWinery

Zema Estate Cluny Cabernet Merlot 2008 (325910, $26.95) hollers modernity, in oxy-toffee, blueberry pie, eucalyptus and smoldering earth. Bordeaux fettle yet GSM-like in mineral meets lush fruit.  Frantic verve in acidity, crazy actually and certainly no fruit bomb. Almost citrus spiked, punchy and grainy on the finish. Requires patience. Intriguing Coonawarra.  90 @ZemaEstate

Château La Croix De Gay 2009 (192955, $51.95) is flat-out delicious. Grilled meat, licorice, big black fruit, raspberry, Merlot to the max and yet a very affordable Pomerol ’09. At $52 you may not find a better deal. Tannic heft deep as a coal mine, where mineral meets herbal bondage. Very long and true.  92

Good to go!

Gimme Shelter Island, Fenway Park and North Fork wine

Toronto Blue Jays at Fenway Park, Boston, Mass.
June 27, 2013
Photo: Michael Godel

as seen on canada.com

There is nothing quite like a good road trip. No matter the intended destination, a journey through heartlands, heaving cities and bucolic paths stir, enrich and develop the final stew. A roadhouse in Syracuse, N.Y. The Blue Jays at Fenway Park in Boston, Mass. The Cross Island Ferry to Orient, N.Y. Shelter Island, N.Y. Sag Harbor, Montauk, Amagansett, East Hampton and Wainscot, N.Y. The East Island Golf Club and Greenport, N.Y.

All stops contribute towards what will eventually become a wine region’s interest in laying up the riches of the mind. The eastern tip of Long Island mesmerizes as a sandy headland of bluff and dune begging into the Atlantic. Shelter Island is equally if not doubly halcyon in pace and though tiny in mass, seems enveloped in rainforest-like green and canopy. I traveled across and back, circumnavigated its perimeter and sat motionless on its beaches for hours. Time standing still.

PHOTO: Michael Godel
Shelter Island

Though other visits on the North Fork Long Island wine trail offered a taste of local flavour, the exception and lost time came from a small family operation in Southold. Here are my notes on nine heart struck wines not yet widely discovered.

PHOTO: Michael Godel
Michael and Christine

Mattebella Vineyards

46005 Route 25 (Main Rd)
Southold, NY 11971

North Fork wines have yet to storm cellars and tables beyond metropolitan New York, but it’s not for lack of quality or concupiscence. Case in point Mattebella Vineyards. Drive up the gravel driveway, turn past the herb garden, overgrown fennocchio and try to figure out which quaint little building is the tasting room. Crawl inside, pull up a bench and spend two hours sampling, contemplating and discussing with Christine Tobin what just may be the least known, most complex set of wines you would least likely expect to discover. Walk away feeling a part of the famiglia. Cottage industry incarnate. “We’re so chill here” says Chris. Goosebumps.

Christine Tobin holds the fort while Florida to Southold and back commuter husband/winemaker Mark is away on business. The couple purchased the 1997 planted vineyard in 2005. Their photo resides in that dictionary entry titled “labour of love.” Low density, French existentialist-style, 2200 plants per acre viticulture cursed by an oft-inhospitable, maritime climate is what Chris calls a “lottery ticket” of vines. Chardonnay not to be considered as Mâconnais or Meursault. Bordeaux blends not to be measured by either bank of the Gironde. These wines are expressions of this terroir, this spit of sandy soil a stone’s hurl from the Sound. The Magic of Findhorn.

PHOTO: Michael Godel
Mattebella Vineyards

Famiglia Chardonnay 2009 ($17) is the child of a wet and cold growing season yet composes itself with help from a persistent toast quotient that speaks of new oak. Tart green apple and juicy acidity beg for fatty fare; braised pork belly, buttery, braised rabbit or rillettes of either. Tree fruit brings game, brightly, like tangerine.  88

Famiglia Chardonnay 2010 ($19) spent 18 months in (20 per cent) new oak barrel.  Warmer, tame and propitious with a squeeze of lemon and a dusting of scorched earth. Butternut, in squash and roasted almond as if it were waving to Sebastopol, but only to shout, “hey, we are North Fork Chardonnay.” 90 

Reserve Chardonnay 2010 ($25) squared up the new oak barrel ferment for a butter and marmalade spread so rich and continental I could drink it for breakfast. The toast meets oceanic salinity intimates spa mineral, beach shell and fine stone. Deft winemaking has given this absolute steal structure and length.  91

Rosé 2011 ($18) seeks dry Provence and as far as the savoury strawberry/rhubarb is concerned, in that it succeeds. “A little more stark than in ’12,” concedes Chris, but the length follows a tine and it should never be envisaged as simple and sugary. Amazing what Merlot can concede here for Rosé.  88

Rosé 2012 ($18) is a fleshier, rounder style, savoury still and with more Cab Franc bell pepper. The rhubarb gives way to strawberry gelée and the complexity quotient warms up with a crumble of chèvre.  87

Famiglia Red NV ($18) serves a consistency of style for table wine purpose. A union from many plots and clones that sees some oak and more stainless. Raspberry, currants and tobacco smoke stand out. Perfectly reasonable Vino di Tavola.  86

Old World Blend 2007 ($35) murmurs in melodious tones flecked by iron and anise, like tender-aged IGT. From 667 cases, with black cherry, charcoal and plums rolling away. Tannins have a few lashes left in them. There is something Henry of Pelham ’07 Cab-Merlot about this Matebella. Heading soon to toffee and über relaxed REM sleep. A red to share with “a perfect circle of acquaintances and friends.” What the tasting room felt like on this day.  89

Old World Blend 2008 ($30) produced 489 cases of gorgeous, lush, velvety crimson fruit despite the wet vintage. Whatever underground anxiety may once have unsettled this Lou meets Nico meritage is now long gone. Deft winemaking here. When you’ve got Merlot, you make Merlot. When you’ve got Bordeaux grapes, you make Bordeaux. But this is pure North Fork. “I’ll be your mirror, reflect what you are, in case you don’t know.”  91

Old World Blend 2009 ($35) is the child of a tempestuous vintage, marred by a pittance of fruit set, no need for any drop and therefore only 220 cases produced. This one’s got the funk, smoking coal, pipe tobacco and licorice. Tight, focused and with a quick dissertation heard from the Petit Verdot. Tobin’s consistency of style shows once again, despite the rigours of fighting inconsistent vintages.  92

PHOTO: Michael Godel
Island’s End Golf Club, Greenport, N.Y.

Good to go!

A sound return to North Fork wine

Kontokosta Winery, Greenport, Long Island PHOTO: MICHAEL GODEL

as seen on canada.com

Just under I year ago I trekked to the western reaches of the North Fork wine region of Long Island, N.Y. I visited a few wineries on a spit of land between Long Island Sound and Peconic Bay, an area no wider than the geography between the Humber and Don Rivers of Toronto. Tasting sessions at Clovis Point and Palmer Vineyards opened my eyes to the exceptional wines that can be forged from such a rugged landscape and demanding climate.

I returned in 2013 to seek out wines made further east, in Greenport and in Southold. The former, Kontokosta Winery, is a brand new facility just opened in June, 2013 and the latter, Sparkling Pointe, a specialist of Champagne-style fizz. The common thread is winemaker Gilles Martin and a sharp view of the future for the region’s grapes. The wines of New York’s North Fork are piercing, intuitive and kind. They speak of the stark terrain, the abrupt and spontaneous terroirand the eleemosynary earth.

Kontokosta Winery

825 North Road – Rte. 25, Greenport, New York 11944

Brothers Michael and Constantine Kontokosta are the owners of Greenport Long Island’s newest and most easterly winery, alone in Greenport and one of few LEED gold certified wineries in North America. Situated on sixty-two acres, the winery boasts over a quarter-mile of Long Island Sound waterfront. The winery’s sustainable elements include reclaimed wood siding, 90% recycled-content steel, an enormous wind turbine feeding the property energy, xeriscape method landscaping and an organic community garden that support local non-profits.

PHOTO: Michael Godel Kontokosta Winery tasting room exterior

Beginning with the 2012 vintage, the winemaker is Gilles Martin who is rapidly gaining a reputation as North Fork’s go to consultant. The first vines at Kontokosta Winery were planted in 2002 under the guidance of the late Long Island wine pioneer Ray Blum. Cabernet Franc, Merlot, Cabernet Sauvignon, Syrah, Viognier, Sauvignon Blanc and Riesling produce 3,000 cases annually, with some bottlings currently on offer having been fashioned from fruit sourced further west, mainly near Peconic Bay. Eric Fry of Lenz Winery made the wines prior to 2012.

I tasted the wines on Canada Day, July 1st, a mere 18 days after the winery’s opening. Despite such a brief time period of public interaction, Miles Trautman ushered me through with precision and passion. Though I was certainly no John Rambo to his cool, calm and collected colonel, I did my best to gain a true picture of the brother’s philosophy to “combine the latest technological innovations with centuries-old traditions in the cellar to develop and ensure the best expression of the unique Long Island vineyard site.” And by the way, the First Blood reference is real. Trautman is related to the uncle who was the writer’s inspiration for the fictional Richard Crenna chatacter.

PHOTO: kontokostawines.com Kontokosta Winery

Anemometer White NV ($16) combines Sauvignon Blanc from two vintages. The goal here is Loire so for parochial intents and purposes it succeeds. The fruit does yeoman’s works through the albedo of white grapefruit and a citric acid shell. Refreshing and acceptably tart.  86

Sauvignon Blanc 2012 ($25) is both ahead of the curve and a harbinger for white vinifera North Fork expectations resulting out of the warm 2012 growing season. Blessed by the luck of an early bud break and wisely picked ahead of Sandy’s torrent. Intimates the tropical flavours of pollarded, fruit trees but also races with vitesse.  89

Orient Chardonnay 2009 ($17) makes use of non-estate purchased fruit from out of the Sargon Vineyard bathed in neutral French oak to achieve an opinionated Chablis termagant in green apple and chèvre. Tongue-tying and teasing metallic but rolls out no stones.  89

Rosé 2011 ($15) is uniquely 100 per cent Merlot and though its girth is diluted by the rains of Irene, the herbiage, strawberry and rhubarb more than make up for the lack of concentration. Made in a decidedly French, dry style. Works the vin de pays grape with ease.  87

Viognier 2010 ($25) excels beyond expectation from one of only two local vineyards extolling the virtues of Condrieu. A touch of tiger balm but certainly not OTT, warm cashew buttery, viscous and radiant. Terrific sense of balance at 13.8 percent out of the maritime vineyards of the North Fork.  91

PHOTO: Michael Godel Kontokosta tasting room

Anemometer Red 2006 ($19) is 100 per cent untrodden Syrah having already laid down long enough to now give of itself. An angel of red raspberry, rhubarb, plum and loose tannin marked by lit charcoal. All told it brings Greek reds to mind, like Agiortiko. “Don’t let me hear you say life’s taking you nowhere.” Cool Syrah from young vines living beyond its golden years.   89

Merlot ‘Blum’ 2007 ($19) from the late grower’s Ackerly Pond Vineyards achieves toothsome mouthfeel from solid brix and 13.3 per cent Peconic Bay fruit at the hands of the local Long Island AVA pioneer. Here French oak imparts generous vanilla and spice and an ever so slight coat. Sinewy stickum from unresolved tannin settles and fleshes out while in the glass. Ends with a pretty, floral and feminine note. Just now beginning to fade, like the sun over the sound.  89

Merlot Estate 2007 ($29) elevates to 13.9 per cent in estate fruit, seemingly more masculine than the Blum. Richer, fuller in body mass, increased in concentrate.  Akin, if I may, to IGT Merlot, not quite Masseto but Super Tuscan (in hopes and dreams) nonetheless. Struts in increasedstrada tension, acidity and tannin. Less agreeability, more ageability.  90

Cabernet Franc 2007 ($29) remains dark and mysterious under the canopy though light creeps in on the edge of the forest. Spiralling cedars, bough smoke and vanilla from new oak have mellowed into a soft, approachable and aromatic cool climate Cab Franc. A red and black commingling of never too ripe fruit lingers on.  88

Cabernet Sauvignon 2010 ($22) achieves definitive varietal ripeness from what should be a harsh host environment. Soft red berries, an ebullience of ease and suave felt ready this warm vintage red for immediate and only immediate pleasure. Hard to coax much better out of the sand and grass.  88

Sparkling Pointe

39750 County Road 48 Southold, NY 11971

The winery can be found along Long Island’s North Fork Wine Trail and is the sole producer in New York State dedicated to the exclusive production of Méthode Champenoise Sparkling Wines. Fully estate grown seen 2007, don’t be fooled by the Brazilian carnival kitsch surrounding the tasting room. These bubbles are refined and serious. Sure, I will admit that Roederer Estate, Schramsberg and Domaine Chandon make some terrific wines in the California sun but Sparkling Pointe speaks volumes towards yet another cool-climate region’s reason to make bubbles. If you lead them, they will follow. Look for more fizz on the North Fork in the coming years.

Champagne fans and founders Cynthia and Tom Rosicki manage 29 acres of vineyard, planted with the traditional Champagne grape varieties: Pinot Noir, Pinot Meunier, and Chardonnay. Their winemaker is North Fork’s super winemaking human Gilles Martin. Tasting room manager Kelsey Cheslock led me through a portfolio of six sparklers, half of which turned my head full round.

PHOTO: Michael Godel Sparkling Pointe

Brut 2009 ($29) goes long on tradition with 59 percent Chardonnay, 31 Pinot Noir and five Pinot Meunier, then bucks the trend by adding five per cent reserve wine into the mix. A fine mousse dissipates in haste from a bottle that had been opened longer than a while. Readied by oak influence with green apple flavour and tropical fruit from the added juice reserves. Despite the heavy rains of the vintage a citrus acidity carries on and the wine is remarkable dry.  88

Blanc de Blancs 2008 ($42) is 100 per cent Chardonnay noticeable in bread, biscuit and yeast. Four years spent on its fine yeast lees leads the toast to a bigger note than the plum fruit but a magnum of grapefruit and its pith are even stronger. Large in breadth and long on depth. Handsome B de B with a hairy chest. Selleckian.  90

Topaz Imperial 2010 ($37) is a dry, rosy Rosé composed of a 55/41 per cent Chardonnay and Pinot mix. Two and a half years spent sur lie here results in more toast, less tart and a vivid display of North Fork salinity. Watermelon, strawberry cream and a savoury note show the finesse, structure and balance of a wholesome, inviting and unintimidating natural wine. Sadly, there were none for sale.  91

Brut Seduction 2003 ($60) is a 51/49 Chardonnay and Pinot Noir mix and most clearly demonstrates the house style. Nuts, yeast bolts and an organoleptic finesse find their way inside this enigmatic fizz. A mature cuveé that would be interesting to taste blind against other house-blend Bruts, like Veuve or Bollinger.  92

Blancs de Noirs 2008 ($75) makes use of the year’s Pinot excess, is the first and only vintage of this Pinot man, with Meunier leading Noir 54 to 46. A copper patina, like a certain style of dry Rosé, shows off the contact with the red skins. Not quite as seductive like the 10 year-old Brut but this one is full frontal fruit with an accent of savoury, smoked meat, slow-roasting over shimmering red coals.  92

Cuveé Cardinal NV ($27) is a rare Merlot (66) and Chardonnay (34) blend, a one-off as the vines are now gone, replaced by Pinots. Flirty and forward with all kinds of fruit. Strawberry and rhubarb from the tangy Merlot, mango and apricot from the soft Chardonnay. Pushes sparkling boundaries, with a bowie knife in hand, in dramatic make-up and alternative dress. “You’ve got your mother in a whirl. She’s not sure if you’re a boy or a girl,” this rebel rebel.  87

Good to go!