Seeing Western Cape stars: A guide to Cape Wine 2022

Hemel-en-Aarde

Regenerative and creative farming, old vines, new frontiers, 80 recommended current releases and braai brekkies

The phenomenon known as “seeing stars” is a common description for disturbances of vision, in seeing bands of light, prisms, sparks or flashing lights. The scientific name is photopsia, a fleeting state most often caused when temporary pressure is placed on the eye, like what happens when you sneeze or bump your head. Seeing stars has also become a symbol of positivity, happiness or renewal. A recent trip to South Africa’s Cape Wine 2022 brought about the literal meaning of the saying as it pertains to celebrity. Wine celebrity that is — and while most Cape personalities carry themselves in complete opposite character to that of an Afrikaans bekende persoon (famous person), their wines on the other hand might bring on that condition called photopsiaThe individual flashes of light called phosphenes may cause dreaminess, giddiness and being weak in the knees. Spend nearly two weeks in South Africa for the Cape Wine fair and you are more than likely to find yourself seeing Western Cape stars.

Related – What comes next for the wines of South Africa?

Old Vines FMC Vineyard, Stellenbosch

The Old Vine Project

In today’s Western Cape, discussions must begin with the entity known as The Old Vine Project. Over the past 20 years viticulturalist Rosa Kruger has focused on discovering, classifying, cataloguing and certifying heritage vineyards. It was a great pleasure to chat with Kruger at a Wines of South Africa ceremony and tasting at Cape Wine 2022, which celebrated her 2022 Decanter Hall of Fame Award. And also with the legend André Morgenthal, orchestrator of the tasting of old vines wines. It is remarkable to see how many estates and producers have come on board — to celebrate and show off the wines they are making from 35-year-old (and older) dry-farmed bush vines. Many vines are even pushing or exceeding the century mark.

He is in fact larger than life – André Morgenthal, The Old Vines Project

“The old method is always the best, because…how did it get so old?” The words of La Motte’s Edmund Terblanche — and yet South Africa is really all about balancing the past with the present. This is why the PIWOSA group — Premium Independent Wines of South Africa — chose the thematic “something old and something new” for their event at Klein Constantia. Old will always be new again, reiterates Andrea Mullineux when she describes the Leeu Passant Old Vine Cinsault Lötter as “a national monument — that must be ripened. Either that or it’s sauvignon blanc and apricots.” Or worse — just apricots.

Preservation is key to the South African wine industry and heritage sites are the assets and the advantage. Chris Alheit is adamant about protecting heritage sites. “I mean, how can you not see this as a Cape treasure? As an ancestral site?” Thus, Alheit’s sémillon, once called La Colline, is also worthy of “monument” status — and though it may not seem to represent the literal definition of a “memorial stone or a building erected,” it does pay homage “in remembrance of a person or event.” In this case, the farmer — and every season of sémillon attempting to seek its fruition for the past 85 or more. Francois Haasbroek of Blackwater uses the term zeitgeist and, yes, the definition is equivocated through the idea of Western Cape single-vineyard wines from off the beaten path, small-parcel sites.

John Szabo MS, Roas Kruger, Godello and the photo bomber

So why are old vines important? Simply put, they are valued for acumen and complexity. They have moved past the imbalance and gawky stage, having achieved life experience, and now possessing profound things to say. Ten years ago, the Old Vine Project considered one per cent of planted vineyards as old, but the truth is 50 percent of old vineyards can be rejuvenated. Most are set into decomposed granite soils, in some instances colluvial as well. These tracts are really old and weathered, predating microbial life. The vineyards dot a landscape occupied by granite plumes exposed above the surface; where below the surface magma cooled ever so slowly and so there is now much more diversity in the life and texture of the rock. Some will wonder how the wines grow on the granite. Physically, the decomposed granite is very friable, and the soils are sandy, two to three meters deep. Roots can dig down, resulting in a bigger canopy — and under that dappled light (as opposed to daytime/nighttime sun), the grapes are able to retain acidity.

Related – Searching for great heart in South Africa

Chenin Blanc

Chenin Blanc and decomposed granite soils

The artist formerly known as Steen, now simply “chenin,” is as complex as chardonnay, with acidity like sauvignon blanc but never searing. For a passionate winemaker like Andrea Mullineux, the grape holds nostalgic qualities. In the Western Cape there are 17,000 hectares planted, more than double that of the Loire. From the 1960s to the ’80s, Lieberstein (a mass market, kitsch wine that launched a sort of South African renaissance) was the most successful wine brand. So much so the government put out a call to plant more chenin in the 1990s.

“When you have old bush vines, you’re going to get chenin blanc that harnesses sunlight, a thickening of the skins and an accumulation of full phenolic character — a taste of sunshine,” says Mullineux with that wry and sly smile. “Granite is the only soil that can give you this super reductive style with great energy,” explains Donovan Rall, who picks his chenin blanc early. “What we learned through the drought years is you don’t have to pick things as you were traditionally taught.”

Andrea and Chris Mullineux

As for recent vintages, 2019 had warm days and cool nights, allowing vines to relax and recover acidity. Then 2020 was very temperate with little diurnal temperature fluctuation, leading to quick yet relatively even ripening. In 2021 the season was cool but dry, though not with drought-like conditions seen in 2018. Veraison only finished in the second week of — quite opposed to previous years when picking was completed by the second or third weekend of that month. Yet 2021 allowed for more precision picking and quite a relaxed harvest.

In 2021 and 2022, vineyards in the Swartland achieved that elusive ideal of full phenolic ripeness. “We say phenolic ripeness, but we call it psychological ripeness,” notes Mullineux. “At least with respect to basing on numbers.” The ripening schedule follows a path starting in Roberston (which is inland), followed by Paarl, Franschhoek and the Swartland, then the coastal regions with Stellenbosch being one of the last, just ahead of Elgin, Wellington, Hermanus and Hemel-en-Aarde.

As for the Hemel-en-Aarde and chardonnay, Chris Albrecht from Bouchard Finlayson indicates that elevation on their side of the valley where fog and humidity settle at the lower levels play a direct role in viticulture and especially the ripening seasoning. Shallow shale soils overlaid with heavy clay is also a factor in determining grape maturity. The Valley has a plateau with an underbelly delivering unique sets of tannin, structure and acidity that, when mixed with sandstone and clay soils, makes for this aspect of how chardonnay sets up for individualistic display.

Related – Memories of South Africa in 60 notes

Fynbos, Vergelegen, Stellenbosch

The venn diagram of organic, biodynamic, sustainable and regenerative farming

Soils in South Africa are ancient and varied. There are three main types along with derivatives:

  • Decomposed granites (oakleaf, tukulu, hutton and clovelly)
  • Malmesbury, bokkeveld or witteberg shale (glenrosa, swartland, klapmuts and estcourt)
  • Table Mountain sandstone (fernwood, longlands, westleigh and dundee)

Still other soils are major contributors to farming styles and the wines they beget. Alluvial, koffieklip, silica quartz, kaolinite clay, river gravels, klipheuwel conglomerates and shales, limestone and malmesbury clay are but a few. Then there are the plutons, dome-like intrusions of igneous magma into the earth’s crust which occurred at great depths and consequently cooled slowly, resulting in a coarse crystalline (granitoid) texture. These plutons have subsequently been exposed by erosion, resulting in mountains or hills such as those in Paarl and Perdeberg and the hills in Darling. In some cases, the exposed domes have been flat-topped by erosion and then covered with sandstone deposits, and have then again been eroded, resulting in sandstone on a granitic base, such as can be found in the Table and Simonsberg mountains. We must also point out the incredible Breede River Region’s characteristic calcareous loam soils and their association with bokkeveld and witteberg shales, dwyka tillite and enon conglomerate. In this part of the Cape it is Malgas that is the only South African wine area with significant alkaline soils.

Johan Reyneke, Stellenbosch

Between the 1970s and ’90s, many of the old vineyards in the fancy regions like Stellenbosch and Costantia were ripped out to plant cabernet, merlot and pinot noir. This was not the case in the “sleepy” Swartland where many old vines, especially of the bush variety, remained untouched. Today a less obtrusive pruning method is employed on “goblet,” which means smaller canopies, lower yields and less water requirements. This method reduces susceptibility to wood rot and also Esca, one of the complex of “trunk diseases” (along with Botryosphaeria dieback, Eutypa dieback, and Phomopsis dieback) caused by wood-infecting fungi.

Between the 1970s and ’90s, many of the old vineyards in the fancy regions like Stellenbosch and Costantia were ripped out to plant cabernet, merlot and pinot noir. This was not the case in the “sleepy” Swartland where many old vines, especially of the bush variety, remained untouched. Today a less obtrusive pruning method is employed on “goblet,” which means smaller canopies, lower yields and less water requirements. This method reduces susceptibility to wood rot and also Esca, one of the complex of “trunk diseases” (along with Botryosphaeria dieback, Eutypa dieback, and Phomopsis dieback) caused by wood-infecting fungi.

“We’re figuring this out and it’s getting fun now,” says Callie Louw. But Louw is the anti-hero, the man who focuses on one large entity. “Working with all these little bits of grapes here and there is not sustainable,” he says, and so 90 hectares produces 850 tonnes of grapes with 85 per cent going into (Boekenhoutskloof) Chocolate Block. “We don’t need to offset climate change with varietal adaptation. We just need to farm better. The problem doesn’t go away. Cover cropping, activate your place, get things growing, the whole profile is run in the top four inches. Below is the bank, the reservoir, the thing that makes the money is on top. Stop tilling! Leave that stuff on the top of soil. It just burns. Keep the active things alive. Increase the carbon in your soil by one per cent and the water will increase by 50.”

With Callie Louw, Porseleinberg

At Vergelegen Wine Estate in Somerset West it is environmental manager Eben Olderwagen who shows how abrasive yellow vine trunk wraps are employed to repel geckos and slugs in lieu of spaying. This sustainability action is part of Vergelegen’s track record as a wine estate renowned for its biodiversity and commitment to environmental sustainability. (Vergelegen is owned by mining company Anglo American.) The recent completion of an extensive programme to rehabilitate eroded watercourses is now the stuff of Western Cape legend. Five sites saw the removal of invasive alien species like Blue Gum trees (between 2004 and 2018) and the replanting of some 15,000 indigenous plants that were housed temporarily while the programme was underway. The 12 million Rand project has saved rehabilitated wetlands and Lourensford Alluvium Fynbos vegetation, which could have been badly affected by sediment washing onto the area. In addition, it has halted sediment contamination of the Lourens River, part of which runs through the estate. Rare vegetation discovered by botanists on the property thought to be extinct has been preserved within the hills and valleys of the 2,000-hectare nature preserve. In 2009 a major fore swept through and burned much of the vegetation, but this is actually beneficial to the fynbos which needs a good burn every 12-15 years for proper rejuvenation. No municipal water is used on the property as water from the Helderberg Mountain is captured in two damns. Vergelegen lays claim to now being the most leaf-roll virus free in the Western Cape.

Johan Reyneke

At Vergelegen Wine Estate in Somerset West it is environmental manager Eben Olderwagen who shows how abrasive yellow vine trunk wraps are employed to repel geckos and slugs in lieu of spaying. This sustainability action is part of Vergelegen’s track record as a wine estate renowned for its biodiversity and commitment to environmental sustainability. (Vergelegen is owned by mining company Anglo American.) The recent completion of an extensive programme to rehabilitate eroded watercourses is now the stuff of Western Cape legend. Five sites saw the removal of invasive alien species like Blue Gum trees (between 2004 and 2018) and the replanting of some 15,000 indigenous plants that were housed temporarily while the programme was underway. The 12 million Rand project has saved rehabilitated wetlands and Lourensford Alluvium Fynbos vegetation, which could have been badly affected by sediment washing onto the area. In addition, it has halted sediment contamination of the Lourens River, part of which runs through the estate. Rare vegetation discovered by botanists on the property thought to be extinct has been preserved within the hills and valleys of the 2,000-hectare nature preserve. In 2009 a major fore swept through and burned much of the vegetation, but this is actually beneficial to the fynbos which needs a good burn every 12-15 years for proper rejuvenation. No municipal water is used on the property as water from the Helderberg Mountain is captured in two damns. Vergelegen lays claim to now being the most leaf-roll virus free in the Western Cape.

Chenin Blanc, Reyneke

“Land caring, land sharing and making quality wine” is Reyneke’s tripartite platform and both story and also that of the cows is like a tree with different branches. The animals graze in high density, moving throughout the year from block to block. They graze and return microbes back into the soil, through their waste and create humus. Vines are fed by this regenerative activity. Dandelions are planted to attract pests so they will leave the vines and roots alone. Downy mold is managed with metabolic enzymes of copper, not always successful on its own but fighting alongside the humus offers a much better chance of control. Not to mention brix levels are raised because of this type of farming. Land sparing essentially means that if you have ecologically endangered endemic plant species you must leave them to live in conjunction with your vines. Don’t reduce them. And for goodness sakes don’t till.

Thankfully by this point roughly 90 percent of farmers in the Western Cape have converted to no-tillage systems to improve the efficiency of crop production. Reyneke also plants new vineyards on contoured angles to control winter water flow but also erosion so that the flow will reach the property’s two dams. There are the fynbos “corridors,” between the blocks to allow wild animals a chance to remain in nature. This all adds up to creative farming mixed with regeneration and sustainability. The first seven years of this policy have all been about renewing the soils and each year the goal is to plant between five and seven new hectares, with 30 on schedule to go in over the next five years. “It begins with organics (which is sustainable), then graduate to biodynamics (which is self-sufficiency) but there is a constant struggle between caring and common sense.”

In other words decisions have to be made, economic ones, to support family, workers and the farm. “People have different tools during different epochs to deal with reality. Science is not about being certain and sometimes it’s about being doubtful. I’m never sure 100 per cent.”

These are the words of Jolandie Fouché of Wolf and Woman Wines: “As shared custodians of the lands that house these vineyards, we also ensure that we partner with growers who farm sustainably in order to produce top-quality grapes without compromising the environment, and the vineyards themselves, in the long run.” And there is Marlise Niemann who recreates the taciturn through gestures so befitting her Momento wines. They like so many of the Western Cape endure for their balance between place and adventure, as well as remaining grounded through their maker’s independence and relationship with the tracts they choose to interpret.

Related – Around the Cape in 50 wines

Agulhas

Appellative blends in red and white

There are reasons why many Western Cape winemakers increasingly turn to accounts spoken in stacked varieties through appellative blends. Not because it can be a French thing to do in the ways of Châteauneuf-du-Pâpe but because it makes for wines possessive of immense character.

“We need these wines and to pay a lip service to them is essential,” says Adi Badenhorst. “As a winemaker or in any homestead job you are always influenced by where you grew up and who you worked with. In the Swartland these are the varieties that were there.” Badenhorst’s ideas are echoed and expanded upon by Duncan Savage. “All the wines are directly connected to their sites,” he says. “That shouldn’t change too often. The farms are big here so you can’t afford to own 50 hectares.” Thus, a winemaker and producer like Savage picks their plots and develops their relationships with their fruit over long periods of time.

After the Cape Wine trade fair, we rode over dirt and dust to what felt like The Western Cape’s version of the outback, to arrive near Malgas up above the Breede River just 15 kilometres in from the Indian Ocean at South Africa’s most southern tip. This is the remote and “insane” home of Sijnn Wines (pronounced “sane”) where visionary David Trafford saw the future a few hours away from Arniston and Cape Agulhas. The beautifully shaped and hued river stones (aka, puddings) and Bokkeveld Shale are perhaps the world’s greatest impetus for developing Rhône varieties à la Châteauneuf-du-Pâpe.

Yet this is South Africa and so chenin blanc, verdelho, touriga nacional, trincadeira and cabernet sauvignon also thrive despite the poorest of soils. Winemaking in the hands of Charla Bosman sees a prodigy and savant at one with the land so that the progression from 2015 vintage through wines resting in barrel today may as well be a decades long discovery.

Related – Welcome to South Africa’s Capelands

With Charla Bosman

Why South African producers must sell their wines abroad

There can be no begrudging people who might imagine South Africa as a growing area of sunshine, heat, and potentially high-alcohol red wines. That is why they must be shows how so many phenolically ripe red wines lock in at a low, low 11.5 to 12.5 percent alcohol that seemingly only the Western Cape can affect for grape varieties like cinsault and grenache.

“I’ve never worked with conversion rates this low,” says Donovan Rall, and his cinsault is a testament to the excellence and magic of vintage. “With no compromise to flavour, tannin, acidity and length.” The low alcohol at 11.8 is brilliant, as no push to ripeness was needed to achieve these heights. Mick and Jeanine Craven manage to create this impossibility with cabernet sauvignon, while still delivering ripeness, generosity, and peace of mind. Another bit of voodoo magic from a place and a maker that knows what’s what.

Cape Town

The need to export, to reach as many new customers in as many countries as possible is the challenge for South Africa’s producers. The Cape Winelands are oceans and continents away from most markets and that remains a serious obstacle, not to mention being situated at the southern-most tip of Africa. The isolation was devastating during Covid, compounded by governmental decisions rooted in prohibition, isolationism, and fear. But the world has re-opened to South Africa and seeking representation beyond Europe is necessary, including finding markets in Canada.

Says Eben Sadie: “There is now a healthy competition between producers. There are vineyards that I planted 10 and 15 years ago that I can now say great things about. It’s in the glass. It’s kind of our time now. We have 3,000 people in this country buying fine wine. Guys who are willing to pay $50 to $60 a bottle for wine. We are all selling locally to the same group of guys. The local market is brutal.”

Related – Once upon a time in the Western Cape

How the Western Cape was won

Cape Wine 2022 was my third trip to South Africa’s winelands between 2015 and 2022. That first congress in 2015 opened my eyes to the possibilities of a wild west experience where the planet’s most ancient soils and geography were able to host grape varieties from all over the world. It seemed like anything could ripen anywhere agriculturalists chose and winemakers wished for. Three years later it was understood that what and where you plant was the key to producing great wines of a sort being made nowhere else in this world. This last journey changed everything again and now it is the coalescence of heritage vineyards, magical conversion rates, sustainable and regenerative agriculture that separates South Africa from all the rest. The Western Cape may be an isolated wine industry and exporting the most challenging of any wine producing nation, but these wines must make it onto our shores. They are too good to miss, not just a handful but hundreds of outstanding examples. Quality has risen exponentially, virtually across all places of origin, including new frontiers. The stars are out, and they are aligned.

Braai Brekkies, Franschhoek

Godello’s 80 recommended current releases

Cap Classique

Anthonij Rupert L’Ormarins Cap Classique Blanc De Blancs 2017, WO Western Cape

Drought vintage no matter nor adversity for this 100 per cent chardonnay aged four and a half years on the lees. Palate presence and texture synthesis but also a really sharp bubble of aromatics in lemon zest, ginger and spice. Elegant and sensory, of sips drift worthy for daydreaming and calm. A blanc de blancs of sanguine personality, extroverted, social and active so that you don’t have to be. Good times when a Cap Classique can do it all, leaving you to enjoy, relieve stress and relax. Seventh iteration heaven from a program that began back in 2017. Drink 2022-2026.  Tasted October 2022

With Johnathan Grieve, Avondale Wines

Avondale Armilla Blanc De Blanc 2015, WO Paarl

From the tradition of Méthode Cap Classique Armilla is a Blanc de Blancs in 100 percent chardonnay, seven years total on the lees, 90 percent in stainless steel, (10) in big French for one year in barrel. Two of the years on the coarse lees were in tank and all is natural. First vintage was 2003. The only thing that has really changed is the extended lees aging but not the moorish acidity extending the freshness and eliciting a keen sense of brioche. The 3 g/L dosage is negligible and so from start to finish Armilla retains its aridity, is never stark but always balanced. More sugar would make it big and fat and see it lacking brightness which frankly is this B de B’s calling card. Resides at the upper echelon for Cap Classique. Cracker stuff. Drink 2022-2029.  Tasted October 2022

Jordan Wines Blanc De Blancs Special Cuvée 2017, WO Stellenbosch

A brilliant all in chardonnay Cap Classique from 22 year-old vines growing on Glenrosa and Hutton soils abutting the Stellenbosch Kloof. A Mediterranean climate here, only 24 kms from the ocean at False Bay. Breezes channel in from the West Coast’s Benguela current and it’s not just a repeated adage to say that the Atlantic winds translate into crazy open-air freshness in Jordan’s scintillant of a white sparkling wine. Spends a nurturing 54 months on lees and this bottle is from the second disgorgement, just now in October of this year. First vintage was 2015 and this is just the second for a B de B bubble that will join the ranks from MCC through to CC’s finest. Sharp yet delicate, intensely focused, precise, with citrus squalls and in the end a treat and a dream. Drink 2022-2027.  Tasted October 2022

Le Lude Brut Reserve Cap Classique NV, WO Franschhoek

I mean, just classic. Citrus juiced and a ripeness in this particular cuvée, always ahead of the curve and also the Rosé. Nothing taking for granted, sharp and superlative acids causing the chardonnay to flourish, intensity heightened as far as one could wish. Even keeled, never expressing highs to high or lows to low.  Last tasted October 2022

The blend is with pinot noir but in this sister cuvée to the Brut Rosé it’s really about what chardonnay is going to bring to the MCC table. The dosage is just slightly higher than the Rosé, here at 6.5 g/L and 24 months on its lees. Here the shift is towards more richness, almost counterintuitive when you think about blanc vs. rose but Paul Gerber is on to something big. There is a plum compote luxe note stirred into the citrus and so both ends of the fruit spectrum are involved and incredible. “You must taste the sun in the fruit,” insists Gerber, sparkling wine or not and so with verve, intensity and balance this travels to terrific and back. Drink 2018-2022.  Tasted September 2018

The Drift Estate Penelope Cap Classique 2017, WO Overberg Highlands

Penelope by Bruce Jack is 100 percent touriga nacional, first ever in existence as sparkling wine, likely not just in South Africa but anywhere in the world. Also a single vineyard Cap Classique and as crazy a perfect storm of variety and methodology as there has ever been, almost outdone by Jack’s ice bucket and Penelope story when the earth stopped. Go to the website for more details. This CC is raging though the specs are not exceptional and so some sort of Cape voodoo is happening here. The farm is too cold to really get a ripeness converting above 11.5 percent alcohol so sparkling it is and the 20 year-old vines deliver the necessary fodder for top notch sparkling Rosé. Goes all currants and ginger, rooibos and fynbos. As it must. Drink 2022-2025.  Tasted October 2022

Old Vines

Alheit Vineyards Sémillon Monument 2021, WO Franschhoek

The artist formerly known as “La Colline” received a name re-branding in the previous vintage yet the source and the song remain the same. That being the 1936 planted (and registered) heritage sémillion vineyard but the farmer passed away in 1938 so the block could actually be as much as two decades older. “Diversity is a matter of having the genetic material to do it,” explains Chris Alheit “and though there may be drifts away from the original DNA, there will always be that connection.” Oldest indeed within the quadrangle composed of Paarl, Wellington, Franschhoek and Stellenbosch. “I mean how can you not see this as a Cape treasure? As an ancestral site?” Thus the new moniker and though it may not seem to represent the true definition of a “memorial stone or a building erected” it does in fact pay homage “in remembrance of a person or event.” They being the farmer and every season of sémillon attempting to seek its fruition for the past 85+ seasons. As for 2021 the imprint just feels like a culmination, of fruit speaking in historical terms and bound to structure, of acid, tannin and extract all constructed as confidentially as ever there has been afforded the opportunity. The 2021 Monument is a rock as profound and important as any sémillon anywhere. “Yeah, people don’t you listen now? Sing along, Oh. You don’t know what you’re missing, now.” Drink 2024-2035.  Tasted October 2022

Bellevue Estate 1953 Pinotage 2017, WO Stellenbosch

A remarkable wine to have the opportunity to taste from vines aged 64 at the time of this vintage and interpreted by winemaker Wilhelm Kritzinger. Bush vines, their yields less than one tonne per hectare (in drought years, of which there are many), upwards of 1.75 in the best of times. The location is Bottelary in Stellenbosch and Bellevue seeks gradual extraction, not quite a full on délestage but the whole lot is transferred from vessel to vessel. The normal press time is seven days and this rare pinotage is always fermented fully dry. Sees 23 months in well versed and rehearsed wood for what is tops in terms of experienced and developed pinotage. Secure in character, prepped and purposed in personality, in delivery of the bloody and the iodide, part soil and part ocean water. A metabolic wonder, converter of energy, meticulously made. Total pro with a whole lotta good dark salted chocolate upon the finish. Drink 2023-2027.  Tasted October 2022

Penny Noire, Cape Town

Boekenhoutskloof Sémillon 2019, WO Franschhoek

Tasted with Lynton Kaiser of Boekenhoutskloof and this three vineyard sémillon blend out of this vintage elicits the kind of looks and gestures requiring no words. The 1936 Franschhoek planted La Colline provides half the fruit (with a good portion having mutated into sémillon gris) and the other 50 percent coming from a 1942 site set into the ancient Franschhoek Riverbed, but also including a few points of muscat out of a block planted in 1902. Concrete eggs house 30 per cent of the ferment and neutral barrels do the yeoman work to keep this cuvée in a primary state for what will likely be a minimum eight to 10 years. The bones are hard and unbreakable to indicate structural propriety and so seeing a decade pass is a near guarantee before next level complexities and brilliant complications will appear. For now there is intrigue, the promise of lemon curd, beeswax, toasted lemongrass and the sort of exotic herbs you’d tear into a bowl of aromatically charged southeast Asian broth. Top and benchmark in so many ways, easily deserving of its reputation. Drink 2026-2035.  Tasted October 2022

  

David And Nadia Wines Chenin Blanc Hoë Steen 2021, WO Swartland

Hoë-Steen is one of four single vineyard chenin blanc from a terroir in the “which one of these things is not like the rest” set of propositions. Planted in 1968 to see it recently cross the half century mark and soils are unique, especially as it pertains to chenin blanc. They are red iron oxide clay, rich and deep, location west of Malmesbury direction Darling. The label reads chenin but truth is a few other surviving vines here and there are in the yard, including discoveries of riesling (crouchen blanc), false pedro, palomino, sémillon and clairette blanche. And who does not appreciate the heritage and concept of a field blend? They’ll call them zinfandel in Sonoma but many are layered of a similar ilk, with the likes of grenache, alicante bouschet, petite sirah, mataro and others playing in the band. Hoë-Steen’s adept water retention and cool temps below the surface put this dry-farmed SV in a place of slower phenolic development and longer growing seasons. The effect on chenin is enchanting, divinatory even and never what you fully expect. Round is not the thought because the trinity of fruit, acid and tannin touch all points, in sequence and exact intervals. The wine can keep time and also plays in fills between the lines. It is symphonic, the whole package, in synch. Drink 2023-2034.  Tasted October 2022

Nicole Kilian, Keermont Wines

Nicole Kilian, Keermont Wines

Keermont Chenin Blanc Riverside 2019, WO Stellenbosch

Keermont is the Stellenbosch farm of Mark and Monica Wraith with their four children. Alex Starey takes care of the vineyards and is the winemaker. This 2019 Riverside was tasted at the Old Vines Project evening with Nicole Kilian who happens to be an American married to a Canadian and their work is purely South African. The 1971 planted single vineyard is the third oldest chenin plot in Stellenbosch. The ’19 was barrel fermented and spent a year in well seasoned oak. The result is purity incarnate, from old vine chenin that has endured nearly 50 years and it just seems like this is the kind of wine that makes itself. The barrels add subtle smoulder and bright luminescence but nothing in terms of density or maturity. A beautiful thing when chenin glides like this and one that will surely sail slowly towards the sunset. Drink 2022-2027.  Tasted October 2022

Ken Forrester

Ken Forrester The FMC Chenin Blanc 2021, WO Stellenbosch

Really different vintage as compared to 2019, here the FMC is a matter of something definably sapid which would indicate the pH being slightly higher while the acidity is just a bit levelled. The wood elicits density and as a result there is a depth to 2021 that stands apart. Fruit concentration while special is not the solo driver because pH, natural fruit sweetness and texture are what make ’21 shine. The youthfulness will confuse the situation and it would seem that eight to 10 years will be needed to settle this score, like Kabinett riesling, Hunter Valley sémillon or any number of Cape old vines chenin blanc. Drink 2024-2031.  Tasted October 2022

Cinsault is the grape planted after phylloxera, which started its devastation around 1900. The idea was essentially to replant all that was lost. The Franschhoek vineyard went in back in 1932, placed upon the mid-slopes, close to but not quite on the valley floor. The Mullineuxs started leasing the block in 2014 and are committed through 2034. This is higher up in these foothills facing west and produces some of the darker cinsaults in the Western Cape, relatively speaking, but especially in contrast to the Wellington (Basson) vineyard. Ethereal and elegant in spite of the shade, more fruit substance and also textural elements. Lötter is the one in this regard, effusive and generous, a wine of soul, soil, history and heritage. A cinsault in the prime time of its epic journey as Andrea Mullineux describes its host as “a national monument that must be ripened. Either that or it’s sauvignon blanc and apricots.” There are two hectares of really healthy and hardy plants, once nearly lost to the sands of time. Drink 2022-2028.  Tasted October 2022

Old Road Wine Company Sémillon Grand Mère 2020, WO Franschhoek

From the vineyard known as La Colline, a high density Franschhoek plot planted back in 1936. Chis Alheit also uses some of this sémillon and now calls his old vines “Monument.” The Old Road Company chooses the name “Grand Mère” which is precisely what the incredible heritage block is for vineyards that have stood the test of time. Crops at a mere three tones per hectare and delivers the most steely and flinty sémillon on the planet. La Colline is southeast facing at 350m, housing unirrigated bush vines and experienced to the effect that a winemaker must not try to dictate its direction. Grapes are left on the skins overnight and 30 percent are allowed to run through a wild ferment. Barrel maturation in mostly older French oak on the primary lees with regular stirring induces a coagulation of creamy texture to offset the striking metal sensation in the wine. On the boozy side but the vintage and the vineyard truly dictate the course. Will age really well, likely well into the next decade. Drink 2023-2032.  Tasted October 2022

Ferdie and Elizma Visser

Olifantsberg Chenin Blanc Old Vine 2022, WO Breedekloof

From Ferdie and (winemaker) Elizma Visser in the Western Cape Breedlekloof (part of the Breede River Valley) at 450m above sea level. The soils are sansdstone and shale with rich alluvials and river rocks for a complex earth from which 1982 planted (certified) old bush vines deliver this exceptional chenin blanc. Olifantsberg was established in 2003 and in just two short decades this producer has connected with their surroundings so tactfully as witnessed in this varietal wine. Now here is something you need to know about, of purity by chenin and a s much rich texture you will ever encounter. Comes equipped with all the minerals and elements of this diverse terroir darting and dodging flesh to preserve and heighten freshness. So Chablisienne in chenin blanc terms, at Premier Cru level and rising. Wow. Drink 2023-2029. Tasted October 2022

Roodekrantz Chenin Blanc Old Bush Vine 2021, WO Paarl

The 1974 vineyard is dry-land, bush vine on deep decomposed Malmesbury shale with more rocky parts than clay-based underlay. “One of the more sought after blocks,” says Marius Burger. “A fight for just a few rows.” He and winemaker Danie Morkel have been interpreting this chenin blanc fruit since 2017, to make this 2021 number five. The vineyard inclines with quite the ungraded slope so it’s hard to pick it right. “Parts of the vineyard have creaky bones in the mornings but we’ve man aged to get it right by now.” This is chenin of a brilliant tenor, bass note placed just below the treble, finding equalization. The fruit shows tempo, mixing with texture to share likeminded frequencies with rhythm and pitch. Just a focused chenin blanc handled by the drogaman wholly respectful of a vineyard’s 47 years of experience. Drink 2024-2029.  Tasted October 2022

The Sadie Family Die Ouwingerdreeks Mev. Kirsten Wyn Van Oorsprong Stellenbosch Die Sadie Familie Wyne 2021, WO Swartland

The vines that supply Mev. Kirsten Wyn are the oldest chenin blanc in the country, out of Stellenbosch and planted in 1905. In 1947 every second row was pulled out to make room for tractors and the configuration still exists this way. “If South Africa has a true apex white Grand Cru vineyard then this is it” insists Eben Sadie. Facts are facts are you just can’t accede these levels of power, concentration, extract and tannin anywhere else. The nose communicates as an intoxicant of sublime forces and these grapes bestow chenin blanc 2021 are those that transcend fruit, deliver ethereality and a heightened sense of awareness. An awakening from necessary tension, crisis and personal freedoms, existential off the charts, poetic and epic. One hundred and sixteen stanzas recorded, in the books and the finest verse written right here in the most recent vintage. If enlightenment is to be gained from chenin blanc in the Western Cape, Mev. Kirsten would provide the fodder. “The grail. End of fucking story” concludes Sadie. All hail. Long live the queen. Drink 2025-2040.  Tasted October 2022

Chenin Blanc

David And Nadia Sadie Wines Plat’Bos Chenin Blanc 2021, WO Swartland

At a tasting where everything is Old Vines Project certified there must be something extraordinary about a wine to stand out from a crowd of greats. David and Nadia Sadie are in fact turning heritage vines chenin blanc (amongst other varietal explorations) into content born of context harboured though never paraded. They are rhythmic and scientific with just enough fantasy and romanticism, but never too much. Plat’Bos stands above Skaliekop and Hoë Steen because 2021 asks it to do so, not because it is better or more important, but it is surely chenin blanc profound. The 1981 Swartland planting is in the steady zone, shed of the mercurial and in ’21 so very linear yet salty of the earth in its sombre-sepulchral tone. There is reduction here because the poor soil nutrients demand that this chenin begins this way. The levels of tension and intensity are most elevated, sufficing to say as high as any from the Western Cape. Attention is paid unwavering to detail, sequencing is in order, purity incarnate, grape and place together pristinely kept. In Plat’Bos 2021 the palate is taken down to the whipping post by a wine built to endure. Given time there will be calm, healing and reward in the end. Drink 2024-2036.  Tasted October 2022

Rascallion The Devonian 2021, WO Swartland

A small production of 100 percent Swartland chenin blanc from old vines planted between 1968 and 1982 and at this price ($32 CDN) it solicits an “are you kidding me?” reaction. Bloody rich and concentrated yet so balanced without any slide into metallic or boozy character. Expertly managed with all connective tissue tied to the decomposed granites of the Swartland, blessed of true expressive nature, pulsating and alive. The energy is buzzing and its impressive in the way it grabs, demands and keeps attention. So hard to turn away or think about anything else. Drink 2022-2026.  Tasted October 2022

Theunis Kruger

Fram Chenin Blanc 2020, WO Piekenierskloof

Theunis Kruger’s natural chenin blanc from a 1987 or 1988 planted vineyard comes away in one pick and is put to large (15 year) old foudres of 300-400L. He and we agree that this represents the most important grape (Theunis uses the word “best”) and yet they are not all created equal, including this coming from Citrusdal Mountain. Cracks the whip and works the palate like it means business, knows what wants and also what needs. The race of acidity will carry forward for quite some time. Drink 2022-2027.  Tasted October 2022

Holden Manz Chenin Blanc Reserve 2019, WO Stellenbosch

Spent nine months on lees, fruit from 43 year-old vineyard on the Simonsberg side of the Helderberg Mountain. A bit further up the valley en route to Franschhoek. Made since 2010 (by Gerard Manz) with a rich and viscous meets metallic chenin. High level of concentration in a high-caste style. No lack of barrel accentuation and well made. Drink 2023-2027.  Tasted October 2022

Kleine Zalze, Stellenbosch

Kleine Zalze Chenin Blanc Vineyard Selection 2021, WO Stellenbosch

Wouldn’t call this ulterior but there is something curiously upticking, visceral and unique as it pertains to Stellenbosch chenin blanc. Not simply a matter of richness but a varietal wine that elicits a rise of emotion, especially out of flavours and textures with barrel fermentation acting as the catalyst. Buzz of energy yes but also a buttery syrup sensation derived and you could just pour this over your morning pancakes. Not because of sweetness but instead complexity, stylish personality and as they say, deliciousness. Also looking for some fatty protein so pulled duck leg and blueberry on those flapjacks and a glass of chenin blanc will do nicely thank you very much. If you want a chardonnay alternative with less apples and brioche this is the way to go. Drink 2022-2026.  Tasted October 2022

L’Avenir Estate Chenin Blanc Single Block 2021, WO Stellenbosch

Notably concentrated by naturally sweet chenin blanc fruit inclusive of the 1971 planted Stellenbosch vineyard. As a comparison to the Far and Near chenin it’s as if everything accentuates and comes into clearer view. Feels a touch advanced and mature beyond its short time after harvest and my if this just speaks the varietal language of Stellenbosch. If you like the normal then you will come to appreciate the reserve, aka the Single Block. Drink 2022-2025.  Tasted October 2022

Miles Mossop

Miles Mossop Wines Chenin Blanc Chapter Two 2021, WO Swartland

From deep Paardeberg granite soils and a series of wines from Miles Mossop predicated as chapters; three being chenin blanc and four with sauvignon blanc, both out of Stellenbosch. This Swartland chenin is the signature for Mossop, from a 1971 planted vineyard, top section of the block, bordering and abutting the fynbos. A chenin of outspoken freshness, high yet taciturn acidity, old vine intensity, concentration and know-how. Experience quantified generates specificities quantized to beget excitement. Chapter Two is an experiential success simply because it is based on top chenin fruit from heritage vines done right. Drink 2023-2027.  Tasted October 2022

Mullineux Chenin Blanc Schist Roundstone 2021, WO Swartland

Roundstone, aka “ronde steen or rondklip” in Afrikaans but the farm is known by its English name. Another Western Cape account for struggling grapes while here the matter involves smaller canopies, clusters and grapes. The vineyard begets and raises a child of the land’s stony “dakteëls,” roof tiles where everything slides and so the tannins accentuate to procure wines of a certain toughness. This child is street smart and battle ready, got into a few fights in the early days, now able stand up for itself no matter the attack or the scene. Aromatically speaking there is a cheese rind scent in the dry comports of extreme aridity, resulting in intensity and directivity. A slightly higher pH makes this the sapid one, sliding across the palate with its über fresh scathe. This will age with the best of them, more like structured reds but so very capable as chenin blanc. Drink 2024-2034.  Tasted October 2022

Donovan Rall

Rall Wines Noa 2021, WO Swartland

The first, named after Donovan Rall’s daughter born during the pandemic. From 2.1 hectares of chenin blanc planted in the Paardeberg in the 1960s on the finest decomposed sandy granite soil. “Granite is the only soil that can give you this super reductive style with great energy,” tells Rall and he cropped to yield at three tonnes per hectare. Picked super early at high acid and low pH (3.28 in 2021, after malo) at the high point of the vitality vortex. Moving away from texture and into the business of lightning and mouth-watering succulence from a chenin so electrically plugged in. All this for only 12.0 per cent. “What we learned through the drought years is you don’t have to pick things as you were traditionally taught.” The decision made was at least two weeks as compared to 15 years ago, climate change aside. Truth. Drink 2022-2029.  Tasted October 2022

Reyneke Chenin Blanc Biodymnamic 2021, WO Stellenbosch

Biodynamic, estate farmed, from vines planted in 1974 and 1976, part of the certified Old Vines Project. Surely it is old vines at the source coupled with the principled biodynamic exercises to make for an enlightened and heightened precision in a chenin blanc of purity and trenchant estate desire. Concentration, varietal hyperbole and a reflection of what the farm wants to share are the drivers and we the passengers abide. There is no doubt that this Reyneke exists (with distinction) within the vacuum of what is working and creating haute quality chenin blanc. Success is measured by dint of hard work and respect for all things natural, including humans, animals and plants. This paints a picture and sculpts a figure of fine granite. Drink 2022-2028.  Tasted October 2022

With Adi Badenhorst

White Blends

A.A. Badenhorst Kalmoesfontein White Blend 2021, WO Swartland

There are reasons why many Western Cape winemakers increasingly turn to accounts spoken in stacked varieties through appellative white blends. Not because it can be a French thing to do in the ways of Châteauneuf-du-Pâpe but because it makes for wines possessive of immense character. Adi Badenhorst makes use of at least 10 different grapes and you’ll need to read the bottle to know what they are. But seriously chenin blanc is joined by grenache gris, grenache blanc, marsanne, clairette, verdelho, roussanne, sémillon, viognier and palomino, Stacked, layered, integrated and in a vintage as rich as ’21 also acidified just ever so slightly. Says Adi. “We need this wine and to pay a lip service to them is essential.” White Blends they are the walrus. “I am he as you are he as you are me and we are all together.” Sees one year in foudres and one in concrete. Only in South Africa and as here so very noteworthy from the Kalmoesfontein Farm at the base of the Paardeberg do these extract and alcohol conversion rates create magic. Decomposed stone infused, citrus and DNA of granite manifested as a swirl of orange, lemon and lime, tea and cordial fulfillment. Swartland grape varieties combining for brilliance in genius, epically so. Drink 2023-2030.  Tasted October 2022

Alheit Vineyards Cartology Bush Vines 2021, WO Western Cape

The question is posed to Chris Alheit but he says the lighter and lighter (including alcohol) wines are not a matter of intentional design nor aesthetic choice. Farming and the use of grand-sized blending tanks in the mid four to six months increases stability, mobility and consistency well ahead of bottling. Clarity is ensured, true clarity and more purity plus “the guarantee to present the best version of that vintage.” In the end the chenin blanc plus (20 per cent sémillon) Cartology 2021 seems to be the most effusive, sharp and translucent to date, this despite a group of on repeat parcels varying in output from vintage to vintage and quite significantly so. This is primed and ready if perhaps ready to begin peaking as early as next Spring. Drink 2023-2027.  Tasted October 2022

B Vintners Vine Exploration Company “B” Haarlem To Hope 2021, WO Stellenbosch

Cousins Bruwer Raats and Gavin Bruwer Slabbert created Bruwer Vintners Vine Exploration Company in 2014 to celebrate family and Cape heritage through a joint venture. Haarlem To Hope 2021, from the motherland to the Cape of Good Hope, a blend of nearly 70 per cent chenin blanc with just about (30) sémillon plus bits of muscat blanc and muscat d’Alexandrie. All from Polkadraai Hills where Raats’ extraordinary Eden chenin is from. All four blocks of vines are old and Bruwer had to convince a neighbour not to rip them out. The chenin is barrel fermented, the sémillon harvested early and the blend is laden with this amazing glück, a textural component indescribable using any other word. “B” is for everyone involved; Bruwer, Gavin’s mother’s maiden name and the history of the Bruwer Huguenots. Impressed by how this never drifts into oiliness or liquid metals but finds balance between all parts. The texture could be called sumptuous but in any case the two plus two varietal get together walks up and down both sides of a two-way street. Drink 2022-2026.  Tasted October 2022

With Sebastian Beaumont

Beaumont Wines New Baby 2019, WO Bot Rivier

New Baby was released in June of this year and 2015 was the first vintage of a truly Cape conceptual wine. It was launched as a way to combine the idiosyncrasies and potentially complimentary personalities of different white grape varieties on the farm. In 2019 the lead is chenin blanc at 40 per cent with (30) sauvignon blanc plus smaller amounts of chardonnay, sémillon and colombard. They were all planted by Sebastian Beaumont’s father from 1974 onwards. The style and notion follow the line established by Hope Marguerite. “My mother said every vintage was like giving birth to a new child,” explains Beaumont. “Once you do something it’s hard to shake.” Yet another brilliant white appellative blend to define the Cape’s idiomatic meets wild west psyche and only in South Africa do the interpretations emerge like this. All in barrel and the vapour trail is palpable, especially in the flint and smoulder that come from the Bordeaux grapes. New Baby pops, piques, kindles and snaps, raises the senses and is just a perfect conceptual creation. Hard not to love this bloody wine. Drink 2023-2030.  Tasted October 2022

Christa Von La Chevallerie

Huis Van Chevallerie Springhaas Vin Blanc 2019, WO Coastal Region

Springhaas is the South African hare, a medium-sized terrestrial and burrowing rodent. Despite the name, it is not a hare. Springhaas the white appellative blend is from Voor-Paardeberg, of 40 percent chenin blanc, (33) viura and (27) verdelho. Many winemakers get their “specs” from these vineyards, including Thorne & Daughters. This is Christa Von La Chevallerie’s concept wine but also a signature of who she is. The viura is also used for her Hummingbird sparkling. “It’s from the mountain and people know it,” she says and what she means is this is bloody good juice. “It’s my six dollar version of something fun. Others can play on top of it.” Well it jumps and hops so there’s that, also fine bitters, lime, a fino moment and a sweet brininess that makes you want more. What a fantastic finish, drink enough of it and it goes all refreshing and satisfying. But you’re upset when it’s gone and it makes you realize that you’re also hungry. The chenin from decomposed granite releases the acidity and is the impetus for excitement. Just enough takes the lead to establish balance. Springhaas will have you realize with relief that this is not an invitation to small Pedetidae murder but an alliterative description of an appellative deliveroo. “Here, hare, here.” Drink 2022-2026.  Tasted October 2022

Franco Lourens

Lourens Family Wines Lindi Carien 2021, WO Western Cape

The influence on and reasons are numerous for Franco Lourens to make this white appellative blend. It begins working alongside Chris Alheit and a little wine called Cartology, develops out of a need to pay for an engagement ring, solicits the assistance of old vine chenin, old for South Africa verdelho plus wisened teens named colombard, grenache blanc and palomino. Finally, it’s success and payout get the ring, marries the girl and the wine remembers it all, named after Franco’s bride, Lindi Carien Lourens. The Stellenbosch verdelho (35 per cent), Swartland chenin blanc (21) and colombard (19), Piekenierskloof grenache blanc (18) and 1972 planted palomino (7) are all expertly judged and delineated in 2021. Five days of skin-contact on the GB does just enough to solidify and texturize the entirety but otherwise it’s “lazy winemaking” says Franco for a wine first made in 2016. Oak is old while the package is just as tight and seamless as a WAB can be, especially in the WC. The layers of components really do like one another, that much is obvious and yes, “all my wines have come a long way,” says Lourens. “I try to tighten the bolts and the screws every year.” These are snug in 2021. Indeed. Drink 2022-2027.  Tasted October 2022

With André Morgenthal and Charla Bosman

Sijnn White 2020, WO Malgas

This 2020 is the first vintage to bring verdelho into the mix with chenin blanc (the OG variety planting in 2004) and roussanne. The Iberian grape takes this intrepid White to a side-stepping, new era level. The first of its ilk and a bit clumsy whilst this young and impressionable but my how this will change perception and forward thinking with respect to Malgas blending. The White iterations from 2017-2019 are stellar wines and represent peak performance for their time. But change and growth are good and necessary, otherwise things get stale, even in this crazy outpost of a wine-growing place. There is much to learn from the 2020 first kick at this new can and there can be no doubt winemaker Charla Bosman will take little time to morph this new identity into something mind-blowing. Drink 2024-2028.  Tasted October 2022

Vergelegen G.V.B. White 2021, WO Stellenbosch

A Bordeaux blend of 78 percent sémillon with (22) sauvignon blanc and likely the most dominant blend in this regard anywhere in the Western Cape. The sém portion is usually 50-60 and here from 2021 the standing firm, upright and out is on fully skeletal display. There can be no mistaking the fynbos and on a grander scale the estate farm in this wine. Peaches and cream dictate the fruit aromatics before the sémillon kicks into pedal to metal overdrive, ushering in resins, essential plant oils and strength of character acidity. This was bottled at the end of 2021 and just recently released. Subsequent vintages will be under the reigns of new winemaker Luke O’Cuinneagain whose track record includes stints at Château Fieuzal, Cave Dietrich, Château Angelus, Screaming Eagle, Rustenberg and Glenelly. Drink 2022-2026.  Tasted October 2022

Red Blends

A.A. Badenhorst Kalmoesfontein Red Blend 2021, WO Swartland

Five grape varieties and as Badenhorst is wont to do they are all co-fermented. As a winemaker or in any homestead job you are always influenced by where you grew up and who you worked with. Tells Adi, “in the Swartland these are the varieties that were there.” And so this is Saint-Éstephe meets Cornas, rustic yet pure, ripe and ripped. No make up and it preaches the Badenhorst philosophy. The elévage is 80 percent in concrete with (20) new casks. Turned out to be a pretty tannic vintage, maybe even as a surprise to Adi. “There’s oxygen here.” The most structured of all these wines and clearly one that can age, with thanks to amazing vineyards. Drink 2024-2032.  Tasted October 2022

Glenelly Estate Reserve Red Blend 2016, WO Stellenbosch

Based on Bordeaux varieties and the fruit is almost second wine styled as if Lady May the Glenelly grand vin is Paulliac and this Reserve Red is La Croix Ducru Beaucaillou. Or something along those lines. Here we receive top ecehlon Cape cabernet sauvignon with merlot and petit verdot but the side-swiping catalyst is the generous and liquid peppery splash of syrah, the energizer and impetus to really make this Meritage go. Rich and chocolaty, financed and very clever, warm and woollen. Yes it reminds of Bordeaux in Western Cape earth but that syrah changes everything. Or adds actually, activates notions and sentiments only Stellenbosch and environs are want to do. Creates a new yet old-hearted heritage. Drink 2023-2027.  Tasted October 2022

Kanonkop Paul Sauer 2019, WO Stellenbosch

Abrie Beeslaar is the winemaker of this Cape icon of a Bordeaux blend in 2019 composed of 75 percent cabernet sauvignon, (14) cabernet franc and (11) merlot. Beeslaar notes that the carry over of drought is still felt through this ’19 pulled from dryland vines aged 30 years on average and growing in decomposed granite, Hutton and Clovelly. Obviously youthful as to the point of immovable but in a modern world Paul Sauer speaks clearly and the vernacular is as understood as it has likely ever been. Tasted alongside the ’91, ’97, ’09 and ’14 you can see a shift in style over the course of nearly three decades or rather an adjustment to keep up with wants and needs. Change does indeed match the times and while this blend is about as structured as any in the Western Cape there are more handsome qualities and even a moment or two of immediacy. Not exactly gratification because the tannins are a force but things seem measurable. The middle palate is full and flavourful, giving off this cool sensation. Many years of excellence lay ahead. Drink 2025-2035.  Tasted October 2022

Meerlust Rubicon 2017, WO Stellenbosch

From a drought vintage yet there can be little doubt that in farming these Bordeaux varietal vineyards almost every bunch, however small they may have been, came out fresh and healthy. Rubicon 2017 is all perfume, of violets and berries, currants and Cassis as a by-product of distilling these varieties down. Still youthful and feeling a bit boozy though the complexities and acidities have yet to arrange, layer and align. The intensities are a bit haphazard and there are so many programming features running on overdrive. A look deep back for a comparison might be 1991 and if there is truly a connection then the future for this vintage is so very bright. Drink 2023-2033.  Tasted October 2022

Duncan Savage

Savage Wines Red 2020, WO Stellenbosch

Still called “Red” but since 2017 this artist formerly known to blend with grenache, cinsault and touriga nacional no longer seeks that meritage effect. For good reason because the syrah fruit is tops and under this command it transforms into magic. The idea of cuvée persists but the concept is that of mono-layering, single varietal stacking, syrah on syrah upon syrah. The progression come to this makes perfect sense for a signature wine to define what Savage wines is and needs to explain. This wine is unreal, fully formed and seamless, of a structural indemnity that shifts risk from one party to another, from one layer of syrah to another so that the whole is always protected. Might seem or feel like an impossibility but when one part has the back of the rest and the engineering covers the whole, then the architecture is solid. A beautifully tough and grippy syrah is the result, never gritty or swarthy but so very fine-tuned. Drink 2025-2030.  Tasted October 2022

Springfield Estate The Work Of Time 2016, WO Robertson

Based on the concept that “time is the lost element in today’s winemaking, can be so precious – yet it is free.” Time for a 1992 planted vineyard to reach a level of maturity to make a great wine and so the first vintage is 2001. Time in barrel and bottle, two plus four, then released with the work having already been done. Ready to drink? Not so fast. Time is not of the essence but for the patient. The grapes are cabernet sauvignon, cabernet franc, petit verdot and merlot for a truth be told in woollen, swarthy and sauvage personality, needing two more years to begin breathing and exhaling the true character of their gathering. Bonded together they will be one flesh and fleshy they will be, fruit and animal, of a vibrancy to speak of cape heritage through red blends. Chalky tannins and high acidity also need to cooperate but in the end this will surely become something really special. Drink 2024-2030.  Tasted October 2022

With Eben Sadie and John Szabo MS

The Sadie Family Die Ouwingerdreeks Columella Liberatus In Castro Bonae Spei Vindemia 2020, WO Swartland

Less syrah (40 per cent as opposed to what used to be 80), with grenache and mourvèdre plus more tinta barocca now in Columella. Results in an even firmer, linear, direct in your face and on the palate kind of red blend. Tannic to the bone, a karst now painted on, slowly to weather and be stripped away, eventually to dry as a charcuterie board of salumi, savoury jam and tart pickle. Eben Sadie feels this stylistic cuvée in his bones, down to his core and know this. Big extraction and heavy oak treatment is not part of the program. For the highest degree of complexity accumulated it would be best to hide this ’20 away and return in 10 years. At the very least. Check in after four or five and there will be great reward if not the kind of next level, millennia or epoch. Drink 2026-2037.  Tasted October 2022

Agulhas

Varietal Whites

Ataraxia Chardonnay Earthborn 2020, WO Hemel-En-Aarde Ridge

Snap, crackle, dried green apple skin dusted and pop with white pepper bite. Savoury-herbal by a typically endemic site where terroir is clearly the driver for this particular chardonnay. Vineyards of fruit counteracted by salinity. Drink 2022-2025.  Tasted October 2022

Bosman Family Vineyards Chardonnay 2021, WO Upper Hemel-en-Aarde

Persistently reductive, brown butter nutty and softly aromatic. The notable (13.9 per cent) alcohol accentuates the 15 per cent settled juice aged in Burgundy barrels for six months to make this feel generously wooded. Richer palate and furthered intensity. Tasted as part of a 15 chardonnay flight in perspective at L’Avenir. Drink 2022-2024.  Tasted October 2022

Bouchard Finlayson Chardonnay Missionvale 2021, WO Hemel-en-Aarde Valley

Pure citrus entry, all parts involved, juice, zest and pith. Well lees aged during its tenure with sweet fruit scents, flavours and naturally occurring caramelization. Old school, less cool and yet herbal minty through the mid stage, then ranging quite long and far. One of the more complex chards with depth and warmth provided by the valley floor. Drink 2022-2025.  Tasted October 2022

Braai Brekkies in Arniston

Cap Maritime Chardonnay 2020, WO Upper Hemel-en-Aarde

Cap Maritime is the Upper Hemel En Aarde chardonnay work of Boekenhoutskloof’s Marc Kent. A classic cool climate chardonnay, whether by place or vintage, or perhaps a combination of the two. This jumps out as one made in the most wholesome and also dedicated way, smooth and consistent, surely a factor of an estate’s terroir. Perfectly seasoned and reasoned for great effect. Cool all the way. Drink 2022-2024.  Tasted October 2022

Creation Chardonnay 2020, WO Hemel-en-Aarde Ridge

Quite buttery and rich, fully formed, styled and developed as chardonnay in a cool yet at times foggy and humid climate. A fine mix of toast and texture, energy and appeal. Drink 2022-2024.  Tasted October 2022

Zoo Crü – Cape Wine 2022

Crystallum Chardonnay Clay Shales 2021, WO Hemel-En-Aarde Ridge

Clay Shales is what Bourgogne not called Grand Cru strives for. That would be stage presence, which is a character trait that less than one per cent of the world’s chardonnay can say it displays. Andrew and Peter Allan Finlayson have mined platinum with this 2021 of a what’s in a name codex for Bokkeveld Shale meets clay soil. Single vineyard chardonnay of one hectare producing only 2,000 bottles is deserved of cru status when it takes a producer’s profound to an entirely new level. Hilltop site, windy as fuck and you can sense the breeze blowing through to mitigate and balance an unreal level of richness and concentration. Not just this but an equality by a tautness that commands respect but also relaxes to let the fruit exhale and express. Clay Shales is an important matter of a single Hemel-en-Aarde ward, a ridge supreme upwards and its makers standing two metres tall, upright and looking over the pack. Chardonnay at the pinnacle for Crystallum’s studio work, conveying much without overstatement. It is almost impossible to imagine any Western Cape chardonnay discussion without it. Drink 2024-2030.  Tasted October 2022

Megan Mullis and Sharon Parnell, Domaine des Dieux

Domaine Des Dieux Chardonnay 2019, WO Hemel-En-Aarde Ridge

The mansion of the gods and can’t help but think of a childhood cartoon memory (Asterix) but there is nothing childish or cartoonish about this splendid chardonnay. By a long shot the most reductive of the 12 thus far in this blind tasting flight. Holding back the years and tears, a chardonnay of deem, deed and demand, explaining little, not interested in giving in, clearly designed for longevity. Impressive and of secrets we wish to know. “Hoping for the arms of mater, get to me the sooner or later, oh.” Drink 2023-2027.   Tasted October 2022

Godello in Hemel-en-Aarde

Hasher Family Wines Chardonnay Marimist 2020, WO Upper Hemel-En-Aarde

Richly aromatic, emitting the perfume of fresh yellow flowers like few in a 15 strong chardonnay flight from the Hemel-en-Aarde. No let down on the palate in fact texturally this lays it all out, with more fruit and wood interaction than most in an evolved, developed and symbiotic way. Fulsome wine, ready, willing and able. Drink 2022-2024.  Tasted October 2022

Braai at La Motte

La Motte Sauvignon Blanc Pierneef 2021, WO South Coast

Pierneef, a reference to the well-known painter. Includes 10 per cent sémillon and the earliest vineyards were planted in the 90s. Pinpointed sharpness in sauvignon blanc and although there is a sense of pungency the urgency of freshness and spirit are the shit. Comes from Agulhas in the Cape’s South Coast which is the most southern vineyard in Africa, perhaps the coolest there is in the Western Cape. There is indeed a Sancerre sentiment here but stands apart, alone, of its own accord. From a growing contract of 25 years, rented, a management contract paid and grapes taken. Drink 2022-2025.  Tasted October 2022

Christo Kotzé, L’Apogée

La Vierge Chardonnay Apogée 2018, WO Upper Hemel-En-Aarde

Though a 2018 the primary notes prevail in this chardonnay from a cool marine climate. Young vines (eight years of age) on the plateau’s argillaceous Bokkeveld Shale and sea breezes are at the tops of influence. Closed, taut, yes reductive but more so a case of youth, unforgiving and ungiving while in that state. A mildly warming and nutty white caramel indicate change is coming as they carry on and over into a chardonnay expressive of great length. High caste and style though the climax or pinnacle of potential is far from realized. Drink 2022-2025.  Tasted October 2022

Natasha Williams, Bosman and Lelie Von Saron

Lelie Van Saron Chardonnay 2021, WO Upper Hemel-en-Aarde

Exceptional and artistically precocious work here at the hands of Natasha Williams, cool and linear, of less barrel than most. A bit taut and tightly wound. Piqued, liquid white peppery, no caramelization, brown butter nuttiness or toast in any shape, style or form. Not the longest finish though also never sharp – nor abrupt neither. Solid construction, plenty of citrus, proper and distinct. Drink 2022-2024.  Tasted October 2022

Lomond Wines Sémillon Seven Rows 2019, WO Cap Agulhas

Must be nice to farm and produce in a climate where you can consistently grow and then gift straight sémillon and this from Lomond is about as credible as they come. Obvious richness mixes with herbology in sweetness but most of all the effect comes from barrel fermentation in 500L tonneaux. Lean is not the operative though mineral and elemental surely are, not merely salty but marine influenced at the southern most point on the African continent. It’s something so much more, notorious even, unique, curious and all in. Intensely woven as sémillon will ever get and the real interest is to see how this ages. Great intrigue. Drink 2022-2026.  Tasted October 2022

Hemel-en-Aarde

Newton Johnson Family Vineyards Chardonnay 2021, WO Upper Hemel-En-Aarde

Newton Johnson’s is self-professed vibrant chardonnay to rival Bourgogne as well as anywhere in South Africa. Their 2021 raised in the ward of the Upper Hemel-En-Aarde shows so much more than taut mineral activity and is yet so far from anything remotely tropical. Rather it resides on the barrel fermented side of things where fruit richesse and oak fuelled beauty get together in a whirl and swirl of lees and acid, forming a cone of chardonnay in centrifuge, oily and silky at the same time. There are some juicy terpene moments upon tasting and so a disparate moment or two will happen before the warmth of this chardonnay nurtures as it trickles down upon the finish. Feels preserved in great balance and of citrus in oxygenated motion. Drink 2022-2026.  Tasted October 2022

Craig Wessels

Restless River Chardonnay Ava Marie 2020, WO Upper Hemel-En-Aarde

To meet and taste with Craig Wessels is to know him because he wears his wines on his sleeve and allows them to do the talking. They in turn speak on behalf of a breeze swept place aboard the plateau of the Upper Hemel-En-Aarde. There is a wee bit of (Tuscan) amphora addition and yet its effect is only sensed in the shadows of this understated chardonnay. Named for Wessels’ daughter with fruit hermetically contained and protected the minute it left the small, profound and single two hectare vineyard. A bit demure, pretty and classic, less ambition and need for immediate recognition but clearly confident without attitude or overt display. Almost convinces of the simple, amenable and how remarkably easy it is to get with, but that is indeed the beauty and subtlety of this wine. Fine wine. Made that much more indelible after tasting a 2015 from Magnum with Wessels over lunch at Hamilton Russell. Drink 2023-2028.  Tasted October 2022

Jessica Saurwein

Saurwein Riesling Chi 2022, WO Elgin

CHI is the riesling work of Jessica Saurwein, German-South African, naturalist and champion of both riesling (Elgin) and pinot noir (Hemel-en-Aarde Ridge). The word carries two meanings, translated as “life force” and also the first three letters of CHIUTA, an African rain god. These are spiritual connections that reflect the individualism of the producer and also her wines in the how, where and why they are of a magic produced by the garden. Saurwein’s 2022 is a beautifully balanced riesling of invisible pulse that feels akin to how mushrooms might communicate with one another using electrical impulses. You could imagine attaching a soundboard and speaker through electrodes to the vines to measure spikes in signal activity. Just as a scientist would connect to hyphae and hear them talk. But I digress and in this glass this mix of 11.5 per cent alcohol, 11.5 g/L RS, 7.5 g\L TA and less than 3.0 PH equates to a rich yet linear riesling of full flesh and healthy bones. A riesling aching to explain itself, how it is grounded while also soulful, hovering in weightlessness and ethereal. This may seem like a quiet, standalone organism of a wine but is in fact a complex weave of language transmitting soil, geology and place. It’s really quite special and Jessica Saurwein seems poised to be the Cape winemaker who will translate substrate behaviour with clarity through the language of wine. Drink 2023-2029.  Tasted October 2022

Southern Right Sauvignon Blanc 2022, WO Cape Coast

The fruit origins are threefold, as are the soil types. Walker Bay (47 percent), Hemel-en-Aarde (43) and Elgin (10) and a sauvignon blanc layering by way of clay-rich shale, decomposed granite and Table Mountain sandstone. Dry, medium to elevated acidity, low pH and moderate alcohol adds up to marine air freshness and what proprietors Anthony and Olive Hamilton Russell will say is “tensile character and a marked, saline minerality.” The Hemel-en-Aarde Valley contributes as much as any fruit source in terms of having a say, not dominant per se but leading in its confident way. A track record as solid as any of its ilk to deliver an intensity of flavour and that freshness overload, together thick as thieves, drinking at peak, right now. With four-plus years in bottle a next level flinty magic and fruiting genius will occur, like tooth fungi from mycelium when conditions run ideal. The vintage guarantees such a transition into secondary character will happen. Drink 2022-2027.  Tasted October 2022

Hemel-en-Aarde

Storm Wines Chardonnay Storm Vrede 2021, WO Hemel-en-Aarde Valley

Vrede is literally “peace,” as chardonnay so named and raised on clay-rich Bokkeveld shale soil in the valley where fog and humidity settle at the lower levels to play a direct role in viticulture and especially the ripening seasoning. The soils are shallow overlaid heavy clay and who could dispute this geology acting vehemently as a factor? Rich and golden, reductive yet apple fleshy yellow and cream textured. Protected beneath a savoury-candied shell then later accented by herbaceous rhizome spice. Continues with ever consistent persistence, unrelenting, direct, linear and perhaps while this youthful also just a bit woolly and wild. Must check this out on repeat for the first three-plus years. Tiny production of just 125 cases (of 12). Drink 2023-2026.  Tasted October 2022

Tesselaarsdal Chardonnay 2021, WO Hemel-en-Aarde Ridge

The juice is up front, the wine opening for immediate gratification, ready and willing to please. Charged though here in a first dimension without any knowable access to further ones available. Quite tart and spirited though on a one way street with a finite finish. Super high acid, early picked and a touch green. Drink 2022-2024.  Tasted October 2022

Whalehaven Chardonnay Conservation Coast 2020, WO Upper Hemel-en-Aarde

Slow to reveal, unwind and prepare itself for the great revelation, in tact and a chardonnay of firmness and useful tactility. The kind of tact is so apposite to wines that tack or are in fact tacky as this is anything but. The lees are a bit sticky and so there are some thicker glück moments. Drink 2022-2024.  Tasted October 2022

Varietal Reds

Beeslaar Wines Pinotage 2020, WO Stellenbosch

Abrie Beeslaar came from Kanonkop so the acumen with respect to pinotage is more than obvious. Beeslaar works with vines planted at the grape’s origins on the north side of Stellenbosch. There are few if any with this type of natural sweetness in the fruit, with thanks to the pinpointed location on the line of decomposed shale that runs up to Stellenbosch mountain. Passes through this pinotage with peaking fruit power and stone intensity. Despite 40 per cent new oak (and you feel the wood) there is a lovely peeking swarthiness about this pretty wine. Drink 2023-2027.  Tasted October 2022

Blackwater Wines Cinsault Zeitgeist 2019, WO Darling

Francois Haasbroek makes use of the same Darling block of fruit as Duncan Savage in his cinsault called “Follow the Line.” This used to be called “Hinterland” but Haasbroek has changed the name to “Zeitgeist” and yes, the definition is equivocated through the idea of Western Cape single-vineyard wines from off the beaten path, small-parcel sites. Recall that “the defining spirit or mood of a particular period of history as shown by the ideas and beliefs of the time” is exactly what winemakers consider and exact from these varietal blocks. Francois goes at it with 60 per cent whole cluster and 100 percent concrete fermentation. Results in notable up front fruit with age-prepared softness and a marbling nearly unrivalled in Cape cinsault. Like protein of perfect ratio turning to butter the moment it hits the heat of the pan, this is the effect that transpires when the wine slides across the palate. Cinsualt of bandwidth from dry-farmed bush vines growing on Table Mountain sandstone for indelible grace. Drink 2023-2028.  Tasted October 2022

Boschendal Pinot Noir Appellation Series 2020, WO Elgin

Taken from vines growing at 500m on a what’s what of soil types; Heavy red clays, Table Mountain sandstone, Bokkeveld shale, Tukulu and Silica quartz with underlying Kaoline clay. An extreme slope and a place where baboons take what they want and wine is made from the remainder. Serious solar radiation juxtaposed against the coolness of what lays beneath the surface to result in dichotomous pinot noir, blessed of purely Elgin-styled red fruit, richness and tension fighting for supremacy. Earthy enough, element driven, aged in mostly 500L wood, to augment and not infiltrate. Could benefit from another six months of settling. Drink 2023-2026.  Tasted October 2022

Jeanine and Mick Craven

Craven Wines Cabernet Sauvignon 2021, WO Stellenbosch

Mick and Jeanine Craven’s cabernet sauvignon grows right next to the chenin blanc site on mainly granite with some clay underneath. Fermentation includes 70 per cent whole cluster; why…why not…wait…with cabernet sauvignon? Mick shoots that mischievous look and that explains the choice because he gets it. He understands his fruit from Karibib Vineyard site planted in 1999 on these Polkadraai decomposed granites. The whole bunch number was far less in 2020 so maybe if he knew then what he knows now it would have been higher. Maybe not. Notable stem savour but one so piquant, toothsome and then a woolliness but one subtle enough to speak in just a whisper. There feels a syrah comparison but deliciousness in this cabernet comes without iron and closed fisted punches. Kind of Loire franc in its verdant character but again, there really is no reference, nor sauvignon connections neither. Clocks in at a low, low 12.5 per cent alcohol that only the Western Cape can effect for this grape variety while still delivering ripeness, generosity and peace of mind. Another bit of voodoo magic from a place and a maker that knows what’s what. The conclusion? Finesse. Drink 2023-2029.  Tasted October 2022

Gabriëlskloof Syrah Whole Bunch 2021, WO Bot Rivier

Now in the hands of Hemel-en-Aarde’s Peter Allan Finlayson of Crystallum and the third vintage of treating Bot Rivier syrah to all in, whole bunch fermentation. All the perfumes that can be pulled might just fill up a small room to do for syrah what only this place can in fact do. The carbonic maceration lasted for ten days before being pressed, taken off the lees and aged in steel tanks for eight months. Clarity, purity and aromatics flown off the charts. You can decide what they are to you but know their omnipotence will draw full attention. Creates a magically sweet, succulent and serious elixir, pretty and poetry in motion, serving up the Bot with sultry sensations. Quite something really. Drink 2023-2026.  Tasted October 2022

With Anthony Hamilton Russell and Johan Reyneke

Hamilton Russell Pinot Noir 2021, WO Hemel-En-Aarde Valley

It has come to the point where we want to distinguish stylistic differences between Ridge, Valley and Upper in the Hemel-en-Aarde and if any pinot noir is capable of creating some kind of definition than Hamilton Russell’s would be the one. From 2021 this feels like a light and ethereal kind, tight and restrained but not backward, which can always be a possibility. Valley pinot is less obvious, slower to reveal, incrementally opposite to the Ridge and apposite to the Upper, both of which are showier, less complex and quick to speak. Anthony talks about less solids being left in the tank (since the mid to late 2000s) to result in a greater ability to diversify in barrel. The great solids epiphany came in 2020, 10 years after the “malo epiphany.” When the Ridge pinots show more persistent tannic structure it can create wines of disparate character while the Upper will usually offer the most perfumed intensity. This is more aromatic than most from HR, gorgeous even, as “Burgundian” as ever there has been. Yet Hamilton Russell from the Valley seeks equanimity and slow maturation, never peaking too early or looking to deliver immediate gratification. Patience is the request, even in a “lighter” vintage. This from ’21 is no exception. Drink 2024-2029.  Tasted October 2022

 

Iona Pinot Noir Kloof Monopole 2019, WO Elgin

Andrew Gunn’s Kloof single-vineyard is the only one on the mountain and he alone makes this Elgin pinot noir from that fruit, thus the Burgundian monopole terminology. There are 12 blocks planted in 1998 and 2010 overlooking the Atlantic Ocean so the wind effect is more than imagined to create the taut tightest, finessed and saltiest on the local (and very parochial) scene. When pinot acts this alive it opens your eyes, nose and palate to a vitality capable of inducing invigoration. A fine example at elevation no doubt with great promise and eventually elegance with thanks to Iona’s focused attention and listening to the winds. Drink 2022-2026.  Tasted October 2022

Niels Verburg

Niels Verburg

Luddite Shiraz 2019, WO Bot Rivier

This is the 20th vintage for Niels Verburg’s Luddite shiraz and what he calls “a survivor.” Each time it arrives there is this newfound, newly generated freshness in revival, no matter the season. The 2019 is the last of the drought vintages from which only 5,800 bottles were made for a sku that can be as high as 30,000. Garrigue aka Fynbos, iodine, Velddrif salts, Imphepho and Nasturtium. Lively and jumps right out of the glass. “Quintessential vintage,” smiles Verburg, released a bit early “but this ’19 is really good.” Producers who do it right work this way and this one reels you in though is surely also age worthy. Drink 2023-2032.  Tasted October 2022

Kaapzicht Pinotage 2021, WO Stellenbosch

Known for a more traditional style, heavy and round, self-professed by winemaker Danie Steytler. Jokes aside this from Bottelary Road is indeed a dense and thickly consummate pinotage, liquid chalky and structured for a long, slow-cooked and extended warranty. Not that Steytler is trying to coax, extract and demand too much but place and climate do conspire anyway. The endgame is far away, for now embittered in black liquorice and taut intensity. Drink 2024-2029.  Tasted October 2022

Restaurant at Kleine Zalze

L’Avenir Wine Estate Pinotage Single Block 2020, WO Stellenbosch

From winemaker Dirk Coetzee, from a registered single vineyard planted in 1994. Smooth, refined and swelling with ample tannin. The more “Bordeaux” within the pinotage pantheon, of graphite and Ribena, a righteous greenness, modern perhaps yet earthy, already showing some soy, balsamic, fungi and truffle. Drink 2022-2025.  Tasted October 2022

With Marlise Niemann

Momento Wines Grenache Noir 2020 WO Swartland

This grenache noir is Momento’s OG because Marlise Niemann worked in Spain and in 2010 decided to put her faith in this grape. As always low yielding bush-vines in the Swartland grown on its ancient decomposed granite soil are the source and there are few Western Cape examples as beautiful as this. Any origin for that matter because Niemann and the Paardeberg have become soulmates and her choice of one-third whole bunch pressing is spot on. Creates a crust or barque on top of the ferment that carries through to the wine. Cold soak of four days and punchdowns exaggerate the sweetest fruit of sing-song temperament, a varietal Carole King, woven tapestry of longing and love. If you need a restart of your joie de vivre than this is the wine to pour. Aside from its undeniable winemaking genius, the grenache noir endures for its balance between place and adventure, as well as remaining grounded through its maker’s independence and relationship with the Swartland. Drink 2023-2028.  Tasted October 2022

Mullineux Syrah Granite Jakkalsfontein 2020, WO Swartland

Jakkalsfontein, “where the dogs spring,” perhaps eternal because granite soils are a gazillion years old and the Mullineuxs have been working with the vineyard since 2014. Whole cluster to the max, open top large vats allowing release and punchdowns keeping that elusive concept of stems working in the success side of trial and error. After that it’s all about tannin polymerization and then refinement. Grandstanding tannins indeed, a vintage of manyfold layers, of warm days and cool nights especially towards harvest, where acid will improve upon tannin . Will be most interesting to watch this one age. Should be a grand granite year. These are true Swartland tannins. Drink 2025-2033.  Tasted October 2022

With Alex Milner

Natte Valleij Cinsault 2021, WO Stellenbosch

In 2018 I tasted four different cinsault from Alex Milner and at the time the Darling stood apart. Feels like four years later he has grown to fully appreciate this 1972 Stellenbosch vineyard with deeper understanding and cinsault intuition. This site with its views of Table Mountain and False Bay is picked the latest and in 2021 finished at a mere 11.5 percent alcohol. It is the litheness of glycerol and grace in texture over the palate that makes this far from conventional cinsault tick. That is where the magic happens with thanks to concrete “barrel” aging and guaranteed freshness captured. Tannins are whispers, sweet nothings that melt in the mouth upon contact though they will linger for a few years yet. As soft spoken a cinsault as there is, even by Western Cape standards. Drink 2022-2026.  Tasted October 2022

Paul Cluver Pinot Noir Seven Flags 2015, WO Elgin

Increasingly considered a great vintage in Elgin, backed up by this showing at seven years of age. The 115 grows on shale with Koffieklip and in ’15 the whole bunch number was 50 percent. Settled now and in a most ideal drinking way, with nearly five years remaining for more expressive things to say.  Last tasted October 2022

The most floral vintage of the Seven Flags and the first with clones 115 and 667 brought into the blend. This to create new concepts and levels of complexity with vines old, new and next level involved. The intermixing leaves us with a sensation involving many layerings; fruit, acid and structural. The fruitiness and fresh flower gatherings presents an aperture of severe harmony and adds up to a bunch of aesthetic yeses. Give it a year or two to integrate. Drink 2020-2027.  Tasted September 2018

Porseleinberg Syrah 2020, WO Swartland

It begins with a right proper rant from farmer, BBQ smoker and winemaker Callie Louw. “We don’t need to offset climate change with varietal adaptation. We just need to farm better. The problem doesn’t go away. Cover cropping, activate your place, get things growing, the whole profile is run in the top four inches. Below is the bank, the reservoir. The thing that makes the money is on top. Stop tilling. Leave that stuff on the top of soil. it just burns. Keep the active things alive. Increase the carbon in your soil by one per cent and the water will increase by 50.” Then to the current release at hand. Porseleinberg syrah 2020 is aged in 90 percent foudre and (10) concrete egg. “A nice vintage,” says Louw, “still stuck in a drought but the first year with average rainfall, just about 400mm.” Healthy canopies, just right there, picking without stress. From 2020 about 70 per cent is from one site and while the soils are consistent, the aspects, gradients and all else bring minor variegation, seasoning and spice.“The success of this is a complete fluke. I literally do nothing with the grapes. I realize I do fuck all.” And yet the consistency of the process prevails; of working with syrah like this, whole bunch, no pump-overs and just a belief in the farming. Not sure many 2020s are the shit but this folks and my friends is. South African wine is not all the same. Drink 2020 sooner, the delicious factor will ride. Drink 2024-2032.  Tasted October 2022

Bruwer Raats

Raats Family Wines Pinotage Liberte 2020, WO Stellenbosch

From Polkadraai, picked early to help establish a deeply South African sentiment or even manifesto that allows pinotage to separate itself and announce its uniqueness as a wine unlike anywhere else in the world. These are the thoughts of Gavin Bruwer Slabbert. If you attempt to compare this to a Raats cabernet franc there are so few similarities and in fact here pinotage gains stature, swagger and momentum in ways the Bordeaux family of varieties can only wish for. At what cost you ask and that is a worthy query. Traditional beauty perhaps but even pinotage’s lies in the eyes of the beholder. Thick skins and fleshiness abound to announce their estimable arrival. Drink 2023-2028.  Tasted October 2022

Radford Dale Freedom Pinot Noir 2021, WO Elgin

Proprietor Alex Dale takes inspiration from Nelson Mandela’s memoir “A Long Walk to Freedom” as he sees his adopted South Africa as the place where agriculture and winemaking have given him his. The first organic pinot noir from this Elgin outpost for Stellenbosch producer Radford Dale and what winemaker Jacques de Klerk calls “a transitory vintage.” Meaning Elgin Ridge was the original owner and the farming is now fully under RD’s command. This ’21 is glaring and striking in primary freshness, so youthful it feels like bottling happened only yesterday. Chalky tannic, of a formidable density but stone cold salty, like Sonoma Coast and a wedge of Délice de Bourgogne. This is, in the parlance of our times endearingly referred to as “C’est bon, fuck!” Drink 2024-2028.  Tasted October 2022

Testalonga El Bandito Mourvedre Monkey Gone To Heaven 2021, WO Swartland

Craig and Carla Hawkins make many skus, almost all small lot from the Swartland and it feels like there is no true rhyme or reason to the portfolio. That is why Monkey Gone to Heaven is the poster for their work, a Pixies song reference Black Francis (Frank Black) has said was named because it “just sounds neat” and also “it wasn’t like we thought we’d get played on the radio.” Perhaps Craig (aka El Bandito) approaches his work in a similar way. Hawkins goes at is as natural as anyone out there but believe it when he insists he’s simply making wine from grapes. What do people think? Whatever. Are the wines niche, raw or mainstream? Don’t really know. Making a statement on environmental concerns? Probably not. We do know this varietal mourvèdre is 100 per cent whole bunch fermented for nine days in open tanks, pressed and aged in 500L foudres. Wild and full on ambient malolactic fermentation. The winking winemaking equivalent of “If man is five…Then the devil is six…Then God is seven.” Actually less intense and grippy than the Queen of Spades Tinta Amarela and also surprisingly perfumed. Even a bit pretty, of different aromatic and volatile lift, apposite in structure, soliciting an arousal of trenchant imagination. What is this? Sarcasm, Kaballah and good grapes. Drink 2023-2026.  Tasted October 2022

Waterkloof Wine Estate Pinotage Last Of The First 2021, WO Stellenbosch

“We like to make wine we like to drink,” tells Nadia Barnard-Langenegger, based in Somerset West. The block for this wine is part of the first commercial one planted in South Africa, on a cool, east-facing bush vine block planted in 1994 to clay and some decomposed granite. In conversion to organic. “I want to taste what I taste in the vineyard, stones and freshness.” The name is Last of the First because there are no others planted on the Skurfberg. Another terrific example of the new pinotage of flesh, savour, lithely bitter liquorice and high acidity. Definite quality once again. Drink 2024-2027.  Tasted October 2022

Wolf And Woman Wines Pinotage 2021, WO Swartland

From Jolandie Fouché and old vines planted in 1973 on truly sandy (meaning zero clay) Paardeberg soils. Fouché’s journey has run the gamut, from matriculating to earning her stripes in the South African industry. And one of her dogs is named cinsault. “Sometimes I’m more wolf than woman and I need to stop apologizing for my ways.” Hers is a most perfumed pinotage, thanks to bush vines with big canopies whereby the vine is mostly in the shade, that and more than ample whole bunch fermentation in a carbonic vein. Less oxygen and no new wood lengthen, extend and create a drift that so few wines of this idiom are able to achieve. WAWW is pinotage of elegance incarnate, not without inherent tannin, yet silken no doubt. Drink 2024-2028.  Tasted October 2022

Good to go!

godello

Hemel-en-Aarde

Twitter: @mgodello

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WineAlign

Memories of South Africa in 60 notes

Water hole, South Africa

As this passage through weltschmerz marches on, the defining feeling of melancholy and world-weariness continues, no doubt magnified in the hearts and minds of the wanderlusts accustomed to consistent world travel. So the question begs, as it has for 12 months, how to summon thoughts that will keep a deep sadness about the inadequacy or imperfection of the world at bay? Speaking from a personal place, a simple and distracting way is to compose retroactive wine reviews, unearthing and editing nuggets of meaningful playfulness, tasting notes created in the past but never having found their way to the light of day. Recent thoughts about South Africa are the impetus for this story.

Related – Searching for great heart in South Africa

In a pandemic-free world Cape Town’s Cape Wine would be taking place six months from now but a difficult and necessary decision by Wines of South Africa has moved the trade show from September 2021 to October 2022. Intensive planning for one of the great triennial wine fairs on the planet begins 18 months out and so with vaccine promise and good hope the time has arrived for the industry to launch preparations for a Spring 2022 Capelands revival. Soon enough the hurdles, obstacles, impediments and hoops of pandemic, lockdowns, sponsorship landing and export bans will be added to the growing list of “what has been overcome.”

Fly me back to South Africa

Related – Spotlight on South Africa in VINTAGES August 6th

Wine trips afford tasting hundreds of wines in a week’s time and while all bottles poured by every producer are given full attention and solicit a hundred or so scribbled words on history, tradition, agriculture, winemaking, varietal and regional relativity, many remain in raw form, relegated to computer folders and on the pages of moleskin journals. Pulling them out months, if not years later can induce that elusive feeling of relief and in some extraordinary occasions, epiphany. This to the creator of course, not necessarily to the producer, wine prose seeker, consumer, regional administrator or marketer. Notwithstanding who may be watching or reading, the exercise is a satisfying one and stands on its own merit, if only to be soothed and take refuge in a safe prosaic haven, free from the savage talon grip of a world gone mad.

“What happens in Cape Town stays in Cape Town” carries a three year statute of limitation. With the inimitable Ken Forrester

Nature, farmers and winemakers continue their work. Grapes are still growing and wines are still being made. Cape Wine is one of the greats, a collection and gathering by an industry of more varied character and industriousness than you will ever find. Let’s hope a global correction and stabilization brings everyone back together. During the last edition in 2018 I published several articles and many notes but these are the fruits of unfinished business left unsaid, scattered and streaming bits of consciousness having patiently waited it out for this moment in the sun. With thanks to all these erudite producers who shared a few ounces, engaged in conversation and offered up their time. These are the 60 wines tasted 30 months ago, assessed, critiqued, enjoyed and until now, unpublished.

A.A. Badenhorst Family White Blend 2016, WO Swartland

Simply a case of “fantastic grapes from old vineyards,” small parcels from Adi Badenhorst’s Kalmoesfontein farm, around the Swartland and the greater Paardeberg Mountain. A tienvoudig veldversnit of chenin blanc, roussanne, marsanne, grenache blanc, viognier, verdehlo, grenache gris, clairette blanche, sémillon and palomino. Hard to imagine that ten grapes could be so tactful and get together for such a discreet nose, but they are and they do. Secretive and seductive, full of mystery and enigma, ferments in 3000L vessels and then concrete, of a co-existence executing balance and a dedicated focus on texture. A ten-fold paradigm shift as part of the pioneering, Western Cape appellative white blend parade. Those who know it get lost in the varietal party and just like the makers the soirée will go on forever. Drink 2018-2022.  Tasted September 2018

A.A. Badenhorst Pinot Noir Bokkeveld 2017, WO Swartland

Grown further afield of the great old white grape vineyards, higher into mountainous terrain on the famed Bokkeveld shales. Makes for transitory, lifted pinot noir, “rain-slick’d, rubbed-cool, ethereal,” a little pastiche in a glass. Provides a cool flush of red berries, a note of allspice and truth is the fruit is really quite naturally sweet. Clean, characterful and only an afterthought of subtle savour. More than anything this pinot noir drifts and rises, kind of like reciting poetry. Drink 2018-2022.  Tasted September 2018

Hanneke Krüger, A.A. Badenhorst

A.A. Badenhorst Secateurs Cinsault 2018, WO Swartland

Of the Badenhorst second tier of wines, a red blend though mainly cinsault (82 per cent) with (10) syrah and (8) grenache. Though this is technically a tank sample it will be bottled next week so essentially across the finish line. There will be 130,000 bottles of this unfiltered wine. Red fruit incarnate Cape style, sweet baking spices and from a band knowing what is needed for playing live in concert, lekker balance seekers capable of working with any instrumentation, including 4,500 and 7,200L blending tanks. Badass sound, fury and energy, dry rocket fuel, pure, raw emotion and precision. Drink 2018-2025.  Tasted September 2018

A.A. Badenhorst Grenache Raaigras 2017, WO Swartland

From the home farm at Kalmoesfontein, a scant 1268 vines by lowest of low yields and considered to be the oldest (1951) grenache vines in South Africa. The Raaigras (ryegrass) is a vineyard choker so without human intervention it would literally strangle a vineyard. One of those wonderful whole bunch ferments though a portion is de-stemmed and well if this is not the right stuff from the right place, transparent, curative, a gastronomy of ancient meatiness and spice. Tannic yet elastic and one of those wines ready to go from creation but won’t likely change anytime soon. For now, long and wide. Feel free to think “see you in 15 years on the other side.” Drink 2019-2029.  Tasted September 2018

Springbock Burger anyone?

David And Nadia Sadie Wines Chenin Blanc 2017, WO Swartland

A chenin blanc blend of 35-65 year-old 1960s, 70s and early 80s, mainly Paardeberg dry-farmed bush vine vineyards in the Swartland. Some shale and clay soils mix in for a top end chenin meritage with a faint if feigned salty vanilla sweetness. High and dry extract and grape tannin conspire in their conscription and into a stretched intensity requiring some patience for the opening up. Lingers forever thereafter. Drink 2018-2026.  Tasted September 2018

David And Nadia Skaliekop 2017, WO Swartland

Skaliekop, “hill of shale,” a curious dale of fine-grained, clastic sedimentary rock amongst the Paardeberg granite. For David and Nadia Sadie a chance to make a chenin blanc with both prescient soils lending their presence and tutelage. The people here speak of the Skaliekop, knowing well the wisdom and aridity, the windswept open space, exposed and warm. They recognize and tell of the difference it makes, how a wine such as this can act so implosive, salty, targeted and fervent. The vintage only serves to magnify a sentiment already assured, that fruitful and mineral will align, swell and expand as one from these first grapes to be harvested in the wider Paardeberg zone. Drink 2019-2029.  Tasted September 2018

David and Nadia Aristargos 2017, WO Swartland

In 2017 a Swartland appellative white blend of chenin blanc (58 per cent), viognier (14), clairette blanche (13), sémillon (7), roussanne (5) and marsanne (3). David and Nadia’s only white that sees enough skin-contact to inch it up to but not quite breaching the natural-orange-amber stereotype so moving along now. A free-form, stacked blanc of multifarious juxtaposition, a Cape sensation that does this thing better and more interesting than anywhere else on the planet. Complex because florals and salinity get together and express the Swartland without a care in the world. What really comes across the palate is texture, downy and coddling with a finishing pesto of sweetly herbal fynbos and renosterveld. A perfectly broad expression overall though please don’t typecast or compartmentalize the Sadies’ white blend. Let it be. Drink 2018-2024.  Tasted September 2018

David and Nadia Sadie Wines Elpidios 2016, WO Swartland

An ever evolving or rather moving target, Rhône motivated but at this point in South Africa’s modern tenure just better to say Cape inspired. Has had many lead singers in its time; syrah, carignan and based on David Sadie’s language, who knows, perhaps grenache will take a turn at the microphone. Here in ’16 carignan (39 per cent) is centre stage with syrah (31), pinotage (16), cinsault (9) and grenache (5) rounding out the players. Elpidios means hope, as in “Cape of Good” and like the place itself there are so many layers to peel away from this heady foreland of a red wine. The berry aspect is magnified by the pinotage and you should know that David and Nadia treat this grape with utmost respect. A mix of styles and inspirations make this both muddled and brilliant as it stretches into breadth and potential. A nexus of varietal and micro-terroirs caught up in a whirlwind of extracts, flavours, liqueurs and expression. Still fresh, spirited and alive so drink this well over a ten year span. Drink 2018-2026.  Tasted September 2018

De Kleine Wijn Koöp Kreatuur Die Synachin 2017, WO Coastal Region

“A collaboration between a bunch of young blokes, making of-the-moment wines from little-known vineyards around the Cape,” and under monikers that refer to “pushmi-pullyu animals.” Also with the winemaking help of Alexander Milner from Natte Valleij. Really quite the drinkable Rhône-ish blend of 56 per cent syrah, (26) grenache and (18) cinsault. Iron in multifarious soils (mainly granitic) make this hematic and deeply plum but still, not so difficult to knock back. Drink 2018-2021.  Tasted September 2018

De Kleine Wijn Kop Ou Treffer Cinsault 2017, WO Stellenbosch

Ou Treffer, as in the ‘old hit’ in Afrikaans, also the old workhorse, in reference to cinsault of the Western Cape. Or if you will, like a hit song as the grape just seems to be the it one in South Africa these days. Or perhaps Traffic, by the Stereophonics. Beautifully aromatic, rich fruit and a soild funk from the particularities in these Stellenbosch vineyards. Half the ferment is de-stemmed, meaning the other half is whole bunch and old vines surely concentrate the fruit, stem funk and spun feeling all-around. Besides, “is anyone going anywhere? Everyone’s gotta be somewhere.” Drink 2018-2022.  Tasted September 2018

De Kleine Wijn Koöp Knapsekêrel 2016, WO Stellenbosch

The second cabernet franc release of the De Kleine Wijn Koöp boys’ Knapsekêrel (a.k.a the spiky little black Cape plant) comes from the Polkadraai Hills. Not just any vineyard mind you but one planted in 2000 and biodynamically farmed by Old Vines Project pioneer Rosa Kruger and current Stellenbosch guru Johan Reyneke. The winemaking hands of Lukas van Loggerenberg are to thank and while this shows the sultry smoky smoulder that often emits from Cape franc it is a challenge and work in project to find the varietal sweet spot. That’s because cool temps and long growing seasons are best but look out for this breadth of a team’s members to find what works. In the meantime the tobacco, dusty plum and pushed to the raisin precipice make up a tasty if humid treat in a glass. Drink 2018-2019.  Tasted September 2018

De Kleine Wijn Koöp Heimwee 2015, WO Stellenbosch

As with the Knapsekêrel cabernet franc, the Polkadraai west of Stellenbosch is the fruit source, a biodynamic vineyard farmed by Rosa Kruger and Johan Reyneke. The boys at the Koöp are back in varietal town and refer to this all-around floral spiced cabernet sauvignon as running “with tannins as smooth as your grandmother’s polished imbuia coffee table.” No doubt and you can almost hear them singing in Phil Lynott workingman’s poetry. That said, this cab is no thin Lizzy, more like thick as a brick. Hung long and well-developed, of a liqueur that oozes of red, red fruit. Or perhaps, “man when I tell you she was cool, she was red hot. I mean, she was steamin’…” Drink 2018-2020.  Tasted September 2018

Johannes de Wet in Robertson

De Wetshof Riesling 2017, WO Robertson

A known fact that riesling and limestone make a great couple so this look at de Wetshof’s Robertson ’17 is met with great mineral anticipation. Yes the finest calcareous blocks are dedicated to chardonnay because Bourgogne is the de Wet inspiration but anyone who has learned a thing about riesling around the world will know that limestone can work wonders. Alsace of course, as in Clos Windsbul but also The Niagara Escarpment’s dolomitic limestone and Germany’s Muschelkalk (especially in the Rheinhessen, Pfalz and Franconia). And so Robertson joins the list as witnessed by this linguistically aromatic example, working the glass with a pure lime distillate notion. A nod to Alsace more than anything else with acidity that doesn’t need to scream and shout but it’s truly there. The potential to pioneer the movement is here, along with Elgin as Cape riesling standard bearers. Drink 2018-2022.  Tasted September 2018

De Wetshof Chardonnay Limestone Hll 2018, WO Robertson

Youth and drought make for the most naked and transparent of the past few Limestone Hill chardonnays. Absolute cool Kelvin freshness and a 270 degree vineyard scope to gather de Wetshof’s Robertson fruit from an amphitheatre of slope and aspect so subtle yet so meaningful. A fulsome regional DNA creates varietal layers gathered to make this cuvée a true spokes-wine for the limestone-based estate. Set foot on these soils, spin around, take it in. Then feel and intuit the truth in chardonnay that speaks to a place. Drink 2018-2020.  Tasted September 2018

De Wetshof Chardonnay Bataleur 2016, WO Robertson

Bataleur, as in a battalion of chardonnay soldiers, fruit up front, reduction and wood falling in, acids taking up the flanks and structure in support by land, air and sea. Or so it seems because this just marches like a military exercise in chardonnay. Flinty, biting back, yet buttered and toasted on the mid-palate with Roberston’s unique limestone felt from start to finish. Vanilla then white caramel with soft French cream fill and then the snap of lime acidity. Biting and downy, one and then the other, all tied up in robes and pearls, equalling out in the end. Fine work from 2016. Drink 2019-2023.  Tasted September 2018

Hamilton Russell Pinot Noir 2000, WO Hemel-en-Aarde Valley, Walker Bay

By this time 2000 is the 15th vintage of Hamilton Russell’s pinot noir and tasting both the 1986 and 1997 ahead of this only serves to heighten anticipation knowing full well longevity is by now a solid guarantee. The vintage seems like it must have been a demanding one because there is more hard grip, aridity and austerity here but it really has aged gracefully and beautifully. The posit tug between fruit and earth notes is performed like a string instrument’s bow, bending and angling with dexterity in balanced, fluid motion. Brings in the herbs and spices, wholly and truly of Hemel-en-Aarde origin, on hillsides and between rows of sagacious pinot vines. This is a treat and opens a portal into the future, beginning with the 2012 vintage that will usher in a string of sequentially impressive HR pinot noir. Drink 2018.  Tasted September 2018

Huis Van Chevallerie Circa Rosecco NV, WO Swartland

From a 32 year-old pinotage vineyard, great old vines that received some TLC from Old Vines Project pioneer Rosa Kruger. Secondary bottle fermented with a little help from “a special blend of liqueur de triage,” so unlike Prosecco in that regard. Early picked which is a given considering the granitic soil and therefore a “Rosecco” of low pH and severely high acidity. ‘Twas just a slight dosage and therefore comes across arid like the Swartland desert. A well cultured sparkling Rosé, crushable and easy like Sunday morning. Drink it for breakfast, lunch and dinner. Drink 2018-2021.  Tasted September 2018

Jan Harmsgat Chardonnay 2015, WO Robertson

True reduction yet to dissipate as noted by the smoky smoulder with a healthy compliment of wood still needing to melt in and away. Looking to settle over the next six months or so and allow the combination of vanilla extract and green apple purée to integrate, compliment and go forward in agreement. Though creamy there is a bite back at the finish so while this is good now it still shows promise for improvement down the road. Drink 2019-2021.  Tasted September 2018

Klein Constantia Sauvignon Blanc 2009, WO Constantia

Poured by Managing Director Hans Astrom in Cape Town alongside the 1987 labeled “Blanc de Blanc” and the 1994. The vines date back to 1979, with the first South African sauvignon blanc made in 1986. That ’87 was a B de B because of the botrytis-affected vintage. A 100 per cent varietal wine, built by the soil and so bloody mineral as a result. Oak texture but really that’s the end of wood talk, a salty streak, so direct and so personal. The kind of sauvignon blanc that invades your airspace and a vintage more Bordeaux than the rest. Or, if you will Sancerre but not so much this time around. Drink 2019-2023.  Tasted September 2018

Klein Constantia Sauvignon Blanc 1994, WO Constantia

Poured by Managing Director Hans Astrom in Cape Town alongside the 1987 labeled “Blanc de Blanc” and the 2009. The vines date back to 1979, with the first South African sauvignon blanc made in 1986. That ’87 was a B de B because of the botrytis-affected vintage. The ’94 vintage was another story altogether, apposite, far away from developing noble rot. Not the baller and perhaps even a bit “weak” with less weight but a saltiness that is more than intriguing. Perhaps more Sancerre-esque as a result but certainly lends longevity credibility to those passed over cool vintages neither celebrated nor considered to carry much staying power. May not be fleshy but is surely a curious and electric surprise. Drink 2018-2020.  Tasted September 2018

Leeu Passant Chardonnay 2016, WO Stellenbosch

Andrea Mullineux continues to foster the Leeu Passant line of heritage vines wines with work from Rosa KrMuger alongside. The “post (leaf-roll) virus vineyard,” of smuggled in clean material planted in Stellenbosch in the 1980s. The site is home to loam-rich soils of the Helderberg and the wine stylistically modelled after the oxidative approach to chardonnay. “Death and resurrection,” as Andrea puts it, meaning after the fermentation you allow the must to oxidize again, literally to the colour of cola. Risk reward actionable take and one that requires some shall we say, cojones. This chardonnay is not about luck and the methodology can’t help but connect you to the vineyard. You end up with this unctuous, astonishingly rich chardonnay that bears a resemblance to the vines and the place from whence it came. Unlike the Mullineux chenins or Swartland and so say hello to Meursault. Drink 2018-2025.  Tasted September 2018

Leeu Passant Dry Red Wine 2016, WO Western Cape

The throwback, ode and homage to South African reds made in the 50s, 60s, 70s, rustic, tannic, structured and reeking of the ancient soils that gave them life. Three locales are in the mix; Wellington, Franschhoek and Stellenbosch. The vineyards are the first pro-Phylloxera planted sites, a willy-nilly varietal scattering, blocks of two cinsault, a cabernet sauvignon and a cabernet franc. “It’s a deconstructed reconstruction,” says Andrea Mullineux, “where you break down what you love and build it back up again.” First thing is to show utmost submissive respect to 95 and 117 year-olds, the oldest registered red wine vineyards in South Africa. So you hand harvest their low yields and keep a minimum half of the bunches intact for to ferment these wise and experienced grapes. They spend 20 months in barrel then emerge structured and fit for 20 years of longevity. As with those post mid-20th century wines the profile is rich, tart, spicy, robust and layered with serious grounding. Revivalist red, keeper of faith and a lost style, uniquely South African. Today that translates to vogue. Boom. Drink 2020-2032.  Tasted September 2018

Lismore Sauvignon Blanc 2016, WO Greyton

The Cape’s south coast work of Samantha O’Keefe, a (500L) barrel fermented sauvignon blanc made in an oxidative way, or rather a wine of early introductions made with oxygen. Flinty no doubt then rich and full on the palate, of throttling grape tannin who’s antidote is a sense of settled calm. Late spice, Bordeaux in temperament but cooler still, an almost northern Sancerre-ish dexterity and layering. Composed and so very genteel. Drink 2018-2024.  Tasted September 2018

Lismore Chardonnay Estate 2016, WO Greyton

From the Cape’s south coast and Samantha O’Keefe’s original Greyton Farm, in re-build for a promising future. This ’16 is 90 per cent estate fruit, a natural ferment and all done up in neutral (300L) barrels, 11 months on lees. No malo except when a great vintage comes along. Simply an orchard and gingered and delight, a woven tapestry of backroads eccentricities and southern exposures, with a kick and twist of finishing spice. Drink 2019-2024. Tasted September 2018

Lismore The Age Of Grace 2017, WO Elgin

From rose-quartz soil in cool Elgin, a 100 per cent viognier, so apposite relative to the achromatic shades of Greyton sauvignon blanc and chardonnay. High demeanour and a sense of vivid colour in the aromatic wonder but more so in the levels of palate, front through middle to back. They come like a rainbow, rolling, over stones, in “colours in the air, oh, everywhere.” Orange, peach, nectarine and fine, fine Elgin acidity. They are wrapped in sour spice yet sit cross-legged, in complete control. An aristocratic flower child, surely full of and situated in an age of grace. Drink 2018-2023.  Tasted September 2018

Lismore Pinot Noir 2017, WO Western Cape

Fruit from both Walker Bay and Elgin and 30 per cent whole bunch (the first vintage was 15). So very herbal, savoury, stemmy and honest. A beacon in pinot noir you want to drink that comes equipped with an edginess about it. Full purity on display, grip, intensity and packed with provisions for the picnic. Marks the early beginnings of a varietal journey with some naïveté and dreams but look out. Drink 2019-2024.  Tasted September 2018

Alette de Boer, Lowerland

Lowerland Tolbos Tannat 2016, WO Prieksa, Noord Kap

From South Africa’s furthest northern wine-growing area, a joint effort between grower Bertie Coetzee and winemaker Lukas van Loggerenberg. Wow does this ever smell like tannat with its depth of earthy fruit and suspension of oxidative animation. High acidity reminds of the really cool climate, more Niagara per se than southwest France. There really is something special here, as with Lowerland’s stellar whites, something singular, yet undefined, in enigma and mystery. Drink 2018-2021.  Tasted September 2018

Lowerland Witgat Viognier 2017, WO Prieska Noord Kaap

The viognier may scent of exotic flowers and tropical fruits but as with most of Alette de Beer and Bertie Coetzee’s range this is surely a cool climate wine. Subtly so and yet of a tension and a demand that accrue a sense of northerly South African wine-growing sense. The wine was made by JD Pretorius at the Constantia property Steenberg and it comes about quite normal, varietally speaking but also beautiful. There is a liquid chalky feel, a product no doubt of quality dry extract mixed with Prieksa soil of desert sand and silty clay. Lean and structured, a lanky viognier that in the end delivers quite the delight. Drink 2018-2021.  Tasted September 2018

Lowerland Die Verlore Bokooi 2016, WO Prieska Noord Kaap

Literally “easy drinking blend,” spoken through an indigenous vernacular from “the place of the lost goat.” At the time a blend of merlot, shiraz and tannat but like the Herd Sire Reserve that too will change over time. A racy and ripe red, earthy and parochial though fruitful in its red, black and blue mixed berry basket. There really is nothing to compare this too, neither old world origin or varietal mash up so assess it on its own terms. Just knock it back. Drink 2018-2019.  Tasted September 2018

Lowerland Herd Sire Reserve 2015, WO Prieska Noord Kaap

A red blend that will evolve (varietally speaking) but in 2015 it is based on cabernet sauvignon with petit verdot and a small amount of merlot. Bordeaux being the message but that too will change because the north of South Africa may actually share more affinity with the southwestern French wine-growing than anywhere else. This unique Noord Kaap Wyn van Oorsprong’s cool climate makes for early drinking reds and the 13 year-old vines here follow the party line for a red blend ripe enough to do what needs. There is more liqueur and spice here than what is noted in the merlot/shirtaz/tannat and also increased acid intensity. Somewhat oxidative but holding well and doling pleasure. Drink 2018-2019.  Tasted September 2018

Nina Mari and Ernst Bruwer, Mont Blois

Mont Blois Estate Chardonnay Kweekkamp 2016, WO Robertson

After 28 of not bottling their own wines the husband and wife team of Ernst and Nina-Mari Bruwer began again in 2017. This is one of the first, a single vineyard chardonnay off of 12 year-old vines, barrel fermented and aged 11 months. Speaks of Robertson, not specifically by limestone but with that WO’s orchard fruit and realism, by passing spice that’s merely a thought. Lovely snap, crack and bite which is truly Robertson while in delivery of everyday texture and mellow disposition. The kind of chardonnay to stay quiet and simply sip. Drink 2018-2021.  Tasted September 2018

Mont Blois Chardonnay Hoog en Laag 2016, WO Robertson

“High And low,” in reference to the vineyard being a terraced block on clay. Heavy clay that is, a Robertson specialty and the Hoog En Laag receives the same elévage as the Kweekkamp chardonnay. Certainly a richer and fruit fulsome expression, less snap and bite. No subtle spice either and yet the barrel notes are equally noted. What this has is full-fledged texture, creamy and smooth, all day long. Drink 2018-2020.  Tasted September 2018

Mont Blois Chenin Blanc Groot Steen 2016, WO Robertson

The “big” chenin blanc because of the dense clay that gives nutrient life to the 32 year-old block of vines. Quite the steen intensity, ripping with fruit and a mineral streak for layer upon layer of Robertson quality. Naturally sweet pears, ripe and dripping, plus an unusual or unaccustomed to herbology. Perhaps it’s the famous local Rooibos talking. Really persistent chenin with loads of potential. Likely some flint and smoulder in its future. Drink 2018-2024.  Tasted September 2018

Mullineux Kloof Street Chenin Blanc 2018, WO Western Cape

A true Cape chenin blanc assemblage, in fact it gives meaning to the gathered idea, like an AOC Chablis made by a houses in names of Fèvre, Drouhin, Moreau or La Chablisienne. Mullineux’s twist is the back blending with some old barrel ferments to balance to new and “other” fruit components. A chenin blanc that is bottled the same year it was picked though that’s easier to do in the southern hemisphere where harvest happens in the first quarter months. Expectation always dictates value from the Kloof Street and 2018 does not disappoint with an attractive spiciness that speaks to the preservation of freshness in a chenin blanc possessive of no boundaries. One of the most versatile wines on the planet. Sheet pan sausages and fennel would be just ideal. Drink 2018-2022.  Tasted September 2018

Mullineux Chenin Blanc Quartz 2017, WO Swartland

Soil is the single matter, catalyst and difference maker to dictate the peculiarities, idiosyncrasies and unique sets of behaviours in the Mullineux single-terroir wines. The chenin develops “freckles” in the sun, tells winemaker Andrea Mullineux and the warmth of the high presence of quartz retains and returns warmth, translating to a conduit of concentrated ripeness passing through the vines. Not a direct heat, otherwise the berries would burn but a reflected back-beat of light and one that is slowly transmitted with naturally occurring temperature control for how and when the plants are in need. The greatest positive is in the maturation of phenolics in the skins and not by a hasty overload in developed sugars. From out of the silica oxide comes vegetative growth that promotes and preserves a physiological process in retention of acid freshness. The result? A phenolic journey unique to chenin blanc as here with a striking 2017, dry as drought yet fresh as a daisy. Though there is some creamy texture there too is hyper intense clarity, a variegate of dappled aromatics and brindled flavours, all bound up in animated acid bounces. Drink 2019-2029.  Tasted September 2018

Mullineux Chenin Blanc Granite 2017, WO Swartland

In chenin blanc the Mullineuxs engage in this single-terroir comparison, first by Quartz and now through Granite. The reference is to the predominant mineral presence in the soil and in how it influences the chameleon varietal. In 2017 Quartz is a major concern but switching to sandy, decomposed rocky soil and everything changes. Berries leave the world of mottled and piebald to one of demure and decor with thanks to the diffused light set upon them. That and a place where roots must burrow, digging deeper through hunks of rock into the sub-strata. This is where trace elements and minerals are to be found in the water table below and while limestone and silex is not the tablet there is some ideological affinity here with the Loire. As such it is this Granite that speaks in a leaner, thoroughly mineral, less spice and increased sharpness vernacular. Precision cut, flint struck, metallic, a song of science and silence. Body and flesh are ambient, less “creamy” than in Quartz, linear in travels, long and of an aging potential surely cast forward. Focused all the way through, unrelenting but always in layers of overlap and subtlety. Drink 2020-2033.  Tasted September 2018

Mullineux Kloof Street Red 2017, WO Swartland

Kloof Street is a “heritage blend,” says Andrea Mullineux, “it’s a wine about the love for making wine, but having preferences.” From vintage to vintage maybe check the bottle for varieties because there is no steadfast formula. Heritage, as opposed to Rhône means playfulness, choices and the inclusion of a structure fortifying grape like tinta barocca, truly integral to the Western Cape meritage experience. Here in 2017 there are some notable added layers of flesh, drying tannin and largesse. An early extracted wine in fast stages of maceration to coax out the fruit and deter astringency. Comes away rich and robust, rocking the free and new world. Drink 2018-2022.  Tasted September 2018

Mullineux Syrah 2016, WO Swartland

“I still consider it a blend,” insists Andrea Mullineux,”because it comes from seven vineyards on three soils.” Spends up to six weeks on skins, depending on how big the tannins are. Big equals patience. Burly early with spice and elongation but that heft and girth will slowly melt away. An invisible friend called acidity will usher the transformation, those gnomes of silent structure. The next stage will celebrate the leathery cherry fruit and cumulative Swartland savour.  Last tasted September 2018

The first drought vintage for the Swartland syrah and so the extract, concentration and density are all in compression mode. The change is felt with palpable impression, meatier, more char, even tar, and a little bit of dogma was necessary to bring in more granite-raised syrah to keep things swimmingly cool and savoury along. It’s a hematic one in 2016. To some this would be the bomb, the massive reason to believe and to others it might seem an impossible wall to scale. With a combination of love and patience the ’16 will please them all. Drink 2020-2028.  Tasted May 2018

Mullineux Syrah Schist 2016, WO Swartland

As with the two chenin blanc Quartz and Granite introspections there too is a Mullineux terroir combing of Swartland soils through the lens of syrah, there by Iron and here through Schist. The style or rather the result is befitting the monikers because Schist is the tamer one of the two and it is interesting to note that the syrah “blend” as Andrea Mullineux calls it is more like Iron than this elegant one. A huge January heat wave could have led this into the raisin danger zone because ripening under the shotgun is no way to approach harvest. Cooler heads and temperatures prevailed to allow for an unfurling, a plumping and a perking up. Schist comes out regal, aromatically civil and demure, but also juicier than a nosing might indicate. Acid retention is strong, sweet and quite friendly to work in cohorts with the cane and Baleni based spice. Dark in complexion, yes brooding yet sneakily serene, salty and so comfortable in its own skin. Drink 2020-2032.  Tasted September 2018

Mullineux Syrah Iron 2016, WO Swartland

The second of two Mullineux soil investigations for syrah is this dramatic and hematic nonpareil exemplar. Cultivar meets terroir, raised off of a heavy, gravelly clay, rich in iron, impressive and hallowed as antediluvian viticultural ground. That may not be completely Cape uncommon but this is clearly a paradigm shifter for drilled down South African syrah in attack meets beast mode, cimmerian, ferric and intense. Modish though, while inexorable character oozes from every pore and a mid-palate wells of extraordinary fill. Sharpens its wits on bullish tannin and expresses Northwest of Malmesbury iron with raw emotion and power, though without rusticity. What it may lack in elegance is made up by sheer force in reckoning, at first engaging and then gripping the palate by all means necessary. The velvet glove future lies somewhere in the next decade, likely latter first half. Drink 2022-2034.  Tasted September 2018

Paul Cluver Pinot Noir Seven Flags 2013, WO Elgin

Just a hint of evolution is showing in this five year-old pinot noir which is something because you had to work to find any in the just tasted 2009. The sweetest fruit comes from 2013, on of the riper, purest and most pristine vintages to express what Elgin has to offer. Ethereal actually, not loosely but effortlessly structured with a seamless bond forged between fruit and acids. Tannins are already subsiding in this elegant, balanced and slightly spiced pinot. Drink 2018-2026.  Tasted September 2018

Paul Cluver Pinot Noir Seven Flags 2011, WO Elgin

Such a composed vintage, cool, calm and collected. A Beaune Villages feel here, perhaps Aloxe-Corton with darker pinot noir fruit, almost black cherry but less obvious, more complex, full of baking spice. A genial and genteel Seven Flags nonetheless, elastic, pliable, amenable but not without undeniable and underlying composure. That backbone may bend with curvature ease but will not break. Provides the basis to see this Cluver from Elgin live easily up to and likely beyond its 12th birthday. Drink 2018-2023.  Tasted September 2018

Paul Cluver Pinot Noir Seven Flags 2009, WO Elgin

Harkens back to a time when the 1987 planted 113 clone was no longer the sole provider for the Seven Flags family after 115 and 667 had been planted in 2001. From 2009 it seems quite obvious the vintage was one to create big, robust, ripe and warm pinot noir. Even as it approaches its ninth birthday the evolution equation remains in early steps computation, perhaps just now moving to the next stage. Secondary development is still around the bend or on the next page, noted by the persistence of a cool climate, liquid but still grainy chalk. Also acts just a bit reductive which seems almost impossible but stranger things have happened out of South African vineyards. Just imagine the futuristic possibilities when these vines soon achieve heritage age. Remind me to ask Paul Cluver for a look at vintages from 2022 onward at Cape Wine 2039. Drink 2018-2023.  Tasted September 2018

Callie Louw, Porseleinberg

Porseleinberg Syrah 2016, WO Swartland

Poured by Callie Louw at Cape Wine 2018, this Riebeek Kasteel, Porcelain Mountain syrah somehow sits at a pantheon’s peak vintage after vintage, as if each one is a once in a lifetime effort. This must have been the epitome of such a consideration because Louw calls it “a fucking hard vintage, eh.” Strong talking words from the stoic and pragmatic BBQ smoker, winemaker and cricket master. Callie may have experienced a craftsman’s pain but the 70 per cent foudres and 30 concrete elévage not only tamed the savage beast, it helped to turn heads and remind of where greatness comes from. Tasted side by each with 2012 and 2013 only magnifies the massive structure in this ’16, a reductively bouncy, glycerin and impenetrable syrah in need of getting lost in the cellar. Will also need an epic song, “into the blue again, after the money’s gone.” Through the next decade and well into the following one this syrah will remain in light. “Same as it ever was.” Drink 2022-2040.  Tasted September 2018

Callie Louw’s smoker hard at work in Malmesbury

The Sadie Family Palladius 2014, WO Swartland

If you Google “South African white appellative blend” the number one result should surely be Eben Sadie’s Palladius and these are the 11 reasons why; chenin blanc, grenache blanc, marsanne, sémillon, sémillon gris, viognier, clairette blanche, roussanne, verdelho, colombard and palomino. Eleven blocks, all on granites, some from the Riebeek-Kasteel side. If looking forward to the brilliant ’16 and seeing it as a wine of mixed tenses, then this ’14 speaks in the imperfect because it strikes as the one to talk about the past and to say what used to happen. As in language, love, war and the past continuous, all is fair when it comes to assessing the verticals of wine, especially in descriptions. The 2014 Palladius is the back to the future vintage, of warmth and spice when things were picked overripe and new beginnings are constantly forged. But the citrus preserve and sheer electric lemon-lime energy looks ahead to the intensity of a youthful 2016, leaving a taster confounded, satisfied and awake all at the same time. This may go forward before it retreats once again. Drink 2018-2028.  Tasted September 2018

The Sadie Family Palladius 2009, WO Swartland

When talking about the 2009 vintage Eben Sadie talks of the decision to add sémillon, clairette blanche and palomino to his appellative white blend that already held chenin blanc, colmbard, grenache blanc and viognier. “To up the acidity,” aid and abet the tendencies of fleshy fruit to fatten in overripe behaviour. More than just acidity mind you, Sadie also looked to heighten the “acoustics” in a wine that was quickly becoming a major Swartland concern. Tasting this is September 2018 it can’t help but be noted how development and evolution have nearly caught up to 2005, a vintage cause and effect action no doubt. Here is the spiciest, sauciest and flat out nasty attitude Palladius, unabashed and already having done most of its living. That said the track record of these wines tells us to stay put, be patient and continue to relish the sapid, saline and ever-changing paths carved out. Drink 2018-2023.  Tasted September 2018

The Sadie Family Pofadder 2017, WO Swartland

Part of Eben Sadie and family’s “Die Ouwingerdreeks,” the old vine series and a reference to either or both puff adder snakes and the small “bushman’s land” town in the Northern Cape. Can be 100 per cent cinsault though the percentage is 85 in 2017, aged in old but not Jurassic wood. The ideal, epitome and exemplar bench-land varietal wine, not to mention a pioneer in the South African paradigm shift to conscious exultation of a plan in collective commitment for varietal, heritage vine and whole cluster ferments. From granite shales (not the decomposed kind) and yet another red fruit incarnate, freshest of the fresh precision wines. Pure Cape cinsault is this, with tannin but the kind that is sweet and stretched. No bullshit here. Drink 2019-2025.  Tasted September 2018

The Sadie Family Treinspoor 2017, WO Swartland

Afrikaans for “railroad,” perhaps a reference to the method of transportation that brought these European grapes to the Cape, depending on how far back tinta barocca arrived in the Swartland. In fact it was in the 1920’s and now just a bit more than 200 ha’s of this hardy, rustic, dark-skinned, early ripening and versatile red lay scattered about, accounting for two one hundredth’s of a per cent for vineyard area in South Africa. Sadie’s is a single-vineyard line running through the Darling side of Malmesbury, a cimmerian blackish red reeking of Renosterbos which is ironic because animal activists have always believed that the railroads threaten Rhino habitat. Digressions aside this is a prime example of why some might consider tinta barocca to be the future grape of Swartland. Sweetly floral and in 2017 both ways perfectly ripe. Botanicals abound, bosplante in bloom while flowers await the bees. Where this shares affinities with cinsault and grenache is in the curative and salumi aromas leading to sweet yet elastic tannins. The finish and length are expressly Swartland in nature. Drink 2020-2028.  Tasted September 2018

The Sadie Family Columella 2016, WO Swartland

Red counterpart to the Sadie white signature Palladius and residing in the upper echelon of Western Cape appellative blends. Ontario lays claim to the Stratus White and Red while the Cape knows these. Allowing for some levity there is a kinship to be considered between Eben Sadie and J-L Groulx, two of the more unlikely mad scientists able to capture the lit and woke disposition of mastered assemblage. Imagine Groulx also pouring varietal shots of many different farmed varieties from the back of his pick up truck during a lawn bowl in Niagara-on-the-Lake. The full name is Columella Liberatus in Castro Bonae Spei, Latin for “liberated in the Cape of Good Hope” and as a pillar of strength Columella’s syrah, grenache, mourvèdre, cinsault and tinta barroca ascend to dramatic expression. Variegated in every respect; hue, perfume, flavour and structure, at once layered and then stratified with doric strength, able to bear the most concentrated weight. Relative acidity, fluted or grooved, wider in youth to help support and lengthen. Intensely fortified with help from the barocca, naturally and of itself, intuitively wild yet controlled. Such a focused wine one rarely comes upon. Drink 2019-2030.  Tasted September 2018

The Sadie Family ‘T Voetpad 2017, WO Swartland

The “footpath” from both the Dutch (het Voedpad) and Afrikaans, also the name of Dirk Brand’s rooibos and wheat farm next to this oldest vineyard in the Kapteinskloof near Piketberg. Some say the oldest in South Africa, planted between 1920 an 1928, but others will say the first vines went in around the 1890’s through to the early 1900’s. Takes the Sadie Family “Die Ouwingerdreeks” to the farthest, most extreme reaches of the old vineyards idea. “The vines have seen it all,” tells Eben Sadie, “don’t fuck with us” is their message. “Don’t mess this up.” And so Eben co-ferments in an as is format but more importantly works at the agriculture to a point of obsession. Newer inter-plantings will go in, of sémillon, sémillon gris and palomino from massal selected material. To deal with drought cover crops will also be added between rows, all of course through an organic approach. The blend is sémillon, sémillon gris, palomino, chenin blanc and muscat d’Alexandrie, all processed together, but this is not about extreme winemaking. More like extreme farming, finding ways to keep these twisted kurktrekker and cavatappi bending vines alive for to produce their magic. The wine that emerges is all about tendencies and multiplicities of texture. The dry extract here is off the charts making it seem forcefully and fiercely tannic. Fantasy and zeitgeist just happens and the results are right there in the bottle. A remarkable wine and vintage from an isolated vineyard where drought is always a factor. Drink 2019-2033.  Tasted September 2018

Abrie Bruwer, Springfield Estate

Springfield Estate Chardonnay Méthode Ancienne 2016, WO Robertson

Burgundian ode, ancient method of making chardonnay, a rare approach these days, with wild yeasts and no fining or filtration. No surprise that Springfield Estate is willing to give it a go because that’s how they roll. The plan is for deep longevity by a method akin to anti-aging serum, though 15 to 20 years would be astonishing in any case. Ground control to major tang, circuits wired tohu vavohu and a lemon custard to curd constitution that is simply merveilleux. Yes it is true that a hint of orange could turn into Cointreau after a half decade or more and the mid-palate cloud cover will continue to deliver warmth and appeal. Curious methodology plus romantic acumen equates to one of a kind. We’ll see where this goes. Drink 2019-2024.  Tasted September 2018

Van Loggerenberg Wines Break A Leg Blanc De Noirs 2017, WO Paarl

Often referred to as a pink wine but to choose this term to call Lukas van Loggerenberg’s 100 per cent cinsault grown on Helderberg granite would not tell the right story. Blanc de noirs is more apt but even then more detail is necessary to do it justice. Sees nine months of lees time, “to remove the tutti frutti,” snarks van Loggerenberg, without jest but can you really know when he’s being serious? Leaves the arena of the Rosé absurd and settles at a hue of proper B de N colour, as if that really matters. Saltiness is the thing, the granite kind, the sort to set your eyes ablaze and your heart to rest. Not really a wine about texture, though there is plenty, but that’s not the goal. Anything but sweet and a wresting away from norms into a matter of reckoning. And all about five knee surgeries, something the winemaker and the critic know all about. Drink 2018-2021.  Tasted September 2018

Van Loggerenberg Wines Chenin Blanc Trust Your Gut 2017, WO Western Cape

While there are wines in Lukas van Loggerenberg’s world that travel down the kamikaze viaduct, Trust Your Gut is not one of them. In fact there is a normalcy, a recognizable structure and an older Euro soul to the way this chenin blanc acts and feels. Sees 10 months sur lie in old French oak but no bâttonage, nor malo neither. Three zones bring the fruit; 45 per cent each Stellenbosch and Swartland plus 10 from Paarl. Take chenin blanc and treat it like a Villages wine by imagining Loire aromatics merging with Chablis texture. This my friends is a classic example of amalgamated Western Cape chenin style. There is irony in the name and no shocker there. Drink 2018-2022.  Tasted September 2018

Early springtime in Cape Town

Van Loggerenberg Wines Cinsault Geronimo 2017, WO Western Cape

Geronimo is 100 per cent cinsault, 60 per cent from Stellenbosch and 40 “Break a Leg” Paarl. The get together finds energy that one without the other would not find “because cinsault doesn’t have high natural acidity,” explains Lukas van Loggerenberg, “it is a very good indicator of vintage.” The 2017 is, wait for it, 80 per cent whole bunch and while that is a factor of the Western Cape’s ripen anything, anywhere, anytime great advantage, it’s still an impressive strategy no matter where you are making wine. Spends nine months in barrel and comes out smelling like roses, candied petals mainly but other florals, hibiscus and such. A handsome cinsault to be sure and one that will take precious time to unwind, great acidity or not. Like the red Cape equivalent of white friulano in Collio, sneaky long and structured. Drink 2018-2024.  Tasted September 2018

Van Loggerenberg Cabernet Franc Breton 2017, WO Stellenbosch

A more than obvious ode to the Loire Valley, 100 per cent cabernet franc bearing the old world varietal name. Fruit drawn from Stellenbosch’s decomposed granite soils gets the 60 per cent whole bunch treatment, followed by 11 months in barrel. Transparent as cabernet franc is the understatement, open wide, ease of alcohol at 12.8 per cent and in delivery for the rapture of being alive. Lots of verdant tones but nary a green tannic moment. Seems like the beginning of a beautiful friendship so the future too is wide open. Drink 2018-2020.  Tasted September 2018

Sheree Nothnagel

Wildehurst Velo White 2016, WO Swartland

A testament to non-pareil, Cape appellative white blend equanimity, of colombard, grenache blanc and viognier, 33 of each, give or take one per cent. Only the viognier is barrel fermented though the equilibrium os never compromised. Intensely herbal, of a nose uncanny in its fynbos reek, lovely glycerin texture, again balanced and knowing the place it wants to be. Acid structure travels though in a pas trop travaillé, no trouble way. Drink 2018-2021.  Tasted September 2018

Wildehurst Chenin Blanc 2017, WO Swartland

Barrel fermented and six months matured, 100 per cent chenin blanc, acting as if freshly spiced and in Cape terms, a really chewy white wine. Counterbalanced by a leanness in vintage while wound tight, just now perhaps beginning to unwind in repeat of its specific refrain. Acid structure makes up the lyrical couplets, sung again and again, as a reminder that fruit and wood will always align and submit to the citrus rhyme. Almost feels like still perlage and chenin blanc like this is very much a string of pearls, inclusive of tannins in long chains. Helps to explain the success of Wildehurst’s Méthode Cap Classique. Drink 2019-2024.  Tasted September 2018

Wildehurst Red 2014, WO Swartland

A blend of shiraz, grenache, mourvèdre, viognier and cinsault, aged in old French barrels for 18 months. Like the solo cinsault but an even more held back and hard to crack the savoury and sweet candied shell. Both elements emerge with good agitation, first the sweet variegate of red fruit and then the brushy and dusty fynbos bushiness, here acting as an energizer for equal opportunity. Spills over with that Wildehurst acid-tannin continuum as all the wines take their time to ready, pivot in the glass and then speak of their age ability going forward. Big bursts are all power and no cake. Rich yet elastic and surely capable of going deep. Drink 2019-2025.  Tasted September 2018

Wildehurst Cinsault 2017, WO Swartland

Just two barrels were found to be extraordinary and thus pulled by Sheree Nothnagel, away from the red blend and into this solo album. Quite the richly emulsified and ropey red fruit cinsault and while it follows along the varietal Swartland thread the differences are as great as they are to the party’s similarities. That is due in respect to the Wildehurst style, tighter and more acid-structure intense, higher-toned and less in the meaty-salumi-curative vein. Still possessive of that red as red can be fruit but here more akin to barbera or sangiovese from high altitudes and limestone soils. There must be something about Koringberg and the other Swartland sites that bring a special je ne sais quoi to Joanne Hurst’s wines. Maybe in thanks to Swartland shale, granite, silcrete and alluvium Renosterveld. Who does not love the smell of Renosterveld in the morning? Drink 2019-2027. Tasted September 2018

The Wine Thief Costa Del Swart Viura 2017, WO Voor Paardeberg

From the Western Cape’s chameleon of a region where anything goes and all things are considered. Case in point this viura of Spanish roots as part of the single barrel series. Surely Swartland specific (as opposed to Paarl), 100 per cent viura and only 180 bottles produced. Less alchemy and more herbology, but flinty, sharp and exciting. Direct, full of fun and even a bit waxy, with a riesling or sémillon feel that can only mean some petrol in its future. So much citrus gets ya in the end. Drink 2018-2022.  Tasted September 2018

Good to go!

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WineAlign

16 mind-blowing wines of 2016

this-may-or-may-not-have-happened-raveneau-memory-monteedetonnerre

This may or may not have happened #raveneau #memory #monteedetonnerre

It has never been this difficult to narrow it down. This frenetic, fast and forward moving blur of a year has blistered the patterns of thought so much so that I seriously considered throwing the whole 16 in 16 down the drain and laying it all out there. “Here are the 42 mind-blowing wines of 2016…” and then this wave of clarity came over me like a cloudless afternoon in Chablis. I mean I tasted 50-plus Grand Cru Chablis this year. They could all be on this list.

I meant this just the way I wrote it. The simplicity of wine is a beautiful thing. A vine grows and produces grapes. That fruit is picked and ferments itself with help from yeast it just happens to carry in its luggage. Time passes and wine is made. No one had to invent it. The most basic example of shit happens.

Related – 15 Mind blowing wines of 2015

As if to presumptuously bookend 2016 before it even began, that first post was apropos. New year, 16 new VINTAGES releases were not mind-blowing by any stretch of the waxing rhapsodic imagination but white space was filled. Like growing grapes in warm climates where just about anything can complete a phenolic journey, the possibilities are endless. So that I may feel comfortable quoting Godello again and again, multeity is the name of the game.

Related – Around the Cape in 50 wines

South Africa continued to occupy Godello for the early part of 2016 and that will never cease and desist. Hosting Andrea Mullineux at Barque Butcher Bar was one of the true highlights of the year. The landscape of South African wine is demarcated by ancient geology and by the geographical diversity of its regions, sub-regions and micro-plots. Varietal placement is the key to success. As I mentioned in previous articles, South African winemakers can grow anything they want, to both their discretion and their whimsy. The choice of what grows best and where will determine the successes of the future.

A new riesling on my radar was released in February. Creekside Estate Riesling Marianne Hill Vineyard 2014, Beamsville Bench, Ontario (443572, $19.95, WineAlign) and it paired beautifully with more foreshadowing than I’d like to admit.

Such a showing of 12 from Langton's does @Wine_Australia proud. Formidable, exemplary #AussieWine #vintagewineconservatory

Such a showing of 12 from Langton’s does @Wine_Australia proud. Formidable, exemplary #AussieWine #vintagewineconservatory

The Langton’s Classification: Excellent, outstanding, exceptional could have, would have placed 16 wines on this best of list were the rest of the planet not so adept at making wine. Like Wynns Coonawarra Estate John Riddoch Cabernet Sauvignon Limited Release 2010, Coonawarra, South Australia (466748, $99.95, WineAlign). Such a gathering of Australian wine delivers the preponderance of form, with the incantatory capacity of narrative to bring truth to light and fulness out of pleasure. The mantra repeated with Savouring the new Australia.

The #napavalley mustard is something else @CalifWines_CA #napa #califwine

The #napavalley mustard is something else @CalifWines_CA #napa #califwine

California stars showed up in droves and like any high quality engrossing preoccupation, the trip to Napa and Sonoma this year changed everything. Whatever I thought I knew or felt about the California wine industry now needs to be rewritten. First, Napa Valley: Where ripeness happens, then Napa Valley two: A question of ageNapa Valley: The next generationChardonnay in the Napa luxurySonoma gaps and single vineyardsSeven Grothic tales and Old vines for the Zin.

Vintage to vintage nuance and the common thread of %22grothiness,%22 or, @GrothWines in essence @TheVine_RobGroh #suzannegroth #napavalley #oakville #cabernetsauvignon

Vintage to vintage nuance and the common thread of grothiness, or, @GrothWines in essence @TheVine_RobGroh #suzannegroth #napavalley #oakville #cabernetsauvignon

The most pertinent question now in my mind is this. Can European wine keep up with the fictionality of North American reality? Even these wines could not make this list, however great and exceptional they are. Anakota Helena Montana Vineyard Cabernet Sauvignon 2013, California (181131, $158.95, WineAlign), Forman Cabernet Sauvignon 2012, Napa Valley, California (143925, $160.00, WineAlign) and Groth Cabernet Sauvignon Reserve 1997, Oakville, Napa Valley, California (Agent, $179.95, WineAlign). Sometimes the answer still persists. All in the Primum Familiae Vini. And by the way, The LCBO keeps Kosher.

lunch-champagnelallier-azureau

Much of what I taste is in a lab with no windows. That is because VINTAGES is a mimetic project, which is a few projects too many. We wine trackers and writers are akin to Cricetinae, perpetually running in a wheel or like Sisyphus, forced to roll an immense boulder up a hill, only to watch it roll back down. We read the bi-weekly catalogue, pre-taste the newest offerings, make our lists and check them twice. In every batch there are 10-15 wines that stand out, as much about bell curve positioning as absence of singularity. That is why attending varietal-centric events like The dawning of the age of Austrian wine and travelling the world is so important. Not too mention in my dining room In the Campania of Vini Alois.

ca-la-bionda

To name a few excursions, I visited California in February, Vinho Verde in March, Chianti Classico in May, Chablis in July and Valpolicella in September. November in Paris I re-connected with Earth and sky. The take aways were extraordinary and flush with the relish of new discoveries and brand new days. Who can forget Ca’ La Bionda Vigneti Di Ravazzol Amarone Della Valpolicella Classico 1997? Italy in the fall reminded me that Franciacorta is the best kept sparkling secret on the planet. November is a sublime time to visit the province of Brescia and the cellars of Franciacorta. Meraviglioso! Meanwhile, Champagne has to be on the list, right? Lallier Cuvée Millésime Grand Cru Brut Champagne 2008, Champagne, France (Agent, $95.00, WineAlign) should be but again, space restrictions and there was this old bubble from the New World. Decisions, decisions.

Related – March of the Canadians

Which brings me back to Canadian and more parochioally, Ontario wine. The Canadian wine renaissance is attributed to high-end, artisan winemakers like Norman Hardie and Thomas Bachelder. That’s the cool factor. The truth of the matter is that Canadian winemakers have realized and capitalized on the significance and exceptionality of their terroirs in regions such as Niagara, Prince Edward County and the Okanagan Valley. Journalists and buyers from around the globe know it and have begun to spread the Canadian gospel.

And now #cuvee2016 @CCOVIBrockU #vqa @winecountryont #scotiabankconventioncentre

And now #cuvee2016 @CCOVIBrockU #vqa @winecountryont #scotiabankconventioncentre

And so I asked Where does the taste of Ontario go from here? At Cuvée, where was the Cabernet Franc? Where was the rest of Ontario’s Go Gamay Go arsenal? Varietal lampoonery I tell ya. Over the highway and across the hills, No County for old wines and then, “a celebrated indictment of suburban surrender,” Too late for May Two-Four.

Related – 16 Canadian wines that rocked in 2016

This 16-strong list has much to do with the beg, Drink now or save it for later? I have spent the last 30 years considering wine in some respect. The last 15 much more so. The tries, trials, errors, tricks, and tribulations have taught me one thing. I prefer and receive much more instant gratification from drinking wines young but nothing compares to the insight and the exhilaration of partaking in older wines.

You never forget your first hunk of #kimmeridgian love @BIVBChablis @vinsdebourgogne #chablis #cotedelechet

You never forget your first hunk of #kimmeridgian love @BIVBChablis @vinsdebourgogne #chablis #cotedelechet

The year’s greatest distraction came at the hands of Chablis and fair warning, twenty thousand words are coming soon. In 2016 I published three times, Chablis from Dauvissat to VocoretLooking for Chablis in Ontario?Enlightened Chablis of Château De Béru and Paradox in Chablis. Chablis as a varietal concept, as opposed to and unlike anywhere else in the world, seemingly unrelated to chardonnay. How could these extraordinary Chablis not make the list? Domaine Laroche Chablis Grand Cru Les Blanchots Réserve De L’obédience 2014, Ac Burgundy, France (AgentWineAlign) and Domaine William Fèvre Chablis Grand Cru Bougros Côte Bouguerots 2014, Ac Burgundy, France (AgentWineAlign). Perhaps because I will soon publish Grand Cru hyperbole next month? That must be it.

Mirror to classicism, history and tradition. Purity from @valerialosi #querciavalle @chianticlassico #agricolalosi #sangiovese #granselezione #pontiganello

Mirror to classicism, history and tradition. Purity from @valerialosi #querciavalle @chianticlassico #agricolalosi #sangiovese #granselezione #pontiganello

For the first time, I think ever, I gave some love to Rosé in the Days of wine and Rosés. I also fell for new dessert wines and these two tried hard but came up just a wee bit short for the list. Domaine Cauhapé Jurançon Symphonie De Novembre 2012, Southwest, France (470344, $38.95, WineAlign), Losi Querciavalle Vin Santo Del Chianti Classico 2000, Docg Tuscany, Italy (Agent, $95.00, WineAlign).

grahams_port-insanity-via-abnermallity-onceinalifetime-piratesonapicnic-piratesv4point0-sharingiscaring-1948-finestreserve

@grahams_port insanity via @abnermallity #onceinalifetime #piratesonapicnic #piratesv4point0 #sharingiscaring #1948 #finestreserve

Graham’s Vintage Port Finest Reserve 1948 (with thanks to Peter Boyd) granted the year’s moment of providable history. Love in droves. Holiday season for the VINTAGES releases were split and categorized, from December 10th in VINTAGES: Canada through December 10th in VINTAGES: Old World and into December 10th in VINTAGES: New World.

Singolarità, qualità, diversità. Grazie di tutto @chianticlassico

Singolarità, qualità, diversità. Grazie di tutto @chianticlassico

In 2016, two words. Chianti Classico. The wines have embarked upon an ascension into their contemporary golden age. Image, perception and finalmente, reality, these are the truths all who feel the soul of Chianti Classico are in search of today. Today and moving forward, explaining to the world that Chianti Classico is not what you thought or think it to be. Colle Bereto Chianti Classico Gran Selezione 2011, Docg Tuscany, Italy (Agent, $67.50, WineAlign) was a side-revelation, as were so many others in Three days, eight estates, Chianti Classico and Gran Selezione, The most important red wine from Italy. And in a year when CC is all that seems to matter, Tenuta dell’Ornellaia Ornellaia 2012, Doc Bolgheri Superiore, Tuscany, Italy (722470, $195.50, WineAlign) and Fattoria Dei Barbi Brunello Di Montalcino Riserva 2004, Tuscany, Italy (Agent$100.00WineAlign) are but mere mentions in addendum.

DavidPpelletier, 'Le Sommelier Fou' and friends in Vinho Verde

David Pelletier, ‘Le Sommelier Fou’ and friends in Vinho Verde

It may seem irrelevant now but Changes to VINTAGES release recommendations and notes on Godello will translate to a revolution at WineAlign in 2017. Wait for it. Most of all, 2016 will remind me that I will always raise my glass of Vinho Verde to Le Sommelier Fou. Here are Godello’s 16 mind-blowing wines of 2016.

200-yr-old-vines-1300m-above-sea-level-vignerietna-somesmartsomm-rosato-vinudilice-2008-tastethelava-volcanic

200 yr old vines. 1300m above sea level @vignerietna @somesmartsomm #rosato #vinudilice 2008 #tastethelava #volcanic

I Vigneri Di Salvo Foti Vinudilice 2008, Igt Sicilia Rosè, Sicily, Italy (WineAlign)

So much about this introduction to volcanic Rosato falls under the category and melts into the realm of the impossible. Begin with Vigna Bosco planted to 10,000, (up to) 200 year-old bush-trained (Etnean alberello) vines per hectare in Bronte, Northern Etna. Consider the party goers, endemic alicante, grecanico, minnella and other minor if wholly obscure native varietals. Locate the vineyard at 1,300m above sea level. Tell me it’s not the highest in all of Europe. Go on, tell me. Tended by hand with the help of Ciccio the mule. No refrigeration, yeasts or filtration. Decanting and bottling follow the phases of the moon. Blush has never acted like this, suspended as if put into bottle yesterday, beautifully minutia funky, every detail in laser calm focus. There really is no reference point, not in the south of France or anywhere in Italy to prepare for such an intellection. Vinudilice is nestled in a wood filled with holly oak (quercus ilex or in Sicily, ilice) but in respect for its singularity I would hesitate to categorize or compartmentalize. In fact I would not use the term Rosé, or Orange or natural to realize a need for reason. I would simply taste the lava. Thank you SomeSmartSomm. Drink 2016-2018.  Tasted April 2016  @ivigneri  @somesmartsomm  @WinesOfSicily

not-members-of-blasted-mechanism-with-magnuspim-and-vasco-croft-aphroswines-vinhoverde

Not members Blasted Mechanism. With Chris Wilton and Vasco Croft, Aphros Wines, Vinho Verde

Aphros Phanus Pet-Nat 2015, Sub-Região Lima, Doc Vinho Verde, Portugal (Agent, $34.95, WineAlign)

Loureiro of a fashion so rare for Portugal and this region, from a concrete pétillant-naturel style, vinified in stainless steel with wild yeasts and initially no additional sugar, then bottled with 20 grams of natural residual sugar, to alight the single fermentation conclusion. An 11 per cent contrariety of méthode ancestrale dialectic, like a lime-grapefruit cordial housing a dissolving lemon tablet. A bowie cut, boning and dressing of loureiro. This here the whole new way to take the grape, to send it sky-high and bring it down to the rustic roots of glam, sparkling funk. “Like to take a cement fix, be a standing cinema. Dress my friends up just for show, see them as they really are.” Vasco (Andy) Croft walking and his hunky dory pet-nat spinning an original tale of a time and a place, or perhaps a myth, like the rustic deity of the forest riding shotgun to Dionysus and his native war. Drink 2016-2018.  Tasted March 2016    @LeSommelierWine

Oldest vines #barossavalley textures in #semillon and #grenache @cirillo1850wine @Wine_Australia #southaustralia #marcocirillo

Oldest vines #barossavalley textures in #semillon and #grenache @cirillo1850wine @Wine_Australia #southaustralia #marcocirillo

Cirillo 1850 Ancestor Sémillon 2011, Barossa Valley, South Australia (Agent, $36.00, WineAlign)

A sémillon revelation is found in this Barossa Valley ancient, a wine procured from vines dating back more than 150 years. To discount that prodigious bit of calculated fortuity would be wrong on so many levels. The Cirillo family are guardians of what may be the oldest continuously producing grenache and sémillon vineyards in Australia and by logical extension, the world. Here the combination of dry extract, mineral depth and straight-lined (unsalted) salinity is beyond special. While the Hunter Valley garners the most attention for aging immortal sémillon, this Barossan will likewise escape, somehow, to live another more complicated and mysterious life. I would wait three years for some extract meets tannic sweetness to begin its development and then take it slow for another six to 10. Incredible find here in Ontario from Marco Cirillo. Drink 2019-2029.  Tasted May 2016  @Cirillo1850wine  @bokkewines  @BarossaDirt

Brash Higgins Nero D’avola Amphorae Project 2015, McLaren Vale, South Australia (Winery, $55.00, WineAlign)

The renegade triumvirate of coagulation denotes the shock and awe of this outlier; McLaren Vale, Nero d’Avola and Amphora. Winemaker Brad Hickey and his nickname have taken the troika and created a beautiful monster. A non-oxidative, crunchy, spicy, toasty, chewy and tannic NdA in versicolour, mottled and florid in flavour. There is black and white pepper, cinnamon, zesty orange spritz and a clay influence (plus amphora) to waft one for the ages. The palate flaunts a tapenade of painfully brilliant chalky black olive. The swirl is chocolate and vanilla, mediterranean and meganesian. There should be zero attention paid to the unusual in its concept. This is both a pleasure to taste now and will evolve into something wholly other given enough time. At least 10 years to be sure. Drink 2016-2025.  Tasted May 2016  @BrashHiggins  @mclaren_vale  @TheLivingVine

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Rockpile Zinfandel Cemetery Vineyard 2013, Rockpile AVA, Sonoma County, California (Winery, US $47, WineAlign)

Look towards the other arm of Lake Sonoma and let your mind’s eye rest 250 feet higher than Jack’s Cabin Vineyard. The Cemetery plantation is a jagged, craggy outcropping with “a face uneven as a river jag and asperous as the mullein’s flannel.”  The Mauritsons are Los Campesinos of Cemetery Vineyard in Rockpile. The rocks below resemble giant headstones along the Rogers Creek fault and you just have to believe all this immensity of geology impacts the vines. It does but don’t ask how or why, just settle into the cimmerian depth of zinfandel touched by black fruit, spice and the akimbo savour of glutamate and amino acid. Three further months in barrel (85 French plus 15 American) accentuates the spice, smoulder and espresso con crema texture. Ripeness of fruit, tannin and acidity are simply stellar out of this dramatic place. “You know us by the way we crawl and you know us by our cemetery gaits.” Drink 2017-2025.  Tasted February 2016  @mauritsonwinery  @sonomavintners

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Domaine Weinbach Gewürztraminer Cuvée Laurence 2013, Alsace, France (581975, $64.00, WineAlign)

Though it may long ago have been considered the quintessential one, there may be no other Alsatian gewürztraminer more important than Weinbach’s Cuvée Laurence. The reasons are manyfold but begin and end with memory and legacy. This was daughter and sister Laurence Faller’s prized wine, the wine she put her name to, that defined her gracious winemaking in echo of the estate she worked. Her family has carried the torch and yet her touch is all over this wine. Calm, composed, balanced and ethereal. Laurence is a clear expression of the marly limestone soil beneath the lieu-dit of Altenbourg, located at the base of the great Grand Cru Furstentum vineyard. Where else do you find gewürztraminer of such delicasse, from which classic aromas (rose petal, creamy to boozy-syrupy tropical fruit) and impossible unction combine without ukase? Nowhere. The acidity does not act with impulse. No, it rings, supports and lingers. The extract is intense but out of mind. Exceptional vintage. Drink 2018-2033.  Tasted October 2016    @AlsaceWines  @drinkAlsace  @ACT_Alsace  @VinsAlsace

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Luiano Chianti Classico 1979, Tuscany, Italy (WineAlign)

Alessandro Palombo is skeptical at first, one eyebrow raised but with the look of possibility on his face. Takes me very little time to acknowledge that this ’79 is very much alive, fruit not predominant (and surely some prune) but neither cooked nor bruised. The brown nose (earth and spice) purports a full concentration of anthocyanins, acidity still full in, dried fraises de bois, black liquorice, dirty leather and worth repeating, still very good acidity. Truffle, forest floor and then black olive tapenade on the palate. This is 70-80 per cent sangiovese with colorino and canaiolo and for 1979 it’s quite incredible. It should not have lasted this long.  Antonio says that up to 10 per cent could have been malvasia blanca and trebbiano because at the time it was a field blend, co-planted with the sangiovese, which could explain some of the variegation in the colour. This is a Chianti Classico to lend credence to the idea of using multiple fruit, vegetal and animale descriptors when assessing an old wine. It’s also the reason why you put them away and open them with friends who’s eyes are wide open. Thank you Alessandro for the opportunity and for the connection to your grandfather Alberto. He was a very good winemaker. Drink 2016.  Tasted May 2016  @LuiLuiano  @chianticlassico

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Château De Béru Chablis Clos Béru Monopole 2012, Ac Burgundy, France (Agent, $87.95, WineAlign)

In 2012, less density and iodine matchstick is on display in performance for the historic, south facing vineyard beyond the Château’s walls. From this her eighth vintage in the resurrection of the family’s estate wines, Athénaïs de Béru has assembled fruit from Kimmeridgian limestone in rapport with a vintage of portent and intent towards elegance. The acidity is much more linear (than 2013) and the limestone sensations less metallic. Here the feeling is more of a liquid chalk and the balance is much improved. Also less evolved, bright and a much more amenable of a bitter pith, more citrus (lemon and lime) and not as earthy. Longer finish too. What 2013 lacks this ’12 gains and vice versa. The comparative literature and parenthetical study is duly noted as apples to oranges so the wines are exempt of one another. Neither answer all the questions asked and both express their terroir from their time spent on it. This ’12 story will become clearer in another year or two. Drink 2017-2023.  Tasted July 2016       

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Granja Remelluri Rioja Gran Reserva 2009, Rioja, Spain (Agent, $89.99, WineAlign)

“What is Rioja?” asks Telmo Rodríguez. He notes that Lopez-Heredia still manages small vineyards, Grand Cru and Premier Cru plots, but most Rioja houses are industrial. Their wines age in barrels in 100-150 year old wineries but have no sense of place, of origins, of an amazing vineyard. “I want to be radical. I believe it (Rioja) can be one of the most beautiful places in the world but I told my brothers it needed to go in a very particular direction. My brothers agreed.” So costs went up 35 per cent. They bought no grapes. “If you want to work properly in Spain, you have to be a hero.” You have to work the most difficult vineyards, where production costs are five times that of Grand Vin Bordeaux but the price sells for 10 times less. And so Telmo Rodríguez produces this Gran Reserva, a wine that adheres to a Rioja systematic but does so from a blind-eye turned, high density field-blend planting of tempranillo, garnacha, graciano, muscatel, viura and malvasia. A field blend, unlike Bordeaux but a local village farmed gathering of the best fruit. The 2009 is showing no age but the difference between 2010 Reserva and 2009 Gran Reserva is night and day. This makes the ’10 seem fresh, alive, open, almost simple. Here the variegation is distilled down to laser focus, as if the varieties all become one and most people would simply say tempranillo, but who has ever tasted and been dealt such a tempranillo? This is oozing of a liqueur like no other, rich, viscous, natural and dry-extract sweet. An expression of the best microclimates and their vineyard kin. Wait another five years to allow it to remember and tell its tale. Drink 2022-2034.  Tasted September 2016    @TelmoRodriguez_  @Noble_Estates

dominus

Dominus 1998, Napa Valley, California (212381, $176.95, WineAlign)

When I tasted the 1990 in 2012, hanging on to every thread of oscillation from death to life and back again was exhausting. The 2008 tasted that same year could not have been more life affirming. This ’98 is such a zoetic Dominus beast with an embarrassment of resplendent riches. It is everything 1990 wished it could have been and yet the light-hearted George Hrab geological funk reminds me of that wine. The 1998 trips on a trebuchet and I weep at its aromatic reverie. It is hypnopompic, a state immediately preceding waking up, whiffing the most beautiful Brett there ever was or could ever imagined to be. Volatility in a bubble, circumstantial, lost in a dream. Get lost in the butcher shop, the natural cure here, there, everywhere, curative and comforting. Porcine and rapturous, fruit perfect and entitled, structure supprting every note. If 1998 was both a curious and concerning vintage this wine lays those worries to rest. The fretting may have swayed feelings and been difficult to glide fingers across but the harmonics extend with ease. Finishes with staccato calm, a palpable exhale of breath and silence. Five more years will be like this and five more without threat. Drink 2016-2026.  Tasted October 2016     @rogcowines  

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Ridge Vineyards Monte Bello 2013, Santa Cruz Mountains, California (405332, $191.95, WineAlign)

From a serious drought vintage, dry, warm and demanding, the 2013 Montebello’s Draper perfume is as heady as ever, to such effect that after one whiff this is where daydreaming takes over consciousness. Montebello gets inside the head, with allegory, radio frequency waves and platonic thought, as if inside a cave. An 80 per cent Cabernet Sauvignon, Petit Verdot (8), Cabernet Franc (7) and Merlot (5) classic, lithe and restrained blend of sheer, utter exceptionality. The balance in 2013 is impeccable but dont be fooled into thinking this is not a big wine. The acidity is dramatic, the tannins fine and demanding and the amount of pure extract whorled and revelling. All in dark red fruit and a coolness through the mid-palate that threads like silk through fine stainless steel fibre. “This goes beyond me, beyond you.” Drink 2018-2030.  Tasted May 2016  @RidgeVineyards  @rogcowines  @CalifWines_CA

Fino, Don P.X. '86 and '62 w: @sorgatoBTA @toroalbala @LeSommelierWine Magical, impossible, unchanging. Bucket list to revisit in 150 years #pedroximenez #bodegastoroalbala #montillamoriles #spain

Fino, Don P.X. ’86 and ’62 w: @sorgatoBTA @toroalbala @LeSommelierWine Magical, impossible, unchanging. Bucket list to revisit in 150 years #pedroximenez #bodegastoroalbala #montillamoriles #spain

Bodegas Toro Albalá Don P.X. Selección 1967, Do Montilla Moriles, Spain (491647, $199.95, WineAlign)

You know it’s a good month when you are afforded the opportunity to taste two Montilla-Moriles Pedro Ximenez oldies, first the Alvear Solera 1927 in Paris and now this Selección 1967 bottled in November of 2016. The vintage-dated PX are produced from sun-dried grapes fermented for two months to eight or nine per cent alcohol, at which point a distillate made from the same PX pressings is added to bring the wine up to 17 per cent. First in concrete vats and then a transfer into 50-150 year old American oak barrels. Only 630 bottles were filled in a PX of awakening and hope that finished at an indiscernible 17 per cent alcohol. Some dessert wines can be cloying Popskull but Bodegas Toro Albalá delivers yet another impossible and crazy dessert wine of heavy fuel, impeccable balance in the face of Lugduname breaching sweetness and aromas sin fronteras. The gamut glides through roasted nuts and dried fruits, from almonds and Van Gogh Museum memories of their abundant flowers plus pomegranate, apricot, peach, nectarine, damson plum and pistachio. So much pistachio!! In between there is orange marmalade, quince jelly and prune preserve. Plenty of acidity extends and narrows into a sharp, pointed tang. No matter how many times you try to empty the glass there is always more wine. Always another sip. Is it viscosity, a truco del ojo or trampantojo? Is there some kind of wizardry at play? Then finally, well, actually never, a finish with no end, or a pause in a never-ending 49 year-old (and counting) story. So where is the beginning? 1967. Drink 2016-2040.  Tasted November 2016  @toroalbala  @sorgatoBTA  @MontillaMoriles  @LeSommelierWine

schram

Schramsberg Sparkling J. Schram 50th Anniversary Late disgorged 1999, Napa Valley, California (Winery $175 US, WineAlign)

In celebration of Schramsberg’s golden anniversary, 50 years after Jack and Jamie Davies revived the historic Schramsberg estate for the purpose of making the nation’s first chardonnay and pinot noir based, bottle-fermented sparkling wines. A North Coast (57 per cent Napa, 25 Mendocino, 15 Monterey and 13 Sonoma) blend of 74 per cent chardonnay and 26 pinot noir. Seventeen years have come to ginger, cumin, coriander and galangal in laminous, oxidative ingenuity, wholly arid in kicking up the aromatic dust. Flavours of pressed lemon, bitter brioche and then tannin, yes tannin. From a protracted year, picked as late as October 19th, disgorged in August of 2014 at a dosage of (very necessary) 11.5 g/L RS. Blessed with high natural acidity of 9.8 tA. How can I not concur with Hugh Davies. “What we’re really showing here is Napa Valley Chardonnay.” Drink 2016-2031.  Tasted February 2016  @Schramsberg  @TheVine_RobGroh

Down by the river with #raveneau #grandcru #blanchot #chablis @lafolieauxerre #2009 #francoisraveneau #thankful

Down by the river with #raveneau #grandcru #blanchot #chablis @lafolieauxerre #2009 #francoisraveneau #thankful

Domaine François Raveneau Chablis Grand Cru Blanchot 2009, Burgundy, France (WineAlign)

It would be misleading to address Raveneau’s Blanchot as chardonnay even as we know it as such because Raveneau produces wines as unique as door keys. They are so inimitable and each will only open the gate to its own unique perception. Blanchot is the southernmost of the seven Chablis Grand Cru climats and blankets the southeastern side of Les Clos. The Raveneau narration does not convey the notion of manifest feeling but instead splits the axiomatic atom of the climat. A sip and you are inside the Blanchot, gliding and passing through rock as if you are the ethereal and the wine is the solid foundation of thought, pathos and avowal. There are aromas that combine citrus and umami with a sweetness that can’t be denied or defined. The wine is just a child, complex, shy and yet unable to express both its meaning and power. But you try to get inside its head, stumbling over kimmeridgian rock replete with the smithereen-crushed shells of ancient fossils. This is a calm young Blanchot and you melt away while under its spell. Three more years should render its hidden meaning. Drink 2019-2034.  Tasted July 2016

A great pleasure and exercize in humility to taste with #vincentdauvissat in his cellar @BIVBChablis #humanity #chablis

A great pleasure and exercize in humility to taste with #vincentdauvissat in his cellar @BIVBChablis #humanity #chablis

Domaine René et Vincent Dauvissat Chablis Grand Cru Les Clos 2001, Burgundy, France (WineAlign)

Tasted from a bottle opened five days prior which is nothing really for a wine that can age easily for 30 years. It resides in a perfect state. Vincent concedes “over 20 there is nothing to be gained” and yet the still terrifically raging acidity would suggest this 15 year-old specimen is only halfway there. The texture is nothing if not persuasive. In 1931 Vincent’s father began this journey. Here 70 years later is a wine so perfectly intact, the lemon-waxy aspect almost on the edge of the hive. But not quite because of the taut bracing and tight embracing. There is a chew to this and Dauvissat shrugs. “What’s to say?” Nothing but a great piece of his history and his father’s legacy. If this wine is a sentimental tribute to a childhood village, it is never uncomplicated. Drink 2016-2031.  Tasted July 2016

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Catena Adrianna Vineyard Mundus Bacillus Terrae Malbec 2011, Mendoza, Argentina (Agent, $325.00, WineAlign)

In this extremely specific malbec from a diagnosed block of the Adrianna Vineyard we are graced with the micro-science of wine. And if you feel that using the name of an aerobic bacteria in the nomenclature is an odd choice, consider the mind of Dr. Laura Catena and her biological approach to viticulture. If we can understand and differentiate the microbes in the soil we can make better wine. It’s as simple as that. When wine is broken down to the biological level it becomes something entirely different and this is the road travelled by the Mundus Bacillus. Catena’s usage of 70 parcel pits per hectare has unearthed this single parcel within the vineyard, again completely different and the pinpointed microbial discussion initiates right here. The soil stakes a claim for this malbec only, certainly not in any way that tends to funk but surely as an impresario of soil. Talk about eugenics in the MBT because that science is compelling and can be related to in this wine. It can offer keys towards improving genetic quality of the vinous population. Here we are faced with rich and dusty, a mean streak of malbec intensity made elegant by earthly microbes. This section draws parallels to the (chardonnay) White Bones soil from which there transfers an excess of dry extract and tannin. Patience please for a malbec that will be long lived. Drink 2019-2027.  Tasted November 2016

Good to go!

Twitter: @mgodello

Instagram: mgodello

WineAlign

Telmo Rodríguez redux

remelluri

A couple of years ago I tasted godello with Telmo Rodríguez at Archive Wine Bar in Toronto. Godello and godello under the tutelage of the micro-craft-small production Spanish wine magnate. Rodríguez combines “travel, evangelism and conceit, qualities the laser-focused, frank and facund winemaker possesses in spades.” Telmo returned to Toronto last Wednesday, this time to Momofuku’s Nikai. Godello (the grape) was not in tow, but Godello (the writer) was privy to taste some of the wildest field blends on the planet not produced by Marcel Deiss.

Related – Telmo’s Spanish dream

The place of origin is at the epicentre of Telmo’s recurrent dream, a place “lost in the mists of time.” Remelluri. The family farm to which a prodigal son returns, to restore winemaking traditions and bring back greatness. In Telmo’s world, exceptionality from place does not happen without first preaching a very specific gospel in nothing short of modern evangelical tones. Rodríguez doesn’t think much of corporations, commercialization, factories and cooperatives. He has little patience for large production, low-cost, cookie-cutter Rioja passing for traditional values. He is argumentative towards labelling and time spent in oak definitions. To him the Rioja categories of Crianza and Reserva are frustrating, mis-leading and so stupidly broad. He believes that most regional vintners put the most average juice into barrels, adhere to the criteria for aging and boom, release generic Rioja with no sense of place. Telmo is desperate to right this wrong.

Telmo, happy, Godello happy #remelluri #telmorodríguez #rioja

Last time through Rodríguez lamented that “in Canada you have been drinking the worst Riojas, the undrinkable Riojas.” So he makes wines without incessantly resorting to the  suffocating slings and arrows of outrageous, appellative fortune; no Crianza, no Reserva, no Gran Reserva. At Remelluri he follows the designations albeit with experimental designs, even if some consider him to be doing so “illegally.” The field blend concept can’t be found anywhere in Rioja’s published guidelines or conceptual literature. That doesn’t seem to stop Telmo from doing his thing. At Remelluri, the vineyard was filled with a field blend, beyond tempranillo, planted to more than 5,000 plants per hectare. Telmo grafted from these plants to resuscitate the vineyard. Caring nothing about shunned (endemic) grape varieties densities considered too high he simply went about doing his radical work.

Rodríguez explains to a group of Toronto writers and sommeliers what it takes to make great wine in Spain. “Lets fight for those places. In Malaga, in Rioja, vineyards from the 7th century. Top vineyards. Amazing places.” He insists that the best wines from Rioja are not from 150 year-old wineries with big production. They are from places like Artadi’s Viña El Pisón, and the Rodríguez Las Beatas vineyard, small, specific and rich in historical significance. His list might also include R. López de Heredia Viña Tondonia’s Viña Cubillo, Viña Bosconia, and Viña Zaconia. Not to mention Tentenublo Wines Las Paredes and Contino’s Viña del Olivo.

Momofuku Nikai's Fried Chicken

Momofuku Nikai’s Fried Chicken

Telmo’s current focus and main goal is changing the hierarchy in Rioja, to re-establish beautiful places at the pinnacle of quality. “The quality of a wine is (derived from) the talent of the vineyard. The place is the talent, not the winemaker.” This is the crux of Telmo Rodríguez. This turns the winemaker-vineyard, artist-canvas concept on its head. There is no canvas. The vineyard as the star makes the winemaker a mere handler, a facilitator, a coach, a manager. The vineyard is the talent.

With thanks to Momofuku’s Beverage Director and Sommelier Steve Sousa and the Noble Estates braintrust of Craig de Blois, Richard Dittmar and too legit to quit Mark Coster, we sat down with four pours by Telmo Rodríguez and a stellar Nikai spread. Here are the notes.

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Got me thinking, writing, anticipating #remelluri #telmorodriguez

Remelluri Rioja Blanco 2012, Rioja, Spain (Agent, $87.00, WineAlign)

Telmo Rodríguez returned in 2010 with the desperate urge to be a representative for Remelluri, the family property purchased by his parents in the 1960’s, with a lineage and history dating back to the 16th century. “They spent a good part of their life recuperating this estate,” explains Rodríguez. “It is a place never touched by herbicides or pesticides. How many vineyards in Europe can say that?” Remelluri is not just organic now, it has always been this way. The Blanco is a field blend of nine different varieties grown on poor limestone terraces of calcaire variegated into clay and quartenary sandstone/loam. The high altitude slopes and their cool-climate induction from the northwest are driven to drawing an immediate sense of layering, of sub-strata, strata, ground cover, dirt, vine and air. You can’t help but smell the white flowers and the palpability of dry extract. Picked over a long September to October period, fermented with wild abandon and left to smoulder away in a carnival of casks, the Blanco is an onion and its layers will peel away over a decade or more. An artisan white Rhône sensation warms the glass with the only southern aspect to waft from this wine. The rest is cooly northern and while the sense of origin is at the crux and the core, time will be needed to clarify the memories and to look ahead for future vintages articulated with greater experience. Drink 2016-2022.  Tasted September 2016

From here the leap is great before assuming a place in history #remelluri #telmorodriguez

Remuelluri Lindes De Remelluri Viñedos De Labastida 2012, Rioja, Spain (392860, $27.95, WineAlign)

Granja Nuestra Señora de Remelluri is the oldest wine estate from Rioja, adjunct two villages, Labastida Alava and San Vicente de la Sonsierra from Rioja Alta. The significance of place was magnified in 2009 when the harvests were separated from each other and from the rest of the greater estate as a whole. The family lineages of farming and pressing those grapes is now expressed in two single-village, non-estate Lindes, meaning “on the boundaries or surroundings.” Tempranillo, garnacha, graciano and viura combine to tell the story of Labastida in Telmo Rodríguez’ entry-level Remelluri in which we don’t talk about oak. “We talk about place, viticulture, about what is important,” not how much time the wine aged in barrel. Rodríguez prizes these growers’ grapes and they are very proud of this project. A wine (60,000 bottles) that is ready to drink. A density of cure, just the slightest mustiness, a demurred, smoky, opaque mustiness, strawberries, cream and more natural yeasts and grapes than might be imagined getting together and making wine. It’s so very Telmo Rodríguez by mouthfeel so the vineyard is procured a time out in the sensory assessment and the winemaker steps in. But then culture, history and things that used to be creep back in on the gently sloping, ups, down and angled overs arrive at the beautiful finish. The length is not just long but lingering and very fresh. Drink 2016-2019.  Tasted September 2016

Remuelluri Rioja Reserva 2010, Rioja, Spain (Agent, $59.99, WineAlign)

“My first fight was in Navarra, against cabernet sauvignon,” begins Telmo Rodríguez, el luchador por la libertad, the grape fighter. “My fight today is against trellising.” He continues.” Bush vines, field blends, these things are beautiful. The future of Spain is the past. For me Rioja is the villages, and the (field) blend of grapes. And a culture that has been lost.” And so The Remelluri Reserva, the original Granja Nuestra Señora de Remelluri estate wine has so quickly come to this. The most important fruit from three valleys from an essential Rioja vintage, massive, intense and instructive. All the culture, history and tradition of Telmo’s Rioja is locked tight in this time capsule vault of tempranillo, garnacha, graciano, viura and malvasia. From three valleys, Remelluri , Valdarremelluri and Villaescusa, from Labastida (Rioja Alvesa) and Rivas de Tereso belonging to San Vicente de La Sonsierra (Rioja Alta). These places are so important because of the families who have farmed these vineyards and the villages they are associated with. These lands are the rock stars and Rodríguez brings the Medoc-Bordeaux concept to purpose their Grand Vin potential. This 2010 Reserva is so young it took 20 minutes in the moment and two hours in the present to open the consideration assessment to even begin thinking about what it is. The depth of fruit is currently managed by volatility and tannin. That much is understood. Even acidity took a knee in the present, not in protest but in concession and abstinence. It will take its rightful place when needed, 10 plus years down the road. The fruit is massive, with freshness that will be preserved though it can’t yet speak. Red berries in a coal mine, tart unidentified stone fruits suspended in tree pod syrup animation. More later. Much later. Drink 2020-2032. Tasted September 2016

Granja Remuelluri Rioja Gran Reserva 2009, Rioja, Spain (Agent, $89.99, WineAlign)

“What is Rioja?” asks Telmo Rodríguez. He notes that Lopez-Heredia still manages small vineyards, Grand Cru and Premier Cru plots, but most Rioja houses are industrial. Their wines age in barrels in 100-150 year old wineries but have no sense of place, of origins, of an amazing vineyard. “I want to be radical. I believe it (Rioja) can be one of the most beautiful places in the world but I told my brothers it needed to go in a very particular direction. My brothers agreed.” So costs went up 35 per cent. They bought no grapes. “If you want to work properly in Spain, you have to be a hero.” You have to work the most difficult vineyards, where production costs are five times that of Grand Vin Bordeaux but the price sells for 10 times less. And so Telmo Rodríguez produces this Gran Reserva, a wine that adheres to a Rioja systematic but does so from a blind-eye turned, high density field-blend planting of tempranillo, garnacha, graciano, muscatel, viura and malvasia. A field blend, unlike Bordeaux but a local village farmed gathering of the best fruit. The 2009 is showing no age but the difference between 2010 Reserva and 2009 Gran Reserva is night and day. This makes the ’10 seem fresh, alive, open, almost simple. Here the variegation is distilled down to laser focus, as if the varieties all become one and most people would simply say tempranillo, but who has ever tasted and been dealt such a tempranillo? This is oozing of a liqueur like no other, rich, viscous, natural and dry-extract sweet. An expression of the best microclimates and their vineyard kin. Wait another five years to allow it to remember and tell its tale. Drink 2022-2034.  Tasted September 2016

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WineAlign

Value the first wine of spring

Lake yet frozen, March 18, 2015

Lake not yet defrosted, March 18, 2015

The lake remains frozen though stepping foot upon its precarious ice flow would not be recommended. By this time next week the waves will concuss the gelid islands and slowly deliquesce them down into the frigid water. As of this Saturday spring will have officially come to southern Ontario and with it a whole new outlook on life.

If you ask my colleague Rick VanSickle, the spring of 2015 will mean the boot up to overhaul the future of wine and craft beer sales in Ontario. According to VanSickle, “there is a brave new world coming for the retailing beer and wine in Ontario. These are heady times. Behind closed doors a lot of discussion is happening, a lot of debate and planning is going on in advance of the day Wynne’s Liberal government utters those words many of us have  longed to hear for so long: An end to the LCBO and Beer Store monopolies on wine and beer in Ontario.”

For Rick’s full report on his site WinesInNiagara, please click here:

Brave New World: How the new model for beer and wine retailing in Ontario could look

I read Rick VanSickle’s work on a regular basis and I know him to be as pragmatic and as skeptical as they come. I doubt very much that Rick would get ahead of himself on an issue with so much on the line. Using his ins to gain sagacity from insiders who possess relevant information, VanSickle writes with confidence that Kathleen Wynne has given Ed Clark and his privatization panel carte blanche to effect real change. The consequences of what Rick is predicting are enormous. For consumers, for industry professionals and for writers. We would all have to reconsider and recalibrate the way we approach wine and beer in Ontario.

That is why I remain ever the conspiracy theorist. I remain unconvinced. I see the smoke and mirrors of the entire charade. Even when new licenses are granted, I imagine grocery retailers only selling the largest and most heavily marketed brands. I don’t see VQA wine stores and specialty shops tailored to the demographics of neighbourhoods. I see the LCBO and the Beer Store continuing to exercise their powers of monopoly and controlling how all the changes are implemented. I just do not see the revolution as being imminent and around the corner.

My apologies to you Rick. Your report is thorough and covers everything we need to know. Were these great advances to happen we would all be the beneficiaries but your words sound more like wishes than predictions. Ontario is not Alberta. It never has been and isn’t likely to happen any time soon. I hope I am dead wrong. I will owe you a sit down over a craft beer and a never before seen in Ontario stores bottle of wine if I am. If the revolution is upon us, I will happily count my blessings over one with you.

So, back to the business of reporting on the VINTAGES releases at the LCBO. With spring coming this Saturday so too does an entire new set of wines on shelves. Last week I talked up Riesling and iconic wines.

Related – I shall be Riesling

Related – March 21 big guns

20150317_151442

Almost spring out on the lake

The rest of the March 21st release is expressed in value, in wines that offer serious compensation for what you spend. Wines in generosity of backbone, psyche and enthusiasm. Wines that are simply good, regardless of their cost. Here are notes on nine.

Marqués De Cáceres Antea 2013

Marqués De Cáceres Antea 2013, Barrel Fermented, Doca Rioja, Spain (518985, $15.95, WineAlign)

Here barrel fermented Rioja brings a buffet of culinary impressions to the aromatic and gustatory table. Soft scrambled egg and cream in Tortilla Española, Serrano ham, buttery puff pastry, natillas. All would pair well with the hickory stick barrel spice and the slightly volatile tang. Accents of orange juice and rind work the angles, along with the calcified acidity. This Rioja is not shy but it represents good complexity and value for the price.  Tasted March 2015  @Marques_Caceres  @RiojaWine  @DionysusWines

Castello Di Ama Chianti Classico Riserva 2009

Castello Di Ama Chianti Classico Riserva 2009, Docg (375ml), Tuscany, Italy (403824, $16.95, WineAlign)

Kudos must be afforded Castello di Ama for putting CCR in half-bottles. It’s like listening to Green River on vinyl. The layers of texture, nuance, and groove are amplified. The expedited evolution and compact formula make cause for a bottled up compression, a concentration, not a reduction. More winemakers should bottle in the 375 mL container. There are so many reasons for it. Space, quality, half the cost and best of all, nothing left at the end of the night, just the empty bottle. This 2009 has seen its fair share of evolution, with notes of forest floor, truffle, mushroom and compost tea but in certain respects the aromas are old-school Brunello. The antiquity of the composition is nothing but endearing, a romantic comfort zone to give this Ama a sense of place. The wood, bite into sinew and gristle tannins add to the archaic mystique. Most modern imbibers would like more fruit but at this paltry price the complexity is more than enough reward. “Well, take me back down where cool water flow, yeh. Let me remember things I love.” Drink now.  Tasted March 2015  @CastellodiAma  @chianticlassico  @HalpernWine

 

Boutari Grande Reserve 2008

Boutari Grande Reserve Naoussa 2008, Naoussa, Greece (140111, $17.95, WineAlign)

In this Xinomavro there is beauty and bog consistence, like wild calla palustris. Imagine a wine thick as consonants, dense and defined by solid rock bubbling like stew, from out of a marsh. Wood adds intricate layers and a mothering of leather hiding and protecting dried cherries. Game, spice, liquorice, funk and things that heal flavour the wine’s liqueur. Silky smooth with a run of grain and the salinity of ancient longing. Racy acidity intrudes, puts in a charge and takes care to see six to eight years more life will be a guarantee. Easily and possibly 10 will pass before it sheds the chalky loops. Terrific vintage with impressive depth and range of flavour.  Tasted February 2015  @boutari  @KolonakiGroup  @DrinkGreekWine  @winesofnaoussa

Wolfberger Signature Pinot Gris 2013

Wolfberger Signature Pinot Gris 2013, Ac Alsace, France (398172, $18.95, WineAlign)

The resident oenologist at Wolfberger is Bertrand Praz, in charge of the cooperative located in Eguisheim, south of Colmar. As far as a ‘basic’ union Pinot Gris is concerned, this one hits the right marks and preserves proper tradition. It’s both saline and full of pith, with lemon is scrapes and ladles, yet it could very well be thought of as Riesling were it tasted blind. Good ripeness, nothing serious and quite righteous with an intent to carry an Alsace torch of dry, finely crafted Pinot Gris. What’s most important is the statement it makes for what will follow out of the 2013 vintage.  Tasted March 2015  @wolfberger_fr  @Smarent

Domaine J. Laurens Le Moulin Brut Blanquette De Limoux

Domaine J. Laurens Le Moulin Brut Blanquette De Limoux, Méthode Traditionnelle, Ac, France (180323, $18.95, WineAlign)

The pause of oxidation. The evidence concrete and stratified, the bite pure and hollow petrified, like into bone and the interval below the organic soil. Crisp cut above the normal. Mouth-filling and expansive. Perfectly bitter. Much lemon, ginger and further spice. Length too.

From my earlier note of April 2014: A southern French (Pyrenean foothills, just south of Carcassonne) blend dominated by the traditional grape variety of Limoux, Mauzac (90 per cent), with support from Chardonnay. The lees is very direct and in your face on this Limoux, the baking aromas strong and the texture quite dense. Citrus and white grapefruit crawl up the middle and aridity mixed with horseradish salt comes through on the finish. Claims territory in viridity of complexity, an acumen for dewiness and is blessed with a marked appeal to hipster fizzters.  @DneJLaurens  @LanguedocWines  @oenophilia1

Last tasted March 2015

The Tragically Hip Fully Completely Grand Reserve Red 2012

The Tragically Hip Fully Completely Grand Reserve Red 2012, VQA Niagara Peninsula, Ontario (411595, $24.95, WineAlign)

Twenty three years ago this October the Hip’s third record changed the course of Canadian Pop and Rock music. While this Jeff Hundertmark, Kingston-bred band and Bordeaux blend will not have a similar effect on the Ontario wine industry, it’s certainly not a tragically vinified red. It’s looking for a place to happen, has the wherewithal to age with some grace and the courage to represent Stoney Ridge with power. The wall of sound, smell and taste is achieved through forest compost, bruised berries, melted liquorice, plum flavour and glycerin texture. Hung “long out in the sun,” the pencil graphite and hard acidity is a scratch and a flaw but also a calling card to see this age in the classic Niagara red style. “Either it’ll move me or it’ll move right through me; fully, completely.”  Tasted March 2015  @stoneyridgewine  @WeirRidgeYnmakr  @thehipdotcom  @ImportWineMAFWM

Domaine Queylus Tradition Pinot Noir 2011

Domaine Queylus Tradition Pinot Noir 2011, VQA Niagara Peninsula, Ontario (392738, $29.95, WineAlign)

The passion from the Thomas Bachelder Niagara project has shifted into Domaine Queylus. With no disrespect to Thomas’ eponymous bottling from vineyards so nearby, the quality time has now been granted the Tradition. Here lies Mountainview and Le Petite Colline earth, here crushes Niagara cherries in hand, juice running down a clay caked forearm. Fresh and bright yet streaked by chalk and enveloping brushstroke. Sour? For a flash but in neither malic nor astringent form. This is a must buy.

From my earlier June 2014 note: Reverberates with the unmistakable calling card character of the storied Neudorf family La Petite vineyard with equal and opposite amounts of attraction and new life breathed in by the Lincoln Lakeshore fruit. Ethereally sifted earth of old meets cherries of new. Enriching Pinot Noir, a bit gangling like a primitive young giraffe but near to finding its legs. Hard working red, insistent, confident and having already paid some dirty fingernail dues. Excellent length.

Last tasted August 2014  @QueylusVin  @Bachelder_wines

Gundlach Bundschu Estate Vineyard Chardonnay 2012

Gundlach Bundschu Estate Vineyard Chardonnay 2012, Sonoma Coast, California (400051, $34.95, WineAlign)

An intimately affordable Chardonnay from Sonoma Coast fashioned by a family in its 157th year of production is a rarity. Even more so from a cool-climate region oft-marred by the misperception that its Chardonnay are fat, buttery, over-oaked fruit bombs. From fruit grown on the Rhinefarm Estate Vineyard on southwest slopes of the Mayacamas Mountains, eight miles north of San Pablo Bay. Consider the antonymous solecism of zero per cent malolactic fermentation and you will see where this (20 per cent new) barrel fermented Chardonnay has come from and where it is going. Weekly battonage compresses and stirs up texture. Fog plays its part on the cool slopes of Huichica clay loam soils mixed in with gravel deposits. Acidity is preserved, hitting a classic number on top of healthy (14 plus per cent) alcohol. This is not a small Chardonnay. It stretches its legs and walks like a giant but not in 80’s or 90’s acid washed jeans or big hair ways. This is Chardonnay that leads in style and confidence of a most modern vernacular and fashion. It’s also a steal.  Tasted October 2014  @gunbunwine  @LeSommelierWine

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Contino, McDonald and the Vine

Contino Head

The Rioja Reservas of Bodega Viñedos del Contino

Near the end of September, at the invite of two exceptionally grounded wine men, Rob Groh and Derek Kranenborg of The Vine Wine Agency, I attended a tasting at Cava Restaurant with Technical Director Jesús Madrazo of Rioja’s Bodega Viñedos del Contino. With former Cava Chef Chris McDonald providing the worthy and soulful snacks, Madrazo poured eight wines. Eight to leave lasting memories in impression. Edibles to boot, complex concentrations by Chef McDonald with his last Cava days coming near. Everything about the tasting, in both wine and food, was intense. I hope all were paying attention.

Two of chef’s hors d’oeuvre-style compositions were Foie gras and partridge Croquetas and Frogsicles with Pimento Alioli. Both unique, both instrumental in elevating the old and wise Riojas upwards atop a rightful pedestal. The wines of Contino are very classic Rioja, at times understated and at others overwhelming. Contino’s Rioja buzz with energy and verve. They are very alive. They ooze earth and soil.

Bodega Viñedos del Contino is a part of the Cvne (Compañía Vinícola del Norte de España) stable. Founded in 1879, Cvne today is three distinct wineries; Cune, Viña Real and Viñedos del Contino. Contino was born in 1974.

In 2006 Madrazo began producing the white wine experience. The challenge was in getting approval from the board of directors. After much experimentation, the first vintage came in 2010. Grown on calcium carbonate soils, the white Viura draws energy from stones, some larger than the solar collecting galets of Châteauneuf-du-Pape. The rocks are the heliacal conductors to the vines, creating a paradox, of water loss and energy giving life. This, accomplished through dry, organic farming. “That’s how we play the game,” notes Madrazo.

At the Cava tasting, the ageability of the Riojas was the concept under investigation, but it was the three others wines poured, the flotilla leaders Blanco, Graciano and Viña del Olivo that really drove the point across. Longevity is the key to the Rioja heart. The Rioja Reservas are the soul. “In Spain,” says Madrazo, “we (continue to) fix everything. We release our Rioja in the 5th year.” Here are notes on the eight wines tasted.

Contino

The line-up at Cava Restaurant: Bodega Viñedos del Contino

Blanco 2012, Rioja, Spain (Agent, $48.95, WineAlign)

The third vintage of Contino’s crown jewel white is (80 per cent) Viura with Malvasia (five per cent) and Garnacha Blanca (15). The latter will bull its way into future vintage mix with incremental proportion as a result of increased plantings. “The Queen” gets right up into the face and nose, indicating success for its primary goal. To seek a capacity for aging. “Viura can age,” insists winemaker Jesús Madrazo. “Here I can see at least six years of life, maybe ten.” The Blanco has a meddling mid-palate metal and creamy sensibility. Big (90 per cent new oak) barrels housed the wine for six months to seek its second goal; fruit spiciness. This effect is magnified by the south-facing, down to the river slopes, one of the warmest areas in Rioja. The third objective is acidity but with the malic tendency well-managed, to seek equilibrium. The single block Garnacha and Malvasia elevate and balance out the estate’s omnipresent, all over the map Viura. The paradox lies in the terroir, where hot, solar conduit stones cause evaporation and yet give energy in simultaneous activity. Old vines (some as much as 70 years) draw and release, draw and release. The ebb and flow in ardor gives this Blanco verve and it is showing with style right now. It will live as Jesús said it would but it’s life will be hard and fast. Drink now and for three or four years.  Tasted September 2014

Bodega Viñedos del Contino Rioja Reserva 2008, Rioja, Spain (Agent, $48.95, WineAlign)

From a late harvest (two to four weeks behind the norm), the ’08 is an example of the philosophy yet entrenched in the past, with a desire for pure quality, regardless of the picking time. The conditions meant no single-varietal Graciano bottling and only a small case load of the Viña del Olivo. Quality was essentially earmarked for the Reserva, scoured from 62 hectares of Estate Tempranillo. The vintage is defined by straight up red fruit with some spice and a warm-climate, tree bark/resin effect. The wine’s personality come from out of the nerve centre’s tangy inflection. Though it’s a touch warm and zealous of alcohol (14.5 per cent), it speaks in cants of the Contino chateau style.  Tasted September 2014

Bodega Viñedos del Contino Rioja Reserva 2004, Rioja, Spain (Agent, $42.95, WineAlign)

“If it’s not broke, we fix it,” admits Jesús Madrazo of Contino. The estate’s ’04 says exactly what it should and it must. Old barrels (50-50 French and American) plus two years in bottle bring out the hard vine life heartbreak and hyperbole in fruit grown on calcium carbonate soils with stones bigger than Les Galets of Châteauneuf-du-Pape. Stones that heat up from the sun, acting as solar conductors to the vines. Acidity may have been compromised but not structure. There is Rioja Alvesa sweetness, set against a whiskey town backdrop. There are plums, prunes and Phở. Yes, this is a quixotic and exotic Contino, ripe, spicy, floral, meaty but not gamy. Roast pork, Vietnamese style. Immaculate of youth, of original energy and of garrigue. The 2004 Reserva tells the Contino story like Ryan Adams sings about a broken heart. “Some things are born too strong, have to learn how to fight.” So, the Tempranillo will say, “you’ll have to excuse me if I break my own heart.”  Tasted September 2014

Bodega Viñedos del Contino Rioja Reserva 1998, Rioja, Spain (Agent)

Not unlike the book that wrote ’08, the vintage challenged with cold weather during harvest, this coming on the fits meets stops on heels and tiptoe starts that defined the overall growing season.  A first flawed bottle aside, a second one opened is musty in its own ancient and charming way. With only 10 per cent Graciano in the blend, this here is essential, old-school Tempranillo. Beyond the dust is a round and smooth elixir with a ferric vein of animal funk. There is liquorice and there is chalk. The grain of this Contino is like liquified barley or bulgur, with an earthy faro aroma, a creamy texture and long on glutinous structure. Earth keeps fruit in subterranean submission, though there will always be hints of dried plums and flowers to sustain life.  Tasted September 2014

Bodega Viñedos del Contino Rioja Reserva 1980, Rioja, Spain (Agent)

Here the Tempranillo has walked the sands, survived the winds of time and has arrived at the sultanate’s tent, exhausted, somewhat delirious yet basking in the accomplishment. The tapestry woven by 34 years of development has laid on a platter a veritable feast of dried fruits; prune, apricot and date, all chewy and densely concentrated. A diesel fume aroma indicates a modernity evolved and the oiled track shows the way out of Damascus (or in this case, Álava). The ’80 is a bit funkified too, with great acidity and length that lingers for a most amazing amount of mouth time. Dried flowers, namely violets define the perfumed finish. A Tempranillo possessive of exceptional survival skills.  Tasted September 2014

Bodega Viñedos del Contino Rioja Reserva 1974, Rioja, Spain (Agent)

An impossibly youthful 40 year-old Tempranillo, even surpassing the more evolved ’80 in that regard, with aniseed, coconut and beeswax in its current aromatic state. Less gamy and animal funky, yet persistent in earthy beats. The vegetal scents act as conduit to the light bulb shining brightly of circuitous flavours and resolved textures. Lingers in mouth feel, its layers of time slowly peeling back, revealing in length, a slide show of the wine’s life. With many year’s still ahead, this is a Tempranillo revelation and from one going back this far that gained no support from Graciano (because it was planted in 1979). Its apostle following instead comes by way of the white Viura. Pair with Chef Chris McDonald’s Foie Gras and Partridge Croquetas.  Tasted September 2014

Bodega Viñedos del Contino Graciano 2010, Rioja, Spain (Agent, $128.95, WineAlign)

Contino’s SV Graciano is the estate’s portent into the portal of ageability, beyond Tempranillo. Such formidable aromatics are on display, a result of low pH and high polyphenolic compounds. Has got something, but what it is, I can’t seem to place. It’s neither flora nor fauna, not rock, nor fruit. A combination of them all and a piercing streak of acidity leads to the expanse of a broad mouth texture. Sense perhaps black fruit, currants and berries. A toast, macerations, citrus even. This Graciano, the soul of Contino. Crème de cassis, eucalyptus, camphor, menthol and aniseed are all seemingly there, in colour, natural acidity, alive and dancing. Or are they? I looked at this Graciano, “from both sides now, from up and down, and still somehow,” it’s a challenge to see through the clouds. It’s so very large, exceeding the ministrations of other alterior SV examples, like that of Petit Verdot, Malbec or Cabernet Franc. In here it’s Graciano’s illusions I recall so I suppose I really don’t know Graciano at all. Imagine drinking this for 20 plus years.  Tasted September 2014

Bodega Viñedos del Contino Viña del Olivo 2011, Rioja, Spain (Agent)

The flagship wine from Contino has an uncanny braised pork belly in spirited wines reduction nose, spiced with star anise. The aromas then go straight to the back of the brain, bypassing the frontal lobes and acute senses of nose and tongue. A wine that drives a stake directly into the nervous system, leaves one twitching and paralyzed. From arid, calcareous clay, the 34 year-old vines are just deadly, direct and make for some seriously demonstrative fruit. The mineral expression can’t be denied; this represents the most in the estate’s terroir driven directive. The blend is Tempranillo (80 per cent), Graciano (10) and Garnacha (10). New oak (100 per cent) is split between French (70), American (20) and various other European wood. A wine that will need a minimum five years to reach adulthood and perhaps 10 more to enlightenment. Though it is marked and baked by chalk and cake the mineral keeps it so ver real.  Tasted September 2014.

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Mind blowing wines of 2014

Bouteilles de la collection Méquillet de Kientzheim, Confrérie Saint-Etienne

Bouteilles de la collection Méquillet de Kientzheim, Confrérie Saint-Etienne

In January it began with A resolution to drink honest wine, “juice that conveys the salient facts of a grape’s life.” It continued with New year. Try new wines, where the goal was “the resolve to drink outside the comfort zone.” If the issue was Feeling under the weather? Drink wine, success was had. “Wine is your friend. When approached, integrated and embraced in the right way it can help to promote a healthy lifestyle. The defence rests.”

January was a busy month, complete with Deep freeze: Controversies, polar vortex and ice wine, not to mention Super Bowl XLVIII wine odds. In February the opined focus zeroed inwards, to Ontario. What’s in a wine vintage? asked to reach out and touch Ontario’s 2012 whites, the best wines made to date. Harsh words were spoken against Rosé, but only because of the obviousness of it all when said, You can kiss my sweet pink wine, Valentine. Thomas Bachelder showed us Synchronicity in three terrors and he will do so again this coming Sunday when we break wine together down on the Peninsula. Calming influences saved days, having once more expounded on the music immersion, in and with wine, from Three-chord wines, hold the rants. The month concluded with more healthy advice and the question Are you getting your daily serving of wine?

Is the rating simply a tool understood within the context of marketing? Photo: Maria Vazquez/Fotolia.com

Is the rating simply a tool understood within the context of marketing?
Photo: Maria Vazquez/Fotolia.com

In March the annual pilgrimage to Niagara produced more tasting notes and verbiage than was previously thought possible, in a three-part series. Godello’s excellent Cuvée adventureWhen experts break wine together and Wine experts Brock and roll, Brock on were also joined by a visit to Flat Rock Cellars in Bottles, barrels, tanks and a vertical. A two-year impassioned body of submissions to canada.com culminated with the final column, The death of wine scores?

Scores were subsequently dropped from godello.ca but continue to be sidled up to the notes at winealign.com. In April I found out what happens When Sangiovese comes to townBurgundy will always be royal and that it’s always Go Gamay go time. In the name of Somewhereness, The group of twelve was once again called to assembly. In May there was the omnipresent Kalon of MomPaul Pender’s Tawse and effect and a fascinating look at cooperage in Every barrel tells a story. Prince Edward County again proved its mettle in ’14 and consumers were encouraged to Take them home, County wines. VQA stood under scrutiny in The pearls of Morissette’s wisdom and another chapter was written in The Stratus-Momofuku continuum.

Godello with Zoltan Szabo, Tony Aspler, Mike Di Caro, Ben Macphee-Sigurdson and Nicholas Pearce,  Photo (c) Steven Elphick & Associates

Godello with Zoltan Szabo, Tony Aspler, Mike Di Caro, Ben Macphee-Sigurdson and Nicholas Pearce,
Photo (c) Steven Elphick & Associates

Sparkling wine bubbled over in New fizz on the Brock, was Talkin’ ’bout my Generation Riesling and a trip to Alsace in June put me In a Grand Cru state of mind. I was Down on the Ornellaia and found out first hand, on a boat trolling across Lake Erie that The South Coast is clear. I offered up The froth on Crémant d’Alsace and in July told you that Chardonnay is cool. The eponymous conference yielded in excess of 10,000 words in August with 50 cool Chardonnay in 5,000 words or more and The meaning of Chardonnay: You’ve gotta be cool to be kind. I branded Olivier Zind-Humbrecht The cru chief of Alsace and felt what it was like to be Walking an Alsace mile in their Riesling shoes.

Tide's Out, Big Cove, New Brunswick

Tide’s Out, Big Cove, New Brunswick

A 5500 km trek to the tip of Cape Breton and back yielding poetic and prophetic expression in The tides that bind: East Coast swing. “The tractive is a thing to and of itself. The pauses to gather at points along the process remember lobsters roasting over an open fire, a cottage visit with new-found friends, a hike into the cavern of a waterfall and a swim in a tidal river. Memories are made in rites of passage, though in the end, like the photographs, they too will be demurred by time. Indelible stamps they are, cemented in commitment to reaching and by necessity, descending summits. A  road trip to the eastern part of Canada realizes the bigger plan. The key is making it safely home, before the tide rolls in.”

WineAlign World Wine Awards of Canada 2014

WineAlign World Wine Awards of Canada 2014

In September I tasted history with Taylor made Port and insisted on Giving Grand Cru Pinot Noir d’Alsace its due. I ignored a publishing embargo to announce how The LCBO and WineAlign go local and went Rocking out with the 2014 WineAlign World Wine Awards of Canada by judging the best of the best. A recall to Consider the Gaspereau Valley brought me back to Benjamin Bridge, a visit with Peter Gamble and the declaration that “I have seen & tasted the future of vinifera in Nova Scotia and its name is Lightfoot & Wolfville Vineyards.” Gamble’s work with partner Ann Sperling in Argentina is simply and skillfully The artfully applied science of Versado Malbec.

My report, Taste Ontario’s polarity of personality was met with lukewarm avoidance then rebounded, thanks to the tunes, From VINTAGES for Thanksgiving, in wine and with songA hip of wine from Hidden Bench gave way to Fourteen wines that should be on your restaurant list, in which I insisted “if your job title includes choosing what wine is poured at your restaurant, you should never dial it in.” I enjoyed some Wine on company time and Americans take note when Sonoma peaks from out of the fog.  For the third consecutive year I gave Yet another 10 reasons to pour a glass of wine on Halloween.

Local wines, notably Niagara delivers everbearing quality in November releases and in direct contrast, I went Off the beaten Italian path to discover endemic varietals. The Bloody vivid 2011 Vintage Ports had me reeling. “The 2011 Vintage Ports have balance, well, the best do, but they are, and I speak in very general terms, collectively over the top. Though it may seem an oxymoron to put Vintage Port and elegance in the same sentence, what is a great wine without a sense of humility and restraint?”

Godello and Christophe Ehrhart, Domaine Josmeyer, Kientzenheim

Godello and Christophe Ehrhart, Domaine Josmeyer, Kientzenheim

Two exposés on Alsatian wine, A Blanck slate in Alsace and It was Josmeyer’s imagination covered two distinct theories, of tabula rasa and wayfinding. On Sparkling wine I gave you Godello’s guide to holiday effervescence and Eleven 11th hour holiday bubbles. If value is your thing, I hope you read The final 14 bargains of 2014 and if great Canadian wine and cuisine float your gastronomic boat, my judging experience was captured at Gold Medal Plates Toronto 2014.

This is the third in the trilogy of best of reports for 2014. The first, 14 Canadian wines that rocked in 2014 was about “wines that are extensions of their maker’s personality, philosophy and temperament. Wines that are indicative of their terroir.” The second, Top 15 under-$25 wines of 2014 was meant to to “create the sociological, world of wine equivalent of splitting the atom. To celebrate the triumph of laic heterodoxy and the arrogance of modernity.  To seek purity from beneath the massacre caused by an avalanche of contrived wines.” The third instalment is meant purely to celebrate and to thank those who shared their bottles with me. Here are 16 wines tasted in 2014 that simply blew me away.

Tasting with Philippe Blanck, Domaine Paul Blanck

Tasting with Philippe Blanck, Domaine Paul Blanck

Domaine Paul Blanck et Fils Muscat d’Alsace Réserve Spéciale 1983, Alsace, France (From A Blanck slate in Alsace, December 1, 2014)

From Altenbourg, a lieu-dit located at the base of the Furstentum vineyard. Here is Blanck’s “fairy tale,” a wine you would have always heard about but never had a chance to taste or likely ever seen. The terroir is limestone mixed with clay and you will have to excuse my Alsatian, but a single sniff and taste releases the expression, “are you fucking kidding me?” This 31-year old Muscat is an impossibility, a first time feeling, a never before nosed perfume. Speaks in a limestone vernacular, of grapes given every chance to survive long after their innocence had been lost. A forest herb, tree sap, evergreen resin, lemongrass and bitter orange coagulation rises from its viscous mist. The acidity has lost nothing on the fruit, acts in perfect foil and leaves you with a sense of loneliness that is just beautiful.  Tasted June 2014  @DomaineBlanck

Pearl Morissette Gamay Cuvée Mon Unique 2013, VQA Twenty Mile Bench, Ontario (Winery) From The pearls of Morissette’s wisdom, May 26, 2014

In July 2013 Francois Morissette made this statement. “If we can’t make Gamay in a Cru Beaujolais Style, I’m not interested.” In May 2014 his ’13 Gamay causes Bill Zacharkiw to comment with blatant honesty, “just line up at the tank. Forget the bottle.” From 100 per cent whole clusters sent to cement fermenters. Once again the hue is just impossible. Sulphur-free, this walks a fine and perfect line of Cru banana Gamay. Pushes the Gamay envelope in that it’s gulpable but with a duress to remind you not to overdo it. A Gamay with a chamber of 32 doors. In it “I’d rather trust a man who doesn’t shout what he’s found.” François Morissette.   Tasted May 2014  @PearlMorissette  @3050imports

Laughing Stock Vineyards Amphora VRM 2013, VQA Okanagan Valley, British Columbia (agent, $30.00, WineAlign) From A day in WineAlign life: 15 new releases from Ontario and B.C., August 8, 2014

Here blends one-third each Viognier, Rousanne and Marsanne, a veritable Rhône orgy in wild fermentation, aged on the skins in terra-cotta and amphorae. While I would not go so far as to call it an “orange wine,” I will use the “N” word to describe its agrarian ways. As natural as anything you are likely to taste out of B.C., this is a most untamed experiment and should not be missed. It verges on oxidation but refuses to climb over the edge. It’s floral, spicy and crowded. The texture is chalky and so full of rusty, clay rubbed streaks. Everything about this is unkempt and exotic, including the never cease and desist fermenting lychee and longan feel. Hard not to be wowed by this blend’s presence.  Tasted August 2014  @lfngwine  @liffordretail

Charles Baker Riesling Picone Vineyard 2006, VQA Vinemount Ridge, Niagara Peninsula (241182, $35, WineAlign) From When experts break wine together, March 4, 2014

Only Charles can follow Charles, as only Jimi could follow Jimi. Just ask Peter Townshend. The combined forces of vintage, off-dry level of residual sugar (23.9 g/L) and age have ushered this Picone into a realm of adipose, butyraceous, chewy texture. The ’06 is emblematic of its time, stunning, psychedelic, experienced. It speaks clearly and with conceit. Tasting it eight years on you can hear Baker’s 2006 voice saying “if you can just get your mind together uh-then come on across to me.” We have and continue to follow Charles, and we are paying close attention to every vintage along the ride.  Tasted March 2014  @cbriesling  @StratusWines

Brokenwood Maxwell Vineyard Sémillon 2007, Hunter Valley, New South Wales, Australia (371484, $47.95, WineAlign) From Thirteen wines ‘ere Friday the 13th, June 12, 2014

A lifelong search for great Sémillon is fraught with peaks and valleys. Finding greatness is so rare it’s blue. The Hunter Valley in New South Wales beckons for a rush to strike gold. Many roads lead nowhere and others, like the dusty lane up to Brokenwood’s Maxwell Vineyard, lead to OZ. This young one has barely broken bread, or even a sweat. Sémillon of primary concern, like a tank sample. Varietal beauty as a cryogenically frozen specimen inundated by the table, the whole periodic table and nothing but the table. Guided by a laser beam of focus, great intent and expectations. Bob’s your uncle this David to the world’s white wine Goliaths. Son of racing studs and mares. Wow Sémillon. Not a faint moment about or in it.  Tasted May 2014  @Brokenwood

The Hess Collection Cabernet Sauvignon 1990, Mount Veeder, Napa Valley, California, USA (662015, $59.00, WineAlign) From The death of wine scores?, March 26, 2014

A seminal bottling from a game-changing year, for two all important reasons. One, it was a great vintage for Napa reds and two, the Mount Veeder sub-appellation was established. While only 24 years ago, a mere five wineries existed there at the time, including Mayacamas, Mt. Veeder and Hess. No hyperbole to say this is tasting a piece of history. Despite my “shouting all about love,” this splendidly aged Cabernet is not so much about resilience as it is persistence and infinite wisdom. All those years ago there were Napa reds made at a mere 12.5 per cent alcohol, with finesse and a sense of George-like calm. With little aeration there is fig, prune and toffee gently weeping but with air the aged fruit is swept away by a wave of gob stopping Cassis before its time. Preconceived notions of banausic, early days Cabernet are smothered by the magic dust of this Hess religion, a Dharma of licorice, ash and enlightenment. A wine to make you forget where you are. Depth, length and up to a half decade yet of reserved life lay ahead.  Tasted March 2014  @HessCollection   @liffordretail

Domaine William Fèvre Chablis Les Clos Grand Cru 2012, Burgundy, France ($143.00, WineAlign) From Burgundy will always be royal, April 22, 2014

The Fèvre take on Les Clos is the cradle of all the domain’s wines, in every respect. Intensely concentrated, this is Chardonnay expressive in every facet of its surroundings. The impart from compressed white limestone, ancient fossils and Jurassic minerals in distillate may seem abstract in description but how else can the feeling of a mouth full of rocks be conveyed? The remarkably complex Les Clos and its structured palate that goes on forever has come out of its Chablis vineyard cradle and will live on as one of the best ever. “It’s not a place, it’s a yearning. It’s not a race, it’s a journey.” There is no rush to drink it up. It will offer immense pleasure for 20-25 years.  @WoodmanWS  @BourgogneWines

Col D’orcia Brunello Di Montalcino 1997, Tuscany, Italy (LCBO 0961714 $145.00, WineAlign) From When Sangiovese comes to town, April 7, 2014

From a golden vintage, this ’97 is crazy good. A fixed, double-edged blade fighting knife dipped into a warm pool of developed liqueur-like sweetness. Seventeen years of languorous modulation and wood-fruit integration had resulted in a gracious Brunello, intrinsically delicious and living large in senescence. Life for the Col D’orcia ’97 is a bowl of cherries. Open one now and for the next three to five years and you’ll know exactly what you’re going to get. Me, “I’ll stick with you baby for a thousand years. Nothing’s gonna touch you in these golden years.”  Tasted April 2014  @Coldorcia  @ConsBrunello

Tenuta dell’Ornellaia Ornellaia 2001, Doc Bolgheri Superiore (Agent, $189.95, WineAlign) From Down on the Ornellaia, June 24, 2014

The blend of the 2001 Rosso Superiore is Cabernet Sauvignon (65 per cent), Merlot (30) and Cabernet Franc (5). Though strange to say and admittedly a retrospective comment, the minute quantity of Cabernet Franc and not yet inclusion of Petit Verdot result in a more straightforward and not as heavily layered Ornellaia. The structure is more linear and understandable, the fruit not as variegated. Complexity and Tuscan spiritualism are not compromised by the Cabernet Sauvignon and Merlot dominant line, in fact, assessing the evolution at 13 years on reveals the Bolgheri terroir in ways the magnanimous and opulent more recent vintages just don’t reach. There is a refreshing acidity in this young and developing ’01 in a streak that again, the baby Superiore do not seem to possess. This is a striking Ornellaia, a wine that would work with exceptional cuisine of varied cultures. It can be enjoyed now and will respond with grace and thanks for 30 plus years more.  Tasted June 2014  @Ornellaia  @AuthenticWineON  @sherry_naylor

Château Léoville Las Cases 1995, Ac St Julien, Bordeaux, Left Bank, France (402529, $599.00, WineAlign) From A Bordeaux family of wines, September 29, 2014

This 2nd Growth, Grand Vin is a product of nurturing and environment, a study in 12 superb soil subsets, from sand to clay to stone. From mature, edified vines split between Cabernet Sauvignon (70 per cent), Cabernet Franc (16) and Merlot (14). The LLC ’95 is grounded and centered on its highly confident axis while swirling within a centrifuge of inwardly concentrated, ripe but not ripest fruit. Merlot here is the anchor, Cabernet Sauvignon the mast. This is a relationship of pure linear fruit meets acidity. The full and fresh attack is refined with soft-pedaled tannins. It’s neither St. Julien nor Paulliac. It is Las Cases. No other Bordeaux is such an island, a distinctly personal expression, an event of its own. This is a window to the greatest vintages, a portal to extend to the benchmarks of 1996, 2000, 2005 and 2009, but also to step into the history of physiological cortex, to gain insight into previous legendary vintages, like 90, 89 and 82. The ’95 is silky, caressing, rapturous enveloping in a reverse osmosis of fruit and acidity, acidity and tannin. Another sip notices the layering, the grain left in tannin, the lingering richness of the fruit. The absolute sweet caress.  Tasted September 2014  @Noble_Estates

Tenuta San Guido Sassicaia 1977 at Splendido Restaurant, September 2014

Tenuta San Guido Sassicaia 1977 at Splendido Restaurant, September 2014

Tenuta San Guido Sassicaia 1977, Doc Bolgheri, Tuscany, Italy

Though the vintage was reported to be less than exceptional, the chance to taste this 37 years in/on and the longevity it displays combines for full, blow me away effect. The first vintage of Sassicaia was 1968 and this 10th try hits the mark of experience. A blend of Cabernet Sauvignon (85 per cent) and (15) Cabernet Franc, the fruit came from vines over top soils of clay and limestone. The wine spent 20 months in Yugoslavian oak barrels (half of it being new, and half used once or twice before), while for the remaining 60 per cent, French oak was used (2/3 new and 1/3 used once or twice before. Tasted blind, the swirling and searching thoughts of Genesis retrospection assimilate aromas of truffle and mushroom, but at first there is no reply at all. Landing on a plot of excellence somewhere between Bordeaux and Piedmont, Tuscany rises from its hills. A silent conversation ask the Sassicaia “I get the feelin’ you’re tryin’ to tell me;
Is there somethin’ that I should know?” Its condition is near perfect, its body full, its nature pristine and finally, so obviously in balance. After 30 minutes it begins to slide, to no surprise, but you can’t believe the expression it gives and the impression it leaves. And so, it is confirmed. 1977 was a fine vintage for Sassicaia.  Tasted September 2014  @Smarent  @Splendido_TO

Contino

Bodega Viñedos del Contino Rioja Reserva 1974 at XocoCava, with Chef Chris McDonald and Rob Groh of the Vine Agency, October 2014

Bodega Viñedos del Contino Rioja Reserva 1974, Rioja, Spain (Agent)

An impossibly youthful 40 year-old Tempranillo, even surpassing the more evolved ’80 in that regard, with aniseed, coconut and beeswax in its current aromatic state. Less gamy and animal funky, yet persistent in earthy beats. The vegetal scents act as conduit to the light bulb shining brightly of circuitous flavours and resolved textures. Lingers in mouth feel, its layers of time slowly peeling back, revealing in length, a slide show of the wine’s life. With many year’s still ahead, this is a Tempranillo revelation and from one going back this far that gained no support from Graciano (because it was planted in 1979). Its apostle following instead comes by way of the white Viura. Pair with Chef Chris McDonald’s Foie Gras and Partridge Croquetas.  Tasted September 2014  @TheVine_RobGroh  @Cvne

Decanted Château Margaux 1989, The National Club, Toronto, May 1, 2014 PHOTO: Michael Godel

Decanted Château Margaux 1989, The National Club, Toronto, May 1, 2014
PHOTO: Michael Godel

Château Margaux 1989, Ac Bordeaux, France (176057, $1,645.00, WineAlign) From Château Margaux hits the road, May 5, 2014

The 1989 Château Margaux wears the response to a mondo Bordeaux axiom on its sleeve. Are First Growth wines made for people who want darts of instant pleasure?” Twenty years earlier and now like the 2009, here is a quintessential and exemplary vintage, from day one of bud break to the last day of harvest. Its appraisal as anything but incredible is to assassinate it as if it were the Franz Ferdinand of Bordeaux. The examination 25 years later sees a mellow funk meet a peerless and sublime perfume. A wine cast in utmost density, complexity and length. It noses strength, warmth verging on heat but only for a fleeting moment, to gain attention. The iconic wine has reached the first major peak, up a ways from base camp. In this second phase of young adulthood it looks with conceit to the top of the mountain, seeing 25 to 50 more years on the climb. Mr. Pontallier regrets he won’t be around to taste this wine at full maturity. Moi aussi. The fruit lingers in its full, original state, from the moment it passes lips and for minutes onward. Violets trump roses. Château Margaux 1989 is from a vintage that offers the blessing of ethereal balance. Hear her sing, “Ich heisse Superfantastisch!”  Tasted April 2014  @Noble_Estates

Pinot Gris Clos Jebsal Sélection de Grains Nobles Trie Spéciale 2009

Pinot Gris Clos Jebsal Sélection de Grains Nobles Trie Spéciale 2009

Domaine Zind-Humbrecht Pinot Gris Clos Jebsal Sélection de Grains Nobles Trie Spéciale 2009 (From The cru chief of Alsace: Zind Humbrecht, August 5, 2014)

A south-facing, very steep slope of grey marls and gypsum. A vineyard that yielded a miniscule 10 hl/H. A stratospheric residual sugar quotient (in the realm of 500 g/L) and incredulous acidity to prevent the development of the yeasts. A fermentation that finally finished in the late winter of 2012. A wine aged in demi-guid. Selection of grapes of a botrytis so pure and dry. These are the specs of a wine I may never taste again. Olivier concedes he “really tries not to obtain the highest sugar concentration possible” but this 2009 is a “monster of a wine.” It will take forever to assimilate and digest the sugar. Unctuous, lush, rich and gorgeous does not do it justice. Pure distillation of fruit and stone, accented by spice, wild herbs and flowers. Like an injection of pure, Pinot Gris adrenaline. All this from dry extract, slowly rehydrated with magic pixie dust and the wonders of the natural world.  Will live for a century and then some.  Tasted June 2014  @olivier_dzh  @TrialtoON

Schlumberger

Domaines Schlumberger Riesling Grand Cru Kitterlé 1945

Domaines Schlumberger Riesling Grand Cru Kitterlé 1945 (From In a Grand Cru state of mind, June 18, 2014)

From an area of sandstone soil that predates the appellation. “This is an old story,” says Sommelière Caroline Furstoss by way of introduction at a Millésime master class. “This is a wine of God,” in allusion to the success of a vintage immediately following the end of World War Two. So emotional to taste, of a Riesling with 20-25 g/L of residual sugar and a recondite, balancing level of acidity. Complete and clean, persistent in its power and vitality. There is orange peel and spice, cinnamon and spike. Must have been a warm yet somehow perfect vintage. Sixty-nine years on there is the slightest hint of toffee and nougat with a whispered promise to age for at least 30 more effortless and graceful years. The length lasts for minutes. The heart and the hearth. Just the thought of producing this wine at that time is unfathomable and mystifying. There are no superlatives to do it justice.  Tasted June 2014  @VinexxWine

Taylor Fladgate Single Harvest Porto 1863

Taylor Fladgate Single Harvest Porto 1863

Taylor Fladgate Single Harvest Porto 1863, Douro, Portugal (Agent, $3,995.00, WineAlign) From Taylor made Port, September 2, 2014

The two casks of 1863 reached the Taylor family in pristine condition, from one of the last great pre-Phylloxera vintages of the 20th century. This wine came from the cool and damp Port lodges of Oporto, “the cathedrals of wine.” This was a once in a lifetime chance to taste a piece of history, a most natural and organic fluid encased for 151 years in its integument of time. The year 1863 was significant in many respects, including being the birth year of Henry Ford and Franz Ferdinand. This is Port that creates the future and yet dwells on the past. The hue is both progressive and fathomless in subterranean fantasy. Its many shades of warm, advancing colours resemble the faux brown rings of Mars. The aromas are built around toffee and with accents of many mints; spearmint, chocolate and pepper. You can smell the 1863 from rooms and world’s away. It conjures up many songs. “When you’re half way from a dream, is it hard to work out what is real?” That is its love illumination. It has the strange advance “of killing time and dreams.” The flavours are extreme and exotic, with South-Asian spices highlighting its deep, late night humidity. The finish is endless. Is this brilliance or a stroke of incredible luck? It is certainly pristine and wondrous. It has to be considered a perfect wine, for its niche and genre, by its makers, David Guimaraens and Adrian Bridge. Having let the days of 151 years go by, this is not a wine to compare with others, it is not the same as it ever was. In the end, “you may ask yourself, well…how did I get here?” Thanks to Stephen Marentette of Sylvestre Wines and Spirits.  Tasted August 2014  @TaylorsPortWine  @Smarent

Good to go!

https://twitter.com/mgodello

Bouillabaisse, paella and 32 wines

Chiado's Bouillabaisse

Chiado’s Bouillabaisse

No words. No tasting notes. Just the wines. What happens at WineAlign‘s #waxmas14 stays at Waxmas14. I will say this. There was music.

Waxmas Whites

Domaine Long-Depaquit Chablis Grand Cru La Moutonne 1996, Burgundy, France

Vergelegen G.V.B. White 2012, Stellenbosch, South Africa

René Muré Riesling Clos Saint-Landelin 2008, Alsace, France

R. López de Heredia Viña Tondoni Reserva 1999, Rioja, Spain

Waxmas Whites

Waxmas Whites

Four More Whites

Domaine de Beaurenard Châteauneuf-du-Pape Blanc 2009, Rhône Valley, France

Mendel Sémillon 2013, Mendoza, Argentina

Quinta de Soalheiro Alvarinho 2012, Vinho Verde, Portugal

Pelle Pince Szt. Tamás Furmint 2012, Hungary

Four More Whites

Four More Whites

Eclectic Blancs

Exultet Estates The Blessed 2009, VQA Prince Edward County, Ontario

Le Clos Jordanne Le Clos Jordanne Vineyard 2003, VQA Niagara Peninsula, Ontario

Pierre Frick Pinot Blanc de Noir 2006, Alsace, France

Hedesheimer Hof Weingut Beck Grauer Burgunder Kabinett Trocken 2012, Prädikatswein, Germany

Eclectic Blancs

Eclectic Blancs

The Stealth Reds

Domaine Alary, Cairanne L’Exclus d’Alary 2012, Cairanne, Rhône Valley, France

Bodega Chacra Pinot Noir Cincuenta y Cinco 2012, Patagonia, Argentina

Bodegas Poesia 2010, Mendoza, Argentina

Thibault Liger-Belair Moulin a Vent, Vieilles Vignes 2011, Beaujolais, Burgundy, France

The Stealth Reds

The Stealth Reds

Big Red Movements

Colinas De São Lourenço Principal Reserva 2007, Bairrada, Portugal

Brodie Estate Pinot Noir 2010, Martinborough, New Zealand

Re Manfredi Aglianico Del Vulture 2000, Campania, Italy

Domaine Jean Foillard Morgon Côte de Py 2011, Beaujolais, Burgundy, France

Big Red Movements

Big Red Movements

Seriously Red

Azienda Agricola Cos Cerasuolo Di Vittorio Classico 2008, DOCG Sicily, Italy

Penfolds Cabernet Shiraz Bin 389 1995, South Australia, Australia

Clos Pegase Cabernet Sauvignon 1997, Napa Valley, California

Argiano Brunello Di Montalcino 2004, Tuscany, Italy

Seriously Red

Seriously Red

The Grace of Transition

Domaine Baud Crémant du Jura Brut Sauvage, Jura, France

Vidonia Listan Blanco Vinas Viejas 2012, Valle de la Orotava, Spain

Pazo Pondal Albariño 2012, D.O. Rias Baixas, Spain

Hidden Bench Pinot Noir Felseck Vineyard 2011, VQA Beamsville Bench, Ontario

The Grace of Transition

The Grace of Transition

Chef Michael Pataran’s Paella

Chef Michael Pataran's Paella

Chef Michael Pataran’s Paella

And in the End

Domaine Hatzidakis Assyrtiko de Mylos Vieilles Vignes 2011, Santorini, Greece

Cave de Tain l’Hermitage Hermitage Gambert de Loche 1998, Northern Rhône, France

Suertes del Marques El Esquilon 2012, Valle de la Orotava, Spain

Azienda Agricola Brezza Giacomo & Figli Cannubi 1989, Piedmont, Italy

And in the End

The love you take is equal to the love you make.”

Good to go!

https://twitter.com/mgodello

New year. Try new wines

Red wine

Here are five new releases to get you going in that risk-taking direction
Photo: colors0613/Fotolia.com

as seen on canada.com

More wine predictions have been paraded out in the first week of 2014 than disgraced senators, mayors and potential Olympic men’s hockey team selections. What do they all mean? Will any of them really come true? Will support not continue to the largest brands, produced for the most middle of the road, common denominator consumer?

Tyler Colman polished his crystal ball to determine wine trends for the new year at wine-searcher.com. Jamie Goode insists “it’s going to be a good year for the Balkans and the ancient wine countries  and it’s going to be a bad year for many wine writers.” Ron Washam, the Hosemaster of Wine said “I read Dr. Vino’s predictions for 2014, and they were exactly the same as his predictions for 2013.” So he walked on the wild side, noting “I’m pretty sure “Supernatural” wines will catch on.” Chris Losh followed up with his satirical Chris-tal Ball from Just Drinks.

The global community of wine writers, critics and commentators collectively seem to be saying no to the status quo. They are predicting sweeping changes to consumer tastes. They are not wrong, but neither are they right. The largest wine corporations and super-negociants will continue to push their brands built on four or five grapes (Cabernet Sauvignon, Chardonnay, Shiraz, Pinot Grigio and Malbec) because bottles produced from those vineyards planted over the past 15 years with their huge excess of juice have to be sold. That can’t change. By all means, go ahead and march out a full-on pageant of obscure grapes my good-friend Zoltan; Kadarka, Fetească Neagră, Xinomavro, Blaufränkisch, Mavrud, Saperavi, Furmint, Harslevelu, Juhfark, Antao Vaz and Rktsiteli. Serve them at my table, please. It’s just that everyone else will look at you kind of funny.

Then there’s the hush, wink, say-no-more evil of the mega-purchaser model (read between those lines) of bullying the Brettanomyces out of your suppliers. You know who you are, you wine enabling vinous behemoths the equivalent of Sobeys and Walmart.

Today, at 2 p.m. ET the weekly PostMedia Wine Chat will resume. Gurvinder BhatiaRod PhillipsJanet Dorozynski and I will discuss the resolve to drink outside your comfort zone. We’re going to put aside what we know, leave the couch and venture forth to grapes, regions and hidden appellations either ignored or perhaps never visited. We’re going to recommend that you do the same. Here are five new releases to get you going in that risk-taking direction.

From left: REYES D'ARAGON BRUT RESERVA CAVA 2010, BODEGAS BERONIA VIURA 2012, CHATEAU JOLYS 2011, and BLUE MOUNTAIN BRUT METHODE TRADITIONELLE

From left: REYES D’ARAGON BRUT RESERVA CAVA 2010, BODEGAS BERONIA VIURA 2012, CHATEAU JOLYS 2011, and BLUE MOUNTAIN BRUT METHODE TRADITIONELLE

REYES D’ARAGON BRUT RESERVA CAVA 2010, Spain (194803, $14.95, WineAlign)

Offers a rare opportunity for vintage-dated Spanish fizz and from somewhere other than Penedès. From Bodegas Langa and built upon a foundation of Chardonnay (along with Macabeo), this Cava takes a direct route through the village of white grapefruit, returns and replays there again and again. A high road dosage of sweetness lingers over licorice root and the rangy flavours include Manchego and green olive. Good, if not spectacular quality Cava. At $15 you have to appreciate the slightly oxidative bronze patina and refreshing copper minerality.  89  Tasted December 2013

BODEGAS BERONIA VIURA 2012, Rioja, Spain (190801, $14.95, WineAlign)

Great tenacity for such entry-level Rioja vin blanco. What more could you want? Freshness, grape must, tang, just a hit of spice, pepper. From my earlier note: “Exsufflates super ripe, fresh picked pear and emollient herbiage in pure, angled control. One hundred per cent, quick macerated and cold stabilized Viura of aromatics locked in tight. A pour that leads to a starburst of flavour. Complexity reaches the sea in an underlying tide of salinity.”  89  Tasted July and December 2013  @WoodmanWines  @BodegasBeronia

CHATEAU JOLYS 2011, Ac Jurançon Sec, Southwest, France (362046, $16.95, WineAlign)

Shake it up with this delicious if slightly unusual, tangy, edgy stuff. Out there and beyond your average French sipper, shaped by lemon curd and zest, tangy grapefruit and lengthened by rubber-legged dancing elasticity. May drive its car under the influence but it’s not warm and fat. Busts ” the move with the quirky jerk.”  88  Tasted December 2013

BOUTARI GRANDE RESERVE 2007, Naoussa, Greece (140111, $16.95, WineAlign)

Once you go Xinomavro, especially with this stupidly good value, you never go back. An inoculate of bright cherry liqueur is beginning to brick but holding steady and strong. Years of seeping have led to this moment of slight prune-ish activity but the old school beauty and charm is nothing short of wonderful.  Cherry wood resinous and still markedly tough tannins bring out the bitters but the wine glides smoothly forward into a soft, eloquent finish  90  Tasted December 2013  @boutari  @KolonakiGroup

BLUE MOUNTAIN BRUT METHODE TRADITIONELLE, Okanagan Valley, British Columbia (206326, $27.95, WineAlign)

Blue Mountain is the poster child for B.C. bubbles and this forth-righteous, tight to expansive, quintessential cool-climate Okanagan is the stalwart for the genre. The unabashed intensity in citrus acidity,  zero dosage style is exactly what it should be. If you have never experienced west coast bubbles, this is the place to start.  90  Tasted December 2013  @BlueMtnWinery

Good to go!

Ancient, state of the art Spanish wine

Barrels of wine are pictured in a cellar PHOTO: A.B.G./FOTOLIA.COM

as seen on canada.com

Argument suggests that the cradle of wine civilization, borne of Levant and of Mesopotamia should rightfully translate to talk of global influence and relevance as emanating from Greece and the Middle East. Not so much. The epicentre lies further west. A commonality shared by the modern romantic, European wine-producing nations is a mojo modus constructed of the most complex declensions. The language of the big three, France, Italy and Spain, inflects in case and number, the benchmark for fine and designed wine.

Spain’s vinous history stretches about as far back as that of its Western European neighbours and though it so often plays kissing cousin, Spanish winemakers do not pussyfoot in producing superannuated yet contemporary wine. My tastings over the previous two years of western (Latin) Europe’s 2009 and 2010 vintages have somewhat and hopefully only temporarily soured my palate for beloved southern Rhônes, especially from the village of Châteauneuf-du-Pape. Up until a year ago I would have put CdP up against any global comparatives for quality and value in the $30-50 range. So many current examples, especially those 2010′s, are hot, over-extracted and completely out of balance. That feeling is also coming out of Piedmont (in particular from a virus of cheap, under $35, traipsing and awkwardly ambling Barolo), but also newly endemic in a hyperbolic convoy of flamboyant and trashy-sexy Tuscan IGT and Brunello. This, sniff, from my first wine love.

PHOTO: Michael Godel Bodegas Beronia, Patria Restaurant, July 18, 2013

Winemakers in Spain (and zooming in more specifically) from Ribera del DueroRioja and Montsant are more careful not to fall into modish vinification traps like sugar and spice wood splintering (France) or terroir-void, vinous compost (Italy). They are masters of their wine technique domains, in control of reductive aromas and in deft touch with acidification. Don’t misunderstand me. France and Italy are blessed with brilliant wines and winemakers. Conversely, there are plenty of examples out there these days in high-octane, alcohol elevated, barrel age-leveraging in ultra-modern Spanish wine. There are also wine making superstars. Red and white wine heroes. Matias Calleja, Juan Carlos Vizcarra, Maria Barúa, Luisa Freire and Alvaro Palacios all achieve Iberian nirvana by striking a balance between old and new world, antediluvian and 21st century, all the while making large quantities of commercially successful wine.

Bodegas Beronia talks of their “commitment to quality wine that expresses the personality of theterroir.” Their goal? “A philosophy based on respect for the environment and an ability to adapt to new market trends, maintaining the essence of Rioja.” Matías Calleja defines it: ”We combine art technology with traditional methods of production.”

According to their Ontario agent, Woodman Wines and Spirits, “if anyone embodies the promise and spirit of “The New Spain”, it is Alvaro Palacios.” It has not been much more than 20 years since he took control of the esteemed empire built by his father, Jose Palacios Remondo, but Alvaro Palacios has already become one of Spain’s most famous and well-respected winemakers.

Here are 10 perfect Spanish wines to pour, ponder and debate the popularity vs. quality discussion and to open the door to ancient, state of the art Spanish wine.

From left: Alvaro Palacios Camins del Priorat 2011, Lan Gran Reserva 2005, Bodegas Vizcarra JC Vizcarra 2010, Beronia Crianza 2009, and Beronia Gran Reserva 2006

Alvaro Palacios Camins del Priorat 2011 (216291, $22.95) is composed from 50 per cent Samsó (Carinena), 40 per cent Garnacha and a 10 per cent split between Cabernet Sauvignon and Syrah. A child of young vines, ready to roll Spanish charmer with a mingling floral nose, in barberry and bursting blueberry. Outlined by notes of pencil and charcoal. Timely acidity helps ease the heavy alcohol with some essential balancing grace. Stealth, arid ride through calcareous rock, deciduous oak and viburnum. There is something historical here, crafted yet serious.  91

Lan Gran Reserva 2005 (928622, $27.95) and its makers may now just be a cog in the Sogrape empire but it continues to do its own thing. Has that evolution I look for in Rioja. The slightest oxidative note, heaps of herbs and the umami of salty clashes with smokey Jamon. Rioja expressive of one love and one heart. Caught bobbing, dancing and wailing right in its wheelhouse, giving everything it’s made of, no holds barred and no questions asked. “Is there a place for the hopeless sinner?” Yes, in a glass of a weathered, leathery and just flat out real as it gets red Rioja.  92  @BodegasLan

Bodegas Vizcarra JC Vizcarra 2010 (214650, $28.95) while 100 per cent Tempranillo could understandably be confused for Bordeaux or Châteauneuf-du-Pape. Wood driven to be sure, shrouded in tobacco, vanilla, coconut and the prevailing, hedonistic attributes of the Left Bank or the Rhône. Bounding in berries and liqueur with a hit of phite. JC works because it comes together by adhering to Tempranillo’s early ripening, Cabernet-like, savoury chain of command. Compliments all around to an under $30 powerful yet beauteous Ribera, all out contempo, flaunting and billowing gorgeous. Wow times ten for flavour, if a bit too much of a good thing.  91 @DrinkRibera

Bodegas Beronia, Patria Restaurant, July 18, 2013

presented by Woodman Wines and Spirits, (416) 767-5114, @WoodmanWines @BodegasBeronia

Beronia Viura 2012 (Coming to VINTAGES January 18th, 2014 – 190801, $14.95) exsufflates super ripe, fresh picked pear and emollient herbiage in pure, angled control. One hundred per cent, quick macerated and cold stabilized Viura of aromatics locked in tight. A pour that leads to a starburst of flavour. Complexity reaches the sea in an underlying tide of salinity.  89

Beronia Tempranillo 2010 (LCBO, 243055, $11.65) is a warm, tempered, six months in Sherry cask-driven “one-half Crianza” but not classified as such. Specifically crafted for the North American market, the oak is the protagonist, while the Tempranillo lies in macerated cherry state. At $12 it’s a no-brainer, crafted by a conscientious and forward-thinking vintner.  86

Beronia Crianza 2009 (Consignment, $16.95, Barque Smokehouse) offers more terroir and less barrel interference, in pursuit of a fruit/tension equilibrium. Redolent as if berries, cherries and plums were on the crush pad, with a touch of modernity as a result of both new and used barrels. Classic style (1970′s) Rioja, a five to seven-year wine.  89

Beronia Gran Reserva 1973 is both the dawn of a first vintage pathfinder and fountain of youth. Fast forward from the pre-disco vintage to ubiquitous 90′s soul-searching structure and know it was clearly there with untested confidence back in the beginning. Earth, Spanish bramble and aged expertly in barrel, you can ”tie a yellow ribbon ’round the ole oak tree” with this genesis of Rioja. Tempranillo, Graciano, Mazuelo and five per cent Viura. Twenty minutes in the glass and still so alive. Old school with the proviso to entertain.  93

Beronia Gran Reserva 1982 is highly evolved, gone milky, breaking down as by proteolytic enzyme. A study in caramel, fruit removed, out of tension, past. A second bottle not tasted was purportedly sound, though not corroborated.  NR

Beronia Gran Reserva 1994 spent 34 months in new and used barrels. The bridge from past to future, definitive for Rioja in every pertinent way. Fragrant in licorice, iron and bigarreau cherry. American oak to see a 2020 future in shag, snuff, tea and forest compost.  94

Beronia Gran Reserva 2006 (VINTAGES, Release date TBD – 940965, $34.95) is so youthful it actually gives me bubble gum and dark black cherry from just a swirl. American vanillin oak and terrible tannins in a frightfully tough to assess wine Calleja says “will maintain this intensity for four to six years.” Oh, and then “will continue to evolve for 20-25 more,” slowly modulating as a result of its natural acidity. Judgment currently reserved though the future looks extremely promising.  92

Good to go!