Seeing Western Cape stars: A guide to Cape Wine 2022

Hemel-en-Aarde

Regenerative and creative farming, old vines, new frontiers, 80 recommended current releases and braai brekkies

The phenomenon known as “seeing stars” is a common description for disturbances of vision, in seeing bands of light, prisms, sparks or flashing lights. The scientific name is photopsia, a fleeting state most often caused when temporary pressure is placed on the eye, like what happens when you sneeze or bump your head. Seeing stars has also become a symbol of positivity, happiness or renewal. A recent trip to South Africa’s Cape Wine 2022 brought about the literal meaning of the saying as it pertains to celebrity. Wine celebrity that is — and while most Cape personalities carry themselves in complete opposite character to that of an Afrikaans bekende persoon (famous person), their wines on the other hand might bring on that condition called photopsiaThe individual flashes of light called phosphenes may cause dreaminess, giddiness and being weak in the knees. Spend nearly two weeks in South Africa for the Cape Wine fair and you are more than likely to find yourself seeing Western Cape stars.

Related – What comes next for the wines of South Africa?

Old Vines FMC Vineyard, Stellenbosch

The Old Vine Project

In today’s Western Cape, discussions must begin with the entity known as The Old Vine Project. Over the past 20 years viticulturalist Rosa Kruger has focused on discovering, classifying, cataloguing and certifying heritage vineyards. It was a great pleasure to chat with Kruger at a Wines of South Africa ceremony and tasting at Cape Wine 2022, which celebrated her 2022 Decanter Hall of Fame Award. And also with the legend André Morgenthal, orchestrator of the tasting of old vines wines. It is remarkable to see how many estates and producers have come on board — to celebrate and show off the wines they are making from 35-year-old (and older) dry-farmed bush vines. Many vines are even pushing or exceeding the century mark.

He is in fact larger than life – André Morgenthal, The Old Vines Project

“The old method is always the best, because…how did it get so old?” The words of La Motte’s Edmund Terblanche — and yet South Africa is really all about balancing the past with the present. This is why the PIWOSA group — Premium Independent Wines of South Africa — chose the thematic “something old and something new” for their event at Klein Constantia. Old will always be new again, reiterates Andrea Mullineux when she describes the Leeu Passant Old Vine Cinsault Lötter as “a national monument — that must be ripened. Either that or it’s sauvignon blanc and apricots.” Or worse — just apricots.

Preservation is key to the South African wine industry and heritage sites are the assets and the advantage. Chris Alheit is adamant about protecting heritage sites. “I mean, how can you not see this as a Cape treasure? As an ancestral site?” Thus, Alheit’s sémillon, once called La Colline, is also worthy of “monument” status — and though it may not seem to represent the literal definition of a “memorial stone or a building erected,” it does pay homage “in remembrance of a person or event.” In this case, the farmer — and every season of sémillon attempting to seek its fruition for the past 85 or more. Francois Haasbroek of Blackwater uses the term zeitgeist and, yes, the definition is equivocated through the idea of Western Cape single-vineyard wines from off the beaten path, small-parcel sites.

John Szabo MS, Roas Kruger, Godello and the photo bomber

So why are old vines important? Simply put, they are valued for acumen and complexity. They have moved past the imbalance and gawky stage, having achieved life experience, and now possessing profound things to say. Ten years ago, the Old Vine Project considered one per cent of planted vineyards as old, but the truth is 50 percent of old vineyards can be rejuvenated. Most are set into decomposed granite soils, in some instances colluvial as well. These tracts are really old and weathered, predating microbial life. The vineyards dot a landscape occupied by granite plumes exposed above the surface; where below the surface magma cooled ever so slowly and so there is now much more diversity in the life and texture of the rock. Some will wonder how the wines grow on the granite. Physically, the decomposed granite is very friable, and the soils are sandy, two to three meters deep. Roots can dig down, resulting in a bigger canopy — and under that dappled light (as opposed to daytime/nighttime sun), the grapes are able to retain acidity.

Related – Searching for great heart in South Africa

Chenin Blanc

Chenin Blanc and decomposed granite soils

The artist formerly known as Steen, now simply “chenin,” is as complex as chardonnay, with acidity like sauvignon blanc but never searing. For a passionate winemaker like Andrea Mullineux, the grape holds nostalgic qualities. In the Western Cape there are 17,000 hectares planted, more than double that of the Loire. From the 1960s to the ’80s, Lieberstein (a mass market, kitsch wine that launched a sort of South African renaissance) was the most successful wine brand. So much so the government put out a call to plant more chenin in the 1990s.

“When you have old bush vines, you’re going to get chenin blanc that harnesses sunlight, a thickening of the skins and an accumulation of full phenolic character — a taste of sunshine,” says Mullineux with that wry and sly smile. “Granite is the only soil that can give you this super reductive style with great energy,” explains Donovan Rall, who picks his chenin blanc early. “What we learned through the drought years is you don’t have to pick things as you were traditionally taught.”

Andrea and Chris Mullineux

As for recent vintages, 2019 had warm days and cool nights, allowing vines to relax and recover acidity. Then 2020 was very temperate with little diurnal temperature fluctuation, leading to quick yet relatively even ripening. In 2021 the season was cool but dry, though not with drought-like conditions seen in 2018. Veraison only finished in the second week of — quite opposed to previous years when picking was completed by the second or third weekend of that month. Yet 2021 allowed for more precision picking and quite a relaxed harvest.

In 2021 and 2022, vineyards in the Swartland achieved that elusive ideal of full phenolic ripeness. “We say phenolic ripeness, but we call it psychological ripeness,” notes Mullineux. “At least with respect to basing on numbers.” The ripening schedule follows a path starting in Roberston (which is inland), followed by Paarl, Franschhoek and the Swartland, then the coastal regions with Stellenbosch being one of the last, just ahead of Elgin, Wellington, Hermanus and Hemel-en-Aarde.

As for the Hemel-en-Aarde and chardonnay, Chris Albrecht from Bouchard Finlayson indicates that elevation on their side of the valley where fog and humidity settle at the lower levels play a direct role in viticulture and especially the ripening seasoning. Shallow shale soils overlaid with heavy clay is also a factor in determining grape maturity. The Valley has a plateau with an underbelly delivering unique sets of tannin, structure and acidity that, when mixed with sandstone and clay soils, makes for this aspect of how chardonnay sets up for individualistic display.

Related – Memories of South Africa in 60 notes

Fynbos, Vergelegen, Stellenbosch

The venn diagram of organic, biodynamic, sustainable and regenerative farming

Soils in South Africa are ancient and varied. There are three main types along with derivatives:

  • Decomposed granites (oakleaf, tukulu, hutton and clovelly)
  • Malmesbury, bokkeveld or witteberg shale (glenrosa, swartland, klapmuts and estcourt)
  • Table Mountain sandstone (fernwood, longlands, westleigh and dundee)

Still other soils are major contributors to farming styles and the wines they beget. Alluvial, koffieklip, silica quartz, kaolinite clay, river gravels, klipheuwel conglomerates and shales, limestone and malmesbury clay are but a few. Then there are the plutons, dome-like intrusions of igneous magma into the earth’s crust which occurred at great depths and consequently cooled slowly, resulting in a coarse crystalline (granitoid) texture. These plutons have subsequently been exposed by erosion, resulting in mountains or hills such as those in Paarl and Perdeberg and the hills in Darling. In some cases, the exposed domes have been flat-topped by erosion and then covered with sandstone deposits, and have then again been eroded, resulting in sandstone on a granitic base, such as can be found in the Table and Simonsberg mountains. We must also point out the incredible Breede River Region’s characteristic calcareous loam soils and their association with bokkeveld and witteberg shales, dwyka tillite and enon conglomerate. In this part of the Cape it is Malgas that is the only South African wine area with significant alkaline soils.

Johan Reyneke, Stellenbosch

Between the 1970s and ’90s, many of the old vineyards in the fancy regions like Stellenbosch and Costantia were ripped out to plant cabernet, merlot and pinot noir. This was not the case in the “sleepy” Swartland where many old vines, especially of the bush variety, remained untouched. Today a less obtrusive pruning method is employed on “goblet,” which means smaller canopies, lower yields and less water requirements. This method reduces susceptibility to wood rot and also Esca, one of the complex of “trunk diseases” (along with Botryosphaeria dieback, Eutypa dieback, and Phomopsis dieback) caused by wood-infecting fungi.

Between the 1970s and ’90s, many of the old vineyards in the fancy regions like Stellenbosch and Costantia were ripped out to plant cabernet, merlot and pinot noir. This was not the case in the “sleepy” Swartland where many old vines, especially of the bush variety, remained untouched. Today a less obtrusive pruning method is employed on “goblet,” which means smaller canopies, lower yields and less water requirements. This method reduces susceptibility to wood rot and also Esca, one of the complex of “trunk diseases” (along with Botryosphaeria dieback, Eutypa dieback, and Phomopsis dieback) caused by wood-infecting fungi.

“We’re figuring this out and it’s getting fun now,” says Callie Louw. But Louw is the anti-hero, the man who focuses on one large entity. “Working with all these little bits of grapes here and there is not sustainable,” he says, and so 90 hectares produces 850 tonnes of grapes with 85 per cent going into (Boekenhoutskloof) Chocolate Block. “We don’t need to offset climate change with varietal adaptation. We just need to farm better. The problem doesn’t go away. Cover cropping, activate your place, get things growing, the whole profile is run in the top four inches. Below is the bank, the reservoir, the thing that makes the money is on top. Stop tilling! Leave that stuff on the top of soil. It just burns. Keep the active things alive. Increase the carbon in your soil by one per cent and the water will increase by 50.”

With Callie Louw, Porseleinberg

At Vergelegen Wine Estate in Somerset West it is environmental manager Eben Olderwagen who shows how abrasive yellow vine trunk wraps are employed to repel geckos and slugs in lieu of spaying. This sustainability action is part of Vergelegen’s track record as a wine estate renowned for its biodiversity and commitment to environmental sustainability. (Vergelegen is owned by mining company Anglo American.) The recent completion of an extensive programme to rehabilitate eroded watercourses is now the stuff of Western Cape legend. Five sites saw the removal of invasive alien species like Blue Gum trees (between 2004 and 2018) and the replanting of some 15,000 indigenous plants that were housed temporarily while the programme was underway. The 12 million Rand project has saved rehabilitated wetlands and Lourensford Alluvium Fynbos vegetation, which could have been badly affected by sediment washing onto the area. In addition, it has halted sediment contamination of the Lourens River, part of which runs through the estate. Rare vegetation discovered by botanists on the property thought to be extinct has been preserved within the hills and valleys of the 2,000-hectare nature preserve. In 2009 a major fore swept through and burned much of the vegetation, but this is actually beneficial to the fynbos which needs a good burn every 12-15 years for proper rejuvenation. No municipal water is used on the property as water from the Helderberg Mountain is captured in two damns. Vergelegen lays claim to now being the most leaf-roll virus free in the Western Cape.

Johan Reyneke

At Vergelegen Wine Estate in Somerset West it is environmental manager Eben Olderwagen who shows how abrasive yellow vine trunk wraps are employed to repel geckos and slugs in lieu of spaying. This sustainability action is part of Vergelegen’s track record as a wine estate renowned for its biodiversity and commitment to environmental sustainability. (Vergelegen is owned by mining company Anglo American.) The recent completion of an extensive programme to rehabilitate eroded watercourses is now the stuff of Western Cape legend. Five sites saw the removal of invasive alien species like Blue Gum trees (between 2004 and 2018) and the replanting of some 15,000 indigenous plants that were housed temporarily while the programme was underway. The 12 million Rand project has saved rehabilitated wetlands and Lourensford Alluvium Fynbos vegetation, which could have been badly affected by sediment washing onto the area. In addition, it has halted sediment contamination of the Lourens River, part of which runs through the estate. Rare vegetation discovered by botanists on the property thought to be extinct has been preserved within the hills and valleys of the 2,000-hectare nature preserve. In 2009 a major fore swept through and burned much of the vegetation, but this is actually beneficial to the fynbos which needs a good burn every 12-15 years for proper rejuvenation. No municipal water is used on the property as water from the Helderberg Mountain is captured in two damns. Vergelegen lays claim to now being the most leaf-roll virus free in the Western Cape.

Chenin Blanc, Reyneke

“Land caring, land sharing and making quality wine” is Reyneke’s tripartite platform and both story and also that of the cows is like a tree with different branches. The animals graze in high density, moving throughout the year from block to block. They graze and return microbes back into the soil, through their waste and create humus. Vines are fed by this regenerative activity. Dandelions are planted to attract pests so they will leave the vines and roots alone. Downy mold is managed with metabolic enzymes of copper, not always successful on its own but fighting alongside the humus offers a much better chance of control. Not to mention brix levels are raised because of this type of farming. Land sparing essentially means that if you have ecologically endangered endemic plant species you must leave them to live in conjunction with your vines. Don’t reduce them. And for goodness sakes don’t till.

Thankfully by this point roughly 90 percent of farmers in the Western Cape have converted to no-tillage systems to improve the efficiency of crop production. Reyneke also plants new vineyards on contoured angles to control winter water flow but also erosion so that the flow will reach the property’s two dams. There are the fynbos “corridors,” between the blocks to allow wild animals a chance to remain in nature. This all adds up to creative farming mixed with regeneration and sustainability. The first seven years of this policy have all been about renewing the soils and each year the goal is to plant between five and seven new hectares, with 30 on schedule to go in over the next five years. “It begins with organics (which is sustainable), then graduate to biodynamics (which is self-sufficiency) but there is a constant struggle between caring and common sense.”

In other words decisions have to be made, economic ones, to support family, workers and the farm. “People have different tools during different epochs to deal with reality. Science is not about being certain and sometimes it’s about being doubtful. I’m never sure 100 per cent.”

These are the words of Jolandie Fouché of Wolf and Woman Wines: “As shared custodians of the lands that house these vineyards, we also ensure that we partner with growers who farm sustainably in order to produce top-quality grapes without compromising the environment, and the vineyards themselves, in the long run.” And there is Marlise Niemann who recreates the taciturn through gestures so befitting her Momento wines. They like so many of the Western Cape endure for their balance between place and adventure, as well as remaining grounded through their maker’s independence and relationship with the tracts they choose to interpret.

Related – Around the Cape in 50 wines

Agulhas

Appellative blends in red and white

There are reasons why many Western Cape winemakers increasingly turn to accounts spoken in stacked varieties through appellative blends. Not because it can be a French thing to do in the ways of Châteauneuf-du-Pâpe but because it makes for wines possessive of immense character.

“We need these wines and to pay a lip service to them is essential,” says Adi Badenhorst. “As a winemaker or in any homestead job you are always influenced by where you grew up and who you worked with. In the Swartland these are the varieties that were there.” Badenhorst’s ideas are echoed and expanded upon by Duncan Savage. “All the wines are directly connected to their sites,” he says. “That shouldn’t change too often. The farms are big here so you can’t afford to own 50 hectares.” Thus, a winemaker and producer like Savage picks their plots and develops their relationships with their fruit over long periods of time.

After the Cape Wine trade fair, we rode over dirt and dust to what felt like The Western Cape’s version of the outback, to arrive near Malgas up above the Breede River just 15 kilometres in from the Indian Ocean at South Africa’s most southern tip. This is the remote and “insane” home of Sijnn Wines (pronounced “sane”) where visionary David Trafford saw the future a few hours away from Arniston and Cape Agulhas. The beautifully shaped and hued river stones (aka, puddings) and Bokkeveld Shale are perhaps the world’s greatest impetus for developing Rhône varieties à la Châteauneuf-du-Pâpe.

Yet this is South Africa and so chenin blanc, verdelho, touriga nacional, trincadeira and cabernet sauvignon also thrive despite the poorest of soils. Winemaking in the hands of Charla Bosman sees a prodigy and savant at one with the land so that the progression from 2015 vintage through wines resting in barrel today may as well be a decades long discovery.

Related – Welcome to South Africa’s Capelands

With Charla Bosman

Why South African producers must sell their wines abroad

There can be no begrudging people who might imagine South Africa as a growing area of sunshine, heat, and potentially high-alcohol red wines. That is why they must be shows how so many phenolically ripe red wines lock in at a low, low 11.5 to 12.5 percent alcohol that seemingly only the Western Cape can affect for grape varieties like cinsault and grenache.

“I’ve never worked with conversion rates this low,” says Donovan Rall, and his cinsault is a testament to the excellence and magic of vintage. “With no compromise to flavour, tannin, acidity and length.” The low alcohol at 11.8 is brilliant, as no push to ripeness was needed to achieve these heights. Mick and Jeanine Craven manage to create this impossibility with cabernet sauvignon, while still delivering ripeness, generosity, and peace of mind. Another bit of voodoo magic from a place and a maker that knows what’s what.

Cape Town

The need to export, to reach as many new customers in as many countries as possible is the challenge for South Africa’s producers. The Cape Winelands are oceans and continents away from most markets and that remains a serious obstacle, not to mention being situated at the southern-most tip of Africa. The isolation was devastating during Covid, compounded by governmental decisions rooted in prohibition, isolationism, and fear. But the world has re-opened to South Africa and seeking representation beyond Europe is necessary, including finding markets in Canada.

Says Eben Sadie: “There is now a healthy competition between producers. There are vineyards that I planted 10 and 15 years ago that I can now say great things about. It’s in the glass. It’s kind of our time now. We have 3,000 people in this country buying fine wine. Guys who are willing to pay $50 to $60 a bottle for wine. We are all selling locally to the same group of guys. The local market is brutal.”

Related – Once upon a time in the Western Cape

How the Western Cape was won

Cape Wine 2022 was my third trip to South Africa’s winelands between 2015 and 2022. That first congress in 2015 opened my eyes to the possibilities of a wild west experience where the planet’s most ancient soils and geography were able to host grape varieties from all over the world. It seemed like anything could ripen anywhere agriculturalists chose and winemakers wished for. Three years later it was understood that what and where you plant was the key to producing great wines of a sort being made nowhere else in this world. This last journey changed everything again and now it is the coalescence of heritage vineyards, magical conversion rates, sustainable and regenerative agriculture that separates South Africa from all the rest. The Western Cape may be an isolated wine industry and exporting the most challenging of any wine producing nation, but these wines must make it onto our shores. They are too good to miss, not just a handful but hundreds of outstanding examples. Quality has risen exponentially, virtually across all places of origin, including new frontiers. The stars are out, and they are aligned.

Braai Brekkies, Franschhoek

Godello’s 80 recommended current releases

Cap Classique

Anthonij Rupert L’Ormarins Cap Classique Blanc De Blancs 2017, WO Western Cape

Drought vintage no matter nor adversity for this 100 per cent chardonnay aged four and a half years on the lees. Palate presence and texture synthesis but also a really sharp bubble of aromatics in lemon zest, ginger and spice. Elegant and sensory, of sips drift worthy for daydreaming and calm. A blanc de blancs of sanguine personality, extroverted, social and active so that you don’t have to be. Good times when a Cap Classique can do it all, leaving you to enjoy, relieve stress and relax. Seventh iteration heaven from a program that began back in 2017. Drink 2022-2026.  Tasted October 2022

With Johnathan Grieve, Avondale Wines

Avondale Armilla Blanc De Blanc 2015, WO Paarl

From the tradition of Méthode Cap Classique Armilla is a Blanc de Blancs in 100 percent chardonnay, seven years total on the lees, 90 percent in stainless steel, (10) in big French for one year in barrel. Two of the years on the coarse lees were in tank and all is natural. First vintage was 2003. The only thing that has really changed is the extended lees aging but not the moorish acidity extending the freshness and eliciting a keen sense of brioche. The 3 g/L dosage is negligible and so from start to finish Armilla retains its aridity, is never stark but always balanced. More sugar would make it big and fat and see it lacking brightness which frankly is this B de B’s calling card. Resides at the upper echelon for Cap Classique. Cracker stuff. Drink 2022-2029.  Tasted October 2022

Jordan Wines Blanc De Blancs Special Cuvée 2017, WO Stellenbosch

A brilliant all in chardonnay Cap Classique from 22 year-old vines growing on Glenrosa and Hutton soils abutting the Stellenbosch Kloof. A Mediterranean climate here, only 24 kms from the ocean at False Bay. Breezes channel in from the West Coast’s Benguela current and it’s not just a repeated adage to say that the Atlantic winds translate into crazy open-air freshness in Jordan’s scintillant of a white sparkling wine. Spends a nurturing 54 months on lees and this bottle is from the second disgorgement, just now in October of this year. First vintage was 2015 and this is just the second for a B de B bubble that will join the ranks from MCC through to CC’s finest. Sharp yet delicate, intensely focused, precise, with citrus squalls and in the end a treat and a dream. Drink 2022-2027.  Tasted October 2022

Le Lude Brut Reserve Cap Classique NV, WO Franschhoek

I mean, just classic. Citrus juiced and a ripeness in this particular cuvée, always ahead of the curve and also the Rosé. Nothing taking for granted, sharp and superlative acids causing the chardonnay to flourish, intensity heightened as far as one could wish. Even keeled, never expressing highs to high or lows to low.  Last tasted October 2022

The blend is with pinot noir but in this sister cuvée to the Brut Rosé it’s really about what chardonnay is going to bring to the MCC table. The dosage is just slightly higher than the Rosé, here at 6.5 g/L and 24 months on its lees. Here the shift is towards more richness, almost counterintuitive when you think about blanc vs. rose but Paul Gerber is on to something big. There is a plum compote luxe note stirred into the citrus and so both ends of the fruit spectrum are involved and incredible. “You must taste the sun in the fruit,” insists Gerber, sparkling wine or not and so with verve, intensity and balance this travels to terrific and back. Drink 2018-2022.  Tasted September 2018

The Drift Estate Penelope Cap Classique 2017, WO Overberg Highlands

Penelope by Bruce Jack is 100 percent touriga nacional, first ever in existence as sparkling wine, likely not just in South Africa but anywhere in the world. Also a single vineyard Cap Classique and as crazy a perfect storm of variety and methodology as there has ever been, almost outdone by Jack’s ice bucket and Penelope story when the earth stopped. Go to the website for more details. This CC is raging though the specs are not exceptional and so some sort of Cape voodoo is happening here. The farm is too cold to really get a ripeness converting above 11.5 percent alcohol so sparkling it is and the 20 year-old vines deliver the necessary fodder for top notch sparkling Rosé. Goes all currants and ginger, rooibos and fynbos. As it must. Drink 2022-2025.  Tasted October 2022

Old Vines

Alheit Vineyards Sémillon Monument 2021, WO Franschhoek

The artist formerly known as “La Colline” received a name re-branding in the previous vintage yet the source and the song remain the same. That being the 1936 planted (and registered) heritage sémillion vineyard but the farmer passed away in 1938 so the block could actually be as much as two decades older. “Diversity is a matter of having the genetic material to do it,” explains Chris Alheit “and though there may be drifts away from the original DNA, there will always be that connection.” Oldest indeed within the quadrangle composed of Paarl, Wellington, Franschhoek and Stellenbosch. “I mean how can you not see this as a Cape treasure? As an ancestral site?” Thus the new moniker and though it may not seem to represent the true definition of a “memorial stone or a building erected” it does in fact pay homage “in remembrance of a person or event.” They being the farmer and every season of sémillon attempting to seek its fruition for the past 85+ seasons. As for 2021 the imprint just feels like a culmination, of fruit speaking in historical terms and bound to structure, of acid, tannin and extract all constructed as confidentially as ever there has been afforded the opportunity. The 2021 Monument is a rock as profound and important as any sémillon anywhere. “Yeah, people don’t you listen now? Sing along, Oh. You don’t know what you’re missing, now.” Drink 2024-2035.  Tasted October 2022

Bellevue Estate 1953 Pinotage 2017, WO Stellenbosch

A remarkable wine to have the opportunity to taste from vines aged 64 at the time of this vintage and interpreted by winemaker Wilhelm Kritzinger. Bush vines, their yields less than one tonne per hectare (in drought years, of which there are many), upwards of 1.75 in the best of times. The location is Bottelary in Stellenbosch and Bellevue seeks gradual extraction, not quite a full on délestage but the whole lot is transferred from vessel to vessel. The normal press time is seven days and this rare pinotage is always fermented fully dry. Sees 23 months in well versed and rehearsed wood for what is tops in terms of experienced and developed pinotage. Secure in character, prepped and purposed in personality, in delivery of the bloody and the iodide, part soil and part ocean water. A metabolic wonder, converter of energy, meticulously made. Total pro with a whole lotta good dark salted chocolate upon the finish. Drink 2023-2027.  Tasted October 2022

Penny Noire, Cape Town

Boekenhoutskloof Sémillon 2019, WO Franschhoek

Tasted with Lynton Kaiser of Boekenhoutskloof and this three vineyard sémillon blend out of this vintage elicits the kind of looks and gestures requiring no words. The 1936 Franschhoek planted La Colline provides half the fruit (with a good portion having mutated into sémillon gris) and the other 50 percent coming from a 1942 site set into the ancient Franschhoek Riverbed, but also including a few points of muscat out of a block planted in 1902. Concrete eggs house 30 per cent of the ferment and neutral barrels do the yeoman work to keep this cuvée in a primary state for what will likely be a minimum eight to 10 years. The bones are hard and unbreakable to indicate structural propriety and so seeing a decade pass is a near guarantee before next level complexities and brilliant complications will appear. For now there is intrigue, the promise of lemon curd, beeswax, toasted lemongrass and the sort of exotic herbs you’d tear into a bowl of aromatically charged southeast Asian broth. Top and benchmark in so many ways, easily deserving of its reputation. Drink 2026-2035.  Tasted October 2022

  

David And Nadia Wines Chenin Blanc Hoë Steen 2021, WO Swartland

Hoë-Steen is one of four single vineyard chenin blanc from a terroir in the “which one of these things is not like the rest” set of propositions. Planted in 1968 to see it recently cross the half century mark and soils are unique, especially as it pertains to chenin blanc. They are red iron oxide clay, rich and deep, location west of Malmesbury direction Darling. The label reads chenin but truth is a few other surviving vines here and there are in the yard, including discoveries of riesling (crouchen blanc), false pedro, palomino, sémillon and clairette blanche. And who does not appreciate the heritage and concept of a field blend? They’ll call them zinfandel in Sonoma but many are layered of a similar ilk, with the likes of grenache, alicante bouschet, petite sirah, mataro and others playing in the band. Hoë-Steen’s adept water retention and cool temps below the surface put this dry-farmed SV in a place of slower phenolic development and longer growing seasons. The effect on chenin is enchanting, divinatory even and never what you fully expect. Round is not the thought because the trinity of fruit, acid and tannin touch all points, in sequence and exact intervals. The wine can keep time and also plays in fills between the lines. It is symphonic, the whole package, in synch. Drink 2023-2034.  Tasted October 2022

Nicole Kilian, Keermont Wines

Nicole Kilian, Keermont Wines

Keermont Chenin Blanc Riverside 2019, WO Stellenbosch

Keermont is the Stellenbosch farm of Mark and Monica Wraith with their four children. Alex Starey takes care of the vineyards and is the winemaker. This 2019 Riverside was tasted at the Old Vines Project evening with Nicole Kilian who happens to be an American married to a Canadian and their work is purely South African. The 1971 planted single vineyard is the third oldest chenin plot in Stellenbosch. The ’19 was barrel fermented and spent a year in well seasoned oak. The result is purity incarnate, from old vine chenin that has endured nearly 50 years and it just seems like this is the kind of wine that makes itself. The barrels add subtle smoulder and bright luminescence but nothing in terms of density or maturity. A beautiful thing when chenin glides like this and one that will surely sail slowly towards the sunset. Drink 2022-2027.  Tasted October 2022

Ken Forrester

Ken Forrester The FMC Chenin Blanc 2021, WO Stellenbosch

Really different vintage as compared to 2019, here the FMC is a matter of something definably sapid which would indicate the pH being slightly higher while the acidity is just a bit levelled. The wood elicits density and as a result there is a depth to 2021 that stands apart. Fruit concentration while special is not the solo driver because pH, natural fruit sweetness and texture are what make ’21 shine. The youthfulness will confuse the situation and it would seem that eight to 10 years will be needed to settle this score, like Kabinett riesling, Hunter Valley sémillon or any number of Cape old vines chenin blanc. Drink 2024-2031.  Tasted October 2022

Cinsault is the grape planted after phylloxera, which started its devastation around 1900. The idea was essentially to replant all that was lost. The Franschhoek vineyard went in back in 1932, placed upon the mid-slopes, close to but not quite on the valley floor. The Mullineuxs started leasing the block in 2014 and are committed through 2034. This is higher up in these foothills facing west and produces some of the darker cinsaults in the Western Cape, relatively speaking, but especially in contrast to the Wellington (Basson) vineyard. Ethereal and elegant in spite of the shade, more fruit substance and also textural elements. Lötter is the one in this regard, effusive and generous, a wine of soul, soil, history and heritage. A cinsault in the prime time of its epic journey as Andrea Mullineux describes its host as “a national monument that must be ripened. Either that or it’s sauvignon blanc and apricots.” There are two hectares of really healthy and hardy plants, once nearly lost to the sands of time. Drink 2022-2028.  Tasted October 2022

Old Road Wine Company Sémillon Grand Mère 2020, WO Franschhoek

From the vineyard known as La Colline, a high density Franschhoek plot planted back in 1936. Chis Alheit also uses some of this sémillon and now calls his old vines “Monument.” The Old Road Company chooses the name “Grand Mère” which is precisely what the incredible heritage block is for vineyards that have stood the test of time. Crops at a mere three tones per hectare and delivers the most steely and flinty sémillon on the planet. La Colline is southeast facing at 350m, housing unirrigated bush vines and experienced to the effect that a winemaker must not try to dictate its direction. Grapes are left on the skins overnight and 30 percent are allowed to run through a wild ferment. Barrel maturation in mostly older French oak on the primary lees with regular stirring induces a coagulation of creamy texture to offset the striking metal sensation in the wine. On the boozy side but the vintage and the vineyard truly dictate the course. Will age really well, likely well into the next decade. Drink 2023-2032.  Tasted October 2022

Ferdie and Elizma Visser

Olifantsberg Chenin Blanc Old Vine 2022, WO Breedekloof

From Ferdie and (winemaker) Elizma Visser in the Western Cape Breedlekloof (part of the Breede River Valley) at 450m above sea level. The soils are sansdstone and shale with rich alluvials and river rocks for a complex earth from which 1982 planted (certified) old bush vines deliver this exceptional chenin blanc. Olifantsberg was established in 2003 and in just two short decades this producer has connected with their surroundings so tactfully as witnessed in this varietal wine. Now here is something you need to know about, of purity by chenin and a s much rich texture you will ever encounter. Comes equipped with all the minerals and elements of this diverse terroir darting and dodging flesh to preserve and heighten freshness. So Chablisienne in chenin blanc terms, at Premier Cru level and rising. Wow. Drink 2023-2029. Tasted October 2022

Roodekrantz Chenin Blanc Old Bush Vine 2021, WO Paarl

The 1974 vineyard is dry-land, bush vine on deep decomposed Malmesbury shale with more rocky parts than clay-based underlay. “One of the more sought after blocks,” says Marius Burger. “A fight for just a few rows.” He and winemaker Danie Morkel have been interpreting this chenin blanc fruit since 2017, to make this 2021 number five. The vineyard inclines with quite the ungraded slope so it’s hard to pick it right. “Parts of the vineyard have creaky bones in the mornings but we’ve man aged to get it right by now.” This is chenin of a brilliant tenor, bass note placed just below the treble, finding equalization. The fruit shows tempo, mixing with texture to share likeminded frequencies with rhythm and pitch. Just a focused chenin blanc handled by the drogaman wholly respectful of a vineyard’s 47 years of experience. Drink 2024-2029.  Tasted October 2022

The Sadie Family Die Ouwingerdreeks Mev. Kirsten Wyn Van Oorsprong Stellenbosch Die Sadie Familie Wyne 2021, WO Swartland

The vines that supply Mev. Kirsten Wyn are the oldest chenin blanc in the country, out of Stellenbosch and planted in 1905. In 1947 every second row was pulled out to make room for tractors and the configuration still exists this way. “If South Africa has a true apex white Grand Cru vineyard then this is it” insists Eben Sadie. Facts are facts are you just can’t accede these levels of power, concentration, extract and tannin anywhere else. The nose communicates as an intoxicant of sublime forces and these grapes bestow chenin blanc 2021 are those that transcend fruit, deliver ethereality and a heightened sense of awareness. An awakening from necessary tension, crisis and personal freedoms, existential off the charts, poetic and epic. One hundred and sixteen stanzas recorded, in the books and the finest verse written right here in the most recent vintage. If enlightenment is to be gained from chenin blanc in the Western Cape, Mev. Kirsten would provide the fodder. “The grail. End of fucking story” concludes Sadie. All hail. Long live the queen. Drink 2025-2040.  Tasted October 2022

Chenin Blanc

David And Nadia Sadie Wines Plat’Bos Chenin Blanc 2021, WO Swartland

At a tasting where everything is Old Vines Project certified there must be something extraordinary about a wine to stand out from a crowd of greats. David and Nadia Sadie are in fact turning heritage vines chenin blanc (amongst other varietal explorations) into content born of context harboured though never paraded. They are rhythmic and scientific with just enough fantasy and romanticism, but never too much. Plat’Bos stands above Skaliekop and Hoë Steen because 2021 asks it to do so, not because it is better or more important, but it is surely chenin blanc profound. The 1981 Swartland planting is in the steady zone, shed of the mercurial and in ’21 so very linear yet salty of the earth in its sombre-sepulchral tone. There is reduction here because the poor soil nutrients demand that this chenin begins this way. The levels of tension and intensity are most elevated, sufficing to say as high as any from the Western Cape. Attention is paid unwavering to detail, sequencing is in order, purity incarnate, grape and place together pristinely kept. In Plat’Bos 2021 the palate is taken down to the whipping post by a wine built to endure. Given time there will be calm, healing and reward in the end. Drink 2024-2036.  Tasted October 2022

Rascallion The Devonian 2021, WO Swartland

A small production of 100 percent Swartland chenin blanc from old vines planted between 1968 and 1982 and at this price ($32 CDN) it solicits an “are you kidding me?” reaction. Bloody rich and concentrated yet so balanced without any slide into metallic or boozy character. Expertly managed with all connective tissue tied to the decomposed granites of the Swartland, blessed of true expressive nature, pulsating and alive. The energy is buzzing and its impressive in the way it grabs, demands and keeps attention. So hard to turn away or think about anything else. Drink 2022-2026.  Tasted October 2022

Theunis Kruger

Fram Chenin Blanc 2020, WO Piekenierskloof

Theunis Kruger’s natural chenin blanc from a 1987 or 1988 planted vineyard comes away in one pick and is put to large (15 year) old foudres of 300-400L. He and we agree that this represents the most important grape (Theunis uses the word “best”) and yet they are not all created equal, including this coming from Citrusdal Mountain. Cracks the whip and works the palate like it means business, knows what wants and also what needs. The race of acidity will carry forward for quite some time. Drink 2022-2027.  Tasted October 2022

Holden Manz Chenin Blanc Reserve 2019, WO Stellenbosch

Spent nine months on lees, fruit from 43 year-old vineyard on the Simonsberg side of the Helderberg Mountain. A bit further up the valley en route to Franschhoek. Made since 2010 (by Gerard Manz) with a rich and viscous meets metallic chenin. High level of concentration in a high-caste style. No lack of barrel accentuation and well made. Drink 2023-2027.  Tasted October 2022

Kleine Zalze, Stellenbosch

Kleine Zalze Chenin Blanc Vineyard Selection 2021, WO Stellenbosch

Wouldn’t call this ulterior but there is something curiously upticking, visceral and unique as it pertains to Stellenbosch chenin blanc. Not simply a matter of richness but a varietal wine that elicits a rise of emotion, especially out of flavours and textures with barrel fermentation acting as the catalyst. Buzz of energy yes but also a buttery syrup sensation derived and you could just pour this over your morning pancakes. Not because of sweetness but instead complexity, stylish personality and as they say, deliciousness. Also looking for some fatty protein so pulled duck leg and blueberry on those flapjacks and a glass of chenin blanc will do nicely thank you very much. If you want a chardonnay alternative with less apples and brioche this is the way to go. Drink 2022-2026.  Tasted October 2022

L’Avenir Estate Chenin Blanc Single Block 2021, WO Stellenbosch

Notably concentrated by naturally sweet chenin blanc fruit inclusive of the 1971 planted Stellenbosch vineyard. As a comparison to the Far and Near chenin it’s as if everything accentuates and comes into clearer view. Feels a touch advanced and mature beyond its short time after harvest and my if this just speaks the varietal language of Stellenbosch. If you like the normal then you will come to appreciate the reserve, aka the Single Block. Drink 2022-2025.  Tasted October 2022

Miles Mossop

Miles Mossop Wines Chenin Blanc Chapter Two 2021, WO Swartland

From deep Paardeberg granite soils and a series of wines from Miles Mossop predicated as chapters; three being chenin blanc and four with sauvignon blanc, both out of Stellenbosch. This Swartland chenin is the signature for Mossop, from a 1971 planted vineyard, top section of the block, bordering and abutting the fynbos. A chenin of outspoken freshness, high yet taciturn acidity, old vine intensity, concentration and know-how. Experience quantified generates specificities quantized to beget excitement. Chapter Two is an experiential success simply because it is based on top chenin fruit from heritage vines done right. Drink 2023-2027.  Tasted October 2022

Mullineux Chenin Blanc Schist Roundstone 2021, WO Swartland

Roundstone, aka “ronde steen or rondklip” in Afrikaans but the farm is known by its English name. Another Western Cape account for struggling grapes while here the matter involves smaller canopies, clusters and grapes. The vineyard begets and raises a child of the land’s stony “dakteëls,” roof tiles where everything slides and so the tannins accentuate to procure wines of a certain toughness. This child is street smart and battle ready, got into a few fights in the early days, now able stand up for itself no matter the attack or the scene. Aromatically speaking there is a cheese rind scent in the dry comports of extreme aridity, resulting in intensity and directivity. A slightly higher pH makes this the sapid one, sliding across the palate with its über fresh scathe. This will age with the best of them, more like structured reds but so very capable as chenin blanc. Drink 2024-2034.  Tasted October 2022

Donovan Rall

Rall Wines Noa 2021, WO Swartland

The first, named after Donovan Rall’s daughter born during the pandemic. From 2.1 hectares of chenin blanc planted in the Paardeberg in the 1960s on the finest decomposed sandy granite soil. “Granite is the only soil that can give you this super reductive style with great energy,” tells Rall and he cropped to yield at three tonnes per hectare. Picked super early at high acid and low pH (3.28 in 2021, after malo) at the high point of the vitality vortex. Moving away from texture and into the business of lightning and mouth-watering succulence from a chenin so electrically plugged in. All this for only 12.0 per cent. “What we learned through the drought years is you don’t have to pick things as you were traditionally taught.” The decision made was at least two weeks as compared to 15 years ago, climate change aside. Truth. Drink 2022-2029.  Tasted October 2022

Reyneke Chenin Blanc Biodymnamic 2021, WO Stellenbosch

Biodynamic, estate farmed, from vines planted in 1974 and 1976, part of the certified Old Vines Project. Surely it is old vines at the source coupled with the principled biodynamic exercises to make for an enlightened and heightened precision in a chenin blanc of purity and trenchant estate desire. Concentration, varietal hyperbole and a reflection of what the farm wants to share are the drivers and we the passengers abide. There is no doubt that this Reyneke exists (with distinction) within the vacuum of what is working and creating haute quality chenin blanc. Success is measured by dint of hard work and respect for all things natural, including humans, animals and plants. This paints a picture and sculpts a figure of fine granite. Drink 2022-2028.  Tasted October 2022

With Adi Badenhorst

White Blends

A.A. Badenhorst Kalmoesfontein White Blend 2021, WO Swartland

There are reasons why many Western Cape winemakers increasingly turn to accounts spoken in stacked varieties through appellative white blends. Not because it can be a French thing to do in the ways of Châteauneuf-du-Pâpe but because it makes for wines possessive of immense character. Adi Badenhorst makes use of at least 10 different grapes and you’ll need to read the bottle to know what they are. But seriously chenin blanc is joined by grenache gris, grenache blanc, marsanne, clairette, verdelho, roussanne, sémillon, viognier and palomino, Stacked, layered, integrated and in a vintage as rich as ’21 also acidified just ever so slightly. Says Adi. “We need this wine and to pay a lip service to them is essential.” White Blends they are the walrus. “I am he as you are he as you are me and we are all together.” Sees one year in foudres and one in concrete. Only in South Africa and as here so very noteworthy from the Kalmoesfontein Farm at the base of the Paardeberg do these extract and alcohol conversion rates create magic. Decomposed stone infused, citrus and DNA of granite manifested as a swirl of orange, lemon and lime, tea and cordial fulfillment. Swartland grape varieties combining for brilliance in genius, epically so. Drink 2023-2030.  Tasted October 2022

Alheit Vineyards Cartology Bush Vines 2021, WO Western Cape

The question is posed to Chris Alheit but he says the lighter and lighter (including alcohol) wines are not a matter of intentional design nor aesthetic choice. Farming and the use of grand-sized blending tanks in the mid four to six months increases stability, mobility and consistency well ahead of bottling. Clarity is ensured, true clarity and more purity plus “the guarantee to present the best version of that vintage.” In the end the chenin blanc plus (20 per cent sémillon) Cartology 2021 seems to be the most effusive, sharp and translucent to date, this despite a group of on repeat parcels varying in output from vintage to vintage and quite significantly so. This is primed and ready if perhaps ready to begin peaking as early as next Spring. Drink 2023-2027.  Tasted October 2022

B Vintners Vine Exploration Company “B” Haarlem To Hope 2021, WO Stellenbosch

Cousins Bruwer Raats and Gavin Bruwer Slabbert created Bruwer Vintners Vine Exploration Company in 2014 to celebrate family and Cape heritage through a joint venture. Haarlem To Hope 2021, from the motherland to the Cape of Good Hope, a blend of nearly 70 per cent chenin blanc with just about (30) sémillon plus bits of muscat blanc and muscat d’Alexandrie. All from Polkadraai Hills where Raats’ extraordinary Eden chenin is from. All four blocks of vines are old and Bruwer had to convince a neighbour not to rip them out. The chenin is barrel fermented, the sémillon harvested early and the blend is laden with this amazing glück, a textural component indescribable using any other word. “B” is for everyone involved; Bruwer, Gavin’s mother’s maiden name and the history of the Bruwer Huguenots. Impressed by how this never drifts into oiliness or liquid metals but finds balance between all parts. The texture could be called sumptuous but in any case the two plus two varietal get together walks up and down both sides of a two-way street. Drink 2022-2026.  Tasted October 2022

With Sebastian Beaumont

Beaumont Wines New Baby 2019, WO Bot Rivier

New Baby was released in June of this year and 2015 was the first vintage of a truly Cape conceptual wine. It was launched as a way to combine the idiosyncrasies and potentially complimentary personalities of different white grape varieties on the farm. In 2019 the lead is chenin blanc at 40 per cent with (30) sauvignon blanc plus smaller amounts of chardonnay, sémillon and colombard. They were all planted by Sebastian Beaumont’s father from 1974 onwards. The style and notion follow the line established by Hope Marguerite. “My mother said every vintage was like giving birth to a new child,” explains Beaumont. “Once you do something it’s hard to shake.” Yet another brilliant white appellative blend to define the Cape’s idiomatic meets wild west psyche and only in South Africa do the interpretations emerge like this. All in barrel and the vapour trail is palpable, especially in the flint and smoulder that come from the Bordeaux grapes. New Baby pops, piques, kindles and snaps, raises the senses and is just a perfect conceptual creation. Hard not to love this bloody wine. Drink 2023-2030.  Tasted October 2022

Christa Von La Chevallerie

Huis Van Chevallerie Springhaas Vin Blanc 2019, WO Coastal Region

Springhaas is the South African hare, a medium-sized terrestrial and burrowing rodent. Despite the name, it is not a hare. Springhaas the white appellative blend is from Voor-Paardeberg, of 40 percent chenin blanc, (33) viura and (27) verdelho. Many winemakers get their “specs” from these vineyards, including Thorne & Daughters. This is Christa Von La Chevallerie’s concept wine but also a signature of who she is. The viura is also used for her Hummingbird sparkling. “It’s from the mountain and people know it,” she says and what she means is this is bloody good juice. “It’s my six dollar version of something fun. Others can play on top of it.” Well it jumps and hops so there’s that, also fine bitters, lime, a fino moment and a sweet brininess that makes you want more. What a fantastic finish, drink enough of it and it goes all refreshing and satisfying. But you’re upset when it’s gone and it makes you realize that you’re also hungry. The chenin from decomposed granite releases the acidity and is the impetus for excitement. Just enough takes the lead to establish balance. Springhaas will have you realize with relief that this is not an invitation to small Pedetidae murder but an alliterative description of an appellative deliveroo. “Here, hare, here.” Drink 2022-2026.  Tasted October 2022

Franco Lourens

Lourens Family Wines Lindi Carien 2021, WO Western Cape

The influence on and reasons are numerous for Franco Lourens to make this white appellative blend. It begins working alongside Chris Alheit and a little wine called Cartology, develops out of a need to pay for an engagement ring, solicits the assistance of old vine chenin, old for South Africa verdelho plus wisened teens named colombard, grenache blanc and palomino. Finally, it’s success and payout get the ring, marries the girl and the wine remembers it all, named after Franco’s bride, Lindi Carien Lourens. The Stellenbosch verdelho (35 per cent), Swartland chenin blanc (21) and colombard (19), Piekenierskloof grenache blanc (18) and 1972 planted palomino (7) are all expertly judged and delineated in 2021. Five days of skin-contact on the GB does just enough to solidify and texturize the entirety but otherwise it’s “lazy winemaking” says Franco for a wine first made in 2016. Oak is old while the package is just as tight and seamless as a WAB can be, especially in the WC. The layers of components really do like one another, that much is obvious and yes, “all my wines have come a long way,” says Lourens. “I try to tighten the bolts and the screws every year.” These are snug in 2021. Indeed. Drink 2022-2027.  Tasted October 2022

With André Morgenthal and Charla Bosman

Sijnn White 2020, WO Malgas

This 2020 is the first vintage to bring verdelho into the mix with chenin blanc (the OG variety planting in 2004) and roussanne. The Iberian grape takes this intrepid White to a side-stepping, new era level. The first of its ilk and a bit clumsy whilst this young and impressionable but my how this will change perception and forward thinking with respect to Malgas blending. The White iterations from 2017-2019 are stellar wines and represent peak performance for their time. But change and growth are good and necessary, otherwise things get stale, even in this crazy outpost of a wine-growing place. There is much to learn from the 2020 first kick at this new can and there can be no doubt winemaker Charla Bosman will take little time to morph this new identity into something mind-blowing. Drink 2024-2028.  Tasted October 2022

Vergelegen G.V.B. White 2021, WO Stellenbosch

A Bordeaux blend of 78 percent sémillon with (22) sauvignon blanc and likely the most dominant blend in this regard anywhere in the Western Cape. The sém portion is usually 50-60 and here from 2021 the standing firm, upright and out is on fully skeletal display. There can be no mistaking the fynbos and on a grander scale the estate farm in this wine. Peaches and cream dictate the fruit aromatics before the sémillon kicks into pedal to metal overdrive, ushering in resins, essential plant oils and strength of character acidity. This was bottled at the end of 2021 and just recently released. Subsequent vintages will be under the reigns of new winemaker Luke O’Cuinneagain whose track record includes stints at Château Fieuzal, Cave Dietrich, Château Angelus, Screaming Eagle, Rustenberg and Glenelly. Drink 2022-2026.  Tasted October 2022

Red Blends

A.A. Badenhorst Kalmoesfontein Red Blend 2021, WO Swartland

Five grape varieties and as Badenhorst is wont to do they are all co-fermented. As a winemaker or in any homestead job you are always influenced by where you grew up and who you worked with. Tells Adi, “in the Swartland these are the varieties that were there.” And so this is Saint-Éstephe meets Cornas, rustic yet pure, ripe and ripped. No make up and it preaches the Badenhorst philosophy. The elévage is 80 percent in concrete with (20) new casks. Turned out to be a pretty tannic vintage, maybe even as a surprise to Adi. “There’s oxygen here.” The most structured of all these wines and clearly one that can age, with thanks to amazing vineyards. Drink 2024-2032.  Tasted October 2022

Glenelly Estate Reserve Red Blend 2016, WO Stellenbosch

Based on Bordeaux varieties and the fruit is almost second wine styled as if Lady May the Glenelly grand vin is Paulliac and this Reserve Red is La Croix Ducru Beaucaillou. Or something along those lines. Here we receive top ecehlon Cape cabernet sauvignon with merlot and petit verdot but the side-swiping catalyst is the generous and liquid peppery splash of syrah, the energizer and impetus to really make this Meritage go. Rich and chocolaty, financed and very clever, warm and woollen. Yes it reminds of Bordeaux in Western Cape earth but that syrah changes everything. Or adds actually, activates notions and sentiments only Stellenbosch and environs are want to do. Creates a new yet old-hearted heritage. Drink 2023-2027.  Tasted October 2022

Kanonkop Paul Sauer 2019, WO Stellenbosch

Abrie Beeslaar is the winemaker of this Cape icon of a Bordeaux blend in 2019 composed of 75 percent cabernet sauvignon, (14) cabernet franc and (11) merlot. Beeslaar notes that the carry over of drought is still felt through this ’19 pulled from dryland vines aged 30 years on average and growing in decomposed granite, Hutton and Clovelly. Obviously youthful as to the point of immovable but in a modern world Paul Sauer speaks clearly and the vernacular is as understood as it has likely ever been. Tasted alongside the ’91, ’97, ’09 and ’14 you can see a shift in style over the course of nearly three decades or rather an adjustment to keep up with wants and needs. Change does indeed match the times and while this blend is about as structured as any in the Western Cape there are more handsome qualities and even a moment or two of immediacy. Not exactly gratification because the tannins are a force but things seem measurable. The middle palate is full and flavourful, giving off this cool sensation. Many years of excellence lay ahead. Drink 2025-2035.  Tasted October 2022

Meerlust Rubicon 2017, WO Stellenbosch

From a drought vintage yet there can be little doubt that in farming these Bordeaux varietal vineyards almost every bunch, however small they may have been, came out fresh and healthy. Rubicon 2017 is all perfume, of violets and berries, currants and Cassis as a by-product of distilling these varieties down. Still youthful and feeling a bit boozy though the complexities and acidities have yet to arrange, layer and align. The intensities are a bit haphazard and there are so many programming features running on overdrive. A look deep back for a comparison might be 1991 and if there is truly a connection then the future for this vintage is so very bright. Drink 2023-2033.  Tasted October 2022

Duncan Savage

Savage Wines Red 2020, WO Stellenbosch

Still called “Red” but since 2017 this artist formerly known to blend with grenache, cinsault and touriga nacional no longer seeks that meritage effect. For good reason because the syrah fruit is tops and under this command it transforms into magic. The idea of cuvée persists but the concept is that of mono-layering, single varietal stacking, syrah on syrah upon syrah. The progression come to this makes perfect sense for a signature wine to define what Savage wines is and needs to explain. This wine is unreal, fully formed and seamless, of a structural indemnity that shifts risk from one party to another, from one layer of syrah to another so that the whole is always protected. Might seem or feel like an impossibility but when one part has the back of the rest and the engineering covers the whole, then the architecture is solid. A beautifully tough and grippy syrah is the result, never gritty or swarthy but so very fine-tuned. Drink 2025-2030.  Tasted October 2022

Springfield Estate The Work Of Time 2016, WO Robertson

Based on the concept that “time is the lost element in today’s winemaking, can be so precious – yet it is free.” Time for a 1992 planted vineyard to reach a level of maturity to make a great wine and so the first vintage is 2001. Time in barrel and bottle, two plus four, then released with the work having already been done. Ready to drink? Not so fast. Time is not of the essence but for the patient. The grapes are cabernet sauvignon, cabernet franc, petit verdot and merlot for a truth be told in woollen, swarthy and sauvage personality, needing two more years to begin breathing and exhaling the true character of their gathering. Bonded together they will be one flesh and fleshy they will be, fruit and animal, of a vibrancy to speak of cape heritage through red blends. Chalky tannins and high acidity also need to cooperate but in the end this will surely become something really special. Drink 2024-2030.  Tasted October 2022

With Eben Sadie and John Szabo MS

The Sadie Family Die Ouwingerdreeks Columella Liberatus In Castro Bonae Spei Vindemia 2020, WO Swartland

Less syrah (40 per cent as opposed to what used to be 80), with grenache and mourvèdre plus more tinta barocca now in Columella. Results in an even firmer, linear, direct in your face and on the palate kind of red blend. Tannic to the bone, a karst now painted on, slowly to weather and be stripped away, eventually to dry as a charcuterie board of salumi, savoury jam and tart pickle. Eben Sadie feels this stylistic cuvée in his bones, down to his core and know this. Big extraction and heavy oak treatment is not part of the program. For the highest degree of complexity accumulated it would be best to hide this ’20 away and return in 10 years. At the very least. Check in after four or five and there will be great reward if not the kind of next level, millennia or epoch. Drink 2026-2037.  Tasted October 2022

Agulhas

Varietal Whites

Ataraxia Chardonnay Earthborn 2020, WO Hemel-En-Aarde Ridge

Snap, crackle, dried green apple skin dusted and pop with white pepper bite. Savoury-herbal by a typically endemic site where terroir is clearly the driver for this particular chardonnay. Vineyards of fruit counteracted by salinity. Drink 2022-2025.  Tasted October 2022

Bosman Family Vineyards Chardonnay 2021, WO Upper Hemel-en-Aarde

Persistently reductive, brown butter nutty and softly aromatic. The notable (13.9 per cent) alcohol accentuates the 15 per cent settled juice aged in Burgundy barrels for six months to make this feel generously wooded. Richer palate and furthered intensity. Tasted as part of a 15 chardonnay flight in perspective at L’Avenir. Drink 2022-2024.  Tasted October 2022

Bouchard Finlayson Chardonnay Missionvale 2021, WO Hemel-en-Aarde Valley

Pure citrus entry, all parts involved, juice, zest and pith. Well lees aged during its tenure with sweet fruit scents, flavours and naturally occurring caramelization. Old school, less cool and yet herbal minty through the mid stage, then ranging quite long and far. One of the more complex chards with depth and warmth provided by the valley floor. Drink 2022-2025.  Tasted October 2022

Braai Brekkies in Arniston

Cap Maritime Chardonnay 2020, WO Upper Hemel-en-Aarde

Cap Maritime is the Upper Hemel En Aarde chardonnay work of Boekenhoutskloof’s Marc Kent. A classic cool climate chardonnay, whether by place or vintage, or perhaps a combination of the two. This jumps out as one made in the most wholesome and also dedicated way, smooth and consistent, surely a factor of an estate’s terroir. Perfectly seasoned and reasoned for great effect. Cool all the way. Drink 2022-2024.  Tasted October 2022

Creation Chardonnay 2020, WO Hemel-en-Aarde Ridge

Quite buttery and rich, fully formed, styled and developed as chardonnay in a cool yet at times foggy and humid climate. A fine mix of toast and texture, energy and appeal. Drink 2022-2024.  Tasted October 2022

Zoo Crü – Cape Wine 2022

Crystallum Chardonnay Clay Shales 2021, WO Hemel-En-Aarde Ridge

Clay Shales is what Bourgogne not called Grand Cru strives for. That would be stage presence, which is a character trait that less than one per cent of the world’s chardonnay can say it displays. Andrew and Peter Allan Finlayson have mined platinum with this 2021 of a what’s in a name codex for Bokkeveld Shale meets clay soil. Single vineyard chardonnay of one hectare producing only 2,000 bottles is deserved of cru status when it takes a producer’s profound to an entirely new level. Hilltop site, windy as fuck and you can sense the breeze blowing through to mitigate and balance an unreal level of richness and concentration. Not just this but an equality by a tautness that commands respect but also relaxes to let the fruit exhale and express. Clay Shales is an important matter of a single Hemel-en-Aarde ward, a ridge supreme upwards and its makers standing two metres tall, upright and looking over the pack. Chardonnay at the pinnacle for Crystallum’s studio work, conveying much without overstatement. It is almost impossible to imagine any Western Cape chardonnay discussion without it. Drink 2024-2030.  Tasted October 2022

Megan Mullis and Sharon Parnell, Domaine des Dieux

Domaine Des Dieux Chardonnay 2019, WO Hemel-En-Aarde Ridge

The mansion of the gods and can’t help but think of a childhood cartoon memory (Asterix) but there is nothing childish or cartoonish about this splendid chardonnay. By a long shot the most reductive of the 12 thus far in this blind tasting flight. Holding back the years and tears, a chardonnay of deem, deed and demand, explaining little, not interested in giving in, clearly designed for longevity. Impressive and of secrets we wish to know. “Hoping for the arms of mater, get to me the sooner or later, oh.” Drink 2023-2027.   Tasted October 2022

Godello in Hemel-en-Aarde

Hasher Family Wines Chardonnay Marimist 2020, WO Upper Hemel-En-Aarde

Richly aromatic, emitting the perfume of fresh yellow flowers like few in a 15 strong chardonnay flight from the Hemel-en-Aarde. No let down on the palate in fact texturally this lays it all out, with more fruit and wood interaction than most in an evolved, developed and symbiotic way. Fulsome wine, ready, willing and able. Drink 2022-2024.  Tasted October 2022

Braai at La Motte

La Motte Sauvignon Blanc Pierneef 2021, WO South Coast

Pierneef, a reference to the well-known painter. Includes 10 per cent sémillon and the earliest vineyards were planted in the 90s. Pinpointed sharpness in sauvignon blanc and although there is a sense of pungency the urgency of freshness and spirit are the shit. Comes from Agulhas in the Cape’s South Coast which is the most southern vineyard in Africa, perhaps the coolest there is in the Western Cape. There is indeed a Sancerre sentiment here but stands apart, alone, of its own accord. From a growing contract of 25 years, rented, a management contract paid and grapes taken. Drink 2022-2025.  Tasted October 2022

Christo Kotzé, L’Apogée

La Vierge Chardonnay Apogée 2018, WO Upper Hemel-En-Aarde

Though a 2018 the primary notes prevail in this chardonnay from a cool marine climate. Young vines (eight years of age) on the plateau’s argillaceous Bokkeveld Shale and sea breezes are at the tops of influence. Closed, taut, yes reductive but more so a case of youth, unforgiving and ungiving while in that state. A mildly warming and nutty white caramel indicate change is coming as they carry on and over into a chardonnay expressive of great length. High caste and style though the climax or pinnacle of potential is far from realized. Drink 2022-2025.  Tasted October 2022

Natasha Williams, Bosman and Lelie Von Saron

Lelie Van Saron Chardonnay 2021, WO Upper Hemel-en-Aarde

Exceptional and artistically precocious work here at the hands of Natasha Williams, cool and linear, of less barrel than most. A bit taut and tightly wound. Piqued, liquid white peppery, no caramelization, brown butter nuttiness or toast in any shape, style or form. Not the longest finish though also never sharp – nor abrupt neither. Solid construction, plenty of citrus, proper and distinct. Drink 2022-2024.  Tasted October 2022

Lomond Wines Sémillon Seven Rows 2019, WO Cap Agulhas

Must be nice to farm and produce in a climate where you can consistently grow and then gift straight sémillon and this from Lomond is about as credible as they come. Obvious richness mixes with herbology in sweetness but most of all the effect comes from barrel fermentation in 500L tonneaux. Lean is not the operative though mineral and elemental surely are, not merely salty but marine influenced at the southern most point on the African continent. It’s something so much more, notorious even, unique, curious and all in. Intensely woven as sémillon will ever get and the real interest is to see how this ages. Great intrigue. Drink 2022-2026.  Tasted October 2022

Hemel-en-Aarde

Newton Johnson Family Vineyards Chardonnay 2021, WO Upper Hemel-En-Aarde

Newton Johnson’s is self-professed vibrant chardonnay to rival Bourgogne as well as anywhere in South Africa. Their 2021 raised in the ward of the Upper Hemel-En-Aarde shows so much more than taut mineral activity and is yet so far from anything remotely tropical. Rather it resides on the barrel fermented side of things where fruit richesse and oak fuelled beauty get together in a whirl and swirl of lees and acid, forming a cone of chardonnay in centrifuge, oily and silky at the same time. There are some juicy terpene moments upon tasting and so a disparate moment or two will happen before the warmth of this chardonnay nurtures as it trickles down upon the finish. Feels preserved in great balance and of citrus in oxygenated motion. Drink 2022-2026.  Tasted October 2022

Craig Wessels

Restless River Chardonnay Ava Marie 2020, WO Upper Hemel-En-Aarde

To meet and taste with Craig Wessels is to know him because he wears his wines on his sleeve and allows them to do the talking. They in turn speak on behalf of a breeze swept place aboard the plateau of the Upper Hemel-En-Aarde. There is a wee bit of (Tuscan) amphora addition and yet its effect is only sensed in the shadows of this understated chardonnay. Named for Wessels’ daughter with fruit hermetically contained and protected the minute it left the small, profound and single two hectare vineyard. A bit demure, pretty and classic, less ambition and need for immediate recognition but clearly confident without attitude or overt display. Almost convinces of the simple, amenable and how remarkably easy it is to get with, but that is indeed the beauty and subtlety of this wine. Fine wine. Made that much more indelible after tasting a 2015 from Magnum with Wessels over lunch at Hamilton Russell. Drink 2023-2028.  Tasted October 2022

Jessica Saurwein

Saurwein Riesling Chi 2022, WO Elgin

CHI is the riesling work of Jessica Saurwein, German-South African, naturalist and champion of both riesling (Elgin) and pinot noir (Hemel-en-Aarde Ridge). The word carries two meanings, translated as “life force” and also the first three letters of CHIUTA, an African rain god. These are spiritual connections that reflect the individualism of the producer and also her wines in the how, where and why they are of a magic produced by the garden. Saurwein’s 2022 is a beautifully balanced riesling of invisible pulse that feels akin to how mushrooms might communicate with one another using electrical impulses. You could imagine attaching a soundboard and speaker through electrodes to the vines to measure spikes in signal activity. Just as a scientist would connect to hyphae and hear them talk. But I digress and in this glass this mix of 11.5 per cent alcohol, 11.5 g/L RS, 7.5 g\L TA and less than 3.0 PH equates to a rich yet linear riesling of full flesh and healthy bones. A riesling aching to explain itself, how it is grounded while also soulful, hovering in weightlessness and ethereal. This may seem like a quiet, standalone organism of a wine but is in fact a complex weave of language transmitting soil, geology and place. It’s really quite special and Jessica Saurwein seems poised to be the Cape winemaker who will translate substrate behaviour with clarity through the language of wine. Drink 2023-2029.  Tasted October 2022

Southern Right Sauvignon Blanc 2022, WO Cape Coast

The fruit origins are threefold, as are the soil types. Walker Bay (47 percent), Hemel-en-Aarde (43) and Elgin (10) and a sauvignon blanc layering by way of clay-rich shale, decomposed granite and Table Mountain sandstone. Dry, medium to elevated acidity, low pH and moderate alcohol adds up to marine air freshness and what proprietors Anthony and Olive Hamilton Russell will say is “tensile character and a marked, saline minerality.” The Hemel-en-Aarde Valley contributes as much as any fruit source in terms of having a say, not dominant per se but leading in its confident way. A track record as solid as any of its ilk to deliver an intensity of flavour and that freshness overload, together thick as thieves, drinking at peak, right now. With four-plus years in bottle a next level flinty magic and fruiting genius will occur, like tooth fungi from mycelium when conditions run ideal. The vintage guarantees such a transition into secondary character will happen. Drink 2022-2027.  Tasted October 2022

Hemel-en-Aarde

Storm Wines Chardonnay Storm Vrede 2021, WO Hemel-en-Aarde Valley

Vrede is literally “peace,” as chardonnay so named and raised on clay-rich Bokkeveld shale soil in the valley where fog and humidity settle at the lower levels to play a direct role in viticulture and especially the ripening seasoning. The soils are shallow overlaid heavy clay and who could dispute this geology acting vehemently as a factor? Rich and golden, reductive yet apple fleshy yellow and cream textured. Protected beneath a savoury-candied shell then later accented by herbaceous rhizome spice. Continues with ever consistent persistence, unrelenting, direct, linear and perhaps while this youthful also just a bit woolly and wild. Must check this out on repeat for the first three-plus years. Tiny production of just 125 cases (of 12). Drink 2023-2026.  Tasted October 2022

Tesselaarsdal Chardonnay 2021, WO Hemel-en-Aarde Ridge

The juice is up front, the wine opening for immediate gratification, ready and willing to please. Charged though here in a first dimension without any knowable access to further ones available. Quite tart and spirited though on a one way street with a finite finish. Super high acid, early picked and a touch green. Drink 2022-2024.  Tasted October 2022

Whalehaven Chardonnay Conservation Coast 2020, WO Upper Hemel-en-Aarde

Slow to reveal, unwind and prepare itself for the great revelation, in tact and a chardonnay of firmness and useful tactility. The kind of tact is so apposite to wines that tack or are in fact tacky as this is anything but. The lees are a bit sticky and so there are some thicker glück moments. Drink 2022-2024.  Tasted October 2022

Varietal Reds

Beeslaar Wines Pinotage 2020, WO Stellenbosch

Abrie Beeslaar came from Kanonkop so the acumen with respect to pinotage is more than obvious. Beeslaar works with vines planted at the grape’s origins on the north side of Stellenbosch. There are few if any with this type of natural sweetness in the fruit, with thanks to the pinpointed location on the line of decomposed shale that runs up to Stellenbosch mountain. Passes through this pinotage with peaking fruit power and stone intensity. Despite 40 per cent new oak (and you feel the wood) there is a lovely peeking swarthiness about this pretty wine. Drink 2023-2027.  Tasted October 2022

Blackwater Wines Cinsault Zeitgeist 2019, WO Darling

Francois Haasbroek makes use of the same Darling block of fruit as Duncan Savage in his cinsault called “Follow the Line.” This used to be called “Hinterland” but Haasbroek has changed the name to “Zeitgeist” and yes, the definition is equivocated through the idea of Western Cape single-vineyard wines from off the beaten path, small-parcel sites. Recall that “the defining spirit or mood of a particular period of history as shown by the ideas and beliefs of the time” is exactly what winemakers consider and exact from these varietal blocks. Francois goes at it with 60 per cent whole cluster and 100 percent concrete fermentation. Results in notable up front fruit with age-prepared softness and a marbling nearly unrivalled in Cape cinsault. Like protein of perfect ratio turning to butter the moment it hits the heat of the pan, this is the effect that transpires when the wine slides across the palate. Cinsualt of bandwidth from dry-farmed bush vines growing on Table Mountain sandstone for indelible grace. Drink 2023-2028.  Tasted October 2022

Boschendal Pinot Noir Appellation Series 2020, WO Elgin

Taken from vines growing at 500m on a what’s what of soil types; Heavy red clays, Table Mountain sandstone, Bokkeveld shale, Tukulu and Silica quartz with underlying Kaoline clay. An extreme slope and a place where baboons take what they want and wine is made from the remainder. Serious solar radiation juxtaposed against the coolness of what lays beneath the surface to result in dichotomous pinot noir, blessed of purely Elgin-styled red fruit, richness and tension fighting for supremacy. Earthy enough, element driven, aged in mostly 500L wood, to augment and not infiltrate. Could benefit from another six months of settling. Drink 2023-2026.  Tasted October 2022

Jeanine and Mick Craven

Craven Wines Cabernet Sauvignon 2021, WO Stellenbosch

Mick and Jeanine Craven’s cabernet sauvignon grows right next to the chenin blanc site on mainly granite with some clay underneath. Fermentation includes 70 per cent whole cluster; why…why not…wait…with cabernet sauvignon? Mick shoots that mischievous look and that explains the choice because he gets it. He understands his fruit from Karibib Vineyard site planted in 1999 on these Polkadraai decomposed granites. The whole bunch number was far less in 2020 so maybe if he knew then what he knows now it would have been higher. Maybe not. Notable stem savour but one so piquant, toothsome and then a woolliness but one subtle enough to speak in just a whisper. There feels a syrah comparison but deliciousness in this cabernet comes without iron and closed fisted punches. Kind of Loire franc in its verdant character but again, there really is no reference, nor sauvignon connections neither. Clocks in at a low, low 12.5 per cent alcohol that only the Western Cape can effect for this grape variety while still delivering ripeness, generosity and peace of mind. Another bit of voodoo magic from a place and a maker that knows what’s what. The conclusion? Finesse. Drink 2023-2029.  Tasted October 2022

Gabriëlskloof Syrah Whole Bunch 2021, WO Bot Rivier

Now in the hands of Hemel-en-Aarde’s Peter Allan Finlayson of Crystallum and the third vintage of treating Bot Rivier syrah to all in, whole bunch fermentation. All the perfumes that can be pulled might just fill up a small room to do for syrah what only this place can in fact do. The carbonic maceration lasted for ten days before being pressed, taken off the lees and aged in steel tanks for eight months. Clarity, purity and aromatics flown off the charts. You can decide what they are to you but know their omnipotence will draw full attention. Creates a magically sweet, succulent and serious elixir, pretty and poetry in motion, serving up the Bot with sultry sensations. Quite something really. Drink 2023-2026.  Tasted October 2022

With Anthony Hamilton Russell and Johan Reyneke

Hamilton Russell Pinot Noir 2021, WO Hemel-En-Aarde Valley

It has come to the point where we want to distinguish stylistic differences between Ridge, Valley and Upper in the Hemel-en-Aarde and if any pinot noir is capable of creating some kind of definition than Hamilton Russell’s would be the one. From 2021 this feels like a light and ethereal kind, tight and restrained but not backward, which can always be a possibility. Valley pinot is less obvious, slower to reveal, incrementally opposite to the Ridge and apposite to the Upper, both of which are showier, less complex and quick to speak. Anthony talks about less solids being left in the tank (since the mid to late 2000s) to result in a greater ability to diversify in barrel. The great solids epiphany came in 2020, 10 years after the “malo epiphany.” When the Ridge pinots show more persistent tannic structure it can create wines of disparate character while the Upper will usually offer the most perfumed intensity. This is more aromatic than most from HR, gorgeous even, as “Burgundian” as ever there has been. Yet Hamilton Russell from the Valley seeks equanimity and slow maturation, never peaking too early or looking to deliver immediate gratification. Patience is the request, even in a “lighter” vintage. This from ’21 is no exception. Drink 2024-2029.  Tasted October 2022

 

Iona Pinot Noir Kloof Monopole 2019, WO Elgin

Andrew Gunn’s Kloof single-vineyard is the only one on the mountain and he alone makes this Elgin pinot noir from that fruit, thus the Burgundian monopole terminology. There are 12 blocks planted in 1998 and 2010 overlooking the Atlantic Ocean so the wind effect is more than imagined to create the taut tightest, finessed and saltiest on the local (and very parochial) scene. When pinot acts this alive it opens your eyes, nose and palate to a vitality capable of inducing invigoration. A fine example at elevation no doubt with great promise and eventually elegance with thanks to Iona’s focused attention and listening to the winds. Drink 2022-2026.  Tasted October 2022

Niels Verburg

Niels Verburg

Luddite Shiraz 2019, WO Bot Rivier

This is the 20th vintage for Niels Verburg’s Luddite shiraz and what he calls “a survivor.” Each time it arrives there is this newfound, newly generated freshness in revival, no matter the season. The 2019 is the last of the drought vintages from which only 5,800 bottles were made for a sku that can be as high as 30,000. Garrigue aka Fynbos, iodine, Velddrif salts, Imphepho and Nasturtium. Lively and jumps right out of the glass. “Quintessential vintage,” smiles Verburg, released a bit early “but this ’19 is really good.” Producers who do it right work this way and this one reels you in though is surely also age worthy. Drink 2023-2032.  Tasted October 2022

Kaapzicht Pinotage 2021, WO Stellenbosch

Known for a more traditional style, heavy and round, self-professed by winemaker Danie Steytler. Jokes aside this from Bottelary Road is indeed a dense and thickly consummate pinotage, liquid chalky and structured for a long, slow-cooked and extended warranty. Not that Steytler is trying to coax, extract and demand too much but place and climate do conspire anyway. The endgame is far away, for now embittered in black liquorice and taut intensity. Drink 2024-2029.  Tasted October 2022

Restaurant at Kleine Zalze

L’Avenir Wine Estate Pinotage Single Block 2020, WO Stellenbosch

From winemaker Dirk Coetzee, from a registered single vineyard planted in 1994. Smooth, refined and swelling with ample tannin. The more “Bordeaux” within the pinotage pantheon, of graphite and Ribena, a righteous greenness, modern perhaps yet earthy, already showing some soy, balsamic, fungi and truffle. Drink 2022-2025.  Tasted October 2022

With Marlise Niemann

Momento Wines Grenache Noir 2020 WO Swartland

This grenache noir is Momento’s OG because Marlise Niemann worked in Spain and in 2010 decided to put her faith in this grape. As always low yielding bush-vines in the Swartland grown on its ancient decomposed granite soil are the source and there are few Western Cape examples as beautiful as this. Any origin for that matter because Niemann and the Paardeberg have become soulmates and her choice of one-third whole bunch pressing is spot on. Creates a crust or barque on top of the ferment that carries through to the wine. Cold soak of four days and punchdowns exaggerate the sweetest fruit of sing-song temperament, a varietal Carole King, woven tapestry of longing and love. If you need a restart of your joie de vivre than this is the wine to pour. Aside from its undeniable winemaking genius, the grenache noir endures for its balance between place and adventure, as well as remaining grounded through its maker’s independence and relationship with the Swartland. Drink 2023-2028.  Tasted October 2022

Mullineux Syrah Granite Jakkalsfontein 2020, WO Swartland

Jakkalsfontein, “where the dogs spring,” perhaps eternal because granite soils are a gazillion years old and the Mullineuxs have been working with the vineyard since 2014. Whole cluster to the max, open top large vats allowing release and punchdowns keeping that elusive concept of stems working in the success side of trial and error. After that it’s all about tannin polymerization and then refinement. Grandstanding tannins indeed, a vintage of manyfold layers, of warm days and cool nights especially towards harvest, where acid will improve upon tannin . Will be most interesting to watch this one age. Should be a grand granite year. These are true Swartland tannins. Drink 2025-2033.  Tasted October 2022

With Alex Milner

Natte Valleij Cinsault 2021, WO Stellenbosch

In 2018 I tasted four different cinsault from Alex Milner and at the time the Darling stood apart. Feels like four years later he has grown to fully appreciate this 1972 Stellenbosch vineyard with deeper understanding and cinsault intuition. This site with its views of Table Mountain and False Bay is picked the latest and in 2021 finished at a mere 11.5 percent alcohol. It is the litheness of glycerol and grace in texture over the palate that makes this far from conventional cinsault tick. That is where the magic happens with thanks to concrete “barrel” aging and guaranteed freshness captured. Tannins are whispers, sweet nothings that melt in the mouth upon contact though they will linger for a few years yet. As soft spoken a cinsault as there is, even by Western Cape standards. Drink 2022-2026.  Tasted October 2022

Paul Cluver Pinot Noir Seven Flags 2015, WO Elgin

Increasingly considered a great vintage in Elgin, backed up by this showing at seven years of age. The 115 grows on shale with Koffieklip and in ’15 the whole bunch number was 50 percent. Settled now and in a most ideal drinking way, with nearly five years remaining for more expressive things to say.  Last tasted October 2022

The most floral vintage of the Seven Flags and the first with clones 115 and 667 brought into the blend. This to create new concepts and levels of complexity with vines old, new and next level involved. The intermixing leaves us with a sensation involving many layerings; fruit, acid and structural. The fruitiness and fresh flower gatherings presents an aperture of severe harmony and adds up to a bunch of aesthetic yeses. Give it a year or two to integrate. Drink 2020-2027.  Tasted September 2018

Porseleinberg Syrah 2020, WO Swartland

It begins with a right proper rant from farmer, BBQ smoker and winemaker Callie Louw. “We don’t need to offset climate change with varietal adaptation. We just need to farm better. The problem doesn’t go away. Cover cropping, activate your place, get things growing, the whole profile is run in the top four inches. Below is the bank, the reservoir. The thing that makes the money is on top. Stop tilling. Leave that stuff on the top of soil. it just burns. Keep the active things alive. Increase the carbon in your soil by one per cent and the water will increase by 50.” Then to the current release at hand. Porseleinberg syrah 2020 is aged in 90 percent foudre and (10) concrete egg. “A nice vintage,” says Louw, “still stuck in a drought but the first year with average rainfall, just about 400mm.” Healthy canopies, just right there, picking without stress. From 2020 about 70 per cent is from one site and while the soils are consistent, the aspects, gradients and all else bring minor variegation, seasoning and spice.“The success of this is a complete fluke. I literally do nothing with the grapes. I realize I do fuck all.” And yet the consistency of the process prevails; of working with syrah like this, whole bunch, no pump-overs and just a belief in the farming. Not sure many 2020s are the shit but this folks and my friends is. South African wine is not all the same. Drink 2020 sooner, the delicious factor will ride. Drink 2024-2032.  Tasted October 2022

Bruwer Raats

Raats Family Wines Pinotage Liberte 2020, WO Stellenbosch

From Polkadraai, picked early to help establish a deeply South African sentiment or even manifesto that allows pinotage to separate itself and announce its uniqueness as a wine unlike anywhere else in the world. These are the thoughts of Gavin Bruwer Slabbert. If you attempt to compare this to a Raats cabernet franc there are so few similarities and in fact here pinotage gains stature, swagger and momentum in ways the Bordeaux family of varieties can only wish for. At what cost you ask and that is a worthy query. Traditional beauty perhaps but even pinotage’s lies in the eyes of the beholder. Thick skins and fleshiness abound to announce their estimable arrival. Drink 2023-2028.  Tasted October 2022

Radford Dale Freedom Pinot Noir 2021, WO Elgin

Proprietor Alex Dale takes inspiration from Nelson Mandela’s memoir “A Long Walk to Freedom” as he sees his adopted South Africa as the place where agriculture and winemaking have given him his. The first organic pinot noir from this Elgin outpost for Stellenbosch producer Radford Dale and what winemaker Jacques de Klerk calls “a transitory vintage.” Meaning Elgin Ridge was the original owner and the farming is now fully under RD’s command. This ’21 is glaring and striking in primary freshness, so youthful it feels like bottling happened only yesterday. Chalky tannic, of a formidable density but stone cold salty, like Sonoma Coast and a wedge of Délice de Bourgogne. This is, in the parlance of our times endearingly referred to as “C’est bon, fuck!” Drink 2024-2028.  Tasted October 2022

Testalonga El Bandito Mourvedre Monkey Gone To Heaven 2021, WO Swartland

Craig and Carla Hawkins make many skus, almost all small lot from the Swartland and it feels like there is no true rhyme or reason to the portfolio. That is why Monkey Gone to Heaven is the poster for their work, a Pixies song reference Black Francis (Frank Black) has said was named because it “just sounds neat” and also “it wasn’t like we thought we’d get played on the radio.” Perhaps Craig (aka El Bandito) approaches his work in a similar way. Hawkins goes at is as natural as anyone out there but believe it when he insists he’s simply making wine from grapes. What do people think? Whatever. Are the wines niche, raw or mainstream? Don’t really know. Making a statement on environmental concerns? Probably not. We do know this varietal mourvèdre is 100 per cent whole bunch fermented for nine days in open tanks, pressed and aged in 500L foudres. Wild and full on ambient malolactic fermentation. The winking winemaking equivalent of “If man is five…Then the devil is six…Then God is seven.” Actually less intense and grippy than the Queen of Spades Tinta Amarela and also surprisingly perfumed. Even a bit pretty, of different aromatic and volatile lift, apposite in structure, soliciting an arousal of trenchant imagination. What is this? Sarcasm, Kaballah and good grapes. Drink 2023-2026.  Tasted October 2022

Waterkloof Wine Estate Pinotage Last Of The First 2021, WO Stellenbosch

“We like to make wine we like to drink,” tells Nadia Barnard-Langenegger, based in Somerset West. The block for this wine is part of the first commercial one planted in South Africa, on a cool, east-facing bush vine block planted in 1994 to clay and some decomposed granite. In conversion to organic. “I want to taste what I taste in the vineyard, stones and freshness.” The name is Last of the First because there are no others planted on the Skurfberg. Another terrific example of the new pinotage of flesh, savour, lithely bitter liquorice and high acidity. Definite quality once again. Drink 2024-2027.  Tasted October 2022

Wolf And Woman Wines Pinotage 2021, WO Swartland

From Jolandie Fouché and old vines planted in 1973 on truly sandy (meaning zero clay) Paardeberg soils. Fouché’s journey has run the gamut, from matriculating to earning her stripes in the South African industry. And one of her dogs is named cinsault. “Sometimes I’m more wolf than woman and I need to stop apologizing for my ways.” Hers is a most perfumed pinotage, thanks to bush vines with big canopies whereby the vine is mostly in the shade, that and more than ample whole bunch fermentation in a carbonic vein. Less oxygen and no new wood lengthen, extend and create a drift that so few wines of this idiom are able to achieve. WAWW is pinotage of elegance incarnate, not without inherent tannin, yet silken no doubt. Drink 2024-2028.  Tasted October 2022

Good to go!

godello

Hemel-en-Aarde

Twitter: @mgodello

Instagram: mgodello

WineAlign

Twenty-two mind-blowing wines of 2022

Godello in the Stellenbosch heather, Reyneke Wine Estate

We are who we are and we choose to live in a world according to wine. Within its walls are endless permutations and revelations, of the dark moments and the light, the romantic entanglements and the failures. We witness cycles of passion, highs and lows, endless accounts of quirky little episodes that reveal how grapes really live under the circumstances of a vintage. How they survive and thrive, eventually turning into the wine they become. A wine’s history is a lovely aside accompanied by a recorded and constructed account through the lens of someone who observes its transformations. We are messengers who take the land, plant and maker into consideration and always abide, recounting the story to those who would choose to listen. According to WineAlign I reviewed more than 3,000 wines in 2022, which means I tasted at least 3,500, if not more. In order to surmise this final list from a shortlist of more than 100 mind-blowing wines it meant another 2,900 are not even in the running and yet surely no less than a quarter are exceptional wines in their own right. That is how difficult, personal and stringent an exercise this annual choosing has become. I find it near impossible these days and yet somehow feel compelled to continue the drill. 

Godello in Chianti Classico

Related – Twenty-one mind-blowing wines of 2021

The year 2022 afforded multiple opportunities to get back on the road in search of great wines in places across the ponds and beyond. To Tuscany in both February and March, for the for the Chianti Classico Collection and also as chaperone to La Squadra Canadese for a week of exploration throughout the 11 UGAs of the territory. Forever in Chianti Classico included a masterclass presented by Italian wine expert Filippo Bartolotta and Consorzio President Giovanni Manetti titled Il Chianti Classico in 9 Decadi. This year-end summary includes one of those Chianti Classico wines dating back to 1949 but a few more could been here as well, including the fascinating Badia A Coltibuono Chianti Classico 1958. At Laura Bianchi’s estate the Castello Di Monsanto Sangioveto 1986 was one to blow my mind, as did Luca Martini di Cigala’s San Giusto a Rentennano Percarlo 2018 and VinSanto del Chianti Classico 1998. As a proud, card-carrying Ambasciatore there are dozens upon dozens of Classico and affiliate sangiovese that move me each and every calendar year. Il Molino Di Grace Gratius 2018 is an example and just one of many.

Related – Twenty mind-blowing wines of 2020

After that Tuscan adventure I moved on to Sicily for a five day exploration of The five estates of Planeta earth and my stay turned into two weeks. Covid-19 had caught me and yet the humanity of Alessio Planeta, Patricia Tòth and several winemakers aboard L’Etna turned a challenging test result into many days of discovery and deeper volcanic understanding. In fact L’Etna and Parco Statella saved my Sicilian quarantine. So many producers’ wines could and should be on this list: Azienda Agricola Sofia, Calcagno, Donnafugata, Eduardo Torres, Feudo Pignatone, Girolamo Russo, Graci, Scirto, Tascante, and Vigneti Vecchio. Oddly this was not a year for nebbiolo with likely the least amount of opportunities made available and yet a month from now I will spend 10 days in Piemonte to make up for the absence in 2022. That said there can be no forgetting Réva Barolo Cannubi 2018, from which impartiality is off the table because if you do not fall in love with this Barolo then you are not setting your palate free.

Travels in June and Abruzzo in four-part harmony included a bucket list visit with Emidio Pepe where I found that an unwavering commitment to land is everything that matters in making exceptional and memorable wine. It’s not only what you do but also who you are. Ahead of that trip I had tasted La Valentina Montepulciano d’Abruzzo DOC Bellovedere Riserva Terre Dei Vestini 2017, and there can be little doubt that it is a wine that resides at the top of the montepulciano food chain because this Riserva hails from a most specific and important terroir. After Abruzzo and then Rome I moved on to attend the first ever Anteprima for Simply Red: Rosso di Montalcino where the Brunello were set aside for one day only and the 2020 vintage of Rosso got directly under my skin, including Lorenzo Magnelli’s mind bending Le Chiuse Rosso Di Montalcino DOC 2020. Dieci Anni di Rosso di Montalcino (Ten Years of Rosso di Montalcino) and Selezione di Rosso di Montalcino (Rosso di Montalcino Selection) showed wines of age-ability and purpose; my if Alessandro Mori’s Il Marroneto Rosso Di Montalcino DOC Jacopo 2019 did not blow my mind. A visit with Violante Gardini Cinelli Colombini meant a pour of Donatella Cinelli Colombini Brunello Di Montalcino DOCG Io Sono Donatella 2015 for the most profound barrel expression of Le Donne’s Brunelli. 

Menfi

Related – Nineteen mind-blowing wines of 2019

In October the Cape Wine congress resumed after a four year absence and now more than ever this is what I have to say. South Africa is the most exciting and mind-expanding wine universe alive today. There are no less than 40 Western Cape wines from two dozen or so producers tasted in 2022 that could have made this list: A.A. Badenhorst, Alheit, Beaumont, Boekenhoutskloof, Crystallum, David and Nadia Sadie, Hamiilton Russell, Huis van Chevallerie, Kanonkop, Ken Forrester, La Motte, Leeu Passant, Klein Contsantia, Meerlust, Momento, Mullineux, Old Road Wine Company, Porseleinberg, Raal, Raats, Radford Dale, Restless River, Reyneke, Savage, Sijnn, Storm and The Sadie Family. To name but a few. Other southern hemisphere wines were killer in 2022, namely Torbreck Grenache Hillside Vineyard 2019, a special Barossa block to be sure.

With John Szabo MS and Rosa Kruger at the Old Vines Project tasting

In November a return to Montalcino for Benvenuto Brunello 2022 meant a look at the 2018 vintage but also the Riserva of 2017. At Col d’Orcia the Conte Francesco Cinzano Marone and his son Santiago led yet another vertical tasting, this time on the 8s and it was Brunello Di Montalcino Riserva DOCG Poggio Al Vento 1988 that stood both out and also the test of time. From Montalcino it was on to Vienna and then a Wagram-Traisental discovery tour that was both too short and mind-expanding – A return must and will happen soon. Meanwhile a tasting at home in the WineAlign office showed this Rheingau gem to the crü. Leitz Berg Schlossberg Grosses Gewächs Riesling Trocken 2019 is grand Rüdesheim indeed. 

These are the wines that blew my mind in 2022

Most of all 2022 was a year when associates, colleagues, wine professionals and especially friends reunited to break bread and taste great wines together. At a birthday party I had the opportunity to taste the following in one evening; Château Lafitte 1986, Château Mouton-Rothschild 1986, Chave Hermitage 2010, Guigal Côte-Rôtie La Turque 1999, Paul Jaboulet Aîné Hermitage La Chapelle 1990, Dom Perignon 2000, Veuve Cliquot La Grand Dame 1995 to name just seven of 20-plus icons. Bordeaux made several prominent appearances in ’22; Château Margaux 1989 (and 2004), Château Haut-Brion 2012 and Château La Mission Haut-Brion 2012. More importantly in 2022 we shared bottles of all ilk, pedigree and origin, not only the expensive and famous labels but all the great wines, big and small. Thank you to every person who poured, for every sip and taste, with heartfelt thanks. These are Godello’s 22 mind-blowing wines of 2022.

Markus Huber Grüner Veltliner Berg 1ÖTW 2021, Traisental, Austria

Highest and coolest vineyard of the Traisental Erste Lage because by three or four pm the forest casts shade over the vineyard. Limestone based soil as well, upwards of 380m and the only portion that has iron rich red elements in the earth. Actually finding a richness in this, surely vintage related and that is unexpected but it’s also the most savoury, minty cool, eucalyptus accented, or the like. Curious by comparison to Alte Zetsen and Zwirch, in what is assessed as almost dark, smoky, spicy volcanic-simulate stuff. Brings whole and utter meaning to grüner veltliner at the Grand Cru level. Drink 2023-2028.  Tasted November 2022

Godello with Charla Bosman

Sijnn White 2019, WO Malgas, South Africa

Up above the Breede River there are vines of chenin blanc, viognier, roussanne and verdelho, varieties that have been working towards a common goal, to eventuate at something great. Then 2019 comes along and the world changes. This is the vintage from which David Trafford, Sijnn and winemaker Charla (Hassbroek) Bosman take full reign of their collective charge. To be truthful the agriculture, winemaking and face of the brand is Bosman and were I in the market to hire someone of her passion, ability and professionalism I could not help but remunerate her like a top European footballer. But lucky we all are that she and Sijnn are together because she is at one with this impossible yet absurdly beautiful environment where wines like this White Blend are made and will blow your proverbial mind. They attach themselves and get so close to that personal part of you. Imagine Châteauneuf though I’d much rather consider Malgas because that is what this is. Rich and perfectly viscous, spicy, structured and fine. Drink 2024-2030.  Tasted October 2022

Girolamo Russo Etna Bianco DOC San Lorenzo 2020, Sicily, Italy

From the single vineyard at 730-740m of elevation and vinified in tonneaux. The 2009 was the first vintage of San Lorenzo Bianco for a wine that leads amongst the 80-90 thousand total bottles made by Giuseppe Russo from 18 hectares. A strong selection from the plants of carricante with cattaratto and grecanico. The carricante are the oldest and they provide the breadth in the mouth, the texture in unction and the presence that really makes you feel the vineyard. The difference between it and Nerina is really in the selection of the grapes. Giuseppe wants his whites to speak for his territory, here to be a bit more generous and 2020 obliges first because it was easier and second because it is such a vintage specific to the white wines. Such beauty and emotion is purity and life. No stress and a wine you want to drink. Drink 2022-2028.  Tasted March 2022

David And Nadia Sadie Wines Plat’Bos Chenin Blanc 2021, WO Swartland, South Africa

At a tasting where everything is Old Vines Project certified there must be something extraordinary about a wine to stand out from a crowd of greats. David and Nadia Sadie are in fact turning heritage vines chenin blanc (amongst other varietal explorations) into content born of context harboured though never paraded. They are rhythmic and scientific with just enough fantasy and romanticism, but never too much. Plat’Bos stands above Skaliekop and Hoë Steen because 2021 asks it to do so, not because it is better or more important, but it is surely chenin blanc profound. The 1981 Swartland planting is in the steady zone, shed of the mercurial and in ’21 so very linear yet salty of the earth in its sombre-sepulchral tone. There is reduction here because the poor soil nutrients demand that this chenin begins this way. The levels of tension and intensity are most elevated, sufficing to say as high as any from the Western Cape. Attention is paid unwavering to detail, sequencing is in order, purity incarnate, grape and place together pristinely kept. In Plat’Bos 2021 the palate is taken down to the whipping post by a wine built to endure. Given time there will be calm, healing and reward in the end. Drink 2024-2036.  Tasted October 2022

The Sadie Family Die Ouwingerdreeks Mev. Kirsten Wyn Van Oorsprong Stellenbosch Die Sadie Familie Wyne 2021, Stellenbosch, South Africa

The vines that supply Mev. Kirsten Wyn are the oldest chenin blanc in the country, out of Stellenbosch and planted in 1905. In 1947 every second row was pulled out to make room for tractors and the configuration still exists this way. “If South Africa has a true apex white Grand Cru vineyard then this is it” insists Eben Sadie. Facts are facts are you just can’t accede these levels of power, concentration, extract and tannin anywhere else. The nose communicates as an intoxicant of sublime forces and these grapes bestow chenin blanc 2021 are those that transcend fruit, deliver ethereality and a heightened sense of awareness. An awakening from necessary tension, crisis and personal freedoms, existential off the charts, poetic and epic. One hundred and sixteen stanzas recorded, in the books and the finest verse written right here in the most recent vintage. If enlightenment is to be gained from chenin blanc in the Western Cape, Mev. Kirsten would provide the fodder. “The grail. End of fucking story” concludes Sadie. All hail. Long live the queen. Drink 2025-2040.  Tasted October 2022

Iconic Bourgogne

Domaine De Bellene Vosne Romanée Premier Cru Les Suchots 2020, AC Bourgogne, France

“Suchots” originates from “souches,” the name given to the woods before the land was prepared to house these vines. Les Suchots is but a small 13 hectare part of the larger 220 in total for Vosne Romanée and was first planted in 1937. La Romanée and Saint Vivant are the closest plots, south of Echezeaux, north or Richebourg and though just six per cent of the appellation it is actually the largest Premier Cru Climat therein. The vineyard is divided in two by a road. The eastern part below lays just above the cemetery and the village terroir called Hautes Maizieres. The top part is located below Les Beaux-Monts. The 2019 was a dream, crème de la crème and yet 2020 seems to embrace the powerful vintage with a most extraordinary level of perfume. That and fruit concentrated to a maximum degree without falling into any of the trappings associated with hyperbole. The concept of pinot noir reaching regional levels like this seems counterintuitive to the variety-appellation contract but the balance and harmony at the top is something the likes almost never seen. This will surely be one of the wines that explain with hyper clarity what 2020 is as a vintage. Drink 2026-2040.  Tasted May 2022

Graci Etna Rosso DOC Arcurìa Sopra Il Pozzo 2017, Sicily, Italy

Sopra il Pozzo describes a special portion of the signature Arcurìa vineyard (and contrada of the same name), a block “above the well,” 100 per cent nerello mascalese picked in the last week of October. Treated to the same maceration and elévage as the Rosso for the same spontaneous style and time as Feudo di Mezzo. However Sopra il Pozzo’s “refuse” soil composition is different and requires patience in the name of time, due to its alternating layers of decomposed volcanics in stone and coarse sand. This is a section of recast material and the corresponding mascalese is both emasculated and chivalrous. The degree to which layers of fruit, mineral and umami incorporare and completare is finite and contiguous yet also lengthy, scorrevole and endless. There is rare Etna glycerin texture and perfectly timed acid tang. Tempismo perfetto. Grande. Drink 2024-2032.  Tasted April 2022

Elisabetta Foradori

Foradori Granato Teroldego 2019, IGT Vigneti Delle Dolomiti, Trentino-Alto Adige, Italy

Granato from Elisabetta Foradori resides at or near the peak of the Trentino-Alto Adige wine chain, a Dolomite force of varietal nature, richness incarnate and cragged to gain your full attention. Fruit comes at a great premium, not by absence of the heart but because so much site, land and space speak louder than words. A static red stuck in a state of cryogenic freeze, immovable and surely able to handle immobility and also time. Will drink beautifully for a decade and a half, or possibly more. Drink 2024-2034.  Tasted February 2022

Garage Wine Co. Truquilemu Vineyard Lot 97 Dry Farmed Old Vines Field Blend Carignan 2018, DO Maule Valley, Chile

The eastern facing side of the Coastal Range where the old vines grow, in places where you had to make wines for the Catholic Church, “to save souls.” The most aromatic of Derek’s wines, a true field blend with a je ne sais quoi of varieties bursting off of dry farmed bush vines. Showy with that combination of outright juiciness juxtaposed against iron-fisted structure. A wine that comes from a place where the farmer worked to break up the “los camellones”, strange diagonal lines drawn and a framer who shows how to separate the land so that making great wine is easier. This is a remarkable example of old, bush and real. Drink 2024-2030. Tasted July 2022

Barone Ricasoli Castello Di Brolio Chianti Classico 1949, Tuscany, Italy

Tasted as part of “Il Chianti Classico in 9 Decadi” led by Filippo Bartolotta with Giovanni Manetti at Stazione Leopolda in Florence at the Chianti Classico Collection. The oldest wine in the flight. apropos and just when you consider the Ricasoli heritage and lineage. A mineral layering which instinctively mimics the compaction of argiloso, macigno and calcari from Brolio’s soils, no longer feeling the separation or mille-feuille effect but now just all morphed into one and the same. There were surely some white wines in this mix, as per the formula written decades earlier by Bettino Ricasoli. Probably helped keep the freshness for some time and while this is now all earth and stone the wine is very much alive. There’s even some sweetness and citrus showing, indicative of blood orange some 73 years later, finishing with a trebbiano and malvasia Vinsanto tang.  Tasted March 2022

Isole E Olena Chianti Classico Gran Selezione DOCG 2016, Tuscany, Italy

“I did not like Gran Selezione, I did not have anything against Gran Selezione but the discussion about UGA (sub-zones) was already underway so why not wait for this next change to the appellation?” The thinking for Paolo de Marchi was more about the wines that did not qualify for the appellation becoming wines that now qualified, the issue being a new rule could not apply to only 30 or so producers. So what is needed for that to happen? “All grapes born here should be able to travel with a passport.” If it is more complicated than that then there is much more to discuss. A Chianti Classico from a long, linear and fortifying vintage delivers equally appropriate and extending tannins, gripping the composition while proposing to become elegant and fine. The seamlessness and never wavering focus keeps on keeping on, in the ways of emotion in motion. Will remain in bottle one year more before being released to the market. Drink 2023-2027.  Tasted February 2022

Great anticipation to taste La Casaccia and Montosoli side by each from a vintage carrying no option but to act out the passion play through the glaring clarity of a sense of place. There are facts involved and there is no hiding the truth formed by these plots of sangiovese in this vintage. By now it is understood how 2018 exists on its own accord at one with nature though Francesco Ripaccioli will tell you there are similarities with 2013, if only because that vintage was greatly ignored and is drinking well at this time. La Casaccia in the località of Canalicchio is the wildcard of Montalcino and tasting several wines from the frazione reveals a collective affinity supplied by the year’s gifts. Nothing was portioned or taken away from the ’18 Annata and yet this Vigna sings with even more range and depth than that wine. The acids are simply out of this proverbial world, the linear aspects drawn with precise architectural or even, in Old English speak, a Cutter’s line. Remarkable reserve in concentration and forward slicing finesse. Forever long. Forever young. Drink 2025-2038.  Tasted November 2022

Biondi Santi Brunello Di Montalcino Riserva DOCG 2016, Tuscany, Italy

Riserva 2016 is the 42nd such vintage since 1888 from estate vineyards and the oldest parcels therein. Meanwhile olive trees and other compatible local species grow in those places and there always seems to be lower pH and higher bright acidity coming off the grapes. The Federico Radi team seeks to broaden biodiversity with unlimited scope and more vineyards would benefit by following such a plan. When Biondi-Santi gets to their next position we can expect even more refined and higher quality wines. Meanwhile the harmony and extant abilities in this ’16 Riserva are almost impossible to believe. A Riserva of fruit termed as the locus of the points drawn at an equidistant from the centre. Sangiovese of no stops and starts existing on a special kind of ellipse in which the eccentricity is zero and the two foci are coincident. Simple descriptors like crunch, chew or crust are not in the lexicon nor do service to speak about the texture of this remarkable sangiovese. Subtlety and strength, a dappling of early morning light, patterning and shimmering as if on water. The phenolics are spot on, coherent and the connection with both palate and tannins perform as an unbreakable bond. A canvas flooded with colour and while there is a level of transparency there are no white spots. Everything is filled in. Clocks in at 14 per cent abv. Drink 2025-2040.  Tasted November 2022

Fontodi Flaccianello Della Pieve 2001, IGT Toscana Centrale, Tuscany, Italy

Youthful is the proverbial understatement, zesty and full of Panzano life the other. A sangiovese in strike of ideal accord, freshness captured in bottle and development low, easy and slow accrued. Just like the season, stress-free, never too hot, never too wet. Stellar autumn of warm days and retentive cool nights. A late harvest and full phenolic character. It all shows in this 20-plus year-old Flaccianello, singing a ballad, verse after verse, refrain post refrain. After 20 minutes a sweet porcini perfume emits and one wishes for a 50 day dry-aged Chianina Fiorentina. What fortune! Along with the special effects of smoky rosmarino and wild fennochio. Drink 2022-2029.  Tasted February 2022

Sassicaia 2019, DOC Bolgheri, Tuscany, Italy

Priscilla Incisa’s Tenuta San Guido is located one hour south of Pisa, going back many generations. The surface area covers 2,500 hectares in a “classic Tuscan agricultural estate, of vines, olive oil, cereals including wheat and feed for thoroughbred horses. There are 500 hectares towards the seashore dedicated to a wild life refuge “paradise” free from hunting and for migrating birds coming from northern Europe and heading to Africa, especially because a good part of the land is covered by water during the winter. Before 1994 the appellation was Vino da Tavola. The grand vin Sassicaia is always a minimum 80 per cent cabernet sauvignon (as per the appellation) with cabernet franc. The youthful perfume of Sassicaia is really something other, an invitation to the plume of a great and mighty bird that will soon migrate or not be seen or heard from until another season. The fruit is both wound taut and also layered, a mix of liquids, gasses and decomposed mineral, turning on its axes, literally the earth itself. The effort put in speaks volumes about the quality and yet the seamless transitions are as if there are no transitions at all, only one contiguous entity. Will release in Ontario as an Online Exclusive by lottery on October 20th. Drink 2025-2034.  Tasted September 2022

Emidio Pepe Montepulciano d’Abruzzo DOC 2002, Abruzzo, Italy

The subtle and gentle elegance of 2002 is almost mystifying, if at least a surprise that kinda hypnotizes. Memory serves up a case of conflict and adversity, if also vintage envy for the bookends of 2001 and 2003. And yet the cool of the night prevails to elongate a montepulciano for our pleasure and make it sing 20 years later. It was also decanted to reduce the lees sediment and then re-corked for our benefit. Words cannot express what a beautiful place this 2002 EP is found to be. It is a treat to taste and also behold, exactly as of right now. Drink 2022-2026.  Tasted June 2022

Planeta Santa Cecilia 2005, DOC Noto, Sicily, Italy

Finding oneself in a state of utter disbelief upon nosing an older Santa Cecilia has just happened with thanks to this 2005 and the unthinkable aromatics it possesses. There have been some older examples like 2007, 2008 and 2011 which all showed morphological magic but this, this is something other. The state of perfumed preservation is impossible, the floral emanations and fruit continuance implausible and in suspension of belief. The 2005 is almost perfect, dark berries and red citrus alive, acids in perfect condition, wood dissolved, resolved and walked straight out the door. The life and vitality reside in the arena of the flawless, faultless and achievable. This is what nero d’avola, Santa Cecilia, Noto and Planeta can be, at its collective finest. Will drink this way (and also that) for five more years and with ease. Drink 2022-2027.  Tasted April 2022

Château Cheval Blanc 1998, Saint-Émilion Grand Cru Classé, Bordeaux, France

The 24 year-old 1998 has been argued and predominantly defended as a Right Bank vintage, especially for merlot based wines, which the 1998 Cheval Blanc happens to be. Clocks in at 65 percent plus (35) cabernet franc and the two combine for hypnotic aromatics to put mind and palate in an immediately dizzying and gratifying tizzy. Dark, dark fruit of the “cimmérienne” kind yet of a grace and genteel manner shared by other profoundly distinguished red wines. Thoughts can wander and wonder as a result of tasting this blind and considering the depth it is nebbiolo that is imagined. Only for a moment because the numerous dual-toned vibrations direct towards knowing this to be a blend and so Right Bank combinations lead by their impression. Both of ’98 Cheval Blanc’s are blessed of ripenesses, acids and structural bones all having peaked at a shared summit. The conclusion can only be a two-part perception, of balance and beauty. Drink 2022-2042.  Tasted November 2022

Mullineux Schist Syrah 2019, WO Swartland, South Africa

Vines planted in 1999, mature if still 12 years away from being classified as “Old Vines.” Schist is the home Brownstone Vineyard, shallow and rocky of less than 20 cm of soil. An extreme site in which vines attempt to grow, but so much comes down to the where and how. Rows are close together and planted in an almost race track configuration within an amphitheatre. The roots spread and dig deep within the stripes of schist interspersed with iron and the grapes are harvested plant by plant to create two apposite cuvées. Visually these are small vines with smaller leaves and an airiness – physically speaking. The skeletal backbone here is upright, towering and commanding, the juiciest of varietal fruit hanging as flesh, taut and muscular upon these bones. Unyielding yet never brooding nor astringent, but bountiful and beautiful. Drink 2024-2032.  Tasted July 2022

Penfolds Grange 1981, South Australia

Poured blind and easily recognized as a wine of great depth with at least two decades of maturity. Either older or hastily advanced but there are indicators to the former, namely high tones, substantial crunchy acids and full on perfume. There is a touch of Brettanomyces but only a feathery tickle and the wine still has something left to give and also to prove. Great depth is provided by wood notes, of soy, balsamic, wild fennel and all together now a reduction keeping its form, a foxy liqueur, once Cassis but now Amaro, finishing with flavours bloody and gamy. The reveal as Grange 1981 explains that while shiraz is always the game and king it had been a season for which the cabernet sauvignon portion exceeded 10 percent. Winemaker John Duval felt that ’81 was a tannic one but they left the building long ago. Both Barossa and McLaren Vale were involved and so this look back at blending expertise matters in the context of all Aussie blends being tasted today. Being present to be poured a taste of Grange represents good fortune and from 1981 there abides a full and fair suck of the sauce bottle.  Drink 2022-2025. Tasted November 2022

Donnafugata Ben Ryé 2019, Passito Di Pantelleria DOC, Sicily, Italy

Ben, as in “son of” and Ryé, a Sicilian riff on the concept of making strong mocker from the wheat grass. Think of grapes instead, in this case zibibbo (muscat of Alexandria) grown off the southwestern coast of Sicily on the Island of Pantelleria. Passito di Pantelleria DOC is one of the world’s great sweet wines, found only on this windswept promontory where the grapes concentrate, drink in the sea and express a view to which only this place commits. The warmest of vintages develops and comprises these particular sugars into something surreal. Extraordinary orange-ginger crème brûlée, perfectly embittered and made viscous in the most natural of ways. Layers of dedication and spice, health affirming herbs, respiratory fixing drops and sweetness captured, effortlessly and to gift plaisir. Apricots ripe and glazed, zen zero limone, giusto intenso. Nearly perfect. Drink 2025-2039.  Tasted April 2022

Vintage Port (c) Sarah Goddard/WineAlign

Niepoort Vintage Port 2019, DOP Douro, Portugal

Expect top concentration in Vintage Port from what Niepoort calls a “return to balance in the vineyard” type of season. Summer was unseasonably cool and the timely rainfall on the 26/27th of August was invaluable, allowing fruit maturity to go to completion. A recall to 2008, of natural, acid driven, balanced musts. Foot trodden in circular granite lagares with 100 per cent stems, racked soon after harvest, aged in “tonéis” (large oak vats) in the Douro over the winter, and then moved to the cellars in Vila Nova de Gaia in the Spring of 2020. Acid vintage indeed, fruit caught by circumfuse so as to be surrounded, ignited and eventually dispersed for decades of slow release power. The liquid chalkiness of tannin is so fine-grained you swirl and mull over just how hypnotizing it is. Truly great Vintage Port will act out this passion play. Drink 2025-2048.  Tasted October 2022

Good to go!

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WineAlign

Get back to Cool Chardonnay

Chardonnay is one of the romantics. At the centre of cool belief are the fruits of isolated self-expression, of greatest importance and capable of discovering the highest truths. When chardonnay is treated with utmost respect it can commit to wines of sublime impulse that rearrange and execute the natural world in order to reflect its own preoccupations. Imagine chardonnay as a street scene, as a wine that might stumble into itself, of footsteps and flaring lights, of mystery beneath dreamy lamplight. It will always find the light. That’s what chardonnay does. Ontario is a place where people come to be intimate with the grape and while lovers of the cool stuff were unable to gather in July of 2020 or 2021 the movement has built momentum once again. In 2022 it was high time to get back to cool chardonnay.

School of Cool

Related – Niagara’s cool for chards

Yes, in 2021 visits are paid and wines are tasted, but there is no congress. In 2020, the writer leads a virtual thing. In July the School of Cool comes back to session at White Oaks Conference Resort where it belongs. The Wine Marketing Association of Ontario’s Magdalena Kaiser reunites the community and introduces the long-awaited keynote speaker, columnist at Decanter and World of Fine Wine Magazine. “Andrew Jefford writes about wine like no other. He is a poet and a legend.” She is spot on. The author of the recently published anthology called “Drinking with the Valkries” asks the audience to “imagine wine as music. It brings solace to our lives, sends us beyond ourselves, just like music. The potential grandeur of a wine is a factor of its milieu, but it’s silent without the human.” Jefford notes that because of a changing climate the instructions are changing. “The music of many places is beginning to slide out of tune…varieties are the litmus of the vineyard. The most useful and adaptable of instruments is the piano…and that variety is chardonnay. Ask for chardonnay and you’ll be played any old tune on the piano, all well and good, anodyne. Wines produced at higher elevations on stony soils tend to be more percussive. Quality of clay and aptitude of soil structure is just as important as limestone would be for chardonnay. It’s Proteus, if you will.”

Andrew Jefford advises, tacitly implores his audience to listen. Pay attention. Take nothing for granted and understand that the parameters, goal posts and reference points are always changing. Chardonnay is indeed on the move and we must move with it or risk losing our rhythm, our mojo, our music. Practice makes perfect but innovation, cooperation and collaboration are imperative. Varietally speaking chardonnay may be the piano but other instrumentation is the requiem for completeness, satisfaction and glory. Chardonnay can achieve grandeur and continue to be the spirit of the sea, exist as past, present, and future, assume all sorts of shapes. To be regarded as a symbol of the original matter from which the world of white wine created. Chardonnay must always be protean, must always be on the move.

Related – A Chardonnay toast to Cool and the gang

The Great Chardo Swap

Moderator Chris Waters takes control. He explains how the powers of Ontario minds devise a most devilish and transformative scheme. The “Chardo Swap” concerns chardonnay grape must from the 2017 and 2018 vintages. In reverse 300L from the west’s Montague Vineyard are sent to eastern Niagara winemakers and 300L of Thirty Bench chardonnay is conversely transferred to six winemakers in western Niagara. Until now the custodians of Montague fruit have only been the originals, like Karl Kaiser, Phillip Dowell and Bruce Nicholson. For continuity the juice provided is pre-settled. One of the wildcards is a matter of cross pollination, of sites and yeasts present on these grapes. So be it. Play and work with what you’ve got. The results are astonishing and compose a picture of subject matter as nature versus nurture. Which matters more? Read up on 12 wines made in reserve and decide for yourself.

Chardo Swap

Craig McDonald, Trius Winery – Thirty Bench Vineyard Chardonnay 2017

An ideal season to gift the rich and the restrained, right in the sweet spot between reduction and openly recognizable to getable purity. And yet it was “the summer we didn’t get,” tells Craig McDonald, a late season, cleaner, with more choices available, extended elévage in neutral wood. “I took the opportunity to push and stretch this into this kind of milieu.” Comes out more salty, stays clear of wild and woolly. Great approach and treatment of east side Bench fruit. Drink 2022-2025.  Tasted July 2022.

Gabriel DeMarco, Cave Spring Vineyard – Montague Vineyard Chardonnay 2017

Bottled with and making full use of its laissez faire if highly useful lees, acting on behalf of and representing every variety’s profound catalyst. Wound tighter than many vintages of Niagara chardonnay, even at this four to five year mark. Chalk it up to the “other” fruit but also the oxidative winemaking and creation of a “flor” to bring cloudiness and texture. A definite fino brininess and yet less barrel effect (only 10 months) and ultimately transforming Montague fruit into something it’s never been known to do before. Also apposite to a Cave Spring chardonnay so in the end all cards that were on a table were flipped over for all to begin again. Drink 2022-2024.Tasted July 2022

J-L Groux, Stratus Vineyards – Thirty Bench Vineyard Chardonnay 2017

A case of the most experienced winemaker experiencing a fermentation that caused nightmares, perhaps because of a first try with new fruit, a season turned on its head, or both. But it came around and eventually complexity, “because of the thick coat of fur,” says J-L Groux. Bottled with its lees like a Stratus chardonnay would be but as a chardonnay it could not have resulted further from the maker’s truth. Drink 2022-2024.Tasted July 2022

Casey Kulczyk, Westcott Vineyards – Montague Vineyard Chardonnay 2017

Four chardonnay into the great chardo swap and this one begins to emit or rather implode within itself due to untracked, no cracks reduction. No shock that a Burgundian sensation grabs our attention because barrels are key and with a few years got behind also melted into the background behind the fruit. This is perhaps the wine that acts as it would were it made by a western Niagara producer in that the richness of clay and loam raised chardonnay meets its wood host for a double whammy effect. You really notice and feel it all. Drink 2022-2023.  Tasted July 2022

Amélie Boury,  Château des Charmes – Montague Vineyard Chardonnay 2017

Formerly Oliveira Vineyard, in Amelie Boury’s hands a sense of crispness and restraint. Quite fresh and laden with apple-terpene juice. A chardonnay straight to the point, lemon and lime, a style of evolution and not necessarily what winemaking would have done with this juice ten or more years ago. Drink 2022.Tasted July 2022

Thomas Bachelder, Bachelder Wines – Montague Vineyard Chardonnay 2018

If Montague Vineyard fruit could actually speak it might ask “why has it taken so long for me to fall into the winemaking hands of Thomas Bachelder?” Good coopers, the right toast and the pragmatic meets ambitious elévage transforms Montague chardonnay into something other. Something vivid and lyrical but mostly something linguistic and long in the tooth. “Montague Vineyard looms large in my life,” looking back at OG Le Clos Jordanne times, “not just because of lions inthe industry, Karl Kaiser and Donald Ziraldo, but because Montague is a really good vineyard.” Golden in every way, platinum, gem-like, gilded and if intense, also round. Thomas has coaxed oyster shell and a kind of Muscadet sea spray from this tract, something that has been noted at least one time in past iterations but now coming to the surface. Drink 2022-2024.  Tasted July 2022

Chardo Swap Labels

Ann Sperling, Southbrook Organic Vineyards – Thirty Bench Vineyard Chardonnay 2017

Feels so much more ’18 than ’17, fresher and gilded, fruit and wood high, mighty and in synch. And yet the ’17 fruit has remained fresh with thanks to some early, slightly unsettled and oxidative juice used, opened then protected so that time would do little in these formative years. Fabulous western take on east chardonnay, balanced and expressed in a higher key of varietal life. Drink 2022-2025.  Tasted July 2022

Shiraz Mottiar, Malivore Wine – Montague Vineyard Chardonnay 2017

From a Niagara-on-the-Lake neophyte, Shiraz Mottiar, who had never worked with fruit from that source. “All I know is that I had to be really gentle with the fruit. And I am adverse to risk. I had no understanding of Montague, how it was growing, or how it should be pressed. So for me, most of the winemaking had already been done.” Demure, taut, reserved and restrained. Lean aromatically speaking, green apple snap, backed up on the palate in a streak of linear and purposed focus. Things get a bit warming going down, a glow of charcoal though the effect is hypnotic, energy raising and ultimately nurturing. This is winemaking that makes pale chardonnay, phenolics dropped out, clean all the way. Just feels like an expression of place. Drink 2022-2024.  Tasted July 2022

Nicholas Gizuk, Inniskillin Wines – Thirty Bench Vineyard Chardonnay 2017

Sap and resin, vanilla, wood all in, vinyl and tropical intentions. Tart pineapple, textural yet not creamy so finding its way with some poise after all. A chardonnay predicated of professionalism and flavour. Drink 2022-2023.  Tasted July 2022

Emma Garner, Thirty Bench Wine Makers – Montague Vineyard Chardonnay 2017

Feeling the angles, juts, zigs and zags of this chardonnay, not to mention the tightly wound intensity. Crisp though also mighty substantial, Bench fruit for certain and of a clarity, placed under and scrutinized by the magnifier. Reveals site above all else so yes, an example of a winemaker that heeded place and let it be, or used what was available to make that happen. Making magic and magnifique with Montague fruit. Drink 2022-2025.  Tasted July 2022

Fabian Reis, Ferox Estate Winery – Thirty Bench Vineyard Chardonnay 2017

So very caramel and vanilla, sweetly fruited and creamy, textural in the smoothest and fullest way. Spice cupboard for tartes, tatine and madeleine. Really quite reductive and almost a reserve, thickened, glycerol and what just feels like appassimento in addendum. Incredible richness gained from Montague fruit. Drink 2022-2023.  Tasted July 2022

Lawrence Buhler, Henry of Pelham Family Estate – Montague Vineyard Chardonnay 2017

Of the 12 chardonnays in the great chardo swap this is the most reductive in that there is a shell that contains the fruit, part candied and part metallic. It’s a curious combination and solicits a response plus a focus of attention. The aspects of malolactic, textural in mouth feel and length are all fully formed and made longer by extension. So much wine and so little time but give it away and you will regret having acted with such haste. Drink 2022-2024.  Tasted July 2022

14C Friday night

Redefining Cool

Redefining Cool is much ado and to do about climate change. Winemaking is the proverbial canary in the cage, from cool latitude, altitude and attitude, devising an intellectual journey through a discussion on how to redefine Cool Chardonnay in 2022. “We are creatures of the interglacial…but we are flipping into a greenhouse world.” What does this means for winegrowers? Simply stated once again, “cool is on the move.” Six winemakers share their wines to help address and extoll the problems, virtues and answers toward this concern. Danielle Coetsee, Boschendal (White Wine Maker), South Africa; Clémentine Baud, Owner, Domaine Baud, Jura; Joseph Ryan, Winemaker and Vineyard Manager, Ernest Vineyards, Sonoma Coast; Nikki Callaway, Winemaker, O’Rourke Family Estate, Okanagan Valley, Lake Country, B.C.; Patricia Tóth, Winemaker, Planeta Winery, Sicily; Alex Baines, Winemaker, Hidden Bench Estate Winery, Beamsville Bench, Ontario.

Trisha Molokach, Godello and Magdalena Kaiser

Please scroll through below for notes on the wines they poured. In total there were 67 chardonnay tasted that I have now reviewed from i4c2022, Niagara’s Cool Climate Chardonnay Celebration. It was great to be back, with thanks to the cool concierge team led by the intrepid and tireless Trisha Molokach, the i4c22 Board of Directors and Educational Committee; Mark Torrance, Anne Weis-Pennachetti, Suzanne Janke, Magdalena Kaiser, Rob Power, Elsa MacDonald, Mary Delaney-Bachelder, J.J. Syers, Scott Wilkins and Belinda Kemp. Gratitude to all the Ontario member wineries, VQA Wines of Ontario, Grape Growers of Ontario and visiting Ambassadors of Cool.

Tasting Chardonnay

Ontario Chardonnay

13th Street Chardonnay L. Viscek Vineyard 2020, VQA Creek Shores

L. Viscek Vineyard does not give a reductive chardonnay so much as the über fresh kind in which transparency and site honesty are gifted at a serious premium. This is the green apple snap, bite and crunch one comes to expect, followed by a lees filled donut of a middle, no holes and a real Chablisienne mentality. Perhaps with a side of Loire like chenin roundness. Drink 2022-2025.  Tasted July 2022

2027 Cellars Chardonnay Wismer Vineyard Foxcroft Block 2020, VQA Twenty Mile Bench

Still trying to figure out how a chardonnay from the Wismer Vineyard, Foxcroft Block can come to a consumer’s glass at $24.95 yet here we are and thankful for the gift. A rich and relatively buttery one, snap, crackle and green apple bite included, aromatic, flavourful and textured all the while. Caramel crunch as the skin of that apple and plenty of length to stay and drink a while. What’s not to be smitten by? Drink 2022-2024.  Tasted April and July 2022

Adamo Sogno Unoaked Chardonnay Lore Vineyard 2020, VQA Four Mile Creek

Crisp, clean, unadulterated fruit with a je ne sais quoi floral lift with thanks to some musqué clone vines interspersed in the chardonnay of the 1980s planted Lore Vineyard in the sub-appellation of Four Mile Creek. A vintage to recite from, act on behalf of and celebrate the execution of a no wood varietal purity extraction. Not so much a lees affectation but high in citrus and knowable as a chardonnay with a single vineyard attachment. Drink 2022-2024.  Tasted July 2022

Vanessa McKean and Renan Theilloux, Adamo Estate

Adamo Estate Chardonnay 2019, VQA Ontario

Adamo based in the Hockley Valley (Mono, Ontario) makes fine use of Niagara fruit for their ubiquitous chardonnay. Here a wine started by former OG winemaker Shauna White and finished by the dynamic incumbent duo of (winemaker) Renan Theilloux and (vineyard manager and winemaker) Vanessa McKean. Quite focused and tightly wound with notable lees sensations, though no overt wood make-up. Does slide into an invigorating sour edge and then warming, almost nurturing upon the finish. Drink 2022-2024.  Tasted July 2022

Youthful, fulsome, a slight tinge or rise to high tone. White caramel and a terrific zing to the palate. Lemon and lime in many ways; curd, zest and with the tell-tale green apple bite. Shows the focus of examples alight as if by a single block. Impressive and woven, warmth and yet wild of sprit. Great potential here. Drink 2022-2026.  Tasted blind at NWAC2021, October 2021

With Andrea Peters, Brock University

Bachelder Les Villages Bench Chardonnay 2020, VQA Niagara Escarpment

While Les Villages pinot noir draws from and abides by Niagara-on-the-Lake it is the dolomitic outcrops of the Niagara Escarpment for chardonnay where hope springs eternal out of this geological source. Micro-climate too, where a vacuum between the long, semi-steep slope at the edge of the plateau and the lake make for a wondrous place to grow chardonnay. The space between the two separated areas at different heights and the limey clay creates this two-part harmony of metal-elemental fruit and reductive, barrel spiced accents. Bachelder’s Burgundian conceptualization comes to fruition with abundance and the fabric of oblate making. Correct and unsparing, a good combination.  Last tasted June and July 2022

“Les Villages” seems to be all in, fruit picked on the late side, wood complimenting with a wink and 2020 showing no signs of being left behind. Welcome to village chic, Escarpment style, full, luxe and round by design. Methinks Mr. Bachelder wants you to drink and enjoy this now, imagine a circle drawn through and around bench lands, all part of a community and a plan. This is life on “Le Bench.” Drink 2022-2025.  Tasted April 2022

Bachelder Chardonnay Wismer Foxcroft “Nord” 2019, VQA Twenty Mile Bench

Nord is a cool firecracker of a chardonnay, crisp and sweetly volatile, white peppery sharp and given some air time, also luxe and suave across the palate. One of the fullest, most accomplished and complete wines in so many respects, fruit sources imagined as being picked from orchards of all shapes, ilk and sizes. Apples to peaches, nectarines to pears. Oh hail great fruit and how cool it breathes. Nord for Wismer-Foxcroft is clearly the shizzle, not merely the best or most popular but the source for Bench chardonnay that can handle the truths of reduction and flint struck realities. Drink 2022-2028.  Tasted December 2021 and July 2022

Thomas Pennacchetti and Gabriel Demarco, Cave Spring Vineyard

Cave Spring Estate Chardonnay 2019, VQA Beamsville Bench

Sharp and taut, an intense and fortified chardonnay. Precise and pure, exacting the Escarpment with focus like few others at this level and so indicative of a classic 2011-esque varietal Niagara vintage. Such performance in crunch and mystery with creative juices flowing, dreams realizing and a future filled with even greater potential. Drink 2022-2026.  Tasted July 2022

Cave Spring Chardonnay Musqué Estate 2020, VQA Beamsville Bench

A conversation with Thomas Pennacchetti and Gabriel Demarco wonders who has the most musqué planted in Ontario. No answer other than Cave Spring comes forth. Don’t sleep on both the intrigue and the significance of this chardonnay. Half the fruit is picked at 20/21 brix (early) and the other half in November. Acids and florals are each given their due. Skin contact time is 12-16 hours on both picks and so a “brownness” is pulled, “hard to get with musqué” tells Tom. A contract part terroir and part level of contact to achieve genuine character, but more so this candied orange peel aroma. In this warm vintage one could close their eyes and imagine friulano from Friuli, with thanks to the sticky wild yeasts leading to such an imagined result. Well also the bump in skin contact which also shows in the alcohol. As per the original statement: Intrigue and significance. This will age like old tokay. Drink 2022-2026.  Tasted July 2022

Chardonnay in the Vineyard, Riverbend Inn

Château Des Charmes Chardonnay Paul Bosc Estate 2020, VQA St. David’s Bench

Laden with dichotomously soft terpenes and the squeeze of orchard fruit juices. Just the chardonnay facts and nothing but, ultimately a spirited and focused chardonnay as lean as it is fleshy and saline with no barrel unction to distract from the main concern.  Last tasted July 2022

Takes no time at all to see this Paul Bosc Estate vintage of chardonnay by Château Des Charmes as a true crowd pleaser. It’s soft, delicate and supple on the palate. The oak is well integrated if sparsely adding any toast or nutty accents, with less than obvious salt and pepper seasoning. Even the vanilla is subtle, caramel too, the roundness just adding to the peaceful easy feeling. Hard to find more mildness and amenability in cool climate chardonnay. Drink 2022-2024.  Tasted May 2022

Closson Chase Chardonnay The Brock 2019, VQA Niagara River

As a general rule the Brock is built upon K.J. Watson Vineyard fruit (in the Niagara River sub-appellation) with half seeing barrel time. For some reason it seems to show its oak more than the CCV and South Clos chardonnays albeit as a comfortably worn sweater in 2019. The scents are late summer, bergamot and then gardenia to tuberose. The bite is beneficial from out of this linear vintage and though there is a reductive quality the general outlook is aromatics above texture. Brock is a fine entry level chardonnay representative of Closson Chase working with Niagara fruit. Drink 2021-2023.  Tasted October 2021 and July 2022

Closson Chase Chardonnay South Clos 2020, VQA Prince Edward County

More than 20 years of vine age, acumen and wisdom are the gain of a South Clos chardonnay and winemaker Keith Tyers is surely more than comfortable making it happen. Dry and warm vintage shows in the dried herbs, almost fennel to pollen dusting on the nose and a stoic presence in almost every respect. Would not go so far as to call this a taut and unforgiving chardonnay, nor is it particularly flinty or reductive. What it shows is utter purity and linearity, a platinum gemstone sheen and shine, controlled power and so much more packed away in reserve. The flavour bursts and energy spurts indicate just how long this will travel. Top, top. Drink 2023-2028.  Tasted July 2022

Cloudsley Chardonnay Twenty Mile Bench 2019, VQA Twenty Mile Bench

A mix of Wismer fruit, part Wingfield and part Foxcroft, indigenous ferment and 18 months though only 28 per cent in new wood. Solid pH and also acidity numbers, more fruit and flesh, less flint, tension and spin. The accessible chardonnay for all to gain insight into the Twenty Mile Bench and how it raises these beautiful blancs. Length is outstanding in 2019. Drink 2022-2025.  Tasted July 2022

Cloudsley Cellars Chardonnay Foxcroft Vineyard 2019, VQA Twenty Mile Bench

Winemaker Adam Lowy likes to get at it, especially with Foxcroft fruit out of the Wismer Vineyard. And so aging is for 18 months in 50 per cent new barrels for a truly flinty, flexed and tense chardonnay. Vines are 23 years of age at this harvest and their potency meeting potential for balance seems poised at the apex of excellence and understanding. So close to pay dirt now and yet for a Cloudsley chardonnay, perhaps so far away. Wait just a wee bit. Drink 2023-2027.  Tasted July 2022

Domaine Queylus Chardonnay Tradition 2020, VQA Lincoln Lakeshore

A wild ferment and approximately 20 per cent new wood. Textural vintage for the Tradition, viscous and really very fluid, brioche imagined as a sweet liquid and also a liquor of buttery spice and botanicals. Quite a rich and developed chardonnay, product of a warm vintage resulting in ripe returns. Drink 2022-2024.  Tasted July 2022

Domaine Queylus Chardonnay Réserve Du Domaine 2020, VQA Niagara Peninsula

Much more intensity and higher ceiling of promise comes from the next level Réserve du Domaine, rising away from softness and up to a more rigid, biting and cracked spice precipice. Sharp at its most vital moments and vintage rich at times when generosity is warranted. Does it all really, with style and warmth. Still there is more nature than nurture in a chardonnay allowed to simply make it happen. Drink 2022-2026.  Tasted July 2022

Ferox Estate Chardonnay “Vintages,” VQA Niagara Peninsula

Wholly unique aromatics, almost Icewine in favour, dense and intense with as much metallics as there are exotic fruits. A non vintage blend, also unusual but for reasons vintage related. And so this runs from 2016 to 2019, a blend of sites as well, warm moments and then turning cool, of yellow fruit from banana to pineapple and mango, then greens, in apple and herbals too. It’s pretty complex stuff if admittedly hard to wrap a brain about. Drink 2022-2024.  Tasted July 2022

Henry Of Pelham Cuvée Catharine Carte Blanche Estate Blanc De Blanc 2016, Traditional Method, VQA Short Hills Bench

Never gets old does it? It’s like Christmas every time a new vintage of the Cuvée Catherine is opened, always with great anticipation and wonderment for what the most recent disgorgement will bring. In this case intensity juxtaposed by harmony in ways only the Carte Blanche can and with Niagara’s greatest fizz consistency. That’s the thing really. The bar and the pressure was set high long ago and this sparkling wine meets it, failing nothing, equally so, year in and year out. The 2016 is no exception with perfectly equanimous apple fruit and fine structural fortification. Just a delight, sturdy, openly fragrant, delectable and succulent. Resounding yes, as per expectation and adjudication. Drink 2021-2026.  Tasted November 2021 and July 2022

Henry Of Pelham Estate Chardonnay 2020, VQA Short Hills Bench

Whole bunch pressed, barrel fermented with a cocktail of yeasts, one third new French oak and some further older usage ones as well. So perfectly middle of the road, proper and accessible, well managed by acids and really just the right and quick answer to what is Niagara and even more specifically Short Hills Bench chardonnay. Drink 2022-2024.  Tasted July 2022

Next generation Speck, Henry of Pelham Estate Winery

Henry Of Pelham Speck Family Reserve Chardonnay 2020, VQA Niagara Escarpment

Crisp and über clarity from the first nose and nary a moment of reduction, if any. Richness accumulates with aeration as the wood gains olfactory traction. Need to test the palate forces to know what goods and treasures lurk in this oh so young and impressionable chardonnay. Track record is more than a mere incendiary aspect of the Speck Family Reserve capability and knowing airtime and chronology are essential towards determining the future, well, you get the apple orchard and white caramelizing drift. So youthful and yet there is plenty of time. Drink 2022-2026.  Tasted November 2021 and July 2022

Hidden Bench Chardonnay Felseck Vineyard Unfiltered 2019, VQA Beamsville Bench

Felseck sits at 37.59 North, a latitude working in cohorts with an escarpment’s nook and the lake laying low below.  Last tasted July 2022.

Don’t be fooled in thinking this is merely a reductive and green glade example of cool climate chardonnay. Solid and expected? Perhaps and yet also crunchy with shots of lemon and lime. Nothing out of sorts, tight enough to at times act hard to get and even anti-complex. There are secrets inherent in a cool climate world where so many chardonnays are made this is as interesting and innovative as the first.  Last tasted blind at NWAC2022, June 2022

Tasted as part of an #14c21 seven year vertical Felseck Vineyard retrospective. No stirring, “I don’t like bâtonnage,” tells winemaker Jay Johnston, “unless I’m trying to get a wine to dry.” Never mind the lees aeration or the emulsification because texture in this ’19 is extraordinary to behold, gliding across the palate with Bench orchard fruit cleverness, penetrating perspicacity and juices running through unblemished flesh. Tighter and taut than ’18, while seemingly improbable but here yet unwound, far from the pinnacle at which point full expression will surely ache to be. The ’18 may be a beautiful thing but the ’19 is structured, manifold in destiny and ideal for those who know, or at least think they do. Drink 2023-2030.  Tasted July 2021

With Magdalena Kaiser, Chardonnay in the Vineyard

Icellars Chardonnay Icel Vineyard 2019, VQA Niagara-on-the Lake

Similar to 2017 at 13.5 per cent alcohol yet more phenolic and also in that sizeable frame of inclination that is captured in the full, ripe and potently efficacious 2018. This just feels like the best of both worlds in chardonnay, at once cream centred and then juxtaposed by just a bit of back bite. A lovely and somehow powerful wine of wine contrary forces in push and also pull, ying and yang, punches and then receives. Hard not to see everyone loving this chardonnay. Drink 2023-2026.  Tasted July 2022

Icellars Chardonnay Icel Vineyard 2018, VQA Niagara-on-the Lake

And then ’18, which was a warmer year in this sub-appellation and a chardonnay more reductive but also bolder, fulsome and phenolic, feeling a bit boozy (only 0.3 higher than ’17 and ’19) and definitely riper, even feeling sweeter. Was inoculated as the yeast cultures have not quite established in the cellar. Plenty of phenolics here, raising the bar all around. More age-ability to be sure.  Last tasted July 2022

Devilishly rich with full compliments of berries and barrel working side by each to create this tropical fruit split that reaches the heights of chardonnay decadence. Runs the gamut from pineapple to green apple and though it does not snap back there is a fine elasticity to how the texture stretches and then releases. For those who like to strike it rich. Drink 2020-2024.  Tasted October 2020

Icellars Chardonnay Icel Vineyard 2017, VQA Niagara-on-the Lake

Favourite wine of Adnan Icel’s wife Elif, a fan of Bourgogne and made by (12 rows) planted on the property in the beginning in 2012, followed by eight rows in 2014. Always hand-picked, whole cluster pressed. As for 2017, fermented 12 months in 500L French barrels. Malo in barrel, stirred and two years in French oak kept on lees with no racking. A multitude of flavours, now fully emerged, developed and gifting to the very maximum. Showing so well.  Last tasted July 2022

From Niagara-on-the-Lake and 2010 founder Adnan Icel, a rich throttled chardonnay barrel fermented in 500L French oak puncheons, lees stirred for six months, then aged 12 months more. Tells us to expect rich, opulent, creamy and highly flavourful chardonnay. That it is. Flint-struck if only momentarily, correctly reductive in the sense of fresh encouragement combined with the Niagrified creamed corn, again, if only during this persistently youthful state. Maybe causes a note of bewilderment for some but stay with this wine, give it a year’s time and all will be worth it. Will drink in optimum and designed fashion eight months from now and for two-plus years thereafter. Drink 2021-2024.  Tasted July 2022

Inniskillin Reserve Chardonnay 2020, VQA Niagara Peninsula

Hard to ignore the Niagara peach character of this fruit in chardonnay that’s all about this and not really how residual oak might want to linger within. There are old blocks of chardonnay available and this is from Block 210, planted in 1993 through 1996. The peach leads to harder fruit drugs, golden pineapple and guava, some lees feel, plenty of nutrients and that oak then becomes one of low and slow accumulation, neither a piqued nor toasted. Well made indeed. Drink 2022-2024.  Tasted July 2022

Jackson Triggs Entourage Grand Reserve Blanc De Blanc Limited Release 2017, VQA Niagara Peninsula

More than a moment of reduction requires agitation and then the apple/pear orchard fruit is released. More than lees affected blanc de blanc, ostensibly chardonnay and seemingly the first of its kind for J-T. More scintillant style than either the Brut or the sauvignon blanc, direct, linear and shedding a lovely lemon pith bitter set of flavours. Almost woolly for sparkling, like Loire or some Alsace and very long. Drink 2022-2025.  Tasted July 2022

Kin Vineyards Chardonnay Carp Ridge 2019, VQA Ontario

Kin close to Ottawa is a fascinating species of Ontario wine where pinot noir and this chardonnay grows atop glacial till, clay loam over grey limestone of the Hazeldean Fault. Low to moderate alcohol (12.5 per cent), dry as the desert and expressive of the coolest of cool climate acidities all add up to something arriving this way with intensity through integrity. Green apple bites are what they should imagined to be in chardonnay and rusticity is only a state of mind. Must be tasted more than once, to appreciate the credence and join the new frontier seance. Drink 2022-2025.  Tasted July 2022

Leaning Post The Fifty Chardonnay 2020, VQA Niagara Peninsula

I believe it was April of 2017 when I first tasted the inaugural (2015) vintage of Ilya Senchuk’s The Fifty, a chardonnay that ferments in barrel but then transfers to finish up on lees in stainless steel. Not much has changed in five years but the wine has tightened and like a rare shelf fungi it is at its freshest finest when the teeth-like hymenium pores are barely visible. Senchuk bottles at precisely this point and that is something he has gotten really good at over the years. This chardonnay is remarkably precise, takes nothing for granted and delivers a layered experience in which more than one vineyard and sub-appellation contribute to the greater good. Might very well be the best one made of the six to date. Drink 2022-2024.  Tasted June and July 2022

Leaning Post Chardonnay Senchuk Vineyard 2019, VQA Lincoln Lakeshore

Ilya and Nadia Senchuk’s home playground is a matter of grey clay in alluvial soil with river stone, that is in terms of the vineyard and the winery’s back (or maybe front, as if it were a lake) location. The Winona-Grimsby couple are just starting to really understand, forge sensorial connections but even more so make their terroir relatable to the world. Even more piques and white peppery jolts than Wismer and Grimsby Hillside Vineyard combined, intense emotion and a crisp freshness that’s both hard to explain and also impossible to look away. Textural chardonnay that on the surface is nothing at all like Foxcroft or GHV. Come back again and again for five to seven years. My what a beautiful chardonnay world this is. Drink 2023-2028.  Tasted June and July 2022

Le Clos Jordanne Chardonnay Jordan Village 2020, VQA Niagara Peninsula

The second iteration of the Village chardonnay is again a parcel amalgamation of Twenty Mile bench Le Clos and Claystone vineyards along with that of Talon Ridge in the Vinemount Ridge. If this is to be considered another standout vintage then the fact that early malolactic, sluggish ferments and moderate alcohol must all come together with a seamless whoosh. Another year in the triumvirate averaging of vine age puts less pressure on balance and more on concentration, here resulting in true LCJ favour. So much furthered collective warmth is 20’s call to body and then mind takes over with succulent bites and crafty control. Should settle by the spring of 2023. Drink 2023-2027.  Tasted July 2022

Glenn Symons and Chris Thompson, Lighthall Vineyards

Glenn Symons and Chris Thompson, Lighthall Vineyards

Lighthall Chardonnay 2019, VQA Prince Edward County

Unique even for Prince Edward County chardonnay in a stainless meets barrel ferment with the latter a combination of new and third use 500L vessels. Warmer and fleshier than 2018, higher in alcohol by what feels like at least a per cent. Defines crisp pear, washed Phillipston Road cheese rind and crunchy bits of oyster shell but also salted white-spun aureate for local chardonnay. Pairing paraphrases aside this is made for the cheese board, a dozen oysters and a really good pretzel. Drink 2022-2025.  Tasted July 2022

Lighthall Chardonnay 2018, VQA Prince Edward County

Mon dieu what a completely different animal than 2019, leaner, saltier and all about the oyster. No real orchard fruit flesh nor pith neither. Zest perhaps though the tight nature, lean disposition and more neutral flavours put this in wholly different regard, Alcohol is a mere 12.8 per cent (as compared to a minimum 13.5 in 2019). And so find some fattier fish (like halibut) and drink up. Drink 2022-2023.  Tasted July 2022

Malivoire Chardonnay Estate Grown 2020, VQA Beamsville Bench

“Estate” raises purposed and propping acids in 2020 with somewhat maintained if lessened pH (all as compared to Moira) if for no other reason than because (85 per cent) Moira fruit is accented by Mottiar and Estate. Comes away crisp, brisk and frisky, contagiously spiced by galangal and ginger, tastes like sweet lime without the sugar. Has been in bottle just under a year and while the quaff factor begin to run high it may be suggested that the best moments are still to come. Picking took place over three weeks in September and so the “stacked” cuvée makes for an omnipresent happening, variegated though contiguously seamless too. Drink 2022-2025.  Tasted July 2022

Malivoire Chardonnay Moira 2020, VQA Beamsville Bench

“Broad and tentative swipes” be done and so consistency thy name is Moira, or at least a vineyard’s persistence is manifest in a chardonnay that keeps the faith and the fluid movement of flavour alive. Lovely showing nine months on, window opening or at least now ajar to crawl through and feel the Beamsville love.  Last tasted July 2022.

Fun phantom power spirit on the aromatic front, perfumed to the hilt, creamy fruit and vanilla, well positioned and working as one. Quality if too youthful at present to fully appreciate. Causes a tragically hip perception of middle of the road but with an intention so great the future will change everything. “Don’t tell me what the poets are doing, on the street and the epitome of vague…Got to make it, that’ll make it by swimming” Drink 2022-2025.  Tasted blind at NWAC2021, October 2021

Shiraz Mottiar, Malivoire and Dan Sullivan, Rosehall Run

Malivoire Chardonnay Mottiar 2019, VQA Beamsville Bench

“I always hold my pH down below 3.2,” which is accomplished by understanding your vineyard, tells Shiraz Mottiar. “And you have to know (not only when but also) how to pick.” Which was October 5th in 2019 and so acidity remains high and persistent, fruit in a holding pattern and structure a real thing. More place resolved and revealed, vines clearly having well arrived into their state of balance and grace. As fine a chardonnay from the Beamsville Bench in this vintage as you are likely to find. So much more worthy than first considered.  Last tasted July 2022

Nicely, allegedly and properly reductive, especially as it pertains to chardonnay, a bit closed but nearly ready to spread its wings. Quite the fruit juicy tang, green apple bite and cool climate, sparked and piqued style. The sharpness of flavours works well with the wood and integration is just around the corner. Look for that moment in the Spring of 2022. Drink 2022-2026.  Tasted blind at NWAC2021, October 2021

On Seven The Pursuit Chardonnay 2018, VQA Niagara On The Lake

Seven acres, thus the name, in the hands of Vittorio de Stefano, “and a project paramount to wanting something sustainable that can compete at the international level and standard.” The vineyard is five acres and the property now 15.5. Planted half each to chardonnay and pinot noir, all organic. Bourgogne is the impetus, Niagara the goal. The genesis of planting decisions dates back to 2009, high vigour rootball SO4 rootstocks and clones finally acquired in 2014. Now at seven years of age the vines are ready to rock. A place of science, with oenological consultant/winemaker Peter Gamble at the fore and wines of minimalist approach starting out in reductive tendency, then finishing with longevity defining acidity. Richness and intensity meet at a general Côte d’Or vortex but in the end Niagara lake-proximate flesh and tension are the true meeting point. There is a distinct flintiness (and unlike other flinty chardonnays) but also a caramelization of high delectability and flavour. Vim and vigour, vivid and 20 per cent new oak over three years to gain such favour. Exotic too, with wood contributing to the extract, but surely essential trace elements; manganese, iron and calcium of causation allowing the minerals to make themselves heard. Intriguing wine if only at the beginning of a long story yet to be told. Only 82 cases made. The goal as the vines mature will be 800. Drink 2021-2024.  Tasted July 2021 and July 2022

Lydia Tomek, Ravine Vineyard

Ravine Vineyard Reserve Chardonnay 2019, VQA St. David’s Bench

Fully glazed, honeyed and barrel affected to an nth degree. Unctuous, caramel and pineapple, a huge chardonnay expression that means business and is surely priced accordingly. Matters not where it’s from because the wood is everything here. That said there is plenty of substance, namely fruit to carry the weight. For a specific crowd that will enjoy the experience, west coast style of certain recurring eras. Drink 2022-2024.  Tasted blind at NWAC2022, June 2022 and at i4C22, July 2022

Rosehall Run Ceremony Estate Grown And Bottled Blanc De Blancs 2017, VQA Prince Edward County

More than ample and credible chardonnay vintage, especially for sparkling with thanks to a longer season. There is some lees lounging in 500L puncheon which, coupled with the further 42 months post tirage adds up to complexities on charts and those not able to be found on charts. Really toasty bubble, invigorating and yet also of a calming or at least nurturing stance. Like biting into a fizzy apple and having it tingle in your mouth, followed by a jettison of herbal, citric and wild forest edible flavours. Even a fruity chanterelle. Devilish stuff once again from Dan Sullivan. Drink 2022-2026.  Tasted July 2022

Rosehall Run Chardonnay JCR Rosehall Vineyard 2019, VQA Prince Edward County

Yet another stellar chardonnay from Rosehall’s JCR Vineyard and coupled with a most excellent varietal vintage the stars, Strats and stats are clearly aligned. Behold an increasingly accomplished wine that reveals the breadth and depth of this vineyard. It has been and continues to be made in a genre to gender bending approach, fusing the alternative with the electronic and achieving a rare balance of critical and commercial success. Dan Sullivan’s JCR, like St. Vincent is one to sing “I do a dance to make the rain come. Smile to keep the sky from falling down down down down. Collect the love that I’ve been given.” Marry Me JCR? Drink 2022-2024.  Tasted April and July 2022

Southbrook Estate Grown Small Lot Wild Ferment Chardonnay 2020, VQA Four Mile Creek

As intense a grab of fruit, barrel and spice as ever in an Ann Sperling chardonnay. What with her classic handling whereby slightly unsettled juice receives some early oxidation, followed by an über protected elévage to bring it forward and into a now fruition. As a result drinks well right away but we known it will stall and little will change for the next few years. More chew than crunch, sweet and sour, encouraging and demanding at the same time. Drink 2022-2025.  Tasted July 2022

Estate chardonnay, six years on the lees, traditional method. Generally speaking an inconsequential one gram of dosage, disgorged in February 2021. The other OG for Stratus based on the team’s research and development trials first executed back in 2006 and 2007. Another elevated autolytic example, not as toasty as ’13 but more textural and lees-directed. Further down the road to complexity of flavour washes, swarths and swaths as well. A woollen one, leaves a salve as it graces the palate and lingers long after the fluid thrill is gone. Everything is here, everyone should want some. It’s the Devil and Mr. Jones. Lucifer on the sofa. “There’s juju raining down all around you, yeah. Makes you heavy mental. It makes you tense.” Spoon-feed it to me when I can no longer do it myself. Drink 2022-2026. Tasted July 2022

Dean Stoyka, Stratus Vineyards

Stratus Chardonnay Unfiltered Bottled With Lees 2020, VQA Niagara-on-the Lake

As with so many 2020s the virtuous exercise patience during a vintage of sluggish ferments. Ask winemaker Dean Stoyka and he’ll tell you “it’s all about canopy.” In a hot and arid season chardonnay is kept “beneath a sombrero effect,” to avoid sun scorching, to access dappling but avoid 10am to 3pm sun. This practice is not new to the team at Stratus but they are truly now in the “balanced zone.” Chardonnay is a matter of (60 per cent) wood, 30 white clay and 10 stainless steel. This and the lees make for a cloudy if ducky wine of downy texture and very refreshing feel. A whole lot of R & D for which the maker and the consumer are loving the results.  Last tasted July 2022

Next vintage up for this singular Niagara Lakeshore chardonnay meets expectation where fruit substance and quality lees get to making some magic from out of the auspices of an hermetically sealed environment. Love it when chardonnay acts reductive without being either obvious or blatant, instead going about its high quality business like the natural professional it knows it can be. Whispering caramel and subtle smoulder set the bar high and as chardonnay there is this perching upon a gilded golden wire, in regal, confident and self-secured style. Most excellent rhythms, beats and tones set this up for a promising run. Drink 2023-2027.  Tasted April 2022

Stratus Blanc De Blancs 2014, VQA Niagara-on-the-Lake

Estate chardonnay, six years on the lees, traditional method. Generally speaking an inconsequential one gram of dosage, disgorged in February 2021. The other OG for Stratus based on the team’s research and development trials first executed back in 2006 and 2007. Another elevated autolytic example, not as toasty as ’13 but more textural and lees-directed. Further down the road to complexity of flavour washes, swarths and swaths as well. A woollen one, leaves a salve as it graces the palate and lingers long after the fluid thrill is gone. Everything is here, everyone should want some. It’s the Devil and Mr. Jones. Lucifer on the sofa. “There’s juju raining down all around you, yeah. Makes you heavy mental. It makes you tense.” Spoon-feed it to me when I can no longer do it myself. Drink 2022-2026.  Tasted July 2022

Stratus Chardonnay Unfiltered Bottled With Lees 2017, VQA Niagara-on-the Lake

Same winemaking as the team put on the (Chardo swap) Thirty Bench Vineyards fruit and yet with these 30 year-old vines the result is night to the Bench’s day. Cloudier to a view, more advanced and developed, fully resolved citrus notes in juice, zest and pith entwine. Deeper and fuller intensity of flavours, fuller and dramatic. Conceptual.  Last tasted July 2022

Warm and ripe vintage if only because of a gorgeous September into October, more lees than ever before, no new wood and an extended elévage nearing a year in length. Alcohol has risen, as has the pH though neither are what you might call vivid. The palate is actually tightly strung, the texture fulfilling and a cloudiness so perfect for what the winemaking team had long wanted to achieve. Hard not to see 2017 as the teaching wine where lees usage is concerned, the (after the fact) ah-hah moment whereby knowing what to do and how deep to go was learned by how 2017 turned out. In this case fulsome of stone fruit, opaque clarity, an oxymoronic ying-yang of positives in apposite attractions. A Monet vintage, modernized and so very J-L Groux. A Stratus, unlike any other. Drink 2021-2025.  Tasted July 2021

Tawse Estate David’s Block Spark Blanc De Blancs 2009, VQA Twenty Mile Bench

Quite exciting to get a look at a new disgorgement nearly 10 years later for a chardonnay that sat on its lees like a Berlucchi Riserva Familia Ziliana Franciacorta DOCG. While the ceiling of complexity may have reached maximum plateau a year, two or even three years ago, it matters little because this level of acidity and sparkling wine vintage favour met the terms of easy regard thrown to the wind. Gone is the woolliness, now replaced by flint and a vapour trail of David’s design. This was meant to wait and thanks to Tawse today is the day. Bears little resemblance to the wine tasted back in 2012. Drink 2022-2025.  Tasted July 2022

Has thankfully shed its baby fat, the cheesy whey that sat atop all else last time I tasted. Today the epoisses is now mild Niagara Gold, or a creamy, Triple-Cream Brie. Still a wine of lees and leisure, with tangy green apple and sharp, piquant flavour.  Tasted December 2012

Jessica Otting, Tawse Estate Winery

Tawse Chardonnay Robyn’s Block 2020, VQA Twenty Mile Bench

While Robyn’s Block is always a unique chardonnay for the Twenty Mile Bench in 2020 it’s part of a community because of a slow, actually a very slow (as in sluggish) ferment. Didn’t actually finish until April, a remarkable happenstance because malolactic was completed back in November. As late as winemaker Jessica Otting has ever seen and it happened with all the chardonnays, save for Quarry Road. The whole cellar was like this and so what does it all mean? Perdition might be the answer but miracles happen and composure begets fortune, leading to a reward in most excellent textural deference. Alcohol and acidity are both exemplary and know this. Chardonnay left alone will find its way, unforced and uncompelled. We may be stupefied by the journey but we are most impressed by the result. Be patient with while offering up a little extra time and mind for these ’20 chards. As here with Robyn they are demure and they are at peace. Drink 2023-2026.  Tasted July 2022

Thirty Bench Chardonnay Small Lot 2020, VQA Beamsville Bench

Really quite primary, an undisclosed while pleasingly reticent chardonnay from Emma Garner of gratitude and grace. The first because it thanks the Beamsville terroir and the second because it does so with soft spoken respect. A mélange of different fermentation batches, each small and precise come together for the final sumptuous and restrained blend. The tenets of fruit, acid and what ties them together is just about as seamless and easily layered as any of a Bench ilk and idiom. Not a chardonnay of style but instead stylish, not chic but surely sung with notes held, seemingly forever. Drink 2023-2028.  Tasted July 2022

Mackenzie Brisbois, Trail Estate

Trail Estate Chardonnay Cold Creek Vineyard 2020, VQA Prince Edward County

From a vineyard on the Danforth Road in Hillier and young vines of chardonnay. A 50/50 neutral and second fill barrel aging for 10 months in yet another 2020 fermentation that took seemingly forever to complete. This is attributed to a hot and dry summer and also harvest, with excess humidity causing sluggish and possibly even dormant yeasts. That said this Cold Creek shows plenty of zip and zest, clocking in at 14 per cent off of 23 brix. “Early” numbers though the pH was normal (3.2). Crazy for chardonnay, at heart and for trying, with plenty of dichotomously extrapolated energy and PEC drive. Drink 2022-2025.  Tasted July 2022

Two Sisters Chardonnay 2019, VQA Beamsville Bench

Fruit is entirely taken from the 1959 planted Lenko Old Block, likely the first in Niagara. Twenty per cent new wood and no real sense of malo (up to a maximum 30 per cent) but says winemaker Adam Pearce, “we’re not looking for that route.” A brilliant chardonnay, cohesive and smart, taut and slowly revealing itself. The right and righteous stuff.  Last tasted July 2022

If unoaked takes full advantage of a terrific 2019 growing season then surely the oaked chardonnay will go after it with uninhibited abandon. Perhaps but just one sip and you see the cool demeanour, the artist restraint and the blessed balance afforded throughout the wine. Only hints of toast, smoulder and buttery biscuit wisp on through while the purity of warm terroir raised Niagara chardonnay shines, as it should. Most excellent work here from Adam Pearce and team. Drink 2021-2025.  Tasted September 2021

Guest Chardonnay

Boschendal Chardonnay 2019, WO Elgin

The Elgin blocks are 15 kms from the Indian Ocean with sites ranging from 200-500m above the sea level and surrounded by mountains. Grown at an average of 300-plus metres at a latitude of 31.15 South. A prime example of the Elgin style, citrus led, stony and flinty from weathered shale soils but there can be no dispute about the fruit richness and sumptuous tactility for how this settles upon the palate. Thankfully a feeling of sea breeze passes through and maintains the freshness. Drink 2022-2024.  Tasted July 2022

Ana Norris (Santillán) and Danielle Coetsee, Boschendal

Boschendal Cap Classique Jean Le Long Prestige Cuvée Blanc De Blancs 2009, WO Stellenbosch

Long on the lees (gotta be 120 months-plus) and as a 2009 well within a Cap Classique vernacular still with the “Méthode” verbiage at the lead. Long since developed its ceiling of complexity and although those last 12-18 months may have done little to advance, accelerate or diminish the returns, how can it even matter. Just consider the greatness here. Eloquently complex by nature and also design, all about fruit and earth, liquidity and dusty decomposition, delicasse and deconstruction. The level of acuity is commanding and beyond commendable for a comestible this long in reserve. A confession of wishing for just the slightest lessening of dosage, to avoid a softening and raise the energy bar. Otherwise this would be tops. As it stands it’s pretty special. Drink 2022-2025.  Tasted July 2022

Catena Chardonnay Appellation Tupungato 2020, Mendoza, Argentina

Only Tupungato will do for chardonnay as this “High Mountain Vines” will do, equipping what could be the roundest, softest, creamiest and most delicious fruit set with a blast of freshness and atmospheric drive. This is exactly what you can expect from Catena’s work in specific appellative chardonnay, drilling down into the dirt of a place within a place with the same conviction found in their more expensive wines. No compromise. Drink 2022-2025.  Tasted July 2022

Catena Alta Historic Rows Chardonnay 2019, Mendoza, Argentina

Kind of surprised how many years have passed since last seeing this über specialized Tupungato chardonnay in a VINTAGES release and thankful to see its auspicious return. The highest elevation and prized fruit from quantified rows put the specificity and trenchant expectation into a chardonnay of indelibly stamped, site explorative and barrel programmed richness. Truly fleshy but also elastic and stretched varietal wine of not only acumen and desire but also depth and understanding. The White Stones may be Catena’s chardonnay prize but do not sleep on this wine. It delivers all you could want from producer, place and grape. Drink 2022-2026.  Tasted twice, July 2022

Côteau Rougemont Chardonnay La Côte 2020, Québec

The Robert Family takes chardonnay to the next level with their south facing vines on slopes of soils dotted by pebble and schist. A blessed sun dripping vintage for Québec chardonnay that takes full advantage of more climate change heat units and good fortune for no 2020 frosts. Crisp and crunchy to the nth degree, just reductive enough to stand taut and ever so slowly releasing its charm. Next chapter and a win win all around. Drink 2022-2024.  Tasted July 2022

Domaine Baud Blanc De Blanc Brut, Crémant Du Jura

Varietal chardonnay that sees a year of lees aging with a dosage to reach the desired Brut. A richness and also dried herbal notes plus fennel that is offset by a creamy sweetness melting and melded through the pictorial texture of a wine so sharp and yet so soft. One imagines the Baud family being led by such humans and when a wine acts as an expression of they, well isn’t that the point in a wine like this? Drink 2022-2024.  Tasted July 2022.

Baud’s Crémant is made in true Blanc de Blancs style, from 100 per cent chardonnay and though faintly if beautifully oxidative, the cuvée pulses with great energy. The scents of fraying ginger batons, scraped orange skin and baking almond cookies are all a treat for the olfactory. Just enough but not too much sweetness fleshes the the body to get down to density in mouthfeel but never abandons its airy character. A terrific Champagne alternative that was disgorged in October of 2017. Drink 2018-2022.  Tasted April 2018

Clémentine Baud, Domaine Baud

Domaine Baud Cuvée Flor Côtes Du Jura 2020, Côtes Du Jura AOC

Clémentine Baud took over the family estate with her brother six years ago. The first father to daughter transition and with many to follow. The estate dates back to 1742, started by Jean-François. They farm 25 hectares, Clémentine’s father started with five and grew to 19 hectares when he retired. Picking for Sparkling now seems to happen in August, save for the difficult 2021 vintage. In 2017 70 per cent of the harvest was lost to the frosts, 50 in 2019 and 80 in 2021. “We have over 40 old varieties in the Jura, important for diversity, including those not allowed under the rules of the AOC,” tells Clém. The fruit for Cuvée Flor is grown at a latitude of 46.73 North and though very much a cool climate place for chardonnay the threats of warmer winters and seasonal frosts has wreaked havoc over the past 10 years. A chardonnay of remarkable lustre, concentration and purity, worked by way of oxidative aging, low alcohol expectation starting at 12 and finishing no higher than 14 to 14.5. A floral chardonnay, not one related to yeast and surely a pretty in Jura wine. From the younger vines, phenolic and hinting towards though remaining clear of emerging boozy. Filled with flavour, hazelnut and praline, peach and yellow plum. A world of its own. Drink 2022-2025.  Tasted July 2022

Domaine Des Deux Roches Altugnac “Terres Amoureuses” 2020, AOP Limoux

From land at the edge of the Languedoc, on the Pyrenean foothills, “where the vines flirt with the scrubland.” A chardonnay of amorous lands, a golden hue of fortune and really fine balance. Light on its feet, forming a small wake, chardonnay of prosperity, dreams, space and a garden of thought. Alluring and inviting, ease of wood, spice and bites throughout. Drink 2022-2024.  Tasted July 2022

Domaine Des Deux Roches Pouilly Fuissé Vieilles Vignes 2020, Bourgogne aoc, France

There can be no doubt that an old vines cuvée in the hands of Deux Roches gifts impeccable and earnest profundity coupled with culpable concentration. A touch reserved in restraint though again expectation dictates that energy will release as the wine opens and ages. All the orchards are on the nose, transitioning into flavours full, layered and built by a liquid textural weave. Expansive chardonnay. Drink 2022-2026.  Tasted July 2022

Joseph Ryan, Ernest Vineyards with Brooke Husband and Kelly Mason

Ernest Chardonnay Joyce Vineyard 2019, Sonoma Coast

Erin Brooks started the vineyard 10 years ago, as proximate to the ocean as much as any. West Sonoma Coast, now a new AVA with Brooks at the forefront of making that happen. Down at the bottom of the AVA, at 400ft of elevation, of marine bed, volcanic activity and metamorphic matter all present in one vineyard. Joseph Ryan is Winemaker and Vineyard Manager. Southeast facing at 38.44 North latitude on Goldridge soil, a sandy loam and a really mitigated diurnal shift of temperatures between 45 and 85 degrees (F). As such there is little cold or heat shock, plus what is gained by being so close to the ocean. Truth be told this is Sonoma Coast times 10 with a driven intensity of parts bloody captivating. Fruit and acids dancing intertwined and inseparable, unrelenting in a dizzying twirl of chardonnay wind and dust. “Oh, loving her was easy. The easiest thing in the world.” Hiss Golden Messenger. Drink 2022-2027.  Tasted July 2022

Andrea Barker and Grant Chisholm, Foxtrot Vineyards

Foxtrot Chardonnay 2020, BC VQA Okanagan Valley

Quite wooden and also lean, tart and speaking in the kind of chardonnay tones that say professional and successful. Apples of greens and yellows, tart and creamy at the same time, blessedly flavourful if simply one dimensional. Solid and classic for a warm weather season out of a cool climate location losing that plus with every passing year. Drink 2022-2024.  Tasted blind at NWAC2022, June 2022 and at 14C22, July 2022

Foxly Chardonnay 2020, BC VQA Okanagan Valley

Foxly is Foxtrot’s second label from Osoyoos and Similkameen fruit (as they only grown pinot noir on the Naramata Bench). This mix of northern and southern combines tension with roundness, two best worlds into one, hvac and evac. Fresh and taut with a downy cream centre.  Last tasted July 2022

Reductive to the point if just a bit stinky, not egregious mind you but the funk is in. These lees are in charge and upon the palate with a hit of true juicy fruit attacks, with beneficial fervour. In fact the lees do and are everything, living and dying with adamant behaviour to direct what will happen at every step along the way. Keep working with this chardonnay. It truly wants to offer up a just and pleasurable reward. Drink 2023-2027.  Tasted blind at NWAC2022, June 2022

With Olive and Anthony Hamilton Russell

Hamilton Russell Vineyard Chardonnay 2021, Hemel-en-Aarde, South Africa

A new return to a manageable vintage of warmth and generosity in which the beauty of Hemel-en-Aarde chardonnay comes across with sweeping charm, just as a vista will take in the scroll of hills, mountains and eventual fall, 100 kilometres away into the sea. The taut nature, tight control and expertly wound fruit behaviour follows a line of HR acidity like never before. The magnificence of the balance occupied by parts so known like home is what emanates from this chardonnay and the gracious people who make it. Can’t think of much better in South Africa. Drink 2023-2028.  Tasted July 2022

O’Rourke Family Estate Chardonnay Twisted Pine 2020, BC VQA Okanagan Valley

O’Rourke’s Family Tree brand from Lake Country in the northerly Okanagan just feels warm and nurturing, a 2020 Twisted Pine chardonnay in this glass with drawn butter, soft brioche and mulled spice. Lightly caramelized, with soft serve vanilla and ease of amenability. Oak is a true factor though it melts nicely into the background of the wine. This is chardonnay of a deeply calming presence. It is warm bread. It is dry shelter. Drink 2022-2025.  Tasted July 2022

O’Rourke Family Estate Chardonnay 2020, BC VQA Okanagan Valley

Lake Country is one of the newest geographical locations of eight or nine wineries in the Okanagan and really only minted a month ago. The furthest north in the Valley and ostensibly the coolest as a result. First chardonnay by O’Rourke Family Estate with winemaker Nikki Callaway (famed for her work at Quails’ Gate). A young at heart wine and project with vines just three to six years of age grown at a latitude of 50.05 North. A fruit salad because it comes from all the blocks and clones on the property, built above ancient glaciers and caves. All indigenous ferments, with great freshness in abundance. A sharper expression than the Twisted Pine, with more snap, crackle and bite, not to mention pop. Hints at a reductive flintiness though it’s really quite open and even generous. Really quite effusive and brings chardonnay fruit to the fore, celebrates its Okanagan fullness and is developed enough to be ready and willing for to please. Drink 2022-2024.  Tasted July 2022

Paddy Borthwick Chardonnay 2020, Wairarapa, New Zealand

An extension of 2019 to be clear, of flint and reduction as well, though less so in this vintage. Same sectarian or free thinking where herbs and lime get as much playing time as the stony qualities showing tight and tart in this 2020 wine. Caramel apple in the most seductive way, a bite through savoury spun sugar into the flesh of apples and or pears plucked straight from the tree. Flavours are ripe and seductive, at times verdant, other times spiced. No missing the barrel here. Drink 2022-2025.  Tasted July 2022

Planeta Chardonnay 2020, Sicilia DOC

From 43.25 North latitude. Chardonnay comes from two vineyards, Storico which is the large white rock at 270m above the Menfi lake and Marrocoli, where red grapes (cabernet franc, merlot and syrah) really thrive. Here chardonnay is given roundness to mix with the stoic-stony and intense directness of what it could have been. A place of vibrations and nerves and so Marrocoli is needed to tame and soften Storico’s blunt edginess. That it does, injecting peach fleshy sunshine into the linearity of the wine. Keep in mind that 200,000 bottles a year are made and that doesn’t even keep up with the demand. Arch classic Planeta bread and butter wine, also in style. One of the planet’s great chardonnays of double Q effect. Quantity and quality. Drink 2022-2025.  Tasted March and July 2022

Ronan Stewart, Quails’ Gate Estate Winery

Quails’ Gate Chardonnay 2020, BC VQA Okanagan Valley

Tasted with Rowan Stewart and in agreement that this is meant to be the freshest possible, a chardonnay of lemon zest and glaze, spicy piques and back bite. Acidity is the factor in a chardonnay lacking no moments of ripeness and can be round when needed. In other words it reacts and shapes to the palate’s needs, doing so simply and with no wasted movements. Drink 2022-2024.  Tasted July 2022

Quails’ Gate Chardonnay Stewart Family Reserve 2019, BC VQA Okanagan Valley

From vines growing on Mt. Boucherie, a volcanic steppe right above the winery. Whole cluster and barrel fermented, combination of new and used wood, malo, lees and regular stirring. All because the top chardonnay fruit in the Stewart household wants and can handle this level of elévage truth, seeks the richesse and desires uncompromising complexity. A chardonnay rising and swelling with fruit flavours, spices and then lingering long after the liquid is gone. My goodness length is truly a six letter word. Like bezazz, jazzbo, pazazz and pizazz. Drink 2023-2027.  Tasted July 2022

Vignoble Domaine Du Fleuve Chardonnay 2020, Québec

The drive for chardonnay to thrive in Québec vineyards is kept alive with this linear and driven example from de Fleuve. It is not good enough to just make chardonnay in the province and call out success. The variety must ripen well, find that sweet spot between phenolic and layered, in the zone where acids lift yet never lie. This does most things admirably well though there are some moments where sulphides and esters creep in. Drink 2022-2023.  Tasted July 2022

Good to go!

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WineAlign

What comes next for the wines of South Africa?

A deep dive into the wine regions of the Western Cape, chenin blanc, and a Buyers’ Guide to South African wines

This feature was commissioned by Wines of South Africa, as seen on WineAlign

 

Several years back I commented that “the act of intense immersion into any important wine-producing nation and its diverse regional expressions can only leave a lasting impression if the follow-up takes a long, cool sip of its meaning.”

That was just the beginning of what I hoped to be a life-lasting fascination with South African wine and, seven years later, I can safely say the journey is going very well, if still only in the early stages of deep understanding. Just about exactly two months from today I will return to the Western Cape to rekindle, reconnect and extend my relationship with South African winemakers and their fascinating wines. Curiosity, anticipation and excitement have never been greater and so the questions is worth asking: What comes next for the wines of South Africa? At current the only answer forthcoming is how Cape Wine 2022 will be the most lekker experience of the year.

In all their combined iterations, the wines of South Africa are exciting communicators of heritage, history, emotions and declarative attacks. Collectively they spread with ripples like a large rock dropped into a pool of water. They are the beneficiary of effects created by two oceans and the great ancient, preeminent, decomposed and weathered soils found anywhere on this planet. Maturity is breathed into every phrase these wines are wont to play.

Growing regions of the Western Cape

South Africa is a medium-sized country that would fit into Canada eight times. It has a diverse population of 58 million people and is affectionately known as the ‘Rainbow Nation,’ a phrase aptly coined by Archbishop Desmond Tutu. Wine growing is limited to the southwestern region of South Africa, in the Western Cape Province, which is an area roughly the size of Greece. South Africa has been making wine for more than 360 years. The first grapes were pressed in 1659. The wines reflect the best of the old and the new; they present fruit-forward styles with elegance and finesse. The South African wine industry is one of the most technically advanced in the world of wine. There is an extremely rigorous Wine of Origin Certification Scheme, introduced in 1973, which guarantees that the wine is what it is designated or described. Each bottle carries a certification seal to guarantee that the claims regarding vintage, variety and origin on the packaging are true. South Africa has more certified Fairtrade wines than any other country. That is to say their products “guarantee a minimum price to cover the costs of sustainable production, as well as a premium to invest in social and economic initiatives in their communities.”

There are five officially demarcated regions of production — they are delineated based on the massive variations in soil, climate and location. The regions are: Breede River Valley, Coastal, Klein Karoo, Olifants River and Boberg. There is a commitment to environmentally sustainable wine production and wines can be certified by Sustainable Wine South Africa, which is part of the Wine and Spirit Board. The designation refers to grapes which are produced in harmony with nature, which allows vineyards to flourish alongside their natural habitat. The Biodiversity and Wine Initiative is a unique partnership between conservation bodies and the wine industry.

Cape Floral Kingdom – A World Heritage Site

More than 95 percent of the wine is produced in the Cape Floral Kingdom, where there are more than 10,000 indigenous plant species, more than reside in the entire Northern Hemisphere. This Kingdom has been created by a diversity of soils, produced from granite, sandstone and shale; as well as a diversity of climates and geography. This, in turn, has created a treasure trove of winemaking possibilities. As a result, South African wines have a huge array of flavour and aroma profiles, which lead to wines with intriguing character and drinkability.

Chenin Blanc

Chenin Blanc

While so many grape varieties take hold with utmost promise in the Western Cape, there is but one that persists, unwavering and timeless. Yes, it is true that grape varieties such as grenache, cinsault, syrah, pinotage, sémillon and many others are apt at aligning with covenant to their old vine sources but there can be little argument against chenin blanc residing at the top of that list, Chenin is the greatest beneficiary of age, fortitude and focus as provided by the old vine experience. The list of Western Cape chenin sites from Stellenbosch, Swartland, Citrusdal Mountains, Darling, Hemel & Aarde Ridge, Breedekloof, Bot Rivier, Walker Bay, Cederberg, Paarl and Robertson, reads like a biblical scroll; Bottelary Hills, Granite Hill, Helderberg, Kapteinskloof, Kasteelberg, Paardeberg, Perdeberg, Riebeek-Kasteel and Skurfberg. The grape variety has been in the country for more the 350 years, and can perform well in warm and dry conditions. The signature grape variety is South Africa’s golden ticket to global recognition and success. No other varietal message speaks with as much clarity and consistency than that of chenin blanc.

Stellenbosch vines and heritage vines planted in the 1970s and before are now performing at their best. Johan Reyneke speaks of the illness that had been running through South African soils and how he sought to build immunity and disease resistance through a holistic farming approach. Things did not transform overnight, so fathers and neighbours may have doubted the long, arduous and yet understood process. But it is that organic and sustainable approach for which today’s health and prosperity can be thanked. When it comes to searching for chenin blanc plant material, vineyard sourcing can be quite broad, of multifarious soil types and elevations, 40 to 50 year blocks on average, sometimes also including old vine sémillon. The distance from the first to the last vineyard in a chenin blanc cuvée might be 200 kilometres or more but, when brought together well, magic often happens.

Windy places help in so many respects, allowing a larger canopy to remain in place and exaggerate the dappling effect which chenin blanc so dearly loves. Reyneke’s is South Africa’s oldest Demeter-certified biodynamic winery, with vineyards on the top of an ancient granite mound and on less weathered soils lower in the valley floors. The vine struggle is real, a positive one for the wines and ultimately for wine lovers. Granite soils further up the Stellenbosch hills are less colluvial, really old and weathered, predating microbial life. The vines produce lower yields and the weathered earth gives life to chenin blanc. For Mullineux Wines and a Cape chenin blanc assemblage, it gives meaning to the gathered idea, like an AOC Chablis made by a houses in names of Fèvre, Drouhin, Moreau or La Chablisienne. Mullineux’s twist is the back blending with some old barrel ferments to balance new and “other” fruit components. A chenin blanc may be bottled the same year it was picked though that’s easier to do so in the southern hemisphere, where harvest happens in the first quarter months. The reasons are simple. Intense investigations through schist, granite and old vines floats the boat and raises the bar for more professional and accessible chenin blanc cuvées. With older heritage vines involved, as is the case for Chris and Suzaan Alheit, the concentration and density of the vines is inherent. The use of heritage material is the South African version of Atticism; that is a return to classical methods and rhythms in making really old chenin, but also the likes of sémillon.

Chardonnay vineyards in Robertson

Cap Classique

One of the sparkling wine world’s most important and impressive categories in origin is no longer called Méthode Cap Classique (MCC), but now Cap Classique. This South African term indicates a sparkling wine made in the traditional method (the same way Champagne is made), by which a secondary fermentation takes place inside the bottle. As it stands, Cap Classique must age on the lees for a minimum 12 months to be labelled as such, though this number will surely extend once the realization sets in that more is better. Cap Classique produces some of the finest, most complex and diverse sparkling wines in the world. In Champagne the annual production is somewhere in the vicinity of 350 million bottles so compare this to South Africa where a fraction of that amount is released to the tune of seven or eight million. Méthode Cap Classique bottles are made by 100-odd producers, 73 of which are listed on the website for the Cap Classique Producers Association (CCPA), an organization established in 1992. The name was derived from the fact that the classic art of winemaking was introduced to the Cape by the French Huguenots, and the first bottle-fermented sparkling wine produced at the Cape was called Kaapse Vonkel (Cape Sparkle).

It’s also very much a wine about terroir. In Stellenbosch the sparkling is often made from early picked, old vines chenin blanc grown on Duplex soils, colluvial decomposed granite overlapping gravelly clay. Ask Ken Forrester and he will tell you the gravels allow for good draining and the clays deliver a time release of water. All this helps during drought and the restriction of water creates texture on the palate. There are pioneers like Graham Beck’s Pieter Ferreira who are attacking with Brut Zero style “based on the philosophy of grower’s Champagne.” For others, like For Christa Von La Chevallerie, it’s a matter of “how far I can go with [the combination of] chenin and lees.”

“We’re making wines that develop too quickly,” insists Paul Gerber of Le Lude. Gerber believes the minimum time on lees should be raised to 15 months. As for sugar dosage, he’s like a cook in the kitchen. “Dosage is like seasoning. If you do it properly you don’t taste it.” Ferreira has put in the time and the research over 20-plus years to really understand the category but, more importantly, the potential. “You are always looking to express terroir,” he says. As for Gerber, he will say “sparkling wine is not a terroir wine? Please. This is completely untrue.” “For Brut we have to extend [the lees aging time] to 60 months,” explains Ferreira. “So there is no lipstick or eye shadow. ”For a deeper dive into Cap Classique please read my article post Cape Wine 2018.

Bot Rivier 

Bot Rivier lies southeast of Cape Town, sandwiched from south to north between Hermanus and Stellenbosch. “From the top of the Houw Hoek Pass, one gets the first glimpse of the vast, rolling hills and big sky of the Bot River area, where real people make real wine.” This is the credo of the family of wineries that farm and produce in the area. There are 12 members of the wine-growing association, all within a 10 kilometre radius of one another. Here chenin blanc might be crafted with just a hint of residual sugar (at just above 5 g/L), to balance the effects of a long, slow, ocean-proximate Bot Rivier growing season.

Paul Cluver with Ken Forrester’s Chenin Blanc

Elgin

There is so much diversity in the Capelands. There are rock n’ roll stars in the Swartland, R & B, soul & Motown in Stellenbosch, Jazz in Elgin, Classical music wherever you want to hear it. But what there is everywhere is flow. Reggae flow, soulful Stevie Wonder flow, hip-hop flow, Stan Getz, Ahmad Jamal, Dexter Gordon flow. Elgin also has layering, in riesling, pinot noir and chardonnay. The wines glide with cool climate ease of ability, with an unconscious penning of notes coming from a place that was always there from the beginning, with a creativity that comes out of effortless style.

Elgin’s Paul Cluver seems to be the first to label his chardonnay with the Bourgogne “Villages” idea. This tells us much about what we need to know — that Elgin vineyards are the fruit source if not site specific or singularly focused. But he also finds precision with his Seven Flags and Close Encounter wines. The wines of Thelema (and Sutherland) do the same, curating classic Elgin cool savour running linear like a beam through the joist of structure.

The Helderberg, Stellenbosch, Western Cape

Stellenbosch

Stellenbosch in undoubtedly South Africa’s most well-known region and home to the eponymous town that is the country’s second-oldest town. It sits a mere 50 kilometres southeast of Cape Town, capital of the Western Cape. Stellenbosch is the lushest of the Cape’s valleys, home to more than 200 wine producers and surrounded by the Drakenstein and Stellenbosch mountains. False Bay acts as the mitigator of this Mediterranean climate, creating ideal wine-growing conditions where just about any sort of grape variety can achieve ripeness. The reds of cabernet sauvignon and shiraz predominate on the granite-based soils farther west, while chenin blanc and sauvignon blanc thrive in the sandstone soils of the east.

Swartland Independents

Swartland

The Swartland is Afrikaans for “Black Land,” so named because of the dark grey endemic renosterbos (rhinoceros bush) that covers the landscape and turns black after the rains. The region of the Western Cape begins some 50 kms north of Cape Town and consists of the area between the towns of Malmesbury to the south, Darling in the west and Piketberg in the north. Home to the Cape’s greatest of wine revolutions, followed by a swinging era — and what comes next is anybody’s guess. What we do know is that the Swartland’s decomposed shales and granites provide some of the most existential and powerful growing sites in all of South Africa.

Bush vines, Groot Drakenstein Mountains, Franschhoek, South Africa

Buyers’ Guide to Wines of South Africa

Over the past two months there have been several opportunities to taste a wide range of wines from South Africa. Andrea Mullineux came through Toronto to give a seminar on chenin blanc, VINTAGES has seen releases with a dozen various examples and the WineAlign team recently tasted a box of stunning values. Just last week I taught a seminar on South Africa and poured five seminal wines. Here is a Buyers’ Guide that includes chenin blanc, Cap Classique, Bot Rivier, Elgin, Stellenbosch, Swartland and the Western Cape.

Western Cape

Boschendal The Pavillion Chenin Blanc 2021, W.O. Western Cape
$13.35, Lifford Wine & Spirits (Select Wine Merchants)
Michael Godel – Hard to knock the consistency but even more so the varietal representation and transparency of this perennial steal of a chenin blanc. Fruit that sings, bones that stand upright and just textural enough to make you feel like chenin can do no wrong.

Spier Signature Chardonnay 2021, W.O. Western Cape
$13.35, Sylvestre Wines & Spirits
Michael Godel – Labeled as Western Cape though kind of essentially Stellenbsoch from Spier in a chardonnay of green apple, dried herbs and lime. A hint of reduction and then bitters and while not fleshy this is surely satisfying.

Franschhoek Cellar Statue De Femme Sauvignon Blanc 2020, W.O. Western Cape
$16.99, Perigon Beverage Group
Michael Godel – Franschhoek does sauvignon very well, not as cool as say Elgin but surely (on average) more complex than Stellenbosch. Note the elongated phenols and terpenes in this most stimulating and succulent sauvignon blanc. Steal of a deal.

Alheit Vineyards Cartology Bush Vines 2019, W.O. Western Cape
$59.95, Groupe Soleil
Michael Godel –  Soil excellency layers in oscillations, waves and variegation in one of South Africa’s most curious to crafty blends in which chenin blanc is the focus to the core. You feel the sémillon, indeed you do because it streaks through the chenin, but not as a sprinter or a shooting star. Cartology is a correlated, traced and tabulated white blend that stands up to be counted.

Fairview Goats Do Roam Red 2021, W.O. Western Cape
$14.00, Univins (Ontario)
Michael Godel – Rhône blend based on syrah and the stylistic departure from the past to be über rich and dark is now more a matter of bright and effusive. Black fruit is now red, tar and tension given way to open and generous. Loving the modern acids, clarity, purity and simplicity.

Bot Rivier 

Beaumont Wines Chenin Blanc 2021, W.O. Bot Rivier
$29.95, The Small Winemakers Collection
Michael Godel – Hard to conceive and thus receive more aridity on the aromatics, surely flinty, part gun and part struck granite stone. Stretches this chenin blanc like the pull of elastics or fior di latte. Also herbal, sweetly so, with a chanterelle apricot note in the freshest of fungi specimens. Acids take over, spit and shine over this wise and elongated wine.

Elgin

Paul Cluver Village Elgin Chardonnay 2020, W.O. Elgin
$25.00, Buyers + Cellars Wine Purveyors
Michael Godel – Taut and tight, nicely reductive, orchard fruit focused with some bite and then a little bit of barrel smoulder. Not a smoky or toasty chardonnay but a balanced one with plenty of local, savour, savoir faire and flavour.

Stellenbosch

Ken Forrester Sparklehorse Cap Classique 2018, W.O. Stellenbosch
$29.95, Noble Estates Wines & Spirits Inc.
Michael Godel –  This may just be Ken’s most phenolic sparkling wine to date, emitting as a combination of blanched nuts and precious metals. Spent eight months in fermentation followed by 28 further on lees, in bottle. Creates orchard fruit flavours and textures while acidity retention keeps the groove and the balance.

Radford Dale Vinum Chenin Blanc 2020, W.O. Stellenbosch
$19.95, Nicholas Pearce Wines Inc.
Michael Godel – There is a feeling of warmth in Radford Dale’s 2020, not boozy per se yet the feeling is like cold sake going down. Then it’s all roundness and creamy fruit, ease and utter culpability.

Reyneke Chenin Blanc 2020, W.O. Stellenbosch
$29.95, Univins (Ontario)
Michael Godel – Johan Reyneke’s chenin blanc is his and his alone, of South Africa’s first biodynamic winery and a level of say it as it is passion that can’t be touched. More like do as I do and Reyneke’s takes no liberties, asks no favours, gives and gives again. Spices and textural meanderings are concentrated and greater. An exotic notion as well, like ripe longan fruit and then a compound flavour profile going on forever.

De Morgenzon Reserve Chenin Blanc 2019, W.O. Stellenbosch
$49.00, Family Wine Merchants
Michael Godel – A barrel fermented style that shows in a flinty, caramel and pineapple way, part Burgundy plus California yet all South Africa. Heeds the Reserve moniker well with buttery brioche richness and full sun gathered consciousness. This one is all in with an effect to invite a wide ranging if specific consumer response.

Boschendal 1685 Cabernet Sauvignon 2017, W.O. Stellenbosch
$19.95, Lifford Wine & Spirits (Select Wine Merchants)
Michael Godel – Big, dark, brooding, as much about place as it is about grape variety.What’s special is the equally grippy and forceful fruit, exaggerated because the acidity is like a reduction of black currant syrup. Sharp and soil rich this is a serious mouthful of cabernet, firm, tannic and in charge. Roasted herbs and grilled vegetable notes, and a ferric-sanguine quality that brings the BBQ braai to mind.

Warwick Professor Black Pitch Black 2017, W.O. Stellenbosch
$19.95, NAVBEV INC
Michael Godel – Six grapes get together in Pitch Black, mostly made with cabernets with (13 per cent) cinsault, (10) merlot and then bits of malbec and petit verdot. Inky in feel if not pitch, tarry by natural nature if not by hue and also more Rhône meatiness then Bordeaux savour. A big, ferric and hematic example with strong bones and flesh all over.

Jordan Jardin The Long Fuse Cabernet Sauvignon 2019, W.O. Stellenbosch
$30.00, Kolonaki Group
Michael Godel – Straight faced and matter of fact, all things being true in a cabernet sauvignon that reeks of variety and subtlety in spite of the violence required to excavate and plant a vineyard. Don’t sleep on the tension and the structure in a wine of meaning, profound as it gets for Stellenbosch.

Aslina By Ntskiki Biyela Umsasane 2020, W.O. Stellenbosch
$35.00, Gradwell Wine Agency
Michael Godel – Ntsiki Biyela is officially recognized as South Africa’s first black female winemaker and the meaning in her Bordeaux styled Umsasane blend is local vernacular for the umbrella acacia tree. The brand is called Aslina, tribute to Ntsiki’s grandmother and one can feel the love in this richly styled, boozy in relative balance blend.

Swartland

Mullineux Kloof Street Chenin Blanc 2020, W.O. Swartland
$19.95, Nicholas Pearce Wines Inc.
Michael Godel – Essentially chenin blanc and an example that pulls the full blessings and richness of the sun into a generous and gracious wine. Kloof Street is chenin blanc of feel, touch and “tekstuur.” The old vines concentration and density is inherent, the “frâiche, agréable and couvert de rosée” all over the palate with license and privilege.

A.A. Badenhorst Family White Blend 2018, W.O. Swartland
$57.99, Lifford Wine & Spirits (Select Wine Merchants)
Michael Godel – The adage bears repeating as recited by Adi Badenhorst. “Fantastic grapes from old vineyards,” in a jazz mixtronic blend of chenin blanc, roussanne, marsanne, grenache blanc, viognier, verdehlo, grenache gris, clairette blanche, sémillon and palomino. Yet another paradigm shift in Cape white appellative white blends that seduces with its steely veneer, vine experience and turbulent soul to deliver in every way imaginable.

Mullineux Chenin Blanc Granite 2019, W.O. Swartland
$79.00, Nicholas Pearce Wines Inc.
Michael Godel – All barrel fermented in only neutral oak, full malo and with the intention to truly experience and taste chenin blanc grown on granite soils. A wine kickstarted by natural stabilization, equally expressive of tart acidity and freshness, fully reasoned by sunshine yet also seasoned with effortless and variegate ease.  Such an experienced and robust wine without solicitation, nor swagger neither. The ability, presence and precision are tops. There’s no question.

Porcupine Ridge Syrah 2021, W.O. Swartland
$16.95, Univins (Ontario)
Michael Godel – Unmistakable syrah from the Boekenhoutskloof clan, always the meatiest and meat fats dripping example for the price. That and a profile more Swartland than what comes from say Stellenbosch syrah.

Good to go!

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WineAlign

Niagara’s cool for chards

 

Niagara chardonnay, cornerstone of an industry, another one of nature’s mysterious constants, long-time member of both local and globally recognized greatness. A pandemic be damned the time had finally come to glide on down the QEW, inch by inch, to arrive in Niagara’s wine-lands and taste recently bottled vineyard bounty, plus some older surprises. At the behest, felicitations and facilitations of WMAO we the crü at WineAlign abided by the invitation. The visits included Le Clos Jordanne, On Seven Estate Winery, Stratus Vineyards, Trius Winery and Restaurant, Hidden Bench Estate Winery, Tawse Winery, Redstone Winery and Restaurant and the Bat Caves at Bachelder Wines. The next trip will take in at least seven more and after that, no less than seven again. And so on. Niagara is not conquered in a day, or a weekend.

And everybody tells me that it’s cool to be a cat
Cool for cats (cool for cats)

Related – A Chardonnay toast to Cool and the gang

The steamy and canicular July varietal sally coincided with the physical return, if only in part and to limited display, of the region’s annual i4c Cool Climate Chardonnay Celebration. Ontario’s most famous annual gathering inclusive of international winemaking stars is one that so many media, sommeliers, producers, importers, marketers and consumers have come to know, embrace and love. With a commitment for more arms to get jabbed and further progress towards community safety be made in these next 11 months, there should be every reason for optimism that i4c 2022 will return in full force next July.

Thomas Bachelder between Hanck East and West

Related – David Lawrason’s Canadian Wine Insider – Niagara’s Regeneration

In addition to chardonnay (that cool refreshing drink) there too were touring pours of sparkling wines, riesling, pinot gris, skin contact whites, rosé, pinot noir, cabernet franc and gamay. Those tasting notes are included in this report because quite frankly Niagara’s varietal diversity and inclusivity on full display should be duly noted. The festivities concluded on Sunday afternoon with not one but two Bat Cave barrel tastings with the stupefied, hyper-hypnotized and monkified winemaking tour de force himself, the other tall and thin white duke, Thomas Bachelder. No I did not make any formal notes on the dozens of chardonnay and gamay thieved from his barrels because frenetics and focus do not jive, not when Bachelder, barrels and argumentative discourse are involved. Bachelder began with some re-visits of finished “Villages” wines in the guise of Mineralité de Niagara and L’Ardoise, same same but for different markets (Ontario and Québec), both from the 2019 vintage. Then the surprise of the tasting emerged, two unmarked magnums, as of that very moment yet untasted and very special. “From the Heart Cuvée Number 1” is a project with fellow enlightened, philanthropic aiding and abetting abbot Steven Campbell. Their chardonnay crushes the concept with its dynamic and lush configuration. Why because of the very notion of being figuratively layered, blessed with a frictional vitality burnished into its collective heart and chardonnay soul. I had to stop after each sip to reassemble my nervous system and scrape my mind of the cosmos, not to mention the universe, galaxies and stars.

Crazy eyes in the throes of a four-hour Bachelder barrel tasting

The concept began as an annual Canadian Charity Wine Auction in support of the battle against climate change and then further developed into the Rescue the Grapes auction in NYC in partnership with Christie’s. Campbell and Bachelder convinced dozens of winemakers to donate small-ish lots of unfinished wines to be gathered and vinified as a single wine, an Ontario supergroup-cuvée if you will and finished by Thomas, acting as lead singer and songwriter. In Canada he and Steven are asking wineries to sponsor winemakers dinners in their home province and if they do host a dinner also support our auctions in the other two provinces. For the other province they donate a six pack of wine and will include  VIP “Passport” to the winery to promote interprovincial wine tourism. So far in Ontario Trail Estate, Malivoire, Southbrook, The Farm, Trius, Cave Spring, Pearl Morissette, Bachelder, Henry of Pehlam, Tawse and Rosehall run have all stepped up with a few more in the wings. In British Columbia Black Hills, Stag Hollow, Burrowing Owl, Okanagan Crush Pad, Tin Horn Creek, Tantalus, Quails Gate, Mission Hill and an Arterra winery are in with more to come.

The Bachelder Vineyard Map

The chardonnays were pulled from Willms Vineyard, Wismer-Wingfield est and ouest, Wismer-Foxcroft, Saunders Organic and Bio and Grimsby Hillside Escarpment Red Clay Barn Block. The gamay barrels tasted were Bator, Jackson-Bai “Bai Xu,” Wismer-Parke, Hanck est and ouest. Thomas did reveal the first ever bottle of Grimsby Hillside Chardonnay. The personal connection to that storied plot along the Lincoln Lakeshore in Winona will be investigated to the fullest extent of Godello law in a report coming soon.

Godello with Hidden Bench winemaker Jay Johnston

Has one really taken full advantage of a cool chardonnay weekend if one has not gone nose, palate, heart and mind deep into a seven year Hidden Bench Marlize Beyers to Jay Johnston Felseck Vineyard Chardonnay vertical? Methinks not. Not to mention a viticultural tour with J.J. and Joel Williams, Brut 2014, Rachis & Derma skin-contact and of course, Gamay. Thanks to proprietor Harald Thiel and congrats on being bestowed with the honour of “Champion Chardonnay of the year!” Couldn’t have happened to a more deserving and industry leading partner. 👏 👏 👏

Hidden Bench Winemaker Jay Johnston and Viticulturist Joel Williams

New to the Niagara Peninsula scene is On Seven Estate Winery, headed up by Vittorio de Stefano and with the charge in the hands of Canada’s most accomplished consulting winemaker Peter Gamble. Just as he has made giant viticultural and vinicultural strides with the likes of Stratus, Benjamin Bridge and Lightfoot & Wolfville, in typical, ambitious and big picture defining fashion it is Gamble who sees unlimited qualitative potential in the mineral-rich soils of OSEW’s Niagara-on-the-Lake soils. 

The sit-down at Stratus Vineyards titled “To lees or not to lees? That is the tasting” explained from the word go about the new direction concerns all things lees. To see two winemakers, they being J.L. Groux and Dean Stoyka existing on the same mad scientist solids page is something all Ontario wine pursuers should choose to follow. The pursuit is being played out in chardonnays and multifarious sparkling wines, in Blanc de Blancs, Brut Nature Zero Dosage and “Field Blend” Ancestral. For Ontario this means serious sparkling wine business.

Panko-Crusted Pork Rilette, poached plum & charred fennel salad, toasted hazelnuts, honey dressing, pickled mustard seeds – Executive Chef Steve Sperling, Tide and Vine Oyster House

“Lunch and Launch in Le Clos Jordanne Vineyard” moved us in many ways, first through distant Upper and immediate Lower Jordan Bench views, of Le Clos, Talon Ridge and Claystone Terrace. Tide and Vine Oyster House was responsible for feeding us to the breaking point, by oysters, yellow fin tuna tartar, cold smoked salmon, vichyssoise, pork rillete, surf & turf and olive oil cake. The chardonnay flowed, with Village and Grand Clos examples by hosts LCJ, but also international stars; Tasmania, Australia’s Dalrymple, Hemel-en-Aarde, South Africa’s Hamilton Russell and Russian River Valley, Sonoma County, California’s Gary Farrell. Here are my notes on those three wines.

Dalrymple Cave Block Chardonnay 2018, Tasmania, Australia ($70.95, Noble Estates)

A steely year with the vineyard’s hallmark acidity in a cracker Tazzy chardonnay with lip-smacking energy, intensity and drive. Soil, site and place in relentless pursuit of a focus at the head of body and game. Crunchy, crisp, indelibly fresh and piqued with the finest wisp of white peppery kicks. Nuts, complexity, bolts and length. All in. Drink 2021-2026.  Tasted July 2021

Hamilton Russel Vineyard Chardonnay 2018, Hemel-en-Aarde Valley, South Africa ($47.95, Noble Estates)

From the air-conditioned, cool breeze motivated vineyards (52 hectares) 100 miles from the ocean. Wet vintage, cool and long-hanging. Concentrated flavours in chardonnay that draws from all parcels which is more than just the Hamilton Russell way but in fact the only way. No fruit is wasted, all parts commit and contribute to the whole. A vintage like this is special, restrained, understated and one should not be misled by the shadowy depth and layering. Fruit is but a conduit for all else happening in this streamlined chardonnay. The alcohol and opulence are subtle, the pleasure calming, the capitulations promising. Methinks time will be long, slow and kind to HRV ’18. Drink 2021-2027.  Tasted July 2021

Garry Farrell Chardonnay Olivet Lane 2018, Russian River Valley, Sonoma County, California ($69.00, Noble Estates)

Pellegrini’s 1975 planted Olivet Lane Vineyard sits on 65 acres of sloping benchland in the Santa Rosa Plain, in between the warmer Westside Road region and the cooler Green Valley. If taking a step up from Gary Farrell’s estate label is even a possibility then yes Olivet Lane is just such an animal. Threefold (or ten times) more expressive, from jump started to flying ahead, in freshness, vitality and tightly wound intensity. Flesh and opulence submit to energy, motion and emotion. Captivated and caught up in a bold embrace. Forget bracing but surely feel the fineness and the purpose towards effecting satisfaction. Top, right, fine. Drink 2022-2027.  Tasted July 2021

Tres Cool Chardonnay

We’ve called on many estates over the last 10 years but truth is the visits were epic this time around, with thanks to the talent involved; Thomas Bachelder, Elsa MacDonald MW, Eugene Mlynczyk MW and the Arterra Wines Canada crew; Tide and Vine’s Mike Langley, Chef Steve Sperling and team; On Seven Estate Winery’s Vittorio de Stefano and Consulting Winemaker Peter Gamble; Stratus Vineyards Assistant Winemaker Dean Stoyka and Estate Director Suzanne Janke; Trius Winery and Restaurant’s Executive Chef Frank Dodd and team; Hidden Bench Estate Winery’s Winemaker Jay Johnston and Viticulturalist Joel Williams; Tawse Winery Winemakers Paul Pender and Jessica Otting; The Restaurant at Redstone Executive Chef Dave Sider and team; Thomas Bachelder and Mary Delaney. These are the 40 finished wines tasted over a near 30-hour period on July 24th and 25th, 2021.

Felseck Vertical

Hidden Bench Chardonnay Felseck Vineyard 2019, VQA Beamsville Bench ($42.20)

Tasted as part of an #14c21 seven year vertical Felseck Vineyard retrospective. No stirring, “I don’t like bâtonnage,” tells winemaker Jay Johnston, “unless I’m trying to get a wine to dry.” Never mind the lees aeration or the emulsification because texture in this ’19 is extraordinary to behold, gliding across the palate with Bench orchard fruit cleverness, penetrating perspicacity and juices running through unblemished flesh. Tighter and taut than ’18, while seemingly improbable but here yet unwound, far from the pinnacle at which point full expression will surely ache to be. The ’18 may be a beautiful thing but the ’19 is structured, manifold in destiny and ideal for those who know, or at least think they do. Drink 2023-2030.  Tasted July 2021

Hidden Bench Chardonnay Felseck Vineyard 2018, VQA Beamsville Bench

First a walk through the Felseck Vineyard and then a tasting with winemaker Jay Johnston and viticulturist Joel Williams as part of an #14c21 seven year vertical retrospective. Very warm season, much like 2016 though not quite as scorching and sun-filled. Would not call this stoic but would say that concentration, grace and all things stretched are in optimum balance this time around. Pretty quick turn around for Johnston to exact an ideal Felseck chardonnay just a year and a bit into his tenure at Hidden Bench. Just crunchy enough, more than ample and most importantly understated within the context of a great richness inherent in its varietal meets plantation DNA. There is no denying how enticing, invigorating and attractive this chardonnay is and will be to many who showed buyer’s foresight, but also those now lucky enough to come across its terroir-motivated beauty. Drink 2022-2028.  Tasted July 2021

Hidden Bench Chardonnay Felseck Vineyard 2017, VQA Beamsville Bench

Tasted as part of an #14c21 seven year vertical Felseck Vineyard retrospective. A vintage of survival, saved by a glorious September and into October. Looks like the richness made it with thanks to the fall weather and yet the elongation, length, elasticity and texture are all what matters to speak, walk, talk and tow the Felseck line. Solid, mid-weight, mid-acid and structure chardonnay that acts with perfectly middling emotion between the warm ’16 and ’18.  Last tasted July 2021

Felseck gifts what chardonnay needs with fruit equipped to start out subtle, gain traction and then commit to gliding into grace. That state of delicasse is now, with a natural orchard-stone-melon sweetness and an integration seamless, layered and eternal. Drinking this now makes great sense and the honey notes that may follow will only add to the mystique. The Ontario epitome of intelligent and refined chardonnay. Drink 2020-2025.  Tasted May 2020

Felseck Vineyard

Hidden Bench Chardonnay Felseck Vineyard 2016, VQA Beamsville Bench

Tasted as part of an #14c21 seven year vertical Felseck Vineyard retrospective. Smoking hot season, much like 2018. No other vintage will impress and woo a more general if elevated palate than this ’16 (save perhaps the high award winning ’18) because both concentration and grace reside in the arena of the beautiful, together, side by side. Not the tightest grain in the vertical retrospective Felseck ship. Can’t say this will live as long as the ’13 and ’14 but there is plenty of life in this gorgeous and not so alone 2016. Drink 2021-2026.  Tasted July 2021

Hidden Bench Chardonnay Felseck Vineyard 2015, VQA Beamsville Bench

Tasted as part of an #14c21 seven year vertical Felseck Vineyard retrospective. A short crop year, “we got slammed,” says winemaker Jay Johnstone, “but a wine of definite concentration.” Showing evolution and age in tones, developed richesse and caramelization well beyond both that of ’13 and ’14. No corn however, despite what the initial nose might have indicated. A faux creamed presentation that ended up more peach to apricot in drupe, not niblet. Nutty too, again idiosyncratic and a unique Felseck as such.  Last tasted July 2021

Sometimes I’m “walking down the street, minding my own business” when a taste of a chardonnay makes my eyes go wide. Like this lovely thing of really compelling and nuanced aromatics, diverting, bright and effusive. Intoxicating really, “must have been the sun beating down on me.” A soulful chardonnay, Darondo luscious, strutting at you, with golden fruit, layers of slaty under-vein, a bit of ancient bivalve fossil shell, piqued and long. Gets its texture from a pinpointed cru for sure and is very cool-climate Canadian, almost certainly Bench Niagara, more than likely in Beamsville. Drink 2019-2025.  Tasted blind at NWAC18, June 2018

Hidden Bench Chardonnay Felseck Vineyard 2014, VQA Beamsville Bench

Tasted as part of an #14c21 seven year vertical Felseck Vineyard retrospective. A short crop year but a solid year. Now expressive with croccante and cracker sensibility. Aromatically touched by croissant to brioche biscuit richness, with still pulsing acids and mouthfeel second to none. This is a next era Hidden Bench Felseck and the launch point from off of the work put in through the previous five or six vintages. Tasted blind four years previous to now was a completely different experience. Drink 2021-2026.  Last tasted July 2021

Unction and creaminess, lost in a chardonnay dream because to nose it’s a sweet, floral, demure thing. Lees apparent so you can smell the work in progress and feel the texture. But it’s wound loosely tight with just enough give to make it so readily available. Beautiful little wine though I can’t help but imagine there’s more single-focus structure than a blind taste wants to give. Hope to come across this hard to get beauty again someday soon.  Tasted blind at NWAC17, June 2017

Hidden Bench Chardonnay Felseck Vineyard 2013, VQA Beamsville Bench

Tasted with incumbent winemaker Jay Johnston as part of an #14c21 seven year vertical Felseck Vineyard retrospective. The vintage may very well be considered much like 2021 is shaping up to be, wet and humid, culminating in a late season. A short crop year but surely one of the Bench’s best dating back to 2009. Persistently flinty and aromatic, holding the citrus and stone fruit line, still quite tight and yet to evolve with any considerable haste. Not one to think on as a specific Bourguignons terroir per se but definitely Hidden Bench, amphitheatric Beamsville of origin, expression and conclusion. Drink 2021-2025.  Tasted July 2021

Le Clos Jordanne Jordan Village Chardonnay 2019, VQA Niagara Peninsula ($24.95)

The first attempt and rather obvious pronouncement towards creating a Bourguignons Villages wine is this over-delivering for the price chardonnay from Thomas Bachelder and the re-invented spirit of Le Clos Jordanne. Jordan Village as in grapes gathered from the lower and upper Jordan benches. When warmed in the glass and were it drawn from a warmer vintage there might be even more fleshy opulence but with 2019 and this collection of LCJ single vineyards there is fresh magnification and edgy dance moves, shimmer and glitter, not to mention of glimmer of what this commercially viable brand will ultimately bring to the collective entity that is cool climate Ontario chardonnay. Drink 2021-2024.  Tasted July 2021

Le Clos Jordanne Le Grand Clos Chardonnay 2018, VQA Twenty Mile Bench ($44.95)

Le Grand Clos signals the return of the lower Jordan Bench and “I’m very happen it’s back in the (Escarpment) lexicon,” says winemaker Thomas Bachelder for a chardonnay of origins truly different than the upper benches in Beamsville, Vineland and Jordan. A svelte vintage, not lean by any stretch but surely tight and what some might say restrained. That may or may not include fine white caramel, liqueur glazed fennel and a mild sense of grilling. A chardonnay from vines in a season that needed not shut down to either hydric nor heat stress. Funny how both 2018 in Niagara and Hermanus produced similar results. The big “E,” fine-tuning, chiseled features and sneaky structure.  Last tasted July 2021

Thomas Bachelder’s second vintage since the reprise of Le Clos Jordanne’s chardonnay and pinot noir is perhaps the most nurtured (and nurturing) because he and team treated this varietal fruit through all the early stages; newborn, infant, toddler and child. The attention to detail, from choosing cooperage, forests, barrels and in elévage design is both mathematical and surgical. After 22 months the result is just so imperfectly perfect. Unequivocally noted as a high acid vintage and rather then fatten up this fruit the monk chose the direction of vintage seasoning and identity. Drills down into the Clos and where it fits within the Twenty Mile Bench. The exiguity and heretical transparency makes this a great ’18 Le Clos because ambiguity is the enemy of accountability and also progress. As a forward thinking chardonnay it represents itself, the maker and proffers a sense of place. Perfectly easy to drink right now and imperfectly set up for aging, but that’s just not the point. Drink 2020-2025.  Tasted November 2020

On Seven Estate Winery The Pursuit On Seven Chardonnay 2018, VQA Niagara-on-the-Lake ($45.00)

Seven acres, thus the name, in the hands of Vittorio de Stefano, “and a project paramount to wanting something sustainable that can compete at the international level and standard.” The vineyard is five acres and the property now 15.5. Planted half each to chardonnay and pinot noir, all organic. Bourgogne is the impetus, Niagara the goal. The genesis of planting decisions dates back to 2009, high vigour rootball SO4 rootstocks and clones finally acquired in 2014. Now at seven years of age the vines are ready to rock. A place of science, with oenological consultant/winemaker Peter Gamble at the fore and wines of minimalist approach starting out in reductive tendency, then finishing with longevity defining acidity. Richness and intensity meet at a general Côte d’Or vortex but in the end Niagara lake-proximate flesh and tension are the true meeting point. There is a distinct flintiness (and unlike other flinty chardonnays) but also a caramelization of high delectability and flavour. Vim and vigour, vivid and 20 per cent new oak over three years to gain such favour. Exotic too, with wood contributing to the extract, but surely essential trace elements; manganese, iron and calcium of causation allowing the minerals to make themselves heard. Intriguing wine if only at the beginning of a long story yet to be told. Only 82 cases made. The goal as the vines mature will be 800. Drink 2021-2024.  Tasted July 2021

On Seven Estate Winery The Pursuit On Seven Chardonnay 2017, VQA Niagara-on-the-Lake ($45.00)

Perhaps not the highest of knowable excellence yet clearly the most intriguing chardonnay that may never be emulated any time soon, certainly not out of 2019 or 2020. Singular stylistic wine, reductive and opulent, more Pouilly-Fuissé (with thanks to 2017) and a warmth that creates such a textural buzz. More fat in spite of that 8 g/L acidity, but such energy and considering the age at this point it almost seems the wine is going a bit backwards. That said the vanilla and caramel comes in wafts and waves, the flavours and textures in layers, long, lingering, forever. Only 108 cases made.  Last tasted July 2021

The newest Peter Gamble consulting joint is this from upstart The Pursuit of Seven. The chardonnay fruit is Niagara-on-the-Lake and the concentration suggest established vines (of at least 15 years-old it would seem) and no holds barred in terms of extraction and wood support. The density and fruit bang for buck are impressive and there is some volatility in distraction. Ambitious to be sure and the acumen employed true to form, not to mention distinctly clear. Drink 2020-2023.  Tasted March 2020

Vittorio de Stefano of @onsevenwinery with consulting oenologist Peter Gamble

On Seven Estate Winery The Devotion On Seven Chardonnay 2018, VQA Niagara-on-the-Lake ($65.00)

Imagine the minerals from these Niagara-on-the-Lake soils (manganese, iron and calcium) and the highest intensity fruit getting together in a tiny lot chardonnay case load. Then consider going against the grain with harder (elevated) turbidity in the ferments for more skin feel and purposed pulp for upfront loaded flavour intensity. That’s the direction and hyperbole of pursuit in The Devotion on Seven, an (only) 31 cases made chardonnay. Doubles (or perhaps triples) down on reduction, fulsome flesh and yet the warner vintage has as much to say as the inherent processes involved. Also a tannic chardonnay, in dramatic sensory extract as compared to the Pursuit on Seven ’18, though it can’t help but express more of everything as compared to the Pursuit of Seven. The acidity number of 8 g/L might seem extraordinary when considering the warmth and the ripeness of the vintage, however, and this matters most, ultimately it is the terroir that drives both the texture and the acidity of this special, barrel selection wine. Drink 2021-2025.  Tasted July 2021

Peller Estates Signature Series Chardonnay Sur Lie 2019, VQA Niagara-on-the-Lake

Yet another cracker 2019 chardonnay with the coolest of vintages meeting varietal bones and a karst of energy to drive the lees machine. Spent 10 months sur lie to be exact in a fully malolactic confirmed textural tang that benefits from a certain restraint only such a season can affirm. That being particularly cool and elongated for a chardonnay just crunchy enough to support the promise and extend enjoyment for a good, long and fruitful spree. Expect a future filled with a soft and creamy centre, eventuating in some creamed Niagara corn. Drink 2021-2024.  Tasted July 2021

Stratus Chardonnay ‘Unfiltered’ & Bottled With Lees 2019, VQA Niagara-on-the-Lake ($49.20)

“It’s not that we’re trying to change something every year,” explains assistant winemaker Dean Stoyka, which means that the R and D projects are in constant motion and take four to five years to come to fruition. The October 18-26 stretch is the latest harvest in quite some time (since 2009), fermented in various clay vessels and French oak, 76 per cent in neutral barrels and (24) in stainless steel. Great naturally developed acidity and just enough ripeness to gain favour with the fully-completely accessed, utilized and kept in the bottle lees. So lemon, so balanced and very fine. There is a combinative effect of mad scientist acumen for a wine that needs to be explained to a consumer mixed with absolute pleasure and amenability. One of the finest chardonnay peaks conquered nut just in Ontario but anywhere cool varietal mountains are meant to be climbed.  Last tasted July 2021

Tight one this 2019 chardonnay, seductively reductive and unwilling to relent this early in life. Knowable richness is optimized by being associated with green orchard fruit bite. Though so youthful and shrink wrapped at this time there are some ways to pair with potential and eek out enough charm. Boy do you feel the lees but the freshness really shines. Prosciutto comes to mind, as does mortadella, especially if it’s from Faenza. Drink 2022-2027.  Tasted October 2020

Stratus Chardonnay ‘Unfiltered’ & Bottled With Lees 2017, VQA Niagara-on-the-Lake

Warm and ripe vintage if only because of a gorgeous September into October, more lees than ever before, no new wood and an extended elévage nearing a year in length. Alcohol has risen, as has the pH though neither are what you might call vivid. The palate is actually tightly strung, the texture fulfilling and a cloudiness so perfect for what the winemaking team had long wanted to achieve. Hard not to see 2017 as the teaching wine where lees usage is concerned, the (after the fact) ah-hah moment whereby knowing what to do and how deep to go was learned by how 2017 turned out. In this case fulsome of stone fruit, opaque clarity, an oxymoronic ying-yang of positives in apposite attractions. A Monet vintage, modernized and so very J-L Groux. A Stratus, unlike any other. Drink 2021-2025.  Tasted July 2021

Stratus Chardonnay 2015, VQA Niagara-on-the-Lake

The 2014 vintage was essentially the first year when barrel lees would be left in the bottle and my how conservative this ’15 really was as compared to an evolution that culminates (currently) with the full on lees filed chardonnay vintage. Quite the opulent vintage mixed with aromatics still morphing, developing lees, brash and blushing by 40 per cent new oak, complimented by generous acidity. Showing with controlled drama and though the yields were low (only 88 tonnes) there is something quite special about this emotionally charged, vivid, scarce and remarkable chardonnay.  Last tasted July 2021

Stratus Chardonnay 2012, VQA Niagara-on-the-Lake

Tasting with assistant winemaker Dean Stoyka as part of a vertical exercise in “to lees or not to lees.” Neither hue nor aromatics suggest much evolution though the low-ish acidity and tropical fruit tell an emerging secondary story. Creamy and centred, gregarious of flavour, nothing left unsaid, hidden or kept hidden away. Up front and talking vintage warmth, opulence and ripeness. Was housed in only 18 per cent new wood. For a good time, drink up.  Last tasted July 2021

As per the house promulgation, in chardonnay, “still an assemblage process,” insists Groux, “no matter what we do.” Some grapes grown for Sparkling were added back in, for acidity, complexity and ultimately balance. That and though notably barrel burdened (a good, hard burden to bare) leading to a bargain, “the best I ever had.” Major key of whose who of Niagara fruit, power acoustic chords and 12-string harmonics. Drink 2015-2022.  Tasted June 2015

A change in direction is duly noted with J-L Groux’s 2012 chardonnay, from fruit picked six weeks earlier than in 2010. The program is scaled back and the wine is more “typical” of the region, in weight, in barrel effect and in alcohol. Still quite defined by natural yeasts that “sometimes go a bit wild, but I’m getting better at it,” concedes the clinician of vinous letters. Those feisty microbes are difficult to work with, like dealing with a wine that lacks natural clarity. “You have to shut down the bacteria, teach the yeast to stop stealing the lees. In 2013 I really got it.” The ’12’s altered course is welcome and encouraged and the world should wait with bated breath for what ’13 will bring. Here the complexity of aromatics is matched only by the intensity of tropical fruit. Has balance and a soft, round feel. Again, more texture and aromatics than natural acidity. Classic J-L style. “It’s not about trying to imitate anyone. It’s about making the most interesting and most complex chardonnay in Niagara.”  Tasted March 2014

Tawse Chardonnay Quarry Road 2018, VQA Vinemount Ridge ($35.95)

Definitely a warm vintage, picked on the early side, bite still clamped down, a bit of pesto and far from reductive as noted in Quarry Roads of the recent past (i.e 2011 and 2013). Pine nut pronunciation, no malic residual transformations (there will never me) and just bloody good freshness. Last tasted July 2021

No shocker that Quarry Road always finds a way to morph and change gears, meaning every so often, a year and up to two years later there will be some significant movement in this wine. Something about the Vinemount Ridge and how its players are in constant flux, adjusting sentiments and character to keep things curious, interesting and alive. Still the unencumbered and free-flowing expression it set out to be, free to be Quarry Road and as for me, I am always enamoured by how it marries personality with age. Natural (not unlike the Natural version of itself), enigmatic and very personal. Let it be. Drink 2021-2026.  Tasted May 2021

Tawse winemakers Paul Pender and Jessica Otting

Tawse Quarry Road Chardonnay 2011, VQA Vinemount Ridge

Fantastic ten years after flinty reduction from arguably the most cracking vintage of the previous decade. As it is said, “you’ve got to feed the beauty, it doth not come cheap.” And that is what Paul Pender went for in 2011. At 10 Quarry is light on its feet, fresh, spirited jumping rope and spinning in concentric chardonnay circles. It simply reeks of beautiful Vinemount Ridge stone.  Last tasted July 2021

The pinpoint accuracy and gemstone capture of the Quarry is exaggerated in ’11, amplified and fully plugged in. From my earlier, October 2013 note: “Carries that classic Paul Pender perfume; rocks and stones, flaxen, refulgent toast and the verdure Vinemount terroir. A free flying, linear, atmospheric smear of thermal fortitude and backbone. A polemic Bowie Chardonnay to make you believe “the strangest things, loving the alien.”  Tasted May 2014

Resides on the mineral, slate and lime side of the tracks. The calcareous quality imparted by its eponymous SV terroir makes it the antithesis of David. Creamy, 24-karat fruit.  Tasted March 2012 (barrel sample)

Thirty Bench Small Lot Chardonnay 2019, VQA Beamsville Bench ($34.95)

Prick, punch and torque from the conceptual vintage get-go, a classic 2019 in the making, if by so many yet to be understood standards. A chardonnay so cool it causes a brain freeze while simultaneously moving the soul. In fact put on some vinyl Gaye, get in on, or even disco foreshadowing Temptations, echoing the chardonnay law of the land. Don’t sleep on the high level fruit, not quite fleshy but surely potent and dynamic to match the season’s verve in acidity. Fine lees, better texture and all-around vitality so essential to chardonnay. Will improve with six more months in bottle. Drink 2022-2026.  Tasted July 2021

Trius Showcase Chardonnay Wild Ferment 2019, VQA Lincoln Lakeshore ($36.75)

A single-vineyard chardonnay once labelled Oliveira and then watching Tree Vineyard but no longer, though the source remains the same. Embraces a cool 2019 vintage played out through rewards in the guise of reduction, toast, flint and drive. In cool climate varietal terms this ’19 reminds of 2011 though to be clear and certain there is more focus where by the quantity and quality of ripenesses meet at the essential points of acidity and tannin. Here is a vintage to end a decade in the most poised and poignant way. Spot on, striking and graceful chardonnay. Drink 2021-2026.  Tasted July 2021

Remarkable finesse, flavours and design @triuswines and Restaurant by Chef Frank Dodd with @coolchardonnay accompaniments.

Beyond Chardonnay

Hidden Bench Blanc De Blanc Zero Dosage 2014, VQA Beamsville Bench ($48.00)

Second vintage from a tightly contested and smaller crop, initiated by then winemaker Marlize Beyers and subsequently disgorged by Jay Johnston, following five years on the lees. Moves from the practice of poetics to the anticipatory embracing of tomorrow’s science. Full disclosure this was tasted while walking the Hidden Bench chardonnay vineyards with a traditional method sparkling wine in hand first disgorged in the summer of 2019, when the yeasts were removed and the bottle was topped with the same wine. This tasting featured a January 2021 disgorgement and the term “Brut Nature Zero Dosage used when no sugar is added to the finished wine, which provides the most authentic expression of (the Hidden Bench) terroir.” Truth and synchronicity, grace, striking engagement, pure citrus and pleasure. Who could not anticipate and wait on subsequent vintages of this wine? The best is yet to come. Drink 2021-2027.  Tasted July 2021

Stratus Brut Nature Zero Dosage 2013, VQA Niagara-on-the-Lake ($100.00)

Comes across a bit cloudy, at least as compared to the B de B with thanks to the natural, lees left intact style. The citrus component is so pronounced, as is the taut, direct, lean and intense manifold destiny of what is truly a singular Sparkling wine. That being a living, breathing, inhaling and exhaling wine, slowly releasing proteins, acids and realizing its B de B Nature dream. Just amazing what lees can do for sparkling wine.  Last tasted July 2021

Released side by each with the Stratus Blanc de Blanc 2013 and while vintage and grape are the same, the similarities almost seemingly, ostensibly and allegedly end there. Yes in fact this 100 per cent chardonnay is a child of the most excellent varietal vintage and like the B de B spent six years on the lees. Comparisons cast aside it is the very fact that because much of the lees were transferred to bottle by a minimalist’s disgorging that this cloudy bubble with a Canadian artist’s series set of labels can’t help but elicit another memory. The Lilies of Monet and their clouds represent neither the horizon, nor the top or the bottom. Nor does a bottle of this Zéro Dosage Brut. The elements of water, air, sky and earth become intertwined in a composition without perspective, or so it goes in this hazy, opaque and dry as the desert sparkling wine. So many layers of lemon can be peeled, juiced and scraped away. If a Stratus wine could be a a riddle, wrapped in a mystery, inside an enigma then here it is. The texture here is palpable and the intrigue factor surely high, so it should be imagined that longevity will be this wine’s calling card. It’s more austere than the Blanc de Blanc but I think in fact it will. Drink 2022-2029.  Tasted November 2020

Stratus Blanc De Blancs 2013, VQA Niagara-on-the-Lake ($75.00)

One gram of dosage, disgorged in January 2020. Nearly six years on the lees based on the first R & D trials done in 2006 and 2007. High level autolytic entity, a toasted affair and an idea long time coming for the Stratus team. Fine tonic and bitters. With 15 minutes of air the blooming happens, floral, expressive and complex. This wine has really developed more layers, emotions and complexity.  Last tasted July 2021

The first (commercial) J-L Groux foray into traditional method Sparkling wine has been six plus years in the making, or in this case, senescence as the lees fly and his Blanc de Blanc has finally arrived. A notable moment in the Stratus continuum as they too now own a program of development, time, investment, research and acumen. The nose on this bubble tells a pensive story, or as fantasy goes like dipping your face into a tale-spun pensieve as it takes you back in time. In 2013 chardonnay excelled on the Niagara Peninsula and still today in 2020 we are drinking vintage examples persistent in their freshness and durability of construct. That this reeks of varietal lore is a hallmark moment, that and a conscientious adherence to reverence for solids and the focus on rotational detail. Speaks a Blanc de Blanc vernacular as a chardonnay should, with a bite out of a sharp fall apple, a pesto of verdant aromatics and a crunch of texture before drifting saline, briny and fine. Pretty good work J-L. Kudos for getting from there to here with intelligence and humility. Drink 2020-2026.  Tasted November 2020

Stratus Vineyards “Field Blend” Ancestral 2020, VQA Niagara-on-the-Lake ($35.00)

The inaugural Stratus commercially labelled release is what winemaker Dean Stoyka refers to as “in the mindset of monks.” A field blend of sémillon, chardonnay, riesling and viognier. Pressed all together, fermented dry and then re-fermented in the bottle with no sugar added. Dry enough, or so it seems, non-disgorged, under crown cap and so very fruity. Floral, allspice and spiciness overtop apricot, pear and black walnuts conceptually turning into Vin de Noix or Nocino. A natural testament to assemblage and a great use of varieties without a home. 100 cases produced. Drink 2021-2024.  Tasted July 2021

Tawse Spark Laundry Vineyard Blanc De Noirs 2013, VQA Lincoln Lakeshore

Actually quite shocked I’ve never tasted this wine before, a Spark about which winemaker Paul Pender exults by saying “2013 is my favourite vintage for all our sparklings.” Traditional method, pinot noir from Heather Laundry’s double L vineyard and a fizz that fits and sparks. Gingered and toasty, crunchy, wave cresting and fulsome by six years on the lees. The dosage was five to six g/L, in that Pender sweet spot all around, just right, so well and good. A little romanticism goes a long way where science is concerned, especially in this medium and in Spark Blanc De Noirs 2013 one is simply good for the other. Drink 2021-2025.  Tasted July 2021

Tawse David’s Block Estate Vineyard Spark 2014, VQA Twenty Mile Bench

Tasted side by side with the 2013 Blanc de Noirs, making for a striking if surprisingly antithetical contrasting contract with this Blanc de Blancs. Aged three years on the lees and finished with the same 5-6 g/L of dosage yet here so upfront, centred and personal. More immediate richness than what pinot seems to do from Laundry Vineyard and so even in sparkling it is David’s Block and chardonnay that gift quicker satisfaction. Likely vintage driven (again, even in sparkling), very pear and shortbread, a savoury dessert of a sparkling wine. Like olive oil cake, all about the simple pleasures. Drink 2021-2023.  Tasted July 2021

Trius Showcase Brut Nature NV Méthode Traditionelle, VQA Niagara Peninsula ($55.00)

The dry as the desert Brut nature initiates with a yeasty faradism of excitement from what strikes as a minimum four to five years spent sitting on those fascinating lees. While the wine does not exactly smoulder with a toasty salutation that is no matter because textural acidity and blooming aromatics also arrive to an applause of immediate gratification. There is an exceptional level of “croccante” satisfaction that parlays that “texture” into a lasting display of bits and bites. The make up is 50 per cent chardonnay and (45) pinot noir with (5) pinot meunier and 2014 being the primary vintage source, though there is some 2013 involved. Zero dosage, top tier, notch and drop. Drink 2021-2027.  Tasted July 2021

Tawse Rosé Limestone Vineyard 2020, VQA Twenty Mile Bench ($27.95)

Tawse began crafting Rosé from (Vinemount Ridge) Quarry Road Vineyard fruit in 2017 and now here they come with Twenty Mile Bench pinot noir. From Limestone Vineyard this represents a heads and tails Rosé, meaning 40 per cent is used for Spark traditional method bubbles and the bookends is destined for this salty, straight-shooting and crisp-freckled single-vineyard blush. Double-redheaded wow! Grape, place and style all on side for so many good reasons. 1000 bottles made. Drink 2021-2023.  Tasted July 2021

Tawse Pinot Gris Lawrie Vineyard 2019, VQA Niagara-on-the-Lake ($27.15)

Not to be confused with the Lowrey Vineyard on St. David’s Bench and a best varietal vintage for Paul Pender. Far from being a “Miller-Lite or Corona” pinot gris, instead creamy, fulsome, well-versed and elastic. The furthest away from metallic and/or turbid, low on phenols, no bitters, nor tonics neither.  Last tasted July 2021

Fresh and while this young is full of its original fruit, which is the biggest plus for pinot gris because dry varietal wines have a hard time after enough time has passed on by. Sulphur is not really an issue so this delivers the varietal and stylistic goods with fruit at the lead. Good acids, persistence and balance. Drink 2020-2022.  Tasted October 2020

Tawse Winery Carly’s Block Riesling 2015, VQA Twenty Mile Bench

A sleeper vintage, not necessarily exacting out of the blocks, not heavy cropped, middle of the road in so many respects. If I tasted this before memory fails to draw any retrospective conclusions) but Carly’s ’15 has already turned towards the petrol sun, “let the shadows fall behind you, don’t look back, just carry on.” This perhaps began more than a year or two ago and today acts Rihanna outspokenly so. Lime and almost cordial by now, warm and friendly as a riesling liqueur. Quite stable, animated, holding its patterning, likely to do so for an additional three or fours years. Drink before it returns home. Drink 2021-2024.  Tasted July 2021

Tawse Limestone Ridge Riesling 2012, VQA Twenty Mile Bench

Unlike the Carly’s ’15 (tasted at the same time) this Limestone ’12 has not moved forward with any vehement haste. The lack of advancing towards petrol is curious but the softening is surely comforting. Still resplendent with a particular 2012 meets Twenty Mile Bench acidity, now oscillating while integrating with waning fruit. Drinking beautifully.  Last tasted July 2021

From the newest estate vineyard, the single-vineyard Limestone Ridge exteriorizes its name in a rubric of pressed rock, struck flint and chalky density. Paul Pender has coaxed a multiplicity oft linear character, with major notes of lime zest and juice, persistent from start to finish. A mid-pause of oozing, residual sinensis is the determinant towards the wine’s matrix of longevity. A longer, leaner, meaner and mightier Riesling charged by a different sort of power. Kinetic, frenetic and electric.  Tasted twice, April and May 2014

Hidden Bench Rachis & Derma Aromatiq! Skin Fermented White 2020, VQA Niagara Peninsula ($35.00)

Whole cluster sauvignon blanc, viognier and riesling, layered atop one another, full on hilt in spice, a hit of gingerbread, light in talc and salve. Good-natured and textured when well chilled, oxidative for sure, drinkable, pleasurable, done in one puncheon. Simple really. Drink 2021-2023.  Tasted July 2021

Hidden Bench Rachis & Derma Chardonnay Skin Fermented White 2020, VQA Niagara Peninsula ($35.00)

Whole cluster chardonnay, more spirited than the Aromatiq!, crunchy even, definitely with more spice and plenty of bite. More tannin too, structurally sound to allow more secondary character and time spent developing cooler, more energetic waves of spirit. Wild ride yet just sound and subtle enough to attract the right kind of attention. Drink 2021-2024.  Tasted July 2021

Hidden Bench Gamay Unfiltered 2019, VQA Lincoln Lakeshore ($29.95)

The inaugural gamay release from Hidden Bench is eight years in the planning and making, from 2013 through planting in 2017 and with third leaf fruit for this game changing 2019. That is because the grape and the maker were made for each other so the question begs, what took so long to take the plunge? No matter because such an auspicious start can never come too late. A wine of native yeasts, a properly prolonged, 24-day maceration, an eighth of new wood and the Lincoln Lakeshore being the ideal appellation for what wants and surely needs. More than impressive for such young vine fruit, of a light smoulder lending an essence of jasmine and by argan to red, red fruit, tightly winding acids and such gamay crunch, the likes of which are attributed to expectation, hopes and dreams. When the vineyard grows up there will be further anticipations, exegeses further afield to include cru and reserve concepts. That is a countable fact based on current evidence and credible speculation.  Drink 2021-2023. Tasted April and July 2021

Hidden Bench Rachis & Derma Gamay 2019, VQA Niagara Peninsula

Naturally refined, welcoming, open-knit and my oh my, juicy as a basket of Niagara plums and peaches blended into rooibos kombucha. Rachis, “main axis or shaft, a stem of a plant, bearing flower stalks at short intervals.” Derma, or Dermis, “the inner layer of the two main layers of the skin.” In R & D the inner workings of gamay are accessed at the natural axis between light to fruity and joyful to dark, before sous serious and after vide structured. Middle ground, believable and exhibiting intrinsic purity. Drink 2021-2024.  Tasted July 2021

Tawse Pinot Noir Tintern Vineyard 2013, VQA Vinemount Ridge ($50.15)

This July 2021 tasting is my first for Pinot Noir Tintern 2013 in bottle but I did run through two different barrels with Paul Pender back in March of 2014. The vines were only three years old at the time, on a site (next door to John Howard) Pender likens to “reclaiming the swamps,” or “the Golan Heights project.” From the Vosges medium toast the wine was already showing colour, freshness and drive. From the Vosges, medium plus toast it was a bit reductive, with more tannin and more sappy wood. This look back reveals not a vintage of varietal exhilaration but a malic one with credit due the high levels of potassium in the soil. A cherry generosity a la Central Otago by way of the Vinemount Ridge. Almost a volcanic presence, but not and yes a pinot from young vines come about as a result of winemaking. Up front, in motion, drinking really well. Drink 2021-2023.  Tasted July 2021

Redstone Restaurant

Tawse Pinot Noir Cherry Avenue Vineyard 2017, VQA Twenty Mile Bench ($49.15)

Another high-toned pinot noir from an inverted vintage, in cherry spirit, a hit of fennel and enough lingering energy while there is a meld and morph towards darker black fruit. Broad shouldered, now tannic, settling in as a pretty big wine.  Last tasted July 2021

As for Cherry Avenue the twain is met, somewhere between Tintern and Quarry, in the middle of vintage and classic Tawse styling. Both firm and bright, the fruit a cherry but a darkening black one and then the grip of place though well within vintage reason. Less structured than Quarry but not as hematic and brooding as Tintern. Solid pinot noir. Drink 2021-2025.  Tasted June 2020

Tawse Cabernet Franc Growers Blend 2010, VQA Niagara Peninsula

How remarkably fresh, inviting, enticing and that is just the aromatic front. Effusive, the greater good of burgeoning, smelling like Bourgeuil in uncanny resemblance. Nothing leafy here, just the smell of youth, post-adolescence and from a notably warm vintage. A freshness that just may be a foreshadowing of what’s to come from 2021. Heat and water, humidity and rain, yet no vine stress nor disease pressure neither. A product of great agriculture and an example of 2010’s longevity. “On the riper side but not overly ripe,” tells Paul Pender with a pragmatically raised brow. Indeed. Drink 2021-2024.  Tasted July 2021

Tawse David’s Block Cabernet Franc 2013, VQA Niagara Peninsula

Whole-souled, benevolent and keyed up though that’s the vineyard, persistent and in perpetuity. Red to charcoal fruit, quite firm and tannic for the Tawse-varietal relationship and in that sense mostly related to vintage. Was not picked until November 15th and stayed in barrel for 18 months. Not showy really, not the ripest vintage after all but surely one to promote variegation, fruit/acid layers and particularities. Wait long enough (as in seven-plus years) and these things become complexities. Drink 2021-2023.  Tasted July 2021

Good to go!

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WineAlign

Memories of South Africa in 60 notes

Water hole, South Africa

As this passage through weltschmerz marches on, the defining feeling of melancholy and world-weariness continues, no doubt magnified in the hearts and minds of the wanderlusts accustomed to consistent world travel. So the question begs, as it has for 12 months, how to summon thoughts that will keep a deep sadness about the inadequacy or imperfection of the world at bay? Speaking from a personal place, a simple and distracting way is to compose retroactive wine reviews, unearthing and editing nuggets of meaningful playfulness, tasting notes created in the past but never having found their way to the light of day. Recent thoughts about South Africa are the impetus for this story.

Related – Searching for great heart in South Africa

In a pandemic-free world Cape Town’s Cape Wine would be taking place six months from now but a difficult and necessary decision by Wines of South Africa has moved the trade show from September 2021 to October 2022. Intensive planning for one of the great triennial wine fairs on the planet begins 18 months out and so with vaccine promise and good hope the time has arrived for the industry to launch preparations for a Spring 2022 Capelands revival. Soon enough the hurdles, obstacles, impediments and hoops of pandemic, lockdowns, sponsorship landing and export bans will be added to the growing list of “what has been overcome.”

Fly me back to South Africa

Related – Spotlight on South Africa in VINTAGES August 6th

Wine trips afford tasting hundreds of wines in a week’s time and while all bottles poured by every producer are given full attention and solicit a hundred or so scribbled words on history, tradition, agriculture, winemaking, varietal and regional relativity, many remain in raw form, relegated to computer folders and on the pages of moleskin journals. Pulling them out months, if not years later can induce that elusive feeling of relief and in some extraordinary occasions, epiphany. This to the creator of course, not necessarily to the producer, wine prose seeker, consumer, regional administrator or marketer. Notwithstanding who may be watching or reading, the exercise is a satisfying one and stands on its own merit, if only to be soothed and take refuge in a safe prosaic haven, free from the savage talon grip of a world gone mad.

“What happens in Cape Town stays in Cape Town” carries a three year statute of limitation. With the inimitable Ken Forrester

Nature, farmers and winemakers continue their work. Grapes are still growing and wines are still being made. Cape Wine is one of the greats, a collection and gathering by an industry of more varied character and industriousness than you will ever find. Let’s hope a global correction and stabilization brings everyone back together. During the last edition in 2018 I published several articles and many notes but these are the fruits of unfinished business left unsaid, scattered and streaming bits of consciousness having patiently waited it out for this moment in the sun. With thanks to all these erudite producers who shared a few ounces, engaged in conversation and offered up their time. These are the 60 wines tasted 30 months ago, assessed, critiqued, enjoyed and until now, unpublished.

A.A. Badenhorst Family White Blend 2016, WO Swartland

Simply a case of “fantastic grapes from old vineyards,” small parcels from Adi Badenhorst’s Kalmoesfontein farm, around the Swartland and the greater Paardeberg Mountain. A tienvoudig veldversnit of chenin blanc, roussanne, marsanne, grenache blanc, viognier, verdehlo, grenache gris, clairette blanche, sémillon and palomino. Hard to imagine that ten grapes could be so tactful and get together for such a discreet nose, but they are and they do. Secretive and seductive, full of mystery and enigma, ferments in 3000L vessels and then concrete, of a co-existence executing balance and a dedicated focus on texture. A ten-fold paradigm shift as part of the pioneering, Western Cape appellative white blend parade. Those who know it get lost in the varietal party and just like the makers the soirée will go on forever. Drink 2018-2022.  Tasted September 2018

A.A. Badenhorst Pinot Noir Bokkeveld 2017, WO Swartland

Grown further afield of the great old white grape vineyards, higher into mountainous terrain on the famed Bokkeveld shales. Makes for transitory, lifted pinot noir, “rain-slick’d, rubbed-cool, ethereal,” a little pastiche in a glass. Provides a cool flush of red berries, a note of allspice and truth is the fruit is really quite naturally sweet. Clean, characterful and only an afterthought of subtle savour. More than anything this pinot noir drifts and rises, kind of like reciting poetry. Drink 2018-2022.  Tasted September 2018

Hanneke Krüger, A.A. Badenhorst

A.A. Badenhorst Secateurs Cinsault 2018, WO Swartland

Of the Badenhorst second tier of wines, a red blend though mainly cinsault (82 per cent) with (10) syrah and (8) grenache. Though this is technically a tank sample it will be bottled next week so essentially across the finish line. There will be 130,000 bottles of this unfiltered wine. Red fruit incarnate Cape style, sweet baking spices and from a band knowing what is needed for playing live in concert, lekker balance seekers capable of working with any instrumentation, including 4,500 and 7,200L blending tanks. Badass sound, fury and energy, dry rocket fuel, pure, raw emotion and precision. Drink 2018-2025.  Tasted September 2018

A.A. Badenhorst Grenache Raaigras 2017, WO Swartland

From the home farm at Kalmoesfontein, a scant 1268 vines by lowest of low yields and considered to be the oldest (1951) grenache vines in South Africa. The Raaigras (ryegrass) is a vineyard choker so without human intervention it would literally strangle a vineyard. One of those wonderful whole bunch ferments though a portion is de-stemmed and well if this is not the right stuff from the right place, transparent, curative, a gastronomy of ancient meatiness and spice. Tannic yet elastic and one of those wines ready to go from creation but won’t likely change anytime soon. For now, long and wide. Feel free to think “see you in 15 years on the other side.” Drink 2019-2029.  Tasted September 2018

Springbock Burger anyone?

David And Nadia Sadie Wines Chenin Blanc 2017, WO Swartland

A chenin blanc blend of 35-65 year-old 1960s, 70s and early 80s, mainly Paardeberg dry-farmed bush vine vineyards in the Swartland. Some shale and clay soils mix in for a top end chenin meritage with a faint if feigned salty vanilla sweetness. High and dry extract and grape tannin conspire in their conscription and into a stretched intensity requiring some patience for the opening up. Lingers forever thereafter. Drink 2018-2026.  Tasted September 2018

David And Nadia Skaliekop 2017, WO Swartland

Skaliekop, “hill of shale,” a curious dale of fine-grained, clastic sedimentary rock amongst the Paardeberg granite. For David and Nadia Sadie a chance to make a chenin blanc with both prescient soils lending their presence and tutelage. The people here speak of the Skaliekop, knowing well the wisdom and aridity, the windswept open space, exposed and warm. They recognize and tell of the difference it makes, how a wine such as this can act so implosive, salty, targeted and fervent. The vintage only serves to magnify a sentiment already assured, that fruitful and mineral will align, swell and expand as one from these first grapes to be harvested in the wider Paardeberg zone. Drink 2019-2029.  Tasted September 2018

David and Nadia Aristargos 2017, WO Swartland

In 2017 a Swartland appellative white blend of chenin blanc (58 per cent), viognier (14), clairette blanche (13), sémillon (7), roussanne (5) and marsanne (3). David and Nadia’s only white that sees enough skin-contact to inch it up to but not quite breaching the natural-orange-amber stereotype so moving along now. A free-form, stacked blanc of multifarious juxtaposition, a Cape sensation that does this thing better and more interesting than anywhere else on the planet. Complex because florals and salinity get together and express the Swartland without a care in the world. What really comes across the palate is texture, downy and coddling with a finishing pesto of sweetly herbal fynbos and renosterveld. A perfectly broad expression overall though please don’t typecast or compartmentalize the Sadies’ white blend. Let it be. Drink 2018-2024.  Tasted September 2018

David and Nadia Sadie Wines Elpidios 2016, WO Swartland

An ever evolving or rather moving target, Rhône motivated but at this point in South Africa’s modern tenure just better to say Cape inspired. Has had many lead singers in its time; syrah, carignan and based on David Sadie’s language, who knows, perhaps grenache will take a turn at the microphone. Here in ’16 carignan (39 per cent) is centre stage with syrah (31), pinotage (16), cinsault (9) and grenache (5) rounding out the players. Elpidios means hope, as in “Cape of Good” and like the place itself there are so many layers to peel away from this heady foreland of a red wine. The berry aspect is magnified by the pinotage and you should know that David and Nadia treat this grape with utmost respect. A mix of styles and inspirations make this both muddled and brilliant as it stretches into breadth and potential. A nexus of varietal and micro-terroirs caught up in a whirlwind of extracts, flavours, liqueurs and expression. Still fresh, spirited and alive so drink this well over a ten year span. Drink 2018-2026.  Tasted September 2018

De Kleine Wijn Koöp Kreatuur Die Synachin 2017, WO Coastal Region

“A collaboration between a bunch of young blokes, making of-the-moment wines from little-known vineyards around the Cape,” and under monikers that refer to “pushmi-pullyu animals.” Also with the winemaking help of Alexander Milner from Natte Valleij. Really quite the drinkable Rhône-ish blend of 56 per cent syrah, (26) grenache and (18) cinsault. Iron in multifarious soils (mainly granitic) make this hematic and deeply plum but still, not so difficult to knock back. Drink 2018-2021.  Tasted September 2018

De Kleine Wijn Kop Ou Treffer Cinsault 2017, WO Stellenbosch

Ou Treffer, as in the ‘old hit’ in Afrikaans, also the old workhorse, in reference to cinsault of the Western Cape. Or if you will, like a hit song as the grape just seems to be the it one in South Africa these days. Or perhaps Traffic, by the Stereophonics. Beautifully aromatic, rich fruit and a soild funk from the particularities in these Stellenbosch vineyards. Half the ferment is de-stemmed, meaning the other half is whole bunch and old vines surely concentrate the fruit, stem funk and spun feeling all-around. Besides, “is anyone going anywhere? Everyone’s gotta be somewhere.” Drink 2018-2022.  Tasted September 2018

De Kleine Wijn Koöp Knapsekêrel 2016, WO Stellenbosch

The second cabernet franc release of the De Kleine Wijn Koöp boys’ Knapsekêrel (a.k.a the spiky little black Cape plant) comes from the Polkadraai Hills. Not just any vineyard mind you but one planted in 2000 and biodynamically farmed by Old Vines Project pioneer Rosa Kruger and current Stellenbosch guru Johan Reyneke. The winemaking hands of Lukas van Loggerenberg are to thank and while this shows the sultry smoky smoulder that often emits from Cape franc it is a challenge and work in project to find the varietal sweet spot. That’s because cool temps and long growing seasons are best but look out for this breadth of a team’s members to find what works. In the meantime the tobacco, dusty plum and pushed to the raisin precipice make up a tasty if humid treat in a glass. Drink 2018-2019.  Tasted September 2018

De Kleine Wijn Koöp Heimwee 2015, WO Stellenbosch

As with the Knapsekêrel cabernet franc, the Polkadraai west of Stellenbosch is the fruit source, a biodynamic vineyard farmed by Rosa Kruger and Johan Reyneke. The boys at the Koöp are back in varietal town and refer to this all-around floral spiced cabernet sauvignon as running “with tannins as smooth as your grandmother’s polished imbuia coffee table.” No doubt and you can almost hear them singing in Phil Lynott workingman’s poetry. That said, this cab is no thin Lizzy, more like thick as a brick. Hung long and well-developed, of a liqueur that oozes of red, red fruit. Or perhaps, “man when I tell you she was cool, she was red hot. I mean, she was steamin’…” Drink 2018-2020.  Tasted September 2018

Johannes de Wet in Robertson

De Wetshof Riesling 2017, WO Robertson

A known fact that riesling and limestone make a great couple so this look at de Wetshof’s Robertson ’17 is met with great mineral anticipation. Yes the finest calcareous blocks are dedicated to chardonnay because Bourgogne is the de Wet inspiration but anyone who has learned a thing about riesling around the world will know that limestone can work wonders. Alsace of course, as in Clos Windsbul but also The Niagara Escarpment’s dolomitic limestone and Germany’s Muschelkalk (especially in the Rheinhessen, Pfalz and Franconia). And so Robertson joins the list as witnessed by this linguistically aromatic example, working the glass with a pure lime distillate notion. A nod to Alsace more than anything else with acidity that doesn’t need to scream and shout but it’s truly there. The potential to pioneer the movement is here, along with Elgin as Cape riesling standard bearers. Drink 2018-2022.  Tasted September 2018

De Wetshof Chardonnay Limestone Hll 2018, WO Robertson

Youth and drought make for the most naked and transparent of the past few Limestone Hill chardonnays. Absolute cool Kelvin freshness and a 270 degree vineyard scope to gather de Wetshof’s Robertson fruit from an amphitheatre of slope and aspect so subtle yet so meaningful. A fulsome regional DNA creates varietal layers gathered to make this cuvée a true spokes-wine for the limestone-based estate. Set foot on these soils, spin around, take it in. Then feel and intuit the truth in chardonnay that speaks to a place. Drink 2018-2020.  Tasted September 2018

De Wetshof Chardonnay Bataleur 2016, WO Robertson

Bataleur, as in a battalion of chardonnay soldiers, fruit up front, reduction and wood falling in, acids taking up the flanks and structure in support by land, air and sea. Or so it seems because this just marches like a military exercise in chardonnay. Flinty, biting back, yet buttered and toasted on the mid-palate with Roberston’s unique limestone felt from start to finish. Vanilla then white caramel with soft French cream fill and then the snap of lime acidity. Biting and downy, one and then the other, all tied up in robes and pearls, equalling out in the end. Fine work from 2016. Drink 2019-2023.  Tasted September 2018

Hamilton Russell Pinot Noir 2000, WO Hemel-en-Aarde Valley, Walker Bay

By this time 2000 is the 15th vintage of Hamilton Russell’s pinot noir and tasting both the 1986 and 1997 ahead of this only serves to heighten anticipation knowing full well longevity is by now a solid guarantee. The vintage seems like it must have been a demanding one because there is more hard grip, aridity and austerity here but it really has aged gracefully and beautifully. The posit tug between fruit and earth notes is performed like a string instrument’s bow, bending and angling with dexterity in balanced, fluid motion. Brings in the herbs and spices, wholly and truly of Hemel-en-Aarde origin, on hillsides and between rows of sagacious pinot vines. This is a treat and opens a portal into the future, beginning with the 2012 vintage that will usher in a string of sequentially impressive HR pinot noir. Drink 2018.  Tasted September 2018

Huis Van Chevallerie Circa Rosecco NV, WO Swartland

From a 32 year-old pinotage vineyard, great old vines that received some TLC from Old Vines Project pioneer Rosa Kruger. Secondary bottle fermented with a little help from “a special blend of liqueur de triage,” so unlike Prosecco in that regard. Early picked which is a given considering the granitic soil and therefore a “Rosecco” of low pH and severely high acidity. ‘Twas just a slight dosage and therefore comes across arid like the Swartland desert. A well cultured sparkling Rosé, crushable and easy like Sunday morning. Drink it for breakfast, lunch and dinner. Drink 2018-2021.  Tasted September 2018

Jan Harmsgat Chardonnay 2015, WO Robertson

True reduction yet to dissipate as noted by the smoky smoulder with a healthy compliment of wood still needing to melt in and away. Looking to settle over the next six months or so and allow the combination of vanilla extract and green apple purée to integrate, compliment and go forward in agreement. Though creamy there is a bite back at the finish so while this is good now it still shows promise for improvement down the road. Drink 2019-2021.  Tasted September 2018

Klein Constantia Sauvignon Blanc 2009, WO Constantia

Poured by Managing Director Hans Astrom in Cape Town alongside the 1987 labeled “Blanc de Blanc” and the 1994. The vines date back to 1979, with the first South African sauvignon blanc made in 1986. That ’87 was a B de B because of the botrytis-affected vintage. A 100 per cent varietal wine, built by the soil and so bloody mineral as a result. Oak texture but really that’s the end of wood talk, a salty streak, so direct and so personal. The kind of sauvignon blanc that invades your airspace and a vintage more Bordeaux than the rest. Or, if you will Sancerre but not so much this time around. Drink 2019-2023.  Tasted September 2018

Klein Constantia Sauvignon Blanc 1994, WO Constantia

Poured by Managing Director Hans Astrom in Cape Town alongside the 1987 labeled “Blanc de Blanc” and the 2009. The vines date back to 1979, with the first South African sauvignon blanc made in 1986. That ’87 was a B de B because of the botrytis-affected vintage. The ’94 vintage was another story altogether, apposite, far away from developing noble rot. Not the baller and perhaps even a bit “weak” with less weight but a saltiness that is more than intriguing. Perhaps more Sancerre-esque as a result but certainly lends longevity credibility to those passed over cool vintages neither celebrated nor considered to carry much staying power. May not be fleshy but is surely a curious and electric surprise. Drink 2018-2020.  Tasted September 2018

Leeu Passant Chardonnay 2016, WO Stellenbosch

Andrea Mullineux continues to foster the Leeu Passant line of heritage vines wines with work from Rosa KrMuger alongside. The “post (leaf-roll) virus vineyard,” of smuggled in clean material planted in Stellenbosch in the 1980s. The site is home to loam-rich soils of the Helderberg and the wine stylistically modelled after the oxidative approach to chardonnay. “Death and resurrection,” as Andrea puts it, meaning after the fermentation you allow the must to oxidize again, literally to the colour of cola. Risk reward actionable take and one that requires some shall we say, cojones. This chardonnay is not about luck and the methodology can’t help but connect you to the vineyard. You end up with this unctuous, astonishingly rich chardonnay that bears a resemblance to the vines and the place from whence it came. Unlike the Mullineux chenins or Swartland and so say hello to Meursault. Drink 2018-2025.  Tasted September 2018

Leeu Passant Dry Red Wine 2016, WO Western Cape

The throwback, ode and homage to South African reds made in the 50s, 60s, 70s, rustic, tannic, structured and reeking of the ancient soils that gave them life. Three locales are in the mix; Wellington, Franschhoek and Stellenbosch. The vineyards are the first pro-Phylloxera planted sites, a willy-nilly varietal scattering, blocks of two cinsault, a cabernet sauvignon and a cabernet franc. “It’s a deconstructed reconstruction,” says Andrea Mullineux, “where you break down what you love and build it back up again.” First thing is to show utmost submissive respect to 95 and 117 year-olds, the oldest registered red wine vineyards in South Africa. So you hand harvest their low yields and keep a minimum half of the bunches intact for to ferment these wise and experienced grapes. They spend 20 months in barrel then emerge structured and fit for 20 years of longevity. As with those post mid-20th century wines the profile is rich, tart, spicy, robust and layered with serious grounding. Revivalist red, keeper of faith and a lost style, uniquely South African. Today that translates to vogue. Boom. Drink 2020-2032.  Tasted September 2018

Lismore Sauvignon Blanc 2016, WO Greyton

The Cape’s south coast work of Samantha O’Keefe, a (500L) barrel fermented sauvignon blanc made in an oxidative way, or rather a wine of early introductions made with oxygen. Flinty no doubt then rich and full on the palate, of throttling grape tannin who’s antidote is a sense of settled calm. Late spice, Bordeaux in temperament but cooler still, an almost northern Sancerre-ish dexterity and layering. Composed and so very genteel. Drink 2018-2024.  Tasted September 2018

Lismore Chardonnay Estate 2016, WO Greyton

From the Cape’s south coast and Samantha O’Keefe’s original Greyton Farm, in re-build for a promising future. This ’16 is 90 per cent estate fruit, a natural ferment and all done up in neutral (300L) barrels, 11 months on lees. No malo except when a great vintage comes along. Simply an orchard and gingered and delight, a woven tapestry of backroads eccentricities and southern exposures, with a kick and twist of finishing spice. Drink 2019-2024. Tasted September 2018

Lismore The Age Of Grace 2017, WO Elgin

From rose-quartz soil in cool Elgin, a 100 per cent viognier, so apposite relative to the achromatic shades of Greyton sauvignon blanc and chardonnay. High demeanour and a sense of vivid colour in the aromatic wonder but more so in the levels of palate, front through middle to back. They come like a rainbow, rolling, over stones, in “colours in the air, oh, everywhere.” Orange, peach, nectarine and fine, fine Elgin acidity. They are wrapped in sour spice yet sit cross-legged, in complete control. An aristocratic flower child, surely full of and situated in an age of grace. Drink 2018-2023.  Tasted September 2018

Lismore Pinot Noir 2017, WO Western Cape

Fruit from both Walker Bay and Elgin and 30 per cent whole bunch (the first vintage was 15). So very herbal, savoury, stemmy and honest. A beacon in pinot noir you want to drink that comes equipped with an edginess about it. Full purity on display, grip, intensity and packed with provisions for the picnic. Marks the early beginnings of a varietal journey with some naïveté and dreams but look out. Drink 2019-2024.  Tasted September 2018

Alette de Boer, Lowerland

Lowerland Tolbos Tannat 2016, WO Prieksa, Noord Kap

From South Africa’s furthest northern wine-growing area, a joint effort between grower Bertie Coetzee and winemaker Lukas van Loggerenberg. Wow does this ever smell like tannat with its depth of earthy fruit and suspension of oxidative animation. High acidity reminds of the really cool climate, more Niagara per se than southwest France. There really is something special here, as with Lowerland’s stellar whites, something singular, yet undefined, in enigma and mystery. Drink 2018-2021.  Tasted September 2018

Lowerland Witgat Viognier 2017, WO Prieska Noord Kaap

The viognier may scent of exotic flowers and tropical fruits but as with most of Alette de Beer and Bertie Coetzee’s range this is surely a cool climate wine. Subtly so and yet of a tension and a demand that accrue a sense of northerly South African wine-growing sense. The wine was made by JD Pretorius at the Constantia property Steenberg and it comes about quite normal, varietally speaking but also beautiful. There is a liquid chalky feel, a product no doubt of quality dry extract mixed with Prieksa soil of desert sand and silty clay. Lean and structured, a lanky viognier that in the end delivers quite the delight. Drink 2018-2021.  Tasted September 2018

Lowerland Die Verlore Bokooi 2016, WO Prieska Noord Kaap

Literally “easy drinking blend,” spoken through an indigenous vernacular from “the place of the lost goat.” At the time a blend of merlot, shiraz and tannat but like the Herd Sire Reserve that too will change over time. A racy and ripe red, earthy and parochial though fruitful in its red, black and blue mixed berry basket. There really is nothing to compare this too, neither old world origin or varietal mash up so assess it on its own terms. Just knock it back. Drink 2018-2019.  Tasted September 2018

Lowerland Herd Sire Reserve 2015, WO Prieska Noord Kaap

A red blend that will evolve (varietally speaking) but in 2015 it is based on cabernet sauvignon with petit verdot and a small amount of merlot. Bordeaux being the message but that too will change because the north of South Africa may actually share more affinity with the southwestern French wine-growing than anywhere else. This unique Noord Kaap Wyn van Oorsprong’s cool climate makes for early drinking reds and the 13 year-old vines here follow the party line for a red blend ripe enough to do what needs. There is more liqueur and spice here than what is noted in the merlot/shirtaz/tannat and also increased acid intensity. Somewhat oxidative but holding well and doling pleasure. Drink 2018-2019.  Tasted September 2018

Nina Mari and Ernst Bruwer, Mont Blois

Mont Blois Estate Chardonnay Kweekkamp 2016, WO Robertson

After 28 of not bottling their own wines the husband and wife team of Ernst and Nina-Mari Bruwer began again in 2017. This is one of the first, a single vineyard chardonnay off of 12 year-old vines, barrel fermented and aged 11 months. Speaks of Robertson, not specifically by limestone but with that WO’s orchard fruit and realism, by passing spice that’s merely a thought. Lovely snap, crack and bite which is truly Robertson while in delivery of everyday texture and mellow disposition. The kind of chardonnay to stay quiet and simply sip. Drink 2018-2021.  Tasted September 2018

Mont Blois Chardonnay Hoog en Laag 2016, WO Robertson

“High And low,” in reference to the vineyard being a terraced block on clay. Heavy clay that is, a Robertson specialty and the Hoog En Laag receives the same elévage as the Kweekkamp chardonnay. Certainly a richer and fruit fulsome expression, less snap and bite. No subtle spice either and yet the barrel notes are equally noted. What this has is full-fledged texture, creamy and smooth, all day long. Drink 2018-2020.  Tasted September 2018

Mont Blois Chenin Blanc Groot Steen 2016, WO Robertson

The “big” chenin blanc because of the dense clay that gives nutrient life to the 32 year-old block of vines. Quite the steen intensity, ripping with fruit and a mineral streak for layer upon layer of Robertson quality. Naturally sweet pears, ripe and dripping, plus an unusual or unaccustomed to herbology. Perhaps it’s the famous local Rooibos talking. Really persistent chenin with loads of potential. Likely some flint and smoulder in its future. Drink 2018-2024.  Tasted September 2018

Mullineux Kloof Street Chenin Blanc 2018, WO Western Cape

A true Cape chenin blanc assemblage, in fact it gives meaning to the gathered idea, like an AOC Chablis made by a houses in names of Fèvre, Drouhin, Moreau or La Chablisienne. Mullineux’s twist is the back blending with some old barrel ferments to balance to new and “other” fruit components. A chenin blanc that is bottled the same year it was picked though that’s easier to do in the southern hemisphere where harvest happens in the first quarter months. Expectation always dictates value from the Kloof Street and 2018 does not disappoint with an attractive spiciness that speaks to the preservation of freshness in a chenin blanc possessive of no boundaries. One of the most versatile wines on the planet. Sheet pan sausages and fennel would be just ideal. Drink 2018-2022.  Tasted September 2018

Mullineux Chenin Blanc Quartz 2017, WO Swartland

Soil is the single matter, catalyst and difference maker to dictate the peculiarities, idiosyncrasies and unique sets of behaviours in the Mullineux single-terroir wines. The chenin develops “freckles” in the sun, tells winemaker Andrea Mullineux and the warmth of the high presence of quartz retains and returns warmth, translating to a conduit of concentrated ripeness passing through the vines. Not a direct heat, otherwise the berries would burn but a reflected back-beat of light and one that is slowly transmitted with naturally occurring temperature control for how and when the plants are in need. The greatest positive is in the maturation of phenolics in the skins and not by a hasty overload in developed sugars. From out of the silica oxide comes vegetative growth that promotes and preserves a physiological process in retention of acid freshness. The result? A phenolic journey unique to chenin blanc as here with a striking 2017, dry as drought yet fresh as a daisy. Though there is some creamy texture there too is hyper intense clarity, a variegate of dappled aromatics and brindled flavours, all bound up in animated acid bounces. Drink 2019-2029.  Tasted September 2018

Mullineux Chenin Blanc Granite 2017, WO Swartland

In chenin blanc the Mullineuxs engage in this single-terroir comparison, first by Quartz and now through Granite. The reference is to the predominant mineral presence in the soil and in how it influences the chameleon varietal. In 2017 Quartz is a major concern but switching to sandy, decomposed rocky soil and everything changes. Berries leave the world of mottled and piebald to one of demure and decor with thanks to the diffused light set upon them. That and a place where roots must burrow, digging deeper through hunks of rock into the sub-strata. This is where trace elements and minerals are to be found in the water table below and while limestone and silex is not the tablet there is some ideological affinity here with the Loire. As such it is this Granite that speaks in a leaner, thoroughly mineral, less spice and increased sharpness vernacular. Precision cut, flint struck, metallic, a song of science and silence. Body and flesh are ambient, less “creamy” than in Quartz, linear in travels, long and of an aging potential surely cast forward. Focused all the way through, unrelenting but always in layers of overlap and subtlety. Drink 2020-2033.  Tasted September 2018

Mullineux Kloof Street Red 2017, WO Swartland

Kloof Street is a “heritage blend,” says Andrea Mullineux, “it’s a wine about the love for making wine, but having preferences.” From vintage to vintage maybe check the bottle for varieties because there is no steadfast formula. Heritage, as opposed to Rhône means playfulness, choices and the inclusion of a structure fortifying grape like tinta barocca, truly integral to the Western Cape meritage experience. Here in 2017 there are some notable added layers of flesh, drying tannin and largesse. An early extracted wine in fast stages of maceration to coax out the fruit and deter astringency. Comes away rich and robust, rocking the free and new world. Drink 2018-2022.  Tasted September 2018

Mullineux Syrah 2016, WO Swartland

“I still consider it a blend,” insists Andrea Mullineux,”because it comes from seven vineyards on three soils.” Spends up to six weeks on skins, depending on how big the tannins are. Big equals patience. Burly early with spice and elongation but that heft and girth will slowly melt away. An invisible friend called acidity will usher the transformation, those gnomes of silent structure. The next stage will celebrate the leathery cherry fruit and cumulative Swartland savour.  Last tasted September 2018

The first drought vintage for the Swartland syrah and so the extract, concentration and density are all in compression mode. The change is felt with palpable impression, meatier, more char, even tar, and a little bit of dogma was necessary to bring in more granite-raised syrah to keep things swimmingly cool and savoury along. It’s a hematic one in 2016. To some this would be the bomb, the massive reason to believe and to others it might seem an impossible wall to scale. With a combination of love and patience the ’16 will please them all. Drink 2020-2028.  Tasted May 2018

Mullineux Syrah Schist 2016, WO Swartland

As with the two chenin blanc Quartz and Granite introspections there too is a Mullineux terroir combing of Swartland soils through the lens of syrah, there by Iron and here through Schist. The style or rather the result is befitting the monikers because Schist is the tamer one of the two and it is interesting to note that the syrah “blend” as Andrea Mullineux calls it is more like Iron than this elegant one. A huge January heat wave could have led this into the raisin danger zone because ripening under the shotgun is no way to approach harvest. Cooler heads and temperatures prevailed to allow for an unfurling, a plumping and a perking up. Schist comes out regal, aromatically civil and demure, but also juicier than a nosing might indicate. Acid retention is strong, sweet and quite friendly to work in cohorts with the cane and Baleni based spice. Dark in complexion, yes brooding yet sneakily serene, salty and so comfortable in its own skin. Drink 2020-2032.  Tasted September 2018

Mullineux Syrah Iron 2016, WO Swartland

The second of two Mullineux soil investigations for syrah is this dramatic and hematic nonpareil exemplar. Cultivar meets terroir, raised off of a heavy, gravelly clay, rich in iron, impressive and hallowed as antediluvian viticultural ground. That may not be completely Cape uncommon but this is clearly a paradigm shifter for drilled down South African syrah in attack meets beast mode, cimmerian, ferric and intense. Modish though, while inexorable character oozes from every pore and a mid-palate wells of extraordinary fill. Sharpens its wits on bullish tannin and expresses Northwest of Malmesbury iron with raw emotion and power, though without rusticity. What it may lack in elegance is made up by sheer force in reckoning, at first engaging and then gripping the palate by all means necessary. The velvet glove future lies somewhere in the next decade, likely latter first half. Drink 2022-2034.  Tasted September 2018

Paul Cluver Pinot Noir Seven Flags 2013, WO Elgin

Just a hint of evolution is showing in this five year-old pinot noir which is something because you had to work to find any in the just tasted 2009. The sweetest fruit comes from 2013, on of the riper, purest and most pristine vintages to express what Elgin has to offer. Ethereal actually, not loosely but effortlessly structured with a seamless bond forged between fruit and acids. Tannins are already subsiding in this elegant, balanced and slightly spiced pinot. Drink 2018-2026.  Tasted September 2018

Paul Cluver Pinot Noir Seven Flags 2011, WO Elgin

Such a composed vintage, cool, calm and collected. A Beaune Villages feel here, perhaps Aloxe-Corton with darker pinot noir fruit, almost black cherry but less obvious, more complex, full of baking spice. A genial and genteel Seven Flags nonetheless, elastic, pliable, amenable but not without undeniable and underlying composure. That backbone may bend with curvature ease but will not break. Provides the basis to see this Cluver from Elgin live easily up to and likely beyond its 12th birthday. Drink 2018-2023.  Tasted September 2018

Paul Cluver Pinot Noir Seven Flags 2009, WO Elgin

Harkens back to a time when the 1987 planted 113 clone was no longer the sole provider for the Seven Flags family after 115 and 667 had been planted in 2001. From 2009 it seems quite obvious the vintage was one to create big, robust, ripe and warm pinot noir. Even as it approaches its ninth birthday the evolution equation remains in early steps computation, perhaps just now moving to the next stage. Secondary development is still around the bend or on the next page, noted by the persistence of a cool climate, liquid but still grainy chalk. Also acts just a bit reductive which seems almost impossible but stranger things have happened out of South African vineyards. Just imagine the futuristic possibilities when these vines soon achieve heritage age. Remind me to ask Paul Cluver for a look at vintages from 2022 onward at Cape Wine 2039. Drink 2018-2023.  Tasted September 2018

Callie Louw, Porseleinberg

Porseleinberg Syrah 2016, WO Swartland

Poured by Callie Louw at Cape Wine 2018, this Riebeek Kasteel, Porcelain Mountain syrah somehow sits at a pantheon’s peak vintage after vintage, as if each one is a once in a lifetime effort. This must have been the epitome of such a consideration because Louw calls it “a fucking hard vintage, eh.” Strong talking words from the stoic and pragmatic BBQ smoker, winemaker and cricket master. Callie may have experienced a craftsman’s pain but the 70 per cent foudres and 30 concrete elévage not only tamed the savage beast, it helped to turn heads and remind of where greatness comes from. Tasted side by each with 2012 and 2013 only magnifies the massive structure in this ’16, a reductively bouncy, glycerin and impenetrable syrah in need of getting lost in the cellar. Will also need an epic song, “into the blue again, after the money’s gone.” Through the next decade and well into the following one this syrah will remain in light. “Same as it ever was.” Drink 2022-2040.  Tasted September 2018

Callie Louw’s smoker hard at work in Malmesbury

The Sadie Family Palladius 2014, WO Swartland

If you Google “South African white appellative blend” the number one result should surely be Eben Sadie’s Palladius and these are the 11 reasons why; chenin blanc, grenache blanc, marsanne, sémillon, sémillon gris, viognier, clairette blanche, roussanne, verdelho, colombard and palomino. Eleven blocks, all on granites, some from the Riebeek-Kasteel side. If looking forward to the brilliant ’16 and seeing it as a wine of mixed tenses, then this ’14 speaks in the imperfect because it strikes as the one to talk about the past and to say what used to happen. As in language, love, war and the past continuous, all is fair when it comes to assessing the verticals of wine, especially in descriptions. The 2014 Palladius is the back to the future vintage, of warmth and spice when things were picked overripe and new beginnings are constantly forged. But the citrus preserve and sheer electric lemon-lime energy looks ahead to the intensity of a youthful 2016, leaving a taster confounded, satisfied and awake all at the same time. This may go forward before it retreats once again. Drink 2018-2028.  Tasted September 2018

The Sadie Family Palladius 2009, WO Swartland

When talking about the 2009 vintage Eben Sadie talks of the decision to add sémillon, clairette blanche and palomino to his appellative white blend that already held chenin blanc, colmbard, grenache blanc and viognier. “To up the acidity,” aid and abet the tendencies of fleshy fruit to fatten in overripe behaviour. More than just acidity mind you, Sadie also looked to heighten the “acoustics” in a wine that was quickly becoming a major Swartland concern. Tasting this is September 2018 it can’t help but be noted how development and evolution have nearly caught up to 2005, a vintage cause and effect action no doubt. Here is the spiciest, sauciest and flat out nasty attitude Palladius, unabashed and already having done most of its living. That said the track record of these wines tells us to stay put, be patient and continue to relish the sapid, saline and ever-changing paths carved out. Drink 2018-2023.  Tasted September 2018

The Sadie Family Pofadder 2017, WO Swartland

Part of Eben Sadie and family’s “Die Ouwingerdreeks,” the old vine series and a reference to either or both puff adder snakes and the small “bushman’s land” town in the Northern Cape. Can be 100 per cent cinsault though the percentage is 85 in 2017, aged in old but not Jurassic wood. The ideal, epitome and exemplar bench-land varietal wine, not to mention a pioneer in the South African paradigm shift to conscious exultation of a plan in collective commitment for varietal, heritage vine and whole cluster ferments. From granite shales (not the decomposed kind) and yet another red fruit incarnate, freshest of the fresh precision wines. Pure Cape cinsault is this, with tannin but the kind that is sweet and stretched. No bullshit here. Drink 2019-2025.  Tasted September 2018

The Sadie Family Treinspoor 2017, WO Swartland

Afrikaans for “railroad,” perhaps a reference to the method of transportation that brought these European grapes to the Cape, depending on how far back tinta barocca arrived in the Swartland. In fact it was in the 1920’s and now just a bit more than 200 ha’s of this hardy, rustic, dark-skinned, early ripening and versatile red lay scattered about, accounting for two one hundredth’s of a per cent for vineyard area in South Africa. Sadie’s is a single-vineyard line running through the Darling side of Malmesbury, a cimmerian blackish red reeking of Renosterbos which is ironic because animal activists have always believed that the railroads threaten Rhino habitat. Digressions aside this is a prime example of why some might consider tinta barocca to be the future grape of Swartland. Sweetly floral and in 2017 both ways perfectly ripe. Botanicals abound, bosplante in bloom while flowers await the bees. Where this shares affinities with cinsault and grenache is in the curative and salumi aromas leading to sweet yet elastic tannins. The finish and length are expressly Swartland in nature. Drink 2020-2028.  Tasted September 2018

The Sadie Family Columella 2016, WO Swartland

Red counterpart to the Sadie white signature Palladius and residing in the upper echelon of Western Cape appellative blends. Ontario lays claim to the Stratus White and Red while the Cape knows these. Allowing for some levity there is a kinship to be considered between Eben Sadie and J-L Groulx, two of the more unlikely mad scientists able to capture the lit and woke disposition of mastered assemblage. Imagine Groulx also pouring varietal shots of many different farmed varieties from the back of his pick up truck during a lawn bowl in Niagara-on-the-Lake. The full name is Columella Liberatus in Castro Bonae Spei, Latin for “liberated in the Cape of Good Hope” and as a pillar of strength Columella’s syrah, grenache, mourvèdre, cinsault and tinta barroca ascend to dramatic expression. Variegated in every respect; hue, perfume, flavour and structure, at once layered and then stratified with doric strength, able to bear the most concentrated weight. Relative acidity, fluted or grooved, wider in youth to help support and lengthen. Intensely fortified with help from the barocca, naturally and of itself, intuitively wild yet controlled. Such a focused wine one rarely comes upon. Drink 2019-2030.  Tasted September 2018

The Sadie Family ‘T Voetpad 2017, WO Swartland

The “footpath” from both the Dutch (het Voedpad) and Afrikaans, also the name of Dirk Brand’s rooibos and wheat farm next to this oldest vineyard in the Kapteinskloof near Piketberg. Some say the oldest in South Africa, planted between 1920 an 1928, but others will say the first vines went in around the 1890’s through to the early 1900’s. Takes the Sadie Family “Die Ouwingerdreeks” to the farthest, most extreme reaches of the old vineyards idea. “The vines have seen it all,” tells Eben Sadie, “don’t fuck with us” is their message. “Don’t mess this up.” And so Eben co-ferments in an as is format but more importantly works at the agriculture to a point of obsession. Newer inter-plantings will go in, of sémillon, sémillon gris and palomino from massal selected material. To deal with drought cover crops will also be added between rows, all of course through an organic approach. The blend is sémillon, sémillon gris, palomino, chenin blanc and muscat d’Alexandrie, all processed together, but this is not about extreme winemaking. More like extreme farming, finding ways to keep these twisted kurktrekker and cavatappi bending vines alive for to produce their magic. The wine that emerges is all about tendencies and multiplicities of texture. The dry extract here is off the charts making it seem forcefully and fiercely tannic. Fantasy and zeitgeist just happens and the results are right there in the bottle. A remarkable wine and vintage from an isolated vineyard where drought is always a factor. Drink 2019-2033.  Tasted September 2018

Abrie Bruwer, Springfield Estate

Springfield Estate Chardonnay Méthode Ancienne 2016, WO Robertson

Burgundian ode, ancient method of making chardonnay, a rare approach these days, with wild yeasts and no fining or filtration. No surprise that Springfield Estate is willing to give it a go because that’s how they roll. The plan is for deep longevity by a method akin to anti-aging serum, though 15 to 20 years would be astonishing in any case. Ground control to major tang, circuits wired tohu vavohu and a lemon custard to curd constitution that is simply merveilleux. Yes it is true that a hint of orange could turn into Cointreau after a half decade or more and the mid-palate cloud cover will continue to deliver warmth and appeal. Curious methodology plus romantic acumen equates to one of a kind. We’ll see where this goes. Drink 2019-2024.  Tasted September 2018

Van Loggerenberg Wines Break A Leg Blanc De Noirs 2017, WO Paarl

Often referred to as a pink wine but to choose this term to call Lukas van Loggerenberg’s 100 per cent cinsault grown on Helderberg granite would not tell the right story. Blanc de noirs is more apt but even then more detail is necessary to do it justice. Sees nine months of lees time, “to remove the tutti frutti,” snarks van Loggerenberg, without jest but can you really know when he’s being serious? Leaves the arena of the Rosé absurd and settles at a hue of proper B de N colour, as if that really matters. Saltiness is the thing, the granite kind, the sort to set your eyes ablaze and your heart to rest. Not really a wine about texture, though there is plenty, but that’s not the goal. Anything but sweet and a wresting away from norms into a matter of reckoning. And all about five knee surgeries, something the winemaker and the critic know all about. Drink 2018-2021.  Tasted September 2018

Van Loggerenberg Wines Chenin Blanc Trust Your Gut 2017, WO Western Cape

While there are wines in Lukas van Loggerenberg’s world that travel down the kamikaze viaduct, Trust Your Gut is not one of them. In fact there is a normalcy, a recognizable structure and an older Euro soul to the way this chenin blanc acts and feels. Sees 10 months sur lie in old French oak but no bâttonage, nor malo neither. Three zones bring the fruit; 45 per cent each Stellenbosch and Swartland plus 10 from Paarl. Take chenin blanc and treat it like a Villages wine by imagining Loire aromatics merging with Chablis texture. This my friends is a classic example of amalgamated Western Cape chenin style. There is irony in the name and no shocker there. Drink 2018-2022.  Tasted September 2018

Early springtime in Cape Town

Van Loggerenberg Wines Cinsault Geronimo 2017, WO Western Cape

Geronimo is 100 per cent cinsault, 60 per cent from Stellenbosch and 40 “Break a Leg” Paarl. The get together finds energy that one without the other would not find “because cinsault doesn’t have high natural acidity,” explains Lukas van Loggerenberg, “it is a very good indicator of vintage.” The 2017 is, wait for it, 80 per cent whole bunch and while that is a factor of the Western Cape’s ripen anything, anywhere, anytime great advantage, it’s still an impressive strategy no matter where you are making wine. Spends nine months in barrel and comes out smelling like roses, candied petals mainly but other florals, hibiscus and such. A handsome cinsault to be sure and one that will take precious time to unwind, great acidity or not. Like the red Cape equivalent of white friulano in Collio, sneaky long and structured. Drink 2018-2024.  Tasted September 2018

Van Loggerenberg Cabernet Franc Breton 2017, WO Stellenbosch

A more than obvious ode to the Loire Valley, 100 per cent cabernet franc bearing the old world varietal name. Fruit drawn from Stellenbosch’s decomposed granite soils gets the 60 per cent whole bunch treatment, followed by 11 months in barrel. Transparent as cabernet franc is the understatement, open wide, ease of alcohol at 12.8 per cent and in delivery for the rapture of being alive. Lots of verdant tones but nary a green tannic moment. Seems like the beginning of a beautiful friendship so the future too is wide open. Drink 2018-2020.  Tasted September 2018

Sheree Nothnagel

Wildehurst Velo White 2016, WO Swartland

A testament to non-pareil, Cape appellative white blend equanimity, of colombard, grenache blanc and viognier, 33 of each, give or take one per cent. Only the viognier is barrel fermented though the equilibrium os never compromised. Intensely herbal, of a nose uncanny in its fynbos reek, lovely glycerin texture, again balanced and knowing the place it wants to be. Acid structure travels though in a pas trop travaillé, no trouble way. Drink 2018-2021.  Tasted September 2018

Wildehurst Chenin Blanc 2017, WO Swartland

Barrel fermented and six months matured, 100 per cent chenin blanc, acting as if freshly spiced and in Cape terms, a really chewy white wine. Counterbalanced by a leanness in vintage while wound tight, just now perhaps beginning to unwind in repeat of its specific refrain. Acid structure makes up the lyrical couplets, sung again and again, as a reminder that fruit and wood will always align and submit to the citrus rhyme. Almost feels like still perlage and chenin blanc like this is very much a string of pearls, inclusive of tannins in long chains. Helps to explain the success of Wildehurst’s Méthode Cap Classique. Drink 2019-2024.  Tasted September 2018

Wildehurst Red 2014, WO Swartland

A blend of shiraz, grenache, mourvèdre, viognier and cinsault, aged in old French barrels for 18 months. Like the solo cinsault but an even more held back and hard to crack the savoury and sweet candied shell. Both elements emerge with good agitation, first the sweet variegate of red fruit and then the brushy and dusty fynbos bushiness, here acting as an energizer for equal opportunity. Spills over with that Wildehurst acid-tannin continuum as all the wines take their time to ready, pivot in the glass and then speak of their age ability going forward. Big bursts are all power and no cake. Rich yet elastic and surely capable of going deep. Drink 2019-2025.  Tasted September 2018

Wildehurst Cinsault 2017, WO Swartland

Just two barrels were found to be extraordinary and thus pulled by Sheree Nothnagel, away from the red blend and into this solo album. Quite the richly emulsified and ropey red fruit cinsault and while it follows along the varietal Swartland thread the differences are as great as they are to the party’s similarities. That is due in respect to the Wildehurst style, tighter and more acid-structure intense, higher-toned and less in the meaty-salumi-curative vein. Still possessive of that red as red can be fruit but here more akin to barbera or sangiovese from high altitudes and limestone soils. There must be something about Koringberg and the other Swartland sites that bring a special je ne sais quoi to Joanne Hurst’s wines. Maybe in thanks to Swartland shale, granite, silcrete and alluvium Renosterveld. Who does not love the smell of Renosterveld in the morning? Drink 2019-2027. Tasted September 2018

The Wine Thief Costa Del Swart Viura 2017, WO Voor Paardeberg

From the Western Cape’s chameleon of a region where anything goes and all things are considered. Case in point this viura of Spanish roots as part of the single barrel series. Surely Swartland specific (as opposed to Paarl), 100 per cent viura and only 180 bottles produced. Less alchemy and more herbology, but flinty, sharp and exciting. Direct, full of fun and even a bit waxy, with a riesling or sémillon feel that can only mean some petrol in its future. So much citrus gets ya in the end. Drink 2018-2022.  Tasted September 2018

Good to go!

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WineAlign

Twenty mind-blowing wines of 2020

Related – Nineteen mind-blowing wines of 2019

There are times when you do it just for the continuity because time marches on, no matter the circumstances. There is no disputing how different 2020 was and frankly the flip to 2021 will not bring about significant change or any semblance of a return to what was, at least not in the first several months. Yet the compelling urge is there, to quantify and qualify this annual Godello list of wines that opened, expanded and blew a mind in 2020. The concept for a year-end summation was launched in 2012 though it was the publishing of 14 in 2014 that made it very official, if only in the mind of one Godello. Matters little whether this qualifies as the seventh or the ninth because in wine one should always eschew semantics for the liquid truth found inside the bottle, elixirs they are of most profound, ethereal and honest propriety.

Related – Eighteen mind-blowing wines of 2018

This will be a much different list than ever before. While I did manage to squeeze in 25 days of travel in the first 56 of 2020 those were the last of this calendar year. That’s at least 75 short of my normal yearly schedule and so imagine that if an average of 30 wines are tasted each and every day on the road, well then that would tell us that at the very minimum 2,250 wines were missed this year. Not entirely true because at least half that many, if not 75 per cent more were made available to me and my WineAlign colleagues over these past nine month of quarantine, isolation and safe-distancing tastings. Still the make-up of what was tasted has been very different, the most notable being the lack of unrepresented or not found in market wines. Less discovery in 2020 to be sure.

Campo Spritz

Related – Seventeen mind-blowing wines of 2017

According to my personal critic’s database on WineAlign I reviewed 4,450 wines in 2020, keeping in mind that many of those reviews were for wines tasted in 2019. Up until this year I was consistently behind or back-logged with hundreds if not more than a thousand tasting notes in the queue, unedited, unresolved, not yet reconciled, unfinished, not-posted. Since the global pandemic abruptly delivered me home in the dead of a late February night from Faenza to Firenze, through Frankfurt and to Pearson I have not been able to resume travel. These last 10 months have allowed for a massive catching up. There are now a thousand less wines to finesse and publish then there were this time last year, very few raw and rustic songs waiting for the editing process. All the choices on this 2020 list have been solidified and already been opined with confidence for the world to scrutinize. In 2020 there is nothing left on the table.

Related – 16 mind-blowing wines of 2016

Slipped outta Dodge under the cover of darkness…

This year’s list is indeed different. The get togethers were few and far between. The travel non-existent. That is why you will recognize more producer names and also a more “archetypal” bent to the choices. The year dictates such a direction and as we all know, you have to listen to what the vintage tells you but also to remember and thank the true pioneers for getting all of us here. Perhaps the greatest influence on how this composition came to be was a conscious choice to omit the older vintages tasted in 2020. There were less to be sure but it just feels like keeping them kind of secretive is the way to go. Let’s hope a connection to that part of this exercise will make a return in 2021. As always, heartfelt thanks to everyone who poured a glass. The producers, winemakers, export managers, friends, colleagues and pirates, so please be encouraged and read on. Alas, Godello’s 20 mind-blowing wines of 2020.

The Heldeberg from Stellenbosch

Ken Forrester Old Vine Reserve Chenin Blanc 2019, WO Stellenbosch, South Africa (23128, $17.95, Noble Estates Wines & Spirits Inc.)

Gets me every time. Not just one of the finest meets best value chenin blancs available out of South Africa but an example to hang all your hats on no matter where white wine comes from in this world. Still the knowing nod and incredulous head shake that $18 CDN can buy you fruit from six blocks that are mainly 38 years of age but could possibly include 1974 Helderberg planted vines in Stellenbosch. “Core of the business” and arrow through a chenin heart. Great ferment, like a (catherine) wheel. Layers of design, creamy with thanks to secondary lees aging but somehow still texturally chewy. Barrel notes make a point in a vanilla brûlée way and yet each sip is like taking a bite from a piece of firm, ripe fruit. “I need more texture. You need to give me more texture, texture, texture. You need to give me more texture.” Old Vine Reserve obliges every time. Drink 2020-2026.  Tasted June 2020

(c) @tiny.wild.world and @WineAlign

Selbach Oster Wehlener Sonnenuhr Riesling Spätlese 2018, Prädikatswein, Mosel, Germany (17498, $45.95, Noble Estates Wines & Spirits Inc.)

The triad of producer, appellation and vineyard gets no more arch classic than this with a riesling in Spätlese form at the hands of Selbach-Oster. The pitch and sway in this Wehlener Sonnenuhr vinyeard is 2018 dance card perfect, tight and fluid. Succulent acids are burgeoning and urging the fruit forward, sideways and every which way but loose. This is a wine that gets what needs and gives what is wanted. Will only improve with a few years and then there will come a day when an air or vapour trail falls away. Drink 2022-2033.  Tasted November 2020

Tyrrell’s Belford Sémillon 2017, Single Vineyard, Hunter Valley, New South Wales, South Australia (14322, $46.95, Select Wine Merchants)

Belford Vineyard (formerly Elliot Farm) is Hunter Valley leader Tyrrell’s single-vineyard leased sémillon with so much promise in its corner. A top varietal vintage for one thing and the well-draining sandy soils for another. Sémillon thrives in these conditions and so what comes from this awe-inspiring wine is exactly what you possibly wish for when selecting from Hunter Valley. This wine is swiftly, justly and perpetually lit, a smoky, paraffin waxy, über salty, elemental, aerified, verified mineral wine. So focused and precise. Mon dieu, Drink 2021-2026.  Tasted June 2020

(c) @tiny.wild.world and @WineAlign

Fresne Ducret La Grande Hermine Champagne Premier Cru 2008, AC Champagne, France ($78.00, Nicholas Pearce Wines)

Hard to believe the age because while this almost certainly achieved an immediately retro toasted and evolved stage in its youth and though 12 years have passed the present day imaginings are dreamed to persist within that very immediate stage. As creamy as it is toasty, the textural body politic in La Grande Hermine is one of great cerebral and figurative impression. You feel, intuit and embrace such honesty and possibility. Drink this vintage dated Champagne all winter long. Its calming presence will preserve you in a state of grace lower than a snowman’s blood pressure. Drink 2020-2028.  Tasted September 2020

El Esteco

El Esteco 1947 Old Vines Cabernet Sauvignon 2018, Cafayate Valley, Salta, Argentina (15082, $24.95, Philippe Dandurand Wines Ltd.)

From Argentina’s northern desert where some of the country’s oldest vines perpetuate existence while thriving fiercely in a hot climate. So yes it is true that some fruit from 70-plus year old vines, well trees really, make their way into this special Salta wine. Dense and concentrated, Cassis times 10, savoury and truly expressive. Oak is well-managed, not shy mind you but these old vines deserve some added and fortifying structure. Do not miss this. Drink 2021-2028.  Tasted August 2020

Concha Y Toro Don Melchor Cabernet Sauvignon 2017, Maipo Valley, Chile (403980, $160.00, Escalade Wines & Spirits)

Though essentially a cabernet sauvignon at minimum 90 per cent, it would normally need saying to never discount the blending attributes of cabernet franc, merlot and in recent years, petit verdot. The nooks and crannies filled by the other grape varieties are some of the senses of wonder that have illuminated and elucidated the magic of Don Melchor. And yet years of such thought is turned on its head in 2017 with a 98 per cent pure cabernet sauvignon Don Melchor and only two bits of cabernet franc. Speaks to winemaker Enrique Tirado’s vision of the varietal and vintage relationship. After all, this is his baby, a passion project that spans 20 vintages, from which he looks to “harvest the beauty of the balance of the Puente Alto terroir.” From Viñedo Don Melchor, D.O. Puente Alto and Valle del Alto Maipo, old vines planted 1979 to 1992, new from 2004-2013. The vintage was above average in terms of warmth, cooler temperatures at harvest preserved acidities and sealed the (near) mono-varietal deal. At 30 years into its tenure Don Melchor hits a new stride and it would be hard to argue against the levels of subtle, demure, balanced and ethereal in this 2017. Perfect fruit? Pretty darn close and a bouquet of fresh picked flower-herb-fruit that merge, meld and grace together. One for this age and to age gracefully, slowly and predictably for 20-25 years. Drink 2022-2037.  Tasted October 2020

Taub Family Vineyards Beckstoffer Vineyard Georges III Cabernet Sauvignon 2017, Napa Valley, California (849434, $235.00, Dionysus Wines & Spirits Ltd.)

From proprietor Marc Taub who’s family has been prominently part of the Napa Valley wine fabric since prohibition and who in 2013 acquired Napa Valley producer Heritance, later evolving into Taub Family Vineyards. His winemaker is Tom Hinde, a Sonoma and Napa specialist who cut his teeth for seven years at Flowers, but also at Kendall-Jackson, Hartford, La Crema, Lakoya, Cardinale, Stonestreet and Verite. Add in a mere three acres within the historic 300-acre Beckstoffer Vineyard first purchased by Beaulieu founder Georges de Latour in 1928, called Beaulieu Vineyard Number 3 and made by winemaker Andre Tchelistcheff. The 2017 Napa Valley cabernet sauvignon are a very special lot. That much we know. Add in the pedigree, torch passing and respect for these necessary tenets of wine-producing business and well, hello. Utmost attention to detail, optimum extraction and concentration, sultry, supple and ultimately divine. There is this fine, fine, almost indescribable salty vein that cuts through the fruit and the fat like perfect umami seasoning in the most decadent dish. With meat or seafood, California or Japan, take your pick. Drink this either way. Drink 2023-2039.  Tasted October 2020

Olive and Anthony Hamilton Russell

Hamilton Russell Pinot Noir 2018, WO Hemel En Aarde Valley, South Africa (999516, $59.95, Noble Estates Wines & Spirits Inc.)

Even though the ’18 HR PN took my breath away nine months ago, the not yet understood nuance of this wine surely clouded first impressions. However small a sample size this may be is more than enough to prove time’s effect on wine, pinot noir and Hamilton Russell’s spiritual connection with the grape and how it personifies the Hemel En Aarde Valley. Fragrance, perfume, essential oils, Lilac, Lilly of the Valley and the sweetest tobacco smoulder. Captivating now and quite likely will be so into the mid 30s.  Last tasted August 2020

There have been many Hamilton Russell pinot noir poured in my anxiously awaiting glasses over the last five years. It’s hard to believe we are here at 2018 but time is a joy when you are having a noirmance. The fruit is exceptional in this vintage because it just feels like the warm day/cool night fix is in. The diurnal flux has locked in freshness and sweet tension like no recent memory can recall. Makes for a most grippy yet excitable pinot noir of concentration, presence and promise. Benchmark in every respect. Drink 2021-2032.  Tasted November 2019

That Marco Cirese Sangiovese stare. His Noelia Ricci and Pandolfo are crucial, fundamental and illustrative of what is possible in Emilia-Romagna. #sangiovesediromagna #viniadarte #viniadarte2020

Noelia Ricci Pandolfa Romagna Sangiovese Predappio DOC Godenza 2018, Emilia Romagna, Italy (The Vine Agency)

Godenza was the name of the podere (house) on site at a one hectare vineyard at 340m, the highest section of Ricci’s land. The introduction of concrete tanks is surely responsible (in part) to the freshness and reduction but also poor, well-draining calcareous soils that complete a relationship with open-knit and fragrant red fruit. Adds up to complexities and beauty, not to mention the hands-off, unadulterated feel of this wine. At the top end of quality and elaborate expression for the appellation. Drink 2021-2026.  Tasted twice at Vini Ad Arte, Casa Spadoni, Faenza February 2020

Because he’s Dario F-in Faccin, that’s why g-dammit! #carobbio #sangiovese #chianticlassico #panzano #galestro

Tenuta Carobbio Chianti Classico DOCG 2016, Tuscany, Italy ($33.60, Alta Wines)

Stop in here for a rest and exult in the near perfect grace, charm and collective soul in the heart of an Annata. To say that the Novarese family and Dario Faccin should feel the greatest sangiovese reward from this appellation would be a grand understatement. This version of Panzano and Chainti Classico DOCG is what it is, what it can and must be. Should be. Has to be. Richly glorious and confidently understated. The cleanest sangiovese and the one that speaks most succinctly of the land. These are the reasons why Carobbio is the most underrated, but for how long? This ’16 will see proof to that and so much more. Drink 2021-2031.  Tasted February 2020

With the brothers Boscu Bianchi Bandinelli

Now to introduce you to the Boscu Bianchi Bandinelli brothers, Alessandro and Andrea, two men who covet, own and articulate their western wing of Castelnuovo terroir. As custodians of these classic southern Chianti Classico Alberese and Galestro vineyards they have come to understand their nuance and their specialities. So, Riserva from 2015 now comes to its beginning having needed every bit of the extra two years in bottle it has received. Yes this Geggiano ’15 Riserva still needs time and if you abide by the premise it will come alive, surmise and in turn, surprise. In fact it will make a lasting impression and stay with you forever. Drink 2022-2030.  Tasted February 2020

Castello Di Monsanto Chianti Classico Gran Selezione DOCG 2015, Tuscany, Italy (Stem Wine Group)

The acumen, wisdom and also the persistent reduction are formidable in this incredibly concentrated wine. So Monsanto, so in delivery of San Donato in Poggio, so Laura Bianchi. Seemingly equipped with the needed stuffing in the way that 1968 managed to accrue over 50 years of travels. Here in Gran Selezione form the tendencies and the abilities are multiplied tenfold. Magnificent and magnanimous, the concentration is foiled by focus and precision, from all that has come before, moving into the present and then going forward with everything that occupies, in hopes and dreams. Drink 2025-2037.  Tasted February 2020

Vineyard at Salicutti

Podere Salicutti Brunello Di Montalcino DOCG Sorgente 2015, Tuscany, Italy

Organic, biodynamic and unfiltered, from the then first in Montalcino, at the hands of Francesco Leanza, in 1995. Now (and since 2015) in the custodial hands of Felix and Sabine Eichbauer, halfway between Montalcino and Castelnuovo dell’Abate. The last of the cru, single-vineyards planted at Salicutti and not surprisingly the one with most red fruity juiciness that keeps a lineage with the Rosso. If a portal into knowing what it makes to taste the bright side of 2015 could be described then why not make use of this ethereal Sorgente to learn of such things. Voltage, tension and vibration. Drink 2021-2028.  Tasted February 2020

Francesco Ripaccioli

Canalicchio Di Sopra Brunello Di Montalcino DOCG Casaccia 2016, Tuscany, Italy (Le Sommelier Inc.)

Barrel Sample. Now this is something exceptional. This is what Casaccia is obviously capable of producing, The sweetest Canalicchio fruit of all, to date and with a rising low and slow angling of acidity (as opposed to straight verticality) that carries the fruit to great heights. This will be a triumph and in fact it is already tasting like a piece de Canalicchio resistance while it sings a long maestro song. A soloist that needs no accompaniment although food, company and peace would not hurt at all. Obviously this is more than just the northern side of Montalcino and more than Canalicchio. This is Casaccia. Drink 2025-2039.  Tasted February 2020

Lorenzo Magnelli, Le Chiuse

Le Chiuse Brunello Di Montalcino Riserva DOCG Diecianni 2013, Tuscany, Italy

The ’13 will be released on January 1st, 2023 and as the name Diecianni suggests it is a Riserva that 10 years minimum are needed before readiness begins to take shape. The selection is from the smallest grape clusters in estate vineyards and mainly the oldest vines, originally planted in 1987. The vintage of the great polyphonic-phenolic, elastic and stretched ripeness, by photosynthesis without heat, of muscles with energy and ones that will develop, remain and use their power to keep the fruit alive. That said it’s a wine of wood and the highest level of salinity, sapidity and a tang that is exhibited by no other Brunello di Montalcino. A concentration that is simply outstanding and in some minds, will even be eclipsed (or not) by 2016. The finesse and architecture of this wine are as good as it gets. Drink 2026-2042.  Tasted February 2020

Lucrezia Carrega Malabaila

Malabaila Di Canale 1362 Roero Riserva DOCG Castelletto 2015, Piedmont, Italy ($59.95)

From Canale vines 50 years old and the most historical vineyard for Malabaila, as documents show. Riserva here means two years in two, three and four year-old barrels. Yet another silky Roero and example of nebbiolo that could not have been born anywhere else. The “little castle” is a charming nebbiolo, fine of all its constructive parts with an ease of sensuality that just shows how confident, casual and natural life as it is just happens to be. Castelletto knows what it is. Drink 2020-2028.  Tasted January 2020

Elena Sottimano

Sottimano Barbaresco DOCG Basarin 2016, Piedmont, Italy ($103.95, Le Maitre de Chai)

Basarin in the newest Cru for Sottimano, established in 2014 though the vines are already between 45-50 years old. Released just at the start of 2020 and already displaying a prominence in aromatics that speak to this exceptional nook just below Neive. From a vintage blessed for its place in history matched by a requiem for a dream. Crunchy for nebbiolo surely caused by the policy of classically long Piedmontese maceration, drawing fruit with gentle impunity and long-grained tannins in thrushes and intermingling chains. Pure dark fruit (almost raspberry) and a generous application of wood varnish. Architecture, length and character, all together. Drink 2022-2037.  Tasted January 2020