The ins and outs of Panzano in Chianti

Looking for two horsemen in #chianticlassico

Characterizing Chianti Classico as a most heterogeneous wine region is substantiated by the multiplicity of its sangiovese and the endless permutations of soil. The territory is commonly divided by commune but its tiers of structure do not end there. There lies within more specific sub-zones, zonazione, places of interest where microclimates and shared geologies bring land and producers together. Five of the nine Chianti Classico communes have their own Associazione Viticoltori or Vignaioli; Castellina in Chianti, Castelnuovo Berardenga, Gaiole in Chianti, Radda in Chianti and San Casciano Val di Pesa. Greve is the notable exception because the precincts of Lamole, Montefioralle and Panzano in Chianti have each formed their own associations. Panzano in Chianti exists inside the greater neighbourhood that is Greve in Chianti and while it is not the only sub-zone of its kind, at this triennial level of the pyramid it is arguably the most unified and defined frazioni of all. For good reason.

Related – Into the Castelnuovo Berardenga great wide open

Panzano is the first consolidated district for organic wine production in Italy and in which 90 per cent of its vineyards are grown according to the criteria of organic viticulture. There are other tertiary Chianti Classico zones associated with the hamlet they surround, like the aforementioned Lamole and Montefioralle in Greve, Vagliagli in Castelnouvo Berardenga and Monti in Gaiole. These towns, the vineyards and associated producers are tied by a parochial set of idiosyncrasies but they’ve yet to coagulate into an equally unified level of coercion that is found in Panzano. That being said, in Panzano there are both practical and political decisions that charge some producers to remain on the fence or even outside the tight circle of the area’s union. These kinds of decisions work two ways, whether you are in or out, dentro o fuori dal territorioThe question is whether or not diplomacy would lead to greater success for all involved. Does the group need the high-profile individual or the individual the high-profile group?

Related – Because the night in Gaiole

Either way you look at it, there is no denying that a band of brothers and sisters sharing information and mapping out their territory together is beneficial, especially towards defining the finest vineyards. The dividing lines in Chianti Classico are very difficult to establish because one always has to be wary of possible arguments over where a certain cru vineyard ends and another, lesser plot begins. If you ask the 19 members, Panzano is less prone to such argumentation. Besides, producers will speak their minds, but they may not always be able or willing to tell us exactly what we need to know. It’s ultimately a question of menzioni geografiche, or geographical notations, especially on wine labels, to tie the wines to place of origin. For Panzano the idea seems quite obvious with a playing field more equal than most but it’s not necessarily so simple for other frazioni in the region. Chianti Classico is fragmented and diverse with municipalities that may not always be homogeneously or consistently representative in terms of terroir or production style.

Because he’s Dario F-in Faccin, that’s why g-dammit! #carobbio #sangiovese #chianticlassico #panzano #galestro

Related – Castellina in golden light

The original Panzano Winemakers Association was founded in 1995 to celebrate common ground and for like-minded producers to articulate the necessity and pursuit of shared interests. With the famous Conca d’Oro at its epicentre, Panzano encompasses a set of hills aboard and encircling a plateau rich in Galestro and a rather significant altitude where vineyards are planted to between 350 and 500 meters above sea level. Today there are 19 member producers of the Unione Viticoltori Panzano; Candialle, Casaloste, Castello dei Rampolla, Cennatoio, Fattoria La Quercia, Fatttoria Rignana, Fontodi, Il Molino di Grace, Il Palagio, L’Orcio a Ca’ di Pesa, La Massa, Le Cinciole, Le Fonti, Monte Bernardi, Panzanello, Renzo Marinai, Tenuta degli Dei, Vecchie terre di Montefili, Vignole and Villa Cafaggio. There are 91 producers in Greve, 31 of those are in Panzano. The 12 non-members are Carobbio, Vallone di Cecione, San Cresci, Sassolini, Reggine, La Marcellina, Le Bocce, Il Vescovino, Festeggiata, Fattoria Casenuove, Fattoria Montagliari and Campocorto.

Related – Get Radda for Chianti Classico

“To ensure for themselves a healthy environment the wine makers decided to take the path of sustainable and organic viticulture, which allowed to enhance aromas, flavors, character and personality of the wines, produced exclusively from grapes of their vineyards” are the words of Ruggero Mazzilli, an agronomist with experience in viticulture biodiversity, who since 2000 has been working with the Panzano Association.  In a Chianti Classico world where drawing lines along commune or sub-zone borders fails to recognize the multi-faceted and variegated intendments of geology, it is Panzano that suggests  borders can be drawn by “fellow producers to organise their individual communes and sub-commune designations under their own respective unions, as Panzano in Chianti has already done.” The argument can be made not just one way or the other, but in so many ways. I am no genius nor close to the first to perpetuate the idea that drawing borders along any definable lines in Chianti Classico is a very complicated subject. This is why we continue to seek the truth in the villages.

Complimenti @johnszabo for riding 87 kms #granfondo @chianticlassico #gallonero looking fresh and refreshed post lunch at #osterialapanzanelle

John Szabo M.S., Brad Royale and I had arrived from Budapest after three volcanic days (in many and every respects) in Hungary. We arrived in Castellina to the sounds and sights of race cars before settling in at Pierafitta. The following morning John competed in the Gran Fondo del Gallo Nero and with great Canadian representation completed the 87 kilometre Media Fondo in world-class time. Congratulazioni Gian Burrasca. Non siamo degni. Meanwhile Brad, Steve Robinson and Godello joined Il Molino di Grace’s Iacopo Morganti for a preview of the 2017 infant sangiovese straight from the tank, followed by a walk through Vigne Raphaella, Magdalena and Jae, culminating with a new look meets retrospective tasting in IMG’s brand new tasting room.

Gian Burrasca

A few days later we returned to Panzano for a morning spent with Giovanni Manetti at Fontodi. A full report on that visit is chronicled in a link below. Later that afternoon we concluded our week-long Chianti Classico visit with Dario Faccin at Carrobio. This is the fifth instalment (of seven) reports concerning communes and sub-zones in Chianti Classico. In total I’ve written 24 notes on wines poured by these three Panzano producers. Enjoy.

Newly planted Carrobio Sangiovese vineyard on a dramatic Galestro slope

Carobbio

Related – Caro Carobbio

If my first visit with Dario Faccin was a profound and moving experience than my second Panzano summons later last calendar year could only be thought of as an epiphanic. In round one and nearing the conclusion of an epic lunch prepared by Chef Claudia, it was then that Faccin poured three acroamatic sangiovese blasts from the past in the forms of Chianti Classico 1997, 1991 and Leone 1995. In my Carobbio report I wrote “a great honour to taste this 1995 and in memory of Carlo Novarese, Thank you Dario and Silvia. Would like the chance to do it again in 22 years.” Though I was making reference to the age of Leone (and also a nod back in time to my 1995 Chianti Classico honeymoon) I was also making comment on the ideas of fortuity and generosity. I could not have known that I would return to Toscana seven months later and this time to be present when Dario chose to open both a 1990 and a 1982 Chianti Classico. Collectively these five 1980-90s sangiovese have shed so much light on evolution and on what Dario is setting out to accomplish at Carrobio. As you may have noticed, Carobbio is not part of the UVP.

A walk in the newly planted sangiovese vineyard tells me everything I need to know. The dramatic Galestro slope captures humidity in spite of drought conditions to keep infant vines alive with vital growth in their earliest formative years. This fruit will be a Chianti Classico game changer. It all begins with the rocks and soil of these über-specific Panzano vineyards. It moves into the winery where Carobbio’s position as protector and purveyor of sangiovese purity and honesty reigns over all else. It concludes in the wisdom and generosity of the annate wines, with consistency and focus.

Tenuta Carobbio Rosato Terrarossa 2016, IGT Toscana, Italy (Winery, $32.95, WineAlign)

Rosato Terra Rossa is the same 100 per cent sangiovese in 2016, from the red soil vineyard, a child of 15 days fermentation to a maximum 15 degrees of temperature and ultimately dry as the desert. The specs and methodology turn forth a classic blush of aridity, acidity and minerality; 6.0 tA, 3.35 pH, no malo, cooled down to six degrees after fermentation and one month on the lees. Dario Faccin lays it out clear and simple. “For me this is a wine, not an aperitif.” It is in fact built on character that lies between Rosé and the light Rosso; sapid, saline, rich and textured. Full of dry extract, perfect for lunch. La prossima annata may be even better. Drink 2017-2020.  Tasted September 2017  @ 

Tenuta Carobbio Chianti Classico Riserva 2013, IGT Toscana, Italy (Winery, $58.95, WineAlign

A 100 per cent sangiovese from three vineyards in which Galestro, clay and Alberese each contribute by percentage of 30,30 and 10 towards an inextricably calculated Carobbio sangiovese in reward. Variegated for multiplicity purposes while complicit in even ripeness meets high and polished acidity. Once again the salty sapidity and the highest of polyphenolic qualities adds up to density, extract and layering. This wine will not turn secondary for at least five years and certainly not tertiary for 15. The composition and composure are one in the same and continue to repeat over and upon one another.  Last tasted September 2017.

For Chianti Classico Riserva the solo performance is 100 per cent sangiovese and just as 2013 must be this grabs you by the olfactory senses with elegant inhalant immediacy. You are immersed straight away into a wine without reserve in the way that the only the purest of Riserva can be. Philanthropic, generous and kind. Even more so and because it is Carobbio, there is no fence to jump over, hoop to hurl through or great wall to climb. Not in aroma and then what follows is palate texture and finally fine-grained tannin. Not even acidity will lash out but rather support, with more kindness. Everything is presented from the start with a wisdom that doesn’t rely on oxidative or cured character. Just elegance. Rich and affirming, for sangiovese and life. Humour this CCR ’13 and wait just one more year, per il rispetto. Drink 2018-2027. Tasted February 2017

Tenuta Carobbio Leone 2013, IGT Toscana, Italy (Winery, $119.95, WineAlign

Sangiovese as Leone sees 20 months in new French barriques and a minimum eight months in bottle. “I have only one child. This is my second son,” smiles Dario Faccin. The prodigal sangiovese is seductive, spicy and intense from south exposed vines, at the time 35 years of age. The Carrobbio extract meets ripe acidity is unquestioned and on repeat albeit with an extra note of conceit, attitude, promise and as a cumulative, ultimate respect. The first vintage was 1989. Last tasted September 2017.

Leone is Chianti Classico incarnate, a single-vineyard sangiovese and perhaps the artist of the future known as Gran Selezione. The aromatics are a force from fruit raised in front of the river (Pesa) on the border between Florence and Siena, a high-density (5,000-5,500 plants per hectare) vineyard. In the first week of June Dario says “I take all the leaves off of the stems,” executed with risk-reward abandon but on second thought, as a factual matter of personal volition and intuition. Then two weeks later the smaller leaves begin to grow. This allows the early phenolic process to work on the young skins and increase the early offerings of photosynthesis. The skins carry a natural protection against the sun (in June) but not in August. Voila, wine begins in the vineyard. Leone is incredibly young and perfumed with so much restraint. It gets neither more precise, elegant or wise, or even more important, as a vineyard representative or as such a mindful and consistently right expression as this. The tannins are the finest of any you are likely to taste in sangiovese. The fruit is so perfect, red and purple, living and loving together, and you don’t need to name them. Dario insists on the simple and the obvious. That you taste the grapes every day at harvest and when the bottom of the skins do not attack you with aggressive tannin and the brown seeds crunch, you are ready to pick. “If you want to produce a great wine, you have to walk in the vineyard every day.” Leone’s got soul and only 4,000 bottles are produced. Drink 2020-2033.  Tasted February 2017

Tenuta Carobbio Pietraforte 2013, IGT Toscana, Italy (Winery, $119.95, WineAlign

Pietraforte as cabernet sauvignon and its splash of cabernet franc is Carobbio’s ode to the Tuscan name for Galestro rock. Less than 1000 bottles were made and though it is a son or a daughter from French mothers, it is impossible to take the Panzano vineyard out of the wine. The varietal notes of Cassis and graphite are here, as is a pyrazine-savour but the sapidity and extraction of a Dario Faccin wine talks with clarity, even while thjs very dense young wine is so many years away from speaking loud and clear. The new wood is in charge, the perfume a bit closed and the tannins demanding more than the rest. Three years are needed, at the base minimum.  Last tasted September 2017

Pietraforte is the Carobbio diversion into 95 per cent cabernet sauvignon (plus five cabernet franc) out of a 30 year-old vineyard that generally yields 3,500 kg per hectare or what Dario Faccin deems “niente.” Only 2,000 bottles are produced and 2013 is still a bambino, with wood more apparent on the nose than the sangiovese, quite spiced and then even spicier on the palate. Nothing vegetal takes any place at this international varietal table but the franc lends its must give current, of currants and even a little espresso. This has cool red soil savour that the cabs will inherit from the wind and the earth. But I have to say and say it with conviction, this is more varietally correct and obvious than most. More cabernet than Toscana. Needs five years, minimum. 2022-2030.  Tasted February 2017

Carobbio Chianti Classico 1990 and 1982

Tenuta Carobbio Chianti Classico 1990, Tuscany, Italy (WineryWineAlign

I love the irony of Dario Faccin choosing to open a 1990 and a 1982, two vintages from when Italy hosted (1990) and won (1982) the FIFA World Cup. Ironic because the next tournament will be the first without the great footballing nation for the first time since 1958. The 1990 Chianti Classico is from an exceptional vintage, in fact there are many who feel the finest 1990s are some of the best CCs ever made. The youth on this bottle is dumbfounding, still in full possession of the freshness originally locked in by the sweet and optimally extracted sangiovese fruit. This is the school of Vittorio Fiore and the vintage is a great contrast to the 1991 Riserva that we tasted seven months prior. In 1990 it’s so much more about fruit quality and though the acidity continues to lift and execute, the tones here are less floral, not as bright and fruit is a matter of pure thought. The innocence, clarity and luck of time and place is on display in this capsule. What more can you say? Drink 2017-2022.  Tasted September 2017

Carobbio Chianti Classico 1982

Tenuta Carobbio Chianti Classico Riserva 1982, Tuscany, Italy (WineryWineAlign

Everyone knows that 1982 was one of Italy’s greatest years in the 20th century. Their beloved Azzuri won the FIFA World Cup 3-1 over West Germany and the wines were pretty darn good all over the boot. It was the final match of Group C stage play that may have been one of the most dramatic, exciting and famous because Italy won 3–2 with Italian striker Paolo Rossi scoring a hat-trick. The result eliminated Brazil. Meanwhile the only thing that matters right now about 1982 with respect to this Chianti Classico is how it shows and I’m overwhelmed with emotion to say it’s perfect. By now we’ve come to know that Dario Faccin demands a mentality of excellence, emotion and soul. He would not open a 1982 and a 1990 were they unable to meet expectations and deliver an intelligent quotient of age. These were and remain great and structured sangiovese to this day. This 1982 is full of fruit, like cherries preserved in cryogenic syrup and violets captured at the height of their scent, only to be released when the wine is poured into the glass. If this vintage was at all austere it could only have been for the benefit of guarding the fruit so that its purity and original virility and viridity could be revealed again and again, as it has here in 2017. Remarkable showing for a piece of Gallo Nero history. Drink 2017-2021.  Tasted September 2017

48 hours @chianticlassico picked Sept 22, #sangiovese so primary, for breakfast @ilmolinodigrace

Il Molino Di Grace

For a full report on the history and current production at Il Molino di Grace please click on the following link.

Related – Grace in Chianti Classico

Back in @chianticlassico with the progressivo, non dogmatico #sangiovese @ilmolinodigrace #volano #panzano #chianticlassico #chianticlassicoriserva #granselezione #ilmargone #gratius

Il Molino Di Grace Chianti Classico 2015, DOCG Tuscany, Italy (85209, $19.95, WineAlign)

Have yet to encounter an Il Molino di Grace Chianti Classico that was not deeply hued, refreshing and spirited. Nor has there be one not designed to drink early but 2015 refuses to be left on the racks. It’s a progeny of upbringing in large Slovenian casks with zero panoply by wood addendum, of freshness kept and preserved. The spice is indubitable sangiovese and the tannins are wistful ones. There is some chewy constitution, more than most 15s and those dreamy tannins have texture too, chalky and fine yet grainy, with a fine grated finish of good dark chocolate shavings. Drink 2017-2023.  Tasted September 2017

Il Molino Di Grace Chianti Classico 2014, DOCG Tuscany, Italy (85209, $19.95, WineAlign)

Now in a great place, fresh, direct, focused, clear, nothing to hide. This tells us right now why we should be more than satisfied with normale in ’14, with or without needing Riserva, because with no Gran Selzione and much of the Gratius grapes ending up in here you have a most impressive wine, with great structure.  Last tasted September 2017

Incidentally the first vintage on which the label reads organic, 2014 captures the freshness and the true Chianti Classico, its nature and its truth. No mask, nothing to hide behind, nowhere to run. “In some ways 2014 is more typical a vintage,” suggests Iacopo Morganti, because like other passed over and quickly assessed ones of the recent past (such as 1996, 1998 and 2008) the intrepid purity of sangiovese is decisive and built to last. This is deeply hued Chianti Classico, refreshing, spirited and crafted with a very specific type of actionable drinkability. With pasta, with filetto, with friends. Will not change course for four years and drink comfortably for four more. Sangiovese accented with canaiolo, colorino and malvasia nero. Drink 2017-2025.  Tasted February 2017

Il Molino Di Grace Il Volano 2015, IGT Toscana, Italy (Agent, WineAlign)

Il Volano is a new label for the house, the wheel of the windmill, “il volano di molino” and also really, the name of the place as a whole. It brings together sangiovese (75 per cent) and merlot, raised only stainless steel, for a chill and a quick spill. Here from a vintage that gets better with some young age added, perhaps now at its best so this is a wine to drink, with little to no thinking required. Drink 2017-2019.  Tasted September 2017

Il Molino Di Grace Chianti Classico Gran Selezione Il Margone 2013, DOCG Tuscany, Italy (435115, $39.95, WineAlign)

It bears remembering that Il Molino’s Gran Selezione is the kind of Chianti Classico that remains in perpetual motion, of a consistency and of guarantees, like gravity and tides, from vintage to vintage. It is the embodiment of water passing over stone, like the windmill it carries in its name and it is a wine that was always the Gran Selezione, before, like the water and after, on the vine and in the barrel. Saw the same 18 months in barriques, the selection having long before begun in the vineyard. Violets are all over this very young GS, the elegant one, but typically tannic and while ’13 is very good, it seems to be showing its cards early. This is a surprise and a welcome thought because there needs to be one Il Margone to enjoy while other more fierce vintages take their sweet time to unfold. Drink 2020-2031.  Tasted September 2017

Il Molino Di Grace Chianti Classico Gran Selezione Il Margone 2012, DOCG Tuscany, Italy (435115, $39.95, WineAlign)

Chianti Classico Gran Selezione Il Margone 2012 comes structured from a vintage with frost in May that compromised 50 per cent of the crop and as a result, bestowed lowest of low yields and concentrated berries. After that happenstance of natural selection the vintage turned to hot and dry, with great weather at harvest. This is and could only have developed into a fleshy and magnanimous Gran Selezione with acidity equivocal and anti-acrimonious to bones draped with the ripest of fruit. And it’s a good thing the acidity is set to high because that fruit and richness will need it going forward. Such a GS had to be crafted this way, with compound aggression and aggressive behaviour. Ultimately defines what it means to be affirmative action Gran Selezione. Drink 2021-2030.  Tasted February and September 2017

Il Molino Di Grace Chianti Classico Gran Selezione Il Margone 2011, DOCG Tuscany, Italy (435115, $39.95, WineAlign)

The 2011 is persistent, that much is obvious, in a hulking, Gran Selezione monstrous state, big in alcohol and bones. A curious and precocious chocolate-balsamic secondary note is just faintly starting to peek through, teasing the idea of drying the fruit by nature and leading towards the beginning of a savoury ascent. This may really take hold ahead of schedule, perhaps at some point in the latter stages of 2019.  Lasted tasted September 2017

What is Il Margone? “This is the best selection. We taste the wine in the cellar and decide the wine that will be, to the end,” explains Iacopo Morganti, director of Il Molino di Grace. The name must also refer to the particular construction of the vineyard at Montefili, on Panzano’s west side, of its altitude, slope and the Galèstro within. Il Margone is a kind of wine for the (Molino) windmill, where the water goes over the stone and it is a wine that was always the Gran Selezione, before and after, on the vine and in the barrels. Now it can be called what is has been whereas before it was the second Riserva but the more important one, the best one. It now spends 18 months in barriques, 50 per cent new and 18,000 bottles are made. It runs deeper still, far through the Galèstro and into the pietra forte, for the cementing of strong sangiovese (not just religious buildings). From the hot vintage of 2011 and with the alcohol to prove it (14.5 per cent), there is an inherent sense of yeasty culture, a sheep’s milk pecorino that runs through the warmth. It functions as a cooling centre, then compression, layered spice and tannin. That late attack co-conspires with acidity to freeze the mouthfeel and seek years of patient desire. Really energetic Sangiovese, iron-fisted and demanding but with so much seeping cherry fruit. Wait four years minimum. Drink 2019-2025.  Tasted May 2016

Sangiovese and Galestro at Il Molino di Grace in Panzano

Il Molino Di Grace Gratius 2012, IGT Toscana, Italy (Agent, $49.95, WineAlign)

Gratius 2012 is not the bomb that was (and still is) 2011, from the single, 70 year-old vineyard located seven kilometres away from the estate. Many of those vines are still thriving, with the hope to keep grafting for the purpose of perpetuating the biotypes through future plantings on the estate. Gratius is 95 per cent sangiovese with bits of canaiolo and colorino that spent 12 months in barriques. It’s always a chunky and tannic affair, of savoury red fruit but the nose here is more beautiful now, finally, as Gratius has scaled back just enough to be beautiful. When it’s now dry in the right way and not bent to steal anything from you or your palate it then reveals the chivalry and the charm. Lovely work here from the Bernabei-Morganti-Grace group. Drink 2019-2024.  Tasted September 2017

Fontodi vineyards in the Conco d’Oro, Panzano

Fontodi

To read my full report on this September 2017 visit with Giovanni Manetti at Fontodi please click the following link.

Related – Fontodi’s one hundred per cent sangiovese

Sangiovese of Fontodi

Fontodi Meriggio 2016, IGT Colli Toscana Centrale, Italy (WineAlign)

Meriggio is 100 per cent La Rota vineyard sauvignon blanc, whole cluster pressed with native yeasts, 75 per cent stainless steel ferment, no malo, 15 per cent in amphora and 10 per cent in French barriques. That said, without temperature control some malo, like it, happens. To go to Meriggio means to go and have a rest in the shade, from the verb meriggiare in reference to the (not Tuscan) poet Eugenio Montale, “merrigiare pallidio e assorto.” Empty is the literal translation but it’s more a case of the unoccupied mind at rest. Sauvignon should always be so calm and yet spirited, here with little to no oxidative character but rather metallurgy, saltiness and pure tang. The leesy reductive environment and Panzano acidity conspire with calcaire for a demonstrative locution. Bloody delicious sauvignon blanc for the man in me. Drink 2017-2022.  Tasted September 2017

Fontodi Chianti Classico 2014, Tuscany, Italy (933317, $36.95, WineAlign)

No surprise here from stalwart Fontodi, to take a difficult vintage, push vanity aside and select the best fruit for a pure expression of sangiovese, natural and organically made, with precision and clarity. The red Panzano fruit spikes with cran-pom-rasp-currant bursting freshness. It’s just the right amount of tart and sapid, carefully rippling in acidity. So well made. Drink 2018-2022.  Tasted February and September 2017  #Fontodi  rogersandcompanywines    @rogcowines  Az. Agr. Fontodi  #fontodi

Fontodi Chianti Classico Filetta Di Lamole 2014, Tuscany, Italy (Agent, $35.95, WineAlign)

The old Lamole winery is owned by Giovanni Manetti’s cousins, where the grandfather made important wines until he passed away in the 80s and the grapes were then sold to bulk. Then Giovanni began working with the family in the 2000s and this first vintage was ready because the finesse of 2014 spoke to him, to begin the new journey. This has seriously improved, settled, come together, developed its excellence with seven months added in time to bottle. Its characters of amaro, earth and texture are now as one, inseparable and fully vested in the calm. Drink 2017-2023.  Last tasted September 2017

From the “forgotten corner of Chianti Classico,” Lamole of Greve in Chianti is perched in a natural amphitheatre between Volpaia to the south and Panzano to the west. Some of the vineyard’s older vines are still pruned in the alberello (bush) style. This is Giovanni Manetti’s inaugural vintage of the Filetta in cohorts with his cousin. So, decidedly a diffident partner and opposing force to the Fontodi Annata because the earthy-subterranean dwelling aromatics brood beneath the red, verging to riper and darker fruit. There is a liquor, aperitif amaro-ness to the Lamole. The clay must be darker and more compressed. The balance is struck though on deeper, more brooding and warmer alcohol-felt lines and in 2014, as if it were a Riserva. It’s an oak “vessel’ aged 100 per cent sangiovese, as opposed to other the estate’s usual use of barriques. It is perhaps counterintuitive but this acts more evolved than the “normale.” Neither better or worse but enjoyment time is now.  Tasted February 2017

Father and son- Giovanni and Bernardo Manetti @fontodi #panzano #chianticlassico

Fontodi Chianti Classico Gran Selezione Vigna Del Sorbo 2014, Tuscany, Italy (Agent, $83.95, WineAlign)

The older vines are between 52 and 54 years old, the first vintage being 1985 and until 2011, contained some cabernet sauvignon, vines that have since been pulled out. The now site-specific, 100 per cent sangiovese Vigna del Sorbo may have been muscular in 2012 but no such hyperbole exists in 2014. The vintage determined this and despite the deep black cherry chalkiness the true spirit and stripped down honesty of sangiovese is in display. Purity has returned, floral like an artistically-rendered natural, realist and perpetual field of flowers in bloom, in installation, of violet light and rose-scented glass. I can imagine drinking this for decades, with its albarese-galestro saltiness and effortless concentration. Sometimes sangiovese never relents and at the same time never tires. Meraviglioso. Drink 2020-2038.  Tasted September 2017

Fontodi Chianti Classico Gran Selezione Vigna Del Sorbo 2013, Tuscany, Italy (Agent, $81.00, WineAlign)

Fontodi Chianti Classico Gran Selezione Vigna del Sorbo 2013. (Takes deep breath). Just imagine a box filled with all things sangiovese, in all its incarnations and permutations, each aspect teaching something about what you need to know. History, legacy and tradition. Risk taking, forward thinking and progress. What is learned (in retrospect) from two poles; heat and power (2012) and cool savour and elegance (2014). The ’13 is not a matter of being in between but rather an exceptionality, a sangiovese of energy, precision, clarity, purity and a pure reflection in the window of honesty. Everything this vineyard can offer is in the 2013; florals, herbs, fruit, acidity and fine, fine tannin. All in, together, as one. Perhaps its best years will end sooner than 2014 but the time spent will be unparalleled. Drink 2019-2035.  Tasted September 2017

Fontodi Chianti Classico Vigna Del Sorbo 1986, Tuscany, Italy (AgentWineAlign)

Fontodi’s Vigna del Sorbo was obviously not a Gran Selezione designated Chianti Classico in 1986 but it was at the top of the pyramid. A sangiovese in which the acids and fine pear bitters stir in the tray, with a fruit from the (Sorbo) tree that was used to mix with grapes for Vin Santo. Not any more. In 2017 the freshness is impossible, implausible, perpetuated in the most floral and fine acidity combination of any older sangiovese ever experienced. This is like sucking on the most perfect lozenge of fruit, salt, mineral and Panzano mystery. This is Panzano sapidity perfectly realized, preserved and expressed. There is a touch of Cassis, less pyrazine but you can detect the cabernet sauvignon character, even in 10 per cent but combined with sangiovese it’s this frutta di bosco feeling. Just fantastic. Drink 2017-2023.  Tasted September 2017

In @chianticlassico mano nella mano 1986, @fontodi #vignadelsorbo & #flaccianello thank you Giovanni Manetti for sharing these two opposing forces of the Tuscan paradox #chianticlassico

Fontodi Flaccianello della Pieve 2014, Tuscany, Italy (Agent $125.00, SAQ 12123921, $97.25, WineAlign)

Flaccianello comes off of a different slope, aspect and exposition than Vigna del Sorbo, here facing straight south, collecting all the sun it can in the golden glow of the Conca d’Oro. The richness celebrates the legacy of this 100 per cent sangiovese, once so atypical and untraditional back in 1981, now the most legacy defining there may just be for varietal Panzano and for the territory in the sense of the greater good. Pure, nonpartisan just, unadulterated and perfectly powerful sangiovese with length from Firenze to Siena and back. Drink 2021-2036.  Tasted September 2017

Fontodi Flaccianello della Pieve 2013, Tuscany, Italy (Agent $125.00, SAQ 12123921, $97.25, BCLDB 55392, $109.99, WineAlign)

The Flaccianello is the Fontodi expression of uva nostrala, “our grape,” explains Giovanni Manneti, the most important local variety owned by Chianti Classico, protected and exalted by Fontodi. Sangiovese the solo act that must define Gran Selezione, to explain what is Chianti Classico in its purest form and to separate how it grows and what wine it produces, particularly when you are to compare it from commune to commune. This Flaccianello separates itself from the Vigna del Sorbo vineyard and Gran Selezione category, even from itself, with another bonafide elegant layer of Conca d’Oro stratified limestone richness and this ultra-savoury umami level of minty-herbal intensity. What else is there to say? Drink 2020-2034.  Tasted September 2017

Fontodi Flaccianello della Pieve 2006, Tuscany, Italy (WineAlign)

Tell it to the vintage perhaps but 2006 is so very floral, more than any Flaccianello in the memory bank and expressly sangiovese in temper. It’s a year with massive tannins and extreme acidity. For these reasons there is a tightness of being and even at 10-plus years it’s silly young to work with but the concentration impresses. Fruit at a premium indicates some citrus, in orange and lemon with compound interest calculated in further variegated acidity. The most sapid Flaccianello of them all has 15 years more initial development ahead before true secondary character will take over. It’s amazing when you stop to think about sangiovese of such structure. Drink 2019-2031.  Tasted April 2017

Fontodi Flaccianello della Pieve 2005, Tuscany, Italy (WineAlign)

“This is the vintage I open when I host a party or an important dinner, because no one asks me to open it.” The words are Giovanni Manetti’s and for him none truer are spoken, with a smile. The younger vines and super-selection from the “Bricco” part of the top of the hill in the exceptional vineyard make for a sangiovese of fine-grained tannin plus what the smallest berries of the smallest bunches gift. Their integration with wood has become a matter of balance, in terms of delicasse, even while supported by such structure. Secondary character is happening, in herbal, balmy and savoury, slightly pulsed and edging into balsamico. But it’s such a gentle and slow-sliding slope, years yet away from tertiary. Drink 2017-2026.  Tasted September 2017

Fontodi Flaccianello della Pieve 1986, Tuscany, Italy (WineAlign)

Flaccianello in 1986 is actually though not surprisingly so different from Vigna del Sorbo, more than any other reason because of the cabernet sauvignon, but in a more philosophical way, because they have built a paradox, from the Super Tuscan ideal in revolution. Now the sangiovese going forward will be the most important and also the best wine, like looking back at this 1986, OK, not better than Sorbo but purer, honest, a clearer picture from which to learn from and ultimately a model for the future. Beautiful power, restraint, structure and yes, the kind of wine that deserves to be praised with the term elegance, overused, or not. Perfectly rustic, earthy and full of fruit with its accompanying complimentary, enervating and necessary acidity. Drink 2017-2023.  Tasted September 2017

Looking for two horsemen in #chianticlassico

Good to Go!

Godello

Twitter: @mgodello

Instagram: mgodello

WineAlign

Seventeen mind-blowing wines of 2017

No, wines do not have to be old to blow your mind but there is just something so mysterious, magical and hypnotizing about the experience of age in preservation. When we use the cliché “tasting history” it distracts from what is most poignant about tasting older wines. It’s the humbling and how wisdom, acumen and meteorological circumstance conspire to take us away from our troubles, to forget about life for a while and to realize that forces greater than us are truly in charge.

There are also young wines so precocious and wise beyond their years that they somehow intuit the future. These too can blow our minds, addle us as if lovestruck and disoriented so that only this confluence of smell, taste, texture and structure are what we know. It takes all kinds to populate a list that separates greatness from the rest, but that does not means only 17 wines were tasted to be extraordinary in 2017.  It means that some struck a vein while others grazed on the skin. Most important is that all were experienced because someone chose to share them. Thank you to the producers and the benefactors for bringing these bottles to light.

Related – 16 mind-blowing wines of 2016

Honourable Mentions

Château Haut-Brion 1986, Saffredi 2004, Brokenwood Sémillon 2007, Domaine Gros Frères Clos Voguent Musigni 2013, M. Lapierre Morgon 2010, Domaine G. Roumier Bonnes-Mares Grand Cru 1996, Domaine Jamet Côte-Rôtie 2006, Coppo Barbera d’Asti Nizza Riserva della Famiglia 2009, Le Fraghe Bardolino 2015, Sordo Barolo Riserva Gabutti 2006, Carobbio Chianti Classico 1990, J & J Eger Kékfrankos 2006, Château Léoville Las Cases 2001, François Cotat Chavignol Sancerre Rosé 2009, Domaine La Vieux Télégraphe Châteauneuf du Pâpe La Crau 2005, D’Arie Syrah 2012, Julia Bertram Handwerk Spätburgunder 2015, Planeta Carricante Eruzione 1614 2015, Dominus 1994, Château Lafite Rothschild 1998 and Esmonin Gevrey-Chambertin Clos Saint-Jacques 1993.

Several times a years I gather with groups of like-minded, wine-spirited folks, to break bread and to pop established icons, singular archetypes, varietal rarities and supernumerary misfits. Many of the wines on this 2017 list are a result of having been fortunate enough to be included in repeated repasts with pirates on picnics and doctors at dinner.  Most of the rest are travel related, in fact this year alone I tasted approximately 700 sangiovese, 200 barbera, 200 corvina and 100 nebbiolo. So many more of those praiseworthy reds and rosés deserved spots on this docket but alas, the list is short. I do not fulminate them, nor you neither. Here are Godello’s 17 mind-blowing wines of 2017.

It began like this and I got 15 dollars hid above the stove.

Möet & Chandon Dom Pérignon Vintage Brut Champagne 1990, Champagne, France (280461, AgentWineAlign)

Tasted blind the hue immediately leads the mind in one of two directions; hot vintage or decades of age. I’m tempted to consider a combination of the two, so the decision is warm vintage and a minimum of twenty years age. Further introspection takes me back to 1990 and when the reveal confirms this and in the abide of Dom Pérignon it means one thing. Start the process of thinking again. This wine has done its work, having accumulated a diverse set of developmental traits and processed them so that the language it now speaks is clear and pure. At 27 years of age it’s delicate, smooth, soft-spoken and settled. The finest golden toast (again in hue and more importantly in aroma) glows into the creamy texture, like preserved lemon transformed into gelid curd. The mouthfeel is exceptional with baking bread rising, puffy and satiny glazed across the palate. The seamlessness of this Champagne seeks, solicits and makes rendezvous with no peer or challenger its equivalent, not should any comparison be made. Kudos to a wine that stands on its own and makes you feel this good. It will continue to do so up to and perhaps beyond its 40th birthday. Drink 2017-2030.  Tasted March 2017  moetchandon  @chartonhobbs  @MoetUSA  @ChartonHobbs  @Champagne  Moët & Chandon  Charton Hobbs Canada  Champagne

Famille Picard Saint Aubin Premier Cru Le Charmois 2014, AOC Bourgogne (522078, $57.95, WineAlign)

This is a chardonnay to place the village of Saint Aubin in a remarkable light if only because it’s the most stony, flinty and tightly wound example just about ever. The Charmois is the elevator that carries the appellation into a purity of climat for Bourgogne Premier Cru. In this case terroir delivers the idea of Climat but it is the interaction of the maker that defines the notion simply because there is no mess and no fuss. It just feels like drinking straight from a bleed of the calcareous land, as might happen in a limestone goblet filled with Montrachet. You have no idea how good a deal this is from the most excellent 2014 vintage. Drink 2019-2028.  Tasted October 2017  domainesfamillepicard  profilewinegroup  #bourgognewines #FamillePicard  @ProfileWineGrp  @BourgogneWines  Domaines Famille Picard  Profile Wine Group  Bourgogne Wines

Domaine Bouchard Père & Fils Chevalier Montrachet Grand Cru 2015, AOC Bourgogne (Agent, $480.00 WineAlign)

Chevalier-Montrachet is a matter of aromatics, of the finest of the finest, preserved, reserved, impressionable and of quietly powerful impression. The deistic and the parrhesiastic are reached in this Grand Cru, “one who speaks the truth to power.” Elysium in chardonnay is captured for the perfectly ripe orchard and crushed stones. The young palate is almost severe but takes its first steps down the most ethereal path, with the finest drawn lines and rendered streaks of energy lit, sparked and smouldering. This is Bourgogne of intrinsic value, slowly rising to a crescendo where a flame flickers but within the sheltered lamp of a hurricane. How is such harnessed power even possible? Only like this, in Chevalier-Montrachet . Drink 2021-2037.  Tasted April 2017  bouchardpereetfils  woodmanws  vinsdebourgogne  @BouchardPere  @WoodmanWS  @VinsdeBourgogne  Bouchard Père & Fils  Woodman Wines & Spirits  Vins de Bourgogne / Burgundy wines

Domaine Sigalas Kavalieros 2015, Santorini, Greece (SAQ 11814421WineAlign)

I’ve not yet tasted the Kavalieros 2014, so this single-vineyard, 18 months on lees done in stainless steel Kavalieros 2015 made by “Mr. George” is the benchmark for Santorini, assrytiko and salty white wines everywhere. The first release was 2009. Straight up and turning the world on its head, like the old man on the label and upside down against Apollo’s Aegean Cyclades. This ’15 richer still, more than the seven villages wines and a hyperbole as compared to the entry-level assyrtiko, of deeper mineral, compressed, layered and fantastic. Crushed rocks permeate in aggregate, it’s quixotically saline and textured, of intense presence and finally, structured. For 15 years at least. A late shot of natural Santorini tonic swirls in centrifuge with assyrtiko so wound up. This will need 10 years to unwind and allow for cracks to form in the mineral shell, followed by the birth of its fruit. It should never be forgotten that assyrtiko can and will show fruit but with Kavalieros you’ll have to be patient. Drink 2020-2031.  Tasted March 2017  @DomaineSigalas  @MajesticWineInc  winesofgreece  domainesigalas  @MajesticWineInc  @DrinkGreekWine  @DomaineSigalas  Panayiota Kalogeropoulou  Wines of Greece

Penfolds Grange 2011, South Australia (356121, $750.00, WineAlign)

There is just something about cool, rainy and irreconcilably regarded vintages that brings out the best in wines made by winemakers of elite acumen. Deliver your best from the greatest of harvests but also “give me your tired, your poor, your huddled masses yearning to breathe free. The wretched refuse of your teeming shore.” Leave the middle of the road to someone else. This Grange faced adversity and won. The yields and output may only be 50 per cent of normal but what gives is the silky texture of Grand Cru Bourgogne. This chosen one of singular vision to represent the multi-tiered and faceted Penfolds Estate tells us about the world inhabited by the instinctual and the ethereal. It combines tannin, structure and aesthetic deeply engrossed in the shadow of its own looming destruction, but is designed from the first with an eye to its later existence as a ruin, forever preserved. If a perfect plum and a magical olive were crossed they would welcome this collective spice of no equal. The quality of bite and chew lead to rumination and the savour rests on a chart clearly defined but in high contrast and only to itself. An analgeisc meets hypnotic cooling is mentholated though if not specific in origin it is only and highly natural. Legendary vintage? Why not. This calm, cool and collected 2011 may just outlast some of the more recently considered top vintages of ’06, ’08 and ’10. Drink 2019-2035.  Tasted May 2017  penfolds  markanthonyon  wineaustralia  @penfolds  @MarkAnthonyWine  @Wine_Australia  Penfolds  @MarkAnthonyWine  Wine Australia

A deep #eredichiappone vertical delve with Daniele for perspective and a release of endorphins @ilNizza possibilities #progrettovini #collisionimonferrato

Erede Di Chiappone Armando Barbera D’asti Superiore Nizza DOC RU 2006, Piedmont, Italy (WineAlign)

RU by Daniele Chiappone is this, at first something altogether inexplicable but when tasted alongside his 2005, 2010 and 2011 it makes such perfect sense. Sense in where this fits in his evolution and to speak on behalf of the age-worthy ability of Nizza barbera. In a world where barbera perfume so often performs with perfunctory brevity this goes on and on. It is a unique combination of fennel frond, incense, hibiscus and violet to create an intoxicant and an anaesthetic. Yet another exceptional vintage is revealed, traditional and so alive, spun from earth crusting over cherry and then this smooth leather. The portal backwards 10 years allows for looks forward 10 more, especially into what’s coming from 2015 and 2016. To say the match with a prodigiously spiced in aromatic ragu over linguine was agreeable would be the understatement of the Monferrato century. Perfectly timed acidity seals the deal. This is barbera folks, of wit, age and history. Drink 2017-2021.  Tasted July 2017  erededi  ilnizza  @erededi  @ilNizza  Erede Di Chiappone Armando  IlNizza

Robert Mondavi Reserve Cabernet Sauvignon To Kalon Vineyard 1999, Napa Valley, California (WineAlign)

This from a time when Mondavi labeled the reserve cabernet sauvignon as “To Kalon Vineyard,” a moniker of essential meaning that would return 14 years later on the 2013 bottle. If this were what Mark de Vere referred to as “a confusing moment in history” I could not say but “this strange bottling” provided an unequivocal and seminal turning point in this wine’s storied past, present and future. It was in fact a small, special cuvée, a little bit different than the ’99 Reserve. “The coolest vintage on record, until it wasn’t,” because of a warm period at the end of summer and early fall that ushered forth a certain, singular sort of ripeness. Regardless of memories, characterizations and twists of fate, this single-vineyard cabernet is as finessed, focused and precise as any Mondavi Reserve. It persists chalky, fine and gritty in tannin running amok, dragging the acidity forward and around. The workout is something to behold, a dispatch of late Napa fashion and never more successful than right here. The dépêche mode of To Kalon is by now famous but culminated with this ’99 for everything to follow, with consistency and a guarantee of modern quality. Listen to it croon “try walking in my shoes.” Many have and many continue to pay homage to this Napa Valley originator and pioneer. It’s a cabernet sauvignon of faith and devotion. Drink 2017-2029.  Tasted May 2017  robertmondavi  @RobertMondavi  Robert Mondavi Winery

Quilceda Creek Cabernet Sauvignon 2003, Columbia Valley, Washington (Agent, WineAlign)

A truly remarkable nose, notably violets and peregrine species of spices. There is so much perfume and beauty, an Aishwarya Rai Bachchan nose and then there is the fruit. Blackberry, Cassis then into vanilla, scented happiness like ruby red grapefruit and bergamot. If it should have aged I can’t say but it’s still a voluminous and voluptuous thing to sip. It blinds like first Growth Bordeaux with its perfect extraction. Thoughts keep at it, to blueberries, cigar box and Kirsch. The tannins are sweet and gritty, not fully resolved and imagine Margaux. You could consider taking out a mortgage on yours and your neighbour’s house for this one. It was one of many great reds tonight but I’ve just tasted this. And I wept. Drink 2017-2024.  Tasted March 2017  @QuilCreekWinery  @thevineagency  winesofwashington  wa_state_wine  @QuilCreekWinery  @TheVine_RobGroh  Quilceda Creek Vintners  @WINESofWA  The Vine – Robert Groh Agency  Washington State Wine

A great honour to taste this 1995 #carobbio #leone and in memory of #carlonovarese Thank you Dario and Silvia. Would like the chance to do it again in 22 years #toscana #sangiovese

Tenuta Carobbio Leone 1995, IGT Toscana, Italy (WineAlign)

Leone 1995 was made under the auspices of the Vittorio Fiore-Gabriella Tani oenology stylistic for Carlo Novarese. To say that this single-vineyard sangiovese is youthful would be the biggest IGT understatement of the century. From vines that at the time were 25 years-old, Leone is not just a survivor of a universally-declared incredible vintage, it is a singular expression from 1990’s Tuscany, in Chianti Classico and for Panzano. The violets, dried espresso and plum-amaretti semifreddo (savoury, not sweet) mixes with fennel frond, fresh rosemary and the 20-plus years lingering Carobbio tobacco. The acidity is fully intact, still travelling up and down the sides of the tongue, repeatedly and soliciting so much savour, sapidity, a desire for a mouthful of hematic, rare sear of Claudia’s beef filet and then more and more sipping. After 20 minutes the aromatics deliver a raspberry purée and even a black olive and mineral-saline, short of briny caper into the fray by stroke of some aromatic brush and bush in the light afternoon wind. That’s enough. I’m not sure my heart can take any more. Time for Vin Santo. Drink 2017-2029.  Tasted February 2017  carobbio_wine  chianticlassico  @Tenuta_Carobbio  @chianticlassico  Tenuta Carobbio  Chianti Classico

In @chianticlassico mano nella mano 1986, @fontodi #vignadelsorbo & #flaccianello thank you Giovanni Manetti for sharing these two opposing forces of the Tuscan paradox #chianticlassico

Fontodi Flaccianello della Pieve 1986, Tuscany, Italy (WineAlign)

Flaccianello in 1986 is actually though not surprisingly so different from Vigna del Sorbo, more than any other reason because of the cabernet sauvignon, but in a more philosophical way, because they have built a paradox, from the Super Tuscan ideal in revolution. Now the sangiovese going forward will be the most important and also the best wine, like looking back at this 1986, OK, not better than Sorbo but purer, honest, a clearer picture from which to learn from and ultimately a model for the future. Beautiful power, restraint, structure and yes, the kind of wine that deserves to be praised with the term elegance, overused, or not. Perfectly rustic, earthy and full of fruit with its accompanying complimentary, enervating and necessary acidity. Drink 2017-2023.  Tasted September 2017  Fontodi  chianticlassico    @chianticlassico  Chianti Classico  Az. Agr. Fontodi

Cortonesi La Mannella Brunello Di Montalcino Riserva 2010, Docg Tuscany, Italy (Agent, $202.95, WineAlign)

There are few Brunello vintages afforded more attention in the last 10-plus, certainly ’04 and ’06, increasingly better even from ’08 and looking forward towards what greatness will come in 2015. Yes but not solely magnified through the lens of patience and bottle time, from 2010 La Mannella has coupled upon and layered over itself like compressed fruit and puff pastry. Though it begs for drink now attention, another seven years will be needed before it can safely be labeled as uncoiled and to reveal all that is wrapped so tight. Rich is not the operative but unmistakeable as Cortonesi it is; that natural clay soil funk of resolution and fully hydrated chalk. This is to sangiovese as Les Preuses Grand Cru Chablis or Rangen Grand Cru Alsace are to Riesling. It carries in its pocket the absolute meaning and genetic responsibility of where it comes from, with a curative and restorative ability to get you lost. Drink 2019-2031.  Tasted February 2017  marcora85  nicholaspearcewines  brunellodimontalcino  @LaMannella  @Nicholaspearce_  @ConsBrunello  Tommaso Cortonesi  Nicholas Pearce  Consorzio del Vino Brunello di Montalcino

Maison Roche De Bellene “Collection Bellenum” Grand Cru Clos De La Roche 1998, AOC Bourgogne, France (Agent, $364.95, WineAlign)

Clos de La Roche 1998 may be 19 years old but you have to swirl the britches out of this Grand Cru because reduction persists in its make-up. Once you work your way over the wall a field of wildflowers and a roses bouquet lays out as far as the nose can mind’s eye. This is pure candy in its most arid, blessed and gout de terroir way. It is as charming as Burgundy can be and yet so fine of tannin, tight and duplicitously-grained in clone upon itself. One of those wines so difficult to put to words because it teaches and you can do nothing but listen. I’d still want to wait two more years, maybe more, before knowing I’ve waited long enough. Close de la Roche speaks to me but to answer with any real credibility and respect I will need to think some more. Drink 2019-2035.  Tasted February 2017  domaine_de_bellene  nicholaspearcewines  vinsdebourgogne  @RochedeBellene  @Nicholaspearce_  @VinsdeBourgogne  Bellene  Nicholas Pearce  Vins de Bourgogne / Burgundy wines

Not just #meerlust more like major lust. Thank you for the sexy time travel @meerlustwine Laurel Keenan and The South African Wine Society.

Meerlust Rubicon 1984, Wo Stellenbosch, South Africa (WineAlign)

Meerlust dates back to 1693, the house that is “love or pleasure of the sea.” Less than five kms south from the Atlantic Ocean, the property was purchased in 1756 and to this day remains family owned, now in its eighth generation with 260 years of continuity. Rubicon 1984 is poured (with brilliant decision making) from magnum and is therefore fresher than the 1996 with an incredibly controlled level of fineness in tannin, from acidity and at the threshold of understood volatility. “Perhaps one did not want to be loved so much as to be understood,” like this early Rubicon. The future of Meerlust is foretold with Orwellian transparency, bold honesty and expert ability. “Who controls the past controls the future.” Drink 2017-2019.  Tasted September 2017  meerlustwine  wosa_za  wosa_ca  liffordgram  @MeerlustWine  @LiffordON  @WOSA_ZA  @WOSACanada  MEERLUST ESTATE  Lifford Wine and Spirits  Wines of South Africa

Boscarelli Vino Nobile Di Montepulciano Riserva 1982, Tuscany, Italy (WineAlign)

The Boscarelli acts like a much younger Nobile, from an exceptional vintage and a producer way ahead of its time. The key is to decide which side of the evolutionary fence we’re on, closer to that 1967 from Contucci or to what is happening today. This may actually be the turning point for Vino Nobile because it really has one foot entrenched in each world. Very much in the mushroom and truffle aromatic atmosphere, where sangiovese should feel free and comfortable to travel in the twilight of its golden years. This is beautiful, with some dark fruit persisting and acidity still in charge. You can imagine the old tannins but they no longer make any demands. Drink 2017-2020.  Tasted at Anteprima del Vino Nobile di Montepulciano 2017, February 2017  #PoderiBoscarelli  lucadeferrarildf  artisanal_wine_imports  consorzionobile  #poderiboscarelli  Nicolò De Ferrari   Luca De Ferrari  @artisanalwineimports

Antichi Poderi Dei Marchesi Di Barolo Gia’ Opera Pia Barolo 1958, Piedmont, Italy (WineAlign)

Poured by Ernesto Abbona on his wife Anna’s birthday, a ’58 at the ripe old age of 58 (though it will turn 59 later this year). Simply, in the words of the Abbona family, “a special evening, special friends, special vintage,” with a cork that looks as good as new, though Ernesto takes great time and care in its extraction. The aromas are blessed of a collective umami but would better be served by a new descriptor because they are antediluvian and impossibly preserved. Forget mushrooms and truffles. These scents are brand new, with no truly identifiable frame of reference, as if plucked from some guise of Eden where never before tasted dark berries fall effortlessly into the hand off of gariga savoury-scented bushes, brambly and crawling intertwined with nasturtium on a composting forest floor. The 1958 was and still is a nebbiolo of struttura, of a fibra morale that tells a story of consistency and longevity. With air it became more complex if deeper and turbido. That this magical nebbiolo from another era hovered in the lasting air of a 30 minute long ethereal says that you could open a few more but perhaps not much beyond its 60th birthday. Drink 2017-2018.  Tasted July 2017  marchesibarolo  majesticwinesinc  @MarchesiBarolo  @MajesticWineInc  @marchesibarolo  Majestic Wine Cellars

The mythology of #thorle #riesling in Beerenauslese and Trockenbetenauslese #weingutthörle #gabsheim #rheinhessen #holle

Thörle Riesling Trockenbeerenauslese Hölle 2011, Rheinhessen, Germany (WineAlign)

The Hölle TBA 2011 is a minuscule 180 bottle single-vineyard production and the vintage was simply perfect for the effort. The process involved the collection of a few berries at a time over the course of three weeks, started in the fridge and was then pressed when the amount of approximately 100L could be obtained. “This is the king’s discipline for creating such a riesling” explains Christoph Thörle. Thick like honey, full of unctuousness and viscosity. It is expressly noticed how the colour and the development have not advanced considering the six year mean. The exoticism is what separates this, with fruits far east, creamy and perfectly easy to assimilate, in flavour, consistency and understanding. Sweet herbology, of thai basil and thyme and candied mandarin rind. Here, a piece of history and legacy from Christoph and Johannes. Drink 2021-2041.  Tasted March 2017  thorle_c  thorleestatewinery  univinscanada  @thoerle  @UNIVINS  @germanwineca  @gen_riesling

Will be a top ’17 from 2017 #louisguntrum #1976 @weininstitut #rieslingauslese #niersteiner #heiligen #nierstein #niersteinamrhein #roterhang

Weingut Louis Guntrum Riesling Auslese Niersteiner Heilibengaum 1976, Rheinhessen, Germany (WineAlign)

“Roter Hang is a geological statement” says Louis Konstantin Guntrum. If you want to hang around and try to understand its red soils and friable limestone fettle it requires a focused state of mind. Guntrum introduces this 1976 by saying “it’s a young guy, 40 years old,” the same thing he could have said years ago about a 1917 Roter Hang Riesling. The comparative studies is a matter of perspective, a theory of relativity, in reduction, colour, drama, florality and fabulousness. While certain vintages and specific wines will blow you away more than others there is something to be said about older just being more interesting, whether 1917, 1976 or whatever back vintage you want to try your luck with. It’s simply remarkable and crazy how sugar and acidity can preserve riesling like this, especially and/or truly withstanding the Roter Hang. The honey and candied orange blossom are so prevalent but it almost seems dry (relatively speaking) even though 100 grams or more of sugar have driven this wine. Beauty from bitter phenols blend with lanolin, paraffin, ginger and ginseng. Keep returning for 15 more years. Drink 2017-2031.  Tasted March 2017  #louisguntrum  @weininstitut  wines_of_germany  @LouisGuntrum  @WinesofGermany  Weingut Louis Guntrum  German Wine Institute i.e. Wines of Germany

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Good to go!

Godello

Twitter: @mgodello

Instagram: mgodello

WineAlign

 

Caro Carobbio

Peaceful afternoon in February light at #carrobio #chianticlassico #panzano

Few wanderlust statements sound better than “I returned to Tuscany” and with the greatest of fortune smiling upon me I am able to utter the phrase again. Not just Toscana mind you, but Chianti Classico, in and out of February Anteprime tastings, to a pin on the map south from Firenze along the Chiantigiana, sidestepping for the Florentine view from Impruneta, then through Greve and into Panzano. The reason for my return begins as it always does, to adduce a lifelong pursuit deep into the meaning of sangiovese. It also fosters a fixation dug into the variegated soils of Chianti Classico and even further still, to the nurturing, sub-appellative specificity of sangiovese’s intaglio secrets. With each return it also ingrains a feeling of coming home.

Related – Grace in Chianti Classico

The most recent visit brought me back to Panzano, first to Il Molino di Grace and then to Tenuta Carobbio. Panzano in Chianti lies at the heart of Chianti Classico and below the hilltop town sits the “golden basin” of the Conca d’Oro, once a prized wheat producing area interspersed with grape vineyards and olive groves. Carobbio is not so easy to find. The tight twisting road from Panzano climbs and descends before turning off-road for the descent into the valley where tucked away and recondite Carobbio lies. It is no stretch to call Carobbio a hidden gem.

Conca d’Oro

Forza e Passione

E la sua passione describes the vision of Carlo Novarese’s decision to create Tenuta Carobbio. The Como silk king was born into a family from Monferrato and the childhood memories of wine production at Sannazaro Castle conspired to transfer passion into the estate’s Panzano ways. At 60, Novarese handed over the family textile company to his son and returned to Tuscany. “A spontaneous return, perhaps atavistic, which marked a new beginning.” With a “desire was to return to his roots and begin living close to the soil.” During a magical evening in June 1986, in a moment frozen in time, Carlo Novarese felt the certainty of having found “un angolo di paradiso in Toscana, “a little corner of paradise.”

Capiteto

A little slice of Eden in Tuscany

The southern facing Carobbio set between 350 and 400 metres of elevation stretches over 50 hectares, mostly forested, 10 of which are specialized vineyards and two are dedicated to olive cultivation. The Panzano hill and its houses protect the southern Conca d’Oro valley from the cold Apennine winds. The peaks of Monte Domini, Poggio Convento, Monte San Michele and Monte Querciabella in the east shelter the vineyards of Carobbio from the winds and damp air from the Arno.

The soils are characterized by a significant proportion of deep clay, sandstone, siltstone strata, marl and Alberese, the latter two most typical of Chianti Classico. The land is simply and emphatically “un territorio che vive graze alla forza e passione delle persone,” a land that lives through the strength and passion of its people. The 150 year-old farmhouse, ‘Capiteto’ is a great symbol of the estate’s history, a home at the edge of the Conca d’Oro, with views stretching from Rignana in San Donato to Tavarnelle.

Silvia Fiorentini and Dario Faccin

After walking the estate I sat down with Carobbio’s Director of Winemaking Dario Faccin and the Consorzio di Vino Chianti Classico’s Silvia Fiorentini for a tasting of current vintages and indelible memory etching bottles from the past. Dear Carobbio, thank you for taking me in, for sustaining me and for introducing me to the mysteries of the Conca d’Oro. Here are my notes on the nine wines tasted, with thanks to Dario, including selections from 1997, 1995 and 1991.

Single-vineyard, 100 per cent sangiovese, so mineral-spiced you would think it came from barrel #notachance #carrobio #toscana #panzano #terrarossa #rosato #rosé

Tenuta Carobbio Rosato Terrarossa 2015, Igt Toscana, Tuscany, Italy (Agent, $32.95, WineAlign)

Carobbio’s is different, a rosato of its own accord from a hasty (24-28 hours) fermentation descried of 100 per cent sangiovese. After four to five months in stainless steel it asks to show the world what it has to offer from a specific, steep-terraced red clay soil vineyard, thus the moniker and only used for this wine. A mineral-saline aroma sears ahead of the fruit which is bright of light cherry and convincingly of an intent to celebrate sangiovese in a form not so often noted. Like a cross between Coonawarra of terra rossa for cabernet sauvignon and Swartland of schist for syrah but here with sangioivese, for Rosé. Much more fruit on the palate but still the light and lithe cherry. There is more colour from sangiovese, naturally, but not from pressing. A very distinguished and elegant Rosato. Drink 2017-2020.  Tasted February 2017  @Tenuta_Carobbio  @apparitionwines  @chianticlassico  @ChiantiClassUSA

Tenuta Carobbio Chianti Classico 2014, Tuscany, Italy (Agent, $37.95, WineAlign)

Chianti Classico 2014 is a Panzano in Chianti, Conca d’Oro sangiovese with five per cent merlot that takes just one whiff to gain an understanding of what’s going on with wine director Dario Faccin, Carobbio and where these wines are heading. From the start I would ask to leave vintage concern or controversy out of the equation and simply concentrate on the purity from a variegated sangiovese that is entirely specific to the vineyards here. The red to purple sangiovese, transversing a line from a classic to ultra modern without ever veering from what sangiovese must have been and quintessentially is, off of vines tendered into Carobbio’s soils. The only comparison thus far is the Radda in Chianti Colle Bereto from Bernardo Bianchi, here of course so different, but with perfect hue, avoidance of massive structure and bullish tannin, in a word or two, “molto elegante.” Precise. Drink 2017-2025.  Tasted February 2017

Tenuta Carobbio Chianti Classico Riserva 2013, Tuscany, Italy (Agent, $58.95, WineAlign)

For Chianti Classico Riserva the solo performance is 100 per cent sangiovese and just as 2013 must be this grabs you by the olfactory senses with elegant inhalant immediacy. You are immersed straight away into a wine without reserve in the way that the only the purest of Riserva can be. Philanthropic, generous and kind. Even more so and because it is Carobbio, there is no fence to jump over, hoop to hurl through or great wall to climb. Not in aroma and then what follows is palate texture and finally fine-grained tannin. Not even acidity will lash out but rather support, with more kindness. Everything is presented from the start with a wisdom that doesn’t rely on oxidative or cured character. Just elegance. Rich and affirming, for sangiovese and life. Humour this CCR ’13 and wait just one more year, per il rispetto. Drink 2018-2027.  Tasted February 2017.

Tenuta Carobbio Leone 2013, IGT Toscana, Italy (Agent, $119.95, WineAlign)

Leone is Chianti Classico incarnate, a single-vineyard sangiovese and perhaps the artist of the future known as Gran Selezione. The aromatics are a force from fruit raised in front of the river (Pesa) on the border between Florence and Siena, a high-density (5,000-5,500 plants per hectare) vineyard. In the first week of June Dario says “I take all the leaves off of the stems,” executed with risk-reward abandon but on second thought, as a factual matter of personal volition and intuition. Then two weeks later the smaller leaves begin to grow. This allows the early phenolic process to work on the young skins and increase the early offerings of photosynthesis. The skins carry a natural protection against the sun (in June) but not in August. Voila, wine begins in the vineyard. Leone is incredibly young and perfumed with so much restraint. It gets neither more precise, elegant or wise, or even more important, as a vineyard representative or as such a mindful and consistently right expression as this. The tannins are the finest of any you are likely to taste in sangiovese. The fruit is so perfect, red and purple, living and loving together, and you don’t need to name them. Dario insists on the simple and the obvious. That you taste the grapes every day at harvest and when the bottom of the skins do not attack you with aggressive tannin and the brown seeds crunch, you are ready to pick. “If you want to produce a great wine, you have to walk in the vineyard every day.” Leone’s got soul and only 4,000 bottles are produced. Drink 2020-2033.  Tasted February 2017

Tenuta Carobbio Pietraforte 2013, IGT Toscana, Italy (Agent, $119.95, WineAlign)

Pietraforte is the Carobbio diversion into 95 per cent cabernet sauvignon (plus five cabernet franc) out of a 30 year-old vineyard that generally yields 3,500 kg per hectare or what Dario Faccin deems “niente.” Only 2,000 bottles are produced and 2013 is still a bambino, with wood more apparent on the nose than the sangiovese, quite spiced and then even spicier on the palate. Nothing vegetal takes any place at this international varietal table but the franc lends its must give current, of currants and even a little espresso. This has cool red soil savour that the cabs will inherit from the wind and the earth. But I have to say and say it with conviction, this is more varietally correct and obvious than most. More cabernet than Toscana. Needs five years, minimum. 2022-2030.  Tasted February 2017

What are you tasting right now? #carrobio @chianticlassico #1991 #1997

Tenuta Carobbio Chianti Classico 1997, Tuscany, Italy (AgentWineAlign)

Chianti Classico 1997 was made by then oenologist Gabriella Tani, the first pupil of Vittorio Fiore. With 20 beautiful years of slow development now in the past this has drifted into the smoky, opaque and cloudy future, elegant and elongated though its best days have only recently receded out of view. Plums mingle with raisins while the original cherries are now dehydrating sweet and turning to leather. There is this delicate acidity and silky mouthfeel that reminds you of what Chianti Classico once was (and for some continue to make), that curative, always knew what it was going to be in disposition for two years even before it has taken its first steps. In glass 15 minutes it now changes and becomes even more like its original self, minus the tannin. The old funk is in, quietly slipping into the room, lingering and taking a seat at the table. It is most welcome. Drink 2017-2020.  Tasted February 2017

Tenuta Carobbio Chianti Classico Riserva 1991, Tuscany, Italy (AgentWineAlign)

Ranging back further to 1991, now this is something else, 26 year-old Chianti Classico (Riserva), but surely so like the normale, alive, singing and oh I bet it can tell some stories. From a Carobbio golden age, at a time when the wines were at one with grandfather’s pipe, when I and so many other children would sit on his lap and as the pipe-cleaner came out, we would take in a deep breath and this was the smell. He wasn’t Tuscan, never walked the Conca d’Oro, knew nothing of Panzano, but does it matter? Chianti Classico of no guru, no method, no teacher. Now the wine morphs into delicate, fine-spice, a moment’s travel on a magic carpet to somewhere exotic. Than back to sangiovese reality, with lavender, rosemary and wild cherry. The acidity in 1991 is kept, preserved alive so there will easily be five years left to repeatedly find this in a sound and gifting place. “We’ve got to go back. For the healing. Go on with the dreamers.” Drink 2017-2023.  Tasted February 2017

Tenuta Carobbio Leone 1995, IGT Toscana, Italy (Agent, $119.95, WineAlign)

Leone 1995 was made under the auspices of the Vittorio Fiore-Gabriella Tani oenology stylistic for Carlo Novarese. To say that this single-vineyard sangiovese is youthful would be the biggest IGT understatement of the century. From vines that at the time were 25 years-old, Leone is not just a survivor of a universally-declared incredible vintage, it is a singular expression from 1990’s Tuscany, in Chianti Classico and for Panzano. The violets, dried espresso and plum-amaretti semifreddo (savoury, not sweet) mixes with fennel frond, fresh rosemary and the 20-plus years lingering Carobbio tobacco. The acidity is fully intact, still travelling up and down the sides of the tongue, repeatedly and soliciting so much savour, sapidity, a desire for a mouthful of hematic, rare sear of Claudia’s beef filet and then more and more sipping. After 20 minutes the aromatics deliver a raspberry purée and even a black olive and mineral-saline, short of briny caper into the fray by stroke of some aromatic brush and bush in the light afternoon wind. That’s enough. I’m not sure my heart can take any more. Time for Vin Santo. Drink 2017-2029.  Tasted February 2017

A great honour to taste this 1995 #carobbio #leone and in memory of #carlonovarese Thank you Dario and Silvia. Would like the chance to do it again in 22 years #toscana #sangiovese

Tenuta Carobbio Vin Santo del Chianti Classico Occhio di Pernice 2010, Tuscany, Italy (Agent, $49.95, WineAlign)

Vin Santo del Chianti Classico Occhio di Pernice, “The eyes of the partridge,” called as such because it adheres to the credo of Vin Santo, made from at least 80 per cent sangiovese. Here the number is 90, with (five) trebbiano and (five) malvasia bianca, a completely different take, with so much more fruit, red fruit, away from the stone-peach/apricot vein and grounded, back down to the earth. Long, created by time in barrel spice, with the accent in cinnamon and there is this lemon peel and ripe crabapple aroma too. The palate is all cherry blossom liqueur, soft, creamy, downy, silky and nearly gelid. But it’s warm and comfortable. The gentlest and most ethereal Vin Santo in which acidity tempers sweetness, connecting with each other and neither bleeding ego or control. Drink 2017-2035.  Tasted February 2017

#vinsantophilia #carobbio #pannacotta

Good to go!

Godello

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