Tasting Ontario Part One: Riesling

Riesling at Vineland Estates, 161 days on skins

Riesling is again on the rise and the reasons why are as varied as the artistry it’s equipped to display. It has been 40 years since the Pennachetti family of Cave Spring Vineyard and German vintner Herman Weis planted riesling in St. Urban Vineyard on what is now Vineland Estates. My how things have changed. The trending line ascends as the general public comes around and warms to the versatile grape so popularity is not just in the hands of geeks, oenophiles and connoisseurs. Ask your favourite sommelier, product consultant or wine writer. Riesling’s neighbourhood is beginning to gentrify in a big way but it’s also expanding experimental and ancestral horizons. It will always be just riesling but today’s varietal vernacular goes beyond dry, off-dry, semi-sweet, Süssreserve, late harvest and Icewine to now include skin-contact, barrel fermented, unfiltered, wild ferment, Blackball and The Geek.

A few weeks back I attended my 7th Cuvée in Niagara Falls to celebrate the next chapter with and for our wine industry, fresh on the heels of the 2018 Tasted Untamed edition of Taste Ontario in Toronto. Just a month before I rambled through the Niagara Icewine Festival in Jordan and the Icewine Gala in Niagara Falls. It was at the Icewine Gala where we watched and listened in on a great tribute to Ontario’s iconic pioneer, Karl Kaiser. We owe so much to Mr. Kaiser with respect to everything Icewine but also to how far we have come in terms of riesling.

A lovely tribute to #karlkaiser tonight at #icewinefestival gala

Just two weeks ago in Toronto we tasted the current offering of Prince Edward County wines at Taste of the County. Today we will immerse ourselves into the culture of global food and local wine at the Terroir Symposium and on Tuesday the Wine Council of Ontario will hold its first annual Ontario Craft Wine Conference. It has been a very saturated and intensive start to 2018, something that must be attributed to the maturity, confidence, preparedness and excitement of and towards Ontario wine.

My personal opportunities to taste wines from the Niagara Peninsula, Prince Edward County, Lake Erie North Shore and Ontario’s South Coast have been many. Before too long there will be greater access to the wines of emerging regions like the Oak Ridges Moraine, Georgian Bay the Northumberland Hills. Prior to 2017 I used this wine processing platform of godello.ca as a vehicle to review and discuss Ontario wines with much greater frequency but circumstances have changed. My work with Italian and French wine regions, most notably Chianti Classico, Brunello di Montalcino and Bourgogne have occupied a great deal of my time. So has tasting and reviewing many potential submissions for the WineAlign exchange and acting as a consistent contributor to the WineAlign Buyers’ Guides to the VINTAGES releases.  I 2017 I ceased publishing my bi-weekly tasting notes because it’s important that readers check them out on WineAlign. All this as added up to less constant coverage of Ontario wines on the site.

And a few of my favourite wine writers. Thx for coming to #cuvee2018 #vqawinesofontario

That is why I’ve decided to post a series of articles over the next few weeks solely dedicated to Ontario wine and I’m going to split them up by grape varieties, beginning today with Ontario’s great white hope, riesling. I’ve written about the grape many times before and my belief in its varietal power, finesse and omniscient existentialism for a signature and singular Ontario purpose is perpetual and unwavering. This work is possible because of the organizations and the people behind them who make it all possible. The Wine Marketing Association of Ontario, The Wine Council of Ontario and VQA Ontario are a triple-edged force that keep our wines flowing. Thank you to Richard Linley, President of WCO, Magdalena Kaiser, Head of Marketing and Public Relations for WMAO, Brian Schmidt and Laurie Macdonald, President and Executive Director respectively of VQA. The Icewine Festival Gala and Cuvée are not possible without the work of Fallsview Casino, Scotiabank Convention Centre and of course Brock University. Gala and Experts’ Tasting coordination is possible because of The Cool Climate Oenology and Viticulture Institute’s Barb Tatarnic, Manager, Wine and Sprit Education Trust and Kaitlyn Little, Marketing and Communications Officer.

Inaugural Winemaker of Excellence Award winner and riesling maker extraordinaire, Angelo Pavan of Cave Spring Cellars, with Donald Ziraldo

At Cuvée, the inaugural Winemaker of Excellence Award winner was Angelo Pavanchosen in a unanimous decision for his major contributions to the industry, his commitment to excellence and his mentorship to winemakers across Canada. Pavan, Vice-President, Winemaker and Founding Partner at Cave Spring Cellars, is known for his encyclopedic understanding of viticulture in Niagara. He was among the first in the province to work with numerous grape varieties and was a pioneer in the quest to improve wine quality and sustainability in vinifera varieties.

“It is humbling to be the first recipient of this great award,” said Pavan. “It validates the passion, time, effort and commitment of over 30 years dedicated to this great wine growing region and having participated in its evolution to international recognition.”

Pavan is also a founding member and Chair of the Vintners Quality Alliance (VQA) Standards Development Committee and has played a key role in determining the most suitable winemaking practices applicable in Ontario. As the founding Chair of the International Riesling Experience, held in conjunction with CCOVI, Pavan has also been instrumental in solidifying Niagara’s place as one of the world’s pre-eminent Riesling producing regions.

Related – Three Rieslings to believe

One of my first bold statements about Ontario riesling was this. “There are many reasons to believe in riesling, that versatile and brutally honest grape. Riesling holds no punches, speaks its mind, tells it like it is. Grown worldwide and vinified in so many varying styles, riesling is not so much a chameleon but rather a mutant. It takes root in every vineyard, marking its terroir, expressing itself singularly and without apology. Over the past two-four months I have exonerated and upheld with the highest riesling belief that (Ontario) does the variety justice above and beyond the pale, in the vineyard and in the glass. More reviews have been written, designed and pushed down your throats on (local) riesling than on any other grape. What’s up with that? Quality, that’s what.”

Related – 100 kilometre wine for spring

And this. “Riesling. Can there be a more versatile white grape? From natural, mineral spring, bone-dry to concentrated, candied sweet, this grape runs the diversity gamut like no other. ‘The Bench’ is home to a mineral wealth of local riesling, singular in composition not only by way of a global comparison, but also from plot to plot, soil to soil and vineyard to vineyard.”

Riesling Vine

Related – Are you wine experienced?

We held a symposium at Brock University a few years back and the technical, chemical side was addressed by Cornell University Sensory Researcher Terry Acree. For riesling, Acree focuses on chemicals that correspond to the strongest identified smells, the most important and prevalent of which is TDN (Trimethyldihydronaphthalene). TDN the chemical or diesel/petrol the sensation as an “odour strength (Damascenone) as related to by human subjects.” In order for the wine taster to “experience” these sensations, two things have to be there. “Memories of different kinds of features and features themselves.” That said, Acree believes you can only smell three things at once, a notion he borrows from M.F.K. Fisher.

Acree sees odour as “an evolutionary human response to history.” If you have never come into contact with a banana, you will never smell banana in Chardonnay. TDN is the dominant aroma and where riesling grows, more sunlight means more fruit and more TDN. TDN is a precursor but its prevalence does not necessarily increase as a wine ages. A very common theme when nosing an aged Riesling is to comment on the secondary aromatic emergence of a gas or petrol note. Acree believes that identifying increased petrol notes in aged Riesling is a bit of a misnomer. It had to already be there. “I’m just inventing a new, confusing way to discuss minerality,” he concludes.

At that time Toronto wine writer Mike Di Caro and I talked about Ontario riesling and we agreed that sugar levels are both arbitrary and unpredictable so Niagara’s best is and should be of the dry variety. I don’t think that way anymore. My friend and colleague Bill Zacharkiw of the Montreal Gazette wrote this last year.”Rieslings, especially from cool climates like the Mosel in Germany and Niagara tend to have residual sugar. Don’t be scared. You know what? I love them. The sugar makes the aromatics go “boom,” while the acidity keeps the wine tasting dry.” Bill is correct and it is also those sugars that allow the wine to stay alive, age and develop those aforementioned petrol notes.

Related – I shall be Riesling

Here is how VQA chooses to define typical Ontario riesling. “Classically exhibits refreshing citrus, peach or floral aromas with a light “petrol” element and racy acidity on the palate. Made in a range of dry, off-dry and sweet styles, including Icewine. Typically not oaked but good examples will age well with the petrol nose evolving.” Many would agree but there is so much more to think about. You don’t know anything about riesling and aging until you begin tasting them at five years only know then can you begin to understand. Some examples will stay the course of pure lemon, so taut and tight, perhaps shouldn’t even be released until they are ready. The acidity might be the most unwound, with pent-up aggression, a fighter in search of balance. Not typical perhaps but very much a part of the Ontario mix.

The curious thing about Ontario riesling is how it has pushed me to wax with unlimited hyperbole, as in “to purchase in increments any less than a case may be considered a crime against Riesling” and “one of the finest rieslings ever made from Ontario grapes.” For Treve Ring’s take on the great grape, head over to WineAlign for what she had to say after the 2017 WineAlign National Wine Awards of Canada (The Nationals). Treve writes,  “as our palates progress, we often shy away from these simpler, fruity styles for more structured, savoury and minerally wines, which again, brings us full circle (close the ring) back to serious and ageworthy riesling.”

Related – Moved by Riesling

I have been moved by riesling many times. In Alsace it happens every day and it has happened in Ontario, most notably after having comes across (any one of four or five) Charles Baker Picones and Emma Garner Thirty Bench Small Lots. Or in particular, Jay Johnston’s Nadja’s from Flat Rock and most notably Brian Schmidt’s Vineland Estates St. Urban. With Cave Spring it happened after tastes of Cave Spring CSV. It has happened again and again. It will continue this way.

As I mentioned, this is merely the first part in a long series of articles to come, including exposées on sparkling wines, chardonnay, other white varieties and appellative blends, gamay, pinot noir, cabernet franc, plus other reds and red blends. To begin this Ontario varietal march through spring here are 26 recently tasted riesling, plus a handful visited in 2017 yet to make it to godello print, all to give a glimpse into the portal of how far Ontario has come and to where it may be heading.

Riesling at the Carriage House, Vineland Estates Winery – March 7, 2015

Redstone Riesling 2014, VQA Niagara Peninsula, Ontario (Winery, $14.95, WineAlign)

So much lime, in flesh and zest, all over the lime map. Really juicy riesling for the cost of a song. Cool climate stamp right here; glade, citrus, wax and air up above. The palate follows, albeit thin and tinny. Ideal for current consumption though not likely made with the stuffing to evolve. Regardless it’s good value. Drink 2017-2018.  Tasted blind at NWAC July 2017 and October 2017  redstonewinery  @RedstoneWines  Redstone Winery

Featherstone Riesling Black Sheep 2017, VQA Niagara Peninsula, Ontario (80234, $16.95, WineAlign)

The Black Sheep strikes again, same price, same typicity and balance. This is the riesling we’ve come to expect and relish, with elevated sugar and acidity levels walking hand in hand. Plenty of lime spirit is more Bench styled than ubiquitous Niagara Peninsula so you can guess what fruit lurks to lead such a suspicion. Always high quality and quick to market, sip, rinse and repeat. You’ll see this wine in release cycles four or five times over, available at all times. Drink 2018-2020.  Tasted April 2018  #featherstonewinery  @featherstonewne  Featherstone Estate Winery

Flat Rock Cellars Riesling 2016, VQA Twenty Mile Bench, Niagara Escarpment, Ontario (43281, $17.95, WineAlign)

There are two types of traditional riesling made up on the Escarpment’s benches, both equally accessible and correct but so very different. There is the other way; dry, stoic and intense. And there is the Flat Rock way, slightly further adrift off-dry, weightier and to be honest, less serious and happier. Not that one style is more important than the other but if I’m a consumer expecting sweet riesling but hoping to learn how the other half lives and breathes it would be this Flat Rock that would help educate and ultimately help me grow into the new riesling lover I’d want to be. The sugar (while nothing extraordinary here) is balanced by equal acidity and athletic chic. Drink 2018-2021.  Tasted February 2018  flatrockcellars  @Winemakersboots  @FlatRockCellars

2027 Cellars Riesling Wismer Vineyard Foxcroft Block 2016, Twenty Mile Bench, Ontario (225490, $18.75, WineAlign)

The wind is so tight and the expressive fruit bound up in a ball of fire and acidity but aching to break free. The pent up energy here is palpably felt, like a needle in the side, leaving you seized up, protective and tense. There is so much juicy citrus and fineness of acidity it’s hard not to see this riesling taking five years to unwind and five more towards developing characterful secondary personality. This is perhaps Kevin Panagapka’s best. Drink 2019-2026. Tasted July 2017 and March 2018  2027cellars  @2027cellars  2027 Cellars

Konzelmann Estate Winery Riesling Reserve Old Vines 2016, VQA Niagara Peninsula, Ontario (Winery, $18.95, WineAlign)

The by now classic house style of using late harvest fruit off of old vines on the estate’s lakefront property and barrel fermentation are the things that delve into the Konzelmann glück, density and complexity. Preserved lemon, grapefruit sorbet and mineral-mandarin cream define this riesling of zero trepidation, utmost confidence and old world charm. Who’s to say you aren’t sipping this in some Rhineland-Palatinate village instead of Niagara on the Lake. There will always be a place in hearts for riesling made this way. Drink 2018-2022.  Tasted March 2018  konzelmannwines  @Konzelmann  @konzelmannwines

Megalomaniac Riesling Narcissist 2017, VQA Niagara Peninsula, Ontario (67587, $18.95, WineAlign)

Narcissist takes a turn to the flint with great citrus intent in 2017, simulating great German riesling that have been coming for generations and eons before. There is a youthful funky reductive yeastiness that tests the aromatics but in looking for balance we find tart fruit, fine acidity and a leanness that strikes like a laser through the microbial fog. Wow is this interesting and in a show of great potential. Drink 2019-2023.  Tasted March 2018  megalomaniacjhc  sobmegalo  @MegalomaniacJHC  @seb_jacquey  Megalomaniac Wine

Fielding Estate Bottled Riesling 2016, VQA Beamsville Bench, Niagara Escarpment, Ontario (251439, $19.95, WineAlign)

Though neither single-vineyard nor block specific make no mistake. This estate riesling from Fielding is a carefully selected and curated one with not a single wasted note in the varietal tune it plays. The chords are pure citrus, the arpeggio rising from stone fruit skin meets flesh and the overall score ambient in its keyboard hold. It’s so bloody juicy, mouth watering and intense, riesling in which there’s a torrent that rises gently. There’s a wind, like a drug, in new material from a great year to make a new record. Worth listening to and drinking in, on repeat, with a deeper understanding. Should develop a layered feel, of honey and petrol, with time. Drink 2017-2022.  Tasted October 2017 and March 2018  fielding winery  richiewine  @FieldingWinery  @RichieWine  Fielding Estate Winery  

Vineland Estates Riesling Elevation St. Urban Vineyard 2016, VQA Niagara Escarpment, Ontario (38117, $19.95, WineAlign)

By now the St. Urban Vineyards vines are as old as 37 years, a fact in longevity and experience never lost on this archetypal Niagara Escarpment riesling. There is a certain kind of interest here, first from track record and then because of the deferential vintage for the flagship variety. The nose is quite waxy, lemon-scented and vaguely sweet-fruity. There is even a bit of Niagara Gold cheese mixed with fresh florals, of white roses and then persimmon. So now the mind travels to the tropics, for flavours imagined of mango, marquesa and mangosteen. Warm days and nights will do that to riesling and while this may not live into its twenties it will go complex and curiously fascinating into the petrol and honey with more early unction, like 2012 but even more, akin to 2010. Drink 2018-2028.  Tasted December 2017  vinelandestates  benchwineguy  @VinelandEstates  @benchwineguy  Vineland Estates Winery  Brian Schmidt

Hidden Bench Riesling Bistro 2016, VQA Beamsville Bench, Ontario (Winery, $20.00, WineAlign)

If Ontario riesling can be referred to as classic it would be something as traditional and acumen-factored as this ’16 by Hidden Bench. This is due to the middle road meets the fine, direct and essential line taken, where along the way balance is struck with notable fruit, just shy of off-dry styling and a fashion of natural acidity. Correct is, as correct does. Drink 2018-2021.  Tasted March 2018  hiddenbench  @HiddenBench  Hidden Bench Estate Winery  

Creekside Estates Riesling Marianne Hill 2016, VQA Beamsville Bench, Niagara Escarpment, Ontario (Winery, $21.95, WineAlign)

The next Marianne is a conundrum, low in alcohol and yet quite lean, avoiding both high strains of citrus and flesh. The nose is both inviting and very mineral but the palate is a bit staid, understated and seemingly dry. The skins of pears and peaches are touched but it’s just a bit too quiet right now. We’ll see what the future holds. Drink 2019-2022.  Tasted April 2018  creeksidewine  @CreeksideWine  Creekside Estate Winery

Southbrook Vineyards Riesling Triomphe 2016, VQA Niagara Peninsula, Ontario (Winery, $22.95, WineAlign)

With all of her other varietal talents I wouldn’t normally pontificate winemaker Ann Sperling as exemplifying the riesling whisperer (at least in Niagara) though a pass at this warm and inviting 2016 may change that and with haste. At the risk of sounding a bit too establishment this is classic and typical Niagara but it accedes into such a category with impeccable sugar, acid and texture balance. Treating the fruit with respect, avoiding any unhinged decisions and delivering the three-pronged effects of sweet, tart and bitter with seamless intertwine is the work of a total pro. Gotta have the lime and the essential possibility of honey. Triomphe 2016 does just that. It’s what you want and need. Drink 2018-2021. Tasted January and March 2018  southbrookvineyards  @SouthbrookWine  Southbrook Vineyards

Mulled riesling anyone? Hidden Bench at Icewine Fest

Hidden Bench Riesling Estate 2016, VQA Beamsville Bench, Ontario (183491, $23.95, WineAlign)

Just a lovely bit of spring sun and dew picks up the stimulus, pace and attitude right from go in the Hidden Bench ’16. This is not only definitive for riesling by house, for estate and to regional necessity but also to all varietal wines done up right in this pinpointed place. The orbiting acidity is twisted like ties around wires along a circle drawn to lock in freshness, by fruit more lemon and lime citrus than stone or up the stairs. It’s a near perfect vintage for the omniscient one and sets the table for Roman and Felseck Vineyard rieslings to come. Drink 2019-2023.  Tasted April 2018  hidden bench  markanthonyon  @HiddenBench @MarkAnthonyWine  Hidden Bench Estate Winery  Mark Anthony Wine & Spirits

Hidden Bench Riesling Felseck Vineyard 2014, VQA Beamsville Bench, Ontario (Agent, $23.95, WineAlign)

Felseck delivers a concentrated, compact and direct riesling, very focused along linear Locust Lane lines, truly Beamsville stony, precise and even a bit demanding. Few Ontario rieslings can distill lemon, lime, green apple and stone like this without jumping around. That Felseck can stand firm in one place with such stoic and unwavering calm is a testament to a winemaker’s attention to detail. It begins in the storied vineyard and finishes with the same fineness of finesse. Drink 2017-2023.  Tasted October 2017  hidden bench  markanthonyon  @HiddenBench @MarkAnthonyWine  Hidden Bench Estate Winery  Mark Anthony Wine & Spirits

Perfect match to riesling? Some might say

Cave Spring Riesling Adam’s Steps 2016, VQA Beamsville Bench, Ontario (901211, $24.95, WineAlign)

Adam’s Steps is Cave Spring’s riesling with a bit more of everything, more depth, body, sweetness and texture. It really is the outlier in their varietal bunching, closer to the Estate than the CSV in style and yet firmly positioned in its own category. There is a true sense of spirit and energy, especially on the lively palate, with a waxy, almost peach coulis and lemon-lime pastille note that lingers like sucking on a riesling candy. Clearly dolomite in origin but fleshy and full. Holds the age ability card for a five-plus year run. Drink 2017-2022.  Tasted October 2017 and March 2018  cavespringcellars  thevineagency  @CaveSpring  @TheVine_RobGroh  Cave Spring Cellars  The Vine

Lundy Manor Riesling 2016, VQA Niagara Peninsula, Ontario (Winery, $24.95, WineAlign)

The fruit source is Wismer Vineyard for winemaker and Niagara College graduate Adam Kern’s ’16 riesling. Kern also makes the wines with Chris Fornasier and Bench Trial Wines. His straightforward varietal wine for Lundy’s Manor speaks of peach and tart citrus with a surprisingly tannic thrush. The equanimity between fruit and acidity keeps it in the airy space above the pull by extracted weight and will serve it well for two or three years time. Drink 2018-2020.  Tasted March 2018  lundymanorwinecellars  @LundyManorWine  @lundymanorwinecellars

Stanners Vineyard Riesling 2015, VQA Lincoln Lakeshore, Ontario (Winery, $25.00, WineAlign)

The Stanners Riesling evolution is upon us, happening and ready to blow. In replay of 2014 this is Niagara meets PEC fruit, two days of skin contact, six months on the lees, dry is as dry does and yeasty funky. In my mind it’s pretty much a repeat of that just about leesy enough and pear textured 2014 without anything new added or realized. But, for Colin Stanners it must be the vintage that wakes him up to what he needs to do next so this ’15 is therefore the first next step towards and set up man for what’s to come in 2016. This is a must step to taste on that ladder of evolutionary understanding so make sure to take it. Drink 2018-2020.  Tasted April 2018  stannerswines  @StannersWines  Stanners Vineyard

Keint-He Riesling 2016, VQA Niagara Peninsula, Ontario (Winery, $25.00, WineAlign)

It’s quite amazing how the texture, sugars and acidities all rise up as one, together for the common good, layered and in-synch. Labeled Niagara Peninsula but really noses and tastes like Twenty Mile Bench riesling. Lime sherbet and mandarin orange gelée. Nothing but pleasure from winemaker Lee Baker’s first start to finish wine at Keint-He. Drink 2018-2021.  Tasted April 2018  keinthewinery  @KeintheWinery  Keint-he Winery & Vineyards

@mackbrisbois brought the past, the present and the future @trailestatewine to taste. Thanks Mack! Indeed, to my pleasure and my education. Delete Comment

Trail Estate Wild Ferment Riesling 2016, VQA Ontario (Winery, $28.00, WineAlign)

In 2016 the WFR is a blend of Foxcroft and BTL fruit, respectfully and respectively farmed by Craig Wismer and Greg Wertsch. This is tannic and textural, the sweetest of all the Trail rieslings, through some skin (or stem) whole cluster contact. The notes are not mind-blowing or expanding ones, of apple, pear and peach skin, again very textural and from a ferment stopped on taste. It’s loaded with 28 g/L of RS but good winemaking makes it seem drier than it is. “Everything else is dry so I guess when I go sweet, I go big” admits Mack Brisbois. So yes this is light, lean, not as fleshy and seemingly drier than it obviously is. Carries forward with a nice candied flower, citrus finish. It’s pretty middle of the road, perfectly correct and enjoyable, especially for a winemaker with an off the beaten track sensibility, antithetical modus vivendi and go beyond the pale ability. Drink 2018-2021.  Tasted April 2018  trailestatewine  mackbrisbois  @TrailEstateWine  @MackBrisbois  Trail Estate Winery  Mackenzie Brisbois

Stanners Vineyard Riesling 2016, VQA Ontario (Winery, $28.00, WineAlign)

I find it curious that this Stanners Riesling is 95 per cent Lincoln Lakeshore fruit but now labeled as VQA Ontario, whereas previous vintages called VQA LL had less Niagara and more PEC fruit. No matter really because again this is Niagara meeting PEC with two days of skin contact, but elevated by 12 months on the lees. That time spent can’t be discounted, nor can the dry as a bone, mad as a hatter summer, not tom mention another year of understanding for Colin Stanners. In the end the acidity out of a chart topping pH and fruit accumulation (not in quantity but in phenolic brilliance) leads this riesling to great heights. Malolactic fermentation was allowed to occur naturally, helping to bring the acidity (and everything else) into balance. Lime, toast, flint and energy, boundless and invigorating. What a riesling, what a story. Drink 2019-2024.  Tasted April 2018  stannerswines  @StannersWines  Stanners Vineyard

Cave Spring Riesling CSV 2016, Cave Spring Vineyard, VQA Beamsville Bench, Niagara Escarpment, Ontario (566026, $29.95, WineAlign)

The CSV from a warm 2016 really expresses the vintage on the nose with a heavy dose of wet stone and every part of a ripe peach. You have to get past the early sulphur but once you do you take a good bite into the flesh of this riesling and the juices will run with accents and angles fit by tonic, pith, tangy, nervy acidity and a hidden sweetness. The sugars are surely more elevated than realized or will ever be felt because the combination of acidity and pith are covers that will never peel back. Size matters and this CSV is built with great Escarpment architecture, stepping out of the paradigmatic 2015 shadow and into another age. This 2016 begins an epoch of structural expressionism and should easily carry its construct through to the next decade. That consequently, is when this CSV will really be ready to rock and roll for a full decade more. Drink 2020-2030.  Tasted March 2018  cavespringcellars  thevineagency  @CaveSpring  @TheVine_RobGroh  Cave Spring Cellars  The Vine

Trail Estate Skin Contact Riesling Hughes Vineyard 2016, Ontario (Winery, $30.00, WineAlign)

Times changes, as do winemakers, their hunches, hopes and dreams. Mackenzie Brisbois takes a sidestepping approach to this trailblazing riesling from the vineyard tended by Ed Hughes. It’s now all wild ferment elongated to 19 days on skins. Takes its time this little big one, moving no less than 25 per cent slower than ’15, in part because of the vintage but also because its wild pressed. More a dry matter of when over how or why, still in its aromatic infancy, suffocated by its nature. Also a case of a young wine caught in the 9 g/L total acidity crossfire of a sci-fi battle scene. Will most certainly take another 18 months to change. It does exhale this curious note of garrigue, like Peloponnese mountain tea and Alto Adige sweet fennel frond in broth, with apple and onion skin doused by shots of lime juice. There is even a chewy feel in the leafy texture, quite herbal with a mild pique in a green tea finish. Trust me, this will become something both fascinating and delicious at some point in 2020. There are approximately 76 cases made. Drink 2019-2023. Tasted April 2018  trailestatewine  mackbrisbois  @TrailEstateWine  @MackBrisbois  Trail Estate Winery  Mackenzie Brisbois

Leaning Post Riesling The Geek 2015, VQA Twenty Mile Bench, Ontario (Agent, $35.00, WineAlign)

The second instalment of the Geek takes Ontario riesling experimentation not just to another level but to a specific methodology that no one else has really attempted thus far. The geeking out goes further and edgier into territory both new and misunderstood. If it seems unconvincing it’s a case of both searcher and searched not yet on the same page but that’s what research and development are all about. All the 2015 lees from Leaning Post’s classic riesling and chardonnay were added to the Geek. As if that wasn’t enough solid, texture-variegating matter, the 2014 riesling lees were also employed. Two years later the Solera ideal was put to bottle. The complex equation comes out to the most autolytic riesling ever made in Ontario, distinctive in that it’s like drinking traditional-method sparkling wine, 36 months on the lees but without any fizz. It’s unusual and fascinating, full of baking apples, biscuits and citrus. It does not meet the expected and the normal, not just because it’s dry as the desert but because it’s enzymatic behaviour is self-cannabalistic. It writes a riesling idiom, having a meaning not deducible from the individual parts. It’s a neo-impressionist idiosyncrasy, a reaction to the empirical realism of “typical,” VQA-cornered and pigeon-holed riesling, accomplished by relying on scientific theory to achieve predetermined textural effects. While The Geek undergoes an oxidative process it’s not exactly Solera-styled because young wine does not replace a percentage of removed older wine. It’s a positive accumulation of solids and therefore a strict and formalized composition. The argot R & D will go on and winemaker Ilya Senchuk asks, “how much lees is too much lees? Only The Geek knows.” Drink 2018-2021. Tasted March 2018  leaningpostwine  nicholaspearcewines  @LeaningPostWine  @Nicholaspearce_  Leaning Post Wines  Nicholas Pearce

Trail Estate Skin Contact Riesling Hughes Vineyard 2015, Ontario (Winery, $35.00, WineAlign)

At the time of making this wine and then putting a label on a bottle there was no Ontario defined category and in fact this pioneering effort is one of the unheralded forerunners. From fruit sourced out of Ed Hughes’ vineyard it’s a shaggy yet ambitious riesling made mellifluent by 14 days skin contact, inoculated to keep the lees strain constant with with other 15s, meaning the Lakeview and Foxcroft brethren. Now smells just like riesling, unlike in its early “orange” wine days. No longer demanding and tannic, the high acidity too has mellowed and a petrol note has emerged, plus a pepper flake meets peach skin aromatic sedge. Still with the liquid salve texture, coming into its destined balance, dry and persistent in pulse by acidity but calm enough and settled. A great flesh of lime and raining complexity, with a final note of orange skin too. Drink 2018-2020.  Tasted April 2018  trailestatewine  mackbrisbois  @TrailEstateWine  @MackBrisbois  Trail Estate Winery  Mackenzie Brisbois

Trail Estate Barrel Ferment Riesling Foxcroft Vineyard 2016, VQA Twenty Mile Bench, Ontario (Winery, $35.00, WineAlign)

In 2016 the next wrinkle is a wild ferment (as opposed to the inoculated ’15), unfined and unfiltered, because as time progressed “I liked it more and more,” says winemaker Mackenzie Brisbois. No coarse filtration means some minor sediment will settle in the bottle. Smashed layers of tote-filled grapes are brought to the crushpad, in lieu of the crusher, to extract from the skins and stems, making use of the punchdown tool, while waiting before pressing. Recently bottled in December 2017 the BFR is something completely other and if 2015 was considered not, this follow-up is markedly fruity now, because it always was, all the way through during just more than a year in really old barrels. It’s a blonde riesling as per M. Gustave, if you will. “Why blonde? Because they all were.” This is the wisest of Mack Brisbois’ rieslings, calm, confident, collected and shining brightly from the word go. You don’t have to wait on this one, it’s riper, it’s unfiltered, made with a lot less sulphur than the skin contacts and those “dirty” 15s. “I like to see how little (sulphur) I can get away with,” notes Brisbois. The most accomplished riesling that she has made to date, the 16’s balance is spot on now and you will not have to wait for it to come into its cinematic stage. Drink it now and keep it longer. Drink 2018-2024.  Tasted April 2018  trailestatewine  mackbrisbois  @TrailEstateWine  @MackBrisbois  Trail Estate Winery  Mackenzie Brisbois

Charles Baker Riesling Picone Vineyard 2014, VQA Vinemount Ridge, Niagara Peninsula, Ontario (241182, $35.20, WineAlign)

Can it be helped if the first 30 seconds with Charles Baker’s 2014 riesling seem like the opening of a film noir classic. Hushed tones, chiaroscuro shadows, off-screen characters and dramatic foreshadowing all solicit the need or the necessity to make use of a wild imagination. There have been older Baker vintages that acted with similar, almost hard to crack quietude. Perhaps it’s with ’13 etched in persistent memory but as a vintage it was (moderately) cooler and in the end, quite average. This ’14 works the benefits and the notes here are quite omnisciently lemon; curd, preserve, citrus tablet and then smeared by a bees-waxy salve. It’s really quite atypical for Baker and for the windswept Vinemount Ridge but misunderstood youth is a bitch. I’d like to revisit in 2019 and beyond to unearth and relish in the hidden meanings. Drink 2019-2027.  Tasted November 2017 and March 2018  cbriesling  stratuswines  cruwinemerchants  @cbriesling  @StratusWines  @CRUOntario  Stratus Vineyards  

Pearl Morissette Riesling Cuvée Black Ball 2015, Ontario (416073, $36.20, WineAlign)

The new age 2015 was tasted as part of a retrospective that included 2014, 2013, 2012 and 2011. Anyone who is interested in gaining a deeper understanding of what might be construed as idiosyncratic or antithetical riesling should be so fortunate to be involved in such a demonstration. The Pearl Morissette riesling endeavour was pretty much bone dry from day one. The Mosel style really never spoke to François Morissette. “We have 220 hang time days so we started fermenting riesling chardonnay style, then in 2012 and 2013 in foudres, which tightened them too much. So in ’14 we moved into concrete egg for aromatics but it was too intense.” So here in ’15 the joint between foudres and cement marks the new beginning. The juice is then transferred to become clear while the lees are kept and recycled for future vintages. This had just been bottled days before with almost no free sulphur “because they can take it.” Such low pH (2.97ish) and the up front skin contact brings tannin and then this silk road texture is followed by more tannin on the back palate. It’s a vintage Blackball and a vintage-driven riesling. A phenolically ripe one. The exercise proves that we really don’t know a thing about riesling, Cuvée Blackball and aging until we begin tasting at five years on. In order, 2011 is “a confirmation that we are on the right road,” ’12 may never be ready, ’13 messes with the riesling paradigm and ’14 is more like riesling of expectation. So what does that make 2015? Nothing yet, really. Have you not been paying attention? Drink 2019-2024.  Tasted July 2017  pearlmorissette  @PearlMorissette  Pearl Morissette

Riesling at Vineland Estates, 161 days on skins

Good to Go!

Godello

Twitter: @mgodello

Instagram: mgodello

WineAlign

16 Canadian wines that rocked in 2016

he-always-distracted-me-so-that-i-thought-of-nothing-else-while-listening-to-the-words-and-the-sound-of-his-voice

He has always distracted me so that I thought of nothing else while listening to the words. And the sound of his voice.

Compiling a best of wine list is never easy. Not when the subject matter is the most fleeting of consumables, a drink ever-changing, almost never tasting the same twice and destined for eventual failure. We know by instinct that wines cast the shadow of their own destruction before them and are designed from the first with an eye to their later existence as ruins. Wine critics can only regard what is in the glass by what sensory enjoyment or displeasure is activated at that exact time. In most cases there are no second chances.

I do my best to taste wines twice before passing judgement. Too often I can’t fulfill this prophecy, especially when plodding through 100-plus on a VINTAGES release. In 2016 I made a great effort to visit these 16 wines three times before penning a review. It was not always possible but I tried. When it comes to Canadian wines and even more so with wines from Ontario, there are often second and third chances. And so I feel very confident in sharing this definitive list with you.

Hallelujah

It must be said that 2016 was a most difficult year. Too many special people were taken from us far too early. I lost two friends this fall as I’m sure some of you did as well. Many of us dwell on favourite celebrity deaths and especially the loss of musicians, some of us more than others. If you are one who takes to social media to mock the romantic who shares grief with others at the loss of a musical icon, well just skip past this and go straight to the wines. Or please refrain from comment and respectfully remain quiet.

David Bowie. Prince. Leonard Cohen. Sir George Martin. Glenn Frey. Paul Kantner. Leon Russell. Keith Emerson. Greg Lake. Alan Vega. Mose Allison. Bernie Worrell. Muhammad Ali. Gene Wilder. Arnold Palmer. Craig Sager. David Huddleston. Ken Howard. George Kennedy. Abe Vigoda. Ron Glass. Florence Henderson. Fuck 2016. And this tree fell on my house.

hows-your-sunday-going-so-far

How’s your Sunday going so far?

On a much brighter note 2016 was a banner year for tasting Canadian wines. It also provided a vintage of quantity meets quality and one that was desperately needed, especially here in Ontario. My tasting regimen saw no quit or slow down in 2016. I’m not sure how many Canadian wines I tasted but if it was less than a thousand I’d be shocked. I tasted more at home, assessed a greater number in the LCBO’s sensory lab, delved deeper at the WineAlign office and spread the web wider at events in Ontario. I judged with Tony Aspler at the Ontario Wine Awards, in Penticton at the WineAlign National Wine Awards of Canada and with David Lawrason at Gold Medal Plates.

Related – 15 Canadian wines that rocked in 2015

In 2015 I counted 15 on the filtered list. In 2014 the highlights numbered 14, just as in 2013 the number chosen to cant, recant and decant excellence in Canadian wine was 13. And so forth will lead to 17 in 2017.

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Welcome @muller_brent to team RED! with nazlanmak captain @treve_ring #nwac16 @winealign

Related – 14 Canadian wines that rocked in 2014

And again, I quote. “Picking a top anything list is both a chore and a labour of loyalty. The opportunities to learn more about Canadian-made wine, especially the processes and the efforts, were numerous in 2014. Canadian winemakers opened their doors and when people came, they taught. They walked the vineyards, showed off their prized barrels and walked through the processes of making wine. Tasting and barrel rooms make for the greatest classrooms. Get out there in 2015. The experience is priceless.” In 2017, trust in Canadian wine.

Related – 13 Canadian wines that rocked in 2013

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Return Syrah engagement @CreeksideWine pouring on tap @barquebbq and @barquebutchers #freshtap #wineontap

My wine on tap program at Barque Smokehouse and Barque Butcher Bar added some new wines in 2016 to follow those poured from Tawse, Lailey, Norm Hardie, Creekside, Between the Lines, Kew Vineyards, Redstone, Stratus and Leaning Post. Between the Lines, Coyote’s Run, Vineland Estates and new offerings from Creekside continue to fill your glasses.

The year began with great excitement at Niagara’s Icewine Festival in January. In February I returned for Cuvée Weekend. In June we convened the WineAlign Canadian Wine Awards in the Okanagan Valley and a confession I need to make is that I wanted to publish with the title “Why you don’t know shit about B.C. wine” but chickened out at the last second and instead came out with Why you don’t know jack about B.C. wine. Before judging we paid a visit with The Wines of British Columbia for the Judgement of B.C. The second annual cage match was hosted by the B.C. Wine Institute and took place on Tuesday, June 21, pitting 12 B.C. Wines against 12 acknowledged global benchmarks. Riesling and Pinot Noir squared off, curated by DJ Kearney and judged by a who’s who of Canadian wine writers, critics and educators, along with international WineAlign Awards judges Dr. Jamie Goode and Elaine Chukan Brown.

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How lucky we all were to have her back in the captain’s chair. Happy Canada Day @djwines #nwac16

As the week progressed, the WineAlign judges paid visits to Okanagan Crush Pad Winery in Summerland, Culmina Family Estate Winery in Oliver, Tantalus Vineyards in Kelowna, Rustic Roots Winery with the Similkameen Wineries Association and Deep Roots Winery on the Naramata Bench. I tasted more than 100 wines over the course of the five days from the appellations of Okanagan Valley, Okanagan Falls, Oliver-Osoyoos, Golden Mile, Similkameen Valley and Naramata Bench. At the awards I tasted more than 500 Canadian wines.

Of greatest importance was my return to the International Chardonnay Cool Climate conference that took place between July 22nd and July 24th in Niagara. Before attending for a fourth straight year I penned The democracy of Cool Chardonnay. It was there I wrote that “plus has joined the i4c, an ideogram of addendum, a character of diversity for the fluently persuasive and forceful congress. This gathering will open its arms for colour and to allow its constituents to regale with what they do best. For an event-driven pure as single-varietal snow and formerly known exclusively as chardonnay, is this really a shocker? This is the reality of democracy.”

#cool

People bitched and moaned. How can a chardonnay conference include other grape varieties? Sacrilege and foul play they (secretly and not so secretly) complained. In the end the inclusion of red varietals confused nothing and no one. Chardonnay remained the focus and the star. No chardonnay were harmed.

We broke cool climate bread and spread chardonnay gospel with Ian D’Agata (Decanter, Vinous.com), John Szabo M.S. (Volcanic Wines: Salt, Grit and Power), Jean-François Bordet and Françoise Roure from Wines of Chablis. We tasted with sixty winemakers at the School of Cool, “Flights of Chardonnay” at Niagara District Airport and the Cool Chardonnay World Tour Tasting & Dinner at Ridley College in St. Catharines, Ontario. Red wines were poured after dinner!

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Only American presidential candidates carry babies at #i4c @coolchardonnay

We welcomed writer Kurtis Kolt from Vancouver, sommeliers Carl Villeneuve-Lepage and Elyse Lambert from Quebec. Four Seasons Hotels and Resorts and Tex-Somm Director James Tidwell made the long trip north and a second Canadian courting immersion in as many months was performed by visionary wine raconteur Elaine Brown.

So what did Godello learn from Cool Chardonnay in 2016? Well, he found out that we have to look at organoleptics and ask a very important question. Is your expectation of a Chablis going to be the same as chardonnay made from anywhere else? More important, who are we putting this wine in front of? Ian D’agata’s take struck a Canadian chord.  He talked of “a welcome astringency characterized by piercing flavours. These are cool-climate wines.  Cool climate chardonnay is not about a long litany of fruit descriptors. If you have a cool-climate viticultural area it behooves you to give the people what they are looking for.”

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Potential is the past @Somewhereness

After i4c16 I took part in an Impromptu tasting at Ravine. Four months later the intrepid sophist Scott Zebarth and I tasted with winemaker Marty Werner for a second time. That same day we visited with J-L Groux at Stratus and with Paul Pender at Tawse. Our focus was cabernet franc. That report is coming soon and I can promise this. The 17 in 2017 and 18 in 2018 will be graced by cabernet franc. Fall events were led by the constitutive Somewhereness, as fundamental and essential as any agminate Ontario tasting can and will ever be. Then there was the Great Canadian Oysters and Wine Experience at Rodney’s Oyster House. The event was hosted by Wine Country Ontario and paired a curated who’s who of Ontario VQA wines with the local iconic fare. Exceptional all around.

%22ill-do-what-i-can-so-you-can-be-what-you-do-%22-rodneystoronto-coasttocoast-oysters-winecountryontario-dukes-peioysters-bcoysters-elliotsmith-greatcanadianoystersandwineexperience

“I’ll do what I can so you can be what you do.” @rodneystoronto #coasttocoast #oysters #winecountryontario #dukes #peioysters #bcoysters #elliotsmith #greatcanadianoystersandwineexperience

Where are we now?

Despite all the talk of rules, regulations and governing boards that restrict movement, labelling and profits, the Canadian landscape is evolving in a beneficent direction. Though the move to loosen monopoly control and increase competition has backfired in the short term, corrections to British Columbia’s wine trade will happen, sort itself out and right the ship. Decades of bureaucracy don’t dismantle and do right by the consumer overnight. Things always get worse before they get better. The move to supermarkets in Ontario is indeed one of smoke and mirrors but it opens the door to gaining advantage through loopholes and creative minds kickstarting new business ventures. The wave to privatization can no longer be averted or snuffed out. Momentum will gain traction and open the flood gates to wine trade nirvana.

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The man, the chardonnay @normhardie #princeedwardcounty ’14 #vqa #winecountryontario “As sure as fire will burn There’s one thing you will learn Is things you have cherished Are things that you have earned.” #tomwaits #littleman

Canadian wines run more or less of their own accord, not so much thanks to the winemakers or the condition of the current culture, as in spite of them. And certainly not by virtue of any particular ethos through customs and traditions going back over many generations of wines. No, success and cumulative proficiency exists by dint of these wines without any forced supervision. They are governed by themselves and indeed across the entire industry. Done are the blanketing days of spare and often powerful Canadian wines that were often too spare, so that the ribs of tannin showed through in painful obviousness. The embracing of cool climate idiosyncrasy and unique-somewhereness make Canada the envy of the developing wine world.

Controversy

Now this. VQA is expected to pass regulatory approval and introduce a new category of wines called “skin contact whites.” While Orange wines are the most notable example of skin contact whites, who’s to say the ambiguity of the designation could not impel the inclusion of other cabalistic and achromatic specimens? Let’s look at Riesling as a perfect example.

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Skin contact #Riesling from @MackBrisbois @TrailEstateWine Invisibly stitched and tart-pan curl. #burgunder less than 50 cases #hughes #lakeview #foxcroft

Leaning Post’s The Geek, Trail Estate’s Skin Contact Foxcroft and Pearl Morissette’s Blackball are all atypical, mad scientist outtakes. Will the new category allow these wines to pass easily through the borders of VQA? Will the wall regarding place of origin on labelling be the next to crumble? Let’s hope reason in the name of progress born out of trust for altruistic and dedicated producers will carry through to a new frontier. Right Bruno and Jens?

New Kid in Town

You might notice that all 16 wines I have chosen are from very established producers. The next wave of young winemakers and wineries is taking shape in Ontario, British Columbia, Quebec and especially in Nova Scotia. I would expect new kids on the list in the coming years. I want you all to know that I traveled through great pains, algorithmic calculations and much unavoidable emotion to arrive at this rocking list. For every wine that made the grade there were three more that narrowly missed. They are all important but these 16 combine lyricism with melody. They write the songs.

Flat Rock Vineyard, Twenty Mile Bench, Niagara PeninsulaPhoto: Brian Barton - Guelph, Ontario

Flat Rock Vineyard, Twenty Mile Bench, Niagara Peninsula
Photo: Brian Barton – Guelph, Ontario

Flat Rock The Rusty Shed Chardonnay 2013, VQA Twenty Mile Bench, Niagara Peninsula, Ontario (1552, $24.95, WineAlign)

It’s as if this label had bided all this time to be the benefactor of 2013 fruit. This Rusty Shed, this 20 miler with the track record to age, a wine that sheds baby fat over a 10 year mineral through echelon stratum, in ways few other peninsula to bench chardonnay can do. This Jay Johnston handled surfer of a wine, buoyant and balanced, centred and able to withstand turbulence, oscillation and tidal sway. Here with sumptuous and spiralled fruit gaged in lode intervals and a tartness held in lope and line by a membrane of extract and tannin. Best ever. Showing well, repeatedly and to forecasted repute. Impressing critics and consumers alike. Bravo. Drink 2016-2025.  Tasted June 2016  @Winemakersboots  @UnfilteredEd  @brightlighter1

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Sometimes there comes a wine, of the impossible, at the frontier. This by @SynchromeshWine #riesling #stormhavenvineyard #okanaganfalls #8.9%

Synchromesh Riesling Storm Haven Vineyard 2015, BC VQA Okanagan Valley, British Columbia (Winery, $31.90, WineAlign)

If this riesling is sweet I couldn’t say. That is the first thought that comes to mind. From Alan Dickinson’s home property, this is his baby, an Okanagan Falls derived riesling that lives an entirely holistic existence. No spraying, none, nada, niente. Not ever. The wine could not get any cleaner. Purity is its cognomen. The vineyard is subject to the highest diurnal temperature swing than just about anywhere in the valley. That might explain the risk-reward probability factor. The technical specs are a triumvirate of implausibility; 46 g/L RS, 11.5 g/L TA and pH below three. What? This is the most impossible wine made in B.C. In its concentrated velocity it wheezes like something ancient. We could almost be drinking Greek debina or 20 year-old Alsatian auxerrois. Dickinson makes three passes over each of the two blocks so even if the hands are off, the meticulous picking breeds asepsis. Citrus such as found in the Storm Haven fruit does not happen very often, if rarely. It’s like citrus soma. Citrus unknowable out of determination unthinkable. Direct misunderstanding by indirect whimsy. And so the vintage offers good fun but not greatness. Imagine the possibilities. Drink 2018-2027.  Tasted June 2015  @SynchromeshWine

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Ah, geek out, le geek, c’est chic @LeaningPostWine #pinotnoir & #riesling lees experiments #pushingboundaries

Leaning Post Riesling “The Geek” 2014, VQA Niagara Peninsula, Ontario (Winery, $32.00, WineAlign)

Senchuk and swot-out cohort Ryan de Witte pulled 350 litres of riesling aside, accoutred with all readily available lees and shacked the whole gross mess in tank together, Vinification was completed at nine grams (RS) nearly-dry, in what can only be described as a reductive, cloudy, super-geeky riesling. Acquires an increased resonance from its designation stowed at a way station on what really is a longer, personal journey. The 2015 will be bone dry and like this ’14 will sit for 18 months in encouragement of a truly experimental, waiting for something to happen riesling. Time will act to fill in the gaps and increase its already developed texture. If you have ever had the pleasure you will see this as Jean-Pierre Frick-ish to be sure. When asked the question, he ‘The Geek’ will repeatedly reply, “I am not ready.” Drink 2018-2022.   Tasted March 2016  @LeaningPostWine  @Witte_Wine

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If the establishment wants what you got give it to them. Blackball ’14 #riesling by @PearlMorissette

Pearl Morissette Cuvée Black Ball Riesling 2014, Twenty Mile Bench, Ontario (416073, $32.20, WineAlign)

One whiff and you are hep to what can only be Pearl Morissette, but with a neoteric twist. Riesling that flaunts full-frontal, of furthered acidity, vitality and multi-tined nuance. Farther too of age advanced but without any quirky or funky naturalist intrusion. Already chill, relaxed and with thanks to the vintage, almost round. The precise weave is tapestry fine and deceptively simple, what François Morissette likes to call a “crystallized cream of texture.” The oversized 2012 still digests itself, ’13 is organoleptically structured, long and cool. But ’14? A ‘no foudres’ vintage, from 100 per cent concrete fermentation, wild through malolactic and with zero grams of residual sugar. Bone dry. Concrete was chosen for must intricacy, palate texture, flavour and necessary balance. Riesling borne of crunchy, concrete desire, bright, with preserved lemon across the palate, gentle, feminine and beautiful. This is the focused consistency in loyalty to ’12 and ’13. Try and stereotype this Black Ball to Vin Nature funk. I dare you. Pour it in an expansive Ontario riesling flight and it will stand out like a solar flare in a fulmination of fireworks. There will be no mid-life, black hole of disappearance crisis. It will always be fine and pristine, drink well, like an impossibly dry version of a Coulée de Serrant. Only 186 cases were made so yes, the Blackball is a wine of very small production. Establishes yet another reference point and just wait for ’15. That vintage will deliver the greatest of bones. The new age will really launch then. Drink 2016-2022.  Tasted November 2016  @PearlMorissette  @lassvet

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Sincerity @CulminaWinery from Elaine & Don Triggs and a superfluity of @WineBCdotcom pours #ohwhatanight #hospitality #nwac16

Maverick Syrah 2013, BC VQA Okanagan Valley, British Columbia (Winery, $35.00, WineAlign)

Winemaker Bertus Albertyn bottled a meagre 200 cases of this Golden Mile Bench sourced syrah after 18 months in three to four year-old French Oak. If you are a fan of fresh, well-spoken, confident and blessedly transparent syrah then look for the next vintage of this sold out beauty. So gauzy gossamer textured, peppery but of scant bite and driven by a northern, smoky beat. The cure and depth in its make-up nearly adds up to beefy but its form of athleticism is built upon the quiet politesse of its maker’s execution. The comparison must be made to septentrional Rhône and the lack of new oak is so appreciated. This is a wine to watch for. Drink 2016-2020.  Tasted June 2016  @MaverickWinery

Charles Baker Rieslings

Charles Baker Rieslings

Charles Baker Picone Vineyard Riesling 2013, VQA Vinemount Ridge, Niagara Peninsula, Ontario (241182, $35.20, WineAlign)

There was this intuitive moment with Picone 2013 as if it was waiting on me. Not doting or soliciting, but waiting. I will admit to have been wondering, reeling and speculating. To peer or peek into what Mark Picone’s Vinemount Ridge vineyard would adjudge and then bestow Charles Baker’s riesling in 2013? Would it be a case of weight, hyperbole, a hang in the balance out of misjudged necessity? Nah. Picone is no longer a mature 20 year-old vineyard but now a wise old thirty year-old one. Picone 2013 is in fact a fun park mirrored image of itself, with haughty, aerified aromas and variegated, leaning to tropical fruit flavours, taut like a flock in line with the vintage. The riesling berries just seem to have imploded and the results that have followed are nothing if not intense. Imagine a Yogyakarta market and a two-wheeled, glass-cased push cart stacked with a pyramid of tart mangoes. The fruit had been picked just as the sugars had begun to run like sap and bleed sticky on the cracking skin. A mango is sliced and doused with the intensity of Java lime juice and then sprinkled with Laut Jawa salt. The flavours are searing, sweetly saline and quenching. Only this tart is this, where tart and acidity meet, intertwine and connect on an emotional level. Picone 2013. The first non-inoculated riesling at first and then touched up near the end. “The best vintage you could ask for in riesling,” notes Baker, “cloud-covered, a meeting of the minds, vibrant.” The arid, cranky one will live without fret for 15 years. Drink 2018-2028.  First tasted in March of 2015, then twice, October 2016  @cbriesling  @StratusWines

Cave Spring Cellars

Cave Spring Cellars

Cave Spring Csv Blanc De Blancs Brut 2008, Beamsville Bench, Ontario (Winery, $39.95, WineAlign)

As expected the Cave Spring 2008 Chardonnay Sparkling solicits thoughts and ideas centred around age. It elicits a complexity response and one taste means a succumbing to the contagion of its vitality. With its autolytic character shining bright, Cave Spring’s BdeB acts out a fantasy up on a silver screen. Another seven year itch is realized in guaranteed Ontario age ability. Has acted way past simple citrus and yet remains a little closed, just now entering the window of showmanship. Another year or two and this will vie for an Oscar. The bubble program production is unparalleled at Cave Spring, perhaps more than any studio in Ontario.  Tasted February 2016  @CaveSpring  @TheVine_RobGroh

French cask in the Hidden Bench cellar

French cask in the Hidden Bench cellar

Hidden Bench Nuit Blanche Rosomel Vineyard 2014, VQA Beamsville Bench, Ontario (Winery, $40.00, WineAlign)

Nuit Blanche is one of Canada’s most unique commodities, a White Meritage (of sauvignon blanc and sémillon) blended from exceptional and aromatically delicate Rosomel Vineyard fruit. As part of Hidden Bench’s “Terroir Series” it righteously expresses white Bordeaux varietal purity from the southern blocks of the Beamsville Bench vineyard. Expectation runs high because 2014 seems a perfect Fumé Blanc vintage if ever there will be one for (40 year-old) vineyards tucked snugly in abutment to the Niagara Escarpment. A struck flint nosing entry is followed by taut strung acidity and palate tension eased by a fictionalized adult cotton candy, wisps of smoke, honey and lanolin. The grace of it all is hidden beneath a filigree of molecular green apple caviar gastronomy. In 2014 Nuit Blanche reflects propriety, elegance and genteel balance, caressed from the hands of winemaker Marlize Beyers. It is as if Beyers let this ferment slip away as a parent would encourage a child who is ready to leave the home. After tasting it at Gold Medal Plates in Toronto I spent a sleepless night, not from restlessness or over-indulgent behaviour but because I wished to pull an all-nighter with the best ever sauvignon blanc bled and led Ontario white. I would suggest leaving this be for two years for the subtle though generous barrel to melt into fruit but time will gather for up to two decades before the sun sets on the 2014 Nuit Blanche. Drink 2018-2029.  Tasted November 2016  @HiddenBench  @BenchVigneron  @ImportWineMAFWM  @MarkAnthonyWine

Mini #lonnasblock @RavineVineyard Cabernet Franc vertical. Loaded with the S-word...structure @marty_werner #i4c16

Mini #lonnasblock @RavineVineyard Cabernet Franc vertical. Loaded with the S-word…structure @marty_werner #i4c16

Ravine Vineyard Cabernet Franc Lonna’s Block 2014, VQA St. David’s Bench, Ontario (Winery, $40.00, WineAlign)

Lonna’a Block alights straight out from the retail shop to the west side of the driveway (and is named for Ravine owner Norma Jean Harber’s sister). The site was planted in 2004 and here, 10 years on, its warm St. Davids’ Bench fruit is simply welling, hermetically sealed and antithetically intense. The block has come to this, in production of cabernet franc with side-splitting, tongue tripping acidity to work lightning crack geometry into the wood-derived chocolate and the ferric-tannic tension. The fissures are filled but there is the right kind of cabernet franc fragmentation. The liquid metal mineral and deep blackberry ooze is smooth and polished. The fruit was “picked early,” or if you will, in Grouxian, Gambleized and risk, Werner reward exercised terms, mid-November. Drink 2017-2024.  Tasted July 2016  @RavineVineyard  @marty_werner

The wines of Creekside Estates at Barque Smokehouse, March 2015

The wines of Creekside Estates at Barque Smokehouse, March 2015

Creekside Broken Press Syrah Queenston Road Vineyard 2012, VQA St. David’s Bench, Niagara Peninsula, Ontario (Winery, $42.95, WineAlign)

Creekside’s website waxes about the vintage, noting “the 2012 growing season felt like it had been imported up from California.” This is a type of pragmatic truth (as opposed to correspondent or coherent) because it is useful in applying winemaker Rob Powers’ gathering of phenolic ripeness in lieu of extraneous matter to make this Broken Press. When perfect provisos give you perfect fruit you listen to the winds of the vintage and just go with it. Viognier conditions the mess of richness with more pragmatism in 2012, lifting the aromatics and hooking the rug, up and away from drought conditioning. This BP dips into the earth of the northern Rhône to recover its fearless tactility. And so you feel the autumn’s moderate, crucial rainfall in this wine, its warm days and cool nights. The harvest on October 2nd from the St. David’s Bench Queenston Road Vineyard amounted to nine barrels, eight older French and one new Hungarian, leading to 210 cases. This is the best Syrah from QRV made to date. It will live long because of that aforementioned pragmatic truth. Drink 2016-2024.  Tasted March 2016  @CreeksideWine  @AMH_hobbsandco  @hobbsandco

J.L. Groux, Winemaker, Stratus Vineyards Photo: Michael Godel

J.L. Groux, Winemaker, Stratus Vineyards
Photo: Michael Godel

Stratus Red 2012, VQA Niagara On The Lake, Ontario (131037, $44.20, WineAlign)

The Stratus Red 2012 resides both in a virtuoso’s hollow and in a pantheon inhabited by some of Niagara’s great reds. The fact that such ripe phenology can anticipate and foretell to balance and freedom in the byplace of the blending process is nothing short of amazing. Sinuous and exact, of berries so indefatigable, layering raspberry over blackberry atop strawberry. Cedar and red citrus compound, without jamming the fluidity, but certainly accentuating the Fragaria vesca. Confident and fluid in movement, the ’12 neither shakes nor stirs and its acidity is flat out terrific. At this early point in its evolution it is showing as well as could be expected, or hoped for. Its core of fraises du bois will always be there. Time will be kind, gentle and patient. Drink 2015-2024.   Tasted April and June 2015  @StratusWines

bachelder

Bachelder Pinot Noir Wismer Parke Vineyard 2014, VQA Twenty Mile Bench, Ontario (Agent, $39.95, WineAlign)

Thomas Bachelder has never had a problem with timing. His first pinot noir from the specific Wismer Parke Vineyard (labeled as such) comes from a veritable cracking jackpot of a great varietal vintage. If you need some geographical placement here, The Parke is contiguous to the Foxcroft and Wingfield sections of Wismer in the eight farm-strong holdings on and around the Twenty Mile Bench. It is here that Bachelder concentrates the microscope on a sectional-cordoned off Wismer micro-terroir and its precision-apportioned mineralogy mined for sidetracked and step out of the box focus. What The Parke delivers in 2014 is a sweeter extract than Wismer proper and one that is stationary, static and accessible. The overall grasp is a mouthful easy on the spice or rather subtle in attack after it has climbed in and out of its barrels. Most polls would place Lowrey at the pinnacle of Ontario’s pinot noir vineyards but Thomas Bachelder’s 2014 work with Wismer Parke establishes a new player on the shortlist. This is an exciting entry point and the future will be bright. Drink 2018-2024.  Tasted October 2016  @Bachelder_wines  @LiffordON

Humility only exceeded by impossibility @normhardie #pec #countyinthecity Pinot Noir 2014

Humility only exceeded by impossibility @normhardie #pec #countyinthecity Pinot Noir 2014

Norman Hardie Pinot Noir 2014, VQA Prince Edward County, Ontario (125310, $45.20, WineAlign)

A second taste four months later confirms the impossibility from Hardie in 2014, a vintage that just begs for Norm’s magic handling, from exemplary, slow-developed fruit off of a vintage’s hyperbole of low-yielding vines. The low alcohol continuum persists, the freshness and richness of County berries magnifies and the development of flavour is beyond and above. The tart is a membrane and the sweetness a virtue, feigned and delicate. Tremendous work made easy by Norm and a pinot noir that will live longer than any he has produced before. Drink 2017-2027.  Last tasted August 2016

In Prince Edward County and for pinot noir there is no substitute and no comparison. Quixotically sweet pinot noir fruit, from the lowest of the low yields, scrupulously heeded and handled with care and yet also, somehow without a care to the world. As self-effacingly pretty and impossible as ever though in 2014 the tensity is lower, the anxiety bereft and not so crucially or dearly developed. There is almost no crisis from out of this first of the near-crisis vintages. This is an early to love Norm pinot noir, brought to life and with red citrus that only a Hardie low alcohol pinot can bring. Humility only exceeded by impossibility. Ready to enjoy younger than most.  Tasted April 2016  @normhardie

a-back-pages-cabernetfranc-moment-with-paul-pender-tawse_winery-wismervineyards-everythingfranc-2007-vanbers

A back pages #cabernetfranc moment with Paul Pender @Tawse_Winery @wismervineyards #everythingfranc #2007 #vanbers

Tawse Cabernet Franc Van Bers Vineyard 2007, VQA Creek Shores, Niagara Peninsula, Ontario (Winery, $49.95, WineAlign)

The state of freshness is static, a sameness that is mostly impossible but the perfume is settled and obvious, of violets and blackberries, closer to ’12 than ’10. Hot and dry but still, balanced. Tasted blind there would be no way of knowing where or from when this was. Sure Bordeaux could be imagined but Niagara, Beamsville Bench, Lincoln Lakeshore, Creek Shoes, or the confluence of the three? How could you know. Two years ago this opening began and now the invitation reads with utter clarity, the door widely agape. There seemingly is not a single moment of aromatic evolution and the acidity rages with great vibrancy. The longevity factor is in my friends. Paul Pender knew then what he knows now, at least with respect to cabernet franc. It’s like this. Just like this. Drink 2016-2019.  Tasted October 2016  @Tawse_Winery  @DanielatTawse  @Paul_Pender

Benjamin Bridge Wines from left to right:

Benjamin Bridge Wines

Benjamin Bridge Brut 2011, Gaspereau Valley, Nova Scotia (381533, $49.00, WineAlign)

First sips were blind at #i4c16 with ripeness and yeasty lees so apparent early and smouldering, flinty and then turned to citrus, freshness and acidity. Burgundian-Champagne dichotomous directional pull, certainly, though with eyes shut tight imagination travels and falls on a far east Canadian clime, though likely from an early ripening site. As in October. The reveal presents the first Blanc de Blancs in Benjamin Bridge Brut form, taking the cue from an exemplary vintage for chardonnay to go it alone, leaving seyval blanc and l’acadie behind as Nova Scotian relics of a bygone era. Winemaker Jean-Benoit Deslauriers cants with insightful eloquence. “It’s in our collective consciousness to say that white wines will rely on acidity while reds are determined by phenolics. (The science of) pH will help to locate electrons between reduction and oxidation. It’s a very eccentric proposition, being on the edge of the Bay of Fundy in Nova Scotia. Lodi harvested pinot noir yesterday. We are harvesting in November. The beauty of moderation is that it’s a step away from the model of extremes. Our ability to ripen fruit and preserve the Titratable Acidity at unspoiled levels is going to translate into tension and ageability.” This Brut 2011 is far too young, extremely bright and blessed with so much citrus. The level of lemon is extraordinary. Just as recent past tastes of the Brut Reserve 2004 spoke of its remarkable youth, this ’11 is full of orchard fruit but it’s hard to fathom the extreme level of tightly wound strength that yet persists. Drink 2016-2020.  Tasted July 2016  @Benjamin_Bridge  @jbdeslauriers

CedarCreek

CedarCreek Amphora Wine Project Desert Ridge Meritage 2014, Okanagan Valley, British Columbia (Winery, $60.00, WineAlign)

Winemaker Alexis Moore inherited the (Chianti sourced) clay amphora from former winemaker Daryl Brooker and this (second vintage) meritage is her first kick at the urn. The co-fermented, all natural, don’t even think about peeking and sneaking a taste blend is cabernet sauvignon (54 per cent), cabernet franc (35) and malbec (11). The hallmark desert notes of rich, caky and dusty are necessarily present but it is the preservation of red earth savour that gives this formidable flagon of magic juice its inimitable personality. Mature rows of fruit are to blame and thank for the just desert reward. Transferred to amphora the fruit is preserved in such a way no B.C. reds have ever really seen and the new territory is not so simple for making quick, on the spot judgements. I have thought about this wine for quite some time and the conclusion is positive for two important reasons. Spice and tannin. Together they combine for an infinite finish. Here is the crux of the vessel’s power, to preserve fruit and slowly release its charms within the structure provided. Drink 2018-2024.  Tasted June 2016  @CedarCreekWine

Good to go!

Twitter: @mgodello

Instagram: mgodello

WineAlign

Impromptu tasting at Ravine

In the cellar at Ravine Vineyard

In the cellar at Ravine Vineyard

The winemaking at Ravine Vineyard is not so much deferential as much as it is a stylistic best described as post modern proletariat. Marty Werner’s modern enrichment often acts like subtraction, as opposed to traditional winemaking which effects the obvious, just and because less is more. His work reflects what once was (in turn of the century Niagara Peninsula) and upon what function emerged out of form, but also what could have been, from successes squeezed out of warm (2005, 2007, 2010) and from mistakes in challenging (2006, 2008, 2009) vintages. The current releases of 2014 and 2015 are wines of augmentation in the form of intensification in the structure rather than for weight or texture. Werner’s plebeian, blue-collar post-modernism is setting a new standard in Niagara. If his work (along with assistant winemaker Ben Minaker) can be viewed as sycophantic than all the better for the copycats and the apostles to hang on and around.

After a wild and multi-faceted chardonnay (plus) weekend down on the farms of Niagara’s flats, shores and across its escarpment benches, it is always the pleasure of pleasures to convene at Ravine Vineyard for a few oysters, a plate of great grub and more chardonnay. It is a time to breath and say another goodbye to the greatest collective consciousness of wine folk on the planet. Then Peter Gamble approaches. “We’re having a little impromptu tasting down in the cellar.” Marty and Ben lead a small group through these wines. We are captivated and motivated by their new work and their mini-vertical presentation. Ian D’Agata, John Szabo M.S., Michael Vaughan, Tony Aspler, Stephen Campbell, Magdalena Kaiser and I. Here are my notes.

John Szabo M.S., Stephen Campbell (Lifford), Ian D'Agata and Peter Gamble

John Szabo M.S., Stephen Campbell (Lifford), Ian D’Agata and Peter Gamble

Ravine Vineyard Sauvignon Blanc 2015, VQA Niagara Peninsula, Ontario (Winery, $32.00, WineAlign)

NWAC_Silver2016_web

In 2015 winemaker Marty Werner offers up 100 per cent barrel fermented sauvignon blanc aged in 10 per cent new (or just one barrel). The fruit comes from Concession Road 2 between lines 8 and 9, on heavy clay and only four year-old vines. The recovering vineyard is a microcosm for the overall Niagara recovery and the vintage allotted 250 cases when it normally produces upwards of 350. The 2015 ripeness stylistic is up front fruit from young vines. “A pick when you want to, not when you have to vintage” notes assistant winemaker Ben Minaker. Metallic peach and fennel pollen emit and you must appreciate a wine of such tartness on the back end, as opposed to sour patch up front. Stylish is the yeast (one third wild) understatement of the day. Says Werner, “we leave the fruit a bit dirtier coming out of the press,” so it gains some funky complexity, but no malo though. The acidity counteracts in the mid to high sevens. Lush antiquarianism is the end result. Drink 2016-2019. Tasted July 2016.

Some cheesy pungency notes the entry. Some edge of ripeness too. Tropical notes, full, fleshy, enervating and dangerously, precariously close to seed, oxidative even. But it teases and walks a blade’s edge. Lacks grassy middle ground (and again, that is a strength) but varietally speaking it may just be the most sauvignon blanc of any in the flight. Drink 2016-2019.  Tasted blind at #NWAC16, June 2016

Marty and Ben establish a new verity for #PinotGris @RavineVineyard ... There will be followers. #i4c16 #niagaralakeshore

Marty and Ben establish a new verity for #PinotGris @RavineVineyard … There will be followers. #i4c16 #niagaralakeshore

Ravine Vineyard Pinot Gris 2015, VQA Niagara Peninsula, Ontario (Winery, $35.00, WineAlign)

From a vintage of purportless rainfall, this is expressly (24 hour) skin-soaked pinot gris in candid desire of flavour more than and in second thought to hue. Subsequently sent to barrel for a wild ferment. Picked ripe (so 13.5 per cent alcohol), perhaps a result of, if not necessary from a vintage where mid-october pinot gris fruit was the exception and a last minute decision to bring in this fruit led to an earned foray for such a wine. Seven year-old fruit from (Marty’s parents farm on White Road) really floats a divergent varietal boat with six months of barrel time (25 per cent new). Frankly speaking, it carries such an air of benevolence so you would never know how alternative it really is. If there is a precursor or a reference point I stand at attention to be enlightened. Marty (winemaker Werner) and Ben (assistant winemaker Minaker) establish a new verity for pinot gris. There will be followers. This 2015 needed air, splashing and sloshing and it responded in kind. Drink 2017-2022.  Tasted July 2016

Ravine Vineyard Cabernet Rosé 2015, VQA St. David’s Bench, Ontario (Winery, $35.00, WineAlign)

Ravine’s Rosé spent the most minimal time on skins, from a posterior fruit position left out in the elements long and aided by leaf removal to break down the pyrazine. These were the second last grapes to pick (because the acidity is high in slightly overcropped fruit), on Slingerland Farm between lines five and six halfway up from Ravine to Highway 55. Though seemingly dry, the 6.0 g/L of RS is used “to bring it into balance for the consumer,” notes Marty Werner. This has some strawberry funk, as if it were macerated in a clay-calcaire bath, like balm as if steeped, cooled and poured over ice. It may be imagined as a saline, faintly honeyed berry granita with just the right amount of gelid texture alongside cool and savoury charcuterie. Simply put, what cabernet franc must be in warm niagara country. Drink 2016-2019. Ravine’s Rosé spent the most minimal time on skins, from a posterior fruit position left out in the elements long and aided by leaf removal to break down the pyrazine. These were the second last grapes to pick (because the acidity is high in slightly overcropped fruit), on Slingerland Farm between lines five and six halfway up from Ravine to Highway 55. Though seemingly dry, the 6.0 g/L of RS is used “to bring it into balance for the consumer,” notes Marty Werner. This has some strawberry funk, as if it were macerated in a clay-calcaire bath, like balm as if steeped, cooled and poured over ice. It may be imagined as a saline, faintly honeyed berry granita with just the right amount of gelid texture alongside cool and savoury charcuterie. Simply put, what cabernet franc must be in warm niagara country. Drink 2016-2019.  Tasted July 2016

Mini #lonnasblock @RavineVineyard Cabernet Franc vertical. Loaded with the S-word...structure @marty_werner #i4c16

Mini #lonnasblock @RavineVineyard Cabernet Franc vertical. Loaded with the S-word…structure @marty_werner #i4c16

Ravine Vineyard Cabernet Franc Lonna’s Block 2014, VQA St. David’s Bench, Ontario (Winery, $40.00, WineAlign)

Lonna’a Block alights straight out from the retail shop to the west side of the driveway (and is named for Ravine owner Norma Jean Harber’s sister). The site was planted in 2004 and here, 10 years on, its warm St. Davids’ Bench fruit is simply welling, hermetically sealed and antithetically intense. The block has come to this, in production of cabernet franc with side-splitting, tongue tripping acidity to work lightning crack geometry into the wood-derived chocolate and the ferric-tannic tension. The fissures are filled but there is the right kind of cabernet franc fragmentation. The liquid metal mineral and deep blackberry ooze is smooth and polished. The fruit was “picked early,” or if you will, in Grouxian, Gambleized and risk, Werner reward exercised terms, mid-November. Drink 2017-2024.  Tasted July 2016

Ravine Vineyard Cabernet Franc Lonna’s Block 2013, VQA St. David’s Bench, Ontario (Winery, $40.00, WineAlign)

From the same (2004 planted) rows and stylistic as 2014 here cabernet franc desired the requiem of an extra year in bottle to solicit understanding, with a 2013 dried fruit component here and now. The resolve already inherent is indicative from a challenging growing season, in a year from which Peter Gamble chided “I guess you guys (Marty and Ben) really earned your stripes.” Some of these grapes were left on the vine until December 15th. That is not a stretch. This will live into the next decade and though it will surely walk into the barn with the balsamic, the soy and the nibs, it will carry its acidity and its 180-day, growing season development. A cabernet franc of most excellent desiccation, with thanks to thick skins and then variety’s variegated character. Drink 2016-2021.  Tasted July 2016

Ravine Vineyard Cabernet Franc Lonna’s Block 2012, VQA St. David’s Bench, Ontario (Winery, $40.00, WineAlign)

From the block dedicated to Ravine owner Norma Jean Harber’s sister, planted in 2004. Though hailing from a recent, post-2010 reach for the sugar stars vintage, there is freshness and vitality mixed with a Napa cabernet from elevation sensibility (think Laurel Glen and Korbin Kameron). This has presence. Real stage presence, gracing the battleground encompassing an intensification of the things that people normally associate with the varietal – fruit, acidity and extract. A cabernet franc granted and given early promise that has crossed a certain varietally correct threshold to travel weightlessly into its current accomplished state. It knows who it is and where it’s going. It will live long. Five to seven, perhaps even 10 more years easy. Drink 2016-2022.  Tasted July 2016

Good to go!

Twitter: @mgodello

Instagram: mgodello

WineAlign

15 Canadian wines that rocked in 2015

15 in 2015

In the past 12 months I have tasted Canadian wines. Somewhere between hundreds and a thousand of them. Aside from day-to-day assessments at home, in the LCBO sensory lab, at the WineAlign office and at events in Ontario, I’ve also been a part of judging panels. In 2015 I sat in at the Ontario Wine Awards, WineAlign National Wine Awards of Canada, WineAlign World Wine Awards of Canada and Gold Medal Plates.

Flight 3, code red #pinotnoir redux. Right proper #NWAC15 picks & pours @FortessaCanada stems @winealign staff rock!

Flight 3, code red #pinotnoir redux. Right proper #NWAC15 picks & pours @FortessaCanada stems @winealign staff rock!

In 2014 the highlights numbered 14, just as in 2013 the number chosen to cant, recant and decant excellence in Canadian wine was 13. And so forth leads to 15 in 2015.

Related – 14 Canadian wines that rocked in 2014

The Legend, the Sommelier and the Godello #geddy #yyz #gmp2015 #goldmedalplates #rush

The Legend, the Sommelier and the Godello #geddy #yyz #gmp2015 #goldmedalplates #rush

Canadian wine is growing with exponential force, gaining ground in markets at home and abroad. Brits dig us. I know, they told me. British Columbia is a desert oasis of variable climates to fascinating degrees. Oh the Syrah, Riesling and Gamay that rocks forth. Ontario stood up to two straight brutal winters and screamed, “we still made great fucking wine.” Take that mother nature.

Related – 13 Canadian wines that rocked in 2013

And I quote. “Picking a top anything list is both a chore and a labour of loyalty. The opportunities to learn more about Canadian-made wine, especially the processes and the efforts, were numerous in 2014. Canadian winemakers opened their doors and when people came, they taught. They walked the vineyards, showed off their prized barrels and walked through the processes of making wine. Tasting and barrel rooms make for the greatest classrooms. Get out there in 2015. The experience is priceless.”

Riesling at the Carriage House, Vineland Estates Winery - March 7, 2015

Riesling at the Carriage House, Vineland Estates Winery – March 7, 2015

So I did. In 2015 I visited Niagara for Icewine Fest, discovered exceptional cider (with percentages of Pinot Noir and Riesling) made by Angela Kasimos at Small Talk Vineyards and have been pouring it on tap at Barque Smokehouse and Barque Butcher Bar ever since.

The pioneer for #vqa #wineontap feel good recognition from @winecountryont Thank you from @barquebbq #ontariowineweek #ontwine #drinkontario #pourontario

The pioneer for #vqa #wineontap feel good recognition from @winecountryont Thank you from @barquebbq #ontariowineweek #ontwine #drinkontario #pourontario

The taps at the two restaurants poured a record number of wines in 2015, from Tawse, Lailey, Norm Hardie, Creekside, Between the Lines, Kew Vineyards, Redstone, Stratus and Leaning Post. In March we travelled with CAPS Ontario for an eight-hour intense immersion into Niagara Riesling and Cabernet Franc.

Smiles with hops. Beer fridge @Niagara_College @mkaiserwine @chefmolson @drjamiegoode #niagarateachingbrewery #notwine #greatbeer

Smiles with hops. Beer fridge @Niagara_College @mkaiserwine @chefmolson @drjamiegoode #niagarateachingbrewery #notwine #greatbeer

Another visit with Ilya and Nadia Senchuk at Leaning Post Wines in Winona, Ontario shed new lights, especially for Syrah from the Lincoln Lakeshore. In June I toured the facilities at Niagara College with Dr. Jamie Goode, Magdalena Kaiser and our host Chef Michael Olson. Jamie and I tasted through an impossible number to count Domaine Queylus wines with Thomas Bachelder. On that I will report really soon. Really soon…

Cool Chardonnay at Ridley College

Cool Chardonnay at Ridley College

The Cool Chardonnay conference in July was in fact, the coolest yet. I spent three more glorious Annapolis-Gaspereau Valley days with Mike and Jocelyn Lightfoot in Wolfville, Nova Scotia. Visits to Domaine de Grand Pre, L’Acadie Vineyards and Benjamin Bridge filled out the east coast foray.

Comity in the County godello.ca #PECwine #princeedwardcounty #cherryvalley #clossonridge #danforthridge #greerroad #laceyestates #hubbscreekvineyard #hinterlandwine #lighthallvineyards #clossonchase #adamoestatewinery #northshoreproject

Comity in the County godello.ca #PECwine #princeedwardcounty #cherryvalley #clossonridge #danforthridge #greerroad #laceyestates #hubbscreekvineyard #hinterlandwine #lighthallvineyards #clossonchase #adamoestatewinery #northshoreproject

In the fall I made pilgrimage to Prince Edward County to get a grip on the eskers, ridges and aspects of what makes wine so special in that part of Ontario.

As always there are wines that should have, would have and could have made the cut were there more time, space and yet another, better headline to write. Some were knocked off the shortlist because they may not have been quite as exciting though were this list one of “most important,” then perhaps they would have stayed put. These four are perfect examples of that condition.

Château Des Charmes Old Vines Riesling 2008, VQA Niagara On The Lake, Ontario (277228, $16.95, WineAlign) Perhaps the assessment seven years later creates an unfair advantage but come now, a great wine is a great wine from its humble beginnings. At $16.95, in 2008 or 2015, in Niagara-on-the-Lake, on the Peninsula, this type of emerging propensity is more than gold or platinum, it’s money.

The Good Wine Cabernet Franc 2012, VQA Lincoln Lakeshore, Ontario (350751, $20.95, WineAlign) from winemaker Ross Wise and The Good Earth Wine Company’s Nicolette Novak is a necessary example of $20 Lincoln Lakeshore Cabernet Franc offering up every reason to drink it and demand that more me made.

Creekside Estate Winery Pinot Noir Queenston Road Vineyard 2013, VQA Niagara Peninsula, Ontario (Winery, $22.95, WineAlign) is what winemaker Rob Power refers to as a lay lady lay style. Still the Kama Sutra Pinot Noir of inviting behaviour.

Hubbs Creek

Hubbs Creek Vineyard Pinot Noir Unfiltered 2010, VQA Prince Edward County, Ontario (Winery, $28.95, WineAlign). The HCV Danforth Ridge is clearly a top Pinot site in the County (along with slopes on the Greer and Closson roads). Planted to high density the results are proven in wines like this 2010

The year that was 2015 seemed to bring out the adventurous winemaker, the risk-taker and the progressive thinker. While these five wines were not so much exciting as much as they were cerebral, they need to be mentioned. Whenever the envelope is pushed and the emotions of geeks are sequestered, well then a wine has achieved something special. These five really opened some doors.

Bergstrom and Hillebrand

Hillebrand Showcase Series Wild Ferment Chardonnay 2011, VQA Lincoln Lakeshore, Niagara Peninsula, Ontario (199273, $36.20, WineAlign) speaks the treble language of the vintage, predicated on bold ideas looking forward towards a bright future. Ultimately it is yeast and vintage, non partisan to site, that elaborate the Wild Ferment.

Southbrook Vidal Orange Wine 2014

Southbrook Vidal Orange Wine 2014

Southbrook Vineyards Whimsy! Orange Wine 2014, Niagara On The Lake, Ontario (Winery, $34.95, WineAlign). The technique and the practice is ancient and has been kept alive. The only questions need asking are “is it good, is it well-made and would I like to drink it?”

In bottle @Tawse_Winery #quarryroad 2014 #natural soon to tap @barquebbq #chardonnay #naturalwine #unfiltered #paulpender #vinemountridge #niagarapeninsula #vqa #ontwine

In bottle @Tawse_Winery #quarryroad 2014 #natural soon to tap @barquebbq #chardonnay #naturalwine #unfiltered #paulpender #vinemountridge #niagarapeninsula #vqa #ontwine

Tawse Chardonnay Quarry Road Natural 2014, VQA Vinemount Ridge, Niagara Peninsula, Ontario (Winery, $35.95, WineAlign). It’s one thing to make a natural wine in Ontario and a world away to do so with Chardonnay. “The law was never passed, but somehow all men feel they’re truly free at last. Have we really gone this far through space and time?”

The latest rendition of Vin de Curé, the “Parish Priest’s,” and the Jura’s Vin de Paille (Straw Wine) of Burning Kiln Stick Shaker Savagnin 2013, VQA Ontario (367144, $24.95, WineAlign) is a white elixir in search of roast pork, braised belly and cured bacon. Not to be missed.

Inniskillin Discovery Series Botrytis Affected Viognier 2013, VQA Niagara Peninsula (375ml), Ontario (405027, $39.95, WineAlign) though not a common Viognier practice can be imagined with Vendanges Tardives simulation.

Filtering Nova Scotia #peggyscove #eastcoastswing15

Filtering Nova Scotia #peggyscove #eastcoastswing15

I try to concentrate on new releases, unless something old (read: Riesling) jumps out and bites me in the ass. The 15 Canadian wines tasted in 2015 that wooed, wowed and whetted the appetite are the fingers, toes and tongues of their creator’s ideals, hopes and dreams. They are also quintessentially representative of their time and place.

And the winners are...

And the winners are…

Charles Baker Riesling Ivan Vineyard 2014, VQA Niagara Escarpment, Ontario (Winery, $27.00, WineAlign)

From the rich limestone and sandstone beneath the clay, 1.1 acre Misek vineyard, a southerly ledge up from Highway 8 and an easterly hill down from Cherry Avenue. A very linear Ivan combs the catacombs of the Escarpment’s underpinning. A retaining wall of vintage attenuated rocks and stones, a vineyard’s low yields and the voices in Charles’ head have produced a striking Riesling. In 2014 adolescence has entered adulthood. Now before us is a grown up Ivan, mature Ivan, maybe even wise Ivan. Texture is in manifest control in this loyal, stay at home Baker, not yet running wild like free-spirited Picone. Ivan has presence, sometimes a great notion and is Baker’s longest bit of prose to date. The next great Riesling vintage will make it iconic. Drink 2016-2020.  Tasted April 2015  @cbriesling

Swan Song- @ClossonChase Chardonnay CCV 2013 #clossonchasewinery #deborahpaskus #pecwine #pec #winecountryontario

Swan Song- @ClossonChase Chardonnay CCV 2013 #clossonchasewinery #deborahpaskus #pecwine #pec #winecountryontario

Closson Chase Chardonnay Closson Chase Vineyard 2013, VQA Prince Edward County, Ontario (Winery, $27.95, WineAlign)

This CCV Chardonnay is one of departed winemaker Deborah Paskus’ final acts at Closson Chase. It will forever be noted as a legacy-cementing, swan song of career excellence. Crafted by Paskus and bottled by the next one, current winemaker Keith Tyers, the 2013 CCV is simply a tour de force. No such combination of richness, tropicality and pure grape tannin has ever infiltrated this Chardonnay, from this vineyard. I’m not sure there is a comparison in Ontario, at this level of excellence and at this price. A wine of pure impression, with Montrachet-like structure and Folatières-like precision. Seemingly capacious, its facile legerity is hypnotizing, quantitatively escalating in assembly of aromas, flavours, through texture and finally to longevity. The wine spent 16 months in a mere (17.25 per cent new) oak. That it notes 12.5 per cent alcohol on the label is next to impossible. The substance is just too buttressed to be so tender and effete. Impeccable balance, refinement and mineral finish. This is Chardonnay to confuse the world’s fine white collectors, to wreak havoc at international tastings for five to 10 years. Only 712 cases are available and at $27.95, is down $2 in price from the 2012. Best ever, hands down. Drink 2017-2023.  Tasted March 2015  @ClossonChase

"There's no work in walking in to fuel the talk." @MalivoireWine Melon & @PearlMorissette Gamay #NWAC15 Parting of the Sensory #CuvéeMonUnique #shirazmottiar #treadwells #winealign #winecountryontario

“There’s no work in walking in to fuel the talk.” @MalivoireWine Melon & @PearlMorissette Gamay #NWAC15 Parting of the Sensory #CuvéeMonUnique #shirazmottiar #treadwells #winealign #winecountryontario

Pearl Morissette Gamay Cuvée Mon Unique 2014, VQA Lincoln Lakeshore, Niagara Peninsula, Ontario (Winery, $29.00, WineAlign)

In December of 2014 I counted the ’13 CMU Gamay as one of my mind-blowing wines of the year. Once again we are witness to the authentic, raw and natural impossibility of the wine, from 100 per cent whole clusters sent to cement fermenters. The hue is just impossible, the wine sulphur-free. That ’13 Gamay did not last. I tasted again this winter and it failed me. It may return. This ’14 will never leave. It is natural to the 14th degree and yet its rich, smokey chocolate  centre and structure of pure physical stature will not let it slide, into a dumb phase or oblivion. This Gamay will strut. It already does. Drink 2015-2020. Tasted June 2015  @PearlMorissette

Cave Spring Csv Riesling 2013, Cave Spring Vineyard, VQA Beamsville Bench, Niagara Peninsula, Ontario (566026, $29.95, WineAlign)

That flesh, that Kabinett flesh, fills the CSV in every crevice. In 2013 the residual sugar number lies between 15 and 16 g/L, and though the crop was bigger, it was still picked later than in 2012. The result is formidable corporeal concentration, consistency of house style and perhaps the only ’13 Niagara Riesling to imitate, perpetuate and extrapolate on the vintage that came before. This Cave Spring concentrates fruit and Escarpment into a powerful Riesling, streaming like charged particles through changing expressions. A lingering ascension hovers as it rises, until it slowly fades into the welkin, like a balloon that languidly gets lost into the blinding blue of a midday sky. Drink 2017-2025.  Tasted April 2015  @CaveSpring

Malivoire Mottiar Chardonnay 2012, VQA Beamsville Bench, Niagara Peninsula, Ontario (Winery, $29.95, WineAlign)

Any Chardonnay from a vineyard discovered on a bicycle just has to be the bomb. Winemaker Shiraz Mottiar has had many an adventure on his bicycle and it all began here in a plot of perfectly planted Chardonnay. A block that became his home vineyard. The fodder for this most balanced Chardonnay and its abilities transcend all that has come before. You would never know a barrel was ever involved and yet the silken sheaths of texture are well compressed and expertly ingrained. Nothing falls out of place. Everything remains in its right place. The radio is dialled in, from the top and outward in waves. “There are two colors in my head,” Everything in its right place. Drink 2016-2024.  Tasted November 2015  @MalivoireWine  @ShirazMottiar

Thirty Bench Small Lot Steel Post Vineyard Riesling 2009, VQA Beamsville Bench, Niagara Peninsula, Ontario (Winery, $30.00, WineAlign)

Riesling Masterclass

Riesling Masterclass at Terroir 2015

Balance is and therefore always was struck. The match percusses flint for a mere nano-second, with just a brush on cymbal, the rock bleeds but is quickly clotted because the fruit shines still, like around the clock light. The steely aspect is a posterior one, antithetical and yet purposed, from this vineyard. Youth tells common sense to think 2011. The Riesling behaviour seems to play that part, of a chalky, piercing acidity, so typical of that vintage and so distinctly Thirty Bench. That the wine is older is not a big surprise because 2009 is the bomb. It may just be the best Riesling vintage, from on that Bench, in the last 10. Drink 2015-2025.  Tasted May 2015  @ThirtyBench

C.C. Jentsch Syrah 2013, BC VQA Okanagan Valley, British Columbia, Canada (Winery, $34.95, WineAlign)

Oh so beautifully nasty Syrah, spicy, saucy and wicked. Resin, somewhere between myrrh and mastic, redacts reductively and tension stretches the savoury aspects in all directions. Blood orange and anise blend into the aromatic grain, repeating again through flavour mettle. Fruit, acidity and tannin are interwoven, circulating and on edge, in pitch perfect darkness. Syrah in the big time with the stuffing to age. Drink 2016-2022.  Tasted blind at WWAC15, August 2015  @CCJentschCellar

Three Pinot Noirs of Leaning Post

Three Pinot Noirs of Leaning Post

Leaning Post Wines Pinot Noir McNally Vineyard 2012, VQA Beamsville Bench, Niagara Peninsula, Ontario (Winery, $38.00, WineAlign)

“I want you to see the difference between vineyards. That’s terroir.” This the crux and the impetus to abide and acquiesce fruit from McNally, a cooler, higher site of younger vines. For Ilya, this is “truffle hunting, eating roasted pig, at the base of an oak tree.” The forest floor and the catalytic funk come across more in flavour than smell, following cherries in the dead of an aromatic night. Modernity be damned, this strikes ripe, layered and nearly indelicate. The wine’s got some real chew to it, along with crispy flowers, like nasturtium and lavender. “I think this is the best Pinot that I’ve made,” boasts Senchuk, from 15 year-old vines at Peninsula Ridge. Ilya’s muse came from the 2010 made by winemaker Jamie Evans, along with the Voyageur ’10 made by Ross Wise at Keint-He. Wines that spoke in a vernacular that Senchuk could understand and relate to on a deeper level. Prime ripeness defines 2012. Though it teases of grandiose terroir, its complexities reign in the power with each sip, every time. Drink 2016-2022.  Tasted June 2015  @LeaningPostWine

Potatoes, not wine #pei @normhardie

Potatoes, not wine #pei @normhardie

Norman Hardie County Unfiltered Pinot Noir 2013, VQA Prince Edward County, Ontario (125310, $39.00, WineAlign)

Procuring depth in County Pinot Noir is a tough task within the constraints of resisting a temptation to reach for sugars, alcohol and dark berry fruit. Norm Hardie’s 2013 unfiltered (at 10.9 per cent) and lambent exegesis succeeds because it offers the best of all available worlds. Roots for vines that burrow to limestone develop a structure that while may have at one time been inconsistent, have crossed the threshold in ’13 to establish a guarantee. A Hardie PEC Pinot Noir can be bright and accessible. It can also be tough, tart and tannic, as it is here, again, but not without its foil. The work is now innate, the transitions seamless, the crossroads left in the dust. This wine will please two camps; those who can afford and demand immediate gratification and those who are willing to wait for secondary (two to three years) and tertiary (four to seven) character development. Drink 2017-2022. Tasted April  and September 2015  @normhardie

Culmina Hypothesis 2013, BC VQA Okanagan Valley, British Columbia, Canada (Winery, $39, WineAlign)

In 2013 the blend is not listed on the label though it strikes as a return to Cabernet Franc, albeit with a layer of lush not yet perceived. The 2013 combines the best of worlds put forth by the two previous vintages; ripe fruit, earthy-mineral tang, proper acidity and ripe, tonic tannin. The composition here is the most, accomplished, distinguished and relished. In 2013 the enjoyment can be right now or up to 10 years on. All this with thanks to exceptional balance. Drink 2015-2023. This wine has not yet been released. Tasted November 2015  @CulminaWinery

Sparkling wines by Hinterland

Sparkling wines by Hinterland

Hinterland Les Etoiles 2012, VQA Prince Edward County, Ontario (Winery, $39.00, WineAlign)

An axial split between Pinot Noir and Chardonnay balances this traditional method Sparkling wine, specific to and what can only, obviously be from Prince Edward County. Acidity defines its existence in every facet of its being. A rich star to be sure, from a warm vintage, free from frost and more importantly, immune to mould. Jonas Newman talks of the methodology, in growing low to the ground. As the sun goes down, the canopy shades the fruit, slowing down the ripening, extending the season, developing the sugars, the complexities and preserving the acidity. At 6 g/L RS, with limestone communication and that sassy acidity, Les Etoiles in ’12 is pure County Sparkling. It exudes untamed apple and unnamed acidity. The Hinterland acidity. It strikes early and often. Just add warmth, stir and voila. Terrific year. Drink 2015-2021.  Tasted October 2015  @hinterlandwine

Ancienne Chardonnay and Pinot Noir 2013 with a glass of soon to be released Rose

Ancienne Chardonnay and Pinot Noir 2013 with a glass of soon to be released Rose

Lightfoot & Wolfville Pinot Noir Ancienne 2013, Nova Scotia (Winery, $40, WineAlign)

If de novo for Pinot Noir is to be found in Nova Scotia then count me in because the inaugural release from Lightfoot & Wolfville is the trailblazer for and from the extrinsic frontier. Tasting the painstakingly measured yet barely handled 2013 for the first time (from bottle) is like falling into a glass of Nova Scotia cherries. Somehow there is this simultaneous and virtual voyage abroad to imagine a comparison with Nuits-Saint-Georges, in its earth crusted, sanguine, welled up tension that begs questions and belies answers. A year yonder the taste from barrel and what can be said? Pinot Noir adjudicated, into a cortex of recognizable consciousness and thus into the natural Nova Scotia mystic. Ignore and forgive the dope of first returns, for no one could have imagined such ripeness and immediate gratification. Future releases will dial back in the name of structure. That said, in 2013 there is a red citrus, ferric debate that will send this to an exordium seven years down the road. Impossible inaugural release. Approximately 50 cases made. Drink 2015-2022.  Tasted July 2015  @lwwines  @rachel_hope

Stratus assemblage and varietals

Stratus assemblage and varietals

Stratus Tannat 2012, VQA Niagara On The Lake, Ontario (Winery, $42.00, WineAlign)

“To me this is one of the most successful new varieties we are planting,” exclaims J-L Groux. In similar ways with Stratus varietal cousin Petit Verdot, acidity rules the roost. Smells like a just sliced open bag of organic earth, freshly neutral, funkless and emptying into a (first use) terra cotta pot. A rich, looking straight ahead expression. What it hides in fruit is lost to the brilliance of balance though plum is the operative hidden flesh and it will make a clearer impression when it steps clear of the tar and the tannin. This is pitchy sagacity, with poise and length. Drink 2016-2022.  Tasted June 2015  @StratusWines

Tasting The Old Third at White Oaks

Tasting The Old Third at White Oaks

The Old Third Sparkling Pinot Noir à la Volée 2011, VQA Prince Edward County, Ontario (Winery, $59, WineAlign)

“On the fly” is not exactly what comes to mind from this 100 per cent Pinot Noir, first Sparkling wine made by Bruno Francois. Calculated, attention to detail and intensity of ideation more like it. Three years on the lees, no dosage and from a vintage to speak in more than whispered voices, of acidity that announces its arrival with immediacy and a summons to contest. The nose does yeast, toast, citrus and ginger. A first release revelation as ever graced Ontario’s waves, as dry as the desert and lingering with switch back traces of its yeasty, toasty self. A single vineyard can be this way, equally and in opposition of natural and oxidative, with a hue less than Pinot Noir, though unrequited as a triumph when you get a ripe white from such Pinot. The production of 1200 bottles is relatively house high in a stunner that needs no sugar to draw up its flavours. Drink 2015-2023.  Tasted twice, July and October 2015

asting across the @Benjamin_Bridge Vero, '08's, '04, Sparkling & Cab Franc Rosé. Thanks JB, Scott & Mike

asting across the @Benjamin_Bridge Vero, ’08’s, ’04, Sparkling & Cab Franc Rosé. Thanks JB, Scott & Mike

Benjamin Bridge Brut Reserve Methode Classique 2004, Annapolis Valley, Nova Scotia (275396, $95.00, WineAlign)

The ’04 is hanging in beautifully, on a wire of impossible balance, at 11 years old not yet really transitioning. There is simply too much brightness for it to give up its youth. You have to strain your ears, nose and throat to assuage just a hint at oxygen, life affirming breaths and then a keener sense of toast and yeast. Still behold the grapefruit, a sign of remarkable adolescence, the hang time amplified and in mass hyperbole here, in this current appraisal, address and time. How can richness act and display with such alpha freshness? How can an aging body not shed baby weight, turn lanky, lean and awkward? How is it neither the bitter pill of juvenility or senility has been swallowed? That is not the case here in a Blanc de Blancs which still has five to seven years of very active life ahead. Drink 2015-2021.  Tasted July 2015  @Benjamin_Bridge  @jbdeslauriers

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To Trius, by air

Niagara Falls from aboard Niagara Helicopters

Niagara Falls from aboard Niagara Helicopters

After the final day of preliminary round judging was wrapped and tied with a computer algorithm’s bow at the WineAlign National Wine Awards of Canada it was time to take to the skies. The judges and WineAlign cognoscenti embussed into autogiro cabins at Niagara Helicopters. With a quick and nearly non-discernible thrust we rose like knives through butter up into the Niagara sky. A zig over the cartoon city adjacent the horseshoe and American cascades and then a zag across the Whirlpool Golf Course later, the choppers headed for the Falls.

Flying to Trius with fellow #NWAC15 judges Nadia Fournier and John Szabo

Flying to Trius with fellow #NWAC15 judges Nadia Fournier and John Szabo

Viewing the tumbling wonders from this vantage point is a thing of extraordinary exhilaration. The two-dimensional flatness of the river careening towards a three-dimensional, 90-degree downward fall into the gorge below is a trompe l’oeil for the eyes. With nothing but a thin glass veil acting in separation, I would have thought that a Dolly Zoom effect might occur. On the contrary, from within there would be no semblance of Hitchcock technique in recession to simulate vertigo. The weightlessness and effortless glide is a situation akin to being a kid in a candy store. I highly recommend the experience.

Niagara Helicopter

Niagara Helicopter

Minutes later the helicopter did soar, headed east and descended upon the agricultural and viticultural wonder of Niagara-on-the-Lake. From high above, the acreage of vines looked like tiny peas all in a row. As the land crept up into view the dots came into focus and to see the canes and their early summer foliage as such a magnanimous maze from above is a perspective all should experience.

Niagara Falls, Ontario

Niagara Falls, Ontario

The elapsed time between landing at Trius and diving head first into a glass of Marco Piccoli‘s Jackson Triggs Entourage Grand Reserve Brut 2011, Méthode Traditionnelle, VQA Niagara Peninsula, Ontario (234161, $24.95, WineAlign) happened in the blink of a transmogrifying eye. A Sparkler or four, Chardonnay, Sauvignon Blanc and Pinot Noir or six and some quick tasting note scribbles later we were seated at a ridiculously long harvest table beneath the arbour and ready for dinner.

The vines of Trius Estates at Hillebrand

The vines of Trius Estates at Hillebrand

Winemakers and from several Niagara wineries were on hand to join us at Trius. J-L Groux (Stratus), Arthur Harder (Westcott), Adam Pearce (Two Sisters), Ann Sperling (Southbrook), Kent Macdonald (Henry of Pelham) and Marco Piccoli (Jackson Triggs) extrapolated on the passion of their work, in their wines and for Niagara as a community. Four courses and fourteen wines were touched, nosed, tasted and assessed. But for the Trius and by extension Peller staff, ushered by the grace of uncompromising and unparalleled generosity at the hands of Magdalena Kaiser and Joanna Muratori from Wine Country Ontario, this was an event to commit to heart and to memory. On a very personal note that night now belongs and rests in reminiscence within this log.

WineAlign team at Trius

WineAlign team at Trius

Peller Estates

Signature Series Sauvignon Blanc 2013, VQA Niagara On The Lake, Ontario (405043, $24.95, WineAlign)

The 2013 Signature Sauvignon Blanc carries forth from the ripe, mature, oxidative and intensely flavourful 2012. This next vintage cements the full-on style, even while it candies the fruit, seemingly in reaction to temperatures and precipitation that came and went with inconsistent extremes. There is a kid in a candy store, multi-coloured ribbon of taffy sensation, curiously antithetical to the rusty, yeasty, platinum scenting elixir. The effects of barrel fermentation (80 per cent) and concrete egg fermenter (20) dispatch has this Sauvignon stretching, pulling and elastically boomeranging about the glass. Magnetic to be sure, not always a success, but encouraged. Drink 2015-2018.  Tasted June 2015  @PellerVQA

Soubrook Whimsy! Orange 2014 and Westcott Vineyards Violette Sparkling

Soubrook Whimsy! Orange 2014 and Westcott Vineyards Violette Sparkling

Westcott Vineyards

Lillias Unoaked Chardonnay 2013, VQA Vinemount Ridge, Ontario (Winery, $20.00, WineAlign)

Winemaker Arthur Harder makes no bones, excuses or sets the goals too lofty in this second Lillia’s unplugged. “What you get is what you get,” from seven year-old estate, pristine fruit in 2013. Infrequent but texture stirring lees has mottled the nose with glycerin and avoirdupois while bottling early in the spring in advance of warm days has locked in freshness. Expression arrives by way of herbiage and lime. Continues where ’12 left off, further akin of Chablis. Drink 2015-2017.  Tasted June 2015  @WestcottWines

Sparkling Wine ‘Violette’, VQA Niagara Peninsula, Ontario (Winery, $24.95)

Like the aviatrix muse Violette, the inaugural Westcott sparkler is pioneering and flies out of the glass. Made in the Charmat method at Vieni Estate where bubbles are quickly becoming a thing, this is from the 2012 vintage, though it is not noted on the bottle. Come down from the high horse and embrace the nascent, lambent breezes of Violette. After all, texture is rarely negotiated in Charmat as it is in this lemon concentrated fizz. It finishes with a dash of good bitters. In these respects the Violette has earned her wings. Drink 2015-2018.  Tasted June 2015

Estate Chardonnay 2013, VQA Vinemount Ridge, Ontario (Winery, $26.00, WineAlign)

The barrel fermented and aged Estate Chardonnay spent 12 months in two-thirds new and one-third second fill wood. Lees stirring is slightly increased as compared to the unplugged. Again, it’s about aromatic intensity leading the way to palate density. By the sounds of Westcott’s comments “we’re pleased with its remarkable irony — dry and sturdy, yet creamy and rather curvy,” you might think the team was stirring with impunity. Not so. The Estate Chard does the dance of mild spice and butter on toast to reach a texture that would appease savages. Unavoidable and typical low yields from the Vinemount Ridge picked at the right moment and handled with caring tabula rasa are the spirit in this wine. Delightful and charming. Drink 2015-2020.  Tasted June 2015

Estate Pinot Noir 2012, VQA Vinemount Ridge, Ontario (Winery, $30.00)

Once again, from the challenging and commercially impaired soils of the Vinemount Ridge, a wine of richness, layering, intellect and intrigue. Riesling and Cabernet Franc are the axiomatic varieties to speak of the Ridge’s terroir but this Westcott reinforces the Pinot habitation, defined by Tawse (Quarry Road, Lauritzen and Laidlaw), now complimented by Big Head, Le Clos Jordanne, Vieni and Westcott. Natural soil given tendencies to ferric aridity, spice and limestone silk fill this Harder composition, softened by the warmth of the vintage. Concentration talks, a touch of VA walks and expected tannic grip secures the lustrous, dark cherry fruit. This is a stygian version of a VR Pinot Noir with tones that go for big and structure that supports the hyperbole. It should not be ignored. Drink 2016-2020.  Tasted June 2015

Ontario asparagus and hot smoked salmon

Ontario asparagus and hot smoked salmon

Stratus Vineyards

Tempranillo 2012, Niagara On The Lake, Ontario (Winery, $42.00, WineAlign)

In 2012 the J-L Groux take on the expatriate Spaniard is warm, rich, cake-driven and yet balanced in ways the 2010 was unable to exhort. This vintage appeases Groux’s ends of the earth search for aromatics, picking on them, executing vinification to encourage them and barrel-aging for the purpose of cementing them. The 2012 is an aromatic success. It exudes red fruit, flowers, baker’s kitchens and wet Niagara on the Lake earth. This is a clean and jerk Tempranillo, a bouquet to success. The palate, mouthfeel and mellow finish return the favour of 2010 when it was noted that the variety in this place is a stretch, overweening perhaps, certainly self-effacing if admittedly short of contumelious behaviour. Drink 2015-2019.  Tasted June 2015  @StratusWines

Cabernet Franc 2012, Niagara On The Lake, Ontario (Winery, $38.00, WineAlign)

A Cabernet Franc of settled, harmonious tones, of oak that sets sights and heights to heah, now integrated at such an early age. The grape succeeds and bleeds an exemplary, stalwart varietal suspension within the Stratus pantheon, a sanctuary where fiddles are yet played by other outfits across the region. Cabernet Franc will increase in the Stratus red, for good measure and reason. This ’12 is simply smothered in an embarrasment of red fruit, smoky from raspy reds to plugged in currants. It is of a favour in flavour that reminds of Swedish berries, in modulated hög, though not in sweetness. Drink 2015-2021.  Tasted June 2015

Beef Rib-eye and Pastrami beef shortrib

Beef Rib-eye and Pastrami beef shortrib

Two Sisters

Merlot 2012, VQA Niagara River, Ontario (Winery, $48.00, WineAlign)

“The river man runs, the river man runs.” With this turn a phrase and changing of a guard Merlot, winemaker Adam Pearce ushers in the new Two Sisters oeuvre, for the betterment of all. No longer over-produced yet still ambient, the ’12 sets the turntable for less oaky Sisters’ reds to come. With new barrels on the way out and older and ductile wood coming in, Bordeaux varieties in Pearce’s hands echo and play notes within notes, strum electric in mature chords, then finish with strings and saxophone brass. The 2012 is a true Niagara Riverman, adhering to intrinsic warmth and carrying with it the deep clay rich earth and a wild raspberry luxuriance. It will take seven to ten years to peel back the layers of uberty in this Noel cake Merlot from Niagara River. Drink 2017-2022.  Tasted June 2015  @2SistersVine  @KVH_Wine

Southbrook Vineyards

Whimsy! Orange Wine 2014, Niagara On The Lake, Ontario (Winery, $34.95, WineAlign)

The post blind-tasted discovery that Ann Sperling’s Orange was in fact a 100 per cent Vidal made perfect regional sense, something expertly opined at the time by Rick Van Sickle. Having poured the natural saffronage on tap at Barque Smokehouse for two months I was curious to view it through another lens, to see it tipped from bottle. It has settled now, the acidity squeegeed and rolled out a TA point or two. What was grapefruit in demand is now grape in fruit cup. Still viably fresh, it is now pretty, accessible, settled comfortably into its skin. The verve will yet persist through this temperate time in the temporal lobe. Drink 2015-2016.

From my earlier note of December 2014:

“We’ve been waiting to do small batch, stem fermentation,” Ann Sperling tells us as we have a good look at the lustrous, foggy glass of orange-yellow colour more micro-described as either croceate or gamboge. “Now we have the infrastructure to do so.” Stems add architecture (and a preservative effect), something that is otherwise compromised in a sulphite-free wine. This nameless natural wine was biodynamically-raised, indigenously-yeasted and freed from the constraints of temperature control. No wood was used, only stainless steel and glass carboys. The orange and natural classification comes by way of the complex ebullition (closest in style to the Collio hills wines of Josko Gravner), in colour, weight, elegance and the dichotomy of skin fermentation. Sperling used acumen derived from the concept at Argentina’s Versado, where skins are employed in a similar way when making Malbec with husband Peter Gamble. This young wine is filled with terpenes and is highly, desperately aromatic. Lemon curd is up front and centre. It’s got a tart tang and at (approximately) 11.8 per cent alcohol, the gravity is impossibly beautiful. Sperling’s take is “a fair reflection on the vintage” and it’s the mouthfeel that sets it apart. What’s the varietal make up, single or a blend? If the latter, was it co-fermented? Ann will only tell us that it was harvested over a two week period in October. The big question is will it receive VQA approval. Viognier and Pinot Gris should certainly be options but I’m not aware of Southbrook ever having employed their use. Sperling’s Whimsy! Winemaker’s White uses Muscat so perhaps we could go that direction but the aromatics don’t jive. Riesling is the simplest road to take and if the Southbrook Connect Organic White 2013 is any indication, the combined effect with Vidal could certainly steer this Orange ship. But If I were made to guess, to have some fun with concept, I would suggest that it’s a blend of white and red grapes, but Southbrook does not grow Pinot Noir so that should rule out Chardonnay as well. So I conjure up a song. “Well I had a dream I stood beneath an orange sky.” With a union of grape varieties standing by. Cabernet Franc and Sauvignon Blanc feed my Spidey senses, so under the auspices of that marriage, what we might have here is an offspring, a Cabernet Sauvignon. A very natural one. An orange one.

Last tasted June 2015

Poetica Chardonnay 2011, VQA Niagara On The Lake, Ontario (Winery, $49.95, WineAlign)

The 2011 has entered an uncommunicative phase though the soft tones and whispering harmony offer faint prefaces to honey and burgeoning viscocity. The next flip of the calendar will tell a story. Drink 2016-2021.

From my earlier note at Gold Medal Plates, Toronto, November 2014:

There is still a tough outer layer to crack. A poem of many stanzas has only just begun. Mute yet delicate, the stratified vineyard is the Poetica’s poetry; tight, yet forwardly futuristic towards the ephemeral and the aerified.

From my earlier note of July 2014 note:

Has integrated nicely though certainly persists as a big, lush Chardonnay. If there were splinters or sinewy bits they have melted away.

From my earlier note of May 2014:

The Poetica underwhelms at the present time, or perhaps hides in her youth. She’s a calm, buttery, mildly toasted, supportive softie and more accessible than her Sperling west coast sistren. Like a cool Chardonnay soffit hiding beneath a warm bench, the Poetica speaks not for the vintage but more for the current vineyard, a warm and hip spot in the Four Mile Creek appellation. The site remains (at least to me) understood but the unctuous aspect in texture and gathering sweetness with time in the glass will realize a richesse yet unseen. Poetica’s refrain is like “wind on the weathervane,” her tragically subdued fruit quiet, but able to travel long. Time will be the reveal, so be patient.

Last tasted June 2015

Poetica Red 2010, VQA Niagara On The Lake, Ontario (Winery, $54.95, WineAlign)

At the young adult age of five the Poetica ’10 has retreated and redacted from the heat of that scorching vintage, centred itself and found balance. Gravity no longer shackles the gathering, shaped from Cabernet Sauvignon (51 per cent), Cabernet Franc (31), Merlot (15) and Petit Verdot (3). The next Poetica (2012) used PV as an adjuvant, something the 2010 would now be singing along with were they to have known then what they know now. The ’10 now heli-glides, as if hovering in kind to a set of blades on high whirl, up to where energy is effortless and tension keeps the craft afloat. More of that intensity will continue for 18 months to two years, after which the blades will loiter and wind down for a five to seven years further finale. Drink 2016-2022.  Tasted June 2015  @SouthbrookWine  @AnnSperling

Southbrook Vineyards Poetica Red 2010 and 2012

Southbrook Vineyards Poetica Red 2010 and 2012

Poetica Red 2012, VQA Niagara On The Lake, Ontario (Winery, $54.95, WineAlign)

Now that the Poetica ’12 has seen release, it of course ironically submerges into slumber. The natural palate funk, chalk, talc and clay condensed grain are the gravity while pepper-savoury aromatics catalyze the supply. Credit time with future comings out. Drink 2020-2027.

From my earlier more of December 2014:

The Poetica Red ’12, slated for a Spring 2015 release, is amazing and intriguing on many levels. But for the fact that Petit Verdot (26.5 per cent) plays such a major varietal role, what must first be declared is the disseminated learning applied to this application. The dos and don’ts of previous (only produced in) warm vintage Poetica Reds will see a shedding of those don’ts in this 2012. Ann Sperling ushers in a new era for Niagara Bordeaux assemblage and if this wine is any harbinger, others will follow suit. Here celebrates a love for the land (environment), poetry and more specifically, Canadian poets. Chief Dan George, he of North Vancouver and the Hollywood screen, penned “Words to a Grandchild.” In it he wrote, “in the midst of a land without silence, you have to make a place for yourself.” Poetica Red ’12 will have done that when viewed retrospectively, 10-15 years from now. It will have grown old, but also wise. As for now it’s brooding, melancholy even. It’s all of that and this; endemic, entrenched, crenellated, ensconced and indoctrinated with Niagara knowledge. Has a dusty, earthy, even funky poetry. More depth than many, much realized acumen and will live long. Given 30 minutes of air it showed the ribbons of classic Niagara reds. All these concepts combine to see Poetica Red ’12 not so much as huge, but with depth and complexity.

Last tasted June 2015

Thirty Bench

Small Lot Benchmark Red 2010, VQA Beamsville Bench, Niagara Peninsula (winery, $60)

The landmark red from grit inducing Bench soils has added a splenetic pitch to its already peppery temper. Like “dry and wet ice, they both melt,” the modest Merlot plus two Cabs mix is in a frenetic, edgy place. Allow for three more years before having a new listen and taste. Drink 2018-2023.

From my earlier note of February 2014:

Indoctrinated Right Bank agglomerate built on 62 per cent Merlot, supported by equal parts Cabernet Franc and Sauvignon. Impressively warm and dusty, large, bursting berry dominated with a peppering dredge all around. So much flavour abounds, blanketed by a shaker full of vanilla spice, like “an endless ocean landing on an endless desert.” Still the Benchmark is modest, oaked (18 months) but not overly soaked, pure and in balance. The berry concentration renders it as a resident of the dark centre of the Niagara red blend universe.  Last tasted June 2015  @ThirtyBench

Trius Winery at Hillebrand

Trius Showcase 5 Blanc De Noirs 2009, VQA Niagara Peninsula, Ontario (420521, $55.00, WineAlign)

Auspicious opening for the top end, new Trius Sparkling wine, based on Pinot Noir (70 per cent) from Four-Mile Creek (Lawrie Vineyard), with support from Pinot Meunier (30). Five is the number of years slumbering on lees, a voyage into triage to transport this singular Niagaran into the stratosphere of the region’s pantheon. Arid, toasty and slightly oxidative as per the wild ferment, Craig McDonald style. The toast is spread with a tapenade of (more) lightly toasted nuts, tarragon, morel and earth. There is a feeling of berries, void of pigment, slightly tart and very fragrant. Also the not so pungent but forest emergence of basidiomycete fungus. Delicate, complex, creamy and simultaneously, so very dry. A wine to sip at a large gathering around an antique harvest table or deep into the next decade. Drink 2015-2028. Tasted May and June 2015  @TriusWines

Dinner menu at Trius

Dinner menu at Trius

Good to go!

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Master classes of Terroir

A Gamay Masterclass, Terroir Hospitality Symposium, May 11, 2015, Arcadian Court

A Gamay Masterclass, Terroir Hospitality Symposium, May 11, 2015, Arcadian Court

The Terroir Hospitality Symposium took place on May 11, 2015 at Arcadian Court in downtown Toronto. The one day food and wine colloquium was a massive simmering feast set in sprawling fashion within an undersized, intricate urban labyrinth. Despite the frenzied and condensed action in the downtown venue, that congress merely offered a look at the tip of the proverbial Terroir iceberg. With upwards of 3o team members leading the charge, the movement left the big fat city address and trekked to set up shop at a local farm and out to the rock at the eastern outermost edge of the country. Terroir moves outwards, onwards and upwards, taking it to the fields and the oceans.

The Terroir Best Practice Culinary Mission went to St. John’s, Newfoundland from May 14th to 17th. The One Fish expedition travelled “to meet fishing industry experts, to explore and examine both the history and the current realities of an Atlantic community built on an economy of the fishing industry.” There was also “the feast that keeps on giving,” at which the Feast Ontario team was hosted at Grandview Farms in Thornbury, Ontario

Led by Founder & Chair Arlene Stein, Vice Chair & Awards Rebecca Leheup, Terroir Talk the dextrosinistral/sinistrodextral enterprise is an undertaking of the extreme variety.

A look at #Terroir2015 in images

Terroir is an event, a series of gatherings, a notion, a philosophy and a way of life. Its mandate is this: “Terroir Hospitality brings together innovative and creative influencers from the field of hospitality, including chefs, food and beverage experts, writers and business leaders.” It’s also not without detractors. There are some who feel it is a negative representation of the culinary and cultural scene in Toronto. That it’s “white, urban, Euro-centric. It ain’t Canada, or 2015. Not funny.”

If the list of participating speakers, chefs and winemakers had been correlated with shortsighted discrimination, ill-curated and preordained with exclusive, malice prepense, you would have been hard-pressed to get an interview with any guest who would have chosen to speak about the called-out lack of representation or narrow-minded decision-making. If the culture and the colour of the event needs to change it will do so with holistic bias and sympathy, with the right sort of urging from the global culinary and vinicultural community. If the pundits are correct, future sessions will reflect the will of the people. In 2015, the atmosphere was wholly copacetic.

The 2015 Terroir wine sessions were marshalled with “an effort to raise the academic standards of the wine side of our symposium,” in three assemblies, to educate and entertain. These Masterclass jams, Gamay, Terroir, and Clone Wars were coordinated by Good Food Revolution’s Jamie Drummond and Magdalena Kaiser with great support from Wine Country Ontario.

The connection between food and wine is an intrinsic one. They are like chicken and egg, contrary to reason in electing which comes first. Chefs and winemakers, purveyors of the land from which their produce grows, transmuted into cuisine and fermented into wine. Facilitators of terroir, harvesting at optimum ripeness and then initiating the transmogrification with immediate haste, in urgency, to capture, lock in and bottle aroma, flavour and texture, before any chance of deterioration or spoilage.

But what the fuck is terroir? The most used word in the language of wine is in fact, terroir. Nothing else compares, comes even remotely close, or causes as much debate. Except for minerality, but those who concern themselves in the matters of ridicule, dismissal and denial ignore the fact that the opposite of fruit is simply, unequivocally and finally, incontestably, mineral.

Were the notion of terroir to be a belief as simple as “what happens in the vineyard, through environment, by geology, geography and topology, from naturally occurring elements and microbes in the soil, by air and of climate. Were it just a matter concerning “the impossible creator of perfect storms, from out of riddle and enigma,” well, then, we could all just go home. It’s much more complicated than that and real.

Most winemakers will agree, in principle, to this. “The final goal is to make the finest wines that express terroir.” Organic and biodynamic are important. Terroir is more important. But winemakers are no fools. They know that “during the grape’s life cycle, genealogy and climate shape its development. But even after it is plucked from the vine it still carries no true identity, in so far as what it will become as a wine. This is the point where nature gives way to nurture. Environment now acts as the catalyst to shape the wine’s life. Wine does not evolve because of natural selection. It evolves at the hands of the winemaker.” Anti-terroir?

At this year’s Terroir Talk Symposium, Gamay was chosen as the first wine session’s go to grape variety, to investigate both the serious and not-so serious sides of its existential weightlessness. To revel in its lithe, brightness of being and to unearth its deep roots. That we have come to a time in history where both aspects can be studied in Burgundy and in Ontario is fortuitous indeed. As a Gamay groupie, I feel blessed to be born under a good sign, at the right time.

As a reminder, it’s always the right time to be with the Gamay you love. I have been urging Ontario farmers to plant, cultivate and nurture Gamay; for winemakers to make it more and more. I made “a proclamation in favour of a great grape and one that forges signature wines out of Canadian soils. I am an ardent supporter of and a willing rider on the Gamay bandwagon, in the name of connaitre and savoirkennen and wissen, recognition and understanding.”

Related – Go Gamay Go

It’s working. Rosewood Estates just planted it for the first time. Gamay is poured at the cellar door, at tasting events and in private gatherings all the time now. Bottom line is Gamay costs half of the price compared to Pinot Noir and Syrah and it thrives in Ontario. It can make serious Cru quality reds and even at the highest end, sell for less than $30. It has been, continues to be and will always be #GoGamayGo time in Ontario.

Related – It’s go Gamay go time

Moderator Chris Waters and the Gamay Masterclass panel: Jamie Drummond, Magdalena Kaiser, Martin Malivoire, Shiraz Mottiar, Bill Zacharkiw and Guillaume de Castelnau

Moderator Chris Waters and the Gamay Masterclass panel: Jamie Drummond, Magdalena Kaiser, Martin Malivoire, Shiraz Mottiar, Bill Zacharkiw and Guillaume de Castelnau

The first Masterclass: Gamay The Next Little Thing

“The intent of the first of the three wine sessions, was meant to investigate how it performs in Ontario and elsewhere in the world.”

The Panelists:

  • Winemaker Guillaume de Castelnau, Chief Winemaker/Director, Château des Jacques, Louis Jadot Beaujolais (Beaujolais, France)
  • Vigneron Martin Malivoire (Malivore, Beamsville Bench, Ontario, Canada)
  • Winemaker Shiraz Mottiar (Malivoire)
  • Wine writer/Sommelier Bill Zacharkiw (Montreal Gazette/Wine Align, Montreal, Quebec, Canada)

The Moderator: Wine writer Chris Waters (Vines Magazine/Intervin, Ontario, Canada)

To many, Gamay is a wonderful drug and though much maligned, its suitors and supporters can never tire of its freshness and its lightness of being. Moderator Chris Waters refers to Gamay as “a gateway grape, to transition drinkers from white to red wine.” In a world according to Guillaume de Castelnau, “Gamay is lazy, generous and fragile.” Bill Zacharkiw minces nothing, not words, nor feelings. “I love Beaujolais.” In the Terroir Master Class, there were 13 variations on Gamay, from semi-carbonic to old and baked, with many shades, hues, intensities and variations in between. Here are my notes.

Ontario Masterclass Gamay

Ontario Masterclass Gamay

Malivoire “Le Coeur” Gamay 2014, VQA Niagara Escarpment, Niagara Peninsula, Ontario (Winery)

Shiraz Mottiar refers to the young, Beaujolais impressionist as “Sammy Carbono,” a semi-carbonically macerated Gamay, with one foot in Nouveau and the other in a dusty, freshly spirited aromatic whirl. The tanky feel makes it accesibly gulpable. Like a leaping horse it is also twitchy, hopping in dressage, popping in the mouth. Fun if beside the point. Drink 2015.  Tasted May 2015

Malivoire M2 Small Lot Gamay 2013, VQA Niagara Escarpment, Niagara Peninsula, Ontario (Winery, $19.95, WineAlign)

A month later the pepper runs from white to black, by way of red. Terrific sour edged fruit. Strawberry and cranberry tied together by citrus. Will need two years minimum to fully integrate.
From my earlier note of April 2015:
The profundity of tart, keen, briny berries dilates in its own very useful layers of citrus, tannin and concentration, beyond even what was observed in 2012. The zesty, spritely argot resonates from the unfurling of floral essentia out of a Gamay in desperate need of time. The flavours and overlay are somewhat impenetrable and yet leave quite an impression. While patience might be the virtue and the reward, if #gogamaygo is the modus operandi, a swig from the bottle like gentlemen of the road is certainly not out of the question. Drink 2016-2021.

Last tasted May 2015

Leaning Post Gamay 2013, VQA Niagara Peninsula, Ontario (Winery, $25.00)

A year has clarified the must into a venerable, beneficial decay, like effulgent, liquid rust. The shine of antiquity and then a blast of cinnamon dominates for the first major swirl. So lithe and profound like wise Pinot Noir, minus the Niagara coat of arms and lacquered veneer. Whatever anxiety may have held down the brightness has eased to deliver this current, optimum drinking window. Drink 2015-2016.  Tasted May 2015
 
From my earlier (tank sample) note of May 2014:

Guiltless and virtuous straight out of stainless, the meaty side of Gamay game boldly goes where few from the Bench have gone before. Like a rare venison steak sitting in a silky pool of lavender-scented demi-glace. Floral like Fleurie and despite zero new oak, vanilla joins the gravy. A Senchuk steal of quality Wismer (McLeary…sort of) fruit sets this Gamay up for easy sell success.

Fielding Gamay 2013, Niagara Peninsula, Ontario (Winery, $19.95, WineAlign)

Time has been a friend to the ’13 Fielding Gamay, a wine who’s elevated tones of floral fruit and acidity have settled in the name of structure. Dusty ground nubbins and mint swirl with layered if yet rigid fruit. Low-cropped vines are on display, in single-vineyard like attention to specific detail, akin to Malivoire’s Courtney. This is in fact sourced from a single-vineyard up on the cool Vinemount Ridge sub-appellation. The site is a couple of kilometres south of Peninsula Ridge’s McNally Vineyard, the source of Ilya Senchuk’s terrific Leaning Post 2012 Pinot Noir. The Procyshyn family has been farming this plot (without fanfare) for decades in Beamsville. The pristine fruit that Theo and Shelley Procyshyn grow, along with their three sons, Nolan, Dalton and Brayden, yield as low as 1.5 tonnes and up to 3.5 tonnes per acre, depending on the year. The ’13 was around 3 t/a. Fielding has never labelled this Gamay ‘single vineyard’ because they have always hoped to bring in new Gamay blocks on as part of that wine, but that’s not yet worked out. The ’13 is very, very red raspberry, with a craggy, spiked point of liqueur, like a weeping peak upon that Vinemount Ridge in the afternoon sun. Has Beamsville’s upper reaches written all over its corporeal self. Drink 2015-2017.  Tasted May 2015

13th Street “Sandstone” Gamay 2013, VQA Four Mile Creek, Niagara Peninsula, Ontario (Winery, $19.95, WineAlign)

May just be the first Gamay with a simulacrum towards a style best described as appassimento, what with the overripe fruit, aromatic cure, baked and sun-dried flavours. Sniff the confluence of black raspberry, scorched earth and roasting game bones, its sinew crackling over humid old growth wood. Gets rich into the vanilla, reeking of late harvest lavender and then a mutton funk. Could easily pass for a wealthy, unforgiving style of Cru Beaujolais, like Chénas from Christophe Pacalet. Or it could just be acting older than its age, by seven or eight years. Most prepossessing and confounding Gamay. Drink 2015-2018. Tasted May 2015

Stratus Gamay 2012, VQA Niagara On The Lake, Ontario (Winery, $29.00, WineAlign)

Esteem elevated by structure, matched in poise and presence mottled in smears of darker, richer black cherry. If a slight absence of brightness is sensed due to the syrupy compression, like New World, west coast Pinot Noir, the gleaning from acidity and tannin times perfectly the effluent escape.

From my earlier note of April 2015:

It may not be the most idiosyncratic Gamay in Niagara but the Stratus 2012 is without a doubt the most advanced and complex. Gamay fusion is on display, at once a bottle of Niagara’s finest pulchritudinous veneer and then a charcuterie board laid ample with cured bovine parts and sun-dried grapes. Maximum ripeness and then even later picking, to no one’s surprise, have led to this. Two years of ageing in neutral oak barrels has brought about a humid roundness and yet the centre is controlled by Oz-like mint and eucalyptus notes. The jam is gelid, as opposed to temperate. Rarely does Gamay go to such depths, of blackberry, chalk and grain, with an overlord of tannin. Quite serious stuff. Drink 2017-2020.

Last tasted May 2015

Château-De-Jacques and Malivoire Courtney in the Gamay Masterclass

Château-De-Jacques and Malivoire Courtney in the Gamay Masterclass

Château-De-Jacques Morgon 2013, Ac Beaujolais, France (653584, $24.95, WineAlign)

The flushed scarlet animation is active and astir, like a soft serve swirl of dusty, cherry molasses, bathing in its own natural acidity. Has the presence of wine to integrate chalk, grain and Morgon tannin, in equal, opposite and variegated layers. Nothing shy about this gateway Cru Beaujolais. Drink 2015-2019.  Tasted May 2015

Château-De-Jacques Morgon Côte du Py 2013, Ac Beaujolais, France (Agent, $53.95)

In this rigid and stoic Morgon, the south-facing, blue volcanic slopes of the Côte du Py have provided a measure of firm fruit that will require a minimum two to three years to crack. The gears of the Gamay machinery may be grinding but the windows are yet open, the doors locked tight. This is the least forward, most inwardly introspective and least gregarious of the CdJ Beaujolais. Sharp sapidity, biting tang and piercing penetrating tannin deny immediate or even short-term access. Even the middle palate seems lifeless, devoid of cherry fruit and seamless layering, medicinal even. Judgement should be reserved, with knowledge of pedigree and how a bottle such as this will suddenly, effortlessly spring to life with time. Drink 2018-2022.  Tasted May 2015

Château-De-Jacques Moulin a Vent 2010, Ac Beaujolais, France (Agent, $36.95)

The undergraduate’s blend comes from the appellation’s Château des Jacques parcels; Carquelin, Rochegrès, Champ de Cour, Thorins and La Roche. Granite soils from each spice with symptomatic diversification and combine for a flippant funk that hitches straightforward out of the gate. Here Gamay leaves dusty behind with an urging away from humble and towards nobility. Richly aromatic, amplifying into palate. Such acidity and such grain. For this MaV the time is now, the arrival already announced. A late sense of veneer on the lengthy bitter finish indicates more good times ahead. Drink 2015-2020.  Tasted May 2015<

Château-De-Jacques Moulin a Vent Clos de Rochegres 2010, Ac Beaujolais, France (Agent, $44.95, WineAlign)

From the appellation’s highest parcel, the red sandstone soils of the Clos de Rochegrès are gently sloping and fed by underground streams. I always sense salinity and an effusive, stony energy in wines blessed with subterranean irrigation. The drinking window for this 2010 is wide open and the funk meets age introduction has been made. Already in display of a dried fruit shrivel, the ’10 acts like Sangiovese of a similar senescence, like CCR or Vino Nobile with three to five years of age. The liqueur of roses, the earth and the cherries are culpable and yet the varnish and the baking spice crusting ensure that no one conclusion can yet be made. This is highly seasoned and not quite unfurled Gamay. Two more years should complete its conditioning. Drink 2017-2020.  Tasted May 2015

Château-De-Jacques Moulin a Vent Clos de Rochegres 2007, Ac Beaujolais, France (Agent, $43.95, WineAlign)

Poured from a magnum, the 2007 Clos de Rochgeres is the portal in which to peer, to see what can happen with Gamay. Baked, caked, figgy, funky and oxidative, more than ample fruit was present and persists, with the savoury edges now integrated throughout. Strawberry rhubarb pie comes to mind, with eyes closed and sniffing senses heightened. A bit indelicate, the humidity in tomato leaf and garrigue add to the idea of age though the citric punch and lactic texture are reminders of Gamay’s fun side. There is no shortage of complexity and evolution here. That said, consumption time is now. Drink 2015-2016.  Tasted May 2015

Malivoire Gamay Courtney 2007, VQA Beamsville Bench, Ontario (Winery, $29.95, WineAlign)

The wow aromatics can’t be denied, fully explained nor perfunctorily taken for granted. Age has educated the fruit, stratified and fully saturated this Gamay. Strawberries have shot from an adrenaline cannon and structure has been fully realized with (non-Gamay) Old World confidence. A note of orange blossom, like an early evening Sevilla garden, is rousing. The natural evolve of such a Gamay, with wood, yeast and fruit in expert harmony, recalls the impossible acts of red wines like those made by Emidio Pepe. If the stretch is considered a conceit of poetic licence, so be it. The yet beating heart of raging acidity circling plenteous fruit and so much savour is nothing short of a Gamay miracle. Power and masculinity, by way of a conduit in oak, have been used to great advantage. This has life yet to live. Drink 2015-2020.  Tasted May 2015

Château-De-Jacques Morgon Côte du Py 2006, Ac Beaujolais, France (Agent, $53.95)

Seamless and eminently structured, developed low and slow. The blue volcanic soil has procured an evolutionary subsumption, a roasted, developed personality. The seeping liquor oozes, of earthy cherries, again like Sangiovese, but inelastic and close-grained, as per the Côte du Py idiom. This ’06 offers clarity and gives reason to forgive the brutal ’13, to abstain for commenting further. This wine is quite ferric and still tannic. The oak remains a factor. Through the walls the Gamay fruit does transude and so the master plan is coming into effect, perhaps not immediately but will be very soon. Just around the corner. Drink 2016-2020.  Tasted May 2015
Moderator Sara d'Amato and the Terroir Masterclass panel: Magdalena Kaiser, Dr. Jim Willwerth, Emma Garner, Stuart Piggott and Dr. Kevin Pogue

Moderator Sara d’Amato and the Terroir Masterclass panel: Magdalena Kaiser, Dr. Jim Willwerth, Emma Garner, Stuart Piggott and Dr. Kevin Pogue

The second Masterclass: A Different Look At Terroir: How Much Do Soils Actually Matter?

“In this seminar/tasting we ask what the term really means, and how much do its many different elements actually influence the character of the finished wine?”

The Panelists:

  • Dr. Kevin Pogue Phd. Geology, Whitman College, Walla Walla, Washington State, USA
  • Dr. Jim Willwerth Phd. Biological Sciences: Plant Sciences; Oenology and Viticulture (CCOVI, Brock University, Niagara, Canada)
  • Winemaker Emma Garner (Thirty Bench, Beamsville Bench, Ontario, Canada)
  • Winewriter Stuart Pigott (Author of Riesling: Best White Wine On Earth, Berlin, Germany)

The Moderator: Wine writer/Sommelier Sara d’Amato (Wine Align, Toronto, Canada)

Dr. Willwerth offered up his opinion on how minerality is achieved in Riesling. “If you don’t get maturity in the variety at the end of the growing season, you won’t get the full expression of minerality. Overripe will eliminate minerality.” In Ontario, “The Bench is home to a mineral wealth of local Riesling, singular in composition not only by way of a global comparison, but also from plot to plot, soil to soil and vineyard to vineyard.” That persuasion has spread, down to the shores of Lake Ontario, by Niagara-on-the-Lake and in Prince Edward County. “Riesling brokers the nescient consumer with the gift of grape enlightenment.”

Seven Ontario Rieslings were tasted in the Masterclass. The notes.

Riesling Masterclass

Riesling Masterclass

Cave Spring Riesling Dolomite 2013, VQA Niagara Escarpment, Ontario (Winery, $16.95, WineAlign)

This is Cave Spring’s bridge, offering safe passage from Estate to CSV Riesling. Vinified with consistency in a quasi-Kabinett style, its elevated though classic numbers steadfast in sugar (17.55 g/L) and acidity (7.2 g/L TA). The dolomite limestone of the Escarpment means business in this calm, fit, chiseled and consumer-lissome Riesling. Palate is really the thing, seamless to attraction, from fruit to stone. Orchards and citrus groves alight to rock. Phenolically ripe yet shy of the tropical planet. Is there transference here? Absolutely. Drink 2015-2018.  Tasted May 2015

Château Des Charmes Old Vines Riesling 2013, VQA Niagara On The Lake, Ontario (277228, $16.95, WineAlign)

The happy place effect by age in the Château Des Charmes’ vines coupled with location is usually enough to carry this Riesling through an obvious and readily identifiable tunnel but 2013 confounds. The elemental ratio, derived from multiplying reduction by altitude leans thoughts to the Vinemount Ridge or the Cave Spring Escarpment Vineyard. The compound aromatic waft, or more succinctly, the deconstructed stone, the breaking down of periodic Hollywood squares is a force to reckon. That this arrives from such close proximity to the lake is nothing short of amazing. It’s as if this Riesling is the product of stressed vines and the pierce is just so pinpointed. Less accessible than ’12 for sure, so drink up previous vintages going back at least three before even thinking about getting to know 2013. Drink 2018-2022.  Tasted May 2015

Norman Hardie Riesling 2014, Prince Edward County, Ontario (Tank Sample)

At this prepossessed stage the terpenic fruit might fail in competition but succeed in the marketplace. Easy access, smelling of perfumed must, juicy, with citrus and burgeoning acidity. Low alcohol and good length stretch out an endless lemon summer. The wine will reverse itself within a year and beat impossible odds. A Hardie always does.  Tasted May 2015

Thirty Bench Riesling Small Lot Triangle Vineyard 2009, VQA Beamsville Bench, Niagara Peninsula, Ontario (Winery, $30.00, WineAlign)
The brilliant hue slides through patina and heads for gold. Some fumes have emerged with age, part petrol, part pure mineral, but of what kind and more importantly how, or why? Viscous, near oily, waxy and the most Glück of the three Thirty Bench single-vineyard Rieslings. Tossed with spice, pepper, lemon and honey that is more molasses than clover. The mineral is a result of the lowest water retentive soil as compared to Steel Post and Wood Post. The transmission for (orchard or tropical) fruit is minimized, the vigour low. The result is mineral. Drink 2015-2020.  Tasted May 2015

Thirty Bench Riesling Small Lot Steel Post Vineyard 2009, VQA Beamsville Bench, Niagara Peninsula, Ontario (Winery, $30.00, WineAlign)

Balance is and therefore always was struck. The match percusses flint for a mere nano-second, with just a brush on cymbal, the rock bleeds but is quickly clotted because the fruit shines still, like around the clock light. The steely aspect is a posterior one, antithetical and yet purposed, from this vineyard. Youth tells common sense to think 2011. The Riesling behaviour seems to play that part, of a chalky, piercing acidity, so typical of that vintage and so distinctly Thirty Bench. That the wine is older is not a big surprise because 2009 is the bomb. It may just be the best Riesling vintage, from on that Bench, in the last 10. Drink 2015-2025.  Tasted May 2015

Thirty Bench Riesling Small Lot Wood Post Vineyard 2009, VQA Beamsville Bench, Niagara Peninsula, Ontario (Winery, $30.00, WineAlign)

Age is a factor but less so than its Bench sisters due to a fine sense of calm. Showing less evolution, less viscosity, less wax and honey. More than that, the periodic table has yet to fill in. The Wood Post exhibits more warmth, savour and balm. A taste offers a sapidity that combines toasted fennel and candied lemon. Poised and yet incomplete, the vineyard fetters this Riesling to breath slowly and take its (will get to) sweet time. Drink 2017-2027.  Tasted May 2015

Flat Rock Cellars Riesling Nadja’s Vineyard 2009, VQA Twenty Mile Bench, Niagara Peninsula, Ontario (578625, $19.95, WineAlign)

Going back a few years, this Flat Rock Weis 21 clone Riesling from atop the Niagara Escarpment was made by former winemaker Ross Wise. Six years has concentrated both aromas and flavours while concurrently reducing the cutting drill. The hyperbole is read by tablet, of etchings in stone, immortalizing the terroir (not so) long before it was truly known how this could happen. What sticks out the most is the bleeding limestone texture and the striking aridity. Later vintages of Nadja improve on the flesh. Drink 2015-2017. Tasted May 2015
Clone Wars Masterclass

Clone Wars Masterclass

The third Masterclass: “The Clone Wars”: What Do Different Clones Bring To The Glass & Why?

“Looks at Riesling, Cabernet Franc and Pinot Noir. The varying clones utilized are a point of pride for some winemakers, and yet not even mentioned by others. Over the course of this detailed seminar/tasting we hope to answer why this is the case.”

The Panelists:

  • Dr. Kevin Pogue Phd. Geology Whitman College, Walla Walla, Washington State, USA
  • Dr. Jim Willwerth Phd. Biological Sciences: Plant Sciences; Oenology and Viticulture (CCOVI, Brock University, Niagara, Canada)
  • Winemaker Angelo Pavan (Cave Spring, Jordan, Ontario, Canada)
  • Winemaker Jay Johnston (Flat Rock, Beamsville Bench, Ontario, Canada)

The Moderator: Sommelier Katy Moore (Langdon Hall, Cambridge, Ontario, Canada)

Dr. Jim Willwerth asserts that “clones are essential for viticulture, propagated asexually, through cuttings.” Angelo Pavan notes “clonal research to cold heartiness is very important for Niagara and also for yields.” Clones no doubt drive the industry, at least behind the scenes, but when it comes to making great wine, is it the be all, end all? “I still believe plot trumps clone,” says Jay Johnston. The defence rests. Here are the wines tasted in the final Masterclass.

Clone Wars Masterclass line-up

Clone Wars Masterclass line-up

Greenlane Riesling Old Vines 2011, VQA Lincoln Lakeshore, Niagara Peninsula, Ontario (351486, $21.95, WineAlign)

While aridity suggests Alsace Clone 49, this is actually Weiss 21, made saline and arid out of Lincoln Lakeshore soil. The herbal aspect has propagated to combine with Twenty Bench like distinction and with less citrus than Vinemount Ridge or Beamsville Bench. The Mosel density has developed with time in bottle. Drink 2015-2019.

From my earlier note of October 2013:

Cracks the mineral whip, froths lime into foam and atomizes stone fruit into sweet and sour heaven. Wants to be semi-dry but never quite goes there. Walks a fine line, a tightrope actually. Up there with Charles Baker and Thirty Bench for sheer madness.

Last tasted May 2015

Trius Winery At Hillebrand Showcase Riesling Ghost Creek Vineyard 2013, VQA Four Mile Creek, Ontario (Winery, $25.00, WineAlign)

The Ghost Creek Riesling comes from the shadow of a river bed vineyard planted to the Alsace clone 49. The fruit is much richer than most, coupled with the aridity and salinity that former stony wadi plots and this particular clone will conspire to effect. The citrus intensity is however tempered by a humidity that comes from seemingly sunburnt fruit, tanned and wet down by the revenant reservoir. Drink 2015-2017.  Tasted May 2015

Cave Spring Estate Bottled Chardonnay Musqué 2013, VQA Beamsville Bench, Niagara Peninsula, Ontario (246579, $15.95, WineAlign)

Produced from the 77 clone, the vintage has heightened the high herbal and feigned sweetness aromatic pastis. The palate is extraordinarily viscous, with Yellow Muscat and Gewürztraminer attributes, not so out of the ordinary considering Cave Spring’s older world execution. Drives from lemon to mandarin, through almond pit and into peach. Always solid Musqué. Drink 2015-2017.  Tasted May 2015

2027 Cellars Chardonnay Wismer Vineyard Fox Croft Block 2012, VQA Twenty Mile Bench, Ontario (Winery, $30.00, WineAlign)

In the hands of winemaker Kevin Panagapka, Craig Wismer’s fruit retains un underlay of power not recognized in other Foxcroft Chardonnays. Neither Thomas Bachelder nor Ross Wise (Keint-He) make anything near spirited as this 2027 take. Chardonnay loves the sun in the Foxcroft Block and Panagapka loves to see that sun hook up with the inside of a barrel. This ’12 makes a nice date for a wood wedding. A product of the Dijon 96 clone, the reduction in this Chardonnay drives its fresh, spritely if mettlesome nature, with a bark and a barrel bellow, but longevity will not suffer as a result. This could take 30 years to oxidize, it’s that audacious and also courageous. Let it and its buttered popcorn rest a while. Drink 2017-2025.  Tasted May 2015

Malivoire Chardonnay Moira 2011, VQA Niagara Peninsula, Beamsville Bench, Ontario (243113, $39.95, WineAlign)

When it comes to clones, winemaker Shiraz Mottiar distills the Moira Vineyard into the realm of “field selection.” Not to be confused with field blend though I suppose that’s what it is, of sorts. The ’13 is the dictionary entry for Moira, typically balanced, from pedigree, in warmth, amiability, gathered and distributed, from acumen and confidence, to customary placement. Fruit and acidity relax on a sofa of equilibrium, taking little in the way of risks, making no mistakes. Reduction isn’t even a twinkle in its fresh versus oxidative eye. The vintage and the handling purports to throw infantile, developed and matured into one big machine for a readout that grants immediate gratification. Exemplary take on cool-climate, Niagara Peninsula, slightly warmer Beamsville Bench Chardonnay proper. Not for the long-term. Drink 2015-2019.  Tasted May 2015

Flat Rock Pinot Noir Pond Block 2011, VQA Twenty Mile Bench, Ontario (Winery, $29.95, WineAlign)

Assessed blind it smells just like the Flat Rock’s Gravity Pinot Noir yet singled out in fractions. Here the mellifluent block, of sweet crooning fruit, careening and submissive to Siamese brother triplet Summit’s tension.

From my earlier note of October 2013:

Crosses the twain between Bruce and Summit. A cottony touch, most pronounced perfume and of the three, the lowest acidity. Mellow, easy, J.J. Cale peaceful, void of chalk, grain or angst. Speaks in a cherry voice, smells like cherry and returns that cherry to taste. Ripe and soft. “Sweet as a morning sunrise, fresh as a mountain dew.”

Last tasted May 2015

Flat Rock Pinot Noir Summit Block 2011, VQA Twenty Mile Bench, Ontario (Winery, $29.95, WineAlign)

The most perfumed and yes, Burgundian of the three blocks, the Pommard in the group. Still limestone chalky and gaining weight. This is a single-block wine to me made again.From my earlier note of October 2013:This block’s base is slightly deeper, spreading over dolomite limestone. Diminished average temperatures mean berries develop lower and slower, hang longer (up to three weeks) resulting in higher phenolic ripeness. Summit may be the caveman of the three, seemingly in dire straits, covered in leaves, snapped twigs, truffles and porcini mushroom but damn if impossible Burgundy does not come to mind. This is one to ask where do you think you’re going? It will surely reply, “if you ain’t with me girl, you’re gonna be without me.”Last tasted May 2015

Flat Rock Pinot Noir Bruce Block 2011, VQA Twenty Mile Bench, Ontario (Winery, $29.95, WineAlign)

The light and delicate place translates to hue, texture and ultimately elegance. Yet there persists an underlying anxiety, essential for gravity.

From my earlier note of October 2013:

From the northern most block, up at the Escarpment/Bruce trail. Thin, one foot deep soil meshes flaky limestone at this elevation. Smallish berries predominate and an earthly mote accents the flowers, cherries, strawberry and classic purity of this bonny Bruce. A Oregonian lightness of being, if you will. From one of the few south-facing slopes in Niagara (because of 20 Mile Creek), where the limestone chalk imparts fine-grained tannin so apparent to taste.

Last tasted May 2015

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Searching for Somewhereness

The wines of Norman Hardie

The wines of Norman Hardie

Somewhereness is not really a word. It’s hokum. Gibberish. Nonsense. Look it up in Merriam-Webster or Oxford. Not there. Its conceived convenience is recorded in Wiktionary, Your Dictionary and other online glossaries though, because there is always an online presence ready and willing to immortalize anything and everything.

The definition of Somewhereness, according to the online “dictionaries.”

  1. The state or quality of being in, occurring in, or belonging to a specific place.
  2. The state or quality of existing in a place that is unknown or cannot be pinpointed.
  3. The unique characteristics imparted on a wine by the conditions of the place in which it was grown.

Somewhereness lies the truth?

Somewhereness is not a state of mind, of being, of knowing something is intrinsically right within the parameters or context of here, there, anywhere or everywhere. Somewhereness is not merely a function of good decision-making, of exercising the ideal to expand on terroir, to create something to talk about. Yet that third so-called definition is on the right track. Belief says terroir is what happens in the vineyard, through environment, by geology, geography and topology, from naturally occurring elements and microbes in the soil, by air and of climate. Terroir is the great one. The impossible creator of perfect storms, from out of riddle and enigma. Somewhereness, by extension, is the next one.

Somewhereness exists, albeit with just as much abstruse behaviour and paradox, inside the finished bottle. That’s all you really need to know. Terroir happens before. Somewhereness happens after. The line is drawn when wine enters its final resting place. It evolves, develops and finds its somewhereness inside the bottle. In the case of Champagne (and the wines of Emidio Pepe), the first bottling is merely a temporary shelter and somewhereness knows to wait for the final call. In those cases there are the stages of terroir, disgorgement and finally, somewhereness.

In Ontario, somewhereness has been found (as opposed to “was founded”) by Norman Hardie, Jonas Newman, Vicky Samaras, Bill Redelmeier, Ann Sperling, J-L Groux, Charles Baker, Doug Witty, J.P. Colas, Ed Madronich, Jay Johnston, Tom and Len Pennachetti, Angelo Pavan, Moray Tawse, Paul Pender, Harald Thiel, Marlize Beyers, Mary Bachelder-Delaney, Thomas Bachelder, Martin Malivoire and Shiraz Mottiar.

Somewhereness may have been born to these Ontario parents but it has and will not remain exclusive to the 12 who discovered it. Somewhereness belongs to all wine with true and truthful origins in terroir. The great wines of the world share in the expression and the mystery, even if the gold inside their bottles has never been affixed with such a label. Somewhereness is found inside a bottle of Dujac Bonnes Mares. You will taste it in an Egon Müller Scharzhofberg. It can’t be missed from out of a Margaux pour by the hands of Paul Pontallier. Wines of manic manipulation will never find it. They either do or they don’t, will or they won’t. Somewhereness just happens. Don’t ask me to explain. I’m just the messenger.

Over the past few years, much godello.ca white space has been set aside for glossing in written word and the ever-evolving rumination on the spiritual effect of somewhereness.

Konrad Ejbich holding court in front of De La Terre's breads

Konrad Ejbich holding court in front of De La Terre’s breads

Related, From February, 2013 – Somewhereness over the Canadian wine rainbow

“For a comprehensive look at our province, make sure you read A Pocket Guide to Ontario Wines, Wineries, Vineyards, & Vines by Konrad Ejbich. The discourse concerning somewhereness in Ontario is in full swing. In October of 2012 I wrote, “character and quality has never been better. Riesling continues to impress and let us not ignore the high level of ever-evolving Chardonnay vines. Reds have made great strides, especially Pinot Noir, Gamay and Cabernet Franc. The future looks very bright for Ontario [wines].”

Related, From April, 2013 – Come together, over wine

“Abeyance be gone, these next few years have the potential to cement an industry’s power. Only a minority has even the slightest clue that liquid gold is mined out of the peninsula’s glacial clay and limestone. The time is ripe to tell the world the story of somewhereness. The embryo is about to grow in a major way. Financial reward is within reach. So how to alert the world?”

Related, From April 2014 – The group of twelve

“History may one day remember them as the group of twelve, or perhaps, “The Ontario School.” They are the 12 wineries who have banded together to ensconce a strange but beautiful word on the tongue, in the dictionary and out in the world. Somewhereness. They are purveyors of the land from which their grapes grow and ferment into wine. Facilitators of terroir, working a canvas forged by millions of years of geological and climatic evolution. Their assembly is based on both exigency and on Moira; destiny, share, fate. Like that other famous group, “collectively they agree.” Ontario’s cool-climate wine regions need to qualify and certify a distinctive winemaking style. In juxtaposition to old world, European tradition, the intensity of somewhereness needs to reflect an increasingly Ontario-centric partiality.”

Related, From April 2014 – Why taste Ontario?

“The Ontario wine industry is the best kept secret in the world. It has grown, accelerated and advanced with more success than might have been imagined as recently as five years ago. In November I wrote, “Ontario winemakers have figured it out. The “world-class” comparative humanities of aging and longevity aside, the comprehensive and widespread phenomenon of excellence, regardless of vintage, is now an Ontario reality.”

Wine Country Ontario's Magdalena Kaiser

Wine Country Ontario’s Magdalena Kaiser

All wonderful hyperbole, to be sure. But for years I missed the point. Somewhereness is not about agreeing, in principle, on how to make wine from a particular place so that it can collectively result in a thing. It is something other. It’s in the bottle. It has always been there but the key lies in Ontario’s industry having matured to a point where we can now taste it, again and again, inside the bottle. The work made it happen. It is well-deserved.

Thomas Bachelder and Mary Delaney-Bachelder

Thomas Bachelder and Mary Delaney-Bachelder

So with the assistance of Trisha Molokach, Dorian Anderson and the vintners who came to realize what happens when terroir is used to bottle divine pleasure, another Somewhereness (the event) happened, at St. James Cathedral in Toronto, on April 20, 2015. Food partners completed the stellar event; Best Baa Dairy, Monforte Dairy, Upper Canada Chees Company, Fat Chance Hand Sliced Cold Smoked Salmon Co., Chef Ryan Crawford & Beverly Hotchkiss of Backhouse, De La Terre Kitchen and Bakery and Schott Zwiesel. Hinterland was not present in 2015 and I skipped two tables, due to quite recent full portfolio tastings, at Bachelder and at Southbrook. Here are some other notes.

Norman Hardie Riesling 2013, VQA Ontario (Winery, $21.00, WineAlign)

With less residual sugar than in 2012 and slightly higher alcohol (the bottle says 10.1 per cent but it’s actually 9.8), the house style persists, if only as a refrain that adjusts and adheres to the vintage. A hint of oyster shell is more than significant, in working alongside Hardie’s Calcaire, effected out of lees fermentation. The minute loss of high-toned aromatics is pitched in favour of fruit, if only from one exploited tank, within the context of producing 1000 cases. The ’13 (70 Niagara/30 PEC) is like very modern Alsace, akin to Schoffit, what with its texture fitted through a tiny hole. Drink 2015-2018.  Tasted April 2015

Norman Hardie Calcaire 2013, VQA Ontario (Winery, $23.00, WineAlign)

The field blend of Marcel Deiss is the starting point. Lees imparts texture and the proverbial minerality is rounder than the Riesling, though the acidity just as linear. The breakdown is Chardonnay (40 per cent), Riesling (40), Melon de Bourgogne (10) and Pinot Gris (10). It should be noted that the mid-palate is caressed by a silky cheese curd, sour milk atonement. Drink 2015-2019.

From my earlier note of August 2014:

If any wine growing and producing region not called Alsace has the right to label a wine Calcaire, Prince Edward County is that place. The irony squared of Norman Hardie’s choice of nomenclature is not lost. Olivier Humbrecht makes use of the term because some of his single-varietal wines can no longer (under the local AOC rules) be labeled with the name of the wine-growing village. Marcel Deiss produces ‘field blends’ composed of several varieties grown on Grand Cru soil but he can’t (under other regional rules) label them Grand Cru. Hardie takes Niagara and PEC Grand Cru grapes, fashions an Ontario white blend, not unlike J-L Groux and calls it Calcaire, in ode to the limestone underlay of the County. Are you following me here? This may be new, innovative, yet understood and an early impression, but this cuvée initiates the PEC march to white blend supremacy, much like Stratus White has done over the course of 10 vintages in Niagara. Norm’s Calcaire is a Chardonnay, Pinot Gris, Riesling and Melon de Bourgogne mélange, co-fermented on the lees, striking, all in limestone, full out mineral consequence. There is purified pear and white melon fruit in distillation. There is a house in Wellington, “they call the Rising Sun.” That this animal succeeds so early in its tenure shows the Norm conceit and the swagger. That it will define white blends for a millennium is an arrogance of traditional song and of scripture. So be it.

Last tasted April 2015

Norman Hardie Niagara Unfiltered Chardonnay 2012, VQA Niagara Peninsula, Ontario (184432, $39.00, WineAlign)

The ’12 Niagara has swapped spontaneity for coherence, licentiousness for logic. Has entered the stage of non-reductive peel, where skin is discarded, flesh is exposed and juices run free. If you like your Chardonnay settled and yet vitally fresh, now is the time to enjoy the Hardie 2012 Niagara Chardonnay. Drink 2015-2022.

From my earlier more of May 2014:

Norm’s Niagara is such a different animal to the County 2012. The warm summer and dry fall means more humidity and even more reduction. Currently cothurnal so less like Burgundy but only because there elevates the high-tones and percipience from Niagara. Texture is key but this Hardie needs time. It’s not angular but it is steroidal, injected, like a wild thing, as if the yeast were still in control, munching away even though there is no more sugar to be had. Undomesticated ’12, at heart, in spirit, out of mind. Hard to imagine there could be this much anxiety from the even-tempered vintage, but when you pick real early and keep the oak to a bare minimum, Hardie happens. Norm picked ripe fruit between September 7 and 10, six weeks ahead as compared to some years. He said the fruit had a “golden tan, ready to go.” The use of smallish 500L barrels works wonders for texture and though 40 per cent was new wood, you would never know it. Malolactic fermentation didn’t happen until late August, nearly a full year on so no sulphuring was required until that time. This is Hardie’s freshest Niagara fruit ever, from Duarte Oliveira’s farm between Victoria and Ontario Street, the same spot as Hillebrand’s Chardonnay Reserve. Terrific Beamsville Bench Chardonnay.

Last tasted April 2015

The wines of Hidden Bench

The wines of Hidden Bench

Hidden Bench Estate Riesling 2013, VQA Beamsville Bench, Niagara Peninsula, Ontario (183491, $23.95, WineAlign)

Hidden Bench’s ’13 Riesling is a pure, soft-spoken and balanced reflection of her maker, winemaker Marlize Beyers. Only a month or two of lees and no stirring has brought her Riesling into this current corporeal state. The citrus is all flesh, void of pith and with acidity that has already incorporated, disguised and covered the zest. If any Hidden Bench Riesling suggest tropical fruit, here it is and yet again, not. Drink 2015-2020.

From my earlier note of September 2014:

The Estate Riesling is as vigneron-defining as any wine on the Niagara Escarpment. Hidden Bench is a 100 per cent estate-fruit operation so this Riesling is spokesperson, prolocutor, mouthpiece, champion, campaigner and advocate for the concept. The estate ’13 reaches deeper for nutrient pot sweetening, into shale and in conceit of its varied, positively cultivated terroirs. Compact and jelled, this is several steps up from most other entry-level Niagara Riesling and in fact, is really anything but. The transparency here is patent. This is Riesling that simply knows what it is; pure Bench, unequivocally real and forthright. Knows what it wants to be.

Last tasted April 2015

Hidden Bench Bistro Riesling 2013, VQA Beamsville Bench, Niagara Peninsula, Ontario (Winery, $19.95)

Produced exclusively for licensee, the Bistro follows a very similar profile to the Estate Riesling, with exactitude in weight and alcohol 911 per cent). The flesh is less, the zest increased and overall you can sense more youth. The Bistro juice comes from Roman Block cuttings planted in Felseck Vineyard in 2008. The simmer here is a simpler, more straightforward pot of sustenance, entirely capable of acting as spokes-Riesling for the Hidden Bench house druthers. The vines will grow up and the juice will move on but other, newer, youthful cuttings will take up residence and the Bistro line will endure. Drink 2015-2017.  Tasted April 2015

Hidden Bench Nuit Blanche Rosomel Vineyard 2012, Beamsville Bench, Niagara Peninsula, Ontario (278812, $40.00, WineAlign)

The (five to) six percent Sémillon speaks at present, in a waxy, bitter gourd winter melon and smoky flint tightness. In this wound moment, it is perceived that another year will be needed for the next unwind. Now vacuous, spinning and whirling as if in a processor’s bowl, an amphitheatre of expression. Drink 2016-2022.

From my earlier notes of September and (at Gold Medal Plates Toronto) November 2014:

Less than six weeks after my first introduction to the NB ’12 complexity shines anew. Such a delicate and elegant take on the Bordeaux white axiom. Void of all the gangly G’s; grasses, gooseberry and green vegetable. Leans to custards and curds with a savoury accent and a limestone tang. Willing to be paired with a multitude of gastronomy. Long finish. From my earlier, September 2014 note: “Taking what the vintage gives, Rosomel’s Sauvignon Blanc was king in 2012, dominating at a 95 per cent share of the Bordeaux-styled blend with Sémillon. Barrels were stirred weekly during fermentation and the creamy texture thanks that regimen, as does the tannic fullness of the round back-end. It rocks out bracing, formidable and nobly bitter, in pear and its pith, in lemon, of rind and in curd. The SB lounges in tall grasses but avoids goose feathers and blanching veg. So very savoury, in gorse tension, thistle and nettle. These notes all cut through the roundness and are finally tied together by the flinty rock of Rosomel.”

Last tasted April 2015

Hidden Bench Rosé Locust Lane Vineyard 2013, Beamsville Bench, Niagara Peninsula, Ontario (Winery, $19.95, WineAlign)

A meandering young blend of Pinot Noir, Malbec and Viognier that is super dry (3.2 g/L of residual sugar), “hey, hey, my, my.” The aromas suggest a succession from strawberry to green and red onion but “there’s more to the picture, than meets the eye.” The medley, interrupted by ballads and road stories is like a subtle, sweet, sour and savoury gastronomical pickle, ramps in brine, scopes in sweet alkali. Can there be a drier, more windswept crag, neal to a southern French style made anywhere on the Peninsula than from the Escarpment coliseum up on Locust Lane? Drink 2015-2018.  Tasted April 2015

Hidden Bench Bistro Rosé 2013, VQA Beamsville Bench, Niagara Peninsula, Ontario (Winery, $19.95)

While persistent in aridity as a disciple to the Locust Lane, this Bordeaux blend Rosé packs a fruitier punch. Elevated residual sugar (as compared to the Double L) mans a higher rate of variability and accessibility, not to mention more chance of Ontario patio success. This licensee bottling will work for summer, across the province. Drink 2015-2016.  Tasted May 2015

Meg McGrath and and Marlize Beyers of Hidden bench

Meg McGrath and and Marlize Beyers of Hidden bench

Hidden Bench Locust Lane Vineyard Pinot Noir 2011, VQA Beamsville Bench, Niagara Peninsula, Ontario (Winery, $48.00, WineAlign)

Still tightly wound with the tannic grain criss-crossing at interstices of fruit (pomegranate/cranberry/strawberry) and acidity (sharp/pointed/direct). A fine, pointillist’s rendering; Locust as Seurat, nobly bitter, to the end. Drink 2016-2022.

From my earlier note of April 2014:

The Locust Lane Vineyard, originally planted in 1998, was Hidden Bench’s first acquisition, in 2003. It has a unique perpendicular cross-slope effect, undulating in all four directions, gathering sun hours in its own special way. The vineyard produces the richest and warmest Pinot Noir with fruit flavours more akin to ripe plum and black cherry than almost anywhere on the Beamsville Bench, certainly as any from the Hidden Bench stable. While the ’11 is not the biggest beast nor the Bordeaux bully of the Terroir Caché, it is surprisingly tannic and strong. It’s anything but hot, though it attacks with fervor. Big berry fruit, macerated strawberry, rich pie notes and spice. A great Locust vintage.

Last tasted April 2015

Hidden Bench Terroir Caché Meritage 2011, VQA Beamsville Bench, Niagara Peninsula, Ontario (505610, $38.20, WineAlign)

There is so much floral presence in 2011, a showy perfume that parades the relative elegance of Niagara’s Bordeaux reds in the vintage. Structure is comparable to 2010, not in beast mode but rather with a delicacy derived from less burning, high-toned fruit. Still here lays a wine so young, of social encumbrance that might be passed off as a mark of impertinence. This faintly embarrassing condition can be suppressed in a dark cellar, in which the foundation can be laid for the beginning of a cure. The Terroir Caché 2011 will show its best between 2017 and 2020, then develop, slow down, suspend animation and age further, effortlessly and exceptionally. Drink 2017-2024.  Tasted April 2015

Tawse Quarry Road Chardonnay 2012, VQA Vinemount Ridge, Niagara Peninsula, Ontario (Winery, $35.95, WineAlign)

Oh, the accessibility of Quarry Road in 2012. Still totes the emerald shine, the gemstone tannic scrape and yet the flesh is rendered rich, ripe, ratcheted and riled up. This has tonality like never before, layered and strudel buttery. At this point the vines for Quarry are 17 years of age, sophic and erudite, compounded by the organic, biodynamic and prudent pruning practices that have cemented its vigour. The clay-limestone, fresh-mineral, push-pull is a veritable careening of expression. Though its longevity may not pile towards a compressed future like that of ’09 or ’11, the earlier and often response will act both as Chardonnay charming and Quarry Road magnetizing. For the next five years it will be very hard to turn away. Drink 2017-2020.  Tasted April 2015

Tawse Laundry Vineyard Cabernet Franc 2011, VQA Lincoln Lakeshore, Niagara Peninsula, Ontario (130997, $34.95, WineAlign)

A year had added rich note to this ’11, furthering the inflammatory vibrations and purposefulness of Bordeaux (as opposed to Loire) red makings from the vintage. The depth of cherry merging to smoked currants is cool, collected and shaded by brushy, briny strokes. Hints at brambly, even. This is so very Cabernet Franc and even more so, Lincoln Lakeshore. Drink 2015-2019.

From my earlier note of April 2014:

A lean Laundry with as much finesse as winemaker Paul Pender has ever shown in his poignant Cabernet Franc realm. When a vintage deals you calm and scale you sit back and relax. The Lincoln Lakeshore advancing in years vines bring yet unseen front end red berry, licorice and red currant softness in 2011. There is elegance but also a refusal to yield its back end bite. A level of enveloping grain and chalk is unique to this bottle and should be seen as a very good effort with the possibility ahead

Last tasted April 2015

Cave Spring Cellars

Cave Spring Cellars

Cave Spring Extra Dry Sparkling Riesling 2010, VQA Niagara Escarpment, Niagara Peninsula, Ontario (Winery, $24.95, WineAlign)

From the clay-limestone bench lands abutting the Escarpment, specifically one block of 11 year-old vines at the Beamsville Bench Cave Spring Vineyard. Traditional method fizz accessed of low brix (early picked, 19.3 degrees) and mortar (2.97 pH) numbers, then elevated under microscope magnified sugar (15.5 RS g/L) and acidity (8.4 g/L). So what? So this is a pure CS expression of Riesling, cured and curated in the house style, led to textile weave from 14 months on the lees and finalized just that side of Brut. Functions like a Blanc de Blancs suitably this side of acidity rage and with corresponding remarkable, if close to impossible aridity. Less fat than might be expected and with a swath of sauvage. There sweats ginger and the cuttings of foraged wild things. The extension on the finish is protracted even after the liquid has left the building. Finishes with dry stones, nuts and a rightful oxidative thrust. Drink 2015-2020.  Tasted April 2015

Cave Spring Csv Riesling 2013, Cave Spring Vineyard, VQA Beamsville Bench, Niagara Peninsula, Ontario (566026, $29.95, WineAlign)

That flesh, that Kabinett flesh, fills the CSV in every crevice. In 2013 the residual sugar number lies between 15 and 16 g/L, and though the crop was bigger, it was still picked later than in 2012. The result is formidable corporeal concentration, consistency of house style and perhaps the only ’13 Niagara Riesling to imitate, perpetuate and extrapolate on the vintage that came before. This Cave Spring concentrates fruit and Escarpment into a powerful Riesling, streaming like charged particles through changing expressions. A lingering ascension hovers as it rises, until it slowly fades into the welkin, like a balloon that languidly gets lost into the blinding blue of a midday sky. Drink 2017-2025.  Tasted April 2015

Cave Spring Riesling ‘The Adam’s Steps’ 2013, VQA Beamsville Bench, Niagara Peninsula, Ontario (26372, $24.95, WineAlign)

At present there are sweets, bitters and rich Adam fruit. Only the shadows of a limestone outcrop near the crest of the Niagara Escarpment know why the Adam is so juicy. A chew like no other. Drink 2015-2020.

From my earlier note of October 2014:

A classic Adam, amplified in 2013, riper and not as piercing as previously noted vintages. Still the layering is omnipresent but there is more juicy fruit and texture then ever before. This is a consumer friendly Adam, gregarious, outgoing, off-dry as never before. New slang for the bottling.

From my earlier note of July 2014:

According to Cave Spring’s website this newer Riesling from older (18 to 35 year-old plantings) is from “a single block of vines in the shadows of a limestone outcrop near the crest of the Niagara Escarpment, known as ‘The Adam Steps’. Really apropos, for this Riesling is the cantilever, the one with the outstretched arm. At 10.5 per cent alcohol and with an unmistakably stony, sweet and sour whiff the wine speaks of its off-dryness. The juiciest of all the Cave Spring Rieslings, with rounder acidity and good persistence. This is the all-around good guy, the one with an open invitation, the bridge from Estate to Dolomite to Csv. The well-adjusted one steps up its game to help win one for the team, especially out of the convivial 2013 vintage.

Last tasted April 2015

Cave Spring Cabernet Franc 2012, VQA Beamsville Bench, Niagara Peninsula, Ontario (391995, $19.95, WineAlign)

The 2012 Cabernet Franc needed six further months for the high-toned fruit to settle just enough for the spiced richness to shine. Though Dolomite-designated, this sheds Beamsville light purity, along with a grain variegated by (pomegranate) citrus and chalk. The cool centre is elongated and expansive though it seems to inuit the correct time for retraction. The aerial fruit stresses condense and accept the angles prepared by coriander and eucalyptus. Drink 2015-2018.  Tasted April 2015

Flat Rock Cellars Chardonnay 2012, VQA Twenty Mile Bench, Niagara Peninsula (681247, $16.95, WineAlign)

The Twenty Mile Bench in Jay Johnston’s hands flat out rocks. The Chardonnays “they dig a funky spiel, they’ll make some spiel.” The ’12 Estate has crossed into pretty territory, not shy to wear its thin lamina of oak make-up and not too proud to say drink me now. Drink me here, there and everywhere. Drink 2015-2017.

From my earlier note of March 2014:

Has spent some quality time and knows its way around a barrel but its attitude is young, fresh and alive. From 12 and 13 year-old estate vines and kissed by only 15 per cent new oak. “But here’s a funky fact that I know is real.” Flat Rock’s Chardonnays are red hot and this fresh-faced ’12 has “baby appeal.” Blatant, colorable value on the Twenty.

Last tasted April 2015

Flat Rock Cellars Nadja’s Vineyard Riesling 2014, VQA Twenty Mile Bench, Niagara Peninsula  (578625, $19.95, WineAlign)

Always expressive of such manifest certitude, the 2014 can’t be anything but Nadja though there adds a fleshy dimension that pins it to the broader spectrum of Twenty Mile Bench, in as much as what the vineyard culls from its capacious diagrammatic. That broader outlook provides understanding into Nadja’s decrease of stentorian language in the fractionally stagnant vintage. There is a variegation within the sweetness lining the tunnel of aridity. Fourteen is nothing overly special and Nadja suffers as a result. It’s still a very, very good Riesling, just not one for the ages. Drink 2015-2019.  Tasted April 2015

Flat Rock Cellars Pinot Noir 2012, VQA Niagara Peninsula (1545, $18.95, WineAlign)

The vintage acts as a launch point for Flat Rock Pinot Noir and prepares a palate for the 20 Mile Bench by coating it with utmost approachability. Violets and Nebbiolo-like roses are raised in warmth, albeit beneath the safety net of cloud cover. You’ll find no burn, rust spots and yet you will acquire comfort, in and out of sips. Drink 2015-2018.

From my earlier note of April 2014:

As with Flat Rock’s Chardonnays, here is a vintage and an evolutionary coming of age that becomes a matter of scaling back oak. The quotient here is less than 40 per cent new, leaving the wizened vines and maker’s acumen to coax maximum character, brilliant sheen and recognizable aroma. The 2012 Pinot teases black cherry but never really goes there.

From my earlier note of February 2014:

Nearly 4000 cases will be available of this nearly-unfiltered, very established and always well-thought out Pinot Noir. A consideration of the plots and barrels micro-management that determine the crasis of this Estate wine demands an extrapolation in full-on assessment. The medium-coarse Chinois filtering lends to a tannic chain of texture thick in grain and chalk. A heavier Estate because when the weather gives you heat you make a climate appropriate wine. This monkey is not a product of arctic air and it “got too deep, but how deep is too deep?” Thermal vintage melt, ritzy ripe cherry stuff in 2012. From the Ritz to the Rubble, if you like, or the Flat Rock.

Last tasted April 2015

13th Street Pinot Gris 2012, VQA Creek Shores, Niagara Peninsula, Ontario (Winery, $19.95, WineAlign)

From two blocks on one farm in the centre of Creek Shores, one picked earlier to avoid botrytis. No malo, stainless steel tank fermentation leads to pure, crisp and clean Pinot Gris. The soil-driven funk meets faux-sulphur is typically J.P. Colas, a specificity in undertone that culminates in a dry, variegated finish. Drink 2015-2017.

From my earlier note of April 2014.

Here you have an honest, 100 per cent stainless steel treated Pinot Gris from an estate vineyard located adjacent the market on Fourth Avenue in the Creek Shores appellation. So very dry and really fine fruit, crisp, neoteric, rising and falling in waves of tempered acidity. Made in a comfortable, country-twanged, folk-rock style, like a Cowboy Junkie. Juicy, mouth watering work and very easy to fall for. An angel mine, this 13th Street, “and I know that your skin is as warm and as real as that smile in your eyes.” This effort by Jean-Pierre Colas is as good as it gets, a tally for Creek Shores and its kinship with the variety.

Last tasted April 2015

13th Street Gamay Noir 2013, VQA Niagara Peninsula, Ontario (177824, $19.95, WineAlign)

Four months has upped the funk in for ’13, with tar and bitters still and thick as summer air. Rich and ripe, notable for its black cherry aroma and that J.P. Colas natural truncation. Unique, as always and very Gamay. Drink 2015-2019.

From my earlier note of December 2014:

Fruit was sourced from both the Sandstone and Whitty Vineyards for 13th Street’s Gamay Noir, a focused and gritty adjunct in ode to the Cru Beaujolais approach. This ’13 raises the aromatic and texture bar and just may be the most striking from a 13th Street estate mix. All the important berries are there, as are the mineral quandaries. In a Gamay moment this will lead you to gulp and giggle with #GoGamayGo delight.

Last tasted April 2015

13th Street Syrah ‘Essence’ 2012, VQA Niagara Peninsula, Ontario (177824, $44.95, WineAlign)

Fruit was sourced mainly from Wismer Vineyard (Vineland) and a smaller proportion from AJ Lepp (Niagara-on-the-Lake) for this dry as the desert Syrah of deep extract, warmth and density of fruit. All set upon a highly tannic frame, with every indication that longevity will be its best friend, as much as any red has ever been produced in Ontario. A formidable vulcanization marks the entry, a not so inappropriate entreaty to beg for time and lots of it. The current pavane of fruit is exhibitive of excruciating physical reticence though behind the wall there is more than enough indicators to stand the test of time. No new oak (though the Essence saw an extended slumber in three to four year old barrels) has allowed the tapestry of intertwined layers to set up shop and dig in for the long haul. If big-boned Syrah and Niagara are in your cellar plans, this 13th Street 2012 has to have a prominent place. Drink 2020-2027.  Tasted April 2015

Malivoire

Malivoire

Malivoire Rosé Moira 2013, VQA Beamsville Bench, Niagara Peninsula, Ontario (Winery, $19.95)

A dual block blush, from two clones in the Moira Vineyard. Made from 100 per cent Pinot Noir, this second vintage is pale as can be, dry, saline and reeking of fresh peaches and strawberries. The level of purity and intensity is nothing short of amazing. This will rise quickly into the ranks of the Peninsula’s finest Rosés. Drink 2015-2017.  Tasted April 2015

Malivoire Pinot Gris 2014, VQA Beamsville Bench, Niagara Peninsula, Ontario (Winery, $19.95, WineAlign)

The purity and fine-lines of Pinot Gris are defined, delineated and deftly prepared by Shiraz Mottiar and team in 2014. This is a calm rendition, void of tremors, certainly not taking any risks but also not a white of unfulfilled promises. Herbs, lemon, mint and fine PG tannin draws salt from stone. A perfectly dry finish is in play, as with all malivoire whites, to cement the deal. Drink 2015-2018.  Tasted April 2015.

Malivoire Stouck Meritage 2011, VQA Lincoln Lakeshore, Niagara Peninsula, Ontario (Winery, $29.95, WineAlign)

It’s hard to recall memories of so much syrup, liqueur and high tonality as coming from Stouck, from any Meritage for that matter and yet the 2011 Bordeaux varietal wines out of Niagara continue to astound. If excess or vivid character is a negative, just look away. The combination of rich extraction and explicit oak generosity dope out fruit from a dry September into wonders of dried timbre and inflection. The drupe is enriched, as is the tannin and a Beamsville buttressing that warps and wraps like never before. At this four-year juncture, the Niagara ’11 varietal compendium is officially a thing, witnessed in example through this Stouck. More than just dramatic Shiraz Mottiar foreshadowing here, but further into thoughts of what vintages co do for red wine as a Peninsula whole. The ’11 Stouck Meritage stands upright at the mirror and its reflection looks right back. Drink 2017-2021.  Tasted April 2015

Malivoire M2 Small Lot Gamay 2013, VQA Niagara Escarpment, Niagara Peninsula, Ontario (Winery, $19.95, WineAlign)

The profundity of tart, keen, briny berries dilates in its own very useful layers of citrus, tannin and concentration, beyond even what was observed in 2012. The zesty, spritely argot resonates from the unfurling of floral essentia out of a Gamay in desperate need of time. The flavours and overlay are somewhat impenetrable and yet leave quite an impression. While patience might be the virtue and the reward, if #gogamaygo is the modus operandi, a swig from the bottle like gentlemen of the road is certainly not out of the question. Drink 2016-2021.  Tasted April 2015

Charles Baker Riesling Ivan Vineyard 2014, VQA Niagara Escarpment, Niagara Peninsula, Ontario (Winery, $27.00, WineAlign)

From the rich limestone and sandstone beneath the clay, 1.1 acre Misek vineyard, a southerly ledge up from Highway 8 and an easterly hill down from Cherry Avenue. A very linear Ivan combs the catacombs of the Escarpment’s underpinning. A retaining wall of vintage attenuated rocks and stones, a vineyard’s low yields and the voices in Charles’ head have produced a striking Riesling. In 2014 adolescence has entered adulthood. Now before us is a grown up Ivan, mature Ivan, maybe even wise Ivan. Texture is in manifest control in this loyal, stay at home Baker, not yet running wild like free-spirited Picone. Ivan has presence, sometimes a great notion and is Baker’s longest bit of prose to date. The next great Riesling vintage will make it iconic. Drink 2016-2020.  Tasted April 2015

Charles Baker Riesling Picone Vineyard 2008, VQA Vinemount Ridge, Niagara Peninsula, Ontario (126433, $35.20, WineAlign)

The petrol and mighty bee’s sting have taken over, with the honey again not far behind. A lemon prepares to spill its juices as it warms above a bunsen flame. At present it is almost too elemental to define. Will change course again when midnight strikes in 2016. Then it will come into its own. Drink 2016-2020.

From my earlier note of April 2014:

Tasted at Somewhereness 2014 as part of a vertical retrospective going back to 2007. The Vinemount Ridge’s now famous Picone Vineyard is set within a 10-acre estate on the Niagara Escarpment. Planted to the Weis 21 clone, the Riesling grown here digs in for complexity from sectional moieties of clay and sandy soil atop a unique base of limestone bedrock. Charles Baker began working with these grapes in 2005 and it is this 2008 where the learning curve took a turn for the Riesling stratosphere. The ’06 found luck in the stars but this vintage lays the framework and foundation for a master plan. At this stage in the ’08 evolution there is a prodigious and viscous honeyed textured. Ripening tree fruit juices run like maple sap in spring and the run off is beginning to think syrup. A cutting ridge of acidity arrests the sugaring, allowing citrus and flinty rock to recall the wine’s first, fresh steps. Baker’s Riesling time travels in circles with no real beginning and no real end. From my earlier, September 2012 note: ““Whoo-ahhh” Mojito, green apple skin scent of a Riesling. Seductive to sip, a bodacious body of influence, then back-end bite. A wolf pack in sheep’s clothing.”

Last tasted April 2015

Stratus Vineyards

Stratus Vineyards

Stratus Wildass Rosé 2014, VQA Niagara Peninsula, Ontario (71712, $17.95, WineAlign)

A blend of Cabernet Franc and Merlot with some Sauvignon Blanc and Riesling added for lift and what J-L Groux admits is rendered “for the consumer.” This essentially marks the twain between sweet and dry, if not quite halfway then pretty darn close. Plenty of herbs and citrus nail the aromas on the proverbial head with more than a grapefruit or two on the half circle. A highly approachable, end-user friendly blush. Drink 2015-2016.  Tasted April 2015

Stratus White 2012, VQA Niagara On The Lake, Ontario (660704, $44.20, WineAlign)

In 2012 the blend is Chardonnay, Sauvignon Blanc and Riesling. Viognier was left out because according to winemaker J-L Groux “it did not work in blending trials.” The vintage has laid the foundation for the most density, and unctuous fruit for the Stratus White in what must be, ever. At the high aromatic end there is peppery beeswax, reverberating and echoing in scales and arpeggios. Like an open string singing warmly, the vintage, extraction and residuum combine for texture in mottled unction. Sapid lemon, more beeswax and lanolin mark the palate and then the White drifts into spaces occupied by smoky, back beats and bites. This has great pitch with a knowledge of the path to pleasure. Drink 2017-2025.  Tasted April 2015

Stratus Gamay 2012, VQA Niagara On The Lake, Ontario (Winery, $29.00, WineAlign)

t may not be the most idiosyncratic Gamay in Niagara but the Stratus 2012 is without a doubt the most advanced and complex. Gamay fusion is on display, at once a bottle of Niagara’s finest pulchritudinous veneer and then a charcuterie board laid ample with cured bovine parts and sun-dried grapes. Maximum ripeness and then even later picking, to no one’s surprise, have led to this. Two years of ageing in neutral oak barrels has brought about a humid roundness and yet the centre is controlled by Oz-like mint and eucalyptus notes. The jam is gelid, as opposed to temperate. Rarely does Gamay go to such depths, of blackberry, chalk and grain, with an overlord of tannin. Quite serious stuff. Drink 2017-2020.  Tasted April 2015

Stratus Red 2012, VQA Niagara On The Lake, Ontario (131037, $44.20, WineAlign)

The Stratus Red 2012 resides both in a virtuoso’s hollow and in a pantheon inhabited by some of Niagara’s great reds. The fact that such ripe phenology can anticipate and foretell to balance and freedom in the byplace of the blending process is nothing short of amazing. Sinuous and exact, of berries so indefatigable, layering raspberry over blackberry atop strawberry. Cedar and red citrus compound, without jamming the fluidity, but certainly accentuating the Fragaria vesca. Confident and fluid in movement, the ’12 neither shakes nor stirs and its acidity is flat out terrific. At this early point in its evolution it is showing as well as could be expected, or hoped for. Its core of fraises du bois will always be there. Time will be kind, gentle and patient. Drink 2015-2024.   Tasted April 2015

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