Long weekend ahead. Must find wine. VINTAGES concentrates on Australia and I am happy to report that the choices are more than impressive, especially in shades of Chardonnay, Sémillon and Marsanne. Three Ontario whites are released with two offering perfect sipping opportunities, from the hands of Rob Power and Richie Roberts. The third, from Craig McDonald, will blow you away in the realm of wild and crazy cool Chardonnay.
Get out there folks, said in refrain, put on some music, pour a glass and seize the day.
The Backyard Block returns for another go around with as much Loire typicity as Niagara does in Sauvignon Blanc. Cements the Creek Shores varietal viability, in ripeness, greens and acidity.
From my earlier note of February 2014: A Creek Shores SB that bridges the gap between spring and summer fruit. From a year in which the choice was made to not blend off into the estate bottling. Recognizable Creekside aromatics stand out in a more than obvious mineral deposit and grapefruit zest way. Here the band plays across The Great Divide so “just grab your hat, and take that ride.” Tasted again in August 2014 and last tasted May 2015 @ @
In this Marsanne music from the big flint can be heard, with more than a wisp of woodsmoke and an aridity that hollows out the theatrical sound. Has that lean, stoic feeling, like Hunter Valley Sémillon, with a mouthful of mineral and stone. Since you asked, yes it does get to the Rhône point and lingers efficiently for longer than a band’s last waltz organ line. Though so dry it dips into the Nagambie Lakes well and seeks epic Evangeline poetic longevity. Marsanne from out of the blue that will gain weight and will age into a Riesling like future, with petrol and honey. Then it will play in refrain, its theme repeated for a good, long, lingering time. Drink 2017-2022. Tasted May 2015 @ @ @
Crémant cut from cloth neither chary nor coy, prompted with prejudice though in the archaic, piercing, ultra arid K-P style. Elemental my dear Rosé and cherries, struck by lightning and melting into the silky, sultry and lactic palate. Anything but oxidative with thunderous, Pinot Noir appeal. Pour this everywhere, off of fountains and into large vessels. Drink 2015-2017. Tasted May 2015 @AlsaceWines @ @drinkAlsace
Such a ripe and extroverted Pinot Gris, in a style created and honed by winemaker Richie Roberts, here in 2014 near its apex. Singular without feeling the pressure to induce rapture or revelation. Fleshy ripe, of peaches, plums and nectarines. Typically and expectedly fresh, juicy, industrious, vehement and good, spicy length. Always well-made, hitting essential, doctrinal Pinot Gris notes and so very food versatile. May I suggest a whole grilled fish, lemon and fresh herbs. Drink 2015-2018. Tasted May 2015 @ @
Flint or sulphur, pick your poison and in the case of this Howard Park Chardonnay, it must be called good medicine. Such a lively, struck match seethe, intimating and participating in the act of cool climate performance. A Sandman, an algid atmospheric cover band to the real Metallica, with mineral, toasty notes and driving anxiety. If only there was more than this, more fruit and flesh, this would be a stunner. As it is, the value it represents can’t be denied. Drink 2016-2018. Tasted May 2015 @ @ @
Hunter Valley Sémillon should never, ever be underestimated. The starved, crazed and raving mad personality is delirium incarnate. This Tyrrell’s ‘basic’ Brookdale is like orchard fruit on a focused and intense diet, thirsty from drought and hungry from deprivation. And it’s simply gorgeous. Wiry, angular and lean, it’s also careening and funky, actually, like a tincture made from dried roots, fruit skins and grasses, ground between two schisty stones. Like lemons left out in the sun to dry, pulverized and inculcated to a professor’s fine elemental powder. For now it knows “all I have is baking and going simple slowly.” Close your eyes and feel past the young tension, to where the body of the wine indicates expansion, to five years on where honey and sweet cold collation will lead this to a special place. Put aside the indifference engine and suck it up buttercup. This is exemplary Hunter Valley Sémillon for a pittance. Drink 2017-2025. Tasted May 2015 @ @ @
This Love Grass is the kind of Shiraz with the right stimulants, high-toned but with a kind of resinous, dried fruit that hydrates with an intoxicating perfume. The vineyard’s weed infiltrates and adds savour, stimulating the senses with cool Mediterranean aromas mixed with the flavour of beautifully bitter chocolate. Sticky and able to attach itself across the taste buds, the wolf steps on every nerve, then attacks the teeth and the back palate. All the while you are left with a calm yet enervating feeling. Chester Osborn, “you know the dealer, the dealer is a man, with the love grass in his hand.” This D’arenberg is worth every penny of its $26, especially when the pusher is considered against many peers $20-$30 more costly. Drink 2016-2022. Tasted May 2015 @ @ @
The ambiguity of site is of little consequence in this texturally striking Niagara Chardonnay. The bookend vintages of 2010 and 2012 list the Oliveira Vineyard on the label and not surprisingly display character akin to Norm Hardie’s Niagara Chardonnay. From Duarte Oliveira’s farm between Victoria and Ontario Street, Hardie calls it Beamsville Bench, Craig McDonald deems it Lincoln Lakeshore. Regardless, those wines of fruit with a “golden tan, ready to go” are undomesticated and wild. This Trius 2011 is different. The fruit’s source is unspecified and the bursting personality takes Peninsula Chardonnay architecture past and well right of the centre line. Rich, ripe and buttressed, from pivot to gyrate, with acidity circling the life affirming yeasts. Pear trees in spring bloom and ready to pick fruit in a dream of tenses, with personality like a Hengst Grand Cru Pinot Gris. The style and varietal take are highly unique, expertly configured, judged and primed to age. Speaks the treble language of the vintage, predicated on bold ideas looking forward towards a bright future. Ultimately it is yeast and vintage, non partisan to site, that elaborate the Wild Ferment 2011. Drink 2017-2023. Tasted May 2015 @
Both estate and purchased fruit sources from several sites make up the Old Stones, a Willamette Chardonnay in which those stones can be imagined travelling a subterranean river, along with salt and volcanic bombs. Balance defined for Oregon, with soft and subtle fruit melded into stiff vintage-driven acidity. This is a not a heavyweight by any stretch, but rather an elegant, confident, demurred Chardonnay with lots of class. It has its popping moments, not quite eruptive but the activity can be sensed. It will evolve and slowly dissipate with time. Drink 2016-2021. Tasted May 2015 @Bergstromwines @ @
A tremendously ripe, rich and layered Syrah that has few equals or rivals in California so in that sense the price is benevolently justified. Winemaker Matt Dees is no flash in the pan. His wines are cerebrated and cogitated with no stone left unturned. They are showy, chiselled wrestlers, boxers and ultimate fighters but they are the real deal. This ’08 is a veritable protein potpourri, of wafts from the finest boucherie, all hung limbs and wrapped sheep’s cheeses, in caves, on counters and under glass. The expression is also very Côte Rôtie meets côte de bœuf rôtie, with added luxe perfume, chalk and lacy grain. The fruit boundaries are endless, the chew meaty, cured and smoky. Ultra Syrah of never wavering red fruit in a packed vessel with alcohol declared at a meagre 14.9 per cent. Even if it is really more like 15.5, the wealth of fruit, acidity, tannin and structure can handle the heat. With so much happening, this wine will age like the prized hind quarters and mother’s milk solids it smells of. Jonata La Sangre De Jonata Syrah 2008 says something and I’d love to hear what that is 15 years down the road. Drink 2018-2028. Tasted May 2015 @ @
Good to go!