Tasting with Power

The wines of Creekside Estates at Barque Smokehouse, March 2015

The wines of Creekside Estates at Barque Smokehouse, March 2015

Power, Rob Power. Niagara man of mystery, winemaker, barrel blender, junkie of dangerous varietal liaisons, license to chill. Power has been making the wines at Creekside Estate Winery for more than a decade. He is both the face and the enigma. Creekside is not a Peninsula vintner that rests on winemaking or marketing laurels. They change with and for the times.

Related – Up on Creekside Estates

I sat down with Rob Power and Rich Gaskin of Hobbs and Company last week at Barque Smokehouse to re-visit some wines tasted in the winter and fall of 2014, along with a couple of new issues. Here the notes, some updated and others in first time put to paper.

Creekside Estates The Trad Reserve 2011, VQA St. David’s Bench, Niagara Peninsula, Ontario (390336, $28.95, WineAlign)

From a taste five months further along in bottle and just shy of the 36 months on lees (37.5 to be precise) 2nd bottling about to be disgorged. Has chill thickened and fattened in the middle with a texture and a truffled funk like foie gras, heading backwards and upwards, like a video shot in reverse. Rises from an ocean of spume up to a slivered taste of a grapefruit moon. “Transmission’s on and up we go.” Cool and angular on the beautifully licensed, bitter finish.

From my earlier note of October 2014: The Trad ’11 has a classic toast and yeast aromatic waft and so it goes that everything that follows is embraced with curiosity and an open mind. Ginger, citrus, bronze and the sweet scents of the inside of a candy machine, its candy long gone. Creekside’s winemaker Rob Power will never be accused of dialing this sparkler in. Tasting trials help determine the necessary, final blend. The single, Queenston Road Vineyard puts 56 per cent Pinot Noir and (44) Chardonnay, aged 2 years in bottle, together for a highly effective, expansive but not explosive fizz. At 8.7 g/L of residual its dry but not quite falling off the bone. The sweetness is tempered by elevated (9.98 g/L) acidity and tension. Spent 24 months on the lees and was bottled back in February. There is balance and pleasure and a good, stretchy finish. No band-aid. Clean, precise, fizz of the day.

Last tasted March 2015

Sauvignon Blanc ‘Iconoclast’ 2013, VQA Niagara Peninsula, Ontario (Winery, $17.95, WineAlign)

The licensee SB jimmies from fruit out of a good (right at the winery) site, caught red-handed at peak ripeness on a very specific picking date and crushed immediately to coax maximum freshness. Readily identifiable as Sauvignon Blanc, perhaps more so than any other from the Niagara Peninsula. The fruit was oxidized a hair to the left, flipping this more Loire than New Zealand. A dichotomous activity from large juice tray oxygenation meeting reduction under screwcap causes initial confusion but when the hounds of Blanc are released the wine buffets into clear, crisp feelings. This is not “mean, green and pristine,” just simply clean. This one’s got “a license to chill and I believe I will.”  Tasted March 2015

Laura’s White 2012, VQA Niagara Peninsula, Ontario (121764, $18.95, WineAlign)

Winemaker Rob Power corrects previously provided information and tells me Laura’s composition is 55 per cent Sauvignon Blanc and that there is some Viognier in here, an inclusion that justifies the back-end bite (in conjunction with Gewürztraminer) of noble bitterness. They and the rest of the varieties combine to imitate Sémillon because Power is “going for white Bordeaux” in this pole to pole, here ’till Sunday blend. This has the grab, tempered by the warmth of the vintage, so look for ’13 to nail it with a hook.

From my earlier, May 2014 note: With a tilt of the head to 90 degrees the bottle is assessed and the glass contemplated. She’s a flirt, a gregarious girl this Laura, so orchard driven and with a perfumed attraction.

From my earlier, February 2014 note: Laura’s White combines Sauvignon Blanc, Pinot Gris, Chardonnay, Riesling and Gewürztraminer in a kitchen sink blend that sees a bit of oak. What’s notable about the ’12 is the omission of two highly aromatic components, the previously employed stalwarts Viognier and Chardonnay Musqué. The adage is justified in that you take what the vintage gives you. If it gives you lemons, (shift tangents) you let the busy aromatics of more flavourful grapes (like Chardonnay) do the floral work. Laura’s ’12 will be a standout for the concept, a revivalist blend to help bring back some religion to the region’s renditions. Coming to VINTAGES in June.

Last Tasted March 2015

Viognier Estate Reserve 2012, VQA Niagara Peninsula, Ontario (22058, $29.95, WineAlign)

Here free run juice gets just a little help from the press. Consistent with a very recent taste, with a density in concoction and blessed tonic on the finish.

From my earlier note of January 2015: Creekside’s small production Viognier (maximum 80 cases) from the warmer micro-climate of the Queenston Road Vineyard heads back to near-boozy and a bit hot in the sudorific vintage. Oh the viscous humanity of it all, especially when the (all French, two year-old, nine months time) ferment was performed on 100 per cent of the six barrel juice. While it may not flirt with the dangers of say, a dirty peach martini, there is plenty of seasoning, rich, spicy and opulent fruit to at least declare a cocktail of some shaken kind. The ’12 Viognier drips and sweats of a humidity as much as any cool climate rendition can (at least in the context of the Niagara Peninsula). It may not be the ideal vintage but it just may be the one with the most excess.

Last tasted March 2015

Cabernet-Merlot 2013, VQA Niagara Peninsula, Ontario (Tank Sample)

The blend is (very approximate) 35 per cent of each Cabernet (Sauvignon and Franc) with 20 per cent Merlot. “Basically a baby Laura,” says Power. Currently smelling very tanky but fresh and bullish. Sniffing past the must is not so hard to do, especially with the waft of spices coming through with thanks to the good barrel. The Franc here comes from Virgil, “no man’s land,” from Frank Serluka’s vineyard. The lack of any discernible volatile acidity speaks volumes about the clean winemaking and the gregarious personality of that Four Mile Creek Cabernet Franc fruit. This will excel out of keg in late Spring.  Tasted March 2015

Creekside Estate Winery Pinot Noir Queenston Road Vineyard 2013, VQA Niagara Peninsula, Ontario (Winery, $22.95, WineAlign)

Still the Kama Sutra Pinot Noir of inviting behaviour. Positions in aroma, taste and texture are all elastic and of an aphorism held together in intimacy. Virtuous and gracious Pinot Noir for the purpose of interaction and pleasure.

From my earlier note of January 2015: “The first made since the 2008 because of a new directional decision to hold onto and no longer forsake these exceptional Queenston Road Vineyard grapes. A wine that folds back the skyline skin of time and reveals a cloning from intimate belongings. Pinot blessed of a Dylan-esque drawl, from a comfortable and crooning time in its life. Penetrates into the QRV earth and draws out subtleties, slow food assuagement and makes no BS about its ease. Though posolutely whiffing and tasting of black cherry, it balances itself with an acerbic wit. This is what winemaker Rob Power refers to as a lay lady lay style. Partners in crime Yvonne Irving and Matt Loney concur. One sip and your partner may just lay across your “big brass bed.” You can always go back to Nashville.

Last tasted March 2015

Laura’s Red 2011, Queenston Road Vineyard, VQA St. David’s Bench, Niagara Peninsula, Ontario (117906, $19.95, WineAlign)

A combination of young and older Queenston Road Vineyard vine fruit meshes to creamy raspberry, spoken most upfront, in the absence of Franc, by the Sauvignon. Waiting for this to improve would be a calculated error so drink up by the end of the year.

From my earlier note of September 2014: The most dead red Laura to date, juicy and earthy, like a licorice, plum and pomegranate demi-glace. Really expressive of earth and fruit.  Traditional house blend of Cabernet Sauvignon, Merlot, Syrah, Malbec and Petit Verdot. A no coat unfastened Niagara, consumer-friendly but also swelling with stuffing. “The light is red. The camera’s on,” the strokes are rich in energy though the tannins dry out a touch. Drink now and for two more years.

Last tasted March 2015

Creekside Estates Broken Press Syrah Queenston Road Vineyard 2011, VQA St. David’s Bench, Niagara Peninsula (202127, $39.00, WineAlign)

At its spiciest best, alkaline and lifted by Viognier, though as the tannins mellow, the Viognier will slowly disappear. Continues the Rhône-ish tradition laid before by 2004, 2006, 2008 and 2010, yet in ’12, for the first time, in addition to the Broken Press, there will be one made from seven rows of the same block Syrah, picked about a week later, a 100 per cent Unbroken Press. From vintage to vintage, a Viognier lifted BP is the correct application but in ’12, to Power and his team, both made perfect sense.

From my earlier note of October 2014: Only Creekside Syrah smells like this, like bending down to smell black raspberries on the shores of a briny capsicum lake in the middle of a pine forest. The 2011 Syrah has fruit residing on the edge of impossibly ripe, factored inside a pipeline, while piping lavender and plum pastry cream float atop rare duck breasts. If Syrah were to ooze or drip without sticking to surfaces along the way, this would be it. If Syrah came forth from the maw of the beast it would speak in these demanding tones. Creekside’s BP talks the tense, nervous and twitching talk. It’s smeared with a coat of epoxy spread over fine grain in wood. It sweats an air of metallic cordiality. If given five years to come together it will vape and realize togetherness.

Last tasted March 2015

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March 7th seven blazon party

Home spun Barque Smokehouse brisket sandwich

Home spun Barque Smokehouse brisket sandwich

As VINTAGES rolls out another army of bottles in proclamations of blatant multiplicity and, as I mentioned yesterday, in duplicity, it is time to settle into the recommendations encampment. Trudging through the trenches of Sparkling, White, Red and Dessert the divisions are laid, dispatches ordered and strategies finalized. Staffers go here, front liners there and commanders bring up the rear.

Related – Why it matters to taste wines again

A little bit of everything, as always, defines the March 7th release. Tidy little sippers work the hardest and make sacrifices for the rest. In this release Kosher wines prepare to tackle Passover but that we will save for next week, or perhaps the week after. Italy is the focus, bellowing commands from the bull horn, making decrees like colosseum commentators at Hunger Games. “We have wines that are just too goddamn vivid!” “We have wines with language that is fairly formal and sometimes flowery!” “Occasionally we stop to smell the adjectives!”

Tuscan wines always seem to possess what has heretofore been referred to as collectively having “a firm jaw and an air of tragic nobility.” As a group they are confident, steeped in tradition and now, as much as any wine-producing region, captured within the heart of the state of the art. The sea is murky because the obvious separations between varietal and blend are hard to discern but one aspect is not under dispute. Overall quality has never been higher. Tuscan wines are just plain fun to drink.

The seven blazon party from March 7th attacks with Chardonnay, Yellow Muscat, Cabernet Franc, Sauvignon Blanc, Zinfandel and two rounds of Sangiovese. The notes, here, now.

From left to right: Fielding Unoaked Chardonnay 2013, Puklus Pincészet Tokaji Yellow Muscat 2013, The Good Earth Cabernet Franc 2012, Castelli del Grevepesa Panzano Chianti Classico 2008, Rocca Di Castagnoli Poggio A'frati Riserva Chianti Classico 2010, Château De Cruzeau Blanc 2009, Chateau Montelena Estate Zinafandel 2012

From left to right: Fielding Unoaked Chardonnay 2013, Puklus Pincészet Tokaji Yellow Muscat 2013, The Good Earth Cabernet Franc 2012, Castelli del Grevepesa Panzano Chianti Classico 2008, Rocca Di Castagnoli Poggio A’frati Riserva Chianti Classico 2010, Château De Cruzeau Blanc 2009, Chateau Montelena Estate Zinafandel 2012

Fielding Unoaked Chardonnay 2013, VQA Niagara Peninsula, Ontario (164491$14.95, WineAlign)

One of the best deals going in oak-less Chardonnay, a glug, glug, line up at the jug kind of guiltless white. Pure, cool-climate variegate, with the cool of the Peninsula overridden by the vacuous warmth in the saddle abutting the Escarpment. Very pear, all in slate, exit to daylight acidity for a Chardonnay that hit the switch. Spot on in 2013 with an even keel of personality, warm but never far from cool.  Tasted March 2015  @FieldingWinery  @RichieWine

Puklus Pincészet Tokaji Yellow Muscat 2013, Tokaj Hegyalja, Hungary (46508$15.95, WineAlign)

From Tokaj Hegyalja in Bodrogkeresztúr found tucked into the northeastern corner of Hungary. One could imagine the air thick as sweet cool soup in summer, perfumed by basil and lemon verbena. Designated “semi-sweet” the varietal is so much more than pedestrian when handled with this kind of poise and concern. Highly aromatic, viscous and wildflower floral. Honey and honeysuckle, fresh lemon, beeswax and citrus pith. Sweetness begins, abides, subsides and melts in the mouth. Buckley‘s medicinal to a fundamental degree but not to a fault. Delicate and delightful. Muscat of a grace that makes you feel and wish, “my kingdom for a kiss upon her shoulder.”  Tasted March 2015  @WineofHungary

The Good Earth Cabernet Franc 2012, VQA Lincoln Lakeshore, Niagara Peninsula, Ontario (164491$20.95, WineAlign)

While wood plays a prominent role it does not saturate to distraction. The barrel extract adds warmth and spice in contribution to balance. A high-toned syrup on the nose gives way to an evenly weighted palate. A scraped bean flavoured creamy toddy texture is topped with chocolate shavings, a dry of bell pepper and tobacco smoulder from out of the chamber. Nicely judged fruit, acidity and texture with admirable length. A necessary example of $20 Lincoln Lakeshore Cabernet Franc offering up every reason to drink it and demand that more me made.  Tasted March 2015  @goodearthtweets  @EpicW_S

Castelli del Grevepesa Panzano Chianti Classico 2008, Docg, Tuscany, Italy (972695$23.95, WineAlign)

A very honest take on Sangiovese and Chianti Classico. When it appeared from the 2006 vintage it had been a while since this Panzano came to market, having been a stalwart presence in late 1990’s vintages. Modern now, very much a child of 21st century winemaking but in retention of loyalties to red, sour cherry and dusty 90’s Sangiovese. Remains slightly austere, angular and tension-filled, as if a scraping noise could be heard as the fruit, acidity and tannins fight for purchase on the floor. Chalky lactic and really juicy. Drink now and for three to five further on.  Tasted March 2015  @chianticlassico  @ProfileWineGrp  Castelli del Grevepesa

Rocca Di Castagnoli Poggio A’frati Riserva Chianti Classico 2010, Docg, Tuscany, Italy (350751$29.95, WineAlign)

Very expressive aromatics in dried flowers, earthy red perfumed fruits, orange peel, clove and a full crumble of cinnamon fill the air. Rampant but not relegating (at this early, five-year juncture) acidity drives the engine, running on vineyard funk, a hint of game and fruit ripened to optimum clarity. This is faultless Sangiovese of guts and guile, really well-made, classic yet modern CCR. Dances like Sangiovese should, “well, you wiggle to the left, you wiggle to the right, you do the ooby dooby with all your might.” No factory made CCR here, nor from out of the cosmos. Just simply down to earth. Were $30 all that I had to spend and a Chianti Classico Riserva the only choice, this would have to make the shortlist. Tasted March 2015  @chianticlassico  @ProfileWineGrp

Château De Cruzeau Blanc 2009, Ac Pessac Léognan, Bordeaux, France (966010$31.95, WineAlign)

That VINTAGES was able to secure another sku of this Bordeaux Blanc is both fortuitous and a gift. For the cost of an I-Tunes song you can have a peak into the generosity of the 2009 Bordeaux vintage through the senses of a top-value producer. From Les Vignobles André Lurton comes this white beauty. Though slightly musty upon entry this shows immediate yet perfectly evolved poise. Ready to strike with much persistent verve and density in 100 per cent Sauvignon Blanc singularity. Wood is very involved (10 months in 35 per cent new oak barrels on full lees with bâtonnage) by adding precious layers of necessity. Very layered indeed, honeyed, anti-hackneyed, buttressed, really fine and generous. Most excellent work by oenologists Denis Dubourdieu and Valérie Lavigne.  Tasted March 2015  @AndreLurton  @KirkwoodDiamond

Château Montelena Estate Zinfandel 2012, Calistoga, Napa Valley, California (69633$49.95, WineAlign)

A rare, in the neighbourhood of elegant and exquisitely refined Zinfandel gives all red fruit with just a faint raise of raisining. Quite pure, with heaps of liquorice, smouldering cedar bough, brushed and bushy, big but shy of the peak. The English punk of Zinfandel but with melody and charm. Says to the world we have “our own raison d’etre we can’t see?” The quality is in, raising the Zin bar to a level not oft seen, with restraint and complexity. Never mind the bullocks, Montelena offers a buzzcock of a Zinfandel. Here lies a Zinaison d’être.  Tasted March 2015  @ChMontelena  @rogcowines

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Why it matters to taste wines again

Dumplings

Dumplings

It would be foolish to think that a single taste or a brief assessment can ascertain everything that a wine will bring to the table. So many factors play into that moment in time; how that bottle came to arrive at this place, how long it had been open, its current temperature and certainly the temperament and mood of the taster.

The only true and valid important bits of information that we can cull from a fleeting meeting with a bottle of wine is whether or not it is marred by a fault, or faults. Is the wine tainted with TCA (trichloroanisole)? Does it contain high levels of Brettanomyces? Is it raging with volatile acidity? It is oxidized or reductive? Has lady bug taint found its way into the bottle? And so on and so forth. Quality can be guessed at with high probability but time is so essential to knowledge. This is why tasting for a second and third time matters.

Wines should always be afforded the opportunity to be reconsidered, especially after some bottle settling time. The fascination with seeing evolution from organic ferments is real. Wine changes, often for the better, that much we know. Wines deserve second chances, re-dos and re-tastes.

Writing updated notes is the essential by-product of re-tasting and the catalyst that acts as the chaperone to get to know a particular bottle and by extension, a winemaker’s portfolio. Here are seven new releases, coming into VINTAGES on March 7th. They are actually re-releases, having been previously made public by the winery or through the LCBO. I tried them all once again and can say with confidence, by way of the tasting note, that all seven have confirmed their quality and improved with time. These are the seven new notes for seven March 7th VINTAGES re-releases.

From left to right: Tawse Sketches Of Niagara Riesling 2013, Keint He Voyageur Pinot Noir 2012, Gray Monk Pinot Gris 2013, 13th Street Gamay Noir 2012, Sterling Vineyards Pinot Noir 2012, Bachelder Wismer Vineyard-Wingfield Block Chardonnay 2011 and Bachelder Pernand Vergelesses Premier Cru Creux De La Net 2011

From left to right: Tawse Sketches Of Niagara Riesling 2013, Keint He Voyageur Pinot Noir 2012, Gray Monk Pinot Gris 2013, 13th Street Gamay Noir 2012, Sterling Vineyards Pinot Noir 2012, Bachelder Wismer Vineyard-Wingfield Block Chardonnay 2011 and Bachelder Pernand Vergelesses Premier Cru Creux De La Net 2011

Tawse Sketches Of Niagara Riesling 2013, VQA Niagara Peninsula, Ontario (89029, $17.95, WineAlign)

Juicy, spirited and eminently approachable. Citrus and peach fruit beg to be gulped by the key keg load.

From my earlier, June 2014 note: “The gateway of the Tawse Riesling portfolio and first to be released is an omnipresent beacon for what is to come from the single-vineyard sistren. Built fruit forward from an orange zest, stone rose and lemon glade guide, this is the Sketches most juicy sensation yet. Incredible vacuum of citrus acidity waterfalling into a great white hole. Though surrounded by so many a Riesling with site specific personality, “she’ll carry on through it all.” Intensity in dry Riesling.”

Last tasted March 2015  @Tawse_Winery

Keint He Voyageur Pinot Noir 2012, VQA Niagara Peninsula, Ontario (373407, $18.00, WineAlign)

Carries the weight of the Peninsula within the bright frame of clarity that is the PEC oeuvre. In ’12 the warmth and the weight can’t help but break down to burrow into earth. Fine, grainy tannins and an increased structure will give this three more years of development but do not hesitate to enjoy it now.

From my earlier April 2014 note: “Tasted a second time, the floral lift is clearer than before, as is the understated earthiness. Also showing more body and verve so it appears the Voyageur is starting to come into its own. From my earlier February 2014 note: “Fruit here comes from two Niagara vineyards, Queenston and Malivoire. An earthy Pinot that positions itself in isolation away from its suave and handsome Portage and Benway brethren with a waft of merde. Taste brightens as a sweet cranberry, chalky, root beer float. Kudos deserved as it’s clearly recognizable as Pinot with a medium finish and a pinch of horseradish salt on a lithe 12.5 per cent frame.”

Last tasted March 2015  @KeintheWinery

Gray Monk Pinot Gris 2013, BC VQA Okanagan Valley, British Columbia (118638, $19.95, WineAlign)

Brilliant hue, like a ceiling fresco of gold-scrolled tiers. Has that feel of lemon peel shrivelling to scent. Was a Category Champion at the 2014 World Wine Awards of Canada.

From my earlier September 2014 note: “Pinot Gris with pears and more pears. A no hold barred, straight up, bring it with orchard fruit example. A spoonful of sweet lemon curd indicates a just post ripe picking and now oxidation, if not necessarily the intention. Off-dry with acidity that joins but does not round the shining fruit into absolute form.”

Last Tasted March 2015  @GrayMonkWinery

13th Street Gamay Noir 2012, VQA Niagara Peninsula, Ontario (177824, $19.95, WineAlign)

This is spot on, both as 13th Street and as Niagara Peninsula Gamay. Very ripe, to the edge of extracted distraction and less funky than previous vintages. Really defines the genre, acts the act, walks the walk, executes the execution. Drives the point, carves the cliché, go Gamay go.

From my earlier note when tasted at Gold Medal Plates Toronto, November 2014: “Spice and rich fruit head straight to Gamay welkin derived direct from the soil’s core, of Sandstone, Schwenker and the winery’s home vineyard at Fourth Avenue. Swirl away the gathered must and moss to reveal more Cru fruit than you can shake a stirring rod at. Such verve, said grit, such persistence. The thing about Gamay is, “if you want inside of her, well boy you better make her a raspberry swirl.” 13th Street has certainly made the raspberry sing in the ’12 Gamay so “raspberry swirl, mmm let’s go.”

Last tasted March 2015  @13thStreetWines

Sterling Vineyards Pinot Noir 2012, Napa Valley, California (396150, $29.95, WineAlign)

There are so many reasons not to find a thrill in this regional blend of Pinot Noir fruit but none of them stick. Sweetness, simple syrup silky fruit, brown sugar, every red and purple berry in all varieties of fields (plus ripe plums) and warm to temperate alcohol (14.5 per cent declared) all combine for full California sunshine effect. All this and I just can’t turn away. With all the excess fruit, texture and multiplicity in good times, how can I? I ask this Pinot, “how come you, how come you dance so good?” The answer lies in the feel and the ability to turn a Noir trick or two. Not to mention a rolling of barrels and Napa Valley stones through its very core. Well done.  Tasted January 2015  @sterlingwines  @Diageo_News

Bachelder Wismer Vineyard-Wingfield Block Chardonnay 2011, VQA Twenty Mile Bench, Niagara Peninsula, Ontario (345819, $44.95, WineAlign)

A new release, mindful of micro-plot. From out of a Bachelder barrel, the great mystery of wood is not that it smoulders, but that it rests on water, or in this case, on grape juice. To label this Wismer as Wingfield is to give this Chardonnay a scientific specificity, a concentration of fruit so capable of inducing the ethereal, to hover as if in suspension. This is Wismer-Wingfield. The Chardonnay that floats, like hope.

From my earlier July 2014 note: ‘Has Wismer found a cruising altitude? Has this Grand Cru vineyard from a most perplexing 2011 vintage entered the telephone booth in civilian clothes, only to soon emerge as a super hero? Will it sing, “I am, I am Superman and I can do anything?” Wismer has rounded out a bit, at present in a grounded form, but we know it will fly to greater heights and at faster speeds. From my earlier, February 2014 note: “Got game tonight, in auxiliary moxie, magisterial atmosphere and long strides up and down the ice.” Earlier notes: “Increased richesse and oomph and though I continue to hesitate to admit it, Saunders is the (Jackson Browne) elegant bottling in ’11. Wismer the (Warren Zevon) gregarious, mineral character werewolf of Niagara, what with it’s touch of anxiety, fuller texture and “bite down…draw blood!” From my earlier November 2013 note: “From the Wingfield Block within the 20 Mile Bench grand cru vineyard, ’11 Wismer is greener, in apple and sapid behaviour. The tension is palpable, quarryful, querulous, more calciferous. Fruit here is picked at an altitude as high as the lowest part of Flat Rock’s vineyard. Can a spot be pinpointed, anywhere on the peninsula that produces more piercing Chardonnay in 2011 as this Wismer micro-block?”

Last Tasted March 2015  @Bachelder_wines

Bachelder Pernand Vergelesses 1er Cru ‘La Creux De La Net’ 2011, Burgundy, France (LCBO 403485, $47.95, SAQ 12089524, $38.50, WineAlign)

Purity abounds, florals leap and the heart fills with an arrow of red fruit. So linear, so direct. Wears the crux of Bachelder integrity on its sleeve. The pinpoint accuracy of plot, the ubiquity of gypsy soul, the bandwidth of frequency. Yet another Bachelder “ere the bonnie boat was won, as we sailed into the mystic.” Acidity rears and rails right through. Tannin trails like a burning star. Ten more years will see this to a moondance of quietude.

From my earlier February 2014 note: A metallurgical slant this time around and iodine, though sweet, like a geologist’s preferred cocktail. The palette is Rothko maroon and in cohorts with what is ascertained by the palate, scheme fruits and hearts both red and black.

From my earlier note of November 2013: Has the sense to be subtle, effortless and akin to Chambolle. Not so much openly ripe fruit but more the flowers that come before. Cherries dabbed by a citrus fragrance, or the spritz of squeezed zest and an unusually smoky musk. Insinuates new world (think Oregon) though it tells a rubble tale of its limestone slope climat.

Last tasted March 2015

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