Alternative and unexpected California

Pop goes @california.wines unexpected whites with phenomenal insight by @hawk_wakawaka ~ Thank you Elaine, Paula @CalifWines_CA

Elaine Chukan Brown came to town and if you’ve never heard her speak on the subject of California wines then you have yet lived. The California Wine Fair has been rolling through Canada for coming upon forty years running and this past April she and the show stopped in Toronto. It has continued to exist as the largest Canadian gathering of that state’s wines under one roof you are ever going to find. The American specialist at JancisRobinson.com, contributing writer with Wine & Spirits Magazine and eloquent meets erudite penner of Hawk Wakawaka Wine Reviews was the keynote speaker at the trade luncheon but it was her morning presentation of California’s unexpected white varietals that got me thinking. Thinking about California wine.

Elaine Chukan Brown

Unexpected might also mean alternative though when talking about grape varieties grown in a place where nothing is truly endemic and everything is expatriate, is there truly such an animal? I could digress into commentary about immigration policies but I’ll stay the course and stick to wine. Brown’s seminar was appropriately referenced with more than one headline because it wasn’t just about varietals. The lecture indeed touched upon malvasia bianca, vermentino and chenin blanc but it also spoke of sparkling, Rosé and iconic blends made by archetypal producers. Not a singular notion by any means of conferral and so ultimately necessary to be expressed in diversified terms. Alternative and unexpected but not without a hit of developed orthodoxy and a whack of doctrinal emigration.

The cross-Canada celebration of California’s wine community began as a single-city event in Ottawa in 1980 and is now the largest annual wine tour across Canada. The California Wine Fair is is the hands of Praxis PR’s Paula Oreskovich and I would be shocked if there is a more successful regional tour, especially at this scale. The 2018 edition was no exception and adding Elaine Chukan Brown to the bill was both a coup and a stroke of brilliant thinking.

There were 10 wines involved in the determinate and evaluative discourse. I could kudize the selections and the seamless flow from reception wine Rosé through epiphanic Brut and across a swath of right proper showing white wines. I could but I’d rather concentrate on Brown’s photographic mind and ability to convey California wine growing region geography, topography and climatic influences. To present these things to a Toronto wine body politic eager for information. This presentation was science incarnate, pure and motivating. It dispatched the essence of the California dialectic and if you understand varietals, growing conditions and economics, what you soak in may actually allow you to write down what will happen in the future, much like you might write down the history of the past. A California history that speaks of cabernet sauvignon, chardonnay and pinot noir. A California future that is alternative, unexpected and wide open.

Folded Hills Lilly Rosé 2017, Santa Inez Valley, California (Winery, WineAlign)

From the Bush family, Rhône varietals are the impetus with this second fruit from a Rosé vineyard set situated in proximation of Ballard Canyon, where things ripen quite formidably. It’s a top location for pinot noir but here an even better place for grenache and syrah. The wine spent 24 hours on skins, was fermented and aged in neutral oak. Crisp acidity speaks to the area’s growing conditions and in its way acts as grenache vin gris, of tart pink to red currants in a glass. Drink 2018-2020.  Tasted April 2018  folded hills  @foldedhills  Folded Hills

Caraccioli Brut Cuvée 2010, Santa Lucia Highlands, California (Winery, WineAlign)

Caraccioli Brut Cuvée 2010 is a pinot noir speciality transferred to sparkling for flinty, smoky, salty and briny sea fresh character from out of a cold Alaskan bred Pacific current. Top, absolute upper end of Brut with 12 g/L sugar and high natural acidity, which is essential. Four years on lees, but that burgeoning acidity works more magic than the yeasts do for texture. As tart as sparkling wine gets and it’s from California. A journey that began in 2010 for only 96 cases made. Price is $52 at the winery. Drink 2018-2022.  Tasted April 2018  caracciolicellars  @caraccioliwines  Caraccioli Cellars

Palmina Malvasia Bianca 2016, Santa Ynez Valley, California (Agent, WineAlign)

East of centre in the valley, just crossing into Ballard Canyon, from sand over chalk. These are soils that warm up fast, ripening a variety that wants to be bitterly phenolic but finds a way to make use of fog from coastal influences in a nook where the mountains run west to east. The limestone in turn acts as the conduit in delivery of great acidity. From green apple to south asian tropical fruit but I can’t say I’ve ever tasted anything like it before. Yes, the acidity is grand and yes, there is a bitter phenolic note though it’s like great gin. A wildly aromatic wine. There are 62 cases made. Drink 2018-2021.  Tasted April 2018  palminawines  barrelselect  @palminawines  @BarrelSelect  Palmina Winery  @barrelselect

Ryme Cellars Hers Vermentino 2016, Carneros, Sonoma County, California (Winery, WineAlign)

From just over on the Sonoma side of Carneros, the last vineyard before you hit marshlands in San Pablo Bay. Alto, musky and floral notes on the nose, a deep sax, A Love Supreme. What’s curious and high level is the texture, which speaks to place, soil and I suppose, winemaking. It’s part malolactic from neutral oak to further explain, with a mix of stainless steel to keep it Trane chord change airy, elevated, ante-flat earth society vermentino. Approximately $25-29 US. Drink 2018-2020.  Tasted April 2018  ryme_cellars  @RymeCellars  Ryme Cellars

Matthiasson White Blend 2015, Napa Valley, California (Winery, WineAlign)

Ostensibly an example of a ribolla gialla led, Friuli styled blend by Steve Matthiasson. It’s a grouping of sauvignon blanc, sémillon, ribolla gialia and tokai friuli (friulano) as the components, turning the Friuli a bit on its head but its more about fruit than pyrazine with a ribolla lick off the ground. There is a nutty note, namely almond from tokai and a flinty strike by sémillon. Unilaterally fermented in neutral barrels and then eventually transferred back in. Great balance, complex and long as the coastal range. Come back to it and it has a wonderful savoury, candied childhood memory feeling. Drink 2018-2021.  Tasted April 2018  matthiasson_wine  @matthiassonwine  Matthiasson Wines

J Vineyards And Winery Pinot Gris 2016, Russian River Valley, California (Agent, WineAlign)

Introduced by Elaine Brown as “a testament to the notion that pinot gris is a noble grape, that expresses its place and adaptation from place to place.” A wine as child of western Sonoma County daily fog incursion, absorbed by the clay, a gift of natural refrigeration, non-pushed sugar development, working for gris, not just noir. Semi-mouth watering freshness, unctuousness and notable sweetness.”Round and hovering,” full and tart, mid-range in the mouth. Minor barrel fermented plus 15 per cent new, as kisses for a nutty depth and orange marmalade flavour. Quite delicious, full of texture and flavour. Drink 2018-2020.  Tasted April 2018  #jvineyardsandwinery  gallocareers  @JWinery  @gallocareers  J Vineyards & Winery  Gallo Family Vineyards  E. & J. Gallo Winery

Birichino Chenin Blanc Jurassic Park Old Vines 2016, Santa Ynez Valley, California (Winery, WineAlign)

From a site protected from wind, a diurnal temperature shift with more of a breeze effect, above the fog line at a high (1100 ft.) elevation. All this to say that you’ll end up with increased aromatics, from own-rooted vines planted in the 70s on sandy soils. Chèvre funky, tangy on the acid notes, with layers of ripeness, but with no developed botrytis and then some fruit picked in December mixed right in. It’s green, white, pink and yellow. It’s all in, not overly punchy but very expressive. From apple to brine and back again. This may be the vintage that has it all. Drink 2018-2020.  Tasted April 2018  birichino_official    Birichino

Chateau Montelena Riesling Potter Valley 2016, Mendocino, California (Agent, $36.95, WineAlign)

The first wine Montelena ever released was in fact riesling, a Bo Barrett obsession, slightly inland in the far north on Mendocino. It’s a high elevation at 900 ft., on highly oxygenated, well-draining, gravelly-loam soils with a touch of clay. Made in a combination of stainless steel and neutral oak. The lullaby phenolic and dreamy glycerin fruit content is high, with help from minor (4 g/L) of RS and what is essentially an arrested acidity. A very underdeveloped riesling, youthful and rich, just bloody delicious. Lime, snappy green apple and gravel stone bleed. Riesling as good as it gets in California, from Mendocino all the way down. Perfect for this desert life. “If dreams are like movies, then memories are films about ghosts. You can never escape, you can only move south down the coast…Hey Mrs. Potter won’t you talk to me.” Drink 2019-2022.  Tasted April 2018  chmontelena  rogersandcompanywines  @ChMontelena  @rogcowines  Chateau Montelena Winery  Rogers & Company

Robert Mondavi Fumé Blanc To Kalon Reserve 2014, Oakville, Napa Valley, California (Agent, $44.95, WineAlign)

The Reserve is the top level for fumé blanc (aside from the I-Block) and a wine made since 1966. There must be more sémillon in 2014 because it’s as smoky and flinty as it ever has been. A portion of the 1945 I-Block vines generously add sauvignon blanc in this wine. This is the original, the history of California wine, the alternate varietal spoken ahead of all the others. Reduced vigour vines from volcanic, well-draining soils for purity and decades long honesty. Always absurdly fresh, integrated, with an ability to age low and slow. Drink 2019-2028.  Tasted April 2018  robertmondavi  #constellationbrands  @RobertMondavi  @cbrands  Robert Mondavi Winery  Constellation Brands

Tablas Creek Vineyard Esprit De Tablas Blanc 2015, Paso Robles, California (Agent, 735506, $44.95, WineAlign)

From the far western side’s folded, undulated hills on the western range that bring in cold air through its streams. A place of cold night and even some persistent cool air during the day. It’s roussanne based, but this ulterior vintage means an elongated ripening so the roussanne was low in acidity, therefore more picpoul was employed for acid. It’s fleshy, creamy toffee, candied floral and candied citrus plus orchard fruit and mango. Should turn waxy and seem more mineral as the alloys emerge and the fruit dissolves. Drink 2018-2021.  Tasted April 2018  tablascreek  @TablasCreek  @ChartonHobbs  Tablas Creek Vineyard  CHARTON-HOBBS QUEBEC

Pop goes @california.wines unexpected whites with phenomenal insight by @hawk_wakawaka ~ Thank you Elaine, Paula @CalifWines_CA

Good to go!

Godello

Twitter: @mgodello

Instagram: mgodello

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Chilling with the bad boy of Chianti Classico

Journalist hard at work, Photo (c) Christine Lechner

On a glorious February afternoon in between Anteprime days I exited the car at Bibbiano and noticed this most beautiful stone wall bathed in Chianti Classico light. Castellina in Chianti light to be precise, overlooking the Elsa Valley towards the castle of Monteriggioni and I laid my body down for a quick rest. Here in Bibbiano with Montornello on the northwestern side and on the southwestern, Vigna del Capannino. A stillness filled the air. Minutes later, refreshed and ready, I sat down to taste Bibbiano’s wines.

Bibbianaccio. It means bad boy, not literally but this is what it means all the same. Cattivo Ragazzo would be the literal translation of bad boy but an avant-garde IGT from Tomasso Marocchezi Marzi called Bibbianaccio is the elucidation we are going with. A wine that breaks from current ranks by metaphrasing ancient tradition in order to dwell on the past and pour with current modernity.

Tomasso Marocchezi Marzi and his brother Federico are responsible for crafting such a devilish IGT Toscana and it’s a most unusual departure from the rest of their classic renderings of Chianti Classico. Their Annata, Riserva and Gran Selezione sangiovese are steeped in praxis and birthright, adhere to a deeply soulful, local Castellina in Chianti style and the thread run through all three DOCG levels is both obvious and uncanny. What stands further apart with glaring clarity is the determinate or indeterminate Bibbiano slope each wine draws their fruit from. In some cases one or the other and in others, a combination of the two. Montornello and Vigna del Capannino. The descending vineyards on either side of the Bibbiano plateau offer up an incredible study in contrasting Chianti Classico geology.

February? #chianticlassico has no issue with #february nor Godello neither.

“The name Bibbiano is of late Latin origin (circa 200 A.C.) and the first historical reference to the name is dated 1089, preserved in a parchment currently preserved in the Abbey of Passignano. It is a record of the deed of donation of the “curte” (court) and of the “castello de Bibiune cum ecclesia, cum casis, (…) viteis (…)” (castle of Bibbiano with church, farms, and grapevines) from Mingarda di Morando to Giovanni di Benzo.” In 1498, Bibbiano is registered in the Cadastre of the Decima Repubblicana as being owned by Matteo di Piero di Francesco Squarcialupi.”

In 1880 Antonio Marzi, son of Pietro, expanded the property of Bibbiano by adding other plots such as Gagliano, Gaglianuzzo and Padule. In November 1942, together with Giulio Gambelli, Pier Tommaso Marzi started producing Chianti Classico wines at Bibbiano. After World War Two Pier Tommaso Marzi and his son-in-law Alfredo Marrocchesi began major renovations, with the help of Gambelli. The work started in 1950 and ended in 1970 with the completion of a large wine cellar, the planting of 20 hectares of specialized vineyards. The family has been a member of the Consorzio di Vino Chianti Classico since 1948.

A study of the district of Castellina in Chianti and geomorphological Bibbiano is paradigmatic to the variety of the appellation. The estate is placed at the southwestern side of the area with altitudes varying from 250m to 600m. It’s plateau is perched on two slopes, on a late Miocene and early Pliocene seabed platform aged 5-10 million years. On one side the highest and eastern is based on primary boulder platforms; the lowest and western on silt sediments. More specifically it is broken down as calcareous silt and sediments of diverse kinds of clay mixed with round pebbles, rare sands, rare chalk veins on the NE estate side; pure gray clay with fragmented limestones, shattered schists on the SW estate side.

A river of adroit style runs through the wines of Bibbiano. They are uncluttered, ingenious, precise and successive sangiovese (and sangiovese grosso) wines of tradition and modernity. I tasted Chianti Classico Annata, Riserva, Gran Selezione and IGT. Here are the notes.

A river of adroit style runs through it @bibbianowines #ingenuity #uncluttered #succession #precision #chianticlassico #chianticlassicoriserva #granselezione #bibbianaccio #tomassomarocchezimarzi

Bibbiano Chianti Classico 2014, DOCG Tuscany, Italy (168286, $23.95, WineAlign)

Taken out of both the north and south vineyards (the estate sits on the ridge of Bibbiano at 310m) from the difficult, rainy vintage. Tomasso Marrocchesi Marzi notes that “being organic you have to be very careful with your farming” but despite the adversity the fruit came clean. You get freshness, acidity, florals of a wide range, fennel-liquorice, mint and savour, taut sapidity, but not wound so tight you can’t gain access. The vintage solicited a careful selection, more so than usual but not so out of the ordinary. Yields were low as result. This is very sturdy, essential sangiovese of tradition, proper description of its dual terroir and what it means to be in this wine. From calcareous pebbles in variegated clay and sharp schist in red clay. Smells like the slopes and its natural growth, with just a touch of colorino, raised all in concrete and no wood. Is what it is, perfect and imperfect. Drink 2017-2021.  Tasted February 2017  @bibbianowines  @chianticlassico  @ChiantiClassUSA

VineWhys Wine Experts

Bibbiano Chianti Classico 2013, DOCG Tuscany, Italy (168286, $23.95, WineAlign)

A rich liquere, weight and warmth define this sangiovese from Castellina in Chianti by Tomasso and Federico Marrocchesi Marzi. While the old school leather, cherries and steeping liquor are in line with many Brunello this is pure Chianti Classico and not Riserva. The clarity and purity of fruit make that determination even if the wine is warm to mulled in feeling. Will settle a bit and develop its mushroom, truffle and forest floor nuances sooner rather than later. For fans of bold CC and the way it can be thought as has to be. Drink 2018-2022.  Tasted January 2017

Bibbiano Chianti Classico Riserva Montornello 2013, DOCG Tuscany, Italy (AgentWineAlign)

Montornello is 100 per cent sangiovese grown on the eponymous northern slope, the one with the variegated soil. Montornello is the (five million years) younger of Bibbiano’s two geologies, a platform of several types of partly calcareous, loose clay; red, yellow, amber and white. As floral as the ’14 annata but more mellow, serious and of a noted confidence. Some barriques are employed but the fruit is not shrouded in any way. Scents of liquorice again, plus graphite, a toasty char, warm tar and some beneficial bitters. Finishes strong, seamless and cool. Drink 2018-2023.  Tasted February 2017

Bibbiano Chianti Classico Gran Selezione Vigna Del Capannino 2011, DOCG Tuscany, Italy (AgentWineAlign)

The vineyard “Del Capannino” was planted in the 1950’s by the late great Giulio Gambelli, assistant to Tancredi Biondi-Santi. Not surprisingly and in connection to Brunello di Montalcino it is a clonal planting of sangiovese grosso, with further propagation done in the 1990s. The rich Albarese soil of Del Capannino enjoys the finest exposure and microclimate on the estate and is considered the best expression of Bibbiano’s “genius loci,” the spirit of the place. The first single vineyard vintage was 1998 and the Riserva designation switched to Gran Selezione in 2014, retroactive to the 2010 vintage. Today Bibbiano uses Botti (di rovere) Grande and Tonneaux (beginning in 2008) after barriques had been used for years. Still and always has been 100 per cent grosso, the only producer to do so in Chianti Classico. And so theirs is a liqueur that of course takes your mind to Brunello but this is purely Castellina and Chianti Classico so don’t be confused or tempted to settle for idyll comparisons. This has freshness, purity and that enticing meets teasing acidity, certainly consistent with and of no divergence to Bibbiano style. Ties to CC and CCR are blatant, necessary and so very pleasing. There is great structure but you can think about drinking this in its youth. It wont let out all its secrets but it will begin to tell its story. A story of territory. Drink 2019-2028.  Tasted February 2017

Bibbiano Bibbianaccio 2011, Igt Toscana, Italy (AgentWineAlign)

Bibbianaccio comes to light in its inaugural vintage, “the bad boy of Bibbiano.” Who is this bad boy, wine or man, referring to Tomasso Marrocchesi Marzi perhaps, or is it something other? The 50 per cent sangiovese, (40) colorino and mixed varietal (including malvasia bianca) blend is an ode to a time before, when Chianti Classico regional wines were blends filled with whatever grew in the fields and men were men. This (mere production of 2,000 bottles) one is forged with extended battonage, malolactic is done in tonneaux and then the blend is assembled and sent to Slavonian oak. The bad more likely refers to a departure, a break from the stylistic and the the territorial approach. His purpose is “to show that we are capable of anything,” insists Tomasso. His rebel is floral and it reminds me of a northern Rhône syrah-viognier, in a sangiovese-colorino with white grape addendum body. Colorino brings the colour, but texture is also ushered in. The punch downs, the stalks mined in, the wood and the compression all give this a vivid, fleshy reality. It’s also much more tannic than the straight-shooting sangiovese. Bibbiannacio is yet another wine tasted in Chianti Classico with no frame of reference, or certainly not one that I have ever tasted before. It is drawn fruit on down from both sides of the Bibbiano plateau but I really taste the calcaire, liquid chalky and mixed with that tannin showing that some further bottle time is needed. Drink 2019-2025.  Tasted February 2017

Two sides of Bibbiano: Montornello and Vigna del Capannino

Good to go!

Godello

Twitter: @mgodello

Instagram: mgodello

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Caro Carobbio

Peaceful afternoon in February light at #carrobio #chianticlassico #panzano

Few wanderlust statements sound better than “I returned to Tuscany” and with the greatest of fortune smiling upon me I am able to utter the phrase again. Not just Toscana mind you, but Chianti Classico, in and out of February Anteprime tastings, to a pin on the map south from Firenze along the Chiantigiana, sidestepping for the Florentine view from Impruneta, then through Greve and into Panzano. The reason for my return begins as it always does, to adduce a lifelong pursuit deep into the meaning of sangiovese. It also fosters a fixation dug into the variegated soils of Chianti Classico and even further still, to the nurturing, sub-appellative specificity of sangiovese’s intaglio secrets. With each return it also ingrains a feeling of coming home.

Related – Grace in Chianti Classico

The most recent visit brought me back to Panzano, first to Il Molino di Grace and then to Tenuta Carobbio. Panzano in Chianti lies at the heart of Chianti Classico and below the hilltop town sits the “golden basin” of the Conca d’Oro, once a prized wheat producing area interspersed with grape vineyards and olive groves. Carobbio is not so easy to find. The tight twisting road from Panzano climbs and descends before turning off-road for the descent into the valley where tucked away and recondite Carobbio lies. It is no stretch to call Carobbio a hidden gem.

Conca d’Oro

Forza e Passione

E la sua passione describes the vision of Carlo Novarese’s decision to create Tenuta Carobbio. The Como silk king was born into a family from Monferrato and the childhood memories of wine production at Sannazaro Castle conspired to transfer passion into the estate’s Panzano ways. At 60, Novarese handed over the family textile company to his son and returned to Tuscany. “A spontaneous return, perhaps atavistic, which marked a new beginning.” With a “desire was to return to his roots and begin living close to the soil.” During a magical evening in June 1986, in a moment frozen in time, Carlo Novarese felt the certainty of having found “un angolo di paradiso in Toscana, “a little corner of paradise.”

Capiteto

A little slice of Eden in Tuscany

The southern facing Carobbio set between 350 and 400 metres of elevation stretches over 50 hectares, mostly forested, 10 of which are specialized vineyards and two are dedicated to olive cultivation. The Panzano hill and its houses protect the southern Conca d’Oro valley from the cold Apennine winds. The peaks of Monte Domini, Poggio Convento, Monte San Michele and Monte Querciabella in the east shelter the vineyards of Carobbio from the winds and damp air from the Arno.

The soils are characterized by a significant proportion of deep clay, sandstone, siltstone strata, marl and Alberese, the latter two most typical of Chianti Classico. The land is simply and emphatically “un territorio che vive graze alla forza e passione delle persone,” a land that lives through the strength and passion of its people. The 150 year-old farmhouse, ‘Capiteto’ is a great symbol of the estate’s history, a home at the edge of the Conca d’Oro, with views stretching from Rignana in San Donato to Tavarnelle.

Silvia Fiorentini and Dario Faccin

After walking the estate I sat down with Carobbio’s Director of Winemaking Dario Faccin and the Consorzio di Vino Chianti Classico’s Silvia Fiorentini for a tasting of current vintages and indelible memory etching bottles from the past. Dear Carobbio, thank you for taking me in, for sustaining me and for introducing me to the mysteries of the Conca d’Oro. Here are my notes on the nine wines tasted, with thanks to Dario, including selections from 1997, 1995 and 1991.

Single-vineyard, 100 per cent sangiovese, so mineral-spiced you would think it came from barrel #notachance #carrobio #toscana #panzano #terrarossa #rosato #rosé

Tenuta Carobbio Rosato Terrarossa 2015, Igt Toscana, Tuscany, Italy (Agent, $32.95, WineAlign)

Carobbio’s is different, a rosato of its own accord from a hasty (24-28 hours) fermentation descried of 100 per cent sangiovese. After four to five months in stainless steel it asks to show the world what it has to offer from a specific, steep-terraced red clay soil vineyard, thus the moniker and only used for this wine. A mineral-saline aroma sears ahead of the fruit which is bright of light cherry and convincingly of an intent to celebrate sangiovese in a form not so often noted. Like a cross between Coonawarra of terra rossa for cabernet sauvignon and Swartland of schist for syrah but here with sangioivese, for Rosé. Much more fruit on the palate but still the light and lithe cherry. There is more colour from sangiovese, naturally, but not from pressing. A very distinguished and elegant Rosato. Drink 2017-2020.  Tasted February 2017  @Tenuta_Carobbio  @apparitionwines  @chianticlassico  @ChiantiClassUSA

Tenuta Carobbio Chianti Classico 2014, Tuscany, Italy (Agent, $37.95, WineAlign)

Chianti Classico 2014 is a Panzano in Chianti, Conca d’Oro sangiovese with five per cent merlot that takes just one whiff to gain an understanding of what’s going on with wine director Dario Faccin, Carobbio and where these wines are heading. From the start I would ask to leave vintage concern or controversy out of the equation and simply concentrate on the purity from a variegated sangiovese that is entirely specific to the vineyards here. The red to purple sangiovese, transversing a line from a classic to ultra modern without ever veering from what sangiovese must have been and quintessentially is, off of vines tendered into Carobbio’s soils. The only comparison thus far is the Radda in Chianti Colle Bereto from Bernardo Bianchi, here of course so different, but with perfect hue, avoidance of massive structure and bullish tannin, in a word or two, “molto elegante.” Precise. Drink 2017-2025.  Tasted February 2017

Tenuta Carobbio Chianti Classico Riserva 2013, Tuscany, Italy (Agent, $58.95, WineAlign)

For Chianti Classico Riserva the solo performance is 100 per cent sangiovese and just as 2013 must be this grabs you by the olfactory senses with elegant inhalant immediacy. You are immersed straight away into a wine without reserve in the way that the only the purest of Riserva can be. Philanthropic, generous and kind. Even more so and because it is Carobbio, there is no fence to jump over, hoop to hurl through or great wall to climb. Not in aroma and then what follows is palate texture and finally fine-grained tannin. Not even acidity will lash out but rather support, with more kindness. Everything is presented from the start with a wisdom that doesn’t rely on oxidative or cured character. Just elegance. Rich and affirming, for sangiovese and life. Humour this CCR ’13 and wait just one more year, per il rispetto. Drink 2018-2027.  Tasted February 2017.

Tenuta Carobbio Leone 2013, IGT Toscana, Italy (Agent, $119.95, WineAlign)

Leone is Chianti Classico incarnate, a single-vineyard sangiovese and perhaps the artist of the future known as Gran Selezione. The aromatics are a force from fruit raised in front of the river (Pesa) on the border between Florence and Siena, a high-density (5,000-5,500 plants per hectare) vineyard. In the first week of June Dario says “I take all the leaves off of the stems,” executed with risk-reward abandon but on second thought, as a factual matter of personal volition and intuition. Then two weeks later the smaller leaves begin to grow. This allows the early phenolic process to work on the young skins and increase the early offerings of photosynthesis. The skins carry a natural protection against the sun (in June) but not in August. Voila, wine begins in the vineyard. Leone is incredibly young and perfumed with so much restraint. It gets neither more precise, elegant or wise, or even more important, as a vineyard representative or as such a mindful and consistently right expression as this. The tannins are the finest of any you are likely to taste in sangiovese. The fruit is so perfect, red and purple, living and loving together, and you don’t need to name them. Dario insists on the simple and the obvious. That you taste the grapes every day at harvest and when the bottom of the skins do not attack you with aggressive tannin and the brown seeds crunch, you are ready to pick. “If you want to produce a great wine, you have to walk in the vineyard every day.” Leone’s got soul and only 4,000 bottles are produced. Drink 2020-2033.  Tasted February 2017

Tenuta Carobbio Pietraforte 2013, IGT Toscana, Italy (Agent, $119.95, WineAlign)

Pietraforte is the Carobbio diversion into 95 per cent cabernet sauvignon (plus five cabernet franc) out of a 30 year-old vineyard that generally yields 3,500 kg per hectare or what Dario Faccin deems “niente.” Only 2,000 bottles are produced and 2013 is still a bambino, with wood more apparent on the nose than the sangiovese, quite spiced and then even spicier on the palate. Nothing vegetal takes any place at this international varietal table but the franc lends its must give current, of currants and even a little espresso. This has cool red soil savour that the cabs will inherit from the wind and the earth. But I have to say and say it with conviction, this is more varietally correct and obvious than most. More cabernet than Toscana. Needs five years, minimum. 2022-2030.  Tasted February 2017

What are you tasting right now? #carrobio @chianticlassico #1991 #1997

Tenuta Carobbio Chianti Classico 1997, Tuscany, Italy (AgentWineAlign)

Chianti Classico 1997 was made by then oenologist Gabriella Tani, the first pupil of Vittorio Fiore. With 20 beautiful years of slow development now in the past this has drifted into the smoky, opaque and cloudy future, elegant and elongated though its best days have only recently receded out of view. Plums mingle with raisins while the original cherries are now dehydrating sweet and turning to leather. There is this delicate acidity and silky mouthfeel that reminds you of what Chianti Classico once was (and for some continue to make), that curative, always knew what it was going to be in disposition for two years even before it has taken its first steps. In glass 15 minutes it now changes and becomes even more like its original self, minus the tannin. The old funk is in, quietly slipping into the room, lingering and taking a seat at the table. It is most welcome. Drink 2017-2020.  Tasted February 2017

Tenuta Carobbio Chianti Classico Riserva 1991, Tuscany, Italy (AgentWineAlign)

Ranging back further to 1991, now this is something else, 26 year-old Chianti Classico (Riserva), but surely so like the normale, alive, singing and oh I bet it can tell some stories. From a Carobbio golden age, at a time when the wines were at one with grandfather’s pipe, when I and so many other children would sit on his lap and as the pipe-cleaner came out, we would take in a deep breath and this was the smell. He wasn’t Tuscan, never walked the Conca d’Oro, knew nothing of Panzano, but does it matter? Chianti Classico of no guru, no method, no teacher. Now the wine morphs into delicate, fine-spice, a moment’s travel on a magic carpet to somewhere exotic. Than back to sangiovese reality, with lavender, rosemary and wild cherry. The acidity in 1991 is kept, preserved alive so there will easily be five years left to repeatedly find this in a sound and gifting place. “We’ve got to go back. For the healing. Go on with the dreamers.” Drink 2017-2023.  Tasted February 2017

Tenuta Carobbio Leone 1995, IGT Toscana, Italy (Agent, $119.95, WineAlign)

Leone 1995 was made under the auspices of the Vittorio Fiore-Gabriella Tani oenology stylistic for Carlo Novarese. To say that this single-vineyard sangiovese is youthful would be the biggest IGT understatement of the century. From vines that at the time were 25 years-old, Leone is not just a survivor of a universally-declared incredible vintage, it is a singular expression from 1990’s Tuscany, in Chianti Classico and for Panzano. The violets, dried espresso and plum-amaretti semifreddo (savoury, not sweet) mixes with fennel frond, fresh rosemary and the 20-plus years lingering Carobbio tobacco. The acidity is fully intact, still travelling up and down the sides of the tongue, repeatedly and soliciting so much savour, sapidity, a desire for a mouthful of hematic, rare sear of Claudia’s beef filet and then more and more sipping. After 20 minutes the aromatics deliver a raspberry purée and even a black olive and mineral-saline, short of briny caper into the fray by stroke of some aromatic brush and bush in the light afternoon wind. That’s enough. I’m not sure my heart can take any more. Time for Vin Santo. Drink 2017-2029.  Tasted February 2017

A great honour to taste this 1995 #carobbio #leone and in memory of #carlonovarese Thank you Dario and Silvia. Would like the chance to do it again in 22 years #toscana #sangiovese

Tenuta Carobbio Vin Santo del Chianti Classico Occhio di Pernice 2010, Tuscany, Italy (Agent, $49.95, WineAlign)

Vin Santo del Chianti Classico Occhio di Pernice, “The eyes of the partridge,” called as such because it adheres to the credo of Vin Santo, made from at least 80 per cent sangiovese. Here the number is 90, with (five) trebbiano and (five) malvasia bianca, a completely different take, with so much more fruit, red fruit, away from the stone-peach/apricot vein and grounded, back down to the earth. Long, created by time in barrel spice, with the accent in cinnamon and there is this lemon peel and ripe crabapple aroma too. The palate is all cherry blossom liqueur, soft, creamy, downy, silky and nearly gelid. But it’s warm and comfortable. The gentlest and most ethereal Vin Santo in which acidity tempers sweetness, connecting with each other and neither bleeding ego or control. Drink 2017-2035.  Tasted February 2017

#vinsantophilia #carobbio #pannacotta

Good to go!

Godello

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