Eighteen mind-blowing wines of 2018

Godello, Museo civico e diocesano d’arte sacra di Montalcino

Welcome to Godello’s annual list of the most memorable, game-changing and mind-altering moments, also known as his 18 mind-blowing wines of 2018. Godello started this year-end assessment first in 2012 though first blessed the list with the moniker for the 14 mind-blowing wines of 2014. Whether it’s the fifth or the seventh incarnation matters little to negligible because in the end it’s all about the who, what and where.

Related – Seventeen mind-blowing wines of 2017

With thanks to the winemakers, friends, colleagues and pirates I welcome you to read on. Godello’s 18 mind-blowing wines of 2018.

Taittinger Comtes De Champagne Blanc De Blancs Vintage Brut Champagne 2006, Champagne, France (55277, $205.95, WineAlign)

Rarities are special for many reasons but in the case of the Comtes de Champagne Blanc de Blancs it’s a matter of chardonnay incarnate. Some details must be kept in the pocket of assessment. Only exceptional vintages lead to its production, fruit is drawn from the finest Côte des Blancs parcels of chardonnay and only the first press juice is used. So what? So the gathering might lead one to think of words like purity, elegance, refinement, finesse and delicasse. In actuality there is the finest wisp of smoke and smoulder, a bite from a perfectly ripe apple and the zen golden taste of honeyed Japanese toast. Who could not be overjoyed to zen out with the Comtes B de B, anytime, anywhere. Drink 2018-2030.  Tasted January 2018  champagnetaittinger  fwmcan  champagne_officiel  @TaittingerUK  @FWMCan  @Champagne_UK  Champagne Taittinger  @FWMCan

Dr. H. Thanisch Brauneberger Juffer Sonnenuhr Riesling Spätlese 2014, Prädikatswein, Mosel, Germany (298182, $40.95, WineAlign)

In a word, thank you, well two, to say how important, generous, fortuitous, philanthropic and poignant it is to taste Spätlese from this combination of producer, vineyard and alcohol. At 7.5 per cent proper and out of arrested necessity the frame on which the ultra-clean fruit and fineness of acidity hang is kevlar light and built to last. The poise and integrity in exhibition toasts lithely from stones warmed and earth cooled by night through excitable seasonal fluctuations. If this does not soothe the savage while wooing the unaware then few German rieslings will. This can’t be missed nor will it pass lips without eliciting a response set passionately in the ethereal and the sublime. Amazing. Drink 2021-2035.  Tasted April 2018  #braunebergerjuffer  awsmwest  germanwine_ca    @AuthenticWineON   @germanwineca  #braunebergerjuffer  @awsmon  @germanwinecanada

Into the South African mystic ~ A formidable line-up led by @mullineuxwines with thanks to Chris, LK @WOSACanada JG @lbstoronto @wosa_za @NicholasPearce_

Mullineux Schist Chenin Blanc 2014, Swartland, South Africa (Agent, $89.95, WineAlign)

Mullineux’s Schist is a 100-120 case production (though only 72 in 2014), from schist, of course, not granite, which adds mid-palate weight and texture. Also from older (36 and 40 years) vines based from soils of the Kasteelberg. It’s a heartfelt message and cerebral pulling string from the 2014 density gifting vintage. Older barrels wrap like a blanket for fruit richer than you’d ever imagine, full-bodied, beautiful and robed in petticoat unction. It’s also dry as the farmland desert. Truly one of the finest chenin blancs from South Africa and beyond. Drink 2018-2027.  Tasted May 2018  mullineuxwines  nicholaspearcewines  wosa_ca  @MullineuxWines   @Nicholaspearce_   @MullineuxWines  @WOSACanada  Andrea Mullineux  Chris Mullineux  Nicholas Pearce  @WOSACA

How to have an epiphany. Taste 25-30 year-old #southafrican white wines. Case in point @kleinconstantia sauvignon blanc

Klein Constantia Blanc De Blanc 1987, Constantia, Western Cape, South Africa (Winery, WineAlign)

Poured by Managing Director Hans Astrom in Cape Town alongside 1994 and 2009. Planted in 1979, the inaugural vintage and the first South African sauvignon blanc was 1986. The 1987 was not labelled as sauvignon blanc but rather as B de B because of the botrytis-affected vintage. Honeyed but not in the way you might expect, not pushed by a petrol-fuelled sweetness but instead as the action of an old world inspired mash up. Like Loire Jolivet Sancerre meeting Huet Demi-Sec chenin blanc head on. The collision explodes into a smoky smoulder with textural consequences. It’s a bees-waxy ethereal treading of chaotic spaces between worlds. The astral travel must have twisted through three decades of nether to arrive at this place, with the low pH vineyard soils to thank. And the magic, despite or perhaps in ode to the ’87 botrytis. In the end aridity wins and the wine drinks so proper, perfect and fine. Drink 2018-2020.  Tasted September 2018  kleinconstantia  halpernwine  wosa_za  @KleinConstantia  @HalpernWine  @hansverbier  @WOSA_ZA  @KleinConstantia  @halpernwine

Alheit Vineyards Sémillon La Colline Vineyard 2017, Franschhoek, Western Cape, South Africa (Winery, WineAlign)

“Qu’est-ce que c’est?” From a vineyard housing both light and dark skinned sémillon and if there are others in this world I am not privy to the information. The resulting wine is 85-90 per cent blanc and 10-15 gris. La Colline was planted in 1936 on the southern slope of Dassenberg and is now farmed by grandson Anton Roux, a direct descendant of the Huguenot refugee Paul Roux who arrived in Franschhoek in 1688. The vines stretch up the hill from 310-350m and it is the fruit from the middle slope that is best to leave for picking long after the chenin blanc. This is the indispensable fruit used in Alheit’s Cartology. Thick skins elevate the natural talking tendencies, from a super healthy pH for drupe of apposite attack and confusing like great whites you would not or should not compare it to. Chris Alheit’s invades your head’s consciousness with this amazing depth for sémillon, with no definable context, pretence or precedent. The impossibility is totally unique in the world and yet utterly South African. It’s both tense and nervous but somehow I can still relax. Psycho Killer sémillon.  Drink 2020-2028. Tasted September 2018  chrisalheit  gsoleil123  @ChrisAlheit  @GroupeSoleilTO  Chris Alheit  Groupe Soleil Fine Wines

Chablis Grand Cru can be found in the commune of Chablis on the right bank of the Serein River and the appellation comprises seven climats; Blanchot, Bougros, Les Clos, Grenouilles, Preuses, Valmur, and Vaudésir. “The terroirs, formed in the Upper Jurassic era, 150 million years ago, are composed of limestone and marl with Exogyra virgula, tiny oyster fossils. Chablis Grand Cru is one of the rare French AOC wines to make reference to its geology, notably the Kimmeridgean age.”

Christian Moreau Chablis Grand Cru AOC Les Clos 2015, Bourgogne, France (Agent, $82.00, WineAlign)

Who has not waited for the sovereign Grand Cru to get together with the 2015 vintage? I’m quite sure Christian Moreau was one of those who looked at the alliance with all his acumen and experience to craft a high point of Chablis benevolence. Christian’s ’15 is beautifully fruity, ultra fresh, richly endowed and reductive perforce. So young and precocious but begging for our patience, his is a model of Les Clos richesse. Resides on the cocotte or chouette side of Chablis with notes of white flowers and fresh herbs. Also layered of fruit over stone upon fruit, of peach, persimmon, citrus and wet stone. Implosive intensity reminds of Chablis Grand Cru structure though Moreau’s is more elastic than many, of a subtle and sultry liquidity. Great potential here. Drink 2021-2031.  Tasted May 2018  @christian_moreau_pere_et_fils  rogersandcompanywines  vinsdechablis  vinsdebourgogne  @ChristianMoreau  @rogcowines   @vinsdechablis  @GrandCruChablis  @purechablis  @VinsdeBourgogne  @BourgogneWines  Christian Moreau  @rogcowines

Makers’ cool pinot noir warmth from regional @wineaustralia as explained by the man, @vintagemarkdavo

Bindi Pinot Noir Dixon 2015, Macedon Ranges, Victoria, Australia (Winery, $85.00, WineAlign)

The Bindi Dixon Pinot Noir is based upon declassified grapes from the Original Vineyard planted in 1988 and grapes from the new Block K, planted in 2001. Crazy horse nose in the way that other varieties of the world will do, or at least try and simulate when they want to be pinot noir. Especially Italian varieties, like nerello mascalese, dolcetto, perricone and montepulciano. This is a natural leader for grape wishes like those of the lesser known. Very wise from the start, from birth, from creation with more savour and salumi then so many wannabe realists. There is a beautiful raw pasta dough note and then an exotica by fruit that isn’t really nameable. If this is the de-class from Michael Dhillon I’d like to meet the classified. Drink 2020-2028.   Tasted June 2018  bindiwines  wineaustralia  @Bindiwines  @wine_australia  @WineAustralia

50 years ago this #chianticlassico entered the world. Suffices to say 1968 was a pretty good year ~ @castellomonsanto

Castello Di Monsanto Chianti Classico Riserva DOCG Il Poggio 1968, Tuscany, Italy (Agent, WineAlign)

“A good, not an outstanding vintage, with some vines affected by botrytis,” explains Laura Bianchi, though truth be told she’s relating the information from stories and legends. You can taste it, in a sweetness that reminds of quince and apricot. Plums are dusted with white pepper, sherry drizzles over sugar plums and in the end, acidity continues to shine. It’s still a dramatic drop of sangiovese, with longevity preservation going back to the era (1962-1969) when the wines were aged in chestnut barrels. This at 50 years of age is so alive, time encapsulated, dew sweetened, ethereal. Drink 2018.  Tasted September 2018  castellomonsanto  @castelmonsanto   @castello.dimonsanto  Laura Bianchi  Carpe Vinum  

Castello Di Volpaia Chianti Classico Riserva DOCG 1987, Tuscany, Italy (Agent, WineAlign)

Chianti Classico Riserva 1987 is habituated and living life to the fullest in a state of complete and utter sound body and mind. It is sangiovese made at a time when it could it not have been known how impressive it would show 30 years later. Volpaia ’87 is from way back in the cold, pre-climate change days, the acid-washed, roaring 80s, now umami-earthy, cherry-plum fruit with some celery and a real salty-sandstone vein. Still blessed by a healthy, rhythmic pulse of acidity and finally, pure pleasure. Chalk it to bottle luck or a vintage that just had an inkling of greatness that would surely come but this is truly a special and memorable moment to taste. It needs saying with a thank you in words to Giovanella Stianti for sharing, but that will never be enough. Grazie infinite. Drink 2018-2021.  Tasted February 2018  castellodivolpaia  rogersandcompanywines  chianticlassico  @volpaia  @rogcowines   @chianticlassico  @volpaia  @rogcowines  @ChiantiClassicoUSA

Elisabetta Foradori

Foradori Granato 2013, IGT Vigneti Delle Dolomiti, Trentino, Italy (Agent, $74.95, WineAlign)

At the pinnacle of Elisabetta and Emilio Foradori’s mysterio teroldego pyramid is this Granato, theoretically or perhaps spiritually interchangeable with the world’s most fascinating and complex fruit, the pomegranate. There are many theories on separating the edible seeds from the pith and skin but those who know do it the right way. Foradori knows teroldego and raises this singular expression the right way. The roots dig deep into the Campo Rotaliano and Mezzolombardo stony alluvial soils with pebbles and gravel for an alternative-indie northern Italian red wine. Raised in large 20 and 30hL casks it’s still reductive, seriously internal and yet to shed layers, open up and externalize. The red fruit is alone and incredible, sweet and tonic-amended at the same time. It’s both retro and timeless. “And the world fell down, when the moon was blue, and you wore a crown and the word was true.” Like a pomegranate. Drink 2019-2024.  Tasted May 2018  eforadori  thelivingvine  @AzAgrForadori  @TheLivingVine  @elisabettaforadori  @thelivingvineinc

Benvenuto Brunello

Talenti Brunello Di Montalcino Riserva DOCG Pian Di Conte 2012, Tuscany, Italy (Agent, $120.00, WineAlign)

Two of the 20 estate hectares in Castelnuovo dell’Abate are dedicated to the the vineyard Paretaio, planted to a sangiovese clone selected by Pierluigi Talenti. Pian di Conte is only made in years deemed worthy of carefully selected grapes from 20-plus year-old vines out of this highly specific, 400m of altitude micro-climate block. It’s a wow Riserva from 2012, perfumed with classic extra time in barrel that Annata Brunello only seems to reach. Notes like dark berries, pipe smoulder and rich ganache, the 2012 is already showing some maturity signs of integration. It’s a fineness of tart dark citrus styled-sangiovese wrapped so tightly around the structure’s finger, indelibly inked, modern and with all parts fine-tuned in synchronicity. Riservas will often sting until they pass at least a ten-year mark but Talenti’s croons romantically with stand-up base note ease. For Montalcino it’s a hit of the vintage and to it I can safely say “I can see the destiny you sold turned into a shining band of gold.” Drink 2020-2030.  Tasted March 2018  talentiriccardo  brixandmortarwineco  brunellodimontalcino  @brixandmortar  @ConsBrunello  Riccardo Talenti  @brixandmortarwineco  BRUNELLO DI MONTALCINO

Feudo Montoni Nero D’avola Sicilia DOC Vrucara 2008, Sicily, Italy (Agent, WineAlign)

The answers are so simple and yet unanswered because magic is involved. You can understand the old vines and the way their fruit turns into wines that begin with ancient wisdom but move so little in the first seven years. What happens at 10 is the turning outward, to express the place and speak the dialect of the cru. The acidity is still high but is now in lift, with fruit at the height and en anergy that flows, really flows, moving across your palate with grace, grab and attention. A contiguous wine from start to finish, with intensity, impression and precision. The structure is come cavallo domato, like a trained horse. Dramatic nd’A but with no drama at all. Tamed and in respect of ancient vine, where it grows and what it wants to give. Ma zitto, a wine to keep you silent. Drink 2018-2029.  Tasted May 2018  feudo_montoni  wineofsiciliadoc  winesofsicily  @FABIOSIRECI  @WinesOfSicily Fabio Sireci Feudo Montoni (Fabio Sireci)  @feudomontoni  @WinesOfSicily

Cottá Azienda Agricola Sottimano cru spoiled by Elena Sottimano and Le Sommelier, Wine Agency ~ going vertical with Barbaresco and John Szabo — at Taverna Mercatto.

Sottimano Barbaresco DOCG Cottà 2010, Piedmont, Italy (Agent, $234.95, WineAlign)

While tasting through Pajoré, Fausoni, Currá and a mini-vertical of Cottá with Elena Sottimano it is here for the first time that some development appears in a wine. This glimpse into what might happen with their Barbaresco may only be a minor crack in the oasis but it begins to fall away from the curative, tannic intensity into something stretching its limbs towards the ethereal. I can ruminate with this nebbiolo swirling around in my mouth while I wonder how far along we are or have come. But it comes with knowing that no matter how much distance we walk there is still a marathon to run. There is this perfect wonderwall of wild cherry spinning like vinyl liqueur over the cheeks, tongue and gums, refreshing and working its magical fruit dance up to the edges of my nerves. “I said maybe, you’re gonna be the one that saves me. And after all,” you’re Sottimano. Drink 2019-2035.  Tasted April 2018  az.agr.sottimano ElenaSottimano  @AzAgrSottimano  @LeSommelierWine  @AziendaAgricolaSottimano  Elena Sottimano  @LeSommelierWine<

La Rioja Alta Gran Reserva 904 2001, Rioja, Spain (Agent, $65.00, WineAlign)

I am convinced the Reserva 904 is just one of those wines that must be held for 15 years before any deep understanding can be resolved. It beats down the adage that says if the fruit is not gorgeous from the beginning it will never be. At 17 years of age this Rioja of 90 per cent tempranillo and graciano remembers with a hyper-sensitive vividness the 40 year-old vines and the four year-old American oak barrels. The memories are crystal clear and it remembers the comfort, protection, protraction and the possibilities. The power is edifying, stabilizing and eventually but without great haste, emollient. La Rioja Alta has produced the 21st century purpose for what it is to mean Rioja. Drink 2018-2025.  Tasted June 2018  lariojaaltasa  riojawine_es  @LaRiojaAltaSA  @RiojaWine  La Rioja Alta  

And @winealign we tasted the greatest of #madiran terroir with the Man himself, #alainbrumont of @montusbouscasse

Château Montus La Tyre 2009, Madiran, Southwest, France (Agent, $135.27, WineAlign)

La Tyre, literally “the tire” is the pinnacle of Alain Brumont’s tannat from Madiran. It’s a wine that needs a decade to even begin to relent and open up for viewing, nosing and tasting. Pitchy to the nth cimmerian degree it would be hard not to see this wine as THE Madiran, the epitome of a red wine from Gascogne. The nose is über-umami and in fact in character it reminds so much more of Brunello Riserva meets sagrantino from Montefalco combined with Taurasi aglianico than it does Bordeaux. Not that Toscana, Umbria or Campania are the reference points but old school meets micro-oxidative winemaking surely is. The formidable acidity and the way in which the expense of barriques inject major influence is similar to what happens when sangiovese is subjected to said same sort of winemaking. The underbrush, garrigue and intensely concentrated argileux all combine, along with toasted wood to make this one of the most intense and structured red wines on the planet. Should seek and realize its best at some point in its late teens or early twenties. Drink 2025-2039.  Tasted October 2018  vinsdemadiran  montusbouscasse  markanthonyon  @MontusBouscasse  @MarkAnthonyWine  Marine Madiran  @MontusBouscasse  @MarkAnthonyWine

Catena Zapata Adrianna Vineyard Malbec River Stones 2015, Gualtallary, Tupungato, Uco Valley, Mendoza, Argentina (132340, $95.59, WineAlign)

In a line up that includes malbec from all walks of Mendoza life as well as some extreme altitude northern examples this is the first wine with a somewhat reductive quality, locked in freshness and very high acidity. It’s a wine of exceptional qualities. There is a highly intellectual and sensory balance executed through perfectly ripe fruit, that fine acidity and even more fineness in tannins. A beautifully linear wine that can come full circle if need be. This is a malbec that creates moisture in your mouth, never drying or taking anything away. A wine that is changing the way we are dealing with the idea of different terroirs in Argentina. Drink 2020-2027.  Tasted November 2018  lauracatenamd  catenawines  winesofarg  noble_estates  @LauraCatena   @CatenaMalbec  @ArgentinaWineCA  @Noble_Estates  @winesofarg  @bodegacatenazapata  Noble Estates Wine & Spirits  @winesofargentina

Roche De Bellene Clos De La Roche Grand Cru “Collection Bellenum” 2006, AC Bourgogne, France (Agent, $279.95, WineAlign)

The great Cru and the magnificent vintage conspiracy is a tour de force, even by the standards of Grand Bourgogne. I’m a bit surprised by the ascension to secondary life but it is Clos de la Roche that goes there early because of wisdom, curative indiscretion and life as it always was, right from the word character. Only this Cru delivers such soulful funk, perfectly classified and ethereal volatility and fully gathered expressions. It’s like a face that flashes a thousand looks in the span of a few seconds, there is that much going on. I am blown away by this. Still needs another year to settle, gather and explain itself. Drink 2019-2032.  Tasted May 2018  domaine_de_bellene  domaine_de_bellene  vinsdebourgogne  @Nicholaspearce_   @VinsdeBourgogne  @BourgogneWines  @BourgogneWines  @VinsdeBourgogneofficiel

Château Margaux 1989, AC Margaux, Bordeaux, France (176057,$1,645.00, WineAlign)

You never want to say that a vintage was perfect but in this case, the vintage was perfect. It seems impossible but the tannins are both present and even a bit drying so at least for this bottle there will be so much residual fruit at the end of the tunnel. Only those tannins seem altered from four years ago because the fruit and the flowers are exactly the same. What rises above, around and in darts between is the fineness and intensity of implosive acidity. Structure in this 1989 is forged by bars of steel as reinforced spikes in the concrete. It may never truly break down. Drink 2018-2044.  Last tasted March 2018  chateaumargaux  noble_estates    @Noble_Estates  @NobleEstates

The 1989 Château Margaux wears the response to a mondo Bordeaux axiom on its sleeve. Are First Growth wines made for people who want darts of instant pleasure?” Twenty years earlier and now like the 2009, here is a quintessential and exemplary vintage, from day one of bud break to the last day of harvest. Its appraisal as anything but incredible is to assassinate it as if it were the Franz Ferdinand of Bordeaux. The examination 25 years later sees a mellow funk meet a peerless and sublime perfume. A wine cast in utmost density, complexity and length. It noses strength, warmth verging on heat but only for a fleeting moment, to gain attention. The iconic wine has reached the first major peak, up a ways from base camp. In this second phase of young adulthood it looks with conceit to the top of the mountain, seeing 25 to 50 more years on the climb. Mr. Pontallier regrets he won’t be around to taste this wine at full maturity. Moi aussi. The fruit lingers in its full, original state, from the moment it passes lips and for minutes onward. Violets trump roses. Château Margaux 1989 is from a vintage that offers the blessing of ethereal balance. Hear her sing, “Ich heisse Superfantastisch!”  Tasted April 2014

Good to go!

godello

Godello, Museo civico e diocesano d’arte sacra di Montalcino

Twitter: @mgodello

Instagram: mgodello

WineAlign

17 Canadian wines that rocked in 2017

As we taste through the #NWAC17 finals we thank @ZWILLING_CA for the rocking great glassware. Canadian wines are better for these vessels.

I first published this year-end summary of Canadian wine excellence in 2013 and four years on that original list of 13 has expanded with four more. It’s a good thing too because four years later 17 wines is but a fraction of what could or should be included. This exercise is more than difficult. It’s biased, exclusive and decisive but it is meant to celebrate a select few with a mandate to elevate and exult the rest. It’s also a proclamation read to many who remain ignorant to an ideal of great wine being made in Canada, to tell the insolent they are not welcome here anyway. The winemakers in this country are in full command of their acumen, craft and future. They own it. Roll out the red carpet. Here they come.

Related – 16 Canadian wines that rocked in 2016

My writing about wine is a display that spills everything but subtraction, reduction and minimalism. It is an occupation whose reality is examined to points of madness, of long, run-on sentences, often at odds with grammatical winemaking realism. My tireless, tiring sentences and phrasing can at times offer a feeling that is potentially endless. So thanks for reading and putting up with me.

As I have noted before, I try to visit wines more than once before reviewing them, preferably from more than one bottle but even more importantly, with a good chunk of time having passed between assessments. The most complete picture is drawn from such a course of critical action but it’s not always possible. Not a single one of these 17 wines were decided upon at a single VINTAGES release, sterile and windowless LCBO laboratory tasting. The nearly 2000 wines (of which approximately were 20 percent Canadian) that I tasted in the LCBO lab in 2017 are kept, compartmentalized, reviewed and stored over at WineAlign. They are forged from and formed by a very specific, of the fleeting moment style. They are the results of root days and fruit days, often plagued by other writers present levels of distraction and time constraints. These 17 wines are children of repeated concentration and stand out because the makers went out of their way to bring them to me.

Please allow me to quote Wes Anderson. “It is an extremely common mistake, people think the writer’s imagination is always at work, that he’s constantly inventing an endless supply of incidents and episodes, that he simply dreams up his stories out of thin air. In point of fact, the opposite is true. Once the public knows you’re a writer, they bring the characters and events to you and as long as you maintain your ability to look and to carefully listen, these stories will continue to…,” continue to provide what you need to entertain your readers. Thank you to the winemakers for sharing their stories time and time again.

Related – 15 Canadian wines that rocked in 2015

Heartbreaker

If 2016 was a most difficult year, what does that say about 2017? It was a most dippy, derisory, barmy and yet chimerical one. Once again too many special people were taken from us and in Ontario, no one more important to everyone who works in wine than Karl Kaiser. It can and should be argued that the industry we all call home is at its 2017 state because of Mr. Kaiser and what he pioneered more than 40 years ago. Karl Kaiser was eulogized by Brock University’s Dan Dakin. Please take the time to read it.

Related – Karl Kaiser left indelible mark on Brock University

Once again we all lost someone close to us in 2017. Celebrity deaths, especially the ones of loved musicians seem to hit us the hardest because we relive moments of our lives when their songs are played. I’ll ask the social media trolls to walk on past and to once again, please respect our reminiscences.

Gregg Allman. Richard Anderson. Harvey Atkin. Walter Becker. Chester Bennington. Johnny Bower. Chuck Berry. Glen Campbell. David Cassidy. Chris Cornell. Jonathan Demme. Fats Domino. Dick Enberg. Stephen Furst. J. Geils. Robert Guillaume. Roy ‘Doc’ Halladay. Connie Hawkins. John Hurt. Al Jarreau. Martin Landau. Jerry Lewis. Erin Moran. Sir Roger Moore. Bryan Murray. Charlie Murphy. Bill Paxton. Tom Petty. Della Reese. Don Rickles. Sam Shepard. Joni Sledge. Keely Smith. Harry Dean Stanton. Y. A. Tittle. Mary Tyler Moore. Adam West. Malcom Young. Joanne Godel.

Don’t forget the pouring rain

There was more than enough good news out of 2017, especially from Ontario. After one of the wettest summers on record and this looming harvest of disaster everything changed. The temperatures hit 30 degrees and remained there for much of September. October obliged with warm and slowly declining temperatures with very little precipitation. Not only was the 2017 vintage saved but it became one of the great phenolic ripeness stories in wine country history. Quality high. Check. Quantity high. Check. Win win for wine.

The year continued to throw thousands of wines my way. I did travel more and so the international count ran higher at the expense of the local. I plan to fix that in 2018. Things have a way of balancing out anyway. Still I’m sure I tasted close to 1000 Canadian wines once again. We continued to pay great attention to Canadian wines at the WineAlign office. I once again joined the judging with Tony Aspler at the Ontario Wine Awards, in Wolfville, Nova Scotia at the WineAlign National Wine Awards of Canada and with David Lawrason at Gold Medal Plates.

Related – 14 Canadian wines that rocked in 2014

My wine on tap program at Barque Smokehouse and Barque Butcher Bar welcomed a third child to the family when we opened Barque Smokehouse Burlington in August. With that opening we were proud to partner with Rosewood Estates to join the family that over the years has included Tawse, Lailey, Norm Hardie, Creekside, Between the Lines, Kew Vineyards, Redstone, Stratus, Leaning Post, Between the Lines, Coyote’s Run, Vineland Estates and Creekside Estates.

It began, as it always does with Niagara’s Icewine Festival in January and in February there were Thirteen ways to taste Cuvée. In March I found Fifty ways to Taste Ontario and then travelled to Germany for Godello’s March through Prowein, The Ahr Valley and The Rheinhessen. As a Canadian and a representative of Wine Country Ontario I hung around the Canadian pavilion, talked with our coast to coast winemakers, vintners and marketing representatives, took in the seminars on cool climate wines led by David and Dr. Janet Dorozynski and of course, tasted some wines.

Related – 13 Canadian wines that rocked in 2013

In the company of #family so thank you judges, friends and badasses #NWAC17 #killedit

Any major dude will tell you

At the Terroir Hospitality Symposium in May we debated the highly controversial new category of Skin-Contact wines in Ontario. Orange is the new smack should have been my title but instead I chose to talk through hushed tones in Pop goes VQA, a story in three parts, each one more misunderstood than the others. It would take months to come to better and more improved conclusions to that haughty complex story.

In June we convened the WineAlign Canadian Wine Awards in the Annapolis Valley. It was the first time that Nova Scotia hosted our motley crew and what a smashing success it was. Great thanks must go out to all our tremendous hosts including Wines of Nova Scotia, Domiane de Grand Pré, Benjamin Bridge Vineyards, Blomidon Estate, Annapolis Cider Company and Obladee Wine Bar in Halifax.

In July I once again made the pilgrimage to i4c, the International Chardonnay Cool Climate Conference, “the local mecca attracting thousands, arriving to praise chardonnay in all its glory. It’s chanted with incantatory connotation by patrons cantilevered like alluvial fans across the Niagara Peninsula. It teaches us about more than chardonnay because the rapidity of climate change is real and the desire for fresh is yet unquenched. This transcends chardonnay. It’s about growing grapes and making wines in places we all previously discounted. Recently scoffed at. It concerns farming higher, further and edgier. This conference and this grape together let us know that we must change.”

At i4c we welcomed California’s Karen MacNeil, Dr, Jamie Goode, Bill Zacharkiw, Treve Ring, Kurtis Kolt and Rhys Pender MW and then I penned 69 chardonnay reviews. What did Godello learn from Cool Chardonnay in 2017? After a visit to Pearl Morissette I learned from François Morissette, vigneron about oxidation.“Whatever we press, we oxidize. We do not oxidize wine, we oxidize must.” There’s a big difference. The stabilization of these wines are attributed to this idea of getting rid of all oxidizable compounds before they enter into the next stages of the winemaking process. Pleasing aromas, flavours, textures and ultimately the sum of the above elevates the cool chardonnay game and speaks to the future. But I did not learn enough. I needed to move beyond the ubiquity of cool climate. I wanted to understand more about cold soaking and whole berry fermentation. Just last week Pearl Morissette’s savant winemaker Brent Rowland sent me these words of enlightenment.

“This is the main reason I am such an advocate to whole bunch fermentation. The best tannin and worst tannin are seed tannin, depending on how you extract them…heat and alcohol rip out aggressive angular tannins. By keeping the berry attached to the rachis for as long as possible you are creating a little microenvironment for fermentation that is low heat and low alcohol, enabling you to slowly extract long polymerized tannins. This and perfume is the reason I do everything whole bunch. To me whole bunch has nothing to do with the stems, tannins from stems or flavour of stems.” He continues. “I absolutely think that skin contact wines can have elevated structure and texture. I also do not subscribe to the idea that some arbitrary number like “10 days” defines the genre. I did say that Orange wine is not an in-between wine but its own genre and I believe that. For the record I feel the less rigid the criteria for the category the better. As you state the broader the category the more opportunity for discovery of a valued category.” Thank you mate.

Be part of the Greatest Wine Revolution since Prohibition.

Where are we one year later?

I’ve two words for you. WineAlign Exchange. The WineAlign Exchange taps into the world of wines beyond the LCBO and delivers a curated, mixed case of top quality wines directly to your door. All the wines have been carefully chosen by our panel of critics for their quality and value. David Lawrason, John Szabo M.S., Sara d’Amato, Steve Thurlow and Godello. The first case delivered to hundreds of members was an all Platinum Award winners pack from the National Wine Awards of Canada. In terms of free trade we await a decision but don’t expect a miracle in 2018, Christmas or otherwise. As for the VQA panel in Ontario? Well, read my article referenced above and you’ll get my drift.

One of my favorite wines I tasted in 2017. All killer no filler. Beautifully ripe #cabernetfranc nice layers of cocoa, red, and black fruit. Tannin is liquid silk. Can_t wait for next

Let’s be Franc

Cabernet Franc is getting better all the time. In British Columbia the coolest sites are increasingly raising fresh, spirited and ultimately crushable wines with unmistakable west coast accents; savour, garrigue and mountain tea. With thanks to venn diagram circles drawn in and out of Niagara’s Lincoln Lakeshore, but also magically deep into the Prince Edward County limestone, the great Ontario hope is developing into what we thought it might be. Getable and structured red wine.

New World cabernet franc growing sites produce less delineation as compared to the various lieux-dites in the varietal homeland, France’s Loire Valley. Niagara is beginning to enter into an Old World state of mind, so now winemakers and by extension wine geeks, are posturing over micro-terroirs; Niagara-on-the-Lake, Beamsville Bench, Niagara Escarpment, St. David’s Bench, Lincoln Lakeshore, Four Mile Creek. The same is happening in British Columbia’s Okanagan Valley although the cumulative stylistic is worlds (four provinces to be exact) apart. In Nova Scotia Benjamin Bridge Vineyards’ viticultural and vinifying braintrust of Jean-Benoit Deslauriers and Scott Savoy are allocating serious resources to cabernet franc in the Gaspereau Valley. But how is it that decisions are made as to where to plant this crisp, juicy and crunchy grape? While many will disagree, if you consider growing sites as circles within the aforementioned venn diagram, in Canadian soils the shared subtleties can easily get buried or muddled within the common areas. The lines may be drawn but the web is tangled. That said, the story of franc terroir is getting clearer and clearer. Interloper carries the torch.

Tonight brought to you by #interloper and the inner beauty of #cabernetfranc @RavineVineyard #vqaniagaraonthelake

At this most recent NWAC17 judging experience the results from cabernet franc paints a more palatable picture than those brushed by both merlot and cabernet sauvignon. We are collectively impressed with and solidly behind the direction growers and winemakers are taking with this noble varietal. The 546 acres planted in B.C. are rising steadily and if I were merlot I’d be looking in the rear-view mirror. In Ontario more than 4,000 tonnes were harvested in 2015, third to only chardonnay and riesling. Four of five Gold Medals were Ontario in origin, 10 of 16 were awarded Silver and 10 of 17, Bronze. While only four in Ontario are labled “LL,” no less than 10 of the 24 winners were made with at least some significant amount of fruit grown in the Lincoln Lakeshore/Beamsville Bench circle of commonality. The sites we want to call “cru” are no longer a mystery.

Taskmasters not pictured #punchdowns #interloper

I can’t say this list is full of surprises, save for the first of 17. You see this particular wine is close to my heart because I had a hand in its concept and design. My partner Scott Zebarth and I teamed up with winemakers Marty Werner and Ben Minaker at Ravine Vineyards to produce what we all feel is the most exciting fresh breath of cabernet franc air to arrive in Ontario in quite some time. It’s obviously self-serving to put it on a best of the year list but we are very proud of this project and its inaugural effort. If you’ve tried it you know. If you haven’t, give me a ring. We’ll break Interloper bread together. To the other 16, welcome to the list.

Scott, Marty, Ben and I are proud to present the now SOLD OUT #interloper Cabernet Franc 2016. We’ll be back next year #vqa #niagaraonthelake #ravinevineyard

Interloper 2016, VQA Niagara-on-the-Lake, Ontario ($19.95)

Produced at Ravine Vineyard Estate Winery with the winemaking team of Martin Werner and Ben Minaker

Variety: 100 per cent cabernet franc

Fruit source: 55 per cent Estate (St. David’s Bench), 40 Creek Road, five Tanbark (Four Mile Creek)

Harvest Dates: October 26th and November 5th, 2017

Time on skins: Estate 26 days, Creek 21 days

Length and type of fermentation: Three weeks, ambient/wild for both

Élévage: Eight months in old 225 L French barrels

Case Production: 22

mgodello  scottzebarth  marty_werner  benminaker23  ravinevineyard

Charles Baker Riesling B-Side 2016, VQA Niagara Peninsula, Ontario (Winery, $22.00, WineAlign)

Vinyl records sound different because they are designed with grooves carved in that mirrors the original sound’s wave form. Their analog recording delivers a sensory feeling of warmth, an aural of texture, nuance and soul. There was a time when the hits spun over and over were also pressed onto the A-Side of 45 rpm singles. The discovery of a never before heard B-Side was a revelation because is was extra material from a favourite band and it was a great song. It meant the record was already too strong for that song to make the final cut and to choose it for a B-Side meant it would elevate the quality of the album. A well-chosen B was not an afterthought. This is the accomplishment of the first Charles Baker’s B-Side, for itself and for the vineyards of Iaen and Picone. Baker digs about in the Niagara Peninsula’s escarpment dirt for young vine, not ready for prime time riesling fruit. If perchance it seems like cheating on his per se Vinemount Ridge Picone and Ivan bottles so be it but one look at him and he’ll say “Hey, hey, what can I do?” His 2016 B-Side delivers a spray bottle Zeppelin expressing heady aromas, high in the stratosphere and raining down upon the earth. The notes are an all in, breath of classic Baker riesling air, blanketing from up above and with a landscape that reeks of lime and quivers with classic agitation. The fruit is wild and full, the salty grit infiltrating and gripping the bloody omniscience of this package. What is this B-Side and where will it be lead? To the top of the ridge, from earlier harvests, younger fruit and higher yields. Scratch the single vineyard elitism, just listen to the song and raise one up, to getting ‘er done before the conceptual singular side one and side two, Ivan and Picone. The Beatles? Forget it. Led’s flip side to the ‘Immigrant Song’ A is the one. Drink 2017-2021.  Tasted November 2017  Charles Baker Wines  stratuswines  @cbriesling  @StratusWines  Stratus Vineyards

Tawse Riesling Quarry Road Vineyard 2016, VQA Vinemount Ridge, Ontario (198853, $24.50, WineAlign)

There is no substitute for seasonal Vinemount Ridge warmth when you are (or even if you’re not) trying to emulate a Mosel like, fleshy Kabinett tension. The Tawse Quarry Road riesling has shown signs of such mimicry in the past but here in 2016 the coincidence is uncanny. Riesling amounts to just 10 per cent of the 2007 planted vineyard, a Fly Road in Lincoln block where chardonnay (planted in 1998) and pinot noir (2007) are queen and king of the hill. But it is riesling that mines for limestone and uses it to distill, filter and enervate the outright fruity purposes of orange zest, lime juice and sweet grapefruit flesh. This ’16 has it all; adipose drupe, salty elements and stasis preserve. It will add some petrol and honey after a few years time and drink well for a few to a bevy more. Drink 2017-2023.  Tasted November 2017  tawsewinery  @Tawse_Winery  @tawsewines

Malivoire Rosé Moira 2016, VQA Beamsville Bench, Ontario (AgentWinery, $24.95, WineAlign)

Hard to believe what I see, a hue not blush nor pink, but gris. That “if my eyes don’t deceive me there’s something going wrong around here.” Forget about Provençe, don’t think too hard about Vin Gris but concentrate only on what Shiraz Mottiar has acceded with Rosé for Moira in ’16. Light and lithe do not begin to explain the rub. Rocks and stones are what come through the good earth on the nose. Is this the blush equivalent of mineralité, away from chardonnay and into pinot noir? “Is she really going out with him?” But the pinot noir component is almost non-existent so what is the phenolic advantage here? Has this gone too far or not far enough? Don’t mistake the things I say. This is delicious, understated and fully underestimated Rosé. It will have great appeal to a specific cognoscenti population and who could not think to drink it any day of the week? Commercially considered however, it may not speak a universal language. Drink 2017-2021.  Tasted March 2017  malivoire  shirazmottiar  @MalivoireWine  @ShirazMottiar  @MalivoireWine

Flat Rock Riesling Nadja’s Vineyard 2016, VQA Twenty Mile Bench, Niagara Escarpment, Ontario (578625, $24.95, WineAlign)

Nadja, like the Bréton novel begins with the question, “Who am I?” A surrealistic trigger is incited by the first taste, with excitement running in many directions but like the book, Nadja’s non-linear structure is grounded in Twenty Mile Bench riesling reality. She is an elite varietal wine in 2016, excitable girl, gregarious, punchy and so bloody juicy. I don’t recall the last Nadja with so much up front zest fervency and writhing aromatic gait, “exploding international, the scenes, the sounds, and famously the feeling that you can’t squeeze ground.” The lime flesh and cordial infusion brings the flavours into a once tropical, twice bitten realm. The vintage delivers the electric version, the new pornographer for the vineyard and the song sung loud swan song for departing winemaker Jay Johnstone. Was it all for swinging you around? Drink 2017-2024.  Tasted October 2017  flatrockcellars  @Winemakersboots  @FlatRockCellars

First Fruit: Field Day Pet Nat, Niagara Peninsula, Ontario (Winery, $25.00, WineAlign)

An escarpment Pet-Nat is born, thanks to the healthy and precocious idealism of winemaker Ryan de Witte and his Winona-based host Ilya Senchuk at Leaning Post Wines. The name “First Fruit: Field Day” carries three connotations; a reference to De Witte’s first commercial wine, the first crop off this particular block and the fact that it’s a field blend of two grapes. The erudite hat is thrown into the micro-cuvée, sparkling wine ring with interchangeable tracks of arts and science from near-equal parts muscat (60 per cent) and gewürztraminer. The style is pétillant-naturel, or as they say in Italy, Vino Rifermentato In Bottiglia, under crown cap with what Ryan notes “as much of the lees as I could get in.” The tightrope induces a two-fold increase, of reduction and for texture, from the nutrients fed the fermentation. De Witte’s math was sound because the effervescence is strong enough to blow the reduction off after a few seconds in the glass. One point for science. After tasting two samples I can safely say that the yeast deposit can’t be missed but it is those crafty and leaningpostwineconsolidated cells that drive the salvus meets salus machine. This lithe, re-fermented and crackling sparkler is both safe and healthy. You can feel its enzymes usher liquid happiness through your body and it makes you pause, leave the warrior behind and become at one with the experimental fizz. It’s raw and you want it to be so. The aromatic varieties collogue preserved lemon, ginger and aseptic vegetal scents in an almost funk-less Pet-Nat. It’s an impossible one actually, that is until you get a load of that slag at the bottom of the bottle. But the lack of danceable, rhythmic funk may deny you a Cissy Strut so think on it like Foam meets Talking Heads as in minimal, industrial, synth-pop. Or, in sparkling wine terms, one Pet-Nat’s riflessioni naturalische is another one’s clarity. One point for art. The intrigue here sets the bar high and looking ahead, when acidity can further provide boundless rhythm section support we’ll really have something to talk about. Inaugurals are never easy, nor is progress but the sophomore release will most certainly play on repeat. Let’s hope someone finds a category to place it for three-letter approval. Drink 2017-2018.  Tasted Twice, February 2017  leaningpostwine  @LeaningPostWine  @Witte_Wine  Leaning Post Wines  Ryan de Witte

Cave Spring CSV Riesling 2015, Cave Spring Vineyard, VQA Beamsville Bench, Niagara Peninsula, Ontario (566026, $29.95, WineAlign)

In a word, balance. Well two, balance and brilliance. CSV in 2015 takes the reigns from itself and stands firm. The fruit is in charge, the mineral a support system unparalleled and the minor celebratory sweetness a mere afterthought when it comes to rounding out the complexity. CSV is pretty darn back in ancient dolomite time travel and escarpments high great in 2015, uplifting, serious but yet not so. The numbers trip the light fantastic, fooling like gold and bones dry are seemingly preserved in karst but impossibly not. The sensoria apprised reel from the finest acidity it can possibly carry in its veritable truth. Deep lemon intent and a new wax vernacular speak the clarity of a wine that listens to its own expert advice. Might as well have made itself. CSV 2015 is one of the finest rieslings ever made from Ontario grapes. Drink 2019-2031.  Tasted March 2017  cavespringcellars  thevineagency  @CaveSpring  @TheVine_RobGroh  Cave Spring Cellars  The Vine – Robert Groh Agency

Sneak peak in the @TriusWines Meunier with Craig McDonald and a true Niagara Grand Cru @coolchardonnay site #lincolnlakeshore #oliveiravineyards #vqa #wildferment

Trius Showcase Chardonnay Wild Ferment Oliveira Vineyard 2015, VQA Lincoln Lakeshore, Ontario (Winery, $36.75, WineAlign)

When you consider the level of quality provided by the Wild Ferment 2014 it would be hard to imagine raising the bar any further but this is what winemaker Craig McDonald has managed with his exceptional 2015. The accomplishment is purely based on one year older, wiser and complexities developed Oliveira Farm vineyard fruit, the holy chardonnay grail, Lincoln Lakeshore playground. The site sits along the QEW below the escarpment’s Twenty Mile and Beamsville benches, a recipient of glacial till and rocks left behind by an ancient river running from a lake. It’s a chardonnay wonderland. Intensity of fruit purity, fleshy and real, remarkably juicy and notably crunchy has increased, upping the pleasure game and turning the impression knob up to 11. The windmill generates more power while always maintaining a classic Trius level of finesse. Then you think on the wood integration, equally impressionable because acidity is sweet and refined. Dry extract is also impressive, not to mention a fineness of grape tannin. The site’s unofficial designation as a Niagara Grand Cru should be upgraded with status. There is no better time than the present and the Wild Ferment’s 2015 ability is proof enough. Drink 2017-2023.  Tasted July 2017   triuswines  @TriusWines  @triuswines

Pearl Morissette Cuvée Madeline Cabernet Franc 2014, VQA Twenty Mile Bench, Niagara Peninsula, Ontario (Winery, $38.00, WineAlign)

From the 19th Street Vineyard and wow, there is simply no cabernet franc like this cabernet franc. It pops and flies from the glass, in and out of your mouth, playful, buoyant, joyful, unbridled. A silky and spicy ripeness that’s also shed by its tannin, like shavings of a chocolate only a master knows to render, then currants electric and alive. Excels by its chewy mouthfeel and texture and you must ruminate on this cabernet franc. This is the it vintage, with all the enzymes in control, wrapped up in the enigma membrane and this low, classical Beethoven orchestral strings rumble, on a Verona stage, surrounded by the ancient rocks, acoustics perfect. You can get lost in franc like this. Drink 2019-2027.  Tasted July 2017  pearlmorissette  @PearlMorissette  Pearl Morissette

Quails’ Gate Stewart Family Reserve Chardonnay 2015, BC VQA Okanagan Valley, British Columbia (639641, $43.95, WineAlign)

Some of the Okanagan Valley’s great chardonnay fruit is found on its eastern shore and makes its way into this Quail’s Gate Reserve. The story and place go back 60 plus years and wait if you can’t nose it in this top North American chardonnay. Forget comparisons, competitions and blind judgements but pull anything you want from Sonoma and watch this raise eyebrows and turn heads. The variegations are numerous and in replay. Richness, bite, energy, spirit and firm conceit. The barrel is everywhere and nowhere. What is a great chardonnay? It’s completely invisible, yet always in sight. It remembers what people hate. It anticipates the consumer’s needs before the needs are needed. A great chardonnay is, above all, discreet to a fault. Such is the Stewart Family Reserve. Drink 2018-2023.  Tasted October 2017   quails gate  hobbsandcompany  @Quails_Gate  @AMH_hobbsandco  Quails’ Gate  Hobbs & Co.

Sparkling wine you need to know @lwwines Blanc de Blanc Extra Brut 2013, from the shores of the #minasbasin #annapolisvalley #novascotia

Lightfoot & Wolfville Blanc De Blanc Extra Brut 2013, Nova Scotia, Canada (Winery, $45.00, WineAlign)

Josh Horton and Rachel Lightfoot presented an early, less leesy glimpse of their 100 per cent estate chardonnay at i4c in July of 2016. It was a different animal than this recently disgorged (late February/early March) sparkling wine. The Extra Brut lives up to its designation, from fruit grown on the shores of the Minas Basin under the auspices of a markedly warm year with exceptional phenolic ripeness and 25 per cent malolactic gain. The time relative to texture lees accumulation is approximately 40 months and it’s an accurate representation of Nova Scotia low and slow. The flavours are wisely developed ripe and spicy, leaning into a moment or two of oxygenation, but seemingly richer than the amount of lees time that was given. Now emerging from the shell of not just a warm but a great chardonnay year (as previously proven by the Ancienne released two years ago). The notion here is of a sparkling wine that has been brought home, a B de B that you need to get to know. There are layers and layers of character that fold and unfold. The precision, focus and rendering is citrus tamed, mouthfeel in perpetual expansion and contraction, length linear and elastic. And it’s just the beginning. Drink 2017-2023.  Tasted June 2017  lwwines  @lwwines  Lightfoot & Wolfville

Blomidon Late Pick Sparkling Chardonnay 2011, Nova Scotia, Canada (Winery, $45.00, WineAlign)

The 2011 late-picked chardonnay, the “Hurricane” is a hyperbole of itself. Normally picked in later October, the frost-free weather allowed further time and development. Picked from seaside vineyards just ahead of another hurricane (in a season that included Irene), this is sparkling wine you just have to try. Though lean, taut and as intense as you are likely to taste, the developed character and complexity is visionary for Nova Scotia and Canadian sparkling wine. Three years on the lees brings the texture and fills the gaps, holes and voids created by such a tightly wound cool climate chardonnay. The dry factor is exaggerated in 2011 (a one-off says winemaker Simon Rafuse) but the wine takes full advantage of the Extra-Brut intent. Did it require the anxiety of a recent and an impending cyclone? Can it be duplicated? “That’s the story of the Hurricane.” Visionary for Nova Scotia and Canadian sparkling wine. Drink 2017-2022.  Tasted March 2017  blomidonestate  @BlomidonEstate  Blomidon Estate Winery

Southbrook Poetica Red 2013, VQA Niagara Peninsula, Ontario (355859, $69.95, WineAlign)

It seems at first that Poetica 2013 was chosen by winemaker Ann Sperling to be the deferential one. The blend is dominated by 74 per cent cabernet sauvignon, the highest number ever for the wine. Conversely the cabernet franc component is set to 23 per cent and far less petit verdot (3 per cent) rounds out the blend. That number had been 29 per cent in 2012 because the varietal elegance shown at that time necessitated the relationship. In 2013 it is the cabernet sauvignon that displayed with elegance and an uncanny ability to sow of its own accord and yes, it is an exceptional vintage so look for 2013 to age on a 15 year curve. The Witness Block CS-CF follows suit and the SV-PV is better off for the allocations. Every wine wins as a result. There is this deep-impressed sous-terre tang in here, a wisdom certainly, and when it is released later in the year the heads will turn. Poetica is often but here not overly tannic, but it is endowed with bones, spine and structure. The flavours, spice and magnetism give cause to salivate. Only Ann Sperling makes Niagara reds like this, wines that can develop such architecture without an excess of tannin, astringency and chalky chocolate from over-wrought wood exchange. Poetica 2013 will drink well young and comfortably into the end of the next decade. Drink 2018-2028.  Tasted January 2017  southbrookvineyards  thelivingvine  @TheLivingVine  @SouthbrookWine   @SouthbrookWine  The Living Vine inc.

A finer man, winemaker and host you will not find. Thank you @normanhardie @keeponshucking @clarsenault @cuveeletittia @Mknow21 @mclauriault and all.

Norman Hardie Chardonnay Cuvée Des Amis 2014, Prince Edward County, Ontario (Winery, $150.00, 1500ml, WineAlign)

As exceptional as chardonnay may have seemed from out of the 2013 Ontario vintage you haven’t lived or loved until you get a taste of (only in magnum format) Norm Hardie’s 2014 Cuvées des Amis. This chardonnay attacks and ascends, recalibrating the inner workings of the brain and how it develops conceptualization. It is a state of the art and all-knowing elixir to remind that ’13 was a vintage with profitable yields and a generously stretched canvas on which to practice on, for when things begin to get real. The CdeA spent 18 months in barrel, the first 12 (in 35 per cent new), the next six in neutral and the last six in stainless steel on the fine lees. The spin class in the mouth manages agility, dextrous, furtive movement and completes many pirouettes. The dance is pure joy but the intensity is equally to disturbingly intrusive, suggesting more settling time is necessary. The flavour pearls are delicate and come straight from the oyster so they carry salinity, power and brine. Pure lemon essence is received by intravenous injection. Sumptuous is translated from Hardie-speak as a four-letter, Prince Edward County word. It doesn’t get more real than right here, with the best fruit, the tripping of the light fantastic, previously unheard and unseen unconscionable concentration. Drink 2019-2025.  Tasted twice, June and July 2017  normanhardiewinery  @normhardie  Norman Hardie

Le Vieux Pin Équinoxe Syrah 2014, BC VQA Okanagan Valley, British Columbia (Winery, $80.00, WineAlign)

Èquinoxe is announced without equivocation as the Bricco of B.C. syrah and an absolutely lovely Bench expression from winemaker Severine Pinte. What came from these three-quarters Osoyoos Lake District and one-quarter Black Sage vineyards in 2013 was floral and peppery, with a fineness that belies a dessert climate but in 2014, well this is something more and other. You just have to think about texture here and a quality of acidity that is peerless in B.C. syrah. So juicy, beautifully tannic and rendered with culture and class. Drink 2018-2022.  Tasted October 2017  levieuxpin  @LeVieuxPin  Le Vieux Pin Winery

My eyes do not deceive me. It’s Decant @StratusWines #cabernetfranc bottled with lees #vqa #niagaraonthelake #karimrashid

Stratus Cabernet Franc “Decant” 2014, VQA Niagara On The Lake, Ontario (Winery, $95.00, WineAlign)

“A designer’s hands are tied. They are only as good as their opportunities.” The words of the brilliant bottle designer Karim Rashid fully apply to the mirrored universe in which winemaker J-L Groux works, here with a deferential and ulterior cabernet franc, bottled with its lees. When I first tasted it in February (in advance of this auspicious release), its unfiltered state spoke of a hyperbole of perfume, marked by exoticism. The aromatics gave far east five-spice, star anise, cardamom, miso and incense, all natural by-products of its purposed ferment. More grain spoke out but also a roundness of tannin and a smoothness both coating and comforting. There was chocolate accentuated by the treatment, with thanks to those lees left in the bottle. The chopped up and constructed bottle catches the lees while the volume flows out and the function out of form mimics the thought of lees delivering structure and yet they are invisible, caught in a hidden net or nook, out of sight, out of mind. But it’s not about pouring. It’s about the hand, or the slight thereof. Then there is the copycat idealism of strata in the vineyard, of geology transferred to the bottle and kept there, like a ship perfectly preserved inside. This cabernet franc will age better, as is the plan, with thanks to the lees that you’ll never have to deal with. There were 110 cases made. Drink 2019-2029.  Tasted twice, February and May 2017  stratuswines  @StratusWines  Stratus Vineyards

Supper at Benjamin Bridge

Benjamin Bridge Méthode Classique Estate Blanc De Blancs 2013, Nova Scotia (Winery, $119.50, WineAlign)

Tasted from a bottle disgorged in May 2017, there alights a plugged-in, three-pronged, dazed, charged and enchanted energy about the Bridge’s ’13 Blanc de Blancs. The history of go it alone pure chardonnay is a relatively short one for the estate so this quickly makes up for lost time or rather with haste sets the timer and heads out at first light. “Like sittin’ on pins and needles, things fall apart, it’s scientific.” Wild, of talking heads temper and yeasts, done up in demi-muids, with a wilder secondary fermentative push riding on the coattails of the primary fermentation. Everything in this wine is a productive child of the vineyard, of no third party sugars or consultations. “How do you do that without making a Pétillant Naturel,” I wonder aloud. It’s a second ferment, non-contiguous is the reason, even if the former is both influencer and mentor to the latter. It certainly falls under the category of “micro-cuvée. Like its cousin and predecessor (Blanc de Noirs 2011), this ’13 BdeB is mired intensely inward within its own specificity and is not so much a sparkling wine with competitive soul. It is a pure representative of chardonnay grown in Nova Scotia for one purpose. So let’s talk about true stories and wild, wild life. “You get on board anytime you like.” Drink 2018-2024.  Tasted July 2017  benjaminbridge  caveman__jones   winesofn  @Benjamin_Bridge  @benjaminbridgevineyards  @WinesofNS @benjaminbridgevineyards  @winesofns

As we taste through the #NWAC17 finals we thank @ZWILLING_CA for the rocking great glassware. Canadian wines are better for these vessels.

Good to go!

Godello

Twitter: @mgodello

Instagram: mgodello

WineAlign

How can i4c the future through cool chardonnay?

Every stop is neatly planned for a poet and a one man band, but #i4c Sunday @ravinevineyard is always #homewardbound

It’s #i4c, the coolest of chardonnay celebrations. It’s a pilgrimage to a local mecca attracting thousands, arriving to praise chardonnay in all its glory. It’s chanted with incantatory connotation by patrons cantilevered like alluvial fans across the Niagara Peninsula. It teaches us about more than chardonnay because the rapidity of climate change is real and the desire for fresh is yet unquenched. This transcends chardonnay. It’s about growing grapes and making wines in places we all previously discounted. Recently scoffed at. It concerns farming higher, further and edgier. This conference and this grape together let us know that we must change.

Few ideals or notions are hotter these days than those relating to cool climate viticulture and the selvage regions from where such wines are produced. That is why each summer for the past seven Niagara has attracted a world-class global presence for its most important annual congress. The seventh installation of the International Cool Chardonnay Celebration made an ironic and apropos choice in California’s Karen MacNeil to act as keynote speaker at The School of Cool. Ironic for obvious reasons because MacNeil spends most of her time talking about and educating on matters pertaining to growing areas generously gifting maximum sunshine to its grapes. Apropos because like any top quality orator she chose to speak about a rapidly changing world and a paradigm shift for wine growing, producing and ultimately consuming being led down an extreme, on the fringe and ultra cool path.

@KMacwine on @coolchardonnay Refrigerated sunlight, conscious marginality, sophisticated choreography. #i4c17

Cool, as in temperature and slowly developed phenolic ripeness. Cool, as in places like Champagne, Nova Scotia, Austria, Uruguay, northern Chile and Ontario. But MacNeil was quick to point out that the greatest terroirs may yet to be known, despite the proverbial Canadian wine cognoscenti already in the possession of harnessed and usable power through information, knowledge that tells us that five of the 15 (also known as one-third) coldest wine regions growing quality grapes, are found in Canada. “Elegance is directly connected to coolness, the slow dance, refrigerated sunlight,” waxes the poetic and rhapsodic MacNeil, “from couch potato chardonnay to lift, spirit and class.” She admits to pitting the world versus “us,” as a challenge against “them,” the overwrought, overblown and over-produced. She asks the question, “why are they not over it already, these cream puff of chardonnays?” and then “oak is like a tattoo, it doesn’t always look good with age.”

If all these warmed by the hot, hotter and hottest sun and fashioned to express this in hyperbole wines all taste so similar, is this really something reassuring and knowable? Apparently it still is, this persistent overloaded ice cream sundae style of chardonnay that will just not go away. But wake up and smell the altitude and the stone-based, craggy outlooks of  “marginal” vineyard locations. “All of the world’s greatest grapes are only great if they exist on the edge,” said the great Willamette Valley Oregonian David Lett. “Complexity is only achieved, paramount to success, by a slow dance or heartbeat. A great wine revels itself sequentially, over time,” insists KMac, as opposed to mindless and soulless. With acidity at the crux of cool climate wines she talks of “conscious marginality” and “sophisticated choreography.” This is how we should see the future, not only in chardonnay, but in all wines subjected and connected to global climate change.

Says @johnszabo apparently winemakers matter too. #i4c17 @coolchardonnay I do it my way #schoolofcool

Related – A link to the School of Cool presentation download

In the first of three Friday School of Cool sessions at White Oaks Conference Resort and Spa it is MC Master Sommelier and WineAlign Partner/Critic John Szabo who introduces the “soil smackdown.” The question “is there a best soil type for chardonnay” is meant to instigate a healthy discourse but like every #i4c that came before it quickly turns to a dissing of the “m” word. Paul Anamosa of Vineyard Soil Technologies, the main man down in California, is the first to speak. He rambles on about trace minerals, nematicides, oils and clay minerals – kaolinite is the smallest and yet still a very big molecule. “I don’t know too many winemakers with deflated ego problems,” is interjected. “Minerality is a metaphor, not a simile (like what it shown on the aroma wheel). It does not get up and impart flavour into the wine. It’s a romantic notion. Limestone doesn’t give up its water readily or easily.” Here we go again.

Anamosa will give up the idea that poor soil structure allows for a low and slow hydration transfer, with no spikes up or down and this uptake certainly affects vine growth, nutrient transfer and ultimately flavour, but its the elements found in the water that effect these impressions. Not “minerality.” Must be hard to go through life with such a scientifically nihilist approach. It sounds exhausting.

I don’t know too many winemakers with deflated ego problems. Paul Anamosa @coolchardonnay #soilsmackdown #i4c17

Three winemakers go pro on the mineral ideal. Paul Berger of Berger-Rive has been making his wine since he was four-years old and unsulphured Rosé no less. He talks of clay over limestone, places where “the ground is in love.”  Thomas Bachelder monkifies the soil plant matrix made to transmit minerality. “It’s as much about photosynthesis in the new world but minerality is still apart of it. Jory soils in Oregon bring a salty tang, a savour. It’s true.” Shiraz Mottiar notes that calcareous soils that start wet and sticky eventually turn to concrete. “They don’t crumble, there is no soil tilt, they are angular, evolving and difficult, self-compacting and that hard-pan deals with high mineral content. So we use cover crops for developing soil tilt and friable structure.” There points for the mineral team. Szabo concludes with “anyone getting the sense that this is pure crap? We’re going to continue with the program anyway. Monkeys in a parallel universe are doing this and doing it better.”

In the second session, “Chardonnay, I do it my way,” Szabo told several hundred #i4c junkies “apparently winemakers matter too.” I thought Invivo Wines’ Mark Boardman said it best. “Rob (winemaker “Crusher” Cameron) is not trying to make a $100 Burgundy here folks,” but rather chardonnay can be so happy in so many places, in so many ways. Here it’s from one of the warmest parts of New Zealand, with high rainfall, on Pacific coast of the South Island. It’s about pleasing the customers, being approachable and “nice” on the palate. “Respect, not patronize the consumer.”

François Morissette, vigneron of Pearl Morissette talked technique. “Whatever we press, we oxidize. We do not oxidize wine, we oxidize must.” There’s a big difference. The stabilization of these wines are attributed to this idea of getting rid of all oxidizable compounds before they enter into the next stages of the winemaking process. Pleasing aromas, flavours, textures and ultimately the sum of the above elevates the cool chardonnay game and speaks to the future. Ravine Vineyard’s Marty Werner remarked on the high degree of heat units but also the cool nights in 2014 so his chardonnay received no cooling, some sulphur for a night, straight to barrel and left a bit empty. Why? “Because it’s different in Niagara, you need to get some oxygen in there, so that we develop some more fruit characteristic.”

Dr. Jamie Goode

Heidi Noble, Owner & Winemaker of B.C.’s Joie Farm coined the term “juiceidity.” She told the crowd, “when (cellarmaster) Karl speaks it’s incredibly important and poignant,” he knows the truth about location, from the most northerly tip of the Sonoran desert but in a zone of what Karen MacNeil called “conscious marginality,” a micro climate of cool within a hot zone.

And finally, le grand ami himself Norman Hardie. “Solids matter to me,” he explains. “We pump out the separated clear juice until the point where I feel like we are getting to the danger zone.” They make use of horizontal tanks, “so the ratio of solids to juice is much higher.” Solids are critical to expressing terroir but too many solids and it’s too reductive. “I’ve gotten braver and braver as time’s gone on.” Mackenzie Brisbois talked about the 2015 vintage, her first full one at Trail Estate. Her methods include hyper-oxidized, cold-settled, natural ferments in stainless steel, put to barrel towards the end, 4o per cent new, 60 neutral, full malo, 10 more months, sulphured, racked out of barrel and a coarse filtration so it’s called unfiltered. “Hopefully my lack of filtration helps you to hear the music in my wine.”

The third School of Cool session looked at dosage in bubbles. “The Sugar Trials,” or as moderator John Szabo M.S. told us “sparkling wines are wines of process and one of the most important events happens right at the end of the trail and that’s called dosage.” Essentially, the crux of what it is, the sugar trials define how much, if any, should be added.

A Sunday #i4c @coolchardonnay morning at the P & P and Josh Ritter covering Modest Mouse. Johnny Cash next.

Dr. Belinda Kemp led the panel discussion and her research at Brock University’s CCOVI lies at the heart of the Ontario wine industry’s investigations. Tawse winemaker Paul Pender had this to say. “Balance is something I strive for but rarely achieve.” He noted that it’s about pleasure, hedonism sometimes, ultimately something that makes you smile, and tastes good. It’s always a moving target, so many things effect how it tastes and more so your perception of sugar and acidity, even what you had for breakfast this morning. “Sugar kind of takes away terroir.” Dr. Jamie Goode added, “it turns out we all live in different taste worlds. Because we model touch, taste, smell and all the sensory perceptions into an unconscionable, alt-reality which bears no real resemblance to how a wine actually tastes. It’s highly personal.”

The i4c weekend takes winemakers, journalists and consumers from White Oaks’ School of Cool and over to Niagara Airport’s hangar for a grand, cool affair. It shuttles past lunch tastings scattered across and throughout the Niagara Peninsula and Escarpment locations and lands at Ridley College for the worlds most grand chardonnay event. It culminates on Sunday at Ravine and Redstone wineries for brunch and if you’ve not had your fill, more chardonnay. Most of all it brings people together but not without an army of volunteers to make it happen. It functions seamlessly because of people like the Cellar Sisters, Angie Jewell and MJ Macdonald, Paul Dearborn and Kari-and Macknight Dearborn. The Cool Chardonnay weekend delivers year after year with thanks to VQA Wines of Ontario, Dorian Anderson and Trisha Molokach and the chefs of Niagara. The media are treated (better than we deserve) because of Wine Country Ontario’s Magdalena Kaiser, Joanna Muratori and Ryan Zanette.

I was not able to taste and review every chardonnay on hand at #i4c17 but I did get to a better percentage than I actually thought I had at the time. Many of these wines are available in small quantities through the VINTAGES Online platform through August 3rd so you have exactly three more days to act. Here are 69 reviews. If you are thinking about injecting some cool chardonnay into the rest of your summer plans then read on and make your picks. I hope I’ve been of some assistance.

Are you ready for an #i4c17 @coolchardonnay Saturday night?

Invivo Chardonnay 2016, Gisborne, North Island, New Zealand (499855, Agent, $16.95, WineAlign)

A nicely green and cool Gisborne composed chardonnay is just the ticket for warm nights, frâche-inflected appetizers and a good chill. This is quite fleshy, creamy and tangy, just stopping short of citrus-sour piercing and intense. It’s that creamy sherbet and tangy gelato character that balances it out. Drink 2017-2019.  Tasted June and July 2017  invivowines  nicholaspearcewines  @InvivoWines   @Nicholaspearce_  @InvivoWines  Nicholas Pearce

Maycas del Limarí Reserva Especial Chardonnay 2015, Limarí Valley, Chile (143768, $18.95, WineAlign)

Lovely vintage and cool-climate conditioning with A-plus exemplary effort from the Limarí specialist. The ripe and bright fruit is buoyed by classically rendered acidity that never relents. I really like the elegance and the way the wood is just a spice accent, not a cream churning machine. Not to be missed. Drink 2017-2020.  Tasted May and July 2017  maycasdellimari  #thevineagency  wines_of_chile_canada  @Maycasdellimari  @TheVine_RobGroh  @WinesofChile  @maycasdellimari  The Vine – Robert Groh Agency  @WinesOfChile

Cheesecake Bar by Chef Frand Dodd, Trius Winery and Restaurant

Trius Barrel Fermented Chardonnay 2015, Niagara Peninsula, Ontario (346064, Winery, $19.95, WineAlign)

Quite flinty and mineral smoky, even for Trius and Niagara chardonnay so it would seem that winemaker Craig McDonald prepared this larger batch with a friendly reductive environment. The aim, goal and result adds up to locked in freshness and a decoding of oak to relegate the label as secondary to the post-modern future of this bottling. It’s crisp, crunchy, spoken of and for place with edging cut with spice. The creamy centre is present and delivers texture, not weight. Really fine effort. Drink 2017-2019.  Tasted July 2017  triuswines  @TriusWines  @triuswines

Esterházy Chardonnay Leithaberg DAC 2015, Burgenland, Austria (511386, Agent, $19.95, WineAlign)

Tangibly full and rich style of chardonnay with a flinty, smoky limestone foundation edge, a pierce running through the barrel spiced mid-palate and quite generous length. Really fleshy, lemon-citrus sparked, clean, precise and stony good. Of markedly fine compression, layers woven of tart and stone. A highly composed and forged composition, in action and temperament, so kudos to the great work out of a warm vintage. It’s a complete wine all the way through, perhaps restrained at first but structure is the key to its success. An Austro-pure, appellative finessed chardonnay if ever there was from a place where the grape thrives unencumbered and blessedly expressive. Drink 2017-2020. Tasted twice, with Stefan Tscheppe, July 2017  #esterhazy @esterhazywein  austrianwine  Esterhazy Wein  @NaturalVines  @oesterreichwein  @AustrianWine  @BirgittaSamavar  Marzia Gallo  @austrianwine

Pierre Sparr Le Clos Sainte Odile Brut Crémant D’alsace, Traditional Method, Ac, Alsace, France (457788, Agent, $19.95, WineAlign)

Sparr’s site specific Crémant would seem counterintuitive to the free and easy-going genre which prides itself on the purpose of wide-ranging food matching but the divergence here in minimal. Le Clos Sainte Odile is equally proportioned though it carries a marked increase in lees and texture. Smells more like Champagne and acts this way too, so in that sense the quality improves and food will benefit several fold. The length is exceptional. Still creamy Crémant but with more layers and fine complex stills. Drink 2017-2020.  Tasted June and July 2017  #pierresparr  profilewinegroup  vinsalsace  drinkalsace  #PierreSparr  @ProfileWineGrp  @AlsaceWines @VinsAlsace  Pierre Sparr  Bernard Sparr  Maison Pierre Sparr Successeurs  Profile Wine Group  @AlsaceWinesOfficial  @vinsalsace

Pierre Sparr Crémant D’alsace Chardonnay Brut Méthode Traditionnelle, Ac Alsace, France (416040, Agent, $20.00, WineAlign)

In Sparr’s eponymous Crémant bottling the dosage is evident in every facet of fizz being to balance out the sour acidity and formidable tension. The most Champagne like of the flight is contextual, textural, elevated and serious. It is a bit on the sweet side (at 8 g/L of RS) as compared to (3.7 TA and pH of 3.29) with 18 months minimum on the lees and aging in oak casks. There is no shortage of fruit and that acidity is surprisingly lively. Tasted with Bernard Sparr who says quite simply, it’s “easy to drink.” Drink 2017-2019.  Tasted July 2017  #pierresparr  profilewinegroup  vinsalsace  drinkalsace  #PierreSparr  @ProfileWineGrp  @AlsaceWines @VinsAlsace  Pierre Sparr  Bernard Sparr  Maison Pierre Sparr Successeurs  Profile Wine Group  @AlsaceWinesOfficial  @vinsalsace

Marcel Cabelier Crémant De Jura Organic 2014, Jura, France (738641, Agent, $19.95, WineAlign)

A most engrossing and provocative Crémant, at first aromatically onion skin sweaty and sweetly caramelized. No citrus to really speak of and then lemon sweetness to taste. Sapid to be sure, leaner, crisp, on the path to a searing style. Fascinating when you consider the dosage number is upwards to 12.3 RS while the actual acidity is 5.26 TA. An elevated 3.37 pH and a ripeness from the warm vintage really helps to hide its sugar, incredibly so. Texture never hurts as well as this spent 24 months on the lees. Will age nicely into secondary waxy territory. Drink 2017-2022.  Tasted with winemaker Nicolas Haeffelin at i4c, July 2017  #marcelcabelier  #andrewpellerimportagency  #jurawine  #marcelcabelier  @APImportAgency  @JuraWine   #marcelcabelier  @APImportAgency  @JuraWine

Cremaschi Furlotti Chardonnay Single Vineyard 2015, Do Loncomillo, Maule Valley, Chile (511097, Agent, $22.00, WineAlign)

DO Loncomilla lies at the heart of the Maule Valley, a place of serious Chilean history. The Battle of Loncomilla was the decisive campaign of the 1851 Chilean Revolution between conservative government and liberal rebel forces. It’s also apparently a terrific place to grow chardonnay. Winemaker Gonzalo Perez’ 2015 is a fuller expression, with green apple piquancy to nose, a wealth of fruit, tart done so right and a true barrel-blessed chardonnay bite. It reeks of stone, acts restrained enough to seem (at times) unsure but in its quietude there is a mineral sway to say this must be the way. It solicits a follow me down the stone road, up to a very orchard palate with gregarious flavours and compressed acidity. Serious, almost brooding chardonnay but very new world. Chewy and very long. The soils are volcanic and alluvial, aiding and assisting to gather into this highly complex, 100 per cent malolactic, reductive, tart and biting chardonnay. The most surprising and intriguing find at #14c17. Drink 2017-2020.  Tasted July 2017  cremaschi_furlotti  @winecremaschi  @cremaschifurlotti

Coteau Rougemont Chardonnay La Côte 2015, Quebec, Canada (Winery, $24.00, WineAlign)

From La Famille Robert and the latest, newest, impressionable cool climate frontier in Rougemont Quebec, climate change delivers another stellar chardonnay attack, here with something quite supple, almost creamy, acid-driven but surprisingly far from scathing and eminently drinkable. These vines are planted on sun-drawing south facing slopes with more than ample pebble and schist in the soil, enough no less to streak a wire of balance through the softened, downy fruit. Well done. Drink 2017-2019.  Tasted July 2017  coteaurougemont  #CoteauRougement  @VinsduQuebec  Vignoble Coteau Rougemont

Creekside Chardonnay Queenston Road Vineyard 2015, Niagara Peninsula, Ontario (Winery, $24.95, WineAlign)

Comes barreling out replete with the highest of chard tones mixed with plenty of richness lifting and layering oak. Quite ambitious, full malo felt, of waves more than dollops of vanilla. The acidity comes later because nothing can get in the way of the creamy texture and voluptuousness. Cool but secondary to these flavours and mouthfeel are incendiary savoury tendencies. Adding things up all being equal the Queenston Road, St. David’s Bench vineyard, with its clay-loam and the eventuality of full-malo effect well, it’s really a thing of richesse. “I wouldn’t say this wine is a whole lot about minerality,” says winemaker Yvonne Irvine, “but it’s there in the bite on the finish.” Fair enough. Drink 2017-2021.  Tasted July 2017  creeksidewine  @CreeksideWine  @CreeksideWine

Inniskillin Montague Vineyard Chardonnay 2014, VQA Four Mile Creek, Niagara Peninsula, Ontario (586347Agent, $24.95, WineAlign)

If you have had the opportunity to taste the Montague Vineyard chardonnay from Niagara’s Four-Mile Creek sub-appellation in at least four consecutive vintages you will know that its style is only exceeded by its consistency. Little has changed; the same warm, barrel-kissed style comforts generously pressed and extracted fruit. It’s not that I don’t deduce soft, downy and buttery fruit from Montague. I do, but this vineyard always offers a counter-point with some firmness and compression, as it does with pinot noir. This 2014 is smoky and faintly smouldering, even a touch flinty. Even if it is a bit baked, spiced or toasted it is also a more mineral vintage for chardonnay. On one hand it offers or gives up too much of itself (and too early), with creamy vanilla, ripe melon and sappy, stone-fruit. On the other it finds balance amongst the dense layering of bigger, harder and more productive moving parts. You are going to want to match this with some protein and a good reduction sauce. I’d look to pulled pork, zesty kohlrabi slaw and a tangy BBQ sauce, duck confit with a savoury-spiked demi-glacé or coq au vin, just to name a few. Drink 2017-2019.  Tasted January 2017  inniskillinwines  cbrandscareers  @InniskillinWine  @CBrandsCareers  Inniskillin Vineyards  

Vasse Felix Filius Chardonnay 2016, Margaret River, Western Australia (416511, $24.95,  WineAlign)

Same price and highly credible follow-up is what we can all hope to taste and make comment to the great winemakers of this world so kudos to Virginia Willcocks of Vasse Felix for doling out another eminently drinkable Filius. Still holds the Australian cool-climate chardonnay candle from the Margaret River though it’s a touch fleshier, riper and creamier in 2016. The combination of salt and stony-mineral adds up to grip and the tightness means some air is needed. A mess of grilled langoustines would also work. Drink 2018-2021.  Tasted June and July 2017  vassefelixwines  margaretriver  @vassefelix  @MargaretRiver  @MargaretRiverWi  @vassefelixwines  @MargaretRiverWineRegion  @margaretriverwines1

Château Des Charmes Paul Bosc Estate Chardonnay 2014, VQA St. David’s Bench, Ontario (511345, Winery, $24.95, WineAlign)

Here is fine example of a winery showing off their rockstar barrel program in a starman of a chardonnay. The dreaminess on the nose and the early 1970’s ambient and textured guitar unction on the palate just get you stoned. “Didn’t know what time it was and the lights were low…Some cat was layin’ down some rock ‘n’ roll, ‘lotta soul.” Tart, lots of wood, bite, so much structure. Is it too much? Not when it’s the kind of chardonnay and music that can stand the test of time. Drink 2018-2022. Tasted blind at NWAC17, June 2017 and at #14c, July 2017  chateaudescharmes  @MBosc  Château des Charmes

Domaine Laroche Chablis Saint Martin 2015, Ac Burgundy, France (289124, $25.25, WineAlign)

The vintage is a ripe, accessible and easy to love one so this marks a 90 degree turn for the Saint Martin. This is Laroche’s most important cuvée, sold in 80 countries and collected from select plots across 60 hectares of vines. Structure will always direct this cuvée and so long as Gregory Viennois is winemaker you can be sure that a taut entry will be joined by some subtle oak richness (in 2015, eight per cent in large, 25 year-old, 55 hL foudres). It’s just an aromatic hint but look forward with eyes closed and inculcate the texture addendum. Acids are soft and caressing. Drink 2017-2021. Tasted July 2016 and 2017  laroche_wines  selectwinemoments  @DomaineLaroche  @SelectWinePros  @Select_Wines  @SelectWinesCanada

Southbrook Chardonnay Triomphe 2015, VQA Niagara Peninsula, Ontario (172338, Agent, $24.95, WineAlign)

The fruit for Ann Sperling’s chardonnay Triomphe ’15 is sourced primarily from Saunders (Beamsville Bench) with auxiliary support out of Heather Laundry’s old vine Lincoln Lakeshore vineyard. There are older, non-clonal blocks with perhaps some Musqué mixed in so the aromatics fly, with no restraint applied by the wild ferment and (mostly 300L) neutral oak. This Triomphe is anything but reductive, a no stress chardonnay from such a far from sluggish, clean ferment. The simplicity and complicity explain how beauty is curated, from a vintage where reduction did not happen or beg to happen so why try to force it. The copacetic re-quiescence bears witness to classic Ann Sperling in such a vintage. Chardonnay of mellow smoulder, of old barrel spice and one to define a certain kind on a line of disparate and unique, cool climate, i4c selections. There are 800 cases made. Drink 2017-2020. Tasted January and July 2017  southbrookvineyards  thelivingvine  @TheLivingVine  @SouthbrookWine   @SouthbrookWine  The Living Vine inc.

Bachelder Chardonnay Niagara 2014, VQA Niagara Peninsula, Ontario (302083, Agent, $24.95, WineAlign)

Thomas Bachelder’s ’15 chardonnay is a story of what happens ’round here, a chardonnay counting the years of peninsula life. It’s so representative, a comfortable stroll through the echelons and stages of a man’s history, in and out of Niagara eponymy and how it relates to a monk’s personal journey. It also traces the stages of vineyard life and for the winemaker, of fruit “slipping through my hands.” Out of 2015 chardonnay can be forgotten, with weather nothing to remember and on the heels of two most excellent seasons. It could easily pass “into the fog where no one notices the contrast of white on white.” Here is the time, place and harvest for Thomas Bachelder to interject and explain, to send a grape into a recognizable future, as far as the crow flies. He uses the barrel to pique the fruit into life, to inject French cream with the very intent in demand of its intention. Flavours are therefore sapid, piquant and variegated. In the end, you can drink this in August and into complexity, everything after. Drink 2017-2020.  Tasted July 2017  bachelder_wines  liffordgram  @Bachelder_wines  @LiffordON  @BachelderWines  @liffordwineandspirits

Joie Farm Unoaked Chardonnay 2016, VQA Okanagan Valley, British Columbia (511261Agent, $25.00, WineAlign)

Terpenes up front, orchard fruit and high acidity in ways that mimic riesling but the broad apple juice swirl and bite on the palate is all chardonnay. Shows sugar tempered by acidity in what is ostensibly fresh and simple, unoaked Okanagan juice. This is made in the vineyard, picked three times, from straightforward winemaking, making use of lots of solids,”lots of liquid aromatics,” as Heidi Noble notes. Champagne yeasts are employed to celebrate place. Drink 2017-2018.  Tasted July 2017  joie farm  liffordgram  #JoieFarm  @LiffordON  @joiefarm  @liffordwineandspirits

Willamette dammit! @bachelder_wines @coolchardonnay #i4c17

Bachelder Chardonnay Willamette 2014, Oregon (273334, Agent, $25.00, WineAlign)

The richest Bachelder Oregon to date for reasons explained by the indubitable and unwavering Thomas is no doubt in leading part a result of one of the earliest vintages on record for Oregon Pinot Noir. His Willamette is a veritable intertwine of mineral, fruit and energy like there is no tomorrow. Also welcome to the lengthy one. The barrel is a caramel pillow, a downy wooden bench, a soft French cream dream. Drinkable is the understatement, pleasure the song. Willamette Dammit. Drink 2017-2020.  Tasted July 2017  bachelder_wines  liffordgram  @Bachelder_wines  @LiffordON  @BachelderWines  @liffordwineandspirits

Westcott Vineyards Estate Chardonnay 2016, VQA Vinemount Ridge, Ontario (427484, Winery, $25.95, WineAlign)

This is one of the first near-premium chardonnays to hit the market from 2016 and so a decision needs to be quickly made if the style is more vintage or house in origin. There really isn’t any estate precedence for this superabundance of fruit on the “normale,” like Christmas coming early or Niagara peaches appearing in June. The ripeness goes beyond freestone fruit and into the tropical realms occupied by mango and pineapple. There is no denying the nectarous and appetizing nature so I’d like to think it’s really a seasonal somewhereness that drives the druthers. Drink this young and with some poached seafood. It will satisfy the pairing. Drink 2017-2019.  Tasted July 2017  westcottvineyards  @WestcottWines  @westcottwines

Domaine Berger Rive Manoir De Mercey Bourgogne Hautes Côtes De Beaune Clos Des Dames 2015, Ac Burgundy, France (Agent, $26.95, WineAlign)

A restrained, faux-sugary, hautes Bourgogne, spirited near but so far from a Reuilly-like nose. You think it’s thin but know it’s not while the fruit struggles to steal the spotlight from the rocks. Very cool chardonnay with crazy natural sweetness and sneaky length. The warm vintage plus the limestone calcareous soil grows on you for sure and so that length shows off the best of its world and the talents of winemaker Paul Berger. Drink 2017-2020.  Tasted July 2017  @FWMCan  #BergerRive  fwmcan  @FWMCan

Traversa Viña Salort Chardonnay Reserve 2016, Canelones, Uruguay (511550, Agent, $29.00, WineAlign)

Chardonnay from Canelones needs to discovered and Traversa’s Reserve is a fine high-end place top start. The name is derived from a species of cinnamon called “canelón, growing along the banks of the homonymous river. This new fringe frontier for chardonnay is found here 50 kms or so north of Uruguay’s capital Montevideo. A specific sort of freshness is locked in tight, reductive in a gassing up the truck sort of way, subduing fruit and inviting mineral meanderings. It’s on the palate where things get very interesting, upon which the spice, buttered toast and brûlee of pears lay. There is a few percentage points too much wood on this next South terroir-Americanific frontier chardonnay but the substantial mid-palate fruit can handle the accents. A fine example in many respects. Drink 2017-2018. Tasted July 2017  familiatraversa  @TraversaUSA

Malivoire Chardonnay Mottiar 2014, VQA Beamsville Bench, Niagara Peninsula, Ontario (Winery, $29.95, WineAlign)

This is classic Mottiar chardonnay, lean, sharp, quivering and yet somehow so knowable and comfortable. As time goes by this generates the confidence to represent the Beamsville Bench as its prodigal son, the handsome one, of pulchritude and with the promise of great memories ahead. If it’s a bit reductive, taut and aerified chardonnay, so be it, but it’s also so very Niagara, essential, the essence of what happens on dolomitic limestone. The low (3.15) pH factor at go time caused a force picked at high acidity to maintain the lean style and a partial (not much) malo assists in effecting this high-level bench factor. Shiraz Mottiar’s eponymous chardonnay is the shit, for Beamsville and for what he does best. Drink 2018-2022.  Tasted July 2017  malivoire  shirazmottiar  @MalivoireWine  @ShirazMottiar  @MalivoireWine  

Rodney Strong Sonoma Coast Chardonnay 2014, Sonoma Coast, California (465724, $29.95, WineAlign)

The first appearance of the Rodney Strong Sonoma Coast bottling is an auspicious one, announced with ripe and delicious clarity. Though the nose is a bit reserved there is no reductive quality and the orchard is but a mere stone’s throw away from really standing out. The wood shows up on the vanilla, caramel tangy and further, deeper into the apple tree’s palate. The finish brings a pie from out of the warm oven. Drink 2017-2020.  Tasted October 2016 and July 2017  rsvineyards  markanthonyon  california.wines  @rsvineyards  @ImportWineMAFWM  @CalifWines_CA  @Rodney.Strong.Vineyards  @MarkAnthonyWine  @CaliforniaWinesCanada

13th Street Sandstone Reserve Chardonnay 2013, VQA Four Mile Creek, Niagara Peninsula, Ontario (Winery, $29.95, WineAlign)

No surprise the vintage is a major plus for the Sandstone and the natural funk it owns. And I mean owns. Only Sandstone has such geological drive, not unlike chardonnay from South Africa’s Hemel-En-Aarde Valley. In 2013 there is a sweetness to the fruit mixed with a misty humidity and finally that falling over backwards with feet stuck in the clay and the calcaire. Wildness from J. P. Colas here and with attentiveness to place and time. Drink 2016-2021. Tasted at #i4c16, July 2016 and #14c17, July 2017  13thstreetwinery  @13thStreetWines  @13thStreetWines

Hidden Bench Estate Chardonnay 2014, VQA Beamsville Bench, Niagara Peninsula, Ontario, (68817, $29.95, WineAlign)

Exemplary follow up to a terrific 2013 with more emerald gemstone, green apple bite and fine textured lees running through. Tart and yet not at the same time, seemingly sweet but only in the way that flavourful salts with added umami can collect, pool and co-exist. Just great focus, precision, fineness and balance. Drink 2018-2022.  Tasted June 2017 and #14c, July 2017  hidden bench  @HiddenBench  @Hidden.Bench

Thirty Bench Small Lot Chardonnay 2014, VQA Beamsville Bench, Ontario (Winery, $30.00, WineAlign)

The nose on this chardonnay is pretty, alive, vibrant and pure. The palate is exceptional, fleshy and full. There is intensity and precision, class and seamless integration of fruit, acidity and texture. Really longDrink 2018-2024. Tasted blind at #NWAC17, June 2017 and at #14c, July 2017  thirty bench  @ThirtyBench  @ThirtyBench

Ravine Vineyard Chardonnay 2015, VQA Niagara Peninsula, Ontario (Winery, $30.00, WineAlign)

Ravine’s is one of those chardonnay blessed with uncanny ability to amalgamate the sumptuousness of fruit warmed by sun and kissed repeatedly by barrel. The equation renders delicacy and texture, so obviously and vehemently spoken in the 2015 Peninsula language. It really is all about texture with a plus-minus spice note codicil and cool unction drawn like butter in suspended animation, a pool into which all parts have melted. Needs a year to finalize the deal and sweeten the pot. Drink 2018-2022.  Tasted July 2017  ravinevineyard  marty_werner  benminaker23  @RavineVineyard  @marty_werner  @BMinaker23  Ravine Vineyard Estate Winery  Martin Werner  Ben Minaker

Mer Soleil Silver Unoaked Chardonnay 2014, Monterey, California (220343, Agent, $31.00, WineAlign)

Chardonnay sans wood doesn’t get more premium than this (save for some Chablis) so the use of unlined concrete tanks (a third to a half) allows the sort of micro-oxegynation that elevates the complexity game. Despite the hard-goings of working this way, the delivery is a crisp, crunchy and slightly edgy (and eggy) ’14 with addendum by the confluence of fog, sun and sea. Mer Soleil. More pear than green apple, the character speaks a Monterey note. The packaging has left ceramic behind in favour of electrostatic painted (second-purposed) glass, made to look like (and celebrate) concrete. This is surprisingly creamy so the solids get their say and the conclusion is of a chardonnay made this way that rarely achieves such a level of texture and piquancy. Drink 2017-2019.  Tasted July 2017  mersoleilwine  #andrewpellerimportagency  @MerSoleilChard  @APImportAgency  @MerSoleilVineyard  Andrew Peller (Andrew Peller Import)

House of Chards #i4c Lunch at Trius

Artesa Chardonnay 2014, Carneros, Napa Valley, California (657585, Agent, $31.00, WineAlign)

The differing and contrastive style in Artesa’s ordinario is literally chardonnay night in comparison to the estate’s reserve day. Absent is the mineral alloy streak, the temper and the level of fruit quality and density so that here the buttery and creamy oak is felt on top and down below. Acidity, tension and posit tugs of intensity are relegated and softened to the mild mannered and middle palate personality. This is 70 per cent estate fruit, simple, rich, soft and mildly spicy chardonnay, antithetical for completion recognition of the basic to reserve paradigm. Drink 2017-2018.  Tasted July 2017  artesawinery  #andrewpellerimportagency  @Artesa  @APImportAgency  @Artesa

Adamo Oaked Chardonnay Willms’ Vineyard 2014, VQA Niagara-on-the-Lake, Ontario (Winery, $32.00, WineAlign)

This is the second vintage of the Willms, a rich and viscous chardonnay with green apple bite. More barrel (15 months, 30 per cent new) on this than others in an #i4c School of Cool flight and also Beaune-styled, ambitious otherwise but certainly the structured and gregarious one. Chardonnay as many would recognize, could be nothing other, some terpenic moments but the cool, sharp and spirited are mixed into the clay. Last tasted July 2017.

Adamo sources from the same vineyard that provides fruit for 13th Street’s Sandstone Reserve in the Four Mile Creek sub-appellation of Niagara-on-the-Lake. Planted in 1983, it is owned and farmed by Erv, Esther and Eric Willms. In its early stages the fruit acted and reacted as a lean, taut and tension fuelled chardonnay with party a sign of letting up. Eight months later the juicy flesh of orchard fruit pushes past the vintage’s grip and lets tis wine breath a sigh of relief. Chalk one up to yet another cool-climate, calcareous clay stuck moment in time. Drink 2017-2019.  Tasted twice, at #i4c16, July 2016 and Taste Ontario, March 2017  adamoestatewinery  @AdamoEstateWine  @adamoestatewinery

Trail Estate Chardonnay Unfiltered 2015, VQA Niagara Peninsula, Ontario (Winery, $32.00, WineAlign)

A blend of vineyards, from Ed Hughes and (Wismer) Foxcroft, perhaps with some influence under the lingering auspices of the Norman Hardie school, here in the playful and progressive hands of Mack Brisbois. Mackenzie employs no sulphur at processing, allowing for chardonnay efficacious and liberally oxidized, settled, cold stabilized, non bentonite-affected, chilled and racked. Not lost is the ever-commented process of going at it with wild ferment, but also caution thrown to the wind via no temperature control (but yes on the Hughes fruit), with the final end game in search of and wanting a fruity Chablis side. Done up in half stainless plus 50 old 500L and two 225L barrels. The sulphur was added in October, the full malo achieved and then bottled in November. All of this technical mumbo-jumbo to say there is still quite a creamy, leesy, oaky feeling but like some others in Niagara (Robyn’s Block, Oliveira and Aberdeen) it totes great palate texture and a “fruitiness,” but it’s not fruity. It may not recreate the Chablis fruit to mineral purity but it is a righteous, proper and Niagara purity fashioned in PEC. There are 266 Cases. Drink 2016-2020.  Tasted December 2016 and July 2017  trailestatewine  mackbrisbois  @TrailEstateWine  @MackBrisbois  @TrailEstateWinery  Mackenzie Brisbois

Westcott Vineyards Chardonnay Lenko Old Vine 2014, VQA Niagara Peninsula, Ontario (Winery, $32.95, WineAlign)

The iconic vineyard, the wise old vines, the chance to make some magic; these are all a part of the mystery and the mystique of Lenko placed in the hands of one winemaker at a time, fruit put to bottle in his or her own special way. It’s simple isn’t it? “Go far enough and you will reach, a place where the sea runs underneath,” take up the grapes and do what they need. In terms of chardonnay the vineyard is ground zero, the genesis, the oldest Chardonnay planting in Canada. In Arthur Harder’s hands the fruit reaches you with apposite if ambient sparks while its chords are strummed with 12 strings so that it never loses touch with its structure. A very expressive chardonnay from a benevolent vintage, Westcott’s breaks free from traditional Niagara with this tart and that tart. There is wind, wuthering and it has the uncanny ability “of turning the world so it’s facing the way that I’m going.” Drink 2017-2024.  Tasted July 2017  westcottvineyards  @WestcottWines  @westcottwines

Chateau Des Charmes Blanc De Blanc Sparkling Méthode Traditionelle 2014, VQA Niagara On The Lake, Ontario (511352, $32.95, WineAlign)

A different sort this one, with lots of barrel spice, liquid splinter creaminess, a heavier dosage to be sure, creamy lemon and almond skin, but also pith. Complex if commercially sweeter, rich and fatter, something School of Cool 2017 Sugar Trials panelist Rhys Pender MW agrees with. Making sparkling wine from the warmish Niagara-on-the-Lake regional-appellation (which includes the warm St. David’s Bench) has its pros and cons, the positives mostly tending to richness and the negatives the compromise to energy and verve. Winemaker Amélie Boury manages the dosage of 10 g/L RS with natural acidity (5.5 g/L TA), a forthcoming low pH of 3.16 and a late September pick. “For richer fruit” she notes and then a coupling texture by fermenting in barrels. Look for it on the ambit of tertiary personality after a few years of age. Drink 2017-2021.  Tasted July 2017  chateaudescharmes  @MBosc  Château des Charmes

Domaine De Mauperthuis Chablis Vieilles Vignes Les Malantes 2014, Ac Burgundy, France (511063, $33.95, WineAlign)

From a new family (relatively speaking) to Chablis, the estate belongs to Marie-Noëlle & Laurent Ternynck. The old vines Chablis saw 12 months in foudres, on the lees, with fruit gathered from vineyards in Fleys. The cool spot comes with a higher altitude, on a windswept plateau and so harvest is generally five to six days later. And so their Chablis is cool, direct, taut and sapid stuff, as Chablis will go, from such a climat and handled so. Acidity runs rampant and travels quickly up and down and into parts of the mouth that stand up to take notice. Sharp and focused Chablis. Drink 2017-2022.  Tasted July 2017  #mauperthuis  vinsdechablis  vinsdebourgogne  nicholaspearcewines  #Mauperthuis  @vinsdechablis  @VinsdeBourgogne  @Nicholaspearce_  Vins de Bourgogne / Burgundy wines  Nicholas Pearce

Mer Soleil Chardonnay “SLH” 2015, Santa Lucia Highlands, California (958975, Agent, $34.95, WineAlign)

The sun always shines upon Mer Soleil’s “SLH,” a chardonnay equipped with exceptional fruit purity that welcomes but could go it so much more confidently alone without the mask-caking make-up. It needs a fraction of the wood it receives. A tour de force of ocean and sun (tied together by fog) delivers acidity, sapidity and the fruit is raised to keep things moving swimmingly along. So it’s got that going for it. Which is nice. Drink 2017-2019.  Tasted July 2017  mersoleilwine  #andrewpellerimportagency  @MerSoleilChard  @APImportAgency  @MerSoleilVineyard  Andrew Peller (Andrew Peller Import)

Good man this man. Great winemaker this winemaker #i4c @coolchardonnay

Tawse Quarry Road Vineyard Chardonnay 2013, VQA Vinemount Ridge, Ontario (111989, $35.80, WineAlign)

When I tasted Quarry Road 2013 out of four barrels three years ago the purpose was to take in the nuances and see only the trees. I for one could not help seeing the forest through the trees and imagining percentages of each combining for the final blend. Neutral Mercurey wood looked over infant three year-old vines spoken here with surprising density, tang and tropical melon in both aroma and flavour. This sits on the front palate right now. The mineral Ceres qualifies older fruit as the pretty and the gemstone, essential for Quarry Road, the most like (Meursault) in Burgundy. This fruit transferred to stainless on the lees from September to March before going into bottle now renders to make Quarry the purest expression from the best vineyard. The CLL toast delivers the taut, not yet reductive wood tightening, then and again now, mainly on the finish. Compressed citrus notes are late arriving and even if it is splitting hairs, the oak really impacts the finish. The larger CLL toast Mercurey barrel reveals a fresher, more reductive, less oaky feel. All together we now have one of Paul Pender’s most accomplished to date and all chardonnays considered, one of the finest higher end values around. I think he would agree. Drink 2017-2024.  Tasted May and July 2017  tawsewinery  @Tawse_Winery  @tawsewines

Maycas del Limarí Chardonnay Quebrada Seca 2013, Limarí Valley, Chile (331520, $36.00, WineAlign)

Maycas de Limarí’s Quebrada Seca or “dry-cracked” makes reference to the fragmented soils, a place of low-fertility and chardonnay loving terroir. This spent 14 months in (30 per cent new) but it’s not just the extended barrel time that separates it from the estate’s Reserva. Vintage plays a significant role in conjunction with the soil and it teaches so much about the virtues of patience and time. No malo but high sapidity, lots of bite and the verdant, healthy life are borne out of poor fertility. This is life affirming chardonnay from harsh climes. Drink 2018-2022.  Tasted July 2017  maycasdellimari  #thevineagency  wines_of_chile_canada  @Maycasdellimari  @TheVine_RobGroh  @WinesofChile  @maycasdellimari  The Vine – Robert Groh Agency  @WinesOfChile

Joie Farm Chardonnay “En Famille” 2015, BC VQA Okanagan Valley, British Columbia (511113Agent, $36.00, WineAlign)

The developed layers of fruit are well integrated and interwoven into the mildness of both barrel and tannin. The sweetness of that sun-kissed fruit leaves a lasting impression from what has been brought into being by a warm and impressionable vintage. Exemplary three or four year Okanagan chardonnay that shows off its charming sucrosity. Drink 2017-2020.  Tasted July 2017  joie farm  liffordgram  #JoieFarm  @LiffordON  @joiefarm  @liffordwineandspirits

Sneak peak in the @TriusWines Meunier with Craig McDonald and a true Niagara Grand Cru @coolchardonnay site #lincolnlakeshore #oliveiravineyards #vqa #wildferment

Trius Showcase Chardonnay Wild Ferment Oliveira Vineyard 2015, VQA Lincoln Lakeshore, Ontario (199273, $36.20, WineAlign)

When you consider the level of quality provided by the Wild Ferment 2014 it would be hard to imagine raising the bar any further but this is what winemaker Craig McDonald has managed with his exceptional 2015. The accomplishment is purely based on one year older, wiser and complexities developed Oliveira Farm vineyard fruit, the holy chardonnay grail, Lincoln Lakeshore playground. The site sits along the QEW below the escarpment’s Twenty Mile and Beamsville benches, a recipient of glacial till and rocks left behind by an ancient river running from a lake. It’s a chardonnay wonderland. Intensity of fruit purity, fleshy and real, remarkably juicy and notably crunchy has increased, upping the pleasure game and turning the impression knob up to 11. The windmill generates more power while always maintaining a classic Trius level of finesse. Then you think on the wood integration, equally impressionable because acidity is sweet and refined. Dry extract is also impressive, not to mention a fineness of grape tannin. The site’s unofficial designation as a Niagara Grand Cru should be upgraded with status. There is no better time than the present and the Wild Ferment’s 2015 ability is proof enough. Drink 2017-2023.  Tasted July 2017  triuswines  @TriusWines  @triuswines

Exquisite dish by Frank Dodd @TriusWines #houseofchards #i4c lunch . . . Lake Huron Whitefish, lobster and scallop sausage, crab croquettes, asparagus, sweet peas, celeriac slaw, seabuck

Trius Showcase Chardonnay Wild Ferment Oliveira Vineyard 2014, VQA Lincoln Lakeshore, Ontario (199273, $36.20, WineAlign)

With fruit from the Niagara chardonnay mecca Oliveira Vineyard and the addendum of yet another stellar varietal vintage it is this Craig McDonald speciality that helps to steal the show. Striking out with near-raging acidity (pushing and possibly exceeding the 8 g/L mark) the Wild Ferment is one of the most formidable expressions of 2014, if not ever. All the moving parts work fervently and impressively as if the motor is running and the machine careening around the speedway. To keep composure it is texture that brings about grounding, balance and cadence, from obvious lees perfection and 30 per cent new wood plus the rest forged by two to five year old barrels. This is creamy, energetic and tannic chardonnay, all conspiring to express itself with both weight and poise. From a maker who’s been around the block a few times, the ’14 WF will go the distance. And you can start now. Drink 2017-2024. Tasted at Cuvée, March 2017 an #i4c July 2017  triuswines  @TriusWines  @triuswines

Esterházy Il Magnifico Blanc de Blancs Brut 2013, Burgenland, Austria (511378, Agent, $37.95, WineAlign)

Esterházy was a Hungarian noble family with origins in the Middle Ages, generally bilingual, in Hungarian (as a result of their ethnicity) and German (as they were aristocrats of the Austrian Empire). The family was intrinsically tied to the Austrian composer Joseph Haydn (master to Beethoven) and the estate today shares the same desire; to epitomize the aims and achievements of the Classical era, Hadyn for music and today, Esterházy for contemporary Austrian wine. General Manager Stefan Tscheppe spins a tale of Nikolaus II, the wealthy late 18th and early 19th century prince who lived a charmed life, nicknamed by his sisters as “Il Magnifico.” The namesake sparkler is done in a Brut Nature style, 18 months on the lees and is possessive of a distinctive grapefruit liqueur. The vines grown on limestone-based soil and this is clearly picked on acidity, in the first to second week of September. Il Maginifico may not carry the weight or tone of Hadyn’s The Creation but it is a most excellent Blanc de Blancs composition. Drink 2017-2022.  Tasted July 2017  #esterhazy @esterhazywein  austrianwine  Esterhazy Wein  @NaturalVines  @oesterreichwein  @AustrianWine  @BirgittaSamavar  Marzia Gallo  @austrianwine

Pearl Morissette Chardonnay Cuvée Dix Neuvième 2014, VQA Twenty Mile Bench, Niagara Escarpment, Ontario (303602Winery, $38.20, WineAlign)

It’s never easy to follow up greatness, even for this top quality Niagara chardonnay and yet I am almost ready to believe that this Dix-Neuvième delivers more richness of fruit than its predecessor. The stoicism lost from 2013 is woven texture gained, here in a tapestry of pure chardonnay fruit, beeswaxy, faint honey and an almost imperceptible reductive environment. Francois Morissette and Brent Rowland clearly had texture earmarked as the raison d’être for this ’14, almost to a fault but the result is bloody delicious. No Pearl Morissette wine ever gave of itself so young, so fast. Immediate gratification be darned there will be five blessed textured years ahead. And then the honey will set in. Drink 2017-2022.  Tasted June and July 2017  pearlmorissette  @PearlMorissette  @lassvet  Pearl Morissette

Domaine Laroche Les Vaudevey Chablis Premier Cru 2014, Ac Burgundy, France (416057, Agent, $38.95, WineAlign)

A compressed chardonnay that strikes as a passion play between herbs and limestone and no surprise that the spoils go to the latter. The citrus is gassy, rising, bathed in atmosphere. The structure is predicated on stone, rock and struck flint. Chablis of metal and essential minerality, discovered and defined. This slow-ripened chardonnay will evolve one year for every month contributed by its growing cycle. Drink 2016-2026.  Tasted June 2016 and July 2017  #domainelaroche  selectwinemoments  @DomaineLaroche  @SelectWinePros  @Select_Wines  Domaine Laroche, Chablis 

Mackenzie Brisbois, Trail Estate Winery

Trail Estate Chardonnay Unfiltered 2016, VQA Prince Edward County, Ontario (Winery, $39.00, WineAlign)

Auspicious beginnings transcend the customary for Trail’s winemaker Mackenzie Brisbois, case in point exhibit A with her first fledged County chardonnay, a whole cluster pressed, native yeasts and full malolactic beauty. Only a single barrel was made of this really tight, taut and youthfully vituperative one but it will mature, self-reflect and turn into a respectful and generous wine. There is a toasty note that currently smoulders in the glass but that too will gently peel away. The terrific render of acidity couples at present and will melt with the rest of the intensities. This is the estate’s first kick at this County cru, “things are going great, and they’re only getting better.” The future’s so bright I gotta wear shades. Drink 2018-2022.  Tasted July 2017  trailestatewine  mackbrisbois  @TrailEstateWine  @MackBrisbois  @TrailEstateWinery  Mackenzie Brisbois

Hidden Bench Chardonnay Felseck Vineyard 2014, VQA Beamsville Bench, Niagara Peninsula, Ontario, (276261, $39.20, WineAlign)

Unction and creaminess, lost in a chardonnay dream because to nose it’s a sweet, floral, demure thing. Lees apparent so you can smell the work in progress and feel the texture. But it’s wound loosely tight with just enough give to make it so readily available. Beautiful little wine though I can’t help but imagine there’s more single-focus structure than a blind taste wants to give. Hope to come across this hard to get beauty again someday soon. Drink 2018-2022.  Tasted blind at NWAC17, June 2017 and #14c, July 2017  hidden bench  @HiddenBench  @Hidden.Bench

Norman Hardie Chardonnay Niagara Unfiltered 2015, VQA Niagara Peninsula, Ontario (184432, $39.20, WineAlign)

Norman Hardie’s 2015 Niagara is a reductive yellow goddess dressed chardonnay, connected to the fullest of its fruit, (slowly developed) creamy malolactic, touchstone acidity and grape tannic ability. There is this understated feeling in the throes of richness that the winemaker and the place always seem to agree upon. The display window celebrates and proudly promotes the somewhereness of this ’15 chardonnay. It is never a matter of Niagara versus County, there is little substance to be found, nor is it a necessary point of discussion worth investigating. It’s just highway that separates the two. Both are children of the Norm, both deserving of estate credibility and here, with this next excellent Niagara, taking the Hardie progression one step further. Drink 2017-2022.  Tasted June and July 2017  normanhardiewinery  normhardie  Norman Hardie  @NormanHardieWinery

Domaine De Mauperthuis Chablis Premier Cru Montmains 2015, Ac Burgundy, France (511071, $39.95, WineAlign)

Winemaker Stéphane Saillet’s is a highly compressed, pure and precise Montmains. No wood was used because of the vintage, a season from which the ripe and developed fruit could clearly defend and take care of itself. Carries the essential tenets of texture and chew. Stéphane notes that the challenged ’16 will have some barrel (foudres) because “in the beginning there was nothing,” an important omen with which to help reflect on the fantasy and fantastic effort found in his 2015. Drink 2018-2023.  Tasted July 2017  #mauperthuis  vinsdechablis  vinsdebourgogne  nicholaspearcewines  #Mauperthuis  @vinsdechablis  @VinsdeBourgogne  @Nicholaspearce_  Vins de Bourgogne / Burgundy wines  Nicholas Pearce

Malivoire Chardonnay Moira 2014, VQA Beamsville Bench, Niagara Peninsula, Ontario (Winery, $39.95, WineAlign)

Moira delves much further into the spice with a wood feel into texture, piquancy, savour, sapidity and on repeat in all of the above. The length stretches further as a deeper, more intense expression of Beamsville Bench terroir. It will need to settle and integrate with another year in bottle. Drink 2018-2022.  Tasted July 2017  malivoire  shirazmottiar  @MalivoireWine  @ShirazMottiar  @MalivoireWine 

Lightfoot And Wolfville Chardonnay Ancienne 2014, Nova Scotia (Winery, $40.00, WineAlign)

The name Ancienne and the proximate irony appraised is not lost for its translation as endemic or indigenous for wines made from Burgundian grape varieties raised on Nova Scotia soil. The sophomore chardonnay speaks in a vernacular a year to the wiser but at the expense of excitement, which is actually a good thing. A step back taken will result in two going forward, as I shall explain. The same regime exercised mimics the ’13, of 20 per cent new, 18 months in barrel, but a slight course altered with some reductive play in ’14, as an experiment but also as a plan. There seems to be more lees richness and spice notes that flit like direct darts on the palate. Different clones are harvested at different times, so now the vinifications are staggered and layered, which really shows on the stratified and almost germinating palate. Another year older allows these vines to bring diversified variegation, more Nova Scotia and as a consequence, less winemaking. The growth here is fascinating and enlightening. In the interim it may compromise the flavour profile and the wow factor but in the long run it is structure, longevity and impressibility that will give the green light to estate grown, Minas Basin success. Drink 2017-2021.  Tasted June 2017   lwwines  jhortonns  rachelhopelightfoot  winesofns  @lwwines  @rachel_hope  @WinesofNS  @lightfootandwolfvillewines  Rachel Lightfoot  @winesofns

Bachelder Wismer Vineyard #2 “Foxcroft Block” Chardonnay 2013, VQA Niagara Peninsula, Ontario (512178, Winery, $44.95, WineAlign)

Deeper and deeper into the micro terroir we go, with thanks to the monk himself so strike me down as a cool climate instigator if you must but Thomas Bachelder takes on the challenge, fresh and new as ever. This Wismer Block dubbed #2 is purely and expressly Foxcroft, a divided up for purchase and worked by many vineyard. Few do it justice like the unstressed symbiotic relationship between Bachelder and grower Craig Wismer. From the ideal session of 2013 we have creamy and cracked, fragmented mineral intensity in opposite attitude to Wismer-Parke but more on the fleshy and structured side. The wood is bigger and more integrated, the flesh ripping and of the sort of musculature that shows no aggression nor needs any explanation. It’s just big and beautiful, not to mention an ambassador for cool. Hello world. Drink 2018-2025.  Tasted June and July 2017  bachelder_wines  liffordgram  @Bachelder_wines  @LiffordON  @BachelderWines  @liffordwineandspirits

Henry Of Pelham Cuvée Catharine Blanc De Blanc ‘Carte Blanche’ 2012, Short Hills Bench, Ontario (Winery, $44.95, WineAlign)

Reserved for Ontario sparkling but indicative of a bench-steppe foothills style because it just has that spark. Very much a ball of tart and compressed energy and so intense. A middle of the norm dosage at 8 g/L RS is managed in perfect oscillate with equal and opposing acidity at 7.3 TA. Such precision, ease and high quality serviceability is the equanimity quotient delivered by the estimable work ethic of winemaker Sandrine Bourcier. It boils down to recognition. The benchmark for Niagara Peninsula year-dated sparkling wine juices ripeness out of this warm vintage to perpetuate Cuvée Catharine’s unparalleled fizz consistency. Drink 2017-2021.  Tasted July 2017  henryofpelham  @HenryofPelham @SpeckBros  Henry Pelham

Lightfoot & Wolfville Blanc De Blanc Extra Brut 2013, Nova Scotia, Canada (Winery, $45.00, WineAlign)

Josh Horton and Rachel Lightfoot presented an early, less leesy glimpse of their 100 per cent estate chardonnay at i4c in July of 2016. It was a different animal than this recently disgorged (late February/early March) sparkling wine. The Extra Brut lives up to its designation, from fruit grown on the shores of the Minas Basin under the auspices of a markedly warm year with exceptional phenolic ripeness and 25 per cent malolactic gain. The time relative to texture lees accumulation is approximately 40 months and it’s an accurate representation of Nova Scotia low and slow. The flavours are wisely developed ripe and spicy, leaning into a moment or two of oxygenation, but seemingly richer than the amount of lees time that was given. Now emerging from the shell of not just a warm but a great chardonnay year (as previously proven by the Ancienne released two years ago). The notion here is of a sparkling wine that has been brought home, a B de B that you need to get to know. There are layers and layers of character that fold and unfold. The precision, focus and rendering is citrus tamed, mouthfeel in perpetual expansion and contraction, length linear and elastic. And it’s just the beginning. Drink 2017-2023.  Tasted June and July 2017  lwwines  jhortonns  rachelhopelightfoot  winesofns  @lwwines  @rachel_hope  @WinesofNS  @lightfootandwolfvillewines  Rachel Lightfoot  @winesofns

Bachelder Chardonnay Johnson Vineyard 2013, Yamhill Carlton District, Oregon (416644, Agent, $45.00, WineAlign)

The best of the barrels, always remember the soil, the soil Johnson Vineyard chardonnay will send you spiralling deep into thought, like it or not. It’s origins in Jory, sedimentary soils draw energy from a source unseen, dug down into where the ancients dwell. Thomas Bachelder monkifies the soil plant matrix made to transmit minerality. “It’s as much about photosynthesis in the new world but minerality is still apart of it. Jory soils in Oregon bring a salty tang, a savour. It’s true.” Bachelder speaks of a wisdom once revered, now questioned and he’s fine with needing to work for a living. The Johnson chardonnay is beautifully tart, rich and complex, biting, full of energy, so cool, taut, structured and even still a bit reductive. But it really is pressed, juiced and spirited with lime, for success and to linger, for a decade post harvest, perhaps for even longer a quality length of time. Drink 2018-2023.  Tasted July 2017  bachelder_wines  liffordgram  @Bachelder_wines  @LiffordON  @BachelderWines  @liffordwineandspirits

Norman Hardie Chardonnay Sans Soufre 2015, VQA Niagara Peninsula, Ontario (Winery, $45.00, WineAlign)

Says Norm with matter of factness, as he always does, “it’s the regular Niagara chardonnay, but without sulphur.” So you ask the question up front? Is the unsulphured so different than the other? To the naked senses, no. The charm, power and generosity are all there. It took a full year to pass malolactic inspection. So why do it? Because it reminds of 2012, same slow malo, same deferential and determined kind of wine and the answer comes from something Norm says. “I didn’t have the guts in those days.” But he has them now and yet the decisions imparted this Sans Soufre will be different, with more guts and glory, say in 2022. Perhaps there is a softness about this naked one, something cotton candy about its aromatics and its texture. It’s fine-spun, ethereal and dissipating. It does not argue but you sense it’s possessive of an organized, controlled tension. But don’t be thinking this isn’t a planned piece of parenthood. Did I mention the tannic presence on the palate? How about the wind-up, into tart and the stiff breeze that blows through as if it’s already turning to fall. Drink 2017-2022.  Tasted Twice, June and July 2017  normanhardiewinery  @normhardie  Norman Hardie

Tawse Robyn’s Block Chardonnay 2013, VQA Vinemount Ridge, Ontario (Winery, $45.95, WineAlign)

The temptation and the desire to compare Robyn’s Block and the other Tawse chardonnays is unavoidable but in 2013 it’s a fruitless exercise. Neither warmth, tropical fruit, cold, rain, terpenes or high acidity are hallmark traits of Robyn’s Block 2013. So what is? When I tasted through Robyn’s barrels with winemaker Paul Pender back in April of 2014, the Mercurey (one year-old, CLL toast) from the oldest (32 years) vines off of the richest site worked wonders in tandem with new oak. Very primary, fermenting notes foretold of a reigned in, restrained Robyn. The Mercurey (new) barrel gifted tang and girth into which the barrel disappears, with sappy toast on the back end. It too was quite young in its evolution but was rich, thick and dense. The Céres (Mineral) barrel brought exclamatory fruit and was ready to drink. All together and three years later these barrels have conspired for all of the above but if I had to sum it up in five words or less I’d say Robyn is “full of energy, texture and beans.” She will turn out creamy notes as the decade turns but always maintain her sense of restraint, running sap and fleshy tone. The wine is nothing if not a fascinating introspection into the history and the future of this block.  Drink 2017-2023. Tasted April and July 2017  tawsewinery  @Tawse_Winery  @tawsewines

Sperling Vineyards Blanc De Blancs Brut Nature 2013, VQA Okanagan Valley, British Columbia (511329, Agent, $47.00, WineAlign)

There is no dosage in this directly motivational Blanc de Blancs and plenty of potential palate weight with thanks to 30 months spent on the lees. There is something top single-vineyard cru Alsatian about the savoury and searing coolness in this style, as if it were more than just the sum of chardonnay parts, like some hypothetical pinot blanc and perhaps auxerrois. There is some reductiveness, a lovely washed rind cheese, lemon scrape melted into curd and fine bitters. The flavours are really quite lemony tart. Striking really. School of Cool moderator Karen MacNeil described this like “a nun in catholic school, severe and a bit starched. I’d like to try it a bit sweeter, to mollify the tension.” Though the consensus is one that sees it under-dosed, you have to admire Ann Sperling’s “decision based on lees contact time.” To make it longer. The sharp, angular edges are a by-product of its aggressive nature but like sémillon in its lean and gaunt youth this B de B will develop some faux honey and petrol with age. Drink 2018-2022.  Tasted twice, July 2017  @SperlingVyds  @AnnSperling  @CRUOntario  sperlingvineyards  cruwine  Sperling Vineyards  Ann Sperling

Stratus Chardonnay 2014, VQA Niagara-On-The-Lake, Ontario (307645, Agent, $48.20, WineAlign)

The Stratus 2014 is more reductive than usual, in its case more of a vintage-related affair than others. The “Burgundy method” is employed, but in a “Niagara style” notes winemaker J-L Groux,  that is with native yeasts and a pick that can’t be too early. The wine saw nine months in (25-50 per cent new) oak. This ’14 is Groux’s last of the chardonnay mohicans because in 2015 it will be bottled with lees. This ’14 is nothing if not bloody delicious, ripe orchard fruit swelling, of mild acidity and seamless texture. Drink 2017-2021.  Tasted May and July 2017  stratuswines  @StratusWines  @StratusWines

Southbrook Poetica Chardonnay 2013, VQA Four Mile Creek, Ontario (366500, Agent, $49.95, WineAlign)

Always Ontario’s outlier, eccentric and non-conformist chardonnay and I say this with complimentary, best of intention flattery. The 2013 vintage is simply chivalrous to chardonnay and in Poetica’s corner, a perfect calm case of preux meets elegante. Here is a chardonnay of inherent oxidative wisdom, from cloud cover, cool, long breaths of Niagara air well into the elongated autumn and the address for what I refer to as “the age apparent one.” The iconoclast Poetica ideal conforms because it is matched with equal breadth by richness of fruit and confirms the way Ann Sperling makes her signature wine. Tasted blind my first guess would put this at five years old because of the exuding warmth so 2010 might just be the order. A 2012 Bench chardonnay might have also been the answer. But with Poetica the promise is like Meursault with uptown fruit, honey, vanilla, caramel, a Niagara vapour and ethanol. Such a telling display that only Poetica can play. Drink 2016-2024.  Tasted October 2016 and July 2017  southbrookvineyards  thelivingvine  @TheLivingVine  @SouthbrookWine   @SouthbrookWine  The Living Vine inc.

Viñas Ventisquero Tara Chardonnay 2014, Atacamas, Casablanca Valley, Chile (511337, Agent, $53.00, WineAlign)

Chile’s Atacama Valley frontier is one of the world’s great terroir expansions, a limestone soil-based flat, even further north than the Limari valley. Ventisquero’s winemaker Felipe Tosso has said that Atacama “breaks all the paradigms of what has been produced in the central-southern valleys of Chile.” The salinity in the land translates to notes in chardonnay of almost no precedence, like salty cotton candy and a fineness of acidity singular in chemical design and how it feels in the mouth. It’s like sucking on a stone lozenge that never dissolves. It’s relentless in its pursuit of fruit. Flavours coagulate liquid almond joy and transparent bitters but there is also a sweetness without definition, a simple limestone syrup that melts into the saltiness of the wine. Drink 2017-2021.  Tasted July 2017  vventisquero  univinscanada  wines_of_chile_canada  @vventisquero  @UNIVINS  @WinesofChile  @VentisqueroWines  @UnivinsCanada  @WinesOfChile

Charline Drappier

Champagne Drappier Blanc De Blancs NV, Champagne, France (599860, Agent, $54.95, WineAlign)

Made with five per cent pinot blanc this faintly oxidatively-styled Blanc de Blancs is gingery-leathery and felt as if by extended skin contact. It’s both tannic and orange pith spritzy, also mixed in with grapefruit and lemon. Twenty-four lees-affected months bring body that is fleshy, corporeal and with acidity in charge on the palate. Quite a full fizz with some preserved fruit attentiveness. The dosage is healthy but simply flavour gifting at 7.1 RS because the sugar is a combination of beet and cane aged in oak for 10-15 years. It’s a special Drappier liquor dosage developed at the winery. What it brings is not just sweetness but a complex sweetener that has evolved and developed over time while it has aged. Drink 2017-2021.  Tasted twice with Charline Drappier at #14c, July 2017 #ChampagneDrappier  @FWMCan  champagne_drappier  champagnedrappier  fwmcan  Champagne Drappier  Charline Dppr  @FWMCan

Ravine Vineyard Reserve Chardonnay 2014, VQA St. David’s Bench, Ontario (Winery, $55.00, WineAlign)

The Reserve is 100 per cent estate fruit that spent 18 months in (50 per cent new) barrel. As it’s both barrel fermented and aged the variegation locks the fruit in so bloody tight so even now it’s reductive, smoky and flinty. A mineral chardonnay needs balance from over the top fruit and so track record, acumen and love will have it so. Marty Werner and Ben Minaker’s is a big, summery and gold platinum expression, very expressive, the two-lb steamed in seaweed lobster chardonnay, seemingly Meursault but just as likely from California. But as Ravine’s Reserve on the St. David’s Bench it is purely Niagara Peninsula. Fruit intensity, extract and controlled oxygenation shows off the best of what these men can do. It speaks to their efforts, knowledge accumulation, trials and finally to the culmination of their stamina. Drink 2018-2023.  Tasted July 2017  ravinevineyard  marty_werner  benminaker23  @RavineVineyard  @marty_werner  @BMinaker23  Ravine Vineyard Estate Winery  Martin Werner  Ben Minaker

Adam Mariani, Scribe Winery

Scribe Chardonnay 2014, Carneros, California (511139, Agent, $55.00, WineAlign)

Adam Mariani raised his 2014 in concrete and though we are distracted and of course fully willing to think about the fruit (especially in contrast to his Skin Contact chardonnay) it is the texture that grabs most attention. That this solicits older world comparisons is hard to avoid, but it’s not a Burgundian thematic. Like the garnatxa by Ramon Roqueta Segalés of Domaine Lafou, Scribe’s is a wine that has succeeded in mastering the oxidation process and the scents are of ripe peach, fresh, without overdeveloped sugars but instead a sprinkling of ocean salt. Finishes with a savoury mix of lime, tonic and the liquor of distilled flowers. Drink 2018-2023.  Tasted July 2017  scribe winery  nicholaspearcewines  @scribewinery  @Nicholaspearce_  Scribe Winery  Nicholas Pearce

Familia Torres Chardonnay Milmanda 2014, Catalunya, Spain (332171, Agent, $59.95, WineAlign)

Miguel Torres Jr. tells us his wine comes from a great white wine vintage; cool and rainy, though not great for reds. “I don’t believe in miracles from the vineyard. You have to do some things in the winery,” he adds, like the use of bigger (300L) barrels and a 50 per cent malolactic goal. His chardonnay is a juicy, terpenic, honorary cool climate Canadian. That’s not to say it isn’t barrel rich, but it too speaks a language of the lively, crisp, crunchy and bloody delicious. This is full, satisfying, spicy and buttery teasing chardonnay out of Catalunya and few gallop along with such equine gait and grace, at least not from Spain, without either softening like butter or hardening like stone. Here the twain is met. Drink 2017-2021.  Tasted July 2017  torreswines  @FWMCan  @TorresWines  fwmcan  @bodegastorres  @FWMCan

Scribe Skin Fermented Chardonnay 2015, Carneros, California (511147, Agent, $63.00, WineAlign)

Scribe Winery’s Adam Mariani introduces his antithetical Californian from the Sonoma side of cooler Carneros up on Arrowhead Mountain in the northern part of the region, planted in 2007 abutting the Mayacamas range on volcanic soils. The grapes are skin-fermented cold (in the farenheit 50’s) with native yeasts for five to six weeks until mid-December but over the past several vintages they (the winemaking team) have slowly gained the confidence to get them above 100 days. One bottle (served too warm) is amiss and oxidative and this really accentuates the skin-settling tannins on the palate. A second is beautifully lively, tannins a bit tamed, acidity in tact and fruit concerned and even obsessed with all things lemon. The aging is done in concrete egg and with a correct bottle this is not oxidized, nor is it an orange wine but it most certainly is a Carneros expression of great interest. It should be dealt with young. Drink 2017-2019.  Tasted July 2017  scribe winery  nicholaspearcewines  @scribewinery  @Nicholaspearce_  Scribe Winery  Nicholas Pearce

Artesa Estate Reserve Chardonnay 2014, Carneros, Napa Valley, California (457143, Agent, $67.00, WineAlign)

Artesa or artisan, from the Catalan, an affirmation of style gifted in name from the Barcelona family Raventos. This chardonnay from the base of Mt. Veeder is 100 per cent estate fruit, adjacent Hyde Vineyards, all hillside sits of elevation, sun and under cover of omniscent fog blowing in from San Pablo Bay. The character is unmistakable French (50 per cent new) cream barrel warm and buttered, yet young and still a bit closed for business. The 16 months in wood requires double that to integrate but a fine mineral streak cuts through the caramel. Nothing shocking mind you, grace meets weight and toasted chestnut melds into sweet marzipan. The quality of fruit is unquestionably high and the seamlessness a given. The style can be yours. Drink 2018-2022. Tasted July 2017  artesawinery  #andrewpellerimportagency  @Artesa  @APImportAgency  @MerSoleilVineyard  @Artesa

Chamisal Vineyards Chardonnay Chamise 2014, Edna Valley, California (511212, Agent, $86.00, WineAlign)

The aromatics are slow to reveal but if at first they are mildly mired in solder there is this sweet basil-herbal and lemon-balmy calmness on the entry. Takes some moments and then opens to a creamy, barrel-sweetened, tart and layered chardonnay. Looked at blind I’d certainly peg this as warmer climate, New Zealand perhaps but more likely and gracefully California. Indeed the Chamisal-Chamise of Edna Valley origins completes the picture. The first vineyard planted in the Edna Valley in 1973 near the Pacific and a long temperate growing season adds up to low and slow phenolic developed chardonnay. The warm vintage plus calcareous, clay-rich soil develops further flavour. Shy no more, the namesake flowering plant Adenostoma fasciculatum (chamise or greasewood) native to California bounds away with complex flavours. Drink 2018-2022.  Tasted July 2017  chamisalvyd  #andrewpellerimportagency  @ChamisalVyd  @APImportAgency  @Chamisal.Vineyards  @APImportAgency

Vasse Felix Chardonnay Heytesbury 2015, Margaret River, Western Australia (674648, $91.00,  WineAlign)

Heytesbury is Virginia Willcock’s top chardonnay and while it is one of Australia’s most iconic wines, it may never be made the same way twice. In 2015 the élèvage is in French oak for nine months (57 per cent new and 43, one to two years old) but no malolactic was encouraged. That’s a non-committal way of saying (and Virginia did in fact say) there was no malo in 2015 simply because it was not a vintage in which the acidity needed to be tamed. So with fruit so pure, strong and expressive, what else is there to say? Simply that you would be an idiot to tire of a fresh herb garden, blue slate shoes, ripe pomelo, a wedge of smoked cheddar, fresh scones and a crunch of mellifluous honeycomb. Heytesbury will gift all of this and more. Drink 2019-2027.  Tasted July 2017  vassefelixwines  margaretriver  @vassefelix  @MargaretRiver  @MargaretRiverWi  @vassefelixwines  @MargaretRiverWineRegion  @margaretriverwines1

Benjamin Bridge Méthode Classique Estate Blanc De Blancs 2013, Nova Scotia, (Winery$119.50, WineAlign)

Tasted from a bottle disgorged in May 2017, there alights a plugged-in, three-pronged, dazed, charged and enchanted energy about the Bridge’s ’13 Blanc de Blancs. The history of go it alone pure chardonnay is a relatively short one for the estate so this quickly makes up for lost time or rather with haste sets the timer and heads out at first light. “Like sittin’ on pins and needles, things fall apart, it’s scientific.” Wild, of talking heads temper and yeasts, done up in demi-muids, with a wilder secondary fermentative push riding on the coattails of the primary fermentation. Everything in this wine is a productive child of the vineyard, of no third party sugars or consultations. “How do you do that without making a Pétillant Naturel,” I wonder aloud. It’s a second ferment, non-contiguous is the reason, even if the former is both influencer and mentor to the latter. It certainly falls under the category of “micro-cuvée. Like its cousin and predecessor (Blanc de Noirs 2011), this ’13 BdeB is mired intensely inward within its own specificity and is not so much a sparkling wine with competitive soul. It is a pure representative of chardonnay grown in Nova Scotia for one purpose. So let’s talk about true stories and wild, wild life. “You get on board anytime you like.” Drink 2018-2024.  Tasted July 2017  benjaminbridge  caveman__jones   winesofn  @Benjamin_Bridge  @benjaminbridgevineyards  @WinesofNS  @benjaminbridgevineyards  @winesofns

Cuvée des Amis in grand format from le grand ami @normhardie at an #i4c @coolchardonnay grand tasting dances and trips the light fantastic with unconscionable concentration.

Norman Hardie Chardonnay Cuvée Des Amis 2014, Prince Edward County, Ontario (Winery, $150.00, 1500ml, WineAlign)

As exceptional as chardonnay may have seemed from out of the 2013 Ontario vintage you haven’t lived or loved until you get a taste of (only in magnum format) Norm Hardie’s 2014 Cuvées des Amis. This chardonnay attacks and ascends, recalibrating the inner workings of the brain and how it develops conceptualization. It is a state of the art and all-knowing elixir to remind that ’13 was a vintage with profitable yields and a generously stretched canvas on which to practice on, for when things begin to get real. The CdeA spent 18 months in barrel, the first 12 (in 35 per cent new), the next six in neutral and the last six in stainless steel on the fine lees. The spin class in the mouth manages agility, dextrous, furtive movement and completes many pirouettes. The dance is pure joy but the intensity is equally to disturbingly intrusive, suggesting more settling time is necessary. The flavour pearls are delicate and come straight from the oyster so they carry salinity, power and brine. Pure lemon essence is received by intravenous injection. Sumptuous is translated from Hardie-speak as a four-letter, Prince Edward County word. It doesn’t get more real than right here, with the best fruit, the tripping of the light fantastic, previously unheard and unseen unconscionable concentration. Drink 2019-2025.  Tasted twice, June and July 2017  normanhardiewinery  @normhardie  Norman Hardie

Took all night but it was so worth it. Welcome to #i4c17 @coolchardonnay #ilivechardonnay

Good to go!

Godello

Twitter: @mgodello

Instagram: mgodello

WineAlign

Why hate wine?

Three vintages and producers of Brunello di Montalcino

Three vintages and producers of Brunello di Montalcino

Though it may sound absurd, it’s true. There are some who hate wine. It may seem impossible to imagine, but not everyone cares for the stuff, in fact, they say they hate it. Pretty harsh, no?

They have their reasons. Either it’s pretentious, it pales in comparison to beer, causes headaches or simply tastes like shit. The haters also hate wine drinkers and they really can’t stand people who blabber on about what they smell and taste, especially wine writers. The vile, worthless, waste of the air they breathe kind of human. The virus with shoes.

They are out there but they are not the real problem. The bigger issue is the wine geek who hates certain wines. The wine aficionado who picks on specific bottles, bullies them to the point of hatred. Slags them beyond reproach. Rants to the world about the injustice of their existence.

I will tell you why I have to say what I have to say. When I entered the LCBO tasting lab last Friday I saw three bottles sitting on the sterile counter, three Pinot Noir that made hairs all over my body stand up in horrified attention. Three Chuck Wagner Pinots. Les Belle Glos. So I tweeted this.

That was a mistake and I apologize for having written that. My message is this. You may find flaws in wine. You may suss out mistakes in the way a wine is made, sniff out bacteria or mould. You may point out imbalance and general impropriety. But you should not hate.

After all, wine is made from grapes and has fermented into itself. No matter the manipulations, the heavy-handed preparations and the dismissal of varietal or territorial propriety, at the end of the day it is just a bottle of wine. It is still a card-carrying member of the heritage, the extraction and the house. The fact is that when you hate one wine, you hate all wine. Do you see, the instant that you hate a wine, then you hate the world of wine.

There is more. Every wine has a connection to the land it came from. Soft mutinies in the senescence of nature all contribute to the scarring of a wine, of an indelible truth that indicts the world it harmonizes in, like a tract of a forest long ago scorched by a fire. A vineyard shares a history, which each vine remembers, even after it has failed to survive, even after others have not survived, or have been felled or re-planted. All wine has a background, regardless of what it may have suffered during growth and fermentation.

Related – WineAlign guide to VINTAGES April 4th and Easter recipes

And so, please try to be nice. Not every bottle will thrill and most will even disappoint. But do not hate. These seven examples, coming to a VINTAGES kiosk on April 4th do nothing less than restore the faith. They are all classic returns, of familiar and favourite varieties. They are wines to love.

From left to right: Muriel Reserva Vendimia Seleccionada 2008, Robert Mondavi Fumé Blanc 2013, Isole E Olena Chianti Classico 2011, Domaine Long Depaquit Chablis 1er Cru Les Vaillons 2012, Hess Allomi Vineyard Cabernet Sauvignon 2012, Fuligni Brunello Di Montalcino 2008 and Vitanza Riserva Brunello Di Montalcino 2007

From left to right: Muriel Reserva Vendimia Seleccionada 2008, Robert Mondavi Fumé Blanc 2013, Isole E Olena Chianti Classico 2011, Domaine Long Depaquit Chablis 1er Cru Les Vaillons 2012, Hess Allomi Vineyard Cabernet Sauvignon 2012, Fuligni Brunello Di Montalcino 2008 and Vitanza Riserva Brunello Di Montalcino 2007

Muriel Reserva Vendimia Seleccionada 2008, Doca Rioja, Spain (276030, $18.95, WineAlign)

Carries with it the efforts and old barrel trials of generations in its classic aromas. Cedar, dried plum, bitumen, dried anise, wood soaking in natural sugar syrup. Really seamless, flourless and austere in a running wild kind of way. Possessive of length and deserving of that oddest of wine descriptions; supple. This will age for 10-12 years with ease. A great wine for the money, right up there with the Montecillo 1991, but cleaner, juicier and with more sex appeal. A red-head, a ginger, Rita Hayworth, Julianne Moore, Emma Stone.  Tasted March 2015  @bodegasmuriel  @RiojaWine

Robert Mondavi Fumé Blanc 2013, Napa Valley, California (221887, $22.95, WineAlign)

The Mondavi course of intention stays on track once again in 2013 though the vintage for Sauvignon Blanc seems at its warmest and ripest in quite some time. This walks a highline of aromatics yet refrains from tragically creamy barrel notes or excessively hop toast. Fruit is the driver, “rushing by the machine revving tension.” That drupe is part fresh and part dried, whiffing citrus and potpourri. Zest is buzzing but not overbearing. Were I locked in the trunk of a car, this bottle of Fumé Blanc would keep good company. Drink 2015-2020.  Tasted March 2015  @RobertMondavi  @CBrandsCareers

Isole E Olena Chianti Classico 2011, Docg Tuscany, Italy (704346, $31.95, WineAlign)

The hue and distinguished generational character pay hommage and unconditional loyalties to the noble Sangiovese. Chianti Classico in which patience is a commendable virtue and extreme necessity. The wood and tonic inflate the near nose in screaming interface but five minutes works to soften the early edginess. Now the perfume is intoxicating, so typically IEO, from a beautiful parcel of Chanti Classico out of a very giving vintage. An alluring wine that draws you in with a flirtatious smile of depth and meaning, seamless in personality, never too rich, affected or grandiose. There is no resin and no slice of cake decadence. Though it retains some old-school properties, this CC keeps right in stride with the winemaking times. Drink 2018-2025.  Tasted March 2015  @chianticlassico  @HalpernWine

Domaine Long Depaquit Chablis 1er Cru Les Vaillons 2012, Burgundy, France (19364, $31.95, WineAlign)

Bring on the 2012 Chablis. Here, an early, exciting and intense look. Has a combination of spot on salinity and limestone flint from the central Vaillons Cru. Given time this eventually turns to honey, indicating great early promise. This Bichot Estate Chardonnay is ripe and extroverted. Though it won’t be the longest lived, the back-end stony merrymaking and overall exuberance is a great show. If ’12 Chablis is always this much fun, I’ll be buying front row seats. Tasted 2017-2022.  Tasted March 2015  @Bichotwine  @BIVBChablis  @DionysusWines

Hess Allomi Vineyard Cabernet Sauvignon 2012, Napa Valley, California (906420, $39.95, WineAlign)

Here scrambles forth a high-toned yet exuberant Hess. Dark fruit, old growth bark, fresh tar in summer and natural charcoal on the BBQ. These are the perceptions on a cimmerian, Patwin-coined, single-vineyard red wine from the eastern base of Howell Mountain. This micro-climate (relative to really cold places) experieneces freezing cold winters and later bud break than most of Napa. That difference comes across in the tension of this wine, the dichotomy of hot and cold and manifests by tongue-coating tannin-crusted fruit. Tannin that may take 10 years to integrate. Good concentration of fruit, acidity and that fierce tannin menas lots of energy and stereotypically speaking, even more structure. Drink 2020-2025.  Tasted March 2015  @HessCollection  @liffordwine

Fuligni Brunello Di Montalcino 2008, Docg Tuscany, Italy (245225, $49.95, WineAlign)

Though the bark and bite of the vintage will try to test even the purest fruit, this Fuligni is immune, the Brunello to absorb difficulty and energe unscathed. Earth. forest, clean mushroom, plum, carob and fresh cherry band together as an admirable aromatic lot. Though the vintage worked against many Montalcino producers, those who picked, vinified and allowed the fruit to do its thing, to be its own talking head, to express itself, made good wine. Enter the house of Eredi Fuligni. This ’08 is like Heaven, talking heady, saying nothing at all. The tune is clear as a whistling from the depths of a canyon. The spice is fragrant, never biting. The oak is like an old favourite song.   The Brunello “in Heaven plays my favorite song. They play it once again, they play it all night long.” Drink 2020-2030.  Tasted March 2015  @ConsBrunello  @HalpernWine

Vitanza Riserva Brunello Di Montalcino 2007, Docg Tuscany, Italy (236232, $89.95, WineAlign)

Here sidlles up to the counter a huge, come home and lay with me now Brunello. Displays all the flirtaious and flamboyant hallmarks of the get me vintage. Gorgeous, juicy red fruit. This wine will make you want to head straight for the bar, load up and go home with wrong woman or man. A full on seducer, asking you, are you ready for love? It’s not so much that this Grosso is bad company, it’s just that it’s so bloody dangerous. It has layered fruit, earth and lace. It has the structure to age. The issue is how could you resist it now? “I’m ready for love. Oh for your love.” Drink 2015-2025.  Tasted March 2015  @TenutaV  @ConsBrunello

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Mind blowing wines of 2014

Bouteilles de la collection Méquillet de Kientzheim, Confrérie Saint-Etienne

Bouteilles de la collection Méquillet de Kientzheim, Confrérie Saint-Etienne

In January it began with A resolution to drink honest wine, “juice that conveys the salient facts of a grape’s life.” It continued with New year. Try new wines, where the goal was “the resolve to drink outside the comfort zone.” If the issue was Feeling under the weather? Drink wine, success was had. “Wine is your friend. When approached, integrated and embraced in the right way it can help to promote a healthy lifestyle. The defence rests.”

January was a busy month, complete with Deep freeze: Controversies, polar vortex and ice wine, not to mention Super Bowl XLVIII wine odds. In February the opined focus zeroed inwards, to Ontario. What’s in a wine vintage? asked to reach out and touch Ontario’s 2012 whites, the best wines made to date. Harsh words were spoken against Rosé, but only because of the obviousness of it all when said, You can kiss my sweet pink wine, Valentine. Thomas Bachelder showed us Synchronicity in three terrors and he will do so again this coming Sunday when we break wine together down on the Peninsula. Calming influences saved days, having once more expounded on the music immersion, in and with wine, from Three-chord wines, hold the rants. The month concluded with more healthy advice and the question Are you getting your daily serving of wine?

Is the rating simply a tool understood within the context of marketing? Photo: Maria Vazquez/Fotolia.com

Is the rating simply a tool understood within the context of marketing?
Photo: Maria Vazquez/Fotolia.com

In March the annual pilgrimage to Niagara produced more tasting notes and verbiage than was previously thought possible, in a three-part series. Godello’s excellent Cuvée adventureWhen experts break wine together and Wine experts Brock and roll, Brock on were also joined by a visit to Flat Rock Cellars in Bottles, barrels, tanks and a vertical. A two-year impassioned body of submissions to canada.com culminated with the final column, The death of wine scores?

Scores were subsequently dropped from godello.ca but continue to be sidled up to the notes at winealign.com. In April I found out what happens When Sangiovese comes to townBurgundy will always be royal and that it’s always Go Gamay go time. In the name of Somewhereness, The group of twelve was once again called to assembly. In May there was the omnipresent Kalon of MomPaul Pender’s Tawse and effect and a fascinating look at cooperage in Every barrel tells a story. Prince Edward County again proved its mettle in ’14 and consumers were encouraged to Take them home, County wines. VQA stood under scrutiny in The pearls of Morissette’s wisdom and another chapter was written in The Stratus-Momofuku continuum.

Godello with Zoltan Szabo, Tony Aspler, Mike Di Caro, Ben Macphee-Sigurdson and Nicholas Pearce,  Photo (c) Steven Elphick & Associates

Godello with Zoltan Szabo, Tony Aspler, Mike Di Caro, Ben Macphee-Sigurdson and Nicholas Pearce,
Photo (c) Steven Elphick & Associates

Sparkling wine bubbled over in New fizz on the Brock, was Talkin’ ’bout my Generation Riesling and a trip to Alsace in June put me In a Grand Cru state of mind. I was Down on the Ornellaia and found out first hand, on a boat trolling across Lake Erie that The South Coast is clear. I offered up The froth on Crémant d’Alsace and in July told you that Chardonnay is cool. The eponymous conference yielded in excess of 10,000 words in August with 50 cool Chardonnay in 5,000 words or more and The meaning of Chardonnay: You’ve gotta be cool to be kind. I branded Olivier Zind-Humbrecht The cru chief of Alsace and felt what it was like to be Walking an Alsace mile in their Riesling shoes.

Tide's Out, Big Cove, New Brunswick

Tide’s Out, Big Cove, New Brunswick

A 5500 km trek to the tip of Cape Breton and back yielding poetic and prophetic expression in The tides that bind: East Coast swing. “The tractive is a thing to and of itself. The pauses to gather at points along the process remember lobsters roasting over an open fire, a cottage visit with new-found friends, a hike into the cavern of a waterfall and a swim in a tidal river. Memories are made in rites of passage, though in the end, like the photographs, they too will be demurred by time. Indelible stamps they are, cemented in commitment to reaching and by necessity, descending summits. A  road trip to the eastern part of Canada realizes the bigger plan. The key is making it safely home, before the tide rolls in.”

WineAlign World Wine Awards of Canada 2014

WineAlign World Wine Awards of Canada 2014

In September I tasted history with Taylor made Port and insisted on Giving Grand Cru Pinot Noir d’Alsace its due. I ignored a publishing embargo to announce how The LCBO and WineAlign go local and went Rocking out with the 2014 WineAlign World Wine Awards of Canada by judging the best of the best. A recall to Consider the Gaspereau Valley brought me back to Benjamin Bridge, a visit with Peter Gamble and the declaration that “I have seen & tasted the future of vinifera in Nova Scotia and its name is Lightfoot & Wolfville Vineyards.” Gamble’s work with partner Ann Sperling in Argentina is simply and skillfully The artfully applied science of Versado Malbec.

My report, Taste Ontario’s polarity of personality was met with lukewarm avoidance then rebounded, thanks to the tunes, From VINTAGES for Thanksgiving, in wine and with songA hip of wine from Hidden Bench gave way to Fourteen wines that should be on your restaurant list, in which I insisted “if your job title includes choosing what wine is poured at your restaurant, you should never dial it in.” I enjoyed some Wine on company time and Americans take note when Sonoma peaks from out of the fog.  For the third consecutive year I gave Yet another 10 reasons to pour a glass of wine on Halloween.

Local wines, notably Niagara delivers everbearing quality in November releases and in direct contrast, I went Off the beaten Italian path to discover endemic varietals. The Bloody vivid 2011 Vintage Ports had me reeling. “The 2011 Vintage Ports have balance, well, the best do, but they are, and I speak in very general terms, collectively over the top. Though it may seem an oxymoron to put Vintage Port and elegance in the same sentence, what is a great wine without a sense of humility and restraint?”

Godello and Christophe Ehrhart, Domaine Josmeyer, Kientzenheim

Godello and Christophe Ehrhart, Domaine Josmeyer, Kientzenheim

Two exposés on Alsatian wine, A Blanck slate in Alsace and It was Josmeyer’s imagination covered two distinct theories, of tabula rasa and wayfinding. On Sparkling wine I gave you Godello’s guide to holiday effervescence and Eleven 11th hour holiday bubbles. If value is your thing, I hope you read The final 14 bargains of 2014 and if great Canadian wine and cuisine float your gastronomic boat, my judging experience was captured at Gold Medal Plates Toronto 2014.

This is the third in the trilogy of best of reports for 2014. The first, 14 Canadian wines that rocked in 2014 was about “wines that are extensions of their maker’s personality, philosophy and temperament. Wines that are indicative of their terroir.” The second, Top 15 under-$25 wines of 2014 was meant to to “create the sociological, world of wine equivalent of splitting the atom. To celebrate the triumph of laic heterodoxy and the arrogance of modernity.  To seek purity from beneath the massacre caused by an avalanche of contrived wines.” The third instalment is meant purely to celebrate and to thank those who shared their bottles with me. Here are 16 wines tasted in 2014 that simply blew me away.

Tasting with Philippe Blanck, Domaine Paul Blanck

Tasting with Philippe Blanck, Domaine Paul Blanck

Domaine Paul Blanck et Fils Muscat d’Alsace Réserve Spéciale 1983, Alsace, France (From A Blanck slate in Alsace, December 1, 2014)

From Altenbourg, a lieu-dit located at the base of the Furstentum vineyard. Here is Blanck’s “fairy tale,” a wine you would have always heard about but never had a chance to taste or likely ever seen. The terroir is limestone mixed with clay and you will have to excuse my Alsatian, but a single sniff and taste releases the expression, “are you fucking kidding me?” This 31-year old Muscat is an impossibility, a first time feeling, a never before nosed perfume. Speaks in a limestone vernacular, of grapes given every chance to survive long after their innocence had been lost. A forest herb, tree sap, evergreen resin, lemongrass and bitter orange coagulation rises from its viscous mist. The acidity has lost nothing on the fruit, acts in perfect foil and leaves you with a sense of loneliness that is just beautiful.  Tasted June 2014  @DomaineBlanck

Pearl Morissette Gamay Cuvée Mon Unique 2013, VQA Twenty Mile Bench, Ontario (Winery) From The pearls of Morissette’s wisdom, May 26, 2014

In July 2013 Francois Morissette made this statement. “If we can’t make Gamay in a Cru Beaujolais Style, I’m not interested.” In May 2014 his ’13 Gamay causes Bill Zacharkiw to comment with blatant honesty, “just line up at the tank. Forget the bottle.” From 100 per cent whole clusters sent to cement fermenters. Once again the hue is just impossible. Sulphur-free, this walks a fine and perfect line of Cru banana Gamay. Pushes the Gamay envelope in that it’s gulpable but with a duress to remind you not to overdo it. A Gamay with a chamber of 32 doors. In it “I’d rather trust a man who doesn’t shout what he’s found.” François Morissette.   Tasted May 2014  @PearlMorissette  @3050imports

Laughing Stock Vineyards Amphora VRM 2013, VQA Okanagan Valley, British Columbia (agent, $30.00, WineAlign) From A day in WineAlign life: 15 new releases from Ontario and B.C., August 8, 2014

Here blends one-third each Viognier, Rousanne and Marsanne, a veritable Rhône orgy in wild fermentation, aged on the skins in terra-cotta and amphorae. While I would not go so far as to call it an “orange wine,” I will use the “N” word to describe its agrarian ways. As natural as anything you are likely to taste out of B.C., this is a most untamed experiment and should not be missed. It verges on oxidation but refuses to climb over the edge. It’s floral, spicy and crowded. The texture is chalky and so full of rusty, clay rubbed streaks. Everything about this is unkempt and exotic, including the never cease and desist fermenting lychee and longan feel. Hard not to be wowed by this blend’s presence.  Tasted August 2014  @lfngwine  @liffordretail

Charles Baker Riesling Picone Vineyard 2006, VQA Vinemount Ridge, Niagara Peninsula (241182, $35, WineAlign) From When experts break wine together, March 4, 2014

Only Charles can follow Charles, as only Jimi could follow Jimi. Just ask Peter Townshend. The combined forces of vintage, off-dry level of residual sugar (23.9 g/L) and age have ushered this Picone into a realm of adipose, butyraceous, chewy texture. The ’06 is emblematic of its time, stunning, psychedelic, experienced. It speaks clearly and with conceit. Tasting it eight years on you can hear Baker’s 2006 voice saying “if you can just get your mind together uh-then come on across to me.” We have and continue to follow Charles, and we are paying close attention to every vintage along the ride.  Tasted March 2014  @cbriesling  @StratusWines

Brokenwood Maxwell Vineyard Sémillon 2007, Hunter Valley, New South Wales, Australia (371484, $47.95, WineAlign) From Thirteen wines ‘ere Friday the 13th, June 12, 2014

A lifelong search for great Sémillon is fraught with peaks and valleys. Finding greatness is so rare it’s blue. The Hunter Valley in New South Wales beckons for a rush to strike gold. Many roads lead nowhere and others, like the dusty lane up to Brokenwood’s Maxwell Vineyard, lead to OZ. This young one has barely broken bread, or even a sweat. Sémillon of primary concern, like a tank sample. Varietal beauty as a cryogenically frozen specimen inundated by the table, the whole periodic table and nothing but the table. Guided by a laser beam of focus, great intent and expectations. Bob’s your uncle this David to the world’s white wine Goliaths. Son of racing studs and mares. Wow Sémillon. Not a faint moment about or in it.  Tasted May 2014  @Brokenwood

The Hess Collection Cabernet Sauvignon 1990, Mount Veeder, Napa Valley, California, USA (662015, $59.00, WineAlign) From The death of wine scores?, March 26, 2014

A seminal bottling from a game-changing year, for two all important reasons. One, it was a great vintage for Napa reds and two, the Mount Veeder sub-appellation was established. While only 24 years ago, a mere five wineries existed there at the time, including Mayacamas, Mt. Veeder and Hess. No hyperbole to say this is tasting a piece of history. Despite my “shouting all about love,” this splendidly aged Cabernet is not so much about resilience as it is persistence and infinite wisdom. All those years ago there were Napa reds made at a mere 12.5 per cent alcohol, with finesse and a sense of George-like calm. With little aeration there is fig, prune and toffee gently weeping but with air the aged fruit is swept away by a wave of gob stopping Cassis before its time. Preconceived notions of banausic, early days Cabernet are smothered by the magic dust of this Hess religion, a Dharma of licorice, ash and enlightenment. A wine to make you forget where you are. Depth, length and up to a half decade yet of reserved life lay ahead.  Tasted March 2014  @HessCollection   @liffordretail

Domaine William Fèvre Chablis Les Clos Grand Cru 2012, Burgundy, France ($143.00, WineAlign) From Burgundy will always be royal, April 22, 2014

The Fèvre take on Les Clos is the cradle of all the domain’s wines, in every respect. Intensely concentrated, this is Chardonnay expressive in every facet of its surroundings. The impart from compressed white limestone, ancient fossils and Jurassic minerals in distillate may seem abstract in description but how else can the feeling of a mouth full of rocks be conveyed? The remarkably complex Les Clos and its structured palate that goes on forever has come out of its Chablis vineyard cradle and will live on as one of the best ever. “It’s not a place, it’s a yearning. It’s not a race, it’s a journey.” There is no rush to drink it up. It will offer immense pleasure for 20-25 years.  @WoodmanWS  @BourgogneWines

Col D’orcia Brunello Di Montalcino 1997, Tuscany, Italy (LCBO 0961714 $145.00, WineAlign) From When Sangiovese comes to town, April 7, 2014

From a golden vintage, this ’97 is crazy good. A fixed, double-edged blade fighting knife dipped into a warm pool of developed liqueur-like sweetness. Seventeen years of languorous modulation and wood-fruit integration had resulted in a gracious Brunello, intrinsically delicious and living large in senescence. Life for the Col D’orcia ’97 is a bowl of cherries. Open one now and for the next three to five years and you’ll know exactly what you’re going to get. Me, “I’ll stick with you baby for a thousand years. Nothing’s gonna touch you in these golden years.”  Tasted April 2014  @Coldorcia  @ConsBrunello

Tenuta dell’Ornellaia Ornellaia 2001, Doc Bolgheri Superiore (Agent, $189.95, WineAlign) From Down on the Ornellaia, June 24, 2014

The blend of the 2001 Rosso Superiore is Cabernet Sauvignon (65 per cent), Merlot (30) and Cabernet Franc (5). Though strange to say and admittedly a retrospective comment, the minute quantity of Cabernet Franc and not yet inclusion of Petit Verdot result in a more straightforward and not as heavily layered Ornellaia. The structure is more linear and understandable, the fruit not as variegated. Complexity and Tuscan spiritualism are not compromised by the Cabernet Sauvignon and Merlot dominant line, in fact, assessing the evolution at 13 years on reveals the Bolgheri terroir in ways the magnanimous and opulent more recent vintages just don’t reach. There is a refreshing acidity in this young and developing ’01 in a streak that again, the baby Superiore do not seem to possess. This is a striking Ornellaia, a wine that would work with exceptional cuisine of varied cultures. It can be enjoyed now and will respond with grace and thanks for 30 plus years more.  Tasted June 2014  @Ornellaia  @AuthenticWineON  @sherry_naylor

Château Léoville Las Cases 1995, Ac St Julien, Bordeaux, Left Bank, France (402529, $599.00, WineAlign) From A Bordeaux family of wines, September 29, 2014

This 2nd Growth, Grand Vin is a product of nurturing and environment, a study in 12 superb soil subsets, from sand to clay to stone. From mature, edified vines split between Cabernet Sauvignon (70 per cent), Cabernet Franc (16) and Merlot (14). The LLC ’95 is grounded and centered on its highly confident axis while swirling within a centrifuge of inwardly concentrated, ripe but not ripest fruit. Merlot here is the anchor, Cabernet Sauvignon the mast. This is a relationship of pure linear fruit meets acidity. The full and fresh attack is refined with soft-pedaled tannins. It’s neither St. Julien nor Paulliac. It is Las Cases. No other Bordeaux is such an island, a distinctly personal expression, an event of its own. This is a window to the greatest vintages, a portal to extend to the benchmarks of 1996, 2000, 2005 and 2009, but also to step into the history of physiological cortex, to gain insight into previous legendary vintages, like 90, 89 and 82. The ’95 is silky, caressing, rapturous enveloping in a reverse osmosis of fruit and acidity, acidity and tannin. Another sip notices the layering, the grain left in tannin, the lingering richness of the fruit. The absolute sweet caress.  Tasted September 2014  @Noble_Estates

Tenuta San Guido Sassicaia 1977 at Splendido Restaurant, September 2014

Tenuta San Guido Sassicaia 1977 at Splendido Restaurant, September 2014

Tenuta San Guido Sassicaia 1977, Doc Bolgheri, Tuscany, Italy

Though the vintage was reported to be less than exceptional, the chance to taste this 37 years in/on and the longevity it displays combines for full, blow me away effect. The first vintage of Sassicaia was 1968 and this 10th try hits the mark of experience. A blend of Cabernet Sauvignon (85 per cent) and (15) Cabernet Franc, the fruit came from vines over top soils of clay and limestone. The wine spent 20 months in Yugoslavian oak barrels (half of it being new, and half used once or twice before), while for the remaining 60 per cent, French oak was used (2/3 new and 1/3 used once or twice before. Tasted blind, the swirling and searching thoughts of Genesis retrospection assimilate aromas of truffle and mushroom, but at first there is no reply at all. Landing on a plot of excellence somewhere between Bordeaux and Piedmont, Tuscany rises from its hills. A silent conversation ask the Sassicaia “I get the feelin’ you’re tryin’ to tell me;
Is there somethin’ that I should know?” Its condition is near perfect, its body full, its nature pristine and finally, so obviously in balance. After 30 minutes it begins to slide, to no surprise, but you can’t believe the expression it gives and the impression it leaves. And so, it is confirmed. 1977 was a fine vintage for Sassicaia.  Tasted September 2014  @Smarent  @Splendido_TO

Contino

Bodega Viñedos del Contino Rioja Reserva 1974 at XocoCava, with Chef Chris McDonald and Rob Groh of the Vine Agency, October 2014

Bodega Viñedos del Contino Rioja Reserva 1974, Rioja, Spain (Agent)

An impossibly youthful 40 year-old Tempranillo, even surpassing the more evolved ’80 in that regard, with aniseed, coconut and beeswax in its current aromatic state. Less gamy and animal funky, yet persistent in earthy beats. The vegetal scents act as conduit to the light bulb shining brightly of circuitous flavours and resolved textures. Lingers in mouth feel, its layers of time slowly peeling back, revealing in length, a slide show of the wine’s life. With many year’s still ahead, this is a Tempranillo revelation and from one going back this far that gained no support from Graciano (because it was planted in 1979). Its apostle following instead comes by way of the white Viura. Pair with Chef Chris McDonald’s Foie Gras and Partridge Croquetas.  Tasted September 2014  @TheVine_RobGroh  @Cvne

Decanted Château Margaux 1989, The National Club, Toronto, May 1, 2014 PHOTO: Michael Godel

Decanted Château Margaux 1989, The National Club, Toronto, May 1, 2014
PHOTO: Michael Godel

Château Margaux 1989, Ac Bordeaux, France (176057, $1,645.00, WineAlign) From Château Margaux hits the road, May 5, 2014

The 1989 Château Margaux wears the response to a mondo Bordeaux axiom on its sleeve. Are First Growth wines made for people who want darts of instant pleasure?” Twenty years earlier and now like the 2009, here is a quintessential and exemplary vintage, from day one of bud break to the last day of harvest. Its appraisal as anything but incredible is to assassinate it as if it were the Franz Ferdinand of Bordeaux. The examination 25 years later sees a mellow funk meet a peerless and sublime perfume. A wine cast in utmost density, complexity and length. It noses strength, warmth verging on heat but only for a fleeting moment, to gain attention. The iconic wine has reached the first major peak, up a ways from base camp. In this second phase of young adulthood it looks with conceit to the top of the mountain, seeing 25 to 50 more years on the climb. Mr. Pontallier regrets he won’t be around to taste this wine at full maturity. Moi aussi. The fruit lingers in its full, original state, from the moment it passes lips and for minutes onward. Violets trump roses. Château Margaux 1989 is from a vintage that offers the blessing of ethereal balance. Hear her sing, “Ich heisse Superfantastisch!”  Tasted April 2014  @Noble_Estates

Pinot Gris Clos Jebsal Sélection de Grains Nobles Trie Spéciale 2009

Pinot Gris Clos Jebsal Sélection de Grains Nobles Trie Spéciale 2009

Domaine Zind-Humbrecht Pinot Gris Clos Jebsal Sélection de Grains Nobles Trie Spéciale 2009 (From The cru chief of Alsace: Zind Humbrecht, August 5, 2014)

A south-facing, very steep slope of grey marls and gypsum. A vineyard that yielded a miniscule 10 hl/H. A stratospheric residual sugar quotient (in the realm of 500 g/L) and incredulous acidity to prevent the development of the yeasts. A fermentation that finally finished in the late winter of 2012. A wine aged in demi-guid. Selection of grapes of a botrytis so pure and dry. These are the specs of a wine I may never taste again. Olivier concedes he “really tries not to obtain the highest sugar concentration possible” but this 2009 is a “monster of a wine.” It will take forever to assimilate and digest the sugar. Unctuous, lush, rich and gorgeous does not do it justice. Pure distillation of fruit and stone, accented by spice, wild herbs and flowers. Like an injection of pure, Pinot Gris adrenaline. All this from dry extract, slowly rehydrated with magic pixie dust and the wonders of the natural world.  Will live for a century and then some.  Tasted June 2014  @olivier_dzh  @TrialtoON

Schlumberger

Domaines Schlumberger Riesling Grand Cru Kitterlé 1945

Domaines Schlumberger Riesling Grand Cru Kitterlé 1945 (From In a Grand Cru state of mind, June 18, 2014)

From an area of sandstone soil that predates the appellation. “This is an old story,” says Sommelière Caroline Furstoss by way of introduction at a Millésime master class. “This is a wine of God,” in allusion to the success of a vintage immediately following the end of World War Two. So emotional to taste, of a Riesling with 20-25 g/L of residual sugar and a recondite, balancing level of acidity. Complete and clean, persistent in its power and vitality. There is orange peel and spice, cinnamon and spike. Must have been a warm yet somehow perfect vintage. Sixty-nine years on there is the slightest hint of toffee and nougat with a whispered promise to age for at least 30 more effortless and graceful years. The length lasts for minutes. The heart and the hearth. Just the thought of producing this wine at that time is unfathomable and mystifying. There are no superlatives to do it justice.  Tasted June 2014  @VinexxWine

Taylor Fladgate Single Harvest Porto 1863

Taylor Fladgate Single Harvest Porto 1863

Taylor Fladgate Single Harvest Porto 1863, Douro, Portugal (Agent, $3,995.00, WineAlign) From Taylor made Port, September 2, 2014

The two casks of 1863 reached the Taylor family in pristine condition, from one of the last great pre-Phylloxera vintages of the 20th century. This wine came from the cool and damp Port lodges of Oporto, “the cathedrals of wine.” This was a once in a lifetime chance to taste a piece of history, a most natural and organic fluid encased for 151 years in its integument of time. The year 1863 was significant in many respects, including being the birth year of Henry Ford and Franz Ferdinand. This is Port that creates the future and yet dwells on the past. The hue is both progressive and fathomless in subterranean fantasy. Its many shades of warm, advancing colours resemble the faux brown rings of Mars. The aromas are built around toffee and with accents of many mints; spearmint, chocolate and pepper. You can smell the 1863 from rooms and world’s away. It conjures up many songs. “When you’re half way from a dream, is it hard to work out what is real?” That is its love illumination. It has the strange advance “of killing time and dreams.” The flavours are extreme and exotic, with South-Asian spices highlighting its deep, late night humidity. The finish is endless. Is this brilliance or a stroke of incredible luck? It is certainly pristine and wondrous. It has to be considered a perfect wine, for its niche and genre, by its makers, David Guimaraens and Adrian Bridge. Having let the days of 151 years go by, this is not a wine to compare with others, it is not the same as it ever was. In the end, “you may ask yourself, well…how did I get here?” Thanks to Stephen Marentette of Sylvestre Wines and Spirits.  Tasted August 2014  @TaylorsPortWine  @Smarent

Good to go!

https://twitter.com/mgodello

Rocking out with the 2014 WineAlign World Wine Awards of Canada

WineAlign World Wine Awards of Canada 2014

WineAlign World Wine Awards of Canada 2014

The results are in. Closure has come. Category champions and Judge’s picks are now live.

The highly regarded WineAlign World Wine Awards of Canada is categorized and justified as a “must enter” for winemakers and vintners who want to be a part of a genuine, above-board wine competition. For consumers in Canada it is a place to discover the best value wines available on the market today. Say what you will about the concours concept. The straightforward WineAlign offer implements an expertly designed bracket to ultimately crown a covey of thoroughly deserving champions. Wines are carefully scrutinized, judged with fair play and at times, brutal honesty. Each wine must impress the judges more than once. “Up to the task” is never in question. At “The Worlds,” the best minds are on the job.

Related – He spits, he scores: 2013 World Wine Awards of Canada results

Panorama of judging and wines at WWAC14 Photo: Jason Dziver (www.jasondziver.com)

Panorama of judging and wines at WWAC14
Photo: Jason Dziver (www.jasondziver.com)

It was the week of August 18 to 22. Eighteen critics, two czars, a tech guy, a database custodian, a logistics steward, “her bitch” (sic) and a dedicated team of volunteers gathered to administer vinous justice for 1000 (give or take) hopeful wines. The tasting road was long yet filled with much success. Never have so many wines with the intention of offering value and simple pleasure shown so well and with so much grace.

Head judge Anthony Gismondi talks with Rhys Pender MW, Steve Thurlow, DJ Kearney and Godello Photo: Jason Dziver (www.jasondziver.com)

Head judge Anthony Gismondi talks with Rhys Pender MW, Steve Thurlow, DJ Kearney and Godello
Photo: Jason Dziver (www.jasondziver.com)

In today’s WineAlign WWAC14 results dissertation, Anthony Gismondi tells us that “nothing has value unless you give it some.” The awards are about assessing daily drinkers, wines that the repeat consumer look for often, especially the bargains. They are for consumers first, of and for the common people. For the wineries, agents and writers, the competition is effectuated without bias. “The tastings are computerized from start to finish allowing wineries, agents or retailers to enter, pay, and eventually track their results online.” 

In 2014 my position is this. Oak and cheap tricks are on the way out, at least when it comes to wines submitted to the WineAlign World Wine Awards of Canada. Sugar, wood chips, agar agar, artificial colour, manipulated flavour, reverse osmosis and added acidity are trade practices reserved for wines out there in the fast food stratosphere. The judges at the WWAC14 were fortunate to be granted immunity from having to taste and assess such a most unnatural lot. These awards represent and foster an altruistic commonality between vigneron and critic. Make an honest wine and it will be judged with honourable intent.

WWAC14 Judging Panel

WWAC14 Judging Panel

The writers and judges that make up the panels evaluate wines under $50 that are sold somewhere in Canada in the year of the competition. Entries are judged in flights along with similar varietal wines in three price categories; under $15, $15 to $25 and over $25. Starting with the 2014 awards all wines entered will not only be posted on WineAlign with bottle images, but reviews will be included as well (many in both French and English). Again in 2014, orchestration was overseen by one of North America’s most respected wine critics, Vancouver Sun columnist and WineAlign Partner Anthony Gismondi, aka The Spitter.

Panel of judges DJ Kearney, Godello and Rhys Pender MW Photo: Jason Dziver (www.jasondziver.com)

Panel of judges DJ Kearney, Godello and Rhys Pender MW
Photo: Jason Dziver (www.jasondziver.com)

Some startling results came out of this year’s tastings. Who would have ever put money on Carménère under $15 not only showing well, but blowing the collective minds of no less than five critics? Should Malbec in the $15-25 range, half of which are made by large and recognizable houses, have impressed with so much structure and restraint? A group of eight red blends under $15 were all good, five of them garnering very good scores. That same concept group of $15-25 were nearly all exceptional. Southern Italy fared with top value results in the under $15 category. Syrah/Shiraz $15-25 really surprised, as did Cabernet Sauvignon, Pinot Noir and Chardonnay in the same range. Not to mention a flight of five fruit wines, four of which scored between 85 and 88. Not bad. All this can be attributed to one basic premise. WineAlign does not attract more producers than other concours. It attracts better ones.

WWAC14 judges Photo: Jason Dziver (www.jasondziver.com)

WWAC14 judges
Photo: Jason Dziver (www.jasondziver.com)

As in 2013, this year I was invited to join the other 17 judges in Mississauga, Ontario. Fortune is measured by the company one keeps. The 2014 judges were David LawrasonSteve Thurlow, Sara d’Amato, Bill Zacharkiw, Dr. Janet Dorozynski, Rémy Charest, Craig Pinhey, Rhys Pender, MWDJ Kearney, Treve Ring, Brad RoyaleJulian Hitner, Evan SaviolidisBruce Wallner, MSMichelle Bouffard, Emily Maclean, Adam Hijazi and Jake Lewis.

Released today, here are the results from #WWAC14, presented by WineAlign. Wines were awarded for the categories of Top Value WinesBest of CountryCategory Champions and Judges’ Choice. In addition to the work of the judges, the Worlds were really made possible by Head Wineaux Bryan McCaw, along with Earl Paxton, Jason Dziver (Photography), Carol Ann Jessiman, Sarah GoddardMiho Yamomoto and the volunteers.

2014 World Wine Awards of Canada Results

WWAC14

WWAC14

Each judge was asked to write reviews on a specific cross-section of wines they were a part of assessing during the competition. Here are my notes on 30 wines tasted blind, across a wide range of categories, in August of 2014 at #WWAC14 and the songs they inspired.

Category champion wines from left to right: Villa Wolf Riesling 2013, Castillo De Molina Reserva Carmenère 2012, Church &amp; State Coyote Bowl Series Chardonnay 2012, Cono Sur Single Vineyard Block No. 21 Viento Mar Pinot Noir 2012, Wolf Blass Grey Label Shiraz 2012, Buena Vista Pinot Noir 2011

Category champion wines from left to right: Villa Wolf Riesling 2013, Castillo De Molina Reserva Carmenère 2012, Church & State Coyote Bowl Series Chardonnay 2012, Cono Sur Single Vineyard Block No. 21 Viento Mar Pinot Noir 2012, Wolf Blass Grey Label Shiraz 2012, Buena Vista Pinot Noir 2011

Cabernet Sauvignon $15-25

Wolf Blass Gold Label Cabernet Sauvignon 2012, Coonawarra, South Australia, Australia (606939, $24.95, WineAlign)

Funny thing about Cabernet Sauvignon, “sometimes they rock and roll, sometimes they stay at home and it’s just fine,” Wolf Blass makes all kinds. This Coonawarra GL seems to do both. It’s ripe and presumptuous, rocks in the glass but also has good, homebody, varietal tendency. It has a heart that’s on fire, a wolf parade of iron, sanguine tension and tannin, but also hung walls of home woven tapestry texture. The core of fruit, earth and tar cries out for prey. The finish is long and returns, back to base Blass.

Icewine – Riesling-Gewurz-Apple

La Face Cachée de la Pomme 2011 Neige Première Ice Pink Cider, Quebec (39305, 375ml, $22.95, WineAlign)

“Breathe, breathe in the air” of intensity, in apples. One hundred squared apples on top of one another. Never mind the few bruised and oxidative ones because the fresh and concentrated mass smothers those minor notes. Pink and ambient, the major sweetness and top-notch acidity speak to me in waves of demonstrative, Floydian verse. Here you will find a Québécois response to “there is no dark side in the moon, really. As a matter of fact it’s all dark.” There is Icewine on the bright side and then there is Iced Cider on la face cachée, “balanced on the biggest wave.”

Mission Hill Family Estate Reserve Riesling Icewine 2013, Okanagan Valley, British Columbia (winery, 375ml, $59.95, WineAlign)

A vanimated astral week’s of emotion is met by an animal musk, both hard to define. There is a high quotient of lemon, in curd, zest and pith. The sweetness is tempered by nudging acidity though it lingers long. All Riesling Icewine has to do “is ring a bell and step right up” so despite the electric Kool-Aid sugar syrup moments, this one spins and twirls, as Riesling does, just like a ballerina.

Inniskillin Niagara Estate Riesling Icewine 2012, Niagara-on-the-Lake, Niagara Peninsula, Ontario (601021, 375ml, $69.95, WineAlign)

Here sweetness, acerbity and a slightly advanced character are brought into balance by high grape sugar intensity and real linear acidity. Long and elastic, medicinally pretty and sacrosanct with seasoned complexity. Tasted this one and “felt a spark.” Tasted it twice and it tingled to the bone. What begun as a bob between evaluations ended with a simple twist of fate.  WWAC 2014 Category Champion

Pinot Noir $15-25

Villa Maria Private Bin Pinot Noir 2011, Marlborough, South Island, New Zealand (146548, $21.95, WineAlign)

Deep earth and black cherry combine for the most extraction in the $15-25 Pinot Noir flight. There’s dust in them hills as the wine acts as if it were borne of the mountains. Has attitude in altitude. All things considered, the fruit is clean and crisp, perhaps a hair over the overripe line. The cool temperament and temperature in the cold room aid in giving it some love. From my earlier, January 2014 note: “That Villa Maria can make 80,000 cases of Pinot Noir this proper is nothing short of remarkable. Aged in French oak for 8-10 months. As Pinot like as could be hoped for considering the case amount. Every drop must go through Malolactic fermentation. Winemaker Josh Hammond and crew insist upon it, though it’s nothing but painstaking cellar/lab work. The Pinot character initially shines, with loads of plum and black cherry, but there is a momentary lapse. But, “if you’re standing in the middle, ain’t no way you’re gonna stop.” So, the definitive Marlborough ectodermal line painted through the in door speaks quickly and leaves by the out door. From a smoking gun, rising like a Zeppelin. Large volume, big production, drinkable in the evening Pinot Noir.”  Last tasted August 2014  WWAC 2014 Judges’ Choice

Unsworth Vineyards Pinot Noir 2012, Vancouver Island, British Columbia (winery, $$23.90, WineAlign)

Now here we’re talking about a Pinot Noir from a another mother. It heads generously into fragrances not yet nosed in this flight of $15-25 Pinot Noir. Exotic byrne of a perfume on high alert; jasmine, violets, roses and Summer ‘David’ Phlox. Exquisite, fresh and bright. There is tang and tannin. Vibrancy to raise eyebrows. Also wild sage, wild fruit, an animal on a walk in a virgin forest. So much Pinot Noir is hairy, this one is “living on nuts and berries.”  WWAC 2014 Judges’ Choice

Malbec $15-25

Trivento Golden Reserve Malbec 2012, Mendoza, Argentina (agent, $19.95, WineAlign)

This Golden Reserve Malbec by Trivento is a juicy, dusty, fruit tree addition to the #WWAC14 flight and arrives just in the nick of time. Despite the dark fruit, it has no Drake spoken word conceit. It sings in classic Drake lullaby, with beefy meet pine forest aromas and so “you find that darkness can give the brightest light.” Tender refrains soften chalky, stalky wood and corresponding bitter chocolate. Big tannins on this balladeer. Has impressive stuffing.  WWAC 2014 Judges’ Choice

Red Blends over $25

Tinhorn Creek Oldfield Series 2 Bench Red 2011, Okanagan Valley, British Columbia (winery, $29.95, WineAlign)

Wonderful, tangy red fruits define this well-structured Bordeaux blend. Cool and concise, it plays a tight riff and bangs a drum slowly. Comfortable on a big stage, it charges into a funky break and whips a crowd into a frenzy. So much energy from a band of five varietal friends, complimenting each other’s playing with mutual respect. Does the two Bench two-step and steals the show. “Celebrate we will because life is short but sweet for certain. We’re climbing two by two, to be sure these days continue.”

Vin Parfait Red 2012, Adelaide Hills, South Australia, Australia (350512, $29.95, WineAlign)

Circuitous mounds of round, stone ground aromas in coffee, Goji berry, red licorice and red ochre. A Jackson Pollock Expressionist splatter of notion and motion, flirtations and tension. Tempranillo, Shiraz and Grenache in does it, or will it come together beyond the abstract? Number 8 did. This one s’got to too.

Number 8, 1949 by Jackson Pollock www.jackson-pollock.org

Number 8, 1949 by Jackson Pollock
http://www.jackson-pollock.org

Grenache $10-20

Castillo de Monseran Garnacha 2013, Cariñena, Aragon, Spain (73395, $9.95, WineAlign)

A slightly cooked character is evident but within reason. Despite the heat it’s a bit of an arctic monkey, with tomato and cherry sprinkled over by Queso Fresco and followed up with a slice of blueberry pie. Simple yet effective, pleasant palate. There is some heat and tension from the tannins and “I’d like to poke them in their prying eyes,” but they do relent. The length is more than appropriate, given the tag. Only question is, “will the teasing of the fire be followed by the thud?” At $10, who really cares. Represents excellent value.

Artadi Artazuri Garnacha 2013, Navarra and Basque Country, Spain ($19.50, WineAlign)

Garnacha from the old world west with incredible citrus bursts, like orange blossoms and the spirit of the zest. A spritz from a lemon too. A smoulder of burning charcoal with a spit-roasting goat adds to the roadside attraction. Palm branches help to create the smoke. This is exotic and creative stuff. Finishes with a dessert note of bitter plum. Velada, “you got yourself a 1, 2, 3, 4, 5 star reaction.” Really unique red.  WWAC 2014 Judges’ Choice

http://grooveshark.com/#!/s/Roadside+Attraction/33YBUM?src=5

Sauvignon Blanc Under $15

Caliterra Tributo Single Vineyard Sauvignon Blanc 2013, Leyda Valley, Region de Aconcagua, Chile (283648, $14.95, WineAlign)

A step up from multi-site, southern hemisphere Sauvignon Blanc with direct intentions, all the right moves and in all the right places. So much going on in both its aromatic and textural world. Wax, lanolin and Bordeaux-like temperance and consistent with the growing SB trend, “the grass is getting greener each day.” Decent one republic attack on the palate though nothing fantastic. Has heart and Sauvignon Blanc soul.  WWAC 2014 Judges’ Choice

Southern Italy Under $15

Grandi Muri Primitivo Promovi Salento 2013, Puglia, Italy (agent, $13.50, WineAlign)

A red-veined Primitivo, with the savoury blood of Swiss Chard and hoisin and red bean paste coarsing through it. Smells like spicy and sweet Hunan dishes, sweet sweat and sour, but it is not a matter of oxidation. It’s a caramelized soy sensation but written in reverse. Spoon this over cereal, ice cream, charred beef, anything. It’s got Chinese five-spice powder and coriander. Like a bowl of most excellent Pho. Fantastic exotics. “We’re gettin’ you raw and it feels real good.” Rocking Primitivo.  WWAC 2014 Judges’ Choice

Shiraz/Syrah $15-25

Layer Cake Shiraz 2012, South Australia, Australia ($24.99, WineAlign)

Unquestionably warm but with restraint. That may be perceived as a bad, obvious and reprehensible dichotomous comment but in transparency it speaks truths. Shows good savour and sapidity. It’s an aurulent burnt orange and smoked pineapple offering, blanketed in dusty chocolate and syrupy to a certain extreme. It’s long, creamy, silken and covered further in darker chocolate. “True colors fly in blue and black, bruised silken sky and burning flag.” Warm but you too will indubitably see the pleasures in its layer cake.  WWAC 2014 Judges’ Choice

White Blends Under $15

Pelee Gewurztraminer Riesling 2012, Lake Erie North Shore, Ontario (109991, $10.95, WineAlign)

A ray of golden sunshine. The glade and the classic Gewurz attributes are here and highly floral. Rose petals soaking in good medicine. This could be my beloved monster. Such a dry example. She wears “a raincoat that has four sleeves, gets us through all kinds of weather.” Match with BBQ’s eels. Not for everyone but it works.  WWAC 2014 Judges’ Choice

Shiraz/Syrah Over $25

Wolf Blass Grey Label Shiraz 2012, McLaren Vale, South Australia, Australia (390872, $29.95, WineAlign)

This is the most accomplished and wise drop of Shiraz tasted at the WineAlign #WWAC14. A hit of snowy sulphur shows just how much growing up it needs. Such a precocious and heady example. A thick, gluey mess of fruit, unsettled and in rapture within its tannic walls. The voilets and the rest of the garden rules really tie the room together. Shiraz entrenched, grown and raised, “where the nettle met the rose.” For five years later and on patrol for ten more after that. Wow.  WWAC 2014 Category Champion  WWAC 2014 Best of Country

Jackson-Triggs Niagara Estate Delaine Syrah 2011, Niagara Peninsula, Ontario (86553, $32.95, WineAlign)

Here blows a fine, exuberant and expresive muzzle with ambrosial flavours. A garrigue and olive dirty martini with sweet drops pf berry syrup. Juniper and conifer verdure meet inklings of berries. There is a sense of mushroom and truffle which can go either way, but here it brings paradigmatic character. Like words added to an intense Billy Preston instrumental. This may “take your brain to another dimension. Pay close attention.” Dark, brooding and out of space. A prodigy and a real deal in cool climate Syrah.  WWAC 2014 Judges’ Choice  WWAC 2014 Best of Country

Cabernet Sauvignon $15-25

Kaiken Ultra Cabernet Sauvignon 2012, Mendoza, Argentina (135202, $19.95, WineAlign)

A genesis in clean fruit of high extract order is linear, direct, forceful and in Cab conceit. A narcissistic brooder with ripples of underbrush and underworld scents. Thinks highly of itself, demands attention, seeks followers, stares into a pool. “The face in the water looks up and she shakes her head as if to say, that it’s the last time you’ll look like today.” With a few more reflecting and reflective refrains this Cabernet will realize a softness, turn away from the mirror and settle into its skin.  WWAC 2014 Judges’ Choice

Lake Sonoma Alexander Valley Cabernet Sauvignon 2012, Napa – Sonoma – Mendocino, California, United States (Agent, $26.99, WineAlign)

From the outset this engages the imbiber simple because it acts as though its one time tension has been massaged and released. The flat feeling is there, though not detracting, because of an inherent notion that there was and still can be beautiful fruit. It just needs “that spark to get psyched back up.” A rapping modern facade is the cover page for earth savoury meets candied M & M flavour, docile, downy glycerin Cabernet texture, with acidity and tannin waning. Was serious, now friendly and will be late leaving the party.  WWAC 2014 Judges’ Choice

Chardonnay $15-25

Kendall Jackson Avant Chardonnay 2013, Mendocino County, California, United States ($19.00, WineAlign)

This may be a winner. I love the immediacy of its fruit, the antebellum tension and just a kiss from the barrel. You know its there but in subtlety, class and as background noise. The aromas of citrus, beeswax and honey and all accents to clean orchard fruit. This has the most balance in a flight of eleven verry tidy Chardonnay in a consumer-driven $15-25 price bracket. Lady spirited and at times a bit anxious, or perhaps not yet entirely comfortable in its skin, this is nonetheless best in show.  WWAC 2014 Judges’ Choice

Carmenère Under $15

Castillo De Molina Reserva Carmenère 2012, Valle del Maule, Region del Valle Central, Chile (Agent, $14.95, WineAlign)

The first thought on this Carmenère is the scaling back of new oak, lifting it above the crowd in an under $15 flight. The freshness factor makes for a whole new animal, or botanical rather. This has candied jasmine, pansy, bergamot and nasturtium. It’s a veritable salad of candied edibles. The middle palate is marked by Mentholatum and the finale is persistent in acidulated action. What a warm, mazzy gift of a Carmenère, a star of a Chilean red that would be welcome, just like flowers in December. “Send me a flower of your December. Save me a drink of your candy wine.”  WWAC 2014 Category Champion

Chardonnay Over $25

Church & State Coyote Bowl Series Chardonnay 2012, Okanagan Valley, British Columbia (winery, $26.90, WineAlign)

Quiet, muted, beautiful and reserved. This is the “iconoclastic and restlessly innovative” style of a wine that bravely explores other territories of pop Chardonnay. Anything but fashioned in an in your face style, this one is in it for the Hejira, the journey and the time. Ripe yellow apples and pears and then come the lees. Could pass for unoaked Chablis. The appreciation and gathering are a style that should be used more.  “No regrets coyote,” you just come “from such different sets of circumstance.”  WWAC 2014 Judges’ Choice  WWAC 2014 Top Value Wines

Stags’ Leap Winery Chardonnay 2012, Napa Valley, California, United States (655381, $34.95, WineAlign)

Has hallmarks of essential fruit from a top notch vintage, the most complexity and schooling. The reduction is pure essence of grape must, with no fault to either the vine or the maker. Every wine’s “screwed up in their own special way.” A rmineral tannin gets on top early like a Ramones riff, stays for dinner and repeats in refrain. The crisp and mister punchy orchard fruit is kissed by wood. Sucks face. The texture is seamless and verve excellent, by acidity and forward to pronounced length.  WWAC 2014 Judges’ Choice

Sparkling

Delouvin Bagnost N/V Brut, Champagne, France (agent, $42.75, WineAlign)

Tends to a trend in sweet aromatic beginnings which is nothing but endearing. A leesy pear and ris de veau nose split by a bowie and filled with pearls of sugary syrup. To taste there is the metallic gaminess of uncooked other white meat. Sweet meat, sweet thing. The gathering sensation is an elemental display of ethereal, aerified climatic conditions. Though made in an oxidized style, the complexity of character is not to be denied.  “Runs to the center of things where the knowing one says, boys, boys, its a sweet thing.” In the end the burst of energy is invigorating and heart piercing.  WWAC 2014 Judges’ Choice

Pinot Noir Over $25

Cono Sur Single Vineyard Block No. 21 Viento Mar Pinot Noir 2012, Valle de San Antonio, Region de Aconcagua, Chile (agent, $19.99, WineAlign)

You can always pick out the wines made from unique, little feat sites, wherever in the world they may have been raised. Even when they stink up the joint, smell like a 16 year-old hockey change room or like candied paint poured over fresh cedar planks, they stand out like beacons of Pinot amon din. Lord of the Pinot rings here that’s “been kicked by the wind, robbed by the sleet…baked by the sun,” fire lit, rosemary branches and oxtail smoldering and simmering over fresh cut ash from a deciduous forest. Cool mint and pine. The most savoury things of fantasy imagined. Wild ride in and most willin’ Pinot Noir.  WWAC 2014 Category Champion

Buena Vista Pinot Noir, Carneros 2011, Napa Valley, California, United States (304105, $24.95, WineAlign)

This is really quite impressive Pinot Noir. Fastidiously judged if bullish fruit having way too much fun, causing varietal envy amongst other price category peers. Clearly fashioned from stocks of quality fruit, providing an environment for the coming together of many red berries and the earth of contigious vines. All roads lead to a grand palate marked by exotic, spicy and righteous fleet of wood tones. I wonder if I’m in over my head and tell it “your mood is like a circus wheel, you’re changing all the time.” Quite something this MacPinot specimen and though I wonder if it’s a bit too much, it always seems to have an answer and it sure feels fine.  WWAC 2013 Category Champion  WWAC 2013 Best of Variety $15 – $25  WWAC 2014 Category Champion  WWAC 2014 Top Value Wines

Tinhorn Creek Oldfield Series Pinot Noir 2010, Okanagan Valley, British Columbia (winery, $29.99, WineAlign)

The grace of time has ladled felicity upon this left coast Pinot Noir. What once were harsh and mephitic stuck in a cola can kind of smells have been released and are just a faint memory of their once formidable, terrible teeth gnashing remains. Twas root beer that fouled the air but now the saline sea and verdure of hills speaks in clear vernacular. The sailor has “sailed across weeks and through a year,” met with wild things, to now return home and offer up her Pinot Noir, to be enjoyed with supper that is still warm.  WWAC 2014 Judges’ Choice

Riesling Under $15

Villa Wolf Riesling 2013, Pfalz, Germany (agent, $14.95, WineAlign)

This has a lovely, head of its class, nearly value-driven exquisite nature and aromatic richness. In consideration of the price bracket, the sulphur is trumped by that radio dialed in richesse. Exotic Riesling specific fruit. A crisp apple meets a ripe pineapple. A wolf at the door, “out pops the cracker, smacks you in the head.” Decent acidity, better length, good bitters.  WWAC 2014 Category Champion

Red Blends Under $15

Miguel Torres Sangre de Toro 2012, Cataluña, Spain (6585, $12.95, WineAlign)

This Garnacha and Carignan blend works a stoned immaculate contrivance as well as any red blend under $15 you are ever likely to upend. “Soft driven slow and mad, like some new language.” The action is effective, properly conceived and opens the doors to value-based perception. Perhaps a bit thin but the lack of wood and sweetener is a breath of fresh air. What it lacks in girth it makes up for with complexity, in notes of graphite, fennel and sea air. Lovely little Mediterranean red.  WWAC 2014 Judges’ Choice

Good to go!

https://twitter.com/mgodello

Taylor made Port

Taylor Fladgate 10, 20, 30 and 40 Year-Old Tawny Ports, Single Harvest 1964, Single Harvest 1863

Taylor Fladgate 10, 20, 30 and 40 Year-Old Tawny Ports, Single Harvest 1964, Single Harvest 1863

Taylor, Fladgate, & Yeatman. A name synonymous with Port. Purveyors of exceptional, axiomatic and accessible Port. Last week we WineAlign critics gathered (David Lawrason, John Szabo, Sara d’Amato and Julian Hitner) to taste a rare selection of Cask-aged benevolent pours. A chance to take measure of an evolutionary history from the vendibles of a “long and unbroken family tradition” makes cause for some adjectival arcana. Though the house is widely recognized for making epochal, fortified vintage-declared elixirs that can age for decades, it is the Tawny tales that deliver its most exciting and impossible gifts. Were a time capsule be floated into space for future, other worldly generations or alienigenate life forms to discover, a Taylor Port, a Tawny, would have to be in the mix.

The Taylor opus dates back to 1692, a most dubious vintage if you were to practice say, witchcraft in Massachusetts, but in Portugal it was a pretty good year to begin making Port. With thanks for the pull from the Taylor website, they are the house with the “largest reserves of rare cask aged wines from which its distinguished aged tawny Ports are drawn. The house is also known as the originator of Late Bottled Vintage, a style which the firm pioneered and of which it remains the leading producer.”

Rare cask aged wines. Ay, there’s the rub. I must admit that I am utterly fascinated by the new, progressive and forward thinking Taylor deal. “Tis a consummation devoutly to be wished.”  Under the supervision of Managing Director Adrian Bridge, Taylor has systematically scoured the Porto cathedrals in search of casks housing excellence and propriety. The world is now the beneficiary of the program. Old Tawny Ports, in pristine condition, being auctioned off to bidders who won’t be forced or coerced into taking out third mortgages.

With thanks to the WineAlign concierge, Head Wineaux Bryan McCaw, along with Associate Wineauxs Carol Ann Jessiman and Sarah Goddard, we were afforded the once in a lifetime chance to taste the 1863 Single Harvest Porto. With no disrespect to the most munificent and gratifying 10, 20, 30 and 40 year-old Tawny bottlings and no dis to guest chamberlain Stephen Marentette of Sylvestre Wines and Spirits, it was the 1863 and 1964 that took our collective breath away. “Time is an asterisk.”

Taylor Fladgate 10 Year-Old Tawny Port, Douro, Portugal (121749, $34.95, WineAlign)

Taylor’s 10, composed from no less than six Touriga and Tinta grapes (aged an average of 10 years in neutral oak) is the definitive and most accessible for the genre. Sourced from Cima Corgo and Douro Superior vineyards, the 10 puts a most tender fruit-wood balance on display. Sweet emotive fruit intensity with spice notes and a sliding scale of gathering acidity combine for full, though not over the top perfervid Porto nationalism. Late flavours of roasted figs, candied almonds and filberts round out this most effective Tawny, an example that acts as a portal to the overall Taylor oeuvre.

Taylor Fladgate 20 Year-Old Tawny Port, Douro, Portugal (149047, $68.95, WineAlign)

An average barrel period of 20 years heightens the eye-opening fruit sensations of this impeccable Tawny Port. The extended élevage makes cause for such huge contrast, poles apart from the near-conflagrant intensity displayed by the Taylor Tawny 10. At 20 the flames weaken to a diminishing point. Poured from a cool (15-17 degrees Celsius) temperature into a proper (minimum 12 oz, Bordeaux-shaped bowl) stem, the 20 warms and opens quickly, revealing an immediate soft and creamy caramel nose and body. Recently bottled (2013), this is quite youthful and its nuttiness is neither toasted nor roasted. It is a tactile wine of tact, wholly intact, seamless and gives of itself with effortless ease. Carries a century of residual sugar with tempering acidity and potential hydrogen poise. One hot flash sweats it out at one of the corners but it flashes the leather and makes the play. Enjoy the long finish four to six weeks after opening. Is 20 not the ideal, balanced number, in weight, pleasure and economy for a Taylor Tawny?

Taylor Fladgate 30 Year-Old Tawny Port, Douro, Portugal (540252, $180.95, WineAlign)

Bottled in 2014, the Taylor 30 year-old Tawny dramatizes the intensity of the 10 in medley with the elegance of the 20. Presents warm and velutinous, with a minor, nape of the neck hair raising (and not illogical) level of volatile acidity. The sweetness in the formidable 30 is cavernous, full of weightless gravity, flitting around in aerified circles, while the acidity sharpens its spears and arrows. Once the wine has opened and the drawn breathes have taken in its dried fruit, slow-roasted nuts and spirit enhancing liqueur, the acidity then pierces a straight line through its ambrosial, fleshy heart. The finish combs flavours of citrus, orange tisane and tarte flamande noix de coco. You can almost sense the minor (one to two per cent) addition of older barrel juice, say from the 1800’s. It just has that kind of wisdom and experience. Want to relax? Have a glass of the Taylor 30 year-old Tawny.

Taylor Fladgate 40 Year-Old Tawny Port, Douro, Portugal (540260, $239.95, WineAlign)

If the 30 year-old Taylor Tawny was beautiful, the 40 is untouchable. Soft, downy texture and wholly resolved, highly expressive aromas; rose and bougainvillea in full bloom, seeped Ceylon tea, potpourri, expensive yet undemonstrative perfume. The palate increases in density and viscosity but with both licorice and butterscotch candy. The nuts are darker and more exotic, the fruits too. There is also a citrus-spiked demi-glace flavour. There is a far-east pungency to both its smell and taste. The 40 is a much more serious wine, brooding even and encumbered by tropical humidity. That and the intensity of its confection are what makes its style so markedly different and perhaps even contentious, when contrasted to the 30. That said, if you compare it to the price of say, an 18 year-old Single Malt Scotch, it represents screaming value. Though the window to drink may only be four to six weeks after opening, the not yet cracked Taylor 40 can be stored for another half decade, at the least.

Taylor Fladgate Single Harvest Porto 1964, Douro, Portugal (Agent, $299.95, WineAlign)

This program is new to the Taylor agenda, the releasing of single-cask, single-vineyard, single-vintage Tawny Ports that have aged for 50 years. Taylor sourced a number of casks for the catalog, including this 1964 and more will follow. The choice was made to not call it a Colheita, though technically that is really what it is. It shines in the deep hue of recently lacquered mahogany with a brickish outer layer. Both hue and texture are like treacle, with the aromas barbed by clove, white pepper and orange peel. The aromas fly out as if pulled by a vacuum. It is virtually impossible to assess all of its incense in just a few short minutes. There is caramel and a recently extinguished cask fire. Though the palate indicates sweetness, the intensity is more refined than the decades-designated Tawny Ports yet also lengthened, in part because the acidity is 33 per cent lower. The overall effect is a low and slow, micro-oxygenated coming out party. Your nose can rest six inches above the glass and the perfume will leap to it. This is a piece of Porto history that stands and rears on its hind legs, a musky, Rum-raisin flavoured bear of a wine. Injecting single-harvest, single-vintage Ports into the marketplace is key, the only disadvantage being the price. That’s because at $300, the value is so extraordinary that gift giving might totally ignore the 30 and 40 year-olds. It’s a good thing they and this 1964 will live in perpetuum.

Taylor Fladgate Single Harvest Porto 1863, Douro, Portugal (Agent, $3,995.00, WineAlign)

The two casks of 1863 reached the Taylor family in pristine condition, from one of the last great pre-Phylloxera vintages of the 20th century. This wine came from the cool and damp Port lodges of Oporto, “the cathedrals of wine.” This was a once in a lifetime chance to taste a piece of history, a most natural and organic fluid encased for 151 years in its integument of time. The year 1863 was significant in many respects, including being the birth year of Henry Ford and Franz Ferdinand. This is Port that creates the future and yet dwells on the past. The hue is both progressive and fathomless in subterranean fantasy. Its many shades of warm, advancing colours resemble the faux brown rings of Mars. The aromas are built around toffee and with accents of many mints; spearmint, chocolate and pepper. You can smell the 1863 from rooms and world’s away. It conjures up many songs. “When you’re half way from a dream, is it hard to work out what is real?” That is its love illumination. It has the strange advance “of killing time and dreams.” The flavours are extreme and exotic, with South-Asian spices highlighting its deep, late night humidity. The finish is endless. Is this brilliance or a stroke of incredible luck? It is certainly pristine and wondrous. It has to be considered a perfect wine, for its niche and genre, by its makers, David Guimaraens and Adrian Bridge. Having let the days of 151 years go by, this is not a wine to compare with others, it is not the same as it ever was. In the end, “you may ask yourself, well…how did I get here?” Thanks to Stephen Marentette of Sylvestre Wines and Spirits.  @Smarent

 

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