A deep dive into the wine regions of the Western Cape, chenin blanc, and a Buyers’ Guide to South African wines
This feature was commissioned by Wines of South Africa, as seen on WineAlign
Several years back I commented that “the act of intense immersion into any important wine-producing nation and its diverse regional expressions can only leave a lasting impression if the follow-up takes a long, cool sip of its meaning.”
That was just the beginning of what I hoped to be a life-lasting fascination with South African wine and, seven years later, I can safely say the journey is going very well, if still only in the early stages of deep understanding. Just about exactly two months from today I will return to the Western Cape to rekindle, reconnect and extend my relationship with South African winemakers and their fascinating wines. Curiosity, anticipation and excitement have never been greater and so the questions is worth asking: What comes next for the wines of South Africa? At current the only answer forthcoming is how Cape Wine 2022 will be the most lekker experience of the year.
In all their combined iterations, the wines of South Africa are exciting communicators of heritage, history, emotions and declarative attacks. Collectively they spread with ripples like a large rock dropped into a pool of water. They are the beneficiary of effects created by two oceans and the great ancient, preeminent, decomposed and weathered soils found anywhere on this planet. Maturity is breathed into every phrase these wines are wont to play.
Growing regions of the Western Cape
South Africa is a medium-sized country that would fit into Canada eight times. It has a diverse population of 58 million people and is affectionately known as the ‘Rainbow Nation,’ a phrase aptly coined by Archbishop Desmond Tutu. Wine growing is limited to the southwestern region of South Africa, in the Western Cape Province, which is an area roughly the size of Greece. South Africa has been making wine for more than 360 years. The first grapes were pressed in 1659. The wines reflect the best of the old and the new; they present fruit-forward styles with elegance and finesse. The South African wine industry is one of the most technically advanced in the world of wine. There is an extremely rigorous Wine of Origin Certification Scheme, introduced in 1973, which guarantees that the wine is what it is designated or described. Each bottle carries a certification seal to guarantee that the claims regarding vintage, variety and origin on the packaging are true. South Africa has more certified Fairtrade wines than any other country. That is to say their products “guarantee a minimum price to cover the costs of sustainable production, as well as a premium to invest in social and economic initiatives in their communities.”
There are five officially demarcated regions of production — they are delineated based on the massive variations in soil, climate and location. The regions are: Breede River Valley, Coastal, Klein Karoo, Olifants River and Boberg. There is a commitment to environmentally sustainable wine production and wines can be certified by Sustainable Wine South Africa, which is part of the Wine and Spirit Board. The designation refers to grapes which are produced in harmony with nature, which allows vineyards to flourish alongside their natural habitat. The Biodiversity and Wine Initiative is a unique partnership between conservation bodies and the wine industry.
Cape Floral Kingdom – A World Heritage Site
More than 95 percent of the wine is produced in the Cape Floral Kingdom, where there are more than 10,000 indigenous plant species, more than reside in the entire Northern Hemisphere. This Kingdom has been created by a diversity of soils, produced from granite, sandstone and shale; as well as a diversity of climates and geography. This, in turn, has created a treasure trove of winemaking possibilities. As a result, South African wines have a huge array of flavour and aroma profiles, which lead to wines with intriguing character and drinkability.
Chenin Blanc
Chenin Blanc
While so many grape varieties take hold with utmost promise in the Western Cape, there is but one that persists, unwavering and timeless. Yes, it is true that grape varieties such as grenache, cinsault, syrah, pinotage, sémillon and many others are apt at aligning with covenant to their old vine sources but there can be little argument against chenin blanc residing at the top of that list, Chenin is the greatest beneficiary of age, fortitude and focus as provided by the old vine experience. The list of Western Cape chenin sites from Stellenbosch, Swartland, Citrusdal Mountains, Darling, Hemel & Aarde Ridge, Breedekloof, Bot Rivier, Walker Bay, Cederberg, Paarl and Robertson, reads like a biblical scroll; Bottelary Hills, Granite Hill, Helderberg, Kapteinskloof, Kasteelberg, Paardeberg, Perdeberg, Riebeek-Kasteel and Skurfberg. The grape variety has been in the country for more the 350 years, and can perform well in warm and dry conditions. The signature grape variety is South Africa’s golden ticket to global recognition and success. No other varietal message speaks with as much clarity and consistency than that of chenin blanc.
Stellenbosch vines and heritage vines planted in the 1970s and before are now performing at their best. Johan Reyneke speaks of the illness that had been running through South African soils and how he sought to build immunity and disease resistance through a holistic farming approach. Things did not transform overnight, so fathers and neighbours may have doubted the long, arduous and yet understood process. But it is that organic and sustainable approach for which today’s health and prosperity can be thanked. When it comes to searching for chenin blanc plant material, vineyard sourcing can be quite broad, of multifarious soil types and elevations, 40 to 50 year blocks on average, sometimes also including old vine sémillon. The distance from the first to the last vineyard in a chenin blanc cuvée might be 200 kilometres or more but, when brought together well, magic often happens.
Windy places help in so many respects, allowing a larger canopy to remain in place and exaggerate the dappling effect which chenin blanc so dearly loves. Reyneke’s is South Africa’s oldest Demeter-certified biodynamic winery, with vineyards on the top of an ancient granite mound and on less weathered soils lower in the valley floors. The vine struggle is real, a positive one for the wines and ultimately for wine lovers. Granite soils further up the Stellenbosch hills are less colluvial, really old and weathered, predating microbial life. The vines produce lower yields and the weathered earth gives life to chenin blanc. For Mullineux Wines and a Cape chenin blanc assemblage, it gives meaning to the gathered idea, like an AOC Chablis made by a houses in names of Fèvre, Drouhin, Moreau or La Chablisienne. Mullineux’s twist is the back blending with some old barrel ferments to balance new and “other” fruit components. A chenin blanc may be bottled the same year it was picked though that’s easier to do so in the southern hemisphere, where harvest happens in the first quarter months. The reasons are simple. Intense investigations through schist, granite and old vines floats the boat and raises the bar for more professional and accessible chenin blanc cuvées. With older heritage vines involved, as is the case for Chris and Suzaan Alheit, the concentration and density of the vines is inherent. The use of heritage material is the South African version of Atticism; that is a return to classical methods and rhythms in making really old chenin, but also the likes of sémillon.
Chardonnay vineyards in Robertson
Cap Classique
One of the sparkling wine world’s most important and impressive categories in origin is no longer called Méthode Cap Classique (MCC), but now Cap Classique. This South African term indicates a sparkling wine made in the traditional method (the same way Champagne is made), by which a secondary fermentation takes place inside the bottle. As it stands, Cap Classique must age on the lees for a minimum 12 months to be labelled as such, though this number will surely extend once the realization sets in that more is better. Cap Classique produces some of the finest, most complex and diverse sparkling wines in the world. In Champagne the annual production is somewhere in the vicinity of 350 million bottles so compare this to South Africa where a fraction of that amount is released to the tune of seven or eight million. Méthode Cap Classique bottles are made by 100-odd producers, 73 of which are listed on the website for the Cap Classique Producers Association (CCPA), an organization established in 1992. The name was derived from the fact that the classic art of winemaking was introduced to the Cape by the French Huguenots, and the first bottle-fermented sparkling wine produced at the Cape was called Kaapse Vonkel (Cape Sparkle).
It’s also very much a wine about terroir. In Stellenbosch the sparkling is often made from early picked, old vines chenin blanc grown on Duplex soils, colluvial decomposed granite overlapping gravelly clay. Ask Ken Forrester and he will tell you the gravels allow for good draining and the clays deliver a time release of water. All this helps during drought and the restriction of water creates texture on the palate. There are pioneers like Graham Beck’s Pieter Ferreira who are attacking with Brut Zero style “based on the philosophy of grower’s Champagne.” For others, like For Christa Von La Chevallerie, it’s a matter of “how far I can go with [the combination of] chenin and lees.”
“We’re making wines that develop too quickly,” insists Paul Gerber of Le Lude. Gerber believes the minimum time on lees should be raised to 15 months. As for sugar dosage, he’s like a cook in the kitchen. “Dosage is like seasoning. If you do it properly you don’t taste it.” Ferreira has put in the time and the research over 20-plus years to really understand the category but, more importantly, the potential. “You are always looking to express terroir,” he says. As for Gerber, he will say “sparkling wine is not a terroir wine? Please. This is completely untrue.” “For Brut we have to extend [the lees aging time] to 60 months,” explains Ferreira. “So there is no lipstick or eye shadow. ”For a deeper dive into Cap Classique please read my article post Cape Wine 2018.
Bot Rivier
Bot Rivier lies southeast of Cape Town, sandwiched from south to north between Hermanus and Stellenbosch. “From the top of the Houw Hoek Pass, one gets the first glimpse of the vast, rolling hills and big sky of the Bot River area, where real people make real wine.” This is the credo of the family of wineries that farm and produce in the area. There are 12 members of the wine-growing association, all within a 10 kilometre radius of one another. Here chenin blanc might be crafted with just a hint of residual sugar (at just above 5 g/L), to balance the effects of a long, slow, ocean-proximate Bot Rivier growing season.
Paul Cluver with Ken Forrester’s Chenin Blanc
Elgin
There is so much diversity in the Capelands. There are rock n’ roll stars in the Swartland, R & B, soul & Motown in Stellenbosch, Jazz in Elgin, Classical music wherever you want to hear it. But what there is everywhere is flow. Reggae flow, soulful Stevie Wonder flow, hip-hop flow, Stan Getz, Ahmad Jamal, Dexter Gordon flow. Elgin also has layering, in riesling, pinot noir and chardonnay. The wines glide with cool climate ease of ability, with an unconscious penning of notes coming from a place that was always there from the beginning, with a creativity that comes out of effortless style.
Elgin’s Paul Cluver seems to be the first to label his chardonnay with the Bourgogne “Villages” idea. This tells us much about what we need to know — that Elgin vineyards are the fruit source if not site specific or singularly focused. But he also finds precision with his Seven Flags and Close Encounter wines. The wines of Thelema (and Sutherland) do the same, curating classic Elgin cool savour running linear like a beam through the joist of structure.
The Helderberg, Stellenbosch, Western Cape
Stellenbosch
Stellenbosch in undoubtedly South Africa’s most well-known region and home to the eponymous town that is the country’s second-oldest town. It sits a mere 50 kilometres southeast of Cape Town, capital of the Western Cape. Stellenbosch is the lushest of the Cape’s valleys, home to more than 200 wine producers and surrounded by the Drakenstein and Stellenbosch mountains. False Bay acts as the mitigator of this Mediterranean climate, creating ideal wine-growing conditions where just about any sort of grape variety can achieve ripeness. The reds of cabernet sauvignon and shiraz predominate on the granite-based soils farther west, while chenin blanc and sauvignon blanc thrive in the sandstone soils of the east.
Swartland Independents
Swartland
The Swartland is Afrikaans for “Black Land,” so named because of the dark grey endemic renosterbos (rhinoceros bush) that covers the landscape and turns black after the rains. The region of the Western Cape begins some 50 kms north of Cape Town and consists of the area between the towns of Malmesbury to the south, Darling in the west and Piketberg in the north. Home to the Cape’s greatest of wine revolutions, followed by a swinging era — and what comes next is anybody’s guess. What we do know is that the Swartland’s decomposed shales and granites provide some of the most existential and powerful growing sites in all of South Africa.
Bush vines, Groot Drakenstein Mountains, Franschhoek, South Africa
Buyers’ Guide to Wines of South Africa
Over the past two months there have been several opportunities to taste a wide range of wines from South Africa. Andrea Mullineux came through Toronto to give a seminar on chenin blanc, VINTAGES has seen releases with a dozen various examples and the WineAlign team recently tasted a box of stunning values. Just last week I taught a seminar on South Africa and poured five seminal wines. Here is a Buyers’ Guide that includes chenin blanc, Cap Classique, Bot Rivier, Elgin, Stellenbosch, Swartland and the Western Cape.
Western Cape
Boschendal The Pavillion Chenin Blanc 2021, W.O. Western Cape
$13.35, Lifford Wine & Spirits (Select Wine Merchants) Michael Godel – Hard to knock the consistency but even more so the varietal representation and transparency of this perennial steal of a chenin blanc. Fruit that sings, bones that stand upright and just textural enough to make you feel like chenin can do no wrong.
Spier Signature Chardonnay 2021, W.O. Western Cape
$13.35, Sylvestre Wines & Spirits Michael Godel – Labeled as Western Cape though kind of essentially Stellenbsoch from Spier in a chardonnay of green apple, dried herbs and lime. A hint of reduction and then bitters and while not fleshy this is surely satisfying.
Franschhoek Cellar Statue De Femme Sauvignon Blanc 2020, W.O. Western Cape
$16.99, Perigon Beverage Group Michael Godel – Franschhoek does sauvignon very well, not as cool as say Elgin but surely (on average) more complex than Stellenbosch. Note the elongated phenols and terpenes in this most stimulating and succulent sauvignon blanc. Steal of a deal.
Alheit Vineyards Cartology Bush Vines 2019, W.O. Western Cape
$59.95, Groupe Soleil Michael Godel – Soil excellency layers in oscillations, waves and variegation in one of South Africa’s most curious to crafty blends in which chenin blanc is the focus to the core. You feel the sémillon, indeed you do because it streaks through the chenin, but not as a sprinter or a shooting star. Cartology is a correlated, traced and tabulated white blend that stands up to be counted.
Fairview Goats Do Roam Red 2021, W.O. Western Cape
$14.00, Univins (Ontario) Michael Godel – Rhône blend based on syrah and the stylistic departure from the past to be über rich and dark is now more a matter of bright and effusive. Black fruit is now red, tar and tension given way to open and generous. Loving the modern acids, clarity, purity and simplicity.
Bot Rivier
Beaumont Wines Chenin Blanc 2021, W.O. Bot Rivier
$29.95, The Small Winemakers Collection Michael Godel – Hard to conceive and thus receive more aridity on the aromatics, surely flinty, part gun and part struck granite stone. Stretches this chenin blanc like the pull of elastics or fior di latte. Also herbal, sweetly so, with a chanterelle apricot note in the freshest of fungi specimens. Acids take over, spit and shine over this wise and elongated wine.
Elgin
Paul Cluver Village Elgin Chardonnay 2020, W.O. Elgin
$25.00, Buyers + Cellars Wine Purveyors Michael Godel – Taut and tight, nicely reductive, orchard fruit focused with some bite and then a little bit of barrel smoulder. Not a smoky or toasty chardonnay but a balanced one with plenty of local, savour, savoir faire and flavour.
Stellenbosch
Ken Forrester Sparklehorse Cap Classique 2018, W.O. Stellenbosch
$29.95, Noble Estates Wines & Spirits Inc. Michael Godel – This may just be Ken’s most phenolic sparkling wine to date, emitting as a combination of blanched nuts and precious metals. Spent eight months in fermentation followed by 28 further on lees, in bottle. Creates orchard fruit flavours and textures while acidity retention keeps the groove and the balance.
Radford Dale Vinum Chenin Blanc 2020, W.O. Stellenbosch
$19.95, Nicholas Pearce Wines Inc. Michael Godel – There is a feeling of warmth in Radford Dale’s 2020, not boozy per se yet the feeling is like cold sake going down. Then it’s all roundness and creamy fruit, ease and utter culpability.
Reyneke Chenin Blanc 2020, W.O. Stellenbosch
$29.95, Univins (Ontario) Michael Godel – Johan Reyneke’s chenin blanc is his and his alone, of South Africa’s first biodynamic winery and a level of say it as it is passion that can’t be touched. More like do as I do and Reyneke’s takes no liberties, asks no favours, gives and gives again. Spices and textural meanderings are concentrated and greater. An exotic notion as well, like ripe longan fruit and then a compound flavour profile going on forever.
De Morgenzon Reserve Chenin Blanc 2019, W.O. Stellenbosch
$49.00, Family Wine Merchants Michael Godel – A barrel fermented style that shows in a flinty, caramel and pineapple way, part Burgundy plus California yet all South Africa. Heeds the Reserve moniker well with buttery brioche richness and full sun gathered consciousness. This one is all in with an effect to invite a wide ranging if specific consumer response.
Boschendal 1685 Cabernet Sauvignon 2017, W.O. Stellenbosch
$19.95, Lifford Wine & Spirits (Select Wine Merchants) Michael Godel – Big, dark, brooding, as much about place as it is about grape variety.What’s special is the equally grippy and forceful fruit, exaggerated because the acidity is like a reduction of black currant syrup. Sharp and soil rich this is a serious mouthful of cabernet, firm, tannic and in charge. Roasted herbs and grilled vegetable notes, and a ferric-sanguine quality that brings the BBQ braai to mind.
Warwick Professor Black Pitch Black 2017, W.O. Stellenbosch
$19.95, NAVBEV INC Michael Godel – Six grapes get together in Pitch Black, mostly made with cabernets with (13 per cent) cinsault, (10) merlot and then bits of malbec and petit verdot. Inky in feel if not pitch, tarry by natural nature if not by hue and also more Rhône meatiness then Bordeaux savour. A big, ferric and hematic example with strong bones and flesh all over.
Jordan Jardin The Long Fuse Cabernet Sauvignon 2019, W.O. Stellenbosch
$30.00, Kolonaki Group Michael Godel – Straight faced and matter of fact, all things being true in a cabernet sauvignon that reeks of variety and subtlety in spite of the violence required to excavate and plant a vineyard. Don’t sleep on the tension and the structure in a wine of meaning, profound as it gets for Stellenbosch.
Aslina By Ntskiki Biyela Umsasane 2020, W.O. Stellenbosch
$35.00, Gradwell Wine Agency Michael Godel – Ntsiki Biyela is officially recognized as South Africa’s first black female winemaker and the meaning in her Bordeaux styled Umsasane blend is local vernacular for the umbrella acacia tree. The brand is called Aslina, tribute to Ntsiki’s grandmother and one can feel the love in this richly styled, boozy in relative balance blend.
Swartland
Mullineux Kloof Street Chenin Blanc 2020, W.O. Swartland
$19.95, Nicholas Pearce Wines Inc. Michael Godel – Essentially chenin blanc and an example that pulls the full blessings and richness of the sun into a generous and gracious wine. Kloof Street is chenin blanc of feel, touch and “tekstuur.” The old vines concentration and density is inherent, the “frâiche, agréable and couvert de rosée” all over the palate with license and privilege.
A.A. Badenhorst Family White Blend 2018, W.O. Swartland
$57.99, Lifford Wine & Spirits (Select Wine Merchants) Michael Godel – The adage bears repeating as recited by Adi Badenhorst. “Fantastic grapes from old vineyards,” in a jazz mixtronic blend of chenin blanc, roussanne, marsanne, grenache blanc, viognier, verdehlo, grenache gris, clairette blanche, sémillon and palomino. Yet another paradigm shift in Cape white appellative white blends that seduces with its steely veneer, vine experience and turbulent soul to deliver in every way imaginable.
Mullineux Chenin Blanc Granite 2019, W.O. Swartland
$79.00, Nicholas Pearce Wines Inc. Michael Godel – All barrel fermented in only neutral oak, full malo and with the intention to truly experience and taste chenin blanc grown on granite soils. A wine kickstarted by natural stabilization, equally expressive of tart acidity and freshness, fully reasoned by sunshine yet also seasoned with effortless and variegate ease. Such an experienced and robust wine without solicitation, nor swagger neither. The ability, presence and precision are tops. There’s no question.
Porcupine Ridge Syrah 2021, W.O. Swartland
$16.95, Univins (Ontario) Michael Godel – Unmistakable syrah from the Boekenhoutskloof clan, always the meatiest and meat fats dripping example for the price. That and a profile more Swartland than what comes from say Stellenbosch syrah.
As this passage through weltschmerz marches on, the defining feeling of melancholy and world-weariness continues, no doubt magnified in the hearts and minds of the wanderlusts accustomed to consistent world travel. So the question begs, as it has for 12 months, how to summon thoughts that will keep a deep sadness about the inadequacy or imperfection of the world at bay? Speaking from a personal place, a simple and distracting way is to compose retroactive wine reviews, unearthing and editing nuggets of meaningful playfulness, tasting notes created in the past but never having found their way to the light of day. Recent thoughts about South Africa are the impetus for this story.
In a pandemic-free world Cape Town’s Cape Wine would be taking place six months from now but a difficult and necessary decision by Wines of South Africa has moved the trade show from September 2021 to October 2022. Intensive planning for one of the great triennial wine fairs on the planet begins 18 months out and so with vaccine promise and good hope the time has arrived for the industry to launch preparations for a Spring 2022 Capelands revival. Soon enough the hurdles, obstacles, impediments and hoops of pandemic, lockdowns, sponsorship landing and export bans will be added to the growing list of “what has been overcome.”
Wine trips afford tasting hundreds of wines in a week’s time and while all bottles poured by every producer are given full attention and solicit a hundred or so scribbled words on history, tradition, agriculture, winemaking, varietal and regional relativity, many remain in raw form, relegated to computer folders and on the pages of moleskin journals. Pulling them out months, if not years later can induce that elusive feeling of relief and in some extraordinary occasions, epiphany. This to the creator of course, not necessarily to the producer, wine prose seeker, consumer, regional administrator or marketer. Notwithstanding who may be watching or reading, the exercise is a satisfying one and stands on its own merit, if only to be soothed and take refuge in a safe prosaic haven, free from the savage talon grip of a world gone mad.
“What happens in Cape Town stays in Cape Town” carries a three year statute of limitation. With the inimitable Ken Forrester
Nature, farmers and winemakers continue their work. Grapes are still growing and wines are still being made. Cape Wine is one of the greats, a collection and gathering by an industry of more varied character and industriousness than you will ever find. Let’s hope a global correction and stabilization brings everyone back together. During the last edition in 2018 I published several articles and many notes but these are the fruits of unfinished business left unsaid, scattered and streaming bits of consciousness having patiently waited it out for this moment in the sun. With thanks to all these erudite producers who shared a few ounces, engaged in conversation and offered up their time. These are the 60 wines tasted 30 months ago, assessed, critiqued, enjoyed and until now, unpublished.
Simply a case of “fantastic grapes from old vineyards,” small parcels from Adi Badenhorst’s Kalmoesfontein farm, around the Swartland and the greater Paardeberg Mountain. A tienvoudig veldversnit of chenin blanc, roussanne, marsanne, grenache blanc, viognier, verdehlo, grenache gris, clairette blanche, sémillon and palomino. Hard to imagine that ten grapes could be so tactful and get together for such a discreet nose, but they are and they do. Secretive and seductive, full of mystery and enigma, ferments in 3000L vessels and then concrete, of a co-existence executing balance and a dedicated focus on texture. A ten-fold paradigm shift as part of the pioneering, Western Cape appellative white blend parade. Those who know it get lost in the varietal party and just like the makers the soirée will go on forever. Drink 2018-2022. Tasted September 2018
Grown further afield of the great old white grape vineyards, higher into mountainous terrain on the famed Bokkeveld shales. Makes for transitory, lifted pinot noir, “rain-slick’d, rubbed-cool, ethereal,” a little pastiche in a glass. Provides a cool flush of red berries, a note of allspice and truth is the fruit is really quite naturally sweet. Clean, characterful and only an afterthought of subtle savour. More than anything this pinot noir drifts and rises, kind of like reciting poetry. Drink 2018-2022. Tasted September 2018
Of the Badenhorst second tier of wines, a red blend though mainly cinsault (82 per cent) with (10) syrah and (8) grenache. Though this is technically a tank sample it will be bottled next week so essentially across the finish line. There will be 130,000 bottles of this unfiltered wine. Red fruit incarnate Cape style, sweet baking spices and from a band knowing what is needed for playing live in concert, lekker balance seekers capable of working with any instrumentation, including 4,500 and 7,200L blending tanks. Badass sound, fury and energy, dry rocket fuel, pure, raw emotion and precision. Drink 2018-2025. Tasted September 2018
From the home farm at Kalmoesfontein, a scant 1268 vines by lowest of low yields and considered to be the oldest (1951) grenache vines in South Africa. The Raaigras (ryegrass) is a vineyard choker so without human intervention it would literally strangle a vineyard. One of those wonderful whole bunch ferments though a portion is de-stemmed and well if this is not the right stuff from the right place, transparent, curative, a gastronomy of ancient meatiness and spice. Tannic yet elastic and one of those wines ready to go from creation but won’t likely change anytime soon. For now, long and wide. Feel free to think “see you in 15 years on the other side.” Drink 2019-2029. Tasted September 2018
A chenin blanc blend of 35-65 year-old 1960s, 70s and early 80s, mainly Paardeberg dry-farmed bush vine vineyards in the Swartland. Some shale and clay soils mix in for a top end chenin meritage with a faint if feigned salty vanilla sweetness. High and dry extract and grape tannin conspire in their conscription and into a stretched intensity requiring some patience for the opening up. Lingers forever thereafter. Drink 2018-2026. Tasted September 2018
Skaliekop, “hill of shale,” a curious dale of fine-grained, clastic sedimentary rock amongst the Paardeberg granite. For David and Nadia Sadie a chance to make a chenin blanc with both prescient soils lending their presence and tutelage. The people here speak of the Skaliekop, knowing well the wisdom and aridity, the windswept open space, exposed and warm. They recognize and tell of the difference it makes, how a wine such as this can act so implosive, salty, targeted and fervent. The vintage only serves to magnify a sentiment already assured, that fruitful and mineral will align, swell and expand as one from these first grapes to be harvested in the wider Paardeberg zone. Drink 2019-2029. Tasted September 2018
In 2017 a Swartland appellative white blend of chenin blanc (58 per cent), viognier (14), clairette blanche (13), sémillon (7), roussanne (5) and marsanne (3). David and Nadia’s only white that sees enough skin-contact to inch it up to but not quite breaching the natural-orange-amber stereotype so moving along now. A free-form, stacked blanc of multifarious juxtaposition, a Cape sensation that does this thing better and more interesting than anywhere else on the planet. Complex because florals and salinity get together and express the Swartland without a care in the world. What really comes across the palate is texture, downy and coddling with a finishing pesto of sweetly herbal fynbos and renosterveld. A perfectly broad expression overall though please don’t typecast or compartmentalize the Sadies’ white blend. Let it be. Drink 2018-2024. Tasted September 2018
An ever evolving or rather moving target, Rhône motivated but at this point in South Africa’s modern tenure just better to say Cape inspired. Has had many lead singers in its time; syrah, carignan and based on David Sadie’s language, who knows, perhaps grenache will take a turn at the microphone. Here in ’16 carignan (39 per cent) is centre stage with syrah (31), pinotage (16), cinsault (9) and grenache (5) rounding out the players. Elpidios means hope, as in “Cape of Good” and like the place itself there are so many layers to peel away from this heady foreland of a red wine. The berry aspect is magnified by the pinotage and you should know that David and Nadia treat this grape with utmost respect. A mix of styles and inspirations make this both muddled and brilliant as it stretches into breadth and potential. A nexus of varietal and micro-terroirs caught up in a whirlwind of extracts, flavours, liqueurs and expression. Still fresh, spirited and alive so drink this well over a ten year span. Drink 2018-2026. Tasted September 2018
“A collaboration between a bunch of young blokes, making of-the-moment wines from little-known vineyards around the Cape,” and under monikers that refer to “pushmi-pullyu animals.” Also with the winemaking help of Alexander Milner from Natte Valleij. Really quite the drinkable Rhône-ish blend of 56 per cent syrah, (26) grenache and (18) cinsault. Iron in multifarious soils (mainly granitic) make this hematic and deeply plum but still, not so difficult to knock back. Drink 2018-2021. Tasted September 2018
Ou Treffer, as in the ‘old hit’ in Afrikaans, also the old workhorse, in reference to cinsault of the Western Cape. Or if you will, like a hit song as the grape just seems to be the it one in South Africa these days. Or perhaps Traffic, by the Stereophonics. Beautifully aromatic, rich fruit and a soild funk from the particularities in these Stellenbosch vineyards. Half the ferment is de-stemmed, meaning the other half is whole bunch and old vines surely concentrate the fruit, stem funk and spun feeling all-around. Besides, “is anyone going anywhere? Everyone’s gotta be somewhere.” Drink 2018-2022. Tasted September 2018
The second cabernet franc release of the De Kleine Wijn Koöp boys’ Knapsekêrel (a.k.a the spiky little black Cape plant) comes from the Polkadraai Hills. Not just any vineyard mind you but one planted in 2000 and biodynamically farmed by Old Vines Project pioneer Rosa Kruger and current Stellenbosch guru Johan Reyneke. The winemaking hands of Lukas van Loggerenberg are to thank and while this shows the sultry smoky smoulder that often emits from Cape franc it is a challenge and work in project to find the varietal sweet spot. That’s because cool temps and long growing seasons are best but look out for this breadth of a team’s members to find what works. In the meantime the tobacco, dusty plum and pushed to the raisin precipice make up a tasty if humid treat in a glass. Drink 2018-2019. Tasted September 2018
As with the Knapsekêrel cabernet franc, the Polkadraai west of Stellenbosch is the fruit source, a biodynamic vineyard farmed by Rosa Kruger and Johan Reyneke. The boys at the Koöp are back in varietal town and refer to this all-around floral spiced cabernet sauvignon as running “with tannins as smooth as your grandmother’s polished imbuia coffee table.” No doubt and you can almost hear them singing in Phil Lynott workingman’s poetry. That said, this cab is no thin Lizzy, more like thick as a brick. Hung long and well-developed, of a liqueur that oozes of red, red fruit. Or perhaps, “man when I tell you she was cool, she was red hot. I mean, she was steamin’…” Drink 2018-2020. Tasted September 2018
A known fact that riesling and limestone make a great couple so this look at de Wetshof’s Robertson ’17 is met with great mineral anticipation. Yes the finest calcareous blocks are dedicated to chardonnay because Bourgogne is the de Wet inspiration but anyone who has learned a thing about riesling around the world will know that limestone can work wonders. Alsace of course, as in Clos Windsbul but also The Niagara Escarpment’s dolomitic limestone and Germany’s Muschelkalk (especially in the Rheinhessen, Pfalz and Franconia). And so Robertson joins the list as witnessed by this linguistically aromatic example, working the glass with a pure lime distillate notion. A nod to Alsace more than anything else with acidity that doesn’t need to scream and shout but it’s truly there. The potential to pioneer the movement is here, along with Elgin as Cape riesling standard bearers. Drink 2018-2022. Tasted September 2018
Youth and drought make for the most naked and transparent of the past few Limestone Hill chardonnays. Absolute cool Kelvin freshness and a 270 degree vineyard scope to gather de Wetshof’s Robertson fruit from an amphitheatre of slope and aspect so subtle yet so meaningful. A fulsome regional DNA creates varietal layers gathered to make this cuvée a true spokes-wine for the limestone-based estate. Set foot on these soils, spin around, take it in. Then feel and intuit the truth in chardonnay that speaks to a place. Drink 2018-2020. Tasted September 2018
Bataleur, as in a battalion of chardonnay soldiers, fruit up front, reduction and wood falling in, acids taking up the flanks and structure in support by land, air and sea. Or so it seems because this just marches like a military exercise in chardonnay. Flinty, biting back, yet buttered and toasted on the mid-palate with Roberston’s unique limestone felt from start to finish. Vanilla then white caramel with soft French cream fill and then the snap of lime acidity. Biting and downy, one and then the other, all tied up in robes and pearls, equalling out in the end. Fine work from 2016. Drink 2019-2023. Tasted September 2018
By this time 2000 is the 15th vintage of Hamilton Russell’s pinot noir and tasting both the 1986 and 1997 ahead of this only serves to heighten anticipation knowing full well longevity is by now a solid guarantee. The vintage seems like it must have been a demanding one because there is more hard grip, aridity and austerity here but it really has aged gracefully and beautifully. The posit tug between fruit and earth notes is performed like a string instrument’s bow, bending and angling with dexterity in balanced, fluid motion. Brings in the herbs and spices, wholly and truly of Hemel-en-Aarde origin, on hillsides and between rows of sagacious pinot vines. This is a treat and opens a portal into the future, beginning with the 2012 vintage that will usher in a string of sequentially impressive HR pinot noir. Drink 2018. Tasted September 2018
From a 32 year-old pinotage vineyard, great old vines that received some TLC from Old Vines Project pioneer Rosa Kruger. Secondary bottle fermented with a little help from “a special blend of liqueur de triage,” so unlike Prosecco in that regard. Early picked which is a given considering the granitic soil and therefore a “Rosecco” of low pH and severely high acidity. ‘Twas just a slight dosage and therefore comes across arid like the Swartland desert. A well cultured sparkling Rosé, crushable and easy like Sunday morning. Drink it for breakfast, lunch and dinner. Drink 2018-2021. Tasted September 2018
True reduction yet to dissipate as noted by the smoky smoulder with a healthy compliment of wood still needing to melt in and away. Looking to settle over the next six months or so and allow the combination of vanilla extract and green apple purée to integrate, compliment and go forward in agreement. Though creamy there is a bite back at the finish so while this is good now it still shows promise for improvement down the road. Drink 2019-2021. Tasted September 2018
Poured by Managing Director Hans Astrom in Cape Town alongside the 1987 labeled “Blanc de Blanc” and the 1994. The vines date back to 1979, with the first South African sauvignon blanc made in 1986. That ’87 was a B de B because of the botrytis-affected vintage. A 100 per cent varietal wine, built by the soil and so bloody mineral as a result. Oak texture but really that’s the end of wood talk, a salty streak, so direct and so personal. The kind of sauvignon blanc that invades your airspace and a vintage more Bordeaux than the rest. Or, if you will Sancerre but not so much this time around. Drink 2019-2023. Tasted September 2018
Poured by Managing Director Hans Astrom in Cape Town alongside the 1987 labeled “Blanc de Blanc” and the 2009. The vines date back to 1979, with the first South African sauvignon blanc made in 1986. That ’87 was a B de B because of the botrytis-affected vintage. The ’94 vintage was another story altogether, apposite, far away from developing noble rot. Not the baller and perhaps even a bit “weak” with less weight but a saltiness that is more than intriguing. Perhaps more Sancerre-esque as a result but certainly lends longevity credibility to those passed over cool vintages neither celebrated nor considered to carry much staying power. May not be fleshy but is surely a curious and electric surprise. Drink 2018-2020. Tasted September 2018
Andrea Mullineux continues to foster the Leeu Passant line of heritage vines wines with work from Rosa KrMuger alongside. The “post (leaf-roll) virus vineyard,” of smuggled in clean material planted in Stellenbosch in the 1980s. The site is home to loam-rich soils of the Helderberg and the wine stylistically modelled after the oxidative approach to chardonnay. “Death and resurrection,” as Andrea puts it, meaning after the fermentation you allow the must to oxidize again, literally to the colour of cola. Risk reward actionable take and one that requires some shall we say, cojones. This chardonnay is not about luck and the methodology can’t help but connect you to the vineyard. You end up with this unctuous, astonishingly rich chardonnay that bears a resemblance to the vines and the place from whence it came. Unlike the Mullineux chenins or Swartland and so say hello to Meursault. Drink 2018-2025. Tasted September 2018
The throwback, ode and homage to South African reds made in the 50s, 60s, 70s, rustic, tannic, structured and reeking of the ancient soils that gave them life. Three locales are in the mix; Wellington, Franschhoek and Stellenbosch. The vineyards are the first pro-Phylloxera planted sites, a willy-nilly varietal scattering, blocks of two cinsault, a cabernet sauvignon and a cabernet franc. “It’s a deconstructed reconstruction,” says Andrea Mullineux, “where you break down what you love and build it back up again.” First thing is to show utmost submissive respect to 95 and 117 year-olds, the oldest registered red wine vineyards in South Africa. So you hand harvest their low yields and keep a minimum half of the bunches intact for to ferment these wise and experienced grapes. They spend 20 months in barrel then emerge structured and fit for 20 years of longevity. As with those post mid-20th century wines the profile is rich, tart, spicy, robust and layered with serious grounding. Revivalist red, keeper of faith and a lost style, uniquely South African. Today that translates to vogue. Boom. Drink 2020-2032. Tasted September 2018
The Cape’s south coast work of Samantha O’Keefe, a (500L) barrel fermented sauvignon blanc made in an oxidative way, or rather a wine of early introductions made with oxygen. Flinty no doubt then rich and full on the palate, of throttling grape tannin who’s antidote is a sense of settled calm. Late spice, Bordeaux in temperament but cooler still, an almost northern Sancerre-ish dexterity and layering. Composed and so very genteel. Drink 2018-2024. Tasted September 2018
From the Cape’s south coast and Samantha O’Keefe’s original Greyton Farm, in re-build for a promising future. This ’16 is 90 per cent estate fruit, a natural ferment and all done up in neutral (300L) barrels, 11 months on lees. No malo except when a great vintage comes along. Simply an orchard and gingered and delight, a woven tapestry of backroads eccentricities and southern exposures, with a kick and twist of finishing spice. Drink 2019-2024. Tasted September 2018
From rose-quartz soil in cool Elgin, a 100 per cent viognier, so apposite relative to the achromatic shades of Greyton sauvignon blanc and chardonnay. High demeanour and a sense of vivid colour in the aromatic wonder but more so in the levels of palate, front through middle to back. They come like a rainbow, rolling, over stones, in “colours in the air, oh, everywhere.” Orange, peach, nectarine and fine, fine Elgin acidity. They are wrapped in sour spice yet sit cross-legged, in complete control. An aristocratic flower child, surely full of and situated in an age of grace. Drink 2018-2023. Tasted September 2018
Fruit from both Walker Bay and Elgin and 30 per cent whole bunch (the first vintage was 15). So very herbal, savoury, stemmy and honest. A beacon in pinot noir you want to drink that comes equipped with an edginess about it. Full purity on display, grip, intensity and packed with provisions for the picnic. Marks the early beginnings of a varietal journey with some naïveté and dreams but look out. Drink 2019-2024. Tasted September 2018
From South Africa’s furthest northern wine-growing area, a joint effort between grower Bertie Coetzee and winemaker Lukas van Loggerenberg. Wow does this ever smell like tannat with its depth of earthy fruit and suspension of oxidative animation. High acidity reminds of the really cool climate, more Niagara per se than southwest France. There really is something special here, as with Lowerland’s stellar whites, something singular, yet undefined, in enigma and mystery. Drink 2018-2021. Tasted September 2018
The viognier may scent of exotic flowers and tropical fruits but as with most of Alette de Beer and Bertie Coetzee’s range this is surely a cool climate wine. Subtly so and yet of a tension and a demand that accrue a sense of northerly South African wine-growing sense. The wine was made by JD Pretorius at the Constantia property Steenberg and it comes about quite normal, varietally speaking but also beautiful. There is a liquid chalky feel, a product no doubt of quality dry extract mixed with Prieksa soil of desert sand and silty clay. Lean and structured, a lanky viognier that in the end delivers quite the delight. Drink 2018-2021. Tasted September 2018
Literally “easy drinking blend,” spoken through an indigenous vernacular from “the place of the lost goat.” At the time a blend of merlot, shiraz and tannat but like the Herd Sire Reserve that too will change over time. A racy and ripe red, earthy and parochial though fruitful in its red, black and blue mixed berry basket. There really is nothing to compare this too, neither old world origin or varietal mash up so assess it on its own terms. Just knock it back. Drink 2018-2019. Tasted September 2018
A red blend that will evolve (varietally speaking) but in 2015 it is based on cabernet sauvignon with petit verdot and a small amount of merlot. Bordeaux being the message but that too will change because the north of South Africa may actually share more affinity with the southwestern French wine-growing than anywhere else. This unique Noord Kaap Wyn van Oorsprong’s cool climate makes for early drinking reds and the 13 year-old vines here follow the party line for a red blend ripe enough to do what needs. There is more liqueur and spice here than what is noted in the merlot/shirtaz/tannat and also increased acid intensity. Somewhat oxidative but holding well and doling pleasure. Drink 2018-2019. Tasted September 2018
After 28 of not bottling their own wines the husband and wife team of Ernst and Nina-Mari Bruwer began again in 2017. This is one of the first, a single vineyard chardonnay off of 12 year-old vines, barrel fermented and aged 11 months. Speaks of Robertson, not specifically by limestone but with that WO’s orchard fruit and realism, by passing spice that’s merely a thought. Lovely snap, crack and bite which is truly Robertson while in delivery of everyday texture and mellow disposition. The kind of chardonnay to stay quiet and simply sip. Drink 2018-2021. Tasted September 2018
“High And low,” in reference to the vineyard being a terraced block on clay. Heavy clay that is, a Robertson specialty and the Hoog En Laag receives the same elévage as the Kweekkamp chardonnay. Certainly a richer and fruit fulsome expression, less snap and bite. No subtle spice either and yet the barrel notes are equally noted. What this has is full-fledged texture, creamy and smooth, all day long. Drink 2018-2020. Tasted September 2018
The “big” chenin blanc because of the dense clay that gives nutrient life to the 32 year-old block of vines. Quite the steen intensity, ripping with fruit and a mineral streak for layer upon layer of Robertson quality. Naturally sweet pears, ripe and dripping, plus an unusual or unaccustomed to herbology. Perhaps it’s the famous local Rooibos talking. Really persistent chenin with loads of potential. Likely some flint and smoulder in its future. Drink 2018-2024. Tasted September 2018
A true Cape chenin blanc assemblage, in fact it gives meaning to the gathered idea, like an AOC Chablis made by a houses in names of Fèvre, Drouhin, Moreau or La Chablisienne. Mullineux’s twist is the back blending with some old barrel ferments to balance to new and “other” fruit components. A chenin blanc that is bottled the same year it was picked though that’s easier to do in the southern hemisphere where harvest happens in the first quarter months. Expectation always dictates value from the Kloof Street and 2018 does not disappoint with an attractive spiciness that speaks to the preservation of freshness in a chenin blanc possessive of no boundaries. One of the most versatile wines on the planet. Sheet pan sausages and fennel would be just ideal. Drink 2018-2022. Tasted September 2018
Soil is the single matter, catalyst and difference maker to dictate the peculiarities, idiosyncrasies and unique sets of behaviours in the Mullineux single-terroir wines. The chenin develops “freckles” in the sun, tells winemaker Andrea Mullineux and the warmth of the high presence of quartz retains and returns warmth, translating to a conduit of concentrated ripeness passing through the vines. Not a direct heat, otherwise the berries would burn but a reflected back-beat of light and one that is slowly transmitted with naturally occurring temperature control for how and when the plants are in need. The greatest positive is in the maturation of phenolics in the skins and not by a hasty overload in developed sugars. From out of the silica oxide comes vegetative growth that promotes and preserves a physiological process in retention of acid freshness. The result? A phenolic journey unique to chenin blanc as here with a striking 2017, dry as drought yet fresh as a daisy. Though there is some creamy texture there too is hyper intense clarity, a variegate of dappled aromatics and brindled flavours, all bound up in animated acid bounces. Drink 2019-2029. Tasted September 2018
In chenin blanc the Mullineuxs engage in this single-terroir comparison, first by Quartz and now through Granite. The reference is to the predominant mineral presence in the soil and in how it influences the chameleon varietal. In 2017 Quartz is a major concern but switching to sandy, decomposed rocky soil and everything changes. Berries leave the world of mottled and piebald to one of demure and decor with thanks to the diffused light set upon them. That and a place where roots must burrow, digging deeper through hunks of rock into the sub-strata. This is where trace elements and minerals are to be found in the water table below and while limestone and silex is not the tablet there is some ideological affinity here with the Loire. As such it is this Granite that speaks in a leaner, thoroughly mineral, less spice and increased sharpness vernacular. Precision cut, flint struck, metallic, a song of science and silence. Body and flesh are ambient, less “creamy” than in Quartz, linear in travels, long and of an aging potential surely cast forward. Focused all the way through, unrelenting but always in layers of overlap and subtlety. Drink 2020-2033. Tasted September 2018
Kloof Street is a “heritage blend,” says Andrea Mullineux, “it’s a wine about the love for making wine, but having preferences.” From vintage to vintage maybe check the bottle for varieties because there is no steadfast formula. Heritage, as opposed to Rhône means playfulness, choices and the inclusion of a structure fortifying grape like tinta barocca, truly integral to the Western Cape meritage experience. Here in 2017 there are some notable added layers of flesh, drying tannin and largesse. An early extracted wine in fast stages of maceration to coax out the fruit and deter astringency. Comes away rich and robust, rocking the free and new world. Drink 2018-2022. Tasted September 2018
“I still consider it a blend,” insists Andrea Mullineux,”because it comes from seven vineyards on three soils.” Spends up to six weeks on skins, depending on how big the tannins are. Big equals patience. Burly early with spice and elongation but that heft and girth will slowly melt away. An invisible friend called acidity will usher the transformation, those gnomes of silent structure. The next stage will celebrate the leathery cherry fruit and cumulative Swartland savour. Last tasted September 2018
The first drought vintage for the Swartland syrah and so the extract, concentration and density are all in compression mode. The change is felt with palpable impression, meatier, more char, even tar, and a little bit of dogma was necessary to bring in more granite-raised syrah to keep things swimmingly cool and savoury along. It’s a hematic one in 2016. To some this would be the bomb, the massive reason to believe and to others it might seem an impossible wall to scale. With a combination of love and patience the ’16 will please them all. Drink 2020-2028. Tasted May 2018
As with the two chenin blanc Quartz and Granite introspections there too is a Mullineux terroir combing of Swartland soils through the lens of syrah, there by Iron and here through Schist. The style or rather the result is befitting the monikers because Schist is the tamer one of the two and it is interesting to note that the syrah “blend” as Andrea Mullineux calls it is more like Iron than this elegant one. A huge January heat wave could have led this into the raisin danger zone because ripening under the shotgun is no way to approach harvest. Cooler heads and temperatures prevailed to allow for an unfurling, a plumping and a perking up. Schist comes out regal, aromatically civil and demure, but also juicier than a nosing might indicate. Acid retention is strong, sweet and quite friendly to work in cohorts with the cane and Baleni based spice. Dark in complexion, yes brooding yet sneakily serene, salty and so comfortable in its own skin. Drink 2020-2032. Tasted September 2018
The second of two Mullineux soil investigations for syrah is this dramatic and hematic nonpareil exemplar. Cultivar meets terroir, raised off of a heavy, gravelly clay, rich in iron, impressive and hallowed as antediluvian viticultural ground. That may not be completely Cape uncommon but this is clearly a paradigm shifter for drilled down South African syrah in attack meets beast mode, cimmerian, ferric and intense. Modish though, while inexorable character oozes from every pore and a mid-palate wells of extraordinary fill. Sharpens its wits on bullish tannin and expresses Northwest of Malmesbury iron with raw emotion and power, though without rusticity. What it may lack in elegance is made up by sheer force in reckoning, at first engaging and then gripping the palate by all means necessary. The velvet glove future lies somewhere in the next decade, likely latter first half. Drink 2022-2034. Tasted September 2018
Just a hint of evolution is showing in this five year-old pinot noir which is something because you had to work to find any in the just tasted 2009. The sweetest fruit comes from 2013, on of the riper, purest and most pristine vintages to express what Elgin has to offer. Ethereal actually, not loosely but effortlessly structured with a seamless bond forged between fruit and acids. Tannins are already subsiding in this elegant, balanced and slightly spiced pinot. Drink 2018-2026. Tasted September 2018
Such a composed vintage, cool, calm and collected. A Beaune Villages feel here, perhaps Aloxe-Corton with darker pinot noir fruit, almost black cherry but less obvious, more complex, full of baking spice. A genial and genteel Seven Flags nonetheless, elastic, pliable, amenable but not without undeniable and underlying composure. That backbone may bend with curvature ease but will not break. Provides the basis to see this Cluver from Elgin live easily up to and likely beyond its 12th birthday. Drink 2018-2023. Tasted September 2018
Harkens back to a time when the 1987 planted 113 clone was no longer the sole provider for the Seven Flags family after 115 and 667 had been planted in 2001. From 2009 it seems quite obvious the vintage was one to create big, robust, ripe and warm pinot noir. Even as it approaches its ninth birthday the evolution equation remains in early steps computation, perhaps just now moving to the next stage. Secondary development is still around the bend or on the next page, noted by the persistence of a cool climate, liquid but still grainy chalk. Also acts just a bit reductive which seems almost impossible but stranger things have happened out of South African vineyards. Just imagine the futuristic possibilities when these vines soon achieve heritage age. Remind me to ask Paul Cluver for a look at vintages from 2022 onward at Cape Wine 2039. Drink 2018-2023. Tasted September 2018
Poured by Callie Louw at Cape Wine 2018, this Riebeek Kasteel, Porcelain Mountain syrah somehow sits at a pantheon’s peak vintage after vintage, as if each one is a once in a lifetime effort. This must have been the epitome of such a consideration because Louw calls it “a fucking hard vintage, eh.” Strong talking words from the stoic and pragmatic BBQ smoker, winemaker and cricket master. Callie may have experienced a craftsman’s pain but the 70 per cent foudres and 30 concrete elévage not only tamed the savage beast, it helped to turn heads and remind of where greatness comes from. Tasted side by each with 2012 and 2013 only magnifies the massive structure in this ’16, a reductively bouncy, glycerin and impenetrable syrah in need of getting lost in the cellar. Will also need an epic song, “into the blue again, after the money’s gone.” Through the next decade and well into the following one this syrah will remain in light. “Same as it ever was.” Drink 2022-2040. Tasted September 2018
If you Google “South African white appellative blend” the number one result should surely be Eben Sadie’s Palladius and these are the 11 reasons why; chenin blanc, grenache blanc, marsanne, sémillon, sémillon gris, viognier, clairette blanche, roussanne, verdelho, colombard and palomino. Eleven blocks, all on granites, some from the Riebeek-Kasteel side. If looking forward to the brilliant ’16 and seeing it as a wine of mixed tenses, then this ’14 speaks in the imperfect because it strikes as the one to talk about the past and to say what used to happen. As in language, love, war and the past continuous, all is fair when it comes to assessing the verticals of wine, especially in descriptions. The 2014 Palladius is the back to the future vintage, of warmth and spice when things were picked overripe and new beginnings are constantly forged. But the citrus preserve and sheer electric lemon-lime energy looks ahead to the intensity of a youthful 2016, leaving a taster confounded, satisfied and awake all at the same time. This may go forward before it retreats once again. Drink 2018-2028. Tasted September 2018
When talking about the 2009 vintage Eben Sadie talks of the decision to add sémillon, clairette blanche and palomino to his appellative white blend that already held chenin blanc, colmbard, grenache blanc and viognier. “To up the acidity,” aid and abet the tendencies of fleshy fruit to fatten in overripe behaviour. More than just acidity mind you, Sadie also looked to heighten the “acoustics” in a wine that was quickly becoming a major Swartland concern. Tasting this is September 2018 it can’t help but be noted how development and evolution have nearly caught up to 2005, a vintage cause and effect action no doubt. Here is the spiciest, sauciest and flat out nasty attitude Palladius, unabashed and already having done most of its living. That said the track record of these wines tells us to stay put, be patient and continue to relish the sapid, saline and ever-changing paths carved out. Drink 2018-2023. Tasted September 2018
Part of Eben Sadie and family’s “Die Ouwingerdreeks,” the old vine series and a reference to either or both puff adder snakes and the small “bushman’s land” town in the Northern Cape. Can be 100 per cent cinsault though the percentage is 85 in 2017, aged in old but not Jurassic wood. The ideal, epitome and exemplar bench-land varietal wine, not to mention a pioneer in the South African paradigm shift to conscious exultation of a plan in collective commitment for varietal, heritage vine and whole cluster ferments. From granite shales (not the decomposed kind) and yet another red fruit incarnate, freshest of the fresh precision wines. Pure Cape cinsault is this, with tannin but the kind that is sweet and stretched. No bullshit here. Drink 2019-2025. Tasted September 2018
Afrikaans for “railroad,” perhaps a reference to the method of transportation that brought these European grapes to the Cape, depending on how far back tinta barocca arrived in the Swartland. In fact it was in the 1920’s and now just a bit more than 200 ha’s of this hardy, rustic, dark-skinned, early ripening and versatile red lay scattered about, accounting for two one hundredth’s of a per cent for vineyard area in South Africa. Sadie’s is a single-vineyard line running through the Darling side of Malmesbury, a cimmerian blackish red reeking of Renosterbos which is ironic because animal activists have always believed that the railroads threaten Rhino habitat. Digressions aside this is a prime example of why some might consider tinta barocca to be the future grape of Swartland. Sweetly floral and in 2017 both ways perfectly ripe. Botanicals abound, bosplante in bloom while flowers await the bees. Where this shares affinities with cinsault and grenache is in the curative and salumi aromas leading to sweet yet elastic tannins. The finish and length are expressly Swartland in nature. Drink 2020-2028. Tasted September 2018
Red counterpart to the Sadie white signature Palladius and residing in the upper echelon of Western Cape appellative blends. Ontario lays claim to the Stratus White and Red while the Cape knows these. Allowing for some levity there is a kinship to be considered between Eben Sadie and J-L Groulx, two of the more unlikely mad scientists able to capture the lit and woke disposition of mastered assemblage. Imagine Groulx also pouring varietal shots of many different farmed varieties from the back of his pick up truck during a lawn bowl in Niagara-on-the-Lake. The full name is Columella Liberatus in Castro Bonae Spei, Latin for “liberated in the Cape of Good Hope” and as a pillar of strength Columella’s syrah, grenache, mourvèdre, cinsault and tinta barroca ascend to dramatic expression. Variegated in every respect; hue, perfume, flavour and structure, at once layered and then stratified with doric strength, able to bear the most concentrated weight. Relative acidity, fluted or grooved, wider in youth to help support and lengthen. Intensely fortified with help from the barocca, naturally and of itself, intuitively wild yet controlled. Such a focused wine one rarely comes upon. Drink 2019-2030. Tasted September 2018
The “footpath” from both the Dutch (het Voedpad) and Afrikaans, also the name of Dirk Brand’s rooibos and wheat farm next to this oldest vineyard in the Kapteinskloof near Piketberg. Some say the oldest in South Africa, planted between 1920 an 1928, but others will say the first vines went in around the 1890’s through to the early 1900’s. Takes the Sadie Family “Die Ouwingerdreeks” to the farthest, most extreme reaches of the old vineyards idea. “The vines have seen it all,” tells Eben Sadie, “don’t fuck with us” is their message. “Don’t mess this up.” And so Eben co-ferments in an as is format but more importantly works at the agriculture to a point of obsession. Newer inter-plantings will go in, of sémillon, sémillon gris and palomino from massal selected material. To deal with drought cover crops will also be added between rows, all of course through an organic approach. The blend is sémillon, sémillon gris, palomino, chenin blanc and muscat d’Alexandrie, all processed together, but this is not about extreme winemaking. More like extreme farming, finding ways to keep these twisted kurktrekker and cavatappi bending vines alive for to produce their magic. The wine that emerges is all about tendencies and multiplicities of texture. The dry extract here is off the charts making it seem forcefully and fiercely tannic. Fantasy and zeitgeist just happens and the results are right there in the bottle. A remarkable wine and vintage from an isolated vineyard where drought is always a factor. Drink 2019-2033. Tasted September 2018
Burgundian ode, ancient method of making chardonnay, a rare approach these days, with wild yeasts and no fining or filtration. No surprise that Springfield Estate is willing to give it a go because that’s how they roll. The plan is for deep longevity by a method akin to anti-aging serum, though 15 to 20 years would be astonishing in any case. Ground control to major tang, circuits wired tohu vavohu and a lemon custard to curd constitution that is simply merveilleux. Yes it is true that a hint of orange could turn into Cointreau after a half decade or more and the mid-palate cloud cover will continue to deliver warmth and appeal. Curious methodology plus romantic acumen equates to one of a kind. We’ll see where this goes. Drink 2019-2024. Tasted September 2018
Often referred to as a pink wine but to choose this term to call Lukas van Loggerenberg’s 100 per cent cinsault grown on Helderberg granite would not tell the right story. Blanc de noirs is more apt but even then more detail is necessary to do it justice. Sees nine months of lees time, “to remove the tutti frutti,” snarks van Loggerenberg, without jest but can you really know when he’s being serious? Leaves the arena of the Rosé absurd and settles at a hue of proper B de N colour, as if that really matters. Saltiness is the thing, the granite kind, the sort to set your eyes ablaze and your heart to rest. Not really a wine about texture, though there is plenty, but that’s not the goal. Anything but sweet and a wresting away from norms into a matter of reckoning. And all about five knee surgeries, something the winemaker and the critic know all about. Drink 2018-2021. Tasted September 2018
While there are wines in Lukas van Loggerenberg’s world that travel down the kamikaze viaduct, Trust Your Gut is not one of them. In fact there is a normalcy, a recognizable structure and an older Euro soul to the way this chenin blanc acts and feels. Sees 10 months sur lie in old French oak but no bâttonage, nor malo neither. Three zones bring the fruit; 45 per cent each Stellenbosch and Swartland plus 10 from Paarl. Take chenin blanc and treat it like a Villages wine by imagining Loire aromatics merging with Chablis texture. This my friends is a classic example of amalgamated Western Cape chenin style. There is irony in the name and no shocker there. Drink 2018-2022. Tasted September 2018
Geronimo is 100 per cent cinsault, 60 per cent from Stellenbosch and 40 “Break a Leg” Paarl. The get together finds energy that one without the other would not find “because cinsault doesn’t have high natural acidity,” explains Lukas van Loggerenberg, “it is a very good indicator of vintage.” The 2017 is, wait for it, 80 per cent whole bunch and while that is a factor of the Western Cape’s ripen anything, anywhere, anytime great advantage, it’s still an impressive strategy no matter where you are making wine. Spends nine months in barrel and comes out smelling like roses, candied petals mainly but other florals, hibiscus and such. A handsome cinsault to be sure and one that will take precious time to unwind, great acidity or not. Like the red Cape equivalent of white friulano in Collio, sneaky long and structured. Drink 2018-2024. Tasted September 2018
A more than obvious ode to the Loire Valley, 100 per cent cabernet franc bearing the old world varietal name. Fruit drawn from Stellenbosch’s decomposed granite soils gets the 60 per cent whole bunch treatment, followed by 11 months in barrel. Transparent as cabernet franc is the understatement, open wide, ease of alcohol at 12.8 per cent and in delivery for the rapture of being alive. Lots of verdant tones but nary a green tannic moment. Seems like the beginning of a beautiful friendship so the future too is wide open. Drink 2018-2020. Tasted September 2018
A testament to non-pareil, Cape appellative white blend equanimity, of colombard, grenache blanc and viognier, 33 of each, give or take one per cent. Only the viognier is barrel fermented though the equilibrium os never compromised. Intensely herbal, of a nose uncanny in its fynbos reek, lovely glycerin texture, again balanced and knowing the place it wants to be. Acid structure travels though in a pas trop travaillé, no trouble way. Drink 2018-2021. Tasted September 2018
Barrel fermented and six months matured, 100 per cent chenin blanc, acting as if freshly spiced and in Cape terms, a really chewy white wine. Counterbalanced by a leanness in vintage while wound tight, just now perhaps beginning to unwind in repeat of its specific refrain. Acid structure makes up the lyrical couplets, sung again and again, as a reminder that fruit and wood will always align and submit to the citrus rhyme. Almost feels like still perlage and chenin blanc like this is very much a string of pearls, inclusive of tannins in long chains. Helps to explain the success of Wildehurst’s Méthode Cap Classique. Drink 2019-2024. Tasted September 2018
A blend of shiraz, grenache, mourvèdre, viognier and cinsault, aged in old French barrels for 18 months. Like the solo cinsault but an even more held back and hard to crack the savoury and sweet candied shell. Both elements emerge with good agitation, first the sweet variegate of red fruit and then the brushy and dusty fynbos bushiness, here acting as an energizer for equal opportunity. Spills over with that Wildehurst acid-tannin continuum as all the wines take their time to ready, pivot in the glass and then speak of their age ability going forward. Big bursts are all power and no cake. Rich yet elastic and surely capable of going deep. Drink 2019-2025. Tasted September 2018
Just two barrels were found to be extraordinary and thus pulled by Sheree Nothnagel, away from the red blend and into this solo album. Quite the richly emulsified and ropey red fruit cinsault and while it follows along the varietal Swartland thread the differences are as great as they are to the party’s similarities. That is due in respect to the Wildehurst style, tighter and more acid-structure intense, higher-toned and less in the meaty-salumi-curative vein. Still possessive of that red as red can be fruit but here more akin to barbera or sangiovese from high altitudes and limestone soils. There must be something about Koringberg and the other Swartland sites that bring a special je ne sais quoi to Joanne Hurst’s wines. Maybe in thanks to Swartland shale, granite, silcrete and alluvium Renosterveld. Who does not love the smell of Renosterveld in the morning? Drink 2019-2027. Tasted September 2018
From the Western Cape’s chameleon of a region where anything goes and all things are considered. Case in point this viura of Spanish roots as part of the single barrel series. Surely Swartland specific (as opposed to Paarl), 100 per cent viura and only 180 bottles produced. Less alchemy and more herbology, but flinty, sharp and exciting. Direct, full of fun and even a bit waxy, with a riesling or sémillon feel that can only mean some petrol in its future. So much citrus gets ya in the end. Drink 2018-2022. Tasted September 2018
Rosé all day, an absence of whites, reds in Portuguese, French and Italian dress plus choosing South Africa like falling off a log
It has been nearly a year since I last visited South Africa and every time VINTAGES rolls out an easily managed thematic collection of wines from that great country the heart swells and memories flood back into the brain. The powers that be within the LCBO’s New World buyers’ department do their finest no sweat work and narrowing down when it comes to Western Cape collections, surely witnessed and proven by the duck soup choices made for both the July 20th and August 6th releases. But we can’t lay too much emphasis on their easily accomplished selections as being the be all, end all reason for the successes. Producers are fortunate to work with exceptional terroir that includes dozens or more old vine blocks in many Cape nooks and transversely the Ontario purchasing choices are so numerous it’s like shooting fish in a barrel. The winemakers adage of “just don’t mess it up” translates into kudos to the buyers for getting things right. The fact is South African wines are of such high quality across varietal, producer and regional lines they speak for themselves and do so with great heart.
What do you do with the Swartland Swingers? Lawn bowls in Malmesbury of course
Which brings me to what struck so strong in September 2018, straight to the heart and without equivocation. Heritage and diversity are the country’s two greatest strengths. Sure as a circle will turn you around there is this third tangible and credible something that seems so unmissable about South Africa and South Africans. Resilience. Neither politics, nor conflicts between and in the oppression of peoples nor drought can deter the farmers, workers and producers of this nation. The human condition mimics its heritage vineyards planted to century-old varieties, to perpetuate and to persevere. This is the South African way. And it is the wines that are exceptional in ways that require great levels of explanation.
Over the last several centuries grape varieties were brought, expatriated and forced into the blending of exile. No peoples should ever be de-humanized nor taken for granted and neither should wines be quietly dismissed. With each passing varietal situation time has been sublimed and wines produced in South Africa teach us that they simply are not examples of minor beverages. It has taken place in the heart of agriculturalist and winemaking ability, to change small things and see greatness in ascension to that which is simple, authentic and refined. It’s a matter of having felt sensations introduced into the absurdity of our lives.
We begin with some wines tasted and assessed back in September 2018. These are a cross-section of what the country’s makers do best, some unknown, others better known and collectively they act as examples in performance at the highest level.
Fourteen South African producers and wines you need to know
A. A. Badenhorst Chenin Blanc The Golden Slopes 2017, WO Swartland (WineAlign)
The Golden Slopes is chenin blanc planted on granite hillsides, vines in the 80-ish years of age and this surely has much to do with the paradigm of success predicated by a focus on texture. Remarkable heritage vines on the Badenhorst for which Adi is able to seek, measure and play. Like the Secateurs it is indeed all about texture but here, this is something other. Conatus. The Golden Slopes are marked by intense and impressive warmth, lees and the effects of managing lost acidity. Adi finds a way for them to be kept by the moments gained in flesh and layers. Old vines do what the young and inexperienced do not. They achieve an innate inclination, in this case for chenin blanc to continue to exist and enhance itself. Drink 2019-2027. Tasted September 2018
Craven Wines Syrah The Faure Vineyard 2017, WO Stellenbosch (WineAlign)
Like the sister Firs this Faure Vineyard site is also 21 years of age, east facing towards the Heldeberg, with rocks in the soils. The name is more than familiar to Jeanine Craven, who was a Faure before she merged with Mick. What really separates this place is the marine air, three kilometres from the sea, as far as the African Black Oystercatcher flies. Again the planning involves whole cluster pressing and on skins seven days, to make pure syrah. Separated by 15 kms the Faure is antithetical to the Firs, salted by the sea and of a furthered intensity in a different form. It’s near searing, linear, grippy and with acidity lifting everything. Really juicy, pushed by a wow factor, clean, no funk and so much spice. Drink 2019-2027. Tasted September 2018
David And Nadia Wines Chenin Blanc Hoë Steen 2017, WO Swartland (WineAlign)
One of two single vineyard explorations from the Sadie’s work is this 1968 steen planted in deep soils to the west, towards Darling. This fourth vintage is a demure of chenin blanc’s deepest, richest and most glycerin textured possibilities. Time and a warming in the glass causes this floral emergence in a spiced space time continuum usually reserved for white wines like Condrieu. But this is entrenched in heritage steen genetics, not viognier and the acidity is all local, parochial and fine. The complexities are circular by nature, in rotation and encompassing all that we hold sacred for Cape wines. Takes hold of your mind and controls your breathing with its life affirming energy, like an invisible blanket wrapping you up in the desert, at night, under stars. Total production is 45,000 bottles. Get some. Drink 2019-2028. Tasted September 2018
Hamilton Russell Vineyards Pinot Noir 1997, WO Hemel En Aarde Valley (WineAlign)
It was 1997, a point 10 years deep into the Hermanus pinot noir investigations and what Anthony Hamilton Russell called “the year the Dijon clones kicked in, or at least the use of them.” This is seemingly more evolved than that ’86 if only because the über ripe fruit may have baked a bit in the sun. Tastes so old school Beaune now with a cane sugar-cocoa-vanilla trilogy of development. Powerful pinot noir now in the throes of its soporific times. Drink 2018. Tasted September 2018
Huis Van Chevallerie The Hummingbird Colibri Kap Klassique 2017 (WineAlign)
The Hummingbird is composed of 70 percent viura with chenin blanc from Christa von la Chevallerie’s Nuwedam Farm in the Paardeberg. The first viura as far as we can tell in South Africa, a Spanish grape variety not very high in acidity picked up and elevated by the chenin. This first vintage kick at the sparkling can in a Cava style is mostly 2017 fruit, in bottle 12 months so very much adhering to a Cap Classique model. Christa thinks both outside the box and the varietal groove with this textural beauty and so its moniker naturally importunes as Kap Klassique. As a bottle of bubbles it offers a forward rush of life, crystallized in a brilliant jewel of a moment. Drink 2018-2022. Tasted September 2018
Ken Forrester Wines Chenin Blanc The FMC 2004, Stellenbosch (WineAlign)
FMC, as in Forrester (Ken), winemaker Martin Meinert and chenin blanc. Here looking back 14 years to a time when they and only a handful of others had the true understanding of foreshadowing as to what the signature grape variety could become for South Africa. That is why they set to making this highly specific and purposed example. From a single vineyard, then 34 years old (now pushing 50) and the eighth vintage, by 2004 fully commanded stylistically by its makers. Barrel fermented and bloody rich, still viscous, now so honeyed and lit like a candle in a cool cave. A true original, like the Ford Motor Company, a female main character kicking butt in an action film, FMC. Drink 2018-2021. Tasted September 2018
Lismore Chardonnay Estate 2017, WO Greyton (WineAlign)
From the Cape’s south coast and Samantha O’Keefe’s Greyton Farm down a dusty road. The Estate sees 500L barrels, 35 per cent new and is a best fruit selection cuvée. It’s also about the ferment “to keep a limey tension,” tells O’Keefe, so it’s really about the combination of the two. Like the “normale” the orchard fruit persists but here there are stone fruits joining the apples and now the grip takes hold. If the other needs a year in bottle this “Reserve” could entertain three. In quite an awe-inspiring way it travels to and fro on a Meursault-Marsannay line, of high construct and palpable intensity. I’d wait the three for the grace and beauty of its future. Drink 2020-2027. Tasted September 2018
Momento Wines Grenache Noir 2017, WO Western Cape (WineAlign)
There are some South African winemakers who just seem to intuit what grenache is capable of realizing comme il faut from a Cape raising. Marelise Niemann is one of a select few who have mastered the art and science of grenache pulmonary resuscitation. Hers is 90 per cent Paardeberg and (10) Voor Paardeberg, so not labeled as such. “The most important red grape in South Africa,” she says with varietal diffidence and I will not be one to argue. Not with Marelise. These are bush vines, all itching to succeed off of decomposed granite. These vines scratch and claw their way out of the aridity and the adversity to gift a purity of fruit and very special tannins. Pretty and with a level of tension seen in its face, after some time on skins and a natural ferment crawled out of whole bunch pressings. Spiced and spicy, demurred, matured in old oak 16 months, wise, mature and nurturing. Drink 2019-2024. Tasted September 2018
This was the year Andrea Mullineux began working with this rare and certified by the Old Vines Project sémillon gris from a 1960 planted (just 2 kms away from the chenin blanc), heritage dry-farmed plot grown on the granite soils of the Paardeberg in the Swartland. Only a few blocks exist anywhere and in 2014 some of this fruit began to augment the Mullineux Old Vines White. It is what Andrea calls “a project of the jumping gene.” It’s like a varietal ride on a pogo stick, in colour from pale like colombard to dark as cinsault. A citrus attack like no other and subjugated to the lush manifestations of skin contact. Still so flinty-smoky, lean and yet of a texture like an emollient of florals keeping the wine moist, fleshy and flexible. Though not the saltiest of vintages this gris is in complete control of its phenolic emotions. It’s also blessed of this unreal incandescence. Wholly unique in every respect. Drink 2018-2026. Tasted September 2018
Paul Cluver Pinot Noir Seven Flags 2015, WO Elgin (WineAlign)
The most floral vintage of the Seven Flags and the first with clones 115 and 667 brought into the blend. This to create new concepts and levels of complexity with vines old, new and next level involved. The intermixing leaves us with a sensation involving many layerings; fruit, acid and structural. The fruitiness and fresh flower gatherings presents an aperture of severe harmony and adds up to a bunch of aesthetic yeses. Give it a year or two to integrate. Drink 2020-2027. Tasted September 2018
The Sadie Family Palladius 2016, WO Swartland (WineAlign)
Palladius is the quintessential spear brandishing South African appellative blend with more varietal diversity than an oenology department’s nursery. It holds chenin blanc, grenache blanc, marsanne, sémillon, sémillon gris, viognier, clairette blanche, roussanne, verdelho, colombard and palomino. No one does varietal interaction and trickery like Eben Sadie. No one. The ’16 is a wine of mixed tenses, the whole echelon and the black hole in the sun. Fruit comes from eleven different blocks all on granites, some from the Riebeek-Kasteel side. Ages in clay amphorae and concrete eggs, then racked into foudres, “to bring it all together.” Palladius holds a casual disregard for synchronizing fruit, acid and extract verb tenses in the way it uses a conditional interrogative without the proper structural order. It’s a wine of fine and unfair intensity, iconic, wise, learned and all for good reason. Imagine this to age well beyond its 15th birthday. Drink 2019-2032. Tasted September 2018
Savage Wines Syrah Girl Next Door 2017, WO Coastal Region (WineAlign)
Though the négoce roaming transverses the entirety of the Western Cape, sometimes you just go home again. This as small as it gets Girl Next Door resides and is raised out of a 0.38 hectare Noordhoek vineyard, “the weekend hobby vineyard,” as Duncan Savage would put it. A block of great clichés, “the home garden,” or at least close to home and certainly “a work in progress.” The developing plot is a mystery wrapped inside an enigma within a narrative that currently fashions a wine to speak of a long term vision. In these first chapters it is already doling dark and mysterious, rich and silky, highly meaningful fruit. How this can’t turn into one of the great epic novels of Western Cape lore is beyond you and me. Home is where the heart soothes then savage beast. Winemaker and syrah. Drink 2020-2026. Tasted September 2018
A single-vineyard is the source and a unique one at that for the Swartland because here is the spot where the decomposed granite of the Paardeberg begins to meet the northern slate. Paardeberg cinsault. If you are not yet familiar with this lovely beast it’s high time you got stoned on it. A varietal echelon rebirth eschews decades of French mistakes and enters into a revolution. As I noted from the ’14, it’s also a revival, a saving and a reformation. Having made itself a home in the Swartland now cinsault can create its own narrative, re-write the book and speak of the terroir. Transparency is truth and in a tightly wound, uniquely tannic way this curls tart and cured meaty filaments around a paradigmatic red fruit core. It’s bloody caesar delicious. Drink 2018-2022. Tasted September 2018
Van Loggerenberg Wines Kamaraderie 2017, WO Paarl (WineAlign)
Just the second vintage of Lukas van Loggerenberg’s Kamaraderie is a chenin blanc from a 1960s planted, two hectare single-vineyard in Paarl. Lukas picks the bottom of the slope first and the top many days later so there is this natural layering of fruit. Reeks with reminiscence, of fennel and pistachio, of fronds and gelid cream. Only 800 bottles make this one of South Africa’s rarest chenins raised for 10 months in old barrels, unstirred, shaken or allowed to visit with the malolactic king. There’s a dissolve of delicious citrus seamlessly streaked through fleshy fruit in what is just such an organized and structured chenin. Finishes with the brine, oh the brine. Drink 2019-2024. Tasted September 2018
Stellenbosch Braai
In VINTAGES
While the August 6th VINTAGES is chock full of stalwart South African wines it bears repeating that July 20th also gifted some worthy picks. The list below takes a page out of each book.
Michael Godel – Next level chenin blanc from the Cederburg appellative specialist, so very herbal, lime driven and smart like dry riesling in a Rheinhessen way. Terrific acids lift and elevate the lime and tonic flavours. Most excellent arid example with a dried herb finish.
Michael Godel – A pinotage that bridges the twain between old school and necessary modernity, with plenty of wood induced chocolate and some mocha but also quality varietal acidity and tannin. Rich, unctuous and spirited to the thriving point of attack.
Michael Godel – Lesca’s fruit is drawn from three vineyards in Robertson notable for their predominant soils of limestone and chalk. Great work from the De Wetshof bros who just allow this grape variety to shine on, be explicit and act of its very own accord.
Michael Godel – From the extraordinary Annandale Estate in Stellenbosh Spier’s is very peppery cabernet sauvignon with a distinct local touch of glare and flare. Steely exterior, massive fruit and and such a bloody lekker South African. Long and juicy. Who says you can never go back to old school.
Michael Godel – Rustenberg continues to prove that it qualifies for top varietal value specialist out of Stellenbosch by pumping out pop hit after hit and this chenin blanc is no exception. Fruit riper than many, mild spice meeting wafts of vanilla and more than its share of lees-effected texture. All around right and proper.
Michael Godel – Deep, dark, handsome and peppery shiraz here from Stellenbosch with a syrupy confection and plenty of energy on the flip side. Really drinks like a bigger, more expensive and chic wine.
Michael Godel – Canada knows Rosé but Malivoire really knows Rosé. Vivant may be there between entry-level and cru but it’s done up so right, light but too much so, gently expressed but enough that fruit gets through and shines bright as if picked just there. Salinity strikes through without splitting up that fruit, like a main vein bringing oxygen and essential nutrients like blood to the mind. Last tasted July 2019.
Michael Godel – Argento is from the owners of Uruguay’s Bodega Garzón, Chianti Classico’s Dievole and Montalcino’s Podere Brizio. A year past the freshest time in its life but cool, savoury and without too much barrel overtake (thanks to second and third passage wood). Well-worked and solid to be franc, true to place, now chewy and offering proper value.
Michael Godel – Ostensibly the driest and purest form of chenin blanc from Saumur with the Loire’s post-modern take on the Western Cape, in a way though without pungency, pepperiness or glucose inflected texture. This is dry as the desert, tart, tangy and intense. Needs some richness in food to make all ends meet.
Michael Godel – Welcome into the Ornellaia range by way of the second wine that has never shown even a modicum of compromise. Hot vintage but acidity is strong and true while fruit stays cool, seasoned and reasoned, There’s a real meatiness to this ’17 and a lovely sense of salumi cure. Once again an educational tool for Bolgheri and Toscana.
Michael Godel – Sangiovese needing the bottle is proven here. Now a year and a half later this swirls into a grosso sangiovese like liqueur with plums, cherries and spice. Really Riserva in style and now just 18 more months away from its guaranteed due elegance.
Michael Godel – Oenologist Emanuele Nardi draws his classic Brunello from the fluvial Cerralti parcel, a mix of jasper which is a type of opaque, granular quartz, along with shale and clay. Classic liqueur and modern texture give way to grippy acidity and more than necessary structure. This is one of those Brunello that speak with fruit early but with a knowing nod to longevity.
What goes best with chenin and cinsault? Tuna Burger at Sea Breeze in Cape Town
Takeaways from Cape Wine 2018: Bot Rivier, new generation pinotage, regional spotlight on Robertson, Méthode Cap Classique, heritage vines, post revolution Swartland, wot varietal? Hannuwa and kuier
The last time I travelled across the Atlantic and down to the southern tip of Africa was in the warm days of September when I took in the three days of Cape Wine 2015. Beyond the Cape Town commotion of the triennial wine fair there was the added bonus of an expansive, wayfaring wine-lands itinerary. A deep understanding of the Western Cape’s wine landscape came to light, though at the time it seemed like being caught up in some kind of cultural and constitutional revolution. A return engagement with South Africa this past September changes but also cements the notions considered and the lessons learned. South Africa’s scene has now found itself comfortably cast in a post-revolution, full on republic state of wine. Allow me to expand.
I’m searching for the spirit of the great heart Under African sky
A deeper understanding
After my return three years ago I suggested that “what separates South African vignerons from the rest of the world is a playground mentality and their confident executions in consummation of those ideals. The soils and the weather are nothing short of perfect…the place is a veritable garden of viticulture eden…a certain kind of comparison presents South Africa as the wine equivalent of the wild west. In the Western Cape, anything goes. The landscape of South African wine is demarcated by ancient geology and by the geographical diversity of its regions, sub-regions and micro-plots. Varietal placement is the key to success. As I mentioned, South African winemakers can grow anything they want, to both their discretion and their whimsy. The choice of what grows best and where will determine the successes of the future.”
It’s satisfying to note that three years later the adages, analytics and perspectives remain constant with that initial intuition and yet the changes in mentality meeting execution are far greater than such a short passage of time could normally afford. Winemakers in South Africa are learning everything there is to know about making wine and from every corner of the world. Some are travelling to the sources for the knowledge while others are simply experimenting at home every day to get there. There is no style of wine that isn’t being attempted. I’ll say it again. “Natural fermentation, skin contact and carbonic maceration have infiltrated the winemaker’s psyche. Fresh, natural, orange, amber, caliginous and tenebrous have established Cape footholds with enzymatic force.”
The year 2018 will be remembered for many things but at the top of that list are resilience and tradition. After months and months on end of near catastrophic drought the country and in turn the wine producers have found a way to survive and to thrive. Thanks must be afforded the pioneers and those with the most experience, in other words, the people who have been through and seen it all. As a result it is the icons and archetypes of South African wine that stole much of this year’s spotlight. Though they are the antithesis of the young and free-spirited, the lines have begun to blur, or at least overlap in terms of who is who in the winemaking mise en scene. Three years ago these pirates with pirate eyes and pirate smiles made some good wines but a good deal of them were dirty, funky and flawed. Wine geeks gushed because of the cool, natural and revolutionary factor. It was a time of protest and free spirit. Once upon a time in the wild Western Cape. As the boomers have grown older their winemaking has matured and become wiser. There is no abandoning the call for uprising, subversion and experimentation but there is a concerted effort to fashion wines that are a pleasure to drink. Isn’t that the point? In 2018 it seems that everyone has it figured out. South African wines are cleaner by ‘n landmyl, with more purity, transparency and honesty than ever before. Their epiphany is now ours as together we synchronically enter this new world of deeper understanding.
It began at the Spier Hotel in Stellenbosch, home to Spier Wine Farm and Vineyards. It was unseasonably cold with the kind of crisp night air that just makes you think about acidity. The vines were infants at this time in the southern hemisphere vineyards but I could not help but imagine the 2019 harvest possibilities as having forged their beginnings with these early spring conditions. Next stop was Bot Rivier, first with a farm to table experience at Wildekrans Wine Estate. A quick stop to hang with the baboons at Sir Lowry’s Pass and a move to Kalmandi Township.
Performers at Amazink Live
This was a truly South African experience of ‘Ubunti’ at Amazink Live‘s township braai with the local entertainment troupe and a big bottle format of Smiley, Silvervis and Terracura with Ryan Mostert and Samantha Suddons. The fifth season of performance took place in what is called “a place of unity,” a safe space for all guests and groups. Amazink’s manager Zinthle explained that this club offers “a change in the perception of townships, the name alone means “it’s a nice home.” Kunandi Umalaba indeed. “It’s nice to be here.”
On to Roberston for three quick visits with Graham Beck Wines, Springfield Estate and De Wetshof Estate Wines. Then a night under the African sky, a 24-hour out-of-body experience at Sanbona Game Reserve and over to L’Avenir Farm for Pino Pistols – the next generation of pinotage young guns. The next morning at the Cape Town International Convention Centre for the start of three jam-packed days of Cape Wine 2018. An evening that can never be forgotten covered the classics – a regional four-decade vertical tasting with eight iconic producers. The trip culminated with lawn bowls in Malmesbury with the Swartland Swingers, artists formerly known as The Swartland Revolution.
Sundowners, Sanbona Game Reserve
Three years after that 2015 Cape Wine experience it’s duly noted how both flow and focus mean that the game is changing. The notion of planting whatever you feel like wherever you feel it just because it will ripen is evolving. Specialization, especially with respect to varietals like chenin blanc, cinsault, grenache and pinotage is the wave of the future and with this furthered isolation of micro-plots and terroir for these very specific grape varieties. Narrowing the focus, figuring out what works best and why. It’s the Burgundian way and indeed the way all great wine regions make their mark. The heritage seekers and protectors know what’s what. Old vines, especially dry, bush-farmed vineyards are the backbone of South Africa’s diversity and possibility.
Were South Africa not so far away from the rest of the wine-consuming world I truly believe it would blow every other wine region out of the proverbial water of supply and demand. South Africa’s wines represent the finest quality to price ratios in the world and there is plenty of product to go around. Lying a continent (and an ocean) away from both Europe and North America is an obstacle that will always be too distant to overcome but the global economy’s ability to coalesce and encourage trading of goods from the furthest of poles is only going to increase. If this upwards and positive trend is to continue the current wave of nationalist political tendencies must be curtailed, if only so that we as consumers can continue to enjoy the wealth of extraordinary wines that need to be exported out of South Africa.
Chef Gregory Henderson, Wildekrans Wilde Forage, Bot Rivier
New age of diversity: Bot Rivier
Bot Rivier is south-east from Cape Town, sandwiched from south to north between Hermanus and Stellenbosch. “From the top of the Houw Hoek Pass, one gets the first glimpse of the vast, rolling hills and big sky of the Bot River area, where real people make real wine.” This is the credo of the family of wineries that farm and produce in the area. There are 12 members of the wine-growing association, all within a 10km radius of one another. At Wildekrans we participated in a ground foraging experience alongside Chef Gregory Henderson. Beaumont Wines, Gabriëlskloof, Paardenkloof, Villion and Luddite Wines led us through a blending process to make a wine from samples supplied by all six. Four groups attempted the exercise to mixed reviews. Said Luddite’s Niels Verburg. “We gave you six beautiful wines and you gave us four bad ones back.” Their wines were significantly better.
Beaumont Family Wines Hope Marguerite 2017, WO Bot Rivier-Walker Bay, South Africa (Agent, $35.00, WineAlign)
The vintage clarity speaks to an unbelievable old vines imperative and in this case a stage presence imperative to scrape, zest and juice all the lemons, tangerines and peaches in the world. The fruit quality and integrity conjures a continuum where distant memory fast forwards to present day reality. ‘Tis an extraordinary time to taste chenin blanc in its modern vernacular, of so many styles with Sebastian Beaumont’s so high on the pyramid. The The 2017 accomplishment includes further complex compliments, dried pineapple, lemon peel and an herbal wonder powder. This is the sauce. “This is the day, your life will surely change. This is the day, when things fall into place.” Soul mining for chenin blanc. Drink 2019-2026. Tasted September 2018
Villion Family Wines Syrah 2017, WO Western Cape, South Africa (Winery, WineAlign)
A moment’s pause to consider the aromatics is unavoidable because the mid-palate complex notions swirl dramatically out of glass, through the mouth and straight into the mind. This with thanks in kind to more than half of the juice having matured for eight months in (36 per cent new) 300 and 400L French barrels. The fruit was not lost in fact it’s uncanny how mandarin orange it is, plus this old vine (30 years and older) mineral-flint strike to round out the third and most expected aspect of the total oeuvre. Rich, unctuous and structured is a great way for chenin blanc to go through life. Drink 2018-2021. Tasted September 2018 villionwines@VillionWines@VillionWines
Wildekrans Wine Estate Chenin Blanc Barrel Select Reserve 2017, WO Bot Rivier, South Africa (Winery, WineAlign)
From winemaker Braam Gerricke his chenin blanc layers and variegates richness and spice. There is nothing simple about the designation or the result, very much in the vein of old vines and barrel licked chenin with great expectation. The ceiling climbs high for this type of execution and with some age for this, followed by some adjustments for the rest the future looks very bright. These are wines poised to climb into another Cape echelon. Drink 2018-2022. Tasted September 2018 wildekrans@WildekransWines@Wildekrans
Gabriëlskloof Syrah The Landscape Series on Shale 2016, WO Bot Rivier, South Africa (Winery, WineAlign)
On Shale is forged of a single-vineyard, Bokkeveld site on the Gabriëlskloof property that makes for a stand apart syrah without comparison. A wild ferment encourages idiosyncratic, ferric and hematic tendencies of what can happen on this section of Western Cape geology. The theoretical possibilities from such shale do for syrah what Cape granite and Malmesbury shale won’t, making abstract connections liquid chalk bled through mudstone in the form of herbal amaro syrup. You notice it in the consistency too, so pure, so sappy oozing and in its very intuitive way, extroverted fine. Drink 2018-2021. Tasted September 2018 gabrielskloof_@Gabrielskloof@donniewine@Gabrielskloof
Luddite Shiraz 2014, WO Bot Rivier, South Africa (Winery, WineAlign)
Just a few years offers up so many more clues as to what is going on in Niels Verburg’s shiraz world. First of all the 24 months in barrel and the 24 months in bottle are structure building and basically tell us to stay away for an equally further amount of time. Not that you wouldn’t want to taste one or two along the way but time is the necessity. This is shiraz held back to “gain a balanced potential.” Meanwhile, no other Cape shiraz smells like this. Niels talks about the mattress of curry the khoi bushmen used to lie upon to raise them up above the ground and away from the insects. The plants known as “kerrie” have a very particular herbal-savoury scent, certainly present in Luddite’s shiraz and even more pronounced with a few years of time gone by. It’s exotic, an herbal-spice line trod with floral undertone and in part certainly a cause to that vineyard presence of the curry bush. Texture is fine spun silk, integrated and then comes exquisite acidity to complete the picture. Drink 2019-2027. Tasted September 2018 luddite_wines@LudditeWines@ludditewines
Paardenkloof Estate Cabernet Sauvignon 2017, WO Bot Rivier, South Africa (Winery, WineAlign)
Planted in 2002, it was 2006 that proprietor Mohseen Moosa first produced this cabernet sauvignon on the mountain that separates Bot Rivier from the Hemel-en-Aarde, three to four kms from the sea, as the crow flies. The cooling breezes help to coax, coddle and accentuate the varietal tendencies, “to promote the primary fruit of the vineyard,” tells Moosa. Beneficial balance and restrained intensity define this wine, from pockets of spice through ultra-violet floral rays. Pleasing fruit meets designate structure for the most solid of South African cabernets. Fine chalky tannins and all in all, really accomplished. Drink 2020-2027. Tasted September 2018 paardenkloof@PaardenKloof@PaardenKloofEstate
Chardonnay vineyard in Robertson
Regional spotlight: Robertson
The Robertson Valley is a singular and vast South African landscape, a place of wide open spaces and skies. It’s the ideal location for many things, including growing chardonnay and pinot noir for Méthode Cap Classique sparkling wines. It’s also possessive of the finest limestone soils in the Capelands which means chardonnay thrives and the ceiling for pinot noir can only raise higher. Pockets of sand and clay are also ideal for Bordeaux varietals; cabernet sauvignon and sauvignon blanc. The history, meticulousness and confidence of Robertson’s winemakers is more than evident. Springfield’s Abrie Bruwer was quick to remind us all “we’ve revolutionized (winemaking) three times over already and nobody’s noticed.” Robertson remains under the radar but know this. Old world defines the collective oeuvre.
Springfield Estate Sauvignon Blanc Life From Stone 2018, WO Robertson, South Africa (Winery,WineAlign)
What a jolt in how there’s a quick flash of Sancerre and then bam, straight back into a Robertson reality from the rockiest of parcels. The juice is kept at negative three degrees celsius to preserve the sheer freshness of the fruit. It’s not so radical but it’s also not done. What is does is prevent the flavours from disappearing into the enzymatic wind. They’ve been at this process for 11-12 years, seven of them with the entire crop. It’s about keeping the entirety of the lees suspended to buoy and ready the fruit for fermentation, at 13-16 degrees. The fruit is so variegated, at first mostly stone and the towards tropical tendencies, on the back of acidity wise and mature. Drink 2018-2023. Tasted September 2018 springfieldestate@springfieldwine@springfieldestate
De Wetshof Estate Unwooded Chardonnay Bon Vallon 2018, WO Robertson, South Africa (403675, $22.95, WineAlign)
The unwooded chardonnay from de Wetshof is a fascinating wine because it’s one of the very few in the style that needs some time to settle down and in. From the good valley at the lowest point between slopes there is more searing orchard and citrus fruit meeting pure, unaffected by wood nuttiness than a list that includes all of Robertson and perhaps the entire Western Cape. What is pulled from this limestone terroir and without any barrel time is almost impossible but wholly remarkable. It’s also consistently constructed vintage after vintage by the commitment to craft by the family de Wet. Drink 20189-2022. Tasted September 2018 dewetshofwines@DeWetshofWines@dewetshofwines
Graham Beck Prestige Collection Cuvée Clive 2012, Méthode Cap Classique, Robertson, South Africa (Agent,WineAlign)
Clive is Graham Beck’s most prestigious and important cuvée, what méthode cap classique cellarmaster Pieter Ferreira calls “a respect to Champagne. While previous incarnations were wines of “best selection” the 2012 chardonnay and pinot noir are drawn from a single-vineyard for the first time. Stand in the tasting room and there it spreads out below, on soil riddled with limestone to equip this crisp and arid sparkling wine with all the necessary attributes. Bronze-parched apple and dried quince are noted. Sentiment and data from a 10 year study project of varietal, lees and aging are collected and come to this; a toast demure, a love divine, a wild control. Brilliant sparkling wine and undoubtedly a South African gem. Drink 20189-2027. Tasted September 2018 grahambeckbubblyvinexxperts@GrahamBeckSA@Vinexxpert@grahambeckmcc@Vinexx
L’Avenir Wine Estate and Country Lodge
Pino Pistols – The next generation of Pinotage young guns
Heritage in South Africa is not just reserved for chenin blanc. “You know what old vines can give you,” says L’Avenir’s winemaker Dirk Coetzee. “We’re here to discuss a pinotage revolution. We’re here to discuss the next generation of pinotage.” Stellenbosch is host to the greatest concentration of Western Cape plantings and over the last ten years it has grown by 52 per cent. “Once we start making authentic product people will start thinking and the product will speak for itself.” In fact it has moved from being the sixth to the third most planted grape varieties. Beyerskloof winemaker Ani Truter adds, “what I tasted in the 80s was not pinotage, it was sabotage. It took 2,000 years for Burgundy to be successful. Don’t worry, it won’t take that long in South Africa.” Only a Châteauneuf-du-Pâpe winemaker could pay a compliment with such direct proposition.
David Sadie continued the analysis with his take on soil and cellar as being the reasons for making good and bad pinotage. “If you look at a bad pinotage today you can look at the cellar and not at the cultivar.” This in explanation for how pinotage has improved and is moving on from rubbery, toasted and burnt flavour profiles. “It’s about site selection, planting in the right areas.” It’s also about pH levels. “Your attention to hygiene is really important, it’s pH driven.” And finally, Jacques de Klerk of Radford Dale.” They used to be made at high alcohol levels and the margin for error was very precarious. It comes down to over extraction and over use of oak.” The times they are a-changin’.
Beaumont Family Wines Pinotage Sixty Barrels 2015, WO Bot Rivier, South Africa (Agent, WineAlign)
So interesting to taste this seminal pinotage by Sebastian Beaumont side by each with his 2009 “normale.” The same 1970s planted vineyard is employed, here from two blocks, one 44 years of age and the other being a spritely 21. The salty note on the aromatic top is faint, hidden beneath massive fruit ability, but it depends (of course it depends), on vintage. This one is full of wealthy possibilities and stealth opportunity, especially when the salt rises to the surface in thew clay. That clay effect is a fulsome one, really notable from 2015 to claim fruit, stash it away in reserve and wait for structure to build, crest and relent. Many years will pass as a result of this pinotage process. This is how you build varietal wealth and worth. One of South Africa’s finest. Drink 2019-2027. Tasted September 2018 beaumontwines@Beauwine@Smallwinemakers@beaumontfamilywine@smallwinemakerscollection
L’Avenir Pinotage 2016, WO Stellenbosch, South Africa (Agent, $14.95, WineAlign)
When it comes to pinotage there are few producers capable of delivering the triumvirate of quality, honesty and ignoring of sickly trends. There is no mocha in L’Avenir’s take on the mistaken identity grape. In this case it’s like you’d expect pinotage to be but also completely unexpected because it takes classic relief, alters the perspective and turns the architectural rendering on its head. Pinotage needs to keep you on your toes, confuse with trompe l’oeuil drawn trickery and offer up great surprise. That’s what makes it special. Here richness is met head on by tannin, dusty fruit by bold acidity and spice mix at the gate of intensity. Just imagine the possibilities in the estate’s single block. Drink 2019-2022. Tasted September 2018 lavenir_wine_estateselectwinemoments@LAvenirWines@SelectWinesTO@LAvenirEstate@SelectWinesCanada
Beyerskloof Pinotage Diesel 2015, WO Stellenbosch, South Africa (Winery, WineAlign)
The bush vines are in the 20 year range on gravelly Oakleaf and Klapmuts soil for this highly credible example of what is possible with pinotage, especially in Stellenbosch. This is nothing but a structured red, housed in 100 per cent new French oak barrels for 20 months. After maturation, only 20 barrels were selected out of a possible 300. The fruit is richer, the texture denser and the extraction at the top end of the ideal. There is more of everything here, including savour and it’s anything but reductive or ball bouncy. Big, roasting, boasting and blasting with an exceptional level of quality. Drink 2019-2023. Tasted September 2018 beyerskloofchurchillcellars@Beyerskloof_@imbibersreport@Beyerskloof@imbibersreport
B. Vintners Pinotage Liberté 2017, WO Stellenbosch, South Africa (Agent, $41.99, WineAlign)
Two oceans facing granitic soils at 250m are the impetus to raise this Cape dialectical, Atlantic meets Indian pinotage. It’s also a whole bunch matter, something that in increasingly important in the varietal lexicon. The plantings are east-west in orientation to avoid overbearing sun exposure, which is really a thing in pinotage and often the culprit for its unwanted “thickening.” Baking spice is all over the notes and fruit purity is duly counted. A very characterful red, spicy, smoky and just plain pleasurable, if on the confident side of all things being equal. Nice work between cousins Gavin Bruwer and Bruwer Raats. Drink 2019-2024. Tasted September 2018 raatsfamilywinesliffordgram@RaatsWines@LiffordONRaats Family Wines@liffordwineandspirits
Radford Dale Pinotage Frankenstein 2015, WO Stellenbosch, South Africa (Agent, WineAlign)
It took a few decades for someone to give Shelleyan props to Dr. Abraham Penold of Stellenbosch University,1925 grafter of cinsault and pinot noir to create pinotage. It’s a literary sidestep of a stretch to compare the science to Mary Shelley’s creature created by mismatched donors, but more than that it’s a cheeky shout out for a varietal often mistaken for a monster. Winemaker Jacques de Klerk grabs fruit from the white marl at the foot of the Helderberg Mountain for a pinotage troika of intention, ability and expectation. Three properties born of terroir, house and winemaker. All are on the same page written by an unspoken agreement to not abuse or confuse this grape. Frankenstein is smoky, curative, red raspberry ripe, right proper and built to last. Drink 2019-2026. Tasted September 2018 radford_dalereveriecheninnoble_estates@Radforddale@deklerkjacques@Noble_Estates@RadfordDaleWine@NobleEstates
Pinotage winemakers at L’Avenir
Kanonkop Pinotage 2015, WO Simonsberg-Stellenbosch, South Africa (Agent, $44.95, WineAlign)
Vines are between 30 and 60 years of age for this prototypical ode to how things were and going forward can almost certainly be in the world of pinotage. Wrinkled, gnarled, grizzled old veteran vines, the Gordie Howe of the genre, Mr. pinotage if you will. Trees of a vinous sort, able to shake of draughts and new wave mochafied drafts, with a hat trick of checks, balances and grit. These vines are the past but more importantly are the future, typified and exemplified in this kind of pinotage, a modern classic made from a place by a maker who knows what’s what. Smoky red fruit with this uncanny variegation of hue, cloudy transparency and complexity of character. Drink 2019-2025. Tasted September 2018 kanonkopwineestatenoble_estates@KanonkopEstate@Noble_Estates@Kanonkop@NobleEstates
David And Nadia Pinotage 2017, WO Swartland, South Africa (Winery, WineAlign)
David and Nadia Sadie’s pinotage is quite possibly and purposefully the lightest there is, clocking in at an impossibly low 12 per cent. It is both the next and other tier for the varietal reconnaissance with vanguard clarity and an honesty to speak of wine made under serious drought conditions. Bright red fruit and that low alcohol make it at once crushable but then sneaky structured. A maturity of vine, maker and grape conspire for such a dichotomy of bemusement though to be fair you could blindly be convinced that you were tasting lithe and ethereal northern Rhône syrah. The mixed magical condition certainly makes you take a step back and a seat to think. It’s a good conundrum and an excellent way to be drinking pinotage. Drink 2019-2027. Tasted September 2018 davidandnadia@DavidandNadia@DavidandNadia
Wildekrans Wine Estate
Wildekrans Wine Estate Pinotage 2017, WO Bot Rivier, South Africa (Winery, WineAlign)
A cooler, herbal and uniquely floral pinotage from Braam Gerricke. Bush vines grow on a shady site of small acreage and at altitude for the valley. Pinotage of chalky liquidity from you which you feel the oak and a real sour-sorrel tang. Was in barrel for 15 months and it will need a year or two to fully integrate, than drink well for four or five more years after that. Terrific persistence and length. Drink 2019-2023. Tasted September 2018 wildekrans@WildekransWines@Wildekrans
Graham Beck Winery, Robertson
Méthode Cap Classique
Plain and simple, Méthode Cap Classique (MCC) is a South African term indicating a sparkling wine made in the traditional method (the same way Champagne is made), by which a secondary fermentation takes place inside the bottle. That said, there is nothing simple about MCC and who would argue that as a category it produces some of the finest, most complex and diverse sparkling wines in the world. It’s also very much a wine about terroir. As it stands, MCC has to age on the lees for a minimum nine months to be labelled as such. “We’re making wines that develop too quickly,” insists Paul Gerber of Le Lude. Gerber believes the minimum should be raised to 15. “Sparkling wine is not a terroir wine? Please. This is completely untrue.” As for sugar dosage he’s like a cook in the kitchen. “Dosage is like seasoning. If you do it properly you don’t taste it.” It is Graham Beck’s Pieter Ferreira that has put in the time and the research over 20-plus years to really understand the category but more importantly the potential. “You are always looking to express terroir,” he says. “For Brut we have to extend (the less aging time) to 60 months. So there is no lipstick or eye shadow.”
Le Lude Vintage Cuvée Méthode Cap Classique 2012, WO Franschhoek, South Africa (Winery, WineAlign)
Le Lude’s winemaker Paul Gerber assembles two non-vintage Bruts, blended each vintage for a house style. The fruit is primarily Robertson with some addendum out of Franschhoek. The first vintage was indeed 2012 and this chardonnay (80 per cent) plus pinot noir comes sweet herbal straight out of the riddle with a sultry, piqued spiciness. Already showing a hint of secondary notation by way of a honeyed nougat melted into the soft and delicate mousse. Still plenty of intensity and drive with citrus in whole represent by lime, fresh and juicy. Less red fruit (much, much less) and more white flower with the idea of yellow and green fruit. Stylish, persevering and precise. At 2.6 g/L it’s perfectly albeit sparsely seasoned and mature with Champagne confidence. Drink 2019-2027. Tasted September 2018 leludemcc@LeLudeMCC@LeLudeMCC
L’Avenir Brut Méthode Cap Classique 2017, WO Stellenbosch, South Africa (Winery, WineAlign)
L’Avenir Estate’s Méthode Cap Classique is mainly pinotage with some chardonnay and arrives in the glass as a light and nearly delicate bubble. It’s a succulent, sweet rusty, lively enzymatic sparkling wine with an opinion and a plan of action. Pleasurable to sip from a definite MCC teachable moment. Drink 2018-2020. Tasted September 2018 lavenir_wine_estateselectwinemoments@LAvenirWines@SelectWinesTO@LAvenirEstate@SelectWinesCanada
Genevieve Brut Blanc De Blancs Méthode Cap Classique 2014, WO Bot Rivier, South Africa (Winery, WineAlign)
Genevieve is Cap Classique made by Melissa Nelsen and was first made in 2008, released in 2010. Now with 2014 the lees aging time is 48 months with total output in the 12,00-13,000 bottle range, up from the 5,000 of that first vintage. The goal is 20,000 in the very near future. It’s essentially blanc de blancs, 100 per cent chardonnay as a wise, calm, mature and elegant traditional method sparkling. Just lovely. Drink 2018-2021. Tasted September 2018 #melissagenevievenelsen@Genevieve_mcc
Graham Beck Brut Zero 2012, Méthode Cap Classique,Robertson, South Africa (435453, $23.95,WineAlign)
Slanghoek pinot noir (77 per cent) meets limestone-Robertson chardonnay for a driest of the dry sparkling wine that spent 60 months on the lees. Beck’s attack for the Brut Zero “is based on the philosophy of grower’s Champagne,” notes Pieter Ferreira and as such it surely ranks as one of the more mineral-toasty bubbles in the entire Cap Classique category. No sugar added during dosage allows the land to speak. There is a deeper intuition beyond flint-struck, something categorically chalky while delicate and flavour wise it’s simply limon-delicieux. The fineness is noted and the vintage too, from which the team saw enough to make use of the highest quality juice for a tête de cuvée wine. High ceiling for aging here. Drink 2018-2024. Tasted September 2018
Wildehurst Méthode Cap Classique NV, WO Swartland, South Africa (Winery, WineAlign)
Sheree Nothangel’s sparkling Cap Classique is composed of chenin blanc and chardonnay (56/44), at 4 g/L dosage after 24 months on the lees. This is the third year of the program and the first stage speaks to a style that acts in delicasse incarnate. Just lovely and creamy in which lemon billows with elastic solids as curd and there is a real feel of fine lees. Though downy it too is lifted but not explosive by acidity. Drink 2018-2021. Tasted September 2018 wildehurst@WildehurstW@wildehurst
Avondale Wines Armilla Blanc De Blanc 2011, Méthode Cap Classique, WO Paarl, South Africa (451930, $34.95, WineAlign)
The first vintage was 2003 for the Armilla blanc de blanc, now out of 2011 and having spent six years lees post whole bunch pressing. It’s a naturally fermented chardonnay of which two per cent saw some older barrel. After two years of coarse lees aging there began this formidable bringing of citrus and sharp apple bite. The following four on fine lees delivered the integration of acidity ahead of the gainful accumulation of toasted brioche. Richness at its best for this Méthode Cap Classique, of preserved lemon, fine aridity (under 5 g/L RS) and high acidulation (over 9 TA). Terrific MCC. Drink 2018-2024. Tasted September 2018 avondalewinesa@Avondalewine@RareEarth_Wines@AvondaleWinesRare Earth Wines & Spirits
It may be argued that South Africa’s most important work is being done through the Old Vines Project. “Old vines make wines with a unique character. Wines that reflect the vastness of our South African landscape – our harsh climate, our old and sometimes fragile soils, and our complex culture. They reflect the decades of growing in one place, in the unyielding sun, the cold winter rain, the storms and winds, on a mountain, on a plain somewhere and then producing these delicate but powerful wines.
The Old Vine Project wants to preserve vines older than 35 years by creating an awareness of the heritage of old vines. Winemakers can certify their wines as ‘Old Vine’ and the public will knowingly buy wines that are made from the many ancient and sometimes forgotten patches of vineyards. Through membership the wine drinker will be able to follow the history of these wines and see where they come from – the exact slope or site, the winemaker, the soils and the stories of each.”
It begins with Rosa Kruger, viticulturalist and long time champion of the Cape’s oldest plantings. Using funding from businessman and winery proprietor Johann Rupert, Kruger founded the project in 2016, cementing formal something that had been in the works since 2002. In 2018, the OVP launched its plaques, held tastings and developed certification seals. Kruger has tirelessly promoted the qualities of the Cape’s 2618 hA of old vines. Today the larger than life André Morgenthal instructs, educates and directs on behalf of the Old Vines Project.
Chris Alheit makes an archetypal wine from the poster child vineyard for this intense old block by block pre-occupation, called La Colline in Franschhoek. So what do heritage vines mean to the makers of wines that carry this luggage? “For a clear South African identity you must use old vineyards to call it Cape heritage wine,” insists Alheit. He and more than 40 producers are making wines from a dozen regions housing further dozens of heritage blocks. These are the history and lifeline of South African varietals. It’s not just about keeping old things alive. The Western (and Northern) Cape is one of the few places in the world where old vines continue to produce extraordinary fruit to make beautiful wines. It’s not just about where you come from, it’s also about where you are going. These are just a few of these examples.
Alheit Vineyards Sémillon La Colline Vineyard 2017, Franschhoek, Western Cape, South Africa (Winery, WineAlign)
“Qu’est-ce que c’est?” From a vineyard housing both light and dark-skinned sémillon and if there are others in this world I am not privy to the information. The resulting wine is 85-90 per cent blanc and 10-15 gris. La Colline was planted in 1936 on the southern slope of Dassenberg and is now farmed by grandson Anton Roux, a direct descendant of the Huguenot refugee Paul Roux who arrived in Franschhoek in 1688. The vines stretch up the hill from 310-350m and it is the fruit from the middle slope that is best to leave for picking long after the chenin blanc. This is the indispensable fruit used in Alheit’s Cartology. Thick skins elevate the natural talking tendencies, from a super healthy pH for drupe of apposite attack and confusing like great whites you would not or should not compare it to. Chris Alheit’s invades your head’s consciousness with this amazing depth for sémillon, with no definable context, pretence or precedent. The impossibility is totally unique in the world and yet utterly South African. It’s both tense and nervous but somehow I can still relax. Psycho Killer sémillon. Drink 2020-2028. Tasted September 2018 chrisalheitgsoleil123@ChrisAlheit@GroupeSoleilTOChris AlheitGroupe Soleil Fine Wines
gentle humans, givers, terroiristes, magical wine purveyors ~ suzaan and @chrisalheit ~ thank you for the enlightenment ~ #capewine2018 #zoocrew
Alheit Vineyards Chenin Blanc Magnetic North 2017, WO Citrusdal Mountains, South Africa (Winery, WineAlign)
Also from the Citrusdal Mountains SAVA, a.k.a the viticultural area also known as the Skurfberg, a 10 minute drive away at 550m, again red sand and clay. The vines are ungrafted chenin blanc on its own roots but the soil here is an even deeper red, more so than Huilkrans and so now that white hematic thing is happening. Like red blood cells carrying elements, nutrients, ferrous unction and a pulse of power as opposed to the calm in the white of Huilkrans. This is the tenor to the baritone, rich in its crazy depth of fruit and always seared, marked and injected with trace elements. Does it all on its own. There is no winemaking going on here, only a moving target, of intensity and mystery. The vineyard lies a few degrees off true north from the Alheit cellar, poetically licensed as their “Magnetic North.” Drink 2019-2028. Tasted September 2018
Mullineux Old Vines White 2017, Unfiltered & Unfined, WO Swartland, South Africa (556597, $37.95, WineAlign)
Predominately chenin blanc with grenache blanc, sémillon gris, clairette and viognier, ushered by natural yeasts and encouraged through malolactic fermentation. The new age textured acidity is accessed without a stir and a highly textured affair it is. The composure rests in seamless mille-feuille layering while vested in slow-developed, all you could dream about in a cape effect white wine. Welcome to the cumulative in Andrea Mullineux’s Old Vines bottling. While Granite and Quartz make pinpointed investigations this is the one to educate us all on what Western Cape and more specifically Swartland chenin blanc blends are capable of discerning. The weight is powerful and weightless, the effort strong and effortless. Amazing really. Drink 2019-2025. Tasted September 2018 and January 2019 mullineuxwinesnicholaspearcewines@MullineuxWines@Nicholaspearce_@MullineuxWinesAndrea MullineuxChris MullineuxNicholas Pearce
Huis Van Chevallerie Filia Brut Nature Kap Klaissque NV, WO Swartland, South Africa (Winery, WineAlign)
Filia is the daughter of the Paardeberg, a self-described and cheeky Swartland Kap Klassique chenin blanc made by Christa Von La Chevallerie, dogter to Juergen and the Nuwedam Farm just off the R45 outside Malmesbury. Not just any sparkling wine mind you. Although the early stages of this old vines project from the (mainly) 2015 vintage only gives 18 months on the lees it also provides 1974 planted chenin blanc, for shits, giggles and shut the front door attitude. For Christa it’s a matter of “how far I can go with (the combination of) chenin and lees.” Clearly just the entry point here, with an announced mix of richness and tension, not yet knowing what can and will happen. The coast is clear, the chenin blanc is ready, willing, able and the winemaker will stop at nothing to make this bubble in her own image and way. Look out sparkling world. Drink 2018-2022. Tasted September 2018 christalachevallerie@HuisChevallerie@ChevallerieZAChrista Von La Chevallerie
Natte Valleij Cinsault 2017, WO Darling, South Africa (Winery, WineAlign)
Malmesbury formation is the ground beneath the feet of these 1978ish planted bush vines. Milner calls them “the most isolated block in our collective…on a lonely hill surrounded by wheat fields and too many gates to remember.” The élevage is back into concrete egg here because the Darling fruit asks or even demands it. Alex is wanting the florality of violets to be celebrated and “put into a time capsule,” from one amazing environment to another. The egg is asked to capture that. It also brings texture and salve in the form of orange pastille, warmed and lingering. Of the four single investigative cinsault this is the most accomplished, with tannin and structure. Die koppie. Drink 2019-2022. Tasted September 2018 nattevalleij@nattevalleij@nattevalleij
Savage Wines Red 2015, WO Western Cape, South Africa (Agent, $54.99, WineAlign)
The kitchen sink is nearly full with syrah, grenache, cinsault and touriga nacional in a back to the farthing future beginning that was the first and now reminds of the regional ideal. While all of Duncan Savage’s other wines will already have evolved, in ’17 this will become a 100 per cent varietal syrah, in the name of fine tuning and a furthering of regional identity. The Red is the most perfumed, also elegant and delicate with a sneaky beauty in its phantom power. Really clocks in and knocks you upside like powerful. Like modern nebbiolo though you’d never really know it unless you were unafraid to ask. Who are you? Drink 2019-2025. Tasted September 2018 #savagewines#SavageWines#savagewines
The Heldeberg from Stellenbosch
Post revolution Swartland
They are no longer the Swartland Revolution but now the Swartland Swingers, a free and easy collective of South African winemakers who have this winemaking thing figured out. There is a swagger about these women and men who make wine from dry-farmed bush vines set into some of this planet’s craziest antediluvian soils. Their wines collectively have a very purposed focus but what they have more than anything else is flow.
Badenhorst Secateurs Chenin Blanc 2018, WO Swartland, South Africa (Agent, $23.00, WineAlign)
While Adi Badenhorst also produces some über fascinating and ultra-expensive chenin blanc (Klip Klop, Golden Slopes and Piet Bok se) the Secateurs, also known as pruning shears or “snoeiskêr” is the glue and the rock in his entire portfolio. It’s one of the original upscale chenin blanc to crack the North American market and open the portal to the rest of South Africa’s bush vine world. Some great old vines help usher this into its echelon and while it strikes with leaner and more direct lines than (especially) the textured Golden Slopes, it still exhibits its own palate wealth. A little bit of this, a little bit of vat, skin-contact, stainless and concrete ushers along the variegation so that feeling balances the fresh spirit of this steen. Salty rock and sweet basil come through at the finish. Drink 2018-2022. Tasted September 2018 aabadenhorsthannekebothawynbefoknoble_estates@AABadenhorst@Noble_EstatesAdi Badenhorst@aabadenhorst@NobleEstates
David And Nadia Grenache 2017, WO Swartland, South Africa (Winery, WineAlign)
For grenache the focus David and Nadia exert is on the red-brown schistous soils of the Kasteelberg, masculine terroir if you like (or will) as a brother to the Paardeberg where they make chenin blanc the order. About half the ferment is whole bunch, plenty enough for grenache and also six amazing weeks on skins. I can only imagine what the room began to smell like with this triumvirate of soil, varietal and execution happening. No other grenache anywhere in the world shows this type of terroir purity, or at least with such unequivocal and parochial relevance. The raspberry notes are uncanny and the transparency of transference is both light and in total control. Who knew so much character and structure could be coaxed from something desperately delicate. It’s like a spider’s web with bonds unbroken, capable of snaring the physical and the emotional while always remaining inherently meta. Aragon nor Rhône this is not, ethereal it is. Drink 2018-2027. Tasted September 2018 davidandnadia@DavidandNadia@DavidandNadia
Porseleinberg Syrah 2012, WO Swartland, South Africa (Winery, WineAlign)
If you would like to explore the pinnacle of richest restraint where South African syrah goes out to concrete then look to this off of Porcelain Mountain made by the phantom himself Callie Louw. A Riebeek Kasteel phenomenon was born out of a Boekenhoutskloof drive and it is the magical glycerin texture that behooves us to think, feel and linger with this top quality example. It’s also reticent, of great humility, needing no attention or introduction. It may be syrah of a certain aloof quality and yet the intensity unparalleled deserves all the accolades it may and will receive. Remembered, remarkable, stoic, unchanged and unchained. Drink 2019-2033. Tasted September 2018 #porseleinberg#callielouw#porseleinberg
Terracura Wines Red 2016, WO Swartland, South Africa (Winery, WineAlign)
Contributions are solicited, paid for and received from five different vineyards on three different terroirs in the Swartland; two on Riebeek schist, two on Paardeberg granite and one on Malmesbury ferrous clay. What does is all mean or add least add up to? It’s not Jamet dammit though it may be the most Cornas like because of the deep liqueur in this fruit. Also due in part to the Rhônish funk which gets into the mind of assessment in ahead of Western Cape terroir. It’s a combination of absolute perfection and downright absurdity. The olive brine and meaty cure are there, as is the tannin, like deep, dark sunken eyes. Ryan and Samantha don gothic costumes and zombie make-up, “with white lipstick and one thing on their minds.” Full moon syrah fever. Make a wine like this and you are no longer innocent winemakers. Nothing petty about that. Drink 2019-2023. Tasted September 2018 terracuraryanthewinegeekvinevenom@RyanTheWineGeek@SammelierSamantha SuddonsRyan Mostert@terracurawines
Mullineux Syrah Granite 2016, WO Swartland, South Africa (Agent, $152.95, WineAlign)
Moving in a muy from the seven vineyard syrah and into a Swartland side site committed to granite this is one of three Mullineux syrah specificities, the other being Schist and Iron. Granite is drawn of a single parcel of 19 year-old dry land, bush vines grown in the decomposed granite of the Paardeberg. Andrea Mullineux makes use of a 100 per cent whole cluster ferment and moves into larger (500L) barrels, all aimed at freshness and aromatics. Granite provides a flavour profile that is juicier, fuller, spicier and more provocative than the others but oh to be smitten by tannins so exceptional. There is a taste of blackberry incarnate, a fluidity of seamless transitions and length for Paardeberg days. Brilliant vintage for one of South Africa’s most important red wines. Drink 2021-2033. Tasted September 2018 mullineuxwinesnicholaspearcewineswosa_ca@MullineuxWines@Nicholaspearce_@MullineuxWines@WOSACanadaAndrea MullineuxChris MullineuxNicholas Pearce@WOSACA
Donovan Rall
Rall Wines AVA 2017, Swartland, South Africa (Winery, WineAlign)
The red blend carrying his daughter’s name is Donovan Rall’s 2.5 hectares sourcing from the schistose section of 18 year-old planted vines. This is consistent with many of the vineyards he works with, from dry land conditions, cause he’s the Schist Man. It’s varietal syrah of 1000 bottles, a true cimmerian beast, from struggling vines, between 50-60 whole bunch (as opposed to 100 in the RED). Pure ferric initiative, real hematic following. The glycerin, candied flower and aged balsamico is almost IGT, of Cortona but really more so in a mind’s eye memory of Cornas. Freshness is preserved and structure is infinite. Great, great acidity. One of the Cape’s greatest achievements in syrah. Drink 2020-2032. Tasted September 2018
Verticals
Anyone who chose not to attend Cape Wine’s eight wineries, four decades retrospective missed out on a tasting of a lifetime. Time was tight and so the ability to taste all eight and take proper notes in a walk-around format was challenging so here are five of the eight represented. Regrets to Vilafonté, Kanonkop and Warwick for the miss and here’s to hoping another opportunity will be afforded again someday.
How to have an epiphany. Taste 25-30 year-old #southafrican white wines. Case in point @kleinconstantia sauvignon blanc
Klein Constantia Blanc De Blanc 1987, Constantia, Western Cape, South Africa (Winery, WineAlign)
Poured by Managing Director Hans Astrom in Cape Town alongside 1994 and 2009. Planted in 1979, the inaugural vintage and the first South African sauvignon blanc was 1986. The 1987 was not labelled as sauvignon blanc but rather as B de B because of the botrytis-affected vintage. Honeyed but not in the way you might expect, not pushed by a petrol-fuelled sweetness but instead as the action of an old world inspired mash-up. Like Loire Jolivet Sancerre meeting Huet Demi-Sec chenin blanc head on. The collision explodes into a smoky smoulder with textural consequences. It’s a bees-waxy ethereal treading of chaotic spaces between worlds. The astral travel must have twisted through three decades of nether to arrive at this place, with the low pH vineyard soils to thank. And the magic, despite or perhaps in ode to the ’87 botrytis. In the end aridity wins and the wine drinks so proper, perfect and fine. Drink 2018-2020. Tasted September 2018 kleinconstantiahalpernwinewosa_za@KleinConstantia@HalpernWine@hansverbier@WOSA_ZA@KleinConstantia@halpernwine
Hamilton Russell Vineyard Pinot Noir 1986, WO Walker Bay, South Africa (999516, Agent, WineAlign)
Anthony and Olive Hamilton Russell went above and beyond in their interpretation of what is means to pour at a varietal tasting by including not only this first HR vintage but also sharing one of only three remaining bottles left in this world. Were the 1997 and 2000 perhaps better structured wines? Likely and even probably yes, but there’s something magical about a first effort. The innocence, hopes and dreams are all in there, along with the honesty and the sincerity. Believe it or not the acidity is still in full flight even if the fruit has vacated the premises and turned to duff. If you’ve ever reached your hands into the Hermanus earth, inhaled in the sense of place and perhaps a lick of stone then you might imagine what this ’86 is like. A combination of plant oils, geosmin and petrichor preserved just long enough before it’s too late. Anthony and Olive timed the opening of the bottles produced to last just long enough. Drink 2018. Tasted September 2018 olive_hamilton_russellnoble_estates@OliveHR@Noble_EstatesOlive Hamilton Russell@NobleEstates
Paul Cluver Pinot Noir Seven Flags 2008, WO Elgin, South Africa (Agent, WineAlign)
In a word meraviglioso, or as they say in Afrikaans, wonderlike. Paul Cluver’s 10 year-old Elgin whispering pinot noir is one to prove something very important. The get together of place, varietal and producer reaches a tri-point of agreement, all vintages being equal, at the 10 year mark. Here from this 2008 we intuit the apex, of tessellate beat and three points where two lines meet. We’ll allow for a give or take of one to two years, duly noted in this vertical that includes 2009, 2013 and 2015 but for 2008 the number 10 finds itself at a pinnacle of evolution. If you appreciate aged reds, developed pinot noir and wise South African wine than here you are. A glass of plum pudding elastic, textured and exemplary in entanglement; notable fruit, fine acidity and tannin of “streel.” An earthy intensity sprinkles over the finale. Drink 2018-2022. Tasted September 2018 paulcluverpaulcluverwines@paulcluver@paulcluverwinesPaul Cluver
Meerlust Rubicon 1991, WO Stellenbosch, South Africa (Agent, 64329, WineAlign)
Some vintage are surely more special than others and while Meerlust has blessed many of them with a speciality of Bordeaux inspired wine dissertation it is this 1991 that stands erect in a critical test of time. This was tasted during the second of two estate verticals afforded in one calendar year, the first having being drawn from 2010-2003, 1996 and 1984, with this second string consisting of 2015, 2009, 2001, 1991 and 1984. The fruit is both in original form and yet also dehydrated; rusty raspberry, bokser and orange peel. Still a tightness and a faint ramification of tannin but plenty of staying power. A top quality vintage no doubt. Drink 2018-2022. Tasted September 2018 meerlustwineliffordgram@meerlustwine@LiffordONMEERLUST ESTATE@liffordwineandspirits
Sadie Family Palladius 2011, WO Swartland, South Africa (SAQ 13098449, $88.00, WineAlign)
Though the upstart 2016 may well go on to become the best of the lot in a vertical that includes 2005, 2009 and 2014 there is no denying the way this 2011 draws you into its lair of fineness. “An incredible year,” says Eben Sadie and one during which the move was made to aging in foudres. Made for an instant alteration into the new texture and what Sadie notes as “starting to dial in.” This is by now one of the Western Cape’s most accomplished and paradigmatic appellative white blends and while certainly dogmatic it has earned the right to be so. A blend of 33 per cent chenin blanc, (16) roussanne, (11 each) grenache blanc and sémillon blanc plus sémillion gris and palomino, (6 each) viognier, clairette blanche and verdellho. What’s it all add up to? Layers and layers of stratified South African geology, history and potential. The ’05 and the ’09 show what was possible and this 2011 shows what is. Drink 2018-2027. Tasted September 2018 sadiefamilywines@SadieFamilyWineThe Sadie Family Wines
The 1980s called. They want their culture back.
Wot varietal?
“We’re no longer trying to make chenin taste like sauvignon blanc or chardonnay, or Huet for that matter,” noted Chris Mullineux. “The grape variety has been in the country for more the 350 years, since the 1650s and it can withstand warm and dry conditions and perform really well.” No discourse on new versus old in South Africa can be addressed without first looking at the modish dialectal of chenin blanc. The combination of bush and old vines, coupled with indigenous ferments and skin contact addresses has elevated the stalwart, signature grape to its current reality. That said the wines now being made in South Africa do not solely rely on the current chenin fashion and instead offers up a diverse lot of varietal, region and style.
Alheit Vineyards Cartology Bush Vines 2017, WO Western Cape, South Africa (Agent, $49.95, WineAlign)
Cartology exists in a vacuum without peers, in part because it charted and mapped a course ahead of the curve. The 2017 refuses to rest on laurels and pushes the destination even further away so that the journey still remains the thing. Chris and Suzaan Alheit employ 11 dryland bush (30-80) year-old parcels and the whole addition proposes an adage of place and not idea. This is Cartology, a snapshot of time and place. The smaller amount of eighty year-old sémillon is from La Colline in Franschhoek, while the 30+ year old chenin blanc is grown in Skurfberg, Perdeberg, Bottelary Hills and Kasteelberg. If Cartology was this rich before I cannot say and only Chris, Suzaan and the Cape can make this wine. Only them and in these places. Best to date. Drink 2019-2027. Tasted September 2018 chrisalheitgsoleil123@ChrisAlheit@GroupeSoleilTOChris AlheitGroupe Soleil Fine Wines
Rall Wines Cinsault Blanc 2017, Wellington, Western Cape, South Africa (Winery, WineAlign)
The fruit comes from a 32 year-old, tiny 0.2 hectares of certified vines and the only remaining vineyard planted to the varietal. Like red cinsault this thing drops acid as fast as anything else. What you will taste is only the grape, on the skins three days for phenolic pulling and then straight into the clay. Seven months only, not too far and so freshness is preserved. Not just spirit but mouthfeel with the lightest frame and 10.5 per cent alcohol, with nice dry tannins. It’s like a shout out louds very loud matter of “nothing is hard cause something always comes out.” Lemon like you’ve never experienced before, leaning lime, like clairette and grenache blanc, but then again no. It’s just this. Donovan Rall managed 1005 bottles. Drink 2018-2022. Tasted September 2018 #Rallwines#RallWines@RallWines
Smiley Chenin Blanc NV, WO Swartland, South Africa (Winery, WineAlign)
Poured from magnum as one does with a non-vintage, Swartland chenin blanc inspired by the white Rioja of Tondonia and the idiosyncratic whites of the Jura. Although these originals are most obvious as Ryan Mostert’s first loves of oxidative sensitivity and specificity his Smiley stylistic has surely changed him so that the point in space is in constant flux. And so his is now the precedent because the revolutionary pioneering (along with several of his peers) has established South Africa, which includes Smiley at the forefront as the new reference point. We qualify this by saying that its own way Smiley is a fixed point that stays still and does not move. Drawing on four or five vintages the chenin blanc is blended on the flor, of skin-contact and it’s really all about layers of texture, not to mention “no holds barred.” It’s not nearly as far out there as you’d expect in fact it used to be and is now so much closer to centre. Some might argue against such a compromise but it’s not one at all. It’s made clean, with focus and determination to vinify something bloody great to drink. It’s a Champagne supernova cuvée. Drink 2018-2023. Tasted September 2018 ryanthewinegeekvinevenom@Silwervis@RyanTheWineGeek@SammelierSamantha SuddonsRyan Mostert
Blackwater Wines Palomino Pleasure Garden 2017, WO Swartland, South Africa (Winery, WineAlign)
Francois Haasbroek goes retro with his first try at varietal palomino, turning it out ambient and atmospheric, tasted here like listening to the Big Thing exactly thirty years on. The Duran Duran of chenin blanc for Swartland is also known as fransdruif or vaalblaar, meaning “White French.” Haasbroek sources his fruit by way of vines grown on shale with Table Mountain sandstone. Clocks in at a light radio’s just over 12 per cent alcohol and there was no fining. It’s a micro-terroir 0.85 hectare block and this 2016 as mentioned is the first kick at the can. Textured, natural, talc silky, with notes of orange zest, kelp, algae and sea spray. Gets creamy with lovely lemon preserve. Palomino is not chenin blanc but it can be coaxed into charm and “if there’s secrets, she has to be party, to every one of them.” We too are listening in. Drink 2018-2022. Tasted September 2018 shot_of_time@Blackwaterwine@BlackwaterWine
Lowerland Colombard Vaalkameel 2017, WO Prieska Noord Kaap, South Africa (Winery, WineAlign)
Lowerland is the small northern exposure from Alette de Beer and Bertie Coetzee. Forget just about everything you think you know about wines from South Africa and settle in for something completely other. Drive 1000 kms north to a place 1000m above sea level, where the summers are hot and winters see temperatures of -10 celsius. Vaalkameel, the “pale camel” is not a reference to the wine’s hue but a note to mimic the local flora. Comes through in the most unique herbal way and so the thickets of horny bushes must have their garrigue say. Some natural grasses (no cover crops) line the rows of this arid and wild viticultural frontier where late summer rainfall and the Orange River supply all that is required. Lime citrus and moments of pith are coaxed into the cool, almost gelid but certainly textured fruit by whole bunch master winemaker Lukas van Loggerenberg. Only 1,000 bottles were made of this trés cool white. Drink 2018-2021. Tasted September 2018 bioboertievanloggerenbergwinesalette.waterboerlowerland_wines@CoetzeeBertie@AletteWaterboerBertie Coetzee@LowerlandFarmAlette De Beer
Avondale Wines Cyclus 2014, WO Paarl, South Africa (295220, $29.95, WineAlign)
The blend is one-third roussanne with smaller parts of chenin blanc, chardonnay, viognier and sémillon. Barrel fermented in bigger barrels plus 20 per cent in amphora with the whole bunch component. Toasty, first from the roussanne and then what the sémillon brings. Texture is quite silky and the acidity primps, prompts then lifts the richness of fruit. Such a smart mastering of the South African art of Cape assemblage. Drink 2019-2025. Tasted September 2018 avondalewinesa@Avondalewine@RareEarth_Wines@AvondaleWinesRare Earth Wines & Spirits
De Wetshof Estate Pinot Noir Nature in Concert 2017, WO Robertson, South Africa (Winery, WineAlign)
For a chardonnay focused estate the question posed to Johannes de Wet is why pinot noir? “Because my father loves pinot,” is the straight answer. The brothers grow it on the rockiest soils up the slope seven kms from the winery above and beyond the limestone blocks where the whites thrive. It’s truly uncharted territory, away from the clay and into the hard Robertson granite. “Quite ideal for a variety that is so hard to get right,” muses de Wet. This is beautiful purity of fruit taken from vines that really only see the morning sun. A direct wind and afternoon shadows supply the acidity from what may be the coolest spot and also the steepest. “It’s one of the best/worst decisions we’ve ever made,” continues de Wet. “We don’t make any money but we love doing it.” Clean, linear, striking and in the end, just because. Drink 2018-2022. Tasted September 2018 dewetshofwines@DeWetshofWines@dewetshofwines
Momento Wines Tinta Barocca 2017, WO Western Cape, South Africa (Winery, WineAlign)
In 2017 there are three equal sources for Momento’s tinto barocca; one-third each Swartland, Stellenbosch and Bot Rivier, all old, dry-farmed bush vineyards. The vintage saw 26 barrels made with 20 per cent whole bunch in the mix. “A tribute to old vines in South Africa explains Marelise Niemann.” Surely not the only one, but certainly the unique gatherer of the grape variety off of three distinct soils. Like making an estate Brunello or highest quality Bourgogne AOC, drawing from three apposite yet complimentary micro-terroirs to provide fruit, acidity and structure. The tannin accumulation submits to the possibilities of that structure and in turn, age ability. Brilliant. Drink 2020-2028. Tasted September 2018 momento_wines@momentowinesMarelise Niemann
Savage Wines Cinsault Follow The Line 2017, WO Western Cape, South Africa (Agent, $50.99, WineAlign)
Follow the Line investigates, celebrates and extrapolates the unbridled intensity of cinsualt defined, vital, incarnate. A small, seven points of Darling syrah is blended in for pure, spicy and red ropey fruit forward freedom. The full on fruit front is a pulsing current of currants and dried herbs but it’s also sneaky tannic. A creeping, seemingly idle ne’er-do-well this one but do not be fooled. Picked early and ready to explode. Wait for it, follow the line to the blood red shoes, “dancing with the lights on.” Wait for the fire like this cinsault of total excitement. Drink 2019-2026. Tasted September 2018 #savagewines#SavageWines#savagewines
Craven Wines Syrah The Faure Vineyard 2017, WO Stellenbosch, South Africa (Winery, WineAlign)
Like the sister Firs this Faure Vineyard site is also 21 years of age, east facing towards the Heldeberg, with rocks in the soils. The name is more than familiar to Jeanine Craven, who was a Faure before she merged with Mick. What really separates this place is the marine air, three kilometres from the sea, as far as the African Black Oystercatcher flies. Again the planning involves whole cluster pressing and on skins seven days, to make pure syrah. Separated by 15 kms the Faure is antithetical to the Firs, salted by the sea and of a furthered intensity in a different form. It’s near searing, linear, grippy and with acidity lifting everything. Really juicy, pushed by a wow factor, clean, no funk and so much spice. Drink 2019-2027. Tasted September 2018 cravenwines@cravenwinesJeanine CravenMick Craven
Lismore Syrah Estate Reserve 2017, WO Greyton, South Africa (Winery, WineAlign)
Samatha O’Keefe’s excellent work with sauvignon blanc, chardonnay, viognier and pinot noir using Elgin, Walker Bay and 2003 planted estate fruit is one thing but this first go it alone syrah from the home vineyard takes a breath, blows a mind and melts a heart away. The Cape’s south coast at Greyton is the new frontier and as O’Keefe admits, “I drove down a dusty road and the rest is history.” While the ’16 syrah made use of half Elgin fruit it is this next wonder of cool-climate South Africa where you need to simply open your eyes and do the math. Steep slopes, prevalent shale and diurnal temperature fluctuations egress to varietal necessity and bring the proverbial Hermitage house down. A wine where together winemaker and taster share a moment of epiphany, for her one of many, for me my first. “All I did was learned to let the terroir speak for itself and to stop making South African shiraz.” Purity, transparency, honesty and paradigm shift all wrapped into one enigmatic yet emblematic syrah. Pay great attention to Greyton. This is South African syrah. Drink 2019-2029. Tasted September 2018 lismorewinegreytontourism@lismorewine@LoveGreyton@LismoreWineSamantha O’Keefe@GreytonTourism
Van Loggerenberg Wines Graft 2017, WO Stellenbosch, South Africa (Winery, WineAlign)
Lukas van Loggerenberg remembers his oupa with this tongue in cheek reference for a red blend of cinsault and syrah (55/45) sourced from granitic soils on in the Polkadraai Hills. Grafting, whether it be vines or winemakers is what keeps tradition, hard work ethic and biological diversity alive. Lukas is a larger than life pragmatist methinks and he’s all about putting things together, in place, with the best fit possible. Not so much a master of assemblage as much as one of oversized zen. The two varietal vineyards are 800m apart and separated by 200m of elevation. They are Lenny and George, two parcels joined at the whole bunch hip and for 11 months in French oak. They only add up to 660 bottles. The Mediterranean styling is evident, in black olive, garrigue (or fynbos), pepperoncino and cimmerian darkness. Richness is met by an earthbound ropiness though it’s ripeness is belied by pique, punch and peppery klip. A big and wow tannic finish, but it’s a sweet one. Drink 2019-2027. Tasted September 2018 vanloggerenbergwines@LukasvLoggLukas van Loggerenberg
Ken Forrester Grenache-Syrah 1999, WO Stellelenbosch, South Africa (Winery, WineAlign)
There ain’t a whole helluva lot of precedence from which to go on in deciding what’s going on here save for sitting next to Ken himself and taking in that devilish smile. What an honour to have him pour a spot of this 19 year-old tea into your glass. I suppose it could be considered the older sibling to the Gypsy and elder to Renegade but really it’s just a Rhône blend from another era and mother. Smoke, pepper, spice and mild meanderings remind us of innocent but also difficult times for making wine in the Western Cape. This just feels like sundown in Stellenbosch, of a demurred and soft glowing light, a breeze that picks up and falls away, a stillness in the air. No man made light, at night very bright. A good feeling this wine doth give. Drink 2018-2019. Tasted September 2018 kenforrestervineyardsfmcwinenoble_estates@KFwines@Noble_Estates @KFwines@NobleEstates
When I returned from South Africa two months ago people immediately began to ask. What’s it like? What’s new, what’s changed, what’s hot? I asked myself the same questions and the most obvious answers forthcoming were charged with the notions of quality and especially confidence. Case in point, fact and controlled emotion regarding the man, the winemaker and the wines of Donovan Rall.
Three years ago I had the opportunity to taste two of Rall’s wines at Cape Wine 2015. I was impressed with the quiet swagger of the Rall White and Rall Red. The former was from old Swartland (Paardeberg) and Stellenbosch (Bottelary and Helderberg) fruit I noted as “pure white stone groove.” The latter of Swartland schist to cure what troubles and saps. This sourcing, grabbing and snapping up grapes from vineyards, blocks and plots spread across the Western Cape is the humanistic phenomena of an independent South African winemaker’s condition. It’s what they do and yet Donovan Rall has taken the art form to a whole new level.
For one thing he has found the last Mohican of Wellington cinsault blanc and kept it alive for a very small portion of the world to enjoy. He’s mainly a Swartland guy but he also climbs high into the Piekenierskloof and dips into the depths of Darling cinsault. Mostly Donovan Rall is a Schistosier, a man of the Schist, El Schistorino, the Schister. He likes vines grown in the coarse-grained metamorphic rock, especially syrah and it is his latest varietal effort that blew my mind. It is truly one of South Africa’s most impressive varietal syrah.
Rall wines was established in 2008 after Donovan graduated with a Viticulture and Oenology degree from Stellenbosch University in 2005. He set out to travel and then returned to South Africa in 2007 for a Swartland vintage. Mediterranean varietals under his own label from scattered old Cape vineyards was the natural next step. Cape Wine 2018 marked the release of his 10th and 11th vintages in bottle, quite significant to mark the inaugural culmination of his early life’s work.
Donovan and I made eye contact at this most recent Cape Wine and I was flattered that he remembered tasting with me three years before. And so he went out of his way to pull seven bottles, disappear behind a partition and away from the mayhem of the Swartland booth and taste these seven South African beauties with me. The quantities are small but the hearts so very big. Here are my notes.
Rall Wines Cinsault Blanc 2017, Wellington, Western Cape, South Africa (Winery, WineAlign)
The fruit comes from a 32 year-old, tiny 0.2 hectares of certified vines and the only remaining vineyard planted to the varietal. Like red cinsault this thing drops acid as fast as anything else. What you will taste is only the grape, on the skins three days for phenolic pulling and then straight into the clay. Seven months only, not too far and so freshness is preserved. Not just spirit but mouthfeel with the lightest frame and 10.5 per cent alcohol, with nice dry tannins. It’s like a shout out louds very loud matter of “nothing is hard cause something always comes out.” Lemon like you’ve never experienced before, leaning lime, like clairette and grenache blanc, but then again no. It’s just this. Donovan Rall managed 1005 bottles. Drink 2018-2022. Tasted September 2018 #Rallwines#RallWines@RallWines
Rall Wines Grenache Blanc 2017, Piekenierskloof, Western Cape, South Africa (Winery, WineAlign)
It would be hard to argue with Donovan Rall that in the Western Cape grenache blanc needs to be made in the freshest, anti-oxidative, anti-leesy way. Zippy, salty, driven by minerals and acidity. In the Piekenierskloof, at 650m plus, done in concrete egg after early-picked fruit, but some skin-contact (like red wine, done in open top vessels constantly punched down) for texture because it’s approached with early-picked acidity preservation. Has the texture but no melon flavours. Love the unique epsom saltiness, low pH and generous spicing. Drink 2018-2021. Tasted September 2018
Rall Wines White 2015, Swartland, South Africa (Winery, WineAlign)
Leaving out the chardonnay component, the signature Rall White is now chenin blanc (60ish per cent), verdelho (30ish) and viognier. Mostly old oak, five years being the youngest, with various sizes. Other than the chard omission it’s the earlier picking that makes the difference to…lets say three years ago. That and the increase of the verdelho, which brings acidity. Whatever Donovan thought he might have been looking for and doing then, well he’s really doing it now. This shows how proper wine is being made out of necessity, not from a recipe, but most importantly out of adaptation. Great saltiness, bite, drive and instruction. Drink 2018-2024. Tasted September 2018
Rall Wines Chenin Blanc AVA 2017, Swartland, South Africa (Winery, WineAlign)
AVA is named after Donovan’s daughter. From an adjuvant site close to Riebeek-Kasteel off of 20 year-old vines that deliver great concentration by the impetus of decomposed shale, schist and quartz. There are two unique vineyards with rocks galore in the soil. Richly textured and so layered. The concentration delivered is ridiculous. It’s somehow stretched elastic and makes for this viscous, saline, briny and beautiful wine. Malo was done in a week, the pH low and then, nine months of beautiful fluidity and suppleness. While not exactly dry, the minor tough of sugar will help it go petrol, glück and oily over time. Drink 2019-2028. Tasted September 2018
Rall Wines Cinsault 2017, WO Coastal Region, South Africa (Winery, WineAlign)
From two vineyards, one in Swartland and one in Darling. A direct, lithe and purposed red looking for freshness and the Darling light transparency this varietal storm has created. Really pure berry fruit. Delightful, chalky, traversing the new South African ethos into a realm occupied by the ethereal. Drink 2019-2024. Tasted September 2018
Rall Wines Red 2016, Swartland, South Africa (Winery, WineAlign)
Four poster blend, Rhône-related, deeply rendered with great transparency but also major tannins. The syrah is 18 months in barrels, the cinsault and carignan are 15 per cent 2017 vintage, allowed under Swartland regulations. They bring back freshness and nervousness into the wine. It helps to manage that tannin and injects some life and spirit into their grainy weight. The red fruit also balances the purple profile of the syrah. Good glycerin and length. Drink 2019-2025. Tasted September 2018
Rall Wines AVA 2016, Swartland, South Africa (Winery, WineAlign)
The red blend carrying his daughter’s name is Donovan Rall’s 2.5 hectares sourcing from the schistose section of 18 year-old planted vines. This is consistent with with many of the vineyards he works with, from dry land conditions, cause he’s the Schist Man. It’s varietal syrah of 1000 bottles, a true cimmerian beast, from struggling vines, between 50-60 whole bunch (as opposed to 100 in the RED). Pure ferric initiative, real hematic following. The glycerin, candied flower and aged balsamico is almost IGT, of Cortona but really more so in a mind’s eye memory of Cornas. Freshness is preserved and structure is infinite. Great, great acidity. One of the Cape’s greatest achievements in syrah. Drink 2020-2032. Tasted September 2018
Local best buys ahead of Taste Ontario and Cuvée, Kosher for Passover and searching for common ground
In advance of the fourth VINTAGES release of 2017 and just a shade post Valentine’s Day we find ourselves in anticipatory times. Here at the crossroads of February and depending on which overfed rodent’s shadow you align with, we may yet be faced with four more potential weeks of winter. Concerning ourselves with more important things, we turn to the Ontario wine industry’s lead in anticipation of Wine Country Ontario’s big month of March. Two seminal events lie in wait just around the corner, ahead of and into spring.
Taste Ontario! Toronto Trade and Media Tasting 2017 comes to the Royal Ontario Museum on March 6th and the 29th edition of Cuvée will happen in Niagara Falls. Brock University’s Cool Climate Oenology and Viticulture Institute (CCOVI) will host more than 800 guests at the Scotiabank Convention Centre for the Cuvée Grand Tasting on Friday March 24th.
After tasting at Cuvée in 2016 I noted how riesling and chardonnay have not relinquished any stronghold on their domination, nor should they anytime soon. I can’t help but feel and notice that winemakers continue to reach for the big red machine and wish upon an intangible Bordeaux star when they should be concentrating on fresh, gulpable cabernet franc and gamay. They should also take some risk-reward chances with these necessary, best Ontario option red varieties. Press less, reveal freshness and let natural ferments find low-alcohol impressions of impossible, ethereal beauty.
It’s not just a matter of what, but where. By sifting through leads in geography, in the orientation of escarpments, benches and lakeshore flats, in the gestalt of the archaeology of tomorrow, in the vineyard landscape of today we can perchance unlock the riddle of the what and the why for varietal planting. The end game is to unlock the mystery within the puzzle of terroir, to figure out what grapes will thrive and where they can be given the best shot at success. It is not just about what happens beneath the soil, but also what happens above, around, beyond and in the minds of growers and winemakers.
Passover is sill nearly two months away but ever the proactive agency, VINTAGES lays out the usual Kosher for Passover suspects in the February 18th release, some Mevushal (cooked or, flash pasteurized), some not. Let us first examine the concept and then, the cuisine. An understanding of the rules and laws that govern wine on Passover is on a need to know basis. There are really just three key variants of information essential to purchasing and consuming on Pesach. This applies to Jews and non-Jews alike.
Number one. Passover wine is specific to a Jew’s level of Kosher. From Reform, to Conservative, to Orthodox, all Jews have different variances of belief. A Reform Jew will likely drink any wine on Passover and then again, may not. But, he or she will almost certainly not require the bottle to be Mevushal. A Conservative may only drink Mevushal but in more cases than not, Kosher is good enough. An Orthodox Jew goes it only one way or the highway. Strictly Mevushal KFP, do not pass go, do not collect the Afikoman (the broken Matzah) money. Most Jews who appreciate a glass of good wine with dinner, and especially those who double as wine geeks avoid Mevushal wine at all costs, thought being, consuming heat-damaged wine is no way to go through life. That said, a good deal of the Kosher for Passover wines in our market are Mevushal (KPM) and some are really quite agreeable.
It’s quite simple, really. All wines labelled “Kosher for Passover” are kosher, but not all kosher wines are kosher for Passover. Further to that, wine does not become kosher by being blessed. It can be considered kosher (from the Hebrew; pure, proper) once it has complied with strict rabbinic criteria that render it acceptable for Orthodox Jews.
Few holidays put food under as much duress as Passover. The cooking is a science and an art unto itself, having to make use of Matzo, eggs and oil for eight days. It is a form of penitence, a tortuous walk through a culinary desert, at times horrific like a Fear Factor episode. Charred eggs, Haroseth, Chopped Liver, Kugel, Farfel Stuffing and desserts made with cake meal and Matzo Meal. Believe me, this chef has had nightmares.
Up until a year or two ago I noticed that Kosher wines seemed to have migrated bigger and bigger with each passing Lunisolar calendar year. Israel continued to race towards big, lush, often high alcohol reds. This trend could be seen as a masking or a compensating/mitigating strategy to oppose the rigours and past failings of making Kosher wine. It can also be viewed as a stylistic choice, to mirror what has taken place in Bordeaux, in California and in Australia for the past 20 years. For the first time, the reds on this VINTAGES release seem to collectively take an extraction and alcohol step back.
The Kosher contingent on the VINTAGES February 18th release continues to be Israel-focused, which is not a bad thing, but if you really want a better selection, head to one of three LCBO kosher boutique locations; 675 Wilson Ave., 180 Promenade Circle, Promenade Mall and 502 Lawrence Ave. W. It is here that the LCBO has stepped up their Kosher game.
As for scouring the best of the rest, WineAlign’s John Szabo laid down the low-down on Australia’s impressive showing in this release and found great value in a hodge-podge of VINTAGES value releases. I am searching for common ground and was quite impressed with two iconic southern French producers and their stellar-valued, pull no punches red and white. One hails from arid Côtes du Roussillon, the other off of old vines in Costières de Nîmes. Magic and lithe Oregon, endemic Greece and a most pleasurable drop of Sagrantino round out my shortlist. David and Sara shore up the global list with much needed and appreciated support with pertinent finds of their own.
While I sip and taste through Chianti Classico, Vino Nobile di Montepulciano and Brunello di Montalcino at Antiprime Toscane I hope you all find your gems from the February 18th release. See you in March for a taste of Ontario.
L’shanah tova, happy new year, peace, happiness and health to all the members of the tribe out there. New beginnings, sweet and good times to you and yours. I’ve just returned from Italy, specifically Verona and Valpolicella. While I was in transit a new VINTAGES release crept into stores.
Tuscany, Rioja, Thanksgiving. These are the main themes of the VINTAGES October 1st release. As from me for the first it is Chianti Classico’s Gran Selezione that occupies the best sangiovese position in the central thematic. Second comes entry-level excellence from Álvaro Palacios and for the last three, pinot noir from disparate outposts; Sonoma County, the Willamette and Hemel-En-Aarde Valleys. A further 12 recommendations explore 10 regions; South Africa’s Coastal Region, Veneto, Loire Valley, Beaujolais, Alsace, Piedmont, Calatayud, Montagny, Paarl, Arroyo Seco and 14 additional grape varieties; chenin blanc, garganega, sauvignon blanc, gamay, riesling, arneis, garnacha, sylvaner, chardonnay, grenache blanc, picpoul blanc, roussanne and nebbiolo. Something for everyone.
Boschendal Rachelsfontein Chenin Blanc 2015, Wo Coastal Region, South Africa (455881, $12.95, WineAlign)
Classic chenin blanc from Boschendal, tart, balmy, savoury, smoky and spirited. Conjures up simple pleasures, breathing and bliss. A morning walk in a glade, a bubbling brook, herbs everywhere, wildlife. Drink 2016-2018. Tasted September 2016 @BoschendalWines@LiffordON@WOSA_ZA@WOSACanada
San Raffaele Monte Tabor Soave 2015, Doc Veneto, Italy (277392, $14.95, WineAlign)
Always a good Soave buy and especially in the ripe and easily commercialized 2015 vintage. In fact this preface is a clear indication for such a wine because it can basically make itself so it smells, tastes and delivers just like itself. Citrus and herbs, Maresina, Pisacan, Sciopeti and then more citrus, followed by a mouth feel with an accent of stone. Delicious little commercial Soave. So correct. Drink 2016-2018. Tasted September 2016 @Oenophilia1@RegioneVeneto
Foncalieu Le Versant Sauvignon Blanc 2015, Vins De Pays D’oc, Loire, France (470336, $14.95, WineAlign)
Terrific scintillant of a sauvignon blanc with extract to burn and the gesture of giving generously. Pungency be damned this goes at it with vitality, energy and the great sweetness feigning, peachy sauvignon blanc equalizer. There are few Midi SBs that can both thrill and appease with ease like this Pays d’Oc. Crowd pleaser to pour at weddings and other large gatherings. The finish guarantees success. Drink 2016-2019. Tasted September 2016 @foncalieuwines@LoireValleyWine@azureau
Stephane Aviron Beaujolais Villages 2014, Beaujolais, France (468744, $15.95, WineAlign)
The juicy appeal of gamay. In its purest form it struts and flaunts in full peacock display as in this $16 Aviron Beaujolais. He or she who could not drink a tank full of this BV is missing out on one of the go to pleasures of the wine world. Fresh and outright getable, when risked with a more than slight chill this could do no harm. Drink 2016-2018. Tasted September 2016 @DiscoverBojo@Nicholaspearce_
Rioja to grab for, spread out the blanket, pull out the jamon and kick back. Fresh, juicy, slightly smoky and full of nothing but fruit with a quick shake of spice. The simple pleasures provided by Alvaro Palacios at the lowest of low affordability. You can find Rioja with a much greater and historically profound sense of place but it will cost an arm and a leg. And I’m not sure it will get you anywhere. So put aside the serious face and embrace this modish value-driven sketch by Palacios. I too will abide. “It’s not that I care any less for that philosophy, but I would spend one night with you in trade for all that I’ve achieved.” Drink 2016-2018. Tasted September 2016 @WoodmanWS@RiojaWine
Kuhlmann Platz Riesling 2014, Ac Alsace, France (196741, $16.95, WineAlign)
From the cooperative Cave de Hunawihr where the winemaking is overseen by Nicolas Garde here is a typically tart and citrus-driven riesling from alluvial flats. Salinity and a touch of brine with a minor note of spritz makes this nothing but fun. It’s certainly lean and direct but such an Alsace riesling line is fine when done with no agenda in mind. Well made with enough complexity to add five years onto its life. Drink 2016-2021. Drink 2016-2021. Tasted September 2016 @VinsAlsace@AlsaceWines@drinkAlsace@ChartonHobbs
Prodigious and revered producer meets resurrected varietal in this hear me roar and highly expressive roero arneis. From Langhe vineyards in La Morra, Guarene and Govone. The level of extract and texture is elevated to where the grape can go but we so very rarely get a chance to enjoy. This has mineral, loads of mineral, like a chew of rocks in bubble gum form. With this on offer who wouldn’t choose to chew every day. More acclaim for arneis and that makes me smile. The freshness will offer perfect window drinking in years one through three but why not put one or two aside and watch them develop some honey and petrol in years five through ten. Drink 2016-2022. Tasted September 2016 #CorderodiMontezemolo@ProfileWineGrp
Breca Old Vines Garnacha 2013, Do Calatayud, Spain (329086, $22.95, WineAlign)
Very floral garnacha from gravelly slate with more than enough blueberry and blackberry to bake into a hundred pies. As per the modern norm this 100 per cent garnacha from typically regional (upwards of 100 year) old vines pushes the scales in extraction, weight and alcohol. If any Aragonese garnacha can handle such largesse it is Calatayud because the combination of gnarly vines and rocky soil gives essential nutrients to fruit for balance. It may only be a distraction but when the wine is polished (albeit sweetly so) the looming alcohol is kept in threaded check. Drink 2017-2021. Tasted September 2016 @CSWS_ON@WinesofGarnacha@GarnachaOrigen@docalatayud
Wildewood Pinot Noir 2013, Willamette Valley, Oregon (462994, $23.95, WineAlign)
If mountain herbs and tea could burrow or seep their savoury ways into a Willamette Valley pinot noir this Wildewood would be a viable candidate. It’s a global, pinot from everywhere and for everyone affair in here so call the aromas what you will; fynbos, rooibos, Peloponnese clandestina, wild thyme, rosemary, lavender. So pretty in its sauvage, so suave in its ruggedness. This pinot noir understands what it is saying and selling. Unlike the gritty poet, it is in complete control of its phenolics and its faculties. The palate pales but delivers straight to structure. The aridity and the salinity seal the deal. Drink 2016-2020. Tasted September 2016 #Wildewood@Nicholaspearce_
Maison Roche De Bellene Montagny 1er Cru 2014, Ac Burgundy, France (470476, $26.95, WineAlign)
Such thews and texture are wonderful to elevate Montagny and you can tell that important Nicolas Potel time was allocated into turning this into something rocking. Plenty of citrus and wood intertwine in layers of chardonnay flesh. This is quite something. Gregarious, talkative and alive. Drink 2016-2019. Tasted September 2016 @RochedeBellene@vinsdebourgogne@Nicholaspearce_@BourgogneWines
Domaine Loew Vérité Sylvaner 2013, Ac Alsace, France (462598, $25.95, WineAlign)
The truth of sylvaner explodes into olfaction with the flats left for others and the slopes of Alsace greasing their way into this wine. A wow factor of 13 on the texture scale brings it here. Oily doesn’t due this sylvaner justice. You could run heavy machinery on this juice. Beyond the oléagineux there is great bite from old wood, tonic from the varietal necessity and bitters so very artisan crafted in nature. More British aperitif than Italian digestif in that sense but strictly Alsatian and in requiem for a match made in Foie Gras heaven. Needs two years to settle. Drink 2018-2028. Tasted September 2016 #DomaineLoew@VinsAlsace@AlsaceWines@drinkAlsace
Avondale Armilla Blanc De Blanc 2009, Méthode Cap Classique, Wo Paarl, South Africa (451930, $29.95, WineAlign)
From a farm dating to 1693 purchased by Johnathan Grieve’s family in 1996. Poster bubbles, for the Blanc de blancs habitation and for the Avondale oeuvre, the Armillary sphere, Roman “circle of life” and ancient astronomical instrument used to show the position of stars around the earth. Traditional production, with a kiss of oak and a final act of dosage. Five total years on the lees, including two on coarse and one in bottle. Picking was accomplished at the end of that January, in purpose of stylistic elegance and beautiful bitters born of natural and integrated acidity. Terrific dip of biscuits into honey. Like Baklava in a glass though equally savoury to dessert. Baller bubble, balanced and with the sense to envision evolution, to the look ahead of an adult age. Would retail for approximately $28 CAN. Drink 2015-2027. Tasted twice, May and September 2015 @Avondalewine @WOSA_ZA @WOSACanada @RareEarth_Wines
Bonny Doon Beeswax Vineyard Le Cigare Blanc 2013, Arroyo Seco, Central Coast, California (95331, $34.95, WineAlign)
The Beeswax Vineyard is not just a pretty face. That this blend reeks of the bee’s work can’t be a coincidence. The Rhône is but a mere smirk or memory here with fruit so ripe and vital you can hear yourself think. Arroyo Seco does cool chardonnay but it works for these varieties in another worldly way; with viscosity and texture. The pitch from the lemon and the flesh of creamy tropical fruits come together with a party gathering crafted tonic. And yet there is this rhythmic, low-toned, folk-roots-blues riff tenderness to Le Cigare Blanc. Really. J.J. Cale (by way of Don Nix) if you will. I’m going Doon, Doon, Doon, Doon, Doon, Doon. Drink 2017-2024. Tasted September 2016 @BonnyDoonVineyd@RandallGrahm
Castello Di Ama San Lorenzo Gran Selezione Chianti Classico 2011, Docg Tuscany, Italy (418897, $48.95, WineAlign)
Castello di Ama has chosen their signature San Lorenzo Vineyard to qualify for Gran Selezione designation, one of three such highest level Chianti Classico produced at the estate. The high Gaiole elevation and argilo-calcaire soil make for a specific style, still deep and mineral but not so much like what happens from sangiovese raised on Galestro or Albarese solis. The liqueur here is a grander kind of sangiovese ooze (with 20 per cent malvasia and merlot), more hematic and of a purity only it can express. There is more liquorice and less leather, more iron and less cherry. Certainly less fruity but not as mineral. Here the umami is conspicuously undefined and so I am oriented to say it is simply San Lorenzo. Drink 2019-2026. Tasted September 2016 @CastellodiAma@HalpernWine@chianticlassico
The Ratti Marcenasco is in a league of it own but it shares the club with like-minded nebbioli, wines that steep in tradition and breath an aromatic liqueur only its kind resemble. Deep waters here, always mysterious and hiding sunken treasures. Candied roses and liquid tar, savoury forbidden forests and intricate tannic chains. You have to exercise extreme patience with Marcenasco, avoiding years five to 10 and best to look in at 15. Everything will rise to the surface. Drink 2021-2031. Tasted September 2016 #renattoratti@LiffordON
Hamilton Russel Vineyard Pinot Noir 2015, Hemel-en-Aarde Valley, South Africa (999516, $57.95, WineAlign)
In 2015 the hyperbole of the Hemel-en-Aarde shines bright in magnified reflection with fruit and land combining for full effect. I get cola and beet root in ways I cant necessarily recall from most recent Hamilton Russell pinot noir and I also get depth like I’ve not encountered before. This is a massive expression in 2015, not a gentle one. I imagine the vintage was raging with adrenaline and testosterone so you have to take what is given. A masculine wine is the result, muscular, chiseled and ripped. At present the Hamilton Russell homiletic Hemel-En-Aarde verbiage is a tad evangelical. With such Adonis-like features and marbled structure it will need a few years to recoil, recalibrate and recharge. By next decade it will soften and preach with a bold style yet remain humble enough to change. Drink 2019-2025. Tasted September 2016 @OliveHR@hermanuswine
Flowers Pinot Noir 2014, Sonoma Coast, California (215202, $68.95, WineAlign)
Pinot Noir that is all coastal, from vineyards far and wide but inclusive of some fruit from the Sea Ridge Estate Vineyard. An extreme brightness of being pinot noir with that distinctive Sonoma Coast feigned red candy nose, first raspberry and then strawberry. Exquisitely perfumed and gainfully rendered with mindful, purposed and calibrating acidity, propped up and misty fine. Such effete fruit and unassuming character does not materialize with enough regularity out of these parts. The finesse and fineness of this wine is what California does best when it comes from the heart and not from the hand. Though his chardonnay is otherworldly you just have to appreciate David Keatley’s touch with Sonoma Coast pinot noir. Drink 2016-2022. Tasted twice, February and September 2016 @FlowersWinery@rogcowines@sonomavintners
Over at WineAlign we recently introduced a new feature in our already comprehensive coverage of the bi-weekly VINTAGES releases. If I Could Buy Only One offers subscribers a first in line, get inside the minds of four Ontario critics. As part of the overall recap on each release David Lawrason, John Szabo M.S., Sara d’Amato and I are asked the question: “If you could buy only one wine from this release – which one would it be and why?”
When it comes to tasting, assessing and scoring VINTAGES wines there is simply no equal to what WineAlign covers in Ontario. As a group we four are sure to collectively provide at least one tasting note and score for 100 or more wines per release. In most cases there are two and sometimes three or even all four. Where else in print or online can you access such a synoptic scope of sweeping current information?
We are not alone but we are at the head of the game. Our colleague Michael Vaughan is the only critic who tastes every wine on every VINTAGES release. His nearly three decades of utter dedication and encyclopedic memory is nothing short of incredible. Tony Aspler covers the releases and contributes to Vaughan’s newsletter. Tony’s decades of experience are invaluable to both his and Michael’s readership. Beppi Crosariol offers a handful of concise and epigrammatic weekly recommendations in the Globe and Mail, Carolyn Hammond in a Toronto Star nutshell and Rod Phillips meaty and marrowy in the Ottawa Sun.
The LCBO media tasting lab is frequented by many Ontario writers. Most notable is Tim Appelt. Tim sounds off extensively on the releases. Eric Vellend publishes recos in his column “Bottle Shop” for Billy, the Toronto Island Airport’s magazine. André Proulx brings his own ignited take to his website, Andre Wine Review and Michael Pinkus publishes his broad brushstroke on his Wine Review. Erin Henderson does so on The Wine Sister’s website and Dean Tudor at Gothic Epicures World Wine Watch. If you follow what comes through VINTAGES and sequester help and ideas, who do you turn to? The answer is simply WineAlign.
When asked to single out just one I chose another Chablis from the current September 17th release. Look for the stellar Simonnet Febvre & Fils Côte De Lechet Chablis 1er Cru 2013 review in my upcoming report on Chablis in Ontario. Today I’ve got 13 other solid recommendations from a wide range of places.
Man Family Warrelwind Sauvignon Blanc 2015, Rocca Delle Macìe Chianti Classico 2014, Dominio Dos Tares Estay Prieto Picudo 2012, Les Darons 2014, Pazo Das Bruxas Albariño 2014, Talley Vineyards Bishop’s Peak Chardonnay 2014
Man Family Warrelwind Sauvignon Blanc 2015, Wo Western Cape, South Africa (461004, $13.95, WineAlign)
Man’s upper reaches sauvignon blanc whirls and winds around open-affable, semi-pungent fruit and churns like citrus juice through a windmill. This multi-purpose white speaks with great acidity and deep tart flavours. Just a touch of sweet peach with lime zest and a spritz keeps it spinning. Lots of bang for just a few bucks. Drink 2016-2019. Tasted September 2016 @MANVintners@vonterrabev@WOSACanada@WOSA_ZA
Tasted from a half bottle, The Zingarelli Chianti Classico 2014 is as expected, classic. Hits all the appropriate and life-affirming sangiovese notes; cherries, fresh leather, dried figs, old wood walls, bright acidity and fine-grained tannin. When commercial, protective and attention to detail get together in Chianti Classico, this is what comes out. Expectations met and dinner accompanied. Ready to drink now and should be so because of the freshness afforded. Drink 2016-2019. Tasted September 2016 @roccadellemacie@chianticlassico@ProfileWineGrp
Dominio Dos Tares Estay Prieto Picudo 2012, Vino De La Tierra De Castilla Y León, Spain (393140, $15.95, WineAlign)
Flat out juicy prieto picudo if you must know is 100 per cent employed out of Castilla Y Leon. Drinkable and gulpable don’t get much better than this, like spicy gamay but with more weight. You can put the truck in reverse and open the back doors wide for this and its sultry sway from French and American oak. The oak does not intrude mind you but it certainly adds texture and punch. Utterly delectable. Drink 2016-2018. Tasted September 2016 @DominiodeTares@oenophilia1
Les Darons 2014, Ap Languedoc, France, Languedoc-Roussillon, France (448464, $17.95, WineAlign)
Fresh and dramatic Languedoc with amazing floraility, namely violets but also rose bushes in a mid-summer swelter. Vitality is ensured by the top notch acidity and the tempering here has nothing to do with chocolate. Tart just right and back bite. While some from the warm region seem “toujours le cup entre demux chaises,” this Jeff Carrel red is right where it needs to be, comfortable in its own skin. No Ogres des Barback. Simply Les Darons. Drink 2016-2019. Tasted September 2016 @LanguedocWines
Pazo Das Bruxas Albariño 2014, Do Rias Baixas, Spain (417667, $19.95, WineAlign)
This is a fine example of Albarino bringing miles of rich, ripe fruit into a brew of ripping acidity. Very mineral motive as as well, so with so much stewing in the pot you can expect a whole lot of vigor, revelry and magic. The citrus on the back side is nothing short of scintillant-spurred from lemon and lime. Miles from balmy, this is quite electric Galicia. Witches’ Brew, Bitches Brew in a Spanish Key. May not be a revolutionary bottle but it’s as close to jazz-rock fusion Albarino as you are likely to find. Drink 2016-2020. Tasted September 2016 @TorresWines@RiasBaixasWines
Talley Vineyards Bishop’s Peak Chardonnay 2014, Edna Valley, Central Coast, California (318360, $27.95, WineAlign)
Another well-managed, keep it in the cool-climate family entry-level chardonnay from Brian Talley, keeping the faith and the successful streak alive for the idea behind Edna Valley as an important haven for chardonnay. It’s nearly unoaked, with just some neutral barrels to keep it leesy and creamy but acidity and umami are clear to lead the way. Excellent effort if on the lean and mean side. Good length. Drink 2016-2019. Tasted September 2016 @TalleyVineyards@TheVine_RobGroh
From left to right: Roger & Didier Raimbault Sancerre Rouge 2013, Schiopetto Sauvignon 2013, Thirty Bench Sparkling Riesling, Emile Beyer L’hostellerie Gewürztraminer 2012, La Crema Chardonnay 2014, Château La Nerthe Châteauneuf Du Pape Blanc 2014 and Pascal Marchand Gevrey Chambertin 2013
Roger & Didier Raimbault Sancerre Rouge 2013, Ac Loire, France (446401, $28.95, WineAlign)
Cured, natural, direct and experiential red Sancerre. A case of hands-off winemaking if there ever was, leaving exceptional fruit to walk the road and find its own way. Red berries, currants and just a hint of natural smoke. Savoury not even on its radar. Very fresh and alive. Freedom in red Sancerre. Drink 2016-2019. Tasted September 2016 @LoireValleyWine
Ripe, pungent and forthright Collio sauvignon blanc from the regional leader Schiopetto, culled from top level terroir and exercised with great intent. No Aqualung here, no “start away uneasy.” Dives into stony, flinty and mineral tangy waters then emerges to tell a tale of richness and mille-feuille layering. Top level sauvignon blanc for anywhere but from a very specific, agriculturist place. Finishes with a creamy lemon curd and a shot of adrenaline. If any sauvignon blanc could help solve the answer to the distinction between religion and God, Schiopetto’s could very well be the one. Drink 2016-2022. Tasted September 2016 @schiopetto@LeSommelierWine
I will stand to be corrected but this first such sparkler from Thirty Bench (it’s my first) and its dry riesling stoicism is a first in its singular way for Ontario. Using a small dosage from Steel Post Vineyard riesling fruit, the quality level in this non-vintage bubble (but I would think that the primary vintage fruit is 2014) is elevated with that world-class juice and yet aridity is not compromised. The subtle, rich, elongated and amalgamated orchard fruit aromatics are pure Beamsville, Thirty Bench and Emma Garner with well-rounded Niagara Peninsula Sparkling couverture. One, Garner wouldn’t waste a thimble-full of her riesling to make less than stellar sparkling wine and two, it’s really good. Drink 2016-2022. Tasted September 2016 @ThirtyBench@PellerVQA
Emile Beyer L’hostellerie Gewürztraminer 2012, Ac Alsace, France (462556, $39.95, WineAlign)
The tense and focused aromatics lead the way in this very generous gewürztraminer, classically styled to be off-dry but the sweetness is the furthest thing from your mind. Seeping rose petals and pure lychee syrup are graced with lemon zest, fennel frond and a curious note of rooibos tea. An exemplary vintage for an elixir that never cloys but just touches on something spicy and thinks about the bitterness of nuts though never really goes there. Subtle, refined and Eguisheim cultured from Emile Beyer. So impressive and a steal to drink in its first 10 years. Drink 2016-2022. Tasted September 2016 @EmileBeyer@AlsaceWines@drinkAlsace@VinsAlsace
La Crema Chardonnay 2014, Los Carneros, Sonoma County, California (184929, $39.95, WineAlign)
Experience, vintage and location will conspire to deliver profundity when the winemaker is attuned to available excellence and in tune with the vines. La Crema’s Elizabeth Grant-Douglas has a large, who’s who and what’s what portfolio to plate. She does so with broad, brushstroke ability and triads. In 2014 she has simply dialled into Los Carneros. The cool, temperature mitigated rolling hills, wind and aspect/exposure of this largest appellation straddling Napa and Sonoma does wonders for Chardonnay. Here in ’14 the third of the drought vintages is cradled with zest, vitality and pure energy. If you like nougat then have a chew of this one. If rich and unctuous Champagne with a bit of age is your thing you may just sit back and sigh. This wine was fatter previously, vegetal and just too easy. Here it sings “cause it fits in well with the chords” its playing. Right in tune. “Getting in tune with the straight and narrow.” The line that runs through Carneros with chardonnay the voice and La Crema the orchestra. Drink 2016-2020. Tasted September 2016 @LaCremaWines@bwwines@sonomavintners@thesirengroup
Château La Nerthe Châteauneuf Du Pape Blanc 2014, Ac Rhone, France (704429, $56.95, WineAlign)
This is quite closed for white Châteauneuf-du-Pape, remarkable that way and dramatically caught between the rocks and stones of its upbringing. There is nothing yet fleshy or flashy about it but considering how tightly wound it is you just have to know that revelry is up around the bend. So many stone fruits will reveal during the unravel. At this rigid dry extract and carpeted stage something microbial stands out but this too shall pass. The grip is firm and the focus leering. A structurally imposing La Nerthe with the will to live 15-20 years. Drink 2018-2029. Tasted September 2016 #ChateauLaNerthe@WoodmanWS@VINSRHONE
Pascal Marchand Gevrey Chambertin 2013, Burgundy, France (286450, $59.95, WineAlign)
Sweet, expertly extracted and gently pressed fruit provides the bassinet for a subtle, charming and effluent pinot noir from Pascal Marchand. This falls on the lithe and graceful side of pinot noir with well-managed oak and an inherent structure that speaks as softly as the fruit but that does not mean its not capable of stretching this into a second decade. This is really pretty stuff. Would love to see its secondary stage and later fruition next decade. Drink 2019-2025. Tasted September 2016 @pasmarchand@Burgundy_Direct@BourgogneWines@vinsdebourgogne
Current travels in Chianti Classico leave almost no time to scribble out more than paragraph let alone 10 but there is a VINTAGES release coming Saturday. The New Zealand Wine Fair rolls through Toronto today (which I will sadly miss) and I have some recommendations of excellence from that country. Canada (Ontario), France, Germany and Hungary round out my picks.
See you next week…Godello
Te Pā Sauvignon Blanc 2015, Marlborough, New Zealand (450668, $19.95, WineAlign)
After tasting the winery’s Pinot Gris and Sauvignon Blanc back in 2014 I wrote “If Te Pa can find a way to get their wines into VINTAGES stores, I will buy them by the case and hand them out on Halloween as adult treats.” The day has come with the release of this rocks off Sauvignon Blanc. The open G tuning is perfect for balance with the cumulative notes it plays, deep cuts of bluesy rock ’n roll from Marlborough soils. We’ve seen so many SB’s come through these parts but so few at this price deliver such a deft hook with exile on main street flavours. Singular, unctuous stuff and well worth finding a way to bring a deferent side of Marlborough and Sauvignon Blanc back into your heart. Drink 2016-2020. Tasted April 2016 @tePaWines@FWMCan@nzwine
Villa Maria Southern Clays Single Vineyard Sauvignon Blanc 2014, Marlborough, New Zealand (447474, $29.95, WineAlign)
The single-vineyard Villa Maria Sauvignon Blanc is a highly concentrated, aroma-centric, splendored thing with inherent vegetal notes both smoky and subtle. The flavours are all white berry dusted with white pepper. The bite, the lees and the tart accents layer like a savoury dessert. This is formidable Sauvignon Blanc with high aspirations. I for one would like to see it settle and develop a secondary level of show. Drink 2017-2021. Tasted April 2016 @villamaria_wine@Dandurandwines
Kim Crawford Small Parcels Rise & Shine Pinot Noir 2013, Central Otago, South Island, New Zealand (35337, $29.95, WineAlign)
This is a characterful, high-toned and slightly rustic Pinot Noir from Kim Crawford’s Small Parcels program in Central Otago. It’s all strawberry on the nose and black raspberry (with a lash of liquorice) on the palate. There is great grit and true breadth of texture, not to mention sweetness, forgiven with so much else going on. Love the tart finish and bitters linger. Tells me its best is just around the bend. Drink 2017-2021. Tasted April 2016 @kimcrawfordwine@CBrandsCareers
The Stopper White Blend 2014, VQA Ontario (452235, $14.95, WineAlign)
Fun blend of Riesling and Vidal, put to good use in a variation of theme on the Ontario white appellative blend. The Riesling dominates with that atomic push and arid, saline sensibility. The vidal adds a squeeze of citrus (white grapefruit) and skin contact au naturale feel. A bit of unoaked Chardonnay or even some Musqué might not be such a stretch to fill in with some cool-climate tempering and hole filling assistance. A follow-up bit of research finds five per cent, along with Gewürztraminer. Depending on the vintage, it would be nice to see the Chardonnay increased. Easy and tangy on the palate. Drink 2016-2018. Tasted April 2016 @AdamoEstateWine@JohnPaulAdamo@ProfileWineGrp
Tuzko Cabernet Franc 2012, Tolna, Hungary (438291, $14.95, WineAlign)
True cool climate cabernet franc from Hungary, savoury, full of leather, cedar and spice. A veritable forest of wild berries in a glass. Really unique find and very Lincoln Lakeshore for you that understand and prefer to compare within the context of an Ontario vernacular. Drink 2016-2022. Tasted May 2016 @ImportWineMAFWM@MarkAnthonyWine@WinesofHungary@WineofHungary
The Rosé category can be fascinating and also slightly repellant. Whether it be the choice of varieties or the uncontrolled bleed hot off the press, it’s really hard to say, some Rosé just rubs the wrong way. At first sniff and sip you just know this Fielding ’15 is not one of those. It’s coolness is graced with restraint and it is nothing but a pleasure to drink. There certainly is candy floss and cut strawberry in the air. There is sweetness on the edge and cream floating around the rim. Separately pressed and vinified Gamay and Cabernet Franc are the key fixings though a minor sense of white percentages (like Riesling, Viognier and Vidal) would not be out of the supporting question. Sugar meets acid in equal and opposing fashion. Balance and humility are cut from the same cloth as pride. Nothing dominates and all components work seamlessly together. In its fresh and spritely youth this is one of the most pleasurable Rosés from Ontario. Drink it young. Drink 2016-2017. Tasted March and May 2016 @FieldingWinery@RichieWine
Mas Des Bressades Cuvée Tradition Blanc 2015, Ap Costières De Nîmes, France (701094, $17.95, WineAlign)
Really floral white blend from the Costières de Nîmes in which tropical blossoming Viognier really tends to gardening at night scents to lift the mistral rhythms of Grenache Blanc, Marssanne and Roussanne. Unctuous and the most ethereal character this wine has ever shown. Really special vintage from Mr. Marès. Drink 2016-2020. Tasted May 2016 #masdesbressades@Vinexxperts#costieresdenimes
From the Thörle brothers Johannes and Christoph, a dry, vivid Riesling with a vitality of spirit and a presence that comes from the heart. Lime juice and zest mark the territory, skin contact leaves its trace in hue and a natural ferment keeps it more than real. A minor residual (Co2) spritz still tickles on the palate while grape tannin strikes a dagger into the finish. Exemplary modern take on Trocken Riesling in a style that should appeal to a wide ranging audience. Drink 2015-2019. Tasted three times, May and November 2015, April 2016 @thoerle@UNIVINS@germanwineca@gen_riesling
Bailly Lapierre Réserve Brut Crémant De Bourgogne, Méthode Traditionnelle, Ac Burgundy, France (991562, $19.95, WineAlign)
This 100 per cent Pinot Noir may initiate with simple and eager fruit, of lemon and pink grapefruit but its subtle ability and mineral wager is a condition of its commitment. It will not shock, dream in multi-dimensional preoccupation or revamp the traditional methodology but it is nothing if not lovely. It takes you on a holiday. Lemon repeats in many ways, acidity survives without kindle or foment and the flavours linger like a haunting refrain. “Like the bubbles in a glass of Champagne, you go to my head.” Drink 2015-2019. Tasted blind at WWAC15, August 2015 and April 2016 @bourgognespress@BourgogneWines@Vinexxperts
Steve Byfield’s crimson blend of Cabernet Franc (42 per cent), Merlot (33), Cabernet Sauvignon (20) and Syrah (5) is at once so very Niagara while acting out anomalously in the 2011 vintage. Ripe, extracted fruit appears warm-vintage drawn, with its coated layers of primer, brushstroke and plummy stone fruit. The warmth is tempered by savour, oranges, figs and psalms. Its ability to find cadence and cascade keeps it “cool in the shade.” The varietal combining is delineated in balance, “sliding mystify, on the wine of the tide.” This effort, with its new name, could become one of the king’s amongst Ontario blends. Tasted January 2015 @NyaraiCellars
Viewpointe Focal Pointe Cabernet Franc 2010, VQA Lake Erie North Shore, Ontario (450916, $24.95, WineAlign)
Wine Country Ontario’s Lake Erie North Shore appellation flashes onto the radar here with Viewpointe’s very youthful and soulful 2010 Cabernet Franc. It’s not spicy but there is a veritable pantry sprinkled into a simmering reduction sauce, breathing and exuding aromatics, of juniper, liquorice, Montreal smoked meat spices, cassia, star anise and chicory. It is utterly Cabernet Franc with righteously integrated barrel notes swirling in that demi-glace. The tannin and acidity persist strong and complimentary with nary a moment of raisin treason. So very well done. A huge accomplishment. Drink 2016-2019. Tasted April 2016 @viewpointewines@WineCountryOnt
Ernest Meurgey Perron Pouilly Fuissé 2012, Ac Burgundy, France (448852, $31.95, WineAlign)
Rich and buttery Chardonnay that is the membrane holding and supporting the coolest contents, in limbo and needing two years to flesh, burst and break through. The tart, tight and angled shfits are the drive and the direction for the short term development. In 2018 this will be a humdinger to pour alongside butter-seared and caramelized scallops. Drink 2018-2023. Tasted April 2016 @BourgogneWines@BourgogneWines
Let’s just cut to the chase. It has been more than three weeks since I’ve posted to Godello, thanks to a trip to Greece, Cool Chardonnay and my #eastcoastswing15. Let’s face it, I’ve left you hanging, waiting, wondering and perchance, livid at not having received a recommendation for summer wines since, well, since July 15th. As my Achaian friend Dimos is like to say, on repeat, “sorry about that.”
VINTAGES rolls out the smallest (by quantity) release of the calendar but I’ve got to say that per wine offer capita, the quality level is set to high. There is much to choose, from refreshing whites to grill worthy reds. Got, go, get.
From left to right: Espelt Viticultors Old Vines Garnacha 2013, Rosewood Süssreserve Riesling 2014, Domaine Lafage Côté Est 2013, Lone Birch Syrah 2013 and The Foreign Affair Sauvignon Blanc Enchanted 2013
Espelt Viticultors Old Vines Garnacha 2013, Do Empordà, Spain (422469, $14.95, WineAlign)
Such a formidable and concentrated liqueur dominates the nose on this heavily-textured Garnacha from maritime-influenced vines grown on decomposed granitic soils. Minor yet judicious oak works minor magic on the fruit for a feeling that is organza in sentiment if like fruit-roll up in reality. The couverture is quite natural and free-flowing, like waves lapping up a windless shore. Though flavours like liquorice, pomegranate and morello cherry are thought intrusive, the actuality here is simply Garnacha in pure, unadulterated form. This should be a late summer, early fall go to for BBQ, barbecue and grilling by all means possible. Gritty, grippy finish. Drink 2015-2020. Tasted August 2015 @CellerEspelt@DOEmporda@EmpordaWine@ChartonHobbs
If you have never sussed out the Rosewood adaptation on the deutsches sweetness enhancement technique for Riesling, it’s honey time you did. The vintage brings out the best in and of all worlds; texture, high-rising graceful aromatics, burgeoning acidity and wait for it…honey. Mellifluous honey. This vintage seems to throw a gallon of juice at the charge in ways previous vintages did not seem to do. This is very easy and yet direct on the palate. Look at this Riesling and note there is nothing to hide. “She is good to me and there’s nothing she doesn’t see,” so in ’14, “honey, I want you.” Drink 2015-2018. Tasted August 2015 @Rosewoodwine
Domaine Lafage Côté Est 2013, Igp Côtes Catalanes, Languedoc-Roussillon, France (179838, $24.95, WineAlign)
Combines Grenache Blanc with Vermentino for an identity crisis of Italo-French proportions and in the end it reminds so much of a southern French take on Viognier. Aromatically precious, from white flowers and tropical fruit. Has a cool metal stir to keep it alive, punchy, vibrant and then acidity up the back side, flip-flopping about and turning “cartwheels ‘cross the floor.” A harum of flavours follows suit, as per the modern protocol. Though it’s merely a whiter shade of pale there is more than ample personality and whip to work up a frenzy, to mingle and to sit down with dinner. Drink 2015-2017. Tasted August 2015 @DomaineLafage@LaRegionLR
Lone Birch Syrah 2013, Yakima Valley, Washington (420695, $19.95, WineAlign)
A good, inexpensive, once upon a time in the west Syrah is hard to locate so when one like the Lone Birch comes along, it’s time to saddle up. The spice, pure fruit and smoky meat aromas are of an outdoor intoxicant kind, joined by notions of mesquite, lavender, creosote and thyme. The verbiage here is not so much green but more like the purple flowers that emerge late in the season. The chalky edge to the bright acidity makes for a fun texture to finish interplay. This is a great change in Syrah gears with horsepower and grace. Drink 2015-2019. Tasted August 2015 @LoneBirchWines@WINESofWA@HHDImports_Wine
Appassimento-style Sauvignon Blanc is both curious and an open target for accusations of vivid excesses. The detractor will look for swift “walls of insincerity,” the complimenter will say “I was enchanted to meet you.” Foreign Affair’s take has been injected with a cocktail of intensity; steroidal, hormonal and from concentrate. All the juicy orchard fruits are there; plum, apple, pear, nectarine, lemon, lime and grapefruit. This passes the appassimento SB test, if only and commodiously because it spreads fruit like confiture on warm toast. Tasted October 2014 @wineaffair
From left to right: L’école No 41 Semillon 2013, Rieflé Pinot Gris Steinert Grand Cru 2010, Dei Vino Nobile Di Montepulciano 2011, Easton Zinfandel 2012 and Domaine Pavelot Savigny Les Beaune Aux Grains 1er Cru 2012
L’école No 41 Semillon 2013, Columbia Valley, Washington (982157, $24.95, WineAlign)
Sauvignon Blanc (13 per cent) adds buoyancy to the main attraction in this vanguard and reputable Columbia Valley pioneer. Quite toasty and marked by early nose-hair splitting and splintering barrel notes. Dare say reductive but not in a rubber sap run way. More like Sémillon-dominated Bordeaux, of big bones, cut through soluble rock, created a sinkhole that swallows up flavours, only to release them in geyser like fashion in later years. So with patience and age-time in mind, this Sem will have better years ahead, when the heavy (14.5 per cent) alcohol integrates and the lemon drop-butterscotch flavours mellow. Generous pH (3.2) and high Brix (24.2) were the product of a very warm vintage. Rounded by concentric circles of acidity and bitter pith tannin, this is very tropical, like Gewürztraminer, but more in mango than lychee. Needs five years minimum because the oak is overdone. Tasted March 2015 @lecole41@WINESofWA@TrialtoON
Rieflé Pinot Gris Steinert Grand Cru 2010, Ac Alsace, France (408229, $24.95, WineAlign)
Annick, Jean-Claude, Paul et Thomas Rieflé make their highly affordable Grand Cru Pinot Gris near Pfaffenheim in the southern stretch of the Vosges Mountains, on soils composed in limestone of marine origin intercalated with marls. This is rich, layered and spicy Pinot Gris, full on calculated with ripe, sunshine-laced fruit, orchards upon orchards of variegation and some, though not excessive tropical intentions. Has that distinct calcaire inflection that reminds of struck rocks, petrol and gardens giving off pretty smells at dusk. The finish is really long here so look for this to work well into the next decade. Drink 2016-2024. Tasted August 2015 @RiefleLandmann@TandemSelection#DrinkAlsace@drinkAlsace@AlsaceWines
Easton Zinfandel 2012, Amador County, California (328377, $27.95, WineAlign)
A ripe, buoyant and near flashy example of Zinfandel without any necessity for speed, heat or mountain jam. Fruit is steamy but you can touch it. Aromas can cut through what Zinfandel often hides, which is freshness. There is spice on the nose for sure but it’s an accent, not a deterrent for disguise. The palate is racy and alive and while there is some cure and dried fruit in the mix it stops well short of confiture. The tailing trail of minor exhaust propels, not halts the length. Really good vintage for the Amador Zinfandel. Drink 2015-2020. Tasted August 2015 @rhonist@TheZinfandelOrg@bwwines
Dei Vino Nobile Di Montepulciano 2011, Docg Tuscany, Italy (285510, $27.95, WineAlign)
In terms of the modern Vino Nobile vernacular and even grander to a wider Tuscan vicissitude, Dei takes the reigns and offers zero apology for the way in which the wines talk their turkey. Clean, pure and plenty are the words to describe this Prugnolo Gentile, but also graceful and slender. Spoons out copious quantities of fruit and is yet chewy enough you might think of eating it with a fork. Has aromas that recall concepts both fresh and dry. Vino Nobile to gimme fiction, history and tradition. “Comes when you pirouette,” dances light and treading across the tongue, never hot and heavy, but stylish and pliantly balletic. Drink 2016-2021. Tasted August 2015 @LeSommelierWine@consorzionobile@Strada_Nobile
Domaine Pavelot Savigny Les Beaune Aux Gravains 1er Cru 2012, Ac Burgundy, France (206136, $53.95, WineAlign)
Even in Burgundy there is a scarcity and rarity with which a particular bottle can please, impress and instruct, vintage after vintage. Pavelot’s Aux Gravains is pure Beaune, even if it is on the showy side of Pinot Noir. This is just plain and simple perfectly ripe and at the same time grippy with the grandest ‘G” that can be drawn. The cherry, earth and roots are smouldering and yet not remotely smoky. It smells like a cigar as it’s being rolled, with nary a green moment. The palate is chewy, cranky, pure again and racked by veraciously munching acidity. Naturally cured as well. Such a Pinot Noir is to be lauded. Drink 2017-2025. Tasted August 2015 Vinifera Wine Services@DanielBeiles
Godello 