Stoked for Cool Chardonnay

This time next week I’ll be parked front and centre at White Oaks Resort in Niagara for the i4C 2018 School of Cool, presented by VQA Wines of Ontario, The Wine Marketing Association of Ontario, the Grape Growers of Ontario and Wines of Chablis.  You can to if you manage to grab one of the few remaining tickets.

Related – International Cool Climate Celebration

Session One, The Perception of Chardonnay will be moderated by Dr. Jamie Goode, Session Two, Desert Island Combo – Chardonnay and Cheese by Peter Rod and Session Three, Raising Chardonnay by John Szabo, MS. I’ll continue on to join in the cool festivities all weekend long. Friday evening’s Flights of Chardonnay event will be held once again at the Niagara District Airport and the Saturday night Cool Chardonnay World Tour Tasting & Dinner will take place at Ridley College, St. Catharines, Ontario. On Sunday morning Ravine Vineyard will play host to the Moveable Feast Brunch.

Related – Tasting Ontario Part Two: Chardonnay

This year, 63 winemakers from ten countries will be pouring 165 wines in Niagara from Friday, July 20th to Sunday July 22nd. Let’s get into the spirit and check out 11 of my most recently tasted chardonnays.

Westcott Chardonnay Lillias Unoaked 2017, VQA Vinemount Ridge, Niagara Peninsula, Ontario (425322, $12.25, WineAlign)

Lillias is petit chardonnay, unoaked, made in a decidedly Petit Chablis style, slightly lactic and fresh as picked calla lilies without too much scent. The texture and palate feel on Westcott’s 2017 is richer than it was before, with thanks to a hot September and so weight meets alcohol are up there with some barrel-aged cousins. Minus the vanilla and butterscotch of course. Easy drinking to be sure and just might lead to a good time. Drink 2018-2019.  Tasted July 2018  westcottvineyards  @WestcottWines  @westcottwines

Cave Spring Chardonnay Musqué Estate Bottled 2016, Cave Spring Vineyard, VQA Beamsville Bench, Niagara Peninsula, Ontario (246579, $17.95, WineAlign)

Very floral, of course, a potpourri that includes roses, orange peel, geranium and south asian fruit. It’s almost tropical like viognier or even gewürztraminer so you could wonder if this is 100 per cent musqué but really it’s just a matter of a warm year making for soft chardonnay. Drink 2018-2019.  Tasted July 2018  cavespringcellars  thevineagency  @CaveSpring  @TheVine_RobGroh  Cave Spring Cellars  The Vine

Malivoire Chardonnay 2016, VQA Beamsville Bench, Ontario (573147, $17.95, WineAlign)

It almost seems a guilty pleasure or even a shame to be this taken by Malivoire’s entry-level chardonnay because it seems as though it will steal the lime, spot and ultra-violet light away from the serious and essential Mottiar and Moira chardonnays. Winemaker Shiraz Mottiar has really taken the varietal by the horns but the thanks has to begin and be granted the excellence of viticulture in these Beamsville Bench vineyards. How at this price you can strike such a mutually beneficial accord between fruit and wood is beyond me, first with so many thoughts of apples, pears, peaches and nectarines, then the verdant sweetness of lime-caramel and spiced vanilla. It;s all very subtle but also generous. Regional level chardonnay in Ontario at its finest. Drink 2018-2020.  Tasted July 2018  malivoire  noble_estates  @MalivoireWine  @Noble_Estates  Malivoire Wine  Noble Estates Wine & Spirits

Cave Spring Chardonnay Estate Bottled 2016, Cave Spring Vineyard, VQA Beamsville Bench, Niagara Peninsula, Ontario (256552, $18.95, WineAlign)

High quality fruit with the creaminess of apple purée keeps its bite with thanks to proper barrel use though I can’t help but think this almost feels unoaked, relatively speaking. This might also be a result of the floral perfume, perhaps by musqué but also a vintage feel. The wood comes through late with a white peppery pique of spice. Drink 2019-2021.  Tasted May 2018  cavespringcellars  thevineagency  @CaveSpring  @TheVine_RobGroh  Cave Spring Cellars  The Vine

Thirty Bench Winemaker’s Blend Chardonnay 2016, VQA Niagara Peninsula, Ontario (547877, $19.95, WineAlign)

In many ways there is more richness and warmth from the Winemaker’s Blend, a multi-vineyard broad expression that could also be called “Signature,” as in typical of the estate style but not necessarily something that defines the winemaker. It’s a boozy chardonnay by regional standards, with full advantage taken from sun and wood. Notes of caramel, vanilla and spice form a malleable shell around creamy orchard fruit. Calls for whole grilled fish, sweet herbs and citrus. Drink 2018-2020.  Tasted May 2018  thirtybench  pellerwines  @ThirtyBench  @PellerVQA  @ThirtyBench  Andrew Peller(Andrew Peller Import)  Emma Garner

3XP Chardonnay 2016, VQA Niagara Peninsula, Ontario (Agent, $20.95, WineAlign)

 3XP is the triumvirate styling of Tawse winemaker Paul Pender, Ontario wine importer Nicholas Pearce and Sommelier Will Predhomme. It’s the latest song release in the epic Pearce-Predhomme négoce journey, a progressive-art-album rock venture replete with eleven-minute opus material, but this one is the hit with a recognizable and catchy hook. It’s Hungry Heart, I Will Get by and Lucky Man wrapped up into one three-minute chardonnay play. The sip-swirl-swallow trilogy is like verse-chorus-verse and repeat. It’s straightforward sharp, tart and flavourful chardonnay that only Paul Pender could make and it’s consume-ability factor is one of threefold manifest destiny. The number three is a very important number in biblical and mythological study. It “is the first number to which the meaning “all” was given. It is The Triad, being the number of the whole as it contains the beginning, a middle and an end. The power of three is universal and is the tripartide nature of the world as heaven, earth, and waters. It is human as body, soul and spirit.” As for this PPP chardonnay, just drink it up and enjoy. For the next three years. Drink 2018-2020.  Tasted July 2018  pearcepredhomme  nicholaspearcewines  tawsewinery  @PearcePredhomme  @Nicholaspearce  @Tawse_Winery  Nicholas Pearce  @tawsewines

Jackson Triggs Niagara Estate Grand Reserve Chardonnay 2016, VQA Niagara Peninsula, Ontario (Winery, $20.95, WineAlign)

A classic Marco Piccoli composition, optimum ripeness of orchard phenolics-developed fruit and plenty of generosity from aging in barrels. Yes chardonnay is different to everyone and Piccoli takes full advantage of the chameleon, even simplifying with that unblemished fruit and lots of wood. It’s like perfect apples in the top-end market from which you may not get that organic fuzzy feeling but you will get the perfectly modern and scientifically successful bite of life. Then take the fruit and make it richer, brown buttery and soft. All good if only there was less wishful thinking for more synchronicity and length. Drink 2018-2020. Tasted twice, first blind at NWAC18, June 2018 and then July 2018  jacksontriggsniagara  #ArterraWines  @Jackson_Triggs   @JacksonTriggs

Tawse Chardonnay Sketches 2014, VQA Niagara Peninsula, Ontario (89037, $21.95, WineAlign)

At this point in time Sketches represents terrific value in Ontario-bred chardonnay because with an extra year or two in the rear-view mirror it has settled into a lovely place where nuts, caramel and baked goods are all beginning to show. It was a lean chardonnay to begin with so don’t expect any overtly creamy textural notes, least of which might be creamed corn. Bigger oaked versions in vintages like 2014 might go to such a comfort zone but this Sketches stays the green apple and piqued spice course. There are some lingering notes of melon and flowers at dusk so just enough freshness persists to carry this through another year or so of open window drinking. Drink 2018-2020.  Tasted June 2018  tawsewinery  @Tawse_Winery  @tawsewines

Flat Rock Cellars Chardonnay The Rusty Shed 2016, VQA Twenty Mile Bench, Niagara Escarpment, Ontario (1552, $26.95, WineAlign)

The 2016 is less a matter of chardonnay spirit and more falling along rich, buttery and vanilla-caramel lines. Might be the most zaftig Rusty Shed tasted in quite some time. Go after this FRC chardonnay with immediate and desperate intentions. It will really satisfy for a year or two. Drink 2018-2020.  Tasted July 2018  flatrockcellars  @Winemakersboots  @FlatRockCellars

Rosehall Run Chardonnay JCR Rosehall Vineyard 2016, VQA Prince Edward County, Ontario (Winery, $29.95, WineAlign)

First and foremost there is so much charm here, from great fruit, mostly orchards of apple and citrus, then just a hint towards tropical. All impressive from a pottery vineyard coming of age into its later teens and capable of retaining soluble nutrients during stressed times. An elemental and kissed wet stone design runs through like veins carrying white blood cells to the fruit’s organs and extremities and so the drought vintage was no worthy adversary to the JCR. Dan Sullivan’s top chardonnay comes replete with high level, quality and pointed fineness of acidity. Drink 2019-2022.  Tasted twice, blind at NWAC18 and July 2018  rosehall_run  @Rosehall_Run  Rosehall Run Vineyards

Closson Chase Vineyard Chardonnay 2016, VQA Prince Edward County, Ontario (148866, $29.95, WineAlign)

A terrific vintage for the Closson Chase fruit, easily ripened and developed of phenolics all in and more glycerin than might ever be expected. It’s punchy and reductive chardonnay with a savoury candy shell protecting real, honest to goodness PEC fruit. There is a decided level of vanilla and caramel folded into fruit like great batter at the rippled stage just before its poured into the pan. Makes for wonderful expectation to see how it might taste once the baking is done. Drink 2019-2024.  Tasted July 2018  clossonchasevineyards  @ClossonChase  @ClossonChase

Good to go!

Godello

Twitter: @mgodello

Instagram: mgodello

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Castello di Ama’s state of the art

Two months ago yet another Toscana adventure came to a close. The tastes and sights indelibly stamped are etched forever in memory. Before moving on down the SR2 from Siena to Montalcino we paid the most profound and contemplative Chianti Classico visit of all, sulle colline di Gaiole. To a place where wine, art and landscape interact, variegate and intertwine. A place where the slow pace of play is grounded in grace and nature slowly renders an intoxication of faith. Where the exceptionality of place, experience and innovation can’t be underestimated, not at Castello di Ama.

La Cappella di Villa Pianigiani (18th century)

It was mid-August 1995 and my wife and I were on honeymoon, holed up in a little nook of Castelnuovo Berardenga near Ponte e Bozzone, just outside of Siena. We used this idyllic spot as our base camp from which to explore Chianti Classico for two full weeks that summer, which incidentally was cool, often rainy and now, none to my decades of studiously learning about sangiovese surprise later, proved to have resulted in turning out some elegant and structured wines.

One day we drove up into the Gaiole in Chianti hills, up a long drive past what I now know as Vigneto Bellavista and parked on a crest of gravel straddling the picturesque vineyard on one side and on the other, Vigneto San Lorenzo of Castello di Ama. Just as it was on February 15th of this year, the scene was one of stillness and tranquility, frozen in time, albeit memory delivers the picture in black and white. We wandered aimlessly, taking in the vines and the quietude when a small voice came rising from a dwelling in the tiny hamlet. An old woman motioned for us to come down the steps and into a small room. We tasted a few sangiovese, purchased a few bottles and were on our way.

La Cappella di Villa Ricucci (18th century)

The woman was likely Lorenza Sebasti’s grandmother and five years ago I recounted the story for her when Lorenza was pouring Ama’s wines at their Ontario agent Halpern’s annual grand tasting. Her name was Ermellina, Lorenza’s nana that she called Mami. She could perhaps have been the fattoressa, or agente fondinario, land agent to the hamlet of Ama which takes its name from a small borgo, or agricultural village, nestled in the Gaiole hills at an altitude of almost 500 metres. Five centuries ago, it was the hub of a florid farming and winemaking business overseen by a group of local families. “The road from Radda leads to Amma, three miles away on a hill and home to the Pianigiani, Ricucci and Montigiani – the most prominent families in Chianti,” wrote Grand Duke Peter Leopold of Habsburg-Lorraine in his 18th-century Report on the government of Tuscany.

The winery was founded in the 1970s by a group of Roman families; Tradico, Carini, Cavanna and Sebasti and in the 1980s Lorenza’s husband Marco Pallanti, a Tuscan, took over the winemaking duties. Pallanti is a former President of the Consorzio Vino Chianti Classico and the pioneer who undertook one of the most ambitious vineyard transformations in the region’s history during a five-year period in the 1980s when he chose to re-trellis 50,000 vines (planted to 2,800 vines per hectare) to an open lyre system. Much of the vineyards were also grafted to new sangiovese clones and other beneficial varieties (like merlot) to take advantage of Ama’s specific topography and singular geology.

Carlos Garaicoa, Yo no quiero ver mas a mis vecinos

Castello di Ama’s 80 hectares of vineyards surround the hamlet of Ama by an extended radius of three kilometres at altitudes ranging from 450 to 550 metres above sea level. The four valleys are marked by harvested Galestro rock at the top of each vineyard; Bellavista, San Lorenzo, Casuccia and Montebuoni. Bellavista stands apart because set atop that hill at an altitude of 490m is the block that is used to make L’Apparita, Tuscany’s first pure varietal merlot. In 1975 this portion was planted with canaiolo and malvasia bianca, then grafted over with merlot clone 342 between 1982 and 1985.

Kendell Geers, Revolution/Love

The village of Ama is made up of aggregate buildings of medieval origin, along the axis of a main street and essentially protected by two villas on either end; Ricucci and Pianigiani. There are three small chapels, one dedicated to the Blessed Virgin of Carmine, at the Villa Pianigiani. The second, along the main street, is dedicated to San Lorenzo and the third, dedicated to San Venazio, in the garden of Villa Riccucci.

Michelangelo Pistoletto, L’albero di Ama

Marco Pallanti is proud of the more than 35 years of work and adventure he has poured heart, mind and soul into the purity of these Gaiole hills. “It is important for wines to maintain a link to their place of origin” he writes. “The fundamental idea of tasting a wine and displaying the vines from which it comes. Wine has to spring from the rocks of the vineyard and reflect the sun, the season, the heavens of that hill, in that moment.” Pallanti’s notion of connecting the past, in viticulture, viniculture and architecture with the future is manifested through 15 art installations on or abutting vineyards, set into landscapes and occupying cellar spaces. “To give the illusion of being able to perfect perfection,” he expounds from grape and through the intangible gift, to “make seen what cannot be seen.”

Ilya & Emilia Kabakov, The Observer

The 15 site-specific installations are a collection of explicitly contemporary works still in progress, all created to marry place and idea. The artists commissioned and represented are Michelangelo Pistoletto, Daniel Buren, Giulio Paolini, Kendell Geers, Anish Kapoors, Chen Zhen, Carlos Garaicoa, Louise Bourgeois, Cristina Iglesias, Nedko Solakov, Ilya and Emilia Kabakov, Pascal-Martine Tayou, Hiroshi Sugimoto, Lee Ufan and Roni Horn.

Hiroshi Sugimoto, Confession of Zero

Once inside the tasting room at Castello di Ama Marco led John Szabo M.S. and I through the estate wines, focusing as we should on the four vineyards, Bellavista, San Lorenzo, Casuccia and Montebuoni. Here are my reviews on the six wines tasted.

Marco Pallanti, Godello and John Szabo M.S.

Castello di Ama Purple Rosé 2017, IGT Toscana, Italy (Agent, $20.85, WineAlign)

Bottled recently, going to market on March 1st, this is sangiovese with a minor amount of merlot, a new Rosato for Ama, really fruity, of an amazing colour, viscous, spicy, tart and so bloody delicious. Savoury and herbal moments but always that return to fruit. A touch of citrus pith and tonic mark the finish. Very fresh and spirited Rosé and I can’t imagine anyone not wanting to drink two glasses. Drink 2018-2019.  Tasted February 2018

Roni Horn, Untitled

Castello di Ama Chianti Classico DOCG 2015, Tuscany, Italy (Agent, $34.95, WineAlign)

The artist now known simply as “Ama” is a highly touted, self-reflective sangiovese with fruit to end all fruit, every iota of sensory and sensual fibre filled in and a deeply inward, charted impression. The first vintage was 2010, when Gran Selezione began its newly classified journey, so this is the sixth instalment in the Ama new age. The Chianti Classico equivalent of a Bordeaux Château’s estate wine, the one to explain the house style and philosophy. Needs three more years to develop all its charms and move to the next stage of its life. There are 90,000-100,000 bottles produced.  Last tasted February 2018.

“The road from Radda leads to Amma,” where some of Chianti Classico’s most fertile land treats sangiovese vines as if they were planted in a garden. Hard not to experience this Gaiole Chianti Classico as a sangiovese of extreme youth for a quick to bottle Ama, so floral and what just has to be so as a result of some whole cluster, feigning carbonic and hyperbole of managed freshness. Some exotic spice in perfume and real, certain, credible clarity. Not that this will entertain notions of Ama longevity but the purity clarifies the 2015 vintage position of consumer and critical mass quality. Drink 2018-2024.  Tasted February 2017  @CastellodiAma  @castellodiama  @HalpernWine  castellodiama  halpernwine  @halpernwine

Questa non è una finestra, @castellodiama an instrument through which something is represented. #danielburen #chianticlassico #landscapepainting … Daniel Buren, Sulle vine punti di vista

Castello di Ama Chianti Classico Gran Selezione DOCG San Lorenzo 2014, Tuscany, Italy (418897, $48.95, WineAlign)

San Lorenzo is not actually a single-vineyard wine though the fruit source depends highly on this side of the estate. It is in fact a blend of all the best places of the property and from a vintage out of which no La Casuccia or Bellavista were made all the best fruit (including some merlot) ended up in San Lorenzo. The quality of the acidity and the tannin separate this from Ama but that wine’s pedigree should not be in question for it remains the broadest, most appropriate brushstroke for Ama. San Lorenzo delivers a domino structure, stacked and yet imagined as fallen, a set of roads and walls to walk and climb along, to eventually arrive at a pre-destined destination. This is the white meets grey meets sandy brown limestone of the broad amalgamation of the mineral estate, salty and rich, with depth into a grotto.  Last tasted February 2018.

Even with the benevolent San Lorenzo as the sample size, going at 2014 Gran Selezione is like trying to crack a walnut shell with your teeth, the husk so tough you might break two or more trying. What is noted in the single-vineyard San Lorenzo is a hyperbole of 2014’s general characteristics; firm grip, savour, herbology and liqueur. There is extreme Gran Selezione personality humming in San Lorenzo and help me if two years are needed simply for assessment and five for the drinking window to open. The attention to soil and Ama’s prized Gaiole in Chianti Climat is duly noted, as is the careful selection from the vintage. I will say this. No amount of selection, barrel or time can allow Gran Selezione to escape from 2014. In the short term it will be a downfall, in the long, long, long run a blessing. Drink 2021-2031.  Tasted February 2017

Castello di Ama Chianti Classico Gran Selezione DOCG Vigneto Bellavista 2013, Tuscany, Italy (Agent, $242.59, WineAlign)

You just have to stand and gaze out over said vineyard to feel the awe and then to understand its connection, for Castello di Ama, to the Gran Selezione category. The rise up to and astride the estate is a collina rocciosa so singular to Gaiole in Chianti. If it is not correct to intuit, self-convince and deduce that Bellavista just tastes like the salty, calcareous and deeply stony white rocks of that blinding light vineyard then so be it. The wine is saturated beyond imagination and without any possibility of feeling chalky on the palate. If this isn’t Grand Cru Chambertin or Montrachet in red, Chianti Classico form, then no wine in Toscana can be considered as such. That it also carries in pocket the great ripeness of sangiovese fruit, streamlined acidity and mille-feuille tannin is a variegation of thought to consider at every smell, taste and turn. Just amazing for the vintage with non-aggressive though confident tenets of structure. A Gran Selezione generally in production of four to six thousand bottles. Drink 2021-2031.  Tasted February 2018

Giulio Paolini, Pardigma

Castello di Ama Chianti Classico Gran Selezione DOCG Vigneto La Casuccia 2013, Tuscany, Italy (Agent, $242.59, WineAlign)

Vigneto La Casuccia is a vineyard with different qualities in the stones of the soil and with malvasia nera accumulating another level of spice, even spicy when you taste. The sangiovese nose is deeper in fruit, bricks baked in and in emission of a graphite sensation, with more and differing effects brought on by limestone, though in apposite effect by the Galestro of Bellavista. The acidity is even more striking than what is derived from the adjacent block and the tannin stronger, broader, more obvious though never over-demanding. If apprised in the poetic terms of a haiku, this may deal in the facile of a read while mired in the inability to ascertain ultimate meaning. We’re only in the first incomplete five words at this stage and it will be five more years before we can say the next seven will even enter the discussion. So be patient. As with the Gran Selezione Bellavista the production is generally in the range of four to six thousand bottles. Drink 2022-2034.  Tasted February 2018

Anish Kapoor, aima

Castello di Ama L’Apparita 2013, IGT Toscana, Italy (Agent, $242.59, WineAlign)

Castello di Ama L’Apparita IGT Toscana is merlot from atop the Bellavista hill and you just might see an apparition if you wander the rows in the dead of night. In reality, on a clear day when happening upon the vineyard, this is the spot from which the towers of Siena will appear. The first L’Apparita was 1985 so it is this 27th from 2013, with only 2002 and 2012 having been avoided. Merlot ripens earlier than sangiovese so it can be made more often. You recognize it as merlot, not Pomerol, not St. Emilion, not Maremma, but purely from this territory. The quality of acidity is vineyard-terroir driven and the tannins are sweet, plush and broad, different from Casuccia but sill set upon wide-developed shoulders. There is that ubiquitous Ama spice and in L’Apparita, a sense that tar is a factor and roses a quotient down the road. Drink 2020-2030.  Tasted February 2018

Good to Go!

Godello

Twitter: @mgodello

Instagram: mgodello

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If you’re going to San Casciano

Bistecca fiorentina, Villa Le Corti

Chianti Classico the region is both muse and magnet, its reservoir of territorial intrigue and sangiovese anthology infinite in possibility. By junket or by migration through its communes there is always a sense of awe and wonder, yet no matter how many times the roads, villages and vineyards are travelled there is always something new. This is the story of San Casciano in Val di Pesa.

Related – A river runs through Greve

San Casciano is one of nine sub-zones of Chianti Classico, also a hamlet, while the commune sits on the north-western border of the greater territory in Toscana. It shares only two sectional borders, with Tavarnelle Val di Pesa to the south and Greve in Chianti to the east and southeast. From the town’s centre to Piazza del Duomo in Firenze should take about half an hour, excluding summertime. The full name San Casciano in Val di Pesa tells us that it’s location is proximate to the valley of the Pesa river. My colleagues John Szabo M.S., Brad Royale, Steve Robinson and I paid a visit with an armful of San Casciano producers in September, 2017. Our host was the affable meets honourable Duccio Corsini of Principe Corsini – Villa Le Corti. The take away from this visit was a sense of San Casciano’s inner voice and exclusive temperament but also how it fits into the puzzle that is Chianti Classico.

Related – The ins and outs of Panzano in Chianti

The word congeries comes from the Latin verb congerere, which means “to carry or bring together,” though it could also move through the Italian, palificazione, or piling. I’m not sure any sub-zone typifies this concept more than San Casciano, in part because the multiplicity of its sangiovese rivals or even exceeds many to most anywhere in the greater district. When you pile one on top of another in a tasting you feel the weight and the density but also the permutation and variegation. These are a collection of sangiovese hard to pin down even if this particular sample size is perhaps too small and so a sooner over later return for more will be crucial.

The Gallo Nero of Luiano

Related – Into the Castelnuovo Berardenga great wide open

From San Casciano we expand outwards again to think on Chianti Classico the concept as based on the figuration that is the Gallo Nero, a symbol not only designed and enshrined to classify the wines raised from these multifarious soils but to ingrain something deeper, meaningful and soulful. The Gallo Nero stamps each bottle of sangiovese with a seal of amour-propre approval, for a conceit of quality, not out of outrecuidance but in recognition that the opinion of others does matter. San Casciano now sits in requiem of such avowal and validation.

Inside the Chianti Tower, San Casciano in Val di Pesa

Related – Because the night in Gaiole

Just as you’ve settled into the comfort zone of knowing your way around the landmarks of a place, the people take hold of your hand, put on a blindfold (not literally) and reveal a site that blows your mind. The Chianti Tower of San Casciano is an unusual spike of architecture, quirky and seemingly displaced, that is until you make the climb (by elevator) up to its observation deck. From up above there are vistas that take in the Florentine hills and Vallombrosa, the mountains of Pistoia, and Pisa. The panorama turns to the Chianti and Chianti Classico landscape, Siena’s hamlets and perhaps, on a really clear day, the Ligurian sea.

Related – Castellina in golden light

The 33 meters high cylindrical surge tank tower is part of the Museo di San Casciano in Val di Pesa, owned by the Comune and is characterized in form as suggestivo or evocativo. It’s post World War Two reconstruction continues its function as a storage water reservoir, but it is the panoramic terrace that steals the visitation show. Our group was joined by a gaggle of San Casciano winemakers to take in the immediate and extrapolated lands.

Related – Get Radda for Chianti Classico

Over these last few weeks I have published six articles on sub-zones and this seventh and final essay on San Casciano concludes the heavily scrutinizing reconnaissance mission. For now. By the time this week has come to its end I’ll be back in Chianti Classico for more, this time with the knowledge that everything I have thus far learned will be turned on its head, refreshed and begun anew. The goal is always deeper understanding but who am I to speak in absolutes. The journey has just begun. If you’re going to San Casciano you’re gonna meet some gentle people there. Here are my tasting notes on six examples from six wamhearted producers.

Niccolò Montecchi, Cigliano

Cigliano Chianti Classico 2014, DOCG Tuscany, Italy (Agent, 189803, $19.95, WineAlign)

Deep, dark and sombre inhalant of grand vineyard fruit in the premium selezione vein, this is indeed a sobering San Casciano in Val di Pesa Chianti Classico with wild berries, herbs and drops of fine liqueur, almost like Vin Santo but without sugar. Cigliano takes a certain road for 2014 and gets away with murder. This could have turned out hot and bothered but the balance is struck by chords of great acidity and tension. This pulls no sangiovese or vintage punches and is clearly the work of a rogue winemaker. Drink 2018-2023.  Tasted February and September 2017  Villa del Cigliano    @VilladelCigliano

Stefano Pirondi, La Sala

La Sala Chianti Classico 2014, DOCG Tuscany, Italy (WineryWineAlign)

La Sala from Stefano Pirondi carries 10 per cent merlot in address of the sangiovese with some green tannin integrated into the black cherry. From sites up at 300m, a mix of Alberese and deep clay but almost all red clay in 2014. Not a very ripe CC, only five hectares (20,000 bottles) were vinified. Half and half stainless and large French wood, very spicy and quite red citrus, but on the dark side. I would give it a year to soften. Drink 2018-2021.  Tasted September 2017  cantinalasala  @LaSalaVini  La Sala

La Querce Seconda Chianti Classico 2014, DOCG Tuscany, Italy (WineryWineAlign)

From vineyards quite close to Florence (8 kms) this 100 per cent sangiovese has been organic since 2001. It now seems ripe for 2014, into the depth of steeping cherries, a touch hollow up the middle, but deep, rich and actually quite easy to drink. Last tasted September 2017.

From the most northern Chianti Classico vineyard located in the area of San Casciano in Val di Pesa, La Querce Seconda by Niccoló Bernabei is high-spirited, of tart to volatile brightest of bright red fruit with toasted fennel to nose. Quite a tart palate as well with furthered spirit and quite sweet tannin. This is old school but alive and vital. Will live this kind of life for a spell. Drink 2018-2022. Tasted February 2017    @LaQuerceSeconda  laquerceseconda

My triple-threat of @luiano terroir is right over there, in #sancasciano #alessandropalombo

Related – Three days, eight estates, Chianti Classico

Luiano Chianti Classico Riserva 2014, DOCG, Italy (Agent, $39.95, WineAlign)

Luiano’s Chianti Classico Riserva 2014 by Alessandro Palombo, is 95 per cent sangiovese with a touch of body-adding merlot. “For us Riserva has always been a cellar selection and a representation of Luiano’s three distinct sub-soils,” tells Palombo. This is a 2014 postcard in a nutshell, cool and deep, with some bretty and volatile nature though just a wonderful whisper. Done in bigger oak casks and recently bottled (well March of 2017), some cakiness is baked into the structure though filled in with binding mortar. It’s silky, supple and certainly a wine that will age into umami secondary character. Drink 2018-2024.  Tasted September 2017  luianowine  ale_luiano  tre.amici.imports  @LuiLuiano  Luiano®   Alessandro Palombo  @treamiciimports

Azienda Agricola Mori Concetta Chianti Classico Morino 2014, DOCG, Italy (WineryWineAlign)

It’s a wise old story but the San Casciano 2014 from Massimo Becattelli is a beacon to reel us in towards a new Chianti Classico understanding. Named after his mother Mori this vino is very much alive, anything but memento mori, more like a reflection on immortality. The very small production is the work of a one man band with modest hands, only one hectare, planted by Massimo’s father 40 years ago. It has now been replanted with the clones of the old vineyard in June of 2015. This Annata is 80 per cent sangiovese, 12 canaiolo and eight colorino. There is soul, volatility, depth, intensity and finesse in what is a rustic but cultured ’14 with fruit and more fruit, but graced by this underlying Galestro feel. Only 287 bottles were made of Massimo’s “lavoro di passione.” Drink 2018-2022.  Tasted September 2017  @az.agr.moriconcetta

Linguine con coniglio, Villa Le Corti

Villa Le Corti Principe Corsini Chianti Classico Gran Selezione Don Tommaso 2013, DOCG, Italy (Agent, $62.50, WineAlign)

Don Tommaso 2013 is named after Duccio Corsini’s father, was first made in 1994 and here contains 80 per cent sangiovese with 20 per cent merlot. The latter is meant for smoothing the angles, something that is also accomplished by aging in tonneaux and second passage barriques. Villa Le Corti – Principe Corsini’s Gran Selezione is a very silky smooth, deep black raspberry fruit forward wine with high acidity and green savour running through. Not from a cru originally, just the right grapes but over time narrowed down to three vineyards. Chocolate oozes all over the finish. “I do what I do with what I have, adding people,” says Duccio. Sounds like the Chianti Classico equivalent of climat. Drink 2018-2023.  Tasted September 2017  villalecorti  artisanal_wine_imports  @PrincipeCorsini  Principe Corsini  @artisanalwineimports

Bistecca fiorentina, Villa Le Corti

Good to Go!

Godello

Twitter: @mgodello

Instagram: mgodello

WineAlign

The ins and outs of Panzano in Chianti

Looking for two horsemen in #chianticlassico

Characterizing Chianti Classico as a most heterogeneous wine region is substantiated by the multiplicity of its sangiovese and the endless permutations of soil. The territory is commonly divided by commune but its tiers of structure do not end there. There lies within more specific sub-zones, zonazione, places of interest where microclimates and shared geologies bring land and producers together. Five of the nine Chianti Classico communes have their own Associazione Viticoltori or Vignaioli; Castellina in Chianti, Castelnuovo Berardenga, Gaiole in Chianti, Radda in Chianti and San Casciano Val di Pesa. Greve is the notable exception because the precincts of Lamole, Montefioralle and Panzano in Chianti have each formed their own associations. Panzano in Chianti exists inside the greater neighbourhood that is Greve in Chianti and while it is not the only sub-zone of its kind, at this triennial level of the pyramid it is arguably the most unified and defined frazioni of all. For good reason.

Related – Into the Castelnuovo Berardenga great wide open

Panzano is the first consolidated district for organic wine production in Italy and in which 90 per cent of its vineyards are grown according to the criteria of organic viticulture. There are other tertiary Chianti Classico zones associated with the hamlet they surround, like the aforementioned Lamole and Montefioralle in Greve, Vagliagli in Castelnouvo Berardenga and Monti in Gaiole. These towns, the vineyards and associated producers are tied by a parochial set of idiosyncrasies but they’ve yet to coagulate into an equally unified level of coercion that is found in Panzano. That being said, in Panzano there are both practical and political decisions that charge some producers to remain on the fence or even outside the tight circle of the area’s union. These kinds of decisions work two ways, whether you are in or out, dentro o fuori dal territorioThe question is whether or not diplomacy would lead to greater success for all involved. Does the group need the high-profile individual or the individual the high-profile group?

Related – Because the night in Gaiole

Either way you look at it, there is no denying that a band of brothers and sisters sharing information and mapping out their territory together is beneficial, especially towards defining the finest vineyards. The dividing lines in Chianti Classico are very difficult to establish because one always has to be wary of possible arguments over where a certain cru vineyard ends and another, lesser plot begins. If you ask the 19 members, Panzano is less prone to such argumentation. Besides, producers will speak their minds, but they may not always be able or willing to tell us exactly what we need to know. It’s ultimately a question of menzioni geografiche, or geographical notations, especially on wine labels, to tie the wines to place of origin. For Panzano the idea seems quite obvious with a playing field more equal than most but it’s not necessarily so simple for other frazioni in the region. Chianti Classico is fragmented and diverse with municipalities that may not always be homogeneously or consistently representative in terms of terroir or production style.

Because he’s Dario F-in Faccin, that’s why g-dammit! #carobbio #sangiovese #chianticlassico #panzano #galestro

Related – Castellina in golden light

The original Panzano Winemakers Association was founded in 1995 to celebrate common ground and for like-minded producers to articulate the necessity and pursuit of shared interests. With the famous Conca d’Oro at its epicentre, Panzano encompasses a set of hills aboard and encircling a plateau rich in Galestro and a rather significant altitude where vineyards are planted to between 350 and 500 meters above sea level. Today there are 19 member producers of the Unione Viticoltori Panzano; Candialle, Casaloste, Castello dei Rampolla, Cennatoio, Fattoria La Quercia, Fatttoria Rignana, Fontodi, Il Molino di Grace, Il Palagio, L’Orcio a Ca’ di Pesa, La Massa, Le Cinciole, Le Fonti, Monte Bernardi, Panzanello, Renzo Marinai, Tenuta degli Dei, Vecchie terre di Montefili, Vignole and Villa Cafaggio. There are 91 producers in Greve, 31 of those are in Panzano. The 12 non-members are Carobbio, Vallone di Cecione, San Cresci, Sassolini, Reggine, La Marcellina, Le Bocce, Il Vescovino, Festeggiata, Fattoria Casenuove, Fattoria Montagliari and Campocorto.

Related – Get Radda for Chianti Classico

“To ensure for themselves a healthy environment the wine makers decided to take the path of sustainable and organic viticulture, which allowed to enhance aromas, flavors, character and personality of the wines, produced exclusively from grapes of their vineyards” are the words of Ruggero Mazzilli, an agronomist with experience in viticulture biodiversity, who since 2000 has been working with the Panzano Association.  In a Chianti Classico world where drawing lines along commune or sub-zone borders fails to recognize the multi-faceted and variegated intendments of geology, it is Panzano that suggests  borders can be drawn by “fellow producers to organise their individual communes and sub-commune designations under their own respective unions, as Panzano in Chianti has already done.” The argument can be made not just one way or the other, but in so many ways. I am no genius nor close to the first to perpetuate the idea that drawing borders along any definable lines in Chianti Classico is a very complicated subject. This is why we continue to seek the truth in the villages.

Complimenti @johnszabo for riding 87 kms #granfondo @chianticlassico #gallonero looking fresh and refreshed post lunch at #osterialapanzanelle

John Szabo M.S., Brad Royale and I had arrived from Budapest after three volcanic days (in many and every respects) in Hungary. We arrived in Castellina to the sounds and sights of race cars before settling in at Pierafitta. The following morning John competed in the Gran Fondo del Gallo Nero and with great Canadian representation completed the 87 kilometre Media Fondo in world-class time. Congratulazioni Gian Burrasca. Non siamo degni. Meanwhile Brad, Steve Robinson and Godello joined Il Molino di Grace’s Iacopo Morganti for a preview of the 2017 infant sangiovese straight from the tank, followed by a walk through Vigne Raphaella, Magdalena and Jae, culminating with a new look meets retrospective tasting in IMG’s brand new tasting room.

Gian Burrasca

A few days later we returned to Panzano for a morning spent with Giovanni Manetti at Fontodi. A full report on that visit is chronicled in a link below. Later that afternoon we concluded our week-long Chianti Classico visit with Dario Faccin at Carrobio. This is the fifth instalment (of seven) reports concerning communes and sub-zones in Chianti Classico. In total I’ve written 24 notes on wines poured by these three Panzano producers. Enjoy.

Newly planted Carrobio Sangiovese vineyard on a dramatic Galestro slope

Carobbio

Related – Caro Carobbio

If my first visit with Dario Faccin was a profound and moving experience than my second Panzano summons later last calendar year could only be thought of as an epiphanic. In round one and nearing the conclusion of an epic lunch prepared by Chef Claudia, it was then that Faccin poured three acroamatic sangiovese blasts from the past in the forms of Chianti Classico 1997, 1991 and Leone 1995. In my Carobbio report I wrote “a great honour to taste this 1995 and in memory of Carlo Novarese, Thank you Dario and Silvia. Would like the chance to do it again in 22 years.” Though I was making reference to the age of Leone (and also a nod back in time to my 1995 Chianti Classico honeymoon) I was also making comment on the ideas of fortuity and generosity. I could not have known that I would return to Toscana seven months later and this time to be present when Dario chose to open both a 1990 and a 1982 Chianti Classico. Collectively these five 1980-90s sangiovese have shed so much light on evolution and on what Dario is setting out to accomplish at Carrobio. As you may have noticed, Carobbio is not part of the UVP.

A walk in the newly planted sangiovese vineyard tells me everything I need to know. The dramatic Galestro slope captures humidity in spite of drought conditions to keep infant vines alive with vital growth in their earliest formative years. This fruit will be a Chianti Classico game changer. It all begins with the rocks and soil of these über-specific Panzano vineyards. It moves into the winery where Carobbio’s position as protector and purveyor of sangiovese purity and honesty reigns over all else. It concludes in the wisdom and generosity of the annate wines, with consistency and focus.

Tenuta Carobbio Rosato Terrarossa 2016, IGT Toscana, Italy (Winery, $32.95, WineAlign)

Rosato Terra Rossa is the same 100 per cent sangiovese in 2016, from the red soil vineyard, a child of 15 days fermentation to a maximum 15 degrees of temperature and ultimately dry as the desert. The specs and methodology turn forth a classic blush of aridity, acidity and minerality; 6.0 tA, 3.35 pH, no malo, cooled down to six degrees after fermentation and one month on the lees. Dario Faccin lays it out clear and simple. “For me this is a wine, not an aperitif.” It is in fact built on character that lies between Rosé and the light Rosso; sapid, saline, rich and textured. Full of dry extract, perfect for lunch. La prossima annata may be even better. Drink 2017-2020.  Tasted September 2017  @ 

Tenuta Carobbio Chianti Classico Riserva 2013, IGT Toscana, Italy (Winery, $58.95, WineAlign

A 100 per cent sangiovese from three vineyards in which Galestro, clay and Alberese each contribute by percentage of 30,30 and 10 towards an inextricably calculated Carobbio sangiovese in reward. Variegated for multiplicity purposes while complicit in even ripeness meets high and polished acidity. Once again the salty sapidity and the highest of polyphenolic qualities adds up to density, extract and layering. This wine will not turn secondary for at least five years and certainly not tertiary for 15. The composition and composure are one in the same and continue to repeat over and upon one another.  Last tasted September 2017.

For Chianti Classico Riserva the solo performance is 100 per cent sangiovese and just as 2013 must be this grabs you by the olfactory senses with elegant inhalant immediacy. You are immersed straight away into a wine without reserve in the way that the only the purest of Riserva can be. Philanthropic, generous and kind. Even more so and because it is Carobbio, there is no fence to jump over, hoop to hurl through or great wall to climb. Not in aroma and then what follows is palate texture and finally fine-grained tannin. Not even acidity will lash out but rather support, with more kindness. Everything is presented from the start with a wisdom that doesn’t rely on oxidative or cured character. Just elegance. Rich and affirming, for sangiovese and life. Humour this CCR ’13 and wait just one more year, per il rispetto. Drink 2018-2027. Tasted February 2017

Tenuta Carobbio Leone 2013, IGT Toscana, Italy (Winery, $119.95, WineAlign

Sangiovese as Leone sees 20 months in new French barriques and a minimum eight months in bottle. “I have only one child. This is my second son,” smiles Dario Faccin. The prodigal sangiovese is seductive, spicy and intense from south exposed vines, at the time 35 years of age. The Carrobbio extract meets ripe acidity is unquestioned and on repeat albeit with an extra note of conceit, attitude, promise and as a cumulative, ultimate respect. The first vintage was 1989. Last tasted September 2017.

Leone is Chianti Classico incarnate, a single-vineyard sangiovese and perhaps the artist of the future known as Gran Selezione. The aromatics are a force from fruit raised in front of the river (Pesa) on the border between Florence and Siena, a high-density (5,000-5,500 plants per hectare) vineyard. In the first week of June Dario says “I take all the leaves off of the stems,” executed with risk-reward abandon but on second thought, as a factual matter of personal volition and intuition. Then two weeks later the smaller leaves begin to grow. This allows the early phenolic process to work on the young skins and increase the early offerings of photosynthesis. The skins carry a natural protection against the sun (in June) but not in August. Voila, wine begins in the vineyard. Leone is incredibly young and perfumed with so much restraint. It gets neither more precise, elegant or wise, or even more important, as a vineyard representative or as such a mindful and consistently right expression as this. The tannins are the finest of any you are likely to taste in sangiovese. The fruit is so perfect, red and purple, living and loving together, and you don’t need to name them. Dario insists on the simple and the obvious. That you taste the grapes every day at harvest and when the bottom of the skins do not attack you with aggressive tannin and the brown seeds crunch, you are ready to pick. “If you want to produce a great wine, you have to walk in the vineyard every day.” Leone’s got soul and only 4,000 bottles are produced. Drink 2020-2033.  Tasted February 2017

Tenuta Carobbio Pietraforte 2013, IGT Toscana, Italy (Winery, $119.95, WineAlign

Pietraforte as cabernet sauvignon and its splash of cabernet franc is Carobbio’s ode to the Tuscan name for Galestro rock. Less than 1000 bottles were made and though it is a son or a daughter from French mothers, it is impossible to take the Panzano vineyard out of the wine. The varietal notes of Cassis and graphite are here, as is a pyrazine-savour but the sapidity and extraction of a Dario Faccin wine talks with clarity, even while thjs very dense young wine is so many years away from speaking loud and clear. The new wood is in charge, the perfume a bit closed and the tannins demanding more than the rest. Three years are needed, at the base minimum.  Last tasted September 2017

Pietraforte is the Carobbio diversion into 95 per cent cabernet sauvignon (plus five cabernet franc) out of a 30 year-old vineyard that generally yields 3,500 kg per hectare or what Dario Faccin deems “niente.” Only 2,000 bottles are produced and 2013 is still a bambino, with wood more apparent on the nose than the sangiovese, quite spiced and then even spicier on the palate. Nothing vegetal takes any place at this international varietal table but the franc lends its must give current, of currants and even a little espresso. This has cool red soil savour that the cabs will inherit from the wind and the earth. But I have to say and say it with conviction, this is more varietally correct and obvious than most. More cabernet than Toscana. Needs five years, minimum. 2022-2030.  Tasted February 2017

Carobbio Chianti Classico 1990 and 1982

Tenuta Carobbio Chianti Classico 1990, Tuscany, Italy (WineryWineAlign

I love the irony of Dario Faccin choosing to open a 1990 and a 1982, two vintages from when Italy hosted (1990) and won (1982) the FIFA World Cup. Ironic because the next tournament will be the first without the great footballing nation for the first time since 1958. The 1990 Chianti Classico is from an exceptional vintage, in fact there are many who feel the finest 1990s are some of the best CCs ever made. The youth on this bottle is dumbfounding, still in full possession of the freshness originally locked in by the sweet and optimally extracted sangiovese fruit. This is the school of Vittorio Fiore and the vintage is a great contrast to the 1991 Riserva that we tasted seven months prior. In 1990 it’s so much more about fruit quality and though the acidity continues to lift and execute, the tones here are less floral, not as bright and fruit is a matter of pure thought. The innocence, clarity and luck of time and place is on display in this capsule. What more can you say? Drink 2017-2022.  Tasted September 2017

Carobbio Chianti Classico 1982

Tenuta Carobbio Chianti Classico Riserva 1982, Tuscany, Italy (WineryWineAlign

Everyone knows that 1982 was one of Italy’s greatest years in the 20th century. Their beloved Azzuri won the FIFA World Cup 3-1 over West Germany and the wines were pretty darn good all over the boot. It was the final match of Group C stage play that may have been one of the most dramatic, exciting and famous because Italy won 3–2 with Italian striker Paolo Rossi scoring a hat-trick. The result eliminated Brazil. Meanwhile the only thing that matters right now about 1982 with respect to this Chianti Classico is how it shows and I’m overwhelmed with emotion to say it’s perfect. By now we’ve come to know that Dario Faccin demands a mentality of excellence, emotion and soul. He would not open a 1982 and a 1990 were they unable to meet expectations and deliver an intelligent quotient of age. These were and remain great and structured sangiovese to this day. This 1982 is full of fruit, like cherries preserved in cryogenic syrup and violets captured at the height of their scent, only to be released when the wine is poured into the glass. If this vintage was at all austere it could only have been for the benefit of guarding the fruit so that its purity and original virility and viridity could be revealed again and again, as it has here in 2017. Remarkable showing for a piece of Gallo Nero history. Drink 2017-2021.  Tasted September 2017

48 hours @chianticlassico picked Sept 22, #sangiovese so primary, for breakfast @ilmolinodigrace

Il Molino Di Grace

For a full report on the history and current production at Il Molino di Grace please click on the following link.

Related – Grace in Chianti Classico

Back in @chianticlassico with the progressivo, non dogmatico #sangiovese @ilmolinodigrace #volano #panzano #chianticlassico #chianticlassicoriserva #granselezione #ilmargone #gratius

Il Molino Di Grace Chianti Classico 2015, DOCG Tuscany, Italy (85209, $19.95, WineAlign)

Have yet to encounter an Il Molino di Grace Chianti Classico that was not deeply hued, refreshing and spirited. Nor has there be one not designed to drink early but 2015 refuses to be left on the racks. It’s a progeny of upbringing in large Slovenian casks with zero panoply by wood addendum, of freshness kept and preserved. The spice is indubitable sangiovese and the tannins are wistful ones. There is some chewy constitution, more than most 15s and those dreamy tannins have texture too, chalky and fine yet grainy, with a fine grated finish of good dark chocolate shavings. Drink 2017-2023.  Tasted September 2017

Il Molino Di Grace Chianti Classico 2014, DOCG Tuscany, Italy (85209, $19.95, WineAlign)

Now in a great place, fresh, direct, focused, clear, nothing to hide. This tells us right now why we should be more than satisfied with normale in ’14, with or without needing Riserva, because with no Gran Selzione and much of the Gratius grapes ending up in here you have a most impressive wine, with great structure.  Last tasted September 2017

Incidentally the first vintage on which the label reads organic, 2014 captures the freshness and the true Chianti Classico, its nature and its truth. No mask, nothing to hide behind, nowhere to run. “In some ways 2014 is more typical a vintage,” suggests Iacopo Morganti, because like other passed over and quickly assessed ones of the recent past (such as 1996, 1998 and 2008) the intrepid purity of sangiovese is decisive and built to last. This is deeply hued Chianti Classico, refreshing, spirited and crafted with a very specific type of actionable drinkability. With pasta, with filetto, with friends. Will not change course for four years and drink comfortably for four more. Sangiovese accented with canaiolo, colorino and malvasia nero. Drink 2017-2025.  Tasted February 2017

Il Molino Di Grace Il Volano 2015, IGT Toscana, Italy (Agent, WineAlign)

Il Volano is a new label for the house, the wheel of the windmill, “il volano di molino” and also really, the name of the place as a whole. It brings together sangiovese (75 per cent) and merlot, raised only stainless steel, for a chill and a quick spill. Here from a vintage that gets better with some young age added, perhaps now at its best so this is a wine to drink, with little to no thinking required. Drink 2017-2019.  Tasted September 2017

Il Molino Di Grace Chianti Classico Gran Selezione Il Margone 2013, DOCG Tuscany, Italy (435115, $39.95, WineAlign)

It bears remembering that Il Molino’s Gran Selezione is the kind of Chianti Classico that remains in perpetual motion, of a consistency and of guarantees, like gravity and tides, from vintage to vintage. It is the embodiment of water passing over stone, like the windmill it carries in its name and it is a wine that was always the Gran Selezione, before, like the water and after, on the vine and in the barrel. Saw the same 18 months in barriques, the selection having long before begun in the vineyard. Violets are all over this very young GS, the elegant one, but typically tannic and while ’13 is very good, it seems to be showing its cards early. This is a surprise and a welcome thought because there needs to be one Il Margone to enjoy while other more fierce vintages take their sweet time to unfold. Drink 2020-2031.  Tasted September 2017

Il Molino Di Grace Chianti Classico Gran Selezione Il Margone 2012, DOCG Tuscany, Italy (435115, $39.95, WineAlign)

Chianti Classico Gran Selezione Il Margone 2012 comes structured from a vintage with frost in May that compromised 50 per cent of the crop and as a result, bestowed lowest of low yields and concentrated berries. After that happenstance of natural selection the vintage turned to hot and dry, with great weather at harvest. This is and could only have developed into a fleshy and magnanimous Gran Selezione with acidity equivocal and anti-acrimonious to bones draped with the ripest of fruit. And it’s a good thing the acidity is set to high because that fruit and richness will need it going forward. Such a GS had to be crafted this way, with compound aggression and aggressive behaviour. Ultimately defines what it means to be affirmative action Gran Selezione. Drink 2021-2030.  Tasted February and September 2017

Il Molino Di Grace Chianti Classico Gran Selezione Il Margone 2011, DOCG Tuscany, Italy (435115, $39.95, WineAlign)

The 2011 is persistent, that much is obvious, in a hulking, Gran Selezione monstrous state, big in alcohol and bones. A curious and precocious chocolate-balsamic secondary note is just faintly starting to peek through, teasing the idea of drying the fruit by nature and leading towards the beginning of a savoury ascent. This may really take hold ahead of schedule, perhaps at some point in the latter stages of 2019.  Lasted tasted September 2017

What is Il Margone? “This is the best selection. We taste the wine in the cellar and decide the wine that will be, to the end,” explains Iacopo Morganti, director of Il Molino di Grace. The name must also refer to the particular construction of the vineyard at Montefili, on Panzano’s west side, of its altitude, slope and the Galèstro within. Il Margone is a kind of wine for the (Molino) windmill, where the water goes over the stone and it is a wine that was always the Gran Selezione, before and after, on the vine and in the barrels. Now it can be called what is has been whereas before it was the second Riserva but the more important one, the best one. It now spends 18 months in barriques, 50 per cent new and 18,000 bottles are made. It runs deeper still, far through the Galèstro and into the pietra forte, for the cementing of strong sangiovese (not just religious buildings). From the hot vintage of 2011 and with the alcohol to prove it (14.5 per cent), there is an inherent sense of yeasty culture, a sheep’s milk pecorino that runs through the warmth. It functions as a cooling centre, then compression, layered spice and tannin. That late attack co-conspires with acidity to freeze the mouthfeel and seek years of patient desire. Really energetic Sangiovese, iron-fisted and demanding but with so much seeping cherry fruit. Wait four years minimum. Drink 2019-2025.  Tasted May 2016

Sangiovese and Galestro at Il Molino di Grace in Panzano

Il Molino Di Grace Gratius 2012, IGT Toscana, Italy (Agent, $49.95, WineAlign)

Gratius 2012 is not the bomb that was (and still is) 2011, from the single, 70 year-old vineyard located seven kilometres away from the estate. Many of those vines are still thriving, with the hope to keep grafting for the purpose of perpetuating the biotypes through future plantings on the estate. Gratius is 95 per cent sangiovese with bits of canaiolo and colorino that spent 12 months in barriques. It’s always a chunky and tannic affair, of savoury red fruit but the nose here is more beautiful now, finally, as Gratius has scaled back just enough to be beautiful. When it’s now dry in the right way and not bent to steal anything from you or your palate it then reveals the chivalry and the charm. Lovely work here from the Bernabei-Morganti-Grace group. Drink 2019-2024.  Tasted September 2017

Fontodi vineyards in the Conco d’Oro, Panzano

Fontodi

To read my full report on this September 2017 visit with Giovanni Manetti at Fontodi please click the following link.

Related – Fontodi’s one hundred per cent sangiovese

Sangiovese of Fontodi

Fontodi Meriggio 2016, IGT Colli Toscana Centrale, Italy (WineAlign)

Meriggio is 100 per cent La Rota vineyard sauvignon blanc, whole cluster pressed with native yeasts, 75 per cent stainless steel ferment, no malo, 15 per cent in amphora and 10 per cent in French barriques. That said, without temperature control some malo, like it, happens. To go to Meriggio means to go and have a rest in the shade, from the verb meriggiare in reference to the (not Tuscan) poet Eugenio Montale, “merrigiare pallidio e assorto.” Empty is the literal translation but it’s more a case of the unoccupied mind at rest. Sauvignon should always be so calm and yet spirited, here with little to no oxidative character but rather metallurgy, saltiness and pure tang. The leesy reductive environment and Panzano acidity conspire with calcaire for a demonstrative locution. Bloody delicious sauvignon blanc for the man in me. Drink 2017-2022.  Tasted September 2017

Fontodi Chianti Classico 2014, Tuscany, Italy (933317, $36.95, WineAlign)

No surprise here from stalwart Fontodi, to take a difficult vintage, push vanity aside and select the best fruit for a pure expression of sangiovese, natural and organically made, with precision and clarity. The red Panzano fruit spikes with cran-pom-rasp-currant bursting freshness. It’s just the right amount of tart and sapid, carefully rippling in acidity. So well made. Drink 2018-2022.  Tasted February and September 2017  #Fontodi  rogersandcompanywines    @rogcowines  Az. Agr. Fontodi  #fontodi

Fontodi Chianti Classico Filetta Di Lamole 2014, Tuscany, Italy (Agent, $35.95, WineAlign)

The old Lamole winery is owned by Giovanni Manetti’s cousins, where the grandfather made important wines until he passed away in the 80s and the grapes were then sold to bulk. Then Giovanni began working with the family in the 2000s and this first vintage was ready because the finesse of 2014 spoke to him, to begin the new journey. This has seriously improved, settled, come together, developed its excellence with seven months added in time to bottle. Its characters of amaro, earth and texture are now as one, inseparable and fully vested in the calm. Drink 2017-2023.  Last tasted September 2017

From the “forgotten corner of Chianti Classico,” Lamole of Greve in Chianti is perched in a natural amphitheatre between Volpaia to the south and Panzano to the west. Some of the vineyard’s older vines are still pruned in the alberello (bush) style. This is Giovanni Manetti’s inaugural vintage of the Filetta in cohorts with his cousin. So, decidedly a diffident partner and opposing force to the Fontodi Annata because the earthy-subterranean dwelling aromatics brood beneath the red, verging to riper and darker fruit. There is a liquor, aperitif amaro-ness to the Lamole. The clay must be darker and more compressed. The balance is struck though on deeper, more brooding and warmer alcohol-felt lines and in 2014, as if it were a Riserva. It’s an oak “vessel’ aged 100 per cent sangiovese, as opposed to other the estate’s usual use of barriques. It is perhaps counterintuitive but this acts more evolved than the “normale.” Neither better or worse but enjoyment time is now.  Tasted February 2017

Father and son- Giovanni and Bernardo Manetti @fontodi #panzano #chianticlassico

Fontodi Chianti Classico Gran Selezione Vigna Del Sorbo 2014, Tuscany, Italy (Agent, $83.95, WineAlign)

The older vines are between 52 and 54 years old, the first vintage being 1985 and until 2011, contained some cabernet sauvignon, vines that have since been pulled out. The now site-specific, 100 per cent sangiovese Vigna del Sorbo may have been muscular in 2012 but no such hyperbole exists in 2014. The vintage determined this and despite the deep black cherry chalkiness the true spirit and stripped down honesty of sangiovese is in display. Purity has returned, floral like an artistically-rendered natural, realist and perpetual field of flowers in bloom, in installation, of violet light and rose-scented glass. I can imagine drinking this for decades, with its albarese-galestro saltiness and effortless concentration. Sometimes sangiovese never relents and at the same time never tires. Meraviglioso. Drink 2020-2038.  Tasted September 2017

Fontodi Chianti Classico Gran Selezione Vigna Del Sorbo 2013, Tuscany, Italy (Agent, $81.00, WineAlign)

Fontodi Chianti Classico Gran Selezione Vigna del Sorbo 2013. (Takes deep breath). Just imagine a box filled with all things sangiovese, in all its incarnations and permutations, each aspect teaching something about what you need to know. History, legacy and tradition. Risk taking, forward thinking and progress. What is learned (in retrospect) from two poles; heat and power (2012) and cool savour and elegance (2014). The ’13 is not a matter of being in between but rather an exceptionality, a sangiovese of energy, precision, clarity, purity and a pure reflection in the window of honesty. Everything this vineyard can offer is in the 2013; florals, herbs, fruit, acidity and fine, fine tannin. All in, together, as one. Perhaps its best years will end sooner than 2014 but the time spent will be unparalleled. Drink 2019-2035.  Tasted September 2017

Fontodi Chianti Classico Vigna Del Sorbo 1986, Tuscany, Italy (AgentWineAlign)

Fontodi’s Vigna del Sorbo was obviously not a Gran Selezione designated Chianti Classico in 1986 but it was at the top of the pyramid. A sangiovese in which the acids and fine pear bitters stir in the tray, with a fruit from the (Sorbo) tree that was used to mix with grapes for Vin Santo. Not any more. In 2017 the freshness is impossible, implausible, perpetuated in the most floral and fine acidity combination of any older sangiovese ever experienced. This is like sucking on the most perfect lozenge of fruit, salt, mineral and Panzano mystery. This is Panzano sapidity perfectly realized, preserved and expressed. There is a touch of Cassis, less pyrazine but you can detect the cabernet sauvignon character, even in 10 per cent but combined with sangiovese it’s this frutta di bosco feeling. Just fantastic. Drink 2017-2023.  Tasted September 2017

In @chianticlassico mano nella mano 1986, @fontodi #vignadelsorbo & #flaccianello thank you Giovanni Manetti for sharing these two opposing forces of the Tuscan paradox #chianticlassico

Fontodi Flaccianello della Pieve 2014, Tuscany, Italy (Agent $125.00, SAQ 12123921, $97.25, WineAlign)

Flaccianello comes off of a different slope, aspect and exposition than Vigna del Sorbo, here facing straight south, collecting all the sun it can in the golden glow of the Conca d’Oro. The richness celebrates the legacy of this 100 per cent sangiovese, once so atypical and untraditional back in 1981, now the most legacy defining there may just be for varietal Panzano and for the territory in the sense of the greater good. Pure, nonpartisan just, unadulterated and perfectly powerful sangiovese with length from Firenze to Siena and back. Drink 2021-2036.  Tasted September 2017

Fontodi Flaccianello della Pieve 2013, Tuscany, Italy (Agent $125.00, SAQ 12123921, $97.25, BCLDB 55392, $109.99, WineAlign)

The Flaccianello is the Fontodi expression of uva nostrala, “our grape,” explains Giovanni Manneti, the most important local variety owned by Chianti Classico, protected and exalted by Fontodi. Sangiovese the solo act that must define Gran Selezione, to explain what is Chianti Classico in its purest form and to separate how it grows and what wine it produces, particularly when you are to compare it from commune to commune. This Flaccianello separates itself from the Vigna del Sorbo vineyard and Gran Selezione category, even from itself, with another bonafide elegant layer of Conca d’Oro stratified limestone richness and this ultra-savoury umami level of minty-herbal intensity. What else is there to say? Drink 2020-2034.  Tasted September 2017

Fontodi Flaccianello della Pieve 2006, Tuscany, Italy (WineAlign)

Tell it to the vintage perhaps but 2006 is so very floral, more than any Flaccianello in the memory bank and expressly sangiovese in temper. It’s a year with massive tannins and extreme acidity. For these reasons there is a tightness of being and even at 10-plus years it’s silly young to work with but the concentration impresses. Fruit at a premium indicates some citrus, in orange and lemon with compound interest calculated in further variegated acidity. The most sapid Flaccianello of them all has 15 years more initial development ahead before true secondary character will take over. It’s amazing when you stop to think about sangiovese of such structure. Drink 2019-2031.  Tasted April 2017

Fontodi Flaccianello della Pieve 2005, Tuscany, Italy (WineAlign)

“This is the vintage I open when I host a party or an important dinner, because no one asks me to open it.” The words are Giovanni Manetti’s and for him none truer are spoken, with a smile. The younger vines and super-selection from the “Bricco” part of the top of the hill in the exceptional vineyard make for a sangiovese of fine-grained tannin plus what the smallest berries of the smallest bunches gift. Their integration with wood has become a matter of balance, in terms of delicasse, even while supported by such structure. Secondary character is happening, in herbal, balmy and savoury, slightly pulsed and edging into balsamico. But it’s such a gentle and slow-sliding slope, years yet away from tertiary. Drink 2017-2026.  Tasted September 2017

Fontodi Flaccianello della Pieve 1986, Tuscany, Italy (WineAlign)

Flaccianello in 1986 is actually though not surprisingly so different from Vigna del Sorbo, more than any other reason because of the cabernet sauvignon, but in a more philosophical way, because they have built a paradox, from the Super Tuscan ideal in revolution. Now the sangiovese going forward will be the most important and also the best wine, like looking back at this 1986, OK, not better than Sorbo but purer, honest, a clearer picture from which to learn from and ultimately a model for the future. Beautiful power, restraint, structure and yes, the kind of wine that deserves to be praised with the term elegance, overused, or not. Perfectly rustic, earthy and full of fruit with its accompanying complimentary, enervating and necessary acidity. Drink 2017-2023.  Tasted September 2017

Looking for two horsemen in #chianticlassico

Good to Go!

Godello

Twitter: @mgodello

Instagram: mgodello

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Because the night in Gaiole

Badia a Coltibuono

Badia a Coltibuono is not your average, been there, seen that Tuscan edifice. The castello is an awesome display of architecture meets hortus conclusus and a walk through its hallowed halls will lead a mind to wander. You can hear its creaks, sense the weight of its history and feel its ghosts. It was night by the time we arrived, already peering down the descent of a palate’s waning slope, nearing the end of a capacity cultivated day. It was a surreal and perfect time to experience the awe of Badia a Coltibuono.

Related – Castellina in golden light

The monastery was founded in 1051 by the Vallumbrosan order of Benedictine monks and many important manuscripts and deeds were housed here for hundreds of years. It was here where some of the earliest mention of towns, castles and villas of the Chianti area could be found. In the 15th century the Buon Raccolto (good harvest) Abbey, (Abbazia or Badia in Italian) was extensively developed under the patronage of Lorenzo dei Medici. The current owners are the Stucchi-Prinetti family and as I would ironically find out quite soon enough, they are the successful purveyors of the publications of Lorenza de Medici, wife of Piero Stucchi-Prinetti, on Tuscan cookery.

Related – Get Radda for Chianti Classico

John Szabo M.S., Brad Royale, Steven Robinson and Godello came to taste through 35 wines provided by 20 producers from the Chianti Classico commune of Gaiole in Chianti. We arrived tired but our strength was quickly and magically restored by the curative powers of Gaiole sangiovese. Located in Siena province Gaiole is one of two sub-zones with exactly two neighbours, in this case Castelnuovo Berardenga to the south and Radda to the west/northwest. It is one of the more complicated, diverse and checkered Chianti Classico zones, with many switchbacks, elevation changes and soil types. That said a thread certainly runs through, of wines that carry their own confident and specific structure. This tasting confirmed that the sangiovese of Gaiole have great aging potential, albeit often wrapped up in robes of rusticity, shacked up with the finest of Chianti Classico.

Click here to watch a quick video of the Gaiole in Chianti wines

To gain a deeper understanding of Gaiole it would be prudent to pry open the packaging and peel away further layers of sub-zone identity with a look at the sangiovese produced specifically on Monti in Chianti lands. Such a visit and tasting would unearth at least one of the more essential facets of Gaiole’s variegation and then the climb back up and into the greater commune could be acquiesced with a new level of experience.

John Szabo attempting to communicate by necromantic means with the revenants of the numinous Badia a Coltibuono world

Meanwhile, back to Badia a Coltibuono and because the night in Gaiole. After we finished tasting it was past the 10pm hour and so our auspicious and unpavid hosts Roberto Stucchi Prinetti and Emanuela Stucchi Prunetti wondered if we should eschew trying to convince a restaurant to serve us and instead make dinner in the abbey’s kitchen. I volunteered. I spent the better part of 1987-2013 cooking in restaurants and running my catering company and here I was making the decision to offer my culinary services to Tuscans of lineage dating back to who knows when. To custodians of Lorenza de Medici’s manifestos of Tuscan cookery while the family ghosts roam the castle halls. A moment of panic and a “what have I done” internal dialogue ensued. Then I set to work.

We kept it simple, local, traditional and went about using up product that recent cooking classes had left for the next arbitrary and unhinged cook who happened to find his way into this culinary vestibule sbalorditivo that has seen so much and lived to tell many a tale. The scene and hasty whip up of two platters of different but complimentary pastas could not have happened so quick without John’s fiduciary charges, the ambient distraction of Brad’s intense discourse with Roberto, Steve’s stoic, harmonic and sommelier savvy stature and Emanuela’s sous-support. An hour later we were seated at Badia’s dining room table. I’m quite certain I heard someone say “please bring me my wine” and then the voice of the captain saying “we haven’t had that spirit here since thirteen sixty-nine.” At some point I went for air and a stroll through the castello halls, feeling not exactly alone and yet quite positively at peace.

It had been 22 years since I last made pasta in Italy. This time for @coltibuono and alas, it was eaten #sigh

As with the rest of the territory, the 2017 vintage presented one of the greater challenges in recent Chianti Classico times. After the intense heat of the driest of summers it was essential that growers waited out the early September rains, followed by the beautiful and phenolic ripeness ensuring warmth of the next three weeks. “I noticed that most producers had already, inconceivably, finished harvesting by the 15th of September!!! A haste that can’t be positive.” These are the wisest of words from Rocca di Montegrossi’s Marco Ricasoli. It remains to be seen but Marco’s prophecy will ring true and be confirmed at Anteprime’s Chianti Classico Collection in February 2019.

Though we had a very hurried tasting session in the early night hours of September 25th, 2017, I did taste every wine presented to us by the association of Gaiole winemakers and distilled them down into the production of these 20 notes. I expect some of you will be familiar with this group of producers and I pledge to investigate the depths of their collective soul when I attend CCC ’18 in Firenze next month.

Brad Royale surveys the sangiovese of Gaiole in Chianti

Badia A Coltibuono Chianti Classico 2015, DOCG Tuscany, Italy (Agent, $27.99, WineAlign)

Badia a Coltibuono’s Chianti Classico is truly representative of 2015, or as proprietor Roberto Stucchi Prinetti notes “a microcosm of CC, a very diverse area.” This Gaiole in Chianti sings in the three-part harmony of the Gallo Nero territory, of Gaiole, through the voice of sangiovese and as close in honour to the territory as it will ever get. This take is rusty, rustic, red citrus sweet-scented, of cinnamon and strawberry meets ripe sour cherry red fruit. The medium to high acids and fine, unobtrusive chain of tannins take it where it just needs to go. Easy and proper. As I said before, classic. Drink 2017-2019.  Tasted twice, September and October 2017  coltibuono  noble_estates  @coltibuono  @Noble_Estates  Badia a Coltibuono  Noble Estates Wine & Spirits

Badia A Coltibuono Chianti Classico Riserva 2012, DOCG Tuscany, Italy (683474, $38.95, WineAlign)

It was a big year and the fruit was certainly ripe so the house style of putting fruit first and oak second means that Badia a Coltibuono’s CC Riserva ’12 is now heading into secondary character. Not raisined mind you but drying a touch and developing some spice cupboard baking scents. Tart and firm, developed, evolved and quite liquid chalky in its tannic grain and established structure. Drink 2017-2020.  Tasted September 2017

Barone Ricasoli Brolio Chianti Classico 2015, DOCG Tuscany, Italy (3962, $23.95, WineAlign)

Really classic and traditionally annotated Chianti Classico tastes just like this and is especially worthy when the clean and transparent adjunct of technology brings tradition well into the 21st century. A fine and amenable vintage and 1000 years of Ricasoli expertise combine to fashion a Chianti Classico of high commercial esteem. Drink 2017-2020.  Tasted September and November 2017  francescoricasoli  churchillcellars  @barone_ricasoli  @imbibersreport  Barone Ricasoli  Churchill Cellars Ltd.

Casa al Vento Chianti Classico Aria 2015, DOCG Tuscany, Italy (WineryWineAlign)

Aria 2015 carries a profile like many young and ripe Chianti Classico, a sweet-scented spoon of red cherry fruit and fine, liquid gelid acidity. Chalky to a degree which will settle after a year more in bottle. Aria is simply a fine expressive, unaccompanied, unadorned and unadulterated melody sung by sangiovese for Gaiole in Chianti. “At ease with the thought that this nova won’t burn out.” Drink 2018-2021.  Tasted September 2017  @casaalvento  borgocasaalvento  @AgriturismoChiantiCasaAlVento

La Casa Di Bricciano Chianti Classico 2014, DOCG Tuscany, Italy (WineryWineAlign)

La Casa di Bricciano is is nothing if not delicious Chianti Classico and also not wholly representative of the sangiovese ideal. Listed at 80 per cent varietal with the other 20 per cent likely merlot and cabernet sauvignon it’s an IGT drama played out with style. It’s beautifully clean and effective stuff. Drink 2017-2020.  Tasted September 2017  lacasadibricciano  La Casa di Bricciano

La Casa Di Bricciano Chianti Classico Riserva 2013, DOCG Tuscany, Italy (WineryWineAlign)

La Casa di Bricciano’s Riserva ’13 carries a stylistic that is eerily similar to the Annata ’14 but takes to welling, oozing and leading to a syrupy liqueur. Swirling in this pool of viscous plummy fruit there is this sense of confidence, finesse and stylish polish. A bit sweet perhaps but seriously good. Drink 2018-2021.  Tasted September 2017

Podere Ciona Chianti Classico Proprieta Gatteschi 2014, DOCG Tuscany, Italy (WineryWineAlign)

The lower altitude vineyards of Podere Ciona were replanted in 1999, 2003, the rest in the winter of 2011-2012. Their annata 2014 is primarily sangiovese with nine per cent merlot and a pinch of alicante bouschet. Lorenzo & Franco Gatteschi’s Chianti Classico is a true exception to the term normale, especially in consideration of the challenges presented by 2014. Though it is quite reductive it’s also also intensely floral and bursting with aromatic spice. There is bite at twice the effectiveness of the typical, middle of the road CC and plenty of life in this bottle. It will release its charms slowly, for seven years, easy. Drink 2018-2026.  Tasted September 2017  podereciona  @PodereCiona  Podere Ciona Estate and Vineyards

Podere Ciona Chianti Classico Riserva Proprieta Gatteschi 2013, DOCG Tuscany, Italy (WineryWineAlign)

The Gatteschi family’s 2013 is a special sort of Riserva with that understood sangiovese character of wisdom gained so early in life, long before it should know what classica it can and will become. The late-picked sangiovese comes off estate vines as late as the first two weeks of October and is supported by merlot, picked two weeks earlier and alicante bouschet sometime in between the two. Élevage happens in large format French oak. It’s an extremely complex weave of fine acidity overtop red ropey fruit with accents in spice and citrus. Quite remarkable really. Drink 2018-2024.  Tasted September 2017

Fietri Chianti Classico 2015, DOCG Tuscany, Italy (AgentWineAlign)

Ripe and sultry fruit, perhaps just a bit into the ultra ripe which may lead to some dried fruit sooner rather than later. The high acidity indicates early picking so the conundrum does spell a quandary. The package is a deep well that includes oak driven chocolate. It’s big for ’15 Chianti Classico and not exceptionally fresh. Drink 2017-2018.  Tasted September 2017  Azienda Agricola di Fietri

I Sodo Chianti Classico Riserva 2013, Docg Tuscany, Italy (Agent, $29.95, WineAlign)

I Sodi’s Gaiole in Chianti Riserva is on the volatile and over the top youthful side but you can really get a grip upon the terrific red berry and herbal-savoury accents. Certainly led by raspberry but red currants are quite prevalent. Must admit the palate leaves a fuller and more demanding impression which is always important as opposed to the other way around. The change of gears from accelerated vitesse to grip on the road around turns and into pits is a sign of great Italian design. The finish carries dried fruit and compressed acidity with not overly aggressive tannin. Drink 2018-2022.  Tasted February and September 2017  Agriturismo Le Trappoline – Azienda Agricola I Sodi

Dinner at Badia a Coltibuono

Podere Il Palazzino Chianti Classico Riserva Grosso Sanese 2011, DOCG Tuscany, Italy (WineryWineAlign)

Il Palazzino is owned by Alessandro and Andrea Sderci and is located in Monti in Chianti, in Gaiole in Chianti, 20 km northeast of Siena. Their flagship wine is this Grosso Sanese, a sangiovese of gorgeous aromatic waft with complexities provided by fresh cut roses, deeply mined minerality and fresh sliced morning summer fruit. Great tension, so much more variegation from the earth and a natural, let it be who it is and from laissez-faire from Monti village emotion. This is CCR with true soul and it truly is a really clean and natural wine. Really fine tannin, sweetness from round acidity and architectural design set in the past with innovation for the future. Amazing CCR. Drink 2019-2029. Tasted February 2017    Agriturismo Il Palazzino  #ilpalazzino

Matteoli Chianti Classico 2015, DOCG Tuscany, Italy (WineAlign)

Matteoli is a young, primary, seemingly natural meets organic and playfully funky sour cherry sangiovese, distinctly Gaiole but striding away from the norm and the middle of the road. Some tart, tight and bracing acidity plays to a sweetish finish. Should develop some curiously cool secondary character. Drink 2018-2020.  Tasted September 2017  @agricolamatteoli

Castello Di Meleto Chianti Classico 2015, DOCG Tuscany, Italy (332114, $18.95, WineAlign)

Castello di Meleto’s is really refined sangiovese, taking a deeper step into the calcaire, welling with some hematic and even ferric notes, developing towards secondary functionality. Here alights the cerebral induction sangiovese with even a slight scant drop of syrupy liqueur. Drink 2018-2022.  Tasted September 2017  castellodimeleto  @castellomeleto  Castello Di Meleto

Castello Di Meleto Chianti Classico Riserva Vigna Casi 2013, DOCG Tuscany, Italy (WineAlign)

Vigna Casi 2013 falls very much in line with the vintage for Chianti Classico but with an added and deeper delve into a Gaiole soil variegate. With each passing taste of ’13 Riserva the most excellent vintage continues to show off its gifting capabilities. The liqueur is not only borne of what this Annata sangiovese brings but the continuum is persistent, insistent and will carry the fruit well into adolescence. It’s bright, juicy and just plain exceptional. Drink 2019-2025.  Tasted September 2017

Rocca Di Castagnoli Chianti Classico 2015, DOCG Tuscany, Italy (222810 $19.95, WineAlign)

Rocca di Castagnoli’s is perhaps one of the prettiest Chianti Classico 2015s, certainly out of Gaiole and even anywhere in the greater territory for this vintage. The virtues of ripeness, properly timed picking, acidity and just enough structure comes through in union, focus and finesse. All this while always in control of its classic style, with colorino and canaiolo tucked in behind and in support of sangiovese. Such a properly executed CC ’15. Drink 2018-2022.  Tasted September 2017  roccadicastagnoli  profilewinegroup  @Roccacastagnoli  @ProfileWineGrp  Rocca di Castagnoli  Profile Wine Group

Rocca Di Castagnoli Chianti Classico Gran Selezione Stielle 2013, Docg Tuscany, Italy (459529, $45.95, WineAlign)

Le Stielle in 2013 and its just faint hint of high acidity mixed and boxed with volatility is just on the most correct side of ripe meets structured life. When Gran Selzione gains such a cherry and fine salty mineral meeting of the structured minds it’s a special thing indeed. This is a fine GS with precision and understated, refined and capable power. Really fine, even just firm enough to deliver 10-15 years of slow developed 100 per cent sangiovese expression. Drink 2019-2028.  Tasted September 2017

Rocca Di Montegrossi Chianti Classico 2015, DOCG Tuscany, Italy (Agent $29.99, WineAlign)

It shouldn’t come as such a big surprise that Rocca di Montegrossi’s 2015 Chianti Classico is riper, richer and more immediately accessible than its previous annata, a wine I noted as “the most subtle and slightest dusty ride through a decidedly old-school Chianti Classico.” With a minor distraction and sacrifice to structure this step up to the modernity plate and organically configured (Gaiole) Monti in Chianti sangiovese boasts darker, intensely tart plum fruit and pinpoint accurate Rocca acidity. That said it’s just so fresh-squeezed, red citrus, thematically hematic delicious early. Hard to resist means less thought afforded patience and longevity but such is sangiovese life. It’s neither a better wine not is it a more or less important Chianti Classico to what has come before. It’s simply 2015, from a place where vintage really matters. Drink 2017-2021.  Tasted twice, September 2017   #roccadimontegrossi  @RoccadiMontegrossi  #roccadimontegrossi

Rocca Di Montegrossi Chianti Classico Gran Selezione Vigneto San Marcellino 2013, DOCG Tuscany, Italy (B.C. $63.49, WineAlign)

Marco Ricasoli-Firidolfi’s Gran Selezione boasts more than its share of Chianti Classico history and epochal location in its DNA. Legend dates back to 1039 for Azzi di Geremia Ricasoli and just as far back for the 1000 year-old Pieve San Marcellino. The vineyard gains more archetypal status with each turn of the calendar and the use of just a little bit of endemic pugnitello is awarded the singular varietal assist for Gaiole. With the 2013 vintage well tucked into the back pocket of this iconic Gran Selezione there is this sense of calm and refined, controlled intensity that just begs to get out, but the tannin and rigid structure have it well sealed in. This is what happens when the best fruit and a near perfect vintage come together. It’s fineness of tannin takes on great responsibility and it can do nothing but be a match to the task. Rocca di Montegrossi’s single entity Vigneto San Marcellino is sangiovese of density, intensity and power. It is assuredly one of the finest examples of the vintage. Drink 2020-2030.  Tasted September 2017

San Giusto A Rentennano Chianti Classico 2015, DOCG Tuscany, Italy (WineryWineAlign)

San Giusto a Rentennano is a name of Etruscan origin, an estate that overlooks the upper course of the Arbia river in the farthest southern reaches of the Chianti Classico zone. The estate began life as a medieval monastery of Cistercian nuns and was called San Giusto alle Monache, “of the Nuns.” San Giusto A Rentennano Chianti Classico 2015 is a stunner. Virtuous, scrupulous and composed, it was surely picked on the perfected vortex point of acidity and ripeness. That it sports refined tannin to lead into structure speaks volumes on how it is more than a serious CC. It is in fact destined for greatness. The chain is long and woven for sustained pressure and sytemic viability. Drink 2018-2024.  Tasted September 2017  #sangiustoarentennano    #sangiustoarentennano

San Giusto A Rentennano Chianti Classico Riserva Le Baròncole 2014, DOCG Tuscany, Italy (WineryWineAlign)

In 1957 San Giusto A Rentennano was inherited by Enrico Martini di Cigala and in 1992, by his nine children. Today Anna, Lucia, Elisabetta, Francesco, Alessandro and Luca are partners in the estate company. Riserva le Baròncole 2014 is composed from 97 per cent sangiovese plus canaiolo, the 14th Baròncole of a Riserva that was first bottled in 1975. The rains of summer did not deter this determined Chianti Classico, thanks to great farming practices, favourable weather conditions at harvest and under the circumstances, the strictest grapes selection possible. A beautiful liqueur wells in this rich and aromatic, spiced and spicy CC, quite exceptional for 2014. The top of the quality pyramid is reached with its rich constitution and age conscious ability. Chalky in fine grain and sweet tannins, no green notes, good acidity and properly rendered (20 per cent new) barriques and big (5 hl) barrels. Get with the baron. It’s a prime “esempio” for Gaiole in Chianti. Drink 2018-2024.  Tasted September 2017

Badia a Coltibuono

Good to go!

Godello

Twitter: @mgodello

Instagram: mgodello

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Castellina in golden light

Gallo Nero of Rocca delle Macie in Castellina in Chianti

Each time I travel to Chianti Classico the conversation regarding sub-zones rises closer to the surface. The deep and profound understanding of sangiovese as contributing to the greater good and power of Chianti Classico will not soon be superseded but producers are increasingly adamant about presenting their wines in the context of località and cru classificata. An annata is coming soon from which the names of both commune and village will proudly by worn on the bottle. With time comes change, however slowly, as necessity draws nearer and clearer into focus.

Granted there are some exceptions in Chianti Classico where fruit from neighbouring communes get together to make a Chianti Classico blend, so to speak, but these examples are few and far between. The Gallo Nero producers own, farm and harvest grapes from estate vineyards surrounding or in very close proximity to their production facilities. Chianti Classico is a highly territorial place, protected to the ultimate end of and by a family’s (or a custodian’s thereof) genealogy, history and legacy. As the region continues its march into the most modern of golden age there is a palpable and emotional push to celebrate the places within the place.

Related – Get Radda for Chianti Classico

The thinking or imagining about the landscape of Chianti Classico is more often than not acquiesced by a general feeling of winding roads through hilly landscapes, verdant vineyards and lines upon lines of cypress trees leading up drives to Etruscan estates. Generally speaking there is plenty of truth in such a conjuring but the distinct vistas, angles, geologies and visually speaking, the casts of light are so very different from one collateral enclave to the next. In Castellina there is a sense of wide open space and undulation you just don’t find in neighbouring lands. Borders are shared with Castelnuovo Berardenga to the southeast, Radda to the east, Greve to the north and Barberino Val d’Elsa to the northwest.  There can’t help but be some venn diagram drawn circles to adduce commonalities with neighbouring communes but Castellina is unique to itself and to its 66 producers associated with the Consorzio Vino Chianti Classico. In many respects and though it may be a generalization to say so, the sangiovese of Castellina are of the most lush, full-bodied and modern wines in the region. There is a thread that runs through, deep, mature and wise, an echelon of tangibility, from umbrage through illumination to loop a Castellina character from beginning to end and back again. The circle always returns to a point where Castellina is bathed in golden light.

This past September an ambassadorial group of Canadians paid visits to three historical properties in Castellina in Chianti. John Szabo M.S., Brad Royale, Steven Robinson and Godello took another step into the world of understanding, unearthing and disseminating the particular characteristics of communes and in the case of Castellina the epiphany was found in the consistency of the wines. It may be abstract to say but the Chianti Classico found here offer the greatest probability of correctness, high quality and regional guarantee. Read these 21 notes from Bibbiano, Castello di Fonterutoli and Rocca delle Macie, then judge for yourself.

Bibbiano

Related – Chilling with the bad boy of Chianti Classico

My second visit in as many years with Tommaso Marrocchesi Marzi reinforced the duality of landscape and sangiovese personality that the highly cerebral and zealous winemaker accepts, cherishes and celebrates through his wines. Bibbiano’s extraordinarily unique plateau position is a place of great dichotomy. The vines of Montornello slides gracefully down on the northwestern side and on the southwestern, Vigna del Capannino. “With glaring clarity is the determinate or indeterminate Bibbiano slope each wine draws their fruit from. In some cases one or the other and in others, a combination of the two. Montornello and Vigna del Capannino. The descending vineyards on either side of the Bibbiano plateau offer up an incredible study in contrasting Chianti Classico geology.”

We tasted eight wines with Tommaso, some of which were revisits for me. He also shared three new vintage samples, first a 2016 barrel pull from fruit drawn off the northern side. From tonneaux it gave beautiful, sexy fruit, spicy, tart, of great acidity and fine, spicy tannins. Structurally speaking this can only be from Montornello, albeit from wood, unblended with concrete sangiovese, so tannic, and very much in spice. The 2016 southern side is sangiovese grosso, from 25hL Slavonian oak botti and again, could only be the Capannino side with its big, thick and cakey fruit, massive, spicy and long. A 2016 blend or “taglio” may or may not have had some malvasia nera in there, from French tonneaux. Such perfume, alarmed, unparalleled, velvety, mouth coating and intense. With spice again and tight, taut, tannic (tight grain) structure. Really cakey and the thought again is just wow.  Here are the notes on the eight finished wines.

Bibbiano Listrice 2016, IGT Toscana, Italy (WineAlign)

Listrice is a blend of trebbiano and malvasia, pretty much 50/50, a fantasy name says Tommaso Marrocchesi Marzi. Il Istrice is a simple, fresh, straightforward white representative of the area. It’s salty, directly tart and made from fruit pulled only off the northern site/side of the Bibbiano estate. Is this so named because the northern vineyard’s fault dip is steeper near the surface then shallower with increased depth? Perhaps one day Tommaso will concur. There were approximately 2000 bottles produced. Drink 2017-2018.  Tasted September 2017  bibbianowines  lesommelierwine  @bibbianowines  @LeSommelierWine  Bibbiano Chianti Classico  Le Sommelier, Wine Agency

Bibbiano Rosato Scappalepre 2016, IGT Toscana, Italy (WineAlign)

Scappalepre, as in “the run away hare,” another whimsical name for a Bibbiano wine. This follows the growing number of specifically designed Tuscan rosés, especially for the Chianti Classico territory, to join the trendy ranks but with great sangiovese purpose. Scappalepre is from 100 per cent sangiovese fruit picked off of north and south vineyards and harvested purposely for Rosato. It is picked early, at least a few days before for Chianti Classico. Not quite saignée method but with a wealth of Rosé possibility, fresh and structured, confusingly phenolic and up there in the 14-plus per cent alcohol realm. A wine of sugars, acids and alcohol. It’s in a league of its own. Approx. 2000 bottles produced. Drink 2017-2019. Tasted  September 2017

Bibbiano Chianti Classico 2015, Tuscany, Italy (168286, $23.95, WineAlign)

“It’s a very genuine grape. It will never try to have fun with you,” explains Tommaso Marrochezi Marzi. This could easily have been said about the 2014 sangiovese though we know by now that the grape’s resilience has and will continue to bring itself about, and around. This 2015 shows its colours early, often and in great fruit strength. It’s beautiful and expressive, a spoken varietal message that is clear and understood. It should be enjoyed while it talks in fruit this way. Silky smooth, textured like fine satin, caressing and even sexy, sulty and lush. No colorino now and perhaps its inclusion with be more likely when the new vineyard grows up but for now the indigenous grapes are used in the Bibbianaccio IGT. Here again raised in all concrete for the élévage lending freshness, properly oxidative, anti-reductive character. Drink 2017-2019.  Tasted September 2017

John Szabo M.S., Steven Robinson, Brad Royale, Silvia Fiorentini and Tommaso Marrocchesi Marzi

Bibbiano Chianti Classico Riserva 2014, Tuscany, Italy (AgentWineAlign)

The first vintage not called Montornello is now a Chianti Classico Riserva on its own with that (northern slope) vineyard separated as a Gran Selezione. The smooth depth of sangiovese fruit character here is entirely Riserva though without edges or toughness. No grit, some minor grip, fineness and silkiness of tannin. The perfect summer of September allowed picking to happen at the end of the month, in delivery of enough quantity and quality for both Riserva and Vigne di Montornello Gran Selezione. A Riserva as polished, modern, clean and drinkable as they come and a terrific effort for the challenging vintage. Drink 2017-2022.  Tasted September 2017

Bibbiano Chianti Classico Gran Selezione Vigne di Montornello 2014, Tuscany, Italy (AgentWineAlign)

The artist formerly known as Chianti Classico Riserva is now Vigne di Montornello beginning in 2014, from the northern side so not a single-vineyard so to speak but a collection of very specific vineyards. Spent 18 months in a mix of wood, the thread carried forward from the Riserva but with a more focused, intense and layered approach. Having already needed a reset of the compass to wrap my head around the Riserva now taking in some Capannino side fruit, the recalibration also involves moving upwards in pyramid quality. The plan is for the best of Montornello fruit to work with precocious acumen so that it may immediately transport this GS to a new plenary place for Bibbiano. It’s offer of gratification is fleeting in comparison because it’s a conceptual baby as compared to the Capannino, in this or any near future vintage really. Drink 2018-2024.  Tasted September 2017

Bibbiano Chianti Classico Gran Selezione Vigna Del Capannino 2013, DOCG Tuscany, Italy (AgentWineAlign)

The Chianti Classico Gran Selezione Vigna Del Capannino 2013 is monstrous, from ’58 and ’62 sangiovese grosso vines put in by Giulio Gambelli, then grafts from that material for masale propogation in 1999 and the 2000s. The departure from Brunello is here, a huge, muscular, dare it be said Bibbianaccio of the sangiovese Bibbiano family, in GS form, thick, tannic, brooding, exceptionally structured, robust and 15 years away from announcing its true plans. This bottle is subdued however slightly from a spot of TCA but not enough to warrant skipping on past. Wow. Drink 2021-2032.  Tasted September 2017

Bibbiano Chianti Classico Gran Selezione Vigna Del Capannino 2011, DOCG Tuscany, Italy (AgentWineAlign)

The vineyard “Del Capannino” was planted in the 1950’s by the late great Giulio Gambelli, assistant to Tancredi Biondi-Santi. Not surprisingly and in connection to Brunello di Montalcino it is a clonal planting of sangiovese grosso, with further propagation done in the 1990s. The rich Albarese soil of Del Capannino enjoys the finest exposure and microclimate on the estate and is considered the best expression of Bibbiano’s “genius loci,” the spirit of the place. The first single vineyard vintage was 1998 and the Riserva designation switched to Gran Selezione in 2014, retroactive to the 2010 vintage. Today Bibbiano uses Botti (di rovere) Grande and Tonneaux (beginning in 2008) after barriques had been used for years. Still and always has been 100 per cent grosso, the only producer to do so in Chianti Classico. And so theirs is a liqueur that of course takes your mind to Brunello but this is purely Castellina and Chianti Classico so don’t be confused or tempted to settle for idyll comparisons. This has freshness, purity and that enticing meets teasing acidity, certainly consistent with and of no divergence to Bibbiano style. Ties to CC and CCR are blatant, necessary and so very pleasing. There is great structure but you can think about drinking this in its youth. It wont let out all its secrets but it will begin to tell its story. A story of territory. Drink 2019-2028.  Tasted February and September 2017

Bibbiano Bibbianaccio 2011, Igt Toscana, Italy (AgentWineAlign)

Bibbianaccio comes to light in its inaugural vintage, “the bad boy of Bibbiano.” Who is this bad boy, wine or man, referring to Tomasso Marrocchesi Marzi perhaps, or is it something other? The 50 per cent sangiovese, (40) colorino and mixed varietal (including malvasia bianca) blend is an ode to a time before, when Chianti Classico regional wines were blends filled with whatever grew in the fields and men were men. This (mere production of 2,000 bottles) one is forged with extended battonage, malolactic is done in tonneaux and then the blend is assembled and sent to Slavonian oak. The bad more likely refers to a departure, a break from the stylistic and the the territorial approach. His purpose is “to show that we are capable of anything,” insists Tomasso. His rebel is floral and it reminds me of a northern Rhône syrah-viognier, in a sangiovese-colorino with white grape addendum body. Colorino brings the colour, but texture is also ushered in. The punch downs, the stalks mined in, the wood and the compression all give this a vivid, fleshy reality. It’s also much more tannic than the straight-shooting sangiovese. Bibbiannacio is yet another wine tasted in Chianti Classico with no frame of reference, or certainly not one that I have ever tasted before. It is drawn fruit on down from both sides of the Bibbiano plateau but I really taste the calcaire, liquid chalky and mixed with that tannin showing that some further bottle time is needed. Drink 2019-2025.  Tasted February and September 2017

Castello di Fonterutoli

The Mazzei family lays claim to Chianti Classico’s origins in a document authored by Ser Lapo Mazzei in 1398. In correspondence from the 16th of December between “the keen notary” and Francesco Datini, “the merchant from Prato “Ser Lapo Mazzei made reference to “Chianti” as a production region and denomination. In 1435, when his granddaughter Madonna Smeralda Mazzei married Piero di Agnolo da Fonterutoli, the holding became part of the family’s estate. Since then, for 24 generations, the Mazzei family have produced wine at Castello di Fonterutoli.

Filippo Mazzei led us through a tasting of seven wines, including the experimental and visionary “Mix 36,” an IGT composed of 36 clones of Fonterutoli planted sangiovese. We then followed Filippo across the road from the estate and village to Osteria di Fonterutoli for lunch and some spirited discourse on sangiovese and the future of Chianti Classico.

Mazzei Badiola 2015, IGT Toscana, Italy (662197, $19.95, WineAlign)

Badiola is a sangiovese-merlot, 70-30 mix and its name comes from the tiny Roman times (circa 998) church set in one of the estate vineyard at 650m. This so happens to be the highest elevation in the area. Badiola sees 10 months in mainly used barriques for the intent to fashion a fruity, round, “everyday” Super Tuscan. It’s actually a bit lactic, dark berry dusty and with some solid grip. Drink 2017-2019.  Tasted September 2017  marchesimazzei  profilewinegroup  @MarchesiMazzei  @ProfileWineGrp  Marchesi Mazzei – Castello di Fonterutoli  Profile Wine Group

Castello di Fonterutoli No. 10 2014, IGT Toscana, Italy (AgentWineAlign)

No. 10 is something akin to a lottery pick, chosen from a group of samples and this specific sample was number 10 in the testing. It’s a dusty, properly volatile, minor bretty young sangiovese (with some other varieties mixed in) and led by dark currant to black cherry fruit. It’s neither avant-garde nor a legend but it is very particular in style. Drink 2018-2021.  Tasted September 2017

A week’s worth of sustenance in Toscana #5- Pici con ragu di cinghiale at Osteria Di Fonterutoli

Mazzei Chianti Classico Riserva Ser Lapo 2014, DOCG Tuscany, Italy (288530, $22.95, WineAlign)

Fonterutoli’s Chianti Classico Riserva Ser Lapo is named for Filippo Mazzei’s ancestor “Mr. or Signore Lapo,” the first to use the word “Chianti Classico” on a wine label, in December of 1398. This Riserva is 90 per cent sangiovese with 10 merlot and while it no longer fetches three florins, 26 soldi and 8 dinari for 6 barrels, it consistently represents one of the finest values for Riserva level on the CC pyramid. This 2014 spent 14-15 months in barriques and its classic, old time, rustica red tart fruit sangiovese with fine tannins wastes no time into the sidetracked distraction of unwanted meanderings. Walks the Chianti Classico line with classic distinction. Drink 2018-2022. Tasted September 2017

Mazzei Castello Di Fonterutoli Chianti Classico Gran Selezione 2013, DOCG Tuscany, Italy (Agent, $75.00, WineAlign)

Some malvasia nera and colorino are blended in with the 92 per cent sangiovese, raised in 60 per cent new barriques plus tonneaux. The Mazzei GS is selected from the best parcels and finest quality grapes within those parcels. This is the fourth vintage, 2010 being the first and from a lineage for the wine known as Castello that began in 1995. Was not a Riserva before but just the Castello (IGT). It’s 2013 to be sure but with a deeper, nearly hematic and brooding character. Still the Fonterutoli dusty red fruit but with some iron fisted tannic management. It does carry this sexy feel and yet it’s so serious, so ’13. Drink 2018-2023.  Tasted September 2017

Filippo Mazzei in discussion with Brad Royale and Steven Robinson

Castello di Fonterutoli Mix 36 2013, Igt Toscana, Italy (AgentWineAlign)

Castello Fonterutoli’s Mix 36 IGT Toscana is a brilliant stroke of insular blending genius, from a plot with the 36 sangiovese biotypes planted together but all from the same rootstock, planted in 2003 and 2004. It’s from a very clay vineyard at 300m. An experimental wine to be sure, the commotion variegates layer upon strata, of multi-sangiovese personality interwoven with 35 more variations of its own distinct character self. The becoming may be muddled but it’s simply delicious, fruit juicy, high in acidity though the tannins seem tamed and rendered. Filippo Mazzei insists this to be considered at the top of the pyramid, on a Gran Selezione level. He’s more correct that even he might realize. Just bloody delicious multiplicity of sangiovese. Drink 2018-2024.  Tasted September 2017

Castello di Fonterutoli Concerto Di Fonterutoli 2015, IGT Toscana, Italy (AgentWineAlign)

Concerto di Fonterutoli is the Super Tuscan that started in 2001, originally with 20 per cent cabernet sauvignon. In the nineties there was only half a hectare, and so ’94 was then the last vintage. Over the last 20 years there has been a gradual migration to sangiovese and a restoration of this historical vineyard, but now there is a return or at least a mimic of what was done 20 years ago. So it’s a return to the 80-20 split, not a wine from Concerto Vineyard but a fantasy name, bringing two together, now sangiovese from Fonterutoli and cabernet sauvignon from Siepi. It’s deeply cakey, rich, tannic, very wooden sheathed, with almost a sweetness as a result, more like Napa than almost any wine from lands in Chianti Classico. It wells with big, sweet, grainy and chalky tannins. Huge monster of a wine. Drink 2019-2026.  Tasted September 2017

Castello di Fonterutoli Siepi 2015, IGT Toscana, Italy (AgentWineAlign)

Siepi is the 200m vineyard, west of Fonerutoli, a historical place that already had vineyards planted when the family arrived in the 1400s. This is the only exception to what is being done at the estate. Sangiovese (1995-2000) and merlot (1985) grown, picked and vinified separately. It’s essentially a single-vineyard blend, though on two sides of a road. A 50-50 split, separated and then brought together. It carries more tartness, high acidity and fine tannic structure. Very fine, less cake then Concerto and more of a seamless affair. Merlot in certain parts of Chianti Classico just seems to have this affinity, alone and in partnership with sangiovese, in ways that cabernet sauvignon just does not. Drink 2019-2027.  Tasted September 2017

Rocca delle Macie Estate, Castellina

Rocca delle Macie

Sometimes it just feels like Rocca delle Macie sits at the epicentre of not only Castellina in Chianti but the greater territory that is Chianti Classico. Consorzio President and estate proprietor Sergio Zingarelli is certainly a principal reason for the sentiment but it’s more than that. No other three-tiered pyramid set of examples for Chianti Classico, Chianti Classico Riserva and Chianti Classico Gran Selezione speak to the perseverance of presence and consistency of quality in the Ontario market (plus 40 other countries) and yet it feels as though Rocca delle Macie is just beginning to reinvent its oeuvre. Zingarelli’s late father Italo, a former boxer and producer of spaghetti westerns, bought Rocca delle Macìe in 1973 and today the company produces wines off of six estates, including Macie, Fizzano and Sant’Alphonso. Sergio and his wife Daniela, daughter Giulia, son Andrea and Marketing and Communication Manager Thomas Francioni welcomed us into the Zingarelli home for a comprehensive tasting and the most exceptional home cooking. Not to mention the finest gelato in Toscana and Andrea’s very special craft gin. I made notes on the following six wines.

ry  And in #castellinainchianti we taste @chianticlassico @roccadellemacie with The Presidential #sergiozingarelli

Rocca Delle Macìe Moonlite 2016, IGT Toscana, Italy (400879, $17.95, WineAlign)

Moonlite 2016 gathers vermentino, chardonnay and pinot grigio (40/40/20) from vineyards in southwest Toscana, not far from Grossetto. The lands are really, ostensibly, technically in the Morellino area. A white Super Tuscan so to speak, it’s fresh but also rich and funny in that it’s almost as wet stone smelling as it is pear fruity. There is this ubiquitous Italianate feel about it, not necessarily Tuscan but as a regional white (not sangiovese) it’s harder to define. The vermentino lends a saltiness and the nearby seaside a secondary note as such. Drink 2017-2019.  Tasted September 2017  roccadellemacie  profilewinegroup  @roccadellemacie  @ProfileWineGrp  @roccadellemacie  Profile Wine Group

Rocca Delle Macìe Chianti Classico 2015, DOCG Tuscany, Italy (741769, $18.95, WineAlign)

This VINTAGES Essential in Ontario delivers a contiguous style continued since the brand switched to fresher, less brooding gears over the past five or six years. Sees 10-12 months in large Slavonian casks (5000L), from many estates and a selection of vineyards. Freshness is a virtue and depth of fruit as important as anything, in a consistent, well-mannered and fleshy experience, top to bottom. Carries a small amount or Bordeaux varieties.  Last tasted September 2017

Rocca delle Macie’s Chianti Classico 2015 makes the adjustment and will be perfect for the current market, now changing in style again, away from dark colour, with less cabernet sauvignon, to be so very sangiovese and to celebrate the vintage. The classic fresh, bright and righteously dusty red cherry is just so very subtle and refined for what sangiovese can be. You will be hard pressed to find a more amenable, reachable and commercially getable Chianti Classico from a vintage ready to roll. Drink 2017-2019.  Tasted February 2017

A week’s worth of sustenance in Toscana #4- Ribollita da Daniela Zingarelli

Rocca Delle Macìe Chianti Classico Tenuta Sant’Alphonso 2015, DOCG Tuscany, Italy (Agent, $22.95, WineAlign)

Tenuta Sant’Alphonso is the single vineyard Chianti Classico, from one of five estates, mostly clay and dictated by 100 per cent sangiovese. French oak of smaller size (25 hL mostly, up to 30) is employed because of the clay. The robust flesh and tannins need it and are coupled by it, but also refined by it. Aggressiveness only goes so far in sangiovese and then it hits you over the head so accepting the depth in espresso, dark chocolate and the eventuality of balsamic needs to be understood. The use of cement tanks (and less time in Inox tanks) helps to stave off reduction. This is one of the more Riserva like CCs on the market, carrying many characteristics that happen with more and smaller barrique aging. Drink 2018-2022.  Tasted September 2017

Rocca Delle Macìe Chianti Classico Riserva 2013, DOCG Tuscany, Italy (930966, $23.95, WineAlign)

Rocca delle Macìe’s is a selection of the best grapes pulled from all four estates, but in different (separate) vinifications and vivifications, aged in French barrels, half new and half 2-plus year old. The methodology looks for consistency in every vintage, because it’s the gathering of best fruit, (including half the fruit from the Sergio Zingarelli Vineyard). Very round, fleshy, composed, integrated, a high acidity (more than many) vintage, dry and intense.  Last tasted September 2017

The vintage is not so much one for Gran Selezione but that category’s loss is the Riserva’s gain. This is a very balanced and structured Riserva with a healthy dose of oak and an even greater sense of the Zingarelli family style. It’s crucial and obvious, correct and loyal, so very modern. Why shouldn’t it be? Let is settle for one year. Drink 2017-2021.  Tasted September 2016

Rocca Delle Macìe Chianti Classico Fran Selezione Riserva Di Fizzano Single Vineyard 2013, DOCG Tuscany, Italy (699454, $33.95, WineAlign)

Fizzano is the historical single vineyard that Sergio’s father Italo purchased from The Bertoli family (who did not have any vines) in 1984. From 1985 to 2010 it was CC Riserva and moved to the category of Gran Selezione for the 2010 vintage, keeping the Fizzano name. Mostly (95 per cent) sangiovese with five merlot, only French oak (20 per cent barriques), from calcareous (with quite a mix of sandy) soil. iIt’s a silky affair, ripe in tannin and from fruit so much so. One of the oldest vineyards (planted in 1985 to 1990) but needing replanting, to a higher (5,000+ plants per hectare) density. Not so much exceptional length but now having evolved into a really round, balanced and amenable CC. More than almost any GS.  Last tasted September 2017

Certainly the most affordable Gran Selezione on the market, Rocca Delle Macie’s From Castellina in Chianti is remarkably defined and tannic. The (32nd) vintage prepares for another profitable possibility, with ripe fruit, solid structure and those formidable edges. The re-branded single-Fizaano vineyard Riserva to Grand Selezione is again worth every bit of that advantage. Big, balanced and in the end, still brooding, let this rest for another two years. Drink 2019-2026.  Tasted January 2017

Rocca Delle Macìe Roccato 2010, IGT Toscana, Italy (Agent, $51.95, WineAlign)

Roccato is the second Super Tuscan of the estate (along with Ser Gioveto), this beginning with the 1988 vintage. It’s a 50 per cent sangiovese and 50 cabernet sauvignon split and the reasons for pouring a not so current vintage will become clear. Aged only in barriques Roccato is rich beyond the pale and with the first (very apparent) volatility and bretty culpability, though remarkably not as tannic as expected. It’s quite a smooth, silky, velvet cupboard but filled with acidity. This seven year point of age is certainly part of the mystique and secondary character is beginning (or has well begun to take this next step). Most supple and round and then the finish goes into chocolate ganache, dark toffee and a feigned note of sweetness. Will likely carry more cabernet sauvignon in the future and conversely Ser Gioveto (not tasted) will likely become a Chianti Classico Riserva. Drink 2017-2020.  Tasted September 2017

Gallo Nero of Rocca delle Macie in Castellina in Chianti

Good to go!

Godello

Twitter: @mgodello

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Get Radda for Chianti Classico

Gallo Nero Sangiovese Vendemmia 2017

Most likely you’ve arrived at this page because you know that the story of Radda in Chianti will make for a terrific read. If you’ve landed here and do not yet know the blood of Radda’s sangiovese or are not yet excited about the commune’s 2017 harvest then I urge you to press on. In Radda they are farming higher, further and edgier. Their time in the sun as the cool kid on the fringe of selvage sangiovese viticulture in Chianti Classico has begun.

We’ve talked ad nauseam of late about the marginalia of climate change, about cool climates and growing regions finding ways to ripen grapes at the edge of what is possible. As a greater entity Chianti Classico is not one of them per se but Radda may just be entitled to boast about being cool, relatively speaking. Everywhere vines are grown there has to be a coolest spot, where the altitude is highest, the temperatures are lowest and the vines are slower to manage phenolic ripeness. Radda is the coolest sector and the rest of Chianti Classico should be paying careful attention. Like all wines subjected and connected to global climate change, in Chianti Classico the future of sangiovese will be inextricably tied to those from Radda. Until now it has been generally understood that above 550m (or so) of altitude it is more than difficult to ripen sangiovese in Chianti Classico. That too is changing and the 2017 vintage will offer great proof.

In #raddainchianti we find ourselves immersed in a recurring if revelatory theme #sangiovese #chianticlassico

Related – All in with Chianti Classico

Radda is one of four sub-zones in the province of Siena and shares its borders with four other Chianti Classico communes; Gaiole to the southeast, Greve to the north, Castellina to the west and Castelnuovo Berardenga to the south. There is something about the Radda sangiovese that stands alone, a thread that runs through, with traces and shadows of the territory omnipresent in the collective psyche of these wines. While other communes like Gaiole have begun to gather and band together, it is the group from Radda that is most keen and desperate to share their collective heartbeat from the eastern corner of Chianti Classico.

In Radda the shift to one for all and all for one has brought 30 producers together. The recently formed group share a commonality defined by soil types and estate vineyards set at an average elevation of 450m. This is one of the oldest areas of Chianti Classico, a commune of castles and vineyards that date back to the 12th century. Elevation, the soils and the expositions make for some of the most elegant sangiovese in Chianti Classico. The results are a cause and effect summation due to less sun, more finesse and a most prominent mineral influence. Radda’s destiny is defined by deeper root delving and more extraction of trace minerals from well below the soil surface. “The territory has always has been considered a cold terroir with more difficulties to grow sangiovese, especially as compared to other communes that are lower, hotter and with fewer difficulties,” claims Roberto Bianchi of Val delle Corti. Climate change has opened the door for this fringe commune to take center stage.  Says Bianchi, “other communes have tremendous problems of overheating. We don’t have that problem in Radda.”

Radda is a story built upon a multiplicity of limestone, in all its Chianti Classico permutations, from grey calcaire to Galestro and everything in between. Terraces are all used, irrespective of the orientation. Two rivers, Pesa and Arbia mark the lowest points at approximately 300m and the slopes rise up from the rivers, up to 600-650 at the top where the Galestro and Alberese change to Macigno, friable limestone and sandstone, less calcareous, harder to work and therefore, places of lower yields.

“A subzone system for a definitive denomination as big as Chianti Classico should exist.” These are the words of Volpaia’s Giovanella Stianti. Signora Stianti’s vision may not be a singular one but not everyone is bold enough to speak aloud about an idea that most likely will soon become a reality. Until now the Chianti Classico discussion has been limited to varietal and the insistence that the main concern be about the multiplicity of sangiovese. September tastings centred on Radda, Gaiole and even more specific still to Montefioralle and Lamole speak to the idea of breaking down a territory into smaller parts. Defining sub-zones and then sub-sub zones is potentially discriminatory and ultimately controversial but the communes and villages are ready and stating their case for individual due. The murmurings ask the question. Has the time not come to proudly wear Radda in Chianti on your wine label? This piece of prominent information would help the consumer understand where this wine is from. The impressive number of producers and wide-ranging diversity suggests there are more than enough reasons to get behind the plan. Chianti Classico will always come first but in all of Toscana only it is possessive of such distinct communes. So why not tell the world? Borders can’t be drawn underground but the lines can be demarcated above ground, by commune, village, river or road. Naturally the geologies will have to fall into line. In the case of Radda, that won’t be a problem.

Brad Royale, Steven Robinson and Federica Mascheroni

Related – The most important red wine from Italy

In September of 2017 I made my second visit to Casa Chianti Classico, located in the former Convento di Santa Maria al Prato in Radda in Chianti. It is here that the Consorzio Vino Chianti Classico has set up its new education and events centre to promote the wines of the Gallo Nero. Casa Chianti Classico has been converted from the old Franciscan monastery and is now home to meetings, conferences, events, a wine shop and a museum. Four intrepid Chianti Classico inquirers, John Szabo M.S., Brad Royale, Steven Robinson and Godello were hosted by three valorous representatives for the municipality. Federica Mascheroni of Castello di Volpaia, Roberto Bianchi of Val delle Corti and Oscar Geyer of Borgo La Stella. I have reviewed 23 examples from the tasting in Radda.

Sangiovese of Radda in Chianti

Borgo La Stella Chianti Classico 2014, DOCG Tuscany, Italy (WineryWineAlign)

The proposition indicts 2014 with a tight Chianti Classico, of fruit either berry or plum it’s hard to be sure, but either way it’s found wrapped and dragged through a stone-earthy ride. There is this deep into the soil liqueur that carries a mushroom funkiness, all within reason and finely integrated. Not a fruity CC by any stretch but carries plenty of character and might even be considered ripe for the vintage. From young vines, planted in 2006. That says something about its prescient present and the possibilities for the future. Drink 2017-2019.  Tasted September 2017  borgolastella

Borgo La Stella Chianti Classico Riserva 2014, DOCG Tuscany, Italy (WineryWineAlign)

Made with oenologist Maurizio Alongi, Oscar and Christian-Oscar Geyer’s Borgo La Stella Chianti Classico Riserva 2014 was bottled at Mazzei in Castellina. The vintage is all over this sangiovese (with 10 per cent merlot) planted to heavy, heavy density. The vines are but a mere six years old but already the Alberese is felt in this impressively layered, deeply hematic and starchy tart CCR. The mineral sensation is something that it quite striking at the Riserva level. It’s a big and tannic arena in which the wealthy deposits of mineral salts are pulsating with Radda terroir. Drink 2018-2024.  Tasted September 2017

Brancaia Chianti Classico 2015, DOCG Tuscany, Italy (519173, $24.95, WineAlign)

Classic 2015 Chianti Classico of dark raspberry fruit and maximum ripeness with a side show of top notch acidity, bright enough to stay grounded in loyal and traditional footing. The tannins do cause a minor drying finish which only accentuates the correct and justifiable humility of sangiovese. An example to live and abide by. Drink 2017-2020. Tasted August and September 2017  brancaia_com  noble_estates  @CasaBrancaia  @Noble_Estates  @Brancaia  @NobleEstates

Brancaia Chianti Classico Riserva 2013, DOCG Tuscany, Italy (260802, $36.95, WineAlign)

Brancaia goes all in to exploit sangiovese and the for broke style solicits some patience to wait out in extra time. The dusty, musty and leathery notes are up front, closed and somewhat suffocating for the fruit. Though 16 months in barrel is nothing to call nothing it is not the wood that dominates these gregarious 2013 grapes. With time this swirls into a grosso sangiovese like liqueur with plums, cherries and spice. Really Riserva in style but not of the recent past, more like the older ways but translated to modern times. Needs three more years to perform due diligence, gain some traction and find its guaranteed due elegance. Drink 2019-2024.  Tasted March and September 2017

Castello d’Albola Chianti Classico 2014, DOCG Tuscany, Italy (339937, $18.95, WineAlign)

Castello d’Albola Chianti Classico is really quite ripe for 2014, even perched on the next edge but short of the dangerous ledge. The acids are a bit hard and the compression somewhat intense in a sangiovese that reeks of personality spoken loud and clear. Both fruit and tannins are set out to drying on the savoury finish. Drink 2017-2019.  Tasted September 2017 castellodialbola  zoninwines  @CastellodAlbola  @zonin1821  @castellodialbola  @ZoninProsecco

Castello d’Albola Chianti Classico Riserva 2014, DOCG Tuscany, Italy (315150, $24.95, WineAlign)

Castello d’Albola 2013 is a gamey Riserva, with aromas of roasted meat and salumi, expressly extracted and pressed. This goes for broke and makes the most impression it can, with big fruit, tart edges and big tannins. It’s a formidable mouthful to be sure though lacks some balance, at least while it’s quite young. Time might help to shape the finesse and sharpen the clarity. Drink Drink 2018-2022.  Tasted September 2017

Castello di Radda Chianti Classico 2015, DOCG Tuscany, Italy (WineryWineAlign)

Here the exchange between fruit and acidity is seamless if simple, easy going and with no risk taken. Hard not to understand what’s going on here with its simple plan, fine execution and classic tart, red fruit and salty stone bent. On the sour side for Radda in Chianti Classico, particularly when discussing 2015. Drink 2017-2019.  Tasted September 2017  #castellodiradda  @CastellodiRadda  @castelloradda

Castello di Radda Chianti Classico Gran Selezione 2013, DOCG Tuscany, Italy (WineryWineAlign)

This 100 per cent sangiovese is from Il Corno, a single vineyard meaning “The Horn” upwards of 400 m above sea level. The soil is a calcareous clay and the vines were planted in the early 1990s. The ’13 Gran Selezione is rich and expressly ripe, simply linear for the category with very high acidity. Over the top high acidity. Let’s hope the twain is met before the end of this decade. Drink 2018-2022.  Tasted September 2017

Castello di Volpaia Chianti Classico 2015, DOCG Tuscany, Italy (953828, $27.95, WineAlign)

Volpaia’s 2015 strikes me as a Chianti Classico with ancient wisdom and perfect vintage fruit quality in its calculated, curative concentration, a wine that modestly takes every advantage it can, which are few and far between. This is a rich and earthy red, of frutti di bosco, ropey and wild, yet generating power in its wonderful restraint. Take in and regard the gentile, non facile, wondrous mystery of Radda in Chianti Classico. Drink 2018-2023.  Tasted September 2017  castellodivolpaia  rogersandcompanywines  @volpaia  @rogcowines  @volpaia

Castello di Volpaia Chianti Classico Riserva 2014, DOCG Tuscany, Italy (705335, $41.95, WineAlign)

Volpaia Chianti Classico Riserva 2014 is expressly reductive with layers of beautiful fruit laid comfortable and resting below. The glycerin texture and fine, fine tannins tell us the life of this CCR will be long, slow developed and over time will become more beautiful than imagined. Benvenuto to the blessed nature of Macigno terroir exorcized properly, in allowance of place to hold court and fruit to slowly dance upon its stage, rhythmically and harmoniously together. This takes every advantage of a vintage that will build structure if you let it. Wait for Volpaia’s ’14 because two plus years from now the florality will floor you. So pretty. Drink 2019-2026.  Tasted September 2017

Before #bistecafiorentina #enotecanuvolari

Castelvecchi Chianti Classico Capotondo 2014, DOCG Tuscany, Italy (WineryWineAlign)

I had tasted both Capotondo ’14 and ’15 earlier in the week at Enoteca Nuvolari (Pietrafitta) though took no formal notes at the time. It was clear by way of perspective that ’15 was certainly drinking well but this ’14 holds more impressive and precise structure, at least by way of intensity. This is highly distinctive, chewy, somewhat chunky sangiovese, but the firm constitution and decidedly ferric edginess brings Radda soil into play. The “round head” tells us that it can be nothing but Chianti Classico in all its history and its glory. Drink 2018-2022.  Tasted September 2017  cantinacastelvecchi  barrelselect    @BarrelSelect  @chianticastelvecchi.it  Barrel Select Inc.

Castelvecchi Chianti Classico Riserva Lodolaio 2014, DOCG Tuscany, Italy (WineryWineAlign)

Riserva Lodolaio 2014 is not only scented by a curious perfume but a bit of a nutty one, connected to sweetness by oak in an immediate gratification, prompt to the consumer kind of way. This old castle, heritage vines sangiovese from high territory altitude is a veritable legume and spice spider, with legs of clove, cinnamon, nutmeg, anise, vanilla, coffee, dried herbs and dark chocolate. Here in the short term is an example of Chianti Classico Riserva ready for many a believer and quick to act appreciative imbibers. Lodolaio, the Riserva awarded, in a frame. Drink 2017-2020. Tasted September 2017

After #bistecafiorentina #enotecanuvolari

Colle Bereto Chianti Classico 2015, DOCG Tuscany, Italy (Agent, $31.95, WineAlign)

From Radda in Chianti and one of Chianti Classico’s great young, forward thinking winemakers Bernardo Bianchi the wisdom is easily noted, deduced, accepted, considered and abided. Red fruit with an earth’s dusty, cracked crust allows for smells like fresh tiles and the just mixed mortar but that fruit is aching to burst forth. Very seamless for a young Chianti Classico, so this building will stand strong and last through the centuries, which in wine years equates to seven, maybe ten. Terrific sweet acidity, life-affriming sapidity and vitality. As good as young CC gets with the longest, pitch perfect tang in elongation, drift and persistence. Drink 2018-2025.  Tasted February and September 2017   @NokhrinWines  Azienda Agricola Colle Bereto  Azienda Agricola Colle Bereto

Colle Bereto Chianti Classico Gran Selezione 2013, DOCG Tuscany, Italy (Agent, $67.50, WineAlign)

The current incarnation of the single-vineyard Gran Selezione from “la vigna del Convento” is a wildly rich and structured, intuitive and interpretive expression. The vineyard resides in a great Radda amphitheatre, situated on the slope beneath Il Convento di Radda in Chianti. Winemaker Bernardo Bianchi does nothing to veer away from the house-composed, let the vineyard speak style, from a sun-worshipping, ambitious yet wise, 22 year-old Galestro soil block at a high Chianti Classico 500m peak. All together making for the new super Riserva of restrained power and elegance. If the aromatics in 2011 were of a wow factor they are somehow, magically and inexplicably improved upon in 2013. The field of flowering greens, the deep way you inhale the fruit and above all else, the mineral of this Galestro. It pervades and attacks, especially on the palate but when you taste sangiovese like this you understand the disconnected exaggerations, over-stressed acidity and the (comparative) imbalance in some of the GS peers. Bereto’s is one of the finest Gran Selezione and worthy of every charged sip. Drink 2020-2035.  Tasted February and September 2017

Istine Chianti Classico 2015, DOCG Tuscany, Italy (WineryWineAlign)

Istine Chianti Classico is made by Angela Fronti out of vineyards set quite high between 480 and 550m, on the road that runs from Radda to Castellina in Chianti. From a great variegation of soils; Alberese, marly limestone, Galestro and some light presence of quartz. A rich red limestone ruby sangiovese is the result, collecting to a mild but notable unctuous liqueur, manageable acidity and tannin. This sharp and correct CC is lovely, well made, so proper. Drink 2017-2020.  Tasted September 2017  istine_raddainchianti    @istineraddainchianti

Istine Chianti Classico Riserva Levigne 2013, DOCG Tuscany, Italy (WineryWineAlign)

Levigne is considered the top wine of the estate and it is one of two assemblage-forged sangiovese. Angela Fronti produces three single-vineyard Chianti Classico, a CC that combines all three vineyards and this Riserva. Since the 2012 harvest Fronti has opted for separate vinifications of sangiovese according to each vineyard of origin. Through different wines the characteristics of each specific vineyard, as in exposure, soil and altitude, are exploited. Fronti notes “we tell our reality through the best sangiovese harvested in the Vigna Istine (between Radda and Castellina), the one collected in the Vigna Casanova dell’Aia (near Radda) and the one in the Vigna Cavarchione (in Vertine, Gaiole). Riserva is a story of assemblage and it seems to me, not the wine of Angela’s greatest passion. This CCR is chosen from her best fruit and spent 18 months in large botti. The fruit is raisin chewy and a bit stewed to be sure but with good acidity and tart, tight tannins to keep the faith. It’s disjointed and I would bet the single-vineyard CCs are more precise and focused. Should SV Riservas be the wave of Istine’s future? Only Fronti can answer that question, if adding more diversity to the portfolio is even a possibility. All that said this high quality blend will turn and morph for a more than interesting secondary CCR display of personality. Drink 2017-2022.  Tasted September 2017

Podere Terreno Chianti Classico 2015, DOCG Tuscany, Italy (WineryWineAlign)

In 2015 Podere Terreno Chianti Classico makes a bit of a funky entry, not reductive but seemingly drawn from a lower slope, deep and earthy. In this vintage it wells deep as an inhalant of cherries, macerated and yet it’s entirely Radda, cool and wet, stony and such a calcari expression. You can enjoy this beginning in six months simultaneously alongside the tougher ’14, but their worlds will parallel one another for the rest of the journey. In both cases Radda represents. Drink 2018-2021.  Tasted September 2017  agriturismo_podereterreno  @podereterrenoallaviadellavolpaia

Poggerino Chianti Classico 2014, DOCG Tuscany, Italy (SAQ 878777, $25.95, WineAlign)

The vines date back to 2004 and 1994 for Poggerino’s Chianti Classico, a 100 per cent sangiovese that sits at a zenith where the most red limestone earth and sour intensity is noted above all 14s almost anywhere, not just from Radda but for all of the territory. Almost over the top in this regard but stand up and counted is what this amounts to. Then it grooves forward and rebounds with warmth and depth before returning to that earthy calacari bonding. Gathers itself, the moving parts and glides along with solid length. Very interesting, honest, organic and naturally curated work from Piero Lanza. Drink 2018-2022.  Tasted September 2017  fattoriapoggerino  vins.balthazard    @vinsbalthazard  @poggerino  @VinsBalthazard

Poggerino Chianti Classico Riserva Bugialla 2014, DOCG Tuscany, Italy (Agent, $45.00, WineAlign)

Here the ’13 vintage is really expressed for Chianti Classico in Radda with deep red cherry fruit, earth and real saline intensity. The tannins are a bit rough and tumbling but even in their coarseness there is charm and even beauty. In such a state of youth at this the deceitful Poggerino Riserva talks some trash, almost as if to lie (alla bugia) about what it’s worth, so let it settle, integrate, develop and expand. The chew and the grip will be replaced by something other. Drink 2019-2025.  Tasted September 2017

Pruneto Chianti Classico 2013, DOCG Tuscany, Italy (WineryWineAlign)

Pruneto is the sole ’13 in the group tasting and the only one with Radda celebrated in larger font on the label. This is the outlier, from the singular winemaker (Riccardo Lanza) and was just recently bottled. The organics and organoleptic, earthy intensity are something to behold. It’s a stripped down ’13, Radda stye, needing time to unfurl and even bloom. This is hard to figure Chianti Classico 2013 but I suspect it will blossom after a few years time. Nothing else in Radda tastes like this. From the tiny, 3.5 hectare estate divided into just two vineyards, surrounded by forest. Drink 2019-2024.  Tasted September 2017  #Pruneto

Val Delle Corti Chianti Classico 2015, DOCG Tuscany, Italy (WineryWineAlign)

Roberto Bianchi’s 2015 is a reserved and restrained aromatic Chianti Classico but there is a subliminal Galestro or Macigno message being delivered here and it would seem to be a grey to darker calcareous rock expression. The fruit is quiet but felt plummy and tart on the palate. This is a bit older schooled but surely carries great presence and length. A rich thorough finish concludes that ride through the mineral life. Drink 2018-2021.  Tasted September 2017  valdellecorti  @ValdelleCorti  @valdellecorti

Val Delle Corti Chianti Classico Riserva 2014, DOCG Tuscany, Italy (WineryWineAlign)

From Roberto Bianchi, the Val delle Corti Chianti Classico Riserva 2014 comes from not just a challenging but also a complicated vintage. Despite the rains and the unusually cool temperatures the aromatics here are not just a pure distinction for CCR but also for Radda. This is because it eschews concentration, alcoholic heat and unnecessary intensity for purity, honesty and delicasse. Here sangiovese acts in a wine that stands on its own as the finest expression of fruit from this estate. It’s both pretty and earthy, peppery and really deep, really deep. This has layers and layers of trace mineral drawn up into the red cherry mixed with some dried fruit bright and vibrant of the bones of the Riserva level wine. It can’t be thought of as anything but most excellent. Drink 2019-2025.  Tasted September 2017

Vignavecchia Riserva Chianti Classico Odoardo Beccari 2011, Docg Tuscany, Italy (Agent, $33.95, WineAlign)

A consistent and terrific follow-up to 2010 from old vines in Radda in Chianti, this is warm and creeping north (or south depending on your explanatory orientation) from deep, religious aromatics. Fresh slices of fennel bulb and wet concrete are rich, wet, juicy and vaporous. Sweet acidity and tannin join spicy red fruit from what is ostensibly the most unctuous and deeply tangy sangiovese you are likely to ever taste. This is quite something else, both hedonistically indulgent and propitiously wild and engaging. You had better like it hot and bothered, fleshy, gregarious and sexy. This really has it all. Drink 2017-2024.  Tasted February and September 2017  #vignavecchia    @VignaVecchia

Gallo Nero Sangiovese Vendemmia 2017

Good to go!

Godello

Twitter: @mgodello

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